1 00:00:00,120 --> 00:00:04,040 Speaker 1: Hello the Internet, and welcome to this episode of frind 2 00:00:04,120 --> 00:00:08,680 Speaker 1: Or Boltovs eightening very very frightening me. That is courtesy 3 00:00:08,920 --> 00:00:13,640 Speaker 1: of Box of Chords of Unknown Origins, which is their name. 4 00:00:14,120 --> 00:00:17,120 Speaker 1: That's funny. I have one of those things. Oh yeah, 5 00:00:17,560 --> 00:00:21,320 Speaker 1: a box of Chords of Unknown Origins. I'm not joking yo. 6 00:00:22,040 --> 00:00:26,759 Speaker 1: That is that is most of our storage space is 7 00:00:26,800 --> 00:00:31,920 Speaker 1: just a random salad cables, unused cables and chords. Yeah, 8 00:00:32,120 --> 00:00:38,879 Speaker 1: you open it up. Just what is this electronic salad? Yeah, 9 00:00:39,000 --> 00:00:40,920 Speaker 1: it's almost like the thing where like her mat She's like, 10 00:00:40,960 --> 00:00:44,040 Speaker 1: do we have him check the cables box. He's got 11 00:00:44,080 --> 00:00:50,600 Speaker 1: it all, every form of USB in multiple lengths. Yes. Anyways, 12 00:00:50,600 --> 00:00:53,960 Speaker 1: shout out to Box of Chords of Unknown Origins. Uh, 13 00:00:54,000 --> 00:00:58,320 Speaker 1: and Queen a little band that people should check out. 14 00:00:57,600 --> 00:01:02,639 Speaker 1: Little band from the UK. They got some bops. Gang. Uh. 15 00:01:03,080 --> 00:01:08,600 Speaker 1: Let's talk about Scott Rudin. I always had my suspicions 16 00:01:08,640 --> 00:01:12,200 Speaker 1: based on his name that this guy was not too cool. 17 00:01:13,880 --> 00:01:18,399 Speaker 1: Rude Dude. Scott Rude Dude was his nickname in Hollywood 18 00:01:18,440 --> 00:01:25,960 Speaker 1: assistant circles. He's like a legendary producer, um who it 19 00:01:26,080 --> 00:01:29,000 Speaker 1: has just been like it's an open secret that he's 20 00:01:29,240 --> 00:01:36,839 Speaker 1: an abusive dick to people who work for and around him. Um, 21 00:01:36,920 --> 00:01:41,880 Speaker 1: So a expose has come out where they're like, well, 22 00:01:41,920 --> 00:01:44,600 Speaker 1: now the me in the me too era, you're not 23 00:01:44,680 --> 00:01:48,720 Speaker 1: allowed to do things like uh. In this case, there's 24 00:01:48,760 --> 00:01:53,960 Speaker 1: a story in which he uh. One of his assistants 25 00:01:54,160 --> 00:01:57,680 Speaker 1: is not able to book him on a sold out flight, 26 00:01:58,400 --> 00:02:02,440 Speaker 1: and in a fit of fury, he smashed an Apple 27 00:02:02,520 --> 00:02:07,480 Speaker 1: computer monitor on the assistants hand. The screen chattered, leaving 28 00:02:07,480 --> 00:02:10,920 Speaker 1: the young man bleeding and in need of immediate medical attention. 29 00:02:11,240 --> 00:02:14,200 Speaker 1: I would have bucked Scott rutined up right there, it 30 00:02:14,200 --> 00:02:17,720 Speaker 1: would have been. And oh, I hate this ship. I 31 00:02:17,760 --> 00:02:21,800 Speaker 1: hate because man production is weird like that. Hollywood is 32 00:02:21,880 --> 00:02:26,000 Speaker 1: very fucking weird, where like asshole creative people can just 33 00:02:26,200 --> 00:02:30,120 Speaker 1: fucking flourish because of like their ability to make money 34 00:02:30,120 --> 00:02:32,280 Speaker 1: for a studio and ship like this, and like you 35 00:02:32,280 --> 00:02:34,840 Speaker 1: have these instances where it's someone who's so out in 36 00:02:34,880 --> 00:02:38,200 Speaker 1: the open with this ship. But because you know, that's 37 00:02:38,240 --> 00:02:41,639 Speaker 1: that's why I think it's so rampant, especially in entertainment, 38 00:02:41,960 --> 00:02:46,160 Speaker 1: because there's no recourse for anyone if you're up against 39 00:02:46,240 --> 00:02:49,919 Speaker 1: someone who has more perceived power or influence within the industry, 40 00:02:50,040 --> 00:02:53,000 Speaker 1: like there's just no there's no way to remedy it 41 00:02:53,080 --> 00:02:56,040 Speaker 1: because it's all built on like, you know, gathering around 42 00:02:56,080 --> 00:02:59,480 Speaker 1: people who are influential and powerful to have, you know how, 43 00:02:59,480 --> 00:03:02,560 Speaker 1: allow your own stock to rise. And I feel like there's, 44 00:03:02,680 --> 00:03:07,040 Speaker 1: especially in the executive side, there's more insecurity uh than 45 00:03:07,480 --> 00:03:11,320 Speaker 1: your typical industry because there's like it's not a job 46 00:03:11,400 --> 00:03:15,520 Speaker 1: that you can uh describing concrete terms of like what 47 00:03:15,600 --> 00:03:19,880 Speaker 1: you're bringing to the table. Uh, And it's easy to yeah, 48 00:03:20,000 --> 00:03:24,120 Speaker 1: just feel insecure in that job, and so it's easy 49 00:03:24,280 --> 00:03:28,640 Speaker 1: to bully insecure people. And also being insecure leads to 50 00:03:29,120 --> 00:03:33,440 Speaker 1: bullying behavior a lot of the time. So uh, Anyway, 51 00:03:33,480 --> 00:03:36,880 Speaker 1: everyone left work that day and was like fuck this, 52 00:03:37,400 --> 00:03:39,440 Speaker 1: But then they came back the next day and continue 53 00:03:39,480 --> 00:03:42,840 Speaker 1: to work for him, um and last bowl at a 54 00:03:42,920 --> 00:03:49,320 Speaker 1: colleague and just throw a potato with the yeah there 55 00:03:49,360 --> 00:03:53,320 Speaker 1: they say, like it's openly acknowledged that people would be 56 00:03:53,360 --> 00:03:58,400 Speaker 1: like going bald prematurely like getting yeah, just like working there. 57 00:03:58,880 --> 00:04:02,480 Speaker 1: The only thing I thought was interesting was Tatiana Seagal tweeted, 58 00:04:02,560 --> 00:04:04,360 Speaker 1: you know, several people I spoke to for the Scott 59 00:04:04,400 --> 00:04:06,440 Speaker 1: Ruden piece told me they spoke to the New York 60 00:04:06,480 --> 00:04:09,480 Speaker 1: Times last year for a for a similar expose. H 61 00:04:09,720 --> 00:04:15,360 Speaker 1: obviously it never ran huh New York Times. Uh. I 62 00:04:15,360 --> 00:04:21,520 Speaker 1: mean yeah, that's that mainstream media complex of you know, 63 00:04:21,640 --> 00:04:28,840 Speaker 1: sources and tightly woven web of sources and access and 64 00:04:29,080 --> 00:04:33,920 Speaker 1: financial Uh. You know, there's probably big studios that advertised 65 00:04:33,920 --> 00:04:39,680 Speaker 1: with the New York Times. Um. Anyways, funk this, dude, Uh, 66 00:04:39,720 --> 00:04:45,000 Speaker 1: this one like that would be wonderful if suddenly we 67 00:04:45,120 --> 00:04:49,440 Speaker 1: had a a sea change where people like this were 68 00:04:49,480 --> 00:04:53,719 Speaker 1: just no longer employable within any industry. Um. Yeah, I 69 00:04:53,760 --> 00:04:56,320 Speaker 1: think it just has to be. I don't for whatever reason, 70 00:04:56,880 --> 00:04:59,880 Speaker 1: you know, we just have to be better about take 71 00:05:00,279 --> 00:05:03,680 Speaker 1: allegations of this kind of fucking behavior and like learning 72 00:05:03,720 --> 00:05:05,720 Speaker 1: how to I mean, I'm not in a position to 73 00:05:05,839 --> 00:05:09,839 Speaker 1: hire or fire a studio executive, but like, there we 74 00:05:09,880 --> 00:05:11,680 Speaker 1: I don't know how we're going to arrive at that 75 00:05:11,680 --> 00:05:14,960 Speaker 1: point unless we can be open and not fear retaliation 76 00:05:15,000 --> 00:05:17,200 Speaker 1: and protect the people who are actually trying to bring 77 00:05:17,520 --> 00:05:19,960 Speaker 1: light to these kinds of topics rather than you know, 78 00:05:20,000 --> 00:05:23,120 Speaker 1: allowing like the culture of like, dude, it's career suicide 79 00:05:23,160 --> 00:05:27,480 Speaker 1: if you fucking say something. Man. Yeah, shack is trending 80 00:05:27,640 --> 00:05:33,640 Speaker 1: for better reasons. Yeah, a little little capitalism fairy tale exactly, 81 00:05:33,680 --> 00:05:39,080 Speaker 1: our favorite kind field good story, shack Oh, rich man 82 00:05:39,480 --> 00:05:46,360 Speaker 1: paid for this man's wedding engagement ring debt. So yeah, 83 00:05:46,560 --> 00:05:48,520 Speaker 1: it's just some guy was paying off like for his 84 00:05:48,560 --> 00:05:52,200 Speaker 1: engagement ring and shock. The clip is quite literally here 85 00:05:53,600 --> 00:05:55,600 Speaker 1: and guy was like, hey, thanks, Shaq just taps him, 86 00:05:55,839 --> 00:05:57,840 Speaker 1: like barely looks at him, tap him on his shoulders, 87 00:05:57,839 --> 00:05:59,960 Speaker 1: like all right, now he's off to do his own shopping. 88 00:06:00,720 --> 00:06:03,120 Speaker 1: So he said, He's just he's just trying to make 89 00:06:03,160 --> 00:06:05,760 Speaker 1: people smile, That's all. I mean. You hear that about Shock, 90 00:06:05,839 --> 00:06:07,840 Speaker 1: Like I feel like he's kind of like has these 91 00:06:07,839 --> 00:06:12,039 Speaker 1: Bill Murray esque tales too, of his acts of kindness. Yeah, 92 00:06:12,040 --> 00:06:15,520 Speaker 1: where he just like pays for an entire grocery store 93 00:06:15,600 --> 00:06:21,600 Speaker 1: is worth of groceries, like for the next hour or whatever. Exactly. Yeah, 94 00:06:21,640 --> 00:06:24,680 Speaker 1: you know, one of one of those things that probably 95 00:06:25,040 --> 00:06:29,080 Speaker 1: shouldn't need to happen, but the media loves to loves 96 00:06:29,080 --> 00:06:31,480 Speaker 1: to talk about. Yeah we love Oh my god, rich 97 00:06:31,560 --> 00:06:36,640 Speaker 1: person pay poor person. Still it works out in the end. Yeah, 98 00:06:36,839 --> 00:06:41,160 Speaker 1: exactly right. I'm sorry, but that those instances are one 99 00:06:41,200 --> 00:06:44,359 Speaker 1: in five billion. When the celebrity is like, hi, allow 100 00:06:44,440 --> 00:06:47,200 Speaker 1: me to extend my generosity towards you to get you out. 101 00:06:47,520 --> 00:06:50,760 Speaker 1: That's not that's but again that kind of gets your 102 00:06:50,800 --> 00:06:53,520 Speaker 1: head to like, maybe, you know, that's why it's okay 103 00:06:53,560 --> 00:06:55,840 Speaker 1: for us to not try and fight for something better. 104 00:06:56,080 --> 00:06:59,320 Speaker 1: Maybe Shock will pull up and pay for my medical bills. 105 00:06:59,600 --> 00:07:03,279 Speaker 1: Jordan Peterson is trending because he was like, wait a 106 00:07:03,560 --> 00:07:09,480 Speaker 1: second here. Uh, Tana Hesse Coates is writing a new 107 00:07:09,520 --> 00:07:15,480 Speaker 1: Captain America series and one Red Skull, who is a 108 00:07:15,520 --> 00:07:21,200 Speaker 1: classic Captain America villain. Uh, some of his schemes and 109 00:07:21,320 --> 00:07:28,080 Speaker 1: ideas resemble one Jordan Peterson's ideas, and he's like, is 110 00:07:28,120 --> 00:07:30,960 Speaker 1: he trying to say something about me? And people are 111 00:07:31,000 --> 00:07:34,400 Speaker 1: pointing out like, it's not. It's not so specific. It's 112 00:07:34,440 --> 00:07:37,000 Speaker 1: just like that what he what Jordan Peterson is doing, 113 00:07:37,120 --> 00:07:41,760 Speaker 1: is not original enough for him. Do even draw that conclusion. 114 00:07:41,800 --> 00:07:45,360 Speaker 1: There's so many people who have similar ideals and are 115 00:07:45,560 --> 00:07:52,640 Speaker 1: praying on unsuspecting young people on the internet. But uh, yeah, 116 00:07:52,720 --> 00:07:59,080 Speaker 1: I mean Captain America has always been anti fash from 117 00:07:59,120 --> 00:08:02,040 Speaker 1: you know, punching Hitler in the jaw from the early 118 00:08:02,120 --> 00:08:09,560 Speaker 1: days two now the people with the shield storming the capitol, right, 119 00:08:09,680 --> 00:08:11,160 Speaker 1: you know, you take from it what you need to 120 00:08:11,240 --> 00:08:15,480 Speaker 1: I get. Yeah, I just gonna this guy. It's just 121 00:08:15,520 --> 00:08:18,160 Speaker 1: so funny because he his whole ship was he rode 122 00:08:18,200 --> 00:08:21,280 Speaker 1: one of the first sort of outrage of culture war 123 00:08:21,320 --> 00:08:24,280 Speaker 1: waves into becoming this like fucked up self help you know, 124 00:08:24,440 --> 00:08:27,720 Speaker 1: like racist self help dude, because everyone's like it was 125 00:08:27,760 --> 00:08:32,000 Speaker 1: when he refused to like use students preferred pronouns. Yeah, 126 00:08:32,120 --> 00:08:35,120 Speaker 1: it was like, oh my god, yes, and then he 127 00:08:35,160 --> 00:08:37,240 Speaker 1: had all his just very wordy ways of being like 128 00:08:37,280 --> 00:08:40,880 Speaker 1: I am a total prick um that had everyone on board. 129 00:08:40,920 --> 00:08:44,600 Speaker 1: So yeah, yeah, good for you. But anyways, apparently that 130 00:08:45,240 --> 00:08:47,640 Speaker 1: series is supposed to be definitely worth checking out. I 131 00:08:47,679 --> 00:08:53,400 Speaker 1: did not realize that Coates was writing a Captain American series. 132 00:08:53,440 --> 00:08:55,719 Speaker 1: That's fucking dope. I don't really read comics, but I 133 00:08:55,800 --> 00:08:58,800 Speaker 1: might check that out. Well. His Black Panther series really good? 134 00:08:59,160 --> 00:09:02,760 Speaker 1: Is it? Yeah? I got it on um, that's why 135 00:09:02,720 --> 00:09:04,880 Speaker 1: I really I got into that. Like, there's like a 136 00:09:04,920 --> 00:09:08,080 Speaker 1: Marvel app where you can essentially read every Marvel comic 137 00:09:08,720 --> 00:09:11,400 Speaker 1: um known to man, just in an app, So it 138 00:09:11,440 --> 00:09:15,360 Speaker 1: makes for very fun, uh comic book reading. What's that 139 00:09:15,440 --> 00:09:18,800 Speaker 1: app called? Just the Marvel Unlimited Marvel and Marvel Unlimited 140 00:09:19,840 --> 00:09:24,080 Speaker 1: and Uh, the Amy Poehler's name is trending because she 141 00:09:24,720 --> 00:09:31,280 Speaker 1: there is a stripper who was Uh. There is basically 142 00:09:31,280 --> 00:09:37,439 Speaker 1: a fake story going around that a dancer I'm squirted 143 00:09:37,559 --> 00:09:42,599 Speaker 1: at a police officer in self defense. Uh, and the 144 00:09:42,720 --> 00:09:45,360 Speaker 1: mug shot kind of resembled Amy Poeller. The story is 145 00:09:45,400 --> 00:09:47,480 Speaker 1: fake though, just putting that out. They were trying to 146 00:09:47,480 --> 00:09:50,760 Speaker 1: say that this dancer was Amy Poehler bait because the 147 00:09:50,800 --> 00:09:52,720 Speaker 1: mug shot looked like her. No, they were just like, 148 00:09:52,760 --> 00:09:55,520 Speaker 1: oh wow, this woman looks like Amy Poehler. And it 149 00:09:55,600 --> 00:10:02,280 Speaker 1: was such a just sensational story they wanted they wanted 150 00:10:02,400 --> 00:10:05,720 Speaker 1: to spread it around, and it turns out it was 151 00:10:05,840 --> 00:10:11,319 Speaker 1: immediately debunked. The it is a mug shot from a 152 00:10:11,760 --> 00:10:15,880 Speaker 1: raid at a club that happened in two thousand and eight, 153 00:10:16,080 --> 00:10:21,160 Speaker 1: I think in Houston. Actually, Um, but it's yeah, I mean, 154 00:10:21,200 --> 00:10:25,280 Speaker 1: it's not that it's not that police aren't assholes who 155 00:10:25,679 --> 00:10:29,720 Speaker 1: you know, abuse and target sex workers. It's just that 156 00:10:29,840 --> 00:10:34,839 Speaker 1: this particular story is not true. And I don't think 157 00:10:34,840 --> 00:10:37,120 Speaker 1: it's how sporting works. I don't think it's if you know, 158 00:10:37,240 --> 00:10:39,480 Speaker 1: if you know Amy Poehler, you'd see that much shot 159 00:10:39,600 --> 00:10:43,080 Speaker 1: me Like that ain't right? Yeah, yeah, for sure. And 160 00:10:43,120 --> 00:10:47,280 Speaker 1: finally hashtag decline now is trending. What's going on? It's 161 00:10:47,320 --> 00:10:51,600 Speaker 1: these so these two um door dash drivers in you know, 162 00:10:51,679 --> 00:10:55,800 Speaker 1: the Lehigh Valley in Pennsylvania, they had figured out a 163 00:10:55,920 --> 00:10:59,440 Speaker 1: way to game the algorithm of door dash in order 164 00:10:59,480 --> 00:11:03,520 Speaker 1: to secure better rates for themselves as delivery drivers. And 165 00:11:03,559 --> 00:11:06,680 Speaker 1: so they started this moving the decline now movement, which 166 00:11:06,760 --> 00:11:10,040 Speaker 1: essentially was saying like whenever a driver they were like, okay, look, 167 00:11:10,720 --> 00:11:14,400 Speaker 1: if a driver declines a delivery, like the algorithm then 168 00:11:14,520 --> 00:11:18,560 Speaker 1: shifts and offers the same delivery to another driver, but 169 00:11:18,640 --> 00:11:21,600 Speaker 1: incentivizes it by raising the fee a little bit more 170 00:11:21,600 --> 00:11:26,400 Speaker 1: so they'd make more funny. And so because they're independent contractors, 171 00:11:26,800 --> 00:11:30,040 Speaker 1: it's up to them. So they realize in mass they 172 00:11:30,120 --> 00:11:33,480 Speaker 1: just started basically being like, we're not taking anything less 173 00:11:33,480 --> 00:11:36,040 Speaker 1: than this amount, and if everybody does, it will decline 174 00:11:36,040 --> 00:11:39,080 Speaker 1: the funk out of every order until every they have 175 00:11:39,200 --> 00:11:42,760 Speaker 1: to pay us this rate. Um. So you know it, 176 00:11:42,880 --> 00:11:44,800 Speaker 1: it started a whole thing. It's I don't know how 177 00:11:44,800 --> 00:11:47,800 Speaker 1: long it's gonna last because they it's a smaller market 178 00:11:47,920 --> 00:11:51,880 Speaker 1: where they're doing it. Um. So that made a difference there, 179 00:11:52,360 --> 00:11:54,800 Speaker 1: but you know, who knows where else it could work. 180 00:11:54,840 --> 00:11:57,439 Speaker 1: If you're you know, using door dash or you're driving 181 00:11:57,440 --> 00:12:00,800 Speaker 1: for DoorDash, maybe give it a try. But yeah, they're 182 00:12:00,840 --> 00:12:02,080 Speaker 1: still trying to figure out. You know, at the end 183 00:12:02,080 --> 00:12:03,640 Speaker 1: of the day, I think it all boils down to 184 00:12:04,080 --> 00:12:07,480 Speaker 1: door dash needs to pay people more so they're not 185 00:12:07,679 --> 00:12:11,280 Speaker 1: you know, weaponizing your own draconian algorithm against you for 186 00:12:11,640 --> 00:12:17,240 Speaker 1: you know, humane pay. That's yeah, it's they're taking advantage 187 00:12:17,240 --> 00:12:20,959 Speaker 1: of the fact that they're being managed by a algorithm 188 00:12:21,000 --> 00:12:25,680 Speaker 1: that doesn't view them as humans, like take any of 189 00:12:26,040 --> 00:12:31,560 Speaker 1: their humanity into into account. That's pretty pretty raallyan and 190 00:12:31,600 --> 00:12:37,520 Speaker 1: also shouldn't be necessary. But yeah, shout out to decline. Now, 191 00:12:38,080 --> 00:12:40,440 Speaker 1: all right, those are some of the things that are 192 00:12:40,480 --> 00:12:43,800 Speaker 1: trending this Wednesday afternoon. We are back tomorrow with the 193 00:12:43,840 --> 00:12:47,080 Speaker 1: whole last episode of the show. Until then, be kind 194 00:12:47,120 --> 00:12:49,640 Speaker 1: to each other, be kind to yourselves, wear a mask, 195 00:12:49,840 --> 00:12:53,040 Speaker 1: and don't do nothing about white supremacy. We'll talk acountable