WEBVTT - Mini Crush #162

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>Hey Everybody, and welcome to Movie Crush, the Monday Mini

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<v Speaker 1>Edition with Noel Brown and Charles W. Chuck Bryant, your

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<v Speaker 1>co host for the week it is we for all Time. Yeah,

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<v Speaker 1>for the week, the week for all time. How are

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<v Speaker 1>you doing, Noel, I'm pretty good, man. Um. We were

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<v Speaker 1>talking off air a little bit about how I upgraded

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<v Speaker 1>my my recording studio and I've I've actually got a

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<v Speaker 1>drum kid in here. And you know, I've been recording

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<v Speaker 1>my own bands for for many years, and uh, I

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<v Speaker 1>always ended up to make the final record going to

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<v Speaker 1>a studio because I could just never get things like

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<v Speaker 1>the drum sound to really slap the way you know,

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<v Speaker 1>records that I listened to did, And so I would

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<v Speaker 1>go to like the studio and Athenes called Chase Park Transductions,

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<v Speaker 1>where I worked with this guy David Barbie, who I

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<v Speaker 1>think you know the band Sugar and he produces all

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<v Speaker 1>the by Trucker's record So I learned so much from

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<v Speaker 1>him just working in that studio. But I just got

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<v Speaker 1>thanks to dear friend Stephen Banister at a place called

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<v Speaker 1>Westlake Pro Audio in l A I got the most

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<v Speaker 1>amazing deal on a Universal Audio Apollo, which is like

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<v Speaker 1>the industry standard audio interface. It's got eight mic inputs.

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<v Speaker 1>I've got my drums miked up, and I swear chuck,

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<v Speaker 1>I have achieved that slapping drum sound that I have

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<v Speaker 1>only thus far dreamed of or it felt like I

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<v Speaker 1>had to go into a studio and pay lots of

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<v Speaker 1>money to achieve. So I love feeling pretty stoked. That's great.

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<v Speaker 1>Noll you a good drummer. I'm not bad, Yeah, I'm

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<v Speaker 1>I'm I'm competent. I can play with a click very well.

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<v Speaker 1>I'm not like acrobatic, but I like and do a

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<v Speaker 1>good backbeat and um and then I also like, you know,

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<v Speaker 1>I like to make loops of myself and go in

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<v Speaker 1>and kind of a jet time adjust things or make

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<v Speaker 1>little you know, uh stutters and things in my edits.

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<v Speaker 1>But yeah, I enjoy playing drums very much to have

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<v Speaker 1>for I've had a drum kits since I was like, oh,

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<v Speaker 1>I guess, probably like twelve or thirteen years old. Yeah,

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<v Speaker 1>a little bit. Yeah, it's fun, it is. I'm not

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<v Speaker 1>very card but I'm I'm I'm better than someone who's

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<v Speaker 1>never picked up drumsticks. But um, I'm not very good,

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<v Speaker 1>but I can do a basic little beat and you know,

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<v Speaker 1>I can hold the fort down for a minute. How

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<v Speaker 1>you like in that new uh, that new gifts and

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<v Speaker 1>guitar you got, Well, I took it in to get

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<v Speaker 1>a pickup installed, so I haven't had it. I wanted

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<v Speaker 1>to go ahead and just get it fully squared away,

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<v Speaker 1>so getting a pickup installed and a strap button on

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<v Speaker 1>the neck, on the base of the neck instead of

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<v Speaker 1>you know, the tradition is to tie it over at

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<v Speaker 1>the headstock on one end with an act of guitar.

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<v Speaker 1>But I'm not a fan of that, so no, it

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<v Speaker 1>feels weird. It like feels like it gets in the

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<v Speaker 1>way of your hand even right like kind of just

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<v Speaker 1>I don't like it, so I am. It is definitely

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<v Speaker 1>altering the guitar, which some people say is heresy, but

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<v Speaker 1>I don't think it's a big deal to my guitar. Sure,

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<v Speaker 1>try could do whatever you want, chuck. Uh, It's funny, man.

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<v Speaker 1>There was a um, I was at the lake last

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<v Speaker 1>weekend and I Emily went to bed super early because

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<v Speaker 1>she had a rough day, and I was I found

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<v Speaker 1>myself at like eight thirty at night, hanging out alone,

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<v Speaker 1>beautiful woodland setting, feeling good, if you know what I mean. Yeah,

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<v Speaker 1>I had a couple of drinks. Some great things were happening. Yes,

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<v Speaker 1>I know, these late these lake things, and I I

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<v Speaker 1>told I got on Facebook and got you know, Ethan,

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<v Speaker 1>you even one of our listeners who's been badgering me

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<v Speaker 1>about Fish forever. I said, all right, yeah, and this

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<v Speaker 1>is it. I'm ready to give Fish a fair audition.

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<v Speaker 1>Where do I start? He kind of commented, too late,

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<v Speaker 1>A bunch of people said, here's what you should do. Um,

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<v Speaker 1>I only wanted to hear from Ethan about this, So

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<v Speaker 1>I never listened to Fish, But I did listen to

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<v Speaker 1>The Dead Knel because I just, you know, I like

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<v Speaker 1>a couple of the you know, the two big albums

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<v Speaker 1>that were are known as like good studio albums. Sure,

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<v Speaker 1>like The Empire of the Sun is one that people

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<v Speaker 1>always talk about as being a big psychedelic opus. Well,

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<v Speaker 1>I know, as far as just accessibility American made and

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<v Speaker 1>or no American beauty, and uh, what's the other one.

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<v Speaker 1>I don't know. There's another one that's uh it's sort

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<v Speaker 1>of you know a little more mainstream or whatever, not

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<v Speaker 1>quite as like Jammie, but there's one with a very

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<v Speaker 1>clever title. It has to be a live album. What

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<v Speaker 1>it's called Live Dead, which I think is very clever. Yeah,

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<v Speaker 1>so I listened to some of that and then I

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<v Speaker 1>was like, you know, I need to just dive in

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<v Speaker 1>to what the Dead is really all about. So I

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<v Speaker 1>listened to a thirty minute version of dark Star, which

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<v Speaker 1>is their big you know, live jam you believe is

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<v Speaker 1>off Empire of the Sun, one of the many. But

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<v Speaker 1>it was like, if I'm gonna do it, I'm gonna

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<v Speaker 1>really dive in there, and I'll tell you what, dude,

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<v Speaker 1>in my head space, I really enjoyed it for a while.

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<v Speaker 1>It's very groovy and I got it, but I had

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<v Speaker 1>to turn it off after like halfway, like fifteen minutes in.

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<v Speaker 1>I stopped it. You know why, Well, here's what I

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<v Speaker 1>figured out, and see if you agree. I don't know.

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<v Speaker 1>I'm a rock and roll guy. I am used. I

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<v Speaker 1>don't mind jamming, but it's something has to build to

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<v Speaker 1>a musical resolution, and I felt like it never built

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<v Speaker 1>to a musical resolution. It would build and build, and

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<v Speaker 1>then I'm used to the resolution happening, and then it

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<v Speaker 1>would just start over with something kind of new and

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<v Speaker 1>it just kept doing that over and over and I

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<v Speaker 1>was like, I need that resolution. I think that's why.

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<v Speaker 1>Of the bands that maybe get lumped in with this

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<v Speaker 1>jam band category, Pink Floyd, to me is the one

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<v Speaker 1>that really does it because they have these big long

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<v Speaker 1>interludes or big long intros and these stretches, but it

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<v Speaker 1>always builds to some like new idea and then like

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<v Speaker 1>or or it goes back it yourself. Yeah, we're just

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<v Speaker 1>all the silver like yeah, exactly, like like shine on you,

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<v Speaker 1>Crazy Diamond. Every time. I know that Dark Star does

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<v Speaker 1>do that. It has a main theme that it kind

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<v Speaker 1>of repeats, but it takes a real long time for

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<v Speaker 1>him to get there. And I know that they, you know,

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<v Speaker 1>have very very long, extended versions of that. I've I've

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<v Speaker 1>never gotten to them myself, but I keep wanting to

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<v Speaker 1>try Empire of the Sun and I keep saying that,

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<v Speaker 1>but that's the one. Like bands like Animal Collective and

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<v Speaker 1>you know, bands that I really respect reference that that

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<v Speaker 1>record a lot. So yeah, I mean, listen, man, I

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<v Speaker 1>I love the Almond Brothers band a lot, and they

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<v Speaker 1>are jammy as fun, but they I feel like, bring

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<v Speaker 1>it around to a place there's more structure. It makes

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<v Speaker 1>sense to me, And you know, it's a shame I

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<v Speaker 1>tried it it. Uh. I did like what I was hearing, though,

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<v Speaker 1>Like it's not like I was like, oh, I don't

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<v Speaker 1>like the sound of these notes. Like it was super

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<v Speaker 1>fucking groovy and like kind of jasy and very mellow

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<v Speaker 1>and cool, and I was digging it for a while

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<v Speaker 1>and then it just I was like, man, I need

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<v Speaker 1>I need the music to resolve itself. I'm used to

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<v Speaker 1>things building to a place, Chuck, I, I feel like

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<v Speaker 1>I've mentioned them on the show before, But have you

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<v Speaker 1>listened much to the band King Gizzard and the Lizard Wizard.

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<v Speaker 1>Uh No, I know, I know I need to. I

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<v Speaker 1>hate the name so much it is really hard for

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<v Speaker 1>me to get over it. I know that's a dumb

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<v Speaker 1>reason to not listen. It's not a dumb reason. It's

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<v Speaker 1>the reason I didn't listen to forever. And I maybe

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<v Speaker 1>have told the story already. But like a friend of

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<v Speaker 1>mine who was in town had extra ticket and like,

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<v Speaker 1>I like to heard of this band. I was like, yeah,

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<v Speaker 1>I've heard of him, but it sounds ridiculous. I don't

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<v Speaker 1>want to go anywhere near him. And it's the kind

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<v Speaker 1>of band that's so good you give him a pass

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<v Speaker 1>on the dumb name and all. Also the dumb name

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<v Speaker 1>even starts to be feel a little charming because they're

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<v Speaker 1>all really, they're all yeah, because they're just they're these

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<v Speaker 1>like Australian kind of like they're very young. They're like

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<v Speaker 1>in there, like you know, mid twenties. And they literally

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<v Speaker 1>made like seven records in seventeen and they make them

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<v Speaker 1>all themselves. They were why is that what? The fact

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<v Speaker 1>that they're prolific and talented and young. Seven records in

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<v Speaker 1>a year seems a little much to me. But they're good.

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<v Speaker 1>They're good, and they're each very different, and they produce

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<v Speaker 1>them themselves and record them themselves, and they like own

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<v Speaker 1>all their own means of production and like they have

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<v Speaker 1>their own little label and you know, and they've year

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<v Speaker 1>over year gotten more and more popular. But I mean,

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<v Speaker 1>I'll try it. I'll send you a couple of res Okay.

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<v Speaker 1>I think they're a band that you have. They have

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<v Speaker 1>so much stuff out there, you gotta know where to start.

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<v Speaker 1>If you start the wrong place, it might be a

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<v Speaker 1>turn off. You have this one record that's genuinely like

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<v Speaker 1>an eighties Metallica thrash album and it's like just spot

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<v Speaker 1>on but still very much them. So I don't know,

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<v Speaker 1>big fan, Now, is this the kind of thing though?

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<v Speaker 1>Where in? I mean, are they gonna keep doing this

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<v Speaker 1>in eight years? Are you gonna be like, Yeah, the

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<v Speaker 1>King Gizzard has you know, sixty seven albums. It's awesome. Now.

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<v Speaker 1>To be fair, they only may six albums that one year. Okay,

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<v Speaker 1>that's what I was. It's not like this is a

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<v Speaker 1>thing they do. They do make a lot of records.

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<v Speaker 1>But I think this year they've made three. No, last year,

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<v Speaker 1>excuse me, last year they made Last year they made three.

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<v Speaker 1>This year already they've come out with two. This is

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<v Speaker 1>a very skeptical moll. I gotta give it a try.

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<v Speaker 1>I think you should go. I'm gonna I'm gonna make

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<v Speaker 1>you a playlist, Chuck, let make you mixtape. I'm also

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<v Speaker 1>skeptical with bands that are like, here's our metal album

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<v Speaker 1>and here's a bluegrass album. Like, is it like that? Chuck?

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<v Speaker 1>This is me? I know, I know, I know, I

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<v Speaker 1>know you're no Ethan. I don't. I don't fawn I don't,

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<v Speaker 1>I don't, I really don't. But these guys are fawn

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<v Speaker 1>worthy and in my opinion, all right, I trust you know.

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<v Speaker 1>I'm a skeptical grump today. It's also less about their

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<v Speaker 1>albums than it is about their live show. I don't

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<v Speaker 1>really listen to their albums a lot, but live they're

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<v Speaker 1>one of the most spectacularly just like dynamic, and they

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<v Speaker 1>just like it's like your why watching magicians or something like.

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<v Speaker 1>They just have the like it's like they're sparks coming

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<v Speaker 1>off of them, like you're seeing people in their purest

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<v Speaker 1>form doing the thing that they were meant to do.

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<v Speaker 1>And and it's something very special about seeing them live.

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<v Speaker 1>All right. Uh and by the way, looping back to

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<v Speaker 1>the dead and the Fish, who haven't heard a little

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<v Speaker 1>bit of By the way, I think I've said this

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<v Speaker 1>before though. My other issue with these bands is I

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<v Speaker 1>am very much into singing and vocalists, and none of

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<v Speaker 1>those groups have good singers that they all are adequate

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<v Speaker 1>and you know, and can do okay, but widespread panic.

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<v Speaker 1>I mean, if we're being honest, none of them have

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<v Speaker 1>like consider like great vocalists. And Fish for me is

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<v Speaker 1>it's always been too jokey. I just don't like it.

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<v Speaker 1>They're they're it's like they're too silly. Hung in cheek

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<v Speaker 1>or or like, you know, not clever, not in a

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<v Speaker 1>wien way at all. Uh, even though they are largely

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<v Speaker 1>and I know you know that's largely responsible for why

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<v Speaker 1>Ween became so big in the hippie set. And then

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<v Speaker 1>the jam band said, I always thought Ween was so

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<v Speaker 1>weird and edgy and strange, and then all of a sudden,

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<v Speaker 1>when I went and saw them live, I'm like, what

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<v Speaker 1>are all these wooks doing here? I don't understand. What's

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<v Speaker 1>what's going on? Well, the wook is as they call

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<v Speaker 1>hippie type crunchy folks, wookies or wooks. Okay, I didn't

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<v Speaker 1>know that. I wouldn't have known that term at the time.

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<v Speaker 1>Is it because they smell like wookies? I don't know

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<v Speaker 1>why they call him that, Chuck, I don't question it.

0:11:23.480 --> 0:11:25.400
<v Speaker 1>It just seems to apply. It just seems to make.

0:11:25.880 --> 0:11:27.880
<v Speaker 1>And again with Almond Brothers, they had a great vocalist,

0:11:28.040 --> 0:11:31.920
<v Speaker 1>Greg Allman, one of the great blues singers in rock history.

0:11:32.360 --> 0:11:35.280
<v Speaker 1>Big time, so big time. That's where I stand. I'm

0:11:35.320 --> 0:11:37.600
<v Speaker 1>with you to where we're not. We're not that far

0:11:37.679 --> 0:11:49.120
<v Speaker 1>out of each other's garages. I am going to give

0:11:49.160 --> 0:11:51.360
<v Speaker 1>the fish to try, though because Ethan finally did comment

0:11:51.559 --> 0:11:54.640
<v Speaker 1>the fish gonna try I'm gonna try the fish, and uh,

0:11:54.880 --> 0:11:57.400
<v Speaker 1>I'll take the I'll take the fish. I'll have the fish, please.

0:11:58.960 --> 0:12:01.000
<v Speaker 1>So I'm gonna get with one of his recommendations. But

0:12:01.040 --> 0:12:03.920
<v Speaker 1>I'm always a little leary when people are like, oh man,

0:12:04.080 --> 0:12:06.720
<v Speaker 1>it's studiobums aren't so good, but you gotta see him live.

0:12:06.760 --> 0:12:08.040
<v Speaker 1>I'm like, if you're a good band, you should be

0:12:08.040 --> 0:12:10.320
<v Speaker 1>able to make a good album. No, No, I agree

0:12:10.720 --> 0:12:13.400
<v Speaker 1>the people's people say, Billy. I saw a friend of

0:12:13.440 --> 0:12:15.840
<v Speaker 1>mine who's a metal guy or like kind of more

0:12:15.880 --> 0:12:17.719
<v Speaker 1>of like he does all kinds of stuff. He's got

0:12:17.720 --> 0:12:20.560
<v Speaker 1>this project called dream Tent that um is very like

0:12:20.640 --> 0:12:23.280
<v Speaker 1>Tears for Fears, kind of like gothy new wave. It's

0:12:23.320 --> 0:12:24.920
<v Speaker 1>really good. I think you dig it. But he used

0:12:24.960 --> 0:12:27.000
<v Speaker 1>to be in like more hardcore, punky type bands and

0:12:27.280 --> 0:12:31.960
<v Speaker 1>he was literally the quintessential athens hipster sound guy who

0:12:32.000 --> 0:12:34.679
<v Speaker 1>like you know, looks at you pissy when you asked

0:12:34.679 --> 0:12:36.400
<v Speaker 1>for more guitar in the mom I'm kidd he's he's

0:12:36.440 --> 0:12:38.120
<v Speaker 1>the best. But you know what I'm saying, That guy

0:12:38.480 --> 0:12:42.920
<v Speaker 1>um And he recently posted about how he listened to

0:12:42.960 --> 0:12:46.840
<v Speaker 1>the album Billy Breathes by fish and and un ironically

0:12:46.960 --> 0:12:49.240
<v Speaker 1>really liked it. And this is a dude that is

0:12:49.280 --> 0:12:53.000
<v Speaker 1>the grumpiest of curmudgeon ley type music snobs. Uh. So

0:12:53.040 --> 0:12:54.520
<v Speaker 1>I was very surprised to see that, and it it made

0:12:54.559 --> 0:12:56.120
<v Speaker 1>me kind of want to check it out. I'm like, wow,

0:12:56.120 --> 0:12:58.679
<v Speaker 1>what is what does jeans seeing this? That was one

0:12:58.720 --> 0:13:00.960
<v Speaker 1>of the records that a lot of people recommended as

0:13:01.000 --> 0:13:04.920
<v Speaker 1>a good entry point. By the way, Billy breaths h

0:13:04.920 --> 0:13:08.720
<v Speaker 1>and No, before we get going on the actual movie content,

0:13:09.160 --> 0:13:10.960
<v Speaker 1>I do want to commend you. I was really listening

0:13:10.960 --> 0:13:13.440
<v Speaker 1>to an episode from a couple of weeks ago with

0:13:13.480 --> 0:13:15.320
<v Speaker 1>you and me, and you made a really funny joke

0:13:15.360 --> 0:13:18.040
<v Speaker 1>that went right over my head. But I must commend

0:13:18.080 --> 0:13:22.360
<v Speaker 1>you on it's when you were talking about uh, your

0:13:22.920 --> 0:13:28.600
<v Speaker 1>um ex wife's young daughter. Yeah, talks about spooky uh

0:13:28.880 --> 0:13:32.360
<v Speaker 1>instead of spooky. And then you were saying, and I

0:13:32.440 --> 0:13:34.040
<v Speaker 1>just didn't get it at the time. You were talking

0:13:34.080 --> 0:13:39.920
<v Speaker 1>about Atticus Ross I think in and Trent Resiner and

0:13:39.960 --> 0:13:44.160
<v Speaker 1>their scores. Instead of saying spooky scores, he said spooky

0:13:44.240 --> 0:13:50.560
<v Speaker 1>spores were great, And I just went by me and

0:13:50.600 --> 0:13:51.880
<v Speaker 1>then I heard it in the car and was just

0:13:51.920 --> 0:13:57.439
<v Speaker 1>like legit, laughing out loud. Spooky sports. Spooky Sports is

0:13:57.559 --> 0:13:59.760
<v Speaker 1>fun to say, isn't it. And I feel like that

0:13:59.760 --> 0:14:01.840
<v Speaker 1>should be a band name. It should be like, you know,

0:14:02.679 --> 0:14:06.200
<v Speaker 1>Spenny's Spinkleton and the spoopy Sports. You know. Now see,

0:14:06.320 --> 0:14:14.120
<v Speaker 1>you're going king Gizzard just less is more less, all right?

0:14:14.200 --> 0:14:16.680
<v Speaker 1>So we're gonna move on to the crushers page because

0:14:17.760 --> 0:14:23.200
<v Speaker 1>old pal Joshua Fish not fish with a p pH,

0:14:23.280 --> 0:14:26.960
<v Speaker 1>God forbid, He's He's the real deal. He's a real fish. Uh.

0:14:27.000 --> 0:14:30.560
<v Speaker 1>He says, this an a little twist on an unpopular opinion.

0:14:30.880 --> 0:14:33.440
<v Speaker 1>What movie do you really want to like but don't?

0:14:34.280 --> 0:14:36.120
<v Speaker 1>And he said mine was what about Bob? I love

0:14:36.160 --> 0:14:39.240
<v Speaker 1>Bill Murray and Richard Dreyfuss. My family thinks it's hilarious,

0:14:39.240 --> 0:14:41.280
<v Speaker 1>but it just doesn't land for me. I think we

0:14:41.320 --> 0:14:44.000
<v Speaker 1>all have those movies that, by all accounts, we should

0:14:44.040 --> 0:14:47.720
<v Speaker 1>love that we don't. Yep. I I've made mine very clear,

0:14:47.760 --> 0:14:49.800
<v Speaker 1>and it's just the one that comes to mind immediately,

0:14:49.840 --> 0:14:53.160
<v Speaker 1>and uh it's uh la la land I was. I

0:14:53.440 --> 0:14:55.960
<v Speaker 1>had all the right things for me going in. I

0:14:56.040 --> 0:14:59.680
<v Speaker 1>love musicals, I love Los Angeles, I love that cast,

0:15:00.040 --> 0:15:01.680
<v Speaker 1>I love the idea of it. I love some of

0:15:01.680 --> 0:15:04.320
<v Speaker 1>the songs, but as a whole it did not hold

0:15:04.320 --> 0:15:07.440
<v Speaker 1>together for me and had some good sequences. But I'd

0:15:07.480 --> 0:15:09.440
<v Speaker 1>love to give another chance. But I remember being really

0:15:09.520 --> 0:15:12.840
<v Speaker 1>kind of uh just I was. I was surprised at

0:15:12.880 --> 0:15:15.520
<v Speaker 1>how little it connected with me, and I really wanted

0:15:15.520 --> 0:15:19.000
<v Speaker 1>it to and I really disappointed, right, very disappointed, because

0:15:19.000 --> 0:15:21.920
<v Speaker 1>I was like, this looks so cool, a magical l

0:15:21.960 --> 0:15:25.640
<v Speaker 1>a musical romp, you know, with like flying around and

0:15:25.720 --> 0:15:29.440
<v Speaker 1>dancing and Buzby Berkeley kind of choreography. Everything about it

0:15:29.440 --> 0:15:31.000
<v Speaker 1>like hit from me. But I just I just didn't

0:15:31.040 --> 0:15:33.120
<v Speaker 1>do it for him, do it all right? No, we're

0:15:33.120 --> 0:15:35.920
<v Speaker 1>gonna start out with old pal Caroline Guest and says,

0:15:36.040 --> 0:15:39.840
<v Speaker 1>I wanted to like Pixar's Soul. I still haven't seen that,

0:15:39.880 --> 0:15:42.480
<v Speaker 1>by the way, a lot more than I did. I

0:15:42.520 --> 0:15:45.840
<v Speaker 1>was expecting to have some sort of earth shaking existential

0:15:45.880 --> 0:15:49.920
<v Speaker 1>crisis at the end. Well, people overhyped those movies, and

0:15:49.920 --> 0:15:52.040
<v Speaker 1>people talked about that one as though that was going

0:15:52.080 --> 0:15:54.760
<v Speaker 1>to happen. That one hit for me because it is

0:15:54.800 --> 0:15:58.600
<v Speaker 1>about like it's about following your dreams and maybe letting

0:15:58.640 --> 0:16:02.880
<v Speaker 1>them go. Wow, It's it's kind of it's a big deal.

0:16:03.200 --> 0:16:06.160
<v Speaker 1>It's very human, real stuff, especially with like what's going

0:16:06.200 --> 0:16:08.640
<v Speaker 1>on in the world right now. And it's also about, like,

0:16:08.680 --> 0:16:12.120
<v Speaker 1>you know, a musician, like do I choose music as

0:16:12.160 --> 0:16:14.280
<v Speaker 1>a passion career, like you know, I'm gonna be a

0:16:14.280 --> 0:16:16.920
<v Speaker 1>professional musician, or do I choose the job that pays

0:16:16.960 --> 0:16:19.880
<v Speaker 1>the bills? And maybe it isn't the thing that I

0:16:19.920 --> 0:16:22.400
<v Speaker 1>thought I was destined for, but maybe really is the

0:16:22.400 --> 0:16:24.400
<v Speaker 1>thing that I was destined for. And then and then

0:16:24.440 --> 0:16:26.160
<v Speaker 1>they're like, uh, and I'm not even that good of

0:16:26.200 --> 0:16:28.000
<v Speaker 1>a singer. And someone said, we'll just be in a

0:16:28.080 --> 0:16:32.200
<v Speaker 1>jam band exactly, Chuck, what's a movie like this for you?

0:16:32.920 --> 0:16:37.520
<v Speaker 1>I'm trying to think, man, uh, nothing's coming to mind.

0:16:37.680 --> 0:16:41.280
<v Speaker 1>I'll see if one of these something, yeah, because I

0:16:41.320 --> 0:16:44.800
<v Speaker 1>really can't think of anything. Um. Shannon Panell Carter though,

0:16:44.920 --> 0:16:49.600
<v Speaker 1>says Lord of the Rings, any of them duck and cover,

0:16:50.480 --> 0:16:52.120
<v Speaker 1>like she's afraid that people are going to come after

0:16:52.240 --> 0:16:57.880
<v Speaker 1>and you know it's not loving them. There you go, Yeah,

0:16:58.000 --> 0:16:59.760
<v Speaker 1>it's it's a thing. I was actually on The Daily's

0:16:59.800 --> 0:17:03.840
<v Speaker 1>I iced yesterday as a guest and it was great. Um.

0:17:04.160 --> 0:17:05.800
<v Speaker 1>They do a thing though, where you have to talk

0:17:06.160 --> 0:17:08.359
<v Speaker 1>bring in something you think is overrated and something you

0:17:08.400 --> 0:17:10.720
<v Speaker 1>think is underrated. And I had a hard time coming

0:17:10.800 --> 0:17:13.399
<v Speaker 1>up with something overrated because I didn't want to like,

0:17:13.560 --> 0:17:17.840
<v Speaker 1>you know what, is it yuck? Anyone's yum? Well, that's sure,

0:17:17.960 --> 0:17:20.640
<v Speaker 1>but I didn't think of it until now. But my friend, uh,

0:17:21.040 --> 0:17:25.480
<v Speaker 1>who's a real professional curmudgeon, recommended James Cameron, and I realized,

0:17:25.520 --> 0:17:28.080
<v Speaker 1>I absolutely feel like James Cameron is overrated. So we

0:17:28.119 --> 0:17:32.080
<v Speaker 1>had a discussion around that. I agree. David Hook to

0:17:32.119 --> 0:17:34.760
<v Speaker 1>b r Old pels Is The Matrix. Tried it three

0:17:34.760 --> 0:17:38.920
<v Speaker 1>times and it still bores me, all right, not for everyone.

0:17:39.840 --> 0:17:42.600
<v Speaker 1>Rochelle Bracy says The Big Lebowski. I don't know at

0:17:42.600 --> 0:17:44.359
<v Speaker 1>the time. It just wasn't able to hold my interest

0:17:45.080 --> 0:17:47.399
<v Speaker 1>at the time. That's a movie that changes with age.

0:17:47.600 --> 0:17:49.800
<v Speaker 1>Let me tell you, like, I think you can come

0:17:49.800 --> 0:17:52.720
<v Speaker 1>back to that movie a little later in life, maybe

0:17:52.720 --> 0:17:55.359
<v Speaker 1>you've lived a little more and seen some ship and

0:17:55.400 --> 0:17:57.720
<v Speaker 1>then and then you go back and that one. Because

0:17:57.760 --> 0:17:59.280
<v Speaker 1>I'm telling you I didn't get it when I first

0:17:59.280 --> 0:18:01.479
<v Speaker 1>saw it. I was too young. I did not get it.

0:18:01.680 --> 0:18:04.040
<v Speaker 1>I'm not presuming to know the age of this person

0:18:04.160 --> 0:18:06.800
<v Speaker 1>or their experience, but I swear that movie really aged

0:18:06.840 --> 0:18:09.639
<v Speaker 1>well for me personally, and now it's like, you know,

0:18:09.840 --> 0:18:13.800
<v Speaker 1>it's cannon for me, all right, Brent A Price, one

0:18:13.840 --> 0:18:15.840
<v Speaker 1>of her old prince says, Big Trouble in Little China.

0:18:15.920 --> 0:18:18.200
<v Speaker 1>My friends won't let me off the hook for this one.

0:18:19.480 --> 0:18:20.920
<v Speaker 1>I know you love that one, Chuck, and I still

0:18:20.920 --> 0:18:22.600
<v Speaker 1>have yet to see it. I mean, I love it,

0:18:22.640 --> 0:18:25.280
<v Speaker 1>but it's certainly a movie that I get not being

0:18:25.280 --> 0:18:28.639
<v Speaker 1>everyone's cup of tea, you know. But you know, if

0:18:28.680 --> 0:18:31.920
<v Speaker 1>Brent is playing by the rules here, then uh he

0:18:32.200 --> 0:18:34.960
<v Speaker 1>he should like it, you know. Kurt Russell, sorry about that,

0:18:35.040 --> 0:18:41.359
<v Speaker 1>and uh. In The Gang Kitchi eighties m hm, David

0:18:41.400 --> 0:18:43.159
<v Speaker 1>Wilder says, it's not that I don't like it, but

0:18:43.240 --> 0:18:44.920
<v Speaker 1>can't figure out why. Every time I's wry, I went

0:18:45.000 --> 0:18:50.439
<v Speaker 1>Spiderman into the Spider Verse, I fall asleep. That's an

0:18:50.480 --> 0:18:53.400
<v Speaker 1>interesting movie to fall asleep too. Yeah, it's really kinetic,

0:18:53.800 --> 0:18:56.320
<v Speaker 1>like kind of like you know, what's the word, like

0:18:57.000 --> 0:19:00.639
<v Speaker 1>sensory overload totally you know, yeah, interesting? All right. That's

0:19:00.640 --> 0:19:02.440
<v Speaker 1>another one that got a lot of big hip though,

0:19:02.440 --> 0:19:04.240
<v Speaker 1>but I personally felt like it lived up to it,

0:19:04.240 --> 0:19:05.679
<v Speaker 1>if not exceeded it a little bit. I thought it

0:19:05.680 --> 0:19:08.359
<v Speaker 1>was wonderful. This is a good one here. James Taggert says,

0:19:08.359 --> 0:19:10.960
<v Speaker 1>The Godfather didn't see it until later in life. It

0:19:11.040 --> 0:19:14.160
<v Speaker 1>was already accustomed to more modern mafia movies like Casino

0:19:14.200 --> 0:19:16.360
<v Speaker 1>and Goodfellows. Maybe I'm missing something, but I've barely made

0:19:16.359 --> 0:19:20.080
<v Speaker 1>it through the whole movie. I'm sorry, Internet. Yeah, I

0:19:20.119 --> 0:19:24.640
<v Speaker 1>mean the Godfathers did of the slower burn. Not. Actually

0:19:25.200 --> 0:19:28.359
<v Speaker 1>I rewatched it very very recently, and I just thought

0:19:28.400 --> 0:19:31.480
<v Speaker 1>it it utterly held up. It's it feels real. It

0:19:31.480 --> 0:19:34.879
<v Speaker 1>feels like you're watching real life, and real life is

0:19:35.480 --> 0:19:39.040
<v Speaker 1>long takes. That's what real life is, you know. Oh

0:19:39.160 --> 0:19:42.359
<v Speaker 1>interesting hot take here, Absalom Bittner, I don't believe we

0:19:42.440 --> 0:19:46.600
<v Speaker 1>met you, Absalom. Welcome, good morning, he says dni Villa

0:19:46.640 --> 0:19:50.200
<v Speaker 1>new movies in general, but Arrival specifically, the twist was

0:19:50.240 --> 0:19:54.040
<v Speaker 1>really obvious and ham fisted. Me. All movies are manipulative,

0:19:54.040 --> 0:19:56.399
<v Speaker 1>but I could feel the manipulation in a way that

0:19:56.440 --> 0:20:00.320
<v Speaker 1>maybe not enjoy it. Interesting. Yeah, I mean you, I

0:20:00.320 --> 0:20:03.080
<v Speaker 1>get it totally with that one, for sure. I do

0:20:03.160 --> 0:20:06.000
<v Speaker 1>think that saying his movies in general, they're so varied.

0:20:06.119 --> 0:20:08.040
<v Speaker 1>I don't think he even has like one thing that

0:20:08.119 --> 0:20:10.399
<v Speaker 1>he does, so it's interesting to throw them all in

0:20:10.480 --> 0:20:14.160
<v Speaker 1>like a bucket. Like that. Joel Krantz says everything by

0:20:14.160 --> 0:20:21.000
<v Speaker 1>mel brooks. Okay, there's an interesting thread here about Greta

0:20:21.040 --> 0:20:24.119
<v Speaker 1>Gerwigs Little Women here and in another post. This is

0:20:24.119 --> 0:20:27.560
<v Speaker 1>from Sarah Irons and I think Sarah actually instigated a

0:20:27.600 --> 0:20:30.240
<v Speaker 1>post or not instigated, but posted a post on the

0:20:30.240 --> 0:20:32.760
<v Speaker 1>Crusher Spades about Little Women and how much she wanted

0:20:32.800 --> 0:20:36.240
<v Speaker 1>to love it, and uh, quite a few people agreed.

0:20:36.400 --> 0:20:40.240
<v Speaker 1>I mean, have you seen the new one? I really

0:20:40.240 --> 0:20:42.800
<v Speaker 1>really want to um it seems right up my alley,

0:20:42.840 --> 0:20:44.200
<v Speaker 1>but I have not yet. I enjoyed it, but it

0:20:44.480 --> 0:20:47.760
<v Speaker 1>does a time jump thing that is a little jarring,

0:20:48.400 --> 0:20:50.760
<v Speaker 1>I will admit, especially if you don't know the material

0:20:50.840 --> 0:20:54.280
<v Speaker 1>as well like I did going into it. I did

0:20:54.359 --> 0:20:57.600
<v Speaker 1>end up liking it, but I definitely see why people

0:20:57.640 --> 0:21:00.080
<v Speaker 1>may have more love for the Winona writer verse and

0:21:01.600 --> 0:21:04.280
<v Speaker 1>a little more true to the source material, right, I

0:21:04.320 --> 0:21:07.439
<v Speaker 1>think as far as just the linear quality of the story,

0:21:09.200 --> 0:21:11.520
<v Speaker 1>I was I read a lot about the credit Girlwig

0:21:11.600 --> 0:21:13.560
<v Speaker 1>one and and and uh it seems like people either

0:21:13.640 --> 0:21:16.600
<v Speaker 1>loved or hated whatever stylistic choice she made. That that

0:21:16.680 --> 0:21:20.720
<v Speaker 1>was different. But you know, aside from that, it's wonderful acting,

0:21:21.119 --> 0:21:25.280
<v Speaker 1>beautiful costuming, like everything about it was really top notch.

0:21:25.920 --> 0:21:27.760
<v Speaker 1>And Emily and I saw in the theater, and uh,

0:21:28.160 --> 0:21:29.560
<v Speaker 1>we don't get to a lot of movies together. It

0:21:29.560 --> 0:21:32.639
<v Speaker 1>was a movie night date and that can influence you.

0:21:32.680 --> 0:21:34.320
<v Speaker 1>Like we had a drink beforehand. We had a really

0:21:34.320 --> 0:21:39.040
<v Speaker 1>good experience with it, you know. The googe David Gooch says,

0:21:39.040 --> 0:21:40.919
<v Speaker 1>I really want to like Blade Runner, but just couldn't

0:21:40.920 --> 0:21:47.480
<v Speaker 1>get into any version of it. This souf. It's almost

0:21:47.520 --> 0:21:49.560
<v Speaker 1>like you're a soprano hitting a high note but kind

0:21:49.560 --> 0:21:55.200
<v Speaker 1>of faltering castrato. YEA, yeah, I can understand that. I mean,

0:21:55.240 --> 0:21:59.040
<v Speaker 1>to me, the original Blade Runner is kind of boring.

0:21:59.280 --> 0:22:02.320
<v Speaker 1>It's just so stalistically important and beautiful. I found the

0:22:02.359 --> 0:22:04.880
<v Speaker 1>second one, that the Villeneuve one, to be more engaging

0:22:05.119 --> 0:22:08.359
<v Speaker 1>in terms of story. Uh, and it really expanded that world.

0:22:08.359 --> 0:22:10.400
<v Speaker 1>So I have said it before. I think the second

0:22:10.440 --> 0:22:12.440
<v Speaker 1>one is a better movie. The first one is just

0:22:12.480 --> 0:22:14.960
<v Speaker 1>so important for so many things that came after it.

0:22:15.000 --> 0:22:16.320
<v Speaker 1>You know. Yeah, I mean I like them both. I

0:22:16.359 --> 0:22:19.440
<v Speaker 1>haven't seen the I only saw that second one once.

0:22:19.520 --> 0:22:21.679
<v Speaker 1>I need to see that again. I saw it in

0:22:21.680 --> 0:22:25.000
<v Speaker 1>the theater, but it gave me away. Uh, Karrie v

0:22:25.119 --> 0:22:27.399
<v Speaker 1>mcquaye had one of our oldest friends, says Citizen Kane.

0:22:27.720 --> 0:22:29.679
<v Speaker 1>I love a lot of old movies, but yeah, no,

0:22:30.160 --> 0:22:32.359
<v Speaker 1>I thought it was dumb and I just hated that character.

0:22:33.600 --> 0:22:37.200
<v Speaker 1>He's a she's he's he's to be hated. Isn't the point?

0:22:38.359 --> 0:22:43.320
<v Speaker 1>Karen Patrick, It's not like groundhog Day and likes loves

0:22:43.359 --> 0:22:48.600
<v Speaker 1>all things Bill Murray ordinarily. Yeah, I didn't love groundhog Day.

0:22:48.720 --> 0:22:51.760
<v Speaker 1>I watched it with the family recently, and I thought

0:22:51.800 --> 0:22:54.439
<v Speaker 1>it was cute, but he's such an asshole and he

0:22:54.480 --> 0:22:59.439
<v Speaker 1>really is like gas lighting the ship out of hers

0:23:00.040 --> 0:23:04.240
<v Speaker 1>a little aggressive. It's like, dude, she's not interested. Back off. Uh,

0:23:04.280 --> 0:23:06.119
<v Speaker 1>It's okay. I mean I like I like groundhog Day

0:23:06.119 --> 0:23:07.680
<v Speaker 1>a lot, but is it's not like one of my

0:23:07.680 --> 0:23:09.600
<v Speaker 1>favorite all time movies like it is for a lot

0:23:09.640 --> 0:23:14.240
<v Speaker 1>of people. I did like what about Bob though? What

0:23:14.320 --> 0:23:16.240
<v Speaker 1>about Bob? I have? I like? I have? I saw

0:23:16.280 --> 0:23:22.040
<v Speaker 1>that in the theater when I was Yeah, Josh Taco

0:23:22.440 --> 0:23:28.359
<v Speaker 1>not Taco Toco to c c O s talk Taco

0:23:29.240 --> 0:23:33.320
<v Speaker 1>could go either way. Super bad not the biggest fan

0:23:33.400 --> 0:23:36.359
<v Speaker 1>of that Riff comedy and Jonahill and Seth Rogan that

0:23:36.440 --> 0:23:39.159
<v Speaker 1>they made so popular thinking at some funny moments like

0:23:39.240 --> 0:23:41.600
<v Speaker 1>most of the actors, but it just never landed like

0:23:41.640 --> 0:23:45.120
<v Speaker 1>it did for literally everyone else that saw it. Riff comedy.

0:23:45.200 --> 0:23:47.960
<v Speaker 1>I've never heard that before. Is it just like snappy

0:23:48.040 --> 0:23:50.720
<v Speaker 1>kind of like I'm clever dialogue kind of thing, or

0:23:51.000 --> 0:23:54.119
<v Speaker 1>I guess, like you smart alacky smart ALACKI maybe, or

0:23:54.119 --> 0:23:55.840
<v Speaker 1>it seems like they're improving and just sort of ripping

0:23:55.840 --> 0:24:01.400
<v Speaker 1>on stuff. Who knows? Interesting? Gil concernled pal the danger

0:24:01.440 --> 0:24:06.040
<v Speaker 1>of and says, uh, the Lighthouse, I hate that movie. Well,

0:24:06.040 --> 0:24:08.399
<v Speaker 1>I mean, it's not a pleasant movie, but it's I

0:24:08.560 --> 0:24:11.080
<v Speaker 1>get it well executed, you know, I mean, we both

0:24:11.119 --> 0:24:13.080
<v Speaker 1>love that movie. But if there ever is a movie

0:24:13.119 --> 0:24:16.160
<v Speaker 1>that you get that people can't sit through, it's The Laightouts. Yeah,

0:24:16.240 --> 0:24:18.880
<v Speaker 1>or Mandy is another one on the people that love

0:24:18.920 --> 0:24:20.520
<v Speaker 1>it love I know you were a little on the

0:24:20.560 --> 0:24:22.560
<v Speaker 1>Fencer in the middle, but people that love it really

0:24:22.600 --> 0:24:24.359
<v Speaker 1>love it. And then there are people who I know

0:24:24.560 --> 0:24:27.879
<v Speaker 1>have great taste of music who just fucking hate that movie. Yeah,

0:24:27.920 --> 0:24:32.800
<v Speaker 1>and there's uh, what's his name? Your ghosts the most

0:24:32.920 --> 0:24:34.480
<v Speaker 1>and the most like a lot of people have a

0:24:34.520 --> 0:24:37.200
<v Speaker 1>hard time with the lobster and killing the sacred deer

0:24:37.920 --> 0:24:40.200
<v Speaker 1>and I get it. I loved him, but I get it, well,

0:24:40.240 --> 0:24:43.879
<v Speaker 1>he has this like unease about his work that is

0:24:43.920 --> 0:24:46.560
<v Speaker 1>just like you're always kind of on the edge of

0:24:46.560 --> 0:24:48.800
<v Speaker 1>your seat, but not in like a suspensey way, more

0:24:48.800 --> 0:24:50.720
<v Speaker 1>in like I'm about to crawl out of my skin

0:24:50.840 --> 0:24:56.040
<v Speaker 1>kind of way. You know. Yeah, um, Karen, avoid and all.

0:24:56.119 --> 0:25:00.960
<v Speaker 1>This is a hot take, Karen Dromboski says mad Max

0:25:01.040 --> 0:25:03.760
<v Speaker 1>fury Road. I thought it was so boring. I couldn't

0:25:03.800 --> 0:25:07.119
<v Speaker 1>even tell you the plot. Well that's okay. I'm not

0:25:07.119 --> 0:25:10.159
<v Speaker 1>gonna say anyone's opinion is wrong, but I just boring.

0:25:10.520 --> 0:25:19.200
<v Speaker 1>That's weird. That sonalized interesting. Not for Karen though, That's fine,

0:25:19.320 --> 0:25:24.000
<v Speaker 1>you know, and you know, uh, Karen had Petra Caitlin

0:25:24.640 --> 0:25:31.000
<v Speaker 1>said same. So you know, when people agree, some people

0:25:31.200 --> 0:25:37.159
<v Speaker 1>give hearts, some people give gasping emoji faces. There was

0:25:37.200 --> 0:25:40.200
<v Speaker 1>a thread on the Crushers page about people who were

0:25:40.480 --> 0:25:43.480
<v Speaker 1>mad about in and of itself, which you and I

0:25:43.600 --> 0:25:46.840
<v Speaker 1>both thought was like life changingly wonderful. So it just

0:25:46.840 --> 0:25:50.080
<v Speaker 1>goes you know, it's everything's not for everybody. Yeah, here's

0:25:50.160 --> 0:25:53.000
<v Speaker 1>my take on that. And that's not to say that

0:25:53.040 --> 0:25:55.560
<v Speaker 1>people can't not like it. Even if they do invest.

0:25:55.640 --> 0:25:57.960
<v Speaker 1>But it's one of those that you really have to.

0:25:58.480 --> 0:26:00.159
<v Speaker 1>I mean they even say at the beginning, like run

0:26:00.240 --> 0:26:02.840
<v Speaker 1>off your phone. And I made the comment on the page.

0:26:02.880 --> 0:26:06.439
<v Speaker 1>I was like, if your second screening or cooking dinner

0:26:06.720 --> 0:26:09.199
<v Speaker 1>and trying to watch this thing, it's going to be

0:26:09.240 --> 0:26:11.600
<v Speaker 1>lost on you. Like you, you really have to block

0:26:11.640 --> 0:26:15.760
<v Speaker 1>everything out and really kind of give some thoughtful attention

0:26:15.800 --> 0:26:18.040
<v Speaker 1>to uh. And if you do that and you still

0:26:18.040 --> 0:26:20.159
<v Speaker 1>don't like it, fine, but you're certainly not gonna like

0:26:20.200 --> 0:26:24.040
<v Speaker 1>it if you're half casually watching. It's just not something

0:26:24.119 --> 0:26:25.920
<v Speaker 1>you can have casually watch and get all the down.

0:26:25.920 --> 0:26:28.639
<v Speaker 1>You gotta really do the buy in, you know, at

0:26:28.720 --> 0:26:31.560
<v Speaker 1>least let you know, treat it like it's intended. Treat

0:26:31.600 --> 0:26:33.280
<v Speaker 1>it like you're in that theater and then you and

0:26:33.320 --> 0:26:35.720
<v Speaker 1>you and you're a captive audience and you really, you know,

0:26:35.840 --> 0:26:37.840
<v Speaker 1>need to just sit there. And it's not that long.

0:26:38.119 --> 0:26:40.240
<v Speaker 1>And and I actually found that it just it felt

0:26:40.240 --> 0:26:42.639
<v Speaker 1>even shorter than it actually was, you know, because it

0:26:42.760 --> 0:26:45.680
<v Speaker 1>just moves from me. But yeah, I give another shot.

0:26:46.160 --> 0:26:48.720
<v Speaker 1>I think if you found that you were casually watching

0:26:48.720 --> 0:26:50.560
<v Speaker 1>and or watching while doing other things, it's not gonna

0:26:50.560 --> 0:26:53.600
<v Speaker 1>make sense because so many things connect over time, you know,

0:26:53.720 --> 0:26:57.399
<v Speaker 1>and totally you want to hear Schnide's hot take. We

0:26:57.640 --> 0:26:59.719
<v Speaker 1>loved it. We were texting about it because you kind

0:26:59.760 --> 0:27:04.679
<v Speaker 1>of up an NPR interview into my text with UH

0:27:04.720 --> 0:27:08.040
<v Speaker 1>with Derek Uh, and I was like, well, did you

0:27:08.080 --> 0:27:10.240
<v Speaker 1>watch it? And he said I did. And I was like,

0:27:11.680 --> 0:27:14.040
<v Speaker 1>this is like when someone doesn't text you back after

0:27:14.080 --> 0:27:16.240
<v Speaker 1>you recommend something to say, Oh man, I loved it.

0:27:16.160 --> 0:27:17.800
<v Speaker 1>It was like, so Schnides has got an issue and

0:27:17.840 --> 0:27:20.439
<v Speaker 1>he said, there's a lot I liked about it. The

0:27:20.480 --> 0:27:23.240
<v Speaker 1>bit where he goes through the audience at the end,

0:27:24.040 --> 0:27:27.360
<v Speaker 1>that was great. I really like the narrative with his mom.

0:27:27.400 --> 0:27:30.920
<v Speaker 1>But his sad guy shoegazer I'm not performing performance style

0:27:31.040 --> 0:27:33.359
<v Speaker 1>was weird for me. And by weird, I mean I

0:27:33.400 --> 0:27:37.000
<v Speaker 1>didn't like it. And I was like, I was like, dude,

0:27:37.000 --> 0:27:39.280
<v Speaker 1>I love you. I said, that's so funny and he said,

0:27:39.280 --> 0:27:41.080
<v Speaker 1>but hey, I applaud anyone who writes the show and

0:27:41.119 --> 0:27:45.120
<v Speaker 1>performs it. Discipline is more important than talent, and boy,

0:27:45.200 --> 0:27:49.240
<v Speaker 1>that is a great piece of advice from a professional actor, like,

0:27:49.840 --> 0:27:52.160
<v Speaker 1>if you don't have discipline, you have all the talent

0:27:52.160 --> 0:27:55.639
<v Speaker 1>in the world. You're not gonna go anywhere, Absolutely no,

0:27:56.200 --> 0:27:58.680
<v Speaker 1>And you just have to keep doing it, like I mean,

0:27:58.920 --> 0:28:01.639
<v Speaker 1>luckily we're in it, said Stuation with you know, podcasting

0:28:01.640 --> 0:28:04.560
<v Speaker 1>onever whatever you think that requires talent or whatever it requires.

0:28:04.680 --> 0:28:07.919
<v Speaker 1>Where we do it every single week without fail, we

0:28:08.000 --> 0:28:10.560
<v Speaker 1>are going to get better at it. We have gotten

0:28:10.560 --> 0:28:15.560
<v Speaker 1>better at it over time, dude. It's because we do

0:28:15.600 --> 0:28:18.440
<v Speaker 1>it every single week, twice, three times, four times, five

0:28:18.440 --> 0:28:20.919
<v Speaker 1>times a week, and it just happens to be built

0:28:20.920 --> 0:28:23.280
<v Speaker 1>into our life and our schedule and our delivery thing

0:28:23.320 --> 0:28:26.359
<v Speaker 1>because of our jobs. But yeah, I look back years

0:28:26.359 --> 0:28:27.960
<v Speaker 1>ago and listen to my stuff and I just didn't

0:28:28.000 --> 0:28:30.960
<v Speaker 1>have the same level of confidence or or whatever. And

0:28:31.200 --> 0:28:33.560
<v Speaker 1>it's because of what you're saying, you know totally. I mean,

0:28:33.600 --> 0:28:36.160
<v Speaker 1>you're you weren't making you weren't dropping jokes like spoopy

0:28:36.160 --> 0:28:40.360
<v Speaker 1>spores five years ago. That's a that's an even newer development,

0:28:40.880 --> 0:28:44.240
<v Speaker 1>spoopy sports, the whole other ball game. I texted Schneider,

0:28:44.640 --> 0:28:48.320
<v Speaker 1>he's that knows you mean. Schneider sort of had a

0:28:48.320 --> 0:28:51.000
<v Speaker 1>little text friendly text exchange about music and stuff, and

0:28:51.080 --> 0:28:53.200
<v Speaker 1>I I texted him I was going to send him

0:28:53.200 --> 0:28:54.680
<v Speaker 1>some tracks I was working on that were kind of

0:28:54.680 --> 0:28:56.360
<v Speaker 1>in the vein of the stuff he was recommending, and

0:28:56.400 --> 0:28:57.760
<v Speaker 1>he goes, yeah, man, i'd love to hear something. I've

0:28:57.760 --> 0:28:59.719
<v Speaker 1>got a few auditions that I'm got to knock out

0:28:59.760 --> 0:29:02.520
<v Speaker 1>and then I'd love to hear it. And um, I

0:29:02.560 --> 0:29:04.760
<v Speaker 1>had to break a leg. And I also mentioned that

0:29:04.800 --> 0:29:07.560
<v Speaker 1>I had no idea he was in this show that

0:29:07.600 --> 0:29:09.760
<v Speaker 1>I really love but didn't finish, called Tales from the

0:29:09.800 --> 0:29:15.240
<v Speaker 1>Loop on Amazon. It's like a sci fi dystopian thing

0:29:15.280 --> 0:29:19.000
<v Speaker 1>with Jonathan Price. He was he's in like a later episode.

0:29:19.040 --> 0:29:21.680
<v Speaker 1>It's a it's a mini series anthology or each episodes

0:29:21.760 --> 0:29:23.320
<v Speaker 1>kind of its own thing. And I just didn't get

0:29:23.320 --> 0:29:25.040
<v Speaker 1>to his and I realized he was in and I

0:29:25.040 --> 0:29:26.240
<v Speaker 1>told him and I was like, oh, and I can't.

0:29:26.440 --> 0:29:28.080
<v Speaker 1>I just realized you were in the show that I love,

0:29:28.080 --> 0:29:29.600
<v Speaker 1>but I didn't get your episode. I'm gonna try to

0:29:29.800 --> 0:29:32.240
<v Speaker 1>get to it immediately get back into it. And he

0:29:32.320 --> 0:29:34.880
<v Speaker 1>just was like, yeah, cool man, things, Yeah, I heard

0:29:34.880 --> 0:29:37.640
<v Speaker 1>that show was great. I needed Uh, it's nice to

0:29:37.680 --> 0:29:40.040
<v Speaker 1>check that out. It's nice. It's it's the kind of

0:29:40.120 --> 0:29:44.080
<v Speaker 1>dystopian sci fi future thing that isn't like mean spirited

0:29:44.080 --> 0:29:46.800
<v Speaker 1>in the way that Black Mirror is. It's a little

0:29:46.880 --> 0:29:50.280
<v Speaker 1>kinder and gentler. There's definitely weird things happening beneath the

0:29:50.320 --> 0:29:53.160
<v Speaker 1>surface and kind of sinister stuff at play, but it's

0:29:53.160 --> 0:29:55.640
<v Speaker 1>a lot less like, oh God, I want to kill myself,

0:29:55.720 --> 0:30:06.160
<v Speaker 1>you know, I hear you. All Right, We're gonna kind

0:30:06.160 --> 0:30:08.440
<v Speaker 1>of just buzz through some of these here to finish

0:30:08.520 --> 0:30:13.360
<v Speaker 1>up this thread. Old friend Genevan Valence as Midsummer pretty

0:30:13.440 --> 0:30:16.480
<v Speaker 1>visually all right. She said it was like an influencer

0:30:16.560 --> 0:30:20.560
<v Speaker 1>influencers insta feed, but mostly I hated everyone in the film.

0:30:20.680 --> 0:30:24.120
<v Speaker 1>Thought it was long and boring. Dave Taylor says The Godfather.

0:30:24.920 --> 0:30:30.640
<v Speaker 1>Joseph Bell says the Original Dune. Sarah Stanislav says Casablanca

0:30:31.280 --> 0:30:34.680
<v Speaker 1>interesting still, I haven't seen it, uh, And Sarah also

0:30:34.720 --> 0:30:37.840
<v Speaker 1>says I love anything old and or World War two adjacent,

0:30:37.920 --> 0:30:43.080
<v Speaker 1>so uh interesting. Another vote for Citizen Kane from Shane Hill.

0:30:44.120 --> 0:30:47.720
<v Speaker 1>Grant Woody says, Gone Girl. It's my least favorite Fincher film,

0:30:47.720 --> 0:30:50.720
<v Speaker 1>but I really wanted to like it. Afflecks performance didn't

0:30:50.760 --> 0:30:54.000
<v Speaker 1>go over well for me. I like Gone Girl. I

0:30:54.040 --> 0:30:57.080
<v Speaker 1>liked quite a bit. I liked it a lot. Yeah,

0:30:57.160 --> 0:30:59.520
<v Speaker 1>I mean yeah, no, I think it was it was

0:30:59.520 --> 0:31:01.520
<v Speaker 1>a combination you know the source material and the directing.

0:31:01.720 --> 0:31:04.720
<v Speaker 1>Oh the score is so good too, like the there

0:31:05.200 --> 0:31:10.240
<v Speaker 1>it was spooky as spuck. I read that book to

0:31:10.360 --> 0:31:14.120
<v Speaker 1>actually done. Girl, that's good reading a book, Chuck, what's

0:31:14.120 --> 0:31:20.800
<v Speaker 1>it like reading a book. I'm about to start the

0:31:20.840 --> 0:31:25.800
<v Speaker 1>Sammy Hagar book. You know, I'm buddies with online, buddies

0:31:25.800 --> 0:31:28.719
<v Speaker 1>with Sammy Hagar son. Aaron, you told me that, and

0:31:28.760 --> 0:31:31.320
<v Speaker 1>so we text and stuff and uh, I had his

0:31:31.400 --> 0:31:33.840
<v Speaker 1>dad's book delivered. He was like, you're gonna love it,

0:31:33.880 --> 0:31:36.160
<v Speaker 1>and he said, it's pretty fun read. And you read

0:31:36.280 --> 0:31:40.600
<v Speaker 1>the Eddie van Halen biography prior to that just recently,

0:31:40.600 --> 0:31:43.480
<v Speaker 1>didn't you. Well, there is no Eddie van Halen biography

0:31:43.480 --> 0:31:45.280
<v Speaker 1>that I know of. This is uh. It was a

0:31:45.280 --> 0:31:49.440
<v Speaker 1>book called van Halen Rising, and it covered van Halen

0:31:49.480 --> 0:31:52.680
<v Speaker 1>from there, you know, pre van Halen days up through

0:31:52.720 --> 0:31:56.080
<v Speaker 1>their first album, but in a great, great detail. It

0:31:56.160 --> 0:31:59.640
<v Speaker 1>was really pretty intense. Did they step backyard parties and

0:31:59.640 --> 0:32:03.360
<v Speaker 1>pasted DNA when they were you know, playing in the

0:32:03.400 --> 0:32:06.280
<v Speaker 1>early days of in Halen with like three thousand people

0:32:06.440 --> 0:32:09.640
<v Speaker 1>at these mansions that the cops were shut down, like

0:32:09.680 --> 0:32:13.400
<v Speaker 1>full on concerts with piro and spotlights and ship that

0:32:13.520 --> 0:32:15.760
<v Speaker 1>crazy burned down the whole neighborhood like they were a

0:32:15.800 --> 0:32:18.640
<v Speaker 1>well honed band by playing these parties before they even

0:32:18.640 --> 0:32:23.000
<v Speaker 1>started to play these dive bars. Really amazing. Um, I

0:32:23.040 --> 0:32:26.440
<v Speaker 1>think this is an offline conversation. But Sunset Sound that

0:32:26.440 --> 0:32:30.240
<v Speaker 1>that that really storied reporting studio in Los Angeles. They

0:32:30.640 --> 0:32:32.960
<v Speaker 1>have a really good Instagram account where they're always posting

0:32:33.000 --> 0:32:35.560
<v Speaker 1>like archival pictures. It's been around since like the I

0:32:35.560 --> 0:32:39.280
<v Speaker 1>think the fifties at the very least the early sixties,

0:32:39.440 --> 0:32:42.000
<v Speaker 1>so like you know, Frank Zappa Hot Rats was made there.

0:32:42.240 --> 0:32:43.960
<v Speaker 1>A lot of early Van Halen stuff was made there.

0:32:43.960 --> 0:32:46.720
<v Speaker 1>It's like they're in the control room like smoking cigs.

0:32:46.760 --> 0:32:48.880
<v Speaker 1>You know. It's like stuff that like would make an

0:32:48.920 --> 0:32:52.600
<v Speaker 1>engineer clutch their pearls today. But really cool, um, slice

0:32:52.600 --> 0:32:55.120
<v Speaker 1>of the past and in that Instagram feed. Highly recommend

0:32:55.120 --> 0:32:58.840
<v Speaker 1>if you're into Sunset Sound Records. Sunset Sound Records, Yes, sir,

0:32:59.080 --> 0:33:03.440
<v Speaker 1>all right, final right now and all better be good?

0:33:04.040 --> 0:33:07.160
<v Speaker 1>Okay now I'm just kidding. Um, all right, let's finish

0:33:07.240 --> 0:33:11.560
<v Speaker 1>up with a little stream this we watch Spirited Away

0:33:11.600 --> 0:33:15.240
<v Speaker 1>that was our second uh studio is it Ghibli or

0:33:15.320 --> 0:33:19.959
<v Speaker 1>Ghibli Ghibili is what I've heard Americans say, Okay, so

0:33:20.040 --> 0:33:23.120
<v Speaker 1>that was our first second venture uh into that with

0:33:23.160 --> 0:33:25.680
<v Speaker 1>our daughter, and I gotta say it was a little

0:33:25.720 --> 0:33:28.680
<v Speaker 1>more intense than I thought it would be. Yes, Uh,

0:33:28.880 --> 0:33:31.640
<v Speaker 1>some of it was sort of nightmare fuel ish. Yes,

0:33:32.520 --> 0:33:35.200
<v Speaker 1>But she's cool, man, she can handle hit. Um I

0:33:35.720 --> 0:33:37.360
<v Speaker 1>did mention that, didn't I that it was a little

0:33:37.640 --> 0:33:39.680
<v Speaker 1>so you know, we dove in and she she was

0:33:39.720 --> 0:33:42.200
<v Speaker 1>she was fine with it. Um. She's always been good

0:33:42.240 --> 0:33:44.320
<v Speaker 1>with with content. I think I've said this before about

0:33:44.680 --> 0:33:47.000
<v Speaker 1>not getting super scared or freaked out or knowing that

0:33:47.080 --> 0:33:50.280
<v Speaker 1>it's faker real Like I've always explained to her that like,

0:33:50.320 --> 0:33:53.560
<v Speaker 1>people make these movies and that's all it is. And uh,

0:33:53.880 --> 0:33:56.280
<v Speaker 1>it was. It was good man. I mean, ultimately I

0:33:56.320 --> 0:34:00.800
<v Speaker 1>liked uh Totoro better as far as just you know,

0:34:00.840 --> 0:34:04.400
<v Speaker 1>a sweet, fun family movie to watch, but um, I

0:34:04.600 --> 0:34:09.960
<v Speaker 1>certainly loved Spirited Away. It was complete crazy dude. Yeah, dude. Yeah,

0:34:10.000 --> 0:34:12.520
<v Speaker 1>it's very through the looking glass right, It's very like

0:34:12.800 --> 0:34:16.480
<v Speaker 1>very druggy, very druggy, like the way that Baba Yaga

0:34:16.560 --> 0:34:21.759
<v Speaker 1>which morphs in her fate like I mean spirit and

0:34:21.800 --> 0:34:24.600
<v Speaker 1>that whole it was. I mean there's a lot going on,

0:34:25.000 --> 0:34:30.760
<v Speaker 1>Familace and Yeah, it's great, man. It's a special stuff

0:34:30.880 --> 0:34:32.920
<v Speaker 1>and um I would yeah, there's a there's a lot

0:34:32.960 --> 0:34:35.520
<v Speaker 1>of good stuff in that cattle is next for us.

0:34:35.920 --> 0:34:39.680
<v Speaker 1>Panio is not that Panio is My kid like loved

0:34:39.760 --> 0:34:42.480
<v Speaker 1>Panio when she was like six, I mean really really

0:34:42.520 --> 0:34:45.520
<v Speaker 1>truly loved it. So yeah, I can't wait. And I

0:34:45.520 --> 0:34:50.200
<v Speaker 1>bought Ruby a Totoro love e um who she now

0:34:50.360 --> 0:34:52.879
<v Speaker 1>just like sleeps with and cuddles with. It's very good.

0:34:53.320 --> 0:34:55.439
<v Speaker 1>That's Are you familiar. Are you aware of these things

0:34:55.480 --> 0:34:59.280
<v Speaker 1>that the kids are into these days called squish mellows. Nope.

0:34:59.760 --> 0:35:03.759
<v Speaker 1>They're basically stuffed animals that are stuffed with like memory foam,

0:35:03.840 --> 0:35:06.759
<v Speaker 1>so they kind of squish and then expand slowly, and

0:35:06.840 --> 0:35:08.719
<v Speaker 1>it is it is all the rage they sell them

0:35:08.719 --> 0:35:11.719
<v Speaker 1>at like CVS and Walgreens and places like that, and

0:35:11.760 --> 0:35:15.000
<v Speaker 1>they're like they're becoming a commodity like beanie babies, where

0:35:15.000 --> 0:35:17.800
<v Speaker 1>the kids are like buying up all the limited edition

0:35:17.840 --> 0:35:20.400
<v Speaker 1>ones and then like reselling them on eBay and you

0:35:20.480 --> 0:35:22.799
<v Speaker 1>gotta run and get them before they get all bought up.

0:35:22.920 --> 0:35:25.040
<v Speaker 1>So Eden is obsessed with them, and they're really you

0:35:25.080 --> 0:35:26.560
<v Speaker 1>can put them on the couch and use them as

0:35:26.600 --> 0:35:31.239
<v Speaker 1>a pillow. They're so comfortable. Actually squish mellows like a marshmallow,

0:35:31.320 --> 0:35:39.240
<v Speaker 1>but squish squish mellows. Oh look at those coming all

0:35:39.600 --> 0:35:43.520
<v Speaker 1>all shapes and sizes and creature types. And yeah, very

0:35:43.719 --> 0:35:48.239
<v Speaker 1>very Japanese Kawaii influence. Yeah, yeah, I love it. Uh

0:35:48.360 --> 0:35:52.520
<v Speaker 1>So the other thing we've been watching is uh and

0:35:52.600 --> 0:35:55.960
<v Speaker 1>I posted about this today, Bluey. Have you ever seen Blueie?

0:35:56.480 --> 0:35:59.480
<v Speaker 1>I don't know Bluey Blue as a kid show, but

0:35:59.680 --> 0:36:02.279
<v Speaker 1>if you the post I made today was like, you

0:36:02.400 --> 0:36:06.200
<v Speaker 1>don't need kids to watch Bluey, Like, please understand that people.

0:36:06.760 --> 0:36:09.920
<v Speaker 1>It is Australian. It is a cartoon. They are seven

0:36:09.920 --> 0:36:12.080
<v Speaker 1>minutes long. It's about a family of dogs, a mom

0:36:12.160 --> 0:36:15.120
<v Speaker 1>and a dad and two little girls named Mingo and Bluey.

0:36:16.000 --> 0:36:22.480
<v Speaker 1>And uh. It is profound and sweet and hysterical and clever.

0:36:23.360 --> 0:36:26.680
<v Speaker 1>And I just can't speak highly enough of Bluey. It

0:36:26.800 --> 0:36:29.799
<v Speaker 1>is really really great and it is a Emily and

0:36:29.800 --> 0:36:31.919
<v Speaker 1>I watched one every night before we go to bed,

0:36:32.560 --> 0:36:34.920
<v Speaker 1>and Ruby's already watched them all, so we watch them

0:36:34.920 --> 0:36:40.440
<v Speaker 1>on our own. Um, it's just great. What's the target audience? Like?

0:36:40.600 --> 0:36:45.320
<v Speaker 1>Little kids? Five six year olds? Got it? Oh? It's interesting,

0:36:45.400 --> 0:36:47.120
<v Speaker 1>But I mean so many of the jokes are aimed

0:36:47.120 --> 0:36:51.880
<v Speaker 1>at adults. Uh, it's you know, it's it's clearly a

0:36:52.080 --> 0:36:56.400
<v Speaker 1>very clever show. It looks cool like Eden's baby sister,

0:36:56.719 --> 0:36:59.360
<v Speaker 1>you know, is that well she's a little younger maybe,

0:36:59.360 --> 0:37:03.520
<v Speaker 1>but like it looks something she's three, she'd like Blueie. Yeah,

0:37:03.719 --> 0:37:05.080
<v Speaker 1>and you know, some of the jokes she wouldn't get.

0:37:05.080 --> 0:37:08.719
<v Speaker 1>But it's very, very cute. The visual style is very cute.

0:37:08.760 --> 0:37:10.880
<v Speaker 1>I mean I like it already. Yeah, it's cool. I

0:37:10.960 --> 0:37:12.360
<v Speaker 1>love it. You would like it all. It is a

0:37:12.800 --> 0:37:16.080
<v Speaker 1>very profound show, like every episode almost And you know,

0:37:16.120 --> 0:37:18.719
<v Speaker 1>I read some back background articles about the guy who

0:37:18.800 --> 0:37:23.520
<v Speaker 1>made it, and another one about how Blue's dad, bandit

0:37:24.360 --> 0:37:29.279
<v Speaker 1>Um is a really great TV model for a father,

0:37:29.400 --> 0:37:31.680
<v Speaker 1>and you don't see a lot of those usually. I

0:37:31.719 --> 0:37:33.560
<v Speaker 1>love Homer Simpson, but you know, that's sort of the

0:37:33.640 --> 0:37:36.680
<v Speaker 1>model in cartoon Land is the father. The father is

0:37:36.680 --> 0:37:40.920
<v Speaker 1>a bumbling idiot and can't do anything right, whether it's

0:37:40.960 --> 0:37:44.240
<v Speaker 1>Family Guy or the Simpsons or whatever. And in this case,

0:37:44.360 --> 0:37:47.279
<v Speaker 1>Bandit is like a good dad. And they're like great

0:37:47.360 --> 0:37:50.000
<v Speaker 1>lessons and parenting lessons to be learned too. But again,

0:37:50.160 --> 0:37:52.960
<v Speaker 1>I don't have to have kids. It's really wonderful no,

0:37:53.160 --> 0:37:55.080
<v Speaker 1>you gotta have kids first. You can't watch You gotta

0:37:55.120 --> 0:37:58.680
<v Speaker 1>go get the pregnant immediately so that you can watch

0:37:58.719 --> 0:38:04.400
<v Speaker 1>Blueie gilt free. Uh what. I finally got around to

0:38:04.440 --> 0:38:09.000
<v Speaker 1>watching the new Miranda July movie Cajillionaire. Have you seen this?

0:38:09.080 --> 0:38:10.839
<v Speaker 1>I have not seen that yet. I do love her

0:38:10.880 --> 0:38:14.160
<v Speaker 1>though I love her too, if I'm not mistaken. It's

0:38:14.200 --> 0:38:16.239
<v Speaker 1>the first one of her films that she herself has

0:38:16.280 --> 0:38:19.880
<v Speaker 1>not been in. Um. Uh, Me and You and Everyone

0:38:19.920 --> 0:38:22.080
<v Speaker 1>We Know was like a really formative movie for me.

0:38:22.960 --> 0:38:25.160
<v Speaker 1>Another really great l a movie. All her movies are

0:38:25.239 --> 0:38:29.280
<v Speaker 1>very l a. Um this one. It's got Rachel Evan,

0:38:29.840 --> 0:38:34.080
<v Speaker 1>Rachel Evan Woods, Chel Evan, Rachel Wood. Yeah, excuse me. Um.

0:38:34.120 --> 0:38:39.160
<v Speaker 1>And she obviously is a very beautiful woman. Um and

0:38:39.600 --> 0:38:45.640
<v Speaker 1>uh plays the like most awkward uh just kind of gangly,

0:38:46.760 --> 0:38:51.760
<v Speaker 1>very just like socially bizarre character in this movie. Um.

0:38:51.840 --> 0:38:56.000
<v Speaker 1>And it's just wonderful. Her performances incredible. Uh. Deborah Winger

0:38:56.080 --> 0:38:59.880
<v Speaker 1>I didn't even recognize as as as her mother. So

0:39:00.080 --> 0:39:03.360
<v Speaker 1>it's Deborah Winger. And um oh, the guy who played

0:39:03.400 --> 0:39:06.000
<v Speaker 1>the father in six Ft Under, who's a great character actor.

0:39:06.040 --> 0:39:10.680
<v Speaker 1>Who's Richard Jenkins. Richard Jenkins, and they are basically this

0:39:10.719 --> 0:39:13.239
<v Speaker 1>is not spoilers, the basic set up. They are just

0:39:13.320 --> 0:39:17.400
<v Speaker 1>these lifelong grifters who have raised their daughter to be

0:39:17.640 --> 0:39:21.160
<v Speaker 1>there like assistant and and and they've done it in

0:39:21.200 --> 0:39:24.719
<v Speaker 1>a very specific way so that she's just like so

0:39:24.719 --> 0:39:28.200
<v Speaker 1>socially stunted, but like everything she does is just about

0:39:28.280 --> 0:39:33.040
<v Speaker 1>these different grifts, these very elaborate grifts. They live in

0:39:33.040 --> 0:39:36.040
<v Speaker 1>a rented room that's attached to a car wash that

0:39:36.160 --> 0:39:39.560
<v Speaker 1>the wall leaks pink sudsy foam at a certain time

0:39:39.640 --> 0:39:42.000
<v Speaker 1>every day and they have to like scoop it up

0:39:42.040 --> 0:39:45.600
<v Speaker 1>with buckets, and it's just it's very Miranda July. It's

0:39:45.719 --> 0:39:50.239
<v Speaker 1>very whimsical. It has a really beautiful suite ending. Um,

0:39:50.520 --> 0:39:52.520
<v Speaker 1>I can't recommend it. It's the kind of you gotta

0:39:52.520 --> 0:39:54.640
<v Speaker 1>sit with and it's sort of like weeds its way

0:39:54.640 --> 0:39:56.879
<v Speaker 1>back into your thoughts or you sort of learned things

0:39:56.960 --> 0:39:59.080
<v Speaker 1>about it after, like when you've thought on it a

0:39:59.120 --> 0:40:03.359
<v Speaker 1>little bit, HI recommend I am. I'm gonna watch that,

0:40:04.640 --> 0:40:08.520
<v Speaker 1>uh next week. It's a rental It was one that

0:40:08.560 --> 0:40:11.399
<v Speaker 1>was originally like released for like full movie price. Now

0:40:11.400 --> 0:40:13.680
<v Speaker 1>it's down to just Amazon rental price. I think it

0:40:13.719 --> 0:40:17.840
<v Speaker 1>was like thanks for the Emily. We we both, like

0:40:17.880 --> 0:40:20.160
<v Speaker 1>Miranda July said this one. You guys will love this

0:40:20.200 --> 0:40:23.359
<v Speaker 1>movie together. It's very good, wonderful. Alright, dude, Well that's

0:40:23.360 --> 0:40:27.040
<v Speaker 1>it for this week. We are going to morph ourselves

0:40:27.040 --> 0:40:31.880
<v Speaker 1>into next week in just a minute. That's editing. That

0:40:31.960 --> 0:40:34.680
<v Speaker 1>was the sound of us morphing into next week. And

0:40:34.719 --> 0:40:38.840
<v Speaker 1>thanks to everyone for listening. We'll see you. Movie Crash

0:40:39.000 --> 0:40:41.360
<v Speaker 1>is produced and written by Charles Bryant and Meel Brown,

0:40:41.800 --> 0:40:45.040
<v Speaker 1>edited and engineered by Seth Nicholas Johnson, and scored by

0:40:45.080 --> 0:40:48.920
<v Speaker 1>Noel Brown here in our home studio at Pontsty Market, Atlanta, Georgia.

0:40:49.040 --> 0:40:52.080
<v Speaker 1>For I Heart Radio. For more podcasts for my Heart Radio,

0:40:52.200 --> 0:40:54.880
<v Speaker 1>visit the i Heart Radio app, Apple podcast, or wherever

0:40:55.000 --> 0:40:56.320
<v Speaker 1>you listen to your favorite shows,