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Speaker 1: God, I want to say eighty one.

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Speaker 2: Yeah, because it was like it was early when me

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Speaker 2: and Brooke early and like our sort of thing. Yeah,

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Speaker 2: and it was mon Talk. I guess it was a

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Speaker 2: club that that Chip and Dale belonged to. And it

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Speaker 2: was Chip, Dale, Me and Brooke and Gadget.

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Speaker 1: You know, do you know Gadget?

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Speaker 3: No, I know Gadget, Yeah, Monterey Jacksoniece.

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Speaker 2: Yes, yes, and we're swimming at the club. It's late.

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Speaker 2: They sort of let it stay open for those guys

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Speaker 2: because at the time especially, it was like, you know,

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Speaker 2: early eighties, and you know, Brook is swimming and I

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Speaker 2: can see Chip and Dale talking to each other and

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Speaker 2: sort of looking at Brook and I'm like, okay, like something, yeah,

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Speaker 2: what is this about? And I sort of approached him

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Speaker 2: to be like, hey, guy, you know we can talk

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Speaker 2: about this openly, just to show that like I'm cool.

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Speaker 1: I'm cool, You're cool, or three cool guys like, let's

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Speaker 1: let's talk about it.

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Speaker 2: We sort of start to negotiate a swap, which at

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Speaker 2: the again, at the time, you know, it wasn't like

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Speaker 2: the seventies anymore, but it sort of was. This is

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Speaker 2: one of these things were like happening more often so

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Speaker 2: me and Chip and Dale talk.

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Speaker 3: I go back to Brook and I'm like, hey, you know,

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Speaker 3: I don't know how much he idea you have the

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Speaker 3: things in your previous relationship.

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Speaker 2: She had not had a lot at that point. Well yeah,

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Speaker 2: she was, I don't Yeah, yeah.

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Speaker 1: It doesn't I don't need to put a number on it.

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Speaker 2: And so she I say, look, here's the deal. I

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Speaker 2: spend eight hours with Gadget m hmm, whatever happens happens. Yes,

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Speaker 2: you know, no boundaries, and you spend sixteen hours with

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Speaker 2: Jip and Dale because there's two of them. Yeah, that

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Speaker 2: was sort of you know, it seems fair eight each.

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Speaker 3: Yeah, you know, And she's like, I don't know, that's like,

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Speaker 3: you know, like, oh come on, I know, I know.

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Speaker 1: But and her thing was like she's like Dale.

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Speaker 3: Ah right, well because he's a little bit more of

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Speaker 3: a less traditionally red nose, yes, and who knows what

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Speaker 3: he likes.

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Speaker 1: To do with that.

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Speaker 3: But she ultimately, just for her comfort, she wanted us

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Speaker 3: me to be there too, So it all just went

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Speaker 3: down to the pool. Oh wow, oh wow, Well that's

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Speaker 3: such a great compromise.

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Speaker 1: Now.

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Speaker 3: So what I would say is, obviously I've been in

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Speaker 3: a similar situation where I'm dealing with kind of a

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Speaker 3: wife slab, you know, kind of thing involving Gadget and

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Speaker 3: and you know whoever I.

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Speaker 1: Was with at the time, it was Diane Lane, But.

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Speaker 3: That doesn't matter when this, yeah, sou But when I've

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Speaker 3: done that, you know, I get up in the hotel

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Speaker 3: room with Gadget. I'm trying to make her comfortable and

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Speaker 3: to me, romances you bust out like some wine and cheese,

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Speaker 3: and I take out the wine, especially because they're basically

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Speaker 3: well but this is what I'm getting to. The second

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Speaker 3: I take the lid off the cheese who comes floating

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Speaker 3: in guided by his nose and actually elevated off the

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Speaker 3: ground and following a trail of the cheese smell, allowing

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Speaker 3: him to fly through the air into the window. But

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Speaker 3: her uncle Monterey Jack, whose sense of smell is so

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Speaker 3: keen and who is he is named after his love

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Speaker 3: of cheese, and he's essentially psychotic for it. And where

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Speaker 3: Monterey Jack goes, so goes Zipper the fly.

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Speaker 1: Hey, we'll go to all have a good time. It

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Speaker 1: just feels so good.

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Speaker 3: To be able to like just talk and have fun

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Speaker 3: with King Bad Driver. Names were went by cause of

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Speaker 3: this industry what up. We talked for a little while

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Speaker 3: about whether to air this show.

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Speaker 1: It could be disorienting.

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Speaker 3: Yeah, now that we're farther away from it, it's like

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Speaker 3: it's silly, and I think it actually was probably fun

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Speaker 3: and funny anyway, because we're so naturally charismatic.

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Speaker 2: I don't know if you even know what was going on,

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Speaker 2: but just to explain it, because like.

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Speaker 1: At the time we were like, oh god, this is

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Speaker 1: like court for us.

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Speaker 3: We're sensitive about it. We thought maybe the interview didn't

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Speaker 3: flow as well as they normally do. Normally we're really

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Speaker 3: smooth interviewers and the guests have a great time, and

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Speaker 3: so do we. Uh, this one, we're distracted obviously because

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Speaker 3: Hayes and I, both of our daughters had been kidnapped

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Speaker 3: the morning before we recorded by Anonymous. Yes, yes, Anonymous

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Speaker 3: grab them. We went to wake them up. They sleep

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Speaker 3: in one bed. Sorry if you don't know who anonymous is.

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Speaker 3: They're the v for De Bendetta guys.

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Speaker 2: They we pull back the covers on their bed and

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Speaker 2: it's just three phones.

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Speaker 1: It was three phones, a broom, a coconut.

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Speaker 2: Yeah, I think it was of leaves. Yeah, it was

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Speaker 2: supposed to like simulate girls. Yes, but the end the

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Speaker 2: effect was very convincing.

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Speaker 3: It was shaped like my daughter coconuts are not necessarily

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Speaker 3: that development, no, and my daughter's bag of leaves is

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Speaker 3: not so bushy. Uh. But that said, uh, we answered

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Speaker 3: the three phones when they started to ring, and we

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Speaker 3: were instructed to bring them to the studio and to

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Speaker 3: only talk about on air with our guests. Dravan Mullan

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Speaker 3: exactly what we were instructed.

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Speaker 1: They tell us what to talk about.

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Speaker 2: They wanted to control our content, yes, but also did

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Speaker 2: not want Andre to know what was going on. I

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Speaker 2: think they were just invested in making sure like she

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Speaker 2: had a good time.

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Speaker 3: Yes show, which I think she did and I think

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Speaker 3: the listeners will too. But it's not a traditional episode

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Speaker 3: because we are talking about some stuff. We're saying that

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Speaker 3: we don't like some things that obviously we like. We're

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Speaker 3: almost disavowing one of our heroes. And I am getting

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Speaker 3: mad at Adam for ruinsing everything just because Dre has

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Speaker 3: worked with him before, and honestly, he's the one who

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Speaker 3: taught me that juice actually has a lot of sugar

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Speaker 3: in it, which I wouldn't have known.

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Speaker 2: And that was something that they told you to be

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Speaker 2: mad about before. I guess Anonymous is mad at it.

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Speaker 1: They wanted me to be MADDI ruined nutrition when actually

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Speaker 1: and I think.

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Speaker 2: That's why they were mad at us too, Us, Adam, Anonymous,

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Speaker 2: we're all getting inside the system and you know, pulling

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Speaker 2: out all the wires and destroying people's preconceptions. I don't

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Speaker 2: understand why we can't just work together on these things.

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Speaker 1: Mister Raine invented bad breath. Why we have to strain

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Speaker 1: invented bad breath.

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Speaker 2: Combine by teaming up on these things instead of all

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Speaker 2: this infighting between us, and if we all work together,

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Speaker 2: we could really takes everything.

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Speaker 1: Yeah, I don't know.

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Speaker 3: Yeah, there's these sort of theseparate faction politics. We have

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Speaker 3: the same goal, but we're going about it different ways. Yes,

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Speaker 3: he's doing a triangle of kidnapping each other's daughters. I

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Speaker 3: don't I mean, I don't know.

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Speaker 2: I think obviously now we do have to do it

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Speaker 2: to Adam, who then in turn doesn't do Anonymous and

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Speaker 2: then run around we'll go. But at some point we

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Speaker 2: have to break the cycle at some point. But it

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Speaker 2: did just happen to us, so we do have to

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Speaker 2: do it now.

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Speaker 3: To Adam, and then Adam will do it to anonymous

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Speaker 3: and round am around. We go, uh, and so we're

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Speaker 3: gonna do the ads. People like what we do the ads?

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Speaker 1: You guys are warned.

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Speaker 2: This a front loaded ADU so ads and then uh,

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Speaker 2: and then maybe go back and refresh after the ads.

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Speaker 1: Listen to this again.

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Speaker 3: So that you have a little bit of context, because

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Speaker 3: there are a couple key moments, maybe one two moments

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Speaker 3: in the podcast that are different than how it would

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Speaker 3: normally sound.

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Speaker 2: I think, yeah, and this is why we're talking about it,

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Speaker 2: so you'll hear it and be like, oh, yeah, that's what.

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Speaker 3: Yeah, if it just pings you a little bit, just

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Speaker 3: like hits your ear a little funny, and you go like, oh,

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Speaker 3: this isn't the hazn't shown necessarily that I know in

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Speaker 3: love And like, I think a minute, I don't have

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Speaker 3: the exact time code down, but I think it's a

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Speaker 3: minute twenty eight and thirteen seconds, and then again at

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Speaker 3: minute forty nine. So anyway, at those two moments, I

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Speaker 3: think we're a little bit off just because we are

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Speaker 3: dealing with our kidnapped daughters and their lives are being

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Speaker 3: threatened and we do kind of save them and it

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Speaker 3: turns out there was no real attention to begin with

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Speaker 3: on Hollywood Haybook.

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Speaker 1: So Tom.

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Speaker 3: Cruise yeah, uh huh, I was like waterskiing great with

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Speaker 3: Tom Cruise. We did like a he did a trick.

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Speaker 3: Oh good, I don't know, yeah great he yeah you

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Speaker 3: said like Tom Cruise did a trick and then so

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Speaker 3: that must have been a big splash. Hey, welcome to

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Speaker 3: Hi Hollywood Handbooking Entires Guide to Kicking button dropping names

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Speaker 3: something like I always of this industry we call show.

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Speaker 1: But this is a show.

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Speaker 2: We we talked about Hollywood stuff we do.

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Speaker 1: It's a normal show.

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Speaker 3: Uh, it's a podcast that's fun and we talk Hollywood.

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Speaker 3: You said that and we uh. The guest today, yep

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Speaker 3: is a very sweet girl, good girl, a nice girl.

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Speaker 3: And I guess we have to write so uh so

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Speaker 3: we've all right, so she has not been on any

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Speaker 3: other ear with podcasts before, so as you know, uh,

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Speaker 3: tradition like you is. Yeah, we do have to tell,

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Speaker 3: do we It feels well timing wise, yeah, it's a little,

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Speaker 3: but I mean it's this is the show. I mean,

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Speaker 3: so uh, we have to we do have to tell

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Speaker 3: invite the other podcasts that get down and stuck on these.

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Speaker 1: Yeah, so.

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Speaker 3: Hello from the Magic Tavern, please say hello to the

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Speaker 3: these uh these big ones in your face, in your

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Speaker 3: mouth and uh the longest shortest time, I mean you're terrible. Yeah,

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Speaker 3: the longest shortest time. Why don't you dry the longest

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Speaker 3: thickest uh these one.

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Speaker 1: Of these in your mouth?

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Speaker 3: So uh and I guess, Elizabeth, you've been on totally

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Speaker 3: Lame Elizabeth. Lame is like a gray area the Totally

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Speaker 3: Lame Show. So yeah, maybe, but she then she became

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Speaker 3: your wolf, so maybe just psycha Caandy has to just

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Speaker 3: suck on one of these and he doesn't have to

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Speaker 3: get all the way down. He can do it from

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Speaker 3: a chair or something.

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Speaker 1: Uh.

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Speaker 3: So our guest is, uh, nice girl. And it's dre Vermulion,

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Speaker 3: very very vermillion, vermillion and andre Andre Vermilin.

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Speaker 4: No one can say it vermilion. That's a color.

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Speaker 1: Yeah.

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Speaker 3: What about names? Your names are so? Names are one crazy,

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Speaker 3: They're difficult, they can be just go on that first.

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Speaker 1: Yeah, just see if you can just carry us for

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Speaker 1: a minute.

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Speaker 4: Yeah. Names, you know, I guess they define us, but

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Speaker 4: do they? They don't speak on that. No one can

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Speaker 4: really ever say my name. I've just become used to it.

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Speaker 1: It's like some boys have it.

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Speaker 4: Yeah, yeah, some boys have my name. Some famous boys

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Speaker 4: Andrea the Giants and Andre Agacy. Then there was Andrea

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Speaker 4: the Seal.

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Speaker 1: Uh yeah, that must have been tough for you growing up.

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Speaker 4: Whenever people eat with me in the evening, they refer

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Speaker 4: to it as my dinner with Andre.

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Speaker 1: Okay, yeah, has they have they seen the movie?

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Speaker 5: Are?

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Speaker 4: They just haven't even They just know the reference and

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Speaker 4: they just want to annoy.

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Speaker 3: I mean, you know, to act like that is a problem.

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Speaker 3: I don't know, to complain about something like that. I

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Speaker 3: don't like bad things happen to people to be like

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Speaker 3: that's a big deal.

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Speaker 1: I mean I don't want.

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Speaker 4: I guess it's lower down on the list of worldly problems.

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Speaker 3: Sure, yeah, but anyway, Uh so you have been, uh

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Speaker 3: you know, doing this for a long time. The comedy

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Speaker 3: and what are some of the things TV?

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Speaker 4: Yeah, that's the things that I've done. Yeah, well you're

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Speaker 4: gonna go, are you going to?

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Speaker 1: No, mine's not going Hello? Oh my god, you stick

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Speaker 1: on them a bit o. God, this is mine. They're

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Speaker 1: They're on with you now, hang on, you guys are

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Speaker 1: calling Hayes two. Hello.

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Speaker 3: Should we just merge the calls like, let's see if

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Speaker 3: we can do we both have to do. No, I'll

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Speaker 3: so you so, tell him you're going to hang up

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Speaker 3: with him, and then I'll call you from mine and

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Speaker 3: then we can He heard that he's here, Okay, but

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Speaker 3: he says I can't hang up.

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Speaker 1: They're in the same room.

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Speaker 3: Well, if you don't hang up, then you'll get then

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Speaker 3: you'll wind up disconnecting. Okay, they're in the same room, okay,

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Speaker 3: so do so. Okay, Okay, I can do this, so

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Speaker 3: I'll call you back. Don't hang up with them. When

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Speaker 3: you answer mine, I'll hang up on them. Then you

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Speaker 3: call them back or wait, we don't have their number. No, uh, okay,

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Speaker 3: hold on, that's okay, Okay, I accidentally hung up trying

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Speaker 3: to call you.

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Speaker 1: Hello. Yeah, sorry about that. I was trying to merge

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Speaker 1: with Hayes and it.

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Speaker 3: Was just like you son of a bitch, if you

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Speaker 3: harm one hair on her head.

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Speaker 1: Sorry about this, Dray We Uh.

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Speaker 3: You were saying something about college humor or something. Oh yeah,

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Speaker 3: why does Adam have to ruins everything? Could just talk

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Speaker 3: about that for a minute. Are you sick of him

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Speaker 3: ruinsing everything for us?

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Speaker 1: Yeah?

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Speaker 4: Adam does ruins everything.

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Speaker 1: It's so frustrating, isn't it.

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Speaker 4: Yeah, well, you do want to enjoy comedy sometimes and

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Speaker 4: just things that you know in life.

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Speaker 3: What the I'm sorry, Drey, you were saying you.

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Speaker 4: Want me to just keep going while you take this

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Speaker 4: phone call.

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Speaker 1: Well, yeah, I know it's you two.

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Speaker 2: Here, I'll take I'll take this one and you YouTube

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Speaker 2: talk for a second time.

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Speaker 3: So Adam ruins all this stuff, like what does he

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Speaker 3: have to ruin nutrition for me?

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Speaker 1: Oh?

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Speaker 4: Did he ruin nutrition for you?

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Speaker 1: That's one of the episodes.

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Speaker 3: And I found out that kale is basically only as

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Speaker 3: healthy as spinach, which is granted very healthy.

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Speaker 4: Oh yeah, I don't think humans should eat kale personally.

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Speaker 1: Oh yeah, well it's only as healthy as spinach, it said.

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Speaker 4: Yeah, and it's it's harder to digest.

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Speaker 1: Yeah, and so uh, just put her on, Just put

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Speaker 1: her on. They said, like that, it's not more healthy

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Speaker 1: than spinach.

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Speaker 4: Yeah, so I guess you should just see spinach.

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Speaker 1: Uh yeah, well you could. Where are they essentially? Yeah?

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Speaker 3: And you know, just tell me diamond rings are just

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Speaker 3: like beers just basically did an ad campaign. Yeah yeah,

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Speaker 3: and that's how they are.

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Speaker 4: Value not more valuable. Than like, can I just sapphires

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Speaker 4: and stuff?

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Speaker 3: But yeah, they only have sentimental value and that's apparently nothing.

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Speaker 1: Andre.

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Speaker 2: We do a thing sometimes on the show where people

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Speaker 2: put the sound blankets on the wall over their head.

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Speaker 4: Oh like a little yeah it's a sound blanket.

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Speaker 2: Yeah, it's a sound like it's like a sensory deprivation thing.

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Speaker 2: And then you come out and then you tell us

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Speaker 2: sort of what you experienced in the chamber.

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Speaker 1: This is a thing that people are doing now. Oh, interesting,

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Speaker 1: a big Hollywood thing.

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Speaker 3: We put you in the chamber for a second, okay,

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Speaker 3: and then just get into this plank. We won't talk.

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Speaker 2: We won't talk while you're in there, but we'll just

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Speaker 2: be You'll just be in the chamber.

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Speaker 1: It'll be quiet, you'll be in the chamber. And then

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Speaker 1: when you it out, maybe you can tell us where

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Speaker 1: you went.

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Speaker 3: You know.

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Speaker 4: Oh sure, if I went to an astral plane.

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Speaker 3: Well ideally, but let's not try to force an because

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Speaker 3: if you go and then it's going to be this

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Speaker 3: other sort of false astral plane.

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Speaker 1: Do it right?

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Speaker 4: Yeah, so you want to go, I mean under this blanket.

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Speaker 3: Now, just go in the blanket. You know, it should

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Speaker 3: be comfy in there. It's a hot day. Yeah yeah, okay,

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Speaker 3: And if you want to talk while you're under there,

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Speaker 3: if you want to talk about the stuff that you're saying,

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Speaker 3: you can't.

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Speaker 1: We won't stop you from doing that.

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Speaker 4: Sure, okay, so you're the top under your great they.

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Speaker 3: Want us to point out some of the logical inconsistencies

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Speaker 3: and suicide squad.

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Speaker 1: I can't do that. I love that, I know, I know,

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Speaker 1: I wouldn't even know.

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Speaker 4: No peaking, dray, It's just I'm just what does this

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Speaker 4: have to be? A wool blanket?

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Speaker 1: Is very That's how that's how you make the senses.

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Speaker 1: Is a hot day, that's how you deprive the senses

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Speaker 1: a little.

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Speaker 4: So I guess the sense that I'm having now mostly

336
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Speaker 4: is just like itchy.

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00:18:06,880 --> 00:18:07,560
Speaker 1: Go with that.

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00:18:07,840 --> 00:18:10,240
Speaker 4: It's just like very itchy. And I might actually be

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Speaker 4: slightly allergic.

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Speaker 1: Go with that.

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Speaker 3: That's the thing your mouth, Like, can we get your

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00:18:14,320 --> 00:18:18,080
Speaker 3: mouth under there too? Because to like just see your

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00:18:18,119 --> 00:18:19,080
Speaker 3: mouth peeking out.

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Speaker 4: For well, yeah, I wasn't sure if you could like

345
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Speaker 4: wear me.

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Speaker 1: How are you doing that? We're just your mouth?

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Speaker 4: Oh I made a fold. I just made a little

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Speaker 4: pocket for myself.

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Speaker 1: Okay.

350
00:18:30,760 --> 00:18:32,359
Speaker 4: I took the two ends and I wrapped up.

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Speaker 1: It's kind of crafty. Okay. Yeah, no, so come on

352
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Speaker 1: out Andre.

353
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Speaker 4: Oh okay, yeah, much cooler out here.

354
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Speaker 3: Yeah. So movies we talked about We always talked about

355
00:18:43,080 --> 00:18:45,400
Speaker 3: movies here and you uh.

356
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Speaker 4: Never been in one. Actually that's not true. I was

357
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Speaker 4: in when I got cut out. Isn't that fun?

358
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Speaker 1: Oh? Okay, what's the name of it?

359
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Speaker 4: Gangster squad?

360
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Speaker 1: Oh that is a great segue for uh so squads?

361
00:18:58,880 --> 00:19:02,600
Speaker 1: So squads? Yeah, you know what do they mean?

362
00:19:04,560 --> 00:19:04,600
Speaker 3: His?

363
00:19:04,920 --> 00:19:06,439
Speaker 1: You had something about this squad?

364
00:19:06,680 --> 00:19:10,199
Speaker 3: Yeah, there was the Zoue Side Squad movie, and I

365
00:19:10,240 --> 00:19:17,800
Speaker 3: guess I didn't like it. There was, uh some stuff

366
00:19:17,840 --> 00:19:20,920
Speaker 3: that was really fun, but I guess it was still

367
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Speaker 3: some things that were weird.

368
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Speaker 1: Don't do this, his God, they're making me betray my essence.

369
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Speaker 3: Uh yeah, so some of the stuff was weird. I

370
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Speaker 3: guess I didn't like that the incredibly powerful supernatural being

371
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Speaker 3: at the end of the movie, who was essentially unstoppable,

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Speaker 3: had only one weakness traditional explosives.

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Speaker 2: And and two of there were just like these two

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Speaker 2: little bombs learning around.

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Speaker 3: There were two of them, and that the way all

376
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Speaker 3: the superheroes with special power stopped them was with essentially

377
00:20:01,400 --> 00:20:05,080
Speaker 3: a stick of dynamite. Yeah, and that they had to

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Speaker 3: be very close to them to do it. I guess

379
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Speaker 3: it was kind of weird that the suicide Squad is

380
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Speaker 3: made up of like normal guy who can shoot gods,

381
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Speaker 3: normal girl who has like a baseball bat boomerang, normal

382
00:20:18,640 --> 00:20:25,560
Speaker 3: boomerang guy, super god who turns into the like the

383
00:20:25,600 --> 00:20:28,720
Speaker 3: most powerful fire debit. It could take these guys on

384
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Speaker 3: one by one, but he's sort of like the fifth

385
00:20:31,320 --> 00:20:35,240
Speaker 3: or number five or six, kind of the least essential yeah,

386
00:20:35,400 --> 00:20:38,879
Speaker 3: part of it guy. And then go with the sword, yeah.

387
00:20:38,920 --> 00:20:41,199
Speaker 3: And then I guess there were a couple more. And

388
00:20:41,280 --> 00:20:44,119
Speaker 3: also it seemed like maybe something went wrong in the

389
00:20:44,160 --> 00:20:53,520
Speaker 3: introduction of Slipknot, the Native America character who appears very

390
00:20:53,560 --> 00:20:58,600
Speaker 3: abruptly is on screen and the when they're introducing the

391
00:20:58,720 --> 00:21:02,119
Speaker 3: members of the Suicide Squad in that conference room, but

392
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Speaker 3: has not been referenced up to that point of the movie.

393
00:21:04,560 --> 00:21:08,719
Speaker 3: Maybe seem like his backstory was cut out as Viola

394
00:21:08,800 --> 00:21:11,719
Speaker 3: Davis has introduced to each character, so he's just introduced.

395
00:21:11,960 --> 00:21:14,399
Speaker 3: There's a really rushed introduction when he shows it seems

396
00:21:14,400 --> 00:21:17,080
Speaker 3: like it might have been a very speedy line of

397
00:21:17,119 --> 00:21:19,399
Speaker 3: a d R where the guy's gotta out of a

398
00:21:19,440 --> 00:21:21,680
Speaker 3: vanity system. That's not he can climb anything, but he's

399
00:21:21,680 --> 00:21:27,119
Speaker 3: also very dangerous. That's gotta go climb anything then and

400
00:21:27,160 --> 00:21:28,480
Speaker 3: then one climb one thing.

401
00:21:28,560 --> 00:21:32,520
Speaker 2: See him climbs, but he uses like a repelling machine,

402
00:21:33,800 --> 00:21:36,879
Speaker 2: similarly like what Batman has. Only you see him do

403
00:21:37,040 --> 00:21:43,199
Speaker 2: his climb, but that event is not as interesting as

404
00:21:43,200 --> 00:21:44,840
Speaker 2: you would expect from a climbing hero.

405
00:21:45,960 --> 00:21:47,639
Speaker 4: This is great because I haven't seen the movie and

406
00:21:47,680 --> 00:21:48,439
Speaker 4: now I don't have to.

407
00:21:48,720 --> 00:21:51,040
Speaker 1: Well, no, you you do have to.

408
00:21:51,880 --> 00:21:54,359
Speaker 3: You do know, you do have to see it because

409
00:21:54,400 --> 00:22:00,879
Speaker 3: it's so bad. Yeah, we don't like it, and I

410
00:22:00,880 --> 00:22:01,320
Speaker 3: guess it was.

411
00:22:01,440 --> 00:22:04,200
Speaker 1: And it's not about friendship.

412
00:22:05,640 --> 00:22:08,520
Speaker 3: If you I guess if you do track the Joker narrative,

413
00:22:09,400 --> 00:22:13,160
Speaker 3: it's basically he gives he works extremely hard to get

414
00:22:13,160 --> 00:22:18,960
Speaker 3: a phone to Harley Quinn, but the text that she's

415
00:22:18,960 --> 00:22:20,680
Speaker 3: getting don't change her behavior at all.

416
00:22:20,720 --> 00:22:22,600
Speaker 1: They just say like I'm.

417
00:22:22,400 --> 00:22:25,560
Speaker 3: Coming, I'm coming, like get ready, and then when he comes,

418
00:22:25,600 --> 00:22:31,400
Speaker 3: it's not like a you know, a secret well, he's

419
00:22:31,720 --> 00:22:35,280
Speaker 3: like he's just like, come over here. And I guess

420
00:22:35,400 --> 00:22:37,680
Speaker 3: she if she were not ready to do that, I

421
00:22:37,720 --> 00:22:41,360
Speaker 3: don't know what would necessarily be different anyway. So that's

422
00:22:41,400 --> 00:22:43,919
Speaker 3: his big plan. And then he has Harley Quinn and

423
00:22:43,960 --> 00:22:48,480
Speaker 3: his little helicopter for like ten seconds.

424
00:22:48,480 --> 00:22:52,639
Speaker 1: Ten seconds, Yeah, and then he's blown out of the sky.

425
00:22:53,200 --> 00:22:56,240
Speaker 3: Oh and the explosive device in her neck has been deactivated,

426
00:22:56,280 --> 00:22:58,480
Speaker 3: so she has no reason to actually participate with the

427
00:22:58,480 --> 00:22:59,280
Speaker 3: suicide Squad.

428
00:22:59,280 --> 00:23:00,720
Speaker 1: But later in the film, I.

429
00:23:00,720 --> 00:23:02,800
Speaker 3: Guess she stays with them the whole time, and then

430
00:23:02,960 --> 00:23:05,000
Speaker 3: they do threaten her with it again and she does

431
00:23:05,040 --> 00:23:06,800
Speaker 3: act like it is part of why she's staying.

432
00:23:09,280 --> 00:23:12,280
Speaker 1: Yeah, so there's the one.

433
00:23:13,200 --> 00:23:15,399
Speaker 3: They are very close friends at the end because she

434
00:23:15,480 --> 00:23:17,760
Speaker 3: says that, like, you made one mistake, like you mess

435
00:23:17,800 --> 00:23:20,280
Speaker 3: with my friends, and El Diablo does call the suicide

436
00:23:20,280 --> 00:23:21,320
Speaker 3: Squad his family.

437
00:23:21,040 --> 00:23:22,680
Speaker 1: At one point. They're really close.

438
00:23:23,240 --> 00:23:25,720
Speaker 3: But basically all that happens leading up to that is

439
00:23:25,720 --> 00:23:30,040
Speaker 3: this one conversation in a bar where El Diablo uh

440
00:23:30,119 --> 00:23:33,600
Speaker 3: sort of tearfully admits that he accidentally burned his wife

441
00:23:33,600 --> 00:23:39,040
Speaker 3: and children to death. And you fucking shit, you can't

442
00:23:39,160 --> 00:23:41,200
Speaker 3: undo that, you suck.

443
00:23:42,000 --> 00:23:43,119
Speaker 1: Yeah, that's true.

444
00:23:43,359 --> 00:23:46,159
Speaker 3: That's like they're real like coming together conversations. Oh and

445
00:23:46,359 --> 00:23:49,640
Speaker 3: just do everyone else is like mad Harley quid. Yeah,

446
00:23:49,680 --> 00:23:52,200
Speaker 3: they're like she's being too hard on him. Yeah, but

447
00:23:52,320 --> 00:23:55,480
Speaker 3: she like wants him to like face it. Maybe she's right,

448
00:23:55,800 --> 00:23:57,760
Speaker 3: but to double back to the dynamite correctly.

449
00:23:58,200 --> 00:24:00,320
Speaker 4: Stand because she's never been murdered before.

450
00:24:00,480 --> 00:24:01,920
Speaker 1: Well, she's been through a lot.

451
00:24:02,040 --> 00:24:04,600
Speaker 3: Yeah, she actually has been sort of murder. Yeah. She

452
00:24:04,680 --> 00:24:07,960
Speaker 3: does get thrown into like I guess acid and then

453
00:24:08,000 --> 00:24:09,840
Speaker 3: somehow there's like paint colors.

454
00:24:10,040 --> 00:24:13,199
Speaker 1: Yeah. Yeah, those Joker saves are there in line and

455
00:24:13,320 --> 00:24:17,000
Speaker 1: Joker is hurting her really really badly in one part.

456
00:24:17,160 --> 00:24:20,800
Speaker 3: Just to double back to the dynamite really quick. I

457
00:24:20,840 --> 00:24:23,800
Speaker 3: did like that. You didn't see how the croc got

458
00:24:23,840 --> 00:24:26,159
Speaker 3: the dynamite, even though the big moment at the end

459
00:24:26,200 --> 00:24:26,480
Speaker 3: is that the.

460
00:24:26,480 --> 00:24:28,679
Speaker 1: Crock has it. It's good that he's just got it

461
00:24:28,680 --> 00:24:30,320
Speaker 1: in his hand and at one point and.

462
00:24:30,320 --> 00:24:34,680
Speaker 3: Then it can only be atuated by shooting it, even

463
00:24:34,680 --> 00:24:37,679
Speaker 3: though it's going into a fire and Will Smith doesn't

464
00:24:37,680 --> 00:24:44,760
Speaker 3: want to shoot it. So and also, if you track, basically,

465
00:24:45,080 --> 00:24:48,440
Speaker 3: what the whole movie is is Viola Davis puts together

466
00:24:48,480 --> 00:24:51,960
Speaker 3: the suicide squad for no purpose at the time, no reason.

467
00:24:52,040 --> 00:24:54,000
Speaker 3: He's just like, we need this. It's a lot of

468
00:24:54,000 --> 00:24:56,240
Speaker 3: the red tape of her trying to get it approved

469
00:24:56,280 --> 00:24:58,439
Speaker 3: that she would be able to use a suicide squad

470
00:24:58,440 --> 00:25:03,240
Speaker 3: if anything goes wrong, and then the villain who.

471
00:25:05,119 --> 00:25:10,160
Speaker 2: Squad becomes like a superman like creates a super bad guy.

472
00:25:10,160 --> 00:25:12,880
Speaker 3: Kind of only because she had assembled it. Yes, first,

473
00:25:12,880 --> 00:25:15,399
Speaker 3: because she assembled the suicide squad. It's because of the

474
00:25:15,440 --> 00:25:18,640
Speaker 3: assembly that the bad guy exists. And then that's why

475
00:25:18,680 --> 00:25:21,639
Speaker 3: the suicide squad has to be called in, which you

476
00:25:21,640 --> 00:25:24,400
Speaker 3: would think would be they would be sort of hesitant

477
00:25:24,480 --> 00:25:26,719
Speaker 3: about the suicide squad at that point, since one of

478
00:25:26,720 --> 00:25:29,280
Speaker 3: them became the super villain that they're now going to

479
00:25:29,520 --> 00:25:32,280
Speaker 3: go after. But anyway, the reason they're called in is

480
00:25:32,359 --> 00:25:36,640
Speaker 3: to save Violet Davis. Yes, that's right. And then they

481
00:25:36,680 --> 00:25:38,600
Speaker 3: take her out of a building where she seems to

482
00:25:38,640 --> 00:25:42,160
Speaker 3: be safe, and.

483
00:25:42,040 --> 00:25:46,200
Speaker 2: Why is she and the entire city is completely empty

484
00:25:46,760 --> 00:25:50,080
Speaker 2: of it is a people, and so why was this

485
00:25:50,200 --> 00:25:51,480
Speaker 2: very high level person.

486
00:25:51,280 --> 00:25:53,960
Speaker 1: The only one who was not able to get out?

487
00:25:54,080 --> 00:25:56,600
Speaker 3: And the only reason I believe that they're not just

488
00:25:56,680 --> 00:26:00,280
Speaker 3: shooting the person who has the explosive device remote their

489
00:26:00,280 --> 00:26:03,719
Speaker 3: neck is because she is watching them from afar and

490
00:26:03,760 --> 00:26:04,719
Speaker 3: so they can't do that.

491
00:26:04,800 --> 00:26:06,040
Speaker 1: But then they're just with her.

492
00:26:06,200 --> 00:26:09,320
Speaker 3: I could shoot both of them because will Smith is

493
00:26:09,320 --> 00:26:11,800
Speaker 3: the best shooter in the world. Yeah, but he still

494
00:26:11,840 --> 00:26:13,800
Speaker 3: doesn't because just be careful.

495
00:26:13,440 --> 00:26:13,639
Speaker 1: You know.

496
00:26:14,200 --> 00:26:18,600
Speaker 3: And so and also Barons. His character is a prison

497
00:26:18,640 --> 00:26:21,320
Speaker 3: guard who basically spent the entire movie like beating up.

498
00:26:21,600 --> 00:26:22,680
Speaker 1: That's torturing them.

499
00:26:22,760 --> 00:26:26,520
Speaker 2: Yeah, and two different people, two different people, threaten his life.

500
00:26:26,520 --> 00:26:28,160
Speaker 3: They say, I'm gonna get out of you and I'm

501
00:26:28,200 --> 00:26:29,199
Speaker 3: gonna make you pay for this.

502
00:26:29,359 --> 00:26:31,640
Speaker 2: Yeah, So you think the problem is maybe like, oh

503
00:26:31,800 --> 00:26:33,880
Speaker 2: well one of them. That can really only be true

504
00:26:33,880 --> 00:26:34,360
Speaker 2: for one of them.

505
00:26:34,440 --> 00:26:36,359
Speaker 3: I did think that who's going to get it or

506
00:26:36,359 --> 00:26:38,439
Speaker 3: something like do they have to pick? But ultimately what

507
00:26:38,480 --> 00:26:41,680
Speaker 3: happens to him is nothing. Yes, he beats them all

508
00:26:41,760 --> 00:26:45,439
Speaker 3: up and just gets away. He gets abandoned later like

509
00:26:45,680 --> 00:26:48,320
Speaker 3: he gets he's down a lot of money at a

510
00:26:48,359 --> 00:26:50,680
Speaker 3: casino and then he gets brought into a back room

511
00:26:50,680 --> 00:26:53,240
Speaker 3: and threatened by the joker, and then you don't see

512
00:26:53,240 --> 00:26:53,800
Speaker 3: what happens.

513
00:26:55,480 --> 00:26:58,639
Speaker 4: This is great. This is like I've been read the book,

514
00:26:58,800 --> 00:27:01,600
Speaker 4: I don't see it now. If I've read the book,

515
00:27:01,640 --> 00:27:02,960
Speaker 4: I don't want to see the movie. And this is

516
00:27:03,040 --> 00:27:04,120
Speaker 4: essentially like I've been reading.

517
00:27:04,119 --> 00:27:06,240
Speaker 3: They probably need to see it. And do you stick

518
00:27:06,280 --> 00:27:09,240
Speaker 3: around for the arc Light Presents afterwards? I always stick

519
00:27:09,280 --> 00:27:11,840
Speaker 3: around for the Arc Light Presents interview. Have you ever

520
00:27:11,840 --> 00:27:12,359
Speaker 3: seen these?

521
00:27:13,440 --> 00:27:15,600
Speaker 4: I think I've I've just heard of them. I don't

522
00:27:15,600 --> 00:27:16,840
Speaker 4: think I've stuck around for one.

523
00:27:16,840 --> 00:27:19,480
Speaker 3: Stick around after the credits, because they interview some of

524
00:27:19,520 --> 00:27:21,720
Speaker 3: these people right in the lobby. Of course, for this one,

525
00:27:21,760 --> 00:27:24,399
Speaker 3: they got the two biggest stars, Jay Hernandez and the

526
00:27:24,480 --> 00:27:30,880
Speaker 3: Japanese woman who plays Katana and Katana, who has never

527
00:27:30,920 --> 00:27:34,560
Speaker 3: been in a film before. And then the interviewer says

528
00:27:34,560 --> 00:27:36,960
Speaker 3: to Jay, you know, Katana, this is sort of your

529
00:27:37,000 --> 00:27:40,280
Speaker 3: first foura in the film. And then Jay, this is

530
00:27:40,760 --> 00:27:43,399
Speaker 3: by far your biggest and maybe really the main like

531
00:27:43,680 --> 00:27:45,639
Speaker 3: sort of the only thing you've ever done. And then

532
00:27:45,800 --> 00:27:49,680
Speaker 3: Jay says, I've been doing this for ten years, three

533
00:27:49,760 --> 00:27:55,159
Speaker 3: or four times after that, Oh oh no, oh no,

534
00:27:55,920 --> 00:27:57,560
Speaker 3: So tell me about Angie Tribeca.

535
00:27:57,720 --> 00:28:02,080
Speaker 4: You got this right, yeah. Angie Droybega is a show

536
00:28:02,119 --> 00:28:05,879
Speaker 4: that Steve Carell created with his wife Nancy. It's like

537
00:28:05,920 --> 00:28:08,240
Speaker 4: a police procedural, a spoof on one.

538
00:28:08,440 --> 00:28:10,399
Speaker 1: She's still Nancy Walls or is she Nancy Carell?

539
00:28:10,480 --> 00:28:10,640
Speaker 3: Now?

540
00:28:10,720 --> 00:28:14,800
Speaker 4: I think she's now Nancy Walls. Correl Okay, it's.

541
00:28:15,840 --> 00:28:24,000
Speaker 3: Okay, he's fine, He's fine, oh oh, oh god, ok

542
00:28:24,560 --> 00:28:30,080
Speaker 3: this is my agent's more Hollywood stuff. Yeah, I got

543
00:28:30,080 --> 00:28:37,120
Speaker 3: the photo you sent. Yeah, she looks like a little sweetie. Yes,

544
00:28:37,200 --> 00:28:39,040
Speaker 3: she's a pretty little sweetie. And I don't want her

545
00:28:39,080 --> 00:28:42,239
Speaker 3: to get hurt, can you.

546
00:28:42,400 --> 00:28:46,760
Speaker 1: Okay, can you send with today's newspaper, But this time,

547
00:28:46,800 --> 00:28:48,440
Speaker 1: don't have it be the front page of the newspaper.

548
00:28:48,480 --> 00:28:51,800
Speaker 1: Have it be the funny pages, because then I can

549
00:28:51,800 --> 00:28:53,880
Speaker 1: actually use the picture to read some of the comics.

550
00:28:56,560 --> 00:29:00,240
Speaker 1: You son of a bitch. He got the comics the

551
00:29:00,280 --> 00:29:07,480
Speaker 1: newspaper for wrapping paper. It's gonna seem lazy when you

552
00:29:07,480 --> 00:29:10,280
Speaker 1: give that gift. No, don't hurt her. It is cute.

553
00:29:12,400 --> 00:29:16,120
Speaker 3: Okay, I'll call you back. Oh no, I don't have

554
00:29:16,160 --> 00:29:17,760
Speaker 3: your number. Yeah, yeah, that's right.

555
00:29:18,320 --> 00:29:27,120
Speaker 1: So Nancy, what's I didn't even think of that? They did?

556
00:29:27,120 --> 00:29:30,360
Speaker 1: They tell you we do the chamber thing multiple times

557
00:29:30,400 --> 00:29:30,760
Speaker 1: of show.

558
00:29:31,600 --> 00:29:33,040
Speaker 4: Oh you want me to go back in?

559
00:29:34,920 --> 00:29:37,760
Speaker 3: That's always part of the guest gets in the chamber

560
00:29:37,800 --> 00:29:41,400
Speaker 3: every like seven minutes, seven or so minute.

561
00:29:41,880 --> 00:29:43,440
Speaker 1: The guest has to be in the chamber.

562
00:29:43,800 --> 00:29:47,840
Speaker 4: Okay, I just you keep getting calls and then I know, yeah,

563
00:29:48,120 --> 00:29:52,840
Speaker 4: and so now you're talking about a rapist somebody.

564
00:29:56,200 --> 00:29:59,760
Speaker 1: So I wonder, I God, I hope that was a misbirdota.

565
00:30:03,320 --> 00:30:07,600
Speaker 3: So uh yeah, if you could get in the chamber

566
00:30:08,720 --> 00:30:11,760
Speaker 3: just for the show, because it's a fun show.

567
00:30:12,240 --> 00:30:17,920
Speaker 1: Somebody took my sweet lunch. His lunch is gone.

568
00:30:18,080 --> 00:30:20,240
Speaker 4: From Sweet Green. You got lunch from Sweet Green?

569
00:30:20,360 --> 00:30:22,680
Speaker 1: Yeah? Oh yeah, what do you get it? Sweet?

570
00:30:23,680 --> 00:30:27,080
Speaker 4: I usually get the Hello portobello.

571
00:30:27,480 --> 00:30:31,560
Speaker 1: So god, that's a really good one, so goodness, a.

572
00:30:31,520 --> 00:30:35,760
Speaker 4: Bunch of mushrooms and like me, so ginger dressing.

573
00:30:35,520 --> 00:30:38,080
Speaker 1: And smoothie, and Hayese gets the.

574
00:30:38,040 --> 00:30:41,400
Speaker 4: Omg omegup you do that's so good for you.

575
00:30:41,520 --> 00:30:44,440
Speaker 1: It's no smoothie there. But he does get an agua frescut.

576
00:30:46,480 --> 00:30:49,120
Speaker 4: The smoothies because they go down.

577
00:30:49,800 --> 00:30:56,120
Speaker 6: Yeah, so I'm just gonna is so great?

578
00:30:56,120 --> 00:30:57,280
Speaker 4: Do I have to go on like a no?

579
00:31:00,480 --> 00:31:05,640
Speaker 3: I want wait a minute for her for her tweets.

580
00:31:06,280 --> 00:31:11,520
Speaker 1: I know, I know that's not fair. I know, shut

581
00:31:11,560 --> 00:31:13,560
Speaker 1: out a book come out. I know this is the

582
00:31:13,560 --> 00:31:19,560
Speaker 1: time supposed to be. I know what about her book?

583
00:31:22,320 --> 00:31:27,800
Speaker 3: So do we just know my agent just called? Did

584
00:31:27,840 --> 00:31:30,080
Speaker 3: we just say no, we're a big fans of yours?

585
00:31:30,080 --> 00:31:32,000
Speaker 4: Though, Oh, I just mean it's so hot in here, like,

586
00:31:32,000 --> 00:31:32,800
Speaker 4: can I have a fan.

587
00:31:33,080 --> 00:31:37,280
Speaker 1: Sure. Yeah, but that's how the senses go away.

588
00:31:38,040 --> 00:31:40,320
Speaker 4: So I'm sensing dripping sweat, So.

589
00:31:40,960 --> 00:31:43,960
Speaker 3: Dre, why don't you get out of the blanket? Okay,

590
00:31:44,640 --> 00:31:45,600
Speaker 3: and thanks so much?

591
00:31:45,640 --> 00:31:47,520
Speaker 1: And did you go to the astral plane there?

592
00:31:48,240 --> 00:31:50,080
Speaker 4: No, I was just too distracted by the.

593
00:31:50,040 --> 00:31:53,840
Speaker 1: Sweat, by the heat and the sweatye oh, that's interesting.

594
00:31:53,920 --> 00:31:56,520
Speaker 1: So the Indian instead and stuff. Yep, that's how you

595
00:31:56,640 --> 00:31:58,000
Speaker 1: find your management.

596
00:31:58,000 --> 00:32:01,280
Speaker 4: Oh yeah, it's like a how you get when you

597
00:32:01,360 --> 00:32:05,240
Speaker 4: do the what's that stuff? You know when you go

598
00:32:05,240 --> 00:32:07,320
Speaker 4: in a tent and you take that drug and do

599
00:32:07,400 --> 00:32:08,200
Speaker 4: you hallucining?

600
00:32:08,280 --> 00:32:09,640
Speaker 1: You sweat and alwuasca?

601
00:32:10,000 --> 00:32:14,720
Speaker 3: Yeah, that's not any that's it's not well, no, that's

602
00:32:14,760 --> 00:32:15,600
Speaker 3: like South America.

603
00:32:17,800 --> 00:32:18,600
Speaker 1: It doesn't matter.

604
00:32:18,840 --> 00:32:26,320
Speaker 3: That's a good segue. Some people were tripping out on.

605
00:32:29,120 --> 00:32:32,760
Speaker 2: There was like some tweets the other day that there's

606
00:32:32,800 --> 00:32:36,720
Speaker 2: this Kurt Metzger thing. Where do you know about this?

607
00:32:36,920 --> 00:32:39,640
Speaker 4: I don't, I wish I did. I don't know about

608
00:32:39,640 --> 00:32:42,360
Speaker 4: anything you guys are talking about today. Really, I'm glad

609
00:32:42,360 --> 00:32:44,480
Speaker 4: that you're catching me up on everything. I don't need

610
00:32:44,520 --> 00:32:46,680
Speaker 4: to go see anything or read anything.

611
00:32:46,680 --> 00:32:48,560
Speaker 1: You don't have to read anything. Pieces. Okay.

612
00:32:49,280 --> 00:32:55,360
Speaker 3: So a guy was accused of improprieties sexually at the

613
00:32:55,560 --> 00:32:56,840
Speaker 3: UCB in New York.

614
00:32:57,160 --> 00:32:58,240
Speaker 4: Okay, I know about this.

615
00:32:58,360 --> 00:33:04,080
Speaker 3: Yes, and then someone did some tweets essentially could be

616
00:33:04,160 --> 00:33:07,520
Speaker 3: viewed as defending him, could be viewed as attacking the victims,

617
00:33:07,560 --> 00:33:11,200
Speaker 3: could be viewed as attacking. So she'll justice warriors in general.

618
00:33:11,440 --> 00:33:13,920
Speaker 3: Kurt Matt's comedian named Kermetzker, and there's a lot of

619
00:33:14,080 --> 00:33:18,760
Speaker 3: choys to parse what he did, but the but one

620
00:33:18,880 --> 00:33:22,320
Speaker 3: person in particular really had to answer for this man's tweet.

621
00:33:23,520 --> 00:33:26,960
Speaker 1: Amy Schumer, who got roped into the contra.

622
00:33:26,720 --> 00:33:33,480
Speaker 2: Tweeted a response that was some people that's sort of

623
00:33:33,560 --> 00:33:36,920
Speaker 2: a cowardly avoided of the association.

624
00:33:37,160 --> 00:33:40,280
Speaker 1: We don't feel that way, or we do.

625
00:33:40,560 --> 00:33:45,040
Speaker 3: I guess no, I can't no, no, you know what.

626
00:33:45,360 --> 00:33:46,400
Speaker 1: No, I can't do this.

627
00:33:46,560 --> 00:33:54,160
Speaker 3: You know what, do your worst my agent, because I'm

628
00:33:54,200 --> 00:33:57,280
Speaker 3: not gonna do this. I don't know what else she

629
00:33:57,400 --> 00:33:59,760
Speaker 3: was supposed to say, other than he doesn't work for

630
00:33:59,800 --> 00:34:04,520
Speaker 3: my show. Okay, so this is what happened, Amy, Amy said,

631
00:34:04,640 --> 00:34:05,240
Speaker 3: maybe we can.

632
00:34:05,160 --> 00:34:09,040
Speaker 2: Just clear all this up. Okay, I'll understand. Amy said,

633
00:34:09,880 --> 00:34:11,799
Speaker 2: I'm sad and disciplined. Kurt Matt's Gray is my friend,

634
00:34:11,800 --> 00:34:14,040
Speaker 2: a great writer, it could be more against his recent actions.

635
00:34:14,160 --> 00:34:16,319
Speaker 2: Then she wrote, Kurt does not work for me. He

636
00:34:16,440 --> 00:34:18,600
Speaker 2: is not a writer on my show. Please stop asking

637
00:34:18,600 --> 00:34:20,879
Speaker 2: me about it. His words are not mine. And then

638
00:34:20,920 --> 00:34:26,239
Speaker 2: people seemingly willfully misunderstood this when they said when she

639
00:34:26,280 --> 00:34:27,879
Speaker 2: said he doesn't work for me, he's not a writer

640
00:34:27,960 --> 00:34:29,480
Speaker 2: on my show, they were.

641
00:34:29,360 --> 00:34:33,640
Speaker 3: Like, well, he's written for every single season of your show, right,

642
00:34:33,840 --> 00:34:35,319
Speaker 3: and there's another one coming up.

643
00:34:36,000 --> 00:34:38,279
Speaker 2: And then she said, I didn't fire Kurt. He isn't

644
00:34:38,280 --> 00:34:40,239
Speaker 2: a writer for my show because we aren't making the

645
00:34:40,280 --> 00:34:43,400
Speaker 2: show anymore. There are no writers for it, and all.

646
00:34:43,239 --> 00:34:45,880
Speaker 3: These and then dummies were again, We're like, oh, is

647
00:34:45,920 --> 00:34:46,760
Speaker 3: the show canceled?

648
00:34:47,320 --> 00:34:50,680
Speaker 1: You're making the show anymore? Do you mean ever? Yeah?

649
00:34:50,760 --> 00:34:52,880
Speaker 2: And it's like no, wouldn't we say we're not making

650
00:34:52,880 --> 00:34:57,520
Speaker 2: the show anymore. We mean we're on said later inside

651
00:34:57,560 --> 00:35:00,000
Speaker 2: Amy Suver is not canceled. Kamie Central has provided us

652
00:35:00,080 --> 00:35:02,720
Speaker 2: the wonderful homy. Quinn't be happy there. I'm just touring.

653
00:35:02,960 --> 00:35:05,399
Speaker 2: And it's like obvious from her earlier tweets that that's

654
00:35:05,400 --> 00:35:07,760
Speaker 2: what she met. When she said there is no show,

655
00:35:08,080 --> 00:35:10,840
Speaker 2: she meant basically, we're on hiatus because I'm touring.

656
00:35:10,680 --> 00:35:14,120
Speaker 3: When you're when you're hiatus, when you're on hiatus, range Trabecca,

657
00:35:14,160 --> 00:35:15,640
Speaker 3: what do you say? You say, we're not making the

658
00:35:15,640 --> 00:35:17,600
Speaker 3: show anymore. And if I say, like, oh, I know

659
00:35:17,640 --> 00:35:18,640
Speaker 3: a guy who writes for the.

660
00:35:18,600 --> 00:35:21,279
Speaker 4: Show, you said she doesn't right now, you.

661
00:35:21,200 --> 00:35:23,520
Speaker 1: Say, you say no, I don't say right now. That's

662
00:35:23,680 --> 00:35:26,879
Speaker 1: why you do it. You say no, he doesn't work there.

663
00:35:27,120 --> 00:35:28,400
Speaker 3: Yeah, And it's.

664
00:35:28,200 --> 00:35:30,960
Speaker 4: Like, because it's just being in the moment, Yes.

665
00:35:30,760 --> 00:35:34,560
Speaker 1: Thank you. It's about mindfulness. Yes, can we at.

666
00:35:34,440 --> 00:35:36,960
Speaker 4: All last get to this very mindful?

667
00:35:37,080 --> 00:35:40,680
Speaker 2: And sometimes like after you after work, somebody calls you

668
00:35:40,760 --> 00:35:44,000
Speaker 2: and is asking about something about your show, and what

669
00:35:44,000 --> 00:35:44,800
Speaker 2: are you talking about?

670
00:35:44,800 --> 00:35:46,359
Speaker 1: Like it's after five pm.

671
00:35:46,400 --> 00:35:49,560
Speaker 4: There is no show, right because right then there isn't. Yeah,

672
00:35:49,600 --> 00:35:52,680
Speaker 4: there's only dinner or family nighttime.

673
00:35:52,719 --> 00:35:55,719
Speaker 3: There will never be well, and you have a show

674
00:35:55,760 --> 00:35:58,520
Speaker 3: that I think sometimes will air like multiple times in

675
00:35:58,560 --> 00:36:02,919
Speaker 3: a day, like yeah, I think. And but if it's

676
00:36:02,960 --> 00:36:06,680
Speaker 3: like the show's on and then there's a commercial, then

677
00:36:06,920 --> 00:36:08,560
Speaker 3: even if the show's coming back, then you go like

678
00:36:08,560 --> 00:36:11,719
Speaker 3: that show's not even on TV anymore. Yeah, yeah, that

679
00:36:11,920 --> 00:36:13,800
Speaker 3: which is so obvious.

680
00:36:13,480 --> 00:36:19,080
Speaker 4: To you say, oh, the show's one because it is.

681
00:36:19,920 --> 00:36:22,279
Speaker 3: Yeah, And like, for instance, if somebody asks me, like,

682
00:36:22,520 --> 00:36:27,680
Speaker 3: how's Hayes doing, I go I have I say, I

683
00:36:27,680 --> 00:36:33,080
Speaker 3: don't know Hayes. I haven't seen Hayes. And a lot

684
00:36:33,080 --> 00:36:39,120
Speaker 3: of times I say Hayes doesn't exist, because if they're

685
00:36:39,160 --> 00:36:42,440
Speaker 3: asking me, he's probably not there to be asked himself.

686
00:36:42,560 --> 00:36:46,160
Speaker 4: Yeah, you know, and where is he? If anywhere?

687
00:36:46,480 --> 00:36:48,120
Speaker 3: And this is some of the stuff you might learn

688
00:36:48,120 --> 00:36:54,200
Speaker 3: inside that blanket, you know, is like yeah, oh yeah,

689
00:36:54,239 --> 00:36:57,040
Speaker 3: these human husks we occupy.

690
00:36:58,400 --> 00:37:01,120
Speaker 1: Just a vessel, you know, They're not who we are.

691
00:37:02,080 --> 00:37:04,640
Speaker 3: And so when somebody says where is Hayes, I'm like,

692
00:37:04,800 --> 00:37:07,480
Speaker 3: get in the blanket, you know, ask the universe. Yeah,

693
00:37:08,960 --> 00:37:11,960
Speaker 3: and he's not anyone. He's a fucking loser.

694
00:37:12,920 --> 00:37:17,160
Speaker 1: Okay, okay, I would love to deal with that a

695
00:37:17,160 --> 00:37:21,320
Speaker 1: little more, but he's a fucking nobody.

696
00:37:21,360 --> 00:37:23,080
Speaker 4: You guys could put your phones in silent.

697
00:37:23,480 --> 00:37:27,440
Speaker 3: Yeah, no, we're going to it's just my agent's calling me.

698
00:37:27,520 --> 00:37:31,880
Speaker 3: Big deals going down? Is can I talk to my

699
00:37:31,960 --> 00:37:32,560
Speaker 3: lunch please?

700
00:37:37,880 --> 00:37:38,040
Speaker 1: So?

701
00:37:38,360 --> 00:37:39,680
Speaker 4: Uh make it taste better?

702
00:37:40,360 --> 00:37:43,080
Speaker 1: Why does Adam have to ruin his internships? You know

703
00:37:43,120 --> 00:37:43,560
Speaker 1: what I mean?

704
00:37:43,719 --> 00:37:47,200
Speaker 4: Oh yeah, yeah, I guess he just making He must

705
00:37:47,239 --> 00:37:48,640
Speaker 4: have an axe to grind.

706
00:37:48,719 --> 00:37:52,080
Speaker 1: Yeah, right, they're making you say that. Uh you did

707
00:37:52,200 --> 00:37:55,400
Speaker 1: High Times office? Are you? Were you smoking all the weed?

708
00:37:55,840 --> 00:37:59,399
Speaker 4: Oh? Man, I personally go to the moon. So they

709
00:37:59,400 --> 00:38:00,439
Speaker 4: had to hold back.

710
00:38:00,600 --> 00:38:02,160
Speaker 1: Oh no, they had to keep on the moon.

711
00:38:02,320 --> 00:38:05,920
Speaker 4: Yeah, because I was just too I wasn't on this planet,

712
00:38:06,560 --> 00:38:09,560
Speaker 4: my lines space. It was bad.

713
00:38:09,880 --> 00:38:10,280
Speaker 1: Yeah.

714
00:38:10,400 --> 00:38:12,680
Speaker 4: I was starting to hallucinate and think the parts of

715
00:38:12,760 --> 00:38:17,160
Speaker 4: my body where they would break off and become different things.

716
00:38:17,680 --> 00:38:21,759
Speaker 3: And did you get a sense that was BB eight

717
00:38:21,960 --> 00:38:23,840
Speaker 3: was going to be able to make all those noises

718
00:38:23,880 --> 00:38:25,359
Speaker 3: when you were working with him on that?

719
00:38:26,600 --> 00:38:30,480
Speaker 4: I felt like I would expect like one or two noises,

720
00:38:30,520 --> 00:38:33,640
Speaker 4: but there was like a wide range, like a much.

721
00:38:38,040 --> 00:38:38,120
Speaker 3: No.

722
00:38:38,239 --> 00:38:42,239
Speaker 1: I just got off the phone with them. This really

723
00:38:42,320 --> 00:38:47,520
Speaker 1: is my agent. Hey, what's going on? John? Yeah?

724
00:38:48,440 --> 00:38:52,279
Speaker 3: Kevin, well that's exciting. Come here what time? Yeah, I

725
00:38:52,280 --> 00:38:57,040
Speaker 3: can make that. You're you're sending the pictures to to

726
00:38:57,120 --> 00:39:01,640
Speaker 3: the they're not fans and they told you they were fans.

727
00:39:02,320 --> 00:39:03,520
Speaker 3: They're not fans.

728
00:39:07,280 --> 00:39:09,080
Speaker 1: Yeah that's great. So now they know.

729
00:39:12,080 --> 00:39:13,879
Speaker 3: They can see us in here and Cody, you're said

730
00:39:13,920 --> 00:39:16,120
Speaker 3: that you're you've patched the sound feed through because they

731
00:39:16,239 --> 00:39:18,479
Speaker 3: just I just got a call from them and they're mad.

732
00:39:18,520 --> 00:39:21,160
Speaker 3: About First of all, what we're wearing.

733
00:39:21,360 --> 00:39:23,759
Speaker 2: That'd be great because we're supposed to be wearing like

734
00:39:24,400 --> 00:39:25,279
Speaker 2: anonymous masks.

735
00:39:25,440 --> 00:39:27,279
Speaker 4: Just tell them I worked with them the phone.

736
00:39:27,600 --> 00:39:30,399
Speaker 1: I'm here with Dre. She knows bb A. Cody. Don't

737
00:39:30,400 --> 00:39:35,080
Speaker 1: do a scary voice, especially now, don't scare. Put that away.

738
00:39:36,280 --> 00:39:37,839
Speaker 1: Do you want to be in Star Wars? Now? You

739
00:39:37,840 --> 00:39:38,400
Speaker 1: can't scare?

740
00:39:38,719 --> 00:39:39,279
Speaker 4: That'd be great.

741
00:39:39,400 --> 00:39:40,280
Speaker 1: What time is it again?

742
00:39:41,160 --> 00:39:42,520
Speaker 4: I can't do anything after two?

743
00:39:42,840 --> 00:39:45,959
Speaker 3: Okay, it's gonna be and you're you're patching the sound

744
00:39:46,120 --> 00:39:48,280
Speaker 3: feed through to the bad guys.

745
00:39:48,760 --> 00:39:50,560
Speaker 1: Put that down. I don't want to do the scar case,

746
00:39:50,600 --> 00:39:53,840
Speaker 1: so just me then, just do the normal Cody please

747
00:39:55,719 --> 00:40:03,840
Speaker 1: for me right now? Sorry this other guy Hi, oh.

748
00:40:03,880 --> 00:40:09,759
Speaker 3: No, no, okay, that's probably the same pick.

749
00:40:09,800 --> 00:40:12,759
Speaker 1: But they just told me. I can just tell you. Yeah, Well,

750
00:40:12,800 --> 00:40:13,279
Speaker 1: what's up?

751
00:40:13,880 --> 00:40:17,000
Speaker 2: They're mad because Kevin has been sending them the picture directly.

752
00:40:17,080 --> 00:40:19,879
Speaker 2: Kevin thought they were fans. I don't know what they did.

753
00:40:19,880 --> 00:40:22,080
Speaker 1: They call you, Keaven, they're not fans.

754
00:40:23,719 --> 00:40:26,120
Speaker 2: And also why you would agree, even for a normal fan,

755
00:40:26,400 --> 00:40:29,040
Speaker 2: if they called you and said please email like Kevin,

756
00:40:29,120 --> 00:40:31,360
Speaker 2: instantly email me the pictures as soon as you take.

757
00:40:31,320 --> 00:40:33,120
Speaker 3: Kevin the only fans in this room is the one

758
00:40:33,120 --> 00:40:34,920
Speaker 3: that we're not offering to Dre when she gets under

759
00:40:34,960 --> 00:40:35,520
Speaker 3: that blanket.

760
00:40:37,120 --> 00:40:39,319
Speaker 1: Why would you agree to that? They said they were

761
00:40:39,440 --> 00:40:42,600
Speaker 1: Hollywood heads and told me to put it in. Well,

762
00:40:42,600 --> 00:40:45,640
Speaker 1: it's handbook heads, so right there.

763
00:40:45,640 --> 00:40:47,839
Speaker 3: You should know that if you're a real handbook head,

764
00:40:47,840 --> 00:40:51,040
Speaker 3: which we did ask you to become one, then you

765
00:40:51,040 --> 00:40:53,359
Speaker 3: would know that you're right.

766
00:40:53,400 --> 00:40:56,640
Speaker 1: They got Drey. What do you call fans of our show, handbookhead?

767
00:40:56,760 --> 00:41:00,640
Speaker 1: Thank you everybody? What do you call it? Fans of

768
00:41:00,680 --> 00:41:05,160
Speaker 1: Age of Tribeca Tribecca heads? Okay, so it's always the

769
00:41:05,200 --> 00:41:10,840
Speaker 1: second word. Anyway.

770
00:41:10,840 --> 00:41:12,640
Speaker 3: They're mad because it got the pictures and we're not

771
00:41:12,680 --> 00:41:14,200
Speaker 3: wearing the anonymous.

772
00:41:13,680 --> 00:41:15,520
Speaker 1: Masks like we're supposed to.

773
00:41:15,960 --> 00:41:20,000
Speaker 2: Yeah, and Cody has also been sending them through the feed,

774
00:41:20,160 --> 00:41:23,640
Speaker 2: so they know that we refuse to disown Schumer for

775
00:41:23,640 --> 00:41:24,360
Speaker 2: her tweets.

776
00:41:24,360 --> 00:41:29,320
Speaker 1: Cody, we're working together. Yeah, Cody doesn't even have an excuse.

777
00:41:31,520 --> 00:41:35,640
Speaker 1: I'm straight up working with them.

778
00:41:35,960 --> 00:41:36,840
Speaker 4: Can I just ask you?

779
00:41:36,960 --> 00:41:44,480
Speaker 1: They are oh the scripts? Yeah? Yeah, Scripts acquired your wolf.

780
00:41:44,560 --> 00:41:48,160
Speaker 3: Cody's working with them. That's how he says, Hey, Scripts

781
00:41:48,280 --> 00:41:50,120
Speaker 3: kind of sounds like shoals.

782
00:41:50,160 --> 00:41:51,560
Speaker 1: You played doctor Schulz.

783
00:41:52,040 --> 00:41:54,720
Speaker 4: Uh, huh. I do write medical scripts.

784
00:41:54,320 --> 00:41:58,600
Speaker 3: Uh huh, prescriptions. Yes, so we're still doing an interview

785
00:41:58,640 --> 00:41:58,920
Speaker 3: with you.

786
00:41:59,320 --> 00:42:03,200
Speaker 6: Now, look, hey, if Cody knows who these guys are,

787
00:42:03,239 --> 00:42:07,200
Speaker 6: maybe we could offer him a sweeter deal. Okay, tease

788
00:42:07,200 --> 00:42:08,759
Speaker 6: it out of Cody, but we still have to kind

789
00:42:08,760 --> 00:42:09,680
Speaker 6: of be doing the interview.

790
00:42:09,960 --> 00:42:13,360
Speaker 1: I know, I'm okay, how about this, Dre you're an Acdris.

791
00:42:13,880 --> 00:42:16,280
Speaker 4: Do you guys know that I can hear your aside

792
00:42:17,520 --> 00:42:18,680
Speaker 4: like we're right here.

793
00:42:18,600 --> 00:42:21,040
Speaker 1: Well, you're not using the blanket right.

794
00:42:21,080 --> 00:42:24,600
Speaker 4: Well, like some people will will use their hands and

795
00:42:24,640 --> 00:42:27,560
Speaker 4: like block off so the person can't see, or they're like,

796
00:42:28,360 --> 00:42:30,920
Speaker 4: you guys are just talking straight up, full volume in

797
00:42:30,960 --> 00:42:32,000
Speaker 4: front of me, right.

798
00:42:31,880 --> 00:42:33,640
Speaker 1: Because we thought that you knew how a blanket worked.

799
00:42:34,960 --> 00:42:38,840
Speaker 4: Okay, I just so you know that I'm not that.

800
00:42:38,960 --> 00:42:41,520
Speaker 1: Easily just clean through the blanket.

801
00:42:43,160 --> 00:42:45,160
Speaker 4: I've been doing this weird cleanse and it makes my

802
00:42:45,200 --> 00:42:48,600
Speaker 4: sweat pretty acidic. You know, everyone's trying to be alkaline

803
00:42:48,640 --> 00:42:51,640
Speaker 4: all the time. I'm just trying to be aid, Yeah,

804
00:42:51,800 --> 00:42:54,000
Speaker 4: go all the way. I'm like, no, I don't believe

805
00:42:54,040 --> 00:42:56,440
Speaker 4: any things that people say, so I'm trying to be

806
00:42:56,520 --> 00:42:57,800
Speaker 4: as acidic as possible.

807
00:42:59,200 --> 00:42:59,880
Speaker 1: What about we do.

808
00:43:00,080 --> 00:43:04,200
Speaker 3: Sometimes we do actress games where what if you played

809
00:43:04,200 --> 00:43:08,280
Speaker 3: a role, and the role is someone who can tempt

810
00:43:08,320 --> 00:43:15,520
Speaker 3: Cody into giving information, saying where script is or where

811
00:43:16,600 --> 00:43:19,960
Speaker 3: what like what's being offered by them, where like a

812
00:43:20,040 --> 00:43:21,240
Speaker 3: sweetie might be found.

813
00:43:21,920 --> 00:43:25,120
Speaker 1: Okay, I mean I'll tell you where they're at.

814
00:43:25,640 --> 00:43:26,680
Speaker 4: Great, tell me.

815
00:43:27,920 --> 00:43:29,160
Speaker 1: Because you're an actress.

816
00:43:29,520 --> 00:43:32,920
Speaker 4: Yeah. Well, here's the thing, Cody is like, I feel

817
00:43:32,960 --> 00:43:35,640
Speaker 4: a connection with you, and I feel you.

818
00:43:35,600 --> 00:43:38,279
Speaker 1: Don't even have to do this say no more.

819
00:43:39,200 --> 00:43:42,080
Speaker 4: I feel like I feel like we can share things

820
00:43:42,120 --> 00:43:45,760
Speaker 4: with each other and like whatever, you could only.

821
00:43:45,640 --> 00:43:49,360
Speaker 1: Be ruined at this point. They're in Cincinnati. Oh hi,

822
00:43:49,560 --> 00:43:50,920
Speaker 1: Oh that's a funny place.

823
00:43:52,400 --> 00:43:54,680
Speaker 4: What's round on both sides and high in the middle.

824
00:43:55,000 --> 00:44:01,560
Speaker 3: Okay, I please don't give me any more hits. This

825
00:44:01,800 --> 00:44:05,240
Speaker 3: was actually this was actually the riddle that we were given.

826
00:44:05,719 --> 00:44:09,200
Speaker 4: Oh it's an old stick stickley joke from Nickelodeon.

827
00:44:09,960 --> 00:44:12,440
Speaker 3: Oh no, and I just got I just got a

828
00:44:12,520 --> 00:44:15,920
Speaker 3: text from scrapre These people like twisted cartoon. He wants

829
00:44:15,960 --> 00:44:20,239
Speaker 3: me to do more stuff like that, just like you know,

830
00:44:20,440 --> 00:44:27,359
Speaker 3: sort of brain teasery witticisms. So I guess, uh, Dre,

831
00:44:27,600 --> 00:44:31,319
Speaker 3: can you tell me why? Hawaii has interstate highways.

832
00:44:32,800 --> 00:44:34,560
Speaker 4: Because it's all in the one state.

833
00:44:35,280 --> 00:44:37,359
Speaker 1: Well, then it's not enery.

834
00:44:37,400 --> 00:44:41,400
Speaker 3: So uh if teflon uh is nothing sticks to it,

835
00:44:41,440 --> 00:44:43,040
Speaker 3: then how do they stick it on the pan in

836
00:44:43,080 --> 00:44:45,600
Speaker 3: the first place? Are these to be answered or is

837
00:44:45,640 --> 00:44:47,799
Speaker 3: it they're you're just supposed to be You're supposed to be.

838
00:44:47,760 --> 00:44:51,080
Speaker 4: Like a good question, like, oh good question?

839
00:44:51,360 --> 00:44:58,720
Speaker 1: Yeah, okay, thanks, I like that. Okay, okay, so good.

840
00:44:59,000 --> 00:45:02,960
Speaker 4: Uh it does stick to your inside, though apparently it

841
00:45:03,000 --> 00:45:05,240
Speaker 4: gives you cancer those tough one pants.

842
00:45:05,600 --> 00:45:11,400
Speaker 3: Oh no, the pans okay, Uh, pans Labyrinth is another movie.

843
00:45:11,680 --> 00:45:14,840
Speaker 4: Uh, I loved that movie. Okay, is that the one

844
00:45:15,040 --> 00:45:20,160
Speaker 4: that's not the one that bolways in? Uh?

845
00:45:20,520 --> 00:45:22,840
Speaker 1: What'll we say?

846
00:45:23,640 --> 00:45:25,400
Speaker 3: I always get the two can allowed to make her

847
00:45:25,440 --> 00:45:30,719
Speaker 3: feel embarrassed, tell her it explains that. So okay, so

848
00:45:30,800 --> 00:45:33,120
Speaker 3: I was so we were talking about not just stick

849
00:45:33,160 --> 00:45:36,640
Speaker 3: tough on pans and then pants Labyrinth and uh and

850
00:45:36,680 --> 00:45:40,640
Speaker 3: then uh, we were sort of talking to Dre and

851
00:45:40,680 --> 00:45:41,360
Speaker 3: she said.

852
00:45:41,200 --> 00:45:43,120
Speaker 1: I love that movie. But then clearly she doesn't know

853
00:45:43,160 --> 00:45:44,400
Speaker 1: what movie pans Labornate is.

854
00:45:44,800 --> 00:45:47,400
Speaker 3: And she she didn't know she had suicide and she

855
00:45:47,440 --> 00:45:49,839
Speaker 3: didn't really know about the suicide squad, and she didn't

856
00:45:49,840 --> 00:45:51,799
Speaker 3: hear about currents cre and Schumer thing, which is really

857
00:45:51,840 --> 00:45:52,600
Speaker 3: big on the internet.

858
00:45:53,320 --> 00:45:54,080
Speaker 1: But somehow she.

859
00:45:54,080 --> 00:45:57,239
Speaker 3: Knew about like the thing that incited the stuff, which

860
00:45:57,280 --> 00:45:59,800
Speaker 3: it's like, how did you get that information?

861
00:45:59,880 --> 00:46:03,000
Speaker 1: And not the rest, So it just really seems like

862
00:46:03,040 --> 00:46:05,520
Speaker 1: she's like fucking with me, you know what. And then

863
00:46:05,920 --> 00:46:08,360
Speaker 1: so then she thinks it's Labyrinth, but she calls Labyrinth

864
00:46:08,440 --> 00:46:12,640
Speaker 1: the one with Bowie in it. Are we allowed to

865
00:46:12,760 --> 00:46:14,200
Speaker 1: just freaking roast or what?

866
00:46:17,719 --> 00:46:17,839
Speaker 3: No?

867
00:46:17,960 --> 00:46:19,440
Speaker 1: I have to be a big sweetie.

868
00:46:20,440 --> 00:46:20,800
Speaker 4: Uh?

869
00:46:20,880 --> 00:46:24,000
Speaker 1: Yeah, it is the one with but it's so good.

870
00:46:24,040 --> 00:46:27,279
Speaker 1: Remember all the.

871
00:46:25,760 --> 00:46:29,880
Speaker 4: Wear, the creature costume. He's the big creature. Yeah, and

872
00:46:29,920 --> 00:46:31,359
Speaker 4: he comes for the little.

873
00:46:31,040 --> 00:46:33,840
Speaker 3: Girl twenty sixteen.

874
00:46:33,920 --> 00:46:35,280
Speaker 1: I hate twenty sixteen.

875
00:46:35,880 --> 00:46:37,120
Speaker 3: I uh so.

876
00:46:37,480 --> 00:46:37,640
Speaker 4: Uh.

877
00:46:37,719 --> 00:46:41,719
Speaker 1: She thinks that Bowie is the creature in it, and

878
00:46:41,880 --> 00:46:43,920
Speaker 1: I feel like if I don't say something, she's also

879
00:46:43,960 --> 00:46:49,520
Speaker 1: gonna say that Bowie like is the bog of eternal stitch. Yeah,

880
00:46:49,560 --> 00:46:53,239
Speaker 1: that's where they're gonna fall through. They faltered, singing she

881
00:46:53,239 --> 00:46:56,600
Speaker 1: spilled that forever. Yeah, have you not seen it?

882
00:46:58,080 --> 00:47:01,319
Speaker 7: Okay, he hasn't seen labyrin Wait?

883
00:47:01,400 --> 00:47:03,320
Speaker 1: Why whatever? You're on the phone.

884
00:47:04,080 --> 00:47:09,080
Speaker 3: Cody is down on his little phone attachment wait, call

885
00:47:09,120 --> 00:47:09,800
Speaker 3: that number.

886
00:47:10,480 --> 00:47:13,000
Speaker 1: Call that number back. Okay, I have to.

887
00:47:13,320 --> 00:47:14,440
Speaker 4: I thought you didn't have it.

888
00:47:14,520 --> 00:47:16,560
Speaker 1: I don't have his number, but I can make him

889
00:47:16,560 --> 00:47:23,520
Speaker 1: call me. Okay, should I answer? Yeah? And I'm just

890
00:47:23,520 --> 00:47:31,200
Speaker 1: gonna turn this one mic up a little bit. Hello, Sean. Yeah, hey,

891
00:47:31,239 --> 00:47:33,279
Speaker 1: mister Scripps, Sean.

892
00:47:33,040 --> 00:47:37,120
Speaker 5: I need you to come through for us here. I

893
00:47:37,200 --> 00:47:41,080
Speaker 5: need you to pull that content out and.

894
00:47:41,000 --> 00:47:41,600
Speaker 7: Make it good.

895
00:47:42,480 --> 00:47:43,799
Speaker 1: Pull the content? Time?

896
00:47:44,000 --> 00:47:44,200
Speaker 3: Is that?

897
00:47:44,440 --> 00:47:47,920
Speaker 1: Pull the content out? It just promised me that it

898
00:47:48,000 --> 00:47:52,319
Speaker 1: sounds like someone isn't sure what they want, promising that

899
00:47:52,400 --> 00:47:55,200
Speaker 1: me and Hayes' daughters are Okay, let let's put me

900
00:47:55,239 --> 00:47:57,640
Speaker 1: on the phone with Sasha and Maliah. You know that's.

901
00:47:57,440 --> 00:48:00,120
Speaker 5: Something I can't do right now.

902
00:48:00,160 --> 00:48:02,480
Speaker 1: Just let me hear them giggle in case yeah, in

903
00:48:02,520 --> 00:48:04,760
Speaker 1: case you is just Sean.

904
00:48:05,000 --> 00:48:07,840
Speaker 3: Just let me hear them do a sweet girlish giggle

905
00:48:07,960 --> 00:48:08,680
Speaker 3: and I'll do it.

906
00:48:08,840 --> 00:48:11,879
Speaker 1: No, No, you have to do this.

907
00:48:12,760 --> 00:48:16,160
Speaker 3: You have to let either Sasha or Malia do a

908
00:48:16,239 --> 00:48:17,280
Speaker 3: high pitched giggle.

909
00:48:20,960 --> 00:48:26,040
Speaker 1: Okay, I'll do whatever you want. That's Malaya. I know

910
00:48:26,080 --> 00:48:27,200
Speaker 1: what my daughter sounds like.

911
00:48:29,160 --> 00:48:31,279
Speaker 5: Cody, So you keep the ship, Disney, and you keep

912
00:48:31,320 --> 00:48:31,640
Speaker 5: it good.

913
00:48:31,840 --> 00:48:35,160
Speaker 3: Tody, Cody, Cody, and I know it's you now, Cody,

914
00:48:36,560 --> 00:48:38,120
Speaker 3: Cody put On put on.

915
00:48:38,080 --> 00:48:46,520
Speaker 1: Misindependent that is at the home with Bowie. Now hang up.

916
00:48:50,239 --> 00:48:54,480
Speaker 1: And it almost makes me like just take them, you know.

917
00:48:55,840 --> 00:48:58,359
Speaker 3: Yeah, I just did not have to have those conversations. Yeah,

918
00:48:58,360 --> 00:48:59,160
Speaker 3: what is he gonna do?

919
00:48:59,440 --> 00:49:04,160
Speaker 1: Yeh, Dre? Was there anything you really wanted to cover?

920
00:49:04,280 --> 00:49:05,800
Speaker 1: I mean, I feel like we got to a lot.

921
00:49:07,080 --> 00:49:12,359
Speaker 4: Oh yeah, I mean, uh, let's see started at UCB.

922
00:49:12,800 --> 00:49:17,400
Speaker 1: Oh okay, great, Yeah that was fun. Was that awesome?

923
00:49:17,880 --> 00:49:21,920
Speaker 4: That was awesome? Yeah, did some college.

924
00:49:21,680 --> 00:49:24,640
Speaker 1: Humor yeah, right, theyd Yeah.

925
00:49:24,800 --> 00:49:26,000
Speaker 4: Did some commercials.

926
00:49:27,200 --> 00:49:27,719
Speaker 1: Yeah.

927
00:49:28,200 --> 00:49:30,640
Speaker 4: Then I auditioned for a long time and didn't get anything.

928
00:49:32,320 --> 00:49:35,279
Speaker 4: Then I got a pilot and it didn't go uh huh.

929
00:49:35,640 --> 00:49:38,600
Speaker 4: And then I've got this show. I heard of that happening, Yeah,

930
00:49:38,719 --> 00:49:39,440
Speaker 4: it happens.

931
00:49:39,880 --> 00:49:41,760
Speaker 3: And then you got this show Hollywood Handbook.

932
00:49:41,840 --> 00:49:44,560
Speaker 4: Yeah, then I got Hollywood Handbook, and I thank you on.

933
00:49:44,960 --> 00:49:47,600
Speaker 4: I think it's worth every dollar that I've paid to

934
00:49:47,719 --> 00:49:47,960
Speaker 4: be on.

935
00:49:49,560 --> 00:49:49,920
Speaker 1: Yeah.

936
00:49:50,040 --> 00:49:53,320
Speaker 3: Yeah, it's expensive to be on the show, but obviously

937
00:49:53,360 --> 00:49:57,520
Speaker 3: we have a really high overhead. And because we've been

938
00:49:57,520 --> 00:50:00,439
Speaker 3: hearing all this stuff about women paying seventy five percent

939
00:50:00,480 --> 00:50:03,760
Speaker 3: and bay, yeah, we tend to charge women a little

940
00:50:03,760 --> 00:50:06,400
Speaker 3: more because we have, you know, like we want to

941
00:50:06,440 --> 00:50:07,080
Speaker 3: be progressive.

942
00:50:08,520 --> 00:50:12,120
Speaker 1: But the result does we have fewer were female guests

943
00:50:12,160 --> 00:50:14,440
Speaker 1: because it's so expensive. It's expensive.

944
00:50:14,520 --> 00:50:15,960
Speaker 4: I borrowed money from my grandma.

945
00:50:16,800 --> 00:50:21,360
Speaker 3: Okay, well thanks to grandma. Does she want to be

946
00:50:21,400 --> 00:50:22,040
Speaker 3: a shout out?

947
00:50:22,080 --> 00:50:23,160
Speaker 1: Yeah? Does she want to be on here?

948
00:50:23,320 --> 00:50:25,040
Speaker 4: Sure, she'd probably love to be on here.

949
00:50:25,160 --> 00:50:27,880
Speaker 1: Yeah. She just be even more in movies and stuff.

950
00:50:28,920 --> 00:50:31,399
Speaker 4: She's in them when she watches them, she gets really

951
00:50:31,440 --> 00:50:31,799
Speaker 4: into them.

952
00:50:31,880 --> 00:50:36,680
Speaker 3: Yeah, okay, gangster squad. What was that voice he's doing?

953
00:50:37,320 --> 00:50:41,640
Speaker 1: He was like, oh, stick them up okay, and I.

954
00:50:41,640 --> 00:50:45,879
Speaker 4: Was like no, and then he was like yes, and I.

955
00:50:45,840 --> 00:50:47,880
Speaker 1: Was like no, no, what are you the bank?

956
00:50:48,360 --> 00:50:50,120
Speaker 4: Yeah, I'm the bank and they're just trying to get

957
00:50:50,160 --> 00:50:53,200
Speaker 4: the money out of me. That was very uncomfortable because

958
00:50:53,239 --> 00:50:56,040
Speaker 4: they literally shoved a bunch of coins and stuff down.

959
00:50:56,080 --> 00:50:58,239
Speaker 4: They were like saying like, they're just like pills. Just

960
00:50:58,280 --> 00:51:01,600
Speaker 4: swallow them. And I was like, I don't know, guys.

961
00:51:02,080 --> 00:51:03,920
Speaker 1: Because they know for you, you're like, oh.

962
00:51:03,800 --> 00:51:08,120
Speaker 4: Good pills, right, yeah, I'm like can't get enough.

963
00:51:08,480 --> 00:51:08,960
Speaker 1: Yeah.

964
00:51:09,000 --> 00:51:11,879
Speaker 4: So that was super uncomfortable and I felt like very

965
00:51:11,920 --> 00:51:14,440
Speaker 4: heavy and weighted and oh god.

966
00:51:15,320 --> 00:51:17,600
Speaker 1: This is again, I should have put this on silent.

967
00:51:17,800 --> 00:51:22,280
Speaker 1: This is not anything important. This is just my friend.

968
00:51:23,040 --> 00:51:25,040
Speaker 1: I told you to keep it, fucking Disney. What are

969
00:51:25,080 --> 00:51:31,360
Speaker 1: you doing, Cody? It worked? What do you mean we

970
00:51:31,480 --> 00:51:33,040
Speaker 1: got a great show out of it?

971
00:51:34,120 --> 00:51:37,560
Speaker 3: Yeah time, Cody.

972
00:51:38,160 --> 00:51:41,640
Speaker 5: Oh, I hope they like it up in the Great

973
00:51:41,719 --> 00:51:42,680
Speaker 5: Lakes area.

974
00:51:44,480 --> 00:51:45,600
Speaker 1: What oh god?

975
00:51:45,760 --> 00:51:50,400
Speaker 7: That's so every time you swing, it's like just such

976
00:51:50,440 --> 00:51:54,560
Speaker 7: a how did you do such a good job kidnapping

977
00:51:54,560 --> 00:51:58,040
Speaker 7: our daughters?

978
00:51:58,080 --> 00:52:03,840
Speaker 3: Just every specific express yourself in this basic way. It's

979
00:52:03,880 --> 00:52:07,360
Speaker 3: such a torture of so easy and you make it

980
00:52:07,440 --> 00:52:08,840
Speaker 3: so much harder.

981
00:52:10,320 --> 00:52:11,320
Speaker 5: Great like eerie.

982
00:52:11,840 --> 00:52:14,840
Speaker 3: Yeah, no, don't do it. Don't name the way. Maybe

983
00:52:14,880 --> 00:52:16,319
Speaker 3: if he goes, I would love it more.

984
00:52:16,360 --> 00:52:17,680
Speaker 4: You could name all the lakes.

985
00:52:18,360 --> 00:52:20,680
Speaker 3: Yeah, I guess it's funny. See Cody, try to name

986
00:52:20,719 --> 00:52:22,239
Speaker 3: the lakes, and Cody really try.

987
00:52:22,640 --> 00:52:24,160
Speaker 5: Okay, there's a song for it.

988
00:52:24,480 --> 00:52:26,080
Speaker 4: Why are you whispering when you're at the end of

989
00:52:26,080 --> 00:52:28,600
Speaker 4: the table, Cody. You know you don't have to duck down.

990
00:52:28,680 --> 00:52:31,640
Speaker 4: We're all just sitting here. Cody. You're ducking under the

991
00:52:31,640 --> 00:52:32,719
Speaker 4: table and you're whispering.

992
00:52:32,719 --> 00:52:35,640
Speaker 1: But we've got we figured it out.

993
00:52:35,800 --> 00:52:37,200
Speaker 5: Coming from the girl, it doesn't know how to use

994
00:52:37,239 --> 00:52:37,720
Speaker 5: a blanket.

995
00:52:38,440 --> 00:52:38,960
Speaker 1: I don't know.

996
00:52:39,400 --> 00:52:41,759
Speaker 2: And he's Cody Safe saying that because he's doing his

997
00:52:41,840 --> 00:52:44,239
Speaker 2: scary phone voice. But see if you can say that

998
00:52:44,320 --> 00:52:46,200
Speaker 2: would put the phone, put the phone down and.

999
00:52:46,239 --> 00:52:48,040
Speaker 1: Just be you and see if you actually would be

1000
00:52:48,080 --> 00:52:48,759
Speaker 1: that aggressive.

1001
00:52:49,000 --> 00:52:52,000
Speaker 4: Hey, Dre, I am going to use this experience and

1002
00:52:52,040 --> 00:52:54,280
Speaker 4: write my new book, The Girl with the Wool Blanket.

1003
00:52:54,960 --> 00:52:58,480
Speaker 3: Is that like dragon tattoo? Mm hmm okay, oh, I

1004
00:52:58,520 --> 00:52:59,960
Speaker 3: guess it's sort of play on girl with the lower

1005
00:53:00,160 --> 00:53:03,759
Speaker 3: back tattoo. Yeah, oh yeah, and like Girl with the Train.

1006
00:53:03,920 --> 00:53:06,960
Speaker 4: Right, Girl with the Train girl, the girl who owned the.

1007
00:53:06,960 --> 00:53:09,040
Speaker 1: Train parle earring or something.

1008
00:53:09,000 --> 00:53:10,600
Speaker 4: Girl who found a pearl earring.

1009
00:53:10,480 --> 00:53:12,640
Speaker 1: She found it, yeah, under the blanket.

1010
00:53:12,800 --> 00:53:17,400
Speaker 4: Yeah, and the Girl who Discovered fire. Yeah, that's the

1011
00:53:17,440 --> 00:53:18,360
Speaker 4: series of the books.

1012
00:53:18,719 --> 00:53:21,400
Speaker 1: Yeah, the Girl found the earring and the Girl the tattoos.

1013
00:53:21,400 --> 00:53:23,160
Speaker 4: Just about girls discovering things.

1014
00:53:25,040 --> 00:53:26,440
Speaker 1: That's the biggest.

1015
00:53:26,080 --> 00:53:29,760
Speaker 3: Thrill in entertainment, right, is just seeing a girl be like, oh,

1016
00:53:30,320 --> 00:53:33,040
Speaker 3: look at that, and how did I not notice that before?

1017
00:53:33,360 --> 00:53:33,720
Speaker 1: Fire?

1018
00:53:34,320 --> 00:53:34,680
Speaker 4: Yeah?

1019
00:53:35,840 --> 00:53:37,720
Speaker 1: Yeah, that's always a good part of movies.

1020
00:53:37,960 --> 00:53:40,240
Speaker 4: It's a pretty short movie. She just sees the fire

1021
00:53:40,280 --> 00:53:42,640
Speaker 4: and she walks up and she touches and oh and

1022
00:53:42,680 --> 00:53:45,600
Speaker 4: she gets burned. And so when you say she discovers it,

1023
00:53:46,120 --> 00:53:48,120
Speaker 4: she just found it.

1024
00:53:48,160 --> 00:53:51,800
Speaker 1: Is there individuals? Yeah, she's not a cave girl or something.

1025
00:53:52,080 --> 00:53:56,000
Speaker 4: No, she's in. She's in like twenty sixteen. Okay, yeah,

1026
00:53:56,280 --> 00:53:57,480
Speaker 4: the movie takes place this.

1027
00:53:57,480 --> 00:54:03,520
Speaker 3: Year, twenty sixteen, the worst year. Stop taking all our artists, right,

1028
00:54:04,200 --> 00:54:06,000
Speaker 3: I'm so sick of them stealing.

1029
00:54:06,640 --> 00:54:10,520
Speaker 4: After making that movie. Yeah, well, she became engulfed in flames.

1030
00:54:10,560 --> 00:54:11,439
Speaker 1: The fire too much.

1031
00:54:11,600 --> 00:54:14,280
Speaker 4: She touched it. It went up her sleeve and engulfed

1032
00:54:14,320 --> 00:54:15,520
Speaker 4: her her whole Boddy.

1033
00:54:15,360 --> 00:54:26,600
Speaker 3: Whoa, yeah sleeve bye. This has been an Earwolf production

1034
00:54:26,880 --> 00:54:30,120
Speaker 3: executive produced by Scott Ackerman and Chris Bannon. For more

1035
00:54:30,160 --> 00:54:38,200
Speaker 3: information and content, visit earwolf dot com