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Speaker 1: Well it's way up with Angela. Everybody just was like, whoop,

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Speaker 1: let's stop talking. I'm here, man, I'm here. But we

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Speaker 1: got from the winner's circle. Some winners go Griz, we

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Speaker 1: got Food Beats, we got London Jay. You know, welcome guys.

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Speaker 1: We were just talking about just all the things happening

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Speaker 1: right now.

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Speaker 2: It's a hot time.

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Speaker 1: Yeah, outside you stay inside.

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Speaker 3: You in New York.

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Speaker 2: Nobody said it, though. That's that's the lesson though.

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Speaker 4: Yeah, nobody saw that. Anybody you like Bill Cosby up

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Speaker 4: when he was on nd and twenty.

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Speaker 1: Years old, Well listen, no. But but before we started,

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Speaker 1: we were talking about because you guys are all producer, songwriter,

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Speaker 1: you know, as well part of the winner's circle, like

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Speaker 1: we said, But we were talking about Diddy because you know,

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Speaker 1: he's one of the most well known producers ever. And

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Speaker 1: now there's so many things happening just today with crazy

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Speaker 1: yeah today. Then we were talking about Atlanta, because you

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Speaker 1: guys all live in Atlanta, and Atlanta be having some

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Speaker 1: wild things happening.

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Speaker 3: Long like your own country. We like our own country.

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Speaker 5: I won't even associate with Georgia. Georgia, You're from Atlanta.

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Speaker 2: Different separate things.

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Speaker 1: Yeah, and people be so mad if you say you're

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Speaker 1: from Atlanta but you're not from the Action.

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Speaker 5: Inside to eighty five school you went to. But that's

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Speaker 5: kind of like in New York like that, and you'll

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Speaker 5: like separate.

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Speaker 2: We got five different boroughs.

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Speaker 1: I'm from Brooklyn from Yeah, we're from Brooklyn. Where do

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Speaker 1: you live now? Okay, I live in Brooklyn, but go ahead.

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Speaker 2: I'm walking Brooklyn thought, yeah, see me.

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Speaker 1: He hasn't lived there in so long. He got to

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Speaker 1: take a picture in post Like in Brooklyn.

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Speaker 3: I do the same thing. No, what I'm from.

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Speaker 6: Okayla, Man, you didn't got to get out of them.

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Speaker 1: But you know I was saying before we even started, Actually,

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Speaker 1: no Cash John who started Whinning Circle because I used to.

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Speaker 1: I was working on something with Molly Brazy and he

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Speaker 1: used to Manatary And I know you guys worked at

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Speaker 1: Brazy as well.

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Speaker 5: You know it's been a while, shout out of Mally.

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Speaker 1: Yeah, and you're from Detroit, So you moved to Atlanta.

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Speaker 1: When did you move to Atlanta? When did you say?

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Speaker 5: Like twenty eighteen? Okay, yeah, m twenty eighteen.

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Speaker 4: That's when I met human Cash and then I just

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Speaker 4: stuck out there.

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Speaker 5: Ug my man came out there.

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Speaker 2: It started with working with first for me up the movement.

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Speaker 5: For me, it was Kevin Gates. Me and him got

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Speaker 5: signed around the same year to the same label, like

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Speaker 5: twenty thirteen. Wow, And that's really how I got my

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Speaker 5: foot in the door. Shout out Kevin.

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Speaker 1: Okay.

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Speaker 4: I think for me the first artist, I think we

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Speaker 4: really really locked in.

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Speaker 5: We probably was like Kwanda Kwando, Young Boy.

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Speaker 1: I had a nice interview with both crazy.

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Speaker 3: Probably like the first two. I really locked in.

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Speaker 1: He called me ma'am like a thousand times. Yeah, you're

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Speaker 1: from He's from Savannah, right, He's from Savannah, Georgia. Okay.

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Speaker 1: And then London, Jay, I met you as an artist first.

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Speaker 3: I signed B O B.

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Speaker 1: John.

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Speaker 3: Yeah.

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Speaker 7: I was saying no genre back then when I met you,

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Speaker 7: I think I did, you did? And then I kind

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Speaker 7: I kind of transition to writer. It just felt more

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Speaker 7: like me. You know what I'm saying. I ain't gotta

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Speaker 7: beyond them how they like.

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Speaker 5: Man, he's so anti.

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Speaker 4: I don't know how he was, but it's good that

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Speaker 4: that's that's that's a strong that's a strong characteristic.

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Speaker 7: Nor what's not for you? Ye continue to try to

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Speaker 7: do something that it's not really you. I I'm not

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Speaker 7: gonna do that.

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Speaker 3: I just told like not to beat. Yeah, like man,

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Speaker 3: like once I.

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Speaker 7: Started writing, it just felt better than like for me,

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Speaker 7: like I could do this and chill.

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Speaker 3: You know what I'm saying.

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Speaker 6: Pressure lights Ain't that hot?

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Speaker 1: How was it being signed to another artist too, because

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Speaker 1: some people will say that that is cool being signed and.

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Speaker 7: Ball because we two different We were two different type

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Speaker 7: of artists. You know, Ball like a giant pop artist

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Speaker 7: and I was just coming out of the Ball got

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Speaker 7: me straight out of the street.

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Speaker 6: So it was our cool Like I basically I was.

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Speaker 7: Showing him ship and he was showing me, you know

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Speaker 7: what I'm saying, So it kind of made sense in

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Speaker 7: that space. But yeah, shout out the Ball Bob still

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Speaker 7: to this day, probably one of the realist niggas I

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Speaker 7: ever met in my.

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Speaker 6: Life, like not even music, like in my life.

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Speaker 1: Like you know, some people will say that when you

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Speaker 1: do those big, huge songs that end up being pop,

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Speaker 1: it's hard to come back. I remember that's what people

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Speaker 1: were saying at that time.

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Speaker 3: Yeah, and how he felt too. He's always hit.

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Speaker 7: It actually start off like that though, like early Ball.

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Speaker 3: Was yeah, yeh yeah, he was he wasn't like that.

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Speaker 7: It wasn't like it just grew and grew and he

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Speaker 7: couldn't control the growth or it was just growing out

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Speaker 7: of control. But he I get to hear like his

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Speaker 7: DNA to himself, like he wanted to be true to

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Speaker 7: what he started it, but it was too late, like

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Speaker 7: you so big, I can't.

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Speaker 3: Go back that way.

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Speaker 1: And as producers, when you guys work with certain artists

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Speaker 1: and they want to have like a big you know,

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Speaker 1: everybody does want to have a big global hit. They

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Speaker 1: want to be able to cross over. But then again,

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Speaker 1: you know, like we just discussed, sometimes that's a gift

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Speaker 1: and a curse.

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Speaker 5: You know.

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Speaker 1: So when people come to you and they have an

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Speaker 1: idea of what they want, right Like let's say they're like, oh,

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Speaker 1: I want a big mainstream hit, is that a bad

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Speaker 1: way to approach?

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Speaker 5: Yeah? I mean I think that just depends on you know,

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Speaker 5: the artists, and like, this is the thing it's hard

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Speaker 5: to call nowadays, what is a big global hit? You know,

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Speaker 5: especially with TikTok and all these other avenues going on.

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Speaker 5: You might have a song that we never intended on

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Speaker 5: being a.

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Speaker 2: Hit and it's hooked, no, nothing exactly.

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Speaker 5: You know because it got it got blew up in

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Speaker 5: the proper.

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Speaker 3: Less.

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Speaker 4: I think when you're going to the studio with the

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Speaker 4: intentions on making the hit, you ain't.

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Speaker 3: Really gonna go.

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Speaker 4: Yeah, free work with the producer and just allow what

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Speaker 4: the magic to happen and whatever comes out comes out,

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Speaker 4: it's gonna find you.

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Speaker 1: Sometimes people feel like there's a formula, like they'll be like, Okay,

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Speaker 1: it's seven bp ms, are going to be more likely

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Speaker 1: to get played if.

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Speaker 5: It's it's like fifty fifty.

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Speaker 7: It's like it is, but it ain't at the same

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Speaker 7: I tell artist when I be working with artists, I

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Speaker 7: tell them most of the time, I'm like, whatever you like,

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Speaker 7: make music for that day, Like, don't even get outside

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Speaker 7: that day, because if you can trap whatever your energy

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Speaker 7: is in the record, like, you a win. Because now

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Speaker 7: time to ten, it's a million people feel like you

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Speaker 7: feel todays like it. But when you're going in the

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Speaker 7: studio and you THEMN friend that died and you're trying

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Speaker 7: to go ahead and make a club like you don't

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Speaker 7: definitely go with your You're gonna make the best song

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Speaker 7: for death space, you know what I'm saying, Like, even

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Speaker 7: if it ain't the hit the radio hit.

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Speaker 6: You will make the best song for this.

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Speaker 2: People will love you.

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Speaker 1: Yeah, they'll fail your emotional connection to the actual songs

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Speaker 1: fact that you're doing.

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Speaker 5: You gotta be unapologetically yourself. I think that's what we're getting.

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Speaker 6: You don't got to care and remove start, take from

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Speaker 6: the work.

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Speaker 5: It's not gonna work. That's why Sexy read when Napologie.

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Speaker 4: Figas yesterday and the girl, I'm sorry, I and the

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Speaker 4: girl said why why you like sexy Read? And I'm

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Speaker 4: just trying to describe to her like so many places

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Speaker 4: and I know so many girls that that's like her

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Speaker 4: like is unapologetically why she don't care. She tell you

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Speaker 4: her ass is super fast, it's really hot, but she's

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Speaker 4: so confident.

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Speaker 5: Like love know you.

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Speaker 4: Love the same thing, the same thing about Cardi being

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Speaker 4: herself Like we respect that that compon.

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Speaker 5: Fans love that because it's like as a fan, a

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Speaker 5: lot of the things these artists are saying, you may

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Speaker 5: not they might not come out of their mouth and

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Speaker 5: say that, right, but when that Sexy Red playing, when an.

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Speaker 7: Ivery fan look at sexy they look at see like

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Speaker 7: the women in rep Right.

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Speaker 6: When when when when the fans looking at them?

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Speaker 7: Because most like I mostly work with women, So when

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Speaker 7: when when when the artist is if I can look

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Speaker 7: at you and say, like, and I'm a fan, right,

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Speaker 7: if I can look at you and see myself, right,

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Speaker 7: I'm a fan without even hearing your music, you know what?

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Speaker 7: And lifestyle sell more of the music.

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Speaker 1: You know what works for me with with the women

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Speaker 1: artists like a sexy red or the city girls and

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Speaker 1: and things like that. I like the fact that I

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Speaker 1: may not be like that, but I like City Nobody,

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Speaker 1: credit card nobody. But I like the music because it's

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Speaker 1: fun to me.

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Speaker 5: That what so.

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Speaker 1: Yeah, so it's kind of like that's not who I

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Speaker 1: am necessary, but it's.

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Speaker 5: Fine resonated something the fact, you know what I'm saying,

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Speaker 5: that's why it is channeling.

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Speaker 7: And they see themselves come out, they see themself like

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Speaker 7: they looking at them saying I can be here because

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Speaker 7: it ain't so many. It ain't the burden bags and

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Speaker 7: and and they're looking.

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Speaker 6: At it's not gonna look at home, look at the

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Speaker 6: straight raw.

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Speaker 7: Man is coming outside like like she ain't it ain't

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Speaker 7: so polished up that I can't see.

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Speaker 4: Myself like polishing raw walk.

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Speaker 6: Like that and glow like that. Yeah, like one hundred percent.

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Speaker 1: They and you guys work with a lot of women,

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Speaker 1: you know, a lot of like we said, Gloilla, sexy red,

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Speaker 1: and so you prefer working with women.

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Speaker 6: Yeah, it's a better feeling.

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Speaker 5: I feel like women listen more than the dude. Dudes

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Speaker 5: got like egos.

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Speaker 6: So we're gonna, we're gonna, we're gonna reject it first.

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Speaker 3: Yeah, they coming in.

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Speaker 5: Yeah, when you people.

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Speaker 2: To listen, we definitely have egos. Got especially felt like

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Speaker 2: you had success in that area.

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Speaker 4: Yeah, but I always find like working with when you

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Speaker 4: find producers that can work with because the producer really

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Speaker 4: worked with the artists, not being a.

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Speaker 3: Beat maker exactly.

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Speaker 4: When you see that and we're making a song together,

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Speaker 4: like we we sitting here, you gotta hook ideas or

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Speaker 4: the melody because you've a lot of that is is melody.

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Speaker 2: You know, we collaborating together.

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Speaker 5: You said some key ship. Though It's like nowadays, I

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Speaker 5: think a lot of the producers just beating man realized that.

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Speaker 7: It ain't got that same thing making beat and they're

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Speaker 7: sending them and it's cheap, give it a book. It's

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Speaker 7: cheaper to just go with the beat making in the

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Speaker 7: car up that number look created but.

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Speaker 6: Crazy you see yourself. That's the question.

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Speaker 1: You know, you guys are also doing. Are you doing

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Speaker 1: a project that people will be able to use the beats?

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Speaker 1: Tell me about that.

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Speaker 5: Okay, So the idea is in the producer community, right,

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Speaker 5: we got what's called loops. You know, people are making

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Speaker 5: like musical compositions and sending them out to the bigger

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Speaker 5: producers and then they go and get them placed with

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Speaker 5: the artists and stuff. So you might have a guy

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Speaker 5: in Hungaria in his one studio, one bedroom studio flat

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Speaker 5: with three instruments, and he's sending some ship the south

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Speaker 5: side the Metro and now you got a big placement.

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Speaker 5: But the thing about that is if they Metro uses

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Speaker 5: that loop and he gets future on it, nobody else

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Speaker 5: can get it. They own it after they do the paperwork.

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Speaker 5: The key with this album is we want to create

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Speaker 5: musical compositions that sound nostalgic, feel sample worthy. You know

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Speaker 5: what I'm saying. But it's an album sample as much

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Speaker 5: as we're gonna clear.

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Speaker 3: It nobody, don't you know what I'm saying. You know

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Speaker 3: what I'm saying, Like, it ain't.

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Speaker 6: Doing license, it ain't.

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Speaker 5: It's for the people. It's the same you sampled the

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Speaker 5: song that you listening to. You you know what I'm saying,

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Speaker 5: the same thing.

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Speaker 2: So you send it up like like ten loops on them.

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Speaker 5: Yeah, but it's really we're gonna make them like and

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Speaker 5: like yeah everything. So whatever that music by itself to

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Speaker 5: live in, it can live there and snatch yeah, naked

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Speaker 5: to different And.

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Speaker 7: Then you get to say you work with right without

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Speaker 7: the qolitics you know what I'm saying, and.

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Speaker 5: We ain't gonna hold up. We're gonna clear everything.

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Speaker 1: I might have to come out with some.

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Speaker 5: Get some background vocals going.

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Speaker 1: You being from Detroit, Detroy has a real way right

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Speaker 1: now too. So how often do you go back to

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Speaker 1: Detroit and say, okay, because I know you work with

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Speaker 1: like Babyface Ray Yeah, who else.

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Speaker 4: Shit Babyface Ray VZ really a lot of people from Detroit.

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Speaker 4: I go back a lot now because I do like

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Speaker 4: other businesses and stuff there too. But at first, I'm

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Speaker 4: not gonna lie. I was like, man, I'm not I

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Speaker 4: ain't going back. It wasn't in the world that I

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Speaker 4: was living in. It wasn't nothing there for me. And

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Speaker 4: I feel like the people there that was kind of

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Speaker 4: like the gatekeepers at the time, like they weren't really.

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Speaker 3: Trying to put nobody in position.

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Speaker 4: So it's like I had to go somewhere else and

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Speaker 4: get you know what I'm saying, get somebody that understood,

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Speaker 4: and that was Cash.

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Speaker 5: And it was crazy because at the time.

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Speaker 4: He really saw a lot in Detroit and he used

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Speaker 4: to tell me, like, we need to go into Detroit

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Speaker 4: sign some artists and dah da dah.

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Speaker 5: So it was just.

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Speaker 4: Crazy to me, like, damn, somebody does not from Detroit.

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Speaker 4: One of us can see this more than people from Detroit,

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Speaker 4: you know. And then I felt like on the business side,

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Speaker 4: when I first started.

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Speaker 5: People wasn't that educated on the music business.

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Speaker 4: So my goal is always to learn the business and

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Speaker 4: come back and teach everybody and stuff like that.

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Speaker 1: Yeah, Atlanta is definitely like when it comes to music, Yeah,

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Speaker 1: if you're doing an album, you're gonna have to spend

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Speaker 1: some time there. Like when it comes to working with producers.

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Speaker 7: Atlanta free, like it ain't it ain't no ceiling. You

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Speaker 7: can come to Atlanta and be whatever you like.

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Speaker 6: Nobody ain't gonna nobody don't even care.

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Speaker 7: And that because I was just telling somebody that like

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Speaker 7: a couple of days ago, like Atlanta ain't because they

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Speaker 7: was like somebody from out of town.

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Speaker 3: And I'm like, you can be who you want to be.

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Speaker 6: Everybody in Atlanta already celebrities. Like we all celebrities already,

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Speaker 6: So you've been whoever you is. Just say whatever you like.

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Speaker 7: Whatever your name is on Instagram, that's just what people

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Speaker 7: call you like. They don't call you whatever your real name.

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Speaker 7: You just say your Instagram name. And now you're a superstar.

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Speaker 7: And whatever your little space or whatever your gap, you

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Speaker 7: win right there, like you ain't even got to go

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Speaker 7: outside and you can grow and get rich.

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Speaker 5: And another thing about Atlanta is like the I said, right,

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Speaker 5: and a lot of these other cities, what I notice

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Speaker 5: is they feel like if it ain't me and my people,

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Speaker 5: fuck them. You know what I'm saying. Atlanta, our mindset

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Speaker 5: is like we don't want to be late, so we

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Speaker 5: want to be hip to everything, whether it's brand spanking new,

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Speaker 5: oh anything, So we we we're gonna hop on top

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Speaker 5: of it. You can blow in Atlanta.

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Speaker 4: Anybody and y'all have a co existent mentality.

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Speaker 3: True facts.

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Speaker 2: Everybody's not. Everybody's not just trying to be the one.

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Speaker 5: Yeah, we work with people catching on. Now I see

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Speaker 5: Detroit catching on. Everybody's starting to come again, formulating the

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Speaker 5: Avengers because it is it is.

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Speaker 1: It's great to be in the studio and hap people

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Speaker 1: that you could creatively bounce off of. I think that's

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Speaker 1: when the best things happen when it's collaboration exactly. You know,

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Speaker 1: you can't be in the studio alone.

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Speaker 4: Like that's the thing that I would speaking like with

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Speaker 4: the songwriters, Like some people hear sung right, they just

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Speaker 4: think somebody broke the whole something.

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Speaker 5: It's like, we just all collaborate, Like shit, he might

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Speaker 5: what I say.

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Speaker 7: I tell you when people be like close minded about writing,

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Speaker 7: I just have this all depends on how much money

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Speaker 7: you want. It's all song righting and pend on. Like

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Speaker 7: so if you want to if we can make if

340
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Speaker 7: you can make a record, right and it's it's you

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Speaker 7: can make a top top fifty record right now, if

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Speaker 7: you add ells and add another brain, you can make

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Speaker 7: a top five or top two. Like it's just all

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Speaker 7: it's all how much money you want. Because the niggas

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Speaker 7: who actually actually challenging themselves and accepting help here the

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Speaker 7: niggas you see.

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Speaker 5: Yeah, that's what it's about.

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Speaker 3: Challenging yourself.

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Speaker 7: You gotta challenge yourself to want to do that, like,

350
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Speaker 7: because it's hard, hard to say.

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Speaker 3: Like nigga just nigga niggas and you.

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Speaker 6: Gotta be a comfort.

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Speaker 5: We're good songwriters because it's weak song.

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Speaker 1: Know, even when you get so Let's say you get

355
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Speaker 1: somebody a reference track, right and it has the hook

356
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Speaker 1: on it already with the beat. But let's say they

357
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Speaker 1: like to beat, but maybe they're like, I want to

358
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Speaker 1: change it. Sometimes people change. That's cool, okay, make you

359
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Speaker 1: Sometimes people do that because they also want to make

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Speaker 1: sure they get credit.

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Speaker 7: To you ain't even got see, we don't even tell

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Speaker 7: how we were. You're gonna get credit anyway. We're going

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Speaker 7: nine times ten. Like the majority of all our records

364
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Speaker 7: is if it's if it's us in the room on

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Speaker 7: one record, we all got the same We just we

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Speaker 7: all did the song. So we all just gonna walk

367
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Speaker 7: away with the same thing. We can't argue with it,

368
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Speaker 7: you know what I'm saying. We just take away to

369
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Speaker 7: take the ego off the table. Everybody walk away with

370
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Speaker 7: the same. Some people beginning to like I did this.

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Speaker 1: I wrote this line. I wrote this line.

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Speaker 5: We ain't doing all that. Even if you come in

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Speaker 5: and say one word.

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Speaker 4: Man, we just go bust it when you when you

375
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Speaker 4: make the song and you make and it's a collective thing.

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Speaker 4: I think some of the best music has made like that.

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Speaker 6: That's the fact line sharp and iron man.

378
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Speaker 5: When it's especially when everyone in the room is skilled.

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Speaker 4: Right, this guy is over here, he got an idea.

380
00:17:58,920 --> 00:18:01,080
Speaker 4: This guy got an idea. In fact, you know, this

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Speaker 4: is how I like to make music.

382
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Speaker 3: You're doing this.

383
00:18:03,200 --> 00:18:04,919
Speaker 2: You're doing this. It's like a fucking factor.

384
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Speaker 3: Man, that's a fact.

385
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Speaker 7: And then it cut out like you once you cut

386
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Speaker 7: off your ears, like like when most artists I hate

387
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Speaker 7: when they do that, Like they'll cut there, they're they'll

388
00:18:13,200 --> 00:18:15,720
Speaker 7: be like that here, but once they like, the richer

389
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Speaker 7: they get, the higher they get, like they ship down

390
00:18:18,560 --> 00:18:20,160
Speaker 7: and then like you don't want to hear nothing from

391
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Speaker 7: nobody but you. You're the only one that ain't realizing

392
00:18:22,680 --> 00:18:25,919
Speaker 7: you you stuck. And that be the problem with a

393
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Speaker 7: lot of artists, like you know who gotta do some

394
00:18:27,960 --> 00:18:30,600
Speaker 7: cool ship though, Like men were in the studio glow

395
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Speaker 7: one night. She like she's like, I do what we're

396
00:18:33,280 --> 00:18:36,119
Speaker 7: gonna do. Everybody everybody like i'ma put my phone on

397
00:18:36,200 --> 00:18:43,000
Speaker 7: eight minutes She's like, everybody gotta right right whatever, whatever, everybody,

398
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Speaker 7: everybody anybody.

399
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Speaker 6: She like, you got eight minutes. We played to be

400
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Speaker 6: eight minutes.

401
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Speaker 3: We came up.

402
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Speaker 7: We put all of it together and made a song

403
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Speaker 7: just to see what it is how to feel, but

404
00:18:56,600 --> 00:18:57,879
Speaker 7: came crazy.

405
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Speaker 1: That's that's like it's like boxing. You're getting the ring.

406
00:19:01,960 --> 00:19:04,600
Speaker 7: Yeah, like she taught me so, but you got to

407
00:19:04,600 --> 00:19:08,240
Speaker 7: be open and learning that creative that this is creative energy.

408
00:19:08,480 --> 00:19:10,680
Speaker 1: Ye now, let me ask you on this, Like we've

409
00:19:10,680 --> 00:19:13,000
Speaker 1: been watching everything because the producer stuff happening right now

410
00:19:13,040 --> 00:19:15,919
Speaker 1: is crazy. We've been watching everything. We're metro Booming and

411
00:19:16,480 --> 00:19:19,320
Speaker 1: Future and Drake and now they're like, oh, this person

412
00:19:19,359 --> 00:19:23,200
Speaker 1: unfollowed this person. When it comes to working with different artists,

413
00:19:23,200 --> 00:19:25,240
Speaker 1: like let's say you have somebody like lott of who

414
00:19:25,280 --> 00:19:27,560
Speaker 1: you work with all the time, but then somebody else

415
00:19:27,600 --> 00:19:29,359
Speaker 1: wants to work with you, but maybe they don't get along,

416
00:19:29,760 --> 00:19:32,119
Speaker 1: Like what happens in the producer world, Like do you

417
00:19:32,119 --> 00:19:35,080
Speaker 1: have to tell somebody like like I'm working with Drake,

418
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Speaker 1: but I know he not really messing with Kendrick right now,

419
00:19:37,920 --> 00:19:39,000
Speaker 1: but like how does that work?

420
00:19:39,080 --> 00:19:41,399
Speaker 4: I think it depends on how serious the beef is.

421
00:19:41,480 --> 00:19:43,680
Speaker 4: If it's like some little petty stuff, then I guess

422
00:19:43,720 --> 00:19:45,600
Speaker 4: you could just have a convent. Or it depends on

423
00:19:45,600 --> 00:19:48,159
Speaker 4: how your relationship is with the artists, because some of

424
00:19:48,240 --> 00:19:50,040
Speaker 4: these artists like they really ain't got no.

425
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Speaker 5: Loyalty to us.

426
00:19:50,800 --> 00:19:53,000
Speaker 4: So it's like why it had been some artists, I

427
00:19:53,000 --> 00:19:54,560
Speaker 4: feel like, man, I ain't doing that because it is.

428
00:19:54,760 --> 00:19:57,760
Speaker 4: And it's like when the business gets started, they trying

429
00:19:57,760 --> 00:19:59,720
Speaker 4: to hold nuts and be like, oh no, we ain't

430
00:19:59,760 --> 00:20:02,080
Speaker 4: doing that, and it's like, so we're our little tier.

431
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Speaker 5: I just stopped working with this person because of you.

432
00:20:05,000 --> 00:20:07,399
Speaker 7: But I can't even get my you know, my points

433
00:20:07,520 --> 00:20:10,119
Speaker 7: or my uh my my payment or whatever.

434
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Speaker 4: It's just like it depends. But we locked in with somebody,

435
00:20:13,240 --> 00:20:15,280
Speaker 4: then I'm definitely gonna be loyal to the person that

436
00:20:15,320 --> 00:20:15,920
Speaker 4: I'm locked in.

437
00:20:15,920 --> 00:20:18,840
Speaker 5: A lot of you artists be sensitive to man, That's

438
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Speaker 5: what I'm saying, nothing to do with us, were getting

439
00:20:21,119 --> 00:20:21,520
Speaker 5: our money.

440
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Speaker 1: Like I didn't even know you didn't like you're working

441
00:20:25,400 --> 00:20:34,040
Speaker 1: with such and such. But you know I can understands that.

442
00:20:34,240 --> 00:20:36,040
Speaker 2: Okay, that's how you really work.

443
00:20:35,960 --> 00:20:39,920
Speaker 5: With the rock at you said something. Sometimes you just

444
00:20:39,920 --> 00:20:47,760
Speaker 5: get really working with this rat.

445
00:20:47,160 --> 00:20:47,639
Speaker 2: Just guys a.

446
00:20:50,520 --> 00:20:51,040
Speaker 6: Lot of ship.

447
00:20:51,119 --> 00:20:53,080
Speaker 3: Don't be don't be having them to do with.

448
00:20:53,119 --> 00:20:58,240
Speaker 7: Us and will get especially music getting them difficult, like

449
00:20:58,320 --> 00:20:58,880
Speaker 7: you got.

450
00:20:58,680 --> 00:20:59,480
Speaker 6: To pick a side.

451
00:21:01,800 --> 00:21:05,480
Speaker 1: That's what it look at how Gunna has managed to

452
00:21:05,560 --> 00:21:08,480
Speaker 1: return and people were looking at him like nobody's gonna

453
00:21:08,480 --> 00:21:09,960
Speaker 1: work with him, and you.

454
00:21:09,920 --> 00:21:12,080
Speaker 7: Gotta look at it when it comes to that, like

455
00:21:13,720 --> 00:21:20,120
Speaker 7: eighty percent of the music thing now is they don't

456
00:21:20,160 --> 00:21:22,600
Speaker 7: care about what we care a us, right, that's like

457
00:21:22,640 --> 00:21:25,560
Speaker 7: we are, we are about real.

458
00:21:26,000 --> 00:21:27,080
Speaker 6: They don't know what really live.

459
00:21:27,160 --> 00:21:27,960
Speaker 3: They didn't live.

460
00:21:28,200 --> 00:21:30,520
Speaker 7: First of all, they ain't live that type of life

461
00:21:30,560 --> 00:21:33,200
Speaker 7: to understand it, and then they ain't sign up for it,

462
00:21:33,600 --> 00:21:36,040
Speaker 7: so they don't give a damn.

463
00:21:36,040 --> 00:21:39,000
Speaker 6: They look at the make good music. It's no cold.

464
00:21:39,200 --> 00:21:42,399
Speaker 4: It's like with no code care what you did in

465
00:21:42,400 --> 00:21:44,399
Speaker 4: your past, Like, well care what was your job?

466
00:21:44,680 --> 00:21:45,439
Speaker 5: Who you told on?

467
00:21:45,560 --> 00:21:48,600
Speaker 2: We don't what kind of what your your sexual preference?

468
00:21:48,600 --> 00:21:49,280
Speaker 6: They don't care.

469
00:21:49,720 --> 00:21:52,639
Speaker 7: And then you got the other ten to fifteen percent

470
00:21:52,720 --> 00:21:59,600
Speaker 7: that that principal matter character matter like niggas standing you.

471
00:21:59,600 --> 00:22:00,639
Speaker 1: Said, we then.

472
00:22:01,960 --> 00:22:05,400
Speaker 4: Were standing on principal nobody else care.

473
00:22:05,520 --> 00:22:06,719
Speaker 3: Nobody don't damn.

474
00:22:06,800 --> 00:22:09,439
Speaker 1: But it's true because you know and I think what

475
00:22:09,480 --> 00:22:11,080
Speaker 1: he did was the right thing to do, like just

476
00:22:11,080 --> 00:22:12,040
Speaker 1: don't address none of that.

477
00:22:12,160 --> 00:22:14,480
Speaker 6: But he did the thing for himself just doing music

478
00:22:14,520 --> 00:22:15,280
Speaker 6: and the music.

479
00:22:15,040 --> 00:22:16,359
Speaker 5: Is good music great.

480
00:22:16,680 --> 00:22:19,760
Speaker 1: Yeah, and then after that it's kind of like, you know,

481
00:22:19,880 --> 00:22:21,080
Speaker 1: we gotta he did the.

482
00:22:21,080 --> 00:22:24,520
Speaker 7: Right thing for himself by by not letting it eat him,

483
00:22:24,880 --> 00:22:26,320
Speaker 7: Like he could have just hated me and he could

484
00:22:26,320 --> 00:22:27,480
Speaker 7: wait you know what I'm saying, But.

485
00:22:27,560 --> 00:22:28,200
Speaker 5: He fought back.

486
00:22:28,480 --> 00:22:30,359
Speaker 6: He needn't fight to get back into space.

487
00:22:30,480 --> 00:22:33,560
Speaker 2: Like the music with the music, solid music, and.

488
00:22:33,640 --> 00:22:36,440
Speaker 6: Like told me a long time ago, it hit song anything,

489
00:22:36,520 --> 00:22:37,680
Speaker 6: let's fix anything.

490
00:22:37,840 --> 00:22:44,280
Speaker 1: Anything that's get and you know what else, I think

491
00:22:44,280 --> 00:22:46,120
Speaker 1: it's good. Like I look at somebody like I think

492
00:22:46,160 --> 00:22:49,160
Speaker 1: Socy Santan is very talented, and I see people are

493
00:22:49,200 --> 00:22:51,800
Speaker 1: stepping up like, you know, I would have never imagined

494
00:22:51,840 --> 00:22:57,240
Speaker 1: that ten years ago. Yeah, I'll get on the song

495
00:22:57,359 --> 00:23:00,520
Speaker 1: is you know he's talented. Let's do our thing, you know,

496
00:23:00,720 --> 00:23:03,040
Speaker 1: And just seeing things like that, how much things have

497
00:23:03,119 --> 00:23:04,840
Speaker 1: been changing about the.

498
00:23:04,840 --> 00:23:08,359
Speaker 7: Music by music like you can make you can move them. People,

499
00:23:08,640 --> 00:23:09,879
Speaker 7: They're gonna listen to your music.

500
00:23:10,400 --> 00:23:12,240
Speaker 1: And now that you're in a position where you're working

501
00:23:12,240 --> 00:23:15,560
Speaker 1: with so many artists, you still are doing collabse but

502
00:23:15,960 --> 00:23:17,840
Speaker 1: as an artist. It actually puts you in a better

503
00:23:17,840 --> 00:23:21,320
Speaker 1: position because you're there. So even though you said you

504
00:23:21,359 --> 00:23:23,560
Speaker 1: stepped back from it, don't you feel like it's also

505
00:23:23,680 --> 00:23:26,800
Speaker 1: like this might be the perfect situation, yeah.

506
00:23:26,600 --> 00:23:28,000
Speaker 5: Because it's like they owe me a favor.

507
00:23:28,400 --> 00:23:31,280
Speaker 7: Yeah, I mean, I be you, I'll be having you

508
00:23:31,400 --> 00:23:34,239
Speaker 7: got a lot of favorite outside so but at the

509
00:23:34,240 --> 00:23:37,720
Speaker 7: same time, I be I don't never like London to

510
00:23:37,800 --> 00:23:40,600
Speaker 7: use his flight favorites for someone else to help other

511
00:23:40,720 --> 00:23:44,480
Speaker 7: artists and that this person, so I don't never really

512
00:23:44,560 --> 00:23:47,040
Speaker 7: use it for me, Like it'll be like the gate

513
00:23:47,960 --> 00:23:50,760
Speaker 7: I need you for I need give.

514
00:23:51,359 --> 00:23:53,240
Speaker 4: We be trying to come to the table with the

515
00:23:53,480 --> 00:23:56,479
Speaker 4: whole records, so it's like the difference.

516
00:23:58,119 --> 00:24:00,639
Speaker 6: Yeah, so if I can use a favorite feature.

517
00:24:00,400 --> 00:24:03,440
Speaker 4: Because this big artists might notice other artists, we try

518
00:24:03,480 --> 00:24:04,800
Speaker 4: to be like, look, were about to go be the

519
00:24:04,840 --> 00:24:07,920
Speaker 4: ones that we got the relationship and get them on here,

520
00:24:08,000 --> 00:24:10,480
Speaker 4: so bring it to you. And it's just an easy

521
00:24:10,520 --> 00:24:12,800
Speaker 4: play because sometimes we will tell the artists, man, you

522
00:24:12,800 --> 00:24:14,280
Speaker 4: need to get such and they be like, oh, that'd

523
00:24:14,320 --> 00:24:16,240
Speaker 4: be hard, but.

524
00:24:15,640 --> 00:24:17,800
Speaker 7: Like they be scared of like d M the person

525
00:24:17,880 --> 00:24:20,760
Speaker 7: or bigger person. They don't want to feel like they're

526
00:24:20,760 --> 00:24:26,240
Speaker 7: getting like unread or just a little. If you play

527
00:24:26,240 --> 00:24:29,320
Speaker 7: the idea as the song, they're like they can see

528
00:24:29,320 --> 00:24:30,680
Speaker 7: it and it's already, do it.

529
00:24:30,640 --> 00:24:31,160
Speaker 6: And it's done.

530
00:24:31,200 --> 00:24:33,240
Speaker 7: They got to you got a feature on it already

531
00:24:33,520 --> 00:24:35,280
Speaker 7: what it is like? So I be shooting it that

532
00:24:35,440 --> 00:24:38,280
Speaker 7: more than I would for myself. I ain't really tripping

533
00:24:38,280 --> 00:24:40,119
Speaker 7: about the space. I know what come with the space?

534
00:24:40,240 --> 00:24:40,880
Speaker 3: You know what I'm saying.

535
00:24:41,119 --> 00:24:43,879
Speaker 4: You don't want them like man to be honest, I

536
00:24:43,960 --> 00:24:46,400
Speaker 4: like working with song right on the plane.

537
00:24:47,600 --> 00:24:51,200
Speaker 1: About them, like, yeah, so you prefer song.

538
00:24:51,280 --> 00:24:53,680
Speaker 4: Yeah, I prefer working with like it's just more fun

539
00:24:53,720 --> 00:24:56,640
Speaker 4: because we can be creative, Like we can take our time.

540
00:24:56,760 --> 00:24:58,960
Speaker 4: And it's like sometimes you get in the studio rappers

541
00:24:59,000 --> 00:25:00,919
Speaker 4: they just want to load up a beat and just

542
00:25:00,960 --> 00:25:01,520
Speaker 4: start rapping.

543
00:25:01,600 --> 00:25:07,560
Speaker 5: It's like now construct yeah, making real tell all the time.

544
00:25:07,560 --> 00:25:08,720
Speaker 5: When I get in the studio, I'm like, bro, I

545
00:25:08,760 --> 00:25:10,480
Speaker 5: don't care about making a thousand songs with you.

546
00:25:11,960 --> 00:25:14,600
Speaker 6: That made one song. Let's make one song when you

547
00:25:14,800 --> 00:25:16,280
Speaker 6: and me, I won't like that song.

548
00:25:17,080 --> 00:25:18,639
Speaker 5: If we can't do that, we don't have to do nothing.

549
00:25:18,680 --> 00:25:20,560
Speaker 1: And how was it? How was it doing yeah? Glow

550
00:25:20,840 --> 00:25:21,320
Speaker 1: because that.

551
00:25:22,400 --> 00:25:23,879
Speaker 3: It was fun?

552
00:25:24,200 --> 00:25:25,000
Speaker 5: It was so fun.

553
00:25:25,440 --> 00:25:29,640
Speaker 7: Glow glow fun anyway, Like she don't she don't give

554
00:25:29,680 --> 00:25:30,000
Speaker 7: a fun.

555
00:25:30,040 --> 00:25:30,119
Speaker 3: Bro.

556
00:25:30,160 --> 00:25:32,920
Speaker 6: I'm like, she don't care about man, like she ain't.

557
00:25:33,200 --> 00:25:35,160
Speaker 6: She she like kept free.

558
00:25:35,520 --> 00:25:38,000
Speaker 7: So she coming in the door like now she year

559
00:25:38,080 --> 00:25:42,800
Speaker 7: is like who Like she liked that at first, but

560
00:25:42,880 --> 00:25:46,080
Speaker 7: once you get past that first live Yeah.

561
00:25:46,200 --> 00:25:49,960
Speaker 5: Man, what I'm saying the girls cool, like I like.

562
00:25:50,240 --> 00:25:51,199
Speaker 3: That came out like this.

563
00:25:51,359 --> 00:25:53,719
Speaker 6: She's like, what is it like?

564
00:25:54,000 --> 00:25:56,359
Speaker 7: But another thing produced her, you know what I'm saying

565
00:25:56,800 --> 00:26:00,879
Speaker 7: versus just a just a song, just a beat and

566
00:26:00,960 --> 00:26:03,720
Speaker 7: allowed us.

567
00:26:03,720 --> 00:26:08,320
Speaker 5: To know people nowadays, Yeah, like they socially awkward. They

568
00:26:08,400 --> 00:26:09,879
Speaker 5: might be talented as hell, but they don't know how

569
00:26:09,920 --> 00:26:11,920
Speaker 5: to talk, like I don't want to come in here

570
00:26:11,920 --> 00:26:14,960
Speaker 5: and just get right to work persons something we don't

571
00:26:15,000 --> 00:26:18,800
Speaker 5: have a little bit with real yeah, like talk.

572
00:26:18,760 --> 00:26:22,520
Speaker 2: Y'all, like really really quintessentially.

573
00:26:25,119 --> 00:26:27,480
Speaker 5: Just think it's the nigga that makes you gotta know

574
00:26:27,480 --> 00:26:31,879
Speaker 5: how to adapt the circumstance. You gotta be college, you

575
00:26:31,920 --> 00:26:34,399
Speaker 5: gotta you gotta be you gotta be all that.

576
00:26:34,520 --> 00:26:36,399
Speaker 2: Yeah, because I'm coming in with all kinds of dramas

577
00:26:40,480 --> 00:26:40,960
Speaker 2: that's cool.

578
00:26:42,200 --> 00:26:44,439
Speaker 5: Will show you how to put that in the music

579
00:26:44,520 --> 00:26:47,800
Speaker 5: and make the song. Gotta Yeah, people be awkward. You

580
00:26:47,800 --> 00:26:49,520
Speaker 5: gotta find out how to relate, you know, like I

581
00:26:49,560 --> 00:26:51,200
Speaker 5: pull up on glow. I might have a bond it

582
00:26:51,280 --> 00:26:54,359
Speaker 5: on to make her feel comfortable, pull up with you

583
00:26:54,400 --> 00:26:56,399
Speaker 5: know what I'm saying, you're coming bout. I'm gonna combine

584
00:26:56,400 --> 00:26:58,000
Speaker 5: it with you. You know what I'm saying, like we're

585
00:26:58,040 --> 00:26:59,159
Speaker 5: here together.

586
00:27:00,520 --> 00:27:01,800
Speaker 3: Cool man, I at like that to.

587
00:27:04,320 --> 00:27:07,760
Speaker 1: Cool easy here about because they act like that's so

588
00:27:07,840 --> 00:27:09,920
Speaker 1: much more difficulty.

589
00:27:11,800 --> 00:27:14,520
Speaker 3: They make everything we do one hundred percent.

590
00:27:15,240 --> 00:27:16,840
Speaker 5: Now they don't respect you. That's your problem.

591
00:27:16,880 --> 00:27:20,640
Speaker 4: You gotta get You got to see it past that part.

592
00:27:20,680 --> 00:27:22,920
Speaker 4: Once you get past the little the guard.

593
00:27:22,760 --> 00:27:23,639
Speaker 3: That you have.

594
00:27:23,720 --> 00:27:25,719
Speaker 1: You ever had a situation where you left the studio

595
00:27:25,760 --> 00:27:29,040
Speaker 1: session like, I'm not even the vibe is too off.

596
00:27:29,080 --> 00:27:32,399
Speaker 5: I'm not. He ain't gonna say goodbye.

597
00:27:34,600 --> 00:27:36,160
Speaker 6: You know I came, you know what I mean?

598
00:27:36,240 --> 00:27:37,640
Speaker 5: He might not even show up either.

599
00:27:37,720 --> 00:27:39,600
Speaker 3: Don't then my move in my move.

600
00:27:43,720 --> 00:27:46,480
Speaker 5: Bro and looking did we get to look around this

601
00:27:46,560 --> 00:27:53,600
Speaker 5: little We gotta find the collateral for him he left?

602
00:27:53,640 --> 00:27:56,840
Speaker 5: You know, you really to go to the bathroom.

603
00:27:58,040 --> 00:27:58,520
Speaker 6: Outload.

604
00:27:59,480 --> 00:28:01,720
Speaker 4: When Lendon got a session, that's when gets to call

605
00:28:01,760 --> 00:28:04,320
Speaker 4: it like, yeah, yo, sure got the session.

606
00:28:04,400 --> 00:28:11,280
Speaker 1: Yaside so what is so what do you see like

607
00:28:11,359 --> 00:28:14,119
Speaker 1: for you guys as a collective. Now, you know, we

608
00:28:14,200 --> 00:28:17,000
Speaker 1: talked about putting out the so that people can use

609
00:28:17,040 --> 00:28:19,399
Speaker 1: the beats, but what else is the plan? Because it

610
00:28:19,440 --> 00:28:20,800
Speaker 1: feels like you have something bigger?

611
00:28:21,000 --> 00:28:23,120
Speaker 5: We definitely are. I think at the end of the day,

612
00:28:23,200 --> 00:28:26,800
Speaker 5: where we all need to be is in a building,

613
00:28:27,600 --> 00:28:31,760
Speaker 5: label building, having our own label, you know, and really

614
00:28:32,200 --> 00:28:35,600
Speaker 5: developed artists, our own cause you know, we put a

615
00:28:35,640 --> 00:28:37,320
Speaker 5: lot into these artists like.

616
00:28:37,200 --> 00:28:42,720
Speaker 6: The pigback in bro, and they're probably but I ain't man,

617
00:28:43,160 --> 00:28:44,920
Speaker 6: beat me up they go.

618
00:28:45,720 --> 00:28:50,560
Speaker 7: But the artists bro, like me may know agree the creators,

619
00:28:50,600 --> 00:28:53,640
Speaker 7: the artists that god damn producers, Like we are the

620
00:28:53,720 --> 00:28:56,960
Speaker 7: end at the end of the day, and we do

621
00:28:57,040 --> 00:29:01,120
Speaker 7: so many people job bro. Oh but we do everybody job.

622
00:29:02,040 --> 00:29:05,600
Speaker 7: Everyone's job. Everybody job get done through either through us

623
00:29:05,600 --> 00:29:08,000
Speaker 7: about us. So I be feeling like I'm looking at

624
00:29:08,000 --> 00:29:11,560
Speaker 7: it like like, especially with the way music changing and shifting,

625
00:29:12,080 --> 00:29:14,440
Speaker 7: like y'all gonna have to put them creators in the

626
00:29:14,520 --> 00:29:15,360
Speaker 7: building because.

627
00:29:15,480 --> 00:29:17,960
Speaker 2: If you want to do in the field right people

628
00:29:18,120 --> 00:29:23,200
Speaker 2: right instead of and it's just it's like.

629
00:29:24,960 --> 00:29:28,080
Speaker 7: Cool with this, They're gonna call me anyway, Yeah, whoever

630
00:29:28,120 --> 00:29:29,840
Speaker 7: you you're gonna call.

631
00:29:29,760 --> 00:29:32,760
Speaker 1: Situation on the table right now that y'all are working out.

632
00:29:32,800 --> 00:29:34,880
Speaker 6: Okay, it's a situation though.

633
00:29:34,920 --> 00:29:35,840
Speaker 2: That's what needs to happen.

634
00:29:36,320 --> 00:29:40,160
Speaker 7: You gotta happen like that thing for these label to me,

635
00:29:40,320 --> 00:29:43,840
Speaker 7: for the labor to like really sustain like going forward,

636
00:29:44,120 --> 00:29:45,880
Speaker 7: you're gonna how to put these creators in power in

637
00:29:45,920 --> 00:29:48,880
Speaker 7: the building because it ain't gonna because you gotta think

638
00:29:48,960 --> 00:29:52,320
Speaker 7: most of the artists, most of the most most of

639
00:29:52,360 --> 00:29:56,360
Speaker 7: the artists rather because it's all about them. They get

640
00:29:56,400 --> 00:29:59,440
Speaker 7: a better feeling with us than they do with the suits.

641
00:30:00,120 --> 00:30:03,560
Speaker 5: It's been times the suits the a n rsum man,

642
00:30:03,600 --> 00:30:04,040
Speaker 5: we don't.

643
00:30:03,840 --> 00:30:06,200
Speaker 7: Listen to that am going in there and then it'll

644
00:30:06,240 --> 00:30:08,040
Speaker 7: be me calling like hey bro, pull up and they'll

645
00:30:08,040 --> 00:30:10,080
Speaker 7: pull it right up and then like now do.

646
00:30:11,600 --> 00:30:14,000
Speaker 5: Like I don't know if they're in the right space.

647
00:30:14,400 --> 00:30:16,479
Speaker 7: Then you get them to that to that it is

648
00:30:16,520 --> 00:30:20,080
Speaker 7: some it is some dope n R. But that ship

649
00:30:20,200 --> 00:30:21,200
Speaker 7: comes frough and fall.

650
00:30:22,360 --> 00:30:24,160
Speaker 1: A lot of people laid off labels.

651
00:30:24,760 --> 00:30:25,920
Speaker 6: They get smoked right now.

652
00:30:26,840 --> 00:30:32,000
Speaker 4: They smoke's coming come with the results.

653
00:30:32,320 --> 00:30:34,200
Speaker 1: But it just feel like it makes the most sense

654
00:30:34,240 --> 00:30:37,040
Speaker 1: because the people who actually make the songs could be

655
00:30:37,120 --> 00:30:38,440
Speaker 1: the A and RS.

656
00:30:38,360 --> 00:30:42,200
Speaker 7: And so brone times and we're going to get the

657
00:30:42,200 --> 00:30:43,000
Speaker 7: feature came.

658
00:30:42,840 --> 00:30:45,440
Speaker 5: Out of our relations literally like a lot.

659
00:30:45,240 --> 00:30:47,040
Speaker 6: Of that, and then it's a better setup when it

660
00:30:47,120 --> 00:30:48,440
Speaker 6: comes through because.

661
00:30:48,640 --> 00:30:50,200
Speaker 7: Like with the label, Yeah, you're gonna get it dump,

662
00:30:50,240 --> 00:30:52,360
Speaker 7: you're gonna pay an You're gonna pay a ad for.

663
00:30:52,840 --> 00:30:53,920
Speaker 6: Like that's just how it works.

664
00:30:54,120 --> 00:30:56,520
Speaker 7: Like they're gonna charge you a million dollar these same

665
00:30:56,600 --> 00:30:59,040
Speaker 7: you they'll do for me for a couple of dollars

666
00:30:59,040 --> 00:31:00,920
Speaker 7: in the you know, like my man, I'm gonna look

667
00:31:00,920 --> 00:31:02,160
Speaker 7: out for a man and.

668
00:31:02,240 --> 00:31:03,800
Speaker 1: Knowing I'm gonna get that money on the back end,

669
00:31:04,040 --> 00:31:04,440
Speaker 1: it's just.

670
00:31:04,400 --> 00:31:06,400
Speaker 6: A better set up. They're gonna have to put us

671
00:31:06,400 --> 00:31:07,040
Speaker 6: in the building.

672
00:31:07,360 --> 00:31:08,720
Speaker 3: And that's just me keeping it. Really.

673
00:31:08,920 --> 00:31:10,720
Speaker 1: I cannot wait to see what's about to happen because

674
00:31:10,720 --> 00:31:14,040
Speaker 1: I feel like this is the beginning of the announcements.

675
00:31:16,680 --> 00:31:19,600
Speaker 1: Appreciate y'all so much for coming through. You know, we

676
00:31:19,720 --> 00:31:21,960
Speaker 1: known each other for a long time, so and I

677
00:31:22,040 --> 00:31:23,600
Speaker 1: love to see what y'all have been doing. Some of

678
00:31:23,640 --> 00:31:28,120
Speaker 1: our favorite songs that are out right now Grammy nominated Grammy.

679
00:31:28,160 --> 00:31:29,360
Speaker 1: You know, we're a circle for.

680
00:31:29,360 --> 00:31:32,040
Speaker 5: Real, No, for sure more coming on the way.

681
00:31:32,320 --> 00:31:35,240
Speaker 1: Okay, all right, well, thank you guys so much for

682
00:31:35,320 --> 00:31:38,800
Speaker 1: joining us Poopies London, Jay and Go Griz. You know

683
00:31:38,840 --> 00:31:47,640
Speaker 1: I love all the test you want to that way?

684
00:31:48,080 --> 00:31:50,040
Speaker 6: How to tell you all right?

685
00:31:50,080 --> 00:31:50,719
Speaker 1: It's way up