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Speaker 1: So I think I told you they have like this

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Speaker 1: stupid rule right where you can't do three truths in

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Speaker 1: a row, like you gonna have to do a dare.

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Speaker 2: Yeah, and I and you know me, you have to

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Speaker 2: do two truths, then you do one. You have to

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Speaker 2: do one day.

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Speaker 1: You cannot do three truths in a row, so you

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Speaker 1: can do if you've done two truths.

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Speaker 2: It's a Dare's a comment.

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Speaker 1: And you know me, I, you know, I'm wild, Like

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Speaker 1: I'll do fun stuff, funny stuff. You know, I'll ring

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Speaker 1: my neighbor's doorbell and ask to borrow, you know, a

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Speaker 1: handful of toilet paper and say, don't worry, I'll bring.

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Speaker 2: Her like back, you know, yeah, just like what am

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Speaker 2: I handing back to them? Like what did I use?

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Speaker 2: You'll only do that, But that's a funny, it's very funny.

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Speaker 2: That's a really good day. You say you'll do stuff

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Speaker 2: like that, but that is the thing.

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Speaker 1: But that's the dare. I'm willing to do. Yeah, and

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Speaker 1: I'm totally willing to do that. I think that's so

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Speaker 1: funny and we all have a good time and the

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Speaker 1: neighbor kind of knows it's coming. I've done it a

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Speaker 1: few times now. So I've on a couple of truths

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Speaker 1: and I've bent the truth a bit, and then it's

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Speaker 1: I'm watching the circle come around, and Gemma Arterton has gone,

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Speaker 1: and Zasha mamm It has gone, and Selena Gomez has gone, yeah,

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Speaker 1: and kat Bond has gone and and and it's.

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Speaker 2: Closing, you know what I mean.

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Speaker 1: There's only four or five girls left to go before

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Speaker 1: it's my turn again, you know. And Haley Steedenfeld has gone,

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Speaker 1: you know, and Abigail Breslyn has gone, you know.

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Speaker 2: And I started thinking like this is going to get

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Speaker 2: to me soon. There's like two or three left, you know, and.

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Speaker 1: I'm ready to get let's face it, pretty nervous about

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Speaker 1: this thing really coming around and getting to meet it.

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Speaker 2: Sounds like it's getting pretty close. Yes, yes, no it is.

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Speaker 1: Yeah, yeah, yeah, and when it gets to me, heyes,

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Speaker 1: as I've said, there's a covet.

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Speaker 2: There was so in the two girls before you, those

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Speaker 2: were both truths. No.

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Speaker 1: Hey, the rule is, if we're playing the game, yes,

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Speaker 1: I submit to you.

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Speaker 2: Truth are there? Yeah, you go, I'll pick truth. I

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Speaker 2: don't want to do it there. If you're a baby,

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Speaker 2: you're a baby. You had done a couple of times,

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Speaker 2: and you're not allowed to. There are so many players,

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Speaker 2: so each time Sharks they know, they know.

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Speaker 1: And as I'm watching the Circle's Bonnie Hunt has gone,

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Speaker 1: you know, and it's starting to really get and I'm

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Speaker 1: getting nervous.

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Speaker 2: I'm getting nervous, just get up and go to the

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Speaker 2: restroom or something.

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Speaker 1: Tim Allen has gone, and I'm going, oh, no, you know,

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Speaker 1: like this is really getting close to me.

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Speaker 2: It's only three four maybe left before it gets to me.

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Speaker 1: And I'm starting to really wonder, like and Barney Frank

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Speaker 1: is going and he's you know, up for anything, and

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Speaker 1: I'm going, I hope it doesn't get to me, because

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Speaker 1: I don't want to.

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Speaker 2: Just hope it that. It just takes so long. I'm

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Speaker 2: trying to time.

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Speaker 1: I keep getting up to go to the bathroom, thinking, oh,

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Speaker 1: I'll be in the bathroom it's my turn, and they'll.

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Speaker 2: Go, oh, you just gip me.

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Speaker 1: Well, I'll just let it come when it comes back around,

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Speaker 1: I'll do two or something. Because they're everyone's very drowsy

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Speaker 1: at this point, like where there's people are going to

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Speaker 1: start to fall asleep. I think, you know, uh, and

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Speaker 1: it's not it's just not going down that way, you know,

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Speaker 1: John call A.

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Speaker 2: Perry is going, and.

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Speaker 1: I'm sort of getting like, what is this dare gonna be?

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Speaker 1: What do I do if I don't want to do

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Speaker 1: the day right?

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Speaker 2: You know?

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Speaker 1: And I'm just like very like, oh, you know, Arianna

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Speaker 1: Huffington's going, Yeah.

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Speaker 2: And you're scared of what the there is going to be?

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Speaker 1: Oh gosh, I don't want this dare because what if

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Speaker 1: it's something so crazy and I just can't do it?

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Speaker 2: And I'm embarrassed in front of some of my friends.

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Speaker 1: Yeah, you are worried about this well, and a lot

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Speaker 1: of my friends are there.

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Speaker 2: Yeah, you know. Yeah, so you're feeling is you are nervous?

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Speaker 1: Mm hmmmmm yeah. I'm feeling very nervous at this point.

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Speaker 1: And Busy Phillips is there.

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Speaker 2: She's there, but she was not playing. She's just sort

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Speaker 2: of supervising.

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Speaker 1: And and I'm starting to think, I really don't want

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Speaker 1: this dare to get to be.

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Speaker 2: I you know, yeah, sure, I.

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Speaker 1: Hope the person before it's something that you are nervous

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Speaker 1: to do well. And I'm hoping the person before me

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Speaker 1: does a truth it takes so long or something if

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Speaker 1: they wind up like basically filibustering the sleep over, or

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Speaker 1: that they do a dare that gets everyone rested and

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Speaker 1: we all spend night in jail.

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Speaker 2: Yeah, sure, you're you're just hoping it doesn't get Some

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Speaker 2: of these dares I've heard, And just to give you

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Speaker 2: an example of one of the dares that someone had

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Speaker 2: to do before me, it was so crazy, I would

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Speaker 2: been nervous to do it. I wouldn't have wanted to.

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Speaker 2: That's it. That's the level.

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Speaker 1: So yeah, I am, of course sweating, and I'm looking

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Speaker 1: and I'm sort of counting, and I'm going like, I

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Speaker 1: think there's only three or four people left before it's

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Speaker 1: actually down to me, going yeah, and it's an Alexis.

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Speaker 1: Butell is there and she's gonna have to go before me.

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Speaker 1: That's not that many people, you know, a couple more

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Speaker 1: beside her, Alexis Bodella is barely any people. No, it's true,

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Speaker 1: it's true. And she'll be the first to tell you

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Speaker 1: that that's not true. I know that's not mean. Scott Wolf,

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Speaker 1: Devin Gummersaul okay, mm hmm, Brian krackou are those two

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Speaker 1: different people?

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Speaker 2: No? He played Brian Crack on myself called Life.

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Speaker 1: Okay, and you raped Amy Joe Johnson the Pink Ranger

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Speaker 1: on episode of Felicity. Oh wow, And you had known

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Speaker 1: him as this sort of bookish kind of sweetheart, you know,

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Speaker 1: maybe with a little bit of an edge, but nothing

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Speaker 1: like that.

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Speaker 2: I imagine he would be receptive to doing a scary dare,

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Speaker 2: which is making you so nervous if you don't want

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Speaker 2: to do.

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Speaker 1: That because he's because then they're up in the annies

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Speaker 1: of the dare. Yeah, you know, like they do a

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Speaker 1: crazy day for him. They get to me, it's guaranteed

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Speaker 1: dare if you'll recall from the rules, Yeah, I have

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Speaker 1: to do one. And if he's just done one that's

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Speaker 1: really wild, then they these people are just have this bloodlust,

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Speaker 1: you know where they're only gonna want to go even bigger. Right,

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Speaker 1: And so here's a lot of movie sequels. Oh I

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Speaker 1: am freaking out. I mean, I'm heartbeating, you know, breezing

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Speaker 1: and I and I genuinely don't remember what happened after that.

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Speaker 2: Hey, welcome to Hollywood Handbook. And it's that he's got

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Speaker 2: a kicking button dropping names in the red carpet lineback

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Speaker 2: hallways of this industry we call showbiz. What do we

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Speaker 2: want to talk about today. We have to do the

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Speaker 2: box office review. We have to do what else? I

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Speaker 2: look in the newspaper to see what who got the

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Speaker 2: best movie times? I don't which movies got the best times.

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Speaker 2: I don't think we're going to get to any of that.

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Speaker 2: Why we have to, I know, but we have to wait.

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Speaker 2: We have to look at the newspaper and see which

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Speaker 2: movie's got the best movie and.

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Speaker 1: I and I wish that I could promise you, Hey,

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Speaker 1: we're going to see what movies had the best times

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Speaker 1: movie times.

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Speaker 2: But the time that the movie plays in the theater's

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Speaker 2: got the best time.

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Speaker 1: But would you agree that that's not something we can

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Speaker 1: do on our own necessarily, and that it takes a

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Speaker 1: whole group of people to help make this show what

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Speaker 1: it is.

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Speaker 2: Yeah, of course it has to bring me the newspaper

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Speaker 2: and circle the time.

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Speaker 1: All of these things, all of these elements. They have

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Speaker 1: to circle the times. They have to translate those times

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Speaker 1: because a lot of times it's just in minutes, and

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Speaker 1: they tell you how many hours that makes?

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Speaker 2: Right, So it's not how you think it. The way

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Speaker 2: I was picturing doing it was not with running times,

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Speaker 2: like what movies got the best time of that they

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Speaker 2: play playing in the theater.

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Speaker 1: Well even then then you got to go like, was

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Speaker 1: this on the East coast? So what time is.

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Speaker 2: That for me? Thank you? Was this in Budapest? Yeah?

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Speaker 2: What time is it for me?

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Speaker 1: So so a lot of those ones that play in

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Speaker 1: other countries get terrible times for me. Oh sure, the

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Speaker 1: stuff in We've fringing across the Pond, and.

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Speaker 2: Some of them begin with seventeen.

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Speaker 1: Yeah, twenty one, yeah on Fort Bragg or whatever. Yeah,

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Speaker 1: so I am speaking of bragging. I am here to

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Speaker 1: tell you some bad news. Yeah, okay, and I got

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Speaker 1: feeling you're looking at your tea, I know, okay, sipping

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Speaker 1: it got an ouchy throat, So my little frody hurts.

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Speaker 1: But I'm pushing forward because it's so important to talk

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Speaker 1: about this. You are probably gonna be so upset. It's

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Speaker 1: gonna take up the whole first segment. We're not gonna

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Speaker 1: have ties to the movie times. Awful, and we have

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Speaker 1: to do the movie times. This is awful, my little cousin,

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Speaker 1: as you know, yeah, this is always doing and looking

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Speaker 1: at other podcasts.

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Speaker 2: Oh yeah, research.

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Speaker 1: And I don't have time to listen to this stuff myself.

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Speaker 1: I don't have time to see the movies. I don't

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Speaker 1: own a television. Isn't that interesting? I can only really

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Speaker 1: ten minutes a week with my cousin and he sort

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Speaker 1: of goes like, here's what's important. Yeah, And apparently there's

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Speaker 1: this podcast and they say something at the end of

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Speaker 1: the show that I think you'll be interesting to hear.

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Speaker 2: Yeah. So you you sent me something and you said,

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Speaker 2: don't listen to this. I said, listen to this clips.

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Speaker 1: I want your real reaction because I think you'll be

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Speaker 1: very interesting to hear this.

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Speaker 2: Ok oh, email, okay, this is this is a link

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Speaker 2: to an E bombs World video. I guess you uploaded

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Speaker 2: the audio to E Bomb's world.

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Speaker 1: I want as many people to see this as possible.

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Speaker 1: I want this out there. I want it exposed. And

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Speaker 1: so you know, I'm like, well, what is the biggest audience?

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Speaker 2: Yeah, like, what where? What's in your bookmark? You go

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Speaker 2: every day? Right? Peanut butter and jelly time, Peanut butter

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Speaker 2: jelly time?

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Speaker 1: Right? All the E bombs stuff? What else is on

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Speaker 1: e bombs? The soundboards?

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Speaker 2: Yeah? Yeah, yeah, right, yeah, so this is so this

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Speaker 2: actually is a soundboard, I guess. So I have to

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Speaker 2: click all these all the sounds in sequence to play

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Speaker 2: the whole thing. Yeah, okay, I'll just click really fast

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Speaker 2: and we'll listen to this. Now you want me to

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Speaker 2: listen to it? Not right now? I think you need

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Speaker 2: to hear it, yeakay.

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Speaker 3: S Town is produced by Julie Snyder and me, with

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Speaker 3: all star editing from Iraglass, Sarah Kanig, and Neil's right.

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Speaker 3: So we have the best podcast staff in the world.

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Speaker 2: Witty d bang, Oh my bang, God, you heard the

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Speaker 2: same thing I did, right, I I must not have

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Speaker 2: heard that it the right way? Go ahead again, play

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Speaker 2: it again because I tried.

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Speaker 3: That is produced by Julie Snyder and me, with all

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Speaker 3: star editing from Ira Glass Scan.

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Speaker 4: We have the best podcast staff in the world.

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Speaker 1: Wait, oh my god, And now you know I haven't

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Speaker 1: slept in three or four days?

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Speaker 2: Is this? What is the Is the show like a

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Speaker 2: serious Is this? What if it's part of the show.

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Speaker 1: I thought the same thing, and I grilled. I grilled

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Speaker 1: my cousin on this and I got him to get

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Speaker 1: them on the phone.

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Speaker 2: Oh my god.

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Speaker 1: And on the phone they said that their serious show.

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Speaker 2: What And I hung up? What what? What? Right? Well?

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Speaker 2: What do we do now? Because this is anyone can't.

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Speaker 2: You're right, we can't do that. We can't do the

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Speaker 2: best movie. We can't do the movie times right now,

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Speaker 2: we can't do the box office review. No, we're not

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Speaker 2: gonna have time.

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Speaker 1: And even if we wanted to do we have any

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Speaker 1: faith that it would work, that it would come out,

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Speaker 1: that people would hear it.

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Speaker 2: When, as it.

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Speaker 1: Turns out, the podcast staff were working with even though

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Speaker 1: we demanded to have the absolute best.

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Speaker 2: And they said, and I have been told all the

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Speaker 2: way along, oh yeah, we do have the best.

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Speaker 1: Jeff al Rich told us, Scott Nkerman told us, Colin

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Speaker 1: told us, Adam Sachs told us very quickly. I mean

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Speaker 1: everyone was saying this when they came in here, And

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Speaker 1: so I'm going, huh, yeah, isn't that funny when the

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Speaker 1: names and the names he says of who's doing it

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Speaker 1: all start at different. None of them, none of them, Yeah,

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Speaker 1: none of them is engineer Cody. He didn't say, He

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Speaker 1: didn't say engineer Ryan is different. When I listened back,

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Speaker 1: I went like, and even here, I went like, was

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Speaker 1: he mentioning maybe you know, maybe somebody like uh, even

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Speaker 1: if he just said Randy's Clark, even that, then I

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Speaker 1: go all right, well we're adjacent then to some of

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Speaker 1: the best people in the biz.

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Speaker 2: He didn't say him believe or the other one.

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Speaker 1: And then I would watch at midnight that night to

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Speaker 1: see if they were going to mention either of the scars,

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Speaker 1: were going to mention that they maybe were doing this

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Speaker 1: podcast working on it under a different name.

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Speaker 2: And then I go, okay, and that would work. And

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Speaker 2: did they say that.

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Speaker 1: No, they were wearing a sweatshirt with a rainbow from

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Speaker 1: a Venice Beach shop.

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Speaker 2: Yeah, that I guess they got from that shop without pain. Okay,

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Speaker 2: so they but no mention of the podcast.

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Speaker 1: No, no, no, they if anything, they mentioned the shirt.

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Speaker 2: We have to do performance reviews. We have to do

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Speaker 2: this today. Yeah, I know. We're always supposed to do

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Speaker 2: them every five years. We have to.

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Speaker 1: It's a useful tool to evaluate your employees.

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Speaker 2: And what I'm learning.

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Speaker 1: Is since this is not the best podcast staff in

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Speaker 1: the world, which is what we thought, yeah, they may

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Speaker 1: be one of the very worst. That's that is on

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Speaker 1: the table, and perhaps they're not podcast staff at all.

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Speaker 1: And the only way to get to the boy, yeah

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Speaker 1: they could be the best.

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Speaker 2: Something else, which have them go do that or or

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Speaker 2: or they could be the worst something that is not

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Speaker 2: even the podcast the well, in which case that's now

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Speaker 2: out there good.

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Speaker 1: They're not doing that, you know, but should we see

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Speaker 1: what that's like? Because sometimes the worst group of people

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Speaker 1: doing something could be a pretty funny TV show.

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Speaker 2: Okay, uh, okay, who do we start? I really want

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Speaker 2: to do those movie times, and I do apologize, I know,

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Speaker 2: but we can't. You're right, yeah, we can't figure out

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Speaker 2: who had the best movie time in the eighth. When

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Speaker 2: you get in the eights, you know you're really something

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Speaker 2: because it makes me sad to even talk.

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Speaker 1: Seven is often there. You get that, and then after

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Speaker 1: the seven you get the nine. But if you've got

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Speaker 1: in between, that probably means you're running into theaters.

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Speaker 2: Yes, everyone is going to the movie. I would love

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Speaker 2: to talk about this. I agree. I'd like to do

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Speaker 2: as well. That we can't, Cody, I just want you

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Speaker 2: to know. I know you're not listening to this. I

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Speaker 2: want you to pay attention because you are part of

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Speaker 2: this discussion.

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Speaker 1: I'm implicit, and looking back, it all makes so much

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Speaker 1: sense because even that thing that he just said was

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Speaker 1: was so stupid, so bad.

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Speaker 2: And stupid and so wrong that.

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Speaker 1: I go like, how can you possibly I was part.

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Speaker 2: Of the best podcast.

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Speaker 1: I mean, my bar was pretty low because I was

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Speaker 1: going there aren't many podcast staffs. There shouldn't be uh,

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Speaker 1: they shouldn't know how to do it, really so stupid, Yeah, do.

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Speaker 2: It at all? That I was cook like, well, nobody's

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Speaker 2: going to be that good at it.

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Speaker 1: But now I'm going, like, it seems like this guy

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Speaker 1: because there was music under his talking, Yeah, and that

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Speaker 1: seemed to be allowed, which that's not all.

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Speaker 2: Somebody else, Yeah, somebody let him do. Somebody first of all,

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Speaker 2: managed to put that in there in a nice way.

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Speaker 2: It sounded really nice.

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Speaker 1: And his voice sounded clear. Yes, even with that.

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Speaker 2: So this is Cody. You are involved, and you are

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Speaker 2: going to be having a discussion very soon with me

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Speaker 2: and Sean. So get ready for that because I know

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Speaker 2: you need a lot of time for some of these things.

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Speaker 1: Yeah, I know that giving you time to really load

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Speaker 1: up your comments.

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Speaker 2: Always benefits the show.

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Speaker 5: You like to front porch it for me, I need

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Speaker 5: the front and the back porch.

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Speaker 2: And so that's the opposite.

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Speaker 1: What we're saying is like you right now are just

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Speaker 1: getting time, and that.

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Speaker 2: Does not.

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Speaker 6: Talk.

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Speaker 2: The reason we're having this conversation is so you do

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Speaker 2: not have to talk until later, and you can think

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Speaker 2: really hard about the kinds of things that you're going

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Speaker 2: to talk about in your performance.

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Speaker 1: And we're hoping that what's going to be going and

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Speaker 1: through your head.

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Speaker 2: Is I'm not going to say this back porch thing. Yes,

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Speaker 2: and I'm going to be reminding you throughout this that

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Speaker 2: eventually you are going to be part of this conversation

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Speaker 2: on the All right, got it? Got it? What's that noise?

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Speaker 2: What is that? We're not allowed to have music? So whatever,

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Speaker 2: it's sorry, Yeah that was me so, but that is

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Speaker 2: on Cody as well. Who's responsible for the sound that's

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Speaker 2: happening anywhere in the room.

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Speaker 1: You should have been able to hear that stopped it,

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Speaker 1: knew it was Hayes.

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Speaker 2: When were you listening to Hayes? I was listening to

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Speaker 2: the band Red Boade. Okay, so uh, let's go ahead.

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Speaker 2: Is that who first? Is that relational on? I don't know.

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Speaker 2: Do you want to hear impressional themes? Okay? That would

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Speaker 2: be a good way to make me feel better? Rap

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Speaker 2: kicker drack An your game in the kind of knaver

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Speaker 2: man me Mom, no one making mom your marble working

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Speaker 2: mom about the marble, make the dog take the brick.

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Speaker 2: Boom Loom Doom, Doom, Doom, Doom, Doom, Doom, Doom, Doom

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Speaker 2: Doom doom, Lean.

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Speaker 1: Doom, dumb doom doom.

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Speaker 2: Doom d That's really nice. I feel very energized to

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Speaker 2: do these. Now, I don't I'm not. I don't really

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Speaker 2: know Leon Redbone very well, and I don't know that

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Speaker 2: the Velvetdere theme, but I had, you know, I did

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Speaker 2: have a good time listening to that, and and I

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Speaker 2: feel ready to start this. What do you think, Kevin? Yeah,

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Speaker 2: all right, laughing. Oh god, did you hear that the

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Speaker 2: same as me?

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Speaker 1: Yes, So we noticed, Kevin, that when professionally put the

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Speaker 1: time for your snapshots, put on the floor.

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Speaker 2: Where you can't reach it. Excuse me, Cody engineering, Cody.

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Speaker 2: I'm just I'm just glad that that is all out

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Speaker 2: of you before the discussion at the end of the show,

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Speaker 2: because if that were to happen, it happened during the

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Speaker 2: talk of the end of the show.

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Speaker 1: Is our discussion with you? So, Kevin, here see the

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Speaker 1: film American Beauty. Yeah, remember how he's kind of living

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Speaker 1: his life through the lens of his little camera and

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Speaker 1: he's maybe not necess necessarily experiencing the world in a

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Speaker 1: real way.

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Speaker 2: Yes, well I don't do you know what this is about?

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Speaker 2: You know what's going on?

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Speaker 7: My camera? My photo taking skills. Am I too loud

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Speaker 7: when I come in?

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Speaker 2: Yeah? Cody, Cody, Cody, Now seriously stay out of the

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Speaker 2: show for later on in the show.

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Speaker 1: Do anything anymore? Stop it except if Hayes starts playing music.

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Speaker 1: You can stop that, yes, And everything else is just

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Speaker 1: You're just waiting.

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Speaker 2: You are only stopping sounds.

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Speaker 1: You are not making doing more sound. Yes, you're not

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Speaker 1: starting sound enough. Now, Kevin, do you know what we

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Speaker 1: brought you in here to take photos and then we

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Speaker 1: put your camera underground?

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Speaker 2: Yeah? Oh yeah, no, yeah, well you tried taking photos

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Speaker 2: of the camera all the way down.

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Speaker 1: On the ground, and yeah, I can't reach it exactly,

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Speaker 1: and that's intentional.

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Speaker 2: Should we play the clip for Kevin? Kevin, I'd like

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Speaker 2: you to hear a clip and if you could just

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00:22:09,840 --> 00:22:13,960
Speaker 2: listen to the clip and hear what it says for me, please, great,

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Speaker 2: And so I'm going to play the clip and you

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Speaker 2: just give this clip a listen, right.

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Speaker 3: Nice clip, Julie Snyder and me with all Star editing.

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Speaker 2: You listen to the clip. Sorry, why Cody insane? Cody, Cody,

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Speaker 2: don't do anything. He's making noise. Stout the noise. He's

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Speaker 2: making noise, and you don't stop. Why did you have

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Speaker 2: to take your headphones off when you got surprised?

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Speaker 7: Because it's town and that's like about a creepy murder,

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Speaker 7: and I'm not allowed to listen to those. I get nightmares.

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Speaker 2: Kevin, Kevin, we made that role for you.

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Speaker 1: Because you were dragging ass in the office all tired,

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Speaker 1: taking photos of your feet.

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Speaker 7: Yeah, it's the only thing I can reach with the camera.

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Speaker 7: There's shots of my own feet.

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Speaker 1: Yeah, well you were doing that before too, because you

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Speaker 1: were dozing off mid focus and then tilting your head down,

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Speaker 1: your neck would sort of fall.

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Speaker 2: Down like a drinking bird or whatever, and.

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Speaker 1: Then you'd get a photo of your feet and broken

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Speaker 1: camera and then we'd have to fix it with tape

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Speaker 1: or whatever, and then there'd be tape on the lens.

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Speaker 1: So obviously we're not breaking our own rule for no reason. Yeah,

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00:23:40,400 --> 00:23:43,560
Speaker 1: there is something very scary about the clip. There is,

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Speaker 1: but we haven't even gotten to it yet.

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Speaker 2: So when we're sit here to discuss your nightmares of

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Speaker 2: people wearing baggy clothes that don't offer support skin exposure.

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Speaker 2: That's what you meant of not being able to see skin.

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Speaker 2: We just missed our skin. You would love.

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Speaker 1: For us to think that it's about support for you,

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Speaker 1: and you're concerned. You're like, everyone needs tight, minimal clothing

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Speaker 1: so that their pieces are all supported. And the fact

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Speaker 1: that you call the pieces.

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Speaker 2: Vile it's so distressing.

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Speaker 8: So that can I play the clip please if you remember,

439
00:24:20,400 --> 00:24:24,560
Speaker 8: maybe I'll do the directions that I offered initially. As

440
00:24:24,600 --> 00:24:26,080
Speaker 8: long as we can keep the lights, I'm going to

441
00:24:26,119 --> 00:24:28,800
Speaker 8: play this clip, and I'd like you to listen to

442
00:24:28,800 --> 00:24:29,960
Speaker 8: the clip please hmm.

443
00:24:31,960 --> 00:24:39,160
Speaker 2: And here the clip now talking is coming, So please

444
00:24:39,160 --> 00:24:39,920
Speaker 2: don't get surprised.

445
00:24:39,920 --> 00:24:42,280
Speaker 3: Because The Town is produced by Julie Snyder and me,

446
00:24:42,720 --> 00:24:46,399
Speaker 3: with all star editing from Iraglass, Sarah Kanig and Neil Drumming.

447
00:24:46,960 --> 00:24:49,240
Speaker 4: We have the best podcast staff in the world.

448
00:24:49,920 --> 00:24:54,400
Speaker 2: Now, what the what is that? Yeah? That's what I said, Yeah,

449
00:24:54,480 --> 00:24:59,200
Speaker 2: what the And I had self edited as well because

450
00:24:59,240 --> 00:25:03,000
Speaker 2: I was about to deliver a pretty stinky word.

451
00:25:03,119 --> 00:25:08,600
Speaker 1: Oh yeah, no, yeah, I could see word Hayes was

452
00:25:08,600 --> 00:25:09,280
Speaker 1: gonna say.

453
00:25:10,680 --> 00:25:13,320
Speaker 2: With both hands the word he.

454
00:25:13,400 --> 00:25:17,080
Speaker 1: Was gonna say, boil it'd rattle that big old tomato

455
00:25:17,200 --> 00:25:19,280
Speaker 1: can you got on the top of your neck. Brother,

456
00:25:20,160 --> 00:25:23,119
Speaker 1: it'd freak your being something nirsty. So what does that

457
00:25:23,119 --> 00:25:24,439
Speaker 1: clip make you think about?

458
00:25:24,720 --> 00:25:25,040
Speaker 2: Hmmm?

459
00:25:25,760 --> 00:25:26,400
Speaker 7: Makes me mad?

460
00:25:26,480 --> 00:25:28,159
Speaker 2: When do we know who's on a podcast?

461
00:25:28,200 --> 00:25:28,400
Speaker 6: App?

462
00:25:28,520 --> 00:25:32,360
Speaker 2: Yeah? Do we know anybody like that? Yes? Who is it?

463
00:25:33,400 --> 00:25:34,520
Speaker 7: I'm on Kevin?

464
00:25:35,000 --> 00:25:38,760
Speaker 1: You're on a podcast? Aff it's Kevin? And and are

465
00:25:38,800 --> 00:25:41,720
Speaker 1: you on the podcast staff of the just wait.

466
00:25:41,600 --> 00:25:45,560
Speaker 2: Admit that it's Kevin. It's Kevin. Okay, we got him

467
00:25:45,560 --> 00:25:47,360
Speaker 2: to say I'm not recorded?

468
00:25:49,240 --> 00:25:51,600
Speaker 1: And are you on the just so unsure? Are you

469
00:25:51,640 --> 00:25:52,600
Speaker 1: on the podcast stuff?

470
00:25:53,160 --> 00:25:57,719
Speaker 2: Is your name first Down Snyder or Starley Kine? Or

471
00:25:57,880 --> 00:25:59,920
Speaker 2: are you on the Stown? Are you down?

472
00:26:00,480 --> 00:26:00,680
Speaker 7: No?

473
00:26:01,840 --> 00:26:02,199
Speaker 2: Hmmm?

474
00:26:02,359 --> 00:26:08,160
Speaker 1: Oh okay, because Down apparently has the best podcast staff

475
00:26:08,200 --> 00:26:09,200
Speaker 1: in the world and.

476
00:26:09,240 --> 00:26:11,680
Speaker 2: We and so you have admitted that you are on

477
00:26:11,720 --> 00:26:15,119
Speaker 2: a podcast staff but not so you say, but not

478
00:26:15,359 --> 00:26:17,320
Speaker 2: that one. Hmmm, correct.

479
00:26:17,520 --> 00:26:21,399
Speaker 1: So, so I wonder how I feel part of my

480
00:26:21,480 --> 00:26:28,120
Speaker 1: podcast staff is Kevin, which you admitted, Yeah, and that is.

481
00:26:28,080 --> 00:26:35,160
Speaker 2: On tape, Cody m I invite you to admit that

482
00:26:35,160 --> 00:26:39,359
Speaker 2: that is on tape. I'm inviting you to say that,

483
00:26:40,000 --> 00:26:41,080
Speaker 2: admit that it's on tape.

484
00:26:41,840 --> 00:26:45,000
Speaker 5: Technically it's on a hard drive, it's not on tape.

485
00:26:45,240 --> 00:26:49,920
Speaker 2: Okay, good even that, But like I see your point.

486
00:26:50,000 --> 00:26:53,679
Speaker 1: Yeah, even really good podcast staff would support the host.

487
00:26:53,920 --> 00:26:57,080
Speaker 2: You know, somehow finding a way to ruin it first

488
00:26:57,080 --> 00:27:04,359
Speaker 2: makes a noise like a buffalo waking up. So where

489
00:27:04,440 --> 00:27:11,640
Speaker 2: are we now with Kevin? If he's on a podcast

490
00:27:11,640 --> 00:27:13,560
Speaker 2: aff and it's not this down one and that's the

491
00:27:13,600 --> 00:27:18,040
Speaker 2: best podcast aff, then it must be that Kevin is

492
00:27:18,080 --> 00:27:20,119
Speaker 2: not on the best podcast and did a trick.

493
00:27:21,680 --> 00:27:23,680
Speaker 1: Kevin tell us about the trick, and you won't get

494
00:27:23,680 --> 00:27:24,520
Speaker 1: in any more trouble.

495
00:27:26,000 --> 00:27:30,479
Speaker 2: It's the lying. It is the lying. The cover up

496
00:27:30,560 --> 00:27:31,480
Speaker 2: is worse than the crime.

497
00:27:31,600 --> 00:27:34,000
Speaker 1: Kevin tell us about the trick, and you won't get

498
00:27:34,000 --> 00:27:34,919
Speaker 1: in any more trouble.

499
00:27:34,920 --> 00:27:37,440
Speaker 2: And maybe some of your.

500
00:27:37,359 --> 00:27:40,320
Speaker 1: Little friends will be the ones who get punished who

501
00:27:40,359 --> 00:27:41,320
Speaker 1: talked you into it?

502
00:27:41,359 --> 00:27:47,560
Speaker 2: Was it, Dana, it was Colin. Okay, tell us a

503
00:27:47,560 --> 00:27:48,919
Speaker 2: little bit about that conversation.

504
00:27:49,760 --> 00:27:53,360
Speaker 7: He said, I should apply for a job at NPR,

505
00:27:53,920 --> 00:27:56,640
Speaker 7: but not use my real name. I should go by

506
00:27:56,640 --> 00:28:00,359
Speaker 7: my ZIP recruiter name, Evan, Bevin, Evan and Evin, but

507
00:28:00,480 --> 00:28:03,440
Speaker 7: keep out the k just Evan with periods in between.

508
00:28:04,440 --> 00:28:06,520
Speaker 7: Apply for a job shown some of my creep shots

509
00:28:06,560 --> 00:28:07,720
Speaker 7: say pretty good, don't you think?

510
00:28:09,240 --> 00:28:10,440
Speaker 2: Of course they would take.

511
00:28:10,280 --> 00:28:15,320
Speaker 7: Me and I took notes while as Town was being

512
00:28:15,359 --> 00:28:17,640
Speaker 7: produced and brought them back to the Big Guy.

513
00:28:19,080 --> 00:28:21,480
Speaker 2: That story I couldn't even see.

514
00:28:21,480 --> 00:28:23,480
Speaker 1: None of it was anything to do with it was

515
00:28:23,600 --> 00:28:28,919
Speaker 1: so long, it's so bad. You brought them it's not

516
00:28:29,000 --> 00:28:29,680
Speaker 1: well produced.

517
00:28:29,840 --> 00:28:32,840
Speaker 2: You brought them the notes for s Town. What does

518
00:28:32,840 --> 00:28:35,160
Speaker 2: that have to do with any thing of what we

519
00:28:35,160 --> 00:28:36,679
Speaker 2: were discussing.

520
00:28:37,440 --> 00:28:40,320
Speaker 7: Well, I was part of their staff, on the best

521
00:28:40,320 --> 00:28:42,320
Speaker 7: staff in the world, the best podcast.

522
00:28:43,200 --> 00:28:46,080
Speaker 2: I think you probably you already admitted that you were

523
00:28:46,120 --> 00:28:48,560
Speaker 2: not on that staff. That was the first one of

524
00:28:48,600 --> 00:28:51,480
Speaker 2: the first things you admitted. Another day after that, it

525
00:28:51,560 --> 00:28:52,320
Speaker 2: is Kevin on.

526
00:28:52,400 --> 00:28:57,680
Speaker 1: Tape, and I gotta say, Kevin, you probably think, and

527
00:28:57,720 --> 00:29:00,640
Speaker 1: you're correct to think, this has in Schonde any attention

528
00:29:00,720 --> 00:29:02,800
Speaker 1: to me. They don't know what's going on, they don't

529
00:29:02,800 --> 00:29:06,160
Speaker 1: even know I'm a guy. But what I do know

530
00:29:06,400 --> 00:29:14,200
Speaker 1: is you predate Colin here. Oh devastating, and so it

531
00:29:14,280 --> 00:29:19,720
Speaker 1: seems even Cody's forced to make a noose like buffalo

532
00:29:19,760 --> 00:29:22,440
Speaker 1: eating like some you know, human food.

533
00:29:22,680 --> 00:29:27,880
Speaker 2: Wow, this is like Bosh. It's honestly like watching bo.

534
00:29:28,200 --> 00:29:31,720
Speaker 2: I feel like I feel like I'm bosh. I'm watching

535
00:29:31,720 --> 00:29:34,600
Speaker 2: you and thinking that was such a bosh moment.

536
00:29:34,760 --> 00:29:38,000
Speaker 1: Yeah, I've had my bosh moment. No, you got bushed,

537
00:29:38,720 --> 00:29:39,080
Speaker 1: you did?

538
00:29:39,480 --> 00:29:42,840
Speaker 2: How dare you try to flip being boshed back on

539
00:29:42,920 --> 00:29:46,040
Speaker 2: to Sean when actually he's bosh?

540
00:29:45,040 --> 00:29:45,080
Speaker 1: No?

541
00:29:47,120 --> 00:29:51,600
Speaker 2: Sorry? So what amazing clue? Go ahead?

542
00:29:51,880 --> 00:29:55,800
Speaker 1: So I would have to say that you definitely lied

543
00:29:55,840 --> 00:29:59,960
Speaker 1: when you said it was Kevin, and that you also

544
00:30:00,080 --> 00:30:04,200
Speaker 1: so lie about having the stund notes, and that you

545
00:30:04,240 --> 00:30:06,960
Speaker 1: lied about being on a podcast staph, because I only

546
00:30:06,960 --> 00:30:10,320
Speaker 1: thing I know for sure is you're a liar. And

547
00:30:10,520 --> 00:30:12,280
Speaker 1: I'm starting to wonder if these are even your creep

548
00:30:12,280 --> 00:30:12,920
Speaker 1: shots that I have.

549
00:30:13,200 --> 00:30:17,600
Speaker 2: Is Colin here today? Maybe? Yes? He is?

550
00:30:17,880 --> 00:30:18,120
Speaker 5: Yeah?

551
00:30:18,520 --> 00:30:21,240
Speaker 2: Okay, well then maybe we get maybe we get calling

552
00:30:21,360 --> 00:30:27,000
Speaker 2: in here. It's not Boxing day, No, it's not Colin.

553
00:30:28,480 --> 00:30:31,760
Speaker 2: Is Colin here? Can you come in here? Please? You

554
00:30:32,080 --> 00:30:36,800
Speaker 2: gotta sort something out. Bringing my boss. Oh you're the one.

555
00:30:36,760 --> 00:30:38,480
Speaker 1: Who brought your boss into this, buddy, you're the one

556
00:30:38,520 --> 00:30:40,920
Speaker 1: who said that he puts you up to it.

557
00:30:41,320 --> 00:30:52,200
Speaker 2: Oi, bruh, you're bummed down, And now I am speaking

558
00:30:52,240 --> 00:30:55,440
Speaker 2: disrespectfully for you even though you are my boss, because

559
00:30:55,480 --> 00:31:01,080
Speaker 2: this is how let me explain. Let's play a little clip,

560
00:31:01,120 --> 00:31:01,520
Speaker 2: shall we.

561
00:31:01,640 --> 00:31:03,520
Speaker 1: Yeah, you might want to hear this clip, and Kevin

562
00:31:03,560 --> 00:31:05,640
Speaker 1: had an interesting story about the origin of it.

563
00:31:05,720 --> 00:31:09,320
Speaker 2: But and Kevin no clip spoilers please. Yeah, So we're

564
00:31:09,320 --> 00:31:10,640
Speaker 2: going to play this clip and.

565
00:31:10,600 --> 00:31:12,719
Speaker 1: We'll see if Colin can follow directions a little better

566
00:31:12,760 --> 00:31:15,000
Speaker 1: than Kevin. When we play the clip, you listen to

567
00:31:15,080 --> 00:31:15,880
Speaker 1: the clip.

568
00:31:16,560 --> 00:31:18,640
Speaker 2: And we're just gonna hear what it says in the clip,

569
00:31:19,360 --> 00:31:21,960
Speaker 2: and then we can talk about it or not talk

570
00:31:21,960 --> 00:31:25,880
Speaker 2: about it. Probably well we are to talk about it, mate,

571
00:31:26,160 --> 00:31:27,840
Speaker 2: And so now I'm going to start playing the clip

572
00:31:27,840 --> 00:31:36,000
Speaker 2: and we'll listen to the clip. What do you think? Nice? Right?

573
00:31:36,480 --> 00:31:39,320
Speaker 3: S Town is produced by Julie Snyder and me. Let's

574
00:31:39,560 --> 00:31:42,760
Speaker 3: start editing from Ira Glass, Sarah kay Nigg and Neil Drumming.

575
00:31:43,320 --> 00:31:45,960
Speaker 3: We have the best podcast staff in the world. Would

576
00:31:46,000 --> 00:31:46,800
Speaker 3: you bang?

577
00:31:49,520 --> 00:31:53,680
Speaker 2: Would you like to summarize what did you hear that

578
00:31:53,720 --> 00:31:55,480
Speaker 2: we said in the clips or anything in the clip

579
00:31:55,480 --> 00:31:59,200
Speaker 2: that's jumped out to you? A little nice music.

580
00:31:59,120 --> 00:32:01,480
Speaker 9: M hm, which they I mean, I'm pretty sure they

581
00:32:01,480 --> 00:32:02,680
Speaker 9: would have licensed that music.

582
00:32:02,800 --> 00:32:04,760
Speaker 2: So that's Colin. I don't want to tell you how

583
00:32:04,760 --> 00:32:07,960
Speaker 2: you do your job, but here when we do these

584
00:32:07,960 --> 00:32:10,200
Speaker 2: podcast shows, we like to speak into the microphone.

585
00:32:10,960 --> 00:32:11,760
Speaker 9: I'm sorry.

586
00:32:12,720 --> 00:32:14,800
Speaker 2: Okay. So there was some nice music and then a

587
00:32:14,840 --> 00:32:18,680
Speaker 2: little some other junk. But there was something I said

588
00:32:18,680 --> 00:32:21,160
Speaker 2: at the end, didn't they some interesting comments they made.

589
00:32:21,160 --> 00:32:22,760
Speaker 1: And if you think we're here to talk about the music,

590
00:32:22,760 --> 00:32:25,400
Speaker 1: we already fixed the music problem. You threw that monkey

591
00:32:25,400 --> 00:32:28,120
Speaker 1: wrench at us pretty hard, and we wound up using

592
00:32:28,160 --> 00:32:30,000
Speaker 1: it to fix our car and it goes faster now.

593
00:32:30,080 --> 00:32:32,640
Speaker 1: So that's one of the things we do with monkey wrench.

594
00:32:32,720 --> 00:32:36,880
Speaker 1: So that actually was fine. Well, yeah, you have to

595
00:32:36,920 --> 00:32:39,200
Speaker 1: say that now because it blew up in your face.

596
00:32:40,480 --> 00:32:45,960
Speaker 2: But he had some interesting words to share. Can you

597
00:32:45,960 --> 00:32:46,760
Speaker 2: summarize it all?

598
00:32:46,840 --> 00:32:49,680
Speaker 9: What that was about the best podcasting stuff?

599
00:32:49,680 --> 00:32:53,560
Speaker 2: And I wasn't what I seem to remember.

600
00:32:53,640 --> 00:32:57,479
Speaker 1: There was a mention something about something about that, didn't you, Yeah,

601
00:32:57,520 --> 00:33:00,280
Speaker 1: that they have the best podcast a call.

602
00:33:00,320 --> 00:33:02,080
Speaker 2: Do you know anybody who's part of a podcast staff.

603
00:33:03,040 --> 00:33:04,680
Speaker 9: I mean, you've got you've got two of the podcast

604
00:33:04,720 --> 00:33:05,320
Speaker 9: stuff in here.

605
00:33:05,720 --> 00:33:09,680
Speaker 2: Yeah, that's right. It's Kevin for starters.

606
00:33:09,840 --> 00:33:11,840
Speaker 1: Kevin and he admitted that on tape, so that's on

607
00:33:11,880 --> 00:33:14,240
Speaker 1: the record, and it's go to.

608
00:33:14,320 --> 00:33:16,000
Speaker 2: Who we are saving for the end. We're giving him

609
00:33:16,000 --> 00:33:19,680
Speaker 2: some time to prepare for his conversation. Want to have

610
00:33:19,720 --> 00:33:24,200
Speaker 2: a little time I look forward to the start. Yeah, oh, Cale,

611
00:33:24,240 --> 00:33:25,920
Speaker 2: would you say that you are part of a podcast

612
00:33:25,920 --> 00:33:26,520
Speaker 2: staff as well?

613
00:33:27,960 --> 00:33:30,320
Speaker 9: I mean, yeah, I guess, sir, I guess you are.

614
00:33:30,520 --> 00:33:32,600
Speaker 2: I mean I kind of run a podcast staff if.

615
00:33:32,520 --> 00:33:38,720
Speaker 1: Kevin's part of the staff. Well, and you are Kevin's boss, and.

616
00:33:38,720 --> 00:33:40,720
Speaker 2: You may have heard him admit that he does actually

617
00:33:40,760 --> 00:33:42,000
Speaker 2: run the podcast staff.

618
00:33:42,120 --> 00:33:49,400
Speaker 1: Ah, and that's on tape now, Colin, So.

619
00:33:48,320 --> 00:33:52,880
Speaker 5: It's not flash hard drive actually solid state, not tape.

620
00:33:55,560 --> 00:33:57,360
Speaker 2: It's fair, I think because he did do it to

621
00:33:57,400 --> 00:33:57,960
Speaker 2: me earlier.

622
00:33:58,360 --> 00:33:58,560
Speaker 5: Hmm.

623
00:33:58,680 --> 00:34:01,520
Speaker 1: And now we both gotten it one and all we

624
00:34:01,600 --> 00:34:07,760
Speaker 1: need is for it to not happen again. So we

625
00:34:08,400 --> 00:34:11,479
Speaker 1: had I'd say, some pretty fair demands when we sign

626
00:34:11,520 --> 00:34:14,279
Speaker 1: up to do this show. Number one, have to have

627
00:34:14,280 --> 00:34:15,520
Speaker 1: the best podcast.

628
00:34:15,040 --> 00:34:17,120
Speaker 2: Half in the world. Oh okay.

629
00:34:18,120 --> 00:34:21,080
Speaker 9: This might have been before I joined a Wolf, so

630
00:34:21,080 --> 00:34:22,680
Speaker 9: I wouldn't have seen that original contract.

631
00:34:24,840 --> 00:34:30,480
Speaker 2: Kevin, speaking of the timelines that don't match up, Tell

632
00:34:30,560 --> 00:34:33,280
Speaker 2: what's your little story? Tell calling your little story?

633
00:34:33,400 --> 00:34:35,960
Speaker 1: Call him what you said about who tricked you into

634
00:34:36,640 --> 00:34:38,439
Speaker 1: doing a bad podcast staff with us?

635
00:34:38,800 --> 00:34:41,560
Speaker 7: I didn't say trick you into doing a bad podcast.

636
00:34:41,960 --> 00:34:44,040
Speaker 2: Kevin came in here. Let me tell you what Kevin said.

637
00:34:44,280 --> 00:34:44,600
Speaker 1: M hm.

638
00:34:45,160 --> 00:34:47,840
Speaker 2: Kevin came in here and first of all admitted that

639
00:34:47,880 --> 00:34:52,200
Speaker 2: it was Kevin recorded and that he was on a

640
00:34:52,239 --> 00:34:54,920
Speaker 2: podcast aff but not on this down podcast staff and

641
00:34:54,960 --> 00:34:57,960
Speaker 2: so therefore not on the best podcast alf in the world.

642
00:34:58,080 --> 00:34:59,960
Speaker 2: And we said, oh, I wonder how that might have happened,

643
00:35:00,080 --> 00:35:04,000
Speaker 2: and he immediately said it's Colin. We said, who put

644
00:35:04,040 --> 00:35:06,879
Speaker 2: you up to it? And then I suggested Dana, Yeah,

645
00:35:07,160 --> 00:35:10,879
Speaker 2: was a Dana. He said, no, it's Colin. Immediately said

646
00:35:10,880 --> 00:35:12,480
Speaker 2: it was Conin. Now is he so scared of what

647
00:35:12,560 --> 00:35:15,800
Speaker 2: Dana would do to him? So now this is your chance.

648
00:35:15,880 --> 00:35:18,759
Speaker 9: It's the accusation that I've put Kevin on not the

649
00:35:18,800 --> 00:35:20,080
Speaker 9: best podcast stuff in the world.

650
00:35:20,120 --> 00:35:23,200
Speaker 2: Oh yeah, and you told him that you made him

651
00:35:23,280 --> 00:35:25,319
Speaker 2: do it, and he said some other story that makes

652
00:35:25,360 --> 00:35:29,520
Speaker 2: him so long? He really long bad story. There was

653
00:35:29,560 --> 00:35:30,040
Speaker 2: so long.

654
00:35:30,120 --> 00:35:32,240
Speaker 1: I don't even think we can cut it out because

655
00:35:32,280 --> 00:35:34,799
Speaker 1: we wouldn't have an episode because it's that much of

656
00:35:34,840 --> 00:35:35,200
Speaker 1: the show.

657
00:35:35,280 --> 00:35:38,120
Speaker 2: Now, this really bad story. Thank you for the notes.

658
00:35:39,120 --> 00:35:43,000
Speaker 2: But the upshot was that it was Colin that made

659
00:35:43,120 --> 00:35:45,680
Speaker 2: him do it, that put him up to the whole thing.

660
00:35:45,960 --> 00:35:46,960
Speaker 9: To not being the best.

661
00:35:47,880 --> 00:35:52,680
Speaker 7: Yeah, well, I said, Colin put me up to learning.

662
00:35:52,400 --> 00:35:54,520
Speaker 2: From the best and already work.

663
00:35:55,160 --> 00:35:57,160
Speaker 1: And now he's double back back, and now that Colin's

664
00:35:57,200 --> 00:35:59,680
Speaker 1: in here incredibly strange.

665
00:36:00,120 --> 00:36:01,960
Speaker 2: Maybe you could clear this all up.

666
00:36:03,520 --> 00:36:07,399
Speaker 1: Without hearing what Kevin said and your words, how would

667
00:36:07,400 --> 00:36:08,520
Speaker 1: you say you tricked Kevin?

668
00:36:11,520 --> 00:36:13,720
Speaker 2: I don't know I tricked Kevin.

669
00:36:14,160 --> 00:36:16,279
Speaker 9: I mean Kevin was here when I started. He was

670
00:36:16,320 --> 00:36:21,000
Speaker 9: already part of Theowolf podcast stuff was it?

671
00:36:21,080 --> 00:36:23,120
Speaker 2: Was it better before I join? We pointed that out

672
00:36:23,160 --> 00:36:27,279
Speaker 2: as well, and it was a Bosh moment. I got boshed. Yeah, yeah,

673
00:36:27,280 --> 00:36:29,000
Speaker 2: And then he tried to say, well you would think

674
00:36:29,000 --> 00:36:31,320
Speaker 2: of as a Miss Marple moment or whatever.

675
00:36:31,480 --> 00:36:34,719
Speaker 9: Mm hmmm, because Bosh is an elderly female detective.

676
00:36:34,840 --> 00:36:38,320
Speaker 2: Colin. The thing that upsets us most is the line.

677
00:36:39,640 --> 00:36:42,600
Speaker 1: I would say that, Yeah. What hurt me is not

678
00:36:42,640 --> 00:36:44,920
Speaker 1: necessarily that the podcast staff is so bad and that

679
00:36:45,040 --> 00:36:48,279
Speaker 1: everyone knew it the whole time. It's that they lied

680
00:36:48,320 --> 00:36:51,840
Speaker 1: to us about it and we look the fool. Because

681
00:36:51,840 --> 00:36:54,160
Speaker 1: I've been at I can't tell you how many parties

682
00:36:54,160 --> 00:36:55,240
Speaker 1: in the past month.

683
00:36:55,280 --> 00:36:57,719
Speaker 2: Oh my god, talking, I'm just remembering some of these

684
00:36:57,719 --> 00:37:00,600
Speaker 2: conversations no, I know. My face is hot.

685
00:37:01,280 --> 00:37:04,520
Speaker 1: My face is so hot thinking about this is bragging

686
00:37:04,640 --> 00:37:05,320
Speaker 1: and I'm well.

687
00:37:05,280 --> 00:37:08,320
Speaker 2: Enough talking about our podcast staff. And it wasn't even bragging.

688
00:37:08,400 --> 00:37:10,720
Speaker 2: It was we said at the time, of just being honest.

689
00:37:11,040 --> 00:37:14,280
Speaker 2: So we thought, right now we have been made liars.

690
00:37:14,480 --> 00:37:17,439
Speaker 2: It's yeah, it's I hate more than anything. It ain't

691
00:37:17,480 --> 00:37:18,520
Speaker 2: bragging if you do it.

692
00:37:18,680 --> 00:37:20,840
Speaker 1: And what I was able to do, I thought was

693
00:37:20,880 --> 00:37:24,440
Speaker 1: have the best podcast stuff. And so I was saying

694
00:37:24,440 --> 00:37:26,400
Speaker 1: it a lot, and it sometimes I was saying it

695
00:37:26,400 --> 00:37:29,880
Speaker 1: at the Stown people's parties, the Rat party.

696
00:37:30,280 --> 00:37:33,160
Speaker 9: Cody's just wandering around the room. Well, this discussion goes on,

697
00:37:33,320 --> 00:37:34,640
Speaker 9: which isn't helping my case.

698
00:37:34,840 --> 00:37:38,680
Speaker 1: I think that what's going on is he's thinking about

699
00:37:38,719 --> 00:37:39,839
Speaker 1: what he's going to say later.

700
00:37:39,920 --> 00:37:42,160
Speaker 2: He shot a little too much blood into his brain

701
00:37:42,280 --> 00:37:43,719
Speaker 2: and so now it has to kind of.

702
00:37:44,000 --> 00:37:46,239
Speaker 9: Might he might be enraged. You're kind of being quite

703
00:37:46,360 --> 00:37:47,880
Speaker 9: self true about questions.

704
00:37:50,880 --> 00:37:54,520
Speaker 2: I don't know, he just said, I don't know what

705
00:37:54,560 --> 00:37:57,520
Speaker 2: this is. Again, we're waiting. You seem to be building

706
00:37:57,600 --> 00:38:01,520
Speaker 2: up for a major bit of some guid Yeah, it's

707
00:38:01,600 --> 00:38:03,480
Speaker 2: all gonna happen at the end. The idea is that

708
00:38:03,560 --> 00:38:06,120
Speaker 2: will clear everything else out. Will just get everything done,

709
00:38:06,760 --> 00:38:11,480
Speaker 2: and then if you do something that fundamentally derails the premise,

710
00:38:11,880 --> 00:38:14,080
Speaker 2: then we will at least it will at least be over.

711
00:38:14,920 --> 00:38:17,640
Speaker 2: The show will be over. Yeah. So that's why I'm

712
00:38:17,680 --> 00:38:21,200
Speaker 2: announcing as I did before, that you can take all

713
00:38:21,200 --> 00:38:23,480
Speaker 2: the time you need to prepare something for the discussion

714
00:38:23,480 --> 00:38:24,800
Speaker 2: which will happen at the end.

715
00:38:25,040 --> 00:38:27,799
Speaker 1: And it won't work, and then we'll have a little

716
00:38:27,840 --> 00:38:31,439
Speaker 1: bit of like a emergency hatch that we can pull

717
00:38:31,480 --> 00:38:33,279
Speaker 1: and just bail out of the show because we'll have

718
00:38:33,320 --> 00:38:35,840
Speaker 1: done all the stuff with the people that we trust

719
00:38:35,880 --> 00:38:37,200
Speaker 1: to at least be people.

720
00:38:39,120 --> 00:38:40,399
Speaker 2: Well, I'm working over here.

721
00:38:43,480 --> 00:38:46,960
Speaker 9: Uh so what can I do to improve this podcast

722
00:38:47,200 --> 00:38:48,080
Speaker 9: staff situation?

723
00:38:48,560 --> 00:38:51,160
Speaker 2: If I just stop first about the staff is the best?

724
00:38:51,160 --> 00:38:54,480
Speaker 2: I think the truth? Yeah, I think you could tell

725
00:38:54,480 --> 00:38:57,840
Speaker 2: the truth. That's an interesting start. What's the how is?

726
00:38:58,680 --> 00:39:03,240
Speaker 2: So it seems like you showed you showed up pretty

727
00:39:03,280 --> 00:39:06,640
Speaker 2: late in the game. You yourself that finally admitted this.

728
00:39:07,680 --> 00:39:10,840
Speaker 1: But right around the time that we found out that

729
00:39:10,920 --> 00:39:13,000
Speaker 1: the podcast have over there are the best.

730
00:39:13,719 --> 00:39:17,000
Speaker 2: But you know who was here for quite a while

731
00:39:17,239 --> 00:39:19,759
Speaker 2: before you was Dana.

732
00:39:20,840 --> 00:39:24,080
Speaker 1: And Josh, And we suspect them, don't we, Colin?

733
00:39:25,560 --> 00:39:28,400
Speaker 2: Yeah, and that's on tape.

734
00:39:28,840 --> 00:39:35,640
Speaker 1: Oh no, no, yeah, we did manage to get you

735
00:39:35,680 --> 00:39:38,399
Speaker 1: and that that really felt like we once again really

736
00:39:38,440 --> 00:39:44,480
Speaker 1: botched him pretty good. Yeah, so why don't we get

737
00:39:44,800 --> 00:39:46,600
Speaker 1: what's the dude's name?

738
00:39:46,640 --> 00:39:46,920
Speaker 5: Again?

739
00:39:48,200 --> 00:39:53,480
Speaker 1: And then what's her name? I said, Dana, you're okay?

740
00:39:53,840 --> 00:39:56,080
Speaker 1: Why don't we get Dan and Josh are in here?

741
00:40:01,440 --> 00:40:01,760
Speaker 2: Josh?

742
00:40:02,360 --> 00:40:05,080
Speaker 9: Do you think that including more of the not best

743
00:40:05,120 --> 00:40:08,840
Speaker 9: podcast stuff in podcasting in the show is gonna gonna

744
00:40:09,080 --> 00:40:10,520
Speaker 9: help well damage the show?

745
00:40:10,560 --> 00:40:14,719
Speaker 1: Well, we want everything on the table. We want everything

746
00:40:14,800 --> 00:40:17,560
Speaker 1: on the table. We don't want to keep sweeping it

747
00:40:17,640 --> 00:40:19,399
Speaker 1: under the rug. And that hasn't worked out too well

748
00:40:19,440 --> 00:40:20,880
Speaker 1: for your so far as I know, Colin.

749
00:40:21,719 --> 00:40:24,920
Speaker 2: Yeah, why don't you how to do this and end

750
00:40:25,000 --> 00:40:26,960
Speaker 2: up in the same place where we started, which is

751
00:40:27,160 --> 00:40:29,000
Speaker 2: I don't want to spoil it for Dana and Josh.

752
00:40:29,160 --> 00:40:33,719
Speaker 2: Maybe we'll just play a little clip, yeah and Josh. No,

753
00:40:34,239 --> 00:40:37,640
Speaker 2: Dana can explain it to Josh. Dana can listen to Josh.

754
00:40:38,680 --> 00:40:42,160
Speaker 2: That's better. That's better. I'll explain it to you. She

755
00:40:42,239 --> 00:40:46,080
Speaker 2: can tell what. We're gonna play a little clip. We're

756
00:40:46,120 --> 00:40:48,279
Speaker 2: going to listen to the clip. You're gonna want to

757
00:40:48,320 --> 00:40:53,160
Speaker 2: hear the whole clip here what it says, and then

758
00:40:53,200 --> 00:41:01,080
Speaker 2: the discussion. Here's the clip some pretty music.

759
00:41:01,360 --> 00:41:04,000
Speaker 3: S Town is produced by Julie Snyder and me with

760
00:41:04,160 --> 00:41:07,640
Speaker 3: all star editing from Ira Glass, Sarah Kanegg and Neil Drumming.

761
00:41:08,160 --> 00:41:10,520
Speaker 4: We have the best podcast staff in the world.

762
00:41:11,200 --> 00:41:15,399
Speaker 10: Wow bang wow, Josh, it's the end of S Town.

763
00:41:15,640 --> 00:41:19,920
Speaker 10: The credits of S Town with that with that really

764
00:41:20,000 --> 00:41:21,480
Speaker 10: annoying song she.

765
00:41:21,600 --> 00:41:25,919
Speaker 2: Knew it was from She Knows the Song. They said

766
00:41:26,120 --> 00:41:27,320
Speaker 2: that they had never.

767
00:41:27,120 --> 00:41:28,759
Speaker 11: Gotten to the end of an S towne episode, so

768
00:41:28,800 --> 00:41:29,560
Speaker 11: I want to have known that.

769
00:41:29,680 --> 00:41:29,879
Speaker 2: Well.

770
00:41:29,880 --> 00:41:33,360
Speaker 10: They said they had the greatest podcast staff whatever, preatest

771
00:41:33,360 --> 00:41:34,200
Speaker 10: staff of all time.

772
00:41:34,880 --> 00:41:37,360
Speaker 2: They said they had the best staff.

773
00:41:37,000 --> 00:41:37,640
Speaker 4: In the world.

774
00:41:38,440 --> 00:41:40,279
Speaker 2: Yeah, I mean in the world. And I don't know.

775
00:41:40,480 --> 00:41:42,480
Speaker 11: Those guys played. Those guys paid pretty well. They can

776
00:41:42,520 --> 00:41:43,600
Speaker 11: probably get some good stuff.

777
00:41:44,520 --> 00:41:47,400
Speaker 2: But I mean, but I feel like a little.

778
00:41:48,880 --> 00:41:53,640
Speaker 1: And now and the money and the mud begins to sling,

779
00:41:54,360 --> 00:41:56,640
Speaker 1: and the money follow the money.

780
00:41:56,600 --> 00:41:58,320
Speaker 4: I don't I mean, I'm speculating.

781
00:41:58,360 --> 00:42:00,439
Speaker 11: I don't know, I don't know how much they pay.

782
00:42:00,560 --> 00:42:04,040
Speaker 2: I'm just and now he's trying to hide back in

783
00:42:04,120 --> 00:42:08,239
Speaker 2: this hole because he just accidentally admitted that it was

784
00:42:08,320 --> 00:42:10,640
Speaker 2: the minute that he's just it's all a play for

785
00:42:10,800 --> 00:42:14,719
Speaker 2: money and bad boards over the hole he has the

786
00:42:14,760 --> 00:42:18,440
Speaker 2: money for me because it's like, I mean, you're pulling

787
00:42:18,440 --> 00:42:19,160
Speaker 2: the strings.

788
00:42:19,520 --> 00:42:22,839
Speaker 10: I just feel like I'd rather be here with like

789
00:42:22,960 --> 00:42:25,680
Speaker 10: these people than have to listen to that song every week.

790
00:42:26,719 --> 00:42:28,160
Speaker 2: You know, I listen to the song.

791
00:42:28,760 --> 00:42:29,440
Speaker 10: I don't like it.

792
00:42:29,280 --> 00:42:31,080
Speaker 11: It's not about It's not about the money for me,

793
00:42:31,160 --> 00:42:33,680
Speaker 11: either of you get. You get what you pay for

794
00:42:33,760 --> 00:42:36,319
Speaker 11: in podcasting, you know, it's just you want you want

795
00:42:36,440 --> 00:42:38,719
Speaker 11: the best possible. You want to get one hundred percent

796
00:42:38,800 --> 00:42:40,920
Speaker 11: from this is just a Stitcher premium commercial.

797
00:42:41,880 --> 00:42:44,680
Speaker 2: Colin has a furrowed brow, like real hard right now.

798
00:42:45,000 --> 00:42:49,240
Speaker 9: I'm wondering if breaking my staff down to then build

799
00:42:49,239 --> 00:42:52,600
Speaker 9: them back up again and that that would be great.

800
00:42:52,880 --> 00:42:54,400
Speaker 2: We hope as possible.

801
00:42:55,239 --> 00:42:58,640
Speaker 1: We hope that's possible to build them back up again

802
00:42:59,239 --> 00:43:03,160
Speaker 1: to the mighty gience of podcasting they once were. But

803
00:43:03,239 --> 00:43:07,320
Speaker 1: we're afraid that it's so tarnished from what the Stown

804
00:43:07,520 --> 00:43:12,400
Speaker 1: guys did, which is a big long podcast they did

805
00:43:12,520 --> 00:43:15,080
Speaker 1: and then they said they were the best in the world,

806
00:43:15,200 --> 00:43:20,360
Speaker 1: and frankly I believe them. Now Josh is obviously coming

807
00:43:20,440 --> 00:43:23,320
Speaker 1: after us because we don't pay very much money.

808
00:43:25,560 --> 00:43:26,160
Speaker 2: I'm sorry.

809
00:43:26,200 --> 00:43:28,640
Speaker 1: I don't do this for the money, you know why.

810
00:43:28,640 --> 00:43:33,560
Speaker 1: I do it for the potential for money later. Think

811
00:43:33,600 --> 00:43:37,200
Speaker 1: about somewhere else, somewhere, somebody please pay me to.

812
00:43:37,160 --> 00:43:39,319
Speaker 2: Do something else. I've been doing this show for a

813
00:43:39,440 --> 00:43:45,400
Speaker 2: while now, and we will take a version of the

814
00:43:45,440 --> 00:43:49,440
Speaker 2: show that is not owned by Earwolf and call it

815
00:43:49,480 --> 00:43:53,840
Speaker 2: something else like Tinseltown Teacher Died, and we can do

816
00:43:53,920 --> 00:44:00,880
Speaker 2: it anywhere for more money. Teaching missus tingle with. Maybe

817
00:44:00,920 --> 00:44:04,399
Speaker 2: it's down people. Yeah, they seem to be doing such

818
00:44:04,400 --> 00:44:07,240
Speaker 2: a good job. Can we talk about some of these numbers? Please?

819
00:44:07,360 --> 00:44:10,400
Speaker 2: You have Do you have some of the numbers?

820
00:44:10,640 --> 00:44:13,520
Speaker 1: Oh yeah, oh yeah. Here's some of the times that

821
00:44:13,560 --> 00:44:23,120
Speaker 1: people have listened to Stown eight am, five pm, two

822
00:44:23,200 --> 00:44:27,120
Speaker 1: in the afternoon. I mean, these numbers don't lie people.

823
00:44:27,200 --> 00:44:30,040
Speaker 1: They're doing really big numbers waiting. I can tell you

824
00:44:30,120 --> 00:44:32,680
Speaker 1: I've read this post lunch and early dinner.

825
00:44:33,400 --> 00:44:35,360
Speaker 11: I've looked at the numbers for Earwolf shows, and I

826
00:44:35,400 --> 00:44:37,520
Speaker 11: can tell you that people are listening not just on

827
00:44:37,560 --> 00:44:39,640
Speaker 11: the hour, but also on the half hour. We've got

828
00:44:39,719 --> 00:44:41,760
Speaker 11: nine to thirty and four thirty.

829
00:44:42,440 --> 00:44:46,560
Speaker 1: Hey, I have you having those numbers?

830
00:44:45,440 --> 00:44:50,400
Speaker 2: I have seen Josh giving me these numbers. I have

831
00:44:50,480 --> 00:44:53,280
Speaker 2: no reason to believe that these listening time numbers are

832
00:44:53,520 --> 00:44:56,320
Speaker 2: are real. And what we're learning is he fabricated the numbers.

833
00:44:56,400 --> 00:45:01,120
Speaker 2: And I also think it's reprehensible that Josh is well

834
00:45:01,160 --> 00:45:03,600
Speaker 2: sort of monitoring people as they listen to the podcast

835
00:45:03,640 --> 00:45:06,760
Speaker 2: and he can see where they are. Disgusting. He follows

836
00:45:06,760 --> 00:45:09,640
Speaker 2: these little dots around because like he has this app

837
00:45:09,680 --> 00:45:13,040
Speaker 2: where if you are listening to an Earwolf podcast, Josh

838
00:45:13,080 --> 00:45:13,960
Speaker 2: knows your location.

839
00:45:14,239 --> 00:45:15,160
Speaker 10: That's definitely true.

840
00:45:15,200 --> 00:45:17,640
Speaker 11: It's part of my job as an near producer.

841
00:45:17,280 --> 00:45:19,760
Speaker 2: And he can see what kind of swimsuit you're buying.

842
00:45:20,880 --> 00:45:22,560
Speaker 2: I'm not I don't even have this app.

843
00:45:25,360 --> 00:45:30,239
Speaker 1: Yeah, Kevin's reflex to say whoa and that was bait

844
00:45:30,400 --> 00:45:32,240
Speaker 1: and you just got botched again, Kevin.

845
00:45:33,200 --> 00:45:35,720
Speaker 5: Kevin say it again for the tape.

846
00:45:36,080 --> 00:45:37,279
Speaker 2: WHOA nice?

847
00:45:38,800 --> 00:45:41,640
Speaker 11: Now it's on tape. We don't invent numbers here. I

848
00:45:41,640 --> 00:45:43,480
Speaker 11: get all of my stats from stowncloud.

849
00:45:44,680 --> 00:45:50,640
Speaker 1: Wait a minute, down cloud, Hang on, I'm having an idea.

850
00:45:52,040 --> 00:46:01,360
Speaker 6: Soundclouds. Then he called down cloud and if it's down

851
00:46:01,440 --> 00:46:04,520
Speaker 6: cloud and we're office down cloud. Now we're on something

852
00:46:04,560 --> 00:46:06,440
Speaker 6: like B sixteen or somewhere.

853
00:46:06,480 --> 00:46:08,000
Speaker 2: Ship like that that I never heard of.

854
00:46:08,040 --> 00:46:11,400
Speaker 6: It's really not clear what the numbers are for the show.

855
00:46:13,239 --> 00:46:14,040
Speaker 2: What do you mean?

856
00:46:15,840 --> 00:46:16,480
Speaker 4: I mean.

857
00:46:20,360 --> 00:46:23,239
Speaker 11: It's you know, this is where your wolf puts all

858
00:46:23,280 --> 00:46:25,279
Speaker 11: over podcasts. Now, if we're moving, you might have know

859
00:46:25,320 --> 00:46:29,440
Speaker 11: we're moving office doundcloud, but on stwncloud we get all

860
00:46:29,480 --> 00:46:31,400
Speaker 11: these all these additional stats, like we can't see what

861
00:46:31,480 --> 00:46:32,480
Speaker 11: swimch stuit you're buying.

862
00:46:32,680 --> 00:46:35,320
Speaker 10: For example, which one am I buying?

863
00:46:36,920 --> 00:46:39,600
Speaker 11: I I didn't look.

864
00:46:39,719 --> 00:46:42,719
Speaker 2: I don't know that one. Yeah, really sound? So it

865
00:46:42,760 --> 00:46:49,640
Speaker 2: didn't Yeah look by it would be weird. We're we're

866
00:46:49,680 --> 00:46:51,399
Speaker 2: like we worked right across each other, and you would

867
00:46:51,400 --> 00:46:53,960
Speaker 2: take so long to come up with I didn't look.

868
00:46:55,280 --> 00:47:01,759
Speaker 2: Why I'm looking at some of these reviews for us,

869
00:47:04,040 --> 00:47:06,279
Speaker 2: and they are we Look, we get a lot of

870
00:47:06,360 --> 00:47:08,880
Speaker 2: nice reviews.

871
00:47:08,160 --> 00:47:11,239
Speaker 1: But best of my reviews are the best reviews in

872
00:47:11,280 --> 00:47:13,560
Speaker 1: the world. I'm trump you know right?

873
00:47:14,600 --> 00:47:19,680
Speaker 2: That was a really good one. Yeah, but me, why

874
00:47:19,719 --> 00:47:23,560
Speaker 2: aren't we huge big reviews? If you guys are so

875
00:47:23,600 --> 00:47:25,879
Speaker 2: good and if you guys are such good podcast, why

876
00:47:25,960 --> 00:47:30,560
Speaker 2: haven't you written reviews? Why haven't you written reviews?

877
00:47:32,719 --> 00:47:34,879
Speaker 10: I've ever written reviews before.

878
00:47:34,920 --> 00:47:40,000
Speaker 2: Of our show, not of this one. Oh, just the

879
00:47:40,040 --> 00:47:43,120
Speaker 2: ones that I work on hardcore. Which ones have you

880
00:47:43,160 --> 00:47:45,319
Speaker 2: written reviews for? And what were they? What did they say?

881
00:47:46,080 --> 00:47:47,320
Speaker 2: Like hard Nation?

882
00:47:49,080 --> 00:47:51,239
Speaker 10: And I was like, wow, this shows so funny and

883
00:47:51,280 --> 00:47:54,600
Speaker 10: it's like political, but it's not like so political that

884
00:47:54,680 --> 00:47:58,080
Speaker 10: I'm like confused, you know, it's like anybody can listen

885
00:47:58,160 --> 00:47:58,640
Speaker 10: something like that.

886
00:47:58,719 --> 00:48:04,680
Speaker 12: Josh read a review for us right now, review it. Now, Hey,

887
00:48:04,960 --> 00:48:08,560
Speaker 12: you should listen to Hollywood Handbook. That the subject line

888
00:48:09,480 --> 00:48:12,919
Speaker 12: the subject is terrible, subject is and.

889
00:48:12,880 --> 00:48:22,400
Speaker 1: Then here's the here's the subject line opportunity, big money, Yeah, okay,

890
00:48:22,760 --> 00:48:28,160
Speaker 1: real very music, okay, free, subject is opportunity.

891
00:48:27,560 --> 00:48:29,880
Speaker 2: Big money and royalty free.

892
00:48:30,239 --> 00:48:33,640
Speaker 11: Yes, the review is. Listen to Hollywood Handbook. You will

893
00:48:33,760 --> 00:48:36,880
Speaker 11: never hear any music that costs royalty on this show

894
00:48:36,920 --> 00:48:41,680
Speaker 11: because these guys are true professionals and Hollywood insiders.

895
00:48:41,800 --> 00:48:45,799
Speaker 2: And we did we did this already. And Colin ended

896
00:48:45,880 --> 00:48:50,120
Speaker 2: up a meat mess at the end of that, and so.

897
00:48:50,080 --> 00:48:53,280
Speaker 1: That didn't feel very good for Colin. I can imagine

898
00:48:53,280 --> 00:48:58,120
Speaker 1: that half meat mess. He's still kind of to come

899
00:48:58,160 --> 00:49:02,279
Speaker 1: into work on your meet and you got to put

900
00:49:02,280 --> 00:49:05,000
Speaker 1: the bottom half of yourself into a garbage bag to

901
00:49:05,040 --> 00:49:07,840
Speaker 1: get to work in the morning, because you're a meat mess.

902
00:49:07,960 --> 00:49:10,560
Speaker 1: Is not a nice feeling, is it, Colin? And do

903
00:49:10,600 --> 00:49:12,600
Speaker 1: you want anyone else to have to feel that?

904
00:49:13,960 --> 00:49:16,560
Speaker 9: I mean if it makes him the best?

905
00:49:16,719 --> 00:49:23,600
Speaker 2: Okay, Well, Gon is on message here. I appreciate he

906
00:49:23,680 --> 00:49:25,080
Speaker 2: understands what we're talking about.

907
00:49:25,120 --> 00:49:27,920
Speaker 1: I started the day being like, this is my last

908
00:49:28,000 --> 00:49:31,560
Speaker 1: day dealing with Colin. He's clearly been working against me

909
00:49:31,600 --> 00:49:34,560
Speaker 1: from day one. But now I'm back around. I think

910
00:49:35,000 --> 00:49:37,440
Speaker 1: he actually wants it to be good. He just showed

911
00:49:37,520 --> 00:49:41,400
Speaker 1: up late. It was an unsalvageable situation because Dana had

912
00:49:41,440 --> 00:49:45,319
Speaker 1: poisoned the well. She tricked Kevin into doing Goodness knows what.

913
00:49:46,640 --> 00:49:49,000
Speaker 1: She's got something on him. She's got some kind of

914
00:49:49,320 --> 00:49:54,440
Speaker 1: mind control power she's got. Josh is clearly just obsessed

915
00:49:54,440 --> 00:49:55,839
Speaker 1: with whatever swimsuit.

916
00:49:56,040 --> 00:50:00,440
Speaker 10: I did not know John sense it.

917
00:50:00,440 --> 00:50:02,959
Speaker 2: It's like we you know, we would in the Hard

918
00:50:03,040 --> 00:50:07,320
Speaker 2: Nation obsession, all to prop up her Hard Nation. Vanity

919
00:50:07,360 --> 00:50:10,239
Speaker 2: Project owns like fifty Hard Nation.

920
00:50:11,719 --> 00:50:12,160
Speaker 4: We had Ken.

921
00:50:13,239 --> 00:50:16,359
Speaker 2: She's willing to creator the rest of the network all

922
00:50:16,400 --> 00:50:18,959
Speaker 2: the benefit Hard Nation. She wants to turn this whole

923
00:50:18,960 --> 00:50:24,080
Speaker 2: country into Hard Nation. Yeah, Kevin, write a review of

924
00:50:24,080 --> 00:50:26,360
Speaker 2: our show right now? Is this show canceled?

925
00:50:27,840 --> 00:50:31,360
Speaker 7: And then the body would say, once you get.

926
00:50:31,160 --> 00:50:33,320
Speaker 2: You clearing your throat In the review.

927
00:50:33,640 --> 00:50:36,640
Speaker 7: Yes, it says Asterix clears throat.

928
00:50:36,880 --> 00:50:41,640
Speaker 1: Well, first it should say parenthetical. Yeah, all flemmy.

929
00:50:41,600 --> 00:50:46,960
Speaker 2: Yeah, yeah, the subject should be parenthetical, parenthetical, gurgling jam,

930
00:50:47,400 --> 00:50:48,200
Speaker 2: gurgling jam?

931
00:50:48,520 --> 00:50:51,799
Speaker 7: Is this show canceled? Asterix clears throat? And then the

932
00:50:51,880 --> 00:50:56,040
Speaker 7: body says, once you get sixty episodes in, you start

933
00:50:56,080 --> 00:50:57,320
Speaker 7: to get the inside jokes.

934
00:50:57,520 --> 00:51:02,279
Speaker 2: I love it. That feels good to me. See that's nice.

935
00:51:02,320 --> 00:51:04,399
Speaker 2: That's a nice review. And then you have to set

936
00:51:04,480 --> 00:51:10,040
Speaker 2: up other accounts to market helpful. Yeah, at least a dozen't.

937
00:51:12,320 --> 00:51:13,919
Speaker 11: Can I try another review? I feel like my last

938
00:51:13,920 --> 00:51:18,560
Speaker 11: one wasn't great. Okay, all right, it's subject Hollywood hand

939
00:51:18,640 --> 00:51:24,719
Speaker 11: vote that's it's just very good, thank you? And then

940
00:51:25,320 --> 00:51:28,440
Speaker 11: and then the review is at first, I wasn't totally

941
00:51:28,440 --> 00:51:30,680
Speaker 11: sure what this show was. I thought it was about Hollywood,

942
00:51:30,680 --> 00:51:32,279
Speaker 11: but it sounds like it's not most of the time.

943
00:51:32,680 --> 00:51:35,560
Speaker 11: It's actually a really difficult show to describe or market

944
00:51:35,640 --> 00:51:37,760
Speaker 11: to people. But if you listen to it, you'll probably

945
00:51:37,760 --> 00:51:40,880
Speaker 11: think it's funny, Hollywood nice.

946
00:51:41,239 --> 00:51:46,160
Speaker 2: I would take out if and probably listen to it,

947
00:51:46,239 --> 00:51:48,400
Speaker 2: and your throat was clear the whole time.

948
00:51:48,440 --> 00:51:51,880
Speaker 1: Which is not a way to grab people's attention. It

949
00:51:51,960 --> 00:51:54,839
Speaker 1: doesn't put them in the room with you the way

950
00:51:54,880 --> 00:51:56,040
Speaker 1: that Kevin's review did.

951
00:51:56,120 --> 00:51:57,000
Speaker 11: That's a really good point.

952
00:51:58,600 --> 00:52:01,160
Speaker 2: Can I have one I'd like to Okay, Okay, it

953
00:52:01,239 --> 00:52:04,359
Speaker 2: might be time. Let's clear, maybe we clear everyone out.

954
00:52:04,560 --> 00:52:07,439
Speaker 2: It's gonna have to be just us alone with Cody. Yeah,

955
00:52:07,560 --> 00:52:10,680
Speaker 2: so everyone else get out of here. Cody. Uh, we

956
00:52:11,120 --> 00:52:12,840
Speaker 2: just kind of need the room alone with him, and

957
00:52:12,840 --> 00:52:14,719
Speaker 2: we should. Conversation will continue.

958
00:52:14,800 --> 00:52:18,440
Speaker 1: Let's quickly do the employee reviews, which was the performance reviews.

959
00:52:18,560 --> 00:52:23,400
Speaker 1: So that's right, okay, I would say Colin seven, Kevin seven,

960
00:52:23,760 --> 00:52:25,960
Speaker 1: Dana seven, Josh seven.

961
00:52:26,320 --> 00:52:30,520
Speaker 2: Yeah, keep up the good work. Great, thank you, it

962
00:52:30,600 --> 00:52:31,200
Speaker 2: feels good.

963
00:52:31,600 --> 00:52:32,640
Speaker 11: Se minus will take it.

964
00:52:32,760 --> 00:52:37,600
Speaker 2: Thanks minus. Yeah, everyone knows a seven is a sea bias.

965
00:52:37,840 --> 00:52:40,319
Speaker 9: Do you guys ever ask your listeners to leave you

966
00:52:40,360 --> 00:52:42,960
Speaker 9: iTunes reviews? Because I think without one thing to talk

967
00:52:43,000 --> 00:52:46,680
Speaker 9: about another podcast on the network, Tompkins does a really

968
00:52:46,719 --> 00:52:50,600
Speaker 9: good job of telling his listeners to leave reviews, and

969
00:52:50,640 --> 00:52:52,640
Speaker 9: that helps build the audience.

970
00:52:52,840 --> 00:52:55,560
Speaker 2: What do you think we just did, Yeah, we just

971
00:52:55,600 --> 00:52:58,000
Speaker 2: told us. We just told everyone in the room, the

972
00:52:58,040 --> 00:53:00,480
Speaker 2: people that listen to our show all the time, to

973
00:53:00,560 --> 00:53:04,000
Speaker 2: write reviews and This is the kind of micromanaging. That's like,

974
00:53:04,160 --> 00:53:06,320
Speaker 2: why you take the thing that you've already been doing

975
00:53:06,360 --> 00:53:09,720
Speaker 2: for almost two hundred episodes and do it again.

976
00:53:09,480 --> 00:53:11,600
Speaker 1: Colin, your ass will get busted down to a six

977
00:53:11,680 --> 00:53:15,160
Speaker 1: so fast it'll make your damn headspind. I mean a

978
00:53:15,160 --> 00:53:17,800
Speaker 1: lot of guys would just take that seven and run

979
00:53:17,840 --> 00:53:22,239
Speaker 1: with it, because I gotta say, you're digging a.

980
00:53:22,280 --> 00:53:24,480
Speaker 2: Deep, deep grave for yourself.

981
00:53:24,560 --> 00:53:27,320
Speaker 1: Man, you'll be down with the millennials in their safe

982
00:53:27,320 --> 00:53:29,480
Speaker 1: space six feet underground.

983
00:53:30,080 --> 00:53:30,400
Speaker 2: Now.

984
00:53:31,080 --> 00:53:34,279
Speaker 1: If I can't get the Earwolf employees to write, like

985
00:53:34,320 --> 00:53:36,680
Speaker 1: if the people who work here and actually have something

986
00:53:36,719 --> 00:53:39,840
Speaker 1: of a financial interest in a long running show succeeding

987
00:53:40,200 --> 00:53:43,000
Speaker 1: have not done a review yet, for me to expect

988
00:53:43,040 --> 00:53:46,120
Speaker 1: my fans to do a review, who are just listeners,

989
00:53:46,680 --> 00:53:50,040
Speaker 1: is kind of hypocritical. I think I should tell the fans, hey,

990
00:53:51,120 --> 00:53:53,959
Speaker 1: do what Kevin and Dana and Josh do. Only write

991
00:53:53,960 --> 00:53:58,080
Speaker 1: a review for a podcast if you have some weird,

992
00:53:58,280 --> 00:54:01,719
Speaker 1: nefarious plant to have it be the only podcast on

993
00:54:01,800 --> 00:54:05,000
Speaker 1: the network and burn the rest to the ground, just

994
00:54:05,080 --> 00:54:06,440
Speaker 1: so you can be right.

995
00:54:06,360 --> 00:54:09,120
Speaker 2: And say that you're not getting enough money to do

996
00:54:09,600 --> 00:54:11,320
Speaker 2: all of these ship bring up the money.

997
00:54:11,400 --> 00:54:13,880
Speaker 10: Yeah, try to write one review.

998
00:54:15,280 --> 00:54:18,360
Speaker 2: Yeah, everyone's sitting.

999
00:54:18,960 --> 00:54:21,680
Speaker 1: It's partially my fault, but it's partially their fault.

1000
00:54:22,880 --> 00:54:26,440
Speaker 10: I would the subject would be in all caps and

1001
00:54:26,480 --> 00:54:29,279
Speaker 10: it would say yeah yah yah yah ya, and then

1002
00:54:29,760 --> 00:54:30,640
Speaker 10: like a bunch.

1003
00:54:30,440 --> 00:54:34,160
Speaker 2: Of exclamation marks. That's pretty exciting and really engage the

1004
00:54:34,320 --> 00:54:37,480
Speaker 2: top that Okay, I'm fired up.

1005
00:54:38,280 --> 00:54:42,000
Speaker 10: Like wow, wow, like a bunch of w's and o's

1006
00:54:42,239 --> 00:54:45,160
Speaker 10: all caps. This show is so funny.

1007
00:54:45,719 --> 00:54:47,359
Speaker 1: It's real weird, but it's good.

1008
00:54:48,120 --> 00:54:52,000
Speaker 2: Check it out. And then like a colon capital D

1009
00:54:52,480 --> 00:54:56,000
Speaker 2: for like a smile, like a big smiley face that's

1010
00:54:56,080 --> 00:54:59,560
Speaker 2: making me cry. Oh my god, that was really nice.

1011
00:55:00,400 --> 00:55:01,360
Speaker 7: I'm glad you guys liked it.

1012
00:55:01,480 --> 00:55:04,239
Speaker 2: Dana. That was a really sweet review. I'm like, my

1013
00:55:04,440 --> 00:55:08,440
Speaker 2: stomach hurts in like a good way. Wow, well it's

1014
00:55:08,480 --> 00:55:11,480
Speaker 2: from the heart, Dana. That was so sweet and nice

1015
00:55:11,480 --> 00:55:14,759
Speaker 2: of you to review review. Yeah, yeah, yeah, yeah, you

1016
00:55:14,840 --> 00:55:17,600
Speaker 2: guys for Yeah, she said it was She says it's

1017
00:55:17,680 --> 00:55:20,120
Speaker 2: real weird, but I like that. It seems like she

1018
00:55:21,560 --> 00:55:23,759
Speaker 2: thinks it's weird in a cool way. Yeah yeah.

1019
00:55:25,080 --> 00:55:28,600
Speaker 1: And sometimes being weird and different like is actually what

1020
00:55:28,760 --> 00:55:31,439
Speaker 1: can make you really great and special. Like think about

1021
00:55:31,480 --> 00:55:37,440
Speaker 1: the weirdest, you know, like bug you've ever seen it

1022
00:55:37,520 --> 00:55:41,239
Speaker 1: probably had special power, Yeah, like blow a stinky wave or.

1023
00:55:41,239 --> 00:55:46,560
Speaker 2: Something that was. I think Dana is maybe a thirteen.

1024
00:55:47,600 --> 00:55:51,520
Speaker 2: Oh wow, so Dana is thirteen. She got all six o'clock.

1025
00:55:53,800 --> 00:55:54,520
Speaker 2: Thanks guys.

1026
00:55:56,239 --> 00:55:57,880
Speaker 11: You guys, don't you guys are with Dane.

1027
00:55:57,719 --> 00:56:00,439
Speaker 2: All the time. Do you know that she like see

1028
00:56:00,480 --> 00:56:03,480
Speaker 2: and this is Josh. Once again you're failing in he's

1029
00:56:03,600 --> 00:56:08,360
Speaker 2: with her all the time, and neither should you be, Josh.

1030
00:56:08,440 --> 00:56:11,719
Speaker 2: It should be when you're at work. Do you know

1031
00:56:11,800 --> 00:56:14,000
Speaker 2: that she'd choose ice really loudly?

1032
00:56:17,200 --> 00:56:21,440
Speaker 1: He's talking about the beach. Everyone does that at the beach, Josh.

1033
00:56:21,760 --> 00:56:23,640
Speaker 1: That's how you keep cool on the inside.

1034
00:56:23,760 --> 00:56:25,440
Speaker 11: I just I feel like that's at least likes that

1035
00:56:25,480 --> 00:56:28,040
Speaker 11: should bring her down a point or two.

1036
00:56:28,280 --> 00:56:29,640
Speaker 10: Josh, you're not rating me.

1037
00:56:29,960 --> 00:56:32,040
Speaker 11: They're rating me, I know, but they don't know all

1038
00:56:32,080 --> 00:56:32,680
Speaker 11: the details.

1039
00:56:33,520 --> 00:56:37,080
Speaker 1: So okay, I like what I like what a cowardly

1040
00:56:37,160 --> 00:56:39,320
Speaker 1: weasel Josh became and how he tried to stab his

1041
00:56:39,440 --> 00:56:42,000
Speaker 1: coworker in the back. That feels like what probably happens

1042
00:56:42,040 --> 00:56:45,320
Speaker 1: at MPR a lot. So I am going to actually

1043
00:56:45,440 --> 00:56:49,600
Speaker 1: bump Josh up. So Josh has an eight, Data has

1044
00:56:49,640 --> 00:56:53,000
Speaker 1: a twelve Colin zero. We had to take his numbers

1045
00:56:53,080 --> 00:56:54,799
Speaker 1: to give him to Josha data.

1046
00:56:54,920 --> 00:56:59,680
Speaker 2: That's only fair. That is fair, Kevin seven, Kevin has

1047
00:56:59,760 --> 00:57:02,880
Speaker 2: to be said, Okay, And so we were getting up

1048
00:57:02,880 --> 00:57:06,920
Speaker 2: before and then engineer Cody's going to find out his

1049
00:57:07,000 --> 00:57:07,600
Speaker 2: true number.

1050
00:57:07,960 --> 00:57:10,400
Speaker 7: You have to call him Apple podcasts now, not iTunes,

1051
00:57:11,400 --> 00:57:13,719
Speaker 7: just so you know what. Yeah, we're not supposed to

1052
00:57:13,760 --> 00:57:18,120
Speaker 7: call it iTunes anymore. Really my Apple podcasts according to

1053
00:57:18,280 --> 00:57:19,920
Speaker 7: who who's iTunes?

1054
00:57:20,040 --> 00:57:24,000
Speaker 2: Why Kevin exploded out with Apple podcasts earlier with no explanation,

1055
00:57:24,480 --> 00:57:26,320
Speaker 2: and now twelve minutes later it was mad.

1056
00:57:26,480 --> 00:57:28,280
Speaker 1: I'm going to keep saying iTunes. I'd love to find

1057
00:57:28,280 --> 00:57:29,480
Speaker 1: out who I get in trouble with.

1058
00:57:31,920 --> 00:57:36,920
Speaker 2: All right, Cody. Now, Cody, you were announcing something that

1059
00:57:37,040 --> 00:57:40,080
Speaker 2: you wanted to do, and it's entirely this is what

1060
00:57:40,200 --> 00:57:43,360
Speaker 2: we've been building to this whole time. It is entirely

1061
00:57:43,560 --> 00:57:44,160
Speaker 2: your show.

1062
00:57:44,320 --> 00:57:47,000
Speaker 1: Yeah yeah, yeah yeah, And you get to do whatever

1063
00:57:47,120 --> 00:57:49,400
Speaker 1: you want, and so just come out with what you've

1064
00:57:49,640 --> 00:57:50,000
Speaker 1: thought of.

1065
00:57:50,120 --> 00:57:52,720
Speaker 2: And it's been an hour and a half. Yeah I

1066
00:57:53,160 --> 00:57:57,360
Speaker 2: I oh god. And you even more than usual. You

1067
00:57:57,440 --> 00:58:00,720
Speaker 2: have been in such an incredibly weird place for the

1068
00:58:00,840 --> 00:58:03,920
Speaker 2: last like two weeks. I would say something has happened

1069
00:58:03,960 --> 00:58:05,600
Speaker 2: with your brain chemistry. I don't know if it's like

1070
00:58:05,800 --> 00:58:10,680
Speaker 2: some kind of reaction to pollen air or just.

1071
00:58:10,840 --> 00:58:14,400
Speaker 1: Like some sort of dietary change, Like there might be

1072
00:58:14,480 --> 00:58:17,360
Speaker 1: some kind of poison inside you that's working very slowly,

1073
00:58:18,200 --> 00:58:21,880
Speaker 1: but it's not good. And there are you know, obviously

1074
00:58:22,000 --> 00:58:24,480
Speaker 1: there are diseases like this people can get. You can

1075
00:58:24,520 --> 00:58:30,360
Speaker 1: get MadHat ter disease from breathing mercury. You obviously could

1076
00:58:31,480 --> 00:58:36,000
Speaker 1: actually from cat stuff cat litter boxes can get Yeah,

1077
00:58:36,240 --> 00:58:36,920
Speaker 1: brain disease.

1078
00:58:37,120 --> 00:58:38,560
Speaker 2: Yeah, I'm sure I have.

1079
00:58:39,280 --> 00:58:41,800
Speaker 1: It makes you unpleasant, but if you're a woman, who

1080
00:58:41,800 --> 00:58:44,800
Speaker 1: makes you more promiscuous I read. So it's like maybe

1081
00:58:44,880 --> 00:58:45,960
Speaker 1: put through some cut.

1082
00:58:47,480 --> 00:58:53,800
Speaker 2: Babes. So let's go and let's find out exactly what

1083
00:58:53,960 --> 00:58:54,560
Speaker 2: the disease is.

1084
00:58:54,640 --> 00:58:59,320
Speaker 1: And also there's a wasp, yeah, that sting you crawl,

1085
00:58:59,680 --> 00:59:02,280
Speaker 1: sign your neck and then control your brain and just

1086
00:59:02,320 --> 00:59:05,040
Speaker 1: a zombie you around And is that maybe what's going

1087
00:59:05,120 --> 00:59:05,800
Speaker 1: on for Cody?

1088
00:59:05,960 --> 00:59:10,240
Speaker 2: So we'll see if he asks for what would they want? Flowers?

1089
00:59:10,600 --> 00:59:14,600
Speaker 2: No more pollen? No, I don't think that's what the

1090
00:59:14,720 --> 00:59:18,200
Speaker 2: lost want. What do they want? In general? Cody? What

1091
00:59:18,360 --> 00:59:20,560
Speaker 2: was the thing that you've had all loaded up. You

1092
00:59:20,640 --> 00:59:23,320
Speaker 2: wanted to do a review first, so let's do the review.

1093
00:59:23,680 --> 00:59:27,320
Speaker 5: Yeah, and my only request is that I just let

1094
00:59:27,400 --> 00:59:31,080
Speaker 5: me get through it before you interrupt me. Okay, you

1095
00:59:31,280 --> 00:59:34,560
Speaker 5: always seem to want to do Okay, please.

1096
00:59:34,440 --> 00:59:36,960
Speaker 2: My only request is that you so I want to

1097
00:59:37,000 --> 00:59:39,360
Speaker 2: interrupt you, but please say it in a normal way

1098
00:59:39,520 --> 00:59:44,280
Speaker 2: and just let the words do the talking themselves.

1099
00:59:44,400 --> 00:59:48,919
Speaker 1: Don't put so much of the work onto the nunciation

1100
00:59:49,640 --> 00:59:52,120
Speaker 1: or the accent you've chosen.

1101
00:59:52,320 --> 00:59:55,120
Speaker 2: Yeah, I should I do it in monotone, just straight

1102
00:59:55,480 --> 01:00:00,120
Speaker 2: monoton Just don't don't try monotone, but just don't do

1103
01:00:00,320 --> 01:00:01,040
Speaker 2: too much with it.

1104
01:00:02,000 --> 01:00:04,760
Speaker 5: Okay, I think I can do that. That's a fair agreement.

1105
01:00:06,760 --> 01:00:10,480
Speaker 5: All right, here's ready. So I would write you a review.

1106
01:00:11,080 --> 01:00:13,240
Speaker 5: The subject would be what is in your hand?

1107
01:00:15,040 --> 01:00:15,840
Speaker 2: These are zip tize.

1108
01:00:15,880 --> 01:00:19,160
Speaker 1: We promise a packet of zip ties. You're waving them

1109
01:00:19,240 --> 01:00:21,080
Speaker 1: in my face? He is.

1110
01:00:21,240 --> 01:00:22,720
Speaker 2: I know I promised, but he didn't tell me. He's

1111
01:00:22,720 --> 01:00:26,680
Speaker 2: gonna threatening to kidnap you. Zip tithe together, put those

1112
01:00:26,760 --> 01:00:29,240
Speaker 2: down and then you can do it. All right.

1113
01:00:32,000 --> 01:00:35,560
Speaker 5: So my subject would be uh, and this is none

1114
01:00:35,600 --> 01:00:40,960
Speaker 5: of it's capitalized subject colon, check this out. I have

1115
01:00:41,040 --> 01:00:44,200
Speaker 5: a meeting in thirty minutes from now, and the body

1116
01:00:44,640 --> 01:00:49,360
Speaker 5: would be also not capitalized in any way and it

1117
01:00:49,400 --> 01:00:56,720
Speaker 5: would be body colon. If you believe in angels, then

1118
01:00:56,960 --> 01:01:02,680
Speaker 5: Hollywood Handbook is something that might really regarding it being

1119
01:01:02,760 --> 01:01:07,720
Speaker 5: a foolish conspiracy of hobgoblin little minds. Sean is a

1120
01:01:07,760 --> 01:01:10,280
Speaker 5: person that reminds me of a well zested lemon fruit

1121
01:01:12,480 --> 01:01:14,800
Speaker 5: reality show show was what it was before.

1122
01:01:16,400 --> 01:01:18,520
Speaker 2: Bye. For now, I have to go to the bathroom.

1123
01:01:19,360 --> 01:01:22,000
Speaker 5: Listen to Hollywood Handbook on Apple podcasts.

1124
01:01:26,880 --> 01:01:28,360
Speaker 2: I'm a Horny girl. Wolf.

1125
01:01:28,720 --> 01:01:32,440
Speaker 1: This has been an Earwolf production executive produced by Scott Ackerman,

1126
01:01:32,600 --> 01:01:34,400
Speaker 1: Colin Anderson, and Chris Bannon.

1127
01:01:34,560 --> 01:01:37,400
Speaker 2: For more information and content, visit earwolf dot com.

1128
01:01:38,200 --> 01:01:38,439
Speaker 6: Oh.

1129
01:01:46,280 --> 01:01:49,840
Speaker 7: This has been an Earwolf production executive produced by Scott Ackerman,

1130
01:01:50,080 --> 01:01:51,920
Speaker 7: Chris Bannon, and Colin Anderson.

1131
01:01:52,200 --> 01:01:55,240
Speaker 2: For more information and content, visit earwolf dot com.