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Speaker 1: And it's Drink Chess, motherfucking podcast. Mason, he's a legend,

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Speaker 1: every queen's rapper. He's like it is your boy in

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Speaker 1: or he's a Miami hippoper pioneer. One up his dj

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Speaker 1: e FN. Together they drinking up with some of the

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Speaker 1: biggest players in the most professional unprofessional podcast. And your

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Speaker 1: number one sorts for drunk fast, drink Chess, motherfucking every

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Speaker 1: is New Year's e Just time for drink Champs, drink

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Speaker 1: up mother mother. When it could be holding one, it

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Speaker 1: should be this is your boy and oh, one up

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Speaker 1: his dj e FN turn Spanish when they're supposed second year.

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Speaker 1: You know that I like it, And it's Drink Chance podcast.

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Speaker 1: When in the f started, this part is started. This

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Speaker 1: is exact reason why we started, because we want to

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Speaker 1: salute our legends. We want to give up the legends

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Speaker 1: they fly. Was why they can smell them while they alive.

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Speaker 1: These brothers that stand in front of us in a

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Speaker 1: lot of ways, If it kind of wasn't for them,

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Speaker 1: they probably wouldn't be a Noria opponent, Noriega or drink champs.

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Speaker 1: They paved their way the label that fun to me.

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Speaker 1: They were on first, they were doing it. These guys

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Speaker 1: are legends. These guys stood here to the test of time.

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Speaker 1: They're still making music that are dope. They working on

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Speaker 1: the album right now with per Man and Pete Robs.

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Speaker 1: These brothers are which when you call up, look at

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Speaker 1: the word legend, when you look at the world classic legendary,

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Speaker 1: their pictures, it's right there. And I am here to

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Speaker 1: respect their legacy. And if you don't know who the funk?

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Speaker 1: We talked about it to my motherfucking day lines all

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Speaker 1: now now usually on drink camps. We started off with

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Speaker 1: the beginning people's careers. But there's a big elephant in

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Speaker 1: the room that I feel like I don't want to

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Speaker 1: go around it. It's a movie I want to put

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Speaker 1: in the beginning. Can we popped that bottom? It's the lace.

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Speaker 1: Let's put this hell. Because what people don't know is

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Speaker 1: everybody hit the internet that said that a certain label

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Speaker 1: to which his Tommy Boy Records, which I was signed

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Speaker 1: to at one point as well. And I've I've made

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Speaker 1: how I uh stand? I said, fuck Tommy Boy. The

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Speaker 1: niggas just suck. It was very elegant. It was a

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Speaker 1: very elegant statement for what for what it's worked very late,

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Speaker 1: I thought for sports on myself. But when I heard

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Speaker 1: of the fact that they wanted to take your catalog

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Speaker 1: and we just tripod at a rate of temper set,

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Speaker 1: and that temper set would be split between the three

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Speaker 1: of y'all. Yeah, yeah, so how did how did how

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Speaker 1: did how did that even come about? Because the music

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Speaker 1: is not available online? Right, it hasn't been, hasn't been? Why? Yeah?

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Speaker 1: Ever not not? I mean we we missed the whole

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Speaker 1: that part of the canine. Yeah, before we even get

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Speaker 1: to that, let me ask you something. In the original

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Speaker 1: contracts there never stated anything about digital. Was no language

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Speaker 1: at the time, the bank language for it too to

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Speaker 1: just happen if it was never there. It was, I

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Speaker 1: guess I'm not trying to was specifically cassette by the

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Speaker 1: c DSHA and CDs was was was even in eighty nine?

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Speaker 1: Was c DS? I think maybe they probably admitted it

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Speaker 1: just now I was just starting I mean that, Yeah,

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Speaker 1: I mean it was. It was. It was language in

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Speaker 1: the contracts, but it was real vague. You know, I'm

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Speaker 1: not certain exactly what it said, but it could be

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Speaker 1: something like, you know, CDs, cassette, vinyl in any format.

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Speaker 1: But so he could or any new change for now,

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Speaker 1: how did you get um this information? Like a Tommy

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Speaker 1: Boy reached out to you guys or you guys weas

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Speaker 1: out the time boy if I releasing this and that, Yeah,

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Speaker 1: I mean Tom Suleman reached out excuse me, individual number one. Yeah, yeah,

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Speaker 1: he reached out to us, you know, just doing trying

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Speaker 1: to do the right business. I got the I got

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Speaker 1: the catalog back, and I want to release you guys stuff. Now.

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Speaker 1: He got it back through Rhino, right because I believe

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Speaker 1: Rhino had it because I was trying to get my

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Speaker 1: thing back at the same time of that. Paul so um,

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Speaker 1: So he comes to y'all and he says he at

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Speaker 1: first he wanted to do a deal with it, like

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Speaker 1: he or what it was. He presented option, the option

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Speaker 1: we spoke about that we felt was unfavorable. It was

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Speaker 1: either we do this if we didn't respond at a

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Speaker 1: certain time, then he would resort back to original contracts,

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Speaker 1: which was contracts we signed from one. So we responded.

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Speaker 1: We responded and saying that you know, we responded like

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Speaker 1: we were supposed to. Yeah, So it was supposed to

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Speaker 1: then go from there, but we didn't really get any

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Speaker 1: communication going until the final hour, pretty much almost about

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Speaker 1: a year. So we kept trying to get in touch

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Speaker 1: with him and our lawyers was trying to reach out,

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Speaker 1: and uh, we heard nothing from because I imagine this

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Speaker 1: had to be like the last rout of you guys

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Speaker 1: going to the internet. I imagine it was talks, you know,

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Speaker 1: prior to that, well, it was definitely talks. So it

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Speaker 1: was a lot of talk, you know, it was evaluated

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Speaker 1: what was in front of us and really trying to

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Speaker 1: figure out work to do, how to approach him, knowing

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Speaker 1: knowing who he is. All together we've been in a relationship,

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Speaker 1: you know how so you truly got to thank for

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Speaker 1: your yourself for the team, you know, and you know,

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Speaker 1: once we became came to a meeting of the minds

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Speaker 1: of who we knew we're dealing with, it was time

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Speaker 1: to strike. But we didn't give him the opportunity to

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Speaker 1: speak in the very final hour. And then speaking in

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Speaker 1: the final hour, he didn't want to make any changes.

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Speaker 1: And to me now, speaking about my own situation, because

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Speaker 1: I tried to get my two albums as well on

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Speaker 1: the War Report and one of the things on in

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Speaker 1: the r E album, he didn't he didn't want to

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Speaker 1: negotiate with me because he said it wasn't be cooped

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Speaker 1: And I'm like, who gives a funding this be coop to?

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Speaker 1: Not moving forward? Why not split we go? Like you

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Speaker 1: know what I'm saying, Like, isn't that the simplest thing?

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Speaker 1: Like And I'm not trying to like you know, like

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Speaker 1: like you know, be smarter than what I'm supposed to be.

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Speaker 1: But what I'm saying is, why wouldn't me go fifty

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Speaker 1: fifty alcohol there? I would be happy to promote this ship.

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Speaker 1: You know what I'm saying. Some of these kids don't

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Speaker 1: even don't even like something. So man, this is this

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Speaker 1: is an emotional topic for me because I'm directly affected.

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Speaker 1: So when I seen you guys on the internet, um,

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Speaker 1: moving around a little bit. Let me let me how

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Speaker 1: did it feel to see the hip hop community you

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Speaker 1: know standwich like, I mean, yeah, it's it's it's always

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Speaker 1: a good feeling. Um, we kind of felt there was

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Speaker 1: there with you said, so I kind of felt that

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Speaker 1: they was there, Okay, you know, just just waiting. I

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Speaker 1: mean we you know, from from the climate of what

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Speaker 1: we felt with our kickstarter. Yeah, you know that climbing

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Speaker 1: kind of told us that people out there who care.

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Speaker 1: So when it was time to sound off, we kind

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Speaker 1: of felt like it was gonna we was gonna have,

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Speaker 1: you know, an alliance. But it turned out a little

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Speaker 1: you know, it's it was honestly say, it was comforting.

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Speaker 1: It felt it made the decision to feel right, you know,

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Speaker 1: especially for somebody like hole Hold maybe don't honestly say

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Speaker 1: maybe been in the room with him maybe three times

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Speaker 1: my whole career, you know, and don't even just know

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Speaker 1: each other through the music that spoke voluables. Well, you

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Speaker 1: help raise all of us, you know what. It's the

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Speaker 1: artist absolutely yeah, and then nas Nas question Droby, you

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Speaker 1: know master Ace. I mean, I'm sure at one time

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Speaker 1: or another everybody said this story. So you know, you

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Speaker 1: see people coming together, artist fans, whomever, because in some way,

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Speaker 1: shape or form, they've either heard it and affected by it,

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Speaker 1: you know, let it to it somehow. So I mean

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Speaker 1: wet So we had a few records exact people reach

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Speaker 1: out behind the scenes, you big students. You know what

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Speaker 1: I'm saying is like in my mind, I felt like

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Speaker 1: it was probably hard for a lot of record exact

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Speaker 1: people to speak out. I don't think it is anymore. Well,

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Speaker 1: I'm just trying to say, like unless they have dealt

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Speaker 1: and done this to other artists themselves, so it's kind

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Speaker 1: of hard to be pointing a finger, you know. You

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Speaker 1: know what it is. It's kind of fly now to

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Speaker 1: own your masters, like you know, like like back then,

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Speaker 1: like we weren't really thinking about that, like I'm speaking

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Speaker 1: about myself now, yeah, like I was thinking about it advance,

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Speaker 1: you know what I'm saying, getting some jury, you know

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Speaker 1: what I'm saying. And now I was like, it's like

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Speaker 1: it's fly to actually own your your material, you know

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Speaker 1: what I'm saying, because we want to leave something to

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Speaker 1: your your children. So the thing about it is like

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Speaker 1: you haven't seen a person that you know lives in

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Speaker 1: the projects for thirty years. They don't they don't own it,

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Speaker 1: but it's their house. Yeah, that's what it feels like.

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Speaker 1: It was like, you know what I got, I got

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Speaker 1: on set literally prices for for not a lest years.

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Speaker 1: They faint red, but that is there that she feels

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Speaker 1: like she owns it. And like the projects, a good

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Speaker 1: thing to do do the pro to do is tell

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Speaker 1: you know what you should have on that, you know

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Speaker 1: what I'm saying, You still on that and that's Tom Sillerman.

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Speaker 1: If you're listening, because I know you are you. I

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Speaker 1: know you are Tom Sillerman, And dude listening, this is

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Speaker 1: the best time for you to lead the pack. You

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Speaker 1: lead the way and say, you know what, I'm gonna

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Speaker 1: stop doing business. We're looking at it in this way.

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Speaker 1: You can take this time and you can flat this

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Speaker 1: whole ship and you can be there with us. Say

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Speaker 1: you know what, I'm gonna get a friendly presentation so

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Speaker 1: everybody and then you feel queen land teeth was gonna

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Speaker 1: come out and only body, Nationship and everybody else is

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Speaker 1: gonna say, you know what, this is the guy we

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Speaker 1: were wishing me with a new back. Then you can

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Speaker 1: lead the path. You can lead the path, trust me,

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Speaker 1: you know what I'm saying. So we got that out

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Speaker 1: the way. We could keep going. I mean, you know,

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Speaker 1: oh yeah, gonna go back back into it. But I'll

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Speaker 1: say that's much more, you know. I I like to

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Speaker 1: give people the opportunity to change because we have been

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Speaker 1: given an opportunity based on how we grew up, where

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Speaker 1: we come from, what we could have been doing, based

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Speaker 1: rock Me as a thing that actually been a significant

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Speaker 1: part of growing us to be the men we've become,

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Speaker 1: you know. So I would like to say he would change,

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Speaker 1: but I don't know. I don't know the way we've

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Speaker 1: done business over the years, and the man I've sat

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Speaker 1: next to talking business with, I don't know if he

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Speaker 1: really has the ability to change. So I'll worry about that.

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Speaker 1: But you know what, maybe it's you know, sometimes in

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Speaker 1: order for it to change, sometimes you got to look

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Speaker 1: at yourself in America. So maybe so maybe this is

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Speaker 1: it because maybe he just doesn't It made me think

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Speaker 1: this is it's just us. Maybe fix it is just you.

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Speaker 1: Maybe think it's just me. Maybe thinks it's just a

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Speaker 1: lot of people. So maybe he sees this interview, Like

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Speaker 1: I said, he's gonna see this because I would watch

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Speaker 1: it if I was him, And maybe he see this

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Speaker 1: interview and say, like, we're not trying to be unfair

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Speaker 1: and we're not trying to dis you, disrespect your legacy,

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Speaker 1: disrespect your name or anything. In fact, we're proud of it.

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Speaker 1: We want to claim our history. And the guy, I mean,

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Speaker 1: you know what I'm saying, I will honestly saying by

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Speaker 1: by signing to Tommy BOYD was a significant part of

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Speaker 1: what their legacy was then yes, yes, and that's that's

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Speaker 1: I may not start home. So shignic false bottom z

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Speaker 1: five them soones with Jake. You know, I feel like

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Speaker 1: you know, we've embodied that, all of us. You know,

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Speaker 1: we've all taken a piece of that on into our

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Speaker 1: succesch swea, the blood swear, the tests for that, whether

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Speaker 1: we claim it or not. We were all that, were

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Speaker 1: all and it's fair fun to share that. Like when

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Speaker 1: we spending we're out here those guys stories that's that

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Speaker 1: far different? Well they might be even worse. You know

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Speaker 1: what I'm saying. To think about y'all, y'all leading the packet,

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Speaker 1: the things that y'all maya is y'all knew how to

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Speaker 1: use the internet, Like you know what I'm saying, Like

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Speaker 1: so many people don't know how to use the internet, bro,

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Speaker 1: you know what I'm saying, Like y'all used perfect because

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Speaker 1: you did not this? Did you know? You didn't say

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Speaker 1: you say you just said I said that my bad time.

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Speaker 1: You know what I'm saying. But um, you guys knew

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Speaker 1: how to use the internet. And so what what is

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Speaker 1: your end result? What do you think they get we

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Speaker 1: get in with this? What? What is what what make

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Speaker 1: it at this part ownership owning it all right, owning

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Speaker 1: owning my catalog, that would make a world of difference,

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Speaker 1: That make that make it that make it easier to

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Speaker 1: show for work right? And what do ye think at

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Speaker 1: a moment, at a moment like as an artist, because

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Speaker 1: that's little ship. That ship is really like we worked

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Speaker 1: hard for something and really know that. But we were

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Speaker 1: doing a young man in front of the world. And

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Speaker 1: you know it's time to make that right man, It's

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Speaker 1: time to make that right now. And all fairness to

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Speaker 1: the business we've been dunk doing. We've done nothing less

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Speaker 1: than partnerships since they left. So and here it is.

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Speaker 1: We've been blessed to do a shoot. We've been blessed

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Speaker 1: to continue to tour tremendously. I mean Lobberry Congress, I

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Speaker 1: mean you know Library of Congress with the catalog that

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Speaker 1: people can't even get, you know, so you know, I

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Speaker 1: look at you know, my comrades such as yourself missing

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Speaker 1: only in particular when she had a great moment like

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Speaker 1: fifteen years after work it and did the Super Bowl. Bro,

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Speaker 1: she does it like a million downloads. I didn't work

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Speaker 1: it if I'm not more so, I was kind of

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Speaker 1: speculating what could it have been for us behind the

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Speaker 1: White House? Yeah, that you know what could have been

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Speaker 1: just potentially being Obama's request, you know, all right to

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Speaker 1: perform at the White House with comment in the roots

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Speaker 1: and doing me myself and I tem just be my laws.

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Speaker 1: Let's do it ship man. We gotta get this right man.

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Speaker 1: And again moving forward to to new artists who watching this, Uh,

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Speaker 1: I want to you know, people to know that it

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Speaker 1: was a lot harder to get off back then. Show

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Speaker 1: you actually had you actually had to have skills now

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Speaker 1: to say you guys don't have skills at a different

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Speaker 1: time and ever so, and I mean to tell you

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Speaker 1: got to outright everyone in your barrel when everybody to

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Speaker 1: get to ale, it was will Will Will Will Will

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Speaker 1: back then. I mean definitely coming from our demographics because

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Speaker 1: I think we our gateway was always trying to get

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Speaker 1: on the radio. We had to get on radio to

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Speaker 1: be able to do our think. I mean, I wish

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Speaker 1: we were able to do it like n W A

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Speaker 1: or too Short. I wish we could sell out the

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Speaker 1: car in New York. We would have never had this

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Speaker 1: issue was always getting to that conduit which was up

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Speaker 1: in the beginning, in the beginning, that that's that that

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Speaker 1: was the goal was uh, you know radio radio, I think,

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Speaker 1: I think, And it was cool. It wasn't tuning I'm

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Speaker 1: affordably take yeah. Yeah. It wasn't art as hell or

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Speaker 1: was it easy cool? It was hard if we you

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Speaker 1: how to even get somebody's attention, like Prince Paul, like

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Speaker 1: you always heard somewhere Big co sign. It was very

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Speaker 1: sodom that somebody want to rack contest like steps to

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Speaker 1: sign Ago whoever? You know what the fact boys who

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Speaker 1: want to rack contest. We knew Prince Paul, but but

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Speaker 1: I had to get his attention first, not take a minute,

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Speaker 1: you know what I mean, and hoping that the stars

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Speaker 1: just lined up, which they did obviously, but even even

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Speaker 1: then he didn't make no problem. So it's based on

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Speaker 1: the position. And Chris Paul was a producer as well.

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Speaker 1: Rights remember sign okay Ya and his groundbreaking his y'all

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Speaker 1: were at the time too. That was did y'all think

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Speaker 1: we might like it might be difficult to break this music? Yo?

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Speaker 1: As basically saying success for us was hearing Magic the

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Speaker 1: World World premiere, and I was off to the military.

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Speaker 1: He was already in architectural school. He was off the college.

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Speaker 1: It's like we was about to move on with the life. Yeah,

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Speaker 1: to get a re up to do like Pottles in

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Speaker 1: my long He's like, okay, you know me something you know.

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Speaker 1: And then there was Potoles and Jennifer, and Jennifer was

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Speaker 1: out of respect answer to Jim Browski because we were

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Speaker 1: the jungle brothers. With Jenny, it was like Jenny Jimmy

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Speaker 1: and became buddies after a while. Right, let me ask

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Speaker 1: you your because your names and fell back with y

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Speaker 1: How did you come up with that? Who? What? Po

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Speaker 1: started like yoga? Yeah? Yeah, I started the back which okay,

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Speaker 1: how did you start with that? Um? I love this

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Speaker 1: name ball stop sound uh as a DJ like I

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Speaker 1: just want you know. My mother was from the country

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Speaker 1: wins Burro, Georgia, and she always was saying in my house,

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Speaker 1: you know you better like eat up everything. And you

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Speaker 1: played like take that bread and stop up the soul

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Speaker 1: sounds like he was a d J playing on the

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Speaker 1: sounds and stop up all these sounds for DJ. So

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Speaker 1: when I started back towards trying to be an MC,

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Speaker 1: I just turned everything backwards. Pass suck came pass yes

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Speaker 1: sound became do new You know what I'm saying. That's

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Speaker 1: right story for twenty years and even are you want

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Speaker 1: some more work? Yeah? Yeah, but we got white wine.

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Speaker 1: You got white wine. Got take a bowl? You requested it,

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Speaker 1: so we went and found take a bowl here here,

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Speaker 1: give us some more. What do you You don't drink?

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Speaker 1: I don't drink. That's some one that's a wine associaf

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Speaker 1: he got that. We don't know if y'all know. But

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Speaker 1: our show is to give all people they flowers where

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Speaker 1: they can smell. I hate the fact that when you've

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Speaker 1: got ten years of more in this game, people want

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Speaker 1: to say you washed, but in every other genre of

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Speaker 1: music or every other they say you season. So I

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Speaker 1: don't want to change the genre. And I think I'm

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Speaker 1: cool enough to do it. You feel me because I

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Speaker 1: don't want to push all legends now need to be

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Speaker 1: like yo, that nigger with my nigger. I'm telling you

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Speaker 1: right now. I love you, brothers, my brothers, I love y'all.

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Speaker 1: I don't raise me. Y'all raised me. I've heard all

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Speaker 1: your albums, and it would be I would be lesser

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Speaker 1: than a man for me to be able to sit

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Speaker 1: here and tell y'all. How great y'all man, you understand

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Speaker 1: saying And that's when we got to our community. Gotta

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Speaker 1: start changing that. Man. I don't take me nothing less

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Speaker 1: to say that you're great and what you guys, your

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Speaker 1: legacy should be in gold. Let us heaverywhere. You know

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Speaker 1: what I'm saying like that, I shouldn't take nothing away

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Speaker 1: for me, my brother. You know what I'm saying. You

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Speaker 1: know that the Mate was one of the first to

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Speaker 1: reach out. Yeah that's true. Yeah, that's true. Within this

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Speaker 1: is an industry. He was like, you, I'm a big

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Speaker 1: fan with y'all doing. I can't wait to go. You're

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Speaker 1: not gonna drink talking about what y'all gonna slop. God

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Speaker 1: do I remember for a right one day he was

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Speaker 1: DJ for me the old time. I was like, yo,

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Speaker 1: Jill's like, already keep it for it. Oh man, I'm

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Speaker 1: so excited to have y'all in man. Um, So let's go.

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Speaker 1: Let's let's take it back to the very first album.

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Speaker 1: I want to Let's thank you nine correct, l I

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Speaker 1: got no hold on, hold on little I gotta know,

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Speaker 1: I'm trying to step my game. My phone on, alright, cool, alright,

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Speaker 1: cool on Okay, yeah, next to night and not okay,

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Speaker 1: like a not excuse me, uh we feel high rising

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Speaker 1: first album, guys are going in what is your mind? Friend? Who?

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Speaker 1: Who's out? By the way, who? Who? Who's out? Like that?

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Speaker 1: That's yeah, DC was but you know, of course everybody

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Speaker 1: rock him. You know a pmd T was early nighting. Okay,

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Speaker 1: So try us, y'all, little brother, Yeah, hit us right,

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Speaker 1: you don't get to yah. The Day to Tell was

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Speaker 1: like nine hundred was like the first Hue Tank. So

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Speaker 1: the first album, Okay, y'all going there like who because

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Speaker 1: you know, in your mind when you're making records, you

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Speaker 1: want to be better than somebody something who who? Yeah?

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Speaker 1: Who was a was a public enemy y'all was like

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Speaker 1: because you don't, I don't know if it was about

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Speaker 1: being better though, Okay, I mean what did we aspire

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Speaker 1: to be? Like? There you go? That's from d MC

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Speaker 1: carress one Ultramagnetic Ultramagnetic yea, not definitely, you know, but

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Speaker 1: we were students of all that. We were students of

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Speaker 1: Treacherous three and all that. You know, BDP. You know,

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Speaker 1: I'm I'm a little all over the place people, you know, okay,

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Speaker 1: okays used to coming up to the school box and

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Speaker 1: flys and all physical favorite we all he touched us

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Speaker 1: all the same truck, the only outside of who could

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Speaker 1: come up to our school without the principal kicking them out. Yeah,

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Speaker 1: I'm dislikable when you'll see people like for real, do

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Speaker 1: y'all do do you do? You? Because you know he's

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Speaker 1: he's direct correctly, y'all, like you know what I'm saying,

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Speaker 1: like a whupe fiasco. Uh even like Jake Hole, like

385
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Speaker 1: you know what I'm saying. So it can't be like

386
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Speaker 1: when you when you when you see artists like that,

387
00:23:51,720 --> 00:23:54,760
Speaker 1: do you see yourselves and them? Definitely? I mean even

388
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Speaker 1: like our future like y'all yeah, yeah you know yeah,

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Speaker 1: Especi see picture we our future. Yeah, I can see

390
00:24:02,080 --> 00:24:04,280
Speaker 1: I can see him and him tap into y'all. Now, Now,

391
00:24:04,320 --> 00:24:06,800
Speaker 1: who who was artists as fans fans of y'all that

392
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Speaker 1: you never expected? Who's as Day Chappelle is a big one.

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Speaker 1: He's huge days So man um man, I never thought

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Speaker 1: of Russell Peters at the Comedian. I got to know

395
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Speaker 1: Russell over the years, but when I first met him,

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Speaker 1: I had no idea. Right now, honestly, I mean, I'm

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Speaker 1: sorry to cut you, but For me, it was always

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Speaker 1: like to see like hard rock made his funk with us,

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Speaker 1: Like Yo, the day I met Um when we was

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Speaker 1: rock recorded Anonymous Nobody Elseum and I met Uh, I

401
00:24:48,200 --> 00:24:52,520
Speaker 1: met Twin and he just came up to me like yo,

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Speaker 1: like I'm a Daylight fan and like, you know, I'm

403
00:24:55,040 --> 00:24:57,119
Speaker 1: so used to listening to him and all the Alchemists

404
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Speaker 1: Beasts and yeah, you know what I'm saying. It was

405
00:25:00,800 --> 00:25:03,120
Speaker 1: just like just dope to see how he was really

406
00:25:03,200 --> 00:25:07,320
Speaker 1: into a ship like Cameron, you camera, you know I

407
00:25:07,359 --> 00:25:11,440
Speaker 1: can see that. Yeah, I can't imagine not being a

408
00:25:11,520 --> 00:25:17,040
Speaker 1: fan of Yards. I know that's to be. That should

409
00:25:17,080 --> 00:25:18,720
Speaker 1: be like like that should be like like the first

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Speaker 1: like if you get a hip hop card, like that

411
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Speaker 1: should be like the first question, like we are you

412
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Speaker 1: at your Daylight Soul list? Like you brother, you know

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Speaker 1: what I mean, You're gonna pass this course, you ain't

414
00:25:33,400 --> 00:25:37,080
Speaker 1: getting no card. We're gonna start making hip hop cards. Man.

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00:25:38,119 --> 00:25:41,000
Speaker 1: So when it's definitely finding out the different songs catch

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Speaker 1: like like rock Cam like Saturdays Cam, like I know

417
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Speaker 1: and that you think dudes are like something Honor like

418
00:25:50,040 --> 00:25:53,280
Speaker 1: Peace Parts or something like that. But now he's like right,

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Speaker 1: like Saturday's cam, like I know, from three three ft high.

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Speaker 1: So it's funny. That's a beautiful thing, man. So now

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00:26:01,800 --> 00:26:05,440
Speaker 1: let me get to uh Tupac Man. At one point

422
00:26:05,560 --> 00:26:09,520
Speaker 1: Tupac hadn't been because y'all was cool at first. We

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00:26:09,720 --> 00:26:16,920
Speaker 1: were watching. So we move from digital digit pocket like

424
00:26:17,480 --> 00:26:21,840
Speaker 1: you know, like Parks smoke, so we did. The crazy

425
00:26:21,920 --> 00:26:27,119
Speaker 1: thing is just come from well, I think it started

426
00:26:27,160 --> 00:26:32,800
Speaker 1: from what the video for ego tripping, Um when you

427
00:26:32,880 --> 00:26:36,520
Speaker 1: got to the big eyes. No, we're we're in this uh,

428
00:26:37,880 --> 00:26:40,560
Speaker 1: we're in this mansion. You know, we're making fun of

429
00:26:40,640 --> 00:26:42,840
Speaker 1: ourselves in terms of like playing off, like if we

430
00:26:42,920 --> 00:26:45,920
Speaker 1: have an ego, but someone's questioning it. So Dave's riding

431
00:26:45,920 --> 00:26:48,200
Speaker 1: around in his car. It says like he don't even

432
00:26:48,240 --> 00:26:52,600
Speaker 1: own it. Stuff like that that checks and stuff like that.

433
00:26:52,840 --> 00:26:56,879
Speaker 1: But I guess Park thought, um, we're basically Adrian was

434
00:26:56,920 --> 00:27:00,320
Speaker 1: managing him at the time. Reached out to to our

435
00:27:00,359 --> 00:27:03,000
Speaker 1: people's right at Tommy Boy and he was just like yo,

436
00:27:03,119 --> 00:27:07,080
Speaker 1: he just feels like, um, y'all are trying to playoff

437
00:27:07,160 --> 00:27:09,840
Speaker 1: in this I Get around video and he was like yo,

438
00:27:09,960 --> 00:27:12,040
Speaker 1: and he was like pop, it wasn't even like this

439
00:27:12,119 --> 00:27:18,040
Speaker 1: did you do underground pot right he just first first

440
00:27:18,720 --> 00:27:23,040
Speaker 1: okay when money fees in that single? Yeah, yeah, So

441
00:27:23,440 --> 00:27:25,880
Speaker 1: and the way it was related to us, like Pok

442
00:27:25,960 --> 00:27:29,080
Speaker 1: was just just disappointed because he he loved us, mean,

443
00:27:30,160 --> 00:27:32,960
Speaker 1: and we immediately let him know. Liken, like we had

444
00:27:33,080 --> 00:27:35,800
Speaker 1: no thought about that. We didn't even see the I

445
00:27:36,240 --> 00:27:39,240
Speaker 1: see the angle. Yeah I don't notice that. I would

446
00:27:39,240 --> 00:27:41,920
Speaker 1: probably said something, but I didn't even notice it. But

447
00:27:42,040 --> 00:27:45,879
Speaker 1: I mean like kind of known when he was alive.

448
00:27:46,200 --> 00:27:49,879
Speaker 1: I'll apologize straight up because I I didn't see that,

449
00:27:50,160 --> 00:27:53,760
Speaker 1: and and that's definitely works on the intentions. I love

450
00:27:53,880 --> 00:27:58,800
Speaker 1: the brother. Yeah, it was unfortunately weird because when we

451
00:27:58,920 --> 00:28:02,800
Speaker 1: were told, I mean, we immediately was like, no, that's

452
00:28:02,840 --> 00:28:06,240
Speaker 1: not even the case. And then Adrian gave me the

453
00:28:06,359 --> 00:28:08,760
Speaker 1: number to speak to him, so you know that's by

454
00:28:08,880 --> 00:28:11,600
Speaker 1: that time, he had a crib out in Atlanta. Um

455
00:28:12,800 --> 00:28:15,280
Speaker 1: I tried to call him. I missed. I think I

456
00:28:15,400 --> 00:28:18,120
Speaker 1: missed this call. I called him back, but I left

457
00:28:18,160 --> 00:28:19,919
Speaker 1: the message. I said, YO, hit me back. He never

458
00:28:20,000 --> 00:28:22,640
Speaker 1: hit me back. But so then like maybe or whatever

459
00:28:22,800 --> 00:28:24,800
Speaker 1: year or so later, when you hear hear what was

460
00:28:24,840 --> 00:28:27,680
Speaker 1: going on the album, it just called us off guard

461
00:28:27,720 --> 00:28:30,560
Speaker 1: because you know, populous people. I mean, I remember a

462
00:28:30,680 --> 00:28:33,040
Speaker 1: time went on. You did a show out in the Bay,

463
00:28:34,040 --> 00:28:36,800
Speaker 1: you know, great show, and after the show, I'm standing

464
00:28:36,840 --> 00:28:38,959
Speaker 1: outside and some dude came up on me like yo,

465
00:28:39,160 --> 00:28:41,960
Speaker 1: you know, like you just send Caress one. I was

466
00:28:42,040 --> 00:28:44,920
Speaker 1: like what, Like I was like carresponds a god to me,

467
00:28:45,000 --> 00:28:47,880
Speaker 1: Like no, no, because you said in that song Aple Connections,

468
00:28:47,960 --> 00:28:50,320
Speaker 1: you know you're not a vegetarian, You're not scared of beef.

469
00:28:50,880 --> 00:28:53,320
Speaker 1: And I'm like, it's just a metaphor thing and what's

470
00:28:53,480 --> 00:29:00,400
Speaker 1: gonna cares one of the vegetarian and he does. So

471
00:29:00,560 --> 00:29:02,400
Speaker 1: then the dude was just trying to get at me,

472
00:29:02,440 --> 00:29:04,160
Speaker 1: and Pop came out of nowhere. It's like you're young,

473
00:29:04,240 --> 00:29:06,760
Speaker 1: and like that's you know, that's people's and like so

474
00:29:06,920 --> 00:29:10,360
Speaker 1: Pok kind of saved me from any problem. So I mean,

475
00:29:10,400 --> 00:29:12,760
Speaker 1: like pak was always a good people to us. So

476
00:29:12,880 --> 00:29:15,200
Speaker 1: it's saddened it happened because we just didn't understand where

477
00:29:15,200 --> 00:29:17,440
Speaker 1: it where it came from. Left really got a chance

478
00:29:17,480 --> 00:29:21,160
Speaker 1: to fix me. We tried, but didn't even know that

479
00:29:21,240 --> 00:29:23,800
Speaker 1: I'm talking about like this man, it had even been

480
00:29:25,600 --> 00:29:28,960
Speaker 1: four or five years ago. I ran into assist at

481
00:29:29,000 --> 00:29:31,280
Speaker 1: the airport in Atlanta and she was like, Yo, Pap

482
00:29:31,520 --> 00:29:34,360
Speaker 1: was a really good fan of yours. And she was like,

483
00:29:34,640 --> 00:29:37,560
Speaker 1: I'm telling you straight up, like he loved y'all. He

484
00:29:37,600 --> 00:29:40,280
Speaker 1: would just hurt when it happened. And I guess you

485
00:29:40,320 --> 00:29:42,640
Speaker 1: know at that point, you know, Parky led his heart.

486
00:29:43,960 --> 00:29:48,360
Speaker 1: So yeah, well that's what it was. I'll bless you too.

487
00:29:53,200 --> 00:29:57,719
Speaker 1: Got your own dunk sleeper. Ye, goddamn in that night.

488
00:29:58,120 --> 00:30:04,440
Speaker 1: Huh how did that come about it? Yeah? We did

489
00:30:04,480 --> 00:30:06,920
Speaker 1: two of those two wrong. I think the first one

490
00:30:07,040 --> 00:30:10,920
Speaker 1: might have been like two thousand and four. Yeah, yeah,

491
00:30:11,200 --> 00:30:14,760
Speaker 1: we had the high Time three guys. Yeah. Yeah. People

492
00:30:14,840 --> 00:30:18,480
Speaker 1: throw at the eghs was like teenage ninja ninja turtles.

493
00:30:18,520 --> 00:30:20,800
Speaker 1: They would they like nicknamed them that, but they don't

494
00:30:20,800 --> 00:30:24,320
Speaker 1: when I do what, they're the champagne. Okay, let's do it.

495
00:30:24,400 --> 00:30:29,719
Speaker 1: Let's do it. Come on, Yeah, years later to talk

496
00:30:29,760 --> 00:30:38,000
Speaker 1: about it out. Yeah, yeah, leaving at home on purpose,

497
00:30:39,640 --> 00:30:44,200
Speaker 1: leaving home two much, lady, you called me before you

498
00:30:44,280 --> 00:30:47,440
Speaker 1: got a whole case. By the way, I want to

499
00:30:47,520 --> 00:30:50,000
Speaker 1: let y'all know if you switch the lot one of more. Okay,

500
00:30:50,000 --> 00:30:52,280
Speaker 1: I'm gonna let y'all know if you're gonna take this,

501
00:30:52,920 --> 00:30:54,960
Speaker 1: we do not claim this. We do not. We do

502
00:30:55,120 --> 00:30:57,520
Speaker 1: not promote this. We know that this is the worst

503
00:30:57,600 --> 00:31:00,320
Speaker 1: thing ever. Yeah, we're all well aware that we are

504
00:31:00,400 --> 00:31:04,880
Speaker 1: search in general that comes out. But we celebrate hip hop. Okay,

505
00:31:05,000 --> 00:31:07,560
Speaker 1: damn give me a decent side. Okay, No, decent side

506
00:31:08,400 --> 00:31:16,920
Speaker 1: usually made me disrespecting Bill here, don't you got you

507
00:31:16,920 --> 00:31:19,400
Speaker 1: said you wanna take woman? Y'all heard you? I just

508
00:31:19,720 --> 00:31:27,240
Speaker 1: he was funny. Yeah, they went and found it. Man,

509
00:31:27,560 --> 00:31:32,560
Speaker 1: you make out the world it is. It just went crazy.

510
00:31:35,560 --> 00:31:39,760
Speaker 1: We gottamore who We celebrate y'all legacy tonight. Let me

511
00:31:39,840 --> 00:31:44,440
Speaker 1: tell y'all, y'all legends. We support y'all with y'all movement.

512
00:31:45,000 --> 00:31:48,160
Speaker 1: We love y'all, and we left big people. We're gonna

513
00:31:48,200 --> 00:32:02,320
Speaker 1: do doing that. Everybody got something, ye yill man, he said,

514
00:32:03,440 --> 00:32:06,160
Speaker 1: what is that? That wasn't talking, boy man, there was

515
00:32:06,280 --> 00:32:12,959
Speaker 1: lying Boone's tasted like boy, you tire? That was horrible.

516
00:32:13,360 --> 00:32:22,239
Speaker 1: That's healthy, right, Hope it is hope straight. You're right?

517
00:32:25,600 --> 00:32:29,320
Speaker 1: Did you every thing hip hop would be just big? No? No,

518
00:32:31,280 --> 00:32:37,280
Speaker 1: I mean hip hop was enormous At Run DMC, that

519
00:32:37,400 --> 00:32:40,880
Speaker 1: was big enough. You know, walked this way. You know,

520
00:32:41,000 --> 00:32:43,560
Speaker 1: you couldn't even think how much bigger it could get,

521
00:32:44,000 --> 00:32:46,960
Speaker 1: you know, what they were doing. And I guess I

522
00:32:47,000 --> 00:32:50,760
Speaker 1: guess you know, when you were a kid man, all

523
00:32:50,840 --> 00:32:54,240
Speaker 1: you thinking is like Norri said, like you thinking just

524
00:32:54,800 --> 00:32:59,520
Speaker 1: how you gonna benefit from this directly? You know I'm

525
00:32:59,560 --> 00:33:01,600
Speaker 1: gonna I mean a chain, I'm gonna be you know,

526
00:33:01,680 --> 00:33:03,800
Speaker 1: I'm gonna be doing it. But you never look at

527
00:33:03,840 --> 00:33:07,600
Speaker 1: it as you know, a business and you know, income

528
00:33:07,680 --> 00:33:12,400
Speaker 1: extensions and branding all that. Yeah, we never thought that.

529
00:33:13,400 --> 00:33:16,000
Speaker 1: But it's nice to see it happening. Man, it's it's

530
00:33:16,080 --> 00:33:19,120
Speaker 1: it's a beautiful thing to see us to us opening

531
00:33:19,200 --> 00:33:22,120
Speaker 1: bigger doors and and getting into bigger and better places.

532
00:33:22,800 --> 00:33:26,120
Speaker 1: And you know that, I guess the what kind of

533
00:33:26,280 --> 00:33:29,840
Speaker 1: is where we are at this time? And hopefully it

534
00:33:29,920 --> 00:33:32,960
Speaker 1: can revert back to you know, the artists of a goal.

535
00:33:34,040 --> 00:33:37,120
Speaker 1: It's his ownership of things, you know. You know, it's

536
00:33:37,160 --> 00:33:40,840
Speaker 1: good to see the new young folks, you know, doing

537
00:33:40,880 --> 00:33:45,040
Speaker 1: a business accordingly to a different standard. But you know,

538
00:33:45,120 --> 00:33:48,800
Speaker 1: there's a lot of us, you know, who are even

539
00:33:48,880 --> 00:33:52,120
Speaker 1: before us. It's like I always say to myself, why

540
00:33:52,280 --> 00:33:56,240
Speaker 1: isn't there a Vegas show of hip hop? You know,

541
00:33:56,400 --> 00:33:58,880
Speaker 1: why isn't there a show where it's like it's you

542
00:33:58,960 --> 00:34:00,840
Speaker 1: know who see you know what they're doing it now,

543
00:34:00,920 --> 00:34:03,880
Speaker 1: they're doing it. I think two Chains has one and

544
00:34:03,960 --> 00:34:07,160
Speaker 1: he's like, he's like he's a young Yeah, he's a

545
00:34:07,240 --> 00:34:10,280
Speaker 1: dress I just left l a and because a billboard

546
00:34:10,400 --> 00:34:14,399
Speaker 1: in front of the hotel. So they they they're getting more.

547
00:34:14,680 --> 00:34:19,200
Speaker 1: I think Nellie had one president. I'm talking about even

548
00:34:19,239 --> 00:34:21,279
Speaker 1: bigger than that, Like you know Blue Man Group. Why

549
00:34:21,360 --> 00:34:24,080
Speaker 1: isn't there a presentation? You know, I think we can

550
00:34:24,160 --> 00:34:27,120
Speaker 1: go in those directions, and that's where you can begin

551
00:34:27,320 --> 00:34:31,520
Speaker 1: to incorporate brothers like Grandmaster Flash and Bellie Mail and

552
00:34:31,840 --> 00:34:34,799
Speaker 1: Work and people who deserve those positions and that should

553
00:34:34,880 --> 00:34:37,520
Speaker 1: be part of owning things and being a part of

554
00:34:37,600 --> 00:34:40,279
Speaker 1: the history and the legacy of it. You know, we

555
00:34:40,360 --> 00:34:43,120
Speaker 1: don't expect them always excuse me to put to put

556
00:34:43,239 --> 00:34:46,480
Speaker 1: records out, that's not what you know, really expecting them

557
00:34:46,520 --> 00:34:49,600
Speaker 1: to do. But there should be opportunities for them to

558
00:34:49,719 --> 00:34:55,440
Speaker 1: reap off of the what they create. The architect absolutely,

559
00:34:55,840 --> 00:35:01,120
Speaker 1: and it's not about that era of saying our older

560
00:35:01,200 --> 00:35:04,360
Speaker 1: guards got to come at somebody and and expect something.

561
00:35:05,200 --> 00:35:09,600
Speaker 1: There's enough money to be made, where like an opportunity

562
00:35:10,640 --> 00:35:14,400
Speaker 1: you know you've seen it done. Another genres right, So

563
00:35:14,520 --> 00:35:17,799
Speaker 1: it's not like we are. It's a motown review. Why

564
00:35:17,800 --> 00:35:20,640
Speaker 1: wouldn't it be a profile review? Are? You know what

565
00:35:20,680 --> 00:35:24,000
Speaker 1: I'm saying, Like if you have these artists, and what

566
00:35:24,120 --> 00:35:26,560
Speaker 1: do you guys think about, like the streaming that like

567
00:35:26,680 --> 00:35:29,800
Speaker 1: the director to consumer. You know what I'm saying, Is

568
00:35:30,080 --> 00:35:33,200
Speaker 1: that something that you guys are fans of or you know? Um,

569
00:35:33,840 --> 00:35:35,959
Speaker 1: I wouldn't say we're against it, you know what I'm saying,

570
00:35:36,000 --> 00:35:39,360
Speaker 1: Like because I imagine the time. I remember at one

571
00:35:39,400 --> 00:35:41,720
Speaker 1: point I wouldn't throw a record out and it wouldn't

572
00:35:41,719 --> 00:35:44,680
Speaker 1: get to Japan, So you know what I'm saying. Sixteen

573
00:35:44,800 --> 00:35:48,160
Speaker 1: days later and I remember a time where in order

574
00:35:48,239 --> 00:35:49,800
Speaker 1: for the record to get to London, I had to

575
00:35:49,960 --> 00:35:57,719
Speaker 1: physically go there. Right, Yeah, I'm getting old old, you

576
00:35:57,760 --> 00:35:59,440
Speaker 1: know what I'm saying. I don't know if you I'm

577
00:35:59,440 --> 00:36:01,840
Speaker 1: not stop. I don't know. If you remember we was

578
00:36:01,920 --> 00:36:06,880
Speaker 1: at your show at Subterranean and London You've got totally shock.

579
00:36:07,200 --> 00:36:09,920
Speaker 1: Everyone knew your lyrics. Oh yes, damn man comes a

580
00:36:10,160 --> 00:36:15,279
Speaker 1: car you yo, yo, listen, listen to yo. Yes, no,

581
00:36:15,640 --> 00:36:19,400
Speaker 1: I remember when I've seen y'all in London and it

582
00:36:19,480 --> 00:36:22,160
Speaker 1: was it's lousy right in London and y'all, and I said,

583
00:36:22,200 --> 00:36:24,120
Speaker 1: we are doing it's like you gotta show in two

584
00:36:24,160 --> 00:36:28,239
Speaker 1: weeks and I was like day bed two weeks and

585
00:36:28,320 --> 00:36:31,560
Speaker 1: I remember, I remember that was doing features ya kidding?

586
00:36:31,840 --> 00:36:33,880
Speaker 1: And I never I had never knew that. That had

587
00:36:33,960 --> 00:36:38,000
Speaker 1: never made sense to me until ten years later. I said,

588
00:36:38,040 --> 00:36:42,440
Speaker 1: holy ship doing exactly what they right, Yo, that's it.

589
00:36:42,600 --> 00:36:45,520
Speaker 1: That's ship is ill like how life? How life? You

590
00:36:45,560 --> 00:36:48,279
Speaker 1: know what I'm saying? Comes together and I think, you

591
00:36:48,360 --> 00:36:54,640
Speaker 1: she gotta be some noise. But I got what But

592
00:36:54,760 --> 00:36:55,960
Speaker 1: let me get back to the point I was trying

593
00:36:56,000 --> 00:36:58,800
Speaker 1: to make. Was I remember I used to have to picity.

594
00:36:58,840 --> 00:37:00,320
Speaker 1: I could go to like to a London didn't or

595
00:37:00,400 --> 00:37:05,160
Speaker 1: to a jamaicap or to a scott or whatever to

596
00:37:05,280 --> 00:37:08,360
Speaker 1: like promote the record. Now I can actually drop it

597
00:37:09,120 --> 00:37:11,880
Speaker 1: one place and you can actually see from the comments

598
00:37:12,480 --> 00:37:18,120
Speaker 1: this guy's from Switzer Ryan this. I think that's amazing. Question.

599
00:37:18,239 --> 00:37:21,359
Speaker 1: You know what I'm saying, how you feel like? I mean,

600
00:37:22,560 --> 00:37:24,600
Speaker 1: do you get them take? I would need to entertainment

601
00:37:24,920 --> 00:37:28,439
Speaker 1: to take is you know we're really making no money

602
00:37:28,480 --> 00:37:31,799
Speaker 1: off this anymore. Now we're kind of using our music

603
00:37:31,880 --> 00:37:36,000
Speaker 1: more to promote and got game money and resentuals off

604
00:37:36,040 --> 00:37:39,920
Speaker 1: in other areas. I tell yourself something, when you look

605
00:37:39,960 --> 00:37:43,279
Speaker 1: at the streaming the people who pay them most and

606
00:37:43,440 --> 00:37:47,399
Speaker 1: I'm not on jay Z's pay roll, it's title. Why

607
00:37:47,640 --> 00:37:51,239
Speaker 1: is that? Like? Why is title given paying the artists more?

608
00:37:52,000 --> 00:37:55,480
Speaker 1: Like like Apple? We can put it on Apple, even

609
00:37:55,520 --> 00:37:58,480
Speaker 1: put it on Spotify and put it on a title.

610
00:37:59,280 --> 00:38:03,600
Speaker 1: Why is specifically paying more paying more? It's because it's

611
00:38:03,600 --> 00:38:06,080
Speaker 1: got a lot of to do it whole and pro artist.

612
00:38:06,800 --> 00:38:09,480
Speaker 1: You know, the beauty or of his position, in my

613
00:38:09,600 --> 00:38:13,319
Speaker 1: opinion is the period is now. You got a coach

614
00:38:13,360 --> 00:38:16,560
Speaker 1: who played the game, right, there's we always other coaches

615
00:38:16,560 --> 00:38:19,279
Speaker 1: who never played the game. Why are we gonna just

616
00:38:19,400 --> 00:38:21,840
Speaker 1: go out of supports titles? Why? Why has he banging

617
00:38:21,880 --> 00:38:23,640
Speaker 1: on that? Why is it investing in that for the

618
00:38:23,719 --> 00:38:26,640
Speaker 1: last When are we going to like suppower our own

619
00:38:27,120 --> 00:38:29,400
Speaker 1: like y'all great examples, because like like I'm sorry you

620
00:38:29,520 --> 00:38:32,879
Speaker 1: cut you up, but I'm like when y'all said something

621
00:38:32,960 --> 00:38:34,920
Speaker 1: the whole if I like the whole hip hop community,

622
00:38:35,040 --> 00:38:37,319
Speaker 1: like I have power right now, you know what I'm saying,

623
00:38:37,400 --> 00:38:39,120
Speaker 1: Like I wanted to let you let you know that

624
00:38:39,600 --> 00:38:42,440
Speaker 1: y'all in the position of real power because it's it's

625
00:38:42,480 --> 00:38:45,680
Speaker 1: even the young kids are tuned in because they said,

626
00:38:45,800 --> 00:38:48,920
Speaker 1: you know, nas is there, Hold is dead, and that

627
00:38:50,200 --> 00:38:54,560
Speaker 1: the subject, the subject matter is what matters. So, um,

628
00:38:55,640 --> 00:39:00,400
Speaker 1: how do we how do how do uh capitalize? I mean,

629
00:39:00,600 --> 00:39:02,680
Speaker 1: it's great to monetize it. It's great to be able

630
00:39:02,719 --> 00:39:07,280
Speaker 1: to harness it and and changing change it into opportunities

631
00:39:07,360 --> 00:39:12,960
Speaker 1: to earn from. But you know, it's like, because of

632
00:39:13,080 --> 00:39:16,600
Speaker 1: the subject matter that we're dealing with right now, I

633
00:39:16,719 --> 00:39:21,680
Speaker 1: also see the opportunity to make legislation, you know, to

634
00:39:21,760 --> 00:39:25,480
Speaker 1: help your artists, future artists coming. You know, we could

635
00:39:25,480 --> 00:39:29,160
Speaker 1: all monetize this. There's great ways to to make that happen.

636
00:39:29,280 --> 00:39:31,120
Speaker 1: But we also got to think that the power is

637
00:39:31,160 --> 00:39:34,000
Speaker 1: greater than just dollars and cents. So, I mean, so

638
00:39:35,560 --> 00:39:39,120
Speaker 1: I would love to see what comes out of our

639
00:39:40,120 --> 00:39:44,160
Speaker 1: you know madness. It's legislation changing man, people fighting and

640
00:39:44,280 --> 00:39:48,239
Speaker 1: pushing for that. Hopefully this is this will inspire an attorney.

641
00:39:48,320 --> 00:39:51,480
Speaker 1: Hopefully this will inspire young entrepreneur or someone who's in

642
00:39:51,520 --> 00:39:53,560
Speaker 1: the game right now who feels like we need to

643
00:39:53,640 --> 00:39:56,480
Speaker 1: just change the rules a little bit, you know, So

644
00:39:57,960 --> 00:40:01,800
Speaker 1: capitalizing off it can be dollars and sense, but streaming

645
00:40:02,400 --> 00:40:06,239
Speaker 1: the business model behind streaming is still unfavorable. You know.

646
00:40:06,400 --> 00:40:10,640
Speaker 1: I just think Title is the best company, doing the

647
00:40:10,760 --> 00:40:14,719
Speaker 1: best they can based on their competitors, because they still

648
00:40:14,800 --> 00:40:17,279
Speaker 1: got to compete, you know what I mean. And you

649
00:40:17,480 --> 00:40:20,160
Speaker 1: can't eat Robert Hood. He can't. I means much as

650
00:40:20,200 --> 00:40:23,600
Speaker 1: he's trying to be still can't be a fool in business.

651
00:40:23,680 --> 00:40:25,759
Speaker 1: But do you guys have any of those aspirations to

652
00:40:26,320 --> 00:40:29,879
Speaker 1: to lead that way or be leaders and and make

653
00:40:29,920 --> 00:40:33,600
Speaker 1: your own companies and consult companies to to avoid these

654
00:40:33,640 --> 00:40:37,840
Speaker 1: things for future artists? Inspired inspired to be and a

655
00:40:37,920 --> 00:40:40,840
Speaker 1: lot of it comes out of these mistakes, you know,

656
00:40:41,200 --> 00:40:45,239
Speaker 1: because that experience we need, that we need that. You know,

657
00:40:46,440 --> 00:40:49,800
Speaker 1: I'm always down to be the model for change. You know.

658
00:40:50,560 --> 00:40:52,800
Speaker 1: The minute I touched hip hop culture and changed my

659
00:40:52,960 --> 00:40:56,440
Speaker 1: life period based on what I know it could have been.

660
00:40:57,000 --> 00:41:00,319
Speaker 1: So therefore I was always inspired to do the thing.

661
00:41:00,480 --> 00:41:03,000
Speaker 1: But it can it is, you know, I want, I

662
00:41:03,080 --> 00:41:06,360
Speaker 1: wanted to learn. I was at Rush all the time.

663
00:41:06,920 --> 00:41:10,080
Speaker 1: I was still attributed a big part of my success

664
00:41:10,200 --> 00:41:16,319
Speaker 1: today to the things I've learned around Elizabeth Street Rush,

665
00:41:16,400 --> 00:41:22,960
Speaker 1: all this management. You know, people just people have may

666
00:41:23,160 --> 00:41:25,919
Speaker 1: be hey man, we was a carduit even for Chrisler. Yeah,

667
00:41:26,480 --> 00:41:29,120
Speaker 1: you know what I'm saying. We we was there before

668
00:41:29,200 --> 00:41:33,000
Speaker 1: all of them. Yeah, so and here it is. I

669
00:41:33,080 --> 00:41:36,160
Speaker 1: would say, it's but even our mistakes in that situation

670
00:41:36,680 --> 00:41:39,000
Speaker 1: that allowed trying to do with dead doing a lot

671
00:41:39,080 --> 00:41:41,360
Speaker 1: others to do with dead doom at Chris like you

672
00:41:41,440 --> 00:41:44,640
Speaker 1: to even be the guy he looked at to be like, yo,

673
00:41:44,760 --> 00:41:48,520
Speaker 1: you take over then. And one thing I can say, y'all,

674
00:41:48,760 --> 00:41:53,600
Speaker 1: I'm proud of every decision we made, good and bad.

675
00:41:54,200 --> 00:41:57,000
Speaker 1: Lisa was ours and we live in Pla was hours

676
00:41:57,040 --> 00:42:00,520
Speaker 1: when we learned from him. Yeah, but it's a what

677
00:42:00,640 --> 00:42:04,400
Speaker 1: I'm mushing your guyana non don't know, y'all. Stuff with

678
00:42:04,440 --> 00:42:10,919
Speaker 1: each other, always going in the back. They were really

679
00:42:11,360 --> 00:42:21,560
Speaker 1: people sometimes because a whole bunch of fights back. I'm

680
00:42:22,000 --> 00:42:26,640
Speaker 1: a but but I like it, like it's crazy because

681
00:42:26,640 --> 00:42:29,839
Speaker 1: today you can't very very early, all right, That's true.

682
00:42:34,400 --> 00:42:40,000
Speaker 1: You would have to come out. You know, I'm the

683
00:42:40,040 --> 00:42:42,560
Speaker 1: early nagg. I'm the early thinking and Pold is always

684
00:42:42,600 --> 00:42:44,759
Speaker 1: the late thig and I'm just sort of your face.

685
00:42:44,840 --> 00:42:51,880
Speaker 1: It was like past, I'm not sure if you're the

686
00:42:51,920 --> 00:42:55,680
Speaker 1: early guy. Listen, I don't actually funding me coming back.

687
00:42:55,800 --> 00:42:57,680
Speaker 1: I want to access that has he even the lake

688
00:42:57,719 --> 00:43:10,120
Speaker 1: out lately? You can literally don't you think I'm the

689
00:43:10,160 --> 00:43:16,759
Speaker 1: early guys? He just asks you to act as I

690
00:43:16,800 --> 00:43:19,239
Speaker 1: think when I got When it comes to the club,

691
00:43:19,880 --> 00:43:23,600
Speaker 1: when it comes to the clubs as the earliest, I'd

692
00:43:23,680 --> 00:43:26,319
Speaker 1: like to be there when he's clock. No one's said,

693
00:43:26,880 --> 00:43:31,080
Speaker 1: still sweeping, who what are you doing? Him going to

694
00:43:31,200 --> 00:43:34,439
Speaker 1: the club when no one is like when they still

695
00:43:34,520 --> 00:43:36,920
Speaker 1: open it up and people want still wiping down the tables.

696
00:43:36,960 --> 00:43:43,200
Speaker 1: This ship he got, his bottle of rum, makes some

697
00:43:43,360 --> 00:43:52,880
Speaker 1: going to finish. We walked up, man, So what what

698
00:43:53,280 --> 00:43:56,000
Speaker 1: this one is the best? That's the best. That hip

699
00:43:56,040 --> 00:43:59,680
Speaker 1: hop is stuff for you man? Yeah? It a for

700
00:43:59,840 --> 00:44:03,279
Speaker 1: the us, a chance to travel all around the world, right,

701
00:44:04,000 --> 00:44:06,799
Speaker 1: learn a lot, you know, I mean, and I'm sure

702
00:44:06,840 --> 00:44:09,239
Speaker 1: you can attest to it. I mean, we all feel

703
00:44:09,320 --> 00:44:11,759
Speaker 1: where we're from is our world. It's our goal. And

704
00:44:11,840 --> 00:44:14,360
Speaker 1: when you're able to travel, you can see the differences,

705
00:44:14,400 --> 00:44:16,720
Speaker 1: and then you can also see what is so similar

706
00:44:17,680 --> 00:44:20,440
Speaker 1: with you and someone from Sweden or someone from Cali.

707
00:44:20,600 --> 00:44:24,840
Speaker 1: You know, support my family, yeah, without question, you know,

708
00:44:25,520 --> 00:44:29,960
Speaker 1: doing something you love love, Yeah, and that's the biggest

709
00:44:30,000 --> 00:44:39,759
Speaker 1: thing that finding out, Uh, I got something for moment

710
00:44:39,920 --> 00:44:44,200
Speaker 1: love question for y'all or actually a story she wants

711
00:44:44,239 --> 00:44:48,120
Speaker 1: to hear. They don't let it be about she said,

712
00:44:48,160 --> 00:44:50,719
Speaker 1: a fight on she said me another one too, Oh god,

713
00:44:51,400 --> 00:44:54,000
Speaker 1: she said, he's from the team. Big fight at Queen

714
00:44:54,080 --> 00:44:59,880
Speaker 1: the teeth is be their party mks in Manhattan. Oh gosh,

715
00:45:00,160 --> 00:45:03,160
Speaker 1: you got a story for that one the Kingdom man

716
00:45:03,520 --> 00:45:12,200
Speaker 1: I mean it was Rocket not too Dave too. That

717
00:45:12,360 --> 00:45:16,400
Speaker 1: was Christal. Was they slash christ it was? It was

718
00:45:16,480 --> 00:45:19,640
Speaker 1: a night Chris Letting got cutting his face. I never

719
00:45:19,719 --> 00:45:23,920
Speaker 1: know this story ship. Yeah, so it was Padnimonia that night.

720
00:45:24,000 --> 00:45:26,719
Speaker 1: That's all you know, you stuck for your family and

721
00:45:27,280 --> 00:45:30,719
Speaker 1: handle ship. Yeah, pretty much. It was one of us.

722
00:45:30,840 --> 00:45:34,239
Speaker 1: Don't tips that. No jungle was Jungles. Of course the

723
00:45:34,600 --> 00:45:37,480
Speaker 1: ladies was then all a lot of people from Amity,

724
00:45:37,520 --> 00:45:43,000
Speaker 1: but just it got crazy. But you know so that

725
00:45:43,360 --> 00:45:44,880
Speaker 1: it was kind of one and not only that. I

726
00:45:44,920 --> 00:45:46,919
Speaker 1: don't all that was going on. Somebody tried to steal

727
00:45:47,000 --> 00:45:52,839
Speaker 1: uh just the cash. Yeah, the club. The club never

728
00:45:52,960 --> 00:45:56,480
Speaker 1: heard of this. What was what was wild about that

729
00:45:56,640 --> 00:45:59,320
Speaker 1: night person to me is that this is pre internet

730
00:45:59,760 --> 00:46:03,000
Speaker 1: and and that happened like people in UK heard about

731
00:46:03,040 --> 00:46:04,440
Speaker 1: it because I guess at that point it were just

732
00:46:04,480 --> 00:46:08,759
Speaker 1: getting on the phone and calling somebody, right yo, like this, Yeah,

733
00:46:12,680 --> 00:46:16,560
Speaker 1: I still have facts, but she ain't gonna lot of school. Yeah.

734
00:46:17,239 --> 00:46:19,160
Speaker 1: We gotta with the we gotta with the paper roll

735
00:46:19,360 --> 00:46:24,839
Speaker 1: or just the individual paper roll. Yeah, yeah, we got

736
00:46:24,880 --> 00:46:31,840
Speaker 1: the analog. I'm great my life. Yeah, I still got

737
00:46:31,880 --> 00:46:34,080
Speaker 1: a package. Yeah, y'all mentioned Jungle Brothers. We've got to

738
00:46:34,160 --> 00:46:37,400
Speaker 1: talk about the creation of native to Yeah, yeah, I

739
00:46:37,400 --> 00:46:40,800
Speaker 1: mean native tongue. We had this gig in Boston and

740
00:46:42,239 --> 00:46:44,520
Speaker 1: Jungle was on on the bill as well, and that's

741
00:46:44,560 --> 00:46:49,520
Speaker 1: when Us Jungle and that's who was native tough to

742
00:46:49,640 --> 00:46:54,160
Speaker 1: begin with. It was US tribe and Jungle. Any idea

743
00:46:54,280 --> 00:46:59,200
Speaker 1: came from from Jungle Brothers from Africa. Okay Africa. Yeah,

744
00:46:59,239 --> 00:47:02,200
Speaker 1: we met at we out of the gig exchange numbers.

745
00:47:02,840 --> 00:47:04,960
Speaker 1: Wanted up hanging out. And when you say Africa, we

746
00:47:05,040 --> 00:47:10,800
Speaker 1: said about it after the baby bag Jungle Brothers, Oh yeah, yeah, Africa,

747
00:47:10,960 --> 00:47:13,720
Speaker 1: j bs Um. We did a show with Jungle Brothers

748
00:47:13,760 --> 00:47:15,960
Speaker 1: in Boston, met them and then from there we just

749
00:47:16,320 --> 00:47:22,759
Speaker 1: created a relationship and then eventually we was in the

750
00:47:22,800 --> 00:47:26,319
Speaker 1: studio and and we invited them to the studio. For us,

751
00:47:26,360 --> 00:47:29,239
Speaker 1: it was like studio is just like inviting friends and

752
00:47:29,320 --> 00:47:31,080
Speaker 1: if you happen to be there, you're gonna be a

753
00:47:31,160 --> 00:47:33,080
Speaker 1: part of what's going on. Because back then we had

754
00:47:33,200 --> 00:47:37,160
Speaker 1: rails email correct, right, So you had to be in

755
00:47:37,200 --> 00:47:42,800
Speaker 1: the studio. Yeah, I said, I said that said about that.

756
00:47:43,160 --> 00:47:47,920
Speaker 1: You know what, I'm like, you just running out a

757
00:47:47,960 --> 00:47:54,000
Speaker 1: little doors, like you had to go to the niggas

758
00:47:54,360 --> 00:47:57,120
Speaker 1: Like remember I remember I had to go to the

759
00:47:57,200 --> 00:47:59,399
Speaker 1: seabuster rhynd. So I had to bring the rail there.

760
00:47:59,440 --> 00:48:02,680
Speaker 1: It was like the day of my life. Literally, ship,

761
00:48:06,760 --> 00:48:15,720
Speaker 1: we have to work out CHRISTI fun before you before

762
00:48:15,760 --> 00:48:18,359
Speaker 1: you could even record, you have to strike the tape. Yeah,

763
00:48:18,800 --> 00:48:20,160
Speaker 1: you have to run the whole tape all the way.

764
00:48:20,160 --> 00:48:27,479
Speaker 1: They put medio that this preset was our final mixus. Man, Yeah,

765
00:48:29,640 --> 00:48:36,080
Speaker 1: was this guy's got it so easy? Man? Oh my god.

766
00:48:36,239 --> 00:48:38,600
Speaker 1: You bird a punch And I didn't know what a

767
00:48:38,680 --> 00:48:49,759
Speaker 1: punching was until two thousand and five. About I'm just saying,

768
00:48:50,160 --> 00:48:54,520
Speaker 1: I ain't punching for I ain't punching until two thousands

769
00:48:54,560 --> 00:48:57,520
Speaker 1: for work. Because I'm told about Unique Studios. Most of

770
00:48:57,600 --> 00:49:00,520
Speaker 1: my ship from those days with Unique study deals. At

771
00:49:00,560 --> 00:49:04,600
Speaker 1: that time, Unique was not digital at all. Criteria out

772
00:49:04,640 --> 00:49:07,759
Speaker 1: here It was not digital at all, so it was

773
00:49:07,880 --> 00:49:09,879
Speaker 1: it was one take Charlie for me, Like, that's how

774
00:49:09,960 --> 00:49:13,160
Speaker 1: it comes from that area. You gotta don't get away

775
00:49:13,200 --> 00:49:16,480
Speaker 1: from that. That's why that's why our music. I just

776
00:49:16,520 --> 00:49:20,160
Speaker 1: se y'all niggers the news this, y'all. That's why our

777
00:49:20,239 --> 00:49:22,879
Speaker 1: music sound much better than y'all. That's why y'all. Ship

778
00:49:23,880 --> 00:49:26,160
Speaker 1: even listen to your album eight now and listen to

779
00:49:26,239 --> 00:49:29,279
Speaker 1: somebody from right now, you can like, look, look how

780
00:49:29,400 --> 00:49:32,120
Speaker 1: because because these guys aren't even mixing right now, they

781
00:49:32,239 --> 00:49:34,440
Speaker 1: just they just pointed a little bit. I throw it

782
00:49:34,480 --> 00:49:37,400
Speaker 1: out right. They don't give a fun music so disposable

783
00:49:37,560 --> 00:49:41,239
Speaker 1: right now. Back then, the music lasted that whole year.

784
00:49:41,280 --> 00:49:43,480
Speaker 1: That's why I get called to the classic. You didn't

785
00:49:43,600 --> 00:49:46,080
Speaker 1: listen to an album for a week. Listen to an

786
00:49:46,080 --> 00:49:50,239
Speaker 1: album that old fucking year, all the credits. I'll be

787
00:49:50,320 --> 00:49:54,839
Speaker 1: dropping it right. I'm dropping balls right now, right, Holy ship,

788
00:49:55,520 --> 00:49:59,120
Speaker 1: it was better back there. I don't know if you

789
00:49:59,200 --> 00:50:01,240
Speaker 1: talk to yourself, if you can say your mind sometimes

790
00:50:01,239 --> 00:50:03,359
Speaker 1: I'm not. I'm just saying. I'm just saying, let's look

791
00:50:03,400 --> 00:50:06,000
Speaker 1: at the quality of it, the qualities. Listen, how many

792
00:50:06,040 --> 00:50:09,680
Speaker 1: classics came out like right now, it's probably one classic

793
00:50:09,719 --> 00:50:15,879
Speaker 1: album that came out last year, probably right saying J Cole, Yeah, yeah,

794
00:50:19,000 --> 00:50:22,120
Speaker 1: it'll probably be It'll probably be less than ten if

795
00:50:22,120 --> 00:50:25,200
Speaker 1: we really get crazy, like we wouldn't use all of all.

796
00:50:25,400 --> 00:50:30,080
Speaker 1: But in the nineties, like everybody that dropped was a

797
00:50:30,160 --> 00:50:32,520
Speaker 1: class I mean, it has to be something too not

798
00:50:32,800 --> 00:50:36,120
Speaker 1: compare in the process. The process was more difficult back then,

799
00:50:36,719 --> 00:50:39,080
Speaker 1: where now it's like you can you can record album

800
00:50:39,160 --> 00:50:44,520
Speaker 1: on your phone right right that because the process you

801
00:50:44,560 --> 00:50:46,799
Speaker 1: want to be careful and make sure whatever you put

802
00:50:46,880 --> 00:50:48,799
Speaker 1: us exactly what you wanted to put out. I would

803
00:50:48,800 --> 00:50:52,160
Speaker 1: imagine its product it's more of a field, you know.

804
00:50:52,239 --> 00:50:54,800
Speaker 1: I feel like now it's definitely more of a field.

805
00:50:55,400 --> 00:50:58,160
Speaker 1: You can make something on your laptop, press the button,

806
00:50:58,440 --> 00:51:00,640
Speaker 1: it is out. You know, it's I guess like how

807
00:51:00,680 --> 00:51:04,560
Speaker 1: you're saying it's like listening to music that it would

808
00:51:04,560 --> 00:51:07,120
Speaker 1: be like extra p making a beat in his crib.

809
00:51:08,080 --> 00:51:12,600
Speaker 1: Is how the finished product for younger cats now sound

810
00:51:12,680 --> 00:51:14,440
Speaker 1: like actually can get to beat the nads And now

811
00:51:14,480 --> 00:51:17,399
Speaker 1: you're going to give it to the engineer because because

812
00:51:17,440 --> 00:51:20,600
Speaker 1: to be fair to say, young cats right now they

813
00:51:20,719 --> 00:51:23,480
Speaker 1: might be thrown out what would have just been demo records.

814
00:51:24,400 --> 00:51:26,600
Speaker 1: You know what I'm saying, It's like, throw it out.

815
00:51:27,360 --> 00:51:32,279
Speaker 1: I didn't want it right, but you gotta, you gotta,

816
00:51:32,640 --> 00:51:36,719
Speaker 1: you gotta respectfully understand what the technology. You know, my

817
00:51:37,080 --> 00:51:41,240
Speaker 1: my kids, young cats listen to everything in headphones and buds.

818
00:51:41,400 --> 00:51:44,120
Speaker 1: You know what I'm saying. It's not about bumping in

819
00:51:44,200 --> 00:51:49,120
Speaker 1: your systems. What I'm saying because because you should do

820
00:51:49,200 --> 00:51:52,719
Speaker 1: mixes in all forms on headphones on all go in

821
00:51:52,800 --> 00:51:58,480
Speaker 1: the car. This is in the car. Know, working with

822
00:51:58,600 --> 00:52:00,319
Speaker 1: Pream the other day he did to say and thinking

823
00:52:00,360 --> 00:52:02,200
Speaker 1: like yoo, okay, I gotta go to I gotta go

824
00:52:02,280 --> 00:52:04,600
Speaker 1: to the car. He got he had to hear it.

825
00:52:04,680 --> 00:52:07,239
Speaker 1: And you ever been a studio with frame and he

826
00:52:07,360 --> 00:52:15,680
Speaker 1: makes a crazy beach in the racing terrible definitely. Yo.

827
00:52:15,800 --> 00:52:18,399
Speaker 1: Let me tell you something that hurt my feelings. One day,

828
00:52:18,840 --> 00:52:21,520
Speaker 1: I'm sitting there, I'm hitting with PREMI and was like

829
00:52:22,400 --> 00:52:26,080
Speaker 1: and I'm like that is it and he goes it

830
00:52:26,160 --> 00:52:33,160
Speaker 1: ain't right. I wrote you two telling me that you yeah,

831
00:52:35,719 --> 00:52:39,440
Speaker 1: and you like, I know you the perfectionist thing now,

832
00:52:39,480 --> 00:52:43,000
Speaker 1: I know who you are. You know the buns. I

833
00:52:43,239 --> 00:52:45,960
Speaker 1: plant motherfucker right here. She got to be right, and

834
00:52:46,040 --> 00:52:48,160
Speaker 1: I love it about him, like because I'm the one

835
00:52:48,200 --> 00:52:50,680
Speaker 1: who and he we like work so well together, Like

836
00:52:51,600 --> 00:52:53,480
Speaker 1: I'm the one who, like yo, I like what I

837
00:52:53,680 --> 00:52:56,840
Speaker 1: did because I just felt something. But David been like

838
00:52:56,920 --> 00:52:59,000
Speaker 1: your morse. But I'm telling you could say it better,

839
00:52:59,120 --> 00:53:00,799
Speaker 1: you can do it better, like Dave has always been

840
00:53:00,840 --> 00:53:03,680
Speaker 1: that that first of all potential, right Yeah, you gotta

841
00:53:03,680 --> 00:53:06,920
Speaker 1: see ptention on everything. Yeah yeah, and push that as

842
00:53:06,960 --> 00:53:15,480
Speaker 1: far as you can. So that's just my fix. That

843
00:53:15,760 --> 00:53:17,640
Speaker 1: one of the first of one with Jae Della correct

844
00:53:20,360 --> 00:53:26,520
Speaker 1: went around that time running False Side really no False

845
00:53:26,520 --> 00:53:30,200
Speaker 1: Side False Side got before us did. He did. He

846
00:53:30,280 --> 00:53:33,640
Speaker 1: did on the album remix for fart Side. He did

847
00:53:33,680 --> 00:53:39,799
Speaker 1: an album he did, drop Dropping and Druning. Yeah yeah yeah.

848
00:53:40,320 --> 00:53:48,399
Speaker 1: J J. Dill did Drop Running and he did. Yeah.

849
00:53:48,680 --> 00:53:52,400
Speaker 1: I think yeah, I think I think Dela got in

850
00:53:52,560 --> 00:53:58,040
Speaker 1: with with with False Hide before us Tribe obviously, yeah

851
00:53:58,680 --> 00:54:09,279
Speaker 1: Buster probably yeah yeah. YEA was just undeniable man. Yeah yeah.

852
00:54:09,760 --> 00:54:14,719
Speaker 1: Got an album covering out on mal Or Yeah yah yeah.

853
00:54:15,800 --> 00:54:22,480
Speaker 1: Premium sold on the Rocks, Rocking Premiums. Incredible Challenge was

854
00:54:22,520 --> 00:54:25,719
Speaker 1: parted three. Yeah, because we eat on Tommy Boy Damn

855
00:54:25,760 --> 00:54:31,720
Speaker 1: I said the name we was okay, y this okay

856
00:54:32,320 --> 00:54:35,560
Speaker 1: out of bust because we could have said some I

857
00:54:35,600 --> 00:54:37,160
Speaker 1: real have got another type of boat out on the

858
00:54:39,880 --> 00:54:42,120
Speaker 1: you gonna get this race it. But but we were,

859
00:54:42,239 --> 00:54:44,560
Speaker 1: Jeff were gentlemen the old feel the same way. I'm up.

860
00:54:45,520 --> 00:54:48,239
Speaker 1: I was just trying to say we were when we

861
00:54:48,560 --> 00:54:50,560
Speaker 1: were still on Tommy Boy and we wanted to do

862
00:54:50,840 --> 00:54:53,560
Speaker 1: like a triple album. You know, it was like, Yo,

863
00:54:53,640 --> 00:54:55,239
Speaker 1: this could be really a dope thing to do. But

864
00:54:55,320 --> 00:54:57,600
Speaker 1: then then you say triple album. Wouldn't I need him

865
00:54:57,600 --> 00:55:01,480
Speaker 1: clarify it would have at the time. Yeah, I came

866
00:55:01,560 --> 00:55:03,839
Speaker 1: out with a noble and we was like, well, let's

867
00:55:03,880 --> 00:55:07,080
Speaker 1: top all of that and do a triple But you know,

868
00:55:08,400 --> 00:55:14,759
Speaker 1: exactly exactly, No, man, this is this just like how

869
00:55:14,800 --> 00:55:17,239
Speaker 1: you said, we're trying to be We are a gentleman here.

870
00:55:17,360 --> 00:55:19,560
Speaker 1: We you know, we get it when when a person

871
00:55:19,680 --> 00:55:23,480
Speaker 1: deserves it. But Thomson was like, that's crazy. He didn't

872
00:55:23,520 --> 00:55:27,560
Speaker 1: like he just came up with a better idea. Why

873
00:55:27,840 --> 00:55:31,759
Speaker 1: why Well maybe and I just couldn't be baby, Yeah,

874
00:55:32,360 --> 00:55:36,640
Speaker 1: but what was that idea? Why do three records when

875
00:55:36,680 --> 00:55:39,120
Speaker 1: you could just do three installments? Like why do you

876
00:55:39,480 --> 00:55:44,080
Speaker 1: record three budget per You know what I'm saying that

877
00:55:44,400 --> 00:55:49,520
Speaker 1: good and that's what actually yeah, yeah, that's when the

878
00:55:49,600 --> 00:55:52,560
Speaker 1: A Y series came. One of us that much music. Man,

879
00:55:52,640 --> 00:55:54,840
Speaker 1: something gets lost in there, you do. You feel like

880
00:55:54,880 --> 00:55:57,560
Speaker 1: you're waiting from that song that So that was a

881
00:55:57,560 --> 00:55:59,840
Speaker 1: good idea and we did a o I one. We

882
00:56:00,000 --> 00:56:02,840
Speaker 1: then O I T Yeah, and we still got to

883
00:56:02,880 --> 00:56:04,400
Speaker 1: do a O I three. So that's something that we

884
00:56:04,480 --> 00:56:07,680
Speaker 1: were coming around to it telling me what folding you

885
00:56:07,719 --> 00:56:10,239
Speaker 1: know what I'm saying. Wow, And that's when everyone went

886
00:56:10,280 --> 00:56:13,640
Speaker 1: into the to the WIA matrix and then labels was

887
00:56:13,680 --> 00:56:15,600
Speaker 1: trying to pick what they want. Electro one at us.

888
00:56:17,040 --> 00:56:20,879
Speaker 1: So we actually met with Electra well Sylvia Rosa because

889
00:56:21,120 --> 00:56:26,879
Speaker 1: we are talking right folded. We all got absolved. Yeah,

890
00:56:27,360 --> 00:56:33,080
Speaker 1: I've been yeah, I've been the same. It's crazy like

891
00:56:36,000 --> 00:56:42,600
Speaker 1: the back back yea technically label made yeah technically you know.

892
00:56:43,200 --> 00:56:48,640
Speaker 1: I was a promoter for Time man. Okay, tell you

893
00:56:49,880 --> 00:56:52,640
Speaker 1: Sylvia really wanted us on Electric to be wrong. Yeah,

894
00:56:52,840 --> 00:56:59,399
Speaker 1: I think Wrong's She's an epic man. We want black CEOs, right, yeah,

895
00:56:59,400 --> 00:57:02,759
Speaker 1: we you know, we met with her. Look like it

896
00:57:02,800 --> 00:57:04,360
Speaker 1: could be a good thing, you know, we were we

897
00:57:04,440 --> 00:57:06,279
Speaker 1: were kind of like, yo, like this could be cool.

898
00:57:06,400 --> 00:57:10,240
Speaker 1: But she wanted us to do the entire album with Timberland,

899
00:57:10,800 --> 00:57:12,480
Speaker 1: and it was like, all right, you know, we don't

900
00:57:12,520 --> 00:57:14,759
Speaker 1: necessarily know Tim like that, we would like to know

901
00:57:14,960 --> 00:57:17,560
Speaker 1: if people be interested, But then we kind of had

902
00:57:17,600 --> 00:57:19,560
Speaker 1: our organic way of doing things, like we didn't have

903
00:57:19,760 --> 00:57:21,720
Speaker 1: been ill you know what I'm saying. I see that though,

904
00:57:22,280 --> 00:57:24,600
Speaker 1: so you know, it just didn't work out. She wanted

905
00:57:24,640 --> 00:57:31,640
Speaker 1: certain things creatively we weren't, you know, yeah, just like

906
00:57:32,440 --> 00:57:37,280
Speaker 1: just like they just I'll give any creative opportunity, you know, shot,

907
00:57:37,600 --> 00:57:40,160
Speaker 1: But I really didn't see that. I don't wish it

908
00:57:40,160 --> 00:57:43,040
Speaker 1: would tie Tim, but I see for World War so

909
00:57:43,080 --> 00:57:45,400
Speaker 1: if our world would have he would have what held

910
00:57:45,640 --> 00:57:49,400
Speaker 1: Because I heard, you know, play your music. I know

911
00:57:50,120 --> 00:57:55,880
Speaker 1: because the back y'all y'all sound I'm personally driving, So okay,

912
00:57:56,160 --> 00:57:58,680
Speaker 1: you no, I'm just saying, like, just like as y'all

913
00:57:58,680 --> 00:58:02,080
Speaker 1: were saying and David saying earlier, Um, you know, you

914
00:58:02,160 --> 00:58:03,680
Speaker 1: get props with props to do what I mean, Like

915
00:58:03,880 --> 00:58:08,080
Speaker 1: Tommy Boy always allowed us to just have free reign

916
00:58:08,240 --> 00:58:13,320
Speaker 1: over our creativity. So immediately seeing Sylvia trying to control

917
00:58:13,440 --> 00:58:15,680
Speaker 1: it kind of made us me like, I don't know

918
00:58:15,720 --> 00:58:17,560
Speaker 1: if we could it would be it would work it

919
00:58:18,080 --> 00:58:21,000
Speaker 1: when you felt like it controlling it always at a suggestion,

920
00:58:22,480 --> 00:58:26,400
Speaker 1: because you know, you figured I knew Sylvia, you know

921
00:58:26,480 --> 00:58:28,040
Speaker 1: from Renee of Clean being there that I was like

922
00:58:28,120 --> 00:58:30,760
Speaker 1: my brother in law. You know, I would always powers

923
00:58:31,760 --> 00:58:33,920
Speaker 1: that would step up there a lot. So you know,

924
00:58:34,080 --> 00:58:36,440
Speaker 1: she was just very like adamant on, like, yo, and

925
00:58:36,520 --> 00:58:38,480
Speaker 1: I see this vision for y'all attempt to do the

926
00:58:38,520 --> 00:58:41,920
Speaker 1: Oh album. You know what I'm saying. Our manager at

927
00:58:41,920 --> 00:58:45,320
Speaker 1: the time, Corey Smith, you know who was listening. Yeah,

928
00:58:45,400 --> 00:58:48,040
Speaker 1: you know, Um, it just didn't seem like it would

929
00:58:48,120 --> 00:58:50,240
Speaker 1: work out the way we would want it to be.

930
00:58:51,080 --> 00:58:53,560
Speaker 1: So she was cool with us saying like, you know,

931
00:58:54,200 --> 00:58:55,800
Speaker 1: we don't need to be there. You know, we felt

932
00:58:55,840 --> 00:58:58,520
Speaker 1: like that wouldn't be where we wanted to be, and

933
00:58:59,080 --> 00:59:02,080
Speaker 1: Atlantic going through trying to pull us in, and even

934
00:59:02,120 --> 00:59:04,600
Speaker 1: the gentleman who was overseeing everything, he was the head

935
00:59:04,640 --> 00:59:06,320
Speaker 1: of we are, like we want to this. He was

936
00:59:06,360 --> 00:59:07,960
Speaker 1: like a big day life and he's like, yo, why

937
00:59:08,000 --> 00:59:12,320
Speaker 1: don't you just be Warner Brothers. But we was like, look,

938
00:59:12,840 --> 00:59:17,360
Speaker 1: there's a perfect opportunity to be to be independent. So

939
00:59:17,760 --> 00:59:21,840
Speaker 1: we kind of asked for it, and you know, it

940
00:59:22,000 --> 00:59:23,560
Speaker 1: was the best thing to ever had in our career.

941
00:59:24,560 --> 00:59:26,960
Speaker 1: I mean that's like the biggest blessing man, just to

942
00:59:27,040 --> 00:59:31,040
Speaker 1: be depending. Yeah. Yeah, there was there a learning curve

943
00:59:31,120 --> 00:59:33,479
Speaker 1: that you when you were independent, you had to figure

944
00:59:33,520 --> 00:59:36,000
Speaker 1: things out that you didn't know. No, no, you're just

945
00:59:36,040 --> 00:59:39,040
Speaker 1: already kind of knew. Yeah, I mean yeah, I mean

946
00:59:39,080 --> 00:59:41,360
Speaker 1: we kind of made sense. It was comment sense, yeah,

947
00:59:41,640 --> 00:59:44,880
Speaker 1: pretty much. And the responsibility ultimately it was on us

948
00:59:45,080 --> 00:59:47,920
Speaker 1: everything in the parts board and not to cut you.

949
00:59:48,680 --> 00:59:51,560
Speaker 1: I'm still going back to that. We we spent so

950
00:59:51,640 --> 00:59:55,080
Speaker 1: many years having control of how to do things creatively,

951
00:59:56,480 --> 00:59:59,960
Speaker 1: but and could see at like say with us being

952
01:00:00,040 --> 01:00:04,560
Speaker 1: wanna rush rush and death jam of course was so blended.

953
01:00:04,640 --> 01:00:06,640
Speaker 1: We would see how Russell would talk to their artist

954
01:00:06,680 --> 01:00:08,560
Speaker 1: like your hell, you gotta do this. You'll get on

955
01:00:08,640 --> 01:00:11,600
Speaker 1: a train, go get it with boys the man go.

956
01:00:12,000 --> 01:00:13,960
Speaker 1: You know what I'm saying, Yo, you know matth, you

957
01:00:14,000 --> 01:00:17,040
Speaker 1: gotta do this. Like we just we couldn't go to

958
01:00:17,160 --> 01:00:20,000
Speaker 1: a label and having a label telling Daylight what to do.

959
01:00:20,320 --> 01:00:21,600
Speaker 1: We have to be able to do what we need

960
01:00:21,680 --> 01:00:23,400
Speaker 1: to do. So we need to be on our own.

961
01:00:23,480 --> 01:00:26,080
Speaker 1: We needed to be independent to stay in control of

962
01:00:26,160 --> 01:00:28,600
Speaker 1: what we wanted to do. You know what and you

963
01:00:28,960 --> 01:00:32,640
Speaker 1: you honestly like me an independent more than the main Yo. Well,

964
01:00:32,720 --> 01:00:35,200
Speaker 1: I mean we would never major. I think when you

965
01:00:35,480 --> 01:00:39,800
Speaker 1: think some would say someone say that, I would say that,

966
01:00:40,040 --> 01:00:46,959
Speaker 1: I think I say point, I mean yeah, yeah, because

967
01:00:46,960 --> 01:00:50,200
Speaker 1: you can't be that Actually was all penalty backers when

968
01:00:50,200 --> 01:00:55,480
Speaker 1: I was Yeah, that was boys a little yeah so

969
01:00:55,760 --> 01:00:59,200
Speaker 1: um so yeah. So so essentially that means that to

970
01:00:59,240 --> 01:01:01,560
Speaker 1: all settlement was the I mean the time boy was

971
01:01:02,080 --> 01:01:06,200
Speaker 1: the distributing, so that so that that yourself made them better.

972
01:01:06,320 --> 01:01:08,080
Speaker 1: I mean, of course the comfort of a label was

973
01:01:08,120 --> 01:01:10,360
Speaker 1: like it almost feel like you got staff you know

974
01:01:10,440 --> 01:01:13,360
Speaker 1: already there. People know their job, they know the business,

975
01:01:13,400 --> 01:01:15,360
Speaker 1: they know how to get around. So the comfort of

976
01:01:15,520 --> 01:01:21,000
Speaker 1: having a a company of corporation as a team, you know,

977
01:01:21,360 --> 01:01:24,600
Speaker 1: Master Philli, you got a partners. Yeah, mass Pillar is

978
01:01:24,640 --> 01:01:26,680
Speaker 1: a dope. I'm throwing the project with them, a dope,

979
01:01:26,720 --> 01:01:30,760
Speaker 1: let's dope, dope. They're doing good things there. Yeah, it's

980
01:01:30,800 --> 01:01:32,840
Speaker 1: probably the best of both worlds in the sense. Yeah,

981
01:01:33,640 --> 01:01:36,640
Speaker 1: the last album we put out anonymous nobody and then

982
01:01:36,680 --> 01:01:40,040
Speaker 1: as nobody, you know master Phil wants to be involved. Um,

983
01:01:41,320 --> 01:01:47,400
Speaker 1: this is the crowd funding. Yeah, yeah, wanted to have someone. Yeah,

984
01:01:47,560 --> 01:01:49,520
Speaker 1: we don't even have someone dis I did think let

985
01:01:49,560 --> 01:01:51,520
Speaker 1: me ask you real. Sorry that good, but did y'all

986
01:01:51,560 --> 01:01:53,800
Speaker 1: break I felt like y'all broke records in terms of

987
01:01:53,920 --> 01:01:58,000
Speaker 1: artists raising money, did you or at least look, let's

988
01:01:58,040 --> 01:01:59,520
Speaker 1: let's get into that. Let's get it, because that to

989
01:01:59,640 --> 01:02:01,800
Speaker 1: me was I mean, I saw what was going. I

990
01:02:01,840 --> 01:02:03,800
Speaker 1: was getting all the emails one side of the game,

991
01:02:03,800 --> 01:02:05,160
Speaker 1: but I was getting all the evening. It would be

992
01:02:05,240 --> 01:02:07,840
Speaker 1: wasting money for the budget of the album. Yeah, and

993
01:02:07,920 --> 01:02:11,520
Speaker 1: they raised an incredible amount of money. Yeah, it was

994
01:02:11,560 --> 01:02:17,640
Speaker 1: six hundred gan um days. Yeah, didn't waste voice for that.

995
01:02:20,040 --> 01:02:24,800
Speaker 1: Man seriously made the noise from fans. Man, you know,

996
01:02:24,840 --> 01:02:32,920
Speaker 1: it was those smokes that came out. I mean, it's

997
01:02:33,000 --> 01:02:36,040
Speaker 1: it's it's you know, it's a flattering thing. Eleven thousand

998
01:02:36,160 --> 01:02:40,680
Speaker 1: people raised six hundred thousand dollars. How what was the budget? Was?

999
01:02:40,720 --> 01:02:42,040
Speaker 1: How much did you put that you were trying to raise?

1000
01:02:42,080 --> 01:02:47,400
Speaker 1: We were trying to get one fifteen Yeah, yeah, obviously

1001
01:02:47,880 --> 01:02:51,120
Speaker 1: we have seen it that in three hours and were

1002
01:02:51,640 --> 01:02:57,760
Speaker 1: like three hours when week hours? You know, And I

1003
01:02:57,800 --> 01:03:08,000
Speaker 1: feel like the man, I don't think number the number

1004
01:03:08,160 --> 01:03:11,960
Speaker 1: was contented on what we were looking at around the

1005
01:03:12,160 --> 01:03:14,520
Speaker 1: industry at the time when we were considering that there

1006
01:03:15,160 --> 01:03:18,840
Speaker 1: what was coming. We're star ranging from a hundred to

1007
01:03:18,960 --> 01:03:23,360
Speaker 1: a hundred and fifty, so anybody road of what we

1008
01:03:23,480 --> 01:03:30,480
Speaker 1: thought was okay, what was achievable. It's a difficult thing

1009
01:03:30,560 --> 01:03:35,720
Speaker 1: to excuse me mas to be asking for money. It

1010
01:03:36,600 --> 01:03:43,280
Speaker 1: started and it almost a human you know, feeling like,

1011
01:03:45,520 --> 01:03:47,320
Speaker 1: am I begging here? Am I gonna look like I

1012
01:03:47,400 --> 01:03:49,160
Speaker 1: ain't got it? And we live at the time of

1013
01:03:49,200 --> 01:03:54,120
Speaker 1: the internet way there's some people who so it was

1014
01:03:54,200 --> 01:03:55,800
Speaker 1: kind of weird. So we didn't want to seem like

1015
01:03:55,840 --> 01:03:58,000
Speaker 1: we was greedy. We didn't want to seem like we

1016
01:03:58,720 --> 01:04:01,960
Speaker 1: couldn't afford it because those were that wasn't that The

1017
01:04:02,120 --> 01:04:07,960
Speaker 1: idea was too almost raise the awareness that you could

1018
01:04:07,960 --> 01:04:12,200
Speaker 1: do this our sounds and it's pre sales. Really then

1019
01:04:12,240 --> 01:04:19,040
Speaker 1: you do donate, they get the album. It was a

1020
01:04:19,560 --> 01:04:21,320
Speaker 1: man like a lot of you know, we offered a

1021
01:04:21,360 --> 01:04:23,560
Speaker 1: lot of things. You know, if you if you give

1022
01:04:23,640 --> 01:04:26,960
Speaker 1: up five grand, you go toy shopping with Dave. If

1023
01:04:27,000 --> 01:04:33,400
Speaker 1: you give up five grand, you go money man. So

1024
01:04:33,800 --> 01:04:36,520
Speaker 1: that time we got the recognize what do you get?

1025
01:04:36,640 --> 01:04:42,040
Speaker 1: You got the flash and also I'm sorry Dave. Within

1026
01:04:42,120 --> 01:04:46,680
Speaker 1: context of it, all immediately working on the album. We

1027
01:04:46,800 --> 01:04:51,600
Speaker 1: were working on the album, and we all knew labels

1028
01:04:51,680 --> 01:04:55,760
Speaker 1: that were actually interested immediately off the top, you know,

1029
01:04:55,920 --> 01:04:58,480
Speaker 1: from the band we worked with to ourselves. We have

1030
01:04:58,600 --> 01:05:04,600
Speaker 1: people definitely wanting to hear it without hearing anything, very

1031
01:05:04,680 --> 01:05:08,840
Speaker 1: interested in doing anything but Davis. But as creative we

1032
01:05:08,920 --> 01:05:11,960
Speaker 1: were allowing ourselves to give the album. Is what made

1033
01:05:12,040 --> 01:05:15,160
Speaker 1: us once again think that from a creative standpoint, we

1034
01:05:15,240 --> 01:05:16,880
Speaker 1: put this on the album because we put a song

1035
01:05:17,120 --> 01:05:20,600
Speaker 1: with you know, I don't know us and David Byrne

1036
01:05:20,760 --> 01:05:23,120
Speaker 1: and he's singing and then we rhyme like could we

1037
01:05:23,400 --> 01:05:26,400
Speaker 1: really do that? And that's what made us think like, well,

1038
01:05:26,440 --> 01:05:28,600
Speaker 1: why don't we raise the money to just keep it

1039
01:05:29,080 --> 01:05:31,560
Speaker 1: be able to keep it totally creative, you know what

1040
01:05:31,600 --> 01:05:34,240
Speaker 1: I'm saying. And I have a label think like, well, yo,

1041
01:05:34,360 --> 01:05:37,120
Speaker 1: we're like you gotta you gotta put Kodak Black one.

1042
01:05:37,160 --> 01:05:43,240
Speaker 1: It's one record I love astrictions that wouldn't come with

1043
01:05:43,440 --> 01:05:45,640
Speaker 1: being on a label with a short budget. You know

1044
01:05:45,680 --> 01:05:48,760
Speaker 1: what I mean hearing is it was already twelve years

1045
01:05:48,880 --> 01:05:52,120
Speaker 1: we had made a record, so you know, looking at

1046
01:05:52,360 --> 01:05:54,960
Speaker 1: just the business side of it, that wasn't a good thing.

1047
01:05:55,040 --> 01:05:56,680
Speaker 1: For us, no one. We couldn't done a good sort

1048
01:05:57,880 --> 01:06:02,200
Speaker 1: that you guys did it because I think yeah we

1049
01:06:02,240 --> 01:06:08,520
Speaker 1: congratulations congratulations as well? Why why why? Why why are

1050
01:06:08,520 --> 01:06:12,480
Speaker 1: you ain't positive? Why you ain't uh trying to be

1051
01:06:12,600 --> 01:06:14,800
Speaker 1: like the head of Sony. You know what I'm saying.

1052
01:06:15,600 --> 01:06:17,320
Speaker 1: You know what I'm saying, Like is that is that

1053
01:06:17,560 --> 01:06:20,520
Speaker 1: our next? You know? You know what I'm saying, because

1054
01:06:20,560 --> 01:06:23,960
Speaker 1: like is it? We really are people from within or

1055
01:06:24,280 --> 01:06:28,160
Speaker 1: at least systems? You think that's the thing. You know

1056
01:06:28,160 --> 01:06:30,520
Speaker 1: what I'm saying. Not for us, I'll speak for myself

1057
01:06:30,600 --> 01:06:34,600
Speaker 1: perfect Like I can see you like a Spotify like

1058
01:06:34,720 --> 01:06:37,120
Speaker 1: you know, you know what I'm saying, like like like

1059
01:06:37,240 --> 01:06:40,720
Speaker 1: something like that, that's something interested in not me personally.

1060
01:06:40,960 --> 01:06:44,080
Speaker 1: And I think that I got those type of people

1061
01:06:44,120 --> 01:06:48,120
Speaker 1: in my band, but not me personally. Okay, it's um,

1062
01:06:48,680 --> 01:06:51,760
Speaker 1: I'm a creative, That's that's who I am. I got ideas,

1063
01:06:52,440 --> 01:06:54,480
Speaker 1: you know. Now, Can I see myself in a position

1064
01:06:54,560 --> 01:07:00,320
Speaker 1: where I'm you know, creatively you know, pushing this preaching

1065
01:07:00,480 --> 01:07:03,760
Speaker 1: company to consulting? Right? Absolutely? But you know I think

1066
01:07:03,800 --> 01:07:07,040
Speaker 1: the the executive and the things is something that we

1067
01:07:07,120 --> 01:07:10,920
Speaker 1: would probably speak about and try to inspire young people

1068
01:07:11,000 --> 01:07:15,040
Speaker 1: to aspire to. But for us, for me personally, I

1069
01:07:15,160 --> 01:07:17,240
Speaker 1: love music, man, I just want to I just want

1070
01:07:17,280 --> 01:07:21,120
Speaker 1: to rhyme and that I mean, that's that's that's where

1071
01:07:21,120 --> 01:07:24,840
Speaker 1: it is pure. You know. I definitely love music, as

1072
01:07:24,920 --> 01:07:28,920
Speaker 1: as David saying, but yeah, I would, I could do it.

1073
01:07:29,520 --> 01:07:33,760
Speaker 1: I feel like, you know, I've had brothers trying to

1074
01:07:33,840 --> 01:07:37,120
Speaker 1: push me to that, to that that place. I want

1075
01:07:37,160 --> 01:07:40,360
Speaker 1: to work at Apple. I just too much. You can

1076
01:07:40,440 --> 01:07:45,840
Speaker 1: buy it, but you mean you buying it at a

1077
01:07:45,920 --> 01:07:52,920
Speaker 1: podcasting Apple Music Jackson, what's up with that? Actually? Seen

1078
01:07:53,000 --> 01:07:59,120
Speaker 1: years on an independent level, I've been doing it. I

1079
01:07:59,160 --> 01:08:02,640
Speaker 1: got a label call Man, I wrote at d V

1080
01:08:02,800 --> 01:08:06,320
Speaker 1: on this christ at one time perfectly got an artist

1081
01:08:06,400 --> 01:08:08,800
Speaker 1: by the name of Bill Ray. God damn it. So

1082
01:08:09,000 --> 01:08:12,320
Speaker 1: I haven't foreseeing this internet thing wrong when we was

1083
01:08:12,400 --> 01:08:15,120
Speaker 1: coming up, you know, even from the like. So when

1084
01:08:15,200 --> 01:08:20,200
Speaker 1: Prince was seeing it, even from one of the one

1085
01:08:20,520 --> 01:08:24,360
Speaker 1: they just say, Prince, Prince got a print story. You

1086
01:08:24,840 --> 01:08:27,519
Speaker 1: just tell me you'll got don't tell me you got right. No,

1087
01:08:28,600 --> 01:08:30,680
Speaker 1: I heard I'll be flowing around na I didn't get

1088
01:08:30,960 --> 01:08:36,400
Speaker 1: you say what it was like. I didn't give us

1089
01:08:36,439 --> 01:08:39,560
Speaker 1: a Prince, wasn't I need to hear I need to

1090
01:08:40,760 --> 01:08:43,280
Speaker 1: I'm sorry, I but I need to print stories. Is

1091
01:08:43,360 --> 01:08:49,080
Speaker 1: that they're gonna Jakes. I needed shot for some reason.

1092
01:08:49,680 --> 01:09:00,160
Speaker 1: I like Peter. Sorry. It was like he was like, wait,

1093
01:09:00,360 --> 01:09:04,080
Speaker 1: you like because I should feel from the head. I'm here,

1094
01:09:05,200 --> 01:09:07,479
Speaker 1: I'll put another one in there. Okay, I want to

1095
01:09:07,920 --> 01:09:16,040
Speaker 1: tight Okay, tight even, but I took it. I'm saying

1096
01:09:16,120 --> 01:09:20,000
Speaker 1: to stories held every drink. By the way he said,

1097
01:09:20,160 --> 01:09:22,960
Speaker 1: you're saying, you know, I've never met princes, and I've

1098
01:09:23,000 --> 01:09:28,400
Speaker 1: never met too. I've never met to well, I think

1099
01:09:28,479 --> 01:09:30,200
Speaker 1: kind of meet him. He can't to our shop. He

1100
01:09:30,600 --> 01:09:34,160
Speaker 1: would come to our shows first. Yeah, I can tell

1101
01:09:34,160 --> 01:09:41,599
Speaker 1: my friends are stories like the very drink chance. It's

1102
01:09:41,640 --> 01:09:43,680
Speaker 1: like I'm stretching right now, some great prince. It's like

1103
01:09:43,720 --> 01:09:48,200
Speaker 1: I'm drink yeah yeah, trying to wrap a book that

1104
01:09:48,520 --> 01:09:54,560
Speaker 1: I'm a big Price fan. Yea in my mind, my

1105
01:09:54,720 --> 01:09:57,760
Speaker 1: mind like I saw like when he came out the

1106
01:09:57,760 --> 01:10:07,679
Speaker 1: whole idea. Wait wait anyway, do it? Okay, everyone lessons. Okay,

1107
01:10:08,640 --> 01:10:10,639
Speaker 1: you know the first story we want to hear. That's

1108
01:10:10,680 --> 01:10:19,160
Speaker 1: a more champagne, don't kay, okay, solo solos the day.

1109
01:10:27,800 --> 01:10:32,800
Speaker 1: It's terrible, man, I'm gonna say I ain't good. Ship's crazy.

1110
01:10:32,960 --> 01:10:35,400
Speaker 1: You know what's crazy about when I'm talking about I

1111
01:10:35,479 --> 01:10:37,600
Speaker 1: feel like every fire Right now, I'm waiting up in

1112
01:10:37,680 --> 01:10:44,560
Speaker 1: the morning, and my body says you're any stay My

1113
01:10:44,680 --> 01:10:47,680
Speaker 1: breath says that right now. It's like my brain, my

1114
01:10:47,840 --> 01:10:51,760
Speaker 1: brain texts my heart says you're an asshole because that

1115
01:10:51,880 --> 01:10:55,040
Speaker 1: ship is horrible. Okay, ship go back. We're all right.

1116
01:10:55,280 --> 01:11:00,200
Speaker 1: Let's hear this quote. Brain we're working on want to

1117
01:11:00,200 --> 01:11:05,679
Speaker 1: say the a y moza thump outum. At one point,

1118
01:11:05,800 --> 01:11:08,840
Speaker 1: it's better to be good possible news. It's a press

1119
01:11:08,840 --> 01:11:15,240
Speaker 1: story basically at one point, a mirror of quest Love. Basically,

1120
01:11:16,439 --> 01:11:18,280
Speaker 1: we're just trying to work with him to see what

1121
01:11:18,360 --> 01:11:21,000
Speaker 1: he could contribute. So I went out to Philip Roots. Yeah,

1122
01:11:22,160 --> 01:11:27,200
Speaker 1: so the question would always work out of Electric Lady,

1123
01:11:27,600 --> 01:11:30,519
Speaker 1: Electric Lady with the white cat. Hold on because I

1124
01:11:30,600 --> 01:11:35,000
Speaker 1: know Electric Lady that James Hendricks Jimmy Hendrick studio and

1125
01:11:35,120 --> 01:11:38,120
Speaker 1: the cat was Jimmy Hendricks. We had called it in

1126
01:11:38,200 --> 01:11:41,840
Speaker 1: the studio Electric Lady. Anybody, this cat is the weirdest cat,

1127
01:11:43,280 --> 01:11:45,600
Speaker 1: not just so it's weird. I know the cat. You

1128
01:11:45,640 --> 01:11:49,240
Speaker 1: don't know whether the cat just come up. He's just

1129
01:11:49,360 --> 01:11:52,679
Speaker 1: come and look at you and it's Jimmy Hendricks. It's

1130
01:11:52,720 --> 01:11:56,479
Speaker 1: likely something you shouldn't go. I'm sorry I had Lady,

1131
01:11:56,640 --> 01:12:01,120
Speaker 1: was a vibe. That's it's a weird vinument. That's when

1132
01:12:01,320 --> 01:12:04,840
Speaker 1: Fun got us and dead um laid band from TV.

1133
01:12:05,160 --> 01:12:11,240
Speaker 1: I'm sorry, yeah, yeah, yeah, yeah that was that was that? Yeah? Yeah, yeah.

1134
01:12:11,360 --> 01:12:14,160
Speaker 1: Do you know what I'm talking about? You know what clout? Yeah,

1135
01:12:14,280 --> 01:12:27,439
Speaker 1: I'm it's weird. Still the training prints up. Let play

1136
01:12:28,280 --> 01:12:31,120
Speaker 1: basically a lecture, Lady, I'm there with him. Man, We're

1137
01:12:31,160 --> 01:12:33,960
Speaker 1: trying these different ideas to try to same quest love

1138
01:12:34,000 --> 01:12:37,040
Speaker 1: our fans don't what's love? The roots? Yeah, that's what

1139
01:12:37,120 --> 01:12:45,680
Speaker 1: I said right now. You call a point. If we

1140
01:12:45,720 --> 01:12:48,320
Speaker 1: had we had a drum sample in this song we

1141
01:12:48,439 --> 01:12:51,400
Speaker 1: had for the mos a thumb problem called you and

1142
01:12:51,640 --> 01:12:55,800
Speaker 1: we wanted to see if America play over it. Question, Yeah,

1143
01:12:57,800 --> 01:13:00,760
Speaker 1: what's love? It could play over? So when we get

1144
01:13:00,840 --> 01:13:03,479
Speaker 1: to to the session meet the session is set in stone.

1145
01:13:04,080 --> 01:13:07,439
Speaker 1: But when I get there and like questions telling me

1146
01:13:07,560 --> 01:13:11,640
Speaker 1: like yo, I'm sorry, I'm like sorry about what? Like yo?

1147
01:13:11,840 --> 01:13:16,400
Speaker 1: The session is still going, but you know the God

1148
01:13:16,520 --> 01:13:18,519
Speaker 1: is here, I'm like, you know what you mean to God?

1149
01:13:18,640 --> 01:13:21,479
Speaker 1: He's like Prince is here. At the time, Prince was

1150
01:13:22,439 --> 01:13:25,120
Speaker 1: in the studio and he was playing this new album

1151
01:13:25,960 --> 01:13:28,800
Speaker 1: for warners. Now this is I guess after the whole

1152
01:13:28,840 --> 01:13:30,880
Speaker 1: slavey thing. I think he was back on track with

1153
01:13:31,000 --> 01:13:33,840
Speaker 1: Warner Brothers and he had this new album that he had,

1154
01:13:35,000 --> 01:13:39,879
Speaker 1: so he took control over all the studios and Electric

1155
01:13:40,000 --> 01:13:42,840
Speaker 1: Lady show that the Warner brother people could be listening

1156
01:13:42,880 --> 01:13:46,640
Speaker 1: to all these different tracks. I'm a Prince fan, but

1157
01:13:46,760 --> 01:13:59,240
Speaker 1: as a man, I was fucking pissed. Basically the studio. Yeah,

1158
01:13:59,360 --> 01:14:04,519
Speaker 1: try to keep me. Yeah, I got what, you know,

1159
01:14:04,920 --> 01:14:07,640
Speaker 1: like if West is with it, like everyone was with it.

1160
01:14:08,200 --> 01:14:11,240
Speaker 1: You know, the I'm sorry, I forget her name. The

1161
01:14:11,320 --> 01:14:14,840
Speaker 1: young lady was running and managing Electric Lady. She was like, Yo,

1162
01:14:14,960 --> 01:14:17,439
Speaker 1: I'm sorry, but you know I'm you mean, you're sorry.

1163
01:14:17,479 --> 01:14:20,479
Speaker 1: This is my session. So Prince did come down. It

1164
01:14:20,600 --> 01:14:22,120
Speaker 1: was like, you know, he came to me like you

1165
01:14:22,200 --> 01:14:29,599
Speaker 1: know when yuh you know, just same time you fast

1166
01:14:32,160 --> 01:14:36,960
Speaker 1: like like this, you know, he said, you slapped the

1167
01:14:36,960 --> 01:14:40,160
Speaker 1: shut out of you, said, Priss kid, was you said

1168
01:14:40,200 --> 01:14:50,960
Speaker 1: what you didn't get you right now? You have perf

1169
01:15:00,960 --> 01:15:12,840
Speaker 1: I'm yo tracks yo, I ain't never heard yo, right.

1170
01:15:13,320 --> 01:15:16,640
Speaker 1: Fans but I just felt like, yo, us up that

1171
01:15:16,720 --> 01:15:24,240
Speaker 1: everyone felt a just do to keep me up. But

1172
01:15:25,120 --> 01:15:29,840
Speaker 1: he kind of came down like politely apologized. But I'm

1173
01:15:30,040 --> 01:15:33,120
Speaker 1: such a fan, but I couldn't like, ain't I have

1174
01:15:33,280 --> 01:15:38,840
Speaker 1: to be like yo, I'm pistol like that, But in

1175
01:15:38,960 --> 01:15:41,599
Speaker 1: my face I was like, Yo, I'm fan, but yo,

1176
01:15:41,760 --> 01:15:48,200
Speaker 1: you fox up my I would hold it like you

1177
01:15:49,600 --> 01:15:53,920
Speaker 1: it's okay, track to something and I would piss their quest.

1178
01:15:53,960 --> 01:15:55,640
Speaker 1: I was like, yo, the nigga just said like, yo,

1179
01:15:55,720 --> 01:15:58,559
Speaker 1: the God is here, like like if it was his studio.

1180
01:15:58,720 --> 01:16:00,680
Speaker 1: Like I was like yeah, and is it true? Like

1181
01:16:00,720 --> 01:16:02,920
Speaker 1: the Prince like four leven two right, yeah, he's short

1182
01:16:03,000 --> 01:16:04,599
Speaker 1: it in fight he was just God blessed the dad

1183
01:16:04,640 --> 01:16:07,840
Speaker 1: em print short. He didn't go to listen with dead Fight.

1184
01:16:07,960 --> 01:16:10,360
Speaker 1: Let to a come on my side for Prince and

1185
01:16:10,520 --> 01:16:15,240
Speaker 1: fight right one too three don't want you about it.

1186
01:16:15,360 --> 01:16:18,559
Speaker 1: We lost somebody in Miami hip hop profile producer Prest

1187
01:16:18,600 --> 01:16:32,120
Speaker 1: and Peace things God bless man Rest. So what do you?

1188
01:16:32,160 --> 01:16:33,640
Speaker 1: What do you? What do you guys want to leave

1189
01:16:33,680 --> 01:16:35,600
Speaker 1: the hip hop and hip hop couse? Remember you for

1190
01:16:35,800 --> 01:16:38,599
Speaker 1: one day each one of y'all. Individution three black men

1191
01:16:38,840 --> 01:16:42,120
Speaker 1: struck together through it all. Yeah, I did this this

1192
01:16:42,200 --> 01:16:45,439
Speaker 1: stick together. He has been together for mad you know.

1193
01:16:45,720 --> 01:16:51,439
Speaker 1: So poly hate each other, yea love each other, but

1194
01:16:51,560 --> 01:16:56,000
Speaker 1: y'all brothers, they're like your little brothers. And ye know,

1195
01:16:56,080 --> 01:16:58,880
Speaker 1: I know I've got a partner. We we did till

1196
01:16:58,880 --> 01:17:01,120
Speaker 1: you got no other way, did it this way. We

1197
01:17:01,800 --> 01:17:04,759
Speaker 1: We're gonna finish it this way, you know. If anything,

1198
01:17:04,880 --> 01:17:08,559
Speaker 1: Let's change the landscape. Let's get our roses while we're

1199
01:17:08,560 --> 01:17:11,720
Speaker 1: alive and every day, you know. And that's where this

1200
01:17:11,880 --> 01:17:15,760
Speaker 1: whole issue lies with, you know, individual one you know,

1201
01:17:16,439 --> 01:17:19,600
Speaker 1: and the label, and you know, I just want to

1202
01:17:19,680 --> 01:17:21,640
Speaker 1: really just continue to do what we do, what we

1203
01:17:21,800 --> 01:17:25,040
Speaker 1: love to do. I love detail and making music. Man

1204
01:17:25,240 --> 01:17:28,000
Speaker 1: created a little producing it. They love what I'm saying,

1205
01:17:28,200 --> 01:17:31,560
Speaker 1: you know. And as you see, where the ideas go

1206
01:17:31,720 --> 01:17:34,560
Speaker 1: with business is because of what we've gone through. So

1207
01:17:35,240 --> 01:17:38,760
Speaker 1: of course we can see ourselves in these executive positions

1208
01:17:38,840 --> 01:17:40,960
Speaker 1: on some form or another, you know what I mean,

1209
01:17:41,600 --> 01:17:43,720
Speaker 1: Just to make it right for the future, And like

1210
01:17:43,920 --> 01:17:47,280
Speaker 1: Dave was saying, legislation that's really more important, you know,

1211
01:17:47,640 --> 01:17:50,880
Speaker 1: changing the laws of how things have been structured, you know,

1212
01:17:51,920 --> 01:17:54,920
Speaker 1: because even with the streaming, it's still a little green

1213
01:17:55,000 --> 01:17:59,280
Speaker 1: area that if you look at it, it's still a

1214
01:17:59,360 --> 01:18:04,439
Speaker 1: grey area, you know what I mean, It's were making

1215
01:18:04,600 --> 01:18:07,560
Speaker 1: change right here right now, and it's a mentality that

1216
01:18:07,680 --> 01:18:10,320
Speaker 1: you're trying to do your best to get rid of,

1217
01:18:10,600 --> 01:18:13,719
Speaker 1: you know, in terms of the industry as a whole.

1218
01:18:13,920 --> 01:18:16,880
Speaker 1: You know, like funny enough, like it's like saying that

1219
01:18:16,920 --> 01:18:19,479
Speaker 1: everyone makes such a big deal about this red maga hat.

1220
01:18:19,600 --> 01:18:22,200
Speaker 1: It's like it's still like a mass I had, like

1221
01:18:22,600 --> 01:18:24,960
Speaker 1: a make artist slaves again. It's like you've got to

1222
01:18:24,960 --> 01:18:27,479
Speaker 1: get rid of that whole mentality for the entire record

1223
01:18:27,520 --> 01:18:31,160
Speaker 1: company is know what I'm saying, It's that had running

1224
01:18:31,200 --> 01:18:36,040
Speaker 1: around so out of being seen, and you know, the

1225
01:18:36,160 --> 01:18:39,639
Speaker 1: intention saying that I was a night man should going

1226
01:18:39,680 --> 01:18:42,479
Speaker 1: to my whole body and you said that, but the

1227
01:18:42,560 --> 01:18:46,000
Speaker 1: same question to you the last thing you give hip hop,

1228
01:18:47,080 --> 01:18:50,240
Speaker 1: you know, just honestly for me, just we were creative

1229
01:18:50,640 --> 01:18:55,559
Speaker 1: dudes who had fun and shout I have just trying

1230
01:18:55,600 --> 01:18:59,800
Speaker 1: to be blessed at giving the best we could. But

1231
01:19:00,000 --> 01:19:05,040
Speaker 1: in this industry and this music, for me personally, I

1232
01:19:05,160 --> 01:19:06,840
Speaker 1: kind of got a ca what maaze it? I mean,

1233
01:19:07,400 --> 01:19:13,120
Speaker 1: I hopefully, hopefully we could be the model of trying

1234
01:19:13,160 --> 01:19:16,439
Speaker 1: our best to make it work. It isn't always pretty,

1235
01:19:17,400 --> 01:19:20,720
Speaker 1: it doesn't always feel good, but at the end of

1236
01:19:20,760 --> 01:19:22,760
Speaker 1: the day, you know, I mean, in some cases, not

1237
01:19:22,840 --> 01:19:27,000
Speaker 1: all cases, if you work hard enough and you appreciate

1238
01:19:27,080 --> 01:19:30,400
Speaker 1: the magic that you make with the people in your circle,

1239
01:19:31,760 --> 01:19:33,720
Speaker 1: it's kind of hard to go find it elsewhere. You know,

1240
01:19:33,800 --> 01:19:36,000
Speaker 1: you want to keep that magic going. And I think

1241
01:19:36,000 --> 01:19:37,840
Speaker 1: that's what hip hop for me is. I know what

1242
01:19:37,880 --> 01:19:39,920
Speaker 1: it is when you get that moment where you hear

1243
01:19:39,960 --> 01:19:43,000
Speaker 1: that beat, it's like, oh, you know you write that

1244
01:19:43,160 --> 01:19:45,080
Speaker 1: versus about the magic in it, right, It's like how

1245
01:19:45,160 --> 01:19:51,720
Speaker 1: it feels yeah, yeah, And I think even whether it's

1246
01:19:51,880 --> 01:19:55,240
Speaker 1: it's it's we're talking about hip hop as a body.

1247
01:19:55,439 --> 01:19:58,800
Speaker 1: So what you guys are doing here, it feels good.

1248
01:19:58,920 --> 01:20:01,559
Speaker 1: It's a magic. And I think when you can when

1249
01:20:01,600 --> 01:20:05,759
Speaker 1: you can show that we could come together sometimes worlds

1250
01:20:05,760 --> 01:20:08,840
Speaker 1: apart and keep something going and build from it and

1251
01:20:08,960 --> 01:20:12,760
Speaker 1: make it better and it create new things, that's important. Man.

1252
01:20:12,840 --> 01:20:14,960
Speaker 1: That's that's what I would want to You don't want

1253
01:20:15,000 --> 01:20:20,680
Speaker 1: to embody, you know, as you know what the daylock do,

1254
01:20:21,520 --> 01:20:25,280
Speaker 1: like just the idea of staying together through thinking thin

1255
01:20:25,400 --> 01:20:28,880
Speaker 1: and making things work and giving that example of others

1256
01:20:28,920 --> 01:20:30,760
Speaker 1: to let them know that it's possible for them as well.

1257
01:20:32,560 --> 01:20:37,880
Speaker 1: You can you can sit three man group, got me goals,

1258
01:20:38,800 --> 01:20:43,760
Speaker 1: got the box. What do you think y'all rank yourselves?

1259
01:20:46,080 --> 01:20:49,840
Speaker 1: I mean, what do you what do you what do

1260
01:20:49,960 --> 01:20:56,400
Speaker 1: you think? I mean, I can't say ranking number, but

1261
01:20:56,800 --> 01:21:03,240
Speaker 1: I always say the future town, right, So I think

1262
01:21:03,360 --> 01:21:07,200
Speaker 1: right now we'll probably be that group, that three group,

1263
01:21:07,320 --> 01:21:11,040
Speaker 1: three man group that stayed together. That's that's the only

1264
01:21:11,080 --> 01:21:12,800
Speaker 1: thing I want to believe that we could lide on.

1265
01:21:13,360 --> 01:21:15,360
Speaker 1: And I'm not gonna say the meigo's gonna break up

1266
01:21:15,479 --> 01:21:19,439
Speaker 1: or whomever gonna but you know, staying together, we'll probably

1267
01:21:19,479 --> 01:21:21,800
Speaker 1: hold that record. I think we're gonna hold that record.

1268
01:21:22,560 --> 01:21:24,760
Speaker 1: It's more, it's more than a business. Yeah, it's more

1269
01:21:24,800 --> 01:21:27,880
Speaker 1: than business, and it's more to constantly it's safe to

1270
01:21:27,920 --> 01:21:29,599
Speaker 1: say that you guys haven't had a fair shot because

1271
01:21:29,640 --> 01:21:32,880
Speaker 1: it usually hasn't been the catalog that hasn't been introduced.

1272
01:21:32,960 --> 01:21:36,280
Speaker 1: Yeah it was, Yeah, I mean, you know, it's it's

1273
01:21:36,400 --> 01:21:41,439
Speaker 1: a it's it's it's easy to say you're the best

1274
01:21:41,520 --> 01:21:44,120
Speaker 1: in your number one when you sit down and look

1275
01:21:44,160 --> 01:21:48,000
Speaker 1: at the facts, how long, right, you know what I'm saying.

1276
01:21:48,600 --> 01:21:50,280
Speaker 1: When you look at the body of work and how

1277
01:21:50,360 --> 01:21:53,320
Speaker 1: long you've been in what you have done. That's that's

1278
01:21:53,360 --> 01:21:57,200
Speaker 1: what really kind of claims that we are the best

1279
01:21:57,360 --> 01:22:01,080
Speaker 1: of that category. So right now already is talk to

1280
01:22:01,160 --> 01:22:04,880
Speaker 1: me when you hit like. You know what I mean,

1281
01:22:04,880 --> 01:22:07,200
Speaker 1: You talk to me when you hit like, teld to

1282
01:22:07,240 --> 01:22:21,360
Speaker 1: me when you hit five. Yeah, just just just just

1283
01:22:21,680 --> 01:22:28,360
Speaker 1: just to you know, reiterate something. UM fans understand, because

1284
01:22:28,439 --> 01:22:30,400
Speaker 1: we don't want to seem like the people just complain.

1285
01:22:30,520 --> 01:22:34,519
Speaker 1: I want to I want to be clear. What they

1286
01:22:34,680 --> 01:22:41,120
Speaker 1: are sold is saying that they that can rectify the situation.

1287
01:22:41,200 --> 01:22:43,320
Speaker 1: So the fans are clear. Now when we switched spoke

1288
01:22:43,400 --> 01:22:47,120
Speaker 1: to the label, we spoke everybody, but we're want to

1289
01:22:47,120 --> 01:22:50,639
Speaker 1: speak direct to the fans. This is what who needs

1290
01:22:50,720 --> 01:22:53,680
Speaker 1: this body to work? They need to wake up in

1291
01:22:53,720 --> 01:22:56,439
Speaker 1: the morning, go jogging and stream. You know what I'm

1292
01:22:56,439 --> 01:22:59,439
Speaker 1: saying these albums? So what what what does they like?

1293
01:22:59,800 --> 01:23:04,160
Speaker 1: So actually accent for to ractify the situation the fans

1294
01:23:04,240 --> 01:23:06,680
Speaker 1: do with what you call it? Um? You know the

1295
01:23:07,400 --> 01:23:13,240
Speaker 1: one I would sincerely asks, it's support of the fans

1296
01:23:13,320 --> 01:23:15,920
Speaker 1: and the culture. You don't press play if it actually

1297
01:23:16,000 --> 01:23:19,280
Speaker 1: comes up, it comes up online, you know, don't press

1298
01:23:19,320 --> 01:23:21,880
Speaker 1: play until we give it a go until we actually

1299
01:23:21,920 --> 01:23:25,400
Speaker 1: say YO, were happy. Thumbs up, guys, let's rock. We

1300
01:23:25,560 --> 01:23:27,400
Speaker 1: made up to kiss. We made up? You know what

1301
01:23:27,439 --> 01:23:29,479
Speaker 1: I'm saying. Until we say we kiss the made up,

1302
01:23:29,920 --> 01:23:32,880
Speaker 1: do not press play. If anything you can get grind

1303
01:23:33,000 --> 01:23:37,719
Speaker 1: date you can. You can definitely get uh anonymous robody.

1304
01:23:37,960 --> 01:23:40,560
Speaker 1: You can get those two things, you know, and you

1305
01:23:40,640 --> 01:23:43,280
Speaker 1: know whatever else we put out with the Pete Primo record,

1306
01:23:43,840 --> 01:23:45,680
Speaker 1: look out for that one, and also look out for

1307
01:23:45,880 --> 01:23:48,040
Speaker 1: l Y three. I can get all that, but all

1308
01:23:48,080 --> 01:23:53,160
Speaker 1: the other stuff from Bionics on down to three ft

1309
01:23:53,200 --> 01:23:57,519
Speaker 1: high rising, don't press play there. There's nothing else I

1310
01:23:57,560 --> 01:24:00,040
Speaker 1: can do. Because let's be honest, fans are don't on

1311
01:24:00,120 --> 01:24:04,720
Speaker 1: the best places the day. That's your choice. You know

1312
01:24:04,760 --> 01:24:07,120
Speaker 1: what I'm saying. I'm saying they're gonna be that. You

1313
01:24:07,160 --> 01:24:09,920
Speaker 1: don't know that when you're doing that. What else outside

1314
01:24:10,760 --> 01:24:13,599
Speaker 1: the story is the story? The truth is the truth.

1315
01:24:14,120 --> 01:24:18,000
Speaker 1: One thing I know, people do feel conflicted. We felt conflicted.

1316
01:24:18,360 --> 01:24:21,360
Speaker 1: I want them to have it, I really do. But

1317
01:24:22,200 --> 01:24:25,760
Speaker 1: it ain't right period. So let's get it right. And

1318
01:24:25,880 --> 01:24:30,680
Speaker 1: if you want to support, don't press play. So we

1319
01:24:30,760 --> 01:24:38,599
Speaker 1: gotta make it catchphrasing. Put that out there. Yes, yeah, Yeah,

1320
01:24:38,680 --> 01:24:41,000
Speaker 1: I concur because it's like it's like it's like like

1321
01:24:41,120 --> 01:24:44,840
Speaker 1: college captain feeling, you know, like people want to support Captain.

1322
01:24:44,880 --> 01:24:49,280
Speaker 1: People said want to watch this absolutely because you found

1323
01:24:49,320 --> 01:24:51,799
Speaker 1: the players out there. You know, people out there that's playing.

1324
01:24:52,160 --> 01:24:55,000
Speaker 1: You know you you're connected to the game your whole life.

1325
01:24:55,040 --> 01:24:59,439
Speaker 1: It's America's thing. Just like hip hop. It's America's thing.

1326
01:24:59,760 --> 01:25:03,000
Speaker 1: It's the world's thinking. It's an international fact. Yeah, and

1327
01:25:03,160 --> 01:25:08,080
Speaker 1: we ain't really still playing it fair. So I'm glad

1328
01:25:08,160 --> 01:25:11,040
Speaker 1: we got to accept to see this say this story

1329
01:25:11,120 --> 01:25:16,040
Speaker 1: the way it is because um, and I'm personally a

1330
01:25:16,160 --> 01:25:19,200
Speaker 1: witness that you guys are out here. You know, I

1331
01:25:19,280 --> 01:25:21,880
Speaker 1: feel like, you know, the older you get people out

1332
01:25:21,920 --> 01:25:25,479
Speaker 1: here complained. It's like that I personally know that everything

1333
01:25:25,560 --> 01:25:28,439
Speaker 1: you guys are saying it's the true because I'm in

1334
01:25:28,600 --> 01:25:30,600
Speaker 1: that boat. But yeah, I was like gonna say, like

1335
01:25:30,720 --> 01:25:32,120
Speaker 1: y'all on the front, I'm in the I'm in the

1336
01:25:32,160 --> 01:25:34,080
Speaker 1: back of the kid. But I know nothing. The less

1337
01:25:34,120 --> 01:25:36,840
Speaker 1: we listen ain't boss. It's just going down. We're all

1338
01:25:36,960 --> 01:25:40,479
Speaker 1: going that. I'm not happy you're going through that. We's hurt,

1339
01:25:40,520 --> 01:25:44,479
Speaker 1: you know, because it's instruing. It's the same as actually

1340
01:25:44,760 --> 01:25:46,840
Speaker 1: it's the same as it was a whole ship. And

1341
01:25:46,880 --> 01:25:49,320
Speaker 1: then that's one of the things. Unfortunately, it's like you know,

1342
01:25:52,439 --> 01:25:56,240
Speaker 1: power is the powers want to silence us daylong. Specifically

1343
01:25:56,640 --> 01:25:59,599
Speaker 1: what you said, I'm sorry, the power. I'm gonna call

1344
01:25:59,600 --> 01:26:02,560
Speaker 1: it the our individual one. And whenever they want to

1345
01:26:02,600 --> 01:26:06,479
Speaker 1: silence us, they cannot because they know brothers like you

1346
01:26:06,640 --> 01:26:14,479
Speaker 1: exist and that's got let's know we're gonna and it's

1347
01:26:15,400 --> 01:26:20,400
Speaker 1: and even Domino and even out even outside of that entity.

1348
01:26:20,680 --> 01:26:23,080
Speaker 1: And let me also give give the props to to

1349
01:26:23,479 --> 01:26:28,479
Speaker 1: pup daddy level vote staff. This is very important. Listen.

1350
01:26:28,560 --> 01:26:31,759
Speaker 1: Let me just tell you something. Every people we interview

1351
01:26:31,880 --> 01:26:33,479
Speaker 1: right now that should they're coming out to a June

1352
01:26:34,160 --> 01:26:37,479
Speaker 1: they pushing this up, they don't do that. They put

1353
01:26:37,520 --> 01:26:41,599
Speaker 1: in the cliff. That's how important this is. And le't

1354
01:26:41,640 --> 01:26:44,800
Speaker 1: just tell you something ship. They be people like we'll

1355
01:26:44,840 --> 01:26:48,800
Speaker 1: be trying late and they'll they front they these people

1356
01:26:49,240 --> 01:26:52,160
Speaker 1: we said day they said, let's go push it was

1357
01:26:52,240 --> 01:26:56,679
Speaker 1: the idea to push it up up to the vote.

1358
01:26:56,720 --> 01:26:59,919
Speaker 1: Sad you know that's holding us down. And they understand

1359
01:27:00,000 --> 01:27:03,599
Speaker 1: how important y'all message is that we know there's sometime

1360
01:27:03,640 --> 01:27:06,880
Speaker 1: the whole episodes like you know exhibit episode we could

1361
01:27:06,880 --> 01:27:09,120
Speaker 1: be damn into that ship last year. It's about this week,

1362
01:27:09,439 --> 01:27:11,840
Speaker 1: you know what I'm saying, because it's a time they

1363
01:27:11,880 --> 01:27:17,000
Speaker 1: thing for this show said, but this issue was so

1364
01:27:17,240 --> 01:27:20,960
Speaker 1: important that all of the staff got together, like everybody

1365
01:27:21,040 --> 01:27:25,200
Speaker 1: pick up Averca Rich everybody, which everybody all more people

1366
01:27:25,320 --> 01:27:30,280
Speaker 1: were um uh pick up to them? What was Michelle robbing?

1367
01:27:30,640 --> 01:27:34,200
Speaker 1: Um um sharis pick up to hold them like this

1368
01:27:34,360 --> 01:27:37,519
Speaker 1: issue was so important for hip hop to stand behind

1369
01:27:37,600 --> 01:27:40,400
Speaker 1: y'all and saying, you know what, y'all not alone. You

1370
01:27:40,439 --> 01:27:42,760
Speaker 1: know what I'm saying, Like back then, whatever it was,

1371
01:27:43,200 --> 01:27:46,240
Speaker 1: we need to stand together, and we need ownership of

1372
01:27:46,400 --> 01:27:49,479
Speaker 1: these properties that we made. That's not blood, sweat and

1373
01:27:49,520 --> 01:27:51,960
Speaker 1: tears and sending to these albums. You know what I'm saying.

1374
01:27:52,000 --> 01:27:54,280
Speaker 1: That's that's that's hard work. And you know we were

1375
01:27:54,320 --> 01:27:57,680
Speaker 1: all young and might have signed some dump ship as contract.

1376
01:27:57,960 --> 01:28:00,600
Speaker 1: Funk that that contract. Let's make it eve. It's a

1377
01:28:00,680 --> 01:28:03,640
Speaker 1: week and you know what we're not saying, even kick you.

1378
01:28:03,840 --> 01:28:05,840
Speaker 1: I try to buy the ship. I try to buy

1379
01:28:05,960 --> 01:28:09,000
Speaker 1: my ship towards world. I heard, I heard, I heard

1380
01:28:10,200 --> 01:28:11,760
Speaker 1: when I try to buy it was bright though it

1381
01:28:11,880 --> 01:28:17,519
Speaker 1: wasn't that more so um, but moving on, UM. So,

1382
01:28:17,600 --> 01:28:19,599
Speaker 1: I just wanted to let you know that I personally

1383
01:28:19,720 --> 01:28:23,320
Speaker 1: identify you know what I'm saying. Man, I wanted I

1384
01:28:23,360 --> 01:28:25,040
Speaker 1: wanted the fans to know because you know, this is

1385
01:28:25,040 --> 01:28:27,479
Speaker 1: always gonna be these these these young fast oh those

1386
01:28:27,800 --> 01:28:31,200
Speaker 1: old guys, and they don't understand what's going No, we're

1387
01:28:31,200 --> 01:28:34,560
Speaker 1: not here complaining, man, exactly. This is not a complaint.

1388
01:28:34,760 --> 01:28:37,280
Speaker 1: We're not out here, you know, chasing the check either.

1389
01:28:38,360 --> 01:28:40,560
Speaker 1: This is about doing the right thing. That's all that,

1390
01:28:40,960 --> 01:28:44,439
Speaker 1: and hopefully it'll Yeah, you know, the unfortunate thing in

1391
01:28:44,479 --> 01:28:47,800
Speaker 1: the record business, there is no good business definitely, you know,

1392
01:28:48,040 --> 01:28:50,479
Speaker 1: and unfortunately you know that's been the case for a

1393
01:28:50,680 --> 01:28:55,000
Speaker 1: long time. I mean movies like uh, what's the what's

1394
01:28:55,000 --> 01:28:58,720
Speaker 1: the name of that? Records and all that that's documented

1395
01:28:58,840 --> 01:29:03,559
Speaker 1: the same attainment's better for you, right, It's just right,

1396
01:29:03,680 --> 01:29:06,200
Speaker 1: it's this same thing. This is This is really about

1397
01:29:06,320 --> 01:29:13,679
Speaker 1: hopefully doing the right thing by the artists and respecting

1398
01:29:13,720 --> 01:29:16,280
Speaker 1: the culture. Man. We want we want folks to respect this, man,

1399
01:29:16,560 --> 01:29:19,760
Speaker 1: Like outside of outside of the culture, you'll need to

1400
01:29:19,800 --> 01:29:23,000
Speaker 1: respect this. You earn from it. You need to respect

1401
01:29:23,040 --> 01:29:25,560
Speaker 1: what we do and and and all offend us to

1402
01:29:26,240 --> 01:29:30,200
Speaker 1: being seventeen years old, signing the contract fresh out of

1403
01:29:30,280 --> 01:29:41,920
Speaker 1: high school working on Texico gas station. I was a

1404
01:29:45,160 --> 01:29:49,360
Speaker 1: record deal versus public guys at Texico. What you're gonna

1405
01:29:49,400 --> 01:29:53,519
Speaker 1: take that's real ship and and and having a following

1406
01:29:54,600 --> 01:29:58,320
Speaker 1: all the rules of what you learning vicariously through the

1407
01:29:58,439 --> 01:30:01,360
Speaker 1: music or like a rorist one who's actually saying your

1408
01:30:01,439 --> 01:30:03,800
Speaker 1: guys get a lawyer. Got out of your from set

1409
01:30:03,920 --> 01:30:06,519
Speaker 1: saying a guys, get a lawyer, shark d and this

1410
01:30:06,680 --> 01:30:09,120
Speaker 1: music he's saying the same thing, you know, when they

1411
01:30:09,160 --> 01:30:12,280
Speaker 1: want to dress different issues. So we've we've done that.

1412
01:30:12,600 --> 01:30:15,320
Speaker 1: We've done you know, we did our best to read

1413
01:30:15,320 --> 01:30:18,400
Speaker 1: our control and have a lawyer. This is Yeah, in

1414
01:30:18,479 --> 01:30:22,479
Speaker 1: addition to that, man like, what we're fighting for, it's

1415
01:30:22,560 --> 01:30:25,559
Speaker 1: nothing that we based our lives on. We didn't live

1416
01:30:25,640 --> 01:30:30,960
Speaker 1: off of royalties. We worked hard for life. So it's

1417
01:30:31,000 --> 01:30:34,799
Speaker 1: not like you know, we're you know, we're fighting because

1418
01:30:34,880 --> 01:30:41,240
Speaker 1: we've you know, uh, we've even been able to see

1419
01:30:41,320 --> 01:30:44,200
Speaker 1: what could come to us. We've never tasted any of that.

1420
01:30:45,160 --> 01:30:48,200
Speaker 1: We're just fighting for the fact that we can possibly

1421
01:30:48,280 --> 01:30:51,679
Speaker 1: need this stuff to our families. If you have any

1422
01:30:51,720 --> 01:30:57,160
Speaker 1: effect on any of this curt stuff, Yeah, trying to

1423
01:30:57,200 --> 01:30:59,640
Speaker 1: say they're trying to make up the money from that.

1424
01:31:00,479 --> 01:31:03,360
Speaker 1: I don't know what they're trying to do. Man, all

1425
01:31:03,439 --> 01:31:06,599
Speaker 1: we know they're on things and from the past ending. Yeah,

1426
01:31:07,000 --> 01:31:09,320
Speaker 1: things are still pregnant because that was all new back

1427
01:31:09,360 --> 01:31:12,320
Speaker 1: then for hip hop. Pretty much nobody knew that was

1428
01:31:12,360 --> 01:31:15,040
Speaker 1: gonna happen. Like you guys kind of opened that door

1429
01:31:15,120 --> 01:31:17,720
Speaker 1: to it. Yeah, I mean you figured hip hop was

1430
01:31:17,800 --> 01:31:21,599
Speaker 1: still very I'm load alive. You know, New York hip

1431
01:31:21,600 --> 01:31:24,600
Speaker 1: hop could be New York kipop, second hip hop and

1432
01:31:24,680 --> 01:31:26,800
Speaker 1: so on. So I mean, like, if you're talking about

1433
01:31:26,840 --> 01:31:29,720
Speaker 1: a record selling in New York, is gonna gonna sell

1434
01:31:29,720 --> 01:31:31,960
Speaker 1: a certain amount of copies. It was on the record

1435
01:31:32,040 --> 01:31:34,360
Speaker 1: companies to say to themself like, look, this is funny

1436
01:31:34,400 --> 01:31:38,679
Speaker 1: hip New York Philly d C. As a record company,

1437
01:31:38,680 --> 01:31:41,320
Speaker 1: you don't see that necessarily be cleared a sample because

1438
01:31:41,320 --> 01:31:43,040
Speaker 1: this ain't gonna really go on the way outside of that.

1439
01:31:43,240 --> 01:31:46,360
Speaker 1: And I'm also remember what I'm gonna also tell you

1440
01:31:46,520 --> 01:31:49,600
Speaker 1: what I think fuck up about the patrics. Right. What

1441
01:31:49,720 --> 01:31:52,920
Speaker 1: happened was we would they would ship out these records

1442
01:31:53,080 --> 01:31:56,120
Speaker 1: right at these records. So let's spose you shipped out

1443
01:31:56,520 --> 01:32:00,920
Speaker 1: five yeah, thirty days on the return of those fractors. Correct.

1444
01:32:01,360 --> 01:32:04,639
Speaker 1: If those brackets didn't return, they would automatically say your

1445
01:32:04,680 --> 01:32:07,720
Speaker 1: gold yea, yeah, yea, you know what to say. What

1446
01:32:07,720 --> 01:32:11,880
Speaker 1: I'm saying, you will automatically me gold. But you will

1447
01:32:11,920 --> 01:32:19,320
Speaker 1: immediately be old that drugs on. So you could like

1448
01:32:19,479 --> 01:32:22,439
Speaker 1: those records can actually come back. They had thirty days

1449
01:32:22,520 --> 01:32:24,160
Speaker 1: to come back and they didn't come back. Thir days

1450
01:32:24,160 --> 01:32:28,120
Speaker 1: they counted as a set and that's how they jerked us.

1451
01:32:28,640 --> 01:32:35,240
Speaker 1: That's one way the way making one of the ways. Right,

1452
01:32:35,320 --> 01:32:43,280
Speaker 1: things gotta be anyway, it's amaz that's not that was crazy.

1453
01:32:43,400 --> 01:32:46,120
Speaker 1: And then it was it was I remember, like you

1454
01:32:46,200 --> 01:32:50,599
Speaker 1: know you said it, you said it earlier. I remember

1455
01:32:51,600 --> 01:32:55,360
Speaker 1: like the charge of me for chip overseas then I've

1456
01:32:55,360 --> 01:32:58,040
Speaker 1: never been too. I was there, like you had a

1457
01:32:58,080 --> 01:33:01,400
Speaker 1: billboard and some they act then there was no internet,

1458
01:33:01,520 --> 01:33:03,160
Speaker 1: so I'm like, I had a billboard at Linda for

1459
01:33:04,800 --> 01:33:07,840
Speaker 1: you had you had a time square in Japan. There

1460
01:33:07,920 --> 01:33:10,920
Speaker 1: was no pitchers back then, but they would charge you

1461
01:33:11,000 --> 01:33:14,000
Speaker 1: for ship like that. You're like, what the fucking I know,

1462
01:33:14,080 --> 01:33:16,280
Speaker 1: how was that bug? You know what? I feel like

1463
01:33:16,280 --> 01:33:20,000
Speaker 1: I'm any church right now, I'm reaching that got the

1464
01:33:20,000 --> 01:33:22,640
Speaker 1: ghost of the Holy spirit air about people that we

1465
01:33:22,800 --> 01:33:24,599
Speaker 1: both know, but I won't air m out right now.

1466
01:33:25,160 --> 01:33:28,519
Speaker 1: They are friends of ours. When I worked in marketing

1467
01:33:29,320 --> 01:33:34,120
Speaker 1: that got caught with me by accident, faking ship that

1468
01:33:34,240 --> 01:33:37,120
Speaker 1: they were riding off to the artists getting paid in

1469
01:33:37,200 --> 01:33:39,760
Speaker 1: their pocket and I wasn't getting paid as the street team.

1470
01:33:41,560 --> 01:33:44,840
Speaker 1: And then by accident the check came to me accidentally

1471
01:33:45,160 --> 01:33:48,160
Speaker 1: to my DEMP Champ people. I people because they're friends,

1472
01:33:49,720 --> 01:33:52,200
Speaker 1: and I let them now. But I called him out

1473
01:33:52,240 --> 01:33:54,400
Speaker 1: at that moment and I said, I'm keeping this check

1474
01:33:54,439 --> 01:33:56,960
Speaker 1: because it's in my name, and they called me, don't

1475
01:33:56,960 --> 01:33:58,560
Speaker 1: give me someone that. No, no, no, no no no,

1476
01:33:58,720 --> 01:34:06,720
Speaker 1: certain get none of this jam. I don't know when

1477
01:34:06,720 --> 01:34:08,920
Speaker 1: you whistle it was a big check when you whistle

1478
01:34:08,960 --> 01:34:12,559
Speaker 1: about saying, I just yea, I'm just get like gonna

1479
01:34:12,720 --> 01:34:25,840
Speaker 1: the first because you know what what happened was the

1480
01:34:25,920 --> 01:34:28,920
Speaker 1: reps in the labels. They would overcharge for everything they

1481
01:34:28,960 --> 01:34:31,320
Speaker 1: did for for you guys know what I'm saying, and

1482
01:34:31,439 --> 01:34:34,200
Speaker 1: they would not purchase this or not pay for this.

1483
01:34:34,520 --> 01:34:37,519
Speaker 1: And when street teams, they were just happy. Street teams

1484
01:34:37,520 --> 01:34:40,639
Speaker 1: are fans I have. You could be working these records,

1485
01:34:41,479 --> 01:34:45,120
Speaker 1: so we would do whatever whenever for these arts and

1486
01:34:45,640 --> 01:34:48,080
Speaker 1: the street team makes that the guy running the street team,

1487
01:34:48,160 --> 01:34:51,160
Speaker 1: that the label would take advantage of that. I wasn't

1488
01:34:51,200 --> 01:34:53,759
Speaker 1: the guy to take advantage of. I'm just talking for myself.

1489
01:34:54,240 --> 01:34:56,160
Speaker 1: I would get was stubborn nick I was supposed to

1490
01:34:56,160 --> 01:35:03,400
Speaker 1: do stub stubb, I would right, That's what I would

1491
01:35:03,400 --> 01:35:05,679
Speaker 1: see it. That's where I'm knowing this type of sense.

1492
01:35:06,600 --> 01:35:08,920
Speaker 1: Let's check him in. I already knew what's happening, but

1493
01:35:09,000 --> 01:35:10,840
Speaker 1: I never had the proof of the check. Check Right,

1494
01:35:11,400 --> 01:35:13,640
Speaker 1: A check came in the mail for a lot of

1495
01:35:13,720 --> 01:35:16,800
Speaker 1: money for a big more day weekend. We usually get

1496
01:35:16,800 --> 01:35:18,720
Speaker 1: paid a little bit more Monday, more day we get

1497
01:35:18,760 --> 01:35:23,080
Speaker 1: in those days, but this time this check was this big, right,

1498
01:35:23,360 --> 01:35:30,360
Speaker 1: and this is when you was a bat to because

1499
01:35:30,479 --> 01:35:37,479
Speaker 1: we're not saying little. He was say you called me,

1500
01:35:38,320 --> 01:35:40,720
Speaker 1: hop you called me. He said, you've got to check

1501
01:35:40,800 --> 01:35:59,800
Speaker 1: out tail. I said, I guess you know this industry's

1502
01:36:02,560 --> 01:36:04,679
Speaker 1: we heard all the same stories that he heard. Yeah,

1503
01:36:05,640 --> 01:36:08,960
Speaker 1: people really appreciate whom we were as an artist as

1504
01:36:09,000 --> 01:36:11,160
Speaker 1: a group. You don't let us don't like look, man

1505
01:36:11,400 --> 01:36:15,559
Speaker 1: in your contract, somebody's holding a dirty Yeah, some crazy

1506
01:36:15,920 --> 01:36:18,720
Speaker 1: don't smell I don't know my man I don't want

1507
01:36:18,800 --> 01:36:32,640
Speaker 1: me from Coloma. Yeah right now, the said, damn man,

1508
01:36:32,720 --> 01:36:40,880
Speaker 1: we didn't learn any Come right he listen, I'm not

1509
01:36:40,920 --> 01:36:57,160
Speaker 1: smoking right there, man, just start that was sucking me

1510
01:36:57,320 --> 01:37:01,200
Speaker 1: up like this and trying to compete because he's she's strong.

1511
01:37:02,240 --> 01:37:06,000
Speaker 1: He got to smoke that outside. I don't know what

1512
01:37:06,120 --> 01:37:11,679
Speaker 1: he's smoking dad any week, Okay, it's just let's trapping.

1513
01:37:13,439 --> 01:37:15,120
Speaker 1: I want to try to keep a straight race now.

1514
01:37:16,240 --> 01:37:23,519
Speaker 1: Want Yeah, I'm not doing smell he smell right, it's

1515
01:37:24,479 --> 01:37:27,880
Speaker 1: keep go outside with that big It's all right, please, Okay,

1516
01:37:28,320 --> 01:37:34,760
Speaker 1: you got the kee the face race so right, because

1517
01:37:34,800 --> 01:37:42,240
Speaker 1: he's blow that I brought down definitely that make smokes

1518
01:37:42,320 --> 01:37:55,680
Speaker 1: something different. Smoke about you went to wall. I was

1519
01:37:55,920 --> 01:38:00,360
Speaker 1: saying how long we could have people and I don't

1520
01:38:00,400 --> 01:38:02,800
Speaker 1: need to put the names up there, but people from

1521
01:38:02,840 --> 01:38:05,479
Speaker 1: the label respectfully letting us know, like yo, you know,

1522
01:38:06,680 --> 01:38:09,840
Speaker 1: you know this particular single could have could have did this,

1523
01:38:11,000 --> 01:38:13,760
Speaker 1: but the machine pulled back because if it would have

1524
01:38:13,880 --> 01:38:15,920
Speaker 1: did what it was supposed to do, that it that

1525
01:38:16,120 --> 01:38:18,360
Speaker 1: was naturally doing, we would have got to growing money

1526
01:38:18,439 --> 01:38:21,080
Speaker 1: in being you know. So it's that type of stuff.

1527
01:38:21,120 --> 01:38:24,880
Speaker 1: I mean, like it was being at ship. It was

1528
01:38:24,960 --> 01:38:27,400
Speaker 1: being up at like Tim Guan Rush, like you know,

1529
01:38:27,520 --> 01:38:31,160
Speaker 1: just learning how you know these herd companies are signed

1530
01:38:31,280 --> 01:38:34,080
Speaker 1: artists as his tax right offs even like so you

1531
01:38:34,160 --> 01:38:36,960
Speaker 1: know the businesses and left them out on purpose and

1532
01:38:37,360 --> 01:38:40,920
Speaker 1: you know, give you that money so you can oh yeah,

1533
01:38:41,160 --> 01:38:45,479
Speaker 1: so many are you know they purposely tanked that person's career. Yeah,

1534
01:38:45,600 --> 01:38:49,120
Speaker 1: we had that with Mother Sippery from Miami, an amazing

1535
01:38:49,280 --> 01:38:51,360
Speaker 1: artist from Miami. We thought she was it. She was

1536
01:38:51,520 --> 01:38:54,759
Speaker 1: they called her the female nas come out of Miami

1537
01:38:54,880 --> 01:39:02,240
Speaker 1: and island music shelters. Uh, you know a ship man.

1538
01:39:03,760 --> 01:39:06,080
Speaker 1: You know. One thing we don't want to do is

1539
01:39:06,720 --> 01:39:09,599
Speaker 1: we got the mean gags. I see that you look

1540
01:39:09,600 --> 01:39:13,960
Speaker 1: at that's the British walking, but it's focus them. You

1541
01:39:14,120 --> 01:39:24,120
Speaker 1: just slided. Listen, man, I mean one thing I don't

1542
01:39:24,160 --> 01:39:27,400
Speaker 1: want to do is rash. Yeah. Definitely tell the story

1543
01:39:28,120 --> 01:39:31,200
Speaker 1: for what it is. You know, it's history. Yeah, history,

1544
01:39:31,880 --> 01:39:35,360
Speaker 1: what it is? You know it's bad history once again.

1545
01:39:35,439 --> 01:39:40,880
Speaker 1: But let's hope it's not a lot of you say

1546
01:39:40,920 --> 01:39:44,519
Speaker 1: that when you say bad saying listening in the business practice,

1547
01:39:44,600 --> 01:39:47,080
Speaker 1: but you guys have had a basic career. Yeah, you

1548
01:39:47,120 --> 01:39:49,400
Speaker 1: get business practice, but based on the perception of the

1549
01:39:49,479 --> 01:39:53,880
Speaker 1: company that represents hip hop and that Timmy Boy logo

1550
01:39:54,080 --> 01:39:56,160
Speaker 1: is the hip hop you know, that's the people stand

1551
01:39:56,320 --> 01:39:59,719
Speaker 1: You know, I'm representating the hip hop and still practicing

1552
01:39:59,760 --> 01:40:04,479
Speaker 1: the is this model that's that's definitely like slavery. Yeah,

1553
01:40:05,320 --> 01:40:06,880
Speaker 1: you know it is the more of the story that

1554
01:40:07,160 --> 01:40:11,840
Speaker 1: none of these companies are really hip hop. Man don't

1555
01:40:11,880 --> 01:40:14,879
Speaker 1: represents you. We can't say they represent hip hop ultimately

1556
01:40:14,920 --> 01:40:18,679
Speaker 1: at the end of the day. Or business is business

1557
01:40:19,840 --> 01:40:24,640
Speaker 1: saying business empire, do you know what? Yeah, you know

1558
01:40:24,680 --> 01:40:27,200
Speaker 1: what you are. People are what you are, what you negotiate,

1559
01:40:27,400 --> 01:40:30,360
Speaker 1: you know what they are. Wrestle would say, yeah, you

1560
01:40:30,439 --> 01:40:31,920
Speaker 1: know what I know, and I can hear what you

1561
01:40:32,040 --> 01:40:34,400
Speaker 1: work and give you negotiate and say you get what

1562
01:40:34,560 --> 01:40:37,160
Speaker 1: you negotiate. You know what here it is. You know

1563
01:40:37,360 --> 01:40:41,280
Speaker 1: in times, you know, were making overcast ourselves or maybe

1564
01:40:41,360 --> 01:40:44,040
Speaker 1: even undersell our subs depending on the person you are,

1565
01:40:44,320 --> 01:40:46,720
Speaker 1: you know, depending on where you're at that moment in

1566
01:40:46,800 --> 01:40:49,080
Speaker 1: time in your life and what you need versus what

1567
01:40:49,240 --> 01:40:51,680
Speaker 1: you what your situation is at the time. You know,

1568
01:40:52,320 --> 01:40:55,000
Speaker 1: so it's all give and take here. It is, even

1569
01:40:55,160 --> 01:40:58,280
Speaker 1: hip hop at that time, it was independent for all

1570
01:40:58,360 --> 01:41:01,880
Speaker 1: of them. Deaf Jarem Tommy Aways select records. I mean

1571
01:41:01,960 --> 01:41:04,000
Speaker 1: from the time I have been conceiving it. Yeah, they

1572
01:41:04,040 --> 01:41:08,000
Speaker 1: were seeking from two you know, I think you know

1573
01:41:08,520 --> 01:41:11,360
Speaker 1: from what I do know, Tommy Boys relationship with Warren

1574
01:41:11,439 --> 01:41:15,120
Speaker 1: Brothers hadn't been with everything. They were still doing their thing.

1575
01:41:15,320 --> 01:41:18,320
Speaker 1: It's why they did penalty because I think they even

1576
01:41:18,360 --> 01:41:21,000
Speaker 1: saw themselves as a sonny. So I could see why

1577
01:41:21,080 --> 01:41:23,559
Speaker 1: you say they were major, you know what I mean,

1578
01:41:24,120 --> 01:41:27,080
Speaker 1: because they didn't see themselves like that chap they've been.

1579
01:41:27,160 --> 01:41:29,120
Speaker 1: They've been in the game, went in a du cham

1580
01:41:29,240 --> 01:41:33,880
Speaker 1: when you think about it, you know, out Records doing

1581
01:41:33,960 --> 01:41:37,320
Speaker 1: that thing. You know how many albums as under you're

1582
01:41:37,360 --> 01:41:40,400
Speaker 1: having with them, six or six six album and then

1583
01:41:40,439 --> 01:41:42,840
Speaker 1: there's another album they made up on y'all right a

1584
01:41:42,920 --> 01:41:50,439
Speaker 1: life like a lot of kids. They staying stories. You know.

1585
01:41:51,680 --> 01:41:53,439
Speaker 1: They may have put up the fun Out album. I

1586
01:41:53,439 --> 01:41:58,720
Speaker 1: wouldn't even name that. That ship when they got to relax, Man.

1587
01:41:58,840 --> 01:42:00,680
Speaker 1: I just want to salute y'all so much. I just

1588
01:42:00,760 --> 01:42:02,519
Speaker 1: want you all to know that hip hop is with y'all.

1589
01:42:02,560 --> 01:42:05,920
Speaker 1: We with y'all, drink Champces with you. We know you're

1590
01:42:05,960 --> 01:42:09,120
Speaker 1: not out here uh complaining, y'all here talking the truth.

1591
01:42:09,320 --> 01:42:13,000
Speaker 1: I don't have complaining with what is y'all wish you

1592
01:42:13,120 --> 01:42:15,560
Speaker 1: which you be right from to y'all, you know what

1593
01:42:15,600 --> 01:42:17,800
Speaker 1: I'm saying. And um, I just want to salute you,

1594
01:42:17,840 --> 01:42:19,360
Speaker 1: you guys to your face. You know what I'm saying.

1595
01:42:20,000 --> 01:42:24,920
Speaker 1: I want to shoot you friend, like I want to

1596
01:42:25,640 --> 01:42:28,160
Speaker 1: try to culture that truly stuck up for us, you know,

1597
01:42:29,040 --> 01:42:31,280
Speaker 1: and helped us make the noise, you know what I mean,

1598
01:42:31,400 --> 01:42:34,680
Speaker 1: And truly seen works really wrong with this whole thing,

1599
01:42:34,960 --> 01:42:39,680
Speaker 1: you know, And y'all honestly, whatever he decided to do

1600
01:42:39,880 --> 01:42:41,920
Speaker 1: is what he decided to do at this point. And

1601
01:42:42,040 --> 01:42:44,040
Speaker 1: you know, I want to move all my life And

1602
01:42:44,160 --> 01:42:45,920
Speaker 1: like I said, I just walking about said it earlier.

1603
01:42:46,200 --> 01:42:48,200
Speaker 1: He's when I spoke to I supposed want to do

1604
01:42:48,240 --> 01:42:51,479
Speaker 1: a third person am I took called Randy actor, so right,

1605
01:42:51,560 --> 01:42:54,040
Speaker 1: I said what he called in and he said he

1606
01:42:54,280 --> 01:42:57,800
Speaker 1: didn't run a coach. He said he wasn't hit by

1607
01:42:57,840 --> 01:42:59,920
Speaker 1: that bar. I was trying to get him a call,

1608
01:43:00,280 --> 01:43:02,479
Speaker 1: and he said that he didn't want to call in

1609
01:43:02,720 --> 01:43:05,120
Speaker 1: because he's actually trying to work it out with you.

1610
01:43:05,240 --> 01:43:07,280
Speaker 1: That's true, brothers, that's true. So he said he's trying

1611
01:43:07,280 --> 01:43:08,559
Speaker 1: to work it out with you. Brother, so he didn't

1612
01:43:08,560 --> 01:43:10,680
Speaker 1: want to mess this something by you know, getting on

1613
01:43:10,880 --> 01:43:15,479
Speaker 1: and something. So I respected that. But so that's true.

1614
01:43:15,840 --> 01:43:18,960
Speaker 1: That's okay, Yeah, okay, that's true. I mean that's that's

1615
01:43:19,000 --> 01:43:22,040
Speaker 1: what we're trying to do. That's what we were just

1616
01:43:22,320 --> 01:43:24,920
Speaker 1: trying to do. But because we just we just want

1617
01:43:24,920 --> 01:43:27,200
Speaker 1: to find an happy place with all this, and we've

1618
01:43:27,240 --> 01:43:30,520
Speaker 1: been we've been really open to, uh, all the dialogue

1619
01:43:30,840 --> 01:43:34,280
Speaker 1: coming in from people hearing about this, fans or even

1620
01:43:34,320 --> 01:43:36,479
Speaker 1: people just kind of like on the outside. Whether they

1621
01:43:36,520 --> 01:43:38,760
Speaker 1: can look so like if we support you, but it

1622
01:43:38,840 --> 01:43:41,360
Speaker 1: can be like you know, why did you but why

1623
01:43:41,400 --> 01:43:42,880
Speaker 1: did you sign this? So why did you do this?

1624
01:43:43,640 --> 01:43:46,960
Speaker 1: So hopefully man even on their side, hopefully they have

1625
01:43:47,439 --> 01:43:51,400
Speaker 1: people having a constructive criticism and speaking to them. If

1626
01:43:51,439 --> 01:43:54,639
Speaker 1: you see them, see Tom see you'll speak to him. Yeah,

1627
01:43:54,920 --> 01:43:57,080
Speaker 1: I think he can. I think he can listen to

1628
01:43:57,120 --> 01:43:59,640
Speaker 1: them to the interview and actually neither way, you know

1629
01:43:59,640 --> 01:44:01,760
Speaker 1: what I'm because there's a lot of people who need

1630
01:44:01,880 --> 01:44:06,599
Speaker 1: these albums. I mean, y'all want to need these albums.

1631
01:44:06,680 --> 01:44:10,040
Speaker 1: This is a part of hip hop, that's a periods

1632
01:44:10,479 --> 01:44:12,920
Speaker 1: helping hippop. We can't tell the story of hip hop

1633
01:44:13,240 --> 01:44:16,560
Speaker 1: and did not have that there, because right now it

1634
01:44:16,680 --> 01:44:19,120
Speaker 1: isn't there. It's just that there. That's like having an

1635
01:44:19,200 --> 01:44:22,360
Speaker 1: empty book that's not having and that's the book with

1636
01:44:22,560 --> 01:44:25,240
Speaker 1: no chat. And that's that's being able to see the

1637
01:44:25,400 --> 01:44:28,880
Speaker 1: dual value. The value is in the culture, in the

1638
01:44:29,040 --> 01:44:32,400
Speaker 1: history as well as your pocket. And if you only

1639
01:44:32,479 --> 01:44:35,599
Speaker 1: got a concept of one, that's where the problem lies.

1640
01:44:35,720 --> 01:44:37,800
Speaker 1: You know what I'm seeing Where y'all came in on

1641
01:44:37,960 --> 01:44:42,599
Speaker 1: this so young and early, maybe he should understand that, yo,

1642
01:44:42,680 --> 01:44:44,600
Speaker 1: you just he just has to break even on this

1643
01:44:44,800 --> 01:44:48,000
Speaker 1: to make more money in other areas. The white us

1644
01:44:48,080 --> 01:44:50,840
Speaker 1: to be the fire festival guy. Tom, don't be the

1645
01:44:50,920 --> 01:45:01,200
Speaker 1: fire festival guy. Tom. Don't mean that guy that I

1646
01:45:02,160 --> 01:45:06,559
Speaker 1: think that we have been able to sustain and achieve

1647
01:45:07,280 --> 01:45:10,160
Speaker 1: since they're back. We've been doing off things and been

1648
01:45:10,240 --> 01:45:13,240
Speaker 1: holding our corner, probably not been holding our horner, and

1649
01:45:13,320 --> 01:45:16,360
Speaker 1: probably never said anything right. I mean when they took

1650
01:45:16,439 --> 01:45:21,000
Speaker 1: whatever liquid. That's coming about this chance to say, you

1651
01:45:21,040 --> 01:45:24,280
Speaker 1: know what these are kids that I signed is the

1652
01:45:24,400 --> 01:45:27,559
Speaker 1: kids I was part of their career when and now

1653
01:45:27,600 --> 01:45:30,080
Speaker 1: they've grown men. Let me do business with them as

1654
01:45:30,320 --> 01:45:33,760
Speaker 1: something this is this is your turn to do that,

1655
01:45:33,960 --> 01:45:36,360
Speaker 1: and you can leave the web and say, you know what,

1656
01:45:36,439 --> 01:45:40,760
Speaker 1: I'm gonna treat them like man. Maybe that contract for

1657
01:45:40,920 --> 01:45:44,000
Speaker 1: these kids that they signed when they were twenty seventeen

1658
01:45:44,200 --> 01:45:48,160
Speaker 1: doesn't hate culture and didn't directive part the situation and

1659
01:45:48,200 --> 01:45:49,799
Speaker 1: say you know what, I would be a business partner

1660
01:45:49,880 --> 01:45:54,120
Speaker 1: from here on out. Yeah. Partners, Yeah, it is the

1661
01:45:54,240 --> 01:45:57,080
Speaker 1: key word. Right. That was a good question. Sometimes good

1662
01:45:57,120 --> 01:46:00,760
Speaker 1: partners walk away and they and they don't don't want

1663
01:46:00,760 --> 01:46:02,679
Speaker 1: to walk away. I kind of log's dead. We cannot

1664
01:46:02,720 --> 01:46:05,400
Speaker 1: walk away. What I'm saying like he could not or

1665
01:46:05,479 --> 01:46:08,840
Speaker 1: maybe not or whatever I'm saying is being about him

1666
01:46:09,320 --> 01:46:12,960
Speaker 1: Georgia trying to bas storm with the language has been

1667
01:46:13,040 --> 01:46:15,679
Speaker 1: in the contract. He can't truly do what he wants.

1668
01:46:15,960 --> 01:46:20,120
Speaker 1: But really he doesn't have to say he can make it.

1669
01:46:20,280 --> 01:46:22,200
Speaker 1: He could make he can make it right the balls

1670
01:46:22,240 --> 01:46:25,519
Speaker 1: on his right. Hip Hop is looking at now. Now.

1671
01:46:25,720 --> 01:46:28,479
Speaker 1: Now it's not just y'all and him talk. That's true.

1672
01:46:28,760 --> 01:46:33,760
Speaker 1: It's hip hop true talking to him. Yeah. I need,

1673
01:46:34,680 --> 01:46:42,160
Speaker 1: I need, I truly believe, you know, he he should

1674
01:46:42,280 --> 01:46:44,519
Speaker 1: make the right decision. He should, he should, he should should.

1675
01:46:44,560 --> 01:46:47,040
Speaker 1: He shouldn't be shooting forward because that's what he will.

1676
01:46:47,200 --> 01:46:49,320
Speaker 1: I don't think he needs to help. I don't think

1677
01:46:49,360 --> 01:46:52,960
Speaker 1: he needs it. I don't think so. No, I think

1678
01:46:53,000 --> 01:46:56,640
Speaker 1: he's well off, So why not make the people and

1679
01:46:56,760 --> 01:46:58,760
Speaker 1: if he doesn't need to become good partners with these

1680
01:46:58,800 --> 01:47:02,040
Speaker 1: guys just to the right there right the opened doors

1681
01:47:02,080 --> 01:47:05,559
Speaker 1: from now more a better opportunities, opportunities, it all falls.

1682
01:47:05,560 --> 01:47:10,000
Speaker 1: And I don't trying to count his pockets, but exactly, Famulus, exactly,

1683
01:47:12,760 --> 01:47:21,240
Speaker 1: that's so little motherfucker's okay, I'm not. I don't know

1684
01:47:21,280 --> 01:47:23,280
Speaker 1: if you forgot to say, like because they brought to

1685
01:47:23,280 --> 01:47:26,639
Speaker 1: our attention, like when we was obviously all that Tommy boy,

1686
01:47:27,760 --> 01:47:30,720
Speaker 1: you came in to interview us or something, I was

1687
01:47:30,760 --> 01:47:33,920
Speaker 1: already interviewed. We was doing that then, damn like ninety

1688
01:47:33,960 --> 01:47:44,240
Speaker 1: three doing night gils in jail, just like a great story.

1689
01:47:46,800 --> 01:47:55,120
Speaker 1: You know. I don't know where that used to say, Yeah,

1690
01:47:55,560 --> 01:47:58,760
Speaker 1: I'm gonna tell you where I had to little cameras

1691
01:47:58,760 --> 01:48:00,720
Speaker 1: some amazing. I knew that then that was going to

1692
01:48:00,800 --> 01:48:02,280
Speaker 1: be the here of that. I don't know why I

1693
01:48:02,439 --> 01:48:07,560
Speaker 1: used to always feel everything, you know, I didn't know

1694
01:48:07,640 --> 01:48:10,280
Speaker 1: the internet it would be what is what I a

1695
01:48:10,320 --> 01:48:16,599
Speaker 1: better description? I knew information was instant, and he wasn't

1696
01:48:16,680 --> 01:48:20,040
Speaker 1: living in that time right right. I just knew that.

1697
01:48:20,120 --> 01:48:23,040
Speaker 1: Like That's what I was saying earlier was I was

1698
01:48:23,120 --> 01:48:26,960
Speaker 1: a paul that when I dropped the record, my fans

1699
01:48:27,040 --> 01:48:30,880
Speaker 1: in London wouldn't get it simultaneous, right, like that would

1700
01:48:30,920 --> 01:48:34,200
Speaker 1: bother who really did it? From me was mf door,

1701
01:48:36,120 --> 01:48:41,439
Speaker 1: that's because we don't even know if the nigga mumtaally

1702
01:48:41,520 --> 01:48:43,439
Speaker 1: I think it had seven shows and was like, I'm

1703
01:48:43,479 --> 01:48:52,840
Speaker 1: sure remember that all that work from him mysterious feeling

1704
01:48:53,280 --> 01:48:55,479
Speaker 1: like it's only a half full of dudes that could

1705
01:48:56,200 --> 01:48:59,160
Speaker 1: do a show, actually start up with show and not show.

1706
01:49:00,000 --> 01:49:03,280
Speaker 1: And he's want we're gonna remember you want to drink

1707
01:49:03,400 --> 01:49:12,280
Speaker 1: chance if you ain't know if you're saying, yo, have

1708
01:49:12,400 --> 01:49:13,880
Speaker 1: to wrap it up. I'm just trying to say, like

1709
01:49:14,720 --> 01:49:16,960
Speaker 1: back then even this think of cold it like yo, man,

1710
01:49:17,040 --> 01:49:20,120
Speaker 1: like this dude did a dope job, like he could

1711
01:49:20,160 --> 01:49:22,880
Speaker 1: do this ship. Like he said that then like about me,

1712
01:49:24,360 --> 01:49:26,639
Speaker 1: I was like, Yo, that's really you know what I'm saying.

1713
01:49:26,680 --> 01:49:30,280
Speaker 1: So to see you doing this, God at least put

1714
01:49:30,320 --> 01:49:38,679
Speaker 1: my call night appreciated UNS. I swear god Yr story

1715
01:49:39,080 --> 01:49:42,560
Speaker 1: is so real. It's so real, so touching to me,

1716
01:49:42,640 --> 01:49:44,280
Speaker 1: you know what I'm saying, I would have to leave

1717
01:49:44,400 --> 01:49:47,719
Speaker 1: the same campaign. I figured once I heard y'all I said,

1718
01:49:47,880 --> 01:49:50,080
Speaker 1: and he wasn't even about me leaving. My campaign is

1719
01:49:50,080 --> 01:49:52,200
Speaker 1: about me joining y'alls. You know what I'm saying, and

1720
01:49:52,680 --> 01:49:55,560
Speaker 1: jumping on and supporting y'all. What y'all need first, I

1721
01:49:55,640 --> 01:49:58,280
Speaker 1: would like, I'm not even wanting to negotiate my ship.

1722
01:49:58,320 --> 01:50:00,360
Speaker 1: I want y'all shipped to me right first, for me

1723
01:50:00,439 --> 01:50:02,920
Speaker 1: to even consider it, and then I'm gonna follow y'all.

1724
01:50:03,120 --> 01:50:04,479
Speaker 1: You know what I'm saying, because that's what it is.

1725
01:50:04,560 --> 01:50:08,320
Speaker 1: It's not about selfish, being selfish times about being with

1726
01:50:08,439 --> 01:50:10,679
Speaker 1: the people. So I'm standing with y'all and we rove

1727
01:50:10,800 --> 01:50:15,120
Speaker 1: you and mind I'm saying about y'all first, You first,

1728
01:50:17,600 --> 01:50:17,720
Speaker 1: Ya