WEBVTT - Reflection

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<v Speaker 1>From I Heart Radio and Doghouse Pictures. This is Fight Night.

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<v Speaker 1>I'm Jeff Keating. My initial attraction to this story centered

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<v Speaker 1>around Ali's return to the ring and the heist, especially

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<v Speaker 1>since both of these events happened in my hometown. I

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<v Speaker 1>was young and relatively naive, especially in matters of race,

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<v Speaker 1>culture and systematic injustice. So when I first interviewed J. D.

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<v Speaker 1>Hudson in two thousand and two, I never imagined I

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<v Speaker 1>would be getting an education into the two Americas, a

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<v Speaker 1>term often used to denote the different experiences between white

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<v Speaker 1>communities and black and brown communities, and also into the

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<v Speaker 1>worlds of the police and the people of color they

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<v Speaker 1>were assigned to govern. I didn't expect to discover so

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<v Speaker 1>much more about Atlanta, the city I was born and raised,

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<v Speaker 1>and also come to learn that this world of hustlers

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<v Speaker 1>and policemen where Chicken Man and JD were born, was

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<v Speaker 1>just miles away from where I grew up. I was

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<v Speaker 1>in my early thirties when I began pursuing this story,

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<v Speaker 1>and I was ignorant and misinformed about several topics in

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<v Speaker 1>our collective American history. But for some reason, these two

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<v Speaker 1>incredible men trusted me to tell their stories, and I'm

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<v Speaker 1>honored by this opportunity. I was also fortunate to have

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<v Speaker 1>other voices as guides, including our historian Dr Maurice Hobson.

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<v Speaker 1>In this final episode of Reflection, Dr Hobson and I

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<v Speaker 1>explore some of these topics and issues in more depth

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<v Speaker 1>and try to wrap our minds around the nuance and

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<v Speaker 1>complexities of these characters and events. We've again with the

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<v Speaker 1>topic of how the black communities are seen and viewed

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<v Speaker 1>by white communities. The expansion on that conversation really has

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<v Speaker 1>more to do with what White America cannot see. In

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<v Speaker 1>Black America. It's not visible via the naked eye. You know,

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<v Speaker 1>by and large, within black communities, the idea of who

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<v Speaker 1>black people were has always been extremely much more complicated

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<v Speaker 1>within the black community than what White America can see.

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<v Speaker 1>And so in this regard what Husson was referring to

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<v Speaker 1>it he was discussing how he was far more superior,

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<v Speaker 1>far more intelligent than the white police officers that were

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<v Speaker 1>his superior. But you know, he had to kind of

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<v Speaker 1>present himself as not being as such because that was

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<v Speaker 1>a way of survival. Historically, this is known as a

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<v Speaker 1>slave with But what this also does when white men

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<v Speaker 1>begin to work for him, they didn't want to leave

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<v Speaker 1>him because, you know, he was cool, he was fair,

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<v Speaker 1>he was smart, and they understood that. But the way

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<v Speaker 1>in which this works in the larger context, oftentimes, in

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<v Speaker 1>European cultures, the idea of success is based on you know, income,

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<v Speaker 1>or it's based on profession, you know, the kind of

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<v Speaker 1>job that you have. That's not necessarily the case in

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<v Speaker 1>the black community. The black community operates under a different

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<v Speaker 1>set of cultural practices, and so one of the things

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<v Speaker 1>that should be articulated is the fact that these hustlers, uh,

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<v Speaker 1>these gangsters were probably some of the most intelligent people

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<v Speaker 1>that you would meet. But it did not register or

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<v Speaker 1>it was not presented in a way to where White

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<v Speaker 1>America could understand it. Within Eurocentric culture, you know, if

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<v Speaker 1>you're smart, you're supposed to do well in school and

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<v Speaker 1>be Validatorian and go on to college and be rich

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<v Speaker 1>and famous and successful. Well, the truth of the matter

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<v Speaker 1>is that Black Americans will not afford it those opportunities.

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<v Speaker 1>And this goes back to w eb Devoce's double consciousness,

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<v Speaker 1>where Black America always has to see itself through the

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<v Speaker 1>eyes of others, and so there's a folk culture that

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<v Speaker 1>black people understand, which does fully understand the normal economic

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<v Speaker 1>opportunities that are presented by these quote unquote hustlers versus

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<v Speaker 1>you know, the kind of New England pious kind of

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<v Speaker 1>thrift and self help in denying yourself gratification. And so

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<v Speaker 1>Hudson's reference to that really does articulate the way in

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<v Speaker 1>which he's functioning in two worlds. He understands the criminal

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<v Speaker 1>element of this world in a very clear and precise way,

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<v Speaker 1>and he also understands the world of, you know, being

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<v Speaker 1>a professional as a police officer in Atlanta. One of

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<v Speaker 1>the things that I've found fascinating as I was going

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<v Speaker 1>back and listening to episode one was the way that

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<v Speaker 1>this cyclically came back when he first was sworn in

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<v Speaker 1>by Herbertie Jenkins, the chief of police, or at least

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<v Speaker 1>his boss as the end police, and then later went

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<v Speaker 1>on to explain to the audience that Herberty Jenkins became

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<v Speaker 1>one of the most liberal police chiefs in the country.

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<v Speaker 1>So talk about that kind of Here's the word that

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<v Speaker 1>blew me away, Maurice is he said that Herbertie Jenkins

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<v Speaker 1>evol involved. That means you change your character and heart

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<v Speaker 1>to mean, that's that's a that's a strong word. So

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<v Speaker 1>talk about I mean, is it not or do you

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<v Speaker 1>disagree with that? I agree, But you know, I'm listening

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<v Speaker 1>to this and and and for a living, I study people.

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<v Speaker 1>Maybe it wasn't that Herbert Jenkins evolved. Maybe he was

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<v Speaker 1>playing politics in the front end. And the political climate

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<v Speaker 1>in Atlanta changed, particularly in the middle of the nineteen

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<v Speaker 1>fifties when Mayor Bill Hartsville decided to coin and market

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<v Speaker 1>Atlanta as the city too busy to hate. I want

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<v Speaker 1>you to think about it this way. In the nineteen fifties,

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<v Speaker 1>I mean, Montgomery is absolutely rebelling, there's unrest Jackson, Mississippi.

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<v Speaker 1>There's unrest Little Rock, Arkansas, Nashville, Tennessee, Greensboro, North Carolina.

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<v Speaker 1>And so what Atlanta understands is if it presents itself

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<v Speaker 1>as being a moderate city, that it could actually be

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<v Speaker 1>the poster child for race relations in the American South.

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<v Speaker 1>Atlanta in nineteen one is the first Southern city to

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<v Speaker 1>integrate in terms of public schools, in terms of transportation,

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<v Speaker 1>and different aspect of life. And Jenkins is on record

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<v Speaker 1>as saying that plansmen from you know, Florida or Alabama

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<v Speaker 1>or Tennessee, Mississippi. You know the Carolinas, that they would

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<v Speaker 1>be put in jail, they would get their heads cracked

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<v Speaker 1>if they came to Atlanta trying to start problems. You

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<v Speaker 1>also have doing this time is RALPHL. McGill, who is

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<v Speaker 1>the editor for the Atlanta Journal Constitution, who has taken

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<v Speaker 1>a seriously heartlined stance on really presenting Atlanta as a

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<v Speaker 1>city that has moderate race relations. And so I think

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<v Speaker 1>that Herbert Jenkins that he fits into this new refashioning

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<v Speaker 1>and rebranding of Atlanta, and I think he then becomes

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<v Speaker 1>a leader or pioneer in terms of how race relations

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<v Speaker 1>can go. I mean there there are a lot of

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<v Speaker 1>major political figures in the history of the United States

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<v Speaker 1>that have done that. I mean, one that comes to

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<v Speaker 1>mind is Linda Baines Johnson. He ran as a segregationist.

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<v Speaker 1>He's out of Texas, but he does more in terms

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<v Speaker 1>of civil and human rights legislation than any other American president,

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<v Speaker 1>And any movement towards the advancement of democracy is centered

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<v Speaker 1>around someoneline President Lynda B. Johnson. Now we can see

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<v Speaker 1>that same kind of experience with her Jenkins. What I'm

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<v Speaker 1>saying is he may have evolved, but what he may

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<v Speaker 1>have evolved from is not having to play politics as

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<v Speaker 1>much as being a human being. That's fair to say. Again,

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<v Speaker 1>the interconnection between Herbertie Jenkins and j D from early on,

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<v Speaker 1>specifically as it relates to our story, I guess that's

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<v Speaker 1>a better way to put it. You know, this guy

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<v Speaker 1>that's sworn in with this racial slur. J D even

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<v Speaker 1>says at the time, I didn't even think about it.

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<v Speaker 1>I had to reflect back on it. That's kind of unusual,

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<v Speaker 1>and that statement itself. And then as you see, as

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<v Speaker 1>the story progresses, however we would define it, you know,

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<v Speaker 1>evolution or playing politics or whatever. But ultimately, Herbertie Jenkins

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<v Speaker 1>assigns j D, the same cop that he's sworn in

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<v Speaker 1>to lead this case, so obviously they got either some

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<v Speaker 1>kind of bond or trust or respect or whatever it

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<v Speaker 1>is to put him in such a case with such

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<v Speaker 1>a high spotlight. Is that fair to say? It's fair

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<v Speaker 1>to say it. And you know, across the American South,

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<v Speaker 1>I mean particularly, you know, we think about race relations

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<v Speaker 1>in the American South and we see it as a

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<v Speaker 1>sordid relationship between blacks and whites. But people are complicated,

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<v Speaker 1>and one on one they do different things, and maybe

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<v Speaker 1>you know safe to say that Hudson and Herbert Jenkins

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<v Speaker 1>really did just have a bond and there was a trust.

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<v Speaker 1>And also, you know, think of it this way. What

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<v Speaker 1>really maybe happening here is that J. D. Hudson as

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<v Speaker 1>a police officer who had to arrest the young people

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<v Speaker 1>of the Atlanta student movement, you know, at LEPs Diner,

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<v Speaker 1>but he had to do so with dignity and pride.

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<v Speaker 1>And it may be that Chief Jenkins understood that j

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<v Speaker 1>D was the kind of person that could keep the

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<v Speaker 1>black community office back, and see there may have been

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<v Speaker 1>appreciation for that. It was one of those things to

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<v Speaker 1>where because j. D. Hudson had an organic relationship with

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<v Speaker 1>all of the black communities in Atlanta, and Herbert Jenkins

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<v Speaker 1>understood that the black community respected j. D. Hudson. That's

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<v Speaker 1>probably why j D was able to you know, become

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<v Speaker 1>Ali's bodyguard and to be with him seven you know,

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<v Speaker 1>during the time when Ali is here before his fight.

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<v Speaker 1>You know, I've had some reservations about some of the

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<v Speaker 1>phrases and topics that we're discussing, So let's take one

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<v Speaker 1>of those so we can expand on it a little bit,

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<v Speaker 1>which is black on black crime. Just talk a little

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<v Speaker 1>bit about the history of that phrase. Black on black

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<v Speaker 1>crime is a pathologizing kind of term. Oftentimes that came

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<v Speaker 1>into the American English lexicon with other words such as

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<v Speaker 1>inner city which means black, well, welfare queen. They're the

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<v Speaker 1>scripted narratives. And the thing about it is, I want

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<v Speaker 1>you to think about this, only of the United States

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<v Speaker 1>is identifies as of African descent, and the fact that

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<v Speaker 1>someone would throw out black on black crime, it negates

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<v Speaker 1>all of the horror and terror in the violence that

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<v Speaker 1>America has put on all of its citizens, but black, brown,

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<v Speaker 1>Native women, poor people. So to throw that out there,

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<v Speaker 1>it really shifts to blame from what the real culprit is.

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<v Speaker 1>And so when we talked about black on black and

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<v Speaker 1>what that means, oftentimes, you know, black on black is

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<v Speaker 1>presented to kind of take the focus off of what

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<v Speaker 1>America has done in terms of violence towards other communities,

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<v Speaker 1>and it just focuses on a particular group to show

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<v Speaker 1>that black people are their own worst enemies. And it

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<v Speaker 1>doesn't take into account American greed, it doesn't take into

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<v Speaker 1>account segregation, it doesn't take into account sexual assault, and

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<v Speaker 1>trafficking and all of those different things. It doesn't really

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<v Speaker 1>take it to account American history exactly. All right, Let's

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<v Speaker 1>seg to Mohammad Ali. Mom was telling me that Muhammad

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<v Speaker 1>Ali had a real love affair with Atlanta of the

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<v Speaker 1>years well as a result of Ali being able to

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<v Speaker 1>fight here, he endears that relationship with Atlanta. And there

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<v Speaker 1>are at least four things that Ali does with Atlanta

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<v Speaker 1>over his career because they become partners. So Muhammad Ali

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<v Speaker 1>and Atlanta, Georgia create this love affair and what I

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<v Speaker 1>call it is a love story in the Key of

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<v Speaker 1>the Black New South. The Black New South deals with

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<v Speaker 1>the Civil Rights Act of nineteen sixty four and the

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<v Speaker 1>Voting Rights Act of ninety five, which politically changed the

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<v Speaker 1>American South where black people are able to really assert

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<v Speaker 1>themselves politically. And so what all he does is in

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<v Speaker 1>the late nineteen seventies, he comes back to Atlanta to

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<v Speaker 1>help raise money for the Dr Martin Luther King Center.

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<v Speaker 1>He comes back to Atlanta, King's hometown and celebrates Dr

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<v Speaker 1>King in his non volunt direct action by helping to

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<v Speaker 1>raise money. He has a fight in effigy with Maynard

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<v Speaker 1>Jackson to help raise money for this cause. Also, during

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<v Speaker 1>the notorious episodes known as the Atlanta Child Murders, it

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<v Speaker 1>is Ali who gives his money from his own winnings

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<v Speaker 1>to the City of Atlanta. He gives four hundred thousand

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<v Speaker 1>dollars in cash because the City of Atlanta could only

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<v Speaker 1>muster one thousand dollars for an award, so he gives

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<v Speaker 1>that to the City of Atlanta because he says, it's

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<v Speaker 1>shameful what's happening to those children. And then, of course

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<v Speaker 1>in the nineteen eighties, he does come back to Atlanta

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<v Speaker 1>to again help raise more money for the King Center.

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<v Speaker 1>But it's in when he likes to torch for the

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<v Speaker 1>Centennial Olympia that we really see that deal sealed in

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<v Speaker 1>in their relationship. The relationship between Muhammad Ali and Atlanta,

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<v Speaker 1>Georgia is one that deserves considerable research and attention. Ali

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<v Speaker 1>understood that Atlanta given him the opportunity to come back

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<v Speaker 1>and fight, set a stage for him to do what

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<v Speaker 1>he loved to do most and that was, you know,

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<v Speaker 1>be a champion of humanity. Atlanta understanding the bron the brain,

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<v Speaker 1>the brilliance of Ali as not only a heavyweight fighter,

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<v Speaker 1>but as a champion for civil and human rights attached

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<v Speaker 1>to itself and the both the city and Ali merge

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<v Speaker 1>themselves and present it the kind of image of what

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<v Speaker 1>it meant to be rising in the black New South.

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<v Speaker 1>What are some similarities and some tie ins about this story,

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<v Speaker 1>that event you just discussed, that heist from nineteen seventy

0:13:22.200 --> 0:13:27.199
<v Speaker 1>and what we're dealing with now in two thousand and twenty.

0:13:28.600 --> 0:13:32.640
<v Speaker 1>Some of the similarities between the Ali fight nineteen seventy,

0:13:32.760 --> 0:13:36.920
<v Speaker 1>the all black everything heist that takes place after the fight,

0:13:37.280 --> 0:13:41.080
<v Speaker 1>and what we have going now is also a conversation

0:13:41.120 --> 0:13:43.920
<v Speaker 1>around equal protection and due process under the law. Let

0:13:43.920 --> 0:13:45.960
<v Speaker 1>me connect this in a particular kind of way. You know,

0:13:46.000 --> 0:13:49.640
<v Speaker 1>Mohammad Ali was buked in scoring because he was deemed

0:13:49.640 --> 0:13:53.920
<v Speaker 1>as on patriotic because he did not want to adhere

0:13:53.960 --> 0:13:56.360
<v Speaker 1>to policies that would have sent him to the front

0:13:56.400 --> 0:13:58.360
<v Speaker 1>lines to be murdered on behalf of the country that

0:13:58.360 --> 0:14:00.800
<v Speaker 1>didn't love him. And it goes back to the conversation

0:14:00.840 --> 0:14:03.079
<v Speaker 1>I mean with with Ali being a prize fighter, I'm

0:14:03.080 --> 0:14:04.840
<v Speaker 1>pretty sure that white America would have loved to have

0:14:04.840 --> 0:14:07.800
<v Speaker 1>seen him just shut up in box. And you know,

0:14:07.920 --> 0:14:10.160
<v Speaker 1>right now we are in the midst of a pandemic

0:14:10.280 --> 0:14:13.040
<v Speaker 1>where the American President and even the governor in the

0:14:13.120 --> 0:14:16.960
<v Speaker 1>state of Georgia has failed to try to protect people

0:14:17.080 --> 0:14:21.320
<v Speaker 1>from this pandemic. Things such as personal protective equipment ppees

0:14:21.560 --> 0:14:25.640
<v Speaker 1>that is seriously impacted folks with pre existing conditions, who

0:14:25.680 --> 0:14:28.240
<v Speaker 1>are overwhelmingly black and brown, who who don't have access

0:14:28.240 --> 0:14:31.160
<v Speaker 1>to adequate healthcare, they live in food deserts. We see

0:14:31.200 --> 0:14:34.320
<v Speaker 1>the rise of the prison industrial complex and and how

0:14:34.360 --> 0:14:37.280
<v Speaker 1>that works. But what we also began to see here

0:14:37.360 --> 0:14:40.560
<v Speaker 1>is right now with professional sports, you see athletes that

0:14:40.600 --> 0:14:43.640
<v Speaker 1>are taking a page out of Muhammad Ali's book and

0:14:43.680 --> 0:14:46.480
<v Speaker 1>they're standing up. Of course, Colin Kaepernick is going to

0:14:46.520 --> 0:14:49.240
<v Speaker 1>get his due for taking a knee in regards to

0:14:49.480 --> 0:14:51.480
<v Speaker 1>the playing of the national anthem to bring, you know,

0:14:51.520 --> 0:14:55.360
<v Speaker 1>attention to police brutality. You got the NBA players who

0:14:55.520 --> 0:14:59.320
<v Speaker 1>with the Kenosha, Wisconsin police shooting Jacob Blake in the

0:14:59.320 --> 0:15:02.280
<v Speaker 1>back seven time times, who basically say, you know what,

0:15:03.240 --> 0:15:05.520
<v Speaker 1>this is an injustice and they said we're not going

0:15:05.560 --> 0:15:08.280
<v Speaker 1>to play tonight. You have Lebron James and the rest

0:15:08.320 --> 0:15:12.120
<v Speaker 1>of the NBA players who meet with President Barack Obama

0:15:12.160 --> 0:15:16.720
<v Speaker 1>who's able to really fully discuss how they can will

0:15:16.880 --> 0:15:20.080
<v Speaker 1>their power as athletes to be able to make this

0:15:20.160 --> 0:15:23.280
<v Speaker 1>world more democratic. So I mean, we see how Atlanta,

0:15:23.320 --> 0:15:26.200
<v Speaker 1>Georgia is going to make state from arena become a

0:15:26.240 --> 0:15:29.120
<v Speaker 1>place for voting. What we're seeing here is that Ali

0:15:29.400 --> 0:15:33.160
<v Speaker 1>was the kind of world persona. He showed us how

0:15:33.200 --> 0:15:35.040
<v Speaker 1>it should be done. But then on the flip side

0:15:35.040 --> 0:15:38.520
<v Speaker 1>of it is in each in every world and each

0:15:38.520 --> 0:15:42.360
<v Speaker 1>and every time, there's always an informal economy. And there

0:15:42.360 --> 0:15:47.000
<v Speaker 1>are those within all communities, but the Black community in

0:15:47.000 --> 0:15:50.120
<v Speaker 1>particular that feel as if America has never done right

0:15:50.160 --> 0:15:54.520
<v Speaker 1>by black populations, and thus they operate on their own terms.

0:15:55.320 --> 0:15:57.240
<v Speaker 1>And in operating on their own terms, that's why you

0:15:57.240 --> 0:15:59.240
<v Speaker 1>would have a fireball, or why you would have a

0:15:59.680 --> 0:16:02.840
<v Speaker 1>you know, Richard Wheeler, Yeah, short, Papa. I love the

0:16:02.840 --> 0:16:06.000
<v Speaker 1>story of Ola May and her daughters tressing up, going

0:16:06.040 --> 0:16:09.320
<v Speaker 1>to the malls and stealing everything and then obviously using

0:16:09.320 --> 0:16:14.240
<v Speaker 1>it to it. But there are white politicians and white

0:16:14.280 --> 0:16:18.000
<v Speaker 1>people in corporate worlds that are stealing money and breaking

0:16:18.040 --> 0:16:20.680
<v Speaker 1>the law all over the place, and of course they

0:16:20.840 --> 0:16:23.520
<v Speaker 1>it's not looked at in the same regard, or they

0:16:23.560 --> 0:16:27.720
<v Speaker 1>have the finances to hire people to protect them legally,

0:16:27.880 --> 0:16:31.240
<v Speaker 1>or they have the connections politically to protect them from

0:16:31.280 --> 0:16:34.920
<v Speaker 1>certain things. But it's all criminals. Discussed that a little

0:16:34.960 --> 0:16:38.000
<v Speaker 1>bit in nineteen seventy and that hypocrisy in some ways,

0:16:38.080 --> 0:16:41.000
<v Speaker 1>well sure, I mean the founding of this country is

0:16:41.040 --> 0:16:42.920
<v Speaker 1>based on that same kind degree. I mean, you know,

0:16:42.960 --> 0:16:45.800
<v Speaker 1>there were people Native Americans that were that have been

0:16:45.840 --> 0:16:50.120
<v Speaker 1>on this land for thousands of years. And when Europeans come,

0:16:50.160 --> 0:16:52.680
<v Speaker 1>they decide that, you know, they are guys, chosen people,

0:16:52.800 --> 0:16:56.000
<v Speaker 1>and they are going to go from sea to shining sea.

0:16:56.000 --> 0:16:58.800
<v Speaker 1>It's called manifest destiny. And so when this new nation

0:16:58.880 --> 0:17:01.320
<v Speaker 1>was created, the laws were created to keep a particular

0:17:01.320 --> 0:17:03.840
<v Speaker 1>group of people in power, uh, the top five percent

0:17:03.960 --> 0:17:06.280
<v Speaker 1>in power. And as a result of that, when you

0:17:06.320 --> 0:17:09.399
<v Speaker 1>create the laws, you also create the loopholes. When we

0:17:09.440 --> 0:17:12.199
<v Speaker 1>talk about this gangster all of this gangster stuff, what

0:17:12.240 --> 0:17:14.720
<v Speaker 1>we're really talking about as capitalism and greed. I mean,

0:17:14.760 --> 0:17:16.840
<v Speaker 1>that's what America was based on. We're talking about a

0:17:16.840 --> 0:17:20.040
<v Speaker 1>group of hustlers who have figured out how to manipulate

0:17:20.680 --> 0:17:25.720
<v Speaker 1>the system based on how they can, versus bankers and

0:17:25.800 --> 0:17:28.600
<v Speaker 1>Wall Street who is able to manipulate the system of

0:17:28.680 --> 0:17:31.159
<v Speaker 1>money how they can, and then they can get just

0:17:31.200 --> 0:17:33.480
<v Speaker 1>slapped on the wrist. Oh, I didn't know that that happened.

0:17:33.520 --> 0:17:36.399
<v Speaker 1>You're talking about the haves and have knots historically and

0:17:36.400 --> 0:17:38.200
<v Speaker 1>how they have knots have always had to be much

0:17:38.200 --> 0:17:42.639
<v Speaker 1>more creative whereas to have they function in terms of money.

0:17:43.000 --> 0:17:44.800
<v Speaker 1>One of the things that I argue and how I

0:17:44.840 --> 0:17:51.080
<v Speaker 1>teach history is that racism, sexism, classism equals prejudice plus

0:17:51.119 --> 0:17:54.040
<v Speaker 1>the use in the abuse of power. Everyone has prejudice.

0:17:54.040 --> 0:17:55.760
<v Speaker 1>And when I say prejudice, I mean you may not

0:17:55.840 --> 0:17:58.720
<v Speaker 1>like red meat. That's that's your own prejudice. I mean,

0:17:58.760 --> 0:18:00.480
<v Speaker 1>for whatever reason, you may at late meat, or you

0:18:00.520 --> 0:18:02.600
<v Speaker 1>may not like the New Orleans Saints because you just

0:18:02.760 --> 0:18:04.840
<v Speaker 1>don't like them. But the real issue is the use

0:18:04.880 --> 0:18:07.280
<v Speaker 1>of the abuse of power. And what that means is

0:18:07.560 --> 0:18:10.000
<v Speaker 1>if I am a New Orleans Saints fan and you

0:18:10.119 --> 0:18:12.480
<v Speaker 1>are one of my students, Jeff, and I give you

0:18:12.520 --> 0:18:15.440
<v Speaker 1>an F in my class because I have the power

0:18:15.760 --> 0:18:17.800
<v Speaker 1>to use it and abuse it to give you an

0:18:17.840 --> 0:18:21.000
<v Speaker 1>F because I'm holding my prejudice against you. Then that

0:18:21.040 --> 0:18:22.840
<v Speaker 1>creates a problem. And when we talk about the us

0:18:22.880 --> 0:18:25.000
<v Speaker 1>and abusive power of what we're saying is we're talking

0:18:25.040 --> 0:18:28.679
<v Speaker 1>about the creation of policies and policies dictate laws, and

0:18:28.760 --> 0:18:32.480
<v Speaker 1>so the laws of this nation have failed to protect

0:18:32.680 --> 0:18:35.879
<v Speaker 1>the least amongst us, the Black America, Brown America women,

0:18:36.080 --> 0:18:39.439
<v Speaker 1>pool whites, the First Nations, and Native groups l g B,

0:18:39.560 --> 0:18:42.320
<v Speaker 1>t q I. The laws have failed to protect them

0:18:42.400 --> 0:18:44.800
<v Speaker 1>because at the end of the day, this nation was

0:18:44.840 --> 0:18:59.800
<v Speaker 1>based on white Anglo Saxon Protestant male ideas. I was

0:18:59.840 --> 0:19:03.919
<v Speaker 1>just raised with an interest in other cultures, whatever it

0:19:04.000 --> 0:19:06.240
<v Speaker 1>may be. I mean, I'm talking. I mean, you could

0:19:06.280 --> 0:19:09.600
<v Speaker 1>be going from Russia to Asia, Africa, whatever, and so

0:19:09.800 --> 0:19:13.520
<v Speaker 1>I find it interesting that there's a lot of people

0:19:13.560 --> 0:19:15.919
<v Speaker 1>that just aren't interested in other cultures. There's so you

0:19:15.920 --> 0:19:18.359
<v Speaker 1>know what I mean, they're so locked into their own.

0:19:19.040 --> 0:19:21.439
<v Speaker 1>That's what fascinated me with this world. I was like,

0:19:21.480 --> 0:19:24.159
<v Speaker 1>oh my goodness, this is incredible. And the fact that

0:19:24.200 --> 0:19:26.960
<v Speaker 1>it was in Atlanta, Maurice under my nose, in a

0:19:27.040 --> 0:19:29.199
<v Speaker 1>city that I grew up in all these years, and

0:19:29.240 --> 0:19:32.639
<v Speaker 1>a true crime and and literally miles away an you know,

0:19:32.680 --> 0:19:34.959
<v Speaker 1>I'm in Decatur, Georgia. You know a lot of this

0:19:35.040 --> 0:19:37.280
<v Speaker 1>is happening on the west side or the southwest side.

0:19:37.320 --> 0:19:41.959
<v Speaker 1>So anyway, I just I'm constantly reflecting on that, and

0:19:42.040 --> 0:19:44.800
<v Speaker 1>it's just I'm just like And it was different to

0:19:44.880 --> 0:19:47.640
<v Speaker 1>Maurice because a lot of people get obsessed with stories.

0:19:47.680 --> 0:19:50.879
<v Speaker 1>I wasn't obsessed with this. I would move on and

0:19:50.920 --> 0:19:53.240
<v Speaker 1>move away, but this story always seemed to come back

0:19:53.280 --> 0:19:56.120
<v Speaker 1>and grab me and find me and say no, you

0:19:56.160 --> 0:19:59.160
<v Speaker 1>need to tell me. So I'm a static we get

0:19:59.160 --> 0:20:01.520
<v Speaker 1>a chance to tell this story. We don't know how

0:20:01.600 --> 0:20:03.959
<v Speaker 1>time works, we don't know how it will move forward.

0:20:04.160 --> 0:20:07.439
<v Speaker 1>And right now, right here, you're doing this work and

0:20:07.560 --> 0:20:09.520
<v Speaker 1>it is going to be recorded and it is going

0:20:09.560 --> 0:20:11.600
<v Speaker 1>to be released. And the cool thing about it is

0:20:12.000 --> 0:20:16.399
<v Speaker 1>you have a different network that because it's you. Because

0:20:16.440 --> 0:20:19.360
<v Speaker 1>black folks are interested in black history in Atlanta, it's

0:20:19.400 --> 0:20:21.960
<v Speaker 1>also going to teach some something. So you know, when

0:20:21.960 --> 0:20:24.000
<v Speaker 1>someone googles my name, what they know is they know

0:20:24.040 --> 0:20:26.280
<v Speaker 1>I do African American history. They know I do political

0:20:26.320 --> 0:20:28.480
<v Speaker 1>history of American South, they know I do Atlanta. They

0:20:28.520 --> 0:20:31.320
<v Speaker 1>know it's black. They know that about me. So for

0:20:31.880 --> 0:20:35.320
<v Speaker 1>certain demographics, no matter what I do, they're like, I

0:20:35.320 --> 0:20:37.000
<v Speaker 1>don't want to hear what he has to say because

0:20:37.040 --> 0:20:40.200
<v Speaker 1>he's gonna come with that leftist, extremist kind of stuff. Whatever,

0:20:40.359 --> 0:20:42.320
<v Speaker 1>whether it is that or not doesn't really matter. But

0:20:42.440 --> 0:20:46.160
<v Speaker 1>with you. Your own communities are going to support you,

0:20:46.359 --> 0:20:49.680
<v Speaker 1>and that that's a vast community right there. So sometimes

0:20:49.880 --> 0:20:53.640
<v Speaker 1>it takes a Jewish kid from Decayta, Georgia whose mother

0:20:53.680 --> 0:20:56.800
<v Speaker 1>and father met at the high est and whose dad

0:20:57.080 --> 0:21:00.880
<v Speaker 1>is picking up his sister and nieces. Woman. I mean, hey,

0:21:01.119 --> 0:21:04.399
<v Speaker 1>you were born for this, I mean the meeting of

0:21:04.440 --> 0:21:06.639
<v Speaker 1>your parents and what all this stuff does, and it

0:21:06.640 --> 0:21:09.399
<v Speaker 1>comes back to you. You've chosen for this and I

0:21:09.480 --> 0:21:12.960
<v Speaker 1>look forward to, you know, helping you promote this kind

0:21:13.000 --> 0:21:16.399
<v Speaker 1>of story. But you're the right clearly, you're the right

0:21:16.400 --> 0:21:18.520
<v Speaker 1>person for the job, because we were out here talking

0:21:18.560 --> 0:21:20.480
<v Speaker 1>about it. I'm saying that to say that I'm not

0:21:20.720 --> 0:21:23.440
<v Speaker 1>promoting time or chance, but I do believe that there's

0:21:23.520 --> 0:21:26.040
<v Speaker 1>something bigger working. You know, when you do these types

0:21:26.080 --> 0:21:30.200
<v Speaker 1>of pieces, documentaries, these limited podcasts, you have this material.

0:21:30.240 --> 0:21:32.679
<v Speaker 1>You're trying to find this story and what we realized

0:21:32.840 --> 0:21:37.360
<v Speaker 1>is it really is about this friendship that developed between

0:21:37.359 --> 0:21:42.040
<v Speaker 1>this white Jewish Southern kid from Decatur and this black

0:21:42.520 --> 0:21:47.320
<v Speaker 1>hustler turn preacher from Atlanta. And just over time, I

0:21:47.320 --> 0:21:49.800
<v Speaker 1>mean I go in, you know, to track down this story,

0:21:49.880 --> 0:21:52.600
<v Speaker 1>Maurice and to tell it because I'm so excited because

0:21:52.640 --> 0:21:56.480
<v Speaker 1>i love true crime so much. But ultimately, I'm having

0:21:56.800 --> 0:22:00.560
<v Speaker 1>dinner with Gordon Williams and his family. I'm meeting his children,

0:22:00.920 --> 0:22:04.920
<v Speaker 1>We're going to film premiers together. He's meeting my family,

0:22:05.040 --> 0:22:07.879
<v Speaker 1>He's meeting my wife and kids. So I mean, it

0:22:08.040 --> 0:22:11.919
<v Speaker 1>really develops into this friendship. What starts as research and

0:22:12.000 --> 0:22:16.040
<v Speaker 1>an education just turns into something so much more. Listen, man,

0:22:16.160 --> 0:22:18.360
<v Speaker 1>it is always a beautiful thing. You know the old

0:22:18.440 --> 0:22:21.240
<v Speaker 1>A Team show Hannibal used to say, I just love

0:22:21.240 --> 0:22:24.200
<v Speaker 1>when a plan comes together. But what you are exemplifying

0:22:24.240 --> 0:22:26.800
<v Speaker 1>and what you embody is what we call research to practice.

0:22:27.359 --> 0:22:31.120
<v Speaker 1>It's not just about the story. You have thoroughly immersed

0:22:31.160 --> 0:22:35.280
<v Speaker 1>yourself so truly understand this. And basically you have this

0:22:35.400 --> 0:22:38.320
<v Speaker 1>story in your mind. You're connecting with all of those

0:22:38.359 --> 0:22:40.520
<v Speaker 1>to make sure that the story is told correctly. And

0:22:40.600 --> 0:22:43.000
<v Speaker 1>now you're able to take what's in your mind and

0:22:43.040 --> 0:22:44.520
<v Speaker 1>present it to the rest of the world so they

0:22:44.520 --> 0:22:46.720
<v Speaker 1>can see the story there. And also it's it's the

0:22:46.720 --> 0:22:49.160
<v Speaker 1>background in history and the situation they're in. I mean,

0:22:49.440 --> 0:22:51.400
<v Speaker 1>you say, oh, these people are criminal, but you've got

0:22:51.400 --> 0:22:54.080
<v Speaker 1>to look at the four hundred years that fall behind him,

0:22:54.119 --> 0:22:56.200
<v Speaker 1>and you've got to look at the education that's afford

0:22:56.240 --> 0:22:59.280
<v Speaker 1>them and key ingredient in all humanity, which is survival.

0:22:59.359 --> 0:23:01.640
<v Speaker 1>Some people are just trying to survive for their families.

0:23:01.640 --> 0:23:04.560
<v Speaker 1>And and so he really got and then what we

0:23:04.800 --> 0:23:08.720
<v Speaker 1>ultimately must do is we have to look at each person,

0:23:08.880 --> 0:23:10.800
<v Speaker 1>not by the face and not that a skinned but

0:23:10.840 --> 0:23:13.119
<v Speaker 1>there's a name, and there's a storage everyway. This is

0:23:13.160 --> 0:23:17.560
<v Speaker 1>Gordon Williams Senior. This is his story, and there this

0:23:17.640 --> 0:23:20.720
<v Speaker 1>is J. D. Hudson. And so not every cop is

0:23:20.720 --> 0:23:22.600
<v Speaker 1>going to be the same. Every hustler is going to

0:23:22.680 --> 0:23:25.800
<v Speaker 1>be the same. And you know, wherever we go anywhere,

0:23:25.840 --> 0:23:28.480
<v Speaker 1>there's going to be a name to the face of

0:23:28.520 --> 0:23:31.879
<v Speaker 1>the story that we're telling. And that's vital. There's a

0:23:31.880 --> 0:23:33.800
<v Speaker 1>really good book called The Warmth of other Sons by

0:23:33.840 --> 0:23:37.040
<v Speaker 1>Isabella Wilkerson, and one of the stories he tells is

0:23:37.080 --> 0:23:40.879
<v Speaker 1>about this black family in Limestone, Alabama, which is North Alabama,

0:23:41.320 --> 0:23:45.680
<v Speaker 1>and how the youngest child was a feeble child and

0:23:46.000 --> 0:23:48.440
<v Speaker 1>he would never be suited to do farm work because

0:23:48.440 --> 0:23:50.800
<v Speaker 1>he was just a small framed feeble child. And so

0:23:50.840 --> 0:23:53.400
<v Speaker 1>they tell the story on how this family moves north.

0:23:53.600 --> 0:23:56.080
<v Speaker 1>I think they moved to Ohio because there was southern

0:23:56.200 --> 0:23:58.000
<v Speaker 1>and there was not a lot of education. When the

0:23:58.040 --> 0:24:02.240
<v Speaker 1>youngest child went to school, his name him was James Owens,

0:24:02.520 --> 0:24:05.919
<v Speaker 1>but the teachers named him Jesse because they called him

0:24:06.000 --> 0:24:09.159
<v Speaker 1>j C. They named him Jesse. And so this becomes

0:24:09.200 --> 0:24:13.480
<v Speaker 1>the same Jesse Owens who his feeble body and rule

0:24:13.520 --> 0:24:15.800
<v Speaker 1>Alabama sharecrop and may have not have meant anything, but

0:24:15.880 --> 0:24:19.080
<v Speaker 1>in another environment he becomes the fastest man in the

0:24:19.119 --> 0:24:22.080
<v Speaker 1>world as debunks the idea of white supremacy by beating

0:24:22.119 --> 0:24:25.200
<v Speaker 1>the Nazis. So what I'm saying is that given different

0:24:25.240 --> 0:24:29.919
<v Speaker 1>situations and opportunities, Chicken Man could have been mayor of Columbus, Ohio,

0:24:30.200 --> 0:24:33.520
<v Speaker 1>or the head of a multimillion dollar corporation exactly, or

0:24:33.680 --> 0:24:37.440
<v Speaker 1>vice versa. The heads of these corporations could ended up impoverished,

0:24:37.440 --> 0:24:39.600
<v Speaker 1>in prison or whatever it is. So you use the word, well,

0:24:39.640 --> 0:24:42.000
<v Speaker 1>there's a lot of complexity to all of these stories,

0:24:42.040 --> 0:24:45.040
<v Speaker 1>but ultimately this is just a great heist. It's a

0:24:45.080 --> 0:24:51.520
<v Speaker 1>great high it's a great story to tell. Thank you

0:24:51.560 --> 0:24:56.199
<v Speaker 1>for listening to Fight Night. We hope you joined us

0:24:56.200 --> 0:25:00.280
<v Speaker 1>for our next podcast about a professor who conducted over

0:25:00.320 --> 0:25:04.840
<v Speaker 1>fifty interviews with the most infamous mass murderer in South

0:25:04.880 --> 0:25:10.679
<v Speaker 1>Carolina history. It's called pee Wee. Gaskins was not My friend.

0:25:17.560 --> 0:25:19.920
<v Speaker 1>Fight Night is a joint production from My Heart Radio,

0:25:20.040 --> 0:25:24.440
<v Speaker 1>Will Packer Media and Doghouse Pictures in association with Psychopia Pictures.

0:25:24.720 --> 0:25:28.600
<v Speaker 1>Produced and hosted by Jeff Keating. Executive producers are Will Packer,

0:25:28.920 --> 0:25:33.680
<v Speaker 1>James Lopez, Kenny Burns, Dan Bush, Lars Jacobson, and Noel Brown.

0:25:34.320 --> 0:25:38.480
<v Speaker 1>Supervising producer is Taylor Shoyne. Story editors are Noel Brown

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<v Speaker 1>and Dan Bush. Written by Jeff Keeting and Jim Roberts.

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<v Speaker 1>Edited by Matt Owen. Mixing and sound designed by Jeremiah

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<v Speaker 1>Kolanni Prescott. Music written and performed by The Diamond Street Players.

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<v Speaker 1>Additional music by Ben Lovett. Audio archives courtesy of WSB

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<v Speaker 1>News Film and Video Tape Collection, Brown Media Archives, University

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<v Speaker 1>of Georgia Libraries. Special thanks to Dr Maurice Hobson and

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<v Speaker 1>David Davis. Fight Night is a production of I Heart Radio.

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<v Speaker 1>For more podcasts from my heart Radio, check out the

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<v Speaker 1>I Heart Radio app, Apple Podcasts, or wherever you get

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<v Speaker 1>your podcasts.