1
00:00:00,880 --> 00:00:04,440
Speaker 1: Look man, oh I see you? Why why bow and

2
00:00:04,519 --> 00:00:11,799
Speaker 1: look over there? How is that culture? Yes, goodness, culture

3
00:00:11,920 --> 00:00:15,640
Speaker 1: is just calling oh baby, let me tell you there's

4
00:00:15,640 --> 00:00:18,360
Speaker 1: going to be a really controversial thing that's going to

5
00:00:18,440 --> 00:00:20,639
Speaker 1: happen at the end of this episode. I may have

6
00:00:20,760 --> 00:00:22,759
Speaker 1: gone ahead and tease them. I don't think so, honey

7
00:00:22,800 --> 00:00:24,880
Speaker 1: to Bowen and he he thinks he knows, but he

8
00:00:24,960 --> 00:00:27,000
Speaker 1: doesn't know. But the fact of the matter is a

9
00:00:27,120 --> 00:00:29,800
Speaker 1: large thing has happened in the culture, and I feel

10
00:00:29,840 --> 00:00:34,640
Speaker 1: that it's created. Um, it's not what roadblock, It's not

11
00:00:35,320 --> 00:00:37,280
Speaker 1: the large thing in the culture is not what people think.

12
00:00:37,320 --> 00:00:39,239
Speaker 1: It's not like the top of mind thing, although it's

13
00:00:39,240 --> 00:00:41,920
Speaker 1: it's top of mind, just in terms of culture in Core.

14
00:00:42,560 --> 00:00:45,120
Speaker 1: I feel that this thing I'm going to talk about,

15
00:00:45,640 --> 00:00:47,559
Speaker 1: I'm just gonna you know what, this is ridiculous. I'm

16
00:00:47,560 --> 00:00:50,159
Speaker 1: just gonna say no, no, save it for later, SA no,

17
00:00:50,360 --> 00:00:56,200
Speaker 1: I refuse. Okay. This thing that I have found is

18
00:00:56,240 --> 00:01:00,000
Speaker 1: that I tried to listen to Fiona Fetch the bull Cutters,

19
00:01:01,280 --> 00:01:07,200
Speaker 1: and I don't get it. I don't get it. You

20
00:01:07,680 --> 00:01:10,720
Speaker 1: didn't listen to her old stuff, did you. I know? Criminal,

21
00:01:10,880 --> 00:01:13,320
Speaker 1: Like I know, I know what I need to know.

22
00:01:13,840 --> 00:01:16,080
Speaker 1: But and here's the thing that bothers me so much

23
00:01:16,080 --> 00:01:19,199
Speaker 1: as I know I'm wrong, it's like one of those things.

24
00:01:19,000 --> 00:01:22,560
Speaker 1: It's not that, it's just that I think you haven't

25
00:01:22,600 --> 00:01:24,120
Speaker 1: had and this sounds so annoying, but I don't think

26
00:01:24,160 --> 00:01:28,000
Speaker 1: you've had the supplemental materials to like close the gap

27
00:01:28,000 --> 00:01:31,000
Speaker 1: in the understanding of the appreciation of this. See and

28
00:01:31,080 --> 00:01:32,960
Speaker 1: this is the other thing. I knew this would bring

29
00:01:33,000 --> 00:01:35,560
Speaker 1: this to light, which is along comes to me on

30
00:01:35,640 --> 00:01:37,640
Speaker 1: with this album and everyone's saying they love it, and

31
00:01:37,680 --> 00:01:40,080
Speaker 1: then I'm like, I don't know. And then everyone's like, well,

32
00:01:40,200 --> 00:01:44,160
Speaker 1: it's because you don't have the tools to really enjoy

33
00:01:44,200 --> 00:01:46,760
Speaker 1: if you're not with you know, we don't have the culturally,

34
00:01:47,360 --> 00:01:51,960
Speaker 1: of course, you would say the same thing about someone

35
00:01:52,000 --> 00:01:54,720
Speaker 1: who like was hitting on Kelly. You should like read

36
00:01:54,760 --> 00:01:57,200
Speaker 1: the lyrics, you should read the you should look up

37
00:01:57,200 --> 00:02:01,200
Speaker 1: the lyrics to all these songs on the lyrics. I've

38
00:02:01,240 --> 00:02:03,680
Speaker 1: trust me, I have done everything I can do to

39
00:02:03,760 --> 00:02:06,480
Speaker 1: try and understand not just liking it because I get

40
00:02:06,520 --> 00:02:08,920
Speaker 1: liking it. I don't think it's bad. It's just that

41
00:02:09,280 --> 00:02:13,080
Speaker 1: ten on Pitchfork and then like everyone universally being like,

42
00:02:13,320 --> 00:02:18,680
Speaker 1: this is album of the year that the Pitchwork thing,

43
00:02:18,800 --> 00:02:21,440
Speaker 1: I mean part of it was like to drive clicks

44
00:02:21,480 --> 00:02:23,560
Speaker 1: or whatever, you know what it was they I know it.

45
00:02:23,880 --> 00:02:27,720
Speaker 1: They did that to start this conversation. And then then

46
00:02:27,760 --> 00:02:29,359
Speaker 1: you know what, They're trying to start a civil war

47
00:02:29,400 --> 00:02:31,919
Speaker 1: in this country. But people have taste between people with

48
00:02:32,000 --> 00:02:34,440
Speaker 1: taste and people with no taste, and they're gonna get it.

49
00:02:34,639 --> 00:02:36,600
Speaker 1: They're gonna get it. They're gonna get a war. You're

50
00:02:36,600 --> 00:02:40,919
Speaker 1: saying that Pitchwork give their first perfect ten score to

51
00:02:41,040 --> 00:02:44,639
Speaker 1: an album in as many years, specifically to start a

52
00:02:44,720 --> 00:02:47,840
Speaker 1: riff between you and I to compromise. No, I'm saying,

53
00:02:47,840 --> 00:02:50,120
Speaker 1: we are but a microcosm, and we are always but

54
00:02:50,200 --> 00:02:53,600
Speaker 1: a microcosm. Is actually rule Culture Number twelve were always

55
00:02:53,800 --> 00:02:57,720
Speaker 1: a microcosm. And here's the thing is, I have to

56
00:02:57,880 --> 00:03:02,560
Speaker 1: say that I actually have already death threats. I have

57
00:03:02,720 --> 00:03:05,280
Speaker 1: death threats from our from our gay group chat. I

58
00:03:05,320 --> 00:03:08,280
Speaker 1: have death threats from Jolkim Booster and Josh Sharp that

59
00:03:08,320 --> 00:03:10,600
Speaker 1: if I didn't I don't think so honey today on Fiona,

60
00:03:11,000 --> 00:03:12,800
Speaker 1: that I would be I would be dead and they

61
00:03:12,800 --> 00:03:16,200
Speaker 1: would kill me. So just know that during this entire

62
00:03:16,240 --> 00:03:18,959
Speaker 1: podcast episode, it's gonna be racing, absolutely racing. To the

63
00:03:18,960 --> 00:03:20,680
Speaker 1: back of my mind is do I want to be

64
00:03:20,720 --> 00:03:23,480
Speaker 1: so brave as to face death in order to give

65
00:03:23,480 --> 00:03:25,320
Speaker 1: a truthful I don't think so, honey. So that's gonna

66
00:03:25,320 --> 00:03:28,320
Speaker 1: be my internal narrative the whole time. Yeah. Wow, Well,

67
00:03:28,480 --> 00:03:30,880
Speaker 1: let's see if there's an arc to that in this episode.

68
00:03:31,400 --> 00:03:33,320
Speaker 1: If you end up somewhere different, I hope I do.

69
00:03:33,400 --> 00:03:35,120
Speaker 1: I mean, maybe maybe our guests will be able to

70
00:03:35,160 --> 00:03:37,840
Speaker 1: convince me, although I don't know our guests could convince

71
00:03:38,080 --> 00:03:41,800
Speaker 1: could sell ice to Eskimos? Is that okay to say?

72
00:03:41,520 --> 00:03:44,800
Speaker 1: I think that's actually gonna be okay to say, because

73
00:03:44,920 --> 00:03:47,600
Speaker 1: I've bought whole blocks of ice from our guest and

74
00:03:47,640 --> 00:03:49,880
Speaker 1: it's just like any other ice, but just the way

75
00:03:49,960 --> 00:03:52,600
Speaker 1: she sells it by by ice e bean cocaine blocks

76
00:03:52,600 --> 00:03:57,240
Speaker 1: of cocaine. Yea co girl, Laura Mapkis is my coke girl.

77
00:03:57,440 --> 00:04:01,840
Speaker 1: Oh my god, am I here? Yeah? Hold on, hold on,

78
00:04:02,120 --> 00:04:04,560
Speaker 1: hold on our guests, but first we have to fluff

79
00:04:04,600 --> 00:04:08,160
Speaker 1: the guest. Let let me, let us fluff you. Let

80
00:04:08,240 --> 00:04:12,280
Speaker 1: us fluff you fluff you trust us. No one wants

81
00:04:12,280 --> 00:04:17,040
Speaker 1: to go in hard without a fluffer. Your please, So

82
00:04:17,360 --> 00:04:22,560
Speaker 1: listen the podcast with Nicole Buyer that is now out it.

83
00:04:22,640 --> 00:04:25,200
Speaker 1: You know. It goes through all the different Star Wars flicks,

84
00:04:25,920 --> 00:04:31,000
Speaker 1: first timers, first timers, did newcomers and newcomers, and I'm

85
00:04:31,000 --> 00:04:33,880
Speaker 1: happy you did for that. When I had no yeah,

86
00:04:33,880 --> 00:04:35,679
Speaker 1: the titles newcomers, I was just saying their first timers

87
00:04:35,720 --> 00:04:38,960
Speaker 1: to the Franchan, Yes we were getting there. Damn, I

88
00:04:39,000 --> 00:04:41,640
Speaker 1: got it. Back out of this fluff, man, I gotta you,

89
00:04:41,640 --> 00:04:43,200
Speaker 1: gotta back out of this sluff. Let us fluff you,

90
00:04:43,240 --> 00:04:45,279
Speaker 1: let us, let us. It's so hard to me to

91
00:04:45,320 --> 00:04:47,600
Speaker 1: let myself be fluffed, but I will, I will, you

92
00:04:47,680 --> 00:04:49,880
Speaker 1: let yourself be fluffed. And we also have to say,

93
00:04:50,000 --> 00:04:53,400
Speaker 1: I mean podcast, Queen podcast, Queen, true podcast, Queen and

94
00:04:53,480 --> 00:04:59,279
Speaker 1: Queen of um, I'm sorry, but film and television, sorry,

95
00:04:59,640 --> 00:05:03,120
Speaker 1: film and television, and get this new media, new media,

96
00:05:03,240 --> 00:05:07,320
Speaker 1: my god, new media empress damn. And I have to

97
00:05:07,320 --> 00:05:09,360
Speaker 1: say it's very brave of someone who was in the

98
00:05:09,440 --> 00:05:12,000
Speaker 1: Jurassic World franchise to come out and say I don't

99
00:05:12,040 --> 00:05:17,520
Speaker 1: know Star Wars. She could care less about nerd culture.

100
00:05:17,000 --> 00:05:20,720
Speaker 1: She wants to start a civil war between the franchises,

101
00:05:20,960 --> 00:05:23,160
Speaker 1: and that's I think what's happening. And I am actually

102
00:05:23,200 --> 00:05:25,000
Speaker 1: if we're going to cause a war and she's going

103
00:05:25,080 --> 00:05:27,279
Speaker 1: to cause a war. This podcast already has a title

104
00:05:27,320 --> 00:05:29,800
Speaker 1: of EPP and the title of this has the title

105
00:05:29,839 --> 00:05:32,520
Speaker 1: of up front Runner, and it's war. It's just war

106
00:05:33,440 --> 00:05:36,839
Speaker 1: with our very special guests. Please welcome into your ears. Laura.

107
00:05:38,560 --> 00:05:43,920
Speaker 1: Oh my god, Oh my god. I can't believe I'm here,

108
00:05:44,040 --> 00:05:46,919
Speaker 1: first of all, here being your own home as we

109
00:05:47,000 --> 00:05:53,520
Speaker 1: do this here either, I can't believe that, but I

110
00:05:53,520 --> 00:05:55,400
Speaker 1: can't believe I'm on this podcast because I wanted to

111
00:05:55,400 --> 00:05:58,600
Speaker 1: be on this podcast for um. I would say many

112
00:05:58,600 --> 00:06:02,760
Speaker 1: many months that would equal years. I would agree that

113
00:06:02,839 --> 00:06:05,600
Speaker 1: it has been an anticipated event on our end as well.

114
00:06:05,640 --> 00:06:07,680
Speaker 1: And we had such a fun time with you and

115
00:06:07,760 --> 00:06:11,279
Speaker 1: Gabriel on Raised By TV. That was so fun, such

116
00:06:11,279 --> 00:06:13,520
Speaker 1: a fun time. I really cherish it. And this is

117
00:06:13,720 --> 00:06:15,480
Speaker 1: I'm sorry to bring it back to tie this to

118
00:06:15,560 --> 00:06:18,960
Speaker 1: current events, but here's here's some perspective for all y'all. Okay,

119
00:06:19,640 --> 00:06:21,760
Speaker 1: if you're like, oh god, I'm so anxious, like when

120
00:06:21,800 --> 00:06:23,440
Speaker 1: is this gonna be over, it's it's gonna be as

121
00:06:23,440 --> 00:06:25,360
Speaker 1: long of a time. If here, here's what I'll say.

122
00:06:25,400 --> 00:06:26,880
Speaker 1: This is how going to frame it. If we could

123
00:06:26,920 --> 00:06:29,120
Speaker 1: all wait for this episode to happen, for Lauren Latus

124
00:06:29,160 --> 00:06:31,760
Speaker 1: to come on Last Culturalists for about the same amount

125
00:06:31,760 --> 00:06:33,200
Speaker 1: of time as this thing is going to keep going

126
00:06:33,200 --> 00:06:35,720
Speaker 1: on in the world. We can we can all do it, Okay,

127
00:06:35,720 --> 00:06:38,120
Speaker 1: we can all wait. Hold on, yeah, you can hold

128
00:06:38,200 --> 00:06:41,479
Speaker 1: on of like our resilience as people. It is it is.

129
00:06:42,160 --> 00:06:44,560
Speaker 1: I'm sorry, my words are kind of garbage. I'm a

130
00:06:44,560 --> 00:06:47,360
Speaker 1: little stoned. It's we're recording this unfortuntly. Okay, I see,

131
00:06:47,360 --> 00:06:48,760
Speaker 1: I was going to get stoned, but then I was like,

132
00:06:48,800 --> 00:06:51,039
Speaker 1: I gotta talk on less culture stas. But I should

133
00:06:51,040 --> 00:06:53,200
Speaker 1: have just done it. My thing is like I was

134
00:06:53,279 --> 00:06:55,560
Speaker 1: thinking about getting say, now I actually have to start

135
00:06:55,600 --> 00:06:59,640
Speaker 1: another fight, which is with my boyfriend. So my friend,

136
00:06:59,640 --> 00:07:05,440
Speaker 1: oh my god, it happened. Um lucky me. I have

137
00:07:05,520 --> 00:07:08,120
Speaker 1: to say, but he's in the doghouse right now because

138
00:07:08,520 --> 00:07:10,160
Speaker 1: I just want to go. Look if I had any

139
00:07:10,200 --> 00:07:12,160
Speaker 1: weed and he took it all, he took it back

140
00:07:12,200 --> 00:07:15,480
Speaker 1: to his apartment. That is not okay. Essectially not okay,

141
00:07:15,520 --> 00:07:19,120
Speaker 1: and I'm not that's actually illegal. It's actually a real

142
00:07:19,240 --> 00:07:23,200
Speaker 1: crime here in California. And I have to say I

143
00:07:23,240 --> 00:07:25,080
Speaker 1: have to put him on blast. There is no weed

144
00:07:25,120 --> 00:07:27,320
Speaker 1: in the apartment. But that's probably for the better because

145
00:07:27,360 --> 00:07:32,559
Speaker 1: I have smoked of all the minutes I've been in quarantine. Yeah, yeah,

146
00:07:32,880 --> 00:07:34,760
Speaker 1: it's a necessity. I mean, you know, you've got to

147
00:07:34,760 --> 00:07:36,960
Speaker 1: get through the day. For me, a lot of it

148
00:07:37,000 --> 00:07:39,920
Speaker 1: is like just straight up television or podcast like noise

149
00:07:39,960 --> 00:07:43,280
Speaker 1: at all times. And when he stops, I get scared. Yea, truly,

150
00:07:43,840 --> 00:07:46,880
Speaker 1: when it's silent and dark, that's what it's sad. Yeah,

151
00:07:47,200 --> 00:07:49,400
Speaker 1: what are you indulging in? What are what are your

152
00:07:49,440 --> 00:07:52,240
Speaker 1: things that you've been watching and um consuming in? People

153
00:07:52,240 --> 00:07:55,960
Speaker 1: want to know, I've been consuming basically everything. I love television.

154
00:07:56,240 --> 00:07:58,720
Speaker 1: It is my favorite thing to do all the time.

155
00:07:58,800 --> 00:08:00,680
Speaker 1: But so this has been like a real deep dive

156
00:08:00,760 --> 00:08:02,920
Speaker 1: for me. But um, there's been a lot of great

157
00:08:02,920 --> 00:08:05,679
Speaker 1: things coming out. Did you watch Too Hot to Handle? Okay?

158
00:08:05,880 --> 00:08:09,320
Speaker 1: This is the Yeah, this is the new one. And

159
00:08:09,560 --> 00:08:12,240
Speaker 1: the whole thing is they basically bring like uh ten

160
00:08:12,360 --> 00:08:15,520
Speaker 1: like essential sex addicts to live in a house together

161
00:08:15,560 --> 00:08:17,160
Speaker 1: and then tell them they can't have sex and if

162
00:08:17,200 --> 00:08:19,720
Speaker 1: they touch or kiss each other, the money from the

163
00:08:19,760 --> 00:08:24,080
Speaker 1: one pot is decreased with every action, and let me

164
00:08:24,120 --> 00:08:27,280
Speaker 1: tell you, they still hook up like they don't care

165
00:08:27,760 --> 00:08:32,200
Speaker 1: that the money is going away. It's crazy that that

166
00:08:32,360 --> 00:08:34,439
Speaker 1: is insane. You think that it would be the easiest

167
00:08:34,440 --> 00:08:36,720
Speaker 1: thing ever, but like, is there like an amount of

168
00:08:36,720 --> 00:08:38,520
Speaker 1: time they're gonna be there? Do they know how long

169
00:08:38,520 --> 00:08:40,800
Speaker 1: they're gonna be there? But like it wasn't a day.

170
00:08:40,880 --> 00:08:43,840
Speaker 1: There there's a couple that's like cocaine, like like they

171
00:08:43,880 --> 00:08:46,360
Speaker 1: had taken that they just met and they're like we

172
00:08:46,720 --> 00:08:49,040
Speaker 1: have to find and they just do it. Like it's

173
00:08:49,080 --> 00:08:52,599
Speaker 1: just crazy. Are they releasing it week to week? Um no,

174
00:08:52,720 --> 00:08:54,440
Speaker 1: it's it just was eight episodes. They just dropped all

175
00:08:54,480 --> 00:08:56,800
Speaker 1: at once. You can just watch it and call it

176
00:08:56,840 --> 00:08:59,160
Speaker 1: a day. Yeah, that is a really good That is

177
00:08:59,200 --> 00:09:02,400
Speaker 1: a really good idea of for television for right now,

178
00:09:02,720 --> 00:09:05,440
Speaker 1: where people are in char and it's top of mind

179
00:09:05,640 --> 00:09:08,920
Speaker 1: that they're not able to touch, kiss or fuck, and

180
00:09:08,960 --> 00:09:11,240
Speaker 1: then you just see these people just go like who cares?

181
00:09:11,320 --> 00:09:14,160
Speaker 1: I mean I feel people doing that in real life anyway,

182
00:09:14,320 --> 00:09:18,480
Speaker 1: So which is also disturbing. Um, I watched all of that.

183
00:09:18,720 --> 00:09:20,640
Speaker 1: I've been watching god. You know. You know what's kind

184
00:09:20,640 --> 00:09:22,800
Speaker 1: of been interesting about this time is like I have

185
00:09:22,960 --> 00:09:26,440
Speaker 1: no memory of any day that's happened, and like I've

186
00:09:26,480 --> 00:09:29,360
Speaker 1: been in quarantine for like five week services or more,

187
00:09:29,480 --> 00:09:32,360
Speaker 1: and I like remember two days of it, Like I

188
00:09:32,360 --> 00:09:35,000
Speaker 1: don't know like what's happening or what I'm doing with

189
00:09:35,040 --> 00:09:38,360
Speaker 1: my time. It's the days fly in the weirdest way.

190
00:09:38,679 --> 00:09:40,560
Speaker 1: Now they've said like it could be like for a

191
00:09:40,600 --> 00:09:42,520
Speaker 1: really long time that we're doing this, and I'm like, Oh,

192
00:09:42,559 --> 00:09:46,640
Speaker 1: that's just gonna be a real lost year, isn't it.

193
00:09:46,800 --> 00:09:49,320
Speaker 1: Like that's crazy to think about, Like I thought recently,

194
00:09:49,360 --> 00:09:52,120
Speaker 1: like I just was reminded about something that happened a

195
00:09:52,120 --> 00:09:54,160
Speaker 1: little bit over a year ago, and I was like, wow,

196
00:09:54,160 --> 00:09:56,560
Speaker 1: that feels like a lifetime ago. And then hearing that

197
00:09:56,640 --> 00:09:59,559
Speaker 1: we might be in quarantine for that long is like

198
00:10:00,040 --> 00:10:02,880
Speaker 1: truly crazy. It's truly crazy. But then I saw today

199
00:10:02,880 --> 00:10:06,600
Speaker 1: that they were opening up Georgia Friday for like hair salons.

200
00:10:06,600 --> 00:10:09,440
Speaker 1: I was like, that is literally insane, and I don't

201
00:10:09,440 --> 00:10:13,000
Speaker 1: have that might be because the governor is an idiot.

202
00:10:13,840 --> 00:10:15,520
Speaker 1: I was kind of picking up on that on Twitter

203
00:10:16,240 --> 00:10:19,440
Speaker 1: a lot of my opinions. Oh, Brian the Walking Dead

204
00:10:19,559 --> 00:10:22,160
Speaker 1: quote retweeted that and just had their hands on their

205
00:10:22,160 --> 00:10:25,559
Speaker 1: heads like does that emoji of like oh doti emoji?

206
00:10:25,679 --> 00:10:27,960
Speaker 1: So even the Walking Dead is like, Wow, this is

207
00:10:27,960 --> 00:10:30,160
Speaker 1: so crazy, Like I feel like Twitter has changed that

208
00:10:30,200 --> 00:10:33,080
Speaker 1: way where it's like shows have opinions about current events

209
00:10:33,160 --> 00:10:38,679
Speaker 1: right now. Yeah, Like Nestly is like this is us

210
00:10:38,720 --> 00:10:44,120
Speaker 1: as fuck. Well, this is one of the things when

211
00:10:44,120 --> 00:10:46,320
Speaker 1: this all started. One of the things my husband said,

212
00:10:46,360 --> 00:10:47,760
Speaker 1: like right off the bat was like, I can't wait

213
00:10:47,800 --> 00:10:50,680
Speaker 1: to see which brand jumps on this the fastest. And

214
00:10:50,720 --> 00:10:52,880
Speaker 1: then it was like we were watching TVN Suddenly within

215
00:10:53,040 --> 00:10:55,360
Speaker 1: days the commercials were like you want to stay at

216
00:10:55,360 --> 00:10:57,560
Speaker 1: home with your family and you're missing everyone out there?

217
00:10:57,600 --> 00:10:59,360
Speaker 1: How do you connect? And I was like, yeah, that

218
00:10:59,400 --> 00:11:01,839
Speaker 1: was the quickest have it I've ever seen, truly, Like

219
00:11:01,880 --> 00:11:05,000
Speaker 1: the toilet paper commercials, did you? I mean like there,

220
00:11:05,240 --> 00:11:07,240
Speaker 1: They've always been around, but now it's just like we

221
00:11:07,320 --> 00:11:10,280
Speaker 1: are this, We're gonna get We're gonna get there together.

222
00:11:10,320 --> 00:11:13,480
Speaker 1: It's like, oh, it's ennobling to be a toilet paper company,

223
00:11:13,559 --> 00:11:16,679
Speaker 1: Like it's so respectable. I use you to wipe my

224
00:11:16,800 --> 00:11:23,280
Speaker 1: poop literally in the toilet. Yeah, and you're telling me

225
00:11:23,320 --> 00:11:25,560
Speaker 1: it's going to be okay, but no, but it's going

226
00:11:25,640 --> 00:11:27,840
Speaker 1: to talk to you. It's the way that they're positioning

227
00:11:27,880 --> 00:11:32,560
Speaker 1: selves to be like this amazing like charitable company, not

228
00:11:32,640 --> 00:11:36,400
Speaker 1: charitable but it's like they're like doing good in the world. Yes, yes,

229
00:11:37,120 --> 00:11:41,000
Speaker 1: it's very funny. It is interesting. Well, corporations are people

230
00:11:41,040 --> 00:11:43,840
Speaker 1: were really finding out and they are sent to it

231
00:11:43,880 --> 00:11:47,360
Speaker 1: and they have emotions and they're actually okay, they're actually neutral.

232
00:11:47,400 --> 00:11:52,840
Speaker 1: Good are true neutral? Neutral corporations aren't true neutral? I

233
00:11:52,840 --> 00:11:57,559
Speaker 1: like that. Yeah, um well, Lauren, I feel like you

234
00:11:59,160 --> 00:12:01,240
Speaker 1: because I feel like I'm in a different You're in

235
00:12:01,280 --> 00:12:03,760
Speaker 1: a different camp than I am right now in terms

236
00:12:03,760 --> 00:12:06,000
Speaker 1: of the way that I'm like unwinding or killing time

237
00:12:06,000 --> 00:12:08,720
Speaker 1: where I can't sit through shows or movies, like I'm

238
00:12:08,760 --> 00:12:11,440
Speaker 1: having a really hard time. So okay, So what have

239
00:12:11,480 --> 00:12:13,000
Speaker 1: you been Do you like flip around or you just

240
00:12:13,040 --> 00:12:16,560
Speaker 1: not watch things. I just watch things and I lose

241
00:12:17,440 --> 00:12:19,680
Speaker 1: I lose interest within like ten minutes, and then I

242
00:12:19,720 --> 00:12:21,080
Speaker 1: go to something and then I know, because I've been

243
00:12:21,120 --> 00:12:24,440
Speaker 1: doing video games, I'm thinking all my time and play

244
00:12:24,480 --> 00:12:27,160
Speaker 1: Animal Crossing. I just started paying animal Crossing, so oh

245
00:12:27,200 --> 00:12:29,720
Speaker 1: my god. Yeah, I saw yeah, I joined that and

246
00:12:29,760 --> 00:12:32,520
Speaker 1: that's been very fun. That's been my whole quarantine. Oh.

247
00:12:32,600 --> 00:12:35,040
Speaker 1: I have to say I have signed on kind of

248
00:12:35,080 --> 00:12:38,160
Speaker 1: mentally to watch a few shows that come on every

249
00:12:38,200 --> 00:12:40,920
Speaker 1: week as like sort of Markers of Time. So I

250
00:12:40,960 --> 00:12:44,120
Speaker 1: now watched the Masks Singer and I really love it.

251
00:12:44,559 --> 00:12:47,959
Speaker 1: But it's now they've been playing like reruns for some reason.

252
00:12:48,000 --> 00:12:49,959
Speaker 1: I don't know, do they not get to finish their season?

253
00:12:49,960 --> 00:12:51,840
Speaker 1: Because I might be really devastated if we don't get

254
00:12:51,840 --> 00:12:54,160
Speaker 1: the ending of that. Oh shoot, well, I don't think

255
00:12:55,000 --> 00:12:57,600
Speaker 1: they did not finish. I don't think because isn't it

256
00:12:57,600 --> 00:12:59,959
Speaker 1: isn't it live? Isn't it? Sort of like, yeah, maybe

257
00:13:00,040 --> 00:13:02,160
Speaker 1: it is. Maybe I've been watching reruns and I don't

258
00:13:02,160 --> 00:13:04,560
Speaker 1: know what's going on. Who has been on? Who has

259
00:13:04,600 --> 00:13:07,679
Speaker 1: been on that? You've been like, oh my god? Sometimes

260
00:13:08,000 --> 00:13:12,280
Speaker 1: multiple people in the thing and been right Joe I

261
00:13:12,320 --> 00:13:15,400
Speaker 1: called it like right away, and I was like, why

262
00:13:15,440 --> 00:13:19,120
Speaker 1: do I know this? Yeah, well she's like that so

263
00:13:19,320 --> 00:13:22,559
Speaker 1: and she's really tall, I can tell. And she was

264
00:13:22,600 --> 00:13:26,760
Speaker 1: like kind of dressed like her like an insane tall toddler.

265
00:13:27,960 --> 00:13:32,599
Speaker 1: She is a fascinating creature. I'm like so intrigued. I

266
00:13:32,640 --> 00:13:35,160
Speaker 1: watched like a few well now, probably a year ago.

267
00:13:35,200 --> 00:13:37,240
Speaker 1: I watched a bunch of YouTube videos of her like

268
00:13:37,480 --> 00:13:39,800
Speaker 1: giving a tour of her room, and then her room

269
00:13:39,960 --> 00:13:42,120
Speaker 1: she like redid it again and like gave a tour

270
00:13:42,160 --> 00:13:46,479
Speaker 1: of that, and she has pictures of herself plastered everywhere,

271
00:13:46,559 --> 00:13:48,880
Speaker 1: Like on her sheets there's pictures of herself, and her

272
00:13:48,920 --> 00:13:51,920
Speaker 1: car is all pictures of herself on the outside, and

273
00:13:51,920 --> 00:13:55,160
Speaker 1: I don't really understand that well. She feels like a weird,

274
00:13:55,240 --> 00:14:00,440
Speaker 1: like throwback kind of famous kid star type thing, like

275
00:14:00,480 --> 00:14:03,720
Speaker 1: where it's like, hey, guys, come on, and it's just like, wait,

276
00:14:03,840 --> 00:14:06,319
Speaker 1: this feels like it was something from like the mid nineties,

277
00:14:06,320 --> 00:14:10,240
Speaker 1: like some sort of Rugrats adjacent Yeah, that shouldn't be

278
00:14:10,320 --> 00:14:13,520
Speaker 1: viable now, but very much is. It is like she's

279
00:14:13,559 --> 00:14:16,240
Speaker 1: like a Rugrats character that came to life. That feels

280
00:14:16,280 --> 00:14:20,120
Speaker 1: really accurate. Definitely that there's an element of Gypsy there though,

281
00:14:20,280 --> 00:14:22,760
Speaker 1: like Gypsy the show. Like I think I think she

282
00:14:22,800 --> 00:14:27,320
Speaker 1: has a stage the musical. She's a roma. I feel

283
00:14:27,320 --> 00:14:29,080
Speaker 1: doesn't she have a stage? Mom? Isn't like, isn't she

284
00:14:29,120 --> 00:14:32,680
Speaker 1: from she is? She is? She is right right? Yeah?

285
00:14:32,960 --> 00:14:35,880
Speaker 1: I feel like I shouldn't know this. I feel honestly.

286
00:14:35,920 --> 00:14:38,640
Speaker 1: I'll tell you. She had to recently be explained to me.

287
00:14:38,720 --> 00:14:40,680
Speaker 1: I felt like I was like way out of touch

288
00:14:40,720 --> 00:14:43,120
Speaker 1: with it. But She's one where I really did not

289
00:14:43,240 --> 00:14:46,080
Speaker 1: know her deal and then I saw her. I had

290
00:14:46,120 --> 00:14:49,080
Speaker 1: heard the name a bunch jo and then I saw

291
00:14:49,160 --> 00:14:52,560
Speaker 1: what she was and I was like no, and people

292
00:14:52,560 --> 00:14:54,760
Speaker 1: were like no, this is something people like. And I

293
00:14:54,840 --> 00:14:57,600
Speaker 1: was like, because she's like the part that stops me

294
00:14:57,680 --> 00:15:00,400
Speaker 1: is it that she's an adult? Right? The that I

295
00:15:00,480 --> 00:15:03,520
Speaker 1: find confusing. I'm like, wait, she's like grown up? Like

296
00:15:03,920 --> 00:15:06,440
Speaker 1: what it would be hard to keep the keep going

297
00:15:06,480 --> 00:15:08,480
Speaker 1: with the act. But you know, when the money rolls in,

298
00:15:08,520 --> 00:15:11,160
Speaker 1: I guess yeah. I wonder if we'll see her like

299
00:15:11,280 --> 00:15:15,680
Speaker 1: ex Tina Miley phase of her JO like raw. Well

300
00:15:15,720 --> 00:15:17,520
Speaker 1: that makes me want to ask you how you feel

301
00:15:17,520 --> 00:15:21,040
Speaker 1: about Amanda Bindes is Instagram's lately when she's back on

302
00:15:22,480 --> 00:15:24,440
Speaker 1: what's the deal? Tell us, well, I might be a

303
00:15:24,440 --> 00:15:27,000
Speaker 1: few weeks behind in terms of the content, but she

304
00:15:27,400 --> 00:15:29,400
Speaker 1: she is pregnant. She announced that she was pregnant. She

305
00:15:29,480 --> 00:15:34,280
Speaker 1: posted a picture from the ultrasound. She got a tattoo

306
00:15:34,280 --> 00:15:37,120
Speaker 1: of a heart on her face. I'm looking at for

307
00:15:37,160 --> 00:15:39,520
Speaker 1: the first time. Oh my god, Oh it's really interesting,

308
00:15:39,760 --> 00:15:41,200
Speaker 1: and she put she deletes a lot of videos, but

309
00:15:41,240 --> 00:15:43,000
Speaker 1: she'll post them and they're when you catch them, they're

310
00:15:43,000 --> 00:15:45,200
Speaker 1: really good. Like she'll be like, thank you all for

311
00:15:45,280 --> 00:15:48,640
Speaker 1: your appreciation of my time here. After my situation with

312
00:15:48,680 --> 00:15:50,640
Speaker 1: my probate, I am doing everything I can with my

313
00:15:50,680 --> 00:15:53,040
Speaker 1: conservation ship to figure out what I need to do next.

314
00:15:53,120 --> 00:15:54,800
Speaker 1: And like she just says that kind of stuff to

315
00:15:54,840 --> 00:15:58,600
Speaker 1: her fans. Very interesting. Wait, whoa, I'm looking at it

316
00:15:58,680 --> 00:16:02,280
Speaker 1: not too so. She is not verified on Instagram, but

317
00:16:02,320 --> 00:16:04,720
Speaker 1: it does say Amanda Binds real and she has four

318
00:16:04,800 --> 00:16:07,880
Speaker 1: hundred seventy one thousand followers. I'm guessing this is her,

319
00:16:08,480 --> 00:16:11,760
Speaker 1: and she looks she looks completely different. Well, it looks

320
00:16:11,760 --> 00:16:15,000
Speaker 1: like it's a relatively new Instagram, like her first post

321
00:16:15,480 --> 00:16:18,920
Speaker 1: from September ten to nineteen, and it's her with pink

322
00:16:18,960 --> 00:16:21,600
Speaker 1: care accept and piercing and like what looks like to

323
00:16:21,680 --> 00:16:25,000
Speaker 1: be a whole new head and she's going to fit

324
00:16:25,080 --> 00:16:29,720
Speaker 1: them the Fashion Institute whatever it stands. Right, Wow, that's

325
00:16:29,800 --> 00:16:32,280
Speaker 1: crazy because it correct me if I'm wrong. Wasn't she

326
00:16:32,400 --> 00:16:36,440
Speaker 1: like um in some way coming back like it wasn't

327
00:16:36,480 --> 00:16:39,080
Speaker 1: she trying to make a comeback of a few years ago. Yeah,

328
00:16:39,080 --> 00:16:43,920
Speaker 1: there was some interview where she Um just like had

329
00:16:43,920 --> 00:16:46,960
Speaker 1: her wits about her. It seemed I'm not that Like,

330
00:16:47,320 --> 00:16:49,680
Speaker 1: I mean, we can't really tell. I don't know, I

331
00:16:49,680 --> 00:16:53,240
Speaker 1: don't want but no, I agree I'm saying, like, I've

332
00:16:53,240 --> 00:16:55,720
Speaker 1: just been kind of fascinating popping into her Instagram and

333
00:16:55,760 --> 00:16:57,440
Speaker 1: seeing this whole new look and a whole new deal

334
00:16:57,480 --> 00:16:59,200
Speaker 1: she has grand and then she did announce her pregnancy

335
00:16:59,200 --> 00:17:01,160
Speaker 1: and then deleted it, so I know about that. Wow,

336
00:17:01,400 --> 00:17:04,600
Speaker 1: the hardest hard tattoo is like a little drawing. Getting

337
00:17:04,600 --> 00:17:06,280
Speaker 1: a face tattoo is such a move. I don't know,

338
00:17:06,320 --> 00:17:08,160
Speaker 1: Like I couldn't. I mean I could never. I feel

339
00:17:08,160 --> 00:17:09,720
Speaker 1: like I would never. I can't even get a tattoo.

340
00:17:09,960 --> 00:17:13,800
Speaker 1: I couldn't decide on anything for my body. No, I

341
00:17:13,840 --> 00:17:15,720
Speaker 1: mean Bowen has a couple. This is but this is

342
00:17:15,760 --> 00:17:17,720
Speaker 1: how stone I got last night was I just was

343
00:17:17,800 --> 00:17:21,040
Speaker 1: like looking staring at my tattoos and being like, oh,

344
00:17:21,080 --> 00:17:22,919
Speaker 1: I can't get this off. Not that I even want to,

345
00:17:22,960 --> 00:17:24,560
Speaker 1: but it's like if I wanted to, I can't get

346
00:17:24,600 --> 00:17:32,560
Speaker 1: this weird. No, that's actually something I told you would happened. No, no,

347
00:17:32,880 --> 00:17:34,760
Speaker 1: but no, I'm not saying that I want them off.

348
00:17:35,119 --> 00:17:36,879
Speaker 1: I'm not saying that I want them, but like the

349
00:17:36,960 --> 00:17:43,080
Speaker 1: stoner realization of like, yes, oh it's forever, yeah yeah

350
00:17:43,160 --> 00:17:45,400
Speaker 1: yeah yeah yeah, I know that you have beautiful, tasteful

351
00:17:45,440 --> 00:17:47,760
Speaker 1: tattoos about but you get. I feel like I've heard

352
00:17:47,760 --> 00:17:50,080
Speaker 1: you talk about them. You had one that's like a

353
00:17:50,240 --> 00:17:52,960
Speaker 1: red square up here, and then I've got a little

354
00:17:52,960 --> 00:17:56,119
Speaker 1: I've got like my parents last names in the specific

355
00:17:56,240 --> 00:18:00,720
Speaker 1: seal script Chinese. Well that's meaningful, it's it's it's it's nice.

356
00:18:00,720 --> 00:18:04,000
Speaker 1: But I but I did just but Matt just pounced

357
00:18:04,040 --> 00:18:06,479
Speaker 1: on my ass real quick right there, and you were

358
00:18:06,520 --> 00:18:09,600
Speaker 1: like yeah, And I told you to get no. Because

359
00:18:09,640 --> 00:18:12,200
Speaker 1: whenever anyone, whenever anyone in my life is like I'm

360
00:18:12,200 --> 00:18:14,800
Speaker 1: getting a tattoo, my instinct is to always, I don't

361
00:18:14,840 --> 00:18:16,800
Speaker 1: know what this is about. My instinct is always to

362
00:18:16,800 --> 00:18:19,480
Speaker 1: be like, yeah, right, Like I never really believe they're

363
00:18:19,480 --> 00:18:21,240
Speaker 1: going to get it. It's like when I see it's

364
00:18:21,240 --> 00:18:24,520
Speaker 1: like one of my seeing my friends like Yang smoking cigarettes,

365
00:18:24,560 --> 00:18:27,760
Speaker 1: I'm like, but we're kids, right, I have this thing

366
00:18:27,800 --> 00:18:29,800
Speaker 1: in my head it's like, we're too young to do that.

367
00:18:30,440 --> 00:18:32,480
Speaker 1: And it's like, so when people are out there having

368
00:18:32,520 --> 00:18:35,000
Speaker 1: fretty will and inking their body up and smoking like

369
00:18:35,040 --> 00:18:38,919
Speaker 1: a damn chim, I'm like, well, we're what do you mean, Like,

370
00:18:38,960 --> 00:18:41,160
Speaker 1: I feel like it's not a possibility for me. There

371
00:18:41,240 --> 00:18:44,560
Speaker 1: was a time when my sister and I I think

372
00:18:44,560 --> 00:18:46,000
Speaker 1: I've told this on the pod. My sister and I

373
00:18:46,000 --> 00:18:49,879
Speaker 1: were at Universal Studios, Florida, and we were like away

374
00:18:49,880 --> 00:18:51,320
Speaker 1: from our parents. They let us like go to the

375
00:18:51,320 --> 00:18:53,520
Speaker 1: parks by ourselves, and we were like, let's get tattoos,

376
00:18:54,320 --> 00:18:56,520
Speaker 1: and we couldn't decide what to get. And we went

377
00:18:56,560 --> 00:18:58,080
Speaker 1: all the way to the tattoo place and we we were like,

378
00:18:58,119 --> 00:19:00,480
Speaker 1: we don't know what to get. And we're in Orland, Indo.

379
00:19:00,680 --> 00:19:03,199
Speaker 1: So maybe not this was there's a tattoo place in

380
00:19:03,280 --> 00:19:06,840
Speaker 1: Universal Studios in City Walk. There at least was a

381
00:19:06,880 --> 00:19:12,080
Speaker 1: tattoo crazy move to have that there. Yeah, do you

382
00:19:12,080 --> 00:19:13,920
Speaker 1: think people go in and just get like Daffy Duck

383
00:19:14,000 --> 00:19:17,520
Speaker 1: or whatever, Like they're just like impulsive. I'm sure Ms

384
00:19:17,600 --> 00:19:21,520
Speaker 1: Daffy is in the book whatever? Yeah, or actually, wait,

385
00:19:21,640 --> 00:19:24,240
Speaker 1: Daffy Duck. She's Disney, right, Okay, so that whatever the

386
00:19:24,320 --> 00:19:33,159
Speaker 1: Universal Daffy Damn. Of course, Daisy Duck, miss Duck, the

387
00:19:33,240 --> 00:19:37,840
Speaker 1: other Miss Duck Duck. I was recently asked who my

388
00:19:37,840 --> 00:19:41,439
Speaker 1: favorite Disney character was, and I did say Donald Duck. Donald.

389
00:19:41,480 --> 00:19:44,120
Speaker 1: That's like literally no one's ever said that, no one

390
00:19:44,119 --> 00:19:47,440
Speaker 1: ever but I, But I like I like that he's

391
00:19:47,480 --> 00:19:49,600
Speaker 1: like Donald Duck to me. Is like the queer one

392
00:19:49,640 --> 00:19:53,920
Speaker 1: because Mickey, I feel like it represents like the majority heterosexuality.

393
00:19:53,960 --> 00:19:57,119
Speaker 1: And then then there's Donald's always like always kind of

394
00:19:57,119 --> 00:20:00,439
Speaker 1: just like being the comedic relief and always getting pushed decide,

395
00:20:00,480 --> 00:20:03,400
Speaker 1: and I feel that he is like, this is very emotional.

396
00:20:05,080 --> 00:20:08,400
Speaker 1: Where do you put goofy? Goofy is like stoner, which

397
00:20:08,440 --> 00:20:12,600
Speaker 1: is a sexuality? Yeah, which which is it's actually it's

398
00:20:12,640 --> 00:20:16,880
Speaker 1: actually real culture number thirty three. Goofy is at which

399
00:20:17,320 --> 00:20:20,680
Speaker 1: is a sexuality. I do have to say really quick, um,

400
00:20:20,840 --> 00:20:24,000
Speaker 1: I have I stopped smoking the day before quarantine, before

401
00:20:24,000 --> 00:20:26,160
Speaker 1: I started quarantining myself, and that's been a perfect way

402
00:20:26,160 --> 00:20:29,200
Speaker 1: of like keeping count of the days for me. It's

403
00:20:29,200 --> 00:20:32,080
Speaker 1: actually also a very convenient way to commit smoking because

404
00:20:32,080 --> 00:20:35,159
Speaker 1: no one can see you. Well, it's also like I

405
00:20:35,200 --> 00:20:39,320
Speaker 1: don't want no damn co morbidit ease, honey. So are

406
00:20:39,359 --> 00:20:42,720
Speaker 1: you claiming Matt that he didn't really quit? He's just

407
00:20:42,760 --> 00:20:45,960
Speaker 1: saying he didn't. Yes, that is my claim at this time.

408
00:20:46,400 --> 00:20:51,600
Speaker 1: That is my claim sustained, thank and honestly I would

409
00:20:51,600 --> 00:20:56,640
Speaker 1: testify against him on the on the charge of smoking. Yes,

410
00:20:56,720 --> 00:20:58,639
Speaker 1: you are guilty, and you know one time. But what

411
00:20:58,680 --> 00:21:00,760
Speaker 1: Bowen Young said to me, He's like, I'll stop smoking

412
00:21:00,800 --> 00:21:02,800
Speaker 1: when you start therapy, and I said that is not

413
00:21:02,920 --> 00:21:07,920
Speaker 1: the same thing. WHOA and I to go, well, no, no, no,

414
00:21:08,080 --> 00:21:10,920
Speaker 1: this is not this is not about me. I said

415
00:21:10,920 --> 00:21:13,720
Speaker 1: to him. I was like, you quitting smoking and me,

416
00:21:14,440 --> 00:21:17,280
Speaker 1: um not going to therapy isn't a life or death situation.

417
00:21:17,359 --> 00:21:20,600
Speaker 1: And then he said to me, well it is. Wow,

418
00:21:20,800 --> 00:21:27,800
Speaker 1: I did not therapy. Therapy is very um rejuvenating and

419
00:21:27,960 --> 00:21:30,359
Speaker 1: life giving in many ways, like if you if you

420
00:21:30,440 --> 00:21:32,280
Speaker 1: have any I mean, I think even if you don't

421
00:21:32,320 --> 00:21:35,040
Speaker 1: have a solid issue that you're working through, you'll find

422
00:21:35,040 --> 00:21:36,719
Speaker 1: plenty of stuff to talk about in there. I mean

423
00:21:36,760 --> 00:21:39,680
Speaker 1: I started going like a year ago. I haven't been

424
00:21:39,920 --> 00:21:42,000
Speaker 1: since quarantine. I need to, like skyper or something, but

425
00:21:42,040 --> 00:21:45,399
Speaker 1: I really want to. But it was so amazing, like

426
00:21:45,400 --> 00:21:46,760
Speaker 1: the things that come out, Like you go in for

427
00:21:46,760 --> 00:21:48,680
Speaker 1: one reason and you end up talking about something else.

428
00:21:48,680 --> 00:21:50,200
Speaker 1: For the days you think you have nothing to say,

429
00:21:50,320 --> 00:21:54,120
Speaker 1: you go on and start crying about something and it's crazy. Yeah,

430
00:21:54,400 --> 00:21:57,040
Speaker 1: I would actually be really interested to see what, like

431
00:21:57,240 --> 00:22:01,639
Speaker 1: what what made me emotional? I guess there's an interesting

432
00:22:01,640 --> 00:22:04,520
Speaker 1: thing that's happening now, at least among my friends where

433
00:22:04,520 --> 00:22:07,879
Speaker 1: were like, is there really a point to going to

434
00:22:07,960 --> 00:22:12,159
Speaker 1: like even doing these like like skype sessions, um, And

435
00:22:12,200 --> 00:22:14,600
Speaker 1: I think there are, but like a lot of therapists

436
00:22:14,640 --> 00:22:17,280
Speaker 1: are saying that, like yeah, it's just that we talk

437
00:22:17,359 --> 00:22:21,040
Speaker 1: about the same things with every single patient client, and

438
00:22:21,080 --> 00:22:24,399
Speaker 1: so I feel like, so my therapist did a nice thing,

439
00:22:24,400 --> 00:22:26,640
Speaker 1: I think, which is she was like, um, we can

440
00:22:26,640 --> 00:22:28,200
Speaker 1: just reduce them to every other week and we can

441
00:22:28,200 --> 00:22:30,640
Speaker 1: just do them half hour sessions and that would reflect

442
00:22:30,680 --> 00:22:32,960
Speaker 1: in the in the right And I was like, great,

443
00:22:33,720 --> 00:22:36,119
Speaker 1: that's nice. Yeah, but it's it's it's this thing now

444
00:22:36,119 --> 00:22:39,800
Speaker 1: where it's like I am at the same emotional place

445
00:22:39,840 --> 00:22:43,160
Speaker 1: as I was for the most part, like ten days ago. Yeah,

446
00:22:43,200 --> 00:22:45,160
Speaker 1: I feel that too, Like I think the first week

447
00:22:45,240 --> 00:22:47,080
Speaker 1: or so I was like a complete wreck and then

448
00:22:47,119 --> 00:22:49,199
Speaker 1: I've kind of leveled out in this weird way. But

449
00:22:49,280 --> 00:22:51,040
Speaker 1: I have a friend who's a therapist and she said

450
00:22:51,800 --> 00:22:54,359
Speaker 1: her clients is the same thing where everyone's talking about this,

451
00:22:54,400 --> 00:22:57,199
Speaker 1: of course, but she has some teenage clients who are

452
00:22:57,240 --> 00:22:59,160
Speaker 1: like still just talking about like their drama with their

453
00:22:59,200 --> 00:23:02,320
Speaker 1: boyfriend or whatever. And I'm like I kind of love that. Yeah, Yeah,

454
00:23:02,440 --> 00:23:05,560
Speaker 1: that's great, that's great, and it's good Matt. Yeah, it's

455
00:23:05,560 --> 00:23:08,600
Speaker 1: just good for like, um, the pedestrian stuff, which sounds

456
00:23:08,640 --> 00:23:11,480
Speaker 1: like which is an all relative Now it's like, I

457
00:23:11,520 --> 00:23:13,920
Speaker 1: don't know, I don't know. The thing is like, yeah,

458
00:23:14,000 --> 00:23:17,879
Speaker 1: I feel like I I can't start now because also

459
00:23:18,040 --> 00:23:20,760
Speaker 1: my mood is so violently different every single day. I

460
00:23:20,800 --> 00:23:22,480
Speaker 1: don't know how you guys feel with the way that, like,

461
00:23:22,920 --> 00:23:25,800
Speaker 1: my my emotions are responding to the situation. Is like

462
00:23:25,840 --> 00:23:28,000
Speaker 1: I'll wake up one day and I'll be like just

463
00:23:28,040 --> 00:23:30,480
Speaker 1: another day, and you know, it's fine, I mean, like whatever,

464
00:23:30,560 --> 00:23:33,720
Speaker 1: and then the next day I'll literally be catatonic. Well,

465
00:23:33,760 --> 00:23:35,720
Speaker 1: I have those moments where I'm like I'll just be

466
00:23:35,760 --> 00:23:37,840
Speaker 1: like playing animal crossing and I'll be like I'm actually

467
00:23:37,840 --> 00:23:41,000
Speaker 1: doing really well, and then like I'll like look above

468
00:23:41,119 --> 00:23:44,040
Speaker 1: myself and see how sad it is, and then I'll

469
00:23:44,240 --> 00:23:47,040
Speaker 1: want to cry. I'm like, wait, this is actually so dark,

470
00:23:47,119 --> 00:23:50,240
Speaker 1: Like it'll just turn weirdly on a dime. But here's

471
00:23:50,280 --> 00:23:52,719
Speaker 1: the thing about you, Lauren. You actually get to have

472
00:23:52,800 --> 00:23:56,440
Speaker 1: a hashtag hot husband with you. That is true. That

473
00:23:56,600 --> 00:24:02,880
Speaker 1: that's actually that's actually the tea, my castle, my castle.

474
00:24:03,560 --> 00:24:08,400
Speaker 1: He's very cute, spending so much of time. Yeah, it's

475
00:24:08,440 --> 00:24:12,000
Speaker 1: a mixed bag. Yeah. Yeah, we mainly are doing well

476
00:24:12,040 --> 00:24:13,919
Speaker 1: and not getting on each other's nerves, but we have

477
00:24:14,040 --> 00:24:16,960
Speaker 1: moments but then you know, go in the other room

478
00:24:17,000 --> 00:24:20,159
Speaker 1: a little bit or something. But yeah, it's been Do

479
00:24:20,200 --> 00:24:23,160
Speaker 1: you know how I met Mike Castle. I don't think so.

480
00:24:23,800 --> 00:24:26,640
Speaker 1: I met him when we both auditioned for the lead

481
00:24:26,680 --> 00:24:30,760
Speaker 1: of the other two, which drew But that's that's where

482
00:24:30,760 --> 00:24:35,160
Speaker 1: I met him, and I loved him instantly because he's

483
00:24:35,160 --> 00:24:36,840
Speaker 1: I'm gonna put him on blast, I'm gonna throw him

484
00:24:36,840 --> 00:24:41,280
Speaker 1: under the damn bus. He somehow had the list of

485
00:24:41,320 --> 00:24:44,879
Speaker 1: everyone that was auditioning for that part, like, and I

486
00:24:44,920 --> 00:24:46,399
Speaker 1: was like, how did you get that? And he's like

487
00:24:46,400 --> 00:24:48,040
Speaker 1: I can't say what? Do you want it? And I

488
00:24:48,119 --> 00:24:51,639
Speaker 1: was like yes, and so we we fully like I

489
00:24:51,720 --> 00:24:55,840
Speaker 1: was like, I was like, I love her and we

490
00:24:55,960 --> 00:24:58,120
Speaker 1: left and I was like, oh of course, like he's

491
00:24:58,160 --> 00:25:01,280
Speaker 1: of course one of the most gorgeous straight oh yeah,

492
00:25:01,359 --> 00:25:03,760
Speaker 1: oh yeah, but we we were auditioning for a gay

493
00:25:03,800 --> 00:25:06,600
Speaker 1: part and I was like, I never know s Yeah,

494
00:25:06,920 --> 00:25:10,000
Speaker 1: it gets to just throw you a little bit. Yeah,

495
00:25:10,240 --> 00:25:12,040
Speaker 1: especially that he was like do you want the list

496
00:25:12,080 --> 00:25:17,439
Speaker 1: of everything? And I was like, okay, girl, hious, I

497
00:25:17,520 --> 00:25:19,399
Speaker 1: love that, and then I loved looking at the list

498
00:25:19,440 --> 00:25:24,879
Speaker 1: and being like, oh, her, her again, her, see all that,

499
00:25:24,920 --> 00:25:27,160
Speaker 1: we see all the same girls that I love it. Yeah,

500
00:25:27,200 --> 00:25:30,320
Speaker 1: I'm sure. I'm sure that was great. That Drew got that.

501
00:25:30,320 --> 00:25:32,280
Speaker 1: That was so cool. Yeah, I mean he's he's so

502
00:25:32,320 --> 00:25:36,240
Speaker 1: good in it. Yeah, he's one of the damn best.

503
00:25:36,720 --> 00:25:38,920
Speaker 1: He's so funny. Do you improvise with him a lot

504
00:25:39,920 --> 00:25:41,960
Speaker 1: um from time to time? We do. I We've done

505
00:25:42,040 --> 00:25:44,520
Speaker 1: a lot of podcasts together, more than live shows. But

506
00:25:45,359 --> 00:25:47,960
Speaker 1: he just kills me. He's so funny. I feel like

507
00:25:47,960 --> 00:25:51,399
Speaker 1: he's so surprising with the things his characters say. I

508
00:25:51,400 --> 00:25:56,920
Speaker 1: love teachers lounge. Ah, yes, I mind a group of minds. Okay,

509
00:25:56,920 --> 00:25:58,640
Speaker 1: we're gonna take a quick break, and then when we're

510
00:25:58,720 --> 00:26:03,080
Speaker 1: back we will be talking more with Lauren LAPKZ. Okay,

511
00:26:03,119 --> 00:26:05,439
Speaker 1: we're back. Yeah, and we're actually back. And here's the

512
00:26:05,440 --> 00:26:07,280
Speaker 1: thing that we're gonna do. One is that we're going

513
00:26:07,320 --> 00:26:09,280
Speaker 1: to say we forgot to mention up top that you're

514
00:26:09,280 --> 00:26:13,359
Speaker 1: actually part of the iconic improv group Wild Horses, and

515
00:26:13,440 --> 00:26:17,080
Speaker 1: we want to exalt the horses, and we have to

516
00:26:17,119 --> 00:26:22,159
Speaker 1: say the Horses are actually improv culture because one of

517
00:26:22,200 --> 00:26:27,440
Speaker 1: the one of the renowned improv groups. Thank you, thank you,

518
00:26:27,920 --> 00:26:31,200
Speaker 1: and you know who. I actually um loving a door

519
00:26:31,320 --> 00:26:34,320
Speaker 1: very much as well all the girls, but Mary Holland.

520
00:26:34,400 --> 00:26:38,240
Speaker 1: I've run into Mary, and that is an icon. Mary

521
00:26:38,560 --> 00:26:40,920
Speaker 1: is one of the sweetest people in the world, and

522
00:26:41,000 --> 00:26:43,639
Speaker 1: she's so funny. But she's just the best, isn't she?

523
00:26:44,320 --> 00:26:47,560
Speaker 1: So I can never imagine someone disliking Mary. I feel

524
00:26:47,680 --> 00:26:50,000
Speaker 1: I I don't know who does, but I feel confused

525
00:26:50,040 --> 00:26:53,280
Speaker 1: at the idea that someone could. She isn't that like

526
00:26:53,480 --> 00:26:57,760
Speaker 1: Darcy Cardon, Betty Gilpin Pantheon of like people where it's like, oh,

527
00:26:57,920 --> 00:27:03,040
Speaker 1: so I found out someone doesn't like her. Just kidding, No, never, right, totally.

528
00:27:03,680 --> 00:27:05,440
Speaker 1: I loved her absolute Betty by the way, that was

529
00:27:05,440 --> 00:27:07,639
Speaker 1: a while ago now, but that was such a good episode.

530
00:27:07,880 --> 00:27:12,000
Speaker 1: She was so awesome. I don't even know described, but

531
00:27:12,000 --> 00:27:14,600
Speaker 1: I was like, she was so open and like vulnerable,

532
00:27:14,760 --> 00:27:17,000
Speaker 1: and I loved all the stuff she said about acting

533
00:27:17,160 --> 00:27:20,800
Speaker 1: and she was great. It was like a life coach vibe, like, yeah,

534
00:27:21,000 --> 00:27:24,280
Speaker 1: it was schooling. Did you watch The Hunt? The Hunt? No,

535
00:27:24,440 --> 00:27:27,679
Speaker 1: I haven't seen that yet. I remember it kind of

536
00:27:27,720 --> 00:27:29,679
Speaker 1: got that big. There was kind of news around it

537
00:27:29,680 --> 00:27:31,240
Speaker 1: because it was going to come on at a weird

538
00:27:31,280 --> 00:27:33,720
Speaker 1: time and then they now they so they put it

539
00:27:33,760 --> 00:27:38,119
Speaker 1: out now, Yes, they canceled the release in what November December,

540
00:27:38,480 --> 00:27:40,680
Speaker 1: like it was like even earlier in the year, like

541
00:27:40,720 --> 00:27:42,520
Speaker 1: I think it was September October. It was supposed to

542
00:27:42,520 --> 00:27:46,199
Speaker 1: come out and then She's controversial. Um, so you know,

543
00:27:46,640 --> 00:27:48,680
Speaker 1: they put the kai bosh on that, and then they

544
00:27:49,040 --> 00:27:50,800
Speaker 1: were going to release it again in theaters and then

545
00:27:50,880 --> 00:27:53,240
Speaker 1: Quarantine happened. So it just had a lot of bad

546
00:27:53,320 --> 00:27:57,000
Speaker 1: luck coming out. But it's now demands. I will say, yes,

547
00:27:57,080 --> 00:27:59,199
Speaker 1: it's good because, like The Hunt was one of the

548
00:27:59,240 --> 00:28:02,240
Speaker 1: few films, the few exceptions in my Quarantine viewing that,

549
00:28:02,359 --> 00:28:03,600
Speaker 1: like I was able to sit through the whole thing

550
00:28:03,640 --> 00:28:05,000
Speaker 1: and I just like had a glass of one. It's

551
00:28:05,000 --> 00:28:10,000
Speaker 1: like having fun. Yeah, it's not too long either, It's

552
00:28:10,040 --> 00:28:14,240
Speaker 1: truly like it's like two minutes. It feels like, Yeah,

553
00:28:14,280 --> 00:28:16,159
Speaker 1: I really love a short movie. I've had because of

554
00:28:16,200 --> 00:28:18,480
Speaker 1: Star Wars. I've had to watch every fucking Star Wars movie,

555
00:28:18,480 --> 00:28:23,440
Speaker 1: which are aged two at the best. Yes, these are

556
00:28:23,440 --> 00:28:26,760
Speaker 1: the longest films in reported history. They're the longest films

557
00:28:26,760 --> 00:28:29,359
Speaker 1: of all time. I just can't believe it. Every single one.

558
00:28:29,400 --> 00:28:32,200
Speaker 1: I like wait, every single one is too over two hours,

559
00:28:32,240 --> 00:28:35,280
Speaker 1: two and a half hours, even even this last one.

560
00:28:35,320 --> 00:28:36,719
Speaker 1: I think they came out and they were like, it's

561
00:28:36,760 --> 00:28:38,720
Speaker 1: actually not going to be two and a half hours,

562
00:28:38,720 --> 00:28:43,480
Speaker 1: and everyone was like, great, I have to watch that

563
00:28:43,480 --> 00:28:45,280
Speaker 1: one this week. So that's good news for me. So

564
00:28:45,320 --> 00:28:47,760
Speaker 1: you have wait, you have not yet watched that last one. No,

565
00:28:48,120 --> 00:28:50,560
Speaker 1: that's the one I have to watch. I respect that

566
00:28:50,600 --> 00:28:53,280
Speaker 1: one the most, okay, because I feel like it's the

567
00:28:53,320 --> 00:28:57,280
Speaker 1: most camp and the most drag. Oh, We've liked things

568
00:28:57,280 --> 00:28:59,360
Speaker 1: that have that element. I mean, like, have you seen

569
00:28:59,400 --> 00:29:01,880
Speaker 1: The Holidays? A show on YouTube? So Nicole was talking

570
00:29:01,880 --> 00:29:03,800
Speaker 1: about this too, like she like her favorite piece of

571
00:29:03,800 --> 00:29:07,240
Speaker 1: Star Wars film has been the Holiday Special. Yes, I mean,

572
00:29:07,240 --> 00:29:09,560
Speaker 1: and and it's really bad, but it's really good, Like

573
00:29:09,600 --> 00:29:12,720
Speaker 1: it's just funny and weird. It's too long. If it

574
00:29:12,800 --> 00:29:16,120
Speaker 1: was like forty five minutes would be amazing. But they drag.

575
00:29:16,360 --> 00:29:17,960
Speaker 1: But I mean, what I love about it is like

576
00:29:18,000 --> 00:29:22,680
Speaker 1: it's Chewbacca's family story and they don't speak English and

577
00:29:22,720 --> 00:29:27,080
Speaker 1: they don't have subtitles. They just it's just talk to

578
00:29:27,120 --> 00:29:29,600
Speaker 1: your interpretation. So very interesting. I have a question for

579
00:29:29,680 --> 00:29:34,800
Speaker 1: you because I actually am a big star Wars person, I,

580
00:29:34,600 --> 00:29:36,920
Speaker 1: I it's stocking to me that you like hadn't watched

581
00:29:36,920 --> 00:29:40,720
Speaker 1: them before because you you like love movies, television. I

582
00:29:40,720 --> 00:29:43,680
Speaker 1: feel like you're such like an absorber of culture. It's

583
00:29:43,760 --> 00:29:46,560
Speaker 1: very true, but I feel like I just decided I

584
00:29:46,600 --> 00:29:50,479
Speaker 1: didn't want to see that, and I, um, I just

585
00:29:50,560 --> 00:29:52,200
Speaker 1: I was thinking of Valerie Cherish, which is why I

586
00:29:52,240 --> 00:29:54,840
Speaker 1: got distracted this but I don't want to see that.

587
00:29:56,760 --> 00:29:58,800
Speaker 1: But I just didn't want to watch him. And I

588
00:29:58,840 --> 00:30:01,320
Speaker 1: think also being the Empire of Community, where like a

589
00:30:01,360 --> 00:30:04,600
Speaker 1: lot of annoying boys like love that stuff and want

590
00:30:04,600 --> 00:30:06,440
Speaker 1: to referenced all the time. It was almost like an

591
00:30:06,440 --> 00:30:08,320
Speaker 1: act of defiance to like just not know what they

592
00:30:08,320 --> 00:30:10,320
Speaker 1: were talking about. It just like I don't care and

593
00:30:10,360 --> 00:30:12,680
Speaker 1: I don't know, and I'm not going to know. But

594
00:30:13,440 --> 00:30:16,120
Speaker 1: you know you mentioned that. It's like and you're joking

595
00:30:16,120 --> 00:30:17,600
Speaker 1: a little bit, but like that it's like risky to

596
00:30:17,680 --> 00:30:20,120
Speaker 1: say you don't like Star Wars or whatever, but it

597
00:30:20,240 --> 00:30:22,479
Speaker 1: kind of is like it is like it feels like

598
00:30:22,520 --> 00:30:24,760
Speaker 1: you can't say you don't like anything, Like I don't

599
00:30:24,760 --> 00:30:26,840
Speaker 1: want to say I don't want to have a negative

600
00:30:26,840 --> 00:30:28,640
Speaker 1: opinion of like a show because I would like to

601
00:30:28,640 --> 00:30:30,280
Speaker 1: be on most shows and like, I don't want to.

602
00:30:30,520 --> 00:30:32,680
Speaker 1: You know, it's kind of a tough spot when you're

603
00:30:32,680 --> 00:30:35,960
Speaker 1: in the entertainment industry, but I felt like it's it's

604
00:30:35,960 --> 00:30:37,880
Speaker 1: been kind of liberating, I think for me Nicole to

605
00:30:37,920 --> 00:30:40,400
Speaker 1: say we don't like it, because then we've been finding

606
00:30:40,440 --> 00:30:42,840
Speaker 1: things to like and we've been wanting I've seen it all,

607
00:30:42,880 --> 00:30:45,680
Speaker 1: you know. It's like and the fans of Star Wars

608
00:30:45,920 --> 00:30:48,400
Speaker 1: often hate Star Wars and they like are mad so

609
00:30:48,480 --> 00:30:50,400
Speaker 1: many things about it, so it kind of kind of

610
00:30:50,400 --> 00:30:52,520
Speaker 1: fit in. Yeah, well that's kind of like where I

611
00:30:52,560 --> 00:30:54,800
Speaker 1: think that the conversation is with Star Wars right now

612
00:30:54,880 --> 00:30:56,560
Speaker 1: is just kind of damned if you do when damned

613
00:30:56,600 --> 00:30:59,440
Speaker 1: if you don't. If you do like it, the taste

614
00:30:59,440 --> 00:31:02,440
Speaker 1: police will attack you and be like even people even

615
00:31:02,480 --> 00:31:04,400
Speaker 1: within the Star Wars fan community, it's like, oh, this

616
00:31:04,440 --> 00:31:06,600
Speaker 1: one sucked. What are you talking about? They end up

617
00:31:06,680 --> 00:31:10,040
Speaker 1: ruining these movies, legacy is ruined, etcetera. And then if

618
00:31:10,160 --> 00:31:13,720
Speaker 1: you don't like them, you feel crazy because these movies

619
00:31:13,720 --> 00:31:19,000
Speaker 1: are i'll say, four kids, and they're also fun and

620
00:31:19,080 --> 00:31:22,440
Speaker 1: passionately made, and like if you actually compare them to

621
00:31:22,520 --> 00:31:25,920
Speaker 1: the old ones, they are like acted better and they

622
00:31:25,960 --> 00:31:28,719
Speaker 1: are so much blood, sweat, and tears goes into them,

623
00:31:28,760 --> 00:31:31,520
Speaker 1: and it's just to entertain you. So it's like to

624
00:31:31,680 --> 00:31:34,600
Speaker 1: shoot on them feels cuckoo, and they are fun to watch.

625
00:31:34,880 --> 00:31:37,320
Speaker 1: So I feel like it's almost become that thing of

626
00:31:37,360 --> 00:31:40,600
Speaker 1: like I'm equally scared to say my opinion about Star

627
00:31:40,640 --> 00:31:44,520
Speaker 1: Wars as I am about like the Democratic politicians, because

628
00:31:44,520 --> 00:31:46,880
Speaker 1: it's like, truly, even if your hard is in the

629
00:31:46,960 --> 00:31:50,080
Speaker 1: right place, like or if it's not, you're fucked either way.

630
00:31:50,160 --> 00:31:52,440
Speaker 1: It's it's actually very it's a really good analogy. It

631
00:31:52,560 --> 00:31:54,960
Speaker 1: does feel like that because I feel like Star Wars

632
00:31:54,960 --> 00:31:59,480
Speaker 1: as a franchise is this like smooth surface that everyone

633
00:31:59,560 --> 00:32:02,400
Speaker 1: is project their shot onto. But then it's also like, yeah,

634
00:32:02,600 --> 00:32:05,400
Speaker 1: it's funny that you're comparing it to like Democrats, because

635
00:32:05,440 --> 00:32:07,600
Speaker 1: it feels like it's also this committee to it's like

636
00:32:07,640 --> 00:32:11,200
Speaker 1: not even like it's not even like like a a

637
00:32:11,360 --> 00:32:13,760
Speaker 1: joyful thing. I don't know. I mean, like the original

638
00:32:13,800 --> 00:32:17,560
Speaker 1: trilogy is like a beautiful like piece of storytelling. I

639
00:32:17,560 --> 00:32:22,760
Speaker 1: don't know about the the Last Jedi. I love the

640
00:32:22,800 --> 00:32:27,520
Speaker 1: Last Jedi. Everyone was shooting on it. Everyone was like,

641
00:32:27,560 --> 00:32:30,040
Speaker 1: the Last Jedi sucks, it sucks. And then I was like,

642
00:32:30,120 --> 00:32:33,480
Speaker 1: I'm sorry, but I prefer this one over The Force

643
00:32:33,520 --> 00:32:38,840
Speaker 1: Awakens because it doesn't just regurgitate the plot trilogy. And

644
00:32:38,920 --> 00:32:43,640
Speaker 1: not only that, but also it took really bold stances

645
00:32:43,680 --> 00:32:46,680
Speaker 1: and choices like spoiler alert for anyone that hasn't seen

646
00:32:46,720 --> 00:32:49,160
Speaker 1: The Last Jedi, but like, the big reveal in The

647
00:32:49,240 --> 00:32:53,640
Speaker 1: Last Jedi is that Ray is not special, that she's

648
00:32:53,720 --> 00:32:57,080
Speaker 1: not actually related to anyone, that her identity is she's

649
00:32:57,160 --> 00:32:59,960
Speaker 1: just some girl. And then I won't say because you

650
00:33:00,080 --> 00:33:03,720
Speaker 1: haven't seen it yet, but um, the Rise of Skywalker

651
00:33:04,120 --> 00:33:07,520
Speaker 1: sort of makes an addendum or a choice on that,

652
00:33:07,640 --> 00:33:10,480
Speaker 1: and it's like I didn't like it. I thought, oh,

653
00:33:10,600 --> 00:33:13,720
Speaker 1: you really tried to do fans service here and it

654
00:33:13,800 --> 00:33:16,760
Speaker 1: doesn't work for me. But that being said, I did

655
00:33:16,840 --> 00:33:20,040
Speaker 1: like so much else about the movie, and ultimately I

656
00:33:20,160 --> 00:33:22,280
Speaker 1: understand why that choice is the right one to make,

657
00:33:22,360 --> 00:33:24,720
Speaker 1: because essentially what we have here is a soap opera

658
00:33:24,800 --> 00:33:28,320
Speaker 1: in space. So why wouldn't you go can't be and

659
00:33:28,440 --> 00:33:31,240
Speaker 1: big and stupid like that? That makes sense to me

660
00:33:31,480 --> 00:33:33,600
Speaker 1: because they're supposed to be that, that's the fabric of

661
00:33:33,600 --> 00:33:36,360
Speaker 1: their identity, is Luke, I am your father, you know

662
00:33:36,360 --> 00:33:39,160
Speaker 1: what I mean? Like they we're not talking about like

663
00:33:39,440 --> 00:33:43,560
Speaker 1: grounded ship. Even even the line Anakin, You're breaking my

664
00:33:43,680 --> 00:33:50,960
Speaker 1: heart is so camp iconic, stupid my heart. It's so funny,

665
00:33:52,000 --> 00:33:53,640
Speaker 1: on the same level as Luke I Am your Father.

666
00:33:53,680 --> 00:33:57,400
Speaker 1: It's like, oh my god, this is so melodramatic, so dumb.

667
00:33:57,640 --> 00:33:59,680
Speaker 1: You don't need to know. It's like you don't need

668
00:33:59,720 --> 00:34:03,520
Speaker 1: to watched the last two movies to like understand how

669
00:34:03,600 --> 00:34:05,680
Speaker 1: dumb that is. I don't know. I love Yeah, Well,

670
00:34:05,680 --> 00:34:08,239
Speaker 1: I'm finding that even watching them doesn't help me understand

671
00:34:08,320 --> 00:34:10,200
Speaker 1: what I'm now seeing. You. It's like I'm like, I wait,

672
00:34:10,239 --> 00:34:12,000
Speaker 1: I've seen that, and yet I still don't know who

673
00:34:12,080 --> 00:34:14,160
Speaker 1: these people are, what's happening. But I've been and I've

674
00:34:14,160 --> 00:34:16,799
Speaker 1: been talking about it at length. But anyway, well, there's

675
00:34:16,840 --> 00:34:19,560
Speaker 1: also a million characters and also, not for nothing, a

676
00:34:19,560 --> 00:34:23,040
Speaker 1: lot of them look alike. So their names are all

677
00:34:23,120 --> 00:34:25,920
Speaker 1: like blue blah, blu blah blah, blue black, and I

678
00:34:25,920 --> 00:34:29,560
Speaker 1: can't remember it. Yeahs ms. Miss Gluna Bay comes in

679
00:34:29,680 --> 00:34:32,280
Speaker 1: and she I'm supposed to know she's different from Miss

680
00:34:32,280 --> 00:34:36,120
Speaker 1: Tina Sun. I don't know, girl. I think I saw

681
00:34:36,200 --> 00:34:40,440
Speaker 1: both these girls on the Jedi Council, both these girls.

682
00:34:40,800 --> 00:34:42,680
Speaker 1: So I'm gonna say it. There's not enough women on

683
00:34:42,760 --> 00:34:47,600
Speaker 1: the Jedi Council and it's a rural culture. Yes, there's

684
00:34:47,760 --> 00:34:52,920
Speaker 1: no the Jedi Council. Um, Lauren, it's time for us

685
00:34:52,960 --> 00:34:56,520
Speaker 1: to ask you the question we ask all of our guests. Yes, um,

686
00:34:56,560 --> 00:34:59,240
Speaker 1: and that question is, Lauren lapkis, what is the culture

687
00:34:59,239 --> 00:35:01,600
Speaker 1: that made you say cold t is for me? Matt

688
00:35:01,600 --> 00:35:03,759
Speaker 1: explain it, well, you know, this is the culture that

689
00:35:03,840 --> 00:35:06,839
Speaker 1: made you say, okay that it really does clear it up,

690
00:35:07,239 --> 00:35:11,040
Speaker 1: you know, Um, I was thinking about this question and

691
00:35:11,880 --> 00:35:14,680
Speaker 1: we actually touched on it briefly. The thing that made

692
00:35:14,719 --> 00:35:18,400
Speaker 1: me say culture was for me is the early nineties

693
00:35:18,520 --> 00:35:30,720
Speaker 1: Nickelodeon line Rugrats, dug Double edare Guts. Clarissa explains it all. Yes, yes,

694
00:35:31,280 --> 00:35:33,200
Speaker 1: all of it, all of it. I feel like that

695
00:35:33,320 --> 00:35:38,000
Speaker 1: was like my brain and like ren and stimpy, like

696
00:35:38,120 --> 00:35:40,600
Speaker 1: all of that stuff. Like I feel like that was

697
00:35:40,640 --> 00:35:42,719
Speaker 1: where like I feel like I started to form my

698
00:35:42,800 --> 00:35:47,759
Speaker 1: personality and like neon colors and and and slime and

699
00:35:47,880 --> 00:35:50,880
Speaker 1: ghack and like all that fun stuff like that was

700
00:35:50,960 --> 00:35:54,000
Speaker 1: like it in its own visual language. Is it's it's

701
00:35:54,040 --> 00:35:57,720
Speaker 1: it's its own aesthetic, and it's it's its own sensibility

702
00:35:57,760 --> 00:35:59,680
Speaker 1: and like it really did like shape it for a

703
00:35:59,680 --> 00:36:03,080
Speaker 1: lot of us. Yeah, that green splatter is like so

704
00:36:03,280 --> 00:36:07,080
Speaker 1: iconic with It's like you can remember I never what

705
00:36:07,120 --> 00:36:08,759
Speaker 1: do they call it? Ghak or Google? What was that

706
00:36:08,960 --> 00:36:12,839
Speaker 1: time like that? I never knew what it smelled like,

707
00:36:12,920 --> 00:36:14,680
Speaker 1: but I always knew what it smelled like, you know

708
00:36:14,719 --> 00:36:18,359
Speaker 1: what I mean? Have any I don't think so, Oh

709
00:36:18,400 --> 00:36:20,880
Speaker 1: my god it I had it and I had floam.

710
00:36:20,880 --> 00:36:24,440
Speaker 1: Did you ever have floam? No? Oh my god. Floam

711
00:36:24,680 --> 00:36:27,719
Speaker 1: was like the beady probably is like killing whales like

712
00:36:27,800 --> 00:36:31,759
Speaker 1: permanently right now. It was like micro beads that you

713
00:36:31,800 --> 00:36:34,240
Speaker 1: could like move into shapes and stuff. It was so fun.

714
00:36:34,840 --> 00:36:37,880
Speaker 1: Where did you grow up? I grew up in Evanston, Illinois,

715
00:36:37,960 --> 00:36:41,000
Speaker 1: right outside of Chicago. Okay, this is of course famous

716
00:36:41,000 --> 00:36:44,840
Speaker 1: story parts culture. It is I don't know, will to

717
00:36:44,920 --> 00:36:46,960
Speaker 1: we'll we'll touch on that a little bit later. But

718
00:36:47,560 --> 00:36:50,479
Speaker 1: this is that's so funny because I feel like any

719
00:36:50,600 --> 00:36:55,360
Speaker 1: suburban kid that grew up with Nickelodeon. I just picture

720
00:36:55,440 --> 00:36:57,959
Speaker 1: myself when I was that age, like drinking so much

721
00:36:58,040 --> 00:37:01,240
Speaker 1: soda because because like that was so I just remember

722
00:37:01,320 --> 00:37:04,200
Speaker 1: drinking so much soda in my basement, like running around

723
00:37:04,200 --> 00:37:06,080
Speaker 1: in circles and like waiting for the next show to

724
00:37:06,120 --> 00:37:12,200
Speaker 1: come on. Like it was so nineties culture to be like,

725
00:37:12,520 --> 00:37:14,200
Speaker 1: oh yeah, there's a lot of soda in the house

726
00:37:14,200 --> 00:37:16,000
Speaker 1: with the kids watch Nickelodeon. We don't even care the

727
00:37:16,080 --> 00:37:20,720
Speaker 1: kids running around? Why was it okay? Like I drink

728
00:37:20,719 --> 00:37:22,680
Speaker 1: coke more than I drink water for sure, Like I

729
00:37:22,719 --> 00:37:27,680
Speaker 1: don't remember drinking water. It was like there was always

730
00:37:27,719 --> 00:37:29,920
Speaker 1: coke and sprite on the table when I was going

731
00:37:29,960 --> 00:37:32,200
Speaker 1: he had cokes, right, you might have minute made in

732
00:37:32,239 --> 00:37:40,560
Speaker 1: a can concentrate. Yeah, yeah, dr Pepper you off no

733
00:37:40,680 --> 00:37:43,120
Speaker 1: Mountain Dew. I mean, you know, I had phases like

734
00:37:43,280 --> 00:37:45,360
Speaker 1: Dr Pepper was like a summer, like Mountain Dew was

735
00:37:45,360 --> 00:37:47,520
Speaker 1: a summer. Like there were just like moments where you like,

736
00:37:47,520 --> 00:37:49,320
Speaker 1: I'm gonna try this new one and then it was everything.

737
00:37:49,719 --> 00:37:52,759
Speaker 1: But like it was fully like that all the time,

738
00:37:52,800 --> 00:37:54,960
Speaker 1: watching TV all summer long. I don't know. It's just

739
00:37:55,000 --> 00:37:56,920
Speaker 1: the best spinning ever. It feels so good, like I mean,

740
00:37:56,960 --> 00:37:59,000
Speaker 1: and now we have to do it and it feels bad.

741
00:37:59,000 --> 00:38:02,680
Speaker 1: I don't know. I know. It's so funny because if

742
00:38:02,719 --> 00:38:05,320
Speaker 1: you went back in time and told like little kid me,

743
00:38:05,520 --> 00:38:07,759
Speaker 1: like hey, like when you grow up, you're gonna write

744
00:38:07,760 --> 00:38:10,399
Speaker 1: for TV and sometimes it's even gonna be animated. Isn't

745
00:38:10,400 --> 00:38:13,399
Speaker 1: that cool? Like he'd be like fuck it, And now

746
00:38:13,440 --> 00:38:18,879
Speaker 1: I'm like I have work. But see on the other

747
00:38:18,960 --> 00:38:21,600
Speaker 1: side of that, it's like every people are like mentioning this,

748
00:38:21,640 --> 00:38:24,000
Speaker 1: are like commenting on this thing where it's like it

749
00:38:24,040 --> 00:38:26,600
Speaker 1: does feel like we're all like adolescents in a way,

750
00:38:26,680 --> 00:38:29,120
Speaker 1: or like we're like right now, yeah, we're like latch

751
00:38:29,160 --> 00:38:31,759
Speaker 1: key kids were like home alone before our parents are

752
00:38:32,320 --> 00:38:35,200
Speaker 1: or whatever. It's like we just gotta like kill time

753
00:38:35,280 --> 00:38:36,719
Speaker 1: the same way as we did, like when we were

754
00:38:36,760 --> 00:38:39,320
Speaker 1: like twelve year olds in summer. No, it's so true,

755
00:38:39,360 --> 00:38:41,280
Speaker 1: and I think I actually have gone through like waves

756
00:38:41,280 --> 00:38:43,560
Speaker 1: with this. We're like at first, I was like, Okay,

757
00:38:43,600 --> 00:38:46,279
Speaker 1: I watched TV all day, I smoke weed, I do

758
00:38:46,320 --> 00:38:47,960
Speaker 1: whatever I want at all hours, and I stay up

759
00:38:47,960 --> 00:38:49,319
Speaker 1: all night on my phone like I can do whatever

760
00:38:49,320 --> 00:38:51,239
Speaker 1: I want. And then like a couple of weeks and

761
00:38:51,280 --> 00:38:53,680
Speaker 1: I was like this is probably not good. And then

762
00:38:53,760 --> 00:38:55,319
Speaker 1: like a couple of weeks later, I was like, Okay,

763
00:38:55,320 --> 00:38:57,160
Speaker 1: now I'm gonna have a schedule like I just like

764
00:38:57,200 --> 00:38:58,799
Speaker 1: I was. I think it's what my kids self would

765
00:38:58,800 --> 00:39:01,000
Speaker 1: do to like you guys, just because mom and Danna

766
00:39:01,000 --> 00:39:02,640
Speaker 1: and hear thee we have to be bad all the time,

767
00:39:02,719 --> 00:39:06,879
Speaker 1: like actually get done. Wait, you know what I think

768
00:39:06,960 --> 00:39:10,120
Speaker 1: is a good idea for you? Did you see and

769
00:39:10,120 --> 00:39:12,239
Speaker 1: and also like and this is on idea for us

770
00:39:12,280 --> 00:39:16,120
Speaker 1: as well. Did you see that they are rebooting Legends

771
00:39:16,120 --> 00:39:19,600
Speaker 1: of the Hidden Temple on Quimby? I did see that. Wait,

772
00:39:19,640 --> 00:39:22,879
Speaker 1: what is the story with that girl? I think it's

773
00:39:22,960 --> 00:39:26,160
Speaker 1: just that they are literally kids and it's not kids,

774
00:39:26,200 --> 00:39:29,280
Speaker 1: it's for adults, and it's gonna be like more adult challenges.

775
00:39:29,680 --> 00:39:32,279
Speaker 1: I think that they're specifically catering to the kids that

776
00:39:32,320 --> 00:39:34,600
Speaker 1: grew up with that, which is I think so smart.

777
00:39:34,840 --> 00:39:37,200
Speaker 1: And it's gonna be like essentially, it's gonna be like

778
00:39:37,239 --> 00:39:41,000
Speaker 1: Survivor esque, like real physical challenges, like not like you

779
00:39:41,040 --> 00:39:43,319
Speaker 1: have to spit its head. It's like, you know, you

780
00:39:43,320 --> 00:39:46,279
Speaker 1: have to do like crazy stuff. And so I think

781
00:39:46,400 --> 00:39:50,480
Speaker 1: you and your husband should go on it. Literally love that.

782
00:39:50,640 --> 00:39:53,399
Speaker 1: I would love that so much. Wait, did you say

783
00:39:53,400 --> 00:39:55,319
Speaker 1: that they have a rebootive? Say by the Bell Coming

784
00:39:55,320 --> 00:39:57,760
Speaker 1: and Tracy Wigfield wrote it and it like looks good,

785
00:39:57,840 --> 00:40:00,239
Speaker 1: it looks like edgy and cool. I'm sure it's going

786
00:40:00,280 --> 00:40:03,720
Speaker 1: to be good. It looks like funny. I'm so excited

787
00:40:05,760 --> 00:40:07,359
Speaker 1: of course that I was like trying to figure out

788
00:40:07,360 --> 00:40:08,600
Speaker 1: who wrote it because it was so funny, and I

789
00:40:08,640 --> 00:40:09,960
Speaker 1: was like I had to Google after I saw the

790
00:40:09,960 --> 00:40:12,399
Speaker 1: trailer because I was like, this is hilarious and all

791
00:40:12,400 --> 00:40:14,279
Speaker 1: the like original people are coming back and being like

792
00:40:14,360 --> 00:40:16,000
Speaker 1: cool now, like as actors, like they had to do

793
00:40:16,040 --> 00:40:18,200
Speaker 1: like a kind of funny version of their old character.

794
00:40:19,640 --> 00:40:21,719
Speaker 1: But see No, but this is a specific thing that

795
00:40:21,760 --> 00:40:24,960
Speaker 1: not enough people are doing, which is to reboot kids

796
00:40:25,040 --> 00:40:28,200
Speaker 1: game shows from the nineties or the odds, but have

797
00:40:28,440 --> 00:40:31,560
Speaker 1: the contestants aged to have aged up like you do,

798
00:40:31,680 --> 00:40:34,760
Speaker 1: like a bad example, bad Pitch, but like adult We're

799
00:40:34,800 --> 00:40:36,600
Speaker 1: in the world is Karmen san Diego, But it's like

800
00:40:37,000 --> 00:40:40,279
Speaker 1: edgy and sexy or whatever. I don't know that they're

801
00:40:40,320 --> 00:40:43,279
Speaker 1: reboot they are rebooting Carmen san Diego, and you know it,

802
00:40:44,320 --> 00:40:51,959
Speaker 1: who miss Gina Gina David Gina Davis. Honestly, I would

803
00:40:52,000 --> 00:40:59,920
Speaker 1: gag Karmen san Diego. No, that's amazing. Way is it

804
00:41:00,000 --> 00:41:02,000
Speaker 1: a show or what is it? Like I think it's

805
00:41:02,000 --> 00:41:03,680
Speaker 1: a Netflix thing. I don't know if it's a movie

806
00:41:03,760 --> 00:41:06,680
Speaker 1: or that's finger on the pulse. No, but you need

807
00:41:06,800 --> 00:41:10,120
Speaker 1: you need game shows. I agree with you. It's it's

808
00:41:10,160 --> 00:41:12,239
Speaker 1: not like oh Edgy Sebreed to chet and Twitch. It's

809
00:41:12,280 --> 00:41:14,799
Speaker 1: not that. It's like you need game shows where the content.

810
00:41:14,880 --> 00:41:16,520
Speaker 1: It's like this legend of the Legend of the Hidden

811
00:41:16,560 --> 00:41:18,919
Speaker 1: Temple thing is brilliant because it's a kid's game show

812
00:41:19,000 --> 00:41:24,319
Speaker 1: from the nineties with adult contestants. Now, like that's what

813
00:41:24,360 --> 00:41:26,520
Speaker 1: you need more of. And do you think if, like

814
00:41:26,680 --> 00:41:29,759
Speaker 1: was Carmen san diegoga geography show, like it's questions where

815
00:41:29,760 --> 00:41:32,759
Speaker 1: you have so it's not super sexy, but like like

816
00:41:33,120 --> 00:41:36,200
Speaker 1: something where like you can repurpose the container. Well, I

817
00:41:36,239 --> 00:41:38,080
Speaker 1: think it'd be really funny to watch adults like get

818
00:41:38,160 --> 00:41:42,359
Speaker 1: geography wrong, Like I would be horrible in it. Yeah,

819
00:41:43,280 --> 00:41:45,160
Speaker 1: you know what is that show? Are you smarter than

820
00:41:45,160 --> 00:41:48,680
Speaker 1: a fifth grader? Still on? That's a funny show. That

821
00:41:48,840 --> 00:41:52,680
Speaker 1: is a funny show. It was hard. Well, I'm on

822
00:41:52,800 --> 00:41:55,160
Speaker 1: this upcoming season, this current season of Who Wants to

823
00:41:55,160 --> 00:41:59,320
Speaker 1: Be a Millionaire? Wait? Talk? I was on a Millionaire too?

824
00:41:59,600 --> 00:42:02,400
Speaker 1: You are you? Are you on like a celebrity verst

825
00:42:02,520 --> 00:42:04,600
Speaker 1: it is? Yeah? Yeah, I don't know how I got

826
00:42:04,640 --> 00:42:07,440
Speaker 1: into this situation. I was I was on a normal

827
00:42:07,480 --> 00:42:10,600
Speaker 1: person version and it was like it was like two

828
00:42:10,680 --> 00:42:16,359
Speaker 1: years ago, and I was Chris Harrison, Okay, I'm freaking out,

829
00:42:16,440 --> 00:42:21,399
Speaker 1: Wait is it online? Yeah? I watch. I always loved

830
00:42:21,440 --> 00:42:24,880
Speaker 1: to spill tea about this. So I went to go

831
00:42:25,000 --> 00:42:29,080
Speaker 1: do it, and I literally I was I was able

832
00:42:29,120 --> 00:42:31,680
Speaker 1: to pick a friend to come with me, to come

833
00:42:31,680 --> 00:42:34,239
Speaker 1: be my plus one. So Sudie and I went to

834
00:42:34,320 --> 00:42:36,560
Speaker 1: go do it in Las Vegas. They fly you out

835
00:42:37,040 --> 00:42:39,680
Speaker 1: and yeah, it was insane. We stayed at the Mandalais

836
00:42:39,680 --> 00:42:43,280
Speaker 1: bay Um and it was like it was this whole

837
00:42:43,360 --> 00:42:45,480
Speaker 1: thing and so we go in and Chris Harrison is

838
00:42:45,480 --> 00:42:47,239
Speaker 1: the host and you can just tell he's like, check

839
00:42:47,320 --> 00:42:51,000
Speaker 1: the funk out. He has been hosting for twenty five years,

840
00:42:51,000 --> 00:42:55,160
Speaker 1: like straight up NonStop, truly The Bachelor. I was saying,

841
00:42:55,200 --> 00:42:57,120
Speaker 1: if anyone out there you might have fans who would

842
00:42:57,120 --> 00:42:59,560
Speaker 1: be willing to do this. I really want like somebody

843
00:42:59,600 --> 00:43:02,480
Speaker 1: to do a supercut of Chris Harrison saying every name

844
00:43:02,520 --> 00:43:05,960
Speaker 1: of every person has been on The Bachelor Bachelor, like

845
00:43:05,960 --> 00:43:13,320
Speaker 1: like every just every single name. Yes, that's what someone

846
00:43:13,360 --> 00:43:15,600
Speaker 1: needs to do that. Also, you watching The Bachelor is

847
00:43:15,719 --> 00:43:18,200
Speaker 1: very funny on and staff. It's my favorite thing. I

848
00:43:18,200 --> 00:43:20,120
Speaker 1: started watching Listen to Your Heart and now I'm doing

849
00:43:20,239 --> 00:43:22,200
Speaker 1: um watch along on my Patreon where you can sink

850
00:43:22,239 --> 00:43:26,040
Speaker 1: it up and hear my commentary on the show. Because

851
00:43:26,040 --> 00:43:28,440
Speaker 1: I was doing like a trillion Instagram Live stories and

852
00:43:28,440 --> 00:43:30,000
Speaker 1: I was like, this is killing me. Okay, wait tell

853
00:43:30,000 --> 00:43:33,000
Speaker 1: me the about Millionaire. Here's the t is, like you

854
00:43:33,040 --> 00:43:34,880
Speaker 1: can watch it. It is it is online like you

855
00:43:34,920 --> 00:43:37,280
Speaker 1: can find it. I ended up winning five thousand dollars.

856
00:43:37,320 --> 00:43:40,160
Speaker 1: I was on two episodes because like Sudie and I

857
00:43:40,280 --> 00:43:42,320
Speaker 1: like answered a question and like it was at the

858
00:43:42,440 --> 00:43:44,200
Speaker 1: end and it was a whole like TV moment. We

859
00:43:44,320 --> 00:43:45,880
Speaker 1: were like, are they gonna get it? And then they

860
00:43:46,360 --> 00:43:48,040
Speaker 1: they ended it after we got it. So I came

861
00:43:48,080 --> 00:43:50,440
Speaker 1: on the next episode. So what they make you do

862
00:43:50,560 --> 00:43:52,640
Speaker 1: is it's not actually the next day obviously, you just

863
00:43:52,760 --> 00:43:55,520
Speaker 1: change your outfit and then you go offset and you

864
00:43:55,640 --> 00:43:58,600
Speaker 1: walk on. And they didn't really go through with me,

865
00:43:58,719 --> 00:44:00,200
Speaker 1: like what the cues were going to be for me

866
00:44:00,280 --> 00:44:02,000
Speaker 1: to walk on. So I ended up coming on like

867
00:44:02,080 --> 00:44:04,840
Speaker 1: a little earlier whatever, and I guess, I guess I

868
00:44:04,960 --> 00:44:06,960
Speaker 1: turned to the audience and made like a face and

869
00:44:07,040 --> 00:44:11,239
Speaker 1: they laughed, and Chris Harrison didn't like that. And so

870
00:44:12,080 --> 00:44:16,279
Speaker 1: I did my entrance and he did that thing when

871
00:44:16,320 --> 00:44:18,560
Speaker 1: he shook my hand of like shaking your hand and

872
00:44:18,719 --> 00:44:21,200
Speaker 1: pulling you in like sort of like not not for nothing,

873
00:44:21,239 --> 00:44:24,279
Speaker 1: but like how Trump does like like is he like

874
00:44:24,360 --> 00:44:28,160
Speaker 1: was he trying to like assert dominance and like I

875
00:44:28,400 --> 00:44:30,440
Speaker 1: think that's what was happening. And so I kind of

876
00:44:30,520 --> 00:44:32,279
Speaker 1: got like knocked off my feet a little bit, and

877
00:44:32,360 --> 00:44:35,000
Speaker 1: you can even see in the video I'm like a

878
00:44:35,160 --> 00:44:37,360
Speaker 1: little thrown off by it. And then I wheel around

879
00:44:37,440 --> 00:44:39,319
Speaker 1: to my podium and I can see on my face

880
00:44:39,400 --> 00:44:42,160
Speaker 1: I was like not happy, and I remember like he

881
00:44:42,480 --> 00:44:46,520
Speaker 1: really pulled my hand like to try to make me

882
00:44:47,920 --> 00:44:49,719
Speaker 1: feel like a little boy, you know what I mean.

883
00:44:49,840 --> 00:44:52,960
Speaker 1: Like he was definitely I think it was maybe like

884
00:44:53,040 --> 00:44:54,600
Speaker 1: the end of a long day for him, and he

885
00:44:54,760 --> 00:44:57,000
Speaker 1: was just not hiding it well, like you could tell

886
00:44:57,120 --> 00:44:59,200
Speaker 1: that he was really not happy that I had even

887
00:44:59,280 --> 00:45:03,160
Speaker 1: for a second slowed things down and it was Yeah,

888
00:45:03,200 --> 00:45:07,600
Speaker 1: but he doesn't he doesn't exude a joyful presence, let's

889
00:45:07,600 --> 00:45:09,800
Speaker 1: just say that. But he has to present his like

890
00:45:09,840 --> 00:45:15,279
Speaker 1: a blank slate like all the time. Funniest way to

891
00:45:15,400 --> 00:45:20,320
Speaker 1: put it, he does slate. He has to be invisible

892
00:45:20,360 --> 00:45:25,279
Speaker 1: in some way he's letting the action happen around him. Yeah,

893
00:45:25,400 --> 00:45:28,279
Speaker 1: but you compare him to someone like Jeff Probes. He's

894
00:45:28,280 --> 00:45:32,560
Speaker 1: not even in the league now, like Survivor is Jeff Probes.

895
00:45:32,680 --> 00:45:35,360
Speaker 1: The Bachelor is not what's his face? I don't even know,

896
00:45:35,440 --> 00:45:38,040
Speaker 1: you know, but they're in some ways. It is like

897
00:45:38,120 --> 00:45:40,440
Speaker 1: I feel like the people on the show make it

898
00:45:40,600 --> 00:45:42,680
Speaker 1: as though he is the point of the show, like

899
00:45:42,760 --> 00:45:45,839
Speaker 1: when they leave, like he is their center, Like he's

900
00:45:45,920 --> 00:45:49,400
Speaker 1: kind of like the nucleus, and like everyone returns to

901
00:45:49,560 --> 00:45:51,480
Speaker 1: him after the show, after they're off the show, and

902
00:45:51,520 --> 00:45:53,919
Speaker 1: it's the way to stay attached to the show. Yeah,

903
00:45:53,960 --> 00:45:56,200
Speaker 1: they're always like, well, you know, if Chris shows up,

904
00:45:56,239 --> 00:45:58,239
Speaker 1: you know it's bad news and it's like oh God.

905
00:45:58,760 --> 00:46:01,239
Speaker 1: And then on Survived where they're like, oh, here comes Jeff,

906
00:46:01,320 --> 00:46:03,800
Speaker 1: and you as the viewer are like, Jeff's here, Jeff's

907
00:46:03,800 --> 00:46:06,040
Speaker 1: Here's something's going down. But for me, when Chris Harrison comes,

908
00:46:06,040 --> 00:46:08,040
Speaker 1: I'm like, I don't care about this. You're a mouthpiece

909
00:46:08,080 --> 00:46:11,080
Speaker 1: for the producers. For me, I always believe it's Jeff.

910
00:46:12,120 --> 00:46:14,120
Speaker 1: That makes sense. I see. I don't watch Survivor, but

911
00:46:14,160 --> 00:46:16,879
Speaker 1: I've been told I need to. I'm gonna Stait Lauren,

912
00:46:16,920 --> 00:46:18,840
Speaker 1: you you and I should start like on similar timelines,

913
00:46:18,840 --> 00:46:21,000
Speaker 1: because I've been getting all sorts of information, like you

914
00:46:21,040 --> 00:46:23,719
Speaker 1: should start with this season, this season, this season, and yeah,

915
00:46:23,760 --> 00:46:25,880
Speaker 1: we should find out what the best one is. I

916
00:46:25,960 --> 00:46:28,320
Speaker 1: can tell you it's it's my favorite thing that I

917
00:46:28,400 --> 00:46:31,160
Speaker 1: have done for myself is getting to Survivor during quarantine.

918
00:46:31,320 --> 00:46:34,200
Speaker 1: It is so good. It's such a good show. And

919
00:46:34,280 --> 00:46:39,160
Speaker 1: you forget because I'm sure it was this like thing yea, truly,

920
00:46:39,600 --> 00:46:41,400
Speaker 1: it's wasn't like this thing in your culture that you

921
00:46:41,400 --> 00:46:43,680
Speaker 1: always knew was there. It's been on for forty seasons,

922
00:46:43,719 --> 00:46:45,480
Speaker 1: so it's like it's been on there our whole like

923
00:46:45,960 --> 00:46:49,360
Speaker 1: childhood and adult life, and you forget. But it is

924
00:46:49,520 --> 00:46:52,160
Speaker 1: so good, like even the weaker seasons, like it's always

925
00:46:52,200 --> 00:46:56,400
Speaker 1: so compelling. That's so awesome. Yeah, Mary loves Survivor. She's obsessed.

926
00:46:56,719 --> 00:47:00,279
Speaker 1: I'm going to contact her about it. Well, you really

927
00:47:00,320 --> 00:47:02,200
Speaker 1: find out people come out of the woodwork, Like when

928
00:47:02,200 --> 00:47:04,120
Speaker 1: I when I said I was watching Survivor and I'm

929
00:47:04,160 --> 00:47:07,480
Speaker 1: actually I can announce right now I'm doing us an

930
00:47:07,560 --> 00:47:10,640
Speaker 1: online Survivor, Like it's going to start soon. What do

931
00:47:10,719 --> 00:47:13,759
Speaker 1: you mean it's this thing called Survivor Quarantine. I don't

932
00:47:13,800 --> 00:47:15,600
Speaker 1: know what it is, but I'm I'm on that quote

933
00:47:15,640 --> 00:47:18,239
Speaker 1: unquote second season of it, and I will keep everyone

934
00:47:18,320 --> 00:47:21,000
Speaker 1: informed just like what that means, Like I am doing

935
00:47:21,040 --> 00:47:23,760
Speaker 1: I don't want to watch that. I was essentially cast.

936
00:47:24,080 --> 00:47:25,400
Speaker 1: They were like, hey, would you want to do this?

937
00:47:25,520 --> 00:47:27,399
Speaker 1: We see that you love Survivor and I was like, wow,

938
00:47:27,920 --> 00:47:32,080
Speaker 1: I love that. I'm really excited. But um, it's true.

939
00:47:32,160 --> 00:47:33,920
Speaker 1: Like I said, I was into it, and all of

940
00:47:34,000 --> 00:47:36,440
Speaker 1: a sudden, these people I had no idea were like,

941
00:47:36,880 --> 00:47:39,680
Speaker 1: I'm obsessed with that. I've watched it for twenty years,

942
00:47:39,920 --> 00:47:42,560
Speaker 1: Like like like I didn't know you were into it,

943
00:47:42,640 --> 00:47:44,120
Speaker 1: and I was like, I'm really not. But this whole

944
00:47:44,200 --> 00:47:47,520
Speaker 1: community like is hiding in the shadows but come out

945
00:47:47,640 --> 00:47:50,920
Speaker 1: into the light. That's like all I'm seeing on like

946
00:47:51,080 --> 00:47:53,160
Speaker 1: the socials now, it's like people, this is the thing

947
00:47:53,320 --> 00:47:55,759
Speaker 1: I do feel like from this quarantine, like everyone is

948
00:47:55,800 --> 00:47:59,400
Speaker 1: sharing a lot more of their personal life, like not

949
00:47:59,560 --> 00:48:01,560
Speaker 1: even necessary on a super deep level, but stuff like

950
00:48:01,640 --> 00:48:03,839
Speaker 1: that where it's like they normally wouldn't tweet about that show,

951
00:48:03,920 --> 00:48:06,040
Speaker 1: but now they're like looking to engage with people about

952
00:48:06,040 --> 00:48:10,480
Speaker 1: it because they want connection, which is nice. It is nice.

953
00:48:10,560 --> 00:48:12,239
Speaker 1: I do think it's a nice side of fact of

954
00:48:12,560 --> 00:48:15,040
Speaker 1: our social media addiction. At least we have this right now.

955
00:48:15,200 --> 00:48:17,160
Speaker 1: So like, I do think it's helping me feel more

956
00:48:17,200 --> 00:48:20,560
Speaker 1: connected to people, but where normally it might feel bummed

957
00:48:20,560 --> 00:48:22,680
Speaker 1: about it. But totally there's there's a couple of friends

958
00:48:22,760 --> 00:48:24,560
Speaker 1: in l A that I think I see more now

959
00:48:24,719 --> 00:48:27,359
Speaker 1: than beforehand because we're like playing games on Zoom every

960
00:48:27,440 --> 00:48:29,640
Speaker 1: now and then. Like you know, it's like you you

961
00:48:29,760 --> 00:48:33,080
Speaker 1: feel like you're compelled to keep up with people, um,

962
00:48:33,280 --> 00:48:35,400
Speaker 1: whereas before you kind of took it for granted. And

963
00:48:35,480 --> 00:48:38,760
Speaker 1: I do think there was something. You know, my boyfriend

964
00:48:38,840 --> 00:48:41,520
Speaker 1: reposted something that I thought was really an interesting way

965
00:48:41,680 --> 00:48:44,680
Speaker 1: to um say this. I'm going to read it out

966
00:48:44,719 --> 00:48:47,440
Speaker 1: loud because I thought it was really interesting. It was.

967
00:48:47,520 --> 00:48:49,439
Speaker 1: It was the tweet that he posted today in his story.

968
00:48:49,560 --> 00:48:52,200
Speaker 1: He said, it's it's a tweet from Ashley Seaford, who

969
00:48:52,280 --> 00:48:55,920
Speaker 1: you can follow at ice. I smash fizzle um and

970
00:48:56,080 --> 00:48:59,799
Speaker 1: she said, you are watching people go through withdrawal from

971
00:48:59,840 --> 00:49:04,680
Speaker 1: the emotional addiction to the myth of certainty. Yeah, I

972
00:49:04,719 --> 00:49:07,839
Speaker 1: have to think about that. I actually had to walk

973
00:49:07,880 --> 00:49:10,600
Speaker 1: it back for a second too, But it's pretty interesting.

974
00:49:10,760 --> 00:49:13,919
Speaker 1: Like we all really take for granted that there's gonna

975
00:49:13,960 --> 00:49:17,120
Speaker 1: be more time. It's so true. I mean I think, like,

976
00:49:17,440 --> 00:49:20,399
Speaker 1: you know, when you're living your life, it's so easy

977
00:49:20,400 --> 00:49:22,080
Speaker 1: to forget about that, and then you'll see something like

978
00:49:22,160 --> 00:49:24,680
Speaker 1: I always think about Chris Kelly's movie other people because

979
00:49:24,760 --> 00:49:26,960
Speaker 1: I just think that title is the movie is amazing,

980
00:49:27,000 --> 00:49:29,839
Speaker 1: but the title is so relatable that you think these

981
00:49:29,880 --> 00:49:33,040
Speaker 1: things happen to other people. And this is the first

982
00:49:33,120 --> 00:49:35,480
Speaker 1: thing we've had in our lifetime where it's happening to

983
00:49:35,560 --> 00:49:39,680
Speaker 1: everyone at the same time, and we're like, oh, ship, yeah,

984
00:49:39,719 --> 00:49:43,080
Speaker 1: I'm I'm interested to see down the road what it

985
00:49:43,160 --> 00:49:46,279
Speaker 1: has done to the consciousness for sure. Totally. Chris Kelly

986
00:49:46,320 --> 00:49:50,440
Speaker 1: another survivor, watch him too. I want to say something

987
00:49:50,480 --> 00:49:52,080
Speaker 1: really quick about Jeff Probes, and this is just my

988
00:49:52,200 --> 00:49:55,239
Speaker 1: general theory about like what makes a good reality show host. Okay,

989
00:49:56,080 --> 00:50:01,480
Speaker 1: Jeff probst Pad Malakshmi, like Rupaulic, these are people who

990
00:50:01,560 --> 00:50:04,080
Speaker 1: like embody what the what the show is about, and

991
00:50:04,160 --> 00:50:06,160
Speaker 1: like like the goal is to try to impress and

992
00:50:06,239 --> 00:50:09,200
Speaker 1: please the host. Like these people as the host, whether

993
00:50:09,280 --> 00:50:10,960
Speaker 1: or not their judges or whatever is like kind of

994
00:50:11,000 --> 00:50:13,880
Speaker 1: not relevant. But like Chris Harrison. You're like, no, like

995
00:50:14,080 --> 00:50:16,960
Speaker 1: the women aren't there to like impress or please Chris Harrison,

996
00:50:17,120 --> 00:50:19,040
Speaker 1: and so that he does not feel like a vital

997
00:50:19,160 --> 00:50:22,440
Speaker 1: part of these like athos is. It's just like, oh,

998
00:50:22,560 --> 00:50:25,279
Speaker 1: like these hosts that are like like even like Heidi

999
00:50:25,360 --> 00:50:26,800
Speaker 1: Klum and Tim Gun It's like, oh, these are like

1000
00:50:26,920 --> 00:50:29,320
Speaker 1: people that you respect that You're like, like, we have

1001
00:50:29,480 --> 00:50:32,200
Speaker 1: to they they they embody what the show is about.

1002
00:50:32,440 --> 00:50:35,440
Speaker 1: And you either have you either you either have gravitas

1003
00:50:35,680 --> 00:50:38,759
Speaker 1: or you don't sure, but above that and that's the

1004
00:50:38,840 --> 00:50:50,720
Speaker 1: rule of culture, you either have thief. Now, I feel

1005
00:50:50,760 --> 00:50:53,160
Speaker 1: like Chris Harrison. People can make the argument that he

1006
00:50:53,239 --> 00:50:55,919
Speaker 1: does have gravitas. I feel like he is a blank slate.

1007
00:50:55,960 --> 00:50:59,000
Speaker 1: He presents a blank slate. Well, those people shouldn't become lawyers.

1008
00:51:00,080 --> 00:51:02,880
Speaker 1: And that's what I'd say. It's a royal culture number twenty. Honey,

1009
00:51:03,239 --> 00:51:11,520
Speaker 1: if you think lawyer, I just threw my socks. Now,

1010
00:51:11,760 --> 00:51:13,759
Speaker 1: before we take another break, I do want to just

1011
00:51:14,080 --> 00:51:18,160
Speaker 1: get from you the true intel on television shows of

1012
00:51:18,239 --> 00:51:22,120
Speaker 1: that time. So could you maybe rank two shows from

1013
00:51:22,160 --> 00:51:24,880
Speaker 1: that time, Like I'm talking the animated shows that everyone

1014
00:51:25,000 --> 00:51:27,640
Speaker 1: was watching from Nickelodeon. What are your favorites. What what

1015
00:51:27,760 --> 00:51:30,120
Speaker 1: ones do you think never really found it? Like, what

1016
00:51:30,239 --> 00:51:33,239
Speaker 1: are the shows that that you feel are the most

1017
00:51:33,320 --> 00:51:38,040
Speaker 1: culturally imperative from that time period? I would say I

1018
00:51:38,160 --> 00:51:42,120
Speaker 1: always feel Running Stimpy is one of them because it's disgusting,

1019
00:51:42,640 --> 00:51:46,319
Speaker 1: it's beautifully drawn, it's funny, and the characters are very clear.

1020
00:51:46,520 --> 00:51:49,680
Speaker 1: I love that show. Um, that one, and it's it's

1021
00:51:49,719 --> 00:51:51,959
Speaker 1: also like the art is you can kind of stand

1022
00:51:51,960 --> 00:51:54,239
Speaker 1: alone as like beautiful pieces of art, which is very

1023
00:51:54,320 --> 00:51:57,879
Speaker 1: well done and very interesting. Um. I would say Doug

1024
00:51:58,160 --> 00:52:01,320
Speaker 1: comes in with the storytelling, has heart. Doug is like

1025
00:52:02,000 --> 00:52:04,640
Speaker 1: Doug is like Arthur before there was Arthur. Like Doug

1026
00:52:04,800 --> 00:52:09,480
Speaker 1: is like a meaningful, relatable but he's very sappy and

1027
00:52:09,600 --> 00:52:18,120
Speaker 1: he's very like emotional romantic. Um, well drawn emotionally and physically. Yes, um,

1028
00:52:18,600 --> 00:52:22,200
Speaker 1: rug rats. That's one that I actually I think is

1029
00:52:22,280 --> 00:52:26,239
Speaker 1: like very um pleasing in its chaotic energy. It's kind

1030
00:52:26,239 --> 00:52:29,839
Speaker 1: of has a frenetic sort of style to the drawing. Um.

1031
00:52:30,760 --> 00:52:34,479
Speaker 1: It's it has perspective of the so when you're watching

1032
00:52:34,520 --> 00:52:36,680
Speaker 1: it as a child, it's funny because it's like your

1033
00:52:36,760 --> 00:52:39,000
Speaker 1: perspective and like how babies like you know, It's like

1034
00:52:39,120 --> 00:52:41,360
Speaker 1: that's what the babies are thinking, which is basically what

1035
00:52:41,440 --> 00:52:43,480
Speaker 1: I am when I'm five or six or seven, right,

1036
00:52:43,920 --> 00:52:45,719
Speaker 1: and then as you get older you can watch it

1037
00:52:45,760 --> 00:52:49,000
Speaker 1: from the parents perspective and it's funny in that way. Yes, yes,

1038
00:52:49,120 --> 00:52:50,480
Speaker 1: I love that. No, sir, I was just pointing just

1039
00:52:50,600 --> 00:52:58,719
Speaker 1: to emphatically agree, keep going. Um, I would say, though Arthur.

1040
00:52:58,840 --> 00:53:02,239
Speaker 1: I did mention Arthur, and it's not from Nickelodeon. That

1041
00:53:02,440 --> 00:53:04,640
Speaker 1: is one that I would rush home to watch after school,

1042
00:53:04,680 --> 00:53:08,840
Speaker 1: and I said, pss, that's just a sweet show, and

1043
00:53:08,960 --> 00:53:10,560
Speaker 1: like I could still quote it, and I love how

1044
00:53:10,600 --> 00:53:12,040
Speaker 1: they would also do that kind of thing where they

1045
00:53:12,080 --> 00:53:14,239
Speaker 1: would go to like kids schools in real life and

1046
00:53:14,280 --> 00:53:16,719
Speaker 1: show like a clip from the kids school and then

1047
00:53:16,760 --> 00:53:18,560
Speaker 1: they would like have a moment on Arthur, and that

1048
00:53:18,640 --> 00:53:21,680
Speaker 1: was very sweet. Those are my tops, I think, actually,

1049
00:53:21,719 --> 00:53:23,880
Speaker 1: I think those are my faves. But do you have

1050
00:53:23,920 --> 00:53:27,800
Speaker 1: anything you would add? See? Honestly? For me, like, I

1051
00:53:28,040 --> 00:53:31,520
Speaker 1: feel like the one that really exists in my mind

1052
00:53:31,680 --> 00:53:36,960
Speaker 1: still is um Rugrats and I. But but every now

1053
00:53:37,040 --> 00:53:41,360
Speaker 1: and then I will get flashes back to Rocco's modern

1054
00:53:41,480 --> 00:53:47,720
Speaker 1: life and I remember, like just the broad comedic choices

1055
00:53:47,840 --> 00:53:50,000
Speaker 1: I thought were so funny at the time. And it's

1056
00:53:50,239 --> 00:53:53,480
Speaker 1: interesting because me as a child would not have said

1057
00:53:53,560 --> 00:53:55,359
Speaker 1: that was one of my favorite shows. But I think

1058
00:53:55,480 --> 00:53:59,520
Speaker 1: me as an adult, what what stuck with me that

1059
00:53:59,640 --> 00:54:01,720
Speaker 1: must in something is the fact that I still remember

1060
00:54:01,840 --> 00:54:05,359
Speaker 1: like he would like this is insane, but Rockle got

1061
00:54:05,440 --> 00:54:08,040
Speaker 1: like flung from one house to another one time and

1062
00:54:08,200 --> 00:54:13,000
Speaker 1: landed and like his neighbors like huge tits and the woman,

1063
00:54:13,480 --> 00:54:18,800
Speaker 1: the woman just goes, oh damn. And I was just like,

1064
00:54:19,280 --> 00:54:22,560
Speaker 1: that is so funny. Today, just so many things like

1065
00:54:22,760 --> 00:54:24,760
Speaker 1: I feel like I don't I don't. I don't watch

1066
00:54:24,880 --> 00:54:26,920
Speaker 1: children's shows now really, so I can't really say, but

1067
00:54:27,000 --> 00:54:28,440
Speaker 1: it feels like we were in a time where like

1068
00:54:28,520 --> 00:54:31,239
Speaker 1: they were doing edgy or stuff like that. Like peace

1069
00:54:31,680 --> 00:54:33,440
Speaker 1: was another thing I was going to say as my

1070
00:54:33,520 --> 00:54:38,440
Speaker 1: culture because it was like it's kind of got a

1071
00:54:38,480 --> 00:54:40,719
Speaker 1: whole like undertone to it that you just don't get

1072
00:54:40,760 --> 00:54:43,280
Speaker 1: as a kid, And it's so funny for the adults,

1073
00:54:43,320 --> 00:54:46,120
Speaker 1: like there's something weird happening at all times for everyone

1074
00:54:46,200 --> 00:54:48,480
Speaker 1: in the room. Like I love that there was there

1075
00:54:48,600 --> 00:54:50,520
Speaker 1: there was like a sense of danger to those shows

1076
00:54:50,640 --> 00:54:53,359
Speaker 1: that like you don't really get, like stuff now might

1077
00:54:53,360 --> 00:54:55,040
Speaker 1: be a little too sanitized. Again, I don't know. I'm

1078
00:54:55,080 --> 00:54:57,960
Speaker 1: not watching this, but it feels like that, like I

1079
00:54:58,040 --> 00:55:00,640
Speaker 1: think we'll run and stimpy, like they would like zooming

1080
00:55:00,680 --> 00:55:03,680
Speaker 1: on someone's ass and they on their butt and it's

1081
00:55:03,719 --> 00:55:06,359
Speaker 1: like no one's doing that. There was so much there

1082
00:55:06,440 --> 00:55:08,759
Speaker 1: was butt crack in every show. This is my This

1083
00:55:08,880 --> 00:55:14,359
Speaker 1: is my theory. No, this is my theory on why

1084
00:55:15,280 --> 00:55:16,920
Speaker 1: we were able to get away with a lot and

1085
00:55:17,120 --> 00:55:20,239
Speaker 1: see a lot as kids because our parents were the

1086
00:55:20,320 --> 00:55:23,960
Speaker 1: Baby Boomer generation and the baby Boomer generation. The way

1087
00:55:24,000 --> 00:55:26,600
Speaker 1: they like played and the way that they did things

1088
00:55:26,680 --> 00:55:28,279
Speaker 1: is they just went out on their bike and rode

1089
00:55:28,280 --> 00:55:31,759
Speaker 1: around like like my dad when he was young in

1090
00:55:31,840 --> 00:55:34,839
Speaker 1: the early sixties, like he would ride his bike from

1091
00:55:35,000 --> 00:55:37,880
Speaker 1: his house on Long Island to say stadium and like

1092
00:55:38,280 --> 00:55:42,040
Speaker 1: seriously like and ride ride like bike back or I

1093
00:55:42,080 --> 00:55:44,200
Speaker 1: don't know exactly where they lived, he moved around a lot.

1094
00:55:44,280 --> 00:55:46,840
Speaker 1: But they were so much more free as children that

1095
00:55:46,960 --> 00:55:49,040
Speaker 1: I don't think it was top of mind for them

1096
00:55:49,120 --> 00:55:53,880
Speaker 1: to be like monitoring and watching what we as children

1097
00:55:54,239 --> 00:55:58,280
Speaker 1: were consuming as much as gen X parents and millennial parents,

1098
00:55:58,680 --> 00:56:02,960
Speaker 1: especially millennial parents are now and maybe parents are a

1099
00:56:03,000 --> 00:56:05,279
Speaker 1: little bit more lenient. I don't know. I think it's

1100
00:56:05,320 --> 00:56:08,800
Speaker 1: just I think it's just the way you learn two parents,

1101
00:56:08,840 --> 00:56:10,840
Speaker 1: the way you were parented, and you're you're gonna like

1102
00:56:11,320 --> 00:56:14,640
Speaker 1: either be overcorrective or do the same thing. I remember

1103
00:56:14,760 --> 00:56:17,360
Speaker 1: my my parents, like I was down in the basement

1104
00:56:17,440 --> 00:56:20,120
Speaker 1: watching whatever the fuck, and then every now and then

1105
00:56:20,160 --> 00:56:21,920
Speaker 1: they would come down and it would be like MTV

1106
00:56:22,080 --> 00:56:24,280
Speaker 1: and they'd be like, turn it off, and you're forbidden

1107
00:56:24,360 --> 00:56:26,520
Speaker 1: to watch this. So of course they're going to think,

1108
00:56:26,560 --> 00:56:28,759
Speaker 1: I'm fine with like Nickelodeon. But I don't think they

1109
00:56:28,880 --> 00:56:32,960
Speaker 1: knew and or cared about the rampant butt crack. They didn't.

1110
00:56:33,040 --> 00:56:35,960
Speaker 1: They didn't have the media literacy to like draw the

1111
00:56:36,080 --> 00:56:38,880
Speaker 1: lines in any like defined way, so like it was

1112
00:56:38,920 --> 00:56:40,719
Speaker 1: just a very arbitrary and rainow. They'd be like, Matt,

1113
00:56:40,880 --> 00:56:43,160
Speaker 1: stop watching Real World or whatever. Well, I guess it

1114
00:56:43,280 --> 00:56:45,120
Speaker 1: was have been weird too, because the TV was like

1115
00:56:45,200 --> 00:56:47,520
Speaker 1: suddenly more and more things were available as we were

1116
00:56:47,520 --> 00:56:49,200
Speaker 1: growing up, Like we didn't have cable for a bit,

1117
00:56:49,280 --> 00:56:51,120
Speaker 1: then we had cable, and then that spends the whole

1118
00:56:51,120 --> 00:56:53,839
Speaker 1: another thing. No no, no, no no, But that's that's

1119
00:56:53,880 --> 00:56:55,719
Speaker 1: that's my point. It's like now you have you have

1120
00:56:55,840 --> 00:56:58,560
Speaker 1: jen X and millennial parents who are like who understand

1121
00:56:58,640 --> 00:57:02,040
Speaker 1: what's out there, and like how of a pretty like

1122
00:57:02,280 --> 00:57:05,759
Speaker 1: um macroscopic view of like all the crazy garbage that's

1123
00:57:05,800 --> 00:57:08,560
Speaker 1: out there that could potentially like that they kind of

1124
00:57:08,680 --> 00:57:10,400
Speaker 1: clutching your pearls at like if I was a kid,

1125
00:57:10,640 --> 00:57:12,880
Speaker 1: and like god, there were so many butt cracks and

1126
00:57:13,160 --> 00:57:15,000
Speaker 1: running stimpy, like I better, I better make sure that

1127
00:57:15,080 --> 00:57:17,760
Speaker 1: my kids aren't watching butt crap. Well, I mean it's

1128
00:57:17,960 --> 00:57:20,000
Speaker 1: true when you think about us all getting the Internet

1129
00:57:20,040 --> 00:57:22,400
Speaker 1: at a certain point and then like the things you

1130
00:57:22,760 --> 00:57:25,919
Speaker 1: saw and did on there that were unsavory, and then

1131
00:57:26,360 --> 00:57:28,400
Speaker 1: we were children doing these things, and so as you

1132
00:57:28,720 --> 00:57:30,560
Speaker 1: as you have kids of your own, it's like, Okay,

1133
00:57:30,800 --> 00:57:33,360
Speaker 1: I know what's on the Internet, so I definitely don't

1134
00:57:33,400 --> 00:57:37,280
Speaker 1: want you to go look at the insane porn or whatever. Yeah,

1135
00:57:37,400 --> 00:57:41,720
Speaker 1: I remember, I remember the day like parental controls were invented.

1136
00:57:42,200 --> 00:57:44,160
Speaker 1: Like it was like I was like I was like

1137
00:57:44,280 --> 00:57:46,200
Speaker 1: eight or nine years old, and it was like this

1138
00:57:46,360 --> 00:57:48,080
Speaker 1: thing now on a o L where it was called

1139
00:57:48,120 --> 00:57:50,560
Speaker 1: parental controls and you're remember really trying to keep it

1140
00:57:51,000 --> 00:57:54,600
Speaker 1: from you read the press release like it was like

1141
00:57:54,800 --> 00:57:56,640
Speaker 1: one day there wasn't and then one day there was.

1142
00:57:56,760 --> 00:57:58,360
Speaker 1: And I was like oh, I have to keep this

1143
00:57:58,480 --> 00:58:00,800
Speaker 1: from my parents so they don't stopped me from going

1144
00:58:00,880 --> 00:58:03,360
Speaker 1: in like any old chat room, which I now know

1145
00:58:03,560 --> 00:58:07,000
Speaker 1: looking back, had oh thousands of petals in it, probably,

1146
00:58:07,200 --> 00:58:09,800
Speaker 1: but I know, did you ever watch to Catch a Predator?

1147
00:58:10,600 --> 00:58:15,120
Speaker 1: That show is so disturbing dark I kind of loved it,

1148
00:58:15,320 --> 00:58:18,640
Speaker 1: but it's so disturbing, and you know that. I was

1149
00:58:18,720 --> 00:58:22,880
Speaker 1: thinking about how, uh like that that sort of programming

1150
00:58:23,000 --> 00:58:25,560
Speaker 1: that was for quote unquote four kids when we were younger,

1151
00:58:25,680 --> 00:58:28,120
Speaker 1: Like I didn't talk down to the kids, and like, um,

1152
00:58:29,160 --> 00:58:31,200
Speaker 1: that's I think why we enjoyed it, and also parents

1153
00:58:31,240 --> 00:58:34,240
Speaker 1: could enjoy it. It sort of does remind me of

1154
00:58:34,400 --> 00:58:38,360
Speaker 1: Story Pirates, which you are also a story pirate. We

1155
00:58:38,440 --> 00:58:42,320
Speaker 1: all have Story Pirates legacy, yes, And I was just

1156
00:58:42,440 --> 00:58:44,640
Speaker 1: thinking about how that was something I don't know about you.

1157
00:58:44,840 --> 00:58:49,200
Speaker 1: You probably knew everyone from from way back, but I didn't.

1158
00:58:49,240 --> 00:58:52,720
Speaker 1: Actually I moved to New York and joined Story Pirates. Um,

1159
00:58:53,560 --> 00:58:56,120
Speaker 1: I guess someone must have recommended it to me. I

1160
00:58:56,160 --> 00:59:00,280
Speaker 1: can't remember who the initial connection was, but then Duke

1161
00:59:00,360 --> 00:59:01,880
Speaker 1: Doyle was a part of it, and we went to

1162
00:59:02,000 --> 00:59:03,760
Speaker 1: high school, but I didn't know that he was a

1163
00:59:03,840 --> 00:59:06,080
Speaker 1: part of it, so it's kind of this like, and

1164
00:59:06,080 --> 00:59:07,880
Speaker 1: then I didn't go Northwestern, so I didn't know any

1165
00:59:07,880 --> 00:59:10,320
Speaker 1: of those people, so it was all, you didn't go

1166
00:59:10,480 --> 00:59:13,040
Speaker 1: to Northwest. No, No, I'm just I just grew up

1167
00:59:13,080 --> 00:59:16,480
Speaker 1: down the street from it, but I like joined and

1168
00:59:16,520 --> 00:59:18,320
Speaker 1: then everyone had lived in Evanston. So it's kind of

1169
00:59:18,320 --> 00:59:20,240
Speaker 1: a nice connection to have with people where you feel

1170
00:59:20,280 --> 00:59:22,800
Speaker 1: like you're sort of from the same place. Yeah, when

1171
00:59:22,880 --> 00:59:25,600
Speaker 1: did you meet Laura Ashley Smith? Well, for everyone that

1172
00:59:25,680 --> 00:59:28,720
Speaker 1: doesn't know, Story Pirates is a group. It's in New

1173
00:59:28,760 --> 00:59:31,120
Speaker 1: York in l A. And what they do is bowen.

1174
00:59:31,560 --> 00:59:34,680
Speaker 1: Myself and Lauren are all in it, and um, it's

1175
00:59:34,680 --> 00:59:38,200
Speaker 1: like hundreds of actors and comedians and singers and dancers, etcetera.

1176
00:59:38,560 --> 00:59:41,720
Speaker 1: Who take stories that are written by kids, and then

1177
00:59:41,840 --> 00:59:43,760
Speaker 1: we pick some of them and stage them as like

1178
00:59:43,840 --> 00:59:47,120
Speaker 1: little sketch comedy shows, and we go to the schools

1179
00:59:47,280 --> 00:59:49,560
Speaker 1: and perform those stories for the kids. And it's a

1180
00:59:49,600 --> 00:59:52,200
Speaker 1: surprise they don't know that there are some of their

1181
00:59:52,240 --> 00:59:54,080
Speaker 1: stories are going to be performed in front of their eyes,

1182
00:59:54,120 --> 00:59:56,120
Speaker 1: and it's just like encouraging them to write and be

1183
00:59:56,240 --> 00:59:59,560
Speaker 1: creative and it's really really fun. And so that's what

1184
00:59:59,600 --> 01:00:01,240
Speaker 1: we're talking about I just wanted to come out of

1185
01:00:01,320 --> 01:00:03,360
Speaker 1: school shows, where some of my favorite shows to do,

1186
01:00:03,480 --> 01:00:05,600
Speaker 1: because because we would do some at like theaters and

1187
01:00:05,680 --> 01:00:07,520
Speaker 1: other places as well, but like the school shows were

1188
01:00:07,560 --> 01:00:10,480
Speaker 1: so touching because the kids have such a heartwarming reaction

1189
01:00:10,560 --> 01:00:13,920
Speaker 1: to and they and just even being excited for each other,

1190
01:00:14,040 --> 01:00:15,800
Speaker 1: like if it wasn't their story but it was their friend.

1191
01:00:15,880 --> 01:00:19,360
Speaker 1: Like they're so excited. They are all supportive, they're they're

1192
01:00:19,400 --> 01:00:21,200
Speaker 1: like there's no like maybe there is and we just

1193
01:00:21,200 --> 01:00:23,080
Speaker 1: don't see it, but like there's no like air of

1194
01:00:23,200 --> 01:00:26,000
Speaker 1: jealousy or like contempt when whenever you were like we

1195
01:00:26,000 --> 01:00:28,320
Speaker 1: would announced the kid's story was being staged, right, No

1196
01:00:28,400 --> 01:00:30,600
Speaker 1: one's going like, oh man, it's not mine, Like yeah,

1197
01:00:30,920 --> 01:00:32,880
Speaker 1: I mean it's it's I think what helps is it's

1198
01:00:32,880 --> 01:00:35,080
Speaker 1: like there's like four kids watching and we do like

1199
01:00:35,240 --> 01:00:40,320
Speaker 1: five and it's not like okay and yeah, yeah, yeah,

1200
01:00:40,400 --> 01:00:42,960
Speaker 1: yeah exactly. My story with how I met Lauren Ashley

1201
01:00:43,000 --> 01:00:46,040
Speaker 1: Smith is kind of interesting because I had joined story

1202
01:00:46,160 --> 01:00:48,000
Speaker 1: Parrots and then at the time I was really into

1203
01:00:48,040 --> 01:00:51,360
Speaker 1: using Tumblr, so I searched story parrots on Tumbler and

1204
01:00:51,440 --> 01:00:54,920
Speaker 1: I found her blog and her name was Lauren and

1205
01:00:55,040 --> 01:00:56,400
Speaker 1: she was in story parrots, and I was like, my

1206
01:00:56,480 --> 01:01:00,439
Speaker 1: name is anything, but I hadn't started, so I hadn't

1207
01:01:00,440 --> 01:01:02,360
Speaker 1: met you one. So I followed her and we started

1208
01:01:02,360 --> 01:01:04,040
Speaker 1: following each other and we would message a little bit,

1209
01:01:04,400 --> 01:01:06,000
Speaker 1: and then we finally got to meet, like at a

1210
01:01:06,040 --> 01:01:10,560
Speaker 1: story parts rehearsal thing, and really lifelong friends ever since

1211
01:01:10,640 --> 01:01:12,960
Speaker 1: it was I met some very good friends from that,

1212
01:01:13,160 --> 01:01:16,400
Speaker 1: and that's why I'll remember. I always remember a couple

1213
01:01:16,440 --> 01:01:19,200
Speaker 1: of things from it, which is how good it felt

1214
01:01:19,400 --> 01:01:23,480
Speaker 1: to do those stories for the kids, and you know

1215
01:01:23,840 --> 01:01:26,080
Speaker 1: that that feeling of empowering them, and you know the

1216
01:01:26,160 --> 01:01:28,200
Speaker 1: teachers that would come up after with tears in their

1217
01:01:28,200 --> 01:01:30,439
Speaker 1: eyes and being like you guys picked you, guys picked

1218
01:01:30,480 --> 01:01:32,960
Speaker 1: exactly the right kid. It felt like it always happened,

1219
01:01:33,640 --> 01:01:36,440
Speaker 1: um that, So I always remember that, and I always

1220
01:01:36,480 --> 01:01:39,600
Speaker 1: remember the great people that I met doing it, and

1221
01:01:39,680 --> 01:01:42,160
Speaker 1: everyone you know, always on the same page because it

1222
01:01:42,280 --> 01:01:44,640
Speaker 1: didn't pay much money, but it was just some really

1223
01:01:44,680 --> 01:01:47,240
Speaker 1: good community and always I always knew when someone was

1224
01:01:47,280 --> 01:01:49,680
Speaker 1: the story parts that I already liked them. Yeah, I

1225
01:01:49,760 --> 01:01:52,600
Speaker 1: feel the same way. It was my first like little

1226
01:01:52,640 --> 01:01:55,760
Speaker 1: comedy community outside after college, like before you see be

1227
01:01:55,800 --> 01:01:58,400
Speaker 1: even because I was I was just saying from and

1228
01:01:58,440 --> 01:02:00,680
Speaker 1: I was just like, oh, you know, I'm just meeting

1229
01:02:00,720 --> 01:02:03,640
Speaker 1: people here and there through classes, but like Story Pirates

1230
01:02:03,760 --> 01:02:07,120
Speaker 1: just felt like there was like this purpose in direction

1231
01:02:07,240 --> 01:02:10,240
Speaker 1: and like around getting better at performance, because they really

1232
01:02:10,240 --> 01:02:12,000
Speaker 1: do drill into you, like in the training is like

1233
01:02:12,600 --> 01:02:16,960
Speaker 1: basically committia del arte principles and like really like fundamental

1234
01:02:17,040 --> 01:02:19,360
Speaker 1: things about performance that like no one ever really tells

1235
01:02:19,440 --> 01:02:22,280
Speaker 1: you out right. Yeah, it was really helpful with like

1236
01:02:22,560 --> 01:02:25,680
Speaker 1: being super clear and like yes, having a point of

1237
01:02:25,760 --> 01:02:28,280
Speaker 1: view and and just like sticking to one thing. Like

1238
01:02:28,400 --> 01:02:32,000
Speaker 1: it's really helpful with all stuff. Yeah, I always forget

1239
01:02:32,160 --> 01:02:36,680
Speaker 1: about how like fundamental it was in my education as

1240
01:02:36,720 --> 01:02:39,560
Speaker 1: a performer. You're right about the clarity because it's kids

1241
01:02:39,640 --> 01:02:42,240
Speaker 1: watching it, and so even though some of the content

1242
01:02:42,400 --> 01:02:45,400
Speaker 1: is just goofy and sometimes like they don't even know it,

1243
01:02:45,480 --> 01:02:47,240
Speaker 1: but the kids have written an edgy thing, and we

1244
01:02:47,400 --> 01:02:49,520
Speaker 1: as adults performing for kids, are like we're going to

1245
01:02:49,640 --> 01:02:51,840
Speaker 1: do this and say, well the kid wrote it, um,

1246
01:02:52,240 --> 01:02:54,600
Speaker 1: But it really was because kids are watching it, you

1247
01:02:54,760 --> 01:02:57,200
Speaker 1: essentially have to perform as like a two dimensional character

1248
01:02:57,320 --> 01:02:59,760
Speaker 1: on stage, which I'm sure for the three of us

1249
01:02:59,840 --> 01:03:02,520
Speaker 1: is kind of a thrill. As people who have the

1250
01:03:02,600 --> 01:03:08,200
Speaker 1: ability to be super perhaps even too big. Um. But yeah,

1251
01:03:10,240 --> 01:03:12,320
Speaker 1: while we're saying this, I do want to say like,

1252
01:03:12,400 --> 01:03:15,000
Speaker 1: in this time of quarantine, you know, they're not doing shows,

1253
01:03:15,040 --> 01:03:17,680
Speaker 1: so you could definitely donate to worse places than story

1254
01:03:17,720 --> 01:03:20,560
Speaker 1: pirates dot com if you have Oh my God to

1255
01:03:20,640 --> 01:03:22,800
Speaker 1: get cast if you're home with your kids, they have

1256
01:03:22,880 --> 01:03:25,680
Speaker 1: a podcast that's obviously safe for kids to listen to.

1257
01:03:26,760 --> 01:03:30,800
Speaker 1: Two albums on Spotify to Spotify They're wonderful, Lauren, what

1258
01:03:30,880 --> 01:03:32,840
Speaker 1: was your favorite story to perform to your do you

1259
01:03:32,920 --> 01:03:36,280
Speaker 1: do you have one? Oh? Wow, oh oh, I'm trying

1260
01:03:36,320 --> 01:03:39,120
Speaker 1: to remember. I did one. I remember doing one. Um

1261
01:03:39,280 --> 01:03:41,960
Speaker 1: that I was very exciting for me because I was

1262
01:03:42,080 --> 01:03:43,960
Speaker 1: like the lead of the story and it was like

1263
01:03:44,320 --> 01:03:50,600
Speaker 1: Ballerina and Angelica Houston was in the audience, Like yeah,

1264
01:03:50,640 --> 01:03:53,560
Speaker 1: so that was cool. Um. I always like, there was

1265
01:03:53,600 --> 01:03:56,920
Speaker 1: this one song that was cars crashing into robots. Do

1266
01:03:56,960 --> 01:03:59,600
Speaker 1: you know that one? Yeah? Yeah, it's It's a song

1267
01:03:59,920 --> 01:04:05,640
Speaker 1: I had a dance and I always liked. I always

1268
01:04:05,720 --> 01:04:07,640
Speaker 1: loved because you know, the in story parts, Like, some

1269
01:04:07,720 --> 01:04:09,720
Speaker 1: people are really good singers and I wouldn't put myself

1270
01:04:09,720 --> 01:04:11,800
Speaker 1: in that category, but I love performing with really good

1271
01:04:11,800 --> 01:04:14,720
Speaker 1: singers and they just like crush it. And like there's

1272
01:04:14,760 --> 01:04:17,640
Speaker 1: something about like singing this like simple children's song but

1273
01:04:17,720 --> 01:04:20,760
Speaker 1: like really well and like doing a dance, it's like thrilling,

1274
01:04:20,960 --> 01:04:24,880
Speaker 1: Like it's like it's like showmanship. It's like you're you're

1275
01:04:24,920 --> 01:04:28,920
Speaker 1: all like working towards some common goal together. Um so

1276
01:04:29,440 --> 01:04:32,080
Speaker 1: I feel like you wait what I was gonna say.

1277
01:04:32,320 --> 01:04:34,720
Speaker 1: There was one where that I was directing and you

1278
01:04:34,800 --> 01:04:37,320
Speaker 1: were in the cast, and we went to Austin, Texas.

1279
01:04:37,400 --> 01:04:39,680
Speaker 1: And I used to go to Austin, Texas every year

1280
01:04:39,760 --> 01:04:42,240
Speaker 1: with story parts. In fact, one time I got chased

1281
01:04:42,240 --> 01:04:46,400
Speaker 1: out of a bar because someone. It was after the show.

1282
01:04:46,560 --> 01:04:48,600
Speaker 1: We all went out in Austin and someone we went

1283
01:04:48,640 --> 01:04:50,520
Speaker 1: to a taco truck and I felt the guy took

1284
01:04:50,560 --> 01:04:52,040
Speaker 1: my money from me, and of course I was like

1285
01:04:52,200 --> 01:04:55,160
Speaker 1: two drunk, so that I got like I had to

1286
01:04:55,200 --> 01:04:57,120
Speaker 1: be like kicked out of this bar in Austin on

1287
01:04:57,720 --> 01:04:59,840
Speaker 1: story fin strip. Well, we might have to cut that out.

1288
01:05:00,360 --> 01:05:03,640
Speaker 1: Maybe not um, but anyway, UM, I remember the story

1289
01:05:03,760 --> 01:05:07,440
Speaker 1: that we did was I wrote it or adapted it

1290
01:05:07,480 --> 01:05:09,720
Speaker 1: based on what the kid had written, and it was

1291
01:05:09,840 --> 01:05:14,520
Speaker 1: called when You See Me Dance, But it was about

1292
01:05:14,680 --> 01:05:18,600
Speaker 1: this like, um, little girl who the mother was very mean,

1293
01:05:18,680 --> 01:05:21,040
Speaker 1: and the mother was like, you can't dance, like that's

1294
01:05:21,040 --> 01:05:23,320
Speaker 1: not what we do. Now do your homework. And she's like,

1295
01:05:23,320 --> 01:05:25,480
Speaker 1: when you haven't even seen me dance, and when you

1296
01:05:25,640 --> 01:05:28,280
Speaker 1: see me dance, I know you'll change your mind. And

1297
01:05:28,520 --> 01:05:31,400
Speaker 1: like I made it into this song and Bowen played

1298
01:05:31,440 --> 01:05:38,200
Speaker 1: the mother. At the end, I had to run through

1299
01:05:38,320 --> 01:05:40,400
Speaker 1: the aisle. I had him come through. There was like

1300
01:05:40,480 --> 01:05:43,160
Speaker 1: the stadium seating in this elementary school for some reason,

1301
01:05:43,200 --> 01:05:45,520
Speaker 1: and I had him come all the way down the

1302
01:05:45,640 --> 01:05:48,760
Speaker 1: stairs watching Chrissy Shappeleford like dance. And he was like,

1303
01:05:49,800 --> 01:05:55,560
Speaker 1: I'm watching her dance and I'm changing my mind. And

1304
01:05:55,760 --> 01:05:59,800
Speaker 1: do you remember the song Bowen, It's it's like tucked

1305
01:06:00,040 --> 01:06:01,320
Speaker 1: way like as soon as you see in the first

1306
01:06:01,360 --> 01:06:06,080
Speaker 1: two notes, like it was when you see me dance,

1307
01:06:06,840 --> 01:06:11,800
Speaker 1: it will change. When you see me dance, You're gonna

1308
01:06:11,920 --> 01:06:19,400
Speaker 1: change you up. Waity wow. I mean, it was a

1309
01:06:19,400 --> 01:06:22,480
Speaker 1: beautiful story and I'll just never forget Bowen singing it.

1310
01:06:23,200 --> 01:06:25,920
Speaker 1: That sounds beautiful when you see me dance sounds like

1311
01:06:26,480 --> 01:06:29,400
Speaker 1: a movie that wins Sundance or something like. It just

1312
01:06:29,600 --> 01:06:33,040
Speaker 1: is like a cool, interesting title for something I remember,

1313
01:06:33,200 --> 01:06:35,240
Speaker 1: like I was reading it like the kid wrote it,

1314
01:06:35,440 --> 01:06:38,120
Speaker 1: and it was so like purposefully written. She was like,

1315
01:06:38,720 --> 01:06:41,120
Speaker 1: my mother wouldn't let me dance. And I thought to myself,

1316
01:06:41,240 --> 01:06:43,760
Speaker 1: when you see me dance, you will change your mind.

1317
01:06:44,120 --> 01:06:45,840
Speaker 1: And I was just like, this is it? Like this

1318
01:06:46,040 --> 01:06:49,440
Speaker 1: is jumping off the page. It's so good. Bow and

1319
01:06:49,520 --> 01:06:54,040
Speaker 1: what's yours? My favorite stock story is apple Land, which, um,

1320
01:06:54,440 --> 01:06:57,480
Speaker 1: you are so good at apple Lands? Lauren? Did you ever?

1321
01:06:57,600 --> 01:07:00,400
Speaker 1: Did you ever see apple Land? Laura? Actually? Yes, did

1322
01:07:00,600 --> 01:07:02,560
Speaker 1: did it a couple of times? I don't know if

1323
01:07:02,600 --> 01:07:04,880
Speaker 1: I know that one? How did it go? Okay? So

1324
01:07:05,040 --> 01:07:09,920
Speaker 1: basically it's it's so crazy, it's um this whoever introduces

1325
01:07:09,960 --> 01:07:12,360
Speaker 1: is like this next story is written by someone named

1326
01:07:12,360 --> 01:07:15,480
Speaker 1: Sianni and it's called apple Land. And then I come out,

1327
01:07:15,680 --> 01:07:18,880
Speaker 1: let's just say, I'm I'm driving it, and I go, hey,

1328
01:07:19,080 --> 01:07:21,440
Speaker 1: what's up you guys? My name is Sianni, and I

1329
01:07:21,600 --> 01:07:23,560
Speaker 1: am going to tell you guys about the most amazing

1330
01:07:23,720 --> 01:07:26,400
Speaker 1: apple field place. It's called apple Land. Okay, do you

1331
01:07:26,440 --> 01:07:28,240
Speaker 1: guys want to know how to get there? Oh? No no?

1332
01:07:28,400 --> 01:07:29,960
Speaker 1: And then I bring up my three best friends to

1333
01:07:30,000 --> 01:07:31,800
Speaker 1: tell them how to get there, and I'm getting them

1334
01:07:31,880 --> 01:07:34,280
Speaker 1: hyped up about apple Land, and then I'm like, okay,

1335
01:07:34,480 --> 01:07:37,240
Speaker 1: it's basically this like this like Beckett play, where like

1336
01:07:37,880 --> 01:07:42,240
Speaker 1: I'm screaming, amazing, it's amazing, and I'm screaming at my

1337
01:07:42,320 --> 01:07:45,400
Speaker 1: friends for not getting it right, for not following my directions,

1338
01:07:45,480 --> 01:07:47,960
Speaker 1: and then like you never get to apple Land, and

1339
01:07:48,080 --> 01:07:51,280
Speaker 1: I fully have a nervous breakdown in the story. It's

1340
01:07:51,440 --> 01:07:55,000
Speaker 1: it's truly, it's so good in it. I remember like

1341
01:07:55,360 --> 01:07:58,200
Speaker 1: it was like a legend. I thought I knew like

1342
01:07:59,320 --> 01:08:01,920
Speaker 1: I thought I knew what Bone could do, and then

1343
01:08:02,000 --> 01:08:05,760
Speaker 1: I saw performed apple Land. I was always that kid

1344
01:08:05,920 --> 01:08:07,800
Speaker 1: that the kid. I was always that one that was

1345
01:08:07,880 --> 01:08:10,080
Speaker 1: doing wanted to do the musical stories. And even though

1346
01:08:10,120 --> 01:08:12,240
Speaker 1: apple Land was not a musical story, I love that one.

1347
01:08:12,440 --> 01:08:13,959
Speaker 1: It was a funny that one. I mean that sounds

1348
01:08:14,000 --> 01:08:15,880
Speaker 1: so funny. It sounds it's like the way you describe

1349
01:08:15,920 --> 01:08:18,160
Speaker 1: it is the perfect story. Pirates sort of set up

1350
01:08:18,240 --> 01:08:21,040
Speaker 1: like it's just one person's got a whole thing. They

1351
01:08:21,120 --> 01:08:23,240
Speaker 1: bring in their friends, they tell each friend, and then

1352
01:08:23,320 --> 01:08:25,160
Speaker 1: they do the next thing. It's like very fun, it's

1353
01:08:25,240 --> 01:08:28,320
Speaker 1: very satisfying, so good. I I missed Story Parents a lot.

1354
01:08:29,360 --> 01:08:32,639
Speaker 1: It's so sweet. Yeah, it's a great little, great little cump.

1355
01:08:33,080 --> 01:08:37,200
Speaker 1: And that's a company. Um, it's a great little cump,

1356
01:08:38,840 --> 01:08:42,400
Speaker 1: the little cump that could. Um. So listen, here's what

1357
01:08:42,439 --> 01:08:44,519
Speaker 1: we're gonna do. We're gonna take a little break and

1358
01:08:44,560 --> 01:08:48,120
Speaker 1: we're gonna be back with Laura Leptis And we're back

1359
01:08:48,160 --> 01:08:51,880
Speaker 1: with Laura Lebkuz And here's the deal. We're rolling around

1360
01:08:51,960 --> 01:08:54,439
Speaker 1: on that time where it becomes time for I don't

1361
01:08:54,439 --> 01:08:58,160
Speaker 1: think so, honey, Before we do, I want to tell

1362
01:08:58,200 --> 01:09:01,880
Speaker 1: you something. I thought that there were many failings of

1363
01:09:02,000 --> 01:09:07,280
Speaker 1: the second Jurassic World. Number the number one failing was

1364
01:09:07,360 --> 01:09:09,439
Speaker 1: that you were not in it. I can't believe that.

1365
01:09:10,560 --> 01:09:14,640
Speaker 1: I have questions myself, but you know, you were the

1366
01:09:15,080 --> 01:09:19,360
Speaker 1: stand out part of Jurassic World. And I was like you, honestly,

1367
01:09:19,479 --> 01:09:22,040
Speaker 1: the joke can you tell us? Was that joke in

1368
01:09:22,080 --> 01:09:26,280
Speaker 1: the script? That thing of Jacob and I have a boyfriend? No,

1369
01:09:26,560 --> 01:09:29,000
Speaker 1: So it was like we kind of there. We we

1370
01:09:29,080 --> 01:09:32,799
Speaker 1: shot two versions, so we shot one where we kissed,

1371
01:09:32,800 --> 01:09:35,439
Speaker 1: and it was kind of like the underdogs getting their

1372
01:09:35,560 --> 01:09:38,040
Speaker 1: moment of you know, the nerd moment of like because

1373
01:09:38,080 --> 01:09:41,200
Speaker 1: initially I believe what it was was that initially, um,

1374
01:09:41,280 --> 01:09:43,600
Speaker 1: Bryce Dallas Howard and Chris Pratt did not kiss in

1375
01:09:43,680 --> 01:09:47,240
Speaker 1: the script, but then they had a passionate kiss within

1376
01:09:48,640 --> 01:09:52,760
Speaker 1: that was improvised. But great, this is my understanding. I

1377
01:09:52,800 --> 01:09:55,160
Speaker 1: could be incorrect, but I think that's true. And so

1378
01:09:55,400 --> 01:09:58,200
Speaker 1: we shot both ways because they weren't sure if they

1379
01:09:58,240 --> 01:10:01,640
Speaker 1: were going to use that because that was intended, or

1380
01:10:02,320 --> 01:10:04,160
Speaker 1: if we would have because initially it was supposed to

1381
01:10:04,160 --> 01:10:05,479
Speaker 1: be funny that we were the ones who have the

1382
01:10:05,560 --> 01:10:09,600
Speaker 1: kiss because that's unexpected. And then then we shot a

1383
01:10:09,680 --> 01:10:12,400
Speaker 1: version where we improvised the boyfriend thing of like let's

1384
01:10:12,479 --> 01:10:14,320
Speaker 1: just go back and forth with like what you would

1385
01:10:14,320 --> 01:10:16,200
Speaker 1: say if you know I don't want to kiss you

1386
01:10:16,320 --> 01:10:21,320
Speaker 1: and you know. So that was very fun. The standout

1387
01:10:21,360 --> 01:10:24,479
Speaker 1: moment of the whole film number one, best part of

1388
01:10:24,520 --> 01:10:27,680
Speaker 1: the movie, Well, I that's a lie. The best part

1389
01:10:27,720 --> 01:10:30,240
Speaker 1: of the movie is Dallas Howard outrunning a t Rex

1390
01:10:30,479 --> 01:10:35,519
Speaker 1: in in heels, and of course Bryce SaaS Howard's hair,

1391
01:10:36,240 --> 01:10:39,080
Speaker 1: but yes, but she's she is like perfect in the

1392
01:10:39,120 --> 01:10:42,040
Speaker 1: whole thing. But I mean, I love Bryce Dallas. I'm

1393
01:10:42,080 --> 01:10:50,120
Speaker 1: a Bryce Hollis Doward stand and I stand Bryce Hallis Doward.

1394
01:10:50,400 --> 01:10:56,120
Speaker 1: It's actually rolal culture number thirty one. It's dowar Um,

1395
01:10:56,680 --> 01:10:59,200
Speaker 1: what is she like? She was so nice, She was

1396
01:10:59,240 --> 01:11:01,439
Speaker 1: really cool, and she showed me that she can cry

1397
01:11:01,680 --> 01:11:06,120
Speaker 1: out of whichever I you tell her to. She did.

1398
01:11:06,200 --> 01:11:07,320
Speaker 1: She she was like, she was like, yeah, tell me

1399
01:11:07,360 --> 01:11:08,560
Speaker 1: what John and I was like that one and she

1400
01:11:08,640 --> 01:11:11,560
Speaker 1: was like and then a tear just popped out. I

1401
01:11:11,640 --> 01:11:14,200
Speaker 1: was like, so jealous to me. That's also an iconic

1402
01:11:14,280 --> 01:11:17,080
Speaker 1: part of Dressic World is when the Dominus rex is

1403
01:11:17,160 --> 01:11:19,080
Speaker 1: like has its face coming around the thing and she

1404
01:11:19,240 --> 01:11:21,360
Speaker 1: just turns to one she turns to one side and

1405
01:11:21,439 --> 01:11:25,639
Speaker 1: a single tear rolls down her eyes. Come on, she's

1406
01:11:25,680 --> 01:11:29,280
Speaker 1: giving it everything to this film. I want to do that. Yeah.

1407
01:11:29,680 --> 01:11:32,280
Speaker 1: It was literally Boone and I said to each other

1408
01:11:32,560 --> 01:11:36,040
Speaker 1: like that, we couldn't believe we respected that movie so

1409
01:11:36,240 --> 01:11:38,000
Speaker 1: much that they did that joke of oh I have

1410
01:11:38,040 --> 01:11:42,320
Speaker 1: a boyfriend, Like it was well. The director, Colin Trevor,

1411
01:11:42,640 --> 01:11:45,720
Speaker 1: he like he has like a comedic background. He did

1412
01:11:45,760 --> 01:11:49,320
Speaker 1: like a that Indian movie Safety Not Guaranteed with right

1413
01:11:49,640 --> 01:11:52,400
Speaker 1: right right, That was like his bigger Like that was

1414
01:11:52,439 --> 01:11:53,680
Speaker 1: like the movie he had done right before he to

1415
01:11:53,760 --> 01:11:56,960
Speaker 1: Drastic World. So um. He has a sense of humor

1416
01:11:57,040 --> 01:11:59,200
Speaker 1: and that was great to be able to do something

1417
01:11:59,240 --> 01:12:02,360
Speaker 1: funny in that movie. Yeah, that rocked, And I thought,

1418
01:12:02,479 --> 01:12:05,320
Speaker 1: I think that Jurassic World sometimes gets gets an unfair

1419
01:12:05,400 --> 01:12:07,160
Speaker 1: shake because I think it's really fun. And my my

1420
01:12:07,360 --> 01:12:10,360
Speaker 1: number one problem with Jurassic Park is I felt like

1421
01:12:10,439 --> 01:12:12,240
Speaker 1: you didn't see enough of the theme park, like when

1422
01:12:12,280 --> 01:12:14,599
Speaker 1: you say, like Donna's dinosaur theme park, like, I want

1423
01:12:14,640 --> 01:12:17,200
Speaker 1: to see that. Well, so I think that that movie

1424
01:12:17,439 --> 01:12:20,600
Speaker 1: Jurassic World has a lot of great like the mastodon

1425
01:12:20,760 --> 01:12:22,560
Speaker 1: eating the thing eating the thing or whatever. You know,

1426
01:12:22,600 --> 01:12:26,000
Speaker 1: It's like I don't, but it's so shocking. It was drag.

1427
01:12:26,320 --> 01:12:28,240
Speaker 1: It was drag, which is what I want from those

1428
01:12:28,280 --> 01:12:31,559
Speaker 1: movies like Jurassic World, Fall in Kingdom. It wasn't drag.

1429
01:12:31,880 --> 01:12:34,360
Speaker 1: It wasn't like camp. Like that's why I like Rise

1430
01:12:34,400 --> 01:12:36,680
Speaker 1: of Skywalker is because it was drag and camp and

1431
01:12:36,760 --> 01:12:40,560
Speaker 1: for the young gay girls. I'm actually excited now that

1432
01:12:40,640 --> 01:12:42,719
Speaker 1: you said that, Oh it's for the young gay girls.

1433
01:12:42,800 --> 01:12:44,880
Speaker 1: Let me tell you we got we got Carrie Russell

1434
01:12:44,960 --> 01:12:49,240
Speaker 1: in a fucking skin tight uh, the bounty hunter outfit.

1435
01:12:49,439 --> 01:12:53,200
Speaker 1: We got a little little guy named Babu Frick. Oh girl,

1436
01:12:53,520 --> 01:12:56,320
Speaker 1: it's it's for the it's and and then honestly it

1437
01:12:56,720 --> 01:13:00,759
Speaker 1: goes down with Kylo Wren and Misrae and so really,

1438
01:13:00,920 --> 01:13:02,680
Speaker 1: on my god, Nicole and I are going to cringing out.

1439
01:13:02,680 --> 01:13:04,960
Speaker 1: We wrote we wrote fan fiction that's like literally porn

1440
01:13:05,000 --> 01:13:07,920
Speaker 1: about that. Oh my god. Literally when it goes down

1441
01:13:08,000 --> 01:13:10,960
Speaker 1: between when it goes down between Misrae and Kylo Wren,

1442
01:13:11,120 --> 01:13:13,240
Speaker 1: I screamed. I was with Matt Wittaker. We saw it

1443
01:13:13,320 --> 01:13:18,679
Speaker 1: in for the X. Our chairs were spinning. It was honey.

1444
01:13:20,000 --> 01:13:22,679
Speaker 1: It was basically it was basically at theme park ride

1445
01:13:24,320 --> 01:13:27,400
Speaker 1: the chair is moving. Anytime this water you get fully

1446
01:13:27,520 --> 01:13:30,840
Speaker 1: sprayed in the face. It's iconic. And when they and

1447
01:13:31,040 --> 01:13:34,000
Speaker 1: the big the best special effect is what has the

1448
01:13:34,120 --> 01:13:37,519
Speaker 1: chemistry between Miss Daisy Ridley and Adam Driver And when

1449
01:13:37,560 --> 01:13:41,439
Speaker 1: it went down between them, I literally screamed in the theater. Yes,

1450
01:13:42,280 --> 01:13:46,120
Speaker 1: I was like, sot it okay, good, that's well, and

1451
01:13:46,160 --> 01:13:48,040
Speaker 1: we're like, this is the horniest movie. The Last Jedi

1452
01:13:48,080 --> 01:13:50,800
Speaker 1: is so horny. They're like so bad and then nothing

1453
01:13:50,840 --> 01:13:55,599
Speaker 1: really happens. It's really disappointing. But I haven't seen it either.

1454
01:13:55,640 --> 01:13:57,280
Speaker 1: I I got now I'm like, I'm going to decide

1455
01:13:57,280 --> 01:14:02,000
Speaker 1: between Survivor and Start and Last Jedi or tell both

1456
01:14:02,200 --> 01:14:05,400
Speaker 1: great epic pieces of content. Maybe maybe, well maybe you

1457
01:14:05,439 --> 01:14:09,840
Speaker 1: should start Survival with Lauren and then also virtually watch

1458
01:14:10,160 --> 01:14:13,320
Speaker 1: rides at the same time as you need to say,

1459
01:14:13,439 --> 01:14:16,400
Speaker 1: like what what Survivor we need to watch? Because I

1460
01:14:16,439 --> 01:14:17,960
Speaker 1: don't want to just waste my time with some season

1461
01:14:18,000 --> 01:14:21,719
Speaker 1: that's not that good. So here's the deal. I would say. Ordinarily,

1462
01:14:21,840 --> 01:14:24,280
Speaker 1: I would say you should start with an early season

1463
01:14:24,920 --> 01:14:27,519
Speaker 1: um to sort of get acclimated to what the rules are.

1464
01:14:27,640 --> 01:14:29,400
Speaker 1: But you know what the rules are as sixteen people

1465
01:14:29,439 --> 01:14:32,639
Speaker 1: on an island or wherever, they split up into two tribes.

1466
01:14:32,760 --> 01:14:36,479
Speaker 1: The tribes compete and like one wins and they have

1467
01:14:36,560 --> 01:14:38,280
Speaker 1: to vote and the other team must have vote someone out.

1468
01:14:38,320 --> 01:14:42,800
Speaker 1: It whittles down to so you get that. So what

1469
01:14:43,120 --> 01:14:44,920
Speaker 1: with that being said, and this is for all the

1470
01:14:45,000 --> 01:14:47,680
Speaker 1: readers as well, I would start with season seven, which

1471
01:14:47,760 --> 01:14:51,200
Speaker 1: is Pearl Islands. This is what I would do, Season

1472
01:14:51,320 --> 01:14:58,800
Speaker 1: seven Pearl, then season which is Cook Islands, and then

1473
01:14:59,600 --> 01:15:03,040
Speaker 1: person only for me, I would follow the Journey of Poverty,

1474
01:15:03,120 --> 01:15:05,600
Speaker 1: the character of Poverty or the contestant Parverty She is

1475
01:15:05,680 --> 01:15:10,960
Speaker 1: Real um, which is season seventeen Micronesia, and then we'll talk. Okay,

1476
01:15:11,000 --> 01:15:15,000
Speaker 1: that feels like enough homework yeah, that's she did write

1477
01:15:15,000 --> 01:15:17,479
Speaker 1: it down. We can we can improve she wrote it down,

1478
01:15:19,120 --> 01:15:21,479
Speaker 1: and um, that's what I'll say about that. But listen,

1479
01:15:22,040 --> 01:15:25,360
Speaker 1: it's actually in fact time for I don't think so honey,

1480
01:15:26,640 --> 01:15:29,000
Speaker 1: it's time. It is time in Matt's coming in hot

1481
01:15:29,080 --> 01:15:32,080
Speaker 1: with an already controversial one that he's given away, but

1482
01:15:32,400 --> 01:15:35,880
Speaker 1: I can't wait to to hear the points around it.

1483
01:15:36,240 --> 01:15:39,439
Speaker 1: So do you wanted to start? I'll start, okay, all right,

1484
01:15:39,640 --> 01:15:41,800
Speaker 1: Satt Rogers, I don't think so honey. As time starts now,

1485
01:15:42,400 --> 01:15:45,680
Speaker 1: I don't think, so honey, fetch the bolt cutters. I

1486
01:15:45,920 --> 01:15:49,280
Speaker 1: just I try so hard. And I also really don't

1487
01:15:49,280 --> 01:15:51,080
Speaker 1: think so honey that I know I'm wrong, and the

1488
01:15:51,160 --> 01:15:53,800
Speaker 1: attitude around it, but I'm sorry. This is the same

1489
01:15:53,840 --> 01:15:55,760
Speaker 1: reason why I don't like Wes Anderson, because I don't

1490
01:15:55,840 --> 01:15:58,240
Speaker 1: so honey, west Anderson. I don't want to listen to

1491
01:15:58,320 --> 01:16:00,680
Speaker 1: a song that was obviously inspired by the way a

1492
01:16:00,800 --> 01:16:03,680
Speaker 1: cracker dissolved in my hot Hot soup. It's like this

1493
01:16:03,960 --> 01:16:07,320
Speaker 1: tweet stuff that I really don't like. Honestly, I don't think,

1494
01:16:07,360 --> 01:16:09,160
Speaker 1: so honey that people are so obsessed with this album

1495
01:16:09,200 --> 01:16:12,680
Speaker 1: because I saw girls in Brooklyn do this same kind

1496
01:16:12,720 --> 01:16:15,439
Speaker 1: of music the same type of way. I don't understand

1497
01:16:15,479 --> 01:16:17,400
Speaker 1: what's so new and special about it, beside the fact

1498
01:16:17,439 --> 01:16:20,880
Speaker 1: that it's you, obviously, miss Fiona Apple. Honey. I saw

1499
01:16:21,000 --> 01:16:24,840
Speaker 1: Two Yards do this eight years ago in Bolan, and

1500
01:16:24,920 --> 01:16:26,880
Speaker 1: I guess what I did take it then, and it

1501
01:16:26,960 --> 01:16:30,679
Speaker 1: almost led to the breakup of my then relationship because

1502
01:16:30,680 --> 01:16:32,160
Speaker 1: I was like, I can't even pretend to like this,

1503
01:16:32,240 --> 01:16:34,080
Speaker 1: and he got mad at me. And he is one

1504
01:16:34,120 --> 01:16:36,880
Speaker 1: of you, the people out there who act superior because

1505
01:16:36,880 --> 01:16:38,360
Speaker 1: I don't get this feeling Apple thing. But it's a

1506
01:16:38,400 --> 01:16:40,439
Speaker 1: bunch of nickels in a jar getting shaken around and

1507
01:16:40,520 --> 01:16:44,479
Speaker 1: someone singing like a rabbit over it. I don't think so, honey, Okay,

1508
01:16:44,520 --> 01:16:47,200
Speaker 1: and that's one minute. I just don't get it. I

1509
01:16:47,280 --> 01:16:49,880
Speaker 1: haven't listened to it yet. I think I can't weigh in.

1510
01:16:50,360 --> 01:16:54,200
Speaker 1: I don't know yet. I feel like, Matt, the only

1511
01:16:54,240 --> 01:16:55,479
Speaker 1: thing that I will agree with you on is that

1512
01:16:55,560 --> 01:16:58,599
Speaker 1: it is very similar to early two Yards, where it's like, okay,

1513
01:16:58,600 --> 01:17:01,560
Speaker 1: it's like it's not fully novel. Mean, the thing that

1514
01:17:01,600 --> 01:17:03,040
Speaker 1: people are like freaking out about it is like the

1515
01:17:03,360 --> 01:17:06,519
Speaker 1: novelty around like what she's doing with like instruments and

1516
01:17:06,680 --> 01:17:10,439
Speaker 1: how like she like basically like produced it from home,

1517
01:17:10,520 --> 01:17:12,479
Speaker 1: and like you know, like there's there's there's, there's all

1518
01:17:12,520 --> 01:17:14,920
Speaker 1: this like fun lord to it. That's very like on

1519
01:17:15,040 --> 01:17:18,000
Speaker 1: the nose Fiona Apple likes topping on it. She's topping

1520
01:17:18,040 --> 01:17:19,960
Speaker 1: on the box with with her dog bones in it.

1521
01:17:20,080 --> 01:17:22,679
Speaker 1: Like it's like stuff like that. It's like the mythos

1522
01:17:22,760 --> 01:17:25,280
Speaker 1: of Fiona is like suffused to the whole thing, and

1523
01:17:25,320 --> 01:17:28,479
Speaker 1: so people are like loving it, which like me, if you,

1524
01:17:28,560 --> 01:17:30,439
Speaker 1: if you like have followed her album to album, it's

1525
01:17:30,520 --> 01:17:33,400
Speaker 1: very satisfying. But I get like for someone who hasn't

1526
01:17:33,439 --> 01:17:36,040
Speaker 1: really like lots John do it ever at any point,

1527
01:17:36,120 --> 01:17:39,840
Speaker 1: Like I get how that feels. I get how that

1528
01:17:39,920 --> 01:17:42,920
Speaker 1: feels like inaccessible, but but I don't. I think it's

1529
01:17:42,920 --> 01:17:44,680
Speaker 1: a little reductive for you to call it twee though

1530
01:17:44,960 --> 01:17:47,439
Speaker 1: I mean maybe maybe maybe it's a misuse of the word.

1531
01:17:47,520 --> 01:17:50,120
Speaker 1: But for me, it's just like I understand that there's

1532
01:17:50,160 --> 01:17:53,160
Speaker 1: like powerful lyricism happening, Like I read the lyrics and

1533
01:17:53,200 --> 01:17:56,400
Speaker 1: I understand, I get it. But for me, it's like, um,

1534
01:17:57,000 --> 01:18:00,760
Speaker 1: I just I knew that when you when you rub

1535
01:18:00,880 --> 01:18:02,880
Speaker 1: two nickels together, it makes a sound, you know what

1536
01:18:02,960 --> 01:18:05,000
Speaker 1: I mean, Like that's not like a revolutionary tent on

1537
01:18:05,080 --> 01:18:08,200
Speaker 1: Pitchfork for me, and so for me, I guess what

1538
01:18:08,280 --> 01:18:10,280
Speaker 1: I'm really I don't think so honeying at the core

1539
01:18:11,000 --> 01:18:16,760
Speaker 1: is this sort of like embellishment and hyperbolic, like insane

1540
01:18:17,040 --> 01:18:19,960
Speaker 1: praise the album is getting because I think it's you know,

1541
01:18:21,040 --> 01:18:24,920
Speaker 1: exactly what Joanna Newsom has done her entire career. It's

1542
01:18:25,640 --> 01:18:31,720
Speaker 1: it's not quite okay whatever, this is my now. But

1543
01:18:31,840 --> 01:18:35,160
Speaker 1: now I sound like a jerk, and I'm like, see,

1544
01:18:35,200 --> 01:18:37,040
Speaker 1: but this is what I and this is the war

1545
01:18:37,200 --> 01:18:40,160
Speaker 1: that they're trying to start. The war is they're trying

1546
01:18:40,240 --> 01:18:42,920
Speaker 1: to start a war between high and low class, and

1547
01:18:43,200 --> 01:18:44,840
Speaker 1: and they've been trying to do that with me and

1548
01:18:44,920 --> 01:18:47,839
Speaker 1: Bowen because I'm famously low class and Bowen is famously

1549
01:18:47,920 --> 01:18:51,400
Speaker 1: high class. Bowen is the Atlantic where I am us weekly,

1550
01:18:52,040 --> 01:18:57,439
Speaker 1: and that's actually Pacific. I was like, how does the Pacific, well,

1551
01:18:57,560 --> 01:19:01,200
Speaker 1: you know, the Pacific has all the big sharks anyway,

1552
01:19:01,200 --> 01:19:09,080
Speaker 1: you know they don't. Um, I did a shark claw. Um. Anyway,

1553
01:19:09,200 --> 01:19:11,120
Speaker 1: that's what I think, and I'll give it another shot.

1554
01:19:11,240 --> 01:19:14,160
Speaker 1: But I really tried, guys, I really tried hard to

1555
01:19:14,280 --> 01:19:15,960
Speaker 1: like this one. This is this is the thing, okay,

1556
01:19:16,000 --> 01:19:19,080
Speaker 1: And I also want to respond just um to to this,

1557
01:19:19,280 --> 01:19:21,200
Speaker 1: to this whole thing, like I've seen girls in Brooklyn

1558
01:19:21,320 --> 01:19:23,719
Speaker 1: do this, but like like the thing is like Fiona

1559
01:19:23,800 --> 01:19:27,160
Speaker 1: like basically invented like having like like being on keyboards

1560
01:19:27,200 --> 01:19:30,160
Speaker 1: and like truly like having a full on meltdown in

1561
01:19:30,200 --> 01:19:32,639
Speaker 1: front of the piano. Did she invent it? I didn't realize.

1562
01:19:32,680 --> 01:19:34,080
Speaker 1: I feel like I feel like she kind of did.

1563
01:19:34,160 --> 01:19:36,439
Speaker 1: And just in terms of like culturally, how we like

1564
01:19:36,520 --> 01:19:42,439
Speaker 1: assigned meaning to um an artist like performing that, Like

1565
01:19:42,880 --> 01:19:44,920
Speaker 1: I think that's like that trope is I think like

1566
01:19:45,040 --> 01:19:48,479
Speaker 1: something that I respect her, I really respect her, and

1567
01:19:48,520 --> 01:19:51,679
Speaker 1: I would welcome her looking at me in my eyes

1568
01:19:51,880 --> 01:19:54,800
Speaker 1: and saying fuck you. I like, I would love it.

1569
01:19:55,040 --> 01:19:59,040
Speaker 1: I'm a fan. It's just that it's the hyperbolic response

1570
01:19:59,120 --> 01:20:01,559
Speaker 1: to it, which I'm god, you would think you were

1571
01:20:01,640 --> 01:20:03,920
Speaker 1: a fucking idiot for not liking this, and it's just

1572
01:20:04,160 --> 01:20:08,680
Speaker 1: it's cuckoo. Sure, sure, okay, but it's honestly, maybe that's

1573
01:20:08,680 --> 01:20:10,240
Speaker 1: what I should go to therapy about. Maybe it's my

1574
01:20:10,280 --> 01:20:12,599
Speaker 1: own problem, but I just like the difference of opinion.

1575
01:20:12,680 --> 01:20:14,439
Speaker 1: I think it's fair. I'm sure there are people who

1576
01:20:14,479 --> 01:20:16,400
Speaker 1: agree with you, but it's just where it's that thing

1577
01:20:16,479 --> 01:20:19,960
Speaker 1: where you're like, I don't want to say it, yeah scared, Yeah, Okay,

1578
01:20:20,040 --> 01:20:21,920
Speaker 1: I get it, I get it. I get it well.

1579
01:20:22,320 --> 01:20:24,840
Speaker 1: And here's the thing. Now is the time since my

1580
01:20:25,080 --> 01:20:27,880
Speaker 1: I don't think so Honey has ended. Now is the

1581
01:20:27,960 --> 01:20:30,000
Speaker 1: time that we pass it on to Bowen Yang and

1582
01:20:30,120 --> 01:20:32,320
Speaker 1: he does one and I don't think, so Honey, that

1583
01:20:32,560 --> 01:20:35,200
Speaker 1: is um And I'm actually just stalling because I might

1584
01:20:35,200 --> 01:20:37,880
Speaker 1: get my stop watch. Okay, here we go. This is

1585
01:20:38,040 --> 01:20:40,679
Speaker 1: Bowen Yang's I don't think so honey, and his time

1586
01:20:40,960 --> 01:20:44,519
Speaker 1: starts now. I don't think so Honey plans. Yes, I'm

1587
01:20:44,600 --> 01:20:47,519
Speaker 1: coming after plants on for twenty but I have a

1588
01:20:47,600 --> 01:20:50,280
Speaker 1: beautiful monster sitting in the corner. I don't know if

1589
01:20:50,320 --> 01:20:52,679
Speaker 1: I'm watering it too much or not watering it enough.

1590
01:20:52,960 --> 01:20:54,840
Speaker 1: I look it up on the internet. It says water

1591
01:20:54,960 --> 01:20:57,120
Speaker 1: it once a week, but it seems like that's not

1592
01:20:57,280 --> 01:20:59,439
Speaker 1: enough because the plants are the leaves are yellowing, and

1593
01:20:59,479 --> 01:21:02,600
Speaker 1: I'm leaving it in like a decently lit corner. I

1594
01:21:02,640 --> 01:21:04,200
Speaker 1: don't know what. I don't know what to do here.

1595
01:21:04,200 --> 01:21:05,800
Speaker 1: I don't know what. I don't know what it means

1596
01:21:05,840 --> 01:21:08,440
Speaker 1: to have a damn green thumb in this world anymore?

1597
01:21:08,800 --> 01:21:11,839
Speaker 1: How do you intuit any of this ship No plants,

1598
01:21:12,040 --> 01:21:15,080
Speaker 1: it's it's a scam for people like me to feel

1599
01:21:15,120 --> 01:21:16,920
Speaker 1: bad about themselves for not being able to stay in

1600
01:21:17,000 --> 01:21:21,240
Speaker 1: life this way. And plants, you're busted, You're done. I'm

1601
01:21:21,280 --> 01:21:23,400
Speaker 1: done with you. And you know what, So what if

1602
01:21:23,439 --> 01:21:25,320
Speaker 1: the earth rots? And if it means that you guys

1603
01:21:25,360 --> 01:21:27,920
Speaker 1: are gone and out of this world, then five good reddance,

1604
01:21:28,240 --> 01:21:30,920
Speaker 1: good reddance plants. While we're talking about I'm going to

1605
01:21:30,960 --> 01:21:33,679
Speaker 1: talk about weed. Indica, You're not working for me any anymore.

1606
01:21:33,840 --> 01:21:36,439
Speaker 1: No Indica is helping me fall asleep. I still feel

1607
01:21:36,439 --> 01:21:40,599
Speaker 1: a little too Five seconds on Indica and plants in general,

1608
01:21:40,680 --> 01:21:45,560
Speaker 1: including marijuana, your trash. And that's one minute wowow. And

1609
01:21:45,840 --> 01:21:48,360
Speaker 1: he thinks he could just live without plants. It's so funny.

1610
01:21:48,720 --> 01:21:52,080
Speaker 1: It's so funny. But I really relate to that because

1611
01:21:52,080 --> 01:21:54,600
Speaker 1: I've never kept a plan alive and I have a

1612
01:21:54,680 --> 01:21:58,879
Speaker 1: fake plant behind me. It's gorgeous. It doesn't matter perfect.

1613
01:21:59,280 --> 01:22:01,760
Speaker 1: I can tell you just aren't getting the right plants.

1614
01:22:01,760 --> 01:22:04,000
Speaker 1: You know who bought me a plant from my housewarming,

1615
01:22:05,240 --> 01:22:07,880
Speaker 1: Jilkin Booster, And he got me a very good plant.

1616
01:22:07,920 --> 01:22:09,760
Speaker 1: And the reason why it's very good is because it's

1617
01:22:09,800 --> 01:22:11,519
Speaker 1: I don't know what it really is. The deal with

1618
01:22:11,600 --> 01:22:13,519
Speaker 1: it is maybe it's a firm because you barely have

1619
01:22:13,680 --> 01:22:16,280
Speaker 1: to water it. That's what I need. I need something

1620
01:22:16,320 --> 01:22:18,760
Speaker 1: where like I need something where it never needs water

1621
01:22:18,880 --> 01:22:20,439
Speaker 1: and then when it does, it goes, hey can you

1622
01:22:20,760 --> 01:22:24,160
Speaker 1: water me? Yeah? Like, I can't guess I have a succulent.

1623
01:22:24,200 --> 01:22:28,559
Speaker 1: I've killed succulents before. We're gonna have joking. Booster reach

1624
01:22:28,600 --> 01:22:30,320
Speaker 1: out to you with the plant that he got me,

1625
01:22:30,600 --> 01:22:33,639
Speaker 1: because I think that you would enjoy this particular type

1626
01:22:33,680 --> 01:22:35,680
Speaker 1: of girl. Okay, I think it's nice when people have

1627
01:22:35,800 --> 01:22:37,680
Speaker 1: plants in the house. I feel like it looks like, oh,

1628
01:22:37,800 --> 01:22:41,280
Speaker 1: I think it's it's the difference between nice decor and not.

1629
01:22:42,040 --> 01:22:45,920
Speaker 1: Hold on, I don't know some minimal damn throat over

1630
01:22:46,000 --> 01:22:50,120
Speaker 1: that the minimalists. The minimalists can come for me. Okay,

1631
01:22:50,479 --> 01:22:51,880
Speaker 1: But here's the thing. This is this is the thing

1632
01:22:51,880 --> 01:22:54,680
Speaker 1: about watering plants. You don't water a plant and the

1633
01:22:54,760 --> 01:22:56,679
Speaker 1: plants like, hey, come water me, and the leaves start

1634
01:22:56,720 --> 01:22:58,439
Speaker 1: to go a little bit and you're like, okay, I'll

1635
01:22:58,479 --> 01:23:01,200
Speaker 1: water it, and I keep water and the leaves don't

1636
01:23:01,439 --> 01:23:04,800
Speaker 1: get better. It's it's they're not like wolverine where they

1637
01:23:04,920 --> 01:23:07,720
Speaker 1: start to regenerate. It's you never you can never win.

1638
01:23:08,080 --> 01:23:10,920
Speaker 1: You never can wait with the plant. So there you go.

1639
01:23:11,240 --> 01:23:13,800
Speaker 1: You're damned if you do, damned if you don't. It's

1640
01:23:13,840 --> 01:23:17,560
Speaker 1: like having an opinion, truly, and in this country, in

1641
01:23:17,680 --> 01:23:20,080
Speaker 1: this country, Okay, Lauren laps I think it's time to

1642
01:23:20,280 --> 01:23:22,719
Speaker 1: I don't think so, honey. Are you ready? I am okay,

1643
01:23:22,800 --> 01:23:24,439
Speaker 1: this is Lauren Lapty is. I don't think so, honey.

1644
01:23:24,479 --> 01:23:27,320
Speaker 1: Her time starts now. I don't think, so, honey. Me

1645
01:23:27,520 --> 01:23:30,360
Speaker 1: not dusting under my bed for many months at the time.

1646
01:23:31,080 --> 01:23:33,000
Speaker 1: I don't know what I think I'm doing by not

1647
01:23:33,160 --> 01:23:35,320
Speaker 1: dusting under my bed. I think in my mind it's

1648
01:23:35,360 --> 01:23:36,920
Speaker 1: kind of a if I don't see it. It's not

1649
01:23:37,080 --> 01:23:39,840
Speaker 1: their sort of situations. But I will dust everything else

1650
01:23:40,040 --> 01:23:43,840
Speaker 1: around my men. But then time comes, when quarantine is time,

1651
01:23:43,960 --> 01:23:46,479
Speaker 1: and that's who I am inside now, and I am

1652
01:23:46,560 --> 01:23:48,840
Speaker 1: realizing I will do a deep clean and I go

1653
01:23:49,040 --> 01:23:50,800
Speaker 1: under the bed and I realized there is a full

1654
01:23:51,000 --> 01:23:53,320
Speaker 1: animal made out of dust that lives under the bed.

1655
01:23:53,720 --> 01:23:56,080
Speaker 1: And let me tell you, I had my allergies a

1656
01:23:56,120 --> 01:23:58,000
Speaker 1: couple of years ago, and I don't think so, honey.

1657
01:23:58,040 --> 01:24:00,320
Speaker 1: The only allergy I really have being dust my So

1658
01:24:00,439 --> 01:24:03,080
Speaker 1: why did I not does? What is wrong with me?

1659
01:24:03,160 --> 01:24:05,400
Speaker 1: Why don't I respect myself? I think it's a real

1660
01:24:05,600 --> 01:24:07,519
Speaker 1: It shows a real low self esteem that I don't

1661
01:24:07,520 --> 01:24:09,840
Speaker 1: feel like to under the bed once a week and

1662
01:24:09,880 --> 01:24:12,519
Speaker 1: get all that stuff out from two pets. And I

1663
01:24:12,560 --> 01:24:14,240
Speaker 1: don't know what dust is, but it does make me

1664
01:24:14,320 --> 01:24:16,599
Speaker 1: feel really really gross when I pull a huge pile

1665
01:24:16,800 --> 01:24:19,439
Speaker 1: of gray out of my bag. I am a gross

1666
01:24:19,520 --> 01:24:21,920
Speaker 1: human being. I am an adult, and I do not

1667
01:24:22,000 --> 01:24:24,160
Speaker 1: clean every enough, and I don't think so honey, And

1668
01:24:24,280 --> 01:24:28,000
Speaker 1: that's very good. Can I say, You've got to give

1669
01:24:28,040 --> 01:24:29,920
Speaker 1: yourself a break, because let me tell you what's hard

1670
01:24:29,960 --> 01:24:33,680
Speaker 1: to get to that's based under your bed. It really is.

1671
01:24:34,800 --> 01:24:36,240
Speaker 1: You have to get down in your stomach with a

1672
01:24:36,320 --> 01:24:39,439
Speaker 1: swift or on a thing and start pulling. It's not easy,

1673
01:24:39,640 --> 01:24:41,920
Speaker 1: no way. And and like I gotta ask, what's the

1674
01:24:42,120 --> 01:24:46,240
Speaker 1: what's the distance, what's the height? We're talking about less

1675
01:24:46,280 --> 01:24:49,479
Speaker 1: than a foot's still not enough? Yeah, still not enough?

1676
01:24:49,560 --> 01:24:52,799
Speaker 1: Still still tight. It's tight. It's tight. They also form

1677
01:24:52,960 --> 01:24:55,320
Speaker 1: so quickly, Like I just moved to a new apartment

1678
01:24:55,360 --> 01:24:57,439
Speaker 1: and so I'm trying to at least in my beginning

1679
01:24:57,479 --> 01:25:00,200
Speaker 1: months being here, like making a habit of vacuum ming,

1680
01:25:00,600 --> 01:25:03,719
Speaker 1: and I'll be shocked sometimes like I'll have just vacuum already.

1681
01:25:03,760 --> 01:25:05,280
Speaker 1: They'll be like and he's like, I don't know. Maybe

1682
01:25:05,320 --> 01:25:07,160
Speaker 1: it's like where the way the light comes into my

1683
01:25:07,280 --> 01:25:10,560
Speaker 1: room or what. I don't know, but it really like

1684
01:25:11,000 --> 01:25:13,000
Speaker 1: you gotta be on it to have a totally dust

1685
01:25:13,000 --> 01:25:16,719
Speaker 1: free apartment. Do you sometimes think that vacuums like create

1686
01:25:16,760 --> 01:25:19,320
Speaker 1: their own dust within them, because sometimes like I'll see

1687
01:25:19,360 --> 01:25:21,040
Speaker 1: the thing and then I'll that again it's full, and like,

1688
01:25:21,160 --> 01:25:24,200
Speaker 1: how is it full? There wasn't that much on the ground.

1689
01:25:24,360 --> 01:25:27,400
Speaker 1: I don't I don't know. I don't believe. It's also shocked.

1690
01:25:27,520 --> 01:25:30,360
Speaker 1: It's shocking when you vacuum and you see how much

1691
01:25:30,479 --> 01:25:32,719
Speaker 1: dust is in there from just like a couple of minutes.

1692
01:25:34,160 --> 01:25:36,479
Speaker 1: I was living with this all around, Like this is

1693
01:25:36,560 --> 01:25:39,040
Speaker 1: like in the air. It's kind of like when you

1694
01:25:39,160 --> 01:25:41,800
Speaker 1: drive in l A and like like that during the

1695
01:25:41,880 --> 01:25:43,920
Speaker 1: fire season in l A. When you see what happens

1696
01:25:43,920 --> 01:25:46,719
Speaker 1: to the outside of your car, Yes, all the ashes

1697
01:25:46,880 --> 01:25:51,000
Speaker 1: and everything. Yeah, sick, You're like, this is what we breathe.

1698
01:25:51,520 --> 01:25:56,040
Speaker 1: I know it's bad, it's bad. Truly not good. I'm

1699
01:25:56,120 --> 01:25:58,640
Speaker 1: happy that everyone heard that so that now they can

1700
01:25:58,720 --> 01:26:01,000
Speaker 1: know it's time to fucking va ume. You gotta get

1701
01:26:01,080 --> 01:26:03,320
Speaker 1: under there. It's not easy, but it's you gotta do it.

1702
01:26:04,000 --> 01:26:06,280
Speaker 1: I can't believe that, like things that we can't even

1703
01:26:06,400 --> 01:26:09,240
Speaker 1: see are like fucking up the world right now, including dust,

1704
01:26:09,760 --> 01:26:12,960
Speaker 1: including dust. I know, I know, Well it's that's what it's.

1705
01:26:13,280 --> 01:26:15,200
Speaker 1: It's so crazy this time. I'm not saying anything new,

1706
01:26:15,280 --> 01:26:17,040
Speaker 1: but like the idea of going outside and just being like,

1707
01:26:17,680 --> 01:26:21,320
Speaker 1: is it gonna be here? It's just so crazy. It

1708
01:26:21,400 --> 01:26:25,040
Speaker 1: makes everyone feel unsettled. It's wild. And I say dust,

1709
01:26:25,200 --> 01:26:27,320
Speaker 1: I say, you can't see dust, But you can't see it.

1710
01:26:27,400 --> 01:26:30,040
Speaker 1: But in terms of like a single speck of dust

1711
01:26:30,520 --> 01:26:33,960
Speaker 1: it's got to collect, No, you can't. You can't see it.

1712
01:26:34,080 --> 01:26:35,519
Speaker 1: I don't keep it on my rug. And then I

1713
01:26:35,680 --> 01:26:38,639
Speaker 1: vacuum and it's the biggest pile of gray that anyone's

1714
01:26:38,640 --> 01:26:42,240
Speaker 1: ever seen inside there, And I'm like, excuse me, Yeah,

1715
01:26:42,600 --> 01:26:46,120
Speaker 1: it's like it's like a damn crypt. It's a damn crypt.

1716
01:26:46,479 --> 01:26:48,400
Speaker 1: You could tell me that I wasn't living in a

1717
01:26:48,520 --> 01:26:51,800
Speaker 1: damn crypt. It was remember Legends of the Crypt or

1718
01:26:51,800 --> 01:26:54,400
Speaker 1: what was that show? Called Tales from the Crypt. From

1719
01:26:54,439 --> 01:26:57,439
Speaker 1: the Crypt, where is the crypt keeper bringing him? That

1720
01:26:57,960 --> 01:27:02,760
Speaker 1: good good movie recommendation is Tells from the Crypt Demon Night.

1721
01:27:03,560 --> 01:27:08,960
Speaker 1: This has Billy's aim, This has Jada Pinkett, and this

1722
01:27:09,120 --> 01:27:12,519
Speaker 1: has cc cc H Pounder and this is a movie

1723
01:27:12,680 --> 01:27:15,600
Speaker 1: that people should seek out. It is absurd. It is

1724
01:27:15,680 --> 01:27:18,439
Speaker 1: Tales from Their Crypt Brandon Horror, and it is ku

1725
01:27:18,720 --> 01:27:23,240
Speaker 1: coo Lulu. That sounds good. Check that out. I love Jada.

1726
01:27:23,320 --> 01:27:25,320
Speaker 1: I love Red Table Talk. I know we're like wrapping

1727
01:27:25,320 --> 01:27:27,840
Speaker 1: it up, but I just want to know. I've watched

1728
01:27:27,880 --> 01:27:29,800
Speaker 1: some Red Table Talk too, and I'm going to say,

1729
01:27:29,880 --> 01:27:33,200
Speaker 1: those ladies go there. I love it. I love it.

1730
01:27:33,640 --> 01:27:37,120
Speaker 1: They really go there. It's like my favor. Yeah, yeah

1731
01:27:37,160 --> 01:27:39,800
Speaker 1: they do, they do. Yeah any time. Any time the

1732
01:27:39,880 --> 01:27:42,800
Speaker 1: kids are on what can we talk about? Quimby and

1733
01:27:42,880 --> 01:27:44,120
Speaker 1: how I just got it the other day and I

1734
01:27:44,160 --> 01:27:48,720
Speaker 1: started watching Games Show and it's so funny. Congratulation you

1735
01:27:48,840 --> 01:27:50,479
Speaker 1: have to be on the second Susan as a woman

1736
01:27:50,479 --> 01:27:52,960
Speaker 1: who I would love to Oh my god, I love it.

1737
01:27:53,040 --> 01:27:56,840
Speaker 1: And Gabraels was so funny. It's so good. He is

1738
01:27:56,920 --> 01:28:01,080
Speaker 1: a Game Show winner of the live version. It didn't

1739
01:28:01,120 --> 01:28:04,080
Speaker 1: go his way on Game show on Quimby. But he

1740
01:28:04,280 --> 01:28:07,320
Speaker 1: is a very game partner. He's a veteran. Yeah. Yeah,

1741
01:28:07,439 --> 01:28:10,040
Speaker 1: he's so great. He's awesome and he's the best. And

1742
01:28:10,200 --> 01:28:12,080
Speaker 1: it was it was fun. And by the way, it's

1743
01:28:12,120 --> 01:28:14,760
Speaker 1: out now forever. All those readers who haven't yet watched it,

1744
01:28:14,880 --> 01:28:16,519
Speaker 1: and Quimby has a ninety day free trail and I

1745
01:28:16,600 --> 01:28:18,840
Speaker 1: don't work for Quimby. I'm just telling you this. And

1746
01:28:19,040 --> 01:28:20,920
Speaker 1: also there's a show in there that I got into

1747
01:28:21,040 --> 01:28:25,400
Speaker 1: that was called, um it's called Murder House Flip or something,

1748
01:28:25,479 --> 01:28:27,880
Speaker 1: and it's like it's like houses where there was a

1749
01:28:27,880 --> 01:28:30,479
Speaker 1: horrible murder that people bought and then they have to

1750
01:28:30,479 --> 01:28:32,000
Speaker 1: flip it so they don't think about the murder all

1751
01:28:32,040 --> 01:28:35,240
Speaker 1: the time. And it's really good. Yeah, that's a really

1752
01:28:35,280 --> 01:28:37,160
Speaker 1: good show. And I couldn't believe what it was about.

1753
01:28:37,800 --> 01:28:39,640
Speaker 1: It kind of felt like like a lot of the

1754
01:28:39,680 --> 01:28:42,120
Speaker 1: criticisms that the reviews of Quimby shows have been getting.

1755
01:28:42,120 --> 01:28:43,760
Speaker 1: It's like it feels like a dirty rock joke. And

1756
01:28:43,800 --> 01:28:45,760
Speaker 1: I'm like, yeah, but those dirty rock jokes, it's fun.

1757
01:28:46,320 --> 01:28:50,080
Speaker 1: They are you would watch all of them. Yeah. Like,

1758
01:28:50,200 --> 01:28:53,280
Speaker 1: and there's another show called Dishmantled, which is Titus burgess

1759
01:28:53,280 --> 01:28:55,800
Speaker 1: host where it's like they literally rock it out of

1760
01:28:55,880 --> 01:28:58,800
Speaker 1: a cannon like a dish at these two chefs, and

1761
01:28:58,880 --> 01:29:02,280
Speaker 1: then the chefs have to like taste what's just been

1762
01:29:02,400 --> 01:29:04,760
Speaker 1: shot at them and they have they have like thirty

1763
01:29:04,840 --> 01:29:07,519
Speaker 1: minutes to make that dish and whoever is closer wins

1764
01:29:07,640 --> 01:29:12,080
Speaker 1: five thousand dollars and it's so and it's it's literally

1765
01:29:12,160 --> 01:29:15,000
Speaker 1: five and a half minutes long. They have they have

1766
01:29:15,040 --> 01:29:19,200
Speaker 1: like Erica Jane guest judging it. It's like fun. It's sod.

1767
01:29:19,800 --> 01:29:22,200
Speaker 1: I like how short that things are for this weird

1768
01:29:22,280 --> 01:29:24,000
Speaker 1: time that we're because I know it's kind of meant

1769
01:29:24,080 --> 01:29:26,000
Speaker 1: for being on the go, but I wanted to try

1770
01:29:26,080 --> 01:29:27,720
Speaker 1: it out and I've been using it while I do

1771
01:29:27,800 --> 01:29:29,479
Speaker 1: like a chore. I'll be like, Okay, I'll watch one

1772
01:29:29,560 --> 01:29:31,840
Speaker 1: Quimby while I do my stup and I'll watch one

1773
01:29:31,920 --> 01:29:33,479
Speaker 1: Quimby while I did this, I think, And so it

1774
01:29:33,560 --> 01:29:35,559
Speaker 1: kind of breaks things up. Wait, you know it would

1775
01:29:35,560 --> 01:29:37,680
Speaker 1: be fun. Which I'm just realizing is we should have

1776
01:29:37,920 --> 01:29:41,120
Speaker 1: you and you should be paired with my castle. Oh

1777
01:29:41,320 --> 01:29:46,519
Speaker 1: my god, I love that. I love a good marital moment.

1778
01:29:46,800 --> 01:29:49,280
Speaker 1: On the Live show, we had Naomi Kerrigan and Andy

1779
01:29:49,320 --> 01:29:53,920
Speaker 1: Beckerman and that couple, and I think they're so funny together.

1780
01:29:53,960 --> 01:29:55,960
Speaker 1: And Naomi is also like one of the she needs

1781
01:29:56,000 --> 01:29:58,680
Speaker 1: to like skyrocket. I'm like waiting for this moment. She's

1782
01:29:58,720 --> 01:30:01,680
Speaker 1: one of the funniest people to the Naomi. Naomi is

1783
01:30:01,720 --> 01:30:06,960
Speaker 1: my boyfriend's favorite comedian from from way before we met.

1784
01:30:07,080 --> 01:30:09,040
Speaker 1: He was like, oh my god, oh my god, do

1785
01:30:09,160 --> 01:30:12,800
Speaker 1: you know Naomi Pergan. She's not a comedian, and like,

1786
01:30:13,040 --> 01:30:16,120
Speaker 1: she's so funny. I love her her just her perspective.

1787
01:30:16,240 --> 01:30:20,240
Speaker 1: She's just so unique. And my boyfriend doesn't does impressions

1788
01:30:20,280 --> 01:30:23,120
Speaker 1: of Naomi. And I said, hold on now, hold on now.

1789
01:30:24,479 --> 01:30:26,679
Speaker 1: And then I told Naomi that I have a Jubu.

1790
01:30:28,040 --> 01:30:30,200
Speaker 1: You do have a Jubo. I do I have a

1791
01:30:30,280 --> 01:30:34,519
Speaker 1: jew Bo. But it's you can do an impression Naomi.

1792
01:30:34,600 --> 01:30:38,439
Speaker 1: She goes quite women. Yeah, well that was good. That's

1793
01:30:38,520 --> 01:30:43,000
Speaker 1: that's my tracy is my Amanda's don't go jogging after tusk.

1794
01:30:44,880 --> 01:30:49,880
Speaker 1: It's such a beautiful, timeless like like whatever, like Cadence

1795
01:30:50,080 --> 01:30:55,880
Speaker 1: or something like. Yeah, it's majestic, majestic and real. Yeah.

1796
01:30:56,560 --> 01:31:00,120
Speaker 1: She is the best, Yeah, the funniest of off you

1797
01:31:00,160 --> 01:31:01,960
Speaker 1: know who else is the funniest and best ever is

1798
01:31:03,880 --> 01:31:05,920
Speaker 1: Thank you guys are the best. I'm so happy I

1799
01:31:05,960 --> 01:31:08,160
Speaker 1: got to do this. This was so fun. And the

1800
01:31:08,240 --> 01:31:10,439
Speaker 1: thing is like we had Ego WoT him on the

1801
01:31:10,479 --> 01:31:12,680
Speaker 1: show last week, and I was like, we keep having

1802
01:31:12,760 --> 01:31:14,720
Speaker 1: these great remote episodes, but you've got to come back

1803
01:31:14,760 --> 01:31:16,600
Speaker 1: so we can be in the flesh. I'd love to

1804
01:31:16,640 --> 01:31:20,360
Speaker 1: do that to ye Oh my god, I love Ego,

1805
01:31:20,479 --> 01:31:23,320
Speaker 1: Oh my god, and I want to last Weekend with

1806
01:31:23,560 --> 01:31:26,240
Speaker 1: some from Home. I thought it was so funny. There's

1807
01:31:26,240 --> 01:31:28,160
Speaker 1: a lot of really good stuff. Yeah, there's good stuff.

1808
01:31:28,240 --> 01:31:30,720
Speaker 1: We might do it again. We'll see. I was thinking

1809
01:31:31,000 --> 01:31:32,439
Speaker 1: like last week and I was like, wait, where is it?

1810
01:31:32,840 --> 01:31:34,519
Speaker 1: But it's a lot. It's a lot to produce in

1811
01:31:34,600 --> 01:31:36,240
Speaker 1: one week from home. I'm sure it was crazy with

1812
01:31:36,280 --> 01:31:38,559
Speaker 1: like getting people all the props and cameras and things.

1813
01:31:39,160 --> 01:31:41,679
Speaker 1: I think I think that Saturday Night Live will be back.

1814
01:31:41,960 --> 01:31:47,600
Speaker 1: I really do. I really did. I think they're going

1815
01:31:47,640 --> 01:31:49,479
Speaker 1: to figure out a way to come back with that SNL.

1816
01:31:50,320 --> 01:31:53,400
Speaker 1: It's a dumb bit, oh, I see it's I was like,

1817
01:31:53,439 --> 01:31:57,519
Speaker 1: what do you mean, of course, seek out all of

1818
01:31:57,640 --> 01:31:59,600
Speaker 1: Lauren Lefcus, not that you really need to because the

1819
01:31:59,680 --> 01:32:03,400
Speaker 1: woman is everywhere and watch me on good Girls, and

1820
01:32:03,439 --> 01:32:08,479
Speaker 1: I have a movie coming out called The Wrongs Plugged,

1821
01:32:08,520 --> 01:32:11,639
Speaker 1: the Netflix movie. We're doing it now. It's on May thirteen,

1822
01:32:12,240 --> 01:32:16,360
Speaker 1: wrong thirteen, Yes, and watch You're on Good Girls, which

1823
01:32:16,400 --> 01:32:19,280
Speaker 1: I love. I love. It's really fun. It's on NBC.

1824
01:32:19,439 --> 01:32:22,759
Speaker 1: I love. What did you get to work with Christina Hendrix?

1825
01:32:23,040 --> 01:32:26,720
Speaker 1: I did? I did. She's so nice. She had her

1826
01:32:26,760 --> 01:32:29,120
Speaker 1: cute dog on set and the dog was so sweet.

1827
01:32:29,439 --> 01:32:33,040
Speaker 1: She's great. Love call. We called her a gay icon

1828
01:32:33,160 --> 01:32:36,320
Speaker 1: to her face, Matt remember it was. And she was

1829
01:32:36,479 --> 01:32:38,840
Speaker 1: so great and she was like, well that's nice and

1830
01:32:38,920 --> 01:32:46,120
Speaker 1: I was like, no, it's it's important. Um. All right,

1831
01:32:46,160 --> 01:32:49,120
Speaker 1: well this has been an absolutely stunning episode and it's

1832
01:32:49,160 --> 01:32:52,920
Speaker 1: called War. And you know, you know the way we

1833
01:32:53,080 --> 01:32:56,200
Speaker 1: end every episode is of a song. All right, what

1834
01:33:00,520 --> 01:33:10,800
Speaker 1: because I was and I need to be redeem again.

1835
01:33:11,760 --> 01:33:15,360
Speaker 1: Go off a