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Speaker 1: I went by Lane and we're uh, we're kissing, yuh,

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Speaker 1: And she's like, I think I really like you and I'm.

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Speaker 2: Really you're you're an object on my scavenger hunt.

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Speaker 3: Yeah.

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Speaker 2: Hey, welcome to Hollywood Handbook and Insider's Guide to kicking

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Speaker 2: button dropping names and the Insider's Guide back hallways of

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Speaker 2: this industry we call showbiz.

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Speaker 3: On the red carpet line stuff too, And what up?

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Speaker 2: What up all of you? I'm all the listeners, Hays,

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Speaker 2: I'm here with Sean Clements.

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Speaker 3: And I'm Sean Clements and I'm here with Hayes.

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Speaker 2: We are fans of the movies first, fans first, always

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Speaker 2: and file.

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Speaker 3: And I consider myself a studier.

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Speaker 2: Of movies, yes, and we also sometimes do movies of

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Speaker 2: our own.

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Speaker 3: Almost a schoolboy who's just study, a studier of the movies.

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Speaker 3: And just you can picture me when you listen to this,

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Speaker 3: picture me my little sailors outfit with my short pants

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Speaker 3: book with the straps and just skipping and apples for teacher.

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Speaker 3: And please, you know, please please give me a kiss

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Speaker 3: for doing the good grades on studying the movies.

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Speaker 2: We want to talk today. We've been hearing some negativity

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Speaker 2: and unpleasant chatter connected to the profession of voice acting

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Speaker 2: the voice actors in general. There's been some criticism out

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Speaker 2: there that lately, in animated films, only big celebrities are

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Speaker 2: chosen to play certain roles, the most famous example being

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Speaker 2: Ryan Reynolds and Turbo, but there are others as well

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Speaker 2: where the only qualification to be a big voice actor

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Speaker 2: is to be a famous celebrity.

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Speaker 3: And not a talent. That it's not a talent specific,

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Speaker 3: you know, apart from acting and film acting, that voice

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Speaker 3: acting is not its own kind of field. And then

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Speaker 3: I disagree, and I feel like that's that's hater stuff.

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Speaker 2: Yes, people see Bradley Cooper is the raccoon and the

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Speaker 2: new guy.

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Speaker 3: What's the Galaxy? And you see this fun raccoon who

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Speaker 3: looks like sort of a rascally character, and he's getting

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Speaker 3: into trouble and you think, what's the sort of cool,

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Speaker 3: edgy voice going to be? And then you hear that

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Speaker 3: it's Bradley Cooper and you think, oh, I think they

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Speaker 3: just got the most famous person they could because he's

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Speaker 3: sort of I think some people think, sort of bland.

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Speaker 2: But you are jealous of Bradley Cooper as you're saying

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Speaker 2: that as you're having that thought, President, it's because you're

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Speaker 2: jealous and because he has more.

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Speaker 3: Money than and you're wishing you were this raccoon guy.

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Speaker 3: And I'm gonna tell you that wouldn't be any better.

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Speaker 3: It would be more worse because what Bradley did was

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Speaker 3: he really fleshed out and brought life to this character's voice.

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Speaker 3: Now it happens to sound a lot like Bradley Cooper

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Speaker 3: because he is kind of a rascal.

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Speaker 2: It is a skill, it is It is almost a

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Speaker 2: giving birth.

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Speaker 3: It's it's creating hard life from nothing, harder and more painful,

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Speaker 3: I think than giving birth. But yesh, and we sort

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Speaker 3: of wanted to the RCT but curtain like we like

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Speaker 3: to do and show.

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Speaker 2: And it's a process.

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Speaker 3: It is also like giving birth because in order to

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Speaker 3: get into the headspace to create that, I do need

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Speaker 3: to have a good fuck first and just really clear

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Speaker 3: out any no, any static need to have a good

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Speaker 3: rollicking fuck that just empties out chamber a little, a

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Speaker 3: quick fuck in the hay, and that will result in

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Speaker 3: just bearing the rich fruit in terms of animated voice.

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Speaker 2: So we will create characters for you will each give

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Speaker 2: each other a character, and and we will show you

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Speaker 2: how what goes into the creation of that voice. To

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Speaker 2: start with me, just give me a give me a character.

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Speaker 3: Okay, uh, you will do the character of Grandpa Pop Pop.

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Speaker 2: He is the.

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Speaker 3: Champagne cork in the animated film that I'm working on

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Speaker 3: that takes place in sort of a rich man's cabinet.

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Speaker 3: Maybe it's me, maybe it's not, But inside the cabinet

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Speaker 3: is also, Uh, I don't. It's kind of like a

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Speaker 3: concentration camp in there. So and so there's classes among

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Speaker 3: the different drinks the liquor cabinet, and Grandpa pop Pop

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Speaker 3: has seen everyone come and go, Okay.

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Speaker 2: What does he want? What are his goals? And I'm

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Speaker 2: gonna do my throats up all you will you tell

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Speaker 2: me that?

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Speaker 4: Oh?

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Speaker 2: Well?

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Speaker 3: He a lot of what he does is imparting wisdom. Uh.

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Speaker 3: He sees these young screw top bottles rocking and rolling

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Speaker 3: and coming and going and making the same mistakes that

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Speaker 3: they've made in the past, and he wants to educate.

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Speaker 3: But he also knows that a lot of times you

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Speaker 3: can only learn by living.

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Speaker 2: Okay, Grandpa Papa mm.

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Speaker 4: Hmmm, a venerable master. I make a good drink for

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Speaker 4: you to get big and Strong Fight, Quaite, Summer I Warrior.

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Speaker 3: Yeah, and it steps a little bit on the sake

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Speaker 3: Bottle character that I have what you're doing, but I

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Speaker 3: think there's room for both. And it's feeling more internment

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Speaker 3: camp than concentration camp to me.

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Speaker 2: Well, I actually this is I actually think those were

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Speaker 2: bad too.

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Speaker 3: Okay, all right, well, conversation for another podcast maybe, But

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Speaker 3: I have to respect your as an actor, and you did.

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Speaker 3: It wasn't about you being famous. You did really become

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Speaker 3: a new character. And I almost now want to write

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Speaker 3: to that voice because it was so vivid for me.

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Speaker 2: I'd like to give you one as well. And if

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Speaker 2: you want to do your vocal stuff.

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Speaker 3: While you're explaining it, Yes, absolutely. Tooty got dumb tooty,

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Speaker 3: got dumb tooty, goo dudey got douty, gout dump the

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Speaker 3: character dud dude got dude, got dudy, gout.

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Speaker 2: Dumb pool moose.

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Speaker 5: Uh.

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Speaker 2: He he wanders in from the woods and he gets

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Speaker 2: trapped in the pool. What he realizes that he can

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Speaker 2: actually swim really well, and that's it and that and

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Speaker 2: that and that becomes his dream and he's adopted by

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Speaker 2: a human family and he sort of put through the

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Speaker 2: through the rigors of swimming against against humans and big

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Speaker 2: in big competitions.

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Speaker 3: Okay, I wasn't totally listening. Give it to me again.

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Speaker 3: Then it's pool Moose and he's swimming. Yes hmm, Hey,

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Speaker 3: the only one a me, it's like me is me baby.

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Speaker 2: So that's that's our that's our segment voice choice.

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Speaker 6: We have a great today.

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Speaker 2: David Wayne.

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Speaker 3: David Wayne. He directed the new movie coming out.

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Speaker 2: It's called We Go Together.

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Speaker 3: They Come Together.

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Speaker 2: It's sort of a grease.

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Speaker 3: It's like a grease feeling. It's they come Together and

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Speaker 3: it's comes out on June twenty with.

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Speaker 2: Amy Paulino, Paul Grudd, like huge big stars.

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Speaker 3: Who are Ken Martini And it's all the big stars

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Speaker 3: and all the friends.

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Speaker 2: So please check keeper, please please check this one out.

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Speaker 3: Watch it in the movie theater, pay the money to

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Speaker 3: see it. Yes' stop piracy.

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Speaker 2: David Wayne. Who's gonna be right here when we come

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Speaker 2: back on Hollywood Handbook. I say to Lucy, oh uh,

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Speaker 2: you know, just like Papa Hood, And I'll take a

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Speaker 2: look right by Papa Bood. Look inside. Vivian Vance is

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Speaker 2: in there eating the engine. She thought anything that is

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Speaker 2: hot is meat. Hey, Welcome back to Hollywood Handbook and

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Speaker 2: Insider's guys do kicking button dropping names in the red

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Speaker 2: carpet line back hallways of this industry we call showbiz.

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Speaker 2: We're very excited about our guest today. David Wayne is here.

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Speaker 6: Oh hey, I was trying.

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Speaker 2: To think on the way here. I was driving here

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Speaker 2: in the car and I was trying to think about

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Speaker 2: how we first met.

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Speaker 6: You didn't, I wouldn't even can remember that far back.

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Speaker 2: Yes, So.

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Speaker 3: Hay's texted me about this.

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Speaker 2: And I'm racking my brain.

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Speaker 6: How do what is it at that club?

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Speaker 3: I we did it the party at that club. But

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Speaker 3: I think the first time we met was at that

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Speaker 3: tantric fucking workshop.

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Speaker 2: Yes, they came you were doing that?

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Speaker 6: I them because I remember it was at the fucking workshop.

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Speaker 6: But I knew that you guys were partiers. I could

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Speaker 6: tell that all the people there.

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Speaker 3: We employed it at the club. Everything we took away

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Speaker 3: from the workshop.

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Speaker 6: Yeah, well I do. As you guys know a lot

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Speaker 6: of work in back rooms clubs. You know a lot

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Speaker 6: of the bouncers around you know, Sunset Strip or whether

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Speaker 6: it's New York, they know who I am and I

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Speaker 6: can get in. I can get bottle service and on

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Speaker 6: a given night, I will you know, I could probably

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Speaker 6: hit four or five clubs.

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Speaker 2: Wow.

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Speaker 6: So I mean that's now we were talking about how

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Speaker 6: we met. I know, is.

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Speaker 3: Marquis not as good as it was? Or am I

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Speaker 3: losing my mind?

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Speaker 6: Marquee is shit?

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Speaker 2: Thank you?

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Speaker 3: Yeah?

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Speaker 6: Yes, I spent I logged my hours there, I logged

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Speaker 6: my nights there.

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Speaker 2: But I think they seemed to be doing correct me

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Speaker 2: if I'm wrong, they seem to be doing kind of

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Speaker 2: an ethnic thing.

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Speaker 3: Yeah, And I feel bad because I'm friends with Niki.

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Speaker 3: I feel bad saying it's great.

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Speaker 6: I'm into the multicultural thing. But enough's enough.

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Speaker 3: I like trying it. I'm glad I tried it. I'm

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Speaker 3: glad I checked them all off.

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Speaker 6: But yeah, it's great, it's great. I love it for

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Speaker 6: a lot of people. For me, it's like, okay, I

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Speaker 6: got it, I got it.

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Speaker 2: Yeah, move on the sex stuff. I remember first seat

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Speaker 2: like it made such a difference for me, the real

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Speaker 2: breakthrough for me. I remember in that course, it's so

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Speaker 2: much easier to make it go for longer if you

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Speaker 2: don't have an erection.

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Speaker 6: Yeah.

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Speaker 3: Yeah, that's been That's been the most useful thing for me.

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Speaker 6: If you go in. What I've always found it, especially

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Speaker 6: with my wife, is if I go in soft, then

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Speaker 6: begin the foreplay once you're already in there. Yes, it's

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Speaker 6: a whole different thing. It's like making oatmeal by boiling

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Speaker 6: the water with the oatmeal already in the pot. Then

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Speaker 6: it's a difference consistency.

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Speaker 3: That's living.

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Speaker 6: Uh.

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Speaker 3: And our little nickname for that workshop, of course, was

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Speaker 3: Professor Xavier School for the Gift.

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Speaker 2: Yes, you remember that. Okay, we're nerds.

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Speaker 6: If I didn't, if I didn't know any better, I

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Speaker 6: would say, you're it's like an X Men spoof or something,

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Speaker 6: you know, Yes, but I mean obviously and I was

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Speaker 6: you wouldn't do that.

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Speaker 2: No, but I was beast for I remember.

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Speaker 3: I think I had a cyclops sticking out of my pants, uh,

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Speaker 3: for the front of my you know, wiener as the one.

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Speaker 6: Because they okay, oh wait a minute, now I get it,

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Speaker 6: and you I just I just got that.

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Speaker 3: Yeah, okay, we do gross out laughs.

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Speaker 6: I don't know like what you guys like are on

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Speaker 6: when you come up with some of these things. But

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Speaker 6: whatever it is, it's like where do I buy it?

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Speaker 6: You know?

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Speaker 2: Yeah? And you want to like just eat it?

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Speaker 6: Yeah, or whatever it is. I mean, somehow you guys

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Speaker 6: put it to like put it come up with some

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Speaker 6: of these things, and I'm like, it's so wrong. It's

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Speaker 6: just on the edge of wrong. Do you know what

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Speaker 6: I mean?

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Speaker 2: Do you like to do that stuff?

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Speaker 6: Yeah, I'll get my work. I try to. I'm like,

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Speaker 6: what's like the wrong thing? And then I won't do it,

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Speaker 6: but I'll go like.

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Speaker 2: Just st yeah, you back up. I make this right exactly.

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Speaker 6: I put it in in reverse and I back up

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Speaker 6: just until the beeps start getting like maybe one second apart,

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Speaker 6: and then I'll stop obviously, but then it's right there.

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Speaker 6: It gets the audience just to that point. And then

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Speaker 6: you just get there your their beak wet.

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Speaker 2: Little glimpse into the kind of car you're you're driving

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Speaker 2: these days.

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Speaker 6: I have a modern car with the beeps, and I'm

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Speaker 6: not I'm not afraid to say.

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Speaker 3: So, never be ashamed of that.

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Speaker 2: David. You used to do play acting, okay, and you

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Speaker 2: would play these characters, these insane characters. But since then

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Speaker 2: you've transitioned, and how did you be director?

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Speaker 7: You know?

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Speaker 6: I just at a certain point it's like, okay, you're

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Speaker 6: doing the acting and then and I've It's like one,

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Speaker 6: I was a star of many movies in in earlier decades,

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Speaker 6: and then at a certain point it's like it's time,

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Speaker 6: it's time for me to be director. You know, I

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Speaker 6: would and I would go to the to the director,

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Speaker 6: whoever it is, if it's Steve Spielberg or Dick Freakin,

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Speaker 6: and I would say, hey, I should be director. And

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Speaker 6: then at a certain point they're like, yes, you need

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Speaker 6: you should be director and we want you to be director.

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Speaker 6: And then I just took the seat.

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Speaker 3: Yeah, and movies is being directors medium and that's true.

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Speaker 6: Well, I mean look at look at Truffau, you know, yes, yes,

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Speaker 6: I mean look at even Bergmann.

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Speaker 2: Oh my god.

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Speaker 6: Yeah, and even going as far back as D. W. Griffith.

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Speaker 6: I mean, these are directors that will come come at you,

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Speaker 6: not just with their their pictures and their words, but

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Speaker 6: they'll give you like this in your face, no holes barred,

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Speaker 6: visceral visual. I want to be about something.

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Speaker 2: Ye yeah, can you speak on that? Yeah?

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Speaker 6: Yeah, oh yeah, I guess I could. If Okay, for example,

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Speaker 6: take a movie a stagecoach. You know this, You've got

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Speaker 6: the horses, you know when you've got the stage coach.

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Speaker 6: But it's it's the interpolation between them, and that is filmmaking.

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Speaker 3: And you kind of blew by, you know, it's not

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Speaker 3: just their pictures and words. But isn't that a big

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Speaker 3: part of what is movies?

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Speaker 6: No, it's the music. Yeah, and it's the thank you

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Speaker 6: some of the uh, it's a lot of the marketing

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Speaker 6: as part of it. I mean, you know, half the

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Speaker 6: time people are like, oh, movies, movies. No, it's the marketing, right,

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Speaker 6: Like I won't today, they won't. I can't make a

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Speaker 6: movie unless there's a Twitter feed. Yeah, Facebook ad you know.

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Speaker 2: That song happy? I don't know if you guys noticed that.

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Speaker 2: Did you know that was from movie?

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Speaker 3: No?

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Speaker 6: You mean Don't Worry Happy?

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Speaker 2: Yes?

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Speaker 6: Yeah, yes, I love that song.

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Speaker 3: The there is a happy song from The Gentleman with

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Speaker 3: the Hat, Oh, the big tall hat Mike Myers.

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Speaker 6: Okay, cat in the Hat.

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Speaker 3: I love it And I think that hat is so

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Speaker 3: funny and I could just talk about it and reference

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Speaker 3: it for days and I don't think it would ever Well,

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Speaker 3: stop bringing me, Joe, it's unusual.

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Speaker 6: Can I just had you teed it up? So I

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Speaker 6: have to say it. Do you think it would not

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Speaker 6: get old? Hat?

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Speaker 2: Okay?

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Speaker 7: Okay, okay, uh, okay, old, well, no fair, I'm sorry

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Speaker 7: I had to go there.

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Speaker 3: It's okay, but it's weird. Yeah, we'll cut that out. Huh, Cody.

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Speaker 6: All I'm saying is you, I was standing there at

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Speaker 6: the at the driving range. You put the t in

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Speaker 6: front of me, you handed me a club, you balanced

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Speaker 6: the ball I had. I had to take a swing.

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Speaker 2: Yeah, advanced you are?

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Speaker 3: You on the links a lot these days?

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Speaker 6: You mentioned vance? But Bill Smid is a friend. So

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Speaker 6: if it's just easier if we don't get into all

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Speaker 6: that stuff.

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Speaker 2: He's a friend of yours. Yeah, and so it's easier.

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Speaker 2: I just if we don't mention his rule, because that

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Speaker 2: sounds like you don't like what's easier about, like you

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Speaker 2: don't like I.

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Speaker 6: No, No, he just happens to be a good friend.

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Speaker 6: So if we're going to like get into that, you know, it's.

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Speaker 2: Just it's hard for you.

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Speaker 6: It's easier to not because there's not.

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Speaker 2: Touch on it.

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Speaker 3: Just in case there's anything like that in the.

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Speaker 6: Case gets sort of you know, salacious, or if we're

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Speaker 6: starting to get into the era of making fun. I

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Speaker 6: can't do that because it's a friendship that I don't

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Speaker 6: want to screw up. Oh, you know, that's all.

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Speaker 3: And I didn't necessarily feel that just saying bag of

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Speaker 3: Vans was making fun of Bill.

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Speaker 2: It was anything silatious about it.

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Speaker 6: It's not that it is already silacious, but it's just

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Speaker 6: easier like if we don't, because then you know, it's

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Speaker 6: like talking about it like, oh did you like the movie?

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Speaker 6: I liked it okay, and then suddenly someone says, oh,

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Speaker 6: how come we didn't like it a lot? And then

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Speaker 6: now I have to go to Now Bill calls me

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Speaker 6: where he texts me and he's like, what's that about?

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Speaker 6: And then it's like, then I that that's there's my

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Speaker 6: Sunday afternoon.

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Speaker 2: And if we asked you to tell your most salacious.

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Speaker 3: Story from the mist or you know, yeah, yeah, but

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Speaker 3: it's like that I don't.

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Speaker 6: I'm not. I don't like things like, oh, I tell

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Speaker 6: you know, out of school's, you know, trailer blowjob stuff.

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Speaker 6: It's not I don't. It doesn't feel I don't know,

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Speaker 6: it just doesn't feel kosher.

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Speaker 2: And what if you told what if you gave us

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Speaker 2: a blind item and you don't say who it's about.

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Speaker 3: Forget Bill Smith, forget bag vance not.

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Speaker 2: And we're not even talking about him anymore. But you

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Speaker 2: do tell a.

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Speaker 3: Story, a story about somebody giving end of yours.

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Speaker 2: You don't know that. I'm not saying who it is.

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Speaker 6: Okay, great, Yeah, he was starring in this movie called

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Speaker 6: Independence Day, and we were on set and I was

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Speaker 6: just visiting him in the trailer. And again this I'm

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Speaker 6: only saying this because no one, this could be anybody. Yes,

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Speaker 6: So I go on the trailer and he's like, you know, hey,

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Speaker 6: let's give you to the blow jobs whatever, that thing,

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Speaker 6: the thing that's whatever.

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Speaker 3: Ye, a movie set.

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Speaker 6: So we're doing it. You know, we're doing it for

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Speaker 6: a while. It's probably like maybe I don't know, eighty

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Speaker 6: minutes or so. So eighty minutes in I'm having actually

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Speaker 6: feeling like I'm not going to complete, you know. So

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Speaker 6: this unnamed friend of mine.

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Speaker 3: Whoever it is, and whoever it's a guy or whoever.

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Speaker 6: He goes out onto the into the area where they

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Speaker 6: have that they serve food craft services. Yeah, and he

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Speaker 6: gets two big crullers, which are for those who are

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Speaker 6: not in the business. They're like doughnuts related, and they

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Speaker 6: serve them on film sets.

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Speaker 2: Which is like it's like a sweet bread.

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Speaker 3: Yeah, yes, but not as heavy.

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Speaker 6: If a bread gets so light and sweet at a

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Speaker 6: certain point, it's not bread, it's cake, and that's that

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Speaker 6: can be an issue, a semantic issue.

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Speaker 3: Yeah, but they're not like cake, are they donuts not?

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Speaker 6: I think maybe the insides might be. But if you

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Speaker 6: have to take off the crust anyway, we're diverging.

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Speaker 2: Yeah.

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Speaker 6: The point is, so he gets the two crulors and

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Speaker 6: he rings them on my on my my thing. I

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Speaker 6: don't want to say obviously on this.

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Speaker 2: No, it's show.

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Speaker 6: Yeah, but you know what I'm talking about. Yeah, it's

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Speaker 6: sort of like there was an old street gang called

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Speaker 6: ring O Levio in Brooklyn where you just you throw

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Speaker 6: the rings onto the stick. And he did that and

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Speaker 6: that was enough to get me more excited and then

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Speaker 6: we were able to complete. And that's the that's the

390
00:20:00,840 --> 00:20:02,880
Speaker 6: funny story. Wow. But I'm not going to say who it.

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Speaker 2: Was the challenge of playing a game like that, of

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Speaker 2: trying to land this donut on your object in.

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Speaker 6: Order to and we all know what you're referring to

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Speaker 6: when you say object, you don't have to say.

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Speaker 2: It, right. It's just interesting physically mechanically, it's just an

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Speaker 2: interesting story.

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Speaker 3: The lying I love hearing that on your back. Yeah,

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Speaker 3: I was in summertime just and.

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Speaker 6: I wasn't I was on my stungue, but yeah.

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Speaker 3: Yeah, and just tossing, yeah, just tossing and putting just

401
00:20:39,359 --> 00:20:42,280
Speaker 3: the right amount of spin so that it just sticks

402
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Speaker 3: the landing.

403
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Speaker 2: Let's talk about reboots, Godzilla the.

404
00:20:47,880 --> 00:20:50,359
Speaker 3: Spider so big right now, And I don't want to

405
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Speaker 3: spoil anything, but wasn't it great.

406
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Speaker 2: That they're doing very nice pieces of business, all of those.

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Speaker 3: Really nice piece of business and yeah, and money, yes,

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00:21:03,200 --> 00:21:12,000
Speaker 3: and we good good yeah, yeah.

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Speaker 2: We have it something sort of going with you, yes,

410
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Speaker 2: right now right.

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Speaker 3: The purpose of this show is to illuminate the darkly

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Speaker 3: lit areas of show business.

413
00:21:21,280 --> 00:21:25,000
Speaker 2: The transparency like water, which we all need to everyone

414
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Speaker 2: drinks it.

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Speaker 6: We just this is my way of giving back because

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Speaker 6: you know a lot of people I know they'll volunteer

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Speaker 6: a soup kitchen or what have you. And this is

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Speaker 6: my way of giving back by just sharing stuff that

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Speaker 6: we are doing.

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Speaker 3: Yes, well, and because anyone can hand out soup, yeah,

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Speaker 3: I mean anyone really can, but not anyone can actually

422
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Speaker 3: tell you the truth about when you do a reboot

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Speaker 3: and when you take an existing property and you devise

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Speaker 3: a new take on it so that it can be

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Speaker 3: enjoyed in a fresh way.

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Speaker 6: But keeping just enough of what we all love about it. Yes, Yes,

427
00:22:03,400 --> 00:22:07,720
Speaker 6: to bring those the familiarity that is the bedrock, and

428
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Speaker 6: then it's what's new that is the sugar.

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Speaker 2: Yes, we have this thing in the works. There's a

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00:22:14,320 --> 00:22:17,200
Speaker 2: movie in theaters now called Million Dollar Arm. A nice

431
00:22:17,240 --> 00:22:21,080
Speaker 2: piece of business itself. It did well enough they came

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Speaker 2: to Sean and I. They said, we would like to

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00:22:23,040 --> 00:22:26,680
Speaker 2: reboot this project in months. We liked a few mus

434
00:22:26,760 --> 00:22:29,560
Speaker 2: track it. We'd like you to start talking to some directors.

435
00:22:29,600 --> 00:22:32,200
Speaker 2: We said, who do we know? Who's the director right now?

436
00:22:32,720 --> 00:22:35,800
Speaker 2: And we decided to talk to David Wayne about this

437
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Speaker 2: and we would love to hear your take.

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00:22:40,200 --> 00:22:42,679
Speaker 3: Yes, what are you going to bring to a Million

439
00:22:42,720 --> 00:22:44,920
Speaker 3: Dollar Arm? Those who didn't see the trailer, I didn't

440
00:22:44,920 --> 00:22:50,040
Speaker 3: see the movie. It's a really nice, sweet story, this

441
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Speaker 3: dystopian future where we're all out of white baseball players,

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00:22:54,040 --> 00:22:56,960
Speaker 3: but there is still some good white people doing some

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Speaker 3: good stuff and one of them has the brave thought,

444
00:23:01,240 --> 00:23:03,240
Speaker 3: could there be a baseball player? He's not?

445
00:23:04,400 --> 00:23:07,879
Speaker 6: And I and I for me, what's great about Million

446
00:23:07,920 --> 00:23:11,320
Speaker 6: Dollar Arm as a as a piece of material is

447
00:23:11,400 --> 00:23:13,439
Speaker 6: and This is a movie that to me is iconic.

448
00:23:14,040 --> 00:23:17,520
Speaker 6: It's part of the fabric of who we are. It's

449
00:23:17,560 --> 00:23:20,560
Speaker 6: sort of our social you know. Script that we go on.

450
00:23:20,720 --> 00:23:23,679
Speaker 6: The Million Dollar Arm is part of that. I haven't

451
00:23:23,720 --> 00:23:26,199
Speaker 6: seen it but I or even the trailer, but I

452
00:23:26,280 --> 00:23:29,280
Speaker 6: know that for me, that's part of how I can

453
00:23:29,280 --> 00:23:31,560
Speaker 6: bring in a sort of a fresh voice to the

454
00:23:31,400 --> 00:23:35,919
Speaker 6: to the to the to the proceedings. Why and so

455
00:23:36,000 --> 00:23:38,600
Speaker 6: that's why you know, my take on it is so

456
00:23:39,400 --> 00:23:41,560
Speaker 6: is to really give it a fresh spin. Great, you know,

457
00:23:42,119 --> 00:23:44,360
Speaker 6: I mean, and I know you know, million dollars John.

458
00:23:44,200 --> 00:23:47,119
Speaker 2: Hamm is in that, yes, And we don't have drawn no,

459
00:23:47,320 --> 00:23:50,240
Speaker 2: I know, that's the whole thing for health reasons.

460
00:23:50,240 --> 00:23:54,040
Speaker 6: Oh I see. I mean, because well, okay, and I

461
00:23:54,080 --> 00:23:56,720
Speaker 6: can always change it. And honestly, to survive in Hollywood,

462
00:23:56,760 --> 00:23:59,600
Speaker 6: you have to be able to shuck and jive. You

463
00:23:59,640 --> 00:24:02,439
Speaker 6: have to adapt, adapt or die. Okay, we don't have

464
00:24:02,480 --> 00:24:04,879
Speaker 6: John Hamon. I thought we could have. I was gonna

465
00:24:05,000 --> 00:24:08,400
Speaker 6: try to basically do something different in a reboot, which

466
00:24:08,400 --> 00:24:12,440
Speaker 6: is to use the same original movie, you know, Okay,

467
00:24:13,280 --> 00:24:15,720
Speaker 6: and that was sort of my part of my take.

468
00:24:15,840 --> 00:24:20,600
Speaker 6: Part of my take was to actually keep the original films.

469
00:24:20,240 --> 00:24:22,359
Speaker 2: With the Well, but here's the interesting thing, because we

470
00:24:22,400 --> 00:24:26,520
Speaker 2: already had we have the footage of John from the

471
00:24:26,640 --> 00:24:27,479
Speaker 2: first movie.

472
00:24:27,680 --> 00:24:29,520
Speaker 6: Okay, well we should look at the paperwork and make

473
00:24:29,520 --> 00:24:31,840
Speaker 6: sure that that's all capeche and you know that it's

474
00:24:31,880 --> 00:24:34,360
Speaker 6: all kosher. But I think if we can do that,

475
00:24:34,480 --> 00:24:38,560
Speaker 6: then you know, the reboot is it's almost like a

476
00:24:38,600 --> 00:24:42,720
Speaker 6: re release. Yes, but in this case, you know it's

477
00:24:42,720 --> 00:24:45,600
Speaker 6: never been done that way where it's it's a reboot

478
00:24:45,720 --> 00:24:48,240
Speaker 6: of but it's the same film. But okay, let's just

479
00:24:48,240 --> 00:24:49,919
Speaker 6: say we don't have John Hamil's you can't do that.

480
00:24:50,119 --> 00:24:52,639
Speaker 2: Okay, but that isn't that a nice idea just to

481
00:24:53,040 --> 00:24:57,520
Speaker 2: like just on that to germinate for a second. If

482
00:24:57,520 --> 00:25:00,439
Speaker 2: it's a re release, it'll be nice for hands of

483
00:25:00,520 --> 00:25:04,000
Speaker 2: John who maybe miss him in like the next couple

484
00:25:04,040 --> 00:25:07,119
Speaker 2: of months, to be able to have a nice memory

485
00:25:07,119 --> 00:25:08,920
Speaker 2: of him from this movie. They'll be able to go

486
00:25:08,960 --> 00:25:11,360
Speaker 2: to theaters and remember their friend who passed.

487
00:25:11,480 --> 00:25:13,240
Speaker 3: Okay, yes, at his best way?

488
00:25:13,320 --> 00:25:14,320
Speaker 6: Did John ham pass away?

489
00:25:14,920 --> 00:25:16,879
Speaker 2: No? No, no, no.

490
00:25:16,760 --> 00:25:19,560
Speaker 6: Not necessarily necessarily, And yet that could be something.

491
00:25:19,359 --> 00:25:23,560
Speaker 2: We could But this is going to be summer, yeah, okay,

492
00:25:23,880 --> 00:25:29,880
Speaker 2: late summer. It's going to be more than seven weeks.

493
00:25:29,800 --> 00:25:32,760
Speaker 6: So they what he Yeah, if John ham Is was

494
00:25:32,760 --> 00:25:37,320
Speaker 6: told forty, there's odds are against but not impossible that

495
00:25:37,320 --> 00:25:39,120
Speaker 6: he would be dead by then. And I can I'm

496
00:25:39,160 --> 00:25:41,880
Speaker 6: not to get morbid, but that would do something for.

497
00:25:41,800 --> 00:25:45,520
Speaker 2: The and he right now, last times he threw up.

498
00:25:46,040 --> 00:25:49,080
Speaker 2: So okay, I saw.

499
00:25:48,680 --> 00:25:50,280
Speaker 3: And he was going into the bathroom a lot.

500
00:25:51,080 --> 00:25:53,320
Speaker 6: I mean, no offense to anyone, but when you go

501
00:25:53,359 --> 00:25:54,879
Speaker 6: in the bathroom and you throw up a lot, that

502
00:25:54,880 --> 00:25:56,880
Speaker 6: that could that does mean you're probably gonna.

503
00:25:56,680 --> 00:25:59,720
Speaker 3: Die at some point. Anyway, No, I wouldn't know.

504
00:25:59,800 --> 00:26:02,080
Speaker 6: Well may he recipes nice guy?

505
00:26:03,160 --> 00:26:06,080
Speaker 2: Yeah, anyway, Well, we don't want to get bogged down

506
00:26:06,119 --> 00:26:06,280
Speaker 2: in that.

507
00:26:06,400 --> 00:26:10,840
Speaker 3: But let's put the let's put the re release of

508
00:26:10,880 --> 00:26:14,439
Speaker 3: the same film. Let's table that the time.

509
00:26:14,359 --> 00:26:17,679
Speaker 6: Put a pin in it for a second. Yes, okay,

510
00:26:17,760 --> 00:26:19,720
Speaker 6: So here's here's my other take. If we were to

511
00:26:19,720 --> 00:26:22,320
Speaker 6: do just a new version of A Million Dollar Arm

512
00:26:22,640 --> 00:26:26,240
Speaker 6: that's what you're asking me, please, Okay, So do you

513
00:26:26,400 --> 00:26:31,439
Speaker 6: know Genevieve b Yeah, she's an actress from the past.

514
00:26:33,440 --> 00:26:38,200
Speaker 6: And then uh, you know Sally Struthers, yes, oh yes,

515
00:26:38,359 --> 00:26:40,920
Speaker 6: So these are both people that I'm not going to

516
00:26:40,960 --> 00:26:43,080
Speaker 6: say they're friends, but they're people that I they'll they'll

517
00:26:43,080 --> 00:26:43,720
Speaker 6: take my calls.

518
00:26:44,400 --> 00:26:46,640
Speaker 2: Oh David, okay.

519
00:26:46,240 --> 00:26:47,960
Speaker 6: And so if I did. We have Genevieve, and we

520
00:26:48,080 --> 00:26:51,600
Speaker 6: have Sally, we have Cheryl lad and basically these three

521
00:26:52,920 --> 00:26:58,280
Speaker 6: are kind of like the modern day Three Musketeers, but

522
00:26:58,400 --> 00:27:01,720
Speaker 6: they're women and their Deva says, and they are not

523
00:27:01,800 --> 00:27:06,000
Speaker 6: taking any prisoners. You know, they don't care what any

524
00:27:06,040 --> 00:27:10,280
Speaker 6: guy is gonna say. They It's like, listen, girlfriend, I

525
00:27:10,320 --> 00:27:12,439
Speaker 6: am out on the town. I'm going to put on

526
00:27:12,520 --> 00:27:17,440
Speaker 6: my stilettos, I'm going to put on my binobos and

527
00:27:17,520 --> 00:27:22,360
Speaker 6: I am going to just let it rip. And that

528
00:27:22,440 --> 00:27:26,840
Speaker 6: means they're braziers are only half on. And then I've

529
00:27:26,880 --> 00:27:27,720
Speaker 6: already talked to Sally.

530
00:27:27,800 --> 00:27:30,800
Speaker 3: She is completely on the side or pulled down.

531
00:27:30,920 --> 00:27:32,919
Speaker 6: They're half They're no, they're just very loose.

532
00:27:33,320 --> 00:27:35,280
Speaker 3: Yeah, they're half exactly.

533
00:27:35,000 --> 00:27:38,239
Speaker 6: Like they're just not quite on fully. And again I've

534
00:27:38,280 --> 00:27:40,440
Speaker 6: spoken to Sally. She's completely fine with this, or I

535
00:27:40,480 --> 00:27:44,280
Speaker 6: wouldn't have even pitched it. And they are they're walking

536
00:27:44,440 --> 00:27:46,720
Speaker 6: on the street. I mean, it doesn't right. And it

537
00:27:46,760 --> 00:27:49,440
Speaker 6: depends on what permits we get. That's not that important.

538
00:27:49,440 --> 00:27:51,240
Speaker 6: But it could be Fountain, or it could be Vine

539
00:27:51,320 --> 00:27:54,000
Speaker 6: or it could be sunset. That's assuming we shoot in

540
00:27:54,080 --> 00:28:00,480
Speaker 6: LA And these ladies are just not just themselves having

541
00:28:00,520 --> 00:28:03,920
Speaker 6: a new lease on life, they are also a symbol

542
00:28:04,160 --> 00:28:07,160
Speaker 6: for what we all want in life, which is the

543
00:28:07,200 --> 00:28:11,080
Speaker 6: freedom and and that's where this and to me, that's

544
00:28:11,080 --> 00:28:13,680
Speaker 6: sort of a different take on the Million Dollar Arm,

545
00:28:13,920 --> 00:28:18,280
Speaker 6: but theagically, the freedom aspect, the freedom aspect, and just

546
00:28:18,320 --> 00:28:22,200
Speaker 6: the idea. To me, I think it it connects very

547
00:28:22,520 --> 00:28:26,119
Speaker 6: smoothly to the John Hamm and the Lake Bell characters

548
00:28:26,240 --> 00:28:27,400
Speaker 6: in Million Dollar Arm.

549
00:28:27,680 --> 00:28:32,240
Speaker 2: We do have a commitment to amanbe okay, is there

550
00:28:32,280 --> 00:28:35,280
Speaker 2: a way to find is there a place for him?

551
00:28:35,920 --> 00:28:37,560
Speaker 6: I do think it's gonna have to be a thing

552
00:28:37,560 --> 00:28:39,080
Speaker 6: where we're just gonna have to see if we can

553
00:28:39,120 --> 00:28:41,960
Speaker 6: pay him off or you know, or if he wants

554
00:28:42,480 --> 00:28:45,400
Speaker 6: is he interested in doing something more behind the camera.

555
00:28:46,960 --> 00:28:49,200
Speaker 6: Maybe he could help out with there's stuff that has

556
00:28:49,200 --> 00:28:50,000
Speaker 6: to be done in the office.

557
00:28:50,040 --> 00:28:52,520
Speaker 2: I'm sure it doesn't there's no specification as to what

558
00:28:52,600 --> 00:28:55,480
Speaker 2: his job has to be.

559
00:28:54,840 --> 00:28:56,160
Speaker 3: And he could be an apple box.

560
00:28:56,560 --> 00:28:58,080
Speaker 6: He could be an apple box, or he could be

561
00:28:58,360 --> 00:28:58,760
Speaker 6: I know that.

562
00:28:58,960 --> 00:29:00,760
Speaker 3: To me, that's a good use.

563
00:29:00,840 --> 00:29:02,880
Speaker 6: I could see him doing stuff in accounting too, because

564
00:29:02,880 --> 00:29:05,880
Speaker 6: they always need extra help with payroll and stuff like that.

565
00:29:05,960 --> 00:29:08,240
Speaker 6: And I think it's you know, because everyone gets a

566
00:29:08,320 --> 00:29:10,320
Speaker 6: check on Friday. I mean, I don't know why everyone

567
00:29:10,360 --> 00:29:11,520
Speaker 6: has to get to check on the same day, so

568
00:29:11,520 --> 00:29:13,360
Speaker 6: they all have to go out. So if you had

569
00:29:13,360 --> 00:29:15,800
Speaker 6: an extra hand to pass out, you know, you take

570
00:29:15,840 --> 00:29:17,600
Speaker 6: half of them and I'll take half of them.

571
00:29:17,680 --> 00:29:20,520
Speaker 2: Yeah, so fast.

572
00:29:20,720 --> 00:29:23,560
Speaker 6: Yeah, So, I mean that's just obviously I think that's

573
00:29:23,560 --> 00:29:24,640
Speaker 6: stuff to be figured out late.

574
00:29:24,800 --> 00:29:27,960
Speaker 3: And just in terms of incorporating Pride Fighting, we do

575
00:29:28,040 --> 00:29:32,000
Speaker 3: have a contract with them where they are going to

576
00:29:32,000 --> 00:29:34,120
Speaker 3: be featured heavily in the film. Did you see the

577
00:29:34,200 --> 00:29:37,600
Speaker 3: divorces or kicking butt or who's choking who?

578
00:29:37,760 --> 00:29:39,120
Speaker 6: And did you say pride fighting?

579
00:29:39,360 --> 00:29:39,600
Speaker 1: Yeah?

580
00:29:40,040 --> 00:29:43,000
Speaker 6: Oh, because when you when you faxed me earlier, I

581
00:29:43,000 --> 00:29:44,120
Speaker 6: thought I said prize fighting?

582
00:29:45,360 --> 00:29:47,640
Speaker 2: Does these women are? You know?

583
00:29:47,920 --> 00:29:53,240
Speaker 6: I see, Well, I guess Sally's not going to be

584
00:29:53,280 --> 00:29:55,120
Speaker 6: able to do a lot of the kicking butt because

585
00:29:55,120 --> 00:29:59,280
Speaker 6: she's got a little bit of a sciatic condition. So

586
00:29:59,560 --> 00:30:02,600
Speaker 6: if we can and get a stunt woman for her,

587
00:30:02,640 --> 00:30:04,640
Speaker 6: we can figure that out. Maybe, because a lot of

588
00:30:04,680 --> 00:30:07,400
Speaker 6: times this is something you're new listeners might have interested in.

589
00:30:08,280 --> 00:30:11,640
Speaker 6: Say an actor is in a scene and they have

590
00:30:11,720 --> 00:30:14,920
Speaker 6: to fall off a bridge. Yeah, what I'll do is

591
00:30:15,960 --> 00:30:19,880
Speaker 6: I'll say hold, and then that actor leaves, leaves the

592
00:30:19,920 --> 00:30:23,920
Speaker 6: bridge and incomes a stunt double, and the stunt double

593
00:30:24,000 --> 00:30:26,640
Speaker 6: looks like the actor, and they jump off the bridge

594
00:30:26,640 --> 00:30:27,040
Speaker 6: and then we.

595
00:30:27,000 --> 00:30:30,320
Speaker 3: Go home beautiful. And maybe that's another spot for that

596
00:30:30,440 --> 00:30:34,040
Speaker 3: end dive guy that you mentioned to do the stunt stuff. Yes,

597
00:30:34,200 --> 00:30:35,920
Speaker 3: that is an interesting We put him in a Sally

598
00:30:35,960 --> 00:30:36,920
Speaker 3: Struther's wig.

599
00:30:37,040 --> 00:30:40,440
Speaker 2: Because I don't see why he couldn't fall off something.

600
00:30:40,480 --> 00:30:43,800
Speaker 2: I mean, I think that's within his talents. I mean,

601
00:30:43,840 --> 00:30:45,840
Speaker 2: I don't want to underestimate him. I think he could

602
00:30:45,880 --> 00:30:46,680
Speaker 2: do something like that.

603
00:30:47,280 --> 00:30:50,560
Speaker 6: I do feel like that the manufacturers who did the

604
00:30:50,560 --> 00:30:53,280
Speaker 6: Sally Struthers wigs, a lot of them have been out

605
00:30:53,320 --> 00:30:55,680
Speaker 6: of business for the last few years. But it's a

606
00:30:55,760 --> 00:30:58,520
Speaker 6: question of whether there's an aftermarket or a gray market

607
00:30:58,560 --> 00:31:01,640
Speaker 6: on eBay or overseas, and we can track those down.

608
00:31:01,680 --> 00:31:03,600
Speaker 6: So I will look into that. I'll put that on

609
00:31:03,640 --> 00:31:04,000
Speaker 6: my list.

610
00:31:04,280 --> 00:31:06,680
Speaker 2: Now, I don't want you to go digging into anything

611
00:31:06,720 --> 00:31:10,400
Speaker 2: that's going to get you in trouble. Well, you know, like,

612
00:31:11,120 --> 00:31:16,040
Speaker 2: if you have some kind of way of doing these things,

613
00:31:16,160 --> 00:31:16,960
Speaker 2: then go ahead.

614
00:31:17,040 --> 00:31:19,320
Speaker 6: What I do when these kinds of things. Situations come up.

615
00:31:19,360 --> 00:31:21,360
Speaker 6: I get on a plane, I go to Shanghai, I

616
00:31:22,080 --> 00:31:25,320
Speaker 6: meet my contact. We sort of go deep into the

617
00:31:26,120 --> 00:31:28,480
Speaker 6: sort of open air market. Yes, and then we just

618
00:31:28,560 --> 00:31:33,480
Speaker 6: ask around and usually something happens, that something adventures happens.

619
00:31:33,480 --> 00:31:34,280
Speaker 6: Then we find our man.

620
00:31:34,480 --> 00:31:36,720
Speaker 3: Oh, so I'll see what I can do Chinese.

621
00:31:37,360 --> 00:31:42,840
Speaker 2: Yes, so.

622
00:31:44,360 --> 00:31:51,160
Speaker 3: Question so the question we have a question segment. I

623
00:31:51,160 --> 00:31:55,920
Speaker 3: guess my first question, regardless of the segment, is does

624
00:31:55,960 --> 00:31:59,880
Speaker 3: it feel professional to you that our engineer brought his

625
00:32:00,240 --> 00:32:02,160
Speaker 3: girlfriend to sit in on the session?

626
00:32:03,120 --> 00:32:06,200
Speaker 2: Comfortable? Did it make you comfortable or or uncomfortable when

627
00:32:06,240 --> 00:32:10,160
Speaker 2: a stranger came in and just sat down just while

628
00:32:10,200 --> 00:32:11,680
Speaker 2: we were doing the record.

629
00:32:12,320 --> 00:32:14,160
Speaker 6: I wasn't going to say anything to you guys, but

630
00:32:15,240 --> 00:32:19,800
Speaker 6: I found it to be not not just discomforting to me,

631
00:32:19,840 --> 00:32:23,360
Speaker 6: but a little disquieting to me. I found it to

632
00:32:23,400 --> 00:32:30,560
Speaker 6: be rude. I found it to be inappropriate also just

633
00:32:31,240 --> 00:32:35,600
Speaker 6: kind of solipsistic speak. Would you speak on the uh,

634
00:32:36,200 --> 00:32:40,080
Speaker 6: just the idea? It's you know how you know how

635
00:32:41,200 --> 00:32:46,480
Speaker 6: hemophiliacs are have a blood too much blood satuation And

636
00:32:46,520 --> 00:32:50,760
Speaker 6: for me, my blood is boiling here thinking about the

637
00:32:50,960 --> 00:32:57,080
Speaker 6: because a recording session like this is a very precious, sacred,

638
00:32:57,320 --> 00:33:02,480
Speaker 6: sacred ritual. And you know, for example, I used to

639
00:33:02,600 --> 00:33:08,160
Speaker 6: spend some time in Gainesville, Florida at these clan ritual things,

640
00:33:08,720 --> 00:33:14,520
Speaker 6: and if you brought in the wrong element, the ritual

641
00:33:14,560 --> 00:33:20,240
Speaker 6: would be ruined, you know. And that's that's how I'm

642
00:33:20,240 --> 00:33:21,959
Speaker 6: feeling right now, and I'm pissed.

643
00:33:22,880 --> 00:33:27,000
Speaker 2: I have a suspicion, which is that Cody is hoping

644
00:33:27,040 --> 00:33:31,320
Speaker 2: to create the illusion that we are friends with him,

645
00:33:31,680 --> 00:33:39,360
Speaker 2: and so he has his girlfriend enter the record midway through, assuming.

646
00:33:39,480 --> 00:33:42,800
Speaker 3: We see how we can actually racord.

647
00:33:42,600 --> 00:33:45,680
Speaker 2: Beforehand or any conversation, you're all, I'm happy to dispel

648
00:33:45,760 --> 00:33:48,600
Speaker 2: that right now. Cody is not my friend.

649
00:33:48,880 --> 00:33:52,080
Speaker 3: And if he is, if he has gotten maybe ninety

650
00:33:52,080 --> 00:33:55,800
Speaker 3: percent of the way to some sort of physical consummation

651
00:33:55,960 --> 00:33:59,840
Speaker 3: of this friendship the two of you have, and this

652
00:34:00,080 --> 00:34:01,479
Speaker 3: is going to push it over the edge for you.

653
00:34:01,640 --> 00:34:03,600
Speaker 3: The idea of him having these big, famous friends you'd

654
00:34:03,600 --> 00:34:04,760
Speaker 3: be hanging out with at parties.

655
00:34:05,480 --> 00:34:08,640
Speaker 2: I would be truly crushed to find out that that

656
00:34:08,800 --> 00:34:12,040
Speaker 2: was the case to him. For him to have lied

657
00:34:12,920 --> 00:34:16,480
Speaker 2: to this woman who is his friend in order to

658
00:34:16,640 --> 00:34:18,200
Speaker 2: achieve sexual pleasure.

659
00:34:18,040 --> 00:34:20,120
Speaker 6: I think it's a hostile act and it's and it's

660
00:34:20,160 --> 00:34:24,000
Speaker 6: also a hostile act towards women. And it means, I mean,

661
00:34:24,040 --> 00:34:26,479
Speaker 6: I don't I don't know Cody well and I would

662
00:34:26,480 --> 00:34:28,399
Speaker 6: say I don't know him at all, but I can

663
00:34:28,480 --> 00:34:31,080
Speaker 6: tell very easily. And this is not pop psychology that

664
00:34:31,120 --> 00:34:35,400
Speaker 6: he hates women. I love women, Oh my god, I do.

665
00:34:35,600 --> 00:34:36,560
Speaker 6: I do too.

666
00:34:36,719 --> 00:34:41,400
Speaker 3: That's my weakness though, is like beautiful, beautiful women. They're

667
00:34:41,440 --> 00:34:44,800
Speaker 3: in the right town, the way they look away everything,

668
00:34:45,080 --> 00:34:46,680
Speaker 3: and they're people to me.

669
00:34:46,840 --> 00:34:51,320
Speaker 2: Of course, beautiful people, wonderful and the body and their bodies.

670
00:34:51,400 --> 00:34:54,000
Speaker 6: My sister knows a woman who's a lawyer. I mean,

671
00:34:54,080 --> 00:34:57,600
Speaker 6: so that's if that doesn't show you that I understand

672
00:34:57,640 --> 00:35:02,120
Speaker 6: that women can do nearly anything almost any profession, uh

673
00:35:03,360 --> 00:35:03,959
Speaker 6: even a lawyer.

674
00:35:04,160 --> 00:35:04,640
Speaker 5: So at a.

675
00:35:04,600 --> 00:35:07,120
Speaker 3: Professional at a professional level, I'm glad you said profession

676
00:35:07,400 --> 00:35:08,399
Speaker 3: I mean actually.

677
00:35:08,080 --> 00:35:10,040
Speaker 6: In small firms, yeah, I think they can do it

678
00:35:10,040 --> 00:35:14,640
Speaker 6: if it's a local kind of you know, simple procedures

679
00:35:14,719 --> 00:35:17,720
Speaker 6: or you know, it's like local like stuff.

680
00:35:17,760 --> 00:35:18,440
Speaker 3: But if it's no.

681
00:35:18,520 --> 00:35:19,879
Speaker 6: But I mean I think sometimes.

682
00:35:19,520 --> 00:35:21,120
Speaker 2: You get a big stack of papers and they're all

683
00:35:21,120 --> 00:35:23,080
Speaker 2: over the place. You need something. What's going to keep

684
00:35:23,080 --> 00:35:25,080
Speaker 2: these papers all in the same place?

685
00:35:25,400 --> 00:35:28,920
Speaker 6: Certainly if they're you know, at entry level type positions

686
00:35:28,920 --> 00:35:31,239
Speaker 6: at smaller firms. I don't see any reason why, not

687
00:35:31,320 --> 00:35:32,120
Speaker 6: any reason at all.

688
00:35:32,200 --> 00:35:35,359
Speaker 3: And if and especially the firm is like a daycare thing, yeah,

689
00:35:35,920 --> 00:35:38,080
Speaker 3: and who's going to run that aspect?

690
00:35:38,280 --> 00:35:41,280
Speaker 6: Right? And if there's they always they'll need room to pump.

691
00:35:43,400 --> 00:35:47,120
Speaker 3: Now, the real questions that we wanted to get into

692
00:35:47,960 --> 00:35:52,920
Speaker 3: were there's a segment that we do, and I think

693
00:35:52,960 --> 00:35:55,759
Speaker 3: we're getting better at explaining it to guests, but it's

694
00:35:55,800 --> 00:35:59,800
Speaker 3: still a little rocky. Hayes, do you want to take.

695
00:35:59,680 --> 00:36:02,720
Speaker 2: The on this one? Or you know what we could

696
00:36:03,239 --> 00:36:07,520
Speaker 2: do once? We could try the song?

697
00:36:08,960 --> 00:36:12,560
Speaker 3: Okay, someone wrote a song that they think explains this,

698
00:36:13,600 --> 00:36:16,760
Speaker 3: uh one of our listeners. So let's play it once

699
00:36:17,000 --> 00:36:19,440
Speaker 3: and if it works great, and when it doesn't, we'll

700
00:36:19,480 --> 00:36:21,239
Speaker 3: just explain it anyway and then we won't hear the

701
00:36:21,280 --> 00:36:21,800
Speaker 3: song again.

702
00:36:22,600 --> 00:36:23,960
Speaker 2: This will take me a second to thin.

703
00:36:24,120 --> 00:36:26,640
Speaker 6: Sounds good. I look forward to hearing the song. And

704
00:36:26,719 --> 00:36:30,279
Speaker 6: in the meantime, what about Obama's policies?

705
00:36:30,880 --> 00:36:31,040
Speaker 1: Oh?

706
00:36:31,080 --> 00:36:32,040
Speaker 2: Okay, I found it.

707
00:36:32,120 --> 00:36:34,840
Speaker 6: Okay good. The Popcorn Gallery.

708
00:36:35,080 --> 00:36:39,800
Speaker 5: It's time for it now. The Popcorn Gallery. It's a

709
00:36:40,080 --> 00:36:41,360
Speaker 5: sec mint.

710
00:36:41,200 --> 00:36:42,480
Speaker 6: On Hollywood hand Book.

711
00:36:42,520 --> 00:36:46,480
Speaker 5: Sean and Hayes let the view was asked the questions,

712
00:36:46,520 --> 00:36:51,480
Speaker 5: not the put gallery, because it's about movies. Yeah, the

713
00:36:51,520 --> 00:36:55,880
Speaker 5: movies is the reason it's called the popcorn Gallery. And

714
00:36:56,040 --> 00:37:00,960
Speaker 5: Sean and Hayes letting views do in no the question.

715
00:37:01,520 --> 00:37:03,239
Speaker 3: Yeah, now it's Tom for.

716
00:37:04,840 --> 00:37:05,840
Speaker 4: The pop.

717
00:37:07,440 --> 00:37:08,200
Speaker 5: Yallouie.

718
00:37:08,760 --> 00:37:13,239
Speaker 6: Oh yeah, I like the sort of jazzy influences.

719
00:37:13,360 --> 00:37:16,960
Speaker 2: Yes, and that song was by Tim Trees, who I

720
00:37:17,000 --> 00:37:20,040
Speaker 2: should point out as a very rich person.

721
00:37:20,239 --> 00:37:22,920
Speaker 3: Rich guy. I'm glad to hear that, some kind of

722
00:37:22,920 --> 00:37:23,960
Speaker 3: Silicon Valley guy.

723
00:37:24,120 --> 00:37:27,720
Speaker 6: Not definitely not going to be making money as a musician,

724
00:37:29,840 --> 00:37:32,160
Speaker 6: but I mean unrelated to that song, which is.

725
00:37:32,200 --> 00:37:36,040
Speaker 3: Great, wicked. So you get the idea I think from

726
00:37:36,040 --> 00:37:36,520
Speaker 3: that song.

727
00:37:36,719 --> 00:37:39,360
Speaker 6: I got what I took from it lyrically, was that

728
00:37:39,520 --> 00:37:44,160
Speaker 6: something involving the viewers asking questions? Yes, yes, that was

729
00:37:44,200 --> 00:37:46,600
Speaker 6: just one of the very things, one of the undercurrents

730
00:37:46,680 --> 00:37:48,359
Speaker 6: of the lyrics that I took from it.

731
00:37:48,960 --> 00:37:52,160
Speaker 2: And what we do is we the questions are in

732
00:37:52,480 --> 00:37:56,359
Speaker 2: sort of a metaphorical popcorn bag. And okay, let's see

733
00:37:56,400 --> 00:37:58,719
Speaker 2: what it would sound like if we were to reach

734
00:37:58,800 --> 00:38:01,839
Speaker 2: in to say bag and we had to pull out

735
00:38:01,880 --> 00:38:03,319
Speaker 2: a questions.

736
00:38:03,040 --> 00:38:06,480
Speaker 6: Feel like why why not keep a little sense of

737
00:38:06,920 --> 00:38:09,200
Speaker 6: illusion for these and say it is a.

738
00:38:09,120 --> 00:38:13,240
Speaker 2: Popcorn Okay, okay, okay, okay, we've got this bag.

739
00:38:13,360 --> 00:38:16,319
Speaker 3: Oh well, let's reach in and find the question in there.

740
00:38:16,680 --> 00:38:22,680
Speaker 6: Okay, hold on first, you guys, if you don't mind,

741
00:38:22,719 --> 00:38:24,759
Speaker 6: I'd like to have a soda first, if you don't,

742
00:38:25,840 --> 00:38:29,520
Speaker 6: and I'm gonna pour it. Thank you.

743
00:38:35,520 --> 00:38:41,960
Speaker 3: So camera, well that's appropriate because you're a director.

744
00:38:42,320 --> 00:38:43,520
Speaker 2: Oh so there.

745
00:38:43,400 --> 00:38:45,080
Speaker 3: Was a camera in the popcorn bag. I wonder if

746
00:38:45,080 --> 00:38:46,960
Speaker 3: there'll be any questions about your directing.

747
00:38:47,239 --> 00:38:50,240
Speaker 6: I certainly know my way around a camera lines.

748
00:38:51,200 --> 00:38:56,200
Speaker 2: This question is from Corpse Fucker ship Lord. Huh, he

749
00:38:56,360 --> 00:39:01,520
Speaker 2: asks David. Two girls at my school both like me,

750
00:39:01,600 --> 00:39:03,560
Speaker 2: but I can only take one to prom? What should

751
00:39:03,600 --> 00:39:03,919
Speaker 2: I do?

752
00:39:05,440 --> 00:39:08,480
Speaker 6: That's the whole question. Yes, that's I would say. What

753
00:39:08,520 --> 00:39:14,800
Speaker 6: I would do? Uh is called Jenny, you know, maybe

754
00:39:14,800 --> 00:39:18,799
Speaker 6: in the afternoon the day before the prom, and be like, oh, hey,

755
00:39:19,520 --> 00:39:20,640
Speaker 6: do you want to go to prom with me?

756
00:39:21,520 --> 00:39:21,960
Speaker 3: Uh?

757
00:39:22,000 --> 00:39:26,120
Speaker 6: And then she'll say yes because she likes you. So

758
00:39:26,160 --> 00:39:27,440
Speaker 6: that's that part settled.

759
00:39:27,440 --> 00:39:28,719
Speaker 2: It is one of the two girls, or is it

760
00:39:28,760 --> 00:39:29,359
Speaker 2: a third girl?

761
00:39:29,440 --> 00:39:31,120
Speaker 6: That's one of the two girls. Then you call the

762
00:39:31,160 --> 00:39:37,319
Speaker 6: other girl, Debbie, and you say, hey, Debbie and you

763
00:39:37,360 --> 00:39:39,879
Speaker 6: call right afterwards, so there's no way that she would

764
00:39:39,920 --> 00:39:42,839
Speaker 6: find out you're and then you say, hey, I want

765
00:39:42,840 --> 00:39:45,279
Speaker 6: to go prom with you. And then and then so

766
00:39:45,320 --> 00:39:48,160
Speaker 6: she'll she'll go. Now you have two dates. Okay, Now

767
00:39:48,160 --> 00:39:51,680
Speaker 6: what do you do? Call back Jenny? And this is

768
00:39:51,840 --> 00:39:55,520
Speaker 6: the classic thing. You put a clothes pin on your

769
00:39:55,560 --> 00:39:59,839
Speaker 6: nose and you're like, oh, I don't feel good. I say,

770
00:40:00,280 --> 00:40:03,839
Speaker 6: I can't go to the prep. But it's so it's

771
00:40:04,040 --> 00:40:05,600
Speaker 6: the day before, so she won't be able to find

772
00:40:05,600 --> 00:40:07,600
Speaker 6: anyone else to go with, so there so she will

773
00:40:07,719 --> 00:40:11,440
Speaker 6: definitely not come. Now, if she does choose to go stag,

774
00:40:12,040 --> 00:40:15,920
Speaker 6: you have to put if you have a either a

775
00:40:16,760 --> 00:40:17,680
Speaker 6: what do you call it? What do you call it?

776
00:40:17,760 --> 00:40:20,320
Speaker 6: Not a forty five? The other kind of gun thirty.

777
00:40:20,320 --> 00:40:24,360
Speaker 3: Three, magnum thirty, I'm thinking of something else.

778
00:40:24,280 --> 00:40:28,120
Speaker 6: Whatever it is, Bazuki Bozuka works and then you just

779
00:40:28,200 --> 00:40:30,640
Speaker 6: put you As she's leaving to go to the prom,

780
00:40:30,960 --> 00:40:33,600
Speaker 6: you pop those tires. You try to get all four

781
00:40:34,120 --> 00:40:37,640
Speaker 6: and then she'll be dealing with that at least long

782
00:40:37,719 --> 00:40:39,760
Speaker 6: enough for you to have a good time with Jenny.

783
00:40:39,920 --> 00:40:41,480
Speaker 6: If you can get a friend to watch and make

784
00:40:41,520 --> 00:40:42,799
Speaker 6: sure she has no other way to get there. By

785
00:40:42,800 --> 00:40:45,319
Speaker 6: the time she does get there, you can then you know,

786
00:40:45,680 --> 00:40:48,919
Speaker 6: dispense with Jenny, whether it's in the recycling or whatever

787
00:40:48,920 --> 00:40:49,160
Speaker 6: it is.

788
00:40:49,840 --> 00:40:57,960
Speaker 2: What if Debbie, yeah, is stacked again her bust okay.

789
00:40:58,120 --> 00:41:03,120
Speaker 6: And Jenny, so she's like built, yes, okay, she's.

790
00:41:03,040 --> 00:41:04,120
Speaker 2: Got a shape to her.

791
00:41:04,200 --> 00:41:04,840
Speaker 6: She's a fox.

792
00:41:05,480 --> 00:41:11,200
Speaker 2: And Jenny is like a paperiss yeah, with big boobs.

793
00:41:11,280 --> 00:41:15,200
Speaker 6: Yeah yes, okay, So Jenny is the paperback book with

794
00:41:15,280 --> 00:41:20,200
Speaker 6: the big the buxom. And then Debbie is like built, like.

795
00:41:20,280 --> 00:41:23,960
Speaker 3: Stacked, Yeah, she got it and she knows how to

796
00:41:24,120 --> 00:41:28,560
Speaker 3: move and if yeah, if Jenny, So, Jenny's got big naturals.

797
00:41:28,920 --> 00:41:32,760
Speaker 3: But Debbie, on the other hand, is kind of pushing

798
00:41:32,800 --> 00:41:35,239
Speaker 3: something ferocious upstairs.

799
00:41:35,560 --> 00:41:39,120
Speaker 6: Okay, Okay. What I would do is I would you

800
00:41:39,160 --> 00:41:40,919
Speaker 6: know what I what I would maybe do is tell

801
00:41:40,960 --> 00:41:45,280
Speaker 6: them you're tell them both that you're sick, right, then

802
00:41:45,719 --> 00:41:48,400
Speaker 6: neither comes the prom Then you go to each of

803
00:41:48,440 --> 00:41:51,319
Speaker 6: their houses back and forth all night and just like

804
00:41:51,840 --> 00:41:58,040
Speaker 6: go downtown on those mounds. Yeah, that's what I would do, right, Yeah,

805
00:41:58,080 --> 00:41:59,880
Speaker 6: And then if you can just sort of get them

806
00:41:59,880 --> 00:42:03,200
Speaker 6: in a situation where there braziers are half half off,

807
00:42:04,280 --> 00:42:07,719
Speaker 6: then you can get a good sense of there of

808
00:42:07,760 --> 00:42:08,719
Speaker 6: what kind of.

809
00:42:08,640 --> 00:42:10,520
Speaker 3: The business of what's real?

810
00:42:10,880 --> 00:42:12,960
Speaker 6: Yeah, the sweater meat.

811
00:42:14,440 --> 00:42:16,600
Speaker 2: I think there's some more. Well, it's got this bag

812
00:42:16,600 --> 00:42:19,000
Speaker 2: and there's some more popcorn inside. Have another bite.

813
00:42:19,080 --> 00:42:20,400
Speaker 6: Yeah, let's see what's in there.

814
00:42:20,960 --> 00:42:22,520
Speaker 3: Okay, and did you want to pop up in any

815
00:42:22,560 --> 00:42:23,840
Speaker 3: snacks yourself?

816
00:42:23,880 --> 00:42:31,719
Speaker 6: First? O? What's this?

817
00:42:32,200 --> 00:42:32,640
Speaker 2: Hands on?

818
00:42:32,719 --> 00:42:34,480
Speaker 3: It's a big round?

819
00:42:35,360 --> 00:42:35,600
Speaker 2: Oh?

820
00:42:35,800 --> 00:42:37,640
Speaker 3: Is this Stebby or Jenny?

821
00:42:38,760 --> 00:42:38,920
Speaker 6: Oh?

822
00:42:38,960 --> 00:42:41,480
Speaker 3: Wow, he found a large breast inside the bag.

823
00:42:41,560 --> 00:42:44,799
Speaker 2: That's amazing. Again that Mark could create a sound.

824
00:42:44,920 --> 00:42:47,560
Speaker 3: My friend Mark does these sounddrops for us and we

825
00:42:48,040 --> 00:42:50,200
Speaker 3: random he records one hundred at the beginning of the

826
00:42:50,239 --> 00:42:52,920
Speaker 3: month and we give him some cash so that he can.

827
00:42:52,920 --> 00:42:56,080
Speaker 6: And that's that's the sound effect of a popcorn bag

828
00:42:56,680 --> 00:42:57,480
Speaker 6: and the voice.

829
00:42:57,239 --> 00:42:59,680
Speaker 3: Inside it's taking over the popcorn bag. And then whoever

830
00:43:00,200 --> 00:43:01,919
Speaker 3: whatever he finds inside the bag.

831
00:43:02,040 --> 00:43:06,200
Speaker 2: Yeah, he must have a whole studio with different pebbles

832
00:43:06,280 --> 00:43:07,560
Speaker 2: and a celery stick.

833
00:43:07,920 --> 00:43:08,480
Speaker 6: That's great.

834
00:43:09,400 --> 00:43:13,240
Speaker 2: This question is from Octor Doctorpus. Okay, David, you recently

835
00:43:13,280 --> 00:43:15,640
Speaker 2: got into some trouble after you made certain comments about

836
00:43:15,640 --> 00:43:17,440
Speaker 2: how you would have reacted if you were Jay Z

837
00:43:17,600 --> 00:43:19,919
Speaker 2: and what you would do if, quote, any woman got

838
00:43:19,920 --> 00:43:22,160
Speaker 2: in my face like that on an elevator. Is that

839
00:43:22,160 --> 00:43:23,400
Speaker 2: because you're a New Yorker.

840
00:43:25,320 --> 00:43:29,080
Speaker 6: Yeah, well, there's a certain people don't live in New

841
00:43:29,160 --> 00:43:31,160
Speaker 6: York don't understand that. There's a certain code of the

842
00:43:31,160 --> 00:43:33,839
Speaker 6: streets in New York, especially when you're from the part

843
00:43:33,880 --> 00:43:35,600
Speaker 6: of New York that I live in, which is like

844
00:43:35,680 --> 00:43:40,200
Speaker 6: the streets yes, stickball and Stickball and ring Olivio and

845
00:43:40,239 --> 00:43:42,560
Speaker 6: the crullers on the on the cock and so on

846
00:43:42,960 --> 00:43:48,799
Speaker 6: and so what. Basically, you know, jay Z obviously not

847
00:43:48,880 --> 00:43:52,560
Speaker 6: my friend, but I've seen him around. I've seen him

848
00:43:52,560 --> 00:43:56,040
Speaker 6: Bungalow eight and I've seen him. You know, we we hang,

849
00:43:56,480 --> 00:44:00,560
Speaker 6: you know, we'll have a convo here and there will

850
00:44:01,040 --> 00:44:03,600
Speaker 6: bump our elbows, you know, to say like.

851
00:44:03,560 --> 00:44:05,520
Speaker 3: We're friends, you know.

852
00:44:05,560 --> 00:44:07,520
Speaker 6: And I've been to a couple of his his rap shows,

853
00:44:07,560 --> 00:44:11,080
Speaker 6: and I think they're terrific. I can't say I understand

854
00:44:11,120 --> 00:44:16,439
Speaker 6: every word, but I definitely for me, you know, yeah,

855
00:44:16,480 --> 00:44:20,279
Speaker 6: sometimes it gets, it gets. But I like that, uh huh,

856
00:44:20,800 --> 00:44:22,560
Speaker 6: I mean, I definitely liked I mean, I don't think

857
00:44:22,719 --> 00:44:24,680
Speaker 6: that was jay Z. I'm not sure which one was,

858
00:44:24,680 --> 00:44:26,719
Speaker 6: but I liked the remake of Walk This Way, the

859
00:44:26,760 --> 00:44:29,520
Speaker 6: Aerosmith song. I thought he did a great job with

860
00:44:29,560 --> 00:44:31,800
Speaker 6: that or whoever it was that was.

861
00:44:32,120 --> 00:44:33,480
Speaker 3: Yes, he was so funny in that.

862
00:44:33,560 --> 00:44:35,640
Speaker 6: I think it's fun when they embraced the more classic

863
00:44:35,719 --> 00:44:37,880
Speaker 6: rock stuff. That's that's the part that I like.

864
00:44:37,960 --> 00:44:39,920
Speaker 3: And I mean it seems like they're having fun and

865
00:44:39,960 --> 00:44:42,040
Speaker 3: they're not so mad and I'm going to get like,

866
00:44:42,560 --> 00:44:45,120
Speaker 3: you know, punched in the nose like Billy.

867
00:44:44,960 --> 00:44:47,480
Speaker 6: Joel played the Hollywood Bowl this week, and like what's

868
00:44:47,480 --> 00:44:49,680
Speaker 6: wrong with that? For example? You know. So that's that's

869
00:44:49,680 --> 00:44:52,200
Speaker 6: sort of my take on that whole that whole scene.

870
00:44:52,840 --> 00:44:56,400
Speaker 6: Uh So, I hope that kind of covers answers the question.

871
00:44:56,760 --> 00:45:00,280
Speaker 2: Hmmm. Well, looking at the bottom of the back again,

872
00:45:00,320 --> 00:45:02,520
Speaker 2: there's seems to be room in there for just one

873
00:45:02,640 --> 00:45:04,759
Speaker 2: more questions. Amount of popcorn?

874
00:45:05,920 --> 00:45:09,320
Speaker 6: Okay? Can I just quickly just grab one more Canna Sota?

875
00:45:09,560 --> 00:45:13,040
Speaker 4: Yeah?

876
00:45:11,840 --> 00:45:14,600
Speaker 6: Ok, thank you?

877
00:45:20,320 --> 00:45:23,880
Speaker 3: Not much in your Oh it's a what is this

878
00:45:24,000 --> 00:45:24,880
Speaker 3: a hand?

879
00:45:24,880 --> 00:45:25,440
Speaker 2: It's cold?

880
00:45:25,480 --> 00:45:27,919
Speaker 3: It's it's John Ham's hand.

881
00:45:28,360 --> 00:45:29,120
Speaker 6: Whoa John?

882
00:45:29,160 --> 00:45:33,280
Speaker 3: Are you? John? Are you okay? I don't feel a pulse?

883
00:45:34,560 --> 00:45:37,080
Speaker 3: John John.

884
00:45:40,640 --> 00:45:45,520
Speaker 2: This question is from Bozo's of Basketball. David, as a director,

885
00:45:45,560 --> 00:45:47,560
Speaker 2: do you still need to read directions on things?

886
00:45:48,880 --> 00:45:51,800
Speaker 6: Uh? No, of course, not a director. You know, as

887
00:45:52,160 --> 00:45:55,560
Speaker 6: part of the title is not someone who reads directions,

888
00:45:55,560 --> 00:46:01,000
Speaker 6: this one who gives directions. Uh so for example only,

889
00:46:01,640 --> 00:46:03,960
Speaker 6: I guess it must have been four years ago. We

890
00:46:04,080 --> 00:46:07,120
Speaker 6: bought a TV set in our house. It came with

891
00:46:07,239 --> 00:46:09,799
Speaker 6: the directions as as most appliances do.

892
00:46:10,200 --> 00:46:12,040
Speaker 3: I don't know. I don't have one. No.

893
00:46:12,239 --> 00:46:13,839
Speaker 6: Oh really, that's very cool.

894
00:46:14,440 --> 00:46:18,399
Speaker 3: I mean that's not why Okay, yeah.

895
00:46:18,560 --> 00:46:20,560
Speaker 6: Yeah, I've heard of it. I've heard of people who

896
00:46:20,800 --> 00:46:21,960
Speaker 6: cut the cord.

897
00:46:23,080 --> 00:46:27,840
Speaker 3: Yeah. I mean I no, there's no cord to cut. Yeah,

898
00:46:28,480 --> 00:46:30,840
Speaker 3: just because I'm interrupting, but I don't have a television.

899
00:46:30,840 --> 00:46:31,680
Speaker 3: I mean I don't have one.

900
00:46:31,719 --> 00:46:32,279
Speaker 6: Okay, cool?

901
00:46:32,320 --> 00:46:32,520
Speaker 7: Cool?

902
00:46:32,520 --> 00:46:36,759
Speaker 6: Cool? Uh So we got this television set and you know,

903
00:46:36,800 --> 00:46:39,120
Speaker 6: you get you open it up and you get the

904
00:46:39,120 --> 00:46:40,800
Speaker 6: the all the stuff, the remote control.

905
00:46:40,960 --> 00:46:42,040
Speaker 3: I can't even picture it.

906
00:46:42,400 --> 00:46:42,680
Speaker 6: I know.

907
00:46:42,760 --> 00:46:45,560
Speaker 3: I don't mean to keep it, but I literally am like, yeah,

908
00:46:45,680 --> 00:46:48,440
Speaker 3: I hear as you're saying it. I'm going like, what

909
00:46:48,480 --> 00:46:48,919
Speaker 3: would that?

910
00:46:49,480 --> 00:46:49,680
Speaker 2: You know.

911
00:46:50,000 --> 00:46:51,680
Speaker 3: I mean, I have the money, but it's just I

912
00:46:51,719 --> 00:46:54,400
Speaker 3: don't it's not your thing. I don't feel like I

913
00:46:54,480 --> 00:46:56,440
Speaker 3: need it. You know, I'm not bored.

914
00:46:57,040 --> 00:47:00,479
Speaker 6: Oh my god, Well yeah, you know, I know, I.

915
00:47:00,360 --> 00:47:02,360
Speaker 3: Hear you my English teacher used to say, only boring

916
00:47:02,360 --> 00:47:03,120
Speaker 3: people get bored.

917
00:47:03,960 --> 00:47:06,439
Speaker 6: It's true, yeah, or if it's or if there's nothing

918
00:47:06,440 --> 00:47:13,319
Speaker 6: to do. So I took the directions and I'm just

919
00:47:13,719 --> 00:47:15,319
Speaker 6: I'm glad I'm getting back to his story because it's

920
00:47:15,320 --> 00:47:18,479
Speaker 6: a really good story. I took the directions and put

921
00:47:18,600 --> 00:47:21,120
Speaker 6: and tossed them into the trash.

922
00:47:21,600 --> 00:47:22,280
Speaker 2: Oh wow.

923
00:47:22,520 --> 00:47:24,200
Speaker 6: Yeah, And so now.

924
00:47:24,400 --> 00:47:26,640
Speaker 3: See in my trash there's no TV directions. There's just

925
00:47:26,640 --> 00:47:30,160
Speaker 3: like bananappeals and like yogat compost capsules.

926
00:47:30,320 --> 00:47:35,000
Speaker 6: Yeah, yeah, I'm hoping you don't eat meat.

927
00:47:36,280 --> 00:47:37,839
Speaker 3: Did you see that documentary fed Up?

928
00:47:37,960 --> 00:47:38,560
Speaker 6: Oh my god.

929
00:47:38,760 --> 00:47:44,480
Speaker 2: Hello, Hello, it's like google that rooster waking me up.

930
00:47:44,560 --> 00:47:46,480
Speaker 6: Yeah, seriously, No, I did not see it.

931
00:47:46,520 --> 00:47:49,120
Speaker 3: But there's parts of the world where people are healthy.

932
00:47:49,719 --> 00:47:50,399
Speaker 4: Yeah.

933
00:47:50,640 --> 00:47:54,959
Speaker 6: Well, you know in in Cavement dates they were fine, yes, yeah,

934
00:47:55,600 --> 00:47:57,920
Speaker 6: and then a lot of like look at the Renaissance,

935
00:47:58,120 --> 00:48:00,279
Speaker 6: they were fine. To Henry the Eighth, yes, okay, but

936
00:48:00,360 --> 00:48:02,120
Speaker 6: that was that was an exception.

937
00:48:02,520 --> 00:48:04,840
Speaker 2: And back then you they would brush their teeth with

938
00:48:05,560 --> 00:48:09,600
Speaker 2: just file and their their teeth you see.

939
00:48:09,400 --> 00:48:14,960
Speaker 3: There to cressy all chemicals, all chemicals.

940
00:48:15,000 --> 00:48:16,480
Speaker 6: But I just really did want to finish the story

941
00:48:16,480 --> 00:48:18,759
Speaker 6: because it's such a good story. So I took the

942
00:48:18,960 --> 00:48:21,919
Speaker 6: directions and I threw them in the trash. I think

943
00:48:21,920 --> 00:48:24,359
Speaker 6: I said that part right. I said the part about

944
00:48:24,360 --> 00:48:26,160
Speaker 6: how I got the TV right, and then we took out.

945
00:48:26,200 --> 00:48:27,480
Speaker 2: You didn't say how you got you said that you

946
00:48:27,520 --> 00:48:28,000
Speaker 2: did no, but.

947
00:48:28,040 --> 00:48:30,640
Speaker 3: Yeah, that was the that was the part of hamburger

948
00:48:30,680 --> 00:48:33,239
Speaker 3: sandwich I will have sometimes, so I do eat meat,

949
00:48:33,280 --> 00:48:35,160
Speaker 3: I will have a hamburger sandwich. I want to be

950
00:48:35,160 --> 00:48:37,160
Speaker 3: honest with the listeners.

951
00:48:36,760 --> 00:48:39,640
Speaker 6: You know. I think it's about listening to your body. Yeah,

952
00:48:39,840 --> 00:48:42,120
Speaker 6: and sometimes it's like my body says I need a cheeseburger.

953
00:48:42,239 --> 00:48:45,040
Speaker 6: It doesn't mean that cheeseburger is like in empirically the

954
00:48:45,080 --> 00:48:48,839
Speaker 6: best food, but sometimes I my body has got its

955
00:48:48,840 --> 00:48:49,360
Speaker 6: own voice.

956
00:48:49,440 --> 00:48:51,480
Speaker 3: Is that just cheese on a hamburger sandwich?

957
00:48:51,880 --> 00:48:56,560
Speaker 6: Basically? So anyway, back to the story. I just really

958
00:48:56,600 --> 00:49:01,600
Speaker 6: wanted to finish the story. I took this the directions

959
00:49:01,680 --> 00:49:03,279
Speaker 6: and I take I tell you the part how I

960
00:49:03,280 --> 00:49:07,040
Speaker 6: put them in the trash. Yeah, I think I did well.

961
00:49:07,040 --> 00:49:08,360
Speaker 2: I'll just you didn't say how you did it, but

962
00:49:08,400 --> 00:49:08,880
Speaker 2: you did say that.

963
00:49:08,880 --> 00:49:10,400
Speaker 6: You know, it's not about how I did it. You

964
00:49:10,440 --> 00:49:13,479
Speaker 6: said how, but it's not about that but i'll I'll

965
00:49:13,560 --> 00:49:16,160
Speaker 6: just I'll just repeat that one part just in case.

966
00:49:16,080 --> 00:49:19,040
Speaker 3: It's one of the step on trash can and it opens.

967
00:49:19,239 --> 00:49:21,000
Speaker 6: You know, I really don't know. I really don't know,

968
00:49:21,440 --> 00:49:22,920
Speaker 6: but I do know that I threw it in the

969
00:49:22,920 --> 00:49:26,760
Speaker 6: trash and then it's been four years. And in four years,

970
00:49:27,239 --> 00:49:31,480
Speaker 6: anytime I need the directions for the TV, you know,

971
00:49:31,520 --> 00:49:33,160
Speaker 6: I have to go in the trash can and get them.

972
00:49:33,719 --> 00:49:36,000
Speaker 6: And that's and that's how I access them because I

973
00:49:36,000 --> 00:49:36,840
Speaker 6: don't need them.

974
00:49:37,280 --> 00:49:38,399
Speaker 3: Yeah, and so it's like.

975
00:49:38,680 --> 00:49:40,880
Speaker 6: You know, at most once or twice a week, I'll

976
00:49:41,120 --> 00:49:42,680
Speaker 6: i'll feed them out to use them because I do

977
00:49:42,719 --> 00:49:43,279
Speaker 6: not need them.

978
00:49:43,520 --> 00:49:45,239
Speaker 3: I take it one step further and say I don't

979
00:49:45,239 --> 00:49:46,680
Speaker 3: even have them.

980
00:49:47,200 --> 00:49:48,919
Speaker 6: But you're not saying you actually don't have a TV.

981
00:49:50,680 --> 00:49:53,520
Speaker 3: Yeah, I mean I literally don't.

982
00:49:53,920 --> 00:49:55,319
Speaker 6: So what do you just watch the TV in your

983
00:49:55,400 --> 00:49:56,080
Speaker 6: room or something?

984
00:49:56,440 --> 00:49:59,200
Speaker 3: I go, well, I mean I've talked about this before,

985
00:49:59,239 --> 00:50:00,759
Speaker 3: but if you to watch TV, you go to a

986
00:50:00,840 --> 00:50:03,960
Speaker 3: nice restaurant. I see your dad's rooms here sometimes if

987
00:50:04,000 --> 00:50:05,880
Speaker 3: he's my dad has one in his room and I

988
00:50:05,880 --> 00:50:12,360
Speaker 3: will if he's working late, I will put on, you know,

989
00:50:12,400 --> 00:50:14,520
Speaker 3: one of the Spice channel there in.

990
00:50:14,520 --> 00:50:16,200
Speaker 6: Our house, we don't. We don't watch a lot of TV,

991
00:50:16,280 --> 00:50:20,480
Speaker 6: but we we allow a program on Sunday night, one

992
00:50:20,520 --> 00:50:24,320
Speaker 6: program mm hmmm. And it has to be something that's nutritive.

993
00:50:24,400 --> 00:50:27,400
Speaker 6: So it can be orchestra, it can be a documentary

994
00:50:27,400 --> 00:50:29,680
Speaker 6: about science. It'll be one of those two things.

995
00:50:29,719 --> 00:50:34,520
Speaker 2: It has to be because your wife is she needs

996
00:50:34,560 --> 00:50:34,960
Speaker 2: to learn.

997
00:50:35,760 --> 00:50:39,360
Speaker 6: Yeah, my wife is basically on a on a course

998
00:50:39,440 --> 00:50:41,319
Speaker 6: that I've put a course of study that I've put

999
00:50:41,360 --> 00:50:43,680
Speaker 6: her on, and I teach her about poetry. I teach

1000
00:50:43,680 --> 00:50:48,719
Speaker 6: her about music and uh literator and you know right now,

1001
00:50:48,719 --> 00:50:51,279
Speaker 6: and I'm teaching her about Bill Faulkner and some of that,

1002
00:50:51,400 --> 00:50:53,959
Speaker 6: some of that stuff, and and also just I'm trying

1003
00:50:53,960 --> 00:50:59,000
Speaker 6: to teach her about jazz, Blind Lemon, Jefferson, you know,

1004
00:50:59,560 --> 00:51:02,799
Speaker 6: count Bay See, people of that particular nature, some of

1005
00:51:02,840 --> 00:51:05,840
Speaker 6: the big bands the country blues.

1006
00:51:05,719 --> 00:51:08,640
Speaker 3: So big of sound. Where that big sound go, you know,

1007
00:51:08,880 --> 00:51:09,719
Speaker 3: I mean, where it go.

1008
00:51:10,440 --> 00:51:13,080
Speaker 6: So she's home studying right now, and we'll be pretty

1009
00:51:13,120 --> 00:51:16,200
Speaker 6: much all night because it's got a big, big exam

1010
00:51:16,239 --> 00:51:16,840
Speaker 6: for her tomorrow.

1011
00:51:18,239 --> 00:51:24,239
Speaker 3: David, Yeah, I said, David, Yeah. I was saying yeah

1012
00:51:24,320 --> 00:51:26,719
Speaker 3: to myself, like yeah, don't talk, you were gonna say

1013
00:51:26,760 --> 00:51:28,160
Speaker 3: something don't do.

1014
00:51:28,120 --> 00:51:35,000
Speaker 2: It, Sean, thank you, and I must stay and go

1015
00:51:35,760 --> 00:51:39,759
Speaker 2: in peace. And we appreciate it so much and we

1016
00:51:39,840 --> 00:51:40,759
Speaker 2: loved having you.

1017
00:51:41,200 --> 00:51:45,600
Speaker 6: Please please stop. I loved being here, so stop.

1018
00:51:46,120 --> 00:51:51,799
Speaker 2: And to all of you out there, I appreciate it.

1019
00:51:52,080 --> 00:51:54,080
Speaker 2: If you would rate us on iTunes and you can

1020
00:51:54,200 --> 00:51:56,080
Speaker 2: have a talk with us on the forums, and if

1021
00:51:56,120 --> 00:51:59,600
Speaker 2: you would please buy the pro version of this podcast.

1022
00:51:59,680 --> 00:52:02,680
Speaker 2: I can stress enough what a mitzvah that would be

1023
00:52:02,719 --> 00:52:05,080
Speaker 2: for you were you to do that. Who did Bozos

1024
00:52:05,120 --> 00:52:07,320
Speaker 2: of basketball by Rosa of basketball about it?

1025
00:52:07,680 --> 00:52:11,840
Speaker 3: And as his surprise, Melissa or whoever is going to

1026
00:52:11,920 --> 00:52:14,680
Speaker 3: apologize for kind of coming in and kind of making

1027
00:52:14,719 --> 00:52:18,799
Speaker 3: a weird vibe in the podcast. So if you want

1028
00:52:18,800 --> 00:52:21,560
Speaker 3: to hop on the mic now you can Cody's friend

1029
00:52:21,680 --> 00:52:25,560
Speaker 3: and what yeah, yeah, it's all up with an a.

1030
00:52:25,960 --> 00:52:29,719
Speaker 6: Okay, Hi Melissa, Hi, nice to have you here.

1031
00:52:29,920 --> 00:52:30,840
Speaker 2: Thank you for having it.

1032
00:52:30,840 --> 00:52:32,960
Speaker 3: Would have been better to have done that prior to

1033
00:52:32,960 --> 00:52:33,799
Speaker 3: the introduction part.

1034
00:52:34,000 --> 00:52:36,480
Speaker 6: Did you know that if you want to find this

1035
00:52:36,560 --> 00:52:40,080
Speaker 6: podcast on the internet, a good place to start is

1036
00:52:40,239 --> 00:52:46,040
Speaker 6: www dot Google dot com and just check there, type

1037
00:52:46,040 --> 00:52:46,480
Speaker 6: it in.

1038
00:52:48,480 --> 00:52:50,680
Speaker 2: Podcast yeah.

1039
00:52:52,400 --> 00:53:01,320
Speaker 3: Bye. This has been an Earwolf Media for executive producers

1040
00:53:01,400 --> 00:53:04,600
Speaker 3: Jeff Ulrick and Scott Ackerman. For more information, visit earwolf dot.

1041
00:53:04,480 --> 00:53:20,040
Speaker 2: Com, ear Warf Radio, Boom dot com, The worf Dead