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Speaker 1: I don't know if that's a proper introduction.

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Speaker 2: That is that what's happening.

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Speaker 1: That's not it. That's that's what I wanted. That's what

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Speaker 1: I want to. Thank you.

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Speaker 2: So you're going for fanfare but decided on close to execution.

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Speaker 1: Thank you. I feel seen maybe you saw the announcement

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Speaker 1: yesterday on people dot com. But if you didn't, please

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Speaker 1: let us be the first to tell you we have

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Speaker 1: a book coming out again.

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Speaker 2: No, that's not it.

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Speaker 3: Where's a law and order music.

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Speaker 2: Now? If it was a true crime book, that would

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Speaker 2: have worked. Okay, okay, well the fanfare? Okay, bet are good?

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Speaker 1: All right? Book Meets World, An Oral History of Boy

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Speaker 1: Meets World will be released on November tenth, twenty twenty six,

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Speaker 1: but it is available for pre order right now. So

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Speaker 1: I'm very excited about this book. I know both of

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Speaker 1: you are as well. Writer. What are you most looking

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Speaker 1: forward to about the book?

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Speaker 4: I think just having because you know, when we've had

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Speaker 4: so many conversations that are you know, over the course

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Speaker 4: of three and a half years of this podcast, and

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Speaker 4: it's just so nice to have a compilation of the

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Speaker 4: best and the most important, and I'm just I'm just

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Speaker 4: I just love the idea of being able to flip

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Speaker 4: through basically what because this has been such a journey.

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Speaker 4: You know, we talked about it on stage a lot

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Speaker 4: and maybe less so on the actual podcast, but like

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Speaker 4: how important this podcast and re like going back over

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Speaker 4: Boy Meets World and this time in our lives has

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Speaker 4: been professionally, personally, it's just it's affected. It's like the

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Speaker 4: biggest change in my life in the last you know,

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Speaker 4: ten years, I would say, and like, I'm just so

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Speaker 4: glad we did it. And I think having a sort

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Speaker 4: of a book version of that journey is going to

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Speaker 4: be amazing.

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Speaker 3: Yeah, I mean it makes me want to cry just

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Speaker 3: thinking about it. Oh yeah, it will be amazing.

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Speaker 1: Yeah, yeah, I think it's going to be great because

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Speaker 1: there are probably quite a few people who are huge

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Speaker 1: fans of the show just for whatever reason, find out

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Speaker 1: about the podcast now and then look and see that

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Speaker 1: there are forty five hundred episodes of Podmeats World to

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Speaker 1: have to catch us. There's probably close to six undred,

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Speaker 1: though there there are a lot, and so you know,

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Speaker 1: they're like, hey, it would take me forever to go

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Speaker 1: through and learn all of the things through this and

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Speaker 1: now everything from our seven seasons of recaps and interviews.

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Speaker 1: There will be notes about things we've learned, things we've uncovered,

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Speaker 1: and you will get also all new, exclusive behind the

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Speaker 1: scenes stories and never before seen images as well. So

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Speaker 1: that'll be nice. Will What about you? What are you

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Speaker 1: looking forward to the most?

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Speaker 2: The scratch and sniff section. I think that's really cool,

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Speaker 2: like what did tupangas smell like? Smell like that kind

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Speaker 2: of thing, So I'm looking forward to that. The coloring

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Speaker 2: part is going to be fun. And all the pictures

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Speaker 2: I'm really looking forward to those.

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Speaker 1: I didn't realize you were doing that.

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Speaker 2: Am I doing different? Am different than everybody?

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Speaker 1: Maybe it seems like it. My portion of the book

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Speaker 1: is pop up.

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Speaker 2: It's exactly okay, good on the same.

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Speaker 4: We should have done all of this, by the way,

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Speaker 4: if we're a coloring section where you just colored in

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Speaker 4: the red juice, the drink.

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Speaker 2: Of red drink, yes, oh my god.

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Speaker 3: Pop up of just our hair.

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Speaker 2: Our cuts, yes, oh yeah. And then the obituaries of

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Speaker 2: everyone who sat in the death the death chair. We

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Speaker 2: really dropped the ball on the book.

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Speaker 5: I know.

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Speaker 1: Well, could you please write these down in an email?

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Speaker 1: Send them out there. We're still working on it. We can.

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Speaker 1: We could cram a little bit. Yeah, okay, but is

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Speaker 1: there anything other than those scratch and sniff and coloring sections.

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Speaker 2: You know? You know what I'm looking for is I

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Speaker 2: think I think when people get to lend their voice

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Speaker 2: to something without lending their voice to something, if that

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Speaker 2: makes sense. When it comes to like, say, the podcast,

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Speaker 2: we've had some people that haven't necessarily wanted to come

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Speaker 2: on and talk about everything on the podcast, then I

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Speaker 2: think are a little more open to doing it in

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Speaker 2: an interview that is then put down in a written form.

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Speaker 2: So I think there's going to be some stuff that

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Speaker 2: people are going to read about that we haven't been

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Speaker 2: able to cover on the podcast that I think they're

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Speaker 2: really going to like. And that's what I'm looking forward to.

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Speaker 2: That a little more in depth interviews and sometimes we've

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Speaker 2: been able to do.

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Speaker 1: Yeah. Well, writer Will and I are writing alongside producer

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Speaker 1: Slash husband of the podcast, Jensen Karp, and writer Emily Longretta,

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Speaker 1: who has quickly become our favorite writer who has been

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Speaker 1: covering the podcast since it's very inception for Variety and

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Speaker 1: now Here. She is helping to carve out the book

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Speaker 1: that will define us. She is meeting with our past

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Speaker 1: guests and us to learn even more. You guys have

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Speaker 1: both had your interviews. I'm actually having mine later this week,

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Speaker 1: and that's how we're going to make sure we take

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Speaker 1: it even beyond just what we've said on the podcast.

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Speaker 1: The book is being released by Hannover Square Press and

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Speaker 1: we want to thank everyone over there and our book agent,

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Speaker 1: Noah Ballard, and as always we want to thank you

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Speaker 1: are incredible listeners who have been with us for the

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Speaker 1: entire journey, or maybe you've recently joined and you're part

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Speaker 1: of the community now, so thank you to all of you.

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Speaker 1: We can't do this without you. So again, you could

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Speaker 1: pre order Book Meets World right now wherever you get books,

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Speaker 1: but go support those local mom and pop shops if

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Speaker 1: you can. We will have a link on the Pod

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Speaker 1: meets World show Instagram page and uh we hope you

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Speaker 1: like it. We have had a lot of fun putting

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Speaker 1: it together, so enjoy everyone.

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Speaker 2: When there's book meets World this book World.

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Speaker 1: I think we should add in if you could find

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Speaker 1: any of your old from eleven years old cigarettes, if

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Speaker 1: you have any cigarette butts, a.

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Speaker 2: Scratch and slash, Yes, the smell of just waking up

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Speaker 2: from naptime and lighting a camel. Hell yeah, there's nothing

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Speaker 2: that we'll talk about more passionately than cigarettes. A last time,

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Speaker 2: I didn't need joy in my life.

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Speaker 1: Welcome to Podby's World. I'm Danielle Fischel, I'm right or Strong.

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Speaker 2: I'm Wilfred.

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Speaker 1: Well. An episode we have feared since the inception of.

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Speaker 2: The podcast that shall live in infamy. It is here.

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Speaker 1: It is season seven, episode eight, The Honeymooners. It originally

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Speaker 1: aired November twelfth, nineteen ninety nine. The synopsis. While Corey

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Speaker 1: into Panga honeymoon on a tropical island and flirt with

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Speaker 1: the idea of staying forever, they have no idea that

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Speaker 1: Eric has followed them there. It was directed by William Russ.

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Speaker 1: It was written by Barbie Feldman. Before I jump into

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Speaker 1: our guest stars, shall we hear our overall thoughts?

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Speaker 2: Go?

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Speaker 3: Will you go first?

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Speaker 2: Okay, go go? I thought there was no chance it

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Speaker 2: could be as bad as we remember it being, and

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Speaker 2: that with the amount of conversations we are having about

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Speaker 2: it's the worst episode ever and it's terrible that it

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Speaker 2: could not possibly hit those expectations and it was worse

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Speaker 2: than that. Yes, uh, that's what I thought it was

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Speaker 2: just it was it was.

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Speaker 3: The bottom of the barrel.

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Speaker 2: I mean, it's one of those things where it's like

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Speaker 2: you wonder what pitches they decided not to go with,

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Speaker 2: where it was just yeah, I didn't. And again everyone's like,

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Speaker 2: you know, you read the comments, why do they hate

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Speaker 2: their show so much? We don't? We love our show?

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Speaker 2: Are you kidding me? Our show is amazing. Occasionally, as

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Speaker 2: in every television show, you have some stinkers, and this,

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Speaker 2: I think you'd be hard pressed to say there is

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Speaker 2: a worst episode of a worst episode of Boymans World

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Speaker 2: than this episode. Yep.

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Speaker 3: Totally with you, man, totally with you.

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Speaker 4: And I think about like other episodes that felt zany

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Speaker 4: and stressful, like the Quiz Show, you know when I

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Speaker 4: think I had negative associations in my memory with that

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Speaker 4: episode because it was like why are we wearing stuff

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Speaker 4: on our heads? And you know, there were natives dancing

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Speaker 4: around us with spears, like there was a lot of zany,

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Speaker 4: ridiculous stuff.

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Speaker 3: But when we watched it, I was like, oh no,

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Speaker 3: that was actually a brilliant episode in a lot of ways,

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Speaker 3: and I loved it. This was not this was so unredeemable.

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Speaker 4: It was truly just bad. Yeah, yeah, I mean the

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Speaker 4: only thing I liked is I like the sentiment at

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Speaker 4: the end. I liked the Coriri Tapanga sentiment of like,

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Speaker 4: uh like being home and being with these crazy people

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Speaker 4: is what we really love.

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Speaker 3: That's a nice sentiment.

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Speaker 4: But oh my god, was it a horrible long twenty

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Speaker 4: two minutes to get there.

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Speaker 1: I thought it was so much better than I remember.

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Speaker 2: Are you serious?

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Speaker 1: I'm serious. Here's the thing. Here's the thing. I, for

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Speaker 1: the first time in possibly years, loved Corey and Topanga together.

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Speaker 3: Interesting.

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Speaker 1: Thought they were cute and fun, loved their loved their dynamic,

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Speaker 1: loved seeing Tapenga happy with him, Loved seeing Corey in

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Speaker 1: whatever that really just Ben scene was where he's making

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Speaker 1: coconuts and he's just being funny Ben that we remember

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Speaker 1: doing his impressions and making everybody laugh. Considering, I loved

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Speaker 1: the two of them together in this episode and felt

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Speaker 1: very happy that they were in a relationship. Didn't not

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Speaker 1: even once between the two of them did I feel like,

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Speaker 1: oh ick, I just liked them. Everything else about the

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Speaker 1: episode was truly terrible. I just I completely agree about

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Speaker 1: everything else, but the fact that I even liked through

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Speaker 1: an entire episode the Corey and Tapega relationship and thought

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Speaker 1: that was cute and could see a world where an

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Speaker 1: episode where Corey and Tapega go on a on a

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Speaker 1: fantastic trip and Corey decides he doesn't want to come back,

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Speaker 1: and how Tapega is going to have to convince him

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Speaker 1: that home is really where paradise is cute in theory,

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Speaker 1: not executed well with any of the other stuff. I

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Speaker 1: don't understand the joke about the people moving from Ohio,

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Speaker 1: and I don't why they never had Eric interact with

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Speaker 1: Corey and Tapanga. There was like such a missed opportunity

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Speaker 1: for real comedy there. It was really lacking in comedy.

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Speaker 2: Why is Eric there at all?

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Speaker 1: Why are you there then to have Eric.

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Speaker 2: In the show? There's no reason whatsoever. And then the

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Speaker 2: whole joke is just I just pass out every time.

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Speaker 2: And I get what you're saying about Corey and Tapanga,

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Speaker 2: and I think you can actually attribute that to the

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Speaker 2: last two or three episodes, because we've said, like, you know,

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Speaker 2: planning the wedding, that's that's a great version of Corey

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Speaker 2: and Topanga all, you know, even the wedding itself great

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Speaker 2: version of Coreyantapanga. So Corey and Tapanga couple, Corey and Tapanga.

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Speaker 2: I actually agree with you. It's it's interesting, but it

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Speaker 2: was also it's so absurd where now Corey's an artist

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Speaker 2: all of a sudden and can carve things. They build

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Speaker 2: the coconut Hut within a day. It's just it's so

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Speaker 2: And then any time on any show ever, and this

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Speaker 2: isn't just our show, this is any show. Anytime you

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Speaker 2: go to Tropical Island land, Yeah, on a set, it

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Speaker 2: always just looks so bad. I know where it's like,

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Speaker 2: throw them you've already had them, and that you've talked

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Speaker 2: about Amish country. Put them in somewhere like the troupe.

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Speaker 2: Oh god, I just I can't. I can't. It was

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Speaker 2: and I the thing that was also helpful while watching

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Speaker 2: this episode is knowing that this is the bottom of

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Speaker 2: the barrel. Like everything else we're gonna watch is going

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Speaker 2: to be better than this episode.

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Speaker 1: So I'm whatever episode we thought was the worst a

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Speaker 1: few episodes ago still for me is the worst of

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Speaker 1: the worst of the worst. And this was better than that.

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Speaker 2: Really Wow yeah impressive. Wow, I don't agree, but impressive.

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Speaker 4: Yeah yeah, And I feel like this you know, we've

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Speaker 4: always talked about how Will like your superpower and what

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Speaker 4: made you so great was that they would give you

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Speaker 4: anything and you would commit one hundred percent. This was

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Speaker 4: the first time I was like, Nope, they pushed Will

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Speaker 4: too far. I was like, I can.

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Speaker 3: See it in your eyes.

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Speaker 4: I was like, Will is not enjoying this. No, and

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Speaker 4: he is not. You're still doing it, but I can

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Speaker 4: see in your eyes.

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Speaker 3: I was like, he is.

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Speaker 4: From the first scene when you like when you pull

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Speaker 4: up your mat or whatever, I was like, oh, Will

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Speaker 4: is unhappy and this not enjoyed this week. So I

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Speaker 4: feel like they maxed out there there. You know, they

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Speaker 4: went as far as they could go and it just

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Speaker 4: didn't work.

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Speaker 2: No. Well, I mean, I guess I think the way

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Speaker 2: you save this episode is you do the A story

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Speaker 2: is exactly this, Corey Intapanga on an island, and then

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Speaker 2: you have a B story back in Philadelphia and you

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Speaker 2: do some kind of regular thing. Maybe everybody's life is

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Speaker 2: completely different because Corey and Tapanga aren't there and there's

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Speaker 2: something weird. You could do some kind of fun but

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Speaker 2: keeping it all there with nobody from the show, just

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Speaker 2: the three of us, it was like, what is happened, but.

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Speaker 4: Also the motivation like why do they want to stay

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Speaker 4: like that is never there is never established that, like

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Speaker 4: Corey into Panga, Like even if Corey just stressed, yeah,

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Speaker 4: like what what what is it that that motive? If

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Speaker 4: that was motivated from like a real like I'm so

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Speaker 4: sick of these crazy people in our lives, right, that's

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Speaker 4: all That's all that would have taken, is like the

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Speaker 4: Eric factor. There's some I can't believe there was not

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Speaker 4: that that inciting things so that when they decide we're

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Speaker 4: going to stay here, which is insane.

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Speaker 1: That from argue that being arrested on your wedding night,

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Speaker 1: right is what is what insided that?

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Speaker 2: The thing they don't say it.

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Speaker 4: Like Corey just says it's like, ah, we've had sex

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Speaker 4: and now I want to live here like these people,

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Speaker 4: and you're.

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Speaker 1: Like what he does say think about it? No stress,

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Speaker 1: no Eric, no feoene he does, but he talks about that.

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Speaker 4: Yes, I don't feel like I don't feel like Corey

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Speaker 4: and Tapanca hate their life in Philadelphia enough or that

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Speaker 4: there's a specific enough reason for me to be like.

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Speaker 2: Oh yeah, man, go stay like it's I think it's

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Speaker 2: supposed to be not to take this to a level

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Speaker 2: where they clearly didn't mean it like this, because it's

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Speaker 2: certainly much deeper than what we saw. But I think

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Speaker 2: it's it's especially it's supposed to be eating the lotus blossoms,

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Speaker 2: you know, it's supposed to be the Odyssey where they

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Speaker 2: land on a beautiful island, they eat the lotus blossoms

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Speaker 2: and they never want to leave, And I think that's

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Speaker 2: kind of what they were going for, but it just

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Speaker 2: never really worked. No, Yeah, it was. It was odd.

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Speaker 1: Well, let's jump into our guest stars. We have Michael

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Speaker 1: Dempsey as the cop. He's been working in Hollywood since

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Speaker 1: the early nineties, when he appeared on shows like Roseanne,

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Speaker 1: Life Goes On and Beverly Hills nine O two one Oh.

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Speaker 1: He's probably most recognized from nine episodes of Desperate Housewives,

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Speaker 1: where he also played a comp and most recently he

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Speaker 1: has shown up on Barry Mayan's MC and Netflix's You.

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Speaker 1: So he is still working.

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Speaker 2: And he was Beth's husband, right, that's right. Yeah.

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Speaker 4: I was so funny because I was like, why do

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Speaker 4: I know him so well? I'm like yeah, And I

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Speaker 4: was like, oh, he must just be one of those

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Speaker 4: character aacters.

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Speaker 3: But no, you're right. He was always he was around.

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Speaker 2: Because he was around, he was he was. He and

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Speaker 2: Beth were married.

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Speaker 1: Yeah, that's right, Beth our page.

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Speaker 2: Yeah, yeah, Beth the stage manager. Yeah.

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Speaker 3: They ended up divorcing later. But I saw him in

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Speaker 3: a play. He did a play that was actually pretty

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Speaker 3: damn good.

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Speaker 4: Yeah, so that's right, Okay, I knew I knew him

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Speaker 4: when the second I saw him, I was like, Oh,

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Speaker 4: I know this guy really well.

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Speaker 2: He hung out on the set, was a good guy. Yeah.

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Speaker 1: Then we have Anne Haney as Missus Nelson. Haney was

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Speaker 1: a very recognizable comedic character actress to our listeners, mostly

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Speaker 1: playing an uptight and rigid older lady. All her prominent

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Speaker 1: roles happened after the age of forty, best known from

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Speaker 1: big parts in movies Liar, Liar and Missus Doubtfire. She

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Speaker 1: also appeared on a lot of TV, from Doogie Houser

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Speaker 1: to Golden Girls to La Law. Sadly, Haney passed away

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Speaker 1: in two thousand and one at the very young age

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Speaker 1: of sixty seven. And then we have John Ingall as

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Speaker 1: mister Nelson, best known as the principal in the movie

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Speaker 1: Heather's Ingle was a lifer on General Hospital, clocking in

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Speaker 1: over five hundred episodes as Edward Quartermain, but he also

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Speaker 1: appeared in movies like RoboCop two, Death Becomes Her and

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Speaker 1: he was the narrator in the Land Before Time movies.

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Speaker 1: Ingle passed away in twenty twelve at the age of

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Speaker 1: eighty four, and then we have Mimi Cousins as Tourist

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Speaker 1: Number one's wife. Mimi was an industry vet who is

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Speaker 1: best known as Nolae soup Woman in an episode of

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Speaker 1: Star Trek The Next Generation. She was also seen in

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Speaker 1: the Paul Thomas Anderson movie The Master, Seventh Heaven and Seinfeld.

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Speaker 1: She played Missus Canterman. Cousins died in twenty twenty one

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Speaker 1: at the age of eighty six, and then we have

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Speaker 1: Paul Kent as Tourist Number one, another actor with a

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Speaker 1: lot of credits. Kent oddly appeared in two different TV

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Speaker 1: movie versions of Helter Skelter based on the Charles Manson case,

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Speaker 1: playing two different characters. Other credits include Star Trek, The

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Speaker 1: Wrath of Kahn, Not a Soupman, Webster, and Frasier. He

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Speaker 1: passed away in twenty eleven at the age of eighty

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Speaker 1: so to jump in to our recap, we get a

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Speaker 1: previously on Boy Meets World, and we are reminded of

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Speaker 1: Corey into Penga's wedding. Sean toasts to the new couple

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Speaker 1: and Eric hans over his gift the key to their

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Speaker 1: very own honeymoon suite. Corey doesn't even let his brother

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Speaker 1: finish a speech. He snatches the key and runs away

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Speaker 1: like a giddy hornball who just changed his entire life

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Speaker 1: as a teenager to finally have sex. And then we

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Speaker 1: are at the honeymoon suite. Corey into Penga stand in

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Speaker 1: the hallway, still dressed in their wedding outfits. Corey asks,

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Speaker 1: with a grin, you think we're finally ready to be

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Speaker 1: mister and missus Matthews. She admits, I think we've been

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Speaker 1: ready our whole lives. He picks her up to cross

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Speaker 1: the threshold and kicks open the double doors. So what

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Speaker 1: did we need a key for?

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Speaker 5: Joe?

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Speaker 2: There's a lot with this scene that's like we.

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Speaker 1: He rushes into the room and throws her onto the

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Speaker 1: bed with like Vader body slamming mankind. She tries to ask,

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Speaker 1: don't you want to? Just as Corey shimmys out of

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Speaker 1: his jacket and belly flops onto the bed to Penga

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Speaker 1: finishes her question explore and take our time. Corey continues

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Speaker 1: to strip, not considering any of her suggestions. She reminds

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Speaker 1: him there's such a thing as foreplay. He insists he

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Speaker 1: doesn't need it, but she says she might, like all

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Speaker 1: considerate lovers. He responds, you've had twelve years of it,

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Speaker 1: how much more do you require? She tells him to

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Speaker 1: stay on the bed and promises he won't be disappointed.

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Speaker 1: As she saunters away, he gets onto his knees, begging,

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Speaker 1: don't leave me. I can't do this alone. Once she's

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Speaker 1: in the bathroom room, he perks up at the side

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Speaker 1: of a fruit basket. Ory grabs an apple and reads

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Speaker 1: the card attached to the basket. It's from the hotel,

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Speaker 1: thanking mister and missus Harold Peterman for their patronage.

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Speaker 2: And he's surprised by the name. How is he surprised?

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Speaker 2: How is he surprised time he was married as Myron

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Speaker 2: Alan Peterman or whatever? How is he not remember that

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Speaker 2: they were the Peterman's. It's such an easy writing thing, though.

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Speaker 4: I fix you'd just be like, yeah, well, you know,

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Speaker 4: I don't know what like, he obviously knows what's going on.

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Speaker 1: He should just say how much he loves being a Peterman.

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Speaker 2: Yeah, exactly, yeah, or calling are you ready? Hi? Mera

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Speaker 2: like from the you know, yelling in that you could

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Speaker 2: play on the joke. But the idea that he doesn't

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Speaker 2: remember that's how they just got married is so weird.

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Speaker 1: Yeah, so so stupid. Corey doesn't let it bother him,

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Speaker 1: tossing the card aside without a care in the world.

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Speaker 1: And then Topega appears wearing sexy lingerie and sort of

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Speaker 1: making a popeye face.

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Speaker 2: How where did lingerie come from? You didn't know about

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Speaker 2: the room. The room was not yours to have laundrye.

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Speaker 1: I guess I was wearing it under my reading dress.

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Speaker 2: You were wearing a thing with a cape, Launderie, How

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Speaker 2: you walked out? I'm like, how unless she comes out naked? Maybe,

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Speaker 2: how is that possible?

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Speaker 1: Another great way it could have been the joke is

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Speaker 1: that my repeaterman has great tasted launde.

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Speaker 2: Something it's the same size and has But nope, somehow

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Speaker 2: Topanga is now magic and manifested.

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Speaker 1: Launderie did not even think of that. I really did

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Speaker 1: just see.

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Speaker 2: They're going how how is that possible.

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Speaker 4: It's the most realistic part of this episode was the

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Speaker 4: most realistic, by the way.

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Speaker 2: Not an awful way to start the episode. Them fumbling

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Speaker 2: through sex for the first time. What's going to happen

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Speaker 2: if they rewrote them? It's like, Okay, this is not awful.

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Speaker 2: Them in the room, great, you got me so far.

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Speaker 2: But other than the stupid stupidness, it's like, Okay, this

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Speaker 2: isn't the worst thing ever. Ben's really funny. Danielle, You're

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Speaker 2: funny and sexy, and it all works at this point,

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Speaker 2: but again it goes downhill fast well, and.

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Speaker 1: Then Corey shouts this.

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Speaker 2: Ya yay.

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Speaker 1: Corey, with a huge grin, watches Topanga walk over to

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Speaker 1: the bed and get under the covers. Then, while Corey

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Speaker 1: is mesmerized, her lingerie flies across the room and lands

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Speaker 1: on his head. He basks in the moment, totally blinded

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Speaker 1: by the nightie and laughing, oh my. The camera flips

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Speaker 1: back to Tapanga, who now appears to be naked and smiling.

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Speaker 1: It's a jiff sent to me daily on social media.

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Speaker 1: Yeah really, uh huh?

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Speaker 2: What are you? What are you actually wearing under there?

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Speaker 2: Do you remember what you had on?

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Speaker 1: I think I had on just some sort of like

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Speaker 1: tube top like and shorts. No, not a tank no tank, No,

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Speaker 1: but a tankini has straps. Yea a two beanie. It

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Speaker 1: was a beanie. I was wearing a two beanie under there. Yeah,

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Speaker 1: Corey can't stop boasting. This is so great. I wish

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Speaker 1: Sean was here. Very funny, very funny. Best line was

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Speaker 1: so good to Pega seductively reveals it's probably best there alone,

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Speaker 1: and reveals that's it. There's nothing under the covers but her. Corey,

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Speaker 1: who's wearing the lingerie as a makeshift veil at this point,

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Speaker 1: scurries over to the bed. I've been waiting for this

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Speaker 1: moment my entire life. He then peeks under the covers

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Speaker 1: and screams at the top of his lungs and excitement

434
00:23:41,880 --> 00:23:46,040
Speaker 1: to Panga adds and only for you. In response, Corey

435
00:23:46,119 --> 00:23:48,359
Speaker 1: quickly takes off his pants and tells his bride he

436
00:23:48,400 --> 00:23:50,760
Speaker 1: loves her. They start to kiss, and ta Peka says,

437
00:23:51,080 --> 00:23:55,359
Speaker 1: I love you and I love Eric. Cory quickly pulls away.

438
00:23:55,560 --> 00:24:00,360
Speaker 1: What she earnestly clarifies, this beautiful wedding he arranged full

439
00:24:00,400 --> 00:24:03,840
Speaker 1: room makes up for everything bad he's ever done to us.

440
00:24:04,680 --> 00:24:06,600
Speaker 1: Corey nods in agreement, and then they go back to

441
00:24:06,720 --> 00:24:09,480
Speaker 1: kissing and professing their love for one another, and then

442
00:24:09,920 --> 00:24:14,280
Speaker 1: a squad of cops break into the room. Corey pulls

443
00:24:14,320 --> 00:24:16,600
Speaker 1: away from Topanga and hopes they're kidding. One of the

444
00:24:16,600 --> 00:24:19,080
Speaker 1: cops commands roll away from the young lady and put

445
00:24:19,119 --> 00:24:22,240
Speaker 1: your hands where I can see them. Corey is unwilling

446
00:24:22,280 --> 00:24:25,000
Speaker 1: to follow orders. He holds onto Tapanga for dear life,

447
00:24:25,040 --> 00:24:28,000
Speaker 1: no kill me. As Topeka is being crushed by him.

448
00:24:28,040 --> 00:24:30,360
Speaker 1: She asks the cops, why are you guys doing this?

449
00:24:30,880 --> 00:24:33,520
Speaker 1: The cop simply asks, are you mister and missus Harold

450
00:24:33,560 --> 00:24:36,960
Speaker 1: Peterman Ta Panka says no, and the guy explains that's why,

451
00:24:37,480 --> 00:24:40,200
Speaker 1: and with that, the officers hoist the bed into the air,

452
00:24:40,240 --> 00:24:42,320
Speaker 1: with Corey and Tapanga still in it, and walk into

453
00:24:42,359 --> 00:24:43,080
Speaker 1: the hallway.

454
00:24:43,520 --> 00:24:45,800
Speaker 4: Pretty funny, Actually you have to pick You had to

455
00:24:45,800 --> 00:24:47,880
Speaker 4: have six cops so you could carry the bed.

456
00:24:48,000 --> 00:24:48,600
Speaker 3: I love that.

457
00:24:48,920 --> 00:24:54,919
Speaker 2: It's like again, most realistic part of the episode the

458
00:24:54,960 --> 00:24:55,800
Speaker 2: squad of cops.

459
00:24:57,040 --> 00:24:59,080
Speaker 1: Corey yells out asking for the cops to come back

460
00:24:59,119 --> 00:25:05,280
Speaker 1: in two minutes when he sees Eric. Again, Very funny,

461
00:25:05,400 --> 00:25:08,560
Speaker 1: this all works, yep, very well done. Eric is also

462
00:25:08,600 --> 00:25:11,200
Speaker 1: in handcuffs. He asks, Corey begs him for help, but

463
00:25:11,359 --> 00:25:14,040
Speaker 1: Eric just laughs, how cool is this man? He puts

464
00:25:14,040 --> 00:25:16,040
Speaker 1: on a Scottish accent. We get to go on the

465
00:25:16,080 --> 00:25:16,679
Speaker 1: potty wagon.

466
00:25:16,920 --> 00:25:19,760
Speaker 2: Okay, so this I'm glad you got it though, because

467
00:25:19,760 --> 00:25:22,520
Speaker 2: I do say man. But there's a whole thing on

468
00:25:22,560 --> 00:25:26,520
Speaker 2: the Internet that's convinced that I'm saying Ben. So they

469
00:25:26,640 --> 00:25:29,399
Speaker 2: think I'm saying this, How great is this Ben? We

470
00:25:29,440 --> 00:25:31,119
Speaker 2: get to go in the patty wagon. So it's people,

471
00:25:31,160 --> 00:25:32,760
Speaker 2: like he said, and to the point where we watched

472
00:25:32,800 --> 00:25:35,240
Speaker 2: it last night, Sue's like, did you say Ben? It

473
00:25:35,320 --> 00:25:37,879
Speaker 2: sounds like you just said his name and we went back.

474
00:25:37,920 --> 00:25:41,760
Speaker 2: I was like, no, I'm saying man. Yeah, people are

475
00:25:41,800 --> 00:25:45,000
Speaker 2: thinking that I'm saying Bet. Yeah, We've got to go

476
00:25:45,040 --> 00:25:49,280
Speaker 2: on the potty wagon. Yeah. And it's Irish, Danielle, It's Irish,

477
00:25:49,320 --> 00:25:51,480
Speaker 2: not Scottish, Scottish.

478
00:25:51,240 --> 00:25:55,760
Speaker 1: So sorry whatever. The cop pushes him to follow the couple.

479
00:25:55,840 --> 00:25:59,280
Speaker 1: Let's go fun boy. They walk away. Eric wonders, can

480
00:25:59,320 --> 00:26:03,680
Speaker 1: I use your night stick? And then we're on the honeymoon.

481
00:26:04,400 --> 00:26:07,000
Speaker 2: They should have just rolled the credits after night stick YEP,

482
00:26:07,640 --> 00:26:11,840
Speaker 2: funny cut right to the end of them coming back

483
00:26:11,840 --> 00:26:14,200
Speaker 2: from the honeymoon. It's them going we didn't want to leave.

484
00:26:14,280 --> 00:26:16,439
Speaker 2: The episode was nine minutes long, and it would have

485
00:26:16,480 --> 00:26:17,720
Speaker 2: been great, by the way.

486
00:26:17,800 --> 00:26:19,480
Speaker 4: I wonder if that's what happened, if that if it

487
00:26:19,520 --> 00:26:22,160
Speaker 4: was actually this was the end of the wedding episode,

488
00:26:22,840 --> 00:26:25,360
Speaker 4: and oh they just the wedding episode got too long

489
00:26:25,400 --> 00:26:25,840
Speaker 4: and they were just.

490
00:26:25,840 --> 00:26:27,480
Speaker 3: Like, well, let's just push it to it. We'll just

491
00:26:27,480 --> 00:26:30,879
Speaker 3: make that the next episode. And oh maybe then they

492
00:26:30,880 --> 00:26:32,920
Speaker 3: had nothing else we're going to talk too about it.

493
00:26:32,920 --> 00:26:34,720
Speaker 3: It's like, let's stretch this out. How do we make

494
00:26:34,760 --> 00:26:36,280
Speaker 3: this on a whole episode.

495
00:26:36,920 --> 00:26:39,520
Speaker 1: Well, we get some grainy stock footage a plane taking

496
00:26:39,560 --> 00:26:42,040
Speaker 1: off a tropical island and a beach with some lawn chairs,

497
00:26:42,280 --> 00:26:44,800
Speaker 1: and then we see Corey and Tapanga kiss once again,

498
00:26:44,920 --> 00:26:46,920
Speaker 1: now in front of a lit tiki torch and some

499
00:26:47,040 --> 00:26:51,280
Speaker 1: tacky tropical decor. Cory asks with enthusiasm, are you excited

500
00:26:51,320 --> 00:26:54,560
Speaker 1: we're finally on our honeymoon. She wonders if he's going

501
00:26:54,560 --> 00:26:56,600
Speaker 1: to carry her over the threshold, and he huffs no,

502
00:26:57,080 --> 00:26:59,119
Speaker 1: because the last time I did, the police broke in

503
00:26:59,160 --> 00:27:04,080
Speaker 1: and I spent the night with a guy named Sheila. Hey, penga, Hey, there.

504
00:27:03,880 --> 00:27:15,000
Speaker 6: We go the prison jokes so funny to Pega figures

505
00:27:15,040 --> 00:27:17,280
Speaker 6: they'll just walk right into their room then, but Corey

506
00:27:17,320 --> 00:27:17,920
Speaker 6: stops her.

507
00:27:18,080 --> 00:27:20,880
Speaker 1: She laughs, you want me to carry you? He extends

508
00:27:20,960 --> 00:27:23,359
Speaker 1: his arms and insists I'm light as a feather. Really.

509
00:27:23,800 --> 00:27:26,040
Speaker 1: She hoists him into the air and plops him onto

510
00:27:26,040 --> 00:27:26,840
Speaker 1: the bed with a grunt.

511
00:27:27,000 --> 00:27:28,800
Speaker 3: Now, did you see the do you guys see the hand?

512
00:27:29,600 --> 00:27:32,639
Speaker 4: What when you guys burst in, there's a crew hand

513
00:27:33,520 --> 00:27:36,000
Speaker 4: on the right side of the screen. It looks like

514
00:27:36,040 --> 00:27:38,720
Speaker 4: you're holding the wall so that when you guys kicked

515
00:27:38,720 --> 00:27:43,320
Speaker 4: through the door, the wall doesn't go down. Crewmember's hand

516
00:27:43,320 --> 00:27:46,840
Speaker 4: with a watch holding it up the wall. It's like, oh,

517
00:27:47,760 --> 00:27:48,280
Speaker 4: how obvious.

518
00:27:48,320 --> 00:27:53,200
Speaker 2: It was, like, my god, God, that's great, it's really funny.

519
00:27:53,760 --> 00:27:55,720
Speaker 1: Oh that's so funny. I did I'm going to have

520
00:27:55,720 --> 00:27:57,560
Speaker 1: to go back and watch that. I did not notice that.

521
00:27:57,920 --> 00:28:00,880
Speaker 1: He strikes a sexy pose. Have your way with me now.

522
00:28:01,160 --> 00:28:04,719
Speaker 1: She closes the door, and we hear Corey yell yay,

523
00:28:05,600 --> 00:28:08,840
Speaker 1: and then stock footage of waves crashing against rocks and

524
00:28:08,880 --> 00:28:11,240
Speaker 1: palm trees, and then we are pooled.

525
00:28:11,480 --> 00:28:14,280
Speaker 4: Okay, so we're just never going to say where we are.

526
00:28:14,920 --> 00:28:19,800
Speaker 4: We're just tropical places. Native people we're on island. Rider,

527
00:28:20,000 --> 00:28:21,120
Speaker 4: we're on island.

528
00:28:21,400 --> 00:28:25,440
Speaker 2: We're on island with native tribal people who are cannibals

529
00:28:25,800 --> 00:28:30,040
Speaker 2: and from Ohio, and the other party is Communist, so

530
00:28:30,760 --> 00:28:36,240
Speaker 2: the Rider we're on island. So yeah, it's so bad

531
00:28:36,240 --> 00:28:40,160
Speaker 2: to be like we went to Hawaii.

532
00:28:40,960 --> 00:28:43,520
Speaker 4: But then you have to, like, you know, actually name

533
00:28:43,640 --> 00:28:47,960
Speaker 4: the people that you're demeaning with your colonial crap. No,

534
00:28:48,200 --> 00:28:50,200
Speaker 4: but this way they just get to be generic island

535
00:28:50,280 --> 00:28:51,080
Speaker 4: folk who we.

536
00:28:51,040 --> 00:28:59,040
Speaker 1: Can yep topengas reading a magazine by the pool as

537
00:28:59,040 --> 00:29:01,720
Speaker 1: we hear an announcement on an overhead speaker. By the way,

538
00:29:02,160 --> 00:29:09,080
Speaker 1: reading a magazine by the pool was my favorite activity.

539
00:29:08,600 --> 00:29:11,400
Speaker 2: Old school, jam right oh Man.

540
00:29:11,480 --> 00:29:15,400
Speaker 1: To just go. I think magazines came out on Fridays.

541
00:29:15,400 --> 00:29:16,840
Speaker 1: My mom and I used to go, like if you

542
00:29:16,880 --> 00:29:20,360
Speaker 1: went Thursday night, sometimes the Friday magazines were already out,

543
00:29:20,720 --> 00:29:23,640
Speaker 1: and you just rifle through the new mags, pick out

544
00:29:23,640 --> 00:29:26,320
Speaker 1: a bunch of them, and then just sit by the pool.

545
00:29:26,600 --> 00:29:29,120
Speaker 1: Sometimes I would go to Palm Springs with Jamie and

546
00:29:29,240 --> 00:29:31,000
Speaker 1: we'd buy magazines and sit out there and it'd be

547
00:29:31,000 --> 00:29:34,000
Speaker 1: like one hundred and twenty degrees and the magazine binding

548
00:29:34,040 --> 00:29:37,800
Speaker 1: would melt, so the magazine would just peel open as

549
00:29:37,840 --> 00:29:39,160
Speaker 1: you were reading it because.

550
00:29:38,840 --> 00:29:41,600
Speaker 2: You're reading Tiger Be just go and dated them, dated.

551
00:29:41,360 --> 00:29:49,000
Speaker 1: Him, dated data that guys too him, turn him down?

552
00:29:49,240 --> 00:29:50,320
Speaker 1: Why didn't I go out with that?

553
00:29:50,400 --> 00:29:50,520
Speaker 2: Then?

554
00:29:53,560 --> 00:29:55,840
Speaker 4: What magazines would you have been reading? Honestly, like you

555
00:29:55,880 --> 00:29:57,880
Speaker 4: were probably reading like what Vanity Fair.

556
00:29:58,000 --> 00:30:00,000
Speaker 1: I don't know why I was reading us. I would

557
00:30:00,160 --> 00:30:05,680
Speaker 1: reading People, I was reading Cosmo. I was reading uh Yeahundation.

558
00:30:05,920 --> 00:30:08,480
Speaker 1: If you scroll right, this is what's replaced magazines.

559
00:30:09,560 --> 00:30:11,720
Speaker 2: People are still an actual magazine, right, Like there's a

560
00:30:11,720 --> 00:30:13,880
Speaker 2: physical magazine for people. Isn't that the thing?

561
00:30:14,200 --> 00:30:17,520
Speaker 1: Yes? And for us? But but they are you know,

562
00:30:17,560 --> 00:30:19,480
Speaker 1: you can see him at checkout. But they're just not

563
00:30:19,680 --> 00:30:21,560
Speaker 1: the same as they used to be. But I'm man,

564
00:30:21,600 --> 00:30:24,320
Speaker 1: I still want When I think of like going on vacation,

565
00:30:24,440 --> 00:30:26,680
Speaker 1: I think where where am I going to get my magazines?

566
00:30:27,680 --> 00:30:28,400
Speaker 2: On your phone?

567
00:30:29,120 --> 00:30:43,760
Speaker 1: On my phone? So we hear an announcement on the

568
00:30:43,800 --> 00:30:47,760
Speaker 1: overhead speaker. Attention Katonka. So we're at Katanka. Is that

569
00:30:48,960 --> 00:30:50,800
Speaker 1: is that the island name? Or do you think that's

570
00:30:50,840 --> 00:30:51,600
Speaker 1: the resort name?

571
00:30:52,640 --> 00:30:53,200
Speaker 2: I don't know.

572
00:30:53,520 --> 00:30:55,680
Speaker 4: I don't know, because don't they like make up a

573
00:30:55,800 --> 00:30:58,680
Speaker 4: greeting like Corey says something like hun ka tunka.

574
00:30:58,520 --> 00:31:01,479
Speaker 2: Or whatever, yeah, kle or something like that.

575
00:31:01,680 --> 00:31:04,280
Speaker 3: They're just making up like fake Hawaiian speak.

576
00:31:05,520 --> 00:31:08,280
Speaker 1: Will the couple who left their dog in the piranha

577
00:31:08,360 --> 00:31:12,400
Speaker 1: tank please come claim his caller to Panga happily SIPs

578
00:31:12,400 --> 00:31:14,640
Speaker 1: on a coconut drink. When an older woman asks if

579
00:31:14,640 --> 00:31:16,880
Speaker 1: the seat next to her has taken to, Panga admits,

580
00:31:16,920 --> 00:31:20,320
Speaker 1: I was saving it for my husband, Corey Corey Matthews.

581
00:31:20,560 --> 00:31:23,800
Speaker 1: I'm missus Matthews. That's my name. Now he's my husband.

582
00:31:24,120 --> 00:31:24,960
Speaker 1: I'm his wife.

583
00:31:25,600 --> 00:31:28,840
Speaker 2: Did either of you do that? Oh and you got married?

584
00:31:29,440 --> 00:31:32,160
Speaker 1: Yes, Jenson is still in my phone as husband, mister

585
00:31:32,240 --> 00:31:34,360
Speaker 1: carp Yeah.

586
00:31:34,160 --> 00:31:34,640
Speaker 2: I do remember.

587
00:31:35,000 --> 00:31:37,880
Speaker 4: It was super fun to be Yeah, it's like my

588
00:31:37,920 --> 00:31:40,280
Speaker 4: wife this, Yeah, my wife, my wife.

589
00:31:40,840 --> 00:31:42,720
Speaker 2: It's a great line from Seinfeld or they're trying it

590
00:31:42,760 --> 00:31:44,840
Speaker 2: out and Jerry's like, it's a great way to start

591
00:31:44,840 --> 00:31:47,520
Speaker 2: a sentence. My wife, this, my wife. Ben Cramer just goes,

592
00:31:47,680 --> 00:31:52,160
Speaker 2: my wife has an inner ear infection. That is great,

593
00:31:54,320 --> 00:31:56,080
Speaker 2: but it's a wife.

594
00:31:56,240 --> 00:32:01,080
Speaker 1: Yeah, my wife, my husband so cute. Now we're all

595
00:32:01,080 --> 00:32:07,520
Speaker 1: old and married. I'm married, the lady assumes on your honeymoon, dear,

596
00:32:07,920 --> 00:32:11,400
Speaker 1: Topenga grins, I'm a wife. The woman responds, me too,

597
00:32:11,800 --> 00:32:15,360
Speaker 1: Madeleine Nelson. They shake hands and Madeline explains, I used

598
00:32:15,360 --> 00:32:20,800
Speaker 1: to be Madeleine pig sniffle, That's why I got married.

599
00:32:21,440 --> 00:32:24,760
Speaker 1: Madeline ignores Toapega's earlier answer about the chair and takes

600
00:32:24,800 --> 00:32:25,200
Speaker 1: the seat.

601
00:32:25,680 --> 00:32:27,680
Speaker 4: Yeah, that's what I was kind of like, just just

602
00:32:27,800 --> 00:32:31,240
Speaker 4: sends it out like she literally told you. It's I'm

603
00:32:31,280 --> 00:32:33,000
Speaker 4: saving it from my husband and you just take it.

604
00:32:33,520 --> 00:32:37,480
Speaker 1: Take it to. Pega explains, I got married because I'm

605
00:32:37,520 --> 00:32:39,840
Speaker 1: crazy about my man.

606
00:32:42,400 --> 00:32:44,520
Speaker 2: Yeah.

607
00:32:44,560 --> 00:32:47,880
Speaker 1: The inmates are obsessed with true love and they cheer

608
00:32:47,920 --> 00:32:51,800
Speaker 1: at that declaration. Madeleine gives a knowing nod honeymoon yes

609
00:32:52,440 --> 00:32:55,760
Speaker 1: to Pega, whispers to a total stranger, last night was

610
00:32:55,800 --> 00:33:00,560
Speaker 1: our first night together as mad and why.

611
00:32:59,520 --> 00:33:01,120
Speaker 2: We had s ex.

612
00:33:01,880 --> 00:33:06,440
Speaker 4: I want to hear the details. Okay, last night we started.

613
00:33:06,240 --> 00:33:10,840
Speaker 2: Off this way.

614
00:33:11,240 --> 00:33:16,040
Speaker 1: Madeleine's eyes go wide to ask is he still sleeping?

615
00:33:16,960 --> 00:33:20,880
Speaker 1: Topanga brags, Oh, yeah, I wore him out.

616
00:33:21,800 --> 00:33:24,480
Speaker 2: Because all of a sudden, who wouldn't do anything but

617
00:33:24,600 --> 00:33:28,120
Speaker 2: kiss is now a sex kitten, like just so in

618
00:33:28,240 --> 00:33:31,120
Speaker 2: charge of sex and sexuality, Like I've been planning this

619
00:33:31,200 --> 00:33:37,920
Speaker 2: for twenty eight yet like my god, oh.

620
00:33:35,840 --> 00:33:39,960
Speaker 1: The Peanut gallery cheers again and Madeline approves at a girl.

621
00:33:40,440 --> 00:33:43,920
Speaker 1: Madeleine admits her man is also sleeping. To Panga wonders,

622
00:33:44,160 --> 00:33:48,400
Speaker 1: you wore him out too, and again a very very

623
00:33:48,440 --> 00:33:58,760
Speaker 1: funny joke. Madeleine nods yes, gradually. You know, we honeymooned

624
00:33:58,800 --> 00:34:01,600
Speaker 1: here ourselves. We come here every year on our anniversary,

625
00:34:01,640 --> 00:34:04,120
Speaker 1: but this year is very special because we've decided to

626
00:34:04,160 --> 00:34:09,000
Speaker 1: retire here. And then the PA blasts again, paging missus, Matthews, missus.

627
00:34:09,000 --> 00:34:12,680
Speaker 1: Corey Matthews to Pega excitedly claps her hands together. That's me,

628
00:34:12,840 --> 00:34:16,520
Speaker 1: that's me. Then we see Corey proudly gliding in high

629
00:34:16,560 --> 00:34:19,000
Speaker 1: on life. An old man grabs him by the shoulders

630
00:34:19,000 --> 00:34:22,680
Speaker 1: and laughs, honeymoon. Corey grins, how can you tell? The

631
00:34:22,719 --> 00:34:26,640
Speaker 1: man points out, I can see all your teeth. Corey nods,

632
00:34:26,719 --> 00:34:29,960
Speaker 1: It's true. I'm a man. Now the man praises him.

633
00:34:30,000 --> 00:34:31,160
Speaker 1: You're very happy boy.

634
00:34:31,360 --> 00:34:31,920
Speaker 2: What I mean?

635
00:34:31,960 --> 00:34:33,360
Speaker 3: What has happened in this episode?

636
00:34:33,600 --> 00:34:35,359
Speaker 2: Like Ily, Corey and t Banga have.

637
00:34:35,320 --> 00:34:37,040
Speaker 4: Gone to an island and are talking to an older

638
00:34:37,040 --> 00:34:40,760
Speaker 4: couple and just expositing about sex. All that has happened,

639
00:34:40,760 --> 00:34:42,759
Speaker 4: no conflict, no but.

640
00:34:42,719 --> 00:34:48,040
Speaker 2: It's abound to get super funny, like we have just

641
00:34:48,120 --> 00:34:53,400
Speaker 2: we've had like five full minutes of out nothing characters

642
00:34:53,719 --> 00:34:59,680
Speaker 2: like this thing happened with my penis? Yeah, okay, who cares?

643
00:35:00,880 --> 00:35:08,080
Speaker 2: Just so there's no conflict, like just give me anything

644
00:35:08,200 --> 00:35:09,319
Speaker 2: anything like it's just like.

645
00:35:12,520 --> 00:35:16,160
Speaker 1: My gosh, Okay. The old man agrees it's good in

646
00:35:16,200 --> 00:35:18,520
Speaker 1: the beginning, isn't it? And Corey announces, it's my new

647
00:35:18,560 --> 00:35:19,200
Speaker 1: favorite thing.

648
00:35:19,400 --> 00:35:22,480
Speaker 4: You're still just talking about what happened with body parts?

649
00:35:23,800 --> 00:35:28,880
Speaker 2: Can I can I pitch a better Honeymoon episode really quickly? Please? Okay?

650
00:35:28,960 --> 00:35:33,719
Speaker 2: Anything I know. But they set it up perfectly where

651
00:35:33,760 --> 00:35:37,160
Speaker 2: they're stopped right before they're about to have sex in

652
00:35:37,239 --> 00:35:41,000
Speaker 2: the hotel room. So the entire episode should be them

653
00:35:41,080 --> 00:35:43,960
Speaker 2: right about to do it somewhere and then they're stopped

654
00:35:43,960 --> 00:35:46,439
Speaker 2: and they've waited to get that long and then out

655
00:35:46,440 --> 00:35:48,440
Speaker 2: of nowhere, and then at the end something happens where

656
00:35:48,480 --> 00:35:50,000
Speaker 2: they finally they do it where they never think they're

657
00:35:50,000 --> 00:35:51,040
Speaker 2: going to, or something like that.

658
00:35:51,440 --> 00:35:54,000
Speaker 3: Then that pitch and then they were just like, that's

659
00:35:54,040 --> 00:36:01,879
Speaker 3: too obvious. Let's go. Let's let's do coconuts.

660
00:36:02,440 --> 00:36:05,600
Speaker 1: Nearby. Topanga waves to Corey from her spot Hi, mister Matthews.

661
00:36:05,640 --> 00:36:08,560
Speaker 1: He greets back high Missus Matthews. He points and tells

662
00:36:08,560 --> 00:36:11,160
Speaker 1: the old man mine. In return, the man points to

663
00:36:11,160 --> 00:36:14,200
Speaker 1: Madeline Mine. The new friends approach their wives, and Corey

664
00:36:14,239 --> 00:36:16,840
Speaker 1: boasts about the mister and Missus Matthews page he arranged

665
00:36:16,840 --> 00:36:19,480
Speaker 1: for Chapanga. He also asked for them to page Doctor

666
00:36:19,600 --> 00:36:23,759
Speaker 1: Chocolate Pudding. Next, Tapanga introduces him to the Nelsons and

667
00:36:23,800 --> 00:36:26,560
Speaker 1: explains that they are retiring on the island. Corey calls

668
00:36:26,600 --> 00:36:29,520
Speaker 1: the island amazing and says the towels are the softest

669
00:36:29,520 --> 00:36:32,319
Speaker 1: that has ever grazed his tushy. Topanga adds that the

670
00:36:32,360 --> 00:36:37,000
Speaker 1: water tastes like candy, which honestly sounds terrible. Joe tells

671
00:36:37,040 --> 00:36:39,360
Speaker 1: the Nelsons they're lucky to be on the island because

672
00:36:39,400 --> 00:36:42,600
Speaker 1: normally they'd be in cold Philadelphia in Phoenie's class right now,

673
00:36:42,600 --> 00:36:46,040
Speaker 1: and the sanitation department would probably be on strike. The

674
00:36:46,120 --> 00:36:49,600
Speaker 1: Nelson's counter We'd be in Baltimore watching our grandson, Joey's

675
00:36:49,640 --> 00:36:52,440
Speaker 1: soccer team, the Mighty Gophers, and she'd be in the

676
00:36:52,480 --> 00:36:54,560
Speaker 1: car with the heater going, saying is it over yet?

677
00:36:54,600 --> 00:36:58,880
Speaker 1: I'm so cold? So now, the only conflict or problem

678
00:36:58,920 --> 00:37:01,320
Speaker 1: more which has been it's still like position.

679
00:37:01,440 --> 00:37:05,080
Speaker 2: It's still just yackstory Corl where we live is cold.

680
00:37:05,320 --> 00:37:07,600
Speaker 1: Yeah, here it's warm exactly not.

681
00:37:07,719 --> 00:37:10,320
Speaker 2: It And we've been to explained.

682
00:37:10,400 --> 00:37:13,000
Speaker 1: Yeah, she'd be in the car with the heater going,

683
00:37:13,000 --> 00:37:15,560
Speaker 1: saying is it over yet? I'm so cold? Madeline rolls

684
00:37:15,600 --> 00:37:18,080
Speaker 1: her eyes. She doesn't like the cold, and Corey agrees

685
00:37:18,160 --> 00:37:20,920
Speaker 1: me neither. In fact, I'm cold right now. Topek is

686
00:37:20,960 --> 00:37:23,960
Speaker 1: confused it's ninety two degrees, but Corey rattles on in

687
00:37:23,960 --> 00:37:26,520
Speaker 1: a robotic tone, I'm very cold. Why don't we go

688
00:37:26,600 --> 00:37:28,560
Speaker 1: into the bedroom and go under the covers like we

689
00:37:28,640 --> 00:37:32,040
Speaker 1: did before? To Penga quips back, we're married now, we

690
00:37:32,120 --> 00:37:34,480
Speaker 1: can do it every night for the rest of your life.

691
00:37:34,840 --> 00:37:38,799
Speaker 1: Mister Nelson suggests, get it and writing kid. Then over

692
00:37:38,800 --> 00:37:42,720
Speaker 1: the pa we hear doctor Pudding paging Doctor Chocolate Pudding

693
00:37:43,280 --> 00:37:46,120
Speaker 1: to Panga and Corey laugh they love this place. Then

694
00:37:46,160 --> 00:37:49,760
Speaker 1: they start to kiss, but sneaky music begins to play

695
00:37:49,800 --> 00:37:53,240
Speaker 1: and we see a masked man with a plastic lizard

696
00:37:53,360 --> 00:37:57,760
Speaker 1: strapped to his ski mask snooping around. The creeper takes

697
00:37:57,760 --> 00:38:00,720
Speaker 1: off his mask and it's Eric gasping for air. Oh

698
00:38:00,800 --> 00:38:03,479
Speaker 1: I am so freaking hot, guys. I bet here's where

699
00:38:03,480 --> 00:38:06,640
Speaker 1: the conflict is gonna come in heat the comedy.

700
00:38:06,400 --> 00:38:09,320
Speaker 2: The conflict of comedy, comedy and conflict.

701
00:38:09,480 --> 00:38:11,239
Speaker 4: Yes, this is what I saw Will's face, and I

702
00:38:11,280 --> 00:38:13,800
Speaker 4: was like, oh no.

703
00:38:13,440 --> 00:38:15,440
Speaker 2: For the first time ever, he's dead inside.

704
00:38:15,760 --> 00:38:19,279
Speaker 4: You know, you just looked off. Yes, everything was just off.

705
00:38:19,320 --> 00:38:20,960
Speaker 4: I was like, he is not having fun. He is

706
00:38:21,000 --> 00:38:24,200
Speaker 4: not like this is.

707
00:38:23,280 --> 00:38:26,919
Speaker 2: There's only so much you can make funny. Yeah, yeah,

708
00:38:26,960 --> 00:38:28,839
Speaker 2: I mean there really does come a limit where you're like,

709
00:38:28,920 --> 00:38:30,960
Speaker 2: I don't I don't know what I can do with this.

710
00:38:31,200 --> 00:38:32,719
Speaker 2: I don't know what I can do. I'll do my best,

711
00:38:32,760 --> 00:38:35,400
Speaker 2: but I don't know what I can do. Yeah.

712
00:38:35,440 --> 00:38:39,800
Speaker 1: He pulls out a recorder Honeymoon day two, continuing duties

713
00:38:39,800 --> 00:38:42,839
Speaker 1: as best man. Screwed up wedding night, so must make

714
00:38:42,880 --> 00:38:45,520
Speaker 1: it up to them here in paradise. So exposition for

715
00:38:45,600 --> 00:38:49,000
Speaker 1: why you're there. Yes, kay, He's so overheated that he's

716
00:38:49,040 --> 00:38:52,120
Speaker 1: lost his train of thought. He's decided to pass out,

717
00:38:52,360 --> 00:38:55,279
Speaker 1: and with that he falls to the floor. And then

718
00:38:55,440 --> 00:38:58,480
Speaker 1: we're on the beach. The Panga feeds Corey a chocolate

719
00:38:58,520 --> 00:38:59,320
Speaker 1: covered strawberry.

720
00:39:00,080 --> 00:39:03,200
Speaker 4: See, I've ever like it's just yeah, they were like, oh,

721
00:39:03,440 --> 00:39:07,359
Speaker 4: then he's there. We gotta have an energy to the scene. Okay,

722
00:39:07,360 --> 00:39:09,120
Speaker 4: they just haven't pass out because it's so hot, and

723
00:39:09,440 --> 00:39:10,920
Speaker 4: it happens multiple times.

724
00:39:11,160 --> 00:39:12,920
Speaker 2: That's the end of the scene, like, just just have

725
00:39:13,040 --> 00:39:13,480
Speaker 2: will fall?

726
00:39:13,600 --> 00:39:16,160
Speaker 3: Does will pass out? You pass out at the end

727
00:39:16,200 --> 00:39:16,960
Speaker 3: of every scene, right?

728
00:39:17,040 --> 00:39:17,839
Speaker 2: Yeah? Wow.

729
00:39:17,840 --> 00:39:20,600
Speaker 1: The panga feeds Corey at chocolate covered strawberry, and he

730
00:39:20,640 --> 00:39:23,799
Speaker 1: notes how romantic of a move that was. She explains, well,

731
00:39:23,840 --> 00:39:25,719
Speaker 1: this is the most romantic place there could ever be.

732
00:39:26,200 --> 00:39:29,200
Speaker 1: He smirks, do you want to dance? Tapang is confused,

733
00:39:29,440 --> 00:39:31,800
Speaker 1: since wins do you like to dance? And he answers,

734
00:39:31,880 --> 00:39:33,880
Speaker 1: since I'm in the most beautiful place in the world

735
00:39:33,920 --> 00:39:36,680
Speaker 1: staring at the most beautiful woman I've ever seen the

736
00:39:36,719 --> 00:39:40,280
Speaker 1: audience who has genuinely just awed for ten minutes straight.

737
00:39:40,680 --> 00:39:43,200
Speaker 1: They do it again. He takes her hand and starts

738
00:39:43,200 --> 00:39:45,600
Speaker 1: to sway, but Tapanga points out there isn't any music.

739
00:39:45,760 --> 00:39:49,319
Speaker 1: Corey proclaims, we're in paradise. We'll make our own, and

740
00:39:49,440 --> 00:39:52,520
Speaker 1: immediately after he says that music begins to play. They're

741
00:39:52,520 --> 00:39:55,640
Speaker 1: in shock. That was cool, and then we see Eric

742
00:39:55,680 --> 00:39:58,879
Speaker 1: in a white tuxedo conducting a live band. He's now

743
00:39:59,000 --> 00:40:01,480
Speaker 1: dripping in sweat. How is it this hot? When there's

744
00:40:01,520 --> 00:40:04,400
Speaker 1: no son out, He starts asking other hotel guests are

745
00:40:04,440 --> 00:40:07,200
Speaker 1: you hot? Are you hot? Every time he points to someone,

746
00:40:07,280 --> 00:40:10,839
Speaker 1: he confuses the musicians, creating an audible mess. Meanwhile, Corey

747
00:40:10,880 --> 00:40:13,560
Speaker 1: and Tapanga are still in a haze of love. Topanga

748
00:40:13,560 --> 00:40:16,040
Speaker 1: feels so relaxed she's forgotten about everything else.

749
00:40:16,400 --> 00:40:19,120
Speaker 2: Also, if you notice in the background, so you guys

750
00:40:19,120 --> 00:40:22,000
Speaker 2: are dancing, and then there's a couple dancing right behind

751
00:40:22,040 --> 00:40:25,480
Speaker 2: you to the to the left, over your shoulder, and

752
00:40:25,600 --> 00:40:28,719
Speaker 2: the woman gets bumped into and looks at the guy

753
00:40:28,719 --> 00:40:32,479
Speaker 2: in her partner. She goes like she wants to kill

754
00:40:32,560 --> 00:40:35,320
Speaker 2: the guy, Like how And it was just I rewounded

755
00:40:35,320 --> 00:40:38,960
Speaker 2: three times. It was like this angry, angry, close to

756
00:40:39,120 --> 00:40:43,280
Speaker 2: violence woman right behind you as you're doing the scene, She's.

757
00:40:43,120 --> 00:40:46,279
Speaker 3: Just like what it was?

758
00:40:47,239 --> 00:40:52,759
Speaker 2: Yeah, the background was gonna ame. I also look like

759
00:40:52,800 --> 00:40:56,200
Speaker 2: I was piped into that that that tuxedo, like they

760
00:40:56,239 --> 00:41:01,160
Speaker 2: opened the top and just piped it. It was bad.

761
00:41:02,280 --> 00:41:04,360
Speaker 1: A white texedo doesn't really look good on anybody. F

762
00:41:04,480 --> 00:41:08,040
Speaker 1: Y Corey agrees, it's so unspoiled. It's as if time

763
00:41:08,080 --> 00:41:10,800
Speaker 1: has stopped. As they gush about the island. Eric is

764
00:41:10,840 --> 00:41:14,279
Speaker 1: on the verge of passing out again. To Panga, reminisces

765
00:41:14,280 --> 00:41:17,040
Speaker 1: about cute thatched huts, and Corey tells her about an

766
00:41:17,040 --> 00:41:19,640
Speaker 1: old fisherman he saw making a flute out of bamboo

767
00:41:19,680 --> 00:41:23,080
Speaker 1: read Tapanga also celebrates that there was practically no line

768
00:41:23,160 --> 00:41:26,640
Speaker 1: at Starbucks nearby. Sweat is now pouring out of Eric

769
00:41:26,640 --> 00:41:26,840
Speaker 1: and he.

770
00:41:26,840 --> 00:41:30,920
Speaker 3: Looks talking about how there's no conflict, no ConfL.

771
00:41:31,400 --> 00:41:34,880
Speaker 4: Everything's great, there is no problems, there's and like even Eric, like,

772
00:41:35,320 --> 00:41:37,520
Speaker 4: you're able to get the music that they need, so

773
00:41:37,880 --> 00:41:38,200
Speaker 4: we need.

774
00:41:38,160 --> 00:41:42,200
Speaker 1: What if this whole episode is commentary on the episode

775
00:41:43,520 --> 00:41:48,240
Speaker 1: and it's meta, like, look, how bad an episode is?

776
00:41:51,520 --> 00:41:53,240
Speaker 3: How without conflict?

777
00:41:54,280 --> 00:42:01,800
Speaker 1: Yes, what if it's genius. At the same time, Corey

778
00:42:01,800 --> 00:42:04,640
Speaker 1: has made a decision, that's it, We're staying here. To

779
00:42:04,719 --> 00:42:07,320
Speaker 1: Pek is excited, Really, we can stay a few more days.

780
00:42:07,719 --> 00:42:09,960
Speaker 1: Corey nods, we can stay a few more days with

781
00:42:10,000 --> 00:42:14,040
Speaker 1: no responsibility, no foenie, no crazy Eric on cue. Eric

782
00:42:14,080 --> 00:42:16,759
Speaker 1: finally crumples to the floor from heat exhaustion, but to

783
00:42:16,840 --> 00:42:19,800
Speaker 1: Panga and Corey don't notice. They're both focused on staying

784
00:42:19,840 --> 00:42:22,719
Speaker 1: a few more days. Mccrey takes it even one step further,

785
00:42:22,800 --> 00:42:28,120
Speaker 1: suggesting let's never go home. To Penga laughs, sure, let's

786
00:42:28,160 --> 00:42:31,120
Speaker 1: just never go home. But Corey's dead serious. Give me

787
00:42:31,160 --> 00:42:33,400
Speaker 1: one good reason why we shouldn't stay here. Why should

788
00:42:33,440 --> 00:42:35,920
Speaker 1: we go home? To Pega responds like she's talking to

789
00:42:35,960 --> 00:42:39,920
Speaker 1: a toddler, because it's where our home is. But Corey

790
00:42:39,960 --> 00:42:41,799
Speaker 1: throws his arms in the air. Not if we stay

791
00:42:41,800 --> 00:42:44,480
Speaker 1: here the rest of our lives to Panga seems disturbed,

792
00:42:44,960 --> 00:42:48,040
Speaker 1: And then I guess it's a cliffhanger commercial break?

793
00:42:48,239 --> 00:42:51,040
Speaker 2: Yes, what is this act? Break? Like I was, because

794
00:42:51,080 --> 00:42:53,840
Speaker 2: now he wants to stay and she's like, uh oh,

795
00:42:54,080 --> 00:42:57,840
Speaker 2: and there you go go. Who doesn't want to just

796
00:42:57,880 --> 00:42:59,440
Speaker 2: stay wherever they're on vacation?

797
00:42:59,640 --> 00:43:01,840
Speaker 3: That's I know.

798
00:43:05,040 --> 00:43:07,359
Speaker 1: Back in the hotel room, to Pega's packing their bag

799
00:43:07,400 --> 00:43:10,760
Speaker 1: while Corey simultaneously unpacks it. He's still set on moving

800
00:43:10,760 --> 00:43:13,600
Speaker 1: to the island, seen in his new huge necklaces, but

801
00:43:13,600 --> 00:43:16,240
Speaker 1: Topanga needs him to snap back to reality.

802
00:43:16,320 --> 00:43:19,000
Speaker 2: No, wait, I'm sorry. Were they supposed to leave then

803
00:43:19,160 --> 00:43:21,040
Speaker 2: that day? I know that Why she's all of a

804
00:43:21,080 --> 00:43:22,120
Speaker 2: sudden packing when they.

805
00:43:22,000 --> 00:43:25,760
Speaker 1: Were also it makes sense now because I was thinking,

806
00:43:25,800 --> 00:43:28,799
Speaker 1: why is she reminiscing about the thatched roofs when they're

807
00:43:28,840 --> 00:43:31,279
Speaker 1: still there and like, but I guess it was their

808
00:43:31,360 --> 00:43:34,560
Speaker 1: last day, so she's going back through all the days

809
00:43:34,560 --> 00:43:39,319
Speaker 1: of their honeymoon and thinking about all their favorite parts. Okay,

810
00:43:39,560 --> 00:43:41,759
Speaker 1: Corey can't believe she wants to go back to Philadelphia.

811
00:43:41,800 --> 00:43:43,960
Speaker 1: You want to spend our youth breathing pollution and having

812
00:43:44,000 --> 00:43:45,759
Speaker 1: to bow down to the man, and then come back

813
00:43:45,800 --> 00:43:47,880
Speaker 1: here when we're too old to win to limbo contest?

814
00:43:48,120 --> 00:43:51,399
Speaker 1: Is that what you want to not win? I think

815
00:43:51,440 --> 00:43:55,080
Speaker 1: it's funny be Topanga admits that she would like to win,

816
00:43:55,400 --> 00:43:57,400
Speaker 1: and Corey is happy to hear it. He runs to

817
00:43:57,440 --> 00:43:59,400
Speaker 1: their blinds and pulls them open to show Topanga the

818
00:43:59,440 --> 00:44:02,360
Speaker 1: beautiful island they could call home, but instead of a

819
00:44:02,400 --> 00:44:06,239
Speaker 1: beautiful beach, it's Eric just standing there. Only Tapanga sees

820
00:44:06,320 --> 00:44:08,040
Speaker 1: him before he darts out of the way and jumps

821
00:44:08,040 --> 00:44:10,760
Speaker 1: into the pool. Or He continues to sell the island

822
00:44:10,760 --> 00:44:12,680
Speaker 1: as home, but to Pega has seen a ghost. I

823
00:44:12,680 --> 00:44:15,359
Speaker 1: think someone was on the balcony. Cory shrugs it off.

824
00:44:15,360 --> 00:44:18,160
Speaker 1: Who cares? Don't you want to stay? She reminds him

825
00:44:18,160 --> 00:44:20,800
Speaker 1: that no one stays on vacation forever, but he reminds

826
00:44:20,840 --> 00:44:23,440
Speaker 1: her the Nelson's do so cha. Panga wants to know

827
00:44:23,600 --> 00:44:27,680
Speaker 1: how will they make a living? Paradie is expensive? Cory grins,

828
00:44:27,960 --> 00:44:30,040
Speaker 1: You think I haven't thought about that. You think I'm

829
00:44:30,040 --> 00:44:32,320
Speaker 1: not a realist. You think I haven't thought of little

830
00:44:32,440 --> 00:44:40,440
Speaker 1: Cory Junior and Barbara Barbara to Penga corrects him Stephen

831
00:44:40,640 --> 00:44:42,080
Speaker 1: and Chloe.

832
00:44:41,920 --> 00:44:46,040
Speaker 2: Ah which is her mom's name, right and closed?

833
00:44:47,320 --> 00:44:49,040
Speaker 3: But it was in the original.

834
00:44:51,200 --> 00:44:52,080
Speaker 1: Yes, you're right.

835
00:44:52,520 --> 00:44:54,720
Speaker 2: He was killed in that tragic blimp accident with Nebulas.

836
00:44:57,000 --> 00:44:59,759
Speaker 1: He likes those names too. He jumps back onto the

837
00:44:59,800 --> 00:45:03,200
Speaker 1: bed and grunts, let's make them. She suggests they make

838
00:45:03,239 --> 00:45:05,200
Speaker 1: a living first, but Corey and says, do you think

839
00:45:05,239 --> 00:45:07,279
Speaker 1: I haven't thought of our living situation? You think this

840
00:45:07,360 --> 00:45:10,520
Speaker 1: is whimsy? It's not whimsy. Then he pulls a big,

841
00:45:10,680 --> 00:45:13,640
Speaker 1: wrinkly coconut out of a bag and declares, this is

842
00:45:13,680 --> 00:45:17,200
Speaker 1: our future. Baby. She does have to do with coconut.

843
00:45:17,520 --> 00:45:21,240
Speaker 4: Corey established like it would been so funny if Corey

844
00:45:21,280 --> 00:45:23,680
Speaker 4: had a plan that was related to his character in somewhere.

845
00:45:23,680 --> 00:45:25,600
Speaker 4: I don't know what that is, but like, you know,

846
00:45:25,760 --> 00:45:28,839
Speaker 4: anything that we've established about Corey could could pay off here,

847
00:45:29,160 --> 00:45:30,239
Speaker 4: and instead it's just.

848
00:45:30,480 --> 00:45:33,440
Speaker 3: A complete non sequitor. He just can carve coconuts.

849
00:45:33,480 --> 00:45:35,520
Speaker 1: I mean he used to carry around a camera. He

850
00:45:35,560 --> 00:45:37,480
Speaker 1: was into journalism. He could decide he's going to be

851
00:45:37,520 --> 00:45:39,440
Speaker 1: a photographer for people on the island. I'm going to

852
00:45:39,480 --> 00:45:41,640
Speaker 1: take pictures of couples on their honeymoon.

853
00:45:41,400 --> 00:45:46,200
Speaker 2: Right right, No, he's a coconut carver and a damn

854
00:45:46,239 --> 00:45:47,759
Speaker 2: good one, let's be honest.

855
00:45:47,680 --> 00:45:55,200
Speaker 1: Very good. He whispers like a madman. Oh yeah, And

856
00:45:55,200 --> 00:45:58,440
Speaker 1: then we cut to Corey's celebrity coconut hut. I really

857
00:45:58,480 --> 00:46:00,279
Speaker 1: did think this was going to be a dream sequts.

858
00:46:00,560 --> 00:46:02,840
Speaker 2: Yes, I thought the whole episode was a dream sequence.

859
00:46:04,880 --> 00:46:07,359
Speaker 2: But yes, And can we also just have a very

860
00:46:07,440 --> 00:46:12,840
Speaker 2: quick nod to Ben's tiny little man nipples because he

861
00:46:12,880 --> 00:46:15,959
Speaker 2: has very small nipples. Ben, there are these tiny little

862
00:46:15,960 --> 00:46:17,440
Speaker 2: man nipples. It's amazing.

863
00:46:20,800 --> 00:46:23,239
Speaker 1: I don't think we comment on things such as this.

864
00:46:23,680 --> 00:46:29,279
Speaker 2: Oh well I did, because they're the distractingly small. Ben

865
00:46:29,360 --> 00:46:36,239
Speaker 2: is so fit, he's fit, He's in really great shape.

866
00:46:36,480 --> 00:46:40,279
Speaker 1: It's somewhere in here in the celebrity coconut hut that

867
00:46:40,400 --> 00:46:44,680
Speaker 1: I realize my belly button ring is just of just

868
00:46:44,800 --> 00:46:47,320
Speaker 1: showing for everybody in all my crop, in all my

869
00:46:47,400 --> 00:46:53,160
Speaker 1: crop tops and I thought, why was that why? I

870
00:46:53,160 --> 00:46:55,279
Speaker 1: guess maybe I wanted to wear a crop top, but

871
00:46:55,320 --> 00:46:57,960
Speaker 1: why why was somebody like I don't think Tapega would

872
00:46:57,960 --> 00:46:58,920
Speaker 1: have a belly button ring.

873
00:47:00,200 --> 00:47:02,280
Speaker 2: I don't know. It's also I have to be honest

874
00:47:02,280 --> 00:47:05,080
Speaker 2: with you too. From the beginning, you walking out in

875
00:47:05,120 --> 00:47:09,040
Speaker 2: the lingerie, then under the covers, then on the island.

876
00:47:09,040 --> 00:47:11,480
Speaker 2: The whole time. The idea that three or four episodes

877
00:47:11,480 --> 00:47:14,400
Speaker 2: from now we do an episode about you being heavy

878
00:47:14,840 --> 00:47:18,680
Speaker 2: is insane to me. Correct insane to me because it's

879
00:47:18,719 --> 00:47:22,560
Speaker 2: not that far away, and it's like, it's like, really,

880
00:47:22,840 --> 00:47:25,080
Speaker 2: this is what it was I thought about. I'm like,

881
00:47:25,239 --> 00:47:27,600
Speaker 2: how is that possible that in the next like four

882
00:47:27,680 --> 00:47:30,359
Speaker 2: or five episodes we're going to do one about us

883
00:47:30,400 --> 00:47:33,239
Speaker 2: being fat? Like I get me, yep, because I put no, no, no,

884
00:47:33,360 --> 00:47:35,360
Speaker 2: but I may not be huge, but I put on

885
00:47:35,400 --> 00:47:37,840
Speaker 2: a significant amount of weight compared to what I looked

886
00:47:37,880 --> 00:47:41,680
Speaker 2: like before, whereas you did not. And the idea of

887
00:47:41,719 --> 00:47:43,520
Speaker 2: seeing that what I like you again, you walked out

888
00:47:43,520 --> 00:47:44,920
Speaker 2: and laingderie, you did all stuffs, Like, how is that

889
00:47:44,960 --> 00:47:46,600
Speaker 2: going to be an episode? How are they going to

890
00:47:46,680 --> 00:47:48,800
Speaker 2: do that in the next couple couple of weeks? It

891
00:47:48,880 --> 00:47:49,280
Speaker 2: was crazy.

892
00:47:50,040 --> 00:47:53,320
Speaker 1: We'll find out. Corey is surrounded by coconuts in the

893
00:47:53,360 --> 00:47:55,960
Speaker 1: shapes of celebrity faces. He holds up David Letterman and

894
00:47:56,000 --> 00:47:58,760
Speaker 1: we see a crowd has gathered around him. He harshly

895
00:47:58,800 --> 00:48:01,640
Speaker 1: shouted hello and grabs a jay Leno to do his

896
00:48:01,680 --> 00:48:05,120
Speaker 1: best impression. He then calls David Letterman, Edgy and jay

897
00:48:05,200 --> 00:48:09,560
Speaker 1: Leno not and their guest this week is in his accent,

898
00:48:09,920 --> 00:48:14,680
Speaker 1: Arnold Schwarzenegger. Hello, how are you doing? I'm the Cocoonator.

899
00:48:15,680 --> 00:48:18,440
Speaker 1: The crowd loves it, and this is just the most

900
00:48:18,600 --> 00:48:21,480
Speaker 1: Ben Ben could possibly.

901
00:48:21,040 --> 00:48:25,680
Speaker 2: Be trying so hard to He's just laughing. Is he trying?

902
00:48:25,800 --> 00:48:27,560
Speaker 2: He's trying, God bless him.

903
00:48:27,880 --> 00:48:31,880
Speaker 1: Yep, yep, he's doing his best. As Corey thanks his

904
00:48:31,960 --> 00:48:34,640
Speaker 1: admirers to Panga rushes towards him carrying a bunch of

905
00:48:34,640 --> 00:48:38,239
Speaker 1: shopping bags. We are a total success overnight. I took

906
00:48:38,280 --> 00:48:40,719
Speaker 1: out a bank account at Katanka Savings alone, I took

907
00:48:40,719 --> 00:48:42,640
Speaker 1: out an ad in the Katanka Times, and I still

908
00:48:42,640 --> 00:48:49,120
Speaker 1: had time to catch this fish. What Corey beams, Ah,

909
00:48:49,160 --> 00:48:52,319
Speaker 1: what a woman, he continues, Just think all that time

910
00:48:52,360 --> 00:48:55,160
Speaker 1: with Phoene wasted when my real success was right here,

911
00:48:55,280 --> 00:48:57,799
Speaker 1: because I am He turns back to his line of

912
00:48:57,800 --> 00:49:01,600
Speaker 1: customers and announces the coconut gut. A man in a

913
00:49:01,640 --> 00:49:04,279
Speaker 1: crown with a camera points to Topanga, Hey, you're the

914
00:49:04,320 --> 00:49:08,200
Speaker 1: wife of the coconut guy. To Panga beams, yes, I am.

915
00:49:08,400 --> 00:49:11,040
Speaker 1: Cory and Tapega pose for a picture. When Madeline appears,

916
00:49:11,120 --> 00:49:13,279
Speaker 1: Corey is excited to see her. What can I carve

917
00:49:13,360 --> 00:49:16,160
Speaker 1: up for you? Madeline surprised to see them in the hut,

918
00:49:16,360 --> 00:49:18,760
Speaker 1: Corey admits, we've decided to stay here like you guys.

919
00:49:18,840 --> 00:49:21,920
Speaker 1: You convinced us. To Panga whispers, I bought this entire

920
00:49:22,000 --> 00:49:25,080
Speaker 1: outfit for three bananas. That convinced me.

921
00:49:26,480 --> 00:49:30,799
Speaker 4: Get it, because no, they're taking advantage of the locals.

922
00:49:30,800 --> 00:49:32,759
Speaker 3: So you get to live like a queen here.

923
00:49:33,400 --> 00:49:36,920
Speaker 2: And there's a star Bus. She loves to shop, but

924
00:49:37,000 --> 00:49:41,160
Speaker 2: there's a Starbucks, and you pay for Starbucks with bananas.

925
00:49:42,880 --> 00:49:43,400
Speaker 1: I don't know.

926
00:49:46,040 --> 00:49:49,000
Speaker 2: People cannot come after us for this one. I get

927
00:49:49,040 --> 00:49:51,440
Speaker 2: people having opinions about some of the episodes we don't like,

928
00:49:51,520 --> 00:49:54,839
Speaker 2: and I completely and totally understand and respect that. I

929
00:49:54,880 --> 00:49:57,880
Speaker 2: can't imagine there's a person in the world who's like,

930
00:49:57,920 --> 00:50:00,480
Speaker 2: you know, the best episode of Women's World, The Honey, Yeah, yeah,

931
00:50:00,560 --> 00:50:02,040
Speaker 2: the best episode done.

932
00:50:02,600 --> 00:50:05,640
Speaker 1: Definitely, do not think there's anyone who says this is

933
00:50:05,640 --> 00:50:07,319
Speaker 1: the best. I think that's a safe bet.

934
00:50:07,520 --> 00:50:10,080
Speaker 2: Yep right, okay, good. Yeah.

935
00:50:10,400 --> 00:50:13,760
Speaker 1: Then Corey realizes I'm out of Puka. Shell's wife, Topanga,

936
00:50:13,880 --> 00:50:16,799
Speaker 1: could you run to the Shell station? She lets out

937
00:50:16,840 --> 00:50:19,920
Speaker 1: a laugh. You're funnier in Paradise. She walks away, and

938
00:50:19,920 --> 00:50:22,360
Speaker 1: mister Nelson approaches the stand and Madeline tells him the

939
00:50:22,400 --> 00:50:24,839
Speaker 1: good news. The Matthews are staying on the island too.

940
00:50:25,280 --> 00:50:27,799
Speaker 1: Mister Nelson welcomes Corey to Paradise and reaches out to

941
00:50:27,800 --> 00:50:32,040
Speaker 1: shake Corey's hand, but Corey does a shaka instead Mukatoka baby,

942
00:50:32,520 --> 00:50:35,800
Speaker 1: and mister Nelson happily does it right back. Corey asks

943
00:50:35,800 --> 00:50:38,120
Speaker 1: the couple what they'd like him to carve, reaches Philbin

944
00:50:38,239 --> 00:50:41,960
Speaker 1: his lovely wife Joy. Mister Nelson requests a soccer player

945
00:50:42,000 --> 00:50:44,680
Speaker 1: and pulls out a note they received from their grandson Joey.

946
00:50:45,120 --> 00:50:50,000
Speaker 1: Madeline gasps the Mighty Gophers made the playoffs. Mister Nelson complains,

947
00:50:50,120 --> 00:50:52,640
Speaker 1: eight years we watch that kid stink up the field

948
00:50:52,640 --> 00:50:54,360
Speaker 1: and the minute we leave he's peley.

949
00:50:55,360 --> 00:50:57,840
Speaker 2: Can I ask why? Because they talk about making a

950
00:50:57,840 --> 00:51:00,440
Speaker 2: phone call, why did the kid write them a letter

951
00:51:01,160 --> 00:51:01,440
Speaker 2: to say?

952
00:51:02,239 --> 00:51:03,839
Speaker 1: I just was going to say the same thing because

953
00:51:03,840 --> 00:51:04,919
Speaker 1: they say, let's go call him.

954
00:51:05,000 --> 00:51:06,839
Speaker 2: Yeah, let's go call him when he wrote us a letter,

955
00:51:06,840 --> 00:51:10,239
Speaker 2: wouldn't you know, especially with the Kataka Post Office the

956
00:51:10,239 --> 00:51:14,800
Speaker 2: way that it is. I mean, that championship is bananas.

957
00:51:14,800 --> 00:51:17,440
Speaker 1: Do you have to smear on your envelope to mail

958
00:51:17,480 --> 00:51:17,919
Speaker 1: that letter?

959
00:51:17,960 --> 00:51:18,080
Speaker 2: You know?

960
00:51:18,239 --> 00:51:19,960
Speaker 4: Well how old is the letter too? He must have

961
00:51:19,960 --> 00:51:22,799
Speaker 4: sent it, like you know, I know, four days ago.

962
00:51:23,400 --> 00:51:26,320
Speaker 2: That's what I'm saying. Yeah, our team made it. Stop,

963
00:51:26,880 --> 00:51:29,600
Speaker 2: we are good. Stop going to the championship stop.

964
00:51:31,960 --> 00:51:34,040
Speaker 1: The couple decided to go call their grandson and wish

965
00:51:34,080 --> 00:51:36,400
Speaker 1: him luck. As they leave, Corey realizes he forgot to

966
00:51:36,480 --> 00:51:38,600
Speaker 1: have to Pega pick up some of those googly eyes.

967
00:51:39,000 --> 00:51:42,000
Speaker 1: He flips his open sign around to reveal gone to

968
00:51:42,040 --> 00:51:45,480
Speaker 1: get googly eyes ory leaves and we see the line

969
00:51:45,480 --> 00:51:46,480
Speaker 1: of celebrity coconuts.

970
00:51:47,000 --> 00:51:48,600
Speaker 2: None of the coconuts have googly eyes.

971
00:51:49,080 --> 00:51:52,239
Speaker 4: No, all it would take is just absolutely google eyes

972
00:51:52,280 --> 00:51:54,000
Speaker 4: on the coconuts, not one of them.

973
00:51:57,880 --> 00:52:01,000
Speaker 1: We see the line of celebrity cocaine that's inside the booth.

974
00:52:01,360 --> 00:52:06,320
Speaker 1: Howard Stern, Elvis, Richard Nixon, and Eric he's tanned to

975
00:52:06,520 --> 00:52:11,200
Speaker 1: cocinut brown color and glued coconut husks to his face.

976
00:52:11,640 --> 00:52:15,959
Speaker 1: He's even wearing buck teeth. But now into his.

977
00:52:16,200 --> 00:52:21,239
Speaker 3: Table is not covered. You can see that you.

978
00:52:21,200 --> 00:52:27,160
Speaker 4: Were kneeling behind the table, Like, I love Rusty. You're

979
00:52:27,200 --> 00:52:29,520
Speaker 4: directing this, and you don't think just put a cover

980
00:52:29,600 --> 00:52:30,080
Speaker 4: on the table.

981
00:52:30,480 --> 00:52:35,560
Speaker 2: So actually ahead, but I have this to hammer, that's why.

982
00:52:35,640 --> 00:52:37,560
Speaker 1: But you could put the tablecloth just in front.

983
00:52:37,360 --> 00:52:39,480
Speaker 4: Of the tablecloth in front of you, so it looks

984
00:52:39,600 --> 00:52:42,160
Speaker 4: like you are. Like the couple walks up and it's

985
00:52:42,200 --> 00:52:44,040
Speaker 4: like there's one talking to me. I'm like, you know,

986
00:52:44,200 --> 00:52:48,000
Speaker 4: you can see the guy kneeling through the table. It's

987
00:52:48,040 --> 00:52:51,279
Speaker 4: like everybody was so lazy they just gave up. They

988
00:52:51,280 --> 00:52:53,840
Speaker 4: were like this this episode is so dumb. We're not

989
00:52:53,880 --> 00:52:56,600
Speaker 4: gonna even worry about visual logic.

990
00:52:57,239 --> 00:52:58,600
Speaker 2: Like it's so bad.

991
00:52:58,880 --> 00:52:59,560
Speaker 3: It's so bad.

992
00:52:59,600 --> 00:53:02,960
Speaker 4: We're gonna spend what at least forty five minutes putting

993
00:53:02,960 --> 00:53:04,360
Speaker 4: will in makeup.

994
00:53:04,080 --> 00:53:08,880
Speaker 3: But we're not going to put a tablecloth on the table. Guys,

995
00:53:09,480 --> 00:53:10,280
Speaker 3: what happened?

996
00:53:11,160 --> 00:53:15,279
Speaker 2: It's I think you're right. We all just get Yeah,

997
00:53:15,480 --> 00:53:17,879
Speaker 2: there's I mean, you could just see you kneeling there.

998
00:53:17,920 --> 00:53:19,960
Speaker 2: It's I don't know.

999
00:53:20,080 --> 00:53:21,759
Speaker 1: Oh that is kind of what I remember about this

1000
00:53:21,800 --> 00:53:23,360
Speaker 1: week is just going.

1001
00:53:23,040 --> 00:53:26,320
Speaker 2: Oh, okay, good enough episode.

1002
00:53:25,960 --> 00:53:42,080
Speaker 5: Oh well, oh my gosh.

1003
00:53:42,120 --> 00:53:46,040
Speaker 1: So Eric lisps into his recorder honeymoon day six, when

1004
00:53:46,080 --> 00:53:48,359
Speaker 1: they decided to live here. I thought the newlyweds had

1005
00:53:48,360 --> 00:53:50,600
Speaker 1: caught a bad case of island fever, but it turns

1006
00:53:50,640 --> 00:53:52,960
Speaker 1: out they've adjusted well, and I don't really know what

1007
00:53:53,000 --> 00:53:55,960
Speaker 1: to do. One of the shoppers notices Eric and gasps

1008
00:53:56,000 --> 00:53:56,959
Speaker 1: to her husband Eric.

1009
00:53:57,760 --> 00:54:01,720
Speaker 2: Either like, what what do you like? Have met Lawrence? Follow?

1010
00:54:01,800 --> 00:54:04,120
Speaker 4: You have Jack follow him to try and stop him?

1011
00:54:04,120 --> 00:54:05,840
Speaker 4: So but in cead he doesn't even have anybody to

1012
00:54:05,880 --> 00:54:07,680
Speaker 4: talk to. Is they have to create this tap recorder

1013
00:54:08,320 --> 00:54:09,360
Speaker 4: just so you can.

1014
00:54:09,239 --> 00:54:13,160
Speaker 2: Exp who's the tape for? I'm curious, is it for

1015
00:54:13,239 --> 00:54:16,279
Speaker 2: Eric to listen back to later? Is hen giving this

1016
00:54:16,320 --> 00:54:16,920
Speaker 2: to somebody?

1017
00:54:17,000 --> 00:54:19,239
Speaker 4: But what is your mission? Your mission was to make

1018
00:54:19,960 --> 00:54:24,600
Speaker 4: their honeymoon good, right, right? And conflict You're literally there

1019
00:54:24,640 --> 00:54:26,440
Speaker 4: to reduce conflict.

1020
00:54:27,120 --> 00:54:28,040
Speaker 3: There's no story.

1021
00:54:28,080 --> 00:54:28,400
Speaker 1: It's so.

1022
00:54:30,480 --> 00:54:34,080
Speaker 2: Much, but it's also so They were supposed to leave

1023
00:54:34,640 --> 00:54:37,000
Speaker 2: on day three of their honeymoon.

1024
00:54:37,040 --> 00:54:40,120
Speaker 1: I would imagine they okay, size.

1025
00:54:39,880 --> 00:54:43,080
Speaker 2: Then he rebuilt the entire coconut hut, which in the beginning,

1026
00:54:43,360 --> 00:54:46,879
Speaker 2: if you saw was was behind them and empty and

1027
00:54:47,200 --> 00:54:50,160
Speaker 2: like broken and busted up, so that in a day

1028
00:54:50,400 --> 00:54:55,000
Speaker 2: they bought the coconut thing. He carved twenty coconuts for

1029
00:54:55,080 --> 00:54:59,320
Speaker 2: the first day and then made a made a Google

1030
00:54:59,400 --> 00:55:00,600
Speaker 2: eyes overnight.

1031
00:55:00,840 --> 00:55:01,640
Speaker 1: We're successful.

1032
00:55:02,080 --> 00:55:04,520
Speaker 2: And are you living at the resort?

1033
00:55:05,200 --> 00:55:06,960
Speaker 3: Uh huh, yes, you stay in the hotel.

1034
00:55:08,640 --> 00:55:10,000
Speaker 2: All right, Well, now it makes sense.

1035
00:55:11,680 --> 00:55:14,960
Speaker 1: One of the shoppers says, look, IRV, this one talks.

1036
00:55:15,280 --> 00:55:19,000
Speaker 1: Eric whispers oh no, and tries to stay still. Irv argues,

1037
00:55:19,120 --> 00:55:22,839
Speaker 1: coconuts don't talk, Gladys, but she insists she heard him.

1038
00:55:23,040 --> 00:55:27,000
Speaker 1: So Irv, as one would, challenges his wife to smash

1039
00:55:27,160 --> 00:55:32,480
Speaker 1: the coconut open with a hammer. It's a totally logical next.

1040
00:55:32,320 --> 00:55:34,880
Speaker 4: Day, so you have the hammer right there, Yeah, and

1041
00:55:34,920 --> 00:55:37,600
Speaker 4: you can see the guy neely behind the table.

1042
00:55:37,920 --> 00:55:40,319
Speaker 2: I'm sorry, I'd like to throw out, what else are

1043
00:55:40,360 --> 00:55:47,600
Speaker 2: you supposed to do? Okay? No hammer? Hammer, stabbing the

1044
00:55:47,600 --> 00:55:50,160
Speaker 2: eye with a fishing knife, like, yeah, it's what the

1045
00:55:50,239 --> 00:55:51,040
Speaker 2: hell's happening.

1046
00:55:52,160 --> 00:55:55,000
Speaker 1: So Gladys approaches the coconut with the hammer until Eric

1047
00:55:55,040 --> 00:55:57,400
Speaker 1: springs up and snatches it from her. How about I

1048
00:55:57,440 --> 00:56:00,359
Speaker 1: smash you open with a hammer. The couple runs away,

1049
00:56:00,400 --> 00:56:04,400
Speaker 1: screaming in horror. Eric asks Coconut Elvis Presley, you believe that.

1050
00:56:06,840 --> 00:56:09,480
Speaker 1: A week later on the island, Corey and Tapanga are

1051
00:56:09,520 --> 00:56:11,520
Speaker 1: setting up for another day of success at the hut.

1052
00:56:11,600 --> 00:56:16,080
Speaker 1: Corey greets another local worker, Good morning for Dukie. He

1053
00:56:16,160 --> 00:56:21,600
Speaker 1: then notices his female doppelganger, Good morning, Bavuki. She swats

1054
00:56:21,600 --> 00:56:24,960
Speaker 1: a lizard off of a bar. Then Corey sees another man,

1055
00:56:25,320 --> 00:56:30,080
Speaker 1: Good morning Uki. The man grins, oh, Corey, missus Corey,

1056
00:56:30,480 --> 00:56:33,400
Speaker 1: you too are the talk of the island. To Panga

1057
00:56:33,440 --> 00:56:36,280
Speaker 1: hopes it's all good, and he assures her it's very good.

1058
00:56:36,719 --> 00:56:41,600
Speaker 1: Faduki and Bavuki agree, very good, very good.

1059
00:56:42,400 --> 00:56:46,560
Speaker 2: Okay, here's the point of this entire scene. Now, like

1060
00:56:46,960 --> 00:56:47,839
Speaker 2: I don't like.

1061
00:56:49,520 --> 00:56:53,040
Speaker 4: So Corey and to Panga are getting along well, and

1062
00:56:53,080 --> 00:56:55,920
Speaker 4: now it's just make fun of native people.

1063
00:56:55,640 --> 00:56:58,640
Speaker 1: Being native people's names and I guess.

1064
00:56:59,640 --> 00:57:02,760
Speaker 3: Name yes, and civilization crumbling.

1065
00:57:02,800 --> 00:57:07,160
Speaker 1: Okay. Uki tells them, we think you are Katanka's favorite

1066
00:57:07,239 --> 00:57:10,400
Speaker 1: fun couple. We're very impressed with how quickly you've acclimated

1067
00:57:10,400 --> 00:57:14,360
Speaker 1: to our customs. Corey admits, I'm still having trouble using

1068
00:57:14,560 --> 00:57:16,440
Speaker 1: soup as deodorant.

1069
00:57:17,800 --> 00:57:19,320
Speaker 3: Super soap. What does he say?

1070
00:57:19,400 --> 00:57:23,720
Speaker 2: He's a soup? And again my head instantly went to

1071
00:57:25,200 --> 00:57:29,400
Speaker 2: what lines did they not want to use because that's

1072
00:57:29,440 --> 00:57:31,920
Speaker 2: the pitch that worked. So it's like, what was the

1073
00:57:31,960 --> 00:57:35,200
Speaker 2: winner soup as deodorant?

1074
00:57:35,920 --> 00:57:40,240
Speaker 1: Yeah, Uki continues, we have an election for mayor coming up,

1075
00:57:40,280 --> 00:57:43,080
Speaker 1: and we'd really like you to consider running for office

1076
00:57:44,480 --> 00:57:50,840
Speaker 1: representing our Muki Timbala party. To Penga wonders who's the

1077
00:57:50,960 --> 00:57:56,600
Speaker 1: other party, Uki matter of factly responds communists the other

1078
00:57:56,720 --> 00:58:00,600
Speaker 1: Uki's spit on the floor in disgust. Ki he explains,

1079
00:58:00,720 --> 00:58:03,520
Speaker 1: this is the most important election since our people moved

1080
00:58:03,520 --> 00:58:06,680
Speaker 1: here from Ohio. Corey can't believe it. They want me

1081
00:58:06,920 --> 00:58:11,280
Speaker 1: to be mayor of Paradise. Then mister and missus Nelson reappear,

1082
00:58:11,440 --> 00:58:15,200
Speaker 1: now wearing their normal street clothes and carrying suitcases. Corey

1083
00:58:15,240 --> 00:58:17,040
Speaker 1: tells them the good news he's going to be mayor

1084
00:58:17,080 --> 00:58:20,040
Speaker 1: m Coconut. He asks Frank to be his campaign manager.

1085
00:58:20,280 --> 00:58:22,680
Speaker 1: Corey whispers to Panga, they'll bring in the old vote

1086
00:58:22,720 --> 00:58:25,080
Speaker 1: like it was early bird dinner at Lawaca's. But the

1087
00:58:25,120 --> 00:58:28,520
Speaker 1: Nelsons have bad news. They're leaving. Cory and Topanga don't

1088
00:58:28,560 --> 00:58:32,120
Speaker 1: understand the Nelson's proudly announced that Joey's soccer team made

1089
00:58:32,160 --> 00:58:36,640
Speaker 1: it to the finals. So did the did the Nelsons

1090
00:58:37,280 --> 00:58:41,800
Speaker 1: never contemplate the that their grandchildren were going to have

1091
00:58:41,840 --> 00:58:42,400
Speaker 1: a future?

1092
00:58:42,880 --> 00:58:46,000
Speaker 2: No, they also have one bag between the three of

1093
00:58:46,040 --> 00:58:48,160
Speaker 2: the the two of them for the entire time they're

1094
00:58:48,160 --> 00:58:50,600
Speaker 2: still there. He's got he's got a bag over his

1095
00:58:50,600 --> 00:58:52,160
Speaker 2: shoulder and he's holding that just has.

1096
00:58:52,040 --> 00:58:54,280
Speaker 1: All their gold in it. That just has all their

1097
00:58:54,280 --> 00:58:56,080
Speaker 1: gold in it. The other bags are at bell Hop.

1098
00:58:56,160 --> 00:58:57,600
Speaker 2: Okay, good, fair enough.

1099
00:58:57,520 --> 00:59:01,000
Speaker 1: Yeah, Madeline reveals, So I'm going to sit and be

1100
00:59:01,080 --> 00:59:03,880
Speaker 1: cold in the car. Frank laughs, how could we miss it?

1101
00:59:04,120 --> 00:59:06,200
Speaker 1: To Penga wonders, but you guys are coming back after

1102
00:59:06,240 --> 00:59:08,640
Speaker 1: the game, right, Madeline and Frank share a look and

1103
00:59:08,640 --> 00:59:11,360
Speaker 1: simply say goodbye. Frank wishes them a nice life, and

1104
00:59:11,400 --> 00:59:14,560
Speaker 1: Corey wonders, how could we not? We're in paradise. Then

1105
00:59:14,800 --> 00:59:17,720
Speaker 1: sneaky music plays again and we see Eric sitting nearby

1106
00:59:17,760 --> 00:59:20,720
Speaker 1: wearing a new vacation ready disguise. He records into his

1107
00:59:20,760 --> 00:59:26,480
Speaker 1: tape player Honeymoon Day twelve. But as he's talking, no

1108
00:59:26,520 --> 00:59:31,640
Speaker 1: one warned me, Oh really, Oh yeah, no one warned me.

1109
00:59:31,760 --> 00:59:35,160
Speaker 2: I'll freak you out even more because you couldn't feel it.

1110
00:59:36,120 --> 00:59:38,560
Speaker 2: You literally couldn't feel this thing on you at pretty

1111
00:59:38,640 --> 00:59:41,840
Speaker 2: serious all you could. I had several on me, and

1112
00:59:41,880 --> 00:59:45,400
Speaker 2: you could not feel it, and you weren't creeped out

1113
00:59:45,400 --> 00:59:47,280
Speaker 2: at all, Like you just didn't. Spiders don't bother me,

1114
00:59:47,320 --> 00:59:49,439
Speaker 2: and I frankly kind of love spiders because they eat

1115
00:59:49,440 --> 00:59:52,320
Speaker 2: and kill a bunch of other bugs that's worse. So yeah,

1116
00:59:52,320 --> 00:59:53,440
Speaker 2: it doesn't didn't bother me at all.

1117
00:59:53,520 --> 00:59:54,160
Speaker 3: So what did they do?

1118
00:59:54,160 --> 00:59:54,360
Speaker 4: Do you?

1119
00:59:54,520 --> 00:59:55,120
Speaker 3: How do you do?

1120
00:59:55,160 --> 00:59:55,480
Speaker 2: You? Like?

1121
00:59:55,560 --> 00:59:58,560
Speaker 4: Put some like something that attracts a spider to stay

1122
00:59:58,680 --> 00:59:59,240
Speaker 4: the just put.

1123
00:59:59,120 --> 01:00:01,880
Speaker 2: It on my hand and thing just started walking and

1124
01:00:01,920 --> 01:00:03,600
Speaker 2: they did that a couple times. Yeah, no, it doesn't.

1125
01:00:03,800 --> 01:00:05,240
Speaker 2: The thing that freaked me out the most was like,

1126
01:00:05,240 --> 01:00:06,840
Speaker 2: as I remember walking away, going like I could be

1127
01:00:06,880 --> 01:00:08,680
Speaker 2: covered in spiders right now and I'd never know it

1128
01:00:08,840 --> 01:00:10,720
Speaker 2: because he just couldn't feel it.

1129
01:00:10,720 --> 01:00:13,000
Speaker 1: It was weird to me, not me, I feel, I

1130
01:00:13,120 --> 01:00:14,240
Speaker 1: feel for sure.

1131
01:00:15,480 --> 01:00:16,600
Speaker 3: You'd have the spidy sense.

1132
01:00:18,400 --> 01:00:22,640
Speaker 1: As he is talking, that tarantula crawls up his hand.

1133
01:00:23,160 --> 01:00:25,760
Speaker 1: I this must this must be the moment that I

1134
01:00:25,800 --> 01:00:28,880
Speaker 1: blocked this episode out of my entire memory because I like,

1135
01:00:29,280 --> 01:00:31,200
Speaker 1: there's no way what.

1136
01:00:31,200 --> 01:00:33,200
Speaker 2: Would you do? What would you do? I'm curious if

1137
01:00:33,240 --> 01:00:35,800
Speaker 2: you got the role of a lifetime whatever it is,

1138
01:00:36,200 --> 01:00:38,680
Speaker 2: whatever you wanted, and in one scene you had to

1139
01:00:38,720 --> 01:00:40,840
Speaker 2: have two or three tarantulas crawling on you.

1140
01:00:40,880 --> 01:00:41,440
Speaker 1: I would never do it.

1141
01:00:41,520 --> 01:00:43,480
Speaker 2: And it's a crux of the film. They're offering you

1142
01:00:43,560 --> 01:00:46,640
Speaker 2: ten million dollars. It's a star maker. You also get

1143
01:00:46,640 --> 01:00:48,520
Speaker 2: to direct whatever you want to do. You just have

1144
01:00:48,600 --> 01:00:51,320
Speaker 2: to have a spider crawling on you. You can't do it. Daniel,

1145
01:00:51,360 --> 01:00:53,040
Speaker 2: didn't you have a show. Didn't you have a show

1146
01:00:53,080 --> 01:00:54,920
Speaker 2: recently that said they might have a spider? Well?

1147
01:00:54,920 --> 01:00:57,040
Speaker 1: I had to direct an episode of Just Roll with

1148
01:00:57,120 --> 01:00:59,840
Speaker 1: It where the audience it was that kid improv show

1149
01:00:59,840 --> 01:01:02,640
Speaker 1: on Disney Channel, and the audience got to pick between

1150
01:01:02,720 --> 01:01:05,320
Speaker 1: three things that could happen at the end of certain scenes.

1151
01:01:05,880 --> 01:01:09,520
Speaker 1: And in one when I had the director meeting, they

1152
01:01:09,520 --> 01:01:13,960
Speaker 1: were like, do you have any fears? And I had

1153
01:01:13,960 --> 01:01:16,520
Speaker 1: to decide in that moment if I tell them about

1154
01:01:16,520 --> 01:01:18,960
Speaker 1: my tarantula fear, or if I thought they were asking

1155
01:01:19,000 --> 01:01:22,439
Speaker 1: me because they were going to specifically do something, or

1156
01:01:22,480 --> 01:01:23,880
Speaker 1: what if I say I have a fear and then

1157
01:01:23,880 --> 01:01:25,240
Speaker 1: they're like, well, there is going to be a spider

1158
01:01:25,240 --> 01:01:26,560
Speaker 1: in the episode and then I don't get the job.

1159
01:01:26,920 --> 01:01:28,600
Speaker 1: So I had all those thoughts running in my head

1160
01:01:28,600 --> 01:01:30,280
Speaker 1: and I just decided to say no. I didn't have

1161
01:01:30,320 --> 01:01:32,400
Speaker 1: any fears, and I thought, what are the odds They've

1162
01:01:32,400 --> 01:01:35,240
Speaker 1: already done a bunch of episodes. I'm only doing one episode.

1163
01:01:35,360 --> 01:01:37,600
Speaker 1: What are the odds there will be a tarantula in

1164
01:01:37,640 --> 01:01:40,600
Speaker 1: my episode? There was a tarantula in my episode, and

1165
01:01:40,680 --> 01:01:44,480
Speaker 1: I had to ask my associate director if she could direct.

1166
01:01:45,240 --> 01:01:47,360
Speaker 1: The audience picked it. It was one of the three choices.

1167
01:01:47,640 --> 01:01:50,240
Speaker 1: The audience picked the director the tarantula one and I

1168
01:01:50,280 --> 01:01:51,720
Speaker 1: had to turn away from the camera and I said,

1169
01:01:51,760 --> 01:01:54,400
Speaker 1: can you just direct? Just pick the shot.

1170
01:01:54,640 --> 01:01:56,680
Speaker 2: So no amount of money in the world to have

1171
01:01:56,720 --> 01:02:00,320
Speaker 2: tarantulas on you, fifty million dollars and you just got

1172
01:02:00,360 --> 01:02:01,640
Speaker 2: two translas on you.

1173
01:02:01,720 --> 01:02:04,320
Speaker 1: Absolutely not. No, I would not. I you know what,

1174
01:02:04,400 --> 01:02:06,800
Speaker 1: I might spend five minutes thinking about it, and I

1175
01:02:06,840 --> 01:02:10,080
Speaker 1: would still decide. Now, for fifty million dollars, I might,

1176
01:02:10,600 --> 01:02:12,400
Speaker 1: I might think about it, but I think I would

1177
01:02:12,400 --> 01:02:16,360
Speaker 1: still have to decide now, Okay, I oh no, I

1178
01:02:17,200 --> 01:02:19,160
Speaker 1: I was literally just thinking about it right now. I'd

1179
01:02:19,160 --> 01:02:21,040
Speaker 1: be like, okay, what would I do? Would I close

1180
01:02:21,120 --> 01:02:21,600
Speaker 1: my eyes.

1181
01:02:21,760 --> 01:02:25,520
Speaker 2: No, absolutely not.

1182
01:02:27,080 --> 01:02:35,240
Speaker 1: No, I'd open only fans before I before I I

1183
01:02:35,920 --> 01:02:39,600
Speaker 1: mean I would here's I would literally do anything else.

1184
01:02:39,800 --> 01:02:42,000
Speaker 2: Oh my god, that's so funny.

1185
01:02:44,160 --> 01:02:47,040
Speaker 1: Oh man. So Eric wonders how he can help Corey

1186
01:02:47,040 --> 01:02:49,040
Speaker 1: and Tapanga and then glances at the spider. What do

1187
01:02:49,120 --> 01:02:53,240
Speaker 1: you think, mister bird? Eric winces in pain, bird bit

1188
01:02:53,400 --> 01:02:57,920
Speaker 1: me because words begin to slur left side paralyzed possible

1189
01:02:58,000 --> 01:03:03,800
Speaker 1: bad sign, then falls to the floor yet again, and

1190
01:03:03,840 --> 01:03:07,440
Speaker 1: then wrap the coconut hut. That night, Corey is asleep

1191
01:03:07,440 --> 01:03:09,479
Speaker 1: at his work table when Tapega walks in and tries

1192
01:03:09,520 --> 01:03:11,720
Speaker 1: to wake him up. As his eyes open, she explains,

1193
01:03:11,760 --> 01:03:14,240
Speaker 1: you've been here all night. Come to bed. She grins,

1194
01:03:14,400 --> 01:03:17,240
Speaker 1: you used to like that. Corey explains, sorry, I was

1195
01:03:17,280 --> 01:03:20,120
Speaker 1: just finishing the soccer player for the Nelsons. Pega takes

1196
01:03:20,120 --> 01:03:20,840
Speaker 1: a closer look.

1197
01:03:21,120 --> 01:03:24,720
Speaker 3: Didn't the Nelsons leave? Yeah, they said goodbye for you

1198
01:03:24,760 --> 01:03:25,479
Speaker 3: have a greater life.

1199
01:03:25,640 --> 01:03:26,120
Speaker 2: Uh huh.

1200
01:03:26,200 --> 01:03:29,320
Speaker 1: Yeah, He's gonna mail it to him. This is Sean.

1201
01:03:30,560 --> 01:03:32,840
Speaker 1: Sure enough, it does kind of look like Sean.

1202
01:03:33,320 --> 01:03:35,560
Speaker 3: I wonder how they made these coconuts. What are they like?

1203
01:03:37,120 --> 01:03:38,720
Speaker 2: Well, they went to the actual coconut guy.

1204
01:03:39,200 --> 01:03:43,120
Speaker 1: They went to Katanka, it's exactly. Cory denies it, but

1205
01:03:43,160 --> 01:03:45,280
Speaker 1: then he can't come up with an alternative. He admits

1206
01:03:45,440 --> 01:03:48,360
Speaker 1: it is Sean. Why would he carve Sean? In fact,

1207
01:03:48,480 --> 01:03:52,560
Speaker 1: he doesn't even remember doing it. Topega notices another nearby coconut.

1208
01:03:52,640 --> 01:03:57,520
Speaker 1: Who's this supposed to be. Corey stammers, that's a captain crunch,

1209
01:03:57,760 --> 01:04:00,000
Speaker 1: but to Pega turns it around and no doubt about it,

1210
01:04:00,200 --> 01:04:04,120
Speaker 1: it's a bespectacled mister Feenie. Topeka asks why he'd stay

1211
01:04:04,160 --> 01:04:07,080
Speaker 1: up all night making these faces. Corey says he doesn't know.

1212
01:04:07,320 --> 01:04:10,480
Speaker 1: He doesn't really remember making the Feoenie one either, So

1213
01:04:12,520 --> 01:04:17,360
Speaker 1: there still isn't any conflicts no for Corey and Topanga.

1214
01:04:17,040 --> 01:04:20,280
Speaker 3: No, because he could just keep going by the way.

1215
01:04:20,320 --> 01:04:22,800
Speaker 1: He misses his family. But we reveal in just a

1216
01:04:22,840 --> 01:04:25,680
Speaker 1: little bit that it's Eric who did the carvings, and

1217
01:04:25,760 --> 01:04:29,160
Speaker 1: he's saying he doesn't remember doing it. So even the

1218
01:04:29,240 --> 01:04:31,120
Speaker 1: idea that Corey and Pega go home because they miss

1219
01:04:31,160 --> 01:04:34,840
Speaker 1: their family was only implanted in their mind to buy Eric.

1220
01:04:35,040 --> 01:04:38,000
Speaker 2: They also make it seem like it's really easy to

1221
01:04:38,080 --> 01:04:42,760
Speaker 2: carve these perfect figures, to where anybody can just perfectly

1222
01:04:42,840 --> 01:04:45,160
Speaker 2: carve a Feenie and a Sean like, oh, Eric will

1223
01:04:45,200 --> 01:04:47,680
Speaker 2: take care of it now, it's the weirdest thing.

1224
01:04:49,240 --> 01:04:52,720
Speaker 1: Topeka admits I miss them too. Soft music plays, and

1225
01:04:52,760 --> 01:04:55,320
Speaker 1: Corey notices it's hot here all of a sudden, isn't

1226
01:04:55,360 --> 01:04:59,360
Speaker 1: it to Pega agrees, yeah, it's hot. And then we're

1227
01:04:59,400 --> 01:05:02,520
Speaker 1: at the Math House in Philadelphia. Alan and Amy, Sean

1228
01:05:02,560 --> 01:05:04,760
Speaker 1: and Angela, Morgan and mister Feenie are gathered in the

1229
01:05:04,760 --> 01:05:06,760
Speaker 1: living room when Corey and Tapanga walk through the door

1230
01:05:06,800 --> 01:05:12,120
Speaker 1: with huge smiles on their faces. Alan is wearing extremely

1231
01:05:12,280 --> 01:05:16,000
Speaker 1: out of character baggy Tobby Hill figure jeans.

1232
01:05:16,760 --> 01:05:20,160
Speaker 2: I didn't even notice that, yes, Rusty.

1233
01:05:20,720 --> 01:05:23,360
Speaker 1: Everyone stands up to greet the newlyweds, and Alan asks

1234
01:05:23,360 --> 01:05:26,120
Speaker 1: how the trip was. Tapanka says it was incredible, and

1235
01:05:26,160 --> 01:05:29,000
Speaker 1: Corey admits they almost didn't come home. Morgan asks her

1236
01:05:29,000 --> 01:05:32,280
Speaker 1: brother what he brought her, and he unapologetically answers nothing.

1237
01:05:32,840 --> 01:05:36,200
Speaker 1: Then feene warmly welcomes home mister and missus Matthews, I

1238
01:05:36,240 --> 01:05:38,720
Speaker 1: expect to see you in class tomorrow. Making up twelve

1239
01:05:38,800 --> 01:05:41,200
Speaker 1: days of lectures will be no easy task, especially the

1240
01:05:41,240 --> 01:05:44,800
Speaker 1: way I teach many nuances, you know. Amy pulls in

1241
01:05:44,880 --> 01:05:47,160
Speaker 1: Corey and to Panga for a group hug. You'll never

1242
01:05:47,240 --> 01:05:50,400
Speaker 1: know how much we missed you. Then Morgan interrupts once again,

1243
01:05:50,480 --> 01:05:53,280
Speaker 1: come on, what did you bring me? And Corey reriterates nothing.

1244
01:05:54,120 --> 01:05:56,280
Speaker 1: Now at Sean and Angela's turn to welcome back their

1245
01:05:56,280 --> 01:05:58,520
Speaker 1: best friends, and it's so funny to me, it looks

1246
01:05:58,560 --> 01:06:01,400
Speaker 1: like Trina was standing back to back with you. She's

1247
01:06:01,440 --> 01:06:03,320
Speaker 1: got her back to you and her arms are crossed.

1248
01:06:03,320 --> 01:06:05,800
Speaker 4: It was like walking into the scene is so weird

1249
01:06:05,880 --> 01:06:09,640
Speaker 4: horrible because like Morgan is like turns to join Corey

1250
01:06:09,600 --> 01:06:12,919
Speaker 4: and to Panga, yeah, and then talked upstage.

1251
01:06:13,000 --> 01:06:13,600
Speaker 3: To you guys.

1252
01:06:13,680 --> 01:06:16,520
Speaker 2: It's it's so weird, and you're right, very weird, barely

1253
01:06:16,560 --> 01:06:20,320
Speaker 2: saying your lines. It's like it's like you are just

1254
01:06:20,440 --> 01:06:22,760
Speaker 2: you're making the sounds. But that's it.

1255
01:06:22,920 --> 01:06:23,240
Speaker 3: God.

1256
01:06:23,440 --> 01:06:24,000
Speaker 2: Yeah.

1257
01:06:24,160 --> 01:06:26,560
Speaker 1: Sean asks, how was the honeymoon? Did you ever leave

1258
01:06:26,560 --> 01:06:29,440
Speaker 1: the room? Topega answers, we left, and then Corey ads,

1259
01:06:29,480 --> 01:06:31,760
Speaker 1: but then we came back. Sean wonders what did it

1260
01:06:31,800 --> 01:06:34,840
Speaker 1: look like? And Corey says, I have no idea. Topenga

1261
01:06:34,880 --> 01:06:38,240
Speaker 1: reveals it was beautiful. Angela begs to hear more into

1262
01:06:38,240 --> 01:06:40,800
Speaker 1: Panga obliges, Right about now, we'd be sitting with our

1263
01:06:40,840 --> 01:06:43,800
Speaker 1: feet in the sand and watching the sunset. Corey ads

1264
01:06:43,880 --> 01:06:46,920
Speaker 1: having dinner between these two gorgeous little palm trees, staring

1265
01:06:46,920 --> 01:06:49,640
Speaker 1: out at the ocean. Sean thinks it sounds like paradise.

1266
01:06:50,040 --> 01:06:52,400
Speaker 1: Cory and Tapega glance around the room and their family,

1267
01:06:52,440 --> 01:07:00,360
Speaker 1: and Corey admits almost. And then there's a tag or

1268
01:07:00,440 --> 01:07:05,640
Speaker 1: back in Katanka can pretend right now, he's sweating profusely

1269
01:07:05,680 --> 01:07:08,600
Speaker 1: recording another diary entry. Didn't even have to finish the

1270
01:07:08,600 --> 01:07:11,320
Speaker 1: coconuts of Mom, Dad, Me, and Morgan for Corey and

1271
01:07:11,320 --> 01:07:16,080
Speaker 1: to Panga to realize where paradise really is good for them.

1272
01:07:16,400 --> 01:07:19,120
Speaker 1: For me, paradise is a place I've found the best

1273
01:07:19,160 --> 01:07:22,720
Speaker 1: part of being the best man. Steam rises around him,

1274
01:07:22,760 --> 01:07:24,760
Speaker 1: and the camera pulls out to reveal he's sitting in

1275
01:07:24,800 --> 01:07:29,000
Speaker 1: a giant pot. The Oogies excitedly gather around him, starving

1276
01:07:29,320 --> 01:07:32,920
Speaker 1: healing a carrot into the erics too. Eric looks around.

1277
01:07:33,320 --> 01:07:36,360
Speaker 1: Ten more minutes. Man, he snatches a carrot to snack on.

1278
01:07:36,520 --> 01:07:42,080
Speaker 1: And that is our episode.

1279
01:07:42,360 --> 01:07:45,760
Speaker 3: Yeah, I mean, by far the worst episode.

1280
01:07:45,880 --> 01:07:50,520
Speaker 2: Yeah, it happens. There's there's there's every Every show in

1281
01:07:50,560 --> 01:07:53,200
Speaker 2: the history of television has a honeymoon episode, has has

1282
01:07:53,240 --> 01:07:56,320
Speaker 2: one of those episodes. That's just the worst episode and

1283
01:07:56,360 --> 01:07:58,480
Speaker 2: it's just bad. And we all probably knew it. We

1284
01:07:58,560 --> 01:08:00,000
Speaker 2: knew it was bad as we were shooting it. I mean,

1285
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Speaker 2: it was just yeah, it was bad.

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Speaker 1: Yeah, this is bad. It's just it's a bad episode.

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Speaker 2: Yeah it happens. Oh, well, then the next one will

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Speaker 2: be better. Hey, when you're on your back, the only

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Speaker 2: way to look is up.

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Speaker 1: What a perfect thing to say for the honeymoon episode. Yes,

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Speaker 1: join us for our next episode, which is season seven,

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Speaker 1: episode nine. The honeymoon is over. Oh, thank god, thank god.

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01:08:24,080 --> 01:08:28,920
Speaker 1: Originally aired November nineteenth, nineteen ninety nine. As always, you

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01:08:28,920 --> 01:08:31,000
Speaker 1: can follow us on Instagram pod Meets World Show. You

1295
01:08:31,000 --> 01:08:33,080
Speaker 1: can send us your email pod meets World Show at

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Speaker 1: gmail dot com and we've got merch.

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01:08:36,880 --> 01:08:39,720
Speaker 2: Honeymoon or you gotta do the yeah ya.

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01:08:39,760 --> 01:08:45,320
Speaker 1: Yai ya ya ya ya yai merch pod meets Worldshow

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Speaker 1: dot com will send us out.

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01:08:47,840 --> 01:08:52,000
Speaker 2: We love you all, pod dismissed. Podmeets World is nheart

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01:08:52,040 --> 01:08:55,800
Speaker 2: podcast producer and hosted by Danielle Fischel, Wilfredell and Ryderstrong.

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01:08:56,160 --> 01:08:59,639
Speaker 2: Executive producers Jensen Karp and Amy Sugarman, Executive in charge

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01:08:59,640 --> 01:09:04,160
Speaker 2: of product Danielle Romo, producer and editor, Tara Sudbasch, producer,

1304
01:09:04,240 --> 01:09:07,439
Speaker 2: Maddy Moore, engineer and Boy Meets World superfan Easton Allen.

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01:09:07,680 --> 01:09:09,840
Speaker 2: Our theme song is by Kyle Morton of Typhoon and

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01:09:09,880 --> 01:09:12,320
Speaker 2: you can follow us on Instagram at Podmets World Show

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Speaker 2: or email us at Podmets Worldshow at gmail dot com