WEBVTT - The Burden

0:00:00.920 --> 0:00:04.040
<v Speaker 1>This is Latino USA, the radio journal of News and

0:00:04.160 --> 0:00:07.520
<v Speaker 1>Curture Latino USC latin Latino USA.

0:00:07.760 --> 0:00:08.920
<v Speaker 2>I'm Maria Inojosa.

0:00:09.240 --> 0:00:12.800
<v Speaker 3>We bring you stories that are underreported but that mattered to.

0:00:12.840 --> 0:00:14.800
<v Speaker 2>You, overlooked by the rest of the media.

0:00:14.680 --> 0:00:16.760
<v Speaker 3>And while the country is struggling to deal with these,

0:00:16.800 --> 0:00:20.000
<v Speaker 3>we listen to the stories of Black and Latino Studios United,

0:00:20.120 --> 0:00:24.919
<v Speaker 3>Latino Front, a cultural renaissance organizing at the forefront of

0:00:25.000 --> 0:00:25.520
<v Speaker 3>the movement.

0:00:26.239 --> 0:00:33.839
<v Speaker 1>I'm Maria Inojosa, nose Bayan. Hey Latino USA, listener, gomoistas.

0:00:34.280 --> 0:00:36.519
<v Speaker 1>We have a treat for you today, especially if you're

0:00:36.520 --> 0:00:40.360
<v Speaker 1>a fan of true crime. Our colleagues over at Orbit

0:00:40.479 --> 0:00:44.400
<v Speaker 1>Media just released a news series. It's called The Burden,

0:00:44.880 --> 0:00:48.600
<v Speaker 1>and it tells the story of NYPD detective Lewis N. Scarcella,

0:00:49.000 --> 0:00:53.120
<v Speaker 1>who was legendary for cracking the toughest cases and putting

0:00:53.159 --> 0:00:56.680
<v Speaker 1>away the worst criminals back in the nineteen nineties, so

0:00:56.840 --> 0:01:01.360
<v Speaker 1>much so that this guy had a nickname the But

0:01:01.720 --> 0:01:08.520
<v Speaker 1>underneath Scarcella's success, something obscure apparently lurked, something a group

0:01:08.560 --> 0:01:12.959
<v Speaker 1>of convicted murderers turned jailhouse lawyers would uncover with the

0:01:13.000 --> 0:01:17.680
<v Speaker 1>help of a relentless new York Times reporter. On episode

0:01:17.720 --> 0:01:21.040
<v Speaker 1>one of The Burden, we meet that journalist, her name

0:01:21.120 --> 0:01:25.360
<v Speaker 1>is Francis or Frenchie Droblis, who acts on a tip

0:01:25.480 --> 0:01:28.399
<v Speaker 1>about this group of men in jail who happened to

0:01:28.440 --> 0:01:32.240
<v Speaker 1>share something. They were all arrested by the same detective.

0:01:32.720 --> 0:01:37.000
<v Speaker 1>His name Scarcella. But is this a story about a

0:01:37.000 --> 0:01:40.800
<v Speaker 1>police officer turned into a hero or a villain? No,

0:01:41.240 --> 0:01:44.679
<v Speaker 1>of course not, and that's what hosts Steve Fishman and

0:01:44.800 --> 0:01:48.720
<v Speaker 1>Dax Devlon Ross are going to dive into. Here's episode

0:01:48.760 --> 0:01:50.280
<v Speaker 1>one of the Burden.

0:01:50.760 --> 0:02:08.840
<v Speaker 2>Enjoy the show, Dax, this is the first story I

0:02:09.000 --> 0:02:11.200
<v Speaker 2>ever heard Louis Scarcella tell.

0:02:11.800 --> 0:02:15.520
<v Speaker 4>The legendary New York detective tell me more so.

0:02:15.639 --> 0:02:20.120
<v Speaker 2>Detective Scarcella is with his partner. They're testifying in court

0:02:20.200 --> 0:02:25.320
<v Speaker 2>one day. It's lunchtime. The court breaks and Detective Scarcella

0:02:25.680 --> 0:02:29.200
<v Speaker 2>and his partner decide that this is the moment to

0:02:29.320 --> 0:02:36.160
<v Speaker 2>track down a murder suspect. We park right here, right here.

0:02:36.680 --> 0:02:39.920
<v Speaker 5>There was an Italian guy right here smoking a shrew,

0:02:40.680 --> 0:02:43.520
<v Speaker 5>I said Ben Bennygoy, and I showed him the picture.

0:02:43.919 --> 0:02:46.799
<v Speaker 4>He looked at the picture, he backed up and he.

0:02:46.800 --> 0:02:51.080
<v Speaker 2>Points to the White House. Lo and beholds of me.

0:02:51.840 --> 0:02:54.040
<v Speaker 5>Six foot three hundred pounds.

0:02:53.760 --> 0:02:54.760
<v Speaker 4>Comes out of the house.

0:02:55.840 --> 0:02:59.320
<v Speaker 2>I said, that's him. I said, I'm going to run

0:02:59.440 --> 0:02:59.920
<v Speaker 2>him down.

0:03:01.400 --> 0:03:06.040
<v Speaker 5>I gunned the car stch jump out.

0:03:06.560 --> 0:03:07.520
<v Speaker 2>I run over him.

0:03:07.560 --> 0:03:08.880
<v Speaker 4>I put the gun on him.

0:03:09.400 --> 0:03:12.640
<v Speaker 5>He's got a sig sour in his waistband, all big

0:03:12.800 --> 0:03:15.120
<v Speaker 5>sig sur I jump on him.

0:03:15.560 --> 0:03:16.960
<v Speaker 2>He's going for the gun.

0:03:17.080 --> 0:03:19.600
<v Speaker 4>I put my glock to his head and pulled the trigger.

0:03:21.360 --> 0:03:22.600
<v Speaker 4>But the gun's no good.

0:03:22.680 --> 0:03:23.680
<v Speaker 6>My gun's no good.

0:03:25.560 --> 0:03:27.360
<v Speaker 2>I kilt him my pawn to shoot him.

0:03:28.080 --> 0:03:29.200
<v Speaker 4>He's bucking me.

0:03:29.520 --> 0:03:31.359
<v Speaker 5>He's bucking me like a bronco.

0:03:32.200 --> 0:03:35.000
<v Speaker 4>I grab him and I knock into the ground.

0:03:39.080 --> 0:03:40.920
<v Speaker 2>Do you ever imagine that clock goes off?

0:03:41.240 --> 0:03:44.640
<v Speaker 5>I mean I intended it to. I intended it to.

0:03:45.960 --> 0:03:46.600
<v Speaker 2>What do you want me to do?

0:03:46.720 --> 0:03:48.480
<v Speaker 6>He's got a six hour going for a six I

0:03:48.520 --> 0:03:48.720
<v Speaker 6>want am?

0:03:48.760 --> 0:03:56.240
<v Speaker 2>I supposed to kiss him. Welcome to Louise Brooklyn, where

0:03:56.320 --> 0:03:59.640
<v Speaker 2>bad guys were around every corner and it was up

0:03:59.680 --> 0:04:02.600
<v Speaker 2>to the hective Scarcella to protect the people.

0:04:03.960 --> 0:04:09.840
<v Speaker 5>They needed me, and I loved doing it.

0:04:10.760 --> 0:04:13.520
<v Speaker 2>Louis heyday was the eighties and nineties, and back then

0:04:13.800 --> 0:04:17.800
<v Speaker 2>all New Yorkers, even the most liberal calumnists, wanted law

0:04:18.040 --> 0:04:18.840
<v Speaker 2>and order.

0:04:20.360 --> 0:04:23.239
<v Speaker 7>When you have babies being shot in their grandmother's arms,

0:04:23.440 --> 0:04:25.040
<v Speaker 7>people's throats being slit for a.

0:04:25.000 --> 0:04:28.200
<v Speaker 4>Five dollars vial of crack, I don't care where those

0:04:28.200 --> 0:04:30.880
<v Speaker 4>prisons are and when I'm sent there for long terms.

0:04:31.520 --> 0:04:35.720
<v Speaker 2>Louis Garcela had movie star good looks, smoked a cigar everywhere,

0:04:36.120 --> 0:04:38.599
<v Speaker 2>and he was tough. He seemed like he was the

0:04:38.720 --> 0:04:41.000
<v Speaker 2>kind of tough cop the city needed.

0:04:41.160 --> 0:04:47.200
<v Speaker 8>He was everybody's idea of the prince of the city.

0:04:47.720 --> 0:04:51.920
<v Speaker 8>He was the guy who solved the hardest cases and

0:04:52.040 --> 0:04:56.360
<v Speaker 8>made sure the worst killers were brought to justice.

0:04:57.800 --> 0:05:01.320
<v Speaker 2>Louis Garcella was known as the closes, the one who

0:05:01.440 --> 0:05:06.120
<v Speaker 2>got the confession, and with that came fame. He was

0:05:06.160 --> 0:05:09.000
<v Speaker 2>on the Doctor Phil's show, No One Knows the Art

0:05:09.040 --> 0:05:11.680
<v Speaker 2>of getting confessions better than twenty nine year better in

0:05:11.680 --> 0:05:14.880
<v Speaker 2>New York City homicide detectives, and.

0:05:14.839 --> 0:05:16.520
<v Speaker 4>He earned the respect of his peers.

0:05:16.920 --> 0:05:19.560
<v Speaker 6>Louise, my god, he's my man, you know, he's my friend,

0:05:19.960 --> 0:05:22.640
<v Speaker 6>the hell of a cop, the rat detective.

0:05:23.440 --> 0:05:25.640
<v Speaker 4>God forbid something happened to me or my family.

0:05:26.360 --> 0:05:29.880
<v Speaker 9>I would want Louis Scarcella to do the investigation. A

0:05:30.000 --> 0:05:34.200
<v Speaker 9>collot of trust in him.

0:05:34.400 --> 0:05:36.240
<v Speaker 2>He looks like shit. Now we'll go all this shit.

0:05:36.440 --> 0:05:39.719
<v Speaker 4>Steve the poor the poor guy that beat the balls

0:05:39.720 --> 0:05:44.320
<v Speaker 4>off him, like, you know that's right. Years later, the

0:05:44.400 --> 0:05:49.640
<v Speaker 4>Louis Scarcella story changed. The once decorated detective now stands

0:05:49.640 --> 0:05:54.520
<v Speaker 4>accused of coaching witnesses, coercing confessions, and trading drugs for testimony.

0:05:54.640 --> 0:05:57.920
<v Speaker 1>Garsola cracked numerous murder cases in the eighties and nineties,

0:05:57.920 --> 0:05:59.440
<v Speaker 1>but his techniques had been questioned.

0:05:59.520 --> 0:06:02.080
<v Speaker 8>A group of invicted murder says it all comes back

0:06:02.120 --> 0:06:05.080
<v Speaker 8>to one rogue official and they want their names clear.

0:06:05.960 --> 0:06:13.760
<v Speaker 5>Oh yeah, I'm the devil in disgraced devil. Yeah yeah, Well,

0:06:14.480 --> 0:06:15.280
<v Speaker 5>what can I tell you?

0:06:17.680 --> 0:06:20.760
<v Speaker 2>I'm Steve Fishman. I've lived in New York a long time.

0:06:21.120 --> 0:06:24.160
<v Speaker 2>I've been writing about crime for a long time. As

0:06:24.160 --> 0:06:28.760
<v Speaker 2>a journalist, I've interviewed cops, prosecutors, criminals, son of Sam

0:06:28.880 --> 0:06:32.960
<v Speaker 2>Bernie Madoff. They opened up to me. I felt I

0:06:33.040 --> 0:06:36.200
<v Speaker 2>knew a lot about the criminal justice system. So when

0:06:36.240 --> 0:06:40.960
<v Speaker 2>I heard these headlines about Scarcela, my thought, this cannot

0:06:41.000 --> 0:06:44.560
<v Speaker 2>be the whole story. Was this really about one rogue

0:06:44.680 --> 0:06:48.719
<v Speaker 2>cop who what hoodwinked an entire system?

0:06:49.440 --> 0:06:54.279
<v Speaker 4>And I'm dak Stevlin Ross, journalist, author, lawyer. I've written

0:06:54.279 --> 0:06:57.880
<v Speaker 4>about criminal justice for years. I know what it's like

0:06:57.960 --> 0:07:02.000
<v Speaker 4>to be wrongfully arrested personally, and I'm interested in the

0:07:02.040 --> 0:07:05.200
<v Speaker 4>people who went to jail and maybe shouldn't have.

0:07:06.000 --> 0:07:10.320
<v Speaker 2>We're gonna go deep. Is Louis a hero, cop, a scapegoat,

0:07:10.520 --> 0:07:13.240
<v Speaker 2>or a super villain who helped put away more than

0:07:13.280 --> 0:07:17.680
<v Speaker 2>twenty innocent men, men who now want revenge.

0:07:19.720 --> 0:07:22.200
<v Speaker 4>I don't know, man, Maybe they want vindication.

0:07:22.920 --> 0:07:26.160
<v Speaker 2>You know that's what Louis Scarcella feels he deserves too.

0:07:26.600 --> 0:07:28.760
<v Speaker 4>I'll tell you what though, Well, you need to know

0:07:28.840 --> 0:07:32.640
<v Speaker 4>the truth, both about Louis Scarcela and the band of

0:07:32.680 --> 0:07:35.960
<v Speaker 4>convicted murders who took him on, and about the city.

0:07:36.040 --> 0:07:50.000
<v Speaker 10>We live in stonecloud of comments commonstrate to you.

0:07:51.800 --> 0:07:53.120
<v Speaker 2>Can't run for shelter.

0:07:54.320 --> 0:07:55.680
<v Speaker 4>There's nothing you can't.

0:07:55.480 --> 0:08:11.080
<v Speaker 2>Do from orbit me. This is the burden today on

0:08:11.120 --> 0:08:20.560
<v Speaker 2>the show the Scoop, you gotta hold all time?

0:08:41.920 --> 0:08:44.280
<v Speaker 4>All right, Steve, where do we begin?

0:08:45.200 --> 0:08:48.160
<v Speaker 2>We begin with the person who broke the Louis Scarcella

0:08:48.280 --> 0:08:53.680
<v Speaker 2>story long before you or I got involved. That's Francis Robless,

0:08:54.200 --> 0:08:57.640
<v Speaker 2>known to her New York Times colleagues as Frenchie.

0:08:57.840 --> 0:08:59.280
<v Speaker 7>The Porto Rican grow known as Frenchie.

0:08:59.280 --> 0:09:02.560
<v Speaker 2>I do not speak for Frenchie's from Queens, from an

0:09:02.600 --> 0:09:04.880
<v Speaker 2>Italian neighborhood called Howard Beach.

0:09:05.440 --> 0:09:10.480
<v Speaker 9>Howard Beach was a astoundingly racist place.

0:09:10.880 --> 0:09:14.199
<v Speaker 2>And growing up there, it taught Frenchie to be fierce.

0:09:14.760 --> 0:09:17.240
<v Speaker 9>My best friend in elementary school was Perto Rican, and

0:09:17.360 --> 0:09:20.400
<v Speaker 9>so this one kid was like, hey, pldorica Isy switch

0:09:20.480 --> 0:09:24.480
<v Speaker 9>Lane and my girlfriend Jenevieve and I we went to

0:09:24.520 --> 0:09:25.520
<v Speaker 9>his house.

0:09:26.920 --> 0:09:27.880
<v Speaker 7>In sixth grade.

0:09:28.160 --> 0:09:30.360
<v Speaker 9>We rang the doorbell and his mother answered the door

0:09:30.360 --> 0:09:34.000
<v Speaker 9>and she was pregnant or belly outza wherever is Anthony home?

0:09:34.520 --> 0:09:38.760
<v Speaker 9>And she's like ane. So he comes and he's you know,

0:09:38.800 --> 0:09:41.240
<v Speaker 9>you can see he's kind of looking at us rather suspiciously,

0:09:41.280 --> 0:09:42.640
<v Speaker 9>like one of the two Puerto Rican girls that I

0:09:42.640 --> 0:09:45.280
<v Speaker 9>believe in school doing at my door. And we beat

0:09:45.280 --> 0:09:46.520
<v Speaker 9>the crap out of him right there in front of

0:09:46.520 --> 0:09:46.880
<v Speaker 9>his mother.

0:09:52.640 --> 0:09:55.640
<v Speaker 2>This was the nineteen eighties and Frenchie was in high school,

0:09:55.920 --> 0:10:00.400
<v Speaker 2>living in a dangerous neighborhood in a dangerous city. One night,

0:10:00.600 --> 0:10:04.160
<v Speaker 2>her mother was a victim. Her mother was carjacked, a

0:10:04.240 --> 0:10:06.960
<v Speaker 2>gun was put to her head right in front of

0:10:07.000 --> 0:10:10.040
<v Speaker 2>their house, and then her mother was summoned to the

0:10:10.040 --> 0:10:14.480
<v Speaker 2>police station to identify the carjacker in the lineup, the

0:10:14.520 --> 0:10:17.319
<v Speaker 2>man who'd been arrested in the stolen vehicle.

0:10:18.640 --> 0:10:22.080
<v Speaker 9>And the detective puts his right hand on his left

0:10:22.200 --> 0:10:25.400
<v Speaker 9>arm and he makes like a figure of the number two,

0:10:25.679 --> 0:10:28.440
<v Speaker 9>you know, holding up two fingers, and he looks at

0:10:28.440 --> 0:10:30.120
<v Speaker 9>my mother, telling her.

0:10:30.640 --> 0:10:31.480
<v Speaker 7>To choose number two.

0:10:32.480 --> 0:10:34.400
<v Speaker 9>So my mother goes in there. She looks at the guys.

0:10:34.480 --> 0:10:36.440
<v Speaker 9>She has no idea who it is. She doesn't remember.

0:10:36.720 --> 0:10:38.800
<v Speaker 9>It was dark, you know, she had a gun in

0:10:38.800 --> 0:10:44.800
<v Speaker 9>her face, So she picked number two. I remember thinking.

0:10:44.520 --> 0:10:47.560
<v Speaker 7>Well, screw him. You know, he was driving a stolen car.

0:10:47.720 --> 0:10:52.560
<v Speaker 9>He's at the very least was involved in car theft.

0:10:54.720 --> 0:10:55.640
<v Speaker 4>Guilty enough for her.

0:10:56.559 --> 0:10:59.440
<v Speaker 2>Yeah, back then, it didn't matter to Frenchie if this

0:10:59.480 --> 0:11:04.320
<v Speaker 2>guy did this crime. But later French she became a reporter,

0:11:04.960 --> 0:11:07.600
<v Speaker 2>first at the Miami Herald and then at the New

0:11:07.679 --> 0:11:10.679
<v Speaker 2>York Times, and their views evolved.

0:11:11.679 --> 0:11:15.640
<v Speaker 9>You know, maybe my mother helped send the innocent person

0:11:15.679 --> 0:11:20.080
<v Speaker 9>to prison. He got seven years. Everybody was in on it.

0:11:20.200 --> 0:11:22.319
<v Speaker 9>Everybody it was in on the game. The cops were

0:11:22.360 --> 0:11:24.800
<v Speaker 9>in on it, the witnesses were in on it, and

0:11:25.360 --> 0:11:28.760
<v Speaker 9>the prosecutor probably knew that my mother didn't know who

0:11:28.800 --> 0:11:31.360
<v Speaker 9>he was and was like whatever she said, Number.

0:11:31.200 --> 0:11:32.160
<v Speaker 7>Two, number two.

0:11:33.000 --> 0:11:36.360
<v Speaker 4>Fast forward to twenty thirteen and Frenchy is at the

0:11:36.360 --> 0:11:39.280
<v Speaker 4>New York Times. She's itching for a good story, a

0:11:39.280 --> 0:11:43.480
<v Speaker 4>big story, something that will make a splash. One day,

0:11:43.760 --> 0:11:47.040
<v Speaker 4>she's on a routine assignment when she meets someone interesting.

0:11:47.720 --> 0:11:49.680
<v Speaker 9>Was a guy named Derek Hamilton, who was an ex

0:11:49.760 --> 0:11:52.720
<v Speaker 9>Cohn who had been kind of like a jail house lawyer.

0:11:53.000 --> 0:11:58.400
<v Speaker 11>You meet her and Hispanic woman, beautiful, long hair, you know,

0:11:58.640 --> 0:11:59.160
<v Speaker 11>made up.

0:12:00.000 --> 0:12:02.880
<v Speaker 4>And this is Derek remembering meeting Frenchie for the first time.

0:12:03.559 --> 0:12:07.440
<v Speaker 4>He's a bigger guy, broadcast, about six foot two. He's

0:12:07.440 --> 0:12:10.000
<v Speaker 4>got a single gold tooth in the front and a

0:12:10.160 --> 0:12:12.320
<v Speaker 4>shaved head, big presence.

0:12:13.520 --> 0:12:16.240
<v Speaker 11>I've been in Queens Boulevard, Course Street from the courthouse.

0:12:16.520 --> 0:12:20.400
<v Speaker 11>There was some restaurant there and we had dinner at twelve.

0:12:22.160 --> 0:12:24.720
<v Speaker 9>And so we're just chatting and he says, oh, you know,

0:12:24.760 --> 0:12:26.880
<v Speaker 9>I see that you're kind of interested in this issue

0:12:26.880 --> 0:12:29.720
<v Speaker 9>of you know, the Brooklyn Dida's office having screwed somebody over.

0:12:30.600 --> 0:12:33.840
<v Speaker 9>I know a lot of cases in Brooklyn of wrongful convictions.

0:12:34.320 --> 0:12:35.600
<v Speaker 7>Okay, really okay, good.

0:12:35.760 --> 0:12:37.320
<v Speaker 9>You know, I was kind of in the New York

0:12:37.320 --> 0:12:39.800
<v Speaker 9>office sharpening pencils, so that seemed like a good idea

0:12:39.880 --> 0:12:40.080
<v Speaker 9>to me.

0:12:40.080 --> 0:12:41.520
<v Speaker 7>And to follow up on that tip.

0:12:41.840 --> 0:12:44.920
<v Speaker 2>So Frenchie brings it to her editor and I'm like, oh,

0:12:44.960 --> 0:12:45.600
<v Speaker 2>I have a tip.

0:12:45.840 --> 0:12:48.760
<v Speaker 9>You know, there's a lot of wrongfully convicted guys in Brooklyn,

0:12:48.760 --> 0:12:49.800
<v Speaker 9>and I have a good source.

0:12:49.840 --> 0:12:51.000
<v Speaker 7>He was a jail house lawyer.

0:12:51.760 --> 0:12:56.199
<v Speaker 9>And so my editor says to me, well, what else

0:12:56.240 --> 0:12:58.760
<v Speaker 9>do the cases have in common? Like what connects them?

0:13:00.040 --> 0:13:04.360
<v Speaker 9>I was so offended by that question. I was like, well,

0:13:04.440 --> 0:13:06.160
<v Speaker 9>I don't know, maybe they didn't do it like that

0:13:06.160 --> 0:13:08.960
<v Speaker 9>connects them. You know, maybe they're all black, you know,

0:13:09.040 --> 0:13:11.199
<v Speaker 9>and the railroaded.

0:13:10.600 --> 0:13:12.199
<v Speaker 7>By the criminal justice system.

0:13:12.440 --> 0:13:14.439
<v Speaker 9>Like I just thought it was such a hoity toity

0:13:14.720 --> 0:13:19.280
<v Speaker 9>New York Times view of journalism that I couldn't just

0:13:19.320 --> 0:13:21.199
<v Speaker 9>come up with the wrongful conviction. I had to come

0:13:21.280 --> 0:13:22.920
<v Speaker 9>up with what connects them?

0:13:23.280 --> 0:13:25.760
<v Speaker 7>So I nod politely, you know, yes, ma'am.

0:13:26.320 --> 0:13:29.439
<v Speaker 9>And I'm like I go back to my desk, kind

0:13:29.480 --> 0:13:33.280
<v Speaker 9>of grumbling under my breath, and I called Derek and

0:13:33.320 --> 0:13:38.880
<v Speaker 9>I'm like, all right, well, this editor of mine wants

0:13:38.960 --> 0:13:46.000
<v Speaker 9>to know what connects these cases, and he goes, well,

0:13:47.360 --> 0:13:50.320
<v Speaker 9>a lot of them are the same cop and his

0:13:50.480 --> 0:13:52.439
<v Speaker 9>name is Luis Garsov.

0:13:53.960 --> 0:14:12.840
<v Speaker 4>This smoke behind the story that's after the break Welcome back.

0:14:13.640 --> 0:14:16.520
<v Speaker 4>Derek Hamilton was out of prison but still connected to

0:14:16.559 --> 0:14:20.240
<v Speaker 4>people on the inside. He's a self taught lawyer, learned

0:14:20.240 --> 0:14:23.000
<v Speaker 4>the law behind bars, and he was still in the

0:14:23.040 --> 0:14:23.880
<v Speaker 4>prison grape vine.

0:14:25.920 --> 0:14:28.160
<v Speaker 7>So I meet with Derek again.

0:14:29.160 --> 0:14:32.120
<v Speaker 9>And Derek, you know, he was interesting because he knew

0:14:32.160 --> 0:14:35.040
<v Speaker 9>some things, but he did not know a lot of things.

0:14:35.400 --> 0:14:38.800
<v Speaker 9>He told me kind of loosey goosey stuff like he said,

0:14:38.840 --> 0:14:42.120
<v Speaker 9>oh that this guy was notorious for using the same

0:14:42.200 --> 0:14:45.360
<v Speaker 9>witness over and over again, but he didn't know the

0:14:45.440 --> 0:14:48.720
<v Speaker 9>names of the defendants who had had the same witness

0:14:48.800 --> 0:14:49.800
<v Speaker 9>testify against them.

0:14:50.160 --> 0:14:51.800
<v Speaker 7>And he did not know the name of the witness.

0:14:53.000 --> 0:14:56.240
<v Speaker 9>So I was like, oh, brother, you know, here I

0:14:56.280 --> 0:14:58.400
<v Speaker 9>am talking this up to my editor like I'm some

0:14:58.520 --> 0:15:01.600
<v Speaker 9>hotshot who's going to crack this cane. And I got nothing,

0:15:01.880 --> 0:15:04.200
<v Speaker 9>And I thought, oh my god, you know what am

0:15:04.200 --> 0:15:04.560
<v Speaker 9>I going to do?

0:15:04.600 --> 0:15:04.800
<v Speaker 2>Now?

0:15:04.840 --> 0:15:06.280
<v Speaker 7>You know, I don't have anywhere to turn.

0:15:06.840 --> 0:15:09.800
<v Speaker 2>So she went back to Derek. She needed the name

0:15:09.840 --> 0:15:13.720
<v Speaker 2>of that very talented witness, and that's when Derek gives

0:15:13.760 --> 0:15:17.440
<v Speaker 2>her a legal document. This was a document written by

0:15:17.480 --> 0:15:21.480
<v Speaker 2>one of his friends still in jail, another jailhouse lawyer.

0:15:21.920 --> 0:15:24.840
<v Speaker 2>It's called a four forty motion, and it's what you

0:15:24.960 --> 0:15:28.200
<v Speaker 2>file if you're trying to get your conviction overturned.

0:15:29.400 --> 0:15:33.960
<v Speaker 9>So he gives me Shabacca chaqurs for forty.

0:15:35.320 --> 0:15:41.200
<v Speaker 6>I probably rewrote that one hundred times because I wanted

0:15:41.240 --> 0:15:44.280
<v Speaker 6>to make sure that I was saying what I wanted

0:15:44.320 --> 0:15:44.760
<v Speaker 6>to say.

0:15:45.320 --> 0:15:49.040
<v Speaker 4>This is Shabacca Shakur. Scarcella helped convict Shabacca of a

0:15:49.120 --> 0:15:52.280
<v Speaker 4>double murder, which he says he didn't do. His four

0:15:52.400 --> 0:15:56.840
<v Speaker 4>forty was impressive, sixty pages of legal argument written while

0:15:56.880 --> 0:15:59.480
<v Speaker 4>he was part of a prison law firm. That's right,

0:16:00.040 --> 0:16:03.920
<v Speaker 4>a law firm formed in prison and run by convicted murderers,

0:16:04.240 --> 0:16:09.640
<v Speaker 4>all of whom claimed innocence. More on that later. Schbacca

0:16:09.680 --> 0:16:13.800
<v Speaker 4>and Derek got close in prison. Now Derek urges Shabaka

0:16:13.920 --> 0:16:14.880
<v Speaker 4>to talk to Frenchy.

0:16:15.520 --> 0:16:16.360
<v Speaker 2>So I called her.

0:16:16.520 --> 0:16:19.800
<v Speaker 6>She was like, okay, you said, scar Seller is a

0:16:19.840 --> 0:16:23.880
<v Speaker 6>crooked cop. I read your brief. I said, listen. I

0:16:23.920 --> 0:16:26.080
<v Speaker 6>gave a list of names, a list of you know,

0:16:26.960 --> 0:16:31.040
<v Speaker 6>people she could talk to. Information that would substantiate that

0:16:31.080 --> 0:16:34.520
<v Speaker 6>he was a crooked cop. And I remember telling her,

0:16:34.600 --> 0:16:38.240
<v Speaker 6>like you an investigative reporter, go and investigate.

0:16:40.040 --> 0:16:44.520
<v Speaker 4>In that dense document, two pages focused on Louis Garcella.

0:16:44.600 --> 0:16:49.640
<v Speaker 9>He says in this document, it says something something. Lewis

0:16:49.720 --> 0:16:54.720
<v Speaker 9>Garcella was notorious in Brooklyn for his you know, unethical

0:16:55.040 --> 0:16:55.800
<v Speaker 9>and you.

0:16:55.760 --> 0:16:57.720
<v Speaker 7>Know, framing people basically.

0:16:59.160 --> 0:17:02.360
<v Speaker 9>In fact, he was known to use the same witness

0:17:02.400 --> 0:17:05.880
<v Speaker 9>over and over again, a woman named Teresa Gomes.

0:17:06.080 --> 0:17:08.000
<v Speaker 7>And I'm like, you know, that's it.

0:17:08.040 --> 0:17:08.480
<v Speaker 8>That's the name.

0:17:08.520 --> 0:17:09.840
<v Speaker 7>That's what I've been waiting for.

0:17:09.960 --> 0:17:11.639
<v Speaker 9>I'm already to find out the name of the of

0:17:11.720 --> 0:17:12.560
<v Speaker 9>the of the witness.

0:17:13.080 --> 0:17:16.080
<v Speaker 2>So Frenchie has the name. Now she does what a

0:17:16.080 --> 0:17:20.040
<v Speaker 2>lot of us do when we're hunting for information. She googles.

0:17:21.720 --> 0:17:29.280
<v Speaker 9>That's my big investigative reporting secret. So I google Lewis

0:17:29.400 --> 0:17:34.800
<v Speaker 9>Garsella and Teresa Gomes together. You know, I don't know

0:17:34.800 --> 0:17:38.159
<v Speaker 9>what I thought I was going to find. And I

0:17:38.200 --> 0:17:40.959
<v Speaker 9>got a hit, and I'm like, well, this is curious.

0:17:41.160 --> 0:17:46.080
<v Speaker 9>It was like some random Google forum, a cigar smoker

0:17:46.200 --> 0:17:50.919
<v Speaker 9>forum where somebody has asked I think the question on

0:17:50.960 --> 0:17:53.520
<v Speaker 9>the forum was when did you first smoke your first

0:17:53.520 --> 0:17:54.119
<v Speaker 9>great cigar.

0:17:55.200 --> 0:17:58.280
<v Speaker 4>Okay, so a cigar smoker's form not exactly where I'd

0:17:58.280 --> 0:17:59.640
<v Speaker 4>expect to find a lead about a.

0:17:59.560 --> 0:18:05.080
<v Speaker 2>Crooked exactly, but what she comes across there turns out

0:18:05.119 --> 0:18:09.000
<v Speaker 2>to be crucial to her understanding of the entire story.

0:18:09.480 --> 0:18:14.639
<v Speaker 9>This guy a man answers. The first cigar which truly

0:18:14.680 --> 0:18:17.800
<v Speaker 9>made me realize how much I was going to enjoy cigars,

0:18:18.119 --> 0:18:21.159
<v Speaker 9>was smoked in nineteen eighty eight at a bar on

0:18:21.240 --> 0:18:25.240
<v Speaker 9>Remsen Street in Brooklyn, New York called Callahan's. The cigar

0:18:25.359 --> 0:18:28.000
<v Speaker 9>was given to me by a legendary detective of the

0:18:28.040 --> 0:18:32.199
<v Speaker 9>Brooklyn North Homicide Squad named Louis Scarcela. Lewis had been

0:18:32.240 --> 0:18:35.400
<v Speaker 9>the detective on the first two murder cases I prosecuted,

0:18:35.840 --> 0:18:39.720
<v Speaker 9>both of which featured the same witness testifying against the

0:18:39.760 --> 0:18:43.520
<v Speaker 9>same defendant for two different murders. The defendant was a

0:18:43.560 --> 0:18:47.360
<v Speaker 9>dealer named Robert Hill. The witness was named Teresa Gomez,

0:18:47.800 --> 0:18:51.560
<v Speaker 9>a woman who was even then ravaged from head to

0:18:51.560 --> 0:18:54.800
<v Speaker 9>toe by the scourge of crack cocaine. It was near

0:18:54.960 --> 0:18:59.560
<v Speaker 9>falling to even think that anyone would believe Gomez about anything,

0:19:00.280 --> 0:19:03.600
<v Speaker 9>let alone the fact that she witnessed the same guy

0:19:03.920 --> 0:19:07.640
<v Speaker 9>kill two different people, and the guy signs it it's

0:19:07.640 --> 0:19:12.560
<v Speaker 9>the district attorney, and he's now at charge.

0:19:13.359 --> 0:19:18.280
<v Speaker 4>Here's what I'm wondering, what the fuck the assistant district attorney,

0:19:18.359 --> 0:19:20.840
<v Speaker 4>he's not the district attorney, Just to be clear about that,

0:19:21.400 --> 0:19:25.080
<v Speaker 4>is basically saying that no one should have believed his witness,

0:19:25.600 --> 0:19:28.240
<v Speaker 4>the one he put on the stand, who happens to

0:19:28.280 --> 0:19:31.760
<v Speaker 4>be the lone eye witnessed in two alleged murders by

0:19:31.840 --> 0:19:34.399
<v Speaker 4>Robert Hill on two different occasions.

0:19:34.800 --> 0:19:37.960
<v Speaker 9>My head mark is probably still on the roof of

0:19:38.000 --> 0:19:40.359
<v Speaker 9>the New York Times office from my jumping up and

0:19:40.359 --> 0:19:42.200
<v Speaker 9>down and realizing that I had hit badr.

0:19:42.720 --> 0:19:46.119
<v Speaker 2>So Frenchie was excited by her discovery. I want to

0:19:46.119 --> 0:19:49.320
<v Speaker 2>point out, though, that what the prosecutor is saying is

0:19:49.359 --> 0:19:53.520
<v Speaker 2>that he'd be stunned if a jury believed Teresa Gomez.

0:19:53.760 --> 0:19:56.200
<v Speaker 2>What he's not saying is that she's lying.

0:19:57.160 --> 0:19:59.679
<v Speaker 4>So Frenchie now has the name of this troubled and

0:20:00.000 --> 0:20:03.280
<v Speaker 4>doupling witness, and now she's also got the name of

0:20:03.320 --> 0:20:08.719
<v Speaker 4>the person Teresa help convictive murder want Robert Hill, former

0:20:08.800 --> 0:20:12.520
<v Speaker 4>drug dealer. So Steve, where does she go from here?

0:20:13.160 --> 0:20:25.320
<v Speaker 2>She goes to prison unannounced to find Robert Hill. Frenchie

0:20:25.359 --> 0:20:28.400
<v Speaker 2>is waiting in the visitors room for Robert Hill. He's

0:20:28.400 --> 0:20:31.920
<v Speaker 2>serving eighteen years to life. He's not expecting her.

0:20:32.920 --> 0:20:34.760
<v Speaker 9>So this guy comes in and he walks with a

0:20:34.840 --> 0:20:38.160
<v Speaker 9>cane and he's kind of hunched over and he has.

0:20:38.440 --> 0:20:40.960
<v Speaker 7>Very very long dreadlocks all down his back.

0:20:41.800 --> 0:20:47.520
<v Speaker 9>And I see him looking around the room like, you

0:20:47.560 --> 0:20:50.040
<v Speaker 9>know oo, So I don't see anybody here who's here

0:20:50.040 --> 0:20:53.119
<v Speaker 9>to see me, And so I raised my hands and

0:20:53.160 --> 0:20:55.480
<v Speaker 9>he looks at me like, you know, who.

0:20:55.280 --> 0:20:56.159
<v Speaker 7>The heck is that, you know?

0:20:56.240 --> 0:20:58.119
<v Speaker 9>But all right, fine, you know, he doesn't have anything

0:20:58.119 --> 0:21:02.719
<v Speaker 9>better to do. So he sits down and I'll probably

0:21:02.760 --> 0:21:04.360
<v Speaker 9>never forget this moment for the rest of my life.

0:21:04.359 --> 0:21:07.119
<v Speaker 9>I said to him. You know, my name is Francis Rolez.

0:21:07.119 --> 0:21:09.840
<v Speaker 9>I'm a reporter for the New York Times. I'm doing

0:21:09.880 --> 0:21:16.680
<v Speaker 9>a story on Teresa Gomez. And he just froze and

0:21:16.720 --> 0:21:21.440
<v Speaker 9>his eyes welled up with tears, and he said, I've

0:21:21.440 --> 0:21:25.359
<v Speaker 9>been telling people about Teresa Gomez for twenty five years.

0:21:26.760 --> 0:21:29.119
<v Speaker 9>And I said, well, now somebody's listening.

0:21:32.240 --> 0:21:36.480
<v Speaker 2>But for Robert Hill, talking about Teresa Gomez is not

0:21:36.600 --> 0:21:40.080
<v Speaker 2>an easy decision. He's about to come up for parole.

0:21:40.520 --> 0:21:43.520
<v Speaker 2>And one of the things that's drilled into somebody applying

0:21:43.520 --> 0:21:47.720
<v Speaker 2>for parole is you got to go in, take responsibility,

0:21:48.240 --> 0:21:52.959
<v Speaker 2>show remorse, you got to ask forgiveness. Now that's going

0:21:53.000 --> 0:21:55.399
<v Speaker 2>to be hard to do if you're also telling a

0:21:55.480 --> 0:21:58.480
<v Speaker 2>New York Times reporter, hey, I didn't do it.

0:21:59.160 --> 0:22:01.600
<v Speaker 9>And he said to me, is this going to mess

0:22:01.680 --> 0:22:06.240
<v Speaker 9>up my parole? And I remember I said something that

0:22:06.600 --> 0:22:09.560
<v Speaker 9>you know, ethically I should not have said, and I

0:22:09.560 --> 0:22:13.280
<v Speaker 9>probably shouldn't even repeat that I said, but I said it.

0:22:13.320 --> 0:22:17.200
<v Speaker 9>I said, this isn't going to mess up your parole.

0:22:17.960 --> 0:22:21.560
<v Speaker 9>I said this is going to get you exonerated. And

0:22:21.640 --> 0:22:26.400
<v Speaker 9>I said something so ridiculous because I believed it.

0:22:28.760 --> 0:22:32.640
<v Speaker 2>That's our frenchie. She'll save your life at your peril.

0:22:33.119 --> 0:22:37.160
<v Speaker 2>And Robert Hill, let's face it, he needs his life saved,

0:22:37.800 --> 0:22:42.639
<v Speaker 2>so maybe it's worth the risk. Hill starts talking and

0:22:42.720 --> 0:22:48.120
<v Speaker 2>he tells frenchie Teresa Gomez is a liar. Frenchie goes

0:22:48.160 --> 0:22:50.920
<v Speaker 2>on her way, and soon she's working on a front

0:22:50.920 --> 0:22:54.440
<v Speaker 2>page story for the Times, one that she hopes will

0:22:54.480 --> 0:22:56.919
<v Speaker 2>make a splash.

0:22:57.400 --> 0:23:00.680
<v Speaker 4>Standard journalism practice is to get a comment from everyone

0:23:00.760 --> 0:23:04.240
<v Speaker 4>mentioned in a story, especially a high stake story. Like

0:23:04.280 --> 0:23:07.640
<v Speaker 4>this one. She calls the District Attorney's office.

0:23:08.119 --> 0:23:12.159
<v Speaker 9>It's like six o'clock that Thursday, and I call the

0:23:12.280 --> 0:23:15.520
<v Speaker 9>spokesman and I said, I got a two thousand and

0:23:15.760 --> 0:23:20.560
<v Speaker 9>five hundred word article about all these guys, you know,

0:23:20.920 --> 0:23:24.239
<v Speaker 9>say that they were wrongly accused, and you know what

0:23:24.280 --> 0:23:25.879
<v Speaker 9>it doesn't have It doesn't have a quote from the

0:23:25.880 --> 0:23:29.320
<v Speaker 9>Brooklyn District Attorney's office. Because your quote was so pathetic.

0:23:29.600 --> 0:23:31.200
<v Speaker 9>I said, so we're going to do a doue over

0:23:31.720 --> 0:23:36.760
<v Speaker 9>and it's the one question, do over do you stand

0:23:37.040 --> 0:23:39.679
<v Speaker 9>behind these convictions or not?

0:23:42.400 --> 0:23:42.800
<v Speaker 4>That's it.

0:23:43.480 --> 0:23:44.879
<v Speaker 7>We're not going to negotiate a response.

0:23:44.880 --> 0:23:46.200
<v Speaker 9>We're not going to be like, oh if the record

0:23:46.280 --> 0:23:50.720
<v Speaker 9>background upside down inside out, what's your answer? And so

0:23:50.800 --> 0:23:53.280
<v Speaker 9>the spokesman said, oh, quite back, Okay, call me back,

0:23:54.359 --> 0:23:55.760
<v Speaker 9>say call back, and he said, well, you have to

0:23:55.760 --> 0:23:56.200
<v Speaker 9>come back.

0:23:56.040 --> 0:23:57.560
<v Speaker 2>To the office tomorrow.

0:23:58.160 --> 0:24:01.240
<v Speaker 9>I'm crying out loud. I go to the Brooklyn District

0:24:01.240 --> 0:24:03.760
<v Speaker 9>Attorney's office, sit down, like, all right, what is it.

0:24:06.440 --> 0:24:08.600
<v Speaker 9>We're reopening all of Scarcella's cases.

0:24:09.480 --> 0:24:11.919
<v Speaker 4>And I'm like, oh my god.

0:24:15.760 --> 0:24:19.880
<v Speaker 9>So I go back to the office and I find

0:24:19.920 --> 0:24:22.119
<v Speaker 9>the editor, the same person that had originally asked me

0:24:22.160 --> 0:24:23.200
<v Speaker 9>what connects these cases?

0:24:23.680 --> 0:24:25.320
<v Speaker 7>And I said, you're not going to believe this.

0:24:26.320 --> 0:24:28.159
<v Speaker 9>The DA is reopening all of his cases.

0:24:28.160 --> 0:24:30.000
<v Speaker 7>They're going to go back thirty years.

0:24:31.359 --> 0:24:34.000
<v Speaker 9>And her eyes welled up in tears.

0:24:33.920 --> 0:24:35.160
<v Speaker 2>And she said, oh my god.

0:24:35.400 --> 0:24:36.880
<v Speaker 7>She goes, these are lies.

0:24:37.440 --> 0:24:40.240
<v Speaker 9>These are real lives that you're impacting.

0:24:43.480 --> 0:24:48.320
<v Speaker 4>Frenchie story breaks on May eleventh, twenty thirteen, the headline

0:24:49.359 --> 0:24:54.280
<v Speaker 4>review of fifty Brooklyn murder cases ordered. The story lays

0:24:54.280 --> 0:24:57.880
<v Speaker 4>it all out how Teresa Gomez says she witnessed six

0:24:58.000 --> 0:25:03.760
<v Speaker 4>separate murders. Who's see six murders? And Frenchie tells other

0:25:03.840 --> 0:25:08.560
<v Speaker 4>stories like Shabacca's, how Scarcella told the court he had

0:25:08.600 --> 0:25:12.080
<v Speaker 4>made an incriminating statement that Shabacca says he never made.

0:25:12.440 --> 0:25:16.560
<v Speaker 2>A copy of Frenchi's story eventually arrives at the prison library.

0:25:17.000 --> 0:25:19.959
<v Speaker 6>It got spread around, you know, word went like wildfire,

0:25:19.960 --> 0:25:22.640
<v Speaker 6>and everybody had their own copy that they took back

0:25:22.680 --> 0:25:23.200
<v Speaker 6>to their cell.

0:25:23.840 --> 0:25:28.199
<v Speaker 2>By this point, Sabacca's been incarcerated for twenty two years.

0:25:28.520 --> 0:25:29.439
<v Speaker 4>I had a couple of copies.

0:25:29.440 --> 0:25:31.920
<v Speaker 6>I even mail copies out for people like yo, look,

0:25:32.359 --> 0:25:35.440
<v Speaker 6>so we was excited about it. And I think that

0:25:35.440 --> 0:25:40.960
<v Speaker 6>that was the first time that I knew, like I

0:25:41.040 --> 0:25:44.240
<v Speaker 6>always thought I was going to get out, But I

0:25:44.480 --> 0:25:46.000
<v Speaker 6>knew I was going to get out.

0:25:46.040 --> 0:25:51.720
<v Speaker 4>Then Sabacca's friend Derek, the one who said all of

0:25:51.760 --> 0:25:55.200
<v Speaker 4>this in motion. At first, he's pleased when he sees

0:25:55.240 --> 0:26:01.520
<v Speaker 4>the article, but then he gets angry. This is personal,

0:26:02.520 --> 0:26:06.359
<v Speaker 4>you see. Scarcela was the cop who arrested Derek for murder,

0:26:07.200 --> 0:26:09.399
<v Speaker 4>a murder, he insists he didn't do.

0:26:09.480 --> 0:26:13.720
<v Speaker 11>You gotta understand something, man, My kids grew up without

0:26:13.720 --> 0:26:14.119
<v Speaker 11>a father.

0:26:16.119 --> 0:26:17.680
<v Speaker 4>This basket was able to raise his.

0:26:19.240 --> 0:26:23.639
<v Speaker 11>This god is a piece of shit, but he gets

0:26:23.840 --> 0:26:25.000
<v Speaker 11>to run around.

0:26:26.240 --> 0:26:26.920
<v Speaker 4>Like he's God.

0:26:34.880 --> 0:26:38.000
<v Speaker 2>It's Derek and his jailhouse law firm that will lead

0:26:38.080 --> 0:26:42.040
<v Speaker 2>the charge against Scarcella. With Derek and Louis, it will

0:26:42.080 --> 0:26:45.880
<v Speaker 2>be a zero some game. If one rises, the other

0:26:46.080 --> 0:26:54.880
<v Speaker 2>must fall. We gotta get at this out. Here's where

0:26:54.920 --> 0:26:58.800
<v Speaker 2>I enter the story. It was a few years after

0:26:58.880 --> 0:27:02.640
<v Speaker 2>Frenchy Scoop. I was a New York magazine journalist. Back then,

0:27:03.200 --> 0:27:05.879
<v Speaker 2>I just moved to a new neighborhood in Brooklyn, and

0:27:05.960 --> 0:27:09.000
<v Speaker 2>on a whim, I decided to open a cocktail bar.

0:27:09.800 --> 0:27:12.159
<v Speaker 2>I did not have a grand vision. There was an

0:27:12.160 --> 0:27:16.280
<v Speaker 2>empty space two hundred and twenty four square feet. How

0:27:16.320 --> 0:27:20.520
<v Speaker 2>hard could it be? I called it IRVS after my dad,

0:27:20.720 --> 0:27:24.439
<v Speaker 2>and I loved the place. The neighborhood loved it, The

0:27:24.520 --> 0:27:27.680
<v Speaker 2>people on the block loved it. Some even worked there.

0:27:28.440 --> 0:27:32.399
<v Speaker 2>But that little dead end on which IRVS resided. What

0:27:32.560 --> 0:27:37.760
<v Speaker 2>a block? Old school? Hey, it was like the nineties

0:27:37.760 --> 0:27:41.000
<v Speaker 2>in New York City that block. One day there was

0:27:41.040 --> 0:27:45.000
<v Speaker 2>a guy chasing somebody with a machete. Another day a

0:27:45.040 --> 0:27:49.119
<v Speaker 2>guy ran down the block shooting at someone, fortunately not

0:27:49.280 --> 0:27:56.040
<v Speaker 2>a terrific shot. Intellectually, politically, I'm skeptical of the police.

0:27:56.400 --> 0:28:01.199
<v Speaker 2>I marched in the marches. Their methods sometimes frightened me.

0:28:02.160 --> 0:28:05.720
<v Speaker 2>But when violence erupted on my block, the block where

0:28:05.760 --> 0:28:10.160
<v Speaker 2>my bar resided, I needed someone to call. Who else

0:28:10.240 --> 0:28:13.560
<v Speaker 2>was I going to call but the police. It turned

0:28:13.600 --> 0:28:16.679
<v Speaker 2>out that Louis Scarcela had spent a good part of

0:28:16.720 --> 0:28:21.560
<v Speaker 2>his career patrolling my bar's dead end block. And there

0:28:21.640 --> 0:28:25.479
<v Speaker 2>was a moment I found myself wondering if I needed

0:28:25.480 --> 0:28:28.880
<v Speaker 2>a tough cop to come in and restore some order

0:28:29.440 --> 0:28:34.600
<v Speaker 2>so I could run my little business. Later, Louis would

0:28:34.640 --> 0:28:39.200
<v Speaker 2>come by and he'd offer an appraisal, an appraisal which

0:28:39.240 --> 0:28:40.080
<v Speaker 2>proved prophetic.

0:28:43.000 --> 0:28:46.200
<v Speaker 4>I remember that bar distinctly. It was where I entered

0:28:46.200 --> 0:28:51.120
<v Speaker 4>the story, coming there one night, sitting down with you

0:28:51.680 --> 0:28:54.640
<v Speaker 4>and having the first big conversation about this series.

0:28:55.280 --> 0:28:57.880
<v Speaker 2>I remember that first night you came, and I remember

0:28:58.080 --> 0:29:00.800
<v Speaker 2>you telling me about your experiences with cops.

0:29:02.160 --> 0:29:04.680
<v Speaker 4>To be clear, there's been more than one, so we

0:29:04.720 --> 0:29:07.280
<v Speaker 4>could be talking about the time I got pulled over

0:29:07.400 --> 0:29:09.800
<v Speaker 4>twice within about twenty minutes because I had a Vanilla

0:29:09.880 --> 0:29:11.880
<v Speaker 4>Roma air freshener in my rear view mirror.

0:29:12.120 --> 0:29:14.400
<v Speaker 2>Yes, you did. But the one I remember, the one

0:29:14.440 --> 0:29:17.720
<v Speaker 2>that made an impression on me, starts with a pull

0:29:17.800 --> 0:29:19.200
<v Speaker 2>up on a scaffold.

0:29:19.400 --> 0:29:21.600
<v Speaker 4>I'm entering my third year of law school, standing on

0:29:21.600 --> 0:29:24.760
<v Speaker 4>a street corner in Adams Morgan and Washington, DC. You know,

0:29:25.440 --> 0:29:27.040
<v Speaker 4>I got my satchel on because at the time I

0:29:27.120 --> 0:29:28.840
<v Speaker 4>used to wear a satchel night right, you know, keep

0:29:28.840 --> 0:29:30.720
<v Speaker 4>my pal my poems in my satchel. And I was

0:29:30.760 --> 0:29:32.880
<v Speaker 4>first starting to grow on my drop my dreads. I'm

0:29:32.880 --> 0:29:34.640
<v Speaker 4>with my buddy, who's a study who the study he

0:29:34.720 --> 0:29:38.600
<v Speaker 4>was at Georgetown Low and he decides to jump up

0:29:40.040 --> 0:29:44.840
<v Speaker 4>on a scaffold and do a pull up. Okay, and

0:29:45.240 --> 0:29:46.840
<v Speaker 4>I think I jumped up into maybe did a pull

0:29:46.920 --> 0:29:49.800
<v Speaker 4>up with me, and we got down. I turned around

0:29:49.800 --> 0:29:53.680
<v Speaker 4>the nose a cop. Don't where the fuck that came from?

0:29:53.720 --> 0:29:57.200
<v Speaker 4>Just next to us. Get down on the ground, Get

0:29:57.240 --> 0:30:00.800
<v Speaker 4>down the ground, and I me. You know, having done

0:30:00.800 --> 0:30:03.720
<v Speaker 4>two years of law school at this point, I got it.

0:30:03.800 --> 0:30:06.000
<v Speaker 4>I just I took primp pro. I'm just more like,

0:30:06.800 --> 0:30:09.240
<v Speaker 4>I haven't violated any laws that you're just gonna come

0:30:09.560 --> 0:30:12.200
<v Speaker 4>in broad daylight and tell me to get down. I'm

0:30:12.240 --> 0:30:16.600
<v Speaker 4>get down on my knees. I'm not doing that. I

0:30:16.600 --> 0:30:19.200
<v Speaker 4>don't know what happened. Five more police cars show up,

0:30:20.800 --> 0:30:22.880
<v Speaker 4>and at some point my friend and I get separated.

0:30:23.480 --> 0:30:26.480
<v Speaker 4>Somehow I end up in an alley on my back,

0:30:27.160 --> 0:30:28.720
<v Speaker 4>and these had three or four on me.

0:30:29.200 --> 0:30:30.200
<v Speaker 2>Oh my god.

0:30:30.880 --> 0:30:33.600
<v Speaker 4>My family has Sunday dinner. I don't show up. No

0:30:33.600 --> 0:30:37.000
<v Speaker 4>one knows where I am.

0:30:37.120 --> 0:30:40.560
<v Speaker 2>I remember hearing that story and thinking, man, this is

0:30:40.640 --> 0:30:44.920
<v Speaker 2>crazy law school students doing a pull up and then

0:30:45.000 --> 0:30:50.000
<v Speaker 2>ended up getting beaten by cops. That's just racism, flat out.

0:30:50.480 --> 0:30:55.880
<v Speaker 4>And you'd be right except for one thing. Those cops

0:30:55.920 --> 0:30:59.160
<v Speaker 4>who arrested and beat me they were black. Wow.

0:31:00.360 --> 0:31:01.520
<v Speaker 2>I did not expect that.

0:31:02.240 --> 0:31:04.920
<v Speaker 4>Yeah, most people don't, But for me, what I took

0:31:04.960 --> 0:31:07.120
<v Speaker 4>away from that is that a cop is always a cop,

0:31:07.720 --> 0:31:11.520
<v Speaker 4>always blue, and to cops, I'm a black man, and

0:31:11.560 --> 0:31:14.000
<v Speaker 4>to be a black man, at least in some spaces

0:31:14.000 --> 0:31:15.600
<v Speaker 4>in this country, is to be a suspect.

0:31:16.240 --> 0:31:19.800
<v Speaker 2>Well, here's what I can say. We enter this journey

0:31:19.800 --> 0:31:21.640
<v Speaker 2>through different doors, don't we.

0:31:22.480 --> 0:31:25.640
<v Speaker 4>Yes, we do, and it's gonna be quite a ride.

0:31:26.520 --> 0:31:32.320
<v Speaker 2>Buckle up. In this series, we're gonna look at it

0:31:32.400 --> 0:31:36.960
<v Speaker 2>all from the inside. We'll get deep on Scarsella.

0:31:37.080 --> 0:31:41.320
<v Speaker 5>We're here, we're here in the belly of the beast,

0:31:42.240 --> 0:31:44.440
<v Speaker 5>but we're here doing what we got to do, and

0:31:44.480 --> 0:31:45.120
<v Speaker 5>we did it.

0:31:45.640 --> 0:31:48.280
<v Speaker 2>We did God's work and we did it.

0:31:48.320 --> 0:31:50.960
<v Speaker 11>To me, he's no better than a syrial change, right,

0:31:50.960 --> 0:31:52.600
<v Speaker 11>because you chilled people's dreams.

0:31:52.920 --> 0:31:56.640
<v Speaker 8>This diabolical character that he's been depicted as is just

0:31:56.840 --> 0:31:58.040
<v Speaker 8>pure nonsense.

0:31:58.080 --> 0:31:59.920
<v Speaker 2>If he had a great reputation.

0:32:00.240 --> 0:32:02.480
<v Speaker 4>We'll enter a crazy world of violence.

0:32:02.720 --> 0:32:04.600
<v Speaker 8>This guy runs right down the middle of eight their

0:32:04.680 --> 0:32:06.560
<v Speaker 8>view and he's.

0:32:06.400 --> 0:32:06.920
<v Speaker 4>Got a gun.

0:32:07.360 --> 0:32:09.680
<v Speaker 2>Sergeant to you know, shot him.

0:32:09.760 --> 0:32:12.240
<v Speaker 8>He goes down and oh my god, so like the

0:32:12.240 --> 0:32:12.920
<v Speaker 8>wild West.

0:32:13.840 --> 0:32:16.760
<v Speaker 4>And we'll hear from the politicians trying to tame it.

0:32:17.560 --> 0:32:20.040
<v Speaker 9>I ain't prepared to do anything to take back our

0:32:20.080 --> 0:32:22.000
<v Speaker 9>streets by night as well as by day.

0:32:23.160 --> 0:32:27.680
<v Speaker 2>We'll dive into the Brooklyn criminal justice system. She definitely

0:32:27.760 --> 0:32:29.400
<v Speaker 2>testified Hyazac Kite one day.

0:32:30.200 --> 0:32:33.240
<v Speaker 3>He's a judge and he puts his arms around me

0:32:33.600 --> 0:32:36.120
<v Speaker 3>and he says, we both know who this guy is.

0:32:36.520 --> 0:32:40.480
<v Speaker 4>We both know he's guilty, and we'll follow Derek Hamilton

0:32:40.560 --> 0:32:43.880
<v Speaker 4>and his band of convicted murderers who created their own

0:32:43.960 --> 0:32:47.880
<v Speaker 4>law from them behind bars to take on Scarsella and

0:32:47.960 --> 0:32:51.480
<v Speaker 4>fight for their freedom. It's guy's like god when it

0:32:51.520 --> 0:32:52.480
<v Speaker 4>comes to criminal law.

0:32:52.960 --> 0:32:56.200
<v Speaker 11>Everybody knows how to make emotions, but how many times

0:32:56.200 --> 0:32:57.480
<v Speaker 11>do you really know what your burden is?

0:32:58.040 --> 0:32:59.720
<v Speaker 6>Look, man, this is our team right here.

0:33:00.280 --> 0:33:00.680
<v Speaker 2>I team.

0:33:00.680 --> 0:33:02.640
<v Speaker 6>We're gonna work for these cases and we're gonna.

0:33:02.400 --> 0:33:06.160
<v Speaker 2>Get out and targeting the detective at the center of

0:33:06.200 --> 0:33:06.600
<v Speaker 2>it all.

0:33:07.400 --> 0:33:11.800
<v Speaker 11>I say, damn, it's the same fuck or that frame me.

0:33:14.680 --> 0:33:21.440
<v Speaker 5>If I did one nanogram one nanogram of what they

0:33:21.480 --> 0:33:24.239
<v Speaker 5>said I did, and you know what I mean by

0:33:24.280 --> 0:33:29.760
<v Speaker 5>one nanogram and infinitesimal, If I did one of the

0:33:29.840 --> 0:33:34.360
<v Speaker 5>things that they said I did, I would have killed myself.

0:33:37.040 --> 0:33:38.200
<v Speaker 4>I love myself.

0:33:38.520 --> 0:33:42.240
<v Speaker 2>I'm not gonna kill myself. What do you love about yourself?

0:33:43.680 --> 0:33:44.800
<v Speaker 2>I'm gonna tell you.

0:33:46.200 --> 0:33:47.160
<v Speaker 5>I think.

0:33:50.120 --> 0:33:51.280
<v Speaker 2>I'm a very good person.

0:33:53.080 --> 0:33:54.880
<v Speaker 4>Yeah, we'll see about that.

0:33:57.400 --> 0:33:59.800
<v Speaker 2>Next time. On The Burden, I try to get Louis

0:33:59.840 --> 0:34:02.680
<v Speaker 2>go sell it, to give it all up. He used

0:34:02.680 --> 0:34:05.440
<v Speaker 2>to be a talker. Dan with the bad headlines, he

0:34:05.600 --> 0:34:09.960
<v Speaker 2>mostly shut up. Frenchie couldn't get him to talk. But

0:34:10.040 --> 0:34:14.160
<v Speaker 2>I'm on a mission. Turns out that mission starts with

0:34:14.200 --> 0:34:16.120
<v Speaker 2>a plunge into the freezing Atlantic.

0:34:16.280 --> 0:34:18.160
<v Speaker 4>Make sure your baby's gonna come off today?

0:34:20.680 --> 0:34:21.759
<v Speaker 2>Well I did it last time?

0:34:21.960 --> 0:34:34.440
<v Speaker 4>Yeah, it did? Did That's next time. On The Burden, commonstrating.

0:34:33.560 --> 0:34:35.000
<v Speaker 2>You can't run for shelter.

0:34:36.280 --> 0:34:42.799
<v Speaker 4>There's nothing you can't do. The Burden is created by

0:34:42.800 --> 0:34:45.880
<v Speaker 4>Steve Fishman. It's hosted and reported by Steve Fishman and myself,

0:34:46.000 --> 0:34:49.839
<v Speaker 4>Dax Devlin Ross. Our story editor is Dan Bobkoff. Our

0:34:49.880 --> 0:34:53.720
<v Speaker 4>senior producer is Simon Rittner. Our producer is Sonum Skelly.

0:34:54.000 --> 0:34:57.360
<v Speaker 4>Our associate producer is Austin Smith. Our fact checker is

0:34:57.480 --> 0:35:02.240
<v Speaker 4>Sona Abakan production coordinator is Davon Paradise. Mixing and sound

0:35:02.239 --> 0:35:05.640
<v Speaker 4>design is provided by Mumble Media. Our executive producers are

0:35:05.719 --> 0:35:09.839
<v Speaker 4>Fisher Stevens, Steve Fishman, and Evan Williams. Additional production help

0:35:09.880 --> 0:35:14.240
<v Speaker 4>has been provided by Josie Holtzman, Isaac Kestenbaum, Naomi Brauner,

0:35:14.480 --> 0:35:20.400
<v Speaker 4>Lucy Souchek, Drew Nellis, Micah Hazel, Priscilla A. Labi, Saxon Baird,

0:35:20.680 --> 0:35:24.400
<v Speaker 4>Katie Simon and Katie Springer. We want to give us

0:35:24.400 --> 0:35:28.880
<v Speaker 4>special thanks to Ellen Horn, Zach Stuart Pontier, Lizzie Jacobs,

0:35:29.200 --> 0:35:33.400
<v Speaker 4>Nathan Tempe to Buy a Black, Rachel Morrissey, Mark Smirling

0:35:33.719 --> 0:35:37.799
<v Speaker 4>and Lilah Robinson. Special thanks to Marcy Wiseman. We want

0:35:37.840 --> 0:35:41.320
<v Speaker 4>to thank our agents, Ben Davis and Marissa Horowitz. Special

0:35:41.320 --> 0:35:42.320
<v Speaker 4>thanks to my wife Alana.

0:35:42.800 --> 0:35:45.160
<v Speaker 2>Special thanks to Rhea Julian my wife.

0:35:45.600 --> 0:35:49.440
<v Speaker 4>Legal support has been provided by Mona Hoop at MKSR

0:35:49.880 --> 0:35:52.800
<v Speaker 4>ll P, and a very special thanks to Evan Williams,

0:35:52.840 --> 0:35:55.160
<v Speaker 4>one of our executive producers and the person who made

0:35:55.160 --> 0:35:58.680
<v Speaker 4>this podcast possible. We are honored to feature the song

0:35:58.880 --> 0:36:02.840
<v Speaker 4>Black Lightning The Bell Rings is our theme music. The

0:36:02.880 --> 0:36:06.320
<v Speaker 4>Burden is a production of Orbit Media and association with

0:36:06.440 --> 0:36:14.279
<v Speaker 4>Signal Company Number one