WEBVTT - Frozen with Chris Farren

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<v Speaker 1>On the Beck dol Cast. The questions asked if movies

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<v Speaker 1>have women in them, are all their discussions just boyfriends

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<v Speaker 1>and husbands, or do they have individualism the patriarchy zef

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<v Speaker 1>in best start changing it with the beck del Cast.

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<v Speaker 1>Hello and welcome to the Bectel Cast. My name is

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<v Speaker 1>Caitlin Durante. My name is Jamie Loft. I'm trying to trying.

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<v Speaker 1>I'm still Caitlin Darante. We have a podcast called the

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<v Speaker 1>Becktel Cast in which we discussed the portrayal and representation

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<v Speaker 1>of women in cinema through a feminist lens, because, wouldn't

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<v Speaker 1>you know it, Hollywood usually Fox up real bad when

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<v Speaker 1>it comes to portraying women. Well, I'm struggling taking this

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<v Speaker 1>baby Bell cheese out of its waxy container. Did you

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<v Speaker 1>ever know that you can't eat the wax? Yeah, if

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<v Speaker 1>you think it's food. The first time you have baby

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<v Speaker 1>Bell cheese, maybe you're I don't know, out on a

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<v Speaker 1>date with someone and they're like, hey, do you want

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<v Speaker 1>some baby Bell cheese, and you're like yeah, and then

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<v Speaker 1>you just bite into it thinking there's no task to

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<v Speaker 1>perform before you can Anyways, Well, that's a good example

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<v Speaker 1>of a conversation that I think passed the Bechdel test

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<v Speaker 1>and special what gender the date was right, and I

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<v Speaker 1>won't now uh so I'm pretty yeah that passed the

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<v Speaker 1>Bechdel test. And if you're still curious what that is,

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<v Speaker 1>I shall elaborate. Is a test that you apply to

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<v Speaker 1>media like movies for example, that requires that two female

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<v Speaker 1>characters speak to each other, they have names, and their

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<v Speaker 1>conversation cannot be about a man. That is the try

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<v Speaker 1>to bring a pussy saga again or pussy saga out

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<v Speaker 1>from last week. I think we're extremely pussy staged out.

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<v Speaker 1>Just talk to all our listeners out there who are

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<v Speaker 1>on the pussy saga that is their life. We wish

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<v Speaker 1>you the best in your pussy saga. Yes, I just

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<v Speaker 1>wanted to say it. Okay, anyway, it is mad at me.

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<v Speaker 1>I don't understand why you're mad so soon. Yeah, it

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<v Speaker 1>usually takes me like twenty minutes or so. I know,

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<v Speaker 1>I'm getting things stressed and put tearing up my cheese

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<v Speaker 1>into small pieces. No, I'm not mad. I'm happy that

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<v Speaker 1>you brought up pussy saga, but I did want to

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<v Speaker 1>just stay on track and say that the back of

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<v Speaker 1>priest is what we use as a just a basis

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<v Speaker 1>for a larger conversation. So I say, without much further ado,

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<v Speaker 1>we should introduce our guest, who is a wonderful person.

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<v Speaker 1>He is a musician. He's a very funny person. Chris Farren. Hi,

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<v Speaker 1>Hi guys, thanks for having me, Thanks for coming on

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<v Speaker 1>the podcast. Chris, of course has been fully restrained with

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<v Speaker 1>but because he is a trusted friend Bungee Cords. Yeah,

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<v Speaker 1>thank you. A comfortable restraint. Yeah, I can move a

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<v Speaker 1>little bit. Do we have the scary stuff? We have

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<v Speaker 1>sharper stuff, but that's for interrupters. A friend of mine, sorry,

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<v Speaker 1>just interrupted me, Chris, and you have to go. I

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<v Speaker 1>can leave al right. So, Chris, you have brought us

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<v Speaker 1>the movie Frozen. Why did you pick this? Tell us

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<v Speaker 1>about your history with this movie. Okay, so three years

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<v Speaker 1>ago I saw this movie for the first time, and

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<v Speaker 1>I just I really something about it really activated my mind,

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<v Speaker 1>and I really really liked it, and I became obsessed

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<v Speaker 1>with it, no kidding. Yeah, And I had like merch

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<v Speaker 1>that had frozen characters on it, Like I sold merch

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<v Speaker 1>that said my name. But I also had frozen people

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<v Speaker 1>probably illegal or definitely illegal. Well, when we were emailing

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<v Speaker 1>us like with your few different movie picks, uh, and

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<v Speaker 1>we were sort of deliberating which one to go with,

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<v Speaker 1>and we're like, what if, what if we just do Frozen?

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<v Speaker 1>And then we like combined your name with it, so

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<v Speaker 1>it was like Chris Farrozen like f A R r

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<v Speaker 1>Z and that works. It works really well. You're both

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<v Speaker 1>on everybody. Um, I should have done that for the shirt,

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<v Speaker 1>and then like people who would come to my shows

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<v Speaker 1>would start bringing me Frozen swag, So I did. I did, Yeah,

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<v Speaker 1>for sure. I mean I still I still love it,

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<v Speaker 1>but I am I have a tendency to get like

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<v Speaker 1>all in on things and then I'm just like, well

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<v Speaker 1>I think it was mostly And I'm sorry to anybody

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<v Speaker 1>hearing this who maybe brought me stuff. Do you have

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<v Speaker 1>a scloosy right now? No? No, no, no no. I

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<v Speaker 1>just I get pretty sick of it because of how

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<v Speaker 1>much my own fault. I I like attached it to myself.

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<v Speaker 1>My apartment's full of frozen, and I was I like

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<v Speaker 1>kind of looked around one day, I was like, I

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<v Speaker 1>don't like anything this much, and then I kind of

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<v Speaker 1>started cooling off. Cooling off, would you say, and frozen

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<v Speaker 1>the temperature of frozen, which is cold, and then keep going,

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<v Speaker 1>keep going, keep going, don't stop. It's him stopping, much

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<v Speaker 1>like flowing water does when it gets frozen. It stops. Yes, okay,

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<v Speaker 1>that's cool, a good job. But again, I say thank

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<v Speaker 1>you to anybody who ever brought me any sort of

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<v Speaker 1>frozen gift. Yes, here's the thing. We often get tweets,

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<v Speaker 1>Facebook messages, different methods of correspondence from fans. Some of

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<v Speaker 1>them are men, asking us to not have so many

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<v Speaker 1>men on the podcast, I think, and we're we're we

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<v Speaker 1>hear you, We're listening to our but sometimes we're ignoring

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<v Speaker 1>as well. Something I think the reason that we still

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<v Speaker 1>have on male guests because often they are wonderful, and

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<v Speaker 1>our fans acknowledge that. But I think it's important to

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<v Speaker 1>in a situation like yours, where you loved the movie

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<v Speaker 1>Frozen and you brought it to us, like this movie

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<v Speaker 1>was intended largely for like young girl audiences like you

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<v Speaker 1>wouldn't expect a grown adult man to like really have

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<v Speaker 1>this movie resonate with them, So I think it's interesting

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<v Speaker 1>and good to include the representation of a grown wow

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<v Speaker 1>man like I'm being roasted almost, but it's nice. I

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<v Speaker 1>did like how you slowed your spears, slowed the sound

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<v Speaker 1>when you're like a full grown who likes Frozen, and

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<v Speaker 1>that's good that that exists too. That's how my mom

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<v Speaker 1>would talk to me when she thought I was like

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<v Speaker 1>doing something fucked up too much, but it wasn't illegal,

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<v Speaker 1>you know. She's like, well, I think it's interesting that

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<v Speaker 1>you eat dog suit, and I can't tell you know,

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<v Speaker 1>love it anyway. What I'm going to say, Chris is

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<v Speaker 1>we're very happy you're here, and I'm happy to be

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<v Speaker 1>and we like you so much and we're so glad

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<v Speaker 1>you brought us the movie Frozen. This is my first

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<v Speaker 1>time seeing this movie this morning. I didn't know. And

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<v Speaker 1>I love a princess movie and all the problems that

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<v Speaker 1>come with it, but I love a princess movie. I

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<v Speaker 1>think the reason that I did not see this movie

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<v Speaker 1>is because when this movie came out, I was a

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<v Speaker 1>substitute teacher in elementary school and it would be all

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<v Speaker 1>they would talk about and it was horrible and it

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<v Speaker 1>was just total And my mom is a teacher as well,

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<v Speaker 1>and so this is my cousin. It was just like

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<v Speaker 1>there was a lot of adult fatigue coming off this

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<v Speaker 1>movie because it was so popular and in a way

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<v Speaker 1>that like few movies are anymore, Like it's like a

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<v Speaker 1>movie's just everyone has seen it, to the point where

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<v Speaker 1>when I was a substitute Jim teacher brag, I would

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<v Speaker 1>could literally coerce the children into I'm just like have

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<v Speaker 1>the time with the ball over there, and then at

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<v Speaker 1>the end of class, I will play let it go

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<v Speaker 1>if you do what I tell you the whole class,

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<v Speaker 1>and they would do it. Because kids, there's something is

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<v Speaker 1>activated within them when they hear that song. Or was

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<v Speaker 1>a couple of years ago, but I think still is

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<v Speaker 1>like every child on the planet has seen this movie

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<v Speaker 1>and likes it. Yeah, when that song started when I

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<v Speaker 1>watched it today, when it started, I was thinking, okay,

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<v Speaker 1>this is overplayed this song, and then about halfway through it,

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<v Speaker 1>I was like, I love this song song. I was

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<v Speaker 1>so excited when she like lets her hair down and

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<v Speaker 1>then her outfit changes. It's so cool. It's a very

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<v Speaker 1>empowering song for her and moment in the movie. Yeah. Yeah,

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<v Speaker 1>I saw the movie for the first time. I don't

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<v Speaker 1>think I saw it in the theater, but I think

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<v Speaker 1>I saw like right after, like when it came out

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<v Speaker 1>on DVD and Cait Loves That's Cool has more DVDs

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<v Speaker 1>than anyone I know. Most of them were bought between

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<v Speaker 1>the years of like two thousand two and two thousand ten.

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<v Speaker 1>Will say that hardly bought any in the past several years.

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<v Speaker 1>But I don't even have a DVD damn player. Wow

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<v Speaker 1>is that counter the counterculture has ever had? I don't

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<v Speaker 1>have a DVD player or a TV v Thank you

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<v Speaker 1>so much, I know so Anyway, I saw this movie

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<v Speaker 1>shortly after it came out, and it did not quite

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<v Speaker 1>resonate with me the same way it did for you.

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<v Speaker 1>I was like, Oh, it's cute, it's okay. But um,

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<v Speaker 1>I only saw Frozen that one time before rewatching it yesterday,

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<v Speaker 1>and I don't think it's a good movie. Like I

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<v Speaker 1>think the story is flimsy. I think overall it is

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<v Speaker 1>net positive in what messages it sends, especially considering the

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<v Speaker 1>intended audience. But like I compared this movie to Mowanna

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<v Speaker 1>and Molanna is its characters are so much better. It's

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<v Speaker 1>scripted so much tighter, like the songs a lot better,

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<v Speaker 1>like the animations a lot better. Molanna does feel like

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<v Speaker 1>more of a fully realized movie. There's parts of Frozen

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<v Speaker 1>that feel incomplete kind of you. We're just like thrown together.

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<v Speaker 1>It's like, why is all off there? Like I get

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<v Speaker 1>why he's there, but like it doesn't serve the story.

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<v Speaker 1>I hate that he's Yeah, that's a hill I'll die on.

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<v Speaker 1>I was arguing in the car over here. I think

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<v Speaker 1>that if Josh God is in the movie at all,

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<v Speaker 1>it cannot pass the backtel No, if he is on

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<v Speaker 1>the roster, it cannot. I don't know why I have

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<v Speaker 1>such a visceral hatred of Josh Gad, but I do

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<v Speaker 1>want to steal his lunch money and throw him in

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<v Speaker 1>a trash, which is just I just want to say

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<v Speaker 1>that we on the backtel cast do not endorse bullying,

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<v Speaker 1>except as it pretends to Josh. There's always an asterisk

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<v Speaker 1>her Herd's not mine. Uh should I do the recap? Yes? Okay.

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<v Speaker 1>So Frozen centers around two sisters, one named Anna and

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<v Speaker 1>one named Elsa. They are very close as children. Something

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<v Speaker 1>about Elsa's that she has these like kind of magical

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<v Speaker 1>ice powers where she can conjure up snow and she

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<v Speaker 1>can turn anything into ice and also create snowmen who

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<v Speaker 1>are anthropomorphized, and she can she just summon josh Kad,

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<v Speaker 1>which is more of a curse than anything else. And yeah,

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<v Speaker 1>so she has all these powers that are getting stronger

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<v Speaker 1>with age and that are like exacerbated when she's feeling feelings,

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<v Speaker 1>and while she's like, they're like playing with her magical powers.

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<v Speaker 1>Elsa injured, Anna and her parents have to take her

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<v Speaker 1>to these true magical things. They're cute, they are fine,

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<v Speaker 1>they're made of stones, and they don't get why they're there.

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<v Speaker 1>So the troll King is like, we have to erase

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<v Speaker 1>all of your memories of Elsa having powers. So then

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<v Speaker 1>Elsa kind of goes into seclusion because like she's encouraged

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<v Speaker 1>by her family to not use her powers, and she's

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<v Speaker 1>becomes like a bit of a shut in. And then

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<v Speaker 1>their parents die, and then of course at least both

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<v Speaker 1>of them die true subverting them at least both of them,

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<v Speaker 1>because subverting the normal princess option, they become total orphans.

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<v Speaker 1>They go full orphan. And then a few years later,

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<v Speaker 1>Elsa comes of age and she is about to have

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<v Speaker 1>the coordination ceremony where she will become queen, and she's

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<v Speaker 1>nervous because she's like, what if my powers come through

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<v Speaker 1>because no one knows about them, including Anna because her

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<v Speaker 1>memory has been erased. And then all these visitors come

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<v Speaker 1>for the coronation, including this guy Hans, who Anna falls

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<v Speaker 1>in love with immediately and they get engaged. Yes. Then

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<v Speaker 1>Anna goes to Elsa and she's like, do you give

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<v Speaker 1>us your blessing for us to get married? And also

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<v Speaker 1>is like no, that's stupid. And also ice everywhere and

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<v Speaker 1>her powers are unleashed and everyone's like, oh my god,

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<v Speaker 1>she's a monster. So she runs away and builds an

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<v Speaker 1>ice castle on a mountain, as you do. And it's

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<v Speaker 1>a beautiful castle. It is cute, stunning back into it,

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<v Speaker 1>I would say it's like not very well furnished, but

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<v Speaker 1>she can do whatever she wants. I don't even think

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<v Speaker 1>she ever sleeps. Maybe not. She doesn't need no lounge furniture. Yeah,

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<v Speaker 1>she's just walking around looking at stuff freezing this. Have

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<v Speaker 1>you guys heard about the the fan theory that brings

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<v Speaker 1>together Tangled and Frozen and Little Mermaid? It is it

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<v Speaker 1>brings together a lot of white princesses. So you see

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<v Speaker 1>at the core nation scene because I knew to look

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<v Speaker 1>for this, even though I've never seen Frozen, Rapunzel is there,

0:14:07.360 --> 0:14:09.040
<v Speaker 1>um because you know, how at the end of Tangles

0:14:09.080 --> 0:14:12.120
<v Speaker 1>she has like that brown haircut, and but she's there.

0:14:12.160 --> 0:14:14.079
<v Speaker 1>You can there's like a screenshot that was like an

0:14:14.080 --> 0:14:18.120
<v Speaker 1>intentional Easter egg. But then one fan took it like

0:14:18.400 --> 0:14:22.640
<v Speaker 1>all the way and assumed that Anna and Elsa's parents

0:14:22.880 --> 0:14:25.840
<v Speaker 1>gotten a boat accident on the way to Rapunzel's wedding

0:14:26.480 --> 0:14:29.720
<v Speaker 1>and the boat sank, which is why Rapunzel would feel

0:14:29.920 --> 0:14:31.960
<v Speaker 1>like she has to come to the coronation three years

0:14:32.000 --> 0:14:34.640
<v Speaker 1>later because the parents died on the way to the wedding. Also,

0:14:35.000 --> 0:14:38.680
<v Speaker 1>Tangle came out three years before Frozen, and then Frozen

0:14:38.680 --> 0:14:41.920
<v Speaker 1>says three years later, so that there's that connection. Then

0:14:41.960 --> 0:14:45.720
<v Speaker 1>the sunken boat that the parents dying is the shipwreck

0:14:45.880 --> 0:14:51.160
<v Speaker 1>at the beginning of The Little Mermaid that Aerial explores, Well,

0:14:51.160 --> 0:14:54.920
<v Speaker 1>that shipwreck. I mean, we're led to believe that all

0:14:54.960 --> 0:14:59.920
<v Speaker 1>of this stuff happens in Frozen in like some Scandinavian culture.

0:15:00.160 --> 0:15:03.160
<v Speaker 1>I believe for Nordic some something like that, right, but

0:15:03.240 --> 0:15:04.880
<v Speaker 1>whereas but I don't know where they would be going.

0:15:04.880 --> 0:15:06.840
<v Speaker 1>I don't know where Rapuzzal takes place, because they would

0:15:06.840 --> 0:15:10.880
<v Speaker 1>be somewhere between somewhere and then Ariel, I don't even

0:15:10.880 --> 0:15:13.960
<v Speaker 1>know where she is. It's all vaguely Europe. Little Mermaid happens,

0:15:14.080 --> 0:15:18.360
<v Speaker 1>I believe in the Caribbean when but there's only white

0:15:18.400 --> 0:15:21.600
<v Speaker 1>people there. Well, it's like colonialism that are They're like,

0:15:21.840 --> 0:15:23.280
<v Speaker 1>it's like all the white I don't know if they're

0:15:23.280 --> 0:15:26.320
<v Speaker 1>French or something, but they're all um, you know, inhabiting

0:15:26.320 --> 0:15:30.720
<v Speaker 1>those Caribbean islands. Oh wait, there's no there's maps. No, okay, no,

0:15:30.880 --> 0:15:38.080
<v Speaker 1>it tracks Norway Denmark is I believe Little Mermaid Germany. Okay,

0:15:38.200 --> 0:15:45.560
<v Speaker 1>those are three. I don't have any information beyond Norway, Denmark, Germany.

0:15:45.680 --> 0:15:48.600
<v Speaker 1>Those are the three countries that is written on the

0:15:48.640 --> 0:15:54.600
<v Speaker 1>BuzzFeed article The train Journalist. Anyways, that's a fun I mean,

0:15:54.640 --> 0:15:58.360
<v Speaker 1>it's a fun idea to entertain. Yeah, of course. Anyway, Okay,

0:15:58.440 --> 0:16:01.400
<v Speaker 1>So Elsa builds her eyes castle and in so doing

0:16:01.480 --> 0:16:07.480
<v Speaker 1>like it unleashows this internal eternal eternal winter. So all

0:16:07.480 --> 0:16:11.640
<v Speaker 1>like the townspeople, they're like no, oh no. So Anna

0:16:11.760 --> 0:16:14.080
<v Speaker 1>is like, oh, I have to go to Elsa and

0:16:14.120 --> 0:16:16.800
<v Speaker 1>get her back so that she can be my sister

0:16:16.840 --> 0:16:20.680
<v Speaker 1>again and get rid of this eternal winter. In so doing,

0:16:20.800 --> 0:16:24.440
<v Speaker 1>she meets Christoph, who helps her get up the mountain

0:16:24.920 --> 0:16:27.160
<v Speaker 1>and then on a conference Elsa and she's like, no,

0:16:27.280 --> 0:16:29.760
<v Speaker 1>you have to stay away from me because you won't

0:16:29.800 --> 0:16:32.080
<v Speaker 1>be safe and I'm going to put you in danger,

0:16:32.160 --> 0:16:36.000
<v Speaker 1>and then immediately creates a giant snow monster to chase

0:16:36.000 --> 0:16:38.880
<v Speaker 1>her away, you know, to keep her safe. A weird,

0:16:39.120 --> 0:16:42.040
<v Speaker 1>A weird. There's so many things that happened in this

0:16:42.080 --> 0:16:44.960
<v Speaker 1>movie that, like, because it's been four years since it

0:16:45.000 --> 0:16:46.680
<v Speaker 1>came out, I was like, this is not what I

0:16:46.720 --> 0:16:50.120
<v Speaker 1>thought happened in this movie, Like, it doesn't follow the

0:16:50.200 --> 0:16:53.160
<v Speaker 1>storyline I had in my head. There's a lot of

0:16:53.200 --> 0:16:57.480
<v Speaker 1>weird ship in Elsa's defense of creating the snow monster.

0:16:57.960 --> 0:17:00.480
<v Speaker 1>Why did she do that? She was just she just

0:17:00.560 --> 0:17:03.440
<v Speaker 1>made him. And then all the Snowmonster initially did was

0:17:03.520 --> 0:17:05.639
<v Speaker 1>just pick him up and just throw him out. And

0:17:05.680 --> 0:17:10.000
<v Speaker 1>then Anna threw a snowball at him, which is yeah,

0:17:10.040 --> 0:17:15.520
<v Speaker 1>but he which is rude, which is aggressive. Yeah, that's aggressive. Yeah.

0:17:15.880 --> 0:17:19.679
<v Speaker 1>I still think that he was in the wrong and

0:17:19.720 --> 0:17:22.399
<v Speaker 1>that the snow Monster. Yes, and Elsa was wrong for

0:17:22.480 --> 0:17:25.960
<v Speaker 1>creating such an entity that was capable of such evil.

0:17:26.480 --> 0:17:29.400
<v Speaker 1>That's misguided yet yeah. Yeah, But she also doesn't seem

0:17:29.400 --> 0:17:30.919
<v Speaker 1>to have a lot of She doesn't seem to have

0:17:31.040 --> 0:17:33.800
<v Speaker 1>very good control of her powers, which is why she

0:17:33.880 --> 0:17:38.439
<v Speaker 1>secludes herself. So in some ways, by them showing up,

0:17:38.480 --> 0:17:40.760
<v Speaker 1>she's like, I can't control my powers. I'm not ready.

0:17:41.000 --> 0:17:43.240
<v Speaker 1>She's not totally like they're like, no, you just don't

0:17:43.280 --> 0:17:45.920
<v Speaker 1>believe in yourself. It's like no, but also she clearly does.

0:17:46.160 --> 0:17:49.679
<v Speaker 1>She also can't do she can't. Yeah, I see that anyway.

0:17:49.720 --> 0:17:53.720
<v Speaker 1>So they have to return to Aaron del Oh because

0:17:53.880 --> 0:17:57.000
<v Speaker 1>in this like interaction that Anna and Elsa have, Elsa

0:17:57.119 --> 0:18:00.679
<v Speaker 1>accidentally attacks her with her ice magic again, but this

0:18:00.720 --> 0:18:05.040
<v Speaker 1>time in her heart, and they go to Kristof's family

0:18:05.080 --> 0:18:08.560
<v Speaker 1>and friends, which are again the Stone Troll people. They're

0:18:09.080 --> 0:18:13.439
<v Speaker 1>there whenever anyway. So the Troll King is like, oh,

0:18:13.720 --> 0:18:17.000
<v Speaker 1>whenever the ice magic attacks you in the heart, the

0:18:17.040 --> 0:18:19.720
<v Speaker 1>only way to fix that is an act of true love.

0:18:19.960 --> 0:18:22.760
<v Speaker 1>So they interpret that to mean that Anna needs to

0:18:23.040 --> 0:18:26.919
<v Speaker 1>receive love true kiss from her new fiance Hans. So

0:18:26.960 --> 0:18:30.000
<v Speaker 1>they rushed back to the castle, but Hans is like, actually,

0:18:30.119 --> 0:18:34.120
<v Speaker 1>I'm a murderer. Was here just a plot and conspire

0:18:34.160 --> 0:18:38.400
<v Speaker 1>against you to steal the throne? Here to plot? Hey?

0:18:38.440 --> 0:18:40.639
<v Speaker 1>When he's actually you think you in love? But I

0:18:40.800 --> 0:18:49.000
<v Speaker 1>just I wish I could have said that all the

0:18:49.040 --> 0:18:56.399
<v Speaker 1>way through. So then Anna is like dying and Kristof

0:18:56.560 --> 0:18:59.040
<v Speaker 1>is like, oh, ship, I have to go back because

0:18:59.160 --> 0:19:03.280
<v Speaker 1>I actually love unlike Hans. And then Elsa is like, wait,

0:19:03.320 --> 0:19:05.560
<v Speaker 1>I fucked everything up. I almost killed my sister. I

0:19:05.600 --> 0:19:07.639
<v Speaker 1>have to go back to Arendel too. So there's this

0:19:07.720 --> 0:19:11.440
<v Speaker 1>like confrontation. Hans is about to kill Elsa, and Anna

0:19:11.520 --> 0:19:15.520
<v Speaker 1>sacrifices herself to save Elsa, which is the act of

0:19:15.600 --> 0:19:18.480
<v Speaker 1>true love that was needed to melt her icy heart

0:19:18.560 --> 0:19:20.640
<v Speaker 1>and bring her back to life. Love it. And then

0:19:20.880 --> 0:19:25.600
<v Speaker 1>like Hans gets arrested, Anna and Christophe share a kiss,

0:19:26.080 --> 0:19:28.280
<v Speaker 1>and then that's pretty much the end of the movie

0:19:28.359 --> 0:19:30.159
<v Speaker 1>and they're like, oh my god, it's summer again, and

0:19:30.240 --> 0:19:33.280
<v Speaker 1>oh love is what thaws everything. So I just have

0:19:33.359 --> 0:19:36.760
<v Speaker 1>to feel love because Elsa had been told not to

0:19:36.800 --> 0:19:41.000
<v Speaker 1>feel anything, and now she's like, what Conzila, don't feel exactly,

0:19:41.200 --> 0:19:47.960
<v Speaker 1>but if I feel, so everything's fixed and al office

0:19:48.000 --> 0:19:51.840
<v Speaker 1>still there. Why doesn't someone take a blowtorch to that thing?

0:19:52.280 --> 0:19:55.879
<v Speaker 1>It's awful? The opposite of that, they give him a

0:19:56.119 --> 0:20:01.240
<v Speaker 1>snows carry him around and his own little Netflix special

0:20:01.359 --> 0:20:03.440
<v Speaker 1>or whatever. The fun. Oh no, wait, there's that thing

0:20:03.480 --> 0:20:06.520
<v Speaker 1>that what movie did that play before Coco? There was

0:20:06.560 --> 0:20:10.119
<v Speaker 1>a twenty two minute long Disney short that played in

0:20:10.119 --> 0:20:11.960
<v Speaker 1>front of Cocoa, and it was the worst thing I've

0:20:12.000 --> 0:20:13.760
<v Speaker 1>ever seen in my life and I'm so People were

0:20:13.880 --> 0:20:16.320
<v Speaker 1>so upset about that that they stopped showing it. They

0:20:16.320 --> 0:20:20.159
<v Speaker 1>were like, there's a half hour Josh gad joint, Like,

0:20:20.240 --> 0:20:22.240
<v Speaker 1>no one would pay for that. It has to be

0:20:22.359 --> 0:20:29.280
<v Speaker 1>foisted upon you, God, Josh Gada. So that's the story

0:20:29.520 --> 0:20:32.760
<v Speaker 1>of Frozen. Thanks for the cat, Thank you so much.

0:20:33.080 --> 0:20:36.600
<v Speaker 1>Here's some initial thoughts I have. Okay, well, Jamie, you

0:20:36.640 --> 0:20:40.240
<v Speaker 1>mentioned both the parents dying, so subverting the trope, because

0:20:40.320 --> 0:20:43.320
<v Speaker 1>most Disney movies, especially ones that are fairy tales, have

0:20:43.440 --> 0:20:46.200
<v Speaker 1>like the dead mom trope where it's a princess and

0:20:46.280 --> 0:20:48.760
<v Speaker 1>she has no mom but her dad is still around.

0:20:49.119 --> 0:20:51.640
<v Speaker 1>This movie, both of her parents are alive, but if

0:20:51.640 --> 0:20:55.680
<v Speaker 1>you notice, her mom doesn't say anything. She is there,

0:20:56.040 --> 0:20:58.560
<v Speaker 1>but it's like the king who does all the talking

0:20:58.920 --> 0:21:02.240
<v Speaker 1>and makes all the decision and the mother I don't

0:21:02.240 --> 0:21:06.679
<v Speaker 1>think has a single line, not that I notice, but

0:21:06.760 --> 0:21:10.560
<v Speaker 1>it's bizarre because it's like they do a few shots

0:21:10.560 --> 0:21:13.560
<v Speaker 1>on her giving a meaningful look, and it's like, why

0:21:13.560 --> 0:21:17.119
<v Speaker 1>can't she just say something? Because there it would be

0:21:17.200 --> 0:21:20.400
<v Speaker 1>kind of interesting to have introduced that into the dynamic

0:21:20.440 --> 0:21:23.120
<v Speaker 1>of the parents of like, I wouldn't think it would

0:21:23.119 --> 0:21:25.120
<v Speaker 1>be out of the realm of possibility, for like, obviously

0:21:25.200 --> 0:21:28.640
<v Speaker 1>the king has the final word because literal patriarchy. But

0:21:28.960 --> 0:21:30.879
<v Speaker 1>to see the queen be like, maybe we shouldn't do this,

0:21:30.920 --> 0:21:33.040
<v Speaker 1>Maybe we shouldn't force our daughters to be separate their

0:21:33.080 --> 0:21:35.359
<v Speaker 1>whole life, just like a line of that would have

0:21:35.359 --> 0:21:38.440
<v Speaker 1>been helpful. But you see her give I think at

0:21:38.440 --> 0:21:41.480
<v Speaker 1>one point she gives Anna like this look of like yeah,

0:21:41.520 --> 0:21:45.520
<v Speaker 1>it sucks, don't it, But she doesn't say anything. I

0:21:45.680 --> 0:21:48.800
<v Speaker 1>was frustrated by that. Yeah, I think there was easily

0:21:48.840 --> 0:21:52.879
<v Speaker 1>an opportunity to introduce that sort of dynamic. Cut the

0:21:52.920 --> 0:21:55.359
<v Speaker 1>scene where all Off is imagining what summer would be

0:21:55.400 --> 0:21:57.120
<v Speaker 1>like for him, Like that doesn't need to be there,

0:21:57.119 --> 0:22:03.399
<v Speaker 1>good mouth bit me I have so much Like those

0:22:03.440 --> 0:22:06.120
<v Speaker 1>scenes do not advance the story at all. They shouldn't

0:22:06.160 --> 0:22:08.800
<v Speaker 1>be there. There should be more time developing, yeah, like

0:22:08.920 --> 0:22:13.080
<v Speaker 1>something like the mother character. Instead we have a snowman

0:22:13.160 --> 0:22:17.360
<v Speaker 1>on a beach. Hilarious. So glad it's there. I honestly

0:22:17.480 --> 0:22:19.199
<v Speaker 1>like the second that song hit. I was like, I

0:22:19.320 --> 0:22:21.920
<v Speaker 1>knew this was coming, and I'm fast forwarding this ship.

0:22:22.440 --> 0:22:25.000
<v Speaker 1>But yeah, I mean, even from like a story standpoint,

0:22:25.280 --> 0:22:28.520
<v Speaker 1>if we're even putting gender aside, like we're not attached

0:22:28.560 --> 0:22:31.760
<v Speaker 1>to the parent characters at all because they are sort

0:22:31.760 --> 0:22:33.959
<v Speaker 1>of just like mean and misguided and they die and

0:22:34.000 --> 0:22:36.359
<v Speaker 1>you feel bad because you like Anna and Elsa, but

0:22:36.440 --> 0:22:39.320
<v Speaker 1>not because you like had any attachment to the right,

0:22:39.400 --> 0:22:42.120
<v Speaker 1>so you're like, oh, they just sucked. Yeah. So then

0:22:42.520 --> 0:22:46.360
<v Speaker 1>a few story beats later, it's Coronation Day, and um,

0:22:46.400 --> 0:22:48.760
<v Speaker 1>there's a whole song. There's a whole song in which

0:22:49.040 --> 0:22:52.000
<v Speaker 1>Anna sings about how she she's so excited for the

0:22:52.000 --> 0:22:54.280
<v Speaker 1>people to come because she's been so lonely, which makes sense,

0:22:54.320 --> 0:22:56.400
<v Speaker 1>like she's basically like, how to get rid of most

0:22:56.440 --> 0:22:59.080
<v Speaker 1>of the staff and the castle princesses can't stop being

0:22:59.160 --> 0:23:03.600
<v Speaker 1>locked in their home, right, Princess under House arrested, So

0:23:03.760 --> 0:23:06.320
<v Speaker 1>it makes sense that she's excited. But then the song

0:23:06.400 --> 0:23:10.320
<v Speaker 1>basically shifts to the focus is her like, oh my god,

0:23:10.320 --> 0:23:12.320
<v Speaker 1>what if I meet the one I'm so excited to

0:23:12.400 --> 0:23:16.119
<v Speaker 1>fall him up today? And then so this story is

0:23:16.280 --> 0:23:19.680
<v Speaker 1>mostly about her relationship with her sister, but a large

0:23:19.680 --> 0:23:23.800
<v Speaker 1>part of her motivation. Of Anna's motivation is falling in

0:23:23.800 --> 0:23:26.160
<v Speaker 1>love with and being in a relationship with a man.

0:23:27.000 --> 0:23:29.360
<v Speaker 1>I get why they're doing that, because this is still

0:23:29.440 --> 0:23:34.400
<v Speaker 1>a fairy tale, and that trope of her whole desire

0:23:34.880 --> 0:23:36.480
<v Speaker 1>being to fall in love with a man and to

0:23:36.720 --> 0:23:38.879
<v Speaker 1>end up with a man is subverted at the end.

0:23:39.720 --> 0:23:41.840
<v Speaker 1>But it's just I don't know, it's just like, well,

0:23:41.840 --> 0:23:46.640
<v Speaker 1>why can't we just eliminate that altogether? Yeah, I think

0:23:46.640 --> 0:23:49.280
<v Speaker 1>that this is like in a way that Moanna fortunately

0:23:49.400 --> 0:23:52.480
<v Speaker 1>doesn't frozen, like kind of tries to have its cake

0:23:52.560 --> 0:23:54.600
<v Speaker 1>and eat it too, with a lot of the commentary

0:23:54.640 --> 0:23:58.159
<v Speaker 1>it's making with like oh yeah, like Anna realizes she

0:23:58.200 --> 0:24:01.080
<v Speaker 1>doesn't mean a man, she still ends up with, but

0:24:01.320 --> 0:24:04.840
<v Speaker 1>you know, so it's it's like we're presented with I mean,

0:24:04.840 --> 0:24:06.760
<v Speaker 1>I didn't even really have that much of a problem

0:24:06.760 --> 0:24:09.119
<v Speaker 1>with the coronation thing because I feel like it was

0:24:09.200 --> 0:24:12.400
<v Speaker 1>commented on enough of like, oh, love at first sight

0:24:12.480 --> 0:24:18.000
<v Speaker 1>with strangers is uh a scary concept to teach the children, uh,

0:24:18.040 --> 0:24:20.679
<v Speaker 1>and don't do that. And then she, you know, we

0:24:20.760 --> 0:24:23.560
<v Speaker 1>then see her get to know a guy and then

0:24:23.720 --> 0:24:26.360
<v Speaker 1>end up with him, which isn't the worst, but it's

0:24:26.400 --> 0:24:29.440
<v Speaker 1>like then Disney still has its way with like one

0:24:29.480 --> 0:24:31.880
<v Speaker 1>of the princesses ends up with a guy at the end,

0:24:32.000 --> 0:24:35.040
<v Speaker 1>and it's the context is shifted a little, but not

0:24:35.160 --> 0:24:38.240
<v Speaker 1>quite enough for it to be like and it was

0:24:38.359 --> 0:24:42.280
<v Speaker 1>subverted because it don't it's like like the way there

0:24:42.520 --> 0:24:45.960
<v Speaker 1>or not even that much because initially what they said,

0:24:45.960 --> 0:24:47.919
<v Speaker 1>it's the concept of the movie was to have a

0:24:47.960 --> 0:24:52.720
<v Speaker 1>movie that wasn't about romantic love, which I think they

0:24:53.080 --> 0:24:56.400
<v Speaker 1>tried to do, but they but then she still has

0:24:56.720 --> 0:25:01.800
<v Speaker 1>cost these characters who end up being loved triangle, right, right, Yeah,

0:25:02.160 --> 0:25:03.520
<v Speaker 1>And I feel like the way that they try to

0:25:03.560 --> 0:25:06.440
<v Speaker 1>talk that off is like, well but there's two princesses

0:25:06.440 --> 0:25:09.240
<v Speaker 1>and only one of them ends up with the guy.

0:25:09.400 --> 0:25:13.800
<v Speaker 1>But it's like, no, that's not how that works. That's yeah,

0:25:13.840 --> 0:25:17.600
<v Speaker 1>it's frustrating because it's like, it's not that I even

0:25:17.640 --> 0:25:21.159
<v Speaker 1>have a problem with someone ending up with someone, but

0:25:21.200 --> 0:25:23.760
<v Speaker 1>it's like, then, don't say you're making this commentary if

0:25:23.800 --> 0:25:25.639
<v Speaker 1>you're gonna have her end up with a guy at

0:25:25.680 --> 0:25:28.119
<v Speaker 1>the end, because then you're not really doing what you

0:25:28.119 --> 0:25:31.119
<v Speaker 1>said you're doing. I mean, I can see it where

0:25:31.280 --> 0:25:34.760
<v Speaker 1>like their relationship isn't the focus of the story. But

0:25:34.840 --> 0:25:37.639
<v Speaker 1>it is enough of a part of it that you

0:25:37.680 --> 0:25:41.920
<v Speaker 1>can't ignore it. So yeah, I have kind of mixed

0:25:41.920 --> 0:25:44.520
<v Speaker 1>feelings about it. And then the switch that they go

0:25:44.600 --> 0:25:46.280
<v Speaker 1>back because they're like, oh, we have to go find

0:25:46.320 --> 0:25:50.920
<v Speaker 1>Hans because love like that pushes such a large part

0:25:50.920 --> 0:25:53.600
<v Speaker 1>of the story. But then it's like, oh, well, she

0:25:53.640 --> 0:25:56.360
<v Speaker 1>realizes that's not what it is. But then it's like, oh,

0:25:56.520 --> 0:25:58.919
<v Speaker 1>this is. But then now she's just gonna marry this

0:25:59.040 --> 0:26:06.080
<v Speaker 1>reindeer guy who's to her, who negs her constantly, always

0:26:06.080 --> 0:26:08.879
<v Speaker 1>telling her to calm down because women be so emotional.

0:26:09.359 --> 0:26:12.960
<v Speaker 1>And it's like, dude, you hang out with a reindeer

0:26:14.040 --> 0:26:17.200
<v Speaker 1>all your life, your whole life, yeah, your only friend

0:26:17.359 --> 0:26:23.080
<v Speaker 1>and trolls. Let's apply let's apply the test there, Steve

0:26:23.080 --> 0:26:26.080
<v Speaker 1>Bushey hanging out with a reindeer his whole life, meets

0:26:26.080 --> 0:26:30.200
<v Speaker 1>a lady. He's a killer. He's not a love interest,

0:26:30.760 --> 0:26:34.040
<v Speaker 1>all right, because the movie opens with like young Christoph

0:26:34.160 --> 0:26:38.400
<v Speaker 1>and he's like harvesting ice because he's in the ice business.

0:26:38.560 --> 0:26:40.440
<v Speaker 1>That's the worst song, by the way, it's a really

0:26:40.440 --> 0:26:43.000
<v Speaker 1>bad song. That's the worst song. That's the worst type

0:26:43.000 --> 0:26:45.479
<v Speaker 1>of song in any Why is it in the movie, Like,

0:26:45.520 --> 0:26:48.160
<v Speaker 1>why do why do we open off that? That's insane.

0:26:48.320 --> 0:26:51.040
<v Speaker 1>I don't understand what they're really doing either. They're just

0:26:51.080 --> 0:26:57.199
<v Speaker 1>like mining ice, their ice prospectors. Yeah yeah, where do

0:26:57.240 --> 0:26:59.399
<v Speaker 1>they bring it? And they better get it there fast?

0:27:00.040 --> 0:27:04.200
<v Speaker 1>Hold right, it'll melt. That's the worst song. Second worst

0:27:04.240 --> 0:27:06.719
<v Speaker 1>song is the one where she's getting ready for the party.

0:27:07.520 --> 0:27:10.639
<v Speaker 1>I have a mental ranking. Oh yeah, wait, what are

0:27:10.680 --> 0:27:13.440
<v Speaker 1>your hot rankings of the song? Okay, I gotta write

0:27:13.440 --> 0:27:17.119
<v Speaker 1>this down. Yeah, pull up, pull up the soundtrack, figure

0:27:17.160 --> 0:27:20.280
<v Speaker 1>this out, all right. I am genuinely so from memory

0:27:20.440 --> 0:27:23.399
<v Speaker 1>that we've got and I don't know the names of him. Okay,

0:27:23.440 --> 0:27:26.960
<v Speaker 1>so we got ice, guys. Making ice is the worst song.

0:27:27.680 --> 0:27:31.000
<v Speaker 1>Worst and the next worst is getting ready for the

0:27:31.040 --> 0:27:34.000
<v Speaker 1>party first time and forever is what it's called. Love

0:27:34.119 --> 0:27:39.040
<v Speaker 1>is an open door. Uh snow man, I would not

0:27:39.280 --> 0:27:43.720
<v Speaker 1>die in the heat. Third worst, And then we have

0:27:43.840 --> 0:27:47.520
<v Speaker 1>the troll song. Oh right, the fixer upper, fixer Upper.

0:27:47.720 --> 0:27:51.680
<v Speaker 1>It's actually a pretty good song. Uh so I'm gonna say,

0:27:51.800 --> 0:27:56.000
<v Speaker 1>build a snowman. Chris is a professional music right, so

0:27:56.119 --> 0:27:59.640
<v Speaker 1>what he says what I say goes, Yes, this is hey,

0:27:59.720 --> 0:28:02.720
<v Speaker 1>this is your wheelhouse. Yes, we're letting you fly. Okay,

0:28:02.760 --> 0:28:06.520
<v Speaker 1>so worst, second worst worst, and then Bill the Snowman

0:28:06.920 --> 0:28:11.399
<v Speaker 1>is fourth but not worst. It's getting good. Now, I

0:28:11.440 --> 0:28:15.040
<v Speaker 1>did my ranking really weird, and then I would say

0:28:15.280 --> 0:28:18.920
<v Speaker 1>fix her upper fifth worst it was actually pretty good.

0:28:19.640 --> 0:28:23.040
<v Speaker 1>And then sixth worst is love his Open Door, which

0:28:23.119 --> 0:28:25.479
<v Speaker 1>is actually a very good song, and then seventh worst

0:28:25.800 --> 0:28:30.200
<v Speaker 1>just let it go and seven words equals the best

0:28:30.920 --> 0:28:36.119
<v Speaker 1>seventh worst. Yeah, there are only seven songs. That's I

0:28:36.200 --> 0:28:39.160
<v Speaker 1>have another big issue. Maybe you're forgetting one or two,

0:28:39.520 --> 0:28:41.880
<v Speaker 1>but I feel like there's a lot of mini songs

0:28:41.960 --> 0:28:46.800
<v Speaker 1>where you're starts his Little Reindeer song in the in

0:28:46.840 --> 0:28:51.240
<v Speaker 1>the Shed that's not kindudn't even count. But the ice song,

0:28:51.400 --> 0:28:53.840
<v Speaker 1>the ice grunt song, is still worse than that song. Right,

0:28:53.920 --> 0:28:58.000
<v Speaker 1>But like the last half hour of the movie, no songs,

0:28:58.400 --> 0:29:01.479
<v Speaker 1>which bothers me the trouble. They're too busy, they're too

0:29:01.520 --> 0:29:05.560
<v Speaker 1>busy doing stuff, but they should have a song if

0:29:05.600 --> 0:29:09.400
<v Speaker 1>that's all. It totally weird. Like, Yeah, I was reading

0:29:09.440 --> 0:29:11.520
<v Speaker 1>through and I think that this is kind of like

0:29:11.680 --> 0:29:16.040
<v Speaker 1>emblematic of how hard it is to get a cohesive,

0:29:16.400 --> 0:29:19.440
<v Speaker 1>cogent story about women told at all, especially on this

0:29:19.520 --> 0:29:23.720
<v Speaker 1>high level where it's all I mean, it's like John Lassetter,

0:29:24.200 --> 0:29:26.360
<v Speaker 1>which is a whole other thing to unpack because he

0:29:26.400 --> 0:29:28.520
<v Speaker 1>was very involved in this. But like, if you read

0:29:28.560 --> 0:29:32.680
<v Speaker 1>through the writing process of this movie, it's crazy how

0:29:32.760 --> 0:29:36.120
<v Speaker 1>much changes over the course of time. Where it starts

0:29:36.160 --> 0:29:40.840
<v Speaker 1>out good sister, evil sister, where Else's pure evil and

0:29:40.880 --> 0:29:45.680
<v Speaker 1>she frees it on his heart on purpose. Yeah, like

0:29:45.800 --> 0:29:48.440
<v Speaker 1>women on women straight up, like sisters hating each other

0:29:48.480 --> 0:29:53.120
<v Speaker 1>for basically no reason. And they brought in a female screenwriter,

0:29:53.320 --> 0:29:56.160
<v Speaker 1>Jennifer Lee, who also co directs the movie also wrote

0:29:56.160 --> 0:29:59.520
<v Speaker 1>the screenplay for Wreck It ralph Um. But they do

0:29:59.560 --> 0:30:02.080
<v Speaker 1>another draft of it, and this time it's like Else'

0:30:02.080 --> 0:30:04.440
<v Speaker 1>is less mean, but she still is hurting Anna on

0:30:04.440 --> 0:30:07.440
<v Speaker 1>purpose because she's jealous of her, and like, but that's

0:30:07.480 --> 0:30:10.120
<v Speaker 1>like how these movies have always been written of, Like

0:30:10.520 --> 0:30:13.680
<v Speaker 1>if we're putting in on like you know, a princess

0:30:13.720 --> 0:30:18.600
<v Speaker 1>in any stepmother, any second wife, that's like the dynamic.

0:30:18.720 --> 0:30:20.920
<v Speaker 1>And when you go through the history of it took

0:30:20.920 --> 0:30:22.600
<v Speaker 1>a couple of years for this movie to get written

0:30:22.600 --> 0:30:25.080
<v Speaker 1>in its current way, which is still not perfect, but

0:30:25.120 --> 0:30:28.880
<v Speaker 1>it's at least you're viewing the sisters as like equals,

0:30:29.120 --> 0:30:32.920
<v Speaker 1>you know, instead of like good and bad It's just

0:30:33.000 --> 0:30:36.160
<v Speaker 1>crazy how how hard it is to get a story

0:30:36.160 --> 0:30:40.800
<v Speaker 1>about two women told that isn't like based around jealousy

0:30:40.960 --> 0:30:44.880
<v Speaker 1>or like one hating the other or whatever. So right,

0:30:44.920 --> 0:30:47.640
<v Speaker 1>I mean, yeah, this movie subverts at least some of

0:30:47.640 --> 0:30:52.560
<v Speaker 1>the tropes of a Disney fairy tale princess story, but

0:30:52.640 --> 0:30:55.760
<v Speaker 1>it's still adheres to a lot of them in the

0:30:55.840 --> 0:30:59.200
<v Speaker 1>sense that. So, I mean, Anna is the main character,

0:30:59.280 --> 0:31:02.480
<v Speaker 1>She's the protector. We see the story from her point

0:31:02.480 --> 0:31:04.720
<v Speaker 1>of view. She's the one with the most agency and

0:31:04.800 --> 0:31:07.680
<v Speaker 1>bearing on this story. She decides on her own that

0:31:07.720 --> 0:31:10.320
<v Speaker 1>she's gonna set off sort of on her own adventure

0:31:10.400 --> 0:31:13.360
<v Speaker 1>to go and bring Elsa back so that they can

0:31:13.400 --> 0:31:17.520
<v Speaker 1>figure out how to melt this eternal winter. But um

0:31:17.880 --> 0:31:20.760
<v Speaker 1>has three male cohorts by the time she gets there,

0:31:20.800 --> 0:31:23.400
<v Speaker 1>and like she basically she sets off on her own,

0:31:23.440 --> 0:31:26.560
<v Speaker 1>but then almost immediately needs the help of a man,

0:31:26.640 --> 0:31:28.880
<v Speaker 1>and that's when we meet Christoph. And then there's that

0:31:28.960 --> 0:31:32.720
<v Speaker 1>scene where they're being attacked by wolves, which what is

0:31:32.760 --> 0:31:36.920
<v Speaker 1>it with the evil representation of wolves in Disney movies.

0:31:37.000 --> 0:31:41.440
<v Speaker 1>I mean, gosh, this wolve there pro wolf agenda, you

0:31:41.520 --> 0:31:45.040
<v Speaker 1>know what for our wolf listeners out there, like they

0:31:45.040 --> 0:31:47.760
<v Speaker 1>would be upset big wolf community. I didn't know that

0:31:48.560 --> 0:31:50.640
<v Speaker 1>they have a lot of wolf fans. I get all

0:31:50.800 --> 0:31:59.000
<v Speaker 1>really well with coyotes. Coyote yesterday driving I wait, the

0:31:59.080 --> 0:32:03.640
<v Speaker 1>coyote was not driving, was just looking at another dog. See,

0:32:03.840 --> 0:32:06.239
<v Speaker 1>they do kind of just look like sick dogs, So

0:32:06.280 --> 0:32:08.760
<v Speaker 1>it gets confusing. Yeah, and I think that would offend

0:32:08.760 --> 0:32:11.640
<v Speaker 1>our coyote listeners. I've almost I've almost touched a coyote

0:32:11.720 --> 0:32:19.160
<v Speaker 1>multiple times and then been like that dog is so sick. Well, anyway,

0:32:19.240 --> 0:32:22.760
<v Speaker 1>moving on from wolf like creatures, so the wolves are

0:32:22.800 --> 0:32:26.000
<v Speaker 1>attacking them. She's like, I want to help, and Christos like, no,

0:32:26.040 --> 0:32:28.320
<v Speaker 1>I don't trust your judgment because you just got engaged

0:32:28.400 --> 0:32:32.000
<v Speaker 1>yesterday to a man that you've hardly Yeah. He's so

0:32:32.160 --> 0:32:34.920
<v Speaker 1>mean to her, acts so indifferent to her, and then

0:32:35.080 --> 0:32:38.080
<v Speaker 1>when that comes up, he's like what that's crazy, and

0:32:38.200 --> 0:32:41.040
<v Speaker 1>she's just like what do you care? Right? Yeah, hard

0:32:41.080 --> 0:32:43.640
<v Speaker 1>to say, but yeah, he doesn't want her help, but

0:32:43.720 --> 0:32:45.719
<v Speaker 1>she helps him anyway and actually ends up saving him

0:32:45.760 --> 0:32:48.720
<v Speaker 1>a couple of times. So we see the reverse of

0:32:48.760 --> 0:32:51.600
<v Speaker 1>a woman. I don't think there's any time, at least

0:32:51.640 --> 0:32:54.600
<v Speaker 1>in that sequence where she is damseled. So it subverts

0:32:54.680 --> 0:32:58.520
<v Speaker 1>the trope of her being you know, damseled and needing

0:32:58.560 --> 0:33:02.360
<v Speaker 1>to be rescued by a man, because instead she saves him.

0:33:02.400 --> 0:33:06.000
<v Speaker 1>But then as the story goes on, more male characters

0:33:06.000 --> 0:33:11.680
<v Speaker 1>show up like all Off who man, Yeah, he's male identifying,

0:33:12.320 --> 0:33:17.160
<v Speaker 1>you know, voiced by a male identifying actor. So um,

0:33:17.360 --> 0:33:20.480
<v Speaker 1>don't bring up Josh Cat again. I will say also

0:33:20.560 --> 0:33:23.200
<v Speaker 1>in the notes for the way this movie was written,

0:33:23.200 --> 0:33:25.480
<v Speaker 1>because I think that there's a very clear parallel for

0:33:25.480 --> 0:33:28.239
<v Speaker 1>this Josh character that drives me crazy. Den't Reely, who

0:33:28.280 --> 0:33:31.920
<v Speaker 1>wrote the movie, tried to write all Off out multiple times.

0:33:32.480 --> 0:33:34.640
<v Speaker 1>I would not let her do it, because you need

0:33:34.680 --> 0:33:37.240
<v Speaker 1>a cute little sidekick, because it makes cute stuffed animals.

0:33:37.520 --> 0:33:39.760
<v Speaker 1>This is the same thing that ruined what would have

0:33:39.800 --> 0:33:44.280
<v Speaker 1>been a great movie Treasure Planet. There's a robot named

0:33:44.280 --> 0:33:47.120
<v Speaker 1>Ben in Treasure Planet that ruins the whole movie. And

0:33:47.120 --> 0:33:49.680
<v Speaker 1>you're like, that's a studio note. Why can't they just

0:33:49.720 --> 0:33:51.920
<v Speaker 1>get the fucking thing out of there? And they're like,

0:33:52.000 --> 0:33:55.600
<v Speaker 1>but bucks, but merchandise is it's treasure Planet. Treasure Planet

0:33:55.720 --> 0:33:59.120
<v Speaker 1>is plant actually very steampunk, which and it's funked up

0:33:59.120 --> 0:34:05.240
<v Speaker 1>that I love it so much. Steampunk what a bird?

0:34:05.280 --> 0:34:10.600
<v Speaker 1>But robot. Yeah, it's like a steampunk reimagining of Treasure Island.

0:34:10.680 --> 0:34:14.400
<v Speaker 1>It's really good, except they ruin it in the second

0:34:14.440 --> 0:34:18.320
<v Speaker 1>half by adding in a really loud, obnoxious sidekick name Ben.

0:34:18.680 --> 0:34:21.680
<v Speaker 1>But anyways, they tried to write out all off. Also,

0:34:22.040 --> 0:34:25.360
<v Speaker 1>they originally rejected the ending of this movie multiple times,

0:34:25.400 --> 0:34:30.000
<v Speaker 1>like yeah, like the sisters realizing that sisterly love could

0:34:30.000 --> 0:34:32.600
<v Speaker 1>be more powerful than a man you had just met

0:34:33.920 --> 0:34:36.560
<v Speaker 1>was rejected over and over and over. Oh, we are

0:34:36.600 --> 0:34:41.920
<v Speaker 1>not surprised. How did they get it through? Weirdly problematic?

0:34:42.040 --> 0:34:46.120
<v Speaker 1>John Lassetter ended up vouching for the ending and said, like,

0:34:46.200 --> 0:34:48.439
<v Speaker 1>I've never seen a movie do this before. I think

0:34:48.480 --> 0:34:50.920
<v Speaker 1>we should give it a try and test screenings, and

0:34:50.960 --> 0:34:53.600
<v Speaker 1>if it doesn't work, we'll go We'll go full head

0:34:53.680 --> 0:34:58.120
<v Speaker 1>or oup um. And then and also, this is the

0:34:58.160 --> 0:35:03.120
<v Speaker 1>first Disney animated movie ever that co directed by a woman. Wow. Wow,

0:35:03.120 --> 0:35:09.200
<v Speaker 1>it took a very long time. It took a hundred years. Well,

0:35:09.239 --> 0:35:11.839
<v Speaker 1>this is an example of a story where the two

0:35:11.840 --> 0:35:15.680
<v Speaker 1>main characters of Anna and Elsa are women, but pretty

0:35:15.760 --> 0:35:19.360
<v Speaker 1>much every other character is a man. Between Christophe and

0:35:19.440 --> 0:35:22.600
<v Speaker 1>Hans Spend, the reindeer who I thought was a moose,

0:35:22.640 --> 0:35:31.320
<v Speaker 1>for a while, the Duke of Westleton his to like bodyguards,

0:35:31.680 --> 0:35:35.320
<v Speaker 1>the troll King. All of those, the only other person

0:35:35.840 --> 0:35:39.080
<v Speaker 1>implied to be a woman is a troll. Yes. Also

0:35:39.160 --> 0:35:42.480
<v Speaker 1>the only this say is maybe a whole another can

0:35:42.719 --> 0:35:47.600
<v Speaker 1>of something. But the only implied like person of color

0:35:47.680 --> 0:35:51.080
<v Speaker 1>in the movie is also just a troll. Yeah, that's true.

0:35:51.320 --> 0:35:53.720
<v Speaker 1>Oh is it the one who at the very beginning

0:35:53.760 --> 0:35:58.319
<v Speaker 1>with young Christophe and Young Spen like hi, and she's like, Oh,

0:35:58.360 --> 0:36:01.160
<v Speaker 1>you're cute, I'm taking you. Yeah, And she also is

0:36:01.200 --> 0:36:04.960
<v Speaker 1>like has a very gospel singery type voice in the

0:36:05.320 --> 0:36:09.360
<v Speaker 1>think it's yeah. And anytime I see that Mickey Mouse

0:36:09.880 --> 0:36:12.399
<v Speaker 1>that's in the beginning of this one, it's like from

0:36:12.440 --> 0:36:16.080
<v Speaker 1>like nineteen twenties. I was like that sneaky Mouse is racist.

0:36:17.120 --> 0:36:20.800
<v Speaker 1>Steamboat Willie, I mean, that's a name that sounds racist

0:36:21.640 --> 0:36:26.439
<v Speaker 1>and it is. Well, I wanted to talk about how Yeah,

0:36:26.480 --> 0:36:30.000
<v Speaker 1>all the characters in this movie are white. And granted

0:36:30.040 --> 0:36:34.840
<v Speaker 1>it takes place in we can assume sometime before like

0:36:35.040 --> 0:36:39.360
<v Speaker 1>nineteen or eighteenth century Scandinavia, which is still an extremely

0:36:39.480 --> 0:36:44.960
<v Speaker 1>but it's also like a magical right, But Anna and

0:36:45.000 --> 0:36:49.279
<v Speaker 1>Elsa are you know, conventionally beautiful by Western standards, they're

0:36:49.360 --> 0:36:51.360
<v Speaker 1>very thin. They have like that body type that we

0:36:51.440 --> 0:36:55.640
<v Speaker 1>see in almost every Disney princess movie where it's like perfectly,

0:36:55.880 --> 0:36:58.759
<v Speaker 1>it's like, you know, proportioned in such a way, you know,

0:36:58.920 --> 0:37:03.879
<v Speaker 1>very narrow way, like wide hips, pretty sexualized for you know,

0:37:04.239 --> 0:37:09.160
<v Speaker 1>a movie that's directed towards children, more more covered than

0:37:09.239 --> 0:37:13.120
<v Speaker 1>you would find most princesses. At least at least they

0:37:13.160 --> 0:37:17.080
<v Speaker 1>are dressed weather appropriate, which though most times they aren't

0:37:17.600 --> 0:37:20.680
<v Speaker 1>because like Elsa after she turns everything into winter, is

0:37:20.719 --> 0:37:23.160
<v Speaker 1>still wearing like the top of her dress is still

0:37:23.200 --> 0:37:29.200
<v Speaker 1>mostly like her, isn't it. She does say that I

0:37:29.320 --> 0:37:32.720
<v Speaker 1>still never bothered me anyway, Yeah, welcome for my beautiful

0:37:32.719 --> 0:37:35.160
<v Speaker 1>singing voice. I would have to imagine she But also

0:37:35.200 --> 0:37:37.080
<v Speaker 1>it's like that is a choice. She has more hair

0:37:37.120 --> 0:37:42.799
<v Speaker 1>than a human that she was. She has upon her

0:37:43.000 --> 0:37:46.000
<v Speaker 1>head more hair than a human than I like an

0:37:46.000 --> 0:37:50.360
<v Speaker 1>actual person would have if she if you count the strands,

0:37:50.480 --> 0:37:57.840
<v Speaker 1>which but excuse me, Okay, we see these two characters

0:37:57.880 --> 0:38:00.120
<v Speaker 1>in this very specific body type that we see and

0:38:00.200 --> 0:38:02.880
<v Speaker 1>over again in Disney movies, and there's nothing wrong with

0:38:02.960 --> 0:38:05.600
<v Speaker 1>having a body type like this, but when it's pretty

0:38:05.680 --> 0:38:09.040
<v Speaker 1>much the only representation of a body type that you

0:38:09.080 --> 0:38:12.600
<v Speaker 1>see in these movies that are largely being seen by

0:38:12.880 --> 0:38:17.160
<v Speaker 1>young girls. These characters in these movies are influencing these

0:38:17.200 --> 0:38:21.040
<v Speaker 1>young audiences. And I think that movies have the responsibility

0:38:21.080 --> 0:38:24.080
<v Speaker 1>to show a vast range of body types and skin

0:38:24.160 --> 0:38:27.520
<v Speaker 1>colors and everything else. But when they're almost always like

0:38:27.600 --> 0:38:33.000
<v Speaker 1>this hour glass, very thin waist, very by Western standards conventionally,

0:38:33.400 --> 0:38:37.600
<v Speaker 1>the ideal that is irresponsible and and that goes beyond

0:38:37.640 --> 0:38:40.239
<v Speaker 1>just the movie too, because when we're talking about Disney movies,

0:38:40.280 --> 0:38:44.720
<v Speaker 1>we're also talking about merchandizing and like, what are studio

0:38:44.760 --> 0:38:49.000
<v Speaker 1>executives and people with money comfortable putting out into the

0:38:49.040 --> 0:38:53.319
<v Speaker 1>world because kids are I mean, as someone working out

0:38:53.320 --> 0:38:56.439
<v Speaker 1>of school. When this fucking movie came out, every kid

0:38:56.760 --> 0:39:00.680
<v Speaker 1>had frozen merchandise on the dolls, right, So, and it's

0:39:00.719 --> 0:39:02.759
<v Speaker 1>like if you see that same image over and over

0:39:02.760 --> 0:39:04.600
<v Speaker 1>and over, like this is the body you're going to see.

0:39:04.680 --> 0:39:08.160
<v Speaker 1>Every kid has merchandise with this body type on it,

0:39:08.320 --> 0:39:12.040
<v Speaker 1>this skin color, this like yeah, it's just it's there's

0:39:12.040 --> 0:39:14.800
<v Speaker 1>no argument that it doesn't funk with you to some extent,

0:39:14.880 --> 0:39:17.879
<v Speaker 1>and there's no there's no alternative with this movie with

0:39:17.960 --> 0:39:21.800
<v Speaker 1>the type of body that you see. It's just really

0:39:22.120 --> 0:39:26.719
<v Speaker 1>the only difference you get is the number of braids. Yeah,

0:39:26.960 --> 0:39:29.439
<v Speaker 1>you get the one or you get the two, both

0:39:29.480 --> 0:39:33.759
<v Speaker 1>filled with more hair than strands. I'm seeing that's more

0:39:33.800 --> 0:39:35.960
<v Speaker 1>than a human. That's a lot. It's a lot of

0:39:36.000 --> 0:39:42.680
<v Speaker 1>cig hair. Render that head, hackers, render that head. Render

0:39:42.760 --> 0:39:47.359
<v Speaker 1>this head of hair, you dirty little hackers. Oh So,

0:39:47.480 --> 0:39:51.040
<v Speaker 1>speaking of the songs, the Fixer Upper song I find

0:39:52.560 --> 0:39:56.759
<v Speaker 1>the worst, Yes, but you're not framing them that way.

0:39:56.840 --> 0:40:01.960
<v Speaker 1>To second that song again one of the many scenes

0:40:02.000 --> 0:40:05.360
<v Speaker 1>in this movie that is unneeded, but it just drives

0:40:05.520 --> 0:40:09.160
<v Speaker 1>home the point of this movie's agenda of like still

0:40:09.200 --> 0:40:13.160
<v Speaker 1>having on a be in a like romantic relationship or

0:40:13.200 --> 0:40:16.719
<v Speaker 1>a potential one, because like he brings her there to

0:40:17.160 --> 0:40:21.799
<v Speaker 1>his adopted family of troll people and he's like, hey,

0:40:21.960 --> 0:40:24.480
<v Speaker 1>she's dying, and we're like we don't care about that

0:40:24.600 --> 0:40:27.000
<v Speaker 1>right now. Actually we're going to sing a song about

0:40:27.000 --> 0:40:29.640
<v Speaker 1>how you should love our son, And it's just like,

0:40:29.760 --> 0:40:33.000
<v Speaker 1>why is that there? Why is that a focal point.

0:40:33.880 --> 0:40:35.799
<v Speaker 1>There's a part in the song where they say like

0:40:35.920 --> 0:40:38.520
<v Speaker 1>something about how like how he hides it he's the

0:40:38.560 --> 0:40:43.440
<v Speaker 1>honest good, which is a weird line. Yeah, it's just

0:40:43.520 --> 0:40:45.880
<v Speaker 1>like he's a real nice guy, but you wouldn't know

0:40:45.960 --> 0:40:49.359
<v Speaker 1>it based on the way he treats Yet, you know what,

0:40:48.520 --> 0:40:54.960
<v Speaker 1>I'm I'm taking. Fix her Upper is now fourth worst,

0:40:55.320 --> 0:40:59.520
<v Speaker 1>and build a Snowman is fifth fifth worst. Okay, I'm

0:40:59.600 --> 0:41:02.880
<v Speaker 1>I'm a ky with that switch. I'm okay, Okay. So

0:41:02.920 --> 0:41:05.560
<v Speaker 1>then the next story beat after that song is when

0:41:05.960 --> 0:41:10.560
<v Speaker 1>the trolls are like, hey, you need an act of

0:41:10.600 --> 0:41:14.560
<v Speaker 1>true love to melt this frozen heart. They interpret that

0:41:14.600 --> 0:41:17.200
<v Speaker 1>to mean, because you know, they've probably read a bunch

0:41:17.200 --> 0:41:27.280
<v Speaker 1>of fairy tales themselves. Everyone involved are like, oh, yeah,

0:41:27.400 --> 0:41:30.600
<v Speaker 1>that must mean a true loves kiss. There's an other

0:41:30.640 --> 0:41:34.320
<v Speaker 1>attempt at them subverting, right. I think this movie sends

0:41:34.320 --> 0:41:38.399
<v Speaker 1>a positive message to its young viewers that rather than

0:41:38.560 --> 0:41:41.719
<v Speaker 1>a hetero kiss between a man and a woman, it

0:41:41.840 --> 0:41:45.720
<v Speaker 1>was like the familial love between two sisters that saves

0:41:45.760 --> 0:41:49.520
<v Speaker 1>the day, because up until that point, most Disney fairy

0:41:49.520 --> 0:41:52.440
<v Speaker 1>tales where if there is a curse to be broken,

0:41:52.520 --> 0:41:56.440
<v Speaker 1>if there is something that needs to be fixed, it

0:41:56.600 --> 0:42:00.920
<v Speaker 1>is often a hetero kiss that saves the day. Right, So,

0:42:01.000 --> 0:42:03.000
<v Speaker 1>at least this movie does not go in that direction.

0:42:03.680 --> 0:42:05.960
<v Speaker 1>There is a kiss though at the end I think

0:42:05.960 --> 0:42:12.920
<v Speaker 1>this is noteworthy because Christoph asks for consent and actually

0:42:12.960 --> 0:42:15.880
<v Speaker 1>that's a great point. Yeah, because she replaced his sled

0:42:15.960 --> 0:42:17.920
<v Speaker 1>that she sucked up like she said she would, Anna

0:42:18.000 --> 0:42:21.319
<v Speaker 1>did fair. She's rich, she's extremely wealthy. That was the

0:42:21.360 --> 0:42:23.160
<v Speaker 1>only thing I thought. When she's like, I'll replace it

0:42:23.239 --> 0:42:28.520
<v Speaker 1>and everything in it, I was like, well, good for you. Right.

0:42:29.200 --> 0:42:32.640
<v Speaker 1>So he's really happy about his new sled and he's like,

0:42:32.840 --> 0:42:35.319
<v Speaker 1>oh my god, I'm so happy. I could kiss you,

0:42:35.560 --> 0:42:39.120
<v Speaker 1>but I won't, but could I maybe? And then she's like,

0:42:39.239 --> 0:42:41.279
<v Speaker 1>you may. She gives him a little peck on the

0:42:41.400 --> 0:42:48.840
<v Speaker 1>cheek and then he's like and then they go, Okay,

0:42:49.239 --> 0:42:54.600
<v Speaker 1>this sounds my worst. It sounds like you're taking something.

0:42:56.760 --> 0:43:00.759
<v Speaker 1>I'm sucking the soul out of everyone I kiss, or

0:43:00.800 --> 0:43:05.359
<v Speaker 1>a cartoon character running away really fast, leaving the friend. Yeah.

0:43:06.120 --> 0:43:08.560
<v Speaker 1>So I think this movie does send a very positive

0:43:08.640 --> 0:43:13.160
<v Speaker 1>message to its young audiences that asking for consent to

0:43:13.239 --> 0:43:17.360
<v Speaker 1>kiss someone is actually hot. It's hot and it's cute,

0:43:17.520 --> 0:43:21.680
<v Speaker 1>and it should be done more often. Yes. So, uh,

0:43:21.719 --> 0:43:25.120
<v Speaker 1>that I think is worth noting. Um. I wanted to

0:43:25.160 --> 0:43:30.400
<v Speaker 1>talk a little bit about Else's powers, her cairo kinetic magic.

0:43:33.400 --> 0:43:39.160
<v Speaker 1>Off the top of my head Ye, cry Magic who

0:43:39.320 --> 0:43:43.480
<v Speaker 1>she only shares this powers with Ice Man from the

0:43:43.680 --> 0:43:48.040
<v Speaker 1>X Men and Sub Zero from Mortal Kombat? What about

0:43:49.120 --> 0:43:52.799
<v Speaker 1>I forget that and some other things too, But those

0:43:52.840 --> 0:44:01.359
<v Speaker 1>are the only ones that Mr Freeze mr himself? Yeah, okay, yes,

0:44:01.560 --> 0:44:06.440
<v Speaker 1>who what's the is it? Free Frozen Frozen from The Incredible?

0:44:06.800 --> 0:44:12.640
<v Speaker 1>I think it's Frozen Frozen. That's that sounds terrible. Wait

0:44:12.719 --> 0:44:14.520
<v Speaker 1>is that really the name of the character. No, I

0:44:14.560 --> 0:44:16.919
<v Speaker 1>have no idea. No, I'm pretty sure it is. Yeah,

0:44:16.920 --> 0:44:21.400
<v Speaker 1>it is Frozen Frozen. That's well, a lot of characters

0:44:21.400 --> 0:44:24.879
<v Speaker 1>that turns out have this power. What is it? It's

0:44:24.920 --> 0:44:28.520
<v Speaker 1>of course cryo kinetic magic. Of course, of course it is.

0:44:29.000 --> 0:44:31.399
<v Speaker 1>Are all the characters that you mentioned all the other ones?

0:44:31.440 --> 0:44:34.920
<v Speaker 1>Are they all? Were they all men? Yes? Sub Zero?

0:44:35.239 --> 0:44:37.000
<v Speaker 1>I think this is the only one I'm on the

0:44:37.040 --> 0:44:39.480
<v Speaker 1>fence about. But a problem is that the Mortal Kombat

0:44:39.600 --> 0:44:43.840
<v Speaker 1>can't find the character's name is Frozen. It's like Zone

0:44:43.920 --> 0:44:48.400
<v Speaker 1>but FROZENO. The only black character in that movie is

0:44:48.480 --> 0:44:51.720
<v Speaker 1>named Frozen. Yeah, it's not good. That's not good. Well,

0:44:52.160 --> 0:44:54.640
<v Speaker 1>I guess we got to do an incredible episode. Well,

0:44:55.000 --> 0:44:58.960
<v Speaker 1>can't be right? Sequels coming out? True, sub zeros thing.

0:44:59.000 --> 0:45:03.439
<v Speaker 1>He says, You're about to get really cool, says get

0:45:03.480 --> 0:45:07.719
<v Speaker 1>over here. One of my favorite bad movies Jack Frost.

0:45:08.080 --> 0:45:11.720
<v Speaker 1>Oh yeah, I recently just watched that. Very recently. Movies

0:45:11.960 --> 0:45:16.359
<v Speaker 1>Crazy Christmas time, I watched it Wait this Christmas two

0:45:16.360 --> 0:45:20.160
<v Speaker 1>thousand seventeen, The Michael Keaton one, Who Made You? Who

0:45:20.160 --> 0:45:22.319
<v Speaker 1>Made You Want It? I think it might have been

0:45:22.360 --> 0:45:27.560
<v Speaker 1>self inflicted that because doesn't he's like a bad dad

0:45:27.760 --> 0:45:32.160
<v Speaker 1>who died. He's like a rocking blues magician and like

0:45:32.200 --> 0:45:35.200
<v Speaker 1>a cover band. Yeah, well, they seems like they're gonna

0:45:35.200 --> 0:45:37.000
<v Speaker 1>get signed. I don't know if they're cover band, but

0:45:37.239 --> 0:45:39.719
<v Speaker 1>they might as well be. He died. He died and

0:45:39.760 --> 0:45:43.920
<v Speaker 1>then comes back as a terrifying anthropomorphic snowman that has

0:45:44.000 --> 0:45:47.759
<v Speaker 1>to repair his relationship with his children. It's horrible. It's

0:45:47.840 --> 0:45:51.719
<v Speaker 1>really scary, very scary, and it works so well. That's

0:45:51.719 --> 0:45:56.080
<v Speaker 1>the scariest part of all. So in movies, when women

0:45:56.120 --> 0:45:59.840
<v Speaker 1>are given powers, they are usually either an evil witch

0:46:00.520 --> 0:46:05.719
<v Speaker 1>or a supervillain. Examples include The Wicked Witch of the West, Ursula,

0:46:06.239 --> 0:46:10.520
<v Speaker 1>the Evil Queen from Snow White, Melissa Mellifus, Melissa Cassa.

0:46:14.640 --> 0:46:20.239
<v Speaker 1>It sells that you really feel about melissas a witch.

0:46:21.600 --> 0:46:23.759
<v Speaker 1>What I meant to say is I have loved that

0:46:23.840 --> 0:46:29.000
<v Speaker 1>new element of Taxbo cast Laws believes Melissa McCarthy is

0:46:29.200 --> 0:46:35.320
<v Speaker 1>pure evil. Um, but who I actually think is evil

0:46:35.480 --> 0:46:40.520
<v Speaker 1>is Mallificent. There we go from Sleeping Beauty the Ice Queen,

0:46:40.680 --> 0:46:44.120
<v Speaker 1>which from the Len the Witch and the Wardrobe mystique

0:46:44.239 --> 0:46:46.440
<v Speaker 1>from X Men, we've got Poison Ivy, where there's a

0:46:46.440 --> 0:46:49.279
<v Speaker 1>whole laundry list of others. So it's either that or

0:46:49.440 --> 0:46:52.400
<v Speaker 1>if a woman has given powers and movies she's perceived

0:46:52.400 --> 0:46:54.799
<v Speaker 1>as being like too dangerous and that she should not

0:46:54.880 --> 0:46:57.640
<v Speaker 1>harness these powers and that or that she just shouldn't

0:46:57.719 --> 0:47:00.560
<v Speaker 1>like use them in general. Um, we see this from

0:47:00.560 --> 0:47:03.480
<v Speaker 1>like Rogue an x Men. I feel like this is

0:47:03.480 --> 0:47:07.600
<v Speaker 1>a thing in Wanda from The Avengers Princess Leia, we

0:47:07.640 --> 0:47:09.920
<v Speaker 1>don't even know she has force powers pretty much until

0:47:10.440 --> 0:47:13.960
<v Speaker 1>like five movies into the franchise. The Love Fairy and

0:47:14.120 --> 0:47:19.200
<v Speaker 1>Pussy Saga is U doesn't use her powers right away,

0:47:19.360 --> 0:47:23.640
<v Speaker 1>but then once she's liberated. Another great example, she's just

0:47:23.840 --> 0:47:27.040
<v Speaker 1>naming a lot of lores. Sure, did you beat the game?

0:47:27.480 --> 0:47:29.680
<v Speaker 1>It's impossible to beat the game. It actually ends up

0:47:29.719 --> 0:47:32.799
<v Speaker 1>kind of becoming this existential nightmare where you're said that

0:47:33.600 --> 0:47:35.360
<v Speaker 1>is that why it says you won't last five minutes,

0:47:35.560 --> 0:47:39.160
<v Speaker 1>you're giving you can last ten hours and not they

0:47:39.200 --> 0:47:41.200
<v Speaker 1>give you a goal. And then I achieved the goal

0:47:41.280 --> 0:47:43.840
<v Speaker 1>and there was nowhere no one acknowledged that I achieved

0:47:43.880 --> 0:47:45.480
<v Speaker 1>the goal, and they're like, you should give all your

0:47:45.520 --> 0:47:48.400
<v Speaker 1>points and open a movie theater. And it ends up

0:47:48.440 --> 0:47:52.920
<v Speaker 1>being this weird real estate scam. It's one that probably

0:47:53.040 --> 0:47:55.399
<v Speaker 1>plays it for ten hours. They know they don't expect

0:47:55.440 --> 0:47:58.920
<v Speaker 1>you to get that far. I was completely horny neutral

0:48:00.080 --> 0:48:02.319
<v Speaker 1>or played for ten straight hours, and I was like,

0:48:02.360 --> 0:48:05.680
<v Speaker 1>I'm ready to rescue the Poets Safo, which was the

0:48:05.760 --> 0:48:08.600
<v Speaker 1>goal said at the beginning of the game. And then

0:48:08.640 --> 0:48:11.120
<v Speaker 1>I went to the love Fairy who had given me

0:48:11.160 --> 0:48:15.360
<v Speaker 1>the phone where I get all the anti sex after

0:48:15.400 --> 0:48:18.480
<v Speaker 1>I solve every puzzle. It's my reward, is my anti sex.

0:48:18.880 --> 0:48:22.400
<v Speaker 1>And I returned the phone. I say, here, here's the

0:48:22.400 --> 0:48:24.439
<v Speaker 1>come of five women. As I told you, i'd bring

0:48:24.440 --> 0:48:27.040
<v Speaker 1>back Release the Poets Afo, and she says, do you

0:48:27.080 --> 0:48:29.680
<v Speaker 1>want to open a movie theater and that you can't,

0:48:30.320 --> 0:48:32.400
<v Speaker 1>and then you just they drop it. They don't expect

0:48:32.440 --> 0:48:37.760
<v Speaker 1>you to get that faro rude anyways with women having powers.

0:48:39.640 --> 0:48:44.000
<v Speaker 1>When men have powers in movies, it's like makes them

0:48:44.239 --> 0:48:48.520
<v Speaker 1>strong and powerful. There are some exceptions and sometimes yes,

0:48:48.600 --> 0:48:50.799
<v Speaker 1>like they have to keep them a secret from their

0:48:50.840 --> 0:48:54.919
<v Speaker 1>family or from whatever. But by and large, a man

0:48:55.239 --> 0:48:59.200
<v Speaker 1>having powers in movies means he's a superhero or he's

0:48:59.200 --> 0:49:01.560
<v Speaker 1>going to save the day and he's just strong and powerful,

0:49:01.880 --> 0:49:05.280
<v Speaker 1>or even if he's like a villain, like he's still crafty, cunning,

0:49:05.360 --> 0:49:08.080
<v Speaker 1>like wow, like look, how cool. So this applies to

0:49:08.120 --> 0:49:12.160
<v Speaker 1>this movie Frozen because she has given this like awesome power.

0:49:12.239 --> 0:49:14.680
<v Speaker 1>We don't really understand where it comes from or why

0:49:14.719 --> 0:49:17.040
<v Speaker 1>this happens, but there's you know, it's a magical world

0:49:17.080 --> 0:49:21.480
<v Speaker 1>with stone troll people and snowmen that can come to life.

0:49:21.520 --> 0:49:24.040
<v Speaker 1>So sure those are the rules of the world, and

0:49:24.080 --> 0:49:28.399
<v Speaker 1>we just suspend our disbelief. I guess world Josh Gad

0:49:28.600 --> 0:49:34.040
<v Speaker 1>can exist freely, including ours I have a problem with.

0:49:34.320 --> 0:49:37.279
<v Speaker 1>But so she's given powers, but the whole time she

0:49:37.400 --> 0:49:40.560
<v Speaker 1>is encouraged not to use them or that it's going

0:49:40.600 --> 0:49:44.719
<v Speaker 1>to be too dangerous, and it's just like this, Uh,

0:49:44.840 --> 0:49:47.319
<v Speaker 1>I feel like if a little boy discovered that he

0:49:47.360 --> 0:49:49.880
<v Speaker 1>had these same powers his parents in whatever movie it

0:49:49.960 --> 0:49:51.719
<v Speaker 1>was would be like, Wow, these are cool. You have

0:49:51.800 --> 0:49:54.080
<v Speaker 1>to harness these and learn how to like channel them

0:49:54.080 --> 0:49:57.120
<v Speaker 1>and make yourself awesome. Well, I think that the story

0:49:57.160 --> 0:50:00.040
<v Speaker 1>at least gives you a reason why they try to

0:50:00.120 --> 0:50:02.080
<v Speaker 1>suppress her powers, which is that she hurts her sister.

0:50:02.560 --> 0:50:05.080
<v Speaker 1>I think that the punishment that they come up with,

0:50:05.200 --> 0:50:08.000
<v Speaker 1>given that they seem to have unlimited means, is a

0:50:08.040 --> 0:50:12.439
<v Speaker 1>little harsh and they could have maybe consulted another third part.

0:50:12.560 --> 0:50:16.880
<v Speaker 1>But I guess the trolls were like that stupid. Yeah,

0:50:16.920 --> 0:50:19.520
<v Speaker 1>that's like I thought, was that I don't understand why

0:50:19.520 --> 0:50:23.640
<v Speaker 1>they had to be keep them separated, and that also like, realistically,

0:50:23.640 --> 0:50:27.080
<v Speaker 1>we're supposed to believe they actually remained separate that whole time,

0:50:27.200 --> 0:50:30.920
<v Speaker 1>even when they were dead away, right when their parents

0:50:30.960 --> 0:50:33.279
<v Speaker 1>were right I'm like, why couldn't you just hang out now,

0:50:33.520 --> 0:50:36.239
<v Speaker 1>like their funeral they didn't go to that, or was

0:50:36.280 --> 0:50:39.200
<v Speaker 1>the whole funeral just putting that piece of black cloth

0:50:39.320 --> 0:50:48.400
<v Speaker 1>over there, draped over there, drap drape Malfoy that thing

0:50:48.560 --> 0:50:53.160
<v Speaker 1>up and send it. But they Um, Oh, what I

0:50:53.200 --> 0:50:56.440
<v Speaker 1>was gonna say is I feel like her powers being

0:50:56.440 --> 0:50:58.680
<v Speaker 1>suppressed is obviously. I feel like the movie at least

0:50:58.760 --> 0:51:00.960
<v Speaker 1>makes it clear that they're doing the wrong thing by

0:51:01.000 --> 0:51:04.280
<v Speaker 1>doing that, and that eventually, by the end of the movie,

0:51:04.680 --> 0:51:08.719
<v Speaker 1>it is changed and she is able to recognize that

0:51:08.760 --> 0:51:11.560
<v Speaker 1>her powers do have value and it's just a matter

0:51:11.719 --> 0:51:14.240
<v Speaker 1>of how she uses them. But I had a problem

0:51:14.280 --> 0:51:17.560
<v Speaker 1>with that. I don't think this happens with male characters

0:51:17.640 --> 0:51:20.640
<v Speaker 1>at least as often, and I don't watch movies where

0:51:20.640 --> 0:51:23.640
<v Speaker 1>people have superpowers very much because I'm a fucking adult,

0:51:23.960 --> 0:51:28.000
<v Speaker 1>so I don't really know. But the fact that else's

0:51:28.040 --> 0:51:30.680
<v Speaker 1>powers every time it goes wrong is because it's her

0:51:30.719 --> 0:51:34.760
<v Speaker 1>powers are sort of dictated by her emotions is something

0:51:34.800 --> 0:51:37.719
<v Speaker 1>that I found a little bit annoying of, like, well,

0:51:37.920 --> 0:51:40.719
<v Speaker 1>she just can't get her emotions under control, which is

0:51:40.719 --> 0:51:44.360
<v Speaker 1>a common criticism of women. So that's why her powers

0:51:44.440 --> 0:51:47.120
<v Speaker 1>keep hurting people, because like, her emotions aren't in check.

0:51:47.600 --> 0:51:49.960
<v Speaker 1>That's not that's not something you hear about when a

0:51:50.000 --> 0:51:52.840
<v Speaker 1>guy's like, I mean, there's a million montages of a

0:51:52.880 --> 0:51:55.759
<v Speaker 1>man honing his powers, but it's not quite as put

0:51:55.840 --> 0:52:00.560
<v Speaker 1>upon is like, well, you're you're like emotions are an issue. Yeah.

0:52:00.560 --> 0:52:03.000
<v Speaker 1>I feel like that's like a fairy tale version of saying,

0:52:03.040 --> 0:52:07.520
<v Speaker 1>like women be crazy, right, A little bit yeah, so

0:52:07.760 --> 0:52:10.520
<v Speaker 1>that was my issh. And yeah, the movie does make

0:52:10.520 --> 0:52:13.680
<v Speaker 1>an attempt to say, like, oh, this was the wrong

0:52:13.719 --> 0:52:16.600
<v Speaker 1>way to go about this because her suppressing those emotions

0:52:16.640 --> 0:52:21.520
<v Speaker 1>that apparently like exacerbate her ice powers. I'm sorry her

0:52:22.320 --> 0:52:29.359
<v Speaker 1>cryoecticut edgy magic. But still it's like by the end,

0:52:29.640 --> 0:52:32.880
<v Speaker 1>she like she hones her powers by keeping her emotions

0:52:32.880 --> 0:52:35.160
<v Speaker 1>more in check, right, Like, I feel like that's not

0:52:35.400 --> 0:52:40.000
<v Speaker 1>fully well, no, you could argue that to me. It's

0:52:40.040 --> 0:52:43.920
<v Speaker 1>she realizes that love and like letting people in is

0:52:43.960 --> 0:52:47.040
<v Speaker 1>the thing that allows her to contros or that at

0:52:47.120 --> 0:52:52.080
<v Speaker 1>least allows her to unfreeze the Eternal Winter and to

0:52:52.200 --> 0:52:55.080
<v Speaker 1>like saw it all out. But that's also it's a

0:52:55.120 --> 0:52:59.520
<v Speaker 1>horrible lesson. If you're vulnerable, you'll just get gaslighted by

0:52:59.520 --> 0:53:03.160
<v Speaker 1>a ute Hubert. That's what happens when you're vulnerable with yourself. Well,

0:53:03.200 --> 0:53:05.200
<v Speaker 1>the problem is, I think, I mean, that's one of

0:53:05.200 --> 0:53:07.399
<v Speaker 1>the reasons I don't think this movie is very good

0:53:07.480 --> 0:53:09.560
<v Speaker 1>or very well written. Is it. The rules of her

0:53:09.600 --> 0:53:12.759
<v Speaker 1>powers and just the world building in general is not

0:53:12.960 --> 0:53:16.640
<v Speaker 1>very good and it leads to some story problems and

0:53:16.680 --> 0:53:20.520
<v Speaker 1>stuff like that. But um, yeah, at least the movie,

0:53:20.719 --> 0:53:25.360
<v Speaker 1>as we've discussed before subverts enough of the like Disney

0:53:25.440 --> 0:53:29.440
<v Speaker 1>fairytale tropes that it isn't like another replica of some

0:53:29.520 --> 0:53:32.080
<v Speaker 1>of the more problematic ones that we've talked about, like

0:53:32.360 --> 0:53:36.440
<v Speaker 1>snow White. Um, so, I mean, Present is considerably less

0:53:36.440 --> 0:53:41.239
<v Speaker 1>problematic than most Princess movies, but it's still that does

0:53:41.280 --> 0:53:43.680
<v Speaker 1>not mean it does a good job. That is just

0:53:43.719 --> 0:53:46.920
<v Speaker 1>such a low bar to clear. Perhaps all of these

0:53:47.040 --> 0:53:52.759
<v Speaker 1>problems will be fixed in Frozen two November. Does that

0:53:52.800 --> 0:53:55.680
<v Speaker 1>really happen? Is that your plug? Yeah, that's my plug.

0:53:56.480 --> 0:53:59.959
<v Speaker 1>I'd like to plug Present it really needs some big

0:54:00.000 --> 0:54:03.799
<v Speaker 1>marketing boost. Yeah, I hope so, I mean I would

0:54:03.800 --> 0:54:06.719
<v Speaker 1>be interested in because I mean, you think between late

0:54:07.719 --> 0:54:11.480
<v Speaker 1>and now there has been a pretty significant cultural shift

0:54:12.520 --> 0:54:14.600
<v Speaker 1>that I would hope it'd be reflected in the movie.

0:54:14.600 --> 0:54:18.040
<v Speaker 1>But I don't know. And speaking okay, so I a

0:54:18.080 --> 0:54:20.080
<v Speaker 1>lot of I remember at the time of this coming out,

0:54:20.120 --> 0:54:24.040
<v Speaker 1>a lot of the conversation around this movie was that

0:54:24.760 --> 0:54:27.920
<v Speaker 1>some people felt and it is certainly not explicitly stated

0:54:27.960 --> 0:54:31.360
<v Speaker 1>by the movie in any way and carefully done to

0:54:31.480 --> 0:54:37.200
<v Speaker 1>not state that that Elsa is coded queer. That's something

0:54:37.239 --> 0:54:41.640
<v Speaker 1>I've heard over and over again. It's like, especially like

0:54:41.960 --> 0:54:45.080
<v Speaker 1>even a couple of years ago. Disney would never like

0:54:45.480 --> 0:54:51.480
<v Speaker 1>Disney notoriously codes characters queer but as bad as queer villains,

0:54:51.520 --> 0:54:54.359
<v Speaker 1>like that is their bread and butter, and then this way.

0:54:54.400 --> 0:54:57.680
<v Speaker 1>I think it's interesting that many people read Elsa as

0:54:57.800 --> 0:55:00.640
<v Speaker 1>coded queer. I don't disagree with it. I certainly see

0:55:00.640 --> 0:55:03.520
<v Speaker 1>what they're saying, but I feel like part of the

0:55:03.520 --> 0:55:06.359
<v Speaker 1>reason that that is and it is ultimately a net

0:55:06.360 --> 0:55:09.839
<v Speaker 1>positive thing, I think for for kids seeing the movie.

0:55:10.120 --> 0:55:12.360
<v Speaker 1>But I think that the reason that happened is because

0:55:12.360 --> 0:55:15.319
<v Speaker 1>she started as a villain. In the first draft of

0:55:15.320 --> 0:55:19.840
<v Speaker 1>the character, she was a queer villain character. They softened

0:55:19.920 --> 0:55:22.160
<v Speaker 1>her to the point where she was an equally likable

0:55:22.239 --> 0:55:25.720
<v Speaker 1>character to the protagonist. But like that element of the character,

0:55:25.880 --> 0:55:30.319
<v Speaker 1>I think, like to some extent state intact because I

0:55:30.320 --> 0:55:33.080
<v Speaker 1>don't know, I feel like the way that Disney codes

0:55:33.280 --> 0:55:38.960
<v Speaker 1>characters as queer besides evil is alone. Well, that's what

0:55:39.000 --> 0:55:41.040
<v Speaker 1>I was going to ask, is what is the reason

0:55:41.200 --> 0:55:44.440
<v Speaker 1>that people were perceiving her or feeling that she was

0:55:44.520 --> 0:55:48.640
<v Speaker 1>coded as being queer. Is it only because she doesn't

0:55:48.640 --> 0:55:51.360
<v Speaker 1>have a love interest. I think that that's part of

0:55:51.400 --> 0:55:53.120
<v Speaker 1>the reason. I'd have to go I'd have to go

0:55:53.440 --> 0:55:56.600
<v Speaker 1>deep into, Like I think that there's a number of

0:55:56.600 --> 0:55:59.239
<v Speaker 1>ways to come at it. I know that for a

0:55:59.320 --> 0:56:02.280
<v Speaker 1>lot of people, I mean, just based on the research

0:56:02.360 --> 0:56:05.520
<v Speaker 1>he did. When the movie came out, people interpreted her

0:56:05.719 --> 0:56:10.160
<v Speaker 1>being isolated and not pursuing any love interest in the

0:56:10.200 --> 0:56:13.920
<v Speaker 1>movie as a possible way of queer cutting, which is

0:56:14.200 --> 0:56:17.399
<v Speaker 1>kind of like depressing when you think about it. Is like,

0:56:18.160 --> 0:56:21.000
<v Speaker 1>you know, a queer character it has to be alone,

0:56:21.640 --> 0:56:25.080
<v Speaker 1>and uh, straight character has to end up with someone

0:56:25.160 --> 0:56:28.680
<v Speaker 1>like it just the rules of that world become very

0:56:28.680 --> 0:56:32.360
<v Speaker 1>fun very quickly, and strate characters in this movie is

0:56:32.400 --> 0:56:36.200
<v Speaker 1>an example. There's often more than one person pursuing her

0:56:36.200 --> 0:56:39.200
<v Speaker 1>because she's got I mean, Hans ends up being a

0:56:39.239 --> 0:56:41.680
<v Speaker 1>bad guy who's not actually a love interest of hers,

0:56:41.719 --> 0:56:44.520
<v Speaker 1>but she doesn't know that until towards the end. As

0:56:44.560 --> 0:56:48.080
<v Speaker 1>far as she's concerned, he loves her and he's her fiance.

0:56:48.239 --> 0:56:52.799
<v Speaker 1>And then meanwhile, like Christoph is like the scrappy, mean

0:56:53.040 --> 0:56:56.440
<v Speaker 1>person who is also secretly developing a crush on her,

0:56:56.480 --> 0:56:58.680
<v Speaker 1>but you could never tell her that because she's too

0:56:59.320 --> 0:57:02.960
<v Speaker 1>mean or whatever. But yeah, that I'd be interested to

0:57:03.040 --> 0:57:05.520
<v Speaker 1>learn more about that. There was do you remember, though,

0:57:05.560 --> 0:57:08.040
<v Speaker 1>there was like that big movement on Twitter. I remember

0:57:08.080 --> 0:57:11.960
<v Speaker 1>this just from being a frequent tweeter. There was like

0:57:12.040 --> 0:57:17.320
<v Speaker 1>brag sorry, but there was like hashtag give Elsa a girlfriend,

0:57:17.400 --> 0:57:21.280
<v Speaker 1>Like were very deep into viewing Elsa as like a

0:57:21.320 --> 0:57:24.680
<v Speaker 1>positive queer role model, which again I think is like

0:57:24.720 --> 0:57:28.000
<v Speaker 1>a net positive move, but also that you have to

0:57:28.080 --> 0:57:32.800
<v Speaker 1>dig through so many layers of creating meaning where the

0:57:32.800 --> 0:57:35.440
<v Speaker 1>movie isn't necessarily giving you much to go on. To

0:57:35.600 --> 0:57:38.520
<v Speaker 1>find a queer character in a movie for kids is

0:57:38.560 --> 0:57:42.240
<v Speaker 1>like frustrating. Wasn't the most recent Beauty and the Beast

0:57:42.280 --> 0:57:45.880
<v Speaker 1>the first time they had Josh, which is why I

0:57:45.920 --> 0:57:49.560
<v Speaker 1>don't hate him no, because first of all, that like

0:57:49.640 --> 0:57:51.880
<v Speaker 1>a queer moment in Beauty and the Beast is total

0:57:51.960 --> 0:57:56.280
<v Speaker 1>bullshit and Jock Gad is horrible. But getting back to

0:57:57.320 --> 0:58:01.480
<v Speaker 1>queer undertones and Frozen, I'm seeing and and this makes sense.

0:58:01.520 --> 0:58:04.560
<v Speaker 1>I again, it's like open to interpretation and everyone's going

0:58:04.600 --> 0:58:08.680
<v Speaker 1>to view this movie differently. I viewed Else's suppression of

0:58:08.720 --> 0:58:13.400
<v Speaker 1>her powers as more of like a femininity thing of like, here,

0:58:13.480 --> 0:58:16.640
<v Speaker 1>you're awesome, but keep it hidden so that you are

0:58:16.840 --> 0:58:19.880
<v Speaker 1>able to move through the world and you know, like,

0:58:19.920 --> 0:58:22.800
<v Speaker 1>don't become too powerful. I viewed that just seeing it

0:58:22.800 --> 0:58:25.240
<v Speaker 1>today is like a feminine thing, but a lot of

0:58:25.240 --> 0:58:26.960
<v Speaker 1>people view that as the experience of being in the

0:58:26.960 --> 0:58:31.960
<v Speaker 1>closet um, so that creates else's arc as like hiding

0:58:32.000 --> 0:58:35.160
<v Speaker 1>herself away from the world, isolating herself because she's not

0:58:35.200 --> 0:58:37.200
<v Speaker 1>comfortable with herself, she doesn't know how to be around

0:58:37.200 --> 0:58:40.040
<v Speaker 1>other people. And I guess that that is too many

0:58:40.120 --> 0:58:42.960
<v Speaker 1>viewers read as the experience of being in the closet

0:58:43.040 --> 0:58:45.920
<v Speaker 1>and then going back into the world as your authentic

0:58:45.960 --> 0:58:49.160
<v Speaker 1>self looking at it through that lens. Yeah, that's really

0:58:49.200 --> 0:58:52.360
<v Speaker 1>interesting because she does have that let it go very

0:58:52.400 --> 0:59:00.160
<v Speaker 1>empowering song slash moment the seventh seventh, So that's you

0:59:00.160 --> 0:59:03.480
<v Speaker 1>could maybe argue is like a parallel to her coming out.

0:59:04.000 --> 0:59:05.680
<v Speaker 1>Part of me is like, I guess that's kind of

0:59:05.680 --> 0:59:09.320
<v Speaker 1>cool that they if that was like their idea to

0:59:09.520 --> 0:59:13.800
<v Speaker 1>kind of leave it open to interpretations, so many different

0:59:13.800 --> 0:59:18.080
<v Speaker 1>people could insert themselves into the experience and put their

0:59:18.080 --> 0:59:21.360
<v Speaker 1>own experience into it. But I it would be way

0:59:21.400 --> 0:59:23.920
<v Speaker 1>more cool if there was a person that was like

0:59:24.000 --> 0:59:27.320
<v Speaker 1>explicitly right, because I don't think a lot of kids

0:59:27.320 --> 0:59:30.000
<v Speaker 1>are like watching this and writing that you know they're

0:59:30.040 --> 0:59:32.640
<v Speaker 1>not and not to that's again the intended audience of

0:59:32.680 --> 0:59:36.680
<v Speaker 1>this movie. So for children's movies, things like that, I

0:59:36.720 --> 0:59:38.880
<v Speaker 1>feel like do have to be more explicit because they're

0:59:38.920 --> 0:59:43.680
<v Speaker 1>not going to get I agree. I just think it

0:59:43.760 --> 0:59:46.840
<v Speaker 1>was interesting that it had such a profound yeah infect

0:59:47.080 --> 0:59:50.640
<v Speaker 1>and then also the inverse of that being that churches

0:59:50.720 --> 0:59:54.120
<v Speaker 1>got mad that also didn't have a boyfriend. Oh and

0:59:54.320 --> 0:59:56.520
<v Speaker 1>really and also if you that as queer cutting of

0:59:56.680 --> 1:00:00.240
<v Speaker 1>not having a boyfriend equals you are gay, bad news

1:00:00.280 --> 1:00:04.320
<v Speaker 1>for me in high school. So interesting. Yeah, So that

1:00:04.520 --> 1:00:08.400
<v Speaker 1>is I assumed, I've because I was aware of that

1:00:08.880 --> 1:00:11.240
<v Speaker 1>going into this and had a few notes to that.

1:00:11.280 --> 1:00:13.240
<v Speaker 1>For some reason, I didn't remember that happening at all,

1:00:13.280 --> 1:00:16.840
<v Speaker 1>but I am not as frequently tweeter, so maybe that's

1:00:16.880 --> 1:00:19.720
<v Speaker 1>why there's I don't know. Yeah, I thought that was interesting,

1:00:19.760 --> 1:00:21.960
<v Speaker 1>and that's something I'm very interested to see if they

1:00:22.000 --> 1:00:24.120
<v Speaker 1>do anything within Frozen two, because it was such a

1:00:24.120 --> 1:00:27.360
<v Speaker 1>big response and it's like, are they going to do

1:00:27.600 --> 1:00:31.360
<v Speaker 1>something good? Yeah, because I can't imagine that Disney would

1:00:31.680 --> 1:00:35.880
<v Speaker 1>commit to her being alone again for a whole movie, right,

1:00:35.920 --> 1:00:40.000
<v Speaker 1>but if they give her a boyfriend, people will be yeah, exactly, Yeah, definitely,

1:00:41.720 --> 1:00:45.080
<v Speaker 1>So let's see Jennifer Lee. I mean, I'm pretty down

1:00:45.160 --> 1:00:47.360
<v Speaker 1>for Jennifer Lee the writer. I don't know if she's

1:00:47.400 --> 1:00:50.440
<v Speaker 1>writing Frozen two. I hope she is. She is, because

1:00:51.040 --> 1:00:55.040
<v Speaker 1>I don't know she's at least directing it, directing it again.

1:00:55.200 --> 1:00:59.000
<v Speaker 1>And there was a There's been a few like little

1:00:59.040 --> 1:01:02.000
<v Speaker 1>Frozen things like Olaf's Frozen Adventure. I didn't see that.

1:01:02.040 --> 1:01:07.960
<v Speaker 1>There's something called Frozen Fever that I hated, like a paradox. Yeah,

1:01:08.120 --> 1:01:10.360
<v Speaker 1>when I watched it, it made me realize that Frozen

1:01:10.680 --> 1:01:13.120
<v Speaker 1>has been for kids all along, and I was like

1:01:13.360 --> 1:01:18.640
<v Speaker 1>the second this is a cartoon for children, but it's

1:01:18.640 --> 1:01:22.600
<v Speaker 1>also something that anyone, if any age, can enjoy. Yeah,

1:01:22.600 --> 1:01:26.160
<v Speaker 1>and I did, if it appeals to them personally, I

1:01:26.320 --> 1:01:31.200
<v Speaker 1>much prefer mo Wanna. Zotopia was great. They sing in Zootopia.

1:01:31.560 --> 1:01:35.520
<v Speaker 1>They don't Well. Something we see in Frozen that we

1:01:35.600 --> 1:01:41.000
<v Speaker 1>don't see in mo Wanna as much is that is

1:01:41.600 --> 1:01:47.400
<v Speaker 1>I dam and sell. I think that's really were is

1:01:47.840 --> 1:01:49.760
<v Speaker 1>one big thing. Mo Wanna, How's going for? It? Is

1:01:49.800 --> 1:01:52.480
<v Speaker 1>a It's a bedroom movie. Be Josh Gad has nothing

1:01:52.760 --> 1:01:56.240
<v Speaker 1>not anywhere near it, which is great Moanna too, though

1:01:57.440 --> 1:02:04.720
<v Speaker 1>I know they recast Josh. It's actually people are freaking out.

1:02:04.720 --> 1:02:08.440
<v Speaker 1>That job cad Isa, which is what the poster says,

1:02:10.320 --> 1:02:18.440
<v Speaker 1>Josh gad is He's wanted. They jumped the shark. Melana

1:02:18.480 --> 1:02:22.200
<v Speaker 1>has an evil twin. It's Josh. It's insane. He appears

1:02:22.200 --> 1:02:27.600
<v Speaker 1>as himself a real man, not even jes Josh cad

1:02:27.920 --> 1:02:35.080
<v Speaker 1>basically wearing Steve Wozniak outfit. It's horrible. But the theme

1:02:35.200 --> 1:02:40.120
<v Speaker 1>of two strongly bonded women in a Disney movie who

1:02:40.160 --> 1:02:42.320
<v Speaker 1>are not constantly being pitted against each other. We see

1:02:42.360 --> 1:02:44.720
<v Speaker 1>mo Wana has a close connection with her family. Um,

1:02:44.760 --> 1:02:47.480
<v Speaker 1>but I did like seeing Elsa and like, I hadn't

1:02:47.520 --> 1:02:51.240
<v Speaker 1>seen a relationship like that in a kid's movie before,

1:02:51.520 --> 1:02:55.680
<v Speaker 1>of like a strong familial bond between two characters that

1:02:55.760 --> 1:02:58.880
<v Speaker 1>are very different that and I mean we already sort

1:02:58.880 --> 1:03:02.440
<v Speaker 1>of unpacked the visual aspect of it. That's a problem.

1:03:02.480 --> 1:03:05.960
<v Speaker 1>But like, I don't know, I thought it was really nice.

1:03:06.040 --> 1:03:08.640
<v Speaker 1>And I even tear it up once or twice because

1:03:08.720 --> 1:03:14.200
<v Speaker 1>I'm very fragile. But yeah, like the theme of like

1:03:14.440 --> 1:03:18.560
<v Speaker 1>sisterly love and two strongly bonded women who have uh

1:03:19.240 --> 1:03:22.480
<v Speaker 1>sordid history and that one almost killed the other twice.

1:03:23.200 --> 1:03:26.720
<v Speaker 1>Uh it happens, But they still are able to resolve

1:03:26.760 --> 1:03:29.960
<v Speaker 1>their differences, and I don't know, just like someone you're

1:03:29.960 --> 1:03:31.960
<v Speaker 1>close with when you're young and then you grow apart

1:03:31.960 --> 1:03:34.000
<v Speaker 1>because whatever your parents are on a bone and saying so,

1:03:34.960 --> 1:03:36.560
<v Speaker 1>then you have to learn to love each other again

1:03:36.560 --> 1:03:38.560
<v Speaker 1>as adults. Like that. It was nice. That is nice.

1:03:38.760 --> 1:03:40.800
<v Speaker 1>I think one of the problems with it, though, is

1:03:40.840 --> 1:03:43.880
<v Speaker 1>that we don't see them on screen together that much,

1:03:44.720 --> 1:03:49.000
<v Speaker 1>because either Elsa is in seclusion or she just runs

1:03:49.040 --> 1:03:52.040
<v Speaker 1>away and builds her ice palace. Like if you counted

1:03:52.120 --> 1:03:54.640
<v Speaker 1>up the total amount of time that they are on

1:03:54.800 --> 1:03:59.840
<v Speaker 1>screen together interacting, I imagine that it's like eight minutes

1:03:59.920 --> 1:04:02.520
<v Speaker 1>or less. Like it's a very small part. What if

1:04:02.560 --> 1:04:04.760
<v Speaker 1>they get to know each other, I don't even really

1:04:04.800 --> 1:04:06.920
<v Speaker 1>like each other, that would be a lot. Frozen two

1:04:07.160 --> 1:04:10.240
<v Speaker 1>barely have hung out with each other. Frozen two they

1:04:10.280 --> 1:04:12.600
<v Speaker 1>like each other's posts on Instagram. But I've given that

1:04:12.720 --> 1:04:18.479
<v Speaker 1>kind of radio I I which is again another thing

1:04:18.680 --> 1:04:20.760
<v Speaker 1>that I don't know. I don't know. I'm standing out

1:04:20.800 --> 1:04:23.120
<v Speaker 1>for Jennifer Lee right now because I'm reading through all

1:04:23.160 --> 1:04:24.960
<v Speaker 1>the stuff she pushed for in the movie that they

1:04:24.960 --> 1:04:27.040
<v Speaker 1>were just like funk Off. Because she was pushing for

1:04:27.080 --> 1:04:29.800
<v Speaker 1>them to be together more in the movie. She was

1:04:29.840 --> 1:04:32.960
<v Speaker 1>also pushing for them to know each other after their

1:04:33.000 --> 1:04:35.680
<v Speaker 1>parents died, and the powers that be were like, no,

1:04:35.800 --> 1:04:37.960
<v Speaker 1>we want them apart for the whole movie, which we

1:04:38.040 --> 1:04:41.400
<v Speaker 1>can interpret as a way to I mean, there's I guess,

1:04:41.520 --> 1:04:43.480
<v Speaker 1>sort of a narrative reason to do that, but by

1:04:43.520 --> 1:04:45.160
<v Speaker 1>the end, I think there's no excuse for them to

1:04:45.200 --> 1:04:48.480
<v Speaker 1>be apart for so long, so you can shoehorn in

1:04:48.520 --> 1:04:52.840
<v Speaker 1>all your bullshit, Josh Gatz like, keeping the two interesting

1:04:53.240 --> 1:04:56.480
<v Speaker 1>female leads apart just gives them the opportunity to sprinkle

1:04:56.520 --> 1:05:00.640
<v Speaker 1>in all these other dudes. Right. Yeah. Should we figure

1:05:00.680 --> 1:05:04.120
<v Speaker 1>out whether or not this movie passes the Buchtel It

1:05:04.160 --> 1:05:08.640
<v Speaker 1>does really early on Elsa and Anna as children. Anna

1:05:08.760 --> 1:05:11.400
<v Speaker 1>runs into the room, She's like, wake up, let's play.

1:05:11.440 --> 1:05:13.120
<v Speaker 1>But then she says, do you want to build a

1:05:13.200 --> 1:05:15.920
<v Speaker 1>snow man? Yeah? That's what I was wondering about. Is

1:05:15.960 --> 1:05:18.640
<v Speaker 1>it passed the test? If they're talking about snowman, how

1:05:18.640 --> 1:05:21.200
<v Speaker 1>come it's never snow woman? How Come no one is

1:05:21.240 --> 1:05:24.040
<v Speaker 1>ever like, let's go outside and build a snow woman

1:05:24.200 --> 1:05:28.800
<v Speaker 1>or snow gender queer person. That's cool. My brother and

1:05:28.840 --> 1:05:33.200
<v Speaker 1>I made a snow Tony Collette one year we were

1:05:33.240 --> 1:05:38.400
<v Speaker 1>a Tony Collette household. Sure, yeah, yeah, she's very talented.

1:05:38.920 --> 1:05:43.000
<v Speaker 1>We all felt that. Um So that scene, I think

1:05:43.000 --> 1:05:46.040
<v Speaker 1>there's at least a two one exchange there. Later on,

1:05:46.320 --> 1:05:50.160
<v Speaker 1>when they're both adults at the coronation ceremony, Elsa and

1:05:50.200 --> 1:05:52.240
<v Speaker 1>Anna are like, oh my god, this is what a

1:05:52.320 --> 1:05:54.400
<v Speaker 1>party looks like. And then we cut to a bunch

1:05:54.400 --> 1:05:57.680
<v Speaker 1>of people standing around and not really enjoying themselves. Uh.

1:05:57.720 --> 1:06:00.240
<v Speaker 1>And then I have had that thought a lot though.

1:06:04.120 --> 1:06:06.720
<v Speaker 1>And then they tell each other they look beautiful, and

1:06:06.760 --> 1:06:11.320
<v Speaker 1>then they smell chocolate together, and then Anna's like, I

1:06:11.320 --> 1:06:13.600
<v Speaker 1>wish it could be like this forever and ELS's like,

1:06:13.640 --> 1:06:16.320
<v Speaker 1>it can't because of my powers that you don't know about.

1:06:16.800 --> 1:06:18.440
<v Speaker 1>I think that's pretty much the end of that conversation.

1:06:18.480 --> 1:06:20.280
<v Speaker 1>But I would say that by and large, like passes

1:06:20.320 --> 1:06:22.640
<v Speaker 1>the whole way through. I don't think there's any mention

1:06:22.680 --> 1:06:25.200
<v Speaker 1>of any men they're at all. They're not in that

1:06:25.280 --> 1:06:28.120
<v Speaker 1>many scenes together. You think it would pass more frequently,

1:06:28.240 --> 1:06:31.320
<v Speaker 1>but it really doesn't. I think like the next time

1:06:31.960 --> 1:06:34.720
<v Speaker 1>is when Anna is like, hey, will you give your

1:06:34.760 --> 1:06:40.320
<v Speaker 1>blessing for me to marry Hans and rightfully so Else's like, no,

1:06:40.720 --> 1:06:42.520
<v Speaker 1>but that does not pass the buck to test because

1:06:42.640 --> 1:06:45.760
<v Speaker 1>they're talking about Hans. Later though, when Anna goes to

1:06:45.800 --> 1:06:49.160
<v Speaker 1>Elsa's ice palace, that passes because they're just like, hey,

1:06:49.200 --> 1:06:53.480
<v Speaker 1>come back to Arandelle and almost yeah. After that, it's

1:06:53.480 --> 1:06:56.360
<v Speaker 1>probably not till the very end when they like reunite.

1:06:56.760 --> 1:07:01.680
<v Speaker 1>There's opportunities that were missed right and left. If we

1:07:01.720 --> 1:07:04.480
<v Speaker 1>had given perhaps I will see a scene that I

1:07:04.520 --> 1:07:06.320
<v Speaker 1>think would have made a lot of sense and would

1:07:06.360 --> 1:07:09.200
<v Speaker 1>have worked. Would have been a scene between either the

1:07:09.320 --> 1:07:13.400
<v Speaker 1>mother and Anna or the mother and Elsa. It would

1:07:13.440 --> 1:07:16.640
<v Speaker 1>have helped the story and that would have been away

1:07:16.680 --> 1:07:19.480
<v Speaker 1>to shoehorn it and if we have to have a

1:07:19.520 --> 1:07:25.200
<v Speaker 1>fucking snowman, make it not be Josh Gad, I was

1:07:25.240 --> 1:07:31.000
<v Speaker 1>just gonna say evil, which Caitlin's mortal enemy, Melissa McCarthy.

1:07:31.280 --> 1:07:35.160
<v Speaker 1>Like Melissa McCarthy, I just want everyone to know, it's crazy,

1:07:35.200 --> 1:07:38.919
<v Speaker 1>how evil you think Melissa McCarthys And we all disagree.

1:07:39.320 --> 1:07:42.360
<v Speaker 1>A dark board in the studio with Melissa McCarthy face

1:07:42.440 --> 1:07:44.440
<v Speaker 1>on it. It's so weird because it's like she's so

1:07:44.520 --> 1:07:47.880
<v Speaker 1>talented and she really like knew when to steal a

1:07:47.960 --> 1:07:51.400
<v Speaker 1>scene in Gilmore Girls and when to hang back. She's

1:07:51.400 --> 1:07:53.959
<v Speaker 1>a giving performer. I think we should give her more credit.

1:07:54.040 --> 1:07:59.880
<v Speaker 1>Kalen also like the main stone troll person could have

1:08:00.040 --> 1:08:04.360
<v Speaker 1>in a woman and she could have talked to the moose,

1:08:04.560 --> 1:08:10.120
<v Speaker 1>the rein dare content, whatever it was. Um, yeah, there

1:08:10.160 --> 1:08:12.560
<v Speaker 1>were plenty of opportunities for this movie the pass it

1:08:12.640 --> 1:08:16.280
<v Speaker 1>for but it does definitely Yeah. Shall we rate on

1:08:16.280 --> 1:08:20.519
<v Speaker 1>our nipple scale zero to five nipples based on its

1:08:20.520 --> 1:08:25.000
<v Speaker 1>portrayal of women? This is another tough one where like

1:08:25.040 --> 1:08:27.880
<v Speaker 1>I said, I think it's net positive in terms of

1:08:27.960 --> 1:08:32.160
<v Speaker 1>the message that it sends, particularly to its young audience,

1:08:32.360 --> 1:08:35.960
<v Speaker 1>and that it shows women being active in the story.

1:08:36.120 --> 1:08:38.800
<v Speaker 1>It shows them having agency and making choices that have

1:08:38.960 --> 1:08:42.400
<v Speaker 1>bearing on the story. They are for the most part,

1:08:42.479 --> 1:08:44.599
<v Speaker 1>not damseled in any way the way that a lot

1:08:44.640 --> 1:08:48.040
<v Speaker 1>of Disney princesses are for most of the stories that

1:08:48.080 --> 1:08:51.360
<v Speaker 1>they're in. I think that having it not be a

1:08:51.360 --> 1:08:54.800
<v Speaker 1>hetero love kiss that saves the day, but instead being

1:08:55.040 --> 1:09:01.600
<v Speaker 1>a active between sisters right the it solves the conflict

1:09:01.840 --> 1:09:04.360
<v Speaker 1>that asking for consent to kiss her at the end

1:09:04.439 --> 1:09:07.680
<v Speaker 1>I really really enjoyed. So I think there is a

1:09:07.680 --> 1:09:10.920
<v Speaker 1>lot of good things to be taken away, but the

1:09:10.960 --> 1:09:14.479
<v Speaker 1>fact that there's still several love stories that are feel

1:09:14.600 --> 1:09:16.840
<v Speaker 1>kind of shoehorned in there that don't really need to

1:09:16.840 --> 1:09:19.280
<v Speaker 1>be there. The fact that we don't see Anna and

1:09:19.360 --> 1:09:23.920
<v Speaker 1>Elsa interacting more, the fact that they're you know, body

1:09:24.000 --> 1:09:26.360
<v Speaker 1>types are the same body type we see over and

1:09:26.400 --> 1:09:30.280
<v Speaker 1>over again in Disney Princess movies and in almost every

1:09:30.320 --> 1:09:33.439
<v Speaker 1>movie in general. I think that there's still work to

1:09:33.479 --> 1:09:37.280
<v Speaker 1>be done, So hopefully in Frozen two this year, next

1:09:37.320 --> 1:09:47.639
<v Speaker 1>number this year, which is next year. Yeah, so I'm

1:09:47.640 --> 1:09:51.000
<v Speaker 1>gonna give it a three and a half nipples, maybe four,

1:09:51.240 --> 1:09:57.680
<v Speaker 1>I don't know, let's say three point seven five. Okay, wow? First,

1:09:58.040 --> 1:10:02.240
<v Speaker 1>uh yeah, three point seven five. I'll give to to Anna,

1:10:02.640 --> 1:10:08.439
<v Speaker 1>one to Elsa, the three fourth nipple to the mom

1:10:08.520 --> 1:10:11.439
<v Speaker 1>who didn't say a damn word in the entire movie

1:10:11.479 --> 1:10:14.960
<v Speaker 1>and then died tragically in a boat accident, not unlike

1:10:15.400 --> 1:10:21.120
<v Speaker 1>most of the people on Titanic. True, yeah, very true.

1:10:21.400 --> 1:10:24.240
<v Speaker 1>What if, oh my god, what if Elsa created the

1:10:24.360 --> 1:10:28.320
<v Speaker 1>icebergs in tit She was so emotional. Women are two emotional,

1:10:28.400 --> 1:10:33.679
<v Speaker 1>and it sinks the Titanic eventually? Oh my god. Bad. Yeah,

1:10:33.680 --> 1:10:36.400
<v Speaker 1>she probably made a glacier in her like you know,

1:10:36.600 --> 1:10:41.320
<v Speaker 1>Fury her flurry fury. Yea it is, and then it

1:10:42.280 --> 1:10:46.680
<v Speaker 1>breaks off centuries later floats into the Atlantic Ocean. The

1:10:46.680 --> 1:10:50.960
<v Speaker 1>Titanic hits it. That's what happened. That's canon. Okay, Anyway,

1:10:51.000 --> 1:10:55.559
<v Speaker 1>who's next, I'm going to give it. I was going

1:10:55.600 --> 1:10:57.320
<v Speaker 1>to go two and a half. I think I'll go three.

1:10:58.040 --> 1:11:01.360
<v Speaker 1>It frustrates me when movies like this because I liked

1:11:01.400 --> 1:11:03.920
<v Speaker 1>this movie. There's so much not positive that you just

1:11:03.920 --> 1:11:06.120
<v Speaker 1>just described. I also think it's very significant that this

1:11:06.200 --> 1:11:08.280
<v Speaker 1>is the first Disney animated movie that is at least

1:11:08.320 --> 1:11:11.439
<v Speaker 1>partially directed by a woman, written entirely by a woman.

1:11:11.880 --> 1:11:13.920
<v Speaker 1>But now I'm going back to two and a half

1:11:14.200 --> 1:11:17.559
<v Speaker 1>because because there are so many missed opportunities, and it

1:11:17.600 --> 1:11:19.960
<v Speaker 1>really frustrates me when a movie tries to capitalize on

1:11:19.960 --> 1:11:23.120
<v Speaker 1>how forward thinking it is when it still features so

1:11:23.160 --> 1:11:27.680
<v Speaker 1>many themes and through lines that are regressive or at

1:11:27.760 --> 1:11:31.320
<v Speaker 1>least maintaining a status quo that has existed in this

1:11:31.560 --> 1:11:34.840
<v Speaker 1>these franchises for years and years. So mostly I mean

1:11:35.000 --> 1:11:39.000
<v Speaker 1>two and a half based on cheer missed potential of

1:11:39.040 --> 1:11:42.920
<v Speaker 1>what this movie could have been. I totally agree with

1:11:42.960 --> 1:11:47.280
<v Speaker 1>what you're saying with reinforcing the like conventional Western beauty

1:11:47.280 --> 1:11:50.880
<v Speaker 1>standard body image on such a high level, shoehorning in

1:11:50.920 --> 1:11:56.280
<v Speaker 1>the love story was obnoxious and not totally necessary and

1:11:56.360 --> 1:12:00.040
<v Speaker 1>just the missed opportunity for women to be present in

1:12:00.040 --> 1:12:04.879
<v Speaker 1>this story that was actively thwarted by the movie itself

1:12:04.880 --> 1:12:08.040
<v Speaker 1>by keeping women away from each other. Because their scenes

1:12:08.120 --> 1:12:10.360
<v Speaker 1>together I really love and I think that they're like

1:12:10.479 --> 1:12:14.639
<v Speaker 1>so nice and special and yeah, taking the voice from

1:12:14.680 --> 1:12:18.400
<v Speaker 1>the mom, why do that? Like, why is that necessary?

1:12:18.479 --> 1:12:21.680
<v Speaker 1>I don't know. It sucks because it's a good movie.

1:12:22.080 --> 1:12:26.920
<v Speaker 1>I think net positive. And you know, girls who are

1:12:27.479 --> 1:12:30.400
<v Speaker 1>in school now and this is their movie are way

1:12:30.439 --> 1:12:33.120
<v Speaker 1>better off than we were where we're like, oh, the

1:12:33.160 --> 1:12:37.400
<v Speaker 1>girl who funck a dog is my hero. Uh, that's

1:12:37.400 --> 1:12:40.680
<v Speaker 1>a belle from beauty. And the girl who french the

1:12:40.720 --> 1:12:46.599
<v Speaker 1>dog is my is my favorite girl. Um, and you're

1:12:46.600 --> 1:12:51.680
<v Speaker 1>always French with coyotes. Yeah, I'm from approaching coyotes on

1:12:51.720 --> 1:12:57.840
<v Speaker 1>the street thinking conflating it with true love. And and

1:12:57.960 --> 1:13:02.040
<v Speaker 1>we're even better off than our generation work if it

1:13:02.160 --> 1:13:05.559
<v Speaker 1>was like growing up, Yeah, they're like fall asleep. Maybe

1:13:05.600 --> 1:13:11.280
<v Speaker 1>someone will show up without checking. It does demonstrate progress.

1:13:11.520 --> 1:13:13.880
<v Speaker 1>Progress is very slow though that's not an excuse, but

1:13:13.960 --> 1:13:18.000
<v Speaker 1>it tends to be extremely slow, but there are so

1:13:18.040 --> 1:13:21.679
<v Speaker 1>many and and just like reading about how the writer

1:13:21.800 --> 1:13:24.599
<v Speaker 1>director of this movie was trying to push it forward

1:13:24.680 --> 1:13:28.000
<v Speaker 1>and was actively thwarted by the system she was working

1:13:28.000 --> 1:13:30.839
<v Speaker 1>within sucks to I mean, I'm glad she was pushing,

1:13:31.080 --> 1:13:32.960
<v Speaker 1>and I think that this movie would have sucked if

1:13:33.000 --> 1:13:37.000
<v Speaker 1>she wasn't pushing, really pushing. So it's like progress but

1:13:37.160 --> 1:13:40.200
<v Speaker 1>not enough progress. I hate that it's still like princesses

1:13:40.400 --> 1:13:46.160
<v Speaker 1>will sooner French a dog than be queer. That's like crazy.

1:13:46.560 --> 1:13:48.640
<v Speaker 1>Um so two and a half from me one on

1:13:48.800 --> 1:13:54.040
<v Speaker 1>a one to Elsa and I'm given one to Gadable,

1:13:54.200 --> 1:13:57.000
<v Speaker 1>given one to gad Listen, he needs a win from

1:13:57.160 --> 1:14:01.800
<v Speaker 1>me personally that he's very wealthy and doing games. Yeah,

1:14:01.800 --> 1:14:03.680
<v Speaker 1>I think he spent more time talking about how much

1:14:03.720 --> 1:14:06.439
<v Speaker 1>you hate them than Anna and Elsa appear on screen

1:14:06.479 --> 1:14:11.439
<v Speaker 1>together in the movie Frienz Problem. The only thing that

1:14:11.600 --> 1:14:17.880
<v Speaker 1>I feel more strongly than loving women is hating what if? Okay,

1:14:17.920 --> 1:14:24.440
<v Speaker 1>and also Alfred Molina as one of any female identifying

1:14:24.640 --> 1:14:28.840
<v Speaker 1>person or also this movie I Have to Go Back

1:14:28.960 --> 1:14:31.760
<v Speaker 1>does not pass it back to al test because Josh appears. Okay,

1:14:31.800 --> 1:14:34.840
<v Speaker 1>that's your opinion. I do not stand new hard rule.

1:14:39.000 --> 1:14:43.800
<v Speaker 1>Does Josh God appear in the movie, Chris, Okay, I

1:14:43.840 --> 1:14:47.519
<v Speaker 1>wrote down three three nipples, three les, a lot of

1:14:47.520 --> 1:14:51.560
<v Speaker 1>the stuff about like the mom not speaking. That's pretty crazy.

1:14:51.800 --> 1:14:56.599
<v Speaker 1>How there are literally only two or three potentially women

1:14:56.600 --> 1:14:58.960
<v Speaker 1>in the movie, and one of them dies almost immediately,

1:14:59.280 --> 1:15:00.720
<v Speaker 1>and one of them is a role whose name we

1:15:00.760 --> 1:15:03.920
<v Speaker 1>never know and we don't know anything about her. Yeah.

1:15:03.960 --> 1:15:06.120
<v Speaker 1>I mean, I think if it was like on a

1:15:06.160 --> 1:15:08.639
<v Speaker 1>scale of like all the Disney movies, then it would

1:15:08.640 --> 1:15:12.479
<v Speaker 1>be like higher than three. Because this is until Mowanna,

1:15:13.200 --> 1:15:16.200
<v Speaker 1>which we gave I think five nipples across the board.

1:15:16.280 --> 1:15:23.679
<v Speaker 1>We were like, coming back. It is a very good movie. Yeah,

1:15:23.680 --> 1:15:26.320
<v Speaker 1>that's great. Yeah, and then uh, of course I have

1:15:26.439 --> 1:15:30.040
<v Speaker 1>my issues with the song in the song. Of course

1:15:30.880 --> 1:15:33.400
<v Speaker 1>you've recopied your list well, just to make it clear

1:15:33.439 --> 1:15:37.400
<v Speaker 1>for myself. So just to clarify, the seventh worst song

1:15:37.560 --> 1:15:40.400
<v Speaker 1>is let It Go, which is You're also the best,

1:15:40.479 --> 1:15:44.519
<v Speaker 1>but seventh worst today it's the best, right. Number six

1:15:44.600 --> 1:15:47.080
<v Speaker 1>worst is Love as an Open Door. It's just a

1:15:47.200 --> 1:15:52.920
<v Speaker 1>nice song. Number five I wish to build a Snowman, right, Okay, Yeah,

1:15:52.439 --> 1:15:55.599
<v Speaker 1>I wish to number four fix her upper the Trolls

1:15:55.680 --> 1:15:59.360
<v Speaker 1>song I see I like the trolls. I know that

1:15:59.439 --> 1:16:04.800
<v Speaker 1>they're just And are they the trolls? Never got the

1:16:04.840 --> 1:16:09.439
<v Speaker 1>answer no, because they look like the trolls. But those

1:16:09.479 --> 1:16:12.919
<v Speaker 1>trolls aren't made of stone. That's just like a weird

1:16:13.120 --> 1:16:15.120
<v Speaker 1>if you saw a cartman but he was made of stone.

1:16:15.520 --> 1:16:21.439
<v Speaker 1>You say, cart cartman, cartman? And can we help him? Yeah?

1:16:21.479 --> 1:16:24.559
<v Speaker 1>And is that legal? Leave Cartman and stone? But also,

1:16:25.320 --> 1:16:29.000
<v Speaker 1>I can't watch South Park anymore because Matt Stone and

1:16:29.040 --> 1:16:32.960
<v Speaker 1>Trey Parker they gave Josh Cadd his big break, but

1:16:33.120 --> 1:16:36.400
<v Speaker 1>the Mormons they did actually don't funk with Cartman anymore

1:16:36.479 --> 1:16:38.920
<v Speaker 1>because it's got a little bit too close to Josh

1:16:39.000 --> 1:16:43.439
<v Speaker 1>Cad being a relevant person. Yeah, so sorry, he could

1:16:43.479 --> 1:16:46.120
<v Speaker 1>clay him in the live action movie One day. Were

1:16:46.200 --> 1:16:49.960
<v Speaker 1>given the list, anyway, where was I? I'll start from

1:16:49.960 --> 1:16:53.719
<v Speaker 1>the beginning. Number seven again, Let it Go loves Novador,

1:16:53.800 --> 1:16:56.439
<v Speaker 1>Bill the Snowman, fix her up? Okay for third worst,

1:16:56.479 --> 1:17:00.479
<v Speaker 1>I'm a Stoneman, he Won't kill Me. Number two Getting

1:17:00.479 --> 1:17:03.000
<v Speaker 1>Ready for the Party is the second worst. Number one

1:17:03.080 --> 1:17:06.120
<v Speaker 1>Ice Guys Making Nice is the worst song in the movie.

1:17:06.320 --> 1:17:08.880
<v Speaker 1>Guys Making Nice is a terrible song, and no and

1:17:09.000 --> 1:17:11.719
<v Speaker 1>it's the only song no women appear in. Oh sure,

1:17:12.240 --> 1:17:18.040
<v Speaker 1>well we don't know how that's true. Well, alright, so

1:17:18.120 --> 1:17:22.160
<v Speaker 1>three nipples and I give all three to whatever interesting

1:17:22.280 --> 1:17:28.800
<v Speaker 1>character will be revealed in the second Frozen that's coming out.

1:17:29.040 --> 1:17:33.280
<v Speaker 1>The three nipples character we haven't There's gotta be something

1:17:33.920 --> 1:17:41.559
<v Speaker 1>something either creepy, scary, bad, or hot the four tenants

1:17:41.640 --> 1:17:47.639
<v Speaker 1>of a movie. Yeah, that's like the National Honor Society.

1:17:47.680 --> 1:17:54.800
<v Speaker 1>Are you Are you over the creepy, scary, bad, or

1:17:54.880 --> 1:18:02.720
<v Speaker 1>hot you have to be to get in tonight? Well

1:18:02.760 --> 1:18:08.080
<v Speaker 1>I'm back to being mad. Okay, Chris, thank you so

1:18:08.160 --> 1:18:10.160
<v Speaker 1>much for Thank you so much for having me. We

1:18:10.200 --> 1:18:12.920
<v Speaker 1>had so much fun talking about Frozen. Where can people

1:18:13.200 --> 1:18:16.879
<v Speaker 1>find you online? Follow you to Hot Guy with Glasses

1:18:16.920 --> 1:18:20.160
<v Speaker 1>dot com is my website or Chris Farren dot com.

1:18:20.240 --> 1:18:23.080
<v Speaker 1>Both will send you to the same place and on

1:18:23.120 --> 1:18:27.920
<v Speaker 1>Twitter Chris Farren, Instagram, Chris Farren Facebook, Chris Farren. Also

1:18:28.280 --> 1:18:32.280
<v Speaker 1>check out Chris's music. Yes, oh I'm a musician. Well,

1:18:32.280 --> 1:18:34.320
<v Speaker 1>thanks again so much for being here. You can follow

1:18:34.400 --> 1:18:38.000
<v Speaker 1>the becktel Cast on social media at becktel Cast. You

1:18:38.000 --> 1:18:40.519
<v Speaker 1>can give us gifts the way that Chris Farren's fan

1:18:40.760 --> 1:18:47.479
<v Speaker 1>gave fans gave him. We have one fan. They just

1:18:47.520 --> 1:18:54.599
<v Speaker 1>started a voting ACTIVI voting accident. Yeah, the way your

1:18:54.600 --> 1:18:57.719
<v Speaker 1>fans have given you frozen gifts. One of those gifts

1:18:57.720 --> 1:19:00.400
<v Speaker 1>can be five dollars a month to our paid trion

1:19:00.720 --> 1:19:05.000
<v Speaker 1>our Matreon because I'll get you too bonus episodes. Anyway, Well,

1:19:05.000 --> 1:19:08.160
<v Speaker 1>thanks for listening and we'll see you next time. Bye,