1 00:00:00,720 --> 00:00:08,760 Speaker 1: I am all in. Oh, let's kiss you. 2 00:00:16,000 --> 00:00:20,200 Speaker 2: Gilmore Girls Gazette with Amy Sugarman and Danielle Romo, then 3 00:00:20,239 --> 00:00:26,479 Speaker 2: iHeartRadio podcast. It's the Gilmore Girls Gazette Bunhead's edition. This 4 00:00:26,760 --> 00:00:30,840 Speaker 2: is episode two of Bunheads. What's the title of this episode? 5 00:00:30,880 --> 00:00:32,920 Speaker 2: It's like something about Fanny. 6 00:00:32,600 --> 00:00:36,440 Speaker 3: For Fanny and let's just say I finish. So I 7 00:00:36,479 --> 00:00:39,200 Speaker 3: watched half the episode last night, and then this morning 8 00:00:39,360 --> 00:00:43,000 Speaker 3: I finished the second half, and let's just say it 9 00:00:43,080 --> 00:00:46,440 Speaker 3: was not on my bingo card that this morning, I 10 00:00:46,560 --> 00:00:49,720 Speaker 3: was gonna wake up, watch this episode and cry my 11 00:00:49,840 --> 00:00:50,440 Speaker 3: eyes out. 12 00:00:51,159 --> 00:00:54,280 Speaker 2: Yep, yep, same thing. I watched it last night and 13 00:00:54,480 --> 00:00:57,440 Speaker 2: was crying again. So now I'm two for two on 14 00:00:57,640 --> 00:01:00,600 Speaker 2: tears with Bunheads. Oh for two. 15 00:01:01,120 --> 00:01:03,200 Speaker 1: This one. I did not cry for this episode. 16 00:01:03,240 --> 00:01:07,520 Speaker 3: This one, I took out a tissue and I was like, Oh, 17 00:01:07,640 --> 00:01:08,120 Speaker 3: I can't. 18 00:01:07,959 --> 00:01:10,440 Speaker 1: Believe I started my morning with a cry. But it 19 00:01:10,480 --> 00:01:11,560 Speaker 1: was a good episode. 20 00:01:11,640 --> 00:01:14,080 Speaker 2: How are you feeling about bun Heads now that you've 21 00:01:14,120 --> 00:01:16,000 Speaker 2: got two episodes under your. 22 00:01:16,400 --> 00:01:20,440 Speaker 3: I'm gonna say this, and it's probably not a popular opinion. 23 00:01:20,880 --> 00:01:21,399 Speaker 2: It's okay. 24 00:01:21,720 --> 00:01:24,440 Speaker 1: Button Foster is not cutting it for me. 25 00:01:24,920 --> 00:01:27,800 Speaker 2: Oh, she's bothering you, Okay, that's totally fine. 26 00:01:28,040 --> 00:01:33,040 Speaker 3: This episode, it's gonna it. She's starting to to make 27 00:01:33,120 --> 00:01:34,400 Speaker 3: me really love her character. 28 00:01:34,840 --> 00:01:36,959 Speaker 2: Yeah, here's where I like setting Foster in this Right 29 00:01:37,000 --> 00:01:38,800 Speaker 2: when she's on the beach, I'm like, you know what 30 00:01:39,360 --> 00:01:42,520 Speaker 2: felt real? I felt her pain. Yeah, there's parts where 31 00:01:42,520 --> 00:01:44,520 Speaker 2: I don't like her, like when she's kind of trying 32 00:01:44,520 --> 00:01:48,320 Speaker 2: to be goofy walking the dog and being goofy and 33 00:01:48,400 --> 00:01:53,120 Speaker 2: tucking on the phone. I'm like, eh, like no, but 34 00:01:53,240 --> 00:01:55,600 Speaker 2: I love her at the end. 35 00:01:55,800 --> 00:01:57,760 Speaker 3: The whole, the whole end of this episode. I was like, 36 00:01:57,800 --> 00:02:01,640 Speaker 3: all right, Sutton your you're pulling me in. You're pulling 37 00:02:01,680 --> 00:02:03,640 Speaker 3: me in, and I just I don't know if the 38 00:02:03,680 --> 00:02:06,559 Speaker 3: reason why I'm so skeptical is because I have such 39 00:02:06,560 --> 00:02:10,400 Speaker 3: an attachment with Lauren Graham and Kelly Bishop. I have 40 00:02:10,560 --> 00:02:14,000 Speaker 3: such an attachment there that it's hard for me to 41 00:02:14,200 --> 00:02:20,520 Speaker 3: see Kelly have another mother daughter relationship, even though it's 42 00:02:20,560 --> 00:02:23,400 Speaker 3: a mother mother in law. But I totally get it, 43 00:02:23,480 --> 00:02:26,079 Speaker 3: you know, I'm starting to get get into it. 44 00:02:27,080 --> 00:02:31,160 Speaker 2: I totally get it, Like Lauren Graham is so in 45 00:02:31,240 --> 00:02:38,280 Speaker 2: our soul that it's hard and Sutton Foster is not. Like, 46 00:02:38,560 --> 00:02:42,880 Speaker 2: I just don't love the goofy stuff. Some of it's okay, 47 00:02:42,919 --> 00:02:44,680 Speaker 2: but I like it much more when she's a little 48 00:02:44,720 --> 00:02:46,520 Speaker 2: bit more anything to. 49 00:02:46,560 --> 00:02:51,440 Speaker 3: Her stated lor LIAI and Lauren Graham's lor Lie is funny. 50 00:02:51,880 --> 00:02:54,560 Speaker 1: So but it's just a different. 51 00:02:54,680 --> 00:02:59,519 Speaker 2: And it's a little more sarcastic snarky. Yeah. Now, Kelly 52 00:02:59,560 --> 00:03:05,160 Speaker 2: Bishop is fricking phenomenal. She's amazing. God, she's so good 53 00:03:05,160 --> 00:03:07,480 Speaker 2: in this the breakdown scene. 54 00:03:07,600 --> 00:03:09,959 Speaker 1: There was a lot of Emily Gilmour in this, though. 55 00:03:10,040 --> 00:03:12,640 Speaker 3: I will say I found a lot of through lines 56 00:03:12,680 --> 00:03:17,960 Speaker 3: and a lot of similarities. Just to not cut ahead, 57 00:03:17,960 --> 00:03:20,800 Speaker 3: but kind of when they were talking about having a 58 00:03:21,240 --> 00:03:26,880 Speaker 3: real life or a life size replica of Hubble or 59 00:03:27,000 --> 00:03:32,560 Speaker 3: a tribute to and I'm like, oh my gosh, Richard's painting. 60 00:03:33,000 --> 00:03:35,360 Speaker 3: I know, you know, found a lot of little through 61 00:03:35,400 --> 00:03:36,080 Speaker 3: lines like that. 62 00:03:36,520 --> 00:03:39,080 Speaker 2: So to start, I feel that the music is very gilmoury. 63 00:03:39,720 --> 00:03:43,520 Speaker 2: I almost felt like it was, Okay, this is like 64 00:03:44,240 --> 00:03:47,920 Speaker 2: some inside baseball. But we, Danielle and I have to 65 00:03:47,960 --> 00:03:50,400 Speaker 2: create music. I mean, we don't create the music. We 66 00:03:50,440 --> 00:03:53,600 Speaker 2: have an amazing guy who does it, but like we 67 00:03:53,720 --> 00:03:57,160 Speaker 2: basically give him our inspiration and then he creates a song. 68 00:03:57,600 --> 00:03:59,400 Speaker 2: I literally felt like that's what they did that. They're like, 69 00:03:59,440 --> 00:04:02,480 Speaker 2: here's all you inspo. All the music from Gilmourt Girls 70 00:04:02,520 --> 00:04:04,760 Speaker 2: now reads something that sort of sounds like this, but 71 00:04:04,840 --> 00:04:07,960 Speaker 2: something kind of different, and that's what it feels like. Yeah, 72 00:04:08,080 --> 00:04:12,040 Speaker 2: I literally says, la la la, la la la. I 73 00:04:12,080 --> 00:04:14,600 Speaker 2: wanted the high school t shirts that said Paradise High School. 74 00:04:14,680 --> 00:04:15,960 Speaker 2: I don't know if I can get that, but those 75 00:04:16,000 --> 00:04:18,200 Speaker 2: were cute. And I love the girls. I love the 76 00:04:18,200 --> 00:04:20,480 Speaker 2: young guy too, Like even when it's just the scenes 77 00:04:20,520 --> 00:04:24,239 Speaker 2: with them and there's no Emily, there's no Emily. 78 00:04:24,400 --> 00:04:26,240 Speaker 1: Sorry, I know we're gonna do that. 79 00:04:26,480 --> 00:04:28,239 Speaker 2: See that's gonna happen all the time. There's no Fanny, 80 00:04:28,600 --> 00:04:32,080 Speaker 2: there's no Setton Foster. I like those scenes. Those are 81 00:04:32,080 --> 00:04:33,160 Speaker 2: all of my fais, Like. 82 00:04:33,360 --> 00:04:36,440 Speaker 3: The dancing scenes, they're at the top of my list. 83 00:04:36,520 --> 00:04:39,560 Speaker 3: There are there's some of my favorite in when like 84 00:04:40,120 --> 00:04:44,080 Speaker 3: even when Fanny is involved with the girls or Michelle, 85 00:04:44,120 --> 00:04:46,120 Speaker 3: which is set in Foster is involved in the girl 86 00:04:46,160 --> 00:04:48,560 Speaker 3: with the girls, Like in those scenes like at the 87 00:04:48,640 --> 00:04:49,680 Speaker 3: end where Ston. 88 00:04:49,480 --> 00:04:50,280 Speaker 1: Goes to the girls. 89 00:04:50,320 --> 00:04:53,840 Speaker 3: You know, the girls are the glue to those because 90 00:04:53,880 --> 00:04:55,719 Speaker 3: I think I would maybe be a little bit lost 91 00:04:55,760 --> 00:04:56,440 Speaker 3: without them. 92 00:04:56,560 --> 00:04:58,560 Speaker 2: And I'm obsessed with Sasha, which we'll I'm sure we'll 93 00:04:58,600 --> 00:05:02,640 Speaker 2: talk about. But the one okay and Boom, well, Boo 94 00:05:02,760 --> 00:05:05,240 Speaker 2: is the kid. They're all great. They're all great. So 95 00:05:06,080 --> 00:05:09,800 Speaker 2: did the first episode have the opening credits? Like? Am 96 00:05:09,839 --> 00:05:12,920 Speaker 2: I crazy? Or did that not come on till episode two? 97 00:05:13,520 --> 00:05:15,320 Speaker 2: Like in this one it has the opening credits. There's 98 00:05:15,320 --> 00:05:18,440 Speaker 2: sort of a ballet dance and then yeah, it zooms 99 00:05:18,480 --> 00:05:20,760 Speaker 2: in on Sutton Foster. I did not remember that from 100 00:05:20,800 --> 00:05:21,479 Speaker 2: episode one. 101 00:05:21,960 --> 00:05:23,279 Speaker 1: I didn't either. 102 00:05:23,480 --> 00:05:25,880 Speaker 3: I think you are correct, but we'll double we'll fact 103 00:05:25,960 --> 00:05:28,360 Speaker 3: check that. I think it would be kind of Would 104 00:05:28,400 --> 00:05:29,240 Speaker 3: it be weird to have. 105 00:05:29,200 --> 00:05:32,320 Speaker 1: An opening credit on the first episode? 106 00:05:32,560 --> 00:05:34,680 Speaker 2: No, not really, but they didn't do it. It was 107 00:05:34,720 --> 00:05:37,600 Speaker 2: sort of sort of nice that they didn't. Fine, I 108 00:05:38,880 --> 00:05:42,800 Speaker 2: commend the creative choice. I was speaking of the dancing. 109 00:05:42,800 --> 00:05:45,040 Speaker 2: It was a little awkward for me when Sutton Foster 110 00:05:45,160 --> 00:05:48,200 Speaker 2: had no music and was dancing by herself doing it 111 00:05:48,200 --> 00:05:49,479 Speaker 2: was sort of like she was doing the dance she 112 00:05:49,480 --> 00:05:51,320 Speaker 2: had taught the girls in episode one. That for me 113 00:05:51,400 --> 00:05:55,400 Speaker 2: was I was glad it didn't last longer. I was like, 114 00:05:55,839 --> 00:05:58,680 Speaker 2: I'm uncomfortable. I thought it was hilarious how all the 115 00:05:58,680 --> 00:06:00,840 Speaker 2: girls got out of Pe because they all had their 116 00:06:00,880 --> 00:06:02,039 Speaker 2: notes from ballet. 117 00:06:02,080 --> 00:06:04,880 Speaker 3: Oh yeah that they can't They couldn't like do anything 118 00:06:04,880 --> 00:06:06,560 Speaker 3: that would jeopardize their dancing. 119 00:06:07,279 --> 00:06:09,320 Speaker 2: And none of them wanted to say the word hubble. 120 00:06:09,920 --> 00:06:14,640 Speaker 1: Oh the look I was dying. They were like, yeah, 121 00:06:14,800 --> 00:06:16,800 Speaker 1: that was I were. 122 00:06:17,480 --> 00:06:19,320 Speaker 3: I guess the people that are listening to this won't 123 00:06:19,320 --> 00:06:21,479 Speaker 3: see Amy and I are giving each other the look. 124 00:06:22,200 --> 00:06:22,680 Speaker 3: The look. 125 00:06:24,120 --> 00:06:27,640 Speaker 2: So the house just astounds me. It's sort of taken. 126 00:06:28,320 --> 00:06:33,040 Speaker 3: It's it's insane clown pillow times sixty, so. 127 00:06:33,080 --> 00:06:36,119 Speaker 2: Cluttery and crazy, and there's a thousand magnets and there's 128 00:06:36,560 --> 00:06:39,440 Speaker 2: junk and clutter and weird stuff everywhere. 129 00:06:39,920 --> 00:06:42,719 Speaker 3: What is with the with Amy, Shrimp and Palladino and 130 00:06:42,760 --> 00:06:44,360 Speaker 3: wanting the houses to be like that? 131 00:06:44,440 --> 00:06:45,599 Speaker 1: Because Lareli's house. 132 00:06:45,680 --> 00:06:48,520 Speaker 2: She's kind of eclectic, Like if you ever see her fashion, 133 00:06:49,640 --> 00:06:54,359 Speaker 2: she's sort of an eclectic woman, So maybe it's her taste, 134 00:06:54,480 --> 00:06:56,680 Speaker 2: I will say. Unfortunately, I do have to say this, 135 00:06:56,800 --> 00:06:59,520 Speaker 2: I do not like the fashion in this show like 136 00:06:59,600 --> 00:07:03,240 Speaker 2: I did Gilmore Girls. The fashion is off for me. 137 00:07:03,680 --> 00:07:07,279 Speaker 2: I'm not loving fannies fashion. I'm not loving this. 138 00:07:07,320 --> 00:07:10,440 Speaker 3: Gray sweater just with the white tank top, although I 139 00:07:10,480 --> 00:07:14,240 Speaker 3: do wearing tank top coming out yeah, purple on my 140 00:07:14,280 --> 00:07:16,720 Speaker 3: TV and I didn't like it. That was the look 141 00:07:16,800 --> 00:07:19,400 Speaker 3: back then though, that like you wear your tank top 142 00:07:19,480 --> 00:07:24,680 Speaker 3: underneath whatever sweater or something, and the tank top shows 143 00:07:24,720 --> 00:07:28,240 Speaker 3: like that's the l like the whole layering is the 144 00:07:28,280 --> 00:07:30,400 Speaker 3: front tuck of this generation. 145 00:07:30,880 --> 00:07:33,680 Speaker 2: It's just not feeling fashionable to me. He's not on 146 00:07:33,880 --> 00:07:38,840 Speaker 2: into the fashion. I'm into the sets. The gazebo was beautiful. 147 00:07:39,760 --> 00:07:41,280 Speaker 1: I love the ballet studio too. 148 00:07:41,360 --> 00:07:44,160 Speaker 2: Which part the ballet studio? I just I love that. 149 00:07:44,160 --> 00:07:48,240 Speaker 2: That's us. Sets are great, like the bars. Okay, so 150 00:07:48,480 --> 00:07:49,920 Speaker 2: did you know who the bartender is? 151 00:07:50,560 --> 00:07:51,120 Speaker 1: Who was that? 152 00:07:51,320 --> 00:07:57,280 Speaker 2: I Henry? That's mitcham Huntsburger plays the ponytail. 153 00:07:56,720 --> 00:08:01,600 Speaker 3: Top it stuff it right now. He is almost unrecognizable. 154 00:08:01,960 --> 00:08:05,440 Speaker 3: I knew that I knew him, but I didn't know how. 155 00:08:05,640 --> 00:08:09,520 Speaker 2: Oh heytail, he's got weird makeup. They really like change him. 156 00:08:09,600 --> 00:08:13,760 Speaker 2: He might even have like a slightly different nose or 157 00:08:13,800 --> 00:08:15,960 Speaker 2: if something with the makeup, they really change him. The 158 00:08:16,040 --> 00:08:22,480 Speaker 2: hair ponytail right. Another really cool spotting in this episode 159 00:08:22,840 --> 00:08:26,160 Speaker 2: is the actress Ellen Green. 160 00:08:26,800 --> 00:08:27,600 Speaker 3: She is. 161 00:08:29,040 --> 00:08:33,800 Speaker 2: Like an She's a great actress. She is from little shops. 162 00:08:34,120 --> 00:08:37,280 Speaker 3: I'm sorry, I cannot get over that Mitchell with the bartender. 163 00:08:37,440 --> 00:08:41,440 Speaker 2: I yeah, thank you, just a little bit. 164 00:08:41,720 --> 00:08:45,160 Speaker 3: Yeah, and I'm just realizing that that's who it was. 165 00:08:45,600 --> 00:08:47,520 Speaker 1: Oh my god. 166 00:08:56,840 --> 00:08:58,840 Speaker 2: So the other really cool spotting is, as I was saying, 167 00:08:58,840 --> 00:09:02,480 Speaker 2: Ellen Green, so she is one of the friends. I 168 00:09:02,480 --> 00:09:04,920 Speaker 2: guess she's called Wickan friend. She must be like a 169 00:09:04,920 --> 00:09:07,840 Speaker 2: Wickan But she is the one that's making the naked statue, 170 00:09:08,679 --> 00:09:15,080 Speaker 2: the Hubble naked sculpture. So she's like super recognizable from 171 00:09:15,120 --> 00:09:17,240 Speaker 2: Little Shop of Wars and I feel like she was 172 00:09:17,280 --> 00:09:20,720 Speaker 2: in this show called Pushing Daisies. Somebody needs to fact 173 00:09:20,840 --> 00:09:21,480 Speaker 2: check that for me. 174 00:09:22,360 --> 00:09:27,360 Speaker 3: Show that was a great show, three seasons. 175 00:09:27,520 --> 00:09:30,439 Speaker 2: Yeah, but I feel like she was maybe in that. 176 00:09:31,000 --> 00:09:33,480 Speaker 2: But yeah, I know her first from she was the 177 00:09:33,559 --> 00:09:36,439 Speaker 2: lead in Little Shop of Horrors, the movie, the one 178 00:09:36,480 --> 00:09:41,800 Speaker 2: with Steve Martin and oh Man who played in Little 179 00:09:41,800 --> 00:09:44,040 Speaker 2: Shop of Horrors. Who played I want to say it 180 00:09:44,040 --> 00:09:47,760 Speaker 2: was Rick moranis but I might be wrong. So somebody 181 00:09:47,800 --> 00:09:49,439 Speaker 2: fact checked me on both of those things. While we 182 00:09:49,520 --> 00:09:54,800 Speaker 2: keep talking, there was some pop culture references, like a 183 00:09:54,800 --> 00:09:56,200 Speaker 2: lot of talk about Mark Wahlberg. 184 00:09:56,960 --> 00:09:57,240 Speaker 3: Yep. 185 00:09:57,600 --> 00:09:59,800 Speaker 2: So they're talking all about Mark Wahlberg and we think 186 00:09:59,800 --> 00:10:03,640 Speaker 2: they're referencing the departed. Truly was funny when she says, 187 00:10:04,280 --> 00:10:06,800 Speaker 2: I blame you, and then it was like Sutton Foster 188 00:10:06,880 --> 00:10:07,840 Speaker 2: says me too. 189 00:10:08,400 --> 00:10:10,480 Speaker 3: I know, because there is a lot of like that's 190 00:10:10,480 --> 00:10:12,560 Speaker 3: the elephant in the room, and I'm glad they addressed it. 191 00:10:12,559 --> 00:10:15,839 Speaker 3: If Sutton Foster was not in Hubble's life and did 192 00:10:15,880 --> 00:10:18,760 Speaker 3: not get married to him, he wouldn't have been in 193 00:10:18,760 --> 00:10:19,520 Speaker 3: that car accident. 194 00:10:20,559 --> 00:10:22,720 Speaker 2: Well yeah, I mean I guess, Look. 195 00:10:22,520 --> 00:10:24,760 Speaker 3: Granted, is it not her fault. Of course, it's not 196 00:10:24,880 --> 00:10:30,320 Speaker 3: her fault. However, I can understand that they all feel 197 00:10:30,320 --> 00:10:30,640 Speaker 3: that way. 198 00:10:31,480 --> 00:10:36,520 Speaker 2: Yeah, of course, Like this random lady from Vegas steals 199 00:10:36,600 --> 00:10:40,520 Speaker 2: like the you know, the catch of the town, truly's 200 00:10:40,640 --> 00:10:43,560 Speaker 2: true love and he dies. I mean it's just like 201 00:10:43,960 --> 00:10:47,800 Speaker 2: what Okay, So I did have a weird moment. So basically, 202 00:10:47,880 --> 00:10:50,680 Speaker 2: I think we go from that scene where she says 203 00:10:50,720 --> 00:10:52,720 Speaker 2: I blame you and they're by the refrigerator to the 204 00:10:52,760 --> 00:10:55,959 Speaker 2: Spanish class. The shot was so different from me that 205 00:10:56,040 --> 00:10:59,400 Speaker 2: I thought there was a commercial. I was like, because 206 00:10:59,400 --> 00:11:01,320 Speaker 2: I didn't reckon any of the characters right at the 207 00:11:01,360 --> 00:11:04,400 Speaker 2: beginning of that scene until you see Boo, and I 208 00:11:04,520 --> 00:11:06,120 Speaker 2: was just like, I don't know what's happening. And then 209 00:11:06,120 --> 00:11:07,839 Speaker 2: all of a sudden, I'm like, oh, okay, they're getting 210 00:11:07,840 --> 00:11:10,720 Speaker 2: her out of Spanish class and they're gonna go to 211 00:11:10,720 --> 00:11:14,440 Speaker 2: the movies and YadA YadA. You know, we've got some 212 00:11:14,520 --> 00:11:17,520 Speaker 2: quirky stuff. The airstream trailer guy that just gives her the. 213 00:11:17,520 --> 00:11:20,520 Speaker 1: Dog to go on a wal yeah, which all right. 214 00:11:21,040 --> 00:11:22,679 Speaker 1: I mean it's kind of Kenny's. 215 00:11:22,360 --> 00:11:25,280 Speaker 2: Character in general was weird, you know, Rico. 216 00:11:25,120 --> 00:11:27,360 Speaker 3: I can't believe that was freaking mitchem Now it just 217 00:11:28,440 --> 00:11:31,000 Speaker 3: like I was replaying that scene in my head right 218 00:11:31,040 --> 00:11:32,520 Speaker 3: now and I'm like I was trying to figure out 219 00:11:32,520 --> 00:11:33,800 Speaker 3: who that was, and now it makes sense. 220 00:11:33,880 --> 00:11:36,040 Speaker 2: The hair she says her name is Sophie Tucker, and 221 00:11:36,080 --> 00:11:37,960 Speaker 2: I'm sure there's some sort of meaning to that that 222 00:11:38,000 --> 00:11:40,080 Speaker 2: I didn't. They went over my head, but it's like 223 00:11:40,120 --> 00:11:41,880 Speaker 2: she's such a new character that I was like, well, 224 00:11:41,960 --> 00:11:44,520 Speaker 2: your name's Sophie Tucker, Like your name is Michelle. Like 225 00:11:44,559 --> 00:11:47,120 Speaker 2: it was a little bit like I'm not ready for that. 226 00:11:49,080 --> 00:11:56,000 Speaker 2: But Kelly's Kelly Kelly Bishops breakdown scene was incredible. That 227 00:11:56,240 --> 00:11:58,440 Speaker 2: the dance the girls did incredible. 228 00:11:58,480 --> 00:12:01,439 Speaker 3: It's just so much to that her saying well and 229 00:12:01,720 --> 00:12:05,920 Speaker 3: before before they had the breakdown breakdown. She had a 230 00:12:05,960 --> 00:12:09,880 Speaker 3: mini breakdown with Michelle and she was just saying, my 231 00:12:09,960 --> 00:12:12,480 Speaker 3: heart is broken forever. I can do whatever I want, 232 00:12:12,960 --> 00:12:17,120 Speaker 3: you know, And I just was like, like that just 233 00:12:17,240 --> 00:12:20,920 Speaker 3: hurt my heart so bad because you felt it, you 234 00:12:21,000 --> 00:12:21,480 Speaker 3: felt her. 235 00:12:21,600 --> 00:12:22,760 Speaker 1: Yeah, you really done. 236 00:12:23,160 --> 00:12:25,719 Speaker 3: And she was like, this is the one person that 237 00:12:26,280 --> 00:12:29,160 Speaker 3: meant the most to me, Like my heart is broken forever, 238 00:12:29,320 --> 00:12:30,200 Speaker 3: let me do what I want. 239 00:12:30,240 --> 00:12:32,240 Speaker 1: And I felt that. 240 00:12:32,679 --> 00:12:37,120 Speaker 2: And you're feeling Michelle's sort of pain, but yet awkwardness. 241 00:12:37,160 --> 00:12:40,920 Speaker 3: Awkwardness it's in She's just it's so like that's. 242 00:12:40,600 --> 00:12:43,920 Speaker 2: You know, you feeling that. I thought I love the 243 00:12:43,960 --> 00:12:46,720 Speaker 2: cliffhanger again at the end of the episode where we 244 00:12:47,480 --> 00:12:50,839 Speaker 2: see Hubble's friend Jerry, and we realized, dun, dun dunk, 245 00:12:51,200 --> 00:12:53,440 Speaker 2: Why did he do that? Why did what? 246 00:12:54,040 --> 00:12:56,160 Speaker 1: Like why did he leave everything too? Because it's his 247 00:12:56,280 --> 00:12:58,160 Speaker 1: wife for a day? 248 00:12:59,320 --> 00:13:03,280 Speaker 2: He loves her, that's the whole thing is like he 249 00:13:03,800 --> 00:13:06,120 Speaker 2: was in it for real, this was his wife, Like 250 00:13:06,679 --> 00:13:09,120 Speaker 2: he changed his will on the way back once they 251 00:13:09,160 --> 00:13:13,040 Speaker 2: were married. And I just die And now we've got 252 00:13:13,040 --> 00:13:18,360 Speaker 2: a show again because now you know now she owns everything. 253 00:13:18,640 --> 00:13:22,000 Speaker 3: I don't know how I felt about it. I'm like, oh, 254 00:13:22,240 --> 00:13:24,720 Speaker 3: can Fanny have something. 255 00:13:25,400 --> 00:13:27,400 Speaker 2: Obviously she's gonna that's the whole thing. 256 00:13:27,440 --> 00:13:27,640 Speaker 3: You know. 257 00:13:27,960 --> 00:13:31,600 Speaker 2: Here we go with the next episode because look, not 258 00:13:31,640 --> 00:13:33,840 Speaker 2: a spoiler alert. We gotta give Michelle a real reason 259 00:13:33,920 --> 00:13:36,880 Speaker 2: to stay, and now we have it, because otherwise Michelle 260 00:13:36,920 --> 00:13:39,520 Speaker 2: would kind of leave and go back to Vegas or whatever. 261 00:13:40,240 --> 00:13:43,960 Speaker 3: I did find it okay, so we kind of cut 262 00:13:44,000 --> 00:13:47,200 Speaker 3: to but after the whole dance thing. Obviously that meant 263 00:13:47,240 --> 00:13:50,440 Speaker 3: a lot to Fanny, and Fanny is really starting to 264 00:13:50,520 --> 00:13:56,560 Speaker 3: accept Michelle. Yeah, yes, her saying this is my daughter 265 00:13:56,559 --> 00:13:59,600 Speaker 3: in law to Jerry. Which is there some time between 266 00:13:59,679 --> 00:14:00,599 Speaker 3: Jerry and Michelle. 267 00:14:00,960 --> 00:14:03,280 Speaker 2: No, not yet, I mean not that I can remember. 268 00:14:03,360 --> 00:14:04,800 Speaker 2: But the thing that's interesting is that. 269 00:14:04,840 --> 00:14:06,640 Speaker 1: Jerry flirty flirt? Was it not? 270 00:14:07,520 --> 00:14:09,040 Speaker 2: It was something like that. 271 00:14:09,200 --> 00:14:10,559 Speaker 1: I was like, oh, here we go. 272 00:14:11,120 --> 00:14:15,160 Speaker 3: Jerry's gonna did he Michelle's non fall in love with Jerry? 273 00:14:15,280 --> 00:14:18,120 Speaker 2: I don't think. I don't remember, but what I do 274 00:14:18,240 --> 00:14:20,840 Speaker 2: know is that it was Jerry was important because it 275 00:14:20,880 --> 00:14:24,600 Speaker 2: really establishes too Fanny that this is not a whim 276 00:14:25,200 --> 00:14:27,280 Speaker 2: for Hubble. He's been talking about her. 277 00:14:27,120 --> 00:14:28,840 Speaker 1: For a year near the side. 278 00:14:28,880 --> 00:14:32,720 Speaker 2: He knows everything about her like this, This is not 279 00:14:33,120 --> 00:14:34,920 Speaker 2: I went to Vegas one day and married her. 280 00:14:35,520 --> 00:14:37,320 Speaker 1: Yeah, so that has some signiff. 281 00:14:37,520 --> 00:14:39,200 Speaker 3: And Jerry did say that, He's like, oh you have 282 00:14:39,240 --> 00:14:42,560 Speaker 3: a size sine Jew. You know, he talked about you 283 00:14:42,600 --> 00:14:45,200 Speaker 3: all the time. He really loved you. And yeah, that 284 00:14:45,360 --> 00:14:46,480 Speaker 3: was That was a lot. 285 00:14:46,960 --> 00:14:50,520 Speaker 2: And I have to say, I don't dislike this show. 286 00:14:50,720 --> 00:14:53,880 Speaker 2: Like here's what I want to put this. Gilmour Girls 287 00:14:54,000 --> 00:14:56,560 Speaker 2: is like way up here, right way way up here, 288 00:14:56,840 --> 00:14:59,720 Speaker 2: but this is not that far down. Like you love 289 00:14:59,760 --> 00:15:04,360 Speaker 2: gil I really think you will enjoy Bunheads. It has 290 00:15:04,440 --> 00:15:07,440 Speaker 2: a lot of things in it that you love about 291 00:15:07,440 --> 00:15:10,760 Speaker 2: Gilmore Girls. Yeah, oh you know there is one thing 292 00:15:10,760 --> 00:15:13,080 Speaker 2: I don't want to forget. This is my dance space. 293 00:15:13,200 --> 00:15:14,760 Speaker 2: This is your dance space. So you know when they 294 00:15:14,800 --> 00:15:16,760 Speaker 2: go back to the studio and the girls are having 295 00:15:16,840 --> 00:15:21,200 Speaker 2: sort of a tussle and yeah, that is a reference 296 00:15:21,200 --> 00:15:27,600 Speaker 2: to Dirty Dancing, which starred Kelly Bishop as Baby's mother. 297 00:15:28,480 --> 00:15:31,120 Speaker 2: She gets it from me. So that was a cute, 298 00:15:31,160 --> 00:15:33,520 Speaker 2: little cheeky pop culture act. 299 00:15:33,640 --> 00:15:38,560 Speaker 3: Yeah, you know, I'm in, I'm in. I'm into this 300 00:15:39,680 --> 00:15:41,120 Speaker 3: series so flat. 301 00:15:41,440 --> 00:15:44,600 Speaker 2: Yeah. I remember being so bummed when it was canceled, 302 00:15:44,920 --> 00:15:50,880 Speaker 2: like truly, truly truly bombed, Like, oh I really wanted more. 303 00:15:51,800 --> 00:15:52,479 Speaker 1: Yeah. 304 00:15:52,520 --> 00:15:55,480 Speaker 2: So yeah, I know some people have been messaging us like, hey, 305 00:15:55,520 --> 00:15:57,360 Speaker 2: are they going to get hooked in and then be 306 00:15:57,480 --> 00:16:01,160 Speaker 2: bummed because it's only one season? Yes and yes, but 307 00:16:01,640 --> 00:16:05,320 Speaker 2: shout out to whoever wrote this. You should watch it anyway. Yeah, 308 00:16:05,560 --> 00:16:08,560 Speaker 2: it's like, yeah, so what do I give it? What 309 00:16:08,600 --> 00:16:09,160 Speaker 2: do you give it? 310 00:16:10,840 --> 00:16:11,960 Speaker 1: I'm just trying to figure out. 311 00:16:12,280 --> 00:16:14,120 Speaker 2: It's like, I'm not writing it on a Gilmore scale. 312 00:16:14,120 --> 00:16:15,800 Speaker 2: I'm writing it on a bun Head scale. 313 00:16:16,920 --> 00:16:18,920 Speaker 1: Eight point five stolen dogs. 314 00:16:18,760 --> 00:16:21,120 Speaker 2: I'm going to give it eight point five. Something that 315 00:16:21,160 --> 00:16:25,480 Speaker 2: made me uncomfortable. Rico the bartender took the glass and 316 00:16:25,520 --> 00:16:28,560 Speaker 2: put the glass in the ice, and you're never supposed 317 00:16:28,560 --> 00:16:30,040 Speaker 2: to do that because I think you can chip the 318 00:16:30,080 --> 00:16:32,440 Speaker 2: glass and then you get glass shards in your ice. 319 00:16:32,680 --> 00:16:35,400 Speaker 2: That's why you must use a plast scooper and put 320 00:16:35,400 --> 00:16:38,080 Speaker 2: the ice in. So it seemed like if you are 321 00:16:38,080 --> 00:16:39,960 Speaker 2: a bartender, we goo, I think you would have maybe 322 00:16:40,080 --> 00:16:45,440 Speaker 2: known that. Anyway, eight point five. We're both in agreement. 323 00:16:46,720 --> 00:16:48,880 Speaker 2: So what's the next episode called? 324 00:16:49,240 --> 00:16:53,200 Speaker 3: The next episode is Inherit the Wind, which obviously with 325 00:16:53,240 --> 00:16:54,520 Speaker 3: the cliffhanger. 326 00:16:54,120 --> 00:16:57,680 Speaker 2: Hair it right. Ye oh, all right, here we go, guys. 327 00:16:57,840 --> 00:17:01,600 Speaker 1: I'm hooked I'm here, I'm ready. I'm ready for episode three. 328 00:17:02,000 --> 00:17:05,040 Speaker 2: What's our bunheads out? Yeah, button heads out. We could 329 00:17:05,040 --> 00:17:06,200 Speaker 2: just say bunheads. 330 00:17:05,720 --> 00:17:06,880 Speaker 1: Out, bun heads out. 331 00:17:07,040 --> 00:17:09,199 Speaker 2: It feels like we're still that from Seacrest, but bunheads out. 332 00:17:09,240 --> 00:17:38,920 Speaker 2: What's got? Everybody? 333 00:17:38,920 --> 00:17:42,280 Speaker 3: And don't forget? Follow us on Instagram at I Am 334 00:17:42,359 --> 00:17:47,280 Speaker 3: All In podcast and email us at Gilmore at iHeartRadio 335 00:17:47,640 --> 00:17:57,840 Speaker 3: dot com