WEBVTT - Grammys' Fate

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<v Speaker 1>As a dad, actor, producer for an activist, my schedule

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<v Speaker 1>Hey everyone, it's warmer vol drama. When it comes to insurance,

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<v Speaker 1>your journey. Okay this Why would Adelita take a hiatus

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<v Speaker 1>at the height of her career? What is she not

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<v Speaker 1>telling us? One tweet just says in caps asta la vista, baby, baby.

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<v Speaker 1>If you don't want to be upset by the tweets,

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<v Speaker 1>stop reading them. There are so many. Yeah, that's what

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<v Speaker 1>trending means. Hello, no questions. She goes through her manager passage.

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<v Speaker 1>I guess my mother is still not answering her phone.

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<v Speaker 1>I know she was upset about your talk last night,

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<v Speaker 1>but she's taken this too far? So how do I

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<v Speaker 1>make it? Stop? It? Don't It'll die out on its own.

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<v Speaker 1>I'm trying her again. Hi, this is pass Please leave

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<v Speaker 1>a message. Mom. I know you're upset, but not picking

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<v Speaker 1>up the phone is just going to make things worse.

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<v Speaker 1>Call me. Maybe I should talk to articles about putting

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<v Speaker 1>out a statement or something saying what that you miss book?

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<v Speaker 1>When you didn't? What's that going to solve? Ye? Who

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<v Speaker 1>We're gonna have to change our numbers, babe, Just don't

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<v Speaker 1>answer it. Gosh, this is a nightmare. I'm sending out

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<v Speaker 1>a tweet. No no, no, no, no no, no. I don't

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<v Speaker 1>think that's a good idea. Well I have to do something. Okay,

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<v Speaker 1>how about this? How about this? Sometimes silence is what

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<v Speaker 1>the noise requires, and send Oh oh you know what

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<v Speaker 1>I was thinking. The Grammy nominations are about to be announced.

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<v Speaker 1>If the album gets nominated, that might stop the chatter. Maybe,

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<v Speaker 1>But that's a strange reason to want a nomination. I

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<v Speaker 1>should have just kept my mouth shut. I'm tired of this.

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<v Speaker 1>I'm turning up the cell phone. I'm going in the height.

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<v Speaker 1>You want to come in this heat? No? I mean yes,

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<v Speaker 1>thank you, honey, thank you. But you know what I'm

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<v Speaker 1>gonna do. Show up at my mother's house. Then she

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<v Speaker 1>can't ignore me. Have fun. I lose my Mennia, believe

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<v Speaker 1>that passa Pasah. I missed you so much. I can't

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<v Speaker 1>win any how are you doing? Lose and my mom?

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<v Speaker 1>What can they say? I lose my I have hope.

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<v Speaker 1>One day, Mom and I will finally learn to communicate.

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<v Speaker 1>I will let her know you're here lost lost Cafe Sportifa.

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<v Speaker 1>So you're not picking up my calls anymore, just giving

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<v Speaker 1>you a taste of your own medicine. Nice. Well, you

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<v Speaker 1>drop a bomb an awards show and then you want

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<v Speaker 1>me to just sweep in and clean it up for

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<v Speaker 1>you when algoma cookie or pastelo. Okay, so let me

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<v Speaker 1>first apologize about the announcement. It wasn't fair to you, No,

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<v Speaker 1>it wasn't. But there was a specific reason why I

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<v Speaker 1>want to take time off. I'm listening. I want to

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<v Speaker 1>attempt to cross over career and I need the time

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<v Speaker 1>to figure out what that would look like and what

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<v Speaker 1>it will entail. Velita, Mom, just hear me out, Okay,

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<v Speaker 1>I know what they hid. No music means to you,

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<v Speaker 1>It means a lot to me too. It has given

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<v Speaker 1>me an amazing career. But I've accomplished all that I

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<v Speaker 1>wanted to do as at the Handle Artist, so I

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<v Speaker 1>want to see what else I can do. You know

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<v Speaker 1>how I can expand the reach of Latin music by

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<v Speaker 1>modernizing old styles and giving them my own spin. At thirty,

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<v Speaker 1>it's now or never, Alita. Do you have any idea

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<v Speaker 1>how many artists have attempted to do just that and failed?

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<v Speaker 1>Most of them? I'm sure, but that's no reason not

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<v Speaker 1>to try. But illegally binding contract is I can still

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<v Speaker 1>record two albums for I AG just not they han

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<v Speaker 1>no albums. Marcos has lots of labels besides Okarina, but

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<v Speaker 1>you're signed as at the Handle artist and the Handle

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<v Speaker 1>music is what he expects. Mom, Please stop this nonsense.

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<v Speaker 1>Why is it nonsense? Why are you so sure that

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<v Speaker 1>this won't work out? I'm not saying it won't, I'm

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<v Speaker 1>saying it is way too risky for you to gamble

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<v Speaker 1>away a successful career. I wish you had a little

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<v Speaker 1>more faith in me. Why can't you see that? I

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<v Speaker 1>just don't want you to get hurt? And where is

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<v Speaker 1>this all even coming from? Anyway? I thought you were

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<v Speaker 1>happy with your career. That's not quite accurate, Mama. I

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<v Speaker 1>just never said anything, and that's my fault. Well, you're

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<v Speaker 1>not the easiest person to open up to, but I'm

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<v Speaker 1>trying to be honest with you now and tell you

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<v Speaker 1>how I've been feeling for a while. But this is

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<v Speaker 1>all new information to me, and this decision could have

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<v Speaker 1>serious consequences, not just for you, but for the label

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<v Speaker 1>and your endorsements too. Their products are directly impacted by

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<v Speaker 1>what you do and their concern Okay, I get that,

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<v Speaker 1>but why do you always care more about the business

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<v Speaker 1>than about me. You're my mom, not just my manager.

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<v Speaker 1>That's not fair. You have no idea how hard it

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<v Speaker 1>is to balance the two. I may not always get

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<v Speaker 1>it right, especially the mom part, but I've always acted

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<v Speaker 1>in your best interest. Mom. Forcing me to do two

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<v Speaker 1>albums that I don't want to do is not in

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<v Speaker 1>anyone's best interest, trust me, So maybe you want to

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<v Speaker 1>think about that. I'm gonna go, but please start answering

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<v Speaker 1>your phone again. I will. Oh, by the way, I

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<v Speaker 1>put the jacket you left in the green room in

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<v Speaker 1>your old bedroom in case you want to grab it

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<v Speaker 1>before you go. Okay, thanks, Hi and Wilma Rama as

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<v Speaker 1>a dad, actor, producer, and activist. My schedule fills up fast,

0:09:14.120 --> 0:09:16.600
<v Speaker 1>and as we all know, life can be unpredictable. That's

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<v Speaker 1>why good help is always welcome, like when your friend

0:09:19.160 --> 0:09:22.720
<v Speaker 1>offers you those important words of advice or when your

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<v Speaker 1>mom makes your favorite food, just because it's holding act

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<v Speaker 1>Stay Farm is also a big supporter of the Michael

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<v Speaker 1>storytellers come on when Visino is Stay Farms and as

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<v Speaker 1>a punto State Farm, punto com listen to new episodes

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<v Speaker 1>the video game you gave him on his birthday. Wow,

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<v Speaker 1>Thanks Grandpa, but he'll never forget how you invested in

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<v Speaker 1>unst dot coo. Ah, there it is. How did it go?

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<v Speaker 1>How do you think? I want to show you something?

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<v Speaker 1>What is it? Your old journals? You're kidding? Oh? I

0:12:32.800 --> 0:12:36.440
<v Speaker 1>remember you gave me my first journal. But do you remember?

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<v Speaker 1>Why was it a birthday gift? No? Miha, I gave

0:12:42.400 --> 0:12:45.200
<v Speaker 1>it to you because even back then, you and your

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<v Speaker 1>mom had a hard time communicating, especially about your feelings.

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<v Speaker 1>So I told you to write them down that it

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<v Speaker 1>might help, right right, I remember? Now, look, this one

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<v Speaker 1>still has some blank page. You see? Why don't you

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<v Speaker 1>think it? Oh? Are you good? Eyes? He has a

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<v Speaker 1>mos mos? Hey? How'd it go? Why can't she ever

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<v Speaker 1>just be my mom? I ain't no, no, no, my god,

0:13:43.320 --> 0:14:02.600
<v Speaker 1>I see him though? Where yo yo yo? It's that time?

0:14:02.679 --> 0:14:05.720
<v Speaker 1>Y'all The Grammys are coming up, and with that comes

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<v Speaker 1>a night with some of your favorite artists performing live.

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<v Speaker 1>Whoop whoop MANI who would you like to see perform?

0:14:12.400 --> 0:14:16.720
<v Speaker 1>Wisdom and Zoya? Of course they're duet. No Strings was

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<v Speaker 1>the best song of the year. What about you? Saying? Saying,

0:14:21.000 --> 0:14:25.960
<v Speaker 1>but I wouldn't mind seeing BTS perform too? Oh, come on,

0:14:26.480 --> 0:14:28.760
<v Speaker 1>come on? What I can't like the soulful sounds of

0:14:28.760 --> 0:14:32.680
<v Speaker 1>a Korean boy band? All right, Well, we better go

0:14:32.720 --> 0:14:40.080
<v Speaker 1>to the news before people start changing the dial. We've

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<v Speaker 1>got several artists and bands that could be nominated this

0:14:42.680 --> 0:14:46.320
<v Speaker 1>year in the Best Regional Mexican Music Album category, but

0:14:46.520 --> 0:14:50.480
<v Speaker 1>I think the front runners are my personal favorites Adelita

0:14:50.560 --> 0:15:00.600
<v Speaker 1>Pass and newcomer Santiago Garcia. No on the bed, on

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<v Speaker 1>the floor, I who cares? We just got two Grammy nominations,

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<v Speaker 1>that my first as a producer. What I'm so proud

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<v Speaker 1>of you, and I'm proud of you. And look, I

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<v Speaker 1>know we've had a very few stressful days and there's

0:15:15.680 --> 0:15:18.600
<v Speaker 1>still a lot to figure out, Like this is something

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<v Speaker 1>to celebrate. Oh my god, can you believe it? I

0:15:22.600 --> 0:15:26.160
<v Speaker 1>started my behindo career with my first album being nominated

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<v Speaker 1>for a Grammy ending that career with two nominations seems

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<v Speaker 1>kind of perfect. Doesn't it like like a sign that

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<v Speaker 1>that it's time to move on? Oh okay, don't get

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<v Speaker 1>ahead of yourself. Come on, a girl can dream. This

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<v Speaker 1>cost you again? Yo, yo yo. Welcome back to Trip Radio,

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<v Speaker 1>where we break the hottest hip hop news. And today's

0:16:04.640 --> 0:16:07.320
<v Speaker 1>breaking news is a real shocker. Wouldn't you say, A

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<v Speaker 1>money god say it's the biggest news of he is

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<v Speaker 1>the King and Queen of hip hop. Wisdom and Zoya

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<v Speaker 1>announced they've broken up rights and sources close to the

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<v Speaker 1>couple tells us that it's because Zoya decided no strings.

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<v Speaker 1>I mean she could dip her toes in other men's

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<v Speaker 1>infinity pools. You know what I'm saying. Oh damn. It's

0:16:30.960 --> 0:16:35.080
<v Speaker 1>usually the men that's the roman stone, but not this time.

0:16:35.480 --> 0:16:38.120
<v Speaker 1>Was Zoya out. Looks like Wisdom will have to take

0:16:38.160 --> 0:16:46.320
<v Speaker 1>the Grammy stage alone. Hey, did Wisdom say anything to

0:16:46.360 --> 0:16:49.600
<v Speaker 1>you about the split when you call to congratulate him? No,

0:16:50.280 --> 0:16:52.920
<v Speaker 1>it must have just happened. Okay. I know I shouldn't

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<v Speaker 1>say this because you three go way back, but I'm

0:16:55.800 --> 0:16:59.400
<v Speaker 1>kind of glad she's out of the picture. You never

0:16:59.400 --> 0:17:03.840
<v Speaker 1>really elected, did you. I don't like women who demean

0:17:03.920 --> 0:17:07.560
<v Speaker 1>their man. Remember our last dinner with them? Remember she

0:17:07.640 --> 0:17:10.040
<v Speaker 1>kept making fun of his outfit. She said he was

0:17:10.080 --> 0:17:12.480
<v Speaker 1>the only hip hop artist that she'd ever known who

0:17:12.520 --> 0:17:16.280
<v Speaker 1>refused to wear designer brands. I mean, is she such

0:17:16.359 --> 0:17:19.639
<v Speaker 1>a diva that she doesn't even see that that's just

0:17:19.720 --> 0:17:23.240
<v Speaker 1>one of the many things she should have loved about him. Yeah,

0:17:23.440 --> 0:17:27.040
<v Speaker 1>and she wasn't always like that. You keep saying that

0:17:27.320 --> 0:17:28.760
<v Speaker 1>she was pretty cool when she and I were just

0:17:28.760 --> 0:17:31.159
<v Speaker 1>doing studio gigs to make ends meet. I wonder what

0:17:31.200 --> 0:17:33.359
<v Speaker 1>he'll do about the Grammys. The duet was supposed to

0:17:33.359 --> 0:17:37.119
<v Speaker 1>close out the night. He wouldn't just cancel, would he? Na,

0:17:37.760 --> 0:17:40.919
<v Speaker 1>But he'll have to find a replacement quick. What if

0:17:40.960 --> 0:17:43.840
<v Speaker 1>I stepped in? You may perform with him at the Grammys?

0:17:45.440 --> 0:17:50.560
<v Speaker 1>Would he be open to it? Maybe? I mean the

0:17:50.600 --> 0:17:52.720
<v Speaker 1>song would have to be rearranged to fit your voice.

0:17:54.040 --> 0:17:56.080
<v Speaker 1>You know, it could be a new version of No

0:17:56.240 --> 0:18:01.280
<v Speaker 1>Strings with the hip hop and Latin's rhythms combined. The

0:18:01.359 --> 0:18:03.960
<v Speaker 1>Grammys love it when artists rearranged songs just for the show.

0:18:04.520 --> 0:18:08.960
<v Speaker 1>You could produce it? Yeah? Good? But what about your mom? Oh?

0:18:09.040 --> 0:18:12.560
<v Speaker 1>We can definitely can't tell her or Michaels. We'd have

0:18:12.600 --> 0:18:17.440
<v Speaker 1>to keep it a secret after what just happened. Look,

0:18:18.600 --> 0:18:21.159
<v Speaker 1>if this track is as dope as I think you

0:18:21.200 --> 0:18:23.440
<v Speaker 1>can make it and Wisdom and I kill it at

0:18:23.440 --> 0:18:27.520
<v Speaker 1>the Grammys, I think Machaos will let us do whatever

0:18:27.800 --> 0:18:31.840
<v Speaker 1>we want with my next two albums. Oh gosh, this

0:18:31.920 --> 0:18:34.919
<v Speaker 1>could this performance could be the way I launched my

0:18:34.920 --> 0:18:39.439
<v Speaker 1>crossover career. Okay, let's put aside the fact that, if

0:18:39.440 --> 0:18:42.280
<v Speaker 1>you're right about all this, we're not taking a break

0:18:42.320 --> 0:18:46.040
<v Speaker 1>anytime soon. Rodrigo. We can't take a break anyway if

0:18:46.040 --> 0:18:47.600
<v Speaker 1>I have to do an album a year for the

0:18:47.640 --> 0:18:50.840
<v Speaker 1>next two years, so we might as well do two

0:18:50.880 --> 0:18:54.200
<v Speaker 1>albums that I actually want to make. So we put

0:18:54.200 --> 0:18:58.960
<v Speaker 1>our marriage and our personal lives on hold again. No,

0:18:59.280 --> 0:19:04.320
<v Speaker 1>my love, m hmm, we learned to balance our careers

0:19:04.640 --> 0:19:08.720
<v Speaker 1>and live our lives better, all right, I'm gonna hold

0:19:08.760 --> 0:19:11.800
<v Speaker 1>you to that. But the original point I was trying

0:19:11.840 --> 0:19:14.760
<v Speaker 1>to make, if you don't tell your mom, this will

0:19:14.800 --> 0:19:18.280
<v Speaker 1>only make things so much worse between you. It's a

0:19:18.400 --> 0:19:20.720
<v Speaker 1>risk I'm willing to take. You know, what is the

0:19:20.760 --> 0:19:41.919
<v Speaker 1>min still saying no? If you're enjoying Adelita changing the

0:19:42.000 --> 0:19:46.240
<v Speaker 1>key Please subscribe, rate and review our show wherever you're listening.

0:19:46.840 --> 0:19:50.119
<v Speaker 1>Adlita Changing the Key is a production of Sonoro in

0:19:50.160 --> 0:19:54.479
<v Speaker 1>partnership with Our Hearts Michael Tura Network. Created and written

0:19:54.520 --> 0:19:59.200
<v Speaker 1>by Lechia Villos, Produced by Lucia Duardo Castillo, Gets It

0:19:59.600 --> 0:20:04.879
<v Speaker 1>and Tina Lopez Mendoza. Directed by Javier Perrazza. Developed by

0:20:04.960 --> 0:20:10.320
<v Speaker 1>Jasmine Romero, Betina Lopez and Christian Hatar. Executive produced by

0:20:10.359 --> 0:20:14.280
<v Speaker 1>Gisel Benzes and Conald Bayne for iHeart and Camilla Victoriano

0:20:14.320 --> 0:20:18.960
<v Speaker 1>and Josia Weinstein for Sonoro. Executive produced by Dayangerero and

0:20:19.119 --> 0:20:23.480
<v Speaker 1>li Jia Vijalobos. This episode written by li Jia Villalobos

0:20:23.760 --> 0:20:28.400
<v Speaker 1>with help from Daniela Sarkis, Betina Lopez, Rodrigo Bravo, Moniza

0:20:28.480 --> 0:20:33.359
<v Speaker 1>hin Rich, Bariana Martinez Gomez and ed Garristeva. Performances in

0:20:33.400 --> 0:20:38.840
<v Speaker 1>this episode by Diangerero, Jesi Garcia, Carla Jimenez, Ana Ortis,

0:20:39.240 --> 0:20:52.119
<v Speaker 1>Wayney Carr, Brittania Debumola and Ray Loves. As a dad

0:20:52.320 --> 0:20:55.320
<v Speaker 1>actor producer for an Activist, my schedule feels up fast

0:20:55.359 --> 0:20:58.280
<v Speaker 1>and as we all know, life can be unpredictable. That's

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