WEBVTT - 107: Instagram Face/Off

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<v Speaker 1>It's eleven forty PM in an airplane hangar in Los Angeles,

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<v Speaker 1>and you're listening tonight. Call hello and welcome back tonight

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<v Speaker 1>call a call in show for our dystopian reality. I'm

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<v Speaker 1>Molly Lambert and with me are Test Lynch and Emily

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<v Speaker 1>or Shita. Here we are, and today we are super

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<v Speaker 1>excited to welcome our very special guest, Gia Tolentino, staff

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<v Speaker 1>writer for The New Yorker and author of the essay

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<v Speaker 1>collection Trick Mirror Reflections on Self Delusion. Welcome Gia tonight.

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<v Speaker 1>Call hi, guys. It's nice to, you know, talk to

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<v Speaker 1>someone after a long day a loan. It's nice to

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<v Speaker 1>everybody figure out complicated audio setups so we can all

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<v Speaker 1>connect to each other as humans at home. This is

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<v Speaker 1>how God intended it to bes Master. Now I figured

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<v Speaker 1>out all the well we were all last night connecting

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<v Speaker 1>with our friend Fiona Apple, whose new album Fetch the

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<v Speaker 1>Bolt Cutters. I fetched the bolt Cutters, Um, Emily, Giah

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<v Speaker 1>and I all Fetch the bolt Cutters. Oh yeah, we

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<v Speaker 1>just wanted to give our our un baked takes on

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<v Speaker 1>the album. I had been like I just filed a

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<v Speaker 1>thing that I was like kind of Deep Reporting all

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<v Speaker 1>day and I had like had my head in it.

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<v Speaker 1>But of course I've been listening to Fiona the whole time.

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<v Speaker 1>And then I went for like a walk the length

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<v Speaker 1>of the album and listened to the whole thing through,

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<v Speaker 1>and I mean, I'm still very overwhelmed by it. But

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<v Speaker 1>one thing, I just felt so grateful for an album

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<v Speaker 1>that like it requires and demands your complete attention, you know,

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<v Speaker 1>and like the more attention you give it, the more

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<v Speaker 1>it gives you. It's it's just like I wish that

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<v Speaker 1>I wish that there were like I wish that I

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<v Speaker 1>could be riding the subway and listening to it like

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<v Speaker 1>it was gonna be driving and listen to it. It's

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<v Speaker 1>like I just hadn't heard an album like that in

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<v Speaker 1>a real a long time. Yeah, I basically I was

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<v Speaker 1>thinking about maybe taking a drive out to the beach,

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<v Speaker 1>not getting out, but just driving and coming back because

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<v Speaker 1>that's allowed. This is uh, this is like an honor

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<v Speaker 1>that I really only give to like Lana del Ray

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<v Speaker 1>albums at this point, as far as like having a

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<v Speaker 1>dedicated listen, so I was thinking it might warrant that.

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<v Speaker 1>But yeah, and it's also just like she it's it's

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<v Speaker 1>really refreshing to hear a new album that really doesn't

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<v Speaker 1>sound I mean, it doesn't really sound like it's in

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<v Speaker 1>conversation with anything else right now musically or genre wise.

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<v Speaker 1>It's like its own thing, and it's just like, oh yeah,

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<v Speaker 1>I'm listening to like a completely fully formed artist who

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<v Speaker 1>just knows what the funk she's doing. It's great. Um,

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<v Speaker 1>I feel like she's an old friend at this point. Yeah.

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<v Speaker 1>One of my group texts was saying, like, we're so

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<v Speaker 1>lucky that we had her when we were like thirteen,

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<v Speaker 1>and also when we were five, and also now you know,

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<v Speaker 1>like I feel. I went down a total spiral about

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<v Speaker 1>the Spin Girl issue which came out in UM, which

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<v Speaker 1>had Fiona on the cover, which I bought at the

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<v Speaker 1>small the West Side Pavilion. That was just a knockdown

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<v Speaker 1>r I Pu Side pavilion FASTI mall to be turned

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<v Speaker 1>into a Google campus. One thing I've been thinking about

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<v Speaker 1>with Fiona recently is that for whatever reason, the way

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<v Speaker 1>that she's released albums because she doesn't very frequently. This

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<v Speaker 1>has been like eight years since I had Their Wheel

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<v Speaker 1>and seven years. It was seven years between Extraordinary Machine

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<v Speaker 1>and i'd Their Wheel and for whatever, like whenever her

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<v Speaker 1>new album comes out. I am. I guess I'm the

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<v Speaker 1>age that she was when I guess it's just our

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<v Speaker 1>age difference. I don't know how math works. I'm revealing

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<v Speaker 1>this right now, but but I am the age that

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<v Speaker 1>she was whenever she released the last album. So then

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<v Speaker 1>I'm like going and doing my whole Fiona re listen

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<v Speaker 1>and like getting excited and everything. And then I'm like, oh,

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<v Speaker 1>now I get it in a whole new life, like

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<v Speaker 1>passing all these sort of like emotional maturity milestones or something.

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<v Speaker 1>Uh yeah, So it was it was weird just to

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<v Speaker 1>like remember the girl issue because it just had a

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<v Speaker 1>big impact on me. I think it was also the

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<v Speaker 1>first time I was like, why would you need a

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<v Speaker 1>girl issue? Why can't it just be an issue? So

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<v Speaker 1>I am saving my listening party. I had a really

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<v Speaker 1>I had a crazy night last night. Um that was

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<v Speaker 1>not super like it was. It was crazy just in

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<v Speaker 1>terms of like very pandemic e I guess, like my

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<v Speaker 1>husband was doing something, recording something, there were technical issues,

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<v Speaker 1>my kids were having all of these like meltdowns, and

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<v Speaker 1>then I was like nervous that the emotional impact of

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<v Speaker 1>listening to this album would be not what I required,

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<v Speaker 1>so instead of a fance. Yeah, but so tell me how,

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<v Speaker 1>like where were you when you started listening to it

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<v Speaker 1>and where were you after? Just so I can prepare

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<v Speaker 1>at home and at home right like emotionally, you know,

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<v Speaker 1>what did it do to you? I'm nervous. It's like

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<v Speaker 1>interesting because it is like we've all been making fun

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<v Speaker 1>of the celebrities for putting out entertainment and being like ha,

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<v Speaker 1>like captive audience, like people are just going to have

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<v Speaker 1>time to consume things. But then when something that's actually

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<v Speaker 1>thoughtful comes out and you're like, wow, I have nothing

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<v Speaker 1>but time to do like a headphone listen in the

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<v Speaker 1>middle of the night right now, and this is like

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<v Speaker 1>the perfect thing for that. Is it gonna make me

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<v Speaker 1>super depressed? Though? I don't think so. I don't think

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<v Speaker 1>it's I don't think it's depressing. It is like I

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<v Speaker 1>would say, like alarming is the word that I already used,

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<v Speaker 1>but like in a good way. Here's what it is.

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<v Speaker 1>It's like for jazz moms, which we all are you

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<v Speaker 1>like speak it's like an experimental jazz album. You know,

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<v Speaker 1>it sounds and it sounds like like hot Knife was

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<v Speaker 1>my favorite song on the last album. So much of

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<v Speaker 1>it is like that. It's like depressive and really like

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<v Speaker 1>everything circling. I was walking in the woods and I

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<v Speaker 1>just felt like very enveloped and clarified, kind of like

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<v Speaker 1>I was like kind of it was that like sober,

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<v Speaker 1>trippy feeling where everything, like the edges of everything got

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<v Speaker 1>really bright and I felt very physically present in a

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<v Speaker 1>way that I hadn't for a month. You know. It's yeah,

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<v Speaker 1>I recommend, Yeah, you were right to save it. Okay,

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<v Speaker 1>So now I'm really excited. I mean, I knew I

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<v Speaker 1>was gonna do it. It's I think it's just one

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<v Speaker 1>of those things where like often it comes up just

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<v Speaker 1>the difference in having kids versus not right now, and

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<v Speaker 1>how it made like just how you kind of consume

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<v Speaker 1>media when you have like two hours and that's all

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<v Speaker 1>you have in the day. So I just didn't want

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<v Speaker 1>it to be the thing that pushed me over. But

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<v Speaker 1>now I'm like, no, it's exactly what I need. Yeah,

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<v Speaker 1>it's great. I can't wait to listen to it again.

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<v Speaker 1>I need another Like, actually, you know what, this is

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<v Speaker 1>why I'm so grateful for it. It's like it's the

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<v Speaker 1>kind of album that made you know right now it's

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<v Speaker 1>kind of and I'm sure it's different when you have kids,

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<v Speaker 1>but it's like, I haven't felt great full to be

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<v Speaker 1>alone in a while, and to be alone with the

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<v Speaker 1>album made me feel really glad to be alone and

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<v Speaker 1>and to like have that space in my head. And

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<v Speaker 1>I mean, that's like the least of the reasons the

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<v Speaker 1>album is great, But that was a feeling I had. Yeah,

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<v Speaker 1>I saw somebody saying on Twitter that, like, I feel

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<v Speaker 1>like we're going to associate this album of course with

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<v Speaker 1>the Quarantine, and but like in a good way, like

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<v Speaker 1>this was like a bright spot in it or like

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<v Speaker 1>something some kind of balm I guess in the middle

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<v Speaker 1>of all of it, which it feels like that's that's

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<v Speaker 1>what it is. It's also nice to know that, you know,

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<v Speaker 1>like every woman from the age of you know whatever

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<v Speaker 1>to whatever is listening to the same album today, you

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<v Speaker 1>know what I mean totally. I think I just like,

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<v Speaker 1>because she was always just a little bit older than us,

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<v Speaker 1>I had forgotten how young she was. So I was like,

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<v Speaker 1>looking at the Spin cover, I was like, oh, it

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<v Speaker 1>is like Billie Eilish, like exactly, it's like a sad

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<v Speaker 1>teenage girl making music, but like the way that gets

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<v Speaker 1>marketed is very weird. But it also made me be like, oh,

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<v Speaker 1>billy II, like she's gonna be fine. Then, well, Fiona

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<v Speaker 1>has one thing going for her and that she is

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<v Speaker 1>a genius, so that's helpful. Yeah, but she's also like

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<v Speaker 1>it seems like she is like very you know, eccentric

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<v Speaker 1>and oh yeah, and like you know, uncommercial in a

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<v Speaker 1>lot of ways. But again, that's like the fun thing

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<v Speaker 1>about listening to something by somebody who's just really doing

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<v Speaker 1>their own thing right now. Like she's like both physically

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<v Speaker 1>kind of put herself in her own little universe and

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<v Speaker 1>then the sound is kind of there too, so it

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<v Speaker 1>just feels very refreshing. Yeah, I really liked them dust

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<v Speaker 1>Bound profile. Oh that was great. Yea. I think that

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<v Speaker 1>also got everybody hyped for the album. And friend of

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<v Speaker 1>the podcast, Rachel Handler has basically been like the Fiona

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<v Speaker 1>Whisper for like the past year. Yeah, she's just been

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<v Speaker 1>like constantly like face timing with her and stuff, which

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<v Speaker 1>I'm very jealous of, but she's been doing it awesome,

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<v Speaker 1>Like all the stuff that she's written, I would love it. Um. Well,

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<v Speaker 1>we also wanted to talk a little bit about some

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<v Speaker 1>other coronavirus activities weird nightmares. The biggest coronavirus activity is sleeping.

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<v Speaker 1>I had a really scary nightmare. I I usually don't

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<v Speaker 1>have nightmares. Um. We talked about this a lot on

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<v Speaker 1>the podcast. I think, uh, some of us don't have

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<v Speaker 1>nightmares from smoking a lot of weed, and uh, I

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<v Speaker 1>may or may not be one of those people. But UM,

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<v Speaker 1>I had a really intense nightmare the other night and

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<v Speaker 1>then realize realized that I had seen a lot of

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<v Speaker 1>people mentioning that they also were having horrible nightmares. Not

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<v Speaker 1>super surprising, but G you mentioned you've been having crazy

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<v Speaker 1>dreams too, write Yeah, Well for me, um, I think

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<v Speaker 1>like something I feel like my brain. You know, if

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<v Speaker 1>we supposedly we dream every night, right, and we just

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<v Speaker 1>don't remember it, and we go through like seasons where

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<v Speaker 1>we don't remember it. I think that like The Times

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<v Speaker 1>did a piece on this, kind of trying to explain

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<v Speaker 1>like why we're all like why am I having these

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<v Speaker 1>crazy dreams? And to me, my own explanation is like

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<v Speaker 1>my brain is like where are all the people? And

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<v Speaker 1>so it puts all the people in my head at

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<v Speaker 1>night because it's not used to like my brains, like

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<v Speaker 1>you need to have more people in your line of

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<v Speaker 1>sight or something. And for me, it's been weird because

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<v Speaker 1>I'm pregnant right now, and it was weird things and I, UM,

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<v Speaker 1>and I've been like for the first two weeks, I

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<v Speaker 1>was having really intense dreams every night, so much so

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<v Speaker 1>that I would wake up and sometimes even write them down,

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<v Speaker 1>which I almost never do. Um. But they had nothing

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<v Speaker 1>to do with coronavirus or pregnancy. And then very were

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<v Speaker 1>worried that your husband had sold has sold at the

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<v Speaker 1>devil for I wish you would honestly please Also, I'm

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<v Speaker 1>never marrying that man place. But um, but then both

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<v Speaker 1>things started to come into my dreams, you know, like

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<v Speaker 1>both both things are now in them, and all of

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<v Speaker 1>my friends are in them, you know which is I

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<v Speaker 1>think why? I think my brain is like, where are

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<v Speaker 1>these people? Like? You need? They like they need to

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<v Speaker 1>be in your sight? And I had a dream last

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<v Speaker 1>night that I couldn't like, I woke up and I

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<v Speaker 1>couldn't remember it. But I've been having You do you

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<v Speaker 1>ever wake up after a dream and you have such

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<v Speaker 1>an intense aftershock of feeling and you spend all day

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<v Speaker 1>and you're like I feel like someone is really angry

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<v Speaker 1>at me, or that I'm really angry at something, or

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<v Speaker 1>that I just figured out something incredibly important, or that

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<v Speaker 1>I'm terrified and I don't know why and you've forgotten

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<v Speaker 1>what actually happened. But you know, like in your dream

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<v Speaker 1>the time lasted like three weeks, and you're right, you know,

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<v Speaker 1>I've been having lots of those have Yeah, those are

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<v Speaker 1>the like clingy emotional film where you're like, I don't

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<v Speaker 1>remember what it was, but I'm like coated in the Yeah. Yeah,

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<v Speaker 1>we'll say like, because I've been sleeping so much, I've

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<v Speaker 1>just been oversleeping in the morning period when I'm just

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<v Speaker 1>like sleeping ambiently to avoid waking up, that's when I

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<v Speaker 1>half weird anxiety dreams for half sleep trying to get

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<v Speaker 1>out of bed type stuff. Yeah, that's the worst. I

0:12:19.160 --> 0:12:21.679
<v Speaker 1>hate that. I mean, I will say, like, I'm very

0:12:21.880 --> 0:12:23.840
<v Speaker 1>I've had a lot of other shitty things happened to

0:12:23.840 --> 0:12:28.240
<v Speaker 1>me during this quarantine, but my dreams have been great.

0:12:28.760 --> 0:12:31.760
<v Speaker 1>Just like parties. I feel like I've mostly been at parties.

0:12:32.280 --> 0:12:36.640
<v Speaker 1>That's right, that's so sick, But yeah, I did. I

0:12:36.920 --> 0:12:38.800
<v Speaker 1>had to. I had to be let off the hook. Somewhere.

0:12:40.240 --> 0:12:43.320
<v Speaker 1>My college ex boyfriend, like so many college ex boyfriends,

0:12:43.320 --> 0:12:48.319
<v Speaker 1>was really obsessed with like lucid dreaming, you know, cognitive

0:12:49.000 --> 0:12:51.600
<v Speaker 1>whatever there, and and he would try to you know,

0:12:51.600 --> 0:12:53.280
<v Speaker 1>he'd right left and right on his hands and he

0:12:53.280 --> 0:12:54.839
<v Speaker 1>would stare at them before he like did all the

0:12:54.920 --> 0:12:57.280
<v Speaker 1>techniques or whatever. And I was like, that's I was like,

0:12:57.280 --> 0:13:00.520
<v Speaker 1>you're being ridiculous. This is so so dorky. But now

0:13:00.559 --> 0:13:02.960
<v Speaker 1>I'm like, I would fucking love to be able to

0:13:02.960 --> 0:13:06.080
<v Speaker 1>lose a dreams I could, yeah, yeah, exactly. I was

0:13:06.120 --> 0:13:08.640
<v Speaker 1>talking with somebody about this, like because we were talking

0:13:08.640 --> 0:13:11.440
<v Speaker 1>about how we both like tried to lose a dream

0:13:11.440 --> 0:13:14.040
<v Speaker 1>at different points in our life. But it's so like,

0:13:14.280 --> 0:13:16.120
<v Speaker 1>the last thing I want to do when I wake

0:13:16.200 --> 0:13:18.600
<v Speaker 1>up in the morning is like write a journal or

0:13:18.640 --> 0:13:21.520
<v Speaker 1>like write a report of my dream that sounds like

0:13:21.640 --> 0:13:25.439
<v Speaker 1>work immediately in the morning. It's like a performance review too.

0:13:25.440 --> 0:13:28.440
<v Speaker 1>You're like, how did I do? So? Like I've always

0:13:28.440 --> 0:13:30.360
<v Speaker 1>sort of not been able to get into it because

0:13:30.360 --> 0:13:32.520
<v Speaker 1>of that. But then I was thinking, like I probably

0:13:32.559 --> 0:13:34.520
<v Speaker 1>still like I don't think I would be able to

0:13:34.520 --> 0:13:36.920
<v Speaker 1>because I even just tried to keep a journal during this,

0:13:36.960 --> 0:13:39.000
<v Speaker 1>which is like something I'm pretty bad at in general,

0:13:39.400 --> 0:13:41.680
<v Speaker 1>and I can't do it, so I don't know. It

0:13:41.760 --> 0:13:45.520
<v Speaker 1>might not be my time keeping a podcast, like I

0:13:45.679 --> 0:13:48.280
<v Speaker 1>also keep a journal of your dreams because they're good,

0:13:48.520 --> 0:13:53.720
<v Speaker 1>like whatever you're doing is. A scientist in this National

0:13:53.760 --> 0:13:57.280
<v Speaker 1>Geographic article about why people are having weird dreams said,

0:13:57.520 --> 0:14:01.120
<v Speaker 1>some dream experts believe that withdrawal from our usual environments

0:14:01.120 --> 0:14:04.559
<v Speaker 1>and daily stimuli has left dreamers with a dearth of inspiration,

0:14:05.120 --> 0:14:08.320
<v Speaker 1>forcing our subconscious minds to draw more heavily on themes

0:14:08.360 --> 0:14:11.719
<v Speaker 1>from our past. Yeah, there was this guy that they

0:14:11.800 --> 0:14:16.120
<v Speaker 1>like profiled in this National Geographic article and his he

0:14:16.160 --> 0:14:18.920
<v Speaker 1>had had a dream that they described early where he

0:14:19.200 --> 0:14:22.720
<v Speaker 1>drew on an obsession with comics and like the and

0:14:22.840 --> 0:14:26.480
<v Speaker 1>the constant scroll of political posts on Twitter. So he

0:14:26.600 --> 0:14:29.720
<v Speaker 1>was kind of just using what it was like, the

0:14:29.720 --> 0:14:33.120
<v Speaker 1>the endless kind of flood of news information had like

0:14:33.240 --> 0:14:37.000
<v Speaker 1>lodged itself into his subconscious so that was appearing in

0:14:37.160 --> 0:14:39.840
<v Speaker 1>his dream, and like you know, lot points, which is

0:14:39.880 --> 0:14:44.080
<v Speaker 1>my that is a that is a nightmare. Dreaming about

0:14:44.120 --> 0:14:46.920
<v Speaker 1>treating does sound like a nightmare. Yeah, I don't. I

0:14:46.960 --> 0:14:48.920
<v Speaker 1>have y'all ever dreamed about Twitter? I have never. I

0:14:48.920 --> 0:14:55.720
<v Speaker 1>don't think I everything. God, how boring. I think I've

0:14:55.720 --> 0:14:58.440
<v Speaker 1>had nightmares where I made him like it was probably

0:14:59.160 --> 0:15:02.440
<v Speaker 1>right after that the woman who was on the plane

0:15:02.480 --> 0:15:05.920
<v Speaker 1>and then her life was ruined. I had an anxiety

0:15:06.040 --> 0:15:09.080
<v Speaker 1>nightmare that that happened. I definitely had a did a

0:15:09.120 --> 0:15:12.400
<v Speaker 1>mistake on Twitter? Did a mistake on Twitter? It's like

0:15:12.480 --> 0:15:16.960
<v Speaker 1>my number one panic. Yeah, because it always seems so passive.

0:15:17.000 --> 0:15:20.560
<v Speaker 1>It's like it still is. It's always possible one of

0:15:20.560 --> 0:15:22.800
<v Speaker 1>these days your number is up. And yes, you're turned

0:15:22.800 --> 0:15:25.160
<v Speaker 1>to funk up on Twitter. Well, TuS, you were also

0:15:25.240 --> 0:15:30.160
<v Speaker 1>posting about Sam Junipero the Black Mirror episode. Yeah, so,

0:15:30.280 --> 0:15:34.280
<v Speaker 1>I because again I'm I feel so fragile. But that's

0:15:34.280 --> 0:15:37.960
<v Speaker 1>also because I'm unlike a lot of people. And this

0:15:38.040 --> 0:15:40.760
<v Speaker 1>is for better or worse. I am literally never alone

0:15:41.240 --> 0:15:45.680
<v Speaker 1>during self isolation, and it's like normally I carve out

0:15:45.720 --> 0:15:47.760
<v Speaker 1>at least like an hour or something during the day

0:15:47.800 --> 0:15:50.920
<v Speaker 1>where I can kind of just like think thoughts quietly,

0:15:50.960 --> 0:15:54.840
<v Speaker 1>but that doesn't exist anymore. Um So, I feel I

0:15:55.160 --> 0:15:57.000
<v Speaker 1>felt like the only thing that was like safe to

0:15:57.040 --> 0:16:00.320
<v Speaker 1>watch was just mindless garbage or something that I'd already

0:16:00.360 --> 0:16:03.720
<v Speaker 1>seen and knew how it would make me feel, And

0:16:03.800 --> 0:16:06.920
<v Speaker 1>so we turned on San Junipero and I was like,

0:16:07.000 --> 0:16:11.440
<v Speaker 1>whoa it we are kind of in San Junipero because

0:16:11.480 --> 0:16:15.520
<v Speaker 1>it's I mean, that's just the fantasy of like leaving

0:16:15.720 --> 0:16:18.800
<v Speaker 1>the physical world, because you're going to leave anyway. It's

0:16:18.920 --> 0:16:21.280
<v Speaker 1>we didn't want to leave the physical world, but here

0:16:21.320 --> 0:16:24.800
<v Speaker 1>we are kind of in a like fantasy space. Although

0:16:24.840 --> 0:16:30.440
<v Speaker 1>it mostly sucks, I know, I totally I interpreted it

0:16:30.600 --> 0:16:33.480
<v Speaker 1>in a slightly different way, which was like, oh, because

0:16:33.600 --> 0:16:36.800
<v Speaker 1>like no one can have like really new experiences, you

0:16:36.920 --> 0:16:40.200
<v Speaker 1>just can sort of sit on dwell on the past,

0:16:40.320 --> 0:16:44.600
<v Speaker 1>every good experience from your past, and so but yeah,

0:16:44.760 --> 0:16:47.480
<v Speaker 1>definitely been thinking like and also because there's no fomo

0:16:47.560 --> 0:16:50.080
<v Speaker 1>because it's like no one can do anything exactly. Yeah,

0:16:50.640 --> 0:16:55.360
<v Speaker 1>beving like party like my friends are like literally it

0:16:55.480 --> 0:16:58.120
<v Speaker 1>was like that, you know, post a picture of yourself

0:16:58.120 --> 0:16:59.560
<v Speaker 1>when you were twenty. We were talking about how we

0:16:59.560 --> 0:17:01.440
<v Speaker 1>all fall to this gap where like there are no

0:17:01.480 --> 0:17:04.040
<v Speaker 1>pictures of us online when we were twenty, although maybe

0:17:04.119 --> 0:17:08.280
<v Speaker 1>on like friends are oh yeah. But then my friend

0:17:08.359 --> 0:17:12.680
<v Speaker 1>Max Sylvestry like posted a picture of us together from

0:17:12.720 --> 0:17:15.560
<v Speaker 1>a Halloween party in college, like a picture I've never seen,

0:17:15.600 --> 0:17:18.240
<v Speaker 1>but I was like, wow, that was the best party

0:17:18.280 --> 0:17:22.840
<v Speaker 1>in all of college right when heyya came out. It's

0:17:22.880 --> 0:17:26.760
<v Speaker 1>like sence the beginning of our the big chill. Yeah.

0:17:26.800 --> 0:17:30.920
<v Speaker 1>I mean there's also the feeling of like trying to

0:17:31.000 --> 0:17:34.440
<v Speaker 1>evolve friendships or just kind of trying to keep up

0:17:34.480 --> 0:17:38.720
<v Speaker 1>relationships in a completely virtual way. And in a way

0:17:38.760 --> 0:17:41.800
<v Speaker 1>like that too. When I was watching san Ju and Appero,

0:17:41.920 --> 0:17:45.440
<v Speaker 1>it was like, Oh, it's this weird like virtual connection

0:17:45.560 --> 0:17:48.040
<v Speaker 1>and you kind of just want like new to invite

0:17:48.080 --> 0:17:50.879
<v Speaker 1>new people into it also, but it's just too weird

0:17:51.000 --> 0:17:53.520
<v Speaker 1>and it just doesn't feel right. It's like this weird

0:17:53.600 --> 0:17:58.000
<v Speaker 1>test on relationships that the you know, keeping things up virtually.

0:17:58.040 --> 0:17:59.479
<v Speaker 1>But it's like, I don't think it's a test that

0:17:59.560 --> 0:18:02.359
<v Speaker 1>means in anything. I think that people are putting too

0:18:02.440 --> 0:18:04.840
<v Speaker 1>much stakes on, Like, oh, if I don't keep up

0:18:04.880 --> 0:18:07.200
<v Speaker 1>with somebody during this pandemic, that means that we weren't

0:18:07.200 --> 0:18:09.399
<v Speaker 1>really friends. It's just like, no, we have like friends

0:18:09.400 --> 0:18:11.480
<v Speaker 1>that we interface with in all sorts of different ways,

0:18:11.480 --> 0:18:13.640
<v Speaker 1>and I have lots of friends that I'm not exactly

0:18:13.680 --> 0:18:16.360
<v Speaker 1>like let's hop on zoom right now. But I think

0:18:16.359 --> 0:18:18.800
<v Speaker 1>that people are really like, oh, like, so many friendships

0:18:18.800 --> 0:18:20.439
<v Speaker 1>are going to be over after this, it's like, no,

0:18:20.760 --> 0:18:25.800
<v Speaker 1>that's that's not what friendship is. It's also like it's

0:18:25.800 --> 0:18:27.720
<v Speaker 1>also like I I mean, I spent a whole year

0:18:28.040 --> 0:18:30.520
<v Speaker 1>completely off the internet when I was in the Peace Corps,

0:18:30.520 --> 0:18:32.720
<v Speaker 1>like not talking to anyone, barely had a cell phone,

0:18:33.280 --> 0:18:36.240
<v Speaker 1>you know, middle of nowhere, halfway across the world, and

0:18:36.520 --> 0:18:40.640
<v Speaker 1>my friendships, like it felt interminable obviously, like it's only

0:18:40.680 --> 0:18:43.080
<v Speaker 1>been a month for us here, Like Peace Corps was

0:18:43.119 --> 0:18:47.080
<v Speaker 1>like this basically but with no internet and um, and

0:18:47.080 --> 0:18:48.760
<v Speaker 1>it felt like forever. And I felt like I had

0:18:48.800 --> 0:18:51.160
<v Speaker 1>missed out on so much. But then but friendship wise,

0:18:51.200 --> 0:18:53.640
<v Speaker 1>it didn't matter. I just removed myself. And I mean,

0:18:53.640 --> 0:18:56.080
<v Speaker 1>it's different when we're all in the same situation. But

0:18:56.680 --> 0:18:58.880
<v Speaker 1>it's like I've been reading wolf Hall and I keep

0:18:58.920 --> 0:19:02.400
<v Speaker 1>thinking like it's just a month, Like like our our

0:19:02.400 --> 0:19:04.959
<v Speaker 1>whole lives are so short anyway, this is just a

0:19:04.960 --> 0:19:06.920
<v Speaker 1>month of them like it it's our brains are making

0:19:07.200 --> 0:19:10.760
<v Speaker 1>it feels endless and it will be kind of endless.

0:19:10.800 --> 0:19:13.320
<v Speaker 1>But yeah, when you think about how short it actually is,

0:19:13.359 --> 0:19:14.879
<v Speaker 1>it's like, yeah, you don't need to keep up with

0:19:14.920 --> 0:19:18.560
<v Speaker 1>people really. Yeah. I've been reading also about like the

0:19:18.640 --> 0:19:22.040
<v Speaker 1>Cambrian era and stuff like that at the timeline of

0:19:22.119 --> 0:19:25.680
<v Speaker 1>human experience. I do that all the time. It's like, yeah,

0:19:26.200 --> 0:19:29.600
<v Speaker 1>speaking of the timeline of human experience. We wanted to

0:19:29.680 --> 0:19:33.800
<v Speaker 1>talk to Gia a little bit about a subject. She

0:19:33.920 --> 0:19:38.440
<v Speaker 1>is the expert on Instagram face. It is plastic surgery

0:19:38.480 --> 0:19:42.160
<v Speaker 1>April here on night call. Never let anybody forget it's

0:19:42.200 --> 0:19:46.280
<v Speaker 1>plastic surgery April. This is very Wait, have y'all talked

0:19:46.240 --> 0:19:47.560
<v Speaker 1>about what what do you what do you think it's

0:19:47.560 --> 0:19:49.560
<v Speaker 1>going to happen to everyone's face? Like, do you think

0:19:49.560 --> 0:19:51.840
<v Speaker 1>that all of them are getting That's how we kicked

0:19:51.840 --> 0:19:54.639
<v Speaker 1>it off. We talked about some people clearly still have

0:19:54.760 --> 0:19:58.000
<v Speaker 1>people on call, like Madonna and the Kardashians. I think

0:19:58.440 --> 0:20:00.879
<v Speaker 1>it's like a personal chef, like they're just yeah. But

0:20:00.960 --> 0:20:05.320
<v Speaker 1>a lot of the B level influencers, Yeah, if you

0:20:05.359 --> 0:20:08.360
<v Speaker 1>didn't already have your person on call before this all started,

0:20:08.440 --> 0:20:10.080
<v Speaker 1>like you didn't have a lot of time to get that.

0:20:10.160 --> 0:20:17.480
<v Speaker 1>Influences are unemployed to guys, they're um, can you tell

0:20:17.520 --> 0:20:20.760
<v Speaker 1>our listeners a little bit about Instagram face and what

0:20:20.840 --> 0:20:24.000
<v Speaker 1>got you into it? Yeah? So Instagram face just seemed

0:20:24.000 --> 0:20:26.080
<v Speaker 1>to me to be one of those things that, you know,

0:20:26.119 --> 0:20:28.359
<v Speaker 1>any woman between the ages of I don't know, twenty

0:20:28.359 --> 0:20:32.760
<v Speaker 1>and thirty five, who was on Instagram was aware of

0:20:32.800 --> 0:20:36.440
<v Speaker 1>and talking about but just hadn't been like written about

0:20:36.560 --> 0:20:39.320
<v Speaker 1>in a really head on way, or I guess it had.

0:20:39.359 --> 0:20:41.879
<v Speaker 1>But I was like, Okay, so there's this thing where

0:20:41.960 --> 0:20:46.240
<v Speaker 1>every influencer you know looks like a combination of every

0:20:46.280 --> 0:20:49.400
<v Speaker 1>professionally beautiful woman looks like a combination of Emily Radikowski,

0:20:49.760 --> 0:20:53.080
<v Speaker 1>Kylie Jenner, Bella Hadid, and Kendall Jenner, who looks the

0:20:53.119 --> 0:20:56.320
<v Speaker 1>same as Emily Radikowski. And I was like, they're like,

0:20:57.160 --> 0:21:00.280
<v Speaker 1>you know, like the my Marxist instincts were like, okay,

0:21:00.280 --> 0:21:03.840
<v Speaker 1>what is the material reason for this? Like who what?

0:21:03.840 --> 0:21:07.000
<v Speaker 1>What are the material conditions for this production of Instagram face?

0:21:07.480 --> 0:21:10.000
<v Speaker 1>You know, and um, and so some of my friends,

0:21:10.000 --> 0:21:12.160
<v Speaker 1>who are better Instagram observers than me, we're like, okay,

0:21:12.160 --> 0:21:14.680
<v Speaker 1>it's you know, it's this doctor, this doctor, and this doctor.

0:21:15.000 --> 0:21:18.080
<v Speaker 1>I started following them on Instagram, and you know, watching

0:21:18.119 --> 0:21:21.240
<v Speaker 1>their sort of before and after time lapse videos where

0:21:21.240 --> 0:21:24.320
<v Speaker 1>you would see people get their Instagram face in real time.

0:21:24.400 --> 0:21:26.960
<v Speaker 1>You know, everyone's face just started to look like what

0:21:27.119 --> 0:21:30.119
<v Speaker 1>one of my friends called a sexy baby Tiger, and

0:21:30.160 --> 0:21:32.240
<v Speaker 1>it was just like, you know, I had already been

0:21:32.280 --> 0:21:35.520
<v Speaker 1>thinking like there's something about being alive today that I've

0:21:35.560 --> 0:21:40.359
<v Speaker 1>always been like, I'm a little suspicious of how it

0:21:40.440 --> 0:21:44.040
<v Speaker 1>sort of seems like social media systems are shaping identity

0:21:44.040 --> 0:21:46.600
<v Speaker 1>into whatever increases engagement, you know, like they're they're they're

0:21:46.600 --> 0:21:50.160
<v Speaker 1>sort of shaping thoughts and identity. They're incentivizing that, right,

0:21:50.240 --> 0:21:52.240
<v Speaker 1>And and it seemed to me to be really interesting

0:21:52.320 --> 0:21:55.119
<v Speaker 1>that the same thing was happening literally with your face.

0:21:55.240 --> 0:21:58.080
<v Speaker 1>That your face, because all of these new technologies were

0:21:58.080 --> 0:22:02.240
<v Speaker 1>available to tweak and alter your face, both digitally through

0:22:02.280 --> 0:22:05.560
<v Speaker 1>face tune and physically through fillers, that you could just

0:22:05.600 --> 0:22:08.399
<v Speaker 1>go back and forth forever, you know, the sort of

0:22:08.520 --> 0:22:13.960
<v Speaker 1>endless arms race of incremental improvement, until you looked unrecognizable

0:22:14.000 --> 0:22:16.480
<v Speaker 1>and you looked like the same sort of cyborg that

0:22:16.920 --> 0:22:20.000
<v Speaker 1>every professional person, professionally beautiful person on Instagram looked like.

0:22:20.840 --> 0:22:24.480
<v Speaker 1>And um, and so yeah, I just I went to

0:22:24.640 --> 0:22:29.760
<v Speaker 1>Kim's plastic surgeon, Simon Orion, uh and you know, anonymously

0:22:29.840 --> 0:22:32.800
<v Speaker 1>as a patient for a consultation, and you know, he

0:22:32.960 --> 0:22:36.560
<v Speaker 1>like it was terrified, like I felt like if I yeah,

0:22:36.640 --> 0:22:39.160
<v Speaker 1>well he and he like told you how like what

0:22:39.400 --> 0:22:41.800
<v Speaker 1>specifically you would need to do to your face to

0:22:41.840 --> 0:22:44.320
<v Speaker 1>get that yes? And you know, like I just walked

0:22:44.320 --> 0:22:45.680
<v Speaker 1>in and I was like, I'd like to be prettier.

0:22:45.720 --> 0:22:48.440
<v Speaker 1>What would you suggest? And he did tell me, like

0:22:49.160 --> 0:22:51.520
<v Speaker 1>he told me what it would take, like he I

0:22:51.920 --> 0:22:56.760
<v Speaker 1>genuinely felt like, I mean, he he he's clearly an

0:22:56.760 --> 0:23:00.600
<v Speaker 1>amazing doctor. And he was, you know, responding ruthfully to

0:23:00.680 --> 0:23:02.840
<v Speaker 1>this thing that I had said. But then the thing

0:23:02.880 --> 0:23:04.359
<v Speaker 1>that depressed me was that I went to a couple

0:23:04.359 --> 0:23:06.760
<v Speaker 1>of other doctors and said the same thing, and within

0:23:06.840 --> 0:23:08.600
<v Speaker 1>like thirty seconds they looked at my face and they

0:23:08.600 --> 0:23:11.600
<v Speaker 1>were like, yep, cheek filler, chin filler, you know, like

0:23:12.680 --> 0:23:15.040
<v Speaker 1>do suck the fat out of your lower face? Like

0:23:15.119 --> 0:23:18.679
<v Speaker 1>and then you And I was like fuck yeah, Like

0:23:18.840 --> 0:23:21.080
<v Speaker 1>the whole thing made me think, you know, about like this,

0:23:21.600 --> 0:23:24.359
<v Speaker 1>like I always think about the line between like seeing

0:23:24.400 --> 0:23:27.439
<v Speaker 1>your body and life as a source of potential is

0:23:27.480 --> 0:23:31.000
<v Speaker 1>both like amazing and deeply punishing, you know. And and

0:23:31.240 --> 0:23:32.840
<v Speaker 1>I was like, oh, I'll try to be really sort

0:23:32.880 --> 0:23:35.879
<v Speaker 1>of mercenary and pragmatic about this, like I you know,

0:23:35.920 --> 0:23:38.359
<v Speaker 1>I think I'm cute. I don't care, like I'll just

0:23:38.440 --> 0:23:41.480
<v Speaker 1>be I'll just like ha ha, immersion journalism. See what

0:23:41.480 --> 0:23:43.439
<v Speaker 1>they say. And then I left Beverly Hills and I

0:23:43.480 --> 0:23:46.280
<v Speaker 1>was like, motherfucker, Like I can't look at my own

0:23:46.320 --> 0:23:50.560
<v Speaker 1>face anymore. Yeah. Yeah, you gotta read Helter Skelter, the

0:23:50.720 --> 0:23:55.680
<v Speaker 1>manga by Kyoko Okazaki that we just talked about. I will. Uh,

0:23:55.840 --> 0:23:58.720
<v Speaker 1>somebody may have just found a pdf off it online.

0:23:58.840 --> 0:24:03.800
<v Speaker 1>Oh really, Oh great, somebody it was my dad. We're

0:24:03.800 --> 0:24:23.320
<v Speaker 1>gonna take a quick break, welcome back. Maybe now it's

0:24:23.320 --> 0:24:24.840
<v Speaker 1>a good time, actually to take a night call to

0:24:24.880 --> 0:24:27.919
<v Speaker 1>talk about the rubicon of how this began, how we

0:24:28.000 --> 0:24:30.960
<v Speaker 1>got here. Let's do it. Let's take this night call.

0:24:31.240 --> 0:24:34.640
<v Speaker 1>Hey guys, this is Brooke a long time, long time

0:24:35.240 --> 0:24:39.359
<v Speaker 1>really enjoying classic surgery months. Um, I've been rewatching the

0:24:39.440 --> 0:24:45.680
<v Speaker 1>hill famously got ten surgeries done in one day, um,

0:24:45.800 --> 0:24:49.119
<v Speaker 1>and now regrets it and has a lot of pain.

0:24:49.240 --> 0:24:52.879
<v Speaker 1>But I think she is one of those people. I

0:24:52.880 --> 0:24:57.560
<v Speaker 1>think she kind of marks this like demarcation between numerous

0:24:57.600 --> 0:25:01.080
<v Speaker 1>surgical enhancements and sort of the objections, because when you

0:25:01.119 --> 0:25:03.560
<v Speaker 1>think about people that have like really changed the way

0:25:03.600 --> 0:25:07.520
<v Speaker 1>they look, kind of sense Heidi Montag, like someone like

0:25:07.560 --> 0:25:11.320
<v Speaker 1>Bella Hadid. She's done it so piecemeal, and a lot

0:25:11.320 --> 0:25:14.399
<v Speaker 1>of the things that she's done is more injection based

0:25:14.400 --> 0:25:19.080
<v Speaker 1>as opposed to surgery. UM and Heidi, I mean, I

0:25:19.119 --> 0:25:21.000
<v Speaker 1>think in a desperate attempt to be the star of

0:25:21.000 --> 0:25:23.439
<v Speaker 1>the season, like did this like huge dramatic kind of

0:25:23.480 --> 0:25:27.199
<v Speaker 1>like the fox that or Foxes like the Swan, like

0:25:27.320 --> 0:25:30.919
<v Speaker 1>full body rehab thing. Um, and she was like pilloried

0:25:30.960 --> 0:25:34.439
<v Speaker 1>for it, and ultimately like they left the show and

0:25:34.480 --> 0:25:37.440
<v Speaker 1>we're kind of living in Danna Barbara and ob security

0:25:37.480 --> 0:25:40.600
<v Speaker 1>like after the Hills until the new season. So anyway,

0:25:40.640 --> 0:25:43.199
<v Speaker 1>I just think she's like a really interesting person in

0:25:43.240 --> 0:25:48.399
<v Speaker 1>this story and UM loving living this month. All right, guys,

0:25:48.480 --> 0:25:53.600
<v Speaker 1>by great question from our friend Bruck Baker, who um

0:25:53.640 --> 0:25:56.280
<v Speaker 1>really really smart to bring up Heidi mont Tak. Yeah.

0:25:56.320 --> 0:25:58.440
<v Speaker 1>I think what happened is that this happened in two

0:25:58.440 --> 0:26:00.639
<v Speaker 1>waves in the two thousands, and first there was the

0:26:00.680 --> 0:26:04.600
<v Speaker 1>wave of people in their twenties and younger getting plastic

0:26:04.600 --> 0:26:07.480
<v Speaker 1>surgery for things that were traditionally reserved for older women

0:26:07.520 --> 0:26:09.960
<v Speaker 1>trying to look young. And then they became about like

0:26:10.119 --> 0:26:14.240
<v Speaker 1>younger women trying to look like trans human. So at

0:26:14.280 --> 0:26:18.040
<v Speaker 1>first it was kind of you know, like a like

0:26:18.480 --> 0:26:21.639
<v Speaker 1>freakish I want to say it was like treated as

0:26:21.680 --> 0:26:25.679
<v Speaker 1>a novelty and sort of you know something still that

0:26:25.760 --> 0:26:30.480
<v Speaker 1>like very over the top people only were doing, and

0:26:30.520 --> 0:26:35.760
<v Speaker 1>then it became normalized via Kylie Jenner. Then there was

0:26:35.800 --> 0:26:38.159
<v Speaker 1>like a second wave with Kylie Jenner of like, Okay,

0:26:38.160 --> 0:26:41.879
<v Speaker 1>everyone's gonna do this, maybe we're gonna acknowledge it, or

0:26:41.880 --> 0:26:44.199
<v Speaker 1>maybe we're just gonna say we're overlining our lips with

0:26:44.280 --> 0:26:47.280
<v Speaker 1>lip liner, And like Deny, a lot of people would

0:26:47.280 --> 0:26:51.600
<v Speaker 1>be like, puberty is what made my lips get big? Suddenly.

0:26:52.000 --> 0:26:54.840
<v Speaker 1>It's interesting to me that people are still thinking about

0:26:54.920 --> 0:26:58.400
<v Speaker 1>Heidi Montag. Montag was a blip for me. I mean

0:26:58.480 --> 0:27:01.320
<v Speaker 1>it was it just seemed sad and then I moved on.

0:27:01.400 --> 0:27:03.679
<v Speaker 1>But I was never that immersed in the hills. But

0:27:03.760 --> 0:27:07.800
<v Speaker 1>I guess she was twenty three um and she I

0:27:07.840 --> 0:27:11.159
<v Speaker 1>do remember her kind of like appearing on um, you know,

0:27:11.200 --> 0:27:14.400
<v Speaker 1>the covers of magazines and stuff about ten years ago,

0:27:14.880 --> 0:27:17.440
<v Speaker 1>talking about I think she had ten. So we're gonna

0:27:17.480 --> 0:27:19.760
<v Speaker 1>start the list because it's like really like it's the

0:27:19.800 --> 0:27:22.000
<v Speaker 1>first time I've ever heard of like a back scoop

0:27:22.720 --> 0:27:28.080
<v Speaker 1>um um. It's like a thing. It's like I guess

0:27:28.080 --> 0:27:31.439
<v Speaker 1>it's like kind of like, I guess a Brazilian without

0:27:31.480 --> 0:27:36.040
<v Speaker 1>the um without the taking the fat and then putting

0:27:36.080 --> 0:27:38.520
<v Speaker 1>it in your butt, like it's just you take you

0:27:38.600 --> 0:27:41.439
<v Speaker 1>basically like I don't know, it's just like taking some

0:27:41.480 --> 0:27:43.280
<v Speaker 1>of your back fat out so that you're like Coop

0:27:43.680 --> 0:27:47.520
<v Speaker 1>but looks more pronounced or something. Um I need to

0:27:47.600 --> 0:27:50.840
<v Speaker 1>find Okay she got, Okay, here's the list. This was

0:27:50.920 --> 0:27:55.200
<v Speaker 1>a This is a spread in um People magazine at

0:27:55.200 --> 0:27:57.480
<v Speaker 1>the time. Also, wait, didn't she have like a bunch

0:27:57.520 --> 0:27:59.920
<v Speaker 1>in one day? It was all at once, It was

0:28:00.000 --> 0:28:02.880
<v Speaker 1>all the way. So it was minni brow lift, boat

0:28:02.880 --> 0:28:06.159
<v Speaker 1>talks in her forehead and frown area, nose job revision

0:28:06.160 --> 0:28:09.080
<v Speaker 1>because she had already had a nose job, fat injections,

0:28:09.080 --> 0:28:13.359
<v Speaker 1>and her cheeks, nasal labial folds and lips, chin reduction,

0:28:13.920 --> 0:28:20.119
<v Speaker 1>neck lipos section, ears, pinned back, breast augmentation revision, LiPo

0:28:20.200 --> 0:28:23.560
<v Speaker 1>section on her waist, hips in her and outer thighs,

0:28:23.600 --> 0:28:29.960
<v Speaker 1>and a butt augmentation all at once. That's so dangerous. Yeah,

0:28:30.040 --> 0:28:33.200
<v Speaker 1>and I she did have a lot of complications with it. Yeah.

0:28:33.400 --> 0:28:35.560
<v Speaker 1>Really she said that her heart stopped and they had

0:28:35.600 --> 0:28:40.400
<v Speaker 1>to Yeah, yeah, I mean that. See. I think of

0:28:40.440 --> 0:28:43.840
<v Speaker 1>that episode which I wrote the episode where she unveils

0:28:43.840 --> 0:28:46.640
<v Speaker 1>her face and like she she goes home to her

0:28:46.680 --> 0:28:51.320
<v Speaker 1>parents and like Colorado or whatever, and um, and like

0:28:51.400 --> 0:28:57.160
<v Speaker 1>her mom sees her daughter like completely remade for the

0:28:57.240 --> 0:28:59.720
<v Speaker 1>first time, and it's like it's truly one of these

0:28:59.760 --> 0:29:01.920
<v Speaker 1>moments in that show. And there are many in that

0:29:01.960 --> 0:29:03.800
<v Speaker 1>show where it's just like, Okay, I am watching a

0:29:03.880 --> 0:29:07.120
<v Speaker 1>work of high art, like this is like I've never

0:29:07.120 --> 0:29:11.720
<v Speaker 1>seen this happen before in any medium. Um. What was

0:29:11.760 --> 0:29:16.360
<v Speaker 1>the reaction was her mom was really upset, but she

0:29:16.480 --> 0:29:19.200
<v Speaker 1>was trying to make yeah, and she was trying to

0:29:19.280 --> 0:29:21.360
<v Speaker 1>be nice about it. She was just like, well, if

0:29:21.360 --> 0:29:23.000
<v Speaker 1>this is what makes you happy, but she was like

0:29:23.080 --> 0:29:25.120
<v Speaker 1>crying and stuff, and it was just like it was

0:29:25.160 --> 0:29:27.800
<v Speaker 1>really rough. Her mom's kind of normal. Her mom is

0:29:27.840 --> 0:29:30.520
<v Speaker 1>not like a momager at all or even like an

0:29:30.520 --> 0:29:35.040
<v Speaker 1>Orange County like housewife. I'm very like rich like Boulder types,

0:29:35.480 --> 0:29:39.320
<v Speaker 1>rich religious people. It's funny, Like I think that the

0:29:39.800 --> 0:29:42.360
<v Speaker 1>Heidi montage saying like, I also don't think of her

0:29:42.480 --> 0:29:46.120
<v Speaker 1>very much at all or at all, but I think

0:29:46.160 --> 0:29:49.040
<v Speaker 1>that it's funny she is. She was that sort of

0:29:49.080 --> 0:29:52.719
<v Speaker 1>early precursor to both this idea that you know, it

0:29:52.760 --> 0:29:55.800
<v Speaker 1>makes obvious practical sense in a too, in a very

0:29:55.840 --> 0:30:00.440
<v Speaker 1>sort of unabashed open way, just modify your body according

0:30:00.440 --> 0:30:03.080
<v Speaker 1>to whatever will make it more money, you know, And

0:30:03.080 --> 0:30:06.080
<v Speaker 1>it also makes complete sense, you know, as an ordinary

0:30:06.160 --> 0:30:12.120
<v Speaker 1>person to you know, use your own body and personality

0:30:12.120 --> 0:30:17.480
<v Speaker 1>as a vehicle towards um like economic success, like like

0:30:17.480 --> 0:30:20.560
<v Speaker 1>like she's so so ordinary that that the fact that

0:30:20.600 --> 0:30:23.520
<v Speaker 1>she did both of those things, she was already like

0:30:23.760 --> 0:30:27.120
<v Speaker 1>the bitch on a successful soap opera, you know, like

0:30:27.240 --> 0:30:30.120
<v Speaker 1>she or she became the bitch when she did the

0:30:30.120 --> 0:30:33.320
<v Speaker 1>plastic surgery because actually the thing about it that was

0:30:33.400 --> 0:30:35.720
<v Speaker 1>concerning I think was also that it was like maybe

0:30:35.760 --> 0:30:39.240
<v Speaker 1>Spencer's idea that was that was why I was always

0:30:39.280 --> 0:30:42.880
<v Speaker 1>so repelled and maybe why I never let myself become

0:30:42.920 --> 0:30:44.640
<v Speaker 1>interested in what was going on with her was that

0:30:44.680 --> 0:30:47.800
<v Speaker 1>it just seemed like such a gross, toxic relationship and

0:30:47.880 --> 0:30:51.040
<v Speaker 1>it didn't seem like I couldn't get interested in it

0:30:51.080 --> 0:30:53.720
<v Speaker 1>if the dynamic was that it was just like two

0:30:53.760 --> 0:30:57.600
<v Speaker 1>awful people and one of her was forcing the other

0:30:57.680 --> 0:31:00.520
<v Speaker 1>tastic to turn in the shows her rent like when

0:31:00.600 --> 0:31:02.640
<v Speaker 1>she gets with Spencer, her friends are like, we don't

0:31:02.680 --> 0:31:05.360
<v Speaker 1>like this guy. We think he's bad for you. And

0:31:05.400 --> 0:31:08.320
<v Speaker 1>then she's just like in it so deep immediately that

0:31:08.440 --> 0:31:12.959
<v Speaker 1>there's nothing they can do, and then they are together

0:31:13.000 --> 0:31:17.960
<v Speaker 1>forever and uh still together now. But she came out

0:31:18.080 --> 0:31:20.240
<v Speaker 1>later and said she regretted it. She had a lot

0:31:20.240 --> 0:31:26.560
<v Speaker 1>of them undone. She said it was like a terrible idea. Um,

0:31:26.760 --> 0:31:31.800
<v Speaker 1>but I think, yeah, Heidi Kim Kardashian obviously. I mean

0:31:31.840 --> 0:31:34.920
<v Speaker 1>the thing about Heidi that I feel like is kind

0:31:34.920 --> 0:31:37.800
<v Speaker 1>of pretty different from the kind of work that a

0:31:37.800 --> 0:31:40.200
<v Speaker 1>lot of people her age at that time are getting

0:31:40.240 --> 0:31:44.920
<v Speaker 1>now is that I don't know what she's emulating other

0:31:44.960 --> 0:31:49.320
<v Speaker 1>than like Barbie or like you know, Anna Anderson or

0:31:49.360 --> 0:31:52.440
<v Speaker 1>something in Courtney Stotton and people that's like a very

0:31:52.480 --> 0:31:55.239
<v Speaker 1>specific type of person. Not gonna say it's l a

0:31:55.280 --> 0:31:59.360
<v Speaker 1>specific although obviously, you know, like the good version is Angeline,

0:31:59.480 --> 0:32:03.160
<v Speaker 1>Like she this idea of you know, or Marilyn Monroe,

0:32:03.280 --> 0:32:05.440
<v Speaker 1>just the idea of like, yeah, use what you have

0:32:05.640 --> 0:32:08.400
<v Speaker 1>augmented a little bit and then make yourself like a

0:32:08.520 --> 0:32:11.880
<v Speaker 1>vehicle for selling glamour on your own term. In a way,

0:32:11.960 --> 0:32:15.120
<v Speaker 1>that's why it doesn't seem as insidious to me, because

0:32:15.120 --> 0:32:17.880
<v Speaker 1>it's like this came out of somebody's like imagination and

0:32:17.920 --> 0:32:21.400
<v Speaker 1>had very little to do with peer pressure. I wanted

0:32:21.440 --> 0:32:24.120
<v Speaker 1>to throw it to Gia about that because when you

0:32:24.160 --> 0:32:26.720
<v Speaker 1>look at the pictures of Heidi Montag it's there's a

0:32:26.800 --> 0:32:29.160
<v Speaker 1>kind of dated nous just in terms of comparing it

0:32:29.200 --> 0:32:32.720
<v Speaker 1>to Instagram phase and Gia like, when you started noticing

0:32:33.280 --> 0:32:37.240
<v Speaker 1>this kind of homogeney in in the look, like the aesthetic?

0:32:37.400 --> 0:32:40.320
<v Speaker 1>Have you been able to unsee it? Is part one

0:32:40.400 --> 0:32:43.400
<v Speaker 1>and part two like are you starting to notice a shift?

0:32:43.440 --> 0:32:46.720
<v Speaker 1>Are you noticing like an evolution of that look? Yeah,

0:32:46.720 --> 0:32:49.240
<v Speaker 1>I mean I think it will continue to shift because

0:32:49.400 --> 0:32:51.840
<v Speaker 1>the thing about Instagram face that's so uncanny is it

0:32:51.840 --> 0:32:54.360
<v Speaker 1>it's so gradual. It's like the celeb face things where

0:32:54.400 --> 0:32:57.040
<v Speaker 1>you can't where Sometimes even if you see a picture

0:32:57.040 --> 0:32:59.720
<v Speaker 1>being photoshop before your eyes, you can't tell which is

0:32:59.760 --> 0:33:02.320
<v Speaker 1>the fur and which is the after. Sometimes you can't

0:33:02.320 --> 0:33:04.440
<v Speaker 1>even see the change. You just know that their face

0:33:04.480 --> 0:33:07.480
<v Speaker 1>looks different. And I think in the difference like the

0:33:07.760 --> 0:33:11.560
<v Speaker 1>real evolution from Heidi Montage two or whatever to this

0:33:11.640 --> 0:33:14.000
<v Speaker 1>sort of thing is that you know that was all

0:33:14.040 --> 0:33:16.600
<v Speaker 1>at once, everything in a day with the Gardashians, right,

0:33:16.640 --> 0:33:18.720
<v Speaker 1>It's it's over the course of four or five years,

0:33:19.320 --> 0:33:22.080
<v Speaker 1>and even their doctor said to me, like talking about

0:33:22.120 --> 0:33:25.120
<v Speaker 1>them specifically, like he was like, you know, my most

0:33:25.160 --> 0:33:28.000
<v Speaker 1>famous clients, you will not be able to tell the

0:33:28.000 --> 0:33:30.520
<v Speaker 1>difference between you know, before and after a visit or

0:33:30.560 --> 0:33:33.000
<v Speaker 1>even month to month. It's just over years that you

0:33:33.000 --> 0:33:37.080
<v Speaker 1>can tell a difference. And and so it's built in

0:33:37.120 --> 0:33:39.640
<v Speaker 1>that it always it's a it's a like it makes

0:33:39.640 --> 0:33:43.520
<v Speaker 1>it more insidious in terms of with the Courtney Staddon

0:33:43.720 --> 0:33:45.640
<v Speaker 1>Heidi Montage thing, it's like, right, you have this one

0:33:45.680 --> 0:33:49.000
<v Speaker 1>idea and it's Marilyn Monroe, right, it's bombshell pin up

0:33:49.120 --> 0:33:53.360
<v Speaker 1>like Jessica Rabbit, hyperd Blade whatever. With these things, it's

0:33:53.400 --> 0:33:57.880
<v Speaker 1>this continually shifting cyborg. Right. It's like the the ideal

0:33:57.960 --> 0:34:02.080
<v Speaker 1>itself is being collectively create did and then continually altered

0:34:02.440 --> 0:34:06.600
<v Speaker 1>in real time, both by face tune and by fillers

0:34:06.640 --> 0:34:09.520
<v Speaker 1>and botox, and both of those things just keep building

0:34:09.560 --> 0:34:12.960
<v Speaker 1>against each other. And I think the ideal will shift

0:34:13.160 --> 0:34:17.320
<v Speaker 1>based on a sort of almost collective voting right way

0:34:17.320 --> 0:34:21.040
<v Speaker 1>of um Instagram likes and sponsorships like whatever, wait, whatever

0:34:21.120 --> 0:34:23.759
<v Speaker 1>face performs the best, that's what. And I think it

0:34:23.800 --> 0:34:26.440
<v Speaker 1>will kind of shift a little bits. But I think

0:34:26.480 --> 0:34:31.080
<v Speaker 1>I mean The thing that really got about another difference

0:34:31.120 --> 0:34:34.560
<v Speaker 1>between the Montag look and the whatever we're seeing now

0:34:34.640 --> 0:34:37.520
<v Speaker 1>is that one of the things I find most um

0:34:37.560 --> 0:34:41.120
<v Speaker 1>disturbing about today's beauty ideal, like the Glossier whatever vibe,

0:34:41.200 --> 0:34:44.759
<v Speaker 1>is that it's it's a sort of performative natural nous,

0:34:44.920 --> 0:34:49.480
<v Speaker 1>right like bear skin you know, yeah, bear skin you know,

0:34:49.600 --> 0:34:56.399
<v Speaker 1>eating Like, yeah, you just pump all of this, like

0:34:56.719 --> 0:34:58.920
<v Speaker 1>you pump all of these chemicals and all of this

0:34:59.040 --> 0:35:01.520
<v Speaker 1>money in to your sort of diet and wellness and

0:35:01.560 --> 0:35:04.120
<v Speaker 1>skincer so that you can give off this like very

0:35:04.200 --> 0:35:07.360
<v Speaker 1>faux natural aesthetic. And I think like the way in

0:35:07.440 --> 0:35:12.880
<v Speaker 1>which you know this it's it's it's deliberately it's both

0:35:12.920 --> 0:35:16.279
<v Speaker 1>like deliberately on canny and also supposed to be this

0:35:16.400 --> 0:35:22.200
<v Speaker 1>very sort of clean, you know, probably healthy like interesting

0:35:22.239 --> 0:35:25.120
<v Speaker 1>thing too, it's like like you know, eating clean and

0:35:25.200 --> 0:35:28.680
<v Speaker 1>also putting botulism in your face. Yeah, and and those

0:35:28.719 --> 0:35:31.320
<v Speaker 1>things are and and both of them kind of dovetail

0:35:31.400 --> 0:35:34.840
<v Speaker 1>under this like you know bullshit like girl bless idea

0:35:34.920 --> 0:35:37.400
<v Speaker 1>that you know, whatever you do to live your best

0:35:37.440 --> 0:35:39.920
<v Speaker 1>life is good and both of those things qualified or

0:35:39.960 --> 0:35:44.600
<v Speaker 1>anything a woman does this feminism, yeah, especially anything that

0:35:44.640 --> 0:35:46.880
<v Speaker 1>makes her money right, or like makes you happy or

0:35:46.920 --> 0:35:49.640
<v Speaker 1>makes your perform better on Instagram right, And that the

0:35:49.680 --> 0:35:52.760
<v Speaker 1>hiding Montague thing is like a jackhammer to a piece

0:35:52.760 --> 0:35:55.280
<v Speaker 1>of marble, and this is more like you can tell yourself.

0:35:55.320 --> 0:35:58.920
<v Speaker 1>It's like, no, you're chiseling away. The doctors presented like

0:35:59.000 --> 0:36:01.520
<v Speaker 1>going to the gym, I'm and that's what they you know,

0:36:01.680 --> 0:36:04.319
<v Speaker 1>like because I asked them about Instagram face, you know,

0:36:04.360 --> 0:36:06.279
<v Speaker 1>and I interviewed one of them like as myself and

0:36:06.320 --> 0:36:10.040
<v Speaker 1>not as an undercover patient and um, and he was like, listen,

0:36:10.120 --> 0:36:13.000
<v Speaker 1>you know we it's no longer sort of a shameful

0:36:13.040 --> 0:36:15.320
<v Speaker 1>thing to you know, want to be happy in your body.

0:36:15.360 --> 0:36:17.360
<v Speaker 1>And I was like, you know, my eyes are despiraling,

0:36:17.480 --> 0:36:21.399
<v Speaker 1>because I was just like deeply in despair. And then

0:36:21.640 --> 0:36:24.400
<v Speaker 1>because like Kylie came out about it eventually, she was like,

0:36:24.400 --> 0:36:26.520
<v Speaker 1>I've had some stuff done. The Kardashians are all still

0:36:26.520 --> 0:36:29.839
<v Speaker 1>really squorely on like what specifically they've had done, even

0:36:29.840 --> 0:36:33.720
<v Speaker 1>though the human eye can tell, you know, from looking

0:36:33.719 --> 0:36:37.480
<v Speaker 1>at them. But yeah, I think what you were saying

0:36:37.480 --> 0:36:40.680
<v Speaker 1>about it being an arms race especially, so it's like

0:36:40.719 --> 0:36:43.640
<v Speaker 1>any time a new procedure is invented, and it's like

0:36:43.719 --> 0:36:46.560
<v Speaker 1>any tech thing where they're like constantly like on the

0:36:46.600 --> 0:36:48.799
<v Speaker 1>bleeding edge, trying to come up with new things to

0:36:48.840 --> 0:36:53.120
<v Speaker 1>sell people. So it's like I personally will learn about

0:36:53.160 --> 0:36:55.600
<v Speaker 1>something that I didn't know people did to their faces,

0:36:55.680 --> 0:36:57.480
<v Speaker 1>and then I won't be able to stop seeing it.

0:36:58.280 --> 0:37:02.480
<v Speaker 1>There's so many new things out lift which people say

0:37:02.600 --> 0:37:07.880
<v Speaker 1>allegedly Ariana Grande has had that makes her look very

0:37:08.400 --> 0:37:13.040
<v Speaker 1>entirely and everybody um. And the other one is the

0:37:13.040 --> 0:37:17.320
<v Speaker 1>the eye threading thing where people because also Bella Hadid

0:37:17.400 --> 0:37:20.320
<v Speaker 1>was like photoshopping her eyes into a cat I before

0:37:20.400 --> 0:37:22.799
<v Speaker 1>she did that, they would point it out on selub

0:37:22.920 --> 0:37:26.440
<v Speaker 1>face that she was like photoshopping her eyes like up

0:37:26.480 --> 0:37:29.000
<v Speaker 1>a little bit um and it looks like when actresses

0:37:29.040 --> 0:37:31.200
<v Speaker 1>do that. It's called like the Hollywood facelift where you

0:37:31.239 --> 0:37:35.080
<v Speaker 1>just like pin your face back tape. That's what it

0:37:35.080 --> 0:37:38.520
<v Speaker 1>looks like, which doesn't remind me of Brazil. It's the

0:37:38.600 --> 0:37:42.080
<v Speaker 1>subtle Brazil. Is this like a thread lift on your eyes?

0:37:42.239 --> 0:37:44.640
<v Speaker 1>Is that what it is? Yeah, it's a lift on

0:37:44.680 --> 0:37:48.440
<v Speaker 1>your eyes, and Bella Hadid did it. But like now again,

0:37:48.480 --> 0:37:50.720
<v Speaker 1>like now that I have seen it, I can't stop

0:37:50.760 --> 0:37:54.640
<v Speaker 1>seeing it. Yeah, there's a thing called one of my friends,

0:37:54.800 --> 0:37:58.600
<v Speaker 1>Um who used to work in beautypr and like fully

0:37:58.760 --> 0:38:03.160
<v Speaker 1>does Instagram face to herself. She always like, we always

0:38:03.160 --> 0:38:05.240
<v Speaker 1>send her pictures of like, you know, like Jared Kushner

0:38:05.280 --> 0:38:07.719
<v Speaker 1>looks super whack these days, like you know, mobile text

0:38:07.760 --> 0:38:10.560
<v Speaker 1>pictures of like Jared Kushner or Joe Biden or you

0:38:10.600 --> 0:38:13.960
<v Speaker 1>know this new adel face and you know, like be

0:38:14.080 --> 0:38:16.640
<v Speaker 1>like tell us what, tell us what they got. And

0:38:16.680 --> 0:38:18.160
<v Speaker 1>she was and she was telling me about this thing

0:38:18.200 --> 0:38:20.600
<v Speaker 1>called boogle fat removal. You all know about that. We

0:38:20.640 --> 0:38:24.080
<v Speaker 1>talked about it. Yeah it's so And I looked at

0:38:24.120 --> 0:38:27.200
<v Speaker 1>and I was like, oh, yeah, it's but she said

0:38:27.200 --> 0:38:29.960
<v Speaker 1>she ate a lot of japanesewee potatoes in her face change.

0:38:30.360 --> 0:38:33.120
<v Speaker 1>I remember that we were talking about too, because we

0:38:33.120 --> 0:38:35.000
<v Speaker 1>were saying, like, because we all wrapped for like the

0:38:35.120 --> 0:38:38.480
<v Speaker 1>Round Face Crew, It's oh yeah, it's like having that

0:38:38.680 --> 0:38:42.040
<v Speaker 1>done makes you look it doesn't. It like doesn't make

0:38:42.080 --> 0:38:44.200
<v Speaker 1>you look more youthful. It makes you look like more

0:38:44.320 --> 0:38:47.680
<v Speaker 1>high fashion in this way that it's like more of

0:38:47.719 --> 0:38:50.680
<v Speaker 1>a smoker, like you look like an as twin. It

0:38:50.719 --> 0:38:53.680
<v Speaker 1>also makes you look sad because it kind of unless

0:38:53.719 --> 0:38:56.520
<v Speaker 1>you do something to fix the fact that it drags

0:38:56.520 --> 0:38:58.920
<v Speaker 1>your face down a little, like it drags the corners

0:38:58.920 --> 0:39:01.040
<v Speaker 1>of your mouth down unless you have something to pat

0:39:01.160 --> 0:39:04.680
<v Speaker 1>it and keep it up. Um. After we wrapped last week,

0:39:04.680 --> 0:39:07.160
<v Speaker 1>I was like, now I'm going to be thinking about

0:39:07.200 --> 0:39:09.600
<v Speaker 1>removal for the rest of my life. It's also like

0:39:09.680 --> 0:39:13.400
<v Speaker 1>it targets insecure people obviously, but like I've known people

0:39:13.400 --> 0:39:16.319
<v Speaker 1>who aren't, like the most insecure person who, like you said, Jia,

0:39:16.480 --> 0:39:18.640
<v Speaker 1>it's like you go in and then they just like

0:39:18.640 --> 0:39:20.480
<v Speaker 1>look at your face and they're like, m you know

0:39:20.520 --> 0:39:23.080
<v Speaker 1>what you should do? And like, even if you are

0:39:23.120 --> 0:39:26.200
<v Speaker 1>a person who is comfortable with your face at this point,

0:39:27.160 --> 0:39:29.439
<v Speaker 1>it's like just having someone be like, you know what

0:39:29.760 --> 0:39:33.120
<v Speaker 1>would make your face look better and suggesting it. Yeah,

0:39:33.200 --> 0:39:37.280
<v Speaker 1>And it's really crazy, like especially if with UM clinics

0:39:37.320 --> 0:39:39.920
<v Speaker 1>that serve Asian people too, there's a lot of stuff

0:39:39.920 --> 0:39:43.000
<v Speaker 1>that's assumed that you want because everybody wants it if

0:39:43.040 --> 0:39:45.440
<v Speaker 1>they're Asian, and the Boogle fat remover is one of

0:39:45.440 --> 0:39:48.120
<v Speaker 1>those things because you know, Asian people tend to have

0:39:48.280 --> 0:39:51.560
<v Speaker 1>full their faces, not necessarily always, but a lot you know,

0:39:51.920 --> 0:39:56.799
<v Speaker 1>uh eyelid stuff, um, you know naso labial stuff that

0:39:56.840 --> 0:39:59.000
<v Speaker 1>all ends up like that, that stuff that's just like,

0:39:59.040 --> 0:40:01.680
<v Speaker 1>well you could you know, that's just like assumed that

0:40:02.080 --> 0:40:04.359
<v Speaker 1>in the battery of things you might be going in

0:40:04.440 --> 0:40:06.600
<v Speaker 1>for that you would want that if you're Asian, which

0:40:06.640 --> 0:40:09.359
<v Speaker 1>is just you know, a whole other layer of it

0:40:09.520 --> 0:40:12.719
<v Speaker 1>to me thinking about these procedures, because I mean there

0:40:12.800 --> 0:40:14.759
<v Speaker 1>was of course, like after there was a part of

0:40:14.760 --> 0:40:18.000
<v Speaker 1>me that was like, well, if if my looks were

0:40:18.040 --> 0:40:21.600
<v Speaker 1>directly connected to my livelihood, i'd probably get this ship.

0:40:21.920 --> 0:40:23.520
<v Speaker 1>Like after talking to them, they were like, oh, it's

0:40:23.520 --> 0:40:25.759
<v Speaker 1>a couple of thousand dollars like last for a year,

0:40:25.800 --> 0:40:27.439
<v Speaker 1>you know, I would like, I'm like, maybe I would

0:40:27.480 --> 0:40:28.960
<v Speaker 1>put that on a credit card. I was really thinking

0:40:28.960 --> 0:40:31.640
<v Speaker 1>about that. Gia had to leave. She had a little

0:40:31.680 --> 0:40:35.160
<v Speaker 1>bit of a technical difficulty. So we're sorry for the

0:40:35.200 --> 0:40:38.439
<v Speaker 1>abrupt ending. But you can find her book Trick Mirror

0:40:38.480 --> 0:40:40.959
<v Speaker 1>and all of her other writing on her website gia

0:40:41.080 --> 0:40:43.000
<v Speaker 1>dot blog, and you can find out where to purchase

0:40:43.000 --> 0:40:45.120
<v Speaker 1>her book and all sorts of other good stuff. So

0:40:45.400 --> 0:40:47.080
<v Speaker 1>we are so glad that she came by this week.

0:40:47.239 --> 0:40:50.320
<v Speaker 1>This was great. Um, we're gonna take a quick break

0:40:50.719 --> 0:40:53.960
<v Speaker 1>and when we come back, it's time to take our

0:40:54.200 --> 0:41:22.360
<v Speaker 1>faces off. Welcome back tonight. Call a podcast for Taking

0:41:22.360 --> 0:41:26.960
<v Speaker 1>Your Face Off. It's plastic surgery, April. What better plastic

0:41:26.960 --> 0:41:31.440
<v Speaker 1>surgery classic to dive into than John Wu's Face Off,

0:41:31.920 --> 0:41:37.160
<v Speaker 1>the movie where two people get facial facial taken off surgery,

0:41:37.800 --> 0:41:41.319
<v Speaker 1>they got face swapped two people. Feels like it's under

0:41:41.360 --> 0:41:44.279
<v Speaker 1>selling it when the people that you're speaking of our

0:41:44.440 --> 0:41:47.120
<v Speaker 1>John Travolta and Nick Cage, like, I feel like they're

0:41:47.520 --> 0:41:50.640
<v Speaker 1>they're like demigods, They're like on another level. And is

0:41:50.680 --> 0:41:53.840
<v Speaker 1>it true you had not seen seen Face Off before?

0:41:53.880 --> 0:41:58.440
<v Speaker 1>How did you miss it? Um? I don't know. I

0:41:58.120 --> 0:42:00.319
<v Speaker 1>I don't know. I mean, it's just when these I

0:42:00.320 --> 0:42:01.880
<v Speaker 1>feel like, this is a movie you see you with

0:42:01.920 --> 0:42:04.640
<v Speaker 1>a bunch of friends in college and like a somewhat

0:42:04.760 --> 0:42:09.320
<v Speaker 1>rambunctious setting where there might be some substances UH enjoyed

0:42:09.400 --> 0:42:13.439
<v Speaker 1>or something. I never sure I saw it with my parents. Okay, well,

0:42:13.480 --> 0:42:15.359
<v Speaker 1>I don't know. This feels to me, like I this

0:42:15.400 --> 0:42:18.600
<v Speaker 1>feels to me like the kind of movie that I

0:42:18.719 --> 0:42:21.040
<v Speaker 1>now know, like the kinds of jokes a lot of

0:42:21.040 --> 0:42:25.120
<v Speaker 1>my like high school and college like guy friends would

0:42:25.120 --> 0:42:27.799
<v Speaker 1>make a lot and it's all kind of based out

0:42:27.800 --> 0:42:30.000
<v Speaker 1>of this. But it was sort of weird to see

0:42:30.000 --> 0:42:33.839
<v Speaker 1>the Rosetta Stone. Finally, I mean this movie is is justified,

0:42:34.480 --> 0:42:37.160
<v Speaker 1>like the hype around it is justified because it is

0:42:37.800 --> 0:42:43.799
<v Speaker 1>um super crazy, um fucking rules. Yeah. I love John

0:42:43.840 --> 0:42:47.120
<v Speaker 1>Woo and I love the John Woo Hollywood movies. I

0:42:47.200 --> 0:42:51.680
<v Speaker 1>was thinking about it because I watched Birds of Prey recently. Yeah,

0:42:51.719 --> 0:42:56.160
<v Speaker 1>I was like, it's like the best action movie, best

0:42:56.200 --> 0:42:59.400
<v Speaker 1>like superhero movie definitely, but also the best like action

0:42:59.480 --> 0:43:01.160
<v Speaker 1>sequence is I've seen a long time. And then I

0:43:01.200 --> 0:43:03.160
<v Speaker 1>read it was because they were doing a lot of

0:43:03.200 --> 0:43:07.920
<v Speaker 1>Hong Kong style fight choreography. Um, and Face Off also

0:43:08.440 --> 0:43:10.680
<v Speaker 1>just sort of was one of the first movies. I

0:43:10.719 --> 0:43:14.280
<v Speaker 1>feel like that brought that kind of fight choreography into

0:43:14.480 --> 0:43:20.320
<v Speaker 1>American brains, American brains that didn't watch martial arts movies

0:43:20.360 --> 0:43:27.520
<v Speaker 1>already and Chinese action movies. Um. But you know it's, um,

0:43:27.520 --> 0:43:31.000
<v Speaker 1>it's a perfect movie. It's basically like Death Becomes Her

0:43:31.080 --> 0:43:33.600
<v Speaker 1>but with men. It's also though it's like it is

0:43:33.680 --> 0:43:36.000
<v Speaker 1>I think Molly you may have said, it's like it's operatic.

0:43:36.239 --> 0:43:42.400
<v Speaker 1>It is the most heightened emotional movie. I've never seen

0:43:42.520 --> 0:43:45.680
<v Speaker 1>anything that jumps off from the point of like that

0:43:46.040 --> 0:43:49.839
<v Speaker 1>elevated kind of like hysteria and only goes up from there.

0:43:50.200 --> 0:43:52.640
<v Speaker 1>I mean, the whole movie feels like a trailer, which

0:43:52.680 --> 0:43:55.799
<v Speaker 1>I feel like the John Mouse style where everything is

0:43:55.840 --> 0:43:59.840
<v Speaker 1>just high, like everything is punctuated with like seven exclamation points,

0:44:00.200 --> 0:44:02.799
<v Speaker 1>which is yeah, but it's also I think I think

0:44:02.800 --> 0:44:05.800
<v Speaker 1>it's partially due to the fact that if you're an actor,

0:44:05.880 --> 0:44:08.440
<v Speaker 1>especially if you're an actor like Nick Cage or John Travolta,

0:44:08.560 --> 0:44:10.880
<v Speaker 1>You've got to show up to that movie being so

0:44:11.040 --> 0:44:14.320
<v Speaker 1>excited to get to do this, like it's a dream

0:44:14.520 --> 0:44:17.400
<v Speaker 1>or yeah, why don't we explain the setup in case you,

0:44:17.560 --> 0:44:21.480
<v Speaker 1>like Emily, haven't seen Face Off and to believe that

0:44:21.560 --> 0:44:26.280
<v Speaker 1>anyone else hasn't seen Face Off. My Face Off story

0:44:26.400 --> 0:44:29.120
<v Speaker 1>is that I saw a face Off with some other

0:44:29.640 --> 0:44:32.560
<v Speaker 1>friends parents. This is another story like Death Becomes Her,

0:44:32.640 --> 0:44:35.120
<v Speaker 1>where somebody else's parents took me to see a movie

0:44:35.160 --> 0:44:37.839
<v Speaker 1>my parents would have probably thought was too scary for me,

0:44:38.360 --> 0:44:40.160
<v Speaker 1>even though I was in the seventh grade. They would

0:44:40.160 --> 0:44:42.480
<v Speaker 1>have just thought it was like super violent. So I

0:44:42.520 --> 0:44:44.960
<v Speaker 1>saw it. I loved it, like I did anytime I

0:44:45.000 --> 0:44:47.719
<v Speaker 1>got to see an R rated movie. And then I

0:44:47.760 --> 0:44:49.799
<v Speaker 1>came home and I was like, Mom, Dad, we have

0:44:49.960 --> 0:44:52.279
<v Speaker 1>to see this movie Face Off and just saw it.

0:44:52.719 --> 0:44:54.879
<v Speaker 1>I want to see it again. You got to see

0:44:54.880 --> 0:44:56.239
<v Speaker 1>it with me, and we went to see it the

0:44:56.320 --> 0:45:01.399
<v Speaker 1>next day. Um, and my parents after we came out

0:45:01.400 --> 0:45:04.000
<v Speaker 1>of it, were like, that was so violent. Why did

0:45:04.040 --> 0:45:05.440
<v Speaker 1>we let you see this? And I was like, no,

0:45:05.560 --> 0:45:08.920
<v Speaker 1>I told you we were trying to see it. Maybe

0:45:08.960 --> 0:45:11.360
<v Speaker 1>you shouldn't have let your parents see it. They obviously

0:45:11.360 --> 0:45:14.240
<v Speaker 1>couldn't handle it. Definitely, just like one of those moments

0:45:14.280 --> 0:45:17.320
<v Speaker 1>where I was like, I am differentiating myself in taste

0:45:17.360 --> 0:45:22.320
<v Speaker 1>from my parents being into like, you know, just violent.

0:45:23.920 --> 0:45:29.680
<v Speaker 1>So the plot if you have kids kids, So John

0:45:29.719 --> 0:45:34.920
<v Speaker 1>Travolta plays um Shawn Archer. He's an FBI agent who

0:45:35.120 --> 0:45:39.480
<v Speaker 1>is has been basically like destroyed, you know, by the

0:45:39.520 --> 0:45:43.160
<v Speaker 1>fact that his son was killed by a terrorist, Nick Cage.

0:45:43.520 --> 0:45:49.040
<v Speaker 1>I'm trying to remember Shawn Archer. No wait, so the

0:45:49.320 --> 0:45:51.560
<v Speaker 1>and the deal Like Also, it's like he has a

0:45:51.600 --> 0:45:58.600
<v Speaker 1>brother who's like Pollocks Troy. There's so many things in

0:45:58.680 --> 0:46:01.520
<v Speaker 1>this but any really high our movie. It has references

0:46:01.560 --> 0:46:06.560
<v Speaker 1>to ancient Rome that's super high brow. So Travolta is

0:46:06.960 --> 0:46:11.319
<v Speaker 1>trying to like, you know, find and catch Cage. And

0:46:11.840 --> 0:46:15.880
<v Speaker 1>Nick Cage has recently planted a bomb where do you

0:46:15.880 --> 0:46:21.239
<v Speaker 1>plant the bombs Angeles Convention Center? The convention Center, there's

0:46:21.280 --> 0:46:24.480
<v Speaker 1>so many good locations. Yeah, I've recently I've been seeing

0:46:24.640 --> 0:46:26.759
<v Speaker 1>maybe because I've been watching all these nineties movies, I've

0:46:26.760 --> 0:46:28.839
<v Speaker 1>been seeing the l a convention center in a ton

0:46:28.920 --> 0:46:31.759
<v Speaker 1>of movies, and I've seen it filling as airports a lot,

0:46:32.760 --> 0:46:34.960
<v Speaker 1>a lot of things. Also, they were talking about turning

0:46:34.960 --> 0:46:39.680
<v Speaker 1>it into a shelter, yeah VENTI latter hospital, although that

0:46:39.719 --> 0:46:45.560
<v Speaker 1>has not happened, which is stupid. Uh. Yeah, they should

0:46:45.600 --> 0:46:47.640
<v Speaker 1>definitely could use it for a lot more things than

0:46:47.680 --> 0:46:50.759
<v Speaker 1>they do, but apparently they're too busy using it. They

0:46:50.840 --> 0:46:53.719
<v Speaker 1>might still be using it for anime x XPO, which

0:46:53.760 --> 0:46:56.560
<v Speaker 1>is still like the only con that hasn't been canceled,

0:46:56.680 --> 0:47:01.840
<v Speaker 1>just somewhere it has then their avatar. Um So anyway,

0:47:02.200 --> 0:47:05.880
<v Speaker 1>travilled just trying to catch Cage then to find this

0:47:05.960 --> 0:47:08.560
<v Speaker 1>like biological weapon and also just like fuck him up

0:47:08.600 --> 0:47:12.080
<v Speaker 1>because Nick Cage's character killed his son, and so they

0:47:12.120 --> 0:47:16.040
<v Speaker 1>decide that like the bust, can someone else help me?

0:47:16.120 --> 0:47:17.560
<v Speaker 1>I'm like trying to dig through it, and I'm like

0:47:18.000 --> 0:47:20.720
<v Speaker 1>talk about the fucking boat. No of course, um so

0:47:21.320 --> 0:47:27.680
<v Speaker 1>he um tries too hard to describe. Wait, you're talking

0:47:27.719 --> 0:47:31.040
<v Speaker 1>about which part? No, it's just to get like how

0:47:31.080 --> 0:47:33.239
<v Speaker 1>do they get I forget, how do they get to

0:47:33.280 --> 0:47:35.880
<v Speaker 1>getting their face? She wants to go undercover in the

0:47:35.880 --> 0:47:39.840
<v Speaker 1>PRIs Nick cave because he the only person who's alive

0:47:39.880 --> 0:47:43.279
<v Speaker 1>who would know how to defuse the bomb is his

0:47:43.400 --> 0:47:47.200
<v Speaker 1>brother calls, and the only person he would talk to

0:47:47.840 --> 0:47:51.880
<v Speaker 1>would be his brother. So naturally, the only thing to

0:47:51.960 --> 0:47:55.279
<v Speaker 1>do is for somebody to surgically take Nick Cage's face

0:47:55.600 --> 0:47:58.840
<v Speaker 1>castor Troy's face and put it on their bodies so

0:47:58.920 --> 0:48:05.880
<v Speaker 1>that they can pose as him. M. Yeah, and and

0:48:05.880 --> 0:48:08.000
<v Speaker 1>and of course the person who has to do this

0:48:08.880 --> 0:48:15.680
<v Speaker 1>is Sean whatever his face is Sean tv Um, so

0:48:15.960 --> 0:48:20.920
<v Speaker 1>he undergoes the the surgery. I was shrieking at the

0:48:21.640 --> 0:48:23.759
<v Speaker 1>at the screen because it's so like I don't even

0:48:23.800 --> 0:48:26.960
<v Speaker 1>know anything about science, and I was like, this seems

0:48:27.080 --> 0:48:30.960
<v Speaker 1>really stupid. The order of operations doesn't matter. That's why

0:48:31.920 --> 0:48:34.720
<v Speaker 1>that's I think, there's so much like every single scene

0:48:34.719 --> 0:48:37.960
<v Speaker 1>in this movie contains like all of these like distracting

0:48:38.040 --> 0:48:41.440
<v Speaker 1>crazy things and plot, and everyone's like screaming and crying

0:48:41.600 --> 0:48:44.239
<v Speaker 1>like an upset and then like diabolical. It's so that's

0:48:44.239 --> 0:48:47.759
<v Speaker 1>why it's so great. It's just like it's like a

0:48:47.800 --> 0:48:50.160
<v Speaker 1>bunch of it's a genre mash, it's like a bunch

0:48:50.200 --> 0:48:57.280
<v Speaker 1>of different genres. So uh, Sean Archer gets Castor Troy's face.

0:48:57.680 --> 0:49:01.440
<v Speaker 1>Castor Troy is theoretically knocked out, but then he comes

0:49:01.520 --> 0:49:07.319
<v Speaker 1>to and demands that he'd be given which is just

0:49:07.440 --> 0:49:10.040
<v Speaker 1>like face. It's sitting around and he doesn't have a face,

0:49:10.280 --> 0:49:12.959
<v Speaker 1>but it makes sense. It's like even if even he's

0:49:13.000 --> 0:49:15.000
<v Speaker 1>such a like horrible villain, but if you see someone

0:49:15.040 --> 0:49:18.319
<v Speaker 1>with like no face and there's a face city right

0:49:18.320 --> 0:49:22.400
<v Speaker 1>there to so you know, he says, I want to

0:49:22.400 --> 0:49:25.640
<v Speaker 1>take his face off. At some point the highlight of

0:49:25.680 --> 0:49:29.880
<v Speaker 1>the movie, Um, they switch faces. What you need to

0:49:29.920 --> 0:49:34.120
<v Speaker 1>know is that character Castor Troy is like a lecterous,

0:49:34.120 --> 0:49:37.920
<v Speaker 1>insane person. Yes, and that Sean Archer. John Travolta's character

0:49:38.120 --> 0:49:41.920
<v Speaker 1>is a family man, good man, and his daughter is

0:49:42.000 --> 0:49:46.120
<v Speaker 1>Dominique Swain, who is a wayward teen and is so good.

0:49:46.320 --> 0:49:51.360
<v Speaker 1>It's so good playing a wayward teen wearing some brown lipstick.

0:49:51.920 --> 0:49:56.000
<v Speaker 1>The makeup is so specific. There's a really good line

0:49:56.040 --> 0:49:58.640
<v Speaker 1>where he's like, if you dress up like it's Halloween

0:49:58.680 --> 0:50:00.719
<v Speaker 1>all the time, you're just gonna get tools trying to

0:50:00.719 --> 0:50:05.240
<v Speaker 1>get in your pants, which is like, yes, yes, please.

0:50:07.920 --> 0:50:10.840
<v Speaker 1>His wife is Pat Nixon. I believe I thought she

0:50:10.960 --> 0:50:13.480
<v Speaker 1>was Joe and Allen, Joan Allen, who was acting in

0:50:13.560 --> 0:50:18.680
<v Speaker 1>a different movie. She's in a Sundance movie. She played

0:50:18.680 --> 0:50:20.960
<v Speaker 1>Pat Nixon in the Nixon movie, so I just always

0:50:20.960 --> 0:50:22.839
<v Speaker 1>think of her as Pat Nixon. But yeah, it's also

0:50:22.960 --> 0:50:26.239
<v Speaker 1>like she's definitely in a different movie. She's supposed to

0:50:26.280 --> 0:50:29.560
<v Speaker 1>be the hot wife, but she's like playing it very psychologically.

0:50:30.080 --> 0:50:33.400
<v Speaker 1>Uh you know, she's playing it the same way that

0:50:33.480 --> 0:50:37.200
<v Speaker 1>she played her character in the Ice Storm. Yeah, but

0:50:37.280 --> 0:50:39.480
<v Speaker 1>in a way it's good because she's kind of like

0:50:39.520 --> 0:50:43.239
<v Speaker 1>an audience stand in. She's just like so down in

0:50:43.280 --> 0:50:47.560
<v Speaker 1>the normal emotional range that you're like, wow, this is

0:50:47.600 --> 0:50:50.040
<v Speaker 1>really off the rails. Like Joan Allen's kind of looking

0:50:50.080 --> 0:50:52.920
<v Speaker 1>around like should I let my husband touch me? It

0:50:53.000 --> 0:50:57.040
<v Speaker 1>seems like everyone's kind of crazy stranger in the house now.

0:50:57.840 --> 0:51:01.160
<v Speaker 1>And his name is Sean Arch with the body with

0:51:01.280 --> 0:51:05.960
<v Speaker 1>the soul of castor Troy the body and without without

0:51:06.000 --> 0:51:09.040
<v Speaker 1>that tell tale scar. It's not very explained how their

0:51:09.080 --> 0:51:12.399
<v Speaker 1>bodies are also switched, because they're definitely like different. They

0:51:12.440 --> 0:51:14.960
<v Speaker 1>said the doctor. I think at one point is like,

0:51:15.120 --> 0:51:18.160
<v Speaker 1>you guys have like pretty similar bodies, and it's like, no,

0:51:18.280 --> 0:51:21.000
<v Speaker 1>they don't, but he does some like doesn't he do

0:51:21.120 --> 0:51:23.439
<v Speaker 1>some light work on their bodies? And then yeah there's

0:51:23.440 --> 0:51:27.440
<v Speaker 1>the bullet enough, Yeah good enough, good enough to spend

0:51:27.440 --> 0:51:31.120
<v Speaker 1>the disbelief everybody. So then of course Castor Troy is

0:51:31.160 --> 0:51:33.759
<v Speaker 1>really Sean Archer goes undercover at the jail. It's like

0:51:33.800 --> 0:51:38.200
<v Speaker 1>a super jail. It's called Boots arra one, which made

0:51:38.280 --> 0:51:41.000
<v Speaker 1>me think because it was supposed to be like the

0:51:41.040 --> 0:51:44.759
<v Speaker 1>prison that nobody knows where it is because it's nowhere backwards,

0:51:44.760 --> 0:51:48.239
<v Speaker 1>and like, is this where they got the idea for

0:51:48.280 --> 0:51:52.120
<v Speaker 1>the grocery store from the prison from Face Off? Because

0:51:52.239 --> 0:51:56.120
<v Speaker 1>if so, I love it that all of a sudden

0:51:56.160 --> 0:52:00.800
<v Speaker 1>that just improved standing Free dates Face Off And it

0:52:00.920 --> 0:52:04.120
<v Speaker 1>comes from a like a novel called Arajuan that's about

0:52:04.120 --> 0:52:10.360
<v Speaker 1>an imaginary like Utopia. Oh boring. I wanted. I wanted

0:52:10.400 --> 0:52:13.360
<v Speaker 1>the founders of Arijuana to be huge John Wu fans,

0:52:14.440 --> 0:52:19.520
<v Speaker 1>but they are low Kia cult so so um. He

0:52:19.560 --> 0:52:23.640
<v Speaker 1>goes to the super jail. He finds his brother, who's

0:52:23.760 --> 0:52:28.239
<v Speaker 1>very weird. I such a crush on Alexandra Novola in

0:52:28.239 --> 0:52:31.680
<v Speaker 1>this movie. Wait, what really such a type for me,

0:52:32.080 --> 0:52:35.600
<v Speaker 1>like weird, wiry, like I'm so not surprised by the

0:52:35.680 --> 0:52:43.120
<v Speaker 1>nineties guy with like a blur haircut, and he's like, hello, brother, brother, brother,

0:52:43.320 --> 0:52:46.120
<v Speaker 1>And then they escape from the jail um and go

0:52:46.239 --> 0:52:49.880
<v Speaker 1>to a super sick party where Gina Gershawn is there. Yeah,

0:52:50.160 --> 0:52:53.200
<v Speaker 1>she's and she's in the same movie as she's not

0:52:53.239 --> 0:52:56.520
<v Speaker 1>in Joan Allen's movie. She's always knows, she always knows

0:52:56.560 --> 0:52:59.520
<v Speaker 1>what movie she's in. She's very good at that. She

0:52:59.640 --> 0:53:02.600
<v Speaker 1>just showed up on melrose Place and she knows what

0:53:02.680 --> 0:53:07.359
<v Speaker 1>show she's on there as well. God bless yes. Um,

0:53:08.040 --> 0:53:11.520
<v Speaker 1>I forget what happens after that. So okay, Gina gershon

0:53:12.160 --> 0:53:16.200
<v Speaker 1>was Castor Troy's girlfriend and they have a son. And

0:53:16.239 --> 0:53:19.000
<v Speaker 1>that's like another weird thing that comes in where it's like,

0:53:19.280 --> 0:53:23.960
<v Speaker 1>you know, Archer and Troy both had sons, but Nick

0:53:24.040 --> 0:53:26.879
<v Speaker 1>Cage took John travolt does, And now John Travolta, what's

0:53:26.920 --> 0:53:29.880
<v Speaker 1>he gonna do with the kids? Isn't the son played

0:53:29.880 --> 0:53:35.080
<v Speaker 1>by the same actor too, like a kid actor John

0:53:35.080 --> 0:53:38.000
<v Speaker 1>Travolta sons. So he's like sees so and he gets

0:53:38.040 --> 0:53:41.840
<v Speaker 1>all overwhelmed. I know that's crazy. I don't know, or

0:53:41.880 --> 0:53:44.719
<v Speaker 1>maybe like that's just the Moppett kind of hairstyle at

0:53:44.719 --> 0:53:49.880
<v Speaker 1>every child actor had in the nineties ninetie boy. Um.

0:53:49.960 --> 0:53:54.320
<v Speaker 1>But yeah, oh and she's like also Gina Gershawn is

0:53:54.400 --> 0:53:58.759
<v Speaker 1>also like the sister of his drug dealer. But like,

0:53:58.960 --> 0:54:02.920
<v Speaker 1>are they like kiss on the mouth? Are they? Also?

0:54:03.200 --> 0:54:06.120
<v Speaker 1>Is she having a thing with her brother too? There's

0:54:06.160 --> 0:54:09.120
<v Speaker 1>a lot of incest vibes in this movie. Yeah, well, yeah,

0:54:09.239 --> 0:54:15.080
<v Speaker 1>of course there's one really uncomfortable scene everyone will recall immediately.

0:54:15.800 --> 0:54:20.480
<v Speaker 1>Um where uh Sean Archer who's really castor Troy like

0:54:20.760 --> 0:54:26.000
<v Speaker 1>kind of hits on his daughter. It's so gross. I mean,

0:54:26.080 --> 0:54:28.400
<v Speaker 1>but that's but that's why I love this movie. Is

0:54:28.440 --> 0:54:31.920
<v Speaker 1>like it just won't spare you. It's like, you're here,

0:54:33.560 --> 0:54:36.200
<v Speaker 1>you want to see a movie or not? Yeah, yeah

0:54:36.400 --> 0:54:40.520
<v Speaker 1>this is a movie. Yeah, you will be fucking entertained

0:54:40.520 --> 0:54:45.640
<v Speaker 1>by this movie. Um. I do know that face transfers

0:54:45.680 --> 0:54:49.040
<v Speaker 1>really do exist, but they don't work like this at all.

0:54:49.440 --> 0:54:53.279
<v Speaker 1>What's what's cool is that I am dB trivia for

0:54:53.360 --> 0:54:56.480
<v Speaker 1>Face Off included the nugget that the first real life

0:54:56.480 --> 0:55:00.279
<v Speaker 1>phase transplant was accomplished in on Richard nor Is, who

0:55:00.280 --> 0:55:02.600
<v Speaker 1>had accidentally shot himself in the face with a shotgun

0:55:02.680 --> 0:55:06.799
<v Speaker 1>the same year the movie came out The Bizarre. Do

0:55:06.840 --> 0:55:08.960
<v Speaker 1>you think the movie made him be like, there's hope,

0:55:09.560 --> 0:55:13.560
<v Speaker 1>Like what what do I have to lose? Just my face? Maybe? Yeah?

0:55:13.600 --> 0:55:15.320
<v Speaker 1>He do you think after he saw the movie he

0:55:15.440 --> 0:55:19.200
<v Speaker 1>was like, I'll just wait until this technology is invented.

0:55:19.480 --> 0:55:25.120
<v Speaker 1>I don't think so. No, but but phase transplants. I

0:55:25.200 --> 0:55:29.520
<v Speaker 1>remember hearing about face transplants like a while ago and

0:55:29.600 --> 0:55:32.719
<v Speaker 1>going on a deep dive of the face transplants and

0:55:32.719 --> 0:55:35.719
<v Speaker 1>how it's like, I mean, it's it's that that's just

0:55:35.800 --> 0:55:39.759
<v Speaker 1>like a very very sad, horrible thing. But also it

0:55:39.840 --> 0:55:42.560
<v Speaker 1>makes you think, like that's what plastic surgery is, like

0:55:42.600 --> 0:55:45.759
<v Speaker 1>that I can save lives. So there's things that like

0:55:45.800 --> 0:55:49.239
<v Speaker 1>plastic surgery is legitimately needed for. There's of course, like

0:55:49.560 --> 0:55:53.480
<v Speaker 1>and especially yeah, that's amazing you can give somebody a

0:55:53.520 --> 0:55:56.560
<v Speaker 1>new face. But it's really I mean, I don't know,

0:55:56.640 --> 0:55:58.600
<v Speaker 1>I wonder how far they'll be able to come with that,

0:55:58.760 --> 0:56:02.880
<v Speaker 1>because right now it's it's nowhere near face off technology.

0:56:03.080 --> 0:56:05.919
<v Speaker 1>I'll say that I was freaking myself out last night

0:56:06.320 --> 0:56:08.839
<v Speaker 1>doing some of the Instagram filters. Do you guys ever

0:56:08.880 --> 0:56:12.480
<v Speaker 1>do that? No? I did for a while, and then

0:56:12.520 --> 0:56:14.279
<v Speaker 1>I was just like, I don't know if this. I

0:56:14.360 --> 0:56:16.640
<v Speaker 1>think I'm too old for this. There's just all kinds

0:56:16.680 --> 0:56:19.720
<v Speaker 1>of weird ones. Now you know that makes you look

0:56:19.840 --> 0:56:23.480
<v Speaker 1>very like a York cover. Um, but a lot of

0:56:23.480 --> 0:56:25.600
<v Speaker 1>them do you just sort of like change your face

0:56:25.640 --> 0:56:27.719
<v Speaker 1>in a way that you were like, it makes you

0:56:27.760 --> 0:56:31.120
<v Speaker 1>feel weird? But didn't you didn't you once postulate Molly

0:56:31.200 --> 0:56:33.080
<v Speaker 1>that they were just trying to get you to like

0:56:33.200 --> 0:56:36.080
<v Speaker 1>give enough angles and spend enough time under that case

0:56:36.400 --> 0:56:39.560
<v Speaker 1>that they were like stealing your face. Face off. They're

0:56:39.600 --> 0:56:42.040
<v Speaker 1>definitely also stealing your face. But that's like what all

0:56:42.080 --> 0:56:45.520
<v Speaker 1>social media is for, so why not have fun? This

0:56:45.600 --> 0:56:47.920
<v Speaker 1>is some fun. I want to do it. Yeah, well

0:56:47.960 --> 0:56:50.080
<v Speaker 1>some of it. I was doing something because Emily posted

0:56:50.120 --> 0:56:55.120
<v Speaker 1>a really good vampire selfie. Yeah, accomplished just with makeup.

0:56:55.280 --> 0:56:56.880
<v Speaker 1>But then I was like, oh, I bet there's some

0:56:56.920 --> 0:57:00.360
<v Speaker 1>good vampire filters and I looked it up and they're

0:57:00.520 --> 0:57:03.920
<v Speaker 1>really good vampire filters, but like they'll make your eyes

0:57:04.000 --> 0:57:07.800
<v Speaker 1>red for example, Um, and some of them have fangs

0:57:07.840 --> 0:57:10.880
<v Speaker 1>where if you open your mouth there's fangs. You know,

0:57:11.480 --> 0:57:14.120
<v Speaker 1>it is cool, but then like some of them were

0:57:14.160 --> 0:57:18.800
<v Speaker 1>also just like really creepy, you know, um horror core,

0:57:19.240 --> 0:57:21.760
<v Speaker 1>and I just kind of was like, I don't know,

0:57:21.880 --> 0:57:27.040
<v Speaker 1>it's it's a fun disassociated experience experience. If you guys

0:57:27.880 --> 0:57:31.120
<v Speaker 1>could have anyone else's face, if you had to do

0:57:31.160 --> 0:57:33.640
<v Speaker 1>a face off and you could swop faces with somebody,

0:57:33.640 --> 0:57:36.480
<v Speaker 1>who would you face swap with? Oh that's such a

0:57:36.480 --> 0:57:39.320
<v Speaker 1>good question. I mean did they have to be alive

0:57:39.440 --> 0:57:41.680
<v Speaker 1>so that you can take their face? And did they

0:57:41.720 --> 0:57:44.400
<v Speaker 1>take your face? Or it's just like hypothetically so we

0:57:44.440 --> 0:57:48.080
<v Speaker 1>can three D print their face, Oh okay, and like

0:57:48.160 --> 0:57:50.560
<v Speaker 1>grafted onto your face the way that they put like

0:57:50.800 --> 0:57:54.160
<v Speaker 1>teeth on top of teeth for famous people. Honestly, I

0:57:54.240 --> 0:57:56.840
<v Speaker 1>really liked all the faces and where the boys are.

0:57:57.320 --> 0:58:00.280
<v Speaker 1>I was like, they've all got great faces. I might

0:58:00.280 --> 0:58:03.720
<v Speaker 1>take one of their faces. Yeah, I don't know. It's

0:58:03.720 --> 0:58:06.960
<v Speaker 1>hard for me to. I can't really think of anybody

0:58:07.120 --> 0:58:11.520
<v Speaker 1>or I would actually want their face, um, other than

0:58:11.600 --> 0:58:15.080
<v Speaker 1>like any number of the like Instagram face girls that

0:58:15.360 --> 0:58:18.640
<v Speaker 1>Gia was talking about with that or just be like

0:58:18.720 --> 0:58:21.600
<v Speaker 1>kind of interesting to be a hot for a second,

0:58:22.040 --> 0:58:25.840
<v Speaker 1>but you want that? Would you want like the era

0:58:26.320 --> 0:58:28.720
<v Speaker 1>face or would you want you could go from any era?

0:58:29.680 --> 0:58:33.160
<v Speaker 1>I don't know. Yeah, I mean I I literally have

0:58:33.200 --> 0:58:35.120
<v Speaker 1>my choices. I mean, you know the one that I

0:58:35.120 --> 0:58:37.040
<v Speaker 1>would do. I would probably do the one that feels

0:58:37.080 --> 0:58:41.320
<v Speaker 1>like the only celebrity uh comparison I've ever had, because

0:58:41.320 --> 0:58:44.120
<v Speaker 1>then it wouldn't be that weird, I feel like. But

0:58:44.120 --> 0:58:46.360
<v Speaker 1>but in speaking of York, I would like take a

0:58:46.400 --> 0:58:50.120
<v Speaker 1>young York's face, which is like, you already look exactly already,

0:58:51.000 --> 0:58:52.840
<v Speaker 1>so like that's the thing. I would just like want

0:58:52.840 --> 0:58:59.600
<v Speaker 1>to look more like your Molly Who's face would you take? Oh? Really? Yeah?

0:58:59.600 --> 0:59:01.600
<v Speaker 1>I wouldn't that be fun? I mean he's got such

0:59:01.600 --> 0:59:05.480
<v Speaker 1>an interesting well oh for a day it was permanent. Well,

0:59:05.480 --> 0:59:07.800
<v Speaker 1>that's I would take. I would be like in Game

0:59:07.840 --> 0:59:10.320
<v Speaker 1>of Thrones and take everyone's face on a different day,

0:59:10.320 --> 0:59:13.200
<v Speaker 1>would be swapping them out, remember, and returned to Oz

0:59:13.280 --> 0:59:16.400
<v Speaker 1>when she has all the different faces. That's one thing

0:59:16.520 --> 0:59:19.760
<v Speaker 1>I think about, though, is like, because Instagram face is

0:59:19.800 --> 0:59:23.000
<v Speaker 1>like one thing, and the whole thing about like beauty

0:59:23.120 --> 0:59:25.880
<v Speaker 1>is that it's multifarious in some way, and you can't

0:59:25.920 --> 0:59:28.840
<v Speaker 1>be every type of hot. You know, even if you're

0:59:28.960 --> 0:59:31.840
<v Speaker 1>a Betty, there's always going to be a Veronica, So

0:59:31.880 --> 0:59:35.000
<v Speaker 1>I always think about, like, yeah, it's just like what

0:59:35.280 --> 0:59:36.800
<v Speaker 1>when when when we get to the point where people

0:59:36.840 --> 0:59:39.560
<v Speaker 1>can like swap out their face for like a variety

0:59:39.640 --> 0:59:42.520
<v Speaker 1>of slightly different faces. Well interesting you should say this

0:59:42.640 --> 0:59:45.960
<v Speaker 1>because our night call listener, Evan wrote us an email

0:59:46.040 --> 0:59:49.479
<v Speaker 1>and said, no magic movie science could explain how John

0:59:49.480 --> 0:59:52.040
<v Speaker 1>traveled does giant face was going to fit on Nick

0:59:52.120 --> 0:59:55.800
<v Speaker 1>Cage's regular sized head and vice versa, And then all

0:59:55.800 --> 0:59:57.240
<v Speaker 1>of a sudden you have to think about, like how

0:59:57.280 --> 1:00:00.640
<v Speaker 1>a face would fit on your head? H yeah, because

1:00:00.640 --> 1:00:03.360
<v Speaker 1>you have like this movie takes for granted that people

1:00:03.440 --> 1:00:06.880
<v Speaker 1>have different skeletons or like the people don't have the

1:00:06.920 --> 1:00:10.760
<v Speaker 1>same skeleton. Um, yeah, because it doesn't like your face.

1:00:10.800 --> 1:00:12.880
<v Speaker 1>You wouldn't just be able to slap one face onto

1:00:12.880 --> 1:00:16.200
<v Speaker 1>the other, like people's skulls are totally different. You'd really

1:00:16.240 --> 1:00:18.040
<v Speaker 1>only be able to do it with your twin And

1:00:18.040 --> 1:00:20.000
<v Speaker 1>then what would be the point unless one of you

1:00:20.040 --> 1:00:22.959
<v Speaker 1>got disfigured. And now I've turned this into not fun

1:00:24.800 --> 1:00:28.040
<v Speaker 1>well a thing that what we were talking about, like

1:00:28.160 --> 1:00:32.240
<v Speaker 1>the weird like making yourself feel weird by doing Instagram

1:00:32.400 --> 1:00:37.640
<v Speaker 1>like the weird art Instagram fillers like or if filters

1:00:37.760 --> 1:00:41.760
<v Speaker 1>rather like there are, Yeah, but like I feel like

1:00:41.800 --> 1:00:44.760
<v Speaker 1>that's one of the fun things about about Face Off

1:00:44.880 --> 1:00:48.640
<v Speaker 1>is like this sort of weird, not quite magic thing

1:00:48.720 --> 1:00:52.120
<v Speaker 1>that happens with the face where it's like like Sean

1:00:52.240 --> 1:00:55.160
<v Speaker 1>particularly like he's like wearing the face of the person

1:00:55.240 --> 1:00:57.200
<v Speaker 1>that he hates, and so every time he looks in

1:00:57.240 --> 1:00:59.520
<v Speaker 1>the mirror, he's like, I want to kill you because

1:00:59.840 --> 1:01:03.240
<v Speaker 1>like looks like the guy he hates most. Um, but

1:01:03.400 --> 1:01:05.280
<v Speaker 1>I I just and and then it kind of like

1:01:05.440 --> 1:01:09.080
<v Speaker 1>he kind of ends up inhabiting the character because he

1:01:09.400 --> 1:01:11.560
<v Speaker 1>like that's the person that he sees in the mirror.

1:01:11.680 --> 1:01:16.920
<v Speaker 1>I like that that stuff that much, Like it's like

1:01:17.040 --> 1:01:20.439
<v Speaker 1>persona in some way. Total it's like, what does make

1:01:20.480 --> 1:01:23.880
<v Speaker 1>you unique as a person? Like? Who are you? Actually?

1:01:24.240 --> 1:01:26.600
<v Speaker 1>If you change your face, do you become the person

1:01:26.640 --> 1:01:29.800
<v Speaker 1>whose face you have, the way that people in horror stories,

1:01:29.880 --> 1:01:34.240
<v Speaker 1>like Inherit the personality of the heart transplant. Yeah. Yeah,

1:01:34.280 --> 1:01:37.120
<v Speaker 1>Well there's also the fact that they when they swap

1:01:37.240 --> 1:01:40.520
<v Speaker 1>faces and face off, they start to adapt each other's

1:01:40.560 --> 1:01:43.200
<v Speaker 1>patterns of speech, which I think is you're meant to

1:01:43.240 --> 1:01:46.760
<v Speaker 1>just not really think about the fact that a larynx

1:01:47.160 --> 1:01:51.360
<v Speaker 1>um like a box that changes your voice, wouldn't change

1:01:51.400 --> 1:01:54.680
<v Speaker 1>the way you express yourself. But but I guess it

1:01:54.720 --> 1:01:57.520
<v Speaker 1>also makes you. It makes you wonder like, is it

1:01:57.560 --> 1:02:00.680
<v Speaker 1>because your face has more to do with how you

1:02:00.760 --> 1:02:03.680
<v Speaker 1>express yourself and communicate? Then you might assume is there

1:02:03.760 --> 1:02:05.400
<v Speaker 1>some kind of like secret sauce there. I think it's

1:02:05.400 --> 1:02:07.400
<v Speaker 1>because they're trying to passes each other, so they're like

1:02:07.440 --> 1:02:10.560
<v Speaker 1>adopting each other's speech mannerism. No, no, they are, but

1:02:10.600 --> 1:02:13.160
<v Speaker 1>then there are times when they're like kind of talking

1:02:13.200 --> 1:02:15.840
<v Speaker 1>to each other or whatever where they wouldn't have to,

1:02:15.960 --> 1:02:19.000
<v Speaker 1>but you know they do. I will say John Travolta

1:02:19.080 --> 1:02:21.920
<v Speaker 1>does a really good Nick Cage impression in this. Yes,

1:02:22.440 --> 1:02:25.840
<v Speaker 1>that's like a very low key great for four people.

1:02:26.040 --> 1:02:29.800
<v Speaker 1>It's it's a fucking incredible performance. These are like to

1:02:30.080 --> 1:02:32.520
<v Speaker 1>such great performances. And yeah, that's the thing is like

1:02:32.920 --> 1:02:36.680
<v Speaker 1>the face off, like the surgery is a mcguffin. You know,

1:02:36.840 --> 1:02:40.240
<v Speaker 1>it just like doesn't matter at all. It just allows

1:02:40.240 --> 1:02:44.360
<v Speaker 1>you to set up this thing that's a body swap comedy. Basically, Yeah,

1:02:44.840 --> 1:02:49.840
<v Speaker 1>as a as a cool action thriller, we also really funny.

1:02:50.000 --> 1:02:53.400
<v Speaker 1>We also have a minor mystery um that a listener

1:02:53.440 --> 1:02:57.040
<v Speaker 1>wrote in about listener Craig wrote, I seem to remember

1:02:57.080 --> 1:02:59.800
<v Speaker 1>a face Off game for PC, but I can find

1:02:59.840 --> 1:03:02.440
<v Speaker 1>no evidence of it. I think it was maybe web

1:03:02.440 --> 1:03:05.280
<v Speaker 1>based or a demo disc. The only gameplay I recall

1:03:05.400 --> 1:03:08.120
<v Speaker 1>was a level escaping the prison with the magnetic boots.

1:03:08.120 --> 1:03:10.400
<v Speaker 1>Curious if this will ring a bell with any listeners.

1:03:10.480 --> 1:03:13.919
<v Speaker 1>I have no recollection of this, um, but I didn't

1:03:13.960 --> 1:03:17.200
<v Speaker 1>want to. But if anyone knows about a face Off

1:03:17.240 --> 1:03:20.440
<v Speaker 1>CD rom, give us a nightcall at two four oh

1:03:20.520 --> 1:03:22.880
<v Speaker 1>four or six night. It's probably a good time to

1:03:22.920 --> 1:03:25.800
<v Speaker 1>wrap up our little face Off chat. Any last thoughts

1:03:25.800 --> 1:03:29.280
<v Speaker 1>on Face Off? Well, I'm glad I finally watched it. Um.

1:03:30.200 --> 1:03:33.160
<v Speaker 1>It is like fits in right, like very well with

1:03:33.200 --> 1:03:37.080
<v Speaker 1>all the stuff I've been watching during the quarantine. So

1:03:37.720 --> 1:03:44.520
<v Speaker 1>shout out to pigeons flying away during gunfire. Shout out

1:03:44.520 --> 1:03:48.400
<v Speaker 1>to peaches. I could eat a peach for Oh God,

1:03:49.600 --> 1:03:51.280
<v Speaker 1>I hate to see you go, but I love to

1:03:51.320 --> 1:03:56.120
<v Speaker 1>watch as always. I love like a line about kind

1:03:56.120 --> 1:03:59.000
<v Speaker 1>of lingus is the line that they test his new

1:03:59.080 --> 1:04:01.120
<v Speaker 1>voice on, because that's the one he has to like

1:04:01.200 --> 1:04:04.640
<v Speaker 1>say over and over and over again while they're calibrating

1:04:04.720 --> 1:04:08.840
<v Speaker 1>his voice. It's a perfect movie. You guys. Well, we

1:04:08.920 --> 1:04:13.200
<v Speaker 1>will be back next week with more plastic surgery April. Um.

1:04:13.240 --> 1:04:15.680
<v Speaker 1>It feels like months are going on both for a

1:04:15.800 --> 1:04:18.440
<v Speaker 1>very long time and going by very quickly, but we

1:04:18.480 --> 1:04:21.160
<v Speaker 1>are still in plastic surgery April. So if you have

1:04:21.200 --> 1:04:25.600
<v Speaker 1>any thoughts on plastic surgery faces in general taking faces off,

1:04:25.640 --> 1:04:27.400
<v Speaker 1>give us a call at to four oh four six

1:04:27.520 --> 1:04:30.160
<v Speaker 1>night or you can email us at Night Call Podcast

1:04:30.240 --> 1:04:32.720
<v Speaker 1>at gmail dot com. Also, if you're enjoying the pod,

1:04:32.760 --> 1:04:37.920
<v Speaker 1>please don't forget to subscribe and review and all that stuff. Uh.

1:04:38.400 --> 1:04:42.600
<v Speaker 1>We are on Facebook at Night Call Podcast, Instagram at

1:04:42.680 --> 1:04:46.080
<v Speaker 1>Nightcall Podcast, Twitter at Nightcall Pod. Thank you so much

1:04:46.120 --> 1:04:48.000
<v Speaker 1>for listening and we will see you next week. And

1:04:48.040 --> 1:04:50.960
<v Speaker 1>you can also subscribe to our Patreon at patreon dot

1:04:51.000 --> 1:04:54.720
<v Speaker 1>com slash Nightcall where we just put up another bonus

1:04:54.720 --> 1:04:59.320
<v Speaker 1>episode on Helter Skelter by Yoko Kazaki, so check that out. Yeah,

1:04:59.360 --> 1:05:02.520
<v Speaker 1>and thanks for I Guess this week, Gia Tolentino. If

1:05:02.560 --> 1:05:04.840
<v Speaker 1>you've got any more questions about Instagram Face, we'd love

1:05:04.880 --> 1:05:08.360
<v Speaker 1>to know them. But also it's why to May after that,

1:05:08.800 --> 1:05:16.600
<v Speaker 1>so start preparing your two thousand based quarries and we'll

1:05:16.600 --> 1:05:42.040
<v Speaker 1>see you soon. M