1
00:00:00,240 --> 00:00:11,399
Speaker 1: It's with Jenny Garth and Tori Spelling. You guys, Hi,

2
00:00:11,720 --> 00:00:14,440
Speaker 1: I'm very excited. It's another episode of Anna to a OMG.

3
00:00:14,600 --> 00:00:18,919
Speaker 1: But it's the big Donna episode. Oh my gosh, it

4
00:00:19,120 --> 00:00:25,760
Speaker 1: finally is here. Donna Martin graduates. Are you excited? Amy?

5
00:00:26,440 --> 00:00:30,360
Speaker 1: I mean I'm pretty giddy. Did you guys see my shirt? Yeah?

6
00:00:30,600 --> 00:00:37,240
Speaker 1: Donna Martin, that's so cute. It's so icmment Alma Martin graduated.

7
00:00:37,520 --> 00:00:39,120
Speaker 1: What was What is it like for you guys to

8
00:00:39,159 --> 00:00:44,519
Speaker 1: watch it? Oh my gosh, it was really emotional. I

9
00:00:44,600 --> 00:00:47,360
Speaker 1: was so emotional. But we'll get to it. She doesn't

10
00:00:47,400 --> 00:00:50,000
Speaker 1: want to like tell you yet. I mean, just yeah,

11
00:00:50,040 --> 00:00:53,160
Speaker 1: give me your give me your overall because it's there's

12
00:00:53,600 --> 00:00:56,160
Speaker 1: there's something so amazing about it. But there is a

13
00:00:56,200 --> 00:01:01,760
Speaker 1: little cringe e too, Like it's such bad. It's so dramatic.

14
00:01:01,880 --> 00:01:09,720
Speaker 1: Johnna like basically gets um persecuted, full fully accused for drinking.

15
00:01:09,880 --> 00:01:12,280
Speaker 1: I mean they might as well just put you in

16
00:01:12,280 --> 00:01:15,200
Speaker 1: a straight jacket and sent you away for twenty years,

17
00:01:15,280 --> 00:01:22,000
Speaker 1: Like that's how they were treating it. Yeah, substance abuse program,

18
00:01:22,280 --> 00:01:28,920
Speaker 1: like expelled for what else? So mean yeah, suspended summer school,

19
00:01:29,640 --> 00:01:36,319
Speaker 1: can't graduate? I can't even see your friends anymore. Felice

20
00:01:36,319 --> 00:01:38,400
Speaker 1: has locked you up in the tower and we'll let

21
00:01:38,440 --> 00:01:46,479
Speaker 1: you out. I'm legit. I'm more scared of your mom

22
00:01:46,560 --> 00:01:52,200
Speaker 1: police now than I was then. Yes, she was terrifying

23
00:01:52,200 --> 00:01:54,800
Speaker 1: in this episode. Fine. I was like she was like

24
00:01:54,840 --> 00:01:59,040
Speaker 1: a horror movie that that caliber. Oh my gosh, you

25
00:01:59,040 --> 00:02:01,960
Speaker 1: know what. She reminded me have the mother and Carrie.

26
00:02:02,280 --> 00:02:06,120
Speaker 1: I was gonna say Friday, Oh, and I bet to

27
00:02:06,160 --> 00:02:09,400
Speaker 1: go with to you. Oh my gosh. We gotta get

28
00:02:09,480 --> 00:02:11,799
Speaker 1: just get into it. You guys. I don't even care

29
00:02:11,840 --> 00:02:14,359
Speaker 1: how you are. I just want to talk about so sweet. Look,

30
00:02:14,400 --> 00:02:16,400
Speaker 1: I have to sign you guys made me. I have

31
00:02:16,480 --> 00:02:22,040
Speaker 1: to sign to Look, Donna Barton graduate, Wan Martin masturbate,

32
00:02:25,160 --> 00:02:28,440
Speaker 1: I mean graduates. I think to hold that up? How

33
00:02:28,480 --> 00:02:32,320
Speaker 1: to do that? Back then we're talking about let's talk

34
00:02:32,320 --> 00:02:35,480
Speaker 1: about it. Let's season three episode Something in the Air,

35
00:02:35,639 --> 00:02:40,960
Speaker 1: aired on May twelf synopsis. Following a little advice from

36
00:02:41,000 --> 00:02:43,520
Speaker 1: Gil Myers, Brandon and the rest of Donna's friends joined

37
00:02:43,560 --> 00:02:46,120
Speaker 1: forces to help her in a major school protest when

38
00:02:46,120 --> 00:02:48,440
Speaker 1: she is suspended from school and has threatened with not

39
00:02:48,560 --> 00:02:52,440
Speaker 1: graduating for getting drunk on senior prom night. Directed by

40
00:02:52,600 --> 00:02:57,280
Speaker 1: James Whitmore Jr. Written by Steve and Jessica Steve Wasserman

41
00:02:57,320 --> 00:03:08,160
Speaker 1: and Jessica Klein. Yes, yeah, your's my first question for you. Okay,

42
00:03:08,360 --> 00:03:12,040
Speaker 1: you are not in the most iconic, one of the

43
00:03:12,080 --> 00:03:15,959
Speaker 1: most iconic scenes of the entire run of Nino Too,

44
00:03:16,240 --> 00:03:19,639
Speaker 1: But it's all about you. Were you there when they

45
00:03:19,720 --> 00:03:25,200
Speaker 1: shot it? I was not. I was not, So there

46
00:03:25,320 --> 00:03:28,079
Speaker 1: is not. Literally, I'm not embellishing a week that goes

47
00:03:28,120 --> 00:03:30,000
Speaker 1: by in my life that someone doesn't come up to

48
00:03:30,040 --> 00:03:31,880
Speaker 1: me and say, can you just say it? Can you

49
00:03:31,919 --> 00:03:36,480
Speaker 1: say it? Um? And it's funny because Donna never actually

50
00:03:36,520 --> 00:03:39,120
Speaker 1: said it. It was said about her Donna barn graduates.

51
00:03:39,160 --> 00:03:42,920
Speaker 1: I always obliged and say donnamarann graduates, but I never

52
00:03:42,960 --> 00:03:49,640
Speaker 1: said it. Jenny, what do you remember? I remember, I

53
00:03:49,680 --> 00:03:54,360
Speaker 1: don't remember being in front of that like office whatever

54
00:03:54,480 --> 00:03:58,200
Speaker 1: the place. Where was the court house? I felt like

55
00:03:58,240 --> 00:04:00,560
Speaker 1: I was going to court for a felon, But I

56
00:04:00,560 --> 00:04:04,120
Speaker 1: don't remember being there right where I remember shooting that,

57
00:04:04,480 --> 00:04:07,440
Speaker 1: so I'm completely mistaking it with something else. I remember

58
00:04:07,440 --> 00:04:10,680
Speaker 1: shooting Dona Martin graduates, that whole chanting holding up the

59
00:04:10,720 --> 00:04:15,640
Speaker 1: sign thing. I remember shooting that in the stage where

60
00:04:16,800 --> 00:04:23,679
Speaker 1: the college was in that courtyard. You know that courtyard? Wait?

61
00:04:24,040 --> 00:04:29,200
Speaker 1: You remember shooting that in Glendale? Wait? Wait? No, at

62
00:04:29,200 --> 00:04:32,600
Speaker 1: Occidental where the college was on our sound stages, we

63
00:04:32,640 --> 00:04:36,200
Speaker 1: had like the college quad built kind of where where

64
00:04:36,200 --> 00:04:40,160
Speaker 1: the peach pit after dark stages were? Wait, and is

65
00:04:40,200 --> 00:04:43,279
Speaker 1: that is that real? Is that where you shot it?

66
00:04:43,279 --> 00:04:46,279
Speaker 1: It was outside? You just didn't your memory is blurred.

67
00:04:46,400 --> 00:04:49,440
Speaker 1: Memory completely had it in a different place. I remember

68
00:04:49,480 --> 00:04:51,440
Speaker 1: being on the stage filing and then when I was

69
00:04:51,440 --> 00:04:55,240
Speaker 1: watching this episode was like, wait, that we're really outside somewhere.

70
00:04:55,760 --> 00:04:58,279
Speaker 1: No memory? Wait, are you remembering Mystery Girls when we

71
00:04:58,360 --> 00:05:00,920
Speaker 1: recreated a version of that the stage? No, No, I'm

72
00:05:00,920 --> 00:05:03,359
Speaker 1: remember doing some other protests from normal College in the

73
00:05:03,360 --> 00:05:05,600
Speaker 1: college years. I don't know what it was got you,

74
00:05:05,839 --> 00:05:09,159
Speaker 1: but I loved everything about this episode. From the very

75
00:05:09,200 --> 00:05:12,080
Speaker 1: opening with all the kids trying on their caps and gowns.

76
00:05:12,960 --> 00:05:18,360
Speaker 1: It was just so like perfect high school, let's get it. Yeah,

77
00:05:18,440 --> 00:05:21,400
Speaker 1: Like so there everybody's trying the cap and gown on

78
00:05:21,680 --> 00:05:23,960
Speaker 1: and Steve says, how do I look? Then we do

79
00:05:24,120 --> 00:05:28,520
Speaker 1: address the situation between Brandon and right, that's when I

80
00:05:28,560 --> 00:05:34,520
Speaker 1: fell asleep, and that's when I passed forward. So sorry,

81
00:05:34,560 --> 00:05:40,840
Speaker 1: do tell do tell, I'm sorry, I can't take that anymore.

82
00:05:41,040 --> 00:05:44,200
Speaker 1: And Kelly telling Steve to put on his heels with

83
00:05:44,240 --> 00:05:49,840
Speaker 1: his gown. Okay, wait, I feel like they're torturing us

84
00:05:49,920 --> 00:05:54,080
Speaker 1: by talking about what did or didn't happen between Brandon

85
00:05:54,120 --> 00:05:57,680
Speaker 1: Andrea do it? And Andrew is going crazy, She's like

86
00:05:57,720 --> 00:06:02,120
Speaker 1: a boy in heats, like a right, yeah, because I

87
00:06:03,440 --> 00:06:08,000
Speaker 1: so weird. If they didn't acknowledge it, yeah, it would

88
00:06:08,000 --> 00:06:10,640
Speaker 1: have been weird, but still I didn't care. Sorry to

89
00:06:10,760 --> 00:06:14,599
Speaker 1: be so honest, but this is me because I fully cared.

90
00:06:14,920 --> 00:06:19,839
Speaker 1: So basically, Brandon and Andrea have this conversation because Andrea

91
00:06:20,000 --> 00:06:23,240
Speaker 1: is not calling. It's very high school. Andrea is not

92
00:06:23,320 --> 00:06:26,000
Speaker 1: calling Brandon back, and he's like, why don't you call

93
00:06:26,040 --> 00:06:29,640
Speaker 1: me back? And she's sort of like you shut me down,

94
00:06:30,480 --> 00:06:33,799
Speaker 1: and he's like, we you still should have called me back.

95
00:06:33,839 --> 00:06:36,960
Speaker 1: I mean, I thought it was like very teenager real

96
00:06:37,400 --> 00:06:40,680
Speaker 1: and they had to talk about it was weird for

97
00:06:40,720 --> 00:06:44,160
Speaker 1: me because like we watched that episode on this podcast

98
00:06:44,160 --> 00:06:47,000
Speaker 1: two weeks ago. It feels like and then we had

99
00:06:47,080 --> 00:06:50,760
Speaker 1: like that the other episode in between and then and then,

100
00:06:50,800 --> 00:06:53,600
Speaker 1: and so I had to remember did they do it

101
00:06:53,839 --> 00:06:57,120
Speaker 1: or not? Did they? I don't know they did. They

102
00:06:57,120 --> 00:06:59,880
Speaker 1: didn't do it because she says that she's going crazy,

103
00:07:00,040 --> 00:07:03,360
Speaker 1: she has to do something soon. Well and it's like

104
00:07:03,520 --> 00:07:07,400
Speaker 1: she put it out there and he did shut it down.

105
00:07:07,640 --> 00:07:11,440
Speaker 1: He shut it down, which I'm sorry. He's just not

106
00:07:11,680 --> 00:07:14,640
Speaker 1: that into you because he's a boy, Like why why not?

107
00:07:14,920 --> 00:07:18,440
Speaker 1: Why wouldn't he because he think because yeah, and he

108
00:07:18,520 --> 00:07:24,040
Speaker 1: respects her as a and as his um fellow reporter

109
00:07:25,280 --> 00:07:27,320
Speaker 1: and he didn't want to make things weird because he

110
00:07:27,360 --> 00:07:30,280
Speaker 1: knows he doesn't like her that way. So you're telling

111
00:07:30,320 --> 00:07:32,480
Speaker 1: you're telling me a boy is thinking with his right

112
00:07:32,520 --> 00:07:36,760
Speaker 1: head this time. Well it's Brandon. Hello. But he does

113
00:07:36,920 --> 00:07:43,400
Speaker 1: like her because yes, he's like yes, Tori wishy washy,

114
00:07:43,520 --> 00:07:46,200
Speaker 1: and he it's all jealous when she has a boyfriend

115
00:07:46,520 --> 00:07:50,200
Speaker 1: speaking of like I know we you guys talked to

116
00:07:50,320 --> 00:07:52,200
Speaker 1: him about it, but like they really just do. Jordan

117
00:07:52,240 --> 00:07:58,840
Speaker 1: Bonner just vanished, disappears gone. That's how all the characters

118
00:07:58,920 --> 00:08:01,960
Speaker 1: on Beverly Hills, not a tono leave. They just look

119
00:08:02,040 --> 00:08:06,160
Speaker 1: poof and flag on the play. Andrea isn't a good

120
00:08:06,240 --> 00:08:10,080
Speaker 1: girlfriend because she was sure quick to go for Brandon

121
00:08:10,600 --> 00:08:13,480
Speaker 1: like Jordan Bonner was her date. He just got like

122
00:08:13,560 --> 00:08:17,120
Speaker 1: the flu or something, and suddenly she's at the prom.

123
00:08:17,360 --> 00:08:20,960
Speaker 1: Never addressed it again, right, and she was in a

124
00:08:21,120 --> 00:08:26,920
Speaker 1: cheat on Jordan's right. Yeah, but were they but you

125
00:08:26,920 --> 00:08:29,240
Speaker 1: don't know where they like full on committed or not.

126
00:08:30,080 --> 00:08:33,559
Speaker 1: No correct, but they seemed it. They were seeming like it.

127
00:08:34,120 --> 00:08:37,920
Speaker 1: I don't know, if anything, this episode really solidified for

128
00:08:37,960 --> 00:08:41,360
Speaker 1: me that, as a fan watching the show back for

129
00:08:41,400 --> 00:08:46,320
Speaker 1: the very first time, I am a Donna Martin fan.

130
00:08:46,640 --> 00:08:49,840
Speaker 1: Like if I were a person watching this show in

131
00:08:50,200 --> 00:08:55,120
Speaker 1: you know, Temecula or Zimbabwe wherever people watch the show

132
00:08:55,120 --> 00:08:57,880
Speaker 1: because they watched it all over, I would be like,

133
00:08:57,920 --> 00:09:00,880
Speaker 1: oh my god, Donna is my favorite character. And I'm

134
00:09:00,880 --> 00:09:02,880
Speaker 1: not just saying that because I'm looking at your face

135
00:09:02,960 --> 00:09:07,559
Speaker 1: right now. I don't look at me. I like Donna.

136
00:09:08,120 --> 00:09:11,400
Speaker 1: I think she's just I think she's grown so much.

137
00:09:11,440 --> 00:09:14,480
Speaker 1: I think you have grown so much as an actress.

138
00:09:14,880 --> 00:09:19,240
Speaker 1: I think that you always look super cute, and I

139
00:09:19,280 --> 00:09:22,520
Speaker 1: really liked your hair in this episode, and um, I

140
00:09:22,559 --> 00:09:24,280
Speaker 1: don't know. I just feel like there's a lot of

141
00:09:24,320 --> 00:09:27,320
Speaker 1: stuff going on inside of Donna, and I just I've

142
00:09:27,480 --> 00:09:33,560
Speaker 1: got all the feels for her. Huh. It's so ironic

143
00:09:33,640 --> 00:09:37,240
Speaker 1: that this episode is like literally all eyes on Donna,

144
00:09:37,320 --> 00:09:40,240
Speaker 1: like the whole school walks out is chanting for her.

145
00:09:40,679 --> 00:09:43,280
Speaker 1: When I mean I talked about Donna, but we are

146
00:09:43,320 --> 00:09:47,920
Speaker 1: really the same, Like you know, that makes me so uncomfortable,

147
00:09:47,960 --> 00:09:53,360
Speaker 1: and especially then like me Tori me Donna, like no

148
00:09:53,400 --> 00:09:55,520
Speaker 1: attention on us, please don't even look at us, like

149
00:09:55,559 --> 00:09:57,320
Speaker 1: you're talking about me right now, and I'm like having

150
00:09:57,320 --> 00:10:00,600
Speaker 1: to look away. And this whole episode was all about

151
00:10:00,679 --> 00:10:04,040
Speaker 1: like everyone. I can only imagine how I felt when

152
00:10:04,040 --> 00:10:08,120
Speaker 1: everyone walked into the courtroom or whatever at the very end,

153
00:10:08,440 --> 00:10:10,720
Speaker 1: like sitting there, I was probably like, can you can

154
00:10:10,760 --> 00:10:14,600
Speaker 1: you remember now? What about when they came to you?

155
00:10:14,640 --> 00:10:18,640
Speaker 1: And you realize, like this entire episode is about me

156
00:10:19,240 --> 00:10:22,200
Speaker 1: slash my character. I don't remember them coming to me.

157
00:10:23,440 --> 00:10:25,280
Speaker 1: I can't remember that. And I have such a good

158
00:10:25,320 --> 00:10:29,920
Speaker 1: memory about stuff, I honestly don't remember that. What do

159
00:10:29,960 --> 00:10:34,440
Speaker 1: you remember about filming this episode? This is the craziest thing,

160
00:10:34,800 --> 00:10:37,480
Speaker 1: you know, how spot On? I am about a million

161
00:10:37,640 --> 00:10:42,240
Speaker 1: and one things I do not remember filming this up.

162
00:10:42,280 --> 00:10:44,800
Speaker 1: I mean, I know what happened, and we've seen that

163
00:10:44,880 --> 00:10:48,480
Speaker 1: clip a million times when she's like explaining why she

164
00:10:48,559 --> 00:10:51,840
Speaker 1: got drunk, I'm sorry, I got drunk, and when we

165
00:10:51,880 --> 00:10:55,640
Speaker 1: did our Two Women Live show, we always played that clip,

166
00:10:55,760 --> 00:11:00,679
Speaker 1: and it's just I can't remember much except memorizing monologue

167
00:11:00,720 --> 00:11:02,880
Speaker 1: being super nervous. I think I was so nervous for

168
00:11:02,920 --> 00:11:04,760
Speaker 1: this episode that I blocked it out. Yeah, that's what

169
00:11:04,800 --> 00:11:07,440
Speaker 1: I was gonna say. It's almost like you have like

170
00:11:07,960 --> 00:11:12,079
Speaker 1: some sort of block Yeah. Almost at PTSD two. It's

171
00:11:12,120 --> 00:11:16,120
Speaker 1: like because it was so much or so and you're

172
00:11:16,240 --> 00:11:18,800
Speaker 1: embarrassed in the sense when it's all about you. I

173
00:11:18,800 --> 00:11:22,280
Speaker 1: could feel you when when that in that scene, especially

174
00:11:22,320 --> 00:11:24,040
Speaker 1: like when you were talking on the microphone in that

175
00:11:24,080 --> 00:11:26,960
Speaker 1: scene and when Donna was sitting there and all the

176
00:11:27,000 --> 00:11:29,760
Speaker 1: people came into all the students came into the boardroom,

177
00:11:30,160 --> 00:11:33,280
Speaker 1: I could literally I was feeling uncomfortable for you because

178
00:11:33,320 --> 00:11:37,839
Speaker 1: I knew how uncomfortable you were in that moment, being

179
00:11:37,880 --> 00:11:40,920
Speaker 1: like all eyes on me, all eyes on me. Yeah,

180
00:11:41,000 --> 00:11:43,079
Speaker 1: and you know, I'm not a sweater and especially back then,

181
00:11:43,200 --> 00:11:46,720
Speaker 1: like never sweat, like I was probably drenched. Like it

182
00:11:46,960 --> 00:11:51,320
Speaker 1: is super crazy. It's but I literally cried through this

183
00:11:51,320 --> 00:11:54,160
Speaker 1: whole episode. It was like watching it was like when

184
00:11:54,200 --> 00:11:56,600
Speaker 1: you have it, like you're like that time of the

185
00:11:56,600 --> 00:12:00,839
Speaker 1: month and you are so super emotional um or you're

186
00:12:00,840 --> 00:12:02,920
Speaker 1: watching like a Hallmark movie or something, I don't know,

187
00:12:03,040 --> 00:12:05,920
Speaker 1: or you see puppies. Like I cried through the entire episode,

188
00:12:06,120 --> 00:12:08,720
Speaker 1: But I think I just cried because it meant so

189
00:12:08,800 --> 00:12:10,800
Speaker 1: much to me to see my friends knowing that you

190
00:12:10,800 --> 00:12:13,240
Speaker 1: guys were also my real friends and are also my

191
00:12:13,280 --> 00:12:16,760
Speaker 1: real friends stand up for me the whole episode. Like

192
00:12:16,880 --> 00:12:18,840
Speaker 1: it just like made me. Every single scene I cried

193
00:12:18,880 --> 00:12:24,240
Speaker 1: when I watched you guys. It's crazy something. Yeah, there's

194
00:12:24,280 --> 00:12:26,959
Speaker 1: something with this episode. I think that it's I don't

195
00:12:26,960 --> 00:12:34,360
Speaker 1: want to triggering. I'm tearing right now, like the fact,

196
00:12:35,040 --> 00:12:37,880
Speaker 1: I don't know, And I'm really sorry that I said

197
00:12:38,040 --> 00:12:40,560
Speaker 1: a couple of weeks ago that Gilmere's was creepy because

198
00:12:40,600 --> 00:12:44,360
Speaker 1: he's the one that like really stood up for me,

199
00:12:44,600 --> 00:12:47,400
Speaker 1: Like he's the one that was like in that scene

200
00:12:47,400 --> 00:12:50,360
Speaker 1: with Brandon where he was like telling him, like I

201
00:12:50,480 --> 00:12:52,240
Speaker 1: told you enough, I could already lose my job. Like

202
00:12:52,400 --> 00:12:54,400
Speaker 1: that scene made me cry, Like it was like a

203
00:12:54,480 --> 00:12:59,160
Speaker 1: John Hughes movie and I was the star. Oh, don't

204
00:12:59,200 --> 00:13:01,480
Speaker 1: feel bad about the old thing because he is creepy.

205
00:13:01,640 --> 00:13:04,640
Speaker 1: It's just he doesn't in this particular episode. He can

206
00:13:04,679 --> 00:13:08,000
Speaker 1: be a he can be a cool guy and creepy

207
00:13:08,040 --> 00:13:22,480
Speaker 1: at the same Yeah. Okay, okay, I guess my first

208
00:13:22,520 --> 00:13:25,520
Speaker 1: question because I still want to dig into how emotional

209
00:13:25,559 --> 00:13:30,320
Speaker 1: you are. But would a school board decide this? Decide

210
00:13:30,440 --> 00:13:32,560
Speaker 1: like what what do you mean? Like like what a

211
00:13:32,600 --> 00:13:36,120
Speaker 1: school board actually get involved in one student drinking? Like

212
00:13:36,160 --> 00:13:40,559
Speaker 1: wouldn't that just be Mrs Teasley and like the principal. Yeah,

213
00:13:40,600 --> 00:13:42,520
Speaker 1: it seems like they're a little too. Seems like it

214
00:13:42,559 --> 00:13:47,679
Speaker 1: really went far. Mm hm oh yeah, there's a whole board,

215
00:13:47,720 --> 00:13:50,240
Speaker 1: you're right, Yeah, like that seemed I was like, huh,

216
00:13:50,800 --> 00:13:53,200
Speaker 1: this really has gone Yeah, I don't know, just like

217
00:13:53,240 --> 00:13:57,160
Speaker 1: the board, the board who are involved in like disciplinary stuff.

218
00:13:57,200 --> 00:14:01,480
Speaker 1: I have no idea. I don't either, like it's the board.

219
00:14:02,720 --> 00:14:04,640
Speaker 1: Wait you guys, I have a silly question, Like West

220
00:14:04,679 --> 00:14:09,079
Speaker 1: Beverly High it's a public school, right, Okay, so then

221
00:14:09,120 --> 00:14:11,880
Speaker 1: it's the board from all of the Beverly Hills like

222
00:14:11,960 --> 00:14:15,840
Speaker 1: the Los Angeles or yes, like he's like they wouldn't

223
00:14:15,880 --> 00:14:20,480
Speaker 1: have time to to dole out things. For one specific incident,

224
00:14:20,560 --> 00:14:24,040
Speaker 1: for one student at one of their mini schools wanted

225
00:14:24,080 --> 00:14:26,360
Speaker 1: them cut her vacation short just to make it so

226
00:14:26,840 --> 00:14:30,240
Speaker 1: it was important. Hey, she was on your side. Yeah,

227
00:14:30,240 --> 00:14:33,120
Speaker 1: it's true. Was that so random? First of all, that

228
00:14:33,200 --> 00:14:36,120
Speaker 1: lady is named Mimi Lieber, which I saw her name

229
00:14:36,200 --> 00:14:38,960
Speaker 1: come up in the credits, and I'm like, she's famous

230
00:14:39,080 --> 00:14:43,400
Speaker 1: or something. Director waiting, she's famous somehow, And then I

231
00:14:43,440 --> 00:14:47,520
Speaker 1: think she is famous more because that was very weird

232
00:14:47,680 --> 00:14:50,120
Speaker 1: that they called that out, and so maybe they did

233
00:14:50,160 --> 00:14:53,720
Speaker 1: that to draw attention to her. She was rad though.

234
00:14:53,760 --> 00:14:56,840
Speaker 1: She was really good actress, like she was super good,

235
00:14:57,000 --> 00:14:59,440
Speaker 1: super good way and she was going to stand up

236
00:14:59,480 --> 00:15:05,000
Speaker 1: to that dude that was so Arthur. What was his name?

237
00:15:05,080 --> 00:15:09,680
Speaker 1: Mr started with It started with an F because I

238
00:15:09,720 --> 00:15:12,760
Speaker 1: love I love when Brandon comes in and says his

239
00:15:12,880 --> 00:15:16,880
Speaker 1: name and he goes any extra emphasis on the F

240
00:15:17,080 --> 00:15:18,560
Speaker 1: as if he wants to say the F word, but

241
00:15:18,640 --> 00:15:22,720
Speaker 1: he's saying his last name. It's f art. But he

242
00:15:22,840 --> 00:15:27,560
Speaker 1: was like, yeah, ef art. He was like, ms a

243
00:15:27,640 --> 00:15:32,560
Speaker 1: fart door he came in. He's like, he's like, it's doctor.

244
00:15:32,640 --> 00:15:36,000
Speaker 1: He was a doctor apparently, but when he came in, okay,

245
00:15:36,000 --> 00:15:39,000
Speaker 1: so he's like dr f. He was so grouchy and

246
00:15:39,120 --> 00:15:46,240
Speaker 1: just grouchy, sous. I love, I love, I love your

247
00:15:46,320 --> 00:15:49,800
Speaker 1: dad too. Oh my gosh, so sweet. Might be my

248
00:15:49,880 --> 00:15:53,720
Speaker 1: new gym Walsh. I'm not sure, but he's adorable. Uh

249
00:15:54,080 --> 00:15:57,720
Speaker 1: he was so young in this episode and ballsy of

250
00:15:57,800 --> 00:16:01,160
Speaker 1: Donna when she says to police, like you cheated and

251
00:16:01,280 --> 00:16:03,920
Speaker 1: we forgave you, Like she really calls her out like

252
00:16:05,680 --> 00:16:09,720
Speaker 1: you need to forgive me, which was like whoa, that

253
00:16:09,880 --> 00:16:13,360
Speaker 1: was scary, like but like police can't even in the moment,

254
00:16:13,440 --> 00:16:15,280
Speaker 1: like her dad holds her hand when she's going up

255
00:16:15,320 --> 00:16:17,600
Speaker 1: to speak and he says I love you, she can't

256
00:16:17,600 --> 00:16:20,560
Speaker 1: even say I love you like she it like, I

257
00:16:20,560 --> 00:16:22,520
Speaker 1: don't know. It was a little triggering to me, like

258
00:16:22,800 --> 00:16:28,160
Speaker 1: it was just police is all about police, but really hardcore,

259
00:16:28,280 --> 00:16:30,160
Speaker 1: like what did Donna do to her that she hates

260
00:16:30,200 --> 00:16:34,120
Speaker 1: donas so much? Like she literally do you think she

261
00:16:34,240 --> 00:16:39,160
Speaker 1: ever comes like is she ever a good, loving, nurturing

262
00:16:39,240 --> 00:16:41,920
Speaker 1: mom in the whole show? I don't. I don't know,

263
00:16:42,080 --> 00:16:46,400
Speaker 1: but you would know. I want to say that something

264
00:16:46,480 --> 00:16:49,880
Speaker 1: comes around And I remember only and I think it's

265
00:16:49,920 --> 00:16:53,320
Speaker 1: near when Donna gets married only because she had never

266
00:16:53,400 --> 00:16:55,240
Speaker 1: and I remember thinking like is she ever going to

267
00:16:55,320 --> 00:16:58,360
Speaker 1: have a turn? And I remember we used to talk

268
00:16:58,440 --> 00:17:01,680
Speaker 1: about it. Catherine who played my Mom, We used to

269
00:17:01,800 --> 00:17:03,680
Speaker 1: be like she wished she had to turn at some

270
00:17:03,720 --> 00:17:05,919
Speaker 1: more point, and I feel like we talked to the

271
00:17:05,920 --> 00:17:10,359
Speaker 1: writers and she did at some point she comes around,

272
00:17:10,920 --> 00:17:13,320
Speaker 1: Dad dies later. I don't know, it would be rough

273
00:17:13,359 --> 00:17:18,240
Speaker 1: to play her Catherine playing police because Police is so unlikable.

274
00:17:19,200 --> 00:17:22,440
Speaker 1: And Katherine in real life was such like a real

275
00:17:22,640 --> 00:17:25,600
Speaker 1: like mother figure to me, like a cool mom. But

276
00:17:25,680 --> 00:17:29,040
Speaker 1: she was always like I could talk to her about anything,

277
00:17:29,280 --> 00:17:32,800
Speaker 1: and she was really nurturing, so like she's a really

278
00:17:32,800 --> 00:17:35,760
Speaker 1: good actress because she doesn't have a mean bone or body,

279
00:17:35,800 --> 00:17:37,760
Speaker 1: but she like played that role in real life for

280
00:17:37,840 --> 00:17:40,840
Speaker 1: me often over the ten years we worked together. The

281
00:17:41,000 --> 00:17:45,359
Speaker 1: other adults are so supportive of Donna. That's what I

282
00:17:45,400 --> 00:17:49,040
Speaker 1: think is first of all, Mrs Teasley, Mrs Teasley, Oh

283
00:17:49,040 --> 00:17:55,920
Speaker 1: my god, she's Goadsode so good mel all the I

284
00:17:56,000 --> 00:18:00,280
Speaker 1: think police gave to the appeal because of the peer

285
00:18:00,400 --> 00:18:04,199
Speaker 1: pressure from the other adults. Like they're basically like, she

286
00:18:04,240 --> 00:18:07,040
Speaker 1: didn't do it for Donna. She sort of did it

287
00:18:07,080 --> 00:18:12,240
Speaker 1: because all the other adults were like yeah, yeah, and

288
00:18:12,359 --> 00:18:14,280
Speaker 1: she but she didn't have any problem slamming the door

289
00:18:14,400 --> 00:18:20,760
Speaker 1: right in Old Mill's face in the wall. She's talked

290
00:18:20,800 --> 00:18:22,159
Speaker 1: to her and I feel like she doesn't even like

291
00:18:22,359 --> 00:18:24,320
Speaker 1: say anything. She doesn't even say hello, What did they

292
00:18:24,840 --> 00:18:27,760
Speaker 1: try to talk to her? I just loved that scene though,

293
00:18:27,800 --> 00:18:30,439
Speaker 1: with all the parents at once on those stuff like

294
00:18:30,520 --> 00:18:32,400
Speaker 1: that's one of the only times I think you see

295
00:18:32,400 --> 00:18:37,280
Speaker 1: all of the parents in one scene and only the parents,

296
00:18:37,320 --> 00:18:40,480
Speaker 1: no kids. I loved it, and Mel totally trying to

297
00:18:40,520 --> 00:18:45,000
Speaker 1: take responsibility, like this is my fault, Like Mel's a

298
00:18:45,080 --> 00:18:50,840
Speaker 1: good Mel's a nice dude, Jackie, they're all just they're

299
00:18:50,840 --> 00:18:54,719
Speaker 1: doing their best and they have flaws. But Felice is

300
00:18:55,520 --> 00:19:00,240
Speaker 1: she really is awful? But your dad is that has

301
00:19:00,240 --> 00:19:03,480
Speaker 1: your Is that actor been Michael Durrell? Has he been

302
00:19:03,560 --> 00:19:07,399
Speaker 1: your dad before in the show? Or is this the

303
00:19:07,400 --> 00:19:10,520
Speaker 1: first time we see him? Oh that's a great question. No,

304
00:19:10,800 --> 00:19:15,560
Speaker 1: it feels like if your mom and they wouldn't come

305
00:19:15,600 --> 00:19:18,120
Speaker 1: to the wet they feel like this was the first

306
00:19:18,119 --> 00:19:19,959
Speaker 1: time I've ever seen him because he was so cute.

307
00:19:20,520 --> 00:19:22,119
Speaker 1: I don't want to say it, but I feel like

308
00:19:22,119 --> 00:19:29,359
Speaker 1: he should have left police duh, right, shouldn't he should

309
00:19:29,359 --> 00:19:35,159
Speaker 1: have dated Jackie. I don't think he's Jackie's type. No,

310
00:19:35,640 --> 00:19:40,320
Speaker 1: because he's a good dude. Jackie likes him. I do

311
00:19:40,400 --> 00:19:42,239
Speaker 1: feel like someone else played my dad though, But like

312
00:19:42,280 --> 00:19:46,480
Speaker 1: maybe very early early on. We've already watched that and

313
00:19:46,560 --> 00:19:50,800
Speaker 1: fort George had his moments, because I did write a

314
00:19:50,840 --> 00:19:53,760
Speaker 1: little note George is very gnarly, so George might have

315
00:19:53,800 --> 00:19:55,720
Speaker 1: been tough in the beginning and then calmed down. I

316
00:19:55,760 --> 00:19:59,520
Speaker 1: don't know why I wrote that, because George George. Why

317
00:19:59,520 --> 00:20:02,879
Speaker 1: have I read? George is very nearly? Who is George?

318
00:20:03,680 --> 00:20:11,960
Speaker 1: And I think, what's your dad's name, John Martin Martin?

319
00:20:12,200 --> 00:20:15,679
Speaker 1: George is very nearly. I can't believe they made my

320
00:20:15,760 --> 00:20:19,040
Speaker 1: dad a doctor. There's Doc Martin's and then they literally

321
00:20:19,119 --> 00:20:21,120
Speaker 1: like that was already around. That was a big thing,

322
00:20:21,240 --> 00:20:23,560
Speaker 1: Doc Martin's. Everybody was wearing them, and then they made

323
00:20:23,560 --> 00:20:27,200
Speaker 1: it Dr Martin? Was that somebody? What was this? What

324
00:20:27,240 --> 00:20:29,920
Speaker 1: was you a doctor of? I don't even know. They're

325
00:20:29,960 --> 00:20:32,800
Speaker 1: in the writer's room, like that's funny. Can we talk

326
00:20:32,840 --> 00:20:37,960
Speaker 1: about Donna's house? Yeah, okay, I'm confused because the first

327
00:20:38,040 --> 00:20:40,000
Speaker 1: establishing shot of your house is like a white, a

328
00:20:40,040 --> 00:20:45,520
Speaker 1: big white house, and then I don't remember it being

329
00:20:45,520 --> 00:20:47,840
Speaker 1: white at all. I remember it being brick. And then

330
00:20:48,240 --> 00:20:52,240
Speaker 1: when David and Mel come to the front door, your

331
00:20:52,240 --> 00:20:58,400
Speaker 1: front entry is brick. Um. I did not catch that.

332
00:20:59,640 --> 00:21:02,399
Speaker 1: I was house in Tarzana. Though it was brick. It

333
00:21:02,480 --> 00:21:04,600
Speaker 1: was dark. It was brick. I remember, it was like

334
00:21:04,760 --> 00:21:12,360
Speaker 1: very tradish red brick. Yeah, huh, decorated like the eighties

335
00:21:13,040 --> 00:21:16,080
Speaker 1: were vomiting. I know we were in the nineties, but

336
00:21:16,160 --> 00:21:19,159
Speaker 1: it was decorated like the eighties were vomiting. Did you

337
00:21:19,240 --> 00:21:24,600
Speaker 1: see the sort of attempt at modern chic living room?

338
00:21:26,440 --> 00:21:29,640
Speaker 1: You got there was like a statue of some kind

339
00:21:29,800 --> 00:21:33,320
Speaker 1: or like a piece of art. Is that when Jon

340
00:21:33,480 --> 00:21:35,040
Speaker 1: was on the couch and she it was like, you're

341
00:21:35,119 --> 00:21:38,480
Speaker 1: kind of standing up against the wall and it's getting ugly. Wait,

342
00:21:38,560 --> 00:21:41,239
Speaker 1: when you're on the couch sitting so uncomfortably for so

343
00:21:41,280 --> 00:21:43,320
Speaker 1: long I had I had to look to look away.

344
00:21:43,320 --> 00:21:45,600
Speaker 1: I couldn't watch myself. Yeah, so I just like, why

345
00:21:45,640 --> 00:21:48,440
Speaker 1: are you sitting like that? I'm just curious. Uh. First

346
00:21:48,480 --> 00:21:49,879
Speaker 1: of all, they had me in a suit, you know,

347
00:21:50,000 --> 00:21:52,520
Speaker 1: like I don't work. It was like so like and

348
00:21:52,560 --> 00:21:55,200
Speaker 1: it looked even like even though I was like ninety

349
00:21:55,240 --> 00:21:57,040
Speaker 1: pounds of the time, it even looked tight, like I

350
00:21:57,280 --> 00:22:01,639
Speaker 1: don't even know how I could sit there. And uh,

351
00:22:01,800 --> 00:22:04,520
Speaker 1: And it appears that maybe I didn't think I knew

352
00:22:04,560 --> 00:22:07,879
Speaker 1: at this point, but maybe I had established my good side,

353
00:22:08,000 --> 00:22:10,520
Speaker 1: because it looked like every time I was on a

354
00:22:10,600 --> 00:22:14,919
Speaker 1: phone or talking to the court, I turned to the

355
00:22:15,480 --> 00:22:17,600
Speaker 1: my good side. So you didn't have a good side.

356
00:22:17,600 --> 00:22:22,000
Speaker 1: That that wasn't a thing, right. I remember who George is?

357
00:22:22,200 --> 00:22:24,800
Speaker 1: I think, so, okay, who's George? George is the ass

358
00:22:25,320 --> 00:22:33,040
Speaker 1: superintendent school board guy, Dr George. It's like, why George,

359
00:22:33,560 --> 00:22:37,119
Speaker 1: I apologize. I apologize, but that's why George was gnarly.

360
00:22:37,359 --> 00:22:39,680
Speaker 1: But you were saying you, I want to know when

361
00:22:39,720 --> 00:22:46,959
Speaker 1: did you get a good side, Like when did you realize? Uh? Well,

362
00:22:47,000 --> 00:22:48,920
Speaker 1: at that point, I had already had my nose job

363
00:22:49,160 --> 00:22:53,639
Speaker 1: and it was definitely like not a good nose job,

364
00:22:53,880 --> 00:22:57,800
Speaker 1: and I had a definite like it was a different,

365
00:22:57,960 --> 00:23:00,200
Speaker 1: a little bit different on one side. So I I

366
00:23:00,520 --> 00:23:03,480
Speaker 1: it must have been established in you did it or

367
00:23:03,520 --> 00:23:07,760
Speaker 1: someone told you. No. I think I just started noticing,

368
00:23:07,840 --> 00:23:10,480
Speaker 1: probably watching episodes back, like oh my god, I gotta

369
00:23:10,520 --> 00:23:14,840
Speaker 1: get it together for paparazzi like taking pictures of us,

370
00:23:15,480 --> 00:23:20,480
Speaker 1: and I'd be like, and froward you only we'll see

371
00:23:20,480 --> 00:23:24,280
Speaker 1: this side of me left. I'm only allowed to stand

372
00:23:24,480 --> 00:23:29,440
Speaker 1: on her left side. That is not uncommon for thirty years,

373
00:23:29,480 --> 00:23:32,680
Speaker 1: she happily does and I'm grateful. There are other celebrities

374
00:23:32,720 --> 00:23:37,000
Speaker 1: that have that too. I don't even know Barbara streisand

375
00:23:37,800 --> 00:23:41,160
Speaker 1: maybe I think that my because I have to look

376
00:23:41,240 --> 00:23:45,760
Speaker 1: left to you in every situation that we're in, I

377
00:23:45,840 --> 00:23:49,600
Speaker 1: have to look this way, and that's not my good side.

378
00:23:50,840 --> 00:23:54,640
Speaker 1: You're pretty darned symmetrical. I like my right, my gutter.

379
00:23:54,840 --> 00:24:01,679
Speaker 1: Has Jenny sacrificed her good She is possibly sacrifice a

380
00:24:01,720 --> 00:24:05,040
Speaker 1: lot for me over the year, So that being, I

381
00:24:05,320 --> 00:24:07,199
Speaker 1: will go on record that she does not have a

382
00:24:07,240 --> 00:24:11,720
Speaker 1: bad side, but she has one. She prefers to the

383
00:24:11,840 --> 00:24:14,919
Speaker 1: right because I know you're always on my right, but

384
00:24:15,000 --> 00:24:18,199
Speaker 1: I must I don't know, that's weird. I gotta look

385
00:24:18,240 --> 00:24:23,840
Speaker 1: at some pictures. Okay, okay, we gotta focus. Sorry, sorry,

386
00:24:24,119 --> 00:24:27,119
Speaker 1: Let's go back to the newsroom whatever you call it,

387
00:24:27,160 --> 00:24:32,320
Speaker 1: where we see Toby and we see Sean Levy again.

388
00:24:32,760 --> 00:24:37,080
Speaker 1: Althought his name was Howard. Well, the actor is Sean Levy.

389
00:24:39,520 --> 00:24:41,439
Speaker 1: And when you're as big as he is, we just

390
00:24:41,480 --> 00:24:45,760
Speaker 1: go by. So, Jenny, you weren't here. But TC Warner

391
00:24:45,800 --> 00:24:48,479
Speaker 1: talked about how she had to say epitaph, and so,

392
00:24:48,560 --> 00:24:50,920
Speaker 1: of course all I could hear when I watched this

393
00:24:51,000 --> 00:24:55,760
Speaker 1: was epitaph. Toby's feisty. So they also call out Andrea

394
00:24:55,800 --> 00:24:58,879
Speaker 1: and Brandon. Did you notice that? They're like, did you

395
00:24:58,880 --> 00:25:04,640
Speaker 1: get a room? Which was like, what they do? Call

396
00:25:04,720 --> 00:25:06,879
Speaker 1: that out? So I thought, okay, we're not letting that

397
00:25:06,960 --> 00:25:14,120
Speaker 1: fully go. No, what I like them, They're they're fiery juniors. Yeah. Yeah,

398
00:25:14,520 --> 00:25:19,040
Speaker 1: first seem Older was sort of against Donna, and then

399
00:25:19,080 --> 00:25:21,160
Speaker 1: she comes around, but only when they bring their own

400
00:25:21,200 --> 00:25:24,000
Speaker 1: agenda into it. They're like, we're all gonna go with

401
00:25:24,040 --> 00:25:27,719
Speaker 1: you if you add in the wardrobe issues. I'm like,

402
00:25:28,000 --> 00:25:33,560
Speaker 1: all right, it's not really altruistic, but okay, okay making demands,

403
00:25:34,840 --> 00:25:37,880
Speaker 1: but they I mean, even Brenda, Brenda said it correctly.

404
00:25:38,119 --> 00:25:42,359
Speaker 1: She said, this is ridiculous because what they did to

405
00:25:42,520 --> 00:25:49,439
Speaker 1: Donna did feel ridiculous, prosecuting her over the top. Well,

406
00:25:49,480 --> 00:25:52,040
Speaker 1: but they did say it. They were and they had

407
00:25:52,080 --> 00:25:54,680
Speaker 1: to say what would happen though if they didn't stick

408
00:25:54,760 --> 00:25:59,400
Speaker 1: to their guns. They said, anybody caught drinking would be suspended,

409
00:25:59,440 --> 00:26:03,200
Speaker 1: wouldn't be to graduate, so and they couldn't just a

410
00:26:04,440 --> 00:26:10,760
Speaker 1: good rich white girl off because that would look terrible. Well,

411
00:26:10,880 --> 00:26:13,840
Speaker 1: and everybody's just gonna drink at every problem forever now

412
00:26:13,920 --> 00:26:17,240
Speaker 1: because there's no punishment. So, okay, so you two are moms.

413
00:26:17,600 --> 00:26:20,840
Speaker 1: Let's say you're so pretend you're first. We're gonna pretend

414
00:26:20,880 --> 00:26:23,520
Speaker 1: you guys are on the school board. Do you think

415
00:26:24,080 --> 00:26:27,720
Speaker 1: that Donna? Because she they said don't drink, she drank,

416
00:26:27,800 --> 00:26:33,200
Speaker 1: she was wasted, well, falling wasted. Should she have been

417
00:26:34,960 --> 00:26:39,679
Speaker 1: allowed to graduate? Oh? She's I've kind of leaned towards no,

418
00:26:40,080 --> 00:26:43,399
Speaker 1: like as well. I think it's ridiculous. But if you

419
00:26:43,440 --> 00:26:45,040
Speaker 1: ask me if I was like one of the grown

420
00:26:45,080 --> 00:26:48,200
Speaker 1: ups on the board, a rule's a rule, Like why

421
00:26:48,240 --> 00:26:53,800
Speaker 1: should we break a rule for one person, no matter

422
00:26:53,840 --> 00:26:58,199
Speaker 1: who it is. I agree, but I wish there was

423
00:26:58,240 --> 00:27:01,720
Speaker 1: a different punishment because they're all adults there. They know

424
00:27:01,800 --> 00:27:04,879
Speaker 1: that they've all done the same before when they were

425
00:27:04,960 --> 00:27:06,760
Speaker 1: kids and weren't supposed to drink somewhere and they did

426
00:27:07,240 --> 00:27:11,199
Speaker 1: under age. So to not let someone graduate with their class,

427
00:27:11,280 --> 00:27:15,200
Speaker 1: that's something that forever you won't be able to have that,

428
00:27:15,320 --> 00:27:19,320
Speaker 1: like you can never go back. So summer school. I get,

429
00:27:19,520 --> 00:27:23,639
Speaker 1: like the substance abuse program is harsh, but still it's

430
00:27:23,640 --> 00:27:25,840
Speaker 1: going to teach them like, hey, you know this could

431
00:27:25,840 --> 00:27:28,159
Speaker 1: happen to you if you keep drinking, Like this is

432
00:27:28,200 --> 00:27:31,200
Speaker 1: a good wake up call. Who knows. I just feel

433
00:27:31,200 --> 00:27:32,920
Speaker 1: like not being able to stand up there and graduate

434
00:27:32,920 --> 00:27:34,560
Speaker 1: with your class, like it's something you can never get

435
00:27:34,600 --> 00:27:36,760
Speaker 1: back for the rest. Maybe maybe if they doled out

436
00:27:36,800 --> 00:27:39,480
Speaker 1: other punishments, like you have to give a speech in

437
00:27:39,480 --> 00:27:42,760
Speaker 1: front of the whole student body and naked. Yeah, go

438
00:27:42,840 --> 00:27:47,840
Speaker 1: to your a or whatever, go to summer school, I think,

439
00:27:49,040 --> 00:27:53,520
Speaker 1: and let you graduate with your class. Ceremony, yes, grab night? No,

440
00:27:54,400 --> 00:27:56,080
Speaker 1: do you know what grab night is? Did you guys

441
00:27:56,080 --> 00:27:58,200
Speaker 1: have that? It's like a party after the graduation. I

442
00:27:58,200 --> 00:28:01,200
Speaker 1: don't know if they had it at West Beverley, but like, yeah,

443
00:28:01,400 --> 00:28:04,840
Speaker 1: don't they mention? Do they say grad night? Yeah? I

444
00:28:04,880 --> 00:28:08,120
Speaker 1: think I would have let her go through the ceremony,

445
00:28:08,359 --> 00:28:11,040
Speaker 1: but then she wouldn't get to go to like the party.

446
00:28:11,400 --> 00:28:15,840
Speaker 1: That's fair, that seems now as moms, okay, so now

447
00:28:16,119 --> 00:28:19,359
Speaker 1: you're not on the board, but your mom's and your kid,

448
00:28:20,280 --> 00:28:23,639
Speaker 1: what would you do? I would have been definitely sympathetic

449
00:28:23,680 --> 00:28:25,960
Speaker 1: towards it, like I would have been like dragginge not

450
00:28:26,080 --> 00:28:33,959
Speaker 1: police exactly same, but the word thing for me was

451
00:28:34,080 --> 00:28:37,919
Speaker 1: Another weird thing for me was how Brandon acts like

452
00:28:38,000 --> 00:28:40,800
Speaker 1: he's your best friend and he knows he is one

453
00:28:40,840 --> 00:28:44,960
Speaker 1: of my best friends. Um, since when like we've never

454
00:28:45,120 --> 00:28:49,760
Speaker 1: seen him get to know you at all, and now

455
00:28:49,800 --> 00:28:53,320
Speaker 1: he's like it happened off camera. I mean not really.

456
00:28:53,400 --> 00:28:56,120
Speaker 1: I'm just saying, like the stuff we don't see, Like

457
00:28:56,160 --> 00:28:59,160
Speaker 1: these people are together seven we only see one hour

458
00:28:59,200 --> 00:29:02,520
Speaker 1: a week, So I'm just saying, but they're part of

459
00:29:02,520 --> 00:29:17,720
Speaker 1: the best friend's circle. What did you think of Steve

460
00:29:18,520 --> 00:29:22,360
Speaker 1: sort of really not wanting to participate and then what

461
00:29:22,440 --> 00:29:26,520
Speaker 1: about Dylan really not participating until Gil basically is like,

462
00:29:26,720 --> 00:29:30,360
Speaker 1: bro get out there. Like the Steve one, I didn't

463
00:29:30,400 --> 00:29:32,600
Speaker 1: really care. I don't know why I didn't care, like

464
00:29:32,640 --> 00:29:34,320
Speaker 1: I didn't. Well, first of all, he was like assumed

465
00:29:34,360 --> 00:29:37,080
Speaker 1: I rated him out, which is he's known me forever

466
00:29:37,200 --> 00:29:39,880
Speaker 1: like that. That was like, don't you know that that

467
00:29:39,960 --> 00:29:42,960
Speaker 1: would Donna would never she'd go down everybody before, she'd

468
00:29:42,960 --> 00:29:46,280
Speaker 1: read anybody out like that sucks um in his little

469
00:29:46,600 --> 00:29:51,680
Speaker 1: half mocked red turtleneck. It just seemed like typical Steve behavior.

470
00:29:51,760 --> 00:29:54,400
Speaker 1: So it didn't really bump me at all. The Dylan

471
00:29:54,480 --> 00:29:57,160
Speaker 1: one kind of crushed my heart a little bit, right,

472
00:29:57,200 --> 00:30:00,320
Speaker 1: he was so wrapped up in himself. Yeah, he really

473
00:30:00,360 --> 00:30:02,480
Speaker 1: wants to go to Berkeley, which I respect because I

474
00:30:02,520 --> 00:30:07,920
Speaker 1: went there, But yeah, Dylan would have gone. Dylan would

475
00:30:07,920 --> 00:30:09,959
Speaker 1: have just been like, you know, uh, it's the right

476
00:30:10,000 --> 00:30:12,360
Speaker 1: thing to do. I can still get into Berkeley. I

477
00:30:12,400 --> 00:30:15,640
Speaker 1: just didn't track with me. That's not Dylan. That Dylan's character.

478
00:30:16,120 --> 00:30:19,240
Speaker 1: Luke definitely would have gone like he would have been

479
00:30:19,280 --> 00:30:22,240
Speaker 1: out there screaming louder than anyone else. Like, So it

480
00:30:22,360 --> 00:30:24,200
Speaker 1: was like, yeah, I guess it fell out of character.

481
00:30:24,320 --> 00:30:26,600
Speaker 1: Maybe that's why I was like, ah, really, you know what,

482
00:30:26,600 --> 00:30:28,800
Speaker 1: I have not stopped thinking about. And Jenny, I don't

483
00:30:28,800 --> 00:30:32,360
Speaker 1: know if you know about this Luke. Okay. So TC Warner,

484
00:30:32,360 --> 00:30:35,840
Speaker 1: who played Toby, told us this story. Her car broke

485
00:30:35,880 --> 00:30:39,920
Speaker 1: when she was shooting the episodes, the episode she was in,

486
00:30:40,320 --> 00:30:43,760
Speaker 1: and Luke picked her up every day to take her

487
00:30:43,800 --> 00:30:48,080
Speaker 1: to work in his bronco. She said, I would I

488
00:30:48,120 --> 00:30:52,240
Speaker 1: have not stopped thinking about that. Yeah, she said literally,

489
00:30:52,280 --> 00:30:54,360
Speaker 1: she was so embarrassed. She didn't know what to do.

490
00:30:55,120 --> 00:30:58,960
Speaker 1: And she happened to tell him why she was stressed,

491
00:30:59,000 --> 00:31:01,640
Speaker 1: like the first day they worked together, and he said,

492
00:31:01,680 --> 00:31:04,640
Speaker 1: no problem, I can pick you up the rest of episode.

493
00:31:04,680 --> 00:31:06,800
Speaker 1: Every single morning. I don't even want to pick you

494
00:31:06,840 --> 00:31:11,479
Speaker 1: two up. That was so that really maybe even got

495
00:31:11,680 --> 00:31:14,400
Speaker 1: they live close to one another. I didn't want I

496
00:31:14,440 --> 00:31:16,240
Speaker 1: wanted to ask that, but I didn't because the story

497
00:31:16,320 --> 00:31:18,000
Speaker 1: was just so beautiful. I don't want to be like,

498
00:31:18,480 --> 00:31:22,360
Speaker 1: maybe there was she must have lived out. Was this

499
00:31:22,480 --> 00:31:27,120
Speaker 1: just a couple of Yeah, I'm not driving an hour

500
00:31:27,160 --> 00:31:31,320
Speaker 1: to get Santa Monica to West Hollywood because that's not happening.

501
00:31:31,720 --> 00:31:34,880
Speaker 1: That does seem like Luke for sure? For sure. Okay,

502
00:31:34,960 --> 00:31:37,200
Speaker 1: let's talk about Kelly. So we do get sort of

503
00:31:37,760 --> 00:31:41,800
Speaker 1: some interesting Kelly news here. The house is sold, they're

504
00:31:41,800 --> 00:31:47,320
Speaker 1: movinges grow now the Bowers bought the house. Is that

505
00:31:47,680 --> 00:31:52,360
Speaker 1: Rebecca Hurts Hurts character the one that did the people

506
00:31:52,480 --> 00:31:55,880
Speaker 1: that Kelly screamed at in the bedroom by the house,

507
00:31:56,080 --> 00:31:58,680
Speaker 1: does any did anybody put that together? Must be I

508
00:31:58,720 --> 00:32:01,760
Speaker 1: don't know if that was the right name. Thought. Remember,

509
00:32:02,040 --> 00:32:04,520
Speaker 1: I'm shocked you didn't go back and research that. No,

510
00:32:04,720 --> 00:32:11,840
Speaker 1: I have plans to that's that's to. I don't know.

511
00:32:11,960 --> 00:32:13,640
Speaker 1: I don't know, but yeah, I guess they're moving. But

512
00:32:13,720 --> 00:32:16,200
Speaker 1: I think it's going to get very exciting, because isn't

513
00:32:16,240 --> 00:32:23,040
Speaker 1: season bore when the girls move out together? Yes, it's coming.

514
00:32:26,080 --> 00:32:33,120
Speaker 1: Maybe that's why. Maybe that's why, because Kelly makes it natural, right,

515
00:32:33,240 --> 00:32:37,360
Speaker 1: and David does move in with us. First, I forgot that.

516
00:32:37,400 --> 00:32:41,120
Speaker 1: I don't want to know, but we're planning something pretty rab.

517
00:32:42,000 --> 00:32:46,320
Speaker 1: What's a more rad than this sign? So we're rab.

518
00:32:46,960 --> 00:32:48,720
Speaker 1: So for people listening, you're not gonna want to miss

519
00:32:48,760 --> 00:32:51,920
Speaker 1: season four? Okay, really fast? So did anyone think it

520
00:32:51,960 --> 00:32:55,080
Speaker 1: was weird? In the peach pit when Donna calls to

521
00:32:55,160 --> 00:32:58,920
Speaker 1: give the update that Brenda was I'll take the call.

522
00:32:59,520 --> 00:33:03,560
Speaker 1: I just thought, oh, that's interesting. I know, don't say

523
00:33:03,600 --> 00:33:07,200
Speaker 1: I hate Brenda. I don't hate, but I just thought, oh,

524
00:33:07,200 --> 00:33:11,920
Speaker 1: why wouldn't be weird? That's her best friend? Wait, wait, wait,

525
00:33:11,960 --> 00:33:13,600
Speaker 1: why do you think it's weird? I don't know, just

526
00:33:13,640 --> 00:33:15,600
Speaker 1: something about it. I was like, whoa, she's really aggressive

527
00:33:15,640 --> 00:33:18,240
Speaker 1: to take that call, and like, I don't know. For me,

528
00:33:18,320 --> 00:33:21,360
Speaker 1: I was just like the stage direction told her too,

529
00:33:21,480 --> 00:33:25,360
Speaker 1: so she had to jump out of her line. Yeah.

530
00:33:25,720 --> 00:33:29,200
Speaker 1: I also thought, I don't know why, and I know

531
00:33:29,280 --> 00:33:36,040
Speaker 1: they're together, but Dylan and Kelly, being very affectionate, still

532
00:33:36,120 --> 00:33:38,640
Speaker 1: lands weird on me in front of Brenda, Like, I

533
00:33:38,680 --> 00:33:41,360
Speaker 1: know they're together, but he they had he had his

534
00:33:41,440 --> 00:33:44,080
Speaker 1: arm and they're very affectionate. In the booth and Brenda

535
00:33:44,160 --> 00:33:46,760
Speaker 1: seems so chill with it. Like for me, it was like,

536
00:33:47,400 --> 00:33:50,080
Speaker 1: I don't know why this is Like I'm writing this down,

537
00:33:50,200 --> 00:33:54,920
Speaker 1: but hey, it's still weird that it's always weird kind

538
00:33:54,920 --> 00:33:58,440
Speaker 1: of yeah, it's still gonna be weird. I think it

539
00:33:58,520 --> 00:34:01,959
Speaker 1: probably felt weird too on set, like I don't know,

540
00:34:02,160 --> 00:34:04,520
Speaker 1: yeah something about it. I still was like, this is

541
00:34:04,560 --> 00:34:07,600
Speaker 1: still a little comps. I don't know. I feel like

542
00:34:07,600 --> 00:34:09,440
Speaker 1: guys don't think about that stuff. But I feel like

543
00:34:09,920 --> 00:34:16,680
Speaker 1: it's surprising that Kelly wouldn't be like, I don't know, right,

544
00:34:17,520 --> 00:34:19,920
Speaker 1: have a conversation, be like it makes me feel uncomfortable.

545
00:34:19,960 --> 00:34:22,839
Speaker 1: She's my friend, yeah yeah, yeah to me, Yeah, it's

546
00:34:22,840 --> 00:34:26,000
Speaker 1: not like in a bad way. It's just like and

547
00:34:26,040 --> 00:34:29,360
Speaker 1: Brenda's so chill with it. I would be like dying inside.

548
00:34:29,360 --> 00:34:34,480
Speaker 1: I don't know for me, she's so smiley about it. Also,

549
00:34:34,560 --> 00:34:42,319
Speaker 1: it's always Dylan usually, so Luke had that choice to make, right. Yeah,

550
00:34:42,320 --> 00:34:44,239
Speaker 1: I mean he's doing it because that's his girlfriend and

551
00:34:44,239 --> 00:34:46,520
Speaker 1: he loves her, and he's not worried about it, I know,

552
00:34:46,760 --> 00:34:48,560
Speaker 1: but he should feel bad too in front of Brenda

553
00:34:48,600 --> 00:34:51,760
Speaker 1: a little bit. They should a little bit. Dylan doesn't

554
00:34:52,320 --> 00:34:57,360
Speaker 1: doesn't have any feelings like in the retrospect, also, college

555
00:34:57,400 --> 00:35:01,240
Speaker 1: acceptances would be out, everybody would know where they're going graduating.

556
00:35:01,760 --> 00:35:04,560
Speaker 1: So the fact that it doesn't seem like everyone has

557
00:35:04,600 --> 00:35:07,600
Speaker 1: revealed to everyone where they're going. And then I get

558
00:35:07,600 --> 00:35:12,279
Speaker 1: it Dylan the conversation, Yeah, like we don't totally, Like

559
00:35:12,680 --> 00:35:15,239
Speaker 1: I'm assuming we know Andrea is going to Yale, and

560
00:35:15,280 --> 00:35:18,000
Speaker 1: we know Brandon's going to California University. But do we

561
00:35:18,080 --> 00:35:21,040
Speaker 1: know that Brenda? Do we know? Because all these people

562
00:35:21,120 --> 00:35:24,839
Speaker 1: would know. So that's a little bit like I get

563
00:35:24,840 --> 00:35:27,919
Speaker 1: that Dylan sort of must be trying to like get

564
00:35:27,960 --> 00:35:31,640
Speaker 1: some sort of special acceptance to Berkeley because of everything

565
00:35:31,680 --> 00:35:34,560
Speaker 1: he had to retain and yeah, like he had the S,

566
00:35:34,560 --> 00:35:37,280
Speaker 1: A T. S and maybe the dad and you guys

567
00:35:37,320 --> 00:35:39,799
Speaker 1: if we've all okay, so I'm just going back in time.

568
00:35:40,040 --> 00:35:43,880
Speaker 1: So everyone has already gotten their college acceptance by it,

569
00:35:43,920 --> 00:35:47,440
Speaker 1: Now why do they take finals? Then you still have

570
00:35:47,480 --> 00:35:50,560
Speaker 1: to graduate. You still have to take finals even if

571
00:35:50,560 --> 00:35:56,560
Speaker 1: you got into college like just to do Yeah, it

572
00:35:56,640 --> 00:35:58,200
Speaker 1: doesn't as much, but you don't want to look like

573
00:35:58,200 --> 00:36:00,160
Speaker 1: a dummy, like if you've gotten to you know, want

574
00:36:00,160 --> 00:36:03,319
Speaker 1: to be like you gotta graduate because like what if

575
00:36:03,360 --> 00:36:05,040
Speaker 1: you got if you got an F you don't graduate,

576
00:36:05,480 --> 00:36:07,520
Speaker 1: you don't go to college. You still gotta graduate. Oh,

577
00:36:07,560 --> 00:36:10,400
Speaker 1: I see, you can take the foot off the gas

578
00:36:10,400 --> 00:36:13,480
Speaker 1: a little. I would say, but and and and this

579
00:36:13,560 --> 00:36:15,680
Speaker 1: is a stupid question, but is that how? It isn't

580
00:36:15,680 --> 00:36:19,560
Speaker 1: in I r L Like, yeah, no, yeah, I'm I'm

581
00:36:19,560 --> 00:36:21,200
Speaker 1: not basing this on nine O two on O world.

582
00:36:21,200 --> 00:36:23,840
Speaker 1: This is I r L. Like I got into college

583
00:36:24,520 --> 00:36:27,440
Speaker 1: my senior year in like March or whatever. I knewhere

584
00:36:27,440 --> 00:36:30,840
Speaker 1: I was going and I still have to do good.

585
00:36:31,040 --> 00:36:32,759
Speaker 1: I didn't want to be an idiot, and I had

586
00:36:32,760 --> 00:36:35,200
Speaker 1: to graduate. If you flunk to class, you would be

587
00:36:35,239 --> 00:36:41,160
Speaker 1: so aft. M hm. So wait, I don't remember exactly,

588
00:36:41,200 --> 00:36:42,960
Speaker 1: but I know there is a scene where they all

589
00:36:43,000 --> 00:36:48,680
Speaker 1: reveal what's going to happen college wise, it's coming right,

590
00:36:49,200 --> 00:36:52,560
Speaker 1: And is it like they all are surprised or they

591
00:36:52,600 --> 00:36:54,560
Speaker 1: all decide as a group, like this is what we

592
00:36:54,600 --> 00:36:56,680
Speaker 1: should do because we don't want to split up, Like

593
00:36:56,800 --> 00:37:03,200
Speaker 1: what happens? Well, Brenda, we we didn't know. Yeah, I

594
00:37:03,200 --> 00:37:04,759
Speaker 1: don't know. I don't know. We'll get back to that.

595
00:37:04,840 --> 00:37:07,840
Speaker 1: But basically, my point is the timeline's fuzzy because they

596
00:37:07,880 --> 00:37:11,600
Speaker 1: would have already been talking about this okay, So Mel

597
00:37:11,719 --> 00:37:13,680
Speaker 1: goes over the wall shoes and everyone's eating oreos, which

598
00:37:13,680 --> 00:37:19,040
Speaker 1: I totally love, and Carol is wearing a heinous floor

599
00:37:19,200 --> 00:37:24,120
Speaker 1: full or old top that sweater Donna wears in the beginning,

600
00:37:24,200 --> 00:37:31,840
Speaker 1: the flag sweater. Darren Martin had it, brought it to

601
00:37:32,200 --> 00:37:36,360
Speaker 1: Canada when he did, be h and I too, and

602
00:37:36,600 --> 00:37:39,919
Speaker 1: I wore it in one of the flashback episodes. Who

603
00:37:39,960 --> 00:37:47,759
Speaker 1: had it? Darren Martin? Who is that uh number one fan? Ever? No? Yes,

604
00:37:48,000 --> 00:37:50,240
Speaker 1: but like he's are like our friend too. He's super

605
00:37:50,280 --> 00:37:54,520
Speaker 1: cool and has become friends with the cast over the years,

606
00:37:54,880 --> 00:37:59,200
Speaker 1: lives in Canada, knows everything. He's listening right now every

607
00:37:59,239 --> 00:38:03,360
Speaker 1: single Did he have the original? Or like how I

608
00:38:03,480 --> 00:38:05,720
Speaker 1: have a sweater that Brenda? No, he had the original.

609
00:38:06,000 --> 00:38:09,480
Speaker 1: But the only thing is when we like it got

610
00:38:09,480 --> 00:38:11,799
Speaker 1: turned over to wardrobe and I don't know if he

611
00:38:11,840 --> 00:38:16,880
Speaker 1: ever got it back. He did, but I had to

612
00:38:16,920 --> 00:38:19,359
Speaker 1: hand it to them so they use it. I know

613
00:38:19,560 --> 00:38:26,000
Speaker 1: I never got it back. I know I reach and

614
00:38:26,120 --> 00:38:31,200
Speaker 1: I reach out to who happened to it. I don't

615
00:38:31,239 --> 00:38:33,960
Speaker 1: imagine to bother her with that. No, what do you

616
00:38:34,000 --> 00:38:39,719
Speaker 1: call Seth? What if he listens to us? You're like,

617
00:38:39,800 --> 00:38:45,520
Speaker 1: what if so, Come on, Okay, let's focus. So Mrs Teasley.

618
00:38:45,560 --> 00:38:48,960
Speaker 1: They all think they're busted, but really she is teamed

619
00:38:48,960 --> 00:38:52,160
Speaker 1: on us. She wants letters, you know. Then I love

620
00:38:52,200 --> 00:38:54,839
Speaker 1: that Andrea is typing it on a typewriter because it's

621
00:38:58,760 --> 00:39:01,560
Speaker 1: so That was kind of good it. And then even

622
00:39:01,640 --> 00:39:04,560
Speaker 1: I wrote, Gil is so weird as a teacher? Well

623
00:39:04,600 --> 00:39:08,719
Speaker 1: they what do you mean? Now? You like Gil? I

624
00:39:08,800 --> 00:39:12,400
Speaker 1: love him now. I love the shout out to Fred Segel,

625
00:39:12,440 --> 00:39:14,600
Speaker 1: although I think they said Fred's siegells and I'm like,

626
00:39:15,120 --> 00:39:22,600
Speaker 1: Fred Siegell's there. I love a good Fred Seagull. It

627
00:39:23,520 --> 00:39:28,120
Speaker 1: is it is. We used to do there. Everybody went there.

628
00:39:28,640 --> 00:39:31,880
Speaker 1: I loved it. Uh. Mr Walsh definitely tells Brandon to

629
00:39:31,920 --> 00:39:35,279
Speaker 1: go for it, but don't get arrested. That was a

630
00:39:35,280 --> 00:39:39,440
Speaker 1: big thing. Um. It was weird for me how Brandon

631
00:39:39,560 --> 00:39:43,279
Speaker 1: was like the ringleader of the whole thing though, and

632
00:39:43,320 --> 00:39:46,040
Speaker 1: like he was so in charge of the entire student body,

633
00:39:48,120 --> 00:39:51,160
Speaker 1: and when he put his hand up, they just put

634
00:39:51,160 --> 00:39:53,799
Speaker 1: his hand up in everybody's silence, like he was like

635
00:39:53,840 --> 00:39:59,200
Speaker 1: like a stopo or something literally leader, like he was

636
00:39:59,239 --> 00:40:02,239
Speaker 1: gonna be step of it didn't go well. The cool

637
00:40:02,280 --> 00:40:06,400
Speaker 1: aid like it literally and also would go down that

638
00:40:06,440 --> 00:40:08,319
Speaker 1: way though. If you all were at the peach pit

639
00:40:08,440 --> 00:40:12,040
Speaker 1: and you'all kind of like Brandon's firing everybody up, blah blah,

640
00:40:12,080 --> 00:40:14,960
Speaker 1: you would all, like we used to divvy up the directory.

641
00:40:15,200 --> 00:40:17,080
Speaker 1: You'd take the director and go like, okay, i'll do

642
00:40:17,160 --> 00:40:19,400
Speaker 1: the first ten names, you do the next tenants, and

643
00:40:19,440 --> 00:40:22,400
Speaker 1: everybody would get on the land lines and call and

644
00:40:22,440 --> 00:40:24,799
Speaker 1: say like, oh, here's our plan. Yeah. I like that

645
00:40:25,200 --> 00:40:27,520
Speaker 1: that scene with this like everybody making their calls, that

646
00:40:27,600 --> 00:40:31,640
Speaker 1: was cute. Kelly really says to Dylan, no, I'm not

647
00:40:31,680 --> 00:40:33,520
Speaker 1: coming over. I have calls to make, Like she's like,

648
00:40:33,760 --> 00:40:37,200
Speaker 1: my girl needs me. Yeah. It's just so funny about

649
00:40:37,239 --> 00:40:41,200
Speaker 1: our show. How like when there's something going on, even

650
00:40:41,239 --> 00:40:46,320
Speaker 1: in the entire student body School of West Beverly, our whatever,

651
00:40:47,000 --> 00:40:51,360
Speaker 1: seven eight main characters are always front and center, and like,

652
00:40:51,719 --> 00:40:55,040
Speaker 1: well that's I'm like, first, it strikes me as weird

653
00:40:55,080 --> 00:40:56,560
Speaker 1: and like I have a problem with it, Like it's

654
00:40:56,560 --> 00:40:59,359
Speaker 1: just too convenient that they're all right there in row

655
00:40:59,520 --> 00:41:02,920
Speaker 1: and perfectly positioned and then everybody's behind them. But I

656
00:41:02,920 --> 00:41:05,239
Speaker 1: guess it's a show about them, so it's that's what

657
00:41:05,320 --> 00:41:10,440
Speaker 1: it should be here. Just the question Are they you

658
00:41:11,840 --> 00:41:16,719
Speaker 1: the popular kids? Are they? I'm assuming yes because it

659
00:41:16,840 --> 00:41:20,120
Speaker 1: was most beautiful and they got all the you know

660
00:41:20,560 --> 00:41:25,680
Speaker 1: whatever that's kin. Are they the popular kids? I mean,

661
00:41:26,360 --> 00:41:30,080
Speaker 1: it just seems so contrived to me, because even in

662
00:41:30,120 --> 00:41:33,000
Speaker 1: real life there would be popular kids and not popular

663
00:41:33,120 --> 00:41:36,520
Speaker 1: kids are sporty kids, or it would be all mixed up,

664
00:41:36,560 --> 00:41:42,680
Speaker 1: mixed together. But it's definitely there's shows though that like

665
00:41:43,480 --> 00:41:45,600
Speaker 1: put the main cast in the background and all the

666
00:41:45,600 --> 00:41:49,320
Speaker 1: extras in front. Right, You can't. It's a TV show

667
00:41:50,560 --> 00:41:52,480
Speaker 1: and I have to just go with it. But for me,

668
00:41:52,600 --> 00:41:55,280
Speaker 1: it's like, why where is everybody else? I am more

669
00:41:55,320 --> 00:41:59,000
Speaker 1: intrigued by are they the popular kids? And I think

670
00:41:59,160 --> 00:42:04,560
Speaker 1: they are. I'm going to definitively say does they are

671
00:42:04,560 --> 00:42:07,120
Speaker 1: the cool kids at the prom that everyone's like, oh,

672
00:42:07,160 --> 00:42:11,640
Speaker 1: there they are here? Like Sanders are like the two

673
00:42:11,680 --> 00:42:14,560
Speaker 1: most popular kids in school? I think so too. I

674
00:42:14,560 --> 00:42:17,480
Speaker 1: don't know about you guys though. When I saw in

675
00:42:17,520 --> 00:42:19,600
Speaker 1: this episode, it was kind of the first time where

676
00:42:20,600 --> 00:42:24,279
Speaker 1: I saw Nat and Dylan and Mrs Teasily all in

677
00:42:24,400 --> 00:42:32,000
Speaker 1: one episode, and it was it was like powerful, How yeah,

678
00:42:32,040 --> 00:42:35,560
Speaker 1: they're all not with us anymore? But it's so it's

679
00:42:35,560 --> 00:42:38,920
Speaker 1: so weird because to me, when I watched the show,

680
00:42:39,120 --> 00:42:45,120
Speaker 1: they're still alive. Like, yeah, that's the power of a

681
00:42:45,200 --> 00:42:48,920
Speaker 1: show like this or or anything. I guess when an

682
00:42:48,960 --> 00:42:52,960
Speaker 1: actor dies, but you can still see them as they were,

683
00:42:53,560 --> 00:42:56,759
Speaker 1: it's like they're not gone, and I'm just my brain

684
00:42:56,840 --> 00:43:10,959
Speaker 1: wants to see it that way and believe it that way.

685
00:43:11,960 --> 00:43:15,120
Speaker 1: For me, it was a moment definitely with Mrs Teasley.

686
00:43:15,160 --> 00:43:18,080
Speaker 1: I thought, oh, when she first came on and she's

687
00:43:18,120 --> 00:43:20,359
Speaker 1: so prominent in this episode, and then I was able

688
00:43:20,400 --> 00:43:23,000
Speaker 1: to sort of surrender it and release that and just

689
00:43:23,440 --> 00:43:26,960
Speaker 1: dive into the show. It definitely left me like I

690
00:43:27,000 --> 00:43:29,680
Speaker 1: was like, Okay, I'm gonna Not that I forgot or

691
00:43:29,960 --> 00:43:35,479
Speaker 1: didn't care, but I was like, it was really prominent. Okay,

692
00:43:35,560 --> 00:43:37,880
Speaker 1: now I'm I think it was hard for me that

693
00:43:37,960 --> 00:43:39,800
Speaker 1: the scene at the peach pit with it, you know what,

694
00:43:39,880 --> 00:43:41,799
Speaker 1: Dylan was there, we were all there, and now I

695
00:43:41,840 --> 00:43:46,320
Speaker 1: was there, and yeah, I definitely had the same moment

696
00:43:46,400 --> 00:43:50,560
Speaker 1: in this episode. It's the first episode since all three

697
00:43:50,560 --> 00:43:53,920
Speaker 1: of pass that we're seeing it and also knowing that

698
00:43:54,040 --> 00:43:58,239
Speaker 1: Jessica Klein pass and knowing that she was the one

699
00:43:58,280 --> 00:44:01,040
Speaker 1: that wrote Donna Martin Graduates and that line like that

700
00:44:01,080 --> 00:44:07,160
Speaker 1: they all chanted, So yeah, IM like that stuff. But

701
00:44:07,200 --> 00:44:09,680
Speaker 1: I was just so happy for Donna and that you

702
00:44:09,719 --> 00:44:12,200
Speaker 1: get to graduate with us. I was like, well, and

703
00:44:12,360 --> 00:44:16,760
Speaker 1: what a scene. I mean, not the outside the Donna

704
00:44:16,760 --> 00:44:21,239
Speaker 1: Martin graduates is amazing, but it's still like even as

705
00:44:21,320 --> 00:44:24,160
Speaker 1: like a span of everything. I remember even being like

706
00:44:24,200 --> 00:44:26,120
Speaker 1: because I was in college at this point, going is

707
00:44:26,160 --> 00:44:28,680
Speaker 1: this embarrassing? Like kind of watching it, like am I embarrassed?

708
00:44:28,680 --> 00:44:31,680
Speaker 1: With their all? And it's the slow clap version of

709
00:44:31,760 --> 00:44:35,920
Speaker 1: Donna Martin graduates, because it's like, Donna Martin graduate, And

710
00:44:35,920 --> 00:44:39,280
Speaker 1: what about the parts like the Margins, we're all marching

711
00:44:39,320 --> 00:44:43,080
Speaker 1: and like sometimes there's a scene inside the like there's

712
00:44:43,320 --> 00:44:46,359
Speaker 1: Brandon's talking to somebody else, but everybody's still chanting around him.

713
00:44:46,640 --> 00:44:50,360
Speaker 1: So when we're filming that, you can tell, because like

714
00:44:50,400 --> 00:44:52,440
Speaker 1: there's a difference when you say something and you're like

715
00:44:52,480 --> 00:44:56,640
Speaker 1: Donna Martin graduates, your face in your mouth, everything works together.

716
00:44:56,920 --> 00:45:00,640
Speaker 1: But when somebody has to have dialogue in the scene

717
00:45:00,680 --> 00:45:05,080
Speaker 1: in the background actors, the people chanting, I'll have to

718
00:45:05,239 --> 00:45:12,279
Speaker 1: mind so mim it. It looks so different than when

719
00:45:12,280 --> 00:45:15,080
Speaker 1: they're really saying it. Even like the main characters, I

720
00:45:15,080 --> 00:45:18,480
Speaker 1: could tell when like Kelly was able to say it

721
00:45:18,480 --> 00:45:21,880
Speaker 1: out loud, and then I could tell they made me mind.

722
00:45:21,800 --> 00:45:24,000
Speaker 1: It just looks so different. And then I was trying

723
00:45:24,040 --> 00:45:27,239
Speaker 1: to see, like when did the whole Donna Martin, you

724
00:45:27,280 --> 00:45:30,680
Speaker 1: know what's right? And when did that happen? I thought it.

725
00:45:30,880 --> 00:45:33,279
Speaker 1: I looked in on every mouth I was trying to see,

726
00:45:33,600 --> 00:45:37,080
Speaker 1: and I think I saw one prominent background. I tried

727
00:45:37,120 --> 00:45:40,000
Speaker 1: to look for it doing it, saying it, and I

728
00:45:40,080 --> 00:45:42,239
Speaker 1: know it was like one of our brother cheeky ones

729
00:45:42,280 --> 00:45:44,760
Speaker 1: that was there all the time, not Lance, but another

730
00:45:44,760 --> 00:45:46,920
Speaker 1: one of the people. And I was like, I know,

731
00:45:47,040 --> 00:45:50,320
Speaker 1: I just saw him say it. Did you guys? Okay?

732
00:45:50,480 --> 00:45:53,200
Speaker 1: I know this is so because I love this episode,

733
00:45:53,520 --> 00:45:57,080
Speaker 1: but there is something like if you because I was

734
00:45:57,120 --> 00:46:00,719
Speaker 1: now not in high school where I'm like, is this

735
00:46:01,480 --> 00:46:04,000
Speaker 1: what's happening that they're doing? Like did you ever have

736
00:46:04,080 --> 00:46:07,360
Speaker 1: a moment like is this gonna land? Or we jump

737
00:46:07,400 --> 00:46:10,920
Speaker 1: in the shark right now? Did you ever have a

738
00:46:10,920 --> 00:46:17,000
Speaker 1: moment like like like at that point, we were still

739
00:46:17,000 --> 00:46:19,520
Speaker 1: so young and in it, like we didn't know what

740
00:46:19,680 --> 00:46:22,760
Speaker 1: is this going to land? Meant we were just because

741
00:46:22,800 --> 00:46:26,680
Speaker 1: it didn't jump the shark, it didn't and it landed

742
00:46:27,000 --> 00:46:32,520
Speaker 1: and it became iconic, but it was shark jumping, like literally,

743
00:46:32,560 --> 00:46:35,600
Speaker 1: you're all out there, Donna Martin, and like I said,

744
00:46:35,719 --> 00:46:38,160
Speaker 1: Donna Martin, grudge. Then like another one says it, another

745
00:46:38,200 --> 00:46:40,160
Speaker 1: one says it, and then it's the like I said,

746
00:46:40,200 --> 00:46:44,520
Speaker 1: it's the slow clap. It's not that crazy to compare

747
00:46:44,560 --> 00:46:49,520
Speaker 1: it to the fall jumping shark. Wait, Jed, do you

748
00:46:49,560 --> 00:46:52,680
Speaker 1: remember like obviously it was a long day and it

749
00:46:52,760 --> 00:46:54,600
Speaker 1: was hot, and they had to do everyone had to

750
00:46:54,600 --> 00:46:56,760
Speaker 1: do it fifty million times, and so they got cheeky

751
00:46:56,800 --> 00:47:00,120
Speaker 1: and said Donna Martin Masterbates, But do you remember for

752
00:47:00,239 --> 00:47:01,640
Speaker 1: that when you guys first had to do it and

753
00:47:01,680 --> 00:47:05,320
Speaker 1: rehearse it, were you guys like this sounds so yeah,

754
00:47:05,640 --> 00:47:09,279
Speaker 1: cringe e. We're all like just stand there. It just

755
00:47:09,320 --> 00:47:12,279
Speaker 1: felt so weird, but you know, out of context, it

756
00:47:12,400 --> 00:47:14,480
Speaker 1: felt it felt really weird. But I thought it all

757
00:47:14,520 --> 00:47:18,680
Speaker 1: cut together beautifully. I think it works almost because it's

758
00:47:18,719 --> 00:47:24,040
Speaker 1: so cheesy is not the right word ridiculous, it's a

759
00:47:24,040 --> 00:47:28,520
Speaker 1: little cheesy. It works because it's so bonkers, like is

760
00:47:28,560 --> 00:47:32,440
Speaker 1: this gonna work? And it freaking works, And they're all

761
00:47:32,520 --> 00:47:35,080
Speaker 1: freaked out in the school board like they're coming in

762
00:47:35,239 --> 00:47:40,440
Speaker 1: and you know, it's because it's like it's just so

763
00:47:40,560 --> 00:47:44,680
Speaker 1: much and then you're just like all right, yeah, but

764
00:47:44,760 --> 00:47:48,160
Speaker 1: it's like totally like a John Hughes movie, like Breakfast Club.

765
00:47:48,239 --> 00:47:50,479
Speaker 1: It's like it's I don't know, it just makes you think,

766
00:47:50,560 --> 00:47:53,479
Speaker 1: like this would sixteen candles like this would happen. Yes,

767
00:47:54,120 --> 00:47:56,319
Speaker 1: Like the writers must have been like, I don't know.

768
00:47:56,400 --> 00:48:00,960
Speaker 1: The camaraderie was just so cool, but you're what you're saying,

769
00:48:01,040 --> 00:48:03,160
Speaker 1: it is a little like cheesy that everyone had to

770
00:48:03,200 --> 00:48:05,080
Speaker 1: like stand there doing it. If I had to stand

771
00:48:05,080 --> 00:48:07,359
Speaker 1: there and shout Dona Martin graduates, I would have been like,

772
00:48:07,400 --> 00:48:12,040
Speaker 1: oh my god, there's somewhere between getting the police getting

773
00:48:12,040 --> 00:48:13,680
Speaker 1: the police called on him. But then all of a

774
00:48:13,719 --> 00:48:15,560
Speaker 1: sudden it worked. It was like, I don't know, I

775
00:48:15,560 --> 00:48:22,680
Speaker 1: just want to hold this sign up more graduate, just graduate,

776
00:48:22,800 --> 00:48:27,520
Speaker 1: just over and overdone. Graduate. I'm just staring that. Your

777
00:48:27,600 --> 00:48:33,600
Speaker 1: arms don't move. Your arms are so rock solid impressive, barely.

778
00:48:35,080 --> 00:48:42,520
Speaker 1: You better not use that that clip heart. You're like,

779
00:48:43,120 --> 00:48:45,959
Speaker 1: you're like Linda, what was your name? And the terminator?

780
00:48:47,760 --> 00:48:50,160
Speaker 1: So before we go, is it one of the best

781
00:48:50,160 --> 00:48:55,080
Speaker 1: episodes of the whole series? Yes? Yes? How did that

782
00:48:56,400 --> 00:49:01,040
Speaker 1: become so iconic? Though? Because because what I'm saying like

783
00:49:01,120 --> 00:49:04,359
Speaker 1: that Chanel jumped the shark and then it worked. So

784
00:49:04,480 --> 00:49:07,760
Speaker 1: because of that, that's my opinion that it was so

785
00:49:08,640 --> 00:49:13,480
Speaker 1: what and it was so silly. Isn't the right I

786
00:49:13,520 --> 00:49:17,000
Speaker 1: don't have the right word, Like the whole school is chanting.

787
00:49:17,080 --> 00:49:21,440
Speaker 1: Donna Martin graduates, Donna Martin grabad as I view, or

788
00:49:21,520 --> 00:49:27,319
Speaker 1: you're like, am I embarrassed or am I stoked? Where

789
00:49:27,480 --> 00:49:31,279
Speaker 1: I was a reviewer, I was into it. I was like,

790
00:49:31,520 --> 00:49:33,960
Speaker 1: I an't know where you're going with that. We're so

791
00:49:34,160 --> 00:49:36,719
Speaker 1: closely connected to it. It's hard to see it, but

792
00:49:37,000 --> 00:49:39,920
Speaker 1: I see it's almost like borderline spoofy. It's like a

793
00:49:39,960 --> 00:49:44,040
Speaker 1: cult classic. It's like which a lot of cult movies are, like, oh,

794
00:49:44,120 --> 00:49:46,720
Speaker 1: they're a little cheesy, little b movies, but they became

795
00:49:47,040 --> 00:49:50,520
Speaker 1: like last year of the year. So that's why this episode. No,

796
00:49:50,840 --> 00:49:52,840
Speaker 1: I didn't feel like that. I felt like it was.

797
00:49:53,719 --> 00:49:56,919
Speaker 1: I did get uncomfortable because I'm just uncomfortable anytime there's

798
00:49:56,920 --> 00:50:00,840
Speaker 1: a large crowd gathering and making a march or statement.

799
00:50:01,200 --> 00:50:06,840
Speaker 1: But yeah, I felt like it was this emoji. Hold on,

800
00:50:06,840 --> 00:50:08,920
Speaker 1: I'm going to text you guys in the group text.

801
00:50:09,239 --> 00:50:14,280
Speaker 1: It's this emoji to me, hold on, it's a little

802
00:50:14,360 --> 00:50:21,080
Speaker 1: of this, but then I love it. Why is it

803
00:50:21,120 --> 00:50:29,200
Speaker 1: not coming through you like where you're like this, you can't,

804
00:50:29,360 --> 00:50:32,239
Speaker 1: You're like, I think I don't like it. I don't

805
00:50:32,280 --> 00:50:39,160
Speaker 1: like it, Jenny, I don't watch it, but I don't.

806
00:50:39,880 --> 00:50:43,120
Speaker 1: I would actually really love to hear from fans, I

807
00:50:43,160 --> 00:50:45,879
Speaker 1: guess because it's like all eyes on me kind of

808
00:50:46,320 --> 00:50:49,040
Speaker 1: that when they are so into it. I never say

809
00:50:49,080 --> 00:50:52,600
Speaker 1: like why though, do you like that phrase? Donna Martin Graduate?

810
00:50:52,760 --> 00:50:55,040
Speaker 1: But I would like to hear from fans like what

811
00:50:55,120 --> 00:50:58,680
Speaker 1: about that made that one of their favorite things to say?

812
00:50:58,880 --> 00:51:02,280
Speaker 1: How about the fact that I wouldn't have worn this shirt?

813
00:51:03,040 --> 00:51:11,360
Speaker 1: But in to what I will rock this so hard?

814
00:51:12,000 --> 00:51:14,759
Speaker 1: And I will if I was wearing this, everyone will

815
00:51:14,760 --> 00:51:16,920
Speaker 1: be like, you know what, I think I'm gonna I'm

816
00:51:16,920 --> 00:51:20,040
Speaker 1: gonna put this in the back of my car and

817
00:51:20,160 --> 00:51:26,160
Speaker 1: just drive around like that. As the Donn and Martin

818
00:51:26,280 --> 00:51:30,040
Speaker 1: graduates has aged like a fine wine. So this has

819
00:51:30,080 --> 00:51:32,040
Speaker 1: been you guys sent this a couple of weeks ago,

820
00:51:32,200 --> 00:51:33,520
Speaker 1: So it's been in the house waiting for us to

821
00:51:33,560 --> 00:51:37,440
Speaker 1: do this episode. And I had it his like literally

822
00:51:37,480 --> 00:51:39,840
Speaker 1: in the front of my house and a couple of

823
00:51:39,840 --> 00:51:41,719
Speaker 1: times people have come to drop things off and they're

824
00:51:41,760 --> 00:51:44,600
Speaker 1: like they look around, they see it, go, oh my god,

825
00:51:44,640 --> 00:51:47,160
Speaker 1: I'm sorry. That takes me back. That's my favorite. It

826
00:51:47,239 --> 00:51:49,720
Speaker 1: was like crazy and it was something on their face.

827
00:51:49,760 --> 00:51:52,920
Speaker 1: They became like sixteen again, the fact that your Tory

828
00:51:52,960 --> 00:51:55,560
Speaker 1: spelling and you have the embarrassing because it would be

829
00:51:55,600 --> 00:51:57,960
Speaker 1: funny enough if I had that song that like somebody

830
00:51:57,960 --> 00:51:59,880
Speaker 1: came by and they're like, don't Martin graduates, but like,

831
00:52:00,920 --> 00:52:02,600
Speaker 1: you know, whatever're doing, gonna put this on a stake

832
00:52:02,680 --> 00:52:05,000
Speaker 1: in front of my house and see if people honk

833
00:52:05,000 --> 00:52:06,840
Speaker 1: when they drive by, because you know how you always

834
00:52:06,840 --> 00:52:12,000
Speaker 1: put those signs like like a fortress that's not fairside

835
00:52:13,239 --> 00:52:17,480
Speaker 1: out of it. Wait wait, I have I have an

836
00:52:17,560 --> 00:52:21,759
Speaker 1: idea for us. It's kind of a dare, and we're

837
00:52:21,760 --> 00:52:24,399
Speaker 1: gonna do it. I smell merch. I don't know what

838
00:52:24,440 --> 00:52:27,480
Speaker 1: it is, and I'll do it and Martin graduates merch.

839
00:52:28,200 --> 00:52:31,040
Speaker 1: Oh my gosh, this is fun talking about this episode.

840
00:52:31,480 --> 00:52:34,799
Speaker 1: But next week we're gonna we're gonna graduate, I think,

841
00:52:34,880 --> 00:52:38,080
Speaker 1: and but it's a two part but we're going to

842
00:52:38,200 --> 00:52:44,000
Speaker 1: do it all in one. Right, Still debating, still debating

843
00:52:44,600 --> 00:52:49,680
Speaker 1: because we don't know yet because we want. We are

844
00:52:49,760 --> 00:52:52,960
Speaker 1: coming back for season four and we're all heading to Vegas,

845
00:52:53,040 --> 00:52:55,839
Speaker 1: so we I'm trying to time it out with the counter. Wait,

846
00:52:55,840 --> 00:52:58,680
Speaker 1: we'll be like Vegas, Baby, We're going to Vegas together.

847
00:52:59,280 --> 00:53:04,120
Speaker 1: It's like our for the I Hear Music, I Heart

848
00:53:04,200 --> 00:53:11,160
Speaker 1: Radio Music Festival. Who's your alter ego? Who's your Terry?

849
00:53:11,520 --> 00:53:15,920
Speaker 1: Terry's coming to Vegas. Harry's going to Vegas. Guy, you

850
00:53:16,000 --> 00:53:21,000
Speaker 1: see me in Vegas. I'm gonna be once I'm in Vegas.

851
00:53:21,120 --> 00:53:24,480
Speaker 1: Donna Martin graduate, Oh my gosh, maybe we should take

852
00:53:24,480 --> 00:53:29,640
Speaker 1: our today. Donna Martin graduates. Donna Martin graduates, Martin graduates,

853
00:53:29,680 --> 00:53:31,560
Speaker 1: Oh my gosh. Okay, so we don't know what it's

854
00:53:31,560 --> 00:53:33,759
Speaker 1: going to be. One episode or two episodes, but next

855
00:53:33,760 --> 00:53:37,000
Speaker 1: we're graduating. Commencement Part one is next week. I wish

856
00:53:37,040 --> 00:53:39,800
Speaker 1: it was a ring tone. That would be amazing, but

857
00:53:39,840 --> 00:53:42,240
Speaker 1: I don't really do it. I want, Oh my god,

858
00:53:42,480 --> 00:53:45,680
Speaker 1: we should get every cast member to say it, and

859
00:53:45,680 --> 00:53:48,120
Speaker 1: then that should together. The ring tone when you guys

860
00:53:48,160 --> 00:53:55,000
Speaker 1: call me, Dona Martin choice, good luck with that have happened?

861
00:53:55,360 --> 00:53:57,680
Speaker 1: Should be Donna Martin graduates, And when Jenny calls me,

862
00:53:57,719 --> 00:54:01,360
Speaker 1: it should go I choose me that we can do

863
00:54:01,400 --> 00:54:03,840
Speaker 1: for you. We can record those for you, Amy, I

864
00:54:03,880 --> 00:54:08,920
Speaker 1: would just live my best life with that. Something tells

865
00:54:08,920 --> 00:54:12,560
Speaker 1: me it's real. Look at her. She means it. She

866
00:54:12,680 --> 00:54:18,799
Speaker 1: means it. That's why we love you. We imagine if

867
00:54:18,800 --> 00:54:21,400
Speaker 1: I'm like somewhere with friends and all of a sudden,

868
00:54:21,400 --> 00:54:24,560
Speaker 1: my phone starts going Donna Martin graduates and I'm like, sorry, guys,

869
00:54:24,600 --> 00:54:27,560
Speaker 1: Tory Spelling is calling me. Like nobody in my world

870
00:54:27,600 --> 00:54:29,759
Speaker 1: would be like they'd be like, literally what, Well, it

871
00:54:29,800 --> 00:54:32,400
Speaker 1: wouldn't happen because we all know she doesn't make phone calls,

872
00:54:32,480 --> 00:54:41,600
Speaker 1: so we can only text people. I can't. We don't

873
00:54:41,640 --> 00:54:44,280
Speaker 1: talk on the phone anymore. We only text. Sorry to

874
00:54:44,280 --> 00:54:46,240
Speaker 1: make this about me. At the end, I got very excited,

875
00:54:46,360 --> 00:54:49,279
Speaker 1: So I'll be texting you guys to record those. Okay,

876
00:54:49,760 --> 00:54:53,919
Speaker 1: got it? You got it? Oas next week, UM, we'll

877
00:54:53,960 --> 00:54:55,920
Speaker 1: either be in Vegas, we won't be in Vegas. We

878
00:54:55,960 --> 00:54:59,960
Speaker 1: don't know, but everybody watch Season three, episode twenty nine.

879
00:55:00,000 --> 00:55:04,120
Speaker 1: Are almost done with Season three, You Guys Commencement Part one.

880
00:55:04,719 --> 00:55:12,200
Speaker 1: I Love You Guys by H