1
00:00:00,200 --> 00:00:02,559
Speaker 1: I listened to The Black Guy Who Tips because Rod

2
00:00:02,600 --> 00:00:03,559
Speaker 1: and Karen are heart.

3
00:00:03,720 --> 00:00:06,160
Speaker 2: Hey, welcome to another episode of The Black Guy Who

4
00:00:06,240 --> 00:00:07,039
Speaker 2: Tells Podcast.

5
00:00:07,200 --> 00:00:10,680
Speaker 1: I'm your host Rod, joined us always by my co host.

6
00:00:10,480 --> 00:00:16,040
Speaker 2: Kerrie, and we are live on a Tuesday. Ready to

7
00:00:16,120 --> 00:00:20,680
Speaker 2: do some podcast and find us everywhere you get podcasts.

8
00:00:20,720 --> 00:00:22,280
Speaker 1: Okay, that's what we're doing.

9
00:00:22,800 --> 00:00:25,920
Speaker 2: The official weapon of the show is the Phuncke Chair

10
00:00:26,200 --> 00:00:29,520
Speaker 2: and the unofficial sport what About and bullet Ball Extreme

11
00:00:29,920 --> 00:00:32,640
Speaker 2: And today we're not alone. No, we got a very

12
00:00:32,640 --> 00:00:35,920
Speaker 2: special guest first time on our podcast. Yes, but we

13
00:00:36,040 --> 00:00:39,559
Speaker 2: actually was on the Keith and the Girl Marathon with

14
00:00:39,680 --> 00:00:43,760
Speaker 2: this guy a couple of year, like last year. And yeah,

15
00:00:44,000 --> 00:00:47,839
Speaker 2: he is a comedian, he's an actor. He's host of

16
00:00:47,880 --> 00:00:49,920
Speaker 2: the Inconsistent Podcast.

17
00:00:50,560 --> 00:00:51,479
Speaker 1: Is Rob Hayes.

18
00:00:51,560 --> 00:00:55,400
Speaker 2: His new special Fronting is out on YouTube right now.

19
00:00:55,640 --> 00:00:56,600
Speaker 1: What's going on, Rob?

20
00:00:58,360 --> 00:01:02,200
Speaker 3: Man? Doing well? Doing well? Happy to be here. You know,

21
00:01:02,240 --> 00:01:05,520
Speaker 3: I've heard legend theory things about The Black Guy Who Tips,

22
00:01:06,000 --> 00:01:09,160
Speaker 3: so you know, I've yeah been waiting on this day

23
00:01:09,200 --> 00:01:11,720
Speaker 3: for a long time. Happy to be here with y'all.

24
00:01:12,160 --> 00:01:15,400
Speaker 2: Sweet oh man, we appreciate it, dude. We're fans of yours.

25
00:01:16,640 --> 00:01:19,000
Speaker 2: Uh we literally right before we came in here was

26
00:01:19,040 --> 00:01:23,440
Speaker 2: watching the special front Okay, it's like we got like

27
00:01:23,480 --> 00:01:25,720
Speaker 2: ten minutes left, but.

28
00:01:25,080 --> 00:01:26,440
Speaker 1: But we like we was.

29
00:01:26,480 --> 00:01:27,280
Speaker 3: We was watching it.

30
00:01:27,280 --> 00:01:28,960
Speaker 1: We was enjoying it. We was having a good.

31
00:01:28,800 --> 00:01:34,000
Speaker 2: Time laying down. Was this your first stand up special

32
00:01:34,319 --> 00:01:35,880
Speaker 2: or or do you.

33
00:01:35,840 --> 00:01:39,560
Speaker 3: Have a first special? Second album? Okay, okay, the first

34
00:01:39,600 --> 00:01:44,280
Speaker 3: The first project was just audio Hazupedia. I'm still available

35
00:01:44,280 --> 00:01:48,120
Speaker 3: on all streaming platforms and and so this is the

36
00:01:48,320 --> 00:01:51,360
Speaker 3: second album. But but the first special. People like to

37
00:01:51,360 --> 00:01:53,800
Speaker 3: see you. You know, I'd rather not be seen. I

38
00:01:53,960 --> 00:01:57,080
Speaker 3: rather people just listen to me and watch something else,

39
00:01:57,160 --> 00:02:00,560
Speaker 3: look at a painting, you know, close their eyes, or

40
00:02:00,760 --> 00:02:03,600
Speaker 3: just you know, go outside of something, walk around or

41
00:02:03,680 --> 00:02:05,960
Speaker 3: rather that. But you know, people want to see you.

42
00:02:06,440 --> 00:02:08,079
Speaker 3: So I was like, all right, let me give him

43
00:02:08,080 --> 00:02:08,760
Speaker 3: something to look at.

44
00:02:09,160 --> 00:02:09,359
Speaker 1: Yeah.

45
00:02:09,440 --> 00:02:12,720
Speaker 2: I don't know what how you got into like stand up,

46
00:02:12,760 --> 00:02:15,560
Speaker 2: but I know as a kid and a young adult,

47
00:02:15,600 --> 00:02:18,079
Speaker 2: I was like, I'm I've always been been a fan

48
00:02:18,120 --> 00:02:22,880
Speaker 2: of stand up and I just remember having stand up

49
00:02:22,960 --> 00:02:25,440
Speaker 2: albums and CDs. I didn't even know what some of

50
00:02:25,440 --> 00:02:31,359
Speaker 2: my favorite comedians look like because it was before like YouTube.

51
00:02:30,880 --> 00:02:31,679
Speaker 1: Really took all.

52
00:02:32,360 --> 00:02:36,360
Speaker 2: They weren't necessarily always big enough to get like a

53
00:02:36,440 --> 00:02:39,960
Speaker 2: stand up special HBO, right, because you know HBO used

54
00:02:39,960 --> 00:02:41,519
Speaker 2: to only put out like four th was a year.

55
00:02:42,040 --> 00:02:44,480
Speaker 2: So if you wasn't one of them, fo motherfuckers. I

56
00:02:44,520 --> 00:02:46,600
Speaker 2: was just like, I wonder what Russell Peters looks like.

57
00:02:46,639 --> 00:02:49,280
Speaker 2: He's funny as hell. And then later down the line

58
00:02:49,320 --> 00:02:51,720
Speaker 2: you see it. But now it feels like, like you said,

59
00:02:51,760 --> 00:02:54,480
Speaker 2: even if you're producing it yourself, you need a visual

60
00:02:54,560 --> 00:02:57,160
Speaker 2: element because people are not just going with the audio

61
00:02:57,240 --> 00:02:57,600
Speaker 2: no more.

62
00:02:58,760 --> 00:03:01,760
Speaker 3: I mean we've been byar with videos all day that

63
00:03:01,880 --> 00:03:05,680
Speaker 3: we didn't ask for, you know, constantly, there's just videos

64
00:03:05,720 --> 00:03:08,520
Speaker 3: popping in our lap that it's like, hey, I don't

65
00:03:08,560 --> 00:03:12,400
Speaker 3: follow this person. I don't know. I keep telling you

66
00:03:12,440 --> 00:03:15,799
Speaker 3: I don't follow this person. They tworking Instagram just sent

67
00:03:15,880 --> 00:03:19,520
Speaker 3: it to me. I didn't solicit this, you know, I

68
00:03:19,560 --> 00:03:22,400
Speaker 3: don't know why why it knows that I would look

69
00:03:22,440 --> 00:03:25,400
Speaker 3: at it more than one second. I don't know. I

70
00:03:25,400 --> 00:03:28,360
Speaker 3: didn't ask for this, So, you know, just just dealing

71
00:03:28,400 --> 00:03:31,800
Speaker 3: with the with the modern way of doing things. And

72
00:03:31,840 --> 00:03:35,400
Speaker 3: then also you know, I love Comedy Specialist as well,

73
00:03:36,800 --> 00:03:39,800
Speaker 3: but yeah, I do like that relationship to the to

74
00:03:39,880 --> 00:03:42,640
Speaker 3: the material that the album gives you and you get

75
00:03:42,680 --> 00:03:46,360
Speaker 3: to use your imagination. And I remember stealing my dad's

76
00:03:46,400 --> 00:03:49,840
Speaker 3: comedy albums and listening to them on the lowest possible

77
00:03:50,000 --> 00:03:53,440
Speaker 3: volume and stuff and talking to older people and them

78
00:03:53,640 --> 00:03:56,600
Speaker 3: them telling me the disappointment when they finally saw what

79
00:03:56,680 --> 00:03:59,960
Speaker 3: Richard Pryor look like, and you know something like that.

80
00:04:00,680 --> 00:04:03,000
Speaker 2: Yeah, man, I used to have like a collection of

81
00:04:03,520 --> 00:04:05,760
Speaker 2: just CDs and stuff that got me through my work

82
00:04:05,840 --> 00:04:08,600
Speaker 2: day when I had a job that I hated. And

83
00:04:09,000 --> 00:04:11,360
Speaker 2: one of one part of the job was every Friday,

84
00:04:11,520 --> 00:04:14,600
Speaker 2: I worked in the county and at the time, every

85
00:04:14,640 --> 00:04:19,080
Speaker 2: Friday we had to literally take physical checks, fold them up.

86
00:04:19,160 --> 00:04:22,080
Speaker 2: I've done that before, mail and put them in envelopes

87
00:04:22,120 --> 00:04:23,680
Speaker 2: to be mailed out to like.

88
00:04:23,640 --> 00:04:24,479
Speaker 1: Businesses and shit.

89
00:04:25,000 --> 00:04:27,400
Speaker 2: And it was two of us, me and my boy Pat,

90
00:04:27,839 --> 00:04:29,760
Speaker 2: And it was an all day job.

91
00:04:30,400 --> 00:04:32,680
Speaker 1: And so you know, you sit in a room with

92
00:04:32,720 --> 00:04:33,800
Speaker 1: one motherfucker all day.

93
00:04:33,839 --> 00:04:37,760
Speaker 2: You can't talk eight hours, like it's just you'll you'll

94
00:04:37,839 --> 00:04:40,040
Speaker 2: choke each other to death. So I would bring in,

95
00:04:40,960 --> 00:04:43,400
Speaker 2: like sometimes he bring in music and stuff up. Sometimes

96
00:04:43,400 --> 00:04:45,520
Speaker 2: he just bring in like stand up specials, and like

97
00:04:46,120 --> 00:04:49,240
Speaker 2: I still know those specials backwards and forwards.

98
00:04:48,880 --> 00:04:50,320
Speaker 1: Because I listened to them so much.

99
00:04:50,640 --> 00:04:53,680
Speaker 2: Yeah, and it is a different it's a different experience

100
00:04:53,800 --> 00:04:58,440
Speaker 2: using your mind's eye to visualize the joke, to visualize

101
00:04:58,480 --> 00:05:02,840
Speaker 2: like the delivery. And also like writing wise, is it

102
00:05:02,960 --> 00:05:05,800
Speaker 2: hits differently when you can't act out so you're writing

103
00:05:06,160 --> 00:05:09,279
Speaker 2: like my favorite stand ups ended up being people that

104
00:05:09,440 --> 00:05:12,919
Speaker 2: right well cause I'm like, okay, that call man, that

105
00:05:13,040 --> 00:05:15,480
Speaker 2: callback is more important to me than to act out

106
00:05:15,520 --> 00:05:18,440
Speaker 2: because I can't see the act out. So but yeah,

107
00:05:18,480 --> 00:05:23,240
Speaker 2: we definitely have switched into like a physical video society.

108
00:05:23,279 --> 00:05:25,360
Speaker 2: I feel like now if you're not doing video, it's

109
00:05:25,400 --> 00:05:28,320
Speaker 2: almost like you're doing a disservice to yourself. Did you

110
00:05:28,360 --> 00:05:31,279
Speaker 2: produce this one yourself? Or did was there like a

111
00:05:31,320 --> 00:05:32,360
Speaker 2: company that produced it?

112
00:05:32,440 --> 00:05:33,360
Speaker 1: Like how did that work?

113
00:05:35,200 --> 00:05:39,279
Speaker 3: Uh? Yeah, No, I produced it myself. Basically I was

114
00:05:39,320 --> 00:05:43,240
Speaker 3: in talks with like a big streamer and then they

115
00:05:43,320 --> 00:05:46,680
Speaker 3: kind of pulled out at the last minute. Uh. Part

116
00:05:46,720 --> 00:05:49,120
Speaker 3: of it was, you know, them talking to me before

117
00:05:49,160 --> 00:05:53,760
Speaker 3: I felt like the material was ready. And so, you know,

118
00:05:53,880 --> 00:05:56,960
Speaker 3: I don't like deadlines on comedy. I don't think comedy

119
00:05:57,000 --> 00:06:01,239
Speaker 3: specials should be like it's due this date, you know, whatever,

120
00:06:01,279 --> 00:06:03,400
Speaker 3: you got put it out there like that. That's not

121
00:06:03,520 --> 00:06:06,039
Speaker 3: me so when it was right, I came back to them.

122
00:06:06,120 --> 00:06:08,200
Speaker 3: They said they didn't have the budget at the time,

123
00:06:08,680 --> 00:06:10,840
Speaker 3: and then I was like, well, I'm gonna figure out

124
00:06:10,880 --> 00:06:13,400
Speaker 3: how to put this out myself, damn.

125
00:06:13,400 --> 00:06:16,960
Speaker 1: And like that. What was that process like?

126
00:06:17,000 --> 00:06:21,400
Speaker 2: Because I think also being an artist, it's a different

127
00:06:21,480 --> 00:06:27,000
Speaker 2: muscle to arrange production, you know, because man, what like

128
00:06:28,400 --> 00:06:31,000
Speaker 2: one of the good things about working for somebody or

129
00:06:31,080 --> 00:06:33,599
Speaker 2: with somebody is Okay, I just need to show up

130
00:06:33,640 --> 00:06:37,640
Speaker 2: and do my thing right. But once it's like your

131
00:06:37,720 --> 00:06:40,479
Speaker 2: money and your time and your business connections, then it's like,

132
00:06:40,920 --> 00:06:43,080
Speaker 2: all right, the lighting gotta be right, the.

133
00:06:43,240 --> 00:06:43,680
Speaker 1: Disc got it.

134
00:06:43,720 --> 00:06:46,320
Speaker 2: You gotta find somebody you can trust to delegate things.

135
00:06:46,360 --> 00:06:48,520
Speaker 2: Like how difficult was that process for you?

136
00:06:50,400 --> 00:06:54,160
Speaker 3: I mean, honestly, it's just really, you know, the the

137
00:06:54,200 --> 00:06:58,920
Speaker 3: toughest thing is is getting the vision expressed to the

138
00:06:58,960 --> 00:07:02,719
Speaker 3: point where there aren't you know, a lot of questions

139
00:07:02,760 --> 00:07:09,080
Speaker 3: or a lot of room for different interpretations of what

140
00:07:09,120 --> 00:07:12,040
Speaker 3: the goal is. And so, you know, I think a

141
00:07:12,080 --> 00:07:16,240
Speaker 3: lot of the intentionality of the special shine through because

142
00:07:16,280 --> 00:07:18,680
Speaker 3: there were a lot of conversations I worked with the

143
00:07:18,720 --> 00:07:21,960
Speaker 3: director Michael Toomey, who is somebody that I could call

144
00:07:22,080 --> 00:07:24,480
Speaker 3: up on the phone. You know, if I got Spike Lee,

145
00:07:24,960 --> 00:07:28,240
Speaker 3: then it's like three weeks before we have a call.

146
00:07:28,360 --> 00:07:30,840
Speaker 3: And now I got thirty questions, and I might you

147
00:07:30,880 --> 00:07:33,800
Speaker 3: know what I'm saying, like not, you know, like like

148
00:07:34,840 --> 00:07:36,960
Speaker 3: I'm glad that I work with somebody that I can

149
00:07:37,080 --> 00:07:39,400
Speaker 3: hit up at three eight o'clock and be like, hey,

150
00:07:39,840 --> 00:07:42,480
Speaker 3: what do you think about this? Have you seen this special?

151
00:07:42,840 --> 00:07:45,480
Speaker 3: You know what kind of camera is this? All right?

152
00:07:46,120 --> 00:07:48,760
Speaker 3: You know, I'll take it to my boy who directed

153
00:07:48,800 --> 00:07:51,720
Speaker 3: a special, Mookie Thompson, and be like, yo, you know

154
00:07:51,840 --> 00:07:53,680
Speaker 3: what do you think about this? And so I was

155
00:07:53,760 --> 00:07:59,320
Speaker 3: just constantly asking different people for help and you know,

156
00:07:59,440 --> 00:08:01,240
Speaker 3: to figure out the best way to do it.

157
00:08:01,560 --> 00:08:05,360
Speaker 2: That's that's interesting too, because like stand up is such

158
00:08:05,400 --> 00:08:09,040
Speaker 2: a like in a way solo, it's like everyone's a

159
00:08:09,040 --> 00:08:12,240
Speaker 2: fucking mercenary, you know what i mean, Like everyone's everyone's

160
00:08:12,360 --> 00:08:15,240
Speaker 2: kind of competition with everybody, everybody's whatever. But then like

161
00:08:15,560 --> 00:08:17,160
Speaker 2: to put something out like that.

162
00:08:17,440 --> 00:08:20,800
Speaker 1: It's a community situation, right because like everyone got.

163
00:08:20,680 --> 00:08:22,040
Speaker 3: They different expertise.

164
00:08:22,560 --> 00:08:24,080
Speaker 2: You know what I'm saying, motherfucker's got to be in

165
00:08:24,120 --> 00:08:26,080
Speaker 2: your corner. They gotta be Hey, this the way you

166
00:08:26,080 --> 00:08:27,840
Speaker 2: gotta do this. This is how we're gonna film it.

167
00:08:28,080 --> 00:08:29,720
Speaker 2: This is how we're gonna this, the club, we need

168
00:08:29,760 --> 00:08:32,120
Speaker 2: to do it, just the camera set up. So like

169
00:08:32,320 --> 00:08:35,400
Speaker 2: it is interesting to see like the community come together,

170
00:08:35,400 --> 00:08:37,559
Speaker 2: because whenever I see a stand up special, especially when

171
00:08:37,600 --> 00:08:41,360
Speaker 2: produced by the person themselves, I'm like, that's a group

172
00:08:41,400 --> 00:08:44,600
Speaker 2: project that just got your name on it, but like

173
00:08:44,720 --> 00:08:47,359
Speaker 2: it's too much shit for one person to do by themselves.

174
00:08:48,120 --> 00:08:50,360
Speaker 3: On the on the technical side, you know, it's got

175
00:08:50,360 --> 00:08:52,720
Speaker 3: my name on it because of the art, but on

176
00:08:52,800 --> 00:08:57,200
Speaker 3: the technical side, it's definitely a group project. And you know,

177
00:08:57,320 --> 00:09:01,160
Speaker 3: I think the individualism of stand up up has caused

178
00:09:01,200 --> 00:09:06,120
Speaker 3: there to be a lot of competition and people saying

179
00:09:06,160 --> 00:09:10,080
Speaker 3: things about each other, and oftentimes in this game we're

180
00:09:10,160 --> 00:09:14,200
Speaker 3: pitted against each other. But I think that our best

181
00:09:14,240 --> 00:09:17,800
Speaker 3: work comes from collaboration. Whether it's a Living Color, whether

182
00:09:17,880 --> 00:09:22,400
Speaker 3: it's Harlem Knights, whether it's Coming to America, whether it's Friday.

183
00:09:22,520 --> 00:09:25,800
Speaker 3: I think when we work together, that's when we're at

184
00:09:25,840 --> 00:09:29,120
Speaker 3: our best. Joe Torre said something to me last night

185
00:09:29,160 --> 00:09:33,800
Speaker 3: that was very profound. He was like, all comedians are

186
00:09:33,960 --> 00:09:37,440
Speaker 3: like they all have a different instrument, and so you

187
00:09:37,600 --> 00:09:40,439
Speaker 3: just gotta play your instrument and you know when it's

188
00:09:40,520 --> 00:09:44,000
Speaker 3: your time for your solo, do your solo. But know

189
00:09:44,280 --> 00:09:47,560
Speaker 3: that you know there's a guitar player, there's a drummer,

190
00:09:47,760 --> 00:09:50,840
Speaker 3: there's a you know. And I think that's a beautiful

191
00:09:50,880 --> 00:09:51,760
Speaker 3: way of looking at it.

192
00:09:51,960 --> 00:09:53,360
Speaker 1: Yeah, I agree, man.

193
00:09:53,400 --> 00:09:57,800
Speaker 2: I think, especially like in twenty twenty four, the idea

194
00:09:58,120 --> 00:10:02,120
Speaker 2: of like the cop petition aspect and tearing each other down,

195
00:10:02,200 --> 00:10:04,319
Speaker 2: it's like it's peaking right now, like.

196
00:10:04,280 --> 00:10:07,320
Speaker 1: That Cat Williams, that Cat Williams saying the sharp thing.

197
00:10:07,400 --> 00:10:09,440
Speaker 2: I felt like it changed the tenor of the game

198
00:10:09,480 --> 00:10:12,480
Speaker 2: where people took things that were private to very public

199
00:10:12,520 --> 00:10:17,600
Speaker 2: places and public places where there's no real like fact check,

200
00:10:17,720 --> 00:10:21,400
Speaker 2: pushback checking with the other party. It's just like whatever

201
00:10:21,440 --> 00:10:23,839
Speaker 2: they said, that's what happened, right, And it's a.

202
00:10:23,800 --> 00:10:27,120
Speaker 4: Lot more to that because the way as somebody on

203
00:10:27,120 --> 00:10:30,120
Speaker 4: the outside looking in, y'all are coworkers at the end

204
00:10:30,120 --> 00:10:33,760
Speaker 4: of the day, and it's like we all eventually have

205
00:10:33,880 --> 00:10:36,600
Speaker 4: to work together, may cross each other path like like

206
00:10:36,600 --> 00:10:39,600
Speaker 4: like if you're in certain levels or you get to

207
00:10:39,640 --> 00:10:43,080
Speaker 4: a certain status, y'all are gonna cross each other's paths.

208
00:10:43,400 --> 00:10:47,360
Speaker 1: So I think that you know, there is a.

209
00:10:47,360 --> 00:10:50,160
Speaker 4: Time and a place for things like that, but maybe

210
00:10:50,160 --> 00:10:53,360
Speaker 4: it's just me just being old school. It's like, hey, dog,

211
00:10:53,600 --> 00:10:56,120
Speaker 4: if I meet this person, are they gonna take it personally?

212
00:10:56,160 --> 00:10:58,480
Speaker 1: If I meet this person, is it gonna be a sight.

213
00:10:58,679 --> 00:11:00,920
Speaker 2: We all have coworkers we hate no matter what job

214
00:11:01,000 --> 00:11:02,600
Speaker 2: we have, but you're supposed to just come home and

215
00:11:02,640 --> 00:11:04,000
Speaker 2: tell your girl right.

216
00:11:05,320 --> 00:11:05,960
Speaker 1: About it.

217
00:11:06,040 --> 00:11:09,840
Speaker 3: I liked some of the w W f neists. I'm

218
00:11:09,840 --> 00:11:12,360
Speaker 3: not gonna lie like, I don't want it to go

219
00:11:12,480 --> 00:11:16,559
Speaker 3: to to you know, a further violent place. But I

220
00:11:16,679 --> 00:11:21,520
Speaker 3: do like the you know, some of the WWE aspects

221
00:11:22,040 --> 00:11:26,079
Speaker 3: of black comedy right now. It is exciting. And and

222
00:11:26,600 --> 00:11:29,600
Speaker 3: also we don't have a season, you know, so it's

223
00:11:29,640 --> 00:11:34,120
Speaker 3: just never you know, just like w W. There's no

224
00:11:34,240 --> 00:11:39,360
Speaker 3: off season in WWE. You know. I think certain certain

225
00:11:39,480 --> 00:11:42,440
Speaker 3: actions start getting theme music and then when they walk

226
00:11:42,520 --> 00:11:46,600
Speaker 3: in the club, they just you know, and then it

227
00:11:46,720 --> 00:11:48,599
Speaker 3: just runs out the stage to do some jokes. That

228
00:11:48,640 --> 00:11:52,360
Speaker 3: would be cool. That'd be extremely cool, you know what

229
00:11:52,679 --> 00:11:52,959
Speaker 3: I mean.

230
00:11:53,040 --> 00:11:56,120
Speaker 4: I'm here for that. I appreciate that. I think that

231
00:11:56,160 --> 00:11:59,280
Speaker 4: would be a lot of a lot of fun. And

232
00:11:59,320 --> 00:12:01,480
Speaker 4: like you say, you're gonna do it, put it in

233
00:12:01,559 --> 00:12:03,280
Speaker 4: joke for him, you know what. I'm saying like like

234
00:12:03,360 --> 00:12:05,720
Speaker 4: put it, put it in that, So.

235
00:12:06,040 --> 00:12:08,800
Speaker 3: I'm like that.

236
00:12:08,960 --> 00:12:12,040
Speaker 2: Then when comedians do drop in, like they could drop

237
00:12:12,080 --> 00:12:14,480
Speaker 2: in on the people that don't funk with them. So

238
00:12:14,679 --> 00:12:17,160
Speaker 2: then you know, then you could have that w W

239
00:12:17,360 --> 00:12:21,440
Speaker 2: aspect that you know, like somebody's on stage, somebody's on stage,

240
00:12:21,440 --> 00:12:22,920
Speaker 2: and then you just hear there's.

241
00:12:22,679 --> 00:12:24,520
Speaker 1: No sex in the champagne room.

242
00:12:24,880 --> 00:12:25,320
Speaker 5: No sex.

243
00:12:32,960 --> 00:12:45,640
Speaker 2: But like you have your own podcast, If you have

244
00:12:45,760 --> 00:12:48,680
Speaker 2: your own podcast, would you ever do this? You do

245
00:12:48,760 --> 00:12:51,880
Speaker 2: you ever think about like, man, you know, the algorithm

246
00:12:51,920 --> 00:12:56,480
Speaker 2: rewards the conflict and rewards the controversy. You know, the

247
00:12:56,520 --> 00:12:59,120
Speaker 2: next inconsistent podcast, you just hop on there and just

248
00:12:59,240 --> 00:13:01,360
Speaker 2: let the let the spray on everybody.

249
00:13:01,880 --> 00:13:07,680
Speaker 3: The algorithm rewards discussion and you can you can spark

250
00:13:07,760 --> 00:13:11,839
Speaker 3: discussion by being slations. You go also spark discussion by

251
00:13:11,880 --> 00:13:15,560
Speaker 3: being wrong, and I'm wrong a lot, so I would

252
00:13:15,679 --> 00:13:19,280
Speaker 3: rather just just feed the algorithm with people correcting me,

253
00:13:21,960 --> 00:13:24,920
Speaker 3: just starting to be I mean, there's some comics that

254
00:13:25,000 --> 00:13:27,840
Speaker 3: I got beef with, but they not big enough yet,

255
00:13:27,960 --> 00:13:30,760
Speaker 3: Like I gotta wait till they get bigger, and then

256
00:13:30,840 --> 00:13:31,800
Speaker 3: I can't really.

257
00:13:31,840 --> 00:13:34,480
Speaker 1: Play a long game.

258
00:13:33,440 --> 00:13:38,719
Speaker 2: Yes, yeah, that means like right now, you got to

259
00:13:38,760 --> 00:13:40,160
Speaker 2: be rooting for your enemies like you.

260
00:13:40,200 --> 00:13:41,440
Speaker 1: I'll be like, man, I hope you get.

261
00:13:41,320 --> 00:13:45,199
Speaker 4: That right, hope you hope you get that special, hope

262
00:13:45,240 --> 00:13:46,200
Speaker 4: you get that spot down.

263
00:13:47,360 --> 00:13:49,880
Speaker 3: Yeah yeah, I'll you get on the platform and mentioned

264
00:13:49,920 --> 00:13:54,160
Speaker 3: my name. Now, now I can't be the bad guy. Hey,

265
00:13:54,200 --> 00:13:57,720
Speaker 3: he just retaliating, he rob was minding his own business.

266
00:13:58,360 --> 00:13:58,920
Speaker 3: He comes.

267
00:14:00,040 --> 00:14:02,960
Speaker 1: Then I'm justified in my actions. Yeah you do.

268
00:14:03,400 --> 00:14:07,600
Speaker 2: You said, you know, being wrong definitely moves an algorithm,

269
00:14:07,760 --> 00:14:08,280
Speaker 2: and it does.

270
00:14:08,360 --> 00:14:09,160
Speaker 1: It does people.

271
00:14:09,840 --> 00:14:14,120
Speaker 2: People love, uh, people love dunking on people that are wrong,

272
00:14:14,240 --> 00:14:17,680
Speaker 2: you know, like yeah, some Twitter accounts will just share

273
00:14:17,760 --> 00:14:21,480
Speaker 2: something and it'll be like this potato looks like a donkey,

274
00:14:21,520 --> 00:14:24,960
Speaker 2: but it obviously looks like a hippopotamus. And then everyone

275
00:14:25,000 --> 00:14:27,840
Speaker 2: will be like, yo, this looks like a hippopotamus, and

276
00:14:27,960 --> 00:14:31,520
Speaker 2: it'll go viral just off of that interaction. And you

277
00:14:31,560 --> 00:14:35,320
Speaker 2: do have one rule on an inconsistent podcast, which is

278
00:14:35,360 --> 00:14:37,000
Speaker 2: you never look anything up.

279
00:14:37,560 --> 00:14:43,680
Speaker 3: So I hate I hate listening to podcasts. And then

280
00:14:43,680 --> 00:14:45,880
Speaker 3: people be like, hey, look that up real quick, and

281
00:14:45,920 --> 00:14:47,920
Speaker 3: then they try to have an opinion and it's like,

282
00:14:48,000 --> 00:14:52,600
Speaker 3: I know you just learned that. I know you. You

283
00:14:52,800 --> 00:14:55,360
Speaker 3: really don't have any inside you you don't you shouldn't

284
00:14:55,360 --> 00:14:57,840
Speaker 3: be speaking on it, you know. So I just try

285
00:14:57,920 --> 00:15:00,200
Speaker 3: to speak to people with what they really can hear

286
00:15:00,200 --> 00:15:02,720
Speaker 3: about what they really got on the inside, you know.

287
00:15:02,920 --> 00:15:05,480
Speaker 3: I love I love it.

288
00:15:05,560 --> 00:15:08,760
Speaker 2: I love when somebody tells somebody looks something up on

289
00:15:08,800 --> 00:15:11,440
Speaker 2: the podcast, and the bigger shows can do it because

290
00:15:11,440 --> 00:15:12,440
Speaker 2: they normally got like.

291
00:15:12,440 --> 00:15:15,880
Speaker 1: A guy, yes, like that's their whole job. It's like, hey, wrong,

292
00:15:16,680 --> 00:15:17,480
Speaker 1: they can say that.

293
00:15:17,800 --> 00:15:19,560
Speaker 2: But I love when they look something up and it's

294
00:15:19,600 --> 00:15:20,840
Speaker 2: the opposite of what they said.

295
00:15:21,000 --> 00:15:22,480
Speaker 1: Man, that makes me.

296
00:15:22,680 --> 00:15:25,240
Speaker 2: That makes me smile so hard when it's like that, right,

297
00:15:25,280 --> 00:15:28,880
Speaker 2: because you get you get COVID, right, you get COVID

298
00:15:29,080 --> 00:15:31,920
Speaker 2: from people with the vaccine shedding it on you.

299
00:15:32,000 --> 00:15:32,200
Speaker 3: Right.

300
00:15:32,520 --> 00:15:35,360
Speaker 2: So anyway, well look that up, look that up. It's like,

301
00:15:35,760 --> 00:15:38,560
Speaker 2: oh man, just wait three minutes, be wrong.

302
00:15:38,520 --> 00:15:44,480
Speaker 1: Yeah, and it thing gets Roger is that person for me?

303
00:15:47,160 --> 00:15:47,520
Speaker 3: I think?

304
00:15:47,640 --> 00:15:51,040
Speaker 2: I think also if you have a good fan interaction,

305
00:15:52,600 --> 00:15:55,880
Speaker 2: I'm a person I can't handle being wrong and they're

306
00:15:55,920 --> 00:15:58,600
Speaker 2: having a hundred people tell me the same thing like

307
00:15:59,120 --> 00:16:01,720
Speaker 2: I'm okay if like one person hit me up like

308
00:16:01,720 --> 00:16:05,000
Speaker 2: hey no, that thing you said it wasn't right.

309
00:16:05,560 --> 00:16:06,080
Speaker 1: But when you.

310
00:16:06,040 --> 00:16:09,040
Speaker 2: Got a lot of fans, and it's social media. It's

311
00:16:09,080 --> 00:16:11,760
Speaker 2: like a thousand motherfuckers being like, hey, you know two

312
00:16:11,840 --> 00:16:12,640
Speaker 2: plus two was four?

313
00:16:12,760 --> 00:16:12,960
Speaker 3: Right?

314
00:16:13,960 --> 00:16:14,560
Speaker 1: Cool man?

315
00:16:14,640 --> 00:16:17,280
Speaker 2: You didn't see the first ninety nine people that told

316
00:16:17,280 --> 00:16:19,320
Speaker 2: me it was for I'm a correct in that show.

317
00:16:19,440 --> 00:16:20,840
Speaker 1: They probably did not.

318
00:16:21,600 --> 00:16:24,400
Speaker 3: It's hard the first person they ain't see the second

319
00:16:24,400 --> 00:16:27,680
Speaker 3: person that was like I came here to say this, yeah,

320
00:16:27,720 --> 00:16:29,920
Speaker 3: and then they didn't see none of that.

321
00:16:30,480 --> 00:16:33,240
Speaker 2: Hey, so how long did it take you to get them,

322
00:16:33,400 --> 00:16:36,520
Speaker 2: you know, for you to feel comfortable with the material

323
00:16:36,600 --> 00:16:39,200
Speaker 2: for this special? Like I know you said you don't

324
00:16:39,240 --> 00:16:41,760
Speaker 2: really like deadlines and stuff, so when did you know, like,

325
00:16:41,920 --> 00:16:42,760
Speaker 2: all right, this time?

326
00:16:45,360 --> 00:16:49,800
Speaker 3: I started running it in twenty twenty one. I rented

327
00:16:49,920 --> 00:16:53,760
Speaker 3: in the Bay, I rented in DC, I rented in Ashville,

328
00:16:53,920 --> 00:16:58,480
Speaker 3: I rented in Savannah. I feel like after those running shows,

329
00:16:58,520 --> 00:17:02,040
Speaker 3: I kind of felt like people with the material. And

330
00:17:02,080 --> 00:17:07,000
Speaker 3: then I did like a drive run in LA had

331
00:17:07,040 --> 00:17:10,720
Speaker 3: some like big wigs come through and everything, and then

332
00:17:11,280 --> 00:17:13,240
Speaker 3: you know, they were championing for me. The people that

333
00:17:13,320 --> 00:17:16,639
Speaker 3: saw Alive were like this, this is it, but you

334
00:17:16,680 --> 00:17:20,800
Speaker 3: know it, you know, just was it throughout the building.

335
00:17:21,320 --> 00:17:24,760
Speaker 3: And then you know, at that point, I'm still growing,

336
00:17:24,880 --> 00:17:28,080
Speaker 3: I'm still writing, I'm still performing, and so you know,

337
00:17:28,160 --> 00:17:32,399
Speaker 3: I know I got it. It's just but I guess

338
00:17:32,440 --> 00:17:35,960
Speaker 3: how long I guess I started working on it. Hazel

339
00:17:36,000 --> 00:17:38,760
Speaker 3: Peda came out twenty nineteen, like the end of twenty nineteen.

340
00:17:38,800 --> 00:17:41,080
Speaker 3: I started talking about it on stage a little bit,

341
00:17:42,760 --> 00:17:46,080
Speaker 3: but I would say I was gonna chicken out. I

342
00:17:46,119 --> 00:17:48,200
Speaker 3: was gonna if we adn't had a pandemic and I

343
00:17:48,200 --> 00:17:50,399
Speaker 3: ain't had that time to like sit down and think

344
00:17:50,440 --> 00:17:54,840
Speaker 3: and just appreciate the time and appreciate, you know, like

345
00:17:54,840 --> 00:17:58,320
Speaker 3: like the opportunity to even you know, do a specialist stuff.

346
00:17:58,359 --> 00:18:01,240
Speaker 3: And I don't know if I would have did it.

347
00:18:01,400 --> 00:18:05,760
Speaker 2: So is that because of like perfectionism or like what

348
00:18:05,880 --> 00:18:08,359
Speaker 2: is where does that come from the idea of not

349
00:18:08,400 --> 00:18:08,919
Speaker 2: putting it up?

350
00:18:09,000 --> 00:18:13,240
Speaker 3: Oh well, not not putting it out, just not exploring

351
00:18:13,320 --> 00:18:17,240
Speaker 3: that that side and not not being vulnerable, you know.

352
00:18:17,359 --> 00:18:20,520
Speaker 3: I think that like a part of me was like,

353
00:18:21,280 --> 00:18:25,840
Speaker 3: I'm really not gonna just be silly, man, Just go

354
00:18:25,920 --> 00:18:28,960
Speaker 3: up there, be silly, you know. And there's another part

355
00:18:28,960 --> 00:18:32,480
Speaker 3: of me that's like, nah, you you really never gonna

356
00:18:32,560 --> 00:18:35,560
Speaker 3: be able to stand on your square unless you address

357
00:18:35,960 --> 00:18:39,480
Speaker 3: what what's pressing on the inside, would you that thing

358
00:18:39,560 --> 00:18:41,880
Speaker 3: that if somebody else were to bring up and talk

359
00:18:41,920 --> 00:18:45,960
Speaker 3: about to ether you. And so it's basically me you know,

360
00:18:46,640 --> 00:18:50,359
Speaker 3: being like like be rabbit and owning my own truth,

361
00:18:51,000 --> 00:18:54,200
Speaker 3: you know before somebody else gets to it. I would

362
00:18:54,240 --> 00:18:58,160
Speaker 3: never do a roast battle or any of those types

363
00:18:58,160 --> 00:19:01,439
Speaker 3: of shows because my biggest fear was sobody like like

364
00:19:01,880 --> 00:19:06,119
Speaker 3: addressing something with me that I didn't feel comfortable with.

365
00:19:06,760 --> 00:19:07,679
Speaker 1: Yeah, that is.

366
00:19:07,960 --> 00:19:11,640
Speaker 2: I never understood the rose battles anyway, because like I'll

367
00:19:11,680 --> 00:19:14,960
Speaker 2: be watching them, they kind of real like they like,

368
00:19:15,000 --> 00:19:19,000
Speaker 2: it's only likes, it's playplay, but also like the ones

369
00:19:19,040 --> 00:19:20,959
Speaker 2: that hit hard be the ones that you like.

370
00:19:21,200 --> 00:19:22,120
Speaker 1: That's true.

371
00:19:22,680 --> 00:19:25,600
Speaker 3: It started as a joke, right, It started as a

372
00:19:25,720 --> 00:19:31,479
Speaker 3: joke because of rap battle culture, but also because people

373
00:19:31,520 --> 00:19:35,520
Speaker 3: felt like the one of the clubs out here was racist.

374
00:19:36,359 --> 00:19:38,399
Speaker 3: And so they had a guy that was there the

375
00:19:38,480 --> 00:19:41,159
Speaker 3: all time Racists, and they were trying to impress the

376
00:19:41,200 --> 00:19:46,440
Speaker 3: all time racist through roasting. And then everybody would shoot

377
00:19:46,480 --> 00:19:50,360
Speaker 3: at everybody. The host would shoot the all time racists,

378
00:19:50,359 --> 00:19:54,320
Speaker 3: would say racist stuff. The battlers would shoot at each other,

379
00:19:54,400 --> 00:19:56,320
Speaker 3: but they could shoot at the host, they could shoot

380
00:19:56,320 --> 00:20:00,320
Speaker 3: at the judges, but then it just got so big

381
00:20:01,160 --> 00:20:05,040
Speaker 3: that it just became a whole nother thing. And then

382
00:20:05,119 --> 00:20:07,000
Speaker 3: it got to the East Coast. When it got to

383
00:20:07,040 --> 00:20:11,800
Speaker 3: the East coast, there's such a hierarchy and stand up

384
00:20:11,800 --> 00:20:14,879
Speaker 3: on the East Coast that it's like you cannot shoot

385
00:20:14,880 --> 00:20:17,440
Speaker 3: at the judges, you know, like like the audience will

386
00:20:17,480 --> 00:20:20,000
Speaker 3: turn on you if you shoot. How dare you you're

387
00:20:20,119 --> 00:20:22,440
Speaker 3: down here? You know that type of thing. And they

388
00:20:22,680 --> 00:20:25,199
Speaker 3: and they used it. They would dangle in front of

389
00:20:25,280 --> 00:20:27,399
Speaker 3: us like you can get into this club if you

390
00:20:27,480 --> 00:20:29,760
Speaker 3: do a roast battle. That's a good way for the

391
00:20:29,840 --> 00:20:32,000
Speaker 3: booker to see you, you know. And so it's like

392
00:20:32,160 --> 00:20:36,720
Speaker 3: I gotta exploit one of my friends trauma, and they

393
00:20:36,840 --> 00:20:40,160
Speaker 3: got to exploit me so that we could get five

394
00:20:40,240 --> 00:20:44,400
Speaker 3: minutes on the weekend. That's really what we're doing. We will,

395
00:20:44,560 --> 00:20:46,720
Speaker 3: you know, and then y'all gonna put it on y'all

396
00:20:46,760 --> 00:20:50,439
Speaker 3: YouTube and monetize it and not break bread off of it.

397
00:20:50,600 --> 00:20:54,320
Speaker 3: So then for me to get a paid spot, for

398
00:20:54,320 --> 00:20:57,439
Speaker 3: me to get a fifteen dollars spot, I gotta I

399
00:20:57,480 --> 00:20:59,920
Speaker 3: gotta write all week I gotta do all this work,

400
00:21:00,560 --> 00:21:03,560
Speaker 3: exposed stuff about myself that I might not want out

401
00:21:03,560 --> 00:21:07,760
Speaker 3: there and mess up my relationship with one of my

402
00:21:07,840 --> 00:21:12,000
Speaker 3: closest friends. You know what I'm saying, That's not me.

403
00:21:12,400 --> 00:21:14,920
Speaker 2: That's not what you visualized when you thought about getting

404
00:21:14,920 --> 00:21:17,280
Speaker 2: in the stand up right, whatever it was.

405
00:21:17,240 --> 00:21:19,360
Speaker 1: When you were like, man, I would like to do

406
00:21:19,440 --> 00:21:22,840
Speaker 1: this destroy my friends.

407
00:21:22,920 --> 00:21:28,639
Speaker 3: And I know plenty of people that really their friendships

408
00:21:28,760 --> 00:21:31,280
Speaker 3: was different after they after they went down there and

409
00:21:31,280 --> 00:21:35,600
Speaker 3: did that roast battle, you know, and yeah, I was

410
00:21:35,720 --> 00:21:38,680
Speaker 3: just like this, this is I don't want to attract

411
00:21:38,760 --> 00:21:41,480
Speaker 3: this crowd. This The people who come in, they're like

412
00:21:41,960 --> 00:21:44,359
Speaker 3: give them, kill them, Like I don't want those people

413
00:21:44,359 --> 00:21:47,760
Speaker 3: to be in my shows waiting on that moment. You know.

414
00:21:48,280 --> 00:21:51,919
Speaker 3: I have the other observations about kites and stuff I

415
00:21:51,960 --> 00:21:52,760
Speaker 3: need to talk about.

416
00:21:53,040 --> 00:21:55,760
Speaker 2: The other thing, too, is like it's a skill that

417
00:21:56,000 --> 00:21:58,320
Speaker 2: I mean, it can it be entertaining in that environment,

418
00:21:58,400 --> 00:22:02,800
Speaker 2: but it's hard to build a career year around like

419
00:22:03,040 --> 00:22:05,119
Speaker 2: being the roast guy, because like, when it's time to

420
00:22:05,160 --> 00:22:08,600
Speaker 2: do your special, you what you're gonna bring out five

421
00:22:08,680 --> 00:22:11,320
Speaker 2: other comedians? Now you gotta Now you gotta do an

422
00:22:11,320 --> 00:22:13,280
Speaker 2: hour of just ship you know what I mean about

423
00:22:13,280 --> 00:22:16,120
Speaker 2: your life and you can't just be like, oh this

424
00:22:16,240 --> 00:22:19,080
Speaker 2: nigga got a baby Mama, you don't be talking to

425
00:22:19,240 --> 00:22:23,320
Speaker 2: like that's not gonna work you. Now, Yeah, you're from

426
00:22:23,520 --> 00:22:28,160
Speaker 2: the A. We're from Atlanta. Did you get your starting.

427
00:22:27,880 --> 00:22:29,760
Speaker 1: Stand up in Atlanta? Because I know you were in

428
00:22:29,760 --> 00:22:30,960
Speaker 1: New York in now la.

429
00:22:32,000 --> 00:22:37,400
Speaker 3: I started stand up in Atlanta. I actually started in Athens, Georgia,

430
00:22:37,480 --> 00:22:40,200
Speaker 3: while I was at the University of Georgia, and then

431
00:22:40,240 --> 00:22:43,600
Speaker 3: going to Atlanta and driving all the way back to Athens.

432
00:22:43,840 --> 00:22:47,000
Speaker 3: Uh my frase year to stand up. And then after

433
00:22:47,080 --> 00:22:50,040
Speaker 3: that I did like five years in the A and

434
00:22:50,080 --> 00:22:51,320
Speaker 3: then I moved to New York.

435
00:22:51,680 --> 00:22:54,280
Speaker 2: Now did you you you were in school for political

436
00:22:54,359 --> 00:22:57,719
Speaker 2: science at the time that you you were you started

437
00:22:57,760 --> 00:22:58,320
Speaker 2: stand up?

438
00:22:59,560 --> 00:23:02,960
Speaker 1: Did you like finished school or was it like, nah,

439
00:23:03,640 --> 00:23:06,000
Speaker 1: I'm getting paid, this travels, all this shit. Let me

440
00:23:06,040 --> 00:23:07,199
Speaker 1: just go ahead and get in the stand up.

441
00:23:07,880 --> 00:23:11,600
Speaker 3: Well I wasn't getting paid off the rip like that. Yeah.

442
00:23:11,640 --> 00:23:14,400
Speaker 3: When I when I first started, you know, it's just

443
00:23:14,440 --> 00:23:17,840
Speaker 3: figuring out how to get on stage. And also I

444
00:23:18,040 --> 00:23:20,439
Speaker 3: used the school. I would I would open for whoever

445
00:23:20,480 --> 00:23:23,760
Speaker 3: came to the school. I would host every pageant, I

446
00:23:23,760 --> 00:23:27,040
Speaker 3: would host every program, you know, I would perform at

447
00:23:27,040 --> 00:23:31,280
Speaker 3: the poetry nights. So so I was using the school

448
00:23:31,320 --> 00:23:34,000
Speaker 3: for stage time, plus I only had a year left

449
00:23:34,080 --> 00:23:37,520
Speaker 3: like I started. Basically when I turned twenty one, I

450
00:23:37,920 --> 00:23:41,240
Speaker 3: look young. No one was gonna let me do stand

451
00:23:41,320 --> 00:23:44,320
Speaker 3: up and be too young to be in the club.

452
00:23:44,359 --> 00:23:47,160
Speaker 3: Nobody's gonna risk a liquor license on my baby pace.

453
00:23:48,080 --> 00:23:50,720
Speaker 3: You know, I definitely was. I definitely had to start

454
00:23:50,720 --> 00:23:52,280
Speaker 3: at twenty one. You know, so.

455
00:23:55,280 --> 00:23:57,080
Speaker 1: Did you so hold up?

456
00:23:57,119 --> 00:23:59,720
Speaker 2: Did now you say you performed the poegy like was

457
00:23:59,760 --> 00:24:02,040
Speaker 2: it forwdry or comedy? When it was a poetry knight?

458
00:24:02,760 --> 00:24:06,479
Speaker 3: So when I started, before I started doing jokes, I

459
00:24:06,600 --> 00:24:09,200
Speaker 3: went to the poetry night, but my first real time

460
00:24:09,240 --> 00:24:12,000
Speaker 3: getting laughs on stage, I signed up for the open

461
00:24:12,040 --> 00:24:14,280
Speaker 3: mic that was right after the poetry night, but I

462
00:24:14,280 --> 00:24:18,320
Speaker 3: didn't have a poem. I made up a poem about

463
00:24:18,560 --> 00:24:21,879
Speaker 3: what I saw in the poetry night, and I was

464
00:24:22,040 --> 00:24:25,800
Speaker 3: getting like huge laughs because it's like he clearly just

465
00:24:25,960 --> 00:24:29,560
Speaker 3: made this up. This is nuts, you know, he's making

466
00:24:29,600 --> 00:24:32,920
Speaker 3: fun of people who just performed like this is crazy.

467
00:24:33,520 --> 00:24:36,920
Speaker 3: And so from that people were calling me a comedian.

468
00:24:37,040 --> 00:24:39,680
Speaker 3: But I hadn't done jokes yet, so that they used

469
00:24:39,720 --> 00:24:41,879
Speaker 3: to scare me. Yeah, I used to be worried, like

470
00:24:42,240 --> 00:24:44,639
Speaker 3: what if I suck? At jokes and then you know,

471
00:24:44,760 --> 00:24:48,560
Speaker 3: now I have this reputation of being a comedian, and

472
00:24:48,600 --> 00:24:50,480
Speaker 3: so I was doing that for a while. A friend

473
00:24:50,480 --> 00:24:52,960
Speaker 3: that was a comic, he'd bring me on stage I

474
00:24:53,080 --> 00:24:56,440
Speaker 3: do some little poems or whatever, and so I got

475
00:24:56,440 --> 00:24:59,479
Speaker 3: in the game doing poetry. And then when I decided

476
00:24:59,520 --> 00:25:01,680
Speaker 3: to try it was like, all right, I gotta put

477
00:25:01,720 --> 00:25:05,359
Speaker 3: the poems down and really just you know, just talk

478
00:25:05,920 --> 00:25:06,400
Speaker 3: what was.

479
00:25:06,359 --> 00:25:11,280
Speaker 4: The transition between atl in New York? Because those are

480
00:25:11,359 --> 00:25:15,040
Speaker 4: like two different worlds, So like like, like what was

481
00:25:15,080 --> 00:25:15,919
Speaker 4: the transition?

482
00:25:17,040 --> 00:25:20,080
Speaker 3: I mean everything, I always put New York on a pedestal,

483
00:25:20,640 --> 00:25:23,480
Speaker 3: So to me, I think I needed to just be

484
00:25:23,680 --> 00:25:26,760
Speaker 3: there and really see what it was. And you know,

485
00:25:26,840 --> 00:25:29,679
Speaker 3: I think New York has a high ceiling for for

486
00:25:29,760 --> 00:25:32,400
Speaker 3: a stand up I think it's also got a you know,

487
00:25:32,600 --> 00:25:35,680
Speaker 3: a low floor. There's there's some people that just think

488
00:25:35,680 --> 00:25:38,520
Speaker 3: they're just gonna move there and get it going. But

489
00:25:39,760 --> 00:25:44,359
Speaker 3: New York respects a hustle, hard work. You know, they

490
00:25:44,480 --> 00:25:47,600
Speaker 3: respect a good joke. They don't care about a lot

491
00:25:47,640 --> 00:25:52,160
Speaker 3: of the fluff. Also, you're dealing with the elements. It's

492
00:25:52,200 --> 00:25:55,800
Speaker 3: a lot of good comedy shows because it's it's crazy outside.

493
00:25:56,240 --> 00:25:59,440
Speaker 3: People you know, you walk somebody in the snowstorm, you terrible.

494
00:26:01,600 --> 00:26:04,280
Speaker 3: They got a good scarf, They gotta put their hat

495
00:26:04,359 --> 00:26:07,680
Speaker 3: back on, they gotta find their coat. You know, like

496
00:26:07,760 --> 00:26:10,879
Speaker 3: you get a little more leeway, people more excited to

497
00:26:10,920 --> 00:26:13,720
Speaker 3: be inside and just just laugh with each other. And

498
00:26:13,760 --> 00:26:16,600
Speaker 3: in New York and and you know, it's it's the

499
00:26:16,640 --> 00:26:20,400
Speaker 3: best when you're funny and so going there and and

500
00:26:20,440 --> 00:26:24,600
Speaker 3: not being known and starting from zero and getting going

501
00:26:24,680 --> 00:26:27,120
Speaker 3: up first on the shows that I was on and

502
00:26:27,160 --> 00:26:31,119
Speaker 3: improving myself. Is it's important. That's an important skill to having.

503
00:26:31,160 --> 00:26:34,200
Speaker 3: Those are the skills that I bringing up auditions and

504
00:26:34,760 --> 00:26:38,200
Speaker 3: interviews and everything else, because you know, you got to

505
00:26:38,280 --> 00:26:40,600
Speaker 3: learn how to how to just prove yourselves.

506
00:26:40,680 --> 00:26:42,960
Speaker 1: How long were you? How long were you in New York?

507
00:26:43,760 --> 00:26:45,080
Speaker 3: I was in New York four years?

508
00:26:45,240 --> 00:26:48,000
Speaker 2: Okay, okay, yeah, that's I mean that's a good stance,

509
00:26:48,080 --> 00:26:53,320
Speaker 2: especially like considering you had to start over again. Was

510
00:26:53,359 --> 00:26:56,280
Speaker 2: it now when you were a comedian and your college

511
00:26:56,400 --> 00:26:59,960
Speaker 2: and opening on campus and stuff. Was that like being

512
00:27:00,440 --> 00:27:03,439
Speaker 2: like a celebrity on campus or is it like something

513
00:27:03,480 --> 00:27:06,280
Speaker 2: that where it's like it's a smaller knit community. So

514
00:27:06,760 --> 00:27:09,080
Speaker 2: if you bomb, like I gotta see this nigga in

515
00:27:09,119 --> 00:27:11,480
Speaker 2: the lunch room, like what what's that?

516
00:27:12,920 --> 00:27:16,359
Speaker 3: It's pressure to do to be new. You know, it's

517
00:27:16,400 --> 00:27:19,600
Speaker 3: like like the first time people see you, it's like

518
00:27:19,800 --> 00:27:22,840
Speaker 3: no expectations, and then it's like, oh my god, that

519
00:27:22,960 --> 00:27:25,600
Speaker 3: was really good. That was really funny. But then it's like,

520
00:27:25,720 --> 00:27:28,320
Speaker 3: all right, you're gonna do something new. I've seen what

521
00:27:28,359 --> 00:27:31,880
Speaker 3: you did. You're gonna you know, and so there's that pressure.

522
00:27:31,960 --> 00:27:36,000
Speaker 3: But then also, you know, there's not a when I

523
00:27:36,040 --> 00:27:37,920
Speaker 3: was in school, there wasn't a lot of people trying

524
00:27:37,920 --> 00:27:40,960
Speaker 3: to do comedy. There wasn't a lot of people being like,

525
00:27:41,480 --> 00:27:44,440
Speaker 3: forget this, I'm gonna be Steve Harvey. Like you know,

526
00:27:44,720 --> 00:27:47,280
Speaker 3: everybody else was like they're trying to be a doctor.

527
00:27:47,560 --> 00:27:49,560
Speaker 3: They're trying to be a lawyer. They trying to be

528
00:27:50,160 --> 00:27:53,000
Speaker 3: you know, the president. They're trying to be with why

529
00:27:53,040 --> 00:27:54,840
Speaker 3: I said the three most basic.

530
00:27:57,840 --> 00:28:03,840
Speaker 1: They try to be a fireman, right, trying to a superhero.

531
00:28:04,040 --> 00:28:07,240
Speaker 3: You know jobs.

532
00:28:07,359 --> 00:28:13,560
Speaker 2: You know you know that political science help you in

533
00:28:13,600 --> 00:28:17,240
Speaker 2: any way with you know, your your career or is

534
00:28:17,240 --> 00:28:18,800
Speaker 2: that just one of those things that you're like, man,

535
00:28:18,840 --> 00:28:23,639
Speaker 2: I went to school for that, but I don't use it.

536
00:28:23,640 --> 00:28:27,119
Speaker 3: It helps me a little bit I think that I

537
00:28:27,200 --> 00:28:32,240
Speaker 3: have an interest in politics, and and sometimes on stage

538
00:28:32,280 --> 00:28:37,720
Speaker 3: I venture off in the politics. Also, I think that

539
00:28:37,880 --> 00:28:42,480
Speaker 3: like I'm not trusting you know, like like some people

540
00:28:42,560 --> 00:28:45,720
Speaker 3: they'll get their information from one place. I think, I know,

541
00:28:46,160 --> 00:28:50,320
Speaker 3: you know, some of the the tactics that are used

542
00:28:50,320 --> 00:28:54,680
Speaker 3: in in media, and so I'm not necessarily fooled all

543
00:28:54,760 --> 00:28:57,200
Speaker 3: the time by by some of those. And I feel

544
00:28:57,200 --> 00:29:01,200
Speaker 3: like misinformation has just gone crazy since then. When I

545
00:29:01,280 --> 00:29:04,400
Speaker 3: was in school, you know, a lot of these outlets

546
00:29:04,440 --> 00:29:06,800
Speaker 3: could be trusted more and you felt like they were

547
00:29:06,920 --> 00:29:10,040
Speaker 3: checks and balances and stuff, and you know, it's not

548
00:29:10,080 --> 00:29:11,120
Speaker 3: necessarily that way.

549
00:29:11,480 --> 00:29:14,480
Speaker 2: Yeah, we used to have tempole media and while it

550
00:29:14,600 --> 00:29:17,760
Speaker 2: was gate kept obviously you know that, like there's downfalls

551
00:29:17,760 --> 00:29:20,880
Speaker 2: of all that shit. But I feel like in a

552
00:29:21,000 --> 00:29:25,680
Speaker 2: way we were promised like democratization through social media and

553
00:29:25,720 --> 00:29:30,360
Speaker 2: through the Internet and all these startups and shit. But

554
00:29:30,400 --> 00:29:33,880
Speaker 2: now it feels like people live in different realities with

555
00:29:33,920 --> 00:29:34,960
Speaker 2: their own facts.

556
00:29:35,600 --> 00:29:39,280
Speaker 1: And so do you experience that if you try to veer.

557
00:29:39,080 --> 00:29:43,120
Speaker 2: Into something political on stage where cause I think like

558
00:29:43,160 --> 00:29:47,320
Speaker 2: it's to me, is jokes work when everyone at least

559
00:29:47,360 --> 00:29:49,959
Speaker 2: has an understanding of like the general like okay, like

560
00:29:50,040 --> 00:29:53,280
Speaker 2: if I were to say, oh, man, Lebron James scored

561
00:29:53,320 --> 00:29:57,360
Speaker 2: forty thousand points this weekend. This nigga's been playing blah

562
00:29:57,440 --> 00:30:01,080
Speaker 2: blah blah blah this long. Right, everyone we agreed that

563
00:30:01,120 --> 00:30:03,240
Speaker 2: he scored forty thousand points, you know what I'm saying, Like,

564
00:30:03,280 --> 00:30:05,520
Speaker 2: it's not a but if I'm like, yeah, you know,

565
00:30:05,640 --> 00:30:08,520
Speaker 2: Joe Biden going for reelection and motherfuckers, and half the

566
00:30:08,600 --> 00:30:11,440
Speaker 2: room is like he didn't win no motherfucking last election,

567
00:30:11,520 --> 00:30:17,440
Speaker 2: It's like, oh shit, what's happening right right now?

568
00:30:17,920 --> 00:30:22,400
Speaker 3: There's some of that, for sure, you know. I think

569
00:30:22,480 --> 00:30:25,440
Speaker 3: I think the biggest thing of that was traveling and

570
00:30:25,520 --> 00:30:31,280
Speaker 3: talking about COVID because everybody didn't. Everybody, you know, even

571
00:30:31,400 --> 00:30:34,320
Speaker 3: even if they were home for two weeks, they weren't

572
00:30:34,360 --> 00:30:37,680
Speaker 3: admitting that it was a pandemic, right you know. So

573
00:30:37,880 --> 00:30:40,160
Speaker 3: like like one of my first shows that I got

574
00:30:40,240 --> 00:30:44,640
Speaker 3: out of the pandemic was in Arizona, and they were like,

575
00:30:45,160 --> 00:30:49,840
Speaker 3: and half of my jokes at that point were COVID related,

576
00:30:50,520 --> 00:30:54,280
Speaker 3: pandemic related material. And then I get on stage and

577
00:30:54,320 --> 00:30:58,080
Speaker 3: they're like, it's a pandemic and I'm like, oh no,

578
00:30:59,280 --> 00:31:01,000
Speaker 3: what am I? What am I gonna do? What am

579
00:31:01,040 --> 00:31:05,440
Speaker 3: I gonna talk about? You know what, this is all

580
00:31:05,480 --> 00:31:07,800
Speaker 3: I've been thinking about. I was scared. I thought the

581
00:31:07,840 --> 00:31:11,200
Speaker 3: world was ending, and the people here are just on

582
00:31:11,320 --> 00:31:16,280
Speaker 3: a totally different at the time, the middle when it

583
00:31:16,280 --> 00:31:17,720
Speaker 3: comes to politics.

584
00:31:17,200 --> 00:31:19,760
Speaker 2: You're making jokes about like yeah, man, I'm finally leaving

585
00:31:19,760 --> 00:31:20,040
Speaker 2: the house.

586
00:31:20,080 --> 00:31:22,560
Speaker 1: They're like, we was never in the house. We was

587
00:31:22,600 --> 00:31:24,560
Speaker 1: always outside.

588
00:31:24,520 --> 00:31:29,960
Speaker 3: Right, right, what are you talking about? Masking droplets? What

589
00:31:30,040 --> 00:31:34,920
Speaker 3: are you talking about? Get this scientist off the stage,

590
00:31:35,480 --> 00:31:36,560
Speaker 3: trying to have a good time?

591
00:31:37,200 --> 00:31:42,240
Speaker 1: Fake news? Yeah, yeah, that's crazy, man.

592
00:31:42,720 --> 00:31:47,200
Speaker 2: But yeah, I feel like that that's changed over time.

593
00:31:47,280 --> 00:31:50,760
Speaker 2: And then also social media has kind of changed, right

594
00:31:50,840 --> 00:31:54,000
Speaker 2: because when you were in college, I'm sure you know,

595
00:31:54,040 --> 00:31:57,200
Speaker 2: obviously social media was a thing, but now I feel like,

596
00:31:57,520 --> 00:32:02,160
Speaker 2: you know, you gotta chase the algorithm and like find

597
00:32:02,240 --> 00:32:05,840
Speaker 2: your niche. There's like I made these jokes for Black

598
00:32:05,920 --> 00:32:09,320
Speaker 2: History Mouth where I was highlighting the cones of black

599
00:32:09,360 --> 00:32:14,600
Speaker 2: history that don't get shout outs, and on Twitter, crickets,

600
00:32:15,080 --> 00:32:21,320
Speaker 2: on TikTok, motherfucker's like they're loving it on Instagram, you

601
00:32:21,360 --> 00:32:23,400
Speaker 2: know what I mean, Like it feels like that's part

602
00:32:23,440 --> 00:32:26,520
Speaker 2: of the job now too. Is that something you're finding

603
00:32:26,680 --> 00:32:30,520
Speaker 2: you know, cause I'll follow you also on TikTok and

604
00:32:30,520 --> 00:32:32,640
Speaker 2: and you're always in my feed with clips from the

605
00:32:32,640 --> 00:32:37,920
Speaker 2: Inconsistent podcast. But is that like a choice, and like

606
00:32:38,200 --> 00:32:40,360
Speaker 2: it's almost like another job you have to add on

607
00:32:40,400 --> 00:32:43,000
Speaker 2: top of being a stand up How have you worked

608
00:32:43,000 --> 00:32:43,280
Speaker 2: with that?

609
00:32:44,920 --> 00:32:49,160
Speaker 3: Yeah, I know, my last job before I became full time,

610
00:32:49,400 --> 00:32:52,360
Speaker 3: I was an editor and I was like, I'm never

611
00:32:52,440 --> 00:32:56,440
Speaker 3: gonna have to cut videos again. I'm going on the road.

612
00:32:56,920 --> 00:33:00,120
Speaker 3: I don't need this, and you know, jokes wake me

613
00:33:00,320 --> 00:33:01,960
Speaker 3: up in the morning. I don't wake up in the

614
00:33:02,000 --> 00:33:05,960
Speaker 3: morning to edit videos, you know. And now like every

615
00:33:06,000 --> 00:33:09,360
Speaker 3: morning I'm waking up the editor video because I need

616
00:33:09,400 --> 00:33:13,160
Speaker 3: to get the jokes out. And yeah, it's like it's like,

617
00:33:13,560 --> 00:33:16,960
Speaker 3: you know, stand up always was like two full time jobs.

618
00:33:17,000 --> 00:33:19,720
Speaker 3: I always was like managing what you do on stage

619
00:33:19,720 --> 00:33:23,360
Speaker 3: and trying to get on stage and trying to stay booked,

620
00:33:23,440 --> 00:33:25,760
Speaker 3: you know that. And now it's like a whole other

621
00:33:25,920 --> 00:33:30,240
Speaker 3: aspect when it comes to social media and posting and stuff.

622
00:33:30,280 --> 00:33:33,560
Speaker 3: And I don't know if it's healthy. I don't know

623
00:33:34,040 --> 00:33:39,520
Speaker 3: if it's good. You know, the algorithm be playing with

624
00:33:39,560 --> 00:33:42,600
Speaker 3: me a lot of times. I don't know if I'm

625
00:33:42,680 --> 00:33:46,240
Speaker 3: shadow band or what, because they'll show me. They'll be like, well,

626
00:33:47,280 --> 00:33:51,320
Speaker 3: twenty thousand people saw this, nineteen thousand of them are

627
00:33:51,480 --> 00:33:54,560
Speaker 3: your followers. And it's like, all right, well that's not

628
00:33:54,680 --> 00:33:56,440
Speaker 3: my job to show it to people I don't know.

629
00:33:56,480 --> 00:34:00,640
Speaker 3: That's your job, y'all to show it. Theybody, I know,

630
00:34:00,680 --> 00:34:02,960
Speaker 3: we are gonna start showing it to people I don't know.

631
00:34:03,280 --> 00:34:05,840
Speaker 2: And they do that shit too, like I know my

632
00:34:05,920 --> 00:34:07,760
Speaker 2: TikTok does this where it's always trying to give me

633
00:34:07,800 --> 00:34:10,120
Speaker 2: to pay for somewhere, be like, you know, you want

634
00:34:10,160 --> 00:34:12,399
Speaker 2: more people to see you can sign up for such

635
00:34:12,400 --> 00:34:13,880
Speaker 2: and such program.

636
00:34:13,440 --> 00:34:14,360
Speaker 1: For this much money.

637
00:34:14,360 --> 00:34:18,480
Speaker 2: I'm like not, but I thought the promise of logging

638
00:34:18,560 --> 00:34:20,480
Speaker 2: in and creating content was.

639
00:34:20,440 --> 00:34:21,480
Speaker 1: That you do that.

640
00:34:21,680 --> 00:34:26,319
Speaker 2: Like right, you find the people Facebook did the same thing.

641
00:34:26,480 --> 00:34:30,440
Speaker 2: Our podcast, we have a podcast Facebook page. We used

642
00:34:30,440 --> 00:34:34,000
Speaker 2: to put something out and literally just strangers, you know,

643
00:34:34,040 --> 00:34:37,000
Speaker 2: people that oh, man, first time seeing this, man, this

644
00:34:37,040 --> 00:34:37,319
Speaker 2: is dope.

645
00:34:37,360 --> 00:34:38,399
Speaker 1: I'm gonna check this show out.

646
00:34:38,480 --> 00:34:42,560
Speaker 2: But then one day they like just cut they like

647
00:34:42,640 --> 00:34:45,440
Speaker 2: cut the faucet off. It is like, you put some

648
00:34:45,480 --> 00:34:48,799
Speaker 2: shit out, maybe the people that follow you see it.

649
00:34:48,880 --> 00:34:50,840
Speaker 1: Now, and that's a maybe, not even a guarantee.

650
00:34:51,040 --> 00:34:53,840
Speaker 2: Maybe And then like a week later, they started sending

651
00:34:53,920 --> 00:34:56,200
Speaker 2: us like, hey, you know, if you want to pay

652
00:34:56,239 --> 00:34:59,080
Speaker 2: to promote this, I'm like, oh, you got me.

653
00:35:00,280 --> 00:35:02,920
Speaker 3: Y'all used to pay me. Y'all don't remember when I

654
00:35:02,960 --> 00:35:06,239
Speaker 3: worked there? Like I got emails that say, y'all used

655
00:35:06,280 --> 00:35:07,640
Speaker 3: to pay me? What? Like?

656
00:35:07,640 --> 00:35:07,719
Speaker 6: What?

657
00:35:08,400 --> 00:35:10,960
Speaker 3: Why I gotta pay y'all? Now? Are y'all okay? Are

658
00:35:11,040 --> 00:35:16,720
Speaker 3: y'all okay? I can't be the business model. I can't.

659
00:35:18,880 --> 00:35:21,200
Speaker 2: Do you ever feel pressure to do like CrowdWork because

660
00:35:21,200 --> 00:35:23,800
Speaker 2: I know that's the thing that's going viral for the

661
00:35:23,880 --> 00:35:26,640
Speaker 2: last like year or so. I feel like the crowd

662
00:35:26,680 --> 00:35:28,759
Speaker 2: work clip's been blowing up and it's a way not

663
00:35:28,800 --> 00:35:32,200
Speaker 2: to burn your material or whatever. Do you feel like

664
00:35:32,280 --> 00:35:34,480
Speaker 2: that pressure of like, let me do some CrowdWork.

665
00:35:35,320 --> 00:35:39,160
Speaker 3: I don't feel pressure, but I do CrowdWork. But I

666
00:35:39,200 --> 00:35:42,040
Speaker 3: don't ask the same questions that you could have asked

667
00:35:42,080 --> 00:35:46,319
Speaker 3: somebody in nineteen eighty seven, you know, Like I try

668
00:35:46,360 --> 00:35:49,480
Speaker 3: to ask different questions, like you know, I asked people

669
00:35:49,800 --> 00:35:56,759
Speaker 3: what their favorite dinosaur is. I figure out different questions

670
00:35:56,800 --> 00:35:59,640
Speaker 3: that ask people and then get You can find out

671
00:35:59,680 --> 00:36:02,920
Speaker 3: a lot about a person through a question, but it

672
00:36:02,960 --> 00:36:05,920
Speaker 3: doesn't have to be where do you work? Oh what

673
00:36:05,920 --> 00:36:06,960
Speaker 3: do you do for a litvit?

674
00:36:07,000 --> 00:36:07,120
Speaker 2: Oh?

675
00:36:07,120 --> 00:36:08,920
Speaker 3: Where are you from? You know, it don't got to

676
00:36:08,920 --> 00:36:11,200
Speaker 3: be that like you know, we we done been through

677
00:36:11,239 --> 00:36:14,680
Speaker 3: a lot, seeing a lot as as a shared experience.

678
00:36:14,800 --> 00:36:17,880
Speaker 3: You know, I've been asking people where their computer was

679
00:36:17,920 --> 00:36:20,719
Speaker 3: in their house growing up? That tell me everything I

680
00:36:20,800 --> 00:36:23,120
Speaker 3: need to know, everything I need to know by just

681
00:36:23,200 --> 00:36:26,440
Speaker 3: where was the computer in your house growing up? You know,

682
00:36:26,719 --> 00:36:32,439
Speaker 3: that lets me know about your upbringing. I house right right,

683
00:36:32,880 --> 00:36:35,040
Speaker 3: and if they're gonna if they're going to talk about

684
00:36:35,080 --> 00:36:37,239
Speaker 3: that or not in front of people. You know, there's

685
00:36:37,280 --> 00:36:39,480
Speaker 3: there's a lot. There's a lot you can learn from that.

686
00:36:40,239 --> 00:36:44,440
Speaker 3: I'm asking people all kind of stuff and finding different

687
00:36:44,480 --> 00:36:48,440
Speaker 3: ways to have that experience because I am funny. I

688
00:36:48,480 --> 00:36:51,560
Speaker 3: can be in a moment, I can be present, you know.

689
00:36:51,680 --> 00:36:54,440
Speaker 3: I just come with things I already want to say.

690
00:36:54,560 --> 00:36:57,840
Speaker 3: I come with things that are you know, already already

691
00:36:57,840 --> 00:37:00,880
Speaker 3: have a show plan for you guys. But some people

692
00:37:00,920 --> 00:37:03,120
Speaker 3: come and they want to be played with, and I'll

693
00:37:03,160 --> 00:37:05,279
Speaker 3: play with them for a little while and then we

694
00:37:05,360 --> 00:37:07,160
Speaker 3: gotta put the toys down get back to work.

695
00:37:07,719 --> 00:37:11,160
Speaker 2: On the latest episode of The Inconsistent Podcast, you were

696
00:37:11,200 --> 00:37:15,440
Speaker 2: talking about how people used to like come out the

697
00:37:15,440 --> 00:37:18,880
Speaker 2: house for preparation, and that's how I grew up. Like

698
00:37:19,800 --> 00:37:23,080
Speaker 2: I'm coming to see this comedian because they are a

699
00:37:23,120 --> 00:37:25,520
Speaker 2: professional that worked on everything.

700
00:37:25,160 --> 00:37:28,479
Speaker 1: And I feel like it is more and I wonder how.

701
00:37:28,440 --> 00:37:31,320
Speaker 2: Much of that is also kind of social media because

702
00:37:31,360 --> 00:37:36,279
Speaker 2: like you know, now everyone even fakes they like we're

703
00:37:36,280 --> 00:37:38,800
Speaker 2: now at a point where motherfuckers do like fake arguments

704
00:37:38,800 --> 00:37:42,680
Speaker 2: with their girlfriend to go viral and it's so obvious

705
00:37:42,880 --> 00:37:45,400
Speaker 2: and fake, but like they're trying to sell you on

706
00:37:45,520 --> 00:37:48,200
Speaker 2: like this was a spontaneous moment that I found out.

707
00:37:48,480 --> 00:37:51,040
Speaker 1: I just happen to be recording and I found out.

708
00:37:50,880 --> 00:37:54,920
Speaker 2: My son wasn't mine, and now I'm gonna put this

709
00:37:54,960 --> 00:37:58,120
Speaker 2: on the internet and you know it's fake. And the

710
00:37:58,160 --> 00:38:00,560
Speaker 2: same thing with like not that crowd work is fake,

711
00:38:00,640 --> 00:38:05,000
Speaker 2: but the idea of like, you know, someone who loves

712
00:38:05,000 --> 00:38:07,799
Speaker 2: stand up the ideas essentially, I don't want to burn

713
00:38:07,840 --> 00:38:11,479
Speaker 2: my material, right, but here's an easy way to say,

714
00:38:11,600 --> 00:38:14,400
Speaker 2: like something funny, and you're right, the premises are normally

715
00:38:15,040 --> 00:38:15,840
Speaker 2: where do you work?

716
00:38:17,360 --> 00:38:18,319
Speaker 1: Are y'all on a day?

717
00:38:18,440 --> 00:38:19,960
Speaker 3: You know that kind of y'all on the day?

718
00:38:20,320 --> 00:38:25,600
Speaker 2: Yeah, so it is it did change, like within our lifetime.

719
00:38:25,600 --> 00:38:29,640
Speaker 2: I believe of leaving the house because this person worked

720
00:38:29,680 --> 00:38:31,920
Speaker 2: on something and they're gonna show us the fruit of

721
00:38:31,960 --> 00:38:35,680
Speaker 2: that labor versus hey, man, get out here and dance

722
00:38:35,760 --> 00:38:36,439
Speaker 2: hump that chair.

723
00:38:37,440 --> 00:38:40,240
Speaker 3: Well see yeah, I was gonna get that. I feel

724
00:38:40,239 --> 00:38:44,840
Speaker 3: like what happened was we started shaming the tap dancers.

725
00:38:45,520 --> 00:38:48,800
Speaker 3: You know, we allowed Xavian Glover to be the only

726
00:38:48,880 --> 00:38:53,440
Speaker 3: tap dancer and so you know, you had to practice

727
00:38:53,480 --> 00:38:56,719
Speaker 3: tap dance. If you ever as a kid saw somebody

728
00:38:56,800 --> 00:39:02,800
Speaker 3: tap dancers, saw you know, uh uh, Sammy Davis Junior

729
00:39:02,520 --> 00:39:06,560
Speaker 3: or somebody on you know, Gregory Hines on TV, and

730
00:39:06,640 --> 00:39:09,160
Speaker 3: you start tapping with your church shoes on. You see

731
00:39:09,200 --> 00:39:11,600
Speaker 3: how hard it is, and then you know your parts

732
00:39:11,680 --> 00:39:13,719
Speaker 3: be like, if you want to tap dance, you're gonna

733
00:39:13,719 --> 00:39:16,400
Speaker 3: have to practice. You gonna have to practice, you know,

734
00:39:16,640 --> 00:39:18,800
Speaker 3: And really we let the smart guy be the last

735
00:39:18,840 --> 00:39:22,480
Speaker 3: person to tap dance. And now people don't respect practicing,

736
00:39:22,520 --> 00:39:28,040
Speaker 3: they don't respect preparation because we out here tap dance shaming. Yeah. So,

737
00:39:28,719 --> 00:39:30,759
Speaker 3: Chris Brown, if you want to get back in good

738
00:39:30,760 --> 00:39:34,080
Speaker 3: graces with the people, what you need you have to

739
00:39:34,200 --> 00:39:37,160
Speaker 3: put them taped their shoes man, and getting.

740
00:39:38,760 --> 00:39:42,040
Speaker 4: Put them shoes on our one hundred agreeing and me,

741
00:39:42,320 --> 00:39:45,200
Speaker 4: similar to Roderick ed maybe this is just the old

742
00:39:45,239 --> 00:39:47,759
Speaker 4: woman in me. I don't mind crowd work, but it

743
00:39:47,800 --> 00:39:50,960
Speaker 4: needs to be funny because I'm like, I paid. I

744
00:39:51,000 --> 00:39:53,479
Speaker 4: didn't pay for you, nigga, nobody know who you are.

745
00:39:53,680 --> 00:39:57,280
Speaker 4: I paid for the person on stage to tell they jokes.

746
00:39:57,640 --> 00:39:58,399
Speaker 1: I will laugh.

747
00:39:58,520 --> 00:40:00,880
Speaker 2: I will sometimes get a laugh throw out of a

748
00:40:00,880 --> 00:40:04,239
Speaker 2: comedian that gets ready to get into some CrowdWork and

749
00:40:04,320 --> 00:40:07,319
Speaker 2: then realize it ain't gonna be funny and then try

750
00:40:07,360 --> 00:40:09,839
Speaker 2: to get back into their bed. But that's just that's

751
00:40:09,880 --> 00:40:14,080
Speaker 2: more of me laughing as a fan of like, oh,

752
00:40:14,120 --> 00:40:15,000
Speaker 2: I know what you trying to do?

753
00:40:15,360 --> 00:40:18,600
Speaker 1: You know the awkward moment. Yes, it's like, oh, man,

754
00:40:18,840 --> 00:40:19,719
Speaker 1: so where was I at?

755
00:40:19,800 --> 00:40:20,040
Speaker 3: Man?

756
00:40:21,200 --> 00:40:21,719
Speaker 5: Tables?

757
00:40:22,120 --> 00:40:22,560
Speaker 1: Tables?

758
00:40:22,840 --> 00:40:23,040
Speaker 2: Man?

759
00:40:23,120 --> 00:40:24,600
Speaker 1: So y'all be moving a table.

760
00:40:24,920 --> 00:40:29,000
Speaker 2: You're like, oh nah, that person works and Nasi, you

761
00:40:29,040 --> 00:40:31,600
Speaker 2: didn't have nothing for that ran out of ship.

762
00:40:32,080 --> 00:40:36,520
Speaker 3: Really love good scientists. When a scientist in the crowd,

763
00:40:36,560 --> 00:40:40,800
Speaker 3: that's when I turn up because I'd be having a lot.

764
00:40:40,600 --> 00:40:43,759
Speaker 1: Of questions, so many questions.

765
00:40:43,800 --> 00:40:46,360
Speaker 4: And also the thing is because me and Rogelack comedy,

766
00:40:46,840 --> 00:40:50,879
Speaker 4: I like to see like inexperienced people go up there

767
00:40:51,040 --> 00:40:53,560
Speaker 4: and like do their time too, because we had went

768
00:40:53,600 --> 00:40:55,160
Speaker 4: to a restaurant one time and they had and did

769
00:40:55,200 --> 00:40:57,359
Speaker 4: like an open mic. We was eating and then all

770
00:40:57,400 --> 00:41:00,080
Speaker 4: of a sudden, somebody just started telling Joe.

771
00:41:00,160 --> 00:41:01,080
Speaker 1: In the middle of our dinner.

772
00:41:01,360 --> 00:41:03,800
Speaker 4: So we we was like, oh, I guess we're about

773
00:41:03,840 --> 00:41:05,359
Speaker 4: to have live joke time.

774
00:41:06,400 --> 00:41:07,960
Speaker 1: Yeah, I don't don't.

775
00:41:08,120 --> 00:41:11,280
Speaker 2: I don't know why you would do that too, because

776
00:41:11,520 --> 00:41:14,880
Speaker 2: I feel like it's bad for the comedians because you

777
00:41:14,960 --> 00:41:19,239
Speaker 2: didn't tell people stand up was happening. So we're just

778
00:41:19,320 --> 00:41:21,799
Speaker 2: there eating like sushi or some shit, and then they

779
00:41:21,880 --> 00:41:24,160
Speaker 2: busted out a stand up show in the middle of

780
00:41:24,160 --> 00:41:25,160
Speaker 2: the sushi.

781
00:41:25,120 --> 00:41:26,920
Speaker 1: And the crowd wasn't receptive at all.

782
00:41:27,040 --> 00:41:29,360
Speaker 2: Like the crowd was very much like yes, so I

783
00:41:29,520 --> 00:41:32,680
Speaker 2: was telling you like at work, and this motherfucker's spilled.

784
00:41:32,800 --> 00:41:35,960
Speaker 2: One dude drove from Ohio to Charleston, South Carolina to

785
00:41:36,040 --> 00:41:39,200
Speaker 2: be there, and I mean the amount.

786
00:41:38,960 --> 00:41:42,239
Speaker 1: Of nothing that he was getting from that audience. I mean,

787
00:41:42,320 --> 00:41:44,680
Speaker 1: we laughed, but it wasn't good. It wasn't a laugh

788
00:41:44,719 --> 00:41:45,520
Speaker 1: from a good player.

789
00:41:45,600 --> 00:41:45,799
Speaker 5: Yeah.

790
00:41:45,800 --> 00:41:48,400
Speaker 1: Me and Roger was having a ball like we were.

791
00:41:48,680 --> 00:41:51,640
Speaker 4: We were having getting our lives and everybody else like

792
00:41:51,680 --> 00:41:54,919
Speaker 4: you interrupted my dinner stand ups.

793
00:41:55,000 --> 00:41:57,239
Speaker 3: We love when y'all get your food like it was

794
00:41:57,280 --> 00:41:59,080
Speaker 3: like I'm about to go up and then you just

795
00:41:59,120 --> 00:42:03,719
Speaker 3: got your foods like a right cool. They can't leave me.

796
00:42:04,520 --> 00:42:06,520
Speaker 3: I'm about to crack them while.

797
00:42:06,840 --> 00:42:08,759
Speaker 4: It's gonna take ten minutes to get through them chicken

798
00:42:08,800 --> 00:42:09,840
Speaker 4: wings and not yours.

799
00:42:10,680 --> 00:42:13,279
Speaker 2: And I put my motherfucking food down the game them

800
00:42:13,280 --> 00:42:14,000
Speaker 2: my full attention.

801
00:42:14,160 --> 00:42:17,120
Speaker 1: We did we I'm gonna watch one hun bomb that

802
00:42:18,480 --> 00:42:18,960
Speaker 1: was nice.

803
00:42:19,040 --> 00:42:22,680
Speaker 2: Oh so also, man, you so like I said at

804
00:42:22,880 --> 00:42:24,040
Speaker 2: l N y C.

805
00:42:24,640 --> 00:42:27,160
Speaker 1: Now you're in La? How long you've been in La?

806
00:42:27,280 --> 00:42:27,839
Speaker 1: First of all?

807
00:42:28,880 --> 00:42:31,760
Speaker 3: Uh, it would be five years in June.

808
00:42:32,080 --> 00:42:34,800
Speaker 1: Okay, what's you got a preference?

809
00:42:34,840 --> 00:42:34,920
Speaker 4: Like?

810
00:42:34,960 --> 00:42:37,520
Speaker 1: Which one did you like the most? Are you like

811
00:42:37,640 --> 00:42:40,040
Speaker 1: you know, if are in your head?

812
00:42:40,120 --> 00:42:43,160
Speaker 2: Are you like when one day when this is all over,

813
00:42:43,239 --> 00:42:45,920
Speaker 2: I'm gonna retire in Atlanta or Athens, Georgia?

814
00:42:46,040 --> 00:42:48,040
Speaker 1: Like what was you know? Like what you prefer?

815
00:42:49,239 --> 00:42:52,360
Speaker 3: I have thoughts like that. I don't know home is

816
00:42:52,480 --> 00:42:56,720
Speaker 3: changing so much since sometimes you know, I do wonder

817
00:42:56,760 --> 00:42:59,799
Speaker 3: if I go back, how you know, what will I

818
00:42:59,840 --> 00:43:02,720
Speaker 3: be going back to it at this point in my life?

819
00:43:02,719 --> 00:43:06,279
Speaker 3: And what would what it would be like? I would

820
00:43:06,280 --> 00:43:10,879
Speaker 3: say from a stand up perspective. Uh that I miss

821
00:43:11,040 --> 00:43:15,200
Speaker 3: different things. I miss uh Atlanta. I missed the ability

822
00:43:15,239 --> 00:43:18,759
Speaker 3: to talk to people that look like me whenever I want,

823
00:43:19,400 --> 00:43:22,479
Speaker 3: you know, and not having a schedule. Okay, I'm gonna

824
00:43:22,480 --> 00:43:26,279
Speaker 3: get to do a Black Night in three weeks, you know, hopefully,

825
00:43:26,680 --> 00:43:28,320
Speaker 3: hopefully they don't want to hear what I got to

826
00:43:28,360 --> 00:43:30,600
Speaker 3: say about with us on the Shape room this week.

827
00:43:30,680 --> 00:43:35,520
Speaker 3: You know it'll be perfected three weeks. You know. In

828
00:43:35,560 --> 00:43:38,040
Speaker 3: New York, I love the stage time. I love the

829
00:43:38,560 --> 00:43:44,000
Speaker 3: camaraderie with the with the comedians. I feel like, uh,

830
00:43:44,360 --> 00:43:46,680
Speaker 3: you know there there's so much to do in New

831
00:43:46,760 --> 00:43:51,040
Speaker 3: York and and it's it's a real fun time. L A.

832
00:43:51,239 --> 00:43:55,920
Speaker 3: I think I like the lifestyle. I like the possibilities.

833
00:43:56,320 --> 00:43:59,280
Speaker 3: You know, you could you could literally do a show

834
00:43:59,600 --> 00:44:03,120
Speaker 3: with Jed appuntil out here. You could literally you know,

835
00:44:03,760 --> 00:44:06,640
Speaker 3: ken your birds might pop up and be you know,

836
00:44:06,800 --> 00:44:10,200
Speaker 3: somewhere where you're at out here. So it's just like, Okay,

837
00:44:10,400 --> 00:44:14,680
Speaker 3: the ceiling for comedy is high out here. The ceiling

838
00:44:14,760 --> 00:44:18,120
Speaker 3: for stand up, you know, it's real narrow as far

839
00:44:18,160 --> 00:44:21,040
Speaker 3: as the people who just can perform every night, But

840
00:44:21,480 --> 00:44:23,960
Speaker 3: you could, you know, make it in comedy on a

841
00:44:24,040 --> 00:44:28,279
Speaker 3: higher level here, So I'm appreciative of that. I try

842
00:44:28,320 --> 00:44:30,319
Speaker 3: to go back to New York as much as I can.

843
00:44:30,360 --> 00:44:33,840
Speaker 3: I go back to Atlanta frequently. But they all have

844
00:44:33,960 --> 00:44:35,240
Speaker 3: something to offer, for sure.

845
00:44:35,880 --> 00:44:37,640
Speaker 1: Is they say black Hollywood is small?

846
00:44:37,840 --> 00:44:43,680
Speaker 3: Is it? Yes? And no? Yes and no.

847
00:44:44,000 --> 00:44:48,759
Speaker 7: I think, like like the sixth, there might be three

848
00:44:48,800 --> 00:44:52,880
Speaker 7: degrees of separation, you know, like like you know, especially

849
00:44:52,920 --> 00:44:56,840
Speaker 7: if you're out here long enough, eventually you've rubbed elbows

850
00:44:56,880 --> 00:44:58,400
Speaker 7: with somebody that's rubbed elbow.

851
00:44:58,560 --> 00:45:02,280
Speaker 3: You know. I've definitely depped up somebody that's hugged Angela Bassie.

852
00:45:02,840 --> 00:45:06,000
Speaker 3: I'm not I haven't been anywhere near Angela Bassis, but

853
00:45:06,080 --> 00:45:09,440
Speaker 3: I'm definitely, you know what I'm saying, dapped up somebody

854
00:45:09,560 --> 00:45:12,600
Speaker 3: that you know, it was like Angela did the thing

855
00:45:12,680 --> 00:45:14,319
Speaker 3: and she was like, come here baby. You know.

856
00:45:15,960 --> 00:45:18,280
Speaker 2: It's like we both know, ray if you think about

857
00:45:18,320 --> 00:45:22,640
Speaker 2: it through most right right right?

858
00:45:22,920 --> 00:45:27,360
Speaker 3: You know, yeah, I have I have most celebrities I

859
00:45:27,440 --> 00:45:30,440
Speaker 3: care about I have all right, I have the connection

860
00:45:30,520 --> 00:45:33,200
Speaker 3: I'm gonna make to you to talk to them longer

861
00:45:33,239 --> 00:45:36,720
Speaker 3: than just you know, I'm a big fan, right because

862
00:45:37,040 --> 00:45:39,960
Speaker 3: at first, you just introduce yourself as big fans I'm

863
00:45:40,040 --> 00:45:42,719
Speaker 3: big fans. They're like, all right, I'm so and so,

864
00:45:42,800 --> 00:45:47,120
Speaker 3: and then they just walk away. But yeah that comes third.

865
00:45:47,200 --> 00:45:49,239
Speaker 3: Now now it's like, oh, you know so and so,

866
00:45:49,320 --> 00:45:51,400
Speaker 3: I saw you with so and so. Many used to

867
00:45:51,440 --> 00:45:55,080
Speaker 3: work together, man, me and so, you know, blah blah blah.

868
00:45:55,719 --> 00:45:58,080
Speaker 3: Remember we was on that one zoom for that thing

869
00:45:58,200 --> 00:46:00,840
Speaker 3: one time, you know, like, yeah, I'm I'm in that.

870
00:46:01,400 --> 00:46:04,440
Speaker 3: And then and then it's like, also, I'm a big fan.

871
00:46:04,760 --> 00:46:06,200
Speaker 1: Yeah.

872
00:46:06,480 --> 00:46:09,520
Speaker 2: Also used to have a podcast book of ya podcast

873
00:46:10,239 --> 00:46:11,680
Speaker 2: center around Kanye West?

874
00:46:13,320 --> 00:46:15,680
Speaker 1: Would you? And then you you ended it abruptly for

875
00:46:16,239 --> 00:46:16,800
Speaker 1: no reason?

876
00:46:16,840 --> 00:46:20,240
Speaker 3: Really, for no reason. I don't know why.

877
00:46:23,760 --> 00:46:26,000
Speaker 2: I seemed like everything was going good and then just

878
00:46:26,040 --> 00:46:29,960
Speaker 2: one day episode stopped coming out. Would you ever start

879
00:46:29,960 --> 00:46:32,160
Speaker 2: a podcast center around another celebrity?

880
00:46:32,400 --> 00:46:32,560
Speaker 3: Uh?

881
00:46:33,239 --> 00:46:34,759
Speaker 1: You know, since you did that?

882
00:46:36,400 --> 00:46:44,960
Speaker 3: Sure a deceased celebrity, Jimmy hen Drakes, Friends, Bob Miley,

883
00:46:45,800 --> 00:46:54,920
Speaker 3: Freddy Mercury, Uh you know, uh, William Shakespeare, Uh mos

884
00:46:55,280 --> 00:46:57,719
Speaker 3: wolf Gang. You know what I'm saying. I got to

885
00:46:57,760 --> 00:47:00,359
Speaker 3: do a part about somebody named Wolfgang. You know said,

886
00:47:00,920 --> 00:47:01,560
Speaker 3: but this.

887
00:47:01,719 --> 00:47:05,120
Speaker 2: Gang, Okay, you gotta make it, you gotta make it

888
00:47:05,200 --> 00:47:08,040
Speaker 2: somebody that all the fucked up ship they've done is

889
00:47:08,200 --> 00:47:13,080
Speaker 2: been done already, yes, and no new shit could be conserfaced.

890
00:47:13,160 --> 00:47:16,680
Speaker 3: You know what I mean, right right right? I would

891
00:47:17,000 --> 00:47:22,360
Speaker 3: I would never tether my my career to another living

892
00:47:22,600 --> 00:47:30,160
Speaker 3: person who can speak in a microphone and say whatever, how.

893
00:47:30,000 --> 00:47:30,879
Speaker 1: Scared were you?

894
00:47:31,440 --> 00:47:34,880
Speaker 2: Cause like, first of all, man, like I always, I think,

895
00:47:35,400 --> 00:47:39,279
Speaker 2: obviously Kanye stuff got so wild by the end. I

896
00:47:39,320 --> 00:47:42,319
Speaker 2: don't think anyone's defending him. But there was like a

897
00:47:42,440 --> 00:47:45,040
Speaker 2: period what was like, man, he might he just going

898
00:47:45,080 --> 00:47:47,640
Speaker 2: through something like maybe like like.

899
00:47:49,040 --> 00:47:52,799
Speaker 3: It was a game. He was George Bush, I was

900
00:47:53,080 --> 00:47:56,400
Speaker 3: Stephen Colbert was a Colbert Report. I was playing the game.

901
00:47:56,520 --> 00:48:00,359
Speaker 3: I was playing a character. No matter what Kanye he does,

902
00:48:00,400 --> 00:48:03,200
Speaker 3: he can do no wrong. That's that's the rules of

903
00:48:03,280 --> 00:48:07,479
Speaker 3: my character. And then he starts doing stuff where I'm like, man,

904
00:48:08,080 --> 00:48:12,120
Speaker 3: my family's asking me questions, Blacks for Trump are coming

905
00:48:12,120 --> 00:48:15,959
Speaker 3: to my shows, you know, like like people people trying

906
00:48:15,960 --> 00:48:18,279
Speaker 3: to get me to put the hat on. I'm like,

907
00:48:18,440 --> 00:48:21,200
Speaker 3: first of all, y'all didn't know I was kidding. And

908
00:48:21,440 --> 00:48:25,399
Speaker 3: second of all, it's like I didn't know we'd be here.

909
00:48:25,600 --> 00:48:26,720
Speaker 3: I didn't know we be here.

910
00:48:29,920 --> 00:48:33,080
Speaker 1: Yeah, what was the day you said?

911
00:48:33,520 --> 00:48:36,040
Speaker 3: Now we look great? Because we jumped out at the

912
00:48:36,120 --> 00:48:39,960
Speaker 3: at the Slavery Wizard Choice hat era. That's what we

913
00:48:40,000 --> 00:48:42,719
Speaker 3: was like, all right, we out And then the other

914
00:48:42,840 --> 00:48:47,480
Speaker 3: podcasts kept going, he started following them. They started getting

915
00:48:47,520 --> 00:48:50,800
Speaker 3: all the press, rolling Stone articles, all kind of stuff.

916
00:48:51,120 --> 00:48:54,719
Speaker 3: I'm looking like, did we do the right thing? You know? Chris?

917
00:48:54,440 --> 00:48:57,479
Speaker 3: He just like, no, we're good. I'm done. I'm out,

918
00:48:57,960 --> 00:49:01,759
Speaker 3: you know. And so then you know, after after the

919
00:49:01,840 --> 00:49:05,359
Speaker 3: tirades now and everything that's been going on, you know,

920
00:49:05,440 --> 00:49:08,279
Speaker 3: we look like we made the right decision. Because the

921
00:49:08,360 --> 00:49:10,600
Speaker 3: last thing I want to do is is get on

922
00:49:10,960 --> 00:49:13,480
Speaker 3: from making fun of somebody that's unwell.

923
00:49:13,960 --> 00:49:15,840
Speaker 1: Right, That's been.

924
00:49:15,640 --> 00:49:18,920
Speaker 2: My thing because like I got so many requests to

925
00:49:19,000 --> 00:49:24,399
Speaker 2: add him to the Coon calendar and I won't do it.

926
00:49:24,480 --> 00:49:27,359
Speaker 2: But it's because I really think, we know he has

927
00:49:27,400 --> 00:49:30,960
Speaker 2: mental health issues and you don't treat him so and

928
00:49:31,120 --> 00:49:34,480
Speaker 2: when he was medicated and treating him, he wasn't talking

929
00:49:34,600 --> 00:49:37,280
Speaker 2: like this, like he might have been what people considered

930
00:49:37,320 --> 00:49:40,080
Speaker 2: be an asshole, but it was like asshole and like

931
00:49:40,200 --> 00:49:42,799
Speaker 2: the way a lot of people are assholes, like oh yeah,

932
00:49:42,800 --> 00:49:45,719
Speaker 2: he kind of as a womanizer or whatever. Like it

933
00:49:45,800 --> 00:49:49,200
Speaker 2: wasn't like you know, and and Rosa Parks never happened.

934
00:49:49,200 --> 00:49:53,680
Speaker 2: You're like, uh, that's that doesn't sound like you understand fast.

935
00:49:54,080 --> 00:49:57,560
Speaker 2: So like I never added him because of that, and

936
00:49:57,680 --> 00:50:01,960
Speaker 2: yet it does get the that feeling where his behavior

937
00:50:02,040 --> 00:50:05,000
Speaker 2: was so olandis if you keep the show going, it's

938
00:50:05,040 --> 00:50:08,640
Speaker 2: almost like you just being like fuck it, it's content.

939
00:50:08,280 --> 00:50:13,120
Speaker 3: You know, right right right. It's a dude I follow

940
00:50:13,160 --> 00:50:17,120
Speaker 3: on YouTube and he is like super into the yeezis

941
00:50:17,520 --> 00:50:20,280
Speaker 3: and he'd be doing easy updates, but he'd be looking

942
00:50:20,360 --> 00:50:24,080
Speaker 3: so sad, like I really just was in the shoes.

943
00:50:24,920 --> 00:50:27,040
Speaker 1: Right, That's I was there for the shoes. That's all

944
00:50:27,080 --> 00:50:27,360
Speaker 1: I was.

945
00:50:27,400 --> 00:50:29,279
Speaker 3: I really was here for the shop. Now I'm here

946
00:50:29,280 --> 00:50:31,520
Speaker 3: for the socks, I guess right, you know.

947
00:50:33,320 --> 00:50:36,040
Speaker 2: And Kanye make it impossible too, because like he'll be like,

948
00:50:36,120 --> 00:50:38,319
Speaker 2: my next shoe is gonna have clan hoods on him.

949
00:50:38,360 --> 00:50:42,840
Speaker 1: You're like, fuck, I can't, I can't even buy. I can't,

950
00:50:43,160 --> 00:50:43,440
Speaker 1: Like I.

951
00:50:43,400 --> 00:50:47,120
Speaker 3: Know, I'm like, these shoes are worn by the blah

952
00:50:47,160 --> 00:50:50,600
Speaker 3: blah blah one hundred years ago. And it's like, I

953
00:50:50,600 --> 00:50:54,759
Speaker 3: don't I don't even know if this is true they

954
00:50:55,120 --> 00:50:57,520
Speaker 3: if that was on the mood board or not. I

955
00:50:57,560 --> 00:50:58,440
Speaker 3: can't see it.

956
00:50:59,400 --> 00:51:01,880
Speaker 4: Could you could you imagine that collector, you know how

957
00:51:01,920 --> 00:51:03,640
Speaker 4: they've been having like shoes in the box. I was

958
00:51:03,680 --> 00:51:06,399
Speaker 4: sudden they have certain spots that are empty and they

959
00:51:06,440 --> 00:51:08,600
Speaker 4: feel like the Kanye's and they just have like a

960
00:51:08,640 --> 00:51:12,120
Speaker 4: tear or sap emoji across them or they just describe

961
00:51:12,160 --> 00:51:12,400
Speaker 4: what the.

962
00:51:12,400 --> 00:51:16,360
Speaker 1: Shoe would have been. Yeah, that was that was That

963
00:51:16,480 --> 00:51:17,800
Speaker 1: was like super sad.

964
00:51:19,120 --> 00:51:22,000
Speaker 2: And then like what really bums me out with Kanye

965
00:51:22,160 --> 00:51:25,080
Speaker 2: is whenever there's a video that's posted and there's still

966
00:51:25,320 --> 00:51:28,759
Speaker 2: a room full of people in there just like co

967
00:51:29,000 --> 00:51:32,640
Speaker 2: signing just to being proximity of them. It's like, y'all,

968
00:51:32,719 --> 00:51:35,680
Speaker 2: niggas are evil? Something wrong with you? Like if that

969
00:51:35,760 --> 00:51:38,160
Speaker 2: was just my friend, just my homie, if my friend

970
00:51:38,360 --> 00:51:40,960
Speaker 2: Justine started talking like that, I'd be like, all right, Jay,

971
00:51:41,040 --> 00:51:43,440
Speaker 2: let's maybe turn the Instagram live off.

972
00:51:44,640 --> 00:51:46,920
Speaker 1: Like maybe we don't, we don't put that out right now,

973
00:51:46,960 --> 00:51:48,480
Speaker 1: but they really be in the room like you.

974
00:51:48,680 --> 00:51:50,600
Speaker 2: I'm like, I'm trying to come up off this ship,

975
00:51:51,080 --> 00:51:53,880
Speaker 2: but I think that that that really just says a

976
00:51:53,920 --> 00:51:56,000
Speaker 2: lot about society and where the fuck we are.

977
00:51:57,600 --> 00:52:00,480
Speaker 1: You also are in two of our favorites shows.

978
00:52:00,640 --> 00:52:05,160
Speaker 2: Mm hmm, South Side of Sherman Showcase, Yes, how did.

979
00:52:05,040 --> 00:52:05,799
Speaker 3: That come out?

980
00:52:05,880 --> 00:52:06,080
Speaker 5: Man?

981
00:52:06,239 --> 00:52:06,319
Speaker 3: Like?

982
00:52:06,880 --> 00:52:08,000
Speaker 1: What like what.

983
00:52:07,880 --> 00:52:08,640
Speaker 3: Was what was that?

984
00:52:08,760 --> 00:52:08,880
Speaker 2: Like?

985
00:52:10,440 --> 00:52:16,520
Speaker 3: Shermans came about? I I met Diallo Riddle and then

986
00:52:16,760 --> 00:52:19,920
Speaker 3: uh he met me at a time where I hadn't

987
00:52:19,960 --> 00:52:22,839
Speaker 3: worked on on a show before. I sold a couple

988
00:52:22,880 --> 00:52:27,200
Speaker 3: of scripts, but but hadn't you know, really been been

989
00:52:27,280 --> 00:52:30,680
Speaker 3: staffed jet I had been applying for years and uh

990
00:52:30,880 --> 00:52:34,120
Speaker 3: he he gave me my first opportunity. And and in there,

991
00:52:34,239 --> 00:52:37,520
Speaker 3: you know, because of that show, my IMDb says I'm

992
00:52:37,520 --> 00:52:41,040
Speaker 3: a composer. You know, it's it's like, yeah, I got

993
00:52:41,160 --> 00:52:43,080
Speaker 3: I got to work on songs. I got to work

994
00:52:43,120 --> 00:52:47,080
Speaker 3: on sketches for you know, really the first time. And

995
00:52:47,080 --> 00:52:52,560
Speaker 3: and I got to play characters. Yeah, me trying to me,

996
00:52:52,680 --> 00:52:55,520
Speaker 3: trying to push push a sketch. I you know, did

997
00:52:55,520 --> 00:52:57,959
Speaker 3: my Morris Day impression. And they were like, you're gonna

998
00:52:57,960 --> 00:52:59,920
Speaker 3: play Morris Day. Like in my head, I was just

999
00:53:00,160 --> 00:53:03,319
Speaker 3: a coach whoever they were gonna pick. And you know,

1000
00:53:03,520 --> 00:53:06,920
Speaker 3: so and I mean that opened so many doors for

1001
00:53:07,120 --> 00:53:10,520
Speaker 3: me and everything and so many opportunities. I met so

1002
00:53:10,520 --> 00:53:15,400
Speaker 3: many people through that job. So and then I physically

1003
00:53:15,520 --> 00:53:19,239
Speaker 3: wasn't on the South Side, but my voice was. There's

1004
00:53:19,280 --> 00:53:23,160
Speaker 3: a season two in season three they needed a voice

1005
00:53:23,200 --> 00:53:26,360
Speaker 3: for different things, So my voice has been on the

1006
00:53:26,400 --> 00:53:30,560
Speaker 3: south side. But Diall Vashier definitely two mentors that I'm

1007
00:53:30,560 --> 00:53:32,080
Speaker 3: so glad I met in the game.

1008
00:53:32,400 --> 00:53:35,080
Speaker 2: Yeah, man, one is super important for people to like

1009
00:53:35,840 --> 00:53:38,560
Speaker 2: hook people up that way because like the game is

1010
00:53:38,600 --> 00:53:41,920
Speaker 2: still nepotistic. Man, it's still like who you know at

1011
00:53:41,960 --> 00:53:45,040
Speaker 2: the end of the day, And a lot of times

1012
00:53:45,040 --> 00:53:47,680
Speaker 2: motherfuckers just put on whoever looks like them or whatever,

1013
00:53:48,920 --> 00:53:52,080
Speaker 2: and you can toil and uncertainty because like it's not

1014
00:53:52,239 --> 00:53:55,799
Speaker 2: like LinkedIn you like, how do you apply for a

1015
00:53:55,800 --> 00:53:56,520
Speaker 2: writer's room?

1016
00:53:56,760 --> 00:53:58,359
Speaker 1: It depends did they let you know?

1017
00:53:58,680 --> 00:54:01,800
Speaker 2: Do you got an agent that's to know, do somebody

1018
00:54:01,920 --> 00:54:04,080
Speaker 2: know you that can like be like, oh, make sure

1019
00:54:04,080 --> 00:54:07,960
Speaker 2: we definitely get his submission because if not, man, you really,

1020
00:54:08,040 --> 00:54:10,400
Speaker 2: like you said you were applying for years. And also

1021
00:54:10,520 --> 00:54:12,360
Speaker 2: like a lot of times, ain't know, a lot of

1022
00:54:12,400 --> 00:54:14,080
Speaker 2: times you don't even get like a hit back, Like

1023
00:54:14,160 --> 00:54:16,200
Speaker 2: at least if you apply for a job at Bank

1024
00:54:16,239 --> 00:54:18,400
Speaker 2: of America, you get like a, hey, we decided to

1025
00:54:18,400 --> 00:54:20,400
Speaker 2: go with another candidate the writers.

1026
00:54:20,400 --> 00:54:21,920
Speaker 1: Will you just look up and be like, oh, I

1027
00:54:21,920 --> 00:54:23,400
Speaker 1: guess that shows on ship.

1028
00:54:23,480 --> 00:54:26,720
Speaker 3: Right, I guess I guess made it to the show.

1029
00:54:27,600 --> 00:54:30,479
Speaker 3: We'll see You'll see a commercial for the Joke Show

1030
00:54:30,560 --> 00:54:34,520
Speaker 3: and be like, oh man, I pitched that s that's crazy.

1031
00:54:35,080 --> 00:54:36,480
Speaker 3: I guess they could do it without me.

1032
00:54:39,640 --> 00:54:42,040
Speaker 1: That's hilarious, dude. Oh man, I.

1033
00:54:42,000 --> 00:54:44,920
Speaker 3: Hate to read my package. Somebody definitely read my paggage

1034
00:54:44,920 --> 00:54:47,160
Speaker 3: because right there it's made it to the commercial.

1035
00:54:48,640 --> 00:54:51,799
Speaker 2: They knew why ship was hot, they advertised, they just

1036
00:54:51,800 --> 00:54:52,360
Speaker 2: didn't want me.

1037
00:54:52,840 --> 00:54:53,760
Speaker 1: I hate to ask.

1038
00:54:53,520 --> 00:54:55,799
Speaker 2: This question because I think it's the number one question

1039
00:54:55,840 --> 00:54:57,120
Speaker 2: that all creatives dread.

1040
00:54:57,320 --> 00:54:59,960
Speaker 1: But I gotta ask, are you all?

1041
00:55:00,239 --> 00:55:01,720
Speaker 3: You don't have to, you really don't.

1042
00:55:02,040 --> 00:55:03,719
Speaker 2: I gotta as a journalist, I have to do my

1043
00:55:03,800 --> 00:55:05,320
Speaker 2: due diligence. I wrote all this shit.

1044
00:55:05,200 --> 00:55:07,680
Speaker 3: Downy Okay, you're a journalist.

1045
00:55:07,800 --> 00:55:10,280
Speaker 1: Yeah, I got you.

1046
00:55:10,320 --> 00:55:13,040
Speaker 2: Are you already thinking about the next the next album,

1047
00:55:13,120 --> 00:55:15,800
Speaker 2: the next project, like, are you already onto that or

1048
00:55:15,960 --> 00:55:17,279
Speaker 2: even though this one just came out?

1049
00:55:17,600 --> 00:55:22,080
Speaker 3: Yeah? Yeah, I know. The next one is gonna deal

1050
00:55:22,120 --> 00:55:27,360
Speaker 3: with my journey with with love and relationships. Tentatively titled

1051
00:55:27,360 --> 00:55:31,440
Speaker 3: The Big Valentine, but that might change. Uh so TVV

1052
00:55:31,640 --> 00:55:38,239
Speaker 3: might be TVD but yeah, but but I think that

1053
00:55:38,280 --> 00:55:41,480
Speaker 3: it's gonna be like something hopefully that's more global. I

1054
00:55:41,760 --> 00:55:44,560
Speaker 3: do want to go to more places around the world

1055
00:55:44,600 --> 00:55:48,360
Speaker 3: and and do comedy and and I know sometimes some

1056
00:55:48,400 --> 00:55:51,080
Speaker 3: of the referential stuff that I that I lean on

1057
00:55:52,680 --> 00:55:55,960
Speaker 3: you can't you know, outside of the United States. So

1058
00:55:56,360 --> 00:55:58,640
Speaker 3: I do want to talk about some themes that are

1059
00:55:58,680 --> 00:56:03,959
Speaker 3: more universal and get into loving relationships so hopefully work

1060
00:56:04,040 --> 00:56:07,440
Speaker 3: it out, you know, in other countries other than the US.

1061
00:56:07,680 --> 00:56:10,000
Speaker 1: So because you just got engaged.

1062
00:56:09,560 --> 00:56:14,000
Speaker 3: Right, yeah, yeah, she said, yes the game.

1063
00:56:17,600 --> 00:56:19,600
Speaker 2: Did you do it for the material? Because you was like,

1064
00:56:19,600 --> 00:56:21,680
Speaker 2: all right, the next album need to be about love?

1065
00:56:21,800 --> 00:56:27,440
Speaker 3: So no, no, because I'm in love, not because.

1066
00:56:29,440 --> 00:56:36,160
Speaker 1: She just walked in, like, man, I need another half hour?

1067
00:56:36,200 --> 00:56:39,640
Speaker 1: Was ship Shi, I.

1068
00:56:39,600 --> 00:56:42,880
Speaker 3: Don't know if if our relationship is gonna gonna be

1069
00:56:42,960 --> 00:56:45,879
Speaker 3: in it, but yeah, definitely the journey that had had

1070
00:56:45,920 --> 00:56:48,239
Speaker 3: I got to that place is going to be Is that?

1071
00:56:48,480 --> 00:56:50,040
Speaker 1: Is that ever a thing where it's like.

1072
00:56:51,680 --> 00:56:54,759
Speaker 2: The stuff that you have in your relationship and your

1073
00:56:54,800 --> 00:56:57,680
Speaker 2: personal stuff and how you choose to bring.

1074
00:56:57,440 --> 00:56:58,200
Speaker 1: It to the stage.

1075
00:56:58,280 --> 00:56:59,920
Speaker 2: Is that like a all right, let me run the

1076
00:57:00,160 --> 00:57:03,880
Speaker 2: joke by you situation or dissolve off limits?

1077
00:57:03,920 --> 00:57:05,759
Speaker 1: Like how do you how do you balance that?

1078
00:57:07,680 --> 00:57:11,120
Speaker 3: Right now? I haven't really it hasn't really been a thing.

1079
00:57:11,320 --> 00:57:13,960
Speaker 3: I've just been kind of not not talking. You know.

1080
00:57:14,200 --> 00:57:16,600
Speaker 3: I guess I've been talking in live shows about it,

1081
00:57:16,640 --> 00:57:20,200
Speaker 3: but I haven't. I haven't really thought about commodifying, uh,

1082
00:57:20,440 --> 00:57:24,200
Speaker 3: some of those aspects. So sometimes I will have a

1083
00:57:24,280 --> 00:57:27,080
Speaker 3: thought and I will have a joke, but I you know,

1084
00:57:27,320 --> 00:57:30,600
Speaker 3: those aren't necessarily to be clipped up and you know,

1085
00:57:30,720 --> 00:57:34,160
Speaker 3: put on a on a project or something. But you know,

1086
00:57:34,480 --> 00:57:38,320
Speaker 3: it depends when it's time to have that conversation. I might,

1087
00:57:38,480 --> 00:57:39,600
Speaker 3: but I haven't yet.

1088
00:57:39,880 --> 00:57:42,040
Speaker 2: Okay, Well, if you get in an argument, just pull

1089
00:57:42,080 --> 00:57:45,600
Speaker 2: our paper, start right now something and just see see

1090
00:57:45,640 --> 00:57:46,480
Speaker 2: how she responds to.

1091
00:57:49,760 --> 00:57:56,080
Speaker 1: Well, listen, Rob, this has been fun. I don't think

1092
00:57:56,120 --> 00:58:00,520
Speaker 1: that's a good idea. Don't you listen to that?

1093
00:58:00,560 --> 00:58:05,840
Speaker 2: Man, So you like that you like to pull the

1094
00:58:05,880 --> 00:58:11,240
Speaker 2: toilet tissue from under the road, All right, No, it's

1095
00:58:11,280 --> 00:58:14,280
Speaker 2: not no, you see it on stage. But yeah, Yo,

1096
00:58:14,440 --> 00:58:17,400
Speaker 2: thank you for coming through, man, sweetie.

1097
00:58:16,760 --> 00:58:19,360
Speaker 3: Everybody, thanks for having me. Yo.

1098
00:58:19,440 --> 00:58:22,920
Speaker 2: Tell everybody, like, if you got any like stand up

1099
00:58:22,920 --> 00:58:25,280
Speaker 2: coming up for people to like check out, like where

1100
00:58:25,440 --> 00:58:25,600
Speaker 2: to go.

1101
00:58:26,720 --> 00:58:31,240
Speaker 3: Yeah, if you're in the New Orleans area, I'll be

1102
00:58:31,320 --> 00:58:36,360
Speaker 3: in Lafayette, Louisiana, and then New Orleans the fourteenth, fifteenth,

1103
00:58:36,400 --> 00:58:42,160
Speaker 3: and sixteenth and April. Also, if you're in Los Angeles

1104
00:58:42,200 --> 00:58:45,320
Speaker 3: on a Saturday, come to Echo Park. I'm at Stories

1105
00:58:45,360 --> 00:58:50,000
Speaker 3: in Echo Park most Saturdays when I'm in town. And

1106
00:58:50,040 --> 00:58:54,480
Speaker 3: then also yeah, just look out, I'll be on the road.

1107
00:58:55,560 --> 00:58:59,120
Speaker 3: Listen to the album. It's on all streaming platforms. You know,

1108
00:58:59,160 --> 00:59:01,720
Speaker 3: if you really rap with it downloaded, I think I

1109
00:59:01,800 --> 00:59:04,320
Speaker 3: get a little more if you download it, I definitely

1110
00:59:04,320 --> 00:59:06,360
Speaker 3: get more. If you buy it, you know, you can

1111
00:59:06,480 --> 00:59:09,520
Speaker 3: still do that kick an old school Buy it if

1112
00:59:09,560 --> 00:59:11,120
Speaker 3: you want to watch it, If you're want of those

1113
00:59:11,160 --> 00:59:14,800
Speaker 3: weird creeps like watching people, then watch it on YouTube.

1114
00:59:15,080 --> 00:59:18,840
Speaker 1: You know, yeah, all my creeps out there. You know

1115
00:59:18,880 --> 00:59:21,240
Speaker 1: what it is. You know where you are mounded up?

1116
00:59:21,360 --> 00:59:24,520
Speaker 2: Leave comments on Leave comments on the YouTube video like

1117
00:59:24,560 --> 00:59:25,240
Speaker 2: what's her name?

1118
00:59:28,000 --> 00:59:30,320
Speaker 1: But thank you for being here, Rob, And this is

1119
00:59:30,400 --> 00:59:32,080
Speaker 1: so funny. You gotta come back.

1120
00:59:31,920 --> 00:59:35,320
Speaker 3: Man, We've been I'm down. I'm down to come back.

1121
00:59:35,400 --> 00:59:37,040
Speaker 1: Yeah, you come back next time.

1122
00:59:37,280 --> 00:59:40,480
Speaker 2: This was like an introductory to the audience interview style.

1123
00:59:40,560 --> 00:59:42,600
Speaker 1: But normally, well be on here, cutting up.

1124
00:59:42,560 --> 00:59:45,720
Speaker 2: Playing games, renew story and ship like that.

1125
00:59:46,160 --> 00:59:48,640
Speaker 1: So next time you come back, We're gonna do that, y'all.

1126
00:59:48,680 --> 00:59:52,320
Speaker 2: Play we played. We played guess the race. That's where

1127
00:59:52,360 --> 00:59:56,360
Speaker 2: we read guess the race of people involved. Play this

1128
00:59:56,440 --> 00:59:57,960
Speaker 2: game called fucking with Black people?

1129
00:59:59,240 --> 01:00:01,360
Speaker 1: Matter of fact? What you we got like twenty minutes, right,

1130
01:00:01,440 --> 01:00:04,400
Speaker 1: give let's do two games. We do two.

1131
01:00:04,480 --> 01:00:06,800
Speaker 2: We do two games. We got music and everything. All right,

1132
01:00:06,840 --> 01:00:08,680
Speaker 2: we're gonna let's do a little bit of fucking with

1133
01:00:08,760 --> 01:00:11,960
Speaker 2: black people with Rob Hayes. Let me pull up my

1134
01:00:12,080 --> 01:00:16,680
Speaker 2: Fucking with Black people music and where's the short version?

1135
01:00:16,760 --> 01:00:17,280
Speaker 1: There we go?

1136
01:00:18,680 --> 01:00:28,760
Speaker 6: Who were just fucking with them people because they black?

1137
01:00:30,400 --> 01:00:35,240
Speaker 6: With us fucking with them people because they black? With

1138
01:00:35,400 --> 01:00:38,920
Speaker 6: just woop fucking with them black people with just fucking.

1139
01:00:38,600 --> 01:00:43,320
Speaker 3: With them blacks. We just schoop fucking with fucking with

1140
01:00:43,440 --> 01:00:44,040
Speaker 3: black people.

1141
01:00:45,240 --> 01:00:45,400
Speaker 5: Who?

1142
01:00:52,600 --> 01:00:53,880
Speaker 3: What's that takes? Six? Who?

1143
01:00:55,640 --> 01:00:58,120
Speaker 2: That's how man felt five fan of the show and

1144
01:00:58,440 --> 01:00:59,920
Speaker 2: professional rappers.

1145
01:01:00,400 --> 01:01:03,280
Speaker 1: It's amazing. What were you gonna save? Before he push play?

1146
01:01:04,440 --> 01:01:06,160
Speaker 3: Oh, I was just gonna say shout out to the

1147
01:01:06,160 --> 01:01:09,320
Speaker 3: people in the comments that said they liked me on

1148
01:01:09,440 --> 01:01:10,440
Speaker 3: Shervan Showcase.

1149
01:01:10,760 --> 01:01:14,080
Speaker 2: Yeah, some of them already watched the special appreciate Yeah,

1150
01:01:14,080 --> 01:01:16,560
Speaker 2: some of the already watched the specially Yeah. Uh so

1151
01:01:16,880 --> 01:01:19,200
Speaker 2: fucking with black people. This is the way it goes.

1152
01:01:19,240 --> 01:01:22,040
Speaker 2: I'm gonna read an article. We're gonna score it on

1153
01:01:22,120 --> 01:01:24,480
Speaker 2: how much we feel fucked with a black people.

1154
01:01:25,080 --> 01:01:27,360
Speaker 1: And the scores are intervals.

1155
01:01:26,800 --> 01:01:30,760
Speaker 2: Of twenty five, so twenty five, fifty, seventy five, one hundred,

1156
01:01:31,080 --> 01:01:33,960
Speaker 2: and if it's over one hundred, like you so fuck

1157
01:01:34,040 --> 01:01:37,440
Speaker 2: with you so bad? We saved your cards like like uh,

1158
01:01:37,680 --> 01:01:38,160
Speaker 2: like Game of.

1159
01:01:38,200 --> 01:01:39,840
Speaker 1: Thrones, you just burn it all down.

1160
01:01:39,640 --> 01:01:43,560
Speaker 3: All right, like there is and yeah, exactly all the

1161
01:01:43,560 --> 01:01:46,560
Speaker 3: people the targetames with the hood names. You know what is.

1162
01:01:48,040 --> 01:01:53,320
Speaker 2: CBS sued by Seal Team Scribe over alleged racial quotas

1163
01:01:53,320 --> 01:01:58,400
Speaker 2: for hiring writers Brian Binneker, a script coordinator on the show,

1164
01:01:58,480 --> 01:02:02,880
Speaker 2: who claims hetero sexual white men need extra qualifications to

1165
01:02:02,920 --> 01:02:04,400
Speaker 2: be hired on network shows.

1166
01:02:04,600 --> 01:02:05,440
Speaker 1: It is represented.

1167
01:02:05,440 --> 01:02:08,480
Speaker 2: It is represented by a conservative group founded by Trump

1168
01:02:08,480 --> 01:02:10,320
Speaker 2: administration alum Steven Miller.

1169
01:02:11,120 --> 01:02:12,760
Speaker 1: What yeah, he's.

1170
01:02:12,520 --> 01:02:16,040
Speaker 2: Suing because they hired to me black people, women and stuff.

1171
01:02:16,360 --> 01:02:18,680
Speaker 2: And it's it's hard out here for a straight white

1172
01:02:18,680 --> 01:02:22,240
Speaker 2: man to even get a job in the industry.

1173
01:02:22,760 --> 01:02:24,520
Speaker 1: Ain't they like most of the industry.

1174
01:02:25,240 --> 01:02:27,920
Speaker 2: So you want to use facts, So we just we're

1175
01:02:27,960 --> 01:02:30,520
Speaker 2: just throwing facts in this now we just I'm sorry,

1176
01:02:30,560 --> 01:02:32,479
Speaker 2: We're just gonna go by the actual numbers of people

1177
01:02:32,520 --> 01:02:36,360
Speaker 2: that's employed and represented, and just go by the fact

1178
01:02:36,400 --> 01:02:40,840
Speaker 2: that white men are still disproportionately employed by the industry.

1179
01:02:40,840 --> 01:02:44,800
Speaker 4: Man anybody else they clip everybody else, Wow, two to one?

1180
01:02:45,120 --> 01:02:48,200
Speaker 2: Aren't then, aren't Well they're trying to get this to

1181
01:02:48,240 --> 01:02:51,880
Speaker 2: go to the Supreme Court. He says that he was

1182
01:02:51,960 --> 01:02:55,760
Speaker 2: denied a staff writer job after the implement implementation of

1183
01:02:55,760 --> 01:02:59,400
Speaker 2: an illegal policy of race and sex balancing that promoted

1184
01:02:59,400 --> 01:03:02,880
Speaker 2: the hiring of less qualified applicants who are.

1185
01:03:03,000 --> 01:03:05,040
Speaker 1: Members of more preferred groups.

1186
01:03:05,760 --> 01:03:09,520
Speaker 4: They love to pull that when most of the time

1187
01:03:09,920 --> 01:03:14,000
Speaker 4: the quote unquote others are probably more qualified than you are.

1188
01:03:14,160 --> 01:03:17,320
Speaker 2: Well, they always say that if if there's a quota

1189
01:03:17,560 --> 01:03:21,600
Speaker 2: or there's any level of like affirmative action, they always

1190
01:03:21,600 --> 01:03:23,920
Speaker 2: act like they literally went on the street, looked at

1191
01:03:23,880 --> 01:03:26,320
Speaker 2: it and was like, ugh, hey, you black guy, you

1192
01:03:26,400 --> 01:03:28,200
Speaker 2: want a job, And then they just bring a guy

1193
01:03:28,240 --> 01:03:31,280
Speaker 2: in that's never done any work before, and it's just like,

1194
01:03:31,680 --> 01:03:34,360
Speaker 2: I guess, all right, comedy now, and that's not how

1195
01:03:34,400 --> 01:03:36,560
Speaker 2: it works. But that's how they in these losses, is

1196
01:03:36,560 --> 01:03:39,600
Speaker 2: how they treat it. We've kind of seen this playbook before.

1197
01:03:40,480 --> 01:03:43,080
Speaker 2: But how much does it fuck with you as a

1198
01:03:43,120 --> 01:03:43,800
Speaker 2: black person?

1199
01:03:43,960 --> 01:03:45,800
Speaker 1: Karen zero to one hundred.

1200
01:03:46,440 --> 01:03:49,080
Speaker 4: Oh, this because a jrkar is because the whole thing

1201
01:03:49,240 --> 01:03:52,560
Speaker 4: is pointless to me. Is one of those things with

1202
01:03:52,680 --> 01:03:55,880
Speaker 4: these with these facts aren't true. You just feel a

1203
01:03:55,920 --> 01:04:00,240
Speaker 4: certain way and something that white people need to understand sometimes, y'all,

1204
01:04:00,280 --> 01:04:02,360
Speaker 4: motherfucker is a mediocre and you don't want to meet

1205
01:04:02,400 --> 01:04:05,360
Speaker 4: you a mediocre being white and there are other people

1206
01:04:05,400 --> 01:04:07,840
Speaker 4: that out qualify you for the job, but your ego

1207
01:04:08,320 --> 01:04:12,040
Speaker 4: tells you that whiteness is right. And if if anybody

1208
01:04:12,120 --> 01:04:14,440
Speaker 4: gets the job, if they ain't white and it ain't me,

1209
01:04:15,000 --> 01:04:16,760
Speaker 4: you know, it's a problem, right with it?

1210
01:04:17,040 --> 01:04:17,160
Speaker 3: All?

1211
01:04:17,240 --> 01:04:17,360
Speaker 2: Right?

1212
01:04:17,400 --> 01:04:19,440
Speaker 1: What about you, Rob? You've been a writer.

1213
01:04:20,720 --> 01:04:25,240
Speaker 3: Right right? Yeah, currently a writer, so you know, I

1214
01:04:25,240 --> 01:04:28,080
Speaker 3: gotta be careful with this one. I'm gonna say a

1215
01:04:28,200 --> 01:04:33,760
Speaker 3: fifty because I do think there are some programs for,

1216
01:04:34,240 --> 01:04:39,760
Speaker 3: you know, hiring certain positions, and those programs, you know,

1217
01:04:39,960 --> 01:04:43,560
Speaker 3: are severely flawed in my opinion, because I know people

1218
01:04:43,600 --> 01:04:46,160
Speaker 3: who have been put in those positions and then been

1219
01:04:46,280 --> 01:04:49,720
Speaker 3: fired because the way the game is designed, after a

1220
01:04:49,720 --> 01:04:52,840
Speaker 3: certain amount of years, you have to move up. They

1221
01:04:52,840 --> 01:04:56,160
Speaker 3: didn't want these people of color moving up, so instead

1222
01:04:56,240 --> 01:04:59,800
Speaker 3: of you know, they fired them, then they can't get

1223
01:04:59,840 --> 01:05:04,520
Speaker 3: one of these diversity higher positions again because they already

1224
01:05:04,520 --> 01:05:08,200
Speaker 3: did it before. So now they've they've you know, they've

1225
01:05:08,440 --> 01:05:11,680
Speaker 3: left entry level and now they're in a in a

1226
01:05:12,400 --> 01:05:16,240
Speaker 3: you know, higher ranking position, but they can't get hired

1227
01:05:16,320 --> 01:05:20,320
Speaker 3: in that position. You know. Yeah, so that that's kind

1228
01:05:20,320 --> 01:05:23,280
Speaker 3: of messed up. I do think it is. I think

1229
01:05:23,320 --> 01:05:28,240
Speaker 3: it's dangerous. You know. I think that some of these programs,

1230
01:05:28,280 --> 01:05:31,040
Speaker 3: you know, when they get it right, are very helpful

1231
01:05:31,160 --> 01:05:34,880
Speaker 3: and they counterbalance for some of the you know, some

1232
01:05:34,960 --> 01:05:37,560
Speaker 3: of us didn't go to Northwestern, some of us didn't

1233
01:05:37,600 --> 01:05:41,040
Speaker 3: have the same connections. Some of us didn't be in

1234
01:05:41,160 --> 01:05:44,800
Speaker 3: position that to be in some of these rooms. And

1235
01:05:44,880 --> 01:05:50,120
Speaker 3: so I think that's why these programs exist, and also

1236
01:05:50,280 --> 01:05:52,680
Speaker 3: why you hating on the one black dude in the

1237
01:05:52,760 --> 01:05:56,600
Speaker 3: Seal Team six room. He gotta go through enough, he

1238
01:05:56,760 --> 01:06:00,000
Speaker 3: gotta go through it. I can't even imagine what they

1239
01:05:59,800 --> 01:06:03,320
Speaker 3: say saying at the breakroom of the Sealed Team six room.

1240
01:06:03,360 --> 01:06:05,040
Speaker 3: You know what I'm saying, the people that write this

1241
01:06:05,080 --> 01:06:07,240
Speaker 3: show about the Marines, I don't even know what they

1242
01:06:07,400 --> 01:06:09,480
Speaker 3: talking about the Marines.

1243
01:06:10,640 --> 01:06:12,360
Speaker 1: You know, they made them, you know, they made them

1244
01:06:12,680 --> 01:06:13,160
Speaker 1: head right.

1245
01:06:13,240 --> 01:06:16,000
Speaker 2: The one episode about like after George Floyd, when they

1246
01:06:16,040 --> 01:06:18,360
Speaker 2: got to do that one very special episode.

1247
01:06:18,400 --> 01:06:21,240
Speaker 1: They all looked at him, you got this right, and

1248
01:06:21,280 --> 01:06:22,440
Speaker 1: he was like, I just wanted.

1249
01:06:22,200 --> 01:06:25,920
Speaker 2: To write about, you know, saving some children in the Cambodia.

1250
01:06:26,000 --> 01:06:28,680
Speaker 3: I just look up scopes in my spare time.

1251
01:06:32,040 --> 01:06:34,480
Speaker 1: I give it. I give it a seventy five.

1252
01:06:34,640 --> 01:06:37,120
Speaker 2: And the reason I give it seventy five is not

1253
01:06:37,200 --> 01:06:40,160
Speaker 2: even really about him, the program or the black people

1254
01:06:40,160 --> 01:06:44,919
Speaker 2: that worked at I blame the fucking white people who

1255
01:06:45,040 --> 01:06:47,480
Speaker 2: know these motherfuckers don't be good enough to get it,

1256
01:06:47,560 --> 01:06:49,360
Speaker 2: and then they got to make them feel good in

1257
01:06:49,360 --> 01:06:52,200
Speaker 2: the in the in the rejection letter, like you know, hey,

1258
01:06:52,320 --> 01:06:54,200
Speaker 2: if it was up to me, I give it to you.

1259
01:06:54,240 --> 01:06:56,000
Speaker 1: It's just they're making me hire.

1260
01:06:55,880 --> 01:06:58,280
Speaker 2: The black guys, and you're like, that's not what the

1261
01:06:58,320 --> 01:07:01,760
Speaker 2: fucky that dude's not good enough. When it's black people,

1262
01:07:01,800 --> 01:07:03,640
Speaker 2: they don't never tell us no shit like that. They

1263
01:07:03,720 --> 01:07:06,040
Speaker 2: just be like, you're not good enough and you didn't

1264
01:07:06,080 --> 01:07:09,640
Speaker 2: get the job. Or you look on TV the show

1265
01:07:09,760 --> 01:07:13,080
Speaker 2: is airing and they're showing a commercial with your joke

1266
01:07:13,120 --> 01:07:16,320
Speaker 2: that you wrote in your packet on it and you're like, God, damn,

1267
01:07:16,520 --> 01:07:19,680
Speaker 2: I got to accept that, Like I'm not good enough

1268
01:07:19,760 --> 01:07:21,680
Speaker 2: knowing that y'all use my shit. So I feel like

1269
01:07:22,320 --> 01:07:25,640
Speaker 2: it's the people that give the excuses that keep making

1270
01:07:25,640 --> 01:07:28,000
Speaker 2: these motherfuckers feel like they can sue somebody.

1271
01:07:28,200 --> 01:07:30,840
Speaker 3: Right, how do you know that? How do you know

1272
01:07:31,240 --> 01:07:34,320
Speaker 3: the reason you didn't get in is because they had

1273
01:07:34,320 --> 01:07:38,000
Speaker 3: to hire a black person unless somebody told you that.

1274
01:07:38,400 --> 01:07:41,720
Speaker 3: Because I've applied for a lot of jobs, I've never

1275
01:07:41,800 --> 01:07:44,680
Speaker 3: got a breakdown on where our rank among the people

1276
01:07:44,720 --> 01:07:47,680
Speaker 3: who work there and the people who don't. I never

1277
01:07:47,760 --> 01:07:50,840
Speaker 3: got that, like you was right here, you know, but

1278
01:07:50,960 --> 01:07:55,960
Speaker 3: you know, yeah Disney, so you know we had to

1279
01:07:55,960 --> 01:07:58,880
Speaker 3: pick her throughout Disney's great niece.

1280
01:08:00,120 --> 01:08:02,000
Speaker 2: All Right, we got time for one more game. This

1281
01:08:02,160 --> 01:08:05,240
Speaker 2: time we're gonna go to h Guess the race.

1282
01:08:06,480 --> 01:08:21,320
Speaker 5: Okay, that's the race. That's the race. That's the race.

1283
01:08:26,160 --> 01:08:26,880
Speaker 5: It's the race.

1284
01:08:31,600 --> 01:08:32,240
Speaker 1: Guess the race.

1285
01:08:32,280 --> 01:08:33,920
Speaker 2: This is where we go around the globe, find different

1286
01:08:34,000 --> 01:08:36,559
Speaker 2: articles and guess the race of the people involved.

1287
01:08:36,600 --> 01:08:37,880
Speaker 1: Today's contestants will.

1288
01:08:37,760 --> 01:08:41,880
Speaker 2: Be Caring and Rob Hayes and the chat room plays

1289
01:08:41,920 --> 01:08:44,439
Speaker 2: along and they're all racist, so just be on the

1290
01:08:44,479 --> 01:08:49,720
Speaker 2: lookout for their guesses. Today's article, a theft investigation at

1291
01:08:49,760 --> 01:08:53,599
Speaker 2: a fast food restaurant in Madisonville led to three ladies

1292
01:08:53,640 --> 01:08:57,080
Speaker 2: to three arrest Now the people that were arrested are

1293
01:08:57,120 --> 01:09:00,000
Speaker 2: all the same race. It's letting you know now if

1294
01:09:00,000 --> 01:09:03,320
Speaker 2: Investigators with the Madisonville Police Department say they were called

1295
01:09:03,320 --> 01:09:06,960
Speaker 2: to a McDonald's on North Main Street on February twenty

1296
01:09:06,960 --> 01:09:10,240
Speaker 2: first to take a theft complaint. Police say they developed

1297
01:09:10,280 --> 01:09:14,880
Speaker 2: Michelle Brown as a suspect through employee time sheets, video

1298
01:09:14,960 --> 01:09:18,920
Speaker 2: surveillance at the restaurant, and safe entry logs, then discovered

1299
01:09:18,920 --> 01:09:23,400
Speaker 2: that she had stolen over forty four hundred dollars, which

1300
01:09:23,479 --> 01:09:27,120
Speaker 2: is only like three value mills at this point, that's

1301
01:09:27,160 --> 01:09:30,200
Speaker 2: not that's not that much theft in the McDonald's anymore.

1302
01:09:31,160 --> 01:09:33,840
Speaker 2: Through the investigation, police say they went on to serve

1303
01:09:34,040 --> 01:09:36,840
Speaker 2: a search warrant at Brown's room at the day's end

1304
01:09:37,760 --> 01:09:43,320
Speaker 2: on Monday. While serving the warrant, police say Jack Mullins

1305
01:09:43,439 --> 01:09:46,559
Speaker 2: jumped out of the second story window and tried to

1306
01:09:46,680 --> 01:09:50,559
Speaker 2: run before being taken into custody with meth on him.

1307
01:09:51,080 --> 01:09:51,360
Speaker 4: Oh.

1308
01:09:51,880 --> 01:09:55,200
Speaker 2: They say they learned that Mullins had two warrants for

1309
01:09:55,240 --> 01:09:58,439
Speaker 2: his arrest at the time. Authorities say They also found

1310
01:09:58,439 --> 01:10:01,720
Speaker 2: Hayley DiNapoli and so at the hotel room, and that

1311
01:10:01,840 --> 01:10:05,280
Speaker 2: she had drugs on her. Police searched the hotel room,

1312
01:10:05,320 --> 01:10:09,760
Speaker 2: they found meth, synthetic marijuana and drug paraphernalia, and when

1313
01:10:09,840 --> 01:10:12,760
Speaker 2: questioning Brown about the money stolen from McDonald's, police say

1314
01:10:12,840 --> 01:10:15,240
Speaker 2: she admitted to stealing the cash, but that she has

1315
01:10:15,280 --> 01:10:18,559
Speaker 2: spent it all already, probably on those drugs. They were

1316
01:10:18,640 --> 01:10:22,639
Speaker 2: all arrested and booked into the Hopkins County jail. Karen

1317
01:10:23,200 --> 01:10:25,160
Speaker 2: guessed the race of Lucie.

1318
01:10:25,160 --> 01:10:26,719
Speaker 1: If it says all their full.

1319
01:10:26,640 --> 01:10:34,680
Speaker 2: Names, it's Michelle Brown and Jack Mullins and Haley DiNapoli.

1320
01:10:35,800 --> 01:10:39,680
Speaker 1: Oh white, Kara's going with white for this, rob.

1321
01:10:41,600 --> 01:10:47,040
Speaker 3: Okay, Michelle Brown does sound like a black name. I could?

1322
01:10:47,280 --> 01:10:50,519
Speaker 3: I could? I feel like I probably know several Michelle

1323
01:10:50,560 --> 01:10:53,799
Speaker 3: Brown's in my lifetime. Are you one now?

1324
01:10:54,680 --> 01:10:55,480
Speaker 1: Uh?

1325
01:10:56,280 --> 01:11:00,680
Speaker 3: Dilapolie, I don't really know us to really, you know?

1326
01:11:01,080 --> 01:11:07,559
Speaker 3: And and then uh, Chris Mullin Jack Mullins, Yeah, what's

1327
01:11:07,640 --> 01:11:11,439
Speaker 3: Jack Mullins? Yeah? Okay, so we already know about Chris Mullen.

1328
01:11:11,720 --> 01:11:14,360
Speaker 3: You know what I'm saying. He was the captain of

1329
01:11:14,439 --> 01:11:18,040
Speaker 3: the Warriors Athletic Saint John's. This dude jumped out the

1330
01:11:18,040 --> 01:11:21,479
Speaker 3: window with the meth. So I'm gonna say he white

1331
01:11:21,479 --> 01:11:22,400
Speaker 3: with a buzz cut.

1332
01:11:22,520 --> 01:11:26,280
Speaker 2: Okay, all right, now they're all the same race, Rob,

1333
01:11:26,479 --> 01:11:27,120
Speaker 2: So I don't know.

1334
01:11:28,800 --> 01:11:32,240
Speaker 3: Okay, Okay, well then yeah, well then all right, it's

1335
01:11:32,240 --> 01:11:36,880
Speaker 3: a different Michelle Brown maybe from the Murphy Brown side.

1336
01:11:37,200 --> 01:11:38,840
Speaker 1: You're going white, Rob's going white.

1337
01:11:38,840 --> 01:11:43,040
Speaker 2: The chapman says, Hayley Mullins and meth definitely white. Mcmeth

1338
01:11:43,160 --> 01:11:48,479
Speaker 2: white jumping from the second floor. Jason Bourne white sounds

1339
01:11:48,560 --> 01:11:52,840
Speaker 2: Methy white. Florida thrupple white. What can brown do for you?

1340
01:11:52,960 --> 01:11:57,040
Speaker 1: White? Do black people use myth uh? I mean they

1341
01:11:57,240 --> 01:11:58,000
Speaker 1: some of them have to?

1342
01:11:58,479 --> 01:12:01,559
Speaker 2: Uh? Three is Copedy rewand I am the danger white

1343
01:12:01,640 --> 01:12:05,840
Speaker 2: and white. The correct answer is everyone said the same thing,

1344
01:12:05,880 --> 01:12:06,920
Speaker 2: and you all got it right.

1345
01:12:07,160 --> 01:12:11,360
Speaker 3: They were white, Okay, okay.

1346
01:12:11,160 --> 01:12:14,280
Speaker 1: And I'll show you that picture in the chat room.

1347
01:12:14,760 --> 01:12:16,720
Speaker 2: Keep in mind this one dude jumped out of the

1348
01:12:16,720 --> 01:12:18,880
Speaker 2: second story and I think he landed on his face.

1349
01:12:19,760 --> 01:12:23,639
Speaker 3: Oh no, I don't know if I want to, Okay,

1350
01:12:24,400 --> 01:12:25,120
Speaker 3: not looking.

1351
01:12:24,880 --> 01:12:25,960
Speaker 1: Too good for the homie.

1352
01:12:26,000 --> 01:12:29,760
Speaker 4: He probably should have just no, them knees gave out.

1353
01:12:30,040 --> 01:12:32,320
Speaker 2: And keep in mind he still ended up going to jail,

1354
01:12:32,400 --> 01:12:35,880
Speaker 2: So like she just fucked your face off for nothing.

1355
01:12:36,200 --> 01:12:40,000
Speaker 1: His face took them took the bulk of that, all right.

1356
01:12:40,000 --> 01:12:42,480
Speaker 2: And there's one last thing that we do every episode,

1357
01:12:42,560 --> 01:12:44,679
Speaker 2: and that's warned the world about swords.

1358
01:12:45,479 --> 01:12:48,280
Speaker 1: Uh, this is a very long sound effect, rob.

1359
01:12:48,400 --> 01:13:05,759
Speaker 8: He takes about thirty seconds.

1360
01:13:06,479 --> 01:13:06,880
Speaker 1: All right.

1361
01:13:06,960 --> 01:13:09,040
Speaker 2: We have to warn the world because there's a lot

1362
01:13:09,120 --> 01:13:13,080
Speaker 2: of swords out here in the world, and we're all

1363
01:13:13,120 --> 01:13:17,320
Speaker 2: focused on guns. But we're never gonna stop guns if

1364
01:13:17,320 --> 01:13:21,400
Speaker 2: we won't even stop swords. And there's not enough legislation

1365
01:13:21,479 --> 01:13:25,000
Speaker 2: against swords and not enough of us trying to control

1366
01:13:25,080 --> 01:13:26,160
Speaker 2: them and make them safe.

1367
01:13:26,640 --> 01:13:27,960
Speaker 1: A man who was.

1368
01:13:27,960 --> 01:13:30,400
Speaker 2: Shot and killed last month after thirty say he charged

1369
01:13:30,400 --> 01:13:34,280
Speaker 2: deputies while carrying the sword, has been identified. Okay, Devin Lewis,

1370
01:13:34,320 --> 01:13:37,639
Speaker 2: twenty three, was shot at their ten pm February twenty fourth.

1371
01:13:38,040 --> 01:13:41,680
Speaker 2: W say they found him outside of a hotel. He

1372
01:13:41,840 --> 01:13:44,519
Speaker 2: was yelling and waving a sword. He was shot by

1373
01:13:44,520 --> 01:13:47,719
Speaker 2: Deputy Ramond for Morales when he pulled the sword from.

1374
01:13:47,560 --> 01:13:50,040
Speaker 1: His sheath and ran towardath.

1375
01:13:50,479 --> 01:13:53,120
Speaker 2: Yeah, normally they don't have a sheath shot out to

1376
01:13:53,200 --> 01:13:54,400
Speaker 2: him for access horizon.

1377
01:13:56,560 --> 01:13:59,880
Speaker 1: He died the scene. Morales, who has been with the

1378
01:14:00,000 --> 01:14:01,679
Speaker 1: apartment about the year. Was not injured.

1379
01:14:02,600 --> 01:14:05,559
Speaker 2: As usual, the multi agent so down there invest they

1380
01:14:05,600 --> 01:14:09,480
Speaker 2: investigated it and to make sure that it was I guess.

1381
01:14:09,320 --> 01:14:10,559
Speaker 1: Clean shooting or whatever.

1382
01:14:10,960 --> 01:14:14,640
Speaker 2: But once again, listen, if a motherfucker is yelling outside

1383
01:14:15,040 --> 01:14:17,880
Speaker 2: of your hotel and it's three in the morning and

1384
01:14:17,920 --> 01:14:20,880
Speaker 2: they got a sword, call the police because they're the

1385
01:14:20,920 --> 01:14:22,320
Speaker 2: only ones that gonna know what to do with them.

1386
01:14:22,320 --> 01:14:24,640
Speaker 2: Because y'all, like we've seen too many these stories with

1387
01:14:24,720 --> 01:14:27,920
Speaker 2: the citizens taking it to their own hands. Now you dead,

1388
01:14:28,680 --> 01:14:30,720
Speaker 2: and and this motherfucker is gonna get shotted out of

1389
01:14:30,720 --> 01:14:34,479
Speaker 2: police anyway. So be careful out there. Don't sell these

1390
01:14:34,479 --> 01:14:37,439
Speaker 2: things at the flea mall. Don't don't sell these at

1391
01:14:37,479 --> 01:14:41,920
Speaker 2: the comic con. They're dangerous and you're literally putting someone's

1392
01:14:41,960 --> 01:14:43,000
Speaker 2: life in your own hands.

1393
01:14:43,240 --> 01:14:46,760
Speaker 1: Will you give them these swords? Rob, thank you so much.

1394
01:14:50,160 --> 01:14:52,439
Speaker 1: Come back. We'll be silly.

1395
01:14:53,800 --> 01:14:56,599
Speaker 3: I'm down to come back, man. You know RP did

1396
01:14:56,600 --> 01:15:02,120
Speaker 3: that dude that went out like Indiana Jones. But yeah,

1397
01:15:02,360 --> 01:15:05,080
Speaker 3: I would love to come back, you know absolutely.

1398
01:15:05,120 --> 01:15:09,599
Speaker 2: Man, All right, y'all, no show tomorrow for the regular folks.

1399
01:15:09,640 --> 01:15:14,120
Speaker 2: Premium people were doing Balls Deep Sports tomorrow. Okay, and

1400
01:15:14,120 --> 01:15:16,639
Speaker 2: and that'll wrap up the week. So until next time,

1401
01:15:16,800 --> 01:15:18,160
Speaker 2: I love you, I love me too. Why