WEBVTT - Daydream Believer w/ Dallas Roberts

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<v Speaker 1>Of the law and order franchises. SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies.

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<v Speaker 1>These episodes are based on. These are our stories. Done done, Hello,

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<v Speaker 1>and welcome to That's Messed Up, an SVU podcast. I

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<v Speaker 1>am one of your hosts, Kara Klink, and I'm Liza Traeger.

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<v Speaker 1>We talk SVU crimes. We have celeb guests. That's really

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<v Speaker 1>a whirlwind and it's been time. I mean, I also

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<v Speaker 1>got drunk last night, Cara. Oh my gosh, Liza. I

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<v Speaker 1>had to recover. I had to regard. I mean I

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<v Speaker 1>just I had like a half hour nap and then

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<v Speaker 1>I went right back out. Hair of the Dog Baby. Yeah.

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<v Speaker 1>So what we're basically referring to is we were promoting

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<v Speaker 1>it a lot on our Instagram, but we got to

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<v Speaker 1>judge a very fun lip sync contest called Learn the

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<v Speaker 1>Words Bitch at Acbar here in Silver Lake in LA.

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<v Speaker 1>And it's a monthly show hosted by Silverlake Icon Tony Sodo,

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<v Speaker 1>a funny as hell drag queen, and they invited us

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<v Speaker 1>to host, and we were so excited judge to judge.

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<v Speaker 1>I'm sorry not host judge, judge. So this is like

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<v Speaker 1>the kind of lip sync contest where anyone can go

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<v Speaker 1>up like and you can. Some people came in drag,

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<v Speaker 1>some people were just in plain clothes and you just

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<v Speaker 1>can like feel your fantasy and lip sync to any

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<v Speaker 1>song that you want. And I had the best time,

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<v Speaker 1>but I did drink too much. And yesterday I was

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<v Speaker 1>a struggle. It was a struggle, but you puked. I

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<v Speaker 1>didn't puke, shockingly, just a little bit in the morning.

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<v Speaker 1>I literally said goodbye to my kids and Jared was

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<v Speaker 1>putting them in the car and I was like, oh god,

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<v Speaker 1>and I just went to the bathroom and just did

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<v Speaker 1>a tiny little puke, a puke lit. Yeah, I like

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<v Speaker 1>coughed a lot, pretending I was gonna pee. Yeah, and

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<v Speaker 1>then I didn't appel. Yeah, yeah, I know that story.

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<v Speaker 1>Oh wait.

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<v Speaker 2>I went to Gelkos yesterday after we stopped working. And Gelkos,

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<v Speaker 2>for those who don't know, Okay, sorry, I have like

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<v Speaker 2>an active crush.

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<v Speaker 1>So the text came in. I had to It's just

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<v Speaker 1>a fucking friend, just a dumb ass friend. So Gelkos

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<v Speaker 1>is a vintage like soda pop shop and there's beers

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<v Speaker 1>and it's just like liquids from around the world and

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<v Speaker 1>they have a sandwiches in the back and they play

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<v Speaker 1>like old timy music and it's so cute and I

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<v Speaker 1>don't know why there hasn't been like a date filmed

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<v Speaker 1>in there. Yeah, a movie and it has like old

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<v Speaker 1>candy and stuff like. It's great.

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<v Speaker 2>I got jujifruits in honor of Seinfeld because I've never

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<v Speaker 2>actually had them, and they're better than juju be's.

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<v Speaker 1>Oh I was good to say. I don't really like

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<v Speaker 1>juju bees, but maybe jujifruits are better. They're softer. Ah,

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<v Speaker 1>got it. But then you do have the licorice flavor,

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<v Speaker 1>so that's upsetting. But what are you gonna do? Well?

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<v Speaker 1>We had a listener by the just a quick shout

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<v Speaker 1>out to a listener. I forget her name, but she

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<v Speaker 1>was so sweet. She works at Trader Joe's in Chicago,

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<v Speaker 1>and she brought us big bags snacks to our shows

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<v Speaker 1>and we love you. That was so amazing. And now

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<v Speaker 1>I'm hooked on those strawberry licorice twists from fucking Trader Joe's.

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<v Speaker 1>I'm now I'm buying a bag every week. I just

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<v Speaker 1>bought a bag today. It's like a perfect little poppable

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<v Speaker 1>treat when you just want like a little bit of

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<v Speaker 1>sweet sugar. Did it take over for you? In terms

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<v Speaker 1>of the Scandinavian swimmers or the snacks? Still at that

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<v Speaker 1>other time, the swimmers are still in the house. Rosie

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<v Speaker 1>gets two swimmers in her lunch every day. But I

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<v Speaker 1>would say I'm reaching for the twists more than the

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<v Speaker 1>swimmers these days. But I'll be do you, So she

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<v Speaker 1>gets two swimmers a day. Yeah, it's her little treat

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<v Speaker 1>in her lunch because her lunch is like a little

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<v Speaker 1>sectional Bento box, you know, and in the center there's

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<v Speaker 1>just like a circle. I think you're supposed to put

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<v Speaker 1>a dip in there, but my child doesn't do dips,

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<v Speaker 1>so I just give her two little gummies as a treat.

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<v Speaker 1>She eats the first thing she eats. I love the

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<v Speaker 1>bento box era. Yeah, and she eats so much more

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<v Speaker 1>then you mean, Yeah, she eats so much more than

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<v Speaker 1>like when she's not eating with a Bento box. She

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<v Speaker 1>likes eating with that. Yeah, I don't know.

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<v Speaker 2>What I also wanted to say about Gilko's is that

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<v Speaker 2>Billie Eilish loves to go there.

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<v Speaker 1>Oh yeah, because she's a Highland park girl. Yeah, it's

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<v Speaker 1>her favorite fucking spot, so that's exciting. Speaking of celebrities,

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<v Speaker 1>I did humiliate myself. No, it was not that bad.

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<v Speaker 1>So at learn the words, bitch. I ran into a

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<v Speaker 1>delightful drag queen named Jackie Cox, who was on the

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<v Speaker 1>season that I wrote on. So we were just like

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<v Speaker 1>catching up and talking and then Lisa walks by and

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<v Speaker 1>I go, Lisa, this is Jackie Cox, and Lisa's face

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<v Speaker 1>it was like a little kid seeing Santa Claus, Like

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<v Speaker 1>it was so cute. You were just like eyes wide,

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<v Speaker 1>mouth agape like hi, and it was like I'm sure, yeah,

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<v Speaker 1>but they love that response.

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<v Speaker 2>But then the thing that came out was like, do

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<v Speaker 2>you know this person? Which is like a random person.

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<v Speaker 2>It has nothing to do with him. It's just because

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<v Speaker 2>while we were watching the season, one of our friends

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<v Speaker 2>thought that Jackie reminded I did her of our friend,

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<v Speaker 2>and that's why I even said it.

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<v Speaker 1>It's not like they know each other or he's like

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<v Speaker 1>crazy to think that they would know each other. She's

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<v Speaker 1>a New York queen, he's a New York comic. I

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<v Speaker 1>don't think that it does a direction, but it doesn't matter.

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<v Speaker 1>There's like tons of people that he might know, like

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<v Speaker 1>we could have been like, do you know, Bob, you

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<v Speaker 1>know what I mean? Like it was, it was, it

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<v Speaker 1>was just I don't know why I couldn't handle myself.

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<v Speaker 1>Sometimes I fall apart. I don't know, and then sometimes

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<v Speaker 1>I act too cool. Yeah, sometimes I act too cool

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<v Speaker 1>pretend I don't know, and I don't know. It's just

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<v Speaker 1>like hard at times. Sometimes your body sometimes you just

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<v Speaker 1>don't You're never prepped for when you're going to act

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<v Speaker 1>like a maniac. You're never prepped. You're just never ready.

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<v Speaker 2>No, Sometimes you're in a room with a bunch of

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<v Speaker 2>people and it's like, what, Oh I did meet one

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<v Speaker 2>of my favorite porn stars turned DJs.

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<v Speaker 1>That was exciting. Oh, excuse me, that's exciting about out Carter?

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<v Speaker 1>She ran up to me. What she ran up and

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<v Speaker 1>hugged me. It was thrilling. How does she know you

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<v Speaker 1>from your comedy from the internet? Wow?

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<v Speaker 2>Well, you know in my Netflix Stuff Hour, I do

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<v Speaker 2>a joke about paying for porn. Yeah, obviously the porn

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<v Speaker 2>stars loved it, so I kind of I've been passed

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<v Speaker 2>around the porn community in terms of that clip.

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<v Speaker 1>Not in a typical way of being passed around the

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<v Speaker 1>porn community. No, you would have heard about that. I

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<v Speaker 1>was out there like fucking all these porn stars. Oh,

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<v Speaker 1>definitely now, but it is wild they are out and

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<v Speaker 1>about in La. Yeah. I mean I was with you

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<v Speaker 1>when we saw one of your faves and who DMS

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<v Speaker 1>who we DM?

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<v Speaker 3>Now?

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<v Speaker 1>I love that. Yeah, they've been at like a show.

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<v Speaker 1>I've whatever. Listen you guys. I'm successful and porn stars

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<v Speaker 1>loves me. I'm living a fantasy.

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<v Speaker 2>And what I love too is Karen and I were

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<v Speaker 2>so hungover we separately each got McDonald yesterday, not the

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<v Speaker 2>other one did, and that makes me happy to.

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<v Speaker 1>Yeah, there's not a lot of great delivery option. While

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<v Speaker 1>Bells was closed, my favorite bagel place was closed. I

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<v Speaker 1>really wanted a bell sandwich. But you would get Bells

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<v Speaker 1>for hangover. Yeah, like I was. Bells is closed on Tuesday.

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<v Speaker 1>Oh my god. So last night we went to the

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<v Speaker 1>Hermiceo a bunch of us and getting drunk.

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<v Speaker 2>It was closing. Fuck, where are we gonna go? Fucking

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<v Speaker 2>Goldfish closed, Juniors is closed. We went to fig Everything

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<v Speaker 2>Clos're getting.

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<v Speaker 1>Out of a car. You always call it junior. Johnny

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<v Speaker 1>is john is Johnny. They were all closed, all closed,

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<v Speaker 1>So we drive to fig And in two separate cars,

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<v Speaker 1>and then while we're going out, there's like a bunch

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<v Speaker 1>of people standing outside Greyhound going it's all closed, and

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<v Speaker 1>we keep walking. They're like, you will be coming back

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<v Speaker 1>to your car, like they were just roasting the shit

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<v Speaker 1>out of us, And it was. It was all closed,

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<v Speaker 1>the Bowling closed, gold Line like everything. The time was

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<v Speaker 1>it maybe one in the morning. Oh yeah, you can't go.

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<v Speaker 1>You can't do late on a Tuesday in La. I

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<v Speaker 1>feel like, but were you the one that told me

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<v Speaker 1>that West Hollywood bars are going to be open til four? Now?

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<v Speaker 2>I saw a thing on Instagram that said that West

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<v Speaker 2>Hollywood has like voted and decided that you could be

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<v Speaker 2>opened til four. So that'll But it's not like, but

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<v Speaker 2>once you're already back in your neighborhood, you're not going

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<v Speaker 2>to go to.

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<v Speaker 1>Of course, of course, I'm just saying, if you knew

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<v Speaker 1>you wanted to have like a late night, you could

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<v Speaker 1>go out in that neighborhood. But yeah, I started my

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<v Speaker 1>night at Silver Lake Lounge. Oh yeah, and that was fun.

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<v Speaker 1>I watched our friend Josh, who sent me Taco Bell

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<v Speaker 1>gift cards, play music. Talented, very talented. It was very excit, exciting,

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<v Speaker 1>but yeah, everything was closed and then we got roasted

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<v Speaker 1>by a group of people. But they love the Greyhounds,

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<v Speaker 1>so there, maybe I'll try that. Yeah, nine o'clock, I mean, what.

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<v Speaker 3>The fuck.

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<v Speaker 1>Greyhounds? Fine? What about Goldline? Have you been there? It

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<v Speaker 1>was all closed? No, I know, but I'm just saying

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<v Speaker 1>in general, I haven't been there. I know people love it.

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<v Speaker 2>It's always two packed for me, I always and with

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<v Speaker 2>people who want to go there, and I'm always like,

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<v Speaker 2>m that's.

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<v Speaker 1>Fine for me, too busy. It's too busy for me.

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<v Speaker 2>But yeah, I just couldn't believe it, just like begging

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<v Speaker 2>to have one more drink all over town.

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<v Speaker 1>Everything closed. Yeah. Also shout out Arsley for the edible

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<v Speaker 1>you gave us. Oh yes, we did have an amazing

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<v Speaker 1>listener named Arsley at the show. We had a couple

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<v Speaker 1>other listeners that were there. Thank you guys for all

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<v Speaker 1>coming out. That was so sweet. And the birthday cake

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<v Speaker 1>edible candy bar. I don't even know where I put it,

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<v Speaker 1>but I loved it. I have mine in the house.

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<v Speaker 1>I got to keep it away from my kids because

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<v Speaker 1>if Rosie sees that packaging, she will She's not going

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<v Speaker 1>to be able to open it. She will not be

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<v Speaker 1>able to get through it, but she'll ask me for it.

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<v Speaker 1>Oh a couple O.

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<v Speaker 2>Should we be talking about Uber Postmates prices or is

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<v Speaker 2>through the roof?

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<v Speaker 1>Oh? Really do you order food anymore? I don't order

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<v Speaker 1>food that much through It's insane.

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<v Speaker 2>Mates, Like I got, like, I've not had an order

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<v Speaker 2>under thirty dollars even though the food total is like

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<v Speaker 2>twelve dollars.

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<v Speaker 1>Oh really, Like my McDonald's yesterday was twenty and I

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<v Speaker 1>got the hash browns and a egg and cheese and

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<v Speaker 1>a coke. Yeah, it's a lot.

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<v Speaker 3>Yeah.

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<v Speaker 2>The economy, I'm noticing it because when I'm on the

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<v Speaker 2>road all the time, I don't look at prices because

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<v Speaker 2>it's like I don't really have a choice.

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<v Speaker 1>I'm out here, Like what am I going to do? Nitpick?

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<v Speaker 1>In London? I'm getting the sandwich.

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<v Speaker 2>There's just no thinking when I'm on the road or

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<v Speaker 2>I'm at a hotel or like whatever. And then now

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<v Speaker 2>that I've been home for a few weeks, it's like, oh,

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<v Speaker 2>I feel the economy.

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<v Speaker 1>Yeah, yeah, you can't kind of tell although gas prices

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<v Speaker 1>are going down. Yeah, it's just like I usually don't

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<v Speaker 1>pay attention and now I'm like, wait, what the fuck

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<v Speaker 1>is happening? Yeah, I know everyone's been because people talk

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<v Speaker 1>about the O eight crash and I'm like, could have

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<v Speaker 1>beat me? I don't. I don't know about it, Like

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<v Speaker 1>i've oh eight the crash. It's like I lost my job,

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<v Speaker 1>but I was also broke before, and I was broke after,

0:10:28.679 --> 0:10:30.920
<v Speaker 1>you know, like it was not right. Yeah, I was twenty,

0:10:31.040 --> 0:10:33.800
<v Speaker 1>Like I don't care about mortgages and right, right, right

0:10:33.960 --> 0:10:37.880
<v Speaker 1>wasn't affecting me as a New York City stand up comedian. Yeah,

0:10:37.920 --> 0:10:41.160
<v Speaker 1>and now I do feel like, oh my god, for

0:10:41.240 --> 0:10:43.600
<v Speaker 1>hating LA, I feel very grateful to have the apartment

0:10:43.640 --> 0:10:48.560
<v Speaker 1>that I have. Yeah, yeah, because shit's fucked. Yeah, it's

0:10:48.600 --> 0:10:51.320
<v Speaker 1>the fun intro. This is the funny to come for

0:10:51.720 --> 0:10:53.199
<v Speaker 1>the economy is crap.

0:10:54.040 --> 0:10:56.319
<v Speaker 2>Well I've only noticed mostly for post me. It's like

0:10:56.360 --> 0:10:58.040
<v Speaker 2>keep having to to be like I guess I'll walk

0:10:58.160 --> 0:11:01.000
<v Speaker 2>like I should be to get things.

0:11:01.080 --> 0:11:04.360
<v Speaker 1>But yeah, yeah, yeah. Let me just say a little

0:11:04.400 --> 0:11:07.319
<v Speaker 1>bit of business that we are going to be in

0:11:07.480 --> 0:11:10.960
<v Speaker 1>three days on the twenty ninth at the Montreal Comedy Festival.

0:11:11.320 --> 0:11:13.400
<v Speaker 1>If you know anyone in Montreal, if you're in Montreal,

0:11:13.440 --> 0:11:15.360
<v Speaker 1>please come see us. It's gonna be great. It's going

0:11:15.440 --> 0:11:18.520
<v Speaker 1>to be you know, a totally original show that no

0:11:18.520 --> 0:11:23.400
<v Speaker 1>one's ever seen before. And then also Lisa will be

0:11:23.440 --> 0:11:26.080
<v Speaker 1>at mic Drop Comedy in San Diego in August. Get

0:11:26.080 --> 0:11:31.959
<v Speaker 1>tickets for that. And also Lisa's birthday is August thirty. First,

0:11:32.000 --> 0:11:35.280
<v Speaker 1>please plan your Instagram ahead of time, get going, start

0:11:35.280 --> 0:11:37.320
<v Speaker 1>brainstorming some ideas. Picking your gifts.

0:11:37.360 --> 0:11:40.720
<v Speaker 2>Now, I always act like I'm going to be low key,

0:11:40.880 --> 0:11:43.680
<v Speaker 2>and then I've already made dinner reservations two months out,

0:11:43.840 --> 0:11:44.959
<v Speaker 2>like I mean.

0:11:44.960 --> 0:11:48.120
<v Speaker 1>Lunch lunch reservation. No, it's exciting.

0:11:48.160 --> 0:11:53.720
<v Speaker 2>I couldn't afford dinner there, dinners before booze.

0:11:53.960 --> 0:11:56.760
<v Speaker 1>That's nuts. That's like Jared and I went to Tokyo

0:11:56.880 --> 0:11:58.680
<v Speaker 1>and we went We stayed at a really nice hotel

0:11:58.720 --> 0:12:01.120
<v Speaker 1>for just two nights of it, and we were like, okay,

0:12:01.120 --> 0:12:03.320
<v Speaker 1>we want to go to like a really upscale sushi

0:12:03.400 --> 0:12:05.120
<v Speaker 1>dinner and they were like, okay, that runs about six

0:12:05.200 --> 0:12:07.600
<v Speaker 1>hundred dollars a person. We were like, okay, medium scale.

0:12:07.880 --> 0:12:10.400
<v Speaker 1>Then they sent us to it like another place. It

0:12:10.440 --> 0:12:13.000
<v Speaker 1>was just a notch down but was still really good.

0:12:13.600 --> 0:12:16.559
<v Speaker 1>People fucking love Japan. Oh yeah, Tokyo.

0:12:16.840 --> 0:12:20.960
<v Speaker 2>Can you believe that that their leader got assassinated, and

0:12:21.000 --> 0:12:22.920
<v Speaker 2>it's like a blip in our news, Like what I.

0:12:22.920 --> 0:12:25.480
<v Speaker 1>Mean, he's he's the ex leader, so that's probably why

0:12:25.480 --> 0:12:27.400
<v Speaker 1>it's not quite so, but it is. Oh he was

0:12:27.440 --> 0:12:30.520
<v Speaker 1>the ex Yeah he stepped down in twenty twenty. Okay,

0:12:30.559 --> 0:12:34.280
<v Speaker 1>but but but still I remember this guy in the

0:12:34.320 --> 0:12:36.920
<v Speaker 1>news constantly because him and Trump were like buddy, buddy,

0:12:37.640 --> 0:12:40.000
<v Speaker 1>you know, so I remember that all the time. And

0:12:40.040 --> 0:12:43.080
<v Speaker 1>it's just wild that Japan has about six gun related

0:12:43.160 --> 0:12:46.240
<v Speaker 1>murders a year, whereas we have three hundred thousand or

0:12:46.280 --> 0:12:48.760
<v Speaker 1>something like or thirty thousand, some kind of crazy number.

0:12:49.280 --> 0:12:52.320
<v Speaker 1>And this was like a handmade gun. Like it's just

0:12:52.360 --> 0:12:53.679
<v Speaker 1>it's a wild story. I don't know.

0:12:53.840 --> 0:12:56.720
<v Speaker 2>I know, I do really dislike when the people immediately

0:12:56.720 --> 0:12:58.599
<v Speaker 2>are like, oh, so gun lost, don't you have it?

0:12:58.920 --> 0:13:01.720
<v Speaker 1>Like I don't know. Yes, it's like drillful. Its murders

0:13:01.760 --> 0:13:05.400
<v Speaker 1>in a year, like that's like in a day in

0:13:05.480 --> 0:13:10.320
<v Speaker 1>one state here. But oh, another more uplifting thing I

0:13:10.360 --> 0:13:14.960
<v Speaker 1>was going to bring up is suddenly our podcasts Instagram

0:13:15.000 --> 0:13:18.120
<v Speaker 1>page has become a clear the list site for teachers,

0:13:18.160 --> 0:13:21.160
<v Speaker 1>and I'm happy. I'm happy to do it. So if

0:13:21.200 --> 0:13:24.640
<v Speaker 1>you are interested in giving helping some teachers fulfill their

0:13:24.679 --> 0:13:27.840
<v Speaker 1>Amazon wish lists. A lot of teachers do not get

0:13:27.840 --> 0:13:29.840
<v Speaker 1>are not given a budget to get enough supplies that

0:13:29.880 --> 0:13:32.439
<v Speaker 1>they need. The school year is creeping up on us,

0:13:32.440 --> 0:13:35.560
<v Speaker 1>and these teachers need supplies to give their kids the

0:13:35.559 --> 0:13:37.720
<v Speaker 1>best experience they can. So go to our Instagram and

0:13:37.760 --> 0:13:40.560
<v Speaker 1>we have a highlight that's called teachers and just pick

0:13:40.640 --> 0:13:42.559
<v Speaker 1>a like, don't go to the first one and donate

0:13:42.600 --> 0:13:44.040
<v Speaker 1>because I'm sure a lot of people have given to

0:13:44.080 --> 0:13:47.760
<v Speaker 1>that one already. Click through. Maybe maybe once a week

0:13:47.800 --> 0:13:49.960
<v Speaker 1>you give a little ten dollars thing to someone until

0:13:49.960 --> 0:13:51.800
<v Speaker 1>the school year starts. I don't know, just to thought,

0:13:52.120 --> 0:13:54.360
<v Speaker 1>let's help some of our listeners money. I thought you

0:13:54.400 --> 0:13:55.840
<v Speaker 1>were going to be like, okay, we have a lot

0:13:55.920 --> 0:13:57.640
<v Speaker 1>of them and can the teachers please leave us.

0:13:57.600 --> 0:13:58.000
<v Speaker 3>A love now?

0:13:58.160 --> 0:14:00.680
<v Speaker 1>No, no, no, I just like it. If you go

0:14:00.679 --> 0:14:02.480
<v Speaker 1>to the highlight, I'm sure everyone's gonna click on the

0:14:02.520 --> 0:14:03.960
<v Speaker 1>first one and then it's like the person who I

0:14:04.040 --> 0:14:05.920
<v Speaker 1>last posted is gonna be like cool, I got nothing.

0:14:07.400 --> 0:14:09.880
<v Speaker 1>But yeah, just that was another thing I wanted to

0:14:09.880 --> 0:14:12.120
<v Speaker 1>shout out, but are we what do you think? So?

0:14:12.440 --> 0:14:14.439
<v Speaker 1>And we got we should definitely start, but we did

0:14:14.440 --> 0:14:16.520
<v Speaker 1>get a lot of feedback from people on the internet

0:14:16.520 --> 0:14:21.080
<v Speaker 1>saying they do like dick Wolf babies. Yeah. Yeah, Unfortunately,

0:14:21.480 --> 0:14:23.520
<v Speaker 1>we can't really make any merch that says dick Wolf

0:14:23.520 --> 0:14:25.440
<v Speaker 1>babies on it unless we come up with a very

0:14:25.480 --> 0:14:27.960
<v Speaker 1>creative way to do it. Well, I DMed him, so

0:14:28.120 --> 0:14:31.000
<v Speaker 1>we'll see. Oh, yes, we did DM dick Wolf when

0:14:31.040 --> 0:14:32.840
<v Speaker 1>we were a little bit drunk and ask him if

0:14:32.840 --> 0:14:34.240
<v Speaker 1>he would mind if we used his name for some

0:14:34.280 --> 0:14:37.640
<v Speaker 1>of our merch. So I do love partying. Yeah, that's

0:14:37.640 --> 0:14:40.280
<v Speaker 1>a good ending to our intro. It's fun. Like yesterday,

0:14:40.280 --> 0:14:42.040
<v Speaker 1>I was so hungover all day and was like, yeah,

0:14:42.080 --> 0:14:45.840
<v Speaker 1>but it was so fun, Like I wish I didn't

0:14:45.920 --> 0:14:48.120
<v Speaker 1>have so much fun because I'm paying for it today.

0:14:48.160 --> 0:14:50.840
<v Speaker 1>But it was the best. I had a great night. Yeah,

0:14:50.880 --> 0:14:53.360
<v Speaker 1>and then I did it again and then oop oops,

0:14:55.200 --> 0:15:01.880
<v Speaker 1>all right, let's get started. All right.

0:15:02.280 --> 0:15:07.480
<v Speaker 2>We're in It's Daydream Believer season sixteen, and wildly we

0:15:07.560 --> 0:15:10.920
<v Speaker 2>do start off with a previously seen little chunk, but

0:15:11.000 --> 0:15:14.280
<v Speaker 2>it is so long the previously seen it's like, well.

0:15:14.160 --> 0:15:16.000
<v Speaker 1>It has to be, don't you think, because it's like

0:15:16.040 --> 0:15:18.560
<v Speaker 1>it's from Chicago p D which, like, I don't know

0:15:18.600 --> 0:15:22.040
<v Speaker 1>what the percentage I don't know what the percent Yeah, yeah,

0:15:22.080 --> 0:15:24.040
<v Speaker 1>I don't know what the percentage of people. Yeah. Like

0:15:24.360 --> 0:15:27.800
<v Speaker 1>this character of William Yates is introduced on Chicago PD

0:15:28.240 --> 0:15:31.840
<v Speaker 1>and then crosses over to SVU because you know, criminals

0:15:31.880 --> 0:15:35.160
<v Speaker 1>are moving from Illinois to New York constantly, and as

0:15:35.160 --> 0:15:36.960
<v Speaker 1>the Dick Wolf universe would have you believe.

0:15:37.360 --> 0:15:40.480
<v Speaker 2>Yeah, and they all know each other. So it's a

0:15:40.480 --> 0:15:43.720
<v Speaker 2>two parter crossover event. And it starts with a gray

0:15:43.880 --> 0:15:46.720
<v Speaker 2>this so this is previously seen, starts with a gray haired,

0:15:47.200 --> 0:15:50.400
<v Speaker 2>deep voiced man from Chicago p D. And he's zooming

0:15:50.440 --> 0:15:55.760
<v Speaker 2>before zoom was in and he's talking to Olivia and

0:15:57.000 --> 0:15:59.160
<v Speaker 2>so they had a case and it's very similar to

0:15:59.200 --> 0:16:02.040
<v Speaker 2>a case that she had ten years ago, so you know.

0:16:02.280 --> 0:16:04.280
<v Speaker 2>And on his desk I do see a Chicago flag

0:16:04.320 --> 0:16:06.880
<v Speaker 2>I noticed, And then I think he has one of

0:16:06.880 --> 0:16:09.680
<v Speaker 2>the old white max Do you remember the laptops that

0:16:09.720 --> 0:16:10.120
<v Speaker 2>were white?

0:16:10.440 --> 0:16:11.680
<v Speaker 1>Yes, my sister had one.

0:16:11.760 --> 0:16:14.520
<v Speaker 2>Yeah, those are cool, not as cool as the colorful ones,

0:16:14.600 --> 0:16:15.120
<v Speaker 2>but I.

0:16:15.120 --> 0:16:17.280
<v Speaker 1>Liked that era. I could see those coming back also

0:16:17.400 --> 0:16:20.240
<v Speaker 1>because like mid century modern is very like white lacquer,

0:16:20.400 --> 0:16:22.720
<v Speaker 1>shiny white, you know what I mean. Like these fuckers

0:16:22.760 --> 0:16:24.960
<v Speaker 1>don't they don't give us what we want and not

0:16:25.080 --> 0:16:27.520
<v Speaker 1>learned that yet. How long have we been begging for

0:16:27.520 --> 0:16:30.000
<v Speaker 1>the colorful laptop? Oh? Remember when you also told me

0:16:30.040 --> 0:16:32.520
<v Speaker 1>that you thought they were bringing us bees back. They're not.

0:16:32.840 --> 0:16:35.360
<v Speaker 1>When I went to the when I went to Macio,

0:16:35.400 --> 0:16:37.640
<v Speaker 1>I heard you're bringing usbes back and they were like, nope,

0:16:37.840 --> 0:16:42.520
<v Speaker 1>we're not, So fuck them. Fuck them. I just like,

0:16:42.600 --> 0:16:45.240
<v Speaker 1>give me a home button, give me let me just

0:16:45.360 --> 0:16:48.080
<v Speaker 1>wear my headphones and charge my phone. It's just fucked up.

0:16:48.160 --> 0:16:51.240
<v Speaker 1>It even makes sense what they do. I know. Wait,

0:16:51.280 --> 0:16:53.400
<v Speaker 1>so this guy's name is Voight. I don't even really

0:16:53.400 --> 0:16:55.240
<v Speaker 1>know what his first name is, but Foight is this

0:16:55.560 --> 0:16:58.560
<v Speaker 1>Hank Voight? And he's like very eh, And I feel

0:16:58.560 --> 0:17:02.120
<v Speaker 1>like people did him and Olivia to get together in

0:17:02.160 --> 0:17:05.439
<v Speaker 1>a crossover situation. We don't need another stabler. I'm sorry.

0:17:05.480 --> 0:17:08.360
<v Speaker 1>This is a long distance Olivia doesn't need a long

0:17:08.400 --> 0:17:10.159
<v Speaker 1>distance romance. I know.

0:17:10.480 --> 0:17:12.639
<v Speaker 2>I mean, but did you see the finale. I finally

0:17:12.680 --> 0:17:15.600
<v Speaker 2>watched the finale of this latest season, and it's you know,

0:17:15.680 --> 0:17:18.800
<v Speaker 2>they are, She's trying to find happiness. We'll see, yeah,

0:17:18.840 --> 0:17:23.000
<v Speaker 2>we'll see what happens. So this case obviously involves rape

0:17:23.000 --> 0:17:25.600
<v Speaker 2>and torture. But then on a twist. There's some torching

0:17:25.800 --> 0:17:28.280
<v Speaker 2>as well, and then Benson.

0:17:28.000 --> 0:17:29.600
<v Speaker 1>They wanted to leave the door open in case they

0:17:29.600 --> 0:17:32.040
<v Speaker 1>wanted to involve Chicago fire as well. I think, yeah,

0:17:32.760 --> 0:17:36.000
<v Speaker 1>that's exactly it. So Benson went.

0:17:35.880 --> 0:17:38.719
<v Speaker 2>To Chicago to investigate the case, and there was a

0:17:38.760 --> 0:17:43.359
<v Speaker 2>man who's always dressed in scrubs, and we see we

0:17:43.440 --> 0:17:47.080
<v Speaker 2>see Danny Pino interrogating this man in scrubs and it's

0:17:47.160 --> 0:17:51.119
<v Speaker 2>Yates aka Dallas Roberts, aka our new friend that we

0:17:51.160 --> 0:17:55.040
<v Speaker 2>met in New York City. So the squad is looking

0:17:55.040 --> 0:17:57.320
<v Speaker 2>at Yates and he's walking out. He looks up and

0:17:57.359 --> 0:18:00.000
<v Speaker 2>down at Detective Nadia and then he ends up knocking

0:18:00.080 --> 0:18:02.160
<v Speaker 2>her out in front of her car and kidnaps her

0:18:02.240 --> 0:18:06.320
<v Speaker 2>and she's missing. And then this episode Daydream Believer begins.

0:18:06.760 --> 0:18:08.919
<v Speaker 1>Yeah, and I don't think Donnie is a detective. I

0:18:08.960 --> 0:18:11.399
<v Speaker 1>think she's like a usinar. Yeah, she's like, oh you

0:18:11.520 --> 0:18:15.760
<v Speaker 1>said that out later. Yeah, she works at Chicago p D. Yeah.

0:18:15.760 --> 0:18:19.720
<v Speaker 2>So basically, Sophia Bush took a liking to this criminal

0:18:19.920 --> 0:18:23.840
<v Speaker 2>and has moved her into her home and has coached

0:18:23.880 --> 0:18:27.080
<v Speaker 2>her out of her bad life choices, and she wants

0:18:27.119 --> 0:18:30.479
<v Speaker 2>to be a police officer. Big I just don't think

0:18:30.520 --> 0:18:32.600
<v Speaker 2>there's that many criminals that are like, actually, now I

0:18:32.640 --> 0:18:33.359
<v Speaker 2>want to be a cop.

0:18:33.400 --> 0:18:36.640
<v Speaker 1>There's no fucking way, there's no I just I kicked

0:18:36.640 --> 0:18:38.879
<v Speaker 1>the heroin habit and now I want to work on

0:18:38.920 --> 0:18:41.040
<v Speaker 1>the force. Yeah, I doubt it.

0:18:41.560 --> 0:18:44.600
<v Speaker 2>There's no fucking way after you get arrested, and I

0:18:44.680 --> 0:18:46.560
<v Speaker 2>just don't see how you're like, oh, I want to

0:18:46.600 --> 0:18:51.040
<v Speaker 2>be the aggressor now. So now the real episode begins

0:18:51.040 --> 0:18:54.000
<v Speaker 2>and we open on a Chicago police logo and deep voice.

0:18:54.040 --> 0:18:56.960
<v Speaker 2>Hank and Sophia Bush are walking and talking. I didn't

0:18:57.000 --> 0:18:58.720
<v Speaker 2>learn her character name, and I will be calling her

0:18:58.760 --> 0:18:59.960
<v Speaker 2>Sophia Bush for the rest of us.

0:19:00.119 --> 0:19:03.120
<v Speaker 1>Yeah, I can't think. Oh, I think her last name

0:19:03.200 --> 0:19:05.320
<v Speaker 1>is Lindsay, but I don't even remember what her first

0:19:05.359 --> 0:19:10.760
<v Speaker 1>name is. Yeah, don't care, So no offense Sophia Bush.

0:19:10.880 --> 0:19:14.200
<v Speaker 1>But she also has a very deep voice. What's going

0:19:14.200 --> 0:19:17.199
<v Speaker 1>on in Chicago? Or not deep but like raspy, you know,

0:19:18.080 --> 0:19:21.199
<v Speaker 1>like both of these two leads are like they have

0:19:21.280 --> 0:19:24.280
<v Speaker 1>nodes on nodes. I don't know what drinking I don't know.

0:19:24.400 --> 0:19:28.040
<v Speaker 1>Our friend Sean Patten once said people in Chicago drink

0:19:28.080 --> 0:19:29.840
<v Speaker 1>like it's the best or worst day of their life.

0:19:29.920 --> 0:19:34.760
<v Speaker 1>But every day, so maybe that's that's been funny the

0:19:34.840 --> 0:19:35.720
<v Speaker 1>Mellor babes.

0:19:37.359 --> 0:19:40.040
<v Speaker 2>So they're walking and talking, so I love that they

0:19:40.040 --> 0:19:43.040
<v Speaker 2>do walk and talks in the Midwest as well. He

0:19:43.080 --> 0:19:45.240
<v Speaker 2>says that son of a bitch was toying with us,

0:19:45.240 --> 0:19:47.639
<v Speaker 2>and she's like, yeah, he knew we were tracking his phone.

0:19:48.000 --> 0:19:50.119
<v Speaker 2>He left it in the basement next to a lighter

0:19:50.240 --> 0:19:53.520
<v Speaker 2>and nail polish. And we meet another detective with ideas

0:19:53.520 --> 0:19:55.480
<v Speaker 2>and I refuse to learn who he is as well.

0:19:56.000 --> 0:19:58.760
<v Speaker 2>And we have this guy's I pass and it's like

0:19:58.800 --> 0:20:02.240
<v Speaker 2>a zoom thing for the holes if it's called something

0:20:02.240 --> 0:20:04.720
<v Speaker 2>else where you live, and they have his credit cards,

0:20:04.760 --> 0:20:07.840
<v Speaker 2>there's alerts on everything. They're tracking him, but he is good,

0:20:07.880 --> 0:20:09.600
<v Speaker 2>you know, like they saw him only an hour ago

0:20:09.640 --> 0:20:10.879
<v Speaker 2>and now he's fully lost.

0:20:10.960 --> 0:20:13.119
<v Speaker 1>So all hands on deck. They're going to try to

0:20:13.160 --> 0:20:13.919
<v Speaker 1>solve this crime.

0:20:14.320 --> 0:20:17.399
<v Speaker 2>Now we realize they don't know that Nadya has been taken,

0:20:17.480 --> 0:20:19.280
<v Speaker 2>so only we know, and I kind of like that.

0:20:19.400 --> 0:20:21.720
<v Speaker 1>I love when the audience knows more than the characters.

0:20:23.000 --> 0:20:26.200
<v Speaker 2>So gray hair Hank is trying to assign her work

0:20:26.480 --> 0:20:29.000
<v Speaker 2>and then he's like, wait, where is she? And there's

0:20:29.000 --> 0:20:31.520
<v Speaker 2>a posted note on her laptop and it says running

0:20:31.520 --> 0:20:35.480
<v Speaker 2>an errand took Sophia Bush's car. Peace out, and they're pissed.

0:20:35.480 --> 0:20:38.320
<v Speaker 2>They're like, she's running an errand, we need help. And

0:20:38.359 --> 0:20:41.360
<v Speaker 2>then finally the undescript detective's like, she went to pick

0:20:41.400 --> 0:20:43.360
<v Speaker 2>up her birthday cake. It was going to be a surprise,

0:20:43.440 --> 0:20:46.560
<v Speaker 2>So that's cute. But then Sophia calls her straight to voicemail.

0:20:46.920 --> 0:20:50.760
<v Speaker 2>So then gray Hair punches the file cabinet, very stabler vibes,

0:20:51.359 --> 0:20:54.119
<v Speaker 2>and we cut to Yates super villain, driving a car

0:20:54.200 --> 0:20:56.600
<v Speaker 2>with a struggling Nady in the backseat, wrapped in a

0:20:56.680 --> 0:21:00.960
<v Speaker 2>tarp garbage bag situation, and he's singing dream Believer.

0:21:01.280 --> 0:21:03.600
<v Speaker 1>So that's obviously where we get the name of the episode,

0:21:03.840 --> 0:21:05.960
<v Speaker 1>and that is like a Monk. That's a very popular

0:21:06.040 --> 0:21:08.080
<v Speaker 1>monkey song from back in the day, but this is

0:21:08.119 --> 0:21:12.080
<v Speaker 1>a cover they're using. This is not the original song. Yeah.

0:21:12.119 --> 0:21:15.119
<v Speaker 2>So he's now shopping at a very luxurious truck stop

0:21:15.240 --> 0:21:17.760
<v Speaker 2>gas station or they stopped in the town, but this

0:21:17.840 --> 0:21:20.680
<v Speaker 2>place had lots of shit, and he's helping a woman

0:21:21.000 --> 0:21:23.960
<v Speaker 2>holding a baby carry shit, and that's you know, we

0:21:24.040 --> 0:21:26.040
<v Speaker 2>learn this time and time again, the most charming helpful

0:21:26.080 --> 0:21:28.560
<v Speaker 2>people are the worst killers and rapists of our time.

0:21:29.040 --> 0:21:32.400
<v Speaker 2>Do not trust anyone that's nice to you. Yeah, don't

0:21:32.400 --> 0:21:35.760
<v Speaker 2>trust men, whether their assholes are nice, they will throw

0:21:35.800 --> 0:21:38.000
<v Speaker 2>you in the back of their car. Now they start

0:21:38.040 --> 0:21:40.920
<v Speaker 2>talking nail polish names after he picks up a nail polish.

0:21:41.680 --> 0:21:43.800
<v Speaker 2>What we can assume is for burning reasons, Like I

0:21:43.840 --> 0:21:45.119
<v Speaker 2>doubt he's getting manicures.

0:21:45.320 --> 0:21:48.959
<v Speaker 1>He paints all his victims nails with green nail polish. Yets.

0:21:49.480 --> 0:21:52.520
<v Speaker 1>I looked up his full like Chicago background too, and

0:21:52.560 --> 0:21:54.760
<v Speaker 1>it was like test saying that that's part of it.

0:21:54.800 --> 0:21:57.320
<v Speaker 1>I don't know. He hates his mom obviously, so maybe

0:21:57.320 --> 0:21:59.480
<v Speaker 1>it does something she wore green nail polish. I don't know, Wait,

0:21:59.520 --> 0:22:02.479
<v Speaker 1>did it say something about his mom? Yeah, he was

0:22:02.520 --> 0:22:05.480
<v Speaker 1>like sadistic as a child, and so his parents when

0:22:05.520 --> 0:22:07.760
<v Speaker 1>they got pregnant with their second child, they like shipped

0:22:07.800 --> 0:22:09.720
<v Speaker 1>him off to another family because they were scared for

0:22:09.760 --> 0:22:13.000
<v Speaker 1>their new, new incoming child. And so he was raised

0:22:13.000 --> 0:22:15.280
<v Speaker 1>by like a completely different family, and he feels abandoned

0:22:15.280 --> 0:22:19.000
<v Speaker 1>by his mother, and it's obviously translated to his hatred

0:22:19.040 --> 0:22:22.640
<v Speaker 1>towards women. Yeah, but they made the right choice. Yeah,

0:22:22.840 --> 0:22:25.760
<v Speaker 1>he would have strangled his sibling, like yeah, like he

0:22:25.800 --> 0:22:28.040
<v Speaker 1>was already killing animals or something like that and doing

0:22:28.080 --> 0:22:29.000
<v Speaker 1>bad shit as a kid.

0:22:29.359 --> 0:22:33.200
<v Speaker 2>Yeah, So when the mom walks away from that nice interaction,

0:22:33.359 --> 0:22:38.560
<v Speaker 2>his face like drops, true manipulative nature shows. He walks

0:22:38.600 --> 0:22:40.280
<v Speaker 2>back to the car, and as he's walking back, this

0:22:40.400 --> 0:22:43.040
<v Speaker 2>like truck driver, like this friendly truck driver and a

0:22:43.040 --> 0:22:45.560
<v Speaker 2>puffy vest walks up and it's like, hey, there's something

0:22:45.640 --> 0:22:48.439
<v Speaker 2>moving in your car, and Yates tells the truth, like

0:22:48.800 --> 0:22:50.520
<v Speaker 2>he's like, yeah, I kidnapped a girl and I threw

0:22:50.560 --> 0:22:51.040
<v Speaker 2>her in the back.

0:22:51.080 --> 0:22:52.440
<v Speaker 1>Don't you hate when you kidnap a girl?

0:22:52.440 --> 0:22:55.960
<v Speaker 2>And she won't stop thrashing, And the truck driver looks concerned,

0:22:56.000 --> 0:22:57.960
<v Speaker 2>and then he goes, I'm kidding, it's my dog, And

0:22:58.000 --> 0:23:00.439
<v Speaker 2>then they laugh and separate, and that's the like why

0:23:00.480 --> 0:23:01.880
<v Speaker 2>would you cover a dog with a tarp?

0:23:01.960 --> 0:23:03.280
<v Speaker 1>Though, like, truck.

0:23:03.040 --> 0:23:05.159
<v Speaker 2>Driver, your instincts were correct, but I also thought he

0:23:05.200 --> 0:23:08.119
<v Speaker 2>was going to murder this truck driver, So I don't know.

0:23:08.480 --> 0:23:11.960
<v Speaker 2>I'm glad he stayed alive. And so now he eats

0:23:12.000 --> 0:23:14.000
<v Speaker 2>is a little more stressed out. He enters the car.

0:23:14.080 --> 0:23:16.480
<v Speaker 2>He's not happy at the close call. He picks up

0:23:16.520 --> 0:23:18.200
<v Speaker 2>the tarp she has tape on her mouth, and he's like,

0:23:18.240 --> 0:23:21.040
<v Speaker 2>I told you to stop moving. So he does take

0:23:21.080 --> 0:23:23.680
<v Speaker 2>the tape off her mouth and asks for a verbal yes,

0:23:23.920 --> 0:23:27.720
<v Speaker 2>and like she's in an exit row on a plane, and.

0:23:27.760 --> 0:23:29.000
<v Speaker 1>So she says yes.

0:23:29.080 --> 0:23:32.400
<v Speaker 2>So she says they're gonna find you let me go,

0:23:32.480 --> 0:23:34.280
<v Speaker 2>and he doesn't want to, and he touches her mouth

0:23:34.320 --> 0:23:37.080
<v Speaker 2>with his fingers and says, no way, this is our honeymoon.

0:23:37.680 --> 0:23:40.679
<v Speaker 2>And then the most chilling line, this is paradise compared

0:23:40.720 --> 0:23:41.960
<v Speaker 2>to what's coming, Nadia.

0:23:42.400 --> 0:23:42.840
<v Speaker 1>Not good.

0:23:43.520 --> 0:23:46.080
<v Speaker 2>Then he tells her they're going to New York to

0:23:46.720 --> 0:23:47.720
<v Speaker 2>achieve their dreams.

0:23:48.119 --> 0:23:49.960
<v Speaker 1>Okay, So she.

0:23:50.000 --> 0:23:52.840
<v Speaker 2>Starts pleading with him, and he says, you missed your shot.

0:23:52.880 --> 0:23:55.120
<v Speaker 2>A trucker heard you, but I guess you weren't loud enough.

0:23:55.160 --> 0:23:57.159
<v Speaker 2>So she starts screaming, but he pulls you know, he

0:23:57.240 --> 0:23:59.640
<v Speaker 2>puts up the music. We can't hear her. She's too late.

0:23:59.640 --> 0:24:02.560
<v Speaker 2>They drive off. We cut back to the Chicago offices.

0:24:02.680 --> 0:24:05.919
<v Speaker 2>Two cops approached leather Daddy Gray and to let him

0:24:05.960 --> 0:24:08.800
<v Speaker 2>know that Yates car was found. One of the cops

0:24:08.920 --> 0:24:11.920
<v Speaker 2>is a Dick Wolf Staple like legit so many episodes

0:24:11.920 --> 0:24:15.000
<v Speaker 2>of Chicago Beat one hundred and eighty six episodes twenty

0:24:15.040 --> 0:24:17.680
<v Speaker 2>three in Chicago Fire and seven at Med and two

0:24:17.760 --> 0:24:21.800
<v Speaker 2>SVUS in a Criminal Intent, So her other SVU was

0:24:21.880 --> 0:24:25.360
<v Speaker 2>delinquent and it's the one with Rita Wilson. So then

0:24:25.359 --> 0:24:28.720
<v Speaker 2>the man cop has also been in svu's two and

0:24:28.720 --> 0:24:31.480
<v Speaker 2>You're gonna love this. He was in season eleven, episode

0:24:31.480 --> 0:24:34.040
<v Speaker 2>eleven eleven eleven make a Wish, Love you guys, But

0:24:34.920 --> 0:24:37.040
<v Speaker 2>the episode he's in his called Quickie. Do you remember this?

0:24:37.080 --> 0:24:39.760
<v Speaker 2>He's a woman in his gumbag and he spreads HIV

0:24:39.880 --> 0:24:42.359
<v Speaker 2>to people, but he's not sorry about it. So one

0:24:42.400 --> 0:24:45.119
<v Speaker 2>of his victims pours acid all over his face. But

0:24:45.160 --> 0:24:47.960
<v Speaker 2>then his grandfather confesses secrets to him and kills himself

0:24:47.960 --> 0:24:49.840
<v Speaker 2>out of guilt and begs for the son to be

0:24:49.880 --> 0:24:52.080
<v Speaker 2>a better man. But once you have burned, I remember

0:24:52.119 --> 0:24:54.880
<v Speaker 2>that you're nicer. So yeah, So these two guys are

0:24:55.000 --> 0:24:57.840
<v Speaker 2>you know, in the Dick Wolf universe. Deep so pretty

0:24:57.840 --> 0:25:01.840
<v Speaker 2>thrilling news. And then outside of the outside of Yates's

0:25:01.840 --> 0:25:04.959
<v Speaker 2>car that they found, they also found Dune done a

0:25:04.960 --> 0:25:09.679
<v Speaker 2>smash birthday cake, so he took Nadia. They finally realize it.

0:25:09.800 --> 0:25:12.679
<v Speaker 2>Sophia Bush is a regular old Bell Benson and starts

0:25:12.680 --> 0:25:15.439
<v Speaker 2>blaming herself and is like, oh god, my cake is

0:25:15.480 --> 0:25:16.680
<v Speaker 2>what caused all of this?

0:25:16.800 --> 0:25:18.120
<v Speaker 1>And it's like, get over yourself.

0:25:18.520 --> 0:25:21.280
<v Speaker 2>And then a call comes into like HIV boy and

0:25:21.400 --> 0:25:24.359
<v Speaker 2>he answers and he said there was a hit on

0:25:24.440 --> 0:25:26.560
<v Speaker 2>Lindsay's car, so they rushed to get to the car.

0:25:27.000 --> 0:25:29.399
<v Speaker 2>They surround the car with lots of lights, screaming for

0:25:29.440 --> 0:25:30.680
<v Speaker 2>them to get out of the car, and it's a

0:25:30.760 --> 0:25:33.320
<v Speaker 2>dorkman with glasses who comes out and he's like, wait,

0:25:33.359 --> 0:25:34.000
<v Speaker 2>what's going on?

0:25:34.760 --> 0:25:36.080
<v Speaker 1>And Yates switched the plates.

0:25:36.240 --> 0:25:38.840
<v Speaker 2>So there's a woman and two kids in the car

0:25:39.040 --> 0:25:42.040
<v Speaker 2>and they've been driving from Pennsylvania and the last time

0:25:42.040 --> 0:25:44.840
<v Speaker 2>they stopped was Indiana and that's where Yates probably switched

0:25:44.880 --> 0:25:47.920
<v Speaker 2>the plates. And then Hank is like, oh my god.

0:25:48.200 --> 0:25:51.440
<v Speaker 2>And then finally it's the credits. Okay, I cannot believe.

0:25:51.080 --> 0:25:55.240
<v Speaker 1>We are just at the credits. I know, No, I'm tired. No, No,

0:25:55.240 --> 0:25:58.919
<v Speaker 1>it's just like a jam packed episode. It is jam packed.

0:25:59.560 --> 0:26:02.760
<v Speaker 2>So open back at the NYC offices and Benson's talking

0:26:02.800 --> 0:26:06.520
<v Speaker 2>to Chicago's Stabler and she's saying that Finn and Tomorrow

0:26:06.600 --> 0:26:07.879
<v Speaker 2>filled her in and.

0:26:07.920 --> 0:26:09.840
<v Speaker 1>They're really killing me. That you're never gonna call this

0:26:09.920 --> 0:26:14.399
<v Speaker 1>man the same thing twice, Like he has ten nicknames already,

0:26:14.400 --> 0:26:18.600
<v Speaker 1>and we just got out of the credits. Chicago's Stabler

0:26:18.680 --> 0:26:23.840
<v Speaker 1>is so funny. I mean, he's one hundred percent that vibe.

0:26:25.000 --> 0:26:27.760
<v Speaker 2>Yeah, they're thinking that he's coming back to New York.

0:26:27.880 --> 0:26:30.400
<v Speaker 2>That's his favorite place to be, and they're putting out

0:26:30.400 --> 0:26:32.280
<v Speaker 2>photos everywhere and both their car.

0:26:32.440 --> 0:26:35.240
<v Speaker 1>You know, they're like trying to find this person.

0:26:35.320 --> 0:26:37.399
<v Speaker 2>So the Chicago squad is gonna fly out to New

0:26:37.480 --> 0:26:40.360
<v Speaker 2>York to help our tax dollars at work. And then

0:26:40.400 --> 0:26:43.560
<v Speaker 2>he reveals that Nadia is a good kid and we

0:26:43.680 --> 0:26:46.240
<v Speaker 2>know what he's doing to her, so we gotta we

0:26:46.280 --> 0:26:49.240
<v Speaker 2>gotta help, We gotta be quick. And then Benson says,

0:26:49.359 --> 0:26:52.000
<v Speaker 2>don't go there, but how can you not? Okay, So

0:26:52.080 --> 0:26:55.119
<v Speaker 2>now we're back on Yates. His car has Jersey plates

0:26:55.200 --> 0:26:58.560
<v Speaker 2>now and Nadia has moved to the trunk. He's talking

0:26:58.600 --> 0:27:02.040
<v Speaker 2>to her chill like she is in kidnapped, but she

0:27:02.160 --> 0:27:03.679
<v Speaker 2>asks to be let go, and he goes on a

0:27:03.720 --> 0:27:07.280
<v Speaker 2>really scary monologue and he says, all the girls say that,

0:27:07.359 --> 0:27:09.920
<v Speaker 2>and then soon you'll be begging for your life and

0:27:09.960 --> 0:27:12.119
<v Speaker 2>then you'll be asking to call your mom. And she

0:27:12.200 --> 0:27:14.760
<v Speaker 2>says nah, bitch, that won't be me and he says, yes,

0:27:14.800 --> 0:27:17.240
<v Speaker 2>it will. And she says, if you kill me, Hank,

0:27:17.320 --> 0:27:19.480
<v Speaker 2>Void's gonna track you down and wish that you were

0:27:19.560 --> 0:27:23.280
<v Speaker 2>never born. And then she spits on him and she's wrong.

0:27:23.680 --> 0:27:26.080
<v Speaker 2>Everything turns out terrible for her and the squad. To

0:27:26.080 --> 0:27:30.920
<v Speaker 2>be honest, the Yates was on it. He slaps for

0:27:31.000 --> 0:27:33.600
<v Speaker 2>his punishment, don't love that and closes the trunk. And

0:27:33.640 --> 0:27:36.880
<v Speaker 2>now we're back at the sixteenth Precinct. Benson's wearing glasses,

0:27:36.920 --> 0:27:39.320
<v Speaker 2>half hop half down hair do with a little baby hairclip,

0:27:39.560 --> 0:27:42.399
<v Speaker 2>and it's all hands on deck. Everyone is working very hard,

0:27:42.480 --> 0:27:47.399
<v Speaker 2>and Rollins is there in a flannel. They had important

0:27:48.720 --> 0:27:50.120
<v Speaker 2>I've never seen her in a flannel.

0:27:50.560 --> 0:27:53.200
<v Speaker 1>No, no, no, Yeah, that definitely has like we woke

0:27:53.240 --> 0:27:54.800
<v Speaker 1>her up in the middle of the night vibes, because

0:27:54.800 --> 0:27:58.360
<v Speaker 1>she's normally pretty buttoned up in like blouses and yeah,

0:27:58.359 --> 0:28:00.960
<v Speaker 1>you know, out of white silk for some reason, always

0:28:00.960 --> 0:28:03.240
<v Speaker 1>in a white, white silk top. She's like, you know,

0:28:03.240 --> 0:28:06.320
<v Speaker 1>what'd be great for jogging through the city after criminals.

0:28:06.520 --> 0:28:10.439
<v Speaker 1>White silk, Yeah, and a camel like trench coat. Peico.

0:28:10.720 --> 0:28:14.560
<v Speaker 1>That's like, that's thess. So I caught the flannel.

0:28:15.320 --> 0:28:18.159
<v Speaker 2>They had a hit on the stolen car or card

0:28:18.480 --> 0:28:21.040
<v Speaker 2>not you know whatever. He's stealing cars, he's stealing cards.

0:28:21.040 --> 0:28:24.479
<v Speaker 2>This is a lot of stuff to be tracking. So

0:28:24.520 --> 0:28:26.879
<v Speaker 2>they did in Jersey. He bought an ice pick and

0:28:26.920 --> 0:28:29.720
<v Speaker 2>a shovel. Not good, but at least Jersey. You know,

0:28:29.720 --> 0:28:32.720
<v Speaker 2>we're close. We're close. He has to use a tunnel

0:28:32.760 --> 0:28:34.360
<v Speaker 2>or a bridge to get into the city, so we'll

0:28:34.400 --> 0:28:37.440
<v Speaker 2>get him. Caresy's skeptical though, and it's like, what, We're

0:28:37.440 --> 0:28:40.360
<v Speaker 2>gonna stop everyone with a camera and Benson's like, no,

0:28:40.520 --> 0:28:42.560
<v Speaker 2>just every white male with a camera, dummy.

0:28:43.080 --> 0:28:44.200
<v Speaker 1>So then Rollin.

0:28:43.960 --> 0:28:46.920
<v Speaker 2>Says they got a hit on Lindsay aka Sophia Bush's

0:28:46.960 --> 0:28:49.520
<v Speaker 2>car and it's south of Broadway Bridge. So they go

0:28:49.600 --> 0:28:53.320
<v Speaker 2>to this abandoned shipyard. The music is pumping. Chicago and

0:28:53.360 --> 0:28:55.840
<v Speaker 2>New York are on the scene full winter where there's

0:28:55.880 --> 0:28:58.720
<v Speaker 2>snow on the ground. They start going through it, Sofia

0:28:58.800 --> 0:29:02.080
<v Speaker 2>looks worried into the distance. There is nobody, just ropes

0:29:02.120 --> 0:29:05.480
<v Speaker 2>and tarps and shit, and then there's evidence of blood

0:29:05.680 --> 0:29:08.520
<v Speaker 2>on a scarf that Lindsey had given her, and Hank's like,

0:29:08.600 --> 0:29:09.640
<v Speaker 2>she left that for us.

0:29:09.880 --> 0:29:12.120
<v Speaker 1>She's smart. It reminds me of the little girl who

0:29:12.200 --> 0:29:14.560
<v Speaker 1>left her headphones shoved into the back of the car

0:29:14.600 --> 0:29:16.800
<v Speaker 1>when the guy kidnapped her. Do you remember that episode?

0:29:17.120 --> 0:29:19.880
<v Speaker 1>Very smart? If you're kidnapped, you gotta leave something shoved

0:29:19.920 --> 0:29:22.240
<v Speaker 1>underneath the seat to prove you were there. Yeah.

0:29:22.280 --> 0:29:26.200
<v Speaker 2>Absolutely, there's some forensic files about that, and yeah, you

0:29:26.240 --> 0:29:26.800
<v Speaker 2>gotta try.

0:29:26.840 --> 0:29:28.520
<v Speaker 1>Oh god, all right.

0:29:28.680 --> 0:29:32.160
<v Speaker 2>So there's hope that she's alive though, so they're getting

0:29:32.800 --> 0:29:35.480
<v Speaker 2>They shouldn't, but there's hope. So they're getting back up

0:29:35.520 --> 0:29:38.320
<v Speaker 2>and the canine units come into work. Everyone's coming to work,

0:29:38.600 --> 0:29:41.800
<v Speaker 2>and Benson assures Sophia we're gonna get him. She starts

0:29:41.840 --> 0:29:43.840
<v Speaker 2>to cry a little and hugs Hank. We have a

0:29:43.840 --> 0:29:45.840
<v Speaker 2>brunette with a bold lip getting out of a cab

0:29:45.880 --> 0:29:48.320
<v Speaker 2>with a purple suitcase and a bag from duty Free.

0:29:48.560 --> 0:29:51.840
<v Speaker 2>So she's having fun and she's talking on the cellphone.

0:29:52.440 --> 0:29:55.560
<v Speaker 1>But she's a flight attendant, right, yeah. Yeah.

0:29:55.800 --> 0:29:57.480
<v Speaker 2>It's like, if you're gonna get booze and you're a

0:29:57.520 --> 0:30:00.000
<v Speaker 2>therap one might as well just pick something up at Yeah,

0:30:00.600 --> 0:30:04.000
<v Speaker 2>get one of those clear bags. So the camera pulls

0:30:04.080 --> 0:30:05.840
<v Speaker 2>up and we see Yates on the street and he

0:30:05.960 --> 0:30:08.560
<v Speaker 2>starts to watch her and he SIPs coffee. He smiles

0:30:08.600 --> 0:30:10.840
<v Speaker 2>and crosses the street and he says, do you need

0:30:10.880 --> 0:30:12.760
<v Speaker 2>help with that? And she's like, thank you and lets

0:30:12.840 --> 0:30:15.920
<v Speaker 2>him go inside her building. You never want to blame

0:30:15.960 --> 0:30:18.840
<v Speaker 2>a victim, but to let this man carry your luggage

0:30:19.040 --> 0:30:21.680
<v Speaker 2>inside of your home, I can't.

0:30:21.920 --> 0:30:25.800
<v Speaker 1>It's also a carry on, and you're a flight attendant.

0:30:25.840 --> 0:30:28.200
<v Speaker 1>You know how to carry your own shit, like the

0:30:28.240 --> 0:30:32.880
<v Speaker 1>Alisa was recently traveling with a sixty pound huge away bag.

0:30:33.000 --> 0:30:35.440
<v Speaker 1>Maybe you need a little help with that, maybe, but

0:30:35.520 --> 0:30:38.120
<v Speaker 1>I'm talking the little baby carry on now.

0:30:38.680 --> 0:30:41.600
<v Speaker 2>I just love when you do have a heavy suitcase

0:30:41.640 --> 0:30:45.120
<v Speaker 2>like I do. Often it is every Uber driver has

0:30:45.120 --> 0:30:47.600
<v Speaker 2>something to say, so he's like, oh it's.

0:30:47.440 --> 0:30:50.520
<v Speaker 1>Heavy, yeah, oh youh god.

0:30:50.720 --> 0:30:54.240
<v Speaker 2>Here they're always and I'm like, yeah, this is a nightmare.

0:30:54.240 --> 0:30:58.400
<v Speaker 1>You think I like this. I want that big away though,

0:30:58.480 --> 0:31:01.240
<v Speaker 1>Like whenever I pack that big away it's always overweight,

0:31:01.360 --> 0:31:03.840
<v Speaker 1>Like it's just impossible to like not have that be

0:31:04.080 --> 0:31:06.000
<v Speaker 1>weigh a thousand pounds. Like That's why I didn't mind

0:31:06.000 --> 0:31:07.640
<v Speaker 1>picking yours up and putting it in the Uber for you,

0:31:07.680 --> 0:31:09.080
<v Speaker 1>because I was like, this is me. Every time I

0:31:09.120 --> 0:31:12.040
<v Speaker 1>travel with my kids, I always have that big ass away.

0:31:13.000 --> 0:31:14.640
<v Speaker 1>It's just like, is it not an ad?

0:31:15.200 --> 0:31:18.040
<v Speaker 2>No, But if I had just maybe worn fifty percent

0:31:18.040 --> 0:31:19.960
<v Speaker 2>of what I brought, then I'd feel better about it.

0:31:20.600 --> 0:31:23.680
<v Speaker 2>But like, I didn't wear most of it, and that

0:31:23.840 --> 0:31:27.640
<v Speaker 2>is what hurts my heart. So then now we're back, Okay,

0:31:27.720 --> 0:31:29.920
<v Speaker 2>So this bitch let this guy in, and the next

0:31:29.920 --> 0:31:32.280
<v Speaker 2>shot is there's signs of a struggle in the apartment.

0:31:32.320 --> 0:31:34.040
<v Speaker 2>The luggage is on the floor, there's a lamp on

0:31:34.080 --> 0:31:37.760
<v Speaker 2>the floor, the sofa's turned over, and then we see

0:31:37.800 --> 0:31:38.280
<v Speaker 2>this girl.

0:31:38.360 --> 0:31:39.120
<v Speaker 1>She's on the ground.

0:31:39.200 --> 0:31:41.600
<v Speaker 2>She's not dead, but he's putting tape on her mouth

0:31:41.680 --> 0:31:43.600
<v Speaker 2>and she's beat up and bloody.

0:31:43.760 --> 0:31:45.400
<v Speaker 1>This is not going good.

0:31:45.480 --> 0:31:47.920
<v Speaker 2>And then in walks another woman, but she just starts

0:31:47.920 --> 0:31:50.920
<v Speaker 2>screaming and she's just frozen.

0:31:51.040 --> 0:31:52.280
<v Speaker 1>She's in shock in action.

0:31:52.480 --> 0:31:54.760
<v Speaker 2>He just closes the door very calmly and knocks her

0:31:54.800 --> 0:31:57.840
<v Speaker 2>the fuck out, And now he's like out of breath

0:31:57.880 --> 0:32:00.680
<v Speaker 2>but getting turned on, and there's like a sheen of

0:32:00.720 --> 0:32:04.200
<v Speaker 2>sweat over him, and he's just like he's just getting

0:32:04.200 --> 0:32:05.640
<v Speaker 2>pumped up for what's.

0:32:05.400 --> 0:32:07.560
<v Speaker 1>About to happen. I don't I don't love it.

0:32:07.760 --> 0:32:10.360
<v Speaker 2>So now we're at a very active crime scene and

0:32:10.400 --> 0:32:12.960
<v Speaker 2>Hank approaches, asking if it was Yates and Benson and

0:32:13.040 --> 0:32:15.920
<v Speaker 2>Rollins are there to say, I mean maybe, and Sophia

0:32:16.000 --> 0:32:19.000
<v Speaker 2>is one track mind. She's like Nadia, Nadia, No, Nadia

0:32:19.080 --> 0:32:22.680
<v Speaker 2>is not here, and these were flight attendants and they

0:32:22.680 --> 0:32:27.080
<v Speaker 2>were sexually assaulted with their skulls cracked, and Cariese's talking

0:32:27.080 --> 0:32:29.320
<v Speaker 2>to a witness who's sad because they were so young,

0:32:29.360 --> 0:32:32.200
<v Speaker 2>and Sofia comes over to a super slick backgeled hair

0:32:32.320 --> 0:32:35.240
<v Speaker 2>CARESI and he shows her a bunch of He shows

0:32:35.280 --> 0:32:37.640
<v Speaker 2>the witness a bunch of white man faces and she

0:32:38.000 --> 0:32:39.960
<v Speaker 2>points to Yates, but also a different one, so she

0:32:40.000 --> 0:32:42.240
<v Speaker 2>doesn't know exactly what it is, but she said that

0:32:42.320 --> 0:32:45.480
<v Speaker 2>he just had the nicest smile, but cannot point him

0:32:45.480 --> 0:32:49.000
<v Speaker 2>out and does not know where he left, like what

0:32:49.080 --> 0:32:52.720
<v Speaker 2>direction he went. The detectives walk away, like if he

0:32:52.760 --> 0:32:55.240
<v Speaker 2>had time with these two, where the fuck is Nadia?

0:32:55.560 --> 0:32:57.480
<v Speaker 2>They all meet up and they need to find him.

0:32:57.520 --> 0:33:00.000
<v Speaker 2>Benson says, there's a reason he's in this fucking neighborhoo,

0:33:00.160 --> 0:33:02.120
<v Speaker 2>and we need to find out something from his past

0:33:02.200 --> 0:33:05.880
<v Speaker 2>that ties him to Elmhurst. It cuts to Yates following

0:33:05.880 --> 0:33:07.880
<v Speaker 2>a woman holding a bouquet of flowers, and he has

0:33:07.920 --> 0:33:10.800
<v Speaker 2>a dirty smile, he's so busy, I can't believe it.

0:33:11.360 --> 0:33:13.640
<v Speaker 2>And we do a quick cut to Hank walking out

0:33:13.640 --> 0:33:15.440
<v Speaker 2>of a basement apartment aka.

0:33:15.320 --> 0:33:18.720
<v Speaker 1>The lower level or on my Luman heads out there.

0:33:19.280 --> 0:33:20.760
<v Speaker 1>Good night from the lower level.

0:33:22.240 --> 0:33:26.080
<v Speaker 2>So we do a quick cut to Hank walking out

0:33:26.080 --> 0:33:30.080
<v Speaker 2>of the basement apartment aka the lower level, saying, this

0:33:30.160 --> 0:33:33.000
<v Speaker 2>guy is an animal and they can't believe he just

0:33:33.080 --> 0:33:35.280
<v Speaker 2>charms his way into these women's homes. There is no

0:33:35.400 --> 0:33:38.880
<v Speaker 2>forced entry, but he is getting sloppy and it's either

0:33:38.920 --> 0:33:40.560
<v Speaker 2>because he knows that they're closing in.

0:33:40.480 --> 0:33:42.400
<v Speaker 1>On him, so he has to do his last hurrah.

0:33:42.920 --> 0:33:45.840
<v Speaker 2>But shit is wild, like the doors are being held open,

0:33:45.960 --> 0:33:48.880
<v Speaker 2>the bodies are visible, so what's going on? Christie and

0:33:49.000 --> 0:33:52.360
<v Speaker 2>Sophia run over with important news. He has a parking

0:33:52.360 --> 0:33:54.720
<v Speaker 2>ticket from years ago and it happened three blocks from

0:33:54.720 --> 0:33:57.080
<v Speaker 2>this location, so we must live close by.

0:33:57.560 --> 0:34:00.000
<v Speaker 1>Finally, Finn is here. I've missed his ass.

0:34:00.840 --> 0:34:02.640
<v Speaker 2>He says that he was ided by someone in the

0:34:02.680 --> 0:34:05.320
<v Speaker 2>neighborhood and confirmed a white man followed a woman into

0:34:05.360 --> 0:34:05.760
<v Speaker 2>this house.

0:34:05.840 --> 0:34:07.480
<v Speaker 1>But why didn't you do anything about it?

0:34:08.160 --> 0:34:10.279
<v Speaker 2>So the whole team is here and we're about to

0:34:10.280 --> 0:34:14.400
<v Speaker 2>break down the door and enter into Yates's home and

0:34:14.440 --> 0:34:18.319
<v Speaker 2>they scream NYPD, and he's legit, just like with a

0:34:18.320 --> 0:34:21.120
<v Speaker 2>woman eating calmly, and they don't seem stressed at all,

0:34:21.239 --> 0:34:23.279
<v Speaker 2>as I would be if police just entered my home

0:34:23.280 --> 0:34:26.000
<v Speaker 2>that aggressively. And Hank says, where is she? And he

0:34:26.000 --> 0:34:28.440
<v Speaker 2>acts like he doesn't know what he's talking about. So

0:34:28.520 --> 0:34:30.680
<v Speaker 2>Hank picks him up by his collar and throws him

0:34:30.719 --> 0:34:33.319
<v Speaker 2>and holds him on the wall, and Sophia protects the

0:34:33.320 --> 0:34:36.759
<v Speaker 2>woman and moves her away. Amaro takes and arrests him,

0:34:36.880 --> 0:34:39.040
<v Speaker 2>and then the woman is like, we're having lunch, what's up?

0:34:39.360 --> 0:34:41.879
<v Speaker 2>And Finn's like, you know this guy and she's like, yeah,

0:34:42.000 --> 0:34:42.720
<v Speaker 2>that's my fiance.

0:34:43.480 --> 0:34:46.839
<v Speaker 1>So they all look shocked as hell. He looks really satisfied.

0:34:46.960 --> 0:34:49.560
<v Speaker 2>And now we're back at the squad and rollins is

0:34:49.560 --> 0:34:51.919
<v Speaker 2>an interrogation with the e with the Eights, and Hank

0:34:52.000 --> 0:34:54.719
<v Speaker 2>tells the nondescript white man from the Chicago PD who

0:34:54.800 --> 0:34:57.160
<v Speaker 2>just flew in, that we need a bad cop in there.

0:34:57.239 --> 0:35:00.560
<v Speaker 2>So he enters to play some role playing games on

0:35:01.320 --> 0:35:04.000
<v Speaker 2>and he's doing some lying and playing naive and they're

0:35:04.000 --> 0:35:06.600
<v Speaker 2>trying to get some info from him, and he says

0:35:06.640 --> 0:35:09.120
<v Speaker 2>that he was on edge and that Chicago PD was

0:35:09.160 --> 0:35:11.320
<v Speaker 2>after him, so he was just going to visit the

0:35:11.360 --> 0:35:13.480
<v Speaker 2>station and clear things up. But then he just ran

0:35:13.520 --> 0:35:16.840
<v Speaker 2>into Nadia and she thought it was a bad idea

0:35:17.080 --> 0:35:20.000
<v Speaker 2>and so but so then he offered her a ride

0:35:20.320 --> 0:35:22.760
<v Speaker 2>because she needed to get out of town but didn't

0:35:22.760 --> 0:35:25.120
<v Speaker 2>want to do it alone, and so he went with it.

0:35:25.160 --> 0:35:28.200
<v Speaker 2>Like I don't even how is this story believable at

0:35:28.239 --> 0:35:29.680
<v Speaker 2>all in any capacity?

0:35:30.320 --> 0:35:32.279
<v Speaker 1>Like it's like, this is the worst lie ever.

0:35:32.400 --> 0:35:34.399
<v Speaker 2>Yes, Nadia wanted to hang out and take a road

0:35:34.400 --> 0:35:36.320
<v Speaker 2>trip with you, a fucking stranger.

0:35:36.440 --> 0:35:38.360
<v Speaker 1>She had a cake with her, a stranger that she

0:35:38.480 --> 0:35:41.759
<v Speaker 1>knows the Chicago PED is looking at for like several murders.

0:35:42.280 --> 0:35:48.640
<v Speaker 2>Like it's wild, wild, So there's a huge audience watching

0:35:48.840 --> 0:35:50.880
<v Speaker 2>in the middle of the you know, fish room, like

0:35:50.920 --> 0:35:54.640
<v Speaker 2>the spy area. All the detectives are there. Hank's like,

0:35:54.680 --> 0:35:57.160
<v Speaker 2>what the fuck is this a date or an interrogation?

0:35:57.360 --> 0:36:00.239
<v Speaker 2>And he's not liking good cop Rollins and he knows

0:36:00.239 --> 0:36:01.160
<v Speaker 2>the clock is sticking.

0:36:01.360 --> 0:36:03.480
<v Speaker 1>But Benson's like, chill out, let you know, let her

0:36:03.480 --> 0:36:06.479
<v Speaker 1>manipulate him. Relax. Yeah, this is some of Rollins's best

0:36:06.480 --> 0:36:10.200
<v Speaker 1>flirt work. Later late in later episodes, I feel like, yeah.

0:36:09.960 --> 0:36:12.239
<v Speaker 2>Carisy agrees, like, I don't think this is gonna work.

0:36:12.239 --> 0:36:14.600
<v Speaker 2>I don't think he's gonna give like, I don't think

0:36:14.600 --> 0:36:16.960
<v Speaker 2>he's gonna give up information. But Finn and Benson do

0:36:17.080 --> 0:36:20.560
<v Speaker 2>believe in her skills. So Crisee's like, well, maybe the girlfriend,

0:36:20.640 --> 0:36:24.120
<v Speaker 2>that's who's gonna crack. And so the girlfriend is in

0:36:24.120 --> 0:36:28.280
<v Speaker 2>the fancier, classier interrogation room and Sophia Bush and Amaro

0:36:28.440 --> 0:36:31.920
<v Speaker 2>in there, and basically the fiance has been with Yates

0:36:31.920 --> 0:36:34.000
<v Speaker 2>for nineteen years, on and off.

0:36:34.719 --> 0:36:37.799
<v Speaker 1>They met in med school, on and off. We were

0:36:37.840 --> 0:36:38.360
<v Speaker 1>on a break.

0:36:40.320 --> 0:36:42.840
<v Speaker 2>They moved to New York together, but only got engaged

0:36:43.080 --> 0:36:45.880
<v Speaker 2>that day. He never wanted to commit, but it works

0:36:45.920 --> 0:36:48.759
<v Speaker 2>for her because they never lived together. And they're like,

0:36:48.800 --> 0:36:50.840
<v Speaker 2>you never thought that was strange, And she's like, I

0:36:50.880 --> 0:36:52.680
<v Speaker 2>don't know. He's busy, he needs a loone time to

0:36:52.760 --> 0:36:55.160
<v Speaker 2>hike and bike. I don't give a fuck what Mark.

0:36:55.080 --> 0:36:58.080
<v Speaker 1>Is like his motivation asking that woman to marry him,

0:36:58.120 --> 0:36:59.759
<v Speaker 1>like when he knows the cops are closing in on

0:36:59.840 --> 0:37:01.680
<v Speaker 1>him and shit, Like I thought maybe it was like

0:37:01.719 --> 0:37:03.359
<v Speaker 1>he was going to try to marry her real quick

0:37:03.400 --> 0:37:06.319
<v Speaker 1>so she couldn't so there'd be like spousal privilege, but like,

0:37:07.239 --> 0:37:10.719
<v Speaker 1>well because like nineteen years she probably has seen some shit,

0:37:10.840 --> 0:37:12.680
<v Speaker 1>maybe even though she seems dumb.

0:37:13.280 --> 0:37:15.759
<v Speaker 2>Well, in the future episodes with Yates, we find out

0:37:15.840 --> 0:37:17.320
<v Speaker 2>like he could tell that she was pregnant.

0:37:18.320 --> 0:37:21.600
<v Speaker 1>That's right, Sorry, you're right, And so he liked that.

0:37:21.760 --> 0:37:24.279
<v Speaker 1>So I think that's what, Like, couldn't black that out? Yeah,

0:37:24.440 --> 0:37:28.040
<v Speaker 1>he can like smell if you're pregnant. Yeah, he does

0:37:28.080 --> 0:37:33.319
<v Speaker 1>it to Rolins too. Oh yeah, you go to see

0:37:33.320 --> 0:37:35.160
<v Speaker 1>this doctor. He just smells you and goes, I know

0:37:35.239 --> 0:37:36.239
<v Speaker 1>exactly what's wrong.

0:37:36.440 --> 0:37:40.880
<v Speaker 2>Yeah, and Amaro's like, babe, you don't know who he is, like,

0:37:41.239 --> 0:37:44.279
<v Speaker 2>and he starts showing her the missing person flyers of

0:37:44.320 --> 0:37:47.640
<v Speaker 2>women that have disappeared, and that all these people disappeared

0:37:47.680 --> 0:37:49.200
<v Speaker 2>anytime he was in a town. So we went to

0:37:49.320 --> 0:37:52.719
<v Speaker 2>Duke and women were disappearing New York, New Orleans, Chicago.

0:37:53.000 --> 0:37:55.200
<v Speaker 2>They were all right, beaten, burned, and Greg lived in

0:37:55.239 --> 0:37:58.120
<v Speaker 2>all the cities where it happened. Before we can see

0:37:58.120 --> 0:37:59.840
<v Speaker 2>what this girlfriend's gonna say, we cut back to you

0:38:00.200 --> 0:38:02.919
<v Speaker 2>saying that Nadia saw him as a father figure. Bad

0:38:03.000 --> 0:38:06.240
<v Speaker 2>cop is getting mad. Rollins asked, what do you think happened?

0:38:06.239 --> 0:38:08.080
<v Speaker 2>To her since you were you know, the last one

0:38:08.080 --> 0:38:10.040
<v Speaker 2>to see her, and he says, I mean she's a

0:38:10.080 --> 0:38:12.120
<v Speaker 2>hot girl in New York, she went to party. Who

0:38:12.160 --> 0:38:15.200
<v Speaker 2>knows what happened? And Rollins is thinking she's slick, and

0:38:15.320 --> 0:38:17.919
<v Speaker 2>she asks, oh, where would someone like that take her?

0:38:18.360 --> 0:38:20.480
<v Speaker 2>And he catches onto the game, but he's also you know,

0:38:20.520 --> 0:38:22.960
<v Speaker 2>he's into it, so he plays along and says he

0:38:23.000 --> 0:38:25.479
<v Speaker 2>would take her to a remote location where he would

0:38:25.520 --> 0:38:27.680
<v Speaker 2>do whatever he wanted to her and then take her

0:38:27.719 --> 0:38:30.480
<v Speaker 2>body to a special sacred place, and that he would

0:38:30.560 --> 0:38:34.040
<v Speaker 2>visit her every once in a while maybe, And so

0:38:34.200 --> 0:38:36.279
<v Speaker 2>it's kind of like the OJ Simpson thing of like

0:38:36.320 --> 0:38:38.200
<v Speaker 2>I didn't do it, but if I did, so that's

0:38:38.280 --> 0:38:41.839
<v Speaker 2>the vibe of the speech. And then he looks directly

0:38:41.920 --> 0:38:44.120
<v Speaker 2>under the two way mirror because he knows who's watching,

0:38:44.560 --> 0:38:47.000
<v Speaker 2>and he's like, maybe I would even defile her again.

0:38:47.440 --> 0:38:49.880
<v Speaker 2>And then yeah, he goes, so sorry this happened to you.

0:38:49.880 --> 0:38:51.840
<v Speaker 2>I know you must be sad and you're living a

0:38:52.120 --> 0:38:55.080
<v Speaker 2>you know, you're living in hell wondering what even happened

0:38:55.080 --> 0:38:58.400
<v Speaker 2>to her body? And Hank Wanson Finn stops him and

0:38:58.480 --> 0:39:02.000
<v Speaker 2>you know, like, let Amanda do this, okay, relax. We're

0:39:02.040 --> 0:39:04.040
<v Speaker 2>back on the girlfriend who's like, no, no, no, no, no,

0:39:04.120 --> 0:39:07.000
<v Speaker 2>that's not my that's not my little yate se And

0:39:07.320 --> 0:39:08.759
<v Speaker 2>she thinks they're lying to her.

0:39:08.960 --> 0:39:10.000
<v Speaker 1>They're pleading with her.

0:39:10.160 --> 0:39:12.399
<v Speaker 2>They start showing her more evidence him at the truck

0:39:12.440 --> 0:39:15.480
<v Speaker 2>stop buying an ice pick, stolen credit cards. The girlfriend

0:39:15.560 --> 0:39:18.600
<v Speaker 2>starts looking worried and confused. They show more items in

0:39:18.640 --> 0:39:20.960
<v Speaker 2>the car and she says, you're lying. You're not lying.

0:39:21.000 --> 0:39:23.520
<v Speaker 2>I know that you're lying because he was at the beach.

0:39:23.560 --> 0:39:25.520
<v Speaker 2>He had sand in his shoes. He sat at the

0:39:25.560 --> 0:39:27.800
<v Speaker 2>beach and that's where he decided to propose to me.

0:39:28.280 --> 0:39:31.040
<v Speaker 2>And she even calls the beach his special place, ding

0:39:31.120 --> 0:39:34.560
<v Speaker 2>ding ding What beach? And now we're at Pelham Bay

0:39:34.800 --> 0:39:38.200
<v Speaker 2>Park in the Bronx. So many cops white, like has

0:39:38.280 --> 0:39:41.040
<v Speaker 2>matt suit people everywhere, and like the beach.

0:39:41.120 --> 0:39:42.719
<v Speaker 1>Yeah, so many people at the beach. He got a

0:39:42.760 --> 0:39:45.000
<v Speaker 1>lot fucking done. This guy too, he like cruised in

0:39:45.080 --> 0:39:48.880
<v Speaker 1>from Chicago, got these two flight attendants, like was able

0:39:48.920 --> 0:39:51.960
<v Speaker 1>to drop bodies in the Bronx, head to Elmhurst to

0:39:52.000 --> 0:39:56.560
<v Speaker 1>see his fiance. This man is zooming around Manhattan at a.

0:39:56.520 --> 0:40:01.839
<v Speaker 2>Stay and before lunch, before lunch, made it back for lunch. Yeah,

0:40:01.960 --> 0:40:05.080
<v Speaker 2>they don't see the bodies at the beach, but you know,

0:40:05.080 --> 0:40:07.520
<v Speaker 2>they're also like, this is such a busy public space,

0:40:07.600 --> 0:40:08.480
<v Speaker 2>like how could he do it?

0:40:08.520 --> 0:40:10.560
<v Speaker 1>And they're like, well, the woods are more sacred. Maybe

0:40:10.600 --> 0:40:11.280
<v Speaker 1>it's in the woods.

0:40:11.960 --> 0:40:15.800
<v Speaker 2>And they find old ass bones, lots of bones, hands,

0:40:15.800 --> 0:40:19.640
<v Speaker 2>they've been there for years. My god, Benson says. Then

0:40:19.800 --> 0:40:24.120
<v Speaker 2>suddenly they find nautium. Sophia starts crying. Amorro says, sorry,

0:40:24.200 --> 0:40:26.680
<v Speaker 2>she is dead. She's under the tarp, she's naked and

0:40:26.719 --> 0:40:29.319
<v Speaker 2>there's blood on her face and it's sad. We come

0:40:29.360 --> 0:40:32.000
<v Speaker 2>back from a long black fade out to someone's hand

0:40:32.000 --> 0:40:34.200
<v Speaker 2>flipping through the crime scene photos on an iPad, and

0:40:34.239 --> 0:40:34.560
<v Speaker 2>I'm like.

0:40:34.520 --> 0:40:36.520
<v Speaker 1>Who's hands are these? It's Barbara.

0:40:37.320 --> 0:40:40.000
<v Speaker 2>So he's with Hank and Benson at a long table

0:40:40.160 --> 0:40:42.520
<v Speaker 2>and so far they've found seven remains and they're still

0:40:42.560 --> 0:40:44.399
<v Speaker 2>working through the night to find more, and they're looking

0:40:44.440 --> 0:40:46.560
<v Speaker 2>at dental records. They're going to match up the victims,

0:40:47.640 --> 0:40:50.480
<v Speaker 2>but there's no forensics, unfortunately, so it's gonna be hard.

0:40:50.520 --> 0:40:52.920
<v Speaker 2>He is a smart doctor. Everything he does is random.

0:40:53.280 --> 0:40:56.280
<v Speaker 2>He chooses the victims at random. Sometimes he burns, sometimes

0:40:56.280 --> 0:40:59.640
<v Speaker 2>he buries. And no evidence ever, Like there's no blood

0:40:59.640 --> 0:41:02.120
<v Speaker 2>on him for his latest victims, and no DNA of

0:41:02.160 --> 0:41:05.359
<v Speaker 2>his in their apartments. I don't understand how because there's

0:41:05.360 --> 0:41:08.520
<v Speaker 2>obviously a scuffle in that first apartment, like the couch was. Like,

0:41:09.040 --> 0:41:11.359
<v Speaker 2>I just can't believe he's left no evidence because he's

0:41:11.360 --> 0:41:12.960
<v Speaker 2>not dexter dressed either, like.

0:41:13.000 --> 0:41:16.000
<v Speaker 1>His hair is falling around. I was gonna say he

0:41:16.080 --> 0:41:18.360
<v Speaker 1>might know how to like bleach shit down, but yeah, hair,

0:41:18.520 --> 0:41:20.960
<v Speaker 1>I don't know. Other stuff like that's that is wild.

0:41:21.920 --> 0:41:24.000
<v Speaker 2>And then one of the women, one of the flight attendants,

0:41:24.040 --> 0:41:26.279
<v Speaker 2>did survive the attack from earlier, but she has way

0:41:26.280 --> 0:41:29.000
<v Speaker 2>too much brain damage to id him. And Barbara is

0:41:29.040 --> 0:41:32.680
<v Speaker 2>getting really frustrated, and Benson has an idea Nadia was

0:41:32.760 --> 0:41:33.440
<v Speaker 2>not random.

0:41:33.600 --> 0:41:35.560
<v Speaker 1>That was a screw you to the Chicago PD.

0:41:35.880 --> 0:41:37.920
<v Speaker 2>So Barba asked if they have any evidence of them

0:41:37.960 --> 0:41:40.560
<v Speaker 2>being together in the car, and they do. You know,

0:41:40.640 --> 0:41:43.960
<v Speaker 2>he admits driving together, So that's the best case to pursue.

0:41:44.239 --> 0:41:46.920
<v Speaker 2>So we're at court on an April fifteenth day, and

0:41:47.120 --> 0:41:49.280
<v Speaker 2>Yates wants to represent himself.

0:41:49.320 --> 0:41:50.759
<v Speaker 1>Of course, all the psychos do.

0:41:51.400 --> 0:41:54.960
<v Speaker 2>The judge presiding this case is Elena Barth, light red

0:41:54.960 --> 0:41:58.440
<v Speaker 2>hair with hoops, and Melinda Warner's on the stand, what

0:41:58.480 --> 0:42:01.040
<v Speaker 2>a little blessing, and we hear her voice and we

0:42:01.080 --> 0:42:03.680
<v Speaker 2>see the jury passing down photos as she explains that

0:42:03.680 --> 0:42:06.319
<v Speaker 2>the evidence shows that Nadia was struck over and over

0:42:06.440 --> 0:42:09.480
<v Speaker 2>with a heavy object and was strangled bound like she

0:42:09.600 --> 0:42:11.640
<v Speaker 2>just you know, gives the rundown of all the stuff

0:42:11.680 --> 0:42:13.920
<v Speaker 2>that's happening. I mean, we know Yates is about to

0:42:13.920 --> 0:42:17.600
<v Speaker 2>pull some nonsense, and so it's his turn to ask questions.

0:42:17.640 --> 0:42:20.320
<v Speaker 2>And he asked if the evidence that showed sexual traumas

0:42:20.360 --> 0:42:22.640
<v Speaker 2>the same evidence that would be there for an active

0:42:22.680 --> 0:42:25.840
<v Speaker 2>sex worker, and she says to some extent, and he

0:42:25.920 --> 0:42:29.719
<v Speaker 2>says nothing further, Dick. And now it's Sofia on the

0:42:29.800 --> 0:42:33.399
<v Speaker 2>stand and Barba is softballing questions to Sophia, and then

0:42:33.520 --> 0:42:36.279
<v Speaker 2>Yates says an objection, it is sustained. So that's like

0:42:36.360 --> 0:42:39.840
<v Speaker 2>embarrassing for Barbara, Like that's.

0:42:39.120 --> 0:42:42.160
<v Speaker 1>Like not a real lawyer can object you. It's just

0:42:42.719 --> 0:42:44.320
<v Speaker 1>get it together, Barba.

0:42:44.880 --> 0:42:46.799
<v Speaker 2>I'm scared for what Yates is about to do to

0:42:46.800 --> 0:42:51.360
<v Speaker 2>her in the stand. So Yates asks how she met Nadia,

0:42:51.560 --> 0:42:54.320
<v Speaker 2>and basically she arrested her for working as an escort

0:42:54.480 --> 0:42:56.879
<v Speaker 2>and she was on drugs and addicted to heroin when

0:42:56.880 --> 0:42:59.320
<v Speaker 2>she was arrested, and the camera goes to the jury

0:42:59.320 --> 0:43:01.560
<v Speaker 2>as one woman changes her face like I guess she

0:43:01.640 --> 0:43:02.680
<v Speaker 2>was supposed to be murdered.

0:43:03.200 --> 0:43:06.319
<v Speaker 1>Yeah, they always get that with like these people that

0:43:06.360 --> 0:43:09.640
<v Speaker 1>played jurors that are like hmm, like the face that's

0:43:09.680 --> 0:43:12.640
<v Speaker 1>like heroin. Yeah, you kind of had it coming, sweetheart,

0:43:12.840 --> 0:43:16.680
<v Speaker 1>Like it's fucked. Yeah, but that's how people are. It's

0:43:16.719 --> 0:43:20.880
<v Speaker 1>just like most people, they're just on it reads on

0:43:20.920 --> 0:43:25.080
<v Speaker 1>their faces so perfectly, you know. Yeah, it's Yeah.

0:43:25.120 --> 0:43:27.200
<v Speaker 2>What I keep thinking about is people on juries that

0:43:27.239 --> 0:43:29.680
<v Speaker 2>are like these anti abortion people that are like, well

0:43:29.760 --> 0:43:31.839
<v Speaker 2>just close your legs and that's it, and it's like, yeah,

0:43:31.920 --> 0:43:34.720
<v Speaker 2>that's the Yeah, you're right, you just solved a big problem.

0:43:34.800 --> 0:43:38.040
<v Speaker 2>It's like these dense as people who don't see anything.

0:43:38.160 --> 0:43:38.480
<v Speaker 1>Okay.

0:43:38.760 --> 0:43:40.960
<v Speaker 2>Yeah, Like because she was on heroine, she dug herself

0:43:41.000 --> 0:43:43.720
<v Speaker 2>a shallow grave and jumped right in it and assaulted herself.

0:43:44.640 --> 0:43:48.040
<v Speaker 2>So anyways, she did rehab, she was clean, she's been sober.

0:43:48.200 --> 0:43:50.839
<v Speaker 1>They became roommates. They hung out every day for a year.

0:43:50.920 --> 0:43:51.719
<v Speaker 1>They're besties.

0:43:52.360 --> 0:43:56.440
<v Speaker 2>And then he calls Nadia a little rescue project and

0:43:56.480 --> 0:44:00.040
<v Speaker 2>how I guess you failed. Then Barbara doesn't objection, and

0:44:00.160 --> 0:44:02.799
<v Speaker 2>Elena is like, you're done. Mystery ates, and then he

0:44:02.840 --> 0:44:05.799
<v Speaker 2>goes okay, Doki and just sits down like this is

0:44:05.840 --> 0:44:08.640
<v Speaker 2>not affecting him at all. Sophia shakes her head in

0:44:08.680 --> 0:44:11.880
<v Speaker 2>disbelief that this just happened, that, like, you know, Nadia

0:44:11.920 --> 0:44:15.440
<v Speaker 2>was just discredited fully because of her you know, tumultuous past.

0:44:15.960 --> 0:44:18.080
<v Speaker 2>She gets off the stand feeling bad but she tried

0:44:18.080 --> 0:44:20.560
<v Speaker 2>her best. But her and Hank are not happy with

0:44:20.600 --> 0:44:23.399
<v Speaker 2>the way he portrayed Nadia. Hank approaches Barba like you're

0:44:23.400 --> 0:44:25.839
<v Speaker 2>gonna let him talk about her like that, and they

0:44:25.880 --> 0:44:28.400
<v Speaker 2>have a tense little scuffle in the hallway of the courtroom,

0:44:28.400 --> 0:44:30.959
<v Speaker 2>and Barba's like he's charming. He lured all these women

0:44:31.000 --> 0:44:33.720
<v Speaker 2>to their deaths with his charm, Like I'm fucking trying.

0:44:33.840 --> 0:44:35.280
<v Speaker 1>He he's a trickster.

0:44:35.760 --> 0:44:38.440
<v Speaker 2>So him and Benson go to prepmore, but Benson says,

0:44:38.480 --> 0:44:40.520
<v Speaker 2>give me a second to go talk to her, you know,

0:44:40.520 --> 0:44:43.239
<v Speaker 2>her friends from Chicago, and she says, maybe you don't

0:44:43.239 --> 0:44:45.319
<v Speaker 2>want to be in the courtroom and he goes, oh, yes,

0:44:45.360 --> 0:44:48.120
<v Speaker 2>I do, and then storms off to go listen.

0:44:47.920 --> 0:44:50.280
<v Speaker 1>To emo music in his room. And like punch a pillow.

0:44:50.880 --> 0:44:53.200
<v Speaker 2>So now Benson is now on the stand and Barba

0:44:53.239 --> 0:44:56.320
<v Speaker 2>is questioning her. She's saying that they found Deanna and

0:44:56.440 --> 0:44:59.320
<v Speaker 2>Lindsay's car and bled from the victim, and he claimed

0:44:59.320 --> 0:45:01.840
<v Speaker 2>that Nadi and him into the car. He did not

0:45:02.040 --> 0:45:04.360
<v Speaker 2>explain the blood, but he said he was sure that

0:45:04.440 --> 0:45:07.680
<v Speaker 2>she must have suffered. First question out the gate for

0:45:07.760 --> 0:45:10.000
<v Speaker 2>Yates is to asks you don't like me, do you?

0:45:10.040 --> 0:45:14.160
<v Speaker 2>And Barbara objecks Elena sustains it questions to the case.

0:45:14.480 --> 0:45:17.759
<v Speaker 2>Only he starts digging as to why Benson was in

0:45:17.840 --> 0:45:19.799
<v Speaker 2>Chicago with the case and how it was similar to

0:45:19.840 --> 0:45:22.399
<v Speaker 2>an old case and like they had other suspects, right,

0:45:22.800 --> 0:45:25.040
<v Speaker 2>it wasn't on me, And she's like, yeah, there were

0:45:25.080 --> 0:45:27.279
<v Speaker 2>tons of suspects and lots of leads, and we looked

0:45:27.280 --> 0:45:29.560
<v Speaker 2>into all of them, which I think makes sense to me.

0:45:29.960 --> 0:45:33.320
<v Speaker 2>But then the other suspects was Will hall Stead, and

0:45:33.360 --> 0:45:34.680
<v Speaker 2>it's like, okay, where is this going?

0:45:34.680 --> 0:45:35.520
<v Speaker 1>Where is this going?

0:45:35.640 --> 0:45:39.080
<v Speaker 2>Because basically Benson says they talked to this guy because

0:45:39.080 --> 0:45:41.279
<v Speaker 2>he knew another woman that had gone missing, and that

0:45:41.560 --> 0:45:43.279
<v Speaker 2>he's trying to pin it on this guy, so that's

0:45:43.280 --> 0:45:44.040
<v Speaker 2>what he's trying to do.

0:45:44.680 --> 0:45:45.760
<v Speaker 1>So this guy came.

0:45:45.640 --> 0:45:48.400
<v Speaker 2>To Chicago right before that victim and works at the

0:45:48.440 --> 0:45:51.480
<v Speaker 2>same hospital as the victim. So this Will Hallstead guy

0:45:51.680 --> 0:45:54.680
<v Speaker 2>is a doctor at this hospital and the victim knows him.

0:45:55.040 --> 0:45:55.960
<v Speaker 1>And they talked to him and.

0:45:55.960 --> 0:45:58.000
<v Speaker 2>They're like, yeah, but we ruled him out because of

0:45:58.040 --> 0:46:00.720
<v Speaker 2>an alibi, and Yates is smiling, so it's a bad sign.

0:46:01.040 --> 0:46:04.719
<v Speaker 2>And basically the alibi was confirmed by Chicago Intelligence Unit,

0:46:05.080 --> 0:46:08.359
<v Speaker 2>which is the nondescript white guy and so his name.

0:46:08.400 --> 0:46:11.520
<v Speaker 2>So what we learn is the nondescript cop is Halstead,

0:46:11.600 --> 0:46:14.880
<v Speaker 2>who is brothers with the doctor. So this cop brother

0:46:15.080 --> 0:46:17.760
<v Speaker 2>is the alibi for this doctor. So this is fucking

0:46:17.840 --> 0:46:20.640
<v Speaker 2>shady and Chicago should have taken care of this.

0:46:20.640 --> 0:46:23.800
<v Speaker 1>This is like such sloppy way. It looks bad, bad optics,

0:46:23.880 --> 0:46:25.239
<v Speaker 1>for sure, it's so bad.

0:46:25.280 --> 0:46:27.160
<v Speaker 2>And they're like, yeah, you went to find someone else

0:46:27.200 --> 0:46:29.480
<v Speaker 2>to pin the murder on. You're trying to defend this brother,

0:46:29.520 --> 0:46:32.880
<v Speaker 2>and Benson's like, the doctor was cleared because he didn't

0:46:32.960 --> 0:46:35.600
<v Speaker 2>do it. He Gates asked if they asked where he

0:46:35.719 --> 0:46:37.920
<v Speaker 2>was when Nadia went missing, and Benson says no, and

0:46:37.960 --> 0:46:39.799
<v Speaker 2>he says, well, I guess you didn't want to know

0:46:39.840 --> 0:46:40.560
<v Speaker 2>that didn't you.

0:46:41.760 --> 0:46:43.759
<v Speaker 1>So that was a really good line of questioning.

0:46:43.840 --> 0:46:45.520
<v Speaker 2>And we're back in the hallway and Hall said, is

0:46:45.560 --> 0:46:48.440
<v Speaker 2>trying to excuse this sloppy bs to Sophia Rollins and

0:46:48.480 --> 0:46:51.600
<v Speaker 2>Hank and Finn, and Fing goes he's smart, and Hank

0:46:51.680 --> 0:46:52.680
<v Speaker 2>says he's scum.

0:46:53.200 --> 0:46:56.719
<v Speaker 1>I just love this. Rollin says he knows what he's doing.

0:46:56.880 --> 0:46:59.400
<v Speaker 1>He gets off on torture even if it's in court.

0:47:00.040 --> 0:47:02.839
<v Speaker 1>They enter the elevator and the doors closed very dramatically,

0:47:02.880 --> 0:47:05.399
<v Speaker 1>and then we open back up at the Supreme Court,

0:47:05.480 --> 0:47:08.680
<v Speaker 1>Part twenty one and Yates is on the stand and

0:47:08.719 --> 0:47:11.440
<v Speaker 1>he's claiming that he saw Nadia outside the police station

0:47:12.120 --> 0:47:14.320
<v Speaker 1>and that she warned him that the police were looking

0:47:14.320 --> 0:47:16.279
<v Speaker 1>for a patsy and he should watch out.

0:47:16.480 --> 0:47:20.120
<v Speaker 2>Like the story keeps changing. I hate him. And that's

0:47:20.280 --> 0:47:22.200
<v Speaker 2>when you decided to move to New York with her?

0:47:22.239 --> 0:47:23.120
<v Speaker 1>Like what is happening?

0:47:23.400 --> 0:47:25.480
<v Speaker 2>And he said, no, you decided to leave with her

0:47:25.600 --> 0:47:29.799
<v Speaker 2>when she described what Chicago Pede was doing to her. Barba,

0:47:29.840 --> 0:47:32.359
<v Speaker 2>come on, get him, Like that's all I keep thinking about.

0:47:32.400 --> 0:47:37.919
<v Speaker 1>I'm like, get this motherfucker. And also Yates has co

0:47:37.920 --> 0:47:39.920
<v Speaker 1>counsel and it's this woman in Tweed and we'll be

0:47:39.960 --> 0:47:41.960
<v Speaker 1>calling her tweed for the rest of the show.

0:47:43.719 --> 0:47:46.600
<v Speaker 2>And he and like, he's a surgeon, so he's fucking rich.

0:47:46.640 --> 0:47:48.799
<v Speaker 2>So I'm sure she's like a really good lawyer. So

0:47:48.920 --> 0:47:51.359
<v Speaker 2>Yeates says that the boss, Hank Void, was making her

0:47:51.400 --> 0:47:55.200
<v Speaker 2>have sex with him, and so Yates was helping her escape.

0:47:55.440 --> 0:47:57.520
<v Speaker 2>He wanted to stop the boss from raping her, and

0:47:57.560 --> 0:48:00.160
<v Speaker 2>she was just strawt and wanted to get high. And

0:47:59.719 --> 0:48:01.520
<v Speaker 2>as she got to New York, she wents to go

0:48:01.520 --> 0:48:04.800
<v Speaker 2>get a fix. And now Barbara, on his second objection

0:48:04.880 --> 0:48:07.120
<v Speaker 2>during the line of questioning for hearsay like, you can't

0:48:07.120 --> 0:48:09.880
<v Speaker 2>fucking talk like that, and it is sustained. He said

0:48:09.920 --> 0:48:12.000
<v Speaker 2>his last impression of Nadia was that she had a

0:48:12.040 --> 0:48:13.759
<v Speaker 2>look in her eye that she was jonesing and that

0:48:13.880 --> 0:48:16.759
<v Speaker 2>she just you know, was gonna go prostitute herself and

0:48:16.920 --> 0:48:21.080
<v Speaker 2>get drugs. And he knows this because of his medical experience,

0:48:21.480 --> 0:48:23.759
<v Speaker 2>and this dumb ass jury is gonna believe all of it.

0:48:24.320 --> 0:48:26.840
<v Speaker 2>And now it's Barbara's turn, and he's like, so she

0:48:27.000 --> 0:48:29.439
<v Speaker 2>told you that she wanted to leave with you, why

0:48:29.480 --> 0:48:30.480
<v Speaker 2>did she want to do that?

0:48:30.560 --> 0:48:32.560
<v Speaker 1>In that moment she left behind.

0:48:32.239 --> 0:48:34.880
<v Speaker 2>Two thousand dollars in her savings, account, all her clothes,

0:48:34.920 --> 0:48:37.440
<v Speaker 2>all her belongings, and just left with you.

0:48:37.719 --> 0:48:42.279
<v Speaker 1>And I'm like, get him, Jade and like, and Barbara goes.

0:48:42.320 --> 0:48:44.520
<v Speaker 2>So she wanted to leave all her friends at NA

0:48:44.840 --> 0:48:47.640
<v Speaker 2>and all her new friends that she made, and Yates

0:48:47.680 --> 0:48:50.399
<v Speaker 2>calls her desperate and he starts babbling about other shit

0:48:50.440 --> 0:48:52.560
<v Speaker 2>and Barbara and the judge won't let him, like, no, bitch,

0:48:52.600 --> 0:48:55.480
<v Speaker 2>you just answer the question. You cannot be babbling. And

0:48:55.600 --> 0:48:58.160
<v Speaker 2>Barba then asked, did Nadia know you were a suspect

0:48:58.239 --> 0:49:01.799
<v Speaker 2>for brutal rape murders? And he said yes, So you're

0:49:01.840 --> 0:49:04.719
<v Speaker 2>telling me this entire squad is looking for you for

0:49:04.880 --> 0:49:07.360
<v Speaker 2>rape and murder. And she decides to just hop in

0:49:07.440 --> 0:49:09.840
<v Speaker 2>with you and do a cross country little road trip

0:49:10.480 --> 0:49:13.240
<v Speaker 2>and Barbara goes with you know. He withdraws and says

0:49:13.239 --> 0:49:16.960
<v Speaker 2>nothing Further. Yates redirects and says that her emotional state

0:49:17.280 --> 0:49:20.640
<v Speaker 2>was that she was under hanks control. He was raping her,

0:49:20.800 --> 0:49:23.480
<v Speaker 2>and this lady lawyer is like trying to stop him

0:49:23.640 --> 0:49:26.160
<v Speaker 2>and is like, stop, please stop talking, please stop talking.

0:49:26.200 --> 0:49:27.319
<v Speaker 1>But obviously Yates is not going.

0:49:27.320 --> 0:49:30.080
<v Speaker 2>To listen to a woman, and he starts creaking his

0:49:30.200 --> 0:49:34.000
<v Speaker 2>neck like he did you know earlier with his horny

0:49:34.080 --> 0:49:38.200
<v Speaker 2>rage murder vibe at the stewardess's apartment and Barbara looks

0:49:38.200 --> 0:49:40.240
<v Speaker 2>at Benson and they nod at each other, and Benson

0:49:40.280 --> 0:49:42.000
<v Speaker 2>and Rollins meet in the hallway and tell Barbara go

0:49:42.040 --> 0:49:44.640
<v Speaker 2>a job, and Rollins is like, you saw what we saw,

0:49:44.719 --> 0:49:46.319
<v Speaker 2>Like we all saw the same thing and the real

0:49:46.400 --> 0:49:48.160
<v Speaker 2>Greg yates and it's like yeah, and I hope the

0:49:48.239 --> 0:49:48.920
<v Speaker 2>jury saw it.

0:49:49.239 --> 0:49:52.400
<v Speaker 1>And then Barbara goes, don't worry, they will. Yeah. This

0:49:52.520 --> 0:49:55.279
<v Speaker 1>is like Dallas Roberts is like so good because just

0:49:55.360 --> 0:49:58.839
<v Speaker 1>this like that horny like trance he goes into when

0:49:58.840 --> 0:50:03.040
<v Speaker 1>he's like about to kill someone or thinking about killing

0:50:03.120 --> 0:50:06.520
<v Speaker 1>the act of killing is really it's so fucking creepy.

0:50:06.560 --> 0:50:07.319
<v Speaker 1>He's really good.

0:50:07.640 --> 0:50:11.000
<v Speaker 2>It's really good because it's it's like evil and turned on.

0:50:11.600 --> 0:50:14.239
<v Speaker 2>And he's a great actor. You know, he's a theater boy.

0:50:14.280 --> 0:50:16.960
<v Speaker 2>He's a theater boy. So we're back at court and

0:50:17.000 --> 0:50:19.839
<v Speaker 2>Melinda is back on the stand and Barbara's gonna ask

0:50:19.880 --> 0:50:23.360
<v Speaker 2>her to go through the injuries again and tweet Jackets

0:50:23.400 --> 0:50:25.879
<v Speaker 2>like we already did this, and Barba says, I mean,

0:50:25.920 --> 0:50:27.719
<v Speaker 2>you said the victim was a sex worker, and I

0:50:27.760 --> 0:50:30.640
<v Speaker 2>have the right to refute that, and the judge agrees,

0:50:30.760 --> 0:50:33.520
<v Speaker 2>So we let Barbara go to work and he displays

0:50:33.560 --> 0:50:36.279
<v Speaker 2>the photos open on his own desk. So Barbara like

0:50:36.560 --> 0:50:39.440
<v Speaker 2>takes the photos of all the injuries and dead body

0:50:39.480 --> 0:50:41.520
<v Speaker 2>stuff and puts them on the desk so Yats can

0:50:41.600 --> 0:50:44.719
<v Speaker 2>clearly see them, and they're very gruesome, and Yates is

0:50:44.760 --> 0:50:48.719
<v Speaker 2>looking he can't stop. And Melinda says that there was

0:50:48.800 --> 0:50:51.960
<v Speaker 2>no DNA evidence that would say she was prostituting herself,

0:50:51.960 --> 0:50:54.719
<v Speaker 2>and the lube was the same in both holes. It's

0:50:54.760 --> 0:50:57.480
<v Speaker 2>like a sentence. I didn't want to say, Oh God.

0:50:58.480 --> 0:51:01.359
<v Speaker 1>I don't remember that sentence, but now I'll never forget it.

0:51:05.120 --> 0:51:07.920
<v Speaker 2>So she was assaulted in both places by the same person,

0:51:08.080 --> 0:51:10.160
<v Speaker 2>that is what she is saying is very likely, and

0:51:10.200 --> 0:51:13.120
<v Speaker 2>the damage happened at the same time. So then Barbara

0:51:13.480 --> 0:51:15.920
<v Speaker 2>goes and picks up the photo of the dead head

0:51:16.440 --> 0:51:20.920
<v Speaker 2>and like fully is turning it to Yates, like full horizontal,

0:51:20.960 --> 0:51:22.360
<v Speaker 2>like shoving it in his face.

0:51:22.440 --> 0:51:24.600
<v Speaker 1>Yeah, it's not even a cheating, it's like a full

0:51:25.160 --> 0:51:26.080
<v Speaker 1>I want to see.

0:51:26.520 --> 0:51:29.280
<v Speaker 2>Yeah, And oh my god, did you watch the hocus

0:51:29.280 --> 0:51:30.840
<v Speaker 2>Pocus two trailer came out this morning?

0:51:31.000 --> 0:51:31.080
<v Speaker 3>No?

0:51:33.000 --> 0:51:38.759
<v Speaker 2>Okay, So anyways, so Benson nods. She's like getting wet

0:51:38.800 --> 0:51:41.480
<v Speaker 2>for what's about to happen. And then Barba sits down,

0:51:41.640 --> 0:51:44.160
<v Speaker 2>and you know, it was a quick line of questioning

0:51:44.200 --> 0:51:46.839
<v Speaker 2>because this is all just a ploy, and I wonder

0:51:46.840 --> 0:51:48.960
<v Speaker 2>if from Melinda's in on it, but I think she is,

0:51:49.520 --> 0:51:52.239
<v Speaker 2>but I'm not sure. So then Elena the judge asks

0:51:52.280 --> 0:51:53.919
<v Speaker 2>if there will be a cross and at the same

0:51:54.000 --> 0:51:57.000
<v Speaker 2>time Yates says yes, and tweet Jacket says no, and

0:51:57.000 --> 0:51:59.640
<v Speaker 2>then they little they do a little whisper and he

0:51:59.640 --> 0:52:01.799
<v Speaker 2>says yes, yes, and gets up and says he has

0:52:01.840 --> 0:52:05.480
<v Speaker 2>a few questions, and then Yates asked Barbara ta examin

0:52:05.520 --> 0:52:07.880
<v Speaker 2>the photos, and Barbara goes, yeah, of course, babes anything

0:52:07.920 --> 0:52:10.280
<v Speaker 2>for you. So he picks them up and he can't

0:52:10.320 --> 0:52:13.040
<v Speaker 2>even focus. He's just going through them, and it seems

0:52:13.040 --> 0:52:16.320
<v Speaker 2>like forever that he's looking, and Elena is like, Yates,

0:52:16.440 --> 0:52:19.120
<v Speaker 2>do you have any questions? And he says yes, yes, yes,

0:52:19.160 --> 0:52:23.799
<v Speaker 2>But and finally he asks kid her injuries be the

0:52:23.840 --> 0:52:26.879
<v Speaker 2>result of sex work, and Melinda says, I've said this

0:52:27.360 --> 0:52:29.520
<v Speaker 2>eight thousand times.

0:52:30.080 --> 0:52:32.880
<v Speaker 1>I know No, it is not likely, bitch, it is

0:52:32.920 --> 0:52:33.520
<v Speaker 1>not likely.

0:52:33.600 --> 0:52:37.120
<v Speaker 2>She was fucking savage, And he asks how so, and

0:52:37.160 --> 0:52:40.080
<v Speaker 2>Melinda goes into the details of all the injuries, and

0:52:40.120 --> 0:52:43.320
<v Speaker 2>he starts asking more and more specific questions about the injuries.

0:52:43.840 --> 0:52:46.759
<v Speaker 2>And I mean, he says anal sphincter. It's like not

0:52:47.000 --> 0:52:49.440
<v Speaker 2>a fun line of sentences. I thought of that when

0:52:49.480 --> 0:52:51.440
<v Speaker 2>I was lying in bed this morning. I was like,

0:52:51.520 --> 0:52:52.759
<v Speaker 2>oh remember when he said that.

0:52:52.960 --> 0:52:56.640
<v Speaker 1>Oh yeah, I didn't like it.

0:52:56.680 --> 0:52:58.000
<v Speaker 2>And I'm not going to tell you what happened to

0:52:58.040 --> 0:53:02.640
<v Speaker 2>the anal sphincter. I'll tell you that much respect then

0:53:02.719 --> 0:53:04.680
<v Speaker 2>as or I thought if I type it, the government

0:53:04.719 --> 0:53:05.560
<v Speaker 2>would come arrest me.

0:53:05.680 --> 0:53:06.000
<v Speaker 1>Okay.

0:53:06.080 --> 0:53:09.719
<v Speaker 2>So then he asked like was it painful and she

0:53:09.800 --> 0:53:12.400
<v Speaker 2>says yes, it was a slow, painful death. And he

0:53:12.440 --> 0:53:15.560
<v Speaker 2>asks how long she survived after first attack and would

0:53:15.640 --> 0:53:17.120
<v Speaker 2>she be in agony the whole time?

0:53:17.560 --> 0:53:21.000
<v Speaker 1>And the judge is like, Barbara, do you have any objections?

0:53:21.040 --> 0:53:22.839
<v Speaker 1>And he goes, oh, no, I'm fine, your honor, thank you.

0:53:23.200 --> 0:53:26.600
<v Speaker 1>But what would the objection be about, Like here's say

0:53:26.719 --> 0:53:30.319
<v Speaker 1>or like irrelevance, Like this guy's just jerking off to

0:53:30.360 --> 0:53:34.759
<v Speaker 1>the details of the you know, like the horrors, and

0:53:34.800 --> 0:53:37.319
<v Speaker 1>so yeah, I just probably irrelevance. I don't know. I'm

0:53:37.360 --> 0:53:38.719
<v Speaker 1>not a lawyer, but I would imagine.

0:53:39.280 --> 0:53:41.040
<v Speaker 2>So he keeps asking if she was in a lot

0:53:41.080 --> 0:53:43.600
<v Speaker 2>of pain. He likes knowing she was in pain. Melinda

0:53:43.640 --> 0:53:45.600
<v Speaker 2>turns to make eye contact with the judge and they

0:53:45.600 --> 0:53:48.799
<v Speaker 2>have a moment like what the fuck? And he is

0:53:48.880 --> 0:53:52.120
<v Speaker 2>full creepy and Melinda's letting him know every detail that

0:53:52.200 --> 0:53:55.080
<v Speaker 2>he wants to hear, and he asks, like what goes

0:53:55.120 --> 0:53:58.120
<v Speaker 2>through a victim's head through her final moments in life?

0:53:58.560 --> 0:54:01.640
<v Speaker 2>And finally the tweet jacket, It's like stop, can I

0:54:01.960 --> 0:54:04.400
<v Speaker 2>can I talk to my client? And Gates is like,

0:54:04.400 --> 0:54:07.200
<v Speaker 2>I'm gonna dude, I'm about to be hard. And then

0:54:08.200 --> 0:54:10.680
<v Speaker 2>she asks for a short recess and he tells her

0:54:10.719 --> 0:54:15.160
<v Speaker 2>to sit down, and so then he starts talking about

0:54:15.200 --> 0:54:16.280
<v Speaker 2>fear adrenaline.

0:54:16.600 --> 0:54:18.120
<v Speaker 1>You know, he's cracking his neck.

0:54:18.239 --> 0:54:21.359
<v Speaker 2>He asks if she had awareness of what was going on,

0:54:21.640 --> 0:54:24.160
<v Speaker 2>like did she know these were the final moments of

0:54:24.200 --> 0:54:27.040
<v Speaker 2>her life? And then he loses it and fully starts screaming,

0:54:27.360 --> 0:54:29.760
<v Speaker 2>come on, doctor, we are both medical people.

0:54:29.920 --> 0:54:32.920
<v Speaker 1>Use your knowledge. And then he checks out the jury

0:54:33.000 --> 0:54:36.279
<v Speaker 1>and finally he sees that they are horrified, creeped out

0:54:36.320 --> 0:54:39.680
<v Speaker 1>and confused, like their faces have changed fully, and so

0:54:39.760 --> 0:54:44.239
<v Speaker 1>he like snaps back into reality and easy. Breezy goes,

0:54:44.440 --> 0:54:48.719
<v Speaker 1>or don't. That didn't make me laugh? And then he's

0:54:48.840 --> 0:54:50.480
<v Speaker 1>use your knowledge or don't.

0:54:53.000 --> 0:54:55.560
<v Speaker 2>He's so talented, and he goes back and sits down,

0:54:55.600 --> 0:54:57.600
<v Speaker 2>and Tweed can't even look at him, like I think.

0:54:57.640 --> 0:54:59.480
<v Speaker 1>She's like, oh my god, I gotta stay safe.

0:55:00.160 --> 0:55:02.719
<v Speaker 2>Benson looks hot, and then it's jury reading time, and

0:55:02.760 --> 0:55:07.360
<v Speaker 2>this woman says rape and sodomy guilty, murder first degree guilty.

0:55:07.920 --> 0:55:12.040
<v Speaker 2>Elena puts his ass in custody from until sentencing. Hank

0:55:12.120 --> 0:55:16.440
<v Speaker 2>shakes Barba's hand. Yates looks at Hank. He gets carried off. Okay,

0:55:16.480 --> 0:55:18.520
<v Speaker 2>So now everyone's at the cop bar and then there's

0:55:18.520 --> 0:55:21.200
<v Speaker 2>a giant American flag and Holes said goes, we will

0:55:21.200 --> 0:55:21.600
<v Speaker 2>miss her.

0:55:21.960 --> 0:55:23.120
<v Speaker 1>They're all very quiet.

0:55:23.600 --> 0:55:26.680
<v Speaker 2>Sophia raises her drink and says tonati and they all cheers,

0:55:26.760 --> 0:55:29.719
<v Speaker 2>and Finn is drinking red wine. I didn't know that,

0:55:29.960 --> 0:55:33.280
<v Speaker 2>and he has and he had a ring on, and Benson,

0:55:33.280 --> 0:55:34.560
<v Speaker 2>of course is drinking red wine.

0:55:34.560 --> 0:55:36.520
<v Speaker 1>And then a bunch of them have liquor, and Caresy

0:55:36.600 --> 0:55:40.640
<v Speaker 1>has a beer bottle, and now it's courthouse holding time,

0:55:41.080 --> 0:55:44.239
<v Speaker 1>and Hank goes to sea Yates and starts choking him

0:55:44.280 --> 0:55:47.280
<v Speaker 1>so obviously like he you know, sweet talked his way

0:55:48.280 --> 0:55:51.680
<v Speaker 1>into the cell and starts choking the shit out of

0:55:51.719 --> 0:55:53.600
<v Speaker 1>him and says, you didn't see me coming because you

0:55:53.680 --> 0:55:57.040
<v Speaker 1>dropped your guard for a second. And he's choking, and

0:55:57.200 --> 0:56:00.120
<v Speaker 1>he says it's really kind of hot. He goes, I

0:56:00.120 --> 0:56:02.400
<v Speaker 1>can end this now, I can snap your neck and

0:56:02.520 --> 0:56:04.960
<v Speaker 1>strangle you. Am I, Yates, I love this, Okay, So

0:56:05.040 --> 0:56:08.440
<v Speaker 1>then he lets him go to cough and they put

0:56:08.480 --> 0:56:10.800
<v Speaker 1>him in a cell. I realize in his full suit,

0:56:10.840 --> 0:56:12.200
<v Speaker 1>and I don't think you could put someone in a

0:56:12.280 --> 0:56:14.880
<v Speaker 1>cell with a tie on. I was like, that's like definitely,

0:56:14.960 --> 0:56:18.919
<v Speaker 1>remember one, you don't get to wear a tie into

0:56:19.080 --> 0:56:22.279
<v Speaker 1>jail as you've just been like convicted. Yeah, I saw

0:56:22.320 --> 0:56:25.320
<v Speaker 1>that too, full full suit.

0:56:26.200 --> 0:56:29.399
<v Speaker 2>But Hank goes super close to sim and says, what's

0:56:29.440 --> 0:56:31.920
<v Speaker 2>the hurry. I want to make you feel what others feel,

0:56:32.000 --> 0:56:34.600
<v Speaker 2>the pain, the fear, looking over your shoulder when you

0:56:34.680 --> 0:56:37.800
<v Speaker 2>eat or take a leak, and sleeping with both eyes open,

0:56:38.120 --> 0:56:40.600
<v Speaker 2>and someone will do to you what you did to Nadia.

0:56:40.840 --> 0:56:44.160
<v Speaker 2>It's coming and Yates look serious, and then it's the

0:56:44.320 --> 0:56:46.360
<v Speaker 2>end of an incredible episode.

0:56:47.200 --> 0:56:50.560
<v Speaker 1>Wow, thank you Lisa, what a good recap that was

0:56:50.640 --> 0:56:55.040
<v Speaker 1>like so speedy for a jam packed episode too, because

0:56:55.080 --> 0:56:57.000
<v Speaker 1>I think we were worried because you saw how many

0:56:57.000 --> 0:56:59.400
<v Speaker 1>pages it was. But I guess you know I was.

0:57:00.080 --> 0:57:02.600
<v Speaker 1>But it moves at a clip this episode.

0:57:02.640 --> 0:57:06.040
<v Speaker 2>But sometimes my lines are just like whoa, and then

0:57:06.040 --> 0:57:06.399
<v Speaker 2>it's the.

0:57:06.360 --> 0:57:09.560
<v Speaker 1>Next line like, I don't it's not like yeah, yeah, yeah,

0:57:09.600 --> 0:57:11.759
<v Speaker 1>I would say about a page of your notes are

0:57:11.800 --> 0:57:13.280
<v Speaker 1>just your thoughts.

0:57:13.160 --> 0:57:17.760
<v Speaker 2>Yeah, side thoughts, okay, yeah, just in little increments. I

0:57:17.760 --> 0:57:19.560
<v Speaker 2>don't know anything about that. You know what else fucks

0:57:19.640 --> 0:57:22.880
<v Speaker 2>me up? With the beach scene. I kept anticipating the

0:57:22.920 --> 0:57:24.920
<v Speaker 2>beach scene from Hunting Ground.

0:57:24.960 --> 0:57:27.640
<v Speaker 1>I know what you're talking about where all the dogs are. Yeah,

0:57:27.640 --> 0:57:31.000
<v Speaker 1>I know. I have the exact same experience. And that's

0:57:31.000 --> 0:57:32.800
<v Speaker 1>interesting that you say that. And we'll get into that

0:57:33.000 --> 0:57:50.960
<v Speaker 1>right after the break when we talk about the true crime. Okay,

0:57:51.040 --> 0:57:55.080
<v Speaker 1>we are back and this episode listen. I understand that

0:57:55.160 --> 0:57:56.880
<v Speaker 1>some of you are probably waiting for me to talk

0:57:56.920 --> 0:58:00.000
<v Speaker 1>about Ted Bundy. I think that this is really this character.

0:58:00.000 --> 0:58:02.360
<v Speaker 1>There's really a mashup of Ted Bundy and the Long

0:58:02.360 --> 0:58:06.400
<v Speaker 1>Island serial killer. There's plenty of Bundy similarities, the charm

0:58:06.800 --> 0:58:09.640
<v Speaker 1>he killed across state lines, like Yates does. At one

0:58:09.680 --> 0:58:12.400
<v Speaker 1>point he escaped, which later happens with Yates he represented

0:58:12.440 --> 0:58:15.840
<v Speaker 1>himself in court. There's definitely a lot of Bundy similarities,

0:58:15.880 --> 0:58:18.160
<v Speaker 1>but there's also so much Bundy stuff out there, Like

0:58:18.160 --> 0:58:21.000
<v Speaker 1>if you don't know a bunch about Bundy, like I

0:58:21.000 --> 0:58:23.000
<v Speaker 1>don't know where, Like there's just so much body. It

0:58:23.120 --> 0:58:26.360
<v Speaker 1>was random, right, Like everything was random. He didn't kill

0:58:26.400 --> 0:58:30.920
<v Speaker 1>the same way always, Yeah, yeah, he was random. And

0:58:31.560 --> 0:58:33.720
<v Speaker 1>I but like, I think we will cover Ted Bundy

0:58:33.760 --> 0:58:36.840
<v Speaker 1>at another point based on another episode. I'm sure, And

0:58:36.880 --> 0:58:38.720
<v Speaker 1>I've read a ton about Ted Bundy and I'd love

0:58:38.720 --> 0:58:41.160
<v Speaker 1>to talk about it. It's just I really wanted to

0:58:41.200 --> 0:58:43.280
<v Speaker 1>cover the Long Island serial Killer here, and I'm so

0:58:43.400 --> 0:58:46.919
<v Speaker 1>glad I did, because holy shit, I knew nothing even

0:58:46.920 --> 0:58:48.480
<v Speaker 1>though I lived in New York at the time of

0:58:49.200 --> 0:58:52.400
<v Speaker 1>all these bodies being found, and I'm like, I can't

0:58:52.400 --> 0:58:55.160
<v Speaker 1>believe I didn't dive deeper into this before this episode.

0:58:55.160 --> 0:58:57.160
<v Speaker 1>So I'm really excited to talk about this. If you

0:58:57.200 --> 0:59:00.480
<v Speaker 1>can't tell, I'm just jazz to talk about this murderer. So,

0:59:00.560 --> 0:59:03.120
<v Speaker 1>the Long Island serial Killer, who's also referred to as

0:59:03.200 --> 0:59:07.320
<v Speaker 1>Lisk or the Gilgo Beach Killer or the Craigslist ripper.

0:59:07.560 --> 0:59:09.919
<v Speaker 1>That's less because I think there's other Craigslist killers out there.

0:59:10.520 --> 0:59:12.640
<v Speaker 1>Is a serial killer who is believed to have murdered

0:59:12.640 --> 0:59:15.479
<v Speaker 1>between ten and sixteen people from around nineteen ninety six

0:59:15.520 --> 0:59:18.440
<v Speaker 1>to twenty ten. He disposed of their bodies on the

0:59:18.440 --> 0:59:20.920
<v Speaker 1>south shore of Long Island, New York. Most of the

0:59:20.960 --> 0:59:24.320
<v Speaker 1>known victims were sex workers who advertised on Craigslist. And

0:59:25.200 --> 0:59:29.000
<v Speaker 1>he's still unidentified. And oh, yes, we do not know

0:59:29.040 --> 0:59:30.520
<v Speaker 1>who the cigst We do not know who the Long

0:59:30.560 --> 0:59:32.800
<v Speaker 1>Island Killer. So in theory, he could be listening to

0:59:32.880 --> 0:59:35.720
<v Speaker 1>this in theory. When I had a job with my

0:59:35.720 --> 0:59:38.400
<v Speaker 1>friend Chris de Luca, very funny comedy writer, I had

0:59:38.400 --> 0:59:40.000
<v Speaker 1>a job with him and he always thought one of

0:59:40.000 --> 0:59:42.400
<v Speaker 1>our bosses was the Long Killer. And he'd be like,

0:59:42.520 --> 0:59:43.960
<v Speaker 1>do you see the mud on his shoes? Like he

0:59:43.960 --> 0:59:46.640
<v Speaker 1>would always like point things out because we work together.

0:59:46.760 --> 0:59:48.880
<v Speaker 1>Right as the Long Island Killer like got like the

0:59:48.920 --> 0:59:51.400
<v Speaker 1>bodies got discovered, and he would always be like, I

0:59:51.400 --> 0:59:53.000
<v Speaker 1>don't know that guy lives on Long Island. Like he

0:59:53.040 --> 0:59:55.640
<v Speaker 1>would always just side to me in meetings, constantly create

0:59:55.680 --> 0:59:58.040
<v Speaker 1>this narrative that our boss was the Long Island Killer.

0:59:58.120 --> 1:00:00.440
<v Speaker 2>But that makes me so happy. I am so I

1:00:00.480 --> 1:00:02.240
<v Speaker 2>really hope he doesn't listen to this. The fact that

1:00:02.280 --> 1:00:05.120
<v Speaker 2>you can be an at large serial killer, just like

1:00:05.160 --> 1:00:07.720
<v Speaker 2>reading about your crimes and listening to people talk about

1:00:07.720 --> 1:00:09.560
<v Speaker 2>you is so fucked up and it just hit me

1:00:09.560 --> 1:00:10.200
<v Speaker 2>in a real way.

1:00:10.360 --> 1:00:12.680
<v Speaker 1>It's really wild too, because we have so few serial

1:00:12.760 --> 1:00:17.360
<v Speaker 1>killers now that can avoid like DNA, CCTV, like you know,

1:00:17.520 --> 1:00:21.560
<v Speaker 1>all the just like all the things that led in

1:00:21.600 --> 1:00:23.880
<v Speaker 1>the seventies and eighties, things that were missing that led

1:00:23.920 --> 1:00:26.400
<v Speaker 1>there to be so many prolific serial killers, we just

1:00:26.400 --> 1:00:29.680
<v Speaker 1>don't have that. In the nineties and the two thousands,

1:00:29.680 --> 1:00:32.200
<v Speaker 1>we haven't had as many of those. So it's it's interesting.

1:00:32.720 --> 1:00:35.280
<v Speaker 1>So this guy was obviously a very organized killer who

1:00:35.320 --> 1:00:37.680
<v Speaker 1>knew how to cover his tracks. And I want to

1:00:37.720 --> 1:00:40.400
<v Speaker 1>start out by telling the story of Shannon Gilbert because

1:00:40.480 --> 1:00:42.960
<v Speaker 1>she's the victim that sort of blew this entire case

1:00:43.080 --> 1:00:46.960
<v Speaker 1>wide open. So Shannon grew up in this really, really

1:00:47.000 --> 1:00:50.040
<v Speaker 1>small town called Ellenville that's halfway between New York City

1:00:50.040 --> 1:00:53.880
<v Speaker 1>and Albany. She was really smart, she graduated early at sixteen.

1:00:53.960 --> 1:00:55.600
<v Speaker 1>She had a lot of potential, and she just wanted

1:00:55.600 --> 1:00:57.160
<v Speaker 1>to get the fuck out of her small little town.

1:00:57.400 --> 1:00:58.960
<v Speaker 1>And go to New York where she wanted to meet

1:00:58.960 --> 1:01:01.400
<v Speaker 1>beyond stage. She wanted to make it, and so she

1:01:01.520 --> 1:01:04.480
<v Speaker 1>moved to Jersey City in two thousand and seven. So

1:01:04.520 --> 1:01:07.439
<v Speaker 1>she worked at night, she auditioned during the day, and

1:01:07.520 --> 1:01:10.240
<v Speaker 1>she even enrolled in college classes. She was trying to

1:01:10.240 --> 1:01:13.680
<v Speaker 1>get educated. But you know, life is hard in New York.

1:01:13.760 --> 1:01:16.480
<v Speaker 1>She was broke, and so she did turn to sex work.

1:01:16.520 --> 1:01:20.240
<v Speaker 1>She became an escort. Her family was like embarrassed that

1:01:20.680 --> 1:01:22.680
<v Speaker 1>she had done this, like her sister talks about in

1:01:22.720 --> 1:01:25.440
<v Speaker 1>an interview, her sister Sherry, but her mom's like, I

1:01:25.480 --> 1:01:27.520
<v Speaker 1>didn't really push it. I didn't want to cut her out,

1:01:27.600 --> 1:01:29.840
<v Speaker 1>Like I wanted Shannon to feel like she could still

1:01:29.880 --> 1:01:31.680
<v Speaker 1>like come home and we were still here for her.

1:01:32.120 --> 1:01:35.880
<v Speaker 1>So the thing that makes Shannon a little bit different

1:01:36.280 --> 1:01:39.560
<v Speaker 1>is that I think a lot of people in cases

1:01:39.600 --> 1:01:42.480
<v Speaker 1>where sex workers go missing, they're like, oh, they were

1:01:42.520 --> 1:01:45.000
<v Speaker 1>an outcast, they had no family, no one cared. And

1:01:45.000 --> 1:01:47.080
<v Speaker 1>that's not the case with Shannon. Like her family really

1:01:47.080 --> 1:01:48.640
<v Speaker 1>cared about her. She went home all the time to

1:01:48.720 --> 1:01:51.800
<v Speaker 1>visit them. She was super close with her family. So

1:01:53.040 --> 1:01:57.440
<v Speaker 1>a lot of escorts have a driver and the driver

1:01:57.680 --> 1:02:01.080
<v Speaker 1>takes them on their dates and that the Jack Kara.

1:02:01.360 --> 1:02:05.800
<v Speaker 1>We've watched s VU. Yeah, we know that the escorts

1:02:05.840 --> 1:02:11.160
<v Speaker 1>get driven around. Well okay, so like sometimes it's fin yeah,

1:02:11.200 --> 1:02:14.000
<v Speaker 1>but we've also seen other episodes where they're just working

1:02:14.080 --> 1:02:16.320
<v Speaker 1>on the streets or they're just showing up at place

1:02:16.400 --> 1:02:18.840
<v Speaker 1>at restaurants or in hotel bars and they're alone. So

1:02:19.400 --> 1:02:22.400
<v Speaker 1>I didn't realize that, Like, yeah, I mean I did realize,

1:02:22.440 --> 1:02:25.560
<v Speaker 1>but it's obviously much smarter to have a driver who

1:02:25.960 --> 1:02:28.240
<v Speaker 1>is like kind of muscle to protect you, make sure

1:02:28.240 --> 1:02:30.480
<v Speaker 1>you don't get hurt or stiffed by the Johns in

1:02:30.480 --> 1:02:33.120
<v Speaker 1>any way. So one of the drivers for the service

1:02:33.120 --> 1:02:35.480
<v Speaker 1>that Shannon worked out was named Alex Diaz, and they

1:02:35.520 --> 1:02:38.360
<v Speaker 1>actually fell in love. They moved in together, but then

1:02:38.400 --> 1:02:41.800
<v Speaker 1>the business got busted by the cops and so they

1:02:41.840 --> 1:02:45.800
<v Speaker 1>sort of went solo. She started posting on craigslists and stuff.

1:02:45.840 --> 1:02:48.240
<v Speaker 1>But they fought a lot, and one time he hit

1:02:48.280 --> 1:02:51.480
<v Speaker 1>her so hard that he shottered her jaw so fucked up.

1:02:51.520 --> 1:02:54.200
<v Speaker 1>She still stayed with him. She loved him, according to

1:02:54.200 --> 1:02:56.560
<v Speaker 1>her family, even though they were like hello, you know,

1:02:56.640 --> 1:03:00.800
<v Speaker 1>obviously domestic violence is complicated, but all to say, she

1:03:00.840 --> 1:03:04.000
<v Speaker 1>had a titanium plate put into her jaw after that happened,

1:03:04.520 --> 1:03:08.600
<v Speaker 1>so that's important. Later, so she stays with him. She

1:03:08.640 --> 1:03:11.160
<v Speaker 1>starts advertising on Craigslist. In a way, it's like, Okay,

1:03:11.160 --> 1:03:13.760
<v Speaker 1>we get rid of the middleman, like the escort service.

1:03:13.800 --> 1:03:15.840
<v Speaker 1>Now we just get the money. Alex, my boyfriend, will

1:03:15.920 --> 1:03:18.920
<v Speaker 1>drive me everywhere. So sometimes Alex drove her, and sometimes

1:03:18.920 --> 1:03:21.240
<v Speaker 1>it was a different guy named Michael Pack and he

1:03:21.400 --> 1:03:25.320
<v Speaker 1>was like a guy that Shannon trusted. And the Johns

1:03:25.400 --> 1:03:27.200
<v Speaker 1>always knew that there was a driver with her, so

1:03:27.240 --> 1:03:31.040
<v Speaker 1>that nobody tried any fucking funny business. So May one,

1:03:31.320 --> 1:03:34.240
<v Speaker 1>twenty ten, she gets a call to go to Oak Beach,

1:03:34.320 --> 1:03:36.640
<v Speaker 1>Long Island, which is about an hour outside of New

1:03:36.720 --> 1:03:40.040
<v Speaker 1>York City. And this is what's really really creepy about

1:03:40.040 --> 1:03:43.400
<v Speaker 1>this case too, Like Oak Beach is like a they

1:03:43.440 --> 1:03:46.920
<v Speaker 1>call it the Oak Beach Association. It's like a gated community.

1:03:47.120 --> 1:03:50.280
<v Speaker 1>There's apparently only forty or fifty houses. It's on a

1:03:50.320 --> 1:03:54.520
<v Speaker 1>really really remote strip of Long Island, lots of marshland,

1:03:54.920 --> 1:04:00.280
<v Speaker 1>lots of beach, but like really remote. And according to People,

1:04:01.360 --> 1:04:05.960
<v Speaker 1>I watched an investigation discovery combo with People magazine investigates

1:04:05.960 --> 1:04:07.640
<v Speaker 1>on this. So a lot of my info is from that.

1:04:08.560 --> 1:04:11.200
<v Speaker 1>The reference to the sources will be in the show notes,

1:04:11.240 --> 1:04:13.800
<v Speaker 1>of course, But in this they interview somebody who's like, yeah,

1:04:13.800 --> 1:04:17.080
<v Speaker 1>it's a party town, like nobody really bothers you. I

1:04:17.200 --> 1:04:19.520
<v Speaker 1>kind of got the island life kind of feeling of it,

1:04:19.560 --> 1:04:22.280
<v Speaker 1>like everybody does their own thing, you party. The police

1:04:22.280 --> 1:04:24.760
<v Speaker 1>are really hands off. They don't really investigate stuff. I

1:04:24.760 --> 1:04:28.080
<v Speaker 1>don't think they have their own police.

1:04:27.200 --> 1:04:29.160
<v Speaker 2>Tammy Bahama Jimmy Buffett vibe.

1:04:29.280 --> 1:04:32.400
<v Speaker 1>Yeah, yeah, yeah. People are kind of like it seems

1:04:32.440 --> 1:04:35.400
<v Speaker 1>like people are pretty wealthy out there, but I couldn't

1:04:35.440 --> 1:04:37.640
<v Speaker 1>really get a beat on, like what else was going

1:04:37.640 --> 1:04:40.360
<v Speaker 1>on out there. So anyway, this is just like a

1:04:40.760 --> 1:04:44.760
<v Speaker 1>kind of a weird, very insular beachy town. And she

1:04:44.840 --> 1:04:47.880
<v Speaker 1>gets this call out there for you know, someone interested

1:04:48.040 --> 1:04:51.320
<v Speaker 1>in her services. And she gets out there around midnight

1:04:51.640 --> 1:04:54.400
<v Speaker 1>and she's there with Michael Pack. It's not her boyfriend

1:04:54.400 --> 1:04:57.439
<v Speaker 1>this time, it's Michael Pack driving her. The John comes out.

1:04:57.440 --> 1:05:02.920
<v Speaker 1>His name is Joe Brewer. The special I was watching

1:05:03.000 --> 1:05:05.520
<v Speaker 1>called him a little off kilter but sociable. I don't

1:05:05.520 --> 1:05:08.360
<v Speaker 1>know what that means. And so she goes in there,

1:05:08.520 --> 1:05:11.960
<v Speaker 1>Oh exactly what it means. Yeah, but they don't say,

1:05:12.000 --> 1:05:14.760
<v Speaker 1>like why, I don't know. They don't say why he goes,

1:05:14.800 --> 1:05:17.160
<v Speaker 1>So I guess usually her dates are an hour. But

1:05:17.240 --> 1:05:19.320
<v Speaker 1>because they like went all this way and it's like

1:05:19.360 --> 1:05:21.800
<v Speaker 1>long Island, he's paying for more. He was paying for

1:05:21.840 --> 1:05:24.880
<v Speaker 1>five hours. So the driver Michael is outside and like

1:05:24.920 --> 1:05:28.600
<v Speaker 1>falls asleep. Around four point thirty in the morning, Joe Brewer,

1:05:28.760 --> 1:05:31.160
<v Speaker 1>the John taps on his window and he's like annoyed

1:05:31.200 --> 1:05:33.560
<v Speaker 1>because he's like, hey, Shannon won't leave, and I'm like

1:05:33.600 --> 1:05:35.520
<v Speaker 1>ready to call it a night. And so they go

1:05:35.600 --> 1:05:40.160
<v Speaker 1>inside and he finds Shannon hiding behind the couch terrified.

1:05:40.640 --> 1:05:43.240
<v Speaker 1>She's on the phone with nine one one and she's

1:05:43.240 --> 1:05:45.440
<v Speaker 1>saying to nine one one, they're trying to kill me.

1:05:46.240 --> 1:05:50.320
<v Speaker 1>So what's going on? Like she's in her clothes, I mean,

1:05:50.320 --> 1:05:53.280
<v Speaker 1>according to the reenactment I'm watching, she's in her clothes. Yeah,

1:05:53.320 --> 1:05:54.480
<v Speaker 1>I guess that could be our dream.

1:05:54.560 --> 1:05:56.360
<v Speaker 2>Like if we don't get on SVU, maybe we can

1:05:56.360 --> 1:05:59.040
<v Speaker 2>be in a reenactment on HLN.

1:05:59.360 --> 1:06:02.560
<v Speaker 1>These Reinnacs are funny. I really recommend you guys go

1:06:02.640 --> 1:06:04.840
<v Speaker 1>check it out. Like they just keep showing her putting

1:06:04.920 --> 1:06:06.760
<v Speaker 1>on lip gloss as like a way to show that

1:06:06.800 --> 1:06:10.000
<v Speaker 1>she's a sex worker. Anyway, Michael tries to calm her down.

1:06:10.320 --> 1:06:12.840
<v Speaker 1>Joe Brewer's like, you gotta go. And I know this

1:06:12.920 --> 1:06:15.360
<v Speaker 1>because I've listened to the nine one one call. And

1:06:15.960 --> 1:06:18.440
<v Speaker 1>she runs out of the house and Michael Pack's like,

1:06:18.520 --> 1:06:20.560
<v Speaker 1>what the fuck is going on? He's kind of annoyed.

1:06:21.000 --> 1:06:24.120
<v Speaker 1>She starts running through the neighborhood, knocking on doors and

1:06:24.160 --> 1:06:26.240
<v Speaker 1>screaming for help. All of this is on the nine

1:06:26.320 --> 1:06:28.680
<v Speaker 1>one one Call. They just released the nine one one

1:06:28.680 --> 1:06:31.000
<v Speaker 1>Call like in the last year or so, so I

1:06:31.080 --> 1:06:35.080
<v Speaker 1>listened to it and it's it's really crazy, but I'll

1:06:35.120 --> 1:06:37.120
<v Speaker 1>get into it in a second. The first how she

1:06:37.160 --> 1:06:39.080
<v Speaker 1>gets to is a guy named Gus Coletti. He's like

1:06:39.120 --> 1:06:41.600
<v Speaker 1>an older guy, he's lived on Oak Beach forever and

1:06:41.640 --> 1:06:43.760
<v Speaker 1>he's like, what's going on? Can I help you? And

1:06:43.800 --> 1:06:45.880
<v Speaker 1>he's like, is someone after you? And she's like help

1:06:45.920 --> 1:06:49.240
<v Speaker 1>me please, and then he's like, yeah, come inside, I'll

1:06:49.240 --> 1:06:50.960
<v Speaker 1>help you. And then she just stands there for a second,

1:06:51.000 --> 1:06:53.400
<v Speaker 1>and then when she sees the headlights from Michael Pack's car,

1:06:53.680 --> 1:06:56.640
<v Speaker 1>she just keeps running and like in the video that

1:06:56.720 --> 1:06:58.720
<v Speaker 1>in the reenactment that you're seeing, she's like wearing high

1:06:58.760 --> 1:07:00.919
<v Speaker 1>heels it's like what you're running through this dark beach

1:07:00.960 --> 1:07:03.000
<v Speaker 1>community at four thirty in the morning in heels like

1:07:03.040 --> 1:07:05.040
<v Speaker 1>I don't know what's going on when someone drugged her.

1:07:05.160 --> 1:07:07.000
<v Speaker 1>I mean, I guess you know what happened. Well, I'll

1:07:07.000 --> 1:07:11.720
<v Speaker 1>tell you. No. No, that's a great question because Coletti

1:07:11.800 --> 1:07:14.320
<v Speaker 1>tells the driver I called on one one and the

1:07:14.440 --> 1:07:16.520
<v Speaker 1>driver's like, Pack is like, you shouldn't have done that.

1:07:16.560 --> 1:07:18.080
<v Speaker 1>You're gonna get her in trouble. And so now these

1:07:18.080 --> 1:07:21.320
<v Speaker 1>two are arguing and now Shannon disappears. So I did

1:07:21.360 --> 1:07:23.520
<v Speaker 1>listen to the nine one one call, and it's really

1:07:23.560 --> 1:07:29.560
<v Speaker 1>strange because Shannon sounds scared, but she's not really. She

1:07:29.720 --> 1:07:32.480
<v Speaker 1>sounds a little bit drugged. To me. I'm not a professional.

1:07:32.520 --> 1:07:35.000
<v Speaker 1>I'm just saying she sounds like she's on something. Like

1:07:35.040 --> 1:07:37.360
<v Speaker 1>when she calls the nine one operator go, she goes,

1:07:37.600 --> 1:07:41.200
<v Speaker 1>someone's after me, help, someone's after me. Help. Please Please.

1:07:41.360 --> 1:07:43.800
<v Speaker 1>She just keeps saying please over and over again. But

1:07:43.880 --> 1:07:46.720
<v Speaker 1>like it's not super desperate, it's like kind of flat.

1:07:47.240 --> 1:07:49.920
<v Speaker 1>Later there's parts where she's screaming and like, you know,

1:07:50.040 --> 1:07:54.160
<v Speaker 1>she's definitely upset, but like this part and like you

1:07:54.240 --> 1:07:56.800
<v Speaker 1>hear Michael go in and Joe in there, going you

1:07:56.800 --> 1:07:58.760
<v Speaker 1>gotta go, let's go, let's go, and she's like no,

1:07:58.960 --> 1:08:03.120
<v Speaker 1>please stop, stop, no stop, and it's like just go.

1:08:03.200 --> 1:08:05.720
<v Speaker 1>They just want you to go. It's so it's so strange,

1:08:05.720 --> 1:08:08.840
<v Speaker 1>but like, who knows what happened there, Like the driver

1:08:08.960 --> 1:08:11.720
<v Speaker 1>was asleep for like four hours. It seems like no

1:08:11.840 --> 1:08:15.040
<v Speaker 1>idea what happened in there. But she felt like or

1:08:15.240 --> 1:08:17.080
<v Speaker 1>people were saying she was maybe drug maybe she was

1:08:17.120 --> 1:08:19.519
<v Speaker 1>having some kind of panic attack or break. Who knows

1:08:19.520 --> 1:08:22.120
<v Speaker 1>what was going on. But these guys were trying to

1:08:22.160 --> 1:08:26.360
<v Speaker 1>get her out. So Michael Pack says that he circled

1:08:26.400 --> 1:08:30.240
<v Speaker 1>around like Oak Beach, drove down like the long stretch

1:08:30.280 --> 1:08:32.760
<v Speaker 1>of road trying to find her, and then eventually the

1:08:32.800 --> 1:08:34.439
<v Speaker 1>sun came up and he was like, well, the sun's

1:08:34.520 --> 1:08:36.120
<v Speaker 1>up now, I guess she'll get her way home, which

1:08:36.160 --> 1:08:38.040
<v Speaker 1>other people are like, that's fucked up, Like you're an

1:08:38.040 --> 1:08:39.479
<v Speaker 1>hour from the city. She does not know how to

1:08:39.479 --> 1:08:42.280
<v Speaker 1>get home from there, like why did you leave? But

1:08:43.160 --> 1:08:46.040
<v Speaker 1>the next morning, when Shannon isn't home, Alex, her boyfriend,

1:08:46.040 --> 1:08:48.759
<v Speaker 1>calls Michael and he's like, yeah, Shannon was acting crazy.

1:08:49.280 --> 1:08:50.800
<v Speaker 1>I looked for her for a while. When the sun

1:08:50.840 --> 1:08:52.960
<v Speaker 1>came up, I peaced like I figured she'd make her

1:08:52.960 --> 1:08:56.760
<v Speaker 1>way home, and like they they call the cops, and

1:08:56.800 --> 1:08:58.880
<v Speaker 1>the cops don't care. They're like, she's over twenty one,

1:08:59.000 --> 1:09:00.840
<v Speaker 1>she's a sex worker. You need to report her in

1:09:00.880 --> 1:09:04.160
<v Speaker 1>her hometown, which is Jersey City, which is very far

1:09:04.200 --> 1:09:06.920
<v Speaker 1>away from Long Island, and like what are the Jersey

1:09:06.920 --> 1:09:09.679
<v Speaker 1>City cops going to do? So then Michael Pack calls

1:09:09.680 --> 1:09:13.479
<v Speaker 1>Shannon's sister, Sherry, and he's being kind of sketchy and

1:09:13.520 --> 1:09:15.519
<v Speaker 1>he's like just checking in to see if like you've

1:09:15.560 --> 1:09:18.760
<v Speaker 1>talked to Shannon and if she's okay, and the sister's like, dude,

1:09:18.760 --> 1:09:21.280
<v Speaker 1>this is your fault. And he's like, I have an alibi.

1:09:21.479 --> 1:09:23.640
<v Speaker 1>And it's like, wait, if you didn't do anything to

1:09:23.680 --> 1:09:26.240
<v Speaker 1>my sister, then why are you talking about having an alibi?

1:09:26.400 --> 1:09:28.840
<v Speaker 1>And like, what's your alibi? You were out on Long

1:09:28.840 --> 1:09:31.479
<v Speaker 1>Island with my sister when she disappeared. Like it's just

1:09:31.479 --> 1:09:34.160
<v Speaker 1>a sketchy call. So then the sister immediately calls the

1:09:34.200 --> 1:09:36.479
<v Speaker 1>cops when she gets off the phone with him. So

1:09:36.520 --> 1:09:40.640
<v Speaker 1>then eventually the Suffolk County there's two counties involved with

1:09:40.640 --> 1:09:43.120
<v Speaker 1>this a lot, which is Suffolk and NASA. The Suffolk

1:09:43.120 --> 1:09:47.240
<v Speaker 1>County Missing Person's Department eventually picks up Shannon's case, and

1:09:47.280 --> 1:09:49.960
<v Speaker 1>this is I would say completely due to the fact

1:09:50.000 --> 1:09:52.439
<v Speaker 1>that her family is pressuring them. Like a lot of

1:09:52.479 --> 1:09:55.080
<v Speaker 1>other sex workers go missing all the time, this girl's

1:09:55.080 --> 1:09:57.639
<v Speaker 1>family was like really really pressuring to help find her.

1:09:58.040 --> 1:10:01.479
<v Speaker 1>And so they start with the nine one call, and

1:10:01.520 --> 1:10:03.840
<v Speaker 1>the nine one one call was twenty three minutes long.

1:10:04.760 --> 1:10:06.559
<v Speaker 1>I listen to a lot of it is just like

1:10:06.640 --> 1:10:09.200
<v Speaker 1>she's running. You just hear her running on the call

1:10:09.280 --> 1:10:13.920
<v Speaker 1>and stuff. And then but what was confusing is like

1:10:13.960 --> 1:10:16.439
<v Speaker 1>when she called nine one one, there's a lot of

1:10:17.000 --> 1:10:20.320
<v Speaker 1>what where are you? What where are you? What where

1:10:20.360 --> 1:10:22.080
<v Speaker 1>are you? I don't know? Can you trace me? I

1:10:22.080 --> 1:10:23.880
<v Speaker 1>don't know where I am, Like, you know, there's a

1:10:23.960 --> 1:10:26.840
<v Speaker 1>lot of miscommunication. Like so that's what also leads me

1:10:26.880 --> 1:10:30.000
<v Speaker 1>to think that maybe she's maybe drunk, Like maybe it's

1:10:30.000 --> 1:10:32.280
<v Speaker 1>four thirty in the morning. Maybe she's just extremely tired.

1:10:32.320 --> 1:10:35.880
<v Speaker 1>I don't know, but she doesn't really sound super with it.

1:10:36.360 --> 1:10:38.960
<v Speaker 1>And so nine one one thinks she's at Jones Beach,

1:10:39.040 --> 1:10:41.200
<v Speaker 1>which shout out to my first concert at Nukid's on

1:10:41.200 --> 1:10:42.880
<v Speaker 1>the Block is where I saw them at Jones Beach

1:10:43.280 --> 1:10:46.040
<v Speaker 1>and then they turn her over to New York State

1:10:46.080 --> 1:10:49.000
<v Speaker 1>Police even though she's because she's several miles away from

1:10:49.040 --> 1:10:52.120
<v Speaker 1>Jones Beach. So it's like, it's all confusing how the

1:10:52.200 --> 1:10:54.320
<v Speaker 1>nine to one one call is getting routed around and

1:10:54.320 --> 1:10:57.599
<v Speaker 1>then at some point the phone just goes dead. That night,

1:10:57.680 --> 1:10:59.880
<v Speaker 1>the cops got two more calls about a woman form

1:11:00.280 --> 1:11:02.599
<v Speaker 1>and screaming. One was from a guy named Gus Colletti

1:11:03.040 --> 1:11:05.160
<v Speaker 1>that we sweet tek. We just talked about how he

1:11:05.200 --> 1:11:07.160
<v Speaker 1>was trying to help her, and the other was a

1:11:07.200 --> 1:11:10.800
<v Speaker 1>woman who you can tee. I heard her nine one

1:11:10.840 --> 1:11:13.760
<v Speaker 1>one call and she's like, there's a woman banging on

1:11:13.800 --> 1:11:15.439
<v Speaker 1>my door. I got my elderly mother in here. I'm

1:11:15.439 --> 1:11:17.759
<v Speaker 1>not letting her in, like, and she's very long island,

1:11:17.960 --> 1:11:21.160
<v Speaker 1>and she's kind of just calling the cops to be like, hey,

1:11:21.200 --> 1:11:24.639
<v Speaker 1>I'm not letting this girl in. Maybe she needs help. Also, weirdly,

1:11:24.680 --> 1:11:27.160
<v Speaker 1>that guy Colletti, when he called the cops, he kept

1:11:27.160 --> 1:11:29.799
<v Speaker 1>saying that she was fourteen years old, and she's not fourteen.

1:11:30.240 --> 1:11:32.960
<v Speaker 1>So the police get two calls from these people about

1:11:32.960 --> 1:11:35.960
<v Speaker 1>this woman frantic and screaming. But the responding officer gets

1:11:36.000 --> 1:11:38.880
<v Speaker 1>there and he has no idea who Shannon is and

1:11:38.920 --> 1:11:40.920
<v Speaker 1>he doesn't know about her call because that nine one

1:11:41.000 --> 1:11:44.360
<v Speaker 1>one call has gone to a different like like jurisdiction,

1:11:45.360 --> 1:11:49.080
<v Speaker 1>like and so so wild. Yeah, no, it gets crazy,

1:11:49.080 --> 1:11:51.360
<v Speaker 1>It gets even crazier. This is like the craziest We

1:11:51.360 --> 1:11:55.799
<v Speaker 1>haven't even met the killer yet. No, no, this is crazy.

1:11:56.400 --> 1:11:59.960
<v Speaker 1>So there's no crime really all there is this woman

1:12:00.160 --> 1:12:02.759
<v Speaker 1>screaming and it just never gets connected to this twenty

1:12:02.760 --> 1:12:04.760
<v Speaker 1>three minute nine to one one call. They just are

1:12:04.800 --> 1:12:08.200
<v Speaker 1>like and it's like, yes, can we continue funding the police?

1:12:08.200 --> 1:12:10.960
<v Speaker 1>They're doing such a good job. So anyway, two days

1:12:11.000 --> 1:12:14.280
<v Speaker 1>after Shannon goes missing, her mom Mary gets a phone call.

1:12:14.680 --> 1:12:17.760
<v Speaker 1>This is like everything about this just keeps heightening. This

1:12:17.800 --> 1:12:20.639
<v Speaker 1>story is so wild. Mary gets a phone call from

1:12:20.640 --> 1:12:23.479
<v Speaker 1>a guy whose name is doctor Peter Hackett and he

1:12:23.600 --> 1:12:27.439
<v Speaker 1>asks for Shannon and and he's like, is she home?

1:12:27.479 --> 1:12:30.479
<v Speaker 1>And the mom's like, no, who is this? And he says,

1:12:31.000 --> 1:12:34.000
<v Speaker 1>I run a home for wayward girls. They literally keep

1:12:34.000 --> 1:12:35.920
<v Speaker 1>talking about how this guy runs a home for wayward girls,

1:12:35.960 --> 1:12:38.000
<v Speaker 1>which feels like a very I don't know cider house

1:12:38.080 --> 1:12:40.880
<v Speaker 1>rules way to describe running like some kind of youth home.

1:12:40.960 --> 1:12:43.920
<v Speaker 2>Wait, what is cider house rules about? I remember the ads.

1:12:43.960 --> 1:12:46.000
<v Speaker 2>I know it's Charlie's and Toby, but what is it?

1:12:46.640 --> 1:12:49.200
<v Speaker 1>No idea. I think it's a bunch of orphans. I

1:12:49.200 --> 1:12:51.519
<v Speaker 1>think it's an orphan house. I don't know if that's

1:12:51.560 --> 1:12:54.840
<v Speaker 1>what it was. It looked like a romantic movie. No,

1:12:54.920 --> 1:12:56.960
<v Speaker 1>but they may grow up, but it's about kids at

1:12:56.960 --> 1:13:01.000
<v Speaker 1>the beginning. Oh really, yeah, I'm pretty sure. I have

1:13:01.080 --> 1:13:05.120
<v Speaker 1>no idea. I've never seen that. Oh wait, someone I

1:13:05.200 --> 1:13:07.760
<v Speaker 1>was hanging out with their son goes to school with

1:13:07.840 --> 1:13:11.960
<v Speaker 1>Toby McGuire's kids, and you know, kids love Spider Man.

1:13:12.160 --> 1:13:14.439
<v Speaker 1>So her son came home and was like, I'm not

1:13:14.560 --> 1:13:21.599
<v Speaker 1>Spider Man, and it was really cute. Okay, what's the meaning? Okay,

1:13:21.640 --> 1:13:24.120
<v Speaker 1>so cider house rules refers to the list of rules

1:13:24.120 --> 1:13:26.720
<v Speaker 1>that the migrant workers are supposed to follow at the

1:13:26.760 --> 1:13:30.040
<v Speaker 1>Ocean View orchards. Yeah. I think it's a bunch of

1:13:30.120 --> 1:13:32.680
<v Speaker 1>kids that start working at this orchard and then they

1:13:32.720 --> 1:13:35.240
<v Speaker 1>grow up there or something. We're Oh, yeah, you're right.

1:13:35.240 --> 1:13:38.120
<v Speaker 2>World War two era main orphanage run by a doctor

1:13:38.120 --> 1:13:41.800
<v Speaker 2>who trained him and his journey leaving the orphanage.

1:13:42.200 --> 1:13:44.200
<v Speaker 1>Okay, this is exciting news.

1:13:44.479 --> 1:13:44.679
<v Speaker 3>Yeah.

1:13:44.680 --> 1:13:46.880
<v Speaker 1>I mean I thought it was just like a fuck movie.

1:13:47.680 --> 1:13:48.519
<v Speaker 1>Oh no, no, no, I.

1:13:48.600 --> 1:13:52.479
<v Speaker 2>Because I remember Shirley's and Toby McGuire like connecting in

1:13:52.560 --> 1:13:55.880
<v Speaker 2>the ads. But then Michael Caine looks crazy on top

1:13:55.880 --> 1:13:56.120
<v Speaker 2>of them.

1:13:56.160 --> 1:13:58.120
<v Speaker 1>I cannot buy that at all, because I find Toby

1:13:58.160 --> 1:14:01.360
<v Speaker 1>McGuire to be so unattractive. I guess he was part

1:14:01.360 --> 1:14:03.559
<v Speaker 1>of the Pussy Posse. You're fine, I know, oh, I know.

1:14:04.120 --> 1:14:07.160
<v Speaker 1>Trust plenty of people in the Pussy Posse were not

1:14:07.200 --> 1:14:10.360
<v Speaker 1>good looking in my opinion. But anyway, he so he

1:14:10.479 --> 1:14:12.519
<v Speaker 1>asks for Shannon. He says he runs a home for

1:14:12.600 --> 1:14:16.080
<v Speaker 1>wayward girls. He tells the mother that he saw Shann

1:14:16.160 --> 1:14:18.680
<v Speaker 1>in the night she disappeared and gave her drugs to

1:14:18.760 --> 1:14:23.400
<v Speaker 1>calm her down. Okay, And she says to him, how

1:14:23.400 --> 1:14:25.639
<v Speaker 1>did you get my number? And he says, Shannon gave

1:14:25.680 --> 1:14:27.360
<v Speaker 1>it to me, And the mom is like, yeah, Shannon

1:14:27.360 --> 1:14:29.200
<v Speaker 1>would never give my number to some man, Like, what

1:14:29.240 --> 1:14:31.960
<v Speaker 1>the fuck is going on? So the mom knows something's up,

1:14:32.560 --> 1:14:35.040
<v Speaker 1>so they go to Oak Beach, the mom and the sister.

1:14:35.520 --> 1:14:39.439
<v Speaker 1>They roll up, they see that doctor Peter Hackett is

1:14:39.520 --> 1:14:41.800
<v Speaker 1>having a party at his house, which is the house

1:14:41.960 --> 1:14:45.080
<v Speaker 1>next door to Joe Brewer's. This doctor lives next door

1:14:45.280 --> 1:14:47.000
<v Speaker 1>to the house where she went to go do the job.

1:14:47.400 --> 1:14:50.240
<v Speaker 1>They go up onto his like balcony or i'm sorry,

1:14:50.280 --> 1:14:53.080
<v Speaker 1>his like rooftop patio or whatever to talk to him.

1:14:53.200 --> 1:14:55.280
<v Speaker 1>He denies ever making any of these phone calls. He's like,

1:14:55.320 --> 1:14:57.160
<v Speaker 1>I don't know what you guys are talking about. Do

1:14:57.280 --> 1:14:59.880
<v Speaker 1>not get it. And then so she goes to the police.

1:15:00.000 --> 1:15:02.479
<v Speaker 1>If they ask hack it, he totally denies it. And

1:15:02.520 --> 1:15:05.240
<v Speaker 1>he looks like a full creep. This man, like he

1:15:05.280 --> 1:15:09.479
<v Speaker 1>has crazy eyes, fucked up teeth, and I was only

1:15:09.520 --> 1:15:11.719
<v Speaker 1>thinking when I saw his teeth, was your barbecue canceled?

1:15:11.720 --> 1:15:17.160
<v Speaker 1>Because yogrill is fucked jijub. So anyway, this man somehow

1:15:17.160 --> 1:15:19.280
<v Speaker 1>gets dismissed as a suspect. We'll get a little bit

1:15:19.280 --> 1:15:22.799
<v Speaker 1>more into him later, but it's just like this wild

1:15:22.880 --> 1:15:26.160
<v Speaker 1>call and then he completely denies it. So seven months

1:15:26.200 --> 1:15:29.519
<v Speaker 1>later we've not found Shannon. Okay, But then there's a

1:15:29.560 --> 1:15:34.280
<v Speaker 1>break officer, John Malia, who has been training a cadaver dog,

1:15:34.479 --> 1:15:39.120
<v Speaker 1>a German Shepherd named Blue Cute. I guess when they

1:15:39.160 --> 1:15:41.960
<v Speaker 1>train cadaver dogs they train them on open cases. So

1:15:42.040 --> 1:15:44.599
<v Speaker 1>this guy spent the whole summer like looking for Shannon,

1:15:44.800 --> 1:15:47.840
<v Speaker 1>walking with his cadaver dog in different parts of the city, like,

1:15:48.160 --> 1:15:50.280
<v Speaker 1>you know, giving pieces of her clothing, probably for the

1:15:50.280 --> 1:15:53.760
<v Speaker 1>dog to smell or whatever. On December eleventh, twenty ten,

1:15:54.520 --> 1:15:56.760
<v Speaker 1>they he decided to go for another search, and they

1:15:56.800 --> 1:15:59.840
<v Speaker 1>stuck close to a roadway because he had FBI data

1:15:59.840 --> 1:16:02.479
<v Speaker 1>that bodies are offen dump near roadways. And even though

1:16:02.520 --> 1:16:04.920
<v Speaker 1>it was like a super heavily wooded area and there's

1:16:05.040 --> 1:16:08.439
<v Speaker 1>light snow on the ground, Blue leads Malia to a

1:16:08.520 --> 1:16:12.040
<v Speaker 1>skeleton in a burlap bag. So they all think we

1:16:12.120 --> 1:16:15.519
<v Speaker 1>found Shannon, okay, But then they do an autopsy and

1:16:15.600 --> 1:16:18.280
<v Speaker 1>remember that plate in her jaw from her asshole boyfriend,

1:16:18.640 --> 1:16:21.680
<v Speaker 1>It wasn't there, so this is not Shannon. What it

1:16:21.880 --> 1:16:25.120
<v Speaker 1>was is the body of Melissa Bartholemy And then the

1:16:25.160 --> 1:16:28.840
<v Speaker 1>police find three more bodies over the course of the

1:16:28.880 --> 1:16:31.479
<v Speaker 1>next three days. All of them are sex workers in

1:16:31.520 --> 1:16:34.880
<v Speaker 1>their twenties. None of them are Shannon. So in addition

1:16:34.920 --> 1:16:39.240
<v Speaker 1>to Melissa, they find Maureen Brainerd, Megan Waterman, and Amber Costello.

1:16:39.400 --> 1:16:42.000
<v Speaker 1>And they were ended up being called the Gilgo four

1:16:42.160 --> 1:16:45.320
<v Speaker 1>or the Gilgo Beach four, and they were found around

1:16:45.320 --> 1:16:47.639
<v Speaker 1>five hundred feet apart from each other near Gilgo Beach,

1:16:47.720 --> 1:16:50.760
<v Speaker 1>all wrapped in burlap bags, like all very kind of

1:16:51.400 --> 1:16:54.160
<v Speaker 1>you know, meticulous serial killer type shit where they're all

1:16:54.160 --> 1:16:56.720
<v Speaker 1>disposed of in the same way. So a guy that

1:16:56.760 --> 1:16:59.000
<v Speaker 1>they're talking to the whole time in this People Discovery

1:16:59.080 --> 1:17:02.800
<v Speaker 1>Investigates whatever it's called, is police commissioner. He's Suffolk County

1:17:02.840 --> 1:17:07.040
<v Speaker 1>Police Commissioner Richard Dormer, and we see a press conference

1:17:07.040 --> 1:17:10.240
<v Speaker 1>with him that really reminds me also of the press

1:17:10.240 --> 1:17:12.720
<v Speaker 1>conference that Harry Connick Junior doesn't Hunting Ground. As you've

1:17:12.720 --> 1:17:15.800
<v Speaker 1>already mentioned, this episode mirrors this a little bit too.

1:17:16.280 --> 1:17:19.320
<v Speaker 1>And police he says he won't commit to saying it's

1:17:19.320 --> 1:17:21.800
<v Speaker 1>a serial killer, but does say we are looking at that,

1:17:22.200 --> 1:17:24.759
<v Speaker 1>and then the media goes fucking nuts. And I remember,

1:17:24.920 --> 1:17:27.000
<v Speaker 1>like New York at this time, everyone was like Long

1:17:27.000 --> 1:17:29.040
<v Speaker 1>Island Killer, Long Islon killer, and I was like, they're

1:17:29.080 --> 1:17:32.519
<v Speaker 1>gonna find him soon, like killers don't go free anymore,

1:17:32.560 --> 1:17:34.559
<v Speaker 1>and like here we are eleven years later, they have

1:17:34.600 --> 1:17:39.280
<v Speaker 1>not fucking found this guy. So these four victims all

1:17:39.320 --> 1:17:43.559
<v Speaker 1>have kind of similar stories. Melissa Bartholemy was a similar

1:17:43.560 --> 1:17:45.320
<v Speaker 1>story to Shannon. She went to New York City with

1:17:45.400 --> 1:17:47.719
<v Speaker 1>dreams of becoming a hairstylist and then turned to escort

1:17:47.760 --> 1:17:50.840
<v Speaker 1>work to support herself. Oh, I forgot to mention that

1:17:50.920 --> 1:17:54.080
<v Speaker 1>they were all found their full bodies, full skeletons, and

1:17:54.120 --> 1:17:56.000
<v Speaker 1>they had all been killed by strangulation, and they had

1:17:56.040 --> 1:17:59.800
<v Speaker 1>all been working off Craigslist. So Melissa Bartholemy had called

1:17:59.800 --> 1:18:02.040
<v Speaker 1>her boyfriend the night she disappeared, and she was like,

1:18:02.120 --> 1:18:04.200
<v Speaker 1>I have one thousand dollars job on Long Island and

1:18:04.240 --> 1:18:06.639
<v Speaker 1>her boyfriend was going to drive her, but she refused,

1:18:06.680 --> 1:18:09.240
<v Speaker 1>and she was being all secretive and this was one

1:18:09.280 --> 1:18:11.760
<v Speaker 1>of the only times, No, this was the only time

1:18:11.960 --> 1:18:15.040
<v Speaker 1>she ever went on a job without a driver. I wonder,

1:18:15.080 --> 1:18:19.880
<v Speaker 1>why well we get to it. Oh, okay, Maureen, No, No,

1:18:19.960 --> 1:18:22.080
<v Speaker 1>it's a good, it's a good. I was wondering too.

1:18:22.439 --> 1:18:25.480
<v Speaker 1>So then Maureen Barnes, the other victim, is from Connecticut,

1:18:25.600 --> 1:18:27.760
<v Speaker 1>and she was also on a job without a driver.

1:18:27.960 --> 1:18:30.120
<v Speaker 1>She was living in Connecticut, but was in New York

1:18:30.120 --> 1:18:32.639
<v Speaker 1>the night that she disappeared. She'd had, I guess, been

1:18:32.720 --> 1:18:34.960
<v Speaker 1>robbed earlier, and so she stayed in New York to

1:18:34.960 --> 1:18:36.960
<v Speaker 1>make some extra money because she had like lost all

1:18:36.960 --> 1:18:40.880
<v Speaker 1>this money getting robbed. So then there's Megan Waterman, who

1:18:40.960 --> 1:18:43.040
<v Speaker 1>was on Long Island when she disappeared. She had come

1:18:43.080 --> 1:18:45.559
<v Speaker 1>all the way down from Portland, Maine to work. It

1:18:45.640 --> 1:18:47.960
<v Speaker 1>was one thirty am. She took a job. She left

1:18:48.000 --> 1:18:50.479
<v Speaker 1>the holiday in that she was staying at, left without

1:18:50.479 --> 1:18:53.200
<v Speaker 1>her ID, left without her phone, and she was known

1:18:53.240 --> 1:18:55.880
<v Speaker 1>to never go anywhere without her phone. And then the

1:18:55.960 --> 1:18:58.720
<v Speaker 1>last victim that they found there was Amber Costello. She

1:18:58.880 --> 1:19:01.280
<v Speaker 1>also left all her person belongings and a client had

1:19:01.320 --> 1:19:03.519
<v Speaker 1>offered her fifteen hundred dollars. So now we get a

1:19:03.520 --> 1:19:06.000
<v Speaker 1>little bit more clarity here because her male roommate was

1:19:06.040 --> 1:19:08.080
<v Speaker 1>with her Amber and was like, let me drive you,

1:19:08.520 --> 1:19:10.519
<v Speaker 1>and he's like take a phone, and she's like, no,

1:19:10.600 --> 1:19:13.439
<v Speaker 1>the guy doesn't want that. So this guy lured them

1:19:13.439 --> 1:19:16.960
<v Speaker 1>in said come alone, don't bring a phone, and I'm

1:19:17.000 --> 1:19:18.439
<v Speaker 1>going to give you a ton of money, like you're

1:19:18.439 --> 1:19:20.639
<v Speaker 1>going to get between one thousand and fifteen hundred dollars

1:19:20.680 --> 1:19:24.440
<v Speaker 1>or whatever. So all these girls went out without drivers.

1:19:24.840 --> 1:19:26.800
<v Speaker 1>They're all pros, but so like this is what they

1:19:26.800 --> 1:19:28.880
<v Speaker 1>were saying. All these women are professional, they know how

1:19:28.880 --> 1:19:31.400
<v Speaker 1>to take care of themselves, but they all somehow trusted

1:19:31.439 --> 1:19:34.000
<v Speaker 1>this guy. There was something about him that made them

1:19:34.040 --> 1:19:37.639
<v Speaker 1>trust him, made them leave their phones. And so they

1:19:37.680 --> 1:19:40.759
<v Speaker 1>interview in this special that I watched, doctor Mary O'Toole,

1:19:40.840 --> 1:19:43.760
<v Speaker 1>and I love it when there's like an old female

1:19:43.800 --> 1:19:46.640
<v Speaker 1>FBI agent profiler, And that's exactly what this woman is.

1:19:46.680 --> 1:19:49.200
<v Speaker 1>She's a retired FBI agent and profile and she talks

1:19:49.240 --> 1:19:51.320
<v Speaker 1>to like this guy has the verbal skills to draw

1:19:51.360 --> 1:19:53.679
<v Speaker 1>these women in and he's almost grooming them in a way,

1:19:53.800 --> 1:19:56.200
<v Speaker 1>like he knows what he's going to do to them,

1:19:56.200 --> 1:19:58.240
<v Speaker 1>but he enjoys the hunt and he's a predator, and

1:19:58.280 --> 1:20:01.799
<v Speaker 1>I felt like this is very yates. So these girls

1:20:01.880 --> 1:20:06.240
<v Speaker 1>all disappeared May through September in the summer, so they're like, oh,

1:20:06.320 --> 1:20:08.120
<v Speaker 1>is this a fisherman? Is this someone who comes to

1:20:08.160 --> 1:20:10.679
<v Speaker 1>Long Island only seasonally or does he go somewhere else

1:20:10.720 --> 1:20:12.880
<v Speaker 1>to kill the rest of the year, Like where does

1:20:12.880 --> 1:20:15.040
<v Speaker 1>this guy go? So this is what makes me think

1:20:15.080 --> 1:20:17.479
<v Speaker 1>that there's something really fucked up with this community in

1:20:17.520 --> 1:20:20.160
<v Speaker 1>Oak Beach because they start interviewing local people and there's

1:20:20.200 --> 1:20:22.719
<v Speaker 1>a couple interviews like in this special that I was watching,

1:20:22.960 --> 1:20:24.680
<v Speaker 1>and the people are all just like, oh, this is

1:20:24.800 --> 1:20:27.800
<v Speaker 1>so annoying, Like leave us alone, stop talking about this.

1:20:27.840 --> 1:20:30.800
<v Speaker 1>We're just sick of hearing about it. Like true psychos, no,

1:20:31.120 --> 1:20:33.280
<v Speaker 1>not a set like not a drop of empathy for

1:20:33.360 --> 1:20:36.120
<v Speaker 1>these victims, Like four women found this other woman missing,

1:20:36.680 --> 1:20:41.000
<v Speaker 1>and there's more rumors coming up about this, Uh this

1:20:41.080 --> 1:20:44.679
<v Speaker 1>small wouldn't you be nervous in your community if women

1:20:44.720 --> 1:20:46.599
<v Speaker 1>were gone missing? Like, I don't know why you wouldn't

1:20:46.600 --> 1:20:49.280
<v Speaker 1>want to find this killer? You could be next? Yeah,

1:20:49.360 --> 1:20:52.240
<v Speaker 1>do you not have a Well? I think the thing

1:20:52.360 --> 1:20:54.519
<v Speaker 1>is they don't think they could be next because they're like,

1:20:54.520 --> 1:20:56.800
<v Speaker 1>who cares? This guy's just killing sex workers, you know.

1:20:57.520 --> 1:21:00.839
<v Speaker 1>And so there's all these rumors of the drug fueled

1:21:00.880 --> 1:21:03.120
<v Speaker 1>sex parties that go on with these people that live

1:21:03.160 --> 1:21:06.400
<v Speaker 1>out in this community, and that there's a theory that

1:21:06.439 --> 1:21:09.479
<v Speaker 1>maybe Joe Brewer had brought Shannon out not just for himself,

1:21:09.520 --> 1:21:12.880
<v Speaker 1>but for like a party for many people, and that

1:21:13.120 --> 1:21:15.559
<v Speaker 1>there's all these also rumors and theories that the police

1:21:15.560 --> 1:21:17.559
<v Speaker 1>are in on it so they're not trying to solve it,

1:21:17.600 --> 1:21:19.800
<v Speaker 1>and that there's like cover ups and this and that.

1:21:19.840 --> 1:21:22.080
<v Speaker 1>But we get into some of that later. So it's

1:21:22.120 --> 1:21:25.240
<v Speaker 1>December of twenty ten when Blue finds these four bodies,

1:21:25.640 --> 1:21:28.160
<v Speaker 1>and so the police decide to postpone the search for

1:21:28.240 --> 1:21:30.360
<v Speaker 1>more bodies until the spring because I guess it's like,

1:21:30.439 --> 1:21:33.000
<v Speaker 1>you know, harsh winters out there, and they're not going

1:21:33.080 --> 1:21:35.280
<v Speaker 1>to be able to find as much, especially with the dogs.

1:21:35.280 --> 1:21:37.640
<v Speaker 1>Of everything's like cold. Although use blue he seems like

1:21:37.720 --> 1:21:40.439
<v Speaker 1>he can sniff right through the snow. So in April

1:21:40.479 --> 1:21:43.000
<v Speaker 1>of twenty eleven, they go out with the park Police,

1:21:43.040 --> 1:21:46.040
<v Speaker 1>the State Police Fire Department. It's like all hands on deck,

1:21:46.240 --> 1:21:48.840
<v Speaker 1>and they find the remains of four more bodies. But

1:21:48.960 --> 1:21:52.759
<v Speaker 1>these bodies are not wrapped in burl up. They're dismembered, okay,

1:21:53.120 --> 1:21:55.720
<v Speaker 1>And at first only one of these bodies is identified,

1:21:55.720 --> 1:21:58.479
<v Speaker 1>and it's identified as Jessica Taylor. She was also an

1:21:58.600 --> 1:22:01.759
<v Speaker 1>eskert working on the internet. Disappeared a few years earlier

1:22:01.760 --> 1:22:04.880
<v Speaker 1>than these other girls that were found. And here's where

1:22:04.920 --> 1:22:08.839
<v Speaker 1>the story is like so crazy. Her hands and skull

1:22:08.920 --> 1:22:12.439
<v Speaker 1>and forearm were found there at Gilgo Beach. Her torso

1:22:12.760 --> 1:22:16.200
<v Speaker 1>was found in Manorville, forty five minutes away in two

1:22:16.240 --> 1:22:20.599
<v Speaker 1>thousand and three. So whoever killed her abandoned her torso

1:22:20.760 --> 1:22:23.519
<v Speaker 1>in Manerville in twenty two thousand and three and then

1:22:23.880 --> 1:22:26.360
<v Speaker 1>got other parts of her body out there at some

1:22:26.520 --> 1:22:29.639
<v Speaker 1>point in the late two thousands early twenty eight tens.

1:22:30.360 --> 1:22:32.759
<v Speaker 1>So the shit is like so fucking nuts. There's another

1:22:32.920 --> 1:22:35.519
<v Speaker 1>victim of these new four that they find, who they

1:22:35.520 --> 1:22:38.519
<v Speaker 1>call only Jane do Number six, who was later who

1:22:38.600 --> 1:22:40.519
<v Speaker 1>actually I think only a year or so ago, was

1:22:40.560 --> 1:22:43.920
<v Speaker 1>identified as Valerie mack or also went by Melissa Taylor,

1:22:44.400 --> 1:22:48.360
<v Speaker 1>and parts of her remains were discovered also at Gilgo

1:22:48.439 --> 1:22:51.479
<v Speaker 1>Beach and in Manorville, so there's some kind of connection

1:22:51.520 --> 1:22:53.760
<v Speaker 1>to Manerville. These two girls, their bodies were disposed of

1:22:53.800 --> 1:22:57.240
<v Speaker 1>in a very similar way, and so now everyone wants

1:22:57.240 --> 1:22:59.280
<v Speaker 1>to know where Shannon is. Of course, we're still looking

1:22:59.280 --> 1:23:02.320
<v Speaker 1>for Shannon, and there's four hundred acres of swamp to

1:23:02.360 --> 1:23:05.719
<v Speaker 1>go through here, So Nasau County and the state police

1:23:05.800 --> 1:23:08.799
<v Speaker 1>join in to help Suffolk County. They and they found

1:23:09.000 --> 1:23:11.280
<v Speaker 1>two more bodies. Okay, they've had they had this like

1:23:11.400 --> 1:23:14.840
<v Speaker 1>machine that could like be on top of the marshland

1:23:15.000 --> 1:23:18.040
<v Speaker 1>and like could they would just do lines through the

1:23:18.040 --> 1:23:22.599
<v Speaker 1>marshland like looking for these bodies. It's wild. So one

1:23:22.640 --> 1:23:25.240
<v Speaker 1>of these victims is an Asian person who the police

1:23:25.240 --> 1:23:27.479
<v Speaker 1>have identified as a John Doe and as male, but

1:23:28.120 --> 1:23:31.080
<v Speaker 1>the person was wearing women's clothing and it's later believed

1:23:31.120 --> 1:23:33.439
<v Speaker 1>that they may have identified as female or possibly be

1:23:33.560 --> 1:23:37.280
<v Speaker 1>trans so this victim had been beaten to death, so

1:23:37.439 --> 1:23:39.880
<v Speaker 1>completely different, em O, Like this is the other the

1:23:39.920 --> 1:23:44.080
<v Speaker 1>girls in the burlap bags had all been strangled, strangled,

1:23:44.320 --> 1:23:46.479
<v Speaker 1>and now this victim's been beaten to death. And then

1:23:46.800 --> 1:23:49.720
<v Speaker 1>so fucking sad. Another victim that they find amongst these

1:23:50.479 --> 1:23:53.559
<v Speaker 1>last six victims is a toddler. And how do we

1:23:53.640 --> 1:23:57.000
<v Speaker 1>know it's the same killer. Well, that's what we're gonna

1:23:57.000 --> 1:24:02.000
<v Speaker 1>get to Yeah, we're gonna get to it. So fuck.

1:24:02.040 --> 1:24:04.679
<v Speaker 1>It's like just really sad that there's a toddler that's

1:24:04.680 --> 1:24:06.920
<v Speaker 1>been found because that just like the mo is all

1:24:06.920 --> 1:24:09.360
<v Speaker 1>over the place. Now like now it's not just sex

1:24:09.400 --> 1:24:11.080
<v Speaker 1>workers or I mean, oh that's not true. Actually the

1:24:11.080 --> 1:24:12.840
<v Speaker 1>Asian person could be a sex worker, but now it's

1:24:12.840 --> 1:24:17.559
<v Speaker 1>a child. And the child is connected to as the

1:24:17.640 --> 1:24:20.960
<v Speaker 1>daughter of another victim named Jane Doe number three. Jane

1:24:21.000 --> 1:24:23.960
<v Speaker 1>Doe number three, who is also referred to as Peaches

1:24:24.000 --> 1:24:26.880
<v Speaker 1>because she had a peach tattoo. Her remains were found

1:24:26.880 --> 1:24:30.320
<v Speaker 1>near Jones Beach State Park, and her torso had been

1:24:30.360 --> 1:24:33.519
<v Speaker 1>found in Hempstead Lake State Park in a green rubber

1:24:33.560 --> 1:24:37.360
<v Speaker 1>maid container fourteen years earlier, in June of nineteen ninety seven.

1:24:38.040 --> 1:24:40.559
<v Speaker 1>So this is another person whose body parts are found

1:24:40.600 --> 1:24:45.479
<v Speaker 1>separately and after almost a decade, and this woman's daughter,

1:24:45.720 --> 1:24:48.639
<v Speaker 1>the little toddler, was found ten miles east of her mother.

1:24:49.160 --> 1:24:54.120
<v Speaker 1>So this person's like, you know, dropping bodies in different places.

1:24:54.200 --> 1:24:58.040
<v Speaker 1>The what's the rationale, what's the reasoning? And they were

1:24:58.080 --> 1:25:01.439
<v Speaker 1>both found with similar gold jewelry on and according to

1:25:01.560 --> 1:25:04.240
<v Speaker 1>you know, experts, obviously this killer wanted no witness and

1:25:04.280 --> 1:25:06.400
<v Speaker 1>he didn't care that there was a toddler involved at all.

1:25:06.400 --> 1:25:09.240
<v Speaker 1>He just like killed a toddler. And so the last

1:25:09.360 --> 1:25:11.600
<v Speaker 1>victim they found are the skull and teeth of an

1:25:11.680 --> 1:25:15.599
<v Speaker 1>unidentified female named Jane do number seven, and her remains

1:25:15.600 --> 1:25:18.439
<v Speaker 1>are connected to a pair of legs that were found

1:25:18.520 --> 1:25:24.599
<v Speaker 1>on Fire Island in nineteen ninety six. So it's possible

1:25:24.640 --> 1:25:27.200
<v Speaker 1>that this guy has been killing for over a decade.

1:25:27.200 --> 1:25:29.240
<v Speaker 1>But yes, as you pointed out, it is very weird

1:25:29.240 --> 1:25:31.559
<v Speaker 1>that the pattern has changed and the mo is different.

1:25:31.800 --> 1:25:33.880
<v Speaker 1>But this is what happens with Yates. He's like from

1:25:33.880 --> 1:25:36.800
<v Speaker 1>first he's he's burning, then he's burying, Like there's all

1:25:36.800 --> 1:25:40.240
<v Speaker 1>different mos. People are talking about like is this a

1:25:40.320 --> 1:25:42.479
<v Speaker 1>killer who switched it up? Or is it two serial

1:25:42.560 --> 1:25:45.400
<v Speaker 1>killers dumping bodies in the same place, like it could

1:25:45.439 --> 1:25:47.400
<v Speaker 1>be that there's just the Gilgo Beach killer who killed

1:25:47.400 --> 1:25:49.080
<v Speaker 1>the girls in the burlap bags, and then there's this

1:25:49.120 --> 1:25:52.639
<v Speaker 1>other guy who dismembers his victims and worked in the nineties,

1:25:53.040 --> 1:25:56.599
<v Speaker 1>And they suggested this special and they do. Honestly, it's

1:25:56.640 --> 1:25:59.920
<v Speaker 1>worth watching just to see this ridiculous reenactment. They sing,

1:26:00.160 --> 1:26:03.040
<v Speaker 1>just that maybe a serial killer who, like the dismembering

1:26:03.120 --> 1:26:06.080
<v Speaker 1>serial killer, got jealous when he saw all the Long

1:26:06.080 --> 1:26:10.920
<v Speaker 1>Island serial killer press and decided to go dump the

1:26:10.960 --> 1:26:14.679
<v Speaker 1>body parts in the same area sometime in that winter,

1:26:14.960 --> 1:26:19.120
<v Speaker 1>I guess of when they weren't looking. And they show

1:26:19.280 --> 1:26:22.360
<v Speaker 1>in the reenactment a serial killer sitting in a lazy

1:26:22.400 --> 1:26:26.160
<v Speaker 1>boy just like shouting at the television and getting so mad,

1:26:26.320 --> 1:26:28.639
<v Speaker 1>like I'm the most to be the serial killer around here,

1:26:29.000 --> 1:26:31.240
<v Speaker 1>and it's so ridiculous. And then they literally show a

1:26:31.280 --> 1:26:33.840
<v Speaker 1>reenactment of a guy like carrying a bag of body

1:26:33.840 --> 1:26:36.360
<v Speaker 1>parts out to the area and just scattering them around.

1:26:36.439 --> 1:26:38.920
<v Speaker 2>So me, can't they tell with the decomp or like

1:26:38.960 --> 1:26:43.120
<v Speaker 2>how long or like environmental damage to the parts if

1:26:43.120 --> 1:26:45.640
<v Speaker 2>it was dumped when they were dumped or is that

1:26:45.680 --> 1:26:47.520
<v Speaker 2>a Melinda Warner fantasy.

1:26:47.360 --> 1:26:49.600
<v Speaker 1>I think that might be a Milinda Warner fantasy, just

1:26:49.640 --> 1:26:52.439
<v Speaker 1>because like everything's decomp like this is just bones. They're

1:26:52.479 --> 1:26:55.120
<v Speaker 1>fighting at this point of these of these people, so.

1:26:57.280 --> 1:27:01.519
<v Speaker 2>You know, well and I guess Rudnick and we're murdering friends,

1:27:01.520 --> 1:27:04.760
<v Speaker 2>like this could be just like some bros doing it together.

1:27:04.520 --> 1:27:08.679
<v Speaker 1>Too completely completely. I mean it's also what's crazy though,

1:27:08.760 --> 1:27:12.439
<v Speaker 1>is it is just like a really really vast area,

1:27:12.640 --> 1:27:15.000
<v Speaker 1>and so you could be dumping bodies anywhere, and you're

1:27:15.080 --> 1:27:18.639
<v Speaker 1>dumping them sort of in the same place. And then

1:27:18.840 --> 1:27:22.720
<v Speaker 1>in two thousand and six, which is earlier than they

1:27:23.080 --> 1:27:27.960
<v Speaker 1>found the Gilgo Beach Girls, four victims in Atlantic City

1:27:28.000 --> 1:27:31.599
<v Speaker 1>were found the victims of the Eastbound Strangler. They called

1:27:31.680 --> 1:27:35.720
<v Speaker 1>him all sex workers, all strangled, All bodies were methodically

1:27:35.720 --> 1:27:38.000
<v Speaker 1>placed facing the east. That's why he was called the

1:27:38.040 --> 1:27:41.880
<v Speaker 1>Eastbound Strangler. And these victims were found seven months before

1:27:41.920 --> 1:27:45.400
<v Speaker 1>the Gilgo Beach Girls first disappeared. So it's possible this

1:27:45.439 --> 1:27:47.679
<v Speaker 1>guy started in Atlantic City, moved up to Long Island.

1:27:47.720 --> 1:27:50.160
<v Speaker 1>There's only a few hours away. There's a lot of

1:27:50.600 --> 1:27:53.040
<v Speaker 1>like trying to connect. There's also a few cases from

1:27:53.040 --> 1:27:55.720
<v Speaker 1>like the eighties and nineties where people think it could

1:27:55.760 --> 1:27:58.360
<v Speaker 1>be connected to Long Island killer, but there's really just

1:27:58.479 --> 1:28:01.720
<v Speaker 1>no no one knows. So now the count is up

1:28:01.760 --> 1:28:04.760
<v Speaker 1>to ten bodies and we still don't have Shannon. So

1:28:04.840 --> 1:28:07.840
<v Speaker 1>now a year after Shannon has disappeared, we're back to

1:28:07.920 --> 1:28:10.439
<v Speaker 1>like May of the fine of the next year. The

1:28:10.600 --> 1:28:13.479
<v Speaker 1>police finally searched Joe Brewer's house, so at least he

1:28:13.479 --> 1:28:15.400
<v Speaker 1>didn't have a full calendar year to get rid of

1:28:15.479 --> 1:28:19.839
<v Speaker 1>any evidence. He probably had they search everything. Joe Brewer

1:28:19.880 --> 1:28:22.880
<v Speaker 1>is apparently very open and honest with the police, allegedly,

1:28:23.960 --> 1:28:27.400
<v Speaker 1>and Joe Brewer and Michael Pack were both polygraphed and

1:28:27.400 --> 1:28:29.439
<v Speaker 1>they're both cleared, And I'm like, I just need more

1:28:29.479 --> 1:28:31.639
<v Speaker 1>information about what happened in the house, Like what does

1:28:31.680 --> 1:28:34.960
<v Speaker 1>he say happened, Like you know what went down, but

1:28:35.040 --> 1:28:37.479
<v Speaker 1>I don't know why that's like not made public anywhere.

1:28:38.040 --> 1:28:42.280
<v Speaker 1>So here's a weird detail about Melissa bartholemy one of

1:28:42.280 --> 1:28:46.400
<v Speaker 1>the Gilgo Beach four. Eight days after her disappearance, her

1:28:46.439 --> 1:28:49.479
<v Speaker 1>sister Amanda gets a call on her cell phone from

1:28:49.560 --> 1:28:52.599
<v Speaker 1>Melissa's number, and it's a man and he asks her,

1:28:52.880 --> 1:28:55.519
<v Speaker 1>are you a whore like your sister? And he asks her,

1:28:55.520 --> 1:28:58.479
<v Speaker 1>are you planning to become a prostitute. He called the

1:28:58.560 --> 1:29:02.120
<v Speaker 1>sister six times, this guy, but he never stayed on

1:29:02.280 --> 1:29:05.120
<v Speaker 1>for more than ninety seconds, and in the last call,

1:29:05.160 --> 1:29:08.000
<v Speaker 1>he told her that he killed her sister and he

1:29:08.320 --> 1:29:11.160
<v Speaker 1>wanted to terrorize her. And they actually thought that he

1:29:11.240 --> 1:29:13.160
<v Speaker 1>might come after the little sister because it seemed like

1:29:13.200 --> 1:29:15.519
<v Speaker 1>the whole point of the calls was just to be

1:29:16.640 --> 1:29:19.840
<v Speaker 1>terrorize the sister and make her feel like so much fear.

1:29:20.439 --> 1:29:23.800
<v Speaker 1>So another thing happened where Maureen Barnes, another one of

1:29:23.840 --> 1:29:27.160
<v Speaker 1>the Gilgo Beach victims, the girl from Connecticut, her best

1:29:27.160 --> 1:29:29.719
<v Speaker 1>friend Sarah, got a weird call from a blocked number

1:29:30.040 --> 1:29:33.400
<v Speaker 1>and this guy said he knows where Maureen is. She's

1:29:33.439 --> 1:29:36.600
<v Speaker 1>at a whorehouse in Queens. So experts think because he

1:29:36.680 --> 1:29:39.000
<v Speaker 1>used the word whore in both calls, it's likely this

1:29:39.120 --> 1:29:42.760
<v Speaker 1>is the same guy. I mean, definitely is. So whoever's

1:29:42.880 --> 1:29:46.439
<v Speaker 1>calling these people, that's at least the Gilgo Beach killer.

1:29:47.240 --> 1:29:50.600
<v Speaker 1>So Shannon's family also thinks they've been trolled by the

1:29:50.680 --> 1:29:53.080
<v Speaker 1>killer and they think it's Hackett, like the mom really

1:29:53.120 --> 1:29:57.120
<v Speaker 1>thinks it's Hackett. A year later, police confirmed through phone

1:29:57.160 --> 1:29:59.720
<v Speaker 1>records that this freak did call her, and when they

1:29:59.720 --> 1:30:02.719
<v Speaker 1>went to confront him about it. He's like, oopsie doodles,

1:30:02.720 --> 1:30:04.479
<v Speaker 1>I guess I did call her, but I only called

1:30:04.520 --> 1:30:07.559
<v Speaker 1>her to comfort the mom. And it's like, why would

1:30:07.560 --> 1:30:10.240
<v Speaker 1>you do that. You don't know her, you're inserting yourself

1:30:10.280 --> 1:30:13.360
<v Speaker 1>into a case and you're fucking with an investigation. But

1:30:13.400 --> 1:30:15.639
<v Speaker 1>the cops clear this guy. And it's so wild because

1:30:15.680 --> 1:30:19.280
<v Speaker 1>there's like footage in this investigation Discovery People magazine thing.

1:30:19.320 --> 1:30:22.880
<v Speaker 1>I'm sorry, I can't say shorter. There's footage of like

1:30:23.040 --> 1:30:24.840
<v Speaker 1>media going to talk to him as he's goun to

1:30:24.840 --> 1:30:26.600
<v Speaker 1>get in his car, and they're like, did you have

1:30:26.640 --> 1:30:29.160
<v Speaker 1>anything to do with these with Shannon's disappearance? And he

1:30:29.200 --> 1:30:32.360
<v Speaker 1>goes oh, and he gets down on the ground, almost

1:30:32.360 --> 1:30:34.679
<v Speaker 1>like he's faking a heart attack, and he goes, oh,

1:30:34.720 --> 1:30:38.240
<v Speaker 1>my defibrillator, and he goes you sons of bitches, and

1:30:38.240 --> 1:30:42.320
<v Speaker 1>he's like fully faking a fucking like people are all

1:30:42.360 --> 1:30:44.280
<v Speaker 1>around him and he's acting like he just saw them

1:30:44.280 --> 1:30:45.800
<v Speaker 1>and he gets down on the ground with this fake

1:30:45.840 --> 1:30:48.680
<v Speaker 1>heart attack and then somebody off camera goes call the

1:30:48.680 --> 1:30:50.519
<v Speaker 1>ambulance right now, and he goes no, no, no, no, no,

1:30:50.680 --> 1:30:52.640
<v Speaker 1>like he knows he's faking. He's like, don't call the

1:30:52.760 --> 1:30:55.840
<v Speaker 1>don't don't call the ambulance. So this guy is at

1:30:56.040 --> 1:31:00.160
<v Speaker 1>best a fucking sketch ball who tries to insert him

1:31:00.160 --> 1:31:02.800
<v Speaker 1>self into investigations, who tries to like become part of

1:31:02.920 --> 1:31:07.840
<v Speaker 1>exciting things. Why would the cops clear him? Dude? The

1:31:07.920 --> 1:31:10.280
<v Speaker 1>cops don't think he's the guy, Okay, and he has

1:31:10.439 --> 1:31:13.920
<v Speaker 1>he's just calling the victims' families and he has since

1:31:14.600 --> 1:31:17.040
<v Speaker 1>there's more, he has since moved to Florida, so he

1:31:17.080 --> 1:31:19.559
<v Speaker 1>doesn't live, of course where all the best people go.

1:31:19.960 --> 1:31:24.559
<v Speaker 1>So he he has you know, he's somehow he's cleared.

1:31:25.000 --> 1:31:28.320
<v Speaker 1>But a year and a half after Shannon's disappearance, investigators

1:31:28.320 --> 1:31:31.120
<v Speaker 1>decide to do one last search for Shannon based on

1:31:31.160 --> 1:31:34.719
<v Speaker 1>some aerial photography they got of this Marshy area. Okay,

1:31:35.600 --> 1:31:39.479
<v Speaker 1>finally they find a purse, they find a shoe, they

1:31:39.479 --> 1:31:42.640
<v Speaker 1>find a pair of jeans. Then they eventually find a

1:31:42.680 --> 1:31:46.519
<v Speaker 1>woman's body, face up naked, and they confirm with the

1:31:46.560 --> 1:31:49.719
<v Speaker 1>plate in her teeth that it is Shannon. And guess

1:31:49.840 --> 1:31:53.960
<v Speaker 1>where that Marshy area is? Directly next to the house

1:31:54.080 --> 1:31:59.840
<v Speaker 1>of doctor Peter Hackett. Fucking done, done all the way

1:32:00.120 --> 1:32:03.760
<v Speaker 1>like so crazy. This girl was found three quarters of

1:32:03.760 --> 1:32:07.160
<v Speaker 1>a mile from where she disappeared. She was found behind

1:32:07.200 --> 1:32:10.000
<v Speaker 1>the house of a fucking do you think her body

1:32:10.040 --> 1:32:14.840
<v Speaker 1>was always there? Or they do think that? So what

1:32:14.880 --> 1:32:19.559
<v Speaker 1>the fuck? So, Dormer, this is what the police think.

1:32:19.720 --> 1:32:22.479
<v Speaker 1>This is what the police think. Okay, Dormer, this Suffolk

1:32:22.479 --> 1:32:26.439
<v Speaker 1>County Police commissioner. He thinks she ran out of Brewer's house.

1:32:26.600 --> 1:32:30.760
<v Speaker 1>She's super scared. She runs into the Marshy area and

1:32:30.760 --> 1:32:35.680
<v Speaker 1>that the elements overtook her, took her pants off. Okay, exactly,

1:32:35.960 --> 1:32:39.120
<v Speaker 1>the elements took her pants off. So like she is

1:32:40.080 --> 1:32:43.120
<v Speaker 1>running through marsh and eventually falls and like the water's

1:32:43.160 --> 1:32:45.920
<v Speaker 1>not even deep enough. It's really wild theory. Okay. The

1:32:46.000 --> 1:32:48.920
<v Speaker 1>family does not believe this shit, so they go hire

1:32:49.000 --> 1:32:53.479
<v Speaker 1>the ultimate expert. Who else but doctor Michael Badden Okay,

1:32:53.880 --> 1:32:56.479
<v Speaker 1>and they have him do an autopsy on the remains.

1:32:56.640 --> 1:32:59.080
<v Speaker 1>We know everyone knows this is a Michael doctor Michael

1:32:59.080 --> 1:33:00.560
<v Speaker 1>Baddens stand podcast.

1:33:00.800 --> 1:33:03.120
<v Speaker 2>And did you know that the term stan came from

1:33:03.160 --> 1:33:06.400
<v Speaker 2>an Eminem song? Yes, Okay, well I learned that yesterday.

1:33:06.800 --> 1:33:09.240
<v Speaker 1>I knew it only because when I worked at MTV

1:33:09.880 --> 1:33:13.400
<v Speaker 1>we constantly talked about stands. And when I worked at MTV,

1:33:13.560 --> 1:33:15.599
<v Speaker 1>like we'd be like, oh, the Beyonce stands this and that.

1:33:15.680 --> 1:33:17.679
<v Speaker 1>So I knew it. I've known it since like twenty

1:33:17.720 --> 1:33:19.920
<v Speaker 1>eleven when I worked at MTV. But yeah, I would

1:33:19.960 --> 1:33:21.760
<v Speaker 1>say a lot of people don't know that, and now

1:33:22.439 --> 1:33:24.679
<v Speaker 1>now you know I was the only one. But no,

1:33:24.680 --> 1:33:27.320
<v Speaker 1>now you know, now you know? So Lisa, you're gonna

1:33:27.320 --> 1:33:30.519
<v Speaker 1>hate this on this on this Discovery, I d thing

1:33:30.560 --> 1:33:33.519
<v Speaker 1>that I'm watching Michael Badden's lower third where they like

1:33:33.600 --> 1:33:37.839
<v Speaker 1>identify him, says Michael Badden, contributor to Fox News Channel,

1:33:38.479 --> 1:33:43.400
<v Speaker 1>What how dare you like? He is a full renowned

1:33:43.640 --> 1:33:46.680
<v Speaker 1>doctor and autopsy specialist. Like, I don't know what the

1:33:46.680 --> 1:33:48.960
<v Speaker 1>fuck is going on here? You're the dead? How sary

1:33:49.080 --> 1:33:53.639
<v Speaker 1>speaks for the dead. And he's not done. Okay, So

1:33:53.800 --> 1:33:56.880
<v Speaker 1>he said he does his own investigation of the body.

1:33:56.920 --> 1:33:59.720
<v Speaker 1>He does his own autopsy, and he says there's no

1:34:00.000 --> 1:34:02.880
<v Speaker 1>evidence that there was enough water that she could have drowned. Also,

1:34:03.000 --> 1:34:05.519
<v Speaker 1>her body was found face up, that's not common for

1:34:05.600 --> 1:34:10.320
<v Speaker 1>drowning victims. And he found what he called some evidence

1:34:10.320 --> 1:34:13.799
<v Speaker 1>of homicidal strangulation. He says it can't be ruled out. Okay.

1:34:14.040 --> 1:34:17.160
<v Speaker 1>He found damage to her hyoid bone, which is a

1:34:17.160 --> 1:34:19.360
<v Speaker 1>bone in your throat that is consistent with like the

1:34:19.400 --> 1:34:23.560
<v Speaker 1>strangulation cause of death. So her death is still officially

1:34:23.560 --> 1:34:28.200
<v Speaker 1>listed by police as an accident or misadventure. Yeah, misadventure,

1:34:28.240 --> 1:34:32.240
<v Speaker 1>which is like a wild term. And so there's a

1:34:32.280 --> 1:34:34.599
<v Speaker 1>reporter in this special who I really like this guy,

1:34:34.680 --> 1:34:38.439
<v Speaker 1>and he's like, So she ran away from the only

1:34:38.479 --> 1:34:41.160
<v Speaker 1>guy she knew, Michael Pack. She ran away from a

1:34:41.200 --> 1:34:43.439
<v Speaker 1>second old man who tried to help her. She went

1:34:43.479 --> 1:34:45.840
<v Speaker 1>into some marsh that looks like really hard to even

1:34:45.920 --> 1:34:49.240
<v Speaker 1>get entry to, took off all her clothes and belongings,

1:34:49.280 --> 1:34:51.240
<v Speaker 1>and fought through the march three quarters of a mile

1:34:51.240 --> 1:34:53.200
<v Speaker 1>before giving up and drowning in shallow water.

1:34:54.200 --> 1:34:54.720
<v Speaker 3>Yeah.

1:34:54.760 --> 1:34:56.920
<v Speaker 1>I don't think so, Like this just does not track,

1:34:57.040 --> 1:35:00.479
<v Speaker 1>Like no one buys this, okay. And then Shannon's family

1:35:00.840 --> 1:35:03.200
<v Speaker 1>brought a lawsuit to force the people of Oak Beach

1:35:03.240 --> 1:35:06.680
<v Speaker 1>to talk, and she thinks, like she's at press conferences

1:35:06.680 --> 1:35:09.360
<v Speaker 1>going I think Peter Hackett is involved in this absolutely

1:35:09.439 --> 1:35:13.720
<v Speaker 1>for sure. Okay. I found a funny little extra thing

1:35:14.080 --> 1:35:18.120
<v Speaker 1>that in twenty twelve, Shannon's family Facebook page actually posted

1:35:18.160 --> 1:35:21.240
<v Speaker 1>about the SVU episode Hunting Ground. So they thought that

1:35:21.240 --> 1:35:25.080
<v Speaker 1>that this episode was based on Shannon's case, although I

1:35:25.120 --> 1:35:28.000
<v Speaker 1>think that the hunting of the victims and everything, it's

1:35:28.040 --> 1:35:29.760
<v Speaker 1>more based on the case that we covered, which was

1:35:29.800 --> 1:35:33.280
<v Speaker 1>the Baker Butcher of Alaska. But we Lisa and I

1:35:33.280 --> 1:35:35.400
<v Speaker 1>both have already said that we felt like the hunting

1:35:35.400 --> 1:35:37.639
<v Speaker 1>ground vibes were there with some of the Long Island

1:35:37.680 --> 1:35:42.799
<v Speaker 1>Killer stuff. In another wild twist in this story, sadly,

1:35:43.680 --> 1:35:46.640
<v Speaker 1>Shannon's mother, who fought so tirelessly to find out what

1:35:46.680 --> 1:35:50.520
<v Speaker 1>happened to her, was murdered by her other daughter, Sarah

1:35:50.680 --> 1:35:54.439
<v Speaker 1>in twenty sixteen, who suffered from schizophrenia and stabbed her

1:35:54.479 --> 1:35:58.360
<v Speaker 1>mother to death during a like a break And she's

1:35:58.400 --> 1:36:00.920
<v Speaker 1>serving twenty five to life and recently lost an appeal,

1:36:00.960 --> 1:36:03.840
<v Speaker 1>and I don't really understand, like, if she's mentally mentally ill,

1:36:03.880 --> 1:36:05.760
<v Speaker 1>why she's not in a mental health facility. But the

1:36:05.760 --> 1:36:07.160
<v Speaker 1>system as fucked, so I don't even know why I

1:36:07.200 --> 1:36:11.040
<v Speaker 1>ask questions anymore. So there are a bunch of theories

1:36:11.040 --> 1:36:14.479
<v Speaker 1>about the killer, the Long Island Killer, and one theory

1:36:14.760 --> 1:36:17.439
<v Speaker 1>is that Shannon was trying to get into more wealthy,

1:36:17.520 --> 1:36:20.120
<v Speaker 1>upscale clientele and that one of her clients was this

1:36:20.160 --> 1:36:23.080
<v Speaker 1>guy named Jim Bissett, and he was this really really

1:36:23.160 --> 1:36:25.599
<v Speaker 1>wealthy guy. He had this like huge estate on Long

1:36:25.640 --> 1:36:28.880
<v Speaker 1>Island and his father owned a nursery which was like

1:36:28.920 --> 1:36:33.160
<v Speaker 1>a huge supplier of burlap bags. I don't really think

1:36:33.200 --> 1:36:37.200
<v Speaker 1>that it's like you have to be connected to get

1:36:37.400 --> 1:36:40.800
<v Speaker 1>your hands on burlap bags. But what's sketchy as hell

1:36:41.000 --> 1:36:43.960
<v Speaker 1>is that the day after Shannon's body was found, this

1:36:44.040 --> 1:36:46.880
<v Speaker 1>man took his own life, just got in his car

1:36:47.040 --> 1:36:50.360
<v Speaker 1>and shot himself. And this was a family man, he

1:36:50.520 --> 1:36:54.439
<v Speaker 1>was rich. There was no evidence to any you know,

1:36:55.080 --> 1:36:57.719
<v Speaker 1>him being unhappy in any way. Of course, of course

1:36:57.760 --> 1:36:59.880
<v Speaker 1>things are hidden all the time and people take their lives,

1:37:00.040 --> 1:37:04.320
<v Speaker 1>but this guy was I don't know, this sounds sketchy

1:37:04.320 --> 1:37:06.800
<v Speaker 1>to me that this just the timing is sketchy. But

1:37:06.840 --> 1:37:09.639
<v Speaker 1>people were also saying this guy Besset was very public

1:37:09.720 --> 1:37:11.640
<v Speaker 1>like everyone who he was. He was very rich, Like

1:37:11.640 --> 1:37:14.320
<v Speaker 1>there's no way he was dextering about like killing people,

1:37:14.439 --> 1:37:16.840
<v Speaker 1>Like there's just people would have noticed like where he was.

1:37:17.280 --> 1:37:19.519
<v Speaker 1>And they said, more likely the guy who did this

1:37:19.600 --> 1:37:22.439
<v Speaker 1>is like a solitary guy who was on his own. So,

1:37:23.400 --> 1:37:28.360
<v Speaker 1>you know, Melissa's mom and other people in this like

1:37:28.439 --> 1:37:31.000
<v Speaker 1>special that I watched are like ultimately the cops really

1:37:31.040 --> 1:37:33.640
<v Speaker 1>fucked up. The police did not pull the FBI in,

1:37:33.840 --> 1:37:37.920
<v Speaker 1>They did not profile the killer. One homicide detective talks

1:37:37.920 --> 1:37:39.919
<v Speaker 1>about the nine one one call and says that Shannon's

1:37:39.960 --> 1:37:42.040
<v Speaker 1>totally calm for all twenty three minutes of the nine

1:37:42.080 --> 1:37:44.599
<v Speaker 1>to one one call. And she's not like I wouldn't

1:37:44.600 --> 1:37:46.679
<v Speaker 1>even say totally calm, like I did say. She seemed

1:37:46.720 --> 1:37:49.519
<v Speaker 1>a little on, like a little flat, but she's not calm.

1:37:49.680 --> 1:37:53.400
<v Speaker 1>She's definitely like something's happening, helped me, Like, you know,

1:37:53.560 --> 1:37:57.080
<v Speaker 1>she's not. It's just a wild thing for a detective

1:37:57.120 --> 1:37:58.880
<v Speaker 1>to say, to make it sound like, why are you

1:37:58.880 --> 1:38:01.240
<v Speaker 1>on the phone for twenty three minutes totally calm about

1:38:01.280 --> 1:38:03.840
<v Speaker 1>being saying people are after you and help me please,

1:38:05.240 --> 1:38:08.040
<v Speaker 1>And according to the medical examiner, it was totally opposite.

1:38:08.040 --> 1:38:09.760
<v Speaker 1>Shannon is freaking out on the call, you know. And

1:38:09.760 --> 1:38:11.520
<v Speaker 1>then I listened to the car. Why didn't the cops.

1:38:11.360 --> 1:38:13.320
<v Speaker 2>Never show up? Why didn't they ever show up? And

1:38:13.320 --> 1:38:14.320
<v Speaker 2>then nine one one call?

1:38:15.160 --> 1:38:19.320
<v Speaker 1>They could they It's really wild, like they couldn't track

1:38:19.360 --> 1:38:21.120
<v Speaker 1>her or something like that. Remember I told you it

1:38:21.160 --> 1:38:24.479
<v Speaker 1>like went to a different jurisdiction, Like she asked on

1:38:24.560 --> 1:38:26.519
<v Speaker 1>the phone, can you track where I am? And the

1:38:26.560 --> 1:38:28.920
<v Speaker 1>woman goes, I can't, and then they tried to like

1:38:28.960 --> 1:38:30.920
<v Speaker 1>move her because it was like, maybe it's because Oak

1:38:30.960 --> 1:38:33.720
<v Speaker 1>Beach is like this, like private community. I don't know

1:38:33.720 --> 1:38:35.599
<v Speaker 1>what the nine to one one situation is out there.

1:38:36.040 --> 1:38:38.640
<v Speaker 1>But the cop did eventually come out to respond to

1:38:38.680 --> 1:38:41.040
<v Speaker 1>the two calls from the neighbors, but had no idea

1:38:41.640 --> 1:38:44.200
<v Speaker 1>that this girl had called the cops begging for help.

1:38:44.240 --> 1:38:46.880
<v Speaker 1>He just heard, Oh, there's a crazy girl wandering the streets,

1:38:46.960 --> 1:38:49.559
<v Speaker 1>knocking on doors and screaming. So when he got there,

1:38:49.680 --> 1:38:52.439
<v Speaker 1>didn't see that girl. He just left and I guess

1:38:52.680 --> 1:38:55.080
<v Speaker 1>they the line went dead and they had no way

1:38:55.080 --> 1:38:56.720
<v Speaker 1>to get in touch with the girl who left them

1:38:56.720 --> 1:39:01.000
<v Speaker 1>a twenty three minute call. So another person who became

1:39:01.360 --> 1:39:04.439
<v Speaker 1>a person of interest, and this feels a little bit

1:39:04.439 --> 1:39:06.800
<v Speaker 1>tvsh to me, but is still fucked up and should

1:39:06.840 --> 1:39:09.680
<v Speaker 1>be discussed is James Burke, who at the time was

1:39:09.720 --> 1:39:12.720
<v Speaker 1>the Suffolk County Police Chief and he's faced a ton

1:39:12.760 --> 1:39:16.439
<v Speaker 1>of corruption charges. He's the one that kept the FBI out,

1:39:16.840 --> 1:39:19.040
<v Speaker 1>and people think that he was involved somehow, like even

1:39:19.040 --> 1:39:20.360
<v Speaker 1>if he's not the one who did it, he knows

1:39:20.360 --> 1:39:22.200
<v Speaker 1>who did it and he was covering for someone like

1:39:22.240 --> 1:39:25.519
<v Speaker 1>a friend. People say he was running a prostitution ring

1:39:25.520 --> 1:39:27.639
<v Speaker 1>out of his own house and he was doing that

1:39:27.680 --> 1:39:29.640
<v Speaker 1>the entire time. He rose through the ranks of the

1:39:30.720 --> 1:39:33.960
<v Speaker 1>police system in his town or his county. Excuse me,

1:39:34.760 --> 1:39:38.719
<v Speaker 1>so a drug addict I think broke into his police

1:39:38.720 --> 1:39:40.559
<v Speaker 1>car and stole a duffel bag of his and it

1:39:40.560 --> 1:39:43.280
<v Speaker 1>had all these sex toys and like wild shit in it,

1:39:43.720 --> 1:39:45.880
<v Speaker 1>and that when he brought the guy in. When they

1:39:45.880 --> 1:39:47.720
<v Speaker 1>found the guy in the bag, the guy said something

1:39:47.760 --> 1:39:50.719
<v Speaker 1>to him like, oh, you're a pervert, and this police

1:39:50.760 --> 1:39:53.599
<v Speaker 1>chief beat the fuck out of the sky, like beat

1:39:53.720 --> 1:39:56.479
<v Speaker 1>him up, like bloody. And then he was convicted of

1:39:56.520 --> 1:40:01.200
<v Speaker 1>that and went to prison. So that's that's a sketchy

1:40:01.240 --> 1:40:04.120
<v Speaker 1>thing that this guy was really adamant about keeping the

1:40:04.160 --> 1:40:06.639
<v Speaker 1>FBI out blah blah blah. And now we're eleven years

1:40:06.720 --> 1:40:08.559
<v Speaker 1>later and we have no fucking leads on this case,

1:40:08.560 --> 1:40:11.600
<v Speaker 1>and the FBI wasn't allowed in from the jump. I

1:40:11.680 --> 1:40:14.000
<v Speaker 1>think now they have been now they're involved because there's

1:40:14.040 --> 1:40:15.920
<v Speaker 1>a new There was like a new police chief after

1:40:15.960 --> 1:40:17.839
<v Speaker 1>this guy, and I saw him do a press conference

1:40:17.840 --> 1:40:20.879
<v Speaker 1>where he was like, we're the FBI has full access.

1:40:20.920 --> 1:40:22.439
<v Speaker 1>They can have all of our help we want to

1:40:22.439 --> 1:40:25.280
<v Speaker 1>get to the bottom of this. Another suspect is a

1:40:25.280 --> 1:40:29.480
<v Speaker 1>guy named John Bittrolf who was a carpenter in Manerville.

1:40:29.520 --> 1:40:31.720
<v Speaker 1>Remember I talked about how Manerville is where two of

1:40:31.760 --> 1:40:34.559
<v Speaker 1>the torsos I believe of two of the victims were found.

1:40:35.160 --> 1:40:39.080
<v Speaker 1>He was convicted. He was arrested in twenty fourteen of

1:40:39.160 --> 1:40:42.920
<v Speaker 1>the murder of two sex workers that happened in the nineties,

1:40:43.520 --> 1:40:48.880
<v Speaker 1>and he was convicted of murdering Rita Tangretti and Colleen McNamee.

1:40:49.320 --> 1:40:52.000
<v Speaker 1>And so he's been in jail since twenty seventeen. I believe,

1:40:52.640 --> 1:40:57.080
<v Speaker 1>and Rita Tangretti's daughter was friends with Melissa Bartholome, one

1:40:57.080 --> 1:41:00.799
<v Speaker 1>of the Gogel Beach four. So it's like a weird

1:41:00.920 --> 1:41:04.200
<v Speaker 1>connect that maybe this guy is the guy, but ultimately

1:41:04.920 --> 1:41:10.000
<v Speaker 1>that guy's in jail and there's no there's no clear

1:41:10.080 --> 1:41:13.160
<v Speaker 1>answers yet. But maybe it'll be like Golden State Killer.

1:41:13.200 --> 1:41:14.760
<v Speaker 1>Maybe they'll find I mean, I don't know. With Golden

1:41:14.800 --> 1:41:16.559
<v Speaker 1>State Killer, it was like all about DNA and they

1:41:16.560 --> 1:41:20.280
<v Speaker 1>figured it out. But like, maybe they'll figure out this guy.

1:41:20.400 --> 1:41:22.799
<v Speaker 1>It is just really weird and maybe it is two guys,

1:41:22.800 --> 1:41:25.320
<v Speaker 1>like nobody knows but I knew like none of this information,

1:41:25.400 --> 1:41:28.559
<v Speaker 1>and I just can't couldn't believe like the phone calls

1:41:28.840 --> 1:41:33.280
<v Speaker 1>trolling the victims, like you know, cops that are involved

1:41:33.280 --> 1:41:36.680
<v Speaker 1>in sex rings, that she was found so close to

1:41:38.160 --> 1:41:39.240
<v Speaker 1>that doctor's house.

1:41:39.560 --> 1:41:45.920
<v Speaker 2>Yeah, it's really like I don't get how she wasn't found. Yeah,

1:41:46.000 --> 1:41:48.080
<v Speaker 2>And I don't get why they wouldn't investigate or bring

1:41:48.120 --> 1:41:50.479
<v Speaker 2>in that. I just hate the police so much.

1:41:51.160 --> 1:41:53.360
<v Speaker 1>I think they blame it on like the marshland, Like

1:41:53.400 --> 1:41:55.679
<v Speaker 1>the area where she was was like really hard to search,

1:41:55.720 --> 1:41:58.439
<v Speaker 1>and they eventually got this like you know vehicle that

1:41:58.479 --> 1:42:00.240
<v Speaker 1>I told you about that can like be on top

1:42:00.280 --> 1:42:04.200
<v Speaker 1>of the marsh or whatever. But I don't know, I'm

1:42:04.240 --> 1:42:10.760
<v Speaker 1>never going to Long Island. I mean it's wild. I

1:42:10.760 --> 1:42:14.120
<v Speaker 1>mean it's just like it is scary that there's so

1:42:14.280 --> 1:42:16.240
<v Speaker 1>I didn't I don't really think of Long Island as

1:42:16.400 --> 1:42:19.479
<v Speaker 1>like that, as having all this abandoned area, like so

1:42:19.640 --> 1:42:21.880
<v Speaker 1>much area where you could just dump bodies. Like I

1:42:21.960 --> 1:42:24.040
<v Speaker 1>kind of think of Long Island as like a bunch

1:42:24.080 --> 1:42:27.439
<v Speaker 1>of beach towns and like whatever and Jewish people and

1:42:27.479 --> 1:42:33.080
<v Speaker 1>not really like that. There's miles and miles of creepy

1:42:33.280 --> 1:42:36.040
<v Speaker 1>road where you can just stop and roll a body out,

1:42:36.120 --> 1:42:40.040
<v Speaker 1>you know. So anyway, that is the Long Island Killer,

1:42:40.200 --> 1:42:43.479
<v Speaker 1>the Long Island serial Killer Lisk and I do hope

1:42:43.479 --> 1:42:49.040
<v Speaker 1>we find him, geez. But as usual, a tough episode

1:42:49.080 --> 1:42:51.760
<v Speaker 1>of tough crime, but we've got an amazing guess that's

1:42:51.800 --> 1:43:02.879
<v Speaker 1>gonna make you forget about all your troubles. Stay right there, listen.

1:43:03.560 --> 1:43:06.080
<v Speaker 1>If you guys have watched any popular TV from the

1:43:06.160 --> 1:43:09.439
<v Speaker 1>last ten years, you've seen our guests. You recognized him.

1:43:09.640 --> 1:43:12.720
<v Speaker 1>He's played as zombie scientists on The Walking Dead, a

1:43:12.760 --> 1:43:15.840
<v Speaker 1>beauty pageant coach on Insatiable, and fuck if you follow

1:43:15.880 --> 1:43:18.000
<v Speaker 1>our Instagram, you saw that we got to meet him

1:43:18.000 --> 1:43:19.280
<v Speaker 1>and hang out with him in New York a few

1:43:19.320 --> 1:43:21.920
<v Speaker 1>weeks ago, and so we obviously had to get him

1:43:21.960 --> 1:43:24.719
<v Speaker 1>on the pod immediately. You guys know him as serial

1:43:24.800 --> 1:43:30.599
<v Speaker 1>killer Gregoriates. Please enjoy our conversation with the super talented

1:43:30.680 --> 1:43:36.000
<v Speaker 1>Dallas Roberts. Yay, welcome, thank you, thank you, thank you

1:43:36.080 --> 1:43:38.360
<v Speaker 1>so much. I can't believe you've agreed to do the

1:43:38.400 --> 1:43:40.519
<v Speaker 1>podcast after meeting us in person.

1:43:42.600 --> 1:43:45.080
<v Speaker 3>You sell yourself way too short.

1:43:46.880 --> 1:43:50.160
<v Speaker 1>Well, just for our listeners, I arrive at our friends

1:43:50.160 --> 1:43:53.720
<v Speaker 1>show that we've been promoting NonStop on this podcast. Oh God,

1:43:53.760 --> 1:43:56.680
<v Speaker 1>an hour about abortion at the Cheerleyan Theater and Lisa's like,

1:43:57.320 --> 1:43:59.679
<v Speaker 1>our good friend Arden Marine is there and she goes

1:43:59.800 --> 1:44:01.800
<v Speaker 1>art here and she brought a guy from SVU and

1:44:01.840 --> 1:44:05.439
<v Speaker 1>I'm like cool, like a guy who found the body,

1:44:05.720 --> 1:44:08.320
<v Speaker 1>like like whatever, like a guy who played a car

1:44:08.360 --> 1:44:10.800
<v Speaker 1>parking attendant. I could care less. I mean not, I

1:44:10.800 --> 1:44:12.920
<v Speaker 1>could care less. I was like neat, she just buried

1:44:12.920 --> 1:44:15.240
<v Speaker 1>the lead. And then we get to this We get

1:44:15.280 --> 1:44:18.360
<v Speaker 1>to the row and it's you, and I'm like, ah,

1:44:19.360 --> 1:44:24.040
<v Speaker 1>I just screamed in your faces like our podcast. I'm

1:44:24.080 --> 1:44:26.479
<v Speaker 1>really excited that you decided to do it after all.

1:44:26.640 --> 1:44:29.519
<v Speaker 3>Yeah, you know, who knew going to the theater could

1:44:29.520 --> 1:44:33.040
<v Speaker 3>bring such fun.

1:44:32.560 --> 1:44:36.120
<v Speaker 1>In terms of do other SVU fans see you in

1:44:36.160 --> 1:44:37.400
<v Speaker 1>the streets and get mad at you.

1:44:38.680 --> 1:44:42.920
<v Speaker 3>I can always tell when it's rerunning because I'll go

1:44:43.479 --> 1:44:46.360
<v Speaker 3>order a beer or go to the deli or you know,

1:44:46.439 --> 1:44:49.080
<v Speaker 3>I'll just be and they'll be like, oh can I

1:44:49.080 --> 1:44:55.680
<v Speaker 3>help you? Oh no, no, no, I have It's uh.

1:44:57.120 --> 1:45:01.679
<v Speaker 3>I think he's kept me from getting dates at times,

1:45:01.920 --> 1:45:05.080
<v Speaker 3>like when people sort of you know, if they google,

1:45:05.160 --> 1:45:06.960
<v Speaker 3>I don't. I don't have any social media, so you

1:45:07.000 --> 1:45:09.320
<v Speaker 3>have to sort of google me and then that tends

1:45:09.360 --> 1:45:12.640
<v Speaker 3>to be up there Gregory Yates and uh, you know,

1:45:12.800 --> 1:45:16.599
<v Speaker 3>I genuinely think people have gotten spooked before. It's just acting.

1:45:17.120 --> 1:45:19.080
<v Speaker 1>Yeah, but it's it's a testament to how good you are,

1:45:19.120 --> 1:45:21.960
<v Speaker 1>because there's plenty of creeps all over SVU every week,

1:45:22.040 --> 1:45:24.719
<v Speaker 1>but you are like a you're a creep to remember

1:45:26.360 --> 1:45:28.880
<v Speaker 1>what how did it like? We know that your character,

1:45:29.080 --> 1:45:31.920
<v Speaker 1>this character started on Chicago PD and then it was

1:45:31.920 --> 1:45:34.920
<v Speaker 1>a crossover into SVU, So how did it like all start?

1:45:35.000 --> 1:45:37.960
<v Speaker 1>Did you just going it was going to be a lot? Yeah?

1:45:38.120 --> 1:45:40.640
<v Speaker 1>So is that once or did you keep getting surprised?

1:45:41.320 --> 1:45:45.120
<v Speaker 3>Uh? I knew that it was going to be the

1:45:45.200 --> 1:45:53.760
<v Speaker 3>crossover event of the decade. But I believe the chronology

1:45:53.880 --> 1:45:58.960
<v Speaker 3>is right that I I get this is this is

1:45:59.040 --> 1:46:02.800
<v Speaker 3>daydream believer talking about yes or yeah. I believe I

1:46:02.840 --> 1:46:06.439
<v Speaker 3>get put away in this and then in the beginning

1:46:06.479 --> 1:46:09.400
<v Speaker 3>of the next season of straight up Law and Order,

1:46:09.640 --> 1:46:13.280
<v Speaker 3>I come back to sort of you know, uh, and

1:46:13.320 --> 1:46:15.439
<v Speaker 3>then I break out of jail again. So I didn't

1:46:15.439 --> 1:46:17.360
<v Speaker 3>know that that second part was going to happen, but

1:46:17.400 --> 1:46:19.080
<v Speaker 3>I did know that I was going to be back

1:46:19.120 --> 1:46:20.840
<v Speaker 3>and forth from Chicago and New York.

1:46:20.880 --> 1:46:22.760
<v Speaker 1>And so did you know you were going to be

1:46:22.800 --> 1:46:23.719
<v Speaker 1>friends with Rednick?

1:46:23.800 --> 1:46:29.519
<v Speaker 3>That was all surprises, yes, No, that was surprises later.

1:46:29.720 --> 1:46:33.080
<v Speaker 2>Yes, So that's exciting. So you killed it. I mean,

1:46:33.960 --> 1:46:35.160
<v Speaker 2>what we talked about.

1:46:34.880 --> 1:46:40.599
<v Speaker 1>A lot is your evil, horny, sweat like face that

1:46:42.479 --> 1:46:45.840
<v Speaker 1>there's like a sheen of sweat cracking the neck. How

1:46:45.880 --> 1:46:50.640
<v Speaker 1>did you how did you decide that characterization for the

1:46:50.640 --> 1:46:51.320
<v Speaker 1>creepy vibe.

1:46:51.800 --> 1:46:55.599
<v Speaker 3>Yeah, it's the most fun, it really is playing bad

1:46:55.640 --> 1:46:59.559
<v Speaker 3>guys because you just, first of all, you don't care

1:46:59.640 --> 1:47:03.760
<v Speaker 3>about anyone else, and every time they like try and

1:47:03.800 --> 1:47:06.640
<v Speaker 3>make you mad, or try and make you upset, or

1:47:06.640 --> 1:47:10.120
<v Speaker 3>try and play on your heart strings, you just find

1:47:10.120 --> 1:47:15.640
<v Speaker 3>it cute, hilarious. And so then you know, like I

1:47:15.680 --> 1:47:20.080
<v Speaker 3>knew that he was going to have to be overcome

1:47:20.160 --> 1:47:24.599
<v Speaker 3>by this sweaty, sheeny, horny face when looking at pictures

1:47:24.640 --> 1:47:27.400
<v Speaker 3>of dead Nadia. So you try and put it in,

1:47:28.520 --> 1:47:31.120
<v Speaker 3>layer it in, you know before, so the audience has

1:47:31.160 --> 1:47:35.360
<v Speaker 3>seen that before. I don't know, Yeah, I think you

1:47:35.560 --> 1:47:40.519
<v Speaker 3>just I think I probably just you know, thought about sweaty,

1:47:40.520 --> 1:47:46.640
<v Speaker 3>horny things, not dead things, but you know, and just

1:47:47.320 --> 1:47:50.760
<v Speaker 3>you just let yourself be outrageously free in front of

1:47:50.840 --> 1:47:52.639
<v Speaker 3>the camera. Wow.

1:47:53.040 --> 1:47:55.599
<v Speaker 2>And do you decide that on your own doing your

1:47:55.600 --> 1:47:57.640
<v Speaker 2>own work or is that something you talk about with

1:47:57.680 --> 1:48:01.840
<v Speaker 2>the director or like or were they like, we love this,

1:48:02.040 --> 1:48:05.560
<v Speaker 2>We're bringing you back for more of this vibe.

1:48:06.160 --> 1:48:09.400
<v Speaker 3>Yeah, I mean I knew that it was I knew

1:48:09.439 --> 1:48:11.559
<v Speaker 3>that it was something I had to layer in because

1:48:11.600 --> 1:48:14.120
<v Speaker 3>it was going to be such a turn for him.

1:48:14.240 --> 1:48:16.720
<v Speaker 3>It's you know, he basically puts himself away from the

1:48:16.760 --> 1:48:25.120
<v Speaker 3>fact that he can't control his tink. But you know,

1:48:25.240 --> 1:48:29.080
<v Speaker 3>you talk with the other people, the writers and the

1:48:29.120 --> 1:48:32.559
<v Speaker 3>director and just make sure that that line is tracking,

1:48:32.680 --> 1:48:35.720
<v Speaker 3>make sure that you know it's there. Okay, we got

1:48:35.720 --> 1:48:38.040
<v Speaker 3>it Okay, great, because I'm going to use that later,

1:48:38.240 --> 1:48:38.479
<v Speaker 3>you know.

1:48:39.920 --> 1:48:44.240
<v Speaker 2>Yeah, and in all evil fashion, you did represent yourself, which.

1:48:44.200 --> 1:48:46.200
<v Speaker 3>Got to yeah, that's so fun.

1:48:46.600 --> 1:48:47.440
<v Speaker 1>Yeah.

1:48:47.520 --> 1:48:50.599
<v Speaker 3>I remember it was like the first day of that

1:48:50.680 --> 1:48:55.840
<v Speaker 3>big courtroom scene and like everyone from both shows are there.

1:48:55.880 --> 1:48:59.280
<v Speaker 3>There's like seventeen million dollars sitting in the you know,

1:49:00.160 --> 1:49:03.280
<v Speaker 3>the gallery, and they were like, Oh, it's going to

1:49:03.360 --> 1:49:06.040
<v Speaker 3>be this, and it's going to be this, and then

1:49:06.840 --> 1:49:09.559
<v Speaker 3>you know, like halfway through the day it'll be you.

1:49:10.600 --> 1:49:12.800
<v Speaker 3>And I was like, oh great, I can sit here

1:49:12.920 --> 1:49:16.120
<v Speaker 3>and memorize my lines while this other eight hours of

1:49:16.160 --> 1:49:19.519
<v Speaker 3>work is going on. And so they shot the first

1:49:19.600 --> 1:49:22.120
<v Speaker 3>one and then they were like, we're actually block shooting,

1:49:22.200 --> 1:49:24.960
<v Speaker 3>so you're going to be up right after, you know,

1:49:25.200 --> 1:49:27.920
<v Speaker 3>like in two hours or something. So I just had

1:49:28.000 --> 1:49:30.320
<v Speaker 3>chunks and chunks and chunks and chunks. So if you

1:49:30.920 --> 1:49:32.960
<v Speaker 3>I watched it again this morning, if you if you

1:49:33.000 --> 1:49:35.559
<v Speaker 3>watch it, sometimes you can see me take a piece

1:49:35.600 --> 1:49:40.080
<v Speaker 3>of paper and like read my line off of it.

1:49:40.320 --> 1:49:44.360
<v Speaker 1>Oh my god, I want to rewatch that. Yeah, that's perfect.

1:49:44.600 --> 1:49:46.800
<v Speaker 1>An actor remembering his lines is a lot like a

1:49:46.840 --> 1:49:53.639
<v Speaker 1>serial killer defending himself. I like that, Yeah, just learning

1:49:53.720 --> 1:49:56.400
<v Speaker 1>as you go on the fly. Do you do research

1:49:56.479 --> 1:49:59.360
<v Speaker 1>on killers? No?

1:49:59.439 --> 1:50:02.160
<v Speaker 3>I mean, you know, they described him as a Ted

1:50:02.200 --> 1:50:05.519
<v Speaker 3>Bundy type guy, and I remember, like I'm an old man,

1:50:05.640 --> 1:50:10.640
<v Speaker 3>so like when Ted Bundy was executed in Florida, I

1:50:10.800 --> 1:50:13.800
<v Speaker 3>was in high school and I was very against the

1:50:13.840 --> 1:50:18.760
<v Speaker 3>death penalty, even for people like Ted Bundy. So I

1:50:19.280 --> 1:50:22.400
<v Speaker 3>sort of I was involved, you know, in a way

1:50:22.439 --> 1:50:26.559
<v Speaker 3>that a sixteen year old can be involved, you know,

1:50:26.640 --> 1:50:30.960
<v Speaker 3>So I sort of had that. I you know, because

1:50:31.000 --> 1:50:35.280
<v Speaker 3>the killing all that stuff takes place off screen. I

1:50:35.280 --> 1:50:38.760
<v Speaker 3>don't really care so much about that. It's more the

1:50:39.640 --> 1:50:42.599
<v Speaker 3>my job. I knew, my job is to make people

1:50:42.680 --> 1:50:45.520
<v Speaker 3>creek out, so yeah, yeah.

1:50:45.560 --> 1:50:47.720
<v Speaker 1>And then it's like annoying in the courtroom scene too,

1:50:47.760 --> 1:50:50.559
<v Speaker 1>because like you're also smart, like you're also not a

1:50:50.600 --> 1:50:53.320
<v Speaker 1>bad lawyer for like it's like you did go to

1:50:53.360 --> 1:50:55.040
<v Speaker 1>medical school. This character is smart.

1:50:55.200 --> 1:50:58.240
<v Speaker 3>So yeah, no, I was watching it again. I have

1:50:58.280 --> 1:51:01.240
<v Speaker 3>to say the writing was really really let me off

1:51:01.280 --> 1:51:04.120
<v Speaker 3>the hook so in so many ways, in a beautiful way.

1:51:04.200 --> 1:51:09.120
<v Speaker 3>Like he's he's pushing something. I forget exactly what it was,

1:51:09.920 --> 1:51:12.400
<v Speaker 3>and he steps over the line and objection and the

1:51:13.120 --> 1:51:16.040
<v Speaker 3>judge goes, you know, restrict your line of questioning to

1:51:16.120 --> 1:51:19.400
<v Speaker 3>the thing, and he I'm sure I didn't improvise it.

1:51:19.520 --> 1:51:22.080
<v Speaker 3>I'm not that kind of actor. But he just looks

1:51:22.080 --> 1:51:25.160
<v Speaker 3>over at the gallery and he goes, Okay, dope, and

1:51:26.680 --> 1:51:29.160
<v Speaker 3>it's just so fun and beautiful, and you know, like

1:51:29.240 --> 1:51:33.479
<v Speaker 3>it's it's he just he doesn't know that he's about

1:51:33.520 --> 1:51:34.040
<v Speaker 3>to get caught.

1:51:34.360 --> 1:51:39.599
<v Speaker 1>Yeah, yeah, he's unbothered. He's not. Yeah, confidence to the max,

1:51:39.960 --> 1:51:45.400
<v Speaker 1>confidence on steroids. Well, we wanted to know who do

1:51:45.439 --> 1:51:53.599
<v Speaker 1>you think is more evil? Yates or Rudnick Long pause.

1:51:54.479 --> 1:52:01.439
<v Speaker 3>I mean what you know, like m once you're in

1:52:01.560 --> 1:52:07.679
<v Speaker 3>the profession of killing people. Serially, the distance between evil

1:52:07.800 --> 1:52:12.479
<v Speaker 3>is very slim. I don't know, I'll take it. I'm

1:52:12.479 --> 1:52:12.920
<v Speaker 3>more evil.

1:52:16.960 --> 1:52:20.080
<v Speaker 1>It is put on trophy. Yeah, let's patterns and you

1:52:20.240 --> 1:52:23.920
<v Speaker 1>like helped Redneck. So I don't know, so unfairly or.

1:52:23.800 --> 1:52:26.800
<v Speaker 2>Fairly us And the audience goes back and forth with

1:52:26.880 --> 1:52:30.680
<v Speaker 2>hating Amanda Collins aka Kelly Giddish. You work with her

1:52:30.720 --> 1:52:33.080
<v Speaker 2>a lot, so are there things you can tell us

1:52:33.080 --> 1:52:36.479
<v Speaker 2>about your time working together that might switch the people

1:52:37.120 --> 1:52:37.680
<v Speaker 2>that hate her?

1:52:38.840 --> 1:52:42.639
<v Speaker 3>Well, first of all, I met Kelly Giddish I can't

1:52:42.640 --> 1:52:48.400
<v Speaker 3>even tell you when somewhere late nineties, early two thousands

1:52:49.479 --> 1:52:53.599
<v Speaker 3>at the O'Neill Center in Connecticut, working on theater together.

1:52:54.280 --> 1:52:58.160
<v Speaker 3>So I've known her for forever. And then when it

1:52:58.280 --> 1:53:01.360
<v Speaker 3>was like, oh shit, dude's on Law and Order, and

1:53:01.360 --> 1:53:04.040
<v Speaker 3>then it was like, oh man, I get to play

1:53:04.040 --> 1:53:08.120
<v Speaker 3>with her. So we just had a ball the whole

1:53:08.160 --> 1:53:13.000
<v Speaker 3>time because we're kind of especially in that episode, I'm

1:53:13.120 --> 1:53:16.640
<v Speaker 3>kind of flirting with her. I'm kind of you know,

1:53:17.040 --> 1:53:19.920
<v Speaker 3>you can tell he wants to put that on his

1:53:20.520 --> 1:53:25.280
<v Speaker 3>mantle piece. So that was just like a great bit

1:53:25.320 --> 1:53:27.600
<v Speaker 3>of fun. I love Kelly a lot, and you know,

1:53:29.080 --> 1:53:32.120
<v Speaker 3>it's one of the it's a hard job. I remember,

1:53:32.240 --> 1:53:34.439
<v Speaker 3>like I've done all the law and Orders over the

1:53:34.520 --> 1:53:38.320
<v Speaker 3>course of the decades. And I remember I think it

1:53:38.360 --> 1:53:42.800
<v Speaker 3>was Mariska saying to her like, you know, I was

1:53:42.800 --> 1:53:45.680
<v Speaker 3>like twenty six or something, and I was like, do

1:53:45.720 --> 1:53:51.439
<v Speaker 3>you ever get bored of not emoting? Ever? Do you

1:53:51.479 --> 1:53:55.040
<v Speaker 3>ever like it's a hard job you have to you know,

1:53:55.240 --> 1:53:59.800
<v Speaker 3>just twenty two hours over twenty years of like, yes,

1:54:03.040 --> 1:54:04.600
<v Speaker 3>I've got it, you know what I mean. There's not

1:54:04.680 --> 1:54:07.320
<v Speaker 3>a lot of range that that you get to play

1:54:07.360 --> 1:54:10.400
<v Speaker 3>with there. And I don't know what what your viewers

1:54:11.280 --> 1:54:14.679
<v Speaker 3>listener's issue is with Kelly Giddish, but I can tell

1:54:15.120 --> 1:54:17.240
<v Speaker 3>them that they are incorrect.

1:54:19.160 --> 1:54:21.879
<v Speaker 1>Not not really the actress. I think it's Amanda Rollins

1:54:21.920 --> 1:54:24.479
<v Speaker 1>more as a person that they have the issue with.

1:54:24.600 --> 1:54:27.400
<v Speaker 1>No One everyone hears that Kelly Giddish is a lovely person.

1:54:27.640 --> 1:54:30.680
<v Speaker 2>You know, you mentioned that you met Kelly Giddish so

1:54:30.720 --> 1:54:33.760
<v Speaker 2>long ago through theater. You also went to Juilliard and

1:54:33.840 --> 1:54:35.160
<v Speaker 2>at theater in New York for so long. Do you

1:54:35.200 --> 1:54:37.080
<v Speaker 2>have tons of friends that have been on SVU and

1:54:37.120 --> 1:54:39.080
<v Speaker 2>all the Law and Orders? Is it like Pokemon. You

1:54:39.160 --> 1:54:41.880
<v Speaker 2>guys are like comparing and seeing what's up.

1:54:42.920 --> 1:54:45.680
<v Speaker 3>Yeah, it's like grad school. Like Jenna Stern was my

1:54:45.800 --> 1:54:50.720
<v Speaker 3>judge on this episode, Shan I dated briefly no way,

1:54:51.520 --> 1:54:54.600
<v Speaker 3>you know, like Coop back in the day. Oh, here's

1:54:54.640 --> 1:54:55.920
<v Speaker 3>a good here's a good Scoop.

1:54:57.200 --> 1:54:57.320
<v Speaker 1>Uh.

1:54:57.640 --> 1:55:02.600
<v Speaker 3>The episode is called Daydream Believer, and I was circling

1:55:02.960 --> 1:55:10.080
<v Speaker 3>this phenomenal young lady named Indigo Street and she at

1:55:10.120 --> 1:55:14.800
<v Speaker 3>one point was like, Uh, what are you doing today?

1:55:14.880 --> 1:55:16.880
<v Speaker 3>And I said, Oh, I'm getting I'm going to a

1:55:16.920 --> 1:55:19.360
<v Speaker 3>costume fitting. I've got to play a serial killer on

1:55:19.440 --> 1:55:21.920
<v Speaker 3>Law and Order. And she was like, is it the

1:55:22.000 --> 1:55:25.400
<v Speaker 3>Law and Order where you sing Daydream Believer? And I

1:55:25.440 --> 1:55:28.200
<v Speaker 3>was like yes, and she was like, I'm singing the

1:55:28.280 --> 1:55:32.320
<v Speaker 3>track that you sing along to. So in the beginning

1:55:32.360 --> 1:55:35.240
<v Speaker 3>of sort of is it? Is it not romance? That

1:55:35.360 --> 1:55:39.440
<v Speaker 3>was very sort of like, oh, the universe is telling us.

1:55:39.040 --> 1:55:42.520
<v Speaker 1>That's because we talked about that. We're like. I was like, oh,

1:55:42.520 --> 1:55:44.400
<v Speaker 1>by the way, this is a monkey song, but this

1:55:44.480 --> 1:55:46.680
<v Speaker 1>is a cover that they're doing, and so the singer

1:55:46.760 --> 1:55:48.560
<v Speaker 1>of that cover is Indigo Street.

1:55:48.880 --> 1:55:53.320
<v Speaker 3>Wow. Yes and yeah, and we we literally sing a

1:55:53.400 --> 1:55:57.040
<v Speaker 3>duet together. It's amazing. You know, two separate places.

1:55:57.120 --> 1:56:00.880
<v Speaker 1>Yeah, and you mentioned that you watched the episode this morning.

1:56:00.920 --> 1:56:03.240
<v Speaker 1>Do you always watch your work or was it special.

1:56:02.880 --> 1:56:07.920
<v Speaker 3>For us, special for you? I stopped watching myself. I

1:56:07.960 --> 1:56:14.120
<v Speaker 3>stopped watching myself. I think in twenty ten it it

1:56:14.280 --> 1:56:18.200
<v Speaker 3>generally makes me feel not happy. I'm a very delicate flower.

1:56:20.640 --> 1:56:24.080
<v Speaker 3>But I have to say, like I was. I was

1:56:24.200 --> 1:56:26.480
<v Speaker 3>pleasantly surprised this morning. I was like, oh you did

1:56:26.560 --> 1:56:30.880
<v Speaker 3>all right. Like my very first movie, Sissy Spacek played

1:56:30.880 --> 1:56:34.680
<v Speaker 3>my mother, and she said, never watch yourself, don't watch yourself.

1:56:35.400 --> 1:56:37.360
<v Speaker 3>And I was like, uh, Sissy, I'm going to be

1:56:37.360 --> 1:56:41.200
<v Speaker 3>in a movie, I'll be watching myself. But she was

1:56:41.200 --> 1:56:44.360
<v Speaker 3>like maybe, you know, like twenty years on, like maybe then.

1:56:44.560 --> 1:56:47.280
<v Speaker 3>And I have to say, like it was. It was fine.

1:56:47.320 --> 1:56:49.360
<v Speaker 3>It was I think it's been ten years or something

1:56:49.400 --> 1:56:51.840
<v Speaker 3>like that since this episode. And I was like, oh,

1:56:51.960 --> 1:56:55.320
<v Speaker 3>you know I used to be young. Yeah.

1:56:55.720 --> 1:56:58.120
<v Speaker 1>Well, I'm like, I like, never read the comments, and

1:56:58.160 --> 1:57:00.080
<v Speaker 1>I'm always like yeah, I don't read the comments, and

1:57:00.080 --> 1:57:03.400
<v Speaker 1>then I fully read the comments. Right, I can't stop myself.

1:57:03.480 --> 1:57:07.240
<v Speaker 1>It's like horrible. Did these basic daughter has been on SVU?

1:57:07.920 --> 1:57:11.000
<v Speaker 3>Oh yeah, yeah, oh nice?

1:57:11.760 --> 1:57:13.000
<v Speaker 1>Yeah, but she was wild.

1:57:13.120 --> 1:57:16.480
<v Speaker 2>She kept killing her babies that her father was impregnating

1:57:16.520 --> 1:57:16.880
<v Speaker 2>her with.

1:57:17.520 --> 1:57:20.680
<v Speaker 3>Yes, SPA does some weird things. I think the first

1:57:20.680 --> 1:57:23.640
<v Speaker 3>time I was on I was a I was a

1:57:23.680 --> 1:57:28.560
<v Speaker 3>self loathing homosexual who dealt with that by raping women.

1:57:29.240 --> 1:57:35.920
<v Speaker 3>And I was like, okay, these are what Wait?

1:57:35.920 --> 1:57:37.720
<v Speaker 1>Did you audition for this or did they bring you

1:57:37.760 --> 1:57:41.000
<v Speaker 1>back after just because they remembered you from week.

1:57:41.720 --> 1:57:45.680
<v Speaker 3>I don't remember. Uh No, I don't remember whether I

1:57:45.760 --> 1:57:49.560
<v Speaker 3>auditioned for it or not. It's that sounds like I'm

1:57:49.600 --> 1:57:52.920
<v Speaker 3>getting offers all the time, and I have that's not true.

1:57:53.280 --> 1:57:58.120
<v Speaker 3>But I remember there was a moment there where like

1:57:58.440 --> 1:58:00.600
<v Speaker 3>me and Dick Wolf were friends. Like I was the

1:58:00.680 --> 1:58:03.320
<v Speaker 3>bad guy on the pilot of Elementary. I was the

1:58:03.360 --> 1:58:05.400
<v Speaker 3>bad guy on you know, like I was just sort

1:58:05.440 --> 1:58:09.560
<v Speaker 3>of constantly around. So I don't remember whether I actually

1:58:09.600 --> 1:58:13.000
<v Speaker 3>read or not, but or whether they just called and said,

1:58:13.000 --> 1:58:13.560
<v Speaker 3>will you do this?

1:58:14.000 --> 1:58:15.760
<v Speaker 1>I don't know if I realized Elementary was a Dick

1:58:15.840 --> 1:58:16.800
<v Speaker 1>Wolf part project.

1:58:17.280 --> 1:58:22.160
<v Speaker 3>It's not. It's sorry, I conflated two different things in

1:58:22.240 --> 1:58:28.480
<v Speaker 3>my old age. Dick Wolf's Elementary on CBS, a.

1:58:28.600 --> 1:58:30.960
<v Speaker 1>Different network, different than Matt.

1:58:32.080 --> 1:58:34.360
<v Speaker 3>Yeah, I think maybe that's it. Maybe it was less

1:58:34.400 --> 1:58:37.600
<v Speaker 3>Dick Wolf and more like I was the TV bad

1:58:37.680 --> 1:58:39.320
<v Speaker 3>guy for a hot second there.

1:58:39.960 --> 1:58:41.520
<v Speaker 1>Well, that's what I was going to ask you about that,

1:58:41.640 --> 1:58:45.040
<v Speaker 1>because it's funny to me, like you, to me, you're

1:58:45.120 --> 1:58:47.680
<v Speaker 1>this TV bad guy. But then I watched you in Insatiable,

1:58:47.760 --> 1:58:51.200
<v Speaker 1>where you're this like, you know, beauty pageant coach, and

1:58:51.200 --> 1:58:53.800
<v Speaker 1>you're very funny in that. But then you've played a

1:58:53.880 --> 1:58:56.720
<v Speaker 1>scientist in The Walking Dead, right, and then you just

1:58:57.080 --> 1:58:59.360
<v Speaker 1>to me, looking at your IMDb, you you really play

1:58:59.400 --> 1:59:02.200
<v Speaker 1>a lot of very roles. And when we interview people

1:59:02.240 --> 1:59:04.760
<v Speaker 1>on this podcast, not all of them, but many of

1:59:04.800 --> 1:59:06.920
<v Speaker 1>them are like, yeah, yeah, yeah, I'm always the bad guy.

1:59:06.960 --> 1:59:08.800
<v Speaker 1>Yeah yeah, yeah, I'm always like the dad or I'm

1:59:08.800 --> 1:59:11.400
<v Speaker 1>always the mom. And like, you seem like you don't

1:59:11.400 --> 1:59:14.160
<v Speaker 1>get type cast as much. How do you think you

1:59:14.240 --> 1:59:17.920
<v Speaker 1>accomplished that? Because I think getting type cast is so difficult.

1:59:18.840 --> 1:59:20.200
<v Speaker 1>He's like by being good.

1:59:20.840 --> 1:59:24.720
<v Speaker 3>Honestly, I'm just I think it's because I've never hit

1:59:25.240 --> 1:59:28.640
<v Speaker 3>in anything big, like as soon as you if I

1:59:28.720 --> 1:59:33.320
<v Speaker 3>hit Insatiable, it would not a lot of people would

1:59:33.400 --> 1:59:36.320
<v Speaker 3>hire me to be the bad guy. If you know,

1:59:36.360 --> 1:59:38.320
<v Speaker 3>if you hit in a comedy, they're like, he's a

1:59:38.320 --> 1:59:41.920
<v Speaker 3>comedy guy. Some people manage to make it through and

1:59:42.240 --> 1:59:46.520
<v Speaker 3>you know, continue to be a chameleon after really sort

1:59:46.520 --> 1:59:50.160
<v Speaker 3>of bouncing off the the brain pen of you know,

1:59:50.240 --> 1:59:54.280
<v Speaker 3>pop culture. I just have never had that honor or

1:59:54.480 --> 1:59:57.600
<v Speaker 3>horror yet, so i'm you know, I'm allowed to sort

1:59:57.640 --> 2:00:04.000
<v Speaker 3>of you know, even to day, I get I get

2:00:04.240 --> 2:00:07.320
<v Speaker 3>jobs from auditions from people who have no idea who

2:00:07.320 --> 2:00:09.680
<v Speaker 3>I am. I've never heard of me, so that helps too.

2:00:09.880 --> 2:00:12.400
<v Speaker 3>And I think, you know, it's one of the reasons

2:00:12.400 --> 2:00:17.960
<v Speaker 3>that I, besides being old, that I have not gone

2:00:18.000 --> 2:00:22.080
<v Speaker 3>down the social media role, is because if you don't

2:00:22.080 --> 2:00:24.480
<v Speaker 3>know me, then I can be anything. You know.

2:00:24.600 --> 2:00:27.840
<v Speaker 1>Yeah, yeah, that's really interesting.

2:00:28.160 --> 2:00:32.320
<v Speaker 2>You probably have more time on your hands too. Oh,

2:00:32.520 --> 2:00:35.440
<v Speaker 2>I spent fifteen hours a day on Instagram, so you're

2:00:35.480 --> 2:00:37.440
<v Speaker 2>really probably accomplishing a lot.

2:00:38.040 --> 2:00:41.480
<v Speaker 3>I don't. I wish I could say that. Yeah, I

2:00:42.200 --> 2:00:43.760
<v Speaker 3>do have a lot of time on my hands, just

2:00:43.840 --> 2:00:46.440
<v Speaker 3>it's the nature of being an actor. But I feel

2:00:46.440 --> 2:00:48.640
<v Speaker 3>it like I just spent the last I don't know

2:00:48.760 --> 2:00:52.400
<v Speaker 3>three weeks learning to make English muffins from scratch.

2:00:53.360 --> 2:00:59.480
<v Speaker 4>Whoa, yeahs nooks and crannies, and my kid came in

2:00:59.600 --> 2:01:02.280
<v Speaker 4>like for the fifth straight day after school and I'm

2:01:02.320 --> 2:01:06.080
<v Speaker 4>like laboring over this stove and he just looked at

2:01:06.080 --> 2:01:07.760
<v Speaker 4>me and he was like English muffins again.

2:01:07.800 --> 2:01:09.600
<v Speaker 3>And I was like yeah, and he goes, You're the

2:01:09.680 --> 2:01:15.080
<v Speaker 3>king of side quests. That's what you can do America.

2:01:15.160 --> 2:01:17.120
<v Speaker 3>If you in the world, if you put down the

2:01:17.120 --> 2:01:20.360
<v Speaker 3>social media, you can get all sorts of side quests.

2:01:20.400 --> 2:01:23.520
<v Speaker 1>Then amazing. How old are your kids.

2:01:23.800 --> 2:01:24.960
<v Speaker 3>Seventeen and fifteen?

2:01:25.760 --> 2:01:28.960
<v Speaker 1>Wow? And are they into the acting game or what?

2:01:30.000 --> 2:01:35.480
<v Speaker 3>No? No, okay, yeah. Ten years ago when my eldest

2:01:35.520 --> 2:01:38.720
<v Speaker 3>was like seven, it was some kind of television thing

2:01:39.400 --> 2:01:42.320
<v Speaker 3>and I needed a picture of my family on my

2:01:42.440 --> 2:01:45.840
<v Speaker 3>desk and they said, do does your son want to

2:01:45.880 --> 2:01:48.160
<v Speaker 3>be the sun? And I was like, I don't know,

2:01:48.200 --> 2:01:52.520
<v Speaker 3>I'll ask him. So I said, hey, buddy, there's this thing.

2:01:52.560 --> 2:01:56.080
<v Speaker 3>They need a picture of my family and some mother

2:01:56.160 --> 2:01:58.240
<v Speaker 3>and a son. Do you And they asked me if

2:01:58.240 --> 2:02:00.760
<v Speaker 3>you wanted to be the sun? And he was like, well,

2:02:00.800 --> 2:02:02.280
<v Speaker 3>what do I have to do? And I was like,

2:02:02.320 --> 2:02:04.480
<v Speaker 3>you would come to work with me and you would

2:02:05.120 --> 2:02:07.560
<v Speaker 3>like sit with the woman and pretend she was your mom.

2:02:07.640 --> 2:02:09.200
<v Speaker 3>You wouldn't have to talk and they would just take

2:02:09.240 --> 2:02:15.640
<v Speaker 3>pictures of you. He was like, nah, no, I just feel,

2:02:15.680 --> 2:02:17.320
<v Speaker 3>you know, I like, I like to think that he

2:02:17.720 --> 2:02:20.680
<v Speaker 3>sort of like sessed up my entire sort of career.

2:02:20.720 --> 2:02:23.400
<v Speaker 3>At that point, was like, Nah, this doesn't seem like

2:02:23.920 --> 2:02:24.720
<v Speaker 3>a smart idea.

2:02:25.920 --> 2:02:26.840
<v Speaker 1>Whatever this is?

2:02:27.440 --> 2:02:30.120
<v Speaker 3>Yeah, I mean you keep doing that.

2:02:31.720 --> 2:02:34.040
<v Speaker 1>That's so funny. Do they come to your place?

2:02:34.800 --> 2:02:37.960
<v Speaker 3>They've never seen it. I was just realizing this, they've

2:02:38.000 --> 2:02:43.680
<v Speaker 3>never seen a play that I've been in, because they

2:02:44.080 --> 2:02:48.760
<v Speaker 3>the plays that I've been in have been not appropriate

2:02:48.800 --> 2:02:53.240
<v Speaker 3>for their age. And then, uh, you know, I think

2:02:53.440 --> 2:02:58.000
<v Speaker 3>they might have watched two episodes of Insatiable. I think

2:02:58.200 --> 2:03:02.840
<v Speaker 3>just Dad in general is like boring, like you know,

2:03:03.560 --> 2:03:07.600
<v Speaker 3>and they like all of my friends are actors and

2:03:07.640 --> 2:03:11.280
<v Speaker 3>so all of like their uncles and aunts and you know,

2:03:12.200 --> 2:03:15.800
<v Speaker 3>everyone's on TV. So they're all like they're just non

2:03:15.800 --> 2:03:19.400
<v Speaker 3>plussed about the whole thing. You know. They were really

2:03:19.400 --> 2:03:22.320
<v Speaker 3>into like Euphoria this year or whatever, and I'd be like,

2:03:22.360 --> 2:03:23.880
<v Speaker 3>I got to get me a job on Euphoria and

2:03:23.920 --> 2:03:27.360
<v Speaker 3>they'd be like, oh, yeah, don't don't you ever get

2:03:27.360 --> 2:03:28.360
<v Speaker 3>on one of our shows.

2:03:30.560 --> 2:03:33.480
<v Speaker 1>Oh my god, yeah, like a creepy teacher on Euphoria

2:03:33.640 --> 2:03:37.800
<v Speaker 1>or something totally I could see it, or like a

2:03:38.160 --> 2:03:39.280
<v Speaker 1>cool dad I don't know.

2:03:40.080 --> 2:03:41.920
<v Speaker 3>Yeah, he doesn't have to be creepy.

2:03:42.920 --> 2:03:45.680
<v Speaker 1>Wait, so, speaking of different roles that you played. So

2:03:45.880 --> 2:03:49.520
<v Speaker 1>I do watch Big Sky, but I am behind by

2:03:49.600 --> 2:03:51.800
<v Speaker 1>like this whole last season. It's sitting on my DVR

2:03:51.880 --> 2:03:53.840
<v Speaker 1>waiting for me. I have two young children and have

2:03:53.880 --> 2:03:56.280
<v Speaker 1>been unable to catch it up. But what do you

2:03:56.320 --> 2:03:57.760
<v Speaker 1>play on Big Sky? Are you a creep?

2:03:58.640 --> 2:03:59.480
<v Speaker 3>I'm not a creep.

2:04:00.000 --> 2:04:00.600
<v Speaker 1>You're a good guy.

2:04:01.520 --> 2:04:07.520
<v Speaker 3>Well, oh, I mean I'm a rancher. I don't want

2:04:07.520 --> 2:04:10.600
<v Speaker 3>to spoil it for you. Okay, Yeah, I'm a rancher

2:04:10.640 --> 2:04:17.160
<v Speaker 3>whose son dies in a drug overdose and failing the

2:04:17.680 --> 2:04:21.560
<v Speaker 3>sort of protections of that one would expect from the

2:04:21.600 --> 2:04:25.600
<v Speaker 3>state and the government, he might take matters into his

2:04:25.640 --> 2:04:26.160
<v Speaker 3>own hands.

2:04:26.240 --> 2:04:29.360
<v Speaker 1>Magil Ante justice. Yeah, there's a lot of ranchers with

2:04:29.400 --> 2:04:33.440
<v Speaker 1>a dark side on Big Sky. And yeah, yeah, I'm okay,

2:04:33.480 --> 2:04:35.920
<v Speaker 1>I'm feeling it. You're I'm going to get back into it.

2:04:35.960 --> 2:04:37.800
<v Speaker 1>I got it just sitting there. I mean, I'm going

2:04:37.880 --> 2:04:40.120
<v Speaker 1>to watch them. I like the show a lot, but

2:04:40.160 --> 2:04:41.920
<v Speaker 1>I had to know if you were going to because, like,

2:04:42.000 --> 2:04:45.360
<v Speaker 1>there's a lot of trafficking and psychopaths in that show,

2:04:45.400 --> 2:04:47.680
<v Speaker 1>and I was just wondering if you were jumping back

2:04:47.720 --> 2:04:48.360
<v Speaker 1>into that or not.

2:04:48.680 --> 2:04:51.200
<v Speaker 3>Yeah, No, I was. I think I was, you know,

2:04:51.760 --> 2:04:54.280
<v Speaker 3>if you had to put a fine point on it,

2:04:54.320 --> 2:04:56.480
<v Speaker 3>I was. I'm probably on the side of good on

2:04:56.520 --> 2:05:00.880
<v Speaker 3>that show, even though I'm breaking also of laws and

2:05:00.960 --> 2:05:01.560
<v Speaker 3>more is.

2:05:02.440 --> 2:05:05.880
<v Speaker 2>Yeah yeah, yeah, but I just saw a quote today

2:05:05.920 --> 2:05:08.680
<v Speaker 2>if the laws are unjust, we must break them.

2:05:09.240 --> 2:05:13.600
<v Speaker 1>Hell yes, yes, glorious sign. I'm talking not just some rando.

2:05:15.200 --> 2:05:20.440
<v Speaker 1>It was either my fitness influencer or I just found

2:05:20.440 --> 2:05:23.480
<v Speaker 1>out one of the psychologists I follow is a cult leader,

2:05:23.800 --> 2:05:27.720
<v Speaker 1>so I had done follow her, but I'm no, it's

2:05:27.760 --> 2:05:30.880
<v Speaker 1>the holistic psychologists. She has like five point three million

2:05:30.960 --> 2:05:35.680
<v Speaker 1>followers and is a culty bad Like, she's not a

2:05:35.720 --> 2:05:39.120
<v Speaker 1>certified psychologist in any way, but she's acting like she is,

2:05:39.320 --> 2:05:43.040
<v Speaker 1>and she's in whatever. Someone set me in FO. They're like,

2:05:43.240 --> 2:05:47.080
<v Speaker 1>you're following a cult leader. I go, I'll follow. I'm not. Yes,

2:05:47.320 --> 2:05:51.240
<v Speaker 1>I'm not attached to This is truly a time to

2:05:51.280 --> 2:05:55.760
<v Speaker 1>be alive if you're a grifter. It really is the age.

2:05:57.400 --> 2:06:01.879
<v Speaker 2>Like truly for my mom's friend gave her social Security

2:06:01.960 --> 2:06:03.040
<v Speaker 2>number into the computer.

2:06:03.240 --> 2:06:06.000
<v Speaker 1>I mean, yeah, people are being tricked. Someone in my

2:06:06.040 --> 2:06:08.560
<v Speaker 1>mom group said her mother just took her mother, just

2:06:08.600 --> 2:06:11.000
<v Speaker 1>took out four hundred thousand dollars, just wired it to

2:06:11.040 --> 2:06:13.280
<v Speaker 1>Polish banks and no one flagged it. No one said

2:06:13.280 --> 2:06:16.280
<v Speaker 1>anything about this elderly woman Chase Bank, like she just

2:06:16.280 --> 2:06:18.920
<v Speaker 1>went in multiple times and was four hundred thousand dollars

2:06:19.560 --> 2:06:26.480
<v Speaker 1>chaos crazy. Anyway, another back on track. We wanted to

2:06:26.600 --> 2:06:30.840
<v Speaker 1>ask you about so this project that you're doing with Arden,

2:06:30.920 --> 2:06:32.480
<v Speaker 1>because when we saw you in New York, that's what

2:06:32.480 --> 2:06:35.440
<v Speaker 1>you're working on, this movie about three stand up comedians. Yes,

2:06:36.680 --> 2:06:38.720
<v Speaker 1>so we're stand up comedians. I mean, do you have

2:06:38.840 --> 2:06:43.760
<v Speaker 1>questions for us or just okay, No, I just wanted

2:06:43.800 --> 2:06:45.240
<v Speaker 1>you to tell us about the movie. I'm kidding.

2:06:45.880 --> 2:06:51.720
<v Speaker 3>Yeah, In the way that these things go, my presence

2:06:52.120 --> 2:06:54.840
<v Speaker 3>is not enough to get financing for the movie. So

2:06:55.040 --> 2:06:59.280
<v Speaker 3>I've been dropped from the movie, which is yeah, it's fine,

2:06:59.400 --> 2:07:04.080
<v Speaker 3>it happened all that. Like when they call you to go,

2:07:04.160 --> 2:07:06.760
<v Speaker 3>like sign a letter at intent so that we can

2:07:06.800 --> 2:07:10.040
<v Speaker 3>take this to the financiers to get money, and I'm like, oh,

2:07:10.280 --> 2:07:12.120
<v Speaker 3>you mean me, You want me to sign a letter

2:07:12.120 --> 2:07:15.000
<v Speaker 3>of intent. I'm like, you're dead. You're dead in the water.

2:07:15.160 --> 2:07:19.200
<v Speaker 3>So I don't know. I wish them the best, but

2:07:19.840 --> 2:07:20.400
<v Speaker 3>I won't.

2:07:20.160 --> 2:07:21.960
<v Speaker 1>Be doing it, so I didn't mean to like bring

2:07:22.000 --> 2:07:24.480
<v Speaker 1>it up. If that sounds shitty, that's sucking.

2:07:24.520 --> 2:07:27.160
<v Speaker 3>It's it's it is shitty. It's a shitty business. But

2:07:27.200 --> 2:07:30.400
<v Speaker 3>it's not the first time, so I'm not you know,

2:07:30.600 --> 2:07:33.919
<v Speaker 3>I'm I'm genuinely used to it.

2:07:33.920 --> 2:07:38.600
<v Speaker 1>It's just wild because your IMDb is fucking stacked. Like

2:07:38.640 --> 2:07:41.520
<v Speaker 1>I'm even just like glancing at it again. Now you've

2:07:41.520 --> 2:07:43.960
<v Speaker 1>been in you're like, we see, we meet so many

2:07:43.960 --> 2:07:46.440
<v Speaker 1>people that have done like one little role on one

2:07:46.520 --> 2:07:49.480
<v Speaker 1>hundred shows, but you like come back on everything you do,

2:07:49.560 --> 2:07:53.400
<v Speaker 1>you're recurring, Like that's I think huge.

2:07:54.120 --> 2:07:56.920
<v Speaker 3>Yeah. No, I've been very fortunate, so fun sucks me.

2:07:57.280 --> 2:07:59.560
<v Speaker 3>I mean, not to suck them, but you know, go

2:07:59.640 --> 2:08:04.840
<v Speaker 3>with guy or however you wish to say that now.

2:08:04.880 --> 2:08:08.800
<v Speaker 3>I've been fortunate to you know, to be it was

2:08:08.920 --> 2:08:10.960
<v Speaker 3>very important for me to be a New York actor

2:08:11.360 --> 2:08:14.160
<v Speaker 3>when I was coming out of school and managing to

2:08:14.200 --> 2:08:18.680
<v Speaker 3>sort of cobble together you know, television and film whilst

2:08:18.760 --> 2:08:22.160
<v Speaker 3>remaining in New York. I've been very fortunate in that regard.

2:08:22.280 --> 2:08:26.640
<v Speaker 3>And you know, unless they shoot me dead, they usually

2:08:26.840 --> 2:08:28.280
<v Speaker 3>will find a way to ask me back.

2:08:28.600 --> 2:08:33.560
<v Speaker 1>Yeah, Yeah, unfortunately you do die on Chicago PD. Right,

2:08:33.600 --> 2:08:35.800
<v Speaker 1>they bring you back to Chicago p D and then

2:08:35.880 --> 2:08:38.720
<v Speaker 1>you are killed, which I feel like I didn't even

2:08:38.760 --> 2:08:41.160
<v Speaker 1>know that because I'm not a Chicago p D watcher.

2:08:41.760 --> 2:08:41.960
<v Speaker 3>Yeah.

2:08:41.960 --> 2:08:43.800
<v Speaker 1>I didn't even know that though until I started looking

2:08:43.880 --> 2:08:46.160
<v Speaker 1>at this episode because I don't watch Chicago PD. So

2:08:46.200 --> 2:08:48.760
<v Speaker 1>I think I was like, oh, what happens to eight's again?

2:08:48.800 --> 2:08:50.440
<v Speaker 1>And then when you look it up, it's like, oh,

2:08:50.760 --> 2:08:54.840
<v Speaker 1>full Chicago p D death at the hands of Sophia Bush,

2:08:54.880 --> 2:08:55.440
<v Speaker 1>I think.

2:08:55.280 --> 2:09:00.120
<v Speaker 3>Right, yeah, in a basement, if I remember correctly.

2:09:00.960 --> 2:09:03.040
<v Speaker 1>Where you had just killed your own dad or something.

2:09:04.480 --> 2:09:08.360
<v Speaker 3>Yes, I pushed someone off of something. It was there

2:09:08.360 --> 2:09:12.640
<v Speaker 3>was a height, yeah, and then I just I just

2:09:12.720 --> 2:09:16.080
<v Speaker 3>remember them putting the like the dot on my forehead

2:09:16.080 --> 2:09:21.200
<v Speaker 3>where the bullet went through on the ground for a while. Yeah. Well,

2:09:21.240 --> 2:09:24.080
<v Speaker 3>after I'm dead, you know, like you go like they

2:09:24.080 --> 2:09:25.760
<v Speaker 3>go bang and you go like that, and then they

2:09:25.920 --> 2:09:28.920
<v Speaker 3>do it with computers. But then afterwards it's practical makeup.

2:09:29.480 --> 2:09:33.040
<v Speaker 1>Wow. Yeah, let me ask you this. So you had

2:09:33.080 --> 2:09:36.240
<v Speaker 1>to you had to be violent with the actress that

2:09:36.320 --> 2:09:38.760
<v Speaker 1>played Nadia, So how did that work out?

2:09:38.800 --> 2:09:38.960
<v Speaker 3>Like?

2:09:39.080 --> 2:09:40.840
<v Speaker 1>How does that work? I mean, you were like those

2:09:40.880 --> 2:09:44.480
<v Speaker 1>scenes are so scary. You're like slapping her and like and.

2:09:44.360 --> 2:09:46.240
<v Speaker 2>That must not be real tape? Is there a movie

2:09:46.280 --> 2:09:47.880
<v Speaker 2>magic with the tape or is it real tape?

2:09:47.920 --> 2:09:52.640
<v Speaker 3>On her? It's it's tape. But it's like they'll take

2:09:53.440 --> 2:09:57.960
<v Speaker 3>they'll take Electricians tape and then they'll take just a

2:09:58.040 --> 2:10:00.920
<v Speaker 3>tiny bit, smaller bit of Electricians tape and stick it

2:10:01.000 --> 2:10:04.160
<v Speaker 3>to the back. So it's definitely it's sticking to her

2:10:04.160 --> 2:10:06.560
<v Speaker 3>face there, and it's sticking to her face there, but

2:10:06.880 --> 2:10:09.000
<v Speaker 3>I just have to barely peel it off and then

2:10:09.040 --> 2:10:09.680
<v Speaker 3>it comes off.

2:10:10.720 --> 2:10:10.880
<v Speaker 1>Yeah.

2:10:11.000 --> 2:10:15.200
<v Speaker 3>Yeah. The slapping, you know, is all done with like uh,

2:10:15.880 --> 2:10:19.080
<v Speaker 3>I mean people who you know, like you just you

2:10:19.160 --> 2:10:23.600
<v Speaker 3>make it look like, you know, I'm never actually slapping anyone. Yeah,

2:10:24.000 --> 2:10:29.400
<v Speaker 3>the camera makes it look that way. I did. There

2:10:29.480 --> 2:10:31.760
<v Speaker 3>was a moment when she was in the trunk today

2:10:31.800 --> 2:10:35.400
<v Speaker 3>and I'm done with her, and I like hit her

2:10:35.440 --> 2:10:39.400
<v Speaker 3>with a newspaper or something. I might have actually done that,

2:10:39.680 --> 2:10:42.400
<v Speaker 3>you know, like if it's something that you know, I

2:10:42.480 --> 2:10:44.560
<v Speaker 3>know is not going to hurt you, because it wasn't

2:10:44.600 --> 2:10:47.080
<v Speaker 3>even mean. It was just like, eh, be quiet now.

2:10:47.360 --> 2:10:49.720
<v Speaker 1>Yeah yeah, yeah.

2:10:49.240 --> 2:10:51.800
<v Speaker 3>I might do that. But you know, like because of

2:10:51.880 --> 2:10:56.960
<v Speaker 3>some incidences in my career. I'm usually very careful about,

2:10:58.000 --> 2:11:01.880
<v Speaker 3>you know, making sure that everybody's cool and safe, and

2:11:01.960 --> 2:11:05.840
<v Speaker 3>I don't you know, the worst part about playing a

2:11:05.960 --> 2:11:11.560
<v Speaker 3>killer is like you're you're genuinely with this other person

2:11:12.600 --> 2:11:16.400
<v Speaker 3>who's a woman who's usually younger than you are, and

2:11:16.440 --> 2:11:20.400
<v Speaker 3>you're just fucking with her so hard. So I try

2:11:20.440 --> 2:11:22.880
<v Speaker 3>and switch it off immediately after and be like, are

2:11:22.880 --> 2:11:24.720
<v Speaker 3>you all right? Is everything cool? Like do you know

2:11:24.720 --> 2:11:29.000
<v Speaker 3>what I mean? And yeah, to make people feel safe.

2:11:29.080 --> 2:11:31.840
<v Speaker 1>Yeah, we always ask people that too. We're like, yeah,

2:11:31.880 --> 2:11:34.000
<v Speaker 1>We're like, do you guys like joke in between takes

2:11:34.120 --> 2:11:37.360
<v Speaker 1>or are you like Meisner, like keeping it fully real

2:11:37.520 --> 2:11:40.200
<v Speaker 1>the whole time, because I would think that on that

2:11:40.240 --> 2:11:42.520
<v Speaker 1>show you really have to. People have told us that

2:11:42.560 --> 2:11:44.440
<v Speaker 1>you really have to joke around in between just because

2:11:44.480 --> 2:11:46.880
<v Speaker 1>in general, the subject matter is so dark on us

2:11:46.880 --> 2:11:47.480
<v Speaker 1>for you you know.

2:11:48.280 --> 2:11:54.160
<v Speaker 3>Yeah, that actress I forget her name, unfortunately, but she

2:11:54.360 --> 2:11:59.160
<v Speaker 3>was she was less jokey because she was losing her job,

2:11:59.680 --> 2:12:02.680
<v Speaker 3>you know, like at the end of the at the

2:12:02.800 --> 2:12:07.960
<v Speaker 3>end of the yeah, so you know, I was. I

2:12:08.080 --> 2:12:11.520
<v Speaker 3>was cognizant of that and sort of I try to

2:12:11.560 --> 2:12:13.760
<v Speaker 3>be as gentle as I could with her about it,

2:12:13.760 --> 2:12:16.800
<v Speaker 3>and we were talking, you know, just as actors in between,

2:12:17.520 --> 2:12:22.120
<v Speaker 3>more about how crazy the business is and how you

2:12:22.120 --> 2:12:24.160
<v Speaker 3>you know, you get this thing and then suddenly it

2:12:24.200 --> 2:12:25.840
<v Speaker 3>goes away for you know what I mean.

2:12:26.240 --> 2:12:28.920
<v Speaker 1>Yeah, like you get the series regular dream job and

2:12:28.960 --> 2:12:30.200
<v Speaker 1>then it's like bye.

2:12:30.680 --> 2:12:34.600
<v Speaker 3>Yeah, yeah, and yeah, somebody made that decision somewhere up

2:12:34.600 --> 2:12:36.360
<v Speaker 3>the line, and it's just like what you have to do.

2:12:37.440 --> 2:12:40.760
<v Speaker 3>But yeah, it just I would say, yes, when you're

2:12:40.840 --> 2:12:44.720
<v Speaker 3>making something that sort of serious and dark, you tend

2:12:44.760 --> 2:12:47.160
<v Speaker 3>to sort of lighten it up. But it also some

2:12:47.160 --> 2:12:50.720
<v Speaker 3>some people are uh, you know, maisonery and stay in

2:12:50.760 --> 2:12:53.040
<v Speaker 3>it and you know, so you just sort of have

2:12:53.080 --> 2:12:56.880
<v Speaker 3>to play with who who? Who you play with? Yeah?

2:12:57.040 --> 2:12:57.880
<v Speaker 1>Against that.

2:13:00.080 --> 2:13:02.920
<v Speaker 2>Well, I've heard of someone was saying how it's like

2:13:02.960 --> 2:13:05.080
<v Speaker 2>why is no one fully in character when it's a

2:13:05.160 --> 2:13:08.400
<v Speaker 2>nice guy. It's always like when you're playing a Josh,

2:13:08.720 --> 2:13:12.760
<v Speaker 2>you want to like fucking terrorize everyone, but no one's

2:13:12.800 --> 2:13:17.480
<v Speaker 2>playing gandamn being like I'm gonna be Caine, right, So

2:13:17.520 --> 2:13:18.360
<v Speaker 2>I don't buy it.

2:13:18.560 --> 2:13:20.280
<v Speaker 1>I'm like, I don't believe any of it.

2:13:20.440 --> 2:13:22.720
<v Speaker 3>No, it's it's a it's a I've never found a

2:13:22.840 --> 2:13:25.040
<v Speaker 3>use for it, and I think it's because I came

2:13:25.120 --> 2:13:28.840
<v Speaker 3>up in the theater where you know, you literally go

2:13:29.040 --> 2:13:34.360
<v Speaker 3>like and then that's when my sister died, and like

2:13:34.520 --> 2:13:37.200
<v Speaker 3>tears are falling down your face and they black out

2:13:37.320 --> 2:13:39.280
<v Speaker 3>and you pick up the table with the other actor

2:13:39.360 --> 2:13:43.120
<v Speaker 3>and move it off, and you know, like it's just

2:13:43.160 --> 2:13:45.960
<v Speaker 3>there's no ability to stay in it like you have

2:13:46.160 --> 2:13:46.760
<v Speaker 3>You're like, I'm.

2:13:46.680 --> 2:13:49.760
<v Speaker 1>Actually a little bit too distraught to move set furniture

2:13:49.840 --> 2:13:50.160
<v Speaker 1>right now.

2:13:50.200 --> 2:13:50.600
<v Speaker 3>Totally.

2:13:50.680 --> 2:13:52.320
<v Speaker 1>Yeah, yeah, I was.

2:13:52.320 --> 2:13:55.240
<v Speaker 2>A big L word fan, so I just wanted to

2:13:55.320 --> 2:13:57.800
<v Speaker 2>ask what was it like working with Pam Greer and

2:13:57.880 --> 2:13:59.400
<v Speaker 2>being on that set.

2:13:59.200 --> 2:14:02.440
<v Speaker 3>And just that was incredible. That was my first time

2:14:02.880 --> 2:14:08.040
<v Speaker 3>being a series regular, and it was my I sort

2:14:08.040 --> 2:14:10.480
<v Speaker 3>of learned to make TV. I mean I've done you know,

2:14:10.560 --> 2:14:13.040
<v Speaker 3>like Law and Order one episode, like New York Undercover

2:14:13.120 --> 2:14:16.200
<v Speaker 3>one episode, like little sort of things, but that was

2:14:16.240 --> 2:14:18.680
<v Speaker 3>my first, like, here's how to show up to work

2:14:18.720 --> 2:14:21.960
<v Speaker 3>every day and do it. You know, it's it was

2:14:24.080 --> 2:14:26.280
<v Speaker 3>It was really wild, Like it's first of all, the

2:14:26.320 --> 2:14:29.400
<v Speaker 3>show was not about me at all. I just got

2:14:29.440 --> 2:14:32.600
<v Speaker 3>to sort of pop in and be burst Pam's bubble,

2:14:32.640 --> 2:14:36.200
<v Speaker 3>which was an amazing job. But you would see these

2:14:36.280 --> 2:14:40.080
<v Speaker 3>you know like nine women walk to set, all of

2:14:40.120 --> 2:14:44.240
<v Speaker 3>them in like seven hundred dollars shoes, a thousand dollars shoes,

2:14:44.520 --> 2:14:47.600
<v Speaker 3>and the camera never goes down to their shoes. I

2:14:47.680 --> 2:14:51.520
<v Speaker 3>was like, how is this possible? How is this going on?

2:14:52.280 --> 2:14:55.080
<v Speaker 3>But you know, working with Pam was just you know,

2:14:55.160 --> 2:14:59.040
<v Speaker 3>you just can't believe it, and she was so lovely

2:14:59.080 --> 2:15:01.680
<v Speaker 3>and sweet, and you know, you get to do crazy

2:15:01.720 --> 2:15:04.640
<v Speaker 3>things like sing a David Bowie song with Alan Cumming

2:15:04.720 --> 2:15:08.000
<v Speaker 3>to Pam Greer, it's like, what's my life? I like his.

2:15:10.560 --> 2:15:14.600
<v Speaker 1>Wild And is your name real? Yeah? I was like,

2:15:14.720 --> 2:15:17.360
<v Speaker 1>Dallas roberts is like too perfect of an actor name.

2:15:17.960 --> 2:15:22.200
<v Speaker 3>Yeah, my real name is Todd Smith, but I decided

2:15:22.200 --> 2:15:24.520
<v Speaker 3>to change it to Dallas. No, it's not my real

2:15:24.600 --> 2:15:29.680
<v Speaker 3>Name's Dallas Robertson really yeah. I like that idea though, though,

2:15:29.720 --> 2:15:32.000
<v Speaker 3>that I like at some point went like it's gonna

2:15:32.000 --> 2:15:35.000
<v Speaker 3>be Dallas Roberts Yep.

2:15:35.280 --> 2:15:37.320
<v Speaker 1>My dad like if I met you, if I met

2:15:37.320 --> 2:15:39.760
<v Speaker 1>you working at like a rental car agency, I'd be like,

2:15:39.880 --> 2:15:42.160
<v Speaker 1>you have an actor's name, Like it's just such an

2:15:42.200 --> 2:15:43.000
<v Speaker 1>actor's name.

2:15:43.680 --> 2:15:48.280
<v Speaker 3>Yeah. Yeah. My dad is a Texan, proud Texan, and

2:15:48.320 --> 2:15:50.920
<v Speaker 3>he wanted his first son to be named Dallas, and

2:15:51.000 --> 2:15:53.680
<v Speaker 3>my mother said yes. And then he wanted his second

2:15:53.680 --> 2:15:57.680
<v Speaker 3>son to be named Houston and my mother said no. Yeah,

2:15:57.720 --> 2:16:00.480
<v Speaker 3>so my brother's name is Brian, which is also city

2:16:00.560 --> 2:16:01.160
<v Speaker 3>in Texas.

2:16:02.640 --> 2:16:07.480
<v Speaker 1>Okay, yeah, funny, Oh my gosh, that's what. That's so funny. Yeah.

2:16:07.520 --> 2:16:11.600
<v Speaker 1>Well you never didn't have to change it. That's good. Wait,

2:16:11.640 --> 2:16:14.480
<v Speaker 1>I wanted to ask one more question because you so

2:16:14.840 --> 2:16:17.480
<v Speaker 1>to us, like we after we met you in New

2:16:17.560 --> 2:16:19.560
<v Speaker 1>York when we took a photo. We did a couple

2:16:19.560 --> 2:16:21.920
<v Speaker 1>of live shows and we showed people the photo and

2:16:21.960 --> 2:16:24.400
<v Speaker 1>they were like going crazy, like to a lot of

2:16:24.400 --> 2:16:27.120
<v Speaker 1>people your yates, but to a lot of people, I'm

2:16:27.200 --> 2:16:30.400
<v Speaker 1>sure your your character from Walking Dead. I'm thinking of

2:16:30.440 --> 2:16:32.120
<v Speaker 1>like the things you've done that have like the most

2:16:32.160 --> 2:16:35.480
<v Speaker 1>like psychotic fans, Like what are like, how how are

2:16:35.520 --> 2:16:38.440
<v Speaker 1>your interactions with like Walking Dead fans versus maybe like

2:16:38.640 --> 2:16:40.800
<v Speaker 1>s F fans or even insatiable fans or people that

2:16:40.840 --> 2:16:43.480
<v Speaker 1>come up to like what's that? What's the vibe? Do

2:16:43.520 --> 2:16:46.440
<v Speaker 1>you know what someone that recognizes you from before they.

2:16:46.360 --> 2:16:51.600
<v Speaker 3>Even that's there. There's there is a little bit of

2:16:51.760 --> 2:16:56.560
<v Speaker 3>profiling that goes on because I'm I'm not famous, I'm famous,

2:16:57.600 --> 2:17:01.040
<v Speaker 3>So it's very rare very that someone will go are

2:17:01.080 --> 2:17:04.920
<v Speaker 3>you Dallas Roberts. It's usually like are you do I

2:17:05.040 --> 2:17:08.120
<v Speaker 3>know you from somewhere right, And then I'll be like,

2:17:08.280 --> 2:17:11.560
<v Speaker 3>I'm on TV sometimes and they'll be like, oh, yeah, yeah,

2:17:11.680 --> 2:17:15.039
<v Speaker 3>what what is it? And then you have to guess

2:17:15.120 --> 2:17:19.480
<v Speaker 3>what you think they're watching. My favorite story about that

2:17:19.640 --> 2:17:23.480
<v Speaker 3>is I was on That Good Wife for a number

2:17:23.480 --> 2:17:28.879
<v Speaker 3>of years and I was traveling through Atlanta and I

2:17:28.920 --> 2:17:36.280
<v Speaker 3>don't do this in airports. That whole screening thing it

2:17:36.360 --> 2:17:38.720
<v Speaker 3>is security theater, and I'll buy it. So I just

2:17:39.320 --> 2:17:41.440
<v Speaker 3>what you do is you opt out and then someone

2:17:41.480 --> 2:17:44.240
<v Speaker 3>comes over and they make sure you're not carrying weapons.

2:17:44.280 --> 2:17:46.800
<v Speaker 3>They give you a little massage before the flight. It's lovely.

2:17:49.400 --> 2:17:52.600
<v Speaker 3>And so I'm flying into Atlanta and this like twenty

2:17:52.600 --> 2:17:56.680
<v Speaker 3>seven year old kid goes they go, Maile assist and

2:17:56.720 --> 2:17:58.360
<v Speaker 3>he comes over and he's he's like, come this way,

2:17:58.720 --> 2:18:00.119
<v Speaker 3>and then he turns back to me and he goes,

2:18:00.720 --> 2:18:04.240
<v Speaker 3>are you the brother? And I go I am, and

2:18:04.280 --> 2:18:07.520
<v Speaker 3>he goes, you're good. Didn't pat me down at all,

2:18:09.280 --> 2:18:10.040
<v Speaker 3>There's no way.

2:18:10.080 --> 2:18:12.400
<v Speaker 1>Alicia Floro's brother is Carrie.

2:18:13.320 --> 2:18:17.119
<v Speaker 3>Yeah, the Walking Dead. When I was on I think

2:18:17.600 --> 2:18:24.040
<v Speaker 3>season three when it was like humming, yeah, and you

2:18:24.720 --> 2:18:28.280
<v Speaker 3>never met I never met a fan that was like

2:18:29.160 --> 2:18:32.240
<v Speaker 3>I dig The Walking Dead. Like every fan was like,

2:18:32.440 --> 2:18:36.680
<v Speaker 3>oh my god, you know, so that was intense for

2:18:36.720 --> 2:18:37.120
<v Speaker 3>a while.

2:18:37.959 --> 2:18:39.520
<v Speaker 1>Yeah, that's I think that's what I was what we

2:18:39.520 --> 2:18:42.440
<v Speaker 1>were wondering because I've always heard that about their fans,

2:18:42.480 --> 2:18:45.640
<v Speaker 1>and like, I listened to this podcast that later got

2:18:45.640 --> 2:18:48.320
<v Speaker 1>made into a TV show where a girl was able

2:18:48.360 --> 2:18:52.720
<v Speaker 1>to self defense herself from her own attempted murder and

2:18:52.840 --> 2:18:55.120
<v Speaker 1>murder her attacker because she watched The Walking Dead.

2:18:55.560 --> 2:18:56.039
<v Speaker 3>Oh wow.

2:18:56.640 --> 2:18:59.360
<v Speaker 1>Yeah, And so the fans I just know, are like

2:18:59.680 --> 2:19:02.520
<v Speaker 1>so hardcore that I was like, I wonder, yeah, was

2:19:02.520 --> 2:19:06.440
<v Speaker 1>it the Dirty John thing? Yes? Yeah, Dirty John? Yeah?

2:19:06.560 --> 2:19:09.000
<v Speaker 1>Do you know about that? It's like a crime podcasting.

2:19:09.040 --> 2:19:11.440
<v Speaker 1>But yeah, the girl fought off her fucking attacker from

2:19:11.480 --> 2:19:13.920
<v Speaker 1>the Walking Down. Her mom's boyfriend tried to murder her.

2:19:13.959 --> 2:19:16.760
<v Speaker 1>He was a grifter age of the Drifter, and she

2:19:17.200 --> 2:19:19.560
<v Speaker 1>like knew exactly what to do because she's like, I

2:19:19.680 --> 2:19:21.920
<v Speaker 1>just watched The Walking Dead all the time, and you're like,

2:19:21.959 --> 2:19:23.000
<v Speaker 1>oh my god.

2:19:23.280 --> 2:19:25.640
<v Speaker 3>I got out my chain I saw on my baseball

2:19:25.680 --> 2:19:27.640
<v Speaker 3>bat with barbed wire on it.

2:19:30.120 --> 2:19:33.920
<v Speaker 2>Before we leave you any like tidbits from set, funny story,

2:19:34.120 --> 2:19:37.200
<v Speaker 2>something about any of the cast members that you know

2:19:37.240 --> 2:19:38.800
<v Speaker 2>we would all be excited to hear.

2:19:39.400 --> 2:19:41.040
<v Speaker 3>Yeah, no, I think we covered it, you know, like

2:19:41.080 --> 2:19:43.280
<v Speaker 3>it was great to work with Kelly. It's great to

2:19:43.680 --> 2:19:49.520
<v Speaker 3>you know, Ice is funny. I make music. It's part

2:19:49.520 --> 2:19:55.080
<v Speaker 3>of my side quests and so I'm you know, like

2:19:55.120 --> 2:19:57.800
<v Speaker 3>I've got all these like beeping lights and stuff and

2:19:57.840 --> 2:20:00.600
<v Speaker 3>headphones on in my in my door was hoping. He

2:20:00.640 --> 2:20:02.560
<v Speaker 3>walked by and he was like, what are you making?

2:20:02.640 --> 2:20:05.320
<v Speaker 3>And so we had like a little sort of like yo,

2:20:05.600 --> 2:20:07.720
<v Speaker 3>I haven't seen that, you know, like I'm making a

2:20:07.760 --> 2:20:09.000
<v Speaker 3>beat with Ice.

2:20:09.600 --> 2:20:09.720
<v Speaker 1>Wo.

2:20:10.560 --> 2:20:17.840
<v Speaker 3>Yeah, yeah, it's uh, it's I look, I look quite

2:20:17.840 --> 2:20:19.360
<v Speaker 3>fondly on that.

2:20:19.360 --> 2:20:22.080
<v Speaker 1>That experience good and I'm glad you got to watch

2:20:22.120 --> 2:20:25.800
<v Speaker 1>yourself in it because it is such a performance, thank you,

2:20:26.440 --> 2:20:30.440
<v Speaker 1>such little moments and layered evil and it's just very

2:20:30.520 --> 2:20:34.360
<v Speaker 1>very good. Yeah, so great. Is there any anything that

2:20:34.440 --> 2:20:37.320
<v Speaker 1>you want our listeners to check out, like anything specific

2:20:37.440 --> 2:20:41.440
<v Speaker 1>that's like recently come out or coming out or anything. Uh,

2:20:42.440 --> 2:20:45.440
<v Speaker 1>since I know we can't direct them to your socials.

2:20:45.120 --> 2:20:49.040
<v Speaker 3>Right, yes, just uh you can't follow me on socials

2:20:49.040 --> 2:20:50.440
<v Speaker 3>and don't follow me in the street.

2:20:50.640 --> 2:20:53.959
<v Speaker 1>No, we searched. Oh, we saw that there are some

2:20:54.000 --> 2:20:56.959
<v Speaker 1>fan accounts. There are some fan accounts that are like

2:20:57.480 --> 2:21:00.360
<v Speaker 1>going to art in who she follows, who follow her?

2:21:00.440 --> 2:21:03.600
<v Speaker 1>We really went on a search and right too, pool

2:21:03.640 --> 2:21:04.240
<v Speaker 1>for and stuff.

2:21:04.920 --> 2:21:09.039
<v Speaker 3>My kids have Instagram and so that's my sort of

2:21:09.160 --> 2:21:10.160
<v Speaker 3>lens into it.

2:21:10.600 --> 2:21:14.160
<v Speaker 1>And you don't. I mean, I'll never get off of it.

2:21:14.200 --> 2:21:20.200
<v Speaker 1>I'm addicted, but you don't need it. This was awesome, though,

2:21:20.240 --> 2:21:22.440
<v Speaker 1>Thank you so much for taking the time to talk

2:21:22.440 --> 2:21:22.800
<v Speaker 1>to us.

2:21:23.080 --> 2:21:25.640
<v Speaker 3>Guys, Thanks so much for having me. No, it was

2:21:26.160 --> 2:21:28.360
<v Speaker 3>genuine pleasure and I got to, you know, go back

2:21:28.360 --> 2:21:29.800
<v Speaker 3>and watch it.

2:21:30.280 --> 2:21:34.720
<v Speaker 1>Yeah, yeah, yeah, And hopefully we'll run into you through

2:21:34.840 --> 2:21:36.640
<v Speaker 1>Arden again one of these days and we'll be more

2:21:36.680 --> 2:21:37.920
<v Speaker 1>chill because now we've talked to you.

2:21:38.920 --> 2:21:39.879
<v Speaker 3>No worries.

2:21:43.920 --> 2:21:46.760
<v Speaker 1>That was fun, so fun. I love him. I could

2:21:46.800 --> 2:21:47.560
<v Speaker 1>talk to him all day.

2:21:48.280 --> 2:21:48.440
<v Speaker 3>Yeah.

2:21:48.480 --> 2:21:49.920
<v Speaker 1>I bet we could see him in New York. I

2:21:49.920 --> 2:21:52.600
<v Speaker 1>bet we could get a hang out of him. I

2:21:52.600 --> 2:21:55.000
<v Speaker 1>wonder if I'm at Diane Neil or buds, we can

2:21:55.040 --> 2:21:59.040
<v Speaker 1>all get fucked up, stay out past one in the morning,

2:21:59.160 --> 2:22:01.360
<v Speaker 1>how about that? Yeah? What the fuck?

2:22:01.600 --> 2:22:04.760
<v Speaker 2>I'm still so pissed at this town and I keep

2:22:04.760 --> 2:22:06.760
<v Speaker 2>trying to have you know, I go to the beach,

2:22:06.800 --> 2:22:09.200
<v Speaker 2>I'm going pools, I'm making plans, I'm being out, I'm

2:22:09.200 --> 2:22:12.200
<v Speaker 2>being active. Yeah, trying to enjoy this fucking town. And

2:22:12.200 --> 2:22:14.000
<v Speaker 2>then at one in the morning, it's like, go home,

2:22:14.040 --> 2:22:16.640
<v Speaker 2>you dumb bitch. Yeah, it's not a late town. It's

2:22:16.640 --> 2:22:19.039
<v Speaker 2>so early to rise, early to bed kind of town.

2:22:19.120 --> 2:22:21.800
<v Speaker 2>I mean I think that's yeah, I'm up early too.

2:22:21.800 --> 2:22:25.680
<v Speaker 2>The sun is wild the sun is popping in my apartment.

2:22:25.800 --> 2:22:28.440
<v Speaker 1>The sun is popping, the sun is wilding out every

2:22:28.440 --> 2:22:29.160
<v Speaker 1>fucking morning.

2:22:29.200 --> 2:22:29.400
<v Speaker 2>God.

2:22:30.160 --> 2:22:32.520
<v Speaker 1>Our friend Mike Joyce posted this. But you know, everyone's

2:22:32.600 --> 2:22:35.760
<v Speaker 1>like so into the new Cosmos photos. They love the space,

2:22:35.879 --> 2:22:39.520
<v Speaker 1>they love the galaxies, and they keep showing how Hubble sucks,

2:22:39.560 --> 2:22:42.680
<v Speaker 1>and they're like, okay, drag Hubble all day, like it's

2:22:42.720 --> 2:22:46.520
<v Speaker 1>done so much work. I just couldn't believe out. Michael's like, okay,

2:22:46.560 --> 2:22:49.440
<v Speaker 1>so we're just gonna insult the Hubble all day long. Yeah,

2:22:49.480 --> 2:22:51.959
<v Speaker 1>and be like I saw something that was like I

2:22:52.000 --> 2:22:53.800
<v Speaker 1>saw some tweet that was like, look at us treating

2:22:53.800 --> 2:22:56.519
<v Speaker 1>the hubble like the before picture in a Botox commercial.

2:22:56.920 --> 2:23:03.119
<v Speaker 2>Like yeah, but I said this out loudest on yesterday

2:23:03.120 --> 2:23:04.960
<v Speaker 2>and they go, no, the Hubble has done so much

2:23:04.959 --> 2:23:06.920
<v Speaker 2>good work. And they started like telling me all these

2:23:06.959 --> 2:23:08.840
<v Speaker 2>details about the Hubble and I'm like, okay, I don't

2:23:10.280 --> 2:23:13.840
<v Speaker 2>I but I guess the Hubble's taken like seventy thousand

2:23:13.879 --> 2:23:16.720
<v Speaker 2>folks like something like the Hubble's been working for the Hubble.

2:23:16.800 --> 2:23:19.520
<v Speaker 1>Oh, the Hubble's been booked and blessed. Baby, she wor

2:23:20.120 --> 2:23:22.760
<v Speaker 1>she works. I like that.

2:23:22.840 --> 2:23:25.360
<v Speaker 2>Everyone likes space. It's just like, can we just get

2:23:25.360 --> 2:23:27.480
<v Speaker 2>an alien though? Like, what the fuck? Why are these

2:23:27.480 --> 2:23:30.600
<v Speaker 2>aliens playing with us? I don't know, Come visit, Come visit,

2:23:30.800 --> 2:23:34.920
<v Speaker 2>visit baby. It's almost like maybe they're not there. What

2:23:35.080 --> 2:23:37.520
<v Speaker 2>if there are aliens listening to this podcast? Like that

2:23:37.560 --> 2:23:38.200
<v Speaker 2>would be fun.

2:23:38.520 --> 2:23:41.240
<v Speaker 1>Oh, that would be fun. They have Apple they download

2:23:41.240 --> 2:23:46.440
<v Speaker 1>on or they listen to iHeart they have the iHeart app. Yeah,

2:23:47.280 --> 2:23:49.760
<v Speaker 1>because it's not like podcasts or even like radio, like

2:23:49.800 --> 2:23:52.320
<v Speaker 1>it's more likely that aliens can hear like your local

2:23:52.440 --> 2:23:55.920
<v Speaker 1>z Morning Zoo DJ Like that's because that's like terrestrial

2:23:56.240 --> 2:23:57.359
<v Speaker 1>like radio waves.

2:23:57.600 --> 2:24:00.520
<v Speaker 2>I will say a positive about LA great radio stations

2:24:00.600 --> 2:24:02.560
<v Speaker 2>that I was good as Chicago, but like the wave

2:24:02.600 --> 2:24:04.960
<v Speaker 2>and one O two seven are just like so good.

2:24:05.000 --> 2:24:07.560
<v Speaker 1>Oh and ninety three five KD for old school hip

2:24:07.600 --> 2:24:09.400
<v Speaker 1>hop is really good. If you have that, I thought

2:24:09.400 --> 2:24:11.640
<v Speaker 1>that's the wave. Maybe that's the way. What's the wave?

2:24:12.240 --> 2:24:14.879
<v Speaker 1>I don't know, but ninety three five is Cada. That's yeah,

2:24:14.920 --> 2:24:17.280
<v Speaker 1>that's the one I have one O two seven and

2:24:17.280 --> 2:24:19.480
<v Speaker 1>then I think the wave. But do you remember? I

2:24:19.520 --> 2:24:22.760
<v Speaker 1>mean I used to like call Eddie and Joebo, like

2:24:22.800 --> 2:24:25.480
<v Speaker 1>I used to call for Pride, like the radio was everything.

2:24:25.680 --> 2:24:27.920
<v Speaker 1>I used to call. It was one hundred in New York.

2:24:27.959 --> 2:24:29.840
<v Speaker 1>That was my favorite station because that's like the top

2:24:29.879 --> 2:24:32.600
<v Speaker 1>forty station, and I would call in eighth grade and

2:24:32.600 --> 2:24:34.640
<v Speaker 1>ask for the sign by Ace of Bass like every

2:24:34.720 --> 2:24:37.920
<v Speaker 1>day after school. I loved that song so much I.

2:24:38.040 --> 2:24:40.600
<v Speaker 2>Was I had a VHS tape of Ace of Bass

2:24:40.640 --> 2:24:42.240
<v Speaker 2>like behind the scenes, how they made it.

2:24:42.360 --> 2:24:46.080
<v Speaker 1>Yeah, we were a big Ace of Base household well.

2:24:46.120 --> 2:24:47.800
<v Speaker 2>And then the one of the Ace of basers was

2:24:47.840 --> 2:24:49.760
<v Speaker 2>on below deck and was kind of a douche and

2:24:49.800 --> 2:24:52.240
<v Speaker 2>like I remember, one of the crew members was like, Okay,

2:24:52.280 --> 2:24:54.040
<v Speaker 2>you were an Ace of Base, Like we don't care,

2:24:55.440 --> 2:24:56.959
<v Speaker 2>stop talking about.

2:24:58.120 --> 2:25:02.600
<v Speaker 1>Your songs. Okay, but we should talk about this. Let's

2:25:02.600 --> 2:25:05.879
<v Speaker 1>talk about this episode. Let's do the post mort man

2:25:06.600 --> 2:25:09.480
<v Speaker 1>into your house. No one should help you with your luggage,

2:25:09.800 --> 2:25:10.800
<v Speaker 1>with your groceries.

2:25:11.240 --> 2:25:13.520
<v Speaker 2>I saw this online. We might have talked about last episode.

2:25:13.560 --> 2:25:17.960
<v Speaker 2>I do repeat myself often. But a man would never

2:25:18.080 --> 2:25:21.040
<v Speaker 2>ask a woman for help. Ever, So if a man's

2:25:21.080 --> 2:25:23.240
<v Speaker 2>asking you for something, they're a criminal.

2:25:23.720 --> 2:25:26.720
<v Speaker 1>Yeah. Yeah. I had a guy come to my house

2:25:26.760 --> 2:25:28.800
<v Speaker 1>once when I was pregnant and his head was bleeding

2:25:28.879 --> 2:25:30.320
<v Speaker 1>and he was like, can I come in? And I

2:25:30.360 --> 2:25:33.320
<v Speaker 1>was like, no, I'm sorry, I but I called him

2:25:33.320 --> 2:25:37.240
<v Speaker 1>an uber? What did he want? Some paper towels for

2:25:37.280 --> 2:25:40.400
<v Speaker 1>his bleeding head? I don't know. No, go to super

2:25:40.400 --> 2:25:43.920
<v Speaker 1>a bitch? Are you kidding me? It was at my

2:25:44.160 --> 2:25:46.360
<v Speaker 1>It was at my old house, and I was I

2:25:46.520 --> 2:25:48.640
<v Speaker 1>was luckily I had a friend there, but I was

2:25:48.680 --> 2:25:50.720
<v Speaker 1>otherwise my husband was out of town. I was alone,

2:25:50.760 --> 2:25:53.360
<v Speaker 1>but I did have a friend, a friend of the pod,

2:25:54.000 --> 2:25:54.560
<v Speaker 1>staying with me.

2:25:55.120 --> 2:25:58.080
<v Speaker 2>Yeah, we gotta get knives. These people are bold. But yeah,

2:25:58.200 --> 2:26:00.720
<v Speaker 2>don't men do not need help? I might have said

2:26:00.720 --> 2:26:03.920
<v Speaker 2>this on this episode already. Yeah, do you remember, I

2:26:04.000 --> 2:26:05.960
<v Speaker 2>don't know, I don't know. I actually don't think you did.

2:26:06.280 --> 2:26:10.320
<v Speaker 2>But yeah, I mean, let anyone in your house. Yeah,

2:26:10.360 --> 2:26:14.240
<v Speaker 2>and even if it's honestly, even if it's like, you know,

2:26:14.440 --> 2:26:16.760
<v Speaker 2>a woman with a baby, it's a fake baby.

2:26:16.800 --> 2:26:21.440
<v Speaker 1>Don't trust it. Yeah, help from a distance. That was

2:26:21.520 --> 2:26:27.000
<v Speaker 1>how they got sister Peg in pure remember help me

2:26:27.080 --> 2:26:31.640
<v Speaker 1>my baby. And then when they went back there, boom

2:26:31.879 --> 2:26:35.200
<v Speaker 1>what else when talks a fucking sister peg? Yeah, and

2:26:35.280 --> 2:26:40.039
<v Speaker 1>this crime like unsolved, so scary could still be out there.

2:26:40.120 --> 2:26:43.480
<v Speaker 1>Cops never make it like you know, connections, it's a

2:26:43.480 --> 2:26:46.440
<v Speaker 1>whole secretive town. Don't go to secretive towns. Don't leave

2:26:46.480 --> 2:26:48.959
<v Speaker 1>your phone at home, like if someone if you go

2:26:49.040 --> 2:26:50.960
<v Speaker 1>to someone's house and they're like, don't bring your phone

2:26:51.120 --> 2:26:55.760
<v Speaker 1>unless it's Jennifer Aniston, like, don't go. Yeah, oh god,

2:26:55.920 --> 2:26:59.280
<v Speaker 1>yeah for inst she's getting away with so much.

2:26:59.360 --> 2:27:02.800
<v Speaker 2>Well, we were at our friend's house and I saw

2:27:02.800 --> 2:27:03.680
<v Speaker 2>a photo on the fridge.

2:27:03.720 --> 2:27:05.320
<v Speaker 1>I was like, oh, this looks cute. What's it from?

2:27:05.520 --> 2:27:07.959
<v Speaker 2>And Kara was there to witness her saying that she

2:27:08.040 --> 2:27:11.720
<v Speaker 2>was at Adam Sandler's daughter's bot mitzvah and that's.

2:27:11.560 --> 2:27:15.800
<v Speaker 1>Fair see and it was star studded, dripping in celebs.

2:27:16.280 --> 2:27:18.240
<v Speaker 1>I can't, Oh my god, I want to go to

2:27:18.280 --> 2:27:21.800
<v Speaker 1>a rich ass bought mitzvah so bad you'll be you'll

2:27:21.879 --> 2:27:23.959
<v Speaker 1>do you will? I see that for you. You think

2:27:24.000 --> 2:27:26.240
<v Speaker 1>I'll have enough Jew friends that I'll get to go

2:27:26.240 --> 2:27:29.560
<v Speaker 1>to a bouman? I think so, I think so. Yeah,

2:27:29.600 --> 2:27:32.160
<v Speaker 1>I bet his wasn't at Ma Giano's.

2:27:34.080 --> 2:27:34.440
<v Speaker 3>Whatever.

2:27:34.480 --> 2:27:35.520
<v Speaker 1>It's a fox up crime.

2:27:35.640 --> 2:27:38.720
<v Speaker 2>MUDs are weird, marshas are weird, Stay out of swamps.

2:27:38.760 --> 2:27:41.120
<v Speaker 2>Like everything is blaming the victim. All of my advice

2:27:41.280 --> 2:27:44.520
<v Speaker 2>is like, don't trust anyone. I don't know, it's scary.

2:27:44.520 --> 2:27:46.000
<v Speaker 2>The Long Island Killer is scary.

2:27:46.640 --> 2:27:49.840
<v Speaker 1>No, I know, I know. I mean it's just once

2:27:49.879 --> 2:27:52.760
<v Speaker 1>again hammer home how vulnerable sex workers are, you know,

2:27:53.000 --> 2:27:53.680
<v Speaker 1>like all the time.

2:27:53.840 --> 2:27:56.360
<v Speaker 2>Yeah, that's what I was about to say, Like bring

2:27:56.480 --> 2:27:59.360
<v Speaker 2>back back pages, bring back how like make it legal?

2:27:59.680 --> 2:28:07.080
<v Speaker 1>Yeah yeah, it's really make it legal and keep people safe. Yeah,

2:28:07.160 --> 2:28:12.360
<v Speaker 1>but so disrespectful and so disrespectful. Yeah, And like I like,

2:28:12.400 --> 2:28:15.040
<v Speaker 1>there's a podcast that interviews porn stars all the time,

2:28:15.280 --> 2:28:20.000
<v Speaker 1>not Asa Kire's this other one plug Talk, and like

2:28:20.040 --> 2:28:22.119
<v Speaker 1>one of them was saying, she's like you don't realize

2:28:22.120 --> 2:28:24.360
<v Speaker 1>how many people she goes. I get recognized all the time,

2:28:24.400 --> 2:28:26.439
<v Speaker 1>Like I could tell people know who I am everywhere

2:28:26.480 --> 2:28:29.800
<v Speaker 1>I go, and yet everyone denies it. Everyone is so mean,

2:28:30.360 --> 2:28:33.360
<v Speaker 1>you know, like they it's so weird. It's just like

2:28:33.400 --> 2:28:35.200
<v Speaker 1>I don't get it because we still live in like

2:28:35.280 --> 2:28:38.920
<v Speaker 1>a very prude society. We're being run Our Supreme Court

2:28:39.040 --> 2:28:42.200
<v Speaker 1>is run by Christo fascist fucking nightmares. I mean, like

2:28:42.520 --> 2:28:47.200
<v Speaker 1>Jesus is everywhere. But listen, let's move on to what

2:28:47.200 --> 2:28:50.600
<v Speaker 1>would Sister Peg do. This is our weekly segment where

2:28:50.640 --> 2:28:53.480
<v Speaker 1>we tell you, give you some information, give you an article,

2:28:53.520 --> 2:28:56.760
<v Speaker 1>a book, a charity, something that you can support, or

2:28:56.800 --> 2:28:59.400
<v Speaker 1>find out more information about today's topic. And today we

2:28:59.520 --> 2:29:02.200
<v Speaker 1>just kind of wanted to direct you to if you're

2:29:02.200 --> 2:29:05.640
<v Speaker 1>interested in more information about the Long Island killer. There

2:29:05.720 --> 2:29:09.640
<v Speaker 1>is a website setup that's www dot gilgonews dot com.

2:29:09.640 --> 2:29:14.360
<v Speaker 1>That's gilgonews dot com and it's a website and the

2:29:14.400 --> 2:29:18.640
<v Speaker 1>sole purpose is dissemoning information to the about the Suffolk

2:29:18.640 --> 2:29:21.760
<v Speaker 1>County Police Departments Goigo Beech homicide investigation. So I don't

2:29:21.800 --> 2:29:24.280
<v Speaker 1>know if you or somebody you know has tips or

2:29:24.400 --> 2:29:25.720
<v Speaker 1>I don't know, you want to learn more about it.

2:29:25.800 --> 2:29:29.039
<v Speaker 1>There's maps, there's all kinds of information. They want the

2:29:29.040 --> 2:29:31.360
<v Speaker 1>public's help to solve these murders. But I know that

2:29:31.560 --> 2:29:33.200
<v Speaker 1>it's been a long time for some of them. So

2:29:33.360 --> 2:29:35.680
<v Speaker 1>but hopefully you know, they caught the Golden State killer

2:29:36.440 --> 2:29:38.880
<v Speaker 1>thirty years forty years later, so you never know.

2:29:39.760 --> 2:29:41.600
<v Speaker 2>Well, you know what they're trying to do right now,

2:29:41.640 --> 2:29:44.440
<v Speaker 2>they're trying to put away the woman who lied about

2:29:44.440 --> 2:29:49.760
<v Speaker 2>Emma tel Oh really yeah, she is alive in kicking

2:29:50.000 --> 2:29:52.760
<v Speaker 2>and old, and people are like, put that bitch in jail,

2:29:52.920 --> 2:29:55.400
<v Speaker 2>Like what are we waiting for? They put Nazis away

2:29:55.440 --> 2:30:00.160
<v Speaker 2>all the time, like, put her away? Yeah, fuck, there

2:30:00.200 --> 2:30:00.680
<v Speaker 2>is no doubt.

2:30:00.920 --> 2:30:04.840
<v Speaker 1>Yeah, as bridget Ever says, there are no deadlines. What

2:30:04.920 --> 2:30:07.879
<v Speaker 1>is it? No deadlines for dreams. Dreams don't have deadlines.

2:30:09.280 --> 2:30:11.640
<v Speaker 2>And killers should be put away no matter what, or

2:30:11.720 --> 2:30:14.360
<v Speaker 2>lying bitches like I'm sorry, yeah, should be put away.

2:30:15.160 --> 2:30:17.879
<v Speaker 1>No, for sure. That's horrible. I don't know why they

2:30:17.920 --> 2:30:22.080
<v Speaker 1>have it. I don't know. Probably because everybody's racist. I

2:30:22.120 --> 2:30:22.400
<v Speaker 1>don't know.

2:30:22.520 --> 2:30:24.840
<v Speaker 2>Well, also with like people trying to solve it, Like

2:30:25.040 --> 2:30:26.840
<v Speaker 2>I was reading stuff and like there was like a

2:30:26.879 --> 2:30:29.879
<v Speaker 2>lot of Twitter threads about people being mad that truth,

2:30:29.959 --> 2:30:33.400
<v Speaker 2>Like family members of people who've been murdered are annoyed

2:30:33.440 --> 2:30:35.720
<v Speaker 2>with people reaching out to them trying to like solve

2:30:35.760 --> 2:30:37.080
<v Speaker 2>their family member's case.

2:30:37.800 --> 2:30:39.600
<v Speaker 1>Yeah, have you seen this stuff? No.

2:30:40.360 --> 2:30:43.720
<v Speaker 2>I guess like people like true crime listeners not ours,

2:30:44.280 --> 2:30:48.200
<v Speaker 2>are like harassing surviving family members and being like, will

2:30:48.240 --> 2:30:51.280
<v Speaker 2>help solve your daughter's case, and they're like leave me alone, Like, yeah,

2:30:51.320 --> 2:30:52.400
<v Speaker 2>they're getting harassed.

2:30:52.600 --> 2:30:55.560
<v Speaker 1>I think about that with Cereal, like how popular Cereal was,

2:30:55.600 --> 2:30:58.000
<v Speaker 1>and I'm like, wow, hay Manley's family must be like,

2:30:58.760 --> 2:31:02.320
<v Speaker 1>leave us the fuck alone, because that was so viral

2:31:02.360 --> 2:31:05.320
<v Speaker 1>and huge, and I bet everybody was just like everyone

2:31:05.400 --> 2:31:08.800
<v Speaker 1>was sleuthing, you know. Yeah, I mean, and I get it.

2:31:08.840 --> 2:31:10.600
<v Speaker 2>I get the urge of wanting to solve a crime

2:31:10.640 --> 2:31:12.960
<v Speaker 2>and be a hero, but also you gotta like resp

2:31:13.120 --> 2:31:15.840
<v Speaker 2>I don't know, it's all so complicated, because I do

2:31:15.920 --> 2:31:18.400
<v Speaker 2>know that there's like a backlash of like true crime stuff.

2:31:18.640 --> 2:31:22.480
<v Speaker 2>But to me, I was thinking, like twenty twenty Dateline,

2:31:22.640 --> 2:31:25.840
<v Speaker 2>all these shows were about crimes. It's all been true

2:31:25.840 --> 2:31:27.760
<v Speaker 2>crime and no one cares, and then when it's women

2:31:27.840 --> 2:31:29.320
<v Speaker 2>talking about it, suddenly it's like.

2:31:29.320 --> 2:31:31.440
<v Speaker 1>A big dilemma, right, right, And.

2:31:31.440 --> 2:31:34.720
<v Speaker 2>So obviously there's complications and there's things we care about.

2:31:34.720 --> 2:31:36.280
<v Speaker 2>You know, it's sister Peg, and we try to do

2:31:36.440 --> 2:31:40.039
<v Speaker 2>right by like all victims and all the crimes. You know,

2:31:41.080 --> 2:31:45.680
<v Speaker 2>obviously we probably make mistakes. But it does seem suspicious.

2:31:45.120 --> 2:31:47.160
<v Speaker 1>That no one was mad at twenty twenty, but then

2:31:47.240 --> 2:31:48.920
<v Speaker 1>everyone's mad at tea talking.

2:31:49.200 --> 2:31:49.640
<v Speaker 3>Yeah.

2:31:49.760 --> 2:31:53.320
<v Speaker 2>Interesting, Suddenly true crime has gotten too far. But not

2:31:53.400 --> 2:31:56.160
<v Speaker 2>when you watched with your family on Friday, right, Like,

2:31:56.280 --> 2:31:57.720
<v Speaker 2>Jean Benet, are you kidding?

2:31:57.800 --> 2:32:01.480
<v Speaker 1>Was that not toxic? Like what are you talking about? Yeah? Yeah, yeah,

2:32:01.680 --> 2:32:03.600
<v Speaker 1>just a little, just a little thing I said.

2:32:03.600 --> 2:32:05.080
<v Speaker 2>But if we want to meet up at the Gilgo

2:32:05.160 --> 2:32:07.480
<v Speaker 2>Beach murderers, let's let's I'll meet you.

2:32:07.640 --> 2:32:10.320
<v Speaker 1>Let's say that's the point. If we want to meet

2:32:10.360 --> 2:32:12.880
<v Speaker 1>at the swamp, I'll meet you at the swamp, maybe

2:32:12.959 --> 2:32:17.320
<v Speaker 1>at the marsh. Maybe I want to see what this

2:32:17.360 --> 2:32:19.440
<v Speaker 1>community is. I bet I could, I bet I could.

2:32:19.680 --> 2:32:21.160
<v Speaker 1>I bet I could look one of these guys up

2:32:21.200 --> 2:32:23.080
<v Speaker 1>and down. And you think you could infiltrate You think

2:32:23.080 --> 2:32:26.920
<v Speaker 1>you could infiltrate the Oak Beach Association. Yeah, yeah, I

2:32:26.920 --> 2:32:29.080
<v Speaker 1>think you could. I don't know if they allow Jews.

2:32:29.080 --> 2:32:30.880
<v Speaker 2>They kind of seem like a no Jew crew, but

2:32:31.040 --> 2:32:33.120
<v Speaker 2>maybe it seems like.

2:32:33.120 --> 2:32:35.440
<v Speaker 1>A part of the island with no Jews. Yeah, you know,

2:32:35.520 --> 2:32:38.040
<v Speaker 1>there's not all Jew areas. That sounds like a fucking

2:32:38.840 --> 2:32:41.440
<v Speaker 1>Jordan Peele movie, Like it's on Long Island, but it's

2:32:41.440 --> 2:32:43.440
<v Speaker 1>like a sect where they hate Jewish people. Oh my god,

2:32:43.560 --> 2:32:47.520
<v Speaker 1>love that. Okay, So anyway, just to circle back, that

2:32:47.760 --> 2:32:53.560
<v Speaker 1>is gilgnews dot com that uh they leads, tips, lots

2:32:53.560 --> 2:32:56.600
<v Speaker 1>of information, timeline of events, bios about the victims, lots

2:32:56.600 --> 2:32:58.240
<v Speaker 1>of stuff is up there if you're interested in more

2:32:58.280 --> 2:33:02.920
<v Speaker 1>about the Long Island Killer. And as always, all of

2:33:02.920 --> 2:33:06.439
<v Speaker 1>our what would Sister pegs dos are on our Instagram

2:33:06.480 --> 2:33:08.760
<v Speaker 1>in a highlight called WWSPD. Yeah.

2:33:08.800 --> 2:33:10.880
<v Speaker 2>I don't think I've ever fully interrupted on what would

2:33:10.920 --> 2:33:13.279
<v Speaker 2>Sister peg Do and go on a five minute tangent?

2:33:13.400 --> 2:33:14.959
<v Speaker 1>So thanks for that. Oh I loved it.

2:33:14.959 --> 2:33:16.039
<v Speaker 3>It was perfect.

2:33:17.400 --> 2:33:20.680
<v Speaker 1>You seem exhausted. Oh no, it's great. Next week, please

2:33:20.760 --> 2:33:25.160
<v Speaker 1>join us in watching Zero Tolerance Season twenty, episode three.

2:33:25.959 --> 2:33:28.720
<v Speaker 1>We love you guys, Hulu Peacock, you know the goods.

2:33:28.920 --> 2:33:39.279
<v Speaker 1>See you next week. Bye.

2:33:41.240 --> 2:33:43.480
<v Speaker 2>That's Messed Up as an exactly right production.

2:33:43.879 --> 2:33:45.959
<v Speaker 1>If you have compliments you'd like to give us or

2:33:46.040 --> 2:33:48.279
<v Speaker 1>episodes you'd like us to cover, shoot us an email

2:33:48.320 --> 2:33:51.040
<v Speaker 1>at That's Messed uppod at gmail dot com.

2:33:51.240 --> 2:33:54.400
<v Speaker 2>Follow the podcast on Instagram at That's Messed Up Pod,

2:33:54.600 --> 2:33:57.480
<v Speaker 2>and on Twitter at messed Up pod and follow us

2:33:57.520 --> 2:33:59.840
<v Speaker 2>personally at Kara Klank and at.

2:34:00.879 --> 2:34:03.560
<v Speaker 1>As always, please see our show notes for sources and

2:34:03.600 --> 2:34:04.280
<v Speaker 1>more information.

2:34:04.680 --> 2:34:07.920
<v Speaker 2>Thank you so much to our producer Annalise Nelson and

2:34:08.040 --> 2:34:11.280
<v Speaker 2>to our mixer John Bradley, and to Henry Kaperski for

2:34:11.320 --> 2:34:14.160
<v Speaker 2>our theme song, and Carly Geen Andrews for our artwork.

2:34:14.480 --> 2:34:18.240
<v Speaker 2>Thank you to our executive producers Georgia hard Start, Karen Kilgareff,

2:34:18.320 --> 2:34:20.920
<v Speaker 2>Daniel Kramer and everybody at Exactly Right Media.

2:34:22.320 --> 2:34:23.280
<v Speaker 1>Dun Dun