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Speaker 1: Hey, everybody, welcome to another episode of I Saw What

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Speaker 1: You Did. My name is Millie to.

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Speaker 2: Jericho, I'm Daniel Henderson, and our.

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Speaker 1: Heart will go on for film, for the cinema, for epics,

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Speaker 1: for everything.

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Speaker 2: I mean, do you do you like doing these puns?

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Speaker 2: Are you punishing yourself? No? Because here's the.

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Speaker 1: Why I started doing them, because I just would be like, Yo,

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Speaker 1: what's up?

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Speaker 2: I love them? But you know you work very hard

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Speaker 2: at them? Then you don't have to. You know I

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Speaker 2: don't work.

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Speaker 1: I'll tell you right now. I mean, it's always slightly

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Speaker 1: better than what it was before. So I'm just I

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Speaker 1: just if you don't like them, I will stop. I

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Speaker 1: think that's my only No.

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Speaker 2: I love them. They make they crack me the fuck up.

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Speaker 2: And I'm like, did she give it herself more homework?

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Speaker 2: Because I know you would, and you one would give

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Speaker 2: themselves extra homework.

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Speaker 1: It would be you very true, touche my lady.

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Speaker 2: So what's up? I love it, and our hearts will

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Speaker 2: go on not much. I had a birthday a couple

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Speaker 2: days ago. Yeah, yeah, happy Birthdagger, Thank you. I'm forty seven.

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Speaker 1: Now you don't look a day over seventeen. Thanks, I

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Speaker 1: don't you know that about yourself. You know that about yourself.

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Speaker 2: Well, my face hasn't changed a lot, It really hasn't. Not. Yeah,

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Speaker 2: and even my grandma. I go see her and I'm like,

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Speaker 2: this bitch is ninety one and she just started getting

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Speaker 2: wrinkles like in her eighties.

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Speaker 3: I'm gonna I'm gonna throw this out there.

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Speaker 1: I feel like this is a podcast that's aging in reverse.

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Speaker 2: Baby, Yes, we are everything except for my back.

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Speaker 1: Yeah, and the and the baldped hammer butts. That's it.

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Speaker 2: My back and my ass are aging. I'm fast forward

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Speaker 2: back in the ass in their sixties.

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Speaker 1: How's your grandma, by the way, she's doing.

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Speaker 2: Great, she is. It's you know, it's summertime. We're going

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Speaker 2: out a bit more like going to movies, going to

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Speaker 2: going to Target, like going out for just going out

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Speaker 2: like in the winter. I kind of keep her a

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Speaker 2: little bit house bound because I don't want her to

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Speaker 2: get sick. But yeah, it's kind of a it's kind

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Speaker 2: of a hilarious because I bring like an adult diaper

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Speaker 2: bag with me and we go out. M Okay, so

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Speaker 2: I have a change of pants and a couple extra diapers,

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Speaker 2: a couple of things like I don't want her to

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Speaker 2: be embarrassed in public or like uncomfortable. So I have

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Speaker 2: to bring like an adult diaper bag, which is not

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Speaker 2: something I ever thought i'd have to carry around, but yeah,

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Speaker 2: it works. It gets around of the house safely and comfortably. Sure,

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Speaker 2: and we wreck shop in those fucking disability stalls.

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Speaker 1: Yeah. Heard.

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Speaker 2: So we just go in and I'm like, do your thing, girl.

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Speaker 1: Turn, I'll turn around and look at the door.

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Speaker 2: I can change her whole outpha in here, just not yourself.

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Speaker 2: But yeah, she's she is doing great. She's just been

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Speaker 2: so so delightful. I don't know. So a few weeks,

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Speaker 2: a couple of weeks ago, we found out that sister

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Speaker 2: Rosa Maria, who I wrote about in my book, who

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Speaker 2: was a nun that worked at the convent where I

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Speaker 2: worked as a teenager and my grandmother worked, she just died.

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Speaker 2: And I was like, I thought she'd been dead for

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Speaker 2: like twelve years. Wow, Like I did not know she

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Speaker 2: was still alive. But she's been in Italy this whole time,

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Speaker 2: like she's you know, Italian. I guess she went back home.

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Speaker 2: And so we went to a little mass kind of

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Speaker 2: celebrating her, and people were telling stories like people who

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Speaker 2: still work there, who used to work with her, were

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Speaker 2: telling all these stories and I'm like, yeah, she was.

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Speaker 2: She was a real one, and it's kind of It's

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Speaker 2: one of those strange moments of being home that I

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Speaker 2: appreciate and didn't expect. So I feel like, more than

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Speaker 2: anything lately, I really I like living here like I

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Speaker 2: came to and it's not really like a startling realization,

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Speaker 2: but I've been paying more attention to it. I like

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Speaker 2: living here. Yeah, I really feel like I'm in the

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Speaker 2: right place. I never in my adult life felt like

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Speaker 2: I am in the right place.

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Speaker 1: Did you ever think that this was gonna happen? Because

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Speaker 1: you grew up here and then you left for a

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Speaker 1: long time and then you came back, And I mean,

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Speaker 1: is it surprising to you that maybe you like it?

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Speaker 2: Yeah, because I thought, you know, I think for the

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Speaker 2: first year or two I was in well, I'm just

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Speaker 2: taking care of Grandma mode, Yeah, like, oh, I have

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Speaker 2: to be here because I have a purpose. But then

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Speaker 2: when she moved into you know, this care facility, and

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Speaker 2: I was like, well, I have to figure out my

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Speaker 2: own life is here, yeah, because I don't have just

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Speaker 2: you know, I'm not just taking care of her twenty

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Speaker 2: four to seven anymore. So I started doing that and

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Speaker 2: I'm just having a great time. I just I really

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Speaker 2: really like being being back here. It just feels like

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Speaker 2: the right place for me right now.

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Speaker 1: It's so cute. It's such a cute place things.

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Speaker 2: I know, and it's just and I'm just feeling like,

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Speaker 2: you know how birthday you take stock on your birthdays, Yes,

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Speaker 2: whether you can't help it, you just take stock. And

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Speaker 2: I don't know, I'm just I'm really I feel like

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Speaker 2: I've got I'm just surrounded by a lot of goodness.

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Speaker 2: And you know, the world is a miserable play. It's

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Speaker 2: very very easy for me to be just sad all

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Speaker 2: day when I look at the news, look at the world.

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Speaker 2: So I try to balance it out by just being

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Speaker 2: a little more grateful about the things I can change

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Speaker 2: in my own life, the things that I can appreciate

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Speaker 2: my own life. And I just it just blows me

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Speaker 2: away that I have. So I have a few friends

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Speaker 2: here that I went to high school with, and we

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Speaker 2: all scattered after high school, like someone turned down a

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Speaker 2: light in a room full of cockroaches, Like we all

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Speaker 2: just left, but like a few of us have moved

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Speaker 2: back and I feel like, you know, I go for

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Speaker 2: walks with my friend Tim and he's, you know, he's

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Speaker 2: a fine artist who lives up here with his husband

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Speaker 2: and they both kind of work in the city, but

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Speaker 2: he has a studio up here, and he also has

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Speaker 2: a studio in the Bronx and very casually post things

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Speaker 2: on Instagram like, oh, Michael Stipe came for a visit,

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Speaker 2: and I'm like, what what, But yeah, he's a tremendously

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Speaker 2: talented artist, and I just we just go for walks,

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Speaker 2: like you know, long walks once a week or so

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Speaker 2: and just talk and it's just it's amazing to have

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Speaker 2: a shorthand with people and to kind of feel so

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Speaker 2: comfortable with them. And like my friend Sarah, I tried

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Speaker 2: to get her to come over once a week for coffee.

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Speaker 2: So it's just kind of weird that, like we're sitting

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Speaker 2: in our own houses having coffee and catching up on bullshit.

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Speaker 2: But it's really cute, and it's just I don't know,

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Speaker 2: there's a lot of renewal, a lot of taking stock

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Speaker 2: and just taking stock in my friendships in general. And

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Speaker 2: last week You've been so busy and I'm always like

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Speaker 2: reluctant to reach out and annoy and annoy you because

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Speaker 2: I know you're always so busy and you never respond

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Speaker 2: that way. It's all me just being like, oh, she's busy,

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Speaker 2: just like you know, save the stupid thought for another time.

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Speaker 1: You know what, it has time. I will always have time.

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Speaker 2: I will thank you and I do. I do know

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Speaker 2: that and appreciate that. And to the point where when

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Speaker 2: I said, hey, we should we should have a ketchup

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Speaker 2: phone call this week, and you're like, you want to

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Speaker 2: call me right now?

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Speaker 1: Well, because if you want look full disclosure, I actually

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Speaker 1: tried to call your ass last and the phone did

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Speaker 1: not pick up. And I try to call you both

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Speaker 1: ways regular way, and then that I live in the

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Speaker 1: woods and don't get a signal way and straights a voicemail, so.

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Speaker 2: I was like, oh, they didn't even get it to me.

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Speaker 1: Honest though, it was a cold call, which I know

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Speaker 1: people are that is a very controversial technique, and I

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Speaker 1: kind of hate that people hate it because I like,

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Speaker 1: I know, I love it.

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Speaker 2: I love a cold call, yeah, and I feel like

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Speaker 2: there's a spontaneity to it that I really love. And

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Speaker 2: also if you're not around or you can't pick up

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Speaker 2: the phone. You don't have to, yes, but a cold

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Speaker 2: call is fun because if you can pick up the phone,

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Speaker 2: you're like, oh shit, this just made my whole day.

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Speaker 1: But you and I also love voice memos, which that's

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Speaker 1: also another thing that people hate it. I'm like, I

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Speaker 1: don't give a fuck. I love a voice memo. I

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Speaker 1: love it.

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Speaker 2: I sent a voice memo to my friend Sauci the

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Speaker 2: other day, and because we were texting, and then she

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Speaker 2: sent a voice memo, so I will send one back.

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Speaker 2: Like I don't often initiate because I don't know who

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Speaker 2: likes them or not, but if someone initiates on someone back.

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Speaker 2: So I was texting with her and the first part

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Speaker 2: of one of my messages was laughter, Like I just

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Speaker 2: I laughed, like I laughed for about, you know, twenty

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Speaker 2: seconds because she said something very funny and you know

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Speaker 2: how it shows the transcript now a little bit underneath. Yes,

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Speaker 2: I did not realize that I literally laugh like ha

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Speaker 2: ha ha. It fucking showed up as ha ha ha

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Speaker 2: ha ha ha, because she laughed at the beginning of

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Speaker 2: her message and it just said words, and I was like, wait,

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Speaker 2: my actual laugh register is like I'm a Simpsons character.

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Speaker 1: I was gonna say you're that Simpsons character ha ha,

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Speaker 1: But I just I really appreciate that when you said,

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Speaker 1: looks call right now, and then we just had like

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Speaker 1: this really good.

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Speaker 2: And funny and revelatory conversation. And I know, I blew

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Speaker 2: your mind. I told you a story and that I

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Speaker 2: know blew your mind. Yeah, but it was just it

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Speaker 2: was just so helpful for me to kind of solidify

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Speaker 2: what to do about something that I've been kind of

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Speaker 2: turning over in my brain and rattling around a bit.

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Speaker 1: So yeah, and I'm look, I'm gonna say this right now.

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Speaker 1: I mean, I I pretty much have like when it

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Speaker 1: comes to my good friends, I have your back no

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Speaker 1: matter what, and I mean no matter what, Like I

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Speaker 1: will not do business with people that you do not

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Speaker 1: do business with. How about that?

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Speaker 2: Ah, Like the dollar speaks for itself. I love it.

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Speaker 2: I feel the same way. So you know, but that's

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Speaker 2: who I truck with now in this world. Like that's

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Speaker 2: who I just I'm very grateful that I've kind of

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Speaker 2: cultivated a life where I have those friends and that

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Speaker 2: you're part of that.

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Speaker 1: And this is this is based on like a vibe

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Speaker 1: check of you though, because this is the thing there's

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Speaker 1: other there's other times where I've been in situations where

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Speaker 1: I've been giving information about something and then somebody like

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Speaker 1: a friend of mine, who it purely out of love.

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Speaker 1: I get it, you're you got my back. But then

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Speaker 1: they just like jump to the end and they're just like,

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Speaker 1: let's go fuck this this person up, or let's go

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Speaker 1: fuck up this business, or let's go get your old

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Speaker 1: teacher or whatever, you know what I mean. Like, and

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Speaker 1: I'm like, whoa, whoa, whoa. Wait wait wait wait, I'm

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Speaker 1: you know, I'm on the fence about it, Like I'm not.

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Speaker 1: You don't have to hate them immediately. But when you

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Speaker 1: when you say it's go time, it's fucking go time.

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Speaker 2: That's good.

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Speaker 1: That's what I wait for. If you're just airing grievances

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Speaker 1: about a situation, like say you're talking about a coworker

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Speaker 1: or something, and you're like, ah, this person pisses me

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Speaker 1: off or whatever, I'd be like, yeah, you know, constructive

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Speaker 1: criticism but also a lot of support. But if you're like,

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Speaker 1: this coworker of mine is a piece of shit, and

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Speaker 1: let's fucking go, and I'm like, I'm putting my shoes

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Speaker 1: on right now, let's go like.

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Speaker 2: I'm on my fence to sending messages to Instagram trying

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Speaker 2: to get them banned.

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Speaker 1: Yeah, shadow band, I'm like that with that, like ex

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Speaker 1: ex boyfriends and girlfriends too, and you know this, like

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Speaker 1: like just say the word and I'm there.

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Speaker 2: Say it has to be the right kind of person,

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Speaker 2: because some people expect you to go to ten based

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Speaker 2: only on their word. But then you find out the

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Speaker 2: details and you're like, oh, you were wrong. You almost

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Speaker 2: had me out here fighting some people and you were

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Speaker 2: dead the fuck wrong.

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Speaker 1: Yeah, yeah, it's true. And that's the thing is that

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Speaker 1: it's like La La Ken says, you don't want to

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Speaker 1: be a dog in somebody else's fight unless it really

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Speaker 1: really means something. And that's the thing is that I've

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Speaker 1: had bad information in the past and like hated people

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Speaker 1: for years and didn't really know why. And then I'm like,

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Speaker 1: wait a minute, did I have some bad info on you?

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Speaker 2: Sorry?

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Speaker 1: I guess we were in each other's lives for ten

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Speaker 1: years because of it, So.

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Speaker 2: Sorry, I know, but I'm doing I'm taking like real stuck.

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Speaker 1: This is a different scenario, is different times, and it's.

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Speaker 2: Also kind of weirdly like have you ever have you

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Speaker 2: ever had a breakthrough in therapy where you felt like

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Speaker 2: you figured something out about yourself while you were talking

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Speaker 2: to your therapist.

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Speaker 1: Oh yeah, it happened like maybe six months ago. Really,

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Speaker 1: Oh yeah.

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Speaker 2: Because I've I've had them happen, and I've been having

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Speaker 2: them happen more lately. Like I'm putting puzzle pieces together

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Speaker 2: of oh, remember when you said I should do this,

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Speaker 2: Well I did that and I see the response, and

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Speaker 2: now I'm connecting the dots of how to like start

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Speaker 2: building that foundation up. Yeah, and it blows my mind

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Speaker 2: every fucking time.

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Speaker 1: Yeah, every fucking time.

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Speaker 2: So I'm having all these like revelations and I'm loving,

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Speaker 2: like you know, where I live, and I'm just really

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Speaker 2: loving my friends, and I'm like doing some fun stuff

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Speaker 2: and you know, it's not all great. There's still stress

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Speaker 2: in my life, but those things are all kind of

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Speaker 2: I don't know, the puzzles kind of fitting this year

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Speaker 2: for me. Yeah, about myself, and I feel really good

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Speaker 2: about that.

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Speaker 1: That's great. I mean, look, I totally hear you. That's

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Speaker 1: like one of the best feelings in the world is

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Speaker 1: to be firing on all cylinders, you know what I mean.

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Speaker 1: Maybe this is like you're not actually in dirt back June.

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Speaker 1: It feels like you're still in horny Spring.

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Speaker 2: I think I'm still having some latent horny spring. Or

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Speaker 2: maybe maybe it's time for me to retire dirt bag

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Speaker 2: June and enter the age of elegance. No mind, I

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Speaker 2: can't get that. No I'm wearing today. Yeah again, I

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Speaker 2: show up looking like little Stevie with this fucking bandana.

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Speaker 1: You know, I love a foot at least a foot

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Speaker 1: wide headband.

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Speaker 2: Let me get some of that Axl Rose action from

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Speaker 2: the eighties where you just had like a little fold

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Speaker 2: of my giant fucking bandana. Yeah, I love it, bandana.

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Speaker 1: I love a wide head band. Actually love a wide

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Speaker 1: head band on a dude. Have you ever seen a dude? Yes,

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Speaker 1: those look tight.

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Speaker 2: Yeah, I like I like that look more than like

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Speaker 2: the little tiny rolled up headband. Yeah, you're wearing a headband.

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Speaker 2: Go for it. Girls on that ship, go.

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Speaker 1: To Claires and get a three pack. Gentlemen, gentlemen, go

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Speaker 1: to Clarees in the mall. Get a three pack of

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Speaker 1: those giant wide head bands that like teenage girls use

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Speaker 1: to wash their face and just wear them out, especially

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Speaker 1: if you've got like thing kind of flowing hair.

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Speaker 2: Cute. Cute. It's a cute look.

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Speaker 1: Cute, it's a cute look. So but I gotta say,

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Speaker 1: I like, I like the braids, like because did you

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Speaker 1: just get them redone or yeah?

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Speaker 2: Well I do. I do it myself and it usually

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Speaker 2: the reason I'm wearing the little Stevie is because it

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Speaker 2: takes me. It takes me like four to five days

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Speaker 2: to do my hair when I take my so I

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Speaker 2: take my braids out usually for like a month or so,

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Speaker 2: just kind of let my hair do its thing and

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Speaker 2: then I'll put them back in. But it takes so

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Speaker 2: long to do them because I do micro braids and

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Speaker 2: I do it myself.

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Speaker 1: Do you diet yourself?

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Speaker 2: No? I buy them this way.

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Speaker 1: Oh wow. Yeah.

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Speaker 2: I found a plant based hair extension place cute online,

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Speaker 2: and that's I think kind of Also, it kept me

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Speaker 2: away from doing braids for a whiles. I'm like, it's

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Speaker 2: so expensive and it's so much waste. It's just plastic, classic, classic,

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Speaker 2: and I didn't want to contribute to that. But there's

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Speaker 2: a couple of good companies that have plant based extensions

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Speaker 2: if you're looking for them. But yeah, I just buy

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Speaker 2: my hair and sit down and I line up a

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Speaker 2: shitload of fucking movies. Anything with the subtitle gets pushed

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Speaker 2: to the top of the list. Yes, because I'm like,

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Speaker 2: now's the time to read. I got nothing to do

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Speaker 2: but sit here for eight hours and braid this hair.

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Speaker 2: So I've been. I rewatched Parasite and I rewatched Drive

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Speaker 2: My Car. Yes, yes, and I'm like, this is I forgot.

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Speaker 2: I loved Parasite so much. I think I saw it

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Speaker 2: like three times in the theater. I fucking loved it.

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Speaker 2: But as much as I loved it, I'm always shocked

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Speaker 2: by the ending and I just fine thing. I just

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Speaker 2: love it. I don't know. I just love going back

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Speaker 2: and rewatching movies and Driving my Car. The first time

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Speaker 2: I saw it, I was just so engrossed in it

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Speaker 2: that I think I missed a lot of details and

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Speaker 2: it was like a three hour movie. So I watched

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Speaker 2: it again. I'm like, Oh, this is gorgeous. It's gorgeous.

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Speaker 1: Does he have a new movie out?

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Speaker 2: Oh? I don't know.

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Speaker 1: Does he Evil does not Exist?

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Speaker 2: Is that what? Oh? Is it? Was it at con

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00:16:29,840 --> 00:16:31,520
Speaker 2: or something or new Wish?

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Speaker 1: I mean yeah, I mean I feel like it's out

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Speaker 1: now or was a nice like as of this.

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Speaker 2: Recording you know, I'm checking that shit out.

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Speaker 1: Yeah, I heard it's awesome.

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Speaker 2: I can't wait. I can't wait. You know what else

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Speaker 2: I watched. I don't know if you saw this one yet,

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Speaker 2: but I watched Finally Late Night with the Devil h Girl. Yeah, yeah,

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Speaker 2: oh ma, goodness, Oh this okay.

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Speaker 1: I have seen the poster for this movie.

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Speaker 2: Yeah. And you know what was wild is I was.

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Speaker 2: I was kind of I had an interest in it.

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Speaker 2: Of course, I was like, yeah, that looks pretty good.

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Speaker 2: I'll put it on the list. But the reason I

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Speaker 2: watched it right away is because somebody on Instagram had

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Speaker 2: that I follow had seen it and posted something from

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Speaker 2: an article or you know, some press about the movie

356
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Speaker 2: and they were calling David Desmalkian the lead the new

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Speaker 2: Vincent Price, or like the Vincent Price for this generation.

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Speaker 2: I'm like, oh, I have to check that the fuck out. Yeah, Like,

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Speaker 2: because this is an actor that I've seen in a

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Speaker 2: ton of things and usually bit parts, but he's got

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Speaker 2: an amazing face and like he's always very present and interesting.

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Speaker 2: So when I watched it, I'm like, oh, those are

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Speaker 2: big words, but I gotta say, yeah, it was tight.

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Speaker 2: And then I saw I think it was Kevin Smith

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Speaker 2: said it was like Network meets Poltergeist or something like that,

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Speaker 2: and I'm like, well, top two, there you go. Of

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Speaker 2: course I'm watching this, so yes, I would highly recommend

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Speaker 2: that one as well.

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Speaker 1: Yeah. So I saw the poster for it a while back,

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Speaker 1: and it I thought it was. It reminded me a

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Speaker 1: lot of scanners.

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Speaker 2: For sure. I think you'd like it. I think you'd

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Speaker 2: like it. Yeah.

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Speaker 1: Well, and also now you got me wanting to rewatch

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Speaker 1: Parasite because I haven't seen that since it came out

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Speaker 1: in theaters, and I fucking love Bung Juno, So let's.

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Speaker 2: Go yeah, oh yeah, like Memories of Murder and like

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Speaker 2: I just rewatched a bunch of his shit this weekend. Yeah,

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Speaker 2: but I definitely recommend to rewatch if you haven't seen

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Speaker 2: Parasite in a while. It was, it was it was

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Speaker 2: fun to go back to and interesting in this moment

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Speaker 2: to go back to.

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Speaker 1: Yeah, I'm going back to all this shit. Oak jaf

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Speaker 1: fucking snow Piacer.

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Speaker 3: Let's go also do it Parasite.

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Speaker 1: I gotta say, we've got to try to do Parasite

387
00:18:46,880 --> 00:18:48,399
Speaker 1: for the for the podcast or something.

388
00:18:48,480 --> 00:18:52,320
Speaker 2: Yeah, I'm down, and we have to find.

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Speaker 1: A way in that's funny and weird.

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00:18:55,960 --> 00:18:58,440
Speaker 2: Oh there, I can think of twenty five right now.

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Speaker 1: Yeah, well, you know what this is. Like the funniest

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Speaker 1: thing to me when I saw that movie for the

393
00:19:02,480 --> 00:19:06,920
Speaker 1: first time was so there is this extremely expensive Japanese

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00:19:07,400 --> 00:19:13,439
Speaker 1: outdoor company called uh Snowpeak, right and you know, like

395
00:19:13,920 --> 00:19:18,320
Speaker 1: think of Arii and think about how expensive ARII is, Well,

396
00:19:18,359 --> 00:19:22,320
Speaker 1: just imagine something even more expensive than our and it's

397
00:19:22,359 --> 00:19:25,320
Speaker 1: like all the camping gear is like this very sleek,

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Speaker 1: like aluminum like beautiful, like you can have like your

399
00:19:30,800 --> 00:19:34,240
Speaker 1: your setup to like cook your skewers and you're like

400
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Speaker 1: in the middle of the fucking woods that it's like,

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00:19:36,520 --> 00:19:41,560
Speaker 1: you know, you've got your like beautiful Japanese designed like

402
00:19:42,200 --> 00:19:45,479
Speaker 1: camping gear, which is like so funny because I am

403
00:19:45,600 --> 00:19:49,920
Speaker 1: such a sloppy, fucking camper that the idea of being

404
00:19:49,960 --> 00:19:53,840
Speaker 1: like an elevated camper is so hot. Like I'm like, God,

405
00:19:54,200 --> 00:19:57,520
Speaker 1: I want to have like a four hundred dollars mug

406
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Speaker 1: for my tea or whatever what I'm.

407
00:20:00,440 --> 00:20:04,440
Speaker 2: Camping like, I just want I feel like camp lends

408
00:20:04,520 --> 00:20:07,760
Speaker 2: itself to sloppiness, Like is there no part in this

409
00:20:07,840 --> 00:20:10,080
Speaker 2: world where we can just relax and be goblins. Like

410
00:20:10,440 --> 00:20:11,480
Speaker 2: camping especially.

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00:20:12,280 --> 00:20:14,879
Speaker 1: Yeah, I know camping is like you should be going

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00:20:14,920 --> 00:20:19,040
Speaker 1: to a Walmart and getting like, you know, shitty snacks

413
00:20:19,119 --> 00:20:22,119
Speaker 1: and like, you know, shitty ear But like in my mind,

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00:20:22,200 --> 00:20:24,680
Speaker 1: I'm like, I want to be like a snow peak camper.

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00:20:25,000 --> 00:20:27,919
Speaker 1: And that's how I realized how rich that fucking family

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00:20:28,040 --> 00:20:30,040
Speaker 1: was in that movie, because I was like, Yo, they're

417
00:20:30,040 --> 00:20:32,160
Speaker 1: about to go out and they have all snow Peak

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Speaker 1: in the back in their in their trunk.

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Speaker 2: I'm like, Yo, they're rich rich, They're real rich. Like

420
00:20:39,560 --> 00:20:43,880
Speaker 2: if the house didn't do it, that cinches it. Yeah,

421
00:20:43,880 --> 00:20:44,480
Speaker 2: we're gonna do that.

422
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Speaker 3: We gotta do that movie for the Pond.

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00:20:46,040 --> 00:20:48,040
Speaker 2: I would love it. But yeah, I highly recommend if

424
00:20:48,040 --> 00:20:49,600
Speaker 2: you're sitting down doing your hair, have you got some

425
00:20:49,680 --> 00:20:51,920
Speaker 2: time to kill, go back and watch some movies that

426
00:20:52,000 --> 00:20:53,520
Speaker 2: have a lot of subtitles that you haven't seen in

427
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Speaker 2: a while.

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Speaker 1: Yeah, I totally agree.

429
00:20:55,840 --> 00:21:01,200
Speaker 2: So yeah, I'm forty seven feeling a line. Agent Ellimans,

430
00:21:01,840 --> 00:21:04,480
Speaker 2: you ready for this? I mean I might have jumped

431
00:21:04,480 --> 00:21:07,840
Speaker 2: the jumped the Shark a little bit earlier than that one.

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Speaker 1: I don't know. I kind of love it, though, Agent

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00:21:10,240 --> 00:21:13,199
Speaker 1: Agent Elegance, Listen, you put out there that you're a

434
00:21:13,200 --> 00:21:15,480
Speaker 1: bougie flyer and you've got nothing but support.

435
00:21:16,480 --> 00:21:20,680
Speaker 2: Yeah, we did get a lot of great uh emails. Yeah,

436
00:21:20,720 --> 00:21:23,080
Speaker 2: and a lot of people wanted all all that information.

437
00:21:23,119 --> 00:21:25,119
Speaker 2: They'll like, give us the fucking deats, give us the links,

438
00:21:25,400 --> 00:21:25,639
Speaker 2: I know.

439
00:21:25,720 --> 00:21:28,760
Speaker 1: Can we get some sponsored content deals like let's go,

440
00:21:30,200 --> 00:21:33,199
Speaker 1: Let's go. I can't believe we do not have a

441
00:21:33,240 --> 00:21:34,680
Speaker 1: partnership with Duncan Donuts.

442
00:21:34,800 --> 00:21:38,879
Speaker 2: This is so stupid that truly blows my mind. Yeah,

443
00:21:39,160 --> 00:21:43,760
Speaker 2: like the algorithm on my phone, I guarantee when I

444
00:21:43,760 --> 00:21:46,000
Speaker 2: pick up my phone after we record, it's going to

445
00:21:46,040 --> 00:21:50,040
Speaker 2: be showing me ads for bugs because I said parasite.

446
00:21:50,280 --> 00:21:53,800
Speaker 2: But I mentioned Duncan Donuts every fucking week for four years.

447
00:21:55,040 --> 00:21:58,960
Speaker 2: Not even a nibble, not even a ten dollars gift card,

448
00:21:59,840 --> 00:22:00,239
Speaker 2: I know.

449
00:22:00,480 --> 00:22:02,359
Speaker 1: And it's like I'm like, yo, I'm just throwing all

450
00:22:02,359 --> 00:22:04,199
Speaker 1: these brands out here, and.

451
00:22:06,119 --> 00:22:08,720
Speaker 3: None of them want to interact with the pod. None

452
00:22:08,760 --> 00:22:09,440
Speaker 3: of them.

453
00:22:10,000 --> 00:22:11,320
Speaker 2: Not one snow Peak tent.

454
00:22:12,480 --> 00:22:17,320
Speaker 1: Oh yeah, let's go snow Peak. If you're out here

455
00:22:17,359 --> 00:22:19,800
Speaker 1: and you want to send me gear, I saw a

456
00:22:19,880 --> 00:22:22,200
Speaker 1: pole at gmail dot com. It's a real simple, baby.

457
00:22:23,240 --> 00:22:29,879
Speaker 1: Just go into your Gmail and click click, yo, I'll listen.

458
00:22:29,960 --> 00:22:37,480
Speaker 1: I'm ready to be completely I stout in an Instagram

459
00:22:37,600 --> 00:22:41,080
Speaker 1: post and then the text just like, what's up, y'all?

460
00:22:41,119 --> 00:22:44,720
Speaker 1: Just relaxing here. I'm just having a you know, having

461
00:22:44,760 --> 00:22:47,600
Speaker 1: a little weekend up in the mountains. And oh, you're

462
00:22:47,600 --> 00:22:50,760
Speaker 1: asking me where I got this down jacket?

463
00:22:51,920 --> 00:22:53,760
Speaker 2: Like I might be a little too warm. I know

464
00:22:53,840 --> 00:22:56,400
Speaker 2: it subs zero temperatures, but I'm kind of hot right now.

465
00:22:57,520 --> 00:23:00,639
Speaker 1: I can make it seamless, snow Peak. I'll make it seamless.

466
00:23:00,880 --> 00:23:03,439
Speaker 1: It won't even be like it's sponsored. It'll be so

467
00:23:04,160 --> 00:23:07,560
Speaker 1: naturally placed on my.

468
00:23:07,480 --> 00:23:17,119
Speaker 2: Instagram the seamless influencer. Well, listen, I.

469
00:23:17,280 --> 00:23:20,560
Speaker 1: Say happy birthday to you. I love you, we love you.

470
00:23:21,240 --> 00:23:23,520
Speaker 1: We're so happy that you're here. We're so happy that

471
00:23:23,560 --> 00:23:28,840
Speaker 1: you're happy. And yeah, I just I'm so thrilled that

472
00:23:29,080 --> 00:23:31,600
Speaker 1: you're feeling good and you got good shit going on.

473
00:23:32,320 --> 00:23:35,640
Speaker 2: And thank you, Yeah, thank you. You're a big part

474
00:23:35,640 --> 00:23:37,920
Speaker 2: of that. So that means a lot. Thank you so much. Oh,

475
00:23:38,640 --> 00:23:41,199
Speaker 2: of course, and get ready three years from now. So

476
00:23:41,240 --> 00:23:43,280
Speaker 2: I celebrated my fortieth birthday in Paris. I think I'm

477
00:23:43,320 --> 00:23:45,439
Speaker 2: going to deliberate my fiftieth birthday in Paris, but this

478
00:23:45,480 --> 00:23:46,840
Speaker 2: time I'm not going to go alone. I think we

479
00:23:46,840 --> 00:23:47,479
Speaker 2: should all go.

480
00:23:48,600 --> 00:23:51,280
Speaker 1: Listen, I would love that.

481
00:23:51,359 --> 00:23:53,679
Speaker 2: So you got three years to get that snowpeak shit together.

482
00:23:53,840 --> 00:23:55,840
Speaker 2: Can you wear Snowpeak in June?

483
00:23:56,600 --> 00:23:57,879
Speaker 1: Maybe? I think they got short.

484
00:23:59,040 --> 00:24:00,919
Speaker 2: Just bring like one of those Colli forks, just so

485
00:24:00,960 --> 00:24:03,680
Speaker 2: you have some kind of bling camping bling what we're

486
00:24:03,720 --> 00:24:04,640
Speaker 2: rolling around Paris.

487
00:24:04,760 --> 00:24:07,960
Speaker 1: Listen. I think at one point I priced out like

488
00:24:08,000 --> 00:24:17,760
Speaker 1: a metal straw and it was like twenty five dollars insane, Whereas.

489
00:24:17,560 --> 00:24:19,399
Speaker 2: I have swung so far the other end where I

490
00:24:19,840 --> 00:24:22,680
Speaker 2: have I'm not buying any clothes this year. I decided

491
00:24:22,840 --> 00:24:24,560
Speaker 2: when I was doing my Uber list, like I'm not

492
00:24:24,600 --> 00:24:29,040
Speaker 2: buying clothes. I'm not doing it. So I'm actively taking

493
00:24:29,080 --> 00:24:32,280
Speaker 2: away things that I'm buying in my life. And You're like,

494
00:24:32,320 --> 00:24:34,160
Speaker 2: I'm going the other I would like to get not

495
00:24:34,320 --> 00:24:36,840
Speaker 2: just things, but the most expensive things that anybody's willing

496
00:24:36,840 --> 00:24:37,239
Speaker 2: to send me.

497
00:24:37,880 --> 00:24:42,640
Speaker 1: You have no idea how true that is. I won't

498
00:24:42,680 --> 00:24:45,119
Speaker 1: even tell you I've been up to no good in

499
00:24:45,160 --> 00:24:46,600
Speaker 1: the spending department. I really have.

500
00:24:47,000 --> 00:24:50,640
Speaker 2: Oh shit, is what do you think is? Or tell

501
00:24:50,680 --> 00:24:53,399
Speaker 2: me just one thing that you've purchased that you cannot

502
00:24:53,400 --> 00:24:56,920
Speaker 2: believe you purchased recently for any reason that you can't

503
00:24:56,920 --> 00:24:58,920
Speaker 2: believe you've purchased it because you waited so.

504
00:24:58,960 --> 00:25:02,920
Speaker 1: Long, or a four hundred and ninety two dollars cardigan.

505
00:25:03,960 --> 00:25:09,040
Speaker 2: That is a lie. You just want to get a

506
00:25:09,080 --> 00:25:09,760
Speaker 2: reaction out of it.

507
00:25:10,000 --> 00:25:14,560
Speaker 1: No, I got receipts. I got receipt actual as seats.

508
00:25:15,560 --> 00:25:19,960
Speaker 2: Is this four hundred and ninety two dollars cardigan? Which? How?

509
00:25:20,640 --> 00:25:23,280
Speaker 2: And what is this now? Is this some uh? Did

510
00:25:23,280 --> 00:25:26,440
Speaker 2: you go to see Andre three thousand again and he's

511
00:25:26,480 --> 00:25:34,199
Speaker 2: added cardigans to the merch line? No?

512
00:25:34,600 --> 00:25:40,280
Speaker 1: I I just I had just a wild afternoon. I

513
00:25:40,400 --> 00:25:44,440
Speaker 1: just I had a wild afternoon. Yeah.

514
00:25:44,440 --> 00:25:48,040
Speaker 3: For the order total four hundred and ninety one dollars

515
00:25:48,040 --> 00:25:49,360
Speaker 3: and forty cents.

516
00:25:49,280 --> 00:25:51,800
Speaker 2: For one item, not the whole order.

517
00:25:52,320 --> 00:25:56,199
Speaker 3: Yeah, and I did the thing that is like the worst.

518
00:25:56,640 --> 00:26:00,200
Speaker 1: I bought it full price when there was a sale

519
00:26:01,080 --> 00:26:01,360
Speaker 1: on the.

520
00:26:01,280 --> 00:26:03,520
Speaker 2: Website, so they were like sale for other things. But

521
00:26:03,600 --> 00:26:05,680
Speaker 2: you're like, Nope, I'm going for this. Is this something

522
00:26:05,680 --> 00:26:07,240
Speaker 2: you've been like scoping out for a while?

523
00:26:07,640 --> 00:26:10,800
Speaker 1: Yes, I mean I've been doing my research. It's a

524
00:26:10,920 --> 00:26:14,280
Speaker 1: wool card again, it's a good quality. It's a label

525
00:26:14,400 --> 00:26:16,840
Speaker 1: that I love. So I was like, you know what,

526
00:26:17,800 --> 00:26:21,280
Speaker 1: I'm doing this shit, I'm just doing it, you know.

527
00:26:21,400 --> 00:26:23,720
Speaker 2: Good for you, I know, I'm I'm about it for

528
00:26:24,000 --> 00:26:25,520
Speaker 2: I'm about for other people. For me, I'm like, I

529
00:26:25,520 --> 00:26:27,480
Speaker 2: don't need to buy clothes this year. Maybe not a

530
00:26:27,520 --> 00:26:28,160
Speaker 2: next year either.

531
00:26:28,720 --> 00:26:29,960
Speaker 3: I mean, I'm not gonna be able to pay the

532
00:26:30,000 --> 00:26:31,159
Speaker 3: rent this month, but whatever.

533
00:26:31,800 --> 00:26:33,640
Speaker 2: But this is why you get the card again. Maybe

534
00:26:33,640 --> 00:26:36,160
Speaker 2: it's like a little inspector gadget cardigan and you're like, go,

535
00:26:36,160 --> 00:26:38,520
Speaker 2: go gadget tent and it just pops out of the back.

536
00:26:38,640 --> 00:26:40,800
Speaker 1: I'll be sleeping under that card again at night because

537
00:26:40,840 --> 00:26:42,439
Speaker 1: I can't afford to pay the bills.

538
00:26:42,680 --> 00:26:47,479
Speaker 2: But considering how much you love and wear cardigans, this

539
00:26:47,600 --> 00:26:49,600
Speaker 2: is not an insane purchase to me.

540
00:26:49,960 --> 00:26:53,040
Speaker 1: No, this is like, this is not a freaking dress.

541
00:26:53,160 --> 00:26:54,919
Speaker 1: This is like a cardigan that I can wear like

542
00:26:54,960 --> 00:26:55,480
Speaker 1: every day.

543
00:26:57,119 --> 00:26:57,320
Speaker 2: You know.

544
00:26:57,640 --> 00:27:01,879
Speaker 1: This is not some one and done night. This is

545
00:27:02,000 --> 00:27:07,920
Speaker 1: this is just like a completely useful product.

546
00:27:08,119 --> 00:27:09,879
Speaker 2: Like I'm thinking about all the people who bought all

547
00:27:09,920 --> 00:27:13,440
Speaker 2: that silver clothing for the Beyonce tour. Y'all ain't wearing

548
00:27:13,440 --> 00:27:16,200
Speaker 2: that shit again. And I guarantee people spend five hundred

549
00:27:16,200 --> 00:27:18,480
Speaker 2: bucks on those outfits and they wearing that shit ever again.

550
00:27:18,720 --> 00:27:20,359
Speaker 1: Yeah, that's why I go to H and M for

551
00:27:20,440 --> 00:27:22,320
Speaker 1: that stupid shit, because I'm just like, I'm not gonna

552
00:27:22,320 --> 00:27:24,920
Speaker 1: be what am I gonna wear like a glittery top

553
00:27:25,320 --> 00:27:25,880
Speaker 1: more than once?

554
00:27:26,080 --> 00:27:30,000
Speaker 2: Totally? So but no, I see, I've I've ruined myself.

555
00:27:30,600 --> 00:27:34,720
Speaker 2: I've been aware for a long time about clothing issues

556
00:27:34,760 --> 00:27:37,280
Speaker 2: with fast fast fashionis and shit like that. But I

557
00:27:37,359 --> 00:27:41,760
Speaker 2: watched that Brandy Melville documentary was that, and I'm it's

558
00:27:41,760 --> 00:27:44,560
Speaker 2: a brand that I had never heard of, never heard of,

559
00:27:44,760 --> 00:27:47,639
Speaker 2: and probably because they make they have a one size

560
00:27:47,680 --> 00:27:50,560
Speaker 2: fits all policy, but it's only for impossibly tiny people.

561
00:27:50,680 --> 00:27:53,040
Speaker 2: Oh sure, Yeah, but there's also like a huge scandal

562
00:27:53,040 --> 00:27:54,560
Speaker 2: about the company and all that kind of shit. So

563
00:27:54,600 --> 00:27:56,720
Speaker 2: I was watching it, but they talk a lot about

564
00:27:56,760 --> 00:27:59,400
Speaker 2: how so much of that clothing ends up in landfills

565
00:27:59,400 --> 00:28:01,399
Speaker 2: and like washing up on the shore, like it lands

566
00:28:01,480 --> 00:28:03,719
Speaker 2: up in parts of Africa and then their beaches are

567
00:28:03,720 --> 00:28:05,479
Speaker 2: eroded because it's just filled with clothing. It just all

568
00:28:05,480 --> 00:28:08,600
Speaker 2: that shit. So yeah, so I kind of once I

569
00:28:08,640 --> 00:28:10,280
Speaker 2: saw that, I kind of doubled down. I'm like, yeah,

570
00:28:10,280 --> 00:28:12,000
Speaker 2: I don't need to do I don't need to participate

571
00:28:12,000 --> 00:28:12,480
Speaker 2: in that shit.

572
00:28:13,000 --> 00:28:15,400
Speaker 1: Yeah, I mean that's the thing I think I've been

573
00:28:15,400 --> 00:28:18,720
Speaker 1: thinking about, just as not that I'm look, I don't.

574
00:28:19,640 --> 00:28:22,440
Speaker 1: I'm not gonna front like I'm not. You know, when

575
00:28:22,440 --> 00:28:25,479
Speaker 1: I buy clothes, it's like very rare, and when I do,

576
00:28:25,560 --> 00:28:29,239
Speaker 1: I'm just like this just the staples, ma'am, Like, I

577
00:28:29,240 --> 00:28:32,400
Speaker 1: don't need anything fancy. But as I've gotten older, I've

578
00:28:32,440 --> 00:28:35,040
Speaker 1: been like, you know what, I do want to invest

579
00:28:35,080 --> 00:28:39,360
Speaker 1: in some things because that's because of that purpose, but

580
00:28:39,400 --> 00:28:42,840
Speaker 1: also because I'm like, I don't know, I'm not a

581
00:28:42,880 --> 00:28:45,080
Speaker 1: young person. I want to be comfortable. I want like

582
00:28:45,200 --> 00:28:49,680
Speaker 1: quality garments. I'm just trying to like, you know, look

583
00:28:50,680 --> 00:28:54,320
Speaker 1: look good for my age and for my personage and everything.

584
00:28:54,400 --> 00:28:57,720
Speaker 2: And so I'm like, yeah, that's why I think it's

585
00:28:57,760 --> 00:28:59,080
Speaker 2: a fucking great purchase.

586
00:29:00,640 --> 00:29:04,760
Speaker 1: We'll see. I'm sure people will weigh in and tell

587
00:29:04,800 --> 00:29:08,160
Speaker 1: me if that was foolish. People have been weighing about

588
00:29:08,200 --> 00:29:11,920
Speaker 1: my bangs. Anytime I ask about my fucking banks, people

589
00:29:11,920 --> 00:29:15,040
Speaker 1: are like, they got real hard, fucking fast opinions.

590
00:29:15,480 --> 00:29:18,560
Speaker 2: So haven't we learned by now to just never respond like,

591
00:29:18,600 --> 00:29:20,400
Speaker 2: if you're gonna do bangs, you're gonna do them. You're

592
00:29:20,400 --> 00:29:22,640
Speaker 2: just gonna show up with bangs, like there's nothing we

593
00:29:22,680 --> 00:29:24,160
Speaker 2: can do to sway you or stop you.

594
00:29:24,560 --> 00:29:26,600
Speaker 1: Well, and it's also like I'm an idiot because I

595
00:29:26,640 --> 00:29:29,680
Speaker 1: asked the question. I should never ask the question of

596
00:29:29,720 --> 00:29:31,280
Speaker 1: whether or not I should do things. I should just

597
00:29:31,480 --> 00:29:34,440
Speaker 1: arrive with the thing. But for some reason, I pose

598
00:29:34,520 --> 00:29:36,680
Speaker 1: this question. And I was just like, yo, should I

599
00:29:36,720 --> 00:29:39,320
Speaker 1: chop my banks up? Real fucked up like Juliete Binoche,

600
00:29:39,560 --> 00:29:42,880
Speaker 1: you know? And like I'm telling you, I like walked

601
00:29:42,880 --> 00:29:44,520
Speaker 1: away from my phone for ten minutes, and then I

602
00:29:44,560 --> 00:29:48,840
Speaker 1: had like sixty messages from friends and strangers being like

603
00:29:49,360 --> 00:29:53,640
Speaker 1: weigh in, and I'm like, oh, so I can't catch

604
00:29:53,640 --> 00:29:56,200
Speaker 1: you'all to like a picture of me in a nice outfit.

605
00:29:56,280 --> 00:29:57,960
Speaker 1: But the minute I asked you a question about some

606
00:29:57,960 --> 00:30:06,960
Speaker 1: fucking bangs, y'all are like, I'm.

607
00:30:04,160 --> 00:30:06,120
Speaker 2: Oh, good, I think you would rock those fucked up

608
00:30:06,160 --> 00:30:07,040
Speaker 2: looking little bangs.

609
00:30:07,840 --> 00:30:10,680
Speaker 1: I had them before, I had them for all my twenties.

610
00:30:11,200 --> 00:30:13,920
Speaker 1: I cut my own bangs and I looked like fucking shit.

611
00:30:14,120 --> 00:30:16,200
Speaker 3: But I don't know, I kind of want to go

612
00:30:16,240 --> 00:30:16,719
Speaker 3: back to that.

613
00:30:18,320 --> 00:30:20,840
Speaker 2: There's there's a nostalgia to it. Well, I will just

614
00:30:20,880 --> 00:30:23,280
Speaker 2: say right now that I'm glad you major purchase. I

615
00:30:23,280 --> 00:30:27,200
Speaker 2: think that it is just a nice thing to do

616
00:30:27,240 --> 00:30:30,160
Speaker 2: for yourself and to invest in quality pieces is wonderful.

617
00:30:30,280 --> 00:30:32,160
Speaker 2: And guess what, we don't need anyone to weigh in

618
00:30:32,200 --> 00:30:32,520
Speaker 2: on it.

619
00:30:32,920 --> 00:30:35,800
Speaker 1: Yeah, that's true. We're in an age of elegance. Bitch.

620
00:30:36,120 --> 00:30:38,880
Speaker 2: Age of elegance is first rule of age of elegance,

621
00:30:39,200 --> 00:30:40,320
Speaker 2: shuts fucking mouth.

622
00:30:46,000 --> 00:30:47,560
Speaker 1: Stitch, because that's kind of go on a pillow.

623
00:30:47,720 --> 00:30:48,160
Speaker 2: I do.

624
00:30:48,480 --> 00:30:51,520
Speaker 1: First rule of age of elegance, shut your fucking mouth.

625
00:30:52,400 --> 00:30:54,440
Speaker 2: And that goes for me and anyone around me. Like

626
00:30:54,480 --> 00:30:56,840
Speaker 2: I'm including myself in that. There's a lot of things

627
00:30:56,880 --> 00:31:00,520
Speaker 2: that I should just shut the fuck up about. Like

628
00:31:00,600 --> 00:31:05,920
Speaker 2: it's time just shut the fuck up dead, yell, use

629
00:31:05,960 --> 00:31:10,600
Speaker 2: that energy. You have miles of floor to sweep in

630
00:31:10,640 --> 00:31:13,440
Speaker 2: your house, Go do that. S touch fuck of mouth.

631
00:31:14,280 --> 00:31:15,760
Speaker 2: But I do cross it. I've ember showing you my

632
00:31:16,040 --> 00:31:19,760
Speaker 2: cross stitch. Well, actually, I guess they're on the wall anymore.

633
00:31:19,760 --> 00:31:21,680
Speaker 2: I took them. I haven't had them. I have handed

634
00:31:21,680 --> 00:31:24,360
Speaker 2: them up in a few apartments or homes. But I

635
00:31:24,400 --> 00:31:26,520
Speaker 2: used to just cross ditch my favorite quotes and lyrics

636
00:31:26,560 --> 00:31:28,600
Speaker 2: all the time, and like make up my own patterns.

637
00:31:29,520 --> 00:31:31,760
Speaker 2: So I have one of my favorites is like a

638
00:31:31,760 --> 00:31:34,480
Speaker 2: really ornate one that I did that just says, we

639
00:31:34,520 --> 00:31:39,080
Speaker 2: hope that you choke from that radio Head song I

640
00:31:39,160 --> 00:31:42,240
Speaker 2: have from thirty Rock Never Go with a Hippie to

641
00:31:42,280 --> 00:31:46,360
Speaker 2: the second location the classic line. So I can actually

642
00:31:46,400 --> 00:31:50,680
Speaker 2: stitch this age of elegance rule. Yeah, and we can

643
00:31:50,720 --> 00:31:52,480
Speaker 2: just add to it as time, like a sampler. I'll

644
00:31:52,520 --> 00:31:54,400
Speaker 2: just add to it as time goes on, just.

645
00:31:54,400 --> 00:31:56,560
Speaker 1: Late like put number one and then put like a

646
00:31:56,600 --> 00:31:59,240
Speaker 1: two and a three with blanks and then blanks filling

647
00:31:59,320 --> 00:31:59,880
Speaker 1: in as needed.

648
00:32:00,200 --> 00:32:02,400
Speaker 2: So every time I visit, I'll just add another one.

649
00:32:02,760 --> 00:32:04,320
Speaker 1: Cute.

650
00:32:07,240 --> 00:32:08,560
Speaker 2: Let's get to these fucking movies.

651
00:32:14,040 --> 00:32:18,480
Speaker 1: Okay, y'all, I don't even know what to say.

652
00:32:19,720 --> 00:32:21,880
Speaker 2: Well, let me lead us in a little bit you

653
00:32:21,960 --> 00:32:25,440
Speaker 2: do with a reminder, just a reminder before we tell

654
00:32:25,440 --> 00:32:27,880
Speaker 2: you what the theme is this week that in January,

655
00:32:29,080 --> 00:32:33,280
Speaker 2: when Millie made me watch The Boondock Saints, I did

656
00:32:33,320 --> 00:32:35,520
Speaker 2: say to her that I was going to do this,

657
00:32:39,200 --> 00:32:44,040
Speaker 2: which led to us deciding to just do them both

658
00:32:44,040 --> 00:32:51,120
Speaker 2: at the same time. Yeah, So our theme for this

659
00:32:51,160 --> 00:32:59,920
Speaker 2: week is it's fucking go time knock these ships out

660
00:33:00,480 --> 00:33:06,000
Speaker 2: done and that I feel like I feel like should

661
00:33:06,000 --> 00:33:09,080
Speaker 2: I should also tell the listeners that when Millie came

662
00:33:09,120 --> 00:33:14,880
Speaker 2: to the recording today, she looked sad like she was

663
00:33:14,960 --> 00:33:18,120
Speaker 2: quiet and usually very bubbly and talkie, and she was

664
00:33:18,160 --> 00:33:23,560
Speaker 2: just like, hmmm, hey, I just finished my movie. So

665
00:33:23,640 --> 00:33:26,960
Speaker 2: I feel like it has already had the intended effect,

666
00:33:27,360 --> 00:33:28,920
Speaker 2: because that is how I felt when I watched the

667
00:33:28,920 --> 00:33:29,520
Speaker 2: Boom doc.

668
00:33:29,400 --> 00:33:35,880
Speaker 1: Say, yeah, I feel fucked up, Like I am fucked

669
00:33:36,160 --> 00:33:40,400
Speaker 1: up right now. I really am like that I did

670
00:33:40,480 --> 00:33:42,680
Speaker 1: not expect in a way that I did not expect.

671
00:33:43,520 --> 00:33:45,200
Speaker 2: We can, we can talk you through it. I want

672
00:33:45,200 --> 00:33:47,840
Speaker 2: to hear every emotion. I want to hear everything, and

673
00:33:47,840 --> 00:33:51,040
Speaker 2: you're going first. But I just wanted to give people

674
00:33:51,120 --> 00:33:54,000
Speaker 2: the idea of of the foundation of where this even

675
00:33:54,040 --> 00:33:55,600
Speaker 2: came from and why we are doing this.

676
00:33:55,960 --> 00:33:59,680
Speaker 1: Right because as listen longtime listeners of the podcast now,

677
00:34:00,680 --> 00:34:04,960
Speaker 1: I had somehow avoided both of these films this week

678
00:34:05,400 --> 00:34:08,560
Speaker 1: my entire life. So these are both first time watches

679
00:34:08,600 --> 00:34:10,799
Speaker 1: for me, and I feel like if you go back

680
00:34:10,880 --> 00:34:13,560
Speaker 1: far enough, you'll find out why that was. It had

681
00:34:13,600 --> 00:34:17,640
Speaker 1: something to do with Leonardo DiCaprio being like it was

682
00:34:17,719 --> 00:34:23,319
Speaker 1: like I avoided Leo Mania when it was happening, so

683
00:34:23,440 --> 00:34:25,759
Speaker 1: like in the nineties and early two thousands when he

684
00:34:25,960 --> 00:34:30,759
Speaker 1: was the shit, Like everybody was up in arms about

685
00:34:30,800 --> 00:34:33,640
Speaker 1: these two films, and for some reason, I was like,

686
00:34:33,880 --> 00:34:35,000
Speaker 1: I was in high school.

687
00:34:35,480 --> 00:34:37,560
Speaker 3: I was probably too cool for these movies.

688
00:34:37,600 --> 00:34:39,520
Speaker 1: I gotta be real. I was already like on my

689
00:34:39,560 --> 00:34:42,160
Speaker 1: stupid like French new wave shit. So I was like,

690
00:34:42,320 --> 00:34:49,120
Speaker 1: I don't watch American popular films. What I'm like watching

691
00:34:49,680 --> 00:34:54,840
Speaker 1: Fastpender or you know, like Pasolini. I'm not fucking watching

692
00:34:55,160 --> 00:34:56,400
Speaker 1: a James Cameron movie.

693
00:34:56,960 --> 00:34:59,200
Speaker 2: So you're hold up with some fucking Louis Benwell, like

694
00:34:59,200 --> 00:35:01,719
Speaker 2: you're not looking for Yes, I was not.

695
00:35:03,160 --> 00:35:07,440
Speaker 1: Going towards popular American like popcorn.

696
00:35:06,920 --> 00:35:08,920
Speaker 3: Films, okay, and so.

697
00:35:09,120 --> 00:35:12,000
Speaker 1: And also with the Leo thing, I think we've talked

698
00:35:12,040 --> 00:35:14,759
Speaker 1: about this before, like Leo being a heart throb who

699
00:35:14,840 --> 00:35:17,200
Speaker 1: was in our he's kind of our age. And when

700
00:35:17,239 --> 00:35:19,720
Speaker 1: I was growing up, I didn't want to have crushes

701
00:35:19,760 --> 00:35:22,520
Speaker 1: on guys my age. I was all exactly older guys.

702
00:35:22,840 --> 00:35:25,640
Speaker 1: So I was like, Leo feels like a stupid dude

703
00:35:25,680 --> 00:35:27,120
Speaker 1: I went to high school with. And I don't want

704
00:35:27,160 --> 00:35:31,040
Speaker 1: I don't you know, I don't idolize him. I want

705
00:35:31,080 --> 00:35:32,920
Speaker 1: to I want to be with the fall guy I

706
00:35:32,960 --> 00:35:37,480
Speaker 1: want to be with Lee Majors apparently. So anyway, this

707
00:35:37,600 --> 00:35:40,319
Speaker 1: is how I managed to avoid these two juggernauts. So

708
00:35:41,080 --> 00:35:44,399
Speaker 1: I've been made fun of it subsequently, and now it's

709
00:35:44,480 --> 00:35:47,640
Speaker 1: time that I finally watched them.

710
00:35:47,880 --> 00:35:50,439
Speaker 2: So so I'm just I'm gonna kick us off because

711
00:35:50,440 --> 00:35:53,200
Speaker 2: I have seen both of these movies. Oh yeah, even

712
00:35:53,239 --> 00:35:57,040
Speaker 2: though I was I think nineteen ish when my movie

713
00:35:57,040 --> 00:35:58,960
Speaker 2: came out, twenty when Years came out, like I was

714
00:35:59,080 --> 00:36:01,279
Speaker 2: a full time employee hang rent, but one of these

715
00:36:01,320 --> 00:36:03,200
Speaker 2: movies came out. So I also missed a lot of

716
00:36:03,239 --> 00:36:10,200
Speaker 2: Leomania for that reason. But my movie rocked my fucking world.

717
00:36:09,880 --> 00:36:15,920
Speaker 1: I'm I'm deeply interested as to why, we'll get into it.

718
00:36:15,920 --> 00:36:19,480
Speaker 2: It was released in nineteen ninety six. The screenplays by

719
00:36:19,480 --> 00:36:23,080
Speaker 2: Craig Pierce and Baz Lehman. The director is Boz Lehman.

720
00:36:23,440 --> 00:36:25,240
Speaker 2: My movie is Romeo and Juliet.

721
00:36:25,680 --> 00:36:26,319
Speaker 1: His name is.

722
00:36:27,960 --> 00:36:32,640
Speaker 2: Some Way Did You Feel Good? Enemy, Love Me? Love Me?

723
00:36:32,920 --> 00:36:37,080
Speaker 2: Say that you love me? Truly? That is my least

724
00:36:37,120 --> 00:36:39,040
Speaker 2: favorite song on the planet. If you want to torture me,

725
00:36:39,080 --> 00:36:39,719
Speaker 2: play that song.

726
00:36:40,000 --> 00:36:42,640
Speaker 1: Yeah, and also it didn't even play that long in

727
00:36:42,680 --> 00:36:43,120
Speaker 1: the film.

728
00:36:43,160 --> 00:36:47,080
Speaker 2: Now anyway, I played for two seconds two seconds for

729
00:36:47,160 --> 00:36:49,280
Speaker 2: our Summer of Torture that followed.

730
00:36:49,640 --> 00:36:53,520
Speaker 1: Why I associated this that song so hard with this

731
00:36:53,600 --> 00:36:55,080
Speaker 1: movie doesn't even play that long.

732
00:36:55,280 --> 00:36:56,600
Speaker 2: Come Well, that was back in the day when they

733
00:36:56,600 --> 00:36:59,560
Speaker 2: would play like they would associate the song so heavily. Yeah,

734
00:37:00,239 --> 00:37:01,840
Speaker 2: regardless of how long they played it for. And I

735
00:37:01,840 --> 00:37:04,279
Speaker 2: worked in a fucking mall. I couldn't get away from

736
00:37:04,280 --> 00:37:04,640
Speaker 2: this song.

737
00:37:04,760 --> 00:37:08,239
Speaker 1: Oh man. It was truly up our ass for like

738
00:37:08,320 --> 00:37:10,319
Speaker 1: at least a year now.

739
00:37:10,360 --> 00:37:16,080
Speaker 2: I also have and probably should frame. I have an

740
00:37:16,120 --> 00:37:20,680
Speaker 2: original Romeo and Juliet movie poster. Because of working and

741
00:37:20,719 --> 00:37:23,520
Speaker 2: said mall, I made friends with the guy who would

742
00:37:23,600 --> 00:37:27,200
Speaker 2: change out the kiosks, So when they would change it

743
00:37:27,239 --> 00:37:28,880
Speaker 2: for the movie theater, if there was a movie I liked,

744
00:37:28,880 --> 00:37:30,960
Speaker 2: I'd be like, yo, can I have that? Yeah, and

745
00:37:30,960 --> 00:37:32,680
Speaker 2: he's like, yeah, dig it, So you still have it?

746
00:37:33,239 --> 00:37:35,719
Speaker 2: Oh yeah, I still have it. And it's fucking gigantic.

747
00:37:35,760 --> 00:37:39,960
Speaker 2: And I truly do love the poster, but like, it's beautiful,

748
00:37:40,200 --> 00:37:42,880
Speaker 2: but it's huge. So for a long time I didn't

749
00:37:42,880 --> 00:37:45,719
Speaker 2: have an apartment big enough that I could put it in. Yeah,

750
00:37:45,760 --> 00:37:47,600
Speaker 2: And then I just forgot about it. And I was

751
00:37:47,640 --> 00:37:49,759
Speaker 2: cleaning a couple of years ago and I like unfolded

752
00:37:49,800 --> 00:37:51,480
Speaker 2: it and I think I took a picture of him

753
00:37:51,480 --> 00:37:53,960
Speaker 2: put it on Instagram, and like eight hundred people were like, well,

754
00:37:54,000 --> 00:37:56,120
Speaker 2: you sell that to me? And I'm like no, And I.

755
00:37:56,120 --> 00:37:57,919
Speaker 1: Was about to say, what's the golden right for that shit?

756
00:37:58,080 --> 00:38:00,640
Speaker 1: On eBay? You can probably make some cash.

757
00:38:01,200 --> 00:38:03,000
Speaker 2: Maybe I can pay my mortgage this summer.

758
00:38:03,280 --> 00:38:06,680
Speaker 1: Yeah, you can buy me like two cardigans with the money.

759
00:38:07,840 --> 00:38:11,560
Speaker 2: You're gonna get a Snowpeak suite if I sell this poster?

760
00:38:12,080 --> 00:38:15,440
Speaker 1: Well, can I ask you something really really important upfront?

761
00:38:15,920 --> 00:38:20,920
Speaker 1: Of course, so, as you probably figured out, this movie

762
00:38:21,239 --> 00:38:26,640
Speaker 1: is based on Shakespeare, and we know that you literally

763
00:38:26,760 --> 00:38:30,719
Speaker 1: know Shakespeare, like you can cite Shakespeare because you're a

764
00:38:30,760 --> 00:38:34,400
Speaker 1: fucking genius and you and you're the kind of genus

765
00:38:34,440 --> 00:38:42,160
Speaker 1: that tasks themselves with like memorizing deep, esoteric, intelligent shit.

766
00:38:44,040 --> 00:38:47,799
Speaker 1: So did you So were you like coming to this

767
00:38:47,880 --> 00:38:51,000
Speaker 1: movie initially in ninety six being like, I fucking love

768
00:38:51,080 --> 00:38:53,279
Speaker 1: Romeo and Juliet. I can't wait for this retelling like

769
00:38:53,320 --> 00:38:55,520
Speaker 1: what was your what's your Shakespeare angle?

770
00:38:56,239 --> 00:38:59,440
Speaker 2: No? So my Shakespeare angle is that this is my

771
00:38:59,760 --> 00:39:02,919
Speaker 2: least probably up up there with my least favorite of

772
00:39:03,640 --> 00:39:06,799
Speaker 2: what Shakespeare has to offer. Oh, I see, I kind

773
00:39:06,840 --> 00:39:09,279
Speaker 2: of lean more heavily towards like you're you know, rich

774
00:39:09,320 --> 00:39:12,080
Speaker 2: with the third's and king lears and like the dark,

775
00:39:12,160 --> 00:39:15,520
Speaker 2: heavy dour ones or like music to my ears. But

776
00:39:15,560 --> 00:39:19,280
Speaker 2: I'd seen a couple of different film versions of Romeo

777
00:39:19,280 --> 00:39:22,359
Speaker 2: and Juliet, so I wasn't really expecting much. I guess

778
00:39:22,360 --> 00:39:24,960
Speaker 2: you could say I think I kind of saw it

779
00:39:25,040 --> 00:39:30,960
Speaker 2: because Boz Luherman is I had seen strictly Ballroom, and

780
00:39:31,000 --> 00:39:34,320
Speaker 2: I feel like I was just starting to get into

781
00:39:35,200 --> 00:39:38,640
Speaker 2: paying attention to filmmakers in an intense way, and I

782
00:39:38,800 --> 00:39:40,880
Speaker 2: liked his style and it looked like it was going

783
00:39:40,960 --> 00:39:44,120
Speaker 2: to be fun. Yeah, But what really because really really

784
00:39:44,160 --> 00:39:47,399
Speaker 2: attracted me to this is when I realized that they

785
00:39:47,400 --> 00:39:49,719
Speaker 2: were going to be using the original text, so they

786
00:39:49,760 --> 00:39:52,359
Speaker 2: weren't going to be like modifying it. So I thought, oh,

787
00:39:52,400 --> 00:39:54,440
Speaker 2: well that could be cool, Like, yeah, it looks like

788
00:39:54,480 --> 00:40:01,160
Speaker 2: a fucking Jamiroquai video, but it also texts And to

789
00:40:01,160 --> 00:40:04,160
Speaker 2: see these modern actors wrestle with that that was interesting

790
00:40:04,160 --> 00:40:07,560
Speaker 2: to me. Yes, and I loved my soul called life,

791
00:40:07,560 --> 00:40:08,960
Speaker 2: and as we all know, we were cheated out of

792
00:40:09,000 --> 00:40:11,200
Speaker 2: my soul called life. So to see Claire Danes in

793
00:40:11,239 --> 00:40:14,160
Speaker 2: a new role was very interesting to me. But yeah,

794
00:40:14,200 --> 00:40:16,080
Speaker 2: I think that it's you know, it's and there are

795
00:40:16,160 --> 00:40:18,520
Speaker 2: some there are beautiful lines in this there are things

796
00:40:18,520 --> 00:40:21,359
Speaker 2: that I do love about it. But I think this

797
00:40:21,760 --> 00:40:25,759
Speaker 2: is This is probably an unpopular opinion, and I might

798
00:40:25,800 --> 00:40:28,440
Speaker 2: be the first person to say it, but I think

799
00:40:28,440 --> 00:40:30,000
Speaker 2: Shakespeare's are real freak for this one.

800
00:40:30,360 --> 00:40:35,160
Speaker 1: Ah Yeah, particularly.

801
00:40:36,280 --> 00:40:41,080
Speaker 2: Hot Take hundreds of years later, because particularly the end

802
00:40:41,719 --> 00:40:46,160
Speaker 2: where he has a teenage girl who is pretending to

803
00:40:46,280 --> 00:40:51,560
Speaker 2: be dead wake up in a crypt alone as her

804
00:40:51,760 --> 00:40:56,480
Speaker 2: husband dies next to her, and then she fucking kills herself.

805
00:40:56,760 --> 00:40:59,359
Speaker 2: That is some freak dark shit.

806
00:40:59,520 --> 00:41:01,400
Speaker 1: That is free key and dark yep.

807
00:41:01,520 --> 00:41:03,840
Speaker 2: Like just that scene alone. But yeah, so there's a

808
00:41:03,840 --> 00:41:05,880
Speaker 2: lot in here that I feel like, all right, Shakespeare,

809
00:41:05,920 --> 00:41:06,960
Speaker 2: you'll love a freaky for that one.

810
00:41:07,960 --> 00:41:08,719
Speaker 1: Yeah, but I do.

811
00:41:09,080 --> 00:41:11,279
Speaker 2: I do love most of his work. This is just

812
00:41:11,400 --> 00:41:13,240
Speaker 2: I think a lot of people run to this one

813
00:41:13,760 --> 00:41:16,600
Speaker 2: because it's kind of accessible. You know, the storyline is accessible,

814
00:41:16,719 --> 00:41:18,840
Speaker 2: which I like for people who are kind of just

815
00:41:18,840 --> 00:41:21,200
Speaker 2: getting into it because it's about something we've like, you know,

816
00:41:21,239 --> 00:41:24,719
Speaker 2: that first love and first blush of romance. So I

817
00:41:24,719 --> 00:41:26,359
Speaker 2: get that. I understand why people love it so much,

818
00:41:26,400 --> 00:41:28,719
Speaker 2: but it's not It's not a top, not a top

819
00:41:28,760 --> 00:41:29,040
Speaker 2: for me.

820
00:41:29,280 --> 00:41:31,719
Speaker 1: You haven't memorized it and can recite the entire thing

821
00:41:31,800 --> 00:41:33,440
Speaker 1: for the rest of the episode. Is what you're saying.

822
00:41:33,920 --> 00:41:35,920
Speaker 2: I have not memorized it. I do. I guess I

823
00:41:35,920 --> 00:41:39,040
Speaker 2: have a couple of lines like like my only Loves

824
00:41:39,040 --> 00:41:42,000
Speaker 2: from from My Only Hate to early Zen No to

825
00:41:42,120 --> 00:41:44,799
Speaker 2: early see Unknown and known too late like that kind

826
00:41:44,840 --> 00:41:45,080
Speaker 2: of shit.

827
00:41:45,239 --> 00:41:48,640
Speaker 1: But wow, I don't even I think I remember parting

828
00:41:48,760 --> 00:41:51,200
Speaker 1: is parting is sweet sorrow.

829
00:41:51,440 --> 00:41:55,719
Speaker 2: Such smarting is such sweet sorrow. So I'll something I'll

830
00:41:55,760 --> 00:42:00,520
Speaker 2: get away until Goodmorrow or something like that. Mm mm hmm.

831
00:42:01,040 --> 00:42:05,640
Speaker 2: You know, I won't memorize this one, but I do

832
00:42:05,680 --> 00:42:09,840
Speaker 2: love it. And I think this is also a moment

833
00:42:09,920 --> 00:42:12,960
Speaker 2: nineteen ninety six where we weren't seeing a lot of

834
00:42:13,040 --> 00:42:16,359
Speaker 2: people do creative endeavors like this. I think it's really

835
00:42:16,400 --> 00:42:20,160
Speaker 2: common now to kind of take an old text and

836
00:42:20,480 --> 00:42:24,200
Speaker 2: reimagine it in a brighter way or a more creative way.

837
00:42:24,680 --> 00:42:28,160
Speaker 2: Of course, throughout the years on stage and screen, people

838
00:42:28,200 --> 00:42:32,160
Speaker 2: have adapted and reimagined Shakespeare, obviously, but I think this

839
00:42:32,360 --> 00:42:34,960
Speaker 2: was kind of the reimagining for our generation.

840
00:42:36,400 --> 00:42:40,560
Speaker 1: Definitely Yeah, that's the one thing that I couldn't get over,

841
00:42:40,920 --> 00:42:43,560
Speaker 1: like because again, never seen this movie before, I have

842
00:42:43,640 --> 00:42:47,080
Speaker 1: no reference for it. I was like, this feels like

843
00:42:49,000 --> 00:42:51,799
Speaker 1: gay Tarantino.

844
00:42:54,160 --> 00:42:55,440
Speaker 2: Did it? Not like it?

845
00:42:55,560 --> 00:42:57,320
Speaker 1: That's what it felt like. It felt like a queer

846
00:42:57,400 --> 00:42:58,960
Speaker 1: version of a Tarantino movie.

847
00:42:59,440 --> 00:43:01,920
Speaker 2: Yeah, yeah, you know, I can. I can totally get there.

848
00:43:01,960 --> 00:43:03,520
Speaker 2: I could totally get there style one.

849
00:43:03,640 --> 00:43:04,720
Speaker 1: It's style Stois.

850
00:43:05,040 --> 00:43:08,120
Speaker 2: Now have you seen other buzz Lerman flicks, Like have

851
00:43:08,120 --> 00:43:10,200
Speaker 2: you seen Mulan Rouge? Uh?

852
00:43:10,280 --> 00:43:12,520
Speaker 1: Yeah, I saw Mulan Rouge in the theater when it

853
00:43:12,560 --> 00:43:15,719
Speaker 1: came out. I don't remember a goddamn thing about it.

854
00:43:17,120 --> 00:43:19,280
Speaker 1: I definitely saw Strictly Ballroom when I was in college.

855
00:43:19,280 --> 00:43:21,600
Speaker 1: But then I remember I love that Elvis movie.

856
00:43:22,080 --> 00:43:22,279
Speaker 2: Yeah.

857
00:43:22,280 --> 00:43:23,840
Speaker 3: I was like one of the only people that like

858
00:43:23,920 --> 00:43:24,760
Speaker 3: the Elvis movie.

859
00:43:25,239 --> 00:43:27,920
Speaker 2: Yeah, no, you did, you loved it? Like, yeah, but

860
00:43:27,960 --> 00:43:30,640
Speaker 2: he does, so he does. Let's just say this about Boslrman.

861
00:43:30,680 --> 00:43:35,920
Speaker 2: He's Australian. He he has never met a sparkle. He

862
00:43:35,960 --> 00:43:38,760
Speaker 2: didn't immediately love and want to capture in eighteen different

863
00:43:38,840 --> 00:43:42,000
Speaker 2: lenses like the demand does not know the word subtle. Yeah,

864
00:43:42,000 --> 00:43:44,080
Speaker 2: and I kind of love him for that. Yeah.

865
00:43:44,120 --> 00:43:47,799
Speaker 1: No, He's a completely maximalist director, and I appreciate that

866
00:43:47,880 --> 00:43:51,440
Speaker 1: on some level. I mean, and especially worked for somebody

867
00:43:51,480 --> 00:43:54,520
Speaker 1: like Elvis, who was also a maximalist in a lot

868
00:43:54,520 --> 00:43:57,359
Speaker 1: of ways. So I'm just like, okay, those those two

869
00:43:57,360 --> 00:44:00,319
Speaker 1: things coming together was like perfect for me, even though

870
00:44:00,560 --> 00:44:03,440
Speaker 1: many people I know to not like Elvis, but but

871
00:44:03,480 --> 00:44:06,960
Speaker 1: then also now like thinking about his style in another

872
00:44:07,080 --> 00:44:10,600
Speaker 1: movie now having watched Romeo and Juliet, it's just it's

873
00:44:10,640 --> 00:44:12,680
Speaker 1: just very interesting to me. And I actually think like

874
00:44:12,840 --> 00:44:15,400
Speaker 1: it's you know, sometimes you come to the movies because

875
00:44:15,400 --> 00:44:19,480
Speaker 1: you want artifice and you want something fantastical, and I

876
00:44:19,520 --> 00:44:23,600
Speaker 1: think that's actually really interesting to do with with something

877
00:44:23,760 --> 00:44:26,680
Speaker 1: like that's very old and you know, kind of like

878
00:44:26,719 --> 00:44:29,040
Speaker 1: traditional like Shakespeare is to do.

879
00:44:29,280 --> 00:44:32,560
Speaker 2: Yeah, yeah, to like kind of add some spectacle to it. Yeah,

880
00:44:32,920 --> 00:44:35,520
Speaker 2: it's pretty interesting. And I think that like they use

881
00:44:36,239 --> 00:44:39,040
Speaker 2: this version of this of Romeyan and Juliet has been

882
00:44:39,040 --> 00:44:43,080
Speaker 2: modernized beyond belief. But I think that the modernization also

883
00:44:44,360 --> 00:44:47,520
Speaker 2: with the use of the original text kind of helps

884
00:44:47,560 --> 00:44:50,360
Speaker 2: you get right into the action without trying to figure

885
00:44:50,360 --> 00:44:52,520
Speaker 2: out what it means, because that's something that I feel

886
00:44:52,520 --> 00:44:55,520
Speaker 2: like people wrestle with a lot with Shakespeare is They're like,

887
00:44:55,560 --> 00:44:57,360
Speaker 2: I'm focusing so much on trying to figure out what

888
00:44:57,400 --> 00:45:00,440
Speaker 2: they're saying that I'm actually missing the context and the

889
00:45:01,200 --> 00:45:04,239
Speaker 2: drama and the movement of what I'm actually reading. So

890
00:45:04,320 --> 00:45:06,200
Speaker 2: did you, since this was a first watch, like, did

891
00:45:06,200 --> 00:45:06,839
Speaker 2: you feel like that.

892
00:45:07,320 --> 00:45:11,040
Speaker 1: One hundred percent you nailed it? Because I was like, how,

893
00:45:11,239 --> 00:45:14,080
Speaker 1: like how many times have you read Shakespeare in school?

894
00:45:14,960 --> 00:45:17,760
Speaker 1: I'm like, what, what does any of this mean? Sorry,

895
00:45:17,880 --> 00:45:20,279
Speaker 1: I'm not I mean, I'm not a stupid person, but

896
00:45:20,320 --> 00:45:23,759
Speaker 1: I also know when i'm down, So I'm like, well,

897
00:45:23,840 --> 00:45:24,480
Speaker 1: you also.

898
00:45:24,200 --> 00:45:26,399
Speaker 2: Know what you're not interested in? Like not everyone. It's

899
00:45:26,400 --> 00:45:28,760
Speaker 2: weird to be interested in Shakespeare, trust me. Well it's

900
00:45:28,800 --> 00:45:30,400
Speaker 2: a weird thing. Yeah, but I was.

901
00:45:30,480 --> 00:45:32,480
Speaker 1: But there was like a couple of texts when I

902
00:45:32,560 --> 00:45:36,759
Speaker 1: was in school like Bale Wolf don't know Shakespeare, not

903
00:45:36,840 --> 00:45:37,480
Speaker 1: a clue?

904
00:45:37,840 --> 00:45:41,160
Speaker 2: Uh fuck off? Yeah?

905
00:45:41,200 --> 00:45:41,959
Speaker 1: Fuck you really?

906
00:45:42,000 --> 00:45:42,200
Speaker 2: Yeah?

907
00:45:42,520 --> 00:45:45,600
Speaker 1: No, I but it was funny because I when I said,

908
00:45:45,600 --> 00:45:48,359
Speaker 1: because you know, there's that the famous version of the

909
00:45:48,400 --> 00:45:51,520
Speaker 1: famous movie version of Romeo and Juliet that I saw

910
00:45:51,840 --> 00:45:55,160
Speaker 1: growing up was the Zephyrelli version with Lara Hussey, And

911
00:45:55,200 --> 00:45:58,479
Speaker 1: they actually played that in school and game Yeah yeah,

912
00:45:58,520 --> 00:46:03,160
Speaker 1: and I and I think even even seeing that version

913
00:46:03,680 --> 00:46:06,120
Speaker 1: that like I call it the mod version because you know,

914
00:46:06,120 --> 00:46:07,640
Speaker 1: they're both like cute and it was kind of like

915
00:46:07,800 --> 00:46:13,360
Speaker 1: the late sixties, early seventies, and even watching them being

916
00:46:13,440 --> 00:46:18,200
Speaker 1: like beautiful and performing this you know, story was like,

917
00:46:18,239 --> 00:46:19,719
Speaker 1: I still don't know what the fuck is going on,

918
00:46:19,760 --> 00:46:24,360
Speaker 1: but in this, in this, I was like, oh, that's

919
00:46:24,440 --> 00:46:28,000
Speaker 1: what that means. Okay, all I gotta do is put

920
00:46:28,000 --> 00:46:31,919
Speaker 1: somebody in a Hawaiian shirt and have them strapped, and

921
00:46:31,960 --> 00:46:33,920
Speaker 1: now I get the whole thing.

922
00:46:35,840 --> 00:46:39,080
Speaker 2: And that I know. There are so many traditionalists who

923
00:46:39,320 --> 00:46:43,400
Speaker 2: hate versions of Shakespeare for that reason because they're like,

924
00:46:43,400 --> 00:46:45,479
Speaker 2: oh my god, it's so over the top of it. I'm like, no, no, no,

925
00:46:45,719 --> 00:46:47,839
Speaker 2: this is a way for people to understand it. It's

926
00:46:47,840 --> 00:46:50,720
Speaker 2: a way in Yeah, Like when I saw this film,

927
00:46:50,800 --> 00:46:53,680
Speaker 2: I wasn't like totally into Shakespeare at that point. Like

928
00:46:53,680 --> 00:46:55,600
Speaker 2: I loved what I had already read and seen, but

929
00:46:55,640 --> 00:46:58,360
Speaker 2: I wasn't like studying it in my free time like

930
00:46:58,400 --> 00:47:01,480
Speaker 2: I do now. Yeah, this was part of what got

931
00:47:01,480 --> 00:47:02,040
Speaker 2: me into it.

932
00:47:02,239 --> 00:47:04,440
Speaker 1: Yeah. No, I think that's probably good for a lot

933
00:47:04,440 --> 00:47:07,880
Speaker 1: of people, honestly, Like it really really deepened my understanding

934
00:47:07,880 --> 00:47:10,839
Speaker 1: of the of the of the story because of it so.

935
00:47:11,160 --> 00:47:13,480
Speaker 2: Right, because there's so much going on beyond the two

936
00:47:13,600 --> 00:47:16,440
Speaker 2: main ding dongs, Like there's a lot happening.

937
00:47:22,640 --> 00:47:26,160
Speaker 1: Romeo and Juliet are a couple of ding dongs, These

938
00:47:26,200 --> 00:47:29,080
Speaker 1: two ding dongs, these two ding dogs, I mean, and

939
00:47:29,120 --> 00:47:34,600
Speaker 1: the cast is incredible, So of course Leo DiCaprio is Romeo,

940
00:47:34,680 --> 00:47:35,840
Speaker 1: Claire Danes is Juliet.

941
00:47:36,160 --> 00:47:39,880
Speaker 2: I am going to pull hard that John Leguizamo as

942
00:47:39,960 --> 00:47:46,839
Speaker 2: Tibble was inspired casting. Yeah, he fucking rocked that role

943
00:47:46,920 --> 00:47:49,959
Speaker 2: so hard. Same with Harold Parano. There will never be

944
00:47:50,080 --> 00:47:53,480
Speaker 2: a more like charming and watchable Mercutio.

945
00:47:53,840 --> 00:47:56,600
Speaker 1: Dude, I love Harold Parano. I mean I watched every

946
00:47:56,760 --> 00:48:00,680
Speaker 1: single episode of OZ so I got a quite with

947
00:48:00,800 --> 00:48:03,000
Speaker 1: him as an actor and was like, I love him.

948
00:48:03,040 --> 00:48:06,319
Speaker 2: Oh and lost, Oh he's so he's great. He is

949
00:48:06,640 --> 00:48:09,120
Speaker 2: so great in this movie. And then you have these

950
00:48:09,120 --> 00:48:12,719
Speaker 2: like heavy hitters like fucking Paul Sorvino is playing full

951
00:48:12,719 --> 00:48:15,680
Speaker 2: heensiocapula and he is acting like a real freak in

952
00:48:15,760 --> 00:48:16,280
Speaker 2: this movie.

953
00:48:16,840 --> 00:48:21,080
Speaker 1: Okay, here's what I got a problem with with all

954
00:48:21,160 --> 00:48:25,879
Speaker 1: you motherfuckers that know me in real life. Y'all were

955
00:48:25,880 --> 00:48:28,680
Speaker 1: tooling on me since ninety six for having not seen

956
00:48:28,719 --> 00:48:32,920
Speaker 1: this movie. But y'all neglected to tell me that the

957
00:48:32,960 --> 00:48:37,719
Speaker 1: fucking dads are played by Brian fucking dennihe and Paul Servino.

958
00:48:38,120 --> 00:48:39,560
Speaker 2: Thankay, do you.

959
00:48:39,560 --> 00:48:43,200
Speaker 1: Know who I am? That would have been like immdiate, like, okay,

960
00:48:43,280 --> 00:48:46,360
Speaker 1: well let's go to Blockbuster, let's go get a shot.

961
00:48:46,600 --> 00:48:50,120
Speaker 1: I love these two motherfuckers, Like do you not know

962
00:48:50,280 --> 00:48:53,160
Speaker 1: that the weight in my heart are like old grizzled

963
00:48:53,440 --> 00:48:57,080
Speaker 1: seventies characacters? What the fuck home on?

964
00:48:58,040 --> 00:49:01,120
Speaker 2: And and with your movie this week? I didn't remember

965
00:49:01,200 --> 00:49:03,920
Speaker 2: until I was actually watching it, but I'm like, oh,

966
00:49:03,960 --> 00:49:06,480
Speaker 2: this is actually perfect because the person we see the

967
00:49:06,520 --> 00:49:08,840
Speaker 2: most in the beginning of your like the first twenty

968
00:49:08,840 --> 00:49:11,640
Speaker 2: five minutes of your movie, is an actor that you

969
00:49:11,680 --> 00:49:15,000
Speaker 2: already fucking love exactly, Like like there are ways in

970
00:49:15,080 --> 00:49:16,680
Speaker 2: people y'all don't know.

971
00:49:16,600 --> 00:49:20,439
Speaker 1: How to persuade me. And this is a crime because

972
00:49:20,440 --> 00:49:22,200
Speaker 1: I would have seen this shit like a million years ago.

973
00:49:22,200 --> 00:49:25,000
Speaker 1: It was like, Oh, the dads are fucking old, like

974
00:49:25,080 --> 00:49:30,120
Speaker 1: Paul Cervino, sweating, just say that, Just say that sweating.

975
00:49:29,719 --> 00:49:39,319
Speaker 2: And glitter makeup like flashing is fucking chute? How is

976
00:49:39,360 --> 00:49:44,560
Speaker 2: that not attracting everyone? To this movie. Paulservino hit a

977
00:49:44,600 --> 00:49:47,960
Speaker 2: bright green Speedo and glitter Maco.

978
00:49:48,719 --> 00:49:49,759
Speaker 1: Yo, He's contoured.

979
00:49:50,040 --> 00:49:54,279
Speaker 2: Nobody said that contoured. Ryan Dennehy, Oh my gosh, look

980
00:49:54,280 --> 00:49:56,840
Speaker 2: at all surly and shit, oh my, it's great. And

981
00:49:56,840 --> 00:49:59,320
Speaker 2: then there's also I mean, look, we've got Vondie, Curtis

982
00:49:59,320 --> 00:50:04,359
Speaker 2: hall Is Captain Prince Yes beautifully, Paul Rudd has an

983
00:50:04,400 --> 00:50:09,720
Speaker 2: absolutely hilarious turn to me as Paris m Emmett Walsh

984
00:50:10,000 --> 00:50:14,040
Speaker 2: shows up, Pete postlewait throws shows up like zach Or,

985
00:50:14,160 --> 00:50:16,080
Speaker 2: who's kind of a great comedy. He was in Weenthod

986
00:50:16,080 --> 00:50:17,920
Speaker 2: American Summer and a bunch of like he usually plays

987
00:50:17,960 --> 00:50:20,120
Speaker 2: like a smaller role, but we love him. Like people

988
00:50:20,120 --> 00:50:21,920
Speaker 2: that you just love to see are in this. And

989
00:50:23,080 --> 00:50:26,520
Speaker 2: I think the person who is becoming the subtext of

990
00:50:26,560 --> 00:50:30,080
Speaker 2: the pod beyond Modane. Jesse Bradford's in it. I feel

991
00:50:30,120 --> 00:50:32,280
Speaker 2: like every other movie we do, he's in the background somewhere.

992
00:50:32,280 --> 00:50:32,799
Speaker 2: He's in there.

993
00:50:32,880 --> 00:50:35,320
Speaker 1: I know we've name checked him several fucking times.

994
00:50:36,600 --> 00:50:38,640
Speaker 2: Jesse Bradford, What the fucker, what are you up to?

995
00:50:39,360 --> 00:50:42,440
Speaker 1: Send us an email? Jamie Kennedy experiment this happening in

996
00:50:42,480 --> 00:50:45,480
Speaker 1: the whole time. I didn't realize he was in this movie,

997
00:50:46,200 --> 00:50:46,919
Speaker 1: said us an email.

998
00:50:46,920 --> 00:50:48,279
Speaker 2: And I saw what you did by a Gmail dot

999
00:50:48,280 --> 00:50:51,279
Speaker 2: com Jesse Bradford. We've got some questions for you to

1000
00:50:51,280 --> 00:50:55,400
Speaker 2: make sure we're not missing any movies here. And my

1001
00:50:55,880 --> 00:51:03,319
Speaker 2: love Maria Margolis, who is fucking hilarious, wonderful actress, and

1002
00:51:03,360 --> 00:51:05,920
Speaker 2: she's playing the nurse in this so the cast is

1003
00:51:05,960 --> 00:51:09,959
Speaker 2: already added. Off the charts, off the charts. I'm gonna

1004
00:51:09,960 --> 00:51:14,240
Speaker 2: give you my one sentence synopsis, my one sentence synopsis

1005
00:51:14,280 --> 00:51:26,600
Speaker 2: of Romeo, Romeo and Juliet, just Elope, get the fuck

1006
00:51:26,640 --> 00:51:29,279
Speaker 2: out here and get married somewhere else. That's right, the

1007
00:51:29,360 --> 00:51:32,319
Speaker 2: FuG dude. So I'm not gonna go beat by beat

1008
00:51:32,360 --> 00:51:38,040
Speaker 2: over this long Shakespearean looking wise, so I'm going to

1009
00:51:38,160 --> 00:51:41,880
Speaker 2: keep it kind of centered on the representations in the

1010
00:51:41,920 --> 00:51:44,319
Speaker 2: movie and what I think they got right and what

1011
00:51:44,360 --> 00:51:46,840
Speaker 2: I think feels good or fun or interesting to me.

1012
00:51:47,520 --> 00:51:50,279
Speaker 2: So I really I love from the beginning how they

1013
00:51:50,360 --> 00:51:54,520
Speaker 2: show the Montague Boys and the Capulate boys, because the

1014
00:51:54,520 --> 00:51:57,799
Speaker 2: Montacue boys are kind of these rich thugs and they're

1015
00:51:57,840 --> 00:52:01,080
Speaker 2: kind of pussies, and Benville is sort of their leader,

1016
00:52:01,120 --> 00:52:06,279
Speaker 2: he's Romeo's cousin. Then you've got the capulets, and the

1017
00:52:06,320 --> 00:52:12,680
Speaker 2: capulate boys are like these slim, sexy matadors who actually

1018
00:52:12,719 --> 00:52:17,040
Speaker 2: mean business and have genuinely killed people for no reason,

1019
00:52:17,400 --> 00:52:19,399
Speaker 2: like they won't kill people for no reason at all.

1020
00:52:19,840 --> 00:52:24,120
Speaker 2: And Tipple is Juliette's cousin. And there's one point where

1021
00:52:25,239 --> 00:52:28,520
Speaker 2: Timpole says, turn thee Benvolio and look upon thy death.

1022
00:52:29,520 --> 00:52:32,960
Speaker 2: And it is like bone chilling the way that, like

1023
00:52:33,040 --> 00:52:35,560
Speaker 2: was Amo delivers that line.

1024
00:52:36,400 --> 00:52:42,120
Speaker 1: Yeah, I mean, listen, do I believe in a world

1025
00:52:42,440 --> 00:52:49,480
Speaker 1: where Claire Danes has a Colombian cousin? I don't know.

1026
00:52:52,200 --> 00:52:53,880
Speaker 2: No one was asking these questions in the nineties. They

1027
00:52:53,920 --> 00:52:55,439
Speaker 2: were like, shove them all together, we don't care.

1028
00:52:55,600 --> 00:52:57,680
Speaker 3: No one's no one's no one's asking.

1029
00:52:57,960 --> 00:53:01,680
Speaker 1: Also another thing too, and maybe this relates to her

1030
00:53:01,840 --> 00:53:05,560
Speaker 1: side of the family. I was like, is this in Reoh?

1031
00:53:06,000 --> 00:53:07,440
Speaker 1: Where is this taking place?

1032
00:53:09,840 --> 00:53:09,920
Speaker 2: Like?

1033
00:53:10,080 --> 00:53:12,920
Speaker 1: Is it Mexican? Like I'm like, is it the grit

1034
00:53:13,000 --> 00:53:13,960
Speaker 1: like Miami?

1035
00:53:14,120 --> 00:53:14,719
Speaker 2: Like where do we?

1036
00:53:14,760 --> 00:53:15,520
Speaker 3: What are we doing here?

1037
00:53:16,280 --> 00:53:18,240
Speaker 2: It was it was filmed in Mexico?

1038
00:53:18,719 --> 00:53:19,160
Speaker 1: It was?

1039
00:53:20,160 --> 00:53:21,080
Speaker 2: It was filmed in Mexico?

1040
00:53:21,360 --> 00:53:23,880
Speaker 1: Was it? But is it referenced as Mexico or is

1041
00:53:23,880 --> 00:53:26,160
Speaker 1: it references like Miami or something.

1042
00:53:26,160 --> 00:53:28,799
Speaker 2: Or was referenced as Verona, which is this place like

1043
00:53:28,800 --> 00:53:29,680
Speaker 2: where it takes place.

1044
00:53:29,880 --> 00:53:37,000
Speaker 1: Oh, that's right, but Verona felt like La sometimes and

1045
00:53:37,280 --> 00:53:38,720
Speaker 1: Miami sometimes.

1046
00:53:40,320 --> 00:53:45,560
Speaker 2: Okay, but no, it's set and like you know, it's

1047
00:53:45,680 --> 00:53:48,680
Speaker 2: it's filmed in because I thought it parts to him

1048
00:53:48,680 --> 00:53:51,719
Speaker 2: because this filmed in Australia because boz Lerman's Australian. But no,

1049
00:53:51,960 --> 00:53:53,800
Speaker 2: I looked it up and it was filmed in Mexico.

1050
00:53:54,320 --> 00:53:57,520
Speaker 2: But it does. It has that kind of dusty, beachy,

1051
00:53:57,719 --> 00:53:59,480
Speaker 2: pinkish like vibe to it.

1052
00:53:59,719 --> 00:54:03,080
Speaker 1: Yeah, it was a very smash mouth video.

1053
00:54:03,400 --> 00:54:11,440
Speaker 2: Yes, very Venice Beach now, but I love it. I

1054
00:54:11,480 --> 00:54:14,279
Speaker 2: love this opening because it sets up not just that

1055
00:54:14,400 --> 00:54:17,960
Speaker 2: the families are fighting, but it shows you the personalities

1056
00:54:18,160 --> 00:54:22,160
Speaker 2: of who is fighting and that there's beef, big beef

1057
00:54:22,280 --> 00:54:25,280
Speaker 2: between these two cousins. So the cousins are fucking important

1058
00:54:25,280 --> 00:54:29,440
Speaker 2: because they're kind of running the brawls. Yeah, and the

1059
00:54:29,520 --> 00:54:32,880
Speaker 2: brawls are driving everyone fucking crazy. Like the cat like

1060
00:54:32,880 --> 00:54:35,719
Speaker 2: Bondie Curtis Hall, Captain Prince is like, yo, if you

1061
00:54:35,800 --> 00:54:37,680
Speaker 2: keep this up, I will kill both of the dads

1062
00:54:37,680 --> 00:54:40,880
Speaker 2: of these this family. At what point he's just sitting

1063
00:54:40,920 --> 00:54:42,440
Speaker 2: down with them, and they're like, this is the third

1064
00:54:42,480 --> 00:54:44,719
Speaker 2: fucking brawl. If you keep this up, I will kill

1065
00:54:44,719 --> 00:54:45,160
Speaker 2: both of you.

1066
00:54:45,440 --> 00:54:47,400
Speaker 1: All y'all's dads are going down.

1067
00:54:50,840 --> 00:54:53,200
Speaker 2: No more dads. If you can't stop fighting.

1068
00:54:53,200 --> 00:54:55,280
Speaker 1: Kill the freak dads.

1069
00:54:56,320 --> 00:55:00,640
Speaker 2: We're just gonna chop this bloodline off right now. It

1070
00:55:00,719 --> 00:55:02,759
Speaker 2: was and it's great to see. I get like these

1071
00:55:02,760 --> 00:55:04,799
Speaker 2: two powerful actors, like, it's just it's such a fun

1072
00:55:04,840 --> 00:55:14,880
Speaker 2: scene to me. And then we get to little Romeo.

1073
00:55:14,360 --> 00:55:26,200
Speaker 1: Son is that that's not gonna be able to make it.

1074
00:55:26,239 --> 00:55:28,480
Speaker 1: I'm not gonna make this up. That's what I want

1075
00:55:28,560 --> 00:55:28,759
Speaker 1: to do.

1076
00:55:29,200 --> 00:55:30,880
Speaker 2: This is this is why I wanted to do it.

1077
00:55:30,880 --> 00:55:32,480
Speaker 2: I'm like, she's gonna be a mess at the end

1078
00:55:32,520 --> 00:55:36,279
Speaker 2: of this. I just want you to laugh throughout. But

1079
00:55:36,480 --> 00:55:40,080
Speaker 2: little Romeo is vexing the ship out of everyone because

1080
00:55:40,120 --> 00:55:43,320
Speaker 2: he's like this brooding teenager who just wanders the broken

1081
00:55:43,360 --> 00:55:56,040
Speaker 2: down beach and writes poetry. And and Ted Montague is like, yo,

1082
00:55:56,200 --> 00:55:58,160
Speaker 2: could somebody go talk to that little motherfucker? And Ben

1083
00:55:58,160 --> 00:55:59,680
Speaker 2: Bolli was like, all right, I got you. He's my

1084
00:55:59,719 --> 00:56:02,319
Speaker 2: cousin and he's my boy. I'll go talk to him.

1085
00:56:02,520 --> 00:56:04,880
Speaker 2: He's like, what's the problem, And his problem, and Romeo's

1086
00:56:04,920 --> 00:56:10,440
Speaker 2: problem essentially is like I'm not in love enough, Like

1087
00:56:10,800 --> 00:56:14,600
Speaker 2: I want a love that's so pure and consuming that

1088
00:56:15,080 --> 00:56:18,840
Speaker 2: I can't even wake up without pain. Like he is

1089
00:56:18,920 --> 00:56:22,040
Speaker 2: just so engrossed in this life of love and poetry,

1090
00:56:22,640 --> 00:56:24,439
Speaker 2: which makes him a real black sheep in his family,

1091
00:56:24,480 --> 00:56:26,200
Speaker 2: because as we've seen, his family's just like give me

1092
00:56:26,200 --> 00:56:29,560
Speaker 2: my fucking gun, let's settle this right now. Yeah, they're

1093
00:56:29,600 --> 00:56:33,880
Speaker 2: real fogs. So he's also like looking at the news

1094
00:56:34,320 --> 00:56:36,440
Speaker 2: and being like, oh, guys, you guys are fighting again, Like,

1095
00:56:36,440 --> 00:56:37,920
Speaker 2: come on, I hate this shit. So he hates the

1096
00:56:38,239 --> 00:56:40,839
Speaker 2: family feud. He doesn't want any part of this. He's

1097
00:56:40,840 --> 00:56:44,399
Speaker 2: living a more gentle life, or he wants to. Now,

1098
00:56:44,440 --> 00:56:49,360
Speaker 2: on the flip side, we've got Juliet and Dave in

1099
00:56:49,400 --> 00:56:52,440
Speaker 2: the movie Dave Paris, So Paris wants to marry Juliet,

1100
00:56:52,920 --> 00:56:56,640
Speaker 2: and at first, Falahensio is like, no, wait, at least

1101
00:56:56,640 --> 00:57:00,160
Speaker 2: two more years, you fucking creep. She's just a kid.

1102
00:57:01,160 --> 00:57:04,000
Speaker 2: How about this. I'm gonna throw a party to kind

1103
00:57:04,000 --> 00:57:06,560
Speaker 2: of celebrate this, you know, to kind of prove that

1104
00:57:06,600 --> 00:57:09,080
Speaker 2: I'm like a lively, lighthearted dude who doesn't want to

1105
00:57:09,120 --> 00:57:12,160
Speaker 2: partake in this fucking feud even though there are no

1106
00:57:12,239 --> 00:57:15,080
Speaker 2: montagues allowed. I'm gonna throw a party tonight. There'll be

1107
00:57:15,120 --> 00:57:17,320
Speaker 2: tons of women there. You can kind of like come

1108
00:57:17,360 --> 00:57:21,080
Speaker 2: have fun until my kid's ready to marry you. And

1109
00:57:22,440 --> 00:57:27,439
Speaker 2: ben Voglio is now also trying to talk Romeo into

1110
00:57:27,480 --> 00:57:29,880
Speaker 2: kind of getting out of his head and going to

1111
00:57:29,920 --> 00:57:33,200
Speaker 2: this party and trying to hook up with Rosalind Roslyn.

1112
00:57:34,760 --> 00:57:39,360
Speaker 2: So Juliet, Juliette's mom also wants her to marry Paris,

1113
00:57:40,000 --> 00:57:42,400
Speaker 2: and Juliet's like, I don't know, maybe can I just

1114
00:57:42,560 --> 00:57:47,919
Speaker 2: chill I'm like thirteen, and her mom is like having

1115
00:57:47,960 --> 00:57:51,680
Speaker 2: a stroke over like, Yo, you're almost beyond the You're

1116
00:57:51,680 --> 00:57:57,480
Speaker 2: almost geriatric, Like I know you just started acknowledging your eggs,

1117
00:57:57,680 --> 00:58:01,680
Speaker 2: but they're already going sour. But she's like, I don't know, mom,

1118
00:58:01,720 --> 00:58:02,920
Speaker 2: can I just chill out and like go to this

1119
00:58:03,000 --> 00:58:05,360
Speaker 2: fucking party with the little fucking wings. And also, I

1120
00:58:05,400 --> 00:58:11,960
Speaker 2: gotta say angel Wings started making the scene because of

1121
00:58:11,960 --> 00:58:12,840
Speaker 2: this fucking movie.

1122
00:58:13,080 --> 00:58:17,360
Speaker 1: Wow. Wow, Now that you will just directly tie that

1123
00:58:17,360 --> 00:58:21,600
Speaker 1: that just said it. Oh, people wearing them at the club,

1124
00:58:21,600 --> 00:58:23,360
Speaker 1: people wearing them all over the place, like it was

1125
00:58:23,440 --> 00:58:28,480
Speaker 1: a thing after this movie. Yeah, so she's like, you know,

1126
00:58:28,560 --> 00:58:31,040
Speaker 1: Julie kind of like disappointing to her mom because she

1127
00:58:31,040 --> 00:58:32,760
Speaker 1: doesn't want to just rush out and get married. And

1128
00:58:32,800 --> 00:58:35,080
Speaker 1: this guy's a good match, but she's just not feeling it.

1129
00:58:35,160 --> 00:58:36,880
Speaker 1: And then he's kind of older and like she's just

1130
00:58:36,880 --> 00:58:37,480
Speaker 1: not feeling it.

1131
00:58:37,520 --> 00:58:41,080
Speaker 2: She's a kid, Yeah, and she's much like Romeo was, like,

1132
00:58:41,120 --> 00:58:43,200
Speaker 2: I just kind of want to see something organic happen

1133
00:58:43,280 --> 00:58:48,360
Speaker 2: in my life. Fuck yea. So then we get to

1134
00:58:48,400 --> 00:58:53,680
Speaker 2: meet Mercuccio, who was the life of the party, a

1135
00:58:53,720 --> 00:58:56,000
Speaker 2: little bipolar in this film, like he's presented in a

1136
00:58:56,080 --> 00:58:58,720
Speaker 2: very pipolar way, and he has an invite to the

1137
00:58:58,720 --> 00:59:01,800
Speaker 2: Capula party. So he's like, look, we're gonna fucking go.

1138
00:59:02,280 --> 00:59:04,600
Speaker 2: I'm gonna give you some drugs and you're gonna wear

1139
00:59:04,640 --> 00:59:07,000
Speaker 2: a mask. No one's gonna know you're a Montague and

1140
00:59:07,040 --> 00:59:10,720
Speaker 2: we're gonna have a goddamn blast. Yeah, and that's what

1141
00:59:10,800 --> 00:59:13,320
Speaker 2: he does. So they get to the party and we

1142
00:59:13,440 --> 00:59:18,040
Speaker 2: have one of the most famous scenes from this movie. Now,

1143
00:59:18,080 --> 00:59:20,680
Speaker 2: even if you hadn't seen the film, have you seen

1144
00:59:20,720 --> 00:59:21,960
Speaker 2: clips of this scene before?

1145
00:59:22,800 --> 00:59:28,760
Speaker 1: You're talking about the fish tank? Yeah, yeah, I sort

1146
00:59:28,760 --> 00:59:30,840
Speaker 1: of had an inkling that it was gonna happen, but

1147
00:59:30,960 --> 00:59:33,800
Speaker 1: I didn't realize the extent of which it happened.

1148
00:59:34,400 --> 00:59:37,000
Speaker 2: Yeah, and the length of time in which it happens.

1149
00:59:37,080 --> 00:59:40,040
Speaker 1: I mean they are really looking through this fish tank

1150
00:59:40,040 --> 00:59:40,720
Speaker 1: at each other.

1151
00:59:41,400 --> 00:59:44,760
Speaker 2: And this fish tank is filled with the kind of

1152
00:59:44,800 --> 00:59:47,280
Speaker 2: fish you can only catch an animal crossing New Horizon.

1153
00:59:49,400 --> 00:59:51,200
Speaker 2: I'm like, I know that's a barred knife jaw because

1154
00:59:51,200 --> 00:59:54,040
Speaker 2: I played that fucking game. That's right, there goes a

1155
00:59:54,040 --> 00:59:55,840
Speaker 2: surgeon fish because I play Animal Crossing.

1156
00:59:56,160 --> 01:00:00,680
Speaker 1: Yeah, you're gonna take it to Blathers and get it examined.

1157
01:00:02,040 --> 01:00:02,600
Speaker 2: Is that his name?

1158
01:00:02,640 --> 01:00:09,600
Speaker 1: Blathers anybody in Animal Crossing? I saw what you did,

1159
01:00:09,640 --> 01:00:15,800
Speaker 1: pot stream him, not blat.

1160
01:00:18,080 --> 01:00:20,920
Speaker 2: I love when that little freaky weasel shows up at

1161
01:00:20,920 --> 01:00:26,160
Speaker 2: the end of the coffee counter. What's up with that

1162
01:00:26,200 --> 01:00:29,560
Speaker 2: freaky weasel? But it's fucking hilarious going.

1163
01:00:29,400 --> 01:00:32,880
Speaker 1: Out a new version of Animal Crossing like yesterday, I

1164
01:00:32,920 --> 01:00:38,200
Speaker 1: am ready that was a pandemic hit. Like the early

1165
01:00:38,280 --> 01:00:41,560
Speaker 1: pandemic hit for me was I played Animal Crossing literally

1166
01:00:42,080 --> 01:00:43,080
Speaker 1: all day every day.

1167
01:00:43,520 --> 01:00:45,400
Speaker 2: Yeah, that's like how I got into it, because you're like,

1168
01:00:45,480 --> 01:00:47,480
Speaker 2: you need to get a switch and get on the ship.

1169
01:00:50,040 --> 01:00:52,760
Speaker 1: And now you know the fish in the fish tank

1170
01:00:52,880 --> 01:00:54,120
Speaker 1: in Romeo and Juliet.

1171
01:00:54,280 --> 01:00:54,960
Speaker 3: So there we go.

1172
01:00:55,200 --> 01:00:58,439
Speaker 2: It's education now it makes sense. Also, I gotta say,

1173
01:00:58,480 --> 01:01:02,919
Speaker 2: animal crossing your horizon that coffee shop is I think

1174
01:01:02,920 --> 01:01:05,200
Speaker 2: a sight of a poltergeist, because you know how that

1175
01:01:05,280 --> 01:01:09,320
Speaker 2: fucking pigeon behind the counter is occasionally like, Yo, you

1176
01:01:09,360 --> 01:01:10,560
Speaker 2: want some pigeon milk with that?

1177
01:01:10,840 --> 01:01:11,120
Speaker 1: Yes?

1178
01:01:11,200 --> 01:01:14,600
Speaker 2: And I'm like, don't be jacking off in my fucking coffee.

1179
01:01:15,720 --> 01:01:17,439
Speaker 2: The fuck you think that milk's coming from your only

1180
01:01:17,440 --> 01:01:21,360
Speaker 2: pitcheon on this island. Yo, You're the only pigeon on

1181
01:01:21,400 --> 01:01:22,280
Speaker 2: this fucking island.

1182
01:01:22,640 --> 01:01:25,600
Speaker 1: That's an even hatter take than whatever you said before,

1183
01:01:25,880 --> 01:01:30,480
Speaker 1: is that that pigeon milk is actually disgusting.

1184
01:01:31,120 --> 01:01:33,760
Speaker 2: Its disgusting like you. No, I don't want it, is

1185
01:01:33,800 --> 01:01:36,080
Speaker 2: my answer every time, because I know exactly where it's

1186
01:01:36,080 --> 01:01:38,400
Speaker 2: coming from, from your stink ass behind that counter twenty

1187
01:01:38,440 --> 01:01:39,160
Speaker 2: four hours a day.

1188
01:01:39,520 --> 01:01:41,760
Speaker 1: Okay, Here I was thinking that I was annoying that

1189
01:01:41,800 --> 01:01:45,680
Speaker 1: you couldn't sit at those tables. Yeah, that is just

1190
01:01:45,880 --> 01:01:48,840
Speaker 1: entered into my brain, that that pigeon was jerking off

1191
01:01:49,640 --> 01:01:51,640
Speaker 1: in the in the coffee shop.

1192
01:01:53,280 --> 01:01:54,960
Speaker 2: If I didn't need the miles, I wouldn't even be

1193
01:01:55,000 --> 01:01:57,240
Speaker 2: in that fucking coffee shop. That place is filthy.

1194
01:01:57,720 --> 01:02:01,600
Speaker 3: I I had to decimated by this information.

1195
01:02:03,600 --> 01:02:05,600
Speaker 2: Show me another pigeon on that island and I might

1196
01:02:05,680 --> 01:02:09,800
Speaker 2: change my mind. And he's all like in a monocle

1197
01:02:09,840 --> 01:02:11,880
Speaker 2: and a vest and shit, and I'm like, you're filthy.

1198
01:02:12,320 --> 01:02:14,440
Speaker 2: You are a filthy fucking bird.

1199
01:02:14,680 --> 01:02:16,520
Speaker 1: He would do that shit because you know that shit.

1200
01:02:16,560 --> 01:02:19,320
Speaker 1: It's all single origin. They're doing pour overs, only it's

1201
01:02:19,360 --> 01:02:21,280
Speaker 1: like intelligentsia.

1202
01:02:21,360 --> 01:02:23,760
Speaker 2: Right, ken, he's got that, he's got that little apron

1203
01:02:23,800 --> 01:02:27,160
Speaker 2: on so he's like covering his waist and he's behind

1204
01:02:27,160 --> 01:02:29,960
Speaker 2: a counter that we can't see. He's a filth pot

1205
01:02:31,720 --> 01:02:33,880
Speaker 2: that burns. If you say yes to milk, that burn

1206
01:02:33,920 --> 01:02:35,919
Speaker 2: is drink it off in your coffee.

1207
01:02:36,520 --> 01:02:39,600
Speaker 1: No, I've never in a million years thought that the

1208
01:02:39,640 --> 01:02:45,040
Speaker 1: conversation would turn to this, never in my wildest imagination.

1209
01:02:46,480 --> 01:02:48,920
Speaker 2: Well, they also have fish that I noticed from the

1210
01:02:48,960 --> 01:02:52,080
Speaker 2: game in this tank, and they're doing this cutesy little

1211
01:02:52,080 --> 01:02:54,040
Speaker 2: thing where they're they're kind of like looking at each

1212
01:02:54,040 --> 01:02:56,640
Speaker 2: other through the tank and noticing each other. I think

1213
01:02:56,640 --> 01:03:00,600
Speaker 2: it actually is very sweet and like appropriate. It's age

1214
01:03:00,640 --> 01:03:04,600
Speaker 2: appropriate because they are teenagers, so it's like it's age appropriate. Yes,

1215
01:03:04,800 --> 01:03:06,520
Speaker 2: And she has you know, she gets pulled away because

1216
01:03:06,520 --> 01:03:09,400
Speaker 2: her mom wants her to dance with Paris, and Paul

1217
01:03:09,480 --> 01:03:12,360
Speaker 2: Rudd is doing the most in this fucking dance scene.

1218
01:03:12,800 --> 01:03:15,200
Speaker 2: He was not a thing at this point, like he was.

1219
01:03:15,360 --> 01:03:17,800
Speaker 2: I think he had been in clueless, yeah, but I

1220
01:03:17,800 --> 01:03:20,560
Speaker 2: don't think he was like a thing. He wasn't a

1221
01:03:20,640 --> 01:03:21,080
Speaker 2: Paul Rud.

1222
01:03:21,320 --> 01:03:23,360
Speaker 1: He wasn't our Nation sweetheart yet for sure.

1223
01:03:23,520 --> 01:03:25,960
Speaker 2: No, So he was really doing the most and like

1224
01:03:26,040 --> 01:03:29,920
Speaker 2: stood out in this role, primarily for the scene and

1225
01:03:29,960 --> 01:03:34,080
Speaker 2: the dancing. But while this is happening, Tipple sees Romeo

1226
01:03:34,280 --> 01:03:36,040
Speaker 2: and freaks the fuck out because he's like, what is

1227
01:03:36,040 --> 01:03:39,640
Speaker 2: Amanta you doing here? And old Papa Capulate is like,

1228
01:03:39,800 --> 01:03:42,720
Speaker 2: I am rocked out of my board right now, and

1229
01:03:42,760 --> 01:03:44,840
Speaker 2: you're not going to be fighting to my fucking house tonight.

1230
01:03:46,000 --> 01:03:49,760
Speaker 2: Take this shit somewhere else. But he's like, I will

1231
01:03:49,760 --> 01:03:51,120
Speaker 2: get back to this later, and he does.

1232
01:03:51,280 --> 01:03:51,360
Speaker 1: So.

1233
01:03:51,480 --> 01:03:55,240
Speaker 2: Romeo and Juliet in the film, they're running in the elevator.

1234
01:03:55,280 --> 01:03:57,920
Speaker 2: They kiss for the first time and Romeo's like, yo,

1235
01:03:57,960 --> 01:03:59,800
Speaker 2: I'm hard, let's fuck and She's like, why do I

1236
01:03:59,840 --> 01:04:01,560
Speaker 2: have to calm down all these men in my life?

1237
01:04:01,560 --> 01:04:05,400
Speaker 2: She's like, I like you, but calm down, like one

1238
01:04:05,440 --> 01:04:06,720
Speaker 2: kiss and he's like, all right, let's do it, and

1239
01:04:06,720 --> 01:04:08,800
Speaker 2: she's like, all right, can you just literally slow it

1240
01:04:08,840 --> 01:04:12,160
Speaker 2: down for a minute. But they're having fun, they're running around,

1241
01:04:12,160 --> 01:04:15,560
Speaker 2: they're falling in love, and then they are rock to

1242
01:04:15,600 --> 01:04:17,520
Speaker 2: their core to learn that they are each from a

1243
01:04:17,600 --> 01:04:18,280
Speaker 2: rifle family.

1244
01:04:19,480 --> 01:04:20,000
Speaker 1: I felt that.

1245
01:04:21,200 --> 01:04:23,760
Speaker 2: I felt that that was a hard hit, but also

1246
01:04:24,320 --> 01:04:28,080
Speaker 2: makes me think, how do you not know that this

1247
01:04:28,160 --> 01:04:30,080
Speaker 2: has to be someone from a rival family because it's

1248
01:04:30,080 --> 01:04:32,960
Speaker 2: someone you've never seen before. Yeah, And I guess back

1249
01:04:32,960 --> 01:04:35,440
Speaker 2: then it was possible to not know everybody in your city.

1250
01:04:36,480 --> 01:04:39,440
Speaker 2: But I feel like, if you've actively not met someone

1251
01:04:39,480 --> 01:04:42,200
Speaker 2: in your city who's around your age, it's because you've

1252
01:04:42,240 --> 01:04:49,160
Speaker 2: been kept apart. I believe that about myself, not me

1253
01:04:49,240 --> 01:04:54,120
Speaker 2: critiquing Shakespeare. At this point, so Romeo was like, I'm

1254
01:04:54,120 --> 01:04:56,080
Speaker 2: in love. I want to do this, this is my life,

1255
01:04:56,080 --> 01:04:59,440
Speaker 2: this is everything I've been looking for. He ditches his friends,

1256
01:04:59,440 --> 01:05:01,760
Speaker 2: he sneaks back in. He's like, I would rather die

1257
01:05:01,880 --> 01:05:03,920
Speaker 2: than never be with you. Let your fucking guard shoot me.

1258
01:05:04,440 --> 01:05:06,760
Speaker 2: And they have this big pool scene, right, so she

1259
01:05:06,840 --> 01:05:09,800
Speaker 2: kind of comes out and she's talking about him, and

1260
01:05:09,840 --> 01:05:11,920
Speaker 2: it's really I think it's a good metaphor because they

1261
01:05:11,920 --> 01:05:14,840
Speaker 2: are literally drowning in emotion. But she's like, h how

1262
01:05:14,840 --> 01:05:17,720
Speaker 2: are we gonna figure this out with our families? How

1263
01:05:17,720 --> 01:05:21,120
Speaker 2: about this? Why don't you contact me tomorrow morning and

1264
01:05:21,240 --> 01:05:23,240
Speaker 2: let me know where to meet you and we'll get married.

1265
01:05:24,240 --> 01:05:26,400
Speaker 2: And he's like, I'm so down, Like let's get married

1266
01:05:26,400 --> 01:05:32,120
Speaker 2: at nine am. We met for an hour, we will

1267
01:05:32,120 --> 01:05:35,840
Speaker 2: be to get in nine hours and get married. And

1268
01:05:35,840 --> 01:05:37,560
Speaker 2: then he just runs to his priest and the priest

1269
01:05:37,680 --> 01:05:41,720
Speaker 2: is like and again, Pete possibly amazing place father Lawrence

1270
01:05:41,840 --> 01:05:45,320
Speaker 2: pryor Lawrence. And he's like, yo, this is a horrible idea,

1271
01:05:45,680 --> 01:05:47,640
Speaker 2: Like this is a terrible idea. What are you talking about?

1272
01:05:47,800 --> 01:05:51,640
Speaker 2: Calm down? And he's also rocked off his gourd on

1273
01:05:51,680 --> 01:05:54,440
Speaker 2: all his poisons and his you know, apothecary shit. He's like,

1274
01:05:54,520 --> 01:05:56,439
Speaker 2: let me crack the open this little pod and oohs

1275
01:05:56,480 --> 01:05:59,240
Speaker 2: out some shit and drink it up. So no one

1276
01:05:59,240 --> 01:05:59,840
Speaker 2: here is like.

1277
01:05:59,760 --> 01:06:02,440
Speaker 1: So this is like the one thing that I did

1278
01:06:02,520 --> 01:06:04,120
Speaker 1: think about when I was watching this. I was going,

1279
01:06:05,080 --> 01:06:09,640
Speaker 1: isn't it a good move to have like one priest

1280
01:06:09,720 --> 01:06:11,440
Speaker 1: in your life that can just hook you up with

1281
01:06:11,480 --> 01:06:14,560
Speaker 1: shit like that would be a me maybe that's what

1282
01:06:14,600 --> 01:06:17,280
Speaker 1: we all need. It's like if you've got a good priest,

1283
01:06:17,760 --> 01:06:19,840
Speaker 1: it's like having a good you know, a good whatever,

1284
01:06:19,960 --> 01:06:24,520
Speaker 1: like a good uh, good mechanic, good mechanic, a good dentist.

1285
01:06:25,520 --> 01:06:27,920
Speaker 1: Get a good priest because he'll marry you even though

1286
01:06:27,920 --> 01:06:31,040
Speaker 1: he doesn't want to. He'll get you poisons to fake

1287
01:06:31,040 --> 01:06:34,880
Speaker 1: your death, like, he'll hide you.

1288
01:06:34,840 --> 01:06:37,680
Speaker 2: He'll figure your shit out, he will hide. He will

1289
01:06:37,720 --> 01:06:40,800
Speaker 2: be the prince of the underworld. Yeah, I need a priest.

1290
01:06:40,800 --> 01:06:42,480
Speaker 2: Who's who wants to be the prince of the underworld?

1291
01:06:44,280 --> 01:06:44,720
Speaker 1: We need that?

1292
01:06:44,840 --> 01:06:48,200
Speaker 2: Is that too much to ask? In twenty twenty four, Wow,

1293
01:06:49,160 --> 01:06:53,919
Speaker 2: let's rite that movie. But the priests like a father.

1294
01:06:54,000 --> 01:06:56,280
Speaker 2: Lawrence is like, he's like, this is a fucking terrible idea.

1295
01:06:56,320 --> 01:06:59,840
Speaker 2: But then he hears a child choir start to sing

1296
01:07:00,040 --> 01:07:02,640
Speaker 2: and the doves cry and he changes his mind.

1297
01:07:03,440 --> 01:07:07,200
Speaker 1: That part was a little I was like, what are

1298
01:07:07,200 --> 01:07:07,840
Speaker 1: we doing here?

1299
01:07:08,440 --> 01:07:11,240
Speaker 2: That is straight out of a bas playbook. He loves

1300
01:07:11,320 --> 01:07:13,720
Speaker 2: music like he will throw a song in when you

1301
01:07:13,920 --> 01:07:16,760
Speaker 2: least expect it. And that kid who's singing his name

1302
01:07:16,800 --> 01:07:18,400
Speaker 2: is Quindon Tarveror. I had to look it up because

1303
01:07:18,440 --> 01:07:21,080
Speaker 2: I was very interested to see, like what was going

1304
01:07:21,120 --> 01:07:24,080
Speaker 2: on here clearly lip syncing, and his lip syncing was

1305
01:07:24,120 --> 01:07:27,320
Speaker 2: just shaking his mouth a little bit too much, like

1306
01:07:27,360 --> 01:07:31,920
Speaker 2: I I'm like, oh, baby looks cold. He he's singing.

1307
01:07:31,960 --> 01:07:37,720
Speaker 2: He looks terrified. Voice of an angel, just full lip

1308
01:07:37,720 --> 01:07:45,240
Speaker 2: sync quiver. So here's Prince and changing his mind, which

1309
01:07:45,240 --> 01:07:47,160
Speaker 2: ha happened to all of us, and he's like, yo,

1310
01:07:47,680 --> 01:07:49,720
Speaker 2: this can bring the houses together. Actually, so this is

1311
01:07:49,720 --> 01:07:51,960
Speaker 2: a great idea. So they do. They just go get married.

1312
01:07:52,400 --> 01:07:56,080
Speaker 2: He's like, Juliette go to confession or you know, her

1313
01:07:56,160 --> 01:07:58,320
Speaker 2: nurse help like kind of they were laying messages through

1314
01:07:58,320 --> 01:08:00,480
Speaker 2: the nurse and then she goes to confession. They get married.

1315
01:08:02,000 --> 01:08:04,040
Speaker 2: No plan at all. Where are we going to live?

1316
01:08:04,280 --> 01:08:06,240
Speaker 2: How are we going to fuck? Is this going to

1317
01:08:06,280 --> 01:08:09,640
Speaker 2: bring the end of the nation? No plan? Just we're young,

1318
01:08:09,680 --> 01:08:11,280
Speaker 2: we're in love. Let's do it.

1319
01:08:11,440 --> 01:08:12,440
Speaker 1: Yeah.

1320
01:08:12,760 --> 01:08:15,280
Speaker 2: So Tibble, like I mentioned earlier, does show up to

1321
01:08:15,360 --> 01:08:18,040
Speaker 2: exact his revenge on Romeo for crashing the party, and

1322
01:08:18,120 --> 01:08:20,280
Speaker 2: Romeo is like, look, I can't tell you why. I'm

1323
01:08:20,320 --> 01:08:22,559
Speaker 2: not mad at you, don't want to kill you. But

1324
01:08:22,680 --> 01:08:23,960
Speaker 2: I am not mad at you and I don't want

1325
01:08:23,960 --> 01:08:27,080
Speaker 2: to kill you because we're now like family. But I

1326
01:08:27,120 --> 01:08:30,000
Speaker 2: can't say that, so I'm just gonna kind of back

1327
01:08:30,040 --> 01:08:33,280
Speaker 2: away here, and everyone else is like, fuck this, we're fighting.

1328
01:08:33,400 --> 01:08:37,960
Speaker 2: So Mercushio who joins the fight and gets killed defending Romeo.

1329
01:08:38,040 --> 01:08:40,439
Speaker 2: And there's one thing that is wonderful about Romeo and

1330
01:08:40,479 --> 01:08:43,280
Speaker 2: Juliet is there's so much foreshadowing. So there's, you know,

1331
01:08:43,360 --> 01:08:45,240
Speaker 2: these these sentences that people say, like, you know, ask

1332
01:08:45,280 --> 01:08:47,280
Speaker 2: him for me tomorrow you'll find me a grave man,

1333
01:08:47,439 --> 01:08:51,240
Speaker 2: meaning like, of course that person's gonna die, God knows

1334
01:08:51,280 --> 01:08:53,559
Speaker 2: when I'll see you again, that kind of thing. So

1335
01:08:53,920 --> 01:08:56,679
Speaker 2: there has been some foreshadowing to this moment, but Mercusio

1336
01:08:56,720 --> 01:08:58,320
Speaker 2: tries to play it off like, yeah, you kind of

1337
01:08:58,360 --> 01:09:01,559
Speaker 2: sliced me, but it's just a scratch. 'tis but a scratch.

1338
01:09:01,640 --> 01:09:05,919
Speaker 2: I'll be fine. Then when he realizes he's dying, yeah,

1339
01:09:05,920 --> 01:09:09,559
Speaker 2: he's like, oh, fuck all, y'all a plague on both

1340
01:09:09,640 --> 01:09:12,760
Speaker 2: your fucking houses because now I gotta die because y'all

1341
01:09:12,760 --> 01:09:17,679
Speaker 2: can't keep stop fighting for no goddamn reason. It's powerful. Yeah.

1342
01:09:17,800 --> 01:09:19,800
Speaker 1: I didn't even know where that line came from, and

1343
01:09:19,840 --> 01:09:22,520
Speaker 1: now I know it's not from.

1344
01:09:22,280 --> 01:09:24,559
Speaker 2: This shit, and it was fucking powerful, and I goddamn

1345
01:09:24,560 --> 01:09:29,120
Speaker 2: loved it, so Tibble kills Mercutio. In response. In retaliation,

1346
01:09:29,640 --> 01:09:35,360
Speaker 2: Romeo kills Tibble, and Romeo is in trouble for killing

1347
01:09:35,360 --> 01:09:38,720
Speaker 2: this dude, and he's been banished like that is how

1348
01:09:38,720 --> 01:09:40,599
Speaker 2: they choose to deal with It's like, we could kill him,

1349
01:09:40,880 --> 01:09:42,599
Speaker 2: but he's from a great family, so we're just gonna

1350
01:09:42,640 --> 01:09:47,639
Speaker 2: exile him. Yeah, And Romeo's like, this isn't fair. Oh

1351
01:09:47,800 --> 01:09:49,439
Speaker 2: ying this And the Friar's like, can you get your

1352
01:09:49,479 --> 01:09:52,639
Speaker 2: fucking shit together? This is a mercy calm down. Julietta

1353
01:09:52,720 --> 01:09:55,240
Speaker 2: is alive. You're alive. You could have been killed, but

1354
01:09:55,280 --> 01:09:57,800
Speaker 2: you were just exiled. Just go to Mantua for a

1355
01:09:57,840 --> 01:10:00,280
Speaker 2: little while until we can smooth this off over. What

1356
01:10:00,320 --> 01:10:01,479
Speaker 2: the fuck? Why do I have to figure all this

1357
01:10:01,520 --> 01:10:03,479
Speaker 2: shit out? Why am I the prince of the underworld?

1358
01:10:04,040 --> 01:10:05,840
Speaker 1: Is this where he gets sent to the trailer? That's

1359
01:10:05,840 --> 01:10:07,639
Speaker 1: like the raising Arizona trailer.

1360
01:10:07,760 --> 01:10:11,120
Speaker 2: Absolutely, this is where he goes to the carnival trailer

1361
01:10:12,240 --> 01:10:12,880
Speaker 2: HBO show.

1362
01:10:13,560 --> 01:10:15,600
Speaker 1: This is like when they go out and get the

1363
01:10:15,680 --> 01:10:22,439
Speaker 1: guns and Terminator two. He's finished to the bunker.

1364
01:10:23,960 --> 01:10:27,720
Speaker 2: He is out there just like waiting for word for

1365
01:10:27,800 --> 01:10:30,200
Speaker 2: how this fucking priests is gonna help him figure this

1366
01:10:30,240 --> 01:10:35,000
Speaker 2: shit out. In the meantime, Juliette is like and before

1367
01:10:35,040 --> 01:10:37,120
Speaker 2: he goes, you know, he does see Juliette and they

1368
01:10:37,360 --> 01:10:41,679
Speaker 2: consummate their marriage and whatever, and it's very cute. It's

1369
01:10:41,720 --> 01:10:44,960
Speaker 2: cute seat, but it's cute, and you know, they're kind

1370
01:10:44,960 --> 01:10:46,360
Speaker 2: of like, well, what are we gonna do? And he's like,

1371
01:10:46,640 --> 01:10:49,760
Speaker 2: I don't know, bye, like I have to go. I

1372
01:10:49,760 --> 01:10:53,679
Speaker 2: don't know, I'm a name Chile. So while this this happening,

1373
01:10:53,760 --> 01:10:56,960
Speaker 2: the Capulates are like, all right, Juliet's super fucking sad

1374
01:10:57,000 --> 01:11:01,080
Speaker 2: because Timblet was just killed, favorite cousin. How about this

1375
01:11:01,160 --> 01:11:03,120
Speaker 2: in order to cheer her up, Let's marry her to

1376
01:11:03,160 --> 01:11:05,600
Speaker 2: Paris immediately, like on Thursday. Let's just do that. And

1377
01:11:05,640 --> 01:11:09,599
Speaker 2: she's like, no thanks, I'd literally rather die, and her

1378
01:11:09,600 --> 01:11:11,240
Speaker 2: mom and dad are like, cool, if you don't want

1379
01:11:11,240 --> 01:11:14,479
Speaker 2: to do this, you're on your fucking own. Yeah, So

1380
01:11:14,520 --> 01:11:16,840
Speaker 2: she runs to the friar and then we get to

1381
01:11:16,840 --> 01:11:20,320
Speaker 2: see this amazing scene of Claire Danes screaming and pointing

1382
01:11:20,360 --> 01:11:23,760
Speaker 2: a gun at Pete Posselwait. I was like, well, just like,

1383
01:11:25,680 --> 01:11:28,679
Speaker 2: no better summation of teen angs has ever existed. Yeah,

1384
01:11:28,800 --> 01:11:31,839
Speaker 2: And I got to say both Claire Danes and Leonardo

1385
01:11:31,880 --> 01:11:35,599
Speaker 2: DiCaprio are great criers, like they cry on c man.

1386
01:11:36,360 --> 01:11:39,679
Speaker 1: Dude, I knew that from the first moment Angela Chase

1387
01:11:40,360 --> 01:11:43,280
Speaker 1: tear it up. I was like, oh, yeah, she's got

1388
01:11:43,320 --> 01:11:46,920
Speaker 1: the quivery lip cry. She's like, oh she got she's

1389
01:11:47,080 --> 01:11:50,080
Speaker 1: selling it, selling it.

1390
01:11:50,520 --> 01:11:52,360
Speaker 2: So she's like, you better fucking help me get the

1391
01:11:52,400 --> 01:11:54,680
Speaker 2: shit out here or figure this out, or else I

1392
01:11:54,760 --> 01:11:57,719
Speaker 2: will kill us both. And he's like, all right again,

1393
01:11:58,040 --> 01:12:01,599
Speaker 2: chill out. You're both too amped up this potion. It's

1394
01:12:01,600 --> 01:12:03,559
Speaker 2: gonna make you look look like you're dead for a day.

1395
01:12:04,560 --> 01:12:06,800
Speaker 2: So you just laying your little casket. Let everyone be

1396
01:12:06,880 --> 01:12:08,960
Speaker 2: sad and more you for a day. I'll send a

1397
01:12:09,000 --> 01:12:10,760
Speaker 2: letter to Romeo. He can come get you, and you

1398
01:12:10,800 --> 01:12:14,400
Speaker 2: can both go live like carnies out in Mantua. It'll

1399
01:12:14,439 --> 01:12:17,240
Speaker 2: be fine. But of course Romeo misses the letter and

1400
01:12:17,280 --> 01:12:20,440
Speaker 2: here comes Jesse Bradford to fuck shit up because Balbizar

1401
01:12:21,120 --> 01:12:24,679
Speaker 2: is like, yo, I just saw a funeral for Juliet.

1402
01:12:24,800 --> 01:12:25,400
Speaker 1: She's dead.

1403
01:12:25,560 --> 01:12:29,280
Speaker 2: So Romeo comes back thinking, my girl's gone. I got

1404
01:12:29,280 --> 01:12:32,320
Speaker 2: nothing to live for, right, And as we all know,

1405
01:12:32,439 --> 01:12:34,640
Speaker 2: the tragic ending of Romeo and Juliet is that he

1406
01:12:34,680 --> 01:12:38,559
Speaker 2: takes poison, she wakes up, sees him dead, and then

1407
01:12:38,600 --> 01:12:43,360
Speaker 2: she kills herself. I think this is a great retelling

1408
01:12:43,400 --> 01:12:46,599
Speaker 2: of this fucking or a great reimagination of this fucking

1409
01:12:47,800 --> 01:12:49,479
Speaker 2: of Shakespeare. I really do think it is.

1410
01:12:50,040 --> 01:12:50,439
Speaker 1: Yeah.

1411
01:12:50,560 --> 01:12:52,040
Speaker 3: I actually thought it was great too.

1412
01:12:52,280 --> 01:12:57,160
Speaker 1: Yeah. Yeah, I mean, look, I think now that it's

1413
01:12:57,320 --> 01:13:02,960
Speaker 1: been many, many years since nineteen ninety six, I almost

1414
01:13:03,360 --> 01:13:06,720
Speaker 1: had a nostalgia for the style of it. I can

1415
01:13:06,800 --> 01:13:08,960
Speaker 1: tell you right now that if I had seen this

1416
01:13:09,040 --> 01:13:11,439
Speaker 1: in ninety six, I would have been like, what the

1417
01:13:11,479 --> 01:13:14,320
Speaker 1: fuck is this? Why they trying to appeal to my generation?

1418
01:13:15,320 --> 01:13:17,160
Speaker 3: I don't like this.

1419
01:13:17,160 --> 01:13:19,719
Speaker 1: This is this is like Hollywood being like, we got

1420
01:13:19,760 --> 01:13:21,240
Speaker 1: the finger on the pulse.

1421
01:13:20,960 --> 01:13:27,080
Speaker 2: Kids, and the finger is on the pulse of Shakespeare.

1422
01:13:27,240 --> 01:13:30,839
Speaker 1: Yeah, how about we take Shakespeare and make it cool.

1423
01:13:31,720 --> 01:13:34,439
Speaker 2: I would have liked flaming hot cheetos of movies in

1424
01:13:34,479 --> 01:13:35,080
Speaker 2: the nineties.

1425
01:13:35,280 --> 01:13:40,679
Speaker 1: I would have like sat there smoking my Marlboro Reds

1426
01:13:40,840 --> 01:13:45,519
Speaker 1: being like, fuck, all these people, I can't believe I

1427
01:13:45,560 --> 01:13:50,080
Speaker 1: saw this movie. It's like pandering to my generation. But

1428
01:13:50,200 --> 01:13:53,479
Speaker 1: now they'm older and it's you know, twenty twenty four.

1429
01:13:53,520 --> 01:13:55,559
Speaker 1: I'm like, yo, this is this kind a fresh I

1430
01:13:55,560 --> 01:13:58,880
Speaker 1: got like this and fun. I definitely know what's going

1431
01:13:58,920 --> 01:14:01,080
Speaker 1: on now, which was great. I mean I gotta say, like,

1432
01:14:01,200 --> 01:14:05,960
Speaker 1: I completely forgot that they were speaking in the original language.

1433
01:14:06,000 --> 01:14:08,400
Speaker 1: So when it started happening, I started laughing because I

1434
01:14:08,439 --> 01:14:12,000
Speaker 1: was like, oh, this is hilarious. But then I'm like, oh,

1435
01:14:12,040 --> 01:14:14,559
Speaker 1: this is actually great because now I can understand what

1436
01:14:14,600 --> 01:14:16,719
Speaker 1: this is actually about.

1437
01:14:17,800 --> 01:14:20,040
Speaker 2: I'm that makes me happy. Yeah, I think I was

1438
01:14:20,080 --> 01:14:22,559
Speaker 2: worthy for that alone. Yeah, and it's just it is

1439
01:14:22,600 --> 01:14:24,000
Speaker 2: at this point just a fun movie.

1440
01:14:24,280 --> 01:14:28,560
Speaker 1: Yeah. The cast is amazing. As we both talked about,

1441
01:14:28,800 --> 01:14:31,320
Speaker 1: I already loved clare Day and so that wasn't an

1442
01:14:31,360 --> 01:14:36,600
Speaker 1: issue for me. Now when Leo came on screen, I

1443
01:14:36,800 --> 01:14:41,360
Speaker 1: was like, oh, now I get it. I was like,

1444
01:14:41,439 --> 01:14:46,800
Speaker 1: he's got that riz he does Undeniable, Like Undeniable, I mean,

1445
01:14:46,840 --> 01:14:48,679
Speaker 1: he's cute as shit in this movie.

1446
01:14:49,160 --> 01:14:50,040
Speaker 2: He's got something.

1447
01:14:50,479 --> 01:14:54,240
Speaker 1: He's got it like and then you know it obviously

1448
01:14:54,360 --> 01:14:58,120
Speaker 1: like gets further propelled in my film. But like when

1449
01:14:58,160 --> 01:15:01,200
Speaker 1: this popped off, I was like, oh, yeah, like he's

1450
01:15:02,320 --> 01:15:05,800
Speaker 1: this movie is where now I understand why all y'all

1451
01:15:05,800 --> 01:15:07,920
Speaker 1: were so horny for him.

1452
01:15:07,920 --> 01:15:11,240
Speaker 2: Exactly, Like he captured the hearts of millions and never

1453
01:15:11,320 --> 01:15:12,800
Speaker 2: let go because of this movie.

1454
01:15:13,439 --> 01:15:17,000
Speaker 1: Yeah, I mean just put his like concave chest in

1455
01:15:17,040 --> 01:15:23,439
Speaker 1: an open flowing linen shirt his voice is changing, to

1456
01:15:23,479 --> 01:15:26,040
Speaker 1: get a little boxer over the waistband of the jeans

1457
01:15:26,080 --> 01:15:27,519
Speaker 1: and put like.

1458
01:15:27,479 --> 01:15:28,599
Speaker 2: A horster on him.

1459
01:15:28,840 --> 01:15:31,759
Speaker 1: I'm like, okay, duly noted.

1460
01:15:31,960 --> 01:15:34,080
Speaker 2: After I watched this, I went down kind of a

1461
01:15:34,160 --> 01:15:36,800
Speaker 2: Leo rabbit hole for a couple of days while I

1462
01:15:36,840 --> 01:15:40,080
Speaker 2: was doing my hair. So I watched this in your film,

1463
01:15:40,360 --> 01:15:45,360
Speaker 2: and then I watched Inception and Revenant and not like

1464
01:15:45,400 --> 01:15:47,120
Speaker 2: a couple of other yeah, like a couple of the

1465
01:15:47,240 --> 01:15:50,000
Speaker 2: Leo movies, and I'm like, he is. It's interesting to

1466
01:15:50,000 --> 01:15:52,439
Speaker 2: watch him age as an actor and also age physically,

1467
01:15:52,520 --> 01:15:53,200
Speaker 2: like in his face.

1468
01:15:53,439 --> 01:15:56,600
Speaker 1: Yeah. I think that's even how the conversation came up,

1469
01:15:56,640 --> 01:16:02,720
Speaker 1: because I feel like I never thought about him as

1470
01:16:02,720 --> 01:16:07,880
Speaker 1: a as a heart throb for sure when I when

1471
01:16:07,920 --> 01:16:11,240
Speaker 1: he was a heart throb and his Leomania era. I

1472
01:16:11,400 --> 01:16:14,880
Speaker 1: but now that he's older, this is my time for him,

1473
01:16:14,920 --> 01:16:18,680
Speaker 1: like we talked about like once upon a time in Hollywood,

1474
01:16:19,360 --> 01:16:21,840
Speaker 1: you know, and like all of his roles in his

1475
01:16:21,920 --> 01:16:26,160
Speaker 1: older years, where I'm like, yo, I finally like this guy, right,

1476
01:16:26,280 --> 01:16:29,320
Speaker 1: And finally the light bulb went off on him.

1477
01:16:29,800 --> 01:16:31,559
Speaker 2: But you came to him from a place of talent

1478
01:16:33,000 --> 01:16:36,200
Speaker 2: and not like like Tiger Beat posters.

1479
01:16:36,240 --> 01:16:40,479
Speaker 1: Talent or craziness. Like it's like hard to remember. That's

1480
01:16:40,520 --> 01:16:42,960
Speaker 1: what we talked about because we watched Wolf of Wall

1481
01:16:42,960 --> 01:16:47,320
Speaker 1: Street and I was like, is this good acting or

1482
01:16:47,439 --> 01:16:52,800
Speaker 1: is this guy just a compelling screaming dude? Like you

1483
01:16:52,840 --> 01:16:56,400
Speaker 1: know what I mean. I mean he's talented that No, fine,

1484
01:16:56,479 --> 01:17:02,280
Speaker 1: he's he's obviously like gets hired for job. But I

1485
01:17:02,320 --> 01:17:07,200
Speaker 1: think his I like him older. I like his weird screaming,

1486
01:17:08,479 --> 01:17:11,240
Speaker 1: and I just think, you know, now that I'm watching

1487
01:17:11,439 --> 01:17:14,160
Speaker 1: more of his you know, heyday Roles, I'm like, Okay,

1488
01:17:14,160 --> 01:17:15,920
Speaker 1: now I see why y'all loved him so much.

1489
01:17:16,720 --> 01:17:20,479
Speaker 2: The picture. Yeah, well, I'm glad we watched it. I'm

1490
01:17:20,479 --> 01:17:22,439
Speaker 2: glad I got the text messages while you were watching it.

1491
01:17:24,600 --> 01:17:30,280
Speaker 1: That opening sequence is wah yu duh what the whole

1492
01:17:30,400 --> 01:17:34,400
Speaker 1: washial media? Because it's so dramatic. It is all lot

1493
01:17:34,960 --> 01:17:39,760
Speaker 1: yo with that like Chris Angel mind freak fonts like

1494
01:17:41,520 --> 01:17:43,479
Speaker 1: I think I posted. So I was watching it at

1495
01:17:43,520 --> 01:17:45,960
Speaker 1: my friend Vanessa's house and I just was like filming

1496
01:17:46,360 --> 01:17:48,680
Speaker 1: the sequence and I texted too. So we'll put it

1497
01:17:48,720 --> 01:17:51,120
Speaker 1: on social media because I was literally like, yo, this

1498
01:17:51,320 --> 01:17:54,000
Speaker 1: is like, Yo, it's go time. It's like you're pumping

1499
01:17:54,000 --> 01:17:55,559
Speaker 1: their fists in the air, like are you ready for

1500
01:17:55,600 --> 01:18:01,800
Speaker 1: some Romeo and fucking Juliet, Let's go fast Edits, let's go.

1501
01:18:03,040 --> 01:18:04,439
Speaker 2: It's like the stadium show.

1502
01:18:04,880 --> 01:18:05,280
Speaker 1: It is.

1503
01:18:05,680 --> 01:18:06,559
Speaker 2: But no, I'm so glad.

1504
01:18:06,600 --> 01:18:08,360
Speaker 1: We watched it too, obviously.

1505
01:18:08,720 --> 01:18:10,479
Speaker 2: And you watched it with someone. What did they think

1506
01:18:10,520 --> 01:18:11,479
Speaker 2: about your first viewing?

1507
01:18:13,080 --> 01:18:14,280
Speaker 1: Oh, I don't even really know.

1508
01:18:14,360 --> 01:18:15,240
Speaker 2: She she's a kid.

1509
01:18:15,520 --> 01:18:17,160
Speaker 1: She has a kid, So she was in and out.

1510
01:18:17,000 --> 01:18:21,639
Speaker 2: Of the room. She's like I've seen this eight hundred times.

1511
01:18:22,479 --> 01:18:25,280
Speaker 1: She was she's my age. So yeah, she was basically like, yo, yeah,

1512
01:18:25,400 --> 01:18:27,360
Speaker 1: I gotta go take care of my son. You continue

1513
01:18:27,360 --> 01:18:28,120
Speaker 1: watching this.

1514
01:18:28,280 --> 01:18:30,320
Speaker 2: Man, you do your homework.

1515
01:18:30,479 --> 01:18:32,360
Speaker 1: Yeah no, but it was.

1516
01:18:32,439 --> 01:18:33,960
Speaker 3: It was great, and I'm so glad I got to

1517
01:18:33,960 --> 01:18:34,559
Speaker 3: finally see it.

1518
01:18:34,600 --> 01:18:36,920
Speaker 1: And it wasn't like I said, I think I'm glad

1519
01:18:36,960 --> 01:18:38,760
Speaker 1: I watched it now because I would have thought it

1520
01:18:38,800 --> 01:18:41,799
Speaker 1: was a little suspect then. But you know, yeah, closing

1521
01:18:41,840 --> 01:18:43,840
Speaker 1: that gap important for me.

1522
01:18:44,120 --> 01:18:46,840
Speaker 2: It makes me happy. Oh you're film all right.

1523
01:18:46,760 --> 01:18:58,440
Speaker 4: Speaking of closing a gap, Okay, this is gonna get weird.

1524
01:18:58,720 --> 01:19:00,479
Speaker 3: This is gonna get real weird. But let's go.

1525
01:19:01,720 --> 01:19:06,840
Speaker 1: So my movie for the theme, it's fucking go time

1526
01:19:08,280 --> 01:19:12,479
Speaker 1: from nineteen ninety seven, I think you know, directed and

1527
01:19:12,520 --> 01:19:17,360
Speaker 1: written by James Cameron, and it's called Titanic.

1528
01:19:18,200 --> 01:19:25,560
Speaker 2: Titanic was called the Ship of Dreams, ended.

1529
01:19:25,439 --> 01:19:29,120
Speaker 1: Wash every nod in pat dreams.

1530
01:19:29,360 --> 01:19:34,639
Speaker 2: I see another song we were terrorized by that played

1531
01:19:34,640 --> 01:19:36,040
Speaker 2: for ten seconds.

1532
01:19:36,439 --> 01:19:39,680
Speaker 1: But here's what I'm gonna say about that. It's a banger.

1533
01:19:40,040 --> 01:19:42,840
Speaker 2: It's a banger. Come on, it is it is?

1534
01:19:43,040 --> 01:19:47,160
Speaker 1: I think, like, here's the thing, Celine Dion rules. Haven't

1535
01:19:47,200 --> 01:19:47,840
Speaker 1: we talked about this?

1536
01:19:48,520 --> 01:19:49,120
Speaker 2: Absolutely?

1537
01:19:49,439 --> 01:19:49,759
Speaker 3: Also?

1538
01:19:50,040 --> 01:19:53,840
Speaker 1: Did I detect some Enya tucked in there? At one point,

1539
01:19:54,120 --> 01:19:58,400
Speaker 1: maybe towards the end, I was like, Yo, they got

1540
01:19:58,439 --> 01:20:01,160
Speaker 1: all the high drama bitches I love. I'm like, bring

1541
01:20:01,280 --> 01:20:03,400
Speaker 1: all of the bring all the divas. This could be

1542
01:20:03,520 --> 01:20:11,439
Speaker 1: VH what divas live ethereal version? Do she got some?

1543
01:20:11,800 --> 01:20:13,479
Speaker 1: Can she be on the Titanic soundtrack?

1544
01:20:14,400 --> 01:20:18,160
Speaker 2: Good? What's Whitney Whitney get her on here?

1545
01:20:19,240 --> 01:20:21,960
Speaker 1: Maybe a little Lori Anderson for good measure. I don't know.

1546
01:20:22,439 --> 01:20:25,280
Speaker 1: Just bringing all the freaks. We love them.

1547
01:20:25,760 --> 01:20:28,120
Speaker 2: Look, I'll even take put Yoko Ono on there. Let's

1548
01:20:28,160 --> 01:20:33,120
Speaker 2: make it weird. Let's go there, yo ko Oto on

1549
01:20:33,160 --> 01:20:38,679
Speaker 2: the Titanic and Grace Jones on the Titanic soundtrack. Don't

1550
01:20:38,680 --> 01:20:39,520
Speaker 2: be cowards.

1551
01:20:39,920 --> 01:20:42,160
Speaker 3: This is why they don't want us to lead.

1552
01:20:42,600 --> 01:20:45,120
Speaker 1: Do you know this, because we'd be doing this soundtrack

1553
01:20:45,520 --> 01:20:48,040
Speaker 1: like this is why they're too powerful. They are the

1554
01:20:48,400 --> 01:20:51,479
Speaker 1: press us. They keep us down because our ideas are

1555
01:20:51,520 --> 01:20:55,960
Speaker 1: too good. Yoko Ono on the fucking Titanic soundtrack. Oh

1556
01:20:56,160 --> 01:20:59,720
Speaker 1: good ship, that's the world I want to live in.

1557
01:21:00,080 --> 01:21:02,080
Speaker 1: To be honest, I need her. Music is great. I

1558
01:21:02,160 --> 01:21:03,120
Speaker 1: want to live in that world.

1559
01:21:03,240 --> 01:21:08,080
Speaker 2: Put fucking gre Grace Jones singing some like Irish Sea Shanty.

1560
01:21:09,120 --> 01:21:14,360
Speaker 2: Come on, cowards, you can make it Era appropriate, but

1561
01:21:14,439 --> 01:21:15,920
Speaker 2: let's get those vocals in there.

1562
01:21:19,640 --> 01:21:23,400
Speaker 1: Yo, I need you to run all the businesses.

1563
01:21:26,160 --> 01:21:27,439
Speaker 2: I'm trying, girl, I'm trying.

1564
01:21:27,840 --> 01:21:30,160
Speaker 3: So okay, here's the deal for this week.

1565
01:21:30,200 --> 01:21:33,719
Speaker 1: Because I debated whether or not I was like, should

1566
01:21:33,760 --> 01:21:36,920
Speaker 1: I just go hard on Titanic in like the classic

1567
01:21:36,960 --> 01:21:39,000
Speaker 1: way that I would do, which is a ton of research,

1568
01:21:39,000 --> 01:21:41,920
Speaker 1: a ton of notes. But like all of y'all know

1569
01:21:42,000 --> 01:21:44,240
Speaker 1: this movie better than me, I just saw it for

1570
01:21:44,280 --> 01:21:48,360
Speaker 1: the first time, so y'all know that James Cameron is

1571
01:21:48,400 --> 01:21:53,200
Speaker 1: obsessed with like underwater excavations and shit like like.

1572
01:21:53,200 --> 01:21:56,519
Speaker 2: Y'all know that I actually just found that out, like

1573
01:21:56,560 --> 01:21:58,520
Speaker 2: not too a real waterkink.

1574
01:21:59,000 --> 01:22:02,639
Speaker 1: Yeah, he's this is a watery episode, let's get serious.

1575
01:22:02,680 --> 01:22:06,559
Speaker 1: Between fish, tanks and oceans.

1576
01:22:07,520 --> 01:22:11,200
Speaker 2: Were learned a lot about the water this week. There

1577
01:22:11,200 --> 01:22:16,000
Speaker 2: are going to be two instances in this film that

1578
01:22:16,080 --> 01:22:20,400
Speaker 2: I think should have landed James Cameron in jail, and

1579
01:22:20,439 --> 01:22:22,400
Speaker 2: if you don't mention them, I will, But I'm gonna

1580
01:22:22,400 --> 01:22:23,880
Speaker 2: wait to see what you discuss.

1581
01:22:24,439 --> 01:22:27,280
Speaker 3: Okay, Okay, let's let's see what happens.

1582
01:22:27,560 --> 01:22:29,240
Speaker 2: So maybe not even like a real prison, but just

1583
01:22:29,280 --> 01:22:31,040
Speaker 2: like a film prison.

1584
01:22:31,720 --> 01:22:37,360
Speaker 1: Oh film cultural who I love film prison. Okay, So

1585
01:22:38,680 --> 01:22:40,240
Speaker 1: what I'm gonna do is I'm gonna do one sense

1586
01:22:40,280 --> 01:22:45,000
Speaker 1: synopsis and I think you'll know what happens in the film.

1587
01:22:45,120 --> 01:22:47,599
Speaker 1: So I'm not even gonna go beat by beat. I'm

1588
01:22:47,600 --> 01:22:51,920
Speaker 1: just gonna got out some observations that I noticed about

1589
01:22:51,920 --> 01:22:56,080
Speaker 1: this film, which again is a first time watch for me. Okay,

1590
01:22:57,720 --> 01:23:06,600
Speaker 1: a one sentence synopsis of Titanic is a ship sinks.

1591
01:23:10,320 --> 01:23:14,200
Speaker 2: We kept it real simple this week, right unbeknownst to

1592
01:23:14,280 --> 01:23:17,639
Speaker 2: each other, we both went with the two and three

1593
01:23:17,720 --> 01:23:20,120
Speaker 2: were in one sentence this week, I love it.

1594
01:23:23,640 --> 01:23:26,120
Speaker 1: Because that thing is that this is historical and like,

1595
01:23:26,520 --> 01:23:29,040
Speaker 1: there there are some real Titanic heads out there, and

1596
01:23:29,040 --> 01:23:31,240
Speaker 1: I don't want to like, I don't you know, I'm

1597
01:23:31,280 --> 01:23:33,080
Speaker 1: gonna be telling all things that you already know.

1598
01:23:33,240 --> 01:23:36,080
Speaker 2: Okay, So my god, that's amazing.

1599
01:23:36,400 --> 01:23:42,200
Speaker 1: The general vibe, the vibe of the film is that basically, like,

1600
01:23:43,120 --> 01:23:48,960
Speaker 1: you know, there's this underwater sea excavation company head by

1601
01:23:48,960 --> 01:23:52,240
Speaker 1: Bill Paxson who looks grizzled as fuck.

1602
01:23:52,040 --> 01:23:54,960
Speaker 2: In this movie. Amazing this movie.

1603
01:23:55,120 --> 01:24:00,679
Speaker 1: Yo, he looks like he fell asleep drunk in Cabo

1604
01:24:01,880 --> 01:24:03,840
Speaker 1: and then showed up to film Titanic.

1605
01:24:04,960 --> 01:24:08,080
Speaker 2: Did he not hanging out with Sammy Hagar for like

1606
01:24:08,200 --> 01:24:09,799
Speaker 2: forty days straight before filming.

1607
01:24:10,120 --> 01:24:12,839
Speaker 1: Yeah, he's hanging out with that like old boat captain

1608
01:24:12,920 --> 01:24:18,280
Speaker 1: that was in that John Cusack movie that he talked about,

1609
01:24:20,280 --> 01:24:26,759
Speaker 1: Robert Loji. Yeah, Robert Logia from that from that John

1610
01:24:26,840 --> 01:24:28,519
Speaker 1: Cusack movie.

1611
01:24:28,520 --> 01:24:32,920
Speaker 2: He's a jerky But I thought, hey, Bill Paxton, this

1612
01:24:32,960 --> 01:24:35,439
Speaker 2: will get MILLI in oh one hundred percent.

1613
01:24:35,760 --> 01:24:39,599
Speaker 1: Having said that, he's still the goat. Like even if

1614
01:24:39,640 --> 01:24:47,200
Speaker 1: he looks sunburnt and coke bloated in this film, he's

1615
01:24:47,280 --> 01:24:50,080
Speaker 1: still the Goat and the Man, and.

1616
01:24:49,960 --> 01:24:52,760
Speaker 2: It actually made me really miss him all over again.

1617
01:24:53,080 --> 01:24:55,080
Speaker 2: Every time I see him in a movie, I'm like, fuck,

1618
01:24:55,160 --> 01:24:58,200
Speaker 2: we miss so much good ship from him. Imagine what

1619
01:24:58,240 --> 01:24:59,640
Speaker 2: he would be doing now. I know.

1620
01:25:00,120 --> 01:25:02,000
Speaker 1: Yeah, I'm with you. Every time I see him in something,

1621
01:25:02,040 --> 01:25:04,680
Speaker 1: I'm just like, it makes me sad that he's down.

1622
01:25:04,840 --> 01:25:07,919
Speaker 2: Yeah. Near Dark is as of the time of this recording,

1623
01:25:08,040 --> 01:25:10,400
Speaker 2: I should say Near Dark is back on Criterion Channel.

1624
01:25:11,720 --> 01:25:12,920
Speaker 1: You know how I love Near Dark?

1625
01:25:13,560 --> 01:25:14,880
Speaker 2: Put it on the pod we can still watch.

1626
01:25:15,000 --> 01:25:17,080
Speaker 1: Oh yeah, well we should jump on that. Why don't

1627
01:25:17,120 --> 01:25:19,840
Speaker 1: we do Near Dark and Parasite? Figure out a way

1628
01:25:19,840 --> 01:25:21,920
Speaker 1: to do them together. Let's do it.

1629
01:25:22,080 --> 01:25:24,240
Speaker 2: Let's do it. Yeah.

1630
01:25:24,479 --> 01:25:28,640
Speaker 1: So, so they're basically going down to the wreck of

1631
01:25:28,680 --> 01:25:31,000
Speaker 1: the Titanic to find a safe which they think has

1632
01:25:31,040 --> 01:25:36,720
Speaker 1: this very expensive diamond necklace, and as it turns out,

1633
01:25:36,840 --> 01:25:39,600
Speaker 1: they don't find it, and then they get on the

1634
01:25:39,640 --> 01:25:43,679
Speaker 1: news they're like, the sky did not find this diamond,

1635
01:25:43,720 --> 01:25:50,080
Speaker 1: y'all false alarm. While that's happening, this old lady who's

1636
01:25:50,600 --> 01:25:53,360
Speaker 1: you know, basically throwing a pot on a pottery wheel

1637
01:25:53,439 --> 01:25:57,920
Speaker 1: is like, what somebody's down in the wreck of the Titanic. Wait,

1638
01:25:57,960 --> 01:26:03,200
Speaker 1: a second, let me call this motherfucker. She calls him,

1639
01:26:03,360 --> 01:26:08,040
Speaker 1: and as it turns out, she is a survivor on

1640
01:26:08,160 --> 01:26:09,920
Speaker 1: the fucking Titanic.

1641
01:26:10,200 --> 01:26:12,880
Speaker 2: And they found the only they didn't find any diamond

1642
01:26:12,960 --> 01:26:14,680
Speaker 2: down there, but they did find a picture down there

1643
01:26:14,680 --> 01:26:19,519
Speaker 2: with some titties. And she was like, guess what them's mine?

1644
01:26:21,840 --> 01:26:23,640
Speaker 1: I could clock in the moment you put it on

1645
01:26:23,720 --> 01:26:29,360
Speaker 1: my tiny little fuzzy four x three whose school TV.

1646
01:26:29,240 --> 01:26:32,440
Speaker 3: Screen that I have in my studio or wherever.

1647
01:26:32,479 --> 01:26:34,640
Speaker 1: Like, I was like, that's my boobs.

1648
01:26:35,520 --> 01:26:40,160
Speaker 2: Let me call him, I remember them, ring, ring, Thanks

1649
01:26:40,160 --> 01:26:41,160
Speaker 2: for finding my titties.

1650
01:26:41,439 --> 01:26:42,559
Speaker 3: I'm horribly old.

1651
01:26:42,840 --> 01:26:45,320
Speaker 1: I think I'm making. I think I'm making in front

1652
01:26:45,360 --> 01:26:53,840
Speaker 1: of you though. So here's one of the wildest things

1653
01:26:53,840 --> 01:26:56,200
Speaker 1: about this movie to me. Already, Like within the first

1654
01:26:56,200 --> 01:27:02,160
Speaker 1: like twenty thirty minutes, they let her on the boat

1655
01:27:03,160 --> 01:27:04,200
Speaker 1: fucking helicopter.

1656
01:27:04,640 --> 01:27:05,479
Speaker 2: This woman in.

1657
01:27:07,080 --> 01:27:11,400
Speaker 1: She's gotta be like near one hundred years of age,

1658
01:27:12,120 --> 01:27:14,360
Speaker 1: if not older, I think maybe.

1659
01:27:14,160 --> 01:27:16,280
Speaker 2: One oh one is she had think they say she's

1660
01:27:16,320 --> 01:27:18,519
Speaker 2: one hundred and two or something like that. In the field, she's.

1661
01:27:18,600 --> 01:27:22,800
Speaker 1: She's on that Smucker's section of the Today Show. She

1662
01:27:22,920 --> 01:27:26,000
Speaker 1: is that kind of old. She's that kind of old. Okay,

1663
01:27:27,160 --> 01:27:31,160
Speaker 1: So my question to you is is it even possible

1664
01:27:31,200 --> 01:27:35,920
Speaker 1: to put her on a helicopter, let alone as a

1665
01:27:36,040 --> 01:27:39,559
Speaker 1: research boat in Russia? Where are they at Russia? I

1666
01:27:39,560 --> 01:27:42,280
Speaker 1: don't even know where they're at, obviously, No, they're the

1667
01:27:42,280 --> 01:27:45,200
Speaker 1: Atlantic Ocean. I think Russia made the boat. Am I

1668
01:27:45,280 --> 01:27:46,679
Speaker 1: right about that? It's like a Russia.

1669
01:27:46,760 --> 01:27:48,679
Speaker 2: Russia made the boat. They're on a Russian ship.

1670
01:27:48,840 --> 01:27:53,880
Speaker 1: Yeah. But my my question to you is would one

1671
01:27:53,960 --> 01:27:56,400
Speaker 1: hundred and one year old woman be able to get

1672
01:27:56,400 --> 01:28:00,120
Speaker 1: into a fucking helicopter and not immediately die?

1673
01:28:00,479 --> 01:28:05,360
Speaker 2: I think she would only because I recently read a

1674
01:28:05,400 --> 01:28:08,080
Speaker 2: story or maybe I heard one on like MPR or

1675
01:28:08,120 --> 01:28:10,479
Speaker 2: something about a woman who loves to travel and she's

1676
01:28:10,520 --> 01:28:14,280
Speaker 2: one hundred years old and there is no system on

1677
01:28:14,400 --> 01:28:17,479
Speaker 2: the Internet or on Earth that will register her age

1678
01:28:17,560 --> 01:28:20,639
Speaker 2: as one hundred, so they always make her zero zero.

1679
01:28:21,960 --> 01:28:26,200
Speaker 2: They cannot believe a one hundred year old person is traveling. Wow,

1680
01:28:27,000 --> 01:28:29,679
Speaker 2: So they genuinely like, oh, your birthday has to be wrong.

1681
01:28:29,800 --> 01:28:32,240
Speaker 2: It's not nineteen. She can't even find her birthday, Like,

1682
01:28:32,439 --> 01:28:35,840
Speaker 2: she can't scroll down to like nineteen twenty four. She

1683
01:28:35,840 --> 01:28:37,160
Speaker 2: has to put her birthday in and like, oh, she

1684
01:28:37,200 --> 01:28:38,880
Speaker 2: has to do a whole bunch of steps basically to

1685
01:28:38,880 --> 01:28:40,599
Speaker 2: confirm that, Like, yes, I'm a hundred years old, I'm

1686
01:28:40,600 --> 01:28:43,880
Speaker 2: getting on this plane, So I think you can. But

1687
01:28:44,479 --> 01:28:48,120
Speaker 2: I also think you can if you're traveling the way

1688
01:28:48,240 --> 01:28:51,040
Speaker 2: Rose is traveling, which is with all of her animals,

1689
01:28:51,080 --> 01:28:57,000
Speaker 2: including her fucking goldfish, seventeen steamer trunks, her granddaughter, and

1690
01:28:57,040 --> 01:28:59,120
Speaker 2: she gets off that plane in a wheelchair holding ont

1691
01:28:59,120 --> 01:29:01,360
Speaker 2: of that dog. When I saw that shit again for

1692
01:29:01,400 --> 01:29:03,160
Speaker 2: the first time in years, I haven't seen this movie

1693
01:29:03,160 --> 01:29:05,920
Speaker 2: in years, I was like, that is million, sixty years shit.

1694
01:29:07,520 --> 01:29:10,000
Speaker 2: You will be one hundred years old holding on to

1695
01:29:10,080 --> 01:29:14,400
Speaker 2: Sophie four, getting on a fucking helicopter, drop me in

1696
01:29:14,439 --> 01:29:16,040
Speaker 2: the ocean bench listen.

1697
01:29:16,160 --> 01:29:18,200
Speaker 1: First of all, justice for that lady not being able

1698
01:29:18,240 --> 01:29:21,440
Speaker 1: to get her birthday. That's a blatant white suitca shit.

1699
01:29:21,560 --> 01:29:25,719
Speaker 1: Can't she put her birthday in there? Delta American Airlines whoever?

1700
01:29:26,439 --> 01:29:30,120
Speaker 3: So there's that number two. I used to work at TCM,

1701
01:29:30,160 --> 01:29:30,519
Speaker 3: so I know.

1702
01:29:30,479 --> 01:29:32,640
Speaker 1: What it's like working with people who are elderly, and

1703
01:29:32,680 --> 01:29:34,680
Speaker 1: they do bring a lot of shit. They bring a

1704
01:29:34,680 --> 01:29:36,760
Speaker 1: lot of shit, a lot of people and a lot

1705
01:29:36,760 --> 01:29:40,280
Speaker 1: of a lot of animals. So first of all, I

1706
01:29:40,400 --> 01:29:42,880
Speaker 1: was like, I can't believe they got this much room

1707
01:29:42,960 --> 01:29:46,719
Speaker 1: for all this shit, Like she's bringing like her entire

1708
01:29:46,800 --> 01:29:50,560
Speaker 1: mantlepiece full of photos the daw the granddaughter, which I

1709
01:29:50,560 --> 01:29:53,160
Speaker 1: got to say about this granddaughter, I don't really know

1710
01:29:53,360 --> 01:29:56,680
Speaker 1: if I like the granddaughter. I'm like, no disrespect to

1711
01:29:56,720 --> 01:29:58,479
Speaker 1: the actress who played the granddaughter, but I'm like, what

1712
01:29:58,520 --> 01:30:01,639
Speaker 1: are you here for is to maybe drop a little

1713
01:30:02,200 --> 01:30:05,120
Speaker 1: breadcrumb that maybe Bill Paxson's gonna fall in love with

1714
01:30:05,160 --> 01:30:07,280
Speaker 1: you after this is all said and done, Like what

1715
01:30:07,439 --> 01:30:10,519
Speaker 1: is this useless character?

1716
01:30:10,600 --> 01:30:13,679
Speaker 2: In my opinion, Like I'm hating on a caretaker because

1717
01:30:13,680 --> 01:30:16,000
Speaker 2: also Rose doesn't really need that. She's not. She does

1718
01:30:16,040 --> 01:30:18,000
Speaker 2: not show anything in this film where she needs that

1719
01:30:18,080 --> 01:30:18,559
Speaker 2: kind of help.

1720
01:30:18,800 --> 01:30:21,360
Speaker 1: Yeah, but she was probably medically clear to be on

1721
01:30:21,400 --> 01:30:24,719
Speaker 1: a fucking research in the middle of the ocean, okay,

1722
01:30:25,160 --> 01:30:27,479
Speaker 1: and you know that they had to fly like what

1723
01:30:27,560 --> 01:30:29,600
Speaker 1: air what airport does she flying into? And then she

1724
01:30:29,600 --> 01:30:31,559
Speaker 1: had to get into a helicopter and fly a long

1725
01:30:31,640 --> 01:30:35,599
Speaker 1: ways over the ocean. So looks like that granddaughter didn't

1726
01:30:35,600 --> 01:30:37,479
Speaker 1: need to be there. Just throw that out there.

1727
01:30:37,680 --> 01:30:41,120
Speaker 2: However, she could have packed another trunk.

1728
01:30:41,080 --> 01:30:44,960
Speaker 1: Yeah, could have packed another fucking Louisviton trunk for her shit.

1729
01:30:45,479 --> 01:30:47,560
Speaker 1: But that's so that to me is already like, I

1730
01:30:47,600 --> 01:30:50,240
Speaker 1: can't believe they put this bitch on the boat. Okay, whatever,

1731
01:30:50,400 --> 01:30:52,559
Speaker 1: I guess it has to do. We have to have

1732
01:30:52,560 --> 01:30:54,800
Speaker 1: a story because we have to have a moment where

1733
01:30:54,800 --> 01:30:58,920
Speaker 1: she's recalling her tails of being on the fucking Titanic,

1734
01:30:59,200 --> 01:31:01,960
Speaker 1: and then the whole room is crying. Every person on

1735
01:31:02,000 --> 01:31:06,839
Speaker 1: the ship is crying. So we had to have that happen.

1736
01:31:07,200 --> 01:31:09,280
Speaker 1: So that's why she's on this boat, even though I

1737
01:31:09,280 --> 01:31:13,000
Speaker 1: can't believe it. So anyway, that's so that she starts

1738
01:31:13,040 --> 01:31:17,479
Speaker 1: talking about her time being on the Titanic, which is

1739
01:31:17,520 --> 01:31:18,439
Speaker 1: so wild.

1740
01:31:19,720 --> 01:31:23,040
Speaker 2: Also part one the first instance where I think James

1741
01:31:23,080 --> 01:31:25,800
Speaker 2: Cameron should be in film jail, and it's not the

1742
01:31:25,840 --> 01:31:30,400
Speaker 2: first time she says it. Rose keeps talking about how

1743
01:31:32,040 --> 01:31:34,640
Speaker 2: like locked down she was in life. She was so

1744
01:31:35,000 --> 01:31:38,360
Speaker 2: like like reined in and nobody would let her do anything,

1745
01:31:38,400 --> 01:31:41,240
Speaker 2: and her life was very limited and more than once,

1746
01:31:41,320 --> 01:31:43,800
Speaker 2: but especially in the beginning, she says, I know it

1747
01:31:43,840 --> 01:31:45,840
Speaker 2: was a ship of dreams, but to me, it felt

1748
01:31:45,840 --> 01:31:47,960
Speaker 2: like a slave ship. And I'm like, okay, Rose, I'm

1749
01:31:47,960 --> 01:31:49,679
Speaker 2: gonna need you to calm down on that slave shit

1750
01:31:49,800 --> 01:31:52,160
Speaker 2: real quick, especially since you were alive and you're old

1751
01:31:52,240 --> 01:31:54,400
Speaker 2: enough to have had slaves. Yeah, calm it down.

1752
01:31:54,760 --> 01:31:57,880
Speaker 1: A lot of slave metaphors in this movie, which I

1753
01:31:57,960 --> 01:31:58,599
Speaker 1: was a little like.

1754
01:31:58,640 --> 01:32:02,080
Speaker 2: Eol, don't hold up well, does not hold up?

1755
01:32:02,120 --> 01:32:02,400
Speaker 1: Wow?

1756
01:32:03,360 --> 01:32:04,160
Speaker 3: Tiny bit weird.

1757
01:32:05,400 --> 01:32:06,920
Speaker 1: They give you the B and the D if this

1758
01:32:06,960 --> 01:32:09,599
Speaker 1: is like the nineteen tens or whatever, but still, man,

1759
01:32:09,760 --> 01:32:11,400
Speaker 1: it's like weird. It was kind of weird.

1760
01:32:11,439 --> 01:32:15,000
Speaker 2: I gotta say I approached you own slaves. Yeah, you're

1761
01:32:15,160 --> 01:32:19,599
Speaker 2: from like the Philly suburbs, high falutant lady. You definitely

1762
01:32:19,600 --> 01:32:22,680
Speaker 2: had people work in your fields, so shut up. I

1763
01:32:22,680 --> 01:32:24,360
Speaker 2: have to get on a fancy boat and I feel

1764
01:32:24,360 --> 01:32:24,719
Speaker 2: like one.

1765
01:32:25,200 --> 01:32:29,240
Speaker 1: Yeah. So basically this movie takes place in flashback. Y'all

1766
01:32:29,280 --> 01:32:33,280
Speaker 1: already know this. She's like about to cross the Atlantic

1767
01:32:33,280 --> 01:32:37,640
Speaker 1: Ocean on this like unsinkable mega ship called the Titanic.

1768
01:32:38,040 --> 01:32:42,080
Speaker 1: She's gotta be booed up with Billy Zame.

1769
01:32:43,320 --> 01:32:48,559
Speaker 2: Second jail, second jail moment. Yo.

1770
01:32:48,720 --> 01:32:49,680
Speaker 3: I said the same thing.

1771
01:32:49,920 --> 01:32:51,920
Speaker 2: I was like, send him to jail.

1772
01:32:52,080 --> 01:32:54,519
Speaker 1: I didn't even remember him having this shit in dead calm,

1773
01:32:54,640 --> 01:32:55,280
Speaker 1: what's up with this?

1774
01:32:55,800 --> 01:32:56,639
Speaker 3: What's up with this?

1775
01:32:57,840 --> 01:33:01,080
Speaker 2: I'm not saying send him to jail because he gave

1776
01:33:01,160 --> 01:33:03,280
Speaker 2: him a wig or he's wearing a piece or whatever.

1777
01:33:03,560 --> 01:33:07,560
Speaker 2: I'm saying, the quality of that shit was not becoming

1778
01:33:08,080 --> 01:33:09,000
Speaker 2: of Billie's aim.

1779
01:33:09,800 --> 01:33:12,040
Speaker 1: Yes, I was like, I don't know what this like

1780
01:33:12,160 --> 01:33:15,800
Speaker 1: Roman Navarro ass thing is supposed to be, but I'm like,

1781
01:33:15,840 --> 01:33:18,759
Speaker 1: this is too much. Like he looks crazy.

1782
01:33:19,760 --> 01:33:23,600
Speaker 2: It's like brand it's like a different color from the

1783
01:33:23,680 --> 01:33:26,200
Speaker 2: rest of his hair. Like, come on, y'all, you spent

1784
01:33:26,360 --> 01:33:28,400
Speaker 2: but jillions of dollars on this movie. Get that man

1785
01:33:28,439 --> 01:33:29,040
Speaker 2: a better piece.

1786
01:33:29,160 --> 01:33:31,920
Speaker 1: I know, like the most money, right, didn't they spend

1787
01:33:31,960 --> 01:33:34,479
Speaker 1: the most money ever on the literally the most money.

1788
01:33:35,080 --> 01:33:37,360
Speaker 2: It's the date, the most money at the time this

1789
01:33:37,360 --> 01:33:39,320
Speaker 2: film was made. Yeah, and I think he only topped

1790
01:33:39,320 --> 01:33:40,200
Speaker 2: it when he did Avatar.

1791
01:33:40,640 --> 01:33:44,720
Speaker 1: Yeah, the wig budget was fifteen twenty bucks, is what

1792
01:33:44,800 --> 01:33:45,280
Speaker 1: I'm saying.

1793
01:33:45,720 --> 01:33:46,960
Speaker 3: You're absolutely right about that.

1794
01:33:47,080 --> 01:33:52,400
Speaker 1: So yeah, bill as we probably know, in the context

1795
01:33:52,400 --> 01:33:56,160
Speaker 1: of every romance ever, the guy that she's supposed to

1796
01:33:56,240 --> 01:34:01,880
Speaker 1: marry sucks so fucking bad in so many which gets

1797
01:34:01,920 --> 01:34:05,800
Speaker 1: like reiterated over and over and over the movie. He

1798
01:34:05,880 --> 01:34:10,240
Speaker 1: also at one point steals a strange child two for

1799
01:34:10,360 --> 01:34:13,840
Speaker 1: his own ends, just like Daniel t Lewis, and there

1800
01:34:13,920 --> 01:34:14,679
Speaker 1: will be blood.

1801
01:34:15,640 --> 01:34:22,000
Speaker 2: Anytime a man is stealing a fresh orphan. You can't

1802
01:34:22,000 --> 01:34:24,240
Speaker 2: pull me back into give it a shit about that motherfucker.

1803
01:34:24,520 --> 01:34:28,320
Speaker 2: That fucking kid just washed their parents flip into the

1804
01:34:28,400 --> 01:34:31,920
Speaker 2: fucking ocean a fresh orphan.

1805
01:34:33,439 --> 01:34:34,679
Speaker 1: They are long gone.

1806
01:34:35,200 --> 01:34:37,560
Speaker 3: There is no coming back from that whatsoever.

1807
01:34:38,160 --> 01:34:40,840
Speaker 2: So then you know he's just gonna abandon her ass

1808
01:34:40,880 --> 01:34:43,960
Speaker 2: when they gets a fucking statue of liberty. He just

1809
01:34:44,040 --> 01:34:46,400
Speaker 2: used her to get on the boat, you know. Goddamn well,

1810
01:34:46,400 --> 01:34:47,920
Speaker 2: the cow when they landed is like, I don't know

1811
01:34:47,920 --> 01:34:49,960
Speaker 2: who that is. I don't know who that baby is.

1812
01:34:50,479 --> 01:34:53,840
Speaker 1: He's like, deuces, you don't probably speak English at all,

1813
01:34:54,760 --> 01:35:00,360
Speaker 1: but that's it. I needed shoe at the time, So

1814
01:35:00,479 --> 01:35:05,000
Speaker 1: he sucks. We own classic villain, classic villain, Billy Zaying.

1815
01:35:05,439 --> 01:35:11,519
Speaker 1: Also the mom, because what's the story. Rose's dad Rose

1816
01:35:11,600 --> 01:35:14,719
Speaker 1: obviously the old lady at the beginning, who's also played

1817
01:35:14,720 --> 01:35:17,400
Speaker 1: by Kate Winslet for the two people who haven't seen

1818
01:35:17,439 --> 01:35:20,800
Speaker 1: it at this point, her the dad is gone, right,

1819
01:35:21,479 --> 01:35:24,559
Speaker 1: He's dead, He's dead or fucked off. But like then

1820
01:35:24,600 --> 01:35:26,880
Speaker 1: the mom is one of those moms that's like, oh fuck,

1821
01:35:26,920 --> 01:35:30,720
Speaker 1: we gotta stay. We gotta stay rich. And what we're

1822
01:35:30,720 --> 01:35:32,800
Speaker 1: gonna do about that is that you're gonna marry Billy

1823
01:35:32,880 --> 01:35:35,479
Speaker 1: Zaying because he has a lot of money, and I'm

1824
01:35:35,560 --> 01:35:39,360
Speaker 1: trying to keep all of my shit, Like I don't

1825
01:35:39,360 --> 01:35:42,360
Speaker 1: want to sell off any of my furniture or my clothes.

1826
01:35:43,400 --> 01:35:46,520
Speaker 1: So I'm gonna pimp you out to an asshole.

1827
01:35:47,360 --> 01:35:50,880
Speaker 2: So good. And Rose seems kind of down with it

1828
01:35:50,920 --> 01:35:54,960
Speaker 2: at first, because she's fucking buying Picassos and Monet's. She's like,

1829
01:35:55,000 --> 01:35:56,400
Speaker 2: I'll spend his money, that's fine.

1830
01:35:56,479 --> 01:35:59,439
Speaker 1: Yeah, I mean, she's not hating it, but she's also

1831
01:35:59,560 --> 01:36:02,559
Speaker 1: about to throw herself off the boat because she can't.

1832
01:36:05,240 --> 01:36:07,559
Speaker 2: She also is absolutely hating it every minute.

1833
01:36:07,920 --> 01:36:10,280
Speaker 1: She's like, let me run away from you all for

1834
01:36:10,360 --> 01:36:11,880
Speaker 1: just a quick sec I'd be right back, and then

1835
01:36:12,160 --> 01:36:14,880
Speaker 1: literally tries to jump off the boat. That's when Leo

1836
01:36:15,000 --> 01:36:18,360
Speaker 1: comes in. Now, Leo, let's let's get serious. He's from

1837
01:36:18,400 --> 01:36:21,439
Speaker 1: the other side of the tracks, right. He's kind of

1838
01:36:21,439 --> 01:36:25,080
Speaker 1: a bohemian. He's been hanging out in France with Billie

1839
01:36:25,120 --> 01:36:28,880
Speaker 1: Holliday or whomever do an art and you know, like

1840
01:36:29,920 --> 01:36:34,439
Speaker 1: he's just like, you know, lives the opposite way. He

1841
01:36:35,160 --> 01:36:38,080
Speaker 1: kind of sleeps on couches and like is a you know,

1842
01:36:38,240 --> 01:36:40,760
Speaker 1: is a fight artist, and he's like lives by the

1843
01:36:40,800 --> 01:36:42,760
Speaker 1: fucking moment. He's kind of like a mannic Pixie dream

1844
01:36:42,800 --> 01:36:45,160
Speaker 1: boy if you think about it completely.

1845
01:36:45,600 --> 01:36:48,280
Speaker 2: So one is tickets on the ship, like he's just

1846
01:36:48,479 --> 01:36:50,040
Speaker 2: going wherever the wind takes him. Yeah.

1847
01:36:50,040 --> 01:36:52,639
Speaker 1: Man, he played high stakes poker with some Swedish guys

1848
01:36:52,680 --> 01:36:56,160
Speaker 1: and got on the ship with his Italian friend, which

1849
01:36:56,200 --> 01:36:56,559
Speaker 1: I love.

1850
01:36:57,040 --> 01:36:58,960
Speaker 2: Also third Jail.

1851
01:36:59,280 --> 01:37:03,439
Speaker 1: Okay, this is my death, that's my I was literally

1852
01:37:03,439 --> 01:37:07,560
Speaker 1: about to say one of the worst, at least was Italian.

1853
01:37:07,800 --> 01:37:13,439
Speaker 1: What the fuck, dude, Like, why is your accent so bad?

1854
01:37:15,280 --> 01:37:19,760
Speaker 2: They did that actor so fucking dirty to be in

1855
01:37:19,920 --> 01:37:22,800
Speaker 2: like one of the highest grossing films at all time

1856
01:37:22,880 --> 01:37:27,160
Speaker 2: of all time preserved in memory with that accent.

1857
01:37:27,479 --> 01:37:29,519
Speaker 3: They both were struct the funk, man, I'm telling you.

1858
01:37:29,600 --> 01:37:33,599
Speaker 1: I was like, I don't think I've heard this bad

1859
01:37:33,640 --> 01:37:37,040
Speaker 1: of an Italian accent since Warren Baby in the Roman

1860
01:37:37,080 --> 01:37:41,439
Speaker 1: Spring of Missus Stone, Like really bad, really bad. Uh,

1861
01:37:41,479 --> 01:37:44,360
Speaker 1: And he has no excuses that motherfucker's Italian, but whatever,

1862
01:37:44,400 --> 01:37:50,439
Speaker 1: he just forgot comparently that he's he's Italian. So my, so, my,

1863
01:37:50,439 --> 01:37:53,720
Speaker 1: my thing about this movie is that you obviously have

1864
01:37:53,880 --> 01:37:58,160
Speaker 1: this tremendous setup where you've got Leo as like the

1865
01:37:58,200 --> 01:38:02,920
Speaker 1: poor guy, Kate Winslet is the rich guy. She almost

1866
01:38:02,920 --> 01:38:04,400
Speaker 1: throws herself off the boat because she doesn't want to

1867
01:38:04,400 --> 01:38:07,160
Speaker 1: marry Billy's saying he saves her and then they're just bonded.

1868
01:38:07,520 --> 01:38:09,640
Speaker 1: And this is the thing about this movie that was

1869
01:38:09,680 --> 01:38:15,800
Speaker 1: actually really, actually pretty lovely is that their courtship was

1870
01:38:16,000 --> 01:38:20,559
Speaker 1: a lot cuter than I think I thought it would be. Like, yeah,

1871
01:38:20,600 --> 01:38:22,560
Speaker 1: they're kind of kicking it, and like that's the thing is,

1872
01:38:22,640 --> 01:38:24,880
Speaker 1: It's not just like I guess I expected it to

1873
01:38:24,960 --> 01:38:30,200
Speaker 1: be this like stupidly overwrought, like Milady type of shit.

1874
01:38:31,479 --> 01:38:33,719
Speaker 1: They were both like they were cute. They were having

1875
01:38:33,760 --> 01:38:35,519
Speaker 1: fun running around the boat.

1876
01:38:35,800 --> 01:38:38,840
Speaker 2: They're busting balls, you know. He takes you to a

1877
01:38:38,880 --> 01:38:42,000
Speaker 2: little party under the under the deck down down in steerage,

1878
01:38:42,040 --> 01:38:43,640
Speaker 2: and he's like, let me put my hands in my

1879
01:38:43,680 --> 01:38:45,519
Speaker 2: pockets real quick and just dance with my feet.

1880
01:38:48,520 --> 01:38:51,600
Speaker 1: Like I gotta tell you, you know, you know, I'm a

1881
01:38:51,680 --> 01:38:57,679
Speaker 1: sucker for romance and stupid romance at that. But that one,

1882
01:38:57,880 --> 01:39:01,040
Speaker 1: there's this one scene where they're at the fancy dinner

1883
01:39:01,080 --> 01:39:03,400
Speaker 1: because obviously Billy Zane's like, why don't you come to

1884
01:39:03,439 --> 01:39:06,360
Speaker 1: dinner with us, Let's see how the rich the rich

1885
01:39:06,439 --> 01:39:10,519
Speaker 1: guys live, because you saved my fiance. And then after

1886
01:39:10,600 --> 01:39:15,760
Speaker 1: it's over, he like slips Rose a little note that's

1887
01:39:15,800 --> 01:39:20,120
Speaker 1: like maybe by the clock girl. And she shows up

1888
01:39:20,120 --> 01:39:22,960
Speaker 1: and he's like, turn he does that, like turnaround, like

1889
01:39:23,080 --> 01:39:25,400
Speaker 1: that real cute turn around, is like you want to

1890
01:39:25,439 --> 01:39:29,160
Speaker 1: go to a real party. I was like, oh my gosh.

1891
01:39:29,200 --> 01:39:32,320
Speaker 1: I was like, I just felt a fluttering in my stomach.

1892
01:39:33,600 --> 01:39:37,400
Speaker 2: What's up that you're understanding the Leo appeal?

1893
01:39:37,720 --> 01:39:41,400
Speaker 1: I was like, this is I was like, this is

1894
01:39:41,560 --> 01:39:45,240
Speaker 1: real cute, This is real cute. So I was I

1895
01:39:45,280 --> 01:39:47,320
Speaker 1: was a little stirred by that. Not gonna lie. And

1896
01:39:47,360 --> 01:39:49,880
Speaker 1: then so then that's what happens is they sort of

1897
01:39:49,920 --> 01:39:52,920
Speaker 1: bond because she's look, she's like, I want to live

1898
01:39:52,960 --> 01:39:53,360
Speaker 1: life too.

1899
01:39:53,520 --> 01:39:53,880
Speaker 3: Guess what.

1900
01:39:53,960 --> 01:39:55,640
Speaker 1: I don't want to be married to these people like

1901
01:39:55,680 --> 01:39:57,200
Speaker 1: this guy. I don't want to be married into this

1902
01:39:57,280 --> 01:39:59,639
Speaker 1: like rich society. She's like, I want to live life.

1903
01:40:00,000 --> 01:40:03,280
Speaker 1: I want to smoke joints with the Irish people on

1904
01:40:03,360 --> 01:40:06,960
Speaker 1: the bottom of the boat and kick my shoes off

1905
01:40:07,400 --> 01:40:12,160
Speaker 1: and do a jig with this cute boy. So that's

1906
01:40:12,160 --> 01:40:15,920
Speaker 1: pretty much like how it goes. And then there's there's

1907
01:40:15,960 --> 01:40:18,320
Speaker 1: other characters that are tucked in here who are amazing.

1908
01:40:18,920 --> 01:40:23,960
Speaker 1: Victor Garber m okay, he's like the what the architect

1909
01:40:24,040 --> 01:40:26,759
Speaker 1: of the Titanic, and he's kind of like the only

1910
01:40:26,920 --> 01:40:34,160
Speaker 1: sympathetic adult in in Rose's orbit besides the Unsinkable Molly Brown,

1911
01:40:34,200 --> 01:40:38,240
Speaker 1: which we'll get to it just a second, but Victor

1912
01:40:38,320 --> 01:40:41,560
Speaker 1: Garber is a fucking g Yeah.

1913
01:40:41,960 --> 01:40:43,840
Speaker 2: I love that guy. Yeah. Have you ever seen pictures

1914
01:40:43,840 --> 01:40:46,000
Speaker 2: of him when he was in like hair in the

1915
01:40:46,040 --> 01:40:50,479
Speaker 2: seventies or something? No, do I need to now?

1916
01:40:50,960 --> 01:40:51,360
Speaker 1: Victor?

1917
01:40:52,080 --> 01:40:54,000
Speaker 2: He has always been absolutely adorable.

1918
01:40:54,920 --> 01:41:02,680
Speaker 1: Yeah, oh I I see Wow?

1919
01:41:02,400 --> 01:41:06,879
Speaker 2: Wow whoa or maybe it was like Jesus Christ Superstar

1920
01:41:06,960 --> 01:41:09,759
Speaker 2: or something out but he was like he's a theater actor.

1921
01:41:10,360 --> 01:41:16,120
Speaker 1: He is cute as shit. Wow. Yeah, he is so cute,

1922
01:41:16,200 --> 01:41:22,080
Speaker 1: like cute old man character, cute Grandpa's cute villains. I

1923
01:41:22,120 --> 01:41:24,919
Speaker 1: love him and he's great in this movie. So basically

1924
01:41:24,960 --> 01:41:29,519
Speaker 1: it's him and like I said, Molly Brown aka the

1925
01:41:29,680 --> 01:41:33,400
Speaker 1: Unsinkable Molly Brown, who was played by I Saw you

1926
01:41:33,439 --> 01:41:38,920
Speaker 1: did pod Legend Kathy Bates, and she's kind of like

1927
01:41:39,040 --> 01:41:41,400
Speaker 1: what they would call like nouveau reach because she's not

1928
01:41:41,520 --> 01:41:44,040
Speaker 1: like born into money. She just like won the lottery,

1929
01:41:44,439 --> 01:41:46,519
Speaker 1: and so they think that she's kind of uncouth, But

1930
01:41:46,600 --> 01:41:48,680
Speaker 1: I say, she's the best.

1931
01:41:48,960 --> 01:41:52,400
Speaker 2: She's the best. She's so fun, she's so thoughtful and caring.

1932
01:41:52,800 --> 01:41:55,880
Speaker 1: Yeah, and also, I can't tell you how many fucking

1933
01:41:55,920 --> 01:41:59,839
Speaker 1: times I programmed the movie The Unsinkable Molly Brown starring

1934
01:42:00,000 --> 01:42:03,320
Speaker 1: Debbie Reynolds and had no idea what it was based

1935
01:42:03,320 --> 01:42:03,640
Speaker 1: off of.

1936
01:42:06,240 --> 01:42:07,120
Speaker 2: What a great title.

1937
01:42:09,840 --> 01:42:14,000
Speaker 1: Now I know what, She's unsinkable. What the fuck I'm

1938
01:42:14,000 --> 01:42:18,680
Speaker 1: telling you? Watching this movie unlocked all of this information

1939
01:42:18,760 --> 01:42:24,360
Speaker 1: that I didn't know I needed. So look, I think

1940
01:42:24,360 --> 01:42:26,200
Speaker 1: we know what's gonna happen. I'm not going to go

1941
01:42:26,240 --> 01:42:29,040
Speaker 1: on too much longer because they like, they fall in love.

1942
01:42:29,479 --> 01:42:34,400
Speaker 1: They're you know, sketching her naked ass on a chaise lounge.

1943
01:42:35,120 --> 01:42:38,720
Speaker 1: They're having sex and a one of those like pewtermobiles

1944
01:42:40,400 --> 01:42:45,479
Speaker 1: like Kerry Brand, Katherin Hepburn and bring up babymobile. That good,

1945
01:42:45,840 --> 01:42:49,080
Speaker 1: and people are trying to keep them apart. But then

1946
01:42:50,640 --> 01:42:53,519
Speaker 1: some ship hits an iceberg and I think you know

1947
01:42:53,560 --> 01:42:56,439
Speaker 1: which what I'm talking about, and all hell fucking breaks

1948
01:42:56,479 --> 01:42:57,320
Speaker 1: loose after that.

1949
01:42:58,240 --> 01:43:01,120
Speaker 2: No, I have to say, up watching it back after

1950
01:43:01,160 --> 01:43:05,400
Speaker 2: all these years, a lot of the CGI does hold

1951
01:43:05,479 --> 01:43:08,160
Speaker 2: up and a lot of it doesn't. Yeah, that Iceberg

1952
01:43:08,200 --> 01:43:10,280
Speaker 2: looked like a mound of modeling play sticking in a

1953
01:43:10,439 --> 01:43:11,120
Speaker 2: bowl of water.

1954
01:43:13,720 --> 01:43:17,240
Speaker 1: Yeah, I actually thought so. First of all, this movie,

1955
01:43:17,240 --> 01:43:21,880
Speaker 1: if you didn't know, was three hours long. So the

1956
01:43:21,960 --> 01:43:25,479
Speaker 1: CGI or the whatever, the technology that they had in

1957
01:43:25,560 --> 01:43:31,519
Speaker 1: ninety seven is really present. But actually, yeah, but actually

1958
01:43:31,680 --> 01:43:36,559
Speaker 1: looks okay. I will say that there there were several

1959
01:43:36,680 --> 01:43:40,400
Speaker 1: times that I teared up and actually cried, And a

1960
01:43:40,439 --> 01:43:42,479
Speaker 1: lot of it has to do with just like the

1961
01:43:42,560 --> 01:43:48,120
Speaker 1: simple ideas of like people in an untenable circumstance, we

1962
01:43:48,200 --> 01:43:50,040
Speaker 1: have to make a hard choice. And that type of

1963
01:43:50,120 --> 01:43:54,800
Speaker 1: stuff really wrecked me. Like the mom, the mom, the

1964
01:43:55,120 --> 01:43:58,559
Speaker 1: woman who played speaking of Terminator Too, she played Edward

1965
01:43:58,560 --> 01:44:02,840
Speaker 1: Furlong's step mom and Terminator two. That whole storyline that

1966
01:44:02,880 --> 01:44:05,000
Speaker 1: gets tucked in there with her kids when she's tucking

1967
01:44:05,080 --> 01:44:09,000
Speaker 1: them in, Oh my god, I was like so upset,

1968
01:44:09,120 --> 01:44:09,559
Speaker 1: and just.

1969
01:44:09,479 --> 01:44:12,040
Speaker 2: Like there were so many moments where it was really

1970
01:44:12,160 --> 01:44:15,240
Speaker 2: the pure terror was completely palpable, because there was they

1971
01:44:15,240 --> 01:44:18,160
Speaker 2: were brushing it off at first like yeah, we'll be fine, Yeah,

1972
01:44:18,200 --> 01:44:21,479
Speaker 2: And then by the time everyone realizes, oh shit, we

1973
01:44:21,560 --> 01:44:25,280
Speaker 2: are going down, it's too late. Yeah, everyone's being ripped apart,

1974
01:44:25,280 --> 01:44:28,400
Speaker 2: like family being ripped apart, fathers having to leave kids

1975
01:44:28,439 --> 01:44:32,640
Speaker 2: and wives, like just heartbreaking to think about that in

1976
01:44:32,720 --> 01:44:34,200
Speaker 2: real life and a human scale of that.

1977
01:44:34,520 --> 01:44:37,760
Speaker 1: Yeah. And another thing that was not communicated to me

1978
01:44:37,840 --> 01:44:41,639
Speaker 1: ever about Titanic was that this movie is actually about

1979
01:44:41,640 --> 01:44:47,200
Speaker 1: class warfare and not a romance. Yes, am I right

1980
01:44:47,240 --> 01:44:52,120
Speaker 1: about absolutely. I was like, if y'all had told me that,

1981
01:44:53,439 --> 01:44:56,840
Speaker 1: especially in ninety seven when I was at my most obnoxious,

1982
01:44:57,080 --> 01:45:02,280
Speaker 1: I was like, I was like such political, annoying little

1983
01:45:02,320 --> 01:45:05,479
Speaker 1: shit in high school. If you would have told me

1984
01:45:05,520 --> 01:45:08,360
Speaker 1: this is about class warmer and not like two people

1985
01:45:08,760 --> 01:45:10,559
Speaker 1: on a door at the end of them, I.

1986
01:45:10,479 --> 01:45:13,280
Speaker 2: Would have been like, okay, Like you're like, I've just

1987
01:45:13,320 --> 01:45:15,400
Speaker 2: read The People's Sister in the United States, but Howard's

1988
01:45:15,400 --> 01:45:16,439
Speaker 2: in what do you Got?

1989
01:45:16,760 --> 01:45:19,599
Speaker 1: I was saying, did you know a female version of

1990
01:45:19,720 --> 01:45:25,800
Speaker 1: Rick from the Young Ones? Because it's me and I

1991
01:45:25,800 --> 01:45:30,560
Speaker 1: would have loved to have done a Marxist critique of Titanic.

1992
01:45:31,200 --> 01:45:36,120
Speaker 1: But so here's the thing. There's a lot of like

1993
01:45:36,479 --> 01:45:39,920
Speaker 1: compelling parts to this movie as long and as like

1994
01:45:40,520 --> 01:45:43,040
Speaker 1: you know, as much as I've heard so much about

1995
01:45:43,040 --> 01:45:47,320
Speaker 1: this movie, something's hit. I mean, like I said, those

1996
01:45:47,479 --> 01:45:50,400
Speaker 1: kind of moments of like people making like these really

1997
01:45:50,439 --> 01:45:53,040
Speaker 1: big choices about how they want to end their lives.

1998
01:45:53,280 --> 01:45:55,439
Speaker 1: That's really compelling to me.

1999
01:45:55,800 --> 01:45:55,960
Speaker 2: You know.

2000
01:45:56,040 --> 01:45:58,080
Speaker 1: Obviously a lot of people have talked about the band.

2001
01:45:58,360 --> 01:46:01,599
Speaker 1: Come on, the band, the fucking band. Oh, Like, I

2002
01:46:01,680 --> 01:46:02,960
Speaker 1: was rattled by that shit too.

2003
01:46:03,600 --> 01:46:05,800
Speaker 2: I will never be bougie enough to let a band

2004
01:46:05,840 --> 01:46:09,280
Speaker 2: play while a ship is sinking. Shit. But then they

2005
01:46:09,320 --> 01:46:11,559
Speaker 2: have their own little story where like they walk away

2006
01:46:11,600 --> 01:46:13,400
Speaker 2: and then the guy starts playing and they come back,

2007
01:46:13,400 --> 01:46:15,880
Speaker 2: and it's like, oh god, it's so heartbreaking because they

2008
01:46:15,920 --> 01:46:16,880
Speaker 2: are working.

2009
01:46:17,720 --> 01:46:20,960
Speaker 1: Yeah, the honor of them as like they're in a

2010
01:46:21,000 --> 01:46:22,920
Speaker 1: band together and they don't want to leave each other

2011
01:46:23,680 --> 01:46:26,519
Speaker 1: like that, Like, correct me, what the fuck? I didn't

2012
01:46:26,520 --> 01:46:29,439
Speaker 1: realize that that was gonna happen, that I'd be feeling

2013
01:46:29,520 --> 01:46:30,639
Speaker 1: for these band members.

2014
01:46:32,280 --> 01:46:33,840
Speaker 2: And I don't know if you've looked it up, or

2015
01:46:33,880 --> 01:46:36,360
Speaker 2: if anyone knows this who has already seen the movie.

2016
01:46:37,040 --> 01:46:40,559
Speaker 2: If you look up the actor who played the captain

2017
01:46:40,920 --> 01:46:43,439
Speaker 2: and the real life captain, you would think they cast

2018
01:46:43,640 --> 01:46:44,880
Speaker 2: they were casting twin brothers.

2019
01:46:45,000 --> 01:46:45,599
Speaker 1: Oh wow.

2020
01:46:46,040 --> 01:46:48,200
Speaker 2: The guy looks exactly like him.

2021
01:46:48,640 --> 01:46:53,599
Speaker 1: Yeah, that's great. Also the one of the like characters

2022
01:46:53,600 --> 01:46:55,719
Speaker 1: that gets like tucked in at the end who also

2023
01:46:55,920 --> 01:46:59,400
Speaker 1: just like made me feel feelings? Is is it you?

2024
01:46:59,479 --> 01:47:01,880
Speaker 1: And Griff is that his name? Who he was like

2025
01:47:01,920 --> 01:47:05,519
Speaker 1: in Fantastic four and he plays the guy the one

2026
01:47:05,560 --> 01:47:07,840
Speaker 1: boat that comes back to like look for survivors. I

2027
01:47:07,880 --> 01:47:11,920
Speaker 1: was like, this motherfucker right here, like I love him?

2028
01:47:12,120 --> 01:47:12,639
Speaker 1: What the heck?

2029
01:47:12,720 --> 01:47:14,640
Speaker 2: And he's like saying, be careful as you put the

2030
01:47:14,640 --> 01:47:16,800
Speaker 2: oars in the water. You're like, oh what.

2031
01:47:17,120 --> 01:47:20,880
Speaker 1: I was like this baby that got brought in at

2032
01:47:20,880 --> 01:47:26,759
Speaker 1: the very last minute. Wow. So it was like listen

2033
01:47:27,240 --> 01:47:31,719
Speaker 1: in total though, I'm glad I saw it finally.

2034
01:47:32,240 --> 01:47:34,120
Speaker 3: It is the one thing I will say about it.

2035
01:47:34,160 --> 01:47:38,200
Speaker 1: I mean it is an epic film like it Like

2036
01:47:38,320 --> 01:47:43,320
Speaker 1: I knew that obviously, but I didn't really get the

2037
01:47:43,360 --> 01:47:45,639
Speaker 1: full scope of it until I just literally sat down

2038
01:47:45,640 --> 01:47:47,439
Speaker 1: and watched it. I Mean I came to the recording

2039
01:47:48,760 --> 01:47:52,639
Speaker 1: right after I stopped and was like I couldn't even

2040
01:47:52,720 --> 01:47:54,800
Speaker 1: speak to y'all. Like I just popped up on the

2041
01:47:54,880 --> 01:47:57,120
Speaker 1: zoom and was like that's.

2042
01:47:56,920 --> 01:47:59,839
Speaker 2: Up just for reffed.

2043
01:48:00,560 --> 01:48:01,880
Speaker 1: Yeah, it was.

2044
01:48:02,080 --> 01:48:03,920
Speaker 3: It's like I went through some shit like it's a.

2045
01:48:04,040 --> 01:48:05,560
Speaker 2: It's an affecting movie.

2046
01:48:05,880 --> 01:48:10,680
Speaker 1: It's long, it's very dramatic, you know, high trauma, but

2047
01:48:10,800 --> 01:48:14,120
Speaker 1: high romance. Like and Okay, so let's talk about this

2048
01:48:14,160 --> 01:48:16,120
Speaker 1: door thing, because everyone's gonna ask.

2049
01:48:15,880 --> 01:48:19,799
Speaker 2: About what everyone Everyone's gonna ask what are your thoughts.

2050
01:48:21,160 --> 01:48:24,200
Speaker 1: I'm gonna tell you this is my opinion, having just

2051
01:48:24,240 --> 01:48:26,960
Speaker 1: seen it for the first time. I'm gonna say that

2052
01:48:27,040 --> 01:48:28,280
Speaker 1: he could not fit on that door.

2053
01:48:29,240 --> 01:48:32,800
Speaker 2: Absolutely not. I absolutely agree. I should say yeah, because

2054
01:48:32,800 --> 01:48:33,760
Speaker 2: you couldn't fit on that door.

2055
01:48:34,080 --> 01:48:36,960
Speaker 1: He could not because they tried it and it flipped over.

2056
01:48:37,600 --> 01:48:39,760
Speaker 2: Yeah. Right, And here's what I'm gonna say too. He

2057
01:48:39,800 --> 01:48:42,479
Speaker 2: couldn't have fit on the door, but there were a

2058
01:48:42,600 --> 01:48:45,080
Speaker 2: bunch of people bobbing along next to him who were

2059
01:48:45,160 --> 01:48:47,160
Speaker 2: dying in that water. You could have snatched a fucking

2060
01:48:47,160 --> 01:48:48,879
Speaker 2: flotation device from one of them.

2061
01:48:49,400 --> 01:48:51,639
Speaker 1: Well, I argue that if they they could have both

2062
01:48:51,640 --> 01:48:54,040
Speaker 1: fit on the door, if they were willing to have

2063
01:48:54,200 --> 01:48:56,200
Speaker 1: half of their bodies in the water, which wouldn't have

2064
01:48:56,200 --> 01:48:59,360
Speaker 1: helped them at all. Right, So I'm like, y'all could

2065
01:48:59,400 --> 01:49:01,760
Speaker 1: just have both, like you know, it's like y'all are

2066
01:49:01,760 --> 01:49:05,120
Speaker 1: both on the same boogie board or something. And maybe

2067
01:49:05,160 --> 01:49:07,000
Speaker 1: your feet are dangling in the water though it's not

2068
01:49:07,000 --> 01:49:08,439
Speaker 1: gonna help you at the end of the day because

2069
01:49:08,439 --> 01:49:10,280
Speaker 1: you got to be out of the water. And that

2070
01:49:10,640 --> 01:49:13,400
Speaker 1: I think both of them out of the water at

2071
01:49:13,400 --> 01:49:16,080
Speaker 1: the same time on the same door.

2072
01:49:16,960 --> 01:49:19,200
Speaker 3: I'm gonna say, it's a no for me, dog.

2073
01:49:19,200 --> 01:49:22,920
Speaker 2: It's not happening. Could you not have happened? Yeah, so

2074
01:49:22,920 --> 01:49:26,400
Speaker 2: that's where a whole physics course on this probably.

2075
01:49:26,680 --> 01:49:29,360
Speaker 1: Yeah, I'm sure there is. I'm sure somebody on Reddit

2076
01:49:29,400 --> 01:49:31,439
Speaker 1: went real hard of the pain on that. But that's

2077
01:49:31,880 --> 01:49:35,439
Speaker 1: just my opinion, just my quick opinion. But that's really it.

2078
01:49:35,520 --> 01:49:38,160
Speaker 1: I mean, this is I'm so glad that we finally

2079
01:49:38,200 --> 01:49:40,720
Speaker 1: tackle these movies. I mean, I'll tell you right now,

2080
01:49:40,760 --> 01:49:45,000
Speaker 1: I am I'm never gonna want to listen to a

2081
01:49:45,080 --> 01:49:49,800
Speaker 1: pan flute incidental version of My Heart will go on.

2082
01:49:49,880 --> 01:49:51,880
Speaker 3: I was like, yo, I am sick of this shit.

2083
01:49:52,920 --> 01:49:55,000
Speaker 2: You better put that tin whistle away.

2084
01:49:55,200 --> 01:49:57,200
Speaker 1: Yeah, I don't. I don't want to hear it, Like,

2085
01:49:57,560 --> 01:50:00,839
Speaker 1: get me away from this no opening notes.

2086
01:50:01,080 --> 01:50:05,160
Speaker 2: Yeah, again, another song we could not escape from, even

2087
01:50:05,200 --> 01:50:08,040
Speaker 2: if it's a banger. They had eight hundred very they

2088
01:50:08,040 --> 01:50:10,840
Speaker 2: had Yanni on there with the pan flute. They had

2089
01:50:11,120 --> 01:50:15,080
Speaker 2: a fucking piano only version. They had ninety five versions

2090
01:50:15,120 --> 01:50:18,000
Speaker 2: of this song. You could not get away from it. Well,

2091
01:50:19,000 --> 01:50:22,040
Speaker 2: let me also say, if I reached the end of

2092
01:50:22,080 --> 01:50:28,599
Speaker 2: my life and I see a staircase and one man

2093
01:50:28,680 --> 01:50:32,840
Speaker 2: turns around, I am sending myself straight to hell. It

2094
01:50:32,920 --> 01:50:37,519
Speaker 2: better be everyone I ever fucked, or nobody at all. Yeah,

2095
01:50:37,600 --> 01:50:41,160
Speaker 2: everyone I fucked and loved, or just my friends or

2096
01:50:41,200 --> 01:50:45,880
Speaker 2: nobody at all. I'll send myself to hell. If you

2097
01:50:45,920 --> 01:50:48,800
Speaker 2: put one dude up there, how, Like, what is that?

2098
01:50:49,320 --> 01:50:49,559
Speaker 2: I know?

2099
01:50:49,800 --> 01:50:51,920
Speaker 1: I was really nice to see the band there, though,

2100
01:50:51,920 --> 01:50:54,120
Speaker 1: I was like, oh they put the band in. I

2101
01:50:54,200 --> 01:50:55,920
Speaker 1: know the dream. That's good.

2102
01:50:56,600 --> 01:50:58,559
Speaker 2: But here's the now. This is the thing that I

2103
01:50:58,600 --> 01:51:00,560
Speaker 2: didn't catch on or I think I came to the

2104
01:51:00,600 --> 01:51:06,240
Speaker 2: conclusion either until watching it this time. Rose punked the

2105
01:51:06,400 --> 01:51:09,559
Speaker 2: shit out of those dudes from minute one. As soon

2106
01:51:09,560 --> 01:51:11,920
Speaker 2: as she sits down, she's like, did you ever find

2107
01:51:11,960 --> 01:51:16,400
Speaker 2: that diamond? It's like the first thing out of her mouth,

2108
01:51:16,439 --> 01:51:18,640
Speaker 2: and she's been holding onto it all these years, the

2109
01:51:18,680 --> 01:51:19,240
Speaker 2: whole time.

2110
01:51:19,520 --> 01:51:21,000
Speaker 1: That's what happens when you make it to one on one.

2111
01:51:21,040 --> 01:51:22,400
Speaker 1: You get to pull tricks.

2112
01:51:22,280 --> 01:51:25,120
Speaker 2: You get to fucking do intense pranks, you get to

2113
01:51:25,280 --> 01:51:28,920
Speaker 2: like bajillion dollars.

2114
01:51:29,200 --> 01:51:31,240
Speaker 1: The little noise that she makes when she throws it over,

2115
01:51:31,280 --> 01:51:38,520
Speaker 1: it's like he.

2116
01:51:37,479 --> 01:51:40,120
Speaker 2: Come, oh, I just dropped a billion dollar diamonds. I know.

2117
01:51:40,200 --> 01:51:43,080
Speaker 1: I swear I had the subtitles on when I was

2118
01:51:43,120 --> 01:51:45,479
Speaker 1: watching it, and I swear the subtitle that comes up

2119
01:51:45,520 --> 01:51:46,479
Speaker 1: when that happens is E.

2120
01:51:48,120 --> 01:51:51,920
Speaker 2: Like a little like she's playing Mario card.

2121
01:51:54,160 --> 01:51:57,320
Speaker 1: Hey, Bodio lives.

2122
01:51:58,120 --> 01:52:01,639
Speaker 2: So glad that you humored me enough to watch these.

2123
01:52:02,240 --> 01:52:06,880
Speaker 1: Yes, also, Nintendo email us that I saw we've named

2124
01:52:06,920 --> 01:52:08,320
Speaker 1: all the Nintendo games that I love.

2125
01:52:09,240 --> 01:52:10,960
Speaker 2: Am I got a new switch? I saw you did

2126
01:52:10,960 --> 01:52:11,600
Speaker 2: at gmail dot com.

2127
01:52:12,960 --> 01:52:15,599
Speaker 1: Listen, I'm so loud. This was one of the funnest

2128
01:52:16,160 --> 01:52:20,080
Speaker 1: episodes to do. We finally did them, and I'm just

2129
01:52:20,439 --> 01:52:22,800
Speaker 1: so grateful that your game and wanted to do.

2130
01:52:22,800 --> 01:52:25,720
Speaker 2: Them and thank you. Yeah, this is a blast. I'm

2131
01:52:25,720 --> 01:52:27,559
Speaker 2: sorry you came in, Bereth. I hope you're leaving happy.

2132
01:52:27,960 --> 01:52:29,800
Speaker 3: This is what I wanted to.

2133
01:52:29,760 --> 01:52:31,559
Speaker 2: Get some info on that pigeon.

2134
01:52:34,240 --> 01:52:36,479
Speaker 1: Okay, if you want to email us, we're at I

2135
01:52:36,520 --> 01:52:39,439
Speaker 1: saw you did pot at gmail dot com. Obviously, questions

2136
01:52:39,439 --> 01:52:41,840
Speaker 1: for bonus episodes would be wonderful. We also have a

2137
01:52:41,840 --> 01:52:43,000
Speaker 1: peel box if you want to send.

2138
01:52:42,880 --> 01:52:45,000
Speaker 2: Us mail and you know you can find us on

2139
01:52:45,000 --> 01:52:47,120
Speaker 2: our socials and I saw pot on Instagram, Blue Sky

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01:52:47,160 --> 01:52:49,280
Speaker 2: and Twitter. And you can also leave us a voicemail

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01:52:49,680 --> 01:52:51,519
Speaker 2: to play on the show. All you have to do

2142
01:52:51,560 --> 01:52:53,759
Speaker 2: is record a voice memo on your phone and email

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01:52:53,800 --> 01:52:55,360
Speaker 2: it too. I saw it, you did pot at gmail

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01:52:55,439 --> 01:52:57,439
Speaker 2: dot com. Please make it sixty seconds or less and

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01:52:57,479 --> 01:52:59,160
Speaker 2: please record it in a quiet space.

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01:52:59,520 --> 01:53:01,439
Speaker 1: Also, if if you want merch, go to exactly Right

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01:53:01,479 --> 01:53:02,960
Speaker 1: store dot com.

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01:53:03,080 --> 01:53:05,400
Speaker 2: And we have new bonus episodes dropping on the main

2149
01:53:05,439 --> 01:53:08,519
Speaker 2: feed every third Thursday of the month.

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Speaker 1: Oh all right, you want to talk about next week?

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01:53:13,800 --> 01:53:17,400
Speaker 2: You know I do your homework for next week. You

2152
01:53:17,439 --> 01:53:21,519
Speaker 2: gotta watch Whitewater Summer from nineteen eighty seven and Over

2153
01:53:21,640 --> 01:53:24,280
Speaker 2: the Edge from nineteen seventy nine.

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01:53:24,520 --> 01:53:29,759
Speaker 1: Yo, another classic pairing. I have to say, as always, Danielle,

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01:53:29,800 --> 01:53:34,040
Speaker 1: a fucking pleasure to win this podcast with you the greatest.

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01:53:36,680 --> 01:53:46,639
Speaker 2: Hey fack, this has been an exactly right production. Our

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01:53:46,680 --> 01:53:50,160
Speaker 2: senior producer is Casey O'Brien. Episode mixing and theme music

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01:53:50,200 --> 01:53:54,240
Speaker 2: by Tom Bryfogel, artwork by Garrett Ross. Our executive producers

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01:53:54,280 --> 01:53:57,479
Speaker 2: are Georgia Hertstart caringkil Garriff, and Daniel Kramer. You can

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01:53:57,479 --> 01:53:59,960
Speaker 2: follow us on Instagram and Twitter at I Saw pot,

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01:54:00,600 --> 01:54:02,640
Speaker 2: and you can email us at I Saw What you

2162
01:54:02,680 --> 01:54:03,839
Speaker 2: did pod at gmail