WEBVTT - RICHARD MARX

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<v Speaker 1>With me in the studio for this podcast Loves Someone

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<v Speaker 1>with Delilah is the amazing Richard Marks and uh my

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<v Speaker 1>podcast producer Diana just said, why aren't we rolling tape

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<v Speaker 1>on this because this is such good stuff. It's all

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<v Speaker 1>downhill from here. We said all the good stuff before. Yeah,

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<v Speaker 1>dang it, dang it, um, But on this podcast, I

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<v Speaker 1>not only want to talk about your music, your music history,

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<v Speaker 1>you're writing your life. I want to talk about the

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<v Speaker 1>ways that you are changing the world for good. That's

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<v Speaker 1>a lot of pressure. I don't know that I am,

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<v Speaker 1>but I'm certainly giving in a the old college try.

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<v Speaker 1>So we're going to talk about all that and so

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<v Speaker 1>much more with Richard Marks. Right now, We're gonna just

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<v Speaker 1>pause a moment to talk about the fabulous people who

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<v Speaker 1>organize everything around you, to clean out closets and garages,

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<v Speaker 1>the home depot. How doers get more done? In the

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<v Speaker 1>studio loves Someone with Delilah with Richard Marx, and all

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<v Speaker 1>week long people have said, sir Richard Marx is coming

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<v Speaker 1>to your farm, and I'm like, yes, and I'm gonna

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<v Speaker 1>be right here waiting for him. And I'm like, I

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<v Speaker 1>bet you've heard that like five hundred million bazillion times

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<v Speaker 1>I have. And it never gets old, especially even now.

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<v Speaker 1>Did Daisy say that when you guys met, No, but

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<v Speaker 1>after we got married. It was really after we get married,

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<v Speaker 1>almost four years ago that she started doing that all

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<v Speaker 1>the time, and it really doesn't get old. So, like,

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<v Speaker 1>we'll be out somewhere and she'll go, I just need

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<v Speaker 1>to run into Ralph's to get some spinach for okay,

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<v Speaker 1>and I'll pull up, or if I have to run

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<v Speaker 1>an errand or something, and she's She'll go, I'll be

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<v Speaker 1>right here waiting for you. That's her. Just look at

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<v Speaker 1>herund that it never gets old, never gets old. Yeah.

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<v Speaker 1>But when I say, it's a little different than when

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<v Speaker 1>the most beautiful woman in the world that you're married,

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<v Speaker 1>she really she I get speechless, you know, talking about

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<v Speaker 1>her even now and you've been married four years. How

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<v Speaker 1>long did you date before? Not that long, maybe a

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<v Speaker 1>year and a half. How long after you met Daisy

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<v Speaker 1>one days? By the way, if you went and looked

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<v Speaker 1>at my closet, you would notice that I have a

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<v Speaker 1>lot of the dresses that she's designed. Her. Her brand

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<v Speaker 1>has been on fire for fifteen years. Yeah. I don't

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<v Speaker 1>know why I don't look like she looked like, uh,

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<v Speaker 1>you know, what's up with that? But um, how long

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<v Speaker 1>after you met the most beautiful woman in the world,

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<v Speaker 1>Richard Marks, did you know you were going to, like,

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<v Speaker 1>I want to spend the rest of your life with her? Well,

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<v Speaker 1>I mean, you know, our trajectory was a little complicated

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<v Speaker 1>because I actually talked to her on the phone twenty

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<v Speaker 1>five years ago. Briefly, she was supposed to interview me

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<v Speaker 1>on MTV. You know, she was on MTV for many years,

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<v Speaker 1>and I always, like everybody else, I had a crush

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<v Speaker 1>on her, you know, from Afar. I thought she was

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<v Speaker 1>a girl crush on her, Yeah, most of most of

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<v Speaker 1>them are most of the women in my life have

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<v Speaker 1>a crush on days. So, you know, she's obviously physically beautiful,

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<v Speaker 1>but there were even back then. I remember when I

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<v Speaker 1>would see her on MTV, I would think she's just cool,

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<v Speaker 1>like she would be fun to hang out with. But

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<v Speaker 1>it was that was it because I was married for

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<v Speaker 1>you know, hundred years, and from the time I was one,

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<v Speaker 1>I was with my ex wife and and so there

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<v Speaker 1>was never like, you know, it was just a crush.

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<v Speaker 1>It a little crush. But we spoke on the phone

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<v Speaker 1>because she was supposed to interview me and something happened,

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<v Speaker 1>and so we talked in the phone for like a minute.

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<v Speaker 1>Flash forward to I'm single for half a second, and

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<v Speaker 1>I did a gig in l A and she that's

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<v Speaker 1>where I met her. And when she walked backstage, which

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<v Speaker 1>she she usually doesn't do the backstage thing, um, but

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<v Speaker 1>she walked into the room. And this sounds so sappy,

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<v Speaker 1>but it's really like that. It was the moment. Despite

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<v Speaker 1>all the songs I've written, I never really believed in

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<v Speaker 1>love at first sight or any of that stuff, even

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<v Speaker 1>though you wrote about it, and I've played all those

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<v Speaker 1>songs all those years, and there are aspects, of course

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<v Speaker 1>to a lot of the relationship songs that I've written

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<v Speaker 1>that I stand behind, but a lot of it is

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<v Speaker 1>also just sort of you write about what you hope

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<v Speaker 1>and what you wish. You know, I didn't believe in that,

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<v Speaker 1>because it just seems so ridiculous. You can't know that.

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<v Speaker 1>All I can tell you is when when I first

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<v Speaker 1>saw her, when she walked through the door, what happened

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<v Speaker 1>to me physically was I just remember thinking my life

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<v Speaker 1>is different now, and no matter what would have happened,

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<v Speaker 1>there was something just so electric about that moment her

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<v Speaker 1>walking towards me and we met. And what's really amazing

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<v Speaker 1>is it was at a at this gig in l

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<v Speaker 1>A at the Grammy Museum. So there's actually there was

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<v Speaker 1>a Getty photographer. There's a photo of the minute we met.

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<v Speaker 1>Did he get the look on your face? Did he

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<v Speaker 1>get he just it's a sweet smile, but for both

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<v Speaker 1>of us, but you know, we literally, you know, hugged

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<v Speaker 1>and then the guy said, hey, can I get a

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<v Speaker 1>picture of you guys? And we turned and so we

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<v Speaker 1>had there's that photograph and it was you know, we said,

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<v Speaker 1>how could we not have met all these years? Well,

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<v Speaker 1>the thing that's amazing about her is that, um, we

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<v Speaker 1>exchanged numbers and I started to I was like, oh

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<v Speaker 1>my god, she she's just extraordinary and she's this and

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<v Speaker 1>she's like, I've got to get to know her. And

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<v Speaker 1>we started to hang out a little bit. But she

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<v Speaker 1>was so smart that she knew I was coming out

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<v Speaker 1>of a really, really long marriage and that I'd never

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<v Speaker 1>been single in my adult life, and she made me

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<v Speaker 1>be single for a while. She kind of shut us down.

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<v Speaker 1>She was like, you need to know what it's like

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<v Speaker 1>to be single. You've never experienced that. And she's like,

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<v Speaker 1>I hope it doesn't ultimately blow up on my face,

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<v Speaker 1>but I can't just sort of dive into a relationship

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<v Speaker 1>knowing that you've never had that experience and you need

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<v Speaker 1>to go hang out. And I was like, I don't

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<v Speaker 1>want to. I Like, she was like, why would I

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<v Speaker 1>ever look at another woman when I You've got me

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<v Speaker 1>the heart, mind, body, and so it was brilliant and

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<v Speaker 1>I reluctant, Like she really kind of gave me no choice.

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<v Speaker 1>She kind of just said, you know, I love hanging

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<v Speaker 1>out with you, but you you need to you need

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<v Speaker 1>to go play the field. You need to play the field.

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<v Speaker 1>You need to know what it's like to be on

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<v Speaker 1>your own and Engleland, and so she kind of we

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<v Speaker 1>we That was about eight nine months and them, little

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<v Speaker 1>by little we started to reintroduce ourselves to each other.

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<v Speaker 1>And that was really cool because it wasn't just sort

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<v Speaker 1>of like a full on dating thing. We were we

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<v Speaker 1>then got to know that she started to court her.

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<v Speaker 1>It sounds like, well, I always courted her. I was

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<v Speaker 1>always into into that, but there was something about like

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<v Speaker 1>when we reconnected eight or nine months later, it was

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<v Speaker 1>really through sending each other links to thoughtful ideas and

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<v Speaker 1>lectures and quotes, and it was that kind of courting.

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<v Speaker 1>It was like we were we were connecting in a

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<v Speaker 1>way like like how can we help each other as

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<v Speaker 1>human beings because we really like each other, we really

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<v Speaker 1>really care for each other, and we were both on

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<v Speaker 1>this journey of exploration, which we're still on together as

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<v Speaker 1>a married couple. And it was really kind of cool.

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<v Speaker 1>Plus Martinis, it was pretty and Martini's wow, Uh, so

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<v Speaker 1>you reconnected and you started this courtship and then how

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<v Speaker 1>long was it before you walked down the aisle. Oh, well,

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<v Speaker 1>so we had sort of decided. I felt like we

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<v Speaker 1>had decided that we didn't need to get married. In fact,

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<v Speaker 1>we both talked a lot about how we thought that

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<v Speaker 1>marriage was kind of dumb. It says he who has

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<v Speaker 1>a wedding ring on right. But I will say this,

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<v Speaker 1>one thing I did learn, at least in my experience

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<v Speaker 1>with all the people that I know whose stories I

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<v Speaker 1>really know, is that there seems to almost always be

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<v Speaker 1>some agenda two two people getting married by one person

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<v Speaker 1>or the other. Either it's financial security, or it's I

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<v Speaker 1>want to have a baby, or it's I don't want

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<v Speaker 1>to be alone, I don't want to grow old alone.

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<v Speaker 1>And where there is even the most kind sweet it's

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<v Speaker 1>still an agenda. It's still I need something from that person,

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<v Speaker 1>and a contractual obligation like a marriage will will get

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<v Speaker 1>me what I'm after. It's really true. And so we

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<v Speaker 1>were fine. We were really having a great time. You know,

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<v Speaker 1>we adopted a couple of dogs and and we were

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<v Speaker 1>just great. And then it hit me. We took this trip.

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<v Speaker 1>I was performing in Singapore. I had a private show

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<v Speaker 1>in Singapore on a Saturday night, and a week later

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<v Speaker 1>I had a public show and a beautiful venue the

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<v Speaker 1>following Saturday, and so we spent the weekend between in

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<v Speaker 1>the Maldives. We've never been there before, and we traveled

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<v Speaker 1>really well together, and we had this blissful week. And

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<v Speaker 1>I remember coming back to Singapore thinking I want her

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<v Speaker 1>to be my family. But there was just something about

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<v Speaker 1>like I want to marry her for the only reason

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<v Speaker 1>that I think you should, which is like there's no reason.

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<v Speaker 1>I just want her to be family, you know. And

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<v Speaker 1>I decided that I was going to propose when we

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<v Speaker 1>got back from this trip, and it was the day

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<v Speaker 1>the next day, and I remember saying, um, you know

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<v Speaker 1>when it she opened the the ringbox. She was so

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<v Speaker 1>shocked she couldn't breathe. So the first thing I said

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<v Speaker 1>was breath. You can breathe, I said. And I just

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<v Speaker 1>want you to know there's no wrong answer. I would

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<v Speaker 1>love to marry you, but if this is not something

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<v Speaker 1>you want to do, or you want to you don't

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<v Speaker 1>want to change what we are, I'm totally fine either way,

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<v Speaker 1>You're it's all good. And she took a minute and

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<v Speaker 1>she said the most amazing thing to me. She said,

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<v Speaker 1>I decided a long time ago that I never wanted

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<v Speaker 1>to be married, but I want to be married to you.

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<v Speaker 1>And so we got married a month later. We were

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<v Speaker 1>actually um, this was in December. We were we were

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<v Speaker 1>going to have all of our family together over the

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<v Speaker 1>holidays in Aspen. We rented a house and askedpen to

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<v Speaker 1>spend Christmas with our families. And so she said, you're

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<v Speaker 1>really serious about this because we could just do it

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<v Speaker 1>at the house over the holiday. I said great. And

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<v Speaker 1>her sister gras an of got ordained in the state

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<v Speaker 1>of Colorado and she married us. Sweet. Yeah, it's awesome,

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<v Speaker 1>sweet sweet sweet. So yeah, we're coming up on four

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<v Speaker 1>years married and you have children that are older. How

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<v Speaker 1>did they how did they take to step mom being

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<v Speaker 1>the most beautiful woman in the world. Well, I mean

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<v Speaker 1>as they as they got to know Daisy as far

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<v Speaker 1>as my boys, you know, they obviously are protective of me, um,

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<v Speaker 1>and they sussed it out pretty quickly. And so they

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<v Speaker 1>had gotten to know her for several months. And and

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<v Speaker 1>we had a birthday party from my mom, her eightieth birthday,

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<v Speaker 1>and we were toasting her and celebrating stuff, and then

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<v Speaker 1>my oldest son, Brandon said, I just want to make

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<v Speaker 1>one more toast and he said, I want to make

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<v Speaker 1>a toast to Daisy because I've never seen my father

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<v Speaker 1>so happy. And they've all it all started with that.

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<v Speaker 1>They started they saw, you know, my my middle son,

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<v Speaker 1>Lucas and I. He's going kind of going through some

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<v Speaker 1>personal stuff right now with his relationships, and um, he's

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<v Speaker 1>a really thoughtful, amazing man, young man, and he's really

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<v Speaker 1>fascinated with the concept of changing your behavior there there.

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<v Speaker 1>You know, there's the argument that some people go it

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<v Speaker 1>just just can't be done, and I believe I completely

0:12:21.160 --> 0:12:24.080
<v Speaker 1>disagree with that, you know, And we were kind of

0:12:24.120 --> 0:12:26.200
<v Speaker 1>going back and forth like do you ever really change?

0:12:26.480 --> 0:12:29.880
<v Speaker 1>Are people really? Um? Did they have the potential to

0:12:29.920 --> 0:12:32.400
<v Speaker 1>really change? And Lucas said, and every time I have

0:12:32.559 --> 0:12:34.480
<v Speaker 1>that question, I think of you. And he said, you're

0:12:34.480 --> 0:12:39.440
<v Speaker 1>a different man than you were before. And I don't

0:12:39.480 --> 0:12:43.480
<v Speaker 1>mean that in any um pejorative or negative way about

0:12:43.520 --> 0:12:46.240
<v Speaker 1>my ex wife, who's a wonderful person. It was me.

0:12:46.440 --> 0:12:50.000
<v Speaker 1>It was like I wasn't I wasn't living my true self.

0:12:51.080 --> 0:12:54.480
<v Speaker 1>And what my sons now have now been seeing for

0:12:54.559 --> 0:13:00.520
<v Speaker 1>five years is this other aspect of me that's fleetly

0:13:00.559 --> 0:13:05.160
<v Speaker 1>authentic that they have gotten even closer to my relationship

0:13:05.240 --> 0:13:08.079
<v Speaker 1>with my sons has never been better, and it would

0:13:08.080 --> 0:13:10.800
<v Speaker 1>be a drag, but it would be doable. If they

0:13:10.800 --> 0:13:13.280
<v Speaker 1>didn't if they didn't really get along that well with Daisy,

0:13:13.320 --> 0:13:15.920
<v Speaker 1>we would deal with it, right. But they've become such

0:13:16.080 --> 0:13:19.319
<v Speaker 1>close friends with her, and they, like I do, they

0:13:19.360 --> 0:13:23.160
<v Speaker 1>admire Daisy and respect her like I do, but they

0:13:23.200 --> 0:13:27.080
<v Speaker 1>also just love they love hanging out with her because

0:13:27.120 --> 0:13:31.760
<v Speaker 1>she's so freaking fun. It's just we we as a

0:13:31.760 --> 0:13:35.840
<v Speaker 1>as the new version of this family, just have a blast.

0:13:36.679 --> 0:13:40.199
<v Speaker 1>So what are some of the fun things Like if

0:13:40.280 --> 0:13:44.320
<v Speaker 1>if somebody were to peek into your life and see

0:13:44.360 --> 0:13:47.600
<v Speaker 1>like the crazy stupid fun things that you and Daisy

0:13:47.679 --> 0:13:49.280
<v Speaker 1>or you're you and Daisy and the boys are you

0:13:49.320 --> 0:13:52.160
<v Speaker 1>and your mom like to do? What would be a

0:13:52.160 --> 0:13:55.880
<v Speaker 1>window into that that somebody might be shocked at. It's

0:13:55.880 --> 0:14:00.520
<v Speaker 1>not crazy stupid stuff. It's stuff like, uh okay, Like

0:14:00.559 --> 0:14:02.760
<v Speaker 1>a month ago, I was getting ready to go on

0:14:02.800 --> 0:14:05.400
<v Speaker 1>the road and we hadn't had a We try to

0:14:05.440 --> 0:14:08.160
<v Speaker 1>have a family dinner of some kind at least every week,

0:14:08.240 --> 0:14:10.600
<v Speaker 1>but that wasn't happening for a while. So we finally

0:14:10.640 --> 0:14:14.000
<v Speaker 1>got all the boys together to come over with my mom,

0:14:14.320 --> 0:14:18.560
<v Speaker 1>who's four, but like super cool um, and we had

0:14:18.559 --> 0:14:20.840
<v Speaker 1>a really nice dinner and then Daisy surprised us with

0:14:20.880 --> 0:14:24.960
<v Speaker 1>this game. Well, we went into the living room and

0:14:25.000 --> 0:14:31.720
<v Speaker 1>she said, everybody's gonna write down one word to describe

0:14:32.280 --> 0:14:35.080
<v Speaker 1>that person, and then one word to describe that person,

0:14:35.120 --> 0:14:37.680
<v Speaker 1>and we're gonna so it became this game where it became.

0:14:37.720 --> 0:14:41.960
<v Speaker 1>It was hilarious, but it was It's those kind of things,

0:14:42.080 --> 0:14:48.720
<v Speaker 1>like it's more thoughtful. What's the right word, it's real,

0:14:48.920 --> 0:14:51.880
<v Speaker 1>Like we really really talk about real stuff. We don't

0:14:51.920 --> 0:14:54.760
<v Speaker 1>talk about Game of Thrones, you know. We talked about

0:14:55.120 --> 0:14:59.400
<v Speaker 1>life and helping each other. And that's really taken a

0:14:59.520 --> 0:15:03.760
<v Speaker 1>hugely forward since Daisy and I got married in terms

0:15:03.800 --> 0:15:07.680
<v Speaker 1>of the whole family. Authentic. I like that you use

0:15:07.800 --> 0:15:13.960
<v Speaker 1>that word earlier, authentic. Can you imagine if everybody would

0:15:13.960 --> 0:15:17.160
<v Speaker 1>take off the mask and stop hiding and stop pretending

0:15:17.240 --> 0:15:22.280
<v Speaker 1>and being whatever they're not, whatever they think they're supposed

0:15:22.320 --> 0:15:27.000
<v Speaker 1>to be, and instead we're just authentic. Well it's harder now, especially,

0:15:27.040 --> 0:15:29.840
<v Speaker 1>I think, because you know, things like Instagram have made

0:15:29.840 --> 0:15:33.640
<v Speaker 1>it that much more difficult to be just sort of

0:15:33.960 --> 0:15:38.320
<v Speaker 1>who you are because the competition for people put on

0:15:38.360 --> 0:15:41.000
<v Speaker 1>themselves to be I'm not. I'm not having as good

0:15:41.000 --> 0:15:43.000
<v Speaker 1>a life as they are on Instagram. Yeah, but if

0:15:43.040 --> 0:15:45.080
<v Speaker 1>you saw their real life, you'd be like, oh wow,

0:15:45.520 --> 0:15:49.240
<v Speaker 1>well it's funny, you should say. Because our listeners can't

0:15:49.280 --> 0:15:53.040
<v Speaker 1>see this. But on your phone case has a gorgeous

0:15:53.280 --> 0:15:57.560
<v Speaker 1>picture of your wife, Daisy Fuentes. I mean, she's so

0:15:58.000 --> 0:16:00.560
<v Speaker 1>it looks like it should be on a billboard. It's beautiful.

0:16:00.840 --> 0:16:02.680
<v Speaker 1>And the first thing I thought when I saw that

0:16:02.840 --> 0:16:05.840
<v Speaker 1>is that would be really funny. One of those pinterests fails,

0:16:05.920 --> 0:16:11.520
<v Speaker 1>you know, if I tried to get the same here's

0:16:11.600 --> 0:16:15.960
<v Speaker 1>Daisy's flintas wearing this this fish net outfit, and here's

0:16:16.040 --> 0:16:22.400
<v Speaker 1>the But that was my thought because, like you said, competition.

0:16:22.640 --> 0:16:26.520
<v Speaker 1>My instant thought was that kind of I I don't

0:16:26.520 --> 0:16:28.720
<v Speaker 1>wake up looking that gorgeous. Not that not that I

0:16:28.760 --> 0:16:31.840
<v Speaker 1>don't love myself and love that what God made, because

0:16:31.880 --> 0:16:34.880
<v Speaker 1>I do. And I'm much more comfortable in my skin

0:16:35.320 --> 0:16:39.320
<v Speaker 1>today than I ever have been in my life. Um,

0:16:39.360 --> 0:16:41.800
<v Speaker 1>And I praise God. I thank God for the life

0:16:41.800 --> 0:16:43.640
<v Speaker 1>that I have and and the body that I have.

0:16:43.800 --> 0:16:45.640
<v Speaker 1>And I got a new hip so I can walk,

0:16:45.680 --> 0:16:48.920
<v Speaker 1>and I have to ride horses, and and and isn't

0:16:48.960 --> 0:16:52.080
<v Speaker 1>it amazing to be able to do stuff without pain. Gosh,

0:16:52.120 --> 0:16:54.400
<v Speaker 1>you know I got I got both my hips replaced

0:16:54.400 --> 0:16:57.480
<v Speaker 1>it when I was fifty one, so like four or

0:16:57.520 --> 0:17:01.080
<v Speaker 1>five years ago, and it was like life. Yeah. I

0:17:01.120 --> 0:17:05.000
<v Speaker 1>had to use the cart at the grocery store. Oh wow, Yeah,

0:17:05.080 --> 0:17:08.320
<v Speaker 1>I could not walk. So I am. I am happy

0:17:08.400 --> 0:17:12.520
<v Speaker 1>as can be with the body of But back to

0:17:12.600 --> 0:17:15.200
<v Speaker 1>your point that it is very hard to be authentic

0:17:15.920 --> 0:17:20.919
<v Speaker 1>in a world where everything is captured, videotaped, everything is instagrammed,

0:17:20.920 --> 0:17:25.640
<v Speaker 1>everything is face tuned, everything is an image, a brand,

0:17:26.359 --> 0:17:32.200
<v Speaker 1>the Richard Marks brand, instead of you your music. We're

0:17:32.200 --> 0:17:35.080
<v Speaker 1>going to take a quick break here to talk about

0:17:35.160 --> 0:17:38.399
<v Speaker 1>one of our sponsors. So let's talk about your music.

0:17:39.200 --> 0:17:43.800
<v Speaker 1>Because I was mentioning before. I have been on the

0:17:43.840 --> 0:17:50.400
<v Speaker 1>air full time since nineteen nievable. Yeah, and I've been

0:17:50.440 --> 0:17:55.680
<v Speaker 1>doing this show since nine. Wow. I think I've played

0:17:55.720 --> 0:17:59.280
<v Speaker 1>every song you've You've ever readden a part of well

0:17:59.320 --> 0:18:01.560
<v Speaker 1>you definitely play every song I recorded, because I didn't

0:18:01.560 --> 0:18:05.479
<v Speaker 1>start recording until seven. But the first song I wrote

0:18:06.000 --> 0:18:11.360
<v Speaker 1>that someone else recorded I was nineteen or twenty. Kenny Rogers,

0:18:11.600 --> 0:18:13.560
<v Speaker 1>Kim Karnes and James Ingram in a song called what

0:18:13.600 --> 0:18:17.600
<v Speaker 1>about Me? What about Me? This is They wouldn't. There

0:18:17.600 --> 0:18:19.440
<v Speaker 1>were a bunch of stations in the South that wouldn't

0:18:19.440 --> 0:18:23.000
<v Speaker 1>play it because it was a love triangle between Kenny

0:18:23.080 --> 0:18:25.080
<v Speaker 1>Rogers and James Ingram and Kim Carnes, and there were

0:18:25.080 --> 0:18:26.840
<v Speaker 1>a bunch of Southern stations and said, we're not going

0:18:26.880 --> 0:18:28.439
<v Speaker 1>to play a song between a white man and a

0:18:28.440 --> 0:18:31.560
<v Speaker 1>black man over a white woman. That's still how screwed

0:18:31.600 --> 0:18:35.040
<v Speaker 1>up it was. Yeah, yeah, you you must have played

0:18:35.600 --> 0:18:39.000
<v Speaker 1>you know, every single, every yeah, and I played them

0:18:39.000 --> 0:18:41.320
<v Speaker 1>on vinyl when I was playing damn right, you did

0:18:41.800 --> 0:18:46.200
<v Speaker 1>yeah with a penny on the needle. So you didn't

0:18:46.240 --> 0:18:50.639
<v Speaker 1>start recording until seven. But how many hits did you

0:18:50.680 --> 0:18:53.879
<v Speaker 1>write before then? A few because you worked with in sync.

0:18:54.359 --> 0:18:56.320
<v Speaker 1>Oh that was way after Yeah, yeah, that was in

0:18:56.320 --> 0:19:00.639
<v Speaker 1>the nineties. So I wrote what About Me with Kenny

0:19:00.760 --> 0:19:03.760
<v Speaker 1>Rogers and David Foster, and then I wrote a song

0:19:03.800 --> 0:19:10.720
<v Speaker 1>with Kenny called Crazy I guess sound Crazy Ready for you.

0:19:10.880 --> 0:19:12.920
<v Speaker 1>I'm still in touch with Kenny Rogers, but I love

0:19:13.000 --> 0:19:17.880
<v Speaker 1>Kenny Rogers And that song went to number one Country

0:19:17.960 --> 0:19:20.680
<v Speaker 1>Top five A c in like that would have been

0:19:21.080 --> 0:19:24.240
<v Speaker 1>eighty four as well. And then just some random song

0:19:24.320 --> 0:19:26.000
<v Speaker 1>I wrote a song on a Chicago album. I wrote

0:19:26.000 --> 0:19:28.240
<v Speaker 1>a song with Philip Bailey for the movie The Goonies.

0:19:28.359 --> 0:19:31.080
<v Speaker 1>And and I was making a living as a songwriter,

0:19:31.160 --> 0:19:33.719
<v Speaker 1>but mostly as a background singer. So I sang on

0:19:33.760 --> 0:19:35.520
<v Speaker 1>a ton of records you played before I had a

0:19:35.520 --> 0:19:38.320
<v Speaker 1>record deal. I sang on all night long by Lionel Richie.

0:19:38.359 --> 0:19:40.560
<v Speaker 1>I sang out all the Lionel Richie hits. I kissed

0:19:40.560 --> 0:19:45.080
<v Speaker 1>Lionel Richiel. Did you He's the coolest, He's so cool,

0:19:45.960 --> 0:19:50.720
<v Speaker 1>he is so cool him. Yeah, we had a moment. Yeah,

0:19:50.800 --> 0:19:53.439
<v Speaker 1>well it was it was an autograph line, but for

0:19:53.480 --> 0:19:57.840
<v Speaker 1>me it was a moment. Yeah. He uh. You know.

0:19:57.880 --> 0:19:59.720
<v Speaker 1>I've told the story many times, but when I was

0:20:00.080 --> 0:20:02.879
<v Speaker 1>eighteen years old, I had written four or five songs.

0:20:02.920 --> 0:20:04.679
<v Speaker 1>I was living in Chicago with my parents. I was

0:20:04.680 --> 0:20:07.120
<v Speaker 1>in my senior year of high school, and I had

0:20:07.119 --> 0:20:10.040
<v Speaker 1>written my first four or five songs that I thought

0:20:10.119 --> 0:20:13.919
<v Speaker 1>were worthy of at least demoing. And I found a

0:20:13.960 --> 0:20:16.480
<v Speaker 1>studio and I paid for it, of course, by myself,

0:20:16.560 --> 0:20:20.200
<v Speaker 1>with my savings. And I made this demo tape cassette

0:20:20.320 --> 0:20:23.880
<v Speaker 1>which went from a friend of mine in college who

0:20:23.960 --> 0:20:25.520
<v Speaker 1>was a year ahead of me. And I was in

0:20:25.600 --> 0:20:28.800
<v Speaker 1>college to his roommate, to another guy, to another guy

0:20:28.840 --> 0:20:30.800
<v Speaker 1>who was working with the Commodores at the time. This

0:20:30.920 --> 0:20:33.000
<v Speaker 1>is right as Lionel was just about to go solo,

0:20:33.920 --> 0:20:37.320
<v Speaker 1>and the phone rings and it's Lionel Richie, and you

0:20:37.400 --> 0:20:40.280
<v Speaker 1>were eighteen. I was eighteen, maybe seventeen actually, because I yeah,

0:20:40.280 --> 0:20:42.119
<v Speaker 1>I gret I was still seventeen when I gradually. I

0:20:42.119 --> 0:20:44.919
<v Speaker 1>was seventeen and in my senior year of high school.

0:20:44.920 --> 0:20:49.199
<v Speaker 1>And he said, I heard this tape of yours and

0:20:49.280 --> 0:20:51.520
<v Speaker 1>my phone number was written and pencil on the back.

0:20:52.119 --> 0:20:55.680
<v Speaker 1>He called the number and he just called to tell

0:20:55.720 --> 0:20:57.479
<v Speaker 1>me that he thought I was really talented and then

0:20:57.520 --> 0:21:00.480
<v Speaker 1>I should give it a shot. And he said, look,

0:21:00.480 --> 0:21:02.320
<v Speaker 1>I have no work for you. I don't I can't promise.

0:21:02.359 --> 0:21:04.360
<v Speaker 1>I'm not here to promise you anything. I just want

0:21:04.400 --> 0:21:06.200
<v Speaker 1>to tell you, you know, I hear tapes all the time,

0:21:06.440 --> 0:21:08.360
<v Speaker 1>and if these are your first, this is your first

0:21:08.400 --> 0:21:10.359
<v Speaker 1>batch of songs. May you should hear my first songs?

0:21:10.400 --> 0:21:13.000
<v Speaker 1>They sucked? And I just you know, you should move

0:21:13.040 --> 0:21:14.800
<v Speaker 1>to l A. I don't know what your plans are.

0:21:14.880 --> 0:21:17.119
<v Speaker 1>Your parents are gonna probably hate me, but you know,

0:21:17.160 --> 0:21:19.800
<v Speaker 1>because I was thinking about going to Northwestern and going

0:21:19.880 --> 0:21:22.439
<v Speaker 1>and my bailed and my parents were like, go go

0:21:22.520 --> 0:21:24.000
<v Speaker 1>to l A and try. He can always go back

0:21:24.040 --> 0:21:27.480
<v Speaker 1>to school of you know, And so he said, but

0:21:27.520 --> 0:21:29.000
<v Speaker 1>look me up if you come out to l A.

0:21:29.040 --> 0:21:31.920
<v Speaker 1>He gave me his number and so year year and

0:21:32.040 --> 0:21:36.600
<v Speaker 1>changed later tude, I come out wait and he invites

0:21:36.640 --> 0:21:38.520
<v Speaker 1>me over to the studio. He's making his solo record.

0:21:39.000 --> 0:21:40.520
<v Speaker 1>And I'm sitting in the studio and I, first of all,

0:21:40.480 --> 0:21:41.919
<v Speaker 1>I was just so thrilled to meet him, and he

0:21:41.960 --> 0:21:44.840
<v Speaker 1>was so he's such a charming guy. And I'm sitting

0:21:44.880 --> 0:21:47.160
<v Speaker 1>there watching them. They're doing background vocals on this song

0:21:47.200 --> 0:21:49.959
<v Speaker 1>called You Are, which became a huge hit for him, right,

0:21:50.320 --> 0:21:54.800
<v Speaker 1>and they were really struggling with the blend. He couldn't

0:21:54.840 --> 0:21:57.040
<v Speaker 1>find the sound that he was looking for, And all

0:21:57.040 --> 0:21:58.520
<v Speaker 1>of a sudden he looked through the glass at me

0:21:58.560 --> 0:22:01.600
<v Speaker 1>any point and he come out here. I go out

0:22:01.600 --> 0:22:03.720
<v Speaker 1>there and he's you sing my part that I was singing,

0:22:03.960 --> 0:22:05.880
<v Speaker 1>and he switched the parts with the other two singers

0:22:05.880 --> 0:22:08.920
<v Speaker 1>and he went in the control room anyway, okay, go chorus,

0:22:09.359 --> 0:22:11.960
<v Speaker 1>and we sang and he went that's the sound. And

0:22:12.359 --> 0:22:15.240
<v Speaker 1>I never missed a day at the studio. He said,

0:22:15.480 --> 0:22:17.359
<v Speaker 1>I want you to sing background vocals on this record.

0:22:17.440 --> 0:22:20.240
<v Speaker 1>But I just want you to know that if I'm

0:22:20.280 --> 0:22:22.639
<v Speaker 1>in this room, whether you're singing or not, you're welcome

0:22:22.680 --> 0:22:25.240
<v Speaker 1>to be in this room. And so for four months,

0:22:26.160 --> 0:22:28.800
<v Speaker 1>every day I went to the studio and watched him

0:22:28.800 --> 0:22:32.840
<v Speaker 1>make that record. What a gift, that gift. And so

0:22:33.359 --> 0:22:36.399
<v Speaker 1>cut two and this is you'll really appreciate this. So

0:22:36.480 --> 0:22:41.560
<v Speaker 1>cut to six months ago, maybe I get this incredible

0:22:41.680 --> 0:22:45.520
<v Speaker 1>um offered to come and open for Barbara Streisand at

0:22:45.560 --> 0:22:48.000
<v Speaker 1>Hyde Park in London. And Barbara and I have been

0:22:48.000 --> 0:22:52.000
<v Speaker 1>friends for a long time. So wait, like, could your

0:22:52.160 --> 0:22:56.800
<v Speaker 1>life be any more magical? Could your life, Richard Marks,

0:22:56.880 --> 0:23:01.359
<v Speaker 1>be any more like Blass? I know, married to the

0:23:01.400 --> 0:23:05.800
<v Speaker 1>most beautiful in the world, best friends with your three boys,

0:23:06.359 --> 0:23:12.800
<v Speaker 1>best friends with mama. The hair, you got great hair,

0:23:13.600 --> 0:23:16.240
<v Speaker 1>and you get to open for Barbara Streisand and you

0:23:16.359 --> 0:23:19.560
<v Speaker 1>got you got a phone call it eighteen from Lionel Richie,

0:23:19.560 --> 0:23:21.919
<v Speaker 1>who friends with But wait, this is so great, this

0:23:22.000 --> 0:23:26.920
<v Speaker 1>is such a bookend. So I knew that Lionel had

0:23:26.960 --> 0:23:29.840
<v Speaker 1>played the night before at Hyde Park opening for Stevie.

0:23:29.840 --> 0:23:34.080
<v Speaker 1>Wonder Stevie wondered, Lionel Richie, Barbara Streice on Richard barks

0:23:34.080 --> 0:23:36.160
<v Speaker 1>You're killing me. This was the night before, and then

0:23:36.200 --> 0:23:39.040
<v Speaker 1>the next night was you and Barbara and barb Christmus

0:23:39.119 --> 0:23:42.400
<v Speaker 1>Offerson was on as well, but um and so I'm

0:23:42.520 --> 0:23:45.639
<v Speaker 1>on stage and it was such a magical gig and

0:23:45.680 --> 0:23:49.760
<v Speaker 1>then watching Barbara do her thing was amazing. And I

0:23:49.800 --> 0:23:52.840
<v Speaker 1>get back to the dressing room and there's a text

0:23:52.840 --> 0:23:55.840
<v Speaker 1>on my phone from Lionel and the text says, I'm

0:23:55.880 --> 0:23:58.560
<v Speaker 1>sitting on my hotel balcony listening to you sing right

0:23:58.600 --> 0:24:01.720
<v Speaker 1>here waiting, and I'm so proud view I mean, that's

0:24:02.320 --> 0:24:05.960
<v Speaker 1>thirty seven years later, how sweet. And I texted I

0:24:05.960 --> 0:24:07.520
<v Speaker 1>was like, dude, where are you. Let's go to dinner.

0:24:07.680 --> 0:24:09.199
<v Speaker 1>He said, I'm getting ready to go to the airport.

0:24:09.240 --> 0:24:11.840
<v Speaker 1>But he said, I'm I'm sitting here and I'm listening

0:24:11.920 --> 0:24:14.160
<v Speaker 1>to you sing to these, you know, ten thousand people

0:24:14.160 --> 0:24:17.399
<v Speaker 1>in London and I'm just so proud of you. So

0:24:17.560 --> 0:24:19.879
<v Speaker 1>go back the thirty six years to when you were

0:24:19.920 --> 0:24:22.760
<v Speaker 1>a teenage kid and he called you and encouraged you

0:24:22.840 --> 0:24:25.520
<v Speaker 1>in your music, and then the gift of time he

0:24:25.640 --> 0:24:29.440
<v Speaker 1>poured into you in the studio and you know, I

0:24:29.760 --> 0:24:31.639
<v Speaker 1>wrote a book about it. I talked about it on

0:24:31.680 --> 0:24:35.640
<v Speaker 1>my show every night, the importance of changing the world

0:24:35.760 --> 0:24:39.439
<v Speaker 1>one heart at a time. And I had a friend

0:24:39.600 --> 0:24:42.760
<v Speaker 1>in my kitchen the other day said, I finally got it.

0:24:43.480 --> 0:24:45.280
<v Speaker 1>She said, I finally got it. I said, what she goes,

0:24:45.480 --> 0:24:47.720
<v Speaker 1>this whole one heart at a time thing you're talking about.

0:24:47.800 --> 0:24:50.920
<v Speaker 1>She had been with me when I was interacting with

0:24:51.240 --> 0:24:53.840
<v Speaker 1>some of my adopted kids and some other children that

0:24:54.040 --> 0:24:56.920
<v Speaker 1>our family has kind of taken in, and she said,

0:24:57.440 --> 0:25:02.520
<v Speaker 1>when you pour yourself into one person, it makes a difference. Yeah,

0:25:02.640 --> 0:25:08.320
<v Speaker 1>that's that's my whole message right there, into one person

0:25:08.840 --> 0:25:13.840
<v Speaker 1>like Lionel Richie did for you. The impact that has

0:25:14.680 --> 0:25:17.359
<v Speaker 1>it's like that ripple, you know, the pebble in the pond.

0:25:17.400 --> 0:25:23.960
<v Speaker 1>The ripples go out forever. That impact, his impact and

0:25:24.119 --> 0:25:29.560
<v Speaker 1>influence on your music, your impact and your music's influence

0:25:29.760 --> 0:25:35.240
<v Speaker 1>on generations of people. It just grows and builds and

0:25:35.240 --> 0:25:38.040
<v Speaker 1>and it's the essence, I believe, of love and the

0:25:38.080 --> 0:25:41.880
<v Speaker 1>reason we're here. Yeah, yeah, totally. I mean you can

0:25:41.920 --> 0:25:46.119
<v Speaker 1>imagine when you're especially at that sort of age of

0:25:46.160 --> 0:25:50.679
<v Speaker 1>seventeen or eighteen, to have someone like him say that

0:25:50.760 --> 0:25:55.920
<v Speaker 1>to me, it was like a rocket, confidence and hope,

0:25:56.560 --> 0:26:01.360
<v Speaker 1>like the fuel that that gave me was life changing,

0:26:01.520 --> 0:26:03.800
<v Speaker 1>and I have the only thing I've been able to

0:26:03.880 --> 0:26:09.359
<v Speaker 1>do for him for Lionel is tell these stories. I

0:26:09.400 --> 0:26:12.000
<v Speaker 1>want everybody to know. I I tell everybody who will

0:26:12.040 --> 0:26:15.040
<v Speaker 1>listen with the best part about being friendly with Lionel

0:26:15.119 --> 0:26:16.480
<v Speaker 1>richees when you call him and he picks up and

0:26:16.480 --> 0:26:20.560
<v Speaker 1>he goes, hello, God, he's so cute. So for years

0:26:20.640 --> 0:26:23.080
<v Speaker 1>I've got to play your music, and now you're back

0:26:23.280 --> 0:26:27.800
<v Speaker 1>in the studio recording again. Tell me about your new stuff,

0:26:28.280 --> 0:26:30.399
<v Speaker 1>because my producer Janey came to me a couple of

0:26:30.400 --> 0:26:33.439
<v Speaker 1>months ago and was so excited that I love that.

0:26:33.560 --> 0:26:35.399
<v Speaker 1>I love that anybody cares. At this point, you know,

0:26:35.520 --> 0:26:38.040
<v Speaker 1>it's well, that's the cool thing about the fact that

0:26:38.119 --> 0:26:40.719
<v Speaker 1>I'm you know, I still get to be on the

0:26:40.720 --> 0:26:44.440
<v Speaker 1>air because I've I've seen I know the stories, I've

0:26:44.480 --> 0:26:48.280
<v Speaker 1>seen the history. I watched Daisy Fuentas back in the

0:26:48.359 --> 0:26:51.840
<v Speaker 1>day when I had a TV on I haven't had

0:26:51.840 --> 0:26:53.760
<v Speaker 1>a TV for twenty years. For you, we didn't. We

0:26:53.840 --> 0:26:58.880
<v Speaker 1>never watched TV. But having that history and loving your

0:26:59.000 --> 0:27:02.439
<v Speaker 1>music really cool. Well, you know, I got to a

0:27:02.440 --> 0:27:04.879
<v Speaker 1>point in the last ten years i'd say where I

0:27:04.960 --> 0:27:09.480
<v Speaker 1>sort of um, I felt like touring and playing concerts

0:27:09.520 --> 0:27:11.960
<v Speaker 1>is really what my career is and for as long

0:27:12.000 --> 0:27:15.240
<v Speaker 1>as I'm able to do it. Um, I really am

0:27:15.280 --> 0:27:19.520
<v Speaker 1>a believer that records and putting song that's on the

0:27:19.640 --> 0:27:21.960
<v Speaker 1>radio and all that stuff. It's really for younger people.

0:27:22.720 --> 0:27:25.120
<v Speaker 1>But the conflict was that I, you know, I still

0:27:25.160 --> 0:27:27.280
<v Speaker 1>write songs all the time, and I love and I

0:27:27.359 --> 0:27:31.480
<v Speaker 1>love making new music and I love making records. But

0:27:31.560 --> 0:27:33.560
<v Speaker 1>I did get to a point where it was a

0:27:33.640 --> 0:27:38.280
<v Speaker 1>little bit like, what's like why why you know? Um?

0:27:38.320 --> 0:27:40.520
<v Speaker 1>I have a couple of acquaintances who are sort of

0:27:40.520 --> 0:27:42.679
<v Speaker 1>peers of mine, who were around the same age or

0:27:42.720 --> 0:27:45.520
<v Speaker 1>older than me, that were popular when I was popular

0:27:45.560 --> 0:27:49.280
<v Speaker 1>on the radio, and they still have this what I

0:27:49.320 --> 0:27:54.320
<v Speaker 1>consider a delusion of I'm gonna have another number one record.

0:27:54.400 --> 0:27:57.359
<v Speaker 1>I'm gonna and it's like, dude, no, you're not. And

0:27:57.400 --> 0:27:59.719
<v Speaker 1>it's okay because you had a lot of hits. And

0:27:59.760 --> 0:28:03.119
<v Speaker 1>I feel like once I determined that it really just

0:28:03.200 --> 0:28:07.840
<v Speaker 1>has to be about my love of writing and recording

0:28:07.840 --> 0:28:12.120
<v Speaker 1>new music and that's all that matters, then it was like, okay, well,

0:28:12.160 --> 0:28:14.240
<v Speaker 1>I want to make an album. Actually, this is another

0:28:14.240 --> 0:28:17.000
<v Speaker 1>great story. I found myself at a dinner at a

0:28:17.040 --> 0:28:21.119
<v Speaker 1>really small dinner six or eight months ago with Chris Martin.

0:28:21.160 --> 0:28:23.200
<v Speaker 1>And I've never met him before, and I'm a fan.

0:28:23.240 --> 0:28:25.360
<v Speaker 1>I'm a big fan of Coldplay and what he does,

0:28:26.400 --> 0:28:29.320
<v Speaker 1>and he's a really really at least from my one

0:28:29.920 --> 0:28:33.639
<v Speaker 1>couple hour hang with him, he was really charming and

0:28:33.760 --> 0:28:36.480
<v Speaker 1>kind and and we had a couple of really great conversations.

0:28:36.520 --> 0:28:38.440
<v Speaker 1>And he asked me, so, so, I know you're touring

0:28:38.440 --> 0:28:40.600
<v Speaker 1>all the time, but like, are you making a new

0:28:40.640 --> 0:28:42.640
<v Speaker 1>record or anything. I said, yeah, I just I'm finishing

0:28:42.640 --> 0:28:44.880
<v Speaker 1>a new album and and I said, you know, I

0:28:44.920 --> 0:28:46.600
<v Speaker 1>don't know what it means for somebody like me, but

0:28:47.680 --> 0:28:50.960
<v Speaker 1>and so then somebody started talking and the conversation shifted

0:28:51.920 --> 0:28:54.120
<v Speaker 1>for five or ten minutes, and I could see Chris's

0:28:54.160 --> 0:28:56.000
<v Speaker 1>face like like, look at me, like we're not done

0:28:56.000 --> 0:29:00.200
<v Speaker 1>with that conversation. Sure enough, politely he got out of

0:29:00.240 --> 0:29:02.200
<v Speaker 1>that conversation and said to me, can I go back

0:29:02.200 --> 0:29:04.760
<v Speaker 1>to what you were saying, like, I'll tell you what

0:29:04.800 --> 0:29:09.640
<v Speaker 1>it means for you. It's still coming through you. And

0:29:09.680 --> 0:29:12.800
<v Speaker 1>it's like he said, I'm sure when you started writing

0:29:12.800 --> 0:29:15.040
<v Speaker 1>songs it was about Yeah, you had a lot to prove,

0:29:15.080 --> 0:29:18.520
<v Speaker 1>and you've had an incredible career, but it's still about

0:29:18.560 --> 0:29:21.040
<v Speaker 1>the songs still come through us. Like, as long as

0:29:21.080 --> 0:29:23.560
<v Speaker 1>the songs are still coming through us, that's what matters.

0:29:23.760 --> 0:29:26.040
<v Speaker 1>And here's this guy that's, you know, much younger than

0:29:26.040 --> 0:29:30.920
<v Speaker 1>I am. Then it was a really kind sweet thing

0:29:31.040 --> 0:29:34.440
<v Speaker 1>to say, and it was like, yeah, man, yes, that's

0:29:34.440 --> 0:29:36.720
<v Speaker 1>exactly what it's about. And so what this new music

0:29:36.800 --> 0:29:39.120
<v Speaker 1>is about is me just going in and having fun

0:29:39.160 --> 0:29:41.960
<v Speaker 1>and recording. And you know, the song, the single another

0:29:41.960 --> 0:29:44.760
<v Speaker 1>One Down, I ended up writing with my son Lucas

0:29:44.800 --> 0:29:48.800
<v Speaker 1>and he produced it. Um I wrote another song with him.

0:29:48.840 --> 0:29:52.680
<v Speaker 1>I wrote several songs by myself, which I have traditionally done.

0:29:53.640 --> 0:29:56.880
<v Speaker 1>Most of my stuff has been self written. But I

0:29:56.920 --> 0:29:59.280
<v Speaker 1>collaborated with some new people on this record too, which

0:29:59.320 --> 0:30:03.280
<v Speaker 1>was really really fun young songwriters. And and my friend

0:30:03.280 --> 0:30:06.640
<v Speaker 1>Matt Scandal from the band Vertical Horizon is my best

0:30:06.640 --> 0:30:08.440
<v Speaker 1>friend but also I think one of the most talented

0:30:08.440 --> 0:30:12.560
<v Speaker 1>guys in the world. And and it's a very schizophrenic album,

0:30:12.640 --> 0:30:15.800
<v Speaker 1>like there's there's stuff that's sort of like modern country,

0:30:15.840 --> 0:30:18.640
<v Speaker 1>and then there's stuff that's like super modern pop, and

0:30:18.640 --> 0:30:21.680
<v Speaker 1>then there's like it's all over the place. But the

0:30:21.720 --> 0:30:27.000
<v Speaker 1>thread is my voice and it's just a collection of songs.

0:30:27.040 --> 0:30:28.840
<v Speaker 1>I really really love that. I want people to hear

0:30:29.200 --> 0:30:32.560
<v Speaker 1>simple as that very cool. That is pretty simple but

0:30:32.600 --> 0:30:36.520
<v Speaker 1>pretty sweet. And I'm glad that that you got another

0:30:36.520 --> 0:30:38.760
<v Speaker 1>one down to get to us so that we could

0:30:39.800 --> 0:30:41.320
<v Speaker 1>share it with our And I love that you guys

0:30:41.320 --> 0:30:44.920
<v Speaker 1>played it, that you played it well. I'm very fortunate

0:30:45.040 --> 0:30:47.400
<v Speaker 1>in that, you know, there's all this research and there's

0:30:47.440 --> 0:30:51.560
<v Speaker 1>all this gobbledegook that all the records or radio companies do.

0:30:52.160 --> 0:30:55.200
<v Speaker 1>That that tells me who my target audience is supposed

0:30:55.240 --> 0:30:57.720
<v Speaker 1>to be. Yeah, you know, they're they're big on research,

0:30:57.760 --> 0:31:00.680
<v Speaker 1>and you know, imagine when you're on year, you're talking

0:31:00.760 --> 0:31:03.800
<v Speaker 1>to a twenty seven year old, you know, female driving

0:31:04.240 --> 0:31:06.880
<v Speaker 1>home from work, picking up her child at daycare, and

0:31:06.880 --> 0:31:09.520
<v Speaker 1>and the da da da da da. But the truth

0:31:09.680 --> 0:31:12.760
<v Speaker 1>is I get phone calls from young people. I get

0:31:12.760 --> 0:31:14.640
<v Speaker 1>phone calls. I got a phone call the other day

0:31:14.680 --> 0:31:20.000
<v Speaker 1>from somebody who lives down up Mount Shasta, off the grid.

0:31:20.560 --> 0:31:24.040
<v Speaker 1>He's in his late eighties. He cuts his own firewood

0:31:25.120 --> 0:31:27.640
<v Speaker 1>because his cabin, the house that he lives in is

0:31:27.680 --> 0:31:31.080
<v Speaker 1>only heated with firewood, and he's like completely off the grid,

0:31:31.160 --> 0:31:33.200
<v Speaker 1>and he's got this radio that he picks me up

0:31:33.200 --> 0:31:36.360
<v Speaker 1>on every night when we talked for a long time,

0:31:36.760 --> 0:31:39.280
<v Speaker 1>and I'm like, dude, you are so not my target audience.

0:31:39.360 --> 0:31:42.880
<v Speaker 1>And I so love this conversation we're having. And so

0:31:43.840 --> 0:31:47.920
<v Speaker 1>it's nice that a broad range of people get to

0:31:47.960 --> 0:31:50.520
<v Speaker 1>hit to hear your music. You know, they here right

0:31:50.520 --> 0:31:53.520
<v Speaker 1>here Waiting and all of your big hits every night,

0:31:54.160 --> 0:31:58.360
<v Speaker 1>because they're perfect for every request and dedication anyone ever makes.

0:31:58.800 --> 0:32:02.960
<v Speaker 1>I don't know if you've listened, but right Here Waiting

0:32:03.040 --> 0:32:05.160
<v Speaker 1>is a song that that I used to play for

0:32:05.680 --> 0:32:08.840
<v Speaker 1>couples who were getting back together or couples who had

0:32:08.840 --> 0:32:12.280
<v Speaker 1>been separated by the military. Yeah, that's that was huge,

0:32:12.960 --> 0:32:15.880
<v Speaker 1>especially when the song was a hit in eighty nine.

0:32:16.880 --> 0:32:21.120
<v Speaker 1>You know it's go four. I met obviously many men

0:32:21.240 --> 0:32:24.400
<v Speaker 1>who were deployed at the time, and they'll go, man,

0:32:24.440 --> 0:32:26.440
<v Speaker 1>that was my song with my wife or my girl.

0:32:27.040 --> 0:32:30.200
<v Speaker 1>And I also met a lot of widows and widowers

0:32:30.320 --> 0:32:34.920
<v Speaker 1>of military personnel who died during that time, and that

0:32:35.000 --> 0:32:38.360
<v Speaker 1>was their song. This one woman told me that, um,

0:32:38.480 --> 0:32:40.360
<v Speaker 1>this is like a couple of years later after her

0:32:40.440 --> 0:32:45.120
<v Speaker 1>husband was killed, when she got his belongings back. One

0:32:45.120 --> 0:32:49.000
<v Speaker 1>of the belongings was his laptop, and she said, the

0:32:49.040 --> 0:32:52.400
<v Speaker 1>screensaver or his you know, his screensaver on his computer

0:32:52.720 --> 0:32:54.920
<v Speaker 1>were the lyrics to write here waiting. I mean, I

0:32:54.920 --> 0:32:56.960
<v Speaker 1>I don't even know what to say to stuff like that.

0:32:57.040 --> 0:32:59.760
<v Speaker 1>It's so because when you write songs from such a

0:33:00.040 --> 0:33:04.840
<v Speaker 1>helfish personal place, I never I've never written a song

0:33:05.280 --> 0:33:07.320
<v Speaker 1>that I thought I want to write us an anthem

0:33:07.400 --> 0:33:10.160
<v Speaker 1>for the world. I want to write songs that other

0:33:10.240 --> 0:33:13.880
<v Speaker 1>people can. It's I swear to you. I am so

0:33:13.960 --> 0:33:18.800
<v Speaker 1>selfish about my writing. I write songs that please me,

0:33:19.840 --> 0:33:25.560
<v Speaker 1>that make me feel something, that are therapy sometimes, and

0:33:25.640 --> 0:33:28.800
<v Speaker 1>I hope that other people like them. That's it. So

0:33:28.920 --> 0:33:33.640
<v Speaker 1>when someone says stuff like that, it's a privilege. It's

0:33:33.760 --> 0:33:39.120
<v Speaker 1>such a privilege to have created something that impact someone

0:33:39.640 --> 0:33:43.200
<v Speaker 1>in any way, let alone like that. I have people

0:33:43.240 --> 0:33:46.600
<v Speaker 1>now that will come up to me and if they say,

0:33:47.080 --> 0:33:49.280
<v Speaker 1>you know, I just want to thank you because we

0:33:49.280 --> 0:33:51.760
<v Speaker 1>we used your song on our wedding. I go should

0:33:51.760 --> 0:33:58.360
<v Speaker 1>have known better. So you're you're recording and you're touring,

0:33:59.280 --> 0:34:02.040
<v Speaker 1>I actually don't use that word. I just do show.

0:34:02.120 --> 0:34:04.920
<v Speaker 1>I do you know, sixty seventy eight shows a year

0:34:05.120 --> 0:34:07.520
<v Speaker 1>all over the world, and then the next year I

0:34:07.600 --> 0:34:09.600
<v Speaker 1>just do a bunch more shows. So I just play

0:34:09.640 --> 0:34:13.359
<v Speaker 1>shows and it's such a blast because it's not it's

0:34:13.400 --> 0:34:17.560
<v Speaker 1>not album centric. It's not I'm not promoting anything except

0:34:17.600 --> 0:34:20.800
<v Speaker 1>my catalog of songs. Yeah, except now you have an album.

0:34:20.840 --> 0:34:23.520
<v Speaker 1>So we should talk about a tour like I could

0:34:23.520 --> 0:34:27.479
<v Speaker 1>do backup? Maybe, yeah, I could do the day. Absolutely could.

0:34:27.719 --> 0:34:32.520
<v Speaker 1>You could wear this thing that Daisies were who they will,

0:34:32.560 --> 0:34:38.440
<v Speaker 1>It would be an interesting take on that. Richard Marks,

0:34:38.480 --> 0:34:40.560
<v Speaker 1>thank you for coming and be in here with us,

0:34:40.560 --> 0:34:43.799
<v Speaker 1>always a pleasure and sharing all these great stories. Next

0:34:43.840 --> 0:34:45.440
<v Speaker 1>time you see lion, will give him a kiss on

0:34:45.480 --> 0:34:47.919
<v Speaker 1>the other cheek. Will sure kiss him on the right cheek,

0:34:48.080 --> 0:34:49.839
<v Speaker 1>Not that I remember, but if you could, of course

0:34:49.840 --> 0:34:56.160
<v Speaker 1>you remembers it is Richard Marks, thank you for sharing

0:34:56.239 --> 0:35:07.320
<v Speaker 1>time loves someone with the line till I love