WEBVTT - Living a dual identity with Marcella Arguello

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<v Speaker 1>Hail, it's jasmine. Making this show has been such a

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<v Speaker 1>wild journey, But the whole thing might not have happened

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<v Speaker 1>if it weren't for one particular moment. You might remember

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<v Speaker 1>it from episode one.

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<v Speaker 2>Oh wait, sed me what.

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<v Speaker 3>I Central America has been transformational because of the politics.

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<v Speaker 4>Yeah.

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<v Speaker 3>Her arm has got the most beautiful tattoo I have

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<v Speaker 3>ever seen in my life, and it is of il

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<v Speaker 3>Arsobispo Romero on her arm.

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<v Speaker 1>So that's a recording of a live show of the

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<v Speaker 1>podcast Latino USA. It's hosted by journalist MARIAA. Joss and

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<v Speaker 1>she's interviewing Salvadorn comedian Marcella Ullo, who has a giant

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<v Speaker 1>tattoo of Oscar Romero's face on her arm. You should

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<v Speaker 1>google it. It's fantastic. And it was that tattoo and

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<v Speaker 1>that conversation that made me realize that I had so

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<v Speaker 1>much more to learn about the history of my family

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<v Speaker 1>and the place that we all come from. So I

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<v Speaker 1>guess I owe a little bit of this show's existence

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<v Speaker 1>to Marcella.

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<v Speaker 2>I first heard about.

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<v Speaker 1>Her a couple of years ago on Twitter and completely

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<v Speaker 1>fell in love with her unapologetic and raw comedy style.

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<v Speaker 4>My thing is you know, when you meet people and

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<v Speaker 4>they want to have small talk, what do you do?

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<v Speaker 2>Oh my god, I love your outfit. I don't like that.

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<v Speaker 1>In this episode, I sit down with Marcella and talk

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<v Speaker 1>about her own family's immigration story and what it's like

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<v Speaker 1>representing two countries as a salvadorn American. But first I

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<v Speaker 1>had to start with the image that started it all,

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<v Speaker 1>her tattoo.

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<v Speaker 5>You listen to episode one.

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<v Speaker 1>You know that Like your tattoo was a big point

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<v Speaker 1>of insp for me on this journey. I'd love to

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<v Speaker 1>hear the story of like of the tattoo and what

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<v Speaker 1>inspired it and why you got in the first place.

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<v Speaker 4>Well, thank you also for doing this podcast. Literally, the

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<v Speaker 4>reason I wanted to do I wanted to get there.

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<v Speaker 4>The reason I wanted to get this tattoo was so

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<v Speaker 4>that more people knew about him, because nobody knows about it.

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<v Speaker 4>It's just us and a lot of our own people

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<v Speaker 4>don't know his whole story, right, And I know that

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<v Speaker 4>you know, you had talked about how you kind of

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<v Speaker 4>didn't even know who he wasn't but you got older.

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<v Speaker 4>I was fortunate that my parents always brought him up.

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<v Speaker 4>We knew he was the reason we knew he was

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<v Speaker 4>the catalyst. We knew my parents were forced out of

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<v Speaker 4>the country. They didn't want to leave, so I knew

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<v Speaker 4>what a big influence he was for so many people

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<v Speaker 4>to leave because they were so scared. And my mom

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<v Speaker 4>always said, we knew that if they were willing to

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<v Speaker 4>kill a priest, they were willing to kill any of us.

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<v Speaker 4>I actually just found an old paper that I wrote

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<v Speaker 4>in college about like my parents' experience, and I was like,

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<v Speaker 4>I think I was eighteen years old and I haven't

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<v Speaker 4>read it yet because I was like, oh, this, this

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<v Speaker 4>seems like it's going to be heavy, you know, reading

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<v Speaker 4>about my mother's journey, and she told to me when

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<v Speaker 4>I was a teenager, and I mean, we already kind

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<v Speaker 4>of knew, but it was It's just been such a

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<v Speaker 4>heavy thing that I carry, and I think that I

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<v Speaker 4>hate that so many people they just want to know

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<v Speaker 4>your background. They go, where do you live, what is

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<v Speaker 4>your background? Where are your parents from? And I kind

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<v Speaker 4>of hate those questions. I said it on the podcast

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<v Speaker 4>of Let You Know USA at the event that you

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<v Speaker 4>saw my tattoo with Maria and no Josa. I basically

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<v Speaker 4>tell people I don't like small talk. I like big talk.

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<v Speaker 4>I want to like, let's let's find what do you believe.

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<v Speaker 4>I like to know exactly where people are coming from

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<v Speaker 4>when we start a conversation. I'm not a big Oh

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<v Speaker 4>the weather is so nice today, hah the weather. Look

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<v Speaker 4>at oh traffic? Oh god, it's like, nah, do you

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<v Speaker 4>know about Oscar Romero? The priestso was killed in Al Saberry.

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<v Speaker 4>He's a catalyst for this stalbatory and civil war is

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<v Speaker 4>the reason my family's there. I like that. I like

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<v Speaker 4>to put a little pressure on people's conversations because it's like,

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<v Speaker 4>if you're not willing to talk about this or learn

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<v Speaker 4>about this, I guarantee you we won't have anything interesting

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<v Speaker 4>to talk about. And when I bring up Oscar Romero

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<v Speaker 4>and I can have that conversation really quickly. That's what's

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<v Speaker 4>so cool about having a huge tattoo in your arm.

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<v Speaker 4>Everyone people are always like, is that your dad?

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<v Speaker 2>Who is that?

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<v Speaker 4>Some idiot the other day after your show was like

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<v Speaker 4>I thought it was Martin Scorsese. I'm like, yeah, that okay, eyebrows,

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<v Speaker 4>that's all you saw? Okay, cool. I don't know what

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<v Speaker 4>to tell you, man.

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<v Speaker 1>Well, and I think like Oscar Romero is a really

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<v Speaker 1>interesting figure because he you know the fact that there's

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<v Speaker 1>a statue of him in Westminster Abbey next to Martin

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<v Speaker 1>Luther King.

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<v Speaker 2>Like mm hm.

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<v Speaker 1>Every year in the US, politicians will tweet out on

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<v Speaker 1>Martin Luther King's birthday like, oh the you know the

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<v Speaker 1>words of Martin Luther King, and we got to honor

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<v Speaker 1>his memory, like on both sides of the aisle. And

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<v Speaker 1>in the nineteen sixties, these people were not supporting Martin

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<v Speaker 1>Luther King. And it's the exact same thing with Oscar

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<v Speaker 1>ro Merriw right, Like, now that he's a saint, everyone's like, oh,

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<v Speaker 1>of course, Oscar ro meriw We love Oscar Marrow. There's

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<v Speaker 1>a reason it took forty years for him to become

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<v Speaker 1>a saint. It's because at the time people were not

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<v Speaker 1>rolling with him.

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<v Speaker 4>Right, And it was also scary. It was also scary.

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<v Speaker 4>Imagine if you know this, like my parents said, he

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<v Speaker 4>if they were willing to kill him, they were willing

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<v Speaker 4>to kill any of us. Imagine if you just expressed

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<v Speaker 4>your love or sadness for him, like I'm sure people

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<v Speaker 4>were like clocking you, like mm hmmmm. Okay, again, that's

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<v Speaker 4>why I'm like, I'm going to get this tattooed on

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<v Speaker 4>my body. I want this to be It's a point

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<v Speaker 4>of pride for me. And it's like, I don't exist

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<v Speaker 4>as a stand up comedian in the United States of

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<v Speaker 4>America without his murder. Like it's the butterfly effect and

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<v Speaker 4>it's so sad, but I'm also extremely appreciative. And that's

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<v Speaker 4>why I don't want his gospel to die. I don't

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<v Speaker 4>want his memory to die. That's why it's such an

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<v Speaker 4>honor that you were inspired to do this podcast, because

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<v Speaker 4>it's literally why I got it. I want people to

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<v Speaker 4>know more about him. I just want people to know

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<v Speaker 4>about him, and you.

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<v Speaker 1>Really nailed it, Like so much of history is the

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<v Speaker 1>butterfly effect of that moment, and you know, I think

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<v Speaker 1>it's why he's such an important figure in Salvador in history,

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<v Speaker 1>because you know, there's a lot of debate about like

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<v Speaker 1>whether or not the Civil War would have happened. But

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<v Speaker 1>I really genuinely think like, if he hadn't been murdered,

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<v Speaker 1>my family would not have ended up in la and

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<v Speaker 1>that's the same for a lot of us.

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<v Speaker 4>Mm hmm. I mean, that's what's so crazy is is

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<v Speaker 4>that my parents do have that clarity of like, no, no, no,

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<v Speaker 4>we knew that was the reason we left.

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<v Speaker 5>And what did your parents think about the tattoo when

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<v Speaker 5>you got it?

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<v Speaker 4>Well, so it's you know, people, I don't know how

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<v Speaker 4>well people know this, but Latino parents they do not

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<v Speaker 4>like tattoos. I mean and right now, as we know

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<v Speaker 4>in Al Salvador, they're like, if you have tattoos, were

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<v Speaker 4>arresting you, which of course didn't mean for everybody, but

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<v Speaker 4>they like, if you looked a certain profile, they were

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<v Speaker 4>arresting you right throwing you in jail. And so like

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<v Speaker 4>my parents, I should say, my mom was always against

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<v Speaker 4>tattoo my tattoos. My mom was very you know, Catholic

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<v Speaker 4>and just just doesn't they think they're a bad idea.

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<v Speaker 4>My dad passed away so he didn't get to see it.

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<v Speaker 4>But when I told my mom, I was like, I

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<v Speaker 4>have my next tattoo idea, she was like all this

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<v Speaker 4>was like she had that all like disappointed, ready to

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<v Speaker 4>hear some stupid cartoon I was going to put on

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<v Speaker 4>my body. And I told her what I was going

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<v Speaker 4>to do, and she was like, okay, that's okay, that's okay,

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<v Speaker 4>you can do that. Oh.

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<v Speaker 5>She was for it.

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<v Speaker 4>She was for it, and then when it got closer

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<v Speaker 4>to the date, she was like, I don't think you

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<v Speaker 4>should do this. I don't think you should and I

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<v Speaker 4>think it was close her Her reaction to that came

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<v Speaker 4>with the whole like, you know, the maretos like. She

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<v Speaker 4>was just like, no, that's just too close to that.

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<v Speaker 4>I don't want you doing that. And I was like, oh, well,

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<v Speaker 4>I don't care. I'm gonna do it anyways. And then

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<v Speaker 4>when I got it, once she saw it, she was like,

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<v Speaker 4>that's beautiful. And every relative loves it. And anytime anyone

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<v Speaker 4>that sees it in the family, they're just like, oh,

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<v Speaker 4>this is so beautiful.

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<v Speaker 2>This is so cool.

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<v Speaker 4>It's such a point of pride for everybody, which I

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<v Speaker 4>think is cool because I'm turning that mentality of like

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<v Speaker 4>tattoos are only for gang bangers into like, no, no,

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<v Speaker 4>tattoos are a beautiful art. It is.

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<v Speaker 5>It is a really beautiful tattoo.

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<v Speaker 4>Thank you.

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<v Speaker 2>I love it.

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<v Speaker 4>I really love it, and I like seeing it. It's

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<v Speaker 4>like a nice reminder. I just like seeing it every day.

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<v Speaker 4>You know, it's just to keep steady.

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<v Speaker 1>How much of your family's history or story did you

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<v Speaker 1>know growing up?

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<v Speaker 4>Oh?

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<v Speaker 2>All of it?

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<v Speaker 4>We I mean, look, we grew up in a conservative town.

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<v Speaker 4>Modesto is a very conservative, predominantly white town. It's way

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<v Speaker 4>more mixed now. But when we were there in the

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<v Speaker 4>growing up in the eighties and nineties, my parents sometimes

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<v Speaker 4>it was just us, you know, like we literally were

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<v Speaker 4>in a Salvadorian desert, right there was no others. But

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<v Speaker 4>my dad talked to people. My dad was very charming.

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<v Speaker 4>He talked to people into coming to Modesto, like cousins,

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<v Speaker 4>and so there was like some family that like we

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<v Speaker 4>were nearby for a little while, and there was like

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<v Speaker 4>a chunk of years where like we had my cousins there,

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<v Speaker 4>which was really nice. But yeah, so I was raised

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<v Speaker 4>to be very proud, which is why I'm very loud

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<v Speaker 4>and proud about it, because my brain doesn't registered not

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<v Speaker 4>to be. I was never taught to be ashamed of

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<v Speaker 4>my background. I was never taught to hide my background.

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<v Speaker 4>I was taught to be very proud of it. Also,

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<v Speaker 4>my dad was a singer and a guitarist in Laser

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<v Speaker 4>monos Plooris, So it was like I was never not

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<v Speaker 4>raised to be super proud about my background. Where we

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<v Speaker 4>come from, what my parents gave up, you know, like

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<v Speaker 4>we were never not informed and I feel very fortunate.

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<v Speaker 1>Well, and we also represent this really weird, uh divide, I.

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<v Speaker 5>Guess, or like we have.

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<v Speaker 1>I think Salvadorans have a really weird relationship with the

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<v Speaker 1>US because you know, Reagan fun did a lot of

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<v Speaker 1>the violence that happened in El Salvador, you know, in

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<v Speaker 1>his proxy battle in the Cold War. But he's also

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<v Speaker 1>the reason that my parents were able.

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<v Speaker 6>To become citizens, my mom too, And so there's a

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<v Speaker 6>lot of Salvadorans who like have this love of Reagan

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<v Speaker 6>and like who feel very patriotic, and you know, for me,

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<v Speaker 6>especially like going back, it just I feel more American

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<v Speaker 6>than I do Salvadoran because I've lived here my whole life.

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<v Speaker 5>Yeah, but I still, you.

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<v Speaker 1>Know, feel connected to Al salvad It's just like it's

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<v Speaker 1>such a weird relationship.

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<v Speaker 4>It is, and it is It's also like why it

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<v Speaker 4>is our responsibility to do stuff like this, to speak

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<v Speaker 4>up and keep the legacies alive, because it is what

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<v Speaker 4>we are capable of contributing to the legacy, to his legacy,

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<v Speaker 4>which is again why I wanted to have that tattoo,

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<v Speaker 4>because it's like, how many times am I going to

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<v Speaker 4>have a conversation about my ethnic and racial background with

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<v Speaker 4>a complete stranger, and it's pointless. What doesn't even matter

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<v Speaker 4>what my background is, right, But I want you to

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<v Speaker 4>know about this thing because also you'll learn about American

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<v Speaker 4>history when you when you start reading up on him.

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<v Speaker 4>And I think that all of that is important for

0:11:06.440 --> 0:11:09.080
<v Speaker 4>people to carry with them. And I don't think people

0:11:09.120 --> 0:11:12.080
<v Speaker 4>are politically and socially involved enough. And I think that

0:11:12.120 --> 0:11:14.280
<v Speaker 4>this is like a good little stepping stone. My tattoo

0:11:14.360 --> 0:11:17.360
<v Speaker 4>is like my little stepping stone to change conversation and

0:11:17.520 --> 0:11:19.760
<v Speaker 4>influence people. That's why again, I think it's so cool

0:11:19.800 --> 0:11:23.360
<v Speaker 4>that you're doing this podcast. I really appreciate being included

0:11:23.400 --> 0:11:24.880
<v Speaker 4>in this. And now no one ever includes me in

0:11:24.880 --> 0:11:27.560
<v Speaker 4>these like Salvadoran things, so it's nice.

0:11:27.880 --> 0:11:30.240
<v Speaker 1>No, I mean, I remember when I first saw I

0:11:30.240 --> 0:11:33.000
<v Speaker 1>don't remember how I first learned about you, because it

0:11:33.080 --> 0:11:35.320
<v Speaker 1>was before I think that Latino USA show and I

0:11:35.320 --> 0:11:36.599
<v Speaker 1>saw that you were gonna be on the lineup and

0:11:36.600 --> 0:11:38.080
<v Speaker 1>I was like, oh fuck yeah. And then I saw

0:11:38.600 --> 0:11:42.640
<v Speaker 1>your special on HBO and I just like, it's that

0:11:42.760 --> 0:11:45.520
<v Speaker 1>same thing where like I already liked you, and then

0:11:45.559 --> 0:11:47.400
<v Speaker 1>I learned that you were Salva and I was like, fuck.

0:11:47.280 --> 0:11:50.440
<v Speaker 4>Yeah, yeah, and yeah, that's that's how I want my

0:11:50.600 --> 0:11:53.199
<v Speaker 4>fans to accrue, Like I don't care what your background

0:11:53.320 --> 0:11:55.600
<v Speaker 4>is and if you happen to have the same background

0:11:55.640 --> 0:11:57.840
<v Speaker 4>as me, and because if you know what the thing is,

0:11:57.880 --> 0:12:00.520
<v Speaker 4>I don't like when Salvadorans support me just for that,

0:12:01.240 --> 0:12:04.800
<v Speaker 4>because there's a lot of conservative Latinos period, but there's

0:12:04.800 --> 0:12:07.320
<v Speaker 4>a lot of conservative Salvi's. There's a lot of Salvi's

0:12:07.360 --> 0:12:10.400
<v Speaker 4>that they don't want a woman talking this much like,

0:12:10.640 --> 0:12:13.280
<v Speaker 4>you know, we have all that, all those dumb stereotypes

0:12:13.280 --> 0:12:16.880
<v Speaker 4>that will most races have, but definitely in the machismoass

0:12:17.000 --> 0:12:20.240
<v Speaker 4>land of Latini dad. And I'm just like, no, I

0:12:20.280 --> 0:12:21.920
<v Speaker 4>need people to dis like me for me, and then

0:12:22.080 --> 0:12:24.680
<v Speaker 4>you know, when they discover my background, it's cooler. And

0:12:24.720 --> 0:12:27.640
<v Speaker 4>then you know, because usually if people like the material

0:12:27.679 --> 0:12:32.160
<v Speaker 4>that I do, they're usually politically savvy, socially aware, community oriented.

0:12:32.640 --> 0:12:34.199
<v Speaker 4>So then they find out I'm super proud and I

0:12:34.240 --> 0:12:37.240
<v Speaker 4>have this tattoo, They're like, what, which is what I want?

0:12:37.360 --> 0:12:39.400
<v Speaker 4>You know, that's how I want it to build. I

0:12:39.440 --> 0:12:40.319
<v Speaker 4>want it to be organic.

0:12:44.040 --> 0:12:47.040
<v Speaker 1>When we come back from the break, Marcella's surprising connection

0:12:47.240 --> 0:12:49.000
<v Speaker 1>to one of Oscar Romero's killers.

0:12:50.120 --> 0:13:03.960
<v Speaker 2>We'll be right back. Hey, we're back.

0:13:04.040 --> 0:13:06.480
<v Speaker 1>And this is my conversation with Salvador in American comedian

0:13:06.559 --> 0:13:07.400
<v Speaker 1>Marcel Leguayo.

0:13:09.000 --> 0:13:11.440
<v Speaker 5>So when did your parents leave El Salvador? What year?

0:13:12.280 --> 0:13:16.120
<v Speaker 4>I want to say it was eighty one, Yeah, it

0:13:16.160 --> 0:13:19.440
<v Speaker 4>was eighty one. Once it happened, once he was murdered,

0:13:20.040 --> 0:13:21.680
<v Speaker 4>they were like, oh, we need to leave. But they

0:13:21.720 --> 0:13:23.360
<v Speaker 4>still had to save up money. I mean, it's super

0:13:23.360 --> 0:13:25.520
<v Speaker 4>expensive to come over here. People seem to forget that

0:13:25.640 --> 0:13:27.800
<v Speaker 4>or not know that it's very, very expensive to come here.

0:13:28.520 --> 0:13:32.199
<v Speaker 4>And so they basically saved for a year and then

0:13:32.240 --> 0:13:34.839
<v Speaker 4>they packed their bags that they ended up having to

0:13:34.920 --> 0:13:37.040
<v Speaker 4>leave behind also, but they did it.

0:13:37.800 --> 0:13:42.000
<v Speaker 1>And and you said they did they land in Modesto

0:13:42.200 --> 0:13:43.200
<v Speaker 1>from the beginning.

0:13:42.920 --> 0:13:45.920
<v Speaker 5>No, no, you know what's wild.

0:13:47.120 --> 0:13:52.319
<v Speaker 1>Albero Saravia had a used So. Albero Sarabia was the

0:13:52.440 --> 0:13:56.520
<v Speaker 1>chief of security for Roerto Dawison, who, like everybody sort

0:13:56.520 --> 0:14:01.640
<v Speaker 1>of considers the intellectual author of Oscar Romero's murder. Abatto

0:14:01.679 --> 0:14:04.520
<v Speaker 1>Sadabia came to the US after the murder, like they

0:14:04.559 --> 0:14:08.959
<v Speaker 1>all sort of like went into the wind, and he

0:14:09.160 --> 0:14:13.240
<v Speaker 1>Abatto Sadabia was discovered to be living in Modesto, California.

0:14:13.280 --> 0:14:13.960
<v Speaker 5>He had a used card.

0:14:14.040 --> 0:14:17.960
<v Speaker 4>What Yeah, I did not know that that I didn't know. See,

0:14:18.000 --> 0:14:20.880
<v Speaker 4>that's so crazy. That's what I'm saying. Just when you

0:14:20.960 --> 0:14:24.840
<v Speaker 4>learn something, there's more to learn. WHOA I have to

0:14:24.840 --> 0:14:28.000
<v Speaker 4>look into that. And that's gonna blow my mom's mind.

0:14:28.200 --> 0:14:30.680
<v Speaker 5>It's in episode three. We cover it in episode three.

0:14:30.760 --> 0:14:34.520
<v Speaker 1>But like they ended up finding him and the Center

0:14:34.560 --> 0:14:38.040
<v Speaker 1>for Justice and Accountability sued him and the judge ruled

0:14:38.400 --> 0:14:42.920
<v Speaker 1>that he was responsible along with like these unnamed John

0:14:42.960 --> 0:14:46.200
<v Speaker 1>Doe's that were the oligarts, and they they ruled in

0:14:46.640 --> 0:14:50.560
<v Speaker 1>favor of damages for ten million dollars wow against a

0:14:50.920 --> 0:14:52.880
<v Speaker 1>Saba because they found him in Modesto.

0:14:53.720 --> 0:14:57.560
<v Speaker 4>Well, I didn't know that. That is bombshell news to me. God, Modesto.

0:14:57.920 --> 0:15:00.200
<v Speaker 4>Everybody knows somebody in Minesta. That's what they always say.

0:15:00.520 --> 0:15:02.920
<v Speaker 4>The thing is, if you own a car shop, there's

0:15:02.960 --> 0:15:05.360
<v Speaker 4>a chance that we we may have known him. Oh

0:15:05.400 --> 0:15:07.960
<v Speaker 4>my god, I want okay, I got to look into this.

0:15:09.120 --> 0:15:10.920
<v Speaker 2>Yeah you got you got my legs shaking.

0:15:12.760 --> 0:15:12.960
<v Speaker 5>Well.

0:15:13.000 --> 0:15:14.720
<v Speaker 1>And that's the crazy thing is that, like there's so

0:15:14.840 --> 0:15:19.360
<v Speaker 1>many Salvadorans who came here after the war, both refugees,

0:15:19.400 --> 0:15:23.480
<v Speaker 1>but also generals and captains and people in the Salvador

0:15:23.520 --> 0:15:27.080
<v Speaker 1>and military oligarchs who just like left the country in

0:15:27.200 --> 0:15:27.760
<v Speaker 1>tatters and the.

0:15:27.920 --> 0:15:28.640
<v Speaker 2>Like peace spy.

0:15:29.240 --> 0:15:33.640
<v Speaker 4>Yeah, isn't it crazy? And that's the thing we're everywhere.

0:15:34.200 --> 0:15:39.680
<v Speaker 1>I think a big part of creating that sort of

0:15:39.800 --> 0:15:43.680
<v Speaker 1>unity within the Salvadoran community and the Salvadoran diaspora is

0:15:43.720 --> 0:15:47.400
<v Speaker 1>for us to know our history and to know these stories,

0:15:48.160 --> 0:15:50.200
<v Speaker 1>which is really the whole point of the podcast is

0:15:50.240 --> 0:15:52.520
<v Speaker 1>to try to you know, as much for myself as

0:15:52.600 --> 0:15:55.960
<v Speaker 1>for anybody else, to like really understand how hard it

0:15:56.080 --> 0:15:58.720
<v Speaker 1>was for our parents to get here, what they were

0:15:58.800 --> 0:16:02.000
<v Speaker 1>coming from, and how how these cycles repeat in Salvador

0:16:02.000 --> 0:16:02.600
<v Speaker 1>in history.

0:16:03.480 --> 0:16:07.480
<v Speaker 4>Yeah. And I also feel like, I we're so close

0:16:07.600 --> 0:16:11.400
<v Speaker 4>to so much sacrifice. It bothers me how many first

0:16:11.400 --> 0:16:14.320
<v Speaker 4>generation people and even second and third generation people don't

0:16:14.320 --> 0:16:21.600
<v Speaker 4>do more to improve everything for everyone, you know, because

0:16:21.720 --> 0:16:25.040
<v Speaker 4>it's not just us, you know, doing right by our parents.

0:16:25.040 --> 0:16:27.760
<v Speaker 4>It's like, no, I'm doing right for the next generation,

0:16:28.040 --> 0:16:31.480
<v Speaker 4>you know, and making sure that because I have eight

0:16:31.560 --> 0:16:33.440
<v Speaker 4>nieces and nephews, like you know, we want to make

0:16:33.480 --> 0:16:38.720
<v Speaker 4>sure they're raised as proud Savadorian children, American children, because

0:16:38.800 --> 0:16:40.320
<v Speaker 4>if you know, if we don't teach them how to

0:16:40.320 --> 0:16:43.160
<v Speaker 4>make the sas we don't teach them Ascarromeo, if we

0:16:43.160 --> 0:16:47.200
<v Speaker 4>don't teach them about all of it, how are they

0:16:47.240 --> 0:16:51.080
<v Speaker 4>going to keep it going? That is how cultures die, right,

0:16:51.160 --> 0:16:53.800
<v Speaker 4>That's how history is die is And that's why you know,

0:16:53.880 --> 0:16:58.360
<v Speaker 4>word of mouth, storytelling, just all this type of communication

0:16:58.440 --> 0:16:59.160
<v Speaker 4>is so important.

0:17:02.520 --> 0:17:06.600
<v Speaker 1>After a quick break, Marcella tells comedian dial hugely about

0:17:06.600 --> 0:17:08.200
<v Speaker 1>her Oscar Romero tattoo.

0:17:08.800 --> 0:17:21.400
<v Speaker 2>We'll be right back. We're back with.

0:17:21.320 --> 0:17:26.600
<v Speaker 1>My conversation with Marcella Aguayo. I really hope that you know,

0:17:26.720 --> 0:17:30.240
<v Speaker 1>both you being like out there and proud Salvadoran and

0:17:30.280 --> 0:17:33.000
<v Speaker 1>like the kind of work that I'm doing inspires that

0:17:33.040 --> 0:17:36.520
<v Speaker 1>next generation to like be curious and ask questions, because

0:17:36.520 --> 0:17:38.960
<v Speaker 1>it's the only way that you can stop history from

0:17:39.000 --> 0:17:42.760
<v Speaker 1>repeating is by knowing that this kind of shit happened before.

0:17:43.280 --> 0:17:45.800
<v Speaker 4>Absolutely, And that was when I saw tweet the other

0:17:45.840 --> 0:17:48.440
<v Speaker 4>day that was so funny because it was like, how

0:17:48.680 --> 0:17:51.040
<v Speaker 4>are you on the wrong Like how how do you

0:17:51.080 --> 0:17:53.400
<v Speaker 4>have access to history and you're still on the wrong

0:17:53.440 --> 0:17:56.520
<v Speaker 4>side of history? Like we've seen all of these things

0:17:56.640 --> 0:17:59.800
<v Speaker 4>play out and again, that's why I keep emphasizing it,

0:17:59.840 --> 0:18:01.480
<v Speaker 4>like I am so happy to be included in this,

0:18:01.600 --> 0:18:05.240
<v Speaker 4>but more than anything, I'm so happy that this exists now.

0:18:05.720 --> 0:18:08.840
<v Speaker 4>You know, like even if it reaches one hundred Salvadorians

0:18:08.840 --> 0:18:11.600
<v Speaker 4>that like they've never realized or they never knew or

0:18:11.640 --> 0:18:14.399
<v Speaker 4>they never understood the depth of it, Like that's one

0:18:14.440 --> 0:18:16.480
<v Speaker 4>hundred more. And then they get to tell a hundred

0:18:16.520 --> 0:18:17.879
<v Speaker 4>more and then you know when it grows, and it

0:18:17.920 --> 0:18:20.639
<v Speaker 4>grows and it grows, and that's what you really want. Again,

0:18:20.720 --> 0:18:24.600
<v Speaker 4>That's why I got the tattoo, because I wanted it

0:18:24.640 --> 0:18:27.480
<v Speaker 4>to inspire conversation. So again, it's an honor to be

0:18:27.560 --> 0:18:31.120
<v Speaker 4>involved in this and be participating in this, because it's

0:18:31.280 --> 0:18:32.920
<v Speaker 4>exactly why I got the tattoo.

0:18:33.440 --> 0:18:33.879
<v Speaker 2>But it's not.

0:18:34.080 --> 0:18:36.800
<v Speaker 1>But again, it's not even just Salvadorans. It's like it's

0:18:36.840 --> 0:18:37.720
<v Speaker 1>American shoe.

0:18:38.240 --> 0:18:41.080
<v Speaker 4>Yeah, absolutely, and that's what's cool about it. I've I

0:18:41.119 --> 0:18:44.080
<v Speaker 4>did to show a deal Hugley recently and he that

0:18:44.200 --> 0:18:46.399
<v Speaker 4>was the first thing he noticed, whoa beautiful tattoo. And

0:18:46.440 --> 0:18:50.000
<v Speaker 4>then because he loves politics and he's so socially informed

0:18:50.000 --> 0:18:52.520
<v Speaker 4>and socially involved, I told him you need to look

0:18:52.560 --> 0:18:53.800
<v Speaker 4>him up and I you know, I made sure to

0:18:53.800 --> 0:18:55.159
<v Speaker 4>give him his name, and I was like, you need

0:18:55.160 --> 0:18:56.720
<v Speaker 4>to look him up. I was like, you will be

0:18:56.800 --> 0:18:59.159
<v Speaker 4>really interested in this man's story, and he was like,

0:18:59.200 --> 0:19:00.440
<v Speaker 4>I will. I will. I don't know if he did,

0:19:00.480 --> 0:19:04.439
<v Speaker 4>but you know that like that feeling like I'm giving

0:19:04.480 --> 0:19:08.160
<v Speaker 4>people a nugget another like I just think of it

0:19:08.200 --> 0:19:12.439
<v Speaker 4>as another piece in the puzzle that makes American history

0:19:12.600 --> 0:19:16.520
<v Speaker 4>more complex, more like people. There's a reason they're banning books,

0:19:16.560 --> 0:19:18.760
<v Speaker 4>right because they don't want people to know these things.

0:19:19.280 --> 0:19:22.600
<v Speaker 4>And I can only imagine if there was, you know,

0:19:22.680 --> 0:19:25.560
<v Speaker 4>a book that was in the libraries that they didn't

0:19:25.600 --> 0:19:28.520
<v Speaker 4>want to read. This is this could easily be in

0:19:28.560 --> 0:19:33.520
<v Speaker 4>it Oscar Marrow's history, the American US government involvement, like

0:19:33.840 --> 0:19:35.720
<v Speaker 4>this is the kind of stories they don't want people

0:19:35.800 --> 0:19:38.119
<v Speaker 4>to know. That's why him being sainted was such a

0:19:38.160 --> 0:19:42.360
<v Speaker 4>big deal. And and me, you know, I don't care

0:19:42.400 --> 0:19:44.720
<v Speaker 4>how slow it is. That's what's cool about this. I

0:19:44.720 --> 0:19:47.240
<v Speaker 4>feel like you're joining me on my journey of informing

0:19:47.280 --> 0:19:51.200
<v Speaker 4>people about him, and not just Salvadorans but everyone, because

0:19:51.240 --> 0:19:53.720
<v Speaker 4>everybody should know what happened.

0:19:55.200 --> 0:19:58.719
<v Speaker 1>It's true, It's true. His story is just as important

0:19:58.840 --> 0:20:00.520
<v Speaker 1>now as it was done, you.

0:20:00.480 --> 0:20:03.520
<v Speaker 4>Know, yeah, even more so now it's people like what,

0:20:03.640 --> 0:20:06.960
<v Speaker 4>I refuse to believe that not just the US government,

0:20:07.000 --> 0:20:10.520
<v Speaker 4>but any government could be so corrupt. People just refuse

0:20:10.680 --> 0:20:11.879
<v Speaker 4>to like really let.

0:20:11.720 --> 0:20:12.920
<v Speaker 5>That register in their head.

0:20:13.600 --> 0:20:17.720
<v Speaker 4>And again, that is why his murder was considered the

0:20:17.800 --> 0:20:20.840
<v Speaker 4>catalyst and the beginning of the savagory in Civil War,

0:20:20.960 --> 0:20:24.440
<v Speaker 4>because oh, it was so crazy, it was so unbelievable.

0:20:25.320 --> 0:20:28.200
<v Speaker 4>I would imagine that people who heard about it couldn't

0:20:28.240 --> 0:20:31.560
<v Speaker 4>even wrap their head around it when it happened. Imagine

0:20:31.600 --> 0:20:34.560
<v Speaker 4>if you weren't there, Like, that's such a hard thing

0:20:34.680 --> 0:20:38.240
<v Speaker 4>to understand and accept as a human being. They killed

0:20:38.280 --> 0:20:43.320
<v Speaker 4>my priest, that's wild. During mass that's crazy.

0:20:43.640 --> 0:20:46.800
<v Speaker 1>In front of a whole group of people in broad daylight.

0:20:47.280 --> 0:20:51.840
<v Speaker 4>One shot, a perfect shot, and y'all want to act

0:20:51.920 --> 0:20:56.160
<v Speaker 4>like y'all weren't conspiring to get this done, Like that's crazy.

0:20:57.119 --> 0:20:59.000
<v Speaker 4>It's such a crazy story. It's just one of the

0:20:59.000 --> 0:21:04.600
<v Speaker 4>most same stories. And it goes into like MLK JFK,

0:21:05.000 --> 0:21:08.040
<v Speaker 4>like it's not a coincidence.

0:21:08.760 --> 0:21:11.480
<v Speaker 1>We do an episode, so the series like starts without

0:21:11.480 --> 0:21:14.160
<v Speaker 1>sca Romero and then sort of like does the domino effect,

0:21:14.240 --> 0:21:16.280
<v Speaker 1>so we have like an episode about the lawison. We

0:21:16.320 --> 0:21:19.159
<v Speaker 1>have an episode about the four US Church women, and

0:21:19.200 --> 0:21:21.720
<v Speaker 1>we have an episode about Edmosote and the massacre that

0:21:21.760 --> 0:21:26.040
<v Speaker 1>happened in Enmosote, And a big part of the theme

0:21:26.080 --> 0:21:29.880
<v Speaker 1>of that episode is the denial that happened afterwards, right

0:21:29.960 --> 0:21:34.680
<v Speaker 1>like it was reported almost immediately, like within weeks after

0:21:34.720 --> 0:21:36.959
<v Speaker 1>the massacre. Both the New York Times and the New

0:21:37.000 --> 0:21:41.400
<v Speaker 1>York and the Washington Post had articles talking about the massacre,

0:21:41.760 --> 0:21:45.119
<v Speaker 1>and both governments were like, I don't know if it

0:21:45.160 --> 0:21:48.040
<v Speaker 1>happened like that, and nah, that's not right, and the denial,

0:21:48.080 --> 0:21:52.959
<v Speaker 1>and it's fascinating to me how willing people are to

0:21:53.119 --> 0:21:58.680
<v Speaker 1>deny the truth because an authority figure tells them that's

0:21:58.720 --> 0:21:59.400
<v Speaker 1>not what happened.

0:22:00.119 --> 0:22:04.800
<v Speaker 4>That's sad, daddy issues, Americans. You guys got daddy issues.

0:22:06.000 --> 0:22:07.440
<v Speaker 5>It's not my government.

0:22:08.240 --> 0:22:15.600
<v Speaker 4>Yeah, not all governments, Okay, girl, I mean, And we're

0:22:15.600 --> 0:22:18.640
<v Speaker 4>seeing it now right If it wasn't for TikTok, who

0:22:18.680 --> 0:22:21.800
<v Speaker 4>knows what the narrative would be online right now about

0:22:21.800 --> 0:22:26.320
<v Speaker 4>what's going on in Gaza, Like, who knows? It's crazy.

0:22:26.600 --> 0:22:29.920
<v Speaker 4>We're so we're so lucky right now, We're so fortunate

0:22:29.960 --> 0:22:34.400
<v Speaker 4>to have that like instant sharing that everyone has access

0:22:34.440 --> 0:22:37.560
<v Speaker 4>to instant sharing like we are. It's a privilege. The

0:22:37.600 --> 0:22:40.719
<v Speaker 4>Internet is a privilege. And because it's like, imagine if

0:22:40.720 --> 0:22:42.719
<v Speaker 4>they just we if we didn't have access to that,

0:22:42.720 --> 0:22:45.240
<v Speaker 4>what would happen? Imagine if they hadn't killed him in

0:22:45.280 --> 0:22:50.160
<v Speaker 4>front of a massive people, Imagine if they had poisoned him,

0:22:50.200 --> 0:22:53.200
<v Speaker 4>Like there's so many it's so insane to think about.

0:22:53.240 --> 0:22:56.399
<v Speaker 4>But when it's such an egregious act, a mass in

0:22:56.440 --> 0:22:58.240
<v Speaker 4>front of people, and in one single shot right through

0:22:58.240 --> 0:23:02.240
<v Speaker 4>the heart, You're like, uh h, I wouldn't have believed

0:23:02.240 --> 0:23:03.840
<v Speaker 4>it if I didn't see it with my own eyes.

0:23:04.560 --> 0:23:06.600
<v Speaker 5>Oh I'm so glad I get to talk to you.

0:23:06.800 --> 0:23:08.080
<v Speaker 4>Thank you, this was very cool.

0:23:13.000 --> 0:23:15.560
<v Speaker 1>Sacred Scandal. Nation of Saints is the production of a

0:23:15.680 --> 0:23:19.640
<v Speaker 1>HA Podcasts in partnership with Iheart's Michael Dura podcast network,

0:23:19.800 --> 0:23:23.800
<v Speaker 1>and is hosted and written by me Jasmine Romero, produced

0:23:23.840 --> 0:23:27.960
<v Speaker 1>by Jazmin Romero with help from Alvaro Sespelees, research and

0:23:28.040 --> 0:23:32.480
<v Speaker 1>reporting by Jasmine Romero, edited by saydre Velo. Nation of

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<v Speaker 1>Saints was recorded in New York City at the Relic Room,

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<v Speaker 1>with engineering by Brett Tugan, mixing and sound designed by

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<v Speaker 1>Paciquinones original music by Golden Mines, Darko and Aame based

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<v Speaker 1>on Patrick Hart's original composition, fact checking by it Indira

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<v Speaker 1>Aquino Ayala. Executive producers are Carman geraaterol Isaac Lee, Rose Reed,

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<v Speaker 1>and Nando Villa. Our executive producers at iHeart are Giselle

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<v Speaker 1>Bansis and Arlene Santana. Sacred Scandal created by Melanie Bartley

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<v Speaker 1>and Baula Vadro's. The recording at the top of the

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<v Speaker 1>episode is from Latino USA and provided courtesy of Futuro Studios.

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<v Speaker 1>For more podcasts, go to the iHeartRadio app or anywhere

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<v Speaker 1>you listen to your favorite podcasts.