WEBVTT - #8 - Dave East

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<v Speaker 1>Yes, we own a motherfucking bootleg CAV podcast. We own

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<v Speaker 1>a motherfucking bootleg cav podcasts. Right, ladies and gentlemen, Another

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<v Speaker 1>episode of the Bootleg Cab podcast is here. Shout out

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<v Speaker 1>to everybody who's locked in, who's rocking with the podcast

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<v Speaker 1>so far? Episode number eight about to kick off. Got

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<v Speaker 1>go tap in. Thank you to odd socks very very

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<v Speaker 1>dope episode tonight. Shout out to Dave East for coming

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<v Speaker 1>to La, sitting down with me and having an amazing conversation.

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<v Speaker 1>Dave's is obviously lyrically one of the top dudes in

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<v Speaker 1>the game. Just been grinding the last ten years man,

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<v Speaker 1>doing this thing. I would say I probably learned of

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<v Speaker 1>Davis twenty twelve and he's just been at it. So

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<v Speaker 1>shout out to Dave East. And on a on another note, man,

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<v Speaker 1>just a really horrible week for me. If you're listening

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<v Speaker 1>to this on Apple Music or Spotify, it's a little late.

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<v Speaker 1>I've just been out of it because I had someone

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<v Speaker 1>to jack me last week. Someone followed me from the

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<v Speaker 1>bank man hit me for about thirteen fourteen thousand dollars

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<v Speaker 1>in cash, and on top of that, took my backpack

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<v Speaker 1>with my laptop and camera, a bunch of stuff. So

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<v Speaker 1>I've just been honestly, man, I've just been in a

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<v Speaker 1>horrible space, horrible vibe since that happened. That happened last Wednesday,

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<v Speaker 1>So yeah, it happened in Burdbanks. So shout out to

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<v Speaker 1>the bastards who caught me slipping. Had some chick at

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<v Speaker 1>the bank as a lookout for people who were leaving

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<v Speaker 1>the bank with a lot of money, and then they

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<v Speaker 1>followed me from the bank to another location and hit me.

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<v Speaker 1>So here's what it is, y'all be careful out there.

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<v Speaker 1>Dave East, episode number eight of the bootleg Kept podcast.

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<v Speaker 1>Let's go What's up. Man, I saw you, Like I

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<v Speaker 1>want to say, right before the whole ship got shut down.

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<v Speaker 1>You was out here in like February early March working

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<v Speaker 1>on Karma three, and then everything just shut the fuck down,

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<v Speaker 1>world shut down. I ain't like this is the first

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<v Speaker 1>time I left New York. Yeah, you've been like That's

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<v Speaker 1>what I was awesome to say. Man, Like you're you're

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<v Speaker 1>usually in la a lot. It's been a while obviously.

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<v Speaker 1>How has uh everything that's going on and just affected

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<v Speaker 1>your business? Like like, like, are affected your besides having

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<v Speaker 1>to stay inside and all that shit just was it

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<v Speaker 1>was their plans is that you know touring or I

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<v Speaker 1>know Karma three's coming was Did anything get put on

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<v Speaker 1>hold or delayed because of what's happening? Yeah? I did

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<v Speaker 1>the Drop Survival with November. Yep. The whole month of

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<v Speaker 1>December we did the European tour, and then when we

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<v Speaker 1>came back from that, we were supposed to start the

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<v Speaker 1>West Coast and like, uh South and Midwest Legative Toy

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<v Speaker 1>were supposed to start that in March and all shut down.

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<v Speaker 1>Have you? Uh? I gained quarantine weight because I was

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<v Speaker 1>eating all kinds of I was just bored, bro. First

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<v Speaker 1>like month of the quarantine, I was just at the

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<v Speaker 1>crib bored a ship before in the morning I'd be

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<v Speaker 1>fucking micro waving some noodles or some shit. I know,

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<v Speaker 1>you're like a really healthy guy. That was your health

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<v Speaker 1>ever like affected? Like were you eating like eating worse? Sir? No,

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<v Speaker 1>just I couldn't go to the gym, so that made

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<v Speaker 1>it a little different doing push ups at the crib

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<v Speaker 1>and ship. You had to get back on pull up

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<v Speaker 1>and push ups at the crib the rough riders work

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<v Speaker 1>out to call it. Yeah, other than that, I'm heating

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<v Speaker 1>this thing. I'm a heating still still still still smoking

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<v Speaker 1>good all that. You're a pretty healthy guy when it

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<v Speaker 1>comes to what you put in your body. I remember,

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<v Speaker 1>I think the last time you came to the station,

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<v Speaker 1>you were drinking a bunch of random crazy juice. Oh yeah,

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<v Speaker 1>you gotta you gotta gotta watch what you put in

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<v Speaker 1>your body. I feel like, if you want to be here,

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<v Speaker 1>at what point in time did you start to like

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<v Speaker 1>give a fuck about your health and like started to like,

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<v Speaker 1>you know, do some research about the you know, getting

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<v Speaker 1>into the juice and shit, and like probably when my

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<v Speaker 1>daughter was born, so like twenty sixteen, so I was

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<v Speaker 1>what like twenty six I was. I was drinking lean

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<v Speaker 1>a lot at that time. Right, what I'm saying, I

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<v Speaker 1>was heavy on a lean and I don't know, I

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<v Speaker 1>just went through like that was like the first time

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<v Speaker 1>a drug affected me. You know what I'm saying. I

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<v Speaker 1>never did no other drug. But that should me waking

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<v Speaker 1>up sweats or that. If I didn't have it, I'll

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<v Speaker 1>be mad, Like that is a drug, you know what,

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<v Speaker 1>right you'd be like, oh shit, this is this Really

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<v Speaker 1>I really could become that guy I understand. Fiend Like

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<v Speaker 1>I'm like, oh, I get it, Like you know what

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<v Speaker 1>I'm saying, you be needing it. So once I was

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<v Speaker 1>able to shake that, I didn't want to do nothing else,

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<v Speaker 1>you know what I'm saying, Like nothing, I've been on

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<v Speaker 1>champagne and weed. Champagne and weed. You do drink a

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<v Speaker 1>lot of champagne everything. Every time I see you have

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<v Speaker 1>a bottle, I mean, look at it. I don't even

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<v Speaker 1>know what time it is. What is it three? You

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<v Speaker 1>know why? Because it don't. I mean, if you drink

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<v Speaker 1>enough of it, you'll be twisted. But it's a you know,

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<v Speaker 1>just keep you in a good it's a good vibe.

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<v Speaker 1>Have you all look at you bet? Yeah? I mean

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<v Speaker 1>for me, every time I drink champagne, I just feel

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<v Speaker 1>bloated as fuck. Then I ain't gonna front lately, I

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<v Speaker 1>guess because I drink a lot of I've been feeling

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<v Speaker 1>like heartburn like something here. See that. It's that. And

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<v Speaker 1>you're also getting older too. We're getting old, bro, you

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<v Speaker 1>know what I'm saying. Karma three, I know you've been

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<v Speaker 1>working on it. You've put out man a few a

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<v Speaker 1>few videos. The Karma series is, you know, I think

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<v Speaker 1>an important part of your career and your legacy. What

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<v Speaker 1>what is the coach to this project and just that

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<v Speaker 1>series in general? When you know that like something's gonna

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<v Speaker 1>go in that Karma series, Like, do you approach it differently? Yeah?

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<v Speaker 1>I feel like it's more uh me, or like more

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<v Speaker 1>of more of me, not really caring about like the

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<v Speaker 1>standards sort of, you know, or I need this type

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<v Speaker 1>of record, or I need this that just beat me

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<v Speaker 1>just in my own zone, working with different producers and

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<v Speaker 1>just trying to, you know, get some gift constantly let

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<v Speaker 1>people know I could rap what y'all fell in love

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<v Speaker 1>with me for from the beginning. Yeah, I'm always shock

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<v Speaker 1>with that. So I feel like the Karma Karma series

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<v Speaker 1>gives me opportunity to to kind of mix it up,

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<v Speaker 1>you know, have some big records on there, but then

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<v Speaker 1>have some ship for the streets, has something for the

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<v Speaker 1>fans that that's into that, that's into what I do.

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<v Speaker 1>You know what I mean? I was gonna say, did

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<v Speaker 1>you feel okay? Because when you first came out, man,

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<v Speaker 1>I remember being like, yo, this dude was like hearing

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<v Speaker 1>your early ship. Like I remember finding you on two

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<v Speaker 1>Dope Boys early on and uh and that was what

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<v Speaker 1>you were known for. And then ladies discovered you and

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<v Speaker 1>now to change the game plan and now and now,

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<v Speaker 1>well now you're you know, shout out to all the

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<v Speaker 1>women that are all of a sudden listening to some

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<v Speaker 1>like some dav ship that they would have never have

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<v Speaker 1>listened to before in their entire fucking life. But because

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<v Speaker 1>you're Dave's and you're their man crushed Monday, you're bringing

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<v Speaker 1>them into that world. Like what did do you remember

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<v Speaker 1>when you noticed, like you be you were becoming like

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<v Speaker 1>a thing with the with the women. Oh yeah, me

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<v Speaker 1>after perfect Chris Brown. When I first linked with Chris

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<v Speaker 1>Brown and that went like public, it was over it changed,

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<v Speaker 1>It changed up. I g ship everything. It switched up.

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<v Speaker 1>Not that it was bad before, but you know, after

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<v Speaker 1>after you got a record with Breezey, it might it

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<v Speaker 1>might change. Would you say that? I think most of

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<v Speaker 1>the people who are fans of your music right are

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<v Speaker 1>probably like me or you know, the homies, right because

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<v Speaker 1>the kind of shit you make. But would you say

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<v Speaker 1>your fan base as a whole now probably encompasses more

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<v Speaker 1>women than anything. Yeah, I feel like coming in, like

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<v Speaker 1>you said, it was more you were like a breath

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<v Speaker 1>of fresh air to hit the hip hop the people

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<v Speaker 1>that loves lyricism, like that crowd. Then it transitioned into

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<v Speaker 1>the girls, and then I start doing the acting. So

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<v Speaker 1>I feel like a lot of my fan base is

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<v Speaker 1>I feel like a lot of my fan base might

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<v Speaker 1>not even know my music or that's what I was

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<v Speaker 1>gonna ask. Yeah, I think I feel like some people

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<v Speaker 1>just follow you because, OK, they're just trying to like,

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<v Speaker 1>you know what, Come on what I'm saying, it don't

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<v Speaker 1>hurt it, don't hurt me at all. No, I mean,

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<v Speaker 1>and obviously I'm sure it. Hey, you'll take any following

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<v Speaker 1>you can get, man, especially in twenty twenty, talk about

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<v Speaker 1>like I just saw was it? Last month? There was

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<v Speaker 1>this narrative going around on Twitter that you you're bad

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<v Speaker 1>at picking beats? Did you see that? I don't even

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<v Speaker 1>be on Twitter, but you know I think somebody did.

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<v Speaker 1>They tagged like they put it they posted on Twitter

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<v Speaker 1>and then they tagged me in it on Instagram. Well

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<v Speaker 1>what's what's interesting about that? First of all, I don't

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<v Speaker 1>agree with that, but second of all, you nas Co

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<v Speaker 1>signed you and and the big hang up on nas

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<v Speaker 1>historically is that he's bad at picking beats. What do

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<v Speaker 1>you think do you think? I think people are there

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<v Speaker 1>for the lyrics, same thing with nas, but do you

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<v Speaker 1>think you have a good ear for beats or do

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<v Speaker 1>you think? Yeah? You know what's funny about that post?

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<v Speaker 1>I know it was one beat. It was like some wow,

0:10:39.000 --> 0:10:42.600
<v Speaker 1>and I was on my Instagram live like just freestyle

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<v Speaker 1>into the ship. But the beat was just some loud

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<v Speaker 1>ship that somebody loaded up and it sounded crazy. No

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<v Speaker 1>I heard it sounded crazy. It took that and it

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<v Speaker 1>was like, oh, his beat selection is hard, like, man,

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<v Speaker 1>go listen to my music man bad beat selection. Hey,

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<v Speaker 1>I don't think Na's got bad beat selection. It's just

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<v Speaker 1>it's what you're into he let Chris web produced a

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<v Speaker 1>few beats that he could He probably could have kept

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<v Speaker 1>on Chris Weaver's laptop. You know, I know you're a

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<v Speaker 1>big sports guy. NBA being back is a blessing, especially

0:11:12.760 --> 0:11:16.280
<v Speaker 1>for me, who I gamble a lot. So that a

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<v Speaker 1>gift and a curse that ugh? Oh yeah, like what

0:11:19.000 --> 0:11:21.319
<v Speaker 1>am I supposed to gamble? Bookies? Old? I know. That's

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<v Speaker 1>been a tough time. Korean baseball, like Bill for real,

0:11:25.120 --> 0:11:27.920
<v Speaker 1>that that was actually happening. Korean baseball was the only

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<v Speaker 1>thing going on. But how how they gonna do that?

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<v Speaker 1>Like they gotta we won't watch it from home. You

0:11:32.080 --> 0:11:34.720
<v Speaker 1>can't go to the games that they doing that. What

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<v Speaker 1>are we talking about the NBA or Korean baseball? Just

0:11:37.840 --> 0:11:42.920
<v Speaker 1>sports in general? Yeah. The bubble. They got the bubble popping. Oh,

0:11:42.960 --> 0:11:44.319
<v Speaker 1>I'm all the way out the loop. What the hell

0:11:44.400 --> 0:11:47.720
<v Speaker 1>is the bubble? Really? Yeah? We can't go watch them?

0:11:48.000 --> 0:11:51.040
<v Speaker 1>Yeah on TV. Oh, but you can't be at the

0:11:51.120 --> 0:11:54.480
<v Speaker 1>game of course. Not that's weird. They got the bubble

0:11:54.520 --> 0:11:58.920
<v Speaker 1>in Orlando, so everybody is in uh a contained space

0:11:59.240 --> 0:12:03.240
<v Speaker 1>in Orlando Disney World. So they have all yeah, every team,

0:12:03.640 --> 0:12:06.760
<v Speaker 1>twenty two teams, the other teams that did. They just

0:12:06.800 --> 0:12:09.000
<v Speaker 1>didn't make it, but all the games are going to

0:12:09.040 --> 0:12:12.200
<v Speaker 1>be played there and they can't leave, Like like okay,

0:12:12.600 --> 0:12:18.000
<v Speaker 1>Lou Williams left for family reasons, and then they found

0:12:18.080 --> 0:12:20.520
<v Speaker 1>him at he was in Magic City two nights ago

0:12:20.600 --> 0:12:24.520
<v Speaker 1>in Atlanta eating hot wings with Jack Harlowe. So now

0:12:24.559 --> 0:12:26.839
<v Speaker 1>he's got a quarantine for like ten days before you

0:12:26.880 --> 0:12:29.680
<v Speaker 1>can go join the Clippers again. The Clippers are trying

0:12:29.679 --> 0:12:31.400
<v Speaker 1>to win a fucking ring and Lou Williams is eating

0:12:31.400 --> 0:12:34.840
<v Speaker 1>hot wings in a magic City. It's crazy. But and

0:12:34.880 --> 0:12:37.240
<v Speaker 1>then like there was like some you know, you know,

0:12:37.400 --> 0:12:39.320
<v Speaker 1>I mean, come on, dudes, are gonna try to sneak there.

0:12:39.520 --> 0:12:41.520
<v Speaker 1>We're talking NBA players here. They're gonna try to sneak

0:12:41.520 --> 0:12:45.760
<v Speaker 1>the bitches on into the bubble. Some some known Instagram's

0:12:45.800 --> 0:12:48.800
<v Speaker 1>thought here in La was posting pictures inside of the

0:12:48.840 --> 0:12:54.960
<v Speaker 1>bubble and Instagram Instagram by like like point of Elimination

0:12:55.080 --> 0:12:57.679
<v Speaker 1>found the only NBA player that was following her and

0:12:57.760 --> 0:13:00.400
<v Speaker 1>realized that's who she was there to see. And yeah,

0:13:00.520 --> 0:13:04.319
<v Speaker 1>it's crazy. Yeah, basketball is a wild Well I was

0:13:04.320 --> 0:13:05.480
<v Speaker 1>gonna ask you, like, what are you? I mean, you

0:13:05.520 --> 0:13:08.080
<v Speaker 1>don't even know what's going on. I was lost with

0:13:08.120 --> 0:13:10.199
<v Speaker 1>that one. And you know what, I kind of heard

0:13:10.280 --> 0:13:13.360
<v Speaker 1>something about that my boy Brick Brick was telling me

0:13:13.360 --> 0:13:16.040
<v Speaker 1>about that. But how they can't leave. Yeah, it's crazy,

0:13:16.160 --> 0:13:18.040
<v Speaker 1>like a camp for some ship. They can't straight up,

0:13:18.080 --> 0:13:22.600
<v Speaker 1>that's crazy, super crazy. Yeah, the bubbles. Uh, we were

0:13:22.640 --> 0:13:24.640
<v Speaker 1>talking off off off camera. You were telling me, Benny

0:13:24.679 --> 0:13:30.040
<v Speaker 1>the Butcher's on Karra three, shout the Benny shout Old

0:13:30.080 --> 0:13:33.800
<v Speaker 1>Griselda Conway, what's not gonna with them? Yeah, I was

0:13:33.800 --> 0:13:37.800
<v Speaker 1>gonna say, like, I do feel like there's, you know,

0:13:38.000 --> 0:13:41.000
<v Speaker 1>a small group of artists and you're in that group

0:13:41.520 --> 0:13:44.280
<v Speaker 1>that I've kind of kept this rap shit alive for,

0:13:44.520 --> 0:13:46.280
<v Speaker 1>you know, for for guys like me, for people who

0:13:46.280 --> 0:13:49.240
<v Speaker 1>really appreciate bars and that grimy ship. And I feel

0:13:49.240 --> 0:13:52.200
<v Speaker 1>like Griselda has you know, Griselda shout out to Freddy

0:13:52.200 --> 0:13:53.800
<v Speaker 1>Gibbs and mad Lib and you know, there's just been

0:13:53.840 --> 0:13:55.280
<v Speaker 1>a lot of dope shit going on in hip hop

0:13:55.320 --> 0:13:57.280
<v Speaker 1>the last few years. But I do feel like it's

0:13:57.280 --> 0:14:01.360
<v Speaker 1>starting to become like all the weirdo internet ship is

0:14:01.400 --> 0:14:06.400
<v Speaker 1>starting to die out and it's getting back a little bit. Man.

0:14:07.000 --> 0:14:09.160
<v Speaker 1>You know, like Griselda got nominated for Best Group of

0:14:09.160 --> 0:14:10.840
<v Speaker 1>the Year to be a TA Awards, which is crazy.

0:14:11.040 --> 0:14:13.760
<v Speaker 1>So they're paying attention to what people saying again, and

0:14:13.800 --> 0:14:15.760
<v Speaker 1>I feel like it's it's it's great for you because

0:14:15.800 --> 0:14:17.960
<v Speaker 1>you've you know, you've always done that. I mean, like,

0:14:18.040 --> 0:14:19.880
<v Speaker 1>you know, I think you've dabbled in some more radio

0:14:20.000 --> 0:14:23.320
<v Speaker 1>type ship over the last few years, obvious, but you've

0:14:23.360 --> 0:14:27.440
<v Speaker 1>never left your sound. And I never was in this

0:14:27.480 --> 0:14:29.720
<v Speaker 1>ship for the Cloud or nothing like that. I feel

0:14:29.720 --> 0:14:32.840
<v Speaker 1>like that was the wave for the last like five years.

0:14:32.840 --> 0:14:34.880
<v Speaker 1>Like this cloud. It's the worst ever you could do

0:14:35.000 --> 0:14:36.640
<v Speaker 1>to get something right, Like you know what I'm saying,

0:14:36.680 --> 0:14:38.880
<v Speaker 1>Like I just now all these guys are falling off.

0:14:39.840 --> 0:14:42.320
<v Speaker 1>J Cole said the best right about little pumping those

0:14:42.360 --> 0:14:45.640
<v Speaker 1>guys and now these like and and now what happened

0:14:45.720 --> 0:14:48.880
<v Speaker 1>like smoke purpose five thousand units at it. You can

0:14:48.960 --> 0:14:51.120
<v Speaker 1>get in this ship make enough money to even if

0:14:51.200 --> 0:14:54.080
<v Speaker 1>you if you're smart with your money, if you're smart,

0:14:54.160 --> 0:14:55.760
<v Speaker 1>if you get it, even if your ship is some

0:14:55.800 --> 0:15:02.680
<v Speaker 1>trash year those bags sad with that brand, these motherfuckers

0:15:02.680 --> 0:15:07.360
<v Speaker 1>buying lean and and all kind of crazy ship. Yeah,

0:15:07.440 --> 0:15:09.560
<v Speaker 1>I focused on the music. Man that the ship that

0:15:09.680 --> 0:15:11.720
<v Speaker 1>got me got me here, you know what I mean?

0:15:11.760 --> 0:15:16.080
<v Speaker 1>The music what is obviously working with Benny on the project.

0:15:16.080 --> 0:15:20.440
<v Speaker 1>Who else is on Carmen three? Uh? I got a

0:15:20.480 --> 0:15:26.000
<v Speaker 1>Popcorn on there record with Popcorn, I got Mary J.

0:15:26.160 --> 0:15:32.680
<v Speaker 1>Bligh ship and Mary got a joint Trey songs. Uh huh.

0:15:33.640 --> 0:15:36.680
<v Speaker 1>Trying to think who was rapping on dough. I got

0:15:36.680 --> 0:15:39.920
<v Speaker 1>Dope Boy on there. We just shot the video matter

0:15:39.920 --> 0:15:44.920
<v Speaker 1>of fact, a couple of days ago out here. Think

0:15:44.920 --> 0:15:48.360
<v Speaker 1>you know the expectations for that Merry record as gonna

0:15:48.360 --> 0:15:52.640
<v Speaker 1>be crazy since you played method man, it's one of them.

0:15:53.320 --> 0:15:55.200
<v Speaker 1>But you played mathe Man in the in the show

0:15:55.240 --> 0:15:58.440
<v Speaker 1>on you know what I'm saying, saying, yeah the whole

0:15:59.040 --> 0:16:02.440
<v Speaker 1>yeahbody from Wu Tang on the on the project. Nah,

0:16:02.440 --> 0:16:04.880
<v Speaker 1>I ain't not this one, not this one. It's crazy.

0:16:04.880 --> 0:16:09.880
<v Speaker 1>Me and Meth got a new record though static selective Static.

0:16:09.960 --> 0:16:12.120
<v Speaker 1>Is that guy in Meth going crazy on that ship.

0:16:12.440 --> 0:16:14.480
<v Speaker 1>He got to put that out though, status a static record.

0:16:14.520 --> 0:16:17.320
<v Speaker 1>Static got the record, Yeah, yo, Static man. I just

0:16:17.360 --> 0:16:18.880
<v Speaker 1>want to give some props to him because he's like

0:16:18.920 --> 0:16:21.280
<v Speaker 1>our modern day primo bro and he's been one thing

0:16:21.320 --> 0:16:24.080
<v Speaker 1>I could salute, salute the status. He's from day one,

0:16:24.360 --> 0:16:26.680
<v Speaker 1>always been like the same way with me, like before

0:16:26.920 --> 0:16:30.240
<v Speaker 1>the na situation. He was always in tune with me,

0:16:30.400 --> 0:16:33.000
<v Speaker 1>you know what I mean, the static. I just saw

0:16:33.000 --> 0:16:35.400
<v Speaker 1>you were shooting a video of Jstone. Yeah, we're doing

0:16:35.440 --> 0:16:38.440
<v Speaker 1>another one today. I'm locking in. We're putting a little

0:16:38.520 --> 0:16:41.920
<v Speaker 1>little little project, little a little ep, you know, because

0:16:41.920 --> 0:16:43.240
<v Speaker 1>you know me, and it was gonna do on, you

0:16:43.320 --> 0:16:45.480
<v Speaker 1>know what I mean. Guarantee we was was already talking

0:16:45.520 --> 0:16:49.560
<v Speaker 1>about that. So I'm gonna do I'm doing. Yeah. Shout

0:16:49.600 --> 0:16:52.320
<v Speaker 1>out to Stone man. I think I think you know

0:16:52.640 --> 0:16:56.040
<v Speaker 1>he was always like slept on for sure, and Stone

0:16:56.040 --> 0:16:57.680
<v Speaker 1>are good, just a good, good nigga, you know what

0:16:57.680 --> 0:17:00.880
<v Speaker 1>I'm saying. Like I just just vibe like we uh

0:17:00.960 --> 0:17:02.640
<v Speaker 1>we vibe good, you know what I mean. And the

0:17:02.720 --> 0:17:05.240
<v Speaker 1>and the music, y'all hear the music. That's why I'm

0:17:05.280 --> 0:17:07.440
<v Speaker 1>just just trying to knock out. How many records you

0:17:07.480 --> 0:17:10.480
<v Speaker 1>guys got that right now? I think we maybe like

0:17:10.520 --> 0:17:13.760
<v Speaker 1>three or four, three or four in. We shot the

0:17:13.800 --> 0:17:16.440
<v Speaker 1>video the other day, uh in his hood, and then

0:17:16.440 --> 0:17:19.200
<v Speaker 1>we shoot him one today. You you and Nipsey were

0:17:19.200 --> 0:17:20.960
<v Speaker 1>supposed to do a project. I remember we talked about

0:17:20.960 --> 0:17:24.439
<v Speaker 1>that before. Did you guys have any music that you

0:17:24.480 --> 0:17:26.480
<v Speaker 1>that that's just sitting on a hard drive somewhere that

0:17:26.560 --> 0:17:28.879
<v Speaker 1>y'all never released. How many unreleased songs do you think

0:17:28.880 --> 0:17:32.840
<v Speaker 1>you got? Nick? Maybe three? It's one with me and

0:17:32.880 --> 0:17:35.080
<v Speaker 1>him and being on whover put out with being overdel

0:17:36.240 --> 0:17:38.439
<v Speaker 1>being on Calma three two that was another shout out

0:17:38.480 --> 0:17:44.320
<v Speaker 1>to Beano Bino's Fire by jam Uh and then me

0:17:44.359 --> 0:17:46.720
<v Speaker 1>and him got two two joints. I had one record

0:17:46.760 --> 0:17:49.920
<v Speaker 1>that I was gonna put on Calmba three. But yeah,

0:17:49.960 --> 0:17:51.439
<v Speaker 1>I was gonna ask you, like, is it is it?

0:17:51.840 --> 0:17:55.239
<v Speaker 1>Obviously you're tight with his team, but like, is it

0:17:55.359 --> 0:17:57.760
<v Speaker 1>like kind of weird putting something out with your like

0:17:57.800 --> 0:17:59.480
<v Speaker 1>with him after he passed. You know what I'm saying,

0:17:59.520 --> 0:18:05.879
<v Speaker 1>I feel like super weird, Like the the the excitement

0:18:05.960 --> 0:18:08.840
<v Speaker 1>is going behind it. I'm still excited to do it,

0:18:08.920 --> 0:18:10.760
<v Speaker 1>and you know, let it be known that we did

0:18:10.800 --> 0:18:14.640
<v Speaker 1>that and created that. But the phone call because red

0:18:14.680 --> 0:18:16.440
<v Speaker 1>a job, like, oh that's going you know, I mean,

0:18:16.480 --> 0:18:19.640
<v Speaker 1>so it's it's definitely weird. You. I think a lot

0:18:19.680 --> 0:18:22.280
<v Speaker 1>of people have always kind of said, you're kind of

0:18:22.320 --> 0:18:24.880
<v Speaker 1>like what Nip is to what Nip was to La,

0:18:25.040 --> 0:18:29.400
<v Speaker 1>to your hood, to Harlem, right to to like New York.

0:18:29.560 --> 0:18:31.679
<v Speaker 1>Somebody who is like a man of the people. Somebody

0:18:31.680 --> 0:18:34.720
<v Speaker 1>who's never really damn, I got my ring tone on

0:18:35.400 --> 0:18:41.400
<v Speaker 1>un professional, but somebody who uh who? You know, when

0:18:41.400 --> 0:18:43.720
<v Speaker 1>I think of Davies, I never ever ever thought of

0:18:44.119 --> 0:18:47.439
<v Speaker 1>goofy ship or I think of integrity. I think of

0:18:48.080 --> 0:18:49.440
<v Speaker 1>you know, when it comes to music, when it just

0:18:49.440 --> 0:18:52.760
<v Speaker 1>comes to you as a person, like what was you know?

0:18:52.840 --> 0:18:56.399
<v Speaker 1>Obviously you know you've done a ton of interviews since

0:18:56.480 --> 0:19:00.480
<v Speaker 1>Nipsey past, but we're going on a year and a

0:19:00.520 --> 0:19:03.760
<v Speaker 1>half since he died. What is the one thing you

0:19:03.840 --> 0:19:07.359
<v Speaker 1>think since he passed that you've carried with you and

0:19:07.359 --> 0:19:10.560
<v Speaker 1>that you're like, like from nip to this day because

0:19:10.560 --> 0:19:13.159
<v Speaker 1>you know, shit, man, I can't even believe it's been

0:19:13.200 --> 0:19:18.639
<v Speaker 1>a year and a half. I would say, just his

0:19:18.800 --> 0:19:21.320
<v Speaker 1>model marathon, you know what I'm saying, Like the shitty

0:19:21.400 --> 0:19:24.320
<v Speaker 1>lived by the shit. He always said, don't stop, you

0:19:24.320 --> 0:19:26.679
<v Speaker 1>know what I mean, Like, no matter what what come

0:19:26.760 --> 0:19:30.240
<v Speaker 1>your way, you gotta keep keep rolling, you know what

0:19:30.280 --> 0:19:35.120
<v Speaker 1>I mean. In the fact of ownership and turning your

0:19:35.160 --> 0:19:37.719
<v Speaker 1>brand into a business and and just being more than

0:19:37.720 --> 0:19:39.240
<v Speaker 1>a rapper, you know what I mean. So that's what

0:19:39.880 --> 0:19:42.280
<v Speaker 1>really stuck with me the most, and just trying to

0:19:42.280 --> 0:19:45.359
<v Speaker 1>build my brand from just being Dave East, you know

0:19:45.400 --> 0:19:47.120
<v Speaker 1>what I mean to where that shit being something else.

0:19:47.160 --> 0:19:49.679
<v Speaker 1>I want to build an empire. Have you been dabbling in,

0:19:49.800 --> 0:19:54.200
<v Speaker 1>like getting involved in other like avenues, like like other

0:19:54.240 --> 0:19:57.120
<v Speaker 1>streams of revenue coming in outside of music. Yeah, I've been.

0:19:57.160 --> 0:20:00.679
<v Speaker 1>I've been heavy on the designer to I just I

0:20:00.720 --> 0:20:03.720
<v Speaker 1>just dropped a pair of glasses, did a collabe with

0:20:03.800 --> 0:20:08.080
<v Speaker 1>a company called New Vintage. I got the clover line

0:20:08.080 --> 0:20:10.439
<v Speaker 1>on the way. Besides from the merch I'm doing for

0:20:10.480 --> 0:20:12.200
<v Speaker 1>the Coma three, So I got my own line coming.

0:20:13.480 --> 0:20:19.440
<v Speaker 1>I'm about to drop a cognac based like a liquor Yeah,

0:20:19.520 --> 0:20:21.359
<v Speaker 1>like a but not but it's gonna be like a

0:20:24.160 --> 0:20:26.640
<v Speaker 1>like almost like a soda almost like it's not something

0:20:26.640 --> 0:20:28.159
<v Speaker 1>that you ain't gonna be taking shots of it, like

0:20:28.160 --> 0:20:29.920
<v Speaker 1>you could say. So it's like a pre mixed drink

0:20:30.160 --> 0:20:32.080
<v Speaker 1>like yeah, but it's gonna be a coonnac base. So

0:20:32.080 --> 0:20:33.399
<v Speaker 1>when you pull up to the liquor store, it'll be

0:20:33.440 --> 0:20:36.639
<v Speaker 1>already be in the fridge like you just crack it open. Okay.

0:20:37.480 --> 0:20:41.960
<v Speaker 1>So I've just been trying to, you know, use my

0:20:42.119 --> 0:20:44.679
<v Speaker 1>brand and what I done got my name to to

0:20:44.840 --> 0:20:46.760
<v Speaker 1>just jump into other avenues, you know, what I'm saying,

0:20:46.840 --> 0:20:49.840
<v Speaker 1>other avenues I can make money off of, and you know,

0:20:49.960 --> 0:20:51.760
<v Speaker 1>just build that future for my daughter, you know what

0:20:51.760 --> 0:20:54.879
<v Speaker 1>I mean, for my team without me rapping, like the

0:20:54.960 --> 0:20:56.640
<v Speaker 1>rap won't do what to do? You know what I'm saying.

0:20:56.640 --> 0:20:58.600
<v Speaker 1>And then the rap got me into acting, you know,

0:20:58.640 --> 0:21:00.400
<v Speaker 1>I mean sort of the rap has shown me what

0:21:00.400 --> 0:21:03.159
<v Speaker 1>it could do, but now I want to see what me,

0:21:03.280 --> 0:21:07.080
<v Speaker 1>being a more of an entrepreneur could do acting wise.

0:21:07.280 --> 0:21:10.240
<v Speaker 1>Obviously the Hulu shit was fire, but what else I know?

0:21:10.400 --> 0:21:12.840
<v Speaker 1>I know you watched, yeah, me and my I finally

0:21:12.840 --> 0:21:15.200
<v Speaker 1>got my wife to watch it, but she I told

0:21:15.200 --> 0:21:16.560
<v Speaker 1>her with some Wu Tang ship and I tried to

0:21:16.560 --> 0:21:18.120
<v Speaker 1>get her to watch, you know, the Wu Tang documentary

0:21:18.160 --> 0:21:20.320
<v Speaker 1>that came out on Showtime show. My wife don't give

0:21:20.320 --> 0:21:22.160
<v Speaker 1>a fuck about Wu Tang clan, right, so I put

0:21:22.200 --> 0:21:24.600
<v Speaker 1>it on and it's a documentary. This was like what

0:21:24.720 --> 0:21:27.240
<v Speaker 1>you know? And she just left the room. She's like,

0:21:27.240 --> 0:21:30.640
<v Speaker 1>you could watch that's what the actual I'm gonna go upstairs, right,

0:21:30.840 --> 0:21:32.639
<v Speaker 1>she don't give a fuck about Wu Tang. But I

0:21:32.680 --> 0:21:34.439
<v Speaker 1>put the show on and I didn't tell her it

0:21:34.480 --> 0:21:38.000
<v Speaker 1>was about Wu Tang until about thirty minutes in and

0:21:38.040 --> 0:21:40.240
<v Speaker 1>she was like, Oh, this is good. It's just a

0:21:40.320 --> 0:21:43.119
<v Speaker 1>TV show, so yeah, I like how they set that

0:21:43.200 --> 0:21:44.439
<v Speaker 1>up though they make you know, I mean you got

0:21:44.520 --> 0:21:47.520
<v Speaker 1>to watch it really and even like I didn't even

0:21:47.520 --> 0:21:50.040
<v Speaker 1>know like a lot of the stuff, like like like

0:21:51.359 --> 0:21:53.200
<v Speaker 1>and then also just had I had to figure out

0:21:53.200 --> 0:21:56.639
<v Speaker 1>everyone else. I was like, because because they're not just

0:21:56.840 --> 0:21:59.120
<v Speaker 1>like the actual like everyone's names are different than the show.

0:21:59.760 --> 0:22:01.080
<v Speaker 1>I was like, wait, who the fuck is this guy?

0:22:01.119 --> 0:22:03.720
<v Speaker 1>I knew, I knew you were method man obviously, but yeah,

0:22:03.720 --> 0:22:05.280
<v Speaker 1>it was. It was. It was good man. But are

0:22:05.320 --> 0:22:07.160
<v Speaker 1>there other acting roles or have you you have any

0:22:07.160 --> 0:22:09.520
<v Speaker 1>other things coming out? Because I know that I'm sure

0:22:09.520 --> 0:22:12.879
<v Speaker 1>that the entertainment game in general is on hold. We're

0:22:12.880 --> 0:22:15.160
<v Speaker 1>supposed to have been doing season two already. I mean,

0:22:15.200 --> 0:22:19.320
<v Speaker 1>but the Pandemic, you guys are supposed already start shooting it.

0:22:19.400 --> 0:22:24.560
<v Speaker 1>Huh damn, You're gonna have to start doing these acting

0:22:24.560 --> 0:22:26.920
<v Speaker 1>bubbles like the you know, like because when you think

0:22:26.920 --> 0:22:29.960
<v Speaker 1>about it, so many people on a set, so many people.

0:22:30.880 --> 0:22:33.200
<v Speaker 1>There's so many people on a set, So I don't see,

0:22:33.400 --> 0:22:35.520
<v Speaker 1>I don't I can't in the future even see when

0:22:36.600 --> 0:22:38.600
<v Speaker 1>that's gonna be free to do again. You know what

0:22:38.640 --> 0:22:42.679
<v Speaker 1>I mean, even shows I sold anything on TV. You

0:22:42.720 --> 0:22:50.199
<v Speaker 1>watch movies, concerts, like, shout out to all the Southern

0:22:50.240 --> 0:22:53.120
<v Speaker 1>rappers who don't give a fuck right now because they're

0:22:53.160 --> 0:22:56.159
<v Speaker 1>still running around getting bags in the South. Some of

0:22:56.200 --> 0:22:58.520
<v Speaker 1>these cities in the South do not care. Get your money,

0:22:58.520 --> 0:23:00.480
<v Speaker 1>put your masks on. We'll get your rod wave out

0:23:00.520 --> 0:23:03.200
<v Speaker 1>here getting it right now. I'm like, bro, what random

0:23:03.200 --> 0:23:06.639
<v Speaker 1>city in Georgia is he doing? Go get your money?

0:23:06.640 --> 0:23:09.240
<v Speaker 1>Did you see Boozy hosting the pool party? I ever

0:23:09.320 --> 0:23:12.280
<v Speaker 1>see that? Oh my god, you know what it is.

0:23:12.320 --> 0:23:17.480
<v Speaker 1>I feel like, you know, it's as many cases that

0:23:17.760 --> 0:23:21.560
<v Speaker 1>have been proven, it's one hundred percent believable. What's going on?

0:23:21.680 --> 0:23:23.720
<v Speaker 1>I had it just so you know, yeah I had it.

0:23:23.800 --> 0:23:25.400
<v Speaker 1>Me and my wife got it. Well you know why,

0:23:25.400 --> 0:23:26.639
<v Speaker 1>because I was a stupid ass. I went back to

0:23:26.640 --> 0:23:32.000
<v Speaker 1>Scott Stale and yeah, I just couldn't smell her taste, damn,

0:23:32.280 --> 0:23:35.959
<v Speaker 1>like like like legit. I thought I was tripping. And

0:23:36.040 --> 0:23:38.200
<v Speaker 1>you know, my my my dog's got a little puppy

0:23:38.200 --> 0:23:40.320
<v Speaker 1>pad and he took a ship and I was like, yo, fam,

0:23:40.440 --> 0:23:42.120
<v Speaker 1>I'm ana smell. I'm a good down on the floor

0:23:42.200 --> 0:23:43.960
<v Speaker 1>take away for this dog ship and see if I

0:23:44.040 --> 0:23:47.199
<v Speaker 1>just smell nothing, did the fuck what you're breathing at all? No.

0:23:48.040 --> 0:23:50.000
<v Speaker 1>Towards the end, when I was starting to kick it,

0:23:50.000 --> 0:23:51.959
<v Speaker 1>there was like a forty eight hour period where I

0:23:52.040 --> 0:23:54.760
<v Speaker 1>just was fatigued. When I got through that and then

0:23:54.760 --> 0:23:56.480
<v Speaker 1>I you know, my smell was coming back, and then

0:23:57.359 --> 0:23:59.360
<v Speaker 1>I went and got doubled. You know, I got two

0:23:59.400 --> 0:24:02.240
<v Speaker 1>negative tests results in a row. And yeah, but yeah,

0:24:02.280 --> 0:24:04.080
<v Speaker 1>no I could. I mean I also asked for I

0:24:04.119 --> 0:24:07.200
<v Speaker 1>literally went into a club full of people in Scottsdale,

0:24:07.240 --> 0:24:09.560
<v Speaker 1>scott Still for a while, Arizona did not give a either.

0:24:10.000 --> 0:24:11.760
<v Speaker 1>You went to club See, that's what they could do

0:24:11.760 --> 0:24:17.240
<v Speaker 1>New York like like a no clubs all that's here's

0:24:17.560 --> 0:24:20.240
<v Speaker 1>the thing is And not everybody's on the block again.

0:24:20.280 --> 0:24:23.520
<v Speaker 1>It's block parties, cookouts, you know what I mean. That's

0:24:23.560 --> 0:24:27.760
<v Speaker 1>the new ship, people getting the Airbnb just throwing parties.

0:24:27.880 --> 0:24:29.840
<v Speaker 1>Do you feel like, do you get into the conspiracy

0:24:29.840 --> 0:24:32.359
<v Speaker 1>aspect of like ship, like not even just COVID, but

0:24:32.440 --> 0:24:35.120
<v Speaker 1>just in general, do you like I think it's something else?

0:24:35.280 --> 0:24:37.200
<v Speaker 1>Beh honest, I don't think this is like I feel

0:24:37.200 --> 0:24:38.960
<v Speaker 1>like this is all like it's something else going on,

0:24:39.600 --> 0:24:42.040
<v Speaker 1>Like what I have no idea we never know. It's

0:24:42.160 --> 0:24:44.679
<v Speaker 1>like they always do some ship, then some other shit happened,

0:24:44.720 --> 0:24:46.760
<v Speaker 1>like oh, you know what I mean, because if you

0:24:46.800 --> 0:24:50.240
<v Speaker 1>think about it, this is my opinion. When all the protesting,

0:24:50.320 --> 0:24:54.080
<v Speaker 1>what's going on? God bless the dead George Floyd. When

0:24:54.119 --> 0:24:56.680
<v Speaker 1>all that happened and everybody was protesting, nobody, you didn't

0:24:56.680 --> 0:25:00.879
<v Speaker 1>see nothing about heard the word COVID one hundred at

0:25:00.920 --> 0:25:03.359
<v Speaker 1>least a month straight and I even heard the word.

0:25:03.400 --> 0:25:08.399
<v Speaker 1>And there's people, some people everywhere protesting. Police was packed

0:25:08.400 --> 0:25:11.680
<v Speaker 1>a hundred cops everywhere, Like so then you know that

0:25:11.720 --> 0:25:14.119
<v Speaker 1>dies that died down, and then and then they're saying

0:25:14.119 --> 0:25:16.960
<v Speaker 1>all these cities cases that went up. You know what

0:25:17.000 --> 0:25:18.680
<v Speaker 1>I mean, They're still protesting, it's just not on the

0:25:18.720 --> 0:25:22.920
<v Speaker 1>news the hype around it and died down unless it's

0:25:22.920 --> 0:25:25.600
<v Speaker 1>some wild violent crazy like Portland that's on the news.

0:25:25.640 --> 0:25:28.160
<v Speaker 1>Because in Portland is crazy going down, Like anyway it's

0:25:28.200 --> 0:25:31.320
<v Speaker 1>going down. To show you that Seattle, Seattle they had

0:25:31.320 --> 0:25:33.760
<v Speaker 1>that little area, did you like, did Seattle they had

0:25:33.800 --> 0:25:37.480
<v Speaker 1>like a little the protesters. My little brother live out there.

0:25:37.560 --> 0:25:39.560
<v Speaker 1>I don't know. Yeah, there was a ship called the

0:25:39.640 --> 0:25:42.240
<v Speaker 1>Chats Zone and they shut it off from police like

0:25:42.280 --> 0:25:45.280
<v Speaker 1>a whole area of Capitol Hill and it was like

0:25:45.840 --> 0:25:48.040
<v Speaker 1>you couldn't go in and out unless it was wild.

0:25:48.359 --> 0:25:50.480
<v Speaker 1>That's going down. They said that they you know that

0:25:50.480 --> 0:25:54.040
<v Speaker 1>that flame is set, so it's on. But if it

0:25:54.080 --> 0:25:56.880
<v Speaker 1>ain't going, if it ain't like something, they don't want

0:25:56.880 --> 0:25:58.600
<v Speaker 1>you to feel like they need this show, they ain't

0:25:58.600 --> 0:26:00.720
<v Speaker 1>gonna show you. Well, they ship. They just admitted the

0:26:00.920 --> 0:26:03.960
<v Speaker 1>Pentagon just admitted the UFOs are real. It was in

0:26:04.080 --> 0:26:07.120
<v Speaker 1>Washington Times this week. Yeah, they knew. I hadn't seen

0:26:07.240 --> 0:26:10.720
<v Speaker 1>alien the two with my motherfucking life. You know what

0:26:10.760 --> 0:26:13.440
<v Speaker 1>I'm saying. I mean, obviously outside of Custy's. You know

0:26:13.480 --> 0:26:16.160
<v Speaker 1>what I'm saying, I know how to see some ship

0:26:16.280 --> 0:26:20.200
<v Speaker 1>like for Men in Black Men and that ship. Oh yeah, yeah,

0:26:20.200 --> 0:26:23.080
<v Speaker 1>they admitted the aliens and all that shit. Have you ever? Uh,

0:26:23.359 --> 0:26:26.920
<v Speaker 1>they probably know them. I know you you the last

0:26:26.920 --> 0:26:30.280
<v Speaker 1>time we talked to you. Oh yeah, God, I think

0:26:30.280 --> 0:26:32.760
<v Speaker 1>they got aliens at work, probably definitely on, probably in

0:26:32.800 --> 0:26:36.199
<v Speaker 1>contact with I wouldn't put that past none of that

0:26:36.240 --> 0:26:38.840
<v Speaker 1>government ship. They got aliens of work, bro, I'm telling you,

0:26:38.880 --> 0:26:41.320
<v Speaker 1>they got motherfuckers that work for the government. Every what

0:26:41.359 --> 0:26:44.240
<v Speaker 1>do you think every fifty one is these motherfuckers live

0:26:44.320 --> 0:26:48.159
<v Speaker 1>on base bru crazy. It's I'm telling you, we go

0:26:48.320 --> 0:26:50.639
<v Speaker 1>see that. They're just preparing us slowly. I think if

0:26:50.720 --> 0:26:54.120
<v Speaker 1>Trump loses, before he loses, he's just gonna fuck everyone's

0:26:54.160 --> 0:26:57.879
<v Speaker 1>life up and be like, guess what aliens are real?

0:26:58.520 --> 0:27:00.840
<v Speaker 1>I'm out you gonna tell them to pop out? All right,

0:27:00.880 --> 0:27:03.119
<v Speaker 1>y'all can pull up now? Yeah, pull up? Fuck this

0:27:03.160 --> 0:27:06.280
<v Speaker 1>ship I lost lost. There's gonna be a bunch of

0:27:06.320 --> 0:27:09.720
<v Speaker 1>aliens come through this. Uh, Dave, I'm curious. I know

0:27:09.880 --> 0:27:11.840
<v Speaker 1>the last time we talked, we were talking about it

0:27:11.880 --> 0:27:15.080
<v Speaker 1>was either your the lean ship or you had about

0:27:15.080 --> 0:27:17.520
<v Speaker 1>with pills where you said your your your thing wasn't

0:27:17.640 --> 0:27:22.159
<v Speaker 1>working up to speed. It went viral. Yeah, yeah, this

0:27:22.320 --> 0:27:28.120
<v Speaker 1>amp ship. I'm curious. Drug wise, Uh, have you ever

0:27:28.160 --> 0:27:32.600
<v Speaker 1>tried any hallucinogenics, like any mushrooms or d m T.

0:27:33.320 --> 0:27:37.160
<v Speaker 1>You've done shrooms? Like? How was like? You did it twice?

0:27:37.200 --> 0:27:41.399
<v Speaker 1>What we were what were you experiences? Like? Uh? I

0:27:41.440 --> 0:27:43.399
<v Speaker 1>had I had two good trips. I never had a

0:27:43.400 --> 0:27:46.000
<v Speaker 1>bad trip, so both of them was cool. But it

0:27:46.119 --> 0:27:49.840
<v Speaker 1>was like, uh, I felt the first time I did it,

0:27:49.880 --> 0:27:53.159
<v Speaker 1>I felt too high and I couldn't go to sleep.

0:27:53.800 --> 0:27:55.159
<v Speaker 1>I was trying to like, you know, you try to

0:27:55.160 --> 0:27:57.800
<v Speaker 1>sleep some ship off, I couldn't go to sleep. Usually

0:27:57.840 --> 0:27:59.440
<v Speaker 1>when you eat stuff, you can't sleep it off. I

0:27:59.480 --> 0:28:02.120
<v Speaker 1>couldn't sleep, So that had me. That was the only

0:28:02.160 --> 0:28:04.160
<v Speaker 1>part of the ship had me Panican like, y'all can't

0:28:04.240 --> 0:28:07.080
<v Speaker 1>go to sleep. But I was cool. And then the

0:28:07.160 --> 0:28:09.679
<v Speaker 1>second time I did it, I was like, did you

0:28:09.720 --> 0:28:12.000
<v Speaker 1>see some ship? Like I feel like some people like

0:28:12.040 --> 0:28:14.040
<v Speaker 1>they say, what you just colors, that's the that's the

0:28:14.080 --> 0:28:16.640
<v Speaker 1>only thing like a lot of people have, they say

0:28:16.640 --> 0:28:18.439
<v Speaker 1>they all the walls was mel I ain't see all

0:28:18.440 --> 0:28:20.280
<v Speaker 1>that ship that color. That might have bugged me up.

0:28:20.359 --> 0:28:23.360
<v Speaker 1>But the colors like all of like like in this room.

0:28:23.359 --> 0:28:25.240
<v Speaker 1>If I did that ship in here, all these colors

0:28:25.440 --> 0:28:29.080
<v Speaker 1>would have like did something, would like glare more like.

0:28:29.119 --> 0:28:30.639
<v Speaker 1>That's all that ship did to me. But I was like,

0:28:30.720 --> 0:28:33.960
<v Speaker 1>I ain't see no elephants or wasn't no midges running

0:28:34.000 --> 0:28:35.920
<v Speaker 1>out the room. You gotta go out to Joshua Tree

0:28:36.000 --> 0:28:39.560
<v Speaker 1>and you gotta do d MT. Man, is DMT that ship?

0:28:41.320 --> 0:28:44.240
<v Speaker 1>See you fear pressure man? You hear about a bread

0:28:44.360 --> 0:28:49.560
<v Speaker 1>some bread new ship last fifteen minutes, it's it's uh,

0:28:49.720 --> 0:28:52.760
<v Speaker 1>that's some Jim that's some Jimmy Hendrick shit. It's the dyametic.

0:28:52.800 --> 0:28:57.520
<v Speaker 1>What is it? Yeah, yeah, in your brain when you

0:28:57.560 --> 0:29:00.720
<v Speaker 1>were born and when you die, this chemical gets released

0:29:01.360 --> 0:29:05.920
<v Speaker 1>d MT, right, and there's a toad that sweats it naturally,

0:29:06.280 --> 0:29:09.520
<v Speaker 1>so motherfuckers will take and you you it's really some

0:29:09.600 --> 0:29:14.840
<v Speaker 1>crackhead shit, low key right, So you free based no no, no,

0:29:14.880 --> 0:29:17.040
<v Speaker 1>but it's like you're not smoking crack, but you are

0:29:17.120 --> 0:29:20.520
<v Speaker 1>free basing DMT for sure off a toad, off of

0:29:20.520 --> 0:29:22.600
<v Speaker 1>a toad's yeah, you put it on, like yeah, it's

0:29:22.640 --> 0:29:25.120
<v Speaker 1>it's it's it's wild. But like it's like fifteen minutes

0:29:25.160 --> 0:29:28.240
<v Speaker 1>of like you just leave the you leave earth for

0:29:28.280 --> 0:29:31.240
<v Speaker 1>fifteen minutes and then fifteen minutes later you come back

0:29:31.280 --> 0:29:35.240
<v Speaker 1>and your life might be changed. Hey we gotta get

0:29:35.280 --> 0:29:38.080
<v Speaker 1>some DMT. Bro, let's do. Hey, look I'm down. Next

0:29:38.080 --> 0:29:41.160
<v Speaker 1>time you're in LA, we'll get aj turns up over

0:29:41.200 --> 0:29:45.560
<v Speaker 1>there and listen. What's the long term effects of that? Nothing? Nothing? Nothing.

0:29:45.640 --> 0:29:48.360
<v Speaker 1>Mike Tyson's whole life is changed because of DMT. You know.

0:29:48.560 --> 0:29:51.320
<v Speaker 1>Mike Tyson's like, you know, back on his ship because

0:29:51.320 --> 0:29:55.560
<v Speaker 1>of d MT. He smokes the toad man with him

0:29:55.560 --> 0:29:58.840
<v Speaker 1>and Roy Jones, I don't know. Honestly, I'm not. I'll

0:29:58.880 --> 0:30:01.080
<v Speaker 1>say this. I I haven't paid a lot of attention

0:30:01.160 --> 0:30:04.200
<v Speaker 1>to what Roy Jones's got going on, but Mike Tyson

0:30:04.280 --> 0:30:06.720
<v Speaker 1>looked like I got Tyson, no disrespect to Roy. I

0:30:06.760 --> 0:30:09.040
<v Speaker 1>got Tyson knocking him the fun out Me too, bro,

0:30:11.880 --> 0:30:16.800
<v Speaker 1>knocking him the fuck out the fuck out, like the

0:30:16.840 --> 0:30:20.600
<v Speaker 1>fuck out. Because if you think about it, even if

0:30:20.600 --> 0:30:23.240
<v Speaker 1>you were to take them both at their peaks, Tyson

0:30:23.360 --> 0:30:27.360
<v Speaker 1>is a heavyweight. Bro is still on. He's a heavyweight

0:30:27.800 --> 0:30:29.800
<v Speaker 1>like Roy Jones was never I mean I think he

0:30:29.880 --> 0:30:31.479
<v Speaker 1>I think towards the end of his career he dabbled

0:30:31.480 --> 0:30:36.120
<v Speaker 1>in the heavyweight division. I always loved his style when

0:30:36.160 --> 0:30:39.080
<v Speaker 1>I was a kid because he was Tyson. And then

0:30:39.120 --> 0:30:41.520
<v Speaker 1>you just see the way Tyson is being looking Bro,

0:30:42.560 --> 0:30:45.120
<v Speaker 1>I ain't. I don't know, Bro, I think Tyson is

0:30:45.160 --> 0:30:51.680
<v Speaker 1>going to take that. Dude's who you got, Nate Robinson

0:30:51.760 --> 0:30:55.720
<v Speaker 1>or Jake Paul that's the undercard, the YouTube kid or

0:30:55.800 --> 0:30:57.720
<v Speaker 1>Nate Robinson who used to play for the Bulls and

0:30:57.760 --> 0:31:01.440
<v Speaker 1>the Knicks. Yes, so Nate Robinson. Do you remember Nate

0:31:01.480 --> 0:31:04.719
<v Speaker 1>Robinson n W the Dunk Contest. So he's fighting the

0:31:04.760 --> 0:31:08.360
<v Speaker 1>YouTuber Jake Paul. I'm not familiar with the YouTuber. He's

0:31:08.360 --> 0:31:10.720
<v Speaker 1>this little white dude. He's a little uh and they

0:31:10.920 --> 0:31:15.200
<v Speaker 1>and they boxing the boxes and he's boxing that and

0:31:15.240 --> 0:31:18.640
<v Speaker 1>that's the undercalled or the Tyson and Roy Jones fight. Yes,

0:31:18.760 --> 0:31:20.600
<v Speaker 1>crazy world we're living in, right, I'm gonna go with

0:31:20.720 --> 0:31:22.520
<v Speaker 1>Nate ro I don't know about the YouTube. You gotta

0:31:22.520 --> 0:31:26.040
<v Speaker 1>go and Nate Robinson looks like a like a miniature

0:31:26.080 --> 0:31:30.600
<v Speaker 1>fifty cent Nate Robins. I think you we was like

0:31:30.680 --> 0:31:33.840
<v Speaker 1>five foot eight or some ship winning dunk contest. Shout

0:31:33.840 --> 0:31:37.840
<v Speaker 1>out to day Robinson. Are you Are you still sucking

0:31:37.880 --> 0:31:39.880
<v Speaker 1>with the Knicks at this point in life? I don't

0:31:39.880 --> 0:31:42.640
<v Speaker 1>know what's going on with them. I respect that, man.

0:31:42.760 --> 0:31:44.320
<v Speaker 1>It must be nice to not know what's going on

0:31:44.360 --> 0:31:45.840
<v Speaker 1>with sports. I don't know what's going on with I

0:31:45.880 --> 0:31:47.960
<v Speaker 1>wish my bank account wishes that I didn't know what

0:31:48.040 --> 0:31:51.480
<v Speaker 1>was going on with sports. For sure, you didn't get twist.

0:31:51.880 --> 0:31:55.800
<v Speaker 1>Nobody got advice though, Yeah I don't. I'll say this.

0:31:55.840 --> 0:31:59.120
<v Speaker 1>I'm not an alcoholic. I'm not a drug addict. I

0:31:59.160 --> 0:32:04.360
<v Speaker 1>do enjoy gambling like weed. Weed, a solid, good, good weed,

0:32:05.560 --> 0:32:09.200
<v Speaker 1>California weed. Do you think there's such thing as because

0:32:09.240 --> 0:32:11.280
<v Speaker 1>you know how like people say, you can't fuck up pizza.

0:32:12.200 --> 0:32:14.920
<v Speaker 1>Is bad weed? Even good weed just because it's weed.

0:32:16.960 --> 0:32:19.040
<v Speaker 1>That was that was like a doctor Shou's question, say that,

0:32:19.080 --> 0:32:23.880
<v Speaker 1>will ask me that. So it's bad weed. It's bad

0:32:23.920 --> 0:32:26.920
<v Speaker 1>weed good anyway, just because it's just weed, or is

0:32:26.920 --> 0:32:29.240
<v Speaker 1>there bad it is bad? We just like, oh no,

0:32:29.280 --> 0:32:32.760
<v Speaker 1>there's horrible weed. That's like no point in even smoking,

0:32:33.360 --> 0:32:35.440
<v Speaker 1>Like why would you bring this to me? Is weed?

0:32:35.520 --> 0:32:38.560
<v Speaker 1>Like but will it get you high? No? So the

0:32:38.600 --> 0:32:42.120
<v Speaker 1>horrible weed won't okay, not if you've been smoking great weed, Like,

0:32:42.320 --> 0:32:43.880
<v Speaker 1>it ain't gonna do nothing for you at all because

0:32:43.880 --> 0:32:47.680
<v Speaker 1>I know some people. So there's we that's crazy. Feel

0:32:48.760 --> 0:32:51.560
<v Speaker 1>it's just gonna. It's just gonna. When's the last time

0:32:52.320 --> 0:32:55.000
<v Speaker 1>let me ask you something. You're obviously in different cities

0:32:55.000 --> 0:32:57.720
<v Speaker 1>all the time, and it's hard to like you pull

0:32:57.800 --> 0:33:01.000
<v Speaker 1>up to a random city, Oh, I bring my weed

0:33:01.040 --> 0:33:02.680
<v Speaker 1>with me. You breathe the weed unless I come to

0:33:02.800 --> 0:33:04.840
<v Speaker 1>l All because yeah, because you can just go to

0:33:04.840 --> 0:33:07.280
<v Speaker 1>the store. It's the only place in the world where

0:33:07.320 --> 0:33:10.440
<v Speaker 1>I won't bring weed anywhere else I go. I'm bringing

0:33:10.440 --> 0:33:13.520
<v Speaker 1>weed because it's not gonna be guaranteed. I run into

0:33:13.600 --> 0:33:16.120
<v Speaker 1>some good weed. What is the best way to fly

0:33:16.240 --> 0:33:19.600
<v Speaker 1>with weed outside of Yeah, I know, Whiz used to

0:33:19.720 --> 0:33:23.560
<v Speaker 1>stuff it in like theodoran sticks. Like you would just

0:33:23.600 --> 0:33:26.160
<v Speaker 1>gut the odorance, make a big I would get caught.

0:33:26.840 --> 0:33:29.560
<v Speaker 1>I mean you just totally like, I mean, no, I

0:33:29.760 --> 0:33:32.760
<v Speaker 1>just pack it. You know, the regulation has changed flying

0:33:32.800 --> 0:33:34.680
<v Speaker 1>out of lax, well out of lax. I'm talking about

0:33:34.720 --> 0:33:38.280
<v Speaker 1>let's say you're going to Birmingham, Alabama. Uh, they don't

0:33:38.320 --> 0:33:40.360
<v Speaker 1>be on you like that. It's about how you move

0:33:40.400 --> 0:33:42.200
<v Speaker 1>into like you know you you do it in the

0:33:42.200 --> 0:33:44.600
<v Speaker 1>carry on or the check it. Yeah, you gotta check

0:33:44.640 --> 0:33:46.600
<v Speaker 1>it right walk through. I don't I'll be nervous to

0:33:46.640 --> 0:33:49.240
<v Speaker 1>walk through the ship with But of course I check

0:33:49.240 --> 0:33:51.840
<v Speaker 1>the fucking dogs everywhere. But you know what I learned

0:33:51.840 --> 0:33:53.880
<v Speaker 1>them dogs is not sniffing for weed. No they're not.

0:33:53.880 --> 0:33:57.160
<v Speaker 1>They don't care. They're sniffing for bombs. Drove me fucking nervous.

0:33:57.280 --> 0:33:59.200
<v Speaker 1>Like yo, that dog does not give a fuck if

0:33:59.200 --> 0:34:00.720
<v Speaker 1>you got weed. That dog gives the fuck if you

0:34:00.760 --> 0:34:03.520
<v Speaker 1>got force blunt on the way to the airport, I

0:34:03.560 --> 0:34:07.120
<v Speaker 1>got a whole fucking half a bud in the bag

0:34:07.880 --> 0:34:10.400
<v Speaker 1>and he got this big ass dog right here He

0:34:10.480 --> 0:34:11.960
<v Speaker 1>just cares if you got a bomb. That's all he

0:34:11.960 --> 0:34:13.799
<v Speaker 1>cares about. Didn't even pay me no mind. That said,

0:34:13.840 --> 0:34:18.719
<v Speaker 1>I'm good. Damn. What is the timeline for you and Jaystone? Ship? Uh?

0:34:19.000 --> 0:34:22.200
<v Speaker 1>Ship whenever that ships done? Because Karma three's coming out

0:34:22.200 --> 0:34:27.040
<v Speaker 1>August fourteen, fourteen. And then I got I got Calmer

0:34:27.120 --> 0:34:31.800
<v Speaker 1>three fourteen. Me and Statish Pete doing beloved too. We

0:34:31.920 --> 0:34:34.400
<v Speaker 1>about to do that again. You bring that back around.

0:34:34.480 --> 0:34:36.400
<v Speaker 1>That was that was too fun. Stouts PI had a

0:34:36.480 --> 0:34:40.719
<v Speaker 1>very underrated twenty nineteen. You know, he put out a

0:34:40.719 --> 0:34:43.560
<v Speaker 1>lot of quality hip hop last year. That's my guy

0:34:43.640 --> 0:34:47.279
<v Speaker 1>right there, that's big bro. Hey, we got to take

0:34:47.280 --> 0:34:49.239
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0:36:04.960 --> 0:36:08.880
<v Speaker 1>August fourteenth, Beloved two and then a Jstone project and

0:36:08.880 --> 0:36:11.400
<v Speaker 1>I'm doing one with Mary Mary Jake doing the album,

0:36:11.480 --> 0:36:14.960
<v Speaker 1>a whole Mary J Blige album. Yeah wow, yeah, like

0:36:15.280 --> 0:36:17.840
<v Speaker 1>maybe three or four records right now. Talk about that

0:36:17.920 --> 0:36:20.560
<v Speaker 1>chemistry because Mary is a legend. So I mean, obviously,

0:36:20.840 --> 0:36:22.439
<v Speaker 1>I mean just to do one song where it would

0:36:22.440 --> 0:36:24.520
<v Speaker 1>be amazing insane, But no, that's you know what, that's

0:36:24.560 --> 0:36:26.880
<v Speaker 1>one of them, like you such a fan of somebody,

0:36:26.960 --> 0:36:28.640
<v Speaker 1>or you didn't grew up on somebody in music, or

0:36:28.640 --> 0:36:31.200
<v Speaker 1>you've been just you know, chun thing in them so long.

0:36:33.880 --> 0:36:35.560
<v Speaker 1>It's fire. Like you know what I'm saying, Like it

0:36:35.680 --> 0:36:37.879
<v Speaker 1>just put me in another zone, knowing who I'm working with,

0:36:38.400 --> 0:36:40.640
<v Speaker 1>knowing the legacy she already got in the fact that

0:36:40.640 --> 0:36:44.240
<v Speaker 1>she even got to bring bring out that that reasonable

0:36:44.320 --> 0:36:47.640
<v Speaker 1>doubt on the one bad boy Mary, when you hear

0:36:47.680 --> 0:36:51.160
<v Speaker 1>that you're going she she on Mary on some shit.

0:36:51.760 --> 0:36:55.640
<v Speaker 1>You were just shooting a video in LA and what

0:36:55.760 --> 0:36:58.279
<v Speaker 1>I thought was amazing. I just scrolling on Instagram. It

0:36:58.320 --> 0:37:00.600
<v Speaker 1>was a picture of you and J Coles and I

0:37:00.640 --> 0:37:03.000
<v Speaker 1>was like, cool, Yeah, that was fire. Shouts to J Cole.

0:37:03.120 --> 0:37:04.680
<v Speaker 1>It was that the first time you guys met in

0:37:04.719 --> 0:37:07.880
<v Speaker 1>my life. He like my respect level for him without

0:37:08.160 --> 0:37:11.400
<v Speaker 1>already like you know, from a far, saluted up everything

0:37:11.440 --> 0:37:14.080
<v Speaker 1>he'd do. Big fan of his music. But I would

0:37:14.080 --> 0:37:17.760
<v Speaker 1>shoot a video on Sunday he was driving Bob randomly

0:37:18.080 --> 0:37:20.960
<v Speaker 1>saw me and pulled over, hopped out. You know what

0:37:20.960 --> 0:37:22.640
<v Speaker 1>I'm saying. I was gangst a lot of people. I

0:37:22.719 --> 0:37:24.560
<v Speaker 1>know it would have been just like over up boy

0:37:24.680 --> 0:37:26.200
<v Speaker 1>like you know what I'm saying, and kept it pushing.

0:37:26.880 --> 0:37:29.440
<v Speaker 1>He hopped out. We exchanged numbers, you know what I'm saying.

0:37:29.480 --> 0:37:31.799
<v Speaker 1>I was a combo man. He just like I thought

0:37:31.800 --> 0:37:33.439
<v Speaker 1>he would have been man cool. You know what I'm saying.

0:37:33.480 --> 0:37:35.000
<v Speaker 1>I just told me I've didn't want to get with you,

0:37:35.120 --> 0:37:38.680
<v Speaker 1>big fan of your work, said Boomerang. Well he stopped

0:37:38.880 --> 0:37:40.840
<v Speaker 1>too because he saw you, so he must be a

0:37:40.840 --> 0:37:42.839
<v Speaker 1>fan of your When I was dope, like I said,

0:37:42.840 --> 0:37:46.000
<v Speaker 1>I never met him before. We never DMD never. That

0:37:46.120 --> 0:37:48.600
<v Speaker 1>was one hip hop connection I didn't have. You know

0:37:48.640 --> 0:37:52.920
<v Speaker 1>what I mean is have you ever previously tried to

0:37:52.960 --> 0:37:55.120
<v Speaker 1>reach out to Cole or anything? I feel like musically

0:37:55.120 --> 0:37:58.920
<v Speaker 1>you guys would mesh so well. Nah, not not not

0:37:59.360 --> 0:38:03.640
<v Speaker 1>personally or direct. I was working with y Cleff maybe

0:38:03.760 --> 0:38:05.759
<v Speaker 1>four years three or four years ago, and I know

0:38:05.880 --> 0:38:08.319
<v Speaker 1>cleft no one, and I mean we spoke about it

0:38:08.480 --> 0:38:11.759
<v Speaker 1>right and never never put it together. But honestly with me,

0:38:11.840 --> 0:38:14.960
<v Speaker 1>I like, when ship like that happened, rather than somebody

0:38:15.360 --> 0:38:18.880
<v Speaker 1>connecting it just letting having that ship, I'd rather just

0:38:18.960 --> 0:38:20.840
<v Speaker 1>meet you or we just be at the same place,

0:38:20.920 --> 0:38:23.640
<v Speaker 1>same time, and then naturally you know what I mean?

0:38:23.640 --> 0:38:26.080
<v Speaker 1>That was dope. Yeah, that's fire. And then did with

0:38:26.160 --> 0:38:29.120
<v Speaker 1>DMX was there too. As soon as j Cole pulled off,

0:38:29.200 --> 0:38:34.480
<v Speaker 1>DMX hopped out. I said, damn, this is the same corner.

0:38:34.480 --> 0:38:36.360
<v Speaker 1>I'm like, this is the corner of the bill. This

0:38:36.400 --> 0:38:39.719
<v Speaker 1>is the corner. Shout out to DMX, man, GMx got

0:38:39.719 --> 0:38:42.319
<v Speaker 1>that dad boy popping right now? That's the X. How

0:38:43.080 --> 0:38:44.919
<v Speaker 1>was that the I mean, I'm assuming have you linked

0:38:44.920 --> 0:38:48.719
<v Speaker 1>with X X lock locked? Then I met actually met

0:38:49.000 --> 0:38:52.680
<v Speaker 1>X with Swiss Swiss Beats back in New York. But yeah,

0:38:52.680 --> 0:38:54.719
<v Speaker 1>I've been around X a few times. X man cool.

0:38:55.000 --> 0:38:56.680
<v Speaker 1>I saw GMx is I think he's working on on

0:38:56.719 --> 0:39:01.239
<v Speaker 1>the album right now. You watched the verses whatever Snoop? Yeah, though, man,

0:39:01.239 --> 0:39:04.200
<v Speaker 1>they shouldn't have put X against Snoop. That was good

0:39:04.200 --> 0:39:06.440
<v Speaker 1>for the coach, it was. It was I think some

0:39:06.480 --> 0:39:09.279
<v Speaker 1>of those battles, it's like it doesn't matter who wins,

0:39:09.320 --> 0:39:12.480
<v Speaker 1>like Riser Verse Primo, it didn't matter who won. It

0:39:12.560 --> 0:39:14.919
<v Speaker 1>was like, yo, it's Riserverse Primo. Like you just want

0:39:14.920 --> 0:39:17.640
<v Speaker 1>to watch, just enjoy, Like who gives a fuck? Who

0:39:17.640 --> 0:39:20.000
<v Speaker 1>will to watch it? Yeah? They're talking like I think

0:39:20.040 --> 0:39:22.279
<v Speaker 1>the next the Rick Ross two chains one just got

0:39:22.320 --> 0:39:26.560
<v Speaker 1>locked in, which would be crazy change. Yeah, Swiss Chains

0:39:26.600 --> 0:39:28.799
<v Speaker 1>got some records. I think. I think a lot of

0:39:28.800 --> 0:39:31.360
<v Speaker 1>people will say Ross, but I think you got Just

0:39:31.360 --> 0:39:33.160
<v Speaker 1>when you just said that, I thought about it, Change

0:39:33.239 --> 0:39:35.920
<v Speaker 1>got some. Of course, I've already thought about it. I've

0:39:35.960 --> 0:39:38.560
<v Speaker 1>already thought in my head when he was boy, who

0:39:38.560 --> 0:39:41.680
<v Speaker 1>could beat two change change joints? Think about all the

0:39:41.719 --> 0:39:45.239
<v Speaker 1>features though nice feature game is a feature run was

0:39:45.320 --> 0:39:49.239
<v Speaker 1>crazy crazy? Yeah, that'll be wild, like I might have.

0:39:49.480 --> 0:39:52.280
<v Speaker 1>He might have the meanest feature run in hip hop history,

0:39:52.400 --> 0:39:54.680
<v Speaker 1>either him or Wayne. Wayne had that run to like

0:39:54.680 --> 0:40:00.719
<v Speaker 1>always crazy. But I think it's changed. Change was on everything, everything, body, mercy.

0:40:00.960 --> 0:40:04.200
<v Speaker 1>You know what I'm saying. That's gonna be a good one.

0:40:04.640 --> 0:40:07.759
<v Speaker 1>I I saw you saw Juicy J challenge your man

0:40:07.840 --> 0:40:11.560
<v Speaker 1>Nods to a versus battle Uns. No, I mean it's

0:40:11.560 --> 0:40:14.520
<v Speaker 1>not gonna happen because that'd be ridiculous. I don't No,

0:40:14.560 --> 0:40:16.759
<v Speaker 1>I don't see it either. That's a wild thing to do.

0:40:16.800 --> 0:40:19.480
<v Speaker 1>If you're Juicy J to challenge nas. Come on, bro,

0:40:19.760 --> 0:40:22.000
<v Speaker 1>but who do you I mean obviously besides jay Z?

0:40:22.160 --> 0:40:24.160
<v Speaker 1>Like who if you if you had to. You know,

0:40:24.239 --> 0:40:26.319
<v Speaker 1>you have a close relationship with nas, Like, who do

0:40:26.360 --> 0:40:29.040
<v Speaker 1>you think would be a dope opponent to see to

0:40:29.080 --> 0:40:36.359
<v Speaker 1>battle him? Uh mm hmm, that's coold. Damn, that's tough.

0:40:36.960 --> 0:40:42.799
<v Speaker 1>I almost feel like it would have it would have

0:40:42.800 --> 0:40:45.240
<v Speaker 1>to be him, I was to say it, it almost

0:40:45.320 --> 0:40:50.000
<v Speaker 1>have to be him in hope or somebody like would yeah,

0:40:50.120 --> 0:40:52.000
<v Speaker 1>or someone like Snooper d m X one of those

0:40:52.080 --> 0:40:56.600
<v Speaker 1>like yeah, like like anas and and Snoops ing would

0:40:56.600 --> 0:41:00.360
<v Speaker 1>have been dope. I would have been dope. Uh I

0:41:00.400 --> 0:41:05.000
<v Speaker 1>think yeah, I would say, oh, bro, it would have

0:41:05.040 --> 0:41:06.520
<v Speaker 1>to be that would be that would be the most

0:41:06.520 --> 0:41:08.799
<v Speaker 1>that would make the most sense to me for them

0:41:08.840 --> 0:41:12.160
<v Speaker 1>to do, because that's who's that always been that rivalry. Hey,

0:41:12.239 --> 0:41:15.439
<v Speaker 1>let me ask you this, Dave. You're a stellar MC,

0:41:15.680 --> 0:41:20.480
<v Speaker 1>You're one of the jedis. What song did you get

0:41:20.520 --> 0:41:23.560
<v Speaker 1>back from somebody who sent you a feature that made

0:41:23.600 --> 0:41:26.399
<v Speaker 1>you either a want to change your verse, change your verse,

0:41:26.520 --> 0:41:28.040
<v Speaker 1>or be like, you know what, I'm just gonna have

0:41:28.040 --> 0:41:33.759
<v Speaker 1>to hold the l on this song if ever? Uh

0:41:34.400 --> 0:41:42.200
<v Speaker 1>uh Forbes list, Okay, the first record I deal with, YEP,

0:41:42.280 --> 0:41:44.719
<v Speaker 1>that was a crazy record. I wanted to change my verse,

0:41:44.920 --> 0:41:46.640
<v Speaker 1>but I just say, you know what, I'm a rock

0:41:46.880 --> 0:41:49.400
<v Speaker 1>because you know what it is with me. I like

0:41:49.520 --> 0:41:53.239
<v Speaker 1>respect the the sport, you know what I mean? So like,

0:41:53.800 --> 0:41:56.120
<v Speaker 1>if that's the verse you laid, that's the verse you laid, Like,

0:41:56.200 --> 0:41:57.480
<v Speaker 1>you know what I'm saying, let's we if we do

0:41:57.520 --> 0:41:59.440
<v Speaker 1>it together, we do it together. But I have I

0:41:59.480 --> 0:42:01.960
<v Speaker 1>did that verse is probably to him recording it, and

0:42:02.000 --> 0:42:04.839
<v Speaker 1>then he sent that back and I was like, did

0:42:04.880 --> 0:42:06.440
<v Speaker 1>you know that NAS was gonna get on it when

0:42:06.680 --> 0:42:08.839
<v Speaker 1>I told me no, when I laid my part. No, no,

0:42:08.840 --> 0:42:10.160
<v Speaker 1>no, no no, That's what I'm saying. If you would have

0:42:10.160 --> 0:42:11.799
<v Speaker 1>if you would have known that, then I probably would

0:42:11.800 --> 0:42:13.440
<v Speaker 1>have did a whole another verse. But that was just,

0:42:13.480 --> 0:42:15.680
<v Speaker 1>you know, that was what he picked. And then he

0:42:15.760 --> 0:42:17.360
<v Speaker 1>was like, it was up with that. I'm playing the records,

0:42:17.360 --> 0:42:20.000
<v Speaker 1>he said, So with that one, I'm like, all right,

0:42:21.400 --> 0:42:23.400
<v Speaker 1>and he burnt that ship. He was crazy. I'm like,

0:42:23.400 --> 0:42:26.360
<v Speaker 1>oh man, but I'm like, you know what is NAS? Like?

0:42:26.400 --> 0:42:28.720
<v Speaker 1>You know what I'm saying, let me ask you something.

0:42:29.120 --> 0:42:31.160
<v Speaker 1>There's a what I'm gonna do. There's a big I

0:42:31.160 --> 0:42:35.200
<v Speaker 1>feel like there's a big community of people who think

0:42:35.320 --> 0:42:37.319
<v Speaker 1>it was written. Is NAS's best album that I've been

0:42:37.360 --> 0:42:41.799
<v Speaker 1>seeing come to the forefront. Lightly, I'm an nomadic guy. What,

0:42:41.920 --> 0:42:45.240
<v Speaker 1>in your opinion, is Nas' best album? It was written?

0:42:45.280 --> 0:42:50.239
<v Speaker 1>Okay to me that that's more my my time, you know,

0:42:50.320 --> 0:42:54.360
<v Speaker 1>Ellmatic Affirmative Action is one of my favorite NS workers ever. Yeah, crazy,

0:42:54.680 --> 0:42:57.200
<v Speaker 1>like a Z kicked that bitch off something crazy, crazy,

0:42:57.320 --> 0:42:59.359
<v Speaker 1>just that whole beat selection on that see they talk

0:42:59.400 --> 0:43:03.960
<v Speaker 1>about beats, the message it was written. You're talking about

0:43:04.040 --> 0:43:07.239
<v Speaker 1>beat selection. I think the beat selection. I just think

0:43:07.239 --> 0:43:11.560
<v Speaker 1>the beat selection portion of career started like after later later,

0:43:11.640 --> 0:43:13.440
<v Speaker 1>because you listen to God's Son and the beats are

0:43:13.480 --> 0:43:16.920
<v Speaker 1>fucking crazy. But like hip hop is dead, there was

0:43:16.960 --> 0:43:19.960
<v Speaker 1>a few that you were like, okay, well, like you

0:43:20.000 --> 0:43:23.000
<v Speaker 1>know what you know? Yeah, but I would say it

0:43:23.000 --> 0:43:25.000
<v Speaker 1>was written. I do think who do you think is

0:43:25.000 --> 0:43:26.359
<v Speaker 1>got the best of ear for beats? If we're talking,

0:43:27.200 --> 0:43:29.279
<v Speaker 1>I think Ross my opinion, Ross got one of the

0:43:29.320 --> 0:43:32.759
<v Speaker 1>hardest for beats. Ross got a good ear for beats.

0:43:33.640 --> 0:43:39.080
<v Speaker 1>Uh kids got a good ear for beats. To kiss

0:43:40.040 --> 0:43:51.120
<v Speaker 1>Jada definitely got a good I think who else? Mm hmmm.

0:43:53.800 --> 0:43:55.400
<v Speaker 1>I fel like Weeze always had a good head for

0:43:55.440 --> 0:44:00.440
<v Speaker 1>beach to Wayne for sure. Have you ever considered something

0:44:00.480 --> 0:44:06.279
<v Speaker 1>that I think that's been dope lately is artists doing

0:44:06.320 --> 0:44:10.759
<v Speaker 1>full projects with producers, right, So, like Freddy did Mad

0:44:10.800 --> 0:44:13.279
<v Speaker 1>Live Shit, then he did the Alchemist project. Conray did

0:44:13.280 --> 0:44:18.080
<v Speaker 1>a whole project with Alchemists. I think it'd be super

0:44:18.120 --> 0:44:20.160
<v Speaker 1>dope to just hear you do just lock in with

0:44:20.640 --> 0:44:24.800
<v Speaker 1>one producer cohesive album. Is that something you've ever considered?

0:44:24.880 --> 0:44:28.520
<v Speaker 1>You know? It's crazy with that. I got like maybe

0:44:28.560 --> 0:44:30.799
<v Speaker 1>three of those in the works right now, Like I

0:44:30.880 --> 0:44:33.160
<v Speaker 1>just sain't like all the way like got in that

0:44:33.239 --> 0:44:35.040
<v Speaker 1>bag just because of the other music I'm working on.

0:44:35.560 --> 0:44:38.920
<v Speaker 1>But Shouston, Mike and Keys, we're doing the project just

0:44:39.000 --> 0:44:42.560
<v Speaker 1>they producing the whole thing. They actually did Handsome and

0:44:42.719 --> 0:44:46.279
<v Speaker 1>Minutes off Coma three. I linked up with them through

0:44:46.360 --> 0:44:52.239
<v Speaker 1>nep yep uh a Rap Music. We got maybe seven records.

0:44:52.600 --> 0:44:54.560
<v Speaker 1>It's just straight a rap, you know what I mean.

0:44:54.840 --> 0:45:00.400
<v Speaker 1>And Booting Grants that's my home team. He did and

0:45:00.560 --> 0:45:02.480
<v Speaker 1>work doing all my ship for years. So I was

0:45:02.480 --> 0:45:04.760
<v Speaker 1>gonna say I would like three, maybe three different tapes.

0:45:05.120 --> 0:45:07.640
<v Speaker 1>I think, Yo, you gotta like, I would just love

0:45:07.680 --> 0:45:11.040
<v Speaker 1>to hear you lock in just with like just nothing

0:45:11.120 --> 0:45:15.120
<v Speaker 1>but just you know, Razor blades on Ikea fucking plates

0:45:15.280 --> 0:45:18.160
<v Speaker 1>leads I key or like maybe like no, who ain't

0:45:18.200 --> 0:45:19.919
<v Speaker 1>got with yet that I'm down to get with out.

0:45:20.239 --> 0:45:22.440
<v Speaker 1>I was gonna say, I was gonna say an Alchemist project,

0:45:23.440 --> 0:45:26.040
<v Speaker 1>but I've been not like even I've been in tune

0:45:26.040 --> 0:45:28.640
<v Speaker 1>with them tape like I love them tapes Action Bronson

0:45:28.760 --> 0:45:30.719
<v Speaker 1>was doing with him, Oh my god, you know, like

0:45:30.760 --> 0:45:32.759
<v Speaker 1>all them tapes is because just the way he put

0:45:33.120 --> 0:45:35.680
<v Speaker 1>a project together. Action was really good at working with

0:45:35.719 --> 0:45:37.719
<v Speaker 1>whole producers because he would do some ship with party

0:45:37.760 --> 0:45:41.400
<v Speaker 1>supplies or yeah, actual producer and like, yeah, but you

0:45:41.440 --> 0:45:43.960
<v Speaker 1>know what it is with me, I feel like that

0:45:44.000 --> 0:45:46.919
<v Speaker 1>would that would make an ill sound just because I've

0:45:46.960 --> 0:45:50.000
<v Speaker 1>always had three beats from this producer, two beats from

0:45:50.000 --> 0:45:52.520
<v Speaker 1>this producer from this, but like there's always been a mixture,

0:45:53.080 --> 0:45:54.600
<v Speaker 1>you know what I mean. So that's definitely something I'm

0:45:54.600 --> 0:45:56.640
<v Speaker 1>gonna do. That's something I'm working on now, but that's

0:45:56.640 --> 0:46:00.120
<v Speaker 1>coming up. Do you have a relationship with Alchemists? Yeah? Yeah,

0:46:00.000 --> 0:46:02.719
<v Speaker 1>Oh my god. Yea be big Man was my guy.

0:46:03.280 --> 0:46:06.160
<v Speaker 1>Have you and Primo ever worked together? Yea, Primo's on

0:46:06.200 --> 0:46:08.960
<v Speaker 1>the inshore of Survival? Oh that's right that we talked

0:46:09.000 --> 0:46:10.480
<v Speaker 1>about that. Yeah, but he didn't do the beat right,

0:46:10.480 --> 0:46:12.520
<v Speaker 1>he just did did the scratching. But we got some

0:46:12.680 --> 0:46:15.239
<v Speaker 1>We got Me and Primo I think got two records

0:46:15.360 --> 0:46:18.640
<v Speaker 1>because I went to his studio to actually do a

0:46:18.680 --> 0:46:22.600
<v Speaker 1>record for Survival and we laid that. But then once

0:46:22.640 --> 0:46:24.240
<v Speaker 1>I got the record and the rest of the songs

0:46:24.280 --> 0:46:28.160
<v Speaker 1>for the album, it didn't mess. But yeah, that's the

0:46:28.200 --> 0:46:32.000
<v Speaker 1>big broh. Yeah, when you like, uh, when it's a

0:46:32.040 --> 0:46:34.120
<v Speaker 1>premo beat, do you feel the same type of expectations

0:46:34.120 --> 0:46:36.279
<v Speaker 1>as like as as as if you know it's like

0:46:36.920 --> 0:46:39.520
<v Speaker 1>you're getting on the record with nas exactly same. Like

0:46:40.040 --> 0:46:42.839
<v Speaker 1>That's what I feel like made me push my pen

0:46:43.080 --> 0:46:46.439
<v Speaker 1>earlier in my career. I mean like once I got

0:46:46.560 --> 0:46:48.919
<v Speaker 1>people knew about me, Like I was working with certain people,

0:46:48.960 --> 0:46:50.360
<v Speaker 1>I was like, I got the rap, I got the

0:46:51.160 --> 0:46:53.080
<v Speaker 1>you know what I'm saying, I got to come with it.

0:46:53.120 --> 0:46:55.239
<v Speaker 1>Each time I'm being heard, I gotta come with it.

0:46:55.880 --> 0:46:58.920
<v Speaker 1>So definitely with certain producers, like I grew up through

0:46:58.920 --> 0:47:01.200
<v Speaker 1>all of that. These this is all people that I

0:47:01.239 --> 0:47:03.320
<v Speaker 1>was reading in the Source magazine and always read you

0:47:03.360 --> 0:47:05.840
<v Speaker 1>know what I'm saying. So now when they fancy me,

0:47:06.120 --> 0:47:07.279
<v Speaker 1>you know what I mean, and they letting me know

0:47:07.360 --> 0:47:09.879
<v Speaker 1>that what I'm doing is dope. I got to try

0:47:09.920 --> 0:47:12.320
<v Speaker 1>to like exceed that expectation like even more, you know,

0:47:12.360 --> 0:47:14.239
<v Speaker 1>I mean I was. I just saw something online. They

0:47:14.239 --> 0:47:18.040
<v Speaker 1>were talking about how most rappers don't write down anything anymore,

0:47:18.760 --> 0:47:21.879
<v Speaker 1>and that I think it was I might have been

0:47:21.920 --> 0:47:26.279
<v Speaker 1>on on Everyday Struggle. Wayna was talking like how like

0:47:26.320 --> 0:47:28.920
<v Speaker 1>those books, like a lot of people's rhyme books one

0:47:29.000 --> 0:47:31.840
<v Speaker 1>day are going to be auctioned. You know what I'm saying.

0:47:32.080 --> 0:47:34.120
<v Speaker 1>Do you keep your rhyme books together? Do you even

0:47:34.120 --> 0:47:36.200
<v Speaker 1>write anymore? Like what's your process when it comes to

0:47:36.320 --> 0:47:44.160
<v Speaker 1>like writing, haven't wrote nine down since belove it. So

0:47:44.239 --> 0:47:47.880
<v Speaker 1>when you're recording, do you do you punch in or

0:47:47.920 --> 0:47:50.640
<v Speaker 1>you already got the verse? Like like you go line

0:47:50.640 --> 0:47:54.359
<v Speaker 1>by line? Depends. Sometimes I punch like line by line

0:47:54.440 --> 0:47:58.040
<v Speaker 1>or sometimes I have the vine. I have that shit

0:47:58.040 --> 0:48:00.359
<v Speaker 1>in my head, I mean, and then I'll even if

0:48:00.360 --> 0:48:02.399
<v Speaker 1>I got the whole rhyme, I might do like eight

0:48:03.560 --> 0:48:05.640
<v Speaker 1>me that didn't do the next eight, like you know

0:48:05.640 --> 0:48:09.560
<v Speaker 1>what I'm saying, But the writing down, I stopped writing

0:48:09.640 --> 0:48:13.080
<v Speaker 1>working with styles when me and Stass beloved that made

0:48:13.120 --> 0:48:14.960
<v Speaker 1>me put my pen up. I stopped. I mean, I mean,

0:48:15.000 --> 0:48:17.240
<v Speaker 1>I'll still jot ship down on my phone, certain little

0:48:17.400 --> 0:48:20.960
<v Speaker 1>clever little lines and balls, so I can remember it well.

0:48:21.000 --> 0:48:23.200
<v Speaker 1>I say it in my voice. Don't save it? Was

0:48:23.239 --> 0:48:25.439
<v Speaker 1>that because styles is like that? Or don't you don't

0:48:25.440 --> 0:48:27.640
<v Speaker 1>write nothing. So I'm sitting there watching that. I'm in

0:48:27.680 --> 0:48:29.719
<v Speaker 1>the boot. I'm in the in the little area with

0:48:30.160 --> 0:48:33.399
<v Speaker 1>my man days with the engineerl Pools. I'm writing the ship.

0:48:34.000 --> 0:48:35.759
<v Speaker 1>He's just walking around. He cut all the lights of

0:48:35.920 --> 0:48:39.520
<v Speaker 1>he's smoking, he's walking around, beat knocking, he's going to

0:48:39.600 --> 0:48:45.080
<v Speaker 1>move spitch twelve straight. Wait, So I gotta now, I

0:48:45.080 --> 0:48:47.840
<v Speaker 1>gotta challenge myself now. But that made me just get sharper.

0:48:47.880 --> 0:48:50.840
<v Speaker 1>You know what I'm saying. He was and me listening

0:48:50.840 --> 0:48:54.360
<v Speaker 1>to my own music. You know, even if you don't

0:48:54.360 --> 0:48:57.120
<v Speaker 1>feel like you're reading it, you're reading it. You're right,

0:48:57.280 --> 0:48:58.560
<v Speaker 1>you know what I'm saying. If you don't, if you

0:48:58.640 --> 0:49:00.560
<v Speaker 1>if you don't remember that, even if you write it down,

0:49:00.600 --> 0:49:03.400
<v Speaker 1>you should still memorize it before you go record it,

0:49:03.760 --> 0:49:06.040
<v Speaker 1>because if you holding it here, you you still reading it.

0:49:06.120 --> 0:49:08.520
<v Speaker 1>You know what I mean, regardless how you feel. So

0:49:09.800 --> 0:49:12.839
<v Speaker 1>I just got more emotion in my music. Do it

0:49:12.840 --> 0:49:14.680
<v Speaker 1>the other way. I'm reading it like doing it from

0:49:14.680 --> 0:49:16.400
<v Speaker 1>my mind because when I like say, I go do

0:49:16.440 --> 0:49:18.920
<v Speaker 1>a freestyle on flex or whatever, I ain't reading off

0:49:18.920 --> 0:49:21.759
<v Speaker 1>my phone that shit, I don't memorized, and I didn't

0:49:21.760 --> 0:49:24.480
<v Speaker 1>you know what I'm saying, So it's more emotion behind it.

0:49:24.480 --> 0:49:27.000
<v Speaker 1>It's more I know what I'm saying, like I'm not

0:49:27.040 --> 0:49:29.000
<v Speaker 1>trying to figure out what I'm about to say, like

0:49:29.040 --> 0:49:30.400
<v Speaker 1>you know, I mean, I know what I'm I'm already

0:49:30.440 --> 0:49:32.600
<v Speaker 1>knowing what I'm coming with. So it's just strong. And

0:49:32.600 --> 0:49:34.200
<v Speaker 1>then when I was listening to Jay and all these

0:49:34.280 --> 0:49:36.160
<v Speaker 1>dudes that they sit never wrote, you can hear it.

0:49:37.320 --> 0:49:39.000
<v Speaker 1>It sounds like they wasn't wrong. You could tell the

0:49:39.000 --> 0:49:43.440
<v Speaker 1>difference as when you hear shit yeah, Eminem rights, you

0:49:43.480 --> 0:49:46.000
<v Speaker 1>could tell you know what I mean? Like and I

0:49:46.000 --> 0:49:47.880
<v Speaker 1>ain't never been around Eminem, but you could just you

0:49:47.920 --> 0:49:50.560
<v Speaker 1>know what I'm saying. It's too you know what I mean,

0:49:50.560 --> 0:49:53.799
<v Speaker 1>You're not rapping Nobody's remember like it's that's too hard, bro.

0:49:53.880 --> 0:49:56.840
<v Speaker 1>That's still bad for like the generation of children right

0:49:56.880 --> 0:49:59.040
<v Speaker 1>now who only know Eminem for like his last three

0:49:59.080 --> 0:50:03.000
<v Speaker 1>or four hourbums. Because his new album is is Dope.

0:50:03.000 --> 0:50:04.560
<v Speaker 1>I'm not even go front that the music to be

0:50:04.640 --> 0:50:08.160
<v Speaker 1>murdered by ship was fire. The last few prior to

0:50:08.200 --> 0:50:11.960
<v Speaker 1>that were the history of for for for the future forever,

0:50:12.400 --> 0:50:14.239
<v Speaker 1>Like you know what I'm saying, he never raps do

0:50:14.280 --> 0:50:19.279
<v Speaker 1>another song. Well, I'm curious if we're taking out accolades,

0:50:19.280 --> 0:50:22.600
<v Speaker 1>if we're taking out record sales lyrically, who do you

0:50:22.680 --> 0:50:25.200
<v Speaker 1>think is the best ever? Because I got a few

0:50:25.239 --> 0:50:28.120
<v Speaker 1>guys that I'm like, I think black thoughts in that convo.

0:50:29.640 --> 0:50:34.480
<v Speaker 1>Royce is in that convo, get busy, busy, Eminem's in

0:50:34.480 --> 0:50:36.680
<v Speaker 1>that convo obviously, but like who do you got up?

0:50:36.800 --> 0:50:41.399
<v Speaker 1>I mean nas, of course, let's go hole. There's guys

0:50:41.440 --> 0:50:44.359
<v Speaker 1>like Sean Price, God rest his soul was like one

0:50:44.360 --> 0:50:46.240
<v Speaker 1>of them dudes, you know what I'm saying, who didn't

0:50:46.239 --> 0:50:48.640
<v Speaker 1>have the record sales, but like by God, talk that

0:50:48.840 --> 0:50:56.160
<v Speaker 1>talk uh big L for show, Big L l L

0:50:56.280 --> 0:51:00.000
<v Speaker 1>was different with the how old are you da? Schemes?

0:51:00.040 --> 0:51:02.520
<v Speaker 1>Thirty one, so we're almost the same age. So I

0:51:02.600 --> 0:51:07.840
<v Speaker 1>remember as a kid, I lifestyles are the poor and dangerous.

0:51:07.880 --> 0:51:10.759
<v Speaker 1>I didn't hear until after the Big Picture dropped. So

0:51:10.760 --> 0:51:12.640
<v Speaker 1>I went to the warehouse, I bought the Big Picture.

0:51:13.600 --> 0:51:17.439
<v Speaker 1>And then there was that Napster wave. Remember when Napster

0:51:17.640 --> 0:51:20.920
<v Speaker 1>was talking. But I remember, yeah, Kaza, you would go

0:51:20.960 --> 0:51:23.600
<v Speaker 1>online and you download all these free styles, and I

0:51:23.640 --> 0:51:25.799
<v Speaker 1>remember the first time I heard the jay Z big

0:51:25.920 --> 0:51:29.160
<v Speaker 1>L free style. It was like seven minutes big L

0:51:30.000 --> 0:51:35.919
<v Speaker 1>washed stretching, stretcher, Yeah, stretching, babido. That was like but yeah,

0:51:36.000 --> 0:51:38.600
<v Speaker 1>like big L man fuck, big L was so fire

0:51:38.760 --> 0:51:40.440
<v Speaker 1>and it looked like then though like a lot of

0:51:40.480 --> 0:51:43.399
<v Speaker 1>people you see flow got they got ella later on

0:51:43.520 --> 0:51:47.080
<v Speaker 1>that back then he was talking like that, like sh

0:51:47.320 --> 0:51:52.160
<v Speaker 1>Russian piece. That was different. Yeah, well you I would say,

0:51:52.200 --> 0:51:57.839
<v Speaker 1>Andre three thousand wheezy. Uh. There's a few lyricists like

0:51:58.000 --> 0:52:00.759
<v Speaker 1>that could rap rap rap pusher. I put pushes up there,

0:52:00.840 --> 0:52:03.279
<v Speaker 1>Freddy Gibbs us up there, had a crazy career, fred

0:52:03.280 --> 0:52:05.920
<v Speaker 1>the God's son, Fred the p Yeah you know what

0:52:05.960 --> 0:52:09.120
<v Speaker 1>I mean, Like it's a few, it's a few. Yeah,

0:52:09.160 --> 0:52:11.160
<v Speaker 1>shout out to big L Man. I do feel like

0:52:11.200 --> 0:52:14.279
<v Speaker 1>we our generation always brings big L up, But I

0:52:14.280 --> 0:52:16.960
<v Speaker 1>don't feel like like kids really I put Kim in that.

0:52:18.080 --> 0:52:20.120
<v Speaker 1>I put Kim in that. Like I feel like Caim

0:52:20.280 --> 0:52:23.840
<v Speaker 1>was one of the ilis with the the like uh

0:52:25.640 --> 0:52:28.239
<v Speaker 1>like like make like he was like he had to

0:52:28.360 --> 0:52:30.439
<v Speaker 1>wave like you know what I'm saying, Like he could

0:52:30.680 --> 0:52:33.279
<v Speaker 1>he can, let you know, he could out wrap everybody

0:52:33.360 --> 0:52:36.480
<v Speaker 1>and he could play something I would enjoy. I just

0:52:36.960 --> 0:52:39.799
<v Speaker 1>I feel like him and Joel's had some of the

0:52:39.840 --> 0:52:44.440
<v Speaker 1>most unconventional rhyme schemes where they would rhyme the same ship,

0:52:44.520 --> 0:52:46.560
<v Speaker 1>like six lines in a row, but it'd still be fire.

0:52:47.200 --> 0:52:48.880
<v Speaker 1>It was. It was that was. I feel like they

0:52:49.400 --> 0:52:53.000
<v Speaker 1>they just created an error. Oh for sure, what I'm saying.

0:52:53.080 --> 0:52:56.560
<v Speaker 1>They created free Jewel Santana. Yeah, free Jewel's. They created

0:52:56.560 --> 0:52:59.520
<v Speaker 1>an era. Who I think there's three of those eras

0:52:59.560 --> 0:53:02.360
<v Speaker 1>out of New York work, at least from our life,

0:53:02.640 --> 0:53:05.760
<v Speaker 1>right because Wu Tang was popping, but we were like kids,

0:53:06.120 --> 0:53:08.839
<v Speaker 1>like real small kids. I was, man, yeah, but we're

0:53:08.840 --> 0:53:12.400
<v Speaker 1>talking d block, dipse at G unit. Those three movements

0:53:12.440 --> 0:53:15.359
<v Speaker 1>were fucking that's my that's my life. That's me right there.

0:53:15.440 --> 0:53:18.760
<v Speaker 1>That's what what I came up on. What which Which

0:53:18.920 --> 0:53:22.680
<v Speaker 1>was your favorite out of those three? Uh staus p

0:53:22.840 --> 0:53:26.799
<v Speaker 1>Personal relationship aside. Yeah, i'm a i'm a I'm a

0:53:27.280 --> 0:53:32.239
<v Speaker 1>i'n say like this. They always my favorite at different times.

0:53:32.840 --> 0:53:35.759
<v Speaker 1>So I had my time of G Unit, like when

0:53:35.800 --> 0:53:38.759
<v Speaker 1>fifty was dropping the mixtapes. I was locked into that

0:53:38.840 --> 0:53:41.800
<v Speaker 1>shit crazy, you know what I'm saying. Staves was always

0:53:41.840 --> 0:53:44.000
<v Speaker 1>my favorite rapper during even during all that time, so

0:53:44.040 --> 0:53:46.600
<v Speaker 1>I was always listening to d Block and then Dip

0:53:46.600 --> 0:53:48.719
<v Speaker 1>shit was you know what I'm saying. I actually was

0:53:48.719 --> 0:53:51.640
<v Speaker 1>around them, seeing them like yeah, all three of them

0:53:52.400 --> 0:53:54.440
<v Speaker 1>at different times, but I was, you know, I mean

0:53:54.480 --> 0:53:57.000
<v Speaker 1>I didn't I probably never would like Pick and I

0:53:57.040 --> 0:54:01.319
<v Speaker 1>mean I can say I'm personally now hosts with Dip

0:54:01.360 --> 0:54:04.000
<v Speaker 1>said in the Locks, you know what I mean? I

0:54:04.000 --> 0:54:06.600
<v Speaker 1>heard that Lloyd Banks is working on coming back. Yeah,

0:54:06.640 --> 0:54:09.280
<v Speaker 1>I had Banks on what was the project? What project

0:54:09.320 --> 0:54:14.120
<v Speaker 1>I had Banks on? What was that P two? Yeah?

0:54:14.360 --> 0:54:18.879
<v Speaker 1>To think so Banks he retired and then I'm hearing

0:54:18.920 --> 0:54:21.960
<v Speaker 1>he's another one that Yeah we're talking about back to

0:54:22.000 --> 0:54:24.399
<v Speaker 1>that list of the Yeah, put that Banks work out

0:54:24.520 --> 0:54:28.120
<v Speaker 1>that victory Lloyd Banks on that bro. There was this

0:54:28.280 --> 0:54:30.840
<v Speaker 1>like best the Lloyd Banks Volume two mixtape that I

0:54:30.920 --> 0:54:32.480
<v Speaker 1>used to sell with the Swami, that was just like

0:54:32.600 --> 0:54:34.960
<v Speaker 1>non stop, like you gotta put Banks on that list,

0:54:35.040 --> 0:54:37.880
<v Speaker 1>all of them, all them ju and free styles. He

0:54:37.960 --> 0:54:40.759
<v Speaker 1>was going crazy. I do feel like it's dope to

0:54:40.760 --> 0:54:43.200
<v Speaker 1>to see like Griselda's like I feel like as far

0:54:43.239 --> 0:54:46.279
<v Speaker 1>as a movement out of New York, it kind of

0:54:46.320 --> 0:54:49.600
<v Speaker 1>just gives me that that nostalgia. I feel like that's

0:54:49.640 --> 0:54:53.040
<v Speaker 1>what really makes like they all individually super fire, but

0:54:53.680 --> 0:54:57.960
<v Speaker 1>they they reminiscent of that those times of a group

0:54:58.880 --> 0:55:01.200
<v Speaker 1>or a crew. Each one of them is different, and

0:55:01.239 --> 0:55:03.400
<v Speaker 1>they all got a different swag, a different stab, but

0:55:03.400 --> 0:55:04.840
<v Speaker 1>they are a crew, you know what I'm saying, Like

0:55:05.520 --> 0:55:08.440
<v Speaker 1>I came out dolo, Yeah, Davies, you know what I'm saying. Like,

0:55:08.719 --> 0:55:11.640
<v Speaker 1>but when that that that crewel essence is fire, like

0:55:11.680 --> 0:55:13.560
<v Speaker 1>you know what I'm saying. Like that, That's why I

0:55:13.640 --> 0:55:16.480
<v Speaker 1>really like be sitting back watching them because they all

0:55:16.480 --> 0:55:20.080
<v Speaker 1>individually can spit, but when they move together, it's like,

0:55:20.120 --> 0:55:21.400
<v Speaker 1>you know what I'm saying, it look it looks it

0:55:21.440 --> 0:55:24.359
<v Speaker 1>looks dope. It reminds you of that that that g unit,

0:55:24.880 --> 0:55:26.120
<v Speaker 1>that d block, Like you know what I mean to

0:55:26.160 --> 0:55:28.319
<v Speaker 1>remind you of that? And each of them are you know,

0:55:28.440 --> 0:55:30.439
<v Speaker 1>like west Side Gun, You're gonna get that fly ship.

0:55:31.000 --> 0:55:32.959
<v Speaker 1>They all got a different but that's what make it dope.

0:55:32.960 --> 0:55:34.800
<v Speaker 1>None of them is, none of them alike, you know

0:55:34.800 --> 0:55:36.400
<v Speaker 1>what I'm saying. With dipset, none of them was like

0:55:36.440 --> 0:55:39.000
<v Speaker 1>that's how different, and none of them was alike. You

0:55:39.000 --> 0:55:41.440
<v Speaker 1>know what I'm saying, yo, share, I feel like we

0:55:41.520 --> 0:55:43.480
<v Speaker 1>got to give styles pe his flowers while he's still

0:55:43.480 --> 0:55:47.160
<v Speaker 1>here because he's one of the all time grades. Give

0:55:47.239 --> 0:55:49.359
<v Speaker 1>us like a cool Stoles peace story. You got, man,

0:55:49.400 --> 0:55:51.640
<v Speaker 1>that that that nobody knows about, that you haven't talked

0:55:51.640 --> 0:55:55.760
<v Speaker 1>about with Pe. I got a bunch of stories with Pete.

0:55:56.160 --> 0:55:59.759
<v Speaker 1>I can honestly say this. My best friend passed this year,

0:56:00.640 --> 0:56:04.399
<v Speaker 1>King Shooter. Uh my look video out now by the way. Yeah,

0:56:04.440 --> 0:56:07.640
<v Speaker 1>that's so. But he is the only rapper. I mean

0:56:07.680 --> 0:56:10.120
<v Speaker 1>a lot of people reached out and you know, said

0:56:10.120 --> 0:56:15.040
<v Speaker 1>the condulences, but Peep he called me. He said, Yo,

0:56:15.120 --> 0:56:16.759
<v Speaker 1>pull up to the juice ball. You know what I mean,

0:56:16.840 --> 0:56:18.960
<v Speaker 1>Come let me come, let me give you a hug.

0:56:19.000 --> 0:56:21.360
<v Speaker 1>You know what I'm saying, Like, so that just showed

0:56:21.360 --> 0:56:22.640
<v Speaker 1>me a he's a you know what I mean. We

0:56:22.719 --> 0:56:24.880
<v Speaker 1>I just my vibe for him is just different, you know,

0:56:24.920 --> 0:56:27.560
<v Speaker 1>I mean, because it's beyond the rap. He really that's

0:56:27.600 --> 0:56:29.600
<v Speaker 1>really big, bro, you know what I mean. But he

0:56:29.719 --> 0:56:31.360
<v Speaker 1>was one of the only ones that did that. You know,

0:56:31.400 --> 0:56:33.960
<v Speaker 1>I mean, I got a lot of friends in the

0:56:34.160 --> 0:56:35.919
<v Speaker 1>in the hip hop industry, you know what I mean,

0:56:36.960 --> 0:56:39.960
<v Speaker 1>or or or even I think with with with like

0:56:40.000 --> 0:56:42.000
<v Speaker 1>we use that word friends in the hip hop industry.

0:56:42.640 --> 0:56:44.799
<v Speaker 1>I feel like a lot of the relationships artists have

0:56:44.920 --> 0:56:48.359
<v Speaker 1>with each other it's it's they're very like finnicky like

0:56:48.840 --> 0:56:51.359
<v Speaker 1>it's almost like, you know how it is you run

0:56:51.400 --> 0:56:54.680
<v Speaker 1>into an artist somewhere, yehs break up a lot of

0:56:54.719 --> 0:56:56.560
<v Speaker 1>people you're cool for the moment. I can count on

0:56:56.600 --> 0:56:58.880
<v Speaker 1>maybe one hand people that since I came in but

0:56:58.960 --> 0:57:02.879
<v Speaker 1>I signed with tenty fourteen, that we've built the relationship

0:57:02.880 --> 0:57:05.280
<v Speaker 1>and that's my guy to this day. How's your friendship

0:57:05.320 --> 0:57:12.080
<v Speaker 1>with Nas in twenty twenty? Solid? Solid, same, same, Yeah.

0:57:12.360 --> 0:57:14.959
<v Speaker 1>I feel like Nas is one of those guys who

0:57:16.120 --> 0:57:19.040
<v Speaker 1>we like. We don't know as much about Nas as

0:57:19.080 --> 0:57:21.200
<v Speaker 1>we know about all these other legends because he is

0:57:21.440 --> 0:57:24.720
<v Speaker 1>so low key. It's like his character in Belly is

0:57:24.760 --> 0:57:28.120
<v Speaker 1>like low key, like since hearing Belly is kind of

0:57:28.120 --> 0:57:30.080
<v Speaker 1>like the way Nas is in real life, like the

0:57:30.160 --> 0:57:33.880
<v Speaker 1>more low key guy. You know, Buns was wild. But

0:57:33.920 --> 0:57:35.640
<v Speaker 1>you know, I feel like you learn in this industry, man,

0:57:35.840 --> 0:57:38.200
<v Speaker 1>when you've been in this as long as Nas. You

0:57:38.200 --> 0:57:39.880
<v Speaker 1>know what I'm saying, You don't ad your little mistakes.

0:57:39.920 --> 0:57:42.720
<v Speaker 1>You don't have you slip. You understand everything ain't for

0:57:42.760 --> 0:57:44.640
<v Speaker 1>the public. Everything ain't for the world to see, you

0:57:44.680 --> 0:57:46.520
<v Speaker 1>know what I mean. You want that peace of mind,

0:57:46.560 --> 0:57:49.480
<v Speaker 1>that privacy, and that's that's some shit I be schooled

0:57:49.600 --> 0:57:52.440
<v Speaker 1>like it's getting from him. Like that's why a lot

0:57:52.480 --> 0:57:54.720
<v Speaker 1>of you don't see me in every headline, every this one.

0:57:54.760 --> 0:57:56.560
<v Speaker 1>I didn't have my little troubles here and there, but

0:57:57.040 --> 0:57:58.800
<v Speaker 1>for the most of the part, I be out the way.

0:57:58.960 --> 0:58:02.520
<v Speaker 1>Do you have you ever? We were talking earlier about

0:58:02.680 --> 0:58:05.200
<v Speaker 1>how the last like three four or five years it's

0:58:05.240 --> 0:58:08.280
<v Speaker 1>been about the clout bullshit, and I think like a

0:58:08.320 --> 0:58:10.240
<v Speaker 1>perfect example of that is like what's going on with

0:58:10.240 --> 0:58:12.120
<v Speaker 1>six ' nine right now. It's like a spectacle more

0:58:12.160 --> 0:58:15.200
<v Speaker 1>than it's about his music. But have you ever felt

0:58:15.200 --> 0:58:18.680
<v Speaker 1>any pressure? No, No No, I'm not I'm not asking you

0:58:18.680 --> 0:58:21.479
<v Speaker 1>about him. I'm just saying, like, like, have you ever

0:58:22.640 --> 0:58:27.240
<v Speaker 1>felt any pressure to like do more bullshit on Instagram

0:58:27.440 --> 0:58:30.520
<v Speaker 1>or or like just based on that, because I feel

0:58:30.520 --> 0:58:33.320
<v Speaker 1>like the entertainment industry has been in such a weird space,

0:58:33.360 --> 0:58:36.560
<v Speaker 1>specifically hip hop, because we've been seeing people who are

0:58:36.680 --> 0:58:41.840
<v Speaker 1>just Instagram guys getting record deals like actual Instagram dudes

0:58:42.120 --> 0:58:45.280
<v Speaker 1>getting signed because they have followers and shit, and it

0:58:45.320 --> 0:58:47.960
<v Speaker 1>hasn't worked out for anybody yet. The record, I got

0:58:48.000 --> 0:58:49.880
<v Speaker 1>a lot of people that ain't on Instagram, you know

0:58:49.920 --> 0:58:51.560
<v Speaker 1>what I'm saying. Like a lot of my people that

0:58:51.640 --> 0:58:53.200
<v Speaker 1>I know or that I grew up with or I

0:58:53.360 --> 0:58:58.640
<v Speaker 1>be around, they ain't got Instagram pages. So ata ones

0:58:58.680 --> 0:59:00.960
<v Speaker 1>that that salute me? And you know what I'm saying

0:59:01.000 --> 0:59:03.040
<v Speaker 1>when they see me outside somewhere, like, keep doing what

0:59:03.040 --> 0:59:04.840
<v Speaker 1>you're doing, homie, Like you know what I'm saying. You move,

0:59:05.080 --> 0:59:06.840
<v Speaker 1>We like how you move, like, you know what I'm saying.

0:59:06.880 --> 0:59:11.040
<v Speaker 1>So I can't be one way like that. But then't

0:59:11.080 --> 0:59:13.240
<v Speaker 1>be a goofy on the internet, you know what I'm saying,

0:59:13.280 --> 0:59:16.360
<v Speaker 1>or just doing shit to do it like? And I

0:59:16.400 --> 0:59:18.240
<v Speaker 1>feel like everything you put on the internet is going

0:59:18.960 --> 0:59:20.959
<v Speaker 1>It is public record and it's there forever, it's gonna

0:59:20.960 --> 0:59:23.200
<v Speaker 1>be there. So my daughter grow up and see, oh dad,

0:59:23.200 --> 0:59:26.560
<v Speaker 1>he was a goof You were doing some stupid wo Like, Nah,

0:59:26.840 --> 0:59:27.920
<v Speaker 1>it ain't gonna be none of that, you know what

0:59:27.920 --> 0:59:29.560
<v Speaker 1>I'm saying. There's a lot of shit you can't help.

0:59:29.880 --> 0:59:31.400
<v Speaker 1>You get caught up here and there. But as far

0:59:31.480 --> 0:59:34.800
<v Speaker 1>as the things that's in my control. I'm never gonna

0:59:34.800 --> 0:59:40.560
<v Speaker 1>goof off. That's fair. Karma three is coming out August fourteen, fourteenth.

0:59:41.200 --> 0:59:43.800
<v Speaker 1>We're here. A whole project with Mary J. Blige is

0:59:43.840 --> 0:59:46.160
<v Speaker 1>on the way. Yeah, that's gonna be. That's different. J

0:59:46.400 --> 0:59:48.840
<v Speaker 1>Stone Project on the Way, Stone Project on the Way.

0:59:48.920 --> 0:59:52.320
<v Speaker 1>But love it too. What are you cooking? Man? That's

0:59:52.320 --> 0:59:54.520
<v Speaker 1>what the quarantine did for me. Listen, Dave, you move

0:59:54.560 --> 0:59:56.560
<v Speaker 1>like you move like an independent artist with the amount

0:59:56.560 --> 1:00:00.680
<v Speaker 1>of shit you're putting out. Hey, man, I like to work.

1:00:01.000 --> 1:00:03.640
<v Speaker 1>If it's one thing anybody has seen about me since

1:00:03.680 --> 1:00:07.160
<v Speaker 1>the day you heard the name Davies, I've been working.

1:00:07.240 --> 1:00:08.760
<v Speaker 1>You know what I'm saying. It ain't never been no

1:00:09.640 --> 1:00:14.240
<v Speaker 1>where anytime. It's a. It's a. It's a it's something

1:00:14.280 --> 1:00:16.200
<v Speaker 1>not coming out from me. It ain't got nothing to

1:00:16.240 --> 1:00:19.000
<v Speaker 1>do with me. You know what I'm saying. It's higher powers,

1:00:19.200 --> 1:00:21.160
<v Speaker 1>not because of you. It ain't because of me. If

1:00:21.160 --> 1:00:24.000
<v Speaker 1>it's up to me, I'm going drop. I'm gonna give

1:00:24.040 --> 1:00:26.960
<v Speaker 1>you music, I'm gonna give you visuals. I'm gonna give

1:00:26.960 --> 1:00:28.600
<v Speaker 1>you everything I could give you. You You know what I'm saying.

1:00:28.600 --> 1:00:31.760
<v Speaker 1>Tomorrow ain't promised, so I got to go. That's how

1:00:31.760 --> 1:00:36.000
<v Speaker 1>I sit and watch pot documentaries and Nip all these

1:00:36.000 --> 1:00:39.040
<v Speaker 1>people that that that passed on and they was working

1:00:39.120 --> 1:00:40.920
<v Speaker 1>like they knew they was gonna go. You know what

1:00:40.920 --> 1:00:42.920
<v Speaker 1>I'm saying, I'm not thinking in my mind I'm gonna go,

1:00:43.000 --> 1:00:45.600
<v Speaker 1>but I gotta leave shit here for when I do leave,

1:00:45.680 --> 1:00:48.360
<v Speaker 1>you know what I'm saying. So in the meantime, while

1:00:48.360 --> 1:00:51.160
<v Speaker 1>I do got while they all the girls is saying,

1:00:51.160 --> 1:00:53.280
<v Speaker 1>Oh he's handsome and I got my good health and

1:00:53.320 --> 1:00:55.720
<v Speaker 1>I'm gonna work. I ain't got time to just be Nah,

1:00:55.760 --> 1:00:59.280
<v Speaker 1>I made it. I'm Dave's all dropped. Next year, I

1:00:59.320 --> 1:01:02.160
<v Speaker 1>got to go. Let me ask you, man, I don't

1:01:02.160 --> 1:01:03.720
<v Speaker 1>know if you had a relationship with Pop Smoke, but

1:01:03.720 --> 1:01:08.640
<v Speaker 1>obviously he's from New York. Great, we got great So

1:01:08.680 --> 1:01:12.720
<v Speaker 1>you got some unreleased music with Smoke. But I'm curious,

1:01:12.720 --> 1:01:16.200
<v Speaker 1>like his passing was so tragic, man, I just I

1:01:16.240 --> 1:01:17.920
<v Speaker 1>talked to him the night before he died. You know

1:01:17.960 --> 1:01:23.200
<v Speaker 1>what I'm saying, Like, great kid, man, like seeing that happen. Obviously,

1:01:23.280 --> 1:01:25.240
<v Speaker 1>you being so close to Nip and having him passed

1:01:25.280 --> 1:01:29.160
<v Speaker 1>away he passed, does that affect you at all? Being

1:01:29.200 --> 1:01:32.160
<v Speaker 1>a public person who obviously comes from your background, and

1:01:32.360 --> 1:01:36.840
<v Speaker 1>be around certain certain environments. Do you do you like

1:01:37.240 --> 1:01:40.920
<v Speaker 1>become a little bit more protective, do you you like

1:01:41.040 --> 1:01:43.880
<v Speaker 1>even paranoid might even be award like like like is

1:01:43.880 --> 1:01:46.720
<v Speaker 1>that something where you like adjust the way you moved?

1:01:46.880 --> 1:01:49.840
<v Speaker 1>Because fuck man, like it's you know what's crazy about

1:01:49.880 --> 1:01:52.680
<v Speaker 1>that before and before that happened to him? Or that

1:01:53.280 --> 1:01:57.600
<v Speaker 1>my first album I dropped on paranoia, yep, And that's

1:01:57.640 --> 1:01:59.400
<v Speaker 1>what that was. If you go watch them interviews, that's

1:01:59.400 --> 1:02:01.920
<v Speaker 1>what I was talking about, the same shit that that

1:02:02.080 --> 1:02:05.800
<v Speaker 1>you know, unfortunately happened to them. Like, but I've been

1:02:05.880 --> 1:02:07.600
<v Speaker 1>felt like that, you know what I mean. It's just

1:02:08.760 --> 1:02:11.280
<v Speaker 1>that kind of make like scared me more. Like damn,

1:02:11.320 --> 1:02:13.240
<v Speaker 1>you could be that lit, you could be that known,

1:02:14.200 --> 1:02:16.480
<v Speaker 1>you know what I'm saying, Like in Hollywood Hills, you

1:02:16.520 --> 1:02:18.960
<v Speaker 1>could be that known though, like with everybody, Like you know,

1:02:19.000 --> 1:02:21.360
<v Speaker 1>I'm far away from home, that far away from anybody

1:02:21.400 --> 1:02:23.880
<v Speaker 1>you probably got any personal beef with. But it's all

1:02:23.920 --> 1:02:25.840
<v Speaker 1>about how you moving, you know what I mean. That's

1:02:25.880 --> 1:02:28.320
<v Speaker 1>one thing I'm learning about life is like, you know,

1:02:28.400 --> 1:02:31.800
<v Speaker 1>some shit is just out of your control, but you

1:02:31.840 --> 1:02:34.280
<v Speaker 1>gotta pay it. Once you become a certain figure to

1:02:34.360 --> 1:02:37.400
<v Speaker 1>the world, you gotta pay attention to every move is chess.

1:02:37.520 --> 1:02:39.760
<v Speaker 1>You know what I'm saying, Like it's not or I

1:02:39.760 --> 1:02:42.080
<v Speaker 1>could just you gotta really be Oh no, I can't

1:02:42.080 --> 1:02:43.960
<v Speaker 1>move like that. Let me send him to go do that,

1:02:44.360 --> 1:02:46.200
<v Speaker 1>or I gotta let me stay here, like because you

1:02:46.200 --> 1:02:48.840
<v Speaker 1>don't understand, Like you don't know your effect on people.

1:02:49.360 --> 1:02:50.960
<v Speaker 1>Most of the time you've seen people they want to

1:02:50.960 --> 1:02:53.680
<v Speaker 1>take pictures. You think, and it's love, But you don't

1:02:53.720 --> 1:02:55.720
<v Speaker 1>know how a person really knowing about you or what

1:02:55.760 --> 1:02:58.840
<v Speaker 1>they would do to you to get their name. What

1:02:58.920 --> 1:03:01.520
<v Speaker 1>Jay said, if I shoot you, I'm brainless. You shoot me?

1:03:01.640 --> 1:03:04.280
<v Speaker 1>You were famous? Yeah, you know. I mean that's a fact.

1:03:04.440 --> 1:03:07.840
<v Speaker 1>Like you know what I mean, So I just use both.

1:03:07.920 --> 1:03:09.760
<v Speaker 1>I was, like I said, right before that happened with

1:03:09.800 --> 1:03:12.080
<v Speaker 1>Pop Smoke, we was in the studio every day for

1:03:12.120 --> 1:03:14.480
<v Speaker 1>maybe six days. Yeah, talk about your's relationship. I wasn't

1:03:14.520 --> 1:03:16.440
<v Speaker 1>really aware that you guys were Like he was locked

1:03:16.480 --> 1:03:18.760
<v Speaker 1>in anytime I'd be in quality being here. He knew

1:03:18.800 --> 1:03:21.120
<v Speaker 1>I was in the building, coming there, come in the room.

1:03:21.320 --> 1:03:22.960
<v Speaker 1>You know what I mean. Me him in Trouble to

1:03:23.040 --> 1:03:26.840
<v Speaker 1>the record Trouble from Atlanta. In Trouble, he and Pop

1:03:26.920 --> 1:03:29.640
<v Speaker 1>did like three four joints. Last time we spoke, it

1:03:29.760 --> 1:03:31.560
<v Speaker 1>was all star. I was in Chicago, so you're coming

1:03:31.600 --> 1:03:33.640
<v Speaker 1>out here. He was like, Nah'm about to go to

1:03:33.760 --> 1:03:36.400
<v Speaker 1>La whoo. All right. You know what I'm saying, I

1:03:36.440 --> 1:03:38.000
<v Speaker 1>hit you want to get back to New York. That

1:03:38.040 --> 1:03:39.600
<v Speaker 1>shit happened. But yeah, I mean that kid was a

1:03:39.600 --> 1:03:41.480
<v Speaker 1>superstar even when you like just meet him, Like what

1:03:41.480 --> 1:03:44.200
<v Speaker 1>was something something about about him that you kind of

1:03:44.400 --> 1:03:46.040
<v Speaker 1>took with you in the short amount of time. You guys,

1:03:46.560 --> 1:03:49.040
<v Speaker 1>it was that good energy like he was he like

1:03:49.080 --> 1:03:51.600
<v Speaker 1>he really Uh it was one of them people that

1:03:51.720 --> 1:03:53.080
<v Speaker 1>liked the room up. You know what I'm saying when

1:03:53.120 --> 1:03:55.000
<v Speaker 1>he come in the building, Like everybody don't got that,

1:03:55.440 --> 1:03:58.560
<v Speaker 1>and it don't take jewelry, It don't take none of that.

1:03:58.600 --> 1:04:01.480
<v Speaker 1>Like some people just got that or you know what

1:04:01.480 --> 1:04:03.120
<v Speaker 1>I'm saying, Like Pop had that, you know what i mean.

1:04:03.120 --> 1:04:06.080
<v Speaker 1>He had a good oral around him, good vibe about him,

1:04:06.160 --> 1:04:09.000
<v Speaker 1>and you could just tell he was excited to be

1:04:09.680 --> 1:04:12.400
<v Speaker 1>escaping poverty, escaping the ship we come from, you know

1:04:12.440 --> 1:04:13.920
<v Speaker 1>what I'm saying. You could tell he was just excited

1:04:13.920 --> 1:04:17.160
<v Speaker 1>to be getting up out of that. So that that

1:04:17.160 --> 1:04:18.919
<v Speaker 1>that crushed me. You know what I'm saying that hurt.

1:04:19.880 --> 1:04:22.840
<v Speaker 1>I was. I'm still more than Nip thinking about Nip

1:04:22.920 --> 1:04:24.320
<v Speaker 1>very ever, you know what I'm saying. And then that

1:04:24.320 --> 1:04:26.680
<v Speaker 1>should happened, and then my boy, my boy should have

1:04:26.720 --> 1:04:30.560
<v Speaker 1>diedrect and this past May. So it's been these last

1:04:30.600 --> 1:04:34.600
<v Speaker 1>two three years been nasty as far as people you know, dying.

1:04:34.640 --> 1:04:38.919
<v Speaker 1>But I just I take each experience and try to

1:04:39.440 --> 1:04:42.000
<v Speaker 1>move or do something with it. Everything I got from

1:04:42.080 --> 1:04:44.320
<v Speaker 1>Nip and the time I got to be around him, fortunately,

1:04:45.920 --> 1:04:47.600
<v Speaker 1>I try to apply it to my life, you know

1:04:47.640 --> 1:04:49.600
<v Speaker 1>what I mean. Here it is, man, we look the

1:04:49.640 --> 1:04:52.600
<v Speaker 1>album is dropping, and hopefully we just get a lot,

1:04:52.720 --> 1:04:55.200
<v Speaker 1>a whole lot of music the rest of you. I mean,

1:04:56.240 --> 1:04:59.120
<v Speaker 1>got four videos off the album so far. Yeah. I

1:04:59.160 --> 1:05:03.320
<v Speaker 1>did handsome minutes, believe it or not. My low, uh,

1:05:03.720 --> 1:05:05.080
<v Speaker 1>my low not on it. I did. That was like

1:05:05.120 --> 1:05:07.600
<v Speaker 1>a tribut record for my boy. But I just shot

1:05:08.120 --> 1:05:12.280
<v Speaker 1>Mission featuring Jozzie. Shot that yesterday. That's going. I'm gonna

1:05:12.320 --> 1:05:16.360
<v Speaker 1>drop that. The data that's like the it's like the

1:05:16.400 --> 1:05:19.080
<v Speaker 1>first big video, you know what I mean. But mother

1:05:19.160 --> 1:05:22.400
<v Speaker 1>Joints is running up right now. I want to I'm

1:05:22.440 --> 1:05:24.640
<v Speaker 1>going now, I'm gonna go visual crazy because I'm shitting

1:05:24.680 --> 1:05:26.960
<v Speaker 1>on a lot of music, and it's also been hard

1:05:26.960 --> 1:05:29.560
<v Speaker 1>to do videos, like yeah, it's just like when the

1:05:29.560 --> 1:05:31.960
<v Speaker 1>world was closed up, it was you really couldn't you

1:05:31.960 --> 1:05:33.919
<v Speaker 1>know what I'm saying. Camera crews wasn't trying to really

1:05:33.920 --> 1:05:36.479
<v Speaker 1>do nothing. Plus motherfuckers look at you crazy. If it March,

1:05:36.520 --> 1:05:38.520
<v Speaker 1>you was out of the street shooting videos and I've

1:05:38.520 --> 1:05:41.080
<v Speaker 1>ever cast it over had to apologize because he was

1:05:41.080 --> 1:05:46.200
<v Speaker 1>outside outside Shout out the cast man, Yo, Davies, appreciate you.

1:05:46.200 --> 1:05:49.280
<v Speaker 1>Pull it up always, bro boy perfect