WEBVTT - Donna Martin Graduates

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<v Speaker 1>It's with Jenny Garth and Tori Spelling. You guys, Hi,

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<v Speaker 1>I'm very excited. It's another episode of Anna to a OMG.

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<v Speaker 1>But it's the big Donna episode. Oh my gosh, it

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<v Speaker 1>finally is here. Donna Martin graduates. Are you excited? Amy?

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<v Speaker 1>I mean I'm pretty giddy. Did you guys see my shirt? Yeah?

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<v Speaker 1>Donna Martin, that's so cute. It's so icmment Alma Martin graduated.

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<v Speaker 1>What was What is it like for you guys to

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<v Speaker 1>watch it? Oh my gosh, it was really emotional. I

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<v Speaker 1>was so emotional. But we'll get to it. She doesn't

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<v Speaker 1>want to like tell you yet. I mean, just yeah,

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<v Speaker 1>give me your give me your overall because it's there's

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<v Speaker 1>there's something so amazing about it. But there is a

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<v Speaker 1>little cringe e too, Like it's such bad. It's so dramatic.

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<v Speaker 1>Johnna like basically gets um persecuted, full fully accused for drinking.

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<v Speaker 1>I mean they might as well just put you in

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<v Speaker 1>a straight jacket and sent you away for twenty years,

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<v Speaker 1>Like that's how they were treating it. Yeah, substance abuse program,

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<v Speaker 1>like expelled for what else? So mean yeah, suspended summer school,

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<v Speaker 1>can't graduate? I can't even see your friends anymore. Felice

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<v Speaker 1>has locked you up in the tower and we'll let

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<v Speaker 1>you out. I'm legit. I'm more scared of your mom

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<v Speaker 1>police now than I was then. Yes, she was terrifying

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<v Speaker 1>in this episode. Fine. I was like she was like

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<v Speaker 1>a horror movie that that caliber. Oh my gosh, you

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<v Speaker 1>know what. She reminded me have the mother and Carrie.

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<v Speaker 1>I was gonna say Friday, Oh, and I bet to

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<v Speaker 1>go with to you. Oh my gosh. We gotta get

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<v Speaker 1>just get into it. You guys. I don't even care

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<v Speaker 1>how you are. I just want to talk about so sweet. Look,

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<v Speaker 1>I have to sign you guys made me. I have

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<v Speaker 1>to sign to Look, Donna Barton graduate, Wan Martin masturbate,

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<v Speaker 1>I mean graduates. I think to hold that up? How

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<v Speaker 1>to do that? Back then we're talking about let's talk

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<v Speaker 1>about it. Let's season three episode Something in the Air,

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<v Speaker 1>aired on May twelf synopsis. Following a little advice from

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<v Speaker 1>Gil Myers, Brandon and the rest of Donna's friends joined

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<v Speaker 1>forces to help her in a major school protest when

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<v Speaker 1>she is suspended from school and has threatened with not

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<v Speaker 1>graduating for getting drunk on senior prom night. Directed by

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<v Speaker 1>James Whitmore Jr. Written by Steve and Jessica Steve Wasserman

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<v Speaker 1>and Jessica Klein. Yes, yeah, your's my first question for you. Okay,

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<v Speaker 1>you are not in the most iconic, one of the

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<v Speaker 1>most iconic scenes of the entire run of Nino Too,

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<v Speaker 1>But it's all about you. Were you there when they

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<v Speaker 1>shot it? I was not. I was not, So there

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<v Speaker 1>is not. Literally, I'm not embellishing a week that goes

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<v Speaker 1>by in my life that someone doesn't come up to

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<v Speaker 1>me and say, can you just say it? Can you

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<v Speaker 1>say it? Um? And it's funny because Donna never actually

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<v Speaker 1>said it. It was said about her Donna barn graduates.

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<v Speaker 1>I always obliged and say donnamarann graduates, but I never

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<v Speaker 1>said it. Jenny, what do you remember? I remember, I

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<v Speaker 1>don't remember being in front of that like office whatever

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<v Speaker 1>the place. Where was the court house? I felt like

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<v Speaker 1>I was going to court for a felon, But I

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<v Speaker 1>don't remember being there right where I remember shooting that,

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<v Speaker 1>so I'm completely mistaking it with something else. I remember

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<v Speaker 1>shooting Dona Martin graduates, that whole chanting holding up the

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<v Speaker 1>sign thing. I remember shooting that in the stage where

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<v Speaker 1>the college was in that courtyard. You know that courtyard? Wait?

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<v Speaker 1>You remember shooting that in Glendale? Wait? Wait? No, at

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<v Speaker 1>Occidental where the college was on our sound stages, we

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<v Speaker 1>had like the college quad built kind of where where

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<v Speaker 1>the peach pit after dark stages were? Wait, and is

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<v Speaker 1>that is that real? Is that where you shot it?

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<v Speaker 1>It was outside? You just didn't your memory is blurred.

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<v Speaker 1>Memory completely had it in a different place. I remember

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<v Speaker 1>being on the stage filing and then when I was

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<v Speaker 1>watching this episode was like, wait, that we're really outside somewhere.

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<v Speaker 1>No memory? Wait, are you remembering Mystery Girls when we

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<v Speaker 1>recreated a version of that the stage? No, No, I'm

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<v Speaker 1>remember doing some other protests from normal College in the

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<v Speaker 1>college years. I don't know what it was got you,

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<v Speaker 1>but I loved everything about this episode. From the very

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<v Speaker 1>opening with all the kids trying on their caps and gowns.

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<v Speaker 1>It was just so like perfect high school, let's get it. Yeah,

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<v Speaker 1>Like so there everybody's trying the cap and gown on

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<v Speaker 1>and Steve says, how do I look? Then we do

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<v Speaker 1>address the situation between Brandon and right, that's when I

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<v Speaker 1>fell asleep, and that's when I passed forward. So sorry,

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<v Speaker 1>do tell do tell, I'm sorry, I can't take that anymore.

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<v Speaker 1>And Kelly telling Steve to put on his heels with

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<v Speaker 1>his gown. Okay, wait, I feel like they're torturing us

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<v Speaker 1>by talking about what did or didn't happen between Brandon

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<v Speaker 1>Andrea do it? And Andrew is going crazy, She's like

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<v Speaker 1>a boy in heats, like a right, yeah, because I

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<v Speaker 1>so weird. If they didn't acknowledge it, yeah, it would

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<v Speaker 1>have been weird, but still I didn't care. Sorry to

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<v Speaker 1>be so honest, but this is me because I fully cared.

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<v Speaker 1>So basically, Brandon and Andrea have this conversation because Andrea

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<v Speaker 1>is not calling. It's very high school. Andrea is not

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<v Speaker 1>calling Brandon back, and he's like, why don't you call

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<v Speaker 1>me back? And she's sort of like you shut me down,

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<v Speaker 1>and he's like, we you still should have called me back.

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<v Speaker 1>I mean, I thought it was like very teenager real

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<v Speaker 1>and they had to talk about it was weird for

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<v Speaker 1>me because like we watched that episode on this podcast

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<v Speaker 1>two weeks ago. It feels like and then we had

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<v Speaker 1>like that the other episode in between and then and then,

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<v Speaker 1>and so I had to remember did they do it

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<v Speaker 1>or not? Did they? I don't know they did. They

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<v Speaker 1>didn't do it because she says that she's going crazy,

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<v Speaker 1>she has to do something soon. Well and it's like

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<v Speaker 1>she put it out there and he did shut it down.

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<v Speaker 1>He shut it down, which I'm sorry. He's just not

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<v Speaker 1>that into you because he's a boy, Like why why not?

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<v Speaker 1>Why wouldn't he because he think because yeah, and he

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<v Speaker 1>respects her as a and as his um fellow reporter

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<v Speaker 1>and he didn't want to make things weird because he

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<v Speaker 1>knows he doesn't like her that way. So you're telling

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<v Speaker 1>you're telling me a boy is thinking with his right

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<v Speaker 1>head this time. Well it's Brandon. Hello. But he does

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<v Speaker 1>like her because yes, he's like yes, Tori wishy washy,

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<v Speaker 1>and he it's all jealous when she has a boyfriend

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<v Speaker 1>speaking of like I know we you guys talked to

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<v Speaker 1>him about it, but like they really just do. Jordan

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<v Speaker 1>Bonner just vanished, disappears gone. That's how all the characters

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<v Speaker 1>on Beverly Hills, not a tono leave. They just look

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<v Speaker 1>poof and flag on the play. Andrea isn't a good

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<v Speaker 1>girlfriend because she was sure quick to go for Brandon

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<v Speaker 1>like Jordan Bonner was her date. He just got like

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<v Speaker 1>the flu or something, and suddenly she's at the prom.

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<v Speaker 1>Never addressed it again, right, and she was in a

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<v Speaker 1>cheat on Jordan's right. Yeah, but were they but you

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<v Speaker 1>don't know where they like full on committed or not.

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<v Speaker 1>No correct, but they seemed it. They were seeming like it.

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<v Speaker 1>I don't know, if anything, this episode really solidified for

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<v Speaker 1>me that, as a fan watching the show back for

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<v Speaker 1>the very first time, I am a Donna Martin fan.

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<v Speaker 1>Like if I were a person watching this show in

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<v Speaker 1>you know, Temecula or Zimbabwe wherever people watch the show

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<v Speaker 1>because they watched it all over, I would be like,

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<v Speaker 1>oh my god, Donna is my favorite character. And I'm

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<v Speaker 1>not just saying that because I'm looking at your face

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<v Speaker 1>right now. I don't look at me. I like Donna.

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<v Speaker 1>I think she's just I think she's grown so much.

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<v Speaker 1>I think you have grown so much as an actress.

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<v Speaker 1>I think that you always look super cute, and I

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<v Speaker 1>really liked your hair in this episode, and um, I

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<v Speaker 1>don't know. I just feel like there's a lot of

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<v Speaker 1>stuff going on inside of Donna, and I just I've

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<v Speaker 1>got all the feels for her. Huh. It's so ironic

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<v Speaker 1>that this episode is like literally all eyes on Donna,

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<v Speaker 1>like the whole school walks out is chanting for her.

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<v Speaker 1>When I mean I talked about Donna, but we are

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<v Speaker 1>really the same, Like you know, that makes me so uncomfortable,

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<v Speaker 1>and especially then like me Tori me Donna, like no

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<v Speaker 1>attention on us, please don't even look at us, like

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<v Speaker 1>you're talking about me right now, and I'm like having

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<v Speaker 1>to look away. And this whole episode was all about

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<v Speaker 1>like everyone. I can only imagine how I felt when

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<v Speaker 1>everyone walked into the courtroom or whatever at the very end,

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<v Speaker 1>like sitting there, I was probably like, can you can

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<v Speaker 1>you remember now? What about when they came to you?

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<v Speaker 1>And you realize, like this entire episode is about me

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<v Speaker 1>slash my character. I don't remember them coming to me.

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<v Speaker 1>I can't remember that. And I have such a good

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<v Speaker 1>memory about stuff, I honestly don't remember that. What do

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<v Speaker 1>you remember about filming this episode? This is the craziest thing,

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<v Speaker 1>you know, how spot On? I am about a million

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<v Speaker 1>and one things I do not remember filming this up.

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<v Speaker 1>I mean, I know what happened, and we've seen that

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<v Speaker 1>clip a million times when she's like explaining why she

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<v Speaker 1>got drunk, I'm sorry, I got drunk, and when we

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<v Speaker 1>did our Two Women Live show, we always played that clip,

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<v Speaker 1>and it's just I can't remember much except memorizing monologue

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<v Speaker 1>being super nervous. I think I was so nervous for

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<v Speaker 1>this episode that I blocked it out. Yeah, that's what

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<v Speaker 1>I was gonna say. It's almost like you have like

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<v Speaker 1>some sort of block Yeah. Almost at PTSD two. It's

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<v Speaker 1>like because it was so much or so and you're

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<v Speaker 1>embarrassed in the sense when it's all about you. I

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<v Speaker 1>could feel you when when that in that scene, especially

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<v Speaker 1>like when you were talking on the microphone in that

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<v Speaker 1>scene and when Donna was sitting there and all the

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<v Speaker 1>people came into all the students came into the boardroom,

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<v Speaker 1>I could literally I was feeling uncomfortable for you because

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<v Speaker 1>I knew how uncomfortable you were in that moment, being

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<v Speaker 1>like all eyes on me, all eyes on me. Yeah,

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<v Speaker 1>and you know, I'm not a sweater and especially back then,

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<v Speaker 1>like never sweat, like I was probably drenched. Like it

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<v Speaker 1>is super crazy. It's but I literally cried through this

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<v Speaker 1>whole episode. It was like watching it was like when

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<v Speaker 1>you have it, like you're like that time of the

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<v Speaker 1>month and you are so super emotional um or you're

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<v Speaker 1>watching like a Hallmark movie or something, I don't know,

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<v Speaker 1>or you see puppies. Like I cried through the entire episode,

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<v Speaker 1>But I think I just cried because it meant so

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<v Speaker 1>much to me to see my friends knowing that you

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<v Speaker 1>guys were also my real friends and are also my

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<v Speaker 1>real friends stand up for me the whole episode. Like

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<v Speaker 1>it just like made me. Every single scene I cried

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<v Speaker 1>when I watched you guys. It's crazy something. Yeah, there's

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<v Speaker 1>something with this episode. I think that it's I don't

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<v Speaker 1>want to triggering. I'm tearing right now, like the fact,

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<v Speaker 1>I don't know, And I'm really sorry that I said

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<v Speaker 1>a couple of weeks ago that Gilmere's was creepy because

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<v Speaker 1>he's the one that like really stood up for me,

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<v Speaker 1>Like he's the one that was like in that scene

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<v Speaker 1>with Brandon where he was like telling him, like I

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<v Speaker 1>told you enough, I could already lose my job. Like

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<v Speaker 1>that scene made me cry, Like it was like a

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<v Speaker 1>John Hughes movie and I was the star. Oh, don't

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<v Speaker 1>feel bad about the old thing because he is creepy.

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<v Speaker 1>It's just he doesn't in this particular episode. He can

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<v Speaker 1>be a he can be a cool guy and creepy

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<v Speaker 1>at the same Yeah. Okay, okay, I guess my first

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<v Speaker 1>question because I still want to dig into how emotional

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<v Speaker 1>you are. But would a school board decide this? Decide

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<v Speaker 1>like what what do you mean? Like like what a

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<v Speaker 1>school board actually get involved in one student drinking? Like

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<v Speaker 1>wouldn't that just be Mrs Teasley and like the principal. Yeah,

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<v Speaker 1>it seems like they're a little too. Seems like it

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<v Speaker 1>really went far. Mm hm oh yeah, there's a whole board,

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<v Speaker 1>you're right, Yeah, like that seemed I was like, huh,

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<v Speaker 1>this really has gone Yeah, I don't know, just like

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<v Speaker 1>the board, the board who are involved in like disciplinary stuff.

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<v Speaker 1>I have no idea. I don't either, like it's the board.

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<v Speaker 1>Wait you guys, I have a silly question, Like West

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<v Speaker 1>Beverly High it's a public school, right, Okay, so then

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<v Speaker 1>it's the board from all of the Beverly Hills like

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<v Speaker 1>the Los Angeles or yes, like he's like they wouldn't

0:14:15.880 --> 0:14:20.480
<v Speaker 1>have time to to dole out things. For one specific incident,

0:14:20.560 --> 0:14:24.040
<v Speaker 1>for one student at one of their mini schools wanted

0:14:24.080 --> 0:14:26.360
<v Speaker 1>them cut her vacation short just to make it so

0:14:26.840 --> 0:14:30.240
<v Speaker 1>it was important. Hey, she was on your side. Yeah,

0:14:30.240 --> 0:14:33.120
<v Speaker 1>it's true. Was that so random? First of all, that

0:14:33.200 --> 0:14:36.120
<v Speaker 1>lady is named Mimi Lieber, which I saw her name

0:14:36.200 --> 0:14:38.960
<v Speaker 1>come up in the credits, and I'm like, she's famous

0:14:39.080 --> 0:14:43.400
<v Speaker 1>or something. Director waiting, she's famous somehow, And then I

0:14:43.440 --> 0:14:47.520
<v Speaker 1>think she is famous more because that was very weird

0:14:47.680 --> 0:14:50.120
<v Speaker 1>that they called that out, and so maybe they did

0:14:50.160 --> 0:14:53.720
<v Speaker 1>that to draw attention to her. She was rad though.

0:14:53.760 --> 0:14:56.840
<v Speaker 1>She was really good actress, like she was super good,

0:14:57.000 --> 0:14:59.440
<v Speaker 1>super good way and she was going to stand up

0:14:59.480 --> 0:15:05.000
<v Speaker 1>to that dude that was so Arthur. What was his name?

0:15:05.080 --> 0:15:09.680
<v Speaker 1>Mr started with It started with an F because I

0:15:09.720 --> 0:15:12.760
<v Speaker 1>love I love when Brandon comes in and says his

0:15:12.880 --> 0:15:16.880
<v Speaker 1>name and he goes any extra emphasis on the F

0:15:17.080 --> 0:15:18.560
<v Speaker 1>as if he wants to say the F word, but

0:15:18.640 --> 0:15:22.720
<v Speaker 1>he's saying his last name. It's f art. But he

0:15:22.840 --> 0:15:27.560
<v Speaker 1>was like, yeah, ef art. He was like, ms a

0:15:27.640 --> 0:15:32.560
<v Speaker 1>fart door he came in. He's like, he's like, it's doctor.

0:15:32.640 --> 0:15:36.000
<v Speaker 1>He was a doctor apparently, but when he came in, okay,

0:15:36.000 --> 0:15:39.000
<v Speaker 1>so he's like dr f. He was so grouchy and

0:15:39.120 --> 0:15:46.240
<v Speaker 1>just grouchy, sous. I love, I love, I love your

0:15:46.320 --> 0:15:49.800
<v Speaker 1>dad too. Oh my gosh, so sweet. Might be my

0:15:49.880 --> 0:15:53.720
<v Speaker 1>new gym Walsh. I'm not sure, but he's adorable. Uh

0:15:54.080 --> 0:15:57.720
<v Speaker 1>he was so young in this episode and ballsy of

0:15:57.800 --> 0:16:01.160
<v Speaker 1>Donna when she says to police, like you cheated and

0:16:01.280 --> 0:16:03.920
<v Speaker 1>we forgave you, Like she really calls her out like

0:16:05.680 --> 0:16:09.720
<v Speaker 1>you need to forgive me, which was like whoa, that

0:16:09.880 --> 0:16:13.360
<v Speaker 1>was scary, like but like police can't even in the moment,

0:16:13.440 --> 0:16:15.280
<v Speaker 1>like her dad holds her hand when she's going up

0:16:15.320 --> 0:16:17.600
<v Speaker 1>to speak and he says I love you, she can't

0:16:17.600 --> 0:16:20.560
<v Speaker 1>even say I love you like she it like, I

0:16:20.560 --> 0:16:22.520
<v Speaker 1>don't know. It was a little triggering to me, like

0:16:22.800 --> 0:16:28.160
<v Speaker 1>it was just police is all about police, but really hardcore,

0:16:28.280 --> 0:16:30.160
<v Speaker 1>like what did Donna do to her that she hates

0:16:30.200 --> 0:16:34.120
<v Speaker 1>donas so much? Like she literally do you think she

0:16:34.240 --> 0:16:39.160
<v Speaker 1>ever comes like is she ever a good, loving, nurturing

0:16:39.240 --> 0:16:41.920
<v Speaker 1>mom in the whole show? I don't. I don't know,

0:16:42.080 --> 0:16:46.400
<v Speaker 1>but you would know. I want to say that something

0:16:46.480 --> 0:16:49.880
<v Speaker 1>comes around And I remember only and I think it's

0:16:49.920 --> 0:16:53.320
<v Speaker 1>near when Donna gets married only because she had never

0:16:53.400 --> 0:16:55.240
<v Speaker 1>and I remember thinking like is she ever going to

0:16:55.320 --> 0:16:58.360
<v Speaker 1>have a turn? And I remember we used to talk

0:16:58.440 --> 0:17:01.680
<v Speaker 1>about it. Catherine who played my Mom, We used to

0:17:01.800 --> 0:17:03.680
<v Speaker 1>be like she wished she had to turn at some

0:17:03.720 --> 0:17:05.919
<v Speaker 1>more point, and I feel like we talked to the

0:17:05.920 --> 0:17:10.359
<v Speaker 1>writers and she did at some point she comes around,

0:17:10.920 --> 0:17:13.320
<v Speaker 1>Dad dies later. I don't know, it would be rough

0:17:13.359 --> 0:17:18.240
<v Speaker 1>to play her Catherine playing police because Police is so unlikable.

0:17:19.200 --> 0:17:22.440
<v Speaker 1>And Katherine in real life was such like a real

0:17:22.640 --> 0:17:25.600
<v Speaker 1>like mother figure to me, like a cool mom. But

0:17:25.680 --> 0:17:29.040
<v Speaker 1>she was always like I could talk to her about anything,

0:17:29.280 --> 0:17:32.800
<v Speaker 1>and she was really nurturing, so like she's a really

0:17:32.800 --> 0:17:35.760
<v Speaker 1>good actress because she doesn't have a mean bone or body,

0:17:35.800 --> 0:17:37.760
<v Speaker 1>but she like played that role in real life for

0:17:37.840 --> 0:17:40.840
<v Speaker 1>me often over the ten years we worked together. The

0:17:41.000 --> 0:17:45.359
<v Speaker 1>other adults are so supportive of Donna. That's what I

0:17:45.400 --> 0:17:49.040
<v Speaker 1>think is first of all, Mrs Teasley, Mrs Teasley, Oh

0:17:49.040 --> 0:17:55.920
<v Speaker 1>my god, she's Goadsode so good mel all the I

0:17:56.000 --> 0:18:00.280
<v Speaker 1>think police gave to the appeal because of the peer

0:18:00.400 --> 0:18:04.199
<v Speaker 1>pressure from the other adults. Like they're basically like, she

0:18:04.240 --> 0:18:07.040
<v Speaker 1>didn't do it for Donna. She sort of did it

0:18:07.080 --> 0:18:12.240
<v Speaker 1>because all the other adults were like yeah, yeah, and

0:18:12.359 --> 0:18:14.280
<v Speaker 1>she but she didn't have any problem slamming the door

0:18:14.400 --> 0:18:20.760
<v Speaker 1>right in Old Mill's face in the wall. She's talked

0:18:20.800 --> 0:18:22.159
<v Speaker 1>to her and I feel like she doesn't even like

0:18:22.359 --> 0:18:24.320
<v Speaker 1>say anything. She doesn't even say hello, What did they

0:18:24.840 --> 0:18:27.760
<v Speaker 1>try to talk to her? I just loved that scene though,

0:18:27.800 --> 0:18:30.439
<v Speaker 1>with all the parents at once on those stuff like

0:18:30.520 --> 0:18:32.400
<v Speaker 1>that's one of the only times I think you see

0:18:32.400 --> 0:18:37.280
<v Speaker 1>all of the parents in one scene and only the parents,

0:18:37.320 --> 0:18:40.480
<v Speaker 1>no kids. I loved it, and Mel totally trying to

0:18:40.520 --> 0:18:45.000
<v Speaker 1>take responsibility, like this is my fault, Like Mel's a

0:18:45.080 --> 0:18:50.840
<v Speaker 1>good Mel's a nice dude, Jackie, they're all just they're

0:18:50.840 --> 0:18:54.719
<v Speaker 1>doing their best and they have flaws. But Felice is

0:18:55.520 --> 0:19:00.240
<v Speaker 1>she really is awful? But your dad is that has

0:19:00.240 --> 0:19:03.480
<v Speaker 1>your Is that actor been Michael Durrell? Has he been

0:19:03.560 --> 0:19:07.399
<v Speaker 1>your dad before in the show? Or is this the

0:19:07.400 --> 0:19:10.520
<v Speaker 1>first time we see him? Oh that's a great question. No,

0:19:10.800 --> 0:19:15.560
<v Speaker 1>it feels like if your mom and they wouldn't come

0:19:15.600 --> 0:19:18.120
<v Speaker 1>to the wet they feel like this was the first

0:19:18.119 --> 0:19:19.959
<v Speaker 1>time I've ever seen him because he was so cute.

0:19:20.520 --> 0:19:22.119
<v Speaker 1>I don't want to say it, but I feel like

0:19:22.119 --> 0:19:29.359
<v Speaker 1>he should have left police duh, right, shouldn't he should

0:19:29.359 --> 0:19:35.159
<v Speaker 1>have dated Jackie. I don't think he's Jackie's type. No,

0:19:35.640 --> 0:19:40.320
<v Speaker 1>because he's a good dude. Jackie likes him. I do

0:19:40.400 --> 0:19:42.239
<v Speaker 1>feel like someone else played my dad though, But like

0:19:42.280 --> 0:19:46.480
<v Speaker 1>maybe very early early on. We've already watched that and

0:19:46.560 --> 0:19:50.800
<v Speaker 1>fort George had his moments, because I did write a

0:19:50.840 --> 0:19:53.760
<v Speaker 1>little note George is very gnarly, so George might have

0:19:53.800 --> 0:19:55.720
<v Speaker 1>been tough in the beginning and then calmed down. I

0:19:55.760 --> 0:19:59.520
<v Speaker 1>don't know why I wrote that, because George George. Why

0:19:59.520 --> 0:20:02.879
<v Speaker 1>have I read? George is very nearly? Who is George?

0:20:03.680 --> 0:20:11.960
<v Speaker 1>And I think, what's your dad's name, John Martin Martin?

0:20:12.200 --> 0:20:15.679
<v Speaker 1>George is very nearly. I can't believe they made my

0:20:15.760 --> 0:20:19.040
<v Speaker 1>dad a doctor. There's Doc Martin's and then they literally

0:20:19.119 --> 0:20:21.120
<v Speaker 1>like that was already around. That was a big thing,

0:20:21.240 --> 0:20:23.560
<v Speaker 1>Doc Martin's. Everybody was wearing them, and then they made

0:20:23.560 --> 0:20:27.200
<v Speaker 1>it Dr Martin? Was that somebody? What was this? What

0:20:27.240 --> 0:20:29.920
<v Speaker 1>was you a doctor of? I don't even know. They're

0:20:29.960 --> 0:20:32.800
<v Speaker 1>in the writer's room, like that's funny. Can we talk

0:20:32.840 --> 0:20:37.960
<v Speaker 1>about Donna's house? Yeah, okay, I'm confused because the first

0:20:38.040 --> 0:20:40.000
<v Speaker 1>establishing shot of your house is like a white, a

0:20:40.040 --> 0:20:45.520
<v Speaker 1>big white house, and then I don't remember it being

0:20:45.520 --> 0:20:47.840
<v Speaker 1>white at all. I remember it being brick. And then

0:20:48.240 --> 0:20:52.240
<v Speaker 1>when David and Mel come to the front door, your

0:20:52.240 --> 0:20:58.400
<v Speaker 1>front entry is brick. Um. I did not catch that.

0:20:59.640 --> 0:21:02.399
<v Speaker 1>I was house in Tarzana. Though it was brick. It

0:21:02.480 --> 0:21:04.600
<v Speaker 1>was dark. It was brick. I remember, it was like

0:21:04.760 --> 0:21:12.360
<v Speaker 1>very tradish red brick. Yeah, huh, decorated like the eighties

0:21:13.040 --> 0:21:16.080
<v Speaker 1>were vomiting. I know we were in the nineties, but

0:21:16.160 --> 0:21:19.159
<v Speaker 1>it was decorated like the eighties were vomiting. Did you

0:21:19.240 --> 0:21:24.600
<v Speaker 1>see the sort of attempt at modern chic living room?

0:21:26.440 --> 0:21:29.640
<v Speaker 1>You got there was like a statue of some kind

0:21:29.800 --> 0:21:33.320
<v Speaker 1>or like a piece of art. Is that when Jon

0:21:33.480 --> 0:21:35.040
<v Speaker 1>was on the couch and she it was like, you're

0:21:35.119 --> 0:21:38.480
<v Speaker 1>kind of standing up against the wall and it's getting ugly. Wait,

0:21:38.560 --> 0:21:41.239
<v Speaker 1>when you're on the couch sitting so uncomfortably for so

0:21:41.280 --> 0:21:43.320
<v Speaker 1>long I had I had to look to look away.

0:21:43.320 --> 0:21:45.600
<v Speaker 1>I couldn't watch myself. Yeah, so I just like, why

0:21:45.640 --> 0:21:48.440
<v Speaker 1>are you sitting like that? I'm just curious. Uh. First

0:21:48.480 --> 0:21:49.879
<v Speaker 1>of all, they had me in a suit, you know,

0:21:50.000 --> 0:21:52.520
<v Speaker 1>like I don't work. It was like so like and

0:21:52.560 --> 0:21:55.200
<v Speaker 1>it looked even like even though I was like ninety

0:21:55.240 --> 0:21:57.040
<v Speaker 1>pounds of the time, it even looked tight, like I

0:21:57.280 --> 0:22:01.639
<v Speaker 1>don't even know how I could sit there. And uh,

0:22:01.800 --> 0:22:04.520
<v Speaker 1>And it appears that maybe I didn't think I knew

0:22:04.560 --> 0:22:07.879
<v Speaker 1>at this point, but maybe I had established my good side,

0:22:08.000 --> 0:22:10.520
<v Speaker 1>because it looked like every time I was on a

0:22:10.600 --> 0:22:14.919
<v Speaker 1>phone or talking to the court, I turned to the

0:22:15.480 --> 0:22:17.600
<v Speaker 1>my good side. So you didn't have a good side.

0:22:17.600 --> 0:22:22.000
<v Speaker 1>That that wasn't a thing, right. I remember who George is?

0:22:22.200 --> 0:22:24.800
<v Speaker 1>I think, so, okay, who's George? George is the ass

0:22:25.320 --> 0:22:33.040
<v Speaker 1>superintendent school board guy, Dr George. It's like, why George,

0:22:33.560 --> 0:22:37.119
<v Speaker 1>I apologize. I apologize, but that's why George was gnarly.

0:22:37.359 --> 0:22:39.680
<v Speaker 1>But you were saying you, I want to know when

0:22:39.720 --> 0:22:46.959
<v Speaker 1>did you get a good side, Like when did you realize? Uh? Well,

0:22:47.000 --> 0:22:48.920
<v Speaker 1>at that point, I had already had my nose job

0:22:49.160 --> 0:22:53.639
<v Speaker 1>and it was definitely like not a good nose job,

0:22:53.880 --> 0:22:57.800
<v Speaker 1>and I had a definite like it was a different,

0:22:57.960 --> 0:23:00.200
<v Speaker 1>a little bit different on one side. So I I

0:23:00.520 --> 0:23:03.480
<v Speaker 1>it must have been established in you did it or

0:23:03.520 --> 0:23:07.760
<v Speaker 1>someone told you. No. I think I just started noticing,

0:23:07.840 --> 0:23:10.480
<v Speaker 1>probably watching episodes back, like oh my god, I gotta

0:23:10.520 --> 0:23:14.840
<v Speaker 1>get it together for paparazzi like taking pictures of us,

0:23:15.480 --> 0:23:20.480
<v Speaker 1>and I'd be like, and froward you only we'll see

0:23:20.480 --> 0:23:24.280
<v Speaker 1>this side of me left. I'm only allowed to stand

0:23:24.480 --> 0:23:29.440
<v Speaker 1>on her left side. That is not uncommon for thirty years,

0:23:29.480 --> 0:23:32.680
<v Speaker 1>she happily does and I'm grateful. There are other celebrities

0:23:32.720 --> 0:23:37.000
<v Speaker 1>that have that too. I don't even know Barbara streisand

0:23:37.800 --> 0:23:41.160
<v Speaker 1>maybe I think that my because I have to look

0:23:41.240 --> 0:23:45.760
<v Speaker 1>left to you in every situation that we're in, I

0:23:45.840 --> 0:23:49.600
<v Speaker 1>have to look this way, and that's not my good side.

0:23:50.840 --> 0:23:54.640
<v Speaker 1>You're pretty darned symmetrical. I like my right, my gutter.

0:23:54.840 --> 0:24:01.679
<v Speaker 1>Has Jenny sacrificed her good She is possibly sacrifice a

0:24:01.720 --> 0:24:05.040
<v Speaker 1>lot for me over the year, So that being, I

0:24:05.320 --> 0:24:07.199
<v Speaker 1>will go on record that she does not have a

0:24:07.240 --> 0:24:11.720
<v Speaker 1>bad side, but she has one. She prefers to the

0:24:11.840 --> 0:24:14.919
<v Speaker 1>right because I know you're always on my right, but

0:24:15.000 --> 0:24:18.199
<v Speaker 1>I must I don't know, that's weird. I gotta look

0:24:18.240 --> 0:24:23.840
<v Speaker 1>at some pictures. Okay, okay, we gotta focus. Sorry, sorry,

0:24:24.119 --> 0:24:27.119
<v Speaker 1>Let's go back to the newsroom whatever you call it,

0:24:27.160 --> 0:24:32.320
<v Speaker 1>where we see Toby and we see Sean Levy again.

0:24:32.760 --> 0:24:37.080
<v Speaker 1>Althought his name was Howard. Well, the actor is Sean Levy.

0:24:39.520 --> 0:24:41.439
<v Speaker 1>And when you're as big as he is, we just

0:24:41.480 --> 0:24:45.760
<v Speaker 1>go by. So, Jenny, you weren't here. But TC Warner

0:24:45.800 --> 0:24:48.479
<v Speaker 1>talked about how she had to say epitaph, and so,

0:24:48.560 --> 0:24:50.920
<v Speaker 1>of course all I could hear when I watched this

0:24:51.000 --> 0:24:55.760
<v Speaker 1>was epitaph. Toby's feisty. So they also call out Andrea

0:24:55.800 --> 0:24:58.879
<v Speaker 1>and Brandon. Did you notice that? They're like, did you

0:24:58.880 --> 0:25:04.640
<v Speaker 1>get a room? Which was like, what they do? Call

0:25:04.720 --> 0:25:06.879
<v Speaker 1>that out? So I thought, okay, we're not letting that

0:25:06.960 --> 0:25:14.120
<v Speaker 1>fully go. No, what I like them, They're they're fiery juniors. Yeah. Yeah,

0:25:14.520 --> 0:25:19.040
<v Speaker 1>first seem Older was sort of against Donna, and then

0:25:19.080 --> 0:25:21.160
<v Speaker 1>she comes around, but only when they bring their own

0:25:21.200 --> 0:25:24.000
<v Speaker 1>agenda into it. They're like, we're all gonna go with

0:25:24.040 --> 0:25:27.719
<v Speaker 1>you if you add in the wardrobe issues. I'm like,

0:25:28.000 --> 0:25:33.560
<v Speaker 1>all right, it's not really altruistic, but okay, okay making demands,

0:25:34.840 --> 0:25:37.880
<v Speaker 1>but they I mean, even Brenda, Brenda said it correctly.

0:25:38.119 --> 0:25:42.359
<v Speaker 1>She said, this is ridiculous because what they did to

0:25:42.520 --> 0:25:49.439
<v Speaker 1>Donna did feel ridiculous, prosecuting her over the top. Well,

0:25:49.480 --> 0:25:52.040
<v Speaker 1>but they did say it. They were and they had

0:25:52.080 --> 0:25:54.680
<v Speaker 1>to say what would happen though if they didn't stick

0:25:54.760 --> 0:25:59.400
<v Speaker 1>to their guns. They said, anybody caught drinking would be suspended,

0:25:59.440 --> 0:26:03.200
<v Speaker 1>wouldn't be to graduate, so and they couldn't just a

0:26:04.440 --> 0:26:10.760
<v Speaker 1>good rich white girl off because that would look terrible. Well,

0:26:10.880 --> 0:26:13.840
<v Speaker 1>and everybody's just gonna drink at every problem forever now

0:26:13.920 --> 0:26:17.240
<v Speaker 1>because there's no punishment. So, okay, so you two are moms.

0:26:17.600 --> 0:26:20.840
<v Speaker 1>Let's say you're so pretend you're first. We're gonna pretend

0:26:20.880 --> 0:26:23.520
<v Speaker 1>you guys are on the school board. Do you think

0:26:24.080 --> 0:26:27.720
<v Speaker 1>that Donna? Because she they said don't drink, she drank,

0:26:27.800 --> 0:26:33.200
<v Speaker 1>she was wasted, well, falling wasted. Should she have been

0:26:34.960 --> 0:26:39.679
<v Speaker 1>allowed to graduate? Oh? She's I've kind of leaned towards no,

0:26:40.080 --> 0:26:43.399
<v Speaker 1>like as well. I think it's ridiculous. But if you

0:26:43.440 --> 0:26:45.040
<v Speaker 1>ask me if I was like one of the grown

0:26:45.080 --> 0:26:48.200
<v Speaker 1>ups on the board, a rule's a rule, Like why

0:26:48.240 --> 0:26:53.800
<v Speaker 1>should we break a rule for one person, no matter

0:26:53.840 --> 0:26:58.199
<v Speaker 1>who it is. I agree, but I wish there was

0:26:58.240 --> 0:27:01.720
<v Speaker 1>a different punishment because they're all adults there. They know

0:27:01.800 --> 0:27:04.879
<v Speaker 1>that they've all done the same before when they were

0:27:04.960 --> 0:27:06.760
<v Speaker 1>kids and weren't supposed to drink somewhere and they did

0:27:07.240 --> 0:27:11.199
<v Speaker 1>under age. So to not let someone graduate with their class,

0:27:11.280 --> 0:27:15.200
<v Speaker 1>that's something that forever you won't be able to have that,

0:27:15.320 --> 0:27:19.320
<v Speaker 1>like you can never go back. So summer school. I get,

0:27:19.520 --> 0:27:23.639
<v Speaker 1>like the substance abuse program is harsh, but still it's

0:27:23.640 --> 0:27:25.840
<v Speaker 1>going to teach them like, hey, you know this could

0:27:25.840 --> 0:27:28.159
<v Speaker 1>happen to you if you keep drinking, Like this is

0:27:28.200 --> 0:27:31.200
<v Speaker 1>a good wake up call. Who knows. I just feel

0:27:31.200 --> 0:27:32.920
<v Speaker 1>like not being able to stand up there and graduate

0:27:32.920 --> 0:27:34.560
<v Speaker 1>with your class, like it's something you can never get

0:27:34.600 --> 0:27:36.760
<v Speaker 1>back for the rest. Maybe maybe if they doled out

0:27:36.800 --> 0:27:39.480
<v Speaker 1>other punishments, like you have to give a speech in

0:27:39.480 --> 0:27:42.760
<v Speaker 1>front of the whole student body and naked. Yeah, go

0:27:42.840 --> 0:27:47.840
<v Speaker 1>to your a or whatever, go to summer school, I think,

0:27:49.040 --> 0:27:53.520
<v Speaker 1>and let you graduate with your class. Ceremony, yes, grab night? No,

0:27:54.400 --> 0:27:56.080
<v Speaker 1>do you know what grab night is? Did you guys

0:27:56.080 --> 0:27:58.200
<v Speaker 1>have that? It's like a party after the graduation. I

0:27:58.200 --> 0:28:01.200
<v Speaker 1>don't know if they had it at West Beverley, but like, yeah,

0:28:01.400 --> 0:28:04.840
<v Speaker 1>don't they mention? Do they say grad night? Yeah? I

0:28:04.880 --> 0:28:08.120
<v Speaker 1>think I would have let her go through the ceremony,

0:28:08.359 --> 0:28:11.040
<v Speaker 1>but then she wouldn't get to go to like the party.

0:28:11.400 --> 0:28:15.840
<v Speaker 1>That's fair, that seems now as moms, okay, so now

0:28:16.119 --> 0:28:19.359
<v Speaker 1>you're not on the board, but your mom's and your kid,

0:28:20.280 --> 0:28:23.639
<v Speaker 1>what would you do? I would have been definitely sympathetic

0:28:23.680 --> 0:28:25.960
<v Speaker 1>towards it, like I would have been like dragginge not

0:28:26.080 --> 0:28:33.959
<v Speaker 1>police exactly same, but the word thing for me was

0:28:34.080 --> 0:28:37.919
<v Speaker 1>Another weird thing for me was how Brandon acts like

0:28:38.000 --> 0:28:40.800
<v Speaker 1>he's your best friend and he knows he is one

0:28:40.840 --> 0:28:44.960
<v Speaker 1>of my best friends. Um, since when like we've never

0:28:45.120 --> 0:28:49.760
<v Speaker 1>seen him get to know you at all, and now

0:28:49.800 --> 0:28:53.320
<v Speaker 1>he's like it happened off camera. I mean not really.

0:28:53.400 --> 0:28:56.120
<v Speaker 1>I'm just saying, like the stuff we don't see, Like

0:28:56.160 --> 0:28:59.160
<v Speaker 1>these people are together seven we only see one hour

0:28:59.200 --> 0:29:02.520
<v Speaker 1>a week, So I'm just saying, but they're part of

0:29:02.520 --> 0:29:17.720
<v Speaker 1>the best friend's circle. What did you think of Steve

0:29:18.520 --> 0:29:22.360
<v Speaker 1>sort of really not wanting to participate and then what

0:29:22.440 --> 0:29:26.520
<v Speaker 1>about Dylan really not participating until Gil basically is like,

0:29:26.720 --> 0:29:30.360
<v Speaker 1>bro get out there. Like the Steve one, I didn't

0:29:30.400 --> 0:29:32.600
<v Speaker 1>really care. I don't know why I didn't care, like

0:29:32.640 --> 0:29:34.320
<v Speaker 1>I didn't. Well, first of all, he was like assumed

0:29:34.360 --> 0:29:37.080
<v Speaker 1>I rated him out, which is he's known me forever

0:29:37.200 --> 0:29:39.880
<v Speaker 1>like that. That was like, don't you know that that

0:29:39.960 --> 0:29:42.960
<v Speaker 1>would Donna would never she'd go down everybody before, she'd

0:29:42.960 --> 0:29:46.280
<v Speaker 1>read anybody out like that sucks um in his little

0:29:46.600 --> 0:29:51.680
<v Speaker 1>half mocked red turtleneck. It just seemed like typical Steve behavior.

0:29:51.760 --> 0:29:54.400
<v Speaker 1>So it didn't really bump me at all. The Dylan

0:29:54.480 --> 0:29:57.160
<v Speaker 1>one kind of crushed my heart a little bit, right,

0:29:57.200 --> 0:30:00.320
<v Speaker 1>he was so wrapped up in himself. Yeah, he really

0:30:00.360 --> 0:30:02.480
<v Speaker 1>wants to go to Berkeley, which I respect because I

0:30:02.520 --> 0:30:07.920
<v Speaker 1>went there, But yeah, Dylan would have gone. Dylan would

0:30:07.920 --> 0:30:09.959
<v Speaker 1>have just been like, you know, uh, it's the right

0:30:10.000 --> 0:30:12.360
<v Speaker 1>thing to do. I can still get into Berkeley. I

0:30:12.400 --> 0:30:15.640
<v Speaker 1>just didn't track with me. That's not Dylan. That Dylan's character.

0:30:16.120 --> 0:30:19.240
<v Speaker 1>Luke definitely would have gone like he would have been

0:30:19.280 --> 0:30:22.240
<v Speaker 1>out there screaming louder than anyone else. Like, So it

0:30:22.360 --> 0:30:24.200
<v Speaker 1>was like, yeah, I guess it fell out of character.

0:30:24.320 --> 0:30:26.600
<v Speaker 1>Maybe that's why I was like, ah, really, you know what,

0:30:26.600 --> 0:30:28.800
<v Speaker 1>I have not stopped thinking about. And Jenny, I don't

0:30:28.800 --> 0:30:32.360
<v Speaker 1>know if you know about this Luke. Okay. So TC Warner,

0:30:32.360 --> 0:30:35.840
<v Speaker 1>who played Toby, told us this story. Her car broke

0:30:35.880 --> 0:30:39.920
<v Speaker 1>when she was shooting the episodes, the episode she was in,

0:30:40.320 --> 0:30:43.760
<v Speaker 1>and Luke picked her up every day to take her

0:30:43.800 --> 0:30:48.080
<v Speaker 1>to work in his bronco. She said, I would I

0:30:48.120 --> 0:30:52.240
<v Speaker 1>have not stopped thinking about that. Yeah, she said literally,

0:30:52.280 --> 0:30:54.360
<v Speaker 1>she was so embarrassed. She didn't know what to do.

0:30:55.120 --> 0:30:58.960
<v Speaker 1>And she happened to tell him why she was stressed,

0:30:59.000 --> 0:31:01.640
<v Speaker 1>like the first day they worked together, and he said,

0:31:01.680 --> 0:31:04.640
<v Speaker 1>no problem, I can pick you up the rest of episode.

0:31:04.680 --> 0:31:06.800
<v Speaker 1>Every single morning. I don't even want to pick you

0:31:06.840 --> 0:31:11.479
<v Speaker 1>two up. That was so that really maybe even got

0:31:11.680 --> 0:31:14.400
<v Speaker 1>they live close to one another. I didn't want I

0:31:14.440 --> 0:31:16.240
<v Speaker 1>wanted to ask that, but I didn't because the story

0:31:16.320 --> 0:31:18.000
<v Speaker 1>was just so beautiful. I don't want to be like,

0:31:18.480 --> 0:31:22.360
<v Speaker 1>maybe there was she must have lived out. Was this

0:31:22.480 --> 0:31:27.120
<v Speaker 1>just a couple of Yeah, I'm not driving an hour

0:31:27.160 --> 0:31:31.320
<v Speaker 1>to get Santa Monica to West Hollywood because that's not happening.

0:31:31.720 --> 0:31:34.880
<v Speaker 1>That does seem like Luke for sure? For sure. Okay,

0:31:34.960 --> 0:31:37.200
<v Speaker 1>let's talk about Kelly. So we do get sort of

0:31:37.760 --> 0:31:41.800
<v Speaker 1>some interesting Kelly news here. The house is sold, they're

0:31:41.800 --> 0:31:47.320
<v Speaker 1>movinges grow now the Bowers bought the house. Is that

0:31:47.680 --> 0:31:52.360
<v Speaker 1>Rebecca Hurts Hurts character the one that did the people

0:31:52.480 --> 0:31:55.880
<v Speaker 1>that Kelly screamed at in the bedroom by the house,

0:31:56.080 --> 0:31:58.680
<v Speaker 1>does any did anybody put that together? Must be I

0:31:58.720 --> 0:32:01.760
<v Speaker 1>don't know if that was the right name. Thought. Remember,

0:32:02.040 --> 0:32:04.520
<v Speaker 1>I'm shocked you didn't go back and research that. No,

0:32:04.720 --> 0:32:11.840
<v Speaker 1>I have plans to that's that's to. I don't know.

0:32:11.960 --> 0:32:13.640
<v Speaker 1>I don't know, but yeah, I guess they're moving. But

0:32:13.720 --> 0:32:16.200
<v Speaker 1>I think it's going to get very exciting, because isn't

0:32:16.240 --> 0:32:23.040
<v Speaker 1>season bore when the girls move out together? Yes, it's coming.

0:32:26.080 --> 0:32:33.120
<v Speaker 1>Maybe that's why. Maybe that's why, because Kelly makes it natural, right,

0:32:33.240 --> 0:32:37.360
<v Speaker 1>and David does move in with us. First, I forgot that.

0:32:37.400 --> 0:32:41.120
<v Speaker 1>I don't want to know, but we're planning something pretty rab.

0:32:42.000 --> 0:32:46.320
<v Speaker 1>What's a more rad than this sign? So we're rab.

0:32:46.960 --> 0:32:48.720
<v Speaker 1>So for people listening, you're not gonna want to miss

0:32:48.760 --> 0:32:51.920
<v Speaker 1>season four? Okay, really fast? So did anyone think it

0:32:51.960 --> 0:32:55.080
<v Speaker 1>was weird? In the peach pit when Donna calls to

0:32:55.160 --> 0:32:58.920
<v Speaker 1>give the update that Brenda was I'll take the call.

0:32:59.520 --> 0:33:03.560
<v Speaker 1>I just thought, oh, that's interesting. I know, don't say

0:33:03.600 --> 0:33:07.200
<v Speaker 1>I hate Brenda. I don't hate, but I just thought, oh,

0:33:07.200 --> 0:33:11.920
<v Speaker 1>why wouldn't be weird? That's her best friend? Wait, wait, wait,

0:33:11.960 --> 0:33:13.600
<v Speaker 1>why do you think it's weird? I don't know, just

0:33:13.640 --> 0:33:15.600
<v Speaker 1>something about it. I was like, whoa, she's really aggressive

0:33:15.640 --> 0:33:18.240
<v Speaker 1>to take that call, and like, I don't know. For me,

0:33:18.320 --> 0:33:21.360
<v Speaker 1>I was just like the stage direction told her too,

0:33:21.480 --> 0:33:25.360
<v Speaker 1>so she had to jump out of her line. Yeah.

0:33:25.720 --> 0:33:29.200
<v Speaker 1>I also thought, I don't know why, and I know

0:33:29.280 --> 0:33:36.040
<v Speaker 1>they're together, but Dylan and Kelly, being very affectionate, still

0:33:36.120 --> 0:33:38.640
<v Speaker 1>lands weird on me in front of Brenda, Like, I

0:33:38.680 --> 0:33:41.360
<v Speaker 1>know they're together, but he they had he had his

0:33:41.440 --> 0:33:44.080
<v Speaker 1>arm and they're very affectionate. In the booth and Brenda

0:33:44.160 --> 0:33:46.760
<v Speaker 1>seems so chill with it. Like for me, it was like,

0:33:47.400 --> 0:33:50.080
<v Speaker 1>I don't know why this is Like I'm writing this down,

0:33:50.200 --> 0:33:54.920
<v Speaker 1>but hey, it's still weird that it's always weird kind

0:33:54.920 --> 0:33:58.440
<v Speaker 1>of yeah, it's still gonna be weird. I think it

0:33:58.520 --> 0:34:01.959
<v Speaker 1>probably felt weird too on set, like I don't know,

0:34:02.160 --> 0:34:04.520
<v Speaker 1>yeah something about it. I still was like, this is

0:34:04.560 --> 0:34:07.600
<v Speaker 1>still a little comps. I don't know. I feel like

0:34:07.600 --> 0:34:09.440
<v Speaker 1>guys don't think about that stuff. But I feel like

0:34:09.920 --> 0:34:16.680
<v Speaker 1>it's surprising that Kelly wouldn't be like, I don't know, right,

0:34:17.520 --> 0:34:19.920
<v Speaker 1>have a conversation, be like it makes me feel uncomfortable.

0:34:19.960 --> 0:34:22.839
<v Speaker 1>She's my friend, yeah yeah, yeah to me, Yeah, it's

0:34:22.840 --> 0:34:26.000
<v Speaker 1>not like in a bad way. It's just like and

0:34:26.040 --> 0:34:29.360
<v Speaker 1>Brenda's so chill with it. I would be like dying inside.

0:34:29.360 --> 0:34:34.480
<v Speaker 1>I don't know for me, she's so smiley about it. Also,

0:34:34.560 --> 0:34:42.319
<v Speaker 1>it's always Dylan usually, so Luke had that choice to make, right. Yeah,

0:34:42.320 --> 0:34:44.239
<v Speaker 1>I mean he's doing it because that's his girlfriend and

0:34:44.239 --> 0:34:46.520
<v Speaker 1>he loves her, and he's not worried about it, I know,

0:34:46.760 --> 0:34:48.560
<v Speaker 1>but he should feel bad too in front of Brenda

0:34:48.600 --> 0:34:51.760
<v Speaker 1>a little bit. They should a little bit. Dylan doesn't

0:34:52.320 --> 0:34:57.360
<v Speaker 1>doesn't have any feelings like in the retrospect, also, college

0:34:57.400 --> 0:35:01.240
<v Speaker 1>acceptances would be out, everybody would know where they're going graduating.

0:35:01.760 --> 0:35:04.560
<v Speaker 1>So the fact that it doesn't seem like everyone has

0:35:04.600 --> 0:35:07.600
<v Speaker 1>revealed to everyone where they're going. And then I get

0:35:07.600 --> 0:35:12.279
<v Speaker 1>it Dylan the conversation, Yeah, like we don't totally, Like

0:35:12.680 --> 0:35:15.239
<v Speaker 1>I'm assuming we know Andrea is going to Yale, and

0:35:15.280 --> 0:35:18.000
<v Speaker 1>we know Brandon's going to California University. But do we

0:35:18.080 --> 0:35:21.040
<v Speaker 1>know that Brenda? Do we know? Because all these people

0:35:21.120 --> 0:35:24.839
<v Speaker 1>would know. So that's a little bit like I get

0:35:24.840 --> 0:35:27.919
<v Speaker 1>that Dylan sort of must be trying to like get

0:35:27.960 --> 0:35:31.640
<v Speaker 1>some sort of special acceptance to Berkeley because of everything

0:35:31.680 --> 0:35:34.560
<v Speaker 1>he had to retain and yeah, like he had the S,

0:35:34.560 --> 0:35:37.280
<v Speaker 1>A T. S and maybe the dad and you guys

0:35:37.320 --> 0:35:39.799
<v Speaker 1>if we've all okay, so I'm just going back in time.

0:35:40.040 --> 0:35:43.880
<v Speaker 1>So everyone has already gotten their college acceptance by it,

0:35:43.920 --> 0:35:47.440
<v Speaker 1>Now why do they take finals? Then you still have

0:35:47.480 --> 0:35:50.560
<v Speaker 1>to graduate. You still have to take finals even if

0:35:50.560 --> 0:35:56.560
<v Speaker 1>you got into college like just to do Yeah, it

0:35:56.640 --> 0:35:58.200
<v Speaker 1>doesn't as much, but you don't want to look like

0:35:58.200 --> 0:36:00.160
<v Speaker 1>a dummy, like if you've gotten to you know, want

0:36:00.160 --> 0:36:03.319
<v Speaker 1>to be like you gotta graduate because like what if

0:36:03.360 --> 0:36:05.040
<v Speaker 1>you got if you got an F you don't graduate,

0:36:05.480 --> 0:36:07.520
<v Speaker 1>you don't go to college. You still gotta graduate. Oh,

0:36:07.560 --> 0:36:10.400
<v Speaker 1>I see, you can take the foot off the gas

0:36:10.400 --> 0:36:13.480
<v Speaker 1>a little. I would say, but and and and this

0:36:13.560 --> 0:36:15.680
<v Speaker 1>is a stupid question, but is that how? It isn't

0:36:15.680 --> 0:36:19.560
<v Speaker 1>in I r L Like, yeah, no, yeah, I'm I'm

0:36:19.560 --> 0:36:21.200
<v Speaker 1>not basing this on nine O two on O world.

0:36:21.200 --> 0:36:23.840
<v Speaker 1>This is I r L. Like I got into college

0:36:24.520 --> 0:36:27.440
<v Speaker 1>my senior year in like March or whatever. I knewhere

0:36:27.440 --> 0:36:30.840
<v Speaker 1>I was going and I still have to do good.

0:36:31.040 --> 0:36:32.759
<v Speaker 1>I didn't want to be an idiot, and I had

0:36:32.760 --> 0:36:35.200
<v Speaker 1>to graduate. If you flunk to class, you would be

0:36:35.239 --> 0:36:41.160
<v Speaker 1>so aft. M hm. So wait, I don't remember exactly,

0:36:41.200 --> 0:36:42.960
<v Speaker 1>but I know there is a scene where they all

0:36:43.000 --> 0:36:48.680
<v Speaker 1>reveal what's going to happen college wise, it's coming right,

0:36:49.200 --> 0:36:52.560
<v Speaker 1>And is it like they all are surprised or they

0:36:52.600 --> 0:36:54.560
<v Speaker 1>all decide as a group, like this is what we

0:36:54.600 --> 0:36:56.680
<v Speaker 1>should do because we don't want to split up, Like

0:36:56.800 --> 0:37:03.200
<v Speaker 1>what happens? Well, Brenda, we we didn't know. Yeah, I

0:37:03.200 --> 0:37:04.759
<v Speaker 1>don't know. I don't know. We'll get back to that.

0:37:04.840 --> 0:37:07.840
<v Speaker 1>But basically, my point is the timeline's fuzzy because they

0:37:07.880 --> 0:37:11.600
<v Speaker 1>would have already been talking about this okay, So Mel

0:37:11.719 --> 0:37:13.680
<v Speaker 1>goes over the wall shoes and everyone's eating oreos, which

0:37:13.680 --> 0:37:19.040
<v Speaker 1>I totally love, and Carol is wearing a heinous floor

0:37:19.200 --> 0:37:24.120
<v Speaker 1>full or old top that sweater Donna wears in the beginning,

0:37:24.200 --> 0:37:31.840
<v Speaker 1>the flag sweater. Darren Martin had it, brought it to

0:37:32.200 --> 0:37:36.360
<v Speaker 1>Canada when he did, be h and I too, and

0:37:36.600 --> 0:37:39.919
<v Speaker 1>I wore it in one of the flashback episodes. Who

0:37:39.960 --> 0:37:47.759
<v Speaker 1>had it? Darren Martin? Who is that uh number one fan? Ever? No? Yes,

0:37:48.000 --> 0:37:50.240
<v Speaker 1>but like he's are like our friend too. He's super

0:37:50.280 --> 0:37:54.520
<v Speaker 1>cool and has become friends with the cast over the years,

0:37:54.880 --> 0:37:59.200
<v Speaker 1>lives in Canada, knows everything. He's listening right now every

0:37:59.239 --> 0:38:03.360
<v Speaker 1>single Did he have the original? Or like how I

0:38:03.480 --> 0:38:05.720
<v Speaker 1>have a sweater that Brenda? No, he had the original.

0:38:06.000 --> 0:38:09.480
<v Speaker 1>But the only thing is when we like it got

0:38:09.480 --> 0:38:11.799
<v Speaker 1>turned over to wardrobe and I don't know if he

0:38:11.840 --> 0:38:16.880
<v Speaker 1>ever got it back. He did, but I had to

0:38:16.920 --> 0:38:19.359
<v Speaker 1>hand it to them so they use it. I know

0:38:19.560 --> 0:38:26.000
<v Speaker 1>I never got it back. I know I reach and

0:38:26.120 --> 0:38:31.200
<v Speaker 1>I reach out to who happened to it. I don't

0:38:31.239 --> 0:38:33.960
<v Speaker 1>imagine to bother her with that. No, what do you

0:38:34.000 --> 0:38:39.719
<v Speaker 1>call Seth? What if he listens to us? You're like,

0:38:39.800 --> 0:38:45.520
<v Speaker 1>what if so, Come on, Okay, let's focus. So Mrs Teasley.

0:38:45.560 --> 0:38:48.960
<v Speaker 1>They all think they're busted, but really she is teamed

0:38:48.960 --> 0:38:52.160
<v Speaker 1>on us. She wants letters, you know. Then I love

0:38:52.200 --> 0:38:54.839
<v Speaker 1>that Andrea is typing it on a typewriter because it's

0:38:58.760 --> 0:39:01.560
<v Speaker 1>so That was kind of good it. And then even

0:39:01.640 --> 0:39:04.560
<v Speaker 1>I wrote, Gil is so weird as a teacher? Well

0:39:04.600 --> 0:39:08.719
<v Speaker 1>they what do you mean? Now? You like Gil? I

0:39:08.800 --> 0:39:12.400
<v Speaker 1>love him now. I love the shout out to Fred Segel,

0:39:12.440 --> 0:39:14.600
<v Speaker 1>although I think they said Fred's siegells and I'm like,

0:39:15.120 --> 0:39:22.600
<v Speaker 1>Fred Siegell's there. I love a good Fred Seagull. It

0:39:23.520 --> 0:39:28.120
<v Speaker 1>is it is. We used to do there. Everybody went there.

0:39:28.640 --> 0:39:31.880
<v Speaker 1>I loved it. Uh. Mr Walsh definitely tells Brandon to

0:39:31.920 --> 0:39:35.279
<v Speaker 1>go for it, but don't get arrested. That was a

0:39:35.280 --> 0:39:39.440
<v Speaker 1>big thing. Um. It was weird for me how Brandon

0:39:39.560 --> 0:39:43.279
<v Speaker 1>was like the ringleader of the whole thing though, and

0:39:43.320 --> 0:39:46.040
<v Speaker 1>like he was so in charge of the entire student body,

0:39:48.120 --> 0:39:51.160
<v Speaker 1>and when he put his hand up, they just put

0:39:51.160 --> 0:39:53.799
<v Speaker 1>his hand up in everybody's silence, like he was like

0:39:53.840 --> 0:39:59.200
<v Speaker 1>like a stopo or something literally leader, like he was

0:39:59.239 --> 0:40:02.239
<v Speaker 1>gonna be step of it didn't go well. The cool

0:40:02.280 --> 0:40:06.400
<v Speaker 1>aid like it literally and also would go down that

0:40:06.440 --> 0:40:08.319
<v Speaker 1>way though. If you all were at the peach pit

0:40:08.440 --> 0:40:12.040
<v Speaker 1>and you'all kind of like Brandon's firing everybody up, blah blah,

0:40:12.080 --> 0:40:14.960
<v Speaker 1>you would all, like we used to divvy up the directory.

0:40:15.200 --> 0:40:17.080
<v Speaker 1>You'd take the director and go like, okay, i'll do

0:40:17.160 --> 0:40:19.400
<v Speaker 1>the first ten names, you do the next tenants, and

0:40:19.440 --> 0:40:22.400
<v Speaker 1>everybody would get on the land lines and call and

0:40:22.440 --> 0:40:24.799
<v Speaker 1>say like, oh, here's our plan. Yeah. I like that

0:40:25.200 --> 0:40:27.520
<v Speaker 1>that scene with this like everybody making their calls, that

0:40:27.600 --> 0:40:31.640
<v Speaker 1>was cute. Kelly really says to Dylan, no, I'm not

0:40:31.680 --> 0:40:33.520
<v Speaker 1>coming over. I have calls to make, Like she's like,

0:40:33.760 --> 0:40:37.200
<v Speaker 1>my girl needs me. Yeah. It's just so funny about

0:40:37.239 --> 0:40:41.200
<v Speaker 1>our show. How like when there's something going on, even

0:40:41.239 --> 0:40:46.320
<v Speaker 1>in the entire student body School of West Beverly, our whatever,

0:40:47.000 --> 0:40:51.360
<v Speaker 1>seven eight main characters are always front and center, and like,

0:40:51.719 --> 0:40:55.040
<v Speaker 1>well that's I'm like, first, it strikes me as weird

0:40:55.080 --> 0:40:56.560
<v Speaker 1>and like I have a problem with it, Like it's

0:40:56.560 --> 0:40:59.359
<v Speaker 1>just too convenient that they're all right there in row

0:40:59.520 --> 0:41:02.920
<v Speaker 1>and perfectly positioned and then everybody's behind them. But I

0:41:02.920 --> 0:41:05.239
<v Speaker 1>guess it's a show about them, so it's that's what

0:41:05.320 --> 0:41:10.440
<v Speaker 1>it should be here. Just the question Are they you

0:41:11.840 --> 0:41:16.719
<v Speaker 1>the popular kids? Are they? I'm assuming yes because it

0:41:16.840 --> 0:41:20.120
<v Speaker 1>was most beautiful and they got all the you know

0:41:20.560 --> 0:41:25.680
<v Speaker 1>whatever that's kin. Are they the popular kids? I mean,

0:41:26.360 --> 0:41:30.080
<v Speaker 1>it just seems so contrived to me, because even in

0:41:30.120 --> 0:41:33.000
<v Speaker 1>real life there would be popular kids and not popular

0:41:33.120 --> 0:41:36.520
<v Speaker 1>kids are sporty kids, or it would be all mixed up,

0:41:36.560 --> 0:41:42.680
<v Speaker 1>mixed together. But it's definitely there's shows though that like

0:41:43.480 --> 0:41:45.600
<v Speaker 1>put the main cast in the background and all the

0:41:45.600 --> 0:41:49.320
<v Speaker 1>extras in front. Right, You can't. It's a TV show

0:41:50.560 --> 0:41:52.480
<v Speaker 1>and I have to just go with it. But for me,

0:41:52.600 --> 0:41:55.280
<v Speaker 1>it's like, why where is everybody else? I am more

0:41:55.320 --> 0:41:59.000
<v Speaker 1>intrigued by are they the popular kids? And I think

0:41:59.160 --> 0:42:04.560
<v Speaker 1>they are. I'm going to definitively say does they are

0:42:04.560 --> 0:42:07.120
<v Speaker 1>the cool kids at the prom that everyone's like, oh,

0:42:07.160 --> 0:42:11.640
<v Speaker 1>there they are here? Like Sanders are like the two

0:42:11.680 --> 0:42:14.560
<v Speaker 1>most popular kids in school? I think so too. I

0:42:14.560 --> 0:42:17.480
<v Speaker 1>don't know about you guys though. When I saw in

0:42:17.520 --> 0:42:19.600
<v Speaker 1>this episode, it was kind of the first time where

0:42:20.600 --> 0:42:24.279
<v Speaker 1>I saw Nat and Dylan and Mrs Teasily all in

0:42:24.400 --> 0:42:32.000
<v Speaker 1>one episode, and it was it was like powerful, How yeah,

0:42:32.040 --> 0:42:35.560
<v Speaker 1>they're all not with us anymore? But it's so it's

0:42:35.560 --> 0:42:38.920
<v Speaker 1>so weird because to me, when I watched the show,

0:42:39.120 --> 0:42:45.120
<v Speaker 1>they're still alive. Like, yeah, that's the power of a

0:42:45.200 --> 0:42:48.920
<v Speaker 1>show like this or or anything. I guess when an

0:42:48.960 --> 0:42:52.960
<v Speaker 1>actor dies, but you can still see them as they were,

0:42:53.560 --> 0:42:56.759
<v Speaker 1>it's like they're not gone, and I'm just my brain

0:42:56.840 --> 0:43:10.959
<v Speaker 1>wants to see it that way and believe it that way.

0:43:11.960 --> 0:43:15.120
<v Speaker 1>For me, it was a moment definitely with Mrs Teasley.

0:43:15.160 --> 0:43:18.080
<v Speaker 1>I thought, oh, when she first came on and she's

0:43:18.120 --> 0:43:20.359
<v Speaker 1>so prominent in this episode, and then I was able

0:43:20.400 --> 0:43:23.000
<v Speaker 1>to sort of surrender it and release that and just

0:43:23.440 --> 0:43:26.960
<v Speaker 1>dive into the show. It definitely left me like I

0:43:27.000 --> 0:43:29.680
<v Speaker 1>was like, Okay, I'm gonna Not that I forgot or

0:43:29.960 --> 0:43:35.479
<v Speaker 1>didn't care, but I was like, it was really prominent. Okay,

0:43:35.560 --> 0:43:37.880
<v Speaker 1>now I'm I think it was hard for me that

0:43:37.960 --> 0:43:39.800
<v Speaker 1>the scene at the peach pit with it, you know what,

0:43:39.880 --> 0:43:41.799
<v Speaker 1>Dylan was there, we were all there, and now I

0:43:41.840 --> 0:43:46.320
<v Speaker 1>was there, and yeah, I definitely had the same moment

0:43:46.400 --> 0:43:50.560
<v Speaker 1>in this episode. It's the first episode since all three

0:43:50.560 --> 0:43:53.920
<v Speaker 1>of pass that we're seeing it and also knowing that

0:43:54.040 --> 0:43:58.239
<v Speaker 1>Jessica Klein pass and knowing that she was the one

0:43:58.280 --> 0:44:01.040
<v Speaker 1>that wrote Donna Martin Graduates and that line like that

0:44:01.080 --> 0:44:07.160
<v Speaker 1>they all chanted, So yeah, IM like that stuff. But

0:44:07.200 --> 0:44:09.680
<v Speaker 1>I was just so happy for Donna and that you

0:44:09.719 --> 0:44:12.200
<v Speaker 1>get to graduate with us. I was like, well, and

0:44:12.360 --> 0:44:16.760
<v Speaker 1>what a scene. I mean, not the outside the Donna

0:44:16.760 --> 0:44:21.239
<v Speaker 1>Martin graduates is amazing, but it's still like even as

0:44:21.320 --> 0:44:24.160
<v Speaker 1>like a span of everything. I remember even being like

0:44:24.200 --> 0:44:26.120
<v Speaker 1>because I was in college at this point, going is

0:44:26.160 --> 0:44:28.680
<v Speaker 1>this embarrassing? Like kind of watching it, like am I embarrassed?

0:44:28.680 --> 0:44:31.680
<v Speaker 1>With their all? And it's the slow clap version of

0:44:31.760 --> 0:44:35.920
<v Speaker 1>Donna Martin graduates, because it's like, Donna Martin graduate, And

0:44:35.920 --> 0:44:39.280
<v Speaker 1>what about the parts like the Margins, we're all marching

0:44:39.320 --> 0:44:43.080
<v Speaker 1>and like sometimes there's a scene inside the like there's

0:44:43.320 --> 0:44:46.359
<v Speaker 1>Brandon's talking to somebody else, but everybody's still chanting around him.

0:44:46.640 --> 0:44:50.360
<v Speaker 1>So when we're filming that, you can tell, because like

0:44:50.400 --> 0:44:52.440
<v Speaker 1>there's a difference when you say something and you're like

0:44:52.480 --> 0:44:56.640
<v Speaker 1>Donna Martin graduates, your face in your mouth, everything works together.

0:44:56.920 --> 0:45:00.640
<v Speaker 1>But when somebody has to have dialogue in the scene

0:45:00.680 --> 0:45:05.080
<v Speaker 1>in the background actors, the people chanting, I'll have to

0:45:05.239 --> 0:45:12.279
<v Speaker 1>mind so mim it. It looks so different than when

0:45:12.280 --> 0:45:15.080
<v Speaker 1>they're really saying it. Even like the main characters, I

0:45:15.080 --> 0:45:18.480
<v Speaker 1>could tell when like Kelly was able to say it

0:45:18.480 --> 0:45:21.880
<v Speaker 1>out loud, and then I could tell they made me mind.

0:45:21.800 --> 0:45:24.000
<v Speaker 1>It just looks so different. And then I was trying

0:45:24.040 --> 0:45:27.239
<v Speaker 1>to see, like when did the whole Donna Martin, you

0:45:27.280 --> 0:45:30.680
<v Speaker 1>know what's right? And when did that happen? I thought it.

0:45:30.880 --> 0:45:33.279
<v Speaker 1>I looked in on every mouth I was trying to see,

0:45:33.600 --> 0:45:37.080
<v Speaker 1>and I think I saw one prominent background. I tried

0:45:37.120 --> 0:45:40.000
<v Speaker 1>to look for it doing it, saying it, and I

0:45:40.080 --> 0:45:42.239
<v Speaker 1>know it was like one of our brother cheeky ones

0:45:42.280 --> 0:45:44.760
<v Speaker 1>that was there all the time, not Lance, but another

0:45:44.760 --> 0:45:46.920
<v Speaker 1>one of the people. And I was like, I know,

0:45:47.040 --> 0:45:50.320
<v Speaker 1>I just saw him say it. Did you guys? Okay?

0:45:50.480 --> 0:45:53.200
<v Speaker 1>I know this is so because I love this episode,

0:45:53.520 --> 0:45:57.080
<v Speaker 1>but there is something like if you because I was

0:45:57.120 --> 0:46:00.719
<v Speaker 1>now not in high school where I'm like, is this

0:46:01.480 --> 0:46:04.000
<v Speaker 1>what's happening that they're doing? Like did you ever have

0:46:04.080 --> 0:46:07.360
<v Speaker 1>a moment like is this gonna land? Or we jump

0:46:07.400 --> 0:46:10.920
<v Speaker 1>in the shark right now? Did you ever have a

0:46:10.920 --> 0:46:17.000
<v Speaker 1>moment like like like at that point, we were still

0:46:17.000 --> 0:46:19.520
<v Speaker 1>so young and in it, like we didn't know what

0:46:19.680 --> 0:46:22.760
<v Speaker 1>is this going to land? Meant we were just because

0:46:22.800 --> 0:46:26.680
<v Speaker 1>it didn't jump the shark, it didn't and it landed

0:46:27.000 --> 0:46:32.520
<v Speaker 1>and it became iconic, but it was shark jumping, like literally,

0:46:32.560 --> 0:46:35.600
<v Speaker 1>you're all out there, Donna Martin, and like I said,

0:46:35.719 --> 0:46:38.160
<v Speaker 1>Donna Martin, grudge. Then like another one says it, another

0:46:38.200 --> 0:46:40.160
<v Speaker 1>one says it, and then it's the like I said,

0:46:40.200 --> 0:46:44.520
<v Speaker 1>it's the slow clap. It's not that crazy to compare

0:46:44.560 --> 0:46:49.520
<v Speaker 1>it to the fall jumping shark. Wait, Jed, do you

0:46:49.560 --> 0:46:52.680
<v Speaker 1>remember like obviously it was a long day and it

0:46:52.760 --> 0:46:54.600
<v Speaker 1>was hot, and they had to do everyone had to

0:46:54.600 --> 0:46:56.760
<v Speaker 1>do it fifty million times, and so they got cheeky

0:46:56.800 --> 0:47:00.120
<v Speaker 1>and said Donna Martin Masterbates, But do you remember for

0:47:00.239 --> 0:47:01.640
<v Speaker 1>that when you guys first had to do it and

0:47:01.680 --> 0:47:05.320
<v Speaker 1>rehearse it, were you guys like this sounds so yeah,

0:47:05.640 --> 0:47:09.279
<v Speaker 1>cringe e. We're all like just stand there. It just

0:47:09.320 --> 0:47:12.279
<v Speaker 1>felt so weird, but you know, out of context, it

0:47:12.400 --> 0:47:14.480
<v Speaker 1>felt it felt really weird. But I thought it all

0:47:14.520 --> 0:47:18.680
<v Speaker 1>cut together beautifully. I think it works almost because it's

0:47:18.719 --> 0:47:24.040
<v Speaker 1>so cheesy is not the right word ridiculous, it's a

0:47:24.040 --> 0:47:28.520
<v Speaker 1>little cheesy. It works because it's so bonkers, like is

0:47:28.560 --> 0:47:32.440
<v Speaker 1>this gonna work? And it freaking works, And they're all

0:47:32.520 --> 0:47:35.080
<v Speaker 1>freaked out in the school board like they're coming in

0:47:35.239 --> 0:47:40.440
<v Speaker 1>and you know, it's because it's like it's just so

0:47:40.560 --> 0:47:44.680
<v Speaker 1>much and then you're just like all right, yeah, but

0:47:44.760 --> 0:47:48.160
<v Speaker 1>it's like totally like a John Hughes movie, like Breakfast Club.

0:47:48.239 --> 0:47:50.479
<v Speaker 1>It's like it's I don't know, it just makes you think,

0:47:50.560 --> 0:47:53.479
<v Speaker 1>like this would sixteen candles like this would happen. Yes,

0:47:54.120 --> 0:47:56.319
<v Speaker 1>Like the writers must have been like, I don't know.

0:47:56.400 --> 0:48:00.960
<v Speaker 1>The camaraderie was just so cool, but you're what you're saying,

0:48:01.040 --> 0:48:03.160
<v Speaker 1>it is a little like cheesy that everyone had to

0:48:03.200 --> 0:48:05.080
<v Speaker 1>like stand there doing it. If I had to stand

0:48:05.080 --> 0:48:07.359
<v Speaker 1>there and shout Dona Martin graduates, I would have been like,

0:48:07.400 --> 0:48:12.040
<v Speaker 1>oh my god, there's somewhere between getting the police getting

0:48:12.040 --> 0:48:13.680
<v Speaker 1>the police called on him. But then all of a

0:48:13.719 --> 0:48:15.560
<v Speaker 1>sudden it worked. It was like, I don't know, I

0:48:15.560 --> 0:48:22.680
<v Speaker 1>just want to hold this sign up more graduate, just graduate,

0:48:22.800 --> 0:48:27.520
<v Speaker 1>just over and overdone. Graduate. I'm just staring that. Your

0:48:27.600 --> 0:48:33.600
<v Speaker 1>arms don't move. Your arms are so rock solid impressive, barely.

0:48:35.080 --> 0:48:42.520
<v Speaker 1>You better not use that that clip heart. You're like,

0:48:43.120 --> 0:48:45.959
<v Speaker 1>you're like Linda, what was your name? And the terminator?

0:48:47.760 --> 0:48:50.160
<v Speaker 1>So before we go, is it one of the best

0:48:50.160 --> 0:48:55.080
<v Speaker 1>episodes of the whole series? Yes? Yes? How did that

0:48:56.400 --> 0:49:01.040
<v Speaker 1>become so iconic? Though? Because because what I'm saying like

0:49:01.120 --> 0:49:04.359
<v Speaker 1>that Chanel jumped the shark and then it worked. So

0:49:04.480 --> 0:49:07.760
<v Speaker 1>because of that, that's my opinion that it was so

0:49:08.640 --> 0:49:13.480
<v Speaker 1>what and it was so silly. Isn't the right I

0:49:13.520 --> 0:49:17.000
<v Speaker 1>don't have the right word, Like the whole school is chanting.

0:49:17.080 --> 0:49:21.440
<v Speaker 1>Donna Martin graduates, Donna Martin grabad as I view, or

0:49:21.520 --> 0:49:27.319
<v Speaker 1>you're like, am I embarrassed or am I stoked? Where

0:49:27.480 --> 0:49:31.279
<v Speaker 1>I was a reviewer, I was into it. I was like,

0:49:31.520 --> 0:49:33.960
<v Speaker 1>I an't know where you're going with that. We're so

0:49:34.160 --> 0:49:36.719
<v Speaker 1>closely connected to it. It's hard to see it, but

0:49:37.000 --> 0:49:39.920
<v Speaker 1>I see it's almost like borderline spoofy. It's like a

0:49:39.960 --> 0:49:44.040
<v Speaker 1>cult classic. It's like which a lot of cult movies are, like, oh,

0:49:44.120 --> 0:49:46.720
<v Speaker 1>they're a little cheesy, little b movies, but they became

0:49:47.040 --> 0:49:50.520
<v Speaker 1>like last year of the year. So that's why this episode. No,

0:49:50.840 --> 0:49:52.840
<v Speaker 1>I didn't feel like that. I felt like it was.

0:49:53.719 --> 0:49:56.919
<v Speaker 1>I did get uncomfortable because I'm just uncomfortable anytime there's

0:49:56.920 --> 0:50:00.840
<v Speaker 1>a large crowd gathering and making a march or statement.

0:50:01.200 --> 0:50:06.840
<v Speaker 1>But yeah, I felt like it was this emoji. Hold on,

0:50:06.840 --> 0:50:08.920
<v Speaker 1>I'm going to text you guys in the group text.

0:50:09.239 --> 0:50:14.280
<v Speaker 1>It's this emoji to me, hold on, it's a little

0:50:14.360 --> 0:50:21.080
<v Speaker 1>of this, but then I love it. Why is it

0:50:21.120 --> 0:50:29.200
<v Speaker 1>not coming through you like where you're like this, you can't,

0:50:29.360 --> 0:50:32.239
<v Speaker 1>You're like, I think I don't like it. I don't

0:50:32.280 --> 0:50:39.160
<v Speaker 1>like it, Jenny, I don't watch it, but I don't.

0:50:39.880 --> 0:50:43.120
<v Speaker 1>I would actually really love to hear from fans, I

0:50:43.160 --> 0:50:45.879
<v Speaker 1>guess because it's like all eyes on me kind of

0:50:46.320 --> 0:50:49.040
<v Speaker 1>that when they are so into it. I never say

0:50:49.080 --> 0:50:52.600
<v Speaker 1>like why though, do you like that phrase? Donna Martin Graduate?

0:50:52.760 --> 0:50:55.040
<v Speaker 1>But I would like to hear from fans like what

0:50:55.120 --> 0:50:58.680
<v Speaker 1>about that made that one of their favorite things to say?

0:50:58.880 --> 0:51:02.280
<v Speaker 1>How about the fact that I wouldn't have worn this shirt?

0:51:03.040 --> 0:51:11.360
<v Speaker 1>But in to what I will rock this so hard?

0:51:12.000 --> 0:51:14.759
<v Speaker 1>And I will if I was wearing this, everyone will

0:51:14.760 --> 0:51:16.920
<v Speaker 1>be like, you know what, I think I'm gonna I'm

0:51:16.920 --> 0:51:20.040
<v Speaker 1>gonna put this in the back of my car and

0:51:20.160 --> 0:51:26.160
<v Speaker 1>just drive around like that. As the Donn and Martin

0:51:26.280 --> 0:51:30.040
<v Speaker 1>graduates has aged like a fine wine. So this has

0:51:30.080 --> 0:51:32.040
<v Speaker 1>been you guys sent this a couple of weeks ago,

0:51:32.200 --> 0:51:33.520
<v Speaker 1>So it's been in the house waiting for us to

0:51:33.560 --> 0:51:37.440
<v Speaker 1>do this episode. And I had it his like literally

0:51:37.480 --> 0:51:39.840
<v Speaker 1>in the front of my house and a couple of

0:51:39.840 --> 0:51:41.719
<v Speaker 1>times people have come to drop things off and they're

0:51:41.760 --> 0:51:44.600
<v Speaker 1>like they look around, they see it, go, oh my god,

0:51:44.640 --> 0:51:47.160
<v Speaker 1>I'm sorry. That takes me back. That's my favorite. It

0:51:47.239 --> 0:51:49.720
<v Speaker 1>was like crazy and it was something on their face.

0:51:49.760 --> 0:51:52.920
<v Speaker 1>They became like sixteen again, the fact that your Tory

0:51:52.960 --> 0:51:55.560
<v Speaker 1>spelling and you have the embarrassing because it would be

0:51:55.600 --> 0:51:57.960
<v Speaker 1>funny enough if I had that song that like somebody

0:51:57.960 --> 0:51:59.880
<v Speaker 1>came by and they're like, don't Martin graduates, but like,

0:52:00.920 --> 0:52:02.600
<v Speaker 1>you know, whatever're doing, gonna put this on a stake

0:52:02.680 --> 0:52:05.000
<v Speaker 1>in front of my house and see if people honk

0:52:05.000 --> 0:52:06.840
<v Speaker 1>when they drive by, because you know how you always

0:52:06.840 --> 0:52:12.000
<v Speaker 1>put those signs like like a fortress that's not fairside

0:52:13.239 --> 0:52:17.480
<v Speaker 1>out of it. Wait wait, I have I have an

0:52:17.560 --> 0:52:21.759
<v Speaker 1>idea for us. It's kind of a dare, and we're

0:52:21.760 --> 0:52:24.399
<v Speaker 1>gonna do it. I smell merch. I don't know what

0:52:24.440 --> 0:52:27.480
<v Speaker 1>it is, and I'll do it and Martin graduates merch.

0:52:28.200 --> 0:52:31.040
<v Speaker 1>Oh my gosh, this is fun talking about this episode.

0:52:31.480 --> 0:52:34.799
<v Speaker 1>But next week we're gonna we're gonna graduate, I think,

0:52:34.880 --> 0:52:38.080
<v Speaker 1>and but it's a two part but we're going to

0:52:38.200 --> 0:52:44.000
<v Speaker 1>do it all in one. Right, Still debating, still debating

0:52:44.600 --> 0:52:49.680
<v Speaker 1>because we don't know yet because we want. We are

0:52:49.760 --> 0:52:52.960
<v Speaker 1>coming back for season four and we're all heading to Vegas,

0:52:53.040 --> 0:52:55.839
<v Speaker 1>so we I'm trying to time it out with the counter. Wait,

0:52:55.840 --> 0:52:58.680
<v Speaker 1>we'll be like Vegas, Baby, We're going to Vegas together.

0:52:59.280 --> 0:53:04.120
<v Speaker 1>It's like our for the I Hear Music, I Heart

0:53:04.200 --> 0:53:11.160
<v Speaker 1>Radio Music Festival. Who's your alter ego? Who's your Terry?

0:53:11.520 --> 0:53:15.920
<v Speaker 1>Terry's coming to Vegas. Harry's going to Vegas. Guy, you

0:53:16.000 --> 0:53:21.000
<v Speaker 1>see me in Vegas. I'm gonna be once I'm in Vegas.

0:53:21.120 --> 0:53:24.480
<v Speaker 1>Donna Martin graduate, Oh my gosh, maybe we should take

0:53:24.480 --> 0:53:29.640
<v Speaker 1>our today. Donna Martin graduates. Donna Martin graduates, Martin graduates,

0:53:29.680 --> 0:53:31.560
<v Speaker 1>Oh my gosh. Okay, so we don't know what it's

0:53:31.560 --> 0:53:33.759
<v Speaker 1>going to be. One episode or two episodes, but next

0:53:33.760 --> 0:53:37.000
<v Speaker 1>we're graduating. Commencement Part one is next week. I wish

0:53:37.040 --> 0:53:39.800
<v Speaker 1>it was a ring tone. That would be amazing, but

0:53:39.840 --> 0:53:42.240
<v Speaker 1>I don't really do it. I want, Oh my god,

0:53:42.480 --> 0:53:45.680
<v Speaker 1>we should get every cast member to say it, and

0:53:45.680 --> 0:53:48.120
<v Speaker 1>then that should together. The ring tone when you guys

0:53:48.160 --> 0:53:55.000
<v Speaker 1>call me, Dona Martin choice, good luck with that have happened?

0:53:55.360 --> 0:53:57.680
<v Speaker 1>Should be Donna Martin graduates, And when Jenny calls me,

0:53:57.719 --> 0:54:01.360
<v Speaker 1>it should go I choose me that we can do

0:54:01.400 --> 0:54:03.840
<v Speaker 1>for you. We can record those for you, Amy, I

0:54:03.880 --> 0:54:08.920
<v Speaker 1>would just live my best life with that. Something tells

0:54:08.920 --> 0:54:12.560
<v Speaker 1>me it's real. Look at her. She means it. She

0:54:12.680 --> 0:54:18.799
<v Speaker 1>means it. That's why we love you. We imagine if

0:54:18.800 --> 0:54:21.400
<v Speaker 1>I'm like somewhere with friends and all of a sudden,

0:54:21.400 --> 0:54:24.560
<v Speaker 1>my phone starts going Donna Martin graduates and I'm like, sorry, guys,

0:54:24.600 --> 0:54:27.560
<v Speaker 1>Tory Spelling is calling me. Like nobody in my world

0:54:27.600 --> 0:54:29.759
<v Speaker 1>would be like they'd be like, literally what, Well, it

0:54:29.800 --> 0:54:32.400
<v Speaker 1>wouldn't happen because we all know she doesn't make phone calls,

0:54:32.480 --> 0:54:41.600
<v Speaker 1>so we can only text people. I can't. We don't

0:54:41.640 --> 0:54:44.280
<v Speaker 1>talk on the phone anymore. We only text. Sorry to

0:54:44.280 --> 0:54:46.240
<v Speaker 1>make this about me. At the end, I got very excited,

0:54:46.360 --> 0:54:49.279
<v Speaker 1>So I'll be texting you guys to record those. Okay,

0:54:49.760 --> 0:54:53.919
<v Speaker 1>got it? You got it? Oas next week, UM, we'll

0:54:53.960 --> 0:54:55.920
<v Speaker 1>either be in Vegas, we won't be in Vegas. We

0:54:55.960 --> 0:54:59.960
<v Speaker 1>don't know, but everybody watch Season three, episode twenty nine.

0:55:00.000 --> 0:55:04.120
<v Speaker 1>Are almost done with Season three, You Guys Commencement Part one.

0:55:04.719 --> 0:55:12.200
<v Speaker 1>I Love You Guys by H