1 00:00:01,160 --> 00:00:04,640 Speaker 1: Wake up, Wake up, wake up the program you alarm 2 00:00:04,720 --> 00:00:06,920 Speaker 1: to power one oh five point one on iHeartRadio. 3 00:00:07,680 --> 00:00:10,240 Speaker 2: Good Morning Usa, yo yo yo yo. 4 00:00:10,280 --> 00:00:11,920 Speaker 3: Yo yo yo yo yo yo yo yo yo yo 5 00:00:12,000 --> 00:00:13,720 Speaker 3: yo yo yo yo yo yo yo yo yo yo 6 00:00:13,800 --> 00:00:17,280 Speaker 3: yo yo yo yo yo yo yo Yo. 7 00:00:18,120 --> 00:00:21,279 Speaker 4: He's still the planning of this Thursday. 8 00:00:21,720 --> 00:00:22,759 Speaker 5: How y'all feel out there? 9 00:00:22,960 --> 00:00:24,840 Speaker 4: I feel blessed, black and holly favor, but happy to 10 00:00:24,920 --> 00:00:27,600 Speaker 4: be here another day to serve our beautiful listener's. 11 00:00:27,240 --> 00:00:29,520 Speaker 6: Good morning, that's right, good morning. How you feel? How 12 00:00:29,560 --> 00:00:30,200 Speaker 6: you feel, a Jess? 13 00:00:30,400 --> 00:00:32,319 Speaker 7: I feel energized. I'm ready for this weekend. I got 14 00:00:32,320 --> 00:00:34,239 Speaker 7: a whole day of pressed tomorrow in LA. 15 00:00:34,600 --> 00:00:36,360 Speaker 2: I feel energized, I really do. 16 00:00:36,720 --> 00:00:40,080 Speaker 7: Yesterday I went to get an IVY so shout out 17 00:00:40,120 --> 00:00:43,239 Speaker 7: to vital IV Infusions in Jersey City. Well, I think 18 00:00:43,400 --> 00:00:45,600 Speaker 7: hold boken in that area or whatever. Yo, when I 19 00:00:45,600 --> 00:00:48,360 Speaker 7: got the IVY drip, and this is the first time 20 00:00:48,400 --> 00:00:49,720 Speaker 7: I got it, but like this is the first time 21 00:00:49,720 --> 00:00:51,960 Speaker 7: I'm actually feeling the effects of it, Like it helps 22 00:00:52,000 --> 00:00:57,440 Speaker 7: with brain fog, anxiety, energy because I don't sleep well, 23 00:00:57,480 --> 00:01:00,920 Speaker 7: and all those things just putting like the nutrition and 24 00:01:00,960 --> 00:01:02,800 Speaker 7: all the vitamins and all that back into your body. 25 00:01:02,840 --> 00:01:05,640 Speaker 7: You know, you you get it like much more as 26 00:01:05,720 --> 00:01:08,039 Speaker 7: much more potent when it's going through the IVY, you know, 27 00:01:08,160 --> 00:01:09,760 Speaker 7: rather than taking a whole bunch of monuments. 28 00:01:09,800 --> 00:01:11,880 Speaker 5: Yeah, that's dope. And if you stopped doing drugs, that's 29 00:01:11,880 --> 00:01:12,200 Speaker 5: helped you. 30 00:01:12,560 --> 00:01:14,919 Speaker 7: I haven't done them since I got the IVY, So I'm. 31 00:01:15,280 --> 00:01:18,840 Speaker 6: Just yesterday less than that. 32 00:01:19,760 --> 00:01:22,759 Speaker 7: No, I have not Yo, I'm good. Look at my eyes, 33 00:01:23,080 --> 00:01:28,360 Speaker 7: I'm straight, like, yeah, I'm good. Kick in yet I 34 00:01:28,360 --> 00:01:31,919 Speaker 7: am not, yo, But no, I'm really really excited my book. 35 00:01:32,080 --> 00:01:36,240 Speaker 7: Like we're getting closer to the release. I'm really excited 36 00:01:36,240 --> 00:01:38,240 Speaker 7: about it. So go out there pre ordering right now. 37 00:01:38,800 --> 00:01:40,280 Speaker 6: Charlamage. Don't don't yell at me. 38 00:01:40,280 --> 00:01:43,039 Speaker 7: For promoting the book too early, because I don't like 39 00:01:43,120 --> 00:01:44,360 Speaker 7: we start off trying to sell stuff. 40 00:01:44,360 --> 00:01:45,200 Speaker 6: But I'm really excited. 41 00:01:45,240 --> 00:01:50,200 Speaker 7: Just got here, I know, second morning with that ass up, 42 00:01:50,280 --> 00:01:54,440 Speaker 7: But yeah, I'm excited. So that's where I met this weekend, all. 43 00:01:53,400 --> 00:01:55,840 Speaker 5: Right, I want to go see the Super Mario Galaxy movie. 44 00:01:56,280 --> 00:01:57,240 Speaker 6: He was excited about that. 45 00:01:57,240 --> 00:01:59,360 Speaker 5: How was that dropping the clues bonds for Super Mario. 46 00:01:59,560 --> 00:02:02,280 Speaker 5: It's really was excited. You took the shut up. It's 47 00:02:02,280 --> 00:02:03,760 Speaker 5: a family movie. Of course I took the kids. 48 00:02:04,760 --> 00:02:05,320 Speaker 6: Some of these movies. 49 00:02:05,360 --> 00:02:10,200 Speaker 4: By it's interesting, right because I love things that transcend generations, right, 50 00:02:10,240 --> 00:02:12,280 Speaker 4: So you know, of course we grew up on Super Mario. 51 00:02:12,440 --> 00:02:15,200 Speaker 4: He was around when Andy Yes first came out, literally 52 00:02:15,200 --> 00:02:16,120 Speaker 4: when Nintendo started. 53 00:02:16,240 --> 00:02:18,960 Speaker 5: That was the game Brothers in Duck Hunt. 54 00:02:18,960 --> 00:02:21,200 Speaker 4: So to see all of these kids and my kids 55 00:02:21,200 --> 00:02:23,320 Speaker 4: in the movie theater. By the way, they know characters 56 00:02:23,320 --> 00:02:24,720 Speaker 4: that I don't even know no more because I don't 57 00:02:24,720 --> 00:02:26,400 Speaker 4: follow the world anymore. 58 00:02:26,639 --> 00:02:29,840 Speaker 5: Right, So it's a whole bunch of different. 59 00:02:29,560 --> 00:02:31,680 Speaker 6: Characters, of course. 60 00:02:31,760 --> 00:02:33,600 Speaker 4: I mean, of course, you know, I think the last 61 00:02:33,639 --> 00:02:36,280 Speaker 4: new character I remember from Super Mario was probably Yoshi, 62 00:02:36,480 --> 00:02:38,600 Speaker 4: and Yoshi's in this, But then there's a whole bunch 63 00:02:38,639 --> 00:02:40,360 Speaker 4: of new ones that I know nothing about. But the 64 00:02:40,400 --> 00:02:42,440 Speaker 4: movie is just a phenomenal to watch. And I love 65 00:02:42,480 --> 00:02:44,919 Speaker 4: it because there's a scene in the movie where they 66 00:02:45,040 --> 00:02:48,440 Speaker 4: show the they flashed to the old school video game 67 00:02:48,480 --> 00:02:51,000 Speaker 4: that we grew up on, and a scene, Oh it's 68 00:02:51,040 --> 00:02:51,919 Speaker 4: so dope, you gotta watch. 69 00:02:52,360 --> 00:02:54,639 Speaker 6: Don't spoiler for you, but you gotta see it. Yes, 70 00:02:55,160 --> 00:02:57,400 Speaker 6: definitely check out Take the kids. I need something to do. Kids, 71 00:02:57,639 --> 00:02:59,240 Speaker 6: my kids got spring breaks. I need something for them 72 00:02:59,240 --> 00:02:59,400 Speaker 6: to do. 73 00:02:59,639 --> 00:03:02,000 Speaker 4: They seen the first one. Yes, okay, they've seen the 74 00:03:02,000 --> 00:03:03,760 Speaker 4: first one. Definitely take them to see the Super Mario 75 00:03:03,800 --> 00:03:04,520 Speaker 4: Galaxy movie. 76 00:03:04,600 --> 00:03:06,359 Speaker 6: Okay, definitely. Well all right, well let's get the show 77 00:03:06,400 --> 00:03:08,480 Speaker 6: crack and our Citio Hall will be joining us. 78 00:03:08,639 --> 00:03:12,920 Speaker 4: The Icon, the Icon Living, okay, the Legend of all legends. 79 00:03:12,919 --> 00:03:15,880 Speaker 4: All right, one of my top four entertainment inspirations in 80 00:03:16,000 --> 00:03:16,800 Speaker 4: the in the world. 81 00:03:17,400 --> 00:03:20,120 Speaker 5: Senior Hall will be here to talk about his new book, Our. 82 00:03:20,080 --> 00:03:24,600 Speaker 4: Sinio Memoir that came out on Black Privilege Publishing, Simon 83 00:03:24,600 --> 00:03:25,760 Speaker 4: and Schuster, nationally smoking. 84 00:03:26,000 --> 00:03:27,720 Speaker 6: So we're gonna be kicking it with our Citio Hall. 85 00:03:27,800 --> 00:03:29,959 Speaker 6: Next hour, we got Front Page News with Mimi, So 86 00:03:30,080 --> 00:03:32,720 Speaker 6: don't go anywhere. It's the Breakfast Club. Good morning morning. 87 00:03:32,720 --> 00:03:36,280 Speaker 6: Everybody is DJ and v Jess hilarious, Charlamage the guy. 88 00:03:36,360 --> 00:03:38,360 Speaker 6: We are the Breakfast Club. Let's get in some front 89 00:03:38,360 --> 00:03:41,000 Speaker 6: page news. What's up to me? 90 00:03:42,200 --> 00:03:44,840 Speaker 8: Good morning, v jof Charlamage. How y'all doing this morning? 91 00:03:46,720 --> 00:03:49,640 Speaker 8: Good morning. So we started this morning with President Trump's 92 00:03:49,640 --> 00:03:53,560 Speaker 8: his first primetime address since the war the war started, 93 00:03:53,600 --> 00:03:56,680 Speaker 8: where he told America that the US is winning and 94 00:03:56,720 --> 00:03:59,200 Speaker 8: that the war would be over soon. So he says 95 00:03:59,240 --> 00:04:02,640 Speaker 8: the US military has hit thousands of targets week in 96 00:04:02,760 --> 00:04:05,560 Speaker 8: Iran's military, and the goal is to stop Iran from 97 00:04:05,600 --> 00:04:09,000 Speaker 8: getting nuclear weapons. He also warned that if Iran does 98 00:04:09,040 --> 00:04:11,480 Speaker 8: not make a deal, the US will hit more targets 99 00:04:11,520 --> 00:04:14,760 Speaker 8: in the coming weeks. He did not give a clear timeline, 100 00:04:14,800 --> 00:04:17,160 Speaker 8: only saying that it would be over a few weeks, 101 00:04:17,440 --> 00:04:19,240 Speaker 8: be over in a few weeks, and that the fighting 102 00:04:19,279 --> 00:04:22,960 Speaker 8: will continue and to the US mission has been completed. 103 00:04:23,360 --> 00:04:25,000 Speaker 9: Let's take a listen to what he had to say. 104 00:04:25,400 --> 00:04:28,479 Speaker 3: We're going to hit them extremely hard over the next 105 00:04:28,520 --> 00:04:29,680 Speaker 3: two to three weeks. 106 00:04:29,839 --> 00:04:32,039 Speaker 2: We're going to bring them back. 107 00:04:31,960 --> 00:04:34,719 Speaker 3: To the stone ages where they belong in the meantime, 108 00:04:34,800 --> 00:04:36,320 Speaker 3: discussions are ongoing. 109 00:04:36,720 --> 00:04:39,119 Speaker 2: Regime change was not our goal. 110 00:04:39,200 --> 00:04:43,080 Speaker 3: We never said regime change, but regime change has occurred 111 00:04:43,160 --> 00:04:47,680 Speaker 3: because of all of their original leader's death. If there 112 00:04:47,720 --> 00:04:49,919 Speaker 3: is no deal, we are going to hit each and 113 00:04:50,040 --> 00:04:53,719 Speaker 3: every one of their electric generating plants very hard, and 114 00:04:53,800 --> 00:04:57,920 Speaker 3: probably simultaneously. We have not hit their oil, even though 115 00:04:57,960 --> 00:05:00,960 Speaker 3: that's the easiest target of all. But we could hit 116 00:05:01,000 --> 00:05:03,919 Speaker 3: it and it would be gone and there's not a 117 00:05:04,000 --> 00:05:05,360 Speaker 3: thing they could do about it. 118 00:05:05,720 --> 00:05:07,360 Speaker 4: Are you going to tell me we negotiate and we're 119 00:05:07,360 --> 00:05:08,839 Speaker 4: trying to make a deal, but also on the same 120 00:05:08,839 --> 00:05:11,200 Speaker 4: per say we're hitting them hard and sending them back 121 00:05:11,200 --> 00:05:13,880 Speaker 4: to the stone age. They belong Jesus Christ, which one 122 00:05:13,920 --> 00:05:16,159 Speaker 4: is crazy. Can you stop hitting me for a seconds, 123 00:05:16,200 --> 00:05:17,440 Speaker 4: we can talk Jesus. 124 00:05:18,839 --> 00:05:20,040 Speaker 9: Very contradicting there. 125 00:05:20,440 --> 00:05:23,480 Speaker 8: The President also acknowledge that Americans are feeling the impact 126 00:05:23,480 --> 00:05:25,800 Speaker 8: here at home, especially when it comes to gas prices 127 00:05:25,839 --> 00:05:28,720 Speaker 8: in the economy, but says that those problems should be 128 00:05:28,839 --> 00:05:32,840 Speaker 8: over once the war is completed. And so right now, 129 00:05:32,839 --> 00:05:34,720 Speaker 8: the message from the White House is the war's not 130 00:05:34,800 --> 00:05:37,680 Speaker 8: over yet, but they believe that the end could be 131 00:05:37,960 --> 00:05:38,800 Speaker 8: here soon. 132 00:05:39,160 --> 00:05:41,200 Speaker 5: So you didn't get no timeline. He just said it 133 00:05:41,240 --> 00:05:42,520 Speaker 5: could be over here soon. 134 00:05:43,640 --> 00:05:45,800 Speaker 9: Yes, two to three weeks. I believe it is what 135 00:05:45,839 --> 00:05:46,240 Speaker 9: he said. 136 00:05:46,279 --> 00:05:49,000 Speaker 8: But at the same time, we have ground troops still 137 00:05:49,040 --> 00:05:51,400 Speaker 8: heading that way, so you know, we'll have to see 138 00:05:51,680 --> 00:05:54,720 Speaker 8: what that looks like, and we could finally be seeing 139 00:05:54,839 --> 00:05:57,320 Speaker 8: the beginning of the end of the government shut down. 140 00:05:57,360 --> 00:05:59,600 Speaker 8: Republicans in Congress now say they have a plan to 141 00:05:59,720 --> 00:06:02,839 Speaker 8: re open the Department of Homeland Security and get federal 142 00:06:02,880 --> 00:06:05,520 Speaker 8: workers paid again, but they are doing it in two 143 00:06:05,560 --> 00:06:09,480 Speaker 8: steps because a big fight over immigration is still not resolved. 144 00:06:09,480 --> 00:06:12,640 Speaker 8: So first, lawmakers plan to fund most of homeland security 145 00:06:12,880 --> 00:06:16,280 Speaker 8: so agencies like TSA, FEMA, and the Coastguard can keep 146 00:06:16,360 --> 00:06:18,920 Speaker 8: running and workers can get paid now. 147 00:06:18,920 --> 00:06:20,800 Speaker 9: They say they plan to do this in the next 148 00:06:20,880 --> 00:06:21,560 Speaker 9: few days. 149 00:06:21,920 --> 00:06:24,839 Speaker 8: Then they plan to deal with immigration enforcement like ICE 150 00:06:24,880 --> 00:06:28,240 Speaker 8: and border security in a separate bill using a process 151 00:06:28,320 --> 00:06:32,240 Speaker 8: called reconciliation, which means they'll pass it with only Republican 152 00:06:32,360 --> 00:06:35,360 Speaker 8: votes and they don't need Democrats to get that through. 153 00:06:35,960 --> 00:06:38,839 Speaker 8: President Trump is pushing for Congress to get the immigration 154 00:06:39,040 --> 00:06:43,680 Speaker 8: funding part done by June first, so that could be 155 00:06:43,720 --> 00:06:46,240 Speaker 8: good news for all of those workers who are not 156 00:06:46,279 --> 00:06:47,960 Speaker 8: getting paid. I know a lot of people are saying 157 00:06:48,040 --> 00:06:52,159 Speaker 8: that the Coast Guard and some of the cybersecurity workers, 158 00:06:52,200 --> 00:06:54,640 Speaker 8: federal workers, they feel left out because we're only focusing 159 00:06:54,720 --> 00:06:58,400 Speaker 8: on TSA agents. So some relief could be coming soon. 160 00:06:58,839 --> 00:07:00,640 Speaker 8: And if you've been to the grocery store lately and 161 00:07:00,720 --> 00:07:03,560 Speaker 8: felt like your bill keeps going up, that's probably because 162 00:07:03,600 --> 00:07:06,599 Speaker 8: it is. The price of ground beef has now gotten 163 00:07:06,640 --> 00:07:10,160 Speaker 8: so high in some stores that one pound costs more 164 00:07:10,200 --> 00:07:13,560 Speaker 8: than a federal minimum wage, meaning some people are working 165 00:07:13,600 --> 00:07:17,280 Speaker 8: an hour just to afford one pound of meat. 166 00:07:17,720 --> 00:07:19,560 Speaker 9: Yes of hamburger meat. 167 00:07:19,880 --> 00:07:22,559 Speaker 8: H experts say this is just yet another sign though, 168 00:07:22,800 --> 00:07:26,880 Speaker 8: of how every day expensive, how every day life is getting, 169 00:07:26,880 --> 00:07:28,240 Speaker 8: how expensive it's getting. 170 00:07:28,360 --> 00:07:30,640 Speaker 4: So no, everything is expensive, even just going through the 171 00:07:30,680 --> 00:07:32,080 Speaker 4: movies yesterday. I mean, I know I got a lot 172 00:07:32,120 --> 00:07:35,840 Speaker 4: of kids, but god damn, okay, okay, when it's five 173 00:07:35,840 --> 00:07:37,880 Speaker 4: of y'all and things, almost a total of the one 174 00:07:37,960 --> 00:07:42,160 Speaker 4: hundred dollars for some popcorn and some candy. 175 00:07:41,440 --> 00:07:43,760 Speaker 6: For five people these days is a lot. I went 176 00:07:43,880 --> 00:07:46,440 Speaker 6: bowling the other day, and bowling was so damn expensive. 177 00:07:47,080 --> 00:07:51,520 Speaker 6: Bowling expensive. Bulan was never that expensive. It was like 178 00:07:51,760 --> 00:07:54,040 Speaker 6: we only play two games. From two games and two 179 00:07:54,040 --> 00:07:56,280 Speaker 6: shoes was two hundred dollars and it was four It was. 180 00:07:56,320 --> 00:07:57,080 Speaker 2: Four of us. 181 00:07:57,560 --> 00:07:59,800 Speaker 6: Oh, it was four of us in the baby of 182 00:07:59,880 --> 00:08:03,920 Speaker 6: us in the bag that was IM with you. Food 183 00:08:03,960 --> 00:08:06,680 Speaker 6: it was like one hundred and fifty dollars ahead. 184 00:08:06,560 --> 00:08:09,440 Speaker 4: And peanut m and ms and you know, almonds and 185 00:08:09,480 --> 00:08:11,320 Speaker 4: popcorns shouldn't be ninety two. 186 00:08:11,240 --> 00:08:14,360 Speaker 6: Dollars dollars apiece for that, that's crazy. Most people to 187 00:08:14,360 --> 00:08:17,040 Speaker 6: stop at seven eleven before they still do that. I 188 00:08:17,080 --> 00:08:17,440 Speaker 6: don't care. 189 00:08:17,600 --> 00:08:19,960 Speaker 7: Take the big bag. I'm putting everything in there. 190 00:08:20,840 --> 00:08:23,239 Speaker 9: Absolutely all right, y'all, well, coming up at seven. 191 00:08:23,320 --> 00:08:26,040 Speaker 8: The travel industry is dealing with higher fuel prices, and 192 00:08:26,080 --> 00:08:28,880 Speaker 8: now travelers are paying for it in unexpected ways. 193 00:08:28,880 --> 00:08:30,760 Speaker 9: We'll explain that in the next hour. 194 00:08:30,960 --> 00:08:33,240 Speaker 6: All right, everybody else, get it off your chest. Eight 195 00:08:33,320 --> 00:08:35,520 Speaker 6: hundred five eight five one oh five one. If you 196 00:08:35,559 --> 00:08:37,920 Speaker 6: need to vent phone lines to wide open again? What 197 00:08:38,000 --> 00:08:39,840 Speaker 6: eight hundred five eight five one oh five one. 198 00:08:39,840 --> 00:08:40,600 Speaker 5: It's the breakfast Club. 199 00:08:40,600 --> 00:08:41,400 Speaker 6: Good morning. 200 00:08:43,240 --> 00:08:44,800 Speaker 2: This is your time to get it off your chest. 201 00:08:45,520 --> 00:08:47,440 Speaker 5: Eight hundred five eight five one five one. 202 00:08:47,559 --> 00:08:49,280 Speaker 2: We want to hear from you on the breakfast Club. 203 00:08:50,640 --> 00:08:50,920 Speaker 6: Hello. 204 00:08:51,000 --> 00:08:51,400 Speaker 7: Who's this? 205 00:08:52,000 --> 00:08:52,200 Speaker 10: Hey? 206 00:08:53,520 --> 00:08:53,959 Speaker 11: Y'all hear me? 207 00:08:55,040 --> 00:08:56,400 Speaker 5: Yeah? What's we can hear you? 208 00:08:56,440 --> 00:08:56,600 Speaker 12: Sir? 209 00:08:56,640 --> 00:08:58,160 Speaker 5: Why you can't hear us to us? 210 00:08:59,520 --> 00:09:01,680 Speaker 11: I'm going to make sure also too. 211 00:09:01,760 --> 00:09:02,160 Speaker 5: My bad. 212 00:09:02,240 --> 00:09:06,600 Speaker 11: I called y'all about a week ago. Uh, Charlamagne. What 213 00:09:06,640 --> 00:09:09,840 Speaker 11: I wanted to say was, I think a very good 214 00:09:09,960 --> 00:09:14,880 Speaker 11: versus for debate would be from uncle Uncle workers. Yeah, 215 00:09:15,240 --> 00:09:17,160 Speaker 11: and doctor Ubar, even though I know. 216 00:09:19,559 --> 00:09:21,120 Speaker 5: But see, we couldn't. We would have to. 217 00:09:21,160 --> 00:09:23,599 Speaker 4: We couldn't tell doctor Umar that Uncle Ruck is not 218 00:09:23,679 --> 00:09:25,360 Speaker 4: a real person. We just have to have him up 219 00:09:25,400 --> 00:09:26,840 Speaker 4: here and have Uncle Ru call in. 220 00:09:27,559 --> 00:09:29,560 Speaker 11: I don't. That's that's because I love, Because I love 221 00:09:29,600 --> 00:09:33,319 Speaker 11: to see your interview. It's still so fighting. Yeah, man, 222 00:09:34,720 --> 00:09:37,800 Speaker 11: I'm gonna say two more things. Uh just hilarious. 223 00:09:38,520 --> 00:09:40,840 Speaker 6: I'm good, how I'm good. 224 00:09:40,920 --> 00:09:45,640 Speaker 11: I take the plaint, but I know you got the book. However, though, 225 00:09:45,840 --> 00:09:47,520 Speaker 11: I feel I can't tell you what to do with 226 00:09:47,559 --> 00:09:50,120 Speaker 11: your future or anything like that. But if you were 227 00:09:50,160 --> 00:09:53,960 Speaker 11: to ever do another book, you gotta do something about 228 00:09:54,760 --> 00:09:57,440 Speaker 11: women wanting to listen and understand me from other women 229 00:09:57,480 --> 00:10:00,839 Speaker 11: who are successful with their marriage, love stuff like that. 230 00:10:01,240 --> 00:10:04,240 Speaker 11: That tends to be the hardest thing that women They 231 00:10:04,240 --> 00:10:06,880 Speaker 11: don't want to I say, certain, I don't want to 232 00:10:06,880 --> 00:10:10,000 Speaker 11: listen to men, but it might be could come up 233 00:10:10,000 --> 00:10:12,120 Speaker 11: from another woman, and you want people just tap on 234 00:10:12,240 --> 00:10:16,559 Speaker 11: with the coaching. Ye, the last thing I'm got the 235 00:10:16,679 --> 00:10:20,880 Speaker 11: last uh DJ and being Charyl Maine. Uh if y'all 236 00:10:20,880 --> 00:10:23,400 Speaker 11: don't mind me acting, I want y'all to drop a 237 00:10:23,520 --> 00:10:26,160 Speaker 11: cool uh a d J coop. 238 00:10:25,960 --> 00:10:29,480 Speaker 7: Bar for someone uh my uh my. 239 00:10:29,559 --> 00:10:34,600 Speaker 11: Woman, her daughter, her name is the Nyan Williams. Uh 240 00:10:35,120 --> 00:10:44,040 Speaker 11: just got accepted into Howard. I know. Yeah, all right, 241 00:10:44,559 --> 00:10:47,800 Speaker 11: we got after we got four dollar you got you 242 00:10:47,840 --> 00:10:51,400 Speaker 11: got to say, we got Clark, We got best though, 243 00:10:51,720 --> 00:10:56,480 Speaker 11: and we got to sell this grang for that got 244 00:10:56,520 --> 00:11:00,959 Speaker 11: young lady, so Anny you bar how work? I was 245 00:11:01,200 --> 00:11:04,120 Speaker 11: just requested, y'all dropped one of the clues work. She 246 00:11:04,200 --> 00:11:06,040 Speaker 11: had to go through all that. 247 00:11:06,160 --> 00:11:08,600 Speaker 5: We dropping the clues bombs for now and how man? 248 00:11:08,720 --> 00:11:10,120 Speaker 5: Congratulations please? 249 00:11:10,760 --> 00:11:12,319 Speaker 6: Which was she leaning towards? 250 00:11:13,080 --> 00:11:18,439 Speaker 11: All right? Well, I appreciate you. They'll go they'll go giant, 251 00:11:18,640 --> 00:11:19,040 Speaker 11: all right? 252 00:11:19,160 --> 00:11:20,720 Speaker 6: Which which which school is she leaning towards? 253 00:11:20,760 --> 00:11:20,960 Speaker 5: Brother? 254 00:11:20,960 --> 00:11:21,839 Speaker 6: Which you want to go to? 255 00:11:22,920 --> 00:11:24,240 Speaker 11: Outside on Howard? 256 00:11:24,480 --> 00:11:28,400 Speaker 6: Okay, you love I love my. 257 00:11:29,760 --> 00:11:32,640 Speaker 11: Yeah, she's told that. And she had Helton, she had 258 00:11:32,679 --> 00:11:34,439 Speaker 11: Heston in the bag. It was just how it was 259 00:11:34,480 --> 00:11:38,720 Speaker 11: a little bit boy, you know, waited to them. But man, 260 00:11:38,840 --> 00:11:42,200 Speaker 11: she trying to do a psychologists trying to do her thing. 261 00:11:43,880 --> 00:11:46,360 Speaker 6: Hey, all right, brother, I will go a man. 262 00:11:46,440 --> 00:11:49,439 Speaker 4: I was watching Andrew Reese yesterday, Andrew, I don't I 263 00:11:49,480 --> 00:11:51,400 Speaker 4: don't think it was from yesterday. But she was saying 264 00:11:51,400 --> 00:11:52,920 Speaker 4: how she could do it all over again. She done 265 00:11:52,960 --> 00:11:55,880 Speaker 4: went to Howard University. Always want to go to Howard? 266 00:11:56,440 --> 00:11:59,160 Speaker 6: Get it off your chest eight hundred five five one 267 00:11:59,160 --> 00:12:00,959 Speaker 6: on five one. If you need divining, hit us up now. 268 00:12:00,960 --> 00:12:04,880 Speaker 6: It's the Breakfast Club. Good morning, Ray right right yo, 269 00:12:05,120 --> 00:12:06,720 Speaker 6: Charla Mane, yasy what up. 270 00:12:06,760 --> 00:12:07,439 Speaker 13: Are we lost? 271 00:12:07,679 --> 00:12:09,240 Speaker 2: This is your time to get it off your chest. 272 00:12:09,320 --> 00:12:12,240 Speaker 6: I got an indoor pool, outdoor pool. We want to 273 00:12:12,280 --> 00:12:14,079 Speaker 6: hear from you on the breakfast club. Get on the 274 00:12:14,160 --> 00:12:14,839 Speaker 6: phone right now. 275 00:12:14,880 --> 00:12:15,960 Speaker 12: He'll tell you what it is. 276 00:12:16,000 --> 00:12:16,400 Speaker 6: We live. 277 00:12:18,160 --> 00:12:18,480 Speaker 2: Hello. 278 00:12:18,559 --> 00:12:20,880 Speaker 10: Who's this Hello, It's say. 279 00:12:23,000 --> 00:12:24,360 Speaker 6: What's up? Get it off your chest? 280 00:12:24,600 --> 00:12:25,880 Speaker 13: What's up? All right? 281 00:12:26,040 --> 00:12:30,080 Speaker 14: So what I'm getting off my chest is my relationship. Okay, 282 00:12:30,520 --> 00:12:33,520 Speaker 14: I've been in the relationship for five years. I am 283 00:12:34,000 --> 00:12:36,680 Speaker 14: in my twenty late twenty. You tell me, and it's 284 00:12:36,679 --> 00:12:37,400 Speaker 14: just a climbing. 285 00:12:38,040 --> 00:12:38,559 Speaker 7: I don't know. 286 00:12:38,760 --> 00:12:41,440 Speaker 14: I think we kind of got into the relationship when I 287 00:12:41,520 --> 00:12:43,520 Speaker 14: was just trying to be free outside. But now I'm 288 00:12:43,520 --> 00:12:47,319 Speaker 14: trying to get to a bag, you know, And she's. 289 00:12:46,840 --> 00:12:48,319 Speaker 10: Not worried about it as much as I am. 290 00:12:48,360 --> 00:12:49,199 Speaker 13: And I don't know. 291 00:12:49,360 --> 00:12:51,520 Speaker 10: I'm I'm not just worried about money. 292 00:12:51,280 --> 00:12:53,280 Speaker 14: But I definitely feel like you can't just run. 293 00:12:53,320 --> 00:12:57,000 Speaker 5: I love you, tied scrap wow, cut it out? 294 00:12:58,720 --> 00:13:02,960 Speaker 10: Oh yeah, I'm dead man. I'm saying it's not enough. 295 00:13:04,120 --> 00:13:06,040 Speaker 4: Tell you. You gotta tell her. That's not the way 296 00:13:06,040 --> 00:13:06,600 Speaker 4: you're trying to eat. 297 00:13:06,640 --> 00:13:06,920 Speaker 2: No more. 298 00:13:06,920 --> 00:13:08,000 Speaker 5: You're trying to get to that bag. 299 00:13:08,920 --> 00:13:10,120 Speaker 14: I'm trying to eat that bag. 300 00:13:10,280 --> 00:13:12,880 Speaker 5: That's it, that's right. I mean, you just gotta tell her. 301 00:13:12,960 --> 00:13:14,720 Speaker 4: I mean, I'm sure it's gonna be tough for her, 302 00:13:14,760 --> 00:13:17,000 Speaker 4: but you know she'll be okay. 303 00:13:17,360 --> 00:13:20,400 Speaker 6: Yes, that's right. 304 00:13:20,640 --> 00:13:24,080 Speaker 4: Studs of like busses, right, you missed one, The next 305 00:13:24,120 --> 00:13:24,640 Speaker 4: one coming. 306 00:13:25,040 --> 00:13:30,040 Speaker 14: I listen, they're coming. They go on to lost. 307 00:13:30,280 --> 00:13:33,240 Speaker 6: I'm trying to be nice, yes, ma'am, Yes, ma'am A 308 00:13:33,280 --> 00:13:33,640 Speaker 6: good one. 309 00:13:33,640 --> 00:13:35,680 Speaker 5: Man. You gotta do what you gotta do. I don't 310 00:13:35,679 --> 00:13:36,920 Speaker 5: have no problem with what you're doing. 311 00:13:36,920 --> 00:13:40,480 Speaker 4: Man. I am all about boundaries and removing people from 312 00:13:40,520 --> 00:13:42,600 Speaker 4: my life that are keeping me from my goals. 313 00:13:43,559 --> 00:13:43,880 Speaker 2: Who's this? 314 00:13:50,240 --> 00:13:52,360 Speaker 5: Sorry? What's happening? 315 00:13:54,000 --> 00:13:54,160 Speaker 13: Look? 316 00:13:54,160 --> 00:13:56,440 Speaker 11: If we gotta talk about people that gets so mad 317 00:13:56,960 --> 00:13:58,040 Speaker 11: that they trying to write. 318 00:13:57,800 --> 00:14:00,680 Speaker 15: A paragraph and they can't spell what you're talking about, 319 00:14:01,280 --> 00:14:03,920 Speaker 15: I'm talking about meet girl. Man, you can't be out 320 00:14:03,920 --> 00:14:07,440 Speaker 15: here proven what people say about the Philadelphia education system, right, 321 00:14:07,840 --> 00:14:10,800 Speaker 15: I'm trying to decipher what you're talking about. You just 322 00:14:10,800 --> 00:14:14,079 Speaker 15: sound you look so dumb because I can't read what 323 00:14:14,120 --> 00:14:15,280 Speaker 15: she was talking about. 324 00:14:15,240 --> 00:14:17,320 Speaker 5: And saluted meek man. We're not doing that. 325 00:14:18,720 --> 00:14:22,640 Speaker 7: My brain hurt here talking about Yes, what was he 326 00:14:22,720 --> 00:14:24,680 Speaker 7: talking about? Man? 327 00:14:25,800 --> 00:14:26,240 Speaker 11: I don't know. 328 00:14:26,240 --> 00:14:29,800 Speaker 6: I can't get Laura's gonna break it down. In the latest, 329 00:14:29,960 --> 00:14:32,040 Speaker 6: he was upset with some comments and some critique that 330 00:14:32,080 --> 00:14:35,320 Speaker 6: Charlayne had so man, he was talking how he felt 331 00:14:35,360 --> 00:14:35,800 Speaker 6: how he felt. 332 00:14:35,840 --> 00:14:38,160 Speaker 4: I wasn't even I was not this in Meek Mill 333 00:14:38,240 --> 00:14:40,400 Speaker 4: in no way, shape or form. I was just talking 334 00:14:40,440 --> 00:14:44,480 Speaker 4: about the perception of the narrative around Meek. 335 00:14:44,800 --> 00:14:47,600 Speaker 6: Well, if if you missed it, I'm sure Lauren has 336 00:14:47,640 --> 00:14:49,480 Speaker 6: it in the first Latest. What's up? 337 00:14:49,520 --> 00:14:53,960 Speaker 4: Lauren bricked up like them thinking black people are going 338 00:14:54,000 --> 00:14:55,800 Speaker 4: back and forth. This is not a back and forth. 339 00:14:55,840 --> 00:14:57,240 Speaker 4: I'm not trying to just make it no way shape 340 00:14:57,240 --> 00:14:58,600 Speaker 4: Before we can talk about it, You're gonna. 341 00:14:58,400 --> 00:14:59,040 Speaker 6: Talk about the latest. 342 00:14:59,280 --> 00:15:02,280 Speaker 16: They're talking about Meeking and Charlemagne and that whole conversation. 343 00:15:02,400 --> 00:15:04,080 Speaker 16: I love Meek and people be coming for him so bad. 344 00:15:04,120 --> 00:15:04,760 Speaker 5: You just woke up. 345 00:15:05,040 --> 00:15:07,080 Speaker 7: No, I mean we all just woke up. It's six. 346 00:15:08,720 --> 00:15:12,680 Speaker 16: Been up since three thirty. Yeah, but we also shut up. 347 00:15:13,000 --> 00:15:15,640 Speaker 7: We're also going to get into you. 348 00:15:16,640 --> 00:15:19,080 Speaker 6: Just you just walked up. 349 00:15:19,200 --> 00:15:21,640 Speaker 7: She's sitting right here at work like like, oh. 350 00:15:21,480 --> 00:15:25,880 Speaker 16: Wait, focused, we also want to get into Mega Stallion. 351 00:15:25,960 --> 00:15:28,160 Speaker 16: We now know what actually happened to Meg. I got 352 00:15:28,200 --> 00:15:30,080 Speaker 16: to sayment yesterday that cleared up some of the you know, 353 00:15:30,120 --> 00:15:30,680 Speaker 16: health concerns. 354 00:15:30,760 --> 00:15:33,400 Speaker 5: It wasn't you though, So it wasn't you, It wasn't me. 355 00:15:33,960 --> 00:15:35,320 Speaker 7: Leave me alone. 356 00:15:35,840 --> 00:15:37,840 Speaker 6: All right, we'll get into one little buddy. 357 00:15:37,840 --> 00:15:39,440 Speaker 7: Now you still sleep, We'll. 358 00:15:39,320 --> 00:15:41,200 Speaker 6: Get into that next. It's the Breakfast Club. Good morning, 359 00:15:42,080 --> 00:15:43,360 Speaker 6: you're talking cool bank. 360 00:15:43,520 --> 00:15:46,400 Speaker 7: Yeah, I'm not dumbing myself down. I'm heating myself. 361 00:15:49,760 --> 00:15:52,000 Speaker 16: I'm the homegroun that knows a little bit about everything 362 00:15:52,080 --> 00:15:54,240 Speaker 16: and everything the little. 363 00:15:54,040 --> 00:15:55,800 Speaker 7: Brown girls look at you and go, I want to 364 00:15:55,840 --> 00:15:57,880 Speaker 7: be like you. Take me through that, Take me through that. 365 00:15:58,560 --> 00:16:03,280 Speaker 2: She's gone the latest on the Breakfast Club. 366 00:16:07,040 --> 00:16:09,560 Speaker 16: So Tuesday night, you guys know, I went to go 367 00:16:09,600 --> 00:16:12,480 Speaker 16: see Megda Stallion on Broadway and Bulin Rouge, and that 368 00:16:12,520 --> 00:16:13,720 Speaker 16: one I. 369 00:16:13,600 --> 00:16:15,960 Speaker 5: Did not that you've been bringing it here for the 370 00:16:16,000 --> 00:16:16,480 Speaker 5: past week. 371 00:16:16,640 --> 00:16:20,760 Speaker 16: That was abruptly stopped and Megda Stallion was swapped out 372 00:16:20,840 --> 00:16:23,440 Speaker 16: for an understudy and she did not continue the show. 373 00:16:23,880 --> 00:16:25,960 Speaker 16: And people have been trying to figure out what happened 374 00:16:26,000 --> 00:16:28,360 Speaker 16: because it was just so random. So last night I 375 00:16:28,360 --> 00:16:31,840 Speaker 16: received the statement from a spokesperson from Megdae Stallion clearing 376 00:16:31,920 --> 00:16:33,720 Speaker 16: up what happened to Meg because we knew that she 377 00:16:33,760 --> 00:16:36,320 Speaker 16: had been taken to the hospital. The statement said on Tuesday, 378 00:16:36,360 --> 00:16:39,200 Speaker 16: Megan was transported to the hospital to undergo medical evaluation 379 00:16:39,600 --> 00:16:42,000 Speaker 16: after she experienced concerning symptoms. So they said that the 380 00:16:42,040 --> 00:16:47,680 Speaker 16: doctors identified extreme exhaustion, dehydration, vascol constriction, which is something 381 00:16:47,680 --> 00:16:50,400 Speaker 16: that like narrows your blood vessels and can stop blood 382 00:16:50,480 --> 00:16:55,360 Speaker 16: blood flow, low metabolic levels, which can lead to fatigue, 383 00:16:56,000 --> 00:16:57,760 Speaker 16: as the cause of her symptoms. So they said that 384 00:16:57,800 --> 00:17:01,040 Speaker 16: she was treated and that she'll return to Broadway as 385 00:17:01,120 --> 00:17:05,959 Speaker 16: Ziddler tonight Thursday. Magdaestallion then posted on her Instagram and 386 00:17:06,160 --> 00:17:08,399 Speaker 16: she says, you know last night she posted this yesterday. 387 00:17:08,440 --> 00:17:09,960 Speaker 7: Last night was a real wake up call for me. 388 00:17:09,960 --> 00:17:12,920 Speaker 16: I've been pushing myself past my limits lately, running on empty, 389 00:17:12,960 --> 00:17:15,520 Speaker 16: and my body, my body finally said enough. It's honestly 390 00:17:15,960 --> 00:17:17,920 Speaker 16: very scary or it scared me. I thought I was 391 00:17:17,960 --> 00:17:20,400 Speaker 16: gonna faint on stage. I really tried to push through 392 00:17:20,440 --> 00:17:22,359 Speaker 16: my performance, but I just couldn't. I want to be 393 00:17:22,400 --> 00:17:24,440 Speaker 16: real with y'all because you mean everything to me. I 394 00:17:24,480 --> 00:17:26,719 Speaker 16: hate letting y'all down. She's talking to the hotties. I 395 00:17:26,760 --> 00:17:28,600 Speaker 16: just need one day to rest, reset and take care 396 00:17:28,600 --> 00:17:30,880 Speaker 16: of myself the way I should have been. I'll call 397 00:17:31,200 --> 00:17:33,240 Speaker 16: and now I'll get right back on stage. She says 398 00:17:33,280 --> 00:17:35,680 Speaker 16: she'll be back Thursday. She'll be stronger, clear and ready 399 00:17:35,720 --> 00:17:37,840 Speaker 16: to give one hundred percent the way that the show deserves. 400 00:17:38,080 --> 00:17:40,240 Speaker 16: And she says thanks for riding with her and loving 401 00:17:40,280 --> 00:17:40,919 Speaker 16: on her through all of this. 402 00:17:41,160 --> 00:17:43,920 Speaker 4: Between between rehearsals and she might be working on the album. 403 00:17:44,280 --> 00:17:45,480 Speaker 4: Got a million different things. 404 00:17:45,240 --> 00:17:48,640 Speaker 16: Going on, yes, and Broadway is a very it's very 405 00:17:48,640 --> 00:17:49,520 Speaker 16: demanding like that. 406 00:17:49,520 --> 00:17:52,080 Speaker 7: That schedule is. I mean, it's a lot to do it. 407 00:17:52,200 --> 00:17:54,720 Speaker 16: But when she says she almost fainted on stage, I'm 408 00:17:54,760 --> 00:17:57,399 Speaker 16: like the performer of her is like wow, because you 409 00:17:57,440 --> 00:17:58,760 Speaker 16: couldn't tell that at all. 410 00:17:58,920 --> 00:18:00,080 Speaker 7: No, you could not tell it. 411 00:18:00,160 --> 00:18:02,240 Speaker 6: Sometimes your body needs to break. Your body gonna tell. 412 00:18:02,080 --> 00:18:03,800 Speaker 5: You or the in that don't put a baby in her. 413 00:18:05,520 --> 00:18:09,040 Speaker 16: Everywhere she's happily in a relationship. Maybe tell your relationship. 414 00:18:09,320 --> 00:18:11,560 Speaker 16: Ever you sneeze, people be like you pregnant. 415 00:18:11,240 --> 00:18:12,480 Speaker 5: Like we don't think that about. 416 00:18:12,520 --> 00:18:15,640 Speaker 16: You asked me that several times and I always knock 417 00:18:15,680 --> 00:18:17,400 Speaker 16: on win and take a shot yet because we don't 418 00:18:18,840 --> 00:18:20,600 Speaker 16: take a shot because just not right now. 419 00:18:20,720 --> 00:18:24,480 Speaker 7: God, that's what I got like to do. 420 00:18:24,640 --> 00:18:27,320 Speaker 6: I need about you know, you're all pregnant. You're just 421 00:18:27,320 --> 00:18:30,400 Speaker 6: gonna get that baby just alcoholed up already. This knows 422 00:18:30,440 --> 00:18:33,320 Speaker 6: my heart already because she said she takes a shot. 423 00:18:34,600 --> 00:18:37,199 Speaker 6: But oh, she means like a pregnancy shot that I 424 00:18:37,200 --> 00:18:39,080 Speaker 6: get pregnant. No, she's talking about a shot of liquor. 425 00:18:39,160 --> 00:18:39,960 Speaker 7: Yeah, I like to kill. 426 00:18:40,720 --> 00:18:40,960 Speaker 11: Yeah. 427 00:18:41,040 --> 00:18:43,440 Speaker 7: I wonder if she does the ivy things though, because 428 00:18:43,440 --> 00:18:44,639 Speaker 7: I was just telling them I went to vital I 429 00:18:44,720 --> 00:18:46,920 Speaker 7: v infusions yesterday and I feel good, Like you know, 430 00:18:47,000 --> 00:18:49,040 Speaker 7: it helps with like energy and brain FuG. And I'm 431 00:18:49,040 --> 00:18:51,200 Speaker 7: not saying she got brain FuG, but yeah, like you said, 432 00:18:51,200 --> 00:18:54,200 Speaker 7: that Broadway schedule is very demanded. We've interview people that 433 00:18:54,200 --> 00:18:56,880 Speaker 7: that does broad Way and they don't have days off. Yeah, 434 00:18:56,920 --> 00:18:59,720 Speaker 7: and their rehearsals are crazy and they're like out there screaming, 435 00:18:59,720 --> 00:19:01,760 Speaker 7: so that's of their lungs for you. 436 00:19:01,720 --> 00:19:02,879 Speaker 6: Know, like two three hours. 437 00:19:03,080 --> 00:19:05,560 Speaker 16: Yeahree, Well, I'm not for sure what she's doing, but 438 00:19:05,600 --> 00:19:07,960 Speaker 16: I think whatever she was doing before her regiment is 439 00:19:07,960 --> 00:19:09,879 Speaker 16: going to change for sure at this point. And I 440 00:19:09,920 --> 00:19:12,040 Speaker 16: was there yesterday outside of the theater in New York. 441 00:19:12,080 --> 00:19:14,800 Speaker 16: I did an inside edition about this whole you know, 442 00:19:14,920 --> 00:19:18,800 Speaker 16: what happened that night, and I heard the audience handlers 443 00:19:18,840 --> 00:19:20,560 Speaker 16: reminding people that met will be back on Thursday, and 444 00:19:20,680 --> 00:19:22,000 Speaker 16: she wasn't there that night, and there were some people 445 00:19:22,000 --> 00:19:23,920 Speaker 16: who didn't know who were like, okay, well, how do 446 00:19:24,000 --> 00:19:25,200 Speaker 16: we change our tickets for Thursday? 447 00:19:25,240 --> 00:19:25,400 Speaker 7: Then? 448 00:19:25,440 --> 00:19:26,760 Speaker 6: So yes, all right. 449 00:19:26,840 --> 00:19:30,080 Speaker 16: Now in other news, Charlemagne all over the timeline. 450 00:19:30,960 --> 00:19:33,600 Speaker 7: So Meek Mill is upset. 451 00:19:34,040 --> 00:19:37,320 Speaker 16: He did not like some comments that Charlemagne made, so 452 00:19:37,359 --> 00:19:39,199 Speaker 16: he made it a main post on his Instagram to 453 00:19:39,240 --> 00:19:42,639 Speaker 16: talk about propaganda that takes place in the hip hop community. Now, 454 00:19:42,680 --> 00:19:45,119 Speaker 16: let's take a listen first to Charlemagne's comments that he 455 00:19:45,160 --> 00:19:45,960 Speaker 16: made with Andrew. 456 00:19:46,640 --> 00:19:48,320 Speaker 4: Can you give the clips some context though, Like we 457 00:19:48,320 --> 00:19:52,160 Speaker 4: were discussing how people handle the aftermath of rap Beasts. 458 00:19:52,280 --> 00:19:53,000 Speaker 5: Yes, that's why you. 459 00:19:52,960 --> 00:19:55,119 Speaker 16: Guys are talking about jay Z nies because of the 460 00:19:55,200 --> 00:19:58,040 Speaker 16: jay Z interview that he did with GQ. So let's 461 00:19:58,080 --> 00:19:59,960 Speaker 16: take a listen to the comments on Brilliant Idiot. 462 00:20:00,680 --> 00:20:02,960 Speaker 4: We could have just kept doing music, but for some reason, 463 00:20:03,000 --> 00:20:06,920 Speaker 4: he did it like something was just off after the battle, you. 464 00:20:06,840 --> 00:20:08,960 Speaker 5: Know what I mean, And he really, I mean, honestly, 465 00:20:08,960 --> 00:20:13,080 Speaker 5: he didn't really never you know what it was with 466 00:20:13,200 --> 00:20:13,640 Speaker 5: Meek Man. 467 00:20:13,760 --> 00:20:17,640 Speaker 4: Meek's Achilles heel to me was actually Twitter for sure, 468 00:20:17,680 --> 00:20:22,160 Speaker 4: and when Drakes, when Drake called him Twitter fingers, sugar 469 00:20:22,160 --> 00:20:24,680 Speaker 4: fingers turned the Twitter fingers and it's just like every 470 00:20:24,760 --> 00:20:27,600 Speaker 4: time me tweets this. 471 00:20:27,920 --> 00:20:29,280 Speaker 5: Day, it's crazy. 472 00:20:29,400 --> 00:20:31,119 Speaker 2: It's pure with me. 473 00:20:31,240 --> 00:20:33,600 Speaker 4: You know what I'm saying. I think Meek does a 474 00:20:33,680 --> 00:20:37,280 Speaker 4: lot for his community. You know, he's been a great, 475 00:20:37,560 --> 00:20:39,399 Speaker 4: you know, symbol for the city of Philly. I love 476 00:20:39,480 --> 00:20:42,320 Speaker 4: what he does with reform, but I probably would have 477 00:20:42,320 --> 00:20:46,560 Speaker 4: deleted my Twitter after Twitter fingers and just for nothing 478 00:20:46,560 --> 00:20:50,560 Speaker 4: but music. When I say it didn't really recover, I'm 479 00:20:50,560 --> 00:20:54,479 Speaker 4: talking about perception narrative, especially on social media, because when 480 00:20:54,560 --> 00:20:56,240 Speaker 4: Drake and Meek had their rap beef, that's when the 481 00:20:56,359 --> 00:20:58,560 Speaker 4: narrative about Meek started to change. That's when all the 482 00:20:58,640 --> 00:21:01,000 Speaker 4: jokes started, and the jokes haven't really stopped since. 483 00:21:01,760 --> 00:21:04,360 Speaker 6: So you wasn't talking musically, because I've seen me put 484 00:21:04,400 --> 00:21:05,800 Speaker 6: up a post and he talked about some of his 485 00:21:05,800 --> 00:21:07,119 Speaker 6: accolades since that Tavy. 486 00:21:07,320 --> 00:21:09,240 Speaker 16: Yeah. So he put up a post, a very lengthy post, 487 00:21:09,280 --> 00:21:10,919 Speaker 16: and he says he wanted to make this the main 488 00:21:10,960 --> 00:21:13,720 Speaker 16: post because he wanted to highlight what he called propaganda. 489 00:21:13,760 --> 00:21:15,960 Speaker 16: That's tecond place in the hip hop community. I'm gonna 490 00:21:15,960 --> 00:21:17,880 Speaker 16: get through it. He says he needs everyone to leave 491 00:21:17,880 --> 00:21:19,880 Speaker 16: a comment if you see what's happening and how they're 492 00:21:19,880 --> 00:21:23,240 Speaker 16: trying to downgrade artists' brands from feeding their family. Let's 493 00:21:23,280 --> 00:21:26,600 Speaker 16: go through it. The white comedian also Boosted Boosted didn't 494 00:21:26,680 --> 00:21:29,720 Speaker 16: rumor on his major platform with no evidence, then asked 495 00:21:29,720 --> 00:21:31,960 Speaker 16: me to go on his show. Can y'all see my 496 00:21:32,040 --> 00:21:35,240 Speaker 16: brand back heating up now this? Please leave an honest 497 00:21:35,280 --> 00:21:38,480 Speaker 16: comment since Drake Beef I dropped Tack that's three times platinum, 498 00:21:38,920 --> 00:21:42,400 Speaker 16: Peter double platinum, Blue Note one and two times platinum, 499 00:21:42,440 --> 00:21:45,919 Speaker 16: Uptown Vibes with Legend from Brooklyn, Fab Platinum was Free 500 00:21:45,920 --> 00:21:48,400 Speaker 16: Feature and jay Z Meet Mill. I think that it's 501 00:21:48,480 --> 00:21:52,440 Speaker 16: platinum f on Me featuring Cardi Platinum, Scarface with Ross Gold, 502 00:21:52,480 --> 00:21:56,080 Speaker 16: Independent Money, Respect the Game Platinum twenty four seven, double platinum. 503 00:21:56,080 --> 00:21:57,840 Speaker 16: So he's going through a bunch of his music cyber 504 00:21:57,920 --> 00:22:02,760 Speaker 16: Truck and Philly five Am, look Out Barbara, he said, 505 00:22:03,280 --> 00:22:05,640 Speaker 16: he said, So what are what the effort we talking about? 506 00:22:05,680 --> 00:22:07,240 Speaker 7: We got to keep a close eye on this cat. 507 00:22:07,240 --> 00:22:09,479 Speaker 16: I feel like he's in the closet gay man that 508 00:22:09,960 --> 00:22:12,640 Speaker 16: hate successful black men unless he's doing business with them. 509 00:22:12,640 --> 00:22:16,080 Speaker 16: But they promoted I'm gay and I'm powering helping pop 510 00:22:16,200 --> 00:22:18,680 Speaker 16: like ten artists off on the East Coast. No cash 511 00:22:18,680 --> 00:22:20,880 Speaker 16: for game for charity. I'm really the one, but it's 512 00:22:20,880 --> 00:22:22,439 Speaker 16: some real propaganda on my brand. 513 00:22:22,840 --> 00:22:24,639 Speaker 7: And I wanted to investigated. 514 00:22:24,160 --> 00:22:27,440 Speaker 4: Dropping the clues bombs with Meek Mill. I never said 515 00:22:27,440 --> 00:22:29,680 Speaker 4: he didn't drop any music. I said if I was Meek, 516 00:22:29,920 --> 00:22:32,520 Speaker 4: I would have deleted my Twitter and just kept dropping music. 517 00:22:32,560 --> 00:22:34,240 Speaker 5: I would only talk through the music. 518 00:22:34,280 --> 00:22:37,440 Speaker 4: Because every single time Meek posts, the Internet turns it into 519 00:22:37,440 --> 00:22:39,840 Speaker 4: a joke. Y'all was just laughing at him last week 520 00:22:40,040 --> 00:22:45,359 Speaker 4: because he posted about being on LinkedIn. I said on 521 00:22:45,720 --> 00:22:48,800 Speaker 4: idiots the propaga. I didn't say propaganda, but I said, 522 00:22:48,840 --> 00:22:50,840 Speaker 4: you know, the way they act with Meek is strange. 523 00:22:50,880 --> 00:22:54,159 Speaker 5: And I agree with me. The propaganda against Mek is strange. 524 00:22:54,160 --> 00:22:56,119 Speaker 4: And it started with that battle, and at least on 525 00:22:56,160 --> 00:22:59,280 Speaker 4: social media, the narrative around him hasn't recovered. 526 00:22:59,359 --> 00:23:00,920 Speaker 6: It started with the out of The sad thing about 527 00:23:01,000 --> 00:23:03,080 Speaker 6: me is Meek. He gets busy, he gets nice, it's 528 00:23:03,119 --> 00:23:06,120 Speaker 6: out great music. He's an inspiration to g Herbo said 529 00:23:06,200 --> 00:23:08,200 Speaker 6: he's the reason why he even wanted to get into music, 530 00:23:08,240 --> 00:23:11,560 Speaker 6: but sadly because of everything that's been going on with 531 00:23:11,560 --> 00:23:13,800 Speaker 6: social media after that beef, He's been the butt of 532 00:23:13,840 --> 00:23:15,600 Speaker 6: a lot of people's joy regardless of what he does, 533 00:23:15,680 --> 00:23:15,920 Speaker 6: and he. 534 00:23:15,840 --> 00:23:17,600 Speaker 5: Does some great things. We always give me. 535 00:23:18,400 --> 00:23:21,160 Speaker 16: It doesn't matter what he drops too, because there has 536 00:23:21,240 --> 00:23:23,200 Speaker 16: the music that I feel like people didn't remember the 537 00:23:23,359 --> 00:23:25,880 Speaker 16: Remember the Heathens, like there was a lot of things that. 538 00:23:26,880 --> 00:23:28,560 Speaker 5: Losses even though that was almost ten years ago. That 539 00:23:28,600 --> 00:23:29,680 Speaker 5: was a great, great pot. 540 00:23:29,760 --> 00:23:32,320 Speaker 7: But he dropped a snipple pack last year. 541 00:23:32,359 --> 00:23:34,680 Speaker 5: Last year you put out four that was the Remember. 542 00:23:34,400 --> 00:23:36,720 Speaker 7: That the Heavens. That's what I'm talking about. Yeah, and 543 00:23:36,760 --> 00:23:38,600 Speaker 7: it was great, but I feel like people didn't really 544 00:23:38,640 --> 00:23:39,119 Speaker 7: talk about it. 545 00:23:39,400 --> 00:23:41,040 Speaker 6: He just proofrea to tweet. 546 00:23:41,119 --> 00:23:44,080 Speaker 7: Show that's all you gotta do before you just press 547 00:23:44,200 --> 00:23:48,880 Speaker 7: it submits. It's anything you do because sometimes I don't 548 00:23:48,960 --> 00:23:51,040 Speaker 7: understand what you're talking about, Like you don't understand, but 549 00:23:51,080 --> 00:23:53,560 Speaker 7: it's funny. It's not like you know, oh you're a retailer, 550 00:23:53,600 --> 00:23:55,040 Speaker 7: your return, like you're just funny. 551 00:23:55,320 --> 00:23:57,680 Speaker 4: Why I said he shouldn't tweet, he should just talk 552 00:23:57,800 --> 00:24:00,439 Speaker 4: through the music. And as he just said, put. 553 00:24:00,280 --> 00:24:00,760 Speaker 5: Gay on me. 554 00:24:02,440 --> 00:24:05,000 Speaker 6: Definitely mentioned that. 555 00:24:05,040 --> 00:24:06,840 Speaker 7: He said that that Diddy situation was like that. 556 00:24:08,680 --> 00:24:10,520 Speaker 4: That's why I'm not even mad, you know, he said, 557 00:24:10,560 --> 00:24:13,200 Speaker 4: I'm I'm d ling that post because that's just projection. 558 00:24:13,400 --> 00:24:14,640 Speaker 7: You're not d o you come out? 559 00:24:14,680 --> 00:24:15,440 Speaker 5: He came out? 560 00:24:15,760 --> 00:24:17,840 Speaker 6: He did not. I mean why he's not. 561 00:24:17,920 --> 00:24:19,920 Speaker 4: But I'm saying he's be hurt by what people say 562 00:24:19,920 --> 00:24:21,639 Speaker 4: about him, so he's putting that on on me. 563 00:24:21,800 --> 00:24:22,840 Speaker 5: But I do agree with me. 564 00:24:23,200 --> 00:24:26,959 Speaker 4: The propaganda against him is strange, and it started with 565 00:24:27,040 --> 00:24:29,760 Speaker 4: that battle, at least on social media, right, And and 566 00:24:29,880 --> 00:24:32,520 Speaker 4: the narrative around him on social media is what I 567 00:24:32,520 --> 00:24:35,960 Speaker 4: mean when I say he hasn't fully recovered, right, because. 568 00:24:35,520 --> 00:24:39,399 Speaker 6: He's done some amazing He sells out arenas he sells out. 569 00:24:39,480 --> 00:24:42,080 Speaker 6: He does a lot of dope ish But like you said, 570 00:24:42,080 --> 00:24:45,639 Speaker 6: the propaganda around him is taking what he's done and 571 00:24:45,640 --> 00:24:47,600 Speaker 6: what he's built and tries to make a mockery of 572 00:24:47,640 --> 00:24:50,280 Speaker 6: it every time you Meek, yeah, you understand why he 573 00:24:50,280 --> 00:24:53,080 Speaker 6: would be upset. Absolutely positively. They didn't made this man gay. 574 00:24:53,560 --> 00:24:56,280 Speaker 6: They just made this man Diddy's sitting on Diddy's lap 575 00:24:56,440 --> 00:25:02,480 Speaker 6: every time. They took everything that he started with, and 576 00:25:02,520 --> 00:25:06,040 Speaker 6: I seen I would feel the same. 577 00:25:06,040 --> 00:25:08,199 Speaker 4: But Meek has done some amazing things, I said, and. 578 00:25:09,920 --> 00:25:11,359 Speaker 5: He's done some incredible things. 579 00:25:13,640 --> 00:25:13,840 Speaker 6: Y'all. 580 00:25:14,720 --> 00:25:16,919 Speaker 7: Yes, well right, yeah, he dropped up. 581 00:25:17,560 --> 00:25:21,000 Speaker 6: We play some dreams of night MA got you all right? 582 00:25:21,000 --> 00:25:22,800 Speaker 6: Well that is the latest with Lauren. Now when we 583 00:25:22,840 --> 00:25:24,560 Speaker 6: come back, we got front page news and then our 584 00:25:24,640 --> 00:25:26,920 Speaker 6: senior hall will be joining us. Don't go anywhere. It's 585 00:25:26,960 --> 00:25:31,880 Speaker 6: the breakfast Club. Good morning, Everybody's DJ, mv jes hilarious, Charlamagne. God, 586 00:25:31,960 --> 00:25:33,800 Speaker 6: we are the breakfast Club. Let's get back to some 587 00:25:33,840 --> 00:25:34,840 Speaker 6: front page news. 588 00:25:34,880 --> 00:25:35,480 Speaker 2: What's up to me? 589 00:25:35,840 --> 00:25:38,359 Speaker 9: Good morning, mv J. Charlamagne. How y'all doing this morning? 590 00:25:39,640 --> 00:25:40,280 Speaker 9: Good morning? 591 00:25:40,400 --> 00:25:42,600 Speaker 8: So we started this hour with a story that blew 592 00:25:42,680 --> 00:25:46,160 Speaker 8: up online and is now getting attention at the White House. 593 00:25:46,200 --> 00:25:50,639 Speaker 8: So President Trump is weighing in on that viral video involving. 594 00:25:50,240 --> 00:25:53,080 Speaker 9: Erica Kirk, who is the widow of Charlie Kirk. 595 00:25:53,280 --> 00:25:55,639 Speaker 8: So she was in her room yesterday during a White 596 00:25:55,640 --> 00:25:58,680 Speaker 8: House Easter lunch. When the President saw her in the audience, 597 00:25:59,080 --> 00:26:01,520 Speaker 8: he asked how she was doing, and then he seemingly 598 00:26:01,640 --> 00:26:04,600 Speaker 8: brought up that Drew Ski viral video. 599 00:26:04,800 --> 00:26:05,399 Speaker 9: Let's listen. 600 00:26:06,000 --> 00:26:07,520 Speaker 17: Doesn't want to love darling? 601 00:26:08,240 --> 00:26:10,200 Speaker 2: Wow, this is a good I like that table. 602 00:26:11,640 --> 00:26:12,359 Speaker 5: You're doing well? 603 00:26:12,440 --> 00:26:12,600 Speaker 8: Right? 604 00:26:13,160 --> 00:26:15,359 Speaker 17: Okay? I think you should sue him, but you know. 605 00:26:16,320 --> 00:26:18,199 Speaker 17: I told her, you want to sue somebody? They're so 606 00:26:18,400 --> 00:26:22,520 Speaker 17: jealous of Erica. I said, you sure, there are you 607 00:26:22,760 --> 00:26:24,320 Speaker 17: I can said, you're not allowed to say that. 608 00:26:24,359 --> 00:26:29,359 Speaker 6: You have to be nicer se. 609 00:26:31,240 --> 00:26:34,280 Speaker 4: Erica Kirk should be offended every single time somebody says 610 00:26:34,320 --> 00:26:37,280 Speaker 4: that was Drewsky was imitating her in that video, because 611 00:26:37,280 --> 00:26:38,199 Speaker 4: he never said he was. 612 00:26:38,640 --> 00:26:39,280 Speaker 5: You know what I mean. 613 00:26:39,359 --> 00:26:43,280 Speaker 4: There's another conservative woman named kat Kamak who I think 614 00:26:43,320 --> 00:26:45,880 Speaker 4: that's who I think Drewski saw because she'd be wilding 615 00:26:46,280 --> 00:26:46,879 Speaker 4: on stage. 616 00:26:47,160 --> 00:26:49,440 Speaker 5: I didn't learn about her until after the Drewski kid. 617 00:26:49,600 --> 00:26:51,960 Speaker 4: So Erka Kirk should be offended every time somebody be like, yeah, 618 00:26:52,000 --> 00:26:53,600 Speaker 4: Drewski was pretending to be you, because that's how they 619 00:26:53,640 --> 00:26:54,040 Speaker 4: think you look. 620 00:26:54,119 --> 00:26:56,040 Speaker 6: Erica. Yeah, but how can I was just always curious 621 00:26:56,080 --> 00:26:59,080 Speaker 6: to how can they sue? When you look at all parodies, 622 00:26:59,119 --> 00:27:01,760 Speaker 6: whether it's ES and L or all these other comedy centers, 623 00:27:01,760 --> 00:27:02,600 Speaker 6: they always do it. 624 00:27:02,680 --> 00:27:02,960 Speaker 5: They can. 625 00:27:03,560 --> 00:27:04,119 Speaker 2: What's the problem. 626 00:27:04,200 --> 00:27:08,679 Speaker 8: Yeah, Yeah, it's it's it's comedy. It's it's you know, 627 00:27:10,680 --> 00:27:12,000 Speaker 8: yeah exactly, So. 628 00:27:12,640 --> 00:27:13,080 Speaker 5: I don't know. 629 00:27:13,840 --> 00:27:18,239 Speaker 8: But anyway, at that same event yesterday, we told you 630 00:27:18,280 --> 00:27:20,320 Speaker 8: how President Trump was at the Supreme Court, how he 631 00:27:20,400 --> 00:27:24,080 Speaker 8: was going to go and hear the justices argument about 632 00:27:24,119 --> 00:27:28,399 Speaker 8: his executive order on birthright citizenship, which would end automatic 633 00:27:28,440 --> 00:27:30,320 Speaker 8: citizenship for some children born. 634 00:27:30,119 --> 00:27:30,800 Speaker 9: In the US. 635 00:27:30,840 --> 00:27:33,400 Speaker 8: So at the same meeting yesterday at the White House, 636 00:27:33,440 --> 00:27:36,040 Speaker 8: the President touched on that. So as the Court is 637 00:27:36,040 --> 00:27:39,080 Speaker 8: now deciding whether a president has a power to make 638 00:27:39,119 --> 00:27:43,640 Speaker 8: that change without Congress, the President he weighed in on 639 00:27:43,920 --> 00:27:48,320 Speaker 8: what he thinks about the justices during the oral arguments yesterday. 640 00:27:48,400 --> 00:27:48,919 Speaker 9: Let's listen. 641 00:27:49,280 --> 00:27:51,280 Speaker 17: I didn't realize it's the first time in history that 642 00:27:51,359 --> 00:27:54,920 Speaker 17: a president went to the Supreme Court. I was really 643 00:27:54,960 --> 00:27:58,400 Speaker 17: surprised to hear. The Supreme Court's not been acting very well. 644 00:27:58,560 --> 00:28:03,199 Speaker 12: Actually, and Republicans judges and justices, they always want to 645 00:28:03,200 --> 00:28:07,320 Speaker 12: show that they're independent. I don't care if Trump appointed me, 646 00:28:07,400 --> 00:28:10,480 Speaker 12: I don't care if he doesn't make any difference to me. 647 00:28:10,520 --> 00:28:13,720 Speaker 12: I'm voting against him because they want to show their independence, 648 00:28:14,280 --> 00:28:16,840 Speaker 12: you know, stupid people. 649 00:28:17,960 --> 00:28:20,280 Speaker 5: The Supreme Court is supposed to be independent. 650 00:28:20,080 --> 00:28:25,879 Speaker 8: Exactly, exactly, So a lot of backlash this morning for 651 00:28:25,960 --> 00:28:30,040 Speaker 8: that comment from the President. As you pointed out, Charlotte Mane, 652 00:28:30,119 --> 00:28:34,320 Speaker 8: the Supreme Court, justices, judges, courts are all supposed to 653 00:28:34,359 --> 00:28:35,160 Speaker 8: be independent. 654 00:28:35,320 --> 00:28:38,320 Speaker 4: So there's that, and they're likely to find against them 655 00:28:38,360 --> 00:28:40,240 Speaker 4: on birth right citizenship from what I was reading. 656 00:28:40,120 --> 00:28:42,680 Speaker 9: Yesterday, exactly exactly. 657 00:28:42,720 --> 00:28:45,720 Speaker 8: So once you heard that the court hearing wasn't going, 658 00:28:45,840 --> 00:28:49,000 Speaker 8: you know, in his favor, they were pushing back, asking 659 00:28:49,040 --> 00:28:49,920 Speaker 8: a lot of questions. 660 00:28:49,960 --> 00:28:51,320 Speaker 9: That was the comment that he made. 661 00:28:51,560 --> 00:28:55,160 Speaker 8: Yes, exactly, and so let's end with history in the making. 662 00:28:55,320 --> 00:28:58,680 Speaker 8: So NASA is on its way to the Moon. Four astronauts, 663 00:28:58,680 --> 00:29:03,200 Speaker 8: three Americans and one Canadian. They launched on the Artemis 664 00:29:03,320 --> 00:29:06,400 Speaker 8: two mission, becoming the first humans to head towards the 665 00:29:06,400 --> 00:29:08,240 Speaker 8: Moon in more than fifty years. 666 00:29:08,280 --> 00:29:10,040 Speaker 9: So they won't land this time. 667 00:29:10,080 --> 00:29:12,160 Speaker 8: This is just a test flight, but they'll travel at 668 00:29:12,240 --> 00:29:15,400 Speaker 8: least two hundred and fifty thousand miles from Earth, loop 669 00:29:15,440 --> 00:29:18,600 Speaker 8: around the Moon, and come back in about ten days 670 00:29:18,640 --> 00:29:21,600 Speaker 8: in space now. NASA says this mission is a big 671 00:29:21,640 --> 00:29:25,640 Speaker 8: step before astronauts actually land on the Moon about a 672 00:29:25,680 --> 00:29:28,720 Speaker 8: decade from now, and the long term goal is to 673 00:29:28,800 --> 00:29:31,520 Speaker 8: eventually build a base on the Moon and send humans 674 00:29:31,560 --> 00:29:33,880 Speaker 8: to Mars. And so when they circle the Moon, this 675 00:29:34,000 --> 00:29:37,640 Speaker 8: crew will eventually will actually travel further from Earth than 676 00:29:37,680 --> 00:29:40,800 Speaker 8: any humans in history. The astronauts said that this mission 677 00:29:40,840 --> 00:29:42,480 Speaker 8: is more than just going to the Moon. 678 00:29:42,520 --> 00:29:44,320 Speaker 9: It's about exploration. Let's listen. 679 00:29:44,840 --> 00:29:47,640 Speaker 18: When I think about the four of us flying around 680 00:29:47,680 --> 00:29:50,120 Speaker 18: the far side of the Moon, seeing that Earth rise, 681 00:29:50,840 --> 00:29:53,480 Speaker 18: taking images and video and send them back to you, 682 00:29:54,000 --> 00:29:56,360 Speaker 18: the feeling that I have inside is hope. 683 00:29:56,440 --> 00:29:58,600 Speaker 2: We know that Artemis two is not the solution for. 684 00:29:58,680 --> 00:30:01,720 Speaker 19: Humanity on planet Earth, but it is a contribution in 685 00:30:01,760 --> 00:30:02,800 Speaker 19: the positive column. 686 00:30:03,000 --> 00:30:04,840 Speaker 18: We hope that just for a moment, that people will 687 00:30:04,880 --> 00:30:07,320 Speaker 18: pause and say, wow, it's extraordinary when you. 688 00:30:07,280 --> 00:30:10,640 Speaker 19: Look back upon the Earth with over eight billion people 689 00:30:10,960 --> 00:30:14,640 Speaker 19: and they see this concrete example of what humanity can do, 690 00:30:14,760 --> 00:30:16,960 Speaker 19: this extraordinary thing when we. 691 00:30:17,080 --> 00:30:17,960 Speaker 2: Set the goals. 692 00:30:18,280 --> 00:30:21,400 Speaker 5: So listen, Memi, you said that in a decade they 693 00:30:21,440 --> 00:30:22,600 Speaker 5: plan to walk on the moon. 694 00:30:23,200 --> 00:30:25,400 Speaker 8: Yeah, so this is a test run so that they 695 00:30:25,400 --> 00:30:28,120 Speaker 8: can so eventually. Their long term goal is to eventually 696 00:30:28,120 --> 00:30:30,080 Speaker 8: build a base on the Moon and send humans. So 697 00:30:30,120 --> 00:30:32,400 Speaker 8: this is a test run to see exactly you know, 698 00:30:32,440 --> 00:30:33,160 Speaker 8: what that may look. 699 00:30:33,200 --> 00:30:36,880 Speaker 4: So back in nineteen sixty nine and nineteen seventy two 700 00:30:36,920 --> 00:30:40,000 Speaker 4: when they told us that you know, Neil Armstrong and 701 00:30:40,320 --> 00:30:41,480 Speaker 4: Buzz Aldrin. 702 00:30:41,120 --> 00:30:43,520 Speaker 5: And all them walked on the moon. Right in twenty 703 00:30:43,520 --> 00:30:44,160 Speaker 5: twenty six. 704 00:30:43,960 --> 00:30:45,400 Speaker 4: They haven't figured out how to do that I would 705 00:30:45,400 --> 00:30:46,800 Speaker 4: think once you walk on it back in the day 706 00:30:46,800 --> 00:30:48,560 Speaker 4: in nineteen sixty nine, ninety seventy two, you could do 707 00:30:48,600 --> 00:30:48,920 Speaker 4: it now. 708 00:30:49,160 --> 00:30:51,240 Speaker 5: That leads me to believe that was a lot. 709 00:30:51,720 --> 00:30:53,640 Speaker 4: It's been over fiftenty walks on the goddamn What if 710 00:30:53,680 --> 00:30:55,560 Speaker 4: it's gonna take another ten years for people to walk 711 00:30:55,600 --> 00:30:56,000 Speaker 4: on the moon? 712 00:30:56,200 --> 00:30:57,480 Speaker 5: What how we went backwards? 713 00:30:57,960 --> 00:31:00,000 Speaker 6: It took fifty years and we didn't even get it, 714 00:31:00,000 --> 00:31:01,320 Speaker 6: didn't even land on the moon. It's time we just 715 00:31:01,320 --> 00:31:01,880 Speaker 6: spun around it. 716 00:31:01,880 --> 00:31:03,960 Speaker 5: That's what I'm saying. But it's saying any table on 717 00:31:04,000 --> 00:31:04,720 Speaker 5: the moon to build basis. 718 00:31:05,720 --> 00:31:07,280 Speaker 4: When I hear things like that, it just lets me 719 00:31:07,360 --> 00:31:09,959 Speaker 4: know we are a real primitive species in the grandest 720 00:31:09,960 --> 00:31:11,000 Speaker 4: schemes of this universe. 721 00:31:11,240 --> 00:31:11,880 Speaker 5: And I bet you did. 722 00:31:12,120 --> 00:31:13,920 Speaker 8: I don't know if it's in a decade, but it's 723 00:31:14,000 --> 00:31:17,080 Speaker 8: later this decade. So sometime within the next ten years. 724 00:31:17,320 --> 00:31:18,720 Speaker 9: They want to eventually land on the Moon. 725 00:31:18,760 --> 00:31:20,239 Speaker 8: They're not doing it this time, so we're all right, 726 00:31:20,280 --> 00:31:21,960 Speaker 8: they're not doing it this time, but within the next 727 00:31:22,000 --> 00:31:23,240 Speaker 8: decade that is the goal. 728 00:31:23,640 --> 00:31:24,240 Speaker 9: Actually land. 729 00:31:24,560 --> 00:31:26,760 Speaker 4: They said they already did it back in sixty nine, 730 00:31:26,760 --> 00:31:28,640 Speaker 4: and so what happened? 731 00:31:28,800 --> 00:31:35,200 Speaker 5: Why somebody is lying They're a great movie by the way. 732 00:31:35,080 --> 00:31:38,880 Speaker 4: That starts a scholar Johansson and Channing Tatum called Take 733 00:31:38,920 --> 00:31:42,200 Speaker 4: Me to the Moon, and it shows how they take the. 734 00:31:42,200 --> 00:31:42,960 Speaker 5: Whole moon landing. 735 00:31:43,280 --> 00:31:43,480 Speaker 12: Wow. 736 00:31:43,520 --> 00:31:44,920 Speaker 5: I watched it on a plane one time. It's actually 737 00:31:44,920 --> 00:31:45,680 Speaker 5: a really good movie. 738 00:31:46,400 --> 00:31:46,760 Speaker 9: Okay. 739 00:31:47,160 --> 00:31:49,480 Speaker 8: Well, if you want to follow along, NASA have they 740 00:31:49,560 --> 00:31:51,440 Speaker 8: set up a live track or so, you can just 741 00:31:51,480 --> 00:31:53,480 Speaker 8: go to their website or go to the NASA app 742 00:31:53,520 --> 00:31:55,360 Speaker 8: and you can track the mission in real time and 743 00:31:55,400 --> 00:31:57,920 Speaker 8: see what's going on, and follow the journey and see 744 00:31:57,960 --> 00:31:59,960 Speaker 8: them loop around the moon that they will not be 745 00:32:00,200 --> 00:32:01,360 Speaker 8: stopping on just yet. 746 00:32:01,440 --> 00:32:02,200 Speaker 5: It's ai. 747 00:32:03,440 --> 00:32:06,600 Speaker 8: There You have it, all right, y'all. That is your 748 00:32:06,640 --> 00:32:09,240 Speaker 8: front page news. I'm Mimi Brown. Follow me at Mimi 749 00:32:09,320 --> 00:32:12,920 Speaker 8: Brown TV. And for more stories follow the Black Information Network. 750 00:32:13,120 --> 00:32:14,480 Speaker 5: It's called fly Me to the Moon. 751 00:32:14,520 --> 00:32:17,880 Speaker 6: But why me a great movie? 752 00:32:17,960 --> 00:32:18,320 Speaker 11: All right? 753 00:32:18,680 --> 00:32:18,840 Speaker 5: Now? 754 00:32:18,880 --> 00:32:21,320 Speaker 6: When we come back, our Citio Hall will be joining 755 00:32:21,360 --> 00:32:23,920 Speaker 6: us as a new memoir out today. It's called All 756 00:32:23,960 --> 00:32:25,840 Speaker 6: Senio and we'll talk to me a little bit. It's 757 00:32:25,840 --> 00:32:28,320 Speaker 6: the Breakfast Club. Good morning morning everybody. It's the DJ 758 00:32:28,880 --> 00:32:32,560 Speaker 6: Envy just hilarious. Charlamagne the guy. We are the Breakfast Club. 759 00:32:33,200 --> 00:32:35,040 Speaker 6: Lour La Roe is here with us as well. Now 760 00:32:35,080 --> 00:32:38,520 Speaker 6: we got a special guest, a legend icon and og 761 00:32:39,080 --> 00:32:42,240 Speaker 6: a legend in this game. Ladies and gentlemen, all Citio Hall. 762 00:32:42,520 --> 00:32:48,040 Speaker 5: Yes, how. 763 00:32:49,560 --> 00:32:50,440 Speaker 2: I'm feeling great. 764 00:32:50,680 --> 00:32:53,800 Speaker 20: I'm thanking God for the day that Charlemagne called me, 765 00:32:54,400 --> 00:32:57,040 Speaker 20: because I wouldn't have done this without the voice of 766 00:32:57,120 --> 00:32:58,640 Speaker 20: respect on the other end of the phone. I mean, 767 00:32:58,640 --> 00:33:01,640 Speaker 20: I'm seventy years old, have written a book many times, 768 00:33:01,680 --> 00:33:06,080 Speaker 20: but that's adult work. It's a really hard thing to do. 769 00:33:06,600 --> 00:33:09,840 Speaker 20: And he talked me into it. And I'm so glad 770 00:33:09,880 --> 00:33:13,360 Speaker 20: I did for my son and for my legacy. 771 00:33:13,680 --> 00:33:16,040 Speaker 4: Man, I'm so glad you did too, because I want 772 00:33:16,080 --> 00:33:17,600 Speaker 4: to talk about your legacy today. 773 00:33:17,640 --> 00:33:17,800 Speaker 21: Man. 774 00:33:17,840 --> 00:33:21,840 Speaker 4: You know I always say that I got four entertainment icons, right, 775 00:33:22,200 --> 00:33:25,520 Speaker 4: Jay Z, Clarence Avon, P. D. Green, and Arsineo Hall. 776 00:33:26,200 --> 00:33:30,040 Speaker 4: And I feel like people don't truly understand the risk 777 00:33:30,200 --> 00:33:33,479 Speaker 4: you took to put black culture at the forefront at 778 00:33:33,520 --> 00:33:35,880 Speaker 4: a time when nobody was putting black culture at the forefront. 779 00:33:36,360 --> 00:33:38,880 Speaker 2: Yeah, it was hard. 780 00:33:39,040 --> 00:33:41,760 Speaker 20: I was coming along at a time when you go 781 00:33:41,840 --> 00:33:45,360 Speaker 20: to Paramount and say, let's book Bobby Brown the first 782 00:33:45,440 --> 00:33:48,320 Speaker 20: Friday night because people won't have to work on Saturday. 783 00:33:48,440 --> 00:33:50,320 Speaker 2: And really showing what show this is. 784 00:33:50,360 --> 00:33:53,120 Speaker 20: He has this song, don't be cruel and my prerogative, 785 00:33:53,160 --> 00:33:55,000 Speaker 20: Let's let him break one at the top and one 786 00:33:55,000 --> 00:33:57,840 Speaker 20: at the bottom. Oh, Johnny Carson only does three minutes 787 00:33:57,880 --> 00:33:59,600 Speaker 20: of a song at the end of the show. And 788 00:33:59,640 --> 00:34:04,880 Speaker 20: I'm like, but I'm not Johnny Dohnny Carson, so let's 789 00:34:04,920 --> 00:34:07,480 Speaker 20: try this. But what was crazier is one of the 790 00:34:07,560 --> 00:34:09,960 Speaker 20: ladies in the room said, and why would we. 791 00:34:09,960 --> 00:34:11,320 Speaker 2: Give a model that much time? 792 00:34:12,239 --> 00:34:14,400 Speaker 20: And I didn't realize that there was a Bobby Brown 793 00:34:15,239 --> 00:34:20,440 Speaker 20: in the modeling world. Yeah, so I didn't know her, 794 00:34:20,960 --> 00:34:24,200 Speaker 20: and I realized My battle is that they have no 795 00:34:24,320 --> 00:34:26,239 Speaker 20: idea what I'm about to do. 796 00:34:27,120 --> 00:34:29,560 Speaker 2: Uh, you know, you say, Michael Bivens called me, and he. 797 00:34:29,520 --> 00:34:33,080 Speaker 20: Got these four dudes they're called boys to Men and 798 00:34:33,280 --> 00:34:37,719 Speaker 20: or doctor Dre called me. And this kid, Calvin, he 799 00:34:37,800 --> 00:34:39,560 Speaker 20: wants him to come on and do this thing. 800 00:34:39,760 --> 00:34:42,080 Speaker 2: And this is how you know, I was not hip 801 00:34:42,120 --> 00:34:44,520 Speaker 2: to it. But he wants to freestyle. 802 00:34:45,719 --> 00:34:48,879 Speaker 20: You'll just give him a beat and he'll just come 803 00:34:48,920 --> 00:34:51,040 Speaker 20: out of his head with whatever is in the environment. 804 00:34:51,640 --> 00:34:54,719 Speaker 20: And when his album is ready, then you can have 805 00:34:54,800 --> 00:34:57,160 Speaker 20: him on to do one, two, three and the War 806 00:34:57,239 --> 00:34:59,960 Speaker 20: with Dre, you know, and I'm like, okay, we called 807 00:35:00,360 --> 00:35:03,839 Speaker 20: Snoop and he doesn't want to do the show, And 808 00:35:04,560 --> 00:35:07,160 Speaker 20: like why he says, you know, he's talking about the 809 00:35:07,200 --> 00:35:10,200 Speaker 20: streets of Long Beach. I have respect and I don't 810 00:35:10,239 --> 00:35:12,440 Speaker 20: want to, you know, I don't want to lose the 811 00:35:12,480 --> 00:35:17,120 Speaker 20: respect of the streets to do this late night television 812 00:35:17,160 --> 00:35:17,800 Speaker 20: type stuff. 813 00:35:17,840 --> 00:35:18,040 Speaker 2: You know. 814 00:35:18,680 --> 00:35:22,359 Speaker 20: I had to go to the studio and talk him 815 00:35:22,360 --> 00:35:25,799 Speaker 20: into it. This is a guy who Snoop Dogg is 816 00:35:25,800 --> 00:35:27,400 Speaker 20: more popular than last see. 817 00:35:27,160 --> 00:35:29,600 Speaker 5: Now you know, popular dog. 818 00:35:31,960 --> 00:35:34,160 Speaker 2: And did not want to be on television. 819 00:35:34,640 --> 00:35:36,920 Speaker 20: But I'll never forget he walked in the door with 820 00:35:37,040 --> 00:35:40,839 Speaker 20: a blue hockey jersey, I remember, and we gave him 821 00:35:40,840 --> 00:35:44,200 Speaker 20: a beat. And I don't think we'd ever seen freestyle 822 00:35:44,360 --> 00:35:49,400 Speaker 20: on television, you know, but those kinds of things I 823 00:35:49,440 --> 00:35:49,799 Speaker 20: wanted to. 824 00:35:49,920 --> 00:35:50,800 Speaker 2: I saw a little. 825 00:35:50,640 --> 00:35:54,799 Speaker 20: Kid on a tape do an Elvis impression, and I 826 00:35:54,840 --> 00:35:57,120 Speaker 20: tell Paramount, I want to put this kid on. They say, well, 827 00:35:57,760 --> 00:36:01,360 Speaker 20: you need tune in numbers names. If you put Prince, 828 00:36:01,480 --> 00:36:02,880 Speaker 20: you get a tune in number. You can put it 829 00:36:02,920 --> 00:36:05,040 Speaker 20: in TV guy two weeks ahead of time. That was 830 00:36:05,080 --> 00:36:08,240 Speaker 20: a game back then. And if you put some unknown 831 00:36:08,239 --> 00:36:09,720 Speaker 20: you know this is not star search. 832 00:36:09,719 --> 00:36:12,760 Speaker 2: You can't put an unknown kid on until you maybe 833 00:36:12,800 --> 00:36:13,600 Speaker 2: in the fifth year. 834 00:36:14,400 --> 00:36:16,839 Speaker 20: And so I would put people on in a monologue, 835 00:36:17,280 --> 00:36:19,880 Speaker 20: and I created this little spot where I put people on, 836 00:36:20,000 --> 00:36:22,279 Speaker 20: but the kid was Bruno monomore and. 837 00:36:23,880 --> 00:36:27,000 Speaker 2: Stuff like that. They didn't want Eddie Griffin because he's 838 00:36:27,040 --> 00:36:27,560 Speaker 2: too edgy. 839 00:36:28,000 --> 00:36:31,040 Speaker 20: So during the monologue, I said, oh, Eddie Griffin, because 840 00:36:31,320 --> 00:36:33,080 Speaker 20: Ed Sullivan used to point in the audience when I 841 00:36:33,120 --> 00:36:36,360 Speaker 20: was a kid, there's Diana Rosh stand up as rash, 842 00:36:36,520 --> 00:36:40,200 Speaker 20: you know, and so I'm like, Eddie Griffin, what's up, man, Hey, 843 00:36:40,280 --> 00:36:42,840 Speaker 20: come here for a minute. And it's not on the 844 00:36:42,840 --> 00:36:45,560 Speaker 20: booking sheet. Paramount don't know what's gonna happen now. That 845 00:36:45,600 --> 00:36:49,560 Speaker 20: one backfired on me because Eddie Griffin did Michael Jackson 846 00:36:49,600 --> 00:36:53,080 Speaker 20: snow and cocaine. He does and you know, because he 847 00:36:53,160 --> 00:36:55,600 Speaker 20: used to be a dancer, so he does that. You know, 848 00:36:55,640 --> 00:36:59,600 Speaker 20: he does all this step And the lawyers had a 849 00:36:59,680 --> 00:37:02,799 Speaker 20: hard time that next day at Paramount because basically he 850 00:37:02,840 --> 00:37:05,280 Speaker 20: had done a routine on television about Michael Jackson snorting 851 00:37:05,320 --> 00:37:06,200 Speaker 20: cocaine and dancing. 852 00:37:06,239 --> 00:37:07,320 Speaker 2: Really hilarious. 853 00:37:09,800 --> 00:37:12,200 Speaker 5: You know, we'll never have that kind of monoculture ever again. 854 00:37:12,239 --> 00:37:15,480 Speaker 4: When everybody is tuned in watching one thing at once 855 00:37:15,520 --> 00:37:18,640 Speaker 4: because I remember all old moments. We had no DVRs 856 00:37:18,680 --> 00:37:21,160 Speaker 4: back then. Man, you couldn't go back and watch it 857 00:37:21,200 --> 00:37:21,760 Speaker 4: on YouTube. 858 00:37:21,760 --> 00:37:23,000 Speaker 6: You had you had to, you had to. You had 859 00:37:23,000 --> 00:37:25,600 Speaker 6: to turn it on before we go back to because 860 00:37:25,600 --> 00:37:27,040 Speaker 6: I like to go back to the beginning so people 861 00:37:27,120 --> 00:37:27,799 Speaker 6: understand the story. 862 00:37:27,840 --> 00:37:28,920 Speaker 5: That's why you bought the book. 863 00:37:29,040 --> 00:37:30,720 Speaker 2: But that's why you're in this business. 864 00:37:31,120 --> 00:37:33,080 Speaker 6: But you know what, one thing I've noticed, I've watched 865 00:37:33,239 --> 00:37:35,200 Speaker 6: a lot of your interviews in the last week or 866 00:37:35,200 --> 00:37:38,239 Speaker 6: so to mine, When I look at your face, I 867 00:37:38,280 --> 00:37:40,680 Speaker 6: see a light that comes on like it's almost either 868 00:37:40,719 --> 00:37:43,640 Speaker 6: a surprise light, like I'm surprised, they really me like 869 00:37:43,680 --> 00:37:46,680 Speaker 6: you like you look amazed. When when these guys like 870 00:37:46,680 --> 00:37:48,680 Speaker 6: like I'm thinking myself, I said, no, no, no, he's the 871 00:37:49,120 --> 00:37:52,040 Speaker 6: you know. And then another thing that popped in my 872 00:37:52,040 --> 00:37:54,360 Speaker 6: head is I know you retired. Maybe he's ready for 873 00:37:54,400 --> 00:37:57,040 Speaker 6: that comeback, because it's just the feeling that energy. When 874 00:37:57,040 --> 00:37:58,960 Speaker 6: I watch you come out and just the light and 875 00:37:58,960 --> 00:38:00,520 Speaker 6: you're pointing at people and you're pointing at the bed, 876 00:38:00,600 --> 00:38:03,600 Speaker 6: I'm like, God, damn it, bring on senior back. So 877 00:38:03,640 --> 00:38:06,120 Speaker 6: what is going through your mind? When you are doing 878 00:38:06,160 --> 00:38:08,600 Speaker 6: these press runs and you're doing TV. What's going through 879 00:38:08,760 --> 00:38:09,520 Speaker 6: ar Senior's mind? 880 00:38:10,280 --> 00:38:12,839 Speaker 20: The light you saw, I mean that was the light 881 00:38:13,480 --> 00:38:16,960 Speaker 20: of a fan, the light of a kid from Cleveland 882 00:38:17,480 --> 00:38:20,000 Speaker 20: who did a talk show in his basement. And I 883 00:38:20,040 --> 00:38:22,359 Speaker 20: had a little record player. I put the record player on. 884 00:38:22,440 --> 00:38:26,080 Speaker 20: There was a Temptation's Greatest Hits album. I'd played get Ready, 885 00:38:26,320 --> 00:38:28,120 Speaker 20: I'd come out, I do a magic trick. I'd do 886 00:38:28,160 --> 00:38:31,400 Speaker 20: a joke after taking the needle off the record, and 887 00:38:31,440 --> 00:38:35,360 Speaker 20: I would entertain the kids in my neighborhood with this 888 00:38:35,480 --> 00:38:35,959 Speaker 20: talk show. 889 00:38:36,200 --> 00:38:37,839 Speaker 2: So you see a guy who's. 890 00:38:37,600 --> 00:38:40,440 Speaker 20: Dreamed it all his life and can't believe that I've 891 00:38:40,560 --> 00:38:44,000 Speaker 20: dreamed it into existence. My mother used to say, if 892 00:38:44,000 --> 00:38:46,160 Speaker 20: you get good grades, you can go to Detroit and 893 00:38:46,400 --> 00:38:48,800 Speaker 20: watch the Motown Review with your cousins. 894 00:38:49,040 --> 00:38:49,760 Speaker 2: For five hours. 895 00:38:49,760 --> 00:38:52,640 Speaker 20: You could see Stevie Wonder, you could see the Temptations 896 00:38:53,080 --> 00:38:54,240 Speaker 20: and they give you two pips. 897 00:38:54,320 --> 00:38:58,600 Speaker 2: Well sometimes for five hours, what you want? 898 00:38:59,800 --> 00:39:02,520 Speaker 20: That kind of stuff, and you grow up and then 899 00:39:02,560 --> 00:39:05,240 Speaker 20: you tour with the Temptations when they had to standing 900 00:39:05,280 --> 00:39:08,080 Speaker 20: on the top tour, Rick James wrote them that track. 901 00:39:09,680 --> 00:39:12,520 Speaker 20: Then one day Michael Bivens calls you and says, hey, 902 00:39:12,560 --> 00:39:15,919 Speaker 20: I got four guys that idolized the Temptations that're from 903 00:39:15,920 --> 00:39:19,480 Speaker 20: Philly called Boys to Men, but their album's not ready yet, 904 00:39:19,480 --> 00:39:20,400 Speaker 20: and when it's ready, I want to come. 905 00:39:20,480 --> 00:39:21,640 Speaker 2: I say, oh, I got an idea. 906 00:39:21,640 --> 00:39:24,000 Speaker 20: If they love the Temptations, I got the Temptations on Thursday, 907 00:39:24,360 --> 00:39:27,759 Speaker 20: let them come and blend in with the Temptations and 908 00:39:28,480 --> 00:39:32,160 Speaker 20: you can imagine a paramount every night. It was a 909 00:39:32,239 --> 00:39:36,280 Speaker 20: nightmare because they wanted less black. Now I got fifteen. 910 00:39:40,160 --> 00:39:42,640 Speaker 20: But my thing was like, I'd rather do six years 911 00:39:42,640 --> 00:39:46,279 Speaker 20: my way than twenty years Johnny's way, and Johnny dug 912 00:39:46,360 --> 00:39:49,520 Speaker 20: the show because I wasn't trying to be him. There 913 00:39:49,560 --> 00:39:53,200 Speaker 20: was never a competition. I was looking for friends of 914 00:39:53,200 --> 00:39:57,160 Speaker 20: the show. I remember Alan King, a legendary old comic, 915 00:39:57,239 --> 00:39:59,719 Speaker 20: called me and he says, your show put out an 916 00:39:59,760 --> 00:40:01,600 Speaker 20: offer to me, and I just want you to know 917 00:40:01,640 --> 00:40:03,920 Speaker 20: I love what you're doing, but I'm a Johnny guy. 918 00:40:03,960 --> 00:40:05,760 Speaker 20: And that's when it hit me, you got to get 919 00:40:06,080 --> 00:40:09,719 Speaker 20: your guys, and so that's when I started trying to 920 00:40:09,760 --> 00:40:12,279 Speaker 20: go for the audience that didn't have a talk show. 921 00:40:12,960 --> 00:40:14,880 Speaker 2: And that made it work, you know, cause i'd. 922 00:40:14,719 --> 00:40:17,879 Speaker 20: Been the Ed McMahon figure on a thing called Thick 923 00:40:17,920 --> 00:40:21,360 Speaker 20: of the Night. You know where I was, oh in Thick, 924 00:40:22,040 --> 00:40:25,600 Speaker 20: and so I got to watch it go on and 925 00:40:25,640 --> 00:40:27,560 Speaker 20: I got to learn from Alan's experience. 926 00:40:28,040 --> 00:40:30,360 Speaker 2: Don't try to be Johnny. Try to come up with 927 00:40:30,400 --> 00:40:31,160 Speaker 2: an alternative. 928 00:40:31,800 --> 00:40:34,439 Speaker 20: By the way, when I was working for Alan Thick, 929 00:40:34,480 --> 00:40:36,960 Speaker 20: there was a little boy I brought Johnny Gill on 930 00:40:37,000 --> 00:40:40,120 Speaker 20: Alan Thick show. I met Johnny Gill in Cleveland with 931 00:40:40,200 --> 00:40:43,880 Speaker 20: Gerald LeVert. I bring Johnny Gill on the show and 932 00:40:43,920 --> 00:40:47,439 Speaker 20: he gets numbers, and that let me know, Hey, it's 933 00:40:47,440 --> 00:40:49,239 Speaker 20: not that black people don't get numbers, it's that we 934 00:40:49,280 --> 00:40:51,840 Speaker 20: ain't trying it. He came on with Stacy Lattisaw and 935 00:40:51,880 --> 00:40:55,560 Speaker 20: they did perfect combination. On the side, there's a little 936 00:40:55,560 --> 00:40:58,800 Speaker 20: white boy with a Cubs cap on. It's Alan Thick's 937 00:40:58,800 --> 00:41:01,600 Speaker 20: son who all surface When there was R and B 938 00:41:01,760 --> 00:41:03,600 Speaker 20: on the show, that was Robin Thick. 939 00:41:04,000 --> 00:41:06,320 Speaker 2: That's another example of how we. 940 00:41:06,239 --> 00:41:08,759 Speaker 20: Know who we are, we know who we want to be, 941 00:41:09,600 --> 00:41:17,680 Speaker 20: and that kid then knew he was the white Marvin Gay. 942 00:41:15,840 --> 00:41:18,000 Speaker 5: Is this book is your memoir closure for you. 943 00:41:18,040 --> 00:41:20,320 Speaker 2: Or is it correction A lot of correction. 944 00:41:21,360 --> 00:41:23,839 Speaker 20: I don't know if I yeah, a little closure too, 945 00:41:24,040 --> 00:41:27,600 Speaker 20: because I loved putting that letter of resignation. A lot 946 00:41:27,640 --> 00:41:31,000 Speaker 20: of people, barbershop journalists would say, well, you know, one 947 00:41:31,239 --> 00:41:34,279 Speaker 20: night he snuck fair Con in there, Paramount didn't know 948 00:41:34,320 --> 00:41:37,680 Speaker 20: about it, you know, and interview fair Con and you know, 949 00:41:37,840 --> 00:41:41,480 Speaker 20: when the fact is, Paramount has to green like that, 950 00:41:41,560 --> 00:41:44,960 Speaker 20: they have to approve that, and so all the barbershop 951 00:41:45,040 --> 00:41:46,640 Speaker 20: journalism you get. 952 00:41:46,600 --> 00:41:48,239 Speaker 2: Because basically studios. 953 00:41:48,280 --> 00:41:51,759 Speaker 20: People think studios are above the fray, and. 954 00:41:54,239 --> 00:41:58,520 Speaker 2: What they don't understand is that studios just like a relationship. 955 00:41:58,560 --> 00:42:00,640 Speaker 20: You have a breakup with somebody and then you hear 956 00:42:01,160 --> 00:42:03,680 Speaker 20: that he said I left her because I was sick 957 00:42:03,680 --> 00:42:12,080 Speaker 20: of her no lying, And unfortunately business is like that too. 958 00:42:12,239 --> 00:42:14,759 Speaker 2: They want to position it sexy their way. 959 00:42:14,920 --> 00:42:18,000 Speaker 20: And they said, well, we'll come over Tuesday and we'll 960 00:42:18,040 --> 00:42:21,799 Speaker 20: talk about crafting a release to the press of what 961 00:42:21,840 --> 00:42:23,960 Speaker 20: we're going to do from here on. And then Monday 962 00:42:24,320 --> 00:42:27,880 Speaker 20: some she come out and you're like, you might, you know, 963 00:42:28,000 --> 00:42:31,680 Speaker 20: but I get to correct those kinds of things and yeah, 964 00:42:31,719 --> 00:42:33,440 Speaker 20: and have closure. 965 00:42:33,040 --> 00:42:36,480 Speaker 4: To actually quit this show. And I remember when you 966 00:42:36,560 --> 00:42:40,640 Speaker 4: first told me that. In my mind, I'm like godly and. 967 00:42:41,320 --> 00:42:43,840 Speaker 20: When I heard when I heard that that look that 968 00:42:43,920 --> 00:42:45,680 Speaker 20: the thing that that dental. 969 00:42:45,520 --> 00:42:46,440 Speaker 2: Tongular thing. 970 00:42:47,800 --> 00:42:48,160 Speaker 5: You did. 971 00:42:48,880 --> 00:42:51,439 Speaker 20: I had my woman go in the garage and I said, 972 00:42:51,440 --> 00:42:54,400 Speaker 20: you got to find that letter, and she found. 973 00:42:54,080 --> 00:42:56,080 Speaker 16: It because there were so many people that believe that 974 00:42:56,120 --> 00:42:58,520 Speaker 16: though that that you didn't quit the show. If you 975 00:42:58,520 --> 00:43:00,839 Speaker 16: had never written this book, how would you have ever 976 00:43:00,920 --> 00:43:03,040 Speaker 16: like try to clear it up any other place? 977 00:43:03,080 --> 00:43:03,120 Speaker 2: Like? 978 00:43:03,239 --> 00:43:04,800 Speaker 7: Was that something? I was sitting with you for a while. 979 00:43:05,520 --> 00:43:07,640 Speaker 2: Yeah, And I had a lawyer say, why do you care? 980 00:43:07,840 --> 00:43:09,479 Speaker 2: Look at your bank account? Why do you care? 981 00:43:10,080 --> 00:43:15,759 Speaker 20: And I'm like, because truth matters, and I mean, forget television. 982 00:43:15,840 --> 00:43:19,879 Speaker 2: We as a people, uh is a Puerto Rican gentleman also. 983 00:43:22,920 --> 00:43:23,520 Speaker 5: Talking about. 984 00:43:25,640 --> 00:43:28,920 Speaker 20: We as a people have to be careful not to 985 00:43:29,000 --> 00:43:30,200 Speaker 20: let truth be buried. 986 00:43:30,320 --> 00:43:31,680 Speaker 2: Mine is insignificant. 987 00:43:31,680 --> 00:43:33,359 Speaker 20: How about the history of our people in the way 988 00:43:33,400 --> 00:43:37,920 Speaker 20: it's being changed, buried and hidden from future children. 989 00:43:38,640 --> 00:43:39,640 Speaker 2: Truth is important. 990 00:43:39,800 --> 00:43:43,160 Speaker 20: It's important when it's on y'all side, So let it 991 00:43:43,200 --> 00:43:44,239 Speaker 20: be important for us too. 992 00:43:44,440 --> 00:43:47,600 Speaker 4: By the way, either way, you left his gangster walking 993 00:43:47,640 --> 00:43:50,240 Speaker 4: away because hey, man, I want to do my black stuff. 994 00:43:50,400 --> 00:43:51,960 Speaker 5: If it ain't working for y'all, it ain't gonna work 995 00:43:51,960 --> 00:43:55,719 Speaker 5: for me. I'm out. Or yeah, I bought a farracon on. 996 00:43:55,880 --> 00:43:56,760 Speaker 2: Yeah, that way, it works. 997 00:43:56,840 --> 00:43:59,000 Speaker 20: Oh yeah, yeah, you get a free bean path for 998 00:43:59,000 --> 00:44:04,759 Speaker 20: that second. Brothers very supportive of it. But you know, 999 00:44:05,160 --> 00:44:07,680 Speaker 20: here's the deal, here's how you can understand it. 1000 00:44:07,920 --> 00:44:10,040 Speaker 2: At the end of the day. Entertainment is cool. 1001 00:44:10,040 --> 00:44:11,960 Speaker 20: But Quincy used to tell me the word business is 1002 00:44:12,040 --> 00:44:17,040 Speaker 20: larger than the word show. And my ratings and my 1003 00:44:17,360 --> 00:44:20,279 Speaker 20: income were attached. The higher the number, the more money 1004 00:44:20,320 --> 00:44:24,200 Speaker 20: I get. When Letterman gets CBS, because I'm in syndication now, 1005 00:44:24,640 --> 00:44:28,520 Speaker 20: I'm on stations most places, but my CBS stations helped 1006 00:44:28,560 --> 00:44:31,359 Speaker 20: me succeed. When Letterman comes into the game and all 1007 00:44:31,400 --> 00:44:34,799 Speaker 20: my CBS stations leave at the end of their term, 1008 00:44:35,040 --> 00:44:37,399 Speaker 20: I'm like, what am I going to do now? And 1009 00:44:37,920 --> 00:44:42,600 Speaker 20: so basically, and the money goes down, and now you're like, well, 1010 00:44:42,800 --> 00:44:44,520 Speaker 20: I have to look at a movie every night and 1011 00:44:44,560 --> 00:44:47,120 Speaker 20: read a Jackie Collins book. I'm like, I don't know 1012 00:44:47,160 --> 00:44:49,319 Speaker 20: if it's worth it for a million a year, you know, 1013 00:44:49,520 --> 00:44:53,840 Speaker 20: And the bottom line is I dashed when the money. Also, 1014 00:44:54,440 --> 00:44:57,960 Speaker 20: I'm from Cleveland. I grew up down the street from 1015 00:44:58,040 --> 00:45:00,839 Speaker 20: Jim Brown, and I watched him leave on Top. 1016 00:45:00,960 --> 00:45:03,600 Speaker 2: I watched him start doing movies when they were still. 1017 00:45:03,320 --> 00:45:05,920 Speaker 20: Calling him to the locker room I always wanted to 1018 00:45:06,000 --> 00:45:08,160 Speaker 20: leave on top. So the bottom line when the money 1019 00:45:08,400 --> 00:45:10,160 Speaker 20: changed a little bit and the numbers change a little bit, 1020 00:45:10,160 --> 00:45:13,359 Speaker 20: and I didn't see a future for syndication because I'm like, 1021 00:45:13,760 --> 00:45:16,080 Speaker 20: they're gonna put somebody at ABC, I'm gonna lose those 1022 00:45:16,080 --> 00:45:19,040 Speaker 20: affiliates too. So eventually there's a Kimmel and there's a Letterman, 1023 00:45:19,200 --> 00:45:21,480 Speaker 20: and the bottom line is the money changed, Let's do 1024 00:45:21,560 --> 00:45:24,839 Speaker 20: something else. I've gotten six years out of this. I've 1025 00:45:24,840 --> 00:45:27,759 Speaker 20: been on the cover of Time magazine. I spent two 1026 00:45:27,800 --> 00:45:29,920 Speaker 20: years knowing I was leaving and building a house on 1027 00:45:29,960 --> 00:45:34,160 Speaker 20: the beach. And the bottom line is I'm cool with 1028 00:45:34,200 --> 00:45:35,080 Speaker 20: how it all went down. 1029 00:45:35,320 --> 00:45:37,400 Speaker 5: I was always shot that Foxes didn't get into the 1030 00:45:37,440 --> 00:45:38,040 Speaker 5: late night game. 1031 00:45:39,320 --> 00:45:39,840 Speaker 2: It's funny. 1032 00:45:39,920 --> 00:45:42,319 Speaker 20: I just sat with Conan O'Brien and he told me 1033 00:45:42,360 --> 00:45:45,640 Speaker 20: a cool story. He says he was in a lunch 1034 00:45:45,719 --> 00:45:48,640 Speaker 20: room a cafeteria at Fox and he says, you were 1035 00:45:48,760 --> 00:45:52,040 Speaker 20: very nice to me. You won't remember me, but I 1036 00:45:52,080 --> 00:45:54,680 Speaker 20: was getting coffee and you showed me where other stuff was. 1037 00:45:55,239 --> 00:45:57,920 Speaker 20: What I didn't realize is while I was taking over 1038 00:45:57,960 --> 00:46:01,080 Speaker 20: for Jones Rivers and doing the late show, she eventually 1039 00:46:01,080 --> 00:46:01,600 Speaker 20: got fired. 1040 00:46:01,920 --> 00:46:04,919 Speaker 2: Her husband killed himself. You remember all that stuff. I'm 1041 00:46:04,920 --> 00:46:05,719 Speaker 2: doing the late show. 1042 00:46:05,719 --> 00:46:08,080 Speaker 20: I'm doing the last eleven weeks of her contract before 1043 00:46:08,080 --> 00:46:11,399 Speaker 20: I go to do Coming to America. Conan had been 1044 00:46:11,480 --> 00:46:14,040 Speaker 20: hired to create a show to replace me, So while 1045 00:46:14,080 --> 00:46:17,200 Speaker 20: I was there, they had decided that I wasn't the 1046 00:46:17,239 --> 00:46:19,400 Speaker 20: guy wow, and they created a thing called The Wilton 1047 00:46:19,440 --> 00:46:22,640 Speaker 20: North Report. I went and did Come into America, and 1048 00:46:22,719 --> 00:46:24,919 Speaker 20: Paramount was like, when we finished this, if you want 1049 00:46:24,920 --> 00:46:28,920 Speaker 20: a talk show, let's try it in syndication. Now, something 1050 00:46:28,960 --> 00:46:31,279 Speaker 20: in syndication will never work again other than Byron al 1051 00:46:31,360 --> 00:46:34,120 Speaker 20: And no one's gonna ever be able to make syndication 1052 00:46:34,280 --> 00:46:37,400 Speaker 20: money because the network's got it, you know it. 1053 00:46:37,719 --> 00:46:40,279 Speaker 2: When I came into it, CBS and ABC didn't want 1054 00:46:40,280 --> 00:46:40,600 Speaker 2: to be in the. 1055 00:46:40,640 --> 00:46:42,880 Speaker 20: Late night game, so they bought my show. You know, 1056 00:46:43,280 --> 00:46:45,960 Speaker 20: it was a perfect time. Life is all about timing 1057 00:46:46,760 --> 00:46:47,200 Speaker 20: and effort. 1058 00:46:47,360 --> 00:46:49,919 Speaker 6: Now you mentioned Coming to America, my favorite movie of all. Yeah, 1059 00:46:50,960 --> 00:46:54,000 Speaker 6: let's talk about that movie and how it came together, 1060 00:46:54,200 --> 00:46:56,840 Speaker 6: and what was the decision to play so many different 1061 00:46:56,880 --> 00:46:58,200 Speaker 6: characters for both you and Eddie. 1062 00:46:58,640 --> 00:47:02,359 Speaker 20: The decision for me to play characters with Eddie saying yeah, 1063 00:47:02,440 --> 00:47:05,560 Speaker 20: him too. That's cool, you know because he's the King, 1064 00:47:05,960 --> 00:47:06,160 Speaker 20: you know. 1065 00:47:06,880 --> 00:47:09,879 Speaker 2: But the movie, the movie. 1066 00:47:10,320 --> 00:47:13,560 Speaker 20: Was all hinged on the fact that America missed Eddie 1067 00:47:13,600 --> 00:47:18,840 Speaker 20: doing characters. They wanted that again, and yeah, yeah, And 1068 00:47:18,920 --> 00:47:22,200 Speaker 20: I remember his manager saying to me, they want Eddie 1069 00:47:22,200 --> 00:47:25,160 Speaker 20: to do characters. So when you guys go to America, 1070 00:47:25,480 --> 00:47:27,160 Speaker 20: he'll be some of the people. 1071 00:47:27,480 --> 00:47:29,960 Speaker 2: That you meet. And I'm like, that's really cool. 1072 00:47:30,040 --> 00:47:30,239 Speaker 11: Now. 1073 00:47:30,239 --> 00:47:32,319 Speaker 20: I'm just a straight out stand up. I'm not an 1074 00:47:32,320 --> 00:47:35,480 Speaker 20: impressionist and I'm not an actor. I was honored when 1075 00:47:35,480 --> 00:47:39,279 Speaker 20: he asked me to also do some characters, but that 1076 00:47:39,360 --> 00:47:43,319 Speaker 20: movie was supposed to be me as you know, like 1077 00:47:43,360 --> 00:47:47,280 Speaker 20: a personal assistant or an undersized bodyguard coming to America 1078 00:47:47,320 --> 00:47:50,719 Speaker 20: from Zamunda with Eddie. He saw me do stand up 1079 00:47:50,760 --> 00:47:52,920 Speaker 20: and I did this bit about going to church in 1080 00:47:53,000 --> 00:47:57,480 Speaker 20: Chicago and going to the South Side. So I do 1081 00:47:57,560 --> 00:48:00,759 Speaker 20: this preacher character and he's like, that's all it is, man. 1082 00:48:01,120 --> 00:48:03,200 Speaker 20: You know, we do the prosthetics and you do that, 1083 00:48:03,880 --> 00:48:07,200 Speaker 20: and you're a preacher. And of course my dad was 1084 00:48:07,239 --> 00:48:11,080 Speaker 20: a Baptist preacher, and so at any moment, I'm ready 1085 00:48:11,120 --> 00:48:11,480 Speaker 20: to preach. 1086 00:48:11,560 --> 00:48:13,560 Speaker 4: I was laughing another niggas that's all you posted video. 1087 00:48:13,600 --> 00:48:16,040 Speaker 4: You was like, I'm walking like the preaching and coming 1088 00:48:16,040 --> 00:48:17,839 Speaker 4: to America. But not because I'm pretending. 1089 00:48:21,600 --> 00:48:25,040 Speaker 20: Life is crazy, Because you know, one point, you're in 1090 00:48:25,080 --> 00:48:28,560 Speaker 20: your twenties and you're standing in front of a mirror. Jess, 1091 00:48:28,600 --> 00:48:30,120 Speaker 20: you've been through this, standing in front of a mirror. 1092 00:48:30,120 --> 00:48:33,400 Speaker 20: You're practicing the character. You're looking at how Red Fox walks, 1093 00:48:33,840 --> 00:48:36,279 Speaker 20: and you're breaking it down. And then one day you 1094 00:48:36,360 --> 00:48:41,880 Speaker 20: turned seventy and you realize, now that's my walk, but 1095 00:48:42,000 --> 00:48:43,200 Speaker 20: it's loving you is wrong. 1096 00:48:43,760 --> 00:48:51,640 Speaker 16: I was going to coming to America. I've read somewhere. 1097 00:48:51,640 --> 00:48:52,520 Speaker 16: I think it was one of the interviews. 1098 00:48:52,560 --> 00:48:53,120 Speaker 7: You did something. 1099 00:48:53,280 --> 00:48:55,319 Speaker 16: It almost didn't happen though a couple of times at 1100 00:48:55,320 --> 00:48:56,960 Speaker 16: first because of the pitch, and then there was an 1101 00:48:56,960 --> 00:48:59,040 Speaker 16: issue with Eddie Murphy and somebody on set. 1102 00:48:59,200 --> 00:49:01,560 Speaker 20: Yeah, well you know, they wanted him to do characters 1103 00:49:01,760 --> 00:49:09,800 Speaker 20: and and that made the treatment perfection, and he decided 1104 00:49:09,880 --> 00:49:12,400 Speaker 20: different things I can do when we come to America. 1105 00:49:13,000 --> 00:49:15,160 Speaker 2: And the other thing you reference is he had. 1106 00:49:15,040 --> 00:49:18,440 Speaker 20: A conflict with Landis, and Landis is a brilliant director 1107 00:49:18,800 --> 00:49:20,200 Speaker 20: and they work that out. 1108 00:49:20,560 --> 00:49:24,880 Speaker 2: Thank God, Thank God, my business manager. Thanks God every day. 1109 00:49:25,520 --> 00:49:25,880 Speaker 21: For me. 1110 00:49:27,400 --> 00:49:32,919 Speaker 22: Coming insiduous, not as crazy as one might think. Okay, 1111 00:49:33,360 --> 00:49:37,200 Speaker 22: you know, but because you see it all the time 1112 00:49:38,440 --> 00:49:40,919 Speaker 22: on v H one and on things owned by sky Dance, 1113 00:49:40,960 --> 00:49:44,360 Speaker 22: I guess it is now. By the way, the checks 1114 00:49:44,360 --> 00:49:47,600 Speaker 22: that he get are probably what you just described, you know. 1115 00:49:48,160 --> 00:49:50,440 Speaker 22: But the bottom line is I was a lucky actor 1116 00:49:50,520 --> 00:49:53,719 Speaker 22: to be involved, and mine sometimes will be thirteen. 1117 00:49:53,440 --> 00:49:54,960 Speaker 6: Cents in your show. Right. 1118 00:49:55,280 --> 00:49:58,040 Speaker 7: Has there ever been anybody that would talk about you 1119 00:49:58,600 --> 00:50:00,319 Speaker 7: but then want to come on your show and you 1120 00:50:00,520 --> 00:50:00,960 Speaker 7: let it have it? 1121 00:50:01,840 --> 00:50:02,080 Speaker 5: Yeah? 1122 00:50:02,160 --> 00:50:06,719 Speaker 20: Once, yeah, uh, at one time. But for the most part, 1123 00:50:06,840 --> 00:50:11,719 Speaker 20: you know what, Oh, I forgot her name. It was 1124 00:50:11,800 --> 00:50:14,799 Speaker 20: somebody who you know now that I think maybe there 1125 00:50:14,800 --> 00:50:16,840 Speaker 20: are jokes they would do much. 1126 00:50:19,480 --> 00:50:20,880 Speaker 5: But I forgot it. 1127 00:50:20,920 --> 00:50:23,920 Speaker 6: But she was a comic, another comedian, Yeah it was. 1128 00:50:23,960 --> 00:50:25,799 Speaker 20: It was a young comic and I was like, no, 1129 00:50:25,960 --> 00:50:30,560 Speaker 20: not now, keep that same energy when you was calling 1130 00:50:30,560 --> 00:50:33,640 Speaker 20: me the F word on stage, you know, but. 1131 00:50:35,800 --> 00:50:39,120 Speaker 2: Yeah, yeah, which is rough on a black man, because 1132 00:50:40,320 --> 00:50:41,840 Speaker 2: you know, you know that whole history. 1133 00:50:43,360 --> 00:50:45,160 Speaker 20: I was one of those guys that would put the 1134 00:50:45,239 --> 00:50:49,680 Speaker 20: business before my personal feelings. I've had Spike Lee call 1135 00:50:49,760 --> 00:50:53,959 Speaker 20: me and uncle Tom. But when it's time for Spike 1136 00:50:54,040 --> 00:50:59,080 Speaker 20: Lee to promote it, I'm like, dude, I'm here, come on, 1137 00:50:59,120 --> 00:51:01,120 Speaker 20: you know, As a matter of fact, Spike was mad 1138 00:51:01,160 --> 00:51:03,279 Speaker 20: at me because I probably didn't give him the date. 1139 00:51:03,320 --> 00:51:06,360 Speaker 20: I think he wanted a certain date and it sweeps 1140 00:51:06,400 --> 00:51:09,239 Speaker 20: and all that date's taken, that Friday night date, and 1141 00:51:09,400 --> 00:51:12,000 Speaker 20: he got mad at me. And you know, call me 1142 00:51:12,000 --> 00:51:13,960 Speaker 20: and Uncle Tom and it's like you would think that 1143 00:51:14,000 --> 00:51:16,680 Speaker 20: we would never speak. But I walked up to him 1144 00:51:17,160 --> 00:51:20,600 Speaker 20: at a Laker game, a Laker Knicks game, grabbed him, dude, 1145 00:51:20,880 --> 00:51:22,600 Speaker 20: come on through sometime next price. 1146 00:51:22,719 --> 00:51:24,680 Speaker 4: I never understood that though, Like how could Spike we 1147 00:51:24,800 --> 00:51:27,160 Speaker 4: called call Arsenio Hall of Uncle Tom. 1148 00:51:27,880 --> 00:51:29,399 Speaker 5: Like like like you was doing do the right thing 1149 00:51:29,440 --> 00:51:30,840 Speaker 5: every night, the way you was fighting. 1150 00:51:30,640 --> 00:51:32,560 Speaker 2: For black Yeah. 1151 00:51:32,640 --> 00:51:35,160 Speaker 20: Yeah, And you know he was, like I said, people, 1152 00:51:35,600 --> 00:51:37,920 Speaker 20: you make mistakes. You say stuff a lot of times. 1153 00:51:38,800 --> 00:51:41,680 Speaker 20: By the fact, when I hugged him, we talked and 1154 00:51:41,719 --> 00:51:44,600 Speaker 20: it was over. You realize in the moment he said 1155 00:51:44,600 --> 00:51:47,960 Speaker 20: that because he didn't get the date, he wanted to promote, 1156 00:51:49,160 --> 00:51:50,520 Speaker 20: you know whatever, the Muncle. 1157 00:51:50,239 --> 00:51:53,840 Speaker 16: Tom was wrong, especially when you already had people that 1158 00:51:53,880 --> 00:51:55,840 Speaker 16: were feeling like that about you. So for him to 1159 00:51:55,880 --> 00:51:57,760 Speaker 16: echo it made it, you know, bigger. 1160 00:51:58,040 --> 00:52:01,760 Speaker 20: Yeah, And that's probably why he went for that Achilles 1161 00:52:01,840 --> 00:52:02,319 Speaker 20: heel or. 1162 00:52:02,239 --> 00:52:03,480 Speaker 6: That spot you know. 1163 00:52:04,120 --> 00:52:07,960 Speaker 20: But I think sometimes to hold a grudge, you have 1164 00:52:08,040 --> 00:52:12,359 Speaker 20: to keep that ugly thing with you. Sometimes it's it's 1165 00:52:12,440 --> 00:52:15,520 Speaker 20: easier for you to let it go. 1166 00:52:15,719 --> 00:52:15,919 Speaker 11: Guys. 1167 00:52:16,000 --> 00:52:17,800 Speaker 16: Okay, wait, I was trying to I've been trying to 1168 00:52:17,800 --> 00:52:20,160 Speaker 16: get this in. You got really personal just about like 1169 00:52:20,200 --> 00:52:22,719 Speaker 16: a dating life as well too. In this book, you 1170 00:52:22,719 --> 00:52:26,160 Speaker 16: talk about Pamela Anderson and Paula Abdul and what. 1171 00:52:26,320 --> 00:52:28,000 Speaker 20: By the way, one of the reasons I wanted to 1172 00:52:28,000 --> 00:52:31,239 Speaker 20: tell the Pamela Anderson story is because I don't know 1173 00:52:31,239 --> 00:52:34,799 Speaker 20: if it's changed, but the older comics that was that 1174 00:52:34,920 --> 00:52:37,680 Speaker 20: was the kind of advice. It's like, Yo, Johnny Witherspoon 1175 00:52:37,800 --> 00:52:40,920 Speaker 20: in this book, he stay away from white women, you know, 1176 00:52:41,160 --> 00:52:44,200 Speaker 20: and you're a young kind You're like, okay, you know, 1177 00:52:44,239 --> 00:52:46,320 Speaker 20: because there were no white women in my neighborhood and 1178 00:52:46,120 --> 00:52:49,759 Speaker 20: I didn't know why. And of course the night I 1179 00:52:49,800 --> 00:52:52,680 Speaker 20: walked into the comedy store with Pamela Anderson, Johnny Witherspoon 1180 00:52:52,680 --> 00:52:55,640 Speaker 20: looked at me and did that tungular thing that you 1181 00:52:56,840 --> 00:53:00,400 Speaker 20: what I tell you, you know, And just I wanted 1182 00:53:00,400 --> 00:53:04,239 Speaker 20: to take people through that growth process of what the 1183 00:53:04,280 --> 00:53:09,080 Speaker 20: ogs told you and. 1184 00:53:07,320 --> 00:53:08,160 Speaker 6: You're about. 1185 00:53:10,920 --> 00:53:14,000 Speaker 20: Me and had an argument because Tupac in an article said, 1186 00:53:14,440 --> 00:53:17,279 Speaker 20: uh something about Quincy and our Sinio and some of 1187 00:53:17,320 --> 00:53:19,440 Speaker 20: these brothers and these white women you see with white 1188 00:53:19,560 --> 00:53:23,080 Speaker 20: you know, it's like back then. That was a no 1189 00:53:23,080 --> 00:53:25,360 Speaker 20: no to the older brothers who were talking to you, 1190 00:53:25,560 --> 00:53:27,920 Speaker 20: and and they were trying to tell you that's a problem. 1191 00:53:28,320 --> 00:53:31,239 Speaker 20: You know that you know, And and it was some 1192 00:53:31,280 --> 00:53:34,719 Speaker 20: people in your demo will not like you if they 1193 00:53:34,719 --> 00:53:38,680 Speaker 20: see you in Jet magazine with a playmate, you know. 1194 00:53:38,760 --> 00:53:40,719 Speaker 2: So he was trying to protect me. 1195 00:53:41,120 --> 00:53:43,560 Speaker 4: It's definitely the real story of Arsenio Hall. It's not 1196 00:53:43,680 --> 00:53:45,440 Speaker 4: just about it, you know, a guy with a late 1197 00:53:45,560 --> 00:53:49,280 Speaker 4: night show man. Go get Arsenio a memoir available everywhere 1198 00:53:49,320 --> 00:53:51,680 Speaker 4: you buy books now, and just salute to you, my brother. 1199 00:53:53,920 --> 00:53:55,799 Speaker 20: I don't even know how you got my number. Thank 1200 00:53:55,840 --> 00:53:58,560 Speaker 20: you for the call, because you gave me something to 1201 00:53:58,600 --> 00:54:01,000 Speaker 20: do for a couple of years, man, and it was 1202 00:54:01,080 --> 00:54:05,359 Speaker 20: a lot of fun and I think I did it well. 1203 00:54:05,440 --> 00:54:06,239 Speaker 5: I'm glad you did it. 1204 00:54:06,280 --> 00:54:08,400 Speaker 4: No, this is one of the best entertainment memoirs I've 1205 00:54:08,440 --> 00:54:10,400 Speaker 4: ever read in my life that has said with no bias, 1206 00:54:10,480 --> 00:54:13,040 Speaker 4: not just biased for publishing it, not biased because I 1207 00:54:13,040 --> 00:54:15,280 Speaker 4: look at you as an inspiration, but This is actually 1208 00:54:15,280 --> 00:54:17,520 Speaker 4: one of the best entertainment memoirs I ever read in 1209 00:54:17,520 --> 00:54:17,879 Speaker 4: my life. 1210 00:54:18,000 --> 00:54:19,239 Speaker 2: It could I just add one more thing. 1211 00:54:19,239 --> 00:54:21,800 Speaker 20: When you talk about dreaming and teaching and what the 1212 00:54:21,840 --> 00:54:23,600 Speaker 20: book does and all that kind of stuff, what you 1213 00:54:23,840 --> 00:54:27,560 Speaker 20: just said is important. A black man saying to me 1214 00:54:27,640 --> 00:54:30,239 Speaker 20: on the phone, I want to do this because I 1215 00:54:30,280 --> 00:54:34,520 Speaker 20: want more black office. I want more books in the 1216 00:54:34,560 --> 00:54:38,600 Speaker 20: hands of Nubian people. What you did calling me was 1217 00:54:38,640 --> 00:54:41,279 Speaker 20: so important and to do it with you, and that's 1218 00:54:41,280 --> 00:54:44,160 Speaker 20: what I told my publicy. I gotta do it because 1219 00:54:44,200 --> 00:54:46,759 Speaker 20: he's trying to do something and I believe in what 1220 00:54:46,800 --> 00:54:49,360 Speaker 20: he's trying to do. And I knew your history and 1221 00:54:49,400 --> 00:54:53,400 Speaker 20: your parents being educators, and it was it's so important 1222 00:54:53,400 --> 00:54:53,680 Speaker 20: for us. 1223 00:54:53,760 --> 00:54:55,720 Speaker 2: Sometimes we don't work together. 1224 00:54:56,920 --> 00:54:59,200 Speaker 20: We will work with anybody but our own I don't 1225 00:54:59,280 --> 00:55:05,960 Speaker 20: know why, you know, and there's a lot of that 1226 00:55:06,160 --> 00:55:08,200 Speaker 20: in us, even when we don't say it. But I 1227 00:55:08,320 --> 00:55:12,200 Speaker 20: asked with this and. 1228 00:55:12,320 --> 00:55:14,160 Speaker 4: You you'll freed me a long time ago, because you know, 1229 00:55:14,160 --> 00:55:16,120 Speaker 4: I used to want to do late night television because 1230 00:55:16,120 --> 00:55:16,879 Speaker 4: of our senior host. 1231 00:55:16,960 --> 00:55:18,600 Speaker 5: You know, you do radio and you get a talk 1232 00:55:18,600 --> 00:55:19,480 Speaker 5: show and you think like I. 1233 00:55:19,480 --> 00:55:20,880 Speaker 4: Gotta make it at the late night host got to 1234 00:55:20,920 --> 00:55:22,360 Speaker 4: make it at the late night host And when you 1235 00:55:22,480 --> 00:55:25,000 Speaker 4: was on press for coming to America Too, somebody asked you. 1236 00:55:25,080 --> 00:55:27,040 Speaker 4: They said, you know, who do you think is like 1237 00:55:27,040 --> 00:55:29,960 Speaker 4: the closest to you in this generation? And you said, 1238 00:55:29,960 --> 00:55:32,440 Speaker 4: I would say somebody like Charlamagne, but he does radio 1239 00:55:32,520 --> 00:55:34,680 Speaker 4: and you watch it on YouTube, and you know that's 1240 00:55:34,680 --> 00:55:36,759 Speaker 4: like where people go to get I guess that that 1241 00:55:36,880 --> 00:55:37,959 Speaker 4: so called late night fixed. 1242 00:55:37,960 --> 00:55:40,280 Speaker 5: I remember you said that. I was like, yo, hey. 1243 00:55:40,239 --> 00:55:40,759 Speaker 2: That song. 1244 00:55:40,880 --> 00:55:44,719 Speaker 20: Everything must change the business is that way too, that 1245 00:55:44,800 --> 00:55:47,640 Speaker 20: late night format that Johnny created. He was the king, 1246 00:55:48,239 --> 00:55:52,960 Speaker 20: but for budget reasons and for the advancement of technology, 1247 00:55:53,239 --> 00:55:57,879 Speaker 20: this has to change. And what you're doing now when 1248 00:55:57,880 --> 00:56:02,560 Speaker 20: Tupac would call me on the landline and say, I 1249 00:56:02,600 --> 00:56:04,719 Speaker 20: need to come on the show Man because they trying 1250 00:56:04,760 --> 00:56:07,800 Speaker 20: to make me take an age test before I do poetic. 1251 00:56:07,480 --> 00:56:10,120 Speaker 2: Justice and I ain't gonna really Janet. 1252 00:56:10,000 --> 00:56:12,759 Speaker 20: Right, Okay, So why should I have to take an 1253 00:56:12,800 --> 00:56:17,080 Speaker 20: age test? And back then, we didn't have the word twitter, 1254 00:56:17,160 --> 00:56:20,320 Speaker 20: we didn't have that. It wasn't a bluebird, it was 1255 00:56:20,360 --> 00:56:24,040 Speaker 20: a blackbird. I was the guy you called and came 1256 00:56:24,120 --> 00:56:26,880 Speaker 20: and talked about your problems or the business of what 1257 00:56:26,960 --> 00:56:30,120 Speaker 20: you were going through iced tea coming on and explaining 1258 00:56:30,239 --> 00:56:33,960 Speaker 20: cop killer, explaining, you know, I'm not really killing cops, 1259 00:56:34,239 --> 00:56:36,319 Speaker 20: Arnold Schwartzen, they gain't really determinator. 1260 00:56:36,560 --> 00:56:39,000 Speaker 2: This is a piece of art trying to give a message. 1261 00:56:39,320 --> 00:56:41,920 Speaker 20: And so what I was doing when I watch you, 1262 00:56:41,920 --> 00:56:44,000 Speaker 20: when I listen to you, I'm like, he's doing it. 1263 00:56:44,560 --> 00:56:47,160 Speaker 20: And the medium has come to a different place. You know, 1264 00:56:47,239 --> 00:56:50,040 Speaker 20: there's no curtain, there's no a mcman, there's no Doc Severnson. 1265 00:56:50,360 --> 00:56:53,960 Speaker 20: But what Charlemagne is doing is what I did for 1266 00:56:54,120 --> 00:56:59,279 Speaker 20: this time, for this culture. And look how it's evolved. Yeah, 1267 00:56:59,400 --> 00:57:01,160 Speaker 20: you know, I mean you got the two ladies now, 1268 00:57:01,200 --> 00:57:02,160 Speaker 20: and of course envy. 1269 00:57:02,160 --> 00:57:04,480 Speaker 4: It was a free for me because it just teacher 1270 00:57:04,560 --> 00:57:06,480 Speaker 4: you you don't always have to be chasing something. And 1271 00:57:06,480 --> 00:57:08,960 Speaker 4: it goes back to gratitude. Gratitude turns what we have 1272 00:57:09,560 --> 00:57:10,239 Speaker 4: into enough. 1273 00:57:10,680 --> 00:57:13,600 Speaker 6: Hello there you having senior hall, ladies and gentlemen. Thank 1274 00:57:13,640 --> 00:57:15,600 Speaker 6: you so much for joining us. The memoir is out 1275 00:57:15,680 --> 00:57:17,920 Speaker 6: right now, and make sure you pick it up. And 1276 00:57:17,920 --> 00:57:19,400 Speaker 6: we appreciate you. O G so much. 1277 00:57:19,960 --> 00:57:20,640 Speaker 2: Thank you man. 1278 00:57:20,800 --> 00:57:23,320 Speaker 20: I appreciate y'all, and I'm glad. 1279 00:57:23,040 --> 00:57:26,960 Speaker 2: To finally meet the other three of the foursome in person. 1280 00:57:27,200 --> 00:57:32,480 Speaker 20: Yeah, and the port we can do with the boss. 1281 00:57:32,640 --> 00:57:33,960 Speaker 6: Breakfast clumbers on Senior Hall. 1282 00:57:34,000 --> 00:57:37,960 Speaker 4: Ladies, gentlemen, go pick up our Sennor Hall's memoir Our 1283 00:57:38,000 --> 00:57:40,240 Speaker 4: Senio Man, available everywhere you buy books. 1284 00:57:40,280 --> 00:57:40,480 Speaker 19: Now. 1285 00:57:40,680 --> 00:57:42,360 Speaker 7: He was so happy to meet me. I was like, 1286 00:57:42,360 --> 00:57:44,000 Speaker 7: oh my god, Gus, I was so happy to meet you. 1287 00:57:45,600 --> 00:57:48,160 Speaker 7: Just came in room and said, my girl, Jess, I said, 1288 00:57:48,400 --> 00:57:50,400 Speaker 7: my man on Sino period. 1289 00:57:51,360 --> 00:57:53,640 Speaker 5: The way you make everything about you, I did not. 1290 00:57:53,760 --> 00:57:54,160 Speaker 2: He was so. 1291 00:57:54,240 --> 00:57:54,640 Speaker 6: I was so. 1292 00:57:55,360 --> 00:57:58,720 Speaker 4: He was so disgusting. You can't let argo live for 1293 00:57:58,760 --> 00:57:59,520 Speaker 4: thirty seconds. 1294 00:57:59,560 --> 00:58:00,200 Speaker 6: You'll get it, but. 1295 00:58:02,920 --> 00:58:03,960 Speaker 5: Talk cool back. 1296 00:58:04,160 --> 00:58:07,000 Speaker 7: Yeah, I'm not dumbing myself down. I'm being myself. 1297 00:58:10,400 --> 00:58:12,080 Speaker 16: I'm the home guy that knows a little bit about 1298 00:58:12,120 --> 00:58:14,880 Speaker 16: everything and everything the little. 1299 00:58:14,640 --> 00:58:16,440 Speaker 6: Brown girls look at you and go, I want to 1300 00:58:16,440 --> 00:58:16,880 Speaker 6: be like you. 1301 00:58:17,040 --> 00:58:23,880 Speaker 16: Take me to that on the breakfast club. 1302 00:58:25,320 --> 00:58:30,360 Speaker 5: Talk to me, okay, And you. 1303 00:58:30,320 --> 00:58:33,280 Speaker 16: Didn't even notice it, So don't start now, Okay, focused 1304 00:58:33,320 --> 00:58:36,440 Speaker 16: on what's important here, all right? So Nicki Minaj, this 1305 00:58:36,480 --> 00:58:39,320 Speaker 16: is really scary, y'all. So police rushed to Nicki Minaj's 1306 00:58:39,320 --> 00:58:42,840 Speaker 16: home yesterday morning after they got a call about a 1307 00:58:42,880 --> 00:58:46,520 Speaker 16: trespasser that was wandering on her property. So there was 1308 00:58:46,600 --> 00:58:48,520 Speaker 16: a man. In the police call, there was a man 1309 00:58:48,640 --> 00:58:51,440 Speaker 16: that was on her property seen on camera in the 1310 00:58:51,480 --> 00:58:55,560 Speaker 16: backyard of her house. They described to They described that 1311 00:58:55,640 --> 00:58:58,000 Speaker 16: this man was a white male with a big red 1312 00:58:58,040 --> 00:59:00,840 Speaker 16: beard and long hair. He was wearing a raid track suits. 1313 00:59:00,880 --> 00:59:02,800 Speaker 16: So police, you know, got to the home and he 1314 00:59:02,880 --> 00:59:03,920 Speaker 16: was arrested on the scene. 1315 00:59:04,480 --> 00:59:05,919 Speaker 5: That's not me, be honest. 1316 00:59:12,200 --> 00:59:15,240 Speaker 16: It sounds very January sixth, But yeah, so Nicki was 1317 00:59:15,240 --> 00:59:17,600 Speaker 16: not home at the time. Though luckily Nicki Minaj was 1318 00:59:17,640 --> 00:59:18,400 Speaker 16: not home at the time. 1319 00:59:18,480 --> 00:59:24,640 Speaker 4: So, yeah, that's crazy to be too safe nowadays, I'll 1320 00:59:24,680 --> 00:59:26,480 Speaker 4: just be wondering where people's security be at. 1321 00:59:26,560 --> 00:59:29,760 Speaker 6: I guess so she has a security system, that's why 1322 00:59:29,760 --> 00:59:30,320 Speaker 6: they've seen. 1323 00:59:30,840 --> 00:59:33,120 Speaker 16: But I would feel like Nicki Minaj and certain people 1324 00:59:33,120 --> 00:59:35,080 Speaker 16: still leave full security at their house even when they're 1325 00:59:35,080 --> 00:59:37,120 Speaker 16: not there. No, that's not how it especially what just 1326 00:59:37,120 --> 00:59:40,200 Speaker 16: happened with this was her house in l A. Yeah, 1327 00:59:40,200 --> 00:59:42,840 Speaker 16: this is the house in la It seemed like. 1328 00:59:43,000 --> 00:59:45,520 Speaker 7: Every week, every like a few days, like we hear 1329 00:59:45,560 --> 00:59:48,320 Speaker 7: about somebody trying to either break in the celebrities house 1330 00:59:48,400 --> 00:59:50,480 Speaker 7: or pulling up to one of them celebrities houses. 1331 00:59:50,520 --> 00:59:56,200 Speaker 16: It's so dangerous. Yeah, it is, Well, she wasn't home though, right, yeah, exactly. 1332 00:59:56,920 --> 00:59:57,120 Speaker 6: Well. 1333 00:59:57,160 --> 00:59:58,840 Speaker 7: In other news, so j Cole. 1334 00:59:58,960 --> 01:00:01,880 Speaker 16: Yesterday it was announced that Jay Cole signed a contract 1335 01:00:01,920 --> 01:00:05,800 Speaker 16: to play in the Chinese Basketball Association. So it's just 1336 01:00:05,840 --> 01:00:10,439 Speaker 16: tell espn uh. The association is the Nanjing Monkey Kings. 1337 01:00:10,480 --> 01:00:11,400 Speaker 5: I hate the name of that team. 1338 01:00:11,480 --> 01:00:12,960 Speaker 16: What I thought I was gonna mess it up so bad. 1339 01:00:13,000 --> 01:00:13,680 Speaker 16: That's why I said. 1340 01:00:15,000 --> 01:00:16,840 Speaker 2: So much what they played. 1341 01:00:16,920 --> 01:00:20,720 Speaker 7: But they be playing basketball. They haven't seem like, all right, 1342 01:00:21,400 --> 01:00:22,840 Speaker 7: you know what I'm saying. He's gonna be the tallest 1343 01:00:22,840 --> 01:00:23,640 Speaker 7: one on the same. 1344 01:00:23,960 --> 01:00:28,600 Speaker 4: The first time played on a couple of teams that yeah, 1345 01:00:28,640 --> 01:00:29,280 Speaker 4: with the Chinese. 1346 01:00:29,360 --> 01:00:30,400 Speaker 6: You said Chinese, right. 1347 01:00:30,520 --> 01:00:31,880 Speaker 5: Yeah, i'ming with seven six. 1348 01:00:32,440 --> 01:00:35,320 Speaker 7: I know Theans though, you know a lot of them. 1349 01:00:35,440 --> 01:00:38,360 Speaker 6: Journey played for the next play for the Lakes. All right, 1350 01:00:38,400 --> 01:00:38,960 Speaker 6: well that's good. 1351 01:00:39,160 --> 01:00:42,360 Speaker 16: So Jake Cole had committed to playing a few games 1352 01:00:42,560 --> 01:00:45,080 Speaker 16: for the Chinese team last year, but now he's following through. 1353 01:00:45,320 --> 01:00:47,560 Speaker 16: This is the third time that he's played on a 1354 01:00:47,560 --> 01:00:51,560 Speaker 16: professional sports league. He played in Rwanda with the Rwanda Patriots. 1355 01:00:52,440 --> 01:00:56,880 Speaker 16: He also played for the scar Scarborough Shooting Stars the 1356 01:00:56,880 --> 01:01:00,160 Speaker 16: Canadian Elite Basketball League in twenty twenty two. He play 1357 01:01:00,160 --> 01:01:01,800 Speaker 16: back in high school North Carolina, which he's been talking 1358 01:01:01,840 --> 01:01:03,160 Speaker 16: a lot about on this Preuss front. 1359 01:01:03,280 --> 01:01:04,520 Speaker 5: I think life, I think that's dope. 1360 01:01:04,640 --> 01:01:07,320 Speaker 4: That's what life is about, putting yourself in position to 1361 01:01:07,360 --> 01:01:08,920 Speaker 4: be able to do whatever it is the hell you 1362 01:01:08,920 --> 01:01:09,280 Speaker 4: want to do. 1363 01:01:09,800 --> 01:01:09,960 Speaker 7: Yes. 1364 01:01:10,640 --> 01:01:14,919 Speaker 16: Well, in other news, Kanye West, No, I've been talking 1365 01:01:14,920 --> 01:01:17,320 Speaker 16: a lot about Kanye West and Bully. Well, the Sofi 1366 01:01:17,440 --> 01:01:20,920 Speaker 16: Stadium show went down last night and it was a 1367 01:01:21,080 --> 01:01:25,080 Speaker 16: scene just in attendance alone. Right Er Kobadu was there. 1368 01:01:25,160 --> 01:01:27,720 Speaker 16: She thinks Yaka Sensori, who is Kanye West's wife, for 1369 01:01:27,760 --> 01:01:32,400 Speaker 16: inviting her. I saw Kai Sanat there as well. Travis 1370 01:01:32,400 --> 01:01:34,320 Speaker 16: Scott came out with Kanye West. 1371 01:01:35,160 --> 01:01:36,560 Speaker 6: Northwest Stage came. 1372 01:01:36,440 --> 01:01:37,400 Speaker 7: Out with Kanye West. 1373 01:01:37,400 --> 01:01:40,120 Speaker 16: But the stage was the scene, not just because Kanye 1374 01:01:40,160 --> 01:01:42,400 Speaker 16: West was on the stage, but the visual like of 1375 01:01:42,440 --> 01:01:44,120 Speaker 16: the stage. So it was set up like an earth 1376 01:01:44,240 --> 01:01:46,439 Speaker 16: right and Kanye is in the middle of the earth, 1377 01:01:46,480 --> 01:01:48,800 Speaker 16: and it changed colors and it was moving and it 1378 01:01:48,840 --> 01:01:50,440 Speaker 16: was it was it was amazing. 1379 01:01:50,440 --> 01:01:52,360 Speaker 6: How did you get how did you get on the stage? 1380 01:01:52,640 --> 01:01:54,200 Speaker 7: I'm not for sure. I couldn't figure that. 1381 01:01:54,440 --> 01:01:55,920 Speaker 6: Like a bubble. For people that can't see this, it's 1382 01:01:55,960 --> 01:01:57,840 Speaker 6: like a bubble, so you can't walk off it. You 1383 01:01:57,840 --> 01:02:00,520 Speaker 6: almost have to be dropped on it, which is dope. 1384 01:02:00,520 --> 01:02:04,560 Speaker 16: It was this is five year yeah no, and it 1385 01:02:04,600 --> 01:02:08,000 Speaker 16: was packed over sixty thousand people there. But yes, But 1386 01:02:08,040 --> 01:02:10,280 Speaker 16: there was a moment during the show where Kanye had 1387 01:02:10,280 --> 01:02:12,640 Speaker 16: to get with the lighting team. Let's say a listen, 1388 01:02:13,000 --> 01:02:18,880 Speaker 16: Mama kid on the team, mama ye call shop stop talk, Yo. 1389 01:02:19,240 --> 01:02:21,440 Speaker 20: I don't like these when the lights moved like that 1390 01:02:21,560 --> 01:02:24,440 Speaker 20: like a disco, they don't go with the stage. 1391 01:02:24,520 --> 01:02:25,040 Speaker 2: Don't do that. 1392 01:02:25,120 --> 01:02:28,280 Speaker 6: Stop doing that. Sorry, guys, run it back. 1393 01:02:28,320 --> 01:02:29,480 Speaker 2: What y'allways do with this. 1394 01:02:31,120 --> 01:02:31,800 Speaker 6: Shot shop? 1395 01:02:31,840 --> 01:02:32,479 Speaker 2: Shot shop? 1396 01:02:32,520 --> 01:02:32,840 Speaker 6: Stop? 1397 01:02:32,960 --> 01:02:33,440 Speaker 11: Shut up? 1398 01:02:33,480 --> 01:02:35,800 Speaker 6: Shot You see that when it does that, don't do that. 1399 01:02:36,560 --> 01:02:37,520 Speaker 6: That's corner, yo. 1400 01:02:38,000 --> 01:02:38,840 Speaker 20: Alright, run it back. 1401 01:02:39,120 --> 01:02:42,720 Speaker 6: Like what y'allways do with this chat for mine? I 1402 01:02:42,840 --> 01:02:45,480 Speaker 6: get to shine. That's on your hands. What is this 1403 01:02:48,080 --> 01:02:51,400 Speaker 6: snop shop? Stop shop? It's like an SNL spirit or something. 1404 01:02:51,840 --> 01:02:55,800 Speaker 7: Stop doing the vibrating vegas lights, bro, Like we went 1405 01:02:55,840 --> 01:02:56,760 Speaker 7: over this in rehearsal. 1406 01:02:57,200 --> 01:02:58,440 Speaker 2: Yeah, put the earth up. 1407 01:02:58,560 --> 01:03:01,200 Speaker 6: Yeah alright, run it back like what you always. 1408 01:03:00,840 --> 01:03:01,800 Speaker 2: Do with this child. 1409 01:03:02,400 --> 01:03:06,720 Speaker 4: I'll take that Kanye R over any other Kanye last Yeah. 1410 01:03:06,560 --> 01:03:08,400 Speaker 2: Any day that wasn't too bad. 1411 01:03:08,880 --> 01:03:09,480 Speaker 6: That's just hard. 1412 01:03:10,440 --> 01:03:11,000 Speaker 5: I'm cool. 1413 01:03:11,040 --> 01:03:14,120 Speaker 4: With that. That's the most beautiful thing about this evening. 1414 01:03:14,160 --> 01:03:15,560 Speaker 4: He gat did a great show. 1415 01:03:16,840 --> 01:03:20,560 Speaker 16: Went through all the hits to yes, Yes. Shout out 1416 01:03:20,600 --> 01:03:23,360 Speaker 16: to Kanye was some congratulations to him. He's headed to 1417 01:03:23,400 --> 01:03:25,560 Speaker 16: do the Wireless Fest next and I know the London 1418 01:03:25,560 --> 01:03:28,000 Speaker 16: Mayor was trying to distance himself from all of that 1419 01:03:28,200 --> 01:03:30,600 Speaker 16: in that decision, but he's there. It'll be happening on 1420 01:03:30,680 --> 01:03:32,960 Speaker 16: July tenth through twelve. I've been seeing some fans talking 1421 01:03:32,960 --> 01:03:35,000 Speaker 16: about the fact that jay Z and Kanye have shows 1422 01:03:35,160 --> 01:03:37,120 Speaker 16: on the same day in different places. But yeah, he's 1423 01:03:37,120 --> 01:03:38,440 Speaker 16: back outside, so yo, what. 1424 01:03:38,840 --> 01:03:42,120 Speaker 7: If they rehearsal He told him to do that, But hey, 1425 01:03:42,200 --> 01:03:44,040 Speaker 7: like how it looked in real time, so we try 1426 01:03:44,040 --> 01:03:44,600 Speaker 7: to blame. 1427 01:03:44,440 --> 01:03:44,960 Speaker 2: It on them. 1428 01:03:45,200 --> 01:03:45,920 Speaker 6: That would be funny. 1429 01:03:45,960 --> 01:03:47,920 Speaker 7: That's some Kanye is very much so. And I did 1430 01:03:48,000 --> 01:03:48,920 Speaker 7: see a projection too. 1431 01:03:48,960 --> 01:03:53,040 Speaker 16: They're projecting that Bully will be hitting very highly in 1432 01:03:53,120 --> 01:03:56,920 Speaker 16: the Billboard top two hundred. I believe it was reported 1433 01:03:57,000 --> 01:03:59,360 Speaker 16: or it's being reported that he's going to be potentially 1434 01:03:59,640 --> 01:04:00,920 Speaker 16: within the top twenty. 1435 01:04:01,160 --> 01:04:02,960 Speaker 7: I love it, did it. 1436 01:04:04,160 --> 01:04:06,680 Speaker 2: I've listened to a couple of records. 1437 01:04:06,960 --> 01:04:08,520 Speaker 7: You did listen to it, and I had I finally 1438 01:04:08,560 --> 01:04:10,520 Speaker 7: finished it it's like a soundtrack album, like it can 1439 01:04:10,560 --> 01:04:13,720 Speaker 7: be used for like anime or action movies. You know 1440 01:04:13,760 --> 01:04:14,160 Speaker 7: what I'm saying. 1441 01:04:14,160 --> 01:04:16,320 Speaker 6: Like he's always been I love it. I love it. 1442 01:04:16,440 --> 01:04:18,600 Speaker 16: Yeah, So let me correct myself. It's more than twenty. 1443 01:04:18,760 --> 01:04:20,680 Speaker 16: He's projected the debut number two on the Billboard two 1444 01:04:20,760 --> 01:04:23,200 Speaker 16: hundred charts. That's projected. So we'll see what happens. 1445 01:04:23,240 --> 01:04:26,160 Speaker 6: But for the latest is the latest. 1446 01:04:26,240 --> 01:04:28,320 Speaker 7: Let me forget the Happy birthday Marvin gay y'all he 1447 01:04:28,320 --> 01:04:31,160 Speaker 7: would have been eighty seven. Yes, we can get some 1448 01:04:31,200 --> 01:04:32,680 Speaker 7: Marvin Gaye on in the cue. Do a little mom 1449 01:04:32,720 --> 01:04:35,560 Speaker 7: and Gay mixed envy, little more than do a little 1450 01:04:35,560 --> 01:04:37,680 Speaker 7: movin gang. This is what's going on. We got in 1451 01:04:37,680 --> 01:04:39,959 Speaker 7: the city Blue. You have a lot of other things too, 1452 01:04:40,520 --> 01:04:41,120 Speaker 7: you know, every. 1453 01:04:41,000 --> 01:04:42,440 Speaker 4: Time you want to run to the store to get 1454 01:04:42,440 --> 01:04:43,480 Speaker 4: you some cigarettes and a lot of. 1455 01:04:48,560 --> 01:04:48,600 Speaker 3: That. 1456 01:04:48,720 --> 01:04:51,480 Speaker 7: Before she got so bad, I'm like, I do give that. 1457 01:04:52,360 --> 01:04:54,480 Speaker 5: Like the boys. Wasn't always like that, but now I 1458 01:04:54,560 --> 01:04:55,440 Speaker 5: was like, every time. 1459 01:04:55,240 --> 01:05:01,480 Speaker 6: You're going to run my job, get me some cigarettes. 1460 01:05:02,240 --> 01:05:03,240 Speaker 7: Certain jokes, Yes. 1461 01:05:03,720 --> 01:05:04,240 Speaker 5: Sugar high. 1462 01:05:04,320 --> 01:05:06,720 Speaker 6: I don't want to get your honey, my goodness, I say, 1463 01:05:07,600 --> 01:05:08,160 Speaker 6: Marvin Gay. 1464 01:05:08,280 --> 01:05:12,000 Speaker 7: Well, I just remember I have anybody infrigerator. That's nothing 1465 01:05:13,320 --> 01:05:13,880 Speaker 7: y'all talk about. 1466 01:05:13,880 --> 01:05:17,080 Speaker 6: I get high, big back, all right, donkey and day 1467 01:05:17,200 --> 01:05:20,760 Speaker 6: even a donkey two big bay shot in the car. 1468 01:05:22,520 --> 01:05:23,600 Speaker 2: Thought I get at. 1469 01:05:25,240 --> 01:05:27,960 Speaker 4: A young woman named Nanna Allan Bailey. She needs to 1470 01:05:27,960 --> 01:05:29,520 Speaker 4: come to the front of the congregation. She is a 1471 01:05:29,560 --> 01:05:32,400 Speaker 4: prime example that you know, your trauma is not your fault, 1472 01:05:32,440 --> 01:05:34,720 Speaker 4: but your healing is absolutely your responsibility. 1473 01:05:34,720 --> 01:05:36,200 Speaker 5: We'll discuss all. 1474 01:05:36,160 --> 01:05:38,160 Speaker 6: Right, everybody else will do that when we come back. 1475 01:05:38,160 --> 01:05:40,600 Speaker 6: And don't forget. Also, just fix my mess eight hundred 1476 01:05:40,840 --> 01:05:42,440 Speaker 6: five eight five one o five one. If you need 1477 01:05:42,480 --> 01:05:44,320 Speaker 6: any type of advice caller right now, it's the breakfast 1478 01:05:44,320 --> 01:05:44,880 Speaker 6: club in the morning. 1479 01:05:45,800 --> 01:05:47,680 Speaker 7: Your execute shut on the Donkey of the day is 1480 01:05:47,680 --> 01:05:51,120 Speaker 7: something to go give you the reason they gave me 1481 01:05:51,200 --> 01:05:51,880 Speaker 7: donkey other day. 1482 01:05:51,880 --> 01:05:54,240 Speaker 6: And I deserve that. People need to know what you need. 1483 01:05:54,120 --> 01:05:57,080 Speaker 7: To tell them. I am you have they tell. 1484 01:05:57,000 --> 01:06:00,400 Speaker 2: Them it's time for donkey. 1485 01:06:00,520 --> 01:06:02,720 Speaker 6: It's a reed, but you're so good at it. 1486 01:06:02,720 --> 01:06:04,280 Speaker 2: You trying to be a fake a charlamage. 1487 01:06:04,320 --> 01:06:05,680 Speaker 11: You know he wants charlamade as well. 1488 01:06:07,760 --> 01:06:09,800 Speaker 7: Yeah, Salomeme, who did heven Dusty today? 1489 01:06:09,880 --> 01:06:13,439 Speaker 4: So Nana, well sexy read Donkey Today for Wednesday, April second, 1490 01:06:13,520 --> 01:06:16,640 Speaker 4: goes to a Seattle woman named Nanna Allen Bailey. Okay, 1491 01:06:16,680 --> 01:06:19,960 Speaker 4: she's twenty years old and she pleaded guilty the second 1492 01:06:19,960 --> 01:06:22,960 Speaker 4: degree murder in the tragic killing of fifty two year 1493 01:06:23,000 --> 01:06:26,000 Speaker 4: old a Marie Getta. Okay, first things first, rest in 1494 01:06:26,000 --> 01:06:28,400 Speaker 4: peace to Amarie Getta. It saddens me that your life 1495 01:06:28,480 --> 01:06:31,680 Speaker 4: was tragically cut short for absolutely nothing. 1496 01:06:33,040 --> 01:06:35,000 Speaker 5: Let's go to ABC four News for the report. 1497 01:06:35,000 --> 01:06:41,360 Speaker 21: Police prosecutors played this song in court. It's from a 1498 01:06:41,400 --> 01:06:44,600 Speaker 21: ten year old boy singing to his father, Amari Getta, 1499 01:06:44,800 --> 01:06:47,560 Speaker 21: hoping he is now in a safe place after being 1500 01:06:47,640 --> 01:06:50,240 Speaker 21: killed while working as a Ryan Share driver in Seattle 1501 01:06:50,520 --> 01:06:54,400 Speaker 21: in August of twenty twenty three. The emotional family pleading 1502 01:06:54,440 --> 01:06:56,600 Speaker 21: with the court to hold twenty year old Dayana Allen 1503 01:06:56,680 --> 01:06:57,680 Speaker 21: Bailey accountable. 1504 01:06:57,920 --> 01:07:00,920 Speaker 2: Today there's only one lisentence, and now it's for mister. 1505 01:07:00,800 --> 01:07:04,560 Speaker 21: Getting Alan Bailey was eighteen at the time. Videos show 1506 01:07:04,600 --> 01:07:08,320 Speaker 21: her walking down First Avenue South, then approaching Gatis car 1507 01:07:08,360 --> 01:07:10,480 Speaker 21: where he'd stopped to take a break from his shift 1508 01:07:10,480 --> 01:07:14,200 Speaker 21: as a lift driver. Alan Bailey approaches the door, shoots him, 1509 01:07:14,400 --> 01:07:17,080 Speaker 21: then steals the car. She then used the stolen car 1510 01:07:17,120 --> 01:07:19,720 Speaker 21: to go to Walmart buy an Xbox in an Apple Watch, 1511 01:07:19,720 --> 01:07:22,600 Speaker 21: and then got her haircut as Gettis family and police 1512 01:07:22,640 --> 01:07:25,760 Speaker 21: wondered who could have murdered him and why. Within days, 1513 01:07:25,760 --> 01:07:28,880 Speaker 21: they found the car and arrested Alan Bailey. She denied 1514 01:07:28,960 --> 01:07:31,720 Speaker 21: killing him at first, but later admitted to what had happened. 1515 01:07:31,960 --> 01:07:33,000 Speaker 21: At her sentencing hearing. 1516 01:07:33,040 --> 01:07:33,960 Speaker 2: The defense said. 1517 01:07:33,840 --> 01:07:37,200 Speaker 21: She was high on xanax, marijuana, mushrooms, and drunk on 1518 01:07:37,240 --> 01:07:38,800 Speaker 21: tequila at the time of the murder. 1519 01:07:40,480 --> 01:07:41,000 Speaker 5: Young woman. 1520 01:07:41,360 --> 01:07:44,200 Speaker 4: She was eighteen at the time, killed a human, left 1521 01:07:44,240 --> 01:07:46,600 Speaker 4: him to die in the street, and drove around in 1522 01:07:47,360 --> 01:07:49,919 Speaker 4: that person's car for a few days, running errands. 1523 01:07:50,000 --> 01:07:52,040 Speaker 5: Heard went to go buy video. 1524 01:07:51,760 --> 01:07:54,080 Speaker 4: Games, and went to go get their hair done like this. 1525 01:07:54,960 --> 01:07:57,040 Speaker 4: This is why you can't just stay safe. Okay, you 1526 01:07:57,080 --> 01:07:59,200 Speaker 4: gotta stay dangerous. I don't care how old they are. Okay, 1527 01:07:59,240 --> 01:08:01,880 Speaker 4: don't play with him. Keep your guard up at all times. Okay, 1528 01:08:01,920 --> 01:08:05,000 Speaker 4: you heard the news report. Court records said Nihanna approached 1529 01:08:05,440 --> 01:08:09,560 Speaker 4: Gita's car, shot him, then stole the car and left 1530 01:08:09,600 --> 01:08:11,360 Speaker 4: him to die in the street. Now, when I hear 1531 01:08:11,440 --> 01:08:13,560 Speaker 4: stories like this, I have to hear more details. Even 1532 01:08:13,600 --> 01:08:16,600 Speaker 4: though I know people are sick and they're violent, just 1533 01:08:16,680 --> 01:08:19,479 Speaker 4: pure evil, my mind sometimes won't let me just accept that. 1534 01:08:19,600 --> 01:08:22,040 Speaker 4: So when I saw that defense attorneys called a doctor 1535 01:08:22,080 --> 01:08:25,800 Speaker 4: to testify about Leanna's drug use, I was like, Okay, 1536 01:08:25,840 --> 01:08:28,760 Speaker 4: now we're starting to come together. Eighteen years old drug use. 1537 01:08:28,960 --> 01:08:31,720 Speaker 4: The doctor said, Niana was abusing alcohol and drugs. You 1538 01:08:31,800 --> 01:08:34,639 Speaker 4: heard it, Sandax, Pergocet's mushrooms to killer. 1539 01:08:35,040 --> 01:08:38,759 Speaker 5: She was high out of her mind before killing Ghita. 1540 01:08:39,160 --> 01:08:43,280 Speaker 4: Defense attorneys outlined Alan Bailey's childhood also okay, which involved 1541 01:08:43,520 --> 01:08:46,519 Speaker 4: police responding to her home on reports of abandonment and 1542 01:08:46,600 --> 01:08:49,120 Speaker 4: drug use. To defense said, Miss Allen Bailly has known 1543 01:08:49,160 --> 01:08:50,599 Speaker 4: nothing but a life of neglect. 1544 01:08:51,160 --> 01:08:54,639 Speaker 5: She deserved better. This is why I couldn't be a lawyer. Okay. 1545 01:08:54,720 --> 01:08:57,760 Speaker 4: I am extremely sorry Leanna's life was the way it was. 1546 01:08:57,800 --> 01:09:00,880 Speaker 4: But just because you experienced her at the child doesn't 1547 01:09:00,920 --> 01:09:03,960 Speaker 4: mean you get to become the adult that hurts people. Okay, 1548 01:09:03,960 --> 01:09:06,920 Speaker 4: eighteen is an adult, all right. I completely overstand the trauma, 1549 01:09:06,960 --> 01:09:09,920 Speaker 4: all right, Leanna experience, but we have to remember our 1550 01:09:09,960 --> 01:09:12,600 Speaker 4: trauma is not our fault, but our healing is absolutely 1551 01:09:12,600 --> 01:09:13,520 Speaker 4: our responsibility. 1552 01:09:13,560 --> 01:09:16,519 Speaker 5: This young lady never even stood a chance. Okay, Nanna, you. 1553 01:09:16,520 --> 01:09:18,640 Speaker 4: Was out here being a reflection of your depression. You 1554 01:09:18,760 --> 01:09:20,680 Speaker 4: was out here being a reflection of your dark. You 1555 01:09:20,800 --> 01:09:22,800 Speaker 4: was out here being a reflection of your ugly and 1556 01:09:23,040 --> 01:09:26,280 Speaker 4: all that should be taken into consideration. I wish you 1557 01:09:26,400 --> 01:09:29,240 Speaker 4: had gotten some help before you took a life. But man, 1558 01:09:30,120 --> 01:09:32,240 Speaker 4: none of that is to get out of jail free card. Okay, 1559 01:09:32,320 --> 01:09:34,920 Speaker 4: you must deal with the consequences of your actions. 1560 01:09:35,000 --> 01:09:35,560 Speaker 5: Sometimes. 1561 01:09:36,760 --> 01:09:39,400 Speaker 4: I wish humans had a kill switch, meaning that whenever 1562 01:09:39,520 --> 01:09:42,639 Speaker 4: you are about to commit a senseless act of murder, okay, 1563 01:09:43,240 --> 01:09:45,519 Speaker 4: you die first, all right, right there on the spot, 1564 01:09:45,560 --> 01:09:47,679 Speaker 4: as soon as you are about to take somebody out. 1565 01:09:48,040 --> 01:09:50,599 Speaker 4: You know, the same way they have those kill switches 1566 01:09:50,600 --> 01:09:53,240 Speaker 4: that are anti theft, those safety devices that interrupt the 1567 01:09:53,320 --> 01:09:55,799 Speaker 4: vehicles bidle circuits and prevent it from starting. 1568 01:09:56,080 --> 01:09:57,519 Speaker 5: We need that same thing for humans. 1569 01:09:57,520 --> 01:09:58,840 Speaker 4: Okay, as soon as you are about to commit a 1570 01:09:58,840 --> 01:10:01,040 Speaker 4: hand a stack of violence against some one for no reason. 1571 01:10:01,360 --> 01:10:02,439 Speaker 5: Everything shuts off. 1572 01:10:02,720 --> 01:10:06,759 Speaker 4: Okay, hearts, lungs, kidneys, every critical organ just fails. 1573 01:10:06,920 --> 01:10:10,679 Speaker 5: That's what I wish would happen. But that's not reality. Okay. 1574 01:10:10,720 --> 01:10:13,160 Speaker 4: The reality is people are hurting and they are projecting 1575 01:10:13,160 --> 01:10:14,920 Speaker 4: that hurt on the other people. But that's not an 1576 01:10:14,960 --> 01:10:21,240 Speaker 4: excuse to take a man away from his family. I 1577 01:10:21,320 --> 01:10:25,000 Speaker 4: understand you was eighteen, but I don't care a right 1578 01:10:25,040 --> 01:10:26,120 Speaker 4: his brother had two kids. 1579 01:10:26,320 --> 01:10:28,400 Speaker 5: Okay, Leanna, you didn't just steal a car. You stole 1580 01:10:28,439 --> 01:10:30,559 Speaker 5: a father away from his family, all right. 1581 01:10:30,760 --> 01:10:34,000 Speaker 4: A life that's never coming back, a family destroyed forever. 1582 01:10:34,200 --> 01:10:36,880 Speaker 4: I understand the picture the defense attorney is painting for you, 1583 01:10:37,080 --> 01:10:39,760 Speaker 4: but this story isn't about you. It's about the life 1584 01:10:40,040 --> 01:10:43,519 Speaker 4: that was taken. Yes, trauma can explain behavior, but it 1585 01:10:43,560 --> 01:10:45,600 Speaker 4: doesn't excuse me. You know, I'm a big advocate for 1586 01:10:45,640 --> 01:10:49,920 Speaker 4: mental health. I understand you was on drugs, but I 1587 01:10:49,920 --> 01:10:52,840 Speaker 4: don't care. Okay, you wanted to escape reality so bad 1588 01:10:53,000 --> 01:10:57,200 Speaker 4: that you destroyed someone else's reality forever. Now you have 1589 01:10:57,280 --> 01:11:00,639 Speaker 4: to deal with the consequences of that. Please give Leanna 1590 01:11:00,680 --> 01:11:06,479 Speaker 4: Allen Bailey the biggest he hulled. And that's why it's 1591 01:11:06,600 --> 01:11:10,040 Speaker 4: very important for you know, kids to get help early, 1592 01:11:10,400 --> 01:11:11,280 Speaker 4: but also listen to. 1593 01:11:11,280 --> 01:11:12,320 Speaker 5: The adults in your life. 1594 01:11:12,600 --> 01:11:14,479 Speaker 4: And I guarantee you somebody might have been trying to 1595 01:11:14,479 --> 01:11:17,040 Speaker 4: get through to this young woman for a while, and 1596 01:11:17,080 --> 01:11:19,559 Speaker 4: now she's made a decision that is going to cost 1597 01:11:19,560 --> 01:11:20,719 Speaker 4: her twenty years of her life. 1598 01:11:21,439 --> 01:11:25,120 Speaker 7: Yo, how do you assume all of those drugs like 1599 01:11:25,200 --> 01:11:26,600 Speaker 7: that's at one time. 1600 01:11:26,720 --> 01:11:29,400 Speaker 4: And I'm wondering what she hides for the next few 1601 01:11:29,439 --> 01:11:31,000 Speaker 4: days for her just to go live her. 1602 01:11:30,880 --> 01:11:32,960 Speaker 6: Life, nurse, of course I do. 1603 01:11:33,120 --> 01:11:36,120 Speaker 5: I believe that to go buy an xtbox right, get. 1604 01:11:35,960 --> 01:11:39,280 Speaker 7: Your head cut, like, don't get it done right. I 1605 01:11:39,280 --> 01:11:41,880 Speaker 7: was gonna say so she was a stud, but but 1606 01:11:42,240 --> 01:11:45,960 Speaker 7: then you got shrooms, you got what you got liquor 1607 01:11:46,160 --> 01:11:50,160 Speaker 7: what else? She says xanax, Like damn, what were you 1608 01:11:50,240 --> 01:11:52,720 Speaker 7: trying to kill? Yes, you're running away from. 1609 01:11:52,479 --> 01:11:56,479 Speaker 6: Yeah, well thank you for that. Donkey today, Charlamagne. Now 1610 01:11:56,520 --> 01:11:58,360 Speaker 6: when we come back, just fix my mess. If you 1611 01:11:58,400 --> 01:12:00,880 Speaker 6: need relationship advice at any type of advice, call her 1612 01:12:01,040 --> 01:12:03,640 Speaker 6: right now. Eight hundred five eight five on five is 1613 01:12:03,680 --> 01:12:07,000 Speaker 6: the breakfast Club. Good morning, X about me for relationship problems, 1614 01:12:07,080 --> 01:12:07,920 Speaker 6: as about me. 1615 01:12:07,960 --> 01:12:10,680 Speaker 7: If you need to beat your coworker's ass, as about me, 1616 01:12:10,720 --> 01:12:12,840 Speaker 7: If your coworker needs to beat your ass, call it 1617 01:12:12,880 --> 01:12:16,240 Speaker 7: a got to Jess, and I'm here to fix your masks, 1618 01:12:16,280 --> 01:12:18,559 Speaker 7: fix your mask. He's getting very much messy. 1619 01:12:18,600 --> 01:12:20,240 Speaker 5: Let me fix that morning. 1620 01:12:20,280 --> 01:12:24,120 Speaker 6: Everybody is DJ Envy just hilaris Charlamagne the God. We 1621 01:12:24,160 --> 01:12:27,719 Speaker 6: are the breakfast Club. Now it's time for just fix 1622 01:12:27,920 --> 01:12:29,680 Speaker 6: my mess. And we have Nicole on the line the 1623 01:12:29,720 --> 01:12:30,680 Speaker 6: cold good morning. 1624 01:12:33,360 --> 01:12:35,920 Speaker 10: And best updates. 1625 01:12:36,439 --> 01:12:39,280 Speaker 7: Hello, fresh your memory? 1626 01:12:39,479 --> 01:12:40,160 Speaker 11: Just real quick? 1627 01:12:41,520 --> 01:12:44,040 Speaker 10: Where me and my husband are getting ready for our 1628 01:12:44,040 --> 01:12:48,559 Speaker 10: oldest to graduate from high school. So he was setting 1629 01:12:48,600 --> 01:12:52,240 Speaker 10: up see one of the graduation requirements, and he needed 1630 01:12:52,320 --> 01:12:54,639 Speaker 10: to get my face because I'm the one who does 1631 01:12:55,080 --> 01:12:59,760 Speaker 10: all the information. Just comes to his phone and says, base, 1632 01:13:00,000 --> 01:13:02,599 Speaker 10: I don't feel so well. And I never said nothing 1633 01:13:02,640 --> 01:13:02,960 Speaker 10: too long. 1634 01:13:03,439 --> 01:13:08,519 Speaker 6: Yes, I do remember the work life situation. 1635 01:13:09,000 --> 01:13:10,600 Speaker 11: Yep, exactly got it. 1636 01:13:10,720 --> 01:13:13,880 Speaker 10: Okay, So now he came in the house. It's like 1637 01:13:13,960 --> 01:13:17,960 Speaker 10: after one o'clock. Class is over at eleven. I wake up. 1638 01:13:18,280 --> 01:13:21,000 Speaker 10: He's not there. I call him, he don't answer. He 1639 01:13:21,160 --> 01:13:23,800 Speaker 10: come in the house. He puts the line on and 1640 01:13:23,840 --> 01:13:25,439 Speaker 10: I go over there to him. I'm like, why are 1641 01:13:25,479 --> 01:13:28,120 Speaker 10: you just getting in the house after after one o'clock? 1642 01:13:28,520 --> 01:13:30,680 Speaker 10: He said, oh, I had the words live. I had 1643 01:13:30,680 --> 01:13:32,599 Speaker 10: to close up, and then I wanted to get something 1644 01:13:32,640 --> 01:13:35,040 Speaker 10: to eat. I cook every day. You could have made 1645 01:13:35,040 --> 01:13:38,040 Speaker 10: what I cook. However, then I said okay, I said, 1646 01:13:38,040 --> 01:13:40,240 Speaker 10: you want to play like you single. I said, I'm done. 1647 01:13:40,640 --> 01:13:42,880 Speaker 10: I walked back in the room. He lept on the couch. 1648 01:13:43,240 --> 01:13:45,439 Speaker 10: I woke up to a text semester fan, let's do 1649 01:13:45,400 --> 01:13:49,479 Speaker 10: a marriage counselan I agreed to it. That was about 1650 01:13:49,640 --> 01:13:52,640 Speaker 10: three weeks ago. He still hasn't made the appointment for 1651 01:13:52,720 --> 01:13:55,680 Speaker 10: marriage counselaint. I'm still trying to save up Lenny, so 1652 01:13:55,720 --> 01:13:59,240 Speaker 10: I'll be leaping in July. Should I believe him, leave him. 1653 01:13:59,680 --> 01:14:02,599 Speaker 10: We've been marrying for like, we've been together for twenty 1654 01:14:02,680 --> 01:14:04,439 Speaker 10: four years, married for nineteen. 1655 01:14:04,920 --> 01:14:09,120 Speaker 6: Yeah, I feel this is gonna sound crazy. 1656 01:14:09,200 --> 01:14:13,120 Speaker 7: I just feel like, hm, I'm not gonna okay, let's 1657 01:14:13,160 --> 01:14:13,759 Speaker 7: start an. 1658 01:14:14,160 --> 01:14:15,720 Speaker 10: I don't want to just I don't want to just 1659 01:14:15,880 --> 01:14:18,240 Speaker 10: stalk the relationship of the years that we've been through. 1660 01:14:18,320 --> 01:14:21,439 Speaker 10: It's my best friends. But it's even as that, like 1661 01:14:22,000 --> 01:14:24,320 Speaker 10: what are you you trying to be with another girl 1662 01:14:24,360 --> 01:14:28,680 Speaker 10: for what, like you know, usually anything it's not his girlfriend. 1663 01:14:29,200 --> 01:14:32,240 Speaker 7: Yeah, and that's just what she taught in some cases 1664 01:14:33,400 --> 01:14:36,760 Speaker 7: when you've been married for a long time like that. Yeah, 1665 01:14:36,800 --> 01:14:40,680 Speaker 7: both men and women, they they seek outside comfort, you know, 1666 01:14:40,920 --> 01:14:42,400 Speaker 7: to like you know, they be wanting to see if 1667 01:14:42,400 --> 01:14:44,400 Speaker 7: they still got it, or just being with the same 1668 01:14:44,439 --> 01:14:47,880 Speaker 7: person like to some people you know for so long 1669 01:14:48,520 --> 01:14:52,160 Speaker 7: at you know, people end up craving something new, especially 1670 01:14:52,200 --> 01:14:53,880 Speaker 7: if it's right up under their nose every day, and 1671 01:14:53,920 --> 01:14:55,120 Speaker 7: he go to work with this leg you know, he 1672 01:14:55,200 --> 01:14:57,920 Speaker 7: worked with this girl and she's probably younger. She's probably 1673 01:14:57,960 --> 01:15:02,360 Speaker 7: you know, making passes at him younger, right, absolutely, Now, 1674 01:15:02,840 --> 01:15:05,880 Speaker 7: what I don't like, right is that that and I'm 1675 01:15:05,880 --> 01:15:08,960 Speaker 7: not justifying what I just said does not justify his behavior. 1676 01:15:09,160 --> 01:15:11,760 Speaker 7: But what I don't like is he texted you. You 1677 01:15:11,800 --> 01:15:13,960 Speaker 7: said you you woke up to a text that said, 1678 01:15:14,120 --> 01:15:16,200 Speaker 7: let's do marriage counseling. First of all, that I wouldn't 1679 01:15:16,200 --> 01:15:18,880 Speaker 7: even let you go to sleep without saying that to you. 1680 01:15:19,160 --> 01:15:22,519 Speaker 7: I wouldn't you know, I wouldn't have That's not a text. 1681 01:15:22,960 --> 01:15:26,000 Speaker 7: That's something that you when when you wake up, you 1682 01:15:26,040 --> 01:15:27,519 Speaker 7: open up your eyes. He should have been right on 1683 01:15:27,520 --> 01:15:28,840 Speaker 7: the other side of the bed, ready to have that 1684 01:15:28,880 --> 01:15:31,200 Speaker 7: conversation with you. Like yo, okay, listen, I heard what 1685 01:15:31,240 --> 01:15:32,880 Speaker 7: you said last night. I don't want you to leave. 1686 01:15:32,960 --> 01:15:35,280 Speaker 7: I really don't let's do marriage counseling because it would 1687 01:15:35,360 --> 01:15:38,520 Speaker 7: sound much better. It would it would be way more impactful, 1688 01:15:38,840 --> 01:15:40,760 Speaker 7: and you would believe it more if he if he 1689 01:15:40,840 --> 01:15:42,960 Speaker 7: were to say it to you, not text it to you, 1690 01:15:43,360 --> 01:15:46,960 Speaker 7: because you're threatening to leave him the night before it. 1691 01:15:47,280 --> 01:15:50,000 Speaker 10: I haven't made an appointment yet. You still haven't made 1692 01:15:50,000 --> 01:15:52,000 Speaker 10: an appointment. It's like you're trying to brush it under 1693 01:15:52,000 --> 01:15:54,599 Speaker 10: the rum where it's just like, Okay, we're gonna. 1694 01:15:54,439 --> 01:15:57,200 Speaker 6: Keep going because that's because. 1695 01:15:58,680 --> 01:16:01,320 Speaker 7: Yeah, because that was to keep you holding on a 1696 01:16:01,400 --> 01:16:02,200 Speaker 7: little bit longer. 1697 01:16:02,280 --> 01:16:02,479 Speaker 5: You know. 1698 01:16:02,720 --> 01:16:03,479 Speaker 6: You know what I'm saying. 1699 01:16:03,520 --> 01:16:06,080 Speaker 7: This is just like a temporary a temporary band aid, 1700 01:16:06,160 --> 01:16:09,160 Speaker 7: you know what I mean. But I think what you 1701 01:16:09,200 --> 01:16:12,120 Speaker 7: should do is you should leave and then you see 1702 01:16:12,400 --> 01:16:14,120 Speaker 7: how he acts. And no, this is not a test. 1703 01:16:14,160 --> 01:16:16,519 Speaker 7: It's actually a test for you as well, to see 1704 01:16:16,520 --> 01:16:19,880 Speaker 7: how strong you are without him, because you I mean, 1705 01:16:19,920 --> 01:16:22,519 Speaker 7: it's cliche, but it's been a saying that's been around forever, 1706 01:16:22,640 --> 01:16:24,799 Speaker 7: Like you could do battle by yourself. You're not happy, 1707 01:16:24,880 --> 01:16:26,880 Speaker 7: what why are you staying? Why are you putting yourself 1708 01:16:26,920 --> 01:16:29,400 Speaker 7: through this? And then he keeps leading you on, doing 1709 01:16:29,600 --> 01:16:32,280 Speaker 7: just enough to shut you up for a while until 1710 01:16:32,320 --> 01:16:34,679 Speaker 7: the next thing come because like why didn't you answer 1711 01:16:34,720 --> 01:16:35,160 Speaker 7: the phone? 1712 01:16:35,320 --> 01:16:37,680 Speaker 6: Why why didn't you? Oh, I was trying to get like. 1713 01:16:37,640 --> 01:16:39,320 Speaker 7: Come on, I'm been married for you. I'm married to 1714 01:16:39,439 --> 01:16:41,719 Speaker 7: you for nineteen years. We've been together for twenty four years. 1715 01:16:41,720 --> 01:16:44,680 Speaker 7: Like I know you, you know me well, and I know. 1716 01:16:44,720 --> 01:16:46,719 Speaker 6: You, so you should. 1717 01:16:46,760 --> 01:16:49,599 Speaker 7: I think you should leave this and this a test 1718 01:16:49,640 --> 01:16:51,320 Speaker 7: to you. It'll be a test to him as well, 1719 01:16:51,360 --> 01:16:53,559 Speaker 7: but it's more so a test to you to see 1720 01:16:53,840 --> 01:16:56,040 Speaker 7: how strong you are without him, because what if he 1721 01:16:56,200 --> 01:16:59,639 Speaker 7: don't come back? Then what then if you just doing 1722 01:16:59,680 --> 01:17:02,439 Speaker 7: that to test him, then that's for nothing. You need 1723 01:17:02,479 --> 01:17:05,160 Speaker 7: to test yourself as well, Like, look like, can you 1724 01:17:05,280 --> 01:17:07,400 Speaker 7: be without him? I mean, I noticed your best friend, 1725 01:17:07,400 --> 01:17:09,280 Speaker 7: but best friends don't treat best friends like. 1726 01:17:09,240 --> 01:17:12,720 Speaker 10: That, you know, Yeah, yeah, that's what I was teaking too. 1727 01:17:12,880 --> 01:17:14,800 Speaker 10: And I'm like, if you, if you really want to 1728 01:17:14,800 --> 01:17:17,680 Speaker 10: do marriage, I chase my insurance, gonna do it. You're 1729 01:17:17,880 --> 01:17:19,880 Speaker 10: to do you would have made the appointment by now. 1730 01:17:19,880 --> 01:17:20,960 Speaker 10: It's been for a weeks. 1731 01:17:21,000 --> 01:17:23,760 Speaker 4: Absolutely, I think just gave some good advice. But just 1732 01:17:23,800 --> 01:17:25,599 Speaker 4: know that man got somewhere to go if you leave. 1733 01:17:25,760 --> 01:17:27,439 Speaker 6: Okay, right, so that's why. 1734 01:17:27,280 --> 01:17:29,960 Speaker 7: She needs to leave anyway. He gonna go there anyway. 1735 01:17:30,120 --> 01:17:31,679 Speaker 5: Give him some time to spend with his little girlfriend 1736 01:17:31,720 --> 01:17:32,639 Speaker 5: for a couple of days. 1737 01:17:32,720 --> 01:17:36,360 Speaker 6: Good luck conversation, Like just said, right. 1738 01:17:36,439 --> 01:17:38,160 Speaker 10: Okay, all right, I appreciate you. 1739 01:17:38,320 --> 01:17:40,840 Speaker 7: Just no problem. I need another follow up when you 1740 01:17:40,880 --> 01:17:43,400 Speaker 7: move out. When you leave, I need to know what happened. 1741 01:17:43,560 --> 01:17:45,960 Speaker 6: Just fix my mess? Would you hang up? 1742 01:17:46,840 --> 01:17:51,799 Speaker 4: Because I appreciate the fact that she's not too concerned 1743 01:17:51,840 --> 01:17:53,200 Speaker 4: about her husband and his girlfriend. 1744 01:17:53,200 --> 01:17:55,559 Speaker 5: Though, what do you mean she don't sound to concerned. 1745 01:17:55,600 --> 01:17:57,280 Speaker 4: She sounds she want to work on her relationship like 1746 01:17:57,320 --> 01:17:59,479 Speaker 4: she's like she's and that's good, like she like. I 1747 01:17:59,479 --> 01:18:01,479 Speaker 4: think it's just justin when wives get involved with the 1748 01:18:01,479 --> 01:18:02,839 Speaker 4: offens of that man and his girlfriend. 1749 01:18:02,880 --> 01:18:04,960 Speaker 5: Let him be your relationship. 1750 01:18:05,080 --> 01:18:07,680 Speaker 4: Wrong with relationship with your husband because the marriage is 1751 01:18:07,720 --> 01:18:09,520 Speaker 4: completely different than him and his little girlfriend. 1752 01:18:09,880 --> 01:18:12,479 Speaker 6: Yesterday. Hello, who's this? 1753 01:18:12,920 --> 01:18:13,559 Speaker 13: It's this time? 1754 01:18:13,960 --> 01:18:15,799 Speaker 6: Heych what's your question for Jess? Good morning? 1755 01:18:16,120 --> 01:18:20,160 Speaker 13: Good morning, Jess. Okay, I got engaged last December. 1756 01:18:20,360 --> 01:18:21,920 Speaker 7: Congratulations. 1757 01:18:22,160 --> 01:18:23,240 Speaker 13: I don't know if you want to say that. 1758 01:18:23,320 --> 01:18:24,960 Speaker 6: Yeah, I am, okay, I'm sorry, go ahead. 1759 01:18:26,240 --> 01:18:30,200 Speaker 13: So I got engaged last December. I really liked the guy. 1760 01:18:30,840 --> 01:18:33,439 Speaker 13: I've had similarly bad relationships in the past, so I 1761 01:18:33,479 --> 01:18:37,519 Speaker 13: thought this was a great thing. But I caught him 1762 01:18:37,520 --> 01:18:41,120 Speaker 13: more than once, like kind of text sporting people. And 1763 01:18:41,160 --> 01:18:44,240 Speaker 13: the last one that I caught the girl was I 1764 01:18:44,320 --> 01:18:47,519 Speaker 13: called her okay, and you know, I'm smart enough pick 1765 01:18:47,520 --> 01:18:49,760 Speaker 13: at the number and I called her and she was 1766 01:18:49,800 --> 01:18:53,000 Speaker 13: talking about how he was saying that he didn't know 1767 01:18:53,040 --> 01:18:58,200 Speaker 13: if he wanted to get married, that they were old friends, 1768 01:18:58,240 --> 01:19:00,960 Speaker 13: she lives in another state. He said that he was 1769 01:19:00,960 --> 01:19:04,120 Speaker 13: gonna fire out, and they had all this unfinished business 1770 01:19:04,280 --> 01:19:08,840 Speaker 13: and everything, and I was upset. Okay, but that's not 1771 01:19:08,920 --> 01:19:12,720 Speaker 13: why I'm calling. I'm calling because I have a coworker 1772 01:19:13,000 --> 01:19:15,920 Speaker 13: who like kind of flirted with me a little bit 1773 01:19:16,160 --> 01:19:19,559 Speaker 13: because he thought I was cute, right, and he saw 1774 01:19:19,640 --> 01:19:23,799 Speaker 13: the text message and he brings it up every chance 1775 01:19:24,360 --> 01:19:27,760 Speaker 13: he gets. It is the most annoying thing. 1776 01:19:28,000 --> 01:19:32,559 Speaker 7: Oh, your husband brings up the coworker, complimentary brings up. 1777 01:19:32,520 --> 01:19:37,679 Speaker 13: The coworker caught three times talking to people in approach 1778 01:19:37,720 --> 01:19:40,719 Speaker 13: for your lead. And the worst part is I never 1779 01:19:40,840 --> 01:19:45,320 Speaker 13: even reciprocate. You might be like, oh, he's looking beautiful today. Thanks, 1780 01:19:45,720 --> 01:19:46,760 Speaker 13: That's all there was said. 1781 01:19:47,120 --> 01:19:48,880 Speaker 7: How does he know that the guys day you told 1782 01:19:48,920 --> 01:19:49,800 Speaker 7: him no. 1783 01:19:50,080 --> 01:19:53,240 Speaker 13: At one point, my phone is always unlocked. I'm one 1784 01:19:53,280 --> 01:19:55,960 Speaker 13: of those people that I believe in transparency. But also 1785 01:19:56,000 --> 01:19:58,280 Speaker 13: when the text messages come up, you can see him 1786 01:19:58,320 --> 01:19:58,840 Speaker 13: on the screen. 1787 01:20:00,040 --> 01:20:02,880 Speaker 7: And so your coworkers just text you and was like, 1788 01:20:02,960 --> 01:20:03,599 Speaker 7: you look good. 1789 01:20:03,720 --> 01:20:04,759 Speaker 6: Did he know you're engaged? 1790 01:20:05,560 --> 01:20:05,760 Speaker 13: Yeah? 1791 01:20:05,920 --> 01:20:07,760 Speaker 6: He does and he does not care. 1792 01:20:09,680 --> 01:20:12,360 Speaker 13: Well, I mean, he just was like, he looked beautiful today, 1793 01:20:12,439 --> 01:20:13,960 Speaker 13: and I was like, thanks, you. 1794 01:20:13,920 --> 01:20:16,479 Speaker 7: Know what I mean it was you just said thanks, 1795 01:20:16,640 --> 01:20:18,160 Speaker 7: like you ain't even saying that. 1796 01:20:19,360 --> 01:20:19,920 Speaker 6: I appreciate it. 1797 01:20:19,960 --> 01:20:20,800 Speaker 7: But that's appropriate. 1798 01:20:20,920 --> 01:20:21,719 Speaker 6: I am engaged. 1799 01:20:22,120 --> 01:20:24,640 Speaker 13: Yeah, I'm not gonna I'm not gonna feed into the 1800 01:20:25,040 --> 01:20:27,000 Speaker 13: thinks that's it. 1801 01:20:28,680 --> 01:20:29,360 Speaker 11: All right? Cool? 1802 01:20:29,680 --> 01:20:30,519 Speaker 6: So he saw it? 1803 01:20:30,640 --> 01:20:32,880 Speaker 7: So yeah, So wait, because you said you got married 1804 01:20:32,920 --> 01:20:33,479 Speaker 7: in December. 1805 01:20:33,560 --> 01:20:36,880 Speaker 6: No, but he you got a date, got it? Okay? 1806 01:20:36,960 --> 01:20:38,320 Speaker 7: I thought you said you got married. That's why I 1807 01:20:38,320 --> 01:20:40,880 Speaker 7: say congratulations. Okay, okay, I got you. All right, So 1808 01:20:40,960 --> 01:20:42,519 Speaker 7: you are engaged right now? 1809 01:20:42,600 --> 01:20:42,920 Speaker 6: Right now? 1810 01:20:42,960 --> 01:20:46,639 Speaker 7: You you you're thinking about not walking down the aisl 1811 01:20:46,720 --> 01:20:49,559 Speaker 7: because y'all y'all ain't even make it to the altar yet, 1812 01:20:49,600 --> 01:20:54,960 Speaker 7: and your your uh, you're talking about girls out and everything. 1813 01:20:55,840 --> 01:20:59,760 Speaker 7: He has unfinished business and other cities or whatever. So 1814 01:21:00,120 --> 01:21:02,160 Speaker 7: did you did you sit down and talk to him 1815 01:21:02,160 --> 01:21:02,599 Speaker 7: about it? 1816 01:21:03,120 --> 01:21:09,720 Speaker 13: I did, and his was, well, sometimes you make me 1817 01:21:09,840 --> 01:21:12,960 Speaker 13: feel upset, and I'm like, that's part of a relationship. 1818 01:21:13,040 --> 01:21:15,439 Speaker 13: That's gonna be enough to make you want to run 1819 01:21:15,439 --> 01:21:21,360 Speaker 13: out for somebody else. And his excuse was, well, I'm 1820 01:21:21,400 --> 01:21:24,040 Speaker 13: not quite ready to get married yet? 1821 01:21:24,360 --> 01:21:26,479 Speaker 11: Then would you give me the ring for right? 1822 01:21:26,760 --> 01:21:29,559 Speaker 6: So look, what do you know? Okay? So boom, now 1823 01:21:29,560 --> 01:21:30,200 Speaker 6: what you're gonna do? 1824 01:21:30,520 --> 01:21:30,600 Speaker 20: You? 1825 01:21:31,680 --> 01:21:34,479 Speaker 13: That's what I was asking. But I feel like I'm 1826 01:21:34,560 --> 01:21:35,439 Speaker 13: forty six. 1827 01:21:36,720 --> 01:21:39,160 Speaker 6: I don't want they do not don't. 1828 01:21:39,479 --> 01:21:44,280 Speaker 7: Don't you sit here and reflect on your age and 1829 01:21:44,280 --> 01:21:46,479 Speaker 7: and all of that, and I don't believe in no 1830 01:21:46,600 --> 01:21:47,599 Speaker 7: goddamn agism. 1831 01:21:47,640 --> 01:21:49,080 Speaker 6: Don't give me that. I don't care. 1832 01:21:49,240 --> 01:21:52,720 Speaker 7: Yeah, you you're probably a vibrant, beautiful forty six year 1833 01:21:52,760 --> 01:21:55,519 Speaker 7: old lady. Ain't nobody worrying about that? You don't be desperate? 1834 01:21:55,560 --> 01:21:58,800 Speaker 7: Because girl, cut it out. He told you he not ready. 1835 01:21:59,280 --> 01:22:00,000 Speaker 6: You send it. 1836 01:22:00,120 --> 01:22:01,679 Speaker 7: You leave his ass where he at? 1837 01:22:02,000 --> 01:22:02,080 Speaker 6: All? 1838 01:22:02,200 --> 01:22:04,519 Speaker 7: Right? He ain't the only one that's going proposed to 1839 01:22:04,560 --> 01:22:05,439 Speaker 7: you and marry you. 1840 01:22:05,520 --> 01:22:07,800 Speaker 6: He told you he wasn't ready to see. Shut up 1841 01:22:07,840 --> 01:22:08,320 Speaker 6: if you want. 1842 01:22:08,720 --> 01:22:12,479 Speaker 7: He fifty one girl, old ass girl, whatever. He gonna 1843 01:22:12,520 --> 01:22:14,120 Speaker 7: die before you, anyway. 1844 01:22:14,200 --> 01:22:18,599 Speaker 6: She she forty six. He fifty one. 1845 01:22:19,360 --> 01:22:21,920 Speaker 7: He's old enough to know what the hell he wants. 1846 01:22:21,960 --> 01:22:24,120 Speaker 7: He got on that knee and then trying to be 1847 01:22:24,160 --> 01:22:25,360 Speaker 7: on his knees somewhere else. 1848 01:22:25,520 --> 01:22:27,080 Speaker 6: Ain't nobody playing girl? 1849 01:22:27,160 --> 01:22:27,599 Speaker 18: Leave him? 1850 01:22:27,640 --> 01:22:29,320 Speaker 7: I don't want to hear you forty six because he 1851 01:22:29,479 --> 01:22:32,479 Speaker 7: because he fifty one. You know how many bad bitches well, 1852 01:22:32,520 --> 01:22:35,200 Speaker 7: you know bad season the bitches out here, it's a 1853 01:22:35,240 --> 01:22:35,639 Speaker 7: lot of them. 1854 01:22:36,120 --> 01:22:37,000 Speaker 2: It's a lot of them. 1855 01:22:37,439 --> 01:22:39,680 Speaker 6: I don't care. I don't want to hear that right now. 1856 01:22:39,720 --> 01:22:41,760 Speaker 5: You listen to if you want to you premenopausal. 1857 01:22:42,120 --> 01:22:43,880 Speaker 6: Wow, I don't give a damn. 1858 01:22:44,160 --> 01:22:45,120 Speaker 7: I don't care. 1859 01:22:46,600 --> 01:22:47,040 Speaker 13: Anywhere. 1860 01:22:47,280 --> 01:22:50,200 Speaker 7: That man kept the railweather he told, he told you, look, 1861 01:22:50,280 --> 01:22:52,280 Speaker 7: I'm not ready to get married, right And my question 1862 01:22:52,320 --> 01:22:54,080 Speaker 7: would have been the same. So why would you go 1863 01:22:54,160 --> 01:22:56,680 Speaker 7: through all the motions and take me through the antics 1864 01:22:56,720 --> 01:22:57,840 Speaker 7: of proposing to me? 1865 01:22:58,240 --> 01:22:58,680 Speaker 6: He don't know. 1866 01:22:58,840 --> 01:23:00,200 Speaker 7: It was just something to do at the time, he 1867 01:23:00,280 --> 01:23:02,840 Speaker 7: owed and boyd but he's still flying bitches out and 1868 01:23:02,880 --> 01:23:05,360 Speaker 7: all of that. You would you rather be married than 1869 01:23:05,400 --> 01:23:06,879 Speaker 7: being cheated on and being miserable? 1870 01:23:07,160 --> 01:23:07,360 Speaker 13: You know? 1871 01:23:07,680 --> 01:23:10,960 Speaker 7: Or exactly? And you want to do it again because 1872 01:23:11,000 --> 01:23:12,559 Speaker 7: you feel like you're forty six? You too, will to 1873 01:23:12,560 --> 01:23:13,719 Speaker 7: find somebody, girl, please? 1874 01:23:15,880 --> 01:23:17,840 Speaker 6: Yeah, this is tough love. I don't care. This is 1875 01:23:17,920 --> 01:23:19,760 Speaker 6: not like some of us need to wake up. 1876 01:23:20,080 --> 01:23:22,280 Speaker 5: I pray about it, though, you know, yeah, she should. 1877 01:23:22,080 --> 01:23:22,680 Speaker 6: Pray about it. 1878 01:23:22,720 --> 01:23:25,720 Speaker 7: But the man already told her he not ready for marriage. Well, 1879 01:23:25,720 --> 01:23:27,679 Speaker 7: what the hell you're gonna be ready? You're already fifty 1880 01:23:28,000 --> 01:23:31,280 Speaker 7: you half of a hundred. Can I give this one 1881 01:23:31,320 --> 01:23:33,599 Speaker 7: little other perspective, give another perspective. 1882 01:23:33,600 --> 01:23:35,720 Speaker 4: I just want to say, salute your fiance. I'm so 1883 01:23:35,760 --> 01:23:37,599 Speaker 4: sorry he has to deal with this. He probably doesn't 1884 01:23:37,640 --> 01:23:39,880 Speaker 4: want to get married because he saw that man complimenting you, 1885 01:23:39,920 --> 01:23:41,680 Speaker 4: and you said things that right there will give a 1886 01:23:41,680 --> 01:23:42,479 Speaker 4: man trust issues. 1887 01:23:42,600 --> 01:23:45,320 Speaker 10: But he was doing that way before. 1888 01:23:46,080 --> 01:23:49,160 Speaker 13: That was way before ya and this. 1889 01:23:50,000 --> 01:23:52,280 Speaker 7: No, don't listen to him. Don't worry about it. You 1890 01:23:52,360 --> 01:23:54,719 Speaker 7: better take what I said in account. I ain't playing 1891 01:23:54,760 --> 01:23:56,679 Speaker 7: good luck Mama, because I think that's crazy. 1892 01:23:56,760 --> 01:23:58,559 Speaker 13: Thank you, And I want her to know I loved 1893 01:23:58,600 --> 01:24:02,479 Speaker 13: the breakfast plus morning. 1894 01:24:02,479 --> 01:24:06,720 Speaker 6: I don't know about the advice. It's not it's not. 1895 01:24:07,320 --> 01:24:09,160 Speaker 7: And we love you back, We love you more than 1896 01:24:09,160 --> 01:24:10,240 Speaker 7: in his old ass. 1897 01:24:10,479 --> 01:24:13,479 Speaker 6: Damn just crazy. Just fix my mess. Eight hundred and 1898 01:24:13,520 --> 01:24:15,360 Speaker 6: five eighty five one on five War. When we come back, 1899 01:24:15,360 --> 01:24:16,960 Speaker 6: we got the latest with Lawrence. You don't go anywhere. 1900 01:24:17,000 --> 01:24:18,120 Speaker 6: It's the breakfast club, Good Morning. 1901 01:24:18,360 --> 01:24:19,320 Speaker 2: Let's send some later. 1902 01:24:21,080 --> 01:24:23,960 Speaker 6: She gets them from somebody that knows somebody to detail. 1903 01:24:24,320 --> 01:24:26,400 Speaker 7: I'm a long girl that knows a little bit about everything. 1904 01:24:27,360 --> 01:24:28,400 Speaker 5: She'd be having The Latest on. 1905 01:24:30,040 --> 01:24:32,280 Speaker 2: The Lawn, The Latest with Lauren La Rosa. 1906 01:24:32,360 --> 01:24:34,880 Speaker 4: Sometimes you have facts, sometimes you have details, sometimes you 1907 01:24:34,920 --> 01:24:35,400 Speaker 4: have a little bit. 1908 01:24:35,439 --> 01:24:37,240 Speaker 5: Every time, it's the Leader to. 1909 01:24:37,240 --> 01:24:39,559 Speaker 2: You by Top Dog Law on the Breakfast Club. 1910 01:24:40,920 --> 01:24:45,080 Speaker 7: Good Morning, Swim, Good morning. So Brady Brandy is. 1911 01:24:45,080 --> 01:24:49,000 Speaker 16: Clarifying or not clarifying, but Brandy is adding more color 1912 01:24:49,080 --> 01:24:51,479 Speaker 16: and context into basically why we didn't see reg J 1913 01:24:51,520 --> 01:24:54,960 Speaker 16: at the Hollywood Walk of Fame. She covered Parade magazine 1914 01:24:55,120 --> 01:24:57,799 Speaker 16: this month celebrating her new book, Phases, which is a memoir. 1915 01:24:57,880 --> 01:25:00,320 Speaker 16: It is out right now, and they ask her, how 1916 01:25:00,479 --> 01:25:01,759 Speaker 16: y J is doing. Let's take a listen. 1917 01:25:02,080 --> 01:25:03,439 Speaker 9: There is distance right now. 1918 01:25:04,000 --> 01:25:06,519 Speaker 23: Yes, a few things that he's been doing in the 1919 01:25:06,560 --> 01:25:10,400 Speaker 23: public eye that I don't condone, and I just feel 1920 01:25:10,400 --> 01:25:13,000 Speaker 23: like loving him from afar right now is best for 1921 01:25:13,040 --> 01:25:15,320 Speaker 23: me and my piece. My life with Ray and my 1922 01:25:15,439 --> 01:25:18,240 Speaker 23: connection with him is all throughout the book, and you 1923 01:25:18,280 --> 01:25:23,120 Speaker 23: can see my love for him. It's just it never waivers. 1924 01:25:22,680 --> 01:25:25,840 Speaker 16: Yes, totally understand it, as we said in the beginning. 1925 01:25:25,880 --> 01:25:26,000 Speaker 3: Now. 1926 01:25:26,040 --> 01:25:29,080 Speaker 16: She also talked about how in her book she doesn't 1927 01:25:29,080 --> 01:25:30,479 Speaker 16: go into the night that she was to prom with 1928 01:25:30,560 --> 01:25:31,880 Speaker 16: Kobe and why let's take a listen. 1929 01:25:32,400 --> 01:25:35,000 Speaker 23: Kobe was such a special soul. I had a beautiful 1930 01:25:35,240 --> 01:25:37,519 Speaker 23: chance to meet him, go to the prom with him, 1931 01:25:37,880 --> 01:25:40,760 Speaker 23: work with him on Moesha, and just admire him from 1932 01:25:40,760 --> 01:25:43,000 Speaker 23: Afar just everything that he was able to do. I 1933 01:25:43,080 --> 01:25:45,640 Speaker 23: wasn't in regular school at the time, so when I 1934 01:25:45,720 --> 01:25:47,880 Speaker 23: met Kobe, I just was like, oh my god, I 1935 01:25:47,920 --> 01:25:49,200 Speaker 23: would love to go because. 1936 01:25:49,000 --> 01:25:50,360 Speaker 9: I would never get the opportunity. 1937 01:25:50,479 --> 01:25:52,240 Speaker 23: If it wasn't for him, I never would have gotten 1938 01:25:52,280 --> 01:25:55,360 Speaker 23: the experience. It was so much fun. We just had 1939 01:25:55,400 --> 01:25:58,560 Speaker 23: a great time just being amongst you know, people my 1940 01:25:58,720 --> 01:26:02,080 Speaker 23: age and just regular teenagers and it just felt cool. 1941 01:26:03,320 --> 01:26:03,559 Speaker 7: Yeah. 1942 01:26:03,880 --> 01:26:07,040 Speaker 16: So she's clearing up some things there, yes now and 1943 01:26:07,120 --> 01:26:11,000 Speaker 16: other news shifting gears completely. Iceman is on the way 1944 01:26:11,560 --> 01:26:14,800 Speaker 16: allegedly when I don't know, but Bend the Dime was 1945 01:26:14,840 --> 01:26:17,320 Speaker 16: on stream with DDG and they were talking about the 1946 01:26:17,320 --> 01:26:18,680 Speaker 16: fact that Drake has had to go back. 1947 01:26:18,760 --> 01:26:23,120 Speaker 6: You sound like Eli every day walking, he says Iceman 1948 01:26:23,160 --> 01:26:23,599 Speaker 6: on the Way. 1949 01:26:25,040 --> 01:26:27,479 Speaker 16: Drake said it in his accepted the speech that he 1950 01:26:27,479 --> 01:26:28,920 Speaker 16: did for Fergie too. That's all we know. We just 1951 01:26:28,920 --> 01:26:30,479 Speaker 16: don't know when. But Benda Donna say and that Drake 1952 01:26:30,520 --> 01:26:33,360 Speaker 16: has had to go back and scrap music. Let's say listen, hey, my. 1953 01:26:33,479 --> 01:26:36,639 Speaker 2: Iceman on the way, Jack Iceman on the Way. 1954 01:26:37,360 --> 01:26:38,280 Speaker 11: Did you hear it already? 1955 01:26:38,320 --> 01:26:40,559 Speaker 24: I heard like six seven songs. Yeah, But I went 1956 01:26:40,640 --> 01:26:42,799 Speaker 24: back when I had heard it. I was like, okay, 1957 01:26:42,960 --> 01:26:45,360 Speaker 24: I said, going crazy. I was like and I told 1958 01:26:45,400 --> 01:26:46,639 Speaker 24: the boy. I was like, we need it. We want 1959 01:26:46,640 --> 01:26:48,720 Speaker 24: to hear bars, like, we want to hear some more bars, 1960 01:26:48,760 --> 01:26:50,599 Speaker 24: because he had he had like some dope air like 1961 01:26:50,840 --> 01:26:53,160 Speaker 24: turned up club. He had like you know what I'm 1962 01:26:53,160 --> 01:26:55,360 Speaker 24: saying for the ladies, and I'm like, bro, we need 1963 01:26:55,520 --> 01:26:57,559 Speaker 24: I'm trying to hear some bars. And he was like, 1964 01:26:57,600 --> 01:27:00,240 Speaker 24: you know what, cinema And then he said he said, 1965 01:27:00,240 --> 01:27:01,519 Speaker 24: I went back and scratched so much. 1966 01:27:01,840 --> 01:27:03,240 Speaker 5: He said, I'm dropping balls in it. 1967 01:27:05,080 --> 01:27:07,280 Speaker 6: That's I want to hear some boss. I like when Jake. 1968 01:27:07,479 --> 01:27:08,479 Speaker 6: I like when Drake raps. 1969 01:27:09,080 --> 01:27:11,479 Speaker 4: I'm excited. I like when Drake rabs too. But Drake, 1970 01:27:11,680 --> 01:27:17,760 Speaker 4: Drake hasn't really recovered from the Kendrick battle. Paragraph too, 1971 01:27:21,680 --> 01:27:23,360 Speaker 4: hasn't really recovered from the Kendrick. 1972 01:27:23,080 --> 01:27:25,000 Speaker 16: Battle specific so they won't clip this. 1973 01:27:24,960 --> 01:27:27,919 Speaker 5: Out of you. Just said yesterday he was appealing this lawsuit. 1974 01:27:27,960 --> 01:27:30,640 Speaker 4: So clearly, clearly Drake is just having some problems in 1975 01:27:30,640 --> 01:27:32,640 Speaker 4: the studio because he don't know what the offer to 1976 01:27:32,720 --> 01:27:37,040 Speaker 4: people because of all the slander and backlash that he's 1977 01:27:37,080 --> 01:27:40,800 Speaker 4: received since the battle, A lot of it caused on 1978 01:27:40,880 --> 01:27:43,759 Speaker 4: himself because you know, he wanted to suit the record label. 1979 01:27:43,960 --> 01:27:46,280 Speaker 5: So he's probably just confused. He probably just cant to drop. 1980 01:27:46,479 --> 01:27:47,479 Speaker 6: Well, he gotta go home. 1981 01:27:48,200 --> 01:27:52,519 Speaker 5: Drop drop Drake, drop drop Drake. 1982 01:27:54,400 --> 01:27:54,759 Speaker 6: Drop. 1983 01:27:55,280 --> 01:27:56,759 Speaker 5: You scared to drop Drake. 1984 01:27:56,720 --> 01:27:59,439 Speaker 6: Go back it all started. He gotta go back down. 1985 01:27:59,439 --> 01:28:01,559 Speaker 7: You know you gotta see Wayne, gotta go see you 1986 01:28:01,600 --> 01:28:02,920 Speaker 7: know Nicky got I think. 1987 01:28:02,760 --> 01:28:05,719 Speaker 5: You gotta just that way start start across that border. 1988 01:28:09,280 --> 01:28:09,880 Speaker 6: He ain't left. 1989 01:28:09,880 --> 01:28:11,000 Speaker 5: It's not like I came out. 1990 01:28:11,080 --> 01:28:12,559 Speaker 2: I think I think he needs some bars. 1991 01:28:12,600 --> 01:28:14,320 Speaker 6: I think he just needs to come with some bars. 1992 01:28:14,479 --> 01:28:17,600 Speaker 16: I think I think he needs singing. I think he 1993 01:28:17,640 --> 01:28:20,559 Speaker 16: needs a battle to battle. I think not a battle one. 1994 01:28:20,560 --> 01:28:21,439 Speaker 16: He don't need another battle. 1995 01:28:21,760 --> 01:28:23,200 Speaker 7: He need a balance of both. 1996 01:28:23,280 --> 01:28:24,679 Speaker 5: I don't think Drake needs nothing. 1997 01:28:24,760 --> 01:28:27,320 Speaker 4: All of these people care too much about the perception 1998 01:28:28,680 --> 01:28:30,240 Speaker 4: like Drake need to be worried about people like O 1999 01:28:30,320 --> 01:28:32,120 Speaker 4: v O E Live, People that got hours tattooed on 2000 01:28:32,160 --> 01:28:35,559 Speaker 4: the ass, that that that that that about fan base, 2001 01:28:35,880 --> 01:28:38,479 Speaker 4: that coat like fan base that he has that loves you. 2002 01:28:38,760 --> 01:28:40,960 Speaker 4: That's what you need to be thinking about. He's not 2003 01:28:41,000 --> 01:28:45,160 Speaker 4: thinking about that. He's worried about dropping and just receiving backlas. 2004 01:28:45,200 --> 01:28:47,080 Speaker 6: Bars and club I just don't singing. I don't want 2005 01:28:47,080 --> 01:28:50,000 Speaker 6: to hear something you did the last time I was singing. 2006 01:28:50,000 --> 01:28:51,840 Speaker 6: I want to hear this strict but that was a 2007 01:28:51,840 --> 01:28:53,240 Speaker 6: collab album. Was singing. 2008 01:28:53,240 --> 01:28:56,320 Speaker 4: That was what the band has been singing since day one. Yes, 2009 01:28:56,439 --> 01:28:58,800 Speaker 4: why would I stop singing? Why would I stop doing 2010 01:28:58,840 --> 01:29:00,320 Speaker 4: what I've been doing, singing at. 2011 01:29:00,200 --> 01:29:02,719 Speaker 16: The bars, making club records and talking to the ladies 2012 01:29:02,720 --> 01:29:03,360 Speaker 16: too Exactly. 2013 01:29:03,400 --> 01:29:05,200 Speaker 6: I'm not mad that I'm talking about the full sing 2014 01:29:05,240 --> 01:29:09,400 Speaker 6: songy records. I don't want to hear, so why scrapping. 2015 01:29:09,479 --> 01:29:11,400 Speaker 16: Drake could come at bars and you'll be like, this 2016 01:29:11,520 --> 01:29:13,599 Speaker 16: is not enough bars, or it's not. It's always gonna 2017 01:29:13,600 --> 01:29:15,960 Speaker 16: be something after that battle. People are always gonna have 2018 01:29:15,960 --> 01:29:18,080 Speaker 16: something to say about Drake. To your point, I feel like. 2019 01:29:18,160 --> 01:29:19,080 Speaker 5: Baby, but I. 2020 01:29:21,200 --> 01:29:23,720 Speaker 4: Think good music silence is all of that. I do, yes, 2021 01:29:24,680 --> 01:29:27,759 Speaker 4: and dropping the lawsuit. Dropping the lawsuit is put Dropping 2022 01:29:27,760 --> 01:29:30,599 Speaker 4: the lawsuit and dropping good music silence is a lot well. 2023 01:29:30,760 --> 01:29:35,439 Speaker 7: Dropping saying to appeal to the women is better because 2024 01:29:35,479 --> 01:29:36,920 Speaker 7: a lot of the women don't care. They don't give 2025 01:29:36,920 --> 01:29:39,040 Speaker 7: a damn about him filing the lawsuit. But the guys, 2026 01:29:39,320 --> 01:29:40,680 Speaker 7: a lot of guys ain't jocking that. 2027 01:29:40,800 --> 01:29:41,320 Speaker 6: They don't like that. 2028 01:29:41,439 --> 01:29:44,599 Speaker 7: So he gotta get in the stew and sing. 2029 01:29:45,000 --> 01:29:47,160 Speaker 4: And it was and the those snippets that came out 2030 01:29:47,160 --> 01:29:50,120 Speaker 4: where he was still referencing the beef and all that. 2031 01:29:50,600 --> 01:29:53,200 Speaker 5: The schoolboys, youever like, don't lame. 2032 01:29:53,400 --> 01:29:54,040 Speaker 6: Leave that alone. 2033 01:29:54,120 --> 01:29:54,920 Speaker 3: We know. 2034 01:29:56,320 --> 01:29:59,200 Speaker 5: You can't spend the block. Ain't no reheating up the cold. 2035 01:29:58,720 --> 01:29:59,120 Speaker 13: Not even. 2036 01:30:01,520 --> 01:30:05,320 Speaker 16: Today is the true not Kendrick made it where Drake 2037 01:30:05,360 --> 01:30:06,599 Speaker 16: can't even reheat His first. 2038 01:30:09,760 --> 01:30:11,320 Speaker 2: Said, d you know why? 2039 01:30:11,439 --> 01:30:13,479 Speaker 4: But you know why because then when he brings it up, 2040 01:30:13,479 --> 01:30:15,680 Speaker 4: what do people start talking about the ass kick? 2041 01:30:15,760 --> 01:30:17,080 Speaker 5: And he got to yeah, we. 2042 01:30:17,040 --> 01:30:18,600 Speaker 6: Want to have to bring on how he kicked me. 2043 01:30:19,200 --> 01:30:20,720 Speaker 7: Ask why are we bringing this up? 2044 01:30:20,720 --> 01:30:26,559 Speaker 5: And just tell you and I'm gonna be with you. 2045 01:30:26,800 --> 01:30:30,240 Speaker 5: The problem that you're talking nothing to do with that 2046 01:30:30,360 --> 01:30:33,240 Speaker 5: was the propaganda. That's the propaganda about Drake. 2047 01:30:33,280 --> 01:30:35,439 Speaker 7: You bring up that he lost the Kendrick, but he 2048 01:30:35,600 --> 01:30:36,559 Speaker 7: won the meet. 2049 01:30:36,720 --> 01:30:37,759 Speaker 5: What they got to do anything? 2050 01:30:38,040 --> 01:30:39,480 Speaker 6: Because he's one before. 2051 01:30:40,680 --> 01:30:43,320 Speaker 5: I'm a Cowboys fan. We won in the nineties, none 2052 01:30:43,360 --> 01:30:44,400 Speaker 5: to do with this this year. 2053 01:30:45,360 --> 01:30:47,160 Speaker 7: Like he never won before because he lost the Drake, 2054 01:30:47,360 --> 01:30:48,519 Speaker 7: I mean because he lost the Kendrick. 2055 01:30:48,680 --> 01:30:52,719 Speaker 4: He's won before, And yeah, saying this is about him 2056 01:30:52,920 --> 01:30:55,799 Speaker 4: right now and the perception of him and the perception 2057 01:30:55,880 --> 01:30:57,880 Speaker 4: to him is that he's scared to drop. 2058 01:30:58,120 --> 01:30:59,880 Speaker 5: He's scared to drop because he cares about what everybody else. 2059 01:31:00,160 --> 01:31:02,840 Speaker 6: They'd been coming for a long time since. Scared the drop, 2060 01:31:02,920 --> 01:31:05,360 Speaker 6: Like he knows that the public opinion will be definitely 2061 01:31:05,439 --> 01:31:08,000 Speaker 6: critiquing this album, so he wants to make sure every album, 2062 01:31:08,040 --> 01:31:09,800 Speaker 6: wants to make sure he has the best product and 2063 01:31:09,840 --> 01:31:10,760 Speaker 6: the best energy out there. 2064 01:31:10,800 --> 01:31:12,400 Speaker 7: I'm not mad that you don't do what he did 2065 01:31:12,439 --> 01:31:14,240 Speaker 7: and why you don't go to Atlanta and go hook 2066 01:31:14,320 --> 01:31:18,840 Speaker 7: up with little Baby don't understand that. 2067 01:31:18,920 --> 01:31:19,840 Speaker 6: But he can't worry about what. 2068 01:31:20,520 --> 01:31:23,240 Speaker 4: Do realize he's put out music since I don't care 2069 01:31:23,320 --> 01:31:26,720 Speaker 4: and the music has been was received well, Yes, it's 2070 01:31:26,800 --> 01:31:30,920 Speaker 4: always everything else surrounding the music, like the lawsuits to 2071 01:31:31,000 --> 01:31:31,559 Speaker 4: the record. 2072 01:31:31,520 --> 01:31:33,920 Speaker 6: And it was always but there was a roomor that 2073 01:31:33,960 --> 01:31:36,880 Speaker 6: he worked with. Ye, he's just wanted to rap. 2074 01:31:37,920 --> 01:31:39,880 Speaker 16: Ice Man is coming and when we get a date, 2075 01:31:40,200 --> 01:31:40,840 Speaker 16: we'll let you know. 2076 01:31:40,960 --> 01:31:41,599 Speaker 5: You're overthinking. 2077 01:31:41,680 --> 01:31:45,479 Speaker 4: You're overthinking this telling you you got you got people 2078 01:31:45,479 --> 01:31:47,000 Speaker 4: that love you. That boy over there got an hour 2079 01:31:47,080 --> 01:31:49,599 Speaker 4: on his neck and his ass hour. That boy got 2080 01:31:49,600 --> 01:31:51,880 Speaker 4: an owl tramp stamp. It's men out here with owl 2081 01:31:51,960 --> 01:31:54,040 Speaker 4: tramp stamps, and you worried. That's what you need to be. 2082 01:31:54,000 --> 01:31:56,600 Speaker 7: Catering his niggas having drake parties and all that the 2083 01:31:56,680 --> 01:31:57,639 Speaker 7: drake looking like parties. 2084 01:31:57,640 --> 01:31:59,120 Speaker 6: They still do that. They that weekly. 2085 01:31:59,280 --> 01:32:01,120 Speaker 5: All the men out there with owl tramp stamps. 2086 01:32:01,120 --> 01:32:03,799 Speaker 4: Go online today and do an owl tramp stamp challenge 2087 01:32:04,080 --> 01:32:07,240 Speaker 4: and show people your owl stamp tramp to let people 2088 01:32:07,320 --> 01:32:09,679 Speaker 4: let Drake know, y'all still right now, look back. 2089 01:32:09,520 --> 01:32:11,639 Speaker 7: At it, all right, y'all? 2090 01:32:11,640 --> 01:32:16,280 Speaker 16: What that was the latest the Iceman coming soon, brought 2091 01:32:16,280 --> 01:32:19,200 Speaker 16: to you by Top Dog Law. And he yes, I 2092 01:32:19,280 --> 01:32:20,679 Speaker 16: just feel so bad for drinks sometimes. 2093 01:32:20,680 --> 01:32:23,240 Speaker 2: And people are rich, y'all, y'all. 2094 01:32:23,240 --> 01:32:26,360 Speaker 5: Be I can tell you tell you a million people 2095 01:32:26,360 --> 01:32:27,040 Speaker 5: to feel bad about. 2096 01:32:27,120 --> 01:32:28,160 Speaker 2: He's not because. 2097 01:32:31,920 --> 01:32:35,920 Speaker 5: Riches, he's not victim rich as hell like. 2098 01:32:35,800 --> 01:32:40,920 Speaker 6: When yes, because he's a rap and so he lost 2099 01:32:40,920 --> 01:32:42,200 Speaker 6: a rap just like. 2100 01:32:43,920 --> 01:32:49,240 Speaker 4: This understanding now, all the all he did was lose 2101 01:32:49,240 --> 01:32:49,760 Speaker 4: a wrap battle. 2102 01:32:50,720 --> 01:32:58,760 Speaker 16: What maybe maybe he should call maybe should figured a 2103 01:32:58,760 --> 01:33:00,960 Speaker 16: lot of people. It might work for him any accidents. 2104 01:33:01,000 --> 01:33:04,160 Speaker 4: Sorry for Drake, this is real your man, I sorry, 2105 01:33:04,240 --> 01:33:10,519 Speaker 4: your boyfriend. 2106 01:33:09,400 --> 01:33:10,680 Speaker 7: Sponsor in this segment. 2107 01:33:11,320 --> 01:33:16,360 Speaker 6: Jesus Morning, everybody is DJ Envy, Jess Hilarious, Charlamagne the God. 2108 01:33:16,400 --> 01:33:18,479 Speaker 6: We are the Breakfast Club. We got a salute to 2109 01:33:18,520 --> 01:33:20,520 Speaker 6: our Senior Hall for joining us this morning. 2110 01:33:20,400 --> 01:33:22,400 Speaker 4: Luthow Senior Hall, make sure you go pick up our 2111 01:33:22,439 --> 01:33:26,280 Speaker 4: Senior Hall's book Man Our Sinio Memoir also Our Seniors 2112 01:33:26,320 --> 01:33:29,240 Speaker 4: on the View you know this morning as part of 2113 01:33:29,280 --> 01:33:31,360 Speaker 4: his book tour. I keep telling y'all, this is one 2114 01:33:31,360 --> 01:33:33,839 Speaker 4: of the best entertainment memoirs I ever read in my life. 2115 01:33:34,080 --> 01:33:37,120 Speaker 4: If you appreciated the interview and appreciated some of the 2116 01:33:37,120 --> 01:33:41,360 Speaker 4: stories he told in the interview, that is nothing, Okay, 2117 01:33:41,600 --> 01:33:43,000 Speaker 4: that is absolutely nothing. 2118 01:33:43,040 --> 01:33:45,000 Speaker 5: This man has lived a life. Okay. 2119 01:33:45,080 --> 01:33:46,920 Speaker 4: So to Luthos in your Hall and South Thought in 2120 01:33:46,960 --> 01:33:49,400 Speaker 4: your Hall for just always being on the forefront of 2121 01:33:49,520 --> 01:33:51,559 Speaker 4: black culture. Because you know, we talked about it in 2122 01:33:51,600 --> 01:33:54,080 Speaker 4: the interview. That show was on from eighty nine to 2123 01:33:54,240 --> 01:33:59,400 Speaker 4: ninety four. That was really the rise of hip hop commercially. 2124 01:34:00,040 --> 01:34:03,680 Speaker 4: That's when you saw, like you know, I think, yeah, 2125 01:34:03,720 --> 01:34:05,920 Speaker 4: death Row, Death Row, was definitely cooking around that time. 2126 01:34:05,960 --> 01:34:07,800 Speaker 4: But that's when you saw hip hop like really really 2127 01:34:07,880 --> 01:34:10,720 Speaker 4: rise commercially, and he played a very intricate part in that. 2128 01:34:10,800 --> 01:34:12,960 Speaker 4: Man so flu thoughts in your hall, like some people 2129 01:34:13,160 --> 01:34:15,360 Speaker 4: got their finger on the post of the culture, some 2130 01:34:15,400 --> 01:34:17,680 Speaker 4: people are the post of the culture, or senior is 2131 01:34:17,720 --> 01:34:19,679 Speaker 4: definitely the post that was the post of the culture 2132 01:34:19,720 --> 01:34:21,000 Speaker 4: back then for sure. 2133 01:34:21,520 --> 01:34:23,479 Speaker 7: Right, and he was very excited to meet me. Y' 2134 01:34:23,600 --> 01:34:25,800 Speaker 7: make some noise, I don't. 2135 01:34:25,800 --> 01:34:27,160 Speaker 6: I don't remember that part, but it. 2136 01:34:27,240 --> 01:34:27,880 Speaker 5: Was, yes, you did? 2137 01:34:27,920 --> 01:34:30,479 Speaker 6: You are you hating? It's okay? We got this weekend, yess. 2138 01:34:30,840 --> 01:34:33,240 Speaker 7: I am in LA this weekend promoting my book. But 2139 01:34:33,560 --> 01:34:36,840 Speaker 7: more importantly May first, May second, and May third, I'll 2140 01:34:36,880 --> 01:34:38,200 Speaker 7: be doing a Florida run. 2141 01:34:38,240 --> 01:34:39,280 Speaker 6: Fort Lauderdale, Florida. 2142 01:34:39,360 --> 01:34:41,519 Speaker 7: Meet me at the Lily and s Wells Hall at 2143 01:34:41,560 --> 01:34:44,200 Speaker 7: the Parker at seven pm. That's May first. That's on 2144 01:34:44,240 --> 01:34:47,200 Speaker 7: a Friday. Then that Saturday, I'll be in Orlando, Florida 2145 01:34:47,200 --> 01:34:49,479 Speaker 7: at the Plaza Live. That show starts at seven pm. 2146 01:34:49,520 --> 01:34:51,680 Speaker 7: Y'all can meet me there. And then that Sunday, I'm 2147 01:34:51,760 --> 01:34:54,479 Speaker 7: ending off in Tampa, Florida at the Ferguson Hall. The 2148 01:34:54,520 --> 01:34:57,599 Speaker 7: show starts at six thirty pm. Get your tickets at 2149 01:34:57,640 --> 01:35:00,000 Speaker 7: jess Hilariousofficial dot com. 2150 01:35:00,280 --> 01:35:03,440 Speaker 6: All right now, an Chloman, you got a positive note. 2151 01:35:03,200 --> 01:35:04,640 Speaker 5: I do what I want to remind people to go 2152 01:35:04,640 --> 01:35:05,519 Speaker 5: get your tickets for the. 2153 01:35:05,520 --> 01:35:08,960 Speaker 4: Fourth manual Black Effect Podcast Festival happening Saturday, April twenty 2154 01:35:09,000 --> 01:35:12,080 Speaker 4: fifth in Atlanta, Georgia at Pullman Yard. Some of your 2155 01:35:12,080 --> 01:35:14,479 Speaker 4: favorite podcasts are gonna be on that stage. We got 2156 01:35:14,560 --> 01:35:17,599 Speaker 4: Drink Champs on that stage. We gotta keep it positive. 2157 01:35:17,640 --> 01:35:20,599 Speaker 4: Sweetie with Christo r Ande Hasslet on that stage. Mona's 2158 01:35:20,640 --> 01:35:22,479 Speaker 4: gonna be on that stage. We Don't call Me White Girl. 2159 01:35:22,479 --> 01:35:25,000 Speaker 4: The Grits and Eggs Podcast with Deontay car Kyle and 2160 01:35:25,040 --> 01:35:28,080 Speaker 4: Ice cup Cat, Jeff t Club five to twenty podcast 2161 01:35:28,200 --> 01:35:30,000 Speaker 4: is gonna be on that stage and call those King 2162 01:35:30,040 --> 01:35:30,880 Speaker 4: Reality with the King. 2163 01:35:31,000 --> 01:35:32,439 Speaker 5: So go get your tickets right now. 2164 01:35:32,479 --> 01:35:36,040 Speaker 4: Black Effect dot Com Slash Podcast Festival, and the Positive 2165 01:35:36,080 --> 01:35:39,679 Speaker 4: Notice Simple. Never underestimate the power you have to take 2166 01:35:39,720 --> 01:35:42,599 Speaker 4: your life in a new direction. Okay, to change your life, 2167 01:35:42,640 --> 01:35:45,240 Speaker 4: you have to change yourself. To change yourself, you have 2168 01:35:45,320 --> 01:35:47,720 Speaker 4: to change your mindset. That's how you take your life 2169 01:35:47,760 --> 01:35:48,479 Speaker 4: in a new direction. 2170 01:35:48,800 --> 01:35:49,519 Speaker 5: Have a great day. 2171 01:35:49,720 --> 01:35:52,559 Speaker 6: Breakfast Club bitch is do you don'na finish y'all done. 2172 01:35:53,880 --> 01:35:53,960 Speaker 11: Up? 2173 01:35:54,080 --> 01:35:57,000 Speaker 1: Wake, Wake up with that ass up program your alarm. 2174 01:35:57,040 --> 01:35:59,280 Speaker 1: The Power one five point one on iHeartRadio