1 00:00:01,160 --> 00:00:04,760 Speaker 1: Today's Daily Highlight from Elvis Duran in the Morning Show 2 00:00:05,080 --> 00:00:06,080 Speaker 1: and turn Ava is. 3 00:00:06,080 --> 00:00:07,480 Speaker 2: Here, high Ava, good morning. 4 00:00:07,840 --> 00:00:09,119 Speaker 3: I know you have to put the headphones on. 5 00:00:09,119 --> 00:00:09,360 Speaker 1: Ava. 6 00:00:09,400 --> 00:00:10,959 Speaker 2: Oh yeah, she can't hear it. I don't think I 7 00:00:11,000 --> 00:00:13,520 Speaker 2: have headphones. Oh that's not good. 8 00:00:13,600 --> 00:00:13,880 Speaker 1: Thank you. 9 00:00:15,000 --> 00:00:17,960 Speaker 2: All right, here's some headphones we love. Ava. Of course, 10 00:00:18,040 --> 00:00:20,560 Speaker 2: Ava was here when we when we talked about the 11 00:00:20,600 --> 00:00:24,080 Speaker 2: cockroach problem in her apartment. Yeah. We're still not over 12 00:00:24,120 --> 00:00:25,360 Speaker 2: that conversation, Oliver. 13 00:00:25,440 --> 00:00:26,400 Speaker 3: Of a sudden, I can hear. 14 00:00:26,560 --> 00:00:31,200 Speaker 2: Okay, yeah, okay, let's move on beyond the cockroach thing. Ava. 15 00:00:31,440 --> 00:00:34,080 Speaker 2: So do you do a lot of auditions for parts 16 00:00:34,120 --> 00:00:37,000 Speaker 2: in film? And I chose I do? 17 00:00:37,240 --> 00:00:37,520 Speaker 1: Yes. 18 00:00:38,720 --> 00:00:41,440 Speaker 2: What's that like living in New York City and hitting 19 00:00:41,479 --> 00:00:45,160 Speaker 2: the pavement and going to these auditions and and what's 20 00:00:45,159 --> 00:00:45,440 Speaker 2: it like? 21 00:00:45,800 --> 00:00:48,240 Speaker 1: It's not the same anymore. I think we all got 22 00:00:48,240 --> 00:00:51,879 Speaker 1: to watch like the gorgeous little interviews of people like 23 00:00:51,920 --> 00:00:54,120 Speaker 1: being found on the street at fourteen and then like 24 00:00:54,800 --> 00:00:58,000 Speaker 1: being who they are now. Now it's like self tapes. 25 00:00:58,040 --> 00:01:01,279 Speaker 1: You're like in your closet, you're roommates reading for you. 26 00:01:01,520 --> 00:01:05,120 Speaker 1: Everything's online. It's all a little bit like what do 27 00:01:05,160 --> 00:01:06,600 Speaker 1: you look like? Do you look the part? Okay, got 28 00:01:06,640 --> 00:01:10,640 Speaker 1: it go. There's no kind of It's not about like 29 00:01:12,480 --> 00:01:15,120 Speaker 1: bringing your personality into the room as much as it 30 00:01:15,200 --> 00:01:17,560 Speaker 1: used to be until you get like the callback or 31 00:01:17,560 --> 00:01:19,720 Speaker 1: the second callback, which to finally get to be yourself. 32 00:01:20,160 --> 00:01:22,600 Speaker 1: But the first two are pretty much like do you 33 00:01:22,640 --> 00:01:25,480 Speaker 1: look the part, do you live nearby? Are you union? 34 00:01:25,800 --> 00:01:27,640 Speaker 1: Do you have an agent? Well? 35 00:01:27,800 --> 00:01:33,480 Speaker 2: So, have you had offers? Some some comeback offers? Few? 36 00:01:34,040 --> 00:01:36,160 Speaker 2: And what this is kind of funny because Gandhi was 37 00:01:36,160 --> 00:01:38,360 Speaker 2: telling me you told the story. What makes it so 38 00:01:38,520 --> 00:01:41,720 Speaker 2: unique about the parts that you get callbacks for? 39 00:01:42,360 --> 00:01:46,640 Speaker 1: Well, there's a range between like Charlie Chaplin's daughter and 40 00:01:46,760 --> 00:01:50,520 Speaker 1: like singing girl in Woods. But the main thing I 41 00:01:50,520 --> 00:01:54,440 Speaker 1: get the callback for tend to be either foster children 42 00:01:54,600 --> 00:01:55,480 Speaker 1: or drug addicts. 43 00:01:55,800 --> 00:01:58,960 Speaker 2: Okay, and I don't. 44 00:01:58,200 --> 00:02:01,520 Speaker 1: I don't have I don't know. If I don't know, 45 00:02:01,520 --> 00:02:05,680 Speaker 1: if I look vulnerable, I must look like like small. 46 00:02:05,960 --> 00:02:08,160 Speaker 1: I'm five two, I don't know. People maybe see me 47 00:02:08,200 --> 00:02:12,720 Speaker 1: and are like, oh no, I don't know. My agent 48 00:02:12,760 --> 00:02:18,440 Speaker 1: told me I have sad eyes, which I don't know why. 49 00:02:19,680 --> 00:02:22,640 Speaker 1: Apparently they're sad and maybe it's like the tragic beauty 50 00:02:22,760 --> 00:02:24,480 Speaker 1: or like right brooding. 51 00:02:24,840 --> 00:02:27,680 Speaker 2: Yeah, I don't know. I mean, I don't know what 52 00:02:27,720 --> 00:02:29,639 Speaker 2: a foster child will look like, because that's a whole 53 00:02:29,720 --> 00:02:34,200 Speaker 2: rainbow of looks. I was told by Gandhi that the 54 00:02:34,240 --> 00:02:37,000 Speaker 2: most things you're called back for are crackheads and runaways. 55 00:02:37,160 --> 00:02:42,120 Speaker 1: Yep, yep, that sounds about right. I recently did a 56 00:02:42,120 --> 00:02:44,519 Speaker 1: self tape where I had to be well, like, I'm 57 00:02:44,560 --> 00:02:47,120 Speaker 1: sitting obviously in my closet in my apartment in New 58 00:02:47,200 --> 00:02:49,000 Speaker 1: York City, but I meant to be on a train 59 00:02:49,960 --> 00:02:53,680 Speaker 1: to nowhere, running away to like and it's like the 60 00:02:53,840 --> 00:02:56,120 Speaker 1: self tape is calling my parents and being like, don't 61 00:02:56,120 --> 00:02:59,200 Speaker 1: look for me. I'm gonna be fine. I just I 62 00:02:59,240 --> 00:03:01,680 Speaker 1: have to go my own way. And now he's like, 63 00:03:02,040 --> 00:03:04,520 Speaker 1: what is happening right now? Also, the girl I was 64 00:03:04,520 --> 00:03:07,800 Speaker 1: like sixteen, I like, I don't know, I'm doing my 65 00:03:07,880 --> 00:03:09,200 Speaker 1: best here with what I got. 66 00:03:09,960 --> 00:03:16,520 Speaker 4: I could kind of see it, well. 67 00:03:13,880 --> 00:03:17,040 Speaker 2: Hold on the crackhead or the runaway, the runaway. 68 00:03:17,080 --> 00:03:18,440 Speaker 4: I could see you, like, you know, give you a 69 00:03:18,480 --> 00:03:21,600 Speaker 4: denim jacket, a pack of smokes, maybe a little malmourished. 70 00:03:21,720 --> 00:03:21,960 Speaker 1: Yeah. 71 00:03:22,680 --> 00:03:25,400 Speaker 2: And while I think you got yourself, are you telling 72 00:03:25,400 --> 00:03:28,919 Speaker 2: her she looks mel nersed? I'm saying, maybe, well, you're 73 00:03:29,000 --> 00:03:34,680 Speaker 2: very very well. What you're saying, Oh my god, you 74 00:03:34,720 --> 00:03:38,560 Speaker 2: know you are you saying? Are you saying she needs 75 00:03:38,560 --> 00:03:40,400 Speaker 2: to lose a few pounds if she wants to play 76 00:03:40,400 --> 00:03:44,280 Speaker 2: the runaway? I'm not saying that. Maybe a little you know. 77 00:03:44,200 --> 00:03:47,480 Speaker 1: The eye liney yeah, yeah, yeah, actually coffee. 78 00:03:47,480 --> 00:03:48,680 Speaker 2: Look all right, I. 79 00:03:48,640 --> 00:03:51,240 Speaker 1: Have freckles in the summer. Does that make me less white? 80 00:03:51,600 --> 00:03:52,880 Speaker 1: I think it makes me more. 81 00:03:53,160 --> 00:03:57,320 Speaker 2: No, I think freckles make you look more bougie. 82 00:03:57,520 --> 00:04:00,600 Speaker 4: You okay, So as somebody that tried act as well 83 00:04:00,680 --> 00:04:02,760 Speaker 4: and had an agent, you do get I don't want 84 00:04:02,800 --> 00:04:06,480 Speaker 4: to say type cast a certain parts when you haven't 85 00:04:06,480 --> 00:04:09,800 Speaker 4: gotten any roles yet. And frankly I was because I 86 00:04:09,840 --> 00:04:13,640 Speaker 4: got called in for every police officer, military guy. I'm like, fine, 87 00:04:13,760 --> 00:04:16,920 Speaker 4: I don't care. You give me a job yeah back 88 00:04:16,920 --> 00:04:17,440 Speaker 4: in the day. 89 00:04:17,640 --> 00:04:19,400 Speaker 2: Yeah, no, I see you like a member of the 90 00:04:19,480 --> 00:04:25,040 Speaker 2: village people, documentary docuentries or a serial killer. I'll tell 91 00:04:25,080 --> 00:04:28,320 Speaker 2: you what. So, Ava, not only are you intern Ava, 92 00:04:28,360 --> 00:04:30,840 Speaker 2: but your actress AVA actor or AVA will call you 93 00:04:31,680 --> 00:04:34,600 Speaker 2: hats could go ahead look at us and type cast us. 94 00:04:34,880 --> 00:04:37,279 Speaker 2: You be the you be the casting director for us. 95 00:04:37,480 --> 00:04:41,480 Speaker 1: All right, I've already done Gandhi Gandhi ceo who needs 96 00:04:41,520 --> 00:04:44,040 Speaker 1: to have an eat pre love moment. So like she's 97 00:04:44,080 --> 00:04:47,080 Speaker 1: in her office, she's like, I'm just not happy anymore, 98 00:04:47,440 --> 00:04:48,880 Speaker 1: and then she goes on an adventure. 99 00:04:50,040 --> 00:04:55,839 Speaker 2: Wow, Danielle, I see that, daniel What do you see 100 00:04:55,839 --> 00:04:56,320 Speaker 2: with Danielle? 101 00:04:56,440 --> 00:05:02,240 Speaker 1: Cheerleading coach but like one of the inspiring ones, you know, 102 00:05:02,400 --> 00:05:05,680 Speaker 1: like like it's you know, but like you have. 103 00:05:05,600 --> 00:05:07,360 Speaker 2: To be like a coach of something like something. 104 00:05:07,360 --> 00:05:09,920 Speaker 1: But I feel like cheerleading is creative and like beautiful 105 00:05:09,960 --> 00:05:12,800 Speaker 1: but also really difficult, and people judge it not knowing 106 00:05:12,800 --> 00:05:13,599 Speaker 1: the work that goes. 107 00:05:13,480 --> 00:05:19,600 Speaker 2: Into that straight. See. 108 00:05:19,680 --> 00:05:21,560 Speaker 1: Now I don't see the militant, but that's because you're 109 00:05:21,560 --> 00:05:22,359 Speaker 1: wearing like a hoodie and. 110 00:05:22,360 --> 00:05:26,400 Speaker 4: You're like military. 111 00:05:26,520 --> 00:05:29,239 Speaker 3: I'm sorry, that's true. 112 00:05:29,279 --> 00:05:29,680 Speaker 1: That's true. 113 00:05:29,720 --> 00:05:30,760 Speaker 2: That's that's actually very true. 114 00:05:31,240 --> 00:05:33,600 Speaker 3: Uh you are. 115 00:05:34,640 --> 00:05:37,560 Speaker 1: I can see you as a writer, like a struggling writer. 116 00:05:38,240 --> 00:05:45,279 Speaker 2: Always struggle, struggling, not a success, cabaret not a success. 117 00:05:45,400 --> 00:05:48,120 Speaker 1: Yeah, I feel like I feel like writer in Brooklyn 118 00:05:48,360 --> 00:05:51,440 Speaker 1: apartment that like is it like your it was your 119 00:05:51,480 --> 00:05:55,240 Speaker 1: grandma's apartment and you're like and your grandma was like 120 00:05:55,279 --> 00:05:56,960 Speaker 1: wanted to be a writer, but and now you're like 121 00:05:56,960 --> 00:05:59,279 Speaker 1: fulfilling the dream for both of you, and then you 122 00:05:59,360 --> 00:05:59,640 Speaker 1: like have. 123 00:05:59,640 --> 00:06:03,679 Speaker 2: A or something. Yeah he's allergic to Yeah? 124 00:06:03,720 --> 00:06:06,800 Speaker 1: Okay, well actually even better, you like ourself like like 125 00:06:06,839 --> 00:06:08,320 Speaker 1: a masochist. 126 00:06:07,720 --> 00:06:11,360 Speaker 4: Writer, you'lady to pay the rent. 127 00:06:10,960 --> 00:06:13,960 Speaker 1: And then you actually love and then you guys start 128 00:06:14,000 --> 00:06:16,799 Speaker 1: like a coffee shop or something. 129 00:06:17,279 --> 00:06:20,080 Speaker 2: Eva. Not only is she typecasting, especially's writing the play 130 00:06:20,240 --> 00:06:22,080 Speaker 2: the screenplay. Yeah, gandhi, what do you think so far? 131 00:06:22,240 --> 00:06:25,040 Speaker 3: So when we were trying to typecast Nate, somebody I 132 00:06:25,040 --> 00:06:27,000 Speaker 3: won't say who said he might be able to do 133 00:06:27,279 --> 00:06:30,120 Speaker 3: the like the the basketball or football coach who hung 134 00:06:30,160 --> 00:06:31,599 Speaker 3: out with the kids a little too much. 135 00:06:35,120 --> 00:06:38,440 Speaker 2: Wow, who was always monitoring the soaps in the shower? 136 00:06:39,680 --> 00:06:47,400 Speaker 2: Can we move on? Probably the same thing? Hold hold on, 137 00:06:47,440 --> 00:06:51,960 Speaker 2: hold on, hold on, hold on, Actor Ava, go ahead, typecast. 138 00:06:52,279 --> 00:06:55,080 Speaker 1: It seems act like scary has so many options like 139 00:06:55,160 --> 00:06:57,680 Speaker 1: but they're all very like niche, but they all fit 140 00:06:57,760 --> 00:07:06,039 Speaker 1: within this Okay, okay, I'm thinking middle school principal, also baseball. Also, oh, 141 00:07:06,440 --> 00:07:08,320 Speaker 1: the cop actually could be fun. 142 00:07:08,720 --> 00:07:11,000 Speaker 3: But n MYPD, like NYPD, I. 143 00:07:11,000 --> 00:07:12,800 Speaker 2: Would think, mall copy. 144 00:07:16,360 --> 00:07:20,200 Speaker 1: I can see you wrinning about Daga, and I can 145 00:07:20,280 --> 00:07:20,680 Speaker 1: see you. 146 00:07:22,600 --> 00:07:23,520 Speaker 2: I don't see. 147 00:07:25,880 --> 00:07:27,239 Speaker 1: I'm trying to think about your story. 148 00:07:27,360 --> 00:07:29,440 Speaker 4: I look how you're painting with such a vivid brush, 149 00:07:29,680 --> 00:07:32,160 Speaker 4: like this is just like you're this, You're that. 150 00:07:32,520 --> 00:07:35,440 Speaker 2: She's like giving like like whole scene. 151 00:07:35,960 --> 00:07:38,520 Speaker 1: Because otherwise, how are you meant to fulfill your destiny? 152 00:07:38,840 --> 00:07:41,800 Speaker 1: This is your moment. I have something it's like on 153 00:07:41,840 --> 00:07:43,480 Speaker 1: the tip of my tongue, and I can't think about 154 00:07:43,520 --> 00:07:49,119 Speaker 1: it for you. Help me, Guys, think beyond whatever. 155 00:07:49,160 --> 00:07:50,920 Speaker 2: The name was mall cop but he has to have 156 00:07:50,920 --> 00:07:52,880 Speaker 2: a sandwich while he's writing his scooter. 157 00:07:52,680 --> 00:07:58,960 Speaker 1: Or dedicated owner of summer camp. 158 00:07:59,720 --> 00:08:09,480 Speaker 2: Love these kids that he would teach them how to smoke. 159 00:08:10,040 --> 00:08:13,960 Speaker 2: You know what? What you did do was scary. Half 160 00:08:14,000 --> 00:08:17,120 Speaker 2: of those roles were people in some sort of uniform. 161 00:08:17,200 --> 00:08:20,520 Speaker 2: I thought, that's a good point. Now what should I do? 162 00:08:20,640 --> 00:08:23,800 Speaker 2: What should I do? Kenny? I want to be an actor? Now, Ava, 163 00:08:23,800 --> 00:08:25,160 Speaker 2: what should I do? Cast me? 164 00:08:26,880 --> 00:08:28,680 Speaker 1: I want you to be like the Wizard of Oz. 165 00:08:29,520 --> 00:08:31,440 Speaker 1: I feel like you're like a wizard. You have a 166 00:08:31,480 --> 00:08:34,280 Speaker 1: fantasy to you. I feel like you should do like 167 00:08:34,960 --> 00:08:36,560 Speaker 1: some kind of wizardly thing. 168 00:08:37,280 --> 00:08:38,240 Speaker 2: Okay, I'll do it. 169 00:08:38,280 --> 00:08:41,280 Speaker 3: I mean you are a very wizard of Ozzy. You're 170 00:08:41,280 --> 00:08:43,120 Speaker 3: definitely a man behind the curtain. 171 00:08:43,160 --> 00:08:46,720 Speaker 1: Exactly. There's a magic but also a human noss. 172 00:08:47,000 --> 00:08:51,200 Speaker 2: You know, the wizard actually turned out to be a 173 00:08:51,320 --> 00:08:54,720 Speaker 2: very vulnerable, interesting character. You know, he actually showed his 174 00:08:54,760 --> 00:08:56,839 Speaker 2: true side when they figured out how to open the curtain. 175 00:08:57,240 --> 00:08:59,720 Speaker 2: I love that, So Ava, let us know if you 176 00:08:59,720 --> 00:09:03,439 Speaker 2: get more offers for anything other than crackheads and runaways, 177 00:09:04,000 --> 00:09:07,000 Speaker 2: and let's let's watch your career blossom, because I totally 178 00:09:07,040 --> 00:09:08,840 Speaker 2: believe in You're fabulous, You're great. 179 00:09:09,320 --> 00:09:09,800 Speaker 1: Thank you. 180 00:09:11,160 --> 00:09:15,280 Speaker 2: My agents think the same thing, interns and actor APA, 181 00:09:15,400 --> 00:09:15,800 Speaker 2: everyone