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Speaker 1: So George Plinton is just smothering his steak and ketchup,

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Speaker 1: oh boy, I mean just covering it. And it's flat,

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Speaker 1: oh boy. And he's putting ketchup all over it, like

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Speaker 1: you can't see the steak anymore. And he actually had

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Speaker 1: taken it and put the meat into his empty soup

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Speaker 1: bowl so he could basically fill it up with ketch

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Speaker 1: so it would be just swimming in it. And you know,

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Speaker 1: I don't give a fuck. Eat it how you want

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Speaker 1: to eat? Other thing?

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Speaker 2: Where he breaks the bottom off the ketchup bottom, Yes

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Speaker 2: he did, falls out, Yes, he where he hits.

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Speaker 1: It, he puts it against the corner of the table

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Speaker 1: and then he pounds it with his fist and the

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Speaker 1: bottom just pops off in one piece so he can

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Speaker 1: get a bigger glop out a whoop. And you know,

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Speaker 1: eat how you want to eat. You know it's a

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Speaker 1: nice piece of filet mignon. You want it to be

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Speaker 1: almost entirely ketchup. That's what to you.

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Speaker 2: You didn't say that thing that you say, because I

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Speaker 2: would imagine it would kind of set him off if

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Speaker 2: you said the thing that you Yes, well.

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Speaker 1: This is where this is going. Okay, I can see

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Speaker 1: that Dom delaise. It's getting frustrated because he spent so

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Speaker 1: much time cooking the steak and seasoning it the way

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Speaker 1: he wants. And so I think I'll break the tension.

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Speaker 2: Were you wait, I'm sorry, were you confusing him with

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Speaker 2: Paul Prudeo.

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Speaker 1: So he was already in kind of a bad mood.

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Speaker 2: That must have been what it was, because Paul Prudeum

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Speaker 2: is a chef. Okay, so I can see. Okay, he

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Speaker 2: was already in kind of a bad mood. But either way,

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Speaker 2: the large gentleman is looking steam coming out of his ears

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Speaker 2: watching this catchup thing happen. So I think I'll break

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Speaker 2: the tension. And I've got a pretty funny joke loaded

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Speaker 2: up and ready to go for just this kind of situation.

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Speaker 2: So I go, uh, hey, George, I want some steak

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Speaker 2: with that ketchup.

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Speaker 1: Oh god, Now I know you guys are friends, but yeah,

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Speaker 1: yeah no. And he's known to have a bit of

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Speaker 1: a temper. Now his daughter Martha loses it. Excuse me

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Speaker 1: to see this her whole life and put I'll just

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Speaker 1: catch a bud. She's cracking up. He turns, beat red,

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Speaker 1: Paul grabs like a scance off the wall, and starts

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Speaker 1: swinging it. Starts swinging it like a mace, trying to

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Speaker 1: take mine and George's head off. Of course I catch

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Speaker 1: it very easily. I disarm him, and I put him

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Speaker 1: into an arm bar.

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Speaker 2: Hey, welcome to Hollywood Handbook and Insider's Guy to kicking

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Speaker 2: button dropping names of the red carpet lineback hallways of

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Speaker 2: this industry we call showbaz.

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Speaker 1: As. You know, we are passionate about. What are you

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Speaker 1: reading on your computer there? I'm reading tips for doing

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Speaker 1: a good podcast? What didn't feel like you even heard it?

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Speaker 1: End of my story? I did hear it? Well, you

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Speaker 1: certainly didn't help out with.

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Speaker 2: Wiscons I help, I saying, okay, now time to do

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Speaker 2: the rest of it, do the main show.

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Speaker 1: And you were and you're right. It was time to

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Speaker 1: go and do something else. But maybe only because it

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Speaker 1: didn't have any help, was it? No? It could have

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Speaker 1: been something good. I thought it was nice. It was okay.

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Speaker 2: We like to talk about and enjoy and nourish our

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Speaker 2: body and being healthy.

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Speaker 1: You're only gonna have this one body this time around.

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Speaker 1: And I do believe reincarnation now, uh, and I hope

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Speaker 1: I come back as a bird of prey. Kestrel perhaps

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Speaker 1: or an osprey, although it was so bad what happened

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Speaker 1: with their thin eggshells.

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Speaker 2: And being healthy and not being sick does not necessarily

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Speaker 2: involve going to the doctor.

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Speaker 1: No, A lot of the American medical business, and it

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Speaker 1: is a business, is based on up charging you every

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Speaker 1: time you go to the doctor. They do just what

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Speaker 1: your automachtic? Does? You need to know this that's not working,

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Speaker 1: This smells wrong, This thing should be over here.

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Speaker 2: This is too huge. And it's like, I don't even

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Speaker 2: know this guy. Really, I barely hang out with him.

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Speaker 2: How does this guy know what my body? What's happening

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Speaker 2: with my body?

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Speaker 1: Yeah? I mean I need someone who sees my body

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Speaker 1: every year, who knows my body better than anyone else. Yeah,

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Speaker 1: who knows my body better than I do, because they

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Speaker 1: can see the back of it.

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Speaker 2: Actually, So what Sean and I do is we each

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Speaker 2: give each other a physical exam every year.

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Speaker 1: Mm hmm, and sometimes more than that. But the big

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Speaker 1: one is every year, and we sort of do little

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Speaker 1: tiny ones in between.

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Speaker 2: And so for transparenty, we want to do it on

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Speaker 2: the show, Oh this year, so you can hear sort

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Speaker 2: of what's involved and maybe you can do it on yourself, yeah.

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Speaker 1: Your neighbors or your friends, you are your friend's kids. Yeah.

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Speaker 1: So so do you want to start on me? Sure? Okay,

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Speaker 1: do you want to just put it in my mouth?

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Speaker 1: Hayes has to put his foot in my mouth because

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Speaker 1: my mouth is able to feel. He's got good muscles

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Speaker 1: in there. Yeah, and it can tell if there's something

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Speaker 1: not wrong.

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Speaker 2: Yes, I would love to, because there is something. The

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Speaker 2: foot is a good place to start, because there is

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Speaker 2: something bottom up moving around in there.

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Speaker 1: Bottoms up has become bastardized to me and taking a drink,

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Speaker 1: but really it originally was what.

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Speaker 2: Put them put your bottom part of your part, yeah,

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Speaker 2: put it up in the mouth.

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Speaker 1: Yeah, so bottom up. So you're going to start with

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Speaker 1: the foot, yes, And has anything been bothering you about

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Speaker 1: this foot before I put it in my mouth? Yes,

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Speaker 1: And that's what I was saying there.

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Speaker 2: Sorry, there is something uh sort of moving around uh

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Speaker 2: in a in a random way, and if, like, if

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Speaker 2: I try to poke at it, it runs to the

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Speaker 2: other side of the foot.

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Speaker 1: Okay, all right, so all right, let me just slide

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Speaker 1: this cowboy boot off. This is nice.

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Speaker 2: Yeah, so it would taste a little more like steak.

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Speaker 1: Or yeah, all right. So you had a scorpion in

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Speaker 1: your boot. Oh and then he got inside your feet? Okay?

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Speaker 1: Is that okay? It's actually fine.

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Speaker 3: Uh.

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Speaker 1: What you want to do is you want to make

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Speaker 1: sure that he stays in your foot. So you want

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Speaker 1: to make your foot as nice a home for him

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Speaker 1: as possible. What would happen It would be bad if

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Speaker 1: you got out. If he gets off your foot and

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Speaker 1: gets into your pancreas, he could start eating all your

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Speaker 1: in lynn. Another thing I've sort of been having, my

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Speaker 1: breath has been weird.

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Speaker 2: Uh huh, kind of like oh, it's sort of stop

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Speaker 2: and go right now?

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Speaker 1: Yes? Is it mellowkay? Because low it all the way

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Speaker 1: in here. Let me put my mouth in your mouth

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Speaker 1: and then you blow out. Okay, okay, I have it

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Speaker 1: all right?

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Speaker 2: Tell me if it's weird because I've been buying it. Mmm,

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Speaker 2: like my body doesn't proves its own breath. Sure, So

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Speaker 2: I've been buying these packs and this one looked sort

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Speaker 2: of dusty on the shelf and I asked a guy like,

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Speaker 2: is this okay? And he's like, oh, yeah, it's fine,

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Speaker 2: and he's just like, you know, brushes it off a

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Speaker 2: little bit. But now I wonder if I just got

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Speaker 2: a weird breath pack.

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Speaker 1: Well, what I'm seeing just in my first glance here? Yeah,

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Speaker 1: is there is a scorpion in your tonsils? Okay?

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Speaker 2: And he is stinging at your throat? Is it you

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Speaker 2: try to take a breath? Is it the other one's

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Speaker 2: husband or something?

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Speaker 1: Hang on, let me communicate with him briefly. Uh huh, oh,

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Speaker 1: he love devil.

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Speaker 2: Don't it hurts? Don't don't talk to you long because

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Speaker 2: when he's talking it hurts. Okay, Uh no, they're not

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Speaker 2: no husband wife? Okay, Okay.

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Speaker 1: Did you want me to ask how they know each other?

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Speaker 1: If they know each other at all or just I

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Speaker 1: thought that might.

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Speaker 2: He was talking for a while, I thought it was

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Speaker 2: more than just like no that I thought he might

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Speaker 2: have said how they knew each other English?

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Speaker 1: Anything else going on before I sort of peel your

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Speaker 1: scalp back. I don't think so. I can see my heart,

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Speaker 1: like the outline of my heart. Yeah, but I think that.

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Speaker 2: I mean, it's it's not like he's kind of badass. Yeah,

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Speaker 2: it's like a tattoo. Yeah, I should write mom on it.

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Speaker 1: That's funny.

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Speaker 2: And then it's like it's good that I could see

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Speaker 2: it because if I couldn't see it, then it might

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Speaker 2: not be there.

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Speaker 1: And it used to fall out, and you're talking to

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Speaker 1: somebody who knows, yes, yes, how is that going getting

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Speaker 1: it back in there? Yeah? Or just moving it back up?

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Speaker 1: I don't like it, Like I got so used to

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Speaker 1: it being where it was then now that it's like

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Speaker 1: where it's supposed to be, and I'm using quotes, I

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Speaker 1: don't like that to me. It feels fucked up.

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Speaker 2: Right.

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Speaker 1: Uh the doctor said he would move it, yeah, and

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Speaker 1: he did. He got a pull and put it in.

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Speaker 1: And again this is why I don't like going to

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Speaker 1: doctors because you had sort of been like, just leave

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Speaker 1: it right, which I loved, but it was it was

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Speaker 1: thumping all around and I guess then that's not allowed.

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Speaker 1: You look fine? Yeah good, I feel fucked up? Okay,

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Speaker 1: what else is going on?

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Speaker 4: Well?

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Speaker 1: When I go to and and I'm just gonna peel

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Speaker 1: your scalp up real quick and reach my hand inside. Okay,

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Speaker 1: your brains is okay, smart as mine? No, they're great,

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Speaker 1: nice and cold. So so what's going on for me? Yeah? Well,

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Speaker 1: this is a little embarrassing, but I cough when I pee.

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Speaker 2: Okay, you you pee and then you start coughing, or

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Speaker 2: when every time you cough.

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Speaker 1: You my peek comes out in a cough. I see.

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Speaker 2: So it's like your little p machine is coughing. Yes,

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Speaker 2: it sounds like a cough. Yes, it's sort of a

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Speaker 2: cough blast.

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Speaker 1: And I have no awareness of when it will happen. Yeah,

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Speaker 1: So where I am is very much in flux, and

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Speaker 1: that has been frustrating a little bit, just in terms

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Speaker 1: of my sheets and everything.

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Speaker 2: Now, this is, you know, potentially is sensitive to. But

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Speaker 2: you and I are friends, We know each other's produce.

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Speaker 2: This is like something we can talk about. Have you

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Speaker 2: considered putting a cough drop it there?

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Speaker 1: Okay, so I'm glad you asked what I have been

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Speaker 1: using so far as Fisherman's Friend. Is there a reason

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Speaker 1: for me to believe that Luden's would be more effective?

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Speaker 2: It's a matter it may be do they make a

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Speaker 2: natural cough drop? As far as I know, it is natural.

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Speaker 2: I don't want ke it does have natural flavors, and

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Speaker 2: maybe that he doesn't like the taste of the Fisherman's Friend. Wait,

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Speaker 2: let me ask you this was Was it doing this

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Speaker 2: before you put a cough drop in there?

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Speaker 1: No? Not at all so you gave it a cough drop.

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Speaker 1: She is sort of a preemptive measure.

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Speaker 2: Uh huh, and you thought, oh, I was right, it

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Speaker 2: is about to get a cough once it was in there.

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Speaker 1: Yeahm hm. And so now I've been putting more cough

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Speaker 1: drops in meanwhile.

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Speaker 2: The first doing that because it's doing that because it

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Speaker 2: likes the taste of the cop drop and it wants and.

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Speaker 1: It's trying to trick me into giving more. Yes, because

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Speaker 1: it's like candy. Okay, that's helpful. So then I don't

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Speaker 1: want to put a Looten's in there? No, all right,

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Speaker 1: no more cough drop. Well, then I'll tell him what

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Speaker 1: else is happening?

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Speaker 2: Uh?

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Speaker 1: Well, my back points different ways than how it used to. Huh.

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Speaker 1: It is going all over here and over there and

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Speaker 1: yeah there and yeah, it looks like five different ways.

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Speaker 1: Yeah when it you know, traditionally it was just the

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Speaker 1: two up and down. So I'm wondering, is this something

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Speaker 1: I need to get looked at? Huh? Yeah, but I'm

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Speaker 1: you know, I'm happy to just do it. Yeah, what

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Speaker 1: have you been? Have you been?

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Speaker 2: Have you been exercising in a weird way lately? Well,

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Speaker 2: it just change your exercise program at all.

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Speaker 1: I've had a couple changes to my exercise program just because,

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Speaker 1: as you know, I wanted to try to row without

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Speaker 1: using my hands or arms or legs okay, and ideally

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Speaker 1: avoiding jolting my neck around too much. And so when

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Speaker 1: I go for a good long ERG, yeah, I have

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Speaker 1: sometimes been having some discomfort afterwards everywhere.

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Speaker 2: I think your back is trying to make hands ah

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Speaker 2: of its own. Yeah, because if you don't use your

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Speaker 2: hands for things, your back says, okay, well, I guess

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Speaker 2: it's time for me to be the hands there. It's

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Speaker 2: growing extra bones that are supposed to kind of reach

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Speaker 2: around and grab the the ERG because it.

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Speaker 1: Feels you you having trouble not using your hands, and

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Speaker 1: it wants to help you. Oh that makes more sense

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Speaker 1: because it has your back. It's been easier to wash

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Speaker 1: my back lately because what I'll do is I'll just

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Speaker 1: sort of toss the soap onto my shoulder and it

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Speaker 1: seems to get everywhere, and then it tosses it back. Yeah.

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Speaker 1: Then it throws it back and goes uh thig fash buddy.

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Speaker 2: Yeah, your back is trying to be really nice. Okay, great,

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Speaker 2: So I think everything is good all right.

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Speaker 1: Well then I'm feeling healthy as always and this was

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Speaker 1: a really great physical and please do try to do

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Speaker 1: this at home with your friends and your neighbor's kids.

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Speaker 1: And very soon we have a guest oh on Hollywood Handbook.

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Speaker 1: Oh god. So I'm on the White House lawn with

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Speaker 1: Pete Davidson and we are trimming the hedges to look

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Speaker 1: like yeah, yeah, to look like famous historical figures. And

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Speaker 1: it's all good fun.

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Speaker 2: And Bret, can you stay here? Sorry, finish your story.

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Speaker 2: I just want Bread to stay here.

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Speaker 1: Yeah, And Sasha and Malia are laughing because we're making

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Speaker 1: the figures have certain features and maybe you wouldn't normally

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Speaker 1: see on this sort of statue. And as we finish

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Speaker 1: up the last one, Secret Services shoots me, you know,

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Speaker 1: with a bullet. Oh no, yeah, And if you know

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Speaker 1: anything about me, you know that really made me mad. Yeah,

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Speaker 1: I'm saying for him. Oh no, I hate when that happens.

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Speaker 1: And I hate to use my training, you know, against

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Speaker 1: someone who really is on the same side as me.

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Speaker 1: What was the reason for that? Did you ever find

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Speaker 1: out from him? Why?

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Speaker 4: He?

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Speaker 1: Uh? Yeah, well he didn't do a lot of talking, uh,

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Speaker 1: you know, for the rest of that month.

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Speaker 2: You don't know and you don't even have a guess

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Speaker 2: what were some of the historical figures you were doing

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Speaker 2: in the different features on them? And maybe through this

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Speaker 2: we could get at maybe the reason that you would

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Speaker 2: be shot.

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Speaker 1: Well, George Bernard Shaw, we gave him just a real

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Speaker 1: big peepers, Okay, Yeah, I have anything there. I thought,

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Speaker 1: and I sort of thought they would be political figures.

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Speaker 1: But you're sort of drawing from me, Well, did he

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Speaker 1: not write about politics in some way? I mean, didn't

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Speaker 1: his writing sort of reflect the political climate of the era.

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Speaker 2: And this is I mean your observation that it's just

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Speaker 2: a very rich reading of it that I can't access.

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Speaker 1: I just see the story for what it is. Because

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Speaker 1: I said political figures, I think right right, and I

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Speaker 1: meant it. Martha Washington mm hmm. And we just gave

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Speaker 1: her like.

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Speaker 2: Massive biceps, Okay, I could see how that would be

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Speaker 2: threatening mm hm.

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Speaker 1: Near the girls, Yeah, well that's how they get their thrills.

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Speaker 1: You know, they're so sheltered.

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Speaker 2: And I do want to start the show, but I

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Speaker 2: do also want to check in on Brett, who put

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Speaker 2: the water down in the loudest way while Sean was

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Speaker 2: telling his story. He spanned it down and partially on me,

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Speaker 2: and it made such an explosive thud.

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Speaker 1: I was one of the guys who wanted the water,

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Speaker 1: and it's yeah, to be fair, Sean wanted the water,

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Speaker 1: so I just put it. I blame him.

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Speaker 2: Well, maybe next time we put it down on the

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Speaker 2: soft floor. And this isn't even your episode. And I

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Speaker 2: wonder if that's why you're acting out a little bit,

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Speaker 2: because we did give engineer Sam a chance to do

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Speaker 2: a good episode.

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Speaker 1: And we do, yes, we do see Brett get a

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Speaker 1: little bit jealous when the other engineers get to an

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Speaker 1: episode with a big guess like what we've got today,

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Speaker 1: who's actually a funny superstar and is going to maybe

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Speaker 1: make us get all the downloads And Brett isn't going

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Speaker 1: to get to have anything to do with it. Sam.

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Speaker 1: The's headphones are kind of glitching for me.

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Speaker 2: You can no now you can go okay, hey, welcome

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Speaker 2: to Hollywood Handbook, and it's I just kinda kicking button traffic.

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Speaker 2: Dave's of the Red carpet lineback aways of this industry

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Speaker 2: we call showbiz are the headpones actually, and thanks for

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Speaker 2: the water, because I don't know if he's acting out

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Speaker 2: or water up at variation on what up?

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Speaker 1: What up? What? No?

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Speaker 2: I said you can leave, you actually do leave, But

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Speaker 2: I do want to know that the headphones are questioning.

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Speaker 2: Alison Rich is here from Party over here.

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Speaker 1: The show. Do you love partying getting fucked up?

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Speaker 4: Oh yeah, I'm a big partier. But I like to

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Speaker 4: party on a Wednesday is what I would say. Oh

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Speaker 4: party when people don't see it coming.

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Speaker 2: I know that can be very confusing for people who

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Speaker 2: might think that that's when the show is on, but

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Speaker 2: it is not.

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Speaker 4: It's not on the you know, and don't tell him

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Speaker 4: because if people they want to see it, they should

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Speaker 4: come find it, do their research.

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Speaker 5: Google, look at an ad on a bus.

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Speaker 1: I hate lazy people just watching the show from they

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Speaker 1: heard someone talk about it and they someone go do it.

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Speaker 2: They heard the star of the show say it was

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Speaker 2: our one day and they say I watch.

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Speaker 5: On their toes.

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Speaker 1: Yeah, and I yes. I'm glad that we're finally inspiring

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Speaker 1: some of the young people to do a little work

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Speaker 1: for themselves there. Get active, get out in nature and

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Speaker 1: research it and find out when.

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Speaker 5: The show and the show is and vote.

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Speaker 1: Yeah, and please do rock the vote. Yeah.

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Speaker 3: Well.

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Speaker 4: Also, it's one of those shows where there's a lot

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Speaker 4: of audience voting, like American Idol, but for hahas and right.

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Speaker 1: Vote for what you can exactly after a sketch, you

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Speaker 1: can vote haha.

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Speaker 4: Or last and really or me like you, they're all positives.

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Speaker 4: There's no neg voting, and you were voted onto the

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Speaker 4: show exactly. I was actually just a simple chef before. Wow,

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Speaker 4: But then they were like, you should be a complicated comedian.

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Speaker 1: Do you miss your life has but a simple chef?

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Speaker 5: You know I do?

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Speaker 4: Because now there's just like there's so much attention. I mean,

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Speaker 4: I have hundreds of gram followers when before I had eleven,

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Speaker 4: and I just feel like a constant pressure to be

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Speaker 4: creating Gram content and that's just not what I got

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Speaker 4: in it for. So it's harder, but I also know

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Speaker 4: I can't fight it.

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Speaker 1: You were a chef. I mean, it's Graham. It's like

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Speaker 1: Graham Crackers exactly.

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Speaker 4: Honestly I signed up for Instagram because I thought it

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Speaker 4: was a cracker.

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Speaker 1: Yeah, you were like, I'm sick of waiting so long

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00:20:33,440 --> 00:20:35,760
Speaker 1: for my Graham Crackers. This is the app Oh my.

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Speaker 5: Goodness back in the day.

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Speaker 4: Well still because actually it isn't an app for gram crackers,

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Speaker 4: but my current struggle to get a Graham cracker, I

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Speaker 4: mean it's like it takes a while.

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00:20:47,680 --> 00:20:51,040
Speaker 1: Yeah, the wait list is insane. It's totally out of control.

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Speaker 1: And I think I have an easier time being an

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Speaker 1: organ don donating. Oh donoring.

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Speaker 4: They should have on your driver's license. Interested in Graham crackers.

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00:21:00,359 --> 00:21:04,480
Speaker 1: Here's a joke I thought of organ donor kebab oh.

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Speaker 5: Okay, I like that.

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Speaker 4: You know, when I was a simple chef, I did

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Speaker 4: a lot of Greek food, a lot of kebab's, a

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Speaker 4: lot of t Booley, all that. So I appreciate that

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Speaker 4: on an extra level, another level.

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Speaker 2: So what was simple about your being a chef then?

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Speaker 2: Because it sounds like you're doing all different kinds of yeah,

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Speaker 2: lots of spices.

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Speaker 4: I don't think it's It sounds like two things, Graham

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Speaker 4: crackers and Greek food, the classic combo. So I guess

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Speaker 4: you wouldn't have been one of my customers.

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Speaker 2: Wow.

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Speaker 1: I loved seeing Hayes get put in his place like that,

400
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Speaker 1: And I wonder if I've never seen such a strong

401
00:21:34,000 --> 00:21:36,680
Speaker 1: guess that really just took Hayes and cut him down

402
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Speaker 1: to size. I can't do it.

403
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Speaker 4: That's what That's the number one thing you gotta do

404
00:21:39,640 --> 00:21:41,199
Speaker 4: when you come into a room. You ever read that

405
00:21:41,280 --> 00:21:43,840
Speaker 4: Dale Carnegie book How to influence people.

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Speaker 5: And win the room, Win the room?

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Speaker 4: Number one is show them whose boss, especially if you're

408
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Speaker 4: an employee.

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Speaker 2: This is I think an extension of a larger issue

410
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Speaker 2: between us that I don't want, like you know, I

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Speaker 2: do want.

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Speaker 1: To do the show, and I do have history.

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Speaker 2: For you to have a party over here the same

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Speaker 2: night when you knew I was having a party.

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Speaker 4: Over over there, really well for me over here, okay, okay,

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00:22:10,480 --> 00:22:13,440
Speaker 4: but your party really was over there where it's about

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00:22:13,440 --> 00:22:16,520
Speaker 4: whose perspective or for me it's here, you know, from

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00:22:16,800 --> 00:22:18,399
Speaker 4: my here, and you're there.

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00:22:18,480 --> 00:22:21,480
Speaker 2: You're here, And I did want to celebrate finishing my puzzle,

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00:22:21,560 --> 00:22:24,600
Speaker 2: and you decided to have a party over here, and

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Speaker 2: everyone would say you were party inside of my party,

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Speaker 2: and I didn't, even.

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Speaker 1: As someone who went to both and saw just the

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Speaker 1: enormous attendance that your party mine and that really I

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Speaker 1: had to stay much longer than I'd planned on just

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Speaker 1: so it would feel like anything else.

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Speaker 4: There was almost negative attendance because he decided to conduct

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Speaker 4: the party in a coffee shop where people already were,

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Speaker 4: and then they left.

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Speaker 5: Whence it's begun.

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00:22:51,800 --> 00:22:54,199
Speaker 1: Yeah, when your party started. And then also and he

432
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Speaker 1: felt quite ill, so he wasn't really present for his party.

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Speaker 2: I also really talked up a big game about being

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Speaker 2: able to finish the puzzle and then and.

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00:23:02,760 --> 00:23:09,399
Speaker 4: Also very have of a of a nightscape in in

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00:23:09,800 --> 00:23:12,000
Speaker 4: two San Arizona, and it's just like that's not a

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00:23:12,040 --> 00:23:13,280
Speaker 4: subject people are interested in.

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00:23:13,680 --> 00:23:16,560
Speaker 1: No, that's sort of the old model of puzzles. And

439
00:23:16,720 --> 00:23:19,080
Speaker 1: Alison and I are very now and very new in

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Speaker 1: the puzzle work.

441
00:23:19,920 --> 00:23:23,240
Speaker 4: Of the moment ycent puzzle that you've completed.

442
00:23:22,920 --> 00:23:27,920
Speaker 1: That I've done. Oh it was uh bridesmaid seed.

443
00:23:28,240 --> 00:23:29,679
Speaker 5: Oh of course classic.

444
00:23:29,800 --> 00:23:32,639
Speaker 4: You know them all one hand at a time, all

445
00:23:32,680 --> 00:23:36,320
Speaker 4: six bridesmaids putting the veil on. It's a slow, cumbersome process,

446
00:23:36,400 --> 00:23:39,359
Speaker 4: but it's one uh built in tradition.

447
00:23:39,720 --> 00:23:41,760
Speaker 1: M hmm. How can they be doing it one at a.

448
00:23:41,760 --> 00:23:45,960
Speaker 4: Time and they're all holding each with one hand? You

449
00:23:46,400 --> 00:23:48,520
Speaker 4: Sean gets the visual because he constructed the puzzle.

450
00:23:48,520 --> 00:23:51,560
Speaker 1: You I wish, I wish you'd been there for that.

451
00:23:52,480 --> 00:23:54,720
Speaker 1: And when I did have my puzzle party, and I

452
00:23:54,800 --> 00:23:57,760
Speaker 1: checked with Alison before I scheduled it and I said, look,

453
00:23:57,760 --> 00:24:00,000
Speaker 1: there's only three pieces left on this thing. I really

454
00:24:00,040 --> 00:24:02,560
Speaker 1: think I'm going to crack it tonight. Oh could everybody

455
00:24:02,560 --> 00:24:06,600
Speaker 1: come over around four thirty four forty five? Uh, they

456
00:24:06,640 --> 00:24:09,040
Speaker 1: got over, and I did come very close to finishing it.

457
00:24:09,119 --> 00:24:11,160
Speaker 4: And can I tell you in twenty sixteen, four point

458
00:24:11,160 --> 00:24:12,960
Speaker 4: thirty is prime party time.

459
00:24:13,520 --> 00:24:15,239
Speaker 1: Oh yeah, you know it's too dark to look at

460
00:24:15,240 --> 00:24:16,240
Speaker 1: the puzzle after that.

461
00:24:16,440 --> 00:24:18,600
Speaker 5: Oh yeah, yea, yeah, yeah, yeah.

462
00:24:18,440 --> 00:24:21,760
Speaker 1: I gotta work for lantern by lantern light only way

463
00:24:21,800 --> 00:24:23,960
Speaker 1: to do it. Yeah, it's the only way that I'm

464
00:24:24,000 --> 00:24:27,080
Speaker 1: willing to do it. Allison, you're a woman in comedy?

465
00:24:27,119 --> 00:24:29,120
Speaker 1: Is this a fat or is it here to stay.

466
00:24:29,280 --> 00:24:30,160
Speaker 5: Women in comedy?

467
00:24:30,640 --> 00:24:30,840
Speaker 1: You know?

468
00:24:31,040 --> 00:24:32,240
Speaker 5: I don't have an opinion about it.

469
00:24:32,280 --> 00:24:33,960
Speaker 4: But what I do have an opinion about is let's

470
00:24:33,960 --> 00:24:36,200
Speaker 4: get some animals income.

471
00:24:35,760 --> 00:24:36,520
Speaker 5: A deep Yeah?

472
00:24:36,640 --> 00:24:37,200
Speaker 3: What about?

473
00:24:37,320 --> 00:24:38,359
Speaker 5: I mean, like we had.

474
00:24:38,240 --> 00:24:42,560
Speaker 4: A glimpse of alf of airbud of others, and bring

475
00:24:42,640 --> 00:24:44,680
Speaker 4: them back and keep them here forever.

476
00:24:45,119 --> 00:24:46,679
Speaker 1: I want some plants in comedy.

477
00:24:46,760 --> 00:24:48,200
Speaker 5: Plants. I'm over humans.

478
00:24:48,560 --> 00:24:51,119
Speaker 1: Is it maybe an animal and a plant interacting?

479
00:24:51,400 --> 00:24:55,240
Speaker 4: Yeah? Or maybe I'll you know, a gift a child

480
00:24:55,280 --> 00:24:58,080
Speaker 4: with low intelligence is about as much human that I

481
00:24:58,119 --> 00:24:58,760
Speaker 4: want to see.

482
00:24:59,000 --> 00:25:01,560
Speaker 2: Income Remember when a big slug from a bug's life

483
00:25:01,640 --> 00:25:05,760
Speaker 2: was so funny. Oh, everyone's sort of fun real. Everyone

484
00:25:06,000 --> 00:25:08,479
Speaker 2: was like very nice to him at the time, but

485
00:25:08,520 --> 00:25:11,400
Speaker 2: then it's like, where where is his next opportunity?

486
00:25:11,640 --> 00:25:11,880
Speaker 5: Next?

487
00:25:11,880 --> 00:25:14,520
Speaker 4: Gig get him on a multiicam sitcom because people think

488
00:25:14,560 --> 00:25:16,879
Speaker 4: when they burst on the scene in a Pixar movie

489
00:25:17,240 --> 00:25:20,200
Speaker 4: that they're oh my, my bad, is bugs life Pixar?

490
00:25:20,840 --> 00:25:22,600
Speaker 4: Or I get that in ants confused?

491
00:25:22,640 --> 00:25:23,520
Speaker 1: Which one's Pixar?

492
00:25:23,640 --> 00:25:27,000
Speaker 2: They were the same movie? Yeah, bugs are ants? Ants

493
00:25:27,040 --> 00:25:27,560
Speaker 2: are bugs?

494
00:25:27,640 --> 00:25:31,280
Speaker 5: Okay, it just depends how long what and what are spiders?

495
00:25:31,960 --> 00:25:32,160
Speaker 2: Oh?

496
00:25:32,240 --> 00:25:35,120
Speaker 1: Okay, wow, this is a great question and I will

497
00:25:35,160 --> 00:25:38,240
Speaker 1: dig into this. Please. Do you want to get the book? Yeah?

498
00:25:38,480 --> 00:25:40,440
Speaker 1: Why don't I just crack the book open and we'll

499
00:25:40,480 --> 00:25:43,919
Speaker 1: start looking at some visual representations of what I'm about

500
00:25:43,960 --> 00:25:49,440
Speaker 1: to explain and really thorough genus arachness. So spiders is bugs,

501
00:25:49,480 --> 00:25:55,199
Speaker 1: and insects is bugs too. Ticks is spiders in a

502
00:25:55,200 --> 00:25:59,880
Speaker 1: way because of how much legs now when the head verse,

503
00:26:00,040 --> 00:26:03,000
Speaker 1: the eyes and brain is connect to body, and there's

504
00:26:03,040 --> 00:26:08,960
Speaker 1: three pieces thoracic and thorax and the frigging other part eyelash. No,

505
00:26:09,480 --> 00:26:13,600
Speaker 1: and they are all being friends body wise and head wise.

506
00:26:13,680 --> 00:26:17,760
Speaker 1: Then that's when you start to scientifically understand that, yeah,

507
00:26:17,880 --> 00:26:23,600
Speaker 1: this is really bugs now, isn't the just a tree

508
00:26:23,880 --> 00:26:26,840
Speaker 1: and a fish like the original odd couple?

509
00:26:27,160 --> 00:26:27,560
Speaker 4: Oh?

510
00:26:27,760 --> 00:26:28,160
Speaker 5: Baby?

511
00:26:28,800 --> 00:26:31,639
Speaker 4: In the if you read the Bible, the part where

512
00:26:31,680 --> 00:26:34,720
Speaker 4: in revelations, people often when they get to revelations, are like,

513
00:26:34,720 --> 00:26:37,520
Speaker 4: I don't want to read about God's first sitcom.

514
00:26:37,840 --> 00:26:39,399
Speaker 5: But it is a tree and a fish.

515
00:26:39,840 --> 00:26:42,640
Speaker 1: Fish is so clean it's being washed off all the time.

516
00:26:42,680 --> 00:26:45,720
Speaker 4: I mean it lives in basically a cleaning solution water

517
00:26:46,160 --> 00:26:46,879
Speaker 4: salt water.

518
00:26:47,720 --> 00:26:48,240
Speaker 5: But then a.

519
00:26:48,200 --> 00:26:50,160
Speaker 1: Tree doing nothing but shedding.

520
00:26:51,520 --> 00:26:55,119
Speaker 4: Yeah, yeah, got a plant Afro. Do you ever look

521
00:26:55,160 --> 00:26:57,080
Speaker 4: at a tree and go you have the hair of

522
00:26:57,080 --> 00:26:58,320
Speaker 4: an African American person?

523
00:26:58,600 --> 00:27:00,000
Speaker 1: Yes? Trees are black? Huh.

524
00:27:00,080 --> 00:27:04,639
Speaker 4: Yeah, everybody knows Jewish guys. Sometimes Jewish guys trees are

525
00:27:04,680 --> 00:27:05,520
Speaker 4: black or Jewish?

526
00:27:05,680 --> 00:27:06,000
Speaker 1: M hm.

527
00:27:07,440 --> 00:27:12,560
Speaker 2: We do want to talk about influence, Yes, it's so important.

528
00:27:12,640 --> 00:27:14,880
Speaker 5: Have you read Mary Kay Nashley's book Influence?

529
00:27:15,400 --> 00:27:15,720
Speaker 3: No?

530
00:27:16,119 --> 00:27:18,280
Speaker 4: Well, wow, I feel like you guys aren't really prepared.

531
00:27:18,320 --> 00:27:21,840
Speaker 1: But okay, oh well, walk me through the book a

532
00:27:21,920 --> 00:27:23,680
Speaker 1: little bit. What's on page ten?

533
00:27:24,160 --> 00:27:26,119
Speaker 4: I haven't read it but I did give it as

534
00:27:26,119 --> 00:27:30,720
Speaker 4: a stocking stuffer too. Many of the children in my life.

535
00:27:31,000 --> 00:27:35,160
Speaker 4: It's about Mary kay Nashally their fashion influences and how

536
00:27:35,200 --> 00:27:38,000
Speaker 4: they hoped to be one. And I believe page ten

537
00:27:38,119 --> 00:27:39,520
Speaker 4: is a picture of a hundbag.

538
00:27:40,040 --> 00:27:42,440
Speaker 1: I actually stuffed my stockings as well to make girls

539
00:27:42,440 --> 00:27:43,840
Speaker 1: think I have bigger feet than I do.

540
00:27:44,600 --> 00:27:47,240
Speaker 4: Oh okay, you know that would fool me. I want

541
00:27:47,280 --> 00:27:48,359
Speaker 4: to say it wouldn't, but it would.

542
00:27:48,960 --> 00:27:49,280
Speaker 3: Now.

543
00:27:51,280 --> 00:27:55,560
Speaker 1: I think we're all just frauds, really all artists, because

544
00:27:55,600 --> 00:27:58,679
Speaker 1: we're just a collection of influences parading around in a

545
00:27:58,760 --> 00:27:59,960
Speaker 1: sack of skin and bone.

546
00:28:00,600 --> 00:28:03,119
Speaker 2: We're acting like we're up here by ourselves, when really

547
00:28:03,119 --> 00:28:06,520
Speaker 2: we're here with our families and our teachers.

548
00:28:06,680 --> 00:28:09,520
Speaker 1: I'm standing on the shoulders of many legendary comics.

549
00:28:09,800 --> 00:28:12,800
Speaker 4: Do you ever think that the first Neanderthal comedy writer

550
00:28:13,680 --> 00:28:15,280
Speaker 4: never had the issue.

551
00:28:14,960 --> 00:28:18,160
Speaker 5: Of that's been done before. We've seen that they.

552
00:28:18,000 --> 00:28:21,360
Speaker 1: Were free Allison. I literally don't sleep because I think

553
00:28:21,400 --> 00:28:22,320
Speaker 1: about that so much.

554
00:28:22,480 --> 00:28:26,280
Speaker 2: Oh my, that reminds me of a funny fire side cartoon, Yes,

555
00:28:26,359 --> 00:28:29,040
Speaker 2: thank you, where the guy at sam.

556
00:28:28,680 --> 00:28:31,080
Speaker 1: Is laughing right now just thinking about it, Where the

557
00:28:31,119 --> 00:28:37,680
Speaker 1: guy painting something on a wall oh man, here we go.

558
00:28:38,200 --> 00:28:40,280
Speaker 1: I'm like in the area and.

559
00:28:40,120 --> 00:28:44,479
Speaker 2: It's an elephant, and and other guys are looking at it,

560
00:28:44,560 --> 00:28:47,480
Speaker 2: and they're like judging his comedy in a very modern way,

561
00:28:47,480 --> 00:28:49,240
Speaker 2: and I forget exactly what it is. Maybe they're saying

562
00:28:49,320 --> 00:28:52,720
Speaker 2: too soon or something. Yeah, but it's it's a really

563
00:28:52,760 --> 00:28:53,560
Speaker 2: interesting cartoon.

564
00:28:53,600 --> 00:28:53,840
Speaker 1: Brother.

565
00:28:55,320 --> 00:28:58,160
Speaker 5: Also for Neanderthal comedy writer.

566
00:28:58,560 --> 00:29:00,680
Speaker 4: You know, there wouldn't have been anything was too soon

567
00:29:00,760 --> 00:29:05,200
Speaker 4: because history was like what seven years? Okay, it's like

568
00:29:05,520 --> 00:29:07,680
Speaker 4: what's happened that you're gonna feel sensitive?

569
00:29:07,840 --> 00:29:10,200
Speaker 1: That might actually be that whole idea behind it.

570
00:29:10,360 --> 00:29:11,680
Speaker 5: Yeah, I cracked it.

571
00:29:11,960 --> 00:29:15,400
Speaker 1: Well, uh, all right, I'll take a seat.

572
00:29:15,440 --> 00:29:18,840
Speaker 2: A T shirt that was going by so fast and

573
00:29:18,960 --> 00:29:21,160
Speaker 2: I tried to be like, they'll get to your car, but.

574
00:29:21,160 --> 00:29:25,760
Speaker 1: He did, so I guess we're all gonna guess what

575
00:29:25,800 --> 00:29:26,320
Speaker 1: it means.

576
00:29:27,440 --> 00:29:28,080
Speaker 5: Yeah you go?

577
00:29:28,240 --> 00:29:34,840
Speaker 1: Now, Yeah, too soon? Was it about Nick Foon? That's

578
00:29:34,960 --> 00:29:36,200
Speaker 1: what I considered that.

579
00:29:36,520 --> 00:29:38,680
Speaker 5: Yeah, you know, I hear uh that.

580
00:29:39,240 --> 00:29:41,760
Speaker 4: I'm a I don't remember who created far Side, and

581
00:29:41,800 --> 00:29:44,760
Speaker 4: I know that that makes me bad, but I do

582
00:29:44,880 --> 00:29:48,400
Speaker 4: know that the creator was a big Nick Fuon fans.

583
00:29:48,840 --> 00:29:51,040
Speaker 1: I support. I'm you know, he might have gotten him

584
00:29:51,080 --> 00:29:53,360
Speaker 1: that recent commercial where he's playing a piano or some

585
00:29:53,480 --> 00:29:54,280
Speaker 1: oh yeah, yeah.

586
00:29:54,160 --> 00:29:54,800
Speaker 5: Yeah, yeah yeah.

587
00:29:54,840 --> 00:29:58,560
Speaker 4: Because cartoonists classically are fans of commercial actors.

588
00:29:58,920 --> 00:30:02,000
Speaker 1: Yeah well, I mean they really are some of our

589
00:30:02,040 --> 00:30:07,480
Speaker 1: original influences. Cartoons. Before we're able to really understand TV,

590
00:30:07,880 --> 00:30:10,520
Speaker 1: we do just have to look at a cartoon, right right.

591
00:30:11,400 --> 00:30:14,160
Speaker 1: We can't see people there yet, ole people. And so

592
00:30:14,720 --> 00:30:19,040
Speaker 1: I think that one of my biggest influences probably was cartoons.

593
00:30:19,160 --> 00:30:23,400
Speaker 1: And you remember the nineties having all those shows Pepper

594
00:30:23,520 --> 00:30:28,200
Speaker 1: and oh yeah, say you make me sneeze speak on that.

595
00:30:28,520 --> 00:30:30,200
Speaker 5: Oh see pepper Ann loved her.

596
00:30:30,480 --> 00:30:32,840
Speaker 4: She was part of the Saturday morning block that included

597
00:30:32,920 --> 00:30:37,400
Speaker 4: Recess and others and Pepper Ah. The fun thing about

598
00:30:37,400 --> 00:30:39,800
Speaker 4: her was she was like an eleven year old girl,

599
00:30:40,520 --> 00:30:45,480
Speaker 4: definitely not hitting puberty yet, not focusing on boys and crushes,

600
00:30:45,640 --> 00:30:49,760
Speaker 4: just being a girl in the last stages of innocence,

601
00:30:50,800 --> 00:30:53,840
Speaker 4: wearing glasses, having shaggy hair, living.

602
00:30:54,320 --> 00:30:57,440
Speaker 1: I had a corn silk pepper and doll. Did you

603
00:30:57,800 --> 00:31:02,040
Speaker 1: yes that birth in the flame? In the every summer.

604
00:31:02,080 --> 00:31:04,960
Speaker 5: Whoa was where you were too hot?

605
00:31:05,360 --> 00:31:07,400
Speaker 2: I grew up in a fire station, which you would

606
00:31:07,400 --> 00:31:12,120
Speaker 2: think would be the savest place to avoid fire, but

607
00:31:12,200 --> 00:31:14,160
Speaker 2: I think maybe the guys were using it as like

608
00:31:14,440 --> 00:31:15,960
Speaker 2: kind of a practice, you know what.

609
00:31:16,000 --> 00:31:16,640
Speaker 5: I kind of think.

610
00:31:16,680 --> 00:31:19,720
Speaker 4: It's like, you know, you know people talking about positive

611
00:31:19,720 --> 00:31:21,040
Speaker 4: thinking the secret.

612
00:31:21,320 --> 00:31:22,640
Speaker 5: What you put out is what you get in.

613
00:31:22,880 --> 00:31:26,200
Speaker 4: Maybe that fire station was like attracting lots of fire.

614
00:31:26,200 --> 00:31:29,720
Speaker 5: Because fire thinking about it so much ms of people. Yes,

615
00:31:29,800 --> 00:31:30,760
Speaker 5: that's what I would say.

616
00:31:31,360 --> 00:31:33,239
Speaker 1: That's scary to me. What you put out is what

617
00:31:33,280 --> 00:31:35,000
Speaker 1: you get in. I know a lot of times I'm

618
00:31:35,000 --> 00:31:38,360
Speaker 1: putting it out there to get rid of it. I

619
00:31:38,400 --> 00:31:42,640
Speaker 1: don't want it back. What's an example of that, Well,

620
00:31:42,840 --> 00:31:43,760
Speaker 1: but having sex?

621
00:31:44,640 --> 00:31:46,760
Speaker 4: Having sex, Yeah, you're thinking about sex because you don't

622
00:31:46,760 --> 00:31:50,640
Speaker 4: want it, putting it out there, get to get out,

623
00:31:50,840 --> 00:31:52,200
Speaker 4: and the lots of sex is coming you.

624
00:31:54,240 --> 00:31:55,920
Speaker 1: I guess in a way it does come back.

625
00:31:56,120 --> 00:31:56,520
Speaker 5: Okay.

626
00:31:56,760 --> 00:31:58,960
Speaker 1: Yeah, what I'm putting out is what winds up, you know,

627
00:31:59,480 --> 00:32:01,680
Speaker 1: coming back banging down the door at all hours.

628
00:32:01,720 --> 00:32:04,440
Speaker 4: See, for me, my mind, it's not that I'm thinking

629
00:32:04,480 --> 00:32:06,360
Speaker 4: about things I really want or don't want.

630
00:32:06,400 --> 00:32:08,240
Speaker 5: I'm thinking about a lot of garbage.

631
00:32:08,320 --> 00:32:11,000
Speaker 4: It's like if someone had packing peanuts in their brain,

632
00:32:11,080 --> 00:32:13,480
Speaker 4: that would be my brain, right, And so I'm getting

633
00:32:13,480 --> 00:32:15,880
Speaker 4: a lot of nonsense all the time, a lot of fuzz,

634
00:32:15,920 --> 00:32:19,440
Speaker 4: a lot of static, and it's mildly inconvenient.

635
00:32:19,520 --> 00:32:20,280
Speaker 5: Twenty four to seven.

636
00:32:20,320 --> 00:32:22,520
Speaker 1: We're back on perspective though, with party over here and

637
00:32:22,520 --> 00:32:25,640
Speaker 1: party over there is packing. Peanuts is garbage to somebody

638
00:32:25,720 --> 00:32:28,480
Speaker 1: who is only just trying to ship something fragile.

639
00:32:28,680 --> 00:32:31,040
Speaker 5: Exactly exactly, yact.

640
00:32:30,920 --> 00:32:33,920
Speaker 1: I love that we got Okay, great? Yes, what's a

641
00:32:33,960 --> 00:32:36,200
Speaker 1: teacher that really taught you and made you change the

642
00:32:36,240 --> 00:32:38,480
Speaker 1: way you thought about just how you're going to live.

643
00:32:39,200 --> 00:32:41,440
Speaker 4: I had a teacher who was also a bus driver,

644
00:32:41,680 --> 00:32:46,680
Speaker 4: Oh my bus driver, second grades, and he would say

645
00:32:46,720 --> 00:32:49,800
Speaker 4: to me every day, Allison, don't sit in the back

646
00:32:49,800 --> 00:32:52,600
Speaker 4: of the bus because you're small and you can't fit

647
00:32:52,640 --> 00:32:55,440
Speaker 4: in your seat belt and you roll forward in the aisle,

648
00:32:55,520 --> 00:32:57,200
Speaker 4: So just sit in the front seat and I will

649
00:32:57,240 --> 00:33:00,760
Speaker 4: catch you if you fall. And then, honest to me,

650
00:33:01,320 --> 00:33:07,040
Speaker 4: he never spoke again, but he became a metaphor for my.

651
00:33:06,960 --> 00:33:09,280
Speaker 5: Own artistic experience. You know what I'm saying.

652
00:33:09,480 --> 00:33:11,200
Speaker 4: I was always trying to sit in the back of

653
00:33:11,360 --> 00:33:14,120
Speaker 4: my art and I need to just get right there

654
00:33:14,160 --> 00:33:14,920
Speaker 4: in the front of.

655
00:33:14,920 --> 00:33:21,120
Speaker 2: It, so to metaphorically be dislodge from your art. I mean,

656
00:33:21,440 --> 00:33:23,640
Speaker 2: roll up the aisle into the little well where the

657
00:33:23,800 --> 00:33:28,800
Speaker 2: door is exactly and the seats are Yes, you get

658
00:33:28,800 --> 00:33:31,080
Speaker 2: sort of stuck in there in terms of like with

659
00:33:31,240 --> 00:33:31,720
Speaker 2: your art.

660
00:33:31,960 --> 00:33:33,360
Speaker 1: Yeah, yeah, it's frustrating.

661
00:33:33,400 --> 00:33:34,880
Speaker 5: I'm hoping to reconnect with him.

662
00:33:35,000 --> 00:33:38,880
Speaker 4: I do believe he has a vine mm hm.

663
00:33:38,280 --> 00:33:41,680
Speaker 1: Oh, I could imagine that being pretty fulfilling. Yeah, hey,

664
00:33:41,760 --> 00:33:44,040
Speaker 1: is who's your big teacher?

665
00:33:44,840 --> 00:33:49,840
Speaker 2: I had one teacher named missus Bones, who was actually

666
00:33:49,880 --> 00:33:55,600
Speaker 2: a speech speech person fix my speech. I had had

667
00:33:55,600 --> 00:33:59,600
Speaker 2: an experience where I saw picture of the newspaper of

668
00:34:00,040 --> 00:34:05,760
Speaker 2: Lillian Gish and I tried to caress the embrace the

669
00:34:05,760 --> 00:34:10,960
Speaker 2: newspaper into aggressive away and ended up sort of getting

670
00:34:10,960 --> 00:34:13,359
Speaker 2: it paper cutting my face in such a way that

671
00:34:13,520 --> 00:34:14,840
Speaker 2: my speech was impaired.

672
00:34:16,160 --> 00:34:17,680
Speaker 5: Can you give us an example of.

673
00:34:17,560 --> 00:34:20,760
Speaker 1: How did I sound? Yeah?

674
00:34:20,840 --> 00:34:24,040
Speaker 2: Yeah, Like, for example, if I were in class and

675
00:34:24,480 --> 00:34:27,760
Speaker 2: teacher calling me and I'm trying to say a declaration

676
00:34:27,840 --> 00:34:29,600
Speaker 2: of independence instead, I would go.

677
00:34:33,800 --> 00:34:38,319
Speaker 1: That I can't quite Yes, I can't. It's subtle, but

678
00:34:38,640 --> 00:34:44,879
Speaker 1: you're not quite enunciating the D and independence. You're sort

679
00:34:44,880 --> 00:34:46,880
Speaker 1: of running by independence, you know.

680
00:34:47,400 --> 00:34:52,440
Speaker 2: Yes, And so she she had the same thing, which

681
00:34:52,520 --> 00:34:54,160
Speaker 2: was what was so nice.

682
00:34:54,160 --> 00:34:58,280
Speaker 1: As an adult teacher? Yes, yes, and the same Lilian

683
00:34:58,280 --> 00:34:59,200
Speaker 1: Gish background as.

684
00:34:59,120 --> 00:35:05,759
Speaker 2: Well, exactly the same newspaper, same copy, and to have

685
00:35:05,840 --> 00:35:08,680
Speaker 2: someone you know to understand you in that way in

686
00:35:08,719 --> 00:35:09,960
Speaker 2: a world where.

687
00:35:09,880 --> 00:35:14,719
Speaker 1: You know, people are not interested in talking to you.

688
00:35:14,800 --> 00:35:16,600
Speaker 2: When we were saying those kind of things, and she

689
00:35:16,640 --> 00:35:19,600
Speaker 2: could we could be in class and she could, you know,

690
00:35:19,760 --> 00:35:20,600
Speaker 2: teach me how to pronounce.

691
00:35:22,040 --> 00:35:24,080
Speaker 4: Do you feel did either of you ever accuse the

692
00:35:24,120 --> 00:35:27,440
Speaker 4: other of talented mister Ripley and each other? Because if

693
00:35:27,440 --> 00:35:30,000
Speaker 4: your lives were so similar, so parallel. And granted I

694
00:35:30,040 --> 00:35:31,640
Speaker 4: have not seen the third act of that movie, but

695
00:35:31,680 --> 00:35:33,920
Speaker 4: I feel like it's about someone taking on the identity.

696
00:35:34,719 --> 00:35:39,200
Speaker 2: Sean and I have had this conversation, but so thoughts

697
00:35:39,640 --> 00:35:43,120
Speaker 2: we like. I think when we've done it, we've decided

698
00:35:43,160 --> 00:35:47,879
Speaker 2: that we were both the Jew law care and so

699
00:35:48,040 --> 00:35:50,319
Speaker 2: it's just a very easy relationship for us to get

700
00:35:50,360 --> 00:35:51,160
Speaker 2: along because you.

701
00:35:51,160 --> 00:35:56,279
Speaker 1: Judes, yes, we're both being tricked by someone who's not

702
00:35:56,320 --> 00:36:00,640
Speaker 1: tricking us. Yes, right, we're kind of one another's patsies.

703
00:36:00,920 --> 00:36:03,840
Speaker 1: But since there's no wolf, the two sheep are just

704
00:36:03,920 --> 00:36:08,000
Speaker 1: kind of hanging out. Cool. Now, I guess I'll tell

705
00:36:08,040 --> 00:36:11,640
Speaker 1: about my big teacher, miss A Castle. Miss a Castle,

706
00:36:11,840 --> 00:36:16,400
Speaker 1: miss a Castle. I think she was I think I

707
00:36:16,480 --> 00:36:21,760
Speaker 1: met her right after or right before missus Boats. Oh okay,

708
00:36:22,320 --> 00:36:25,600
Speaker 1: I think they're in the same block. They live on

709
00:36:25,640 --> 00:36:27,880
Speaker 1: the same block. I think they were scheduled in the

710
00:36:27,920 --> 00:36:30,480
Speaker 1: same scheduled and you had her right now?

711
00:36:30,520 --> 00:36:32,120
Speaker 5: It is that literal school teacher.

712
00:36:33,200 --> 00:36:37,840
Speaker 1: Huh yeah, well Castle, I thought we were taking popular

713
00:36:37,920 --> 00:36:42,480
Speaker 1: hour long dramas and then saying that they were teacher's names.

714
00:36:42,719 --> 00:36:44,680
Speaker 4: You know, that is what we are, and so I'm

715
00:36:44,719 --> 00:36:50,840
Speaker 4: retroactively going to say the bus teacher's name was mister Madgmen.

716
00:36:51,360 --> 00:36:55,680
Speaker 1: Oh wow, yeah, yeah, well I had missus Castle. I

717
00:36:55,800 --> 00:37:02,160
Speaker 1: very recently have been taken u miss Quantico. I was.

718
00:37:02,239 --> 00:37:07,480
Speaker 1: I started to take mister minority report, but then you know, yeah,

719
00:37:07,520 --> 00:37:09,360
Speaker 1: what about did you have four more teachers?

720
00:37:10,120 --> 00:37:16,719
Speaker 4: Four more mister ABC News at seven, Yeah, mister with

721
00:37:16,760 --> 00:37:17,840
Speaker 4: you downs.

722
00:37:19,160 --> 00:37:23,520
Speaker 1: Yeah, I've all, yes, you're you're It's like we went

723
00:37:23,560 --> 00:37:28,440
Speaker 1: to the same school almost and uh, anyway, miss A Castle,

724
00:37:31,840 --> 00:37:35,280
Speaker 1: what did I want to say about her? I guess

725
00:37:36,080 --> 00:37:38,520
Speaker 1: she tried to teach me and just couldn't reach me.

726
00:37:38,880 --> 00:37:43,560
Speaker 1: I was too far gone. Wow yeah, uh unteachable.

727
00:37:43,880 --> 00:37:44,240
Speaker 3: Yeah.

728
00:37:44,400 --> 00:37:47,040
Speaker 1: I think that the way my mind works is so

729
00:37:47,360 --> 00:37:51,359
Speaker 1: unique and so different, and I am just on this

730
00:37:51,400 --> 00:37:55,400
Speaker 1: sort of artist journey, that it is difficult to teach

731
00:37:55,400 --> 00:37:59,040
Speaker 1: someone like that because they're just experiencing things in a

732
00:37:59,080 --> 00:38:02,560
Speaker 1: totally different way. Yeah. No, no, I would like to

733
00:38:02,600 --> 00:38:05,120
Speaker 1: hear your I'm sure we have the same one. Yeah.

734
00:38:05,120 --> 00:38:09,920
Speaker 4: So I have watched a documentary or two about feral

735
00:38:10,040 --> 00:38:13,880
Speaker 4: children who are raised in abusive homes with no language,

736
00:38:13,920 --> 00:38:17,480
Speaker 4: no affection. Discovered around the age of eleven twelve, right,

737
00:38:17,920 --> 00:38:22,319
Speaker 4: they have exactly Yeah, and at that age they are

738
00:38:22,400 --> 00:38:27,200
Speaker 4: unreachable because this you know, very important stage in which

739
00:38:27,200 --> 00:38:30,440
Speaker 4: the mind latches onto language has been missed. So is

740
00:38:30,480 --> 00:38:34,520
Speaker 4: that what you're talking about? Were you raised in you know,

741
00:38:34,600 --> 00:38:35,520
Speaker 4: deep negligence?

742
00:38:36,680 --> 00:38:38,600
Speaker 1: Well, I mean I was a farming brad. I was

743
00:38:39,120 --> 00:38:42,680
Speaker 1: a farming brad. Yeah, I was a far morephon. I

744
00:38:42,719 --> 00:38:44,720
Speaker 1: was a farm morphan whose dad was in the army.

745
00:38:44,880 --> 00:38:47,640
Speaker 4: Okay, now was that what you were going to ask?

746
00:38:48,080 --> 00:38:53,560
Speaker 1: Yeah, okay, the feral children documentary. Yeah, yeah, so I

747
00:38:53,640 --> 00:38:56,160
Speaker 1: was neglected. But I'm not so much talking about that

748
00:38:56,280 --> 00:38:59,920
Speaker 1: as like it's almost like the teachers are speaking to

749
00:39:00,040 --> 00:39:02,360
Speaker 1: different language than I am, just because my brain is

750
00:39:02,400 --> 00:39:08,080
Speaker 1: So I'm not gonna say better and better that would help,

751
00:39:08,960 --> 00:39:11,520
Speaker 1: Just so someone could say what's actually going on.

752
00:39:12,239 --> 00:39:15,680
Speaker 2: We were talking about good teachers and like people who

753
00:39:15,680 --> 00:39:18,040
Speaker 2: had a really strong influence, and there's nobody like.

754
00:39:18,000 --> 00:39:20,960
Speaker 1: That, really good teachers. I guess myself, I would have

755
00:39:21,000 --> 00:39:23,520
Speaker 1: to say myself, I was a huge influence on me

756
00:39:23,600 --> 00:39:26,439
Speaker 1: early on and continue to be when I think about

757
00:39:26,480 --> 00:39:31,200
Speaker 1: some of my early shit. That ship was pretty fucking good, right,

758
00:39:31,360 --> 00:39:35,480
Speaker 1: and I actually do like it. It's nowhere near where

759
00:39:35,560 --> 00:39:39,000
Speaker 1: I am now. The stuff I'm laying down now is

760
00:39:39,480 --> 00:39:43,680
Speaker 1: total next level just fire, hot fire, some of the

761
00:39:43,680 --> 00:39:45,480
Speaker 1: blazonest comedy in the game today.

762
00:39:46,040 --> 00:39:49,240
Speaker 5: Smoking. Yeah, as the Mask would say.

763
00:39:49,120 --> 00:39:55,799
Speaker 2: The Mask, you talk about the farmhand when you were like,

764
00:39:56,680 --> 00:39:58,320
Speaker 2: you've told me stories about doing your jokes on the

765
00:39:58,320 --> 00:39:59,759
Speaker 2: farm when it was too windy and no one can

766
00:39:59,800 --> 00:40:02,719
Speaker 2: hear jokes. Yeah, and he would block the wind for

767
00:40:02,800 --> 00:40:06,680
Speaker 2: you and help you get your voice out there and

768
00:40:06,719 --> 00:40:07,680
Speaker 2: not be blown away.

769
00:40:08,360 --> 00:40:10,359
Speaker 1: Is there a reason you don't want to talk about him?

770
00:40:11,000 --> 00:40:14,920
Speaker 1: Oh okay, Well he taught me about the importance of sound.

771
00:40:15,560 --> 00:40:19,080
Speaker 1: I mean really he was engineer farm hand. Yeah, because

772
00:40:19,200 --> 00:40:21,600
Speaker 1: he wasn't generating any of the comedy, just like Sam's

773
00:40:21,600 --> 00:40:25,000
Speaker 1: not doing jack shit right now, but he was helping

774
00:40:25,040 --> 00:40:27,319
Speaker 1: people to be able to hear the comedy that I

775
00:40:27,400 --> 00:40:30,040
Speaker 1: was making that was hot fire.

776
00:40:30,320 --> 00:40:33,480
Speaker 4: You know, I feel that some of the best comedians

777
00:40:33,600 --> 00:40:36,720
Speaker 4: are blind, as some of the best musicians are, because

778
00:40:36,760 --> 00:40:40,400
Speaker 4: comedy is about sound. So they're cutting out the nonsense

779
00:40:40,440 --> 00:40:43,279
Speaker 4: of vision to get you to that joke.

780
00:40:43,239 --> 00:40:46,200
Speaker 2: Because they can't see it, and so they just they

781
00:40:46,200 --> 00:40:48,759
Speaker 2: don't even want to be distracted by trying to look

782
00:40:48,800 --> 00:40:49,440
Speaker 2: for the sound.

783
00:40:49,640 --> 00:40:49,839
Speaker 4: Right.

784
00:40:50,600 --> 00:40:52,400
Speaker 5: Yeah, either of you has.

785
00:40:52,239 --> 00:40:57,439
Speaker 1: A comedy hero, maybe somebody like a lot of people

786
00:40:57,480 --> 00:40:59,759
Speaker 1: would say Steve Martin, but we won't say that, but

787
00:40:59,800 --> 00:41:05,359
Speaker 1: somebody who their comedy made you think about Now I

788
00:41:05,400 --> 00:41:06,000
Speaker 1: want to be this.

789
00:41:06,640 --> 00:41:08,680
Speaker 5: Well, I really wanted to say Steve Martin.

790
00:41:08,760 --> 00:41:12,200
Speaker 4: So now I'm in a battle out and I am angered,

791
00:41:12,880 --> 00:41:14,120
Speaker 4: but I won't say that.

792
00:41:14,160 --> 00:41:16,719
Speaker 5: So I will say Dela Reese okay.

793
00:41:16,440 --> 00:41:19,759
Speaker 1: Because when you said, oh wow, okay, I want to

794
00:41:19,800 --> 00:41:20,560
Speaker 1: hear more about that.

795
00:41:20,760 --> 00:41:23,799
Speaker 4: Okay, Well so wait, now I'm getting her confused with

796
00:41:24,000 --> 00:41:27,759
Speaker 4: Delta Burke with one of them made me.

797
00:41:27,880 --> 00:41:29,160
Speaker 1: Go, one's a plane.

798
00:41:30,200 --> 00:41:36,359
Speaker 4: No, maybe I am talking about the plane because.

799
00:41:36,120 --> 00:41:39,000
Speaker 5: Comedy laughing definitely a plane laughing.

800
00:41:39,120 --> 00:41:41,879
Speaker 4: Is man's You know how people always want to fly,

801
00:41:42,160 --> 00:41:44,160
Speaker 4: like in their dreams or if you're told you could

802
00:41:44,160 --> 00:41:46,319
Speaker 4: be invisible, or you could fly, or you could have

803
00:41:46,360 --> 00:41:50,960
Speaker 4: the power of speaking Greek. I always say, you know,

804
00:41:51,040 --> 00:41:53,160
Speaker 4: everyone's like, oh, I'd pick flying, I'd pick flying. I'd

805
00:41:53,200 --> 00:41:56,839
Speaker 4: pick flying. Laughter is our closest way of flying. So

806
00:41:56,920 --> 00:42:00,399
Speaker 4: that is why Delta burke the plane my hero.

807
00:42:00,840 --> 00:42:03,239
Speaker 2: I'd be able to freeze everyone in my class, and

808
00:42:03,360 --> 00:42:05,680
Speaker 2: so I could go around touching them.

809
00:42:05,840 --> 00:42:08,040
Speaker 1: My choice. So my choices are freeze everybody in my

810
00:42:08,080 --> 00:42:12,160
Speaker 1: class and molest them, be invisible, fly, or speak Greek.

811
00:42:12,440 --> 00:42:17,280
Speaker 1: You know what I say to that? What e plural bassoon? Baby? Now?

812
00:42:18,640 --> 00:42:22,600
Speaker 1: What what I was gonna say about the plain idea

813
00:42:22,880 --> 00:42:25,359
Speaker 1: is that is a real big influence because a lot

814
00:42:25,440 --> 00:42:27,960
Speaker 1: of times people say like, the sky's the limit, and

815
00:42:28,000 --> 00:42:29,799
Speaker 1: you're like, well, I'm influenced by something that's in the

816
00:42:29,840 --> 00:42:31,480
Speaker 1: sky all the time. I want to be and the

817
00:42:31,520 --> 00:42:34,600
Speaker 1: limits the outer boundaries. But what I'll say to that

818
00:42:34,719 --> 00:42:37,239
Speaker 1: as well is, please don't tell me the sky's the

819
00:42:37,280 --> 00:42:44,760
Speaker 1: limit when there's footprints on the moon. Did you ship.

820
00:42:47,840 --> 00:42:51,520
Speaker 5: Right well? His influences or yeah? What what?

821
00:42:51,520 --> 00:42:52,640
Speaker 1: What heroes?

822
00:42:52,760 --> 00:42:59,360
Speaker 2: Heroes in comedy? I love old funny books. Please, I

823
00:42:59,440 --> 00:43:02,840
Speaker 2: love shake Spear's insults. I have a book of the

824
00:43:02,880 --> 00:43:07,120
Speaker 2: great Shakespearean insults or it calls people a friggin frog

825
00:43:07,200 --> 00:43:07,760
Speaker 2: and stuff.

826
00:43:08,080 --> 00:43:10,759
Speaker 1: Oh that's one of the first things that really made

827
00:43:10,840 --> 00:43:12,359
Speaker 1: me incredible.

828
00:43:12,520 --> 00:43:17,000
Speaker 4: Spear Shakespeare is everyone says he invented so many words,

829
00:43:17,040 --> 00:43:18,400
Speaker 4: we know, right, and.

830
00:43:18,320 --> 00:43:21,080
Speaker 5: Friggin was actually the first I believe.

831
00:43:21,719 --> 00:43:28,000
Speaker 1: Yeah, he got that in there. Yeah, yeah, that's great. Yeah,

832
00:43:28,120 --> 00:43:31,600
Speaker 1: I love that that. Shakespeare was really the original weep

833
00:43:32,239 --> 00:43:34,440
Speaker 1: in terms of making up an insult.

834
00:43:34,360 --> 00:43:37,160
Speaker 4: And having three names like Julia Louis Dreyfus, it was

835
00:43:37,239 --> 00:43:41,680
Speaker 4: William Billy Shakespeare, and at that time, Billy was not

836
00:43:42,239 --> 00:43:45,319
Speaker 4: short for William. It was just an entirely separate name.

837
00:43:45,640 --> 00:43:48,440
Speaker 4: It's like if someone today was named Matthew Max, you

838
00:43:48,480 --> 00:43:52,680
Speaker 4: know Johnson, you wouldn't be like you're you know, it

839
00:43:52,680 --> 00:43:53,560
Speaker 4: would be separate.

840
00:43:53,680 --> 00:43:56,440
Speaker 2: I can tell you I could I continue to consulting

841
00:43:56,480 --> 00:43:58,680
Speaker 2: your history book as you're like, I know you want

842
00:43:58,719 --> 00:44:00,560
Speaker 2: people to think and I don't want to back into

843
00:44:00,560 --> 00:44:02,680
Speaker 2: our like feuded stuff, but I know, I know people

844
00:44:02,680 --> 00:44:03,839
Speaker 2: want you to think that you just have all.

845
00:44:03,760 --> 00:44:06,160
Speaker 1: These history facts. But I could see that you are

846
00:44:06,239 --> 00:44:10,960
Speaker 1: looking at the history of book. I'll send the microphone. Sorry, Sorry,

847
00:44:11,040 --> 00:44:14,759
Speaker 1: I was broken break the microphone, to break microphone, so

848
00:44:14,760 --> 00:44:16,560
Speaker 1: he wouldn't be able to say the truth.

849
00:44:17,719 --> 00:44:21,480
Speaker 4: Okay, fine, look, but does it make me less impressive

850
00:44:22,000 --> 00:44:24,759
Speaker 4: that I am consulting a book rather than just having

851
00:44:24,840 --> 00:44:27,839
Speaker 4: committed these facts to memory that I I think it's

852
00:44:27,920 --> 00:44:29,800
Speaker 4: very impressive that I carry books around.

853
00:44:29,920 --> 00:44:31,799
Speaker 2: Yeah, and I see you wrote the history book as well,

854
00:44:31,840 --> 00:44:33,040
Speaker 2: so I guess that kind of is.

855
00:44:33,600 --> 00:44:33,839
Speaker 5: Yes.

856
00:44:33,920 --> 00:44:35,360
Speaker 4: I didn't want to have to say it, and I

857
00:44:35,400 --> 00:44:36,000
Speaker 4: didn't have to.

858
00:44:35,960 --> 00:44:37,000
Speaker 5: Because you did.

859
00:44:37,239 --> 00:44:40,240
Speaker 1: Now I have a big comedy hero my own mind.

860
00:44:41,400 --> 00:44:45,960
Speaker 4: Oh that's you know, that's really good.

861
00:44:46,320 --> 00:44:47,120
Speaker 5: That's really good.

862
00:44:47,680 --> 00:44:52,040
Speaker 1: Yeah, it's sort of you know they say, don't meet

863
00:44:52,040 --> 00:44:52,640
Speaker 1: your heroes.

864
00:44:53,000 --> 00:44:54,319
Speaker 5: Oh, how is that for you?

865
00:44:54,880 --> 00:44:58,719
Speaker 1: It's been tough because I often do have to sort

866
00:44:58,719 --> 00:45:01,120
Speaker 1: of get in and invest to gate inside my mind

867
00:45:01,120 --> 00:45:03,520
Speaker 1: and dig around in some of the dark alleys in there.

868
00:45:03,600 --> 00:45:07,520
Speaker 1: And I understand that saying because it can be pretty scary.

869
00:45:07,880 --> 00:45:11,480
Speaker 4: Now here's a question. People often say you need to

870
00:45:11,480 --> 00:45:17,640
Speaker 4: have experienced tragedy to create comedy, but my life has

871
00:45:17,719 --> 00:45:23,360
Speaker 4: been just bing bang, so good. So people are always like,

872
00:45:23,440 --> 00:45:25,600
Speaker 4: how are you funny? Because you know, how do you

873
00:45:25,600 --> 00:45:30,960
Speaker 4: get so funny? Here's my secret is I go regularly

874
00:45:31,040 --> 00:45:34,200
Speaker 4: two places where people are having bad lives, and I

875
00:45:34,280 --> 00:45:35,279
Speaker 4: steal from.

876
00:45:35,080 --> 00:45:38,840
Speaker 5: Them the mental images, the emotions.

877
00:45:38,120 --> 00:45:42,560
Speaker 4: The experiences exactly, exactly, exactly.

878
00:45:42,200 --> 00:45:44,080
Speaker 1: Some of the characters they do exactly.

879
00:45:44,080 --> 00:45:46,520
Speaker 4: Oh my goodness, I know this one homeless woman and

880
00:45:46,560 --> 00:45:49,960
Speaker 4: she's always doing this character who's just a mad uncle.

881
00:45:50,120 --> 00:45:52,400
Speaker 4: And you know that one man show I did, Just

882
00:45:52,440 --> 00:45:55,640
Speaker 4: a Mad Uncle comes from that homeless woman. And now

883
00:45:55,680 --> 00:45:58,880
Speaker 4: I can't go to that part of that homeless, that

884
00:45:58,960 --> 00:45:59,800
Speaker 4: homeless area.

885
00:45:59,719 --> 00:46:02,080
Speaker 1: I can't. I can't let you escape without giving us

886
00:46:02,080 --> 00:46:03,720
Speaker 1: a little taste of just a Mad Uncle.

887
00:46:03,800 --> 00:46:06,960
Speaker 2: I will say the one man show, the advertising it

888
00:46:07,000 --> 00:46:08,600
Speaker 2: is that confused me because I thought it was you

889
00:46:08,680 --> 00:46:10,120
Speaker 2: doing a bunch of different characters.

890
00:46:10,120 --> 00:46:11,560
Speaker 1: But it was you doing just one.

891
00:46:11,440 --> 00:46:14,560
Speaker 5: Man, right, I call it. There's actually several actors in

892
00:46:14,600 --> 00:46:14,799
Speaker 5: the show.

893
00:46:14,840 --> 00:46:16,200
Speaker 4: I call it a one man show because we're role

894
00:46:16,200 --> 00:46:17,200
Speaker 4: playing the same one man.

895
00:46:17,360 --> 00:46:20,560
Speaker 1: Yeah, just a mad Uncle, And I'd love to hear

896
00:46:20,719 --> 00:46:22,360
Speaker 1: just a taste of it. Maybe we could do the

897
00:46:22,400 --> 00:46:24,840
Speaker 1: scene where he's sending back his spaghetti.

898
00:46:25,000 --> 00:46:30,120
Speaker 4: Yes, yes, yes, guys, who I use this spaghetti When

899
00:46:30,200 --> 00:46:33,080
Speaker 4: I said I want the one that's tubes and this

900
00:46:33,280 --> 00:46:36,000
Speaker 4: is the one that strings. He's talking about Penne. He

901
00:46:36,000 --> 00:46:37,320
Speaker 4: doesn't have the words for Penney.

902
00:46:37,600 --> 00:46:41,880
Speaker 1: Okay, okay, yeah, and that is pretty tragic. I always

903
00:46:41,920 --> 00:46:47,319
Speaker 1: say you can't experience tragedy without experiencing comedy as like,

904
00:46:47,480 --> 00:46:51,120
Speaker 1: just in terms of masks, okay, like they're always going

905
00:46:51,200 --> 00:46:51,760
Speaker 1: to be together.

906
00:46:52,000 --> 00:46:54,200
Speaker 5: You're always hearing questions in terms of masks.

907
00:46:55,320 --> 00:46:57,720
Speaker 1: We all wear masks, don't we When I'm writing?

908
00:46:59,000 --> 00:47:01,480
Speaker 5: You have that scheme mask that you were all the time.

909
00:47:01,880 --> 00:47:05,720
Speaker 1: I wear blue blockers. Yeah, just because of the screen.

910
00:47:05,800 --> 00:47:08,840
Speaker 1: I don't want to get my eyes irradiated.

911
00:47:09,880 --> 00:47:14,360
Speaker 5: Yeah, that's that's a real risks.

912
00:47:13,520 --> 00:47:15,320
Speaker 1: Up your indocrine system.

913
00:47:16,080 --> 00:47:18,919
Speaker 2: Well, Allison, Yeah, do you want to ask Sam about

914
00:47:18,960 --> 00:47:20,080
Speaker 2: some of his good teachers?

915
00:47:20,280 --> 00:47:21,240
Speaker 1: That's a great idea.

916
00:47:21,600 --> 00:47:25,240
Speaker 4: Yeah, please tell me about some of your good teachers,

917
00:47:25,360 --> 00:47:27,680
Speaker 4: especially if you had any sort of like sexual feelings

918
00:47:27,719 --> 00:47:30,400
Speaker 4: towards any of them, as it's very it's almost inevitable

919
00:47:30,440 --> 00:47:32,359
Speaker 4: to not you know, develop those.

920
00:47:32,440 --> 00:47:35,120
Speaker 1: Yeah. A lot of our sexual awakening occurs when we're

921
00:47:35,120 --> 00:47:36,200
Speaker 1: looking at our teachers.

922
00:47:36,560 --> 00:47:40,319
Speaker 3: Honestly, I would say Engineer Brett has probably been the

923
00:47:40,440 --> 00:47:43,040
Speaker 3: strongest teacher I've had in my learning.

924
00:47:43,360 --> 00:47:44,839
Speaker 1: He is lead engineer. Yeah.

925
00:47:44,880 --> 00:47:49,440
Speaker 2: Wow. And so the discussion was about a teacher that

926
00:47:49,520 --> 00:47:52,680
Speaker 2: you've observed and had, you know, sort of a sexual

927
00:47:53,680 --> 00:47:58,000
Speaker 2: feeling towards and if that is Brett for you, yeah.

928
00:47:57,840 --> 00:47:59,000
Speaker 1: That's absolutely Brett.

929
00:47:59,040 --> 00:47:59,759
Speaker 5: Please give us the.

930
00:48:01,120 --> 00:48:04,800
Speaker 3: You know, it's not I don't really have any I

931
00:48:04,840 --> 00:48:06,719
Speaker 3: don't know if I've ever really come to Urns. Yeah,

932
00:48:06,760 --> 00:48:09,320
Speaker 3: I would say I'm fairly attracted to Brett.

933
00:48:09,400 --> 00:48:12,239
Speaker 2: It was just this conversation right now, Who's just thing

934
00:48:12,320 --> 00:48:15,640
Speaker 2: I did not know that could be a thing as

935
00:48:15,719 --> 00:48:16,840
Speaker 2: bread is not a woman?

936
00:48:17,600 --> 00:48:21,360
Speaker 3: Right, Uh if that's okay, yeah then.

937
00:48:21,239 --> 00:48:24,799
Speaker 1: Yes, but it is okay. You're as a massive breakthrough

938
00:48:24,880 --> 00:48:27,480
Speaker 1: right now. It turns out you are a kind of

939
00:48:27,600 --> 00:48:30,720
Speaker 1: guy that is a kind of guy that we really

940
00:48:31,000 --> 00:48:33,560
Speaker 1: like on this show. We love these guys. Yes, oh

941
00:48:33,600 --> 00:48:37,040
Speaker 1: we think these guys are so cool and funny, and

942
00:48:37,120 --> 00:48:41,120
Speaker 1: so I think that sure, you know, that's a challenge.

943
00:48:41,160 --> 00:48:42,880
Speaker 1: You see two guys like me and Hayes who are

944
00:48:42,880 --> 00:48:47,000
Speaker 1: the kind of guys who, let's face it, chicks are

945
00:48:47,040 --> 00:48:50,040
Speaker 1: digging on what you got going on. It's like how

946
00:48:50,080 --> 00:48:54,480
Speaker 1: you would feel about a woman. But right, I have Corney. Yes, yeah, yeah, yes, yes,

947
00:48:54,760 --> 00:48:58,719
Speaker 1: corny Y, Corny finally the word to Brett. Brett.

948
00:48:58,920 --> 00:49:01,720
Speaker 2: And now Brett is in a relationship with his girlfriend Buzby,

949
00:49:01,800 --> 00:49:05,400
Speaker 2: as we know. But there, I'm sure there's something we

950
00:49:05,480 --> 00:49:11,120
Speaker 2: can do about that, some sort of we could trick Busby.

951
00:49:11,160 --> 00:49:13,799
Speaker 4: And as a woman, I know that we're very susceptible

952
00:49:13,840 --> 00:49:16,880
Speaker 4: to tricks. The number of times that I'm living, I

953
00:49:16,880 --> 00:49:19,400
Speaker 4: would say I said that my life was so of happiness.

954
00:49:19,520 --> 00:49:24,359
Speaker 4: The only tragedy is I'm constantly getting tricked, and so

955
00:49:25,160 --> 00:49:27,160
Speaker 4: it just slows down my day when I'm like, I

956
00:49:27,160 --> 00:49:30,080
Speaker 4: have some errands to run, I have to go pay

957
00:49:30,120 --> 00:49:33,680
Speaker 4: my taxes, but oh no, someone has there's a bucket

958
00:49:33,680 --> 00:49:36,480
Speaker 4: of water that someone put in the doorway, tricked.

959
00:49:36,200 --> 00:49:39,680
Speaker 2: Me operations and putting Operation Splash down, putting a sexy

960
00:49:39,680 --> 00:49:42,560
Speaker 2: long leg in the road and tricking you into picking

961
00:49:42,560 --> 00:49:42,880
Speaker 2: them up.

962
00:49:43,200 --> 00:49:46,440
Speaker 5: Oh yes, yes, yes, now have.

963
00:49:46,440 --> 00:49:48,240
Speaker 1: All those tricks and you are a woman in comedy.

964
00:49:48,280 --> 00:49:50,480
Speaker 1: Would you say that you're just a fucking train wreck?

965
00:49:50,920 --> 00:49:52,440
Speaker 5: Oh yes, yes I would.

966
00:49:52,480 --> 00:49:56,279
Speaker 4: I would say my hair is never straight because you know,

967
00:49:56,520 --> 00:49:58,040
Speaker 4: wind is always happening to me.

968
00:49:58,440 --> 00:50:01,080
Speaker 1: A mess, hot mess, a hot mess, hot.

969
00:50:00,920 --> 00:50:04,319
Speaker 4: Mess, sometimes just a lukewarm mess because I don't have

970
00:50:04,400 --> 00:50:08,560
Speaker 4: great body temperature regulation circulation is what I'm saying. So

971
00:50:08,600 --> 00:50:12,920
Speaker 4: sometimes like if you touch my skin, it's just warm

972
00:50:12,960 --> 00:50:15,200
Speaker 4: and not steaming and.

973
00:50:15,200 --> 00:50:21,120
Speaker 1: A little bit gooey. Yeah, and it leaves the impressure

974
00:50:21,200 --> 00:50:21,800
Speaker 1: of your hand.

975
00:50:21,920 --> 00:50:23,880
Speaker 2: You take your hand away, you can still see the

976
00:50:23,880 --> 00:50:24,920
Speaker 2: indos exactly.

977
00:50:25,000 --> 00:50:28,200
Speaker 4: It's like if someone every morning painted my body lightly

978
00:50:28,239 --> 00:50:29,240
Speaker 4: with chocolate pudding.

979
00:50:30,000 --> 00:50:33,680
Speaker 2: And what's interesting is it's not very warm, but the

980
00:50:33,719 --> 00:50:35,200
Speaker 2: pores are still giving.

981
00:50:34,920 --> 00:50:37,680
Speaker 1: Off yes, steams, steam, poors and breathing.

982
00:50:37,760 --> 00:50:39,640
Speaker 2: You know, you've been making kind of a noise at

983
00:50:39,640 --> 00:50:41,799
Speaker 2: different times in the show where you do kind of like.

984
00:50:42,160 --> 00:50:44,880
Speaker 1: Yeah, yes, that's been going on. If you put your

985
00:50:44,880 --> 00:50:46,560
Speaker 1: pores right up to the microphone like.

986
00:50:46,520 --> 00:50:49,680
Speaker 4: That, people think that's coming from my mouth. It's coming

987
00:50:49,719 --> 00:50:51,320
Speaker 4: from my face pores.

988
00:50:51,600 --> 00:50:54,879
Speaker 1: M h yeah, and that seems healthy to me. Yeah,

989
00:50:55,280 --> 00:50:57,320
Speaker 1: just that your pores are really getting in the mix

990
00:50:57,400 --> 00:50:59,320
Speaker 1: the way a lot of other people's pores are just

991
00:50:59,440 --> 00:51:03,440
Speaker 1: kind of laying back in the Yeah, you got poors

992
00:51:03,480 --> 00:51:04,920
Speaker 1: that are taking control.

993
00:51:05,120 --> 00:51:07,120
Speaker 4: You know, if I ever get a facial, I've had it.

994
00:51:07,200 --> 00:51:08,239
Speaker 4: I've done it twice.

995
00:51:09,239 --> 00:51:13,080
Speaker 1: My poor scream Oh.

996
00:51:12,200 --> 00:51:15,239
Speaker 4: So don't get me a gift certificate for a facial

997
00:51:15,320 --> 00:51:16,040
Speaker 4: for my birthday?

998
00:51:16,960 --> 00:51:17,400
Speaker 5: Dad?

999
00:51:18,320 --> 00:51:21,360
Speaker 1: He does that, Oh no, and so well we know

1000
00:51:21,640 --> 00:51:29,800
Speaker 1: dat yeah, that's true. Anything else with influences or anything.

1001
00:51:30,640 --> 00:51:33,640
Speaker 1: I think, Well, Allison has that she has a big

1002
00:51:33,680 --> 00:51:36,560
Speaker 1: commercial edition to go to. Oh Allison, that's right. And

1003
00:51:36,880 --> 00:51:39,160
Speaker 1: so you're a fan of a sportsman.

1004
00:51:38,640 --> 00:51:41,520
Speaker 4: In this Yes, see here's the thing for what product

1005
00:51:41,840 --> 00:51:44,799
Speaker 4: it is? I'm not I like to wait till I

1006
00:51:44,880 --> 00:51:48,320
Speaker 4: get there to know. But see, I'm on a big

1007
00:51:48,400 --> 00:51:54,319
Speaker 4: time Fox Network show. Ten episodes, hopefully they all come out.

1008
00:51:55,000 --> 00:51:58,200
Speaker 4: And I did this all so that I could get

1009
00:51:58,239 --> 00:52:01,960
Speaker 4: to go to Santa Monica and audition for an Internet

1010
00:52:02,040 --> 00:52:06,640
Speaker 4: only SAG Minimum commercial.

1011
00:52:07,440 --> 00:52:09,520
Speaker 5: So it's all happening.

1012
00:52:10,200 --> 00:52:12,160
Speaker 1: Oll that And that's why we do this show so

1013
00:52:12,239 --> 00:52:14,879
Speaker 1: people can see like that next level is out. It's

1014
00:52:14,920 --> 00:52:18,200
Speaker 1: always bare grind away. You do all the work.

1015
00:52:18,360 --> 00:52:19,879
Speaker 5: Let's go through the order.

1016
00:52:19,920 --> 00:52:26,040
Speaker 4: Write industrials, table reads, network, sketch shows competing with Saturday

1017
00:52:26,120 --> 00:52:33,480
Speaker 4: Night Live, SAG Minimum, Internet commercials, audio books, Christmas movies,

1018
00:52:34,640 --> 00:52:37,920
Speaker 4: an episode of It's Always Sunny in Philadelphia.

1019
00:52:37,239 --> 00:52:39,480
Speaker 1: Don't forget catalog print modeling.

1020
00:52:39,160 --> 00:52:44,840
Speaker 4: Catalog print modeling specifically for Turtlenecks, catalog print modeling for Llban,

1021
00:52:45,800 --> 00:52:48,400
Speaker 4: and then a jet Apatoe movie.

1022
00:52:48,719 --> 00:52:58,319
Speaker 1: It's all happening soon for me. Ay, thanks, This has

1023
00:52:58,320 --> 00:53:01,440
Speaker 1: been an Earwolf production. Exact could be produced by Scott Ackerman,

1024
00:53:01,560 --> 00:53:04,840
Speaker 1: Adam Sachs, and Chris Bannett. For more information and content,

1025
00:53:05,000 --> 00:53:11,520
Speaker 1: visit earwolf dot com