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Speaker 1: I mean, this is kind of your showy like you

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Speaker 1: kick it off.

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Speaker 2: I know, and I I'm like, I apologize for Like

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Speaker 2: this was something that was supposed to be fun, and

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Speaker 2: it has been fun. It has been a lot of fun.

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Speaker 2: I I I don't want to get to the place

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Speaker 2: where it's not fun. No, no, no. And I can

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Speaker 2: just see I can see it just over the just

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Speaker 2: over the other side of that hill.

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Speaker 1: Well it's fun, but it's a job. And it is

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Speaker 1: when you take something that you enjoy, something that is

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Speaker 1: a passion for you, and you turn into a job

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Speaker 1: or in our case at this point of career, I mean,

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Speaker 1: how many times have we done this?

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Speaker 2: Now done a podcast? This is our second podcast, yeah.

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Speaker 1: So, and you look at it that way.

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Speaker 2: We used to have another one before, yeah, this one,

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Speaker 2: and it's had a lot of different like it's taken

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Speaker 2: different shapes, but it is the same podcast, Like this

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Speaker 2: one is the same.

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Speaker 3: Podcast, I believe you.

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Speaker 2: So this is our second one.

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Speaker 1: So podcast number two.

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Speaker 2: We did another one.

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Speaker 1: Cool, Yeah, we did one first that was that was

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Speaker 1: a fucking slog too.

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Speaker 2: Man. Have you have you been here before? You've done

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Speaker 2: shows here in this room, this room or in the

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Speaker 2: room next door.

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Speaker 3: Actually, and that's all.

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Speaker 2: There is no more rooms than that.

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Speaker 3: Not I'm funny. I don't think I've done any in

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Speaker 3: that room, but I have done them in this room.

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Speaker 1: You've done this room?

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Speaker 2: Which one did you do in here?

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Speaker 3: Which podcast?

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Speaker 2: What else? Right? I'm sorry, I'm just curious what else

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Speaker 2: I could be?

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Speaker 3: Uh? You could have been asking if I if anything

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Speaker 3: else happened in this room, I could have done a podcast.

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Speaker 2: I actually act. Did you do something else in here

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Speaker 2: that wasn't a podcasttter question?

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Speaker 3: Yeah, rat fraternized?

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Speaker 2: You fraternized in here? Yeah? Okay with who people? Do

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Speaker 2: you remember? Like? No, you don't remember who it was?

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Speaker 2: I don't remember most.

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Speaker 1: I think you have done that other room. Sorry, you've

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Speaker 1: been in the other room.

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Speaker 3: I don't think I have.

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Speaker 1: Yeah, you've done a show in that room.

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Speaker 3: I don't know.

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Speaker 1: Why do you fraternized in there?

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Speaker 3: I think I did that. I don't think i've been

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Speaker 3: in that room. Really, do we have a moment? Can

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Speaker 3: I go look at it?

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Speaker 2: Yeah?

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Speaker 1: Why don't you get in that room?

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Speaker 3: Is cool?

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Speaker 2: No, I forget it. Let's just do the show. Let's

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Speaker 2: just keep going. I think someone else could would have

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Speaker 2: been really hurt in that situation. He's fine, what happened

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Speaker 2: was what happened.

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Speaker 1: So when you like threw the mic at me, throw

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Speaker 1: the like smashed.

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Speaker 2: Why do you care if you've done anything in here?

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Speaker 2: One for someone I was here the first time, we

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Speaker 2: might be able to say, like, oh, he didn't.

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Speaker 1: Know, he didn't know where the mics where, he didn't

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Speaker 1: know that they how easy it is bump them, and

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Speaker 1: how dangerous it is.

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Speaker 2: So that's why I care. Because we've established that you

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Speaker 2: have been in here before and you and you do understand.

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Speaker 3: I'm going to fight you.

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Speaker 2: You already did already.

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Speaker 1: Well, yeah, you certainly went with the three sucker punch,

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Speaker 1: three cameras.

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Speaker 3: No throw mike, I did not throw a mic, and okay,

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Speaker 3: have swung it a bit.

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Speaker 2: And no, he's other stuff. So he's actually looking for

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Speaker 2: counting three.

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Speaker 3: First of all, first stout one, don't recariate it, don't

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Speaker 3: recreate it.

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Speaker 1: When you're saying I may have done it, don't do

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Speaker 1: it again, you're basically saying, oh, it's really hurting you

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Speaker 1: swung on me. So it's like, oh, I didn't throw it.

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Speaker 1: I I swung on your ass, and it's like, yeah,

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Speaker 1: you did. It was a sucker punch. I wasn't ready.

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Speaker 2: No one has that one. Actually, basically we watched it

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Speaker 2: really really really bad.

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Speaker 1: Terrible shows. We have done terrible episodes of this show,

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Speaker 1: and no one has ever escalated to that level of violence.

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Speaker 1: Well welcome, Yeah, I guess so you're a unique brand.

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Speaker 1: And we were told, you know, Bobby does things a

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Speaker 1: little different.

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Speaker 2: Uh, and are you rasted? PR people were like, are

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Speaker 2: you sure you want to do this? You brought up

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Speaker 2: like they felt an obligation. I think, like if we're

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Speaker 2: shopping this guy around town, like you know, we got it,

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Speaker 2: it's a buyer beware type thing.

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Speaker 1: Yeah, they don't kind of blow back. Yeah, it's so whatever, Like, uh,

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Speaker 1: I just got fucked up. I just got my ass

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Speaker 1: kicked on my own show. First time that's ever happened.

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Speaker 1: But I'm rolling with it.

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Speaker 2: He's gonna do it again.

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Speaker 3: I'm not gonna do it again. You think someone else.

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Speaker 1: So that actually is a good segue of what we

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Speaker 1: did want to talk about, which is comedy does come

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Speaker 1: into thank you somebody's getting this show back on christ

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Speaker 1: last guy I ever thought. But the unfrosted PR people

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Speaker 1: did say Bobby will he's a little bit of a

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Speaker 1: wild man. But ultimately he's a pro and he's going

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Speaker 1: to get that thing back on the rails. So comedy,

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Speaker 1: uh is in crisis.

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Speaker 4: Comedy is always no no, actually yeah no, it's not

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Speaker 4: always a always listen.

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Speaker 1: So during the comedy boom was the comedy in crisis?

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Speaker 2: Let me say that it was a boom? Yeah? What

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Speaker 2: is boom? Yeah? Exploded something it was.

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Speaker 1: I guess it was really painful too, and a lot

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Speaker 1: of people died. Yeah, the comedy boom.

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Speaker 3: Still dying of this day.

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Speaker 2: Yeah, well yeah, I mean not those people.

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Speaker 3: No, they can't die twice.

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Speaker 2: You can't imagine for comedy purposes. Do you imagine if

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Speaker 2: they could?

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Speaker 1: Yeah, comedy comes into your rabbit.

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Speaker 2: I feel like yeah, yeah.

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Speaker 1: I so so so so comedies in crisis. I mean

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Speaker 1: you have to recall obviously.

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Speaker 2: Three four years ago.

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Speaker 1: There was a there was some kind of comedy character

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Speaker 1: showcase happening every two hours. I mean it was it

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Speaker 1: was constant. There was nothing else to see other than

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Speaker 1: character showcases, and.

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Speaker 2: You couldn't walk stories.

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Speaker 1: So many fully realized kooky lady who had too much

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Speaker 1: plastic surgery ordering coffee, Uh, therapist who is trying to

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Speaker 1: also sell a multi level marketing kind of product. I mean, like,

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Speaker 1: oh my god, dude, and this is the tip of

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Speaker 1: the iceberg. These things were everywhere and we just would.

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Speaker 2: Laugh a lot about Australians. You remember when people kind

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Speaker 2: of discovered being Australian.

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Speaker 1: Australia like just came out.

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Speaker 2: No, this was this was yeah. So we did go through.

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Speaker 5: Crocodile, crocodile, crocodile under Mifflin.

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Speaker 3: Hunted crocodile hunters. He hunted crocodile dundees, Yes, named Michael Scott.

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Speaker 1: So that so, and and that was funny.

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Speaker 2: It comes in waves, the Australian stuff, which is what

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Speaker 2: Steve Irwin should have been.

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Speaker 1: Worn unfortunately found out.

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Speaker 2: Yeah, and that that extended the lifespan of the Character

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Speaker 2: showcase for another like year and a half, just like

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Speaker 2: people got off people discovering that accent.

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Speaker 3: It's a big wave.

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Speaker 2: Yes, But the now it is in crisis, and we

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Speaker 2: think about what are like the products we've been working like,

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Speaker 2: I mean, let's look at the landscape now, Okay, let's

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Speaker 2: look good right here, look around here, right here in

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Speaker 2: this room. This is it.

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Speaker 1: This is the only place that comedy is still thriving

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Speaker 1: in this room because the character showcases in that room.

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Speaker 2: But what happened? Did you ever make your way over there? No?

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Speaker 2: I forgot, I was. I threw a mic at him.

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Speaker 3: I got up like a forty seven year old old

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Speaker 3: fat man, and he said that I accosted him.

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Speaker 1: Go look at go look at the room. If you

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Speaker 1: want to look at the room.

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Speaker 2: Now that he's oh my god, he can he can

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Speaker 2: cover up. Yeah, and you've made the table so close.

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Speaker 2: That's close when he comes back. Yeah.

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Speaker 1: Yeah, you definitely were.

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Speaker 3: Looking at it almost exactly like this room. It's just

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Speaker 3: tinier and there's chairs and a different guy.

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Speaker 2: You didn't do dough boys in there? No, never, never.

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Speaker 3: I've never done on dough boys. Never done that. I've

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Speaker 3: never been on dough boys. I like, I'm not Mitch.

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Speaker 3: No one's one. That's what you're trying to say.

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Speaker 6: I feel like dog.

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Speaker 2: Wondering if Sean maybe if like dough boys always records

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Speaker 2: in there, So I am actually wondering. When Sean was like,

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Speaker 2: you have been in there before that he thought that

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Speaker 2: you were.

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Speaker 1: Excuse me, excuse me, your senses were working over time.

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Speaker 1: You were interviewed in that room by who?

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Speaker 3: Why are you so adamant about this, mister David Cross.

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Speaker 3: That wasn't there. Oh yeah, no, I was in there

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Speaker 3: like a couple of days ago.

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Speaker 2: Yeah.

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Speaker 3: It's like I got a bunch of stuff wrong on

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Speaker 3: that show too.

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Speaker 2: What did you get to get wrong?

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Speaker 3: Facts? Opinion?

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Speaker 2: This make good know your facts before you go in there.

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Speaker 3: You're supposed to.

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Speaker 1: Yeah, right, yeah, well you were happy, you were just

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Speaker 1: sort of happy.

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Speaker 3: I just want to say, what's the best right now?

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Speaker 2: This is what you're saying. Yeah, this is all that's.

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Speaker 3: Left now that we got that out of the way,

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Speaker 3: like we almost now, I'm.

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Speaker 1: The vibe has just like taken this sharp turn and

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Speaker 1: it's almost like we're better friends for it. But friends fight,

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Speaker 1: you know.

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Speaker 2: Important question. What did you guys talk about on Census

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Speaker 2: working overtime before you thought you started recording, when you

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Speaker 2: entered the room, what were you and David talk about? Oh?

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Speaker 3: The what chair to sit in? Okay, that's in the

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Speaker 3: episode Friend.

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Speaker 2: Kevin is basically Kevin's building a case against since it's

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Speaker 2: working overtime. He basically says that they're illegally doing like

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Speaker 2: some kind of illegal surveillance. They record the episode before

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Speaker 2: like as people.

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Speaker 3: Are it definitely felt like, I know what you're talking about.

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Speaker 3: And that moment felt like I mentioned it to my wife.

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Speaker 3: It felt like a haunted house moment. It was like

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Speaker 3: step in the room and I was like, Oh, I

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Speaker 3: get it. It's already on, but I'm not positive.

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Speaker 5: Yeah, because we're Kevin's saying, it violates the crisis in

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Speaker 5: comedy crisis.

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Speaker 1: It violates revenge porn loss. Yes, they're like releasing They're

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Speaker 1: releasing this footage.

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Speaker 2: It's like recorded without your not He proudly said that.

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Speaker 3: Yeah, said I want to put your face in the camera.

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Speaker 1: He basically said, if what I'm doing is revenge porn,

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Speaker 1: then so is this? That was what Kevin said. So like,

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Speaker 1: I don't know, I don't have all the details. But

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Speaker 1: apparently if he can bust since his working overtime, it

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Speaker 1: somehow is going to reduce whatever he's.

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Speaker 3: Doing a lot of just any kind of cross promotion.

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Speaker 1: Is well, oh yeah, and it's going to be great

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Speaker 1: for the network.

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Speaker 2: You guys, so what this room? What they so when

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Speaker 2: when heaggumb hears cross promotion, he's still.

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Speaker 3: Talking about Peo, I'm still talking about fighting.

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Speaker 2: Okay, I just want to clarify because like hegum here's

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Speaker 2: cross promotion. They mean promoting David Cross. They don't mean

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Speaker 2: like they don't think that means.

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Speaker 1: Yeah, we've been doing a ton of cross promoting.

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Speaker 2: You guys do that constantly.

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Speaker 1: It's like, okay, it doesn't involve us, and they're like

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Speaker 1: why would it?

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Speaker 2: I know you so like going and like taking a

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Speaker 2: swinging at David Cross is not going to be the

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Speaker 2: same as like no, putting this guy on the deck,

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Speaker 2: like they don't give a fuck.

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Speaker 1: But like yeah, so it's like, yeah, this is all

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Speaker 1: that's left. This is the only safe space for comedy

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Speaker 1: basically that exists. Okay, and uh, we've kind of brought

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Speaker 1: you in here because you're one of the you're one

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Speaker 1: of the people who I think might have the juice

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Speaker 1: to put this thing back on time.

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Speaker 2: We're building something. We're building something in here.

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Speaker 1: I know we're building an arc.

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Speaker 2: You know what?

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Speaker 1: Now, he said, I know what you I know and

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Speaker 1: I interrupted you, So you know what, what do you know?

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Speaker 3: The apology is aggressive?

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Speaker 1: I'm really really fucking sorry.

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Speaker 2: He has sensitive teeth too, So.

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Speaker 3: Like he has sensitive like not like you you got

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Speaker 3: real butter teeth, really special that's what they call it, right, Yeah,

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Speaker 3: he's a butter teeth.

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Speaker 1: He's really everything's tough about this.

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Speaker 3: Guy, but teeth.

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Speaker 1: So you know I got I got a butter teeth,

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Speaker 1: summer teeth, butter not you.

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Speaker 3: Say, summer teeth are your summer teeth? Yeah, summer teeth

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Speaker 3: is my new improv team.

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Speaker 1: Oh sure, Yeah, gotta check with Jeff Tweety first, could

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Speaker 1: fucking tweety this.

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Speaker 2: Go to the super Bowl halftime show and we love it,

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Speaker 2: our friend and he acts like he's not our friends

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Speaker 2: friends with me. If he didn't have us, you would

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Speaker 2: have nothing. Jesse David Fox from Vulture. You know him

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Speaker 2: from when he from the SNL box Scores when he

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Speaker 2: used to, you know, talk about like people watch sports.

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Speaker 1: Yes, it's like a sport to him, you know what

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Speaker 1: I mean. So he's actually going and he's going through

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Speaker 1: the box score, he's looking at the stats, who's putting

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Speaker 1: up numbers, who's having a good season. I mean, it's

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Speaker 1: basically like sports for this guy.

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Speaker 2: And he makes you or break you. No, he can't

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Speaker 2: break He makes you milk shakes.

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Speaker 3: That's no one should have that power.

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Speaker 2: He wrote a newspaper column that said next super Bowl

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Speaker 2: halftime show should be comedy.

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Speaker 1: Well and just look at the pala he said.

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Speaker 7: See yeah, see.

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Speaker 1: Doesn't that feel good?

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Speaker 2: You want to laugh? Want to laugh?

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Speaker 1: I wonder when else people might laugh well at comedy

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Speaker 1: and wouldn't that be nice? Obviously? Uh, music has been

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Speaker 1: beyond over for a long time.

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Speaker 3: Is your opinion?

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Speaker 2: No?

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Speaker 1: Go ahead, yeah no, let's make the case for music.

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Speaker 3: Make the case.

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Speaker 2: I'd like to hear it. How is it.

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Speaker 1: Relevant at all? Literally, who is even doing.

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Speaker 2: Fully cooked?

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Speaker 8: It's fucking cash, brother, don't call me brother number one,

302
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Speaker 8: soft ass teeth.

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Speaker 1: Come on, man, we put a mouth guarded, do it?

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Speaker 3: Yeah?

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Speaker 2: Need I will will need boom.

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Speaker 1: Yeah, it's fullam covering metal, the hard substance.

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Speaker 2: It's so unsafe. That's why they have to put something

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Speaker 2: to protect the people like you.

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Speaker 1: The phone is there because it's the weapons.

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Speaker 2: This is a right. People want to laugh, like Kevin looking.

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Speaker 3: The original Super Bowl? Do you know why the halftime

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Speaker 3: show exists?

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Speaker 1: Players can drink water, well, they have to, they're but

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Speaker 1: they get insanely on the.

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Speaker 3: Field start because of living color. Isn't that the lore? Now?

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Speaker 3: Another head? Okay, here we go on here and say

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Speaker 3: a fact that I have.

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Speaker 1: This is like it's true or not so many half

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Speaker 1: remembered things.

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Speaker 3: You're dad, right, Why why are you so dismissive of

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Speaker 3: my hand?

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Speaker 1: No, no, no, no, I'm not dismissing senses working part time.

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Speaker 2: Senses.

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Speaker 1: Yeah, senses on fucking paid leave, right, they deserve it. Yeah,

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Speaker 1: well that's true. I finally we agree on something. My

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Speaker 1: senses should get a vaga.

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Speaker 2: This is actually you bring something up, Bobby.

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Speaker 3: I bring up a lot of things.

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Speaker 2: The players have to drink water.

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Speaker 3: I didn't bring that up.

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Speaker 1: Yeah you did mention that. He brought it up, by

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Speaker 1: the way, but I agree.

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Speaker 2: What if they spit the water from like from from funniness?

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Speaker 2: You see what I'm saying.

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Speaker 3: No, I don't see what you.

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Speaker 2: That never happened to you. Oh you never got a

337
00:18:58,400 --> 00:19:01,720
Speaker 2: plume of blasted with a mist?

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Speaker 3: What are you saying? You want the players to spit

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Speaker 3: on now?

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Speaker 2: I don't want that. I want them to take a

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Speaker 2: be able to have a rest, have some water. So

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Speaker 2: I'm saying, there can't be too much. You have to

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Speaker 2: put them away, You have to put them somewhere out.

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Speaker 1: The players shouldn't be able to watch the halftime show.

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Speaker 1: We're gonna make it extra funny, and they're gonna need

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Speaker 1: to get.

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Speaker 3: The water on.

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Speaker 2: And that's where you come in, character showcase and improv.

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Speaker 1: We have to bring it back and there there hasn't

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Speaker 1: been an improv show in six months. There hasn't been

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Speaker 1: a character showcase.

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Speaker 3: There hasn't been an improv ever. And said, what do

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00:19:39,280 --> 00:19:40,600
Speaker 3: you do these facts?

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Speaker 1: I'm telling you there used to be one every game.

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Speaker 2: One name one? Uh no, yeah, see.

356
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Speaker 3: No, not that I can't. I said, no.

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Speaker 1: It's the same guy who was so like so offended

358
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Speaker 1: that music is over, could name one music, couldn't name

359
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Speaker 1: any music now, can't name any improv.

360
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Speaker 3: The beginning of TV shows commercials, uh, and those are

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Speaker 3: not movies. Those are that's where music happens.

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Speaker 2: Those are not improv.

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Speaker 1: Oh, I thought you when you said commercially, I thought

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00:20:18,080 --> 00:20:21,159
Speaker 1: you were talking about comedy. Some of those all pretty funny.

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Speaker 3: All of the comedy music, it's all love, buddy. And

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Speaker 3: I said it here and I meant it.

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Speaker 1: Well, and I wouldn't. I'm not opposed to bringing Lynn

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Speaker 1: in on this because.

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Speaker 2: I don't know just for like we need like a

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00:20:45,640 --> 00:20:48,600
Speaker 2: production like it is just going to be you up there,

371
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Speaker 2: but it's not just gonna be you up there. You

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Speaker 2: know what I mean.

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Speaker 3: That's I think it should be. There should be more.

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Speaker 1: Well, there will be. You're gonna bring all your fun

375
00:21:00,000 --> 00:21:04,480
Speaker 1: any friends. But they look it's uh familiar. They look

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Speaker 1: a little bit like you. Maybe one has a different

377
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Speaker 1: wing on.

378
00:21:09,800 --> 00:21:11,760
Speaker 2: Maybe one you're nervous. So here's what we need.

379
00:21:11,880 --> 00:21:13,960
Speaker 1: So maybe one's got a crazy accent.

380
00:21:14,440 --> 00:21:18,920
Speaker 2: We need one characters who's kind of the MC right,

381
00:21:19,080 --> 00:21:23,560
Speaker 2: who's like welcoming everybody. Maybe he's sweeping up but it's like,

382
00:21:23,680 --> 00:21:26,919
Speaker 2: oh and oh you're a little early. Okay, I guess

383
00:21:26,960 --> 00:21:30,600
Speaker 2: like the red like the real cast isn't here yet.

384
00:21:30,880 --> 00:21:33,280
Speaker 2: Oh maybe I can do this ship. Do you have

385
00:21:33,320 --> 00:21:33,840
Speaker 2: a key?

386
00:21:34,000 --> 00:21:35,520
Speaker 1: Yeah, maybe I can time.

387
00:21:35,760 --> 00:21:39,359
Speaker 2: Yeah, yes, Oh this is like my big shot. Yeah,

388
00:21:39,400 --> 00:21:42,720
Speaker 2: you know, I was just sweeping the spotlight, you know

389
00:21:42,760 --> 00:21:43,440
Speaker 2: the spotlight s.

390
00:21:43,800 --> 00:21:45,120
Speaker 3: Yeah. One leg Willie.

391
00:21:45,920 --> 00:21:50,520
Speaker 2: One leg Willie is that character? Okay, we said not offensive.

392
00:21:50,720 --> 00:21:54,320
Speaker 3: He's got two legs. Okay, oh okay, okay, he just

393
00:21:54,359 --> 00:21:55,720
Speaker 3: hates one of them.

394
00:21:56,240 --> 00:22:01,960
Speaker 1: Okay, So how does that manage he's talking about it's trying.

395
00:22:01,760 --> 00:22:03,960
Speaker 3: To take it off works. He's the he's the night

396
00:22:04,000 --> 00:22:06,480
Speaker 3: clean up guy at the at the super Bowl.

397
00:22:06,440 --> 00:22:11,520
Speaker 2: At the super Bowl Stadium, Okay, all right, so I'm

398
00:22:11,560 --> 00:22:13,640
Speaker 2: actually and I hate to push back on you.

399
00:22:14,040 --> 00:22:17,200
Speaker 1: Why is he cleaning up if everyone's here early.

400
00:22:18,359 --> 00:22:22,399
Speaker 2: Because you have to sweep up, Like the time the

401
00:22:22,440 --> 00:22:25,840
Speaker 2: spotlight is just before everyone gets there, not the night before,

402
00:22:25,880 --> 00:22:27,480
Speaker 2: and then it gets kind of all dusty again.

403
00:22:27,600 --> 00:22:31,160
Speaker 1: Okay, yeah, okay, hot dog bits.

404
00:22:31,880 --> 00:22:35,439
Speaker 2: It's nighttime. The Super bowls a night Yeah. He collects

405
00:22:35,440 --> 00:22:36,200
Speaker 2: hot dog bits.

406
00:22:36,359 --> 00:22:39,040
Speaker 3: Yeah, just left over hot dog bits from the stadium

407
00:22:39,119 --> 00:22:40,840
Speaker 3: to feed animals near his home.

408
00:22:42,400 --> 00:22:42,800
Speaker 2: Hm hmm.

409
00:22:43,520 --> 00:22:46,320
Speaker 3: So they're not for him, No, they're hot dog bits.

410
00:22:46,400 --> 00:22:48,520
Speaker 2: So we're learning to love this character a little bit.

411
00:22:48,680 --> 00:22:52,320
Speaker 1: And this character is let's save the cat, you know

412
00:22:52,400 --> 00:22:54,520
Speaker 1: what I mean. It's like the first thing we know

413
00:22:54,680 --> 00:22:57,000
Speaker 1: is like, oh, he's feeding animals.

414
00:22:56,280 --> 00:22:59,720
Speaker 2: The whole is a little bit of a hot dog

415
00:23:00,600 --> 00:23:01,320
Speaker 2: near his home.

416
00:23:02,119 --> 00:23:04,600
Speaker 3: Yeah, not at his home, just around it, near it

417
00:23:04,600 --> 00:23:06,639
Speaker 3: because if he doesn't want to bring animals to his

418
00:23:06,720 --> 00:23:10,240
Speaker 3: home because they're annoying in reality.

419
00:23:10,000 --> 00:23:14,080
Speaker 2: You give them food and other places they stay.

420
00:23:14,240 --> 00:23:15,400
Speaker 3: Yeah, it's like a Disney movie.

421
00:23:15,600 --> 00:23:17,639
Speaker 1: So you know, this is a place where food shows up,

422
00:23:17,680 --> 00:23:19,760
Speaker 1: hot dog bits arrive here, so this may be a

423
00:23:19,800 --> 00:23:21,000
Speaker 1: good place to remain.

424
00:23:21,880 --> 00:23:24,760
Speaker 3: All I know is all the animals know is that

425
00:23:24,840 --> 00:23:27,240
Speaker 3: when they show up their bits of plenty.

426
00:23:28,440 --> 00:23:30,359
Speaker 2: And that's what the Super Bowl fans are going to

427
00:23:30,440 --> 00:23:31,320
Speaker 2: be learning as well.

428
00:23:31,560 --> 00:23:37,040
Speaker 3: See if you did that, why don't expose your teeth

429
00:23:37,080 --> 00:23:38,359
Speaker 3: that much? I'm afraid for you.

430
00:23:39,119 --> 00:23:39,359
Speaker 2: Thank you?

431
00:23:41,680 --> 00:23:42,200
Speaker 3: Okay.

432
00:23:43,680 --> 00:23:49,720
Speaker 1: So this character, uh yes, one leg Willy?

433
00:23:50,040 --> 00:23:50,760
Speaker 2: Is he.

434
00:23:52,280 --> 00:23:53,000
Speaker 1: Or could he be?

435
00:23:54,240 --> 00:23:59,520
Speaker 3: Also pronounced spelt w o n okay?

436
00:23:59,600 --> 00:24:04,879
Speaker 2: Gee? One leg willie h w I l l one Okay,

437
00:24:05,280 --> 00:24:08,439
Speaker 2: that's now it's spelled. It's not. It doesn't change anything

438
00:24:08,440 --> 00:24:11,640
Speaker 2: about him or his behavior. That's just one of them

439
00:24:11,760 --> 00:24:14,120
Speaker 2: hates one of them. And is he okay?

440
00:24:14,240 --> 00:24:21,400
Speaker 1: Or could he be? Like so Italian?

441
00:24:21,720 --> 00:24:22,640
Speaker 3: He is like.

442
00:24:24,080 --> 00:24:24,800
Speaker 1: Italian?

443
00:24:25,320 --> 00:24:29,560
Speaker 3: Ninety nine percent of the things I do or that

444
00:24:29,880 --> 00:24:30,800
Speaker 3: are that Italian?

445
00:24:31,400 --> 00:24:32,000
Speaker 2: Okay?

446
00:24:32,080 --> 00:24:36,160
Speaker 3: So yeah, so I say, yeah, crazy, I can tell

447
00:24:36,280 --> 00:24:40,160
Speaker 3: when you like stuff because you enunciate and slow down

448
00:24:40,200 --> 00:24:41,200
Speaker 3: your words a lot.

449
00:24:41,119 --> 00:24:48,520
Speaker 2: More, which again hurts him to do, like so very uncomfortable.

450
00:24:48,600 --> 00:24:55,919
Speaker 1: Yeah yeah, oh god, yeah it starts there getting I

451
00:24:56,000 --> 00:24:59,440
Speaker 1: can't just soft like like like a baby's arm Yeah,

452
00:24:59,560 --> 00:25:05,040
Speaker 1: it's it's an optical illusion like a baby's arm yep.

453
00:25:06,480 --> 00:25:08,960
Speaker 1: One leg with the softest thing you can think.

454
00:25:08,760 --> 00:25:15,359
Speaker 3: Of, name something softer than a baby's arm, my teeth,

455
00:25:15,400 --> 00:25:17,960
Speaker 3: fat baby's arm. That's the only thing I can think

456
00:25:18,000 --> 00:25:18,480
Speaker 3: of them.

457
00:25:18,560 --> 00:25:23,840
Speaker 2: Problem landscape. Whoa wow, the way to bring it home

458
00:25:24,240 --> 00:25:26,600
Speaker 2: very soft right now, that physically hurt.

459
00:25:31,880 --> 00:25:38,840
Speaker 1: So I guess like what I would love is that

460
00:25:39,160 --> 00:25:40,000
Speaker 1: didn't really work.

461
00:25:40,080 --> 00:25:41,080
Speaker 3: Yeah, oh no, it is.

462
00:25:41,600 --> 00:25:41,800
Speaker 2: No.

463
00:25:44,480 --> 00:25:46,760
Speaker 1: Will He's you know, will He's getting us comfortable. Will

464
00:25:46,760 --> 00:25:50,040
Speaker 1: He's talking about hot dog bit. Willie's you know, kind

465
00:25:50,040 --> 00:25:55,040
Speaker 1: of like talking about maybe one leg, Willy uh one leg.

466
00:25:55,080 --> 00:25:59,320
Speaker 1: Willie's talking about hot dog bits, talking about like uh

467
00:25:59,680 --> 00:26:04,919
Speaker 1: maybe uh Italian food, you know, and then.

468
00:26:04,840 --> 00:26:07,800
Speaker 2: Try I mean like he's seeing a spotlight before he

469
00:26:07,920 --> 00:26:12,399
Speaker 2: sweeps it. But he might get distracted and think that

470
00:26:12,480 --> 00:26:15,679
Speaker 2: it's like a big like pizza dough, like you know,

471
00:26:15,800 --> 00:26:18,160
Speaker 2: like it's like it's a big pizza dough that someone left,

472
00:26:18,160 --> 00:26:18,680
Speaker 2: and it's like.

473
00:26:19,640 --> 00:26:20,840
Speaker 1: Where's the pepperoni?

474
00:26:21,000 --> 00:26:25,560
Speaker 9: Yeah you know, yeah so yeah so but then you know,

475
00:26:25,760 --> 00:26:28,280
Speaker 9: knock knock, oh, who's at the door.

476
00:26:28,720 --> 00:26:31,080
Speaker 1: You know, let me go, let me go, let him in,

477
00:26:32,119 --> 00:26:33,120
Speaker 1: and then Willie.

478
00:26:32,880 --> 00:26:36,359
Speaker 2: Booth the booths unless you think you could pull off

479
00:26:36,480 --> 00:26:40,000
Speaker 2: like a like throw a knock knock over there, like

480
00:26:40,040 --> 00:26:42,200
Speaker 2: we can get the booth to like I'm saying, it's

481
00:26:42,200 --> 00:26:43,760
Speaker 2: not just you up there, you know what I mean,

482
00:26:43,800 --> 00:26:44,840
Speaker 2: you got a whole crew.

483
00:26:45,040 --> 00:26:46,719
Speaker 3: It's not just behind the scenes.

484
00:26:46,800 --> 00:26:49,600
Speaker 1: Yeah, there's so much support for you. I mean, we

485
00:26:49,680 --> 00:26:52,080
Speaker 1: want you to really feel safe.

486
00:26:53,840 --> 00:26:57,520
Speaker 2: Obviously, and they have to have some wine. Like they're

487
00:26:57,520 --> 00:26:59,520
Speaker 2: like they're not going to be like paying attention.

488
00:26:59,240 --> 00:27:00,359
Speaker 1: Like they're taking hours.

489
00:27:00,400 --> 00:27:03,919
Speaker 2: They are gonna be on call the entire time, obviously, but.

490
00:27:04,040 --> 00:27:06,800
Speaker 1: They get so sweaty in the booth. They're taking multiple

491
00:27:06,840 --> 00:27:08,640
Speaker 1: showers during the halftime show.

492
00:27:08,720 --> 00:27:11,240
Speaker 2: Yeah, and so if they're tired or something, or they

493
00:27:11,359 --> 00:27:13,440
Speaker 2: are having some water during it's time to have.

494
00:27:13,359 --> 00:27:15,760
Speaker 3: The knock knock, you're gonna have they're washing up in

495
00:27:15,840 --> 00:27:16,080
Speaker 3: the show.

496
00:27:16,200 --> 00:27:18,680
Speaker 2: You're gonna have to step up. Yeah, got it.

497
00:27:19,800 --> 00:27:20,359
Speaker 3: I'm preparing.

498
00:27:20,359 --> 00:27:24,120
Speaker 1: You're going to have to be able to deliver. So

499
00:27:24,720 --> 00:27:28,399
Speaker 1: who might be at the door, and it could be anyone,

500
00:27:28,680 --> 00:27:30,640
Speaker 1: and it could be someone really funny.

501
00:27:33,040 --> 00:27:37,040
Speaker 2: And I just just for your own knowledge of what

502
00:27:37,080 --> 00:27:39,040
Speaker 2: people are gonna be expecting here, right, this is in

503
00:27:39,119 --> 00:27:41,800
Speaker 2: New Orleans, Okay, the super Bowl is in New Orleans

504
00:27:41,800 --> 00:27:45,160
Speaker 2: this year. They're going to be expecting Billy Crystal as

505
00:27:45,240 --> 00:27:47,879
Speaker 2: the jazz man to be and we are going to

506
00:27:47,960 --> 00:27:50,160
Speaker 2: be promoting We are going to be promoting that as well.

507
00:27:51,280 --> 00:27:52,520
Speaker 3: So I don't know if you should.

508
00:27:53,840 --> 00:27:56,160
Speaker 1: Why because it sells itself.

509
00:27:55,800 --> 00:28:00,560
Speaker 2: To see it. They'll go to the show, they'll be sighted.

510
00:28:00,680 --> 00:28:02,320
Speaker 2: Why would we You don't.

511
00:28:02,760 --> 00:28:05,199
Speaker 1: You might think it doesn't need that much promotion. So

512
00:28:05,320 --> 00:28:06,800
Speaker 1: it's like, oh, I don't think you should. I think

513
00:28:06,840 --> 00:28:09,120
Speaker 1: it's a waste of money because everyone's gonna already know

514
00:28:09,160 --> 00:28:12,960
Speaker 1: that the jazz Man's coming, and like, but I actually

515
00:28:13,080 --> 00:28:15,760
Speaker 1: do think it's money well spent because it's just like

516
00:28:15,840 --> 00:28:18,240
Speaker 1: delivering on a promise. It gets them in the door.

517
00:28:18,400 --> 00:28:20,400
Speaker 3: And uh.

518
00:28:20,440 --> 00:28:24,879
Speaker 1: And then if there's you know, other characters there, maybe

519
00:28:24,920 --> 00:28:27,840
Speaker 1: someone who's super funny, you know.

520
00:28:29,640 --> 00:28:32,320
Speaker 2: But when the door opens, their immediate reaction is gonna

521
00:28:32,359 --> 00:28:35,960
Speaker 2: be like they're gonna be like mad because they because

522
00:28:35,960 --> 00:28:37,840
Speaker 2: they thought it would be Billy Crystals jazzman character, and

523
00:28:37,840 --> 00:28:39,920
Speaker 2: it's just gonna be you jumping to the other side

524
00:28:39,920 --> 00:28:45,720
Speaker 2: of the fake door and being a characters. Yeah, maybe

525
00:28:45,760 --> 00:28:48,720
Speaker 2: like a guy, like a funny guy type.

526
00:28:49,040 --> 00:28:56,280
Speaker 8: Yeah, like cutting up, getting big laughs, like a comedy character.

527
00:28:57,960 --> 00:28:59,400
Speaker 2: Could be this shit.

528
00:28:59,640 --> 00:29:01,440
Speaker 6: I love where your head's at.

529
00:29:01,720 --> 00:29:07,520
Speaker 3: That is, so I can tell you, yeah, maybe like.

530
00:29:08,160 --> 00:29:13,840
Speaker 1: With that, I give fuck with that comedy character.

531
00:29:14,040 --> 00:29:17,040
Speaker 2: Okay, let's meet it. So cool.

532
00:29:17,120 --> 00:29:21,960
Speaker 1: Yeah, let's send some time with the big comedy.

533
00:29:22,080 --> 00:29:25,080
Speaker 2: So we are saying that again it's super Bowl.

534
00:29:26,360 --> 00:29:29,120
Speaker 3: And like it's not one's tired from the first half

535
00:29:29,160 --> 00:29:29,600
Speaker 3: of the game.

536
00:29:31,240 --> 00:29:33,480
Speaker 1: We're in New Orleans, you know.

537
00:29:33,920 --> 00:29:41,960
Speaker 2: Yeah, nice, thank you for stepping up. Mm hmmm.

538
00:29:43,040 --> 00:29:44,240
Speaker 1: Whole boots in the shower.

539
00:29:44,320 --> 00:29:47,040
Speaker 2: So he said this is for Micah and maybe it's

540
00:29:47,040 --> 00:29:50,120
Speaker 2: Micah Parsons is there. Hopefully he makes a super Bowl. Yeah,

541
00:29:50,160 --> 00:29:56,480
Speaker 2: he would be. Thanks, he goes it takes the table.

542
00:29:56,320 --> 00:29:58,160
Speaker 3: Ye suck.

543
00:29:58,720 --> 00:30:02,640
Speaker 1: Yeah, thanks, appreciate it. It was I need one of these.

544
00:30:03,120 --> 00:30:05,320
Speaker 1: I have no furniture in my house, you know.

545
00:30:06,680 --> 00:30:09,360
Speaker 2: So we'll figure out again it's not just you that

546
00:30:09,360 --> 00:30:11,280
Speaker 2: we will figure out a way for Michael Parsons to

547
00:30:11,360 --> 00:30:13,400
Speaker 2: like he make you make the super Bowl.

548
00:30:14,120 --> 00:30:16,520
Speaker 3: I appreciate that because it's gonna that'll be a good

549
00:30:16,520 --> 00:30:17,280
Speaker 3: bit for it.

550
00:30:17,800 --> 00:30:21,280
Speaker 1: That is getting the audience so on your side, like

551
00:30:21,400 --> 00:30:24,680
Speaker 1: it's just like nice warm room. After Michael Parsons.

552
00:30:26,440 --> 00:30:29,720
Speaker 3: Throw out some kind of prize or a treat of

553
00:30:29,840 --> 00:30:30,600
Speaker 3: some kind.

554
00:30:31,160 --> 00:30:33,959
Speaker 2: That could really help the audience. Is we are going

555
00:30:34,000 --> 00:30:36,240
Speaker 2: to be promoting that the audience gets a treat and

556
00:30:36,280 --> 00:30:38,320
Speaker 2: so like that.

557
00:30:37,960 --> 00:30:41,360
Speaker 5: That's gonna be if you're promoting most of I don't

558
00:30:41,360 --> 00:30:44,479
Speaker 5: want to be involved with promoting something that doesn't happen.

559
00:30:45,760 --> 00:30:50,120
Speaker 3: I'll while I allow, I understand the Billy Crystal draw,

560
00:30:51,880 --> 00:30:53,200
Speaker 3: I don't have a problem with that.

561
00:30:53,840 --> 00:30:57,680
Speaker 1: We'll gets packed in the seats, you know what I mean,

562
00:30:57,720 --> 00:31:02,760
Speaker 1: because it's like what people don't really get that, fortunately

563
00:31:02,840 --> 00:31:07,000
Speaker 1: Jesse David Fox does, is they're not coming for the football.

564
00:31:07,360 --> 00:31:11,360
Speaker 3: I'm sorry, they're not there for the football. The people

565
00:31:11,400 --> 00:31:15,080
Speaker 3: watching the super Bowl, come on all, you don't think

566
00:31:15,120 --> 00:31:16,440
Speaker 3: any of them are there for the football.

567
00:31:17,200 --> 00:31:21,200
Speaker 1: I guess the guys are like the like, uh football

568
00:31:21,240 --> 00:31:22,120
Speaker 1: guys like the.

569
00:31:23,240 --> 00:31:26,400
Speaker 3: Like everyone can be a football fan.

570
00:31:26,480 --> 00:31:30,040
Speaker 1: Really No, I mean the guys playing though, Oh I

571
00:31:30,040 --> 00:31:33,640
Speaker 1: guess they can't be they're there for the football. Oh correct,

572
00:31:33,640 --> 00:31:35,240
Speaker 1: their coaches.

573
00:31:34,720 --> 00:31:37,840
Speaker 2: There and like they're not even allowed to see the

574
00:31:37,840 --> 00:31:43,400
Speaker 2: halftime show because they have to have water so far.

575
00:31:43,680 --> 00:31:49,880
Speaker 9: Wait wait, this is actually getting me fucking embed.

576
00:31:50,320 --> 00:31:52,640
Speaker 1: We're talking about all these guys that were.

577
00:31:54,800 --> 00:31:58,360
Speaker 3: Oh no, danger is always a moment away.

578
00:31:58,440 --> 00:32:03,080
Speaker 9: So we're talking about all these these these these fuckers

579
00:32:03,120 --> 00:32:06,000
Speaker 9: who are at the game and these they're not allowed

580
00:32:06,000 --> 00:32:08,960
Speaker 9: to watch the players, they gotta drink their water, the coaches,

581
00:32:09,120 --> 00:32:13,080
Speaker 9: and it gets me thinking are the referees allowed to

582
00:32:13,120 --> 00:32:15,240
Speaker 9: watch the halftime show and that?

583
00:32:15,400 --> 00:32:18,720
Speaker 1: And like a bolt of lightning, the character hits me.

584
00:32:19,400 --> 00:32:22,160
Speaker 1: You gotta be one in the referee.

585
00:32:23,120 --> 00:32:24,560
Speaker 2: He's from the game.

586
00:32:25,400 --> 00:32:27,000
Speaker 1: I'm not gonnat the game.

587
00:32:27,720 --> 00:32:32,680
Speaker 3: Fine, that's fine. I'll do that, dude. And that's what

588
00:32:33,280 --> 00:32:40,480
Speaker 3: you can tell by howlapping modulated his pace gets that.

589
00:32:40,480 --> 00:32:44,040
Speaker 3: That's a great idea. There's also people see it coming.

590
00:32:44,120 --> 00:32:47,280
Speaker 3: You can picture it in the referee. I picture it.

591
00:32:47,800 --> 00:32:51,680
Speaker 3: You see the back of the referee, maybe even maybe

592
00:32:51,760 --> 00:32:55,920
Speaker 3: Patton down. It's been a rough first half. Turned to reveal.

593
00:32:58,320 --> 00:32:59,160
Speaker 1: The referee.

594
00:32:59,280 --> 00:33:02,800
Speaker 3: I was gonna say, Alec bald bald, I was gonna say,

595
00:33:02,840 --> 00:33:05,320
Speaker 3: turned to reveal Alec bow when he can go. For

596
00:33:05,320 --> 00:33:07,560
Speaker 3: some reason, he goes.

597
00:33:10,080 --> 00:33:13,560
Speaker 2: What a game because he's trying to score, like if

598
00:33:13,600 --> 00:33:16,560
Speaker 2: you're playing, somebody use lemonade.

599
00:33:17,720 --> 00:33:20,719
Speaker 3: And then he takes out a big picture, like a

600
00:33:20,880 --> 00:33:22,200
Speaker 3: huge comical picture.

601
00:33:22,360 --> 00:33:26,280
Speaker 2: Who is he saying? You finish? But I'm trying to

602
00:33:26,320 --> 00:33:31,040
Speaker 2: understand who who's having lemonade? Because it is just you

603
00:33:31,160 --> 00:33:36,160
Speaker 2: up there. Let it on fold, Okay, I am trying.

604
00:33:36,240 --> 00:33:41,080
Speaker 2: I am really trying, Alex, actually as long as I could.

605
00:33:41,200 --> 00:33:44,200
Speaker 1: It's creating a lot of tension, which is so good. Yeah,

606
00:33:44,440 --> 00:33:47,480
Speaker 1: but I am also scared that we're not.

607
00:33:47,360 --> 00:33:50,640
Speaker 2: Going to land the plane on this one. So who needs.

608
00:33:54,360 --> 00:33:55,080
Speaker 3: Bless you? So?

609
00:33:55,400 --> 00:34:01,080
Speaker 2: Yes? Asthma, so we all do, Okay, everybody's got soft Yeah,

610
00:34:01,120 --> 00:34:04,160
Speaker 2: everybody's got as well, also identifying.

611
00:34:03,440 --> 00:34:07,240
Speaker 3: Characteristic lovely blue life goes on.

612
00:34:07,960 --> 00:34:09,920
Speaker 2: So he does, so you agree he does have it?

613
00:34:10,040 --> 00:34:13,160
Speaker 3: Then asthma or soft teeth both you both of them

614
00:34:14,520 --> 00:34:15,160
Speaker 3: that everyone has.

615
00:34:15,440 --> 00:34:16,600
Speaker 2: You don't need? You agree?

616
00:34:16,960 --> 00:34:18,759
Speaker 3: Can I touch your fat baby arm?

617
00:34:18,960 --> 00:34:21,200
Speaker 2: You actually won't even that's how soft it is it

618
00:34:21,280 --> 00:34:22,280
Speaker 2: has I'm.

619
00:34:22,120 --> 00:34:25,759
Speaker 5: Afraid of it'll feel like touching it yet And and

620
00:34:26,400 --> 00:34:28,640
Speaker 5: the fact is you will like kind of like touching

621
00:34:28,680 --> 00:34:29,240
Speaker 5: a dolphin.

622
00:34:29,640 --> 00:34:33,000
Speaker 3: Well, actually that's completely wrong. They're very thick and rough

623
00:34:33,120 --> 00:34:34,200
Speaker 3: and sand papery.

624
00:34:34,400 --> 00:34:35,920
Speaker 2: But it doesn't feel like you'd expect.

625
00:34:36,640 --> 00:34:37,319
Speaker 3: Correct, It's good.

626
00:34:38,960 --> 00:34:41,000
Speaker 1: Yeah, It'll be confusing.

627
00:34:40,640 --> 00:34:43,440
Speaker 2: For sure, and someone will be there to take a picture. Hm.

628
00:34:44,160 --> 00:34:47,600
Speaker 2: So in that sense it is like touching a dolphin. Chance,

629
00:34:47,800 --> 00:34:49,160
Speaker 2: and it'll be in man and.

630
00:34:49,239 --> 00:34:55,320
Speaker 3: You have to wear a wife jacket yeah as an adult, yes, yeah.

631
00:34:55,200 --> 00:35:03,160
Speaker 2: Nothing under and no t shirt, honeymore. Yeah, and it's dangerous.

632
00:35:03,640 --> 00:35:09,480
Speaker 3: Yes to each his own. I guess I feel like

633
00:35:09,520 --> 00:35:13,480
Speaker 3: I could take a dolphin. I feel like I'm if

634
00:35:13,719 --> 00:35:16,920
Speaker 3: I had to choose, That's my answer. If I had

635
00:35:16,960 --> 00:35:18,520
Speaker 3: to choose a fish to fight, it would be a

636
00:35:18,600 --> 00:35:21,360
Speaker 3: dolphin because it's smart, but it's also pretty.

637
00:35:23,000 --> 00:35:26,440
Speaker 1: Uh okay you oh wait, you want to fight it

638
00:35:26,480 --> 00:35:27,720
Speaker 1: because it's smart and pretty.

639
00:35:27,880 --> 00:35:32,200
Speaker 3: Yep. I it's more about respect for me than anything else,

640
00:35:33,120 --> 00:35:35,719
Speaker 3: for yourself and the animal.

641
00:35:35,520 --> 00:35:39,480
Speaker 1: And the animal as well well. Uh again steps a

642
00:35:39,520 --> 00:35:41,640
Speaker 1: little bit on fish fights. But we are gonna choose.

643
00:35:41,680 --> 00:35:43,799
Speaker 1: We are gonna choose which fish we want to fight.

644
00:35:45,520 --> 00:35:45,839
Speaker 2: I didn't.

645
00:35:48,040 --> 00:35:49,920
Speaker 1: Well, let's let's do it now and we'll get back

646
00:35:49,960 --> 00:35:50,319
Speaker 1: to the show.

647
00:35:50,320 --> 00:35:50,839
Speaker 3: Because we don't.

648
00:35:50,880 --> 00:35:53,279
Speaker 1: We only have a couple of characters. Kevin play the

649
00:35:53,320 --> 00:35:56,200
Speaker 1: fish fight song, and then Hayes as he's sort of

650
00:35:56,239 --> 00:35:59,839
Speaker 1: alluded to already. Uh, every week does choose to fight

651
00:36:00,000 --> 00:36:05,319
Speaker 1: the sting ray that killed Steve Irwin. It's you're doing

652
00:36:05,400 --> 00:36:06,759
Speaker 1: God's work, the sting ry hunter.

653
00:36:08,680 --> 00:36:12,759
Speaker 2: It's not it's it's not revenge. I mean, like Kevin

654
00:36:12,840 --> 00:36:14,920
Speaker 2: calls this revenge porn as well, like I don't, but

655
00:36:15,080 --> 00:36:16,399
Speaker 2: he needs it. In a nice way.

656
00:36:16,880 --> 00:36:20,399
Speaker 3: It was a lot of talking. You can tell I'm

657
00:36:20,600 --> 00:36:23,839
Speaker 3: serious the way ivan.

658
00:36:24,760 --> 00:36:28,319
Speaker 1: Yeah, that's oh yeah, that's doing so for me. Oh yeah,

659
00:36:28,640 --> 00:36:30,320
Speaker 1: I'm gonna fight Trey Anastasio.

660
00:36:31,160 --> 00:36:35,919
Speaker 2: And and then you think, and just like he thinks

661
00:36:35,960 --> 00:36:38,719
Speaker 2: that his character name is that he's like a kind

662
00:36:38,719 --> 00:36:42,720
Speaker 2: of that performs under the name, he's just a member

663
00:36:42,760 --> 00:36:43,839
Speaker 2: of a band called fish.

664
00:36:43,960 --> 00:36:47,400
Speaker 3: Like, he's not fish, He's he he's he's in the

665
00:36:47,520 --> 00:36:53,200
Speaker 3: band Fish. But I cannot confirm nor deny that he

666
00:36:53,360 --> 00:36:57,200
Speaker 3: is not a fish man, right, I've never met him.

667
00:36:57,760 --> 00:37:02,440
Speaker 2: The evidence, meaning is pretty all we have to go

668
00:37:02,560 --> 00:37:05,719
Speaker 2: on is like he did name his band, but it's

669
00:37:05,800 --> 00:37:10,719
Speaker 2: pH so there, so it's sort of a mixed well.

670
00:37:10,760 --> 00:37:12,520
Speaker 1: But if you've ever taken care of a fish tank,

671
00:37:12,600 --> 00:37:14,760
Speaker 1: you know that a pH level is crucial.

672
00:37:15,560 --> 00:37:17,600
Speaker 3: So words have never been spoken.

673
00:37:22,239 --> 00:37:24,560
Speaker 2: Honestly, even if you haven't taken good care of a

674
00:37:24,600 --> 00:37:26,839
Speaker 2: fish tank, you could find that out. Yeah, you could

675
00:37:26,960 --> 00:37:28,200
Speaker 2: know it. You could know it.

676
00:37:30,400 --> 00:37:41,240
Speaker 7: Okay, of wait, okay, a fish Okay, a fish character.

677
00:37:43,080 --> 00:37:45,839
Speaker 2: I you don't like it. I do like it. I'm

678
00:37:45,920 --> 00:37:49,200
Speaker 2: I'm trying to get it. Doesn't like it, you know,

679
00:37:50,120 --> 00:37:52,560
Speaker 2: as like you know, I I sort of function as

680
00:37:52,600 --> 00:37:55,439
Speaker 2: both the host and the audience proxy. I'm the way

681
00:37:55,560 --> 00:37:58,320
Speaker 2: in for folks, you know what I mean, And so

682
00:37:59,160 --> 00:38:01,759
Speaker 2: I gotta know I gotta be brought along a little bit.

683
00:38:02,239 --> 00:38:05,440
Speaker 2: Alec Baldwin of it all is still he's offering someone

684
00:38:05,840 --> 00:38:09,000
Speaker 2: he's hot. He's saying it looks like someone could use

685
00:38:09,040 --> 00:38:09,600
Speaker 2: some lemonade?

686
00:38:09,760 --> 00:38:11,320
Speaker 1: Or is he saying he wantsade?

687
00:38:11,440 --> 00:38:11,879
Speaker 2: Once again?

688
00:38:11,960 --> 00:38:15,120
Speaker 3: I just want yeah, never let me finish.

689
00:38:15,640 --> 00:38:16,360
Speaker 2: You want to do.

690
00:38:18,080 --> 00:38:20,759
Speaker 3: I'm still even this, I'm trying to even the explanation

691
00:38:20,960 --> 00:38:25,320
Speaker 3: of why Alec was there serving lemonade. It's well, I

692
00:38:25,600 --> 00:38:31,319
Speaker 3: I well, you know you got Yeah, I got your curiosity.

693
00:38:31,440 --> 00:38:32,960
Speaker 1: Yeah, you got my curiosity.

694
00:38:33,400 --> 00:38:33,720
Speaker 3: Cool.

695
00:38:34,040 --> 00:38:37,959
Speaker 1: Yeah, it is pretty cool.

696
00:38:40,440 --> 00:38:45,160
Speaker 3: Lights dim? Ok who's that ref looks like he had

697
00:38:45,160 --> 00:38:46,080
Speaker 3: a rough half.

698
00:38:46,480 --> 00:38:47,840
Speaker 2: The lights dim? And then you.

699
00:38:51,600 --> 00:38:55,799
Speaker 3: And then you can't see very well from behind who

700
00:38:57,160 --> 00:39:05,800
Speaker 3: You're right? Hey, lemonade being poured out of a giant picture.

701
00:39:07,440 --> 00:39:15,040
Speaker 3: Don't have that me. The character comes in, okay as

702
00:39:15,080 --> 00:39:16,360
Speaker 3: a different referee.

703
00:39:19,920 --> 00:39:20,120
Speaker 2: Flag.

704
00:39:21,200 --> 00:39:25,360
Speaker 3: Why are you so confused? You don't let me finish?

705
00:39:25,520 --> 00:39:28,920
Speaker 3: And then this happens. I come out, I come out

706
00:39:28,960 --> 00:39:31,640
Speaker 3: on a tiny referee. I'm on alick ball and shoulder

707
00:39:31,960 --> 00:39:35,600
Speaker 3: I throw the tiny flag in his tiny lemonade. He

708
00:39:35,880 --> 00:39:43,279
Speaker 3: drinks it, chokes to death. Flag with yellow television, and

709
00:39:43,360 --> 00:39:50,080
Speaker 3: then I say, lemonade shouldn't be? Shouldn't be?

710
00:39:55,120 --> 00:39:58,440
Speaker 2: This is all you. You can do this. You can

711
00:39:58,520 --> 00:40:10,640
Speaker 2: do this all by yourself. I don't want to.

712
00:40:10,719 --> 00:40:15,759
Speaker 6: I was really surprised at what you said afterwards, what

713
00:40:16,160 --> 00:40:16,520
Speaker 6: me too?

714
00:40:17,160 --> 00:40:17,680
Speaker 2: It got me.

715
00:40:17,960 --> 00:40:19,960
Speaker 1: But comedy is only surprised, you know what.

716
00:40:20,239 --> 00:40:22,600
Speaker 2: I don't think. Comedy is only a lot of stuff

717
00:40:22,800 --> 00:40:25,239
Speaker 2: that's afraid, a lot of stuff I've been ahead of.

718
00:40:25,480 --> 00:40:30,000
Speaker 1: But that, really, that really caught me. I thought I

719
00:40:30,200 --> 00:40:32,160
Speaker 1: was sure you would say something intelligible.

720
00:40:34,239 --> 00:40:45,640
Speaker 2: No, super Yeah, yeah, I'm just the blocking I'm trying

721
00:40:45,680 --> 00:40:48,680
Speaker 2: to figure out. I think we have established that we

722
00:40:49,000 --> 00:40:53,600
Speaker 2: it's just you. We only have you up there, so

723
00:40:53,760 --> 00:40:57,960
Speaker 2: you're you're going to have to sell I'm playing Alec Baldwin.

724
00:40:59,320 --> 00:41:01,719
Speaker 2: We're gonna the entire time you.

725
00:41:02,400 --> 00:41:08,080
Speaker 3: You have been so like this, Okay, you thought, why

726
00:41:08,120 --> 00:41:10,800
Speaker 3: are you so adamant that I have to be alone

727
00:41:11,320 --> 00:41:14,839
Speaker 3: on stage? Why can't I have bald them backup? Why

728
00:41:14,920 --> 00:41:17,840
Speaker 3: can't I have props? Why can't I have you?

729
00:41:19,360 --> 00:41:23,000
Speaker 2: We had the table that Micah Parsons took if you need,

730
00:41:23,520 --> 00:41:26,480
Speaker 2: like you can have like it's a super Bowl, like

731
00:41:26,560 --> 00:41:27,800
Speaker 2: we can get you props.

732
00:41:29,120 --> 00:41:33,680
Speaker 1: I guess what I'd love is for the when something

733
00:41:33,880 --> 00:41:38,839
Speaker 1: feels challenging or when we're encountering something that maybe isn't

734
00:41:38,880 --> 00:41:42,560
Speaker 1: exactly what you pictured, that we kind of embrace it

735
00:41:42,640 --> 00:41:46,320
Speaker 1: with this attitude of like, oh good a challenge, a

736
00:41:46,520 --> 00:41:51,719
Speaker 1: chance to sort of prove to myself right that I'm

737
00:41:52,000 --> 00:41:57,000
Speaker 1: enough up there, and not being like I need a

738
00:41:57,040 --> 00:41:58,240
Speaker 1: giant wheel of cheese.

739
00:41:58,560 --> 00:42:00,719
Speaker 2: You know what I mean, I need you know how

740
00:42:00,840 --> 00:42:05,879
Speaker 2: like all the like and all the other halftime See,

741
00:42:05,920 --> 00:42:09,440
Speaker 2: there is nothing corny about a giant will cheese.

742
00:42:09,480 --> 00:42:11,480
Speaker 3: And I will go to bat to that till the

743
00:42:11,640 --> 00:42:13,279
Speaker 3: day I fucking die.

744
00:42:14,320 --> 00:42:17,080
Speaker 1: It is a bad example that.

745
00:42:18,760 --> 00:42:21,120
Speaker 2: It's a bad look. It's a corny look to like

746
00:42:21,440 --> 00:42:25,320
Speaker 2: when the in the past when they have the musical

747
00:42:25,400 --> 00:42:27,680
Speaker 2: act and then like a surprise, like when the Weekend

748
00:42:27,760 --> 00:42:30,160
Speaker 2: was performing and then like Uncle Fester came out.

749
00:42:31,160 --> 00:42:34,399
Speaker 1: I don't remember that one, but to me was such

750
00:42:34,480 --> 00:42:35,440
Speaker 1: a crutch and it.

751
00:42:35,520 --> 00:42:39,920
Speaker 2: Was like like you got it's so obviously you get scared,

752
00:42:40,000 --> 00:42:43,680
Speaker 2: and you like you had to call for help basically.

753
00:42:43,480 --> 00:42:45,680
Speaker 1: And then you scared me because the now.

754
00:42:45,640 --> 00:42:48,359
Speaker 3: Uncle Fester is if I even if I so, if

755
00:42:48,440 --> 00:42:51,160
Speaker 3: I wanted to have mc hamm or come to adams

756
00:42:51,239 --> 00:42:56,040
Speaker 3: Groove recreate the song Adams Groove on stage with me.

757
00:42:57,200 --> 00:42:59,719
Speaker 1: I'm totally okay with that as long as your MC

758
00:42:59,840 --> 00:43:05,400
Speaker 1: hand you see what I mean, Like everything's an opportunity.

759
00:43:05,640 --> 00:43:06,880
Speaker 3: Almost made me get it?

760
00:43:08,719 --> 00:43:10,960
Speaker 2: You know what I mean? You could feel yourself almost

761
00:43:11,040 --> 00:43:13,680
Speaker 2: got that? How did it feel?

762
00:43:14,280 --> 00:43:15,719
Speaker 3: Almost made me get it?

763
00:43:17,280 --> 00:43:17,719
Speaker 2: And did you?

764
00:43:17,840 --> 00:43:19,719
Speaker 1: And were you liking it when you were close to

765
00:43:19,760 --> 00:43:20,160
Speaker 1: getting it?

766
00:43:20,360 --> 00:43:20,520
Speaker 2: Yeah?

767
00:43:21,239 --> 00:43:24,080
Speaker 3: Yeah, I love the idea of being mc hammer.

768
00:43:25,120 --> 00:43:27,040
Speaker 2: I love that. Okay.

769
00:43:27,520 --> 00:43:30,239
Speaker 1: Yeah, there's just like rights issues and stuff.

770
00:43:30,680 --> 00:43:32,040
Speaker 3: Rights, civil rights.

771
00:43:34,719 --> 00:43:37,880
Speaker 1: I mean I suppose that too. I was thinking, just like,

772
00:43:39,160 --> 00:43:41,479
Speaker 1: it's just we're gonna paytre the nose of the damn

773
00:43:41,520 --> 00:43:47,719
Speaker 1: Anno's Family song eighty bucks. Yeah, on top of the

774
00:43:48,000 --> 00:43:48,520
Speaker 1: lights that.

775
00:43:48,600 --> 00:43:52,279
Speaker 3: We're doing, all the people in the lights, the top

776
00:43:52,320 --> 00:43:53,520
Speaker 3: of multiple.

777
00:43:54,680 --> 00:43:59,040
Speaker 2: YEA spotlights for the football players. The football players are

778
00:43:59,160 --> 00:44:00,719
Speaker 2: going to be under spot this year.

779
00:44:00,920 --> 00:44:03,640
Speaker 3: Yeah, yeah, that seems theatrical.

780
00:44:03,760 --> 00:44:07,520
Speaker 1: I like it. I like that addition, tell what's going on.

781
00:44:07,760 --> 00:44:09,440
Speaker 1: Most of the time, I don't know where I'm supposed

782
00:44:09,440 --> 00:44:11,200
Speaker 1: to be looking when I'm looking at this thing.

783
00:44:11,320 --> 00:44:14,279
Speaker 3: It's hard. They have a lot of computer graphics now

784
00:44:15,000 --> 00:44:19,160
Speaker 3: almost hologram things, kind of like robot c GI that

785
00:44:19,239 --> 00:44:22,839
Speaker 3: tells you how to enjoy football. Now, well that working

786
00:44:22,920 --> 00:44:26,440
Speaker 3: the crazy Let's just a back and go.

787
00:44:26,680 --> 00:44:31,320
Speaker 1: We're putting on a show's got a spot here, show me.

788
00:44:31,640 --> 00:44:35,680
Speaker 3: Yes, showed me the if every football game just had

789
00:44:35,719 --> 00:44:37,960
Speaker 3: like Nathan Lane in the center of it, I'm singing

790
00:44:38,680 --> 00:44:42,920
Speaker 3: or like, just get hurt. But I guess you think

791
00:44:42,920 --> 00:44:44,359
Speaker 3: that'd make it hurt.

792
00:44:44,960 --> 00:44:48,880
Speaker 2: I said he would get hurt. Oh, oh, you're the

793
00:44:48,960 --> 00:44:50,480
Speaker 2: one who said I.

794
00:44:50,560 --> 00:44:52,520
Speaker 3: Am I am the one that said making it. I

795
00:44:52,600 --> 00:44:54,520
Speaker 3: thought you said it, That's why I said it. But

796
00:44:54,640 --> 00:44:57,799
Speaker 3: I am I am the one that actually I thought

797
00:44:58,120 --> 00:45:01,600
Speaker 3: I thought you got sexual aroused by the idea of

798
00:45:01,719 --> 00:45:03,680
Speaker 3: Nathan Lane in the center of a football fiend. You

799
00:45:03,719 --> 00:45:06,360
Speaker 3: were like, oh, they get hurt. That's what I actually

800
00:45:06,400 --> 00:45:07,640
Speaker 3: thought happened. That's why I am.

801
00:45:07,760 --> 00:45:08,640
Speaker 2: You were excited.

802
00:45:09,360 --> 00:45:12,720
Speaker 1: No, I just kindred explained.

803
00:45:13,600 --> 00:45:18,200
Speaker 3: I just explained, no one listens in this room or

804
00:45:18,320 --> 00:45:18,759
Speaker 3: that room.

805
00:45:20,120 --> 00:45:20,600
Speaker 2: That room.

806
00:45:20,800 --> 00:45:21,799
Speaker 1: Yeah, that was tough.

807
00:45:21,920 --> 00:45:23,680
Speaker 3: Huh, it was fine.

808
00:45:24,040 --> 00:45:26,799
Speaker 1: I thought, well, I don't know now that I seem

809
00:45:26,840 --> 00:45:28,920
Speaker 1: to have a negative opinion of what's happening in this

810
00:45:29,120 --> 00:45:31,080
Speaker 1: room I have.

811
00:45:31,320 --> 00:45:37,719
Speaker 3: I'm having a great day and you aren't, and you're

812
00:45:37,840 --> 00:45:41,399
Speaker 3: making me not those words make sense.

813
00:45:42,280 --> 00:45:46,960
Speaker 2: I'm saving like improv comedy and character showcases. I'm not

814
00:45:47,120 --> 00:45:51,719
Speaker 2: supposed to be like having a great day. I work,

815
00:45:51,760 --> 00:45:54,480
Speaker 2: so everyone else canna have a great day, you know

816
00:45:54,520 --> 00:46:00,120
Speaker 2: what I mean? Yeah, thank you, You're welcome. We're not

817
00:46:00,440 --> 00:46:03,960
Speaker 2: like firefighters aren't out there like we driving around like

818
00:46:04,320 --> 00:46:07,399
Speaker 2: the fire truck going like we that's a siren that's

819
00:46:07,760 --> 00:46:08,759
Speaker 2: them saying.

820
00:46:08,640 --> 00:46:11,200
Speaker 3: Yea sirens saying if it wasn't though, imagine if you

821
00:46:11,280 --> 00:46:14,480
Speaker 3: found out it was. There was never sirens.

822
00:46:14,560 --> 00:46:16,520
Speaker 2: I'm just saying that a mic going.

823
00:46:18,120 --> 00:46:18,960
Speaker 1: Like that like a.

824
00:46:19,760 --> 00:46:21,439
Speaker 2: It's not that they said it's not them.

825
00:46:21,920 --> 00:46:25,440
Speaker 3: It's well, I believe firefighters. You gotta believe them. You

826
00:46:26,080 --> 00:46:27,080
Speaker 3: believe firefighters.

827
00:46:28,600 --> 00:46:30,160
Speaker 1: Is that why they call them pigs?

828
00:46:30,719 --> 00:46:30,919
Speaker 3: Yep?

829
00:46:32,160 --> 00:46:38,840
Speaker 1: Because of the we sound well I can't I now I.

830
00:46:39,719 --> 00:46:45,239
Speaker 2: Like that we but hammer. I think we can do

831
00:46:45,360 --> 00:46:49,759
Speaker 2: a hammer thing if you are obviously like not like

832
00:46:49,960 --> 00:46:52,840
Speaker 2: dressed up like him at all and not singing or dancing,

833
00:46:53,640 --> 00:46:54,279
Speaker 2: so you can do.

834
00:46:54,640 --> 00:46:58,719
Speaker 3: You can do sense it's stopped, yes, say stop.

835
00:46:58,760 --> 00:47:07,399
Speaker 1: Saying stop yes? Yeah, maybe is there a way. It's

836
00:47:07,640 --> 00:47:13,480
Speaker 1: mc hammer doing Maxwell's silver hammer, Like is that something more?

837
00:47:15,000 --> 00:47:20,720
Speaker 2: Stevie Van Sanders was gonna say, do you have Stevie

838
00:47:21,000 --> 00:47:22,759
Speaker 2: Stevie in the in your bag?

839
00:47:26,160 --> 00:47:28,480
Speaker 1: I hear him rattling around and there there is a

840
00:47:28,719 --> 00:47:33,400
Speaker 1: lot in there that kangaroo pig ha got plenty a

841
00:47:33,480 --> 00:47:35,080
Speaker 1: little Stevie. No?

842
00:47:36,239 --> 00:47:42,719
Speaker 2: No, okay, god, okay, uh sir? Do you have Sir

843
00:47:42,840 --> 00:47:44,880
Speaker 2: Paul with me.

844
00:47:46,840 --> 00:47:48,400
Speaker 3: Or in my pocket?

845
00:47:48,760 --> 00:47:50,640
Speaker 2: Yes? Yeah? Okay?

846
00:47:53,360 --> 00:47:54,920
Speaker 1: Can we you want me to?

847
00:47:55,480 --> 00:48:01,120
Speaker 2: Okay? You just did? You just.

848
00:48:03,560 --> 00:48:07,160
Speaker 3: Paul McCartney. Okay, why are you saying it like that?

849
00:48:08,239 --> 00:48:11,560
Speaker 3: I'm not going to call him now because sounds like

850
00:48:11,640 --> 00:48:20,440
Speaker 3: a buddy, not your buddy. I am your guest and

851
00:48:20,520 --> 00:48:21,759
Speaker 3: I will be treated as such.

852
00:48:25,440 --> 00:48:27,440
Speaker 2: We have to close it out. We have to you

853
00:48:27,480 --> 00:48:28,920
Speaker 2: don't have to close you gotta.

854
00:48:28,719 --> 00:48:32,080
Speaker 1: Get We gotta find actually like what because we I

855
00:48:32,160 --> 00:48:33,240
Speaker 1: would have been great if.

856
00:48:33,120 --> 00:48:33,640
Speaker 2: We had.

857
00:48:35,920 --> 00:48:36,880
Speaker 3: Or if we have Paul.

858
00:48:37,239 --> 00:48:39,000
Speaker 1: Well, I'm just saying we need a big finish for

859
00:48:39,120 --> 00:48:39,399
Speaker 1: the show.

860
00:48:43,360 --> 00:48:46,080
Speaker 2: Doesn't mean that people are like unhappy with it. It

861
00:48:46,239 --> 00:48:48,279
Speaker 2: just it just does have to be over. So like

862
00:48:48,360 --> 00:48:49,040
Speaker 2: when you're up.

863
00:48:49,040 --> 00:48:51,320
Speaker 1: There, all good things come to an end, and this

864
00:48:51,480 --> 00:48:54,120
Speaker 1: is coming to an end as well. So it's just

865
00:48:54,640 --> 00:48:57,759
Speaker 1: that's the way that it goes. And I just think

866
00:48:57,880 --> 00:49:01,920
Speaker 1: that for the super Bowl halftime show, it would be nice,

867
00:49:02,480 --> 00:49:05,880
Speaker 1: would be nice, not required, if the last thing we

868
00:49:06,040 --> 00:49:08,759
Speaker 1: do in the halftime show could kind of get people

869
00:49:08,920 --> 00:49:11,279
Speaker 1: feeling a little good, a little amped up, and I

870
00:49:11,320 --> 00:49:15,680
Speaker 1: wouldn't mind if they laughed. So maybe something really funny.

871
00:49:16,400 --> 00:49:19,400
Speaker 1: And I'm just like trying to think the character.

872
00:49:19,800 --> 00:49:26,040
Speaker 6: Could be like super Italian, like really really Italian.

873
00:49:27,719 --> 00:49:28,680
Speaker 3: That seems.

874
00:49:30,800 --> 00:49:32,160
Speaker 2: It's because.

875
00:49:33,840 --> 00:49:36,440
Speaker 3: Against like it's like like something like you know, it's

876
00:49:36,600 --> 00:49:45,680
Speaker 3: it's it's yeah right, yeah, So so I got them a.

877
00:49:49,640 --> 00:49:55,480
Speaker 2: Gut you eat the flag in the malemade, there's another

878
00:49:55,760 --> 00:50:00,440
Speaker 2: so okay, there's another flag. This is the same lemonade.

879
00:50:01,560 --> 00:50:05,360
Speaker 2: He comes sees the lemonade. He comes up, a tiny referee.

880
00:50:05,000 --> 00:50:07,840
Speaker 3: Has one flag. You think he's only got one flag

881
00:50:07,960 --> 00:50:09,680
Speaker 3: to throw. And then he's like, all right, guys, take

882
00:50:09,719 --> 00:50:10,000
Speaker 3: care of.

883
00:50:10,600 --> 00:50:14,320
Speaker 2: Fa Yeah that's right, and it's too so it's comedy comedy,

884
00:50:14,360 --> 00:50:16,160
Speaker 2: and two so he will have to kill someone else.

885
00:50:16,719 --> 00:50:22,000
Speaker 3: There's always a second master, yes, and the apprentice. Yes, right, okay,

886
00:50:22,440 --> 00:50:23,760
Speaker 3: the rules of comedy.

887
00:50:23,920 --> 00:50:30,399
Speaker 6: Yeah yeah, the referee, I like, bye bye