1 00:00:11,800 --> 00:00:16,880 Speaker 1: And it's Drinks has motherfucking Podcast. He's a legendary Queen's rapper. 2 00:00:17,200 --> 00:00:19,279 Speaker 1: He's agreed, is your boy in o R. He's a 3 00:00:19,400 --> 00:00:23,240 Speaker 1: Miami hippop pioneer. One up his DJ e FN. Together 4 00:00:23,400 --> 00:00:26,320 Speaker 1: they drinking up with some of the biggest players in 5 00:00:26,440 --> 00:00:30,960 Speaker 1: the most professional unprofessional podcast and your number one sorts 6 00:00:31,000 --> 00:00:33,919 Speaker 1: for drunk fact drink has motherfucking every day is New 7 00:00:34,000 --> 00:00:38,560 Speaker 1: Year's Less time for drink Champs, Drink up Mother Mother 8 00:00:45,320 --> 00:00:47,239 Speaker 1: would it could be Hopefully's ship be this is your 9 00:00:47,240 --> 00:00:50,040 Speaker 1: boy in o R. What ups d j e F 10 00:00:50,240 --> 00:00:53,360 Speaker 1: And this is militating crazy World Radio, Drink Champs, Yappy Hour, 11 00:00:53,640 --> 00:00:56,240 Speaker 1: Drinks has Bobby Hours. This is all type of things. 12 00:00:56,400 --> 00:01:02,680 Speaker 1: This is going down man now again. I say this 13 00:01:02,720 --> 00:01:04,920 Speaker 1: to my partner all the time because when we started 14 00:01:04,959 --> 00:01:06,679 Speaker 1: the show, we said we wanted a cover of legends. 15 00:01:06,680 --> 00:01:09,400 Speaker 1: We wanted to cover people who've been out here sacrificing, 16 00:01:09,680 --> 00:01:12,480 Speaker 1: putting the culture first, putting the culture on their back. 17 00:01:12,520 --> 00:01:14,080 Speaker 1: When used to think of this man, he's a part 18 00:01:14,080 --> 00:01:16,400 Speaker 1: of one of the most legendary families in the hip 19 00:01:16,400 --> 00:01:19,200 Speaker 1: I land, part of one of the most legendary groups 20 00:01:19,200 --> 00:01:24,400 Speaker 1: of hip hop. He got about three different careers is amazing, 21 00:01:24,720 --> 00:01:27,840 Speaker 1: you know what I mean. I think it's more he 22 00:01:27,920 --> 00:01:30,479 Speaker 1: might be he's like seven. He might be seven. Um, 23 00:01:30,560 --> 00:01:33,120 Speaker 1: but you just look at all the diversity he has done. 24 00:01:33,240 --> 00:01:36,040 Speaker 1: You look at how he's he's out here relevant in 25 00:01:36,120 --> 00:01:39,120 Speaker 1: so many different worlds, from touring for with Lightning Ritchie 26 00:01:39,240 --> 00:01:42,200 Speaker 1: to you know what I'm saying, to recording with DJ 27 00:01:42,360 --> 00:01:44,479 Speaker 1: College the other day. When I was there, I actually 28 00:01:44,480 --> 00:01:46,000 Speaker 1: got the witness. If you don't know what the funk 29 00:01:46,000 --> 00:01:52,880 Speaker 1: I'm talking about, we're talking about the legendary. Now. We 30 00:01:52,920 --> 00:01:56,320 Speaker 1: want to take it from the beginning because you, um, 31 00:01:56,360 --> 00:01:59,000 Speaker 1: you guys are part of the rich history of the South. 32 00:01:59,760 --> 00:02:01,800 Speaker 1: You know I'm saying not only just ANTL. I want 33 00:02:01,800 --> 00:02:05,160 Speaker 1: to I want to broaden the view because at first 34 00:02:05,240 --> 00:02:09,280 Speaker 1: I was coming from New York. Um, we looked at 35 00:02:09,600 --> 00:02:12,320 Speaker 1: the South and really like Miami at the forefront because 36 00:02:12,360 --> 00:02:15,960 Speaker 1: of you know you guys, and like Uncle Luke was doing. 37 00:02:16,160 --> 00:02:18,359 Speaker 1: So let's take it from the beginning. How how did 38 00:02:18,360 --> 00:02:21,480 Speaker 1: you get started? Just in the music period, it's a 39 00:02:21,480 --> 00:02:26,760 Speaker 1: good mob before Dungeon family or Dungeon family, then Goody Mob. Yeah, um, 40 00:02:28,520 --> 00:02:32,840 Speaker 1: initially we we we considered everyone in the Goody Moody 41 00:02:33,120 --> 00:02:37,600 Speaker 1: was it was a street name, um uh from yeah, 42 00:02:37,639 --> 00:02:39,720 Speaker 1: I knowld you from our neighborhood. His name is Big Glynn. 43 00:02:39,760 --> 00:02:42,079 Speaker 1: We call him Big Duddy. He was the one that 44 00:02:42,320 --> 00:02:46,960 Speaker 1: coined that the name Goody Mob. So it was a crew. 45 00:02:47,840 --> 00:02:51,359 Speaker 1: Uh Coojo was a part of that crew. So what 46 00:02:51,480 --> 00:02:54,440 Speaker 1: they would do was, you know, put their goods in 47 00:02:54,560 --> 00:02:57,799 Speaker 1: the um the Crown Royal bags, a little purple bag 48 00:02:58,480 --> 00:03:01,400 Speaker 1: that was like they flavored what of them? And you 49 00:03:01,480 --> 00:03:03,600 Speaker 1: know what I'm saying. So it was you know, you know, 50 00:03:03,800 --> 00:03:05,800 Speaker 1: it was like goodie bags. So they call him up 51 00:03:05,800 --> 00:03:10,040 Speaker 1: to pepon Goody Mob. So I got got, so, I got, 52 00:03:10,120 --> 00:03:11,639 Speaker 1: I gotta credit them, and I'm saying like as the 53 00:03:11,680 --> 00:03:14,200 Speaker 1: original of the name, you know. And then that that 54 00:03:14,320 --> 00:03:18,240 Speaker 1: eventually evolved over into uh the art the art form 55 00:03:18,400 --> 00:03:21,639 Speaker 1: you know, um of where Cool Joe and Timo from 56 00:03:21,639 --> 00:03:24,440 Speaker 1: Goody Mob. They began as a as a local group 57 00:03:24,520 --> 00:03:27,560 Speaker 1: called the Numberjacks, you know what I'm saying, and the 58 00:03:27,840 --> 00:03:31,079 Speaker 1: gift Big gilt Uh. He was a part of another 59 00:03:31,120 --> 00:03:35,040 Speaker 1: crew called the East Point Train Gang, including uh Cool Breeze. 60 00:03:35,280 --> 00:03:37,520 Speaker 1: So Cool Breeze is a gentleman that coin the friends 61 00:03:37,560 --> 00:03:40,880 Speaker 1: Dirty South you know, what I'm saying. So when you 62 00:03:41,000 --> 00:03:43,600 Speaker 1: when you look for anybody, for anybody is the first one. 63 00:03:44,400 --> 00:03:46,800 Speaker 1: So when you when you when you look at history 64 00:03:46,800 --> 00:03:50,400 Speaker 1: of you, if you go back, Uh, that Soul Food album, 65 00:03:51,200 --> 00:03:54,160 Speaker 1: it was kind of broken up into into into working parts. 66 00:03:54,600 --> 00:03:57,800 Speaker 1: Uh Lumberjacks could not put any of their prior recorded 67 00:03:57,920 --> 00:03:59,880 Speaker 1: music on that album because they were going through the 68 00:04:00,000 --> 00:04:03,480 Speaker 1: gations with former management. I was a solo artist, uh 69 00:04:03,680 --> 00:04:07,920 Speaker 1: you know, singer, you know, uh sucking you know, you 70 00:04:08,000 --> 00:04:10,320 Speaker 1: know mc all of that, you know what I'm saying, 71 00:04:10,360 --> 00:04:15,080 Speaker 1: And um so uh so excuse was kind of really 72 00:04:15,120 --> 00:04:17,600 Speaker 1: a collective. It was collective. It was a collective so 73 00:04:17,800 --> 00:04:19,960 Speaker 1: like it was, it was such a strong entity and 74 00:04:20,000 --> 00:04:22,600 Speaker 1: a strong presence of namesake in the city that you 75 00:04:22,640 --> 00:04:24,880 Speaker 1: know what I mean, Like it was natural for everybody 76 00:04:24,920 --> 00:04:26,440 Speaker 1: to kind of assume it, you know, mean like because 77 00:04:26,480 --> 00:04:29,880 Speaker 1: of the association, you know what I'm saying, Um, you know, 78 00:04:29,880 --> 00:04:31,800 Speaker 1: and everybody was kind of coming from different places, you 79 00:04:31,839 --> 00:04:34,200 Speaker 1: know what I mean. Andre and Twine, like you know, 80 00:04:35,000 --> 00:04:37,840 Speaker 1: Antoine is is Big Boy's real name. You know, we 81 00:04:37,920 --> 00:04:42,400 Speaker 1: went to let me, let me try, let me try 82 00:04:42,440 --> 00:04:51,400 Speaker 1: to just pace myself. I'm excited to be yeah, because 83 00:04:51,400 --> 00:04:54,680 Speaker 1: I don't know if you smoked it back like that. Yeah, 84 00:04:54,680 --> 00:04:59,200 Speaker 1: I hope you don't have to get some of that. 85 00:04:59,520 --> 00:05:02,680 Speaker 1: How you of that because you don't, Um, that's something 86 00:05:02,720 --> 00:05:05,839 Speaker 1: that's something that's a different ship. I ain't. I ain't 87 00:05:05,839 --> 00:05:09,640 Speaker 1: gonna let me tell you about about you as you 88 00:05:09,839 --> 00:05:13,160 Speaker 1: drink to Killer and you just act normal and ship 89 00:05:13,920 --> 00:05:17,120 Speaker 1: like what was most people drink to killer and then 90 00:05:17,240 --> 00:05:21,760 Speaker 1: be like, you know, they speak slurter, slurter like drink 91 00:05:21,760 --> 00:05:31,640 Speaker 1: picular drinking like that usually good. And my Nine Lives Collectives. 92 00:05:31,680 --> 00:05:34,719 Speaker 1: We got the smoke Champs coming out with them very soon. Yes, ye, 93 00:05:34,839 --> 00:05:36,880 Speaker 1: smoke chaps coming out for them very soon that you 94 00:05:36,920 --> 00:05:39,159 Speaker 1: want to light it to get because I don't remember 95 00:05:39,279 --> 00:05:42,680 Speaker 1: me it's worth fight for goddamn whole goddamn ever sold this. 96 00:05:42,760 --> 00:05:44,480 Speaker 1: It was great. I don't know if you beat that. 97 00:05:45,400 --> 00:05:49,080 Speaker 1: Just get just that vanilla. I'm gonna try to say that. Yeah, 98 00:05:49,080 --> 00:05:51,040 Speaker 1: if you another plate with you know what I'm saying. 99 00:05:51,240 --> 00:05:52,640 Speaker 1: You know what I mean? Also pick up to shine. 100 00:05:52,720 --> 00:05:54,800 Speaker 1: We got you know, smoking out of those right now. 101 00:05:54,839 --> 00:05:56,800 Speaker 1: But listen, where were we that? Okay, so let's go 102 00:05:56,880 --> 00:06:01,520 Speaker 1: back okay, um, so wait so really quick just from 103 00:06:01,560 --> 00:06:03,960 Speaker 1: my knowledge because I'm a big fan of everything y'all done, 104 00:06:04,720 --> 00:06:08,200 Speaker 1: so goody Morvis. Before Dungeon Family all happened at the 105 00:06:08,240 --> 00:06:10,599 Speaker 1: same time. It was all happening at the same time. 106 00:06:11,360 --> 00:06:15,680 Speaker 1: Uh almost you know, pretty much simultaneously, you know what 107 00:06:15,680 --> 00:06:20,240 Speaker 1: I mean, like overanized noise. Rico Wade, Sleepy Brown, Ray Murray, Uh, 108 00:06:20,360 --> 00:06:22,800 Speaker 1: Sleepy Brown and and Rico Wade were part of a 109 00:06:22,920 --> 00:06:27,680 Speaker 1: dance troupe called Guests. See back then, Um, the sensation 110 00:06:27,760 --> 00:06:30,240 Speaker 1: in the city was talent shows. You know what I'm 111 00:06:30,240 --> 00:06:32,040 Speaker 1: saying that it was. It was really like real old school. 112 00:06:32,080 --> 00:06:33,440 Speaker 1: This was before gun play and all of that. So 113 00:06:33,480 --> 00:06:35,320 Speaker 1: it was talent shows and it was and it was 114 00:06:35,520 --> 00:06:39,520 Speaker 1: rival high schools and big cart fights. So we went 115 00:06:39,560 --> 00:06:41,599 Speaker 1: to May's high bench when he made his high school 116 00:06:42,040 --> 00:06:44,440 Speaker 1: and I would rival high school was was Douglass High 117 00:06:44,520 --> 00:06:47,359 Speaker 1: Fresher Duglas High. So like you know, after the football 118 00:06:47,400 --> 00:06:49,080 Speaker 1: game or whatever. It saying like it would be like 119 00:06:49,400 --> 00:06:52,240 Speaker 1: the movie outside Us. So like a real real old 120 00:06:52,279 --> 00:06:55,960 Speaker 1: fashional round boat type ship. So they went from that. 121 00:06:56,120 --> 00:06:58,200 Speaker 1: From so Rico Wait and Sleeper Brown they were they 122 00:06:58,240 --> 00:07:00,360 Speaker 1: were they were like you know, neighborhood that get old 123 00:07:00,360 --> 00:07:03,000 Speaker 1: superstar for being dancers. And then they eventually, you know, 124 00:07:03,120 --> 00:07:04,680 Speaker 1: like one of your production I actually got one of 125 00:07:04,680 --> 00:07:10,240 Speaker 1: the original Dungeon families first, you know, uh kawan, I'm saying, 126 00:07:10,520 --> 00:07:12,480 Speaker 1: getto Vision, Discovered tea, all of that, you know what 127 00:07:12,480 --> 00:07:15,080 Speaker 1: I'm saying. But anyway, it's so much to the story. 128 00:07:16,120 --> 00:07:19,280 Speaker 1: The Dungeon family house, right the house a legendary house. 129 00:07:19,440 --> 00:07:22,400 Speaker 1: Is that where all the music started from because the 130 00:07:22,560 --> 00:07:24,480 Speaker 1: big big boy just buying that house or something like that. 131 00:07:24,600 --> 00:07:26,880 Speaker 1: Big Budget's recently purchased the house and it's it's being 132 00:07:26,920 --> 00:07:30,760 Speaker 1: completely overdone and renovated. And you know, we were kind 133 00:07:30,800 --> 00:07:33,120 Speaker 1: of like in the talks with another little upstart company 134 00:07:33,160 --> 00:07:35,280 Speaker 1: that's doing it's called Hip Hop Tools of Atlanta. I'm 135 00:07:35,280 --> 00:07:36,760 Speaker 1: not sure. I'm not sure that the business is gonna 136 00:07:36,800 --> 00:07:38,840 Speaker 1: work out, but they were doing tours, you know, so 137 00:07:39,280 --> 00:07:43,240 Speaker 1: just trying to keep it like like monuments. Doesn't anybody 138 00:07:43,280 --> 00:07:45,280 Speaker 1: he was going to try to up as a monument 139 00:07:46,000 --> 00:07:51,440 Speaker 1: talking about our coming like the king there or something like, Yeah, 140 00:07:52,080 --> 00:07:55,360 Speaker 1: I didn't even think of that, that's all. So so 141 00:07:55,520 --> 00:07:57,280 Speaker 1: I'm gonna trying. I'm gonna try to fast forward, trying 142 00:07:57,280 --> 00:08:00,120 Speaker 1: to make it actually make it actually I'm ass up 143 00:08:00,160 --> 00:08:03,840 Speaker 1: because what I really meant was was organized noise before God, 144 00:08:04,240 --> 00:08:06,240 Speaker 1: That's really what I meant. The organized noise of the 145 00:08:06,240 --> 00:08:10,080 Speaker 1: producer production comes from the production crew. Okay, people knew them, 146 00:08:10,120 --> 00:08:12,640 Speaker 1: but there was it's because they were dancers. They were 147 00:08:12,680 --> 00:08:15,240 Speaker 1: part of a dance group called guess you know what 148 00:08:15,320 --> 00:08:18,000 Speaker 1: I'm saying. So there was like they were like damn, 149 00:08:19,160 --> 00:08:22,320 Speaker 1: it was like you know what I mean. So there 150 00:08:22,400 --> 00:08:23,600 Speaker 1: was dancers and that was the thing, you know what 151 00:08:23,640 --> 00:08:25,400 Speaker 1: I mean, Like if you could dance, you could dress, 152 00:08:25,400 --> 00:08:27,680 Speaker 1: and you can fight. That was even more play sports 153 00:08:27,760 --> 00:08:29,600 Speaker 1: or whatever. Let me bounce around for a little bit. 154 00:08:29,840 --> 00:08:33,439 Speaker 1: So what something kind of listic playlistic comes out. That 155 00:08:33,679 --> 00:08:37,079 Speaker 1: was that like the first gym with like now now 156 00:08:37,160 --> 00:08:41,120 Speaker 1: the South is being viewed or it still was like 157 00:08:41,559 --> 00:08:46,480 Speaker 1: hard after that because like explained like for us queens 158 00:08:46,640 --> 00:08:49,360 Speaker 1: was having a hard time right, But where NAS came 159 00:08:49,360 --> 00:08:52,360 Speaker 1: out with Allmatic for those couple of years, it was 160 00:08:52,480 --> 00:08:55,800 Speaker 1: like it was cool because people it's like you pulled 161 00:08:55,840 --> 00:09:01,439 Speaker 1: our something me from being from Miami. Like we had 162 00:09:01,520 --> 00:09:04,120 Speaker 1: this thing where we wanted to represent ourselves lyrically out 163 00:09:04,200 --> 00:09:06,800 Speaker 1: of Miami hip hop ship. So we had like an 164 00:09:06,880 --> 00:09:09,360 Speaker 1: artists named Mother Superio. She got shoved by Alan music 165 00:09:09,760 --> 00:09:13,000 Speaker 1: had different artists and we could never really represent ourselves lyrically, 166 00:09:13,040 --> 00:09:16,920 Speaker 1: and I felt like outcast. That album was that for 167 00:09:17,200 --> 00:09:19,679 Speaker 1: for Atlanta? I mean, that's what it looked like to me. 168 00:09:20,200 --> 00:09:22,880 Speaker 1: But see we there was the time with the Atlanta 169 00:09:22,920 --> 00:09:25,280 Speaker 1: what they called Atlanta a little Miami, you know what 170 00:09:25,360 --> 00:09:28,199 Speaker 1: I'm saying. So with the MC shot is the Groucci 171 00:09:28,280 --> 00:09:31,280 Speaker 1: cruise hold that we had that synergy between each other, 172 00:09:31,360 --> 00:09:32,880 Speaker 1: you know what I mean, like so we we you know, 173 00:09:34,240 --> 00:09:40,800 Speaker 1: even I didn't even do it, yeah, you know, just 174 00:09:40,960 --> 00:09:48,439 Speaker 1: for Ricky still have so I think, like we we're 175 00:09:48,440 --> 00:09:52,520 Speaker 1: not gonna be midway point, you know, literally between Florida 176 00:09:52,679 --> 00:09:55,760 Speaker 1: the bottom of it, you know, and we called the bottom, 177 00:09:55,880 --> 00:09:59,040 Speaker 1: right I'm saying. So we had we we were, we 178 00:09:59,200 --> 00:10:02,240 Speaker 1: had both of the influences. You know what I'm saying 179 00:10:02,240 --> 00:10:04,040 Speaker 1: That it's a trip how comes back around full circle 180 00:10:04,120 --> 00:10:07,480 Speaker 1: because you know what what was electro pop or whatever 181 00:10:07,600 --> 00:10:10,040 Speaker 1: whatever it was considered? What when African ban body and soul? 182 00:10:10,080 --> 00:10:14,120 Speaker 1: So the force did it basically ultimately we called it 183 00:10:14,200 --> 00:10:16,240 Speaker 1: skating rink music, you know what, like and then it 184 00:10:16,360 --> 00:10:19,160 Speaker 1: ultimately evolved into Miami. Bas So it's kind of really 185 00:10:19,200 --> 00:10:20,880 Speaker 1: all of the same, you know what I'm saying, like, 186 00:10:20,960 --> 00:10:24,679 Speaker 1: but lyrically, you know, we we were I mean obviously 187 00:10:24,800 --> 00:10:27,160 Speaker 1: man like you know, affected and inspired by by East 188 00:10:27,160 --> 00:10:30,400 Speaker 1: Coast and in raw boom back East Coast hip hop, 189 00:10:30,480 --> 00:10:33,240 Speaker 1: and what I'm saying so lyrically, I'm glad that you 190 00:10:33,360 --> 00:10:35,960 Speaker 1: said that because we I know I'm speaking for myself, 191 00:10:36,000 --> 00:10:37,319 Speaker 1: but I think a lot of us really felt like 192 00:10:37,400 --> 00:10:40,559 Speaker 1: our first wants to truly represent lyrically was either eight 193 00:10:40,640 --> 00:10:44,120 Speaker 1: Ball and m j G out of Memphis and Poison 194 00:10:44,240 --> 00:10:56,040 Speaker 1: Clan like yes, yes yourself before Devin Air, Devin and 195 00:10:56,120 --> 00:10:57,920 Speaker 1: J Money, and then we did a group called Home 196 00:10:57,960 --> 00:11:04,760 Speaker 1: Team as well. Boy. Yeah, so they came out before Outcast, 197 00:11:05,200 --> 00:11:10,640 Speaker 1: Yeah damn at the same time, what year is that 198 00:11:11,480 --> 00:11:16,400 Speaker 1: they're fighters? Where we one? I think you're before that, 199 00:11:17,360 --> 00:11:23,400 Speaker 1: you know I'm talking about like on mggcast four okay, 200 00:11:23,520 --> 00:11:28,640 Speaker 1: Letting four okay and Egg okay, damn bro always there. 201 00:11:28,640 --> 00:11:30,559 Speaker 1: I came up the same time. So you say, okay, 202 00:11:31,400 --> 00:11:33,520 Speaker 1: all right, because for me, that that's what I looked 203 00:11:33,559 --> 00:11:36,120 Speaker 1: at when I seen that that I and even it 204 00:11:36,280 --> 00:11:38,800 Speaker 1: was crazy, but I was even seeing that pup that 205 00:11:38,920 --> 00:11:42,240 Speaker 1: he directed that first Outcast video. I don't even know 206 00:11:42,400 --> 00:11:46,280 Speaker 1: wa man, Yeah back, what did he go? Yeah? The 207 00:11:46,360 --> 00:11:51,040 Speaker 1: first outcast video ever like produced ever. Yeah, that was 208 00:11:51,240 --> 00:11:56,520 Speaker 1: I was about who Puffy directed players ball? Yeah, guy, 209 00:11:58,200 --> 00:12:02,199 Speaker 1: you lived. You're not I kid, You're not like you. 210 00:12:02,440 --> 00:12:05,240 Speaker 1: I forget. It's a document that's on the face. Rights 211 00:12:05,280 --> 00:12:07,439 Speaker 1: that's on the face. It was the face that it was. 212 00:12:07,720 --> 00:12:10,120 Speaker 1: It was mentioned on the Oganized Modest documentary The Art 213 00:12:10,160 --> 00:12:12,880 Speaker 1: of Obanized nowers on Netflix. Watch. It was an amazing 214 00:12:12,960 --> 00:12:17,280 Speaker 1: to catch that. Yeah, cardy brain because the history on 215 00:12:17,400 --> 00:12:19,640 Speaker 1: their but it's it's nowhere near the whole story though, 216 00:12:20,440 --> 00:12:25,679 Speaker 1: so like I mean, there's very few people in this 217 00:12:25,880 --> 00:12:30,679 Speaker 1: rat game that have so many like oh like like 218 00:12:30,880 --> 00:12:33,040 Speaker 1: like elements to them, Like when it comes to the crew, 219 00:12:33,400 --> 00:12:35,600 Speaker 1: like you guys gotta kill them, Mike, you guys got 220 00:12:35,800 --> 00:12:40,559 Speaker 1: sucking you guys, it's so many. It's like the would 221 00:12:40,559 --> 00:12:42,280 Speaker 1: tang on the side. It's just about to say that, 222 00:12:42,480 --> 00:12:43,760 Speaker 1: I was about to say that, but it's you. I 223 00:12:43,800 --> 00:12:45,800 Speaker 1: don't want to see the woul tang because because we'll 224 00:12:45,800 --> 00:12:48,079 Speaker 1: take is just nine. What do they call him when 225 00:12:48,080 --> 00:12:50,800 Speaker 1: it's all on the number, Who help me? Separate elements? 226 00:12:51,240 --> 00:12:57,400 Speaker 1: Feel like it's killing a man brain, It's like the 227 00:12:57,480 --> 00:12:59,839 Speaker 1: same to me, that's what they were. Dudgeon family was 228 00:13:00,040 --> 00:13:02,600 Speaker 1: that to us in the South? To me, how does 229 00:13:02,640 --> 00:13:05,360 Speaker 1: it take them as a compliment? Didn't you say did 230 00:13:05,440 --> 00:13:08,520 Speaker 1: you know that everyone would would essentially be stars when 231 00:13:08,600 --> 00:13:13,679 Speaker 1: your guys was coming up or not necessarily? Um? I 232 00:13:13,920 --> 00:13:16,880 Speaker 1: felt that, Um, as far as that Nana was concerned, 233 00:13:17,440 --> 00:13:21,199 Speaker 1: we were the most um authentic you know what I mean, 234 00:13:22,120 --> 00:13:26,040 Speaker 1: incredible with that that first offer in Southern playlists contact 235 00:13:26,080 --> 00:13:28,640 Speaker 1: music without cares, I mean, because you know the you know, 236 00:13:28,760 --> 00:13:30,760 Speaker 1: and this is not to discredit those who came before 237 00:13:30,800 --> 00:13:32,319 Speaker 1: us where they to be criss cross the rest of 238 00:13:32,360 --> 00:13:34,480 Speaker 1: development of Brad you know what I mean? Like shot 239 00:13:35,480 --> 00:13:37,400 Speaker 1: all right, I'm saying you feel me like it's all 240 00:13:37,440 --> 00:13:40,520 Speaker 1: relative and I'm saying like, um, but as far as 241 00:13:40,640 --> 00:13:43,520 Speaker 1: row rap and lyricism, you know what I mean, and 242 00:13:43,640 --> 00:13:46,559 Speaker 1: just showing that that that range, you know, you know 243 00:13:47,360 --> 00:13:49,880 Speaker 1: we would we would have first know what I'm saying. 244 00:13:50,240 --> 00:13:52,880 Speaker 1: I felt like it was like the cold question brothers 245 00:13:52,920 --> 00:14:00,760 Speaker 1: like the South, you know, girls bounce around the little bit. Now. 246 00:14:01,280 --> 00:14:03,800 Speaker 1: I think last year or the year before, I'm not 247 00:14:03,880 --> 00:14:06,719 Speaker 1: sure you had a video that went viral like that. 248 00:14:06,840 --> 00:14:10,280 Speaker 1: He was on the phone right, and everyone was like, 249 00:14:10,600 --> 00:14:13,839 Speaker 1: what the fun is going home? Studio? He was calling you. 250 00:14:13,880 --> 00:14:16,920 Speaker 1: I had six different numbers on you. Everyone. It didn't work, 251 00:14:17,160 --> 00:14:20,840 Speaker 1: Like everyone like what exactly happened to the people that 252 00:14:21,120 --> 00:14:24,480 Speaker 1: that that didn't see your explanation? All right? I was 253 00:14:25,760 --> 00:14:28,480 Speaker 1: I was working on an independent project and it was 254 00:14:28,680 --> 00:14:30,480 Speaker 1: meant to be kind of like a mix tape or 255 00:14:30,840 --> 00:14:33,360 Speaker 1: an EP, you know, kind of kind of kind of 256 00:14:33,440 --> 00:14:35,880 Speaker 1: thing of where it was to be held held over 257 00:14:36,000 --> 00:14:38,280 Speaker 1: until we could finish the novels Rockley Record, because we 258 00:14:38,440 --> 00:14:41,800 Speaker 1: was having schedule of differences. So I called it Gnarlie Davidson, right, 259 00:14:42,440 --> 00:14:46,280 Speaker 1: So it was a part of it. And I said, okay, um, 260 00:14:46,400 --> 00:14:49,560 Speaker 1: around the time, it was the Samsung phones and that 261 00:14:49,680 --> 00:14:54,080 Speaker 1: was a real thing. It was a real issue with people, right, 262 00:14:54,200 --> 00:14:55,960 Speaker 1: but it was a current event. So I said, okay, 263 00:14:56,040 --> 00:14:58,160 Speaker 1: let me try to pull from that. And it's like, 264 00:14:58,360 --> 00:15:00,600 Speaker 1: how do how do these superhero it has come about, 265 00:15:00,640 --> 00:15:03,560 Speaker 1: you know, by with some type of trauma, something traumatic happens. 266 00:15:03,600 --> 00:15:06,000 Speaker 1: What I mean, like you know, you know, you get 267 00:15:06,120 --> 00:15:08,520 Speaker 1: hit with a Gamma ray, you get big bout spite 268 00:15:08,560 --> 00:15:10,080 Speaker 1: or whatever happened. And I'm saying so like I'm like, 269 00:15:10,120 --> 00:15:13,480 Speaker 1: all right, so let's use this real life thing and 270 00:15:13,560 --> 00:15:16,280 Speaker 1: make and make the video where it's believable for that, 271 00:15:16,440 --> 00:15:18,480 Speaker 1: for that that have a long we can catch it 272 00:15:18,560 --> 00:15:23,280 Speaker 1: out and then dropped and dropped the project because because 273 00:15:23,320 --> 00:15:27,520 Speaker 1: they played out of order. What when I was sending 274 00:15:27,560 --> 00:15:31,600 Speaker 1: it to the special effects people's we was going through passes, okay, 275 00:15:31,640 --> 00:15:33,680 Speaker 1: like turn the smoke up on this, so like that, 276 00:15:33,720 --> 00:15:35,160 Speaker 1: blah blah blah blah blah. We was just kind of 277 00:15:35,200 --> 00:15:37,680 Speaker 1: color correcting and all that kind of stuff, and one 278 00:15:37,720 --> 00:15:39,680 Speaker 1: of them leaked, like in one of the emails leak, 279 00:15:39,800 --> 00:15:42,800 Speaker 1: so you know, um, some some blogs and HTM got 280 00:15:42,840 --> 00:15:44,840 Speaker 1: hold to it and to like and blast it off 281 00:15:44,920 --> 00:15:47,560 Speaker 1: with it. So initially because it's meant that I'm thinking 282 00:15:47,600 --> 00:15:49,840 Speaker 1: I'm doing something, it's a stunt out of just I'm 283 00:15:49,880 --> 00:15:51,880 Speaker 1: thinking it's gonna be funny to people. I'm thinking they're 284 00:15:51,880 --> 00:15:54,280 Speaker 1: gonna know what's ridiculous. Is going like okay, great, but no, 285 00:15:54,400 --> 00:15:57,080 Speaker 1: no people will. So you gotta understand, bro, it's a 286 00:15:57,200 --> 00:16:02,120 Speaker 1: difference between hearing something happened to your people, see right, 287 00:16:02,160 --> 00:16:04,080 Speaker 1: So with that, man, it was funny for the first 288 00:16:04,120 --> 00:16:08,040 Speaker 1: little while, but my phone was only like so I 289 00:16:08,160 --> 00:16:10,480 Speaker 1: got I got a phone calls from everybody from ice 290 00:16:10,560 --> 00:16:15,720 Speaker 1: Cube to the Minnster Lowis Fradka was Sam something worried 291 00:16:15,720 --> 00:16:19,520 Speaker 1: because that's for everybody. Anybody's like to get the right now, 292 00:16:20,120 --> 00:16:26,480 Speaker 1: like like oh yeah, that's man. Then want nothing to 293 00:16:26,520 --> 00:16:31,720 Speaker 1: do something like you said, it wasn't all pH So 294 00:16:31,880 --> 00:16:36,240 Speaker 1: that's what happened, man. So that was Christmas time, uh 295 00:16:36,360 --> 00:16:38,680 Speaker 1: that whatever year that was, I think it was like 296 00:16:38,760 --> 00:16:41,120 Speaker 1: a year or so ago. And then the Grammys didn't 297 00:16:41,120 --> 00:16:43,680 Speaker 1: play out until that following February. So what it was 298 00:16:43,760 --> 00:16:46,600 Speaker 1: meant to do was to hit the Friday of the Grammys, 299 00:16:46,680 --> 00:16:48,640 Speaker 1: you know what, Like I go to the red carpet 300 00:16:48,840 --> 00:16:50,240 Speaker 1: and boom. I don't know if you saw the other 301 00:16:50,280 --> 00:16:52,440 Speaker 1: stunt I did where I went and I crashed the 302 00:16:53,520 --> 00:17:01,720 Speaker 1: like I got transforming from other work. But can I 303 00:17:01,800 --> 00:17:04,440 Speaker 1: tell your a dopes some dope about that. The whole thing. 304 00:17:04,960 --> 00:17:07,080 Speaker 1: It didn't work out because, like you know what, the 305 00:17:07,160 --> 00:17:09,800 Speaker 1: time elapsed to me, like and people just really didn't 306 00:17:09,840 --> 00:17:12,639 Speaker 1: take too well to being you know, you know, like 307 00:17:12,840 --> 00:17:15,119 Speaker 1: along in that kind of way, like people really And 308 00:17:15,600 --> 00:17:17,480 Speaker 1: the funny thing about it is I got a chance 309 00:17:17,520 --> 00:17:19,280 Speaker 1: to see how much love I had out That's for 310 00:17:19,359 --> 00:17:23,280 Speaker 1: sure what I'm saying but the project didn't work. What 311 00:17:23,320 --> 00:17:25,639 Speaker 1: I'm saying, like, you know, but what was dope about it? 312 00:17:26,040 --> 00:17:30,000 Speaker 1: The research was so you know what I mean, it 313 00:17:30,119 --> 00:17:33,080 Speaker 1: works so well, you know as far as coverage. Um 314 00:17:33,520 --> 00:17:36,000 Speaker 1: nor the only one who ain't seeing it. I got 315 00:17:36,400 --> 00:17:41,199 Speaker 1: that that it works so well with as far as coverage. 316 00:17:41,880 --> 00:17:44,119 Speaker 1: Marvel Comics reached out to me and we said, we 317 00:17:44,200 --> 00:17:46,199 Speaker 1: said down with it. Yeah, we sat down with their 318 00:17:46,400 --> 00:17:48,960 Speaker 1: with their JV division, and we had to create off 319 00:17:49,000 --> 00:17:51,920 Speaker 1: of that character. They wanted to make it an official 320 00:17:52,080 --> 00:17:56,800 Speaker 1: Marvel comic. If the ship had if the deal had 321 00:17:56,800 --> 00:18:00,320 Speaker 1: it went right, I would have been on endgame. You 322 00:18:00,320 --> 00:18:02,439 Speaker 1: know what I'm saying. But I'll tell you what happened. 323 00:18:02,560 --> 00:18:07,800 Speaker 1: It would have been your name the world that the 324 00:18:07,920 --> 00:18:10,600 Speaker 1: name of it was Narlie Davidson. All right, but you know, 325 00:18:10,640 --> 00:18:12,720 Speaker 1: you gotta think Marvel, you gotta take Disney, you gotta 326 00:18:12,760 --> 00:18:15,000 Speaker 1: think Harley Davidson. Nobody would have been that. They probably 327 00:18:15,040 --> 00:18:17,000 Speaker 1: would have had to revive the name. You know what 328 00:18:17,040 --> 00:18:21,160 Speaker 1: I'm saying, um, But you know what they were saying, 329 00:18:21,400 --> 00:18:23,720 Speaker 1: was they I a hero. I want to be smoke 330 00:18:23,760 --> 00:18:30,080 Speaker 1: a lot. Yeah, smoke smoke villages. I saw me throw 331 00:18:30,119 --> 00:18:34,040 Speaker 1: up soft crowds and smoking ball smoking you might be 332 00:18:36,200 --> 00:18:41,560 Speaker 1: coust baby came it was made out of It's made 333 00:18:41,600 --> 00:18:43,760 Speaker 1: out of burning weed and ship you know what like 334 00:18:45,320 --> 00:18:48,040 Speaker 1: like like you know how like like a smoke beat 335 00:18:48,080 --> 00:18:50,119 Speaker 1: you too? Whatever he got smoke a lot. He got 336 00:18:50,640 --> 00:18:53,720 Speaker 1: spoke a lot was the wrapper. He wasn't a superhero 337 00:18:53,800 --> 00:18:56,879 Speaker 1: in half bag. But I'm gonna be think like like 338 00:18:56,880 --> 00:18:59,280 Speaker 1: I'm gonna just walk in. It's gonna be and then 339 00:18:59,320 --> 00:19:01,000 Speaker 1: like my cake gonna you burning like people want big 340 00:19:01,040 --> 00:19:03,320 Speaker 1: them on fire all the time. I'm but it's just 341 00:19:04,160 --> 00:19:08,040 Speaker 1: I'm sorry, but that's crazy that you could have been. 342 00:19:08,800 --> 00:19:10,439 Speaker 1: But what they were saying was it would have been 343 00:19:10,480 --> 00:19:12,240 Speaker 1: historic because it would have been the first of where 344 00:19:12,800 --> 00:19:15,399 Speaker 1: a character was based on a real living beings. But 345 00:19:16,400 --> 00:19:19,200 Speaker 1: the trick to that is living beings, you know, prone 346 00:19:19,240 --> 00:19:20,960 Speaker 1: to liability. And know what I'm saying, you people so 347 00:19:21,080 --> 00:19:23,440 Speaker 1: like you know, they you know it's not infoliable, so 348 00:19:23,480 --> 00:19:25,119 Speaker 1: they couldn't do They don't want to risk it. You 349 00:19:25,200 --> 00:19:34,679 Speaker 1: like the mcgallo. I've just been seeing the mcgallowa dogs. 350 00:19:34,760 --> 00:19:40,199 Speaker 1: But not to be totally honest, I'm a little I'm 351 00:19:40,200 --> 00:19:42,960 Speaker 1: a little ignorant and wouldn't actually on the origin of 352 00:19:43,000 --> 00:19:45,080 Speaker 1: a where it comes from? Yea, I would have been 353 00:19:45,119 --> 00:19:48,800 Speaker 1: seen in the last few years. It's like Holliway party 354 00:19:48,840 --> 00:19:51,760 Speaker 1: for the yeah yeah. But because I love to see people, 355 00:19:51,840 --> 00:19:54,080 Speaker 1: you know what I'm saying, like be fly and the 356 00:19:54,200 --> 00:19:56,720 Speaker 1: individuals and and you know, like you know fashion of 357 00:19:57,119 --> 00:20:00,440 Speaker 1: course is it's a fashion that the art so y'all know. 358 00:20:00,520 --> 00:20:02,480 Speaker 1: I like when a wild ship too, So like I'd 359 00:20:02,480 --> 00:20:04,320 Speaker 1: like to see people do their thing? How did you 360 00:20:04,440 --> 00:20:07,080 Speaker 1: develop that? That's what that's my next question is because 361 00:20:07,240 --> 00:20:09,040 Speaker 1: when you look at the origin from me where you 362 00:20:09,720 --> 00:20:14,719 Speaker 1: outcast Goody move Dungeon family in general, guys are from 363 00:20:14,760 --> 00:20:16,480 Speaker 1: the hood. You guys are from them the deep deeps 364 00:20:16,480 --> 00:20:19,560 Speaker 1: out guys from them. What you guys have the ability 365 00:20:19,600 --> 00:20:23,359 Speaker 1: to make music that brings you to these other genres 366 00:20:24,000 --> 00:20:27,119 Speaker 1: and you're able to to mix with those other crowds. 367 00:20:27,160 --> 00:20:29,000 Speaker 1: Like you know what I'm saying, like, how did you 368 00:20:29,080 --> 00:20:34,359 Speaker 1: develop that? Well? To be totally honest, man, like the 369 00:20:35,560 --> 00:20:38,520 Speaker 1: my my my personal taste. The first thing I ever 370 00:20:38,640 --> 00:20:41,680 Speaker 1: loved was rock and roll and heavy metal. That's you 371 00:20:41,760 --> 00:20:45,720 Speaker 1: know same here. I I love rocking roll. I talked 372 00:20:45,760 --> 00:20:48,000 Speaker 1: about it on drink Chairs before, like Iron made it 373 00:20:48,040 --> 00:20:52,720 Speaker 1: and coming out, coming out, coming out. I'm glad you 374 00:20:52,800 --> 00:20:54,800 Speaker 1: started with Iron Maiding because Bruce Jakerson is one of 375 00:20:54,840 --> 00:20:59,120 Speaker 1: my favorite ARTI sakers favorite front Bruce Jakinson, Ronnie James Deal, 376 00:20:59,640 --> 00:21:04,919 Speaker 1: you know, um Rob Halford from Judas Priest. Yeah, we met, 377 00:21:05,040 --> 00:21:07,359 Speaker 1: We got the same management. I'm friends with all my 378 00:21:07,760 --> 00:21:09,719 Speaker 1: rock but hip hop tris to be scared to talk 379 00:21:09,720 --> 00:21:13,200 Speaker 1: about this. I don't know. I like pet Floyd, Yeah, 380 00:21:13,400 --> 00:21:19,480 Speaker 1: of course that's funny. Man. I got a friend of 381 00:21:19,520 --> 00:21:20,840 Speaker 1: mine who was at the sono with me in the 382 00:21:20,920 --> 00:21:22,920 Speaker 1: building and he showed me a clipper when he was 383 00:21:23,000 --> 00:21:25,639 Speaker 1: sound checking. I don't know how he got this access, 384 00:21:25,800 --> 00:21:28,320 Speaker 1: but David Gilmore, you know, was sound checking and he 385 00:21:28,440 --> 00:21:31,840 Speaker 1: was playing crazy. I'm saying, so I I just got 386 00:21:31,960 --> 00:21:37,520 Speaker 1: to do that. I played for you after to answer 387 00:21:37,560 --> 00:21:40,239 Speaker 1: your question, you know what I mean. Like GiB had 388 00:21:40,240 --> 00:21:42,080 Speaker 1: a good answer to Like. Another thing that was big 389 00:21:42,200 --> 00:21:44,280 Speaker 1: for us when we was kids in Atlanta was wrestling, 390 00:21:45,000 --> 00:21:47,959 Speaker 1: so like you know, um, like it's a couple of um. 391 00:21:48,080 --> 00:21:52,280 Speaker 1: I love the Road Warriors, the British Bulldogs or Road Warrior, 392 00:21:52,359 --> 00:21:55,639 Speaker 1: Ultimate Warrior, Groldwards, it was Animal and Hulk. Okay, you 393 00:21:55,680 --> 00:21:58,040 Speaker 1: know what I'm saying. So what I'm rick play of course. 394 00:21:58,119 --> 00:22:00,800 Speaker 1: So what I'm basically saying is that costume in that 395 00:22:00,920 --> 00:22:03,479 Speaker 1: pageant tree like I mean like it was kind of normal, 396 00:22:03,640 --> 00:22:06,199 Speaker 1: you know what I'm saying. And then you know, um, 397 00:22:07,480 --> 00:22:10,280 Speaker 1: but and then me on the soulfa side, big band side, 398 00:22:10,520 --> 00:22:13,520 Speaker 1: earth Win didn't fire, not liking those people put so 399 00:22:13,720 --> 00:22:17,720 Speaker 1: much into the presentation, you know what I'm saying. So, um, 400 00:22:18,200 --> 00:22:20,160 Speaker 1: I thought that that was you know that I felt 401 00:22:20,200 --> 00:22:21,760 Speaker 1: like that was a standard and I mean like you know, 402 00:22:21,960 --> 00:22:23,960 Speaker 1: like you know what I'm saying, um, and when you 403 00:22:24,040 --> 00:22:25,359 Speaker 1: speak to you in such a way, I felt like 404 00:22:25,400 --> 00:22:27,320 Speaker 1: it belonged to me in order to kind of you know, 405 00:22:28,040 --> 00:22:30,439 Speaker 1: carry you on a tradition and you know, as an artist. Right. 406 00:22:30,840 --> 00:22:34,000 Speaker 1: So then George Clinton christened us the Young Parliament Fadulic. 407 00:22:34,160 --> 00:22:36,000 Speaker 1: So that's really the bottom line. He was like yo, 408 00:22:36,160 --> 00:22:41,520 Speaker 1: y'all of us. I mean like he acidly just like 409 00:22:45,760 --> 00:22:52,080 Speaker 1: everything A lot of drugs. That's kind of super am 410 00:22:52,119 --> 00:22:53,600 Speaker 1: I saying that? Right? I think you so that, like 411 00:22:54,720 --> 00:22:56,119 Speaker 1: I want to say at all, I mean because I 412 00:22:56,240 --> 00:22:58,119 Speaker 1: was looking at your line and I and people was like, 413 00:22:58,200 --> 00:23:00,800 Speaker 1: oh ship about them, Like Nick, It's like, yo, a 414 00:23:00,880 --> 00:23:03,200 Speaker 1: bunch of dope questions. I said, Damn, I want to 415 00:23:03,240 --> 00:23:05,480 Speaker 1: make sure I know. One of the eldest questions that 416 00:23:05,560 --> 00:23:09,600 Speaker 1: people keep asking was how did it feel to be 417 00:23:09,680 --> 00:23:13,480 Speaker 1: a singer in the group? And then then another question 418 00:23:13,560 --> 00:23:18,000 Speaker 1: and asked was wrapping wise, did you feel you as 419 00:23:18,040 --> 00:23:21,040 Speaker 1: better than I don't know why, but that Cressy came 420 00:23:21,119 --> 00:23:26,000 Speaker 1: up so much like like like I would imagine competition wise, 421 00:23:26,040 --> 00:23:29,000 Speaker 1: you guys are truing teas you would feel you're better 422 00:23:29,080 --> 00:23:33,760 Speaker 1: than the next one. To be totally honest, I felt 423 00:23:33,800 --> 00:23:36,760 Speaker 1: like we were. We we also called ourselves the x 424 00:23:36,840 --> 00:23:42,560 Speaker 1: men and I mean so allectively. Yeah, we we did. 425 00:23:42,720 --> 00:23:45,280 Speaker 1: We did a g Q photo spread as the x 426 00:23:45,359 --> 00:23:51,400 Speaker 1: men um. And that's to say that everybody is signified 427 00:23:51,560 --> 00:23:58,760 Speaker 1: by their own special and unique power. Now I made 428 00:23:58,880 --> 00:24:02,560 Speaker 1: up some ship. I was whoever it was like, you know, 429 00:24:02,720 --> 00:24:08,760 Speaker 1: but I was powerful now but now so like it 430 00:24:08,880 --> 00:24:10,880 Speaker 1: wasn't that kind of competition. We felt like we were 431 00:24:11,280 --> 00:24:13,159 Speaker 1: we were supporting each other, like you know what I mean, 432 00:24:13,240 --> 00:24:15,240 Speaker 1: Like it was a real family vibe. Me and dre 433 00:24:15,440 --> 00:24:17,040 Speaker 1: Go all the way back to the third grade. Man, 434 00:24:17,080 --> 00:24:18,399 Speaker 1: like we are a lot of us, A few of 435 00:24:18,480 --> 00:24:20,480 Speaker 1: us know each other longer, like that's probably one of 436 00:24:20,520 --> 00:24:22,960 Speaker 1: the longer relationships in the entire Dunge family. But then again, 437 00:24:23,280 --> 00:24:24,879 Speaker 1: I grew with Timo. He's a little bit of us, 438 00:24:24,880 --> 00:24:26,440 Speaker 1: strewed over from me, and I'm saying, like he's three 439 00:24:26,480 --> 00:24:28,480 Speaker 1: years older than me. But you know, he graduated with 440 00:24:28,560 --> 00:24:30,200 Speaker 1: my sister Saw. I had always seen him, you know, 441 00:24:30,280 --> 00:24:33,520 Speaker 1: all my whole life, you know, but no, man like, 442 00:24:33,640 --> 00:24:35,960 Speaker 1: it was never that kind of competition. But you know, 443 00:24:36,240 --> 00:24:38,359 Speaker 1: I will say this for the record, killing Mike if 444 00:24:38,400 --> 00:24:41,000 Speaker 1: we mentioned him, and he's a he's a a real 445 00:24:41,080 --> 00:24:42,800 Speaker 1: grand I'm seeing my opinion and I'm saying that you're 446 00:24:42,800 --> 00:24:45,960 Speaker 1: feeling a lot of people's opinions. Great person over all around. 447 00:24:46,560 --> 00:24:49,200 Speaker 1: But um he said in the g Q interview that 448 00:24:49,280 --> 00:24:50,960 Speaker 1: he thought I was the best side of the Dungeon family. 449 00:24:51,000 --> 00:24:53,280 Speaker 1: Did you know that, KP. Yeah, he said that. So 450 00:24:53,560 --> 00:24:54,760 Speaker 1: that's saim we have probably at the end of you 451 00:24:54,880 --> 00:24:56,879 Speaker 1: asked him. But I never thought like that. I just 452 00:24:57,160 --> 00:24:59,280 Speaker 1: when I think about family, when I think about crew, 453 00:24:59,520 --> 00:25:01,119 Speaker 1: I just come to play my position, you know what 454 00:25:01,160 --> 00:25:02,840 Speaker 1: I'm saying, Like you played to my strength, you know 455 00:25:02,880 --> 00:25:04,639 Speaker 1: what I mean. Like, so I'm just going to be 456 00:25:04,680 --> 00:25:06,639 Speaker 1: a soldier for it. That's it. So the second part 457 00:25:06,640 --> 00:25:10,000 Speaker 1: of the question they asked this was the most question, 458 00:25:10,240 --> 00:25:12,080 Speaker 1: is how did it feel to be like a singer 459 00:25:12,119 --> 00:25:16,639 Speaker 1: like slash R and B or Arts. But I asking 460 00:25:16,720 --> 00:25:18,800 Speaker 1: this because it was the most repeated I know that 461 00:25:18,880 --> 00:25:22,200 Speaker 1: you're motherfucking r care mother. Yeah, I think that's well, 462 00:25:22,400 --> 00:25:23,960 Speaker 1: I know, I just wanted I mean, it was the 463 00:25:24,000 --> 00:25:27,480 Speaker 1: most asked question. I actually literally looked at all my garments, 464 00:25:27,720 --> 00:25:29,920 Speaker 1: so I just gotta ask it. How did it feel 465 00:25:29,960 --> 00:25:32,119 Speaker 1: to be a singer in the Cruel MCS? Yeah, I 466 00:25:32,280 --> 00:25:37,280 Speaker 1: wasn't MC and the Crewe MCS, you know, so they 467 00:25:37,359 --> 00:25:39,400 Speaker 1: just got to go back and do the history obviously, 468 00:25:39,520 --> 00:25:43,280 Speaker 1: you know, but I think it's I think it's kind 469 00:25:43,320 --> 00:25:45,440 Speaker 1: of like, you know what, you would have realized that 470 00:25:45,560 --> 00:25:48,199 Speaker 1: that everybody's got metal, everybody could sing like dre ended up, 471 00:25:48,240 --> 00:25:50,200 Speaker 1: you know, spreading his wings and a lot of the 472 00:25:50,240 --> 00:25:52,040 Speaker 1: times when we performed like you know, let Mena tell 473 00:25:52,040 --> 00:25:54,600 Speaker 1: you something like I've been That's been a part of 474 00:25:54,640 --> 00:25:57,600 Speaker 1: my repertoire from the beginning, like even from UTFO, you know, 475 00:25:57,720 --> 00:26:05,800 Speaker 1: forcing D's you know what I mean, dude, she was 476 00:26:05,880 --> 00:26:09,040 Speaker 1: kidding you my body, so you know you got how 477 00:26:09,080 --> 00:26:11,440 Speaker 1: you got them? High school Sweetheart songs like it was 478 00:26:11,480 --> 00:26:14,119 Speaker 1: a song by ut Phone called Fairytale Level yea that 479 00:26:14,240 --> 00:26:18,000 Speaker 1: record man, Yeah, you know so it was that kind 480 00:26:18,000 --> 00:26:19,879 Speaker 1: of stuff. It was new edition. It was all so 481 00:26:20,000 --> 00:26:25,120 Speaker 1: like a girl that I swei, you know what I'm saying. 482 00:26:25,720 --> 00:26:32,440 Speaker 1: I still think I'm realized, you know what I'm saying. 483 00:26:32,480 --> 00:26:34,239 Speaker 1: But now like so all of that, I'm referencing all 484 00:26:34,280 --> 00:26:37,640 Speaker 1: that to say, it's all just you know, uh and acknowledgement. 485 00:26:37,760 --> 00:26:39,080 Speaker 1: I'm saying, you feel me. I just say, man like 486 00:26:39,160 --> 00:26:40,800 Speaker 1: if you got if you got an you man, just 487 00:26:40,880 --> 00:26:43,119 Speaker 1: do what you can. I'm saying, you feel me. Um, 488 00:26:43,320 --> 00:26:47,040 Speaker 1: you know so I felt I felt very natural thought 489 00:26:47,240 --> 00:26:48,840 Speaker 1: you know what I'm saying, because I asked how people 490 00:26:48,880 --> 00:26:51,320 Speaker 1: do it so well? And so you know so um 491 00:26:51,800 --> 00:26:57,200 Speaker 1: far before me. Scott recently sampled you right travel Scott 492 00:26:58,320 --> 00:27:03,119 Speaker 1: in the Travis E. Sample sell Therapy, one of the 493 00:27:03,200 --> 00:27:07,040 Speaker 1: craziest records ever, super classic and hip hop. You're just 494 00:27:07,040 --> 00:27:09,119 Speaker 1: about to say something. You know, this is a thing 495 00:27:09,240 --> 00:27:10,960 Speaker 1: like I feel like and I don't think that you 496 00:27:11,040 --> 00:27:15,879 Speaker 1: can relate to this being from you excub me all 497 00:27:15,920 --> 00:27:24,640 Speaker 1: the time, like coming out of the South and trying 498 00:27:24,680 --> 00:27:27,040 Speaker 1: to do the lyrical route. Did you, because this is 499 00:27:27,359 --> 00:27:29,840 Speaker 1: the thing that always rings to me is when Outcast 500 00:27:30,000 --> 00:27:32,200 Speaker 1: was at the source of awards saying what they said 501 00:27:32,200 --> 00:27:36,199 Speaker 1: about the South, the South has something set right? Did 502 00:27:36,680 --> 00:27:38,320 Speaker 1: you y'all come with that? Like when y'all were in 503 00:27:38,359 --> 00:27:40,640 Speaker 1: the studio, were all thinking about like we're gonna represent 504 00:27:41,480 --> 00:27:44,000 Speaker 1: lyrically or was it as natural? Like what was it? 505 00:27:44,160 --> 00:27:47,960 Speaker 1: What was the mind frame y'all in the booth? I 506 00:27:48,080 --> 00:27:51,000 Speaker 1: think naturally, when you're a fan, you kind of liking 507 00:27:51,080 --> 00:27:52,960 Speaker 1: yourself to your favorite you know what I mean, like 508 00:27:53,359 --> 00:27:55,680 Speaker 1: and you kind of you kind of grow up. I 509 00:27:55,760 --> 00:27:59,399 Speaker 1: mean like you know, or you or you you you 510 00:27:59,480 --> 00:28:01,520 Speaker 1: live like obiously through you know, you know I mean 511 00:28:01,600 --> 00:28:03,800 Speaker 1: like you trained spark. Let mean, like you know, like 512 00:28:04,040 --> 00:28:05,880 Speaker 1: what you're listening Palette, you know, I mean, if you will, 513 00:28:05,960 --> 00:28:07,840 Speaker 1: so you know, we was just taught by the best, 514 00:28:08,080 --> 00:28:09,399 Speaker 1: you know what I'm saying, Like, you know my you know, 515 00:28:09,800 --> 00:28:12,359 Speaker 1: my favorite see of all time is Mellie mel You 516 00:28:12,400 --> 00:28:14,240 Speaker 1: know what I'm saying. His rhyme at the end of 517 00:28:14,240 --> 00:28:17,280 Speaker 1: the Street is the best rhyme ever written in history 518 00:28:17,359 --> 00:28:20,720 Speaker 1: and Mellie Mell beating Nigga asked, that's what I'm saying. 519 00:28:21,920 --> 00:28:27,680 Speaker 1: Gangsters like we need on the podcast let me it's 520 00:28:27,680 --> 00:28:29,719 Speaker 1: in the middle of the Bronx man life with spikes 521 00:28:29,760 --> 00:28:35,000 Speaker 1: on another I wasn't that just spoke to me, you know, 522 00:28:35,119 --> 00:28:37,399 Speaker 1: that's that's something that that in hip hoply. You know, 523 00:28:37,640 --> 00:28:39,720 Speaker 1: the last couple of years, a lot of the artists 524 00:28:39,760 --> 00:28:44,440 Speaker 1: been dressing like, you know, a little weird. And I've 525 00:28:46,320 --> 00:28:49,600 Speaker 1: removing myself from comment in because I remember those days 526 00:28:50,240 --> 00:28:52,720 Speaker 1: Mellie mel and these guys with the spikes and you 527 00:28:52,800 --> 00:28:56,600 Speaker 1: know what I'm saying type chokers like I feel like outcast. 528 00:28:56,720 --> 00:29:00,040 Speaker 1: And Andre specifically, I was doing that and he I 529 00:29:00,120 --> 00:29:02,600 Speaker 1: remember it was an interview I don't know somewhere where 530 00:29:02,640 --> 00:29:06,120 Speaker 1: he said, I'm just mimicking. Uh, he say, wants to 531 00:29:06,160 --> 00:29:10,440 Speaker 1: look like the music. Yeah, yeah, exactly. That makes sense man. 532 00:29:11,440 --> 00:29:15,520 Speaker 1: You know, um, I don't know. It's it's it's entertainment man. 533 00:29:15,560 --> 00:29:17,320 Speaker 1: It's just really like all for fun. Like I said, 534 00:29:17,320 --> 00:29:19,320 Speaker 1: if you gotta na man, you definitely should go for it, 535 00:29:20,080 --> 00:29:21,280 Speaker 1: you know. I mean, like I I didn't think it 536 00:29:21,280 --> 00:29:22,720 Speaker 1: would have spoke to me in that way if if 537 00:29:22,720 --> 00:29:24,360 Speaker 1: it didn't feel natural to me like I mean, like 538 00:29:24,400 --> 00:29:25,920 Speaker 1: it would it would have never spoke to me. But 539 00:29:26,320 --> 00:29:30,000 Speaker 1: you say, it's entertained. But Goody Mob's material was very 540 00:29:30,080 --> 00:29:33,840 Speaker 1: serious about like, yeah, we're talking to things that today 541 00:29:34,000 --> 00:29:38,520 Speaker 1: on Donald Trump's eerra we could relate back to to 542 00:29:38,720 --> 00:29:42,360 Speaker 1: that album. No, you're right, You're right, so first album. Yeah, definitely, 543 00:29:42,560 --> 00:29:44,640 Speaker 1: Like because I was about to say that, you know, 544 00:29:44,800 --> 00:29:47,200 Speaker 1: as a crew, as a large collective, we and and 545 00:29:47,480 --> 00:29:49,480 Speaker 1: coming from what we were coming from, feeling the biased 546 00:29:49,880 --> 00:29:52,400 Speaker 1: you know what I'm saying. Uh, you know I've said 547 00:29:52,440 --> 00:29:54,040 Speaker 1: this on a number of occasions too, of where we 548 00:29:54,120 --> 00:29:57,720 Speaker 1: wanted to distinguish the difference between being Southern and being country. 549 00:29:58,360 --> 00:30:01,640 Speaker 1: You know, like we took country is condescending, you know 550 00:30:01,640 --> 00:30:03,920 Speaker 1: what I'm saying, Like, so like it was, but in 551 00:30:04,200 --> 00:30:06,520 Speaker 1: terms of social politics as well, I mean like we 552 00:30:06,720 --> 00:30:08,720 Speaker 1: felt like we wanted to be counted. We felt like 553 00:30:08,800 --> 00:30:10,880 Speaker 1: we were fighting for the civil rights of southern hip 554 00:30:10,880 --> 00:30:13,480 Speaker 1: hop as well. That's why the narrative was what it was. 555 00:30:14,000 --> 00:30:16,920 Speaker 1: But you know, we but the fashion statement is to 556 00:30:17,440 --> 00:30:19,880 Speaker 1: to flaut them sling, like you know what I mean, Like, uh, 557 00:30:20,040 --> 00:30:22,320 Speaker 1: you know, it's almost it's like it's a dad if 558 00:30:22,360 --> 00:30:25,040 Speaker 1: you will. I mean, I like to consider it is 559 00:30:25,160 --> 00:30:27,080 Speaker 1: that because like you know, like you know, we were 560 00:30:27,160 --> 00:30:29,360 Speaker 1: hands on as well. All of that you feel me, 561 00:30:30,320 --> 00:30:35,680 Speaker 1: So let's describe, Um, you're part of goody Mall. It's uh, 562 00:30:36,560 --> 00:30:48,400 Speaker 1: guys are because I don't know. There's so many shows 563 00:30:48,480 --> 00:30:52,120 Speaker 1: where people they want to give people their flowers after 564 00:30:52,200 --> 00:30:55,720 Speaker 1: they they can't smother. We want to give all people. 565 00:30:56,240 --> 00:30:59,120 Speaker 1: There should be no way shapeful fashion. And I can't 566 00:30:59,160 --> 00:31:01,120 Speaker 1: tell you how much I appreciate you to your face. 567 00:31:01,360 --> 00:31:04,160 Speaker 1: Thank you. Bro. Let's say, bro, we're a fan. We'd 568 00:31:04,160 --> 00:31:06,280 Speaker 1: be a fan of youth at all. Seventeen of your 569 00:31:06,320 --> 00:31:11,040 Speaker 1: career is like at Jamaican we are we are part 570 00:31:11,120 --> 00:31:13,560 Speaker 1: of you. We we support you whether you're there or 571 00:31:13,640 --> 00:31:16,400 Speaker 1: you're not. When you're not around, we speak about you 572 00:31:16,560 --> 00:31:18,640 Speaker 1: highly and we want you to know to your face 573 00:31:18,760 --> 00:31:21,080 Speaker 1: that you're a legend. We meet so much to hip 574 00:31:21,120 --> 00:31:22,520 Speaker 1: hop and we want to tell you to your face. 575 00:31:22,720 --> 00:31:25,360 Speaker 1: I just saw a little it's that water bella rock, 576 00:31:25,800 --> 00:31:32,280 Speaker 1: you know what I'm saying. At So I gonna immediately 577 00:31:32,320 --> 00:31:34,320 Speaker 1: want another one. I'm just gonna throw it. You didn't 578 00:31:34,320 --> 00:31:38,640 Speaker 1: relax immediately want another, so it goes down. It did 579 00:31:38,720 --> 00:31:41,160 Speaker 1: definitely did hit me a little bit later. Okay, So 580 00:31:42,120 --> 00:31:45,440 Speaker 1: it comes to time where you're saying not leave GOODIEMM, 581 00:31:45,840 --> 00:31:48,760 Speaker 1: but you want to step outside. I think you're always 582 00:31:48,800 --> 00:31:53,320 Speaker 1: good him mob though it's y'all can do your different things, 583 00:31:53,360 --> 00:31:55,520 Speaker 1: but you always good h mob. Man. We we just 584 00:31:55,680 --> 00:31:58,640 Speaker 1: got off to right. Yeah, we've been to You can 585 00:31:58,720 --> 00:32:02,800 Speaker 1: describe that moment when you like, because it comes to 586 00:32:02,840 --> 00:32:04,480 Speaker 1: time when you have to step out on your own 587 00:32:05,000 --> 00:32:07,479 Speaker 1: and you and obviously you wanted to do that. Obviously 588 00:32:07,520 --> 00:32:11,400 Speaker 1: the music industry pulled you towards doing that, So so 589 00:32:11,560 --> 00:32:14,800 Speaker 1: can we describe that moment for the people that don't know. Yeah, 590 00:32:14,840 --> 00:32:17,000 Speaker 1: we was gonna we was just having um, sorry to 591 00:32:17,040 --> 00:32:19,080 Speaker 1: cut you off because people from New York we started 592 00:32:19,120 --> 00:32:21,160 Speaker 1: looked at that and see you by yourself at times 593 00:32:21,240 --> 00:32:23,480 Speaker 1: like oh we thought of a describancy. We thought it 594 00:32:23,560 --> 00:32:25,360 Speaker 1: was something that happened, you know what I'm saying. So 595 00:32:25,520 --> 00:32:29,400 Speaker 1: I probably I'm gonna cut you off as a precursor. 596 00:32:30,000 --> 00:32:32,719 Speaker 1: I feel like you what you did with Nols Barkley 597 00:32:32,800 --> 00:32:35,360 Speaker 1: is a precursor to Run the Jewels and everything that 598 00:32:35,840 --> 00:32:40,720 Speaker 1: came after that. Agree, And so sorry, um no, um, 599 00:32:41,080 --> 00:32:43,680 Speaker 1: let's see kind of can I recall it like it 600 00:32:43,840 --> 00:32:48,880 Speaker 1: was just a real simple, uh difference of professional opinion. 601 00:32:48,960 --> 00:32:51,400 Speaker 1: And I'm saying like and and musical taste at that 602 00:32:51,560 --> 00:32:54,800 Speaker 1: point after we had you know, been very fortunate to 603 00:32:54,880 --> 00:32:57,360 Speaker 1: have three consecutive gold records, you know, just like you 604 00:32:57,400 --> 00:32:59,800 Speaker 1: know the last one. You know, we were really at 605 00:32:59,840 --> 00:33:02,440 Speaker 1: all it's been creatively, you know what I'm saying. And 606 00:33:03,240 --> 00:33:05,320 Speaker 1: you know, I was just kind of getting you know, 607 00:33:05,760 --> 00:33:08,240 Speaker 1: a little you know, impatient. I think, you know, I'm saying, 608 00:33:08,240 --> 00:33:10,520 Speaker 1: you feel me like I felt like I had something 609 00:33:10,600 --> 00:33:12,680 Speaker 1: else that I was capable of, and I mean like, 610 00:33:13,040 --> 00:33:14,760 Speaker 1: but I needed to commit to it. I needed an 611 00:33:14,760 --> 00:33:17,480 Speaker 1: opportunity to and I needed to support dooring. So you 612 00:33:17,560 --> 00:33:20,040 Speaker 1: know what I'm saying, that's what I expected. I didn't 613 00:33:20,080 --> 00:33:21,920 Speaker 1: realize that that, you know, like it would you know, 614 00:33:22,520 --> 00:33:25,000 Speaker 1: be any kind of discord and I'm sort of disconnect. 615 00:33:25,040 --> 00:33:28,200 Speaker 1: I just thought it would be a testament to our elasticity, 616 00:33:28,560 --> 00:33:30,600 Speaker 1: show how far we could stretch. It's a big word 617 00:33:30,640 --> 00:33:33,840 Speaker 1: with the Bok saying at least I've got to use that. 618 00:33:33,880 --> 00:33:38,400 Speaker 1: I don't even know what it means, but I'm no elasticity. 619 00:33:38,720 --> 00:33:44,680 Speaker 1: I'm gonna show I won't get somebody because I lasted. 620 00:33:54,200 --> 00:33:57,000 Speaker 1: But so I'm basically saying that to say it really 621 00:33:57,160 --> 00:33:58,960 Speaker 1: wasn't sufference like you know what I mean, Like it 622 00:33:59,080 --> 00:34:03,080 Speaker 1: was just stretched, you know what I mean? And and 623 00:34:03,160 --> 00:34:06,280 Speaker 1: then then you have to see the album, so absolutely, 624 00:34:06,360 --> 00:34:09,520 Speaker 1: and then you know there's growing pain you feel me? Now, 625 00:34:09,800 --> 00:34:13,920 Speaker 1: was there like discripancies on that, like because when you 626 00:34:14,000 --> 00:34:15,880 Speaker 1: did this so album wasn't still on the face or 627 00:34:16,080 --> 00:34:19,640 Speaker 1: was it? Yeah, what happened on the on the paper side, 628 00:34:19,760 --> 00:34:23,319 Speaker 1: on the label side, Um yeah we me and get 629 00:34:23,360 --> 00:34:26,960 Speaker 1: paid both gotten solo deals with the face. Yeah. Well 630 00:34:27,000 --> 00:34:28,960 Speaker 1: actually as a matter of fact, it was when l 631 00:34:29,000 --> 00:34:31,200 Speaker 1: A read What's Up shout out to the Gulf for 632 00:34:31,400 --> 00:34:37,160 Speaker 1: the l all on Um, I think he was just 633 00:34:37,360 --> 00:34:41,640 Speaker 1: making that that that transition over to ANSTA. So you know, 634 00:34:42,200 --> 00:34:44,000 Speaker 1: norm of Jackson was coming more from the grid, so 635 00:34:44,040 --> 00:34:47,080 Speaker 1: which is cool. Join Timo and they wanted to do independently, 636 00:34:47,160 --> 00:34:48,759 Speaker 1: so that was their decision. Hey we just want to 637 00:34:48,760 --> 00:34:52,960 Speaker 1: go independent, you know, Um, you know, gives a motherfucking 638 00:34:53,040 --> 00:34:54,320 Speaker 1: rock star and know what I'm saying, like you know, 639 00:34:54,520 --> 00:34:57,120 Speaker 1: and um, you know he they he definitely had a 640 00:34:57,160 --> 00:34:58,920 Speaker 1: shot because if you think about it, black, I just 641 00:34:59,000 --> 00:35:02,719 Speaker 1: want to buy a bigger single like without without Dre 642 00:35:02,920 --> 00:35:05,080 Speaker 1: and being on it. It's a it's a gift solo song. 643 00:35:05,440 --> 00:35:07,719 Speaker 1: My soul was dirty South without cool breeze on it. 644 00:35:08,080 --> 00:35:10,000 Speaker 1: So everybody was always geared up for Gift to be 645 00:35:10,120 --> 00:35:12,800 Speaker 1: you know, like you know, like you know, like a 646 00:35:12,880 --> 00:35:15,720 Speaker 1: big star, big deal you feel me and represent the Dungeon. 647 00:35:16,320 --> 00:35:18,359 Speaker 1: So with that, I mean like he got a solo shot. 648 00:35:18,560 --> 00:35:20,560 Speaker 1: You know, I think I was the last to really 649 00:35:20,680 --> 00:35:24,880 Speaker 1: kind of blossom at least. But I'm just I don't know, 650 00:35:24,960 --> 00:35:27,920 Speaker 1: I'm I'm modest in that. But but but did you like? 651 00:35:28,000 --> 00:35:30,320 Speaker 1: Because you know, because sometimes you know, when you go 652 00:35:30,520 --> 00:35:33,960 Speaker 1: do that, you know that other move and it's successful 653 00:35:34,000 --> 00:35:38,080 Speaker 1: for you, you look as if you like this your brother? 654 00:35:39,440 --> 00:35:41,839 Speaker 1: Are you leaving it? Like? Did you ever like? Because 655 00:35:41,920 --> 00:35:44,080 Speaker 1: because a lot of people, like for instance, with me, 656 00:35:44,760 --> 00:35:46,759 Speaker 1: a lot of people didn't realize Capon was locked up 657 00:35:46,760 --> 00:35:49,440 Speaker 1: when I started my solo thing, So there was so 658 00:35:49,600 --> 00:35:52,520 Speaker 1: many rumors saying, oh, you know, Nori went and he 659 00:35:52,600 --> 00:35:54,919 Speaker 1: did because so many people didn't have Internet, people didn't 660 00:35:55,040 --> 00:35:58,880 Speaker 1: identify that my partner was literally in jail, so to 661 00:35:59,040 --> 00:36:02,200 Speaker 1: the masses, it looked like people in the area. And 662 00:36:02,320 --> 00:36:04,160 Speaker 1: then I got greedy and then I went on home. 663 00:36:04,200 --> 00:36:07,479 Speaker 1: Did you ever see I went through it big time? 664 00:36:07,719 --> 00:36:11,439 Speaker 1: You know what I'm saying? But um, it was really 665 00:36:11,640 --> 00:36:14,880 Speaker 1: all agreeable. Let me like, you know, like initially you 666 00:36:14,920 --> 00:36:16,719 Speaker 1: know what I'm saying, But then the reality does set 667 00:36:16,800 --> 00:36:18,840 Speaker 1: in and you get you know, to a point of 668 00:36:18,880 --> 00:36:20,759 Speaker 1: where you're supplying to the man. You can't be two 669 00:36:20,800 --> 00:36:22,880 Speaker 1: places at one time, you know what I'm saying. So 670 00:36:23,200 --> 00:36:26,120 Speaker 1: scheduling was conflicting. I'm saying like we were having some success, 671 00:36:26,480 --> 00:36:29,319 Speaker 1: you know, and we would have some having some defaulted, 672 00:36:29,520 --> 00:36:31,400 Speaker 1: you know what I mean, like you know kind of 673 00:36:31,760 --> 00:36:34,920 Speaker 1: you know, you know, ill ill kind of energy and 674 00:36:34,960 --> 00:36:36,399 Speaker 1: I mean like you know, and it was just something 675 00:36:36,400 --> 00:36:39,000 Speaker 1: that circumstantial. I don't think it was intentional on nobody part. 676 00:36:39,080 --> 00:36:41,640 Speaker 1: I'm saying, you feel me, But yeah, we went through it. 677 00:36:41,719 --> 00:36:44,640 Speaker 1: We went through it definitely, you know. And I mean 678 00:36:44,719 --> 00:36:48,760 Speaker 1: I went on to to to you know, to share 679 00:36:48,800 --> 00:36:50,520 Speaker 1: in the success. What I'm saying, you feel me like 680 00:36:50,600 --> 00:36:51,920 Speaker 1: you know what I mean, Like when I was doing 681 00:36:53,560 --> 00:36:57,400 Speaker 1: a whole different crowd, like, yeah, the Danger Amounts project, 682 00:36:58,719 --> 00:37:00,800 Speaker 1: Like how does that happen? Does that happened? It's just 683 00:37:01,040 --> 00:37:06,040 Speaker 1: people are saving PEP we're talking about I was gonna 684 00:37:06,040 --> 00:37:11,960 Speaker 1: see those first. People don't know that Danger Mouse is 685 00:37:12,040 --> 00:37:15,439 Speaker 1: from Atlanta, Okay, I didn't even know, yeah, And I'm saying, 686 00:37:15,480 --> 00:37:17,200 Speaker 1: like people thought that he was some kids I found 687 00:37:17,239 --> 00:37:20,879 Speaker 1: overseas or something like that, you know, but that wasn't 688 00:37:20,920 --> 00:37:23,920 Speaker 1: the case. And I mean, like you know, we did 689 00:37:24,000 --> 00:37:25,839 Speaker 1: we bumped into each other. If this is I'm trying 690 00:37:25,840 --> 00:37:29,920 Speaker 1: to make this story short, you know. So look, we 691 00:37:30,120 --> 00:37:37,320 Speaker 1: was doing we don't mind, because we was doing the 692 00:37:37,360 --> 00:37:40,640 Speaker 1: outcast video showing you g a you know, in Athens, Georgia. 693 00:37:40,800 --> 00:37:43,480 Speaker 1: So um, it was pouring down and I remember this 694 00:37:43,600 --> 00:37:46,480 Speaker 1: day and he had on a hoodie and he gave 695 00:37:46,560 --> 00:37:48,560 Speaker 1: me a CD. The CD was called Pelican City, and 696 00:37:48,560 --> 00:37:50,279 Speaker 1: I'm just referencing it so people can go back and 697 00:37:50,360 --> 00:37:52,239 Speaker 1: do the knowledge, you know, then check it out. When 698 00:37:52,239 --> 00:37:54,520 Speaker 1: I'm saying, you feel me so, but I really didn't 699 00:37:54,520 --> 00:37:56,719 Speaker 1: pay any attention. There was another homeboy in my name, 700 00:37:56,760 --> 00:37:59,719 Speaker 1: Trick from Appens, whose you know, parents had done well. 701 00:37:59,760 --> 00:38:02,120 Speaker 1: He's this oil kid. He wanted to get into you know, 702 00:38:02,320 --> 00:38:05,360 Speaker 1: uh promoting, uh, you know, the hip hop shows. That 703 00:38:05,520 --> 00:38:07,520 Speaker 1: was his first show. And so he brought me back 704 00:38:07,560 --> 00:38:10,160 Speaker 1: down to actors and he actually reintroduced me to Danger. 705 00:38:11,200 --> 00:38:13,680 Speaker 1: So Danger was working on another project with a kid 706 00:38:13,760 --> 00:38:15,840 Speaker 1: named Jim and I called Dames Mess and Jim and I. 707 00:38:16,200 --> 00:38:18,399 Speaker 1: So he said, look, we got in the studio one day. 708 00:38:18,400 --> 00:38:21,719 Speaker 1: He said, yeah, um, do do I want you to 709 00:38:21,800 --> 00:38:24,080 Speaker 1: do on you know, on this remix for us? So 710 00:38:24,200 --> 00:38:25,960 Speaker 1: I did the remix and we did the sessions, like 711 00:38:26,040 --> 00:38:28,279 Speaker 1: all right. He said like, yo, do you mind if 712 00:38:28,280 --> 00:38:29,840 Speaker 1: I play you a couple of things? And I was 713 00:38:29,920 --> 00:38:32,200 Speaker 1: like cool. So he played me some. He played me 714 00:38:32,239 --> 00:38:36,200 Speaker 1: this ill ship. So he goes on to play all 715 00:38:36,200 --> 00:38:39,040 Speaker 1: this ill ship that you know, um that big ends 716 00:38:39,080 --> 00:38:41,160 Speaker 1: up becoming sant Uso. But I was just taken by 717 00:38:41,200 --> 00:38:43,239 Speaker 1: it and spoke to me in a real way and 718 00:38:43,320 --> 00:38:45,399 Speaker 1: I was like, oh shoot, I said this is I said, 719 00:38:45,480 --> 00:38:47,800 Speaker 1: this is different. I said, like, yo, I want to 720 00:38:47,880 --> 00:38:49,560 Speaker 1: use a couple of days let me do you know, 721 00:38:50,000 --> 00:38:52,640 Speaker 1: then years later I will find out in an interview 722 00:38:52,680 --> 00:38:54,920 Speaker 1: that we're having that. He said that he was bluffing me. 723 00:38:55,040 --> 00:38:57,400 Speaker 1: But what he told me was he said, well I 724 00:38:57,480 --> 00:39:02,160 Speaker 1: don't normally do you know, just you know, track I 725 00:39:02,239 --> 00:39:05,680 Speaker 1: do albums. You know That's what he said. I said, motherfucker, 726 00:39:05,760 --> 00:39:07,560 Speaker 1: let's do an album. You know what I'm saying Like that, 727 00:39:07,640 --> 00:39:09,360 Speaker 1: That's where it came from. So you know, we just 728 00:39:09,440 --> 00:39:11,759 Speaker 1: went in the pocket. So it was completely independent. This 729 00:39:11,920 --> 00:39:14,440 Speaker 1: record crazy just great. I would say Crazy was independent, 730 00:39:14,600 --> 00:39:23,680 Speaker 1: was independent, but Atlanta right, crazy was independent. Get the 731 00:39:23,800 --> 00:39:26,120 Speaker 1: funk out of here. That's what I'm gonna tell you quick. 732 00:39:26,160 --> 00:39:30,360 Speaker 1: It went to Atlanta, right eventually Atlantic, Atlanta, Atlanta, Atlantic? 733 00:39:32,160 --> 00:39:36,560 Speaker 1: What are you drinking? Atlanta? But I'm gonna tell you 734 00:39:36,640 --> 00:39:40,680 Speaker 1: what a good yea before you go. It was Atlantic. 735 00:39:40,920 --> 00:39:44,200 Speaker 1: It's absolutely before my drunkenness. So I went to Sam 736 00:39:44,280 --> 00:39:47,239 Speaker 1: Crestal's office one day. I was saying, park in the 737 00:39:47,280 --> 00:39:50,280 Speaker 1: bed on the board. They had records that they were promoting, 738 00:39:51,000 --> 00:39:53,800 Speaker 1: and it was Nag's barking was like, oh, Ship, and 739 00:39:53,880 --> 00:39:55,520 Speaker 1: that's how I knew it was. This is already upstream, 740 00:39:55,520 --> 00:39:56,880 Speaker 1: and I'm like, this is crazy. It's gonna be a 741 00:39:56,920 --> 00:39:59,120 Speaker 1: crazy record. Okay. First of all, I'm dyslexic, so this 742 00:39:59,280 --> 00:40:05,360 Speaker 1: is Janal Parkley or no. But that genus signal yournal 743 00:40:06,440 --> 00:40:09,600 Speaker 1: you're covering listen, and that g is solid. It's just 744 00:40:09,719 --> 00:40:15,600 Speaker 1: gnarls like atsu it could be for you, jennaral Best. 745 00:40:15,640 --> 00:40:26,000 Speaker 1: I'm just texting, I see ship different. You ain't telling 746 00:40:26,040 --> 00:40:29,440 Speaker 1: me all these years, I see a g if yous 747 00:40:29,480 --> 00:40:34,239 Speaker 1: all these years, I think it's I was serious right 748 00:40:34,280 --> 00:40:40,040 Speaker 1: now yeah, definitely ain't jump to anybody texts each other 749 00:40:40,080 --> 00:40:42,600 Speaker 1: to do text and I was let involved. You know, 750 00:40:42,880 --> 00:40:46,600 Speaker 1: Park is another group from twe okay, ba back Okay. 751 00:40:47,120 --> 00:40:50,800 Speaker 1: So now how like, like you said, I'd like to 752 00:40:50,840 --> 00:40:52,799 Speaker 1: do what you said to run the Jews thing, because 753 00:40:52,840 --> 00:40:56,200 Speaker 1: the thing about it was it frum to a totally 754 00:40:56,280 --> 00:41:00,440 Speaker 1: different audience, right although Outcast was was a different audience 755 00:41:00,440 --> 00:41:04,280 Speaker 1: as well. How different was this audience when when when 756 00:41:04,320 --> 00:41:13,360 Speaker 1: we did the halls Barley right, man, you like, I 757 00:41:13,360 --> 00:41:19,520 Speaker 1: don't know, I'm sorry, okay, So how different was that? 758 00:41:19,760 --> 00:41:26,040 Speaker 1: It was super different? Man? Um we got in and 759 00:41:28,480 --> 00:41:32,320 Speaker 1: about four out of the six or seven things that 760 00:41:32,320 --> 00:41:34,520 Speaker 1: he played end up making the album. So he came 761 00:41:34,560 --> 00:41:37,560 Speaker 1: to Atlanta. Um, he had done this this mixtape called 762 00:41:37,680 --> 00:41:41,759 Speaker 1: um uh the White Album, I mean the great jay 763 00:41:41,800 --> 00:41:48,080 Speaker 1: Z collaborations drunk shirts that the Beatles and jay Z 764 00:41:48,280 --> 00:41:51,120 Speaker 1: mixed together. So he killed he just he just gave 765 00:41:51,160 --> 00:41:53,439 Speaker 1: me one because they were and they ha't even become 766 00:41:53,440 --> 00:41:55,640 Speaker 1: a sensation at that point. So I don't really know 767 00:41:55,680 --> 00:41:57,120 Speaker 1: what the makeup and but it was dope when I 768 00:41:57,200 --> 00:41:59,520 Speaker 1: heard but the when she just blew up right, So 769 00:41:59,640 --> 00:42:01,960 Speaker 1: at this time I wasn't I was displaced almost even 770 00:42:02,000 --> 00:42:05,160 Speaker 1: know no label. I mean, like you know, um, And 771 00:42:05,840 --> 00:42:07,960 Speaker 1: at this time I wrote and produced Don't You at 772 00:42:08,000 --> 00:42:10,480 Speaker 1: the same time too, don't You for the Pussycat Dolls. 773 00:42:11,280 --> 00:42:20,399 Speaker 1: Did you know that? I'm sorry, I'm just counting your money. 774 00:42:20,440 --> 00:42:22,440 Speaker 1: See as that was that was that was dope. That 775 00:42:22,520 --> 00:42:26,040 Speaker 1: was dope, right, So the stars just aligned. So well, 776 00:42:26,200 --> 00:42:29,200 Speaker 1: man like this fucking Then he said, I got a week. 777 00:42:29,280 --> 00:42:31,319 Speaker 1: He said, I gotta go out to Iceland with Damon 778 00:42:31,400 --> 00:42:35,040 Speaker 1: Alburns from the Gorillas and work on this new record. 779 00:42:35,040 --> 00:42:37,360 Speaker 1: I'm gonna I'm gonna bring it all down. So he'said, 780 00:42:37,360 --> 00:42:39,120 Speaker 1: I got a weak Let's just try something. Let's get in, 781 00:42:39,160 --> 00:42:41,960 Speaker 1: he said. But yeoh, but first you're talking to me. 782 00:42:42,400 --> 00:42:44,000 Speaker 1: I'm not gonna lie. As soon as he said Iceland 783 00:42:44,000 --> 00:42:47,719 Speaker 1: and immediately got cold, he said, yo, he said, UM, 784 00:42:50,080 --> 00:42:52,120 Speaker 1: I know you. Of course I thank you. I'm saying 785 00:42:52,160 --> 00:42:55,880 Speaker 1: like you know, um, I like most of the your 786 00:42:55,960 --> 00:42:59,800 Speaker 1: music that you do. Most this ain't talking you know what, 787 00:43:00,040 --> 00:43:03,360 Speaker 1: this sow the good, it's all it's dope. I like 788 00:43:03,480 --> 00:43:05,960 Speaker 1: most of your music, he said, But I noticed see 789 00:43:05,960 --> 00:43:08,279 Speaker 1: your music that there's a thing that runs throughout it, 790 00:43:08,440 --> 00:43:10,520 Speaker 1: and you seem to one of you know, trying to 791 00:43:10,600 --> 00:43:12,200 Speaker 1: do It's a lot of good, he said, you have 792 00:43:12,239 --> 00:43:14,640 Speaker 1: a lot of good things to say, but always positive. 793 00:43:14,680 --> 00:43:16,640 Speaker 1: He's said, he's get that. I like that, he said, 794 00:43:16,640 --> 00:43:20,120 Speaker 1: but I figure anybody's got that much, you know, has 795 00:43:20,160 --> 00:43:22,040 Speaker 1: got that much it is trying to do that much good. 796 00:43:22,080 --> 00:43:24,560 Speaker 1: This guy has done an equal amount of bad. He said, 797 00:43:24,640 --> 00:43:26,160 Speaker 1: that's what I want to hear and know what I'm saying. 798 00:43:26,520 --> 00:43:31,400 Speaker 1: And I was like, oh, ship and he did no. 799 00:43:31,640 --> 00:43:34,360 Speaker 1: So like basically the making ood story, I spans on 800 00:43:34,440 --> 00:43:36,520 Speaker 1: that ship. I spans on it, you know what I mean, 801 00:43:36,600 --> 00:43:38,400 Speaker 1: like the music that spoke to me that kind of way. 802 00:43:38,400 --> 00:43:41,160 Speaker 1: So anyway, the first record you have a quarter is crazy. 803 00:43:42,200 --> 00:43:45,120 Speaker 1: We did about We did about five or six whole 804 00:43:45,200 --> 00:43:49,200 Speaker 1: albums a classic and you know, nobody so praise he 805 00:43:49,239 --> 00:43:50,920 Speaker 1: has done in just one take. We just demo on it. 806 00:43:50,960 --> 00:43:52,680 Speaker 1: But what two he is? That is it would be 807 00:43:52,800 --> 00:43:55,160 Speaker 1: considered a demo, but we just flew that way because 808 00:43:55,200 --> 00:43:58,360 Speaker 1: he got leaked hold time trying to be modest. No 809 00:43:58,600 --> 00:44:02,440 Speaker 1: I'm serious, I'm come brack for you. But just say 810 00:44:02,480 --> 00:44:14,239 Speaker 1: you recording that in one tape? Yeah? About down? Alright, alright, alright, 811 00:44:14,320 --> 00:44:16,520 Speaker 1: you know what you know what for the last couple 812 00:44:16,520 --> 00:44:19,479 Speaker 1: of episodes, we've been doing the watermelon because the types 813 00:44:19,480 --> 00:44:22,239 Speaker 1: of being girls, right, we had and don't blame it 814 00:44:22,320 --> 00:44:23,920 Speaker 1: on the girls. Yeah, I didn't want to give it. 815 00:44:24,000 --> 00:44:27,680 Speaker 1: Angie Martina is a type. Yeah. Man, the new bottle 816 00:44:27,719 --> 00:44:31,040 Speaker 1: of tack ball. Yeah, it's not there, all right, So 817 00:44:31,760 --> 00:44:34,080 Speaker 1: what are we gonna do it? All right? You gotta 818 00:44:34,120 --> 00:44:40,359 Speaker 1: know for gotten for us right now asking the question man, question, man, 819 00:44:40,480 --> 00:44:43,480 Speaker 1: I want to salute you right now. What question you answering? 820 00:44:43,480 --> 00:44:46,480 Speaker 1: I'm sorry, you know, we just said that, um, he 821 00:44:46,600 --> 00:44:49,240 Speaker 1: was tripping off. It was just independent. No, that was crazy. 822 00:44:49,360 --> 00:44:51,920 Speaker 1: The one take is he was one and and and 823 00:44:52,040 --> 00:44:55,480 Speaker 1: the independent is both blown me my river because people 824 00:44:55,480 --> 00:44:57,120 Speaker 1: asked us after the fact that said that, John know 825 00:44:57,200 --> 00:44:59,640 Speaker 1: crazy was gonna end up you know what it becoming 826 00:44:59,640 --> 00:45:01,120 Speaker 1: what it us? He was like, No, he's the only 827 00:45:01,160 --> 00:45:03,719 Speaker 1: thing I knew as the producer was it sounded more 828 00:45:03,880 --> 00:45:06,640 Speaker 1: like a single than anything else that we had done prior. 829 00:45:06,760 --> 00:45:08,319 Speaker 1: So you knew that was a single when you did 830 00:45:08,400 --> 00:45:09,719 Speaker 1: the record. That's what he was saying. He just said 831 00:45:09,760 --> 00:45:12,799 Speaker 1: it sounded like a single. You know, he didn't really that, Yeah, 832 00:45:12,960 --> 00:45:15,000 Speaker 1: that's what he was telling The interview This was after 833 00:45:15,040 --> 00:45:17,160 Speaker 1: the fact. But did you know that? No, I didn't. 834 00:45:17,800 --> 00:45:22,719 Speaker 1: You didn't think so no, wow, we just you know, 835 00:45:23,000 --> 00:45:26,360 Speaker 1: I shot to shot extent that we're just busting off shots. 836 00:45:28,480 --> 00:45:32,200 Speaker 1: Just shot busting off shot. This is uh. I'm gonna 837 00:45:32,239 --> 00:45:34,200 Speaker 1: fully warn you relaxed. But you didn't. You gave me 838 00:45:34,280 --> 00:45:36,120 Speaker 1: way too much. No, No, it's okay. You give me 839 00:45:36,160 --> 00:45:42,080 Speaker 1: some more. Yeah, ain't even more. That's where we had 840 00:45:42,080 --> 00:45:45,480 Speaker 1: that first about it. The first time was cool. You 841 00:45:45,520 --> 00:45:47,920 Speaker 1: are just type a ball. Yeah, you know this is 842 00:45:48,120 --> 00:45:57,160 Speaker 1: age in my garage. Joe's around antient Cuman secret. Okay, 843 00:45:57,239 --> 00:46:08,480 Speaker 1: once again, sure, this is to your career. So I 844 00:46:08,640 --> 00:46:11,120 Speaker 1: hate that ship. That's good too. It was not that bad. 845 00:46:11,200 --> 00:46:15,360 Speaker 1: It's it's not good man, I like it. Don't stop it. 846 00:46:16,640 --> 00:46:21,320 Speaker 1: Don't perpetuate the lie. He's a drinking It's not a 847 00:46:21,400 --> 00:46:25,160 Speaker 1: drink any man. Just you know, I see him drink 848 00:46:25,160 --> 00:46:28,320 Speaker 1: patron and just stand like I was, like, there's no symptoms, 849 00:46:28,360 --> 00:46:33,439 Speaker 1: it's normal. Fact. You know what he thoughties like that too. Yeah, 850 00:46:33,480 --> 00:46:38,360 Speaker 1: that's what we voted the k okay so um anyway, 851 00:46:38,400 --> 00:46:40,160 Speaker 1: when you said how you got on that land chick okay, 852 00:46:40,480 --> 00:46:44,000 Speaker 1: this ship the record leaks it goes bananas. You know 853 00:46:44,040 --> 00:46:46,800 Speaker 1: what I'm saying. Oh, you didn't plan on dropping an independent, 854 00:46:46,880 --> 00:46:49,799 Speaker 1: elite elite. Oh that's that's a big difference. So look 855 00:46:50,000 --> 00:46:53,279 Speaker 1: then it goes um It's the first record to go 856 00:46:53,840 --> 00:46:57,320 Speaker 1: number one by digital downloads at that time. You feel me. 857 00:46:57,680 --> 00:47:02,200 Speaker 1: So the ship was number one several weeks before we 858 00:47:02,280 --> 00:47:05,359 Speaker 1: did a deal. It was another SoundCloud rappers. It's cool 859 00:47:05,440 --> 00:47:16,560 Speaker 1: to you I had something that actually, this is a 860 00:47:16,640 --> 00:47:20,120 Speaker 1: crazy kind of considered this one of the first viral records. 861 00:47:20,120 --> 00:47:23,880 Speaker 1: This viral I'm not gonna lie to The impact was 862 00:47:23,960 --> 00:47:27,160 Speaker 1: so big that always thought it was amazing from the beginning. 863 00:47:27,440 --> 00:47:29,480 Speaker 1: So you me hearing you say this blowing my mind. 864 00:47:30,400 --> 00:47:32,520 Speaker 1: Got this record has gotta get us World record man 865 00:47:32,600 --> 00:47:36,200 Speaker 1: for being played on more radio formaicine any other song 866 00:47:36,440 --> 00:47:41,920 Speaker 1: in history crazy was played on talk radio. This is 867 00:47:42,040 --> 00:47:46,600 Speaker 1: one more man like you know, like, oh hey, I'm 868 00:47:46,680 --> 00:47:56,120 Speaker 1: somewhere you know, j give you gets some fun. Atlantic 869 00:47:56,160 --> 00:47:59,200 Speaker 1: actually turned down turned down the originally for us in 870 00:47:59,320 --> 00:48:01,279 Speaker 1: Let's Coupe turned us down. A couple of people turned 871 00:48:01,320 --> 00:48:04,319 Speaker 1: it down. Then we ended up getting distribution through through 872 00:48:04,600 --> 00:48:07,000 Speaker 1: a general by the name of Josh Josh Deutsch who 873 00:48:07,120 --> 00:48:13,319 Speaker 1: was starting another independent record called Downtown, which had Santigo. Yeah, 874 00:48:13,320 --> 00:48:15,879 Speaker 1: it's just amazing label in that little shot and every 875 00:48:15,880 --> 00:48:18,120 Speaker 1: amount of time. But he ended up getting his distribution 876 00:48:18,160 --> 00:48:21,319 Speaker 1: through Atlantic, and that's how Atlantic came about. And let 877 00:48:21,360 --> 00:48:24,200 Speaker 1: me explain really quickly, like as a DJ, already had 878 00:48:24,280 --> 00:48:31,400 Speaker 1: the record because he bootlegses ship, but I had a 879 00:48:31,480 --> 00:48:33,799 Speaker 1: marketing I have a marketing company, and I was working 880 00:48:33,840 --> 00:48:36,880 Speaker 1: Atlantic and Sam Crastpo, which I've known, and I went 881 00:48:36,960 --> 00:48:39,719 Speaker 1: to the label and I was so happy to see 882 00:48:39,960 --> 00:48:43,040 Speaker 1: the record I already was working with on the board. 883 00:48:43,320 --> 00:48:45,560 Speaker 1: It was on the board Atlantic. And did you first 884 00:48:45,560 --> 00:48:47,960 Speaker 1: get ahold too? By way the league to I had 885 00:48:48,000 --> 00:48:51,600 Speaker 1: the white label, right, okay, yeah that's the leak. Yeah yeah, 886 00:48:55,920 --> 00:48:58,640 Speaker 1: my company is everything crazy, Like my company's crazy and 887 00:48:58,719 --> 00:49:04,120 Speaker 1: productions and crazy everything. We're talking about your record to us, 888 00:49:05,680 --> 00:49:08,359 Speaker 1: that is a fact. Now it's just like, I mean, 889 00:49:08,719 --> 00:49:10,640 Speaker 1: the ship is dope to look back on him, just 890 00:49:10,680 --> 00:49:12,840 Speaker 1: like wow, what I mean, like I can't really have 891 00:49:12,920 --> 00:49:15,239 Speaker 1: no field kind of well, but I'm blessed and I'm fortunate, man. 892 00:49:15,320 --> 00:49:17,399 Speaker 1: But you know that it wasn't. It wasn't. It wasn't 893 00:49:17,480 --> 00:49:21,840 Speaker 1: by my design, not necessarily. Now recently big Boy performed 894 00:49:21,920 --> 00:49:25,000 Speaker 1: in the Super Bowl, just talked about it, and you 895 00:49:25,200 --> 00:49:28,000 Speaker 1: you you like the friend you are, you stepped up, 896 00:49:28,600 --> 00:49:31,400 Speaker 1: you defended them because of everything that was going on. 897 00:49:31,960 --> 00:49:35,560 Speaker 1: Then you see some backlash. Yeah, so what what what 898 00:49:35,920 --> 00:49:40,080 Speaker 1: was that? Like? Explain and your point of view? What 899 00:49:40,320 --> 00:49:45,040 Speaker 1: was your meaning? Well, the ship got so out of him, man, 900 00:49:45,120 --> 00:49:48,480 Speaker 1: I ended up doing a formal apology on TMZ. But 901 00:49:48,880 --> 00:49:51,560 Speaker 1: what the post was? You know, you know, Big was 902 00:49:51,560 --> 00:49:55,640 Speaker 1: getting a lot of backlash tonight for for supporting the 903 00:49:55,719 --> 00:50:02,480 Speaker 1: Super Bowl. You know what I'm saying, You know, I know, 904 00:50:02,719 --> 00:50:04,359 Speaker 1: I know how it is to be under the gun. 905 00:50:04,480 --> 00:50:05,960 Speaker 1: I'm saying, like I know the pressure. And then you 906 00:50:06,040 --> 00:50:07,520 Speaker 1: know what I'm saying, he was doing it, you know, 907 00:50:07,680 --> 00:50:10,120 Speaker 1: as an individual artist and something like you know which 908 00:50:10,200 --> 00:50:12,879 Speaker 1: is which is a feat? You know what I'm saying. 909 00:50:12,920 --> 00:50:15,360 Speaker 1: In his hometown, a lot of people don't know what's 910 00:50:15,400 --> 00:50:19,400 Speaker 1: going on. Like I mean, like Adam and Big are 911 00:50:19,520 --> 00:50:24,000 Speaker 1: really good friends and business partners from from from five. 912 00:50:24,640 --> 00:50:28,440 Speaker 1: It was it was his pleasure. And I'm saying, like, 913 00:50:28,520 --> 00:50:32,359 Speaker 1: you know, you know too allow. You know what I'm saying, 914 00:50:32,400 --> 00:50:33,960 Speaker 1: like you I mean like us to be represented and 915 00:50:34,000 --> 00:50:35,600 Speaker 1: I mean, like you know, like somebody from the city 916 00:50:35,719 --> 00:50:37,920 Speaker 1: should have represented in that in that time slot, one 917 00:50:37,960 --> 00:50:42,880 Speaker 1: of the most called six minutes of six minutes time. 918 00:50:43,280 --> 00:50:45,160 Speaker 1: Motherfucker's say, right, you know what I'm saying, So like 919 00:50:45,239 --> 00:50:48,600 Speaker 1: he got to do that. So anyway, um, just as 920 00:50:48,640 --> 00:50:50,440 Speaker 1: a friend, I'm like, damn, I'm feeling his pressure. But 921 00:50:50,520 --> 00:50:53,360 Speaker 1: then I'm feeling encouraged, you know what i mean, Like, 922 00:50:53,440 --> 00:50:55,160 Speaker 1: you know, because I'm looking at him, like when I 923 00:50:55,200 --> 00:50:58,760 Speaker 1: see him, I see me, I see us, and I'm like, damn, 924 00:50:59,160 --> 00:51:01,000 Speaker 1: you know what I'm saying, and me like this is 925 00:51:01,280 --> 00:51:03,400 Speaker 1: this is super relevant, you know. I mean, like we 926 00:51:03,480 --> 00:51:05,279 Speaker 1: were right in the eye of the storm, and I 927 00:51:05,400 --> 00:51:07,000 Speaker 1: was like letting him know. I needed to let him 928 00:51:07,040 --> 00:51:09,360 Speaker 1: know in a real public you know, like wait, and 929 00:51:09,440 --> 00:51:11,600 Speaker 1: I'm saying like that I loved him and I supported him, 930 00:51:11,880 --> 00:51:14,440 Speaker 1: and like and like, don't crumble under the pressure, you 931 00:51:14,520 --> 00:51:16,680 Speaker 1: know what I'm saying, Like, because I know there's something 932 00:51:16,800 --> 00:51:18,879 Speaker 1: like a part of the talent is making it look 933 00:51:18,920 --> 00:51:22,560 Speaker 1: easy as it does. Like you know, ship she could 934 00:51:22,600 --> 00:51:24,879 Speaker 1: that she could be she could be demanding. You don't 935 00:51:24,920 --> 00:51:26,759 Speaker 1: say you feel me taxing, you know what I'm saying. 936 00:51:26,840 --> 00:51:29,440 Speaker 1: So that's what it was, and that's that's why it's 937 00:51:29,440 --> 00:51:31,400 Speaker 1: a tone that come along with my explanation because that's 938 00:51:31,440 --> 00:51:33,440 Speaker 1: how I felt. But the light side of it is 939 00:51:33,520 --> 00:51:37,040 Speaker 1: we wash motherfucking taco mac in Atlanta, a little a 940 00:51:37,040 --> 00:51:40,200 Speaker 1: little joint that's got the dope chicken wings and a 941 00:51:40,280 --> 00:51:43,160 Speaker 1: little figuring of ball foods, and we're watching the game. 942 00:51:43,640 --> 00:51:45,759 Speaker 1: You know, I'm drinking some blue moons. We having fun 943 00:51:45,800 --> 00:51:48,200 Speaker 1: on with my wife. We having fun. You know what 944 00:51:48,239 --> 00:51:50,640 Speaker 1: I'm saying. You know what I mean. It's up Queen Shaney. 945 00:51:51,280 --> 00:51:54,719 Speaker 1: Al right, So and I just do it. And I'm saying, like, like, yo, 946 00:51:55,280 --> 00:51:57,640 Speaker 1: big do that ship you a little baby? You look 947 00:51:57,680 --> 00:52:01,040 Speaker 1: you look beautiful. Baby. Fuck these protesters and what I said, 948 00:52:01,600 --> 00:52:04,360 Speaker 1: these so called protesters, you know what I'm saying. So 949 00:52:04,520 --> 00:52:06,719 Speaker 1: you know they took it in a whole difference. Dad, 950 00:52:06,880 --> 00:52:11,160 Speaker 1: I'm like, Yo, you gotta know that it's it does 951 00:52:11,400 --> 00:52:14,720 Speaker 1: nothing have nothing to do with my Twitter is policeity. 952 00:52:14,840 --> 00:52:17,719 Speaker 1: I know that's not what you mean. I know I 953 00:52:17,800 --> 00:52:20,000 Speaker 1: knew exactly. And sometimes when I say things, I'm thinking 954 00:52:20,040 --> 00:52:21,600 Speaker 1: people knowing me from all of the history and all 955 00:52:21,640 --> 00:52:25,160 Speaker 1: of the what we put in. But then take I 956 00:52:25,239 --> 00:52:30,120 Speaker 1: think I apply sometimes I think you underestimate your celebrity, 957 00:52:30,200 --> 00:52:33,759 Speaker 1: Like meaning meaning like you're so much bigger than like 958 00:52:33,880 --> 00:52:36,840 Speaker 1: it's just like just even seeing you and U a 959 00:52:37,520 --> 00:52:41,000 Speaker 1: DJ college house and you literally came in. Remember, I know, 960 00:52:41,120 --> 00:52:43,759 Speaker 1: I can't say I can't I'm dyslexic. Man, I'm just 961 00:52:43,880 --> 00:52:51,280 Speaker 1: riding the way. I'm just but but you like by yourself, 962 00:52:51,440 --> 00:52:53,839 Speaker 1: like you know what I'm saying, and most people will 963 00:52:53,880 --> 00:52:55,600 Speaker 1: ever be caught like that. You know what I'm saying, 964 00:52:55,719 --> 00:53:00,319 Speaker 1: and that's honorable. Yeah, but it's also like some times 965 00:53:00,440 --> 00:53:03,759 Speaker 1: in certain situations it's a little crazy, little crazy to 966 00:53:03,840 --> 00:53:07,560 Speaker 1: be by itself. But technically with neighborside really felt like 967 00:53:07,600 --> 00:53:09,759 Speaker 1: I'm just coming down the streets. Okay, yeah, yeah, yeah, no, no, 968 00:53:11,040 --> 00:53:12,759 Speaker 1: you know, I'm just saying. I'm just saying that. What 969 00:53:12,800 --> 00:53:15,840 Speaker 1: I'm saying related to the Twitter thing. Sometimes you probably 970 00:53:16,080 --> 00:53:19,880 Speaker 1: you know, tweeting and you're speaking to your eight you know, 971 00:53:20,040 --> 00:53:23,719 Speaker 1: your your your version of people, but there's so many 972 00:53:23,760 --> 00:53:25,839 Speaker 1: people that follow you or so many people that's that's 973 00:53:26,239 --> 00:53:30,920 Speaker 1: just you know, yeah, it's it's fucking crazy. It's super sensitive. 974 00:53:30,960 --> 00:53:33,360 Speaker 1: But I was able to rectify and saying I can 975 00:53:33,400 --> 00:53:35,319 Speaker 1: show somebody on that man, like it's not truly meant 976 00:53:35,320 --> 00:53:37,840 Speaker 1: no harm. It was just it was just you know, 977 00:53:39,040 --> 00:53:43,840 Speaker 1: drunken love and supportment for which is which is absolutely 978 00:53:43,920 --> 00:53:46,560 Speaker 1: correct because we live in an assensitive moment, like we 979 00:53:46,640 --> 00:53:49,400 Speaker 1: live in the times where comedians have to be like 980 00:53:49,640 --> 00:53:53,160 Speaker 1: so fucking cautious, like I don't what they're saying at 981 00:53:53,200 --> 00:53:56,840 Speaker 1: the time. Correctness because if you look at if you 982 00:53:56,880 --> 00:53:58,920 Speaker 1: look at hip hop, you look at all the fucking 983 00:53:59,080 --> 00:54:01,320 Speaker 1: bad ship there you go back from back in the 984 00:54:01,440 --> 00:54:06,120 Speaker 1: days terrible holy moly moly, Like we're all like, we're 985 00:54:06,200 --> 00:54:08,520 Speaker 1: all like if you're going to look at every fucking 986 00:54:08,680 --> 00:54:12,520 Speaker 1: lyric like it's terrible, Like it's terrible. Like people saying 987 00:54:12,520 --> 00:54:16,880 Speaker 1: to me tweets erased this, I'm like, oh ship, like 988 00:54:17,160 --> 00:54:19,960 Speaker 1: I said that that was me, Like like that was 989 00:54:20,040 --> 00:54:23,120 Speaker 1: two thousand and something. I'm like, I don't even know, 990 00:54:23,840 --> 00:54:26,000 Speaker 1: and I still don't think it's me. So I told 991 00:54:26,040 --> 00:54:28,399 Speaker 1: me because like people was operating my street. Don't take 992 00:54:28,440 --> 00:54:37,120 Speaker 1: it back. Just evolved. Now, Mom, all this happens, they 993 00:54:37,239 --> 00:54:47,320 Speaker 1: call you for shure the voice immediately is it the 994 00:54:47,520 --> 00:54:53,600 Speaker 1: bag or is it like you know what, let me 995 00:54:53,640 --> 00:54:59,799 Speaker 1: see if I can add on to what's not the bag? Lie? 996 00:55:00,480 --> 00:55:02,719 Speaker 1: If it was the bad for me, I would have 997 00:55:02,800 --> 00:55:06,640 Speaker 1: been there with a pin, y'all. I had on thinking anything. 998 00:55:07,600 --> 00:55:09,359 Speaker 1: I want to think about me. I want to think 999 00:55:09,360 --> 00:55:11,800 Speaker 1: about me. I can't hurt people feelings like I gotta go, 1000 00:55:12,120 --> 00:55:15,840 Speaker 1: I carry anybody. I don't like that ship, but the 1001 00:55:15,880 --> 00:55:18,520 Speaker 1: ship is dope like right. So I was doing a 1002 00:55:18,640 --> 00:55:33,800 Speaker 1: Saturday night live performance. I had that question, let me 1003 00:55:33,800 --> 00:55:37,560 Speaker 1: get it. I get it that. Yeah, it's gonna work. 1004 00:55:37,800 --> 00:55:41,520 Speaker 1: We don't don't say anything. We're gonna to ruin everything. Alright, alright, 1005 00:55:41,719 --> 00:55:43,840 Speaker 1: there we go. Now, So we were doing a performance 1006 00:55:43,920 --> 00:55:47,440 Speaker 1: man and Sir Mark Barnett was that So Mark Barnett 1007 00:55:47,600 --> 00:55:53,800 Speaker 1: is television and film you know, like you know exactly 1008 00:55:53,880 --> 00:55:58,000 Speaker 1: produce of The Apprentice and so you name it. Let 1009 00:55:58,080 --> 00:56:00,439 Speaker 1: say you feel me like he's done exception know the well, 1010 00:56:01,160 --> 00:56:05,359 Speaker 1: So he out there in the fucking audience checking off 1011 00:56:05,400 --> 00:56:07,399 Speaker 1: the show. I made him and Lauren Michaels who who 1012 00:56:07,480 --> 00:56:15,480 Speaker 1: you know? I guess? So yes with that, he just 1013 00:56:15,560 --> 00:56:17,640 Speaker 1: said he saw something in me and you feel me. 1014 00:56:17,920 --> 00:56:20,200 Speaker 1: And it didn't hurt that. I had the motherfuckering number 1015 00:56:20,200 --> 00:56:31,560 Speaker 1: one record in the country at the time. Continue, I 1016 00:56:31,680 --> 00:56:39,640 Speaker 1: love it. I love listen man man man not seriously though, 1017 00:56:39,800 --> 00:56:44,200 Speaker 1: like me and Adam were cool. Um, you all got together. 1018 00:56:44,239 --> 00:56:46,879 Speaker 1: We head then like they let us know off top 1019 00:56:46,880 --> 00:56:49,360 Speaker 1: of who they thought the cast would be and feeling like, 1020 00:56:49,440 --> 00:56:51,560 Speaker 1: you know, so we sat down, we had a preliminary 1021 00:56:51,640 --> 00:56:53,800 Speaker 1: dinner together, man, and everybody was just like me and 1022 00:56:53,800 --> 00:56:56,040 Speaker 1: Adam knowing each other. I just a dope story bout 1023 00:56:56,040 --> 00:56:59,759 Speaker 1: Adam too. Can see record when you said, Adam, listen, 1024 00:57:00,040 --> 00:57:03,680 Speaker 1: we know you're like very like up there. People don't know. Yeah, 1025 00:57:03,960 --> 00:57:12,640 Speaker 1: people yet least we don't don't know. Okay, yeah, And 1026 00:57:12,800 --> 00:57:14,759 Speaker 1: for those who don't know, Maroon five is one of 1027 00:57:14,800 --> 00:57:21,200 Speaker 1: the biggest I mean careful, I word this, What is it? 1028 00:57:21,560 --> 00:57:27,280 Speaker 1: Because what was then in sync? Like like they're like 1029 00:57:27,360 --> 00:57:31,080 Speaker 1: they're like the grown version. I don't see you you know, yeah, 1030 00:57:31,160 --> 00:57:34,400 Speaker 1: like were like before, but Sin was his sync, Like 1031 00:57:34,520 --> 00:57:37,440 Speaker 1: they're like the grown up Virgin and they were they 1032 00:57:37,480 --> 00:57:42,040 Speaker 1: wear rolesques. I'm not Adam levine Rolette game. You ever 1033 00:57:42,120 --> 00:57:45,720 Speaker 1: see you ever see a Lavine roletts game? His insect 1034 00:57:45,760 --> 00:57:47,320 Speaker 1: and training pictions. He's like, what do you think about 1035 00:57:47,480 --> 00:57:50,040 Speaker 1: his watch games? Crazy? By the way you're watching, I 1036 00:57:50,040 --> 00:57:52,440 Speaker 1: don't have no idea. I felt like I can't announce 1037 00:57:52,520 --> 00:57:57,320 Speaker 1: whatever the names. It's ridiculous. It's undulous. I felt like 1038 00:57:57,400 --> 00:58:04,200 Speaker 1: the Wizard of Oz is jealous. That is that it's 1039 00:58:04,240 --> 00:58:09,320 Speaker 1: old man. It's it's called it's doing it. It was 1040 00:58:09,360 --> 00:58:11,640 Speaker 1: an up start and we was we was supporting each other. Man. 1041 00:58:11,720 --> 00:58:13,240 Speaker 1: It was like I was like, yo, I love it design. 1042 00:58:14,080 --> 00:58:15,320 Speaker 1: I mean, it's like it's a couple years ago. Was 1043 00:58:15,320 --> 00:58:18,400 Speaker 1: about ten years old, right. So the style like you know, 1044 00:58:18,520 --> 00:58:21,280 Speaker 1: like everybody's on like slim trim. You know, I'm liking 1045 00:58:21,520 --> 00:58:23,600 Speaker 1: protect you know what I mean, Like you know, presidential, 1046 00:58:23,680 --> 00:58:25,080 Speaker 1: you know all of that, and I got I got 1047 00:58:25,120 --> 00:58:37,520 Speaker 1: those two. But this is old. You know. It's because 1048 00:58:37,520 --> 00:58:41,040 Speaker 1: you what you're talking about Aldams watching, Yeah, don't know 1049 00:58:41,200 --> 00:58:45,560 Speaker 1: what I like. It's like watching ye, So this is 1050 00:58:45,600 --> 00:58:48,120 Speaker 1: all this is. It's all school. It's something that probably 1051 00:58:48,720 --> 00:58:53,080 Speaker 1: but it's worth nothing. That's it's so original and unique. 1052 00:58:53,080 --> 00:58:54,920 Speaker 1: It's it's it's worth nothing. What do you mean? But 1053 00:58:55,160 --> 00:58:57,880 Speaker 1: you can't trade it for anything. It's it's like painting. 1054 00:58:58,440 --> 00:59:02,480 Speaker 1: It's like painting. I wrote, watch line brilliant. What's your personalizer? 1055 00:59:02,560 --> 00:59:05,080 Speaker 1: To that point is the only person that wanted this person? 1056 00:59:06,720 --> 00:59:08,760 Speaker 1: And then of course you know, like these watchers are 1057 00:59:09,720 --> 00:59:11,720 Speaker 1: estimated and I'm saying, like in ranked by that by 1058 00:59:11,800 --> 00:59:15,200 Speaker 1: their motoring and saying like the movement, so it's like, 1059 00:59:15,320 --> 00:59:18,560 Speaker 1: you know this is like so it's like that in Banks. Yeah, 1060 00:59:19,040 --> 00:59:23,920 Speaker 1: I don't know what kind of like that. Yeah, I 1061 00:59:23,960 --> 00:59:27,479 Speaker 1: mean like it's it could be a Banksy watch. Yeah, no, Banks, 1062 00:59:27,520 --> 00:59:31,640 Speaker 1: she's the motherfucker. He's a jist. So that's the art nigger, right, 1063 00:59:32,040 --> 00:59:34,600 Speaker 1: He's like an art nigger. He used to be violating, 1064 00:59:34,680 --> 00:59:39,000 Speaker 1: like you know, they found out he black, but he's 1065 00:59:39,040 --> 00:59:42,320 Speaker 1: gonna go to jail because maybe he's been doing this 1066 00:59:42,480 --> 00:59:44,680 Speaker 1: like you gotta be white, because he would just be 1067 00:59:44,760 --> 00:59:49,240 Speaker 1: putting like pas museums and is already there, Like come on, 1068 00:59:49,320 --> 00:59:51,840 Speaker 1: you can't do that. Every black, you're black, you're arrest 1069 00:59:51,920 --> 00:59:54,280 Speaker 1: of the art community. And the white community and Middle 1070 00:59:54,280 --> 00:59:56,240 Speaker 1: America at large love him so much. If he turns 1071 00:59:56,240 --> 00:59:58,360 Speaker 1: out to be black, he can be the next black president. 1072 01:00:00,160 --> 01:00:02,800 Speaker 1: That's a motherfucker's considered him. And you know what I'm saying, 1073 01:00:02,840 --> 01:00:08,080 Speaker 1: he's gonna be like I got no, I got no 1074 01:00:08,360 --> 01:00:15,720 Speaker 1: rated all the building. What's my brother got about with it? Man? 1075 01:00:16,640 --> 01:00:19,080 Speaker 1: About what you're saying? Man was on the was on 1076 01:00:19,120 --> 01:00:21,240 Speaker 1: the white. So either way, like I just brought it 1077 01:00:21,280 --> 01:00:23,120 Speaker 1: out because it worked so well with what I was 1078 01:00:23,160 --> 01:00:30,120 Speaker 1: doing tonight, and I'm saying you feeling me in but 1079 01:00:30,200 --> 01:00:31,680 Speaker 1: I'm trying to tell you some real ship because now 1080 01:00:31,680 --> 01:00:35,400 Speaker 1: how motherfucker's are now the larger conversation has become property. Really, 1081 01:00:35,640 --> 01:00:38,240 Speaker 1: you know, just talking about that right now. So I'm 1082 01:00:38,280 --> 01:00:40,560 Speaker 1: just being really about like just the fact that this 1083 01:00:40,640 --> 01:00:42,520 Speaker 1: watch is worth nothing. It looks good it was worth 1084 01:00:43,960 --> 01:00:46,640 Speaker 1: and you'll be staying at the fighting a hotel, which 1085 01:00:48,080 --> 01:00:54,480 Speaker 1: I'm just being honest. That hotel. I've never seen the 1086 01:00:54,600 --> 01:00:59,760 Speaker 1: hotel under or like fourteen hundred. I've never seen it 1087 01:00:59,840 --> 01:01:02,400 Speaker 1: like that. That is a little rage. Yeah, I didn't 1088 01:01:02,400 --> 01:01:15,400 Speaker 1: know that. Don't try us rooms like that is because 1089 01:01:15,440 --> 01:01:19,720 Speaker 1: we worked that way were you broke off. I'm not 1090 01:01:19,880 --> 01:01:23,280 Speaker 1: over there. I'm an employ either. That's the most just 1091 01:01:23,400 --> 01:01:27,600 Speaker 1: one of the most gorgeous properties on South Beach. Listen, 1092 01:01:29,080 --> 01:01:32,280 Speaker 1: that was the best at that. That was what I'm 1093 01:01:32,320 --> 01:01:36,240 Speaker 1: saying is I'm a paid performer and a preferred guest. 1094 01:01:36,720 --> 01:01:39,360 Speaker 1: So you know, I'm still getting you know, that's the 1095 01:01:39,560 --> 01:01:43,160 Speaker 1: big but you get me a scripted is written it. 1096 01:01:43,240 --> 01:01:48,280 Speaker 1: You know, I don't really know. I'm we can't relate. 1097 01:01:48,400 --> 01:01:53,280 Speaker 1: He lit the other thing he said that he said, 1098 01:01:53,280 --> 01:02:01,440 Speaker 1: it's right, let's go, let's go. He was just talking 1099 01:02:01,520 --> 01:02:06,280 Speaker 1: the other days. He was just talking. The other day 1100 01:02:06,320 --> 01:02:07,880 Speaker 1: he was like, it's out because I'll be at the 1101 01:02:08,320 --> 01:02:10,840 Speaker 1: Fighting Hotel. You know, I'm just looking at this thing. 1102 01:02:10,920 --> 01:02:13,280 Speaker 1: I was like, what then did he just because now, 1103 01:02:13,560 --> 01:02:16,080 Speaker 1: mind you, that's how I I don't know about the 1104 01:02:16,880 --> 01:02:18,960 Speaker 1: I don't know if I'm pronouncing it right. Fight hotel 1105 01:02:20,360 --> 01:02:24,400 Speaker 1: restaurant was Drink Champs Army. This is when like we 1106 01:02:24,520 --> 01:02:28,400 Speaker 1: were like we was battling everybody out there. So Jay 1107 01:02:29,680 --> 01:02:32,960 Speaker 1: jay Z had landed in Miami and the Drink Champs 1108 01:02:33,120 --> 01:02:36,480 Speaker 1: Army had showed me a picture of jay Z, so 1109 01:02:36,560 --> 01:02:38,640 Speaker 1: I wanted I sent it to Jay, but I wanted 1110 01:02:38,640 --> 01:02:42,360 Speaker 1: to know it wasn't you know, just talking him. But 1111 01:02:42,640 --> 01:02:44,440 Speaker 1: you know, this is how much people want you on 1112 01:02:44,720 --> 01:02:46,840 Speaker 1: drinking chaps. So he's like, where the fund did you 1113 01:02:46,960 --> 01:02:49,720 Speaker 1: see this that? He's like, He's like, you know, what 1114 01:02:50,400 --> 01:02:53,160 Speaker 1: come to me at the hotel? So he said, yo 1115 01:02:53,240 --> 01:02:55,160 Speaker 1: to Fighting the hotel And I had never heard of 1116 01:02:55,240 --> 01:03:00,160 Speaker 1: this ship, So what is it? That's the hotel. I've 1117 01:03:00,160 --> 01:03:03,280 Speaker 1: never been there. I've actually actually I was like for 1118 01:03:03,480 --> 01:03:07,080 Speaker 1: Mexican revolutionaries hang out. I don't know as I'm on 1119 01:03:07,200 --> 01:03:09,520 Speaker 1: the way going there, he goes your chill. We went 1120 01:03:09,560 --> 01:03:12,400 Speaker 1: to Chris Rock show and Chris Rock shows by my place. 1121 01:03:12,560 --> 01:03:15,080 Speaker 1: We're rolling out is this weekend, So I just turned 1122 01:03:15,080 --> 01:03:17,400 Speaker 1: around and went that way and my wife gets your 1123 01:03:17,480 --> 01:03:20,600 Speaker 1: hair done bit. But I actually never went in there 1124 01:03:20,680 --> 01:03:24,000 Speaker 1: or whatever. But everyone would it looked like you like, no, no, 1125 01:03:24,320 --> 01:03:28,360 Speaker 1: it's a couple of big Yeah, he's he needed me 1126 01:03:28,480 --> 01:03:32,160 Speaker 1: for something. That was something, So I had to be 1127 01:03:32,320 --> 01:03:40,680 Speaker 1: the hub. Yeah yeah, telling my man New Jersey torkmen 1128 01:03:44,200 --> 01:03:46,040 Speaker 1: that even mean if you got tork, that even mean 1129 01:03:46,080 --> 01:03:49,720 Speaker 1: you're selling a lot of drugs. You're in the strip 1130 01:03:49,800 --> 01:03:53,440 Speaker 1: club and look at your face and tell it's the 1131 01:03:53,520 --> 01:04:03,080 Speaker 1: person one. So to see though, man, coming from where 1132 01:04:03,120 --> 01:04:07,640 Speaker 1: you came from, seeing you ever thought hip hop would 1133 01:04:07,680 --> 01:04:10,200 Speaker 1: be this big? You ever thought that, you know, you'll 1134 01:04:10,240 --> 01:04:12,480 Speaker 1: be performing like like you went on Talk with Light 1135 01:04:12,560 --> 01:04:15,160 Speaker 1: No Richie, I imagine old but was throwing pats on 1136 01:04:15,240 --> 01:04:23,520 Speaker 1: stage like come on, like he's on stage like he's 1137 01:04:23,560 --> 01:04:29,280 Speaker 1: still getting the popping, No doubt now he was. He was. 1138 01:04:29,720 --> 01:04:31,240 Speaker 1: He was taking care of he has a bad one 1139 01:04:31,280 --> 01:04:40,320 Speaker 1: with him then time like he was. But the greatest 1140 01:04:40,360 --> 01:04:43,640 Speaker 1: part about that, you know what it's just the the acknowledgement, 1141 01:04:43,680 --> 01:04:44,959 Speaker 1: you know what I mean, like you know, the share 1142 01:04:45,000 --> 01:04:47,160 Speaker 1: of space, you know, I mean, like to be mentioned 1143 01:04:47,200 --> 01:04:49,560 Speaker 1: in the same sense. Man, it's such a compliment. Man, 1144 01:04:49,600 --> 01:04:51,840 Speaker 1: you feel like I can't help but be humble about 1145 01:04:51,840 --> 01:04:54,120 Speaker 1: that man a lot of riches, you know, like you 1146 01:04:54,200 --> 01:04:56,480 Speaker 1: know that's my ancestor. Man, he come to poon me. 1147 01:04:56,520 --> 01:04:58,360 Speaker 1: I'm humble. You know what I was that phone called 1148 01:04:58,400 --> 01:05:02,040 Speaker 1: even getting that phone quartered which you want crazy come 1149 01:05:02,080 --> 01:05:05,360 Speaker 1: for all? And do you act do you act like 1150 01:05:05,520 --> 01:05:07,240 Speaker 1: like a little stuck up at first, because you're like, 1151 01:05:07,360 --> 01:05:14,040 Speaker 1: you know, what one thing I'm gonna be is comfortable. 1152 01:05:14,240 --> 01:05:17,080 Speaker 1: Because what I'm saying like, it's it's just if I 1153 01:05:17,200 --> 01:05:19,160 Speaker 1: know these people, I grew up with him, and I'm saying, 1154 01:05:19,160 --> 01:05:22,480 Speaker 1: you feel me like I can. I mean, he essentially 1155 01:05:22,560 --> 01:05:24,280 Speaker 1: taught me how to sing. I can sing along? Like 1156 01:05:24,560 --> 01:05:26,760 Speaker 1: how long? How to sing is? It's imitating people. So 1157 01:05:26,960 --> 01:05:30,520 Speaker 1: it's like, you know, and I realized that I was, 1158 01:05:30,920 --> 01:05:33,560 Speaker 1: you know, growing and some like getting better when I 1159 01:05:33,640 --> 01:05:36,040 Speaker 1: could just be flushed up against it, you know what, 1160 01:05:36,120 --> 01:05:38,000 Speaker 1: saying like you feel me like and not being a 1161 01:05:38,040 --> 01:05:40,240 Speaker 1: tale of the difference between myself and the track. I mean, 1162 01:05:40,360 --> 01:05:42,560 Speaker 1: so that's how I learnt to say it. But the 1163 01:05:42,720 --> 01:05:46,040 Speaker 1: biggest the first step to being great is having great taste. 1164 01:05:46,440 --> 01:05:48,000 Speaker 1: What I'm saying, you feel me. You just got your 1165 01:05:48,080 --> 01:05:50,200 Speaker 1: know what's good. And I'm like, you know, but the 1166 01:05:50,240 --> 01:05:51,920 Speaker 1: first thing you feel this was good to you. You know, 1167 01:05:51,920 --> 01:05:53,320 Speaker 1: I'm saying, you feel me, And it might not be 1168 01:05:53,600 --> 01:05:56,080 Speaker 1: everything for everybody else, but like you gotta just be true, 1169 01:05:56,320 --> 01:05:58,120 Speaker 1: be true to thy itself as the saying goal what 1170 01:05:58,160 --> 01:06:00,560 Speaker 1: I'm saying, and that's why all this colorful come from. 1171 01:06:00,640 --> 01:06:02,800 Speaker 1: Man Like can I'll just be having fun with it now, 1172 01:06:02,840 --> 01:06:05,680 Speaker 1: and like because it ain't no secret, Okay, let's speak 1173 01:06:05,720 --> 01:06:12,600 Speaker 1: some noise. I've never seen Lina Recie perform. I had 1174 01:06:12,680 --> 01:06:15,400 Speaker 1: dinner like Jason will him. He was to the side 1175 01:06:15,520 --> 01:06:18,680 Speaker 1: one time, and then I've had across the street from 1176 01:06:18,800 --> 01:06:23,160 Speaker 1: one time. But I see our our perform all at 1177 01:06:23,240 --> 01:06:28,560 Speaker 1: some point gives out roses. Every woman in the crowd 1178 01:06:28,840 --> 01:06:32,120 Speaker 1: losing their minds for some reason. I felt like has 1179 01:06:33,520 --> 01:06:36,280 Speaker 1: like that, and I wasn't. I was gonna try to. 1180 01:06:36,320 --> 01:06:39,240 Speaker 1: I was trying to say something, you know, pointed about 1181 01:06:39,240 --> 01:06:41,120 Speaker 1: it and it's as opposed to just being up. But 1182 01:06:41,520 --> 01:06:44,280 Speaker 1: the reality of it was I was coming on early 1183 01:06:44,520 --> 01:06:47,240 Speaker 1: people were still failing in their seats. I was performing 1184 01:06:47,320 --> 01:06:51,040 Speaker 1: to like you know, no where near full, right what 1185 01:06:51,080 --> 01:06:53,440 Speaker 1: I'm saying, and then it would eventually grow throughout the set, 1186 01:06:53,480 --> 01:06:56,120 Speaker 1: people start sitting down by my getting comfortable, and then 1187 01:06:56,280 --> 01:06:58,120 Speaker 1: night would fall something like you know by the time 1188 01:06:58,160 --> 01:07:01,160 Speaker 1: I'm at the songs that they're gonna motherfucker no, you 1189 01:07:01,200 --> 01:07:03,720 Speaker 1: know what I'm saying. So you know, we finished them 1190 01:07:03,720 --> 01:07:06,160 Speaker 1: off with crazy and fuck You and like it's like, bam, 1191 01:07:06,200 --> 01:07:07,960 Speaker 1: we're gonna be like you know, and what's funny is 1192 01:07:08,040 --> 01:07:12,200 Speaker 1: that he safe and fuck you crazy ship. That's literally 1193 01:07:12,360 --> 01:07:17,320 Speaker 1: my next question. You keep throwing my next song fuck 1194 01:07:17,400 --> 01:07:21,800 Speaker 1: you that was your independent as well, and fuck you 1195 01:07:24,080 --> 01:07:27,080 Speaker 1: and what we did we did that together that he did. 1196 01:07:29,000 --> 01:07:31,800 Speaker 1: But no, but but glad Richie puts on this that 1197 01:07:31,960 --> 01:07:37,080 Speaker 1: shows so much energy and such a fucking arsenal, you 1198 01:07:37,160 --> 01:07:40,280 Speaker 1: know what I'm saying, like an iconic, legendary hit records 1199 01:07:40,760 --> 01:07:43,720 Speaker 1: every tempo from slow to mid to fucking all night long. 1200 01:07:43,840 --> 01:07:47,360 Speaker 1: I'm saying, like, you're gonna that should gonna be motherfucker'. 1201 01:07:49,600 --> 01:07:58,360 Speaker 1: I love y'all said back longer listening. Your mom's got 1202 01:07:58,440 --> 01:08:04,880 Speaker 1: funding and Richie right now be showing more respectively louder. 1203 01:08:12,320 --> 01:08:14,080 Speaker 1: We might think we're a lot younger, but once you go, 1204 01:08:14,200 --> 01:08:15,919 Speaker 1: it's gonna be just like muscle memory, and you're gonna 1205 01:08:16,000 --> 01:08:18,080 Speaker 1: you're gonna realize to be reminded that you've been around. 1206 01:08:18,479 --> 01:08:20,720 Speaker 1: You're gonna know all these songs and that's what's great 1207 01:08:20,720 --> 01:08:23,800 Speaker 1: about it. That's God damn, that's God damn awesome. So 1208 01:08:24,120 --> 01:08:29,040 Speaker 1: um through our all hip hop. If you just if 1209 01:08:29,080 --> 01:08:33,000 Speaker 1: you're could do one thing over better, what would you do? 1210 01:08:34,040 --> 01:08:40,559 Speaker 1: I would take my entire am seeing career more serious. 1211 01:08:40,720 --> 01:08:44,080 Speaker 1: I mean, like I'm telling you aside from your singing career, 1212 01:08:44,880 --> 01:08:48,599 Speaker 1: well singing like I could do that easier. I'm saying 1213 01:08:48,600 --> 01:08:51,920 Speaker 1: you feel me like I could sing easy? Um, I 1214 01:08:51,960 --> 01:08:53,439 Speaker 1: guess what I mean by that is like you know, 1215 01:08:53,600 --> 01:08:56,120 Speaker 1: just more a depth and more like you know you 1216 01:08:56,240 --> 01:08:59,640 Speaker 1: have enough you're not having affinity for like color and 1217 01:09:00,080 --> 01:09:02,760 Speaker 1: harmony and melody. But you know you don't feel that 1218 01:09:02,840 --> 01:09:07,439 Speaker 1: there was undeveloped lane in your MC career or do 1219 01:09:07,600 --> 01:09:10,120 Speaker 1: you feel I wish you know what I'm saying, like 1220 01:09:10,240 --> 01:09:15,240 Speaker 1: that I had like more wrap ship that connected. You 1221 01:09:15,320 --> 01:09:17,320 Speaker 1: know what I'm saying, like like we all know you 1222 01:09:17,400 --> 01:09:24,080 Speaker 1: as an real real fans, real rapsole I just made 1223 01:09:24,120 --> 01:09:27,840 Speaker 1: from my solo work. Um you know all of my 1224 01:09:27,960 --> 01:09:30,240 Speaker 1: albums were kind of like you know, live very I 1225 01:09:30,280 --> 01:09:32,719 Speaker 1: mean like it's wrapping all kind of shipped on them ships. 1226 01:09:32,760 --> 01:09:34,880 Speaker 1: And so you feel me like so I didn't. I 1227 01:09:34,880 --> 01:09:36,479 Speaker 1: didn't feel like I did enough as an m C. 1228 01:09:36,640 --> 01:09:39,360 Speaker 1: And like I'm I feel like I'm still as good 1229 01:09:39,400 --> 01:09:41,160 Speaker 1: of and n see as an MC as I can, 1230 01:09:41,280 --> 01:09:42,720 Speaker 1: you know what I mean, like as I want to be. 1231 01:09:43,240 --> 01:09:46,040 Speaker 1: You feel me, um so, but the bulk of what 1232 01:09:46,200 --> 01:09:47,880 Speaker 1: that is and what it represents some something like you 1233 01:09:47,920 --> 01:09:50,439 Speaker 1: know like the roots of the tree is good and 1234 01:09:50,560 --> 01:09:52,200 Speaker 1: Dungeon Family and that's why we've been you know so 1235 01:09:52,360 --> 01:09:55,200 Speaker 1: like refurbishing the brand, you know, like boots to the ground, 1236 01:09:55,240 --> 01:09:57,040 Speaker 1: wem saying and doing some ship we haven't done the 1237 01:09:57,040 --> 01:09:59,240 Speaker 1: twenty five years together and that's tour. We never did 1238 01:09:59,320 --> 01:10:03,720 Speaker 1: it this year right now. Yeah, the Dungeon Family is 1239 01:10:03,760 --> 01:10:05,880 Speaker 1: trying with this. KPIs out there with us. We got 1240 01:10:06,520 --> 01:10:08,560 Speaker 1: actually open zed noise. You know, it's like Charld the 1241 01:10:08,600 --> 01:10:11,640 Speaker 1: tool Bus and came out just as the you know, 1242 01:10:12,280 --> 01:10:14,200 Speaker 1: the top tier that's just to come and you know, 1243 01:10:14,320 --> 01:10:16,000 Speaker 1: oversee it and be you know, you feel me just 1244 01:10:16,120 --> 01:10:18,240 Speaker 1: be present, you feel me like because it was just 1245 01:10:18,360 --> 01:10:21,439 Speaker 1: it's just it's pretty fucking uh you know history what 1246 01:10:21,520 --> 01:10:22,800 Speaker 1: we're doing if we don't never get a chance to 1247 01:10:22,800 --> 01:10:27,000 Speaker 1: do it again. But like to didn't come come on right? 1248 01:10:27,040 --> 01:10:33,840 Speaker 1: We need We talked about it. We talked about. What 1249 01:10:33,960 --> 01:10:36,760 Speaker 1: I can tell you is he's proud. I'm saying you 1250 01:10:36,840 --> 01:10:40,320 Speaker 1: feel me like, and he's accessible like and we we 1251 01:10:40,479 --> 01:10:43,560 Speaker 1: are still very very immediate family, all of us. We 1252 01:10:43,720 --> 01:10:47,880 Speaker 1: talked very consistent. Last three times I've seen are three thousand. 1253 01:10:47,960 --> 01:10:51,240 Speaker 1: He was by himself with a shoe straight valve. All right, 1254 01:10:51,320 --> 01:10:59,200 Speaker 1: that's a great story right now. Look that that's the 1255 01:10:59,240 --> 01:11:00,920 Speaker 1: same thing you just know about me the other day. 1256 01:11:00,960 --> 01:11:02,640 Speaker 1: I can't I walked up by myself. You see him 1257 01:11:02,680 --> 01:11:07,760 Speaker 1: by himself and like man like, I mean like just 1258 01:11:08,040 --> 01:11:17,760 Speaker 1: I mean, oh my ship, my gee, that's Finely I 1259 01:11:17,800 --> 01:11:19,519 Speaker 1: look over the home because I was just about to 1260 01:11:19,520 --> 01:11:25,920 Speaker 1: say some games to Energy Complex. I don't have to 1261 01:11:26,040 --> 01:11:27,880 Speaker 1: fear something I don't, you know, I mean like because 1262 01:11:28,080 --> 01:11:29,840 Speaker 1: I did to take it when I was out there. 1263 01:11:30,479 --> 01:11:33,559 Speaker 1: Know what I'm saying a little real quick, I mean 1264 01:11:33,680 --> 01:11:35,880 Speaker 1: just because ce those here. I just want to say 1265 01:11:35,920 --> 01:11:39,160 Speaker 1: this on the Energy of Andre only go always to us, 1266 01:11:40,200 --> 01:11:43,559 Speaker 1: but we would appreciate if Andre comes back to the table. 1267 01:11:43,680 --> 01:11:46,720 Speaker 1: We all would give we all ways because we all 1268 01:11:46,840 --> 01:11:49,320 Speaker 1: fans too, you know what I'm saying, Like you know, 1269 01:11:49,479 --> 01:11:53,840 Speaker 1: but um, there's no there's no pressure, man, not not 1270 01:11:53,960 --> 01:11:55,960 Speaker 1: how hard it would be. The deal to dunge your 1271 01:11:56,000 --> 01:11:58,960 Speaker 1: Family album done with every member. I'm just done your 1272 01:11:59,040 --> 01:12:04,040 Speaker 1: Family right now, my techot P. Because I felt like 1273 01:12:04,800 --> 01:12:08,519 Speaker 1: if I'm asked this to Risisi, start sweat right, just 1274 01:12:08,640 --> 01:12:14,120 Speaker 1: be men like it's really it's it's a whole lot easy. 1275 01:12:14,200 --> 01:12:16,360 Speaker 1: I was just about to say a chord. Yeah, man like, 1276 01:12:16,760 --> 01:12:19,519 Speaker 1: and that's the conversation we've been happening because like the energy, 1277 01:12:19,680 --> 01:12:21,600 Speaker 1: like you know, it's like a room now, like the 1278 01:12:21,680 --> 01:12:23,559 Speaker 1: motherfucker's feeling some kind of way, like, man, we could 1279 01:12:23,600 --> 01:12:26,120 Speaker 1: we could do this ship this is think only your studios. 1280 01:12:27,640 --> 01:12:30,160 Speaker 1: It's easier. Yeah, I mean like anyway, I think we 1281 01:12:30,160 --> 01:12:34,519 Speaker 1: should actually do something more. You know, we're out and 1282 01:12:34,600 --> 01:12:37,280 Speaker 1: go to go some go somewhere where the Kanye then 1283 01:12:37,600 --> 01:12:45,720 Speaker 1: you can slap you right the Miami and record. Yeah, 1284 01:12:45,720 --> 01:12:48,439 Speaker 1: we used to go to the Circle House. I'm come 1285 01:12:48,520 --> 01:12:55,760 Speaker 1: down STI. That's remind me of jail that name, Like 1286 01:12:56,760 --> 01:12:58,800 Speaker 1: I immediately feel like I'm locked out there. You'd be like, 1287 01:12:58,920 --> 01:13:11,120 Speaker 1: why we don't stop? Don't stop for that. So what 1288 01:13:11,200 --> 01:13:14,680 Speaker 1: I wanted to ask is did you foresee when you 1289 01:13:14,840 --> 01:13:17,640 Speaker 1: was the Narves Barkley, not even foresee after you did 1290 01:13:17,760 --> 01:13:20,960 Speaker 1: Narves Barkley and then Run the Jewels came about, did 1291 01:13:21,040 --> 01:13:27,639 Speaker 1: you see the connection? Um? Yeah, definitely definitely um black kid, 1292 01:13:27,800 --> 01:13:30,240 Speaker 1: you know, like you know, even though you think it 1293 01:13:30,320 --> 01:13:35,920 Speaker 1: was that simple RACI le wise, No, I mean, like 1294 01:13:36,600 --> 01:13:38,479 Speaker 1: the thing is just dope, you know what I'm saying, 1295 01:13:38,520 --> 01:13:41,599 Speaker 1: Like you feel me like and you can't you can't 1296 01:13:41,640 --> 01:13:43,920 Speaker 1: pretend the effect and you feel like you know, I 1297 01:13:43,960 --> 01:13:47,240 Speaker 1: mean like you know, uh, the reciprocation was there and 1298 01:13:47,320 --> 01:13:50,519 Speaker 1: something like you know what I mean, Like, so it 1299 01:13:50,640 --> 01:13:52,479 Speaker 1: was it was just official I'm saying, like, you know, 1300 01:13:52,640 --> 01:13:54,320 Speaker 1: and I thought it was dope, Like I mean, if 1301 01:13:54,360 --> 01:13:56,760 Speaker 1: I could be any kind of information to somebody like 1302 01:13:56,840 --> 01:13:59,000 Speaker 1: that and just so they could you know, like you know, 1303 01:13:59,120 --> 01:14:03,800 Speaker 1: create a path. It's about blazing trails, you know, so 1304 01:14:03,960 --> 01:14:05,840 Speaker 1: like I can dig that and so like I feel 1305 01:14:05,880 --> 01:14:07,639 Speaker 1: like I feel like all of that is for culture 1306 01:14:07,760 --> 01:14:09,720 Speaker 1: to just show what we're capable of, you know, what 1307 01:14:09,720 --> 01:14:12,519 Speaker 1: I'm saying, you feel me? Well, we ever see a 1308 01:14:12,720 --> 01:14:18,839 Speaker 1: Seelo lyrical album, just lyrics, just rhyming, Man, i'd be tripping. 1309 01:14:19,080 --> 01:14:20,800 Speaker 1: I think a lot and say you feel me? And 1310 01:14:20,840 --> 01:14:22,560 Speaker 1: I think that you know, maybe if I if I 1311 01:14:22,600 --> 01:14:24,360 Speaker 1: sit down the focus, Yeah, I probably feel it. And 1312 01:14:24,439 --> 01:14:26,720 Speaker 1: I'm saying like, and I know that I should, and 1313 01:14:26,880 --> 01:14:28,200 Speaker 1: so that coul real to be dope. And I mean 1314 01:14:28,680 --> 01:14:31,280 Speaker 1: because what I actually commit to and I you know, 1315 01:14:31,880 --> 01:14:35,599 Speaker 1: and and this and this, you know it's the space. 1316 01:14:35,640 --> 01:14:37,599 Speaker 1: I mean, I probably you know, that's when you realize 1317 01:14:37,640 --> 01:14:39,160 Speaker 1: you can go further than that. It's like, Okay, what 1318 01:14:39,240 --> 01:14:40,639 Speaker 1: the funk I was waiting on in the first place. 1319 01:14:40,720 --> 01:14:43,920 Speaker 1: I'm saying, but like I don't know. I mean like 1320 01:14:44,360 --> 01:14:52,479 Speaker 1: I don't know. Motherfucker's give a fuck. Yeah, don't play, 1321 01:14:54,920 --> 01:14:59,639 Speaker 1: I try to. This is to the motherfucker Seelo Green 1322 01:14:59,760 --> 01:15:03,160 Speaker 1: and also got our brother joining the show. Motherfucking gun 1323 01:15:03,280 --> 01:15:13,439 Speaker 1: playing right now we see the Little Mother she has 1324 01:15:13,560 --> 01:15:29,040 Speaker 1: very same thing taking down. Yeah, can somebody get the 1325 01:15:29,160 --> 01:15:41,200 Speaker 1: year because somebody? Sorry sorry to change subject to like sour, 1326 01:15:42,640 --> 01:15:49,320 Speaker 1: but you own victory lack with Nipsey House still ye man, Yeah, 1327 01:15:49,640 --> 01:15:53,360 Speaker 1: that it hit home for me right for all of 1328 01:15:53,520 --> 01:15:57,080 Speaker 1: us every side, Yeah, you know personal do you know 1329 01:15:57,280 --> 01:16:01,160 Speaker 1: Nipsey prior to recording with him or yeah? Okay, you know, 1330 01:16:01,479 --> 01:16:09,720 Speaker 1: um yeah, and you know the only one of my 1331 01:16:09,880 --> 01:16:11,960 Speaker 1: count on that record and the saying he came for 1332 01:16:13,040 --> 01:16:15,360 Speaker 1: he traveled to come get me. You see what I'm saying. 1333 01:16:15,600 --> 01:16:17,639 Speaker 1: So you mean a lot of really significant in that way, 1334 01:16:18,320 --> 01:16:20,560 Speaker 1: you know, and and of course you know the the 1335 01:16:20,680 --> 01:16:24,960 Speaker 1: untimely passing. It's just, you know, it's just iconicizes this 1336 01:16:25,120 --> 01:16:28,280 Speaker 1: this particular project so much more. It is you know, 1337 01:16:28,400 --> 01:16:30,400 Speaker 1: it'll it'll live forever now and it's not because of 1338 01:16:30,439 --> 01:16:32,920 Speaker 1: the circumstance arounding it, you know. And I get a 1339 01:16:33,040 --> 01:16:36,040 Speaker 1: chance to you know, be you know, it's been a 1340 01:16:36,080 --> 01:16:37,560 Speaker 1: sweet and sing like but I get just to be 1341 01:16:37,640 --> 01:16:39,880 Speaker 1: a part of that legacy. It's gonna live forever, you 1342 01:16:39,920 --> 01:16:41,519 Speaker 1: know what I mean? Like, and so will I you know, 1343 01:16:41,640 --> 01:16:44,599 Speaker 1: in in in association, and I'm saying like, so it's 1344 01:16:44,600 --> 01:16:46,080 Speaker 1: fucked up, you know what i mean, Like you know, 1345 01:16:47,200 --> 01:16:51,120 Speaker 1: because I was just like God, damn, I thought about Dad, 1346 01:16:51,439 --> 01:16:55,400 Speaker 1: and I thought about just you know, who else I 1347 01:16:55,479 --> 01:16:57,600 Speaker 1: do with with with what all set record too? You 1348 01:16:57,640 --> 01:17:00,160 Speaker 1: know what I'm saying. It's like I got it has 1349 01:17:00,160 --> 01:17:02,080 Speaker 1: to be a part of some some really relevant ship 1350 01:17:02,200 --> 01:17:03,840 Speaker 1: right now, something like it was. It was just like 1351 01:17:03,960 --> 01:17:06,640 Speaker 1: an honor man, like you know, to rock with the 1352 01:17:06,680 --> 01:17:10,240 Speaker 1: home in that way. Now can't play YouTube because we 1353 01:17:10,400 --> 01:17:13,599 Speaker 1: all heard rumors of you know, Nipsey coming very very 1354 01:17:13,720 --> 01:17:17,400 Speaker 1: very close to signing to MMG. And so I'm sure 1355 01:17:17,840 --> 01:17:21,000 Speaker 1: you know you're being uh one of US's right hands man. 1356 01:17:21,080 --> 01:17:23,040 Speaker 1: I'm sure you had a lot of encounters with him. 1357 01:17:23,280 --> 01:17:26,280 Speaker 1: So how I was, how did you take that? First? 1358 01:17:26,320 --> 01:17:29,320 Speaker 1: I want to start with like with me and me 1359 01:17:29,479 --> 01:17:33,360 Speaker 1: and the Big Homie was just wrapping rapping by like, um, 1360 01:17:34,280 --> 01:17:41,960 Speaker 1: do this this generation appreciate his art and and there 1361 01:17:42,360 --> 01:17:45,280 Speaker 1: you go. You know what I'm saying, Nipsey like he's 1362 01:17:45,400 --> 01:17:48,360 Speaker 1: like the cloth or the screet like you know what 1363 01:17:48,439 --> 01:17:51,280 Speaker 1: I'm saying, like like for real, And as you can see, 1364 01:17:51,360 --> 01:17:55,120 Speaker 1: he reached out to the Big Homie and the record 1365 01:17:55,479 --> 01:18:00,040 Speaker 1: that he did with ross Um, the first one is 1366 01:18:00,120 --> 01:18:03,640 Speaker 1: a joy already it was like not and then the 1367 01:18:03,760 --> 01:18:08,760 Speaker 1: second one smile. I can't play with anybody else in 1368 01:18:08,840 --> 01:18:11,559 Speaker 1: the car because I don't want him to think I'm 1369 01:18:11,600 --> 01:18:14,240 Speaker 1: a bit, But I get to you know what I'm 1370 01:18:14,280 --> 01:18:21,720 Speaker 1: saying a little little it's like that like that. You 1371 01:18:21,760 --> 01:18:25,200 Speaker 1: know what I'm saying, You know what I'm saying. So 1372 01:18:25,520 --> 01:18:27,640 Speaker 1: I'm just I'm just humble to even be in this 1373 01:18:27,800 --> 01:18:30,360 Speaker 1: situation right here. And you know what I'm saying. First off, 1374 01:18:30,720 --> 01:18:34,600 Speaker 1: and second of all, um, I didn't really interact with 1375 01:18:34,800 --> 01:18:36,720 Speaker 1: I didn't see him, you know, I mean, you know, 1376 01:18:36,800 --> 01:18:38,680 Speaker 1: how be bro. You know what I'm saying. You know 1377 01:18:38,720 --> 01:18:41,080 Speaker 1: what I'm saying, I'd really be really really ter, you 1378 01:18:41,120 --> 01:18:42,720 Speaker 1: know what I'm saying. So I didn't really get to 1379 01:18:43,240 --> 01:18:45,680 Speaker 1: get to bump into him on the industry sets like 1380 01:18:45,840 --> 01:18:48,519 Speaker 1: that like that. But I already know just by watching 1381 01:18:48,600 --> 01:18:51,880 Speaker 1: his interviews, listening to his music, I already knew he 1382 01:18:52,000 --> 01:18:54,640 Speaker 1: was grounded. He was what we need to follow. He 1383 01:18:54,800 --> 01:18:57,280 Speaker 1: was a leader, you know what I'm saying. And that's 1384 01:18:57,320 --> 01:19:00,600 Speaker 1: what you know. And and I took off out of 1385 01:19:00,720 --> 01:19:02,920 Speaker 1: his music when I did listen to it, but you 1386 01:19:02,960 --> 01:19:04,800 Speaker 1: know what I'm saying, and that was that was Keith, 1387 01:19:05,320 --> 01:19:08,360 Speaker 1: You know what I mean. You know you know what 1388 01:19:08,520 --> 01:19:11,560 Speaker 1: we're gonna say. We're gonna all say God bless and 1389 01:19:11,600 --> 01:19:15,000 Speaker 1: rest in peace. But moving on to a positive, positive No, 1390 01:19:15,200 --> 01:19:16,880 Speaker 1: you know what I'm saying. We want like you know 1391 01:19:17,439 --> 01:19:21,160 Speaker 1: your champions about praising the artists while they're alive. And again, 1392 01:19:21,200 --> 01:19:23,720 Speaker 1: I want to reiterate, you know, I'm so glad that 1393 01:19:23,800 --> 01:19:25,640 Speaker 1: you know gun Play pulls up because I know he's 1394 01:19:25,640 --> 01:19:28,800 Speaker 1: gonna help us with this is. We want you to 1395 01:19:28,920 --> 01:19:32,640 Speaker 1: know that you appreciated. You know what I'm saying, Like 1396 01:19:33,160 --> 01:19:34,920 Speaker 1: everything that you did. You know what I'm saying, You 1397 01:19:35,080 --> 01:19:40,519 Speaker 1: are a legend living as a legend. You're humble, but 1398 01:19:41,000 --> 01:19:44,599 Speaker 1: will brack for you, no problem, no problem, no problem. 1399 01:19:44,720 --> 01:19:47,920 Speaker 1: But never mind the South. You are living legend for 1400 01:19:48,120 --> 01:19:53,360 Speaker 1: us and every hip hop But I started more, I 1401 01:19:53,479 --> 01:20:01,000 Speaker 1: started selling the lead when That's why it means so 1402 01:20:01,200 --> 01:20:03,519 Speaker 1: much to me when I listening to y'all and listen 1403 01:20:04,000 --> 01:20:07,439 Speaker 1: like to if intro, the outro to everything, y'all dropped 1404 01:20:07,520 --> 01:20:11,280 Speaker 1: jewels before the jewels was supposed to even be picked up. 1405 01:20:12,360 --> 01:20:14,800 Speaker 1: Niggers ain't even know they were supposed to pick up jewels, 1406 01:20:14,880 --> 01:20:17,880 Speaker 1: and it was hious like y'all, like like the the 1407 01:20:19,680 --> 01:20:22,720 Speaker 1: everything from the first single from you know what I'm saying, 1408 01:20:22,800 --> 01:20:25,640 Speaker 1: peeping in my window and stuff's happening. Now, let me 1409 01:20:25,720 --> 01:20:31,160 Speaker 1: let me it's happening now. We just asked because conspiracy theories, 1410 01:20:31,400 --> 01:20:34,240 Speaker 1: they always say that who's that peeking in my window? 1411 01:20:34,520 --> 01:20:36,840 Speaker 1: Was about some other ship that we didn't know. No, 1412 01:20:36,960 --> 01:20:46,400 Speaker 1: what's happening now? The gates keeping out, like what was 1413 01:20:46,479 --> 01:20:49,080 Speaker 1: that record about? Because I don't know tell you the 1414 01:20:49,120 --> 01:20:53,600 Speaker 1: whole story. It's annoying. Alright, So look that this is 1415 01:20:54,120 --> 01:20:56,840 Speaker 1: this is one of my all time familites. Okay, um 1416 01:20:57,479 --> 01:21:01,160 Speaker 1: m cs of all time who said recently and he's 1417 01:21:01,160 --> 01:21:04,240 Speaker 1: post to you his favorite MC. This is busting Ryan. 1418 01:21:05,200 --> 01:21:08,439 Speaker 1: I'm saying, yeah, bigger right like Louve, but's one of 1419 01:21:08,520 --> 01:21:12,200 Speaker 1: my all time favorite. But anyway, the story goes, we're 1420 01:21:12,240 --> 01:21:16,080 Speaker 1: in Atlanta. Uh it's now staining Coonia, but it was Bosstown. 1421 01:21:16,240 --> 01:21:21,280 Speaker 1: Then Outcas bought Bobby Brown's studio. It was Bobby Brown's 1422 01:21:21,320 --> 01:21:39,080 Speaker 1: first it was called Cocaine. I'm sure so yeah, so 1423 01:21:39,280 --> 01:21:42,760 Speaker 1: but you know what, I'm suing the story. I'm taking 1424 01:21:42,800 --> 01:21:46,519 Speaker 1: that back. No, we was a dark we'll a dark 1425 01:21:46,600 --> 01:21:51,840 Speaker 1: Dallas Austin studio, not someone Si. Yeah, but a lot 1426 01:21:51,920 --> 01:22:05,920 Speaker 1: of cocaine and always see him mine. Yeah, I don't 1427 01:22:05,920 --> 01:22:16,479 Speaker 1: know the game. You check it out. Buster Rhymes gave us. 1428 01:22:17,479 --> 01:22:20,960 Speaker 1: Buster Rhymes came in our session. He said, brothers, look 1429 01:22:20,960 --> 01:22:23,240 Speaker 1: at you know not but for me, what y'all work outout? 1430 01:22:23,240 --> 01:22:25,080 Speaker 1: But what if he sitting like that? Brothers are doing 1431 01:22:25,120 --> 01:22:27,439 Speaker 1: some good things. I want to pass off a bit 1432 01:22:27,479 --> 01:22:30,040 Speaker 1: of information to y'all. There was a book called The 1433 01:22:30,120 --> 01:22:38,280 Speaker 1: Hold the Pale Horse. I'm missing that quit. Yeah, come on, 1434 01:22:38,400 --> 01:22:48,720 Speaker 1: billy yourself. Wait wait wait, walkas Gables way. Buster mind 1435 01:22:48,800 --> 01:22:50,720 Speaker 1: gave it to the Dunker. So Big Rule, who was 1436 01:22:50,760 --> 01:22:53,559 Speaker 1: a resident. You know what I'm saying, you know, yeah, 1437 01:22:53,640 --> 01:22:57,679 Speaker 1: you know he's good Rule exactly. He read the book first. 1438 01:22:57,760 --> 01:22:59,960 Speaker 1: This book is what it's three hundred pages on better, 1439 01:23:01,080 --> 01:23:03,040 Speaker 1: so we had to take his time. He read the book. 1440 01:23:03,600 --> 01:23:05,360 Speaker 1: You know, we always living at the duchy like that, 1441 01:23:05,520 --> 01:23:06,920 Speaker 1: you know what I mean, Like it's crazy at the time. 1442 01:23:07,000 --> 01:23:10,160 Speaker 1: So basically a short, long story short. That book got 1443 01:23:10,200 --> 01:23:16,840 Speaker 1: around everybody were head, everybody read beholding good he must 1444 01:23:17,439 --> 01:23:20,320 Speaker 1: y'all on the whole nother. Yeah, And then your nigga's 1445 01:23:20,360 --> 01:23:23,679 Speaker 1: in the studio high snap seeing somebody people through the window. 1446 01:23:26,360 --> 01:23:39,760 Speaker 1: That was analogy, you though, sometimes that's another way to say, 1447 01:23:39,880 --> 01:23:46,479 Speaker 1: like big brothers watching everyone, Let me and check one 1448 01:23:46,520 --> 01:23:50,920 Speaker 1: more little quick enough man. Nigga my old girl right, 1449 01:23:51,240 --> 01:23:54,400 Speaker 1: she was being like Hella hip then and she gave 1450 01:23:54,479 --> 01:24:00,559 Speaker 1: me um um the Sunday National Law some some book 1451 01:24:00,640 --> 01:24:06,080 Speaker 1: whatever whatever, and it ultimately led me to the Bill 1452 01:24:06,160 --> 01:24:10,600 Speaker 1: Cooper book, the White Horse Book. So my nigga, like 1453 01:24:10,720 --> 01:24:12,920 Speaker 1: when they was saying that my old girl was preaching 1454 01:24:13,000 --> 01:24:17,160 Speaker 1: that same ship to me, and I was like, oh hey, 1455 01:24:17,400 --> 01:24:20,280 Speaker 1: it should make sense, and my nigga, it's going on now. 1456 01:24:20,760 --> 01:24:23,120 Speaker 1: I'm just saying. You know what I'm saying, You know everything, 1457 01:24:23,760 --> 01:24:28,040 Speaker 1: it's all about putting like yo yo ship right there 1458 01:24:28,080 --> 01:24:30,160 Speaker 1: on the table, like for real, for real, that was 1459 01:24:30,200 --> 01:24:33,360 Speaker 1: talking that ship before Nigga's even perspective. You know what 1460 01:24:33,400 --> 01:24:36,320 Speaker 1: I'm saying. That's why I like, it's truly a testament 1461 01:24:36,360 --> 01:24:40,120 Speaker 1: and it's it's it's a a a an accomplishment to 1462 01:24:40,200 --> 01:24:42,320 Speaker 1: still be here man and talking about it right now 1463 01:24:42,400 --> 01:24:45,760 Speaker 1: because you know, we was blacklisted out of the gate 1464 01:24:45,960 --> 01:24:47,560 Speaker 1: and something we can't with it, we can't with the 1465 01:24:47,600 --> 01:24:50,240 Speaker 1: information right out of the game. I almost like we're 1466 01:24:50,479 --> 01:24:54,680 Speaker 1: glad to make one dollar and you crazy all right 1467 01:24:54,760 --> 01:24:57,080 Speaker 1: on the line right off top and let me just 1468 01:24:57,160 --> 01:25:01,720 Speaker 1: tell you something. Let me you you almost like um 1469 01:25:02,880 --> 01:25:07,280 Speaker 1: be with me at the o J level, meaning like 1470 01:25:07,400 --> 01:25:10,519 Speaker 1: some people don't look at o J black You made 1471 01:25:10,560 --> 01:25:13,519 Speaker 1: a certain level. We had a certain people just look 1472 01:25:13,520 --> 01:25:18,760 Speaker 1: at you like you just see though what you want. 1473 01:25:19,520 --> 01:25:24,840 Speaker 1: I just say, I'm just saying it's like oh no, no, no, 1474 01:25:25,080 --> 01:25:27,400 Speaker 1: you look at you know if you know nothing else. 1475 01:25:27,720 --> 01:25:29,640 Speaker 1: But what I'm saying is what I'm saying to me, 1476 01:25:29,800 --> 01:25:32,840 Speaker 1: you are Celan right now, walk down the street. The 1477 01:25:32,880 --> 01:25:35,920 Speaker 1: white people are gonna say or something him. Yeah, of course, 1478 01:25:37,560 --> 01:25:43,160 Speaker 1: of course, of course. It's like still waters steal me everyone. 1479 01:25:44,360 --> 01:25:50,920 Speaker 1: I know that. Look he conquered the job of staying 1480 01:25:50,960 --> 01:25:54,280 Speaker 1: out the county jail long enough, like like you did 1481 01:25:54,520 --> 01:25:57,280 Speaker 1: all of us, Like you know what I'm saying, like, yeah, 1482 01:25:58,120 --> 01:26:00,360 Speaker 1: that's that's like a flake time job, like stay out 1483 01:26:00,400 --> 01:26:04,960 Speaker 1: the county stay saying says that we are we gonna 1484 01:26:04,960 --> 01:26:15,599 Speaker 1: make up thinking jail. It's warmly conversation. That's any time 1485 01:26:16,120 --> 01:26:22,680 Speaker 1: stay say now, Mark, I'm sorry made it was g 1486 01:26:23,520 --> 01:26:29,280 Speaker 1: I should be shall look look how y'all caught me? Man? 1487 01:26:29,360 --> 01:26:43,160 Speaker 1: Hold okay, good in a mineral some ship, I'm like, 1488 01:26:43,240 --> 01:26:46,840 Speaker 1: way on that. Yeah, alright, cool, that's what it is. 1489 01:26:47,720 --> 01:26:56,360 Speaker 1: I'm so kids, So I'll take y'all really you don't 1490 01:26:56,400 --> 01:27:04,519 Speaker 1: we cli hip hop? They're gonna you know, man know 1491 01:27:04,640 --> 01:27:08,040 Speaker 1: what again? Because I know gunplayer is gonna coach side 1492 01:27:08,040 --> 01:27:10,880 Speaker 1: and defense on coach sidnists. We just want to say 1493 01:27:10,880 --> 01:27:12,760 Speaker 1: how much we appreciate you. You know what I'm saying 1494 01:27:13,400 --> 01:27:17,519 Speaker 1: for you know, I'm digging in the dirt and breaking 1495 01:27:17,600 --> 01:27:21,679 Speaker 1: boundaries and a lot of ways. Um everything I'm seeing 1496 01:27:22,360 --> 01:27:26,960 Speaker 1: you guys and um goodie mob and outcasts and you know, 1497 01:27:27,200 --> 01:27:29,800 Speaker 1: taking different ways. That's one of the reasons why I 1498 01:27:29,880 --> 01:27:32,240 Speaker 1: messed with a person like for a round was just 1499 01:27:32,360 --> 01:27:35,000 Speaker 1: to just jump outside the box. And and at the 1500 01:27:35,080 --> 01:27:37,320 Speaker 1: time to Swiss Beasts as well, a lot of people 1501 01:27:37,439 --> 01:27:39,320 Speaker 1: didn't like he was just working with rough riders and 1502 01:27:39,400 --> 01:27:41,240 Speaker 1: that was it, and I just wanted to do something different. 1503 01:27:41,400 --> 01:27:50,840 Speaker 1: You discover for real? I mean easy to say that. Yeah, 1504 01:27:51,160 --> 01:27:53,519 Speaker 1: I love essentially being tributed to you. Yeah, I love it. 1505 01:27:53,560 --> 01:27:55,600 Speaker 1: I love it. And you know what, you know, I 1506 01:27:55,720 --> 01:27:59,479 Speaker 1: got number love for the guy and I love our 1507 01:27:59,560 --> 01:28:01,880 Speaker 1: history together. But you know, and that's the thing is, 1508 01:28:02,760 --> 01:28:04,680 Speaker 1: you know, I want to make it more about you. Um, 1509 01:28:05,320 --> 01:28:08,720 Speaker 1: so like you know, um, it's it's gonna stop. I'm good, 1510 01:28:08,800 --> 01:28:11,519 Speaker 1: I keep hitting the mic, right, I'm good, alright, So sorry, 1511 01:28:11,680 --> 01:28:15,120 Speaker 1: everybody got their own paths. Yeah, it don't matter. What's 1512 01:28:15,160 --> 01:28:18,800 Speaker 1: what everybody we can call come up together. It don't matter. 1513 01:28:19,360 --> 01:28:21,519 Speaker 1: Rise here for someone, go this way, someone go to 1514 01:28:21,600 --> 01:28:23,519 Speaker 1: film somethe gonna give me, someone go to this something 1515 01:28:23,680 --> 01:28:26,479 Speaker 1: producing some of the suff so crack someone to do. So, 1516 01:28:26,640 --> 01:28:30,680 Speaker 1: how's this whatever? But everybody got their own joint, like 1517 01:28:30,840 --> 01:28:33,599 Speaker 1: you know what I'm saying, Like everybody, so nobody should 1518 01:28:33,600 --> 01:28:36,920 Speaker 1: be like, oh that nigga, Now what's your path? Like? 1519 01:28:37,040 --> 01:28:39,360 Speaker 1: What what did you create for yourself? What that's the need? 1520 01:28:39,439 --> 01:28:42,120 Speaker 1: Did you see for yourself that you made reality? You 1521 01:28:42,200 --> 01:28:45,120 Speaker 1: know what I'm saying, This was his reality? Like, Yo, look, 1522 01:28:45,360 --> 01:28:47,479 Speaker 1: look I'm gonna be. I'm gonna be a screet nigga. 1523 01:28:47,479 --> 01:28:49,759 Speaker 1: I'm gonna be I'm gonna be me. But I'm gonna 1524 01:28:49,760 --> 01:28:52,080 Speaker 1: go ahead on Fronago to Bagel with these with these 1525 01:28:52,120 --> 01:28:54,560 Speaker 1: food wops. We just go get where I got to go. 1526 01:28:54,920 --> 01:28:57,479 Speaker 1: You know, I'm gonna make the best music possible that 1527 01:28:57,600 --> 01:29:00,759 Speaker 1: could pull that shit about you stick to your ribs, 1528 01:29:00,800 --> 01:29:04,000 Speaker 1: say that and then boom at the same time, Hey, 1529 01:29:04,160 --> 01:29:06,240 Speaker 1: you know what I'm saying. Be, that's what I'm saying. 1530 01:29:06,880 --> 01:29:14,559 Speaker 1: That's that's what I'm watching him. I'm watching I'm watching 1531 01:29:14,640 --> 01:29:16,680 Speaker 1: Fresh Prince of ballet. Don't watch you to like I'm 1532 01:29:16,680 --> 01:29:20,000 Speaker 1: watching them set. I'm watching these is on film, but 1533 01:29:20,120 --> 01:29:24,320 Speaker 1: they're still them. Still, I'm still gonna be but I 1534 01:29:24,400 --> 01:29:31,559 Speaker 1: could black. You know what I'm saying, just every little 1535 01:29:31,560 --> 01:29:33,200 Speaker 1: what I have to I'm not trying to do that. 1536 01:29:33,200 --> 01:29:36,519 Speaker 1: I ain't I'm running like out to but if I 1537 01:29:36,640 --> 01:29:39,439 Speaker 1: have to not that that's a great saying that that 1538 01:29:39,600 --> 01:29:42,720 Speaker 1: that that's that says there's a deadline between being pro 1539 01:29:42,880 --> 01:29:55,080 Speaker 1: black and being professional. That's it. That's it, yo. So 1540 01:29:55,360 --> 01:29:59,640 Speaker 1: you just and then and listen at this point, know 1541 01:30:00,040 --> 01:30:04,800 Speaker 1: nigga like, come over CNN the whole situation. Let's keep it. 1542 01:30:05,040 --> 01:30:09,120 Speaker 1: You see the lep Yeah yeah, he And the first 1543 01:30:09,160 --> 01:30:15,040 Speaker 1: song I ever had on a mixtape was him first. 1544 01:30:15,400 --> 01:30:17,360 Speaker 1: I'm just letting you know the history. But I hit great. 1545 01:30:18,560 --> 01:30:20,760 Speaker 1: I'm just I'm we got we got music, we put 1546 01:30:20,800 --> 01:30:25,920 Speaker 1: out exactly. He's He's the ultimate accomplishment. Is you see 1547 01:30:25,960 --> 01:30:27,960 Speaker 1: how naturally it was for me to say how much 1548 01:30:27,960 --> 01:30:30,559 Speaker 1: I appreciate you. I mean you say and the thing 1549 01:30:30,640 --> 01:30:33,080 Speaker 1: about it and appreciate you and and vice versa. Think 1550 01:30:33,080 --> 01:30:34,919 Speaker 1: about it. That's what we gotta do for our community. 1551 01:30:35,080 --> 01:30:37,920 Speaker 1: This thing is we gotta preach that we can preach. 1552 01:30:38,200 --> 01:30:40,840 Speaker 1: We can preach so much other yo, yo, this pitch 1553 01:30:40,920 --> 01:30:42,760 Speaker 1: and you know, smoke yourself for why do not say? 1554 01:30:42,840 --> 01:30:45,040 Speaker 1: Yo man? My man is a great guy. I'm gonna 1555 01:30:45,040 --> 01:30:47,479 Speaker 1: tell him math, you know what I'm saying. Like when 1556 01:30:47,560 --> 01:30:51,000 Speaker 1: y'all single to just passed away, godless and dad, we 1557 01:30:51,240 --> 01:30:54,840 Speaker 1: actually had footage of us giving him his flowers right there, saying, Yo, 1558 01:30:55,160 --> 01:30:57,360 Speaker 1: you know what that was? That was a beautiful government 1559 01:30:57,439 --> 01:30:59,479 Speaker 1: for me because I didn't do it for that moment 1560 01:30:59,520 --> 01:31:02,240 Speaker 1: expected him to pass away. But the thing about it 1561 01:31:02,479 --> 01:31:05,280 Speaker 1: is that's what we gotta. We gotta big of our 1562 01:31:05,280 --> 01:31:08,799 Speaker 1: communities way more than you know what I'm saying. Because 1563 01:31:09,600 --> 01:31:13,000 Speaker 1: you go to Nebraska, you go to Milwaukee, or you 1564 01:31:13,200 --> 01:31:16,360 Speaker 1: go to uh doods to do off Germany and they'll 1565 01:31:16,400 --> 01:31:20,320 Speaker 1: be throwing roses at your your feet. Well we it 1566 01:31:20,439 --> 01:31:23,080 Speaker 1: wants to be at your feet whatever in America as well. 1567 01:31:23,760 --> 01:31:25,320 Speaker 1: You understand I'm saying. I hate when I go to 1568 01:31:25,439 --> 01:31:28,240 Speaker 1: Europe and they appreciate me more. I hate when I 1569 01:31:28,280 --> 01:31:30,840 Speaker 1: go to Europe the doors over that nine o'clock and 1570 01:31:30,880 --> 01:31:34,920 Speaker 1: they they got the whole ship pack the six Can 1571 01:31:34,960 --> 01:31:36,920 Speaker 1: I tell you this, yes, sir, I don't know I 1572 01:31:37,000 --> 01:31:39,000 Speaker 1: don't know if it's just because I'm just on the 1573 01:31:39,040 --> 01:31:41,840 Speaker 1: celebrity standing there at that moment, or if it's really 1574 01:31:41,880 --> 01:31:45,320 Speaker 1: something to do with me. But I got so much love, bro, 1575 01:31:45,439 --> 01:31:47,559 Speaker 1: That's why I like, you know, even when you were 1576 01:31:47,560 --> 01:31:49,800 Speaker 1: talking earlier about me be putting up and it's something 1577 01:31:49,920 --> 01:31:53,240 Speaker 1: just for my own's like, like, I don't got nothing 1578 01:31:53,280 --> 01:31:55,680 Speaker 1: but love. I swear to guard men. Over twenty five 1579 01:31:55,760 --> 01:31:58,720 Speaker 1: years professional career, I have not had no problem and 1580 01:31:58,760 --> 01:32:01,200 Speaker 1: I'm everyone. I'm something like, I've just been so blessed 1581 01:32:01,240 --> 01:32:03,760 Speaker 1: to cover the fortunate. Because that's what you give out. 1582 01:32:04,680 --> 01:32:07,120 Speaker 1: You don't give out that I give out that nigga, 1583 01:32:07,160 --> 01:32:15,160 Speaker 1: what's up that? That's what dog? Whatver? Yeah? No, not 1584 01:32:15,320 --> 01:32:19,360 Speaker 1: for real, but inside you ran nigga, whatever's inside you, 1585 01:32:19,479 --> 01:32:22,519 Speaker 1: my nigga, You you put out my nigga because if you, 1586 01:32:22,800 --> 01:32:25,479 Speaker 1: if I'm around a hunted robberts my nigga, I'm gonna 1587 01:32:25,560 --> 01:32:31,639 Speaker 1: put out that whatever you have happened, so you happen 1588 01:32:31,720 --> 01:32:34,080 Speaker 1: to you if you give out that what's up? Brother, 1589 01:32:34,439 --> 01:32:37,599 Speaker 1: I'm just internally I'm just blessed to be in life. Hey, 1590 01:32:37,640 --> 01:32:40,720 Speaker 1: what's up? Brother? And you show love? But it comes 1591 01:32:40,800 --> 01:32:45,880 Speaker 1: back to it comes back to you. I'll figured this 1592 01:32:45,920 --> 01:32:48,439 Speaker 1: ship out. I did. I figured it out. I'll still 1593 01:32:48,439 --> 01:32:52,360 Speaker 1: be a husband, but I'll figured it out. But let's 1594 01:32:52,439 --> 01:33:01,920 Speaker 1: keeps that's his energy run like like I can't play 1595 01:33:02,000 --> 01:33:06,559 Speaker 1: that smile song bro like when nobody can know nobody 1596 01:33:06,640 --> 01:33:08,320 Speaker 1: could be in the whip. I have to be riding 1597 01:33:08,320 --> 01:33:12,799 Speaker 1: along for a long stretch. And yeah, I particularly love Miami. 1598 01:33:13,320 --> 01:33:18,439 Speaker 1: I love Miami, always have many time life. So I 1599 01:33:18,680 --> 01:33:21,080 Speaker 1: got you to stand with the kings here, man, whether 1600 01:33:21,120 --> 01:33:24,960 Speaker 1: it be trigged rigg feeling like they called on me. Man, 1601 01:33:25,000 --> 01:33:27,120 Speaker 1: you like you know I still I still with the 1602 01:33:27,200 --> 01:33:28,960 Speaker 1: best of it. You know what I mean. So I'm 1603 01:33:29,000 --> 01:33:31,519 Speaker 1: solid on that now. You let me just tell you 1604 01:33:31,640 --> 01:33:34,640 Speaker 1: man um again. In hip hop, we just want to 1605 01:33:34,720 --> 01:33:39,160 Speaker 1: reiterate that we start continuing to pick up all legends. 1606 01:33:39,160 --> 01:33:42,040 Speaker 1: We gotta tell you right now in your face, in 1607 01:33:42,160 --> 01:33:44,519 Speaker 1: front your queen's face and funt the home your face, 1608 01:33:44,640 --> 01:33:48,320 Speaker 1: that how much appreciate it, how much, how much I'm 1609 01:33:48,320 --> 01:33:52,000 Speaker 1: a part of your life in facts all of us, 1610 01:33:52,720 --> 01:33:55,840 Speaker 1: like I could, I kid, You're not like when I said, Yo, 1611 01:33:56,360 --> 01:33:59,400 Speaker 1: we gotta see little anybody's like yo, ship who's happy 1612 01:33:59,479 --> 01:34:03,439 Speaker 1: hearing them? When dude, they want to come up. When 1613 01:34:03,439 --> 01:34:05,439 Speaker 1: they pulled up, look at look at this gorgeous you 1614 01:34:05,520 --> 01:34:07,479 Speaker 1: know what I'm saying this, this will come here to 1615 01:34:07,560 --> 01:34:10,280 Speaker 1: salute you, because that's what that's what I explore my 1616 01:34:10,479 --> 01:34:12,840 Speaker 1: crew and my crew. I don't want to tell you 1617 01:34:13,200 --> 01:34:15,519 Speaker 1: you were great when you're not here. They're telling you 1618 01:34:15,600 --> 01:34:17,920 Speaker 1: you're great right now. So when we finished this, every 1619 01:34:17,960 --> 01:34:28,240 Speaker 1: one of these things are gonna want to picture you up. 1620 01:34:28,240 --> 01:34:32,240 Speaker 1: I've never made everybody already did that. And you know, 1621 01:34:32,400 --> 01:34:34,000 Speaker 1: and you know, and you know that's what. That's what 1622 01:34:34,000 --> 01:34:38,960 Speaker 1: when your energy is yea holdingness, you give that as 1623 01:34:39,000 --> 01:34:41,559 Speaker 1: a gift. That is a blessing. There's so many people 1624 01:34:42,000 --> 01:34:46,280 Speaker 1: that are your stature that is idiots and assholes and 1625 01:34:46,439 --> 01:34:49,679 Speaker 1: hate their fans and hate the people. And it's something 1626 01:34:49,720 --> 01:34:52,960 Speaker 1: that's noticed about you always as you're always humble, you're 1627 01:34:53,000 --> 01:34:56,400 Speaker 1: always down on the earth. You're always talk to whoever 1628 01:34:56,439 --> 01:34:58,519 Speaker 1: we want to talk to you. And that's a beautiful thing. 1629 01:34:58,800 --> 01:35:06,960 Speaker 1: We're going to salute that one you're sad wan continue 1630 01:35:07,160 --> 01:35:10,160 Speaker 1: to print for me or something like that and protect 1631 01:35:10,240 --> 01:35:13,400 Speaker 1: me something thoughts and you're well wishes man. Let Carol, 1632 01:35:13,400 --> 01:35:15,320 Speaker 1: because I see have too around a certain kind of way. 1633 01:35:15,400 --> 01:35:17,920 Speaker 1: I want to spot you know yeah, I think just 1634 01:35:18,080 --> 01:35:21,960 Speaker 1: keep me allowed when you see it. Woman to say, 1635 01:35:26,320 --> 01:35:29,760 Speaker 1: anyone has never told you this before in your life. 1636 01:35:30,160 --> 01:35:33,120 Speaker 1: I want to thank you everything you did for hip hop, 1637 01:35:34,040 --> 01:35:36,360 Speaker 1: everything you did for the group, everything you did from 1638 01:35:36,360 --> 01:35:38,519 Speaker 1: the land lad think you did for America, everything you 1639 01:35:38,600 --> 01:35:40,960 Speaker 1: did for your city. I want to thank you because 1640 01:35:41,280 --> 01:35:52,479 Speaker 1: it's well appreciated over here. You're making me proud of you. 1641 01:35:52,600 --> 01:35:55,600 Speaker 1: Gotta take a picture and that