WEBVTT - Kali Uchis

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<v Speaker 1>Pushkin. Hey, this is Justin Richmond from the Broken Record podcast.

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<v Speaker 1>Join me this June for a live taping of Broken

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<v Speaker 1>Record at the Tribeca Festival. We're all bee in conversation

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<v Speaker 1>with Infinity Song, a New York based soft rock band

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<v Speaker 1>comprised of four siblings who will also be doing a

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<v Speaker 1>couple of songs for us. You'll hear the artist and

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<v Speaker 1>a career spanning conversation about their inspirations and dynamic styles.

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<v Speaker 1>We'll be at the SVA Theater on June twelve at

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<v Speaker 1>eight thirty pm. Defind tickets. Visit tribecafilm dot com slash

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<v Speaker 1>Broken Record all lowercase. That's tribecafilm dot com slash Broken Record.

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<v Speaker 1>Hope to see there. Caliuccies has been busy over the

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<v Speaker 1>last few years. She settled down with her partner Don Tolliver,

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<v Speaker 1>had a baby, and released three great albums, Red Moon

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<v Speaker 1>and Venus, Orchidias and now Sincerely. And while they all

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<v Speaker 1>contry a lot to the amazing lineage of R and

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<v Speaker 1>B in Latin music, it's her latest, Sincerely, that feels

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<v Speaker 1>like a great leap forward for cali Ucci's as an artist.

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<v Speaker 1>There's something coherent in the messaging and the feel of

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<v Speaker 1>the album that make it stand out as not just

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<v Speaker 1>a great collection of songs, but also a great album.

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<v Speaker 1>So it wasn't surprising during the course of our conversation

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<v Speaker 1>to find that Cali, unlike her other records, wrote most

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<v Speaker 1>of this one on her own before bringing it into

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<v Speaker 1>the studio. It also, unfortunately made a lot of sense

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<v Speaker 1>that Callie had recently been through a traumatic life alterined

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<v Speaker 1>experience with her mother. Over the course of our conversation,

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<v Speaker 1>we talk about those experiences, along with parenthood, growing up

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<v Speaker 1>in Virginia, her family's immigration story, and her daunting first

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<v Speaker 1>experience on tour. This is broken record, real musicians, real conversations.

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<v Speaker 1>This episode is brought to you by Defender, a vehicle

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<v Speaker 1>engineered to meet challenges head on, so you can explore

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<v Speaker 1>with confidence. Adventure seekers and risk takers can explore the

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<v Speaker 1>full Defender lineup at land ROVERUSA dot com. Here's a

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<v Speaker 1>conversation with Caliucis Caliucci's Hello, It's great to meet you.

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<v Speaker 2>Good to meet you too.

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<v Speaker 1>You're you're You're way more up on what's going on

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<v Speaker 1>with the world than I would have imagined considering considering

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<v Speaker 1>the album. I just heard how good it is, I

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<v Speaker 1>would have thought you were you were, you were shutting

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<v Speaker 1>the rest of the world out.

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<v Speaker 2>No, I feel like a lot of the album is

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<v Speaker 2>about the state of the world in a abstract way,

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<v Speaker 2>like obviously I don't touch on political or socioeconomic topics,

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<v Speaker 2>but a lot of it does kind of always lean

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<v Speaker 2>back on music being an escape and like escaping from

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<v Speaker 2>the state of the world. So in that way I

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<v Speaker 2>touched on it.

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<v Speaker 1>It's a lot of tenderness still on the album too,

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<v Speaker 1>Like it's like when I like, I haven't really enjoyed

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<v Speaker 1>listening to it the last couple of weeks, just because

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<v Speaker 1>it feels so distinctly different from the world ring right now,

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<v Speaker 1>which is really harsh and cruel and terrible, and but

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<v Speaker 1>that could go on.

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<v Speaker 2>But even like, I feel like a lot of people

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<v Speaker 2>are dropping dance music right now obviously this summer, so

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<v Speaker 2>I feel like it's definitely really different from other stuff

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<v Speaker 2>coming out at the moment.

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<v Speaker 1>And this is the third album, it's a.

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<v Speaker 2>Third English album, it's my fifth overall album.

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<v Speaker 1>The third album three years though.

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<v Speaker 2>Oh yeah, like.

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<v Speaker 1>You've done three in a row. So I was just

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<v Speaker 1>like the I was just so shocked by the quality

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<v Speaker 1>than you. What when did this album start for you?

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<v Speaker 1>Like the writing and pretty.

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<v Speaker 2>Much towards the end of me getting together my my

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<v Speaker 2>last album, or I had started the writing process for

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<v Speaker 2>this next album.

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<v Speaker 1>And coming off of Orkidias, why did this become? Like?

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<v Speaker 1>What was the I imagine you could have gone a

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<v Speaker 1>lot of different directions. What's how did you start coalescing

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<v Speaker 1>around this group of songs and this sound?

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<v Speaker 2>Wells was a very dance heavy sound, So even though

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<v Speaker 2>it was a lot of different John was the main

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<v Speaker 2>element of everything thematically was movement and there was a

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<v Speaker 2>lot of different There was a lot of different dance

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<v Speaker 2>music involved in the project. So I was like, I

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<v Speaker 2>want to do a project that's just sentimental, emotional, vulnerable,

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<v Speaker 2>something that I feel that I haven't done in a

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<v Speaker 2>long time, and in a new way, in a fresh way.

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<v Speaker 2>So I'm kind of leaning back on my roots in music,

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<v Speaker 2>but doing it in a fresh way.

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<v Speaker 1>For you, what is leaning back on your your roots? Like?

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<v Speaker 2>For instance, like my first projects, I want to say

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<v Speaker 2>my first mixtape, which was called Brovilla Thanks a little

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<v Speaker 2>bit more leaning in those pockets. Even my first album, Isolation,

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<v Speaker 2>it's leaning a little bit more in that pocket. Not

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<v Speaker 2>to say that it's the same as either of those

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<v Speaker 2>projects at all, but it's more so what you would

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<v Speaker 2>expect from that artist if you were to have listened

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<v Speaker 2>to that artist, how that artist would have evolved versus

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<v Speaker 2>I think my Latin projects likes and like se Melo,

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<v Speaker 2>they kind of have took took on their own world.

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<v Speaker 1>In hindsight, is like, I'm sure you got some pushback

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<v Speaker 1>from trying to go from isolation to Signelo BLA. Yeah, definitely,

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<v Speaker 1>But in hindsight it's really cool because the way you've

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<v Speaker 1>set your career up now is like for the audiences

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<v Speaker 1>and know what to expect in the best way. Like

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<v Speaker 1>you know, like when this got sent to me and

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<v Speaker 1>I was gonna put it on, I'm like, who knows?

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<v Speaker 1>Like who I got for cars? And who knows what

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<v Speaker 1>I'm in for?

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<v Speaker 2>You know what I mean? Yeah? And I love that.

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<v Speaker 2>I love to be an artist is unpredictable and for

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<v Speaker 2>people to not know what to expect.

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<v Speaker 1>Where does that come from? For you? That that that

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<v Speaker 1>eclectic sensibility.

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<v Speaker 2>I think just growing up with so many different inspirations,

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<v Speaker 2>being bi cultural, being that I grew up in different

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<v Speaker 2>places and I had that you know that sense of

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<v Speaker 2>like music from Columbia, music from VA, music in the

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<v Speaker 2>America versus South America. And then also I listened to

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<v Speaker 2>music from all over the world, French music, you know,

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<v Speaker 2>music from Africa, Italy, wherever it was. I've always just

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<v Speaker 2>been very much an avid music listener, like of your

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<v Speaker 2>own music nerd my whole life, so I think having

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<v Speaker 2>so many different influences and inspirations to the point where

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<v Speaker 2>I never felt restricted to keep myself into anything. I

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<v Speaker 2>always just felt that freedom of expression was the most

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<v Speaker 2>important thing for me, and yeah, not to not to

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<v Speaker 2>limit myself creatively.

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<v Speaker 1>Was that normal for your peer group, like for your

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<v Speaker 1>friend group, or like, was everyone else around you also

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<v Speaker 1>listening to all kinds of different sounds or was this

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<v Speaker 1>sort of did you somehow just no.

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<v Speaker 2>I think most of my friends and people at school,

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<v Speaker 2>they used to make fun of that my had iPods

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<v Speaker 2>back then, right, you know the vibes. They used to

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<v Speaker 2>be like, oh that I used to always have the

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<v Speaker 2>most random music and whatever. That was just something that

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<v Speaker 2>I that I loved. But I did know a couple

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<v Speaker 2>of other people that were really into finding new music

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<v Speaker 2>and obscure bands and stuff like that. But yeah, I

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<v Speaker 2>think most people were just listening to whatever was on

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<v Speaker 2>the radio, so it was just diferent strokes for different folks.

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<v Speaker 1>You must have also been listening to what was on

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<v Speaker 1>the radio, too, right, I was.

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<v Speaker 2>Never big on the radio personally, Like I loved to find, like,

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<v Speaker 2>you know, artists from different eras. I love to listen

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<v Speaker 2>to old school music, the music that my parents were

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<v Speaker 2>listening to or that older people were listening to. I

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<v Speaker 2>would love that when my I was playing music in

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<v Speaker 2>the house, you know, cleaning the house or whatever. That's

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<v Speaker 2>the type of stuff that used to make me interested

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<v Speaker 2>in diving into like all these and stuff like that.

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<v Speaker 1>So who were some of the artists at that time

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<v Speaker 1>that would have gotten you interested in thinking about music

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<v Speaker 1>or writing or listening.

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<v Speaker 2>I mean I wrote music from since I could write.

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<v Speaker 2>I always was writing songs. I was just that kid

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<v Speaker 2>that was kind of like would wander off, you know,

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<v Speaker 2>when my family was out doing stuff. I would always

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<v Speaker 2>be like on my own coming up with songs, and

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<v Speaker 2>my parents would always be kind of like embarrassed and

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<v Speaker 2>start laughing because I used to be just coming up

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<v Speaker 2>with songs like in the grocery store or wherever, and

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<v Speaker 2>people used to be like, Oh, she's so cute, she's

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<v Speaker 2>so weird. I was just always like the weird little

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<v Speaker 2>kid that was just coming up with songs or stories

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<v Speaker 2>or you know, singing for the kids in the neighborhood

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<v Speaker 2>and doing stuff like that. So I'd never had an

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<v Speaker 2>artist that made me want to be like it was

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<v Speaker 2>just kind of like I always did it from as

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<v Speaker 2>long as I can remember, I always wrote music. But

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<v Speaker 2>I definitely I mean in regards to trying to like

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<v Speaker 2>find different music and stuff. I think because my dad

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<v Speaker 2>hit his job was he worked in apartment complexes, and

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<v Speaker 2>so when people used to leave and they would leave

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<v Speaker 2>all their stuff, sometimes he would just bring me home

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<v Speaker 2>the CDs or the vinyls or whatever. So I used

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<v Speaker 2>to get a lot of random different stuff from whatever whoever.

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<v Speaker 2>And that was kind of how when I was really little,

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<v Speaker 2>I started digging into like different types of music. And

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<v Speaker 2>then my friend's dad gave us a bunch of his vinyls,

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<v Speaker 2>and that was how I started getting into music. Like

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<v Speaker 2>it was just different ways that I got exposed here

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<v Speaker 2>and there through random things outside of my own family

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<v Speaker 2>that kind of just made me interested and made me

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<v Speaker 2>have that thirst for knowledge of more musicians and artists

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<v Speaker 2>and bands, and that there was a whole world out

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<v Speaker 2>there of music that I wasn't exposed to in my towns.

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<v Speaker 1>That's really incredible. What how did that transition from just

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<v Speaker 1>being someone who would write, you know, silly songs as

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<v Speaker 1>a kid, or you know, age appropriate songs we could

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<v Speaker 1>say as a kid, to like uh to you know,

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<v Speaker 1>to kind of listening to all these type of eclectic music.

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<v Speaker 1>How did that person and how did you transition from

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<v Speaker 1>that to like making your first because you dropped a

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<v Speaker 1>mixtape on that PIF, which is legendary. I gotta say that.

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<v Speaker 2>Unfortunately, that's incredible.

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<v Speaker 1>So once you finally got into like a studio making music, like, what,

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<v Speaker 1>what did you want to present to the world.

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<v Speaker 2>I think I really just my my main goal was

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<v Speaker 2>I just wanted to try to actually do my best

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<v Speaker 2>and really learn. I was It was kind of like

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<v Speaker 2>a growing and public type of thing. It was like

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<v Speaker 2>I was learning and then I was just putting you know,

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<v Speaker 2>I was literally would literally make a song that night

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<v Speaker 2>and then just put it out onto the internet. Like

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<v Speaker 2>I didn't really have any intention for where the music

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<v Speaker 2>was going to go or who was going to listen

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<v Speaker 2>to it. I was just like, Oh, that made this

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<v Speaker 2>cool thing whatever. And once I realized, oh, people are

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<v Speaker 2>actually listening to it, it made me realize to be

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<v Speaker 2>more intentional, like, Okay, let me actually try, like, let

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<v Speaker 2>me really try to sing, because I didn't know how

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<v Speaker 2>to be a singer. I knew how to write songs,

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<v Speaker 2>but I was never like, you know, I've never been

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<v Speaker 2>vocally trained or I was never inquired. I never had

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<v Speaker 2>any of those type of things, so I didn't I

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<v Speaker 2>didn't know how to sing at all. At that point.

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<v Speaker 1>You say you weren't inquired, but is it you were?

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<v Speaker 1>And I was in band jazz band.

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<v Speaker 2>Yeah, yeah, I played taxophone. Yeah, I played taxophone. I

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<v Speaker 2>play piano. I also did a lot of poetry competitions.

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<v Speaker 2>I took them really seriously. Like when you said age

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<v Speaker 2>appropriate songs, it made me laugh in my head because

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<v Speaker 2>the songs that I used to write, people used to

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<v Speaker 2>always be like, what the heck is this little girl

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<v Speaker 2>going through? Because we're always really deep. I've always been

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<v Speaker 2>a poetic girl, let's say that. And yeah, so I've

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<v Speaker 2>always just been artistic and that's always been my like,

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<v Speaker 2>that's always been my thing.

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<v Speaker 1>Do you remember feeling too, like there were like the

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<v Speaker 1>things you were expressing were maybe a little like deeper

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<v Speaker 1>than what a kid your age might be feeling.

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<v Speaker 2>Or no, I think it's just that was a comment

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<v Speaker 2>that I used to get a laugh from adults, like oh,

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<v Speaker 2>you're very mature or you're very you know, where are

0:11:47.436 --> 0:11:49.436
<v Speaker 2>you coming up with this stuff? From what's going on?

0:11:49.796 --> 0:11:54.436
<v Speaker 2>And yeah, I remember I had a poem at when

0:11:54.436 --> 0:11:56.276
<v Speaker 2>a contest. It was called another Person, and it was

0:11:56.396 --> 0:11:59.156
<v Speaker 2>I was really little, and it was about like it

0:11:59.236 --> 0:12:02.036
<v Speaker 2>was about looking at yourself younger self, and like it

0:12:02.116 --> 0:12:06.436
<v Speaker 2>was about the existentialism of like your life's course and

0:12:06.476 --> 0:12:08.676
<v Speaker 2>seeing your future and your past and your present like

0:12:08.676 --> 0:12:12.756
<v Speaker 2>stuff like that that I was talking about metaphysical but

0:12:12.796 --> 0:12:15.116
<v Speaker 2>it was a poem and anyway I won the contests,

0:12:16.436 --> 0:12:19.076
<v Speaker 2>but yeah, that's the type of stuff. Or like my

0:12:19.196 --> 0:12:21.516
<v Speaker 2>cat ran away from home and I wrote a song

0:12:21.516 --> 0:12:23.316
<v Speaker 2>about my cameraunn in no way, but it was like

0:12:23.356 --> 0:12:27.356
<v Speaker 2>this this longing and this sadness that people didn't realize

0:12:27.356 --> 0:12:28.756
<v Speaker 2>it was about my cat and they were like, are

0:12:28.796 --> 0:12:30.596
<v Speaker 2>you okay, like you know things like that.

0:12:31.316 --> 0:12:34.916
<v Speaker 1>I don't know, were your parents concerned? No, No, like

0:12:35.036 --> 0:12:38.836
<v Speaker 1>maybe you feel too deeply, like she she, I don't.

0:12:38.676 --> 0:12:41.156
<v Speaker 2>Think No, I don't think they were concerns I did.

0:12:42.076 --> 0:12:43.476
<v Speaker 2>I was the kid that had to go to the

0:12:43.476 --> 0:12:47.436
<v Speaker 2>counselor in school for sure. But that was about you know,

0:12:47.516 --> 0:12:48.356
<v Speaker 2>as far as that went.

0:12:48.556 --> 0:12:53.276
<v Speaker 1>Got it, got it? Why and why jazz? Like? Why

0:12:53.356 --> 0:12:55.796
<v Speaker 1>why jazz? How did you end up in jazz? Man?

0:12:55.876 --> 0:12:58.516
<v Speaker 2>I always love jazz music. I've always been That's a

0:12:58.516 --> 0:13:01.396
<v Speaker 2>lot of my grounding as a vocalist as well. Like

0:13:01.396 --> 0:13:04.436
<v Speaker 2>when I first started singing, I had a lot of

0:13:04.476 --> 0:13:06.436
<v Speaker 2>people would be like, oh, you have such a jazzy

0:13:06.436 --> 0:13:08.836
<v Speaker 2>infliction on your voice, and I guess it just comes

0:13:08.876 --> 0:13:11.996
<v Speaker 2>from that. Like I you know, I don't think I

0:13:12.036 --> 0:13:13.996
<v Speaker 2>can read music anymore, but at the time I can

0:13:14.076 --> 0:13:16.516
<v Speaker 2>read music. I was first chair. You know, I went

0:13:16.516 --> 0:13:19.236
<v Speaker 2>to a lot of competitions to get very serious. Yeah,

0:13:19.556 --> 0:13:22.716
<v Speaker 2>I did it for years. Yeah. Also, yeah, I did

0:13:22.716 --> 0:13:26.236
<v Speaker 2>it for years. I took it very seriously, and I

0:13:26.276 --> 0:13:29.076
<v Speaker 2>think that definitely had some type of impact on when

0:13:29.076 --> 0:13:31.316
<v Speaker 2>I first started making music. You know, where my musical

0:13:31.356 --> 0:13:33.716
<v Speaker 2>grounding was in melodically.

0:13:33.276 --> 0:13:35.316
<v Speaker 1>Did you ever think about picking the sacks back up?

0:13:35.396 --> 0:13:39.796
<v Speaker 2>Like, I mean, I think that I could, but it's

0:13:39.836 --> 0:13:42.316
<v Speaker 2>not something that everyone always tells me like, oh, you

0:13:42.356 --> 0:13:44.516
<v Speaker 2>should just pick the sacs up in the middle of

0:13:44.556 --> 0:13:48.076
<v Speaker 2>a concert one I'm like, I mean, kind of fly.

0:13:48.196 --> 0:13:50.236
<v Speaker 1>Actually, could you imagine halfway through?

0:13:50.956 --> 0:13:53.476
<v Speaker 2>I don't know, kind of random, but I mean it's cool.

0:13:53.596 --> 0:13:56.756
<v Speaker 2>I like, you know, it's part of part of you

0:13:56.796 --> 0:13:58.956
<v Speaker 2>know who I am, and it's part of you know,

0:13:59.676 --> 0:14:03.116
<v Speaker 2>what got me into into music in a sense.

0:14:03.196 --> 0:14:05.956
<v Speaker 1>So that's cool. Well, it's nice. It's nice to hear though,

0:14:05.996 --> 0:14:07.996
<v Speaker 1>because when I was reading through interview, it's nice to

0:14:08.036 --> 0:14:10.756
<v Speaker 1>hear you prefer to yourself kind of as a vocalist,

0:14:10.756 --> 0:14:12.236
<v Speaker 1>because as I kind of going through listening to some

0:14:12.316 --> 0:14:15.076
<v Speaker 1>old interviews and reading small stuff like, it seemed like

0:14:15.836 --> 0:14:17.476
<v Speaker 1>maybe there's at least an era of time or a

0:14:17.516 --> 0:14:21.636
<v Speaker 1>period of time where we wouldn't say you put yourself down,

0:14:21.636 --> 0:14:24.116
<v Speaker 1>but you definitely refer to yourself as a certain kind

0:14:24.116 --> 0:14:25.036
<v Speaker 1>of vocalist.

0:14:27.036 --> 0:14:30.756
<v Speaker 2>Well, I really consider myself more just an artist than anything.

0:14:31.316 --> 0:14:34.076
<v Speaker 2>I feel like everyone has their fortes. I feel like

0:14:34.316 --> 0:14:37.356
<v Speaker 2>art is just mine. But I think I definitely have

0:14:37.556 --> 0:14:39.756
<v Speaker 2>learned a lot about my voice, and I taught myself

0:14:39.796 --> 0:14:42.796
<v Speaker 2>a lot about how to use it, and I've grown

0:14:43.436 --> 0:14:46.196
<v Speaker 2>a lot as a vocalist. You know, if you heard

0:14:46.196 --> 0:14:49.436
<v Speaker 2>those first those first you know, little songs that I

0:14:49.476 --> 0:14:52.116
<v Speaker 2>put out there, I definitely have grown a lot, So

0:14:52.156 --> 0:14:52.836
<v Speaker 2>I'm proud of that.

0:14:53.156 --> 0:14:56.556
<v Speaker 1>Yeah, Like the opening line is incredible, That whole first

0:14:56.596 --> 0:14:59.836
<v Speaker 1>verse is like vocally that was like it's stunning.

0:14:59.956 --> 0:15:00.956
<v Speaker 2>Oh thank you so much.

0:15:01.036 --> 0:15:03.236
<v Speaker 1>Yeah, like just the way I want to tempt it,

0:15:03.276 --> 0:15:05.596
<v Speaker 1>but the way I think.

0:15:05.436 --> 0:15:08.476
<v Speaker 2>Once I realized my range, I started playing with it

0:15:08.516 --> 0:15:10.156
<v Speaker 2>a lot more, and I think in this album I

0:15:10.236 --> 0:15:13.916
<v Speaker 2>definitely lean more into the higher ranges because it just

0:15:14.036 --> 0:15:18.436
<v Speaker 2>became something that was fun for me to do. But yeah,

0:15:18.476 --> 0:15:20.556
<v Speaker 2>I think it's just it's all a learning process, and

0:15:20.596 --> 0:15:22.556
<v Speaker 2>I think with every album, I'm just learning more about

0:15:22.556 --> 0:15:24.116
<v Speaker 2>my voice and the things that I can do with it.

0:15:24.276 --> 0:15:26.996
<v Speaker 1>Yeah, but it wasn't even like on that first cut

0:15:27.036 --> 0:15:29.596
<v Speaker 1>in particular, it wasn't even like also just that higher register.

0:15:29.636 --> 0:15:31.836
<v Speaker 1>It's just the way you were sliding between that. It

0:15:31.956 --> 0:15:34.516
<v Speaker 1>just was really dynamic, and yeah, it sounded like it

0:15:34.556 --> 0:15:36.916
<v Speaker 1>was lyrically really impressive. And also just like the way

0:15:36.956 --> 0:15:39.276
<v Speaker 1>you phrased it and saying it, I think the.

0:15:39.236 --> 0:15:41.036
<v Speaker 2>Most important thing to me is kind of how we

0:15:41.036 --> 0:15:45.436
<v Speaker 2>were saying earlier, like I've never been inspired by one

0:15:45.556 --> 0:15:48.076
<v Speaker 2>artist or one like, I'm not trying to follow anybody's

0:15:48.116 --> 0:15:53.116
<v Speaker 2>path sonically or with anything that I do as an artist.

0:15:53.156 --> 0:15:55.756
<v Speaker 2>So I have really found my own way and my

0:15:55.796 --> 0:15:58.476
<v Speaker 2>own footing in regards to my sound.

0:15:58.796 --> 0:16:03.196
<v Speaker 1>Do you have certain do you have certain influences in

0:16:03.236 --> 0:16:06.196
<v Speaker 1>different eras of your life? Like would you say like nat, like,

0:16:06.796 --> 0:16:08.956
<v Speaker 1>are there a handful of artists that you're listening to

0:16:09.396 --> 0:16:12.116
<v Speaker 1>that you feel like are particularly inspiring to you when

0:16:12.116 --> 0:16:12.676
<v Speaker 1>you hear them?

0:16:12.996 --> 0:16:15.036
<v Speaker 2>I think I knew. I think I knew for the

0:16:15.196 --> 0:16:18.236
<v Speaker 2>album in general, the type of inspirations I was going for.

0:16:18.916 --> 0:16:22.756
<v Speaker 2>I don't think people might not actually hear those inspirations

0:16:22.756 --> 0:16:25.716
<v Speaker 2>when they listen to the music, but I was. I

0:16:25.796 --> 0:16:28.916
<v Speaker 2>love female vocalists in general. I really don't listen to

0:16:28.956 --> 0:16:33.316
<v Speaker 2>male music, which is it's funny because so many people

0:16:33.476 --> 0:16:35.996
<v Speaker 2>are the opposite, like a lot of people. I remember

0:16:36.036 --> 0:16:37.556
<v Speaker 2>the first time that someone ever told me that one

0:16:37.556 --> 0:16:40.076
<v Speaker 2>of my cousins we were sharing music. I was showing

0:16:40.076 --> 0:16:42.916
<v Speaker 2>her some songs that I liked when I was really young,

0:16:42.956 --> 0:16:45.396
<v Speaker 2>and she's like, I showed her be York and she's like,

0:16:45.836 --> 0:16:48.196
<v Speaker 2>I don't listen to girl singers, Like I only listen

0:16:48.276 --> 0:16:50.796
<v Speaker 2>to I like guy both voices, because I guess it's

0:16:50.796 --> 0:16:52.756
<v Speaker 2>more soothing to people the low tones or I don't

0:16:52.796 --> 0:16:55.116
<v Speaker 2>know what it might be the internalized misogyny. Who knows.

0:16:55.596 --> 0:16:59.916
<v Speaker 2>And I was like, that's so strange because I started

0:16:59.916 --> 0:17:01.476
<v Speaker 2>looking at my own Cadillac and I was like, I

0:17:01.516 --> 0:17:04.436
<v Speaker 2>only listen to girls singers. I really don't have that

0:17:04.596 --> 0:17:09.676
<v Speaker 2>many male artists in my personal like day to day

0:17:09.836 --> 0:17:14.476
<v Speaker 2>music that I be that. It's just like classics like

0:17:14.556 --> 0:17:18.796
<v Speaker 2>you know, Marvin Get, you know, like legends, you know,

0:17:19.076 --> 0:17:22.676
<v Speaker 2>so full. Yeah, yeah, yeah, I don't listen to too

0:17:22.796 --> 0:17:26.076
<v Speaker 2>much guy music. I've never been like a fan over

0:17:26.156 --> 0:17:28.796
<v Speaker 2>any guy or had that type of I don't really

0:17:28.876 --> 0:17:33.796
<v Speaker 2>understand that that lifestyle. I don't understand people that are like,

0:17:33.836 --> 0:17:36.396
<v Speaker 2>oh this guy, Like I just never been that person.

0:17:36.436 --> 0:17:38.716
<v Speaker 2>I'll be like, oh my gosh, this woman. She's so

0:17:38.796 --> 0:17:40.436
<v Speaker 2>many you know, like I always you know, like Shad

0:17:40.716 --> 0:17:45.036
<v Speaker 2>or Selena, like, you know, so many amazing women, like

0:17:45.116 --> 0:17:46.396
<v Speaker 2>that's just always been my thing.

0:17:47.556 --> 0:17:53.836
<v Speaker 3>So Selena, Yeah, okay, yeah for this album, Okay, shot

0:17:53.916 --> 0:17:59.996
<v Speaker 3>is Selena, Ammy whine House, the Cranberryes, uh cocktoo.

0:17:59.636 --> 0:18:06.996
<v Speaker 2>Twins, who else? Who else? Who else? The Sundays a

0:18:07.036 --> 0:18:09.076
<v Speaker 2>lot of more. I was more listening to a lot

0:18:09.276 --> 0:18:13.956
<v Speaker 2>more angsty, you know, nineties music, and I think in

0:18:14.036 --> 0:18:20.196
<v Speaker 2>general just ohfion A Apple, she's a huge inspiration. Yeah,

0:18:20.316 --> 0:18:21.956
<v Speaker 2>just music that's a little bit and like I said,

0:18:22.156 --> 0:18:24.156
<v Speaker 2>you wouldn't listen to this music and think that that's

0:18:24.196 --> 0:18:28.236
<v Speaker 2>inspired by them, But it's more so in regards to

0:18:28.756 --> 0:18:30.916
<v Speaker 2>women that are really able to like bear their soul

0:18:30.956 --> 0:18:34.356
<v Speaker 2>and their emotion and dig a little bit deeper into

0:18:34.396 --> 0:18:36.716
<v Speaker 2>their vocabulary and the things that they want to say

0:18:36.716 --> 0:18:37.676
<v Speaker 2>and get poetic with it.

0:18:37.956 --> 0:18:40.556
<v Speaker 1>Yeah, that does make sense to me though, because like

0:18:40.636 --> 0:18:44.516
<v Speaker 1>the album is emotionally, like really poignant. Like like when

0:18:44.556 --> 0:18:45.916
<v Speaker 1>I was saying earlier, like I wasn't sure what I

0:18:45.956 --> 0:18:47.516
<v Speaker 1>was one hundred percent going to get from this album,

0:18:47.556 --> 0:18:51.196
<v Speaker 1>Like I do love that. It's like, you know, if

0:18:51.276 --> 0:18:53.796
<v Speaker 1>I want to party, there's there's great Caliuci tracks I

0:18:53.796 --> 0:18:55.996
<v Speaker 1>can you know, and the last album is one of

0:18:55.996 --> 0:18:59.116
<v Speaker 1>those if I want to, like just like the vibe

0:18:59.116 --> 0:19:02.556
<v Speaker 1>out at home by myself, Like there's great songs I

0:19:02.596 --> 0:19:06.876
<v Speaker 1>can put on for that. But uh, like why I

0:19:06.876 --> 0:19:08.476
<v Speaker 1>put this on? It was like it made that album

0:19:08.516 --> 0:19:12.396
<v Speaker 1>did make me very very emotional, Okay, and you know

0:19:13.436 --> 0:19:16.396
<v Speaker 1>the background knowing you know, you just had a kid.

0:19:17.356 --> 0:19:20.076
<v Speaker 1>Part of me, it did sound very firmly to me.

0:19:20.276 --> 0:19:22.356
<v Speaker 1>And you know this, This was my feeling when I

0:19:22.356 --> 0:19:27.476
<v Speaker 1>was listening as it sounded like an album of of

0:19:27.636 --> 0:19:31.356
<v Speaker 1>like it sounded like an album just rapped in love,

0:19:31.436 --> 0:19:33.156
<v Speaker 1>you know what I mean. And it made sense to

0:19:33.196 --> 0:19:36.676
<v Speaker 1>me that you both that you had a kid, that

0:19:36.716 --> 0:19:39.236
<v Speaker 1>you that you uh sort of had this long term

0:19:39.236 --> 0:19:42.956
<v Speaker 1>partnership and it's it. And it felt to me like

0:19:42.956 --> 0:19:44.876
<v Speaker 1>it could have been maybe about either one of those

0:19:44.916 --> 0:19:46.236
<v Speaker 1>things or both of those things.

0:19:47.636 --> 0:19:49.676
<v Speaker 2>Yeah, I mean there's even songs that touch on because

0:19:49.716 --> 0:19:51.556
<v Speaker 2>I try to. I know a lot of music is

0:19:51.716 --> 0:19:56.236
<v Speaker 2>very mail centered or relationship focused, and so I really

0:19:56.276 --> 0:19:58.836
<v Speaker 2>tried to make sure that I touch other topics because

0:19:58.836 --> 0:20:00.716
<v Speaker 2>I don't ever want my music to just be like

0:20:00.756 --> 0:20:04.036
<v Speaker 2>about so. Yeah, I have songs for my son. I

0:20:04.036 --> 0:20:07.676
<v Speaker 2>have songs even dedicated to like friendships. Like Daggers is like,

0:20:07.716 --> 0:20:10.436
<v Speaker 2>you know, about another girl. You know it's about it's

0:20:10.436 --> 0:20:11.196
<v Speaker 2>about a homegirl.

0:20:11.276 --> 0:20:15.356
<v Speaker 1>What was that like? But what's the Daggers makes you think?

0:20:15.436 --> 0:20:17.036
<v Speaker 1>Is it? Was it not trying to think what the

0:20:17.076 --> 0:20:19.156
<v Speaker 1>lyrics Todgers was betrayal?

0:20:19.676 --> 0:20:22.596
<v Speaker 2>No, no Doggers. Daggers wasn't about betrayal. Sugar Honey Love

0:20:22.596 --> 0:20:25.716
<v Speaker 2>was about betrayal really, which nobody would expect from the title.

0:20:25.756 --> 0:20:30.316
<v Speaker 2>But Sugar Honey Love is about betrayal. Daggers is about

0:20:30.596 --> 0:20:34.756
<v Speaker 2>a girl, a friend of mine. Daggers was they shoot

0:20:34.756 --> 0:20:37.156
<v Speaker 2>Diggers from their eyes. So it's about you know, she

0:20:37.276 --> 0:20:39.916
<v Speaker 2>gets a lot of, you know, people that are envious

0:20:39.956 --> 0:20:41.796
<v Speaker 2>of her or people that look her some type of way,

0:20:41.796 --> 0:20:44.716
<v Speaker 2>and she might not really know exactly what her worth

0:20:44.756 --> 0:20:46.436
<v Speaker 2>is and she doesn't see herself the way that I

0:20:46.436 --> 0:20:51.676
<v Speaker 2>see her, and she doesn't she doesn't necessarily have the

0:20:51.756 --> 0:20:55.876
<v Speaker 2>things that I wish that she had, which is real

0:20:55.956 --> 0:21:01.476
<v Speaker 2>love and you know, valuable and meaningful relationship connections in

0:21:01.516 --> 0:21:06.236
<v Speaker 2>her piece, things that really matter. And I think it

0:21:06.316 --> 0:21:10.356
<v Speaker 2>was really important for me to have songs that are,

0:21:10.516 --> 0:21:13.756
<v Speaker 2>you know, about different things that matter to me outside

0:21:13.796 --> 0:21:15.316
<v Speaker 2>of just a relationship, you.

0:21:15.236 --> 0:21:19.916
<v Speaker 1>Know, And Sugar, Sugar Honey Love, that's about a betrayal.

0:21:20.236 --> 0:21:26.356
<v Speaker 2>Yeah, Well, the beginning of the verse starts whoop, does

0:21:26.356 --> 0:21:30.276
<v Speaker 2>another one? Who could I ever trust? And then goes, whoop,

0:21:30.276 --> 0:21:32.476
<v Speaker 2>There's another one? Who tell me? Who could I trust?

0:21:32.756 --> 0:21:35.396
<v Speaker 2>So it's about it's about trust. And it's about it's

0:21:35.436 --> 0:21:40.436
<v Speaker 2>about you know, but later on it goes swear. At

0:21:40.476 --> 0:21:43.076
<v Speaker 2>this point, I've seen it. I've seen it all, so

0:21:43.276 --> 0:21:46.156
<v Speaker 2>nothing scares me anymore. Sick and tired of betrayal, tell

0:21:46.156 --> 0:21:47.836
<v Speaker 2>me who can I trust? So it literally says it's

0:21:47.836 --> 0:21:50.916
<v Speaker 2>about betrayal. Right. Then I started listening for the lyrics more,

0:21:52.636 --> 0:21:54.716
<v Speaker 2>I know, and a lot of people say like that,

0:21:54.796 --> 0:21:57.676
<v Speaker 2>I don't enunciate well enough, so maybe it's my fault.

0:21:57.756 --> 0:21:59.636
<v Speaker 1>I don't think it's your fault. I just I'm really

0:21:59.676 --> 0:22:00.596
<v Speaker 1>not usually listening.

0:22:00.596 --> 0:22:02.596
<v Speaker 2>I gotta get you a lyric so you can really

0:22:02.636 --> 0:22:04.956
<v Speaker 2>like listen and read the lyrics at the same time,

0:22:04.996 --> 0:22:06.556
<v Speaker 2>and then you can fully grasp it.

0:22:06.556 --> 0:22:08.756
<v Speaker 1>And sometimes I gotta do that. Someone even told me

0:22:08.756 --> 0:22:12.596
<v Speaker 1>that the day, like something about someone was talking about

0:22:12.596 --> 0:22:14.076
<v Speaker 1>what's not Riah Carrey's.

0:22:13.676 --> 0:22:17.036
<v Speaker 2>Song, Oh we got some we got some lambs in

0:22:17.036 --> 0:22:18.356
<v Speaker 2>the building. They might be able to help you.

0:22:18.396 --> 0:22:21.596
<v Speaker 1>Got we got Mariah Carey fan in the building. She's

0:22:21.956 --> 0:22:25.596
<v Speaker 1>one of my all time favorites. But legend, legend, legend. H

0:22:26.036 --> 0:22:29.036
<v Speaker 1>but what's that? What's that song that Jermaine Dupre did

0:22:29.076 --> 0:22:31.956
<v Speaker 1>with Mariah Carey in the nineties, big hit Now it's

0:22:31.956 --> 0:22:34.276
<v Speaker 1>gonna but some basically one of her big hits, and

0:22:34.316 --> 0:22:35.876
<v Speaker 1>someone was telling about the lyrics of the day about

0:22:35.876 --> 0:22:38.676
<v Speaker 1>how they're like they're kind of like a bit darker

0:22:38.716 --> 0:22:40.036
<v Speaker 1>if you if you listen to them, and I was like,

0:22:40.716 --> 0:22:42.076
<v Speaker 1>you gotta be lying to me, and I listened to

0:22:42.116 --> 0:22:43.716
<v Speaker 1>the song. I was like, Okay, yeah, I've been missing

0:22:43.756 --> 0:22:44.836
<v Speaker 1>this the entire time.

0:22:45.876 --> 0:22:49.996
<v Speaker 2>Happens like me, I have to watch the movies with subtitles,

0:22:50.116 --> 0:22:52.836
<v Speaker 2>so I get it. That might be what you need.

0:22:53.676 --> 0:22:58.556
<v Speaker 1>Thank you for diagnosis. Yeah, we'll be back with more

0:22:58.596 --> 0:23:05.676
<v Speaker 1>from Kylie Ucci's After the break. I was wondering how

0:23:05.716 --> 0:23:08.636
<v Speaker 1>many songs recorded for the album versus how many made it,

0:23:08.676 --> 0:23:12.076
<v Speaker 1>because these songs are so good, but there's also so

0:23:12.196 --> 0:23:15.116
<v Speaker 1>many various styles you stitched together. That just sounded to

0:23:15.196 --> 0:23:19.196
<v Speaker 1>me like you must have been having some really fruitful

0:23:19.196 --> 0:23:20.276
<v Speaker 1>writing sessions lately.

0:23:20.316 --> 0:23:22.036
<v Speaker 2>I made a lot of music. Yeah, I made a

0:23:22.076 --> 0:23:24.316
<v Speaker 2>lot of music. It was very hard to pick a

0:23:24.356 --> 0:23:27.356
<v Speaker 2>track list. I know a lot of people are doing

0:23:27.436 --> 0:23:32.596
<v Speaker 2>the you know, fifty songs in one album thing these days,

0:23:32.636 --> 0:23:33.836
<v Speaker 2>but it's not really.

0:23:33.636 --> 0:23:37.356
<v Speaker 1>Mike, but I didn't do it so beautifully.

0:23:37.396 --> 0:23:39.996
<v Speaker 2>I was like I needed to be like around fourteen songs,

0:23:41.276 --> 0:23:44.516
<v Speaker 2>and I think I'm going to save some other ones

0:23:44.516 --> 0:23:46.156
<v Speaker 2>for the deluxe and that's just what I'm going to

0:23:46.196 --> 0:23:48.596
<v Speaker 2>do there. But yeah, I definitely made a lot a

0:23:48.596 --> 0:23:49.316
<v Speaker 2>lot of music.

0:23:50.236 --> 0:23:52.916
<v Speaker 1>A couple of days ago, you posted about your mom

0:23:52.956 --> 0:23:55.236
<v Speaker 1>passed away to I, you know, I wanted to say,

0:23:55.396 --> 0:23:57.916
<v Speaker 1>you know, my condolences for that. That's that's really tough.

0:24:00.156 --> 0:24:04.676
<v Speaker 1>What did that have any bearing on what you wrote

0:24:04.716 --> 0:24:05.916
<v Speaker 1>for the album. I don't know.

0:24:06.476 --> 0:24:09.396
<v Speaker 2>Yeah, I mean that was the headspace that I was in. Yeah. Yeah,

0:24:09.436 --> 0:24:13.956
<v Speaker 2>my mom was diagnosed with stage four when I was pregnant,

0:24:14.116 --> 0:24:17.396
<v Speaker 2>so that was like something that was ongoing pretty much

0:24:17.436 --> 0:24:20.716
<v Speaker 2>during the whole writing process, kind of you know, having

0:24:20.756 --> 0:24:23.356
<v Speaker 2>to you know, see her and out of the hospital

0:24:23.396 --> 0:24:25.396
<v Speaker 2>and stuff like that. So that was something definitely that

0:24:27.276 --> 0:24:30.556
<v Speaker 2>impacted the album. And then on the delex I have

0:24:30.596 --> 0:24:33.196
<v Speaker 2>a song that was written like right after her passing

0:24:33.236 --> 0:24:35.276
<v Speaker 2>for her, So that's on the Delexe though.

0:24:35.556 --> 0:24:38.796
<v Speaker 1>That must have just been like a really hard headspace

0:24:38.836 --> 0:24:41.836
<v Speaker 1>to navigating pregnant your mom's getting diagnosed.

0:24:41.956 --> 0:24:43.996
<v Speaker 2>Yeah, like becoming a mom for the first time and

0:24:44.116 --> 0:24:47.476
<v Speaker 2>losing my mom at the same time. It was definitely

0:24:48.316 --> 0:24:49.996
<v Speaker 2>it's still you know, That's why I'm kind of taking

0:24:50.036 --> 0:24:53.556
<v Speaker 2>my time. Before and I had got right back into

0:24:53.596 --> 0:24:56.996
<v Speaker 2>the studio just because I felt that I needed to.

0:24:57.276 --> 0:24:59.476
<v Speaker 2>But now I'm just I'm just giving myself time to

0:25:00.036 --> 0:25:03.156
<v Speaker 2>take it easy and not trying to do too much

0:25:03.156 --> 0:25:05.116
<v Speaker 2>on myself right now because I am still grieving and

0:25:05.156 --> 0:25:09.676
<v Speaker 2>I am still mourning. It is relatively recent, so yeah,

0:25:09.796 --> 0:25:10.876
<v Speaker 2>just taking it day by day.

0:25:11.076 --> 0:25:16.516
<v Speaker 1>Yeah. Did did you guys get to connect about motherhood

0:25:16.596 --> 0:25:17.076
<v Speaker 1>much before?

0:25:17.396 --> 0:25:18.716
<v Speaker 2>Yeah? Yeah, definitely.

0:25:18.836 --> 0:25:19.076
<v Speaker 1>Yeah.

0:25:19.076 --> 0:25:21.836
<v Speaker 2>She loved my son and she you know, she had

0:25:21.876 --> 0:25:23.676
<v Speaker 2>a great, a great bomb with him, and she was

0:25:23.676 --> 0:25:26.476
<v Speaker 2>obsessed with him, and you know, obviously I wish we

0:25:26.556 --> 0:25:32.556
<v Speaker 2>had more time two, you know, to talk about motherhood

0:25:32.636 --> 0:25:34.996
<v Speaker 2>and for her to see my son grow up and

0:25:35.036 --> 0:25:37.236
<v Speaker 2>all of that. But but she got to meet him,

0:25:37.316 --> 0:25:38.396
<v Speaker 2>and I'm happy about that.

0:25:38.396 --> 0:25:42.596
<v Speaker 1>That's that's really great. Is that her voice on the album.

0:25:42.636 --> 0:25:45.116
<v Speaker 2>Yeah, Sunshine and rain that's my mom's voice in Sunshine

0:25:45.116 --> 0:25:48.796
<v Speaker 2>and Rainy. I'm actually dedicating the album to her, and

0:25:48.836 --> 0:25:50.956
<v Speaker 2>so that I put that that voice note. It was

0:25:50.996 --> 0:25:55.156
<v Speaker 2>a voice note she sent me for my son, and

0:25:55.596 --> 0:25:57.756
<v Speaker 2>it just so happened that she that she said sunshine,

0:25:57.796 --> 0:25:59.356
<v Speaker 2>and so I said, let me put this in Sunshine

0:25:59.396 --> 0:25:59.676
<v Speaker 2>and Rain.

0:26:00.036 --> 0:26:03.436
<v Speaker 1>Wow, that was a really touching moment for the I

0:26:03.436 --> 0:26:05.556
<v Speaker 1>thought it was you to be honest for you guys

0:26:05.596 --> 0:26:07.276
<v Speaker 1>kind of did I don't know if I don't know

0:26:07.316 --> 0:26:09.476
<v Speaker 1>if you guys sounded similar to my because I had

0:26:09.476 --> 0:26:12.996
<v Speaker 1>a similar tambre. Maybe maybe, but that was a really

0:26:13.036 --> 0:26:13.716
<v Speaker 1>touching moment.

0:26:13.756 --> 0:26:16.436
<v Speaker 2>Man, Thank you, Thank you. And I also have some

0:26:16.516 --> 0:26:20.476
<v Speaker 2>of my my son's voice on the end of Love

0:26:20.476 --> 0:26:22.476
<v Speaker 2>You So Much I Hurt, So that was really that

0:26:22.556 --> 0:26:24.516
<v Speaker 2>was really nice to get some voice recordings to him

0:26:24.516 --> 0:26:26.436
<v Speaker 2>and be able to include him in the album as well.

0:26:26.516 --> 0:26:29.436
<v Speaker 1>It was great, you know, like it reminded me of like,

0:26:29.556 --> 0:26:31.756
<v Speaker 1>isn't she lovely? You know, like how like Stevie gets

0:26:31.756 --> 0:26:36.596
<v Speaker 1>his kid on there, like it's just a you know love,

0:26:36.636 --> 0:26:38.676
<v Speaker 1>That's what I love too. It's like again, and I

0:26:38.716 --> 0:26:40.796
<v Speaker 1>just appreciated it as a parent myself, Like when I

0:26:40.796 --> 0:26:46.076
<v Speaker 1>put this album on, it felt like if I don't

0:26:46.116 --> 0:26:48.316
<v Speaker 1>want to say, like, you know, like a grown up album,

0:26:48.356 --> 0:26:50.236
<v Speaker 1>but it just felt like, you know what I mean, Sure, yeah,

0:26:50.556 --> 0:26:52.356
<v Speaker 1>it's a mature album. It's just something it's like and

0:26:52.396 --> 0:26:54.996
<v Speaker 1>it's like I can, really from my perspective in life,

0:26:55.076 --> 0:26:57.676
<v Speaker 1>like appreciate it. And having things like that that I

0:26:57.676 --> 0:27:03.836
<v Speaker 1>can play around my kids that make them think about

0:27:04.076 --> 0:27:06.316
<v Speaker 1>our relationship, you know what I mean, Like what it

0:27:06.356 --> 0:27:07.276
<v Speaker 1>is to you know what I mean. It's just like

0:27:07.276 --> 0:27:11.236
<v Speaker 1>that's just such a cool touch to add to your

0:27:10.956 --> 0:27:13.156
<v Speaker 1>your your your catalog, you know.

0:27:13.276 --> 0:27:13.476
<v Speaker 3>Yeah.

0:27:14.156 --> 0:27:16.076
<v Speaker 2>I love a lot of times people come to my

0:27:16.156 --> 0:27:17.796
<v Speaker 2>shows with their parents, and I think it's just so

0:27:17.876 --> 0:27:20.756
<v Speaker 2>sweet that they're able to like, it'll be a girl

0:27:20.796 --> 0:27:22.476
<v Speaker 2>and she'll be like me and my mom both love you,

0:27:22.516 --> 0:27:24.236
<v Speaker 2>and so it's nice to be able to touch different

0:27:24.236 --> 0:27:26.876
<v Speaker 2>generations and then be able to share that experience of

0:27:27.436 --> 0:27:29.796
<v Speaker 2>you know, having an artist that they both love in common.

0:27:29.836 --> 0:27:31.836
<v Speaker 2>It's really cool. That's like one of my favorite things

0:27:31.876 --> 0:27:32.796
<v Speaker 2>to see at my shows.

0:27:32.916 --> 0:27:37.476
<v Speaker 1>Yeah, it's amazing. Who who would you consider as being

0:27:37.476 --> 0:27:44.356
<v Speaker 1>some of your like important collaborators on this album who

0:27:44.356 --> 0:27:48.036
<v Speaker 1>helped it come into like focus. I guess in a way, that's.

0:27:47.876 --> 0:27:49.916
<v Speaker 2>A difficult question because I made the album in my

0:27:49.916 --> 0:27:54.036
<v Speaker 2>house by myself, never mind even majority of the songs

0:27:54.036 --> 0:27:56.116
<v Speaker 2>they were written without music, and I would just send

0:27:56.156 --> 0:27:59.076
<v Speaker 2>them to different people and I would work on, you know,

0:27:59.116 --> 0:28:00.756
<v Speaker 2>getting all the production together and stuff.

0:28:00.796 --> 0:28:04.876
<v Speaker 1>So the studio, say Calie Cali's headquarters.

0:28:04.996 --> 0:28:10.276
<v Speaker 2>I was going to ask, Yeah, so yeah, it's it's

0:28:10.276 --> 0:28:14.716
<v Speaker 2>my least collaborative album that I've ever made. I would say, yeah.

0:28:14.396 --> 0:28:16.356
<v Speaker 1>That makes sense. Maybe why it sounds so kind of

0:28:16.396 --> 0:28:19.236
<v Speaker 1>like sober and just sort of like direct in a sense.

0:28:19.236 --> 0:28:20.596
<v Speaker 1>You know. That's really what I was picking up from,

0:28:20.636 --> 0:28:24.756
<v Speaker 1>is just the songs are so direct, so that that

0:28:24.796 --> 0:28:27.516
<v Speaker 1>does make sense. Is that a way you would work? Again?

0:28:28.436 --> 0:28:31.116
<v Speaker 2>Absolutely? I loved it. Yeah, yeah, I loved it.

0:28:31.396 --> 0:28:33.836
<v Speaker 1>What's what was it? Tell me? Someone? Why? What? What?

0:28:36.676 --> 0:28:41.396
<v Speaker 2>I guess just the that rawness of just being in

0:28:41.396 --> 0:28:44.556
<v Speaker 2>your own house and just being able to go upstairs

0:28:44.636 --> 0:28:47.596
<v Speaker 2>and pick up the mic. It's nice, I mean I do.

0:28:47.996 --> 0:28:50.396
<v Speaker 2>I did a few songs traveling like it's just us.

0:28:50.436 --> 0:28:52.596
<v Speaker 2>I've recorded that in Houston because I also have a

0:28:52.636 --> 0:28:57.356
<v Speaker 2>house in Houston, so I did that there. And then

0:28:58.716 --> 0:29:00.436
<v Speaker 2>all I can say I wrote that one while I

0:29:00.476 --> 0:29:02.596
<v Speaker 2>was in Miami. So there's a few songs that I

0:29:02.596 --> 0:29:05.916
<v Speaker 2>wrote while, you know, being out of the house. But

0:29:06.316 --> 0:29:08.316
<v Speaker 2>everything else I did in my house and I loved it.

0:29:08.436 --> 0:29:11.196
<v Speaker 1>Wow. It's kind of cool how you a lot of

0:29:11.196 --> 0:29:14.716
<v Speaker 1>people and you have being you. I feel like you

0:29:14.716 --> 0:29:16.516
<v Speaker 1>have the poll you could just go to like any

0:29:16.596 --> 0:29:21.156
<v Speaker 1>number of like really big producers and just like do

0:29:21.236 --> 0:29:23.356
<v Speaker 1>a record with them. But it never seems. It seems

0:29:23.356 --> 0:29:26.436
<v Speaker 1>like you've always been very open to collaborate with a

0:29:26.556 --> 0:29:30.556
<v Speaker 1>variety of people, and not necessarily even people that are

0:29:30.716 --> 0:29:33.476
<v Speaker 1>like I mean, quote unquote hot, you know what I mean.

0:29:33.516 --> 0:29:36.236
<v Speaker 1>Like think about like you work with the girls so much, not.

0:29:36.196 --> 0:29:37.596
<v Speaker 2>Too much of my producers.

0:29:37.956 --> 0:29:39.916
<v Speaker 1>No, no, no, no, I'm just saying no. But like

0:29:39.996 --> 0:29:43.076
<v Speaker 1>think about like you collaborating with someone like like Damn

0:29:43.116 --> 0:29:45.716
<v Speaker 1>an album with Gorillas, Like it wasn't like you know

0:29:45.716 --> 0:29:49.356
<v Speaker 1>what I mean, It's not like he's not really like

0:29:49.356 --> 0:29:50.476
<v Speaker 1>in the pop space, you.

0:29:50.516 --> 0:29:50.956
<v Speaker 3>Know what I mean.

0:29:51.596 --> 0:29:54.396
<v Speaker 1>I think attack.

0:29:55.596 --> 0:30:00.036
<v Speaker 2>No. I I like to work with people that I trust,

0:30:00.436 --> 0:30:02.676
<v Speaker 2>and I think when I first moved to this city,

0:30:03.116 --> 0:30:04.916
<v Speaker 2>I was doing a lot of sessions with a lot

0:30:04.956 --> 0:30:11.556
<v Speaker 2>of you know, producers the moment and whatever, and I

0:30:11.556 --> 0:30:13.076
<v Speaker 2>don't know, I was just getting a lot of like

0:30:13.276 --> 0:30:17.516
<v Speaker 2>leaks like music like demo leagues and or them playing

0:30:17.756 --> 0:30:19.996
<v Speaker 2>my songs for other artists that they might get in

0:30:20.036 --> 0:30:21.956
<v Speaker 2>with because they're trying to get placements. And if I'm

0:30:21.996 --> 0:30:24.676
<v Speaker 2>not using it, they're like, well maybe they maybe, And

0:30:24.716 --> 0:30:26.716
<v Speaker 2>I don't I don't write songs for the artists like

0:30:26.756 --> 0:30:30.356
<v Speaker 2>my music is too personal to do that, and they

0:30:30.436 --> 0:30:32.436
<v Speaker 2>would just do it, you know, on their own without

0:30:32.516 --> 0:30:35.076
<v Speaker 2>asking consent first, Like, oh, I played this song for

0:30:35.116 --> 0:30:36.876
<v Speaker 2>so and so and they wanted for the album. Who

0:30:36.956 --> 0:30:38.836
<v Speaker 2>told you that you could play my music for you know?

0:30:38.876 --> 0:30:42.716
<v Speaker 2>I don't like that type of stuff, So yeah, I

0:30:42.836 --> 0:30:48.436
<v Speaker 2>just learned to. I have uh, trusted people that I've

0:30:48.436 --> 0:30:50.356
<v Speaker 2>worked with, Like Josh Crocker worked on a lot of this.

0:30:50.636 --> 0:30:51.916
<v Speaker 2>I've worked with him since Isolation.

0:30:52.116 --> 0:30:52.676
<v Speaker 1>I know him.

0:30:52.716 --> 0:30:55.476
<v Speaker 2>He's really cool, normal dude. He has a family, he

0:30:55.476 --> 0:31:00.316
<v Speaker 2>has kids, he lives all the way in England, and

0:31:00.476 --> 0:31:02.436
<v Speaker 2>I just go back and forth with him, Hey, what

0:31:02.476 --> 0:31:04.636
<v Speaker 2>about this? Add this list to this, da da da da,

0:31:04.716 --> 0:31:06.756
<v Speaker 2>and we just get it done. Dylan Wigan's another person

0:31:06.756 --> 0:31:08.836
<v Speaker 2>who worked a lot on this album, who I've also

0:31:08.876 --> 0:31:10.396
<v Speaker 2>worked with on other projects.

0:31:10.716 --> 0:31:13.196
<v Speaker 1>Is like people part Who's I think rath Faeld, benterview

0:31:13.276 --> 0:31:17.396
<v Speaker 1>rothfel Ones. Is that Raphael's nephew Dylan.

0:31:17.476 --> 0:31:19.316
<v Speaker 2>Yeah, I think he is, Yeah, because I think.

0:31:19.196 --> 0:31:21.236
<v Speaker 1>He told me he's like, yeah, my nephew Dylan is

0:31:21.276 --> 0:31:22.316
<v Speaker 1>really good someone.

0:31:22.396 --> 0:31:24.276
<v Speaker 2>I think someone did mention it to me the Yeah,

0:31:24.316 --> 0:31:27.516
<v Speaker 2>I think that that rings a bell. Yeah, but yeah, Dylan,

0:31:27.556 --> 0:31:29.676
<v Speaker 2>he's another person who worked a lot on the production

0:31:29.796 --> 0:31:34.356
<v Speaker 2>of this album and the transitions, and but yeah, it's

0:31:34.396 --> 0:31:35.756
<v Speaker 2>just people that I can trust because at the end

0:31:35.796 --> 0:31:38.876
<v Speaker 2>of the day, it's really personal music, and like I said,

0:31:38.876 --> 0:31:42.836
<v Speaker 2>I'm literally sending voice notes of myself with like sometimes

0:31:42.876 --> 0:31:45.636
<v Speaker 2>maybe a couple of chords, sometimes just completely raw to

0:31:46.396 --> 0:31:48.156
<v Speaker 2>you know, these people that I trust, and I'm like, hey,

0:31:48.156 --> 0:31:50.036
<v Speaker 2>can you build something like this around it? He's do

0:31:50.196 --> 0:31:52.236
<v Speaker 2>something like this, I'm thinking maybe something. So it's like

0:31:52.676 --> 0:31:56.236
<v Speaker 2>the process of making the songs is a lot more

0:31:56.316 --> 0:31:59.236
<v Speaker 2>raw and a lot more personal than just how people

0:31:59.396 --> 0:32:02.196
<v Speaker 2>just like might just get in a studio together and

0:32:02.236 --> 0:32:05.636
<v Speaker 2>be like play some beats and I'll jump on you know,

0:32:05.676 --> 0:32:06.876
<v Speaker 2>it's not it's not like that.

0:32:06.876 --> 0:32:08.116
<v Speaker 1>That's not the way you make stuff.

0:32:08.196 --> 0:32:13.476
<v Speaker 2>Yeah, personally, so so yeah, I just kind of learned

0:32:13.636 --> 0:32:19.516
<v Speaker 2>to to go with what works, and you know, maybe

0:32:19.516 --> 0:32:21.996
<v Speaker 2>for the next project I'll work differently. But that was

0:32:22.036 --> 0:32:23.036
<v Speaker 2>the process on this one.

0:32:24.076 --> 0:32:27.596
<v Speaker 1>When you announced the new album, you put out a

0:32:27.596 --> 0:32:31.116
<v Speaker 1>statement and part of that statement was essentially you said

0:32:31.276 --> 0:32:33.316
<v Speaker 1>you were so grateful for everyone who was a part

0:32:33.316 --> 0:32:36.836
<v Speaker 1>of you, Like this is a quote everyone part of

0:32:36.876 --> 0:32:42.196
<v Speaker 1>your silent assent, and I was just curious what that

0:32:42.236 --> 0:32:47.396
<v Speaker 1>meant to you, Your viewed, your your rise in your

0:32:47.396 --> 0:32:48.236
<v Speaker 1>career is silent.

0:32:49.236 --> 0:32:51.476
<v Speaker 2>It's so funny when when y'all quote me in these

0:32:51.516 --> 0:32:53.476
<v Speaker 2>interviews and tell me stuff that I posted, because I

0:32:53.516 --> 0:32:56.596
<v Speaker 2>don't ever remember when I posted. I'm always like I

0:32:56.636 --> 0:32:57.156
<v Speaker 2>said that.

0:32:57.156 --> 0:32:59.836
<v Speaker 1>Okay, I would be the same way to quoting things

0:32:59.836 --> 0:33:01.876
<v Speaker 1>back to me. Like you said my producers were hot.

0:33:01.996 --> 0:33:02.836
<v Speaker 1>I did not say that.

0:33:03.876 --> 0:33:06.196
<v Speaker 2>I just I just write stuff on there and just

0:33:06.396 --> 0:33:08.516
<v Speaker 2>I'm just like in the moment with my feelings and

0:33:08.556 --> 0:33:13.796
<v Speaker 2>then yeah, I think, I mean, I think silent a sent.

0:33:13.876 --> 0:33:16.236
<v Speaker 2>It's really just I've never had like a year that

0:33:16.356 --> 0:33:19.516
<v Speaker 2>was like a breakout year. I was like best new

0:33:19.596 --> 0:33:21.996
<v Speaker 2>artists to watch out for, but or whatever. It's like

0:33:22.396 --> 0:33:24.836
<v Speaker 2>I've just grown every year and I've always done better

0:33:24.916 --> 0:33:27.316
<v Speaker 2>than the year before, and I've always like I'm still

0:33:27.316 --> 0:33:28.836
<v Speaker 2>here and a lot of people can't say that. So

0:33:29.436 --> 0:33:31.996
<v Speaker 2>I like that type of trajectory for me, and I

0:33:32.036 --> 0:33:36.036
<v Speaker 2>think it's okay for the artists to also have those

0:33:36.036 --> 0:33:38.156
<v Speaker 2>type of ambitions rather than I think a lot of

0:33:38.156 --> 0:33:41.716
<v Speaker 2>people just want overnight success. And I think that my

0:33:41.756 --> 0:33:43.916
<v Speaker 2>journey's been really beautiful, and I'm really grateful for the

0:33:43.956 --> 0:33:46.516
<v Speaker 2>people that's still here that have been like watching me

0:33:46.556 --> 0:33:48.956
<v Speaker 2>grow literally from day one. It's cool.

0:33:49.796 --> 0:33:54.236
<v Speaker 1>Is there somewhere along did you, like, did that strike

0:33:54.276 --> 0:33:56.316
<v Speaker 1>you somewhere along the line that that's maybe a better

0:33:56.356 --> 0:33:58.196
<v Speaker 1>way to grow your career or did it?

0:33:58.476 --> 0:34:02.036
<v Speaker 2>Like I think everyone, you know, everybody's journey is different,

0:34:02.036 --> 0:34:07.236
<v Speaker 2>everyone's path is different. For me, I never like this,

0:34:07.516 --> 0:34:09.796
<v Speaker 2>that's just personally what I want to for myself. And

0:34:09.836 --> 0:34:13.916
<v Speaker 2>I have a very strong understanding of the type of

0:34:14.476 --> 0:34:16.836
<v Speaker 2>career that I want and how far I want things

0:34:16.876 --> 0:34:18.516
<v Speaker 2>to get, how big I want things to get, and

0:34:18.556 --> 0:34:21.396
<v Speaker 2>I know, like you know, my boundaries would work. And

0:34:21.476 --> 0:34:24.396
<v Speaker 2>I'm just already very solidified. And you know it's not

0:34:24.636 --> 0:34:26.396
<v Speaker 2>it's not my first rodeo, it's not my first day

0:34:26.396 --> 0:34:29.596
<v Speaker 2>out here, so I already know like what I want

0:34:29.596 --> 0:34:33.756
<v Speaker 2>out of things, and yeah, I just that's for me.

0:34:33.956 --> 0:34:37.316
<v Speaker 2>But everybody's like I said, everybody wants different things for themselves.

0:34:37.396 --> 0:34:39.916
<v Speaker 1>But it's a really refreshing perspective. Like we talked about

0:34:39.916 --> 0:34:42.996
<v Speaker 1>how you kind of can't hang anything on in terms

0:34:42.996 --> 0:34:46.756
<v Speaker 1>of stylistically, like it's like you're able to hold a

0:34:46.796 --> 0:34:50.996
<v Speaker 1>lot of what could be contradictory positions or or you

0:34:50.996 --> 0:34:53.356
<v Speaker 1>know at once, which is really hard for people to do.

0:34:53.476 --> 0:34:54.996
<v Speaker 1>Like you were able to be like no, I'm like,

0:34:55.316 --> 0:34:57.756
<v Speaker 1>I'm an artist who sings in English and Spanish and

0:34:57.796 --> 0:34:59.716
<v Speaker 1>you can't tell me otherwise, and you can't put me

0:34:59.756 --> 0:35:03.636
<v Speaker 1>in that kind of a box. And I'm going to

0:35:03.716 --> 0:35:06.076
<v Speaker 1>make an album that has like a countryish feel to

0:35:06.076 --> 0:35:08.116
<v Speaker 1>it and a do woppy feel to it and like

0:35:08.156 --> 0:35:09.916
<v Speaker 1>a very modern fel to it, and it's all going

0:35:09.996 --> 0:35:12.956
<v Speaker 1>to sound like me. You can't tell me otherwise. And

0:35:12.676 --> 0:35:19.116
<v Speaker 1>and similarly, it's like the idea that like you don't

0:35:20.556 --> 0:35:23.076
<v Speaker 1>you also seem to be like a very private person.

0:35:23.596 --> 0:35:26.756
<v Speaker 1>But at the same time, I've managed to like grow

0:35:26.836 --> 0:35:29.556
<v Speaker 1>a career that is like you know, where you're like

0:35:30.036 --> 0:35:33.716
<v Speaker 1>insanely popular and like have like a legion of fans,

0:35:33.756 --> 0:35:37.436
<v Speaker 1>and like you, it's it's a really refreshing kind of position,

0:35:37.516 --> 0:35:40.716
<v Speaker 1>and it's not something that you know, I don't feel

0:35:40.716 --> 0:35:42.396
<v Speaker 1>like we see a lot, you know.

0:35:42.636 --> 0:35:45.236
<v Speaker 2>Thank you. I want to say I'm insanely popular, but

0:35:45.676 --> 0:35:50.476
<v Speaker 2>I definitely love my fan base because they know, you know,

0:35:50.516 --> 0:35:52.756
<v Speaker 2>they know what it is, and they know they know

0:35:53.836 --> 0:35:55.516
<v Speaker 2>that I'm just going to keep doing what I want

0:35:55.516 --> 0:35:58.836
<v Speaker 2>to do and not to put any type of expectations

0:35:58.876 --> 0:36:00.756
<v Speaker 2>on me beyond that. And I love that.

0:36:01.636 --> 0:36:03.476
<v Speaker 1>I appreciate that you would say you don't feel like

0:36:03.516 --> 0:36:06.076
<v Speaker 1>you're insanely popular, but that it's like, you know, like

0:36:06.116 --> 0:36:08.996
<v Speaker 1>you really, I mean like you. It is wild, like

0:36:09.436 --> 0:36:12.196
<v Speaker 1>you say, like when you said silence sent it made

0:36:12.236 --> 0:36:14.076
<v Speaker 1>me think about it, and it's like you really have

0:36:15.276 --> 0:36:20.396
<v Speaker 1>climb to like from the start of where you before

0:36:20.396 --> 0:36:22.516
<v Speaker 1>we started rolling, you were talking about how you came

0:36:22.556 --> 0:36:26.516
<v Speaker 1>to la like right after high school, and then you

0:36:26.556 --> 0:36:28.556
<v Speaker 1>just sort of start to think about the directory of

0:36:28.596 --> 0:36:30.596
<v Speaker 1>your career and how you've kind of really done it

0:36:30.756 --> 0:36:33.516
<v Speaker 1>in this really unique organic fashion. But you really have

0:36:33.676 --> 0:36:37.236
<v Speaker 1>like grown your creator like this incredible consciously or not

0:36:37.356 --> 0:36:41.636
<v Speaker 1>like this, Like you're like one of the great young

0:36:41.796 --> 0:36:44.716
<v Speaker 1>singers and one of the great young artists. And that's

0:36:44.756 --> 0:36:47.676
<v Speaker 1>like that's not I don't know, it's not up for question.

0:36:47.756 --> 0:36:54.116
<v Speaker 1>I don't think you. I appreciate you. What your first

0:36:54.156 --> 0:36:58.036
<v Speaker 1>tour was with Leon Bridges about about a decade ago.

0:36:58.956 --> 0:37:01.676
<v Speaker 2>Was that my first tour? Yeah, actually it was my

0:37:01.676 --> 0:37:02.116
<v Speaker 2>first tour.

0:37:02.236 --> 0:37:04.876
<v Speaker 1>Yeah, sure, I could be wrong.

0:37:05.036 --> 0:37:07.476
<v Speaker 2>I think it was my first time being on the road. Yes,

0:37:08.436 --> 0:37:12.396
<v Speaker 2>in a Yeah, it was I had done like little festivals,

0:37:12.396 --> 0:37:13.636
<v Speaker 2>but that was my first actual tour.

0:37:13.796 --> 0:37:16.796
<v Speaker 1>Yeah, after one last break, we'll be back with the

0:37:16.796 --> 0:37:24.436
<v Speaker 1>rest of my conversation with cali Ucciese. Tell me about

0:37:24.436 --> 0:37:26.636
<v Speaker 1>your evolution in terms of your live performance and how

0:37:26.636 --> 0:37:31.156
<v Speaker 1>you approach performing now than you did ten years ago,

0:37:31.236 --> 0:37:32.916
<v Speaker 1>opening up or touring with Leon.

0:37:34.956 --> 0:37:37.956
<v Speaker 2>I mean, I just I think that I think that

0:37:38.116 --> 0:37:40.396
<v Speaker 2>a lot, especially back then, like a lot of my

0:37:41.596 --> 0:37:44.716
<v Speaker 2>work was just me never being prepared for what I

0:37:44.796 --> 0:37:48.156
<v Speaker 2>was doing. I'd just be just speaking honestly. So the

0:37:48.196 --> 0:37:49.996
<v Speaker 2>same way I told you, like, I just put music

0:37:50.036 --> 0:37:52.076
<v Speaker 2>out like on that piit or whatever, and I didn't

0:37:52.116 --> 0:37:54.676
<v Speaker 2>actually realize so many people are gonna listen to it,

0:37:54.716 --> 0:37:56.596
<v Speaker 2>and then I took it down. It's the same way

0:37:56.636 --> 0:37:59.356
<v Speaker 2>with the toying, where it was like I was just told, like,

0:37:59.796 --> 0:38:02.956
<v Speaker 2>this is really important, you have to do it, and

0:38:03.036 --> 0:38:05.436
<v Speaker 2>I was like, okay, because I felt it was my

0:38:05.476 --> 0:38:09.276
<v Speaker 2>obligation to do so. But I didn't shouldn't have I've

0:38:09.276 --> 0:38:10.876
<v Speaker 2>really been doing that at the time. I probably should

0:38:10.876 --> 0:38:14.676
<v Speaker 2>have been preparing myself as an artist to like learn,

0:38:14.716 --> 0:38:19.636
<v Speaker 2>you know, I just kind of did things that was

0:38:19.716 --> 0:38:21.356
<v Speaker 2>just the time in my life where I was just

0:38:21.396 --> 0:38:24.196
<v Speaker 2>like I was just doing things. I just threw myself

0:38:24.236 --> 0:38:26.516
<v Speaker 2>out there, and I just had a lot of experiences

0:38:26.556 --> 0:38:32.036
<v Speaker 2>and I just I learned from experience. And when I

0:38:32.076 --> 0:38:35.316
<v Speaker 2>realized later, like, oh, artists actually go through artists development,

0:38:35.556 --> 0:38:39.476
<v Speaker 2>and they actually developed themselves first before they just go

0:38:39.556 --> 0:38:41.756
<v Speaker 2>on the road all willy nilly, or before they just

0:38:41.796 --> 0:38:44.316
<v Speaker 2>put out a project all willy nilly, or you know,

0:38:44.476 --> 0:38:46.156
<v Speaker 2>like I didn't know those type of things. I was

0:38:46.236 --> 0:38:51.356
<v Speaker 2>very naive. I was young, and I didn't know any better.

0:38:52.276 --> 0:38:55.276
<v Speaker 2>So essentially, I will say I wasted a lot of time,

0:38:55.316 --> 0:38:57.636
<v Speaker 2>Like I feel like that was a waste of time, but.

0:39:00.396 --> 0:39:02.956
<v Speaker 1>It was, you know, I learned waste of time because

0:39:03.036 --> 0:39:05.636
<v Speaker 1>you just weren't It wasn't I wasn't actually put yourself

0:39:05.676 --> 0:39:06.036
<v Speaker 1>into it.

0:39:06.076 --> 0:39:11.196
<v Speaker 2>I was actually prepared for it. Yeah, and and yeah,

0:39:11.236 --> 0:39:12.956
<v Speaker 2>I mean it's really hard. You know, being an opener

0:39:13.076 --> 0:39:15.956
<v Speaker 2>is really really hard. It's really it's really emotionally and

0:39:15.956 --> 0:39:19.756
<v Speaker 2>physically training, especially as a girl. You're not in the

0:39:19.796 --> 0:39:22.836
<v Speaker 2>type of city it's not glamorous whatsoever, Like it's not

0:39:22.916 --> 0:39:28.636
<v Speaker 2>even decent. So it was just it's not so Yeah,

0:39:28.716 --> 0:39:32.716
<v Speaker 2>I would say I would say that you know, it

0:39:32.876 --> 0:39:35.836
<v Speaker 2>was a time in my life. I was young, and

0:39:35.876 --> 0:39:42.156
<v Speaker 2>I was just I've always been very much learn from

0:39:42.196 --> 0:39:43.236
<v Speaker 2>experience type.

0:39:42.996 --> 0:39:46.236
<v Speaker 1>Of person, So how do you approach it now differently now,

0:39:46.276 --> 0:39:48.956
<v Speaker 1>like a decade later, Like if that was less less

0:39:48.996 --> 0:39:50.316
<v Speaker 1>than decent, I was.

0:39:50.236 --> 0:39:52.876
<v Speaker 2>A hands on learner, So I would just call that

0:39:52.956 --> 0:39:55.876
<v Speaker 2>a learning experience. But if I could, if I could

0:39:55.916 --> 0:40:00.676
<v Speaker 2>give a young artist advice and to learn from my

0:40:01.076 --> 0:40:05.716
<v Speaker 2>mistakes in my career, I would say to really take

0:40:05.756 --> 0:40:10.356
<v Speaker 2>your time cultivating yourself as an artist first, cultivating your music,

0:40:10.956 --> 0:40:14.956
<v Speaker 2>learning more about yourself the type of performer you want

0:40:14.956 --> 0:40:19.116
<v Speaker 2>to be. I don't know. I think I would have

0:40:19.356 --> 0:40:22.716
<v Speaker 2>maybe taken that route. Who knows, But who knows. What's

0:40:22.756 --> 0:40:23.356
<v Speaker 2>done is done.

0:40:23.396 --> 0:40:25.796
<v Speaker 1>And it's cool you figured it, like you you've kind

0:40:25.796 --> 0:40:26.876
<v Speaker 1>of figured it out.

0:40:27.716 --> 0:40:29.596
<v Speaker 2>I went to where I needed to be in the

0:40:29.716 --> 0:40:32.996
<v Speaker 2>end regardless, but I definitely there was a lot of

0:40:32.996 --> 0:40:33.756
<v Speaker 2>bumps in the road.

0:40:33.836 --> 0:40:37.876
<v Speaker 1>I mean, you've cultivated a really cool, really great like

0:40:37.996 --> 0:40:43.716
<v Speaker 1>stage presence and persona, and like I feel like your shows,

0:40:43.996 --> 0:40:47.076
<v Speaker 1>your live performances are the exact opposite of what you

0:40:47.116 --> 0:40:49.436
<v Speaker 1>were describing that as, like you not being prepared, Like

0:40:49.556 --> 0:40:51.956
<v Speaker 1>I feel like everything's pretty intentional now in terms of

0:40:52.316 --> 0:40:53.516
<v Speaker 1>the way you perform, and.

0:40:53.676 --> 0:40:56.396
<v Speaker 2>Yeah, no, things are way different now. Things are way

0:40:56.436 --> 0:40:58.636
<v Speaker 2>way different now. But I mean I had to learn

0:40:58.676 --> 0:41:01.596
<v Speaker 2>through the experiences, so I won't say it was all,

0:41:02.196 --> 0:41:06.956
<v Speaker 2>you know, terrible, but what I have done things differently

0:41:07.116 --> 0:41:08.116
<v Speaker 2>with and knowledge you have now.

0:41:08.196 --> 0:41:12.276
<v Speaker 1>Yes, when did you finally get comfortable on stage?

0:41:12.596 --> 0:41:15.196
<v Speaker 2>I never was nervous to go on stage. I never

0:41:15.276 --> 0:41:18.596
<v Speaker 2>had like nerves to get on stage. So I won't

0:41:18.636 --> 0:41:22.596
<v Speaker 2>say that it was necessarily about me getting comfortable on stage.

0:41:23.556 --> 0:41:28.116
<v Speaker 2>I will say it was more so me learning about

0:41:28.276 --> 0:41:30.076
<v Speaker 2>the type of show that I wanted to put on,

0:41:30.276 --> 0:41:34.996
<v Speaker 2>and get in touch with myself as a performer, and

0:41:35.076 --> 0:41:38.316
<v Speaker 2>just all of those regular growing pains of an artist.

0:41:38.756 --> 0:41:42.076
<v Speaker 1>What have been some of your favorite moments performing live?

0:41:43.156 --> 0:41:46.956
<v Speaker 2>My favorite moments performing live? Well, I actually think it

0:41:46.996 --> 0:41:49.756
<v Speaker 2>was really cool that I did get to do shows pregnant,

0:41:50.676 --> 0:41:53.636
<v Speaker 2>because my baby can say that he was on stage,

0:41:54.356 --> 0:41:56.516
<v Speaker 2>which is fun, and it was fun. He used to

0:41:56.556 --> 0:42:00.436
<v Speaker 2>be kicking. He used to be kicking, and he loves music,

0:42:00.636 --> 0:42:03.916
<v Speaker 2>so I feel like, you know, maybe that had some

0:42:03.956 --> 0:42:06.316
<v Speaker 2>type of influence on him that he loves music, because

0:42:06.316 --> 0:42:08.316
<v Speaker 2>he was definitely always around music when he was in

0:42:08.396 --> 0:42:14.636
<v Speaker 2>my belly. That was really fun. And what else has

0:42:14.676 --> 0:42:15.556
<v Speaker 2>been really fun?

0:42:18.636 --> 0:42:20.196
<v Speaker 1>There have been any places where you feel like the

0:42:20.236 --> 0:42:23.356
<v Speaker 1>audience with the crowd is particularly I.

0:42:23.356 --> 0:42:26.156
<v Speaker 2>Always have a really great audience in Texas. Texas always

0:42:26.156 --> 0:42:29.956
<v Speaker 2>has had a lot of love for me. Austin, Dallas, Houston,

0:42:29.996 --> 0:42:31.756
<v Speaker 2>They've always had a lot of love, I believe it.

0:42:31.916 --> 0:42:38.796
<v Speaker 2>Chicago they always show a lot of love. Florida, but

0:42:39.156 --> 0:42:47.036
<v Speaker 2>obviously La is always like they go the craziest and Yeah,

0:42:47.036 --> 0:42:48.676
<v Speaker 2>I would say those are the ones that stand out

0:42:48.676 --> 0:42:50.356
<v Speaker 2>the most to me when I'm on tour. I'm always

0:42:50.396 --> 0:42:51.716
<v Speaker 2>excited to hit those cities.

0:42:51.876 --> 0:42:54.396
<v Speaker 1>Yeah, Texas, I'm late and it's great, so cool. You

0:42:54.436 --> 0:42:56.076
<v Speaker 1>have a house in Houston too, because I feel like

0:42:56.116 --> 0:42:59.916
<v Speaker 1>Houston is one of the most underappreciated cities. Anytime I

0:42:59.956 --> 0:43:02.876
<v Speaker 1>go to Houston, it is the greatest time of my life.

0:43:03.356 --> 0:43:04.436
<v Speaker 1>The people are incredible.

0:43:04.556 --> 0:43:06.356
<v Speaker 2>Yeah, people show a lot of love there. I have

0:43:06.396 --> 0:43:08.636
<v Speaker 2>a lot of fans there and they always show, you know,

0:43:08.756 --> 0:43:12.356
<v Speaker 2>genuine and genuine love and it's a nice it's a

0:43:12.476 --> 0:43:15.476
<v Speaker 2>nice you know, just different pace from from out here.

0:43:15.836 --> 0:43:20.156
<v Speaker 1>Yeah. Yeah, what are you going to? Uh? Are you

0:43:20.156 --> 0:43:23.196
<v Speaker 1>going to tour this album? Or are you gonna yeah, yeah, okay,

0:43:23.276 --> 0:43:26.076
<v Speaker 1>what it was the one of you going out.

0:43:26.116 --> 0:43:29.836
<v Speaker 2>It's gonna be a summer tour. Yeah, cool, Yes, it's

0:43:29.836 --> 0:43:34.676
<v Speaker 2>gonna be really fun because I didn't get to I

0:43:34.716 --> 0:43:37.756
<v Speaker 2>didn't get to do anis tour because literally right after

0:43:38.036 --> 0:43:42.956
<v Speaker 2>my album, I gave birth, So I wasn't I had

0:43:42.956 --> 0:43:45.836
<v Speaker 2>to sit that one out, and I just, you know,

0:43:45.916 --> 0:43:47.916
<v Speaker 2>so much other stuff is going on. I'm glad I said.

0:43:47.996 --> 0:43:53.596
<v Speaker 2>I wouldn't have been able obviously, but now I'm planning

0:43:53.596 --> 0:43:56.716
<v Speaker 2>to basically just have another part of the show that's

0:43:56.716 --> 0:44:00.556
<v Speaker 2>dedicated to so that I'm able to do that as well.

0:44:01.956 --> 0:44:05.556
<v Speaker 1>You're you're talking about how you performed when you were

0:44:05.556 --> 0:44:07.756
<v Speaker 1>pregnant and how your kid loves music. What I was

0:44:07.756 --> 0:44:10.876
<v Speaker 1>just curious, what music do you play around the house

0:44:10.916 --> 0:44:11.716
<v Speaker 1>for you for your kid?

0:44:13.236 --> 0:44:14.596
<v Speaker 2>A lot of I want to say, a lot of eighties,

0:44:14.596 --> 0:44:22.956
<v Speaker 2>a lot of nineties. He loves uh. He loves Forget

0:44:22.956 --> 0:44:25.316
<v Speaker 2>Me Not by Petries. It's like one of his favorite.

0:44:27.436 --> 0:44:29.996
<v Speaker 2>He loves that song. I played Funky Town for him

0:44:30.036 --> 0:44:31.716
<v Speaker 2>all the time. I seen him that one all the time.

0:44:31.756 --> 0:44:34.556
<v Speaker 2>He loves that one. So yeah, we listen to a

0:44:34.556 --> 0:44:39.196
<v Speaker 2>lot of you know that in that world type of music,

0:44:39.476 --> 0:44:43.396
<v Speaker 2>do you. But he loves all types of music. He's

0:44:43.436 --> 0:44:46.676
<v Speaker 2>he's an avid music He's just obsessed with music.

0:44:46.756 --> 0:44:48.916
<v Speaker 1>Are you introducing him to like to Latin music too?

0:44:49.196 --> 0:44:52.436
<v Speaker 2>Oh yeah, Oh yeah. I played him like Vagenatos. It's

0:44:52.476 --> 0:44:55.636
<v Speaker 2>something that we have from specifically from Colombia, and he

0:44:55.756 --> 0:44:57.556
<v Speaker 2>loves Vagenatos. He loves it.

0:44:58.196 --> 0:45:00.156
<v Speaker 1>How was going down to Columbia by the way, as

0:45:00.636 --> 0:45:02.356
<v Speaker 1>the artist you are now like versus you know what

0:45:02.396 --> 0:45:02.636
<v Speaker 1>I mean?

0:45:04.036 --> 0:45:07.436
<v Speaker 2>It's beautiful. It's beautiful because there's really nobody who's come

0:45:07.476 --> 0:45:09.996
<v Speaker 2>out of my hometown. So I get a lot of

0:45:09.996 --> 0:45:13.756
<v Speaker 2>love when I'm there, and it's a really humbling experience.

0:45:13.796 --> 0:45:16.276
<v Speaker 2>To just be back home and get shown that type

0:45:16.276 --> 0:45:17.796
<v Speaker 2>of love is amazing.

0:45:18.196 --> 0:45:19.996
<v Speaker 1>And you're still able to be there and sort of live,

0:45:20.316 --> 0:45:24.836
<v Speaker 1>Uh are you able to? Are you able to enjoy

0:45:25.236 --> 0:45:27.116
<v Speaker 1>the country still? Like it's not like.

0:45:27.116 --> 0:45:30.836
<v Speaker 2>People are really respectful. And my town is a small town,

0:45:30.916 --> 0:45:34.116
<v Speaker 2>so it's like people will know and they'll just be respectful.

0:45:34.236 --> 0:45:36.956
<v Speaker 2>You know, we take pictures, we sign stuff whatever, but

0:45:37.396 --> 0:45:38.396
<v Speaker 2>people are respectful.

0:45:38.996 --> 0:45:43.436
<v Speaker 1>Yeah. Noticing the tattoo on your arm, that's your that's

0:45:43.436 --> 0:45:44.876
<v Speaker 1>your dad signature, right.

0:45:44.796 --> 0:45:47.916
<v Speaker 2>That's that'sport yeah, signature coming to America.

0:45:47.596 --> 0:45:53.436
<v Speaker 1>From coming to America. Right, how much does you like

0:45:53.516 --> 0:46:02.036
<v Speaker 1>your your family's immigration story playing to how you you

0:46:02.036 --> 0:46:03.876
<v Speaker 1>you view yourself. I guess you know how much of

0:46:03.916 --> 0:46:05.836
<v Speaker 1>that feels like it's a part of your story.

0:46:05.956 --> 0:46:09.636
<v Speaker 2>I think just growing up in a household that was

0:46:09.676 --> 0:46:14.796
<v Speaker 2>full of genuinely hardworking people that always taught me that

0:46:14.836 --> 0:46:17.676
<v Speaker 2>in life, you know, nothing comes easy and you don't

0:46:17.716 --> 0:46:21.276
<v Speaker 2>just get handed anything. And also just learning to be resourceful,

0:46:21.436 --> 0:46:24.116
<v Speaker 2>like you know, when I was going to school in Columbia,

0:46:24.196 --> 0:46:27.196
<v Speaker 2>like having to heat up our own water and having

0:46:27.236 --> 0:46:29.396
<v Speaker 2>to get resourceful when it came to washing clothes. You know,

0:46:29.436 --> 0:46:32.796
<v Speaker 2>we didn't have dishwasher. We didn't have sorry, not dishwasher,

0:46:32.836 --> 0:46:37.876
<v Speaker 2>a laundry washer whatever it's called, clo washer washer, we

0:46:37.876 --> 0:46:39.356
<v Speaker 2>didn't have those type of things. We had to get

0:46:39.356 --> 0:46:42.316
<v Speaker 2>resourceful with everything that we did. And I think just

0:46:42.516 --> 0:46:47.436
<v Speaker 2>growing up with the mentality of having to figure things out,

0:46:48.196 --> 0:46:49.916
<v Speaker 2>it makes you a lot more creative as a kid

0:46:49.956 --> 0:46:57.876
<v Speaker 2>as well. You find creative alternatives to everything, and it

0:46:57.996 --> 0:47:00.596
<v Speaker 2>definitely gives you that backbone that you need in the

0:47:00.636 --> 0:47:04.796
<v Speaker 2>world of just always having to row with the punches

0:47:04.796 --> 0:47:06.436
<v Speaker 2>in life because you never know what's gonna happen?

0:47:07.956 --> 0:47:11.316
<v Speaker 1>And then you. I found it interesting that you grew

0:47:11.396 --> 0:47:19.116
<v Speaker 1>up in a very Salvadorian, very Salvadorian part of Virginia

0:47:19.636 --> 0:47:22.076
<v Speaker 1>that I also realized. I also found out I was

0:47:22.116 --> 0:47:24.876
<v Speaker 1>looking at stuff. Dave Grohl from The Food Fighters grew

0:47:24.956 --> 0:47:27.436
<v Speaker 1>up there, recorded like a Food Fighters album out of

0:47:27.436 --> 0:47:29.836
<v Speaker 1>his house that I don't even know. He's not Latino,

0:47:29.996 --> 0:47:31.836
<v Speaker 1>but she is. I don't want to take that away

0:47:31.836 --> 0:47:33.876
<v Speaker 1>from him, maybe as he did. He grew up in Chiliagua. Yeah,

0:47:34.436 --> 0:47:38.916
<v Speaker 1>and Alexander Alexandria Alexandria in Chiliagua.

0:47:39.916 --> 0:47:42.516
<v Speaker 2>I didn't even know that they were from v A.

0:47:42.676 --> 0:47:45.396
<v Speaker 1>Yeah, he's They recorded like one of their big albums there,

0:47:45.516 --> 0:47:51.756
<v Speaker 1>the third album, I think. But like like having your

0:47:51.756 --> 0:47:55.916
<v Speaker 1>Columbia roots grown up around Salvadorians, coming to La so

0:47:56.036 --> 0:48:01.396
<v Speaker 1>young and having that, you know, the Mexican influence that's here,

0:48:02.676 --> 0:48:05.716
<v Speaker 1>did you It has did that impact like at all,

0:48:05.796 --> 0:48:09.516
<v Speaker 1>the way you view your your your your the way

0:48:09.556 --> 0:48:12.996
<v Speaker 1>you relate to like Latin America, because it feels like

0:48:12.996 --> 0:48:17.236
<v Speaker 1>you've had a really broad upbringing in terms of your

0:48:17.356 --> 0:48:18.956
<v Speaker 1>you know, people tend to think of Latinos as like

0:48:19.036 --> 0:48:21.596
<v Speaker 1>one group y but like Columbias are very different than

0:48:21.596 --> 0:48:22.396
<v Speaker 1>the South of Dorians.

0:48:22.516 --> 0:48:25.436
<v Speaker 2>Yeah, for sure, but I mean we all have underlying

0:48:25.636 --> 0:48:29.676
<v Speaker 2>like we all have similar cultures in a sense. And

0:48:29.716 --> 0:48:35.716
<v Speaker 2>I think for me that my uncle, he's Mexican, he

0:48:35.796 --> 0:48:38.556
<v Speaker 2>also raised me, and he also exposed me to a

0:48:38.596 --> 0:48:41.116
<v Speaker 2>lot of like oh these and a lot of the

0:48:41.156 --> 0:48:43.996
<v Speaker 2>Mexican La culture because it's actually from out here, not

0:48:43.996 --> 0:48:46.476
<v Speaker 2>from specifically LA, but he's from California, so he's like,

0:48:47.236 --> 0:48:50.236
<v Speaker 2>you know, I think that definitely played a role as well.

0:48:50.276 --> 0:48:52.116
<v Speaker 2>So before I even moved out here, a lot of

0:48:52.116 --> 0:48:55.116
<v Speaker 2>people back home would always ask me, you're not from here.

0:48:55.156 --> 0:48:58.036
<v Speaker 2>You're from the You're from the West Coast, aren't you

0:48:58.076 --> 0:49:00.236
<v Speaker 2>You're not East Coast? And I would be like, no,

0:49:00.316 --> 0:49:01.956
<v Speaker 2>I am from here, and they will always tell me like, no,

0:49:01.996 --> 0:49:04.156
<v Speaker 2>you're from You're from LA. You're probably from like random

0:49:04.156 --> 0:49:06.116
<v Speaker 2>people who if I was at the mall, if I

0:49:06.196 --> 0:49:08.796
<v Speaker 2>was out somewhere like getting the train or whatever, wherever

0:49:08.796 --> 0:49:12.356
<v Speaker 2>I would people used to always say that I seemed

0:49:12.396 --> 0:49:14.076
<v Speaker 2>like I was from LA, like since I was young.

0:49:14.436 --> 0:49:17.836
<v Speaker 2>So I think I've just always had different influences because

0:49:17.876 --> 0:49:20.636
<v Speaker 2>of Yeah, all the different people that raised me and

0:49:20.996 --> 0:49:22.756
<v Speaker 2>different things that I got exposed.

0:49:22.316 --> 0:49:25.316
<v Speaker 1>To really in Angelina. I can't believe you.

0:49:26.116 --> 0:49:29.196
<v Speaker 2>But now, yeah, well, now, now you know, I've lived

0:49:29.196 --> 0:49:31.996
<v Speaker 2>here for so long that it really does feel like home,

0:49:32.116 --> 0:49:36.436
<v Speaker 2>my second home. But but yeah, I don't know. People

0:49:36.476 --> 0:49:37.956
<v Speaker 2>always thought that I was from here. That's why I

0:49:37.996 --> 0:49:40.276
<v Speaker 2>was like, I might as well move there, because clearly

0:49:40.396 --> 0:49:43.076
<v Speaker 2>something's going on over there that is connecting with me.

0:49:43.156 --> 0:49:46.156
<v Speaker 2>Everybody wants to work with me from out there, and

0:49:46.396 --> 0:49:48.556
<v Speaker 2>I got so much love and support out there versus

0:49:48.956 --> 0:49:52.476
<v Speaker 2>you know, where I was living. It was really hard

0:49:52.476 --> 0:49:55.396
<v Speaker 2>to break out of like the DMV area. With the

0:49:55.396 --> 0:49:57.796
<v Speaker 2>type of music that I was doing, I would get love,

0:49:57.956 --> 0:50:00.916
<v Speaker 2>but it wasn't the same as out here. It wasn't

0:50:01.036 --> 0:50:04.676
<v Speaker 2>not at all. I mean even now even now, you know,

0:50:06.476 --> 0:50:09.076
<v Speaker 2>the love isn't the same there. Like if I do

0:50:09.276 --> 0:50:11.636
<v Speaker 2>show there as it is here and technically like that's

0:50:11.636 --> 0:50:14.356
<v Speaker 2>a hometown show, but out here feels like a hometown show.

0:50:14.876 --> 0:50:18.116
<v Speaker 2>It's weird. I don't know why. I just glad we

0:50:18.156 --> 0:50:21.436
<v Speaker 2>can provide that you guys. Thank you guys.

0:50:23.716 --> 0:50:25.756
<v Speaker 1>Before we wrap up, just because I love that song

0:50:25.796 --> 0:50:28.196
<v Speaker 1>so much. Can you talk about the genesis of I

0:50:28.236 --> 0:50:29.636
<v Speaker 1>Love you so much it hurts?

0:50:29.836 --> 0:50:37.636
<v Speaker 2>Yeah? Well, what was the first lines? Yeah, I love

0:50:37.676 --> 0:50:40.796
<v Speaker 2>my baby. Nothing else compares. When I look into his

0:50:40.796 --> 0:50:42.716
<v Speaker 2>brown eyes, it leaves me full of tears, crying so

0:50:43.276 --> 0:50:46.716
<v Speaker 2>pretty much the whole first month of me giving birth

0:50:46.756 --> 0:50:49.236
<v Speaker 2>to my baby, every time that we would make eye contact,

0:50:49.676 --> 0:50:52.036
<v Speaker 2>it would make me cry. I really felt like I

0:50:52.036 --> 0:50:53.596
<v Speaker 2>could see into his soul and like he was seeing

0:50:53.636 --> 0:50:55.996
<v Speaker 2>into my soul, and it was just, you know, a

0:50:55.996 --> 0:50:58.276
<v Speaker 2>connection that I had never ever felt before. I felt

0:50:58.516 --> 0:51:02.156
<v Speaker 2>like fully seen for what felt like the first time

0:51:02.156 --> 0:51:04.156
<v Speaker 2>I ever Like I felt like somebody really really saw

0:51:04.276 --> 0:51:10.116
<v Speaker 2>me and that I finally had, you know, this family

0:51:10.516 --> 0:51:13.636
<v Speaker 2>that I always wanted and that was really always my dream.

0:51:13.756 --> 0:51:17.436
<v Speaker 2>And I just immediately got inspired to write the song

0:51:17.476 --> 0:51:19.956
<v Speaker 2>because of that. I feel like music is subjective, and

0:51:19.996 --> 0:51:22.756
<v Speaker 2>a lot of people have had a discourse about whether

0:51:22.836 --> 0:51:25.116
<v Speaker 2>or not it's appropriate for people to dedicate the song

0:51:25.156 --> 0:51:28.276
<v Speaker 2>to a partner or you know, to other people. That's

0:51:28.276 --> 0:51:30.196
<v Speaker 2>for me, I just want to say, that's perfectly fine

0:51:30.236 --> 0:51:35.076
<v Speaker 2>with me. You know, I can be interpreted however you

0:51:35.076 --> 0:51:39.036
<v Speaker 2>want to interpret it. You know, I even had people

0:51:39.036 --> 0:51:41.396
<v Speaker 2>on my team that didn't really want me to lean

0:51:41.436 --> 0:51:44.516
<v Speaker 2>into the real you know, talking about my son too much.

0:51:44.516 --> 0:51:45.996
<v Speaker 2>Because they're like, oh, it's not going to be as

0:51:46.036 --> 0:51:49.836
<v Speaker 2>relatable to people who aren't parents, and I'm like, but

0:51:49.916 --> 0:51:55.196
<v Speaker 2>everybody has a mom. But I don't know. I guess

0:51:55.476 --> 0:51:59.756
<v Speaker 2>I feel like that's just the truth of how the

0:51:59.756 --> 0:52:03.196
<v Speaker 2>song came to be and what inspired me was just

0:52:03.356 --> 0:52:05.956
<v Speaker 2>my son and that beautiful feeling that I had never

0:52:06.036 --> 0:52:07.236
<v Speaker 2>ever felt before in my life.

0:52:07.756 --> 0:52:11.636
<v Speaker 1>Were surprised by that feeling and that connection and that

0:52:11.716 --> 0:52:13.356
<v Speaker 1>amount of love was it?

0:52:13.756 --> 0:52:17.356
<v Speaker 2>Yeah, I think, you know, I even know people who

0:52:18.116 --> 0:52:21.396
<v Speaker 2>I've heard stories about people giving birth and not having

0:52:21.436 --> 0:52:25.196
<v Speaker 2>a connection with their child and you know, feeling not

0:52:25.316 --> 0:52:28.196
<v Speaker 2>understanding why they maybe didn't have. And I was I'm

0:52:28.236 --> 0:52:30.156
<v Speaker 2>not gonna lie. I was scared. I was like what if.

0:52:30.436 --> 0:52:32.116
<v Speaker 2>I was like, what if I give birth and I

0:52:32.156 --> 0:52:35.756
<v Speaker 2>don't have this connection like this motherly intuition or this

0:52:35.836 --> 0:52:38.156
<v Speaker 2>you know. I was scared. I didn't know what was

0:52:38.156 --> 0:52:39.676
<v Speaker 2>going to happen or what I was going to feel.

0:52:39.876 --> 0:52:43.436
<v Speaker 2>And it was just such an overwhelming I mean, we both,

0:52:43.676 --> 0:52:46.196
<v Speaker 2>you know, me and Don both as soon as I

0:52:46.236 --> 0:52:48.916
<v Speaker 2>gave birth to him becaue. He helped me the whole time.

0:52:48.916 --> 0:52:52.636
<v Speaker 2>He helped me give birth, and he assisted me the

0:52:52.756 --> 0:52:54.516
<v Speaker 2>entire time and then as soon as he was out,

0:52:54.636 --> 0:52:56.596
<v Speaker 2>we just held him and we cried together. So I

0:52:56.636 --> 0:52:58.116
<v Speaker 2>know that he felt it too, like it was a

0:52:58.236 --> 0:53:03.636
<v Speaker 2>very overwhelmingly emotional moment. But it continued on for me

0:53:03.836 --> 0:53:07.676
<v Speaker 2>at least for weeks where any time I looked into

0:53:07.716 --> 0:53:12.236
<v Speaker 2>his eyes, it was just an undescribable feeling of emotion.

0:53:13.556 --> 0:53:16.476
<v Speaker 1>And you always knew it's interesting, so you always knew

0:53:16.476 --> 0:53:17.316
<v Speaker 1>you wanted to be a parent.

0:53:18.036 --> 0:53:20.196
<v Speaker 2>I had different faces when I was really little. I

0:53:20.236 --> 0:53:22.516
<v Speaker 2>was definitely that little girl that used to come up

0:53:22.556 --> 0:53:24.996
<v Speaker 2>with a bunch of names in my little journal. I

0:53:25.076 --> 0:53:27.036
<v Speaker 2>was like, this is what I'm gonna name my kids

0:53:27.036 --> 0:53:29.836
<v Speaker 2>one day, and I thought, you know, I always used

0:53:29.876 --> 0:53:31.956
<v Speaker 2>to carry my little doll around and I wanted to,

0:53:32.116 --> 0:53:34.836
<v Speaker 2>you know, when I was really little. And then you know,

0:53:34.836 --> 0:53:36.756
<v Speaker 2>you get in that teenage era and you're like, I

0:53:36.756 --> 0:53:41.316
<v Speaker 2>will never bring kids into this fucked up world and whatever.

0:53:41.756 --> 0:53:44.676
<v Speaker 2>And I even got a tattooed right here. That was

0:53:44.676 --> 0:53:46.796
<v Speaker 2>my first tattoo. I was like sixteen when I got

0:53:46.796 --> 0:53:49.636
<v Speaker 2>this tiger tattoo I have here, and I had friends

0:53:49.636 --> 0:53:51.156
<v Speaker 2>that were like, but what if you get pregnant, You're

0:53:51.156 --> 0:53:52.836
<v Speaker 2>gonna stretch the tattoo. I did it, and I was like,

0:53:53.116 --> 0:53:54.956
<v Speaker 2>I will never get pregnant. I'm not gonna do that

0:53:54.996 --> 0:53:57.996
<v Speaker 2>to myself. I'm not gonna have a baby. That's crazy.

0:53:58.156 --> 0:54:01.516
<v Speaker 2>And then I got pregnant, and luckily my tattoo is

0:54:01.556 --> 0:54:07.316
<v Speaker 2>just fine. Is fine, It's perfectly fine. It was just

0:54:07.396 --> 0:54:10.356
<v Speaker 2>funny when I was pregnant because it's like all lopsided.

0:54:10.476 --> 0:54:13.796
<v Speaker 2>The title was like, we're going to the opposite seration.

0:54:13.956 --> 0:54:17.036
<v Speaker 2>But I went right back into place somehow, So everything

0:54:17.116 --> 0:54:20.156
<v Speaker 2>is fine. We're all good. Me and the tiger. My

0:54:20.196 --> 0:54:22.476
<v Speaker 2>son loves the tattoo. He loves tigers, so every time

0:54:22.756 --> 0:54:25.316
<v Speaker 2>he makes me show him the tiger and he's like raves.

0:54:25.836 --> 0:54:26.756
<v Speaker 2>He lives that tattoo.

0:54:26.956 --> 0:54:27.676
<v Speaker 1>That's adorable.

0:54:27.716 --> 0:54:29.116
<v Speaker 2>It all worked out well.

0:54:30.676 --> 0:54:31.676
<v Speaker 1>Do you want to have more kids?

0:54:31.676 --> 0:54:34.476
<v Speaker 2>Do you feel like that's like, yeah, maybe like two

0:54:34.556 --> 0:54:35.036
<v Speaker 2>or three more.

0:54:36.196 --> 0:54:37.956
<v Speaker 1>It's encouraging to meet. I feel like I talked to

0:54:37.996 --> 0:54:39.956
<v Speaker 1>so many people don't want to have kids or don't

0:54:39.956 --> 0:54:41.836
<v Speaker 1>have and I'm like, man, I feel like sometimes I'm like,

0:54:42.156 --> 0:54:43.996
<v Speaker 1>you know, it's it's it's it sometimes, you know, and

0:54:44.196 --> 0:54:47.956
<v Speaker 1>especially when you have a kid and you work in

0:54:47.996 --> 0:54:51.396
<v Speaker 1>an industry that's less than traditional, you know, it can

0:54:51.476 --> 0:54:52.916
<v Speaker 1>be like, and it can also be like a really

0:54:52.956 --> 0:54:57.076
<v Speaker 1>hard balance between you know, like wow, am I Am

0:54:57.076 --> 0:54:59.076
<v Speaker 1>I doing this right? And am I doing my career right?

0:54:59.156 --> 0:55:03.476
<v Speaker 2>And it's something not easy. It's not easy at all,

0:55:03.516 --> 0:55:05.876
<v Speaker 2>but for me, it's very much worth it. It's very

0:55:05.916 --> 0:55:06.436
<v Speaker 2>worth it.

0:55:06.876 --> 0:55:09.796
<v Speaker 1>How are you navigating that part of it now?

0:55:10.276 --> 0:55:12.956
<v Speaker 2>It's just still learning to navigate it, you know, Like

0:55:12.996 --> 0:55:16.276
<v Speaker 2>I said, the boundaries with work and being able to understand,

0:55:16.636 --> 0:55:19.276
<v Speaker 2>you know, not to necessarily take every opportunity and to

0:55:19.276 --> 0:55:25.476
<v Speaker 2>do what means most to me and to always prioritize

0:55:25.556 --> 0:55:29.716
<v Speaker 2>him and always prioritize you know, my relationship, my family.

0:55:29.996 --> 0:55:31.956
<v Speaker 2>And as long as I keep doing that, I feel

0:55:31.996 --> 0:55:32.956
<v Speaker 2>like I'll be fine.

0:55:33.396 --> 0:55:37.116
<v Speaker 1>Amazing. Yeah, cal Is you thanks so much for thank

0:55:37.156 --> 0:55:37.836
<v Speaker 1>you for having me.

0:55:37.836 --> 0:55:41.396
<v Speaker 2>It's a great talk. Thank you.

0:55:42.076 --> 0:55:44.116
<v Speaker 1>In the episode description, you'll find a link to a

0:55:44.116 --> 0:55:47.356
<v Speaker 1>playlist to some of our favorite Caliu Chiese songs. Be

0:55:47.396 --> 0:55:49.476
<v Speaker 1>sure to check out our video episodes at YouTube dot

0:55:49.476 --> 0:55:52.036
<v Speaker 1>com slash Broken Record Podcast and see all of our

0:55:52.116 --> 0:55:55.396
<v Speaker 1>video interviews, and be sure to follow us on Instagram

0:55:55.436 --> 0:55:58.156
<v Speaker 1>at the Broken Record Pod. You can follow us on

0:55:58.196 --> 0:56:02.076
<v Speaker 1>Twitter at Broken Records. Broken Record is produced and edited

0:56:02.116 --> 0:56:04.876
<v Speaker 1>by Leah Rose, with marketing help from Eric Sandler and

0:56:04.956 --> 0:56:09.276
<v Speaker 1>Jordan McMillan. Our engineer is Ben Holliday. Broken Record is

0:56:09.276 --> 0:56:12.596
<v Speaker 1>a production of Pushkin Industries. If you love this show

0:56:12.716 --> 0:56:17.236
<v Speaker 1>and others from Pushkin, consider subscribing to Pushkin Plus. Pushkin

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0:56:27.756 --> 0:56:30.356
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0:56:30.436 --> 0:56:33.636
<v Speaker 1>us on your podcast app. Our theme music's by Kenny Beats.

0:56:33.756 --> 0:56:34.836
<v Speaker 1>I'm justin Richmond.