WEBVTT - Jedidiah Jenkins

0:00:00.260 --> 0:00:15.830
<v Speaker 1>Hi everyone, it's Sophia. Welcome to Work in Progress. Welcome

0:00:15.870 --> 0:00:19.750
<v Speaker 1>to this week's Work in Progress, my friends. This is

0:00:19.810 --> 0:00:24.630
<v Speaker 1>a first. This episode is airing on the day that

0:00:24.710 --> 0:00:29.790
<v Speaker 1>my book comes out. I can't believe we're here. This

0:00:29.850 --> 0:00:32.800
<v Speaker 1>is a big day for me. And I will tell

0:00:32.840 --> 0:00:36.460
<v Speaker 1>you mine. My first memoir is officially out in the world.

0:00:36.620 --> 0:00:42.080
<v Speaker 1>And so to celebrate it and honor it and mark

0:00:42.159 --> 0:00:44.979
<v Speaker 1>it in the sort of calendar of life, I wanted

0:00:45.140 --> 0:00:49.020
<v Speaker 1>to bring on a guest today who knows a thing

0:00:49.090 --> 0:00:52.250
<v Speaker 1>or two or four about putting your life on the

0:00:52.290 --> 0:00:57.640
<v Speaker 1>page and who knows far more things about me. One

0:00:57.660 --> 0:01:02.760
<v Speaker 1>of my best friends and favorite writers, Jedediah Jenkins, is

0:01:02.820 --> 0:01:06.539
<v Speaker 1>here today. He's a three-time New York Times bestselling author

0:01:06.600 --> 0:01:11.539
<v Speaker 1>whose books explore everything from a bicycle journey lasting 16

0:01:11.540 --> 0:01:16.009
<v Speaker 1>months from Oregon to Patagonia to the complicated relationship between

0:01:16.030 --> 0:01:20.770
<v Speaker 1>a mother and son, explorations about faith, identity, family, and

0:01:20.790 --> 0:01:23.270
<v Speaker 1>the questions that can change the course of a life.

0:01:24.030 --> 0:01:26.530
<v Speaker 1>Jed is the kind of person that you want to

0:01:26.569 --> 0:01:31.770
<v Speaker 1>go to with your secrets and with your successes. And

0:01:31.790 --> 0:01:35.190
<v Speaker 1>he's someone who can be that kind of space for

0:01:35.230 --> 0:01:39.370
<v Speaker 1>you if you're a reader of his books. We met

0:01:39.450 --> 0:01:41.790
<v Speaker 1>years ago at a gathering of people who wanted to

0:01:41.830 --> 0:01:44.530
<v Speaker 1>make the world a better place almost 20 years ago now,

0:01:44.610 --> 0:01:50.000
<v Speaker 1>I can't believe it. And pretty instantaneously, he was part

0:01:50.030 --> 0:01:52.610
<v Speaker 1>of my chosen family. He was part of the group

0:01:52.630 --> 0:01:55.350
<v Speaker 1>of friends who helped me find my footing back in

0:01:55.390 --> 0:01:59.740
<v Speaker 1>Los Angeles after 10 years in North Carolina. He's one

0:01:59.760 --> 0:02:01.480
<v Speaker 1>of the people I think of when I think of home.

0:02:02.280 --> 0:02:06.020
<v Speaker 1>There's so much to admire about my friend Jed. His

0:02:06.060 --> 0:02:09.280
<v Speaker 1>relentless curiosity, his willingness to take a leap, and the

0:02:09.320 --> 0:02:13.230
<v Speaker 1>way he brings people together. And so on the day

0:02:13.330 --> 0:02:16.429
<v Speaker 1>that I am putting my own story out there, I

0:02:16.470 --> 0:02:18.529
<v Speaker 1>just can't think of anyone I'd rather have here with

0:02:18.570 --> 0:02:22.140
<v Speaker 1>me than a friend who knows firsthand. What it means

0:02:22.220 --> 0:02:24.900
<v Speaker 1>to turn the pieces of your life into a book.

0:02:25.580 --> 0:02:41.450
<v Speaker 1>Let's dive in with Jadadiah Jenkins. Well, this is actually

0:02:41.510 --> 0:02:42.390
<v Speaker 1>my dream come true.

0:02:42.410 --> 0:02:45.389
<v Speaker 2>Hi, Sophia. Congratulations on today.

0:02:45.490 --> 0:02:48.410
<v Speaker 1>How I love. Can you believe it? I love you.

0:02:49.910 --> 0:02:51.550
<v Speaker 2>It's an honor to be on your amazing show.

0:02:51.570 --> 0:02:54.350
<v Speaker 1>Well, I'm just so thrilled to be here. It's an

0:02:54.410 --> 0:02:58.440
<v Speaker 1>honor to be your friend. And it's funny, we've talked

0:02:58.480 --> 0:03:01.780
<v Speaker 1>about doing this for so long. And now I'm so

0:03:01.820 --> 0:03:05.620
<v Speaker 1>glad that it took forever because we're in this kismet season.

0:03:06.919 --> 0:03:11.150
<v Speaker 2>Well, dear listener, I know this is Sophia's podcast, but

0:03:11.910 --> 0:03:15.350
<v Speaker 2>I'm kind of going to steal the show because I

0:03:15.470 --> 0:03:19.790
<v Speaker 2>want to make this about you, Sophia, you have, this

0:03:19.870 --> 0:03:22.709
<v Speaker 2>is a gauntlet moment. This is a birth canal moment

0:03:24.070 --> 0:03:27.110
<v Speaker 2>where I think everybody thinks they have a book in

0:03:27.150 --> 0:03:31.070
<v Speaker 2>them and a memoir and autobiography. This like the story

0:03:31.110 --> 0:03:33.170
<v Speaker 2>of your life and how you got here. I believe

0:03:33.190 --> 0:03:38.370
<v Speaker 2>as a memoirist is, I believe is mandatory and it

0:03:38.410 --> 0:03:41.190
<v Speaker 2>can be as simple as journaling, but I'm like people,

0:03:41.270 --> 0:03:44.490
<v Speaker 2>you need to write your story because unless you sit

0:03:44.550 --> 0:03:48.290
<v Speaker 2>down and try to figure out what this means, you

0:03:48.330 --> 0:03:50.930
<v Speaker 2>don't know where you're going. You're just responding to the

0:03:50.970 --> 0:03:53.090
<v Speaker 2>wind as opposed to being in the driver's seat of

0:03:53.110 --> 0:03:58.010
<v Speaker 2>your life. And today I will tell you mine comes

0:03:58.150 --> 0:04:02.350
<v Speaker 2>out and it's like, people will actually get to hold it.

0:04:02.390 --> 0:04:04.340
<v Speaker 2>They've pre-ordered it. They're going to go to Barnes and

0:04:04.350 --> 0:04:06.100
<v Speaker 2>Noble right now. They're going to go to books a million.

0:04:06.120 --> 0:04:07.700
<v Speaker 2>They're going to go to their local bookstore and get

0:04:07.740 --> 0:04:12.140
<v Speaker 2>it and sit down and spend this next week or

0:04:12.340 --> 0:04:17.870
<v Speaker 2>maybe all night binging it. And it's like, I know

0:04:17.910 --> 0:04:21.410
<v Speaker 2>that's scary, but I want to ask you, like, how

0:04:21.450 --> 0:04:22.390
<v Speaker 2>have you been feeling?

0:04:25.089 --> 0:04:32.800
<v Speaker 1>I mean, you know this. Thank God that the night

0:04:32.890 --> 0:04:36.400
<v Speaker 1>I turned in my book, again, in Kismet was also

0:04:36.440 --> 0:04:40.300
<v Speaker 1>the night you turned in your fourth book, literal mic drop.

0:04:40.320 --> 0:04:43.340
<v Speaker 1>That is crazy. And for our friends at home, I

0:04:43.380 --> 0:04:46.220
<v Speaker 1>FaceTimed Jed and was like, what are the chances that

0:04:46.980 --> 0:04:49.160
<v Speaker 1>nearly 20 years into us knowing each other, this is

0:04:49.200 --> 0:04:55.719
<v Speaker 1>happening to us on the same day. And I remember

0:04:55.800 --> 0:04:59.250
<v Speaker 1>your gauntlet experience when your first book was coming out,

0:04:59.310 --> 0:05:01.169
<v Speaker 1>when To Shake the Sleeping Self was coming out, and

0:05:01.210 --> 0:05:04.930
<v Speaker 1>we had that insane week together in New York. We'll

0:05:04.950 --> 0:05:10.760
<v Speaker 1>get there. But you were such a safe place for

0:05:10.800 --> 0:05:14.240
<v Speaker 1>me to land at the end of this process because

0:05:14.320 --> 0:05:17.000
<v Speaker 1>I essentially felt like I'd been picked up by a

0:05:17.080 --> 0:05:20.720
<v Speaker 1>tornado and like battered into the rocks of my own

0:05:20.820 --> 0:05:24.700
<v Speaker 1>soul and dropped off on some foreign shore you know

0:05:24.740 --> 0:05:28.440
<v Speaker 1>just wet and bruised and I was like is this

0:05:29.200 --> 0:05:31.910
<v Speaker 1>normal I thought there I thought there was supposed to

0:05:31.930 --> 0:05:35.290
<v Speaker 1>be all this joy in this process and then all

0:05:35.310 --> 0:05:37.310
<v Speaker 1>of my gorgeous friends like you who've written books were

0:05:37.350 --> 0:05:39.969
<v Speaker 1>like no it's absolute torture and then comes the.

0:05:39.910 --> 0:05:44.200
<v Speaker 2>Joy Well, and then comes the joy, which for me,

0:05:44.310 --> 0:05:49.089
<v Speaker 2>the joy is being able to stand in a place

0:05:49.130 --> 0:05:52.530
<v Speaker 2>of strength and say what your younger self wished it

0:05:52.550 --> 0:05:56.530
<v Speaker 2>could have said in strength, even with a trembling voice.

0:05:56.910 --> 0:06:00.210
<v Speaker 2>And then it's not just for you. It's when somebody says,

0:06:00.990 --> 0:06:03.180
<v Speaker 2>I didn't know I could see myself like that. I

0:06:03.210 --> 0:06:05.080
<v Speaker 2>didn't know that was an option. I didn't know I

0:06:05.120 --> 0:06:08.120
<v Speaker 2>could stand up and speak out and be that. little

0:06:08.160 --> 0:06:11.200
<v Speaker 2>girl who believed in her power and I could do

0:06:11.240 --> 0:06:15.020
<v Speaker 2>that and bring her back. And that is when the

0:06:15.040 --> 0:06:18.380
<v Speaker 2>joy comes, but it is, it is scary. It is

0:06:18.640 --> 0:06:21.600
<v Speaker 2>overwhelming because you're talking about real people. You're talking about

0:06:21.620 --> 0:06:26.320
<v Speaker 2>your life. You're talking about your family relationships, friendships, those

0:06:26.360 --> 0:06:30.250
<v Speaker 2>people exist. This we're not writing fantasy novels here. And

0:06:31.000 --> 0:06:35.310
<v Speaker 2>it is this catharsis that I wish more people could experience.

0:06:35.940 --> 0:06:36.240
<v Speaker 1>Yes.

0:06:36.779 --> 0:06:39.840
<v Speaker 2>So dear listeners, I'm about to release my fourth book.

0:06:40.420 --> 0:06:43.160
<v Speaker 2>And every single time I've done a book tour, I

0:06:43.200 --> 0:06:47.349
<v Speaker 2>got sick, like, like debilitatingly sick. And by the way,

0:06:47.430 --> 0:06:50.910
<v Speaker 2>I didn't not like, not like a cold or the flu,

0:06:50.970 --> 0:06:54.990
<v Speaker 2>like my brain was like psychosomatically shutting down my body

0:06:55.089 --> 0:06:55.910
<v Speaker 2>out of anxiety.

0:06:56.410 --> 0:06:56.710
<v Speaker 1>Yes.

0:06:57.350 --> 0:07:00.050
<v Speaker 2>And Sophia knows me as well as anybody like I

0:07:00.089 --> 0:07:03.110
<v Speaker 2>don't do that. Like this was a totally new experience

0:07:03.130 --> 0:07:06.940
<v Speaker 2>for me. And I've only learned out of repetition.

0:07:07.700 --> 0:07:07.979
<v Speaker 1>Yeah.

0:07:08.620 --> 0:07:11.160
<v Speaker 2>It's a fear response of like putting yourself out there

0:07:11.220 --> 0:07:13.440
<v Speaker 2>and not knowing how people will receive you, which is,

0:07:14.780 --> 0:07:19.680
<v Speaker 2>you know, that is the human response. But my question

0:07:19.720 --> 0:07:22.200
<v Speaker 2>for you, Sophia, is being a public, because you were

0:07:22.250 --> 0:07:26.630
<v Speaker 2>a public person first in a way and have had

0:07:27.590 --> 0:07:31.910
<v Speaker 2>strangers digest your life and puke it back to you

0:07:31.930 --> 0:07:34.110
<v Speaker 2>in a way that I hadn't.

0:07:35.380 --> 0:07:35.540
<v Speaker 1>Yeah.

0:07:35.580 --> 0:07:38.700
<v Speaker 2>And so like, well, first of all, let's set the

0:07:38.740 --> 0:07:44.960
<v Speaker 2>stage of how do you feel right now about this

0:07:45.040 --> 0:07:48.200
<v Speaker 2>book coming out today? Like zoom out.

0:07:50.180 --> 0:07:53.500
<v Speaker 1>I think only in the last few weeks have I

0:07:53.620 --> 0:07:59.530
<v Speaker 1>really felt settled with it. There are certainly things I

0:07:59.570 --> 0:08:03.730
<v Speaker 1>feel anxious about because I know to your point, I've

0:08:03.770 --> 0:08:06.950
<v Speaker 1>been in the washing machine of a public life for

0:08:06.970 --> 0:08:10.170
<v Speaker 1>a long time. So I already know how gross the

0:08:10.230 --> 0:08:16.550
<v Speaker 1>world is. But I also know on the other side

0:08:16.650 --> 0:08:22.380
<v Speaker 1>of the seesaw how beautiful it is. And I am

0:08:22.480 --> 0:08:28.180
<v Speaker 1>nervous about what will be ugly. And I feel really

0:08:28.400 --> 0:08:29.240
<v Speaker 1>secure in.

0:08:31.830 --> 0:08:34.030
<v Speaker 1>This moment because my story is mine.

0:08:35.990 --> 0:08:40.069
<v Speaker 2>Having exercised that muscle to some degree where you say

0:08:40.110 --> 0:08:42.069
<v Speaker 2>something in an interview and they take it in a

0:08:42.110 --> 0:08:47.540
<v Speaker 2>different direction or you write something and it's like you

0:08:47.600 --> 0:08:50.260
<v Speaker 2>have a little bit of muscle memory of being in

0:08:51.559 --> 0:08:55.179
<v Speaker 2>the public and having it become a conversation in a

0:08:55.200 --> 0:08:59.020
<v Speaker 2>direction you didn't anticipate and surviving that and surviving it beautifully.

0:08:59.420 --> 0:09:04.900
<v Speaker 2>I've witnessed that. your strength and poise and you're blessed

0:09:04.960 --> 0:09:08.880
<v Speaker 2>because you are a talker and you can find the

0:09:08.920 --> 0:09:11.500
<v Speaker 2>words where some people, they just get bulldozed by a

0:09:12.400 --> 0:09:14.719
<v Speaker 2>situation and they don't know how to process it. Like

0:09:14.780 --> 0:09:18.520
<v Speaker 2>you have the tools, but I don't know. How are

0:09:18.559 --> 0:09:22.040
<v Speaker 2>you feeling equipped for this new moment?

0:09:22.780 --> 0:09:25.070
<v Speaker 1>I think the interesting thing is as I, as I

0:09:25.120 --> 0:09:30.540
<v Speaker 1>know myself better, um, And frankly, in the last couple

0:09:30.559 --> 0:09:36.980
<v Speaker 1>of years, as I have finally put down the expectations

0:09:37.020 --> 0:09:40.090
<v Speaker 1>of a culture and a society and the conscious and

0:09:40.280 --> 0:09:45.710
<v Speaker 1>unconscious messaging that women in particular get handed from the

0:09:45.770 --> 0:09:52.550
<v Speaker 1>time we're so small, the interesting thing is deconstructing that. Like,

0:09:52.630 --> 0:09:57.910
<v Speaker 1>that was my version of a religious deconstruction. And taking

0:09:57.970 --> 0:10:03.929
<v Speaker 1>that apart has been so seismic. And in a strange way,

0:10:03.970 --> 0:10:07.689
<v Speaker 1>I've realized a lot of what looks like poise or confidence,

0:10:07.870 --> 0:10:11.309
<v Speaker 1>a lot of what my therapist calls my alarming unflappability

0:10:12.130 --> 0:10:21.100
<v Speaker 1>is actually just me knowing how to internalize how much

0:10:21.320 --> 0:10:25.179
<v Speaker 1>that stuff really does hurt because the hurt is also

0:10:25.240 --> 0:10:29.740
<v Speaker 1>inconvenient for other people. And it's really only recently that

0:10:29.780 --> 0:10:33.420
<v Speaker 1>I've gone, oh, I've actually been very traumatized by this

0:10:33.500 --> 0:10:37.160
<v Speaker 1>kind of public attention. And by the way, women get

0:10:37.240 --> 0:10:43.100
<v Speaker 1>chopped up like meat and thrown out for people to

0:10:43.420 --> 0:10:46.620
<v Speaker 1>snack on. Like it's a really surreal thing. And I

0:10:47.300 --> 0:10:50.040
<v Speaker 1>do finally feel like I can kind of give myself

0:10:50.530 --> 0:10:54.670
<v Speaker 1>some flowers for you've survived this and you've been pretty

0:10:54.730 --> 0:10:57.410
<v Speaker 1>classy through it. Occasionally you get a little upset and

0:10:57.429 --> 0:11:00.770
<v Speaker 1>my like fiery Italian, you know, heritage from the Bronx

0:11:00.809 --> 0:11:05.880
<v Speaker 1>comes out and I'm snippy, but mostly I really do

0:11:06.720 --> 0:11:13.059
<v Speaker 1>think I keep it above board and that has been hard.

0:11:13.960 --> 0:11:16.900
<v Speaker 1>And I feel like I'm only finally now that I've

0:11:17.240 --> 0:11:20.350
<v Speaker 1>really felt it and admitted that I am so much

0:11:20.390 --> 0:11:25.230
<v Speaker 1>more sensitive than perhaps I appear. In the strangest way,

0:11:25.350 --> 0:11:28.850
<v Speaker 1>admitting that it's been harder than I'd like to share.

0:11:28.870 --> 0:11:28.950
<v Speaker 2>Yeah.

0:11:30.200 --> 0:11:33.260
<v Speaker 1>Is making room for the hard to leave and for

0:11:33.280 --> 0:11:41.250
<v Speaker 1>me to claim more joy. You know, and. There's something

0:11:41.330 --> 0:11:43.949
<v Speaker 1>about that. Like, I don't think it's a coincidence that

0:11:44.030 --> 0:11:47.770
<v Speaker 1>my friends, you know, whether it's you or Sammy or

0:11:47.809 --> 0:11:50.800
<v Speaker 1>Nia or like people, my people are like, you have

0:11:50.840 --> 0:11:54.959
<v Speaker 1>just gotten so much funnier. And I'm like, okay, I

0:11:55.020 --> 0:11:58.140
<v Speaker 1>love that because I'm not holding all of this stuff

0:11:58.320 --> 0:12:02.199
<v Speaker 1>in pretending that it's easy. And so it's a really

0:12:02.260 --> 0:12:08.530
<v Speaker 1>interesting dialectic where finally saying something the thing in the

0:12:08.610 --> 0:12:12.150
<v Speaker 1>fullness of what's hard also allows for so much more

0:12:12.170 --> 0:12:16.360
<v Speaker 1>that is the opposite of hard. And that's been kind

0:12:16.400 --> 0:12:19.620
<v Speaker 1>of a head spinning thing in this process. And I

0:12:19.660 --> 0:12:21.160
<v Speaker 1>feel like it's really been a gift.

0:12:22.220 --> 0:12:26.020
<v Speaker 2>Well, I think that is one of the gifts that

0:12:26.040 --> 0:12:28.880
<v Speaker 2>this book will give people is that you process that

0:12:28.990 --> 0:12:31.689
<v Speaker 2>on the page in a way that is very vulnerable

0:12:31.890 --> 0:12:36.070
<v Speaker 2>and scary. And I mean, that's what, makes a page

0:12:36.130 --> 0:12:40.930
<v Speaker 2>turner to be honest, but also I think what we're

0:12:40.970 --> 0:12:44.070
<v Speaker 2>saying when we say you're funnier is there's like a,

0:12:44.710 --> 0:12:47.449
<v Speaker 2>like you're leaned back in the chair and you're like

0:12:47.850 --> 0:12:52.330
<v Speaker 2>making a joke because you think it's funny, not because

0:12:53.690 --> 0:12:55.690
<v Speaker 2>the person is supposed to say the thing that is

0:12:55.730 --> 0:12:58.790
<v Speaker 2>funny now. Does that make sense? And like, there's a,

0:12:59.110 --> 0:13:02.410
<v Speaker 2>there's a settledness and it might just be finding love.

0:13:02.630 --> 0:13:05.130
<v Speaker 2>It might be finding true love and in the form that,

0:13:06.080 --> 0:13:09.839
<v Speaker 2>It was always meant to be in. And I think

0:13:10.420 --> 0:13:14.960
<v Speaker 2>there's just life being a series of waking up in

0:13:15.020 --> 0:13:17.640
<v Speaker 2>a mummy suit. And it's our job, you know, at

0:13:17.740 --> 0:13:21.580
<v Speaker 2>age eight or age whatever, 14, you're just like a mummy.

0:13:21.640 --> 0:13:24.400
<v Speaker 2>And you're like, I guess over the next 30 years

0:13:24.679 --> 0:13:28.980
<v Speaker 2>or 80 years, I have to peel this back layer

0:13:29.020 --> 0:13:30.800
<v Speaker 2>by layer until I find my skin again.

0:13:31.360 --> 0:13:31.740
<v Speaker 1>Yeah.

0:13:31.800 --> 0:13:34.400
<v Speaker 2>And that's what that's what the art of memoir is.

0:13:35.170 --> 0:13:37.130
<v Speaker 1>And now a word from our sponsors who make this

0:13:37.150 --> 0:13:37.870
<v Speaker 1>show possible.

0:13:48.640 --> 0:13:50.800
<v Speaker 2>This is kind of like a functional question, but I

0:13:50.840 --> 0:13:52.640
<v Speaker 2>think it's fun because it's also my job and I

0:13:52.660 --> 0:13:56.340
<v Speaker 2>listen to podcasts like this, but like, I think there's

0:13:56.380 --> 0:13:59.950
<v Speaker 2>probably a lot of people listening right now who are

0:14:00.030 --> 0:14:02.250
<v Speaker 2>either waiting for this book to arrive in the mail

0:14:02.390 --> 0:14:05.900
<v Speaker 2>today or going to get it. And they're like, God, what,

0:14:05.920 --> 0:14:08.520
<v Speaker 2>what if like, I have a story to tell, like

0:14:08.600 --> 0:14:13.060
<v Speaker 2>my life has been fucking crazy. Like, how do you

0:14:13.140 --> 0:14:16.400
<v Speaker 2>even begin to tell your story? What was, what was

0:14:16.460 --> 0:14:22.880
<v Speaker 2>your just blank dry erase board? How did it begin?

0:14:22.900 --> 0:14:29.040
<v Speaker 1>Oh man. You know, I remember thinking, God, I wish

0:14:29.160 --> 0:14:31.810
<v Speaker 1>I had And you know this about me, and I

0:14:31.850 --> 0:14:35.470
<v Speaker 1>also know this is such an ADHD trait of like, look,

0:14:35.650 --> 0:14:37.450
<v Speaker 1>this will be the journal that gets me to journal.

0:14:37.510 --> 0:14:38.910
<v Speaker 2>This will be the notebook.

0:14:38.510 --> 0:14:39.550
<v Speaker 1>That organizes my life.

0:14:39.860 --> 0:14:42.260
<v Speaker 2>You bought me this gorgeous journal like 10 years ago,

0:14:42.280 --> 0:14:46.060
<v Speaker 2>and it's still mostly empty, but I carry it with me.

0:14:46.100 --> 0:14:47.660
<v Speaker 2>I carry it with me for three weeks in Japan.

0:14:47.700 --> 0:14:49.700
<v Speaker 2>I didn't write a word in it. I just like

0:14:49.760 --> 0:14:50.700
<v Speaker 2>knowing that I could.

0:14:51.220 --> 0:14:57.080
<v Speaker 1>Exactly. Like, I do the same, and... I remember thinking,

0:14:57.460 --> 0:15:00.580
<v Speaker 1>because you, you, at least when, when traveling, you're a

0:15:00.620 --> 0:15:01.420
<v Speaker 1>great journaler.

0:15:01.440 --> 0:15:05.500
<v Speaker 2>And that's when I'm like performing the me I want

0:15:05.520 --> 0:15:06.480
<v Speaker 2>to be right.

0:15:06.540 --> 0:15:08.660
<v Speaker 1>You're like, this is my Steinbeck moment and I'm in

0:15:08.740 --> 0:15:13.920
<v Speaker 1>travels with Charlie. And, um, I remember thinking like, if

0:15:14.140 --> 0:15:19.380
<v Speaker 1>I had only gotten in the habit of journaling, this

0:15:19.400 --> 0:15:23.160
<v Speaker 1>would have been easier. But I also think I had

0:15:23.230 --> 0:15:26.650
<v Speaker 1>to go through this kind of deconstruction of my own

0:15:28.910 --> 0:15:36.479
<v Speaker 1>glass house or whatever to be in the space where

0:15:36.540 --> 0:15:40.280
<v Speaker 1>I could start. And what I caught myself doing is

0:15:40.340 --> 0:15:44.360
<v Speaker 1>I started making a note with the date in my iPhone.

0:15:45.500 --> 0:15:46.960
<v Speaker 1>Like I'd open the notes app and be like, I

0:15:47.000 --> 0:15:49.550
<v Speaker 1>have to write this down before I forget. And I

0:15:49.630 --> 0:15:54.110
<v Speaker 1>would do that. And after a couple of months, I

0:15:54.150 --> 0:15:57.880
<v Speaker 1>was like, Oh, cause my book agent, you know, my,

0:15:57.960 --> 0:16:00.780
<v Speaker 1>the agency that I am at has a book division.

0:16:01.500 --> 0:16:04.660
<v Speaker 1>So my book agent just went into the system, you know,

0:16:04.760 --> 0:16:07.400
<v Speaker 1>like my film agent can and sent me an email

0:16:08.260 --> 0:16:09.900
<v Speaker 1>almost 10 years ago and was like, you have to

0:16:09.920 --> 0:16:12.100
<v Speaker 1>write a book. I mean, it must've been 10 years ago.

0:16:12.140 --> 0:16:14.400
<v Speaker 1>I was, I was working in Chicago and I was like,

0:16:14.460 --> 0:16:16.800
<v Speaker 1>I'm not doing that. And she would send me my

0:16:19.800 --> 0:16:22.560
<v Speaker 1>pontificating on Instagram or like an op-ed I'd written and

0:16:22.580 --> 0:16:23.990
<v Speaker 1>be like, this is a book, this is a book,

0:16:24.040 --> 0:16:26.370
<v Speaker 1>this is a book. And I was like, leave me alone.

0:16:27.770 --> 0:16:28.369
<v Speaker 2>I don't want to do it.

0:16:28.390 --> 0:16:33.470
<v Speaker 1>It's too vulnerable. And, um, and finally, after a few

0:16:33.510 --> 0:16:35.610
<v Speaker 1>months of collecting these notes, I emailed her and I

0:16:35.610 --> 0:16:39.290
<v Speaker 1>was like, I think I'm starting a book. And then

0:16:39.360 --> 0:16:43.380
<v Speaker 1>what I did like a lunatic is I went through

0:16:43.420 --> 0:16:46.060
<v Speaker 1>my phone. I copied all of the notes into a

0:16:46.100 --> 0:16:49.640
<v Speaker 1>Google doc with their dates in bold and and then

0:16:49.680 --> 0:16:53.030
<v Speaker 1>the chunks, and then I printed it out, and I

0:16:53.110 --> 0:16:56.110
<v Speaker 1>looked at it and was like, uh-oh. And then I

0:16:56.830 --> 0:17:01.370
<v Speaker 1>started to think about what the big life events would be,

0:17:02.130 --> 0:17:06.010
<v Speaker 1>and I started cutting up the pages and taping the

0:17:06.070 --> 0:17:10.159
<v Speaker 1>notes by date under themes. So, I mean, it was

0:17:10.280 --> 0:17:12.260
<v Speaker 1>full of beautiful mind. I looked like I was having

0:17:12.300 --> 0:17:15.560
<v Speaker 1>a nervous breakdown, and basically probably was.

0:17:15.580 --> 0:17:15.780
<v Speaker 2>Strength.

0:17:16.760 --> 0:17:19.320
<v Speaker 1>And it, that was sort of the beginning for me

0:17:19.340 --> 0:17:22.030
<v Speaker 1>because I had to visualize it. Like I'm a visual,

0:17:22.590 --> 0:17:24.690
<v Speaker 1>I'm a visual artist as much as I am a

0:17:24.890 --> 0:17:29.209
<v Speaker 1>person who loves words. And I had to kind of,

0:17:29.230 --> 0:17:32.909
<v Speaker 1>I had to storyboard it basically like a director and

0:17:34.070 --> 0:17:37.050
<v Speaker 1>then go, oh, okay. I think, I think maybe I

0:17:37.130 --> 0:17:41.800
<v Speaker 1>know how to begin now. How did you do it

0:17:41.900 --> 0:17:44.240
<v Speaker 1>in the first book versus how you do it by

0:17:44.260 --> 0:17:46.359
<v Speaker 1>the fourth? Has it changed or is it the same?

0:17:47.020 --> 0:17:49.550
<v Speaker 2>Well, so my first book is about, I rode my

0:17:49.609 --> 0:17:52.450
<v Speaker 2>bicycle from Oregon to the bottom of South America. And

0:17:52.490 --> 0:17:55.210
<v Speaker 2>it's like a, it's an adventure book, but it's also

0:17:55.250 --> 0:17:57.929
<v Speaker 2>about me coming to terms with my sexuality and processing

0:17:58.369 --> 0:18:02.270
<v Speaker 2>growing up evangelical, blah, blah, blah. And so what, what

0:18:02.350 --> 0:18:05.330
<v Speaker 2>helps when you write like a road trip book is

0:18:05.430 --> 0:18:11.040
<v Speaker 2>the road trip gives you structure. You started and you finished.

0:18:11.340 --> 0:18:15.699
<v Speaker 2>And so then you can find the stories, the relevant stories.

0:18:16.100 --> 0:18:18.590
<v Speaker 2>But I was beating myself up. So I rode my

0:18:18.650 --> 0:18:22.369
<v Speaker 2>bike for a year and a half. And I journaled some,

0:18:22.410 --> 0:18:26.450
<v Speaker 2>but I am a journaler. There's like different types of journalers.

0:18:26.730 --> 0:18:29.689
<v Speaker 2>There's what I did today journalers. And there's what I

0:18:29.730 --> 0:18:33.120
<v Speaker 2>learned this month journalers. It's like I journal with like

0:18:33.480 --> 0:18:37.919
<v Speaker 2>profound revelations to me. Like, oh, wow, I didn't realize

0:18:37.960 --> 0:18:41.250
<v Speaker 2>this is what this means. I don't do like Sophia

0:18:41.290 --> 0:18:43.340
<v Speaker 2>wore a green top on Tuesday and I loved it.

0:18:43.369 --> 0:18:46.070
<v Speaker 2>And it's like, I, some people do that and they

0:18:46.109 --> 0:18:49.419
<v Speaker 2>have volumes of their life. It's like, I've seen it.

0:18:49.630 --> 0:18:51.790
<v Speaker 2>Do you know who does that? Tom Shadiac. He has

0:18:52.550 --> 0:18:56.209
<v Speaker 2>walls and I doubt he's writing about people's shirts, but

0:18:56.250 --> 0:19:00.390
<v Speaker 2>because he's such a philosopher, but like, I'm jealous. I'm jealous.

0:19:00.609 --> 0:19:04.209
<v Speaker 2>But what I learned in the process of writing that

0:19:04.250 --> 0:19:07.970
<v Speaker 2>first book and the subsequent ones is actually daily journaling.

0:19:08.080 --> 0:19:12.220
<v Speaker 2>Isn't that important? Because what really matters, the reason a

0:19:12.460 --> 0:19:17.100
<v Speaker 2>memoir matters, the reason anything matters is how we narrativize

0:19:17.140 --> 0:19:20.670
<v Speaker 2>and make sense of our own lives. There's a scene

0:19:20.710 --> 0:19:24.270
<v Speaker 2>in your book that, you know, comes pretty early, but

0:19:24.310 --> 0:19:28.510
<v Speaker 2>it's when your mom is having kind of a breakdown

0:19:28.950 --> 0:19:32.190
<v Speaker 2>and she brings you along while she's having a breakdown.

0:19:32.510 --> 0:19:35.530
<v Speaker 2>And then years, 30 years later, you bring it up

0:19:35.670 --> 0:19:39.450
<v Speaker 2>and she says, you weren't there. And it's like, Yes,

0:19:39.510 --> 0:19:42.320
<v Speaker 2>I was. I was in that room. And it's... That

0:19:42.340 --> 0:19:47.369
<v Speaker 2>was so profound to me because everyone has their life

0:19:47.609 --> 0:19:51.840
<v Speaker 2>in their own head. and sometimes you're confronted with someone

0:19:51.880 --> 0:19:57.240
<v Speaker 2>else's experience yes and that can be a very painful

0:19:57.300 --> 0:20:01.420
<v Speaker 2>thing because you've had we're all narrativizing our lives all

0:20:01.460 --> 0:20:03.660
<v Speaker 2>day this is why i did that this is why

0:20:03.720 --> 0:20:05.950
<v Speaker 2>she did that this is why my mom did that

0:20:06.010 --> 0:20:08.800
<v Speaker 2>like that is All we do all day is we're

0:20:08.840 --> 0:20:11.540
<v Speaker 2>meaning making machines and we're making meaning of the story

0:20:11.580 --> 0:20:13.760
<v Speaker 2>that happened to us and the things that we've done. Yes.

0:20:14.700 --> 0:20:17.760
<v Speaker 2>Like you probably were writing this book and you're like, oh,

0:20:17.820 --> 0:20:19.280
<v Speaker 2>I think it's going to look like this. And then

0:20:19.300 --> 0:20:22.560
<v Speaker 2>you get some distance from it and you're like, oh,

0:20:23.000 --> 0:20:24.460
<v Speaker 2>this is what I was trying to say all along.

0:20:24.500 --> 0:20:27.260
<v Speaker 2>And I didn't even know that until I was busy

0:20:27.340 --> 0:20:27.530
<v Speaker 2>in it.

0:20:28.880 --> 0:20:32.159
<v Speaker 1>And I will say even for me, it really, it

0:20:32.180 --> 0:20:32.359
<v Speaker 1>took me.

0:20:34.000 --> 0:20:34.250
<v Speaker 2>Until....

0:20:36.830 --> 0:20:39.930
<v Speaker 1>I was taking everything apart and then trying to figure

0:20:40.050 --> 0:20:44.530
<v Speaker 1>out how I ended up there to finally connect some

0:20:44.550 --> 0:20:47.150
<v Speaker 1>of the dots and go, oh my God, I can

0:20:47.210 --> 0:20:50.609
<v Speaker 1>see the thing at eight. I can see the thing

0:20:50.630 --> 0:20:55.950
<v Speaker 1>at 21. I can see the thing at, I don't

0:20:55.990 --> 0:20:58.690
<v Speaker 1>know how, I don't, I don't even know how old

0:20:58.730 --> 0:20:59.669
<v Speaker 1>I was in 2016, 34. And I can see the

0:20:59.690 --> 0:21:09.210
<v Speaker 1>thing at 40. And they're all connected. They all have

0:21:09.270 --> 0:21:14.330
<v Speaker 1>the same cord in them. And oh, my God. Oh,

0:21:14.390 --> 0:21:20.240
<v Speaker 1>my God. You know, it's so, it's surreal.

0:21:20.880 --> 0:21:24.439
<v Speaker 2>Can't you feel, sorry to interrupt you. I just want

0:21:24.460 --> 0:21:26.080
<v Speaker 2>to get this out because what you just said is

0:21:26.160 --> 0:21:29.889
<v Speaker 2>so true, which is, I definitely thought at 26 that

0:21:30.070 --> 0:21:34.220
<v Speaker 2>I would know everything at 44. Definitely. I was like 44, like,

0:21:34.280 --> 0:21:38.560
<v Speaker 2>you know, but then you, you meet these adults that

0:21:38.640 --> 0:21:40.820
<v Speaker 2>don't seem like they have their together and they have

0:21:40.980 --> 0:21:45.060
<v Speaker 2>almost like a crankiness. And I'm kind of convinced hearing

0:21:45.119 --> 0:21:48.860
<v Speaker 2>you go through your like portals of growth. It's like

0:21:49.380 --> 0:21:53.540
<v Speaker 2>actually that humble spirit of, I am a work in progress.

0:21:54.400 --> 0:21:57.400
<v Speaker 2>And that's, that is not, that is a dot, dot,

0:21:57.420 --> 0:22:02.419
<v Speaker 2>dot forever. And that is just a posture of living

0:22:02.880 --> 0:22:07.760
<v Speaker 2>that is so different than I am a little collection

0:22:07.800 --> 0:22:10.969
<v Speaker 2>of grievances. And this is who I am as an adult.

0:22:11.010 --> 0:22:14.609
<v Speaker 2>And the world didn't shape itself to conform to my will.

0:22:14.710 --> 0:22:17.050
<v Speaker 2>And I'm pissed. And I just feel like we've all

0:22:17.130 --> 0:22:20.290
<v Speaker 2>known adults like that. And whether they know it or not,

0:22:20.330 --> 0:22:24.540
<v Speaker 2>they might be fabulously wealthy and parents and driving their

0:22:24.619 --> 0:22:29.940
<v Speaker 2>Tesla truck so proud. And they... are actually just fighting

0:22:30.000 --> 0:22:34.359
<v Speaker 2>with the fact that they stopped growing. Yeah. And I

0:22:34.440 --> 0:22:37.240
<v Speaker 2>just see that twinkle in your eye that you are like,

0:22:37.840 --> 0:22:42.820
<v Speaker 2>and the twinkle is vulnerability, is tinged with fear. It's

0:22:42.859 --> 0:22:46.739
<v Speaker 2>just like, God, I'm stepping into a new place. I'm

0:22:46.800 --> 0:22:50.369
<v Speaker 2>stepping into a new place. And that is growth, and

0:22:50.400 --> 0:22:53.530
<v Speaker 2>that is beautiful. But it's like, that also is what

0:22:53.590 --> 0:22:58.960
<v Speaker 2>youth feels like. That's what young people feel like. Yeah.

0:22:59.000 --> 0:23:01.919
<v Speaker 1>They're not so bogged down by what they should be doing.

0:23:01.980 --> 0:23:05.330
<v Speaker 1>They're just doing. Yeah. And there is something I think

0:23:06.369 --> 0:23:11.270
<v Speaker 1>to that, you know, my, my entire life. I mean, my,

0:23:11.369 --> 0:23:16.190
<v Speaker 1>my first tattoo, literally the, the, the word means eternal student.

0:23:17.130 --> 0:23:20.250
<v Speaker 1>My whole life, my goal has been to keep learning

0:23:21.310 --> 0:23:23.950
<v Speaker 1>and that doesn't, you know, mean I've always done it right.

0:23:24.170 --> 0:23:28.210
<v Speaker 1>And I, I realized in conjunction with learning, I, I

0:23:28.270 --> 0:23:33.150
<v Speaker 1>actually need to constantly be unlearning, unlearning shame, unlearning expectation,

0:23:33.790 --> 0:23:38.820
<v Speaker 1>unlearning this idea that when you've said you're going to

0:23:38.859 --> 0:23:40.920
<v Speaker 1>do something, you have to do it forever. No, you don't.

0:23:41.400 --> 0:23:43.160
<v Speaker 1>You're allowed to leave the party if you're not having

0:23:43.200 --> 0:23:46.060
<v Speaker 1>a good time. Literally, what else is the point of

0:23:46.140 --> 0:23:53.260
<v Speaker 1>being alive? But when you talk about delight, there's the

0:23:53.300 --> 0:23:55.180
<v Speaker 1>bit in that Mary Oliver poem where she talks about

0:23:55.220 --> 0:23:59.580
<v Speaker 1>being a bride of delight. And I... I love that

0:23:59.619 --> 0:24:03.820
<v Speaker 1>this salty older woman felt that way her whole life.

0:24:04.060 --> 0:24:10.159
<v Speaker 1>And I want to hold that. And I think the

0:24:10.200 --> 0:24:14.020
<v Speaker 1>most sort of interesting part of this journey, you know,

0:24:14.060 --> 0:24:18.840
<v Speaker 1>now having one memoir under my belt is it gave

0:24:18.900 --> 0:24:22.470
<v Speaker 1>me back to myself in a way. And it made

0:24:22.510 --> 0:24:26.040
<v Speaker 1>me confront some things. Like that's when we met was working,

0:24:26.660 --> 0:24:29.679
<v Speaker 1>working on behalf of some people, of a group of

0:24:29.740 --> 0:24:34.020
<v Speaker 1>incredible people halfway around the world that couldn't get the

0:24:34.080 --> 0:24:40.460
<v Speaker 1>attention they deserved because of the hierarchies of grotesque assigned

0:24:40.540 --> 0:24:43.720
<v Speaker 1>value in our society that we've all said that to

0:24:44.720 --> 0:24:48.010
<v Speaker 1>spiritually forever. And we said, okay, we're going to be

0:24:48.050 --> 0:24:52.570
<v Speaker 1>helpful here. And yeah, I had to sort of have

0:24:52.609 --> 0:24:55.310
<v Speaker 1>this moment where I went, oh, I love that my

0:24:55.390 --> 0:24:57.410
<v Speaker 1>natural spirit is being an advocate.

0:24:58.630 --> 0:25:00.730
<v Speaker 2>Well, and you write about that, which I love is like,

0:25:01.770 --> 0:25:04.010
<v Speaker 2>and this is a trap that people get in. You

0:25:04.070 --> 0:25:07.770
<v Speaker 2>got pulled into this world where that's an actress and

0:25:08.230 --> 0:25:11.430
<v Speaker 2>there are people all over the world. They're like, she's

0:25:11.470 --> 0:25:15.160
<v Speaker 2>a mom or, you know, he's a lawyer. Like that's

0:25:15.200 --> 0:25:17.419
<v Speaker 2>what they are. And then the conversation is done and

0:25:17.640 --> 0:25:21.980
<v Speaker 2>every single person in the world feels claustrophobic. Yes. By

0:25:22.030 --> 0:25:27.710
<v Speaker 2>a four-word descriptor. No. 100%. And I, you know, and

0:25:28.330 --> 0:25:32.869
<v Speaker 2>when I was like, oh, no, people, like, the people

0:25:32.930 --> 0:25:35.630
<v Speaker 2>that are here, you know, in times we've done book

0:25:35.650 --> 0:25:38.449
<v Speaker 2>events or whatever, like, together, and people are coming up

0:25:38.490 --> 0:25:40.850
<v Speaker 2>to you, and it's like, they may love you, your

0:25:40.890 --> 0:25:43.950
<v Speaker 2>work on screen, but they're always bringing up your activism.

0:25:44.609 --> 0:25:46.970
<v Speaker 2>You know, and you write about it. It's like, that is...

0:25:48.760 --> 0:25:50.420
<v Speaker 2>that is a part of you. And I could feel

0:25:50.460 --> 0:25:52.620
<v Speaker 2>that wash over you in a way that was like, wow,

0:25:52.680 --> 0:25:55.900
<v Speaker 2>that is like acting is something you wanted to do

0:25:55.980 --> 0:25:58.859
<v Speaker 2>and something that also kind of happens to you because

0:25:58.920 --> 0:26:04.510
<v Speaker 2>it's like also so predicated on someone else saying yes. Yes.

0:26:05.070 --> 0:26:08.330
<v Speaker 2>Whereas activism is not waiting for permission. Yeah.

0:26:09.470 --> 0:26:11.790
<v Speaker 1>And the coolest part of it is though, I, I

0:26:11.930 --> 0:26:16.139
<v Speaker 1>finally went, Oh, that my natural inclination to do this is,

0:26:16.910 --> 0:26:19.090
<v Speaker 1>the thing I feel put on this earth to do,

0:26:20.570 --> 0:26:22.350
<v Speaker 1>if I do so much of it that I don't

0:26:22.390 --> 0:26:28.350
<v Speaker 1>give any of that advocacy to myself, I'm not being healthy.

0:26:28.930 --> 0:26:32.220
<v Speaker 1>And writing a book essentially required me to apply my

0:26:32.340 --> 0:26:36.300
<v Speaker 1>activism to myself. It gave birth to a whole other

0:26:37.900 --> 0:26:40.919
<v Speaker 1>piece of me that I didn't know I had denied

0:26:40.980 --> 0:26:43.280
<v Speaker 1>it to myself. I didn't know I had starved that

0:26:43.359 --> 0:26:47.770
<v Speaker 1>part of myself because... The world tells you that as

0:26:47.790 --> 0:26:52.730
<v Speaker 1>an actor or a quote unquote famous person, you already

0:26:52.790 --> 0:26:55.150
<v Speaker 1>have too much. You're already given too much. You're given

0:26:55.190 --> 0:26:57.740
<v Speaker 1>too much attention. So I just never paid any attention

0:26:57.780 --> 0:27:02.640
<v Speaker 1>to myself. And this required me to give myself my attention.

0:27:02.740 --> 0:27:04.700
<v Speaker 1>And it was profound.

0:27:05.580 --> 0:27:08.930
<v Speaker 2>Well, and that's what I think people misunderstand about a

0:27:08.990 --> 0:27:13.470
<v Speaker 2>certain amount of fame, where it feels like you're getting,

0:27:13.609 --> 0:27:17.410
<v Speaker 2>giving yourself and getting attention all the time, but that's

0:27:17.609 --> 0:27:20.930
<v Speaker 2>actually so often maintenance of a mask. And it's like

0:27:21.690 --> 0:27:26.990
<v Speaker 2>protecting your actual inner self from the judgment of strangers

0:27:27.030 --> 0:27:29.770
<v Speaker 2>and the perception of strangers. And so that's, it's mask maintenance,

0:27:29.790 --> 0:27:33.290
<v Speaker 2>which is completely different than being self-absorbed, completely different than

0:27:33.390 --> 0:27:38.389
<v Speaker 2>even being self-caring. It's like, and that is a journey

0:27:38.430 --> 0:27:42.730
<v Speaker 2>that I like, I, Living in Los Angeles as long

0:27:42.750 --> 0:27:45.490
<v Speaker 2>as I have and just seeing what fame can, what

0:27:45.510 --> 0:27:49.800
<v Speaker 2>a challenge it is. It's like there's a certain level

0:27:49.859 --> 0:27:52.100
<v Speaker 2>of fame I wouldn't wish on my worst enemy. And

0:27:52.130 --> 0:27:54.800
<v Speaker 2>there's a certain amount of notoriety that I think is beautiful.

0:27:55.060 --> 0:27:58.060
<v Speaker 2>That is just wonderful to give access and like respect

0:27:58.119 --> 0:28:00.979
<v Speaker 2>in your field and like access to opportunity. And then

0:28:01.000 --> 0:28:04.280
<v Speaker 2>there is this like incredible spectrum of it can go

0:28:04.400 --> 0:28:05.060
<v Speaker 2>really dark.

0:28:06.040 --> 0:28:07.760
<v Speaker 1>And now a word from our sponsors.

0:28:17.450 --> 0:28:19.619
<v Speaker 2>One thing I would love to ask you about because

0:28:19.890 --> 0:28:25.020
<v Speaker 2>you do it so beautifully and I've had to do

0:28:25.060 --> 0:28:27.080
<v Speaker 2>this and it's what sent me to the hospital. But

0:28:27.119 --> 0:28:30.800
<v Speaker 2>like when you write about family and relationships and real

0:28:30.859 --> 0:28:35.500
<v Speaker 2>humans and it's not, it's not a puff piece. It's

0:28:35.540 --> 0:28:38.080
<v Speaker 2>not like everyone that ever met me was a magical angel.

0:28:38.120 --> 0:28:41.550
<v Speaker 2>Thank you. Goodbye. It's like, this is what it felt

0:28:41.590 --> 0:28:43.870
<v Speaker 2>like to be in that room and to hear words

0:28:43.910 --> 0:28:47.180
<v Speaker 2>that I heard. And so it's, What was your thought

0:28:47.240 --> 0:28:50.070
<v Speaker 2>process in saying hard things?

0:28:52.970 --> 0:28:55.910
<v Speaker 1>What I had to do, and this might be part

0:28:55.990 --> 0:28:59.330
<v Speaker 1>of also how my brain is wired, I can't figure

0:28:59.410 --> 0:29:03.190
<v Speaker 1>out the thing unless I look at all of it.

0:29:04.710 --> 0:29:08.020
<v Speaker 1>And I haven't often given myself time to do that.

0:29:08.140 --> 0:29:13.280
<v Speaker 1>So this was a real exercise in patience and also

0:29:13.480 --> 0:29:16.810
<v Speaker 1>in looking at in a way that I was not

0:29:16.870 --> 0:29:21.480
<v Speaker 1>familiar with and that wasn't totally comfortable, but I wrote

0:29:23.680 --> 0:29:32.350
<v Speaker 1>the big, full, everything chapters. And then again, what I

0:29:32.420 --> 0:29:37.410
<v Speaker 1>found helpful was physically printing them out and redlining. And

0:29:37.470 --> 0:29:42.660
<v Speaker 1>what I found helpful was how can I tell the truest,

0:29:43.340 --> 0:29:51.670
<v Speaker 1>clearest thing and anything that isn't really necessary to that clarity,

0:29:51.690 --> 0:29:59.070
<v Speaker 1>I don't need, especially something that might hurt someone or

0:29:59.450 --> 0:30:04.260
<v Speaker 1>shed too much light on someone who might not be

0:30:04.320 --> 0:30:12.320
<v Speaker 1>comfortable with that. And it was important to do that,

0:30:12.380 --> 0:30:14.540
<v Speaker 1>to also be able to say, I can't tell this

0:30:14.600 --> 0:30:20.930
<v Speaker 1>story without this information. And I hope that doesn't upset you.

0:30:21.850 --> 0:30:23.770
<v Speaker 1>This is the minimum. Yeah.

0:30:23.990 --> 0:30:29.410
<v Speaker 2>And some people live in such a self-constructed silo that

0:30:29.510 --> 0:30:33.430
<v Speaker 2>they don't permit themselves to be upset when they should

0:30:33.450 --> 0:30:37.590
<v Speaker 2>be like there are consequences to behavior and this is

0:30:37.670 --> 0:30:40.450
<v Speaker 2>not sorry i'm not like here to like pad your

0:30:40.490 --> 0:30:44.990
<v Speaker 2>walls because you didn't pad mine when i experienced what

0:30:45.010 --> 0:30:47.810
<v Speaker 2>i experienced but i think what you said is so

0:30:47.850 --> 0:30:51.250
<v Speaker 2>beautiful it's like there are there are truths that i

0:30:51.390 --> 0:30:54.240
<v Speaker 2>cannot when you write a book and this is what

0:30:54.500 --> 0:30:56.780
<v Speaker 2>my publisher has had my amazing editor has had to

0:30:56.820 --> 0:30:58.959
<v Speaker 2>tell me time and again is because I do what

0:30:59.000 --> 0:31:03.200
<v Speaker 2>you do. I puke it all out. And sometimes it

0:31:03.240 --> 0:31:07.450
<v Speaker 2>becomes a journal and not a book. And the difference

0:31:07.550 --> 0:31:11.150
<v Speaker 2>is a journal is everything that happened, everything you thought.

0:31:11.930 --> 0:31:14.810
<v Speaker 2>A book, everything has to be in service of the

0:31:14.870 --> 0:31:19.320
<v Speaker 2>next thing. You know, I mean, you make film and TV.

0:31:19.340 --> 0:31:22.640
<v Speaker 2>It's like if you in the first scene, if you

0:31:22.660 --> 0:31:24.340
<v Speaker 2>show a gun in a drawer, you better see that

0:31:24.400 --> 0:31:26.719
<v Speaker 2>gun again. It better get shot eventually. Like, why did

0:31:26.760 --> 0:31:27.320
<v Speaker 2>you show me that?

0:31:27.700 --> 0:31:30.120
<v Speaker 1>Yes, that's your Chekhov's gun piece, right?

0:31:30.140 --> 0:31:30.580
<v Speaker 2>Yeah, yeah.

0:31:30.600 --> 0:31:33.820
<v Speaker 1>So it's like... Yeah, yeah, yeah.

0:31:34.080 --> 0:31:35.660
<v Speaker 2>That being said, when you write a book, it's like,

0:31:35.700 --> 0:31:38.230
<v Speaker 2>what is this in service of? And am I just

0:31:38.350 --> 0:31:41.690
<v Speaker 2>writing this scene because I'm still mad at her or

0:31:42.630 --> 0:31:44.890
<v Speaker 2>mad at him for what he did? Like, am I

0:31:44.930 --> 0:31:47.890
<v Speaker 2>just making him look bad? Yeah. Or is it because

0:31:48.350 --> 0:31:51.370
<v Speaker 2>this is in service of a lesson that changed me

0:31:51.470 --> 0:31:53.130
<v Speaker 2>and made me stronger? Yes.

0:31:53.780 --> 0:31:54.760
<v Speaker 1>Yeah. Exactly.

0:31:54.780 --> 0:31:54.950
<v Speaker 2>And....

0:31:56.940 --> 0:32:01.540
<v Speaker 1>And that was important. There were things that I wrote.

0:32:01.620 --> 0:32:04.900
<v Speaker 1>I mean, there was a section that I wrote about

0:32:05.000 --> 0:32:08.920
<v Speaker 1>four years of my life in my 30s that I

0:32:09.030 --> 0:32:12.770
<v Speaker 1>knew I had to write it like a dark night

0:32:12.790 --> 0:32:14.190
<v Speaker 1>of the soul. I knew I had to write it

0:32:14.470 --> 0:32:21.030
<v Speaker 1>like an exorcism. And I had to re-experience things that

0:32:21.070 --> 0:32:26.600
<v Speaker 1>were not comfortable or honestly emotionally healthy to. Like I still...

0:32:26.760 --> 0:32:28.700
<v Speaker 1>I still pay for my old cell phone so that

0:32:28.740 --> 0:32:31.800
<v Speaker 1>I have all those records. And I had to go

0:32:31.860 --> 0:32:36.640
<v Speaker 1>through four years of it to make sure that everything

0:32:36.700 --> 0:32:40.290
<v Speaker 1>I was writing down was exactly accurate. And in a

0:32:40.350 --> 0:32:42.570
<v Speaker 1>strange way, it was very healing because I went, oh,

0:32:42.630 --> 0:32:45.670
<v Speaker 1>I was never crazy. And in another way, I had

0:32:45.710 --> 0:32:49.390
<v Speaker 1>to basically relive those four years and it was horrible.

0:32:50.590 --> 0:32:53.790
<v Speaker 1>And when I got to the end of it, I

0:32:53.830 --> 0:32:57.070
<v Speaker 1>remember looking at it with my editor and saying, this

0:32:57.130 --> 0:33:00.990
<v Speaker 1>is the longest Google Doc I've ever written. And it's awful.

0:33:01.630 --> 0:33:03.150
<v Speaker 1>And I don't know what we're going to do with it.

0:33:03.870 --> 0:33:08.530
<v Speaker 1>And I'm sure 70% to 80% of it's going to

0:33:08.550 --> 0:33:10.470
<v Speaker 1>have to come out. But I can't make sense of

0:33:10.540 --> 0:33:13.060
<v Speaker 1>it yet. I'm going to leave it alone for two

0:33:13.100 --> 0:33:16.380
<v Speaker 1>weeks and go write something happy. And then I'll come back.

0:33:16.640 --> 0:33:19.459
<v Speaker 1>Feel free to chop it up. And then we'll get

0:33:19.500 --> 0:33:22.000
<v Speaker 1>to work. And when I came back to it two

0:33:22.020 --> 0:33:24.930
<v Speaker 1>weeks later, she said, you know, I gave it kind

0:33:24.990 --> 0:33:29.360
<v Speaker 1>of a cut down, you know, only like 15%. And

0:33:29.380 --> 0:33:34.880
<v Speaker 1>it's five chapters worth of material. And literally, Jed, my

0:33:35.060 --> 0:33:38.380
<v Speaker 1>whole body went, no. And not in a pukey way

0:33:38.480 --> 0:33:40.660
<v Speaker 1>and not in an upset way. I just went, no,

0:33:41.220 --> 0:33:43.500
<v Speaker 1>I'm not going to give it. It doesn't deserve that.

0:33:44.220 --> 0:33:45.480
<v Speaker 1>And she was like, okay, so what do you want

0:33:45.500 --> 0:33:47.960
<v Speaker 1>to keep? And I said, none of it. And I

0:33:48.050 --> 0:33:53.260
<v Speaker 1>deleted five chapters worth of material from, Because I was like,

0:33:53.280 --> 0:33:55.580
<v Speaker 1>I don't want it. None of it's actually the point.

0:33:56.260 --> 0:33:58.060
<v Speaker 1>And yes, it would be juicy. And yes, it would

0:33:58.080 --> 0:34:00.460
<v Speaker 1>sell books. And yes, it would make headlines. And I

0:34:00.480 --> 0:34:01.620
<v Speaker 1>don't want to make those headlines.

0:34:02.720 --> 0:34:04.000
<v Speaker 2>That's so true. I don't want to make those headlines.

0:34:04.020 --> 0:34:05.830
<v Speaker 1>I don't want to sell that kind of book. Yeah.

0:34:06.110 --> 0:34:10.390
<v Speaker 1>I don't want to do it. No, that is not

0:34:10.450 --> 0:34:13.950
<v Speaker 1>the energy that I want to focus on. And she

0:34:13.989 --> 0:34:16.770
<v Speaker 1>was like, oh my God. And I deleted all of

0:34:16.830 --> 0:34:20.150
<v Speaker 1>it and started over. And I wound up writing a

0:34:20.250 --> 0:34:25.310
<v Speaker 1>completely different chapter that was so personal to me that

0:34:25.450 --> 0:34:30.670
<v Speaker 1>really required me to say, why did I continue to

0:34:30.770 --> 0:34:38.620
<v Speaker 1>show up in a circumstance to prove that I could?

0:34:38.860 --> 0:34:45.460
<v Speaker 1>Who do I have to prove that to? And for what? Like,

0:34:45.820 --> 0:34:47.549
<v Speaker 1>what's the proving doing for me?

0:34:50.870 --> 0:34:51.250
<v Speaker 2>Bye.

0:34:51.670 --> 0:34:52.810
<v Speaker 1>Changed my life. See ya.

0:34:53.030 --> 0:34:54.950
<v Speaker 2>Just because she's dropping these truth bumps doesn't mean you

0:34:54.969 --> 0:34:56.450
<v Speaker 2>don't have to read the book because you got to

0:34:56.469 --> 0:34:57.259
<v Speaker 2>get there to learn that.

0:34:57.300 --> 0:35:01.779
<v Speaker 1>But like this is it. It's a vague story, but

0:35:01.960 --> 0:35:03.160
<v Speaker 1>you'll get it in the book for sure.

0:35:03.719 --> 0:35:07.180
<v Speaker 2>Who am I proving this to is so good. It's like,

0:35:07.860 --> 0:35:09.359
<v Speaker 2>and aren't we all doing that?

0:35:10.080 --> 0:35:10.410
<v Speaker 1>Yeah.

0:35:10.570 --> 0:35:14.370
<v Speaker 2>And then what's so funny is we're so stupid. Like

0:35:14.670 --> 0:35:18.690
<v Speaker 2>we can see in the world around us. people who

0:35:18.730 --> 0:35:23.740
<v Speaker 2>have achieved X, Y, Z, they got the, they got

0:35:23.780 --> 0:35:26.700
<v Speaker 2>Johnny high school, they got the husband, they got the kids,

0:35:26.760 --> 0:35:29.359
<v Speaker 2>they got the thing, they got the job. And then

0:35:29.420 --> 0:35:33.299
<v Speaker 2>three years later they're cheating and they're this and like, what,

0:35:33.460 --> 0:35:35.520
<v Speaker 2>what are, we've externalized everything.

0:35:36.219 --> 0:35:36.529
<v Speaker 1>Yeah.

0:35:37.219 --> 0:35:41.450
<v Speaker 2>And I think it's exacerbated in the, in the line

0:35:41.469 --> 0:35:44.750
<v Speaker 2>of work that you're in where you also have to

0:35:44.790 --> 0:35:48.750
<v Speaker 2>perform and, a mask and interviews and a public persona.

0:35:48.770 --> 0:35:51.950
<v Speaker 2>And there's an expectation that people have of you versus,

0:35:52.390 --> 0:35:55.489
<v Speaker 2>and this is why your journey to love, which I've

0:35:55.530 --> 0:36:01.370
<v Speaker 2>been front row for has been so extraordinary because it

0:36:01.450 --> 0:36:06.170
<v Speaker 2>gives permission, not only to achieve what you deserve, but

0:36:06.210 --> 0:36:08.930
<v Speaker 2>it gives permission to not know what you're doing next

0:36:09.230 --> 0:36:12.529
<v Speaker 2>until you've done it and learned from it. You know,

0:36:12.570 --> 0:36:16.400
<v Speaker 2>like There's no, there's no, you should have been here sooner, girl.

0:36:16.580 --> 0:36:20.320
<v Speaker 2>It's like, you didn't know how many layers of mummy

0:36:20.360 --> 0:36:21.170
<v Speaker 2>you had wrapped.

0:36:21.910 --> 0:36:22.129
<v Speaker 1>No.

0:36:22.530 --> 0:36:25.210
<v Speaker 2>You don't know until you know, and that is total

0:36:25.290 --> 0:36:28.670
<v Speaker 2>permission to just keep unwrapping the next strap. Yeah.

0:36:28.690 --> 0:36:32.390
<v Speaker 1>Yeah. Oh, I love that. Thank you. Yeah.

0:36:32.469 --> 0:36:37.440
<v Speaker 2>It's been such a delight to live, watch, and now read.

0:36:39.160 --> 0:36:41.759
<v Speaker 2>What do you know about yourself now that you didn't

0:36:41.780 --> 0:36:42.600
<v Speaker 2>when you started the book?

0:36:43.390 --> 0:36:45.850
<v Speaker 1>I don't feel like I have to apologize for myself

0:36:45.950 --> 0:36:52.029
<v Speaker 1>as much as I used to. I've always felt a

0:36:52.090 --> 0:36:56.069
<v Speaker 1>little in the way, a little out of step, you know.

0:36:56.090 --> 0:37:01.180
<v Speaker 1>And now I just, I think I really understand something

0:37:01.200 --> 0:37:05.460
<v Speaker 1>that I've always heard parents say, but I understand it personally.

0:37:05.500 --> 0:37:07.100
<v Speaker 1>You'll hear them say the days are long, but the

0:37:07.140 --> 0:37:12.360
<v Speaker 1>years are short. And I've really been, I can really

0:37:12.400 --> 0:37:14.299
<v Speaker 1>beat myself up at the end of the day or

0:37:14.360 --> 0:37:17.640
<v Speaker 1>wake up in gripping anxiety. Like the minute I open

0:37:17.680 --> 0:37:20.720
<v Speaker 1>my eyes and I'm like, what is this feeling? And why?

0:37:20.820 --> 0:37:25.779
<v Speaker 1>Like I was just dreaming. And now I feel, I

0:37:26.050 --> 0:37:29.509
<v Speaker 1>don't know. I feel differently about what needs to get

0:37:29.570 --> 0:37:33.049
<v Speaker 1>done in a day. I don't feel the same anxiety

0:37:33.110 --> 0:37:35.310
<v Speaker 1>that I have felt for as long as any of

0:37:35.330 --> 0:37:37.960
<v Speaker 1>you have known me, which is like, I'm always on location.

0:37:38.000 --> 0:37:40.140
<v Speaker 1>I'm always gone. I'm always missing something. I'm always the

0:37:40.200 --> 0:37:42.359
<v Speaker 1>friend people have to catch up with. You know, I'm

0:37:42.400 --> 0:37:46.259
<v Speaker 1>never just around on a Tuesday. And now I'm like,

0:37:46.280 --> 0:37:49.270
<v Speaker 1>I know who my, I know, I know who my

0:37:49.350 --> 0:37:53.410
<v Speaker 1>people are and it doesn't matter actually. Like we're all,

0:37:53.530 --> 0:37:58.190
<v Speaker 1>we're all in this season where life is so full

0:37:58.250 --> 0:38:00.330
<v Speaker 1>and we've worked so hard to get here. I don't

0:38:00.350 --> 0:38:02.509
<v Speaker 1>want to be, I don't want to be mad that

0:38:02.530 --> 0:38:05.069
<v Speaker 1>the dreams I had 10 years ago came true because

0:38:05.110 --> 0:38:08.550
<v Speaker 1>they mean I'm busy because In an interesting way, now

0:38:08.670 --> 0:38:10.720
<v Speaker 1>I can look around and say, oh, if I see

0:38:10.739 --> 0:38:12.339
<v Speaker 1>you once a week or if I don't see you

0:38:12.390 --> 0:38:16.239
<v Speaker 1>for the next 12 weeks, it doesn't matter because we're

0:38:16.260 --> 0:38:17.500
<v Speaker 1>the same when we're in a room.

0:38:18.060 --> 0:38:21.040
<v Speaker 2>That's been a big revelation for me in my 40s

0:38:21.380 --> 0:38:26.380
<v Speaker 2>of like, and this is getting like really therapized or whatever,

0:38:26.440 --> 0:38:29.380
<v Speaker 2>like that 30,000 foot view. But I was such a

0:38:29.420 --> 0:38:33.960
<v Speaker 2>collector of people like just who should be my friend?

0:38:34.040 --> 0:38:35.600
<v Speaker 2>I want to be friends with everybody, blah, blah, blah, blah, blah.

0:38:36.360 --> 0:38:38.100
<v Speaker 2>And what I was doing was it was an, a

0:38:38.500 --> 0:38:42.779
<v Speaker 2>frantic search for my tribe because I did not feel

0:38:42.860 --> 0:38:46.560
<v Speaker 2>safe in the world. And I was like, I don't know,

0:38:46.800 --> 0:38:50.219
<v Speaker 2>because when you grow up and I knew I was gay,

0:38:50.489 --> 0:38:52.130
<v Speaker 2>you know, but in seventh grade I knew what it

0:38:52.160 --> 0:38:55.549
<v Speaker 2>was called. And it's like, so I lived my adolescence

0:38:55.630 --> 0:38:59.489
<v Speaker 2>knowing that if everybody finds out the truth, I am

0:38:59.690 --> 0:39:03.530
<v Speaker 2>at square one. I've lost everyone. I'm alone. I'm homeless.

0:39:03.550 --> 0:39:08.580
<v Speaker 2>Like if, If this secret gets out, I'm done. And

0:39:09.739 --> 0:39:14.450
<v Speaker 2>that baseline anxiety of total collapse, I'm surprised I'm not

0:39:14.489 --> 0:39:17.790
<v Speaker 2>some doomsday prepper. I'm not, but like, I'm surprised I'm not.

0:39:18.510 --> 0:39:21.170
<v Speaker 2>But that kind of hum, it caused me to be like,

0:39:21.430 --> 0:39:25.089
<v Speaker 2>I need to find the angels that will be there.

0:39:25.430 --> 0:39:27.650
<v Speaker 2>And what's funny is, and this was all running in

0:39:27.670 --> 0:39:29.509
<v Speaker 2>the background. I didn't know what I was doing. This

0:39:29.570 --> 0:39:32.340
<v Speaker 2>is me. looking back. This is why I want everyone

0:39:32.640 --> 0:39:36.040
<v Speaker 2>to write a memoir, because you learn this by processing

0:39:36.080 --> 0:39:38.430
<v Speaker 2>what was happened and finding the story.

0:39:39.110 --> 0:39:39.360
<v Speaker 1>Yeah.

0:39:39.989 --> 0:39:42.320
<v Speaker 2>But that's what I was doing. And now in my 40s,

0:39:42.350 --> 0:39:46.050
<v Speaker 2>it's like, oh, I found the greatest people that really

0:39:46.110 --> 0:39:49.489
<v Speaker 2>see me. I feel completely safe. I feel loved. I

0:39:49.610 --> 0:39:51.830
<v Speaker 2>can not see someone for a year. And just like

0:39:51.850 --> 0:39:57.759
<v Speaker 2>you said, because the foundation, basically we, I found people

0:39:57.800 --> 0:40:00.040
<v Speaker 2>that are in the same river as me and the

0:40:00.100 --> 0:40:03.459
<v Speaker 2>river is flowing. So whenever we, our inner tubes bump

0:40:03.500 --> 0:40:05.540
<v Speaker 2>into each other, we're in the same place because we're

0:40:05.560 --> 0:40:07.750
<v Speaker 2>in the same river, even though I haven't seen you.

0:40:09.040 --> 0:40:13.130
<v Speaker 2>And that is, I feel so grounded and safe. And

0:40:13.150 --> 0:40:15.569
<v Speaker 2>so that, Oh my God, I'm missing this. Oh my God,

0:40:15.590 --> 0:40:18.759
<v Speaker 2>I have FOMO. It's like, Yeah. The root of FOMO

0:40:18.820 --> 0:40:22.680
<v Speaker 2>was they're getting closer without me or they're meeting someone

0:40:22.739 --> 0:40:25.350
<v Speaker 2>I don't know and I'm going to be left out.

0:40:26.270 --> 0:40:30.910
<v Speaker 2>Now at this side of my 40s, I'm like, no,

0:40:31.410 --> 0:40:34.750
<v Speaker 2>I have found my people. And it is so like

0:40:34.790 --> 0:40:37.910
<v Speaker 2>the roots are so deep that it cannot rain for

0:40:37.930 --> 0:40:40.290
<v Speaker 2>a long time. And the tree is strong, you know?

0:40:40.350 --> 0:40:42.129
<v Speaker 1>Yeah, I love that.

0:40:42.190 --> 0:40:43.430
<v Speaker 2>And I feel that in you as well.

0:40:44.530 --> 0:40:47.799
<v Speaker 1>Yeah, it is. It's an interesting thing. when your, when

0:40:47.820 --> 0:40:56.950
<v Speaker 1>your attachments shift from like more anxiety in the bucket

0:40:57.450 --> 0:41:00.110
<v Speaker 1>to just being like, no, I'm, I'm secure. I'm good.

0:41:01.350 --> 0:41:04.629
<v Speaker 1>And it, it really is like a breath of fresh air.

0:41:04.690 --> 0:41:07.900
<v Speaker 1>It's a, it's a release and it, and it makes

0:41:08.000 --> 0:41:13.420
<v Speaker 1>missing more fun and it makes reuniting more fun. And

0:41:13.900 --> 0:41:17.460
<v Speaker 1>I don't know, it's just, It's a special thing to

0:41:17.500 --> 0:41:20.739
<v Speaker 1>get to, and I think it's probably a little bit

0:41:20.780 --> 0:41:26.240
<v Speaker 1>about age. I think it's certainly about this process. And

0:41:28.350 --> 0:41:30.790
<v Speaker 1>in the way that you've given us the metaphor of

0:41:31.010 --> 0:41:34.050
<v Speaker 1>unwrapping the layers of the mummy until you find yourself

0:41:34.150 --> 0:41:40.730
<v Speaker 1>in it, it's something you build. You layer these truths

0:41:41.660 --> 0:41:44.240
<v Speaker 1>in a sort of stack, and then they all exist,

0:41:44.300 --> 0:41:46.660
<v Speaker 1>and you go, oh, I get it. Like I get it.

0:41:47.680 --> 0:41:50.380
<v Speaker 2>It's like a mosaic doesn't make sense until you step back.

0:41:51.000 --> 0:41:51.300
<v Speaker 1>Yeah.

0:41:51.320 --> 0:41:56.460
<v Speaker 2>It just looks like random colors. Yeah. Random tiles. Do

0:41:56.500 --> 0:41:59.930
<v Speaker 2>you think that, because like I am on my fourth memoir,

0:42:00.050 --> 0:42:04.609
<v Speaker 2>which is so like, it's a, it's also embarrassing because

0:42:04.650 --> 0:42:06.609
<v Speaker 2>it's like, how much can I talk about myself? Like

0:42:07.010 --> 0:42:09.730
<v Speaker 2>four books and I'm only 43. Like, what are we

0:42:09.750 --> 0:42:14.299
<v Speaker 2>doing here? But I had a lot of mummy tape

0:42:14.540 --> 0:42:18.090
<v Speaker 2>okay i and each i've i've seen each book as

0:42:18.130 --> 0:42:20.129
<v Speaker 2>like a dragon it's like what is the dragon i'm

0:42:20.170 --> 0:42:22.990
<v Speaker 2>slaying here what is the dragon i'm slaying here yes

0:42:23.210 --> 0:42:27.030
<v Speaker 2>and do you find because i've met i've read amazing

0:42:27.090 --> 0:42:29.839
<v Speaker 2>memoirs of one and done they're like i said what

0:42:29.860 --> 0:42:31.460
<v Speaker 2>i needed to say now i want to live and

0:42:31.480 --> 0:42:34.380
<v Speaker 2>i'm actually like exercised you.

0:42:34.360 --> 0:42:39.200
<v Speaker 1>Know yeah and now a word from our wonderful sponsors.

0:42:48.260 --> 0:42:53.180
<v Speaker 2>I will say, no sh- You're an amazing writer. You really-

0:42:53.260 --> 0:42:55.060
<v Speaker 2>And I'm, like, such a snob.

0:42:55.500 --> 0:42:58.000
<v Speaker 1>You are a writing snob. That means a lot to me.

0:42:58.120 --> 0:43:02.110
<v Speaker 2>I love your voice. I can hear your voice. I

0:43:02.150 --> 0:43:05.190
<v Speaker 2>think some people- And this is because you've written so

0:43:05.230 --> 0:43:09.330
<v Speaker 2>much your whole life. Like, just not in 300-something page books, but, like,

0:43:09.489 --> 0:43:14.610
<v Speaker 2>you've done that. But the voice is- is so there

0:43:15.050 --> 0:43:19.089
<v Speaker 2>and it's, I don't know. I'm just curious what you feel.

0:43:19.130 --> 0:43:22.089
<v Speaker 2>I know we just got here like today is launch day,

0:43:22.170 --> 0:43:25.589
<v Speaker 2>but do you feel like this process, maybe I'll, maybe

0:43:25.650 --> 0:43:28.719
<v Speaker 2>I have more books in me. Maybe. Yeah. What do

0:43:28.739 --> 0:43:29.120
<v Speaker 2>you think?

0:43:29.920 --> 0:43:34.360
<v Speaker 1>I do. I think there was something really interesting and

0:43:34.400 --> 0:43:37.100
<v Speaker 1>you'll appreciate this. I'm going to, I'm going to go left.

0:43:37.120 --> 0:43:40.020
<v Speaker 1>I'm going to take us on a journey to get

0:43:40.060 --> 0:43:43.120
<v Speaker 1>back to this, to where we are. We were talking

0:43:43.140 --> 0:43:45.800
<v Speaker 1>about this earlier, that it's a weird thing when someone

0:43:45.890 --> 0:43:49.950
<v Speaker 1>who is quote unquote famous becomes a writer. It's a

0:43:50.050 --> 0:43:57.549
<v Speaker 1>different equation than your writing making you famous. And the

0:43:57.770 --> 0:44:01.540
<v Speaker 1>fear of, you know, being set on fire in the

0:44:01.580 --> 0:44:06.930
<v Speaker 1>public square, because I've experienced that at pretty... routine intervals

0:44:07.010 --> 0:44:09.830
<v Speaker 1>for the last 25 years of my public career, it

0:44:10.790 --> 0:44:14.010
<v Speaker 1>was very scary for me. And I could have written

0:44:14.070 --> 0:44:17.360
<v Speaker 1>more of a quote unquote celebrity memoir. This happened, and

0:44:17.380 --> 0:44:19.319
<v Speaker 1>then this happened, and I booked this job, and this

0:44:19.360 --> 0:44:23.080
<v Speaker 1>person was nice. I'm not interested in those books. I

0:44:23.160 --> 0:44:27.859
<v Speaker 1>gravitate toward writers like you. I gravitate toward writers like

0:44:27.920 --> 0:44:33.600
<v Speaker 1>Cheryl Strait, like Mary Oliver, like people who put their

0:44:33.700 --> 0:44:37.170
<v Speaker 1>hearts on a platter So other people might understand what

0:44:37.190 --> 0:44:39.780
<v Speaker 1>the inside of a heart looks like and how complex

0:44:39.820 --> 0:44:44.600
<v Speaker 1>it is, you know? And there, there were some points, frankly,

0:44:44.800 --> 0:44:47.500
<v Speaker 1>where I would think about the things that affected me

0:44:47.520 --> 0:44:51.930
<v Speaker 1>the most deeply. I went back to Cheryl's work a lot.

0:44:52.710 --> 0:44:55.270
<v Speaker 1>And I was like, Oh fuck. Like I'm in trouble

0:44:55.810 --> 0:44:59.650
<v Speaker 1>because there is nothing that she has not loved in

0:44:59.690 --> 0:45:03.259
<v Speaker 1>the sunlight, even the darkest bits. And I was like, that's,

0:45:05.270 --> 0:45:09.270
<v Speaker 1>that that's the writing my soul responds to, which means

0:45:09.370 --> 0:45:11.340
<v Speaker 1>it's a version of the writing, not to say I'm,

0:45:11.570 --> 0:45:13.800
<v Speaker 1>I'm a writer of her caliber, but it's the version

0:45:13.860 --> 0:45:16.259
<v Speaker 1>of the writing I'm going to be required to do

0:45:16.320 --> 0:45:16.940
<v Speaker 1>for myself.

0:45:17.960 --> 0:45:21.180
<v Speaker 2>And I was like, Oh yeah.

0:45:21.320 --> 0:45:28.569
<v Speaker 1>Oh, but it felt so true. And I don't mean

0:45:28.690 --> 0:45:30.790
<v Speaker 1>what's on the page is true. Of course my, my

0:45:30.830 --> 0:45:34.049
<v Speaker 1>stories are mine and they are true, but I mean like,

0:45:34.760 --> 0:45:38.020
<v Speaker 1>true in terms of ah that's what it is like

0:45:38.219 --> 0:45:42.259
<v Speaker 1>the life essence truth kind of thing and once I

0:45:42.320 --> 0:45:46.620
<v Speaker 1>was really in it I thought to myself oh yeah

0:45:46.680 --> 0:45:48.750
<v Speaker 1>there's so much more of this that I want to

0:45:48.850 --> 0:45:53.069
<v Speaker 1>do and maybe it's that thing you know they talk

0:45:53.090 --> 0:45:55.509
<v Speaker 1>about when I'm thinking of this because one of our

0:45:55.530 --> 0:45:57.900
<v Speaker 1>best friends just had her second baby and And they

0:45:57.940 --> 0:46:00.310
<v Speaker 1>talk about how a woman has a baby and then

0:46:00.410 --> 0:46:02.890
<v Speaker 1>essentially has amnesia about how awful the birth was, which

0:46:02.930 --> 0:46:04.330
<v Speaker 1>is the only way she'll ever have another one.

0:46:04.489 --> 0:46:05.089
<v Speaker 2>Yeah, yeah, yeah.

0:46:05.110 --> 0:46:07.339
<v Speaker 1>And I'm kind of like, maybe writers have a version

0:46:07.380 --> 0:46:10.219
<v Speaker 1>of book birth amnesia where.

0:46:09.660 --> 0:46:10.960
<v Speaker 2>You get past it, right?

0:46:11.100 --> 0:46:14.339
<v Speaker 1>You forget that it was like, absolute torture and then

0:46:14.360 --> 0:46:16.299
<v Speaker 1>you look at it and you're like oh and you

0:46:16.460 --> 0:46:21.100
<v Speaker 1>love it so much you're like oh my literary baby

0:46:21.219 --> 0:46:25.839
<v Speaker 1>you know I um I think I'm in that sort

0:46:25.880 --> 0:46:29.460
<v Speaker 1>of pink cloud phase of it and there are there's

0:46:29.520 --> 0:46:31.600
<v Speaker 1>a few chapters that I wrote that I loved that

0:46:31.680 --> 0:46:35.320
<v Speaker 1>ultimately just didn't fit the the arc of the roller

0:46:35.360 --> 0:46:38.299
<v Speaker 1>coaster of the book like they were too steep or

0:46:38.360 --> 0:46:41.779
<v Speaker 1>too you know not for for a trick or whatever

0:46:41.910 --> 0:46:46.859
<v Speaker 1>and they're just waiting. And I kept, the only way

0:46:46.900 --> 0:46:48.339
<v Speaker 1>I could do it, the only way I could kill

0:46:48.360 --> 0:46:49.779
<v Speaker 1>my darlings, essentially, was to.

0:46:49.719 --> 0:46:52.239
<v Speaker 2>Be like, book two. Yeah, yeah, yeah. It'll go in

0:46:52.260 --> 0:46:57.680
<v Speaker 2>book two. So we'll see. What's so incredible is, like

0:46:57.719 --> 0:47:00.540
<v Speaker 2>our darlings, a lot of times the darling isn't that

0:47:00.600 --> 0:47:05.510
<v Speaker 2>it's necessarily right. It's that we worked hard on it.

0:47:05.820 --> 0:47:09.360
<v Speaker 2>And so what I love, and anybody who tries writing,

0:47:09.380 --> 0:47:12.340
<v Speaker 2>you'll learn this, is like, you might labor over a

0:47:12.380 --> 0:47:16.900
<v Speaker 2>chapter for 10 days or 10 chapters and you got it.

0:47:16.980 --> 0:47:19.940
<v Speaker 2>And then you, someone decides or you realize it's not

0:47:19.980 --> 0:47:22.180
<v Speaker 2>right for the book and you are heartbroken because that

0:47:22.200 --> 0:47:27.100
<v Speaker 2>was 10 days that you spent. But in two months

0:47:27.540 --> 0:47:29.529
<v Speaker 2>you will not give a rat's ass and you will

0:47:29.550 --> 0:47:32.090
<v Speaker 2>go back and read it and be like, this isn't right. Or, Oh,

0:47:32.130 --> 0:47:35.410
<v Speaker 2>this is right for something else. Like you never know the,

0:47:35.650 --> 0:47:37.810
<v Speaker 2>like everything, see it as a rung on a ladder

0:47:37.850 --> 0:47:40.110
<v Speaker 2>and you're getting higher and you don't like, you can't,

0:47:40.690 --> 0:47:42.990
<v Speaker 2>you don't need to break the rung off the ladder

0:47:43.030 --> 0:47:45.520
<v Speaker 2>and cradle it. It's, it got you somewhere. And that

0:47:45.580 --> 0:47:50.400
<v Speaker 2>is like getting these stories out, finding what belongs in

0:47:50.440 --> 0:47:56.500
<v Speaker 2>the structure, because it's important to remember that the person

0:47:56.540 --> 0:47:58.859
<v Speaker 2>reading the book, even if they know your career, even

0:47:58.920 --> 0:48:03.120
<v Speaker 2>if they're a super fan, they need to like, it

0:48:03.200 --> 0:48:06.960
<v Speaker 2>can't just be information. It has to be a story

0:48:07.060 --> 0:48:09.920
<v Speaker 2>that is taking you in a direction and then if

0:48:10.080 --> 0:48:13.720
<v Speaker 2>that story is true to the human experience, it doesn't

0:48:13.780 --> 0:48:17.100
<v Speaker 2>matter if they don't know who you are. If they

0:48:17.340 --> 0:48:20.239
<v Speaker 2>have never seen anything you're on, never heard your podcast,

0:48:20.300 --> 0:48:23.319
<v Speaker 2>never read an article, and they just pick up this book,

0:48:24.140 --> 0:48:28.009
<v Speaker 2>they will learn things about themselves. And you do that.

0:48:28.050 --> 0:48:31.549
<v Speaker 2>You ground us in your childhood. You take us into

0:48:31.590 --> 0:48:37.029
<v Speaker 2>your career. And just like those confusing years of Like,

0:48:37.070 --> 0:48:39.580
<v Speaker 2>the 20s are so weird because you're kind of an adult,

0:48:39.600 --> 0:48:42.560
<v Speaker 2>but you're a child and you defer to adults, but

0:48:42.580 --> 0:48:45.920
<v Speaker 2>then you know what's right. And then you try to

0:48:45.960 --> 0:48:48.120
<v Speaker 2>stand up and you get squashed, but then you, like,

0:48:48.900 --> 0:48:56.980
<v Speaker 2>you really capture that fumbling to strength experience. Which everybody has.

0:48:57.000 --> 0:49:02.340
<v Speaker 1>Yeah. But you really... Yeah, it really does. That's a

0:49:02.360 --> 0:49:05.540
<v Speaker 1>great way to put it. Fumbling to strength is almost

0:49:05.580 --> 0:49:09.989
<v Speaker 1>like you're a multi-New York Times bestselling author or something.

0:49:10.070 --> 0:49:13.410
<v Speaker 1>You wrote something really early in the new book. I

0:49:13.430 --> 0:49:15.089
<v Speaker 1>was trying to figure out what I could share about

0:49:15.110 --> 0:49:17.049
<v Speaker 1>it because obviously your book comes out in February and

0:49:17.070 --> 0:49:18.310
<v Speaker 1>all I want to do is talk about it, but

0:49:18.370 --> 0:49:23.100
<v Speaker 1>it's not time. So I was like, ooh, maybe I'll

0:49:23.140 --> 0:49:25.620
<v Speaker 1>pull a quote from really early because I have a

0:49:25.620 --> 0:49:30.009
<v Speaker 1>whole doc in my phone also about your book. Can't

0:49:30.030 --> 0:49:34.710
<v Speaker 1>wait for part two in February. But you write really

0:49:35.010 --> 0:49:39.770
<v Speaker 1>early that you discovered new angles of yourself when lit

0:49:39.810 --> 0:49:44.770
<v Speaker 1>by new experiences. And that that allowed you to find

0:49:44.830 --> 0:49:50.690
<v Speaker 1>resilience that you didn't know you had. And sometimes fragility

0:49:50.770 --> 0:49:55.270
<v Speaker 1>that should be considered. And I was like, that's it.

0:49:55.330 --> 0:49:59.969
<v Speaker 1>That's exactly it. Writing the book made me realize I've

0:50:00.010 --> 0:50:05.990
<v Speaker 1>been so resilient. And also I should have considered fragility sooner.

0:50:06.980 --> 0:50:07.560
<v Speaker 1>most of the.

0:50:07.480 --> 0:50:12.120
<v Speaker 2>Time yeah and like sometimes strength is actually masquerading as

0:50:12.239 --> 0:50:15.120
<v Speaker 2>hiding from your own fragility you're like just avoiding it.

0:50:15.480 --> 0:50:17.440
<v Speaker 1>Yeah yeah you're like i'm so strong and it's like

0:50:17.660 --> 0:50:26.530
<v Speaker 1>okay okay runner you know i i'm really curious how

0:50:26.590 --> 0:50:30.970
<v Speaker 1>you think about it you know four books in three

0:50:31.070 --> 0:50:33.870
<v Speaker 1>out in the world um for anyone who's been living

0:50:33.910 --> 0:50:39.480
<v Speaker 1>under a rock catch up you have until February. But

0:50:39.940 --> 0:50:42.339
<v Speaker 1>how do you think about that? Because you said, you know,

0:50:42.520 --> 0:50:44.719
<v Speaker 1>how is it possible that I've written four memoirs, but

0:50:44.760 --> 0:50:48.700
<v Speaker 1>you've gone through these layers of the onion of life, essentially.

0:50:49.780 --> 0:50:53.350
<v Speaker 1>And I love that the first book was about a trip,

0:50:53.810 --> 0:50:57.110
<v Speaker 1>a big one, and that this latest book is about

0:50:57.270 --> 0:51:00.210
<v Speaker 1>another trip and one that you took in a whole

0:51:00.250 --> 0:51:07.360
<v Speaker 1>other phase of yourself. How do you think about continuing

0:51:07.430 --> 0:51:10.100
<v Speaker 1>to tell stories now that you're in the.

0:51:10.060 --> 0:51:14.759
<v Speaker 2>Repetition of it well I think when you when we

0:51:14.780 --> 0:51:18.200
<v Speaker 2>were talking earlier about you being a constant student and

0:51:19.300 --> 0:51:22.100
<v Speaker 2>each portal that you go through is a new birth

0:51:22.140 --> 0:51:25.400
<v Speaker 2>canal into a new era of self-understanding and that is

0:51:25.580 --> 0:51:30.930
<v Speaker 2>a that is a very young-hearted way to be and

0:51:30.989 --> 0:51:33.190
<v Speaker 2>like it keeps the twinkle in your eye and you

0:51:33.230 --> 0:51:39.489
<v Speaker 2>never calcify into this like stagnant pool like we want

0:51:39.510 --> 0:51:41.770
<v Speaker 2>to be flowing water that is what life should be

0:51:42.710 --> 0:51:48.899
<v Speaker 2>and for me it's like you tackle the you don't

0:51:48.960 --> 0:51:53.460
<v Speaker 2>know the dragon that's behind the dragon like there's always

0:51:53.480 --> 0:51:59.840
<v Speaker 2>another like villain you know whatever like the final boss

0:52:00.040 --> 0:52:04.239
<v Speaker 2>on mario it's like you think that you've get to

0:52:04.280 --> 0:52:06.540
<v Speaker 2>the final boss. And that actually just gave you the

0:52:06.580 --> 0:52:10.080
<v Speaker 2>strength to get to the next boss. There's always another boss.

0:52:10.180 --> 0:52:13.160
<v Speaker 2>I read about this in mother nature. Cause like the

0:52:13.219 --> 0:52:18.140
<v Speaker 2>first book was really me trying to just deal with

0:52:18.219 --> 0:52:20.859
<v Speaker 2>my faith and my sexuality and be okay. And like

0:52:21.820 --> 0:52:26.540
<v Speaker 2>my fear of my like crippled masculinity and doing this

0:52:26.739 --> 0:52:29.680
<v Speaker 2>big masculine adventure to like prove a point, you know,

0:52:29.719 --> 0:52:32.279
<v Speaker 2>like to hide from my fragility and then ultimately finding it.

0:52:33.790 --> 0:52:36.330
<v Speaker 2>The second book is just now that I have this

0:52:36.370 --> 0:52:40.850
<v Speaker 2>like broken free worldview, like what is the bigness and

0:52:40.870 --> 0:52:43.089
<v Speaker 2>the expansiveness of all of life now that I can

0:52:43.190 --> 0:52:46.270
<v Speaker 2>see outside of this, these goggles that I was handed

0:52:46.469 --> 0:52:46.930
<v Speaker 2>in church.

0:52:47.450 --> 0:52:47.790
<v Speaker 1>Yes.

0:52:48.070 --> 0:52:51.060
<v Speaker 2>And then the third book was realizing, oh, I have

0:52:51.200 --> 0:52:53.960
<v Speaker 2>one fear in my life, which is one day I'm

0:52:53.980 --> 0:52:56.680
<v Speaker 2>going to get married to a man and my mom's

0:52:56.700 --> 0:52:58.980
<v Speaker 2>not going to come to the wedding. And I am

0:52:59.080 --> 0:53:02.360
<v Speaker 2>so afraid to have that conversation because I've decided that

0:53:02.950 --> 0:53:07.110
<v Speaker 2>that she won't change. And so I have this fear.

0:53:07.590 --> 0:53:10.020
<v Speaker 2>What if she does change though? Like, what if, what

0:53:10.040 --> 0:53:11.960
<v Speaker 2>if I get married and she doesn't come and then

0:53:12.000 --> 0:53:14.460
<v Speaker 2>she's devastated that she didn't come? Like I'm denying her

0:53:14.500 --> 0:53:17.899
<v Speaker 2>that opportunity. And so I basically, we did this road

0:53:17.920 --> 0:53:23.580
<v Speaker 2>trip and recreated her incredible youth adventures. And I, I

0:53:24.219 --> 0:53:27.320
<v Speaker 2>tackled this demon and it was gnarly, very gnarly. And

0:53:27.340 --> 0:53:30.870
<v Speaker 2>I was like, Oh wow. My trilogy of books, like

0:53:31.030 --> 0:53:34.970
<v Speaker 2>facing my demons and, I'm now an adult. I'm 40.

0:53:34.969 --> 0:53:38.850
<v Speaker 2>Then I wake up at 40 and I'm like, I'm alone.

0:53:39.010 --> 0:53:42.420
<v Speaker 2>I'm single. I hate my body. And when somebody likes me,

0:53:42.520 --> 0:53:45.279
<v Speaker 2>I think something must be wrong with them because I

0:53:45.340 --> 0:53:48.660
<v Speaker 2>hate myself. I love my personality. I love myself as

0:53:48.700 --> 0:53:52.720
<v Speaker 2>a friend, but as a partner, what's wrong with people

0:53:52.760 --> 0:53:54.640
<v Speaker 2>if they like me? And so that was like, oh

0:53:54.660 --> 0:53:58.319
<v Speaker 2>my God, this other super boss villain, I have to

0:53:58.400 --> 0:53:59.060
<v Speaker 2>face you head on.

0:54:00.570 --> 0:54:00.830
<v Speaker 1>Yeah.

0:54:00.930 --> 0:54:04.569
<v Speaker 2>And that actually came. So this book is about it's

0:54:04.590 --> 0:54:06.469
<v Speaker 2>called Go Quiet on the Mountain, this new one. And

0:54:06.510 --> 0:54:08.970
<v Speaker 2>it's like living in a tiny cabin on the side

0:54:09.110 --> 0:54:13.799
<v Speaker 2>of a Colorado mountain for 60 days and eight weeks

0:54:14.040 --> 0:54:19.820
<v Speaker 2>and just no phone, no toilet, no electricity, just being there,

0:54:20.120 --> 0:54:22.489
<v Speaker 2>bathing in the river. It was being alone in a

0:54:22.489 --> 0:54:27.049
<v Speaker 2>bucket and being alone with my thoughts. And like the

0:54:27.130 --> 0:54:30.390
<v Speaker 2>romance relationship self-image thing, I didn't know that's what this

0:54:30.410 --> 0:54:32.950
<v Speaker 2>book was about. This is what I'm saying. You don't know.

0:54:33.320 --> 0:54:36.399
<v Speaker 2>But I wanted to put myself in a new environment

0:54:36.739 --> 0:54:39.160
<v Speaker 2>to look at myself from a new angle to see

0:54:39.239 --> 0:54:40.560
<v Speaker 2>what is hiding in the shadows.

0:54:40.820 --> 0:54:41.080
<v Speaker 1>Yeah.

0:54:41.560 --> 0:54:45.640
<v Speaker 2>By putting myself in that scenario, I was transformed in

0:54:45.680 --> 0:54:49.410
<v Speaker 2>a way that I could not have pre-decided. And that's

0:54:49.450 --> 0:54:51.330
<v Speaker 2>kind of the message of the kind of books I

0:54:51.370 --> 0:54:53.899
<v Speaker 2>want to write is like, I don't want to pre-decide

0:54:54.000 --> 0:54:56.180
<v Speaker 2>what the book is. I want to do something that's

0:54:56.219 --> 0:55:02.160
<v Speaker 2>going to give me the posture of attention to hear

0:55:02.280 --> 0:55:05.180
<v Speaker 2>what wants to be said that I am avoiding or,

0:55:05.200 --> 0:55:08.899
<v Speaker 2>you know, need a fragility I didn't know was there.

0:55:09.480 --> 0:55:12.779
<v Speaker 2>So that's, that's the journey of the books, but it's, yeah,

0:55:12.800 --> 0:55:16.359
<v Speaker 2>that's four books. And who knows? I mean, I want

0:55:16.390 --> 0:55:20.009
<v Speaker 2>to give myself permission that if I was meant to

0:55:20.070 --> 0:55:24.069
<v Speaker 2>write five books, six books, and that's all, What amazing.

0:55:24.110 --> 0:55:28.140
<v Speaker 2>That's a box set, baby. Like that's great. And if

0:55:28.200 --> 0:55:31.640
<v Speaker 2>I move on to run a coffee shop, cause that's

0:55:31.680 --> 0:55:35.440
<v Speaker 2>the next season of life. Oh my God. What, how exciting. Like,

0:55:35.520 --> 0:55:37.859
<v Speaker 2>who knows? Like, I think I want to write books

0:55:37.880 --> 0:55:40.940
<v Speaker 2>for the rest of my life. I can't wait to

0:55:41.020 --> 0:55:44.920
<v Speaker 2>read your next book, but I give myself permission to

0:55:44.960 --> 0:55:47.819
<v Speaker 2>be like, I, this is what happens when you grow

0:55:47.860 --> 0:55:50.540
<v Speaker 2>up evangelical. And then you, you lose, you don't lose

0:55:50.580 --> 0:55:53.620
<v Speaker 2>your faith. You evolve out of it is, that I

0:55:53.700 --> 0:55:56.340
<v Speaker 2>know that who I was at 22 and who I

0:55:56.380 --> 0:56:00.270
<v Speaker 2>was at 28 are totally different worldviews. And so I

0:56:00.310 --> 0:56:02.310
<v Speaker 2>have this humility to know, like, I don't know what

0:56:02.350 --> 0:56:03.770
<v Speaker 2>I'm going to want to do when I'm 50. I

0:56:04.850 --> 0:56:08.370
<v Speaker 2>don't know him. I know him. I know the foundation

0:56:08.390 --> 0:56:10.750
<v Speaker 2>that he's built on top of, but I don't know

0:56:10.790 --> 0:56:12.650
<v Speaker 2>what he's going to want. And so I don't want

0:56:12.670 --> 0:56:15.069
<v Speaker 2>to pre-decide for him and then make him feel bad

0:56:15.110 --> 0:56:18.850
<v Speaker 2>about changing his mind. I don't know. Yeah.

0:56:19.050 --> 0:56:23.360
<v Speaker 1>Allowing yourself to be open to the possibility of, requires

0:56:23.400 --> 0:56:28.819
<v Speaker 1>getting comfortable with the fear of the unknown, but it

0:56:28.920 --> 0:56:34.610
<v Speaker 1>also maintains, it maintains an accurate size of the world

0:56:34.690 --> 0:56:37.819
<v Speaker 1>for you. And now a word from our sponsors that

0:56:38.030 --> 0:56:39.719
<v Speaker 1>I really enjoy. And I think you will too.

0:56:46.890 --> 0:56:49.310
<v Speaker 2>Well, you say in the book that you want to

0:56:49.410 --> 0:56:51.350
<v Speaker 2>be more of a risk taker. You like look up

0:56:51.390 --> 0:56:56.640
<v Speaker 2>to these risk takers and it's like, this is a step,

0:56:56.680 --> 0:57:00.280
<v Speaker 2>like this is a big risk to put your heart

0:57:01.120 --> 0:57:04.719
<v Speaker 2>in a box on a bookshelf and say, I hope

0:57:04.739 --> 0:57:08.960
<v Speaker 2>you like me. I hope you get it. And so

0:57:09.020 --> 0:57:12.060
<v Speaker 2>what is that? Are you like, I don't care if

0:57:12.080 --> 0:57:14.580
<v Speaker 2>you like me, this is true. Or are you like,

0:57:15.020 --> 0:57:18.250
<v Speaker 2>please like me, but if you don't, off like what

0:57:19.030 --> 0:57:21.480
<v Speaker 2>what is the truth of the truth of how you feel.

0:57:21.700 --> 0:57:25.120
<v Speaker 1>The very first thing that that wants to come out

0:57:25.160 --> 0:57:27.560
<v Speaker 1>of my mouth is just please be gentle with it

0:57:30.360 --> 0:57:33.650
<v Speaker 1>whether you like it or not just be please be

0:57:33.730 --> 0:57:40.230
<v Speaker 1>gentle with it um i think i am bracing for

0:57:40.270 --> 0:57:43.990
<v Speaker 1>the negative and in a way i feel more capable

0:57:44.030 --> 0:57:49.640
<v Speaker 1>of dealing with it Um, but I also, I'm so

0:57:49.760 --> 0:57:55.510
<v Speaker 1>touched by what feels positive. You know, I'm, I'm touched

0:57:55.590 --> 0:57:57.850
<v Speaker 1>by what you had to say about my writing. I'm,

0:57:58.470 --> 0:57:59.950
<v Speaker 1>I'm so touched. I just did an interview.

0:57:59.970 --> 0:58:00.610
<v Speaker 2>It's really great.

0:58:01.310 --> 0:58:01.770
<v Speaker 1>Thank you.

0:58:01.970 --> 0:58:02.590
<v Speaker 2>It really is.

0:58:02.610 --> 0:58:06.470
<v Speaker 1>I just did an interview with a journalist I really respect.

0:58:06.630 --> 0:58:09.910
<v Speaker 1>And when we got on zoom, she said, I've read

0:58:09.950 --> 0:58:11.770
<v Speaker 1>your book cover to cover. And then I read it

0:58:11.830 --> 0:58:16.310
<v Speaker 1>again and I was like, well, Put a fork in me,

0:58:16.350 --> 0:58:24.230
<v Speaker 1>I'm done. That is the greatest compliment. And it just,

0:58:26.070 --> 0:58:31.430
<v Speaker 1>there are things where I go, okay, even if, no

0:58:31.470 --> 0:58:36.220
<v Speaker 1>matter what, I've had that aha. It is meant to

0:58:36.300 --> 0:58:40.040
<v Speaker 1>someone what my favorite writer's writing has meant to me.

0:58:41.400 --> 0:58:44.180
<v Speaker 1>And that I have to let that be the center

0:58:44.260 --> 0:58:48.760
<v Speaker 1>of it. You know, my practice is not to be

0:58:48.880 --> 0:58:53.100
<v Speaker 1>so concerned with chatter out there, rather like, what does

0:58:53.140 --> 0:58:56.560
<v Speaker 1>it feel like in here? And that's hard for me,

0:58:56.640 --> 0:58:56.960
<v Speaker 1>you know?

0:58:57.820 --> 0:59:02.750
<v Speaker 2>Yeah. It's interesting that you learn a lot about somebody

0:59:02.850 --> 0:59:06.590
<v Speaker 2>or just humanity when you think about what compliment meant

0:59:06.630 --> 0:59:08.770
<v Speaker 2>the most to you. Like, it's a good question because

0:59:09.350 --> 0:59:12.720
<v Speaker 2>no one's going to say, you know, someone said, they're like, wow,

0:59:12.780 --> 0:59:15.380
<v Speaker 2>you have so much money. Like no one would ever

0:59:15.460 --> 0:59:18.860
<v Speaker 2>say that. I mean, somebody would in this administration, but

0:59:18.910 --> 0:59:23.230
<v Speaker 2>like what, what means something to you, the compliment that

0:59:23.330 --> 0:59:25.990
<v Speaker 2>sits with you, that you, that literally gives you fuel

0:59:26.090 --> 0:59:28.660
<v Speaker 2>is that You know what Oprah says, like, did you

0:59:28.700 --> 0:59:30.280
<v Speaker 2>see me? Did you hear me? And did what I

0:59:30.340 --> 0:59:33.400
<v Speaker 2>say mean anything to you? Like that is what everyone

0:59:33.440 --> 0:59:36.480
<v Speaker 2>is asking. And when you write a memoir, that is

0:59:37.060 --> 0:59:41.160
<v Speaker 2>the most literal version of do you see me? Do

0:59:41.200 --> 0:59:43.310
<v Speaker 2>you hear me? And does what I say mean anything

0:59:43.350 --> 0:59:49.730
<v Speaker 2>to you? And I'm so excited for a week from

0:59:49.770 --> 0:59:56.530
<v Speaker 2>now for you to get emails, letters, DMs of, I

0:59:56.570 --> 0:59:58.230
<v Speaker 2>didn't know I was allowed to feel this way. I

1:00:00.350 --> 1:00:04.710
<v Speaker 2>am you. I feel this. I'm ready to stand up

1:00:04.730 --> 1:00:06.750
<v Speaker 2>for myself. I'm ready to take a risk. I'm ready

1:00:06.770 --> 1:00:10.790
<v Speaker 2>to love myself. I'm ready to expose my underbelly. It's profound.

1:00:10.890 --> 1:00:14.210
<v Speaker 2>And I am so excited for you and for every reader.

1:00:14.230 --> 1:00:19.710
<v Speaker 1>Oh, I love you. Thank you. On the precipice of

1:00:19.790 --> 1:00:22.410
<v Speaker 1>all this, you know, today's my book day and your

1:00:22.450 --> 1:00:27.850
<v Speaker 1>next is coming. When you think about what a creative

1:00:27.910 --> 1:00:32.070
<v Speaker 1>life requires, you know, what, what kind of courage it takes,

1:00:32.190 --> 1:00:35.820
<v Speaker 1>like you said, to tell your story, you've gotten so

1:00:35.860 --> 1:00:38.340
<v Speaker 1>good at it. What feels like your work in progress?

1:00:38.400 --> 1:00:39.700
<v Speaker 1>What are you still working on?

1:00:40.860 --> 1:00:43.680
<v Speaker 2>Thank you for that sweet compliment. I do not feel

1:00:43.720 --> 1:00:45.400
<v Speaker 2>like I've gotten good at it. I feel like I

1:00:45.540 --> 1:00:49.220
<v Speaker 2>just got started. Like I'm sometimes I'll read a book

1:00:49.300 --> 1:00:51.450
<v Speaker 2>or like a book that I'm reading and I'm just like,

1:00:52.710 --> 1:00:56.350
<v Speaker 2>I am such an amateur compared to like, this is amazing.

1:00:57.140 --> 1:00:59.790
<v Speaker 2>But like you're saying, I'm always like, I want to

1:00:59.830 --> 1:01:05.470
<v Speaker 2>write fiction. I've only written about myself. And that's because

1:01:05.510 --> 1:01:07.570
<v Speaker 2>I have a lot to process. And I actually like,

1:01:09.510 --> 1:01:11.290
<v Speaker 2>I guess I know you asked me this question, but

1:01:12.250 --> 1:01:15.340
<v Speaker 2>I write, they say like, who's your audience when you're writing?

1:01:15.380 --> 1:01:17.880
<v Speaker 2>And it's like Stephen King writes for his wife, blah, blah, blah.

1:01:18.980 --> 1:01:22.140
<v Speaker 2>I write for my 22-year-old self, like a little gay

1:01:22.180 --> 1:01:28.250
<v Speaker 2>boy in Alabama or Tennessee that's like, doesn't know who

1:01:28.290 --> 1:01:31.850
<v Speaker 2>he is and, but wishes there was some way to

1:01:31.890 --> 1:01:34.930
<v Speaker 2>feel better. And so like I write for him and then,

1:01:35.810 --> 1:01:37.510
<v Speaker 2>and then I write for him as he gets older.

1:01:37.570 --> 1:01:41.310
<v Speaker 2>Like this new book is for him at 33. My

1:01:41.350 --> 1:01:43.730
<v Speaker 2>first book was for him at 23, you know? So

1:01:43.750 --> 1:01:45.910
<v Speaker 2>it's like, as I get older, I'm writing for what

1:01:45.930 --> 1:01:47.870
<v Speaker 2>I needed to, what I wished I could have read

1:01:47.870 --> 1:01:52.370
<v Speaker 2>10 years ago. And who did you write your book for?

1:01:52.390 --> 1:02:00.160
<v Speaker 1>Hmm. I think I wrote my book for every, for

1:02:00.280 --> 1:02:06.650
<v Speaker 1>every version of myself that saw something or experienced something

1:02:06.870 --> 1:02:09.400
<v Speaker 1>that was told, well, you can handle it.

1:02:09.430 --> 1:02:10.270
<v Speaker 2>It wasn't that bad.

1:02:10.330 --> 1:02:15.290
<v Speaker 1>Right. Because not every story in the book, to be clear,

1:02:15.330 --> 1:02:17.190
<v Speaker 1>people are probably like, Jesus, what's in this book. It's

1:02:17.230 --> 1:02:19.550
<v Speaker 1>not like a, it's not a trauma parade by any means.

1:02:20.230 --> 1:02:22.170
<v Speaker 1>There's so much joy in it too.

1:02:22.450 --> 1:02:23.890
<v Speaker 2>And friendship and love. Yeah.

1:02:24.750 --> 1:02:29.300
<v Speaker 1>But it, Those things, what I came to realize was

1:02:29.340 --> 1:02:33.450
<v Speaker 1>that stuff colors everything else. It's the hum underneath. It's

1:02:33.470 --> 1:02:36.130
<v Speaker 1>like a leak. It's like a pipe leaking in the

1:02:36.170 --> 1:02:40.890
<v Speaker 1>foundation of your house. The moisture gets into everything. And

1:02:40.930 --> 1:02:43.930
<v Speaker 1>I had to remediate that. I had to clean that out.

1:02:45.010 --> 1:02:48.740
<v Speaker 1>And I want people to be able to be who

1:02:48.780 --> 1:02:50.910
<v Speaker 1>they are and say what is true and own.

1:02:52.970 --> 1:02:55.590
<v Speaker 1>The good along with the bad. So they have more

1:02:55.650 --> 1:02:58.790
<v Speaker 1>space for more good. Like I have so much room

1:02:58.890 --> 1:03:03.630
<v Speaker 1>for good now, but it took time to, to get there.

1:03:03.650 --> 1:03:09.000
<v Speaker 2>A memoir is, and a human is really like mentorship

1:03:09.300 --> 1:03:12.910
<v Speaker 2>is map making. So I, this is like the new, I,

1:03:13.280 --> 1:03:14.560
<v Speaker 2>I think I might write a book about this. I

1:03:14.580 --> 1:03:18.970
<v Speaker 2>don't know. Or like it's, I kind of unfurled this

1:03:19.010 --> 1:03:22.880
<v Speaker 2>at my last writer's retreat, which was like, what are

1:03:22.920 --> 1:03:24.979
<v Speaker 2>we doing if not map making as we get older?

1:03:25.040 --> 1:03:29.630
<v Speaker 2>Because everyone is in this like exploratory thing of like,

1:03:29.730 --> 1:03:32.150
<v Speaker 2>I don't know what it's like to love. I don't

1:03:32.170 --> 1:03:33.750
<v Speaker 2>know what it's like to have this job. I don't

1:03:33.770 --> 1:03:35.730
<v Speaker 2>know what it's like to have a parent get cancer

1:03:35.770 --> 1:03:37.650
<v Speaker 2>and pass away. I don't know what it's like. And

1:03:37.690 --> 1:03:40.880
<v Speaker 2>then when you do, it is your job to then make,

1:03:41.070 --> 1:03:44.540
<v Speaker 2>draw the map so that the next explorer can come

1:03:44.560 --> 1:03:48.200
<v Speaker 2>and like, and to be clear, holding a map is

1:03:48.240 --> 1:03:51.650
<v Speaker 2>not the same thing as driving through Yosemite and seeing Okay,

1:03:51.790 --> 1:03:54.890
<v Speaker 2>it's not the same, but you won't get lost.

1:03:55.390 --> 1:03:55.670
<v Speaker 1>Yes.

1:03:55.730 --> 1:03:59.550
<v Speaker 2>You won't get so confused. You'll move through and you'll

1:03:59.590 --> 1:04:02.470
<v Speaker 2>still feel the grandeur and the profundity and the awe

1:04:02.510 --> 1:04:04.930
<v Speaker 2>and the pain. But you'll at least know which way

1:04:04.970 --> 1:04:08.730
<v Speaker 2>you're going and that there is a road down the way.

1:04:09.130 --> 1:04:13.570
<v Speaker 2>And so seeing your life as a mapmaker for others

1:04:14.010 --> 1:04:20.800
<v Speaker 2>is such a generous stamina because... Everything that you've been

1:04:20.820 --> 1:04:24.860
<v Speaker 2>through and survived was so that someone else, some young

1:04:24.900 --> 1:04:29.500
<v Speaker 2>girl being given this opportunity, being whatever, feeling a certain

1:04:29.540 --> 1:04:31.680
<v Speaker 2>way about the way men speak to her or whatever

1:04:31.720 --> 1:04:35.690
<v Speaker 2>it is like that, the map that you will hand

1:04:35.750 --> 1:04:39.670
<v Speaker 2>her will, will help her navigate that situation, which will

1:04:39.710 --> 1:04:45.550
<v Speaker 2>surely come. And that is, that's what writing is, but

1:04:45.570 --> 1:04:48.850
<v Speaker 2>that's also what we should all be doing. And I

1:04:48.890 --> 1:04:49.510
<v Speaker 2>love our jobs.

1:04:50.220 --> 1:04:54.020
<v Speaker 1>I do too. It's so special. And I love you.

1:04:54.280 --> 1:04:55.300
<v Speaker 1>Thank you for today.

1:04:55.320 --> 1:04:59.360
<v Speaker 2>I love you so much. And I'm so excited just

1:04:59.400 --> 1:05:02.060
<v Speaker 2>to see people read this book. I can't wait to

1:05:02.100 --> 1:05:04.160
<v Speaker 2>text you when I see somebody like reading it on

1:05:04.200 --> 1:05:06.980
<v Speaker 2>the train. Like that's people have done that for me

1:05:07.060 --> 1:05:08.800
<v Speaker 2>when they're just like at the airport or whatever. It's

1:05:08.840 --> 1:05:13.200
<v Speaker 2>the greatest because it's like the universe. You couldn't plan it.

1:05:13.230 --> 1:05:14.790
<v Speaker 2>It's not like your friend reading it. It's like a

1:05:15.130 --> 1:05:15.790
<v Speaker 2>true random.

1:05:16.310 --> 1:05:16.590
<v Speaker 1>Yeah.

1:05:16.910 --> 1:05:17.570
<v Speaker 2>I can't wait.

1:05:18.250 --> 1:05:20.510
<v Speaker 1>Oh, I can't wait. It's going to be so fun.

1:05:20.630 --> 1:05:24.410
<v Speaker 1>Thank you for grounding this very big day in a

1:05:24.450 --> 1:05:27.650
<v Speaker 1>very heart forward kind of way for me.

1:05:27.670 --> 1:05:30.680
<v Speaker 2>Well, congratulations. And I'm so proud of you.

1:05:31.280 --> 1:05:31.880
<v Speaker 1>I love you.

1:05:31.900 --> 1:05:33.080
<v Speaker 2>I love you too.

1:05:43.630 --> 1:05:44.150
<v Speaker 1>Thanks, boo.

1:05:44.660 --> 1:05:48.820
<v Speaker 2>Is the work in progress logo a butthole and spread cheeks?

1:05:49.400 --> 1:05:55.740
<v Speaker 1>No. It is a riff on like the 70s iconography

1:05:56.180 --> 1:06:01.850
<v Speaker 1>of a news station. Oh, yeah. It's like it's the signal. Yeah.

1:06:02.470 --> 1:06:04.470
<v Speaker 2>God, buttholes are everywhere. Maybe because I'm gay. That's just

1:06:04.490 --> 1:06:05.050
<v Speaker 2>what I see.

1:06:05.810 --> 1:06:07.210
<v Speaker 1>Listen, I respect it.

1:06:07.890 --> 1:06:08.990
<v Speaker 2>This should be over the credits.

1:06:09.510 --> 1:06:12.390
<v Speaker 1>Yes, perfect. Over the outro music?

1:06:12.630 --> 1:06:13.950
<v Speaker 2>Yeah, yeah, yeah. Please.