WEBVTT - Episode 162 w/ DeLa Soul

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<v Speaker 1>And it's Drink Chess, motherfucking podcast. Mason, he's a legend,

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<v Speaker 1>every queen's rapper. He's like it is your boy in

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<v Speaker 1>or he's a Miami hippoper pioneer. One up his dj

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<v Speaker 1>e FN. Together they drinking up with some of the

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<v Speaker 1>biggest players in the most professional unprofessional podcast. And your

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<v Speaker 1>number one sorts for drunk fast, drink Chess, motherfucking every

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<v Speaker 1>is New Year's e Just time for drink Champs, drink

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<v Speaker 1>up mother mother. When it could be holding one, it

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<v Speaker 1>should be this is your boy and oh, one up

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<v Speaker 1>his dj e FN turn Spanish when they're supposed second year.

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<v Speaker 1>You know that I like it, And it's Drink Chance podcast.

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<v Speaker 1>When in the f started, this part is started. This

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<v Speaker 1>is exact reason why we started, because we want to

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<v Speaker 1>salute our legends. We want to give up the legends

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<v Speaker 1>they fly. Was why they can smell them while they alive.

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<v Speaker 1>These brothers that stand in front of us in a

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<v Speaker 1>lot of ways, If it kind of wasn't for them,

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<v Speaker 1>they probably wouldn't be a Noria opponent, Noriega or drink champs.

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<v Speaker 1>They paved their way the label that fun to me.

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<v Speaker 1>They were on first, they were doing it. These guys

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<v Speaker 1>are legends. These guys stood here to the test of time.

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<v Speaker 1>They're still making music that are dope. They working on

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<v Speaker 1>the album right now with per Man and Pete Robs.

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<v Speaker 1>These brothers are which when you call up, look at

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<v Speaker 1>the word legend, when you look at the world classic legendary,

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<v Speaker 1>their pictures, it's right there. And I am here to

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<v Speaker 1>respect their legacy. And if you don't know who the funk?

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<v Speaker 1>We talked about it to my motherfucking day lines all

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<v Speaker 1>now now usually on drink camps. We started off with

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<v Speaker 1>the beginning people's careers. But there's a big elephant in

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<v Speaker 1>the room that I feel like I don't want to

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<v Speaker 1>go around it. It's a movie I want to put

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<v Speaker 1>in the beginning. Can we popped that bottom? It's the lace.

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<v Speaker 1>Let's put this hell. Because what people don't know is

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<v Speaker 1>everybody hit the internet that said that a certain label

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<v Speaker 1>to which his Tommy Boy Records, which I was signed

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<v Speaker 1>to at one point as well. And I've I've made

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<v Speaker 1>how I uh stand? I said, fuck Tommy Boy. The

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<v Speaker 1>niggas just suck. It was very elegant. It was a

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<v Speaker 1>very elegant statement for what for what it's worked very late,

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<v Speaker 1>I thought for sports on myself. But when I heard

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<v Speaker 1>of the fact that they wanted to take your catalog

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<v Speaker 1>and we just tripod at a rate of temper set,

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<v Speaker 1>and that temper set would be split between the three

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<v Speaker 1>of y'all. Yeah, yeah, so how did how did how

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<v Speaker 1>did how did that even come about? Because the music

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<v Speaker 1>is not available online? Right, it hasn't been, hasn't been? Why? Yeah?

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<v Speaker 1>Ever not not? I mean we we missed the whole

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<v Speaker 1>that part of the canine. Yeah, before we even get

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<v Speaker 1>to that, let me ask you something. In the original

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<v Speaker 1>contracts there never stated anything about digital. Was no language

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<v Speaker 1>at the time, the bank language for it too to

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<v Speaker 1>just happen if it was never there. It was, I

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<v Speaker 1>guess I'm not trying to was specifically cassette by the

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<v Speaker 1>c DSHA and CDs was was was even in eighty nine?

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<v Speaker 1>Was c DS? I think maybe they probably admitted it

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<v Speaker 1>just now I was just starting I mean that, Yeah,

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<v Speaker 1>I mean it was. It was. It was language in

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<v Speaker 1>the contracts, but it was real vague. You know, I'm

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<v Speaker 1>not certain exactly what it said, but it could be

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<v Speaker 1>something like, you know, CDs, cassette, vinyl in any format.

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<v Speaker 1>But so he could or any new change for now,

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<v Speaker 1>how did you get um this information? Like a Tommy

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<v Speaker 1>Boy reached out to you guys or you guys weas

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<v Speaker 1>out the time boy if I releasing this and that, Yeah,

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<v Speaker 1>I mean Tom Suleman reached out excuse me, individual number one. Yeah, yeah,

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<v Speaker 1>he reached out to us, you know, just doing trying

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<v Speaker 1>to do the right business. I got the I got

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<v Speaker 1>the catalog back, and I want to release you guys stuff. Now.

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<v Speaker 1>He got it back through Rhino, right because I believe

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<v Speaker 1>Rhino had it because I was trying to get my

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<v Speaker 1>thing back at the same time of that. Paul so um,

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<v Speaker 1>So he comes to y'all and he says he at

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<v Speaker 1>first he wanted to do a deal with it, like

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<v Speaker 1>he or what it was. He presented option, the option

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<v Speaker 1>we spoke about that we felt was unfavorable. It was

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<v Speaker 1>either we do this if we didn't respond at a

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<v Speaker 1>certain time, then he would resort back to original contracts,

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<v Speaker 1>which was contracts we signed from one. So we responded.

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<v Speaker 1>We responded and saying that you know, we responded like

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<v Speaker 1>we were supposed to. Yeah, So it was supposed to

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<v Speaker 1>then go from there, but we didn't really get any

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<v Speaker 1>communication going until the final hour, pretty much almost about

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<v Speaker 1>a year. So we kept trying to get in touch

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<v Speaker 1>with him and our lawyers was trying to reach out,

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<v Speaker 1>and uh, we heard nothing from because I imagine this

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<v Speaker 1>had to be like the last rout of you guys

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<v Speaker 1>going to the internet. I imagine it was talks, you know,

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<v Speaker 1>prior to that, well, it was definitely talks. So it

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<v Speaker 1>was a lot of talk, you know, it was evaluated

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<v Speaker 1>what was in front of us and really trying to

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<v Speaker 1>figure out work to do, how to approach him, knowing

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<v Speaker 1>knowing who he is. All together we've been in a relationship,

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<v Speaker 1>you know how so you truly got to thank for

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<v Speaker 1>your yourself for the team, you know, and you know,

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<v Speaker 1>once we became came to a meeting of the minds

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<v Speaker 1>of who we knew we're dealing with, it was time

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<v Speaker 1>to strike. But we didn't give him the opportunity to

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<v Speaker 1>speak in the very final hour. And then speaking in

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<v Speaker 1>the final hour, he didn't want to make any changes.

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<v Speaker 1>And to me now, speaking about my own situation, because

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<v Speaker 1>I tried to get my two albums as well on

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<v Speaker 1>the War Report and one of the things on in

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<v Speaker 1>the r E album, he didn't he didn't want to

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<v Speaker 1>negotiate with me because he said it wasn't be cooped

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<v Speaker 1>And I'm like, who gives a funding this be coop to?

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<v Speaker 1>Not moving forward? Why not split we go? Like you

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<v Speaker 1>know what I'm saying, Like, isn't that the simplest thing?

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<v Speaker 1>Like And I'm not trying to like you know, like

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<v Speaker 1>like you know, be smarter than what I'm supposed to be.

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<v Speaker 1>But what I'm saying is, why wouldn't me go fifty

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<v Speaker 1>fifty alcohol there? I would be happy to promote this ship.

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<v Speaker 1>You know what I'm saying. Some of these kids don't

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<v Speaker 1>even don't even like something. So man, this is this

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<v Speaker 1>is an emotional topic for me because I'm directly affected.

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<v Speaker 1>So when I seen you guys on the internet, um,

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<v Speaker 1>moving around a little bit. Let me let me how

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<v Speaker 1>did it feel to see the hip hop community you

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<v Speaker 1>know standwich like, I mean, yeah, it's it's it's always

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<v Speaker 1>a good feeling. Um, we kind of felt there was

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<v Speaker 1>there with you said, so I kind of felt that

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<v Speaker 1>they was there, Okay, you know, just just waiting. I

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<v Speaker 1>mean we you know, from from the climate of what

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<v Speaker 1>we felt with our kickstarter. Yeah, you know that climbing

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<v Speaker 1>kind of told us that people out there who care.

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<v Speaker 1>So when it was time to sound off, we kind

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<v Speaker 1>of felt like it was gonna we was gonna have,

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<v Speaker 1>you know, an alliance. But it turned out a little

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<v Speaker 1>you know, it's it was honestly say, it was comforting.

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<v Speaker 1>It felt it made the decision to feel right, you know,

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<v Speaker 1>especially for somebody like hole Hold maybe don't honestly say

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<v Speaker 1>maybe been in the room with him maybe three times

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<v Speaker 1>my whole career, you know, and don't even just know

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<v Speaker 1>each other through the music that spoke voluables. Well, you

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<v Speaker 1>help raise all of us, you know what. It's the

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<v Speaker 1>artist absolutely yeah, and then nas Nas question Droby, you

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<v Speaker 1>know master Ace. I mean, I'm sure at one time

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<v Speaker 1>or another everybody said this story. So you know, you

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<v Speaker 1>see people coming together, artist fans, whomever, because in some way,

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<v Speaker 1>shape or form, they've either heard it and affected by it,

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<v Speaker 1>you know, let it to it somehow. So I mean

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<v Speaker 1>wet So we had a few records exact people reach

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<v Speaker 1>out behind the scenes, you big students. You know what

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<v Speaker 1>I'm saying is like in my mind, I felt like

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<v Speaker 1>it was probably hard for a lot of record exact

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<v Speaker 1>people to speak out. I don't think it is anymore. Well,

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<v Speaker 1>I'm just trying to say, like unless they have dealt

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<v Speaker 1>and done this to other artists themselves, so it's kind

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<v Speaker 1>of hard to be pointing a finger, you know. You

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<v Speaker 1>know what it is. It's kind of fly now to

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<v Speaker 1>own your masters, like you know, like like back then,

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<v Speaker 1>like we weren't really thinking about that, like I'm speaking

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<v Speaker 1>about myself now, yeah, like I was thinking about it advance,

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<v Speaker 1>you know what I'm saying, getting some jury, you know

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<v Speaker 1>what I'm saying. And now I was like, it's like

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<v Speaker 1>it's fly to actually own your your material, you know

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<v Speaker 1>what I'm saying, because we want to leave something to

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<v Speaker 1>your your children. So the thing about it is like

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<v Speaker 1>you haven't seen a person that you know lives in

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<v Speaker 1>the projects for thirty years. They don't they don't own it,

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<v Speaker 1>but it's their house. Yeah, that's what it feels like.

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<v Speaker 1>It was like, you know what I got, I got

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<v Speaker 1>on set literally prices for for not a lest years.

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<v Speaker 1>They faint red, but that is there that she feels

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<v Speaker 1>like she owns it. And like the projects, a good

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<v Speaker 1>thing to do do the pro to do is tell

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<v Speaker 1>you know what you should have on that, you know

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<v Speaker 1>what I'm saying, You still on that and that's Tom Sillerman.

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<v Speaker 1>If you're listening, because I know you are you. I

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<v Speaker 1>know you are Tom Sillerman, And dude listening, this is

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<v Speaker 1>the best time for you to lead the pack. You

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<v Speaker 1>lead the way and say, you know what, I'm gonna

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<v Speaker 1>stop doing business. We're looking at it in this way.

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<v Speaker 1>You can take this time and you can flat this

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<v Speaker 1>whole ship and you can be there with us. Say

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<v Speaker 1>you know what, I'm gonna get a friendly presentation so

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<v Speaker 1>everybody and then you feel queen land teeth was gonna

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<v Speaker 1>come out and only body, Nationship and everybody else is

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<v Speaker 1>gonna say, you know what, this is the guy we

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<v Speaker 1>were wishing me with a new back. Then you can

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<v Speaker 1>lead the path. You can lead the path, trust me,

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<v Speaker 1>you know what I'm saying. So we got that out

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<v Speaker 1>the way. We could keep going. I mean, you know,

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<v Speaker 1>oh yeah, gonna go back back into it. But I'll

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<v Speaker 1>say that's much more, you know. I I like to

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<v Speaker 1>give people the opportunity to change because we have been

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<v Speaker 1>given an opportunity based on how we grew up, where

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<v Speaker 1>we come from, what we could have been doing, based

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<v Speaker 1>rock Me as a thing that actually been a significant

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<v Speaker 1>part of growing us to be the men we've become,

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<v Speaker 1>you know. So I would like to say he would change,

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<v Speaker 1>but I don't know. I don't know the way we've

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<v Speaker 1>done business over the years, and the man I've sat

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<v Speaker 1>next to talking business with, I don't know if he

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<v Speaker 1>really has the ability to change. So I'll worry about that.

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<v Speaker 1>But you know what, maybe it's you know, sometimes in

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<v Speaker 1>order for it to change, sometimes you got to look

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<v Speaker 1>at yourself in America. So maybe so maybe this is

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<v Speaker 1>it because maybe he just doesn't It made me think

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<v Speaker 1>this is it's just us. Maybe fix it is just you.

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<v Speaker 1>Maybe think it's just me. Maybe thinks it's just a

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<v Speaker 1>lot of people. So maybe he sees this interview, Like

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<v Speaker 1>I said, he's gonna see this because I would watch

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<v Speaker 1>it if I was him, And maybe he see this

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<v Speaker 1>interview and say, like, we're not trying to be unfair

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<v Speaker 1>and we're not trying to dis you, disrespect your legacy,

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<v Speaker 1>disrespect your name or anything. In fact, we're proud of it.

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<v Speaker 1>We want to claim our history. And the guy, I mean,

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<v Speaker 1>you know what I'm saying, I will honestly saying by

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<v Speaker 1>by signing to Tommy BOYD was a significant part of

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<v Speaker 1>what their legacy was then yes, yes, and that's that's

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<v Speaker 1>I may not start home. So shignic false bottom z

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<v Speaker 1>five them soones with Jake. You know, I feel like

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<v Speaker 1>you know, we've embodied that, all of us. You know,

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<v Speaker 1>we've all taken a piece of that on into our

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<v Speaker 1>succesch swea, the blood swear, the tests for that, whether

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<v Speaker 1>we claim it or not. We were all that, were

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<v Speaker 1>all and it's fair fun to share that. Like when

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<v Speaker 1>we spending we're out here those guys stories that's that

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<v Speaker 1>far different? Well they might be even worse. You know

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<v Speaker 1>what I'm saying. To think about y'all, y'all leading the packet,

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<v Speaker 1>the things that y'all maya is y'all knew how to

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<v Speaker 1>use the internet, Like you know what I'm saying, Like

0:13:15.080 --> 0:13:17.360
<v Speaker 1>so many people don't know how to use the internet, bro,

0:13:17.720 --> 0:13:20.800
<v Speaker 1>you know what I'm saying, Like y'all used perfect because

0:13:21.160 --> 0:13:24.000
<v Speaker 1>you did not this? Did you know? You didn't say

0:13:24.000 --> 0:13:27.200
<v Speaker 1>you say you just said I said that my bad time.

0:13:27.480 --> 0:13:30.200
<v Speaker 1>You know what I'm saying. But um, you guys knew

0:13:30.200 --> 0:13:33.559
<v Speaker 1>how to use the internet. And so what what is

0:13:33.640 --> 0:13:36.120
<v Speaker 1>your end result? What do you think they get we

0:13:36.200 --> 0:13:38.240
<v Speaker 1>get in with this? What? What is what what make

0:13:38.320 --> 0:13:42.880
<v Speaker 1>it at this part ownership owning it all right, owning

0:13:43.000 --> 0:13:48.079
<v Speaker 1>owning my catalog, that would make a world of difference,

0:13:48.480 --> 0:13:51.240
<v Speaker 1>That make that make it that make it easier to

0:13:51.280 --> 0:14:03.679
<v Speaker 1>show for work right? And what do ye think at

0:14:03.679 --> 0:14:07.760
<v Speaker 1>a moment, at a moment like as an artist, because

0:14:07.760 --> 0:14:11.120
<v Speaker 1>that's little ship. That ship is really like we worked

0:14:11.200 --> 0:14:14.880
<v Speaker 1>hard for something and really know that. But we were

0:14:14.920 --> 0:14:17.600
<v Speaker 1>doing a young man in front of the world. And

0:14:18.000 --> 0:14:21.200
<v Speaker 1>you know it's time to make that right man, It's

0:14:21.200 --> 0:14:24.960
<v Speaker 1>time to make that right now. And all fairness to

0:14:25.000 --> 0:14:28.240
<v Speaker 1>the business we've been dunk doing. We've done nothing less

0:14:28.240 --> 0:14:31.560
<v Speaker 1>than partnerships since they left. So and here it is.

0:14:31.600 --> 0:14:34.520
<v Speaker 1>We've been blessed to do a shoot. We've been blessed

0:14:34.560 --> 0:14:41.840
<v Speaker 1>to continue to tour tremendously. I mean Lobberry Congress, I

0:14:41.880 --> 0:14:44.280
<v Speaker 1>mean you know Library of Congress with the catalog that

0:14:44.320 --> 0:14:48.400
<v Speaker 1>people can't even get, you know, so you know, I

0:14:48.520 --> 0:14:52.880
<v Speaker 1>look at you know, my comrades such as yourself missing

0:14:52.960 --> 0:14:55.560
<v Speaker 1>only in particular when she had a great moment like

0:14:55.720 --> 0:15:00.200
<v Speaker 1>fifteen years after work it and did the Super Bowl. Bro,

0:15:00.560 --> 0:15:03.600
<v Speaker 1>she does it like a million downloads. I didn't work

0:15:03.600 --> 0:15:06.040
<v Speaker 1>it if I'm not more so, I was kind of

0:15:06.240 --> 0:15:09.160
<v Speaker 1>speculating what could it have been for us behind the

0:15:09.160 --> 0:15:13.000
<v Speaker 1>White House? Yeah, that you know what could have been

0:15:13.480 --> 0:15:19.800
<v Speaker 1>just potentially being Obama's request, you know, all right to

0:15:19.920 --> 0:15:23.080
<v Speaker 1>perform at the White House with comment in the roots

0:15:23.240 --> 0:15:36.280
<v Speaker 1>and doing me myself and I tem just be my laws.

0:15:36.480 --> 0:15:39.840
<v Speaker 1>Let's do it ship man. We gotta get this right man.

0:15:40.520 --> 0:15:46.120
<v Speaker 1>And again moving forward to to new artists who watching this, Uh,

0:15:46.280 --> 0:15:49.040
<v Speaker 1>I want to you know, people to know that it

0:15:49.120 --> 0:15:51.080
<v Speaker 1>was a lot harder to get off back then. Show

0:15:51.280 --> 0:15:54.120
<v Speaker 1>you actually had you actually had to have skills now

0:15:54.160 --> 0:15:55.960
<v Speaker 1>to say you guys don't have skills at a different

0:15:56.000 --> 0:15:58.320
<v Speaker 1>time and ever so, and I mean to tell you

0:15:58.360 --> 0:16:00.880
<v Speaker 1>got to outright everyone in your barrel when everybody to

0:16:00.960 --> 0:16:04.360
<v Speaker 1>get to ale, it was will Will Will Will Will

0:16:04.520 --> 0:16:07.760
<v Speaker 1>back then. I mean definitely coming from our demographics because

0:16:08.480 --> 0:16:11.000
<v Speaker 1>I think we our gateway was always trying to get

0:16:11.040 --> 0:16:13.680
<v Speaker 1>on the radio. We had to get on radio to

0:16:13.800 --> 0:16:15.600
<v Speaker 1>be able to do our think. I mean, I wish

0:16:15.600 --> 0:16:18.040
<v Speaker 1>we were able to do it like n W A

0:16:18.320 --> 0:16:22.040
<v Speaker 1>or too Short. I wish we could sell out the

0:16:22.120 --> 0:16:24.520
<v Speaker 1>car in New York. We would have never had this

0:16:24.680 --> 0:16:32.960
<v Speaker 1>issue was always getting to that conduit which was up

0:16:33.000 --> 0:16:35.680
<v Speaker 1>in the beginning, in the beginning, that that's that that

0:16:35.800 --> 0:16:41.160
<v Speaker 1>was the goal was uh, you know radio radio, I think,

0:16:41.400 --> 0:16:44.880
<v Speaker 1>I think, And it was cool. It wasn't tuning I'm

0:16:44.880 --> 0:16:51.560
<v Speaker 1>affordably take yeah. Yeah. It wasn't art as hell or

0:16:51.720 --> 0:16:55.920
<v Speaker 1>was it easy cool? It was hard if we you

0:16:56.000 --> 0:16:59.720
<v Speaker 1>how to even get somebody's attention, like Prince Paul, like

0:17:00.040 --> 0:17:03.320
<v Speaker 1>you always heard somewhere Big co sign. It was very

0:17:03.520 --> 0:17:06.639
<v Speaker 1>sodom that somebody want to rack contest like steps to

0:17:06.680 --> 0:17:09.440
<v Speaker 1>sign Ago whoever? You know what the fact boys who

0:17:09.480 --> 0:17:14.080
<v Speaker 1>want to rack contest. We knew Prince Paul, but but

0:17:14.640 --> 0:17:18.200
<v Speaker 1>I had to get his attention first, not take a minute,

0:17:18.840 --> 0:17:22.080
<v Speaker 1>you know what I mean, and hoping that the stars

0:17:22.200 --> 0:17:26.320
<v Speaker 1>just lined up, which they did obviously, but even even

0:17:26.359 --> 0:17:28.280
<v Speaker 1>then he didn't make no problem. So it's based on

0:17:28.320 --> 0:17:32.280
<v Speaker 1>the position. And Chris Paul was a producer as well.

0:17:32.359 --> 0:17:38.880
<v Speaker 1>Rights remember sign okay Ya and his groundbreaking his y'all

0:17:38.920 --> 0:17:41.160
<v Speaker 1>were at the time too. That was did y'all think

0:17:41.760 --> 0:17:45.480
<v Speaker 1>we might like it might be difficult to break this music? Yo?

0:17:46.080 --> 0:17:49.879
<v Speaker 1>As basically saying success for us was hearing Magic the

0:17:50.000 --> 0:17:56.119
<v Speaker 1>World World premiere, and I was off to the military.

0:17:56.200 --> 0:18:00.000
<v Speaker 1>He was already in architectural school. He was off the college.

0:18:00.000 --> 0:18:03.160
<v Speaker 1>It's like we was about to move on with the life. Yeah,

0:18:05.960 --> 0:18:08.520
<v Speaker 1>to get a re up to do like Pottles in

0:18:08.560 --> 0:18:14.280
<v Speaker 1>my long He's like, okay, you know me something you know.

0:18:14.600 --> 0:18:18.320
<v Speaker 1>And then there was Potoles and Jennifer, and Jennifer was

0:18:19.119 --> 0:18:23.000
<v Speaker 1>out of respect answer to Jim Browski because we were

0:18:23.480 --> 0:18:29.119
<v Speaker 1>the jungle brothers. With Jenny, it was like Jenny Jimmy

0:18:29.400 --> 0:18:37.560
<v Speaker 1>and became buddies after a while. Right, let me ask

0:18:37.600 --> 0:18:41.399
<v Speaker 1>you your because your names and fell back with y

0:18:44.800 --> 0:18:47.399
<v Speaker 1>How did you come up with that? Who? What? Po

0:18:47.600 --> 0:18:55.280
<v Speaker 1>started like yoga? Yeah? Yeah, I started the back which okay,

0:18:55.560 --> 0:18:59.520
<v Speaker 1>how did you start with that? Um? I love this

0:18:59.640 --> 0:19:03.639
<v Speaker 1>name ball stop sound uh as a DJ like I

0:19:03.680 --> 0:19:05.840
<v Speaker 1>just want you know. My mother was from the country

0:19:05.880 --> 0:19:08.200
<v Speaker 1>wins Burro, Georgia, and she always was saying in my house,

0:19:08.560 --> 0:19:10.399
<v Speaker 1>you know you better like eat up everything. And you

0:19:10.480 --> 0:19:12.480
<v Speaker 1>played like take that bread and stop up the soul

0:19:15.400 --> 0:19:17.760
<v Speaker 1>sounds like he was a d J playing on the

0:19:17.840 --> 0:19:20.840
<v Speaker 1>sounds and stop up all these sounds for DJ. So

0:19:20.880 --> 0:19:24.080
<v Speaker 1>when I started back towards trying to be an MC,

0:19:24.320 --> 0:19:28.360
<v Speaker 1>I just turned everything backwards. Pass suck came pass yes

0:19:28.960 --> 0:19:31.840
<v Speaker 1>sound became do new You know what I'm saying. That's

0:19:37.680 --> 0:19:42.919
<v Speaker 1>right story for twenty years and even are you want

0:19:43.000 --> 0:19:46.679
<v Speaker 1>some more work? Yeah? Yeah, but we got white wine.

0:19:46.840 --> 0:19:49.480
<v Speaker 1>You got white wine. Got take a bowl? You requested it,

0:19:49.600 --> 0:19:51.720
<v Speaker 1>so we went and found take a bowl here here,

0:19:52.880 --> 0:19:56.400
<v Speaker 1>give us some more. What do you You don't drink?

0:19:56.600 --> 0:19:59.560
<v Speaker 1>I don't drink. That's some one that's a wine associaf

0:19:59.640 --> 0:20:03.520
<v Speaker 1>he got that. We don't know if y'all know. But

0:20:03.760 --> 0:20:07.360
<v Speaker 1>our show is to give all people they flowers where

0:20:07.359 --> 0:20:10.280
<v Speaker 1>they can smell. I hate the fact that when you've

0:20:10.280 --> 0:20:12.480
<v Speaker 1>got ten years of more in this game, people want

0:20:12.480 --> 0:20:16.120
<v Speaker 1>to say you washed, but in every other genre of

0:20:16.200 --> 0:20:19.399
<v Speaker 1>music or every other they say you season. So I

0:20:19.440 --> 0:20:22.720
<v Speaker 1>don't want to change the genre. And I think I'm

0:20:22.760 --> 0:20:26.280
<v Speaker 1>cool enough to do it. You feel me because I

0:20:26.280 --> 0:20:31.280
<v Speaker 1>don't want to push all legends now need to be

0:20:31.320 --> 0:20:33.359
<v Speaker 1>like yo, that nigger with my nigger. I'm telling you

0:20:33.480 --> 0:20:36.680
<v Speaker 1>right now. I love you, brothers, my brothers, I love y'all.

0:20:39.560 --> 0:20:43.920
<v Speaker 1>I don't raise me. Y'all raised me. I've heard all

0:20:43.960 --> 0:20:46.800
<v Speaker 1>your albums, and it would be I would be lesser

0:20:46.800 --> 0:20:48.560
<v Speaker 1>than a man for me to be able to sit

0:20:48.600 --> 0:20:51.360
<v Speaker 1>here and tell y'all. How great y'all man, you understand

0:20:51.480 --> 0:20:53.359
<v Speaker 1>saying And that's when we got to our community. Gotta

0:20:53.359 --> 0:20:56.080
<v Speaker 1>start changing that. Man. I don't take me nothing less

0:20:56.119 --> 0:20:58.719
<v Speaker 1>to say that you're great and what you guys, your

0:20:58.800 --> 0:21:02.639
<v Speaker 1>legacy should be in gold. Let us heaverywhere. You know

0:21:02.680 --> 0:21:04.880
<v Speaker 1>what I'm saying like that, I shouldn't take nothing away

0:21:04.920 --> 0:21:06.440
<v Speaker 1>for me, my brother. You know what I'm saying. You

0:21:06.720 --> 0:21:08.840
<v Speaker 1>know that the Mate was one of the first to

0:21:08.920 --> 0:21:11.320
<v Speaker 1>reach out. Yeah that's true. Yeah, that's true. Within this

0:21:12.359 --> 0:21:13.920
<v Speaker 1>is an industry. He was like, you, I'm a big

0:21:13.920 --> 0:21:16.400
<v Speaker 1>fan with y'all doing. I can't wait to go. You're

0:21:16.440 --> 0:21:23.320
<v Speaker 1>not gonna drink talking about what y'all gonna slop. God

0:21:23.400 --> 0:21:27.520
<v Speaker 1>do I remember for a right one day he was

0:21:27.600 --> 0:21:30.320
<v Speaker 1>DJ for me the old time. I was like, yo,

0:21:31.520 --> 0:21:36.800
<v Speaker 1>Jill's like, already keep it for it. Oh man, I'm

0:21:36.840 --> 0:21:39.520
<v Speaker 1>so excited to have y'all in man. Um, So let's go.

0:21:39.640 --> 0:21:42.119
<v Speaker 1>Let's let's take it back to the very first album.

0:21:42.160 --> 0:21:46.720
<v Speaker 1>I want to Let's thank you nine correct, l I

0:21:46.760 --> 0:21:50.600
<v Speaker 1>got no hold on, hold on little I gotta know,

0:21:51.080 --> 0:21:53.920
<v Speaker 1>I'm trying to step my game. My phone on, alright, cool, alright,

0:21:53.920 --> 0:21:56.400
<v Speaker 1>cool on Okay, yeah, next to night and not okay,

0:21:56.520 --> 0:21:59.560
<v Speaker 1>like a not excuse me, uh we feel high rising

0:22:01.000 --> 0:22:07.359
<v Speaker 1>first album, guys are going in what is your mind? Friend? Who?

0:22:07.400 --> 0:22:11.200
<v Speaker 1>Who's out? By the way, who? Who? Who's out? Like that?

0:22:11.200 --> 0:22:17.800
<v Speaker 1>That's yeah, DC was but you know, of course everybody

0:22:17.880 --> 0:22:26.760
<v Speaker 1>rock him. You know a pmd T was early nighting. Okay,

0:22:27.080 --> 0:22:30.800
<v Speaker 1>So try us, y'all, little brother, Yeah, hit us right,

0:22:31.160 --> 0:22:34.920
<v Speaker 1>you don't get to yah. The Day to Tell was

0:22:34.960 --> 0:22:39.720
<v Speaker 1>like nine hundred was like the first Hue Tank. So

0:22:40.480 --> 0:22:44.240
<v Speaker 1>the first album, Okay, y'all going there like who because

0:22:44.240 --> 0:22:46.520
<v Speaker 1>you know, in your mind when you're making records, you

0:22:46.560 --> 0:22:49.520
<v Speaker 1>want to be better than somebody something who who? Yeah?

0:22:49.520 --> 0:22:52.239
<v Speaker 1>Who was a was a public enemy y'all was like

0:22:52.640 --> 0:22:54.000
<v Speaker 1>because you don't, I don't know if it was about

0:22:54.000 --> 0:22:56.680
<v Speaker 1>being better though, Okay, I mean what did we aspire

0:22:57.000 --> 0:22:59.200
<v Speaker 1>to be? Like? There you go? That's from d MC

0:23:00.160 --> 0:23:05.679
<v Speaker 1>carress one Ultramagnetic Ultramagnetic yea, not definitely, you know, but

0:23:05.720 --> 0:23:07.440
<v Speaker 1>we were students of all that. We were students of

0:23:07.480 --> 0:23:12.199
<v Speaker 1>Treacherous three and all that. You know, BDP. You know,

0:23:13.760 --> 0:23:17.600
<v Speaker 1>I'm I'm a little all over the place people, you know, okay,

0:23:17.640 --> 0:23:20.280
<v Speaker 1>okays used to coming up to the school box and

0:23:20.800 --> 0:23:25.919
<v Speaker 1>flys and all physical favorite we all he touched us

0:23:26.000 --> 0:23:28.520
<v Speaker 1>all the same truck, the only outside of who could

0:23:28.560 --> 0:23:31.080
<v Speaker 1>come up to our school without the principal kicking them out. Yeah,

0:23:31.960 --> 0:23:35.680
<v Speaker 1>I'm dislikable when you'll see people like for real, do

0:23:35.840 --> 0:23:38.000
<v Speaker 1>y'all do do you do? You? Because you know he's

0:23:38.080 --> 0:23:41.760
<v Speaker 1>he's direct correctly, y'all, like you know what I'm saying,

0:23:41.840 --> 0:23:46.800
<v Speaker 1>like a whupe fiasco. Uh even like Jake Hole, like

0:23:46.880 --> 0:23:49.280
<v Speaker 1>you know what I'm saying. So it can't be like

0:23:49.640 --> 0:23:51.639
<v Speaker 1>when you when you when you see artists like that,

0:23:51.720 --> 0:23:54.760
<v Speaker 1>do you see yourselves and them? Definitely? I mean even

0:23:54.840 --> 0:23:59.120
<v Speaker 1>like our future like y'all yeah, yeah you know yeah,

0:23:59.800 --> 0:24:02.080
<v Speaker 1>Especi see picture we our future. Yeah, I can see

0:24:02.080 --> 0:24:04.280
<v Speaker 1>I can see him and him tap into y'all. Now, Now,

0:24:04.320 --> 0:24:06.800
<v Speaker 1>who who was artists as fans fans of y'all that

0:24:07.119 --> 0:24:13.520
<v Speaker 1>you never expected? Who's as Day Chappelle is a big one.

0:24:13.920 --> 0:24:20.360
<v Speaker 1>He's huge days So man um man, I never thought

0:24:20.359 --> 0:24:28.040
<v Speaker 1>of Russell Peters at the Comedian. I got to know

0:24:28.200 --> 0:24:30.360
<v Speaker 1>Russell over the years, but when I first met him,

0:24:30.400 --> 0:24:35.080
<v Speaker 1>I had no idea. Right now, honestly, I mean, I'm

0:24:35.119 --> 0:24:37.480
<v Speaker 1>sorry to cut you, but For me, it was always

0:24:37.560 --> 0:24:42.199
<v Speaker 1>like to see like hard rock made his funk with us,

0:24:42.680 --> 0:24:44.840
<v Speaker 1>Like Yo, the day I met Um when we was

0:24:44.960 --> 0:24:48.080
<v Speaker 1>rock recorded Anonymous Nobody Elseum and I met Uh, I

0:24:48.200 --> 0:24:52.520
<v Speaker 1>met Twin and he just came up to me like yo,

0:24:52.760 --> 0:24:55.000
<v Speaker 1>like I'm a Daylight fan and like, you know, I'm

0:24:55.040 --> 0:24:57.119
<v Speaker 1>so used to listening to him and all the Alchemists

0:24:57.119 --> 0:25:00.720
<v Speaker 1>Beasts and yeah, you know what I'm saying. It was

0:25:00.800 --> 0:25:03.120
<v Speaker 1>just like just dope to see how he was really

0:25:03.200 --> 0:25:07.320
<v Speaker 1>into a ship like Cameron, you camera, you know I

0:25:07.359 --> 0:25:11.440
<v Speaker 1>can see that. Yeah, I can't imagine not being a

0:25:11.520 --> 0:25:17.040
<v Speaker 1>fan of Yards. I know that's to be. That should

0:25:17.080 --> 0:25:18.720
<v Speaker 1>be like like that should be like like the first

0:25:18.760 --> 0:25:21.080
<v Speaker 1>like if you get a hip hop card, like that

0:25:21.080 --> 0:25:25.440
<v Speaker 1>should be like the first question, like we are you

0:25:25.520 --> 0:25:30.960
<v Speaker 1>at your Daylight Soul list? Like you brother, you know

0:25:31.000 --> 0:25:33.400
<v Speaker 1>what I mean, You're gonna pass this course, you ain't

0:25:33.400 --> 0:25:37.080
<v Speaker 1>getting no card. We're gonna start making hip hop cards. Man.

0:25:38.119 --> 0:25:41.000
<v Speaker 1>So when it's definitely finding out the different songs catch

0:25:41.200 --> 0:25:45.560
<v Speaker 1>like like rock Cam like Saturdays Cam, like I know

0:25:46.359 --> 0:25:49.879
<v Speaker 1>and that you think dudes are like something Honor like

0:25:50.040 --> 0:25:53.280
<v Speaker 1>Peace Parts or something like that. But now he's like right,

0:25:53.440 --> 0:25:57.000
<v Speaker 1>like Saturday's cam, like I know, from three three ft high.

0:25:57.640 --> 0:26:01.679
<v Speaker 1>So it's funny. That's a beautiful thing, man. So now

0:26:01.800 --> 0:26:05.440
<v Speaker 1>let me get to uh Tupac Man. At one point

0:26:05.560 --> 0:26:09.520
<v Speaker 1>Tupac hadn't been because y'all was cool at first. We

0:26:09.720 --> 0:26:16.920
<v Speaker 1>were watching. So we move from digital digit pocket like

0:26:17.480 --> 0:26:21.840
<v Speaker 1>you know, like Parks smoke, so we did. The crazy

0:26:21.920 --> 0:26:27.119
<v Speaker 1>thing is just come from well, I think it started

0:26:27.160 --> 0:26:32.800
<v Speaker 1>from what the video for ego tripping, Um when you

0:26:32.880 --> 0:26:36.520
<v Speaker 1>got to the big eyes. No, we're we're in this uh,

0:26:37.880 --> 0:26:40.560
<v Speaker 1>we're in this mansion. You know, we're making fun of

0:26:40.640 --> 0:26:42.840
<v Speaker 1>ourselves in terms of like playing off, like if we

0:26:42.920 --> 0:26:45.920
<v Speaker 1>have an ego, but someone's questioning it. So Dave's riding

0:26:45.920 --> 0:26:48.200
<v Speaker 1>around in his car. It says like he don't even

0:26:48.240 --> 0:26:52.600
<v Speaker 1>own it. Stuff like that that checks and stuff like that.

0:26:52.840 --> 0:26:56.879
<v Speaker 1>But I guess Park thought, um, we're basically Adrian was

0:26:56.920 --> 0:27:00.320
<v Speaker 1>managing him at the time. Reached out to to our

0:27:00.359 --> 0:27:03.000
<v Speaker 1>people's right at Tommy Boy and he was just like yo,

0:27:03.119 --> 0:27:07.080
<v Speaker 1>he just feels like, um, y'all are trying to playoff

0:27:07.160 --> 0:27:09.840
<v Speaker 1>in this I Get around video and he was like yo,

0:27:09.960 --> 0:27:12.040
<v Speaker 1>and he was like pop, it wasn't even like this

0:27:12.119 --> 0:27:18.040
<v Speaker 1>did you do underground pot right he just first first

0:27:18.720 --> 0:27:23.040
<v Speaker 1>okay when money fees in that single? Yeah, yeah, So

0:27:23.440 --> 0:27:25.880
<v Speaker 1>and the way it was related to us, like Pok

0:27:25.960 --> 0:27:29.080
<v Speaker 1>was just just disappointed because he he loved us, mean,

0:27:30.160 --> 0:27:32.960
<v Speaker 1>and we immediately let him know. Liken, like we had

0:27:33.080 --> 0:27:35.800
<v Speaker 1>no thought about that. We didn't even see the I

0:27:36.240 --> 0:27:39.240
<v Speaker 1>see the angle. Yeah I don't notice that. I would

0:27:39.240 --> 0:27:41.920
<v Speaker 1>probably said something, but I didn't even notice it. But

0:27:42.040 --> 0:27:45.879
<v Speaker 1>I mean like kind of known when he was alive.

0:27:46.200 --> 0:27:49.879
<v Speaker 1>I'll apologize straight up because I I didn't see that,

0:27:50.160 --> 0:27:53.760
<v Speaker 1>and and that's definitely works on the intentions. I love

0:27:53.880 --> 0:27:58.800
<v Speaker 1>the brother. Yeah, it was unfortunately weird because when we

0:27:58.920 --> 0:28:02.800
<v Speaker 1>were told, I mean, we immediately was like, no, that's

0:28:02.840 --> 0:28:06.240
<v Speaker 1>not even the case. And then Adrian gave me the

0:28:06.359 --> 0:28:08.760
<v Speaker 1>number to speak to him, so you know that's by

0:28:08.880 --> 0:28:11.600
<v Speaker 1>that time, he had a crib out in Atlanta. Um

0:28:12.800 --> 0:28:15.280
<v Speaker 1>I tried to call him. I missed. I think I

0:28:15.400 --> 0:28:18.120
<v Speaker 1>missed this call. I called him back, but I left

0:28:18.160 --> 0:28:19.919
<v Speaker 1>the message. I said, YO, hit me back. He never

0:28:20.000 --> 0:28:22.640
<v Speaker 1>hit me back. But so then like maybe or whatever

0:28:22.800 --> 0:28:24.800
<v Speaker 1>year or so later, when you hear hear what was

0:28:24.840 --> 0:28:27.680
<v Speaker 1>going on the album, it just called us off guard

0:28:27.720 --> 0:28:30.560
<v Speaker 1>because you know, populous people. I mean, I remember a

0:28:30.680 --> 0:28:33.040
<v Speaker 1>time went on. You did a show out in the Bay,

0:28:34.040 --> 0:28:36.800
<v Speaker 1>you know, great show, and after the show, I'm standing

0:28:36.840 --> 0:28:38.959
<v Speaker 1>outside and some dude came up on me like yo,

0:28:39.160 --> 0:28:41.960
<v Speaker 1>you know, like you just send Caress one. I was

0:28:42.040 --> 0:28:44.920
<v Speaker 1>like what, Like I was like carresponds a god to me,

0:28:45.000 --> 0:28:47.880
<v Speaker 1>Like no, no, because you said in that song Aple Connections,

0:28:47.960 --> 0:28:50.320
<v Speaker 1>you know you're not a vegetarian, You're not scared of beef.

0:28:50.880 --> 0:28:53.320
<v Speaker 1>And I'm like, it's just a metaphor thing and what's

0:28:53.480 --> 0:29:00.400
<v Speaker 1>gonna cares one of the vegetarian and he does. So

0:29:00.560 --> 0:29:02.400
<v Speaker 1>then the dude was just trying to get at me,

0:29:02.440 --> 0:29:04.160
<v Speaker 1>and Pop came out of nowhere. It's like you're young,

0:29:04.240 --> 0:29:06.760
<v Speaker 1>and like that's you know, that's people's and like so

0:29:06.920 --> 0:29:10.360
<v Speaker 1>Pok kind of saved me from any problem. So I mean,

0:29:10.400 --> 0:29:12.760
<v Speaker 1>like pak was always a good people to us. So

0:29:12.880 --> 0:29:15.200
<v Speaker 1>it's saddened it happened because we just didn't understand where

0:29:15.200 --> 0:29:17.440
<v Speaker 1>it where it came from. Left really got a chance

0:29:17.480 --> 0:29:21.160
<v Speaker 1>to fix me. We tried, but didn't even know that

0:29:21.240 --> 0:29:23.800
<v Speaker 1>I'm talking about like this man, it had even been

0:29:25.600 --> 0:29:28.960
<v Speaker 1>four or five years ago. I ran into assist at

0:29:29.000 --> 0:29:31.280
<v Speaker 1>the airport in Atlanta and she was like, Yo, Pap

0:29:31.520 --> 0:29:34.360
<v Speaker 1>was a really good fan of yours. And she was like,

0:29:34.640 --> 0:29:37.560
<v Speaker 1>I'm telling you straight up, like he loved y'all. He

0:29:37.600 --> 0:29:40.280
<v Speaker 1>would just hurt when it happened. And I guess you

0:29:40.320 --> 0:29:42.640
<v Speaker 1>know at that point, you know, Parky led his heart.

0:29:43.960 --> 0:29:48.360
<v Speaker 1>So yeah, well that's what it was. I'll bless you too.

0:29:53.200 --> 0:29:57.719
<v Speaker 1>Got your own dunk sleeper. Ye, goddamn in that night.

0:29:58.120 --> 0:30:04.440
<v Speaker 1>Huh how did that come about it? Yeah? We did

0:30:04.480 --> 0:30:06.920
<v Speaker 1>two of those two wrong. I think the first one

0:30:07.040 --> 0:30:10.920
<v Speaker 1>might have been like two thousand and four. Yeah, yeah,

0:30:11.200 --> 0:30:14.760
<v Speaker 1>we had the high Time three guys. Yeah. Yeah. People

0:30:14.840 --> 0:30:18.480
<v Speaker 1>throw at the eghs was like teenage ninja ninja turtles.

0:30:18.520 --> 0:30:20.800
<v Speaker 1>They would they like nicknamed them that, but they don't

0:30:20.800 --> 0:30:24.320
<v Speaker 1>when I do what, they're the champagne. Okay, let's do it.

0:30:24.400 --> 0:30:29.719
<v Speaker 1>Let's do it. Come on, Yeah, years later to talk

0:30:29.760 --> 0:30:38.000
<v Speaker 1>about it out. Yeah, yeah, leaving at home on purpose,

0:30:39.640 --> 0:30:44.200
<v Speaker 1>leaving home two much, lady, you called me before you

0:30:44.280 --> 0:30:47.440
<v Speaker 1>got a whole case. By the way, I want to

0:30:47.520 --> 0:30:50.000
<v Speaker 1>let y'all know if you switch the lot one of more. Okay,

0:30:50.000 --> 0:30:52.280
<v Speaker 1>I'm gonna let y'all know if you're gonna take this,

0:30:52.920 --> 0:30:54.960
<v Speaker 1>we do not claim this. We do not. We do

0:30:55.120 --> 0:30:57.520
<v Speaker 1>not promote this. We know that this is the worst

0:30:57.600 --> 0:31:00.320
<v Speaker 1>thing ever. Yeah, we're all well aware that we are

0:31:00.400 --> 0:31:04.880
<v Speaker 1>search in general that comes out. But we celebrate hip hop. Okay,

0:31:05.000 --> 0:31:07.560
<v Speaker 1>damn give me a decent side. Okay, No, decent side

0:31:08.400 --> 0:31:16.920
<v Speaker 1>usually made me disrespecting Bill here, don't you got you

0:31:16.920 --> 0:31:19.400
<v Speaker 1>said you wanna take woman? Y'all heard you? I just

0:31:19.720 --> 0:31:27.240
<v Speaker 1>he was funny. Yeah, they went and found it. Man,

0:31:27.560 --> 0:31:32.560
<v Speaker 1>you make out the world it is. It just went crazy.

0:31:35.560 --> 0:31:39.760
<v Speaker 1>We gottamore who We celebrate y'all legacy tonight. Let me

0:31:39.840 --> 0:31:44.440
<v Speaker 1>tell y'all, y'all legends. We support y'all with y'all movement.

0:31:45.000 --> 0:31:48.160
<v Speaker 1>We love y'all, and we left big people. We're gonna

0:31:48.200 --> 0:32:02.320
<v Speaker 1>do doing that. Everybody got something, ye yill man, he said,

0:32:03.440 --> 0:32:06.160
<v Speaker 1>what is that? That wasn't talking, boy man, there was

0:32:06.280 --> 0:32:12.959
<v Speaker 1>lying Boone's tasted like boy, you tire? That was horrible.

0:32:13.360 --> 0:32:22.239
<v Speaker 1>That's healthy, right, Hope it is hope straight. You're right?

0:32:25.600 --> 0:32:29.320
<v Speaker 1>Did you every thing hip hop would be just big? No? No,

0:32:31.280 --> 0:32:37.280
<v Speaker 1>I mean hip hop was enormous At Run DMC, that

0:32:37.400 --> 0:32:40.880
<v Speaker 1>was big enough. You know, walked this way. You know,

0:32:41.000 --> 0:32:43.560
<v Speaker 1>you couldn't even think how much bigger it could get,

0:32:44.000 --> 0:32:46.960
<v Speaker 1>you know, what they were doing. And I guess I

0:32:47.000 --> 0:32:50.760
<v Speaker 1>guess you know, when you were a kid man, all

0:32:50.840 --> 0:32:54.240
<v Speaker 1>you thinking is like Norri said, like you thinking just

0:32:54.800 --> 0:32:59.520
<v Speaker 1>how you gonna benefit from this directly? You know I'm

0:32:59.560 --> 0:33:01.600
<v Speaker 1>gonna I mean a chain, I'm gonna be you know,

0:33:01.680 --> 0:33:03.800
<v Speaker 1>I'm gonna be doing it. But you never look at

0:33:03.840 --> 0:33:07.600
<v Speaker 1>it as you know, a business and you know, income

0:33:07.680 --> 0:33:12.400
<v Speaker 1>extensions and branding all that. Yeah, we never thought that.

0:33:13.400 --> 0:33:16.000
<v Speaker 1>But it's nice to see it happening. Man, it's it's

0:33:16.080 --> 0:33:19.120
<v Speaker 1>it's a beautiful thing to see us to us opening

0:33:19.200 --> 0:33:22.120
<v Speaker 1>bigger doors and and getting into bigger and better places.

0:33:22.800 --> 0:33:26.120
<v Speaker 1>And you know that, I guess the what kind of

0:33:26.280 --> 0:33:29.840
<v Speaker 1>is where we are at this time? And hopefully it

0:33:29.920 --> 0:33:32.960
<v Speaker 1>can revert back to you know, the artists of a goal.

0:33:34.040 --> 0:33:37.120
<v Speaker 1>It's his ownership of things, you know. You know, it's

0:33:37.160 --> 0:33:40.840
<v Speaker 1>good to see the new young folks, you know, doing

0:33:40.880 --> 0:33:45.040
<v Speaker 1>a business accordingly to a different standard. But you know,

0:33:45.120 --> 0:33:48.800
<v Speaker 1>there's a lot of us, you know, who are even

0:33:48.880 --> 0:33:52.120
<v Speaker 1>before us. It's like I always say to myself, why

0:33:52.280 --> 0:33:56.240
<v Speaker 1>isn't there a Vegas show of hip hop? You know,

0:33:56.400 --> 0:33:58.880
<v Speaker 1>why isn't there a show where it's like it's you

0:33:58.960 --> 0:34:00.840
<v Speaker 1>know who see you know what they're doing it now,

0:34:00.920 --> 0:34:03.880
<v Speaker 1>they're doing it. I think two Chains has one and

0:34:03.960 --> 0:34:07.160
<v Speaker 1>he's like, he's like he's a young Yeah, he's a

0:34:07.240 --> 0:34:10.280
<v Speaker 1>dress I just left l a and because a billboard

0:34:10.400 --> 0:34:14.399
<v Speaker 1>in front of the hotel. So they they they're getting more.

0:34:14.680 --> 0:34:19.200
<v Speaker 1>I think Nellie had one president. I'm talking about even

0:34:19.239 --> 0:34:21.279
<v Speaker 1>bigger than that, Like you know Blue Man Group. Why

0:34:21.360 --> 0:34:24.080
<v Speaker 1>isn't there a presentation? You know, I think we can

0:34:24.160 --> 0:34:27.120
<v Speaker 1>go in those directions, and that's where you can begin

0:34:27.320 --> 0:34:31.520
<v Speaker 1>to incorporate brothers like Grandmaster Flash and Bellie Mail and

0:34:31.840 --> 0:34:34.799
<v Speaker 1>Work and people who deserve those positions and that should

0:34:34.880 --> 0:34:37.520
<v Speaker 1>be part of owning things and being a part of

0:34:37.600 --> 0:34:40.279
<v Speaker 1>the history and the legacy of it. You know, we

0:34:40.360 --> 0:34:43.120
<v Speaker 1>don't expect them always excuse me to put to put

0:34:43.239 --> 0:34:46.480
<v Speaker 1>records out, that's not what you know, really expecting them

0:34:46.520 --> 0:34:49.600
<v Speaker 1>to do. But there should be opportunities for them to

0:34:49.719 --> 0:34:55.440
<v Speaker 1>reap off of the what they create. The architect absolutely,

0:34:55.840 --> 0:35:01.120
<v Speaker 1>and it's not about that era of saying our older

0:35:01.200 --> 0:35:04.360
<v Speaker 1>guards got to come at somebody and and expect something.

0:35:05.200 --> 0:35:09.600
<v Speaker 1>There's enough money to be made, where like an opportunity

0:35:10.640 --> 0:35:14.400
<v Speaker 1>you know you've seen it done. Another genres right, So

0:35:14.520 --> 0:35:17.799
<v Speaker 1>it's not like we are. It's a motown review. Why

0:35:17.800 --> 0:35:20.640
<v Speaker 1>wouldn't it be a profile review? Are? You know what

0:35:20.680 --> 0:35:24.000
<v Speaker 1>I'm saying, Like if you have these artists, and what

0:35:24.120 --> 0:35:26.560
<v Speaker 1>do you guys think about, like the streaming that like

0:35:26.680 --> 0:35:29.800
<v Speaker 1>the director to consumer. You know what I'm saying, Is

0:35:30.080 --> 0:35:33.200
<v Speaker 1>that something that you guys are fans of or you know? Um,

0:35:33.840 --> 0:35:35.959
<v Speaker 1>I wouldn't say we're against it, you know what I'm saying,

0:35:36.000 --> 0:35:39.360
<v Speaker 1>Like because I imagine the time. I remember at one

0:35:39.400 --> 0:35:41.720
<v Speaker 1>point I wouldn't throw a record out and it wouldn't

0:35:41.719 --> 0:35:44.680
<v Speaker 1>get to Japan, So you know what I'm saying. Sixteen

0:35:44.800 --> 0:35:48.160
<v Speaker 1>days later and I remember a time where in order

0:35:48.239 --> 0:35:49.800
<v Speaker 1>for the record to get to London, I had to

0:35:49.960 --> 0:35:57.719
<v Speaker 1>physically go there. Right, Yeah, I'm getting old old, you

0:35:57.760 --> 0:35:59.440
<v Speaker 1>know what I'm saying. I don't know if you I'm

0:35:59.440 --> 0:36:01.840
<v Speaker 1>not stop. I don't know. If you remember we was

0:36:01.920 --> 0:36:06.880
<v Speaker 1>at your show at Subterranean and London You've got totally shock.

0:36:07.200 --> 0:36:09.920
<v Speaker 1>Everyone knew your lyrics. Oh yes, damn man comes a

0:36:10.160 --> 0:36:15.279
<v Speaker 1>car you yo, yo, listen, listen to yo. Yes, no,

0:36:15.640 --> 0:36:19.400
<v Speaker 1>I remember when I've seen y'all in London and it

0:36:19.480 --> 0:36:22.160
<v Speaker 1>was it's lousy right in London and y'all, and I said,

0:36:22.200 --> 0:36:24.120
<v Speaker 1>we are doing it's like you gotta show in two

0:36:24.160 --> 0:36:28.239
<v Speaker 1>weeks and I was like day bed two weeks and

0:36:28.320 --> 0:36:31.560
<v Speaker 1>I remember, I remember that was doing features ya kidding?

0:36:31.840 --> 0:36:33.880
<v Speaker 1>And I never I had never knew that. That had

0:36:33.960 --> 0:36:38.000
<v Speaker 1>never made sense to me until ten years later. I said,

0:36:38.040 --> 0:36:42.440
<v Speaker 1>holy ship doing exactly what they right, Yo, that's it.

0:36:42.600 --> 0:36:45.520
<v Speaker 1>That's ship is ill like how life? How life? You

0:36:45.560 --> 0:36:48.279
<v Speaker 1>know what I'm saying? Comes together and I think, you

0:36:48.360 --> 0:36:54.640
<v Speaker 1>she gotta be some noise. But I got what But

0:36:54.760 --> 0:36:55.960
<v Speaker 1>let me get back to the point I was trying

0:36:56.000 --> 0:36:58.800
<v Speaker 1>to make. Was I remember I used to have to picity.

0:36:58.840 --> 0:37:00.320
<v Speaker 1>I could go to like to a London didn't or

0:37:00.400 --> 0:37:05.160
<v Speaker 1>to a jamaicap or to a scott or whatever to

0:37:05.280 --> 0:37:08.360
<v Speaker 1>like promote the record. Now I can actually drop it

0:37:09.120 --> 0:37:11.880
<v Speaker 1>one place and you can actually see from the comments

0:37:12.480 --> 0:37:18.120
<v Speaker 1>this guy's from Switzer Ryan this. I think that's amazing. Question.

0:37:18.239 --> 0:37:21.359
<v Speaker 1>You know what I'm saying, how you feel like? I mean,

0:37:22.560 --> 0:37:24.600
<v Speaker 1>do you get them take? I would need to entertainment

0:37:24.920 --> 0:37:28.439
<v Speaker 1>to take is you know we're really making no money

0:37:28.480 --> 0:37:31.799
<v Speaker 1>off this anymore. Now we're kind of using our music

0:37:31.880 --> 0:37:36.000
<v Speaker 1>more to promote and got game money and resentuals off

0:37:36.040 --> 0:37:39.920
<v Speaker 1>in other areas. I tell yourself something, when you look

0:37:39.960 --> 0:37:43.279
<v Speaker 1>at the streaming the people who pay them most and

0:37:43.440 --> 0:37:47.399
<v Speaker 1>I'm not on jay Z's pay roll, it's title. Why

0:37:47.640 --> 0:37:51.239
<v Speaker 1>is that? Like? Why is title given paying the artists more?

0:37:52.000 --> 0:37:55.480
<v Speaker 1>Like like Apple? We can put it on Apple, even

0:37:55.520 --> 0:37:58.480
<v Speaker 1>put it on Spotify and put it on a title.

0:37:59.280 --> 0:38:03.600
<v Speaker 1>Why is specifically paying more paying more? It's because it's

0:38:03.600 --> 0:38:06.080
<v Speaker 1>got a lot of to do it whole and pro artist.

0:38:06.800 --> 0:38:09.480
<v Speaker 1>You know, the beauty or of his position, in my

0:38:09.600 --> 0:38:13.319
<v Speaker 1>opinion is the period is now. You got a coach

0:38:13.360 --> 0:38:16.560
<v Speaker 1>who played the game, right, there's we always other coaches

0:38:16.560 --> 0:38:19.279
<v Speaker 1>who never played the game. Why are we gonna just

0:38:19.400 --> 0:38:21.840
<v Speaker 1>go out of supports titles? Why? Why has he banging

0:38:21.880 --> 0:38:23.640
<v Speaker 1>on that? Why is it investing in that for the

0:38:23.719 --> 0:38:26.640
<v Speaker 1>last When are we going to like suppower our own

0:38:27.120 --> 0:38:29.400
<v Speaker 1>like y'all great examples, because like like I'm sorry you

0:38:29.520 --> 0:38:32.879
<v Speaker 1>cut you up, but I'm like when y'all said something

0:38:32.960 --> 0:38:34.920
<v Speaker 1>the whole if I like the whole hip hop community,

0:38:35.040 --> 0:38:37.319
<v Speaker 1>like I have power right now, you know what I'm saying,

0:38:37.400 --> 0:38:39.120
<v Speaker 1>Like I wanted to let you let you know that

0:38:39.600 --> 0:38:42.440
<v Speaker 1>y'all in the position of real power because it's it's

0:38:42.480 --> 0:38:45.680
<v Speaker 1>even the young kids are tuned in because they said,

0:38:45.800 --> 0:38:48.920
<v Speaker 1>you know, nas is there, Hold is dead, and that

0:38:50.200 --> 0:38:54.560
<v Speaker 1>the subject, the subject matter is what matters. So, um,

0:38:55.640 --> 0:39:00.400
<v Speaker 1>how do we how do how do uh capitalize? I mean,

0:39:00.600 --> 0:39:02.680
<v Speaker 1>it's great to monetize it. It's great to be able

0:39:02.719 --> 0:39:07.280
<v Speaker 1>to harness it and and changing change it into opportunities

0:39:07.360 --> 0:39:12.960
<v Speaker 1>to earn from. But you know, it's like, because of

0:39:13.080 --> 0:39:16.600
<v Speaker 1>the subject matter that we're dealing with right now, I

0:39:16.719 --> 0:39:21.680
<v Speaker 1>also see the opportunity to make legislation, you know, to

0:39:21.760 --> 0:39:25.480
<v Speaker 1>help your artists, future artists coming. You know, we could

0:39:25.480 --> 0:39:29.160
<v Speaker 1>all monetize this. There's great ways to to make that happen.

0:39:29.280 --> 0:39:31.120
<v Speaker 1>But we also got to think that the power is

0:39:31.160 --> 0:39:34.000
<v Speaker 1>greater than just dollars and cents. So, I mean, so

0:39:35.560 --> 0:39:39.120
<v Speaker 1>I would love to see what comes out of our

0:39:40.120 --> 0:39:44.160
<v Speaker 1>you know madness. It's legislation changing man, people fighting and

0:39:44.280 --> 0:39:48.239
<v Speaker 1>pushing for that. Hopefully this is this will inspire an attorney.

0:39:48.320 --> 0:39:51.480
<v Speaker 1>Hopefully this will inspire young entrepreneur or someone who's in

0:39:51.520 --> 0:39:53.560
<v Speaker 1>the game right now who feels like we need to

0:39:53.640 --> 0:39:56.480
<v Speaker 1>just change the rules a little bit, you know, So

0:39:57.960 --> 0:40:01.800
<v Speaker 1>capitalizing off it can be dollars and sense, but streaming

0:40:02.400 --> 0:40:06.239
<v Speaker 1>the business model behind streaming is still unfavorable. You know.

0:40:06.400 --> 0:40:10.640
<v Speaker 1>I just think Title is the best company, doing the

0:40:10.760 --> 0:40:14.719
<v Speaker 1>best they can based on their competitors, because they still

0:40:14.800 --> 0:40:17.279
<v Speaker 1>got to compete, you know what I mean. And you

0:40:17.480 --> 0:40:20.160
<v Speaker 1>can't eat Robert Hood. He can't. I means much as

0:40:20.200 --> 0:40:23.600
<v Speaker 1>he's trying to be still can't be a fool in business.

0:40:23.680 --> 0:40:25.759
<v Speaker 1>But do you guys have any of those aspirations to

0:40:26.320 --> 0:40:29.879
<v Speaker 1>to lead that way or be leaders and and make

0:40:29.920 --> 0:40:33.600
<v Speaker 1>your own companies and consult companies to to avoid these

0:40:33.640 --> 0:40:37.840
<v Speaker 1>things for future artists? Inspired inspired to be and a

0:40:37.920 --> 0:40:40.840
<v Speaker 1>lot of it comes out of these mistakes, you know,

0:40:41.200 --> 0:40:45.239
<v Speaker 1>because that experience we need, that we need that. You know,

0:40:46.440 --> 0:40:49.800
<v Speaker 1>I'm always down to be the model for change. You know.

0:40:50.560 --> 0:40:52.800
<v Speaker 1>The minute I touched hip hop culture and changed my

0:40:52.960 --> 0:40:56.440
<v Speaker 1>life period based on what I know it could have been.

0:40:57.000 --> 0:41:00.319
<v Speaker 1>So therefore I was always inspired to do the thing.

0:41:00.480 --> 0:41:03.000
<v Speaker 1>But it can it is, you know, I want, I

0:41:03.080 --> 0:41:06.360
<v Speaker 1>wanted to learn. I was at Rush all the time.

0:41:06.920 --> 0:41:10.080
<v Speaker 1>I was still attributed a big part of my success

0:41:10.200 --> 0:41:16.319
<v Speaker 1>today to the things I've learned around Elizabeth Street Rush,

0:41:16.400 --> 0:41:22.960
<v Speaker 1>all this management. You know, people just people have may

0:41:23.160 --> 0:41:25.919
<v Speaker 1>be hey man, we was a carduit even for Chrisler. Yeah,

0:41:26.480 --> 0:41:29.120
<v Speaker 1>you know what I'm saying. We we was there before

0:41:29.200 --> 0:41:33.000
<v Speaker 1>all of them. Yeah, so and here it is. I

0:41:33.080 --> 0:41:36.160
<v Speaker 1>would say, it's but even our mistakes in that situation

0:41:36.680 --> 0:41:39.000
<v Speaker 1>that allowed trying to do with dead doing a lot

0:41:39.080 --> 0:41:41.360
<v Speaker 1>others to do with dead doom at Chris like you

0:41:41.440 --> 0:41:44.640
<v Speaker 1>to even be the guy he looked at to be like, yo,

0:41:44.760 --> 0:41:48.520
<v Speaker 1>you take over then. And one thing I can say, y'all,

0:41:48.760 --> 0:41:53.600
<v Speaker 1>I'm proud of every decision we made, good and bad.

0:41:54.200 --> 0:41:57.000
<v Speaker 1>Lisa was ours and we live in Pla was hours

0:41:57.040 --> 0:42:00.520
<v Speaker 1>when we learned from him. Yeah, but it's a what

0:42:00.640 --> 0:42:04.400
<v Speaker 1>I'm mushing your guyana non don't know, y'all. Stuff with

0:42:04.440 --> 0:42:10.919
<v Speaker 1>each other, always going in the back. They were really

0:42:11.360 --> 0:42:21.560
<v Speaker 1>people sometimes because a whole bunch of fights back. I'm

0:42:22.000 --> 0:42:26.640
<v Speaker 1>a but but I like it, like it's crazy because

0:42:26.640 --> 0:42:29.839
<v Speaker 1>today you can't very very early, all right, That's true.

0:42:34.400 --> 0:42:40.000
<v Speaker 1>You would have to come out. You know, I'm the

0:42:40.040 --> 0:42:42.560
<v Speaker 1>early nagg. I'm the early thinking and Pold is always

0:42:42.600 --> 0:42:44.759
<v Speaker 1>the late thig and I'm just sort of your face.

0:42:44.840 --> 0:42:51.880
<v Speaker 1>It was like past, I'm not sure if you're the

0:42:51.920 --> 0:42:55.680
<v Speaker 1>early guy. Listen, I don't actually funding me coming back.

0:42:55.800 --> 0:42:57.680
<v Speaker 1>I want to access that has he even the lake

0:42:57.719 --> 0:43:10.120
<v Speaker 1>out lately? You can literally don't you think I'm the

0:43:10.160 --> 0:43:16.759
<v Speaker 1>early guys? He just asks you to act as I

0:43:16.800 --> 0:43:19.239
<v Speaker 1>think when I got When it comes to the club,

0:43:19.880 --> 0:43:23.600
<v Speaker 1>when it comes to the clubs as the earliest, I'd

0:43:23.680 --> 0:43:26.319
<v Speaker 1>like to be there when he's clock. No one's said,

0:43:26.880 --> 0:43:31.080
<v Speaker 1>still sweeping, who what are you doing? Him going to

0:43:31.200 --> 0:43:34.439
<v Speaker 1>the club when no one is like when they still

0:43:34.520 --> 0:43:36.920
<v Speaker 1>open it up and people want still wiping down the tables.

0:43:36.960 --> 0:43:43.200
<v Speaker 1>This ship he got, his bottle of rum, makes some

0:43:43.360 --> 0:43:52.880
<v Speaker 1>going to finish. We walked up, man, So what what

0:43:53.280 --> 0:43:56.000
<v Speaker 1>this one is the best? That's the best. That hip

0:43:56.040 --> 0:43:59.680
<v Speaker 1>hop is stuff for you man? Yeah? It a for

0:43:59.840 --> 0:44:03.279
<v Speaker 1>the us, a chance to travel all around the world, right,

0:44:04.000 --> 0:44:06.799
<v Speaker 1>learn a lot, you know, I mean, and I'm sure

0:44:06.840 --> 0:44:09.239
<v Speaker 1>you can attest to it. I mean, we all feel

0:44:09.320 --> 0:44:11.759
<v Speaker 1>where we're from is our world. It's our goal. And

0:44:11.840 --> 0:44:14.360
<v Speaker 1>when you're able to travel, you can see the differences,

0:44:14.400 --> 0:44:16.720
<v Speaker 1>and then you can also see what is so similar

0:44:17.680 --> 0:44:20.440
<v Speaker 1>with you and someone from Sweden or someone from Cali.

0:44:20.600 --> 0:44:24.840
<v Speaker 1>You know, support my family, yeah, without question, you know,

0:44:25.520 --> 0:44:29.960
<v Speaker 1>doing something you love love, Yeah, and that's the biggest

0:44:30.000 --> 0:44:39.759
<v Speaker 1>thing that finding out, Uh, I got something for moment

0:44:39.920 --> 0:44:44.200
<v Speaker 1>love question for y'all or actually a story she wants

0:44:44.239 --> 0:44:48.120
<v Speaker 1>to hear. They don't let it be about she said,

0:44:48.160 --> 0:44:50.719
<v Speaker 1>a fight on she said me another one too, Oh god,

0:44:51.400 --> 0:44:54.000
<v Speaker 1>she said, he's from the team. Big fight at Queen

0:44:54.080 --> 0:44:59.880
<v Speaker 1>the teeth is be their party mks in Manhattan. Oh gosh,

0:45:00.160 --> 0:45:03.160
<v Speaker 1>you got a story for that one the Kingdom man

0:45:03.520 --> 0:45:12.200
<v Speaker 1>I mean it was Rocket not too Dave too. That

0:45:12.360 --> 0:45:16.400
<v Speaker 1>was Christal. Was they slash christ it was? It was

0:45:16.480 --> 0:45:19.640
<v Speaker 1>a night Chris Letting got cutting his face. I never

0:45:19.719 --> 0:45:23.920
<v Speaker 1>know this story ship. Yeah, so it was Padnimonia that night.

0:45:24.000 --> 0:45:26.719
<v Speaker 1>That's all you know, you stuck for your family and

0:45:27.280 --> 0:45:30.719
<v Speaker 1>handle ship. Yeah, pretty much. It was one of us.

0:45:30.840 --> 0:45:34.239
<v Speaker 1>Don't tips that. No jungle was Jungles. Of course the

0:45:34.600 --> 0:45:37.480
<v Speaker 1>ladies was then all a lot of people from Amity,

0:45:37.520 --> 0:45:43.000
<v Speaker 1>but just it got crazy. But you know so that

0:45:43.360 --> 0:45:44.880
<v Speaker 1>it was kind of one and not only that. I

0:45:44.920 --> 0:45:46.919
<v Speaker 1>don't all that was going on. Somebody tried to steal

0:45:47.000 --> 0:45:52.839
<v Speaker 1>uh just the cash. Yeah, the club. The club never

0:45:52.960 --> 0:45:56.480
<v Speaker 1>heard of this. What was what was wild about that

0:45:56.640 --> 0:45:59.320
<v Speaker 1>night person to me is that this is pre internet

0:45:59.760 --> 0:46:03.000
<v Speaker 1>and and that happened like people in UK heard about

0:46:03.040 --> 0:46:04.440
<v Speaker 1>it because I guess at that point it were just

0:46:04.480 --> 0:46:08.759
<v Speaker 1>getting on the phone and calling somebody, right yo, like this, Yeah,

0:46:12.680 --> 0:46:16.560
<v Speaker 1>I still have facts, but she ain't gonna lot of school. Yeah.

0:46:17.239 --> 0:46:19.160
<v Speaker 1>We gotta with the we gotta with the paper roll

0:46:19.360 --> 0:46:24.839
<v Speaker 1>or just the individual paper roll. Yeah, yeah, we got

0:46:24.880 --> 0:46:31.840
<v Speaker 1>the analog. I'm great my life. Yeah, I still got

0:46:31.880 --> 0:46:34.080
<v Speaker 1>a package. Yeah, y'all mentioned Jungle Brothers. We've got to

0:46:34.160 --> 0:46:37.400
<v Speaker 1>talk about the creation of native to Yeah, yeah, I

0:46:37.400 --> 0:46:40.800
<v Speaker 1>mean native tongue. We had this gig in Boston and

0:46:42.239 --> 0:46:44.520
<v Speaker 1>Jungle was on on the bill as well, and that's

0:46:44.560 --> 0:46:49.520
<v Speaker 1>when Us Jungle and that's who was native tough to

0:46:49.640 --> 0:46:54.160
<v Speaker 1>begin with. It was US tribe and Jungle. Any idea

0:46:54.280 --> 0:46:59.200
<v Speaker 1>came from from Jungle Brothers from Africa. Okay Africa. Yeah,

0:46:59.239 --> 0:47:02.200
<v Speaker 1>we met at we out of the gig exchange numbers.

0:47:02.840 --> 0:47:04.960
<v Speaker 1>Wanted up hanging out. And when you say Africa, we

0:47:05.040 --> 0:47:10.800
<v Speaker 1>said about it after the baby bag Jungle Brothers, Oh yeah, yeah, Africa,

0:47:10.960 --> 0:47:13.720
<v Speaker 1>j bs Um. We did a show with Jungle Brothers

0:47:13.760 --> 0:47:15.960
<v Speaker 1>in Boston, met them and then from there we just

0:47:16.320 --> 0:47:22.759
<v Speaker 1>created a relationship and then eventually we was in the

0:47:22.800 --> 0:47:26.319
<v Speaker 1>studio and and we invited them to the studio. For us,

0:47:26.360 --> 0:47:29.239
<v Speaker 1>it was like studio is just like inviting friends and

0:47:29.320 --> 0:47:31.080
<v Speaker 1>if you happen to be there, you're gonna be a

0:47:31.160 --> 0:47:33.080
<v Speaker 1>part of what's going on. Because back then we had

0:47:33.200 --> 0:47:37.160
<v Speaker 1>rails email correct, right, So you had to be in

0:47:37.200 --> 0:47:42.800
<v Speaker 1>the studio. Yeah, I said, I said that said about that.

0:47:43.160 --> 0:47:47.920
<v Speaker 1>You know what, I'm like, you just running out a

0:47:47.960 --> 0:47:54.000
<v Speaker 1>little doors, like you had to go to the niggas

0:47:54.360 --> 0:47:57.120
<v Speaker 1>Like remember I remember I had to go to the

0:47:57.200 --> 0:47:59.399
<v Speaker 1>seabuster rhynd. So I had to bring the rail there.

0:47:59.440 --> 0:48:02.680
<v Speaker 1>It was like the day of my life. Literally, ship,

0:48:06.760 --> 0:48:15.720
<v Speaker 1>we have to work out CHRISTI fun before you before

0:48:15.760 --> 0:48:18.359
<v Speaker 1>you could even record, you have to strike the tape. Yeah,

0:48:18.800 --> 0:48:20.160
<v Speaker 1>you have to run the whole tape all the way.

0:48:20.160 --> 0:48:27.479
<v Speaker 1>They put medio that this preset was our final mixus. Man, Yeah,

0:48:29.640 --> 0:48:36.080
<v Speaker 1>was this guy's got it so easy? Man? Oh my god.

0:48:36.239 --> 0:48:38.600
<v Speaker 1>You bird a punch And I didn't know what a

0:48:38.680 --> 0:48:49.759
<v Speaker 1>punching was until two thousand and five. About I'm just saying,

0:48:50.160 --> 0:48:54.520
<v Speaker 1>I ain't punching for I ain't punching until two thousands

0:48:54.560 --> 0:48:57.520
<v Speaker 1>for work. Because I'm told about Unique Studios. Most of

0:48:57.600 --> 0:49:00.520
<v Speaker 1>my ship from those days with Unique study deals. At

0:49:00.560 --> 0:49:04.600
<v Speaker 1>that time, Unique was not digital at all. Criteria out

0:49:04.640 --> 0:49:07.759
<v Speaker 1>here It was not digital at all, so it was

0:49:07.880 --> 0:49:09.879
<v Speaker 1>it was one take Charlie for me, Like, that's how

0:49:09.960 --> 0:49:13.160
<v Speaker 1>it comes from that area. You gotta don't get away

0:49:13.200 --> 0:49:16.480
<v Speaker 1>from that. That's why that's why our music. I just

0:49:16.520 --> 0:49:20.160
<v Speaker 1>se y'all niggers the news this, y'all. That's why our

0:49:20.239 --> 0:49:22.879
<v Speaker 1>music sound much better than y'all. That's why y'all. Ship

0:49:23.880 --> 0:49:26.160
<v Speaker 1>even listen to your album eight now and listen to

0:49:26.239 --> 0:49:29.279
<v Speaker 1>somebody from right now, you can like, look, look how

0:49:29.400 --> 0:49:32.120
<v Speaker 1>because because these guys aren't even mixing right now, they

0:49:32.239 --> 0:49:34.440
<v Speaker 1>just they just pointed a little bit. I throw it

0:49:34.480 --> 0:49:37.400
<v Speaker 1>out right. They don't give a fun music so disposable

0:49:37.560 --> 0:49:41.239
<v Speaker 1>right now. Back then, the music lasted that whole year.

0:49:41.280 --> 0:49:43.480
<v Speaker 1>That's why I get called to the classic. You didn't

0:49:43.600 --> 0:49:46.080
<v Speaker 1>listen to an album for a week. Listen to an

0:49:46.080 --> 0:49:50.239
<v Speaker 1>album that old fucking year, all the credits. I'll be

0:49:50.320 --> 0:49:54.839
<v Speaker 1>dropping it right. I'm dropping balls right now, right, Holy ship,

0:49:55.520 --> 0:49:59.120
<v Speaker 1>it was better back there. I don't know if you

0:49:59.200 --> 0:50:01.240
<v Speaker 1>talk to yourself, if you can say your mind sometimes

0:50:01.239 --> 0:50:03.359
<v Speaker 1>I'm not. I'm just saying. I'm just saying, let's look

0:50:03.400 --> 0:50:06.000
<v Speaker 1>at the quality of it, the qualities. Listen, how many

0:50:06.040 --> 0:50:09.680
<v Speaker 1>classics came out like right now, it's probably one classic

0:50:09.719 --> 0:50:15.879
<v Speaker 1>album that came out last year, probably right saying J Cole, Yeah, yeah,

0:50:19.000 --> 0:50:22.120
<v Speaker 1>it'll probably be It'll probably be less than ten if

0:50:22.120 --> 0:50:25.200
<v Speaker 1>we really get crazy, like we wouldn't use all of all.

0:50:25.400 --> 0:50:30.080
<v Speaker 1>But in the nineties, like everybody that dropped was a

0:50:30.160 --> 0:50:32.520
<v Speaker 1>class I mean, it has to be something too not

0:50:32.800 --> 0:50:36.120
<v Speaker 1>compare in the process. The process was more difficult back then,

0:50:36.719 --> 0:50:39.080
<v Speaker 1>where now it's like you can you can record album

0:50:39.160 --> 0:50:44.520
<v Speaker 1>on your phone right right that because the process you

0:50:44.560 --> 0:50:46.799
<v Speaker 1>want to be careful and make sure whatever you put

0:50:46.880 --> 0:50:48.799
<v Speaker 1>us exactly what you wanted to put out. I would

0:50:48.800 --> 0:50:52.160
<v Speaker 1>imagine its product it's more of a field, you know.

0:50:52.239 --> 0:50:54.800
<v Speaker 1>I feel like now it's definitely more of a field.

0:50:55.400 --> 0:50:58.160
<v Speaker 1>You can make something on your laptop, press the button,

0:50:58.440 --> 0:51:00.640
<v Speaker 1>it is out. You know, it's I guess like how

0:51:00.680 --> 0:51:04.560
<v Speaker 1>you're saying it's like listening to music that it would

0:51:04.560 --> 0:51:07.120
<v Speaker 1>be like extra p making a beat in his crib.

0:51:08.080 --> 0:51:12.600
<v Speaker 1>Is how the finished product for younger cats now sound

0:51:12.680 --> 0:51:14.440
<v Speaker 1>like actually can get to beat the nads And now

0:51:14.480 --> 0:51:17.399
<v Speaker 1>you're going to give it to the engineer because because

0:51:17.440 --> 0:51:20.600
<v Speaker 1>to be fair to say, young cats right now they

0:51:20.719 --> 0:51:23.480
<v Speaker 1>might be thrown out what would have just been demo records.

0:51:24.400 --> 0:51:26.600
<v Speaker 1>You know what I'm saying, It's like, throw it out.

0:51:27.360 --> 0:51:32.279
<v Speaker 1>I didn't want it right, but you gotta, you gotta,

0:51:32.640 --> 0:51:36.719
<v Speaker 1>you gotta respectfully understand what the technology. You know, my

0:51:37.080 --> 0:51:41.240
<v Speaker 1>my kids, young cats listen to everything in headphones and buds.

0:51:41.400 --> 0:51:44.120
<v Speaker 1>You know what I'm saying. It's not about bumping in

0:51:44.200 --> 0:51:49.120
<v Speaker 1>your systems. What I'm saying because because you should do

0:51:49.200 --> 0:51:52.719
<v Speaker 1>mixes in all forms on headphones on all go in

0:51:52.800 --> 0:51:58.480
<v Speaker 1>the car. This is in the car. Know, working with

0:51:58.600 --> 0:52:00.319
<v Speaker 1>Pream the other day he did to say and thinking

0:52:00.360 --> 0:52:02.200
<v Speaker 1>like yoo, okay, I gotta go to I gotta go

0:52:02.280 --> 0:52:04.600
<v Speaker 1>to the car. He got he had to hear it.

0:52:04.680 --> 0:52:07.239
<v Speaker 1>And you ever been a studio with frame and he

0:52:07.360 --> 0:52:15.680
<v Speaker 1>makes a crazy beach in the racing terrible definitely. Yo.

0:52:15.800 --> 0:52:18.399
<v Speaker 1>Let me tell you something that hurt my feelings. One day,

0:52:18.840 --> 0:52:21.520
<v Speaker 1>I'm sitting there, I'm hitting with PREMI and was like

0:52:22.400 --> 0:52:26.080
<v Speaker 1>and I'm like that is it and he goes it

0:52:26.160 --> 0:52:33.160
<v Speaker 1>ain't right. I wrote you two telling me that you yeah,

0:52:35.719 --> 0:52:39.440
<v Speaker 1>and you like, I know you the perfectionist thing now,

0:52:39.480 --> 0:52:43.000
<v Speaker 1>I know who you are. You know the buns. I

0:52:43.239 --> 0:52:45.960
<v Speaker 1>plant motherfucker right here. She got to be right, and

0:52:46.040 --> 0:52:48.160
<v Speaker 1>I love it about him, like because I'm the one

0:52:48.200 --> 0:52:50.680
<v Speaker 1>who and he we like work so well together, Like

0:52:51.600 --> 0:52:53.480
<v Speaker 1>I'm the one who, like yo, I like what I

0:52:53.680 --> 0:52:56.840
<v Speaker 1>did because I just felt something. But David been like

0:52:56.920 --> 0:52:59.000
<v Speaker 1>your morse. But I'm telling you could say it better,

0:52:59.120 --> 0:53:00.799
<v Speaker 1>you can do it better, like Dave has always been

0:53:00.840 --> 0:53:03.680
<v Speaker 1>that that first of all potential, right Yeah, you gotta

0:53:03.680 --> 0:53:06.920
<v Speaker 1>see ptention on everything. Yeah yeah, and push that as

0:53:06.960 --> 0:53:15.480
<v Speaker 1>far as you can. So that's just my fix. That

0:53:15.760 --> 0:53:17.640
<v Speaker 1>one of the first of one with Jae Della correct

0:53:20.360 --> 0:53:26.520
<v Speaker 1>went around that time running False Side really no False

0:53:26.520 --> 0:53:30.200
<v Speaker 1>Side False Side got before us did. He did. He

0:53:30.280 --> 0:53:33.640
<v Speaker 1>did on the album remix for fart Side. He did

0:53:33.680 --> 0:53:39.799
<v Speaker 1>an album he did, drop Dropping and Druning. Yeah yeah yeah.

0:53:40.320 --> 0:53:48.399
<v Speaker 1>J J. Dill did Drop Running and he did. Yeah.

0:53:48.680 --> 0:53:52.400
<v Speaker 1>I think yeah, I think I think Dela got in

0:53:52.560 --> 0:53:58.040
<v Speaker 1>with with with False Hide before us Tribe obviously, yeah

0:53:58.680 --> 0:54:09.279
<v Speaker 1>Buster probably yeah yeah. YEA was just undeniable man. Yeah yeah.

0:54:09.760 --> 0:54:14.719
<v Speaker 1>Got an album covering out on mal Or Yeah yah yeah.

0:54:15.800 --> 0:54:22.480
<v Speaker 1>Premium sold on the Rocks, Rocking Premiums. Incredible Challenge was

0:54:22.520 --> 0:54:25.719
<v Speaker 1>parted three. Yeah, because we eat on Tommy Boy Damn

0:54:25.760 --> 0:54:31.720
<v Speaker 1>I said the name we was okay, y this okay

0:54:32.320 --> 0:54:35.560
<v Speaker 1>out of bust because we could have said some I

0:54:35.600 --> 0:54:37.160
<v Speaker 1>real have got another type of boat out on the

0:54:39.880 --> 0:54:42.120
<v Speaker 1>you gonna get this race it. But but we were,

0:54:42.239 --> 0:54:44.560
<v Speaker 1>Jeff were gentlemen the old feel the same way. I'm up.

0:54:45.520 --> 0:54:48.239
<v Speaker 1>I was just trying to say we were when we

0:54:48.560 --> 0:54:50.560
<v Speaker 1>were still on Tommy Boy and we wanted to do

0:54:50.840 --> 0:54:53.560
<v Speaker 1>like a triple album. You know, it was like, Yo,

0:54:53.640 --> 0:54:55.239
<v Speaker 1>this could be really a dope thing to do. But

0:54:55.320 --> 0:54:57.600
<v Speaker 1>then then you say triple album. Wouldn't I need him

0:54:57.600 --> 0:55:01.480
<v Speaker 1>clarify it would have at the time. Yeah, I came

0:55:01.560 --> 0:55:03.839
<v Speaker 1>out with a noble and we was like, well, let's

0:55:03.880 --> 0:55:07.080
<v Speaker 1>top all of that and do a triple But you know,

0:55:08.400 --> 0:55:14.759
<v Speaker 1>exactly exactly, No, man, this is this just like how

0:55:14.800 --> 0:55:17.239
<v Speaker 1>you said, we're trying to be We are a gentleman here.

0:55:17.360 --> 0:55:19.560
<v Speaker 1>We you know, we get it when when a person

0:55:19.680 --> 0:55:23.480
<v Speaker 1>deserves it. But Thomson was like, that's crazy. He didn't

0:55:23.520 --> 0:55:27.560
<v Speaker 1>like he just came up with a better idea. Why

0:55:27.840 --> 0:55:31.759
<v Speaker 1>why Well maybe and I just couldn't be baby, Yeah,

0:55:32.360 --> 0:55:36.640
<v Speaker 1>but what was that idea? Why do three records when

0:55:36.680 --> 0:55:39.120
<v Speaker 1>you could just do three installments? Like why do you

0:55:39.480 --> 0:55:44.080
<v Speaker 1>record three budget per You know what I'm saying that

0:55:44.400 --> 0:55:49.520
<v Speaker 1>good and that's what actually yeah, yeah, that's when the

0:55:49.600 --> 0:55:52.560
<v Speaker 1>A Y series came. One of us that much music. Man,

0:55:52.640 --> 0:55:54.840
<v Speaker 1>something gets lost in there, you do. You feel like

0:55:54.880 --> 0:55:57.560
<v Speaker 1>you're waiting from that song that So that was a

0:55:57.560 --> 0:55:59.840
<v Speaker 1>good idea and we did a o I one. We

0:56:00.000 --> 0:56:02.840
<v Speaker 1>then O I T Yeah, and we still got to

0:56:02.880 --> 0:56:04.400
<v Speaker 1>do a O I three. So that's something that we

0:56:04.480 --> 0:56:07.680
<v Speaker 1>were coming around to it telling me what folding you

0:56:07.719 --> 0:56:10.239
<v Speaker 1>know what I'm saying. Wow, And that's when everyone went

0:56:10.280 --> 0:56:13.640
<v Speaker 1>into the to the WIA matrix and then labels was

0:56:13.680 --> 0:56:15.600
<v Speaker 1>trying to pick what they want. Electro one at us.

0:56:17.040 --> 0:56:20.879
<v Speaker 1>So we actually met with Electra well Sylvia Rosa because

0:56:21.120 --> 0:56:26.879
<v Speaker 1>we are talking right folded. We all got absolved. Yeah,

0:56:27.360 --> 0:56:33.080
<v Speaker 1>I've been yeah, I've been the same. It's crazy like

0:56:36.000 --> 0:56:42.600
<v Speaker 1>the back back yea technically label made yeah technically you know.

0:56:43.200 --> 0:56:48.640
<v Speaker 1>I was a promoter for Time man. Okay, tell you

0:56:49.880 --> 0:56:52.640
<v Speaker 1>Sylvia really wanted us on Electric to be wrong. Yeah,

0:56:52.840 --> 0:56:59.399
<v Speaker 1>I think Wrong's She's an epic man. We want black CEOs, right, yeah,

0:56:59.400 --> 0:57:02.759
<v Speaker 1>we you know, we met with her. Look like it

0:57:02.800 --> 0:57:04.360
<v Speaker 1>could be a good thing, you know, we were we

0:57:04.440 --> 0:57:06.279
<v Speaker 1>were kind of like, yo, like this could be cool.

0:57:06.400 --> 0:57:10.240
<v Speaker 1>But she wanted us to do the entire album with Timberland,

0:57:10.800 --> 0:57:12.480
<v Speaker 1>and it was like, all right, you know, we don't

0:57:12.520 --> 0:57:14.759
<v Speaker 1>necessarily know Tim like that, we would like to know

0:57:14.960 --> 0:57:17.560
<v Speaker 1>if people be interested, But then we kind of had

0:57:17.600 --> 0:57:19.560
<v Speaker 1>our organic way of doing things, like we didn't have

0:57:19.760 --> 0:57:21.720
<v Speaker 1>been ill you know what I'm saying. I see that though,

0:57:22.280 --> 0:57:24.600
<v Speaker 1>so you know, it just didn't work out. She wanted

0:57:24.640 --> 0:57:31.640
<v Speaker 1>certain things creatively we weren't, you know, yeah, just like

0:57:32.440 --> 0:57:37.280
<v Speaker 1>just like they just I'll give any creative opportunity, you know, shot,

0:57:37.600 --> 0:57:40.160
<v Speaker 1>But I really didn't see that. I don't wish it

0:57:40.160 --> 0:57:43.040
<v Speaker 1>would tie Tim, but I see for World War so

0:57:43.080 --> 0:57:45.400
<v Speaker 1>if our world would have he would have what held

0:57:45.640 --> 0:57:49.400
<v Speaker 1>Because I heard, you know, play your music. I know

0:57:50.120 --> 0:57:55.880
<v Speaker 1>because the back y'all y'all sound I'm personally driving, So okay,

0:57:56.160 --> 0:57:58.680
<v Speaker 1>you no, I'm just saying, like, just like as y'all

0:57:58.680 --> 0:58:02.080
<v Speaker 1>were saying and David saying earlier, Um, you know, you

0:58:02.160 --> 0:58:03.680
<v Speaker 1>get props with props to do what I mean, Like

0:58:03.880 --> 0:58:08.080
<v Speaker 1>Tommy Boy always allowed us to just have free reign

0:58:08.240 --> 0:58:13.320
<v Speaker 1>over our creativity. So immediately seeing Sylvia trying to control

0:58:13.440 --> 0:58:15.680
<v Speaker 1>it kind of made us me like, I don't know

0:58:15.720 --> 0:58:17.560
<v Speaker 1>if we could it would be it would work it

0:58:18.080 --> 0:58:21.000
<v Speaker 1>when you felt like it controlling it always at a suggestion,

0:58:22.480 --> 0:58:26.400
<v Speaker 1>because you know, you figured I knew Sylvia, you know

0:58:26.480 --> 0:58:28.040
<v Speaker 1>from Renee of Clean being there that I was like

0:58:28.120 --> 0:58:30.760
<v Speaker 1>my brother in law. You know, I would always powers

0:58:31.760 --> 0:58:33.920
<v Speaker 1>that would step up there a lot. So you know,

0:58:34.080 --> 0:58:36.440
<v Speaker 1>she was just very like adamant on, like, yo, and

0:58:36.520 --> 0:58:38.480
<v Speaker 1>I see this vision for y'all attempt to do the

0:58:38.520 --> 0:58:41.920
<v Speaker 1>Oh album. You know what I'm saying. Our manager at

0:58:41.920 --> 0:58:45.320
<v Speaker 1>the time, Corey Smith, you know who was listening. Yeah,

0:58:45.400 --> 0:58:48.040
<v Speaker 1>you know, Um, it just didn't seem like it would

0:58:48.120 --> 0:58:50.240
<v Speaker 1>work out the way we would want it to be.

0:58:51.080 --> 0:58:53.560
<v Speaker 1>So she was cool with us saying like, you know,

0:58:54.200 --> 0:58:55.800
<v Speaker 1>we don't need to be there. You know, we felt

0:58:55.840 --> 0:58:58.520
<v Speaker 1>like that wouldn't be where we wanted to be, and

0:58:59.080 --> 0:59:02.080
<v Speaker 1>Atlantic going through trying to pull us in, and even

0:59:02.120 --> 0:59:04.600
<v Speaker 1>the gentleman who was overseeing everything, he was the head

0:59:04.640 --> 0:59:06.320
<v Speaker 1>of we are, like we want to this. He was

0:59:06.360 --> 0:59:07.960
<v Speaker 1>like a big day life and he's like, yo, why

0:59:08.000 --> 0:59:12.320
<v Speaker 1>don't you just be Warner Brothers. But we was like, look,

0:59:12.840 --> 0:59:17.360
<v Speaker 1>there's a perfect opportunity to be to be independent. So

0:59:17.760 --> 0:59:21.840
<v Speaker 1>we kind of asked for it, and you know, it

0:59:22.000 --> 0:59:23.560
<v Speaker 1>was the best thing to ever had in our career.

0:59:24.560 --> 0:59:26.960
<v Speaker 1>I mean that's like the biggest blessing man, just to

0:59:27.040 --> 0:59:31.040
<v Speaker 1>be depending. Yeah. Yeah, there was there a learning curve

0:59:31.120 --> 0:59:33.479
<v Speaker 1>that you when you were independent, you had to figure

0:59:33.520 --> 0:59:36.000
<v Speaker 1>things out that you didn't know. No, no, you're just

0:59:36.040 --> 0:59:39.040
<v Speaker 1>already kind of knew. Yeah, I mean yeah, I mean

0:59:39.080 --> 0:59:41.360
<v Speaker 1>we kind of made sense. It was comment sense, yeah,

0:59:41.640 --> 0:59:44.880
<v Speaker 1>pretty much. And the responsibility ultimately it was on us

0:59:45.080 --> 0:59:47.920
<v Speaker 1>everything in the parts board and not to cut you.

0:59:48.680 --> 0:59:51.560
<v Speaker 1>I'm still going back to that. We we spent so

0:59:51.640 --> 0:59:55.080
<v Speaker 1>many years having control of how to do things creatively,

0:59:56.480 --> 0:59:59.960
<v Speaker 1>but and could see at like say with us being

1:00:00.040 --> 1:00:04.560
<v Speaker 1>wanna rush rush and death jam of course was so blended.

1:00:04.640 --> 1:00:06.640
<v Speaker 1>We would see how Russell would talk to their artist

1:00:06.680 --> 1:00:08.560
<v Speaker 1>like your hell, you gotta do this. You'll get on

1:00:08.640 --> 1:00:11.600
<v Speaker 1>a train, go get it with boys the man go.

1:00:12.000 --> 1:00:13.960
<v Speaker 1>You know what I'm saying, Yo, you know matth, you

1:00:14.000 --> 1:00:17.040
<v Speaker 1>gotta do this. Like we just we couldn't go to

1:00:17.160 --> 1:00:20.000
<v Speaker 1>a label and having a label telling Daylight what to do.

1:00:20.320 --> 1:00:21.600
<v Speaker 1>We have to be able to do what we need

1:00:21.680 --> 1:00:23.400
<v Speaker 1>to do. So we need to be on our own.

1:00:23.480 --> 1:00:26.080
<v Speaker 1>We needed to be independent to stay in control of

1:00:26.160 --> 1:00:28.600
<v Speaker 1>what we wanted to do. You know what and you

1:00:28.960 --> 1:00:32.640
<v Speaker 1>you honestly like me an independent more than the main Yo. Well,

1:00:32.720 --> 1:00:35.200
<v Speaker 1>I mean we would never major. I think when you

1:00:35.480 --> 1:00:39.800
<v Speaker 1>think some would say someone say that, I would say that,

1:00:40.040 --> 1:00:46.959
<v Speaker 1>I think I say point, I mean yeah, yeah, because

1:00:46.960 --> 1:00:50.200
<v Speaker 1>you can't be that Actually was all penalty backers when

1:00:50.200 --> 1:00:55.480
<v Speaker 1>I was Yeah, that was boys a little yeah so

1:00:55.760 --> 1:00:59.200
<v Speaker 1>um so yeah. So so essentially that means that to

1:00:59.240 --> 1:01:01.560
<v Speaker 1>all settlement was the I mean the time boy was

1:01:02.080 --> 1:01:06.200
<v Speaker 1>the distributing, so that so that that yourself made them better.

1:01:06.320 --> 1:01:08.080
<v Speaker 1>I mean, of course the comfort of a label was

1:01:08.120 --> 1:01:10.360
<v Speaker 1>like it almost feel like you got staff you know

1:01:10.440 --> 1:01:13.360
<v Speaker 1>already there. People know their job, they know the business,

1:01:13.400 --> 1:01:15.360
<v Speaker 1>they know how to get around. So the comfort of

1:01:15.520 --> 1:01:21.000
<v Speaker 1>having a a company of corporation as a team, you know,

1:01:21.360 --> 1:01:24.600
<v Speaker 1>Master Philli, you got a partners. Yeah, mass Pillar is

1:01:24.640 --> 1:01:26.680
<v Speaker 1>a dope. I'm throwing the project with them, a dope,

1:01:26.720 --> 1:01:30.760
<v Speaker 1>let's dope, dope. They're doing good things there. Yeah, it's

1:01:30.800 --> 1:01:32.840
<v Speaker 1>probably the best of both worlds in the sense. Yeah,

1:01:33.640 --> 1:01:36.640
<v Speaker 1>the last album we put out anonymous nobody and then

1:01:36.680 --> 1:01:40.040
<v Speaker 1>as nobody, you know master Phil wants to be involved. Um,

1:01:41.320 --> 1:01:47.400
<v Speaker 1>this is the crowd funding. Yeah, yeah, wanted to have someone. Yeah,

1:01:47.560 --> 1:01:49.520
<v Speaker 1>we don't even have someone dis I did think let

1:01:49.560 --> 1:01:51.520
<v Speaker 1>me ask you real. Sorry that good, but did y'all

1:01:51.560 --> 1:01:53.800
<v Speaker 1>break I felt like y'all broke records in terms of

1:01:53.920 --> 1:01:58.000
<v Speaker 1>artists raising money, did you or at least look, let's

1:01:58.040 --> 1:01:59.520
<v Speaker 1>let's get into that. Let's get it, because that to

1:01:59.640 --> 1:02:01.800
<v Speaker 1>me was I mean, I saw what was going. I

1:02:01.840 --> 1:02:03.800
<v Speaker 1>was getting all the emails one side of the game,

1:02:03.800 --> 1:02:05.160
<v Speaker 1>but I was getting all the evening. It would be

1:02:05.240 --> 1:02:07.840
<v Speaker 1>wasting money for the budget of the album. Yeah, and

1:02:07.920 --> 1:02:11.520
<v Speaker 1>they raised an incredible amount of money. Yeah, it was

1:02:11.560 --> 1:02:17.640
<v Speaker 1>six hundred gan um days. Yeah, didn't waste voice for that.

1:02:20.040 --> 1:02:24.800
<v Speaker 1>Man seriously made the noise from fans. Man, you know,

1:02:24.840 --> 1:02:32.920
<v Speaker 1>it was those smokes that came out. I mean, it's

1:02:33.000 --> 1:02:36.040
<v Speaker 1>it's it's you know, it's a flattering thing. Eleven thousand

1:02:36.160 --> 1:02:40.680
<v Speaker 1>people raised six hundred thousand dollars. How what was the budget? Was?

1:02:40.720 --> 1:02:42.040
<v Speaker 1>How much did you put that you were trying to raise?

1:02:42.080 --> 1:02:47.400
<v Speaker 1>We were trying to get one fifteen Yeah, yeah, obviously

1:02:47.880 --> 1:02:51.120
<v Speaker 1>we have seen it that in three hours and were

1:02:51.640 --> 1:02:57.760
<v Speaker 1>like three hours when week hours? You know, And I

1:02:57.800 --> 1:03:08.000
<v Speaker 1>feel like the man, I don't think number the number

1:03:08.160 --> 1:03:11.960
<v Speaker 1>was contented on what we were looking at around the

1:03:12.160 --> 1:03:14.520
<v Speaker 1>industry at the time when we were considering that there

1:03:15.160 --> 1:03:18.840
<v Speaker 1>what was coming. We're star ranging from a hundred to

1:03:18.960 --> 1:03:23.360
<v Speaker 1>a hundred and fifty, so anybody road of what we

1:03:23.480 --> 1:03:30.480
<v Speaker 1>thought was okay, what was achievable. It's a difficult thing

1:03:30.560 --> 1:03:35.720
<v Speaker 1>to excuse me mas to be asking for money. It

1:03:36.600 --> 1:03:43.280
<v Speaker 1>started and it almost a human you know, feeling like,

1:03:45.520 --> 1:03:47.320
<v Speaker 1>am I begging here? Am I gonna look like I

1:03:47.400 --> 1:03:49.160
<v Speaker 1>ain't got it? And we live at the time of

1:03:49.200 --> 1:03:54.120
<v Speaker 1>the internet way there's some people who so it was

1:03:54.200 --> 1:03:55.800
<v Speaker 1>kind of weird. So we didn't want to seem like

1:03:55.840 --> 1:03:58.000
<v Speaker 1>we was greedy. We didn't want to seem like we

1:03:58.720 --> 1:04:01.960
<v Speaker 1>couldn't afford it because those were that wasn't that The

1:04:02.120 --> 1:04:07.960
<v Speaker 1>idea was too almost raise the awareness that you could

1:04:07.960 --> 1:04:12.200
<v Speaker 1>do this our sounds and it's pre sales. Really then

1:04:12.240 --> 1:04:19.040
<v Speaker 1>you do donate, they get the album. It was a

1:04:19.560 --> 1:04:21.320
<v Speaker 1>man like a lot of you know, we offered a

1:04:21.360 --> 1:04:23.560
<v Speaker 1>lot of things. You know, if you if you give

1:04:23.640 --> 1:04:26.960
<v Speaker 1>up five grand, you go toy shopping with Dave. If

1:04:27.000 --> 1:04:33.400
<v Speaker 1>you give up five grand, you go money man. So

1:04:33.800 --> 1:04:36.520
<v Speaker 1>that time we got the recognize what do you get?

1:04:36.640 --> 1:04:42.040
<v Speaker 1>You got the flash and also I'm sorry Dave. Within

1:04:42.120 --> 1:04:46.680
<v Speaker 1>context of it, all immediately working on the album. We

1:04:46.800 --> 1:04:51.600
<v Speaker 1>were working on the album, and we all knew labels

1:04:51.680 --> 1:04:55.760
<v Speaker 1>that were actually interested immediately off the top, you know,

1:04:55.920 --> 1:04:58.480
<v Speaker 1>from the band we worked with to ourselves. We have

1:04:58.600 --> 1:05:04.600
<v Speaker 1>people definitely wanting to hear it without hearing anything, very

1:05:04.680 --> 1:05:08.840
<v Speaker 1>interested in doing anything but Davis. But as creative we

1:05:08.920 --> 1:05:11.960
<v Speaker 1>were allowing ourselves to give the album. Is what made

1:05:12.040 --> 1:05:15.160
<v Speaker 1>us once again think that from a creative standpoint, we

1:05:15.240 --> 1:05:16.880
<v Speaker 1>put this on the album because we put a song

1:05:17.120 --> 1:05:20.600
<v Speaker 1>with you know, I don't know us and David Byrne

1:05:20.760 --> 1:05:23.120
<v Speaker 1>and he's singing and then we rhyme like could we

1:05:23.400 --> 1:05:26.400
<v Speaker 1>really do that? And that's what made us think like, well,

1:05:26.440 --> 1:05:28.600
<v Speaker 1>why don't we raise the money to just keep it

1:05:29.080 --> 1:05:31.560
<v Speaker 1>be able to keep it totally creative, you know what

1:05:31.600 --> 1:05:34.240
<v Speaker 1>I'm saying. And I have a label think like, well, yo,

1:05:34.360 --> 1:05:37.120
<v Speaker 1>we're like you gotta you gotta put Kodak Black one.

1:05:37.160 --> 1:05:43.240
<v Speaker 1>It's one record I love astrictions that wouldn't come with

1:05:43.440 --> 1:05:45.640
<v Speaker 1>being on a label with a short budget. You know

1:05:45.680 --> 1:05:48.760
<v Speaker 1>what I mean hearing is it was already twelve years

1:05:48.880 --> 1:05:52.120
<v Speaker 1>we had made a record, so you know, looking at

1:05:52.360 --> 1:05:54.960
<v Speaker 1>just the business side of it, that wasn't a good thing.

1:05:55.040 --> 1:05:56.680
<v Speaker 1>For us, no one. We couldn't done a good sort

1:05:57.880 --> 1:06:02.200
<v Speaker 1>that you guys did it because I think yeah we

1:06:02.240 --> 1:06:08.520
<v Speaker 1>congratulations congratulations as well? Why why why? Why why are

1:06:08.520 --> 1:06:12.480
<v Speaker 1>you ain't positive? Why you ain't uh trying to be

1:06:12.600 --> 1:06:14.800
<v Speaker 1>like the head of Sony. You know what I'm saying.

1:06:15.600 --> 1:06:17.320
<v Speaker 1>You know what I'm saying, Like is that is that

1:06:17.560 --> 1:06:20.520
<v Speaker 1>our next? You know? You know what I'm saying, because

1:06:20.560 --> 1:06:23.960
<v Speaker 1>like is it? We really are people from within or

1:06:24.280 --> 1:06:28.160
<v Speaker 1>at least systems? You think that's the thing. You know

1:06:28.160 --> 1:06:30.520
<v Speaker 1>what I'm saying. Not for us, I'll speak for myself

1:06:30.600 --> 1:06:34.600
<v Speaker 1>perfect Like I can see you like a Spotify like

1:06:34.720 --> 1:06:37.120
<v Speaker 1>you know, you know what I'm saying, like like like

1:06:37.240 --> 1:06:40.720
<v Speaker 1>something like that, that's something interested in not me personally.

1:06:40.960 --> 1:06:44.080
<v Speaker 1>And I think that I got those type of people

1:06:44.120 --> 1:06:48.120
<v Speaker 1>in my band, but not me personally. Okay, it's um,

1:06:48.680 --> 1:06:51.760
<v Speaker 1>I'm a creative, That's that's who I am. I got ideas,

1:06:52.440 --> 1:06:54.480
<v Speaker 1>you know. Now, Can I see myself in a position

1:06:54.560 --> 1:07:00.320
<v Speaker 1>where I'm you know, creatively you know, pushing this preaching

1:07:00.480 --> 1:07:03.760
<v Speaker 1>company to consulting? Right? Absolutely? But you know I think

1:07:03.800 --> 1:07:07.040
<v Speaker 1>the the executive and the things is something that we

1:07:07.120 --> 1:07:10.920
<v Speaker 1>would probably speak about and try to inspire young people

1:07:11.000 --> 1:07:15.040
<v Speaker 1>to aspire to. But for us, for me personally, I

1:07:15.160 --> 1:07:17.240
<v Speaker 1>love music, man, I just want to I just want

1:07:17.280 --> 1:07:21.120
<v Speaker 1>to rhyme and that I mean, that's that's that's where

1:07:21.120 --> 1:07:24.840
<v Speaker 1>it is pure. You know. I definitely love music, as

1:07:24.920 --> 1:07:28.920
<v Speaker 1>as David saying, but yeah, I would, I could do it.

1:07:29.520 --> 1:07:33.760
<v Speaker 1>I feel like, you know, I've had brothers trying to

1:07:33.840 --> 1:07:37.120
<v Speaker 1>push me to that, to that that place. I want

1:07:37.160 --> 1:07:40.360
<v Speaker 1>to work at Apple. I just too much. You can

1:07:40.440 --> 1:07:45.840
<v Speaker 1>buy it, but you mean you buying it at a

1:07:45.920 --> 1:07:52.920
<v Speaker 1>podcasting Apple Music Jackson, what's up with that? Actually? Seen

1:07:53.000 --> 1:07:59.120
<v Speaker 1>years on an independent level, I've been doing it. I

1:07:59.160 --> 1:08:02.640
<v Speaker 1>got a label call Man, I wrote at d V

1:08:02.800 --> 1:08:06.320
<v Speaker 1>on this christ at one time perfectly got an artist

1:08:06.400 --> 1:08:08.800
<v Speaker 1>by the name of Bill Ray. God damn it. So

1:08:09.000 --> 1:08:12.320
<v Speaker 1>I haven't foreseeing this internet thing wrong when we was

1:08:12.400 --> 1:08:15.120
<v Speaker 1>coming up, you know, even from the like. So when

1:08:15.200 --> 1:08:20.200
<v Speaker 1>Prince was seeing it, even from one of the one

1:08:20.520 --> 1:08:24.360
<v Speaker 1>they just say, Prince, Prince got a print story. You

1:08:24.840 --> 1:08:27.519
<v Speaker 1>just tell me you'll got don't tell me you got right. No,

1:08:28.600 --> 1:08:30.680
<v Speaker 1>I heard I'll be flowing around na I didn't get

1:08:30.960 --> 1:08:36.400
<v Speaker 1>you say what it was like. I didn't give us

1:08:36.439 --> 1:08:39.560
<v Speaker 1>a Prince, wasn't I need to hear I need to

1:08:40.760 --> 1:08:43.280
<v Speaker 1>I'm sorry, I but I need to print stories. Is

1:08:43.360 --> 1:08:49.080
<v Speaker 1>that they're gonna Jakes. I needed shot for some reason.

1:08:49.680 --> 1:09:00.160
<v Speaker 1>I like Peter. Sorry. It was like he was like, wait,

1:09:00.360 --> 1:09:04.080
<v Speaker 1>you like because I should feel from the head. I'm here,

1:09:05.200 --> 1:09:07.479
<v Speaker 1>I'll put another one in there. Okay, I want to

1:09:07.920 --> 1:09:16.040
<v Speaker 1>tight Okay, tight even, but I took it. I'm saying

1:09:16.120 --> 1:09:20.000
<v Speaker 1>to stories held every drink. By the way he said,

1:09:20.160 --> 1:09:22.960
<v Speaker 1>you're saying, you know, I've never met princes, and I've

1:09:23.000 --> 1:09:28.400
<v Speaker 1>never met too. I've never met to well, I think

1:09:28.479 --> 1:09:30.200
<v Speaker 1>kind of meet him. He can't to our shop. He

1:09:30.600 --> 1:09:34.160
<v Speaker 1>would come to our shows first. Yeah, I can tell

1:09:34.160 --> 1:09:41.599
<v Speaker 1>my friends are stories like the very drink chance. It's

1:09:41.640 --> 1:09:43.680
<v Speaker 1>like I'm stretching right now, some great prince. It's like

1:09:43.720 --> 1:09:48.200
<v Speaker 1>I'm drink yeah yeah, trying to wrap a book that

1:09:48.520 --> 1:09:54.560
<v Speaker 1>I'm a big Price fan. Yea in my mind, my

1:09:54.720 --> 1:09:57.760
<v Speaker 1>mind like I saw like when he came out the

1:09:57.760 --> 1:10:07.679
<v Speaker 1>whole idea. Wait wait anyway, do it? Okay, everyone lessons. Okay,

1:10:08.640 --> 1:10:10.639
<v Speaker 1>you know the first story we want to hear. That's

1:10:10.680 --> 1:10:19.160
<v Speaker 1>a more champagne, don't kay, okay, solo solos the day.

1:10:27.800 --> 1:10:32.800
<v Speaker 1>It's terrible, man, I'm gonna say I ain't good. Ship's crazy.

1:10:32.960 --> 1:10:35.400
<v Speaker 1>You know what's crazy about when I'm talking about I

1:10:35.479 --> 1:10:37.600
<v Speaker 1>feel like every fire Right now, I'm waiting up in

1:10:37.680 --> 1:10:44.560
<v Speaker 1>the morning, and my body says you're any stay My

1:10:44.680 --> 1:10:47.680
<v Speaker 1>breath says that right now. It's like my brain, my

1:10:47.840 --> 1:10:51.760
<v Speaker 1>brain texts my heart says you're an asshole because that

1:10:51.880 --> 1:10:55.040
<v Speaker 1>ship is horrible. Okay, ship go back. We're all right.

1:10:55.280 --> 1:11:00.200
<v Speaker 1>Let's hear this quote. Brain we're working on want to

1:11:00.200 --> 1:11:05.679
<v Speaker 1>say the a y moza thump outum. At one point,

1:11:05.800 --> 1:11:08.840
<v Speaker 1>it's better to be good possible news. It's a press

1:11:08.840 --> 1:11:15.240
<v Speaker 1>story basically at one point, a mirror of quest Love. Basically,

1:11:16.439 --> 1:11:18.280
<v Speaker 1>we're just trying to work with him to see what

1:11:18.360 --> 1:11:21.000
<v Speaker 1>he could contribute. So I went out to Philip Roots. Yeah,

1:11:22.160 --> 1:11:27.200
<v Speaker 1>so the question would always work out of Electric Lady,

1:11:27.600 --> 1:11:30.519
<v Speaker 1>Electric Lady with the white cat. Hold on because I

1:11:30.600 --> 1:11:35.000
<v Speaker 1>know Electric Lady that James Hendricks Jimmy Hendrick studio and

1:11:35.120 --> 1:11:38.120
<v Speaker 1>the cat was Jimmy Hendricks. We had called it in

1:11:38.200 --> 1:11:41.840
<v Speaker 1>the studio Electric Lady. Anybody, this cat is the weirdest cat,

1:11:43.280 --> 1:11:45.600
<v Speaker 1>not just so it's weird. I know the cat. You

1:11:45.640 --> 1:11:49.240
<v Speaker 1>don't know whether the cat just come up. He's just

1:11:49.360 --> 1:11:52.679
<v Speaker 1>come and look at you and it's Jimmy Hendricks. It's

1:11:52.720 --> 1:11:56.479
<v Speaker 1>likely something you shouldn't go. I'm sorry I had Lady,

1:11:56.640 --> 1:12:01.120
<v Speaker 1>was a vibe. That's it's a weird vinument. That's when

1:12:01.320 --> 1:12:04.840
<v Speaker 1>Fun got us and dead um laid band from TV.

1:12:05.160 --> 1:12:11.240
<v Speaker 1>I'm sorry, yeah, yeah, yeah, yeah that was that was that? Yeah? Yeah, yeah.

1:12:11.360 --> 1:12:14.160
<v Speaker 1>Do you know what I'm talking about? You know what clout? Yeah,

1:12:14.280 --> 1:12:27.439
<v Speaker 1>I'm it's weird. Still the training prints up. Let play

1:12:28.280 --> 1:12:31.120
<v Speaker 1>basically a lecture, Lady, I'm there with him. Man, We're

1:12:31.160 --> 1:12:33.960
<v Speaker 1>trying these different ideas to try to same quest love

1:12:34.000 --> 1:12:37.040
<v Speaker 1>our fans don't what's love? The roots? Yeah, that's what

1:12:37.120 --> 1:12:45.680
<v Speaker 1>I said right now. You call a point. If we

1:12:45.720 --> 1:12:48.320
<v Speaker 1>had we had a drum sample in this song we

1:12:48.439 --> 1:12:51.400
<v Speaker 1>had for the mos a thumb problem called you and

1:12:51.640 --> 1:12:55.800
<v Speaker 1>we wanted to see if America play over it. Question, Yeah,

1:12:57.800 --> 1:13:00.760
<v Speaker 1>what's love? It could play over? So when we get

1:13:00.840 --> 1:13:03.479
<v Speaker 1>to to the session meet the session is set in stone.

1:13:04.080 --> 1:13:07.439
<v Speaker 1>But when I get there and like questions telling me

1:13:07.560 --> 1:13:11.640
<v Speaker 1>like yo, I'm sorry, I'm like sorry about what? Like yo?

1:13:11.840 --> 1:13:16.400
<v Speaker 1>The session is still going, but you know the God

1:13:16.520 --> 1:13:18.519
<v Speaker 1>is here, I'm like, you know what you mean to God?

1:13:18.640 --> 1:13:21.479
<v Speaker 1>He's like Prince is here. At the time, Prince was

1:13:22.439 --> 1:13:25.120
<v Speaker 1>in the studio and he was playing this new album

1:13:25.960 --> 1:13:28.800
<v Speaker 1>for warners. Now this is I guess after the whole

1:13:28.840 --> 1:13:30.880
<v Speaker 1>slavey thing. I think he was back on track with

1:13:31.000 --> 1:13:33.840
<v Speaker 1>Warner Brothers and he had this new album that he had,

1:13:35.000 --> 1:13:39.879
<v Speaker 1>so he took control over all the studios and Electric

1:13:40.000 --> 1:13:42.840
<v Speaker 1>Lady show that the Warner brother people could be listening

1:13:42.880 --> 1:13:46.640
<v Speaker 1>to all these different tracks. I'm a Prince fan, but

1:13:46.760 --> 1:13:59.240
<v Speaker 1>as a man, I was fucking pissed. Basically the studio. Yeah,

1:13:59.360 --> 1:14:04.519
<v Speaker 1>try to keep me. Yeah, I got what, you know,

1:14:04.920 --> 1:14:07.640
<v Speaker 1>like if West is with it, like everyone was with it.

1:14:08.200 --> 1:14:11.240
<v Speaker 1>You know, the I'm sorry, I forget her name. The

1:14:11.320 --> 1:14:14.840
<v Speaker 1>young lady was running and managing Electric Lady. She was like, Yo,

1:14:14.960 --> 1:14:17.439
<v Speaker 1>I'm sorry, but you know I'm you mean, you're sorry.

1:14:17.479 --> 1:14:20.479
<v Speaker 1>This is my session. So Prince did come down. It

1:14:20.600 --> 1:14:22.120
<v Speaker 1>was like, you know, he came to me like you

1:14:22.200 --> 1:14:29.599
<v Speaker 1>know when yuh you know, just same time you fast

1:14:32.160 --> 1:14:36.960
<v Speaker 1>like like this, you know, he said, you slapped the

1:14:36.960 --> 1:14:40.160
<v Speaker 1>shut out of you, said, Priss kid, was you said

1:14:40.200 --> 1:14:50.960
<v Speaker 1>what you didn't get you right now? You have perf

1:15:00.960 --> 1:15:12.840
<v Speaker 1>I'm yo tracks yo, I ain't never heard yo, right.

1:15:13.320 --> 1:15:16.640
<v Speaker 1>Fans but I just felt like, yo, us up that

1:15:16.720 --> 1:15:24.240
<v Speaker 1>everyone felt a just do to keep me up. But

1:15:25.120 --> 1:15:29.840
<v Speaker 1>he kind of came down like politely apologized. But I'm

1:15:30.040 --> 1:15:33.120
<v Speaker 1>such a fan, but I couldn't like, ain't I have

1:15:33.280 --> 1:15:38.840
<v Speaker 1>to be like yo, I'm pistol like that, But in

1:15:38.960 --> 1:15:41.599
<v Speaker 1>my face I was like, Yo, I'm fan, but yo,

1:15:41.760 --> 1:15:48.200
<v Speaker 1>you fox up my I would hold it like you

1:15:49.600 --> 1:15:53.920
<v Speaker 1>it's okay, track to something and I would piss their quest.

1:15:53.960 --> 1:15:55.640
<v Speaker 1>I was like, yo, the nigga just said like, yo,

1:15:55.720 --> 1:15:58.559
<v Speaker 1>the God is here, like like if it was his studio.

1:15:58.720 --> 1:16:00.680
<v Speaker 1>Like I was like yeah, and is it true? Like

1:16:00.720 --> 1:16:02.920
<v Speaker 1>the Prince like four leven two right, yeah, he's short

1:16:03.000 --> 1:16:04.599
<v Speaker 1>it in fight he was just God blessed the dad

1:16:04.640 --> 1:16:07.840
<v Speaker 1>em print short. He didn't go to listen with dead Fight.

1:16:07.960 --> 1:16:10.360
<v Speaker 1>Let to a come on my side for Prince and

1:16:10.520 --> 1:16:15.240
<v Speaker 1>fight right one too three don't want you about it.

1:16:15.360 --> 1:16:18.559
<v Speaker 1>We lost somebody in Miami hip hop profile producer Prest

1:16:18.600 --> 1:16:32.120
<v Speaker 1>and Peace things God bless man Rest. So what do you?

1:16:32.160 --> 1:16:33.640
<v Speaker 1>What do you? What do you guys want to leave

1:16:33.680 --> 1:16:35.600
<v Speaker 1>the hip hop and hip hop couse? Remember you for

1:16:35.800 --> 1:16:38.599
<v Speaker 1>one day each one of y'all. Individution three black men

1:16:38.840 --> 1:16:42.120
<v Speaker 1>struck together through it all. Yeah, I did this this

1:16:42.200 --> 1:16:45.439
<v Speaker 1>stick together. He has been together for mad you know.

1:16:45.720 --> 1:16:51.439
<v Speaker 1>So poly hate each other, yea love each other, but

1:16:51.560 --> 1:16:56.000
<v Speaker 1>y'all brothers, they're like your little brothers. And ye know,

1:16:56.080 --> 1:16:58.880
<v Speaker 1>I know I've got a partner. We we did till

1:16:58.880 --> 1:17:01.120
<v Speaker 1>you got no other way, did it this way. We

1:17:01.800 --> 1:17:04.759
<v Speaker 1>We're gonna finish it this way, you know. If anything,

1:17:04.880 --> 1:17:08.559
<v Speaker 1>Let's change the landscape. Let's get our roses while we're

1:17:08.560 --> 1:17:11.720
<v Speaker 1>alive and every day, you know. And that's where this

1:17:11.880 --> 1:17:15.760
<v Speaker 1>whole issue lies with, you know, individual one you know,

1:17:16.439 --> 1:17:19.600
<v Speaker 1>and the label, and you know, I just want to

1:17:19.680 --> 1:17:21.640
<v Speaker 1>really just continue to do what we do, what we

1:17:21.800 --> 1:17:25.040
<v Speaker 1>love to do. I love detail and making music. Man

1:17:25.240 --> 1:17:28.000
<v Speaker 1>created a little producing it. They love what I'm saying,

1:17:28.200 --> 1:17:31.560
<v Speaker 1>you know. And as you see, where the ideas go

1:17:31.720 --> 1:17:34.560
<v Speaker 1>with business is because of what we've gone through. So

1:17:35.240 --> 1:17:38.760
<v Speaker 1>of course we can see ourselves in these executive positions

1:17:38.840 --> 1:17:40.960
<v Speaker 1>on some form or another, you know what I mean,

1:17:41.600 --> 1:17:43.720
<v Speaker 1>Just to make it right for the future, And like

1:17:43.920 --> 1:17:47.280
<v Speaker 1>Dave was saying, legislation that's really more important, you know,

1:17:47.640 --> 1:17:50.880
<v Speaker 1>changing the laws of how things have been structured, you know,

1:17:51.920 --> 1:17:54.920
<v Speaker 1>because even with the streaming, it's still a little green

1:17:55.000 --> 1:17:59.280
<v Speaker 1>area that if you look at it, it's still a

1:17:59.360 --> 1:18:04.439
<v Speaker 1>grey area, you know what I mean, It's were making

1:18:04.600 --> 1:18:07.560
<v Speaker 1>change right here right now, and it's a mentality that

1:18:07.680 --> 1:18:10.320
<v Speaker 1>you're trying to do your best to get rid of,

1:18:10.600 --> 1:18:13.719
<v Speaker 1>you know, in terms of the industry as a whole.

1:18:13.920 --> 1:18:16.880
<v Speaker 1>You know, like funny enough, like it's like saying that

1:18:16.920 --> 1:18:19.479
<v Speaker 1>everyone makes such a big deal about this red maga hat.

1:18:19.600 --> 1:18:22.200
<v Speaker 1>It's like it's still like a mass I had, like

1:18:22.600 --> 1:18:24.960
<v Speaker 1>a make artist slaves again. It's like you've got to

1:18:24.960 --> 1:18:27.479
<v Speaker 1>get rid of that whole mentality for the entire record

1:18:27.520 --> 1:18:31.160
<v Speaker 1>company is know what I'm saying, It's that had running

1:18:31.200 --> 1:18:36.040
<v Speaker 1>around so out of being seen, and you know, the

1:18:36.160 --> 1:18:39.639
<v Speaker 1>intention saying that I was a night man should going

1:18:39.680 --> 1:18:42.479
<v Speaker 1>to my whole body and you said that, but the

1:18:42.560 --> 1:18:46.000
<v Speaker 1>same question to you the last thing you give hip hop,

1:18:47.080 --> 1:18:50.240
<v Speaker 1>you know, just honestly for me, just we were creative

1:18:50.640 --> 1:18:55.559
<v Speaker 1>dudes who had fun and shout I have just trying

1:18:55.600 --> 1:18:59.800
<v Speaker 1>to be blessed at giving the best we could. But

1:19:00.000 --> 1:19:05.040
<v Speaker 1>in this industry and this music, for me personally, I

1:19:05.160 --> 1:19:06.840
<v Speaker 1>kind of got a ca what maaze it? I mean,

1:19:07.400 --> 1:19:13.120
<v Speaker 1>I hopefully, hopefully we could be the model of trying

1:19:13.160 --> 1:19:16.439
<v Speaker 1>our best to make it work. It isn't always pretty,

1:19:17.400 --> 1:19:20.720
<v Speaker 1>it doesn't always feel good, but at the end of

1:19:20.760 --> 1:19:22.760
<v Speaker 1>the day, you know, I mean, in some cases, not

1:19:22.840 --> 1:19:27.000
<v Speaker 1>all cases, if you work hard enough and you appreciate

1:19:27.080 --> 1:19:30.400
<v Speaker 1>the magic that you make with the people in your circle,

1:19:31.760 --> 1:19:33.720
<v Speaker 1>it's kind of hard to go find it elsewhere. You know,

1:19:33.800 --> 1:19:36.000
<v Speaker 1>you want to keep that magic going. And I think

1:19:36.000 --> 1:19:37.840
<v Speaker 1>that's what hip hop for me is. I know what

1:19:37.880 --> 1:19:39.920
<v Speaker 1>it is when you get that moment where you hear

1:19:39.960 --> 1:19:43.000
<v Speaker 1>that beat, it's like, oh, you know you write that

1:19:43.160 --> 1:19:45.080
<v Speaker 1>versus about the magic in it, right, It's like how

1:19:45.160 --> 1:19:51.720
<v Speaker 1>it feels yeah, yeah, And I think even whether it's

1:19:51.880 --> 1:19:55.240
<v Speaker 1>it's it's we're talking about hip hop as a body.

1:19:55.439 --> 1:19:58.800
<v Speaker 1>So what you guys are doing here, it feels good.

1:19:58.920 --> 1:20:01.559
<v Speaker 1>It's a magic. And I think when you can when

1:20:01.600 --> 1:20:05.759
<v Speaker 1>you can show that we could come together sometimes worlds

1:20:05.760 --> 1:20:08.840
<v Speaker 1>apart and keep something going and build from it and

1:20:08.960 --> 1:20:12.760
<v Speaker 1>make it better and it create new things, that's important. Man.

1:20:12.840 --> 1:20:14.960
<v Speaker 1>That's that's what I would want to You don't want

1:20:15.000 --> 1:20:20.680
<v Speaker 1>to embody, you know, as you know what the daylock do,

1:20:21.520 --> 1:20:25.280
<v Speaker 1>like just the idea of staying together through thinking thin

1:20:25.400 --> 1:20:28.880
<v Speaker 1>and making things work and giving that example of others

1:20:28.920 --> 1:20:30.760
<v Speaker 1>to let them know that it's possible for them as well.

1:20:32.560 --> 1:20:37.880
<v Speaker 1>You can you can sit three man group, got me goals,

1:20:38.800 --> 1:20:43.760
<v Speaker 1>got the box. What do you think y'all rank yourselves?

1:20:46.080 --> 1:20:49.840
<v Speaker 1>I mean, what do you what do you what do

1:20:49.960 --> 1:20:56.400
<v Speaker 1>you think? I mean, I can't say ranking number, but

1:20:56.800 --> 1:21:03.240
<v Speaker 1>I always say the future town, right, So I think

1:21:03.360 --> 1:21:07.200
<v Speaker 1>right now we'll probably be that group, that three group,

1:21:07.320 --> 1:21:11.040
<v Speaker 1>three man group that stayed together. That's that's the only

1:21:11.080 --> 1:21:12.800
<v Speaker 1>thing I want to believe that we could lide on.

1:21:13.360 --> 1:21:15.360
<v Speaker 1>And I'm not gonna say the meigo's gonna break up

1:21:15.479 --> 1:21:19.439
<v Speaker 1>or whomever gonna but you know, staying together, we'll probably

1:21:19.479 --> 1:21:21.800
<v Speaker 1>hold that record. I think we're gonna hold that record.

1:21:22.560 --> 1:21:24.760
<v Speaker 1>It's more, it's more than a business. Yeah, it's more

1:21:24.800 --> 1:21:27.880
<v Speaker 1>than business, and it's more to constantly it's safe to

1:21:27.920 --> 1:21:29.599
<v Speaker 1>say that you guys haven't had a fair shot because

1:21:29.640 --> 1:21:32.880
<v Speaker 1>it usually hasn't been the catalog that hasn't been introduced.

1:21:32.960 --> 1:21:36.280
<v Speaker 1>Yeah it was, Yeah, I mean, you know, it's it's

1:21:36.400 --> 1:21:41.439
<v Speaker 1>a it's it's it's easy to say you're the best

1:21:41.520 --> 1:21:44.120
<v Speaker 1>in your number one when you sit down and look

1:21:44.160 --> 1:21:48.000
<v Speaker 1>at the facts, how long, right, you know what I'm saying.

1:21:48.600 --> 1:21:50.280
<v Speaker 1>When you look at the body of work and how

1:21:50.360 --> 1:21:53.320
<v Speaker 1>long you've been in what you have done. That's that's

1:21:53.360 --> 1:21:57.200
<v Speaker 1>what really kind of claims that we are the best

1:21:57.360 --> 1:22:01.080
<v Speaker 1>of that category. So right now already is talk to

1:22:01.160 --> 1:22:04.880
<v Speaker 1>me when you hit like. You know what I mean,

1:22:04.880 --> 1:22:07.200
<v Speaker 1>You talk to me when you hit like, teld to

1:22:07.240 --> 1:22:21.360
<v Speaker 1>me when you hit five. Yeah, just just just just

1:22:21.680 --> 1:22:28.360
<v Speaker 1>just to you know, reiterate something. UM fans understand, because

1:22:28.439 --> 1:22:30.400
<v Speaker 1>we don't want to seem like the people just complain.

1:22:30.520 --> 1:22:34.519
<v Speaker 1>I want to I want to be clear. What they

1:22:34.680 --> 1:22:41.120
<v Speaker 1>are sold is saying that they that can rectify the situation.

1:22:41.200 --> 1:22:43.320
<v Speaker 1>So the fans are clear. Now when we switched spoke

1:22:43.400 --> 1:22:47.120
<v Speaker 1>to the label, we spoke everybody, but we're want to

1:22:47.120 --> 1:22:50.639
<v Speaker 1>speak direct to the fans. This is what who needs

1:22:50.720 --> 1:22:53.680
<v Speaker 1>this body to work? They need to wake up in

1:22:53.720 --> 1:22:56.439
<v Speaker 1>the morning, go jogging and stream. You know what I'm

1:22:56.439 --> 1:22:59.439
<v Speaker 1>saying these albums? So what what what does they like?

1:22:59.800 --> 1:23:04.160
<v Speaker 1>So actually accent for to ractify the situation the fans

1:23:04.240 --> 1:23:06.680
<v Speaker 1>do with what you call it? Um? You know the

1:23:07.400 --> 1:23:13.240
<v Speaker 1>one I would sincerely asks, it's support of the fans

1:23:13.320 --> 1:23:15.920
<v Speaker 1>and the culture. You don't press play if it actually

1:23:16.000 --> 1:23:19.280
<v Speaker 1>comes up, it comes up online, you know, don't press

1:23:19.320 --> 1:23:21.880
<v Speaker 1>play until we give it a go until we actually

1:23:21.920 --> 1:23:25.400
<v Speaker 1>say YO, were happy. Thumbs up, guys, let's rock. We

1:23:25.560 --> 1:23:27.400
<v Speaker 1>made up to kiss. We made up? You know what

1:23:27.439 --> 1:23:29.479
<v Speaker 1>I'm saying. Until we say we kiss the made up,

1:23:29.920 --> 1:23:32.880
<v Speaker 1>do not press play. If anything you can get grind

1:23:33.000 --> 1:23:37.719
<v Speaker 1>date you can. You can definitely get uh anonymous robody.

1:23:37.960 --> 1:23:40.560
<v Speaker 1>You can get those two things, you know, and you

1:23:40.640 --> 1:23:43.280
<v Speaker 1>know whatever else we put out with the Pete Primo record,

1:23:43.840 --> 1:23:45.680
<v Speaker 1>look out for that one, and also look out for

1:23:45.880 --> 1:23:48.040
<v Speaker 1>l Y three. I can get all that, but all

1:23:48.080 --> 1:23:53.160
<v Speaker 1>the other stuff from Bionics on down to three ft

1:23:53.200 --> 1:23:57.519
<v Speaker 1>high rising, don't press play there. There's nothing else I

1:23:57.560 --> 1:24:00.040
<v Speaker 1>can do. Because let's be honest, fans are don't on

1:24:00.120 --> 1:24:04.720
<v Speaker 1>the best places the day. That's your choice. You know

1:24:04.760 --> 1:24:07.120
<v Speaker 1>what I'm saying. I'm saying they're gonna be that. You

1:24:07.160 --> 1:24:09.920
<v Speaker 1>don't know that when you're doing that. What else outside

1:24:10.760 --> 1:24:13.599
<v Speaker 1>the story is the story? The truth is the truth.

1:24:14.120 --> 1:24:18.000
<v Speaker 1>One thing I know, people do feel conflicted. We felt conflicted.

1:24:18.360 --> 1:24:21.360
<v Speaker 1>I want them to have it, I really do. But

1:24:22.200 --> 1:24:25.760
<v Speaker 1>it ain't right period. So let's get it right. And

1:24:25.880 --> 1:24:30.680
<v Speaker 1>if you want to support, don't press play. So we

1:24:30.760 --> 1:24:38.599
<v Speaker 1>gotta make it catchphrasing. Put that out there. Yes, yeah, Yeah,

1:24:38.680 --> 1:24:41.000
<v Speaker 1>I concur because it's like it's like it's like like

1:24:41.120 --> 1:24:44.840
<v Speaker 1>college captain feeling, you know, like people want to support Captain.

1:24:44.880 --> 1:24:49.280
<v Speaker 1>People said want to watch this absolutely because you found

1:24:49.320 --> 1:24:51.799
<v Speaker 1>the players out there. You know, people out there that's playing.

1:24:52.160 --> 1:24:55.000
<v Speaker 1>You know you you're connected to the game your whole life.

1:24:55.040 --> 1:24:59.439
<v Speaker 1>It's America's thing. Just like hip hop. It's America's thing.

1:24:59.760 --> 1:25:03.000
<v Speaker 1>It's the world's thinking. It's an international fact. Yeah, and

1:25:03.160 --> 1:25:08.080
<v Speaker 1>we ain't really still playing it fair. So I'm glad

1:25:08.160 --> 1:25:11.040
<v Speaker 1>we got to accept to see this say this story

1:25:11.120 --> 1:25:16.040
<v Speaker 1>the way it is because um, and I'm personally a

1:25:16.160 --> 1:25:19.200
<v Speaker 1>witness that you guys are out here. You know, I

1:25:19.280 --> 1:25:21.880
<v Speaker 1>feel like, you know, the older you get people out

1:25:21.920 --> 1:25:25.479
<v Speaker 1>here complained. It's like that I personally know that everything

1:25:25.560 --> 1:25:28.439
<v Speaker 1>you guys are saying it's the true because I'm in

1:25:28.600 --> 1:25:30.600
<v Speaker 1>that boat. But yeah, I was like gonna say, like

1:25:30.720 --> 1:25:32.120
<v Speaker 1>y'all on the front, I'm in the I'm in the

1:25:32.160 --> 1:25:34.080
<v Speaker 1>back of the kid. But I know nothing. The less

1:25:34.120 --> 1:25:36.840
<v Speaker 1>we listen ain't boss. It's just going down. We're all

1:25:36.960 --> 1:25:40.479
<v Speaker 1>going that. I'm not happy you're going through that. We's hurt,

1:25:40.520 --> 1:25:44.479
<v Speaker 1>you know, because it's instruing. It's the same as actually

1:25:44.760 --> 1:25:46.840
<v Speaker 1>it's the same as it was a whole ship. And

1:25:46.880 --> 1:25:49.320
<v Speaker 1>then that's one of the things. Unfortunately, it's like you know,

1:25:52.439 --> 1:25:56.240
<v Speaker 1>power is the powers want to silence us daylong. Specifically

1:25:56.640 --> 1:25:59.599
<v Speaker 1>what you said, I'm sorry, the power. I'm gonna call

1:25:59.600 --> 1:26:02.560
<v Speaker 1>it the our individual one. And whenever they want to

1:26:02.600 --> 1:26:06.479
<v Speaker 1>silence us, they cannot because they know brothers like you

1:26:06.640 --> 1:26:14.479
<v Speaker 1>exist and that's got let's know we're gonna and it's

1:26:15.400 --> 1:26:20.400
<v Speaker 1>and even Domino and even out even outside of that entity.

1:26:20.680 --> 1:26:23.080
<v Speaker 1>And let me also give give the props to to

1:26:23.479 --> 1:26:28.479
<v Speaker 1>pup daddy level vote staff. This is very important. Listen.

1:26:28.560 --> 1:26:31.759
<v Speaker 1>Let me just tell you something. Every people we interview

1:26:31.880 --> 1:26:33.479
<v Speaker 1>right now that should they're coming out to a June

1:26:34.160 --> 1:26:37.479
<v Speaker 1>they pushing this up, they don't do that. They put

1:26:37.520 --> 1:26:41.599
<v Speaker 1>in the cliff. That's how important this is. And le't

1:26:41.640 --> 1:26:44.800
<v Speaker 1>just tell you something ship. They be people like we'll

1:26:44.840 --> 1:26:48.800
<v Speaker 1>be trying late and they'll they front they these people

1:26:49.240 --> 1:26:52.160
<v Speaker 1>we said day they said, let's go push it was

1:26:52.240 --> 1:26:56.679
<v Speaker 1>the idea to push it up up to the vote.

1:26:56.720 --> 1:26:59.919
<v Speaker 1>Sad you know that's holding us down. And they understand

1:27:00.000 --> 1:27:03.599
<v Speaker 1>how important y'all message is that we know there's sometime

1:27:03.640 --> 1:27:06.880
<v Speaker 1>the whole episodes like you know exhibit episode we could

1:27:06.880 --> 1:27:09.120
<v Speaker 1>be damn into that ship last year. It's about this week,

1:27:09.439 --> 1:27:11.840
<v Speaker 1>you know what I'm saying, because it's a time they

1:27:11.880 --> 1:27:17.000
<v Speaker 1>thing for this show said, but this issue was so

1:27:17.240 --> 1:27:20.960
<v Speaker 1>important that all of the staff got together, like everybody

1:27:21.040 --> 1:27:25.200
<v Speaker 1>pick up Averca Rich everybody, which everybody all more people

1:27:25.320 --> 1:27:30.280
<v Speaker 1>were um uh pick up to them? What was Michelle robbing?

1:27:30.640 --> 1:27:34.200
<v Speaker 1>Um um sharis pick up to hold them like this

1:27:34.360 --> 1:27:37.519
<v Speaker 1>issue was so important for hip hop to stand behind

1:27:37.600 --> 1:27:40.400
<v Speaker 1>y'all and saying, you know what, y'all not alone. You

1:27:40.439 --> 1:27:42.760
<v Speaker 1>know what I'm saying, Like back then, whatever it was,

1:27:43.200 --> 1:27:46.240
<v Speaker 1>we need to stand together, and we need ownership of

1:27:46.400 --> 1:27:49.479
<v Speaker 1>these properties that we made. That's not blood, sweat and

1:27:49.520 --> 1:27:51.960
<v Speaker 1>tears and sending to these albums. You know what I'm saying.

1:27:52.000 --> 1:27:54.280
<v Speaker 1>That's that's that's hard work. And you know we were

1:27:54.320 --> 1:27:57.680
<v Speaker 1>all young and might have signed some dump ship as contract.

1:27:57.960 --> 1:28:00.600
<v Speaker 1>Funk that that contract. Let's make it eve. It's a

1:28:00.680 --> 1:28:03.640
<v Speaker 1>week and you know what we're not saying, even kick you.

1:28:03.840 --> 1:28:05.840
<v Speaker 1>I try to buy the ship. I try to buy

1:28:05.960 --> 1:28:09.000
<v Speaker 1>my ship towards world. I heard, I heard, I heard

1:28:10.200 --> 1:28:11.760
<v Speaker 1>when I try to buy it was bright though it

1:28:11.880 --> 1:28:17.519
<v Speaker 1>wasn't that more so um, but moving on, UM. So,

1:28:17.600 --> 1:28:19.599
<v Speaker 1>I just wanted to let you know that I personally

1:28:19.720 --> 1:28:23.320
<v Speaker 1>identify you know what I'm saying. Man, I wanted I

1:28:23.360 --> 1:28:25.040
<v Speaker 1>wanted the fans to know because you know, this is

1:28:25.040 --> 1:28:27.479
<v Speaker 1>always gonna be these these these young fast oh those

1:28:27.800 --> 1:28:31.200
<v Speaker 1>old guys, and they don't understand what's going No, we're

1:28:31.200 --> 1:28:34.560
<v Speaker 1>not here complaining, man, exactly. This is not a complaint.

1:28:34.760 --> 1:28:37.280
<v Speaker 1>We're not out here, you know, chasing the check either.

1:28:38.360 --> 1:28:40.560
<v Speaker 1>This is about doing the right thing. That's all that,

1:28:40.960 --> 1:28:44.439
<v Speaker 1>and hopefully it'll Yeah, you know, the unfortunate thing in

1:28:44.479 --> 1:28:47.800
<v Speaker 1>the record business, there is no good business definitely, you know,

1:28:48.040 --> 1:28:50.479
<v Speaker 1>and unfortunately you know that's been the case for a

1:28:50.680 --> 1:28:55.000
<v Speaker 1>long time. I mean movies like uh, what's the what's

1:28:55.000 --> 1:28:58.720
<v Speaker 1>the name of that? Records and all that that's documented

1:28:58.840 --> 1:29:03.559
<v Speaker 1>the same attainment's better for you, right, It's just right,

1:29:03.680 --> 1:29:06.200
<v Speaker 1>it's this same thing. This is This is really about

1:29:06.320 --> 1:29:13.679
<v Speaker 1>hopefully doing the right thing by the artists and respecting

1:29:13.720 --> 1:29:16.280
<v Speaker 1>the culture. Man. We want we want folks to respect this, man,

1:29:16.560 --> 1:29:19.760
<v Speaker 1>Like outside of outside of the culture, you'll need to

1:29:19.800 --> 1:29:23.000
<v Speaker 1>respect this. You earn from it. You need to respect

1:29:23.040 --> 1:29:25.560
<v Speaker 1>what we do and and and all offend us to

1:29:26.240 --> 1:29:30.200
<v Speaker 1>being seventeen years old, signing the contract fresh out of

1:29:30.280 --> 1:29:41.920
<v Speaker 1>high school working on Texico gas station. I was a

1:29:45.160 --> 1:29:49.360
<v Speaker 1>record deal versus public guys at Texico. What you're gonna

1:29:49.400 --> 1:29:53.519
<v Speaker 1>take that's real ship and and and having a following

1:29:54.600 --> 1:29:58.320
<v Speaker 1>all the rules of what you learning vicariously through the

1:29:58.439 --> 1:30:01.360
<v Speaker 1>music or like a rorist one who's actually saying your

1:30:01.439 --> 1:30:03.800
<v Speaker 1>guys get a lawyer. Got out of your from set

1:30:03.920 --> 1:30:06.519
<v Speaker 1>saying a guys, get a lawyer, shark d and this

1:30:06.680 --> 1:30:09.120
<v Speaker 1>music he's saying the same thing, you know, when they

1:30:09.160 --> 1:30:12.280
<v Speaker 1>want to dress different issues. So we've we've done that.

1:30:12.600 --> 1:30:15.320
<v Speaker 1>We've done you know, we did our best to read

1:30:15.320 --> 1:30:18.400
<v Speaker 1>our control and have a lawyer. This is Yeah, in

1:30:18.479 --> 1:30:22.479
<v Speaker 1>addition to that, man like, what we're fighting for, it's

1:30:22.560 --> 1:30:25.559
<v Speaker 1>nothing that we based our lives on. We didn't live

1:30:25.640 --> 1:30:30.960
<v Speaker 1>off of royalties. We worked hard for life. So it's

1:30:31.000 --> 1:30:34.799
<v Speaker 1>not like you know, we're you know, we're fighting because

1:30:34.880 --> 1:30:41.240
<v Speaker 1>we've you know, uh, we've even been able to see

1:30:41.320 --> 1:30:44.200
<v Speaker 1>what could come to us. We've never tasted any of that.

1:30:45.160 --> 1:30:48.200
<v Speaker 1>We're just fighting for the fact that we can possibly

1:30:48.280 --> 1:30:51.679
<v Speaker 1>need this stuff to our families. If you have any

1:30:51.720 --> 1:30:57.160
<v Speaker 1>effect on any of this curt stuff, Yeah, trying to

1:30:57.200 --> 1:30:59.640
<v Speaker 1>say they're trying to make up the money from that.

1:31:00.479 --> 1:31:03.360
<v Speaker 1>I don't know what they're trying to do. Man, all

1:31:03.439 --> 1:31:06.599
<v Speaker 1>we know they're on things and from the past ending. Yeah,

1:31:07.000 --> 1:31:09.320
<v Speaker 1>things are still pregnant because that was all new back

1:31:09.360 --> 1:31:12.320
<v Speaker 1>then for hip hop. Pretty much nobody knew that was

1:31:12.360 --> 1:31:15.040
<v Speaker 1>gonna happen. Like you guys kind of opened that door

1:31:15.120 --> 1:31:17.720
<v Speaker 1>to it. Yeah, I mean you figured hip hop was

1:31:17.800 --> 1:31:21.599
<v Speaker 1>still very I'm load alive. You know, New York hip

1:31:21.600 --> 1:31:24.600
<v Speaker 1>hop could be New York kipop, second hip hop and

1:31:24.680 --> 1:31:26.800
<v Speaker 1>so on. So I mean, like, if you're talking about

1:31:26.840 --> 1:31:29.720
<v Speaker 1>a record selling in New York, is gonna gonna sell

1:31:29.720 --> 1:31:31.960
<v Speaker 1>a certain amount of copies. It was on the record

1:31:32.040 --> 1:31:34.360
<v Speaker 1>companies to say to themself like, look, this is funny

1:31:34.400 --> 1:31:38.679
<v Speaker 1>hip New York Philly d C. As a record company,

1:31:38.680 --> 1:31:41.320
<v Speaker 1>you don't see that necessarily be cleared a sample because

1:31:41.320 --> 1:31:43.040
<v Speaker 1>this ain't gonna really go on the way outside of that.

1:31:43.240 --> 1:31:46.360
<v Speaker 1>And I'm also remember what I'm gonna also tell you

1:31:46.520 --> 1:31:49.600
<v Speaker 1>what I think fuck up about the patrics. Right. What

1:31:49.720 --> 1:31:52.920
<v Speaker 1>happened was we would they would ship out these records

1:31:53.080 --> 1:31:56.120
<v Speaker 1>right at these records. So let's spose you shipped out

1:31:56.520 --> 1:32:00.920
<v Speaker 1>five yeah, thirty days on the return of those fractors. Correct.

1:32:01.360 --> 1:32:04.639
<v Speaker 1>If those brackets didn't return, they would automatically say your

1:32:04.680 --> 1:32:07.720
<v Speaker 1>gold yea, yeah, yea, you know what to say. What

1:32:07.720 --> 1:32:11.880
<v Speaker 1>I'm saying, you will automatically me gold. But you will

1:32:11.920 --> 1:32:19.320
<v Speaker 1>immediately be old that drugs on. So you could like

1:32:19.479 --> 1:32:22.439
<v Speaker 1>those records can actually come back. They had thirty days

1:32:22.520 --> 1:32:24.160
<v Speaker 1>to come back and they didn't come back. Thir days

1:32:24.160 --> 1:32:28.120
<v Speaker 1>they counted as a set and that's how they jerked us.

1:32:28.640 --> 1:32:35.240
<v Speaker 1>That's one way the way making one of the ways. Right,

1:32:35.320 --> 1:32:43.280
<v Speaker 1>things gotta be anyway, it's amaz that's not that was crazy.

1:32:43.400 --> 1:32:46.120
<v Speaker 1>And then it was it was I remember, like you

1:32:46.200 --> 1:32:50.599
<v Speaker 1>know you said it, you said it earlier. I remember

1:32:51.600 --> 1:32:55.360
<v Speaker 1>like the charge of me for chip overseas then I've

1:32:55.360 --> 1:32:58.040
<v Speaker 1>never been too. I was there, like you had a

1:32:58.080 --> 1:33:01.400
<v Speaker 1>billboard and some they act then there was no internet,

1:33:01.520 --> 1:33:03.160
<v Speaker 1>so I'm like, I had a billboard at Linda for

1:33:04.800 --> 1:33:07.840
<v Speaker 1>you had you had a time square in Japan. There

1:33:07.920 --> 1:33:10.920
<v Speaker 1>was no pitchers back then, but they would charge you

1:33:11.000 --> 1:33:14.000
<v Speaker 1>for ship like that. You're like, what the fucking I know,

1:33:14.080 --> 1:33:16.280
<v Speaker 1>how was that bug? You know what? I feel like

1:33:16.280 --> 1:33:20.000
<v Speaker 1>I'm any church right now, I'm reaching that got the

1:33:20.000 --> 1:33:22.640
<v Speaker 1>ghost of the Holy spirit air about people that we

1:33:22.800 --> 1:33:24.599
<v Speaker 1>both know, but I won't air m out right now.

1:33:25.160 --> 1:33:28.519
<v Speaker 1>They are friends of ours. When I worked in marketing

1:33:29.320 --> 1:33:34.120
<v Speaker 1>that got caught with me by accident, faking ship that

1:33:34.240 --> 1:33:37.120
<v Speaker 1>they were riding off to the artists getting paid in

1:33:37.200 --> 1:33:39.760
<v Speaker 1>their pocket and I wasn't getting paid as the street team.

1:33:41.560 --> 1:33:44.840
<v Speaker 1>And then by accident the check came to me accidentally

1:33:45.160 --> 1:33:48.160
<v Speaker 1>to my DEMP Champ people. I people because they're friends,

1:33:49.720 --> 1:33:52.200
<v Speaker 1>and I let them now. But I called him out

1:33:52.240 --> 1:33:54.400
<v Speaker 1>at that moment and I said, I'm keeping this check

1:33:54.439 --> 1:33:56.960
<v Speaker 1>because it's in my name, and they called me, don't

1:33:56.960 --> 1:33:58.560
<v Speaker 1>give me someone that. No, no, no, no no no,

1:33:58.720 --> 1:34:06.720
<v Speaker 1>certain get none of this jam. I don't know when

1:34:06.720 --> 1:34:08.920
<v Speaker 1>you whistle it was a big check when you whistle

1:34:08.960 --> 1:34:12.559
<v Speaker 1>about saying, I just yea, I'm just get like gonna

1:34:12.720 --> 1:34:25.840
<v Speaker 1>the first because you know what what happened was the

1:34:25.920 --> 1:34:28.920
<v Speaker 1>reps in the labels. They would overcharge for everything they

1:34:28.960 --> 1:34:31.320
<v Speaker 1>did for for you guys know what I'm saying, and

1:34:31.439 --> 1:34:34.200
<v Speaker 1>they would not purchase this or not pay for this.

1:34:34.520 --> 1:34:37.519
<v Speaker 1>And when street teams, they were just happy. Street teams

1:34:37.520 --> 1:34:40.639
<v Speaker 1>are fans I have. You could be working these records,

1:34:41.479 --> 1:34:45.120
<v Speaker 1>so we would do whatever whenever for these arts and

1:34:45.640 --> 1:34:48.080
<v Speaker 1>the street team makes that the guy running the street team,

1:34:48.160 --> 1:34:51.160
<v Speaker 1>that the label would take advantage of that. I wasn't

1:34:51.200 --> 1:34:53.759
<v Speaker 1>the guy to take advantage of. I'm just talking for myself.

1:34:54.240 --> 1:34:56.160
<v Speaker 1>I would get was stubborn nick I was supposed to

1:34:56.160 --> 1:35:03.400
<v Speaker 1>do stub stubb, I would right, That's what I would

1:35:03.400 --> 1:35:05.679
<v Speaker 1>see it. That's where I'm knowing this type of sense.

1:35:06.600 --> 1:35:08.920
<v Speaker 1>Let's check him in. I already knew what's happening, but

1:35:09.000 --> 1:35:10.840
<v Speaker 1>I never had the proof of the check. Check Right,

1:35:11.400 --> 1:35:13.640
<v Speaker 1>A check came in the mail for a lot of

1:35:13.720 --> 1:35:16.800
<v Speaker 1>money for a big more day weekend. We usually get

1:35:16.800 --> 1:35:18.720
<v Speaker 1>paid a little bit more Monday, more day we get

1:35:18.760 --> 1:35:23.080
<v Speaker 1>in those days, but this time this check was this big, right,

1:35:23.360 --> 1:35:30.360
<v Speaker 1>and this is when you was a bat to because

1:35:30.479 --> 1:35:37.479
<v Speaker 1>we're not saying little. He was say you called me,

1:35:38.320 --> 1:35:40.720
<v Speaker 1>hop you called me. He said, you've got to check

1:35:40.800 --> 1:35:59.800
<v Speaker 1>out tail. I said, I guess you know this industry's

1:36:02.560 --> 1:36:04.679
<v Speaker 1>we heard all the same stories that he heard. Yeah,

1:36:05.640 --> 1:36:08.960
<v Speaker 1>people really appreciate whom we were as an artist as

1:36:09.000 --> 1:36:11.160
<v Speaker 1>a group. You don't let us don't like look, man

1:36:11.400 --> 1:36:15.559
<v Speaker 1>in your contract, somebody's holding a dirty Yeah, some crazy

1:36:15.920 --> 1:36:18.720
<v Speaker 1>don't smell I don't know my man I don't want

1:36:18.800 --> 1:36:32.640
<v Speaker 1>me from Coloma. Yeah right now, the said, damn man,

1:36:32.720 --> 1:36:40.880
<v Speaker 1>we didn't learn any Come right he listen, I'm not

1:36:40.920 --> 1:36:57.160
<v Speaker 1>smoking right there, man, just start that was sucking me

1:36:57.320 --> 1:37:01.200
<v Speaker 1>up like this and trying to compete because he's she's strong.

1:37:02.240 --> 1:37:06.000
<v Speaker 1>He got to smoke that outside. I don't know what

1:37:06.120 --> 1:37:11.679
<v Speaker 1>he's smoking dad any week, Okay, it's just let's trapping.

1:37:13.439 --> 1:37:15.120
<v Speaker 1>I want to try to keep a straight race now.

1:37:16.240 --> 1:37:23.519
<v Speaker 1>Want Yeah, I'm not doing smell he smell right, it's

1:37:24.479 --> 1:37:27.880
<v Speaker 1>keep go outside with that big It's all right, please, Okay,

1:37:28.320 --> 1:37:34.760
<v Speaker 1>you got the kee the face race so right, because

1:37:34.800 --> 1:37:42.240
<v Speaker 1>he's blow that I brought down definitely that make smokes

1:37:42.320 --> 1:37:55.680
<v Speaker 1>something different. Smoke about you went to wall. I was

1:37:55.920 --> 1:38:00.360
<v Speaker 1>saying how long we could have people and I don't

1:38:00.400 --> 1:38:02.800
<v Speaker 1>need to put the names up there, but people from

1:38:02.840 --> 1:38:05.479
<v Speaker 1>the label respectfully letting us know, like yo, you know,

1:38:06.680 --> 1:38:09.840
<v Speaker 1>you know this particular single could have could have did this,

1:38:11.000 --> 1:38:13.760
<v Speaker 1>but the machine pulled back because if it would have

1:38:13.880 --> 1:38:15.920
<v Speaker 1>did what it was supposed to do, that it that

1:38:16.120 --> 1:38:18.360
<v Speaker 1>was naturally doing, we would have got to growing money

1:38:18.439 --> 1:38:21.080
<v Speaker 1>in being you know. So it's that type of stuff.

1:38:21.120 --> 1:38:24.880
<v Speaker 1>I mean, like it was being at ship. It was

1:38:24.960 --> 1:38:27.400
<v Speaker 1>being up at like Tim Guan Rush, like you know,

1:38:27.520 --> 1:38:31.160
<v Speaker 1>just learning how you know these herd companies are signed

1:38:31.280 --> 1:38:34.080
<v Speaker 1>artists as his tax right offs even like so you

1:38:34.160 --> 1:38:36.960
<v Speaker 1>know the businesses and left them out on purpose and

1:38:37.360 --> 1:38:40.920
<v Speaker 1>you know, give you that money so you can oh yeah,

1:38:41.160 --> 1:38:45.479
<v Speaker 1>so many are you know they purposely tanked that person's career. Yeah,

1:38:45.600 --> 1:38:49.120
<v Speaker 1>we had that with Mother Sippery from Miami, an amazing

1:38:49.280 --> 1:38:51.360
<v Speaker 1>artist from Miami. We thought she was it. She was

1:38:51.520 --> 1:38:54.759
<v Speaker 1>they called her the female nas come out of Miami

1:38:54.880 --> 1:39:02.240
<v Speaker 1>and island music shelters. Uh, you know a ship man.

1:39:03.760 --> 1:39:06.080
<v Speaker 1>You know. One thing we don't want to do is

1:39:06.720 --> 1:39:09.599
<v Speaker 1>we got the mean gags. I see that you look

1:39:09.600 --> 1:39:13.960
<v Speaker 1>at that's the British walking, but it's focus them. You

1:39:14.120 --> 1:39:24.120
<v Speaker 1>just slided. Listen, man, I mean one thing I don't

1:39:24.160 --> 1:39:27.400
<v Speaker 1>want to do is rash. Yeah. Definitely tell the story

1:39:28.120 --> 1:39:31.200
<v Speaker 1>for what it is. You know, it's history. Yeah, history,

1:39:31.880 --> 1:39:35.360
<v Speaker 1>what it is? You know it's bad history once again.

1:39:35.439 --> 1:39:40.880
<v Speaker 1>But let's hope it's not a lot of you say

1:39:40.920 --> 1:39:44.519
<v Speaker 1>that when you say bad saying listening in the business practice,

1:39:44.600 --> 1:39:47.080
<v Speaker 1>but you guys have had a basic career. Yeah, you

1:39:47.120 --> 1:39:49.400
<v Speaker 1>get business practice, but based on the perception of the

1:39:49.479 --> 1:39:53.880
<v Speaker 1>company that represents hip hop and that Timmy Boy logo

1:39:54.080 --> 1:39:56.160
<v Speaker 1>is the hip hop you know, that's the people stand

1:39:56.320 --> 1:39:59.719
<v Speaker 1>You know, I'm representating the hip hop and still practicing

1:39:59.760 --> 1:40:04.479
<v Speaker 1>the is this model that's that's definitely like slavery. Yeah,

1:40:05.320 --> 1:40:06.880
<v Speaker 1>you know it is the more of the story that

1:40:07.160 --> 1:40:11.840
<v Speaker 1>none of these companies are really hip hop. Man don't

1:40:11.880 --> 1:40:14.879
<v Speaker 1>represents you. We can't say they represent hip hop ultimately

1:40:14.920 --> 1:40:18.679
<v Speaker 1>at the end of the day. Or business is business

1:40:19.840 --> 1:40:24.640
<v Speaker 1>saying business empire, do you know what? Yeah, you know

1:40:24.680 --> 1:40:27.200
<v Speaker 1>what you are. People are what you are, what you negotiate,

1:40:27.400 --> 1:40:30.360
<v Speaker 1>you know what they are. Wrestle would say, yeah, you

1:40:30.439 --> 1:40:31.920
<v Speaker 1>know what I know, and I can hear what you

1:40:32.040 --> 1:40:34.400
<v Speaker 1>work and give you negotiate and say you get what

1:40:34.560 --> 1:40:37.160
<v Speaker 1>you negotiate. You know what here it is. You know

1:40:37.360 --> 1:40:41.280
<v Speaker 1>in times, you know, were making overcast ourselves or maybe

1:40:41.360 --> 1:40:44.040
<v Speaker 1>even undersell our subs depending on the person you are,

1:40:44.320 --> 1:40:46.720
<v Speaker 1>you know, depending on where you're at that moment in

1:40:46.800 --> 1:40:49.080
<v Speaker 1>time in your life and what you need versus what

1:40:49.240 --> 1:40:51.680
<v Speaker 1>you what your situation is at the time. You know,

1:40:52.320 --> 1:40:55.000
<v Speaker 1>so it's all give and take here. It is, even

1:40:55.160 --> 1:40:58.280
<v Speaker 1>hip hop at that time, it was independent for all

1:40:58.360 --> 1:41:01.880
<v Speaker 1>of them. Deaf Jarem Tommy Aways select records. I mean

1:41:01.960 --> 1:41:04.000
<v Speaker 1>from the time I have been conceiving it. Yeah, they

1:41:04.040 --> 1:41:08.000
<v Speaker 1>were seeking from two you know, I think you know

1:41:08.520 --> 1:41:11.360
<v Speaker 1>from what I do know, Tommy Boys relationship with Warren

1:41:11.439 --> 1:41:15.120
<v Speaker 1>Brothers hadn't been with everything. They were still doing their thing.

1:41:15.320 --> 1:41:18.320
<v Speaker 1>It's why they did penalty because I think they even

1:41:18.360 --> 1:41:21.000
<v Speaker 1>saw themselves as a sonny. So I could see why

1:41:21.080 --> 1:41:23.559
<v Speaker 1>you say they were major, you know what I mean,

1:41:24.120 --> 1:41:27.080
<v Speaker 1>because they didn't see themselves like that chap they've been.

1:41:27.160 --> 1:41:29.120
<v Speaker 1>They've been in the game, went in a du cham

1:41:29.240 --> 1:41:33.880
<v Speaker 1>when you think about it, you know, out Records doing

1:41:33.960 --> 1:41:37.320
<v Speaker 1>that thing. You know how many albums as under you're

1:41:37.360 --> 1:41:40.400
<v Speaker 1>having with them, six or six six album and then

1:41:40.439 --> 1:41:42.840
<v Speaker 1>there's another album they made up on y'all right a

1:41:42.920 --> 1:41:50.439
<v Speaker 1>life like a lot of kids. They staying stories. You know.

1:41:51.680 --> 1:41:53.439
<v Speaker 1>They may have put up the fun Out album. I

1:41:53.439 --> 1:41:58.720
<v Speaker 1>wouldn't even name that. That ship when they got to relax, Man.

1:41:58.840 --> 1:42:00.680
<v Speaker 1>I just want to salute y'all so much. I just

1:42:00.760 --> 1:42:02.519
<v Speaker 1>want you all to know that hip hop is with y'all.

1:42:02.560 --> 1:42:05.920
<v Speaker 1>We with y'all, drink Champces with you. We know you're

1:42:05.960 --> 1:42:09.120
<v Speaker 1>not out here uh complaining, y'all here talking the truth.

1:42:09.320 --> 1:42:13.000
<v Speaker 1>I don't have complaining with what is y'all wish you

1:42:13.120 --> 1:42:15.560
<v Speaker 1>which you be right from to y'all, you know what

1:42:15.600 --> 1:42:17.800
<v Speaker 1>I'm saying. And um, I just want to salute you,

1:42:17.840 --> 1:42:19.360
<v Speaker 1>you guys to your face. You know what I'm saying.

1:42:20.000 --> 1:42:24.920
<v Speaker 1>I want to shoot you friend, like I want to

1:42:25.640 --> 1:42:28.160
<v Speaker 1>try to culture that truly stuck up for us, you know,

1:42:29.040 --> 1:42:31.280
<v Speaker 1>and helped us make the noise, you know what I mean,

1:42:31.400 --> 1:42:34.680
<v Speaker 1>And truly seen works really wrong with this whole thing,

1:42:34.960 --> 1:42:39.680
<v Speaker 1>you know, And y'all honestly, whatever he decided to do

1:42:39.880 --> 1:42:41.920
<v Speaker 1>is what he decided to do at this point. And

1:42:42.040 --> 1:42:44.040
<v Speaker 1>you know, I want to move all my life And

1:42:44.160 --> 1:42:45.920
<v Speaker 1>like I said, I just walking about said it earlier.

1:42:46.200 --> 1:42:48.200
<v Speaker 1>He's when I spoke to I supposed want to do

1:42:48.240 --> 1:42:51.479
<v Speaker 1>a third person am I took called Randy actor, so right,

1:42:51.560 --> 1:42:54.040
<v Speaker 1>I said what he called in and he said he

1:42:54.280 --> 1:42:57.800
<v Speaker 1>didn't run a coach. He said he wasn't hit by

1:42:57.840 --> 1:42:59.920
<v Speaker 1>that bar. I was trying to get him a call,

1:43:00.280 --> 1:43:02.479
<v Speaker 1>and he said that he didn't want to call in

1:43:02.720 --> 1:43:05.120
<v Speaker 1>because he's actually trying to work it out with you.

1:43:05.240 --> 1:43:07.280
<v Speaker 1>That's true, brothers, that's true. So he said he's trying

1:43:07.280 --> 1:43:08.559
<v Speaker 1>to work it out with you. Brother, so he didn't

1:43:08.560 --> 1:43:10.680
<v Speaker 1>want to mess this something by you know, getting on

1:43:10.880 --> 1:43:15.479
<v Speaker 1>and something. So I respected that. But so that's true.

1:43:15.840 --> 1:43:18.960
<v Speaker 1>That's okay, Yeah, okay, that's true. I mean that's that's

1:43:19.000 --> 1:43:22.040
<v Speaker 1>what we're trying to do. That's what we were just

1:43:22.320 --> 1:43:24.920
<v Speaker 1>trying to do. But because we just we just want

1:43:24.920 --> 1:43:27.200
<v Speaker 1>to find an happy place with all this, and we've

1:43:27.240 --> 1:43:30.520
<v Speaker 1>been we've been really open to, uh, all the dialogue

1:43:30.840 --> 1:43:34.280
<v Speaker 1>coming in from people hearing about this, fans or even

1:43:34.320 --> 1:43:36.479
<v Speaker 1>people just kind of like on the outside. Whether they

1:43:36.520 --> 1:43:38.760
<v Speaker 1>can look so like if we support you, but it

1:43:38.840 --> 1:43:41.360
<v Speaker 1>can be like you know, why did you but why

1:43:41.400 --> 1:43:42.880
<v Speaker 1>did you sign this? So why did you do this?

1:43:43.640 --> 1:43:46.960
<v Speaker 1>So hopefully man even on their side, hopefully they have

1:43:47.439 --> 1:43:51.400
<v Speaker 1>people having a constructive criticism and speaking to them. If

1:43:51.439 --> 1:43:54.639
<v Speaker 1>you see them, see Tom see you'll speak to him. Yeah,

1:43:54.920 --> 1:43:57.080
<v Speaker 1>I think he can. I think he can listen to

1:43:57.120 --> 1:43:59.640
<v Speaker 1>them to the interview and actually neither way, you know

1:43:59.640 --> 1:44:01.760
<v Speaker 1>what I'm because there's a lot of people who need

1:44:01.880 --> 1:44:06.599
<v Speaker 1>these albums. I mean, y'all want to need these albums.

1:44:06.680 --> 1:44:10.040
<v Speaker 1>This is a part of hip hop, that's a periods

1:44:10.479 --> 1:44:12.920
<v Speaker 1>helping hippop. We can't tell the story of hip hop

1:44:13.240 --> 1:44:16.560
<v Speaker 1>and did not have that there, because right now it

1:44:16.680 --> 1:44:19.120
<v Speaker 1>isn't there. It's just that there. That's like having an

1:44:19.200 --> 1:44:22.360
<v Speaker 1>empty book that's not having and that's the book with

1:44:22.560 --> 1:44:25.240
<v Speaker 1>no chat. And that's that's being able to see the

1:44:25.400 --> 1:44:28.880
<v Speaker 1>dual value. The value is in the culture, in the

1:44:29.040 --> 1:44:32.400
<v Speaker 1>history as well as your pocket. And if you only

1:44:32.479 --> 1:44:35.599
<v Speaker 1>got a concept of one, that's where the problem lies.

1:44:35.720 --> 1:44:37.800
<v Speaker 1>You know what I'm seeing Where y'all came in on

1:44:37.960 --> 1:44:42.599
<v Speaker 1>this so young and early, maybe he should understand that, yo,

1:44:42.680 --> 1:44:44.600
<v Speaker 1>you just he just has to break even on this

1:44:44.800 --> 1:44:48.000
<v Speaker 1>to make more money in other areas. The white us

1:44:48.080 --> 1:44:50.840
<v Speaker 1>to be the fire festival guy. Tom, don't be the

1:44:50.920 --> 1:45:01.200
<v Speaker 1>fire festival guy. Tom. Don't mean that guy that I

1:45:02.160 --> 1:45:06.559
<v Speaker 1>think that we have been able to sustain and achieve

1:45:07.280 --> 1:45:10.160
<v Speaker 1>since they're back. We've been doing off things and been

1:45:10.240 --> 1:45:13.240
<v Speaker 1>holding our corner, probably not been holding our horner, and

1:45:13.320 --> 1:45:16.360
<v Speaker 1>probably never said anything right. I mean when they took

1:45:16.439 --> 1:45:21.000
<v Speaker 1>whatever liquid. That's coming about this chance to say, you

1:45:21.040 --> 1:45:24.280
<v Speaker 1>know what these are kids that I signed is the

1:45:24.400 --> 1:45:27.559
<v Speaker 1>kids I was part of their career when and now

1:45:27.600 --> 1:45:30.080
<v Speaker 1>they've grown men. Let me do business with them as

1:45:30.320 --> 1:45:33.760
<v Speaker 1>something this is this is your turn to do that,

1:45:33.960 --> 1:45:36.360
<v Speaker 1>and you can leave the web and say, you know what,

1:45:36.439 --> 1:45:40.760
<v Speaker 1>I'm gonna treat them like man. Maybe that contract for

1:45:40.920 --> 1:45:44.000
<v Speaker 1>these kids that they signed when they were twenty seventeen

1:45:44.200 --> 1:45:48.160
<v Speaker 1>doesn't hate culture and didn't directive part the situation and

1:45:48.200 --> 1:45:49.799
<v Speaker 1>say you know what, I would be a business partner

1:45:49.880 --> 1:45:54.120
<v Speaker 1>from here on out. Yeah. Partners, Yeah, it is the

1:45:54.240 --> 1:45:57.080
<v Speaker 1>key word. Right. That was a good question. Sometimes good

1:45:57.120 --> 1:46:00.760
<v Speaker 1>partners walk away and they and they don't don't want

1:46:00.760 --> 1:46:02.679
<v Speaker 1>to walk away. I kind of log's dead. We cannot

1:46:02.720 --> 1:46:05.400
<v Speaker 1>walk away. What I'm saying like he could not or

1:46:05.479 --> 1:46:08.840
<v Speaker 1>maybe not or whatever I'm saying is being about him

1:46:09.320 --> 1:46:12.960
<v Speaker 1>Georgia trying to bas storm with the language has been

1:46:13.040 --> 1:46:15.679
<v Speaker 1>in the contract. He can't truly do what he wants.

1:46:15.960 --> 1:46:20.120
<v Speaker 1>But really he doesn't have to say he can make it.

1:46:20.280 --> 1:46:22.200
<v Speaker 1>He could make he can make it right the balls

1:46:22.240 --> 1:46:25.519
<v Speaker 1>on his right. Hip Hop is looking at now. Now.

1:46:25.720 --> 1:46:28.479
<v Speaker 1>Now it's not just y'all and him talk. That's true.

1:46:28.760 --> 1:46:33.760
<v Speaker 1>It's hip hop true talking to him. Yeah. I need,

1:46:34.680 --> 1:46:42.160
<v Speaker 1>I need, I truly believe, you know, he he should

1:46:42.280 --> 1:46:44.519
<v Speaker 1>make the right decision. He should, he should, he should should.

1:46:44.560 --> 1:46:47.040
<v Speaker 1>He shouldn't be shooting forward because that's what he will.

1:46:47.200 --> 1:46:49.320
<v Speaker 1>I don't think he needs to help. I don't think

1:46:49.360 --> 1:46:52.960
<v Speaker 1>he needs it. I don't think so. No, I think

1:46:53.000 --> 1:46:56.640
<v Speaker 1>he's well off, So why not make the people and

1:46:56.760 --> 1:46:58.760
<v Speaker 1>if he doesn't need to become good partners with these

1:46:58.800 --> 1:47:02.040
<v Speaker 1>guys just to the right there right the opened doors

1:47:02.080 --> 1:47:05.559
<v Speaker 1>from now more a better opportunities, opportunities, it all falls.

1:47:05.560 --> 1:47:10.000
<v Speaker 1>And I don't trying to count his pockets, but exactly, Famulus, exactly,

1:47:12.760 --> 1:47:21.240
<v Speaker 1>that's so little motherfucker's okay, I'm not. I don't know

1:47:21.280 --> 1:47:23.280
<v Speaker 1>if you forgot to say, like because they brought to

1:47:23.280 --> 1:47:26.639
<v Speaker 1>our attention, like when we was obviously all that Tommy boy,

1:47:27.760 --> 1:47:30.720
<v Speaker 1>you came in to interview us or something, I was

1:47:30.760 --> 1:47:33.920
<v Speaker 1>already interviewed. We was doing that then, damn like ninety

1:47:33.960 --> 1:47:44.240
<v Speaker 1>three doing night gils in jail, just like a great story.

1:47:46.800 --> 1:47:55.120
<v Speaker 1>You know. I don't know where that used to say, Yeah,

1:47:55.560 --> 1:47:58.760
<v Speaker 1>I'm gonna tell you where I had to little cameras

1:47:58.760 --> 1:48:00.720
<v Speaker 1>some amazing. I knew that then that was going to

1:48:00.800 --> 1:48:02.280
<v Speaker 1>be the here of that. I don't know why I

1:48:02.439 --> 1:48:07.560
<v Speaker 1>used to always feel everything, you know, I didn't know

1:48:07.640 --> 1:48:10.280
<v Speaker 1>the internet it would be what is what I a

1:48:10.320 --> 1:48:16.599
<v Speaker 1>better description? I knew information was instant, and he wasn't

1:48:16.680 --> 1:48:20.040
<v Speaker 1>living in that time right right. I just knew that.

1:48:20.120 --> 1:48:23.040
<v Speaker 1>Like That's what I was saying earlier was I was

1:48:23.120 --> 1:48:26.960
<v Speaker 1>a paul that when I dropped the record, my fans

1:48:27.040 --> 1:48:30.880
<v Speaker 1>in London wouldn't get it simultaneous, right, like that would

1:48:30.920 --> 1:48:34.200
<v Speaker 1>bother who really did it? From me was mf door,

1:48:36.120 --> 1:48:41.439
<v Speaker 1>that's because we don't even know if the nigga mumtaally

1:48:41.520 --> 1:48:43.439
<v Speaker 1>I think it had seven shows and was like, I'm

1:48:43.479 --> 1:48:52.840
<v Speaker 1>sure remember that all that work from him mysterious feeling

1:48:53.280 --> 1:48:55.479
<v Speaker 1>like it's only a half full of dudes that could

1:48:56.200 --> 1:48:59.160
<v Speaker 1>do a show, actually start up with show and not show.

1:49:00.000 --> 1:49:03.280
<v Speaker 1>And he's want we're gonna remember you want to drink

1:49:03.400 --> 1:49:12.280
<v Speaker 1>chance if you ain't know if you're saying, yo, have

1:49:12.400 --> 1:49:13.880
<v Speaker 1>to wrap it up. I'm just trying to say, like

1:49:14.720 --> 1:49:16.960
<v Speaker 1>back then even this think of cold it like yo, man,

1:49:17.040 --> 1:49:20.120
<v Speaker 1>like this dude did a dope job, like he could

1:49:20.160 --> 1:49:22.880
<v Speaker 1>do this ship. Like he said that then like about me,

1:49:24.360 --> 1:49:26.639
<v Speaker 1>I was like, Yo, that's really you know what I'm saying.

1:49:26.680 --> 1:49:30.280
<v Speaker 1>So to see you doing this, God at least put

1:49:30.320 --> 1:49:38.679
<v Speaker 1>my call night appreciated UNS. I swear god Yr story

1:49:39.080 --> 1:49:42.560
<v Speaker 1>is so real. It's so real, so touching to me,

1:49:42.640 --> 1:49:44.280
<v Speaker 1>you know what I'm saying, I would have to leave

1:49:44.400 --> 1:49:47.719
<v Speaker 1>the same campaign. I figured once I heard y'all I said,

1:49:47.880 --> 1:49:50.080
<v Speaker 1>and he wasn't even about me leaving. My campaign is

1:49:50.080 --> 1:49:52.200
<v Speaker 1>about me joining y'alls. You know what I'm saying, and

1:49:52.680 --> 1:49:55.560
<v Speaker 1>jumping on and supporting y'all. What y'all need first, I

1:49:55.640 --> 1:49:58.280
<v Speaker 1>would like, I'm not even wanting to negotiate my ship.

1:49:58.320 --> 1:50:00.360
<v Speaker 1>I want y'all shipped to me right first, for me

1:50:00.439 --> 1:50:02.920
<v Speaker 1>to even consider it, and then I'm gonna follow y'all.

1:50:03.120 --> 1:50:04.479
<v Speaker 1>You know what I'm saying, because that's what it is.

1:50:04.560 --> 1:50:08.320
<v Speaker 1>It's not about selfish, being selfish times about being with

1:50:08.439 --> 1:50:10.679
<v Speaker 1>the people. So I'm standing with y'all and we rove

1:50:10.800 --> 1:50:15.120
<v Speaker 1>you and mind I'm saying about y'all first, You first,

1:50:17.600 --> 1:50:17.720
<v Speaker 1>Ya