1 00:00:00,600 --> 00:00:03,640 Speaker 1: The Real Key for Real Celebrity Real Talk joined the 2 00:00:03,680 --> 00:00:10,000 Speaker 1: Breakfast Morning. Everybody is DJ Envy angela Ye shol I 3 00:00:10,039 --> 00:00:12,840 Speaker 1: mean the guy we are the Breakfast Club special guests 4 00:00:12,880 --> 00:00:16,639 Speaker 1: had as morning. He's back, He's back, Kanye West was. 5 00:00:16,840 --> 00:00:19,320 Speaker 1: I didn't think it was gonna happen. I bet Kanye's 6 00:00:19,320 --> 00:00:20,959 Speaker 1: not gonna come back up here after there was a rap. 7 00:00:21,480 --> 00:00:23,560 Speaker 1: Now I'm definitely I'm coming back every time. Let me 8 00:00:23,560 --> 00:00:26,119 Speaker 1: start with some positivity. Man, I think only one in 9 00:00:26,200 --> 00:00:29,440 Speaker 1: Wolves and Dope records. Oh wow, I think they're really 10 00:00:29,520 --> 00:00:34,560 Speaker 1: dope tuns. Yeah wow, this darting way different than class. 11 00:00:34,120 --> 00:00:38,680 Speaker 1: But I don't like seconds And next, why did you 12 00:00:38,760 --> 00:00:43,919 Speaker 1: do that? I do like four or five seconds ago 13 00:00:44,479 --> 00:00:46,599 Speaker 1: that I don't when you sing, but I like four 14 00:00:46,640 --> 00:00:48,879 Speaker 1: or five. I don't like all the tune either, but 15 00:00:48,920 --> 00:00:51,120 Speaker 1: I need it really why? I mean, how you people 16 00:00:51,120 --> 00:00:54,320 Speaker 1: say that widdle? Because I could do I can like 17 00:00:54,480 --> 00:00:56,440 Speaker 1: bend my voice in other ways, like at the end 18 00:00:56,480 --> 00:01:01,000 Speaker 1: of Runaway and everything I like to do. That got you? Yeah, absolutely, 19 00:01:01,040 --> 00:01:03,000 Speaker 1: And thank you for inviting me to the fashion show 20 00:01:03,040 --> 00:01:07,000 Speaker 1: as well. Oh yeah, it was a setup. And thought 21 00:01:07,040 --> 00:01:09,120 Speaker 1: it was a setup. He s he's gonna get beat 22 00:01:09,160 --> 00:01:11,000 Speaker 1: up in there. It's gonna be a he's gonna get jumped. 23 00:01:11,000 --> 00:01:12,640 Speaker 1: But well it wasn't. I felt like it was only 24 00:01:12,720 --> 00:01:14,920 Speaker 1: right you came, you came here. You know what I'm saying. 25 00:01:15,319 --> 00:01:17,040 Speaker 1: He threw all the slander, So why I wouldn't not 26 00:01:17,080 --> 00:01:19,240 Speaker 1: come to the fashion show? Yeah? Yeah, but you put 27 00:01:19,280 --> 00:01:21,160 Speaker 1: him next to Drake, which was kind of put me 28 00:01:21,240 --> 00:01:27,640 Speaker 1: next be back there kind of. All. Now, let's talk 29 00:01:27,680 --> 00:01:31,720 Speaker 1: about the first uh your shoes to just release. Yeah, 30 00:01:31,760 --> 00:01:34,080 Speaker 1: I heard y'all don't like those, No, not y'all. I 31 00:01:34,120 --> 00:01:35,679 Speaker 1: said that I actually have a pair of shoes that 32 00:01:35,680 --> 00:01:37,440 Speaker 1: looked like similar to them, and I like that. That's 33 00:01:37,480 --> 00:01:38,920 Speaker 1: not a good thing when a girl has shoes that 34 00:01:38,959 --> 00:01:43,240 Speaker 1: look like men's shoes. But I like the Black Colorway great, 35 00:01:43,280 --> 00:01:45,080 Speaker 1: the Great Colorway. When I first saw it looked like 36 00:01:45,080 --> 00:01:48,640 Speaker 1: a paper in machade project. But the Black Ones tough. Yeah, 37 00:01:48,680 --> 00:01:51,280 Speaker 1: we're coming with the Black Ones real soon. But that 38 00:01:51,400 --> 00:01:53,280 Speaker 1: is a big accomplishment for you. You You put that out 39 00:01:53,360 --> 00:01:55,680 Speaker 1: limited run first, right, sold out, and now people are 40 00:01:55,680 --> 00:01:59,320 Speaker 1: buying them online for over fifteen hundred for Yeah, I see, 41 00:01:59,360 --> 00:02:01,600 Speaker 1: I don't. I didn't want them to be limited. Actually, 42 00:02:01,640 --> 00:02:04,080 Speaker 1: that's something that the company did I really want as 43 00:02:04,120 --> 00:02:06,120 Speaker 1: many people to get them as possible, you know, I 44 00:02:06,160 --> 00:02:08,639 Speaker 1: really don't. I don't want the price to be three fifty. 45 00:02:08,720 --> 00:02:10,880 Speaker 1: I don't want to play this like sneaker culture game 46 00:02:10,960 --> 00:02:13,080 Speaker 1: and all this, so they'd be reselling them for high 47 00:02:13,200 --> 00:02:15,560 Speaker 1: prices and stuff. I just want people just have what 48 00:02:15,639 --> 00:02:17,959 Speaker 1: I made, like you know, you know, limited release or 49 00:02:17,960 --> 00:02:20,880 Speaker 1: the college dropout, you know, a limited release to graduation, 50 00:02:20,960 --> 00:02:22,600 Speaker 1: you know. And I think in clothing right now, it's 51 00:02:22,600 --> 00:02:25,399 Speaker 1: a real it's a real separatism, you know, Like it's 52 00:02:25,440 --> 00:02:28,280 Speaker 1: five thousand dollars sweatshirts and everybody spending that money and 53 00:02:28,400 --> 00:02:30,040 Speaker 1: trying to show up in the club and act like 54 00:02:30,080 --> 00:02:32,920 Speaker 1: they you know what I'm saying, Like, it's like we 55 00:02:33,040 --> 00:02:35,760 Speaker 1: need to spend that money on our families and stuff 56 00:02:35,800 --> 00:02:38,200 Speaker 1: we need. So my my point of what I'm doing 57 00:02:38,200 --> 00:02:40,400 Speaker 1: in clothing right now, as I'm going and taking the talent, 58 00:02:40,480 --> 00:02:41,760 Speaker 1: Like I just came from the Ralph Show and I 59 00:02:41,760 --> 00:02:43,400 Speaker 1: was talking to Ralph and I was like, man, I 60 00:02:43,520 --> 00:02:45,680 Speaker 1: need your help, you know, because you know how to 61 00:02:45,720 --> 00:02:48,959 Speaker 1: make clothes, and I know, I think I know what 62 00:02:49,520 --> 00:02:54,160 Speaker 1: you know my generation wants, but it's very difficult, you know, 63 00:02:54,200 --> 00:02:56,480 Speaker 1: if you don't have that production and that experience like 64 00:02:56,480 --> 00:02:58,880 Speaker 1: with Ralph Has and it's really difficult to get those 65 00:02:58,919 --> 00:03:01,280 Speaker 1: price points like the z on h and price points 66 00:03:01,560 --> 00:03:03,440 Speaker 1: if you don't if you don't get the factories, if 67 00:03:03,440 --> 00:03:04,840 Speaker 1: you don't get the boats and stuff. I mean, I 68 00:03:04,880 --> 00:03:09,480 Speaker 1: talked about this before because it's hard to I have 69 00:03:09,520 --> 00:03:11,600 Speaker 1: no idea. They just priced that. I think I think 70 00:03:11,639 --> 00:03:14,720 Speaker 1: that they just you know what, I think their logic was. 71 00:03:14,760 --> 00:03:17,800 Speaker 1: They didn't want it to go from the other company 72 00:03:17,800 --> 00:03:19,280 Speaker 1: and go to a datas and they'd be like, man, 73 00:03:19,320 --> 00:03:22,280 Speaker 1: why they drop? Yeah, because sometimes the public won't always 74 00:03:22,320 --> 00:03:25,200 Speaker 1: understand the transition, you know, like Steve Jobs always had 75 00:03:25,240 --> 00:03:28,000 Speaker 1: the iPad in his head, but he couldn't do it 76 00:03:28,040 --> 00:03:30,239 Speaker 1: the next coming from a keyboard and floppy this to 77 00:03:30,320 --> 00:03:33,240 Speaker 1: the iPad. You know, you had to walk people into this. 78 00:03:33,480 --> 00:03:34,880 Speaker 1: I think the whole I did with with you go 79 00:03:34,960 --> 00:03:36,720 Speaker 1: into a dadas is you have more control, and it 80 00:03:36,760 --> 00:03:41,640 Speaker 1: was you you could do everything. Yeah. I do have 81 00:03:41,680 --> 00:03:44,080 Speaker 1: a lot more. At least I could do something, you know, 82 00:03:44,120 --> 00:03:46,280 Speaker 1: But any relationship that starts off, you ain't gonna have 83 00:03:46,320 --> 00:03:48,720 Speaker 1: all the control. You know what I'm saying. It's a marriage. 84 00:03:49,320 --> 00:03:53,200 Speaker 1: Usually the first year of any situation is the toughest. 85 00:03:53,680 --> 00:03:56,200 Speaker 1: And then when you guys start to communicate, you know, 86 00:03:56,240 --> 00:03:58,320 Speaker 1: it could be like it could be powerful. And explain 87 00:03:58,360 --> 00:04:00,000 Speaker 1: the stake a little bit because I'm a sneak ahead 88 00:04:00,600 --> 00:04:02,880 Speaker 1: tons of sneakers, and I assumed it to be like, 89 00:04:03,360 --> 00:04:05,240 Speaker 1: I don't like to compare, but the other sneakers that 90 00:04:05,280 --> 00:04:07,760 Speaker 1: you were released, they were leather, they were more of 91 00:04:07,840 --> 00:04:10,600 Speaker 1: a sneaker sneaker like you could bail out in the 92 00:04:10,680 --> 00:04:13,480 Speaker 1: other sneakers. This one, I don't think I could play basketball. 93 00:04:13,600 --> 00:04:15,840 Speaker 1: You actually could play basketball. And this one better than 94 00:04:15,880 --> 00:04:18,000 Speaker 1: the other ones. It's been Yeah, because the first of all, 95 00:04:18,000 --> 00:04:20,520 Speaker 1: I've got Boost, which is the best technology. And I'm 96 00:04:20,560 --> 00:04:23,120 Speaker 1: not just saying that contractually with Adidas. What I'm saying 97 00:04:23,120 --> 00:04:25,040 Speaker 1: that after someone who goes to the gym and if 98 00:04:25,040 --> 00:04:28,080 Speaker 1: I wear like my you know, Boost, actually I feel 99 00:04:28,080 --> 00:04:29,599 Speaker 1: better because I have problems with the back of my 100 00:04:29,839 --> 00:04:32,440 Speaker 1: achy least from performing so much. And then actually I 101 00:04:32,480 --> 00:04:34,640 Speaker 1: did say fat girls with cankles look it looked like 102 00:04:34,680 --> 00:04:37,520 Speaker 1: it'd be comfortable for them. Yeah, I mean, I'm working, 103 00:04:37,600 --> 00:04:39,920 Speaker 1: I'm working on it. People joke that they look sort 104 00:04:39,920 --> 00:04:41,800 Speaker 1: of like the ugs, right, but what's so bucked out? 105 00:04:41,880 --> 00:04:44,640 Speaker 1: Is I'm really working on trying to make a sexier 106 00:04:44,800 --> 00:04:47,000 Speaker 1: UG because you see ugs all the time. I feel 107 00:04:47,080 --> 00:04:51,320 Speaker 1: comfortable and I see you know, I see stuff from 108 00:04:51,320 --> 00:04:53,440 Speaker 1: the future, and I'm always like, I'm such a like 109 00:04:53,440 --> 00:04:55,760 Speaker 1: a futurist that I had to like slow down and 110 00:04:55,800 --> 00:04:58,719 Speaker 1: talk in the present, you know. And this was a 111 00:04:58,800 --> 00:05:02,039 Speaker 1: proposition to where I think shoes will go. I think 112 00:05:02,040 --> 00:05:04,320 Speaker 1: the color Palace, all this, the red over here in 113 00:05:04,320 --> 00:05:06,640 Speaker 1: the thirty different Colors way in the Black History Month 114 00:05:06,800 --> 00:05:08,960 Speaker 1: version and all that, I think that's gonna be, that's 115 00:05:09,000 --> 00:05:10,680 Speaker 1: gonna be out of there in the future. This is 116 00:05:10,760 --> 00:05:13,240 Speaker 1: for me, as you know, humbly I would say I'm 117 00:05:13,279 --> 00:05:16,560 Speaker 1: the most influential person in footwear right now, there's no 118 00:05:16,600 --> 00:05:20,200 Speaker 1: way to humbly say that truth will I say? Truthfully, Okay, 119 00:05:20,279 --> 00:05:25,800 Speaker 1: I'm the most influential person in footwear. So when it well, 120 00:05:25,800 --> 00:05:27,680 Speaker 1: those are rereleases, but when it comes to new sneaks, 121 00:05:27,760 --> 00:05:29,800 Speaker 1: I think he is absolutely Now how hard is it 122 00:05:29,800 --> 00:05:31,680 Speaker 1: to get that balance between wanting to get something that 123 00:05:31,720 --> 00:05:34,479 Speaker 1: people can afford, but then also wanting to use those 124 00:05:34,520 --> 00:05:37,880 Speaker 1: materials and make things really special, you know, things that 125 00:05:38,040 --> 00:05:40,800 Speaker 1: make you more creative. Yeah, those materials is all a 126 00:05:40,880 --> 00:05:43,240 Speaker 1: game that the factories played too. You know if silks 127 00:05:43,240 --> 00:05:46,120 Speaker 1: in style, silk is more expensive from the factories, you know, 128 00:05:46,640 --> 00:05:48,800 Speaker 1: you know you can get everything for a better price. 129 00:05:48,880 --> 00:05:51,360 Speaker 1: It's all in like how you you know, how you 130 00:05:51,400 --> 00:05:54,880 Speaker 1: negotiate h with the factories and uh, you know, my 131 00:05:55,080 --> 00:05:57,920 Speaker 1: end goal ten years so now will be to have 132 00:05:58,080 --> 00:06:01,120 Speaker 1: everything at a Zara level, like I think Steve made 133 00:06:01,120 --> 00:06:04,560 Speaker 1: it with phones wasn't a show of class anymore. You know, 134 00:06:04,560 --> 00:06:06,599 Speaker 1: you had the Virtue phone. You bust a four thousand 135 00:06:06,600 --> 00:06:09,000 Speaker 1: dollar phone. You felt like you was better than somebody. 136 00:06:09,200 --> 00:06:12,240 Speaker 1: And I don't understand this talk at all. Yeah, you know, 137 00:06:15,520 --> 00:06:19,159 Speaker 1: yeah with the phone, I'm talking about the Virtuo phones. Yeah, 138 00:06:19,200 --> 00:06:21,000 Speaker 1: I'm not that clear speaker. You know, I had this 139 00:06:21,080 --> 00:06:23,760 Speaker 1: car accident and everything, and it's just uh, ever since then, 140 00:06:23,800 --> 00:06:25,800 Speaker 1: I've been like a mumble mouth. So but what I'm 141 00:06:25,839 --> 00:06:28,000 Speaker 1: saying is, you know, right now, people will try to 142 00:06:28,000 --> 00:06:29,839 Speaker 1: put on a jacket to try to act like they 143 00:06:30,000 --> 00:06:32,000 Speaker 1: better than you, you know, And I think this idea 144 00:06:32,000 --> 00:06:33,920 Speaker 1: of being better than the next man is just it's 145 00:06:33,920 --> 00:06:36,719 Speaker 1: the wrong mentality in first place, Like we were, you know, 146 00:06:36,800 --> 00:06:40,280 Speaker 1: we were born into a broken world that's been separated 147 00:06:40,320 --> 00:06:44,400 Speaker 1: by race, religion in class, you know, but you confuse 148 00:06:44,440 --> 00:06:46,080 Speaker 1: you when you say stuff like that though, because you 149 00:06:46,200 --> 00:06:49,680 Speaker 1: do act like you're better than people. Sometimes. No, like 150 00:06:49,720 --> 00:06:52,000 Speaker 1: the Grammars is a great example when you end up 151 00:06:52,000 --> 00:06:54,840 Speaker 1: and you tell everybody to respect the artistry, but it's 152 00:06:54,880 --> 00:06:58,440 Speaker 1: like you're not respecting the art. Yeah, into yeah, and 153 00:06:58,480 --> 00:07:01,240 Speaker 1: I deserved it. Man. That was completely be hypocritical. And 154 00:07:01,279 --> 00:07:03,880 Speaker 1: you know I was the other I'm go ahead, you know, 155 00:07:04,279 --> 00:07:07,520 Speaker 1: tell y'all, like the other day, like I went to 156 00:07:07,560 --> 00:07:10,160 Speaker 1: dinner and sat down with Taylor Swift right and ironically 157 00:07:10,240 --> 00:07:12,720 Speaker 1: they were like playing the Beck album and I and 158 00:07:13,360 --> 00:07:15,480 Speaker 1: romantically or you think they did that. No, maybe they 159 00:07:15,600 --> 00:07:17,120 Speaker 1: did it on purpose so I could finally hear if 160 00:07:17,160 --> 00:07:18,760 Speaker 1: I was. I was like, man, so you hadn't even 161 00:07:18,760 --> 00:07:20,040 Speaker 1: heard it when you did the game. I was like, man, 162 00:07:20,080 --> 00:07:27,120 Speaker 1: this is like kind of good heard the album when 163 00:07:27,200 --> 00:07:35,720 Speaker 1: he did? Nah, I hadn't even heard it many out 164 00:07:35,760 --> 00:07:37,520 Speaker 1: here in the album. That's not true. What did I say? 165 00:07:37,560 --> 00:07:39,520 Speaker 1: I'll say I can't even say if Beck didn't deserve 166 00:07:39,560 --> 00:07:40,880 Speaker 1: it because I didn't hear it. And that was an 167 00:07:40,960 --> 00:07:42,720 Speaker 1: argument that we had because I was like, well, Kanye 168 00:07:42,800 --> 00:07:44,480 Speaker 1: might not even know a lot of people didn't have 169 00:07:44,600 --> 00:07:46,200 Speaker 1: never heard back, and I said, I never heard it, 170 00:07:46,240 --> 00:07:48,320 Speaker 1: so but people were saying, no, I'm sure he heard it. 171 00:07:48,360 --> 00:07:50,240 Speaker 1: He had to have heard it to say that. You 172 00:07:50,320 --> 00:07:52,720 Speaker 1: know what, I bet you that album is really good. 173 00:07:52,800 --> 00:07:55,040 Speaker 1: You know, I'm I'm gonna listen to the album. Maybe 174 00:07:55,080 --> 00:07:58,320 Speaker 1: it was potentially an Album of the Year. But the 175 00:07:58,440 --> 00:08:02,400 Speaker 1: Grammys are still have a commercial component to it, and 176 00:08:02,440 --> 00:08:04,600 Speaker 1: they want to sell commercials, you know, so if they 177 00:08:04,640 --> 00:08:07,400 Speaker 1: have you know, these big superstars sitting in the audience 178 00:08:07,440 --> 00:08:10,320 Speaker 1: and advertise that they upcoming next performing, that's what they're 179 00:08:10,320 --> 00:08:12,400 Speaker 1: trying to do to get those views. You don't you 180 00:08:12,440 --> 00:08:15,320 Speaker 1: don't have these people sitting here and then you know, 181 00:08:15,440 --> 00:08:17,800 Speaker 1: have them like their hearts beating and stuff. We work 182 00:08:17,880 --> 00:08:19,280 Speaker 1: too hard to deal with all that and we ain't 183 00:08:19,280 --> 00:08:21,200 Speaker 1: got no time for you know, be like losing in 184 00:08:21,240 --> 00:08:23,640 Speaker 1: a situation where you because who's winning. We ain't getting 185 00:08:23,640 --> 00:08:25,720 Speaker 1: none of the advertising money. You know, they don't play 186 00:08:25,760 --> 00:08:27,600 Speaker 1: with us, you know, that's that's that's what my main 187 00:08:27,640 --> 00:08:29,600 Speaker 1: point is. But why why do these big superstars go 188 00:08:29,680 --> 00:08:32,439 Speaker 1: with the tolerated like people like yourself, You go, You're tolerated, 189 00:08:32,440 --> 00:08:33,840 Speaker 1: but not celebrated, like when it comes to like the 190 00:08:33,840 --> 00:08:36,760 Speaker 1: Soul Train Awards or BT Hip Hop Awards and BT Wars. 191 00:08:36,920 --> 00:08:39,360 Speaker 1: You hear Kanye one, but Kanye is not here to 192 00:08:39,400 --> 00:08:42,360 Speaker 1: accept that. That's why we need to support the people 193 00:08:42,400 --> 00:08:45,719 Speaker 1: that support us and not just particularly just a black thing. 194 00:08:45,760 --> 00:08:48,199 Speaker 1: We always say, you know, it's it's black show. That's 195 00:08:48,240 --> 00:08:51,000 Speaker 1: just that. But you know, it just needs to be uh, 196 00:08:53,400 --> 00:08:55,079 Speaker 1: you know, it's gonna be a wow. It's gonna be 197 00:08:55,120 --> 00:08:56,560 Speaker 1: a wow. I ain't got the answers of how to 198 00:08:56,640 --> 00:08:58,840 Speaker 1: change the voting system. I ain't got the answers to, 199 00:08:59,120 --> 00:09:02,520 Speaker 1: you know, how to make it where everyone is honored 200 00:09:02,559 --> 00:09:04,600 Speaker 1: in the proper way. And sometimes maybe it's two people 201 00:09:04,600 --> 00:09:06,600 Speaker 1: that should win. You know, who's to say who should win? 202 00:09:06,679 --> 00:09:11,200 Speaker 1: But I think I think it'd be a class thing 203 00:09:11,240 --> 00:09:14,160 Speaker 1: too because everybody people. You know, it carries more weight 204 00:09:14,200 --> 00:09:15,560 Speaker 1: if you win a Grammy than if you want to 205 00:09:15,559 --> 00:09:20,760 Speaker 1: bet award. So we still go, say, says society, and 206 00:09:20,800 --> 00:09:22,480 Speaker 1: that's what this is about. This is this is why 207 00:09:22,600 --> 00:09:24,520 Speaker 1: this is why I respect this show, because this is 208 00:09:24,720 --> 00:09:27,640 Speaker 1: a voice to society. It is the voice I say, 209 00:09:27,640 --> 00:09:29,959 Speaker 1: the barbershop, but this is the voice of the streets. 210 00:09:30,280 --> 00:09:35,679 Speaker 1: And this is uh, you know, Grammys is uh it's 211 00:09:35,720 --> 00:09:37,600 Speaker 1: a statement of class and stuff. Like you go to 212 00:09:37,640 --> 00:09:39,480 Speaker 1: my house, I'm I'm I'm gonna hit the stunt mutton 213 00:09:39,480 --> 00:09:41,320 Speaker 1: for a second. You see my twenty one Grammy's laid 214 00:09:41,320 --> 00:09:43,480 Speaker 1: out that. You know, my wife forced me to take 215 00:09:43,520 --> 00:09:46,320 Speaker 1: out of the bathroom and put in one place. Uh, 216 00:09:47,240 --> 00:09:49,920 Speaker 1: you know, get after Grammys because you could be selfish. 217 00:09:49,920 --> 00:09:52,000 Speaker 1: You say, well, I got twenty one. So whatever. Yeah, 218 00:09:52,040 --> 00:09:54,559 Speaker 1: I mean and I and I think I deserve one, 219 00:09:54,640 --> 00:10:02,280 Speaker 1: but I U you know, it's all like I said, 220 00:10:02,320 --> 00:10:05,560 Speaker 1: we was born unto a world separated by a class 221 00:10:06,000 --> 00:10:09,360 Speaker 1: uh and uh, race and religion. So class is one 222 00:10:09,360 --> 00:10:10,760 Speaker 1: of the things that people want. You want to be 223 00:10:10,840 --> 00:10:12,640 Speaker 1: upper class, you want to be first class. But in 224 00:10:12,720 --> 00:10:16,719 Speaker 1: a plane crash, everybody did it ain't no class and 225 00:10:16,800 --> 00:10:19,280 Speaker 1: it's just a whole crash. Uh. You know some of 226 00:10:19,320 --> 00:10:20,839 Speaker 1: the things when I first came up with the idea, 227 00:10:20,960 --> 00:10:24,880 Speaker 1: Donda and I was tweeting out all these ideas airplane design, 228 00:10:24,920 --> 00:10:27,920 Speaker 1: this design, this design, like you know, you see of 229 00:10:27,960 --> 00:10:32,720 Speaker 1: course like me and you know, uh, Kim, we can, 230 00:10:32,800 --> 00:10:37,280 Speaker 1: we can take private but you know, we really, you know, 231 00:10:38,200 --> 00:10:40,800 Speaker 1: we want to We want to be in the airport, 232 00:10:40,920 --> 00:10:42,719 Speaker 1: We want to be next to the people. I get 233 00:10:42,800 --> 00:10:45,480 Speaker 1: inspiration when I when I see what people are wearing, 234 00:10:45,520 --> 00:10:47,120 Speaker 1: I see a gat inspiration when I see what people 235 00:10:47,120 --> 00:10:49,679 Speaker 1: are going through, when people are like walking the line slower, 236 00:10:49,920 --> 00:10:53,240 Speaker 1: getting padded down or whatever. That's you know. I gotta 237 00:10:53,280 --> 00:10:55,920 Speaker 1: tell you this one story about class. I was going 238 00:10:56,000 --> 00:10:59,040 Speaker 1: to London where I'm going to night um, and I 239 00:10:59,080 --> 00:11:01,720 Speaker 1: was in the first class line and it was real crowded, 240 00:11:01,720 --> 00:11:03,880 Speaker 1: and I looked over at the coach line for customs 241 00:11:03,920 --> 00:11:06,679 Speaker 1: and it's completely empty. We went over to the coach 242 00:11:06,760 --> 00:11:09,680 Speaker 1: line and got through right away, and everybody was sitting 243 00:11:09,720 --> 00:11:11,760 Speaker 1: there with their ermas belts and their big hats. They 244 00:11:11,760 --> 00:11:14,240 Speaker 1: didn't want to lower their class in order to like 245 00:11:14,320 --> 00:11:18,480 Speaker 1: get through faster when time is the only luxury, you 246 00:11:18,520 --> 00:11:20,400 Speaker 1: know what I'm saying. So it's a lot of stuff 247 00:11:20,440 --> 00:11:22,440 Speaker 1: that I've been learning over the past couple of years. 248 00:11:22,400 --> 00:11:24,640 Speaker 1: And I used my money, in my position and my 249 00:11:24,720 --> 00:11:28,000 Speaker 1: relationships to learn about class. But my approach, I think 250 00:11:28,120 --> 00:11:31,920 Speaker 1: is a bit more uh robin hood now smoke ghetto, 251 00:11:32,400 --> 00:11:34,160 Speaker 1: even though even though you're getting up in class and 252 00:11:34,240 --> 00:11:38,160 Speaker 1: still ratchet. Yeah, I guess you know, I mean, ghetto 253 00:11:38,280 --> 00:11:41,439 Speaker 1: was fun. I mean, yeah, I like I'm from Chicago. 254 00:11:41,640 --> 00:11:43,360 Speaker 1: My wife got a big as you know what I'm saying, 255 00:11:43,360 --> 00:11:46,199 Speaker 1: I'm staying stay ghetto. Did you reach out the beck 256 00:11:46,240 --> 00:11:47,720 Speaker 1: after them? Did you reach out the back after her? 257 00:11:47,840 --> 00:11:50,440 Speaker 1: I'm like, maybe I slipped up a little bit. Maybe 258 00:11:50,440 --> 00:11:52,960 Speaker 1: I went to Yes, I got his number and I 259 00:11:53,040 --> 00:11:56,520 Speaker 1: was supposed to call, but I just keep forgetting Waite. 260 00:11:59,080 --> 00:12:00,720 Speaker 1: We didn't know. I thought Ben was a bit until 261 00:12:00,720 --> 00:12:02,520 Speaker 1: you jumped on. He was very humble about it though, 262 00:12:02,520 --> 00:12:05,000 Speaker 1: because he agreed. He was like, yeah, I mean, it's Beyonce. 263 00:12:05,080 --> 00:12:07,520 Speaker 1: You should have won. It wasn't like he disagreed with you. 264 00:12:07,760 --> 00:12:10,120 Speaker 1: But I felt bad for him. No, I felt good 265 00:12:10,160 --> 00:12:12,199 Speaker 1: for him because thinking all the good stuff that happened 266 00:12:12,240 --> 00:12:15,280 Speaker 1: to me. You know the past. You know seven days, 267 00:12:15,520 --> 00:12:18,160 Speaker 1: eight days, the person that won the most was back 268 00:12:18,520 --> 00:12:20,839 Speaker 1: because if I hadn't done that, his album of the 269 00:12:20,920 --> 00:12:23,440 Speaker 1: Year would have never been mentioned. Now it's in all 270 00:12:23,520 --> 00:12:26,439 Speaker 1: the chatter Kanye West messes up against Kanye West is 271 00:12:26,440 --> 00:12:29,640 Speaker 1: a dark year that you know, I'm already to the enemy. 272 00:12:29,720 --> 00:12:32,000 Speaker 1: So you can't get no worse than the villain. You 273 00:12:32,160 --> 00:12:33,679 Speaker 1: have to be hurt to win an award and then 274 00:12:33,720 --> 00:12:35,320 Speaker 1: have all these people saying you shouldn't have won in 275 00:12:35,360 --> 00:12:38,000 Speaker 1: the bee Hive, going in and leaving negative, nasty comments 276 00:12:38,400 --> 00:12:40,760 Speaker 1: how terrible he is. Well, it's all subjective, though, Yeah, 277 00:12:40,760 --> 00:12:44,079 Speaker 1: it is all subjective. But but you know he should 278 00:12:44,120 --> 00:12:46,800 Speaker 1: win an award for what he did rock album or 279 00:12:46,840 --> 00:12:48,800 Speaker 1: something like that. But he shouldn't have won that award 280 00:12:48,800 --> 00:12:50,599 Speaker 1: in my opinion. But who am I? Who am I 281 00:12:50,760 --> 00:12:56,240 Speaker 1: have opinion yet exactly if you don't respect to be rective. 282 00:12:56,559 --> 00:12:58,959 Speaker 1: But one thing we're always asking the ball shot why 283 00:12:59,080 --> 00:13:02,400 Speaker 1: is why is Kanye always caping for Beyonce' I love Beyond. 284 00:13:02,440 --> 00:13:04,520 Speaker 1: I'm gonna Pike Smith. You knows, Carter, but it seems 285 00:13:04,520 --> 00:13:07,040 Speaker 1: like you're always coming to her aid and no one 286 00:13:07,160 --> 00:13:10,360 Speaker 1: Beyond don't need no CAP's Beyonce. I know that's you know, 287 00:13:10,480 --> 00:13:13,360 Speaker 1: that's it's really ironic that every time it's Beyonce for 288 00:13:13,400 --> 00:13:16,120 Speaker 1: some reason, it's like why, you know, why is it? 289 00:13:16,320 --> 00:13:18,880 Speaker 1: Why is it Beyonce? Why? You know? Why why don't 290 00:13:18,880 --> 00:13:23,240 Speaker 1: I go off phone? Like you know whoever? Going off 291 00:13:23,280 --> 00:13:25,040 Speaker 1: on my wife phone Twitter? And she's like, you know, 292 00:13:25,120 --> 00:13:29,320 Speaker 1: why why do I cater? You know, you know it's 293 00:13:29,520 --> 00:13:32,280 Speaker 1: I think Beyonce is a great representation of an artist 294 00:13:32,360 --> 00:13:36,439 Speaker 1: working hard and trying her best and getting the results 295 00:13:36,480 --> 00:13:39,120 Speaker 1: from it. You know, So say Beyonce's previous album wasn't 296 00:13:39,160 --> 00:13:41,320 Speaker 1: it as well received as this new album? And she 297 00:13:41,480 --> 00:13:44,840 Speaker 1: got low like I got low on my new album. Uh, 298 00:13:44,880 --> 00:13:47,720 Speaker 1: and and deliver something that everybody loved. And if you 299 00:13:48,240 --> 00:13:50,080 Speaker 1: in America, if we want, we have to we have 300 00:13:50,120 --> 00:13:51,880 Speaker 1: to respect greatness when we see it. And we can't 301 00:13:51,880 --> 00:13:54,280 Speaker 1: smack it in the face at the at the cost 302 00:13:54,360 --> 00:13:56,720 Speaker 1: of some vote, spitting at the cost so like blowing 303 00:13:56,760 --> 00:13:58,840 Speaker 1: somebody up that could sell some T shirts. If you 304 00:13:58,880 --> 00:14:01,440 Speaker 1: see something that's great, you gotta respect it. I remember 305 00:14:01,559 --> 00:14:03,640 Speaker 1: I was trying to get on the basketball team fighth grade. 306 00:14:03,840 --> 00:14:06,280 Speaker 1: I hit every free though, hit every layup, and I 307 00:14:06,280 --> 00:14:07,840 Speaker 1: looked at the list and I wasn't on the list. 308 00:14:08,000 --> 00:14:10,200 Speaker 1: And then the coach just gave me the Kanye shrug. Now, 309 00:14:10,200 --> 00:14:15,760 Speaker 1: you know the basketball team come the school. You know, 310 00:14:15,840 --> 00:14:21,880 Speaker 1: that's like the best thing because you get to leave school. Yeah, 311 00:14:21,960 --> 00:14:24,080 Speaker 1: you're on a basketball team. We had a small gym 312 00:14:24,120 --> 00:14:26,760 Speaker 1: with like you're running to the Broadway stage, like you 313 00:14:26,800 --> 00:14:33,720 Speaker 1: hit the layup and stuff like, but hurt people, hurt people. Yeah, 314 00:14:30,800 --> 00:14:36,040 Speaker 1: but you're not gonna make this basketball team. No. No, 315 00:14:36,240 --> 00:14:39,040 Speaker 1: My point is you're not gonna have somebody hit all 316 00:14:39,080 --> 00:14:42,000 Speaker 1: the shots and you're not giving them that credit, you know. 317 00:14:42,120 --> 00:14:44,600 Speaker 1: And I think a lot of times Beyonce exactly what 318 00:14:44,640 --> 00:14:46,440 Speaker 1: you say. You said, Beyonce don't even know help. People 319 00:14:46,480 --> 00:14:50,520 Speaker 1: look at Beyonce because she's h she's rich, respect the whole. 320 00:14:50,680 --> 00:14:56,400 Speaker 1: She's a beautiful woman. Uh, she's talented. Uh, and so 321 00:14:56,600 --> 00:14:58,920 Speaker 1: they figured she's got everything, so you don't even need 322 00:14:59,000 --> 00:15:02,000 Speaker 1: nothing else. But I think she needs to proper accolates 323 00:15:02,000 --> 00:15:07,360 Speaker 1: because she's an inspiration in that Album of the Year, 324 00:15:07,600 --> 00:15:09,400 Speaker 1: I guess I thought she did win that one when 325 00:15:10,280 --> 00:15:12,200 Speaker 1: year and now she I don't think she's ever won 326 00:15:12,240 --> 00:15:15,440 Speaker 1: an Album of the Year Grammy, and uh, I don't know. 327 00:15:15,680 --> 00:15:17,600 Speaker 1: And this is funny because Taylor was talking to me 328 00:15:17,640 --> 00:15:19,880 Speaker 1: about this. She was saying that, you know, when she 329 00:15:19,960 --> 00:15:22,360 Speaker 1: was the victim, she won every award, and now that 330 00:15:22,480 --> 00:15:25,200 Speaker 1: she's powerful and the biggest selling artist, now she not 331 00:15:25,240 --> 00:15:27,800 Speaker 1: winning awards anymore because they're like, what do you need. 332 00:15:28,320 --> 00:15:32,240 Speaker 1: It's once again, it's that moment where the rich people 333 00:15:32,400 --> 00:15:35,040 Speaker 1: are line is getting clogged up because it's a practical 334 00:15:35,160 --> 00:15:37,600 Speaker 1: joke that everybody in the airport, you know, playing on 335 00:15:37,720 --> 00:15:40,520 Speaker 1: rich people as they should because that's as rich people. 336 00:15:40,560 --> 00:15:43,320 Speaker 1: Our focus shouldn't be on how we get a new fantom, 337 00:15:43,520 --> 00:15:45,280 Speaker 1: how we get a bigger house. Our focus should be 338 00:15:45,320 --> 00:15:47,720 Speaker 1: on how do we help the middle to the lower 339 00:15:47,760 --> 00:15:50,560 Speaker 1: class to have a better life. And I think that 340 00:15:50,600 --> 00:15:54,840 Speaker 1: we get distracted with you know, luxury, so called luxury good, 341 00:15:54,880 --> 00:15:58,520 Speaker 1: so called luxury cards like and I embrace this. Anytime 342 00:15:58,520 --> 00:16:01,200 Speaker 1: a rich person gets it's taken out of them. It's cool, 343 00:16:01,240 --> 00:16:02,480 Speaker 1: you know what I mean. I mean, don't don't do 344 00:16:02,520 --> 00:16:03,840 Speaker 1: it to me all the time and stuff. But you 345 00:16:03,880 --> 00:16:06,320 Speaker 1: know that's about because you always used to speak up, 346 00:16:06,360 --> 00:16:08,200 Speaker 1: like when you said, George, don't care about black people 347 00:16:08,200 --> 00:16:10,640 Speaker 1: are speaking up for to have nuts. But now it 348 00:16:10,680 --> 00:16:12,840 Speaker 1: seems like you were just fighting for the civil rights 349 00:16:12,880 --> 00:16:20,000 Speaker 1: with rich people. Later. Yeah, yeah, I think it's the 350 00:16:20,080 --> 00:16:22,880 Speaker 1: rights of everyone, you know. And another thing that I 351 00:16:23,000 --> 00:16:25,000 Speaker 1: used to get really caught up on was with race, 352 00:16:25,680 --> 00:16:28,560 Speaker 1: you know, with racists, Like, Okay, we know, we know 353 00:16:28,640 --> 00:16:31,280 Speaker 1: it's racist people. You know, we know that a lot 354 00:16:31,320 --> 00:16:33,960 Speaker 1: of white men over the age of sixty racists. We 355 00:16:34,000 --> 00:16:36,040 Speaker 1: embrace that. You know, we know that a lot of 356 00:16:36,040 --> 00:16:39,280 Speaker 1: people that are in power, you know, don't really you know, 357 00:16:39,320 --> 00:16:42,760 Speaker 1: they like they're like Donald Sterling. We understand that, we 358 00:16:42,840 --> 00:16:45,440 Speaker 1: know that. But the world is moving. You know, ten 359 00:16:45,520 --> 00:16:49,080 Speaker 1: years from now, twenty years from now, every every uh, 360 00:16:49,120 --> 00:16:52,840 Speaker 1: you know, person of color or female or any minority 361 00:16:52,880 --> 00:16:55,680 Speaker 1: that comes into power will eventually shifted. You know, you 362 00:16:56,080 --> 00:16:58,040 Speaker 1: got the ozone later, you got all this stuff. You see, 363 00:16:58,040 --> 00:16:59,760 Speaker 1: a one hundred years from now, the entire world might 364 00:16:59,760 --> 00:17:02,360 Speaker 1: be black just to even survive on the Earth period. 365 00:17:02,640 --> 00:17:05,320 Speaker 1: Right now, you mentioned you know you stood up for Beyonce. 366 00:17:05,440 --> 00:17:07,120 Speaker 1: People ask you know you're standing for Beyonce. You stand 367 00:17:07,200 --> 00:17:08,800 Speaker 1: up for more than might be your stand up for 368 00:17:08,840 --> 00:17:11,600 Speaker 1: your own wife. Recently, people have been going at your 369 00:17:11,600 --> 00:17:15,040 Speaker 1: wife crazy from the paper magazine cover. It was like, well, 370 00:17:15,040 --> 00:17:16,960 Speaker 1: why would she do that? She has money? Is it 371 00:17:17,040 --> 00:17:20,359 Speaker 1: just for fame? Is it just for Instagram? If it 372 00:17:20,440 --> 00:17:22,760 Speaker 1: just for attention? You know, even Amber Rose came on 373 00:17:22,760 --> 00:17:25,880 Speaker 1: the program a couple of days ago and said your 374 00:17:25,880 --> 00:17:28,040 Speaker 1: wife was fake. How do you reply to all these people? 375 00:17:28,160 --> 00:17:30,000 Speaker 1: And what do you say to everybody? Because even with 376 00:17:30,080 --> 00:17:31,240 Speaker 1: us we were seen her on the cover, it was 377 00:17:31,320 --> 00:17:33,679 Speaker 1: kind of like, you know, Kim is filthy. You know, 378 00:17:33,760 --> 00:17:35,560 Speaker 1: she has a child, she has a family. Why would 379 00:17:35,600 --> 00:17:40,080 Speaker 1: she do that cover? Which which question? Okay, seven question. 380 00:17:43,040 --> 00:17:47,120 Speaker 1: Uh whoa um. One of the things of breaking class 381 00:17:47,320 --> 00:17:50,520 Speaker 1: is respected art can break class. So one of the 382 00:17:50,560 --> 00:17:52,320 Speaker 1: things that shut up a lot of people is the 383 00:17:52,320 --> 00:17:55,479 Speaker 1: fact that John Paul Gou took the photograph that used 384 00:17:55,520 --> 00:17:59,239 Speaker 1: to shoot Grace Stones and Grace Stones figure physique was 385 00:17:59,520 --> 00:18:04,280 Speaker 1: as as new and different as Kim's physique was. And 386 00:18:04,800 --> 00:18:07,680 Speaker 1: you know, our position of power, we're not going to 387 00:18:07,760 --> 00:18:11,080 Speaker 1: accept the you know, the physique that was that was 388 00:18:11,119 --> 00:18:14,040 Speaker 1: given to us. You know that that was told to 389 00:18:14,119 --> 00:18:17,719 Speaker 1: us was the proper, you know, way to look. You know, 390 00:18:17,760 --> 00:18:20,880 Speaker 1: my my daughter has a chance of being shape like 391 00:18:21,119 --> 00:18:24,399 Speaker 1: my wife. So until she between this age and to 392 00:18:24,520 --> 00:18:26,240 Speaker 1: the age where she's like that, I'm going to be 393 00:18:26,280 --> 00:18:30,360 Speaker 1: fighting for that shape to be considered the highest of class, 394 00:18:30,720 --> 00:18:33,240 Speaker 1: or not the highest class, at least equal to what 395 00:18:33,359 --> 00:18:37,240 Speaker 1: someone looks at like a skinny a skinny model for uh. 396 00:18:37,800 --> 00:18:41,320 Speaker 1: My first introduction, one of my first introductions to beauty 397 00:18:41,440 --> 00:18:44,320 Speaker 1: was the Helmet Newton book, This really big book, and 398 00:18:44,440 --> 00:18:47,560 Speaker 1: every woman in it was uh naked. This was a 399 00:18:47,560 --> 00:18:50,440 Speaker 1: straight photographer. He did he did Playboy, and he would 400 00:18:50,480 --> 00:18:54,680 Speaker 1: do Saint Laurent ads and the highest level taste. And 401 00:18:54,720 --> 00:18:58,480 Speaker 1: I was really drawn to the beauty of the of 402 00:18:58,520 --> 00:19:00,520 Speaker 1: the way the photographs are set up, and to the 403 00:19:00,560 --> 00:19:03,120 Speaker 1: fact that I was attracted to the women also, I 404 00:19:03,160 --> 00:19:07,199 Speaker 1: liked the two things at once. I like I like 405 00:19:07,320 --> 00:19:09,960 Speaker 1: the physical attraction, and I like the way that the 406 00:19:10,000 --> 00:19:13,360 Speaker 1: shot was set up. I think that with my wife, 407 00:19:13,560 --> 00:19:16,320 Speaker 1: you know, and it's been a lot of times earlier 408 00:19:16,359 --> 00:19:19,199 Speaker 1: in her career where you know, she didn't have the 409 00:19:19,240 --> 00:19:21,800 Speaker 1: access to that level of photographer. Of course he's passed 410 00:19:21,800 --> 00:19:24,320 Speaker 1: away now, so now that she has the access to 411 00:19:24,640 --> 00:19:27,199 Speaker 1: John Paulkool, to Stephen Klein and Merton Marcus, I can 412 00:19:27,280 --> 00:19:29,879 Speaker 1: name all the really high level of Jackie Nicholas and 413 00:19:29,920 --> 00:19:33,320 Speaker 1: all the high level photographers. Now, you know, it's important 414 00:19:33,520 --> 00:19:37,000 Speaker 1: for her to stand I think for her to stand up, 415 00:19:37,640 --> 00:19:40,199 Speaker 1: you know, and all of her glory and all her power. Man, 416 00:19:40,320 --> 00:19:42,480 Speaker 1: her power is in her, is in her body, is 417 00:19:42,480 --> 00:19:44,719 Speaker 1: in her nudity, of powers, in her mind, of powers, 418 00:19:44,720 --> 00:19:46,840 Speaker 1: in her family. But body is one of the powers 419 00:19:46,840 --> 00:19:51,200 Speaker 1: because well, she's got she's got she's gonna always have 420 00:19:51,280 --> 00:19:56,040 Speaker 1: that body. But she's gonna have mine family, and she's 421 00:19:56,080 --> 00:19:58,240 Speaker 1: gonna she's gonna create a legacy for what you know, 422 00:19:58,520 --> 00:20:00,159 Speaker 1: you know, you name all those brands and the with 423 00:20:00,200 --> 00:20:02,119 Speaker 1: the hood. Don't know that's the hood. The hood is 424 00:20:02,160 --> 00:20:04,000 Speaker 1: like Kanye, just tell your wif she don't gotta get 425 00:20:04,080 --> 00:20:06,879 Speaker 1: naked no more. But she could get naked if she 426 00:20:06,920 --> 00:20:09,840 Speaker 1: wants to. It's not illegal to get naked. And you know, 427 00:20:10,440 --> 00:20:12,600 Speaker 1: and then you think about this, like if Adam and 428 00:20:12,720 --> 00:20:15,560 Speaker 1: never ate the apple, we all be naked. So you 429 00:20:15,640 --> 00:20:17,760 Speaker 1: hit us with that last time. I still haven't have 430 00:20:17,840 --> 00:20:21,040 Speaker 1: not understood that one. I'm trying to forget out one 431 00:20:21,040 --> 00:20:23,879 Speaker 1: out for two years. Do you feel compelled to to 432 00:20:23,920 --> 00:20:25,760 Speaker 1: reach out to amber Rose being that that's your ex 433 00:20:25,800 --> 00:20:28,920 Speaker 1: girlfriend and saying, listen, just calming down, leave my wife 434 00:20:28,920 --> 00:20:33,359 Speaker 1: alone and just chill out. She's just soaking in the moment. 435 00:20:33,400 --> 00:20:36,240 Speaker 1: Nobody feel compared to do nothing. If Kim and like 436 00:20:36,359 --> 00:20:38,960 Speaker 1: dated me when I first wanted to be where, it 437 00:20:38,960 --> 00:20:40,640 Speaker 1: wouldn't be an amber Rose. You know what I'm saying, 438 00:20:40,680 --> 00:20:52,320 Speaker 1: like sending you naked pictures while y'all together. Though I 439 00:20:52,520 --> 00:20:56,280 Speaker 1: wish I would have, I would have gladly, happily have 440 00:20:56,520 --> 00:20:59,720 Speaker 1: liked to she you know, she she she didn't. Why 441 00:20:59,800 --> 00:21:02,600 Speaker 1: why because by the way, it's like it's very hard 442 00:21:02,640 --> 00:21:04,919 Speaker 1: for a woman to you know, want to you know, 443 00:21:05,600 --> 00:21:07,520 Speaker 1: I want to be with someone that's whatever wrote, So 444 00:21:07,520 --> 00:21:09,240 Speaker 1: she wasn't saying nothing. You know what I'm saying like 445 00:21:09,280 --> 00:21:11,800 Speaker 1: I had to I take thirty showers before I got 446 00:21:11,800 --> 00:21:20,280 Speaker 1: with Kim. You know, please, no, no, ask me no more. 447 00:21:20,600 --> 00:21:26,560 Speaker 1: I does you want to be respectful? Man? I was 448 00:21:26,600 --> 00:21:29,800 Speaker 1: just watching on TV just now and they were saying 449 00:21:29,800 --> 00:21:32,000 Speaker 1: that you said fashion lines didn't want to deal with 450 00:21:32,040 --> 00:21:34,320 Speaker 1: you because you was married to a reality show. Start 451 00:21:34,359 --> 00:21:36,440 Speaker 1: just on just on a business level, because personally we 452 00:21:36,440 --> 00:21:38,800 Speaker 1: can tell you happy. Just on a business level. Do 453 00:21:38,840 --> 00:21:41,359 Speaker 1: you feel the Kardashian brand has hurt Kanye West brand? 454 00:21:42,000 --> 00:21:49,600 Speaker 1: Now it's helped because it just showed, like my ability 455 00:21:49,880 --> 00:21:53,760 Speaker 1: to bring most staff into the studio with jay Z, 456 00:21:54,440 --> 00:21:57,679 Speaker 1: my ability to bridge the gap to bridge. You know, 457 00:21:58,200 --> 00:22:01,480 Speaker 1: somebody sitting over this lunch table they the fashion world, y'all, 458 00:22:01,680 --> 00:22:04,200 Speaker 1: they're cool and stuff. Somebody sitting over this flunch table 459 00:22:04,480 --> 00:22:08,080 Speaker 1: their celebrity and they have a perception about that. And 460 00:22:08,400 --> 00:22:11,719 Speaker 1: you know, I showed people the power of what happens 461 00:22:11,720 --> 00:22:14,400 Speaker 1: when you work together. And now you know, Kim can 462 00:22:14,440 --> 00:22:18,800 Speaker 1: sell address faster than any magazine cover. And you got 463 00:22:18,800 --> 00:22:20,399 Speaker 1: her on the cover of Vogue, which is something that 464 00:22:20,440 --> 00:22:22,199 Speaker 1: we never thought was going to happen the way they 465 00:22:22,200 --> 00:22:24,640 Speaker 1: Anna went to our felt and how she had expressed 466 00:22:24,640 --> 00:22:26,240 Speaker 1: that in the past. What did she say She said 467 00:22:26,280 --> 00:22:29,360 Speaker 1: something today right or earlier today? Oh about bringing Northwest 468 00:22:29,359 --> 00:22:32,120 Speaker 1: to the fashion shows? That was alleged though, they said 469 00:22:32,119 --> 00:22:34,320 Speaker 1: allegedly she was saying, that's not the proper place for 470 00:22:34,400 --> 00:22:39,320 Speaker 1: a child. You know, yeah, I can't speak on alleged comments. 471 00:22:40,400 --> 00:22:42,200 Speaker 1: You did it bother you when you see the news 472 00:22:42,200 --> 00:22:44,440 Speaker 1: and they like Northwest was crying at the fashion show. 473 00:22:44,480 --> 00:22:48,240 Speaker 1: I mean she's a baby. That's what babies, which makes sense. 474 00:22:48,280 --> 00:22:49,920 Speaker 1: I mean I would think you would want your daughter 475 00:22:49,920 --> 00:22:52,399 Speaker 1: in front row at your fashion show. Yeah, yeah, I 476 00:22:52,440 --> 00:22:54,040 Speaker 1: mean think about it. No one could tell me where 477 00:22:54,040 --> 00:22:56,440 Speaker 1: to have my child and that you know, I got 478 00:22:56,440 --> 00:22:58,000 Speaker 1: forward of them. They cried nor you can't tell them 479 00:22:58,119 --> 00:23:00,880 Speaker 1: they were not the cry they're gonna cry. Um Dame 480 00:23:00,960 --> 00:23:03,720 Speaker 1: Dash and the BT Awards, BT honest, why did you 481 00:23:03,800 --> 00:23:06,880 Speaker 1: let him present you with that award? Because he presented 482 00:23:06,880 --> 00:23:08,480 Speaker 1: me to the world. You know, I wouldn't have my 483 00:23:08,560 --> 00:23:10,280 Speaker 1: I wouldn't have a record deal if it wasn't for 484 00:23:10,359 --> 00:23:12,800 Speaker 1: Dame Dash. I was that first conversation because at one 485 00:23:12,840 --> 00:23:15,240 Speaker 1: time he hated you he said, I don't think he 486 00:23:15,280 --> 00:23:17,520 Speaker 1: hated you. He felt you were loyal to him. I 487 00:23:17,600 --> 00:23:21,000 Speaker 1: think and I wasn't. And this is an extremely visionary 488 00:23:21,040 --> 00:23:25,600 Speaker 1: move on my part to uh move with to row 489 00:23:25,680 --> 00:23:29,679 Speaker 1: with jay Z. Tell Dame, I mean, if he's the 490 00:23:29,720 --> 00:23:31,520 Speaker 1: one that believed in you, then why does whole get 491 00:23:31,560 --> 00:23:34,639 Speaker 1: the credit and the Big Brother records? Uh? Yeah, I 492 00:23:34,640 --> 00:23:36,919 Speaker 1: mean I mentioned Dame a lot of raps. But you know, 493 00:23:37,000 --> 00:23:41,000 Speaker 1: the story is not done. You know, sometimes it's it's 494 00:23:41,000 --> 00:23:43,399 Speaker 1: meant moments where like I was wilding out, you know, 495 00:23:43,520 --> 00:23:45,880 Speaker 1: drop up by and Jay would be like, okay, yeah, 496 00:23:45,960 --> 00:23:48,120 Speaker 1: you just gotta sit this down right now. Sit these 497 00:23:48,119 --> 00:23:51,280 Speaker 1: couple plays out. And you know it was the moment 498 00:23:51,320 --> 00:23:55,680 Speaker 1: when you know, Rocket Rockefeller split. Um, it made more 499 00:23:55,680 --> 00:23:59,040 Speaker 1: sense for me career wise to uh to roll with 500 00:23:59,400 --> 00:24:05,359 Speaker 1: Jay even Dame had uh had supported me, Yeah, supported me? Uh? 501 00:24:05,440 --> 00:24:07,280 Speaker 1: And then I wonder, I say, where will we be, 502 00:24:08,280 --> 00:24:11,720 Speaker 1: you know, fire a row with Dame? What we have been? 503 00:24:12,280 --> 00:24:14,880 Speaker 1: Would I have been more successful? What I've been less successful? 504 00:24:14,920 --> 00:24:16,399 Speaker 1: I you know, I can't. I can't say, but at 505 00:24:16,440 --> 00:24:19,080 Speaker 1: that time, you know, I you know, I came to 506 00:24:19,160 --> 00:24:23,879 Speaker 1: Rockefeller because uh, jay Z was my idol. And it 507 00:24:23,960 --> 00:24:26,040 Speaker 1: would have been very hard for me, you know, at 508 00:24:26,080 --> 00:24:29,639 Speaker 1: that young state where I was to separate from my idol, 509 00:24:30,119 --> 00:24:31,960 Speaker 1: you know, and that's the decision I made out there. 510 00:24:31,960 --> 00:24:34,440 Speaker 1: And do I say that there was some disloyalty and that, yeah, 511 00:24:34,480 --> 00:24:36,600 Speaker 1: I owned up to that. Is it anything to me 512 00:24:36,640 --> 00:24:38,760 Speaker 1: and Dame could do together now to make money? I 513 00:24:38,840 --> 00:24:42,399 Speaker 1: think so, well, I do. Yeah, We're gonna work on films. 514 00:24:42,400 --> 00:24:44,480 Speaker 1: And actually I really liked the films that he's doing. 515 00:24:45,160 --> 00:24:48,199 Speaker 1: Uh uh. He had all type of ideas. And then 516 00:24:48,280 --> 00:24:54,000 Speaker 1: like Dame is like the original original person who understood 517 00:24:54,040 --> 00:24:56,920 Speaker 1: culture and really was in it in every situation, would 518 00:24:56,960 --> 00:24:59,399 Speaker 1: go and you know, beings had a problem and go, 519 00:24:59,680 --> 00:25:01,720 Speaker 1: you know, pick beans up with if someone you know, 520 00:25:02,359 --> 00:25:04,480 Speaker 1: have us on a jet with him, you know, talking 521 00:25:04,520 --> 00:25:06,720 Speaker 1: to us direct, talking to me in GLC directly, No 522 00:25:06,880 --> 00:25:09,840 Speaker 1: talking to me about GLC with the film company, Like yo, 523 00:25:09,880 --> 00:25:11,800 Speaker 1: we gotta put out GLC album. You know, just kind 524 00:25:11,840 --> 00:25:14,119 Speaker 1: of remind me, you know, similar to what you were 525 00:25:14,119 --> 00:25:16,080 Speaker 1: saying the last time we were talking about having like 526 00:25:16,119 --> 00:25:19,119 Speaker 1: the real You gotta definitely say that Dame's real, absolutely, 527 00:25:19,160 --> 00:25:21,960 Speaker 1: you know. So, And when he came over the crib 528 00:25:22,200 --> 00:25:24,719 Speaker 1: and I just saw him, man, I missed him. Man, 529 00:25:24,760 --> 00:25:28,440 Speaker 1: I missed, you know, I missed the good. I missed 530 00:25:28,440 --> 00:25:31,040 Speaker 1: the bad. Yeah, I missed you know all of that, 531 00:25:31,080 --> 00:25:33,879 Speaker 1: because all of that is what created college dropout, that tension, 532 00:25:33,920 --> 00:25:36,480 Speaker 1: all of that is what created later registration, and we 533 00:25:36,640 --> 00:25:38,639 Speaker 1: were creating something new now in the fashion world and 534 00:25:38,680 --> 00:25:41,560 Speaker 1: in the film world. We don't realize the other day, 535 00:25:41,560 --> 00:25:43,840 Speaker 1: we realized that you still have a love for music. 536 00:25:43,880 --> 00:25:45,520 Speaker 1: And the reason I say that because I don't know 537 00:25:45,520 --> 00:25:47,679 Speaker 1: who we were talking to. Tiger was talking to Tiger, 538 00:25:47,720 --> 00:25:51,000 Speaker 1: were talking to some one dollar sign and I heard 539 00:25:51,240 --> 00:25:53,480 Speaker 1: a remix with There's so many different names like Kanye's 540 00:25:53,480 --> 00:25:55,159 Speaker 1: in the studio or with everybody. I've always got the 541 00:25:55,200 --> 00:25:57,639 Speaker 1: new guys always it may not even be next in 542 00:25:57,680 --> 00:25:59,120 Speaker 1: the studio with you, so like you keep you into 543 00:25:59,160 --> 00:26:03,399 Speaker 1: the street. They you know, I just gotta I after work, 544 00:26:03,760 --> 00:26:05,520 Speaker 1: you know, Like I think a lot of times people 545 00:26:05,560 --> 00:26:08,679 Speaker 1: get rich, people comfortable, people fall in love and everything. 546 00:26:09,440 --> 00:26:11,919 Speaker 1: You know. I went to this Drake concert in Germany. 547 00:26:11,960 --> 00:26:14,440 Speaker 1: I flew to the concert to go see it, and 548 00:26:14,480 --> 00:26:17,680 Speaker 1: he got this one line where he say, like, uh, 549 00:26:17,840 --> 00:26:20,280 Speaker 1: some about people will be falling in love with famous 550 00:26:20,320 --> 00:26:21,960 Speaker 1: girls and La da dah, and then they wanted to 551 00:26:22,000 --> 00:26:23,600 Speaker 1: be working as much, and he wrapped it. And then 552 00:26:23,600 --> 00:26:25,359 Speaker 1: when he wrapped, he knew I was in the console, 553 00:26:25,400 --> 00:26:29,680 Speaker 1: you like look down and stuff or something like that. Yeah, 554 00:26:29,720 --> 00:26:31,680 Speaker 1: something like that. But you know he was right. You 555 00:26:31,720 --> 00:26:33,240 Speaker 1: know what I'm saying, I gotta get on my job. 556 00:26:33,280 --> 00:26:34,800 Speaker 1: And that's why I was. That's why I got on 557 00:26:34,800 --> 00:26:37,119 Speaker 1: the end of that blessed Hello, I'm back. You know 558 00:26:37,119 --> 00:26:39,920 Speaker 1: what I'm saying, Like we were back in the studios 559 00:26:39,960 --> 00:26:42,920 Speaker 1: times that you know, I gotta go pick pick my 560 00:26:43,040 --> 00:26:45,280 Speaker 1: daughter up and take it to you know, dance class 561 00:26:45,280 --> 00:26:47,320 Speaker 1: in the morning, and just you know, I try to 562 00:26:47,320 --> 00:26:49,040 Speaker 1: create a regiment. But at least if I go to 563 00:26:49,040 --> 00:26:52,680 Speaker 1: a studio like six hours a day. And it's funny, 564 00:26:52,800 --> 00:26:54,720 Speaker 1: is because when I when I first sat with Tiger, 565 00:26:54,840 --> 00:26:57,280 Speaker 1: like me and Virgil seeing Tiger at the ball Moss store, 566 00:26:57,280 --> 00:26:59,200 Speaker 1: and we knew he was fresh. You know, certain people 567 00:26:59,680 --> 00:27:02,600 Speaker 1: they they have a certain talent with clothing. A Tiger 568 00:27:03,000 --> 00:27:06,480 Speaker 1: asap Rocky, that's the thing. Certain people got certain talent 569 00:27:06,560 --> 00:27:10,200 Speaker 1: with the bars and ship young thug big Sean, you know. 570 00:27:10,600 --> 00:27:13,399 Speaker 1: And I sat in the studio with it was me 571 00:27:13,640 --> 00:27:18,680 Speaker 1: Thug Sean, Travis Tiger, and I was just saying how 572 00:27:18,720 --> 00:27:22,199 Speaker 1: we we we gotta we gotta, we gotta bring our 573 00:27:22,280 --> 00:27:25,360 Speaker 1: resources together. We had to see how we can help 574 00:27:25,359 --> 00:27:28,520 Speaker 1: each other to make each other way fresh and share information. 575 00:27:28,640 --> 00:27:30,760 Speaker 1: Bill have ciphers like back in the Utang are like 576 00:27:30,760 --> 00:27:32,760 Speaker 1: people used to have ciphers. So last night when I 577 00:27:32,800 --> 00:27:34,800 Speaker 1: was working on all day at a q Tip's house, 578 00:27:35,160 --> 00:27:38,640 Speaker 1: it was like me uh vic mensa q Tip and 579 00:27:38,680 --> 00:27:40,960 Speaker 1: we was just we was building on culchure coach of 580 00:27:41,040 --> 00:27:43,199 Speaker 1: coach instead of trying to write bars. We built on 581 00:27:43,280 --> 00:27:45,560 Speaker 1: that and then I started writing the bars. Then they 582 00:27:45,600 --> 00:27:47,880 Speaker 1: started coming and we just started bouncing ideas off each other. 583 00:27:47,920 --> 00:27:51,479 Speaker 1: So with me, you know, I'm I'm only a humble servant. 584 00:27:51,520 --> 00:27:53,760 Speaker 1: You know, if you if you, if you have power, 585 00:27:53,840 --> 00:27:56,280 Speaker 1: you have to empower. You had a power to get power. 586 00:27:56,440 --> 00:27:59,560 Speaker 1: Where I said on the word song power, no one 587 00:27:59,560 --> 00:28:01,560 Speaker 1: man should have all that power. It's a true statement. 588 00:28:01,600 --> 00:28:03,800 Speaker 1: No one man has the power. The power is in 589 00:28:03,920 --> 00:28:07,159 Speaker 1: the people. The people give you the power. The people 590 00:28:07,280 --> 00:28:09,560 Speaker 1: chose me to be the people's champion. As soon as 591 00:28:09,560 --> 00:28:12,639 Speaker 1: I go up, talk about me, me, me, you lose 592 00:28:12,720 --> 00:28:15,159 Speaker 1: that and then and then you got next generations. You 593 00:28:15,240 --> 00:28:17,720 Speaker 1: got No matter how hard I tried, Drake is gonna 594 00:28:17,760 --> 00:28:21,120 Speaker 1: speak to a generation in a way that I might 595 00:28:21,160 --> 00:28:23,280 Speaker 1: not have been at that same basketball game. He was 596 00:28:23,320 --> 00:28:25,680 Speaker 1: at that same high school game, watched that same TV show, 597 00:28:25,720 --> 00:28:28,000 Speaker 1: went to that same club. Tiger's gonna speak to a 598 00:28:28,040 --> 00:28:31,239 Speaker 1: certain big Sean's gonna speak to a certain generation, and 599 00:28:31,280 --> 00:28:34,119 Speaker 1: it's important for a revolution. That comment said on that 600 00:28:34,200 --> 00:28:37,560 Speaker 1: song you just won for us. It's the youth and 601 00:28:37,680 --> 00:28:40,280 Speaker 1: the ogs have to come together. You need the energy 602 00:28:40,280 --> 00:28:42,040 Speaker 1: of the youth, you need the knowledge of the ogs. 603 00:28:42,080 --> 00:28:43,680 Speaker 1: That's why the Bible old men for council of young 604 00:28:43,720 --> 00:28:45,720 Speaker 1: men for war. That's why I sit with I sit 605 00:28:45,760 --> 00:28:48,480 Speaker 1: with Puff, I sit with Dame, I sit with Jay, 606 00:28:48,640 --> 00:28:51,560 Speaker 1: I sit with Farakh, and I talked to I talk 607 00:28:51,640 --> 00:28:53,840 Speaker 1: to the ogs and try to, you know, figure out 608 00:28:53,840 --> 00:28:55,320 Speaker 1: how we can help each other. You know, now with 609 00:28:55,400 --> 00:28:59,160 Speaker 1: Tiger mentioned you're executive reducing this album, you feel like 610 00:28:59,280 --> 00:29:04,080 Speaker 1: his relationship but your sister in laws inappropriate. I think 611 00:29:04,200 --> 00:29:10,880 Speaker 1: that there's a good question right there. Uh you know 612 00:29:10,920 --> 00:29:15,680 Speaker 1: what I'm saying. I think that, Uh. I think he 613 00:29:15,760 --> 00:29:17,120 Speaker 1: I think he got in early. I think he was 614 00:29:17,160 --> 00:29:27,240 Speaker 1: smart and do a great Red Shirt prospect was seventeen. Yeah, 615 00:29:28,360 --> 00:29:31,960 Speaker 1: you know, they closer and age than a lot of 616 00:29:31,960 --> 00:29:34,640 Speaker 1: relationships that I know you're not five should be eighteen 617 00:29:34,640 --> 00:29:38,560 Speaker 1: in August, Like, yeah, I knew Tiger was smart. You 618 00:29:38,600 --> 00:29:43,160 Speaker 1: know that Tiger came up here on Saturday with just friends. 619 00:29:43,240 --> 00:29:46,000 Speaker 1: I mean that's what he's posted to say. But yeah, 620 00:29:46,040 --> 00:29:55,480 Speaker 1: I can't speak on I can't speak album. What what 621 00:29:55,560 --> 00:30:02,400 Speaker 1: kind of album we're getting? What should we expect? Bars? Songs, yo, 622 00:30:02,560 --> 00:30:05,720 Speaker 1: cook out music that just feels good, you know. Like 623 00:30:06,120 --> 00:30:08,240 Speaker 1: my last album was a protest in music. I was like, 624 00:30:08,280 --> 00:30:11,240 Speaker 1: I'm gonna take my ball and go home. If y'all 625 00:30:11,280 --> 00:30:13,280 Speaker 1: ain't gonna let me play well, I want to play it. Dude, 626 00:30:13,320 --> 00:30:18,320 Speaker 1: clothes to do this. Yeah, start shooting the ball real slow. 627 00:30:18,440 --> 00:30:20,600 Speaker 1: This might be at the free throw for a long time. 628 00:30:23,000 --> 00:30:24,960 Speaker 1: That was my whole album and stuff like I don't 629 00:30:25,040 --> 00:30:26,960 Speaker 1: even got no music. I just let you have a 630 00:30:26,960 --> 00:30:29,600 Speaker 1: little music on on Bound, but that was it. But this, 631 00:30:29,600 --> 00:30:32,959 Speaker 1: this album is just embracing the music, embracing you know, 632 00:30:33,640 --> 00:30:36,400 Speaker 1: joy and just making, you know, being of service to 633 00:30:36,480 --> 00:30:39,080 Speaker 1: the people. You know. I just hope that people like 634 00:30:39,160 --> 00:30:41,840 Speaker 1: it to enjoy it, you know, is it now? Listen 635 00:30:41,920 --> 00:30:45,200 Speaker 1: you um you, mister minister fag car Now. I also 636 00:30:45,320 --> 00:30:48,200 Speaker 1: saw you say when you was at the backstage grammars. 637 00:30:48,200 --> 00:30:49,880 Speaker 1: You said you didn't want to speak too much because 638 00:30:49,880 --> 00:30:51,200 Speaker 1: you don't want to jump out of your clothe line. 639 00:30:51,200 --> 00:30:52,480 Speaker 1: But a lot of people don't like to stand next 640 00:30:52,480 --> 00:30:54,680 Speaker 1: to the minister because they feel like he jumped out 641 00:30:54,680 --> 00:30:57,440 Speaker 1: of their business. Why are you not afraid to, you know, 642 00:30:57,920 --> 00:31:01,520 Speaker 1: show your relationship with the minister. Um. You know, it's 643 00:31:01,560 --> 00:31:06,120 Speaker 1: interesting because I actually asked for the Minister to give 644 00:31:06,120 --> 00:31:10,520 Speaker 1: me my BT Visionary Award and he, you know, he 645 00:31:10,560 --> 00:31:12,600 Speaker 1: felt like it wasn't the right time and maybe for 646 00:31:12,680 --> 00:31:15,760 Speaker 1: reasons just like that. You know. Right now I'm um 647 00:31:16,200 --> 00:31:22,800 Speaker 1: working on a documentary with him, um uh about him 648 00:31:22,960 --> 00:31:25,920 Speaker 1: and about his his music. You know that that he's 649 00:31:25,960 --> 00:31:29,120 Speaker 1: a classically trained violinist and he's also one of the 650 00:31:29,120 --> 00:31:31,800 Speaker 1: most humane people. And now you know, he got that 651 00:31:31,920 --> 00:31:35,440 Speaker 1: stamp in the same way like how my wife was, 652 00:31:35,640 --> 00:31:39,200 Speaker 1: you know stamp with the Sex State. You know, um, 653 00:31:40,000 --> 00:31:48,480 Speaker 1: the ministers stamped with the yeah, uh and uh. It's 654 00:31:48,520 --> 00:31:50,560 Speaker 1: important that while he's still alive, he has to see 655 00:31:50,600 --> 00:31:53,400 Speaker 1: the people appreciate his message because if you ever hear 656 00:31:53,480 --> 00:31:57,200 Speaker 1: him talk, it's about humanity. It's about one race, you know, 657 00:31:57,240 --> 00:31:59,719 Speaker 1: as soon as you hear his name, I see people's 658 00:31:59,760 --> 00:32:03,160 Speaker 1: faces like change, they have a perception. It's and you know, 659 00:32:03,200 --> 00:32:05,120 Speaker 1: it's a lot that I can learn from him. You know, 660 00:32:05,280 --> 00:32:08,760 Speaker 1: perhaps you know, you know, maybe maybe the Minister mentioned 661 00:32:08,760 --> 00:32:10,680 Speaker 1: beck Won too many times or something like that, and 662 00:32:10,680 --> 00:32:13,200 Speaker 1: it's things I can learn in my path of how 663 00:32:13,240 --> 00:32:16,160 Speaker 1: to always keep my communication as open as possible, because 664 00:32:16,200 --> 00:32:18,360 Speaker 1: right now it's right at that tip where it's like, yeah, 665 00:32:18,360 --> 00:32:20,120 Speaker 1: we gotta have him because you know, he's gonna bring 666 00:32:20,120 --> 00:32:23,560 Speaker 1: some excitement to the Grammys and all that. But you know, 667 00:32:23,560 --> 00:32:26,600 Speaker 1: we're working on this documentary and it's amazing. It talks. 668 00:32:26,680 --> 00:32:29,600 Speaker 1: It shows that he had like a white violin instructor, 669 00:32:29,720 --> 00:32:32,840 Speaker 1: but then he talked about because you know, he was black, 670 00:32:32,840 --> 00:32:35,680 Speaker 1: how he couldn't get the white instructor and there was 671 00:32:35,720 --> 00:32:38,720 Speaker 1: no black instructors that can instruct him well enough. And 672 00:32:39,200 --> 00:32:41,440 Speaker 1: he talks about how he was asked to stop doing music, 673 00:32:41,480 --> 00:32:45,160 Speaker 1: he had to choose between the nation and music, and 674 00:32:45,240 --> 00:32:49,680 Speaker 1: then how the Honorable Elijah Muhammad asked him to come 675 00:32:49,720 --> 00:32:54,120 Speaker 1: in one day to play the violin, and he embraces 676 00:32:54,200 --> 00:32:58,160 Speaker 1: his passion of music and you know, it's it's it's 677 00:32:58,200 --> 00:33:01,080 Speaker 1: it's just a beautiful story about a beautiful soul that's 678 00:33:01,200 --> 00:33:06,800 Speaker 1: very misunderstood. And want to our most powerful, you know messengers, 679 00:33:07,520 --> 00:33:10,680 Speaker 1: and it's very important that we protect our messages. It's 680 00:33:10,760 --> 00:33:12,480 Speaker 1: very important that we support them, you know. Yeah, and 681 00:33:12,480 --> 00:33:14,560 Speaker 1: the minute is very sharp. You think it's kind of confusing. 682 00:33:14,600 --> 00:33:17,720 Speaker 1: No one he'll say, you know, negative things about Jewish 683 00:33:17,720 --> 00:33:19,520 Speaker 1: people would then say we should have learned from them. 684 00:33:20,040 --> 00:33:23,000 Speaker 1: That's kind of a confusing method. Oh you could. Yeah, 685 00:33:23,080 --> 00:33:26,760 Speaker 1: we definitely should learn from them. We should learn from us. 686 00:33:26,840 --> 00:33:29,920 Speaker 1: I'm tired of the you know us and them us 687 00:33:30,040 --> 00:33:33,719 Speaker 1: meaning we should learn from human beings. Yeah, you know, 688 00:33:33,760 --> 00:33:36,000 Speaker 1: it's the first thing we're gonna do to I think, 689 00:33:36,040 --> 00:33:39,320 Speaker 1: stop racism and stop focusing on racism. And I understand 690 00:33:39,400 --> 00:33:42,000 Speaker 1: that it's somebody going to work right now that has 691 00:33:42,520 --> 00:33:45,040 Speaker 1: a white boss that's talking down to them because they black. 692 00:33:45,080 --> 00:33:48,160 Speaker 1: And I'm not trying to deny that, but I'm saying, 693 00:33:49,800 --> 00:33:52,080 Speaker 1: we understand that people as different races. You know, it 694 00:33:52,120 --> 00:33:54,520 Speaker 1: would be like light skin against dark skin and stuff. 695 00:33:54,560 --> 00:33:58,840 Speaker 1: It just slows down the conversation. Man, you don't know, 696 00:33:58,920 --> 00:34:00,600 Speaker 1: like I don't know if it's a excuse me for 697 00:34:00,680 --> 00:34:06,640 Speaker 1: the statement, Yeah, yeah, it does, ob shut up. Yeah. Yeah, 698 00:34:06,680 --> 00:34:11,440 Speaker 1: So I also every people are human beings. So everything 699 00:34:11,480 --> 00:34:15,160 Speaker 1: this man says when I talked to him, everything he says, 700 00:34:15,160 --> 00:34:18,319 Speaker 1: it's pretty much correct. But I'm saying everything a person 701 00:34:18,320 --> 00:34:20,200 Speaker 1: se is not going to be correct. You know, every 702 00:34:20,200 --> 00:34:21,640 Speaker 1: move of person may it is not going to be 703 00:34:21,680 --> 00:34:24,520 Speaker 1: well tied. But sometimes those mistime moves can inspire the 704 00:34:24,560 --> 00:34:26,920 Speaker 1: next generation, like podcasts to say. He said, I might 705 00:34:26,960 --> 00:34:28,799 Speaker 1: not change the world, but I'm inspired somebody that changes 706 00:34:28,840 --> 00:34:31,360 Speaker 1: the world. When I think about, Okay, I want to 707 00:34:31,360 --> 00:34:33,200 Speaker 1: do surround vision, I want to do my movie theater, 708 00:34:33,200 --> 00:34:34,799 Speaker 1: I want to do my clothing line, I want to 709 00:34:34,800 --> 00:34:38,799 Speaker 1: do this. Uh, you know my goal is man, maybe 710 00:34:38,840 --> 00:34:40,680 Speaker 1: there's a four year old that's gonna see that in 711 00:34:40,760 --> 00:34:43,040 Speaker 1: cure cancer one day. Maybe we could keep if you 712 00:34:43,160 --> 00:34:45,520 Speaker 1: if your job is inspiration, you have to keep pushing 713 00:34:45,560 --> 00:34:48,080 Speaker 1: that at all costs because you never know who's going 714 00:34:48,120 --> 00:34:49,880 Speaker 1: to be inspired by that. And a lot of the 715 00:34:49,920 --> 00:34:52,279 Speaker 1: reasons why I'm successful now is because the people who 716 00:34:52,280 --> 00:34:54,680 Speaker 1: work with me now grew up on a college dropout, 717 00:34:55,200 --> 00:34:57,319 Speaker 1: you know, before when I was going in years ago. 718 00:34:57,360 --> 00:34:59,520 Speaker 1: Everyone they listen to rock, they like Bruce Springs, and 719 00:34:59,480 --> 00:35:01,440 Speaker 1: they're like, they don't even know about the college Dropoutum, 720 00:35:01,680 --> 00:35:04,960 Speaker 1: so now they know what we brought to the table 721 00:35:05,000 --> 00:35:06,560 Speaker 1: and they want to they want to be a part 722 00:35:06,560 --> 00:35:10,680 Speaker 1: of this. Yeah. Uh, this this movement in a way 723 00:35:10,880 --> 00:35:14,160 Speaker 1: last year when it was so much racial tension and um, 724 00:35:14,200 --> 00:35:16,760 Speaker 1: you know, the police brutality and stuff like, it's almost 725 00:35:16,760 --> 00:35:18,839 Speaker 1: like people wanted you to say something. Were you were 726 00:35:18,880 --> 00:35:22,200 Speaker 1: you purposely you know, falling back from being vocal about 727 00:35:22,200 --> 00:35:24,640 Speaker 1: the Mike Brown situations and things like that. Yeah, my 728 00:35:24,719 --> 00:35:26,879 Speaker 1: dad would email me and say stay out of it. 729 00:35:27,000 --> 00:35:29,520 Speaker 1: And now my dad is like a thousand times smarter 730 00:35:29,600 --> 00:35:31,960 Speaker 1: than me and a thousand times more social than me. 731 00:35:32,040 --> 00:35:36,280 Speaker 1: He like literally lived at a homeless shelter, you know. Um, 732 00:35:37,480 --> 00:35:39,400 Speaker 1: and he emailed me and told me stay out of it. 733 00:35:39,480 --> 00:35:41,319 Speaker 1: That's my only parent, you know, so I have to 734 00:35:41,360 --> 00:35:47,160 Speaker 1: listen to him sometimes. Uh. I think he's just trying 735 00:35:47,200 --> 00:35:49,239 Speaker 1: to be protective of his son. You know. I can't 736 00:35:49,320 --> 00:35:52,520 Speaker 1: run in front of every bullet, you know, it's a 737 00:35:52,719 --> 00:35:55,240 Speaker 1: it's I just can't run in front of every single bullet. 738 00:35:55,440 --> 00:35:58,319 Speaker 1: Is it in the music for this album? Maybe? Oh? Yeah, 739 00:35:58,320 --> 00:36:02,160 Speaker 1: we definitely. Yeah. You know, I'm always gonna you know, 740 00:36:02,280 --> 00:36:06,080 Speaker 1: talk about you know, what's going on, Like margat Gate 741 00:36:06,120 --> 00:36:11,319 Speaker 1: will say it's definitely gonna be in there is done. Um, 742 00:36:11,400 --> 00:36:13,200 Speaker 1: I think eighty percent. I'm trying to get it finished. 743 00:36:13,200 --> 00:36:14,680 Speaker 1: I'm trying to get it to the people. You know, 744 00:36:14,680 --> 00:36:16,560 Speaker 1: as soon as possible, you're gonna release. It's gonna be 745 00:36:16,600 --> 00:36:21,000 Speaker 1: like a you have a release date, that's like, you 746 00:36:21,040 --> 00:36:25,799 Speaker 1: can't do it. It's played out. Yeah, slash Lash one 747 00:36:25,920 --> 00:36:29,440 Speaker 1: hundred percent. Release dates is played out. So so the 748 00:36:29,480 --> 00:36:31,680 Speaker 1: surprise is gonna be a surprise. They go to surprise, 749 00:36:31,880 --> 00:36:35,320 Speaker 1: No surprise, no one thing the hood always wanted to 750 00:36:35,360 --> 00:36:38,319 Speaker 1: know to where did that soft whisper Michael Jackson's voice 751 00:36:38,360 --> 00:36:40,480 Speaker 1: come from? The debuted on the Chris Jenner Show a 752 00:36:40,520 --> 00:36:47,560 Speaker 1: couple of years ago and show you've used it in 753 00:36:47,640 --> 00:36:49,480 Speaker 1: more than that setting. Where did that come from? That? 754 00:36:49,640 --> 00:36:51,880 Speaker 1: Like A, I don't know, you're in the show. I 755 00:36:51,920 --> 00:36:54,799 Speaker 1: don't know, man, don't know. No, nobody wants like the 756 00:36:54,840 --> 00:36:58,239 Speaker 1: worst thing, the thing that America doesn't want. Okay, yet 757 00:36:58,400 --> 00:37:01,960 Speaker 1: America in the world are attagging as black man, you know, 758 00:37:02,000 --> 00:37:04,880 Speaker 1: because you know black men aren't in their own country 759 00:37:05,200 --> 00:37:07,200 Speaker 1: and that in power a by all this site, so 760 00:37:07,360 --> 00:37:10,040 Speaker 1: you constantly getting poked at. But the thing that they 761 00:37:10,239 --> 00:37:12,680 Speaker 1: hate the most is the angry black man. Even though 762 00:37:12,760 --> 00:37:14,880 Speaker 1: they could cause you to be angry, they hate that. 763 00:37:15,320 --> 00:37:18,400 Speaker 1: And you know, if you could just understand how to 764 00:37:19,040 --> 00:37:20,920 Speaker 1: not get angry in a boxing match, you know, if 765 00:37:20,920 --> 00:37:23,759 Speaker 1: you get angry, you lost. You know, So this this 766 00:37:23,840 --> 00:37:28,200 Speaker 1: is a match of life, a match of culture. And 767 00:37:28,239 --> 00:37:31,279 Speaker 1: if I'm angry all the time, I've already lost, you know, 768 00:37:31,320 --> 00:37:33,480 Speaker 1: So I just need to stop being angry. And people say, yeah, 769 00:37:33,480 --> 00:37:35,000 Speaker 1: what does you have to be angry about? I got 770 00:37:35,120 --> 00:37:37,360 Speaker 1: enough to be happy about, the focus on that to 771 00:37:37,480 --> 00:37:39,160 Speaker 1: not be angry about stuff, And plus it helps me 772 00:37:39,239 --> 00:37:42,120 Speaker 1: work better when I'm calm. Now. The hood wants to know. 773 00:37:42,200 --> 00:37:45,080 Speaker 1: This is a box stop question. Does Beyonce and Kim 774 00:37:45,120 --> 00:37:51,920 Speaker 1: have a problem, because it seems like they problem. No, 775 00:37:52,200 --> 00:37:55,080 Speaker 1: they love each other, They respect each other. When I 776 00:37:55,120 --> 00:37:57,080 Speaker 1: when I when Beyonce is working on an album, she 777 00:37:57,160 --> 00:37:59,719 Speaker 1: hads like pictures of Kim on the wall because Kim 778 00:38:00,080 --> 00:38:04,680 Speaker 1: presents you know, powerful women. You know, you know, Kim 779 00:38:05,040 --> 00:38:08,759 Speaker 1: is like be playing the What's it? What's all? I 780 00:38:08,840 --> 00:38:11,920 Speaker 1: know you can what's that all? Seven to eleven? Playing 781 00:38:11,920 --> 00:38:15,239 Speaker 1: that video? Playing for our daughter. You know, Kim is 782 00:38:15,239 --> 00:38:17,160 Speaker 1: not the only picture on the wall, right, No, it 783 00:38:17,280 --> 00:38:22,280 Speaker 1: some other that's weird, but it's definitely, you know, they 784 00:38:22,360 --> 00:38:26,359 Speaker 1: definitely respect each other. But it's aw. You know, maybe 785 00:38:26,360 --> 00:38:28,640 Speaker 1: there's a Lebron James Kobe element to it, but I 786 00:38:28,640 --> 00:38:34,560 Speaker 1: didn't say that. But they're not even Kim don't sing 787 00:38:34,560 --> 00:38:41,200 Speaker 1: the bad Mommy Lane. Yeah, yeah, trying to say I 788 00:38:41,239 --> 00:38:43,399 Speaker 1: wasn't gonna say that. I'm not gonna but they're bad. 789 00:38:44,160 --> 00:38:46,520 Speaker 1: When it comes to when it comes to raising Northwest, 790 00:38:46,600 --> 00:38:48,759 Speaker 1: does it concern you? Are you like, Okay, you know, 791 00:38:48,840 --> 00:38:52,840 Speaker 1: obviously she's gonna be spoiled because we're her parents, But 792 00:38:53,000 --> 00:38:54,440 Speaker 1: does it concern you that you want to make sure 793 00:38:54,520 --> 00:38:57,280 Speaker 1: she's like got some type of you know, street sense 794 00:38:57,360 --> 00:38:59,839 Speaker 1: or anything like that. Do you even think about that? Yeah, 795 00:39:00,040 --> 00:39:05,120 Speaker 1: she her and her big you know her my friends 796 00:39:05,120 --> 00:39:07,960 Speaker 1: would call them her uncle's. Her uncle's definitely gonna put 797 00:39:08,000 --> 00:39:11,480 Speaker 1: on and definitely you know, um, it's this, it's this toy. 798 00:39:11,520 --> 00:39:12,839 Speaker 1: I wish I know what's the name of the brand 799 00:39:12,880 --> 00:39:18,760 Speaker 1: of the toy? Gave the what's the name of the story. 800 00:39:18,800 --> 00:39:22,520 Speaker 1: We went to Sweet William. They got these toys that 801 00:39:23,520 --> 00:39:26,919 Speaker 1: my daughter got. Vanessa Beecroft that did the fashion show. 802 00:39:26,960 --> 00:39:29,520 Speaker 1: She bought my daughter three wolves and she sawty because 803 00:39:29,520 --> 00:39:31,279 Speaker 1: I would see toys that people will see and I'll 804 00:39:31,280 --> 00:39:33,399 Speaker 1: be like, give her. I'm like, these toys is weak. 805 00:39:34,120 --> 00:39:36,759 Speaker 1: She gotta have better toys than this, right, And sure enough, 806 00:39:36,800 --> 00:39:39,320 Speaker 1: when she got these wolves from from this toy store, 807 00:39:40,080 --> 00:39:42,359 Speaker 1: she was going crazy. This is the happiest I've ever 808 00:39:42,400 --> 00:39:45,719 Speaker 1: seen her. Right, So of course me, I'm I'm gonna 809 00:39:45,719 --> 00:39:49,120 Speaker 1: go and buy every single toy there. And I was 810 00:39:49,160 --> 00:39:52,840 Speaker 1: just having a conversation with my wife yesterday, like, okay, 811 00:39:53,080 --> 00:39:57,520 Speaker 1: so we can't give all these toys. Get just walk 812 00:39:57,560 --> 00:39:59,480 Speaker 1: in and just give all the toys. And once she's like, 813 00:39:59,640 --> 00:40:01,399 Speaker 1: we're just give him off for the birthday. We can't 814 00:40:01,400 --> 00:40:04,040 Speaker 1: give she can't even have everything for a birthday. We're 815 00:40:04,040 --> 00:40:07,160 Speaker 1: gonna have to like piece this out, you know. So 816 00:40:07,600 --> 00:40:10,480 Speaker 1: I am very conscientious about the idea of someone being, 817 00:40:10,800 --> 00:40:13,400 Speaker 1: you know, too spoiled, because I think I've been spoiled 818 00:40:13,760 --> 00:40:17,000 Speaker 1: in the passing. But it's wolves came from those wolves. 819 00:40:17,200 --> 00:40:19,399 Speaker 1: I'm always thinking about wolves for some reason. That's that's 820 00:40:19,440 --> 00:40:21,560 Speaker 1: always been on my mind. Let's go back to Dame 821 00:40:21,640 --> 00:40:23,240 Speaker 1: for a second. I'm just gonna ahead and give y'all 822 00:40:23,239 --> 00:40:25,399 Speaker 1: a sound bite that y'all want, and I'm just gonna 823 00:40:25,400 --> 00:40:28,440 Speaker 1: ahead and say it. Where the Wolves song came from. 824 00:40:29,440 --> 00:40:31,120 Speaker 1: The Wolves song, I'm just going ahead and say it. 825 00:40:31,360 --> 00:40:34,799 Speaker 1: And and because maybe this will promote it happening, so 826 00:40:34,800 --> 00:40:37,680 Speaker 1: I'm gonna put it out in the real world. The 827 00:40:37,680 --> 00:40:43,160 Speaker 1: Wolves song came from a conversation that me and Drake 828 00:40:43,239 --> 00:40:46,279 Speaker 1: cad where we was gonna do an album together, and 829 00:40:46,360 --> 00:40:49,240 Speaker 1: the album is called Wolves. Jay would have been pissed 830 00:40:49,239 --> 00:40:53,560 Speaker 1: off about that because jo he ever doing another album 831 00:40:53,560 --> 00:40:56,279 Speaker 1: with an artist. He said no, I said nah, specifically, 832 00:40:56,280 --> 00:40:59,200 Speaker 1: he said no because me and you already started that. Yeah, 833 00:40:59,239 --> 00:41:03,440 Speaker 1: so that's what happened. Me and Jay started talking about Washington, 834 00:41:03,560 --> 00:41:05,479 Speaker 1: and Drake went and did all the records of Wayne 835 00:41:05,520 --> 00:41:07,200 Speaker 1: and did the tour and we never did it. But 836 00:41:07,239 --> 00:41:10,000 Speaker 1: I just went out and put it in in the eather. 837 00:41:10,160 --> 00:41:12,719 Speaker 1: I put it out in the world. Y'all don't like it, 838 00:41:12,840 --> 00:41:17,959 Speaker 1: then y'all can send it right back. Yeah, I asked. 839 00:41:18,120 --> 00:41:20,440 Speaker 1: I asked him, and we talked about it, and he said, yeah, 840 00:41:20,480 --> 00:41:23,320 Speaker 1: we just gonna do it. And actually, you know, we 841 00:41:23,440 --> 00:41:26,239 Speaker 1: got he was sending beats back and forth. You know, 842 00:41:26,280 --> 00:41:28,279 Speaker 1: I got this one record with Young Thugs I think 843 00:41:28,360 --> 00:41:30,279 Speaker 1: was gonna put on Rana album. I know I'm given 844 00:41:30,320 --> 00:41:35,200 Speaker 1: a lot of information away today. Appreciate it. Okay, okay, 845 00:41:35,480 --> 00:41:37,800 Speaker 1: listen to talk about name. Does that affect you in 846 00:41:37,920 --> 00:41:43,319 Speaker 1: Jay's relationship? Now, Nobody's relationship affect any relationship. Everybody needs 847 00:41:43,320 --> 00:41:45,520 Speaker 1: to just have a good relationship. You know, we all 848 00:41:45,800 --> 00:41:50,960 Speaker 1: I don't you know, I you know if anything? Uh, 849 00:41:51,000 --> 00:41:53,040 Speaker 1: you know, we all helped each other at a certain point, 850 00:41:53,600 --> 00:41:57,080 Speaker 1: and you know we all see each other at a 851 00:41:57,080 --> 00:41:58,839 Speaker 1: certain point. Do you and Jay still have a good 852 00:41:58,880 --> 00:42:00,640 Speaker 1: relationship because you know you said that was your idol, 853 00:42:00,640 --> 00:42:02,919 Speaker 1: but you know you work hard to your idols become 854 00:42:02,960 --> 00:42:07,440 Speaker 1: your rivals. Man. That's I wouldn't be sitting here today 855 00:42:07,560 --> 00:42:10,319 Speaker 1: right now if it wasn't Jay. Jay. Jay helped me 856 00:42:10,760 --> 00:42:14,839 Speaker 1: period in every single way that you can think. You know, 857 00:42:14,920 --> 00:42:17,279 Speaker 1: whether it was like holding me down when I'm in 858 00:42:17,320 --> 00:42:19,799 Speaker 1: New York, I'm to do with the pink polo and 859 00:42:19,880 --> 00:42:24,040 Speaker 1: a bad attitude and I'm still here, ye, jay Z 860 00:42:27,200 --> 00:42:29,439 Speaker 1: I'm gonna happen. I don't know if it might happen 861 00:42:29,480 --> 00:42:31,000 Speaker 1: because I threw that out. It don't do it man, 862 00:42:31,120 --> 00:42:33,680 Speaker 1: you know, by the way, by the way, he'd probably 863 00:42:33,680 --> 00:42:35,839 Speaker 1: be mad that I mentioned it on y'all y'all show 864 00:42:35,920 --> 00:42:38,560 Speaker 1: since he's like because he just likes y'all so much. 865 00:42:43,440 --> 00:42:45,600 Speaker 1: So is it true that one time you was in 866 00:42:45,640 --> 00:42:47,799 Speaker 1: a restaurant and some when you had to pink back 867 00:42:47,800 --> 00:42:49,759 Speaker 1: in the pink polo days, some dudes in New York 868 00:42:49,760 --> 00:42:54,080 Speaker 1: it's gonna rob you. Yeah, came through with the pistol 869 00:42:54,120 --> 00:42:57,279 Speaker 1: and yeah that's true. Yeah. Do you feel like you 870 00:42:57,640 --> 00:43:00,880 Speaker 1: made old Beanie something for that? I'm not. I'm not. 871 00:43:00,960 --> 00:43:05,239 Speaker 1: I'm not gonna put out some u you know, uh 872 00:43:05,360 --> 00:43:19,320 Speaker 1: some let me see you ain't got media training new Yeah, 873 00:43:19,440 --> 00:43:21,279 Speaker 1: still be on you know, on the papers. Let me 874 00:43:21,320 --> 00:43:27,960 Speaker 1: think about how much see this one? Okay, I know 875 00:43:27,960 --> 00:43:31,560 Speaker 1: this is gonna sound like someone politically correct answer like 876 00:43:31,560 --> 00:43:34,600 Speaker 1: one of these politicians type answers. But you know, I 877 00:43:34,680 --> 00:43:37,080 Speaker 1: owe every hip hop artist in a way. And I 878 00:43:37,120 --> 00:43:39,640 Speaker 1: don't mean for you to come to you know, house 879 00:43:39,719 --> 00:43:41,320 Speaker 1: to street and stand in front of my apartment and 880 00:43:41,440 --> 00:43:46,279 Speaker 1: be like verse or something like that, but uh, you know, 881 00:43:46,480 --> 00:43:50,839 Speaker 1: I owe I owe hip hop. You know, just like 882 00:43:50,920 --> 00:43:54,279 Speaker 1: saying like Ben Horwitz is like the only VC out 883 00:43:54,280 --> 00:43:56,319 Speaker 1: in San franc that like Belieze and rap. You know, 884 00:43:56,320 --> 00:43:59,600 Speaker 1: he gave Nas a piece of you know, rap genius 885 00:43:59,640 --> 00:44:01,000 Speaker 1: and all that. You know, he used to be in 886 00:44:01,040 --> 00:44:03,839 Speaker 1: a rap group. But you know, we all owe hip 887 00:44:03,840 --> 00:44:06,279 Speaker 1: hop and I believe that I do have the ability 888 00:44:06,640 --> 00:44:08,640 Speaker 1: that I believe I'm gonna be the head of the 889 00:44:08,680 --> 00:44:14,080 Speaker 1: first trillion dollar company. And when I get to that point, 890 00:44:15,239 --> 00:44:17,920 Speaker 1: you know, no rapper, whatever have to worry about. That's 891 00:44:18,200 --> 00:44:20,279 Speaker 1: whatever have to worry about anything getting You know, my 892 00:44:20,360 --> 00:44:22,920 Speaker 1: plan is becoming one by one big that he can 893 00:44:23,200 --> 00:44:26,120 Speaker 1: come to his crib, you know everybody crib and you 894 00:44:26,160 --> 00:44:29,200 Speaker 1: know hip hop reparations. Yeah, exactly like the Forrest Gump 895 00:44:29,239 --> 00:44:32,160 Speaker 1: moment after they like, you know, when it got apple 896 00:44:32,239 --> 00:44:35,239 Speaker 1: and came to everybody, like, I owe every you know, 897 00:44:35,320 --> 00:44:37,680 Speaker 1: hip hop artist because I wouldn't have made it this 898 00:44:37,800 --> 00:44:40,080 Speaker 1: far without without all of them. You know what I'm saying. 899 00:44:40,080 --> 00:44:41,880 Speaker 1: Look at I mean, look at my daughter's name. You 900 00:44:41,880 --> 00:44:46,000 Speaker 1: know that's hip hop's name's Nori. You know what I'm saying, 901 00:44:46,560 --> 00:44:52,000 Speaker 1: your daughter after there's an element of that. Only one 902 00:44:52,040 --> 00:44:54,719 Speaker 1: was tweeting. Um now I think he's talking about it. 903 00:44:54,920 --> 00:44:59,600 Speaker 1: He's talking about his daughter like Nori thought for him, No, no, 904 00:45:00,040 --> 00:45:04,759 Speaker 1: we only only only one. Uh has nothing to do 905 00:45:04,800 --> 00:45:11,719 Speaker 1: with Noriega. I didn't think I don't have nothing to 906 00:45:11,719 --> 00:45:16,280 Speaker 1: do with Noriega whatsoever. The but you know, but everything 907 00:45:16,320 --> 00:45:19,960 Speaker 1: else in my life does. Let's talk about some of 908 00:45:20,000 --> 00:45:21,439 Speaker 1: your artists for a second. Like you got you gotta 909 00:45:21,440 --> 00:45:23,680 Speaker 1: close placeship with Drake, but at one point Push your 910 00:45:23,680 --> 00:45:26,280 Speaker 1: team Drake had a little issue and you know Push 911 00:45:26,320 --> 00:45:28,640 Speaker 1: it was was hurt because you came out that over 912 00:45:28,680 --> 00:45:41,160 Speaker 1: your fast. Um, yeah we got over it. Ye. I'm 913 00:45:41,200 --> 00:45:45,799 Speaker 1: telling you what's going on with her. She put out 914 00:45:45,800 --> 00:45:48,359 Speaker 1: an amazing album. She's your artist, but it like she's 915 00:45:48,440 --> 00:45:50,359 Speaker 1: very talented, but it seems like you don't support her, 916 00:45:50,480 --> 00:45:53,040 Speaker 1: like you don't stand by her like you should. Maybe 917 00:45:53,400 --> 00:45:55,920 Speaker 1: you know I don't support her enough. I need to 918 00:45:55,960 --> 00:45:58,160 Speaker 1: do more. I need to wrap on some remixes, I 919 00:45:58,200 --> 00:46:00,880 Speaker 1: need to go shoot some videos. A lot of times 920 00:46:01,080 --> 00:46:05,040 Speaker 1: it's just, you know, when you're focusing on clothing, you 921 00:46:05,160 --> 00:46:08,920 Speaker 1: focus on your family, you're focusing on all these different things. 922 00:46:09,280 --> 00:46:13,120 Speaker 1: You know, It's it's hard to put all the focus, 923 00:46:14,080 --> 00:46:16,920 Speaker 1: you know. But yeah, I do need to put some 924 00:46:16,960 --> 00:46:20,319 Speaker 1: more focus on I haven't put enough focused on. Two 925 00:46:20,320 --> 00:46:23,799 Speaker 1: weeks ago, you was from rushing the stage, calling out back, 926 00:46:24,200 --> 00:46:27,680 Speaker 1: far from humble, and now you're just like humble can 927 00:46:27,680 --> 00:46:29,480 Speaker 1: be ready. I tell you, it seems like love for 928 00:46:29,600 --> 00:46:31,799 Speaker 1: the music. Like you brought out Fattie Watch when he 929 00:46:31,800 --> 00:46:34,560 Speaker 1: was performing at this show. Was a Jersey artist. That's 930 00:46:34,640 --> 00:46:36,759 Speaker 1: pretty new and it's telling me that you're back to 931 00:46:36,800 --> 00:46:39,279 Speaker 1: that element of music again, and that's what people are 932 00:46:39,280 --> 00:46:41,239 Speaker 1: excited about. Yeah, and I was able to get you 933 00:46:41,320 --> 00:46:42,759 Speaker 1: know what's so funny. It's like, right out that I 934 00:46:42,800 --> 00:46:45,520 Speaker 1: did the fashion show, I went to go shoot the 935 00:46:45,520 --> 00:46:49,440 Speaker 1: Blessings video with Jake and Sean and I was so happy. 936 00:46:49,920 --> 00:46:51,680 Speaker 1: I was so happy to be able to go do that. 937 00:46:51,800 --> 00:46:54,520 Speaker 1: And I used to be resentful of having to do music. 938 00:46:54,880 --> 00:46:58,759 Speaker 1: But because I was able to, now I could take 939 00:46:58,760 --> 00:47:01,239 Speaker 1: a piss. You know. It's like it might tell you 940 00:47:01,280 --> 00:47:06,919 Speaker 1: just do one, you know. Yeah, So you know, I'm 941 00:47:06,960 --> 00:47:10,480 Speaker 1: just happy to just keep creating and just inspire people 942 00:47:10,560 --> 00:47:15,719 Speaker 1: through through through joy an accomplishment. And like with Thedida's thing, 943 00:47:15,760 --> 00:47:17,840 Speaker 1: they gave me a little bit of oxygen. Like I 944 00:47:17,880 --> 00:47:21,000 Speaker 1: couldn't breathe. I was looking at a person suffocating. I 945 00:47:21,040 --> 00:47:23,839 Speaker 1: got at least I got some ideas out. Maybe that's 946 00:47:23,880 --> 00:47:25,759 Speaker 1: ten percent five percent of what I really want to do, 947 00:47:25,840 --> 00:47:28,400 Speaker 1: Like I want to be supported by Disney in the 948 00:47:28,400 --> 00:47:31,840 Speaker 1: same way how data supported me. I want Disney Imagineering 949 00:47:32,080 --> 00:47:35,360 Speaker 1: to support my ideas and the same energy that Fashion 950 00:47:35,360 --> 00:47:37,440 Speaker 1: Week had in that same front row and all that 951 00:47:37,800 --> 00:47:41,359 Speaker 1: Bob Iger. I'm telling you, I'm I'm I'm gonna bring that. 952 00:47:41,480 --> 00:47:44,080 Speaker 1: I know, and you know right now our brands might 953 00:47:44,120 --> 00:47:46,879 Speaker 1: not mix, But like I'm a I'm a family man. 954 00:47:47,000 --> 00:47:49,840 Speaker 1: Thank you for Frozen. That's like a second nanny. You 955 00:47:49,880 --> 00:47:54,600 Speaker 1: know you've been very though to call yourself a designer. 956 00:47:54,640 --> 00:47:56,600 Speaker 1: At what point would you say I am a designer? 957 00:47:56,719 --> 00:47:58,439 Speaker 1: Do you feel like there's going to be a point 958 00:47:58,520 --> 00:48:01,520 Speaker 1: or you're just a creator? I think yeah, I don't 959 00:48:01,520 --> 00:48:04,120 Speaker 1: even know if it's a I don't even want to 960 00:48:04,160 --> 00:48:07,239 Speaker 1: give myself any form of a title anymore. I'm not 961 00:48:07,280 --> 00:48:09,279 Speaker 1: calling myself that Janie is something. I called myself a 962 00:48:09,360 --> 00:48:11,719 Speaker 1: visionary any type. The only thing I could say that 963 00:48:11,840 --> 00:48:14,120 Speaker 1: is I'm a servant. You know, I want to serve 964 00:48:14,200 --> 00:48:16,640 Speaker 1: and if I can get a group of amazing designers 965 00:48:16,680 --> 00:48:19,040 Speaker 1: together to create something to be able to serve the public, 966 00:48:19,239 --> 00:48:22,080 Speaker 1: then that's my job. I'm just a humble servant. How 967 00:48:22,120 --> 00:48:23,640 Speaker 1: don't we know you're telling us the truth and you're 968 00:48:23,680 --> 00:48:26,560 Speaker 1: not just being politically correct because you're corporate connects. Well, 969 00:48:26,600 --> 00:48:28,680 Speaker 1: you know, I'm never politically correct, you know, I'm just 970 00:48:28,719 --> 00:48:31,000 Speaker 1: speak from my heart of exactly when I'm at at 971 00:48:31,080 --> 00:48:33,520 Speaker 1: that time. You know, now recently you said that when 972 00:48:33,520 --> 00:48:35,640 Speaker 1: you first got with kim you lost a lot of friends. 973 00:48:36,160 --> 00:48:37,800 Speaker 1: Why was that? And who who were your friends that 974 00:48:37,880 --> 00:48:39,840 Speaker 1: you lost? You know when I said that in an interview, 975 00:48:40,120 --> 00:48:45,160 Speaker 1: I said, I said so called friends. Yeah, yeah, it's 976 00:48:45,160 --> 00:48:48,160 Speaker 1: getting to know that, you know, saw this. Should we 977 00:48:48,239 --> 00:48:49,759 Speaker 1: let them sit at the table? Should we not let 978 00:48:49,800 --> 00:48:52,000 Speaker 1: them sit at the table. But there were some people 979 00:48:52,000 --> 00:48:55,279 Speaker 1: in fashion that did stand bias this Kareem Rothfield, is 980 00:48:55,400 --> 00:48:59,400 Speaker 1: Ricardo Tishi that you know, even even Anna Winter. They 981 00:49:00,000 --> 00:49:04,880 Speaker 1: are part of the anti uh kim Ya move. You know, 982 00:49:05,280 --> 00:49:07,960 Speaker 1: they were standing in the on the front line when 983 00:49:07,960 --> 00:49:11,839 Speaker 1: there was an anti kim yau. And now that they're here, 984 00:49:11,880 --> 00:49:15,120 Speaker 1: any meeting, any meeting, any dinner they have, they'll be like, man, see, 985 00:49:15,160 --> 00:49:16,880 Speaker 1: I told y'all, I was the ones that was, you know, 986 00:49:17,000 --> 00:49:19,799 Speaker 1: like Ricardo dressed the Kareem put on a magazine and 987 00:49:19,880 --> 00:49:22,080 Speaker 1: I put on a magazine, So that that statement was 988 00:49:22,080 --> 00:49:24,080 Speaker 1: a little bit out of context because it wasn't everybody, 989 00:49:24,640 --> 00:49:27,560 Speaker 1: But there was a lot of people and so be it. 990 00:49:27,640 --> 00:49:30,359 Speaker 1: They was wrong and we was right. Are you cool 991 00:49:30,400 --> 00:49:32,680 Speaker 1: to work with people even after you just know they're fake? 992 00:49:32,719 --> 00:49:34,879 Speaker 1: You know the build with them? Yeah, I don't know. No, No, 993 00:49:35,560 --> 00:49:38,239 Speaker 1: yeah I don't. I've never held a grudge anyway. You know, 994 00:49:41,160 --> 00:49:43,120 Speaker 1: after you left this day, you were really flustered. I 995 00:49:43,160 --> 00:49:44,520 Speaker 1: know you went to go see Sway and a lot 996 00:49:44,560 --> 00:49:46,759 Speaker 1: of people were saying, y'all messed up this whole day 997 00:49:46,800 --> 00:49:49,359 Speaker 1: after the interview with the breakfast club. That was beautiful. Man, 998 00:49:49,400 --> 00:49:52,080 Speaker 1: at least that happened, like you know, at least that 999 00:49:52,440 --> 00:49:54,120 Speaker 1: the house Sway. I know you was mad that you 1000 00:49:54,239 --> 00:50:01,799 Speaker 1: and get that part right there. But you you got 1001 00:50:01,840 --> 00:50:03,880 Speaker 1: you got me suped up and stuff. You charged me 1002 00:50:03,960 --> 00:50:06,120 Speaker 1: up for that joint. But you know, it's like he 1003 00:50:06,200 --> 00:50:08,640 Speaker 1: really didn't have the answers. You know that was correct. 1004 00:50:10,120 --> 00:50:11,920 Speaker 1: That wasn't correct what he was saying. You know, I 1005 00:50:11,960 --> 00:50:13,880 Speaker 1: could have said it in a calmer way, but it 1006 00:50:13,960 --> 00:50:15,560 Speaker 1: was it was missing for him. But I think you know, 1007 00:50:15,600 --> 00:50:18,600 Speaker 1: the only thing I was saying last time was like 1008 00:50:18,880 --> 00:50:21,400 Speaker 1: those fashion people don't love me. It's like why I 1009 00:50:21,400 --> 00:50:24,200 Speaker 1: asked him for help? You Kanye, and as you can see, 1010 00:50:24,239 --> 00:50:27,239 Speaker 1: you're doing pretty okay for yourself. Well, I needed that 1011 00:50:27,320 --> 00:50:29,480 Speaker 1: help because still now I got like one of my 1012 00:50:29,600 --> 00:50:32,000 Speaker 1: head designers worked in Marzella for a while. One of them, 1013 00:50:32,040 --> 00:50:34,319 Speaker 1: the girl worked on the shoes, worked at Selene. You know, 1014 00:50:34,400 --> 00:50:36,960 Speaker 1: I've been pulling that talent from a place that was 1015 00:50:37,000 --> 00:50:40,279 Speaker 1: only for the four thousand dollars jacket lines to a 1016 00:50:40,320 --> 00:50:42,680 Speaker 1: place that we're going to be delivering shoes at two 1017 00:50:42,800 --> 00:50:44,640 Speaker 1: hundred dollars. On hundred dollars, we might get some shoes 1018 00:50:44,680 --> 00:50:46,480 Speaker 1: down to sixty dollars. I mean, we were about to 1019 00:50:46,480 --> 00:50:48,919 Speaker 1: flip this whole thing on his head. It's a new 1020 00:50:49,080 --> 00:50:54,040 Speaker 1: idea of apparel. And they got information and I had 1021 00:50:54,080 --> 00:50:55,640 Speaker 1: to ask them. I had to be humble, I had 1022 00:50:55,680 --> 00:50:57,480 Speaker 1: to beg to go to dinners and I had to 1023 00:50:57,480 --> 00:50:59,640 Speaker 1: explain to them, why, you know, why should we work 1024 00:50:59,680 --> 00:51:01,799 Speaker 1: with you? Yeah, how we know you just not you know, 1025 00:51:01,840 --> 00:51:04,279 Speaker 1: another celebrity is gonna wear a red leather jacket or 1026 00:51:04,280 --> 00:51:06,480 Speaker 1: you're gonna distance in public because you're gonna you know. 1027 00:51:06,800 --> 00:51:10,640 Speaker 1: And it's been a long journey, and now we gained 1028 00:51:10,680 --> 00:51:12,759 Speaker 1: some ground and now I can I can give some 1029 00:51:13,000 --> 00:51:15,439 Speaker 1: you know, dope shit to the people. But these people 1030 00:51:15,480 --> 00:51:19,200 Speaker 1: are knowledgeable. Man, they went to the Yale of you know, 1031 00:51:19,440 --> 00:51:22,080 Speaker 1: of fashion. I mean, speaking these other experts and you're 1032 00:51:22,080 --> 00:51:24,840 Speaker 1: trying to learn from them to get better in the 1033 00:51:24,840 --> 00:51:27,080 Speaker 1: fashion world. Yeah. I hate when people be talking about 1034 00:51:27,120 --> 00:51:29,879 Speaker 1: I just designed a restaurant. I just designed you be like, man, 1035 00:51:29,880 --> 00:51:33,879 Speaker 1: it looked like you designed this restaurant. Did you get 1036 00:51:33,960 --> 00:51:36,600 Speaker 1: backlash from E when you told Terrence, Jay and cloy 1037 00:51:36,719 --> 00:51:39,840 Speaker 1: take the E logos off the Kardashians on a percentage 1038 00:51:40,920 --> 00:51:43,520 Speaker 1: that was turned. I'm really happy I did that. Man, 1039 00:51:43,640 --> 00:51:47,759 Speaker 1: that was like really ignorant, you know, that was like 1040 00:51:47,840 --> 00:51:52,040 Speaker 1: the backlash like Chris control yoursel. Yeah. Yeah, because they 1041 00:51:52,120 --> 00:51:54,160 Speaker 1: was happy because they got more ratings. And by the way, 1042 00:51:54,200 --> 00:51:59,000 Speaker 1: that my opinion from someone that's knowledgeable, you know, what's 1043 00:51:59,000 --> 00:52:03,839 Speaker 1: offensive to me is uh, you know, overbrand and all that. 1044 00:52:03,840 --> 00:52:06,200 Speaker 1: That's that's too much man. That's not futuristic. Man. That's 1045 00:52:06,239 --> 00:52:07,759 Speaker 1: in the now and in the past. They got to 1046 00:52:07,800 --> 00:52:10,879 Speaker 1: be forward, man. We got to promote forward ideas, man, 1047 00:52:10,960 --> 00:52:13,960 Speaker 1: because beauty is important, and beauty wasn't important. You know, 1048 00:52:14,000 --> 00:52:16,279 Speaker 1: my wife wouldn't be so famous. You know. That's when 1049 00:52:16,280 --> 00:52:19,160 Speaker 1: you say that. If I've heard you said that. The 1050 00:52:19,200 --> 00:52:21,440 Speaker 1: after party was like if it wasn't for beauty, the 1051 00:52:21,520 --> 00:52:23,839 Speaker 1: Kardashes wouldn't be famous if I said that that could 1052 00:52:23,840 --> 00:52:26,200 Speaker 1: come off as the soul. But they beautiful, you know, 1053 00:52:26,360 --> 00:52:30,080 Speaker 1: people want to be that beautiful. You know, anything else brains. 1054 00:52:31,160 --> 00:52:35,120 Speaker 1: Obviously they connect to some business sense because they all, 1055 00:52:35,239 --> 00:52:39,280 Speaker 1: you know, successful family and all, you know, multi millionaires. 1056 00:52:39,280 --> 00:52:41,480 Speaker 1: And one thing I think about with me is, look 1057 00:52:41,520 --> 00:52:43,440 Speaker 1: how long it's taken me to turn any of my 1058 00:52:43,560 --> 00:52:45,759 Speaker 1: friends to a multi millionaire. Kim did it like that. 1059 00:52:46,080 --> 00:52:47,920 Speaker 1: She did it out the gate. She was like, Oh, 1060 00:52:47,960 --> 00:52:50,080 Speaker 1: you're gonna take Chloe. You gonna take Courtney, We're gonna 1061 00:52:50,080 --> 00:52:52,239 Speaker 1: take Courtney boyfriend, We're gonna take the kids. Were gonna 1062 00:52:52,239 --> 00:52:54,160 Speaker 1: take this and we all go be millionaires like that, 1063 00:52:54,400 --> 00:52:58,880 Speaker 1: you know, like reality it's like rap. It's so futuristic. 1064 00:52:59,000 --> 00:53:01,440 Speaker 1: It's the new, you know, like my wife is a 1065 00:53:01,520 --> 00:53:02,840 Speaker 1: visionary at the end of the day, Like that's and 1066 00:53:02,920 --> 00:53:04,719 Speaker 1: now I want to make skits and be like, what 1067 00:53:04,880 --> 00:53:07,359 Speaker 1: did you do? I don't know nobody else that it's 1068 00:53:07,400 --> 00:53:14,120 Speaker 1: success successful at what she's doing. That's her now. Um, 1069 00:53:14,160 --> 00:53:16,719 Speaker 1: I want only got a comple more questions. Did you 1070 00:53:16,760 --> 00:53:20,600 Speaker 1: did you was only one therapeutic for you? Like did 1071 00:53:20,640 --> 00:53:24,200 Speaker 1: it bring you the tears in the studio maybe oh yeah, 1072 00:53:24,280 --> 00:53:27,120 Speaker 1: yeah one and and bring brought my wife to tears. 1073 00:53:27,400 --> 00:53:30,040 Speaker 1: Anybody I played for and people ask me why did 1074 00:53:30,040 --> 00:53:32,479 Speaker 1: I Why did I go only one over all day? Well? 1075 00:53:32,600 --> 00:53:34,719 Speaker 1: Only one made me feel like me. It made me 1076 00:53:34,760 --> 00:53:36,800 Speaker 1: feel like this was the song I had to play, 1077 00:53:37,000 --> 00:53:39,040 Speaker 1: you know, back to the studio of Cameron and Jip 1078 00:53:39,120 --> 00:53:42,680 Speaker 1: Jones who ever played thirty you know dip set records. 1079 00:53:42,840 --> 00:53:44,360 Speaker 1: One of my one am I gonna play to be 1080 00:53:44,440 --> 00:53:46,200 Speaker 1: the pink polo? What am I gonna play that's gonna 1081 00:53:46,239 --> 00:53:49,080 Speaker 1: stand out? What? What point do I have? What? That 1082 00:53:49,120 --> 00:53:51,400 Speaker 1: was my problem? My issue I have Once I got 1083 00:53:51,440 --> 00:53:53,880 Speaker 1: which I love Cruel Summer. I think it's amazing, But 1084 00:53:53,960 --> 00:53:57,440 Speaker 1: I felt like I started sort of you know, blending 1085 00:53:57,520 --> 00:54:00,239 Speaker 1: in with the pack in a in a way, you know, 1086 00:54:00,239 --> 00:54:02,239 Speaker 1: with a record like Click, which is a great Click. 1087 00:54:02,440 --> 00:54:04,400 Speaker 1: I mean it was a great song. We still perform it. 1088 00:54:05,680 --> 00:54:08,440 Speaker 1: But it's important for me to innovate. And even like 1089 00:54:08,640 --> 00:54:10,440 Speaker 1: with Drake, I think he would tell you it's like, 1090 00:54:10,440 --> 00:54:13,200 Speaker 1: it's important to have a Yeasy's album supportant to have 1091 00:54:13,239 --> 00:54:16,879 Speaker 1: whatever this next thing is, because you know he can. 1092 00:54:17,680 --> 00:54:20,399 Speaker 1: You need vibe, small directions, you need innovators. My job 1093 00:54:20,520 --> 00:54:22,440 Speaker 1: in life is to innovate. I think the Only One 1094 00:54:22,520 --> 00:54:24,279 Speaker 1: is an innovative record. I think FO five is an 1095 00:54:24,280 --> 00:54:27,160 Speaker 1: innovative record. I think Wolves is a less innovative. But 1096 00:54:27,200 --> 00:54:29,960 Speaker 1: it's the third proposition this year off the album, and 1097 00:54:30,080 --> 00:54:32,120 Speaker 1: Wolf sounds like you know, eight a Way to Bit. 1098 00:54:32,160 --> 00:54:35,560 Speaker 1: It sounds like signature Kanye post eight a Ways Drake 1099 00:54:35,719 --> 00:54:41,360 Speaker 1: whirl you know record? Um uh, that's a run on. 1100 00:54:41,480 --> 00:54:42,799 Speaker 1: You got a proper run on so you can say 1101 00:54:42,840 --> 00:54:46,680 Speaker 1: you understand what I'm talking about. The person. And this 1102 00:54:46,719 --> 00:54:49,040 Speaker 1: makes me crazy, But my grandmother, who I love dealing, 1103 00:54:49,160 --> 00:54:51,120 Speaker 1: she was my second mom. She passed away and I 1104 00:54:51,120 --> 00:54:52,520 Speaker 1: had a dream about it, and it was like she 1105 00:54:52,600 --> 00:54:55,080 Speaker 1: was talking to me in my dreams. I wonder if 1106 00:54:55,080 --> 00:54:58,880 Speaker 1: you had like a vision of your mother speaking to you, 1107 00:54:58,960 --> 00:55:02,120 Speaker 1: maybe called that. Yeah, that's exactly what it is. I 1108 00:55:02,120 --> 00:55:08,320 Speaker 1: didn't realize, I said, And I didn't even know exactly. 1109 00:55:08,360 --> 00:55:10,640 Speaker 1: It's literally like those movies you see where it's like 1110 00:55:10,680 --> 00:55:12,960 Speaker 1: somebody talking to you. I murmured that, and I realized 1111 00:55:13,000 --> 00:55:16,640 Speaker 1: after the fact. I said, only one, and my name Kanye. 1112 00:55:16,760 --> 00:55:20,239 Speaker 1: My mother named me that. It means only one. That's 1113 00:55:20,320 --> 00:55:25,279 Speaker 1: the meaning of my name. Then after the song was out, 1114 00:55:25,480 --> 00:55:29,520 Speaker 1: my cousin Abigail, which I promised, I got you some shoes. 1115 00:55:30,320 --> 00:55:32,640 Speaker 1: I'm looking. I'm looking for a side six. They run 1116 00:55:32,680 --> 00:55:38,800 Speaker 1: a little bit big, but said, you know that our grandmother, 1117 00:55:38,920 --> 00:55:41,200 Speaker 1: my mom used to say, now I lay me down 1118 00:55:41,200 --> 00:55:43,799 Speaker 1: to sleep, I prayed the lord I sold to keep 1119 00:55:43,880 --> 00:55:47,000 Speaker 1: before she had put me to bed. And my grandmother 1120 00:55:47,160 --> 00:55:50,239 Speaker 1: actually named me Omari, which is the first line, Hello Mari. 1121 00:55:50,760 --> 00:55:52,920 Speaker 1: So I realized at that point that they were both 1122 00:55:53,000 --> 00:55:55,759 Speaker 1: talking to me. It wasn't just my mom, that my 1123 00:55:55,800 --> 00:55:58,560 Speaker 1: grandmother was speaking to me. So you get these generations. 1124 00:55:58,560 --> 00:56:00,960 Speaker 1: So right now, I'm working on a a video game 1125 00:56:01,000 --> 00:56:03,919 Speaker 1: for only one uh and the ideas it's my mother 1126 00:56:04,280 --> 00:56:06,239 Speaker 1: going through the gates of heaven and you got to 1127 00:56:06,280 --> 00:56:08,000 Speaker 1: bring it to the highest gates of heaven by holding 1128 00:56:08,000 --> 00:56:09,719 Speaker 1: it to the light. And you know, we've been working 1129 00:56:09,719 --> 00:56:11,880 Speaker 1: on it for like six months. So that's why you 1130 00:56:11,960 --> 00:56:13,560 Speaker 1: kept the life floor of the Grammys, because that was 1131 00:56:13,600 --> 00:56:17,319 Speaker 1: the first thing might break down. I didn't like, you know, 1132 00:56:17,719 --> 00:56:21,719 Speaker 1: um nah, it was supposed to be more smoke on it, 1133 00:56:21,840 --> 00:56:24,680 Speaker 1: and the practice version was better, and I wasn't completely 1134 00:56:24,680 --> 00:56:27,759 Speaker 1: satisfied with the visuals on the on the Grammys. You know. 1135 00:56:27,840 --> 00:56:30,200 Speaker 1: That's why I turned up on the SNL visuals. I 1136 00:56:30,280 --> 00:56:32,319 Speaker 1: was like, they can't. I ain't playing they Yeah, I know, 1137 00:56:32,360 --> 00:56:37,000 Speaker 1: I'm not playing these visuals. Gotta hurt you gotta uh yeah. 1138 00:56:37,080 --> 00:56:39,719 Speaker 1: But working with Paul McCartney, I've read I read an 1139 00:56:39,800 --> 00:56:42,399 Speaker 1: article where they compare you to John Lennon as Paul 1140 00:56:42,480 --> 00:56:46,120 Speaker 1: McCartney ever said anything to you about that, Nah, But 1141 00:56:46,280 --> 00:56:48,640 Speaker 1: we talk about any and everything. But I do think 1142 00:56:48,680 --> 00:56:52,600 Speaker 1: that there's like the angst that I feel, the you know, 1143 00:56:52,719 --> 00:56:54,640 Speaker 1: the ankst that I feel from the world, The angst 1144 00:56:54,680 --> 00:56:57,560 Speaker 1: I feel from like, you know, what people are going 1145 00:56:57,600 --> 00:57:00,400 Speaker 1: through in Chicago, what people are going through find naturally, 1146 00:57:00,560 --> 00:57:04,279 Speaker 1: the angst what people are going through with just you know. 1147 00:57:04,360 --> 00:57:07,000 Speaker 1: I feel like John felt like that. And when I 1148 00:57:07,040 --> 00:57:09,759 Speaker 1: got past the Gucci store and got past how cool 1149 00:57:09,840 --> 00:57:12,480 Speaker 1: my jacket was, I finally was, like the song says, 1150 00:57:12,480 --> 00:57:14,080 Speaker 1: the man I always knew you could be when I 1151 00:57:14,120 --> 00:57:18,000 Speaker 1: became like a protector, a dad, a husband, I finally, 1152 00:57:18,720 --> 00:57:21,200 Speaker 1: you know, could stand up and stand for something. You know, 1153 00:57:21,480 --> 00:57:25,080 Speaker 1: but we appreciate you joining this man new improved media training. Yea, 1154 00:57:30,080 --> 00:57:33,880 Speaker 1: you came back. Yeah, happy to be here. Charlemagne man, 1155 00:57:33,920 --> 00:57:38,919 Speaker 1: I love that absolutely calm. When I came talking today 1156 00:57:39,000 --> 00:57:40,400 Speaker 1: last time, what did I say. I said, a guy 1157 00:57:40,440 --> 00:57:43,200 Speaker 1: that's so easy to like, but he makes it hard 1158 00:57:43,760 --> 00:57:46,000 Speaker 1: to want to like him. But just a couple of lantics. 1159 00:57:46,040 --> 00:57:48,080 Speaker 1: But that's part of being human, right yeah, all right, Well, 1160 00:57:48,120 --> 00:57:51,840 Speaker 1: ladies and gentlemen, it's Kanye, It's the Breakfast Club, Gomoding