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Speaker 1: And his Drink Chess motherfucking podcast. He's a legendary Queen's rapper.

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Speaker 1: He's agreed is your boy in no r. He's a

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Speaker 1: Miami hip hop pioneer. His d J e f N

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Speaker 1: Together they drinking up with some of the biggest players

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Speaker 1: in the most professional unprofessional podcast and yet number one

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Speaker 1: source for drunk backs New year' z. That's his time

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Speaker 1: for drink Chap, drink Up, motherfuck Mother representing from Queens

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Speaker 1: all the way to the Philippines. D J buttro Ra.

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Speaker 1: I thought I was clear in my email that I

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Speaker 1: needed a couple of weeks. Can I just get two

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Speaker 1: more weeks? You need to relax. You need to relax,

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Speaker 1: to relax, to relax, to relax. Yes it did you

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Speaker 1: not tune it to the number one podcast Drink Chance.

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Speaker 1: They say that you last look. Let's your ball. I

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Speaker 1: switched it up and made a million off for bar

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Speaker 1: That's right, I told him relaxed. They had to carol

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Speaker 1: a spawn. Shout to my brother t j F and

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Speaker 1: my brother and noire. This is called Relaxed Part two.

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Speaker 1: Let me know who you want to hear on this remix, y'all.

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Speaker 1: They say that you last look lets your bars last.

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Speaker 1: I switched it up and made a million off for

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Speaker 1: podcast on. I told him relaxed to a spawn, crested

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Speaker 1: it into the road up they say that you last look,

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Speaker 1: Lets your bass last. I switched it up and made

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Speaker 1: a million off for podcast on. I told him relaxed.

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Speaker 1: They had to carb spawn presidential reltinment. Let's go, come on,

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Speaker 1: de Luise says me. G No expedia. I broke nights

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Speaker 1: of the blocks. I got Greedia Greedia. That's twenty years

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Speaker 1: later in front of the the media, fifty million streams for

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Speaker 1: the wreck at home, and we had to fight come

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Speaker 1: We just praised all like this fly was what they

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Speaker 1: can smell them, tweets what they can hell them, thoughts,

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Speaker 1: what they can think him, and drinks what they can

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Speaker 1: drink them. Follow the math. I tell you how the

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Speaker 1: hustle street to what the matter day said Ms Russ

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Speaker 1: I did it with brains, very little munster scrambled, impeccable.

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Speaker 1: They called me dyslexic, but I felt intellectual. Criece niggers

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Speaker 1: got glass like in the wintertime when the sum main yours,

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Speaker 1: you know, the winner's mind tall, tall and cold lots

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Speaker 1: that dinner time and then twenty year cared shorty. Look

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Speaker 1: at me. If you knew what I did, you beat

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Speaker 1: shook a master pill barbecues in their hamptons in the manship.

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Speaker 1: She gotta relax. What he got her and all the

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Speaker 1: people in the back gotta relax. She gotta relax. He

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Speaker 1: gotta relax, and all the people in the back, they

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Speaker 1: got her relax. Presidential phone line. A lot of things

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Speaker 1: got upgrade. This is one time fly let's produced by

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Speaker 1: my nigger Hansard. It sounds were like fine wine, let's

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Speaker 1: get hold relax, live in my life. Look, I'm supposed

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Speaker 1: to do West side of Highway, shoes off ocean, yourlax.

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Speaker 1: I see this, You'll never see again. Let's celebrate to

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Speaker 1: the whole. Damn we can. Then we can. Then they

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Speaker 1: they they gotta relax. They they gotta relax. They give

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Speaker 1: they gotta relax. They give me, they gotta relax. Relax

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Speaker 1: now for the world from Mayor. The name of this

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Speaker 1: recket is called Uno my Nory featuring Pharrell. Listen, I'm

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Speaker 1: telling y'all this that feel good music. Let's go come

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Speaker 1: on repensating from Queens and Philippe st g but drive.

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Speaker 1: I'm telling you Norman, you got another one. Stick to

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Speaker 1: him for Ralph. I think, get your Norman to a

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Speaker 1: baby you don't know, but he did your eyes. This

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Speaker 1: ship is crazy. Let's go thank you need. Don't want

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Speaker 1: nat to said, I'll be nice. Yeah, it's my duty

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Speaker 1: to help you snap away, can wear he's long gone

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Speaker 1: long go what you cannot take up, I'll take the moment.

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Speaker 1: And I was one's like you have any of my

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Speaker 1: running shoes starting Nothing that I can do? Man, I

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Speaker 1: had it wrong, something in my eyes. Make myself a

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Speaker 1: seeming wrong, yo, slime. How long you've been rocking out

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Speaker 1: for a twenty year career? I hope you understand I

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Speaker 1: used to pitch you're to block. I didn't done that.

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Speaker 1: Did you hear that ship? They said I never make it,

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Speaker 1: never be slim? How long you've been rocking out in

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Speaker 1: this motherfucker game four a twenty year career? I hope

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Speaker 1: you understand I used to pitch you the block. I

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Speaker 1: did it underhand, under hand and said I never make it,

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Speaker 1: never beat much. And I agree with him such so

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Speaker 1: I celebrate life, life, the shots. This one ice se baby,

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Speaker 1: we're gonna drink lord baby, just kill don't think for

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Speaker 1: me laving. Just feel I'm getting the shrinking me l

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Speaker 1: just one month. Don't forget you'all. This is a tunes

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Speaker 1: right now. It's cool on my Let's go out. I

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Speaker 1: want to make cutey money. I want to make it more.

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Speaker 1: You want to fly, Wayne? Do you want to take off?

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Speaker 1: Won'ta eat lopstop? You wanna drink wine? That's buttery, Henry.

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Speaker 1: It's weird. They trying to fake you, to fake pay.

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Speaker 1: It takes to the love who kis we hate you

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Speaker 1: little when one way or the other last start drink chips.

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Speaker 1: It's my dude, here the healthy snap back the world

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Speaker 1: a long one long yard. Let go what you cannot

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Speaker 1: take that and take them anymore? Yeah? How many ones

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Speaker 1: like you have? Me and my running? She was what

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Speaker 1: nothing I can do? Man, I had it wrong, but

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Speaker 1: something up in my hand to make yourself and seem rise.

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Speaker 1: And they told me that I have fake with me? Baby,

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Speaker 1: drink make no one just feel don't think me everything.

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Speaker 1: I like Bruno lost that We've gotta be the shrinking

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Speaker 1: need late. Yeah, just one more clink with me, baby, Yeah,

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Speaker 1: talk to him. She woted one more. I wanted one more,

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Speaker 1: one more tagnored your last cork got one more on

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Speaker 1: the bottom, so we always celebrate it for the bottom.

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Speaker 1: We always celebrate it. Can't help that help. I want

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Speaker 1: to help that. I want to say what life? I

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Speaker 1: though she felt dead. She's a good mom and I

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Speaker 1: agree with I just want to get drunk and go

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Speaker 1: be with mud a healthy snap back, get what every

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Speaker 1: long on, Let go what you cannot take that and

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Speaker 1: take this mom anymore. II one's like you have many

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Speaker 1: and my running she was thought that nothing I can do. Man,

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Speaker 1: I had it wrong, but something up in my eyes

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Speaker 1: make myself a seemed rize and then told me that

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Speaker 1: strength from me. Baby. Remember where I heard this ship

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Speaker 1: first thing for me blabster. We shout to the old

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Speaker 1: Drake Chance family and lady yeah yeah, yeah yeah, has

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Speaker 1: to the sounds without want clink with me baby and

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Speaker 1: running at drains. Yeah, that's how we feels out rich

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Speaker 1: block go without every nost we go really chink big

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Speaker 1: without Yeah yo'all, yo, y'all, yow y'all, yo'all, yow yow

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Speaker 1: yow yow yow. Would it could be hopefully your boy

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Speaker 1: and it was DJ and his drink chaps happy. I

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Speaker 1: will make some right now, right now, we have not

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Speaker 1: only a queen of hip hop, not only a queen

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Speaker 1: of Miami, but a queen period. When you say the baddest,

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Speaker 1: you gotta say her name. I can said the baddest beach.

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Speaker 1: I don't know, you know, so when you say the baddest,

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Speaker 1: but you gotta say her name. She has been working countlessly.

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Speaker 1: She's always been in front of the camera, looking gorgeous,

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Speaker 1: always represented the females. Right, I'm proud to say that

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Speaker 1: in the building right now with the drink chat, we

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Speaker 1: got the legendary, the icon it treat it looks thank

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Speaker 1: you for having me. How long have you been in

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Speaker 1: this game? Like, oh wow, I've been doing I've been

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Speaker 1: in the game. Actually, I would say, what since the

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Speaker 1: first record with Trick that would have the first record recording, Yeah,

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Speaker 1: but never recorded period, which is not well, that's the

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Speaker 1: first record I ever recorded period, besides this one little

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Speaker 1: thing I had did like really really before that, Like

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Speaker 1: I was probably like about fifteen, and I had some

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Speaker 1: of my friends used to dance for Luke. They were

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Speaker 1: like his backup dances, and we was on the studio.

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Speaker 1: I had sluck in the studio and um, he was

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Speaker 1: doing this song It's your Birthday, and it was just

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Speaker 1: everybody was saying the name and I just jumped there

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Speaker 1: like Trina, it's your birthday. So that guy on the song.

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Speaker 1: So that was like something I had did a long

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Speaker 1: time ago, but nobody knew about it until like way

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Speaker 1: way later. Yeah, but besides that recording, Yeah, it was

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Speaker 1: a trick for then hand record. That's the big first record. Yeah,

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Speaker 1: you mean what you're singing like, I gotta go to

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Speaker 1: Miami going on down there? So now was imp I

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Speaker 1: always get dream or um, it wasn't always my dream.

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Speaker 1: I just like music. I just like I liked more

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Speaker 1: R and B, you know, like melodic. I just liked

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Speaker 1: all the ladies, you know. I was like Salt and

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Speaker 1: Pepper fan Janny Jackson, like, um, just all the girls,

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Speaker 1: every girl that came out, like everybody was out. I

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Speaker 1: just you know, I just loved the girls. And once

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Speaker 1: it became like hip hop and rap and stuff, I

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Speaker 1: mean it was guys, it's cool, But I was a

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Speaker 1: girly girl, you know, so much more so than like

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Speaker 1: into the guy thing. And then just being from Miami,

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Speaker 1: it wasn't like a close kind of thing. The only

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Speaker 1: person that was like known for like music was Luke

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Speaker 1: and I was too young. You can't really be around

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Speaker 1: Luke music. But you know, he had a teen club,

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Speaker 1: so that kind of made us a pat jam. So

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Speaker 1: he was kind of like a Miami with it. But

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Speaker 1: besides that, like music, when you hear music from like

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Speaker 1: out of town artists, we didn't. It was like it

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Speaker 1: wasn't outstop music, wasn't booty music or dance music and

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Speaker 1: stuff like that. So you know, so now, like because

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Speaker 1: when I think he came over um, what trick um

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Speaker 1: was was the success immediate or you still it was

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Speaker 1: still a grind process to that because I was looking

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Speaker 1: from the outside and it looked like Miami just took

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Speaker 1: over there. It was right away. It was scary. It

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Speaker 1: was like away, it was so scary. It was like, yo,

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Speaker 1: hold up, I didn't sign up for this, Like I

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Speaker 1: didn't want to do this, Like the labels running me down,

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Speaker 1: chasing me. How are these dudes to stop calling my phone?

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Speaker 1: I'm doing a favorite trick is my guy? That's it.

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Speaker 1: I don't want to sign a record deal. I don't

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Speaker 1: want to be the first lads slip and slide, none

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Speaker 1: of that. No, no, no, No, I just came to studio.

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Speaker 1: Trick was like, Yo, come to studio, bring your girls.

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Speaker 1: We're gonna have a good time. I'm like, who's gonna

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Speaker 1: be the student? We want to hang out with you

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Speaker 1: your guys, you know. And then he was like, no,

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Speaker 1: we're gonna have fun. I want you to do something.

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Speaker 1: I was like what and he was like, UM, you

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Speaker 1: know what. I just want you to like talk ship

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Speaker 1: on this record. I was like, what do you mean

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Speaker 1: to talk ship? He was like, just talk ship, like

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Speaker 1: I'm gonna say some crazy, crazy stuff and then you

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Speaker 1: you bring your girls. You know, y'all got the flip mouth,

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Speaker 1: y'all quick the cuss to dude that I just want

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Speaker 1: you to come in here and just like talk ship.

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Speaker 1: And then that's kind of how it happened. Yeah. Record.

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Speaker 1: The minute he heard that record, I had to change

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Speaker 1: my number. He was calling me like every day. Yes,

201
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Speaker 1: he called. He called Trick Carder from the studio and

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Speaker 1: he was like, that's not training. He was like it is.

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Speaker 1: He was like, I'm coming on my way now and

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Speaker 1: I can the left with my friends before Tad came.

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Speaker 1: Because I didn't want to talk about the music and

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Speaker 1: no record label nothing, and then he just called every

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Speaker 1: single day and he was like, no, you have to sign.

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Speaker 1: I was like no, I was like, what are you

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Speaker 1: talking about? And then after that I did a I

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Speaker 1: did Trick's birthday party and UM, I don't know. It's

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Speaker 1: like a small little club and for a lot of

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Speaker 1: Dale and UM, it was like, as me, all my friends,

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Speaker 1: We're gonna go to the party show him love. And

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Speaker 1: then he decided to perform the song and they set

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Speaker 1: me up and made me sneak on the stage and

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Speaker 1: do the song. And I just got on the stage

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Speaker 1: and I had closed my eyes and then saying nothing,

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Speaker 1: and everybody was going crazy and I was just thinking,

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Speaker 1: like what is going on? And then I didn't say

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Speaker 1: not one word. The girl said every word of the

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Speaker 1: song and my eyes was closed and I was saying that,

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Speaker 1: like what am I doing? And then after that, Trick

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Speaker 1: was like, so you don't want to sign, And then

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Speaker 1: we just kind of had this conversation and it just

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Speaker 1: kind of just happened like so fast. Like I remember

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Speaker 1: getting back and the a couple of days after I

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Speaker 1: was in to his office, it was on the phone

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Speaker 1: with Atlantic and Atlantic was like fly to New York.

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Speaker 1: Were signing it, and then everything changed. It went like

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Speaker 1: totally differently. So what was your first love before music?

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Speaker 1: The um, Well, I wasn't really at the first love.

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Speaker 1: Before I did music, I started doing real estate. I

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Speaker 1: got my real estate license. I was for this company

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Speaker 1: called Your Ain't Homeland Reality, And yeah, it was just

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Speaker 1: it was for me. I was thinking that, hey, I'm

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Speaker 1: gonna make money, I'm gonna sell homes, gonna look fly.

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Speaker 1: I'm just you know, I'm gonna sell a bunch of homes.

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Speaker 1: And I had got signed. I mean, I had got

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Speaker 1: a job at this company called Your Homeland Reality. And

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Speaker 1: I had worked there for like maybe like a month,

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Speaker 1: and I didn't get to sell at home At first.

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Speaker 1: I was like taking people out. I was, you know,

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Speaker 1: I had a lot of different customers, a lot of rents.

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Speaker 1: And then right before I was actually about to sell

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Speaker 1: at home, that's when the whole thing with Trick, he

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Speaker 1: came and called interrupted and I want to do the record,

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Speaker 1: and I just never went back. Now it was you

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Speaker 1: ready for the fame, because I like the way you're

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Speaker 1: describing it right now is like it was kind of

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Speaker 1: like a surprise to you. It was like a favor

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Speaker 1: for your friend. And then it's it's like how how

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Speaker 1: that dealing with fame at that page? I mean, you

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Speaker 1: know what I mean when it's a different kind of

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Speaker 1: fame because I'm like, this is like, Miami is my city,

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Speaker 1: so I'm already was a person that was already known.

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Speaker 1: I come from, like a family that's already known in Miamia.

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Speaker 1: What part of my ami from a liberty city? That's

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Speaker 1: the real mind. So therefore coming up with people just

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Speaker 1: already know who you are, and it's just one of

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Speaker 1: the things like you know, you're just being called like

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Speaker 1: your daddy's daughter or your mom's child, that people knowing

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Speaker 1: you from that, And I mean, this is fame. So

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Speaker 1: now I'm doing this record trick and it's a whole

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Speaker 1: different type of thing because it's all over the people

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Speaker 1: all over everywhere now like who you are besides Miami,

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Speaker 1: and everybody want to meet you and they want to

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Speaker 1: see you, and this is like whoa And it's like

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Speaker 1: groupies and it's girls and it's guys, and guys are

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Speaker 1: looking more corny because they're even more groupie. You're just

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Speaker 1: starting to get weird. Everything is just becoming real weird,

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Speaker 1: you know, And it was. It was just a fast

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Speaker 1: life changing experience. Now recently I got I kind of

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Speaker 1: said you had almost like a trick daddy more and

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Speaker 1: I'm looking everywhere and it was like, wow, it's everywhere.

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Speaker 1: First off, it was gorgeous by the way your hair

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Speaker 1: was done. Everything was looking right. I'm like anything with Yeah,

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Speaker 1: you looked at you looked at and well I never

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Speaker 1: I never seen you. Let me just sat me just

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Speaker 1: say this. Well, actually that day I was actually doing

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Speaker 1: like some little viral stuff for my album, so I

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Speaker 1: was already like coming from that. I was coming from

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Speaker 1: a great place, like I was having a good time,

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Speaker 1: was leaving the beach, so it was a good moment.

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Speaker 1: And then someone sent me like over this whole list

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Speaker 1: of messages from someone posting this girl I know her.

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Speaker 1: So I'm looking like, oh, like okay, so this kind

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Speaker 1: of salty. So then I'm thinking, oh, let me just

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Speaker 1: right back, like yo, what's up, Like you know my number?

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Speaker 1: Hit me up. And then that just went into her

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Speaker 1: bitch this and bitch that, and I'm like whoa, wha, whoa,

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Speaker 1: Like that's not how we get down. There's never been

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Speaker 1: a bit conversation between me and you. So what's the disrespect, Like,

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Speaker 1: what's the problem. And I mean, it was just one

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Speaker 1: of the kind of things like I'm just not even

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Speaker 1: a person for the rob I'm not. I'm not I'm

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Speaker 1: not too much of a talker. I have very very

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Speaker 1: short patience, like I'm zero to a hundred real quick.

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Speaker 1: So it's one of the kind of things like you

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Speaker 1: gotta step outside of this and let people know, don't

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Speaker 1: disrespect you. And that was that moment because like you

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Speaker 1: know me, I said, pull up, you didn't pull up,

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Speaker 1: So that means it's a squashed automatically, I'm not really

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Speaker 1: want all the extra Yeah, that's not me. I just

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Speaker 1: get money. I live my life. I have fun, I

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Speaker 1: travel the world. I do I love to do. If

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Speaker 1: you don't like it, that's your misery, not mine. So

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Speaker 1: that was one of the moments. And right after I

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Speaker 1: was laying in a bed, like rolling up and packing

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Speaker 1: a bag, getting ready to see how the Washington it

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Speaker 1: was all over and I'm back to the normal myself.

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Speaker 1: But you had no idea how viral this went. I

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Speaker 1: wouldn't think the next day, I look like yo, like

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Speaker 1: I woke up, like what is going on? Like all

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Speaker 1: on the airport when somebody's greas trying to say the name.

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Speaker 1: That's what I was classic. It's not promo like I

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Speaker 1: helped you out. You know, you're little famous, not hey,

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Speaker 1: you know it's your shirt off. But just I just

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Speaker 1: don't like it. If I'm not a disrespectful person, you

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Speaker 1: know what I mean. It's Internet, social media. All this

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Speaker 1: viral stuff has made people like get so out of character,

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Speaker 1: you know. I mean like every single day before that

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Speaker 1: was like Instagram and Twitter, whatever you see people. You

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Speaker 1: may not like a shirt, you don't like a hell,

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Speaker 1: you don't have to vocally say that. That's like your

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Speaker 1: personal endeavor. You don't have to make that publicly. Know,

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Speaker 1: now we have this thing, Oh I don't like her

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Speaker 1: sock was not one was too short. Oh I don't

328
00:17:07,000 --> 00:17:09,720
Speaker 1: like her sneaker. But it's so annoying, and it's just

329
00:17:09,840 --> 00:17:12,320
Speaker 1: one of those kind of things. It's like always attack, attack,

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00:17:12,359 --> 00:17:16,800
Speaker 1: attack black women, always attacking black women. Mainly, it's always

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Speaker 1: just so much negativity, so much that that's I don't

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Speaker 1: look at this stuff every day like everybody else. I

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00:17:21,640 --> 00:17:25,199
Speaker 1: would never say anything about anybody that's not a positive

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Speaker 1: or good thing. I don't care if I don't like something.

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00:17:26,600 --> 00:17:29,360
Speaker 1: I don't keep it moving. I'm human, it's stuff I see.

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Speaker 1: I don't like. I don't like it. I'm like everybody else.

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Speaker 1: But I'm not gonna say that because that's just so

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Speaker 1: like not necessary. It's like out of character. It's tacky

339
00:17:38,040 --> 00:17:40,520
Speaker 1: as weak, like I don't have the time to do that,

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Speaker 1: you know what I mean? So that somebody did, it's

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Speaker 1: just not mean. You don't hear me like very very

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Speaker 1: I don't like bring it over four before you know

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Speaker 1: what I mean. I keep it to a four. But

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Speaker 1: I'm just saying, like we have this generation. It sucks

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Speaker 1: to me. It's one of the kind of thing is

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Speaker 1: the most negative, derogatory, disgusting, hate, full, miserable. Why is

347
00:18:07,280 --> 00:18:10,480
Speaker 1: everybody so mad? I'm chilling, I'm fining across the world?

348
00:18:10,560 --> 00:18:13,159
Speaker 1: Life is great. What are you so mad for? We

349
00:18:13,280 --> 00:18:15,000
Speaker 1: got the same twenty four hours and I don't have

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Speaker 1: twenty five. I don't have twenty five six and a half.

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Speaker 1: I have twenty four, just like you. We both have

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Speaker 1: twenty four. Whatever I do in my twenty four and

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Speaker 1: my business, what you do is your business. If yours

354
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Speaker 1: don't add up, baby, that's not my problem. I'm sorry,

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00:18:26,880 --> 00:18:29,600
Speaker 1: you work harder. Nobody cares. That's all I know that

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Speaker 1: for my entire life. I've been doing this for seventeen years.

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Speaker 1: I do not ask anybody for anything. Nobody could never

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Speaker 1: say any of that about me. You can hear a

359
00:18:36,960 --> 00:18:38,640
Speaker 1: lot of things, training to train, to train, to train,

360
00:18:38,720 --> 00:18:40,119
Speaker 1: to have the stuff you hear. The reason you hear

361
00:18:40,119 --> 00:18:41,960
Speaker 1: about these people because I put you on It was

362
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Speaker 1: because of me. People even care to talk about you.

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Speaker 1: I still don't ran about you because I don't have

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Speaker 1: I'm a pleasant I'm so busy, like I'm I'm hiding

365
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Speaker 1: the sky like chilling, like have I'm enjoying life. Only

366
00:18:53,400 --> 00:18:55,720
Speaker 1: get this thing one time when you be around people

367
00:18:55,720 --> 00:18:57,639
Speaker 1: and the situations and stuff has been taken away from you,

368
00:18:57,720 --> 00:18:59,720
Speaker 1: and you realize how important this one life we can

369
00:18:59,760 --> 00:19:02,879
Speaker 1: get all this like all day like tomorrow, but this

370
00:19:03,080 --> 00:19:05,119
Speaker 1: one life you got to really take care of that,

371
00:19:05,600 --> 00:19:07,760
Speaker 1: Like you're in control of how happy you are and

372
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Speaker 1: this like I'm not miserable, I'm happy. I'm like sailing

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Speaker 1: y'all in flying chilling people speaking another language like whoa

374
00:19:13,880 --> 00:19:15,359
Speaker 1: you love me? I'm at I don't even know if

375
00:19:15,359 --> 00:19:18,040
Speaker 1: you know what I'm talking about. But you're streaming, so

376
00:19:18,240 --> 00:19:20,800
Speaker 1: I'm not on this vibe. I'm going to whole another way.

377
00:19:20,920 --> 00:19:30,560
Speaker 1: I got some you know. That's just so let me

378
00:19:30,640 --> 00:19:32,840
Speaker 1: ask me something. One thing that I see, Like you

379
00:19:32,920 --> 00:19:35,520
Speaker 1: see Drake and Future do albums together. You see j

380
00:19:35,760 --> 00:19:38,760
Speaker 1: and Kanye do album together. Why don't more females do

381
00:19:39,240 --> 00:19:41,760
Speaker 1: like collab albums? Like what isn't true that females and

382
00:19:41,840 --> 00:19:48,399
Speaker 1: hip hop can't get along? It's definitely catty. What catty means?

383
00:19:48,680 --> 00:19:54,960
Speaker 1: Like catty just me like girls like women, Women are emotional.

384
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Speaker 1: You know, emotions mean like you You. It's a lot

385
00:19:58,840 --> 00:20:01,479
Speaker 1: of things you may not like about yourself. So when

386
00:20:01,560 --> 00:20:04,800
Speaker 1: that comes and you around other women and you see confidence,

387
00:20:05,280 --> 00:20:08,000
Speaker 1: that kind of makes you salty. That's how I survived.

388
00:20:08,000 --> 00:20:11,080
Speaker 1: There's no caddiness over here. Doctor. I'm always gonna uplift

389
00:20:11,119 --> 00:20:13,800
Speaker 1: you on my always rooting for you. Damn you look good. Yeah,

390
00:20:13,800 --> 00:20:16,960
Speaker 1: but it's popping boom, sitting up. Everything is looking very youthful.

391
00:20:17,160 --> 00:20:19,240
Speaker 1: I love it. Women don't know how to give other

392
00:20:19,320 --> 00:20:21,560
Speaker 1: women props and credit. It's not gonna take away from

393
00:20:21,600 --> 00:20:23,119
Speaker 1: think that's woman in hip hop or you think that

394
00:20:23,280 --> 00:20:28,920
Speaker 1: women like I always hear females say like I don't

395
00:20:28,960 --> 00:20:32,800
Speaker 1: mess with girls because it's always something that's all good

396
00:20:32,840 --> 00:20:35,159
Speaker 1: when we all at the If somebody come up a

397
00:20:35,240 --> 00:20:37,640
Speaker 1: little higher than somebody else, then somebody that ain't gonna

398
00:20:37,680 --> 00:20:39,919
Speaker 1: like that, and that's just a sad thing. I don't understand.

399
00:20:39,920 --> 00:20:41,560
Speaker 1: Like we could all hang out, we could party together,

400
00:20:41,640 --> 00:20:43,760
Speaker 1: we could drink, smoke club together, but we can't get

401
00:20:43,800 --> 00:20:46,520
Speaker 1: money together, we can't get business together. We can't do

402
00:20:46,640 --> 00:20:49,280
Speaker 1: something that's evolving and growing in like we can't go

403
00:20:49,440 --> 00:20:53,080
Speaker 1: passport popping around the country together. I just don't understand

404
00:20:53,080 --> 00:20:55,240
Speaker 1: that's there every time you ever tried to attempt to

405
00:20:55,400 --> 00:20:58,119
Speaker 1: work with a female artist, and with every female artists

406
00:20:58,119 --> 00:21:00,959
Speaker 1: almost in this industry. So I'm like kind of exempt

407
00:21:01,000 --> 00:21:03,480
Speaker 1: from that only because I always embraced everybody. You know,

408
00:21:03,560 --> 00:21:05,680
Speaker 1: I've done records with everybody from Missy to the Brad,

409
00:21:05,760 --> 00:21:09,119
Speaker 1: to eve Too, to Remy My to Nicki Minaj to

410
00:21:09,320 --> 00:21:12,640
Speaker 1: everybody that's out in the game, everybody before mostly all

411
00:21:12,680 --> 00:21:14,359
Speaker 1: the women that came out, I did records because I

412
00:21:14,400 --> 00:21:17,040
Speaker 1: embraced because I like them for some reason. You're I'm Southern,

413
00:21:17,160 --> 00:21:20,040
Speaker 1: You're New York, your callie, you're then you're acting your

414
00:21:20,080 --> 00:21:23,080
Speaker 1: Caribbean like I just love that, like and believe it

415
00:21:23,200 --> 00:21:25,000
Speaker 1: or not, I don't really think all these dudes want

416
00:21:25,000 --> 00:21:26,280
Speaker 1: to sit around and just watch a bunch of dudes

417
00:21:26,280 --> 00:21:28,760
Speaker 1: on TVR days. You want to see women. You want

418
00:21:28,800 --> 00:21:31,800
Speaker 1: to see beautiful collaboration songs. That's what you really want

419
00:21:31,840 --> 00:21:34,200
Speaker 1: to see. So I don't understand at what point women

420
00:21:34,240 --> 00:21:37,320
Speaker 1: don't really get like, you know, like whoa together? We're like,

421
00:21:37,560 --> 00:21:40,440
Speaker 1: we really run the world. We run these dudes all

422
00:21:40,480 --> 00:21:46,840
Speaker 1: that attention to that, that's the fact that definitely, what

423
00:21:46,960 --> 00:21:48,880
Speaker 1: did you think of like the Remy Mall and Nicki

424
00:21:48,920 --> 00:21:51,160
Speaker 1: Minaj thing, Like, I don't get into all that because

425
00:21:51,200 --> 00:21:53,320
Speaker 1: it's always like the whole thing, you know. I just

426
00:21:53,400 --> 00:21:55,720
Speaker 1: feel like, you know what, when you got women, people

427
00:21:55,720 --> 00:21:57,719
Speaker 1: always trying to put women against each other. It's it's

428
00:21:57,760 --> 00:21:59,440
Speaker 1: more of that than it is like trying to unite

429
00:21:59,480 --> 00:22:02,480
Speaker 1: women together, because people would definitely love to see more

430
00:22:02,800 --> 00:22:04,960
Speaker 1: a unity than they would like to see that separation.

431
00:22:05,280 --> 00:22:07,159
Speaker 1: But in this generation we have, we don't have that.

432
00:22:07,240 --> 00:22:10,000
Speaker 1: We have too many jealous, envious, hateful people that rather

433
00:22:10,160 --> 00:22:12,720
Speaker 1: see it divide. I don't know why I see so

434
00:22:12,840 --> 00:22:14,760
Speaker 1: many dudes, so many guys they work together, don't even

435
00:22:14,760 --> 00:22:16,320
Speaker 1: like each other. I see you work together, I see

436
00:22:16,320 --> 00:22:17,760
Speaker 1: shoot the video, I see you on stage and get

437
00:22:17,880 --> 00:22:20,080
Speaker 1: the bag. So why separate the woman from doing that me?

438
00:22:20,280 --> 00:22:22,760
Speaker 1: I'm not I don't. I don't like that. That's one

439
00:22:22,760 --> 00:22:24,560
Speaker 1: thing I don't like because we're all women doing our

440
00:22:24,640 --> 00:22:27,440
Speaker 1: thing and you have to be independent for yourself, because

441
00:22:27,520 --> 00:22:29,880
Speaker 1: you can't depend on nobody. Like that's my thing. I'm

442
00:22:29,880 --> 00:22:31,440
Speaker 1: not depending on. I don't care who you is, what

443
00:22:31,520 --> 00:22:33,080
Speaker 1: you got, none of that doesn't mean nothing to me.

444
00:22:33,320 --> 00:22:35,160
Speaker 1: God bless A child has its own destiny. I'm gonna

445
00:22:35,160 --> 00:22:38,359
Speaker 1: have my period. So that's if you had a chance,

446
00:22:38,560 --> 00:22:40,800
Speaker 1: right they said to you, right now, you get a

447
00:22:40,880 --> 00:22:43,680
Speaker 1: chance to do an album with any female artist is

448
00:22:43,760 --> 00:22:46,640
Speaker 1: in the world. Who would you pay? Oh boy? Now okay,

449
00:22:46,720 --> 00:22:48,879
Speaker 1: first of all, this is my first trace of this

450
00:22:48,920 --> 00:22:53,480
Speaker 1: is my favorite. How you can't even now, but you know,

451
00:22:53,880 --> 00:22:55,639
Speaker 1: like I would, I would. I would say like some

452
00:22:55,720 --> 00:22:59,240
Speaker 1: I would like like Rihanna. Rihanna's fisty. She's like a powerhouse.

453
00:22:59,520 --> 00:23:02,119
Speaker 1: She talked that talk. She's unapologetic, you know what I mean.

454
00:23:02,200 --> 00:23:05,320
Speaker 1: She's just like a she's Caribbean like she's she's just that,

455
00:23:05,520 --> 00:23:06,920
Speaker 1: you know what I mean. So she I love that

456
00:23:07,240 --> 00:23:11,920
Speaker 1: I was saying, Dominican. My dad's family is from Dominican,

457
00:23:12,320 --> 00:23:17,840
Speaker 1: from Dominican Republican, you know what we claiming you. I

458
00:23:17,880 --> 00:23:26,560
Speaker 1: don't want to. Let's just say because my mom's family

459
00:23:26,640 --> 00:23:29,320
Speaker 1: is from Nassa, Bahamas. So every time it's always been

460
00:23:29,400 --> 00:23:31,159
Speaker 1: like a kind of battle thing like you're not claiming

461
00:23:31,200 --> 00:23:33,400
Speaker 1: either people. I'm just like, I'm just me. I don't

462
00:23:33,440 --> 00:23:35,920
Speaker 1: want to be in a war for you know, black,

463
00:23:36,520 --> 00:23:38,040
Speaker 1: I don't want to be in the midst of the

464
00:23:38,080 --> 00:23:41,359
Speaker 1: people like would say any little thing just because of that.

465
00:23:41,560 --> 00:23:43,840
Speaker 1: So I just try to like, you know, I'm just here.

466
00:23:43,880 --> 00:23:46,359
Speaker 1: I'm born. I love my mom family, I'm just close

467
00:23:46,440 --> 00:23:49,320
Speaker 1: with the I don't speak Spanish and I'm not close

468
00:23:49,359 --> 00:23:51,200
Speaker 1: with my father, so I don't really get into that.

469
00:23:51,520 --> 00:23:53,880
Speaker 1: I'm really close to my brothers from my father's side,

470
00:23:53,960 --> 00:23:56,720
Speaker 1: so I love them, but my dad, I'm Behaman like

471
00:23:56,880 --> 00:23:59,600
Speaker 1: I love that. That's for my coach, a person who

472
00:23:59,640 --> 00:24:04,560
Speaker 1: speaks for a Dominican delicate we're gonna, we're gonna get you,

473
00:24:04,560 --> 00:24:19,520
Speaker 1: We're gonna go, We're gonna When I was like, I

474
00:24:19,680 --> 00:24:21,720
Speaker 1: was very shocked. I went, I was like, wow, since

475
00:24:21,760 --> 00:24:23,840
Speaker 1: Dominican and that that would be nicer for you to

476
00:24:23,880 --> 00:24:26,399
Speaker 1: see like that culture because like, you know what, it's

477
00:24:26,400 --> 00:24:28,640
Speaker 1: crazy for me. I was Puerto Rican, I am Puerto Rican,

478
00:24:29,400 --> 00:24:32,000
Speaker 1: but I went to Jamaica one time and I fell

479
00:24:32,080 --> 00:24:34,040
Speaker 1: in love with the island so much. And what happened

480
00:24:34,119 --> 00:24:36,320
Speaker 1: was I was like, yo, you know what, I love

481
00:24:36,440 --> 00:24:38,840
Speaker 1: this island. But when I went to Puerto Rico, it

482
00:24:38,960 --> 00:24:40,600
Speaker 1: was like even though like I was there as a child,

483
00:24:40,680 --> 00:24:43,399
Speaker 1: it felt like like my it felt like I was

484
00:24:43,520 --> 00:24:46,000
Speaker 1: here before, like like it was. It was an ill

485
00:24:46,040 --> 00:24:47,919
Speaker 1: feeling for me. It changed my whole life. So, um,

486
00:24:48,400 --> 00:24:52,000
Speaker 1: that's dope. But so now you and Trick Daddy doing

487
00:24:52,080 --> 00:24:55,119
Speaker 1: the album before I get into the album. Thing, you

488
00:24:55,200 --> 00:24:57,200
Speaker 1: know what I like about you and Trick Daddy both

489
00:24:57,359 --> 00:25:00,600
Speaker 1: is like everybody respects y'all everywhere, Like you know what

490
00:25:00,640 --> 00:25:03,200
Speaker 1: I mean, Like one thing about you guys is like

491
00:25:04,000 --> 00:25:08,080
Speaker 1: the respect value is just there. Was that something that

492
00:25:08,200 --> 00:25:10,000
Speaker 1: y'all developed though, that was just something that came out.

493
00:25:10,240 --> 00:25:12,239
Speaker 1: I mean, I think for myself, it's just me how

494
00:25:12,320 --> 00:25:13,920
Speaker 1: I wrote, like how I care myself. You know, I

495
00:25:14,000 --> 00:25:15,720
Speaker 1: just do me, stay in my lane and keep it moving,

496
00:25:15,800 --> 00:25:18,720
Speaker 1: you know what I mean? Um, I mean this industry

497
00:25:18,880 --> 00:25:22,800
Speaker 1: is it's it's some snake system stuff. It's just a

498
00:25:22,880 --> 00:25:24,720
Speaker 1: dirty industry. You know. You gotta be real strong. You

499
00:25:24,800 --> 00:25:26,760
Speaker 1: gotta have your fee playing the ground, be able to survive,

500
00:25:27,280 --> 00:25:29,440
Speaker 1: you know. And for me, I just stay out of people,

501
00:25:29,520 --> 00:25:30,879
Speaker 1: wait and do what I gotta do. And I just

502
00:25:30,960 --> 00:25:33,359
Speaker 1: keep it moving and not disrespect but just don't disrespect me.

503
00:25:33,400 --> 00:25:35,199
Speaker 1: And we're all good, you know. I mean, we keep

504
00:25:35,240 --> 00:25:37,480
Speaker 1: it moving and we're grown. We're adults, and we're here

505
00:25:37,560 --> 00:25:40,600
Speaker 1: to look to live, to make music, and to like

506
00:25:40,840 --> 00:25:42,960
Speaker 1: be here for our families, have fun and you know,

507
00:25:43,119 --> 00:25:45,000
Speaker 1: do things that we probably never thought we would do.

508
00:25:45,160 --> 00:25:47,320
Speaker 1: And that's just what I do with my life. What's

509
00:25:47,359 --> 00:25:49,800
Speaker 1: the what's your favorite part of the game? My favorite

510
00:25:49,840 --> 00:25:52,399
Speaker 1: part is performing? He's going to say that for some reasons,

511
00:25:52,480 --> 00:25:54,960
Speaker 1: because you know why. I mean, because it's like with

512
00:25:55,160 --> 00:25:57,160
Speaker 1: records and albums and mix tapes and all this stuff.

513
00:25:57,200 --> 00:25:58,600
Speaker 1: Like when I go to these places, like if I'm

514
00:25:58,600 --> 00:26:00,640
Speaker 1: out of the country, I just like, and I hear

515
00:26:00,920 --> 00:26:03,560
Speaker 1: fans that are saying songs they don't even speak English.

516
00:26:03,640 --> 00:26:05,760
Speaker 1: I'm just like, how do you even know what I'm

517
00:26:05,760 --> 00:26:07,720
Speaker 1: talking about? When I'm at a concert and there's a

518
00:26:07,840 --> 00:26:10,200
Speaker 1: deaf person, like I have these like a bunch of

519
00:26:10,280 --> 00:26:12,240
Speaker 1: deaf fans that comes to all these shows and they

520
00:26:12,359 --> 00:26:15,040
Speaker 1: do everything in like sign language, and I had I

521
00:26:15,160 --> 00:26:16,800
Speaker 1: had to write it and ask her, like, how do

522
00:26:16,880 --> 00:26:19,240
Speaker 1: you know what I'm saying? And she says because she

523
00:26:19,640 --> 00:26:23,200
Speaker 1: googles my words and put it in her language and yeah,

524
00:26:23,240 --> 00:26:24,600
Speaker 1: but she can't hear him. Yes, And I was like

525
00:26:26,800 --> 00:26:28,320
Speaker 1: and I was like wow. And I mean at the

526
00:26:28,359 --> 00:26:30,880
Speaker 1: concert she's doing it in their language while I'm performing,

527
00:26:31,359 --> 00:26:32,800
Speaker 1: and I just be like wow. So that kind of

528
00:26:32,840 --> 00:26:35,000
Speaker 1: stuff I just loved. It was like touching people more

529
00:26:35,119 --> 00:26:36,840
Speaker 1: posed to somebody behind the CD or our and he

530
00:26:36,920 --> 00:26:38,240
Speaker 1: never saw you before, Like I just like to go

531
00:26:38,359 --> 00:26:40,480
Speaker 1: our dance wild out. Yeah, I think, I think. I

532
00:26:40,520 --> 00:26:46,600
Speaker 1: think that's beautiful, man. Think. I think as an artist myself,

533
00:26:46,680 --> 00:26:49,520
Speaker 1: that's like probably because it's immediate, like if you like

534
00:26:49,680 --> 00:26:51,520
Speaker 1: you get to see that love, you can see people

535
00:26:51,640 --> 00:26:53,880
Speaker 1: steal the energy that not when people are just screaming

536
00:26:53,920 --> 00:26:56,320
Speaker 1: and singing word for word every song and you're just

537
00:26:56,440 --> 00:26:58,920
Speaker 1: like all and because the song is like ten years

538
00:26:58,960 --> 00:27:00,760
Speaker 1: ago and you're just like out, Like that's just a

539
00:27:00,800 --> 00:27:02,920
Speaker 1: beautiful feeling. Did you ever imagine you'll be like a

540
00:27:03,040 --> 00:27:08,120
Speaker 1: role model to all the role like this little girl's

541
00:27:08,160 --> 00:27:11,560
Speaker 1: who really live by your law, Like it's a beautiful thing.

542
00:27:11,840 --> 00:27:14,840
Speaker 1: Yeah you know what, Um I knew because I was

543
00:27:14,920 --> 00:27:16,880
Speaker 1: like that before I start the music. All my friends

544
00:27:16,880 --> 00:27:18,840
Speaker 1: are attached to me. All my friends followed me. I

545
00:27:18,960 --> 00:27:20,920
Speaker 1: was the leader. Was my way. I'm gonna go this way.

546
00:27:20,920 --> 00:27:22,680
Speaker 1: If I take the alley we're taking out because I

547
00:27:22,720 --> 00:27:24,639
Speaker 1: know this is the safest route. Everybody's gonna follow me.

548
00:27:24,640 --> 00:27:26,560
Speaker 1: They're gonna trust me because I'm not. I don't really

549
00:27:26,640 --> 00:27:28,440
Speaker 1: like all the mistakes. I don't like the excuses. I

550
00:27:28,560 --> 00:27:30,399
Speaker 1: just like to get right to it. My word is

551
00:27:30,440 --> 00:27:31,760
Speaker 1: my bond. If I said I'm gonna do something, I'm

552
00:27:31,760 --> 00:27:33,560
Speaker 1: gonna do it. And that's just that, you know. So

553
00:27:33,640 --> 00:27:35,240
Speaker 1: when I started doing this, it was just one of

554
00:27:35,280 --> 00:27:37,560
Speaker 1: those things like Okay, I wasn't one of those people

555
00:27:37,600 --> 00:27:39,840
Speaker 1: that was like shopping mix tapes and I mean, I'm

556
00:27:39,960 --> 00:27:41,800
Speaker 1: new and this is a label and this guy's is tricked.

557
00:27:41,800 --> 00:27:43,639
Speaker 1: There's another group that was there, Trait plus six. And

558
00:27:43,680 --> 00:27:46,040
Speaker 1: then here's Rick Ross that is just like first signed

559
00:27:46,040 --> 00:27:47,760
Speaker 1: to the to the label, but he's not even on

560
00:27:48,240 --> 00:27:50,520
Speaker 1: and he's like with mix tapes and like push them

561
00:27:50,560 --> 00:27:51,920
Speaker 1: on me to like take on the role, and I'm

562
00:27:51,920 --> 00:27:53,560
Speaker 1: just thinking, like, whoa these dudes is grinding. I'm just

563
00:27:53,600 --> 00:27:56,800
Speaker 1: here chinning like the princess and I'm seeing like how

564
00:27:56,880 --> 00:27:59,280
Speaker 1: hard you want to get your stuff on. I'm just like,

565
00:27:59,359 --> 00:28:01,080
Speaker 1: I just get my one record. I'm good, Like, why

566
00:28:01,080 --> 00:28:02,840
Speaker 1: are you doing all this extra struggle? I didn't really

567
00:28:02,880 --> 00:28:04,680
Speaker 1: get into I got on the road and I really

568
00:28:04,760 --> 00:28:06,720
Speaker 1: understood it, like I didn't do that right. I didn't

569
00:28:06,720 --> 00:28:09,199
Speaker 1: have to grind it, So I just I took it serious.

570
00:28:09,320 --> 00:28:10,680
Speaker 1: You know, I want to roll with Trick. I want

571
00:28:10,680 --> 00:28:12,639
Speaker 1: to roll one year we did a tour and you know,

572
00:28:12,760 --> 00:28:16,200
Speaker 1: Trick is, Tricky's lit. Everybody, the girls is everywhere. People me,

573
00:28:16,560 --> 00:28:18,880
Speaker 1: I'm at this time like I don't dream, I don't smoke.

574
00:28:18,920 --> 00:28:21,040
Speaker 1: I'm yet, I don't I'm just focused on what I'm doing.

575
00:28:21,320 --> 00:28:23,240
Speaker 1: I'm on stage, I got my three minutes. I'm gonna

576
00:28:23,240 --> 00:28:24,919
Speaker 1: do my three minutes. Put my best outfit, don't come

577
00:28:24,920 --> 00:28:26,600
Speaker 1: out and kill it. Get back to the hotel. I'm

578
00:28:26,640 --> 00:28:29,000
Speaker 1: not doing after. I'm just I'm like now focusing because

579
00:28:29,040 --> 00:28:31,040
Speaker 1: now the label is like, you gotta deal. We need

580
00:28:31,080 --> 00:28:35,119
Speaker 1: a new album, landing album. Craig Calbun's like down on

581
00:28:35,240 --> 00:28:38,400
Speaker 1: the text message every second and Ted is calling every

582
00:28:38,800 --> 00:28:42,120
Speaker 1: thirty seconds on the dot. So I'm thinking about forget

583
00:28:42,160 --> 00:28:44,600
Speaker 1: about I'm this now and this big one thing. But

584
00:28:45,040 --> 00:28:47,440
Speaker 1: now these whole people are like saying, we need a

585
00:28:47,480 --> 00:28:49,520
Speaker 1: full album. This is all songs of you. So we

586
00:28:49,640 --> 00:28:51,200
Speaker 1: gotta it's going to be more than this trick than you.

587
00:28:51,280 --> 00:28:53,360
Speaker 1: Gotta be really serious. So I just like stayed in

588
00:28:53,440 --> 00:28:54,920
Speaker 1: my room like one year on the road with them,

589
00:28:54,920 --> 00:28:57,360
Speaker 1: but just like mastered out the plan and just like execute, Yo,

590
00:28:57,920 --> 00:28:59,760
Speaker 1: just received my clothes. Man, you know what's like? I

591
00:28:59,800 --> 00:29:02,640
Speaker 1: got personal style so that I got groovy lou on standby.

592
00:29:02,800 --> 00:29:05,280
Speaker 1: You got that Bombfeld dot com, Ballfel dot com. Don't

593
00:29:05,280 --> 00:29:07,240
Speaker 1: forget that dot com. You like that outfit? I like

594
00:29:07,360 --> 00:29:11,840
Speaker 1: that outfit. Every month we got we negotiate twenty five

595
00:29:11,880 --> 00:29:14,560
Speaker 1: dollars off your first purchase for all the drink champs

596
00:29:14,680 --> 00:29:21,920
Speaker 1: Armfel dot com Forward slash drink, Ballfel dot com Forward

597
00:29:22,000 --> 00:29:24,280
Speaker 1: slash drink. Let me get a rose because it's Mr

598
00:29:24,360 --> 00:29:26,440
Speaker 1: Lee birthday. Let's do it. That's b O, M B

599
00:29:26,760 --> 00:29:29,440
Speaker 1: F E l L dot com Forward slash d r

600
00:29:29,600 --> 00:29:32,280
Speaker 1: I n K drink and get personalized. They's send you

601
00:29:32,360 --> 00:29:34,880
Speaker 1: the clothes just for you, Bombfeld dot com. Let's do it,

602
00:29:35,000 --> 00:29:38,680
Speaker 1: Let's go dot did you fee your game Pigeonhill? Like? Like?

603
00:29:38,880 --> 00:29:41,560
Speaker 1: Because after that, did you think it was hyper sexuality

604
00:29:41,680 --> 00:29:44,320
Speaker 1: that that was supposed to a little bit of it?

605
00:29:44,440 --> 00:29:46,960
Speaker 1: I just felt like I didn't allow them to make

606
00:29:47,080 --> 00:29:49,080
Speaker 1: me whatever they wanted. You know, sometimes they got like

607
00:29:49,120 --> 00:29:50,920
Speaker 1: I had one of these records that I recorded, which

608
00:29:50,960 --> 00:29:52,520
Speaker 1: is called to look back at It. This is the

609
00:29:52,560 --> 00:29:55,400
Speaker 1: record ideal with killing Mike, And this is a record

610
00:29:55,440 --> 00:29:57,560
Speaker 1: that right now today is like when I performed this

611
00:29:57,600 --> 00:29:59,400
Speaker 1: bigger than that, and this is the record that I

612
00:29:59,480 --> 00:30:00,920
Speaker 1: didn't want on my album. I was like, I don't

613
00:30:00,920 --> 00:30:02,480
Speaker 1: want to do no records like this. I don't want

614
00:30:02,480 --> 00:30:04,360
Speaker 1: to do a name. I don't want to care what

615
00:30:04,480 --> 00:30:06,640
Speaker 1: you guys want. They wanted to have that same stereotype.

616
00:30:06,640 --> 00:30:08,520
Speaker 1: I was like, okay, what I'm gonna You want me

617
00:30:08,560 --> 00:30:10,040
Speaker 1: just go talk dirty again? I don't want to do that.

618
00:30:10,160 --> 00:30:12,200
Speaker 1: And I fought with the label. I fought with the label.

619
00:30:12,200 --> 00:30:14,960
Speaker 1: I fought with them, and eventually they, of course the

620
00:30:15,040 --> 00:30:16,840
Speaker 1: records on my album and I told him, Okay, if

621
00:30:16,840 --> 00:30:18,800
Speaker 1: you give me a softer version of a record I want,

622
00:30:18,840 --> 00:30:21,760
Speaker 1: I'll do this record, and I did the record, but realistically,

623
00:30:21,920 --> 00:30:23,680
Speaker 1: this record right now is still one of the biggest

624
00:30:23,680 --> 00:30:25,240
Speaker 1: records I perform. And I'm sitting here on the girls

625
00:30:25,280 --> 00:30:27,120
Speaker 1: that like streaming word for work and that's the kind

626
00:30:27,120 --> 00:30:30,040
Speaker 1: of stuff that like it's it's amazes me, Like it's

627
00:30:30,080 --> 00:30:31,880
Speaker 1: one of those things like whoa, this is the record

628
00:30:31,920 --> 00:30:33,840
Speaker 1: that I fought to get off of the album. This

629
00:30:33,880 --> 00:30:36,600
Speaker 1: is the record that you guys love verbatimly every single word.

630
00:30:36,680 --> 00:30:39,600
Speaker 1: It's insane. So you know, now, now what do you

631
00:30:39,720 --> 00:30:45,200
Speaker 1: what do you like more independent or major? Um? Well,

632
00:30:46,160 --> 00:30:49,920
Speaker 1: now I would just say I would say independent. I

633
00:30:49,960 --> 00:30:51,840
Speaker 1: mean when it comes to business and money and yourself

634
00:30:51,880 --> 00:30:54,040
Speaker 1: and making sure that you're better. I mean your freedom,

635
00:30:54,080 --> 00:30:58,760
Speaker 1: your creativity or whatever you need to do. Imagine, like

636
00:30:58,920 --> 00:31:00,680
Speaker 1: when I started, they said landing and it's like a

637
00:31:00,760 --> 00:31:02,840
Speaker 1: big machine behind you and you're just sitting there and

638
00:31:02,880 --> 00:31:05,480
Speaker 1: you're not doing nothing because they got like a mafia

639
00:31:05,480 --> 00:31:07,760
Speaker 1: of people doing whatever you need. And then when you

640
00:31:07,800 --> 00:31:11,400
Speaker 1: don't have that after differ, it's like and you're like this,

641
00:31:11,560 --> 00:31:14,040
Speaker 1: the room gets smaller and everybody gets you know, those

642
00:31:14,120 --> 00:31:15,880
Speaker 1: hundred people go into like four people, and you're trying

643
00:31:15,880 --> 00:31:17,560
Speaker 1: to figure out how you're gonna make this work. So

644
00:31:17,760 --> 00:31:19,840
Speaker 1: it's a big difference. You know, it's about you and

645
00:31:19,880 --> 00:31:21,240
Speaker 1: how much you want to work and whatever team you

646
00:31:21,320 --> 00:31:23,200
Speaker 1: put together to make it work, because it's totally not

647
00:31:23,280 --> 00:31:25,720
Speaker 1: the same system and now with record sales that's totally

648
00:31:25,920 --> 00:31:29,440
Speaker 1: in a decline, totally different industry, is nothing like before.

649
00:31:29,480 --> 00:31:30,720
Speaker 1: I mean, you could be on the major of the

650
00:31:30,800 --> 00:31:32,960
Speaker 1: major is a major, but that don't mean you're gonna

651
00:31:32,960 --> 00:31:36,240
Speaker 1: be selling major records. Because you're a major, they expect

652
00:31:36,320 --> 00:31:38,080
Speaker 1: you to work ten times harder because they don't have

653
00:31:38,120 --> 00:31:40,400
Speaker 1: to put the work in because all of this streaming

654
00:31:40,440 --> 00:31:42,840
Speaker 1: and social media and Instagram and they expect you to

655
00:31:42,880 --> 00:31:44,520
Speaker 1: do your opposts and back then you don't have to

656
00:31:44,520 --> 00:31:46,840
Speaker 1: do anything. So you know, I mean, I definitely think

657
00:31:46,880 --> 00:31:48,480
Speaker 1: if you're gonna do it now and for where you

658
00:31:48,560 --> 00:31:51,040
Speaker 1: are in music and and hip hop and just sales

659
00:31:51,080 --> 00:31:53,000
Speaker 1: and just business and money wise, you need to be

660
00:31:53,040 --> 00:31:54,960
Speaker 1: thinking for yourself small. You gotta cut out three, four

661
00:31:55,000 --> 00:31:56,920
Speaker 1: or five middleman and like make sure you go after

662
00:31:57,080 --> 00:32:03,880
Speaker 1: you know, absolutely absolutely just in the it's just you

663
00:32:03,960 --> 00:32:05,680
Speaker 1: know what it was like you said, I came from depth,

664
00:32:05,800 --> 00:32:10,800
Speaker 1: jam I came from penalty. You know, I was originally

665
00:32:10,880 --> 00:32:13,480
Speaker 1: signed to Penalty at the beginning when he wasn't independent.

666
00:32:13,960 --> 00:32:16,560
Speaker 1: Then they got picked up as a man. No, no, no, no,

667
00:32:16,680 --> 00:32:19,880
Speaker 1: that's my man, my man. So then I m they

668
00:32:20,040 --> 00:32:24,000
Speaker 1: had went major because Tommy Boy had influence, was a

669
00:32:24,040 --> 00:32:27,240
Speaker 1: major because Tommy Boy was the major that was distributed

670
00:32:27,320 --> 00:32:32,160
Speaker 1: through Warner, remember, So so then Penalty got all that.

671
00:32:32,240 --> 00:32:34,520
Speaker 1: So then when I go from Penalty, and then tom

672
00:32:34,600 --> 00:32:37,520
Speaker 1: Silverman and Nylvianan caught their little problem, and then I

673
00:32:37,640 --> 00:32:40,520
Speaker 1: went to death Jam. It was like death Jam was

674
00:32:40,720 --> 00:32:43,440
Speaker 1: a major. But I loved their grind, meaning like they

675
00:32:43,480 --> 00:32:45,120
Speaker 1: would they would throw me on the road, Like they

676
00:32:45,160 --> 00:32:47,880
Speaker 1: wouldn't give me mad money up front, but they would

677
00:32:47,920 --> 00:32:49,840
Speaker 1: give me mad tour busses and be like, you're gonna

678
00:32:49,880 --> 00:32:51,520
Speaker 1: keep you on the road for three months at a time,

679
00:32:51,880 --> 00:32:54,520
Speaker 1: something that I didn't really know that so my record

680
00:32:54,600 --> 00:32:56,960
Speaker 1: would you know it would it would come outselve to

681
00:32:57,120 --> 00:32:59,320
Speaker 1: fifty or whatever. And I was a gold dude, so

682
00:32:59,400 --> 00:33:00,880
Speaker 1: they just kept me on the road to just keep

683
00:33:00,920 --> 00:33:04,520
Speaker 1: going gold. And then from that to go, oh I

684
00:33:04,560 --> 00:33:10,880
Speaker 1: gotta pay for the talk point Oh yes, no, no, no,

685
00:33:11,960 --> 00:33:21,840
Speaker 1: remember the first class? Yes, your old cent you got

686
00:33:21,960 --> 00:33:25,800
Speaker 1: to go regular. Would I want to honestly agree on that.

687
00:33:25,920 --> 00:33:27,760
Speaker 1: Like when you independ you definitely have to kick out

688
00:33:27,760 --> 00:33:30,400
Speaker 1: the bag and you have to invest into yourself everything

689
00:33:30,480 --> 00:33:33,320
Speaker 1: because even with like an independent partner, it's still like,

690
00:33:33,680 --> 00:33:35,400
Speaker 1: you know, I have a partnership with Neil right now,

691
00:33:35,440 --> 00:33:37,480
Speaker 1: I'm still kicking out the bag. Shout out to Bil,

692
00:33:37,800 --> 00:33:39,280
Speaker 1: but he knows, like you know, you still got to

693
00:33:39,320 --> 00:33:41,280
Speaker 1: kick out for radio whatever you need because they're only

694
00:33:41,320 --> 00:33:44,040
Speaker 1: gonna do so much opposed to if it's Major, you

695
00:33:44,120 --> 00:33:46,200
Speaker 1: ain't gotta do all that. And but those are the things.

696
00:33:46,280 --> 00:33:48,080
Speaker 1: It's a different decline at a different time now, and

697
00:33:48,400 --> 00:33:49,800
Speaker 1: that's for a lot of new artists that don't really

698
00:33:49,880 --> 00:33:51,800
Speaker 1: understand the game, and everybody want to get on it.

699
00:33:51,920 --> 00:33:53,480
Speaker 1: And you know, I'm gonna just drop Rex and put

700
00:33:53,480 --> 00:33:55,040
Speaker 1: our independ I'm gonna do this whole thing. It's not

701
00:33:55,120 --> 00:33:56,640
Speaker 1: as easy as you think it's gonna be, you know.

702
00:33:56,760 --> 00:33:58,320
Speaker 1: And one thing, if you would have major and if

703
00:33:58,360 --> 00:33:59,680
Speaker 1: the record is not doing what they needed to be,

704
00:34:00,240 --> 00:34:01,840
Speaker 1: it may not be good for you. So we gotta

705
00:34:05,080 --> 00:34:06,800
Speaker 1: do It's not And don't get me wrong, I got

706
00:34:06,880 --> 00:34:11,160
Speaker 1: the grind to be independent, but it's just like sometimes

707
00:34:11,239 --> 00:34:13,320
Speaker 1: I want to have seven different things to do. So

708
00:34:13,600 --> 00:34:18,120
Speaker 1: meaning like, I've been in this game since nineties seven,

709
00:34:19,960 --> 00:34:24,680
Speaker 1: ninety seven. Then I had a song. I had a

710
00:34:24,800 --> 00:34:31,360
Speaker 1: song in ninety six. Technically, boy, it's since ninety seven,

711
00:34:31,440 --> 00:34:34,080
Speaker 1: and it's like, damn, this can't be my only income

712
00:34:34,080 --> 00:34:36,400
Speaker 1: because I want to do everything else. So now, but

713
00:34:36,480 --> 00:34:39,920
Speaker 1: when you're independent, you can't be independent. You have to

714
00:34:40,000 --> 00:34:42,920
Speaker 1: be one million percent. You gotta call all the DJs.

715
00:34:43,040 --> 00:34:45,520
Speaker 1: I remember being on Death Jam and mikeisus to say

716
00:34:45,520 --> 00:34:49,080
Speaker 1: to me stop talking to these sucking the DJs, because

717
00:34:49,200 --> 00:34:50,600
Speaker 1: the DJs will call me and they're be like, yo,

718
00:34:50,880 --> 00:34:52,359
Speaker 1: you need you need, I need you. At this part,

719
00:34:52,400 --> 00:34:54,719
Speaker 1: it's like, definitely, I'm there and I'm never looking at

720
00:34:54,760 --> 00:34:57,719
Speaker 1: the schedule. I'm talking to everybody. I'm at the same guard.

721
00:34:58,440 --> 00:35:01,239
Speaker 1: And then so Mike, how does this just say? Yo,

722
00:35:01,360 --> 00:35:03,160
Speaker 1: let me speak to them. So when I fu up,

723
00:35:03,280 --> 00:35:06,239
Speaker 1: they blame me, and I don't blame you. Now you're independent,

724
00:35:06,480 --> 00:35:11,600
Speaker 1: you can't blame No. That's why I hate but I don't.

725
00:35:11,960 --> 00:35:18,440
Speaker 1: I don't hear it spoil. So let's get into this trick,

726
00:35:18,560 --> 00:35:21,439
Speaker 1: Daddy and trin. I want to know what are y'all

727
00:35:21,520 --> 00:35:23,640
Speaker 1: working on. How does it sound you just do a record,

728
00:35:23,920 --> 00:35:25,560
Speaker 1: a record. Smooth sound was just one of those records.

729
00:35:25,600 --> 00:35:28,320
Speaker 1: On this guy Ali Coyote. He came in the studio

730
00:35:28,320 --> 00:35:29,840
Speaker 1: who was playing a buch. He's a Jamaican guy, so

731
00:35:29,960 --> 00:35:31,680
Speaker 1: you know he came with different vibes or whatever. And

732
00:35:31,760 --> 00:35:33,200
Speaker 1: that's the first time me and Trick ever did a

733
00:35:33,239 --> 00:35:36,480
Speaker 1: record like that. You know, even previous after the name record,

734
00:35:36,480 --> 00:35:38,480
Speaker 1: I've done record on Trick project and it was still

735
00:35:38,520 --> 00:35:41,359
Speaker 1: more grimy, more different Miami. So we want to hear

736
00:35:41,480 --> 00:35:51,279
Speaker 1: everybody as a fan. I listen, I'm saying some Trick. Okay,

737
00:35:51,320 --> 00:35:53,160
Speaker 1: here we go. We're on the drum board. I'm over here,

738
00:35:53,239 --> 00:35:54,440
Speaker 1: Tricks over here. What are you gonna do? What kind

739
00:35:54,440 --> 00:35:56,719
Speaker 1: of you're gonna do? Trick is in this vibe. He

740
00:35:56,880 --> 00:35:58,759
Speaker 1: likes the old school vibe. He likes. I'm like, no,

741
00:35:58,880 --> 00:36:00,879
Speaker 1: we gotta go hard or for the clubs, you gotta

742
00:36:01,280 --> 00:36:04,280
Speaker 1: We're like on two different ways, but I'm in control,

743
00:36:04,400 --> 00:36:06,759
Speaker 1: like he's my lead because he no I knows. So

744
00:36:06,840 --> 00:36:08,239
Speaker 1: we're just kind of just trying to get that record

745
00:36:08,280 --> 00:36:10,080
Speaker 1: that because it's really like we don't want like the

746
00:36:10,200 --> 00:36:13,200
Speaker 1: NAM record, because you can't duplicate that record. We did

747
00:36:13,280 --> 00:36:15,279
Speaker 1: that already. We just want that next explosive record that's

748
00:36:15,280 --> 00:36:16,920
Speaker 1: gonna be just a great record that's out there, like

749
00:36:17,000 --> 00:36:19,120
Speaker 1: the next record. And so I mean we got we

750
00:36:19,160 --> 00:36:23,840
Speaker 1: got some records. We got into together. When the studio, no, no,

751
00:36:23,960 --> 00:36:25,920
Speaker 1: we're in there, like I'll go, He'll come like he'll

752
00:36:26,000 --> 00:36:29,520
Speaker 1: going first. He's tricking early late. Yeah, he's an early person.

753
00:36:29,560 --> 00:36:31,120
Speaker 1: He's like to go when he likes to style work

754
00:36:31,160 --> 00:36:32,960
Speaker 1: on this record. Come to the studio, be there like

755
00:36:33,040 --> 00:36:34,600
Speaker 1: two hours. So that's what he likes to do. So

756
00:36:34,960 --> 00:36:37,520
Speaker 1: I'll come in three hours. And then once I'm there,

757
00:36:37,560 --> 00:36:39,120
Speaker 1: he already started on the record and then he'll back

758
00:36:39,120 --> 00:36:40,279
Speaker 1: you feel this, if you like this, whatever you do,

759
00:36:40,400 --> 00:36:41,680
Speaker 1: just to have a couple of records. And I'm like, yeah,

760
00:36:41,680 --> 00:36:43,080
Speaker 1: I don't like this, so and I'm not now I'm

761
00:36:43,120 --> 00:36:44,839
Speaker 1: staying good and I started recording. He likes to go out.

762
00:36:44,880 --> 00:36:46,880
Speaker 1: He's saying, my friends already smoked too much, you know,

763
00:36:46,920 --> 00:36:48,560
Speaker 1: triggering like smoke regular week. He's just be on his

764
00:36:48,600 --> 00:36:55,400
Speaker 1: own way, so let me happen. Yeah, so we're in

765
00:36:55,480 --> 00:36:57,760
Speaker 1: the same studio, but we are not in the same studio.

766
00:36:57,840 --> 00:36:59,920
Speaker 1: I mean he's outside so wherever you know, we're at

767
00:36:59,920 --> 00:37:01,640
Speaker 1: the together. So it's a different it's a good vibe

768
00:37:01,640 --> 00:37:03,440
Speaker 1: because you know, we like night and day but the

769
00:37:03,480 --> 00:37:04,800
Speaker 1: same you know, like I don't have a problem with

770
00:37:04,880 --> 00:37:06,800
Speaker 1: Trick is real calm. He's like one of those like

771
00:37:06,840 --> 00:37:09,319
Speaker 1: a loose cannon, but it's still in the studio. It's

772
00:37:09,360 --> 00:37:11,480
Speaker 1: just like the snatural kind of family bible man him.

773
00:37:11,480 --> 00:37:12,960
Speaker 1: You know, if I don't like something, I ain't spress

774
00:37:12,960 --> 00:37:14,680
Speaker 1: it around man, he'd get any one start over. So

775
00:37:14,800 --> 00:37:17,000
Speaker 1: you know it's a good energy. Well, I'm gonna listen that,

776
00:37:17,080 --> 00:37:19,120
Speaker 1: you know, as a pair of fan Like, I am

777
00:37:19,239 --> 00:37:22,360
Speaker 1: so ready for that, ready for y'all because because to me,

778
00:37:22,520 --> 00:37:25,520
Speaker 1: that like that shows years a loyalty to me. To me,

779
00:37:25,600 --> 00:37:28,319
Speaker 1: I'm I'm heavy into loyalty. Like when I see people

780
00:37:28,719 --> 00:37:31,680
Speaker 1: that around people that have been around them for twenty years,

781
00:37:31,800 --> 00:37:34,239
Speaker 1: they always impresses me. Like when I go around jay

782
00:37:34,360 --> 00:37:36,880
Speaker 1: Z and I see you know, Shock around still and

783
00:37:36,960 --> 00:37:38,800
Speaker 1: I see Todd Todd, and I see Lindyes and me

784
00:37:38,960 --> 00:37:41,680
Speaker 1: knowing that I've seen them together in the nineties, it

785
00:37:41,800 --> 00:37:44,759
Speaker 1: always impresses me. So you know, just that combination. I

786
00:37:44,840 --> 00:37:46,759
Speaker 1: just want to congratulate you on that because I think

787
00:37:46,800 --> 00:37:50,680
Speaker 1: we all gotta make it noisy for that just to

788
00:37:50,719 --> 00:37:53,919
Speaker 1: show that loyalty. I think loyalty in this game has

789
00:37:54,000 --> 00:37:57,600
Speaker 1: been I think it hasn't been rewarded so now so

790
00:37:57,880 --> 00:38:01,000
Speaker 1: so people won't make it a eas your issue, Like

791
00:38:01,120 --> 00:38:03,239
Speaker 1: if if somebody's beefing or something, they make it a

792
00:38:03,320 --> 00:38:05,840
Speaker 1: major issue. But that's just somebody just being layal. Just

793
00:38:05,920 --> 00:38:08,680
Speaker 1: me and friends relationship. For instance, he brought me to

794
00:38:08,760 --> 00:38:19,799
Speaker 1: Miami seventeen years ago or something like that and we've

795
00:38:19,800 --> 00:38:22,080
Speaker 1: been friends ever. And I think that that's that's the

796
00:38:22,160 --> 00:38:24,879
Speaker 1: part of it that that people should, you know, drink chance.

797
00:38:24,960 --> 00:38:26,879
Speaker 1: We have success with this. This is on the vol TV,

798
00:38:27,080 --> 00:38:29,200
Speaker 1: thank y'all. But I don't think that that's not the

799
00:38:29,400 --> 00:38:31,439
Speaker 1: biggest thing that people should focus on. People should focus

800
00:38:31,480 --> 00:38:33,600
Speaker 1: on the relationship, and that's just sitting down together and

801
00:38:33,719 --> 00:38:35,480
Speaker 1: just you know, quitting what he got to do a

802
00:38:35,520 --> 00:38:37,160
Speaker 1: side of putting I got to do the side and

803
00:38:37,160 --> 00:38:39,279
Speaker 1: putting hip hop first, because that's what we did. We

804
00:38:39,360 --> 00:38:41,120
Speaker 1: just want to interview legends, you know what I'm saying.

805
00:38:41,160 --> 00:38:43,200
Speaker 1: We want to give people their flowers or they can

806
00:38:43,280 --> 00:38:45,640
Speaker 1: smell them, you know what I'm saying. They treat what

807
00:38:45,760 --> 00:38:47,920
Speaker 1: they can. In hell, I think that's what they can

808
00:38:48,000 --> 00:38:54,560
Speaker 1: think of and they drink, they can drink because so

809
00:38:54,680 --> 00:38:57,480
Speaker 1: many people like like we had did an episode, um

810
00:38:58,640 --> 00:39:01,160
Speaker 1: after Prodigy passed us, we wanted to, you know, do

811
00:39:01,280 --> 00:39:04,120
Speaker 1: a whole episode dedicated to him. But what I said was,

812
00:39:04,280 --> 00:39:06,880
Speaker 1: you know, maybe we should have did that. Why these

813
00:39:07,000 --> 00:39:11,080
Speaker 1: people want to lie like it's cool to praise people

814
00:39:11,160 --> 00:39:13,040
Speaker 1: when they're going and we know we have to do that.

815
00:39:13,200 --> 00:39:15,279
Speaker 1: We know we're supposed to do that, but I want

816
00:39:15,320 --> 00:39:19,160
Speaker 1: to make it cool to person. Let's make that cool.

817
00:39:19,280 --> 00:39:21,920
Speaker 1: You know what I'm saying that in the hip hop

818
00:39:22,000 --> 00:39:25,560
Speaker 1: they don't understand like you know, um, when when you

819
00:39:25,840 --> 00:39:28,880
Speaker 1: people get off of their job at a record label,

820
00:39:28,960 --> 00:39:31,400
Speaker 1: get off their job at somewhere, you know, when you

821
00:39:31,480 --> 00:39:34,200
Speaker 1: guys leave their building, you guys can live a normal life.

822
00:39:34,239 --> 00:39:37,080
Speaker 1: We sacrifice our whole life. Like I could never say

823
00:39:37,080 --> 00:39:40,080
Speaker 1: I'm not working. If I leave the house, I gotta

824
00:39:40,120 --> 00:39:42,640
Speaker 1: take a picture, Like somebody's gonna be like, yo, what's up.

825
00:39:42,680 --> 00:39:53,160
Speaker 1: Nigga's gonna I gotta be like work. I can't. I

826
00:39:53,280 --> 00:39:55,439
Speaker 1: can't have a bad day, you know what I'm saying,

827
00:39:55,600 --> 00:39:58,040
Speaker 1: Like not in public, I gotta stay at home. Like

828
00:39:58,880 --> 00:40:03,040
Speaker 1: tell these people and you're a superstar, you know what,

829
00:40:03,200 --> 00:40:05,120
Speaker 1: It's really one of those things, like I'm really one

830
00:40:05,200 --> 00:40:07,800
Speaker 1: of the most passionate people when it comes to that

831
00:40:08,280 --> 00:40:10,640
Speaker 1: because I'm gonna I'm gonna be honest. At six am

832
00:40:10,640 --> 00:40:13,360
Speaker 1: in the morning in the airport, I'm not with the

833
00:40:13,400 --> 00:40:16,920
Speaker 1: ship's like, I just don't want to be bothered. It's early,

834
00:40:17,120 --> 00:40:19,600
Speaker 1: like the show was over at the party, was mad,

835
00:40:19,680 --> 00:40:24,080
Speaker 1: laid half to get to the airport, and I understand

836
00:40:24,120 --> 00:40:25,759
Speaker 1: you may never see me again. But it's six a

837
00:40:25,920 --> 00:40:30,600
Speaker 1: him like like just but Shade's the only don't care

838
00:40:30,800 --> 00:40:32,080
Speaker 1: like that lady was like, I don't care if you

839
00:40:32,080 --> 00:40:34,000
Speaker 1: got the pajamas. I hate it. I don't care. I'm

840
00:40:34,040 --> 00:40:36,399
Speaker 1: live in another country. I don't care. I'm not gonna post.

841
00:40:36,440 --> 00:40:37,880
Speaker 1: I know you're gonna post a picture. I'm gonna just

842
00:40:37,920 --> 00:40:40,800
Speaker 1: take it because I just I look at that, like,

843
00:40:40,960 --> 00:40:43,759
Speaker 1: you know what, if I was not like me and

844
00:40:43,880 --> 00:40:46,600
Speaker 1: I was somewhere and I saw Beyonce, I don't care

845
00:40:46,800 --> 00:40:48,320
Speaker 1: if she had a pimple, I don't care if she

846
00:40:48,400 --> 00:40:50,279
Speaker 1: had paper bags on her feet. I want to make

847
00:40:50,320 --> 00:40:52,480
Speaker 1: I want my picture. I don't care. I don't care

848
00:40:52,600 --> 00:40:54,759
Speaker 1: what's going on. So I'm just always at person. I

849
00:40:54,840 --> 00:40:56,320
Speaker 1: try to do my best with that because I know,

850
00:40:56,480 --> 00:40:58,680
Speaker 1: you know people there, you know they want that. You know,

851
00:40:58,719 --> 00:41:00,359
Speaker 1: you don't know they're gonna see you again. They see

852
00:41:00,360 --> 00:41:02,040
Speaker 1: you in the AIRPORTY don't see you aut there the

853
00:41:02,120 --> 00:41:04,759
Speaker 1: concert of the club wherever when I'm gonn seeing you next.

854
00:41:04,800 --> 00:41:06,560
Speaker 1: So so you know, I always try to like salute that.

855
00:41:06,719 --> 00:41:09,239
Speaker 1: I think I only said no one time I was

856
00:41:09,320 --> 00:41:15,440
Speaker 1: throwing up. I was like, they still want to up right,

857
00:41:18,440 --> 00:41:22,439
Speaker 1: at least let me finish it would be real because

858
00:41:22,480 --> 00:41:25,200
Speaker 1: I understand that. And it's like that's just hard for us.

859
00:41:25,239 --> 00:41:28,040
Speaker 1: Like when you live and you survive in this game

860
00:41:28,080 --> 00:41:30,160
Speaker 1: for years, I feel like you should be saluted. I

861
00:41:30,239 --> 00:41:33,160
Speaker 1: feel like this is one this but now so getting

862
00:41:33,239 --> 00:41:36,000
Speaker 1: back because like like Miami, at this time, all we

863
00:41:36,120 --> 00:41:38,880
Speaker 1: heard was was Booty music right coming from New York. Right,

864
00:41:40,840 --> 00:41:46,319
Speaker 1: I'm talking about before her and Trick right, Luke and right.

865
00:41:46,400 --> 00:41:49,400
Speaker 1: So then when y'all came. So now I've seen Rick

866
00:41:49,520 --> 00:41:51,640
Speaker 1: Ross do an interview, right, and he was like, yo,

867
00:41:51,760 --> 00:41:54,760
Speaker 1: traina really held him down in the beginning of his career,

868
00:41:55,160 --> 00:41:58,400
Speaker 1: Like and he spoke so highly. Let's get into the

869
00:41:58,480 --> 00:42:02,759
Speaker 1: early what's the name of that record from you? No,

870
00:42:02,960 --> 00:42:05,360
Speaker 1: he we did um um um um um put your

871
00:42:05,440 --> 00:42:08,680
Speaker 1: left from the game that was the ice Cube? What

872
00:42:08,880 --> 00:42:12,560
Speaker 1: was it all? So here's the thing. I'm like, I'm

873
00:42:12,640 --> 00:42:14,840
Speaker 1: just a new girl, Like, Okay, Trick is my homie,

874
00:42:14,840 --> 00:42:16,480
Speaker 1: he's cool, and that there's a trade plus six guys.

875
00:42:16,520 --> 00:42:18,359
Speaker 1: They're like the first guy signed a slipping slide way

876
00:42:18,400 --> 00:42:21,759
Speaker 1: way previous, but these are like my my guys. Of

877
00:42:21,880 --> 00:42:26,040
Speaker 1: course every society also, yes, so all these guys like,

878
00:42:26,080 --> 00:42:30,080
Speaker 1: we're all cool. So I'm I'm around these guys. And

879
00:42:30,120 --> 00:42:31,920
Speaker 1: then here it's like, okay, now there's this new guy

880
00:42:31,960 --> 00:42:34,399
Speaker 1: that's coming on but he signed a slipper slide also,

881
00:42:34,520 --> 00:42:36,799
Speaker 1: but you know, he's from Kara City. Now I'm from

882
00:42:36,840 --> 00:42:38,960
Speaker 1: Liberty City. But it's Rick Ross is a big fat guy,

883
00:42:39,080 --> 00:42:42,120
Speaker 1: you know. So he's cool though. He just reminds me

884
00:42:42,160 --> 00:42:44,279
Speaker 1: of like my stepdad. He's a cooling. He's from the street.

885
00:42:44,360 --> 00:42:46,640
Speaker 1: So but now I'm gonna roll with Trick them and

886
00:42:46,719 --> 00:42:49,680
Speaker 1: everybody's busy and everybody's nan is popping it. He's like

887
00:42:49,800 --> 00:42:52,200
Speaker 1: he's not on but on the road he's like, yo,

888
00:42:52,280 --> 00:42:54,480
Speaker 1: take take the mixtape, like you know, taking a road,

889
00:42:54,480 --> 00:42:56,680
Speaker 1: and I'm just like why, you know, Okay, I'm gonna

890
00:42:56,680 --> 00:42:59,439
Speaker 1: take anyway because yeah, but I'm gonna take I don't

891
00:42:59,440 --> 00:43:00,960
Speaker 1: even know why I'm taking. I'm gonna just take it

892
00:43:01,040 --> 00:43:03,319
Speaker 1: because I'm gonna do a show. We're gonna throw our shirts.

893
00:43:03,320 --> 00:43:05,319
Speaker 1: So I'm gonna throw this out anyway because somebody gonna listen.

894
00:43:05,360 --> 00:43:07,040
Speaker 1: And I don't know you're gonna blow up next. I

895
00:43:07,080 --> 00:43:08,680
Speaker 1: don't know why I'm doing. I'm just doing because you

896
00:43:08,680 --> 00:43:10,800
Speaker 1: asked me do. You're a cool person, you know. And

897
00:43:10,920 --> 00:43:13,480
Speaker 1: then it just like once we started, once I came back,

898
00:43:13,520 --> 00:43:14,880
Speaker 1: we started hang on the studio, and then he just

899
00:43:14,920 --> 00:43:17,399
Speaker 1: always been like, you know, his loyalty has always been

900
00:43:17,440 --> 00:43:19,680
Speaker 1: like so a one, you know, and and he always

901
00:43:19,800 --> 00:43:22,120
Speaker 1: like been right there, like from the beginning. And so

902
00:43:22,320 --> 00:43:24,440
Speaker 1: once it was like okay, I'm taking your mix tapes now.

903
00:43:24,520 --> 00:43:27,120
Speaker 1: But now here he goes, here's Ice Cu Cars and

904
00:43:27,160 --> 00:43:28,800
Speaker 1: they got this record. I mean, they got this this

905
00:43:29,040 --> 00:43:30,919
Speaker 1: movie and it's the soundtrack and it slipp the slide

906
00:43:30,960 --> 00:43:32,520
Speaker 1: out the record. So they want me to do recks

907
00:43:32,520 --> 00:43:34,480
Speaker 1: and like, okay, well reckon, now you got me. There's

908
00:43:34,480 --> 00:43:36,040
Speaker 1: Trigger as a couple of other artists. But it's like, okay,

909
00:43:36,040 --> 00:43:38,759
Speaker 1: tricks already on. Everybody's already doing anything, doing shows. I'm

910
00:43:38,760 --> 00:43:40,480
Speaker 1: gonna give it to my boy Ross because he didn't want,

911
00:43:40,560 --> 00:43:41,840
Speaker 1: like really want me to push up mix tape. He

912
00:43:41,880 --> 00:43:43,600
Speaker 1: want to grind, like let me give him the video,

913
00:43:43,719 --> 00:43:46,960
Speaker 1: like let me. I just knew he was. He just

914
00:43:47,160 --> 00:43:49,440
Speaker 1: was super dope, like he was just he just reminded

915
00:43:49,480 --> 00:43:51,160
Speaker 1: me of just like my life, Like he was like

916
00:43:51,480 --> 00:43:53,759
Speaker 1: like my dad then like my stepfather. And they were

917
00:43:53,800 --> 00:43:55,960
Speaker 1: just like real street guys. And that was where he

918
00:43:56,040 --> 00:43:58,520
Speaker 1: came from. People he hung around. I knew these guys,

919
00:43:58,600 --> 00:44:00,840
Speaker 1: these guys and street scared money. So when he started

920
00:44:00,880 --> 00:44:02,960
Speaker 1: talking and wrapping, his music was about the hustle, it

921
00:44:03,000 --> 00:44:05,200
Speaker 1: was about streets. It was just that. And coming from

922
00:44:05,239 --> 00:44:07,200
Speaker 1: literally ce and knowing the guys from Cara Cit it's like,

923
00:44:07,440 --> 00:44:10,239
Speaker 1: you know, a very close connection. All these people know

924
00:44:10,360 --> 00:44:13,239
Speaker 1: each other. And so it's like, okay, well, Tricks already big,

925
00:44:13,480 --> 00:44:14,960
Speaker 1: so I don't need to let Trick do the ice

926
00:44:15,040 --> 00:44:18,120
Speaker 1: Cube track. Trick already did this soundtrack. We already did

927
00:44:18,200 --> 00:44:19,920
Speaker 1: other stuff, So let me give it to my next

928
00:44:20,000 --> 00:44:21,879
Speaker 1: dude trying to get on and it's like, here is Ross.

929
00:44:21,920 --> 00:44:24,640
Speaker 1: I hit him up, yo, let's do I need you

930
00:44:24,719 --> 00:44:27,640
Speaker 1: to do the record for ice Cube movie or whatever,

931
00:44:27,760 --> 00:44:30,000
Speaker 1: And he's like you're serious a lot, and he was like, yeah,

932
00:44:30,000 --> 00:44:31,960
Speaker 1: all right, come on, get the studio right now, comes

933
00:44:32,000 --> 00:44:34,160
Speaker 1: to the studio forty five minutes something that he's already

934
00:44:34,160 --> 00:44:37,120
Speaker 1: the song already working already. And I didn't even love

935
00:44:37,200 --> 00:44:39,719
Speaker 1: this song. I don't even love The girls really love

936
00:44:39,800 --> 00:44:41,839
Speaker 1: this song. And ice Cube the people that called him

937
00:44:41,840 --> 00:44:43,720
Speaker 1: reduced every right, they loved the record. It was perfect

938
00:44:43,760 --> 00:44:45,560
Speaker 1: for the slot for the movie, and it was a

939
00:44:45,640 --> 00:44:47,480
Speaker 1: big record for this for the song. And it was

940
00:44:47,560 --> 00:44:49,440
Speaker 1: just I don't even really honestly look at it. As

941
00:44:49,440 --> 00:44:51,359
Speaker 1: I was putting like helping him put like really put

942
00:44:51,480 --> 00:44:54,040
Speaker 1: him on. I just wanted to see him like on

943
00:44:54,160 --> 00:44:56,040
Speaker 1: the road with me and tricked him like everybody else

944
00:44:56,120 --> 00:44:57,840
Speaker 1: on the road, like you know, I like stuff off

945
00:44:57,880 --> 00:44:59,239
Speaker 1: his say, we listen to it in the van like

946
00:44:59,280 --> 00:45:00,840
Speaker 1: while we're driving, So why you can't come on the

947
00:45:00,920 --> 00:45:02,840
Speaker 1: road with us, are like, you know, perform. So I

948
00:45:02,920 --> 00:45:04,440
Speaker 1: just looked at us that like trying to help him

949
00:45:04,440 --> 00:45:05,960
Speaker 1: out to get on. And it was just that. And

950
00:45:06,040 --> 00:45:08,200
Speaker 1: after that he had his tight jerseys came with three

951
00:45:08,320 --> 00:45:10,640
Speaker 1: jerseys super tycling the video. But the video, you know,

952
00:45:10,680 --> 00:45:12,200
Speaker 1: it was done by Nick Quest, and Nick Quest was

953
00:45:12,239 --> 00:45:14,960
Speaker 1: a date producer and like this is our guy, so

954
00:45:15,080 --> 00:45:16,719
Speaker 1: like I want to help my guy get this look.

955
00:45:16,840 --> 00:45:18,960
Speaker 1: And that was the look and it's just stopped from now. Yeah,

956
00:45:19,440 --> 00:45:21,160
Speaker 1: did you ever think he would be this big? Though?

957
00:45:21,480 --> 00:45:23,200
Speaker 1: I knew because he was so street he was like

958
00:45:23,360 --> 00:45:25,560
Speaker 1: he he was what he was, Like you know what

959
00:45:25,600 --> 00:45:27,280
Speaker 1: I mean, It was not a facade. It was real street.

960
00:45:27,440 --> 00:45:29,399
Speaker 1: He came from the dudes that was holding the streets down,

961
00:45:29,520 --> 00:45:31,120
Speaker 1: like when he did this song every day and plus

962
00:45:31,360 --> 00:45:34,120
Speaker 1: like it was the real every I felt that every

963
00:45:34,200 --> 00:45:36,000
Speaker 1: day mustle because I was hustling helping you get your

964
00:45:36,000 --> 00:45:38,960
Speaker 1: CDs on the road, so you know what I mean,

965
00:45:39,080 --> 00:45:41,040
Speaker 1: Like it was real, like I know something like damn,

966
00:45:41,120 --> 00:45:43,040
Speaker 1: Like this is like you did the video in front

967
00:45:43,040 --> 00:45:45,080
Speaker 1: of Charasity Fleet Market, Like that's hustling, like you was

968
00:45:45,200 --> 00:45:47,759
Speaker 1: really doing that, Like you wasn't You didn't get the

969
00:45:47,800 --> 00:45:49,400
Speaker 1: green like to get on the trick Daddy bushet to

970
00:45:49,400 --> 00:45:51,120
Speaker 1: get on the road, Like you don't have no records out,

971
00:45:51,560 --> 00:45:53,080
Speaker 1: you ain't know who you was, Like you just wanted

972
00:45:53,120 --> 00:45:55,320
Speaker 1: the home team, but you ain't had earned no stripes.

973
00:45:55,360 --> 00:45:57,400
Speaker 1: So okay, I'm my help, you know, through our shirts,

974
00:45:57,440 --> 00:45:59,600
Speaker 1: through our CDs and then bam, he goes, I'm gonna

975
00:45:59,600 --> 00:46:01,520
Speaker 1: help you this one little look, it's gonna be a video.

976
00:46:01,560 --> 00:46:03,279
Speaker 1: Maybe that's gonna help people know who you are. And

977
00:46:03,760 --> 00:46:08,400
Speaker 1: it happen. Now, what's your relationship with j DJ kalet

978
00:46:08,680 --> 00:46:11,120
Speaker 1: I love kaleg College has been there like from the beginning,

979
00:46:11,239 --> 00:46:14,000
Speaker 1: you know. Um, I just remember, like just when I

980
00:46:14,040 --> 00:46:15,879
Speaker 1: first started, like I always going to the radio station,

981
00:46:15,960 --> 00:46:17,840
Speaker 1: and like Kylie was just one of the ones that

982
00:46:18,000 --> 00:46:20,279
Speaker 1: always was like support and train the trick and ross,

983
00:46:20,360 --> 00:46:22,120
Speaker 1: like it was just one of the things that from

984
00:46:22,239 --> 00:46:24,279
Speaker 1: it just it kind of was like a natural thing.

985
00:46:24,320 --> 00:46:25,800
Speaker 1: You don't have to really ask if he just did it,

986
00:46:25,880 --> 00:46:27,480
Speaker 1: you know. So when Cali will hit me up, Hey,

987
00:46:27,560 --> 00:46:28,960
Speaker 1: come to my party, come do this. Whatever I was,

988
00:46:29,080 --> 00:46:31,520
Speaker 1: I would always show up, and it was just always

989
00:46:31,560 --> 00:46:34,120
Speaker 1: the same, like we we always had like a just

990
00:46:34,280 --> 00:46:37,640
Speaker 1: like this real like loyal connection from day one, and

991
00:46:37,719 --> 00:46:40,600
Speaker 1: it always stayed that way, you know, um, even no

992
00:46:40,719 --> 00:46:42,480
Speaker 1: matter how big he got, Like if I hit Cali,

993
00:46:42,560 --> 00:46:43,919
Speaker 1: I need you to do this, like I hate Kylie

994
00:46:43,960 --> 00:46:46,360
Speaker 1: needs you to do this mix tape intro Miami Chemistudio

995
00:46:46,440 --> 00:46:48,120
Speaker 1: do it like right now on my album. He starts

996
00:46:48,120 --> 00:46:49,759
Speaker 1: to intro. All yeall, I need to do this intro

997
00:46:49,880 --> 00:46:52,160
Speaker 1: like DJ Kalet talk your talk. I need to hear

998
00:46:52,200 --> 00:46:54,920
Speaker 1: the clock talking talk all that. Like it's just one

999
00:46:54,920 --> 00:46:56,160
Speaker 1: of the kind of things like you know, I'm just

1000
00:46:56,239 --> 00:46:58,000
Speaker 1: like again, I'm one of people. I'm not. I don't

1001
00:46:58,120 --> 00:46:59,880
Speaker 1: I don't bother people. I just do me and you know,

1002
00:47:00,000 --> 00:47:01,440
Speaker 1: like this is my man Like, but I need you

1003
00:47:01,520 --> 00:47:03,239
Speaker 1: to talk on this intro. You always come show love

1004
00:47:03,280 --> 00:47:05,840
Speaker 1: and support. So that's how he fits. Always family. I

1005
00:47:05,880 --> 00:47:09,200
Speaker 1: always support him. Thought he would be this big personality.

1006
00:47:09,480 --> 00:47:13,040
Speaker 1: I did because his mouth is that big. Yeah, he's

1007
00:47:13,040 --> 00:47:15,600
Speaker 1: always been that big. His mouth is his mouth is

1008
00:47:15,680 --> 00:47:18,439
Speaker 1: just his His whole lifestyle has called up with his mouth,

1009
00:47:18,480 --> 00:47:20,080
Speaker 1: you know what I mean. He's always had that talk.

1010
00:47:20,160 --> 00:47:23,360
Speaker 1: He's always had that that something about his voice was

1011
00:47:23,480 --> 00:47:26,879
Speaker 1: just very distinct. It was very different from most other

1012
00:47:27,000 --> 00:47:29,200
Speaker 1: DJs on radio. And he always will be extra with

1013
00:47:29,360 --> 00:47:31,040
Speaker 1: it and you know, he always would get you in

1014
00:47:31,080 --> 00:47:32,800
Speaker 1: the room and he he do so much and he

1015
00:47:33,000 --> 00:47:34,879
Speaker 1: was entertaining. So I would like to see him now.

1016
00:47:35,440 --> 00:47:37,839
Speaker 1: I've been seeing him like that for years, Like I've

1017
00:47:37,840 --> 00:47:39,680
Speaker 1: been the studio him and he's like that. Now the

1018
00:47:39,719 --> 00:47:41,200
Speaker 1: world just really get to see, you know, it's just

1019
00:47:41,280 --> 00:47:43,719
Speaker 1: like Kalett on steroids, you know what I mean, They're

1020
00:47:43,719 --> 00:47:48,120
Speaker 1: going to be up a Trick Daddy DJ Ross record.

1021
00:47:48,360 --> 00:47:51,359
Speaker 1: Oh wow, we need to get that though, Trick said, Trick,

1022
00:47:51,480 --> 00:47:56,160
Speaker 1: don't no, no, you're doing because realistically, Trick was already

1023
00:47:56,160 --> 00:47:57,759
Speaker 1: saying he already want he already wanted the record that

1024
00:47:57,840 --> 00:47:59,520
Speaker 1: Kylie was doing. And you know, I'm get the whole

1025
00:47:59,520 --> 00:48:01,400
Speaker 1: thing was your father and me. So I don't know

1026
00:48:01,520 --> 00:48:03,520
Speaker 1: how we're going to kind of create what we're gonna

1027
00:48:03,560 --> 00:48:11,239
Speaker 1: do it, but okay, I love just keep it mad. Yeah,

1028
00:48:11,320 --> 00:48:13,040
Speaker 1: Trick wants that though, so you know, we'll see how

1029
00:48:13,080 --> 00:48:14,880
Speaker 1: that works out. Trick always talking to Kallis, so you

1030
00:48:14,880 --> 00:48:16,839
Speaker 1: know he's going to count on that record. So yeah,

1031
00:48:16,920 --> 00:48:18,719
Speaker 1: that's dope. Man, Let's make some noise for that because

1032
00:48:18,719 --> 00:48:26,239
Speaker 1: I love that. I love that. I love that. Now

1033
00:48:27,719 --> 00:48:31,880
Speaker 1: remember the Source cover at remember the Source cover? What

1034
00:48:32,040 --> 00:48:35,200
Speaker 1: was that the swim Shoot edition Source Swimsuit. Was that

1035
00:48:35,320 --> 00:48:40,080
Speaker 1: the first time that ever did that? Yeah? Was it

1036
00:48:40,120 --> 00:48:41,879
Speaker 1: the last time they did it? Too? How many times

1037
00:48:41,880 --> 00:48:44,200
Speaker 1: did they do that? I'm not sure. I'm not sure

1038
00:48:44,600 --> 00:48:47,360
Speaker 1: I think that, but I remember that just being like

1039
00:48:47,719 --> 00:48:51,960
Speaker 1: everywhere like that was the first viral cover of hip Hope.

1040
00:48:52,600 --> 00:48:54,680
Speaker 1: How was that? I mean, you know what I was.

1041
00:48:54,920 --> 00:48:58,360
Speaker 1: I was really young at that point. I just I

1042
00:48:58,440 --> 00:49:00,319
Speaker 1: didn't really look at it all like that. I mean,

1043
00:49:00,360 --> 00:49:02,279
Speaker 1: it was all good. Everything was good. The source magazine is,

1044
00:49:02,360 --> 00:49:03,880
Speaker 1: the Keen is, all these magazines, all of it was

1045
00:49:03,960 --> 00:49:07,239
Speaker 1: just that. To me. I wasn't really like, I wasn't

1046
00:49:07,320 --> 00:49:11,640
Speaker 1: really like it's fascinated with the facade of all this stuff,

1047
00:49:11,680 --> 00:49:13,680
Speaker 1: you know what I mean. I come from Miami. I'm

1048
00:49:13,800 --> 00:49:15,439
Speaker 1: used to seeing all this. I came from a family

1049
00:49:15,480 --> 00:49:21,000
Speaker 1: with money already. I'm not really impressed by much. She

1050
00:49:21,120 --> 00:49:23,520
Speaker 1: steals everything. She goes as to me like she had

1051
00:49:23,680 --> 00:49:27,680
Speaker 1: every single thing from everything. Okay, like if anything I'm

1052
00:49:27,719 --> 00:49:32,799
Speaker 1: missing she had, she has that. I'd be like, Mom,

1053
00:49:32,880 --> 00:49:34,920
Speaker 1: what did you get that from? But yeah, you know,

1054
00:49:35,080 --> 00:49:37,279
Speaker 1: I just was like what it just all started just

1055
00:49:37,360 --> 00:49:41,160
Speaker 1: happening like so fast. You know. I think I never

1056
00:49:41,239 --> 00:49:44,200
Speaker 1: got caught up into the all of it because I

1057
00:49:44,360 --> 00:49:46,600
Speaker 1: was so busy working. I was still I always worked.

1058
00:49:46,640 --> 00:49:49,200
Speaker 1: I never like took mad long times. I would put

1059
00:49:49,239 --> 00:49:50,920
Speaker 1: out my album every two years. My album came my

1060
00:49:50,920 --> 00:49:52,680
Speaker 1: first album came out of two thousand. That was the

1061
00:49:52,760 --> 00:49:55,239
Speaker 1: very first album, Bad Ship. Then two thousand two, then

1062
00:49:55,280 --> 00:49:56,799
Speaker 1: two thousand fo it was always be these two year

1063
00:49:56,880 --> 00:49:59,680
Speaker 1: breaks in because I was always performing, traveling, doing so much,

1064
00:49:59,680 --> 00:50:02,319
Speaker 1: so I ever really took the time off of out

1065
00:50:02,360 --> 00:50:03,840
Speaker 1: of any of it. So I never got caught up

1066
00:50:03,880 --> 00:50:06,879
Speaker 1: in the magazines and the whole thing. And people would

1067
00:50:06,880 --> 00:50:08,560
Speaker 1: be like of and I'll just be like, you know

1068
00:50:08,600 --> 00:50:10,920
Speaker 1: what I mean, I don't know why, I just because

1069
00:50:10,960 --> 00:50:13,279
Speaker 1: I wasn't excited about more of that. Like people would

1070
00:50:13,280 --> 00:50:16,200
Speaker 1: be like, oh, somebody has your magazine in the jail house.

1071
00:50:16,239 --> 00:50:24,040
Speaker 1: I'll be like, you know, and I was like, okay,

1072
00:50:24,480 --> 00:50:26,279
Speaker 1: But I just I guess I was so much caught

1073
00:50:26,320 --> 00:50:28,120
Speaker 1: up into the performance. I was caught up into the

1074
00:50:28,480 --> 00:50:31,319
Speaker 1: the real like reach out and touch and meeting people

1075
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1078
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Speaker 1: our underwear. You know, comfort is the most important thing

1079
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Speaker 1: and for many you know, looking good in the underwear

1080
00:50:46,960 --> 00:50:50,040
Speaker 1: is important for male and females, but that perfect balance

1081
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Speaker 1: is hard to find. Don't sacrifice your style or your comfort.

1082
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Speaker 1: Check out me undys dot com and find the best

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1085
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1086
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1089
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1090
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1100
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1104
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1110
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1111
00:52:31,160 --> 00:52:33,719
Speaker 1: to tell you how much you appreciated in the Hippoblems.

1112
00:52:33,880 --> 00:52:37,719
Speaker 1: You are queen. You are always had class. You stayed

1113
00:52:37,760 --> 00:52:39,960
Speaker 1: in these people face with the music. Whoever doubted you,

1114
00:52:40,080 --> 00:52:42,400
Speaker 1: you prove them. Hey this you prove them wrong. So

1115
00:52:42,760 --> 00:52:44,960
Speaker 1: we want you to know that you are wanted. Doubtedly.

1116
00:52:45,040 --> 00:52:46,960
Speaker 1: All we want to interview is legend and what we

1117
00:52:47,040 --> 00:52:49,600
Speaker 1: want you to know, undoubtedly you are less. We've been

1118
00:52:49,600 --> 00:53:00,120
Speaker 1: trying to get help for months. What was I was like?

1119
00:53:00,239 --> 00:53:02,279
Speaker 1: But what am I? You haven't send their room for

1120
00:53:02,280 --> 00:53:03,920
Speaker 1: the people? Are you're gonna talk about what you? One

1121
00:53:03,920 --> 00:53:05,960
Speaker 1: of people are gonna be like talking to all these

1122
00:53:06,120 --> 00:53:10,719
Speaker 1: rumors and I like I just really like I really

1123
00:53:10,800 --> 00:53:12,680
Speaker 1: curve that stuff. I'd just be like, you know, everybody

1124
00:53:12,719 --> 00:53:16,440
Speaker 1: has the same more questions and it is so real,

1125
00:53:16,560 --> 00:53:18,359
Speaker 1: Like you know, and I remember the time you've been

1126
00:53:18,360 --> 00:53:21,000
Speaker 1: asked even to even my publicist called a couple of

1127
00:53:21,040 --> 00:53:24,759
Speaker 1: days ago, she was like, I was like, Alicia, now

1128
00:53:24,960 --> 00:53:27,319
Speaker 1: you know, but it's nor So you know, all right,

1129
00:53:27,360 --> 00:53:35,000
Speaker 1: I'm just giving the benut of the downs, yeah, one,

1130
00:53:35,040 --> 00:53:37,840
Speaker 1: because it'd be so much distraction. And the thing for

1131
00:53:37,920 --> 00:53:40,719
Speaker 1: me is like for the past five six years, even

1132
00:53:40,760 --> 00:53:42,480
Speaker 1: when I put out my album before and just eat

1133
00:53:42,520 --> 00:53:44,440
Speaker 1: this stuff, every time something comes out, it's always distracted,

1134
00:53:44,520 --> 00:53:46,960
Speaker 1: always somebody's beef. So now when I promote my album,

1135
00:53:46,960 --> 00:53:48,319
Speaker 1: we got to talk about such a such a beef,

1136
00:53:48,360 --> 00:53:50,080
Speaker 1: but not you guys talking about and it's always that,

1137
00:53:50,200 --> 00:53:52,400
Speaker 1: so you just be drawn. I'm like, I don't. I

1138
00:53:52,880 --> 00:53:55,560
Speaker 1: just curve See I'm an artist too, so I get it.

1139
00:53:55,640 --> 00:53:58,480
Speaker 1: I get it. I understanding. That's the thing about this is,

1140
00:53:59,000 --> 00:54:03,560
Speaker 1: um I think they quote unquote called me a legend, right,

1141
00:54:03,920 --> 00:54:13,279
Speaker 1: so when they when they say that about okay, I

1142
00:54:13,400 --> 00:54:15,880
Speaker 1: know it was coming. I knew it was coming. So

1143
00:54:16,640 --> 00:54:18,520
Speaker 1: that's what that's what we need to promote. We need

1144
00:54:18,600 --> 00:54:21,000
Speaker 1: to keep digging each other up. This This is so

1145
00:54:21,200 --> 00:54:23,520
Speaker 1: when at the time when you think about it like

1146
00:54:23,680 --> 00:54:25,680
Speaker 1: artists should come here first, artists to come here and

1147
00:54:25,719 --> 00:54:27,520
Speaker 1: say you know what you know, because this is another

1148
00:54:27,600 --> 00:54:29,880
Speaker 1: artist who knows, who understands and gets to know that.

1149
00:54:29,920 --> 00:54:31,800
Speaker 1: I don't want to be talking about you have passed

1150
00:54:31,840 --> 00:54:34,160
Speaker 1: boyfriends and things like that. That's that's that's not what

1151
00:54:34,280 --> 00:54:36,279
Speaker 1: are you here for? Were hip hop? We're gonna keep

1152
00:54:36,280 --> 00:54:38,120
Speaker 1: it hip hop. We're gonna talk about the music and

1153
00:54:38,280 --> 00:54:40,960
Speaker 1: you know what I'm saying. But the artists have to

1154
00:54:41,120 --> 00:54:44,120
Speaker 1: promote the artist because this is now a platform for

1155
00:54:44,360 --> 00:54:47,799
Speaker 1: us where we want are people to um to chill.

1156
00:54:47,880 --> 00:54:49,960
Speaker 1: So now let's get back into some music ship right,

1157
00:54:50,840 --> 00:54:52,600
Speaker 1: come on. I feel like you got some Miami question

1158
00:54:54,000 --> 00:54:55,880
Speaker 1: where she coming from on the female angle, like what

1159
00:54:56,520 --> 00:55:00,160
Speaker 1: vice do you have to female mc s And you

1160
00:55:00,280 --> 00:55:03,600
Speaker 1: know that they're gonna steer females into again going back

1161
00:55:03,640 --> 00:55:06,919
Speaker 1: to the hyper sexual like what what are they gonna

1162
00:55:06,960 --> 00:55:09,520
Speaker 1: what do they have to deal with coming into the industry. Well,

1163
00:55:09,600 --> 00:55:11,440
Speaker 1: you know what, It's just it's a lot like it's

1164
00:55:11,480 --> 00:55:14,399
Speaker 1: a male dominated industry for one, and I mean it's

1165
00:55:14,480 --> 00:55:16,560
Speaker 1: it's everybody makes it a whole sexual thing. Whatever. Not

1166
00:55:16,800 --> 00:55:19,920
Speaker 1: being sexy, it's not a crime. Nobody wants to see

1167
00:55:19,960 --> 00:55:23,040
Speaker 1: an unsexy woman. I mean, as far as however you go,

1168
00:55:23,120 --> 00:55:26,600
Speaker 1: how do you live your sexuality or whatever, that's your business.

1169
00:55:26,880 --> 00:55:29,640
Speaker 1: But when it comes to women being expressive, everything that

1170
00:55:29,719 --> 00:55:32,160
Speaker 1: you're doing or you're expressing, every one of these women

1171
00:55:32,239 --> 00:55:33,520
Speaker 1: has living and doing the same thing. I don't know

1172
00:55:33,520 --> 00:55:35,800
Speaker 1: why they all act so nonchalant and crazy, like this

1173
00:55:35,920 --> 00:55:38,960
Speaker 1: is all a new blind site. It's not stopping you

1174
00:55:39,040 --> 00:55:42,479
Speaker 1: guys are all somewhere pop lock and dropping doing whatever

1175
00:55:42,520 --> 00:55:44,839
Speaker 1: you're doing. Someone's but judging somebody else, Like, just knock

1176
00:55:44,880 --> 00:55:46,840
Speaker 1: it off already, you know. I just feel like for females,

1177
00:55:46,840 --> 00:55:48,920
Speaker 1: you just gotta be strong. You know how hard it

1178
00:55:49,120 --> 00:55:50,960
Speaker 1: is to be a woman and to just be like

1179
00:55:52,000 --> 00:55:55,080
Speaker 1: like just perceived or just to be is there's a

1180
00:55:55,120 --> 00:55:59,000
Speaker 1: misconception because you say whatever you say in a song,

1181
00:55:59,200 --> 00:56:01,560
Speaker 1: or because you were address and it's two inches above

1182
00:56:01,600 --> 00:56:04,640
Speaker 1: the thigh or whatever. That's just an annoying fact. Like

1183
00:56:04,680 --> 00:56:06,200
Speaker 1: everyone don't have to wear the skirts allay down to

1184
00:56:06,200 --> 00:56:07,560
Speaker 1: the knees. You don't have to be this, you know,

1185
00:56:07,960 --> 00:56:10,200
Speaker 1: sanctified the Holy Person. You don't have to just have

1186
00:56:10,280 --> 00:56:14,879
Speaker 1: to be a good human being. What you're doing, music, sports, TV, magazine, makeup, whatever.

1187
00:56:15,239 --> 00:56:17,040
Speaker 1: Just be a good person. And when it comes to

1188
00:56:17,120 --> 00:56:19,520
Speaker 1: this music thing, if you're not a woman and you're

1189
00:56:19,719 --> 00:56:24,080
Speaker 1: very confident and you are and you're this is here

1190
00:56:24,239 --> 00:56:27,400
Speaker 1: is good you, You're definitely would be totally screwed in

1191
00:56:27,440 --> 00:56:29,640
Speaker 1: this industry. You will not survive in this industry. And

1192
00:56:29,680 --> 00:56:31,239
Speaker 1: I'm talking about no matter what. I don't care how

1193
00:56:31,360 --> 00:56:33,479
Speaker 1: much money you're making away. You can have all the money,

1194
00:56:33,640 --> 00:56:35,719
Speaker 1: all the money. I have all the money, and there

1195
00:56:35,719 --> 00:56:37,879
Speaker 1: are sometimes I've been at my lowest and the only

1196
00:56:37,920 --> 00:56:39,520
Speaker 1: thing that's kept me up is because I know who

1197
00:56:39,600 --> 00:56:40,920
Speaker 1: I am as a person. And when I look at

1198
00:56:41,080 --> 00:56:42,520
Speaker 1: the thing that has put me to my lowest, I'm

1199
00:56:42,520 --> 00:56:45,360
Speaker 1: looking like, bro, pick yourself up? Are you serious? You

1200
00:56:45,440 --> 00:56:47,439
Speaker 1: feel me? And that's just because I know my word?

1201
00:56:47,719 --> 00:56:49,839
Speaker 1: And as women where emotions, you step outside of your word,

1202
00:56:49,880 --> 00:56:51,680
Speaker 1: You fall down, you fall in love, you get crazy,

1203
00:56:51,800 --> 00:56:53,879
Speaker 1: whatever you do. But you're still human. You're a woman,

1204
00:56:53,920 --> 00:56:55,560
Speaker 1: You're all of that. But you have to own up

1205
00:56:55,560 --> 00:56:57,040
Speaker 1: to that, you have to believe in that, you have

1206
00:56:57,239 --> 00:57:00,080
Speaker 1: to make your is. Nobody can take away who you

1207
00:57:00,160 --> 00:57:02,080
Speaker 1: are and what you are as a person. But you

1208
00:57:02,440 --> 00:57:05,000
Speaker 1: I don't care what the rumors, the stories. I don't care.

1209
00:57:05,239 --> 00:57:07,040
Speaker 1: You saw me, you saw me that wasn't me. I

1210
00:57:07,080 --> 00:57:10,080
Speaker 1: don't care. I'm just saying nobody to take away from

1211
00:57:10,120 --> 00:57:12,160
Speaker 1: you but you. And that's just real fact. And if

1212
00:57:12,160 --> 00:57:14,440
Speaker 1: you don't stand up for yourself and be just you

1213
00:57:14,600 --> 00:57:16,200
Speaker 1: just gotta be like a real you know what the

1214
00:57:16,280 --> 00:57:20,880
Speaker 1: real woman is, somebody that's just like unfazed, unbothered. That

1215
00:57:20,960 --> 00:57:22,520
Speaker 1: doesn't mean you don't cry as me, you don't get

1216
00:57:22,560 --> 00:57:24,360
Speaker 1: mad as and you don't go through anything like anybody else.

1217
00:57:24,520 --> 00:57:26,320
Speaker 1: But you just have to be strong and infuriate and

1218
00:57:26,400 --> 00:57:29,720
Speaker 1: know that ship happens every single day. It'll pass, you'll

1219
00:57:29,720 --> 00:57:32,360
Speaker 1: get over and keep it moving. Like imagine being a

1220
00:57:32,480 --> 00:57:36,040
Speaker 1: woman in this industry that's so critical, so male dominated,

1221
00:57:36,120 --> 00:57:40,360
Speaker 1: so nasty, so so talk down upon all that for

1222
00:57:40,480 --> 00:57:45,320
Speaker 1: seventeen years, right, for seventeen years, and still can run

1223
00:57:45,400 --> 00:57:48,000
Speaker 1: circles around half of these people in this whole industry.

1224
00:57:48,120 --> 00:57:52,680
Speaker 1: And so that's men and women. So that's what I'm saying.

1225
00:57:52,720 --> 00:57:56,880
Speaker 1: So for myself, I've been in situations relationships public and unpublic.

1226
00:57:57,000 --> 00:57:59,000
Speaker 1: I'm not a person if something don't work out public

1227
00:57:59,000 --> 00:58:00,560
Speaker 1: with human beings, or we could the to it today,

1228
00:58:00,560 --> 00:58:02,520
Speaker 1: we could be the best people today. Tomorrow we may

1229
00:58:02,560 --> 00:58:04,080
Speaker 1: not like each other. Do that mean I have to

1230
00:58:04,120 --> 00:58:05,200
Speaker 1: drag your name and the mother and make you like

1231
00:58:05,240 --> 00:58:07,200
Speaker 1: the worst person. I don't have to do that because

1232
00:58:07,200 --> 00:58:08,640
Speaker 1: at the end of the day, I still have my life.

1233
00:58:08,680 --> 00:58:10,280
Speaker 1: I keep it moving. You have your life, Keep it moving.

1234
00:58:10,320 --> 00:58:11,600
Speaker 1: I don't want to be your enemy. I don't want

1235
00:58:11,640 --> 00:58:13,000
Speaker 1: to hate you. I don't want to be disgusted a boy.

1236
00:58:13,040 --> 00:58:15,680
Speaker 1: You just keep it moving because you know what disgusting

1237
00:58:15,720 --> 00:58:17,120
Speaker 1: creature that you are. You know what I mean. So

1238
00:58:17,240 --> 00:58:19,400
Speaker 1: that's just me. You don't hear me bashing people. You

1239
00:58:19,480 --> 00:58:21,640
Speaker 1: don't hear me talking now. I just keep it moving.

1240
00:58:22,280 --> 00:58:28,520
Speaker 1: That's just who I'm just so wavy right now. No records,

1241
00:58:28,520 --> 00:58:30,080
Speaker 1: just want those record That's just real facts in life.

1242
00:58:30,080 --> 00:58:31,840
Speaker 1: Like there's a lot of fun boys. And the reason

1243
00:58:31,880 --> 00:58:35,000
Speaker 1: there's the reason because there's so many boys. The reason

1244
00:58:35,040 --> 00:58:37,240
Speaker 1: there's so many funk boys is what made women become

1245
00:58:37,400 --> 00:58:39,440
Speaker 1: like not real women like I come from. I think

1246
00:58:39,480 --> 00:58:43,960
Speaker 1: after my generation, women have totally turned into wanting to

1247
00:58:44,040 --> 00:58:45,920
Speaker 1: be like men. And when I say that, meaning like

1248
00:58:46,360 --> 00:58:48,240
Speaker 1: I feel like there was a time like my friends

1249
00:58:48,280 --> 00:58:50,840
Speaker 1: and people I grew up under boss. When I say boss,

1250
00:58:50,880 --> 00:58:54,000
Speaker 1: women women that like ran the household, ran the bags

1251
00:58:54,040 --> 00:58:55,680
Speaker 1: of money. Anything the man did that came through them,

1252
00:58:55,840 --> 00:58:58,040
Speaker 1: that's a real woman. Anything happened, they held downe they

1253
00:58:58,080 --> 00:59:00,360
Speaker 1: have everything like this is real one. I don't know

1254
00:59:00,480 --> 00:59:02,800
Speaker 1: all this generation of foolishness that's going on. I don't

1255
00:59:02,800 --> 00:59:04,800
Speaker 1: adapt to all that. I don't play them kind of game.

1256
00:59:04,800 --> 00:59:05,880
Speaker 1: That's why I was something to work out with me

1257
00:59:06,000 --> 00:59:08,160
Speaker 1: with a man, I don't care how public figure he is.

1258
00:59:08,320 --> 00:59:09,960
Speaker 1: I'm not trying to tell you now because you already

1259
00:59:10,000 --> 00:59:11,600
Speaker 1: know the clown that you is. I'm gonna just let

1260
00:59:11,680 --> 00:59:13,440
Speaker 1: you live with that. So when I say that, so

1261
00:59:13,560 --> 00:59:16,560
Speaker 1: now with women, my my, my generation of women. As

1262
00:59:16,600 --> 00:59:18,640
Speaker 1: a man, men do whatever they do. It's whatever you do,

1263
00:59:18,760 --> 00:59:21,320
Speaker 1: you do your thing. But at the end of the day,

1264
00:59:21,720 --> 00:59:23,960
Speaker 1: don't be the woman that turned into the man. You

1265
00:59:24,080 --> 00:59:26,640
Speaker 1: cannot be the man. And so because women are starting

1266
00:59:26,680 --> 00:59:29,640
Speaker 1: to do that, men are just turned into fun boys

1267
00:59:29,680 --> 00:59:33,280
Speaker 1: and women just turned into totally completely idiots. And it's

1268
00:59:33,320 --> 00:59:36,080
Speaker 1: just a disgraced generation that we're living in. I don't

1269
00:59:36,120 --> 01:00:02,200
Speaker 1: like all that kind of stuff. You feel me like, no,

1270
01:00:03,680 --> 01:00:11,000
Speaker 1: miamis no, no, no. And that's just what we're promoting

1271
01:00:11,120 --> 01:00:14,440
Speaker 1: right here. And like I said, like you're a queen.

1272
01:00:15,080 --> 01:00:17,800
Speaker 1: You're a person that held it down for females. Females.

1273
01:00:18,160 --> 01:00:20,760
Speaker 1: That's why I wish there's a lot more female love

1274
01:00:20,840 --> 01:00:23,080
Speaker 1: out there. You know what I mean, beautiful females in

1275
01:00:23,120 --> 01:00:25,880
Speaker 1: the industry music, R and B wrap hip hoop hoop

1276
01:00:26,040 --> 01:00:29,000
Speaker 1: is some beautiful females. Imagine the power that that can.

1277
01:00:29,960 --> 01:00:33,200
Speaker 1: If everybody was like on the same mental it would be,

1278
01:00:33,520 --> 01:00:36,200
Speaker 1: it would be, it would be, it would be crazy.

1279
01:00:36,800 --> 01:00:39,520
Speaker 1: That would be insane. I think, I think, I think,

1280
01:00:40,040 --> 01:00:45,320
Speaker 1: I think. Just make sure hot champagne kill people. That's

1281
01:00:45,360 --> 01:00:51,200
Speaker 1: a fact. Yeah, I've seen it. No in mind, I

1282
01:00:51,280 --> 01:00:57,480
Speaker 1: want a real shot. Okay, we're gonna take real great okays,

1283
01:00:57,480 --> 01:01:00,320
Speaker 1: ain't have Nigin't have it cold dad. We like the

1284
01:01:00,400 --> 01:01:04,240
Speaker 1: regular people. Yeah, you know you got favor I'm just

1285
01:01:04,240 --> 01:01:07,200
Speaker 1: saying you don't like Yeah, And we made sure there

1286
01:01:07,320 --> 01:01:11,560
Speaker 1: was no Freshpanell. No, that's cool. Hate shout out to

1287
01:01:11,600 --> 01:01:17,600
Speaker 1: the fresh Vanell. That to everybody's that's just to have

1288
01:01:17,680 --> 01:01:20,240
Speaker 1: a good time. You know what it is. I do

1289
01:01:20,360 --> 01:01:32,600
Speaker 1: not entertain the negativity. I just it's not. I actually

1290
01:01:32,640 --> 01:01:36,960
Speaker 1: lived like man for real, man like like I got

1291
01:01:37,040 --> 01:01:40,960
Speaker 1: I got homies. Hey, when you want me for going on.

1292
01:01:41,200 --> 01:01:47,400
Speaker 1: I'm like, this session is gonna be looking now. Listen,

1293
01:01:47,520 --> 01:01:50,040
Speaker 1: this is everybody. Everybody made your glasses. This is not

1294
01:01:50,160 --> 01:01:51,920
Speaker 1: South Beach. This is to the real Miami three or

1295
01:01:54,360 --> 01:02:14,920
Speaker 1: this is to you, to me, she's you, okay, So

1296
01:02:16,040 --> 01:02:18,560
Speaker 1: this is to you, sir, This is to you. You're

1297
01:02:18,560 --> 01:02:21,120
Speaker 1: a queen. We want you to continue doing it. We

1298
01:02:21,200 --> 01:02:23,640
Speaker 1: want you to continue to make these people. Um if

1299
01:02:23,680 --> 01:02:26,000
Speaker 1: whatever they mad at you or whatever, we're canna continue

1300
01:02:26,000 --> 01:02:29,960
Speaker 1: to be mad. We don't mind. Just to relax them.

1301
01:02:31,160 --> 01:02:34,520
Speaker 1: They got to relax, and we're gonna salute you every

1302
01:02:34,640 --> 01:02:42,600
Speaker 1: day treating up the motherfucking queen. So we're taking this down. Yes, indeed,

1303
01:02:42,680 --> 01:02:44,680
Speaker 1: I go by the name of DJ butch Rock. You're

1304
01:02:44,680 --> 01:02:47,800
Speaker 1: now tuned into the number one podcast in the motherfucking world,

1305
01:02:48,200 --> 01:02:51,760
Speaker 1: Drink Champs and and my nigga d J e FN.

1306
01:02:52,400 --> 01:02:55,120
Speaker 1: This is the halftime into Mission a k a. The

1307
01:02:55,200 --> 01:03:03,440
Speaker 1: Boat he break in the meantime between time, Listen, I

1308
01:03:06,600 --> 01:03:08,920
Speaker 1: don't forget you. I don't know my snory feature for

1309
01:03:09,120 --> 01:03:17,720
Speaker 1: Ral feeling good about this record, y'all goddamn for Rale

1310
01:03:17,800 --> 01:03:22,200
Speaker 1: sick too. Ain't get your Norman to a baby you

1311
01:03:22,400 --> 01:03:27,880
Speaker 1: don't know, but it is in your eyes. I think

1312
01:03:27,960 --> 01:03:40,640
Speaker 1: you need, don't want Natam Buttrod that's buttery. Yes it

1313
01:03:40,760 --> 01:03:43,800
Speaker 1: did for Roule sick too. I think get your Norman

1314
01:03:43,880 --> 01:03:49,040
Speaker 1: to a baby you don't know, but it is in

1315
01:03:49,200 --> 01:03:56,760
Speaker 1: your eyes. I think you need don't want nat tone

1316
01:03:57,600 --> 01:04:03,600
Speaker 1: said I'll be nine bathers. Yeah, it's my duty, the

1317
01:04:03,720 --> 01:04:07,440
Speaker 1: healthy snap back talking. We read long on long, like

1318
01:04:07,840 --> 01:04:11,000
Speaker 1: what you cannot take back and take the mom anymore?

1319
01:04:12,200 --> 01:04:14,600
Speaker 1: Howich one's like you have any of my running shoes

1320
01:04:14,600 --> 01:04:16,560
Speaker 1: starting Nothing I can do, man, I had it wrong,

1321
01:04:17,000 --> 01:04:19,360
Speaker 1: something up in my eyes, make myself a seam rize

1322
01:04:19,360 --> 01:04:22,880
Speaker 1: and then told me that a twenty year career. I

1323
01:04:22,960 --> 01:04:25,120
Speaker 1: hope you understand. I used to pitch you're a block.

1324
01:04:25,240 --> 01:04:26,720
Speaker 1: I didn't it done the hand on the hand and

1325
01:04:26,760 --> 01:04:29,200
Speaker 1: said I never make it, never be much. And I

1326
01:04:29,280 --> 01:04:33,520
Speaker 1: agree with the micy such so I celebrate life, life,

1327
01:04:34,160 --> 01:04:37,400
Speaker 1: the shots. This is one ice size baby. We're gonna

1328
01:04:37,440 --> 01:04:44,080
Speaker 1: drink more, yeah, at least more down my baby. Just

1329
01:04:44,240 --> 01:04:47,680
Speaker 1: still don't think for me blab it just feel big.

1330
01:04:48,760 --> 01:04:54,560
Speaker 1: I'll be the shrinking n Lee. Just one more clink

1331
01:04:54,640 --> 01:04:59,440
Speaker 1: women baby yo, yeah yo, yeah, Mr Lee. Without I

1332
01:04:59,560 --> 01:05:01,520
Speaker 1: want to be eatuny money I want to make more,

1333
01:05:01,960 --> 01:05:04,240
Speaker 1: want to fly ways. She want to take him. She

1334
01:05:04,320 --> 01:05:07,680
Speaker 1: won't eat livestuff. You wanna drink wine in the world.

1335
01:05:09,200 --> 01:05:11,080
Speaker 1: You know it's weird. They try to fake you, to

1336
01:05:11,120 --> 01:05:13,240
Speaker 1: fake pay face to the love. Okays will hate you

1337
01:05:13,960 --> 01:05:17,800
Speaker 1: when one way or the other. Last start now, girl,

1338
01:05:18,320 --> 01:05:21,400
Speaker 1: it's my duty an empty snap back to get world

1339
01:05:21,560 --> 01:05:24,520
Speaker 1: is long gone. Shout to all the fans worldwide. Cannot

1340
01:05:24,640 --> 01:05:27,520
Speaker 1: take that and take them and the ship is crazy?

1341
01:05:27,840 --> 01:05:30,000
Speaker 1: How ones like you have me and my running? She

1342
01:05:30,160 --> 01:05:31,960
Speaker 1: was thought nothing I can do. Man, I had it

1343
01:05:32,040 --> 01:05:34,320
Speaker 1: wrong because something up in my eyes make myself I

1344
01:05:34,360 --> 01:05:36,840
Speaker 1: seem rise. And they told me that I have to

1345
01:05:36,920 --> 01:05:41,560
Speaker 1: drink for me, baby, drink no more one just don't

1346
01:05:41,640 --> 01:05:45,560
Speaker 1: think with me this singing like Bruno Marster. We got

1347
01:05:45,760 --> 01:05:52,960
Speaker 1: beat the shrinking needle. Yeah, just one more clink with me, baby. Yeah,

1348
01:05:56,200 --> 01:05:58,680
Speaker 1: she wanted one more. I wanted one more, one more

1349
01:05:58,760 --> 01:06:01,600
Speaker 1: ignored your last core. I want more on the bottom.

1350
01:06:01,640 --> 01:06:04,200
Speaker 1: So we always celebrate it. What from the bottom, we

1351
01:06:04,240 --> 01:06:07,600
Speaker 1: always celebrate it can't help that. I want to help that.

1352
01:06:07,920 --> 01:06:09,880
Speaker 1: I want to say what life? I don't he felt

1353
01:06:09,920 --> 01:06:12,440
Speaker 1: that fell. She's a good one and I agree with us.

1354
01:06:12,840 --> 01:06:14,720
Speaker 1: I just want to get drunk and go be with U.

1355
01:06:15,000 --> 01:06:17,760
Speaker 1: It's my lute to healthy snap back and leave your

1356
01:06:17,800 --> 01:06:21,560
Speaker 1: w every long on. Let go what you cannot take

1357
01:06:21,640 --> 01:06:25,520
Speaker 1: that and take my mom anymore? Imich one's like you

1358
01:06:25,760 --> 01:06:27,640
Speaker 1: have many and my running she was starting. Nothing I

1359
01:06:27,720 --> 01:06:29,800
Speaker 1: can do, man, I had it wrong to summing up

1360
01:06:29,840 --> 01:06:31,920
Speaker 1: in my eyes make myself a seem rise, and they

1361
01:06:32,000 --> 01:06:35,280
Speaker 1: told me that I can't strength for me. Baby, that's

1362
01:06:35,320 --> 01:06:38,280
Speaker 1: how we're feeling out with the one just kill don't

1363
01:06:38,360 --> 01:06:44,120
Speaker 1: think for me, blaby like most out in the streaking lady.

1364
01:06:44,680 --> 01:06:48,880
Speaker 1: Yeah yeah, yeah, yeah, yeah, just more more clink women baby,

1365
01:06:51,400 --> 01:06:55,960
Speaker 1: yeah yeah yeah, that's how we're feeling out wrong, but

1366
01:06:56,080 --> 01:07:03,760
Speaker 1: one more lost and we like me weird girl. Yea,

1367
01:07:14,480 --> 01:07:16,320
Speaker 1: that is how I know you're a gangster because you

1368
01:07:16,480 --> 01:07:21,320
Speaker 1: actually to kill a girl. Well, anybody to drink to killer.

1369
01:07:21,360 --> 01:07:25,680
Speaker 1: You cut people before I know this this and you

1370
01:07:26,280 --> 01:07:29,919
Speaker 1: especially you too beautiful. You like how you girls drink

1371
01:07:29,960 --> 01:07:32,400
Speaker 1: the killer. You stabed a couple of people. Let' let's

1372
01:07:32,440 --> 01:07:37,040
Speaker 1: talk about that. I'm just a very sweet person that's

1373
01:07:37,080 --> 01:07:39,440
Speaker 1: very respectful. I came like from a real like real

1374
01:07:39,520 --> 01:07:41,280
Speaker 1: I came from the last of the reel of real

1375
01:07:41,320 --> 01:07:44,000
Speaker 1: of my MNA like the mafia. Like, dude, I don't

1376
01:07:44,000 --> 01:07:46,040
Speaker 1: play all the ex that I'm not on the wave

1377
01:07:46,040 --> 01:07:47,640
Speaker 1: of this industry stuff. I'm not on the wave that

1378
01:07:47,760 --> 01:07:51,080
Speaker 1: this is like it's beside. When you're real, you don't

1379
01:07:51,120 --> 01:07:53,080
Speaker 1: do all that. You just do what you do. Like

1380
01:07:53,240 --> 01:07:55,040
Speaker 1: you move, how you move, that's how you last, how

1381
01:07:55,080 --> 01:07:58,000
Speaker 1: you last, And that's just how I've lasted with those

1382
01:07:58,080 --> 01:07:59,760
Speaker 1: that thought I could not last. I'm still here because

1383
01:07:59,760 --> 01:08:01,360
Speaker 1: I'm just to it's a real thing. You know, it's

1384
01:08:01,360 --> 01:08:03,919
Speaker 1: no fake when you fake the mass off. Already see

1385
01:08:03,920 --> 01:08:05,440
Speaker 1: what's really good? You know, I mean, what was that

1386
01:08:05,560 --> 01:08:07,960
Speaker 1: moment when you realized because you know, we all have

1387
01:08:08,080 --> 01:08:10,640
Speaker 1: to go through it. We all thought everybody, like the

1388
01:08:10,760 --> 01:08:12,919
Speaker 1: rappers is who we think they are, who they talk.

1389
01:08:14,480 --> 01:08:21,599
Speaker 1: You was like this, Oh, it was very okay. Whatever

1390
01:08:21,680 --> 01:08:27,640
Speaker 1: you want to see you got imagine just to me,

1391
01:08:27,760 --> 01:08:30,160
Speaker 1: like realistically, I came into this industry like thinking like

1392
01:08:30,240 --> 01:08:32,080
Speaker 1: a dude, Like I came around the guys that Trick

1393
01:08:32,160 --> 01:08:35,519
Speaker 1: Daddy now in CEO and money Mark, and I pulled

1394
01:08:35,560 --> 01:08:37,760
Speaker 1: my boy rosso so he was like I got like

1395
01:08:37,920 --> 01:08:41,320
Speaker 1: all guys, so imagine I'm the only girl. These guys

1396
01:08:41,360 --> 01:08:44,240
Speaker 1: are mad annoying they are mad, and I'm just like

1397
01:08:44,320 --> 01:08:46,200
Speaker 1: the sister, and I'm just thinking, like, as a girl,

1398
01:08:46,400 --> 01:08:53,479
Speaker 1: and what a horny montown us there, And I'm thinking,

1399
01:08:53,840 --> 01:08:56,200
Speaker 1: imagine me, I'm thinking from the girl and the guy

1400
01:08:56,320 --> 01:08:59,479
Speaker 1: in and as a girl. Type of chicks are these?

1401
01:08:59,560 --> 01:09:01,960
Speaker 1: That's STU so low to be jumping around from one

1402
01:09:02,040 --> 01:09:11,200
Speaker 1: to the nib Of course you want papers. I'm so sorry.

1403
01:09:11,680 --> 01:09:15,040
Speaker 1: I wasn't a gentleman at all. I was. I'm sorry.

1404
01:09:15,080 --> 01:09:17,800
Speaker 1: Look at that check it right. Yeah, I'm listening. So

1405
01:09:17,960 --> 01:09:20,200
Speaker 1: now here we go. These are the guys. I'm looking

1406
01:09:20,200 --> 01:09:26,519
Speaker 1: at the women. We celebrate you high, but we celebrate

1407
01:09:29,080 --> 01:09:31,479
Speaker 1: so now from the guy's perspective, these are my guys.

1408
01:09:31,960 --> 01:09:33,680
Speaker 1: But these are the guys have taken advice from me.

1409
01:09:34,240 --> 01:09:35,760
Speaker 1: All these girls are here in these hotels to see

1410
01:09:35,760 --> 01:09:37,120
Speaker 1: you guys because of me. They think I'm going to

1411
01:09:37,160 --> 01:09:39,360
Speaker 1: be here. So I'm debate and the reason you guys came,

1412
01:09:39,479 --> 01:09:41,960
Speaker 1: we're gonna be training are we're gonna come. But now

1413
01:09:42,000 --> 01:09:45,000
Speaker 1: when Trina is not here, it's just the guys. What

1414
01:09:45,120 --> 01:09:46,519
Speaker 1: do you guys? What are you girls like? What do

1415
01:09:46,600 --> 01:09:49,120
Speaker 1: you guys like? What's going on? Like? I guess me

1416
01:09:49,520 --> 01:09:51,840
Speaker 1: my girls would never be there. We don't roll like

1417
01:09:51,960 --> 01:09:55,000
Speaker 1: that because you said something on their and all the

1418
01:09:55,120 --> 01:10:01,240
Speaker 1: girls was on you. The sa I come from a

1419
01:10:01,280 --> 01:10:03,000
Speaker 1: bunch of girls. My friends started dance. They'd be all

1420
01:10:03,040 --> 01:10:04,920
Speaker 1: over the place. I come from the streets where there's

1421
01:10:05,000 --> 01:10:08,800
Speaker 1: real girls. I saw so much stuff growing up right

1422
01:10:08,880 --> 01:10:12,479
Speaker 1: next to me. Me so grounded and humble to where

1423
01:10:12,800 --> 01:10:16,519
Speaker 1: I like my bitches, attack team whoever and run surface around.

1424
01:10:16,520 --> 01:10:18,280
Speaker 1: These dudes grabbed the bag and keep it moving. So

1425
01:10:18,400 --> 01:10:21,360
Speaker 1: this is real facts. So when it comes to this industry,

1426
01:10:21,439 --> 01:10:24,080
Speaker 1: these dudes are like lane because like if I say

1427
01:10:24,200 --> 01:10:26,760
Speaker 1: these girls on y'all, it's over. So I'm just a

1428
01:10:26,880 --> 01:10:30,080
Speaker 1: humble piece of the mind because I'm already coming from

1429
01:10:30,120 --> 01:10:31,840
Speaker 1: a good place, a good family. Money, Like I'm not.

1430
01:10:31,960 --> 01:10:34,320
Speaker 1: I didn't come into this. It's a real thing. People

1431
01:10:34,320 --> 01:10:36,800
Speaker 1: come in to this and make money. Of course, it's

1432
01:10:36,840 --> 01:10:40,240
Speaker 1: a life change, like you turned from one life to

1433
01:10:40,439 --> 01:10:43,800
Speaker 1: like a different life. But my purpose wasn't like pushing

1434
01:10:43,840 --> 01:10:45,600
Speaker 1: CDs are coming in to get money. I'm doing a

1435
01:10:45,640 --> 01:10:48,080
Speaker 1: faith for trade. Now I'm coming. I was really struck

1436
01:10:48,160 --> 01:10:50,120
Speaker 1: because of the fame, because girls was like going crazy

1437
01:10:50,320 --> 01:10:51,960
Speaker 1: loved me. They were saying every word of everything that

1438
01:10:52,000 --> 01:10:53,880
Speaker 1: I scared. And these are my homegirls that are wild

1439
01:10:53,920 --> 01:10:55,600
Speaker 1: and bustled, wide open and their loose and this is

1440
01:10:55,800 --> 01:10:57,120
Speaker 1: their life and out right here and saying it. And

1441
01:10:57,120 --> 01:10:59,360
Speaker 1: I'm just confused that every word I'm saying, you girls

1442
01:10:59,400 --> 01:11:02,000
Speaker 1: are saying it like even I'm not saying nothing. It's

1443
01:11:02,000 --> 01:11:04,599
Speaker 1: a beautiful filling. And I'm watching some of these girls

1444
01:11:04,720 --> 01:11:06,960
Speaker 1: like react in a way in the lyrics. But to

1445
01:11:07,080 --> 01:11:09,080
Speaker 1: these guys like Trick Ross these my name, I'm a girl,

1446
01:11:09,120 --> 01:11:11,120
Speaker 1: I wouldn't even I wouldn't even y'all could never even

1447
01:11:11,160 --> 01:11:13,240
Speaker 1: convince me to come to the hotel with you'll. That's

1448
01:11:13,240 --> 01:11:15,080
Speaker 1: just how That's how f I am. So I'm looking

1449
01:11:15,120 --> 01:11:17,160
Speaker 1: at it in different ways. I'm from the guy's perspective

1450
01:11:17,160 --> 01:11:19,800
Speaker 1: in a girl's perspective. But I'm putting game on these guys.

1451
01:11:19,840 --> 01:11:21,760
Speaker 1: I'm looking at these girls like I'm still doing these

1452
01:11:21,800 --> 01:11:23,719
Speaker 1: records now, I gotta put i gotta do my album

1453
01:11:23,760 --> 01:11:25,920
Speaker 1: to put you out on game like how to do

1454
01:11:26,120 --> 01:11:29,760
Speaker 1: get what's game like, don't get played, don't sell yourself short,

1455
01:11:29,840 --> 01:11:38,559
Speaker 1: don't sell them for anything that in watching this I'm

1456
01:11:38,600 --> 01:11:40,280
Speaker 1: saying when I now I'm on the roll with Trick,

1457
01:11:40,320 --> 01:11:43,240
Speaker 1: but I gotta prepare my album, and now in my

1458
01:11:43,439 --> 01:11:45,639
Speaker 1: album where I'm in my room and I'm in my zone,

1459
01:11:45,760 --> 01:11:48,559
Speaker 1: I'm gonna put girls on game because what I'm saying happening.

1460
01:11:49,200 --> 01:11:51,160
Speaker 1: I don't roll like that. My girls be from Miami,

1461
01:11:51,200 --> 01:11:52,760
Speaker 1: from the three or five. We're gonna play the kind

1462
01:11:52,760 --> 01:11:55,479
Speaker 1: of games like we we looked dead in the We

1463
01:11:55,520 --> 01:11:57,559
Speaker 1: don't play them kind of games like you you already

1464
01:11:57,640 --> 01:11:59,439
Speaker 1: lost when you hit the dough. They don't even play

1465
01:11:59,479 --> 01:12:01,160
Speaker 1: with you. Once you and they sit in, they in

1466
01:12:01,240 --> 01:12:03,559
Speaker 1: the phase they already won. So I'm trying to figure

1467
01:12:03,560 --> 01:12:05,840
Speaker 1: out what all out of country these girls are like lane,

1468
01:12:06,280 --> 01:12:08,560
Speaker 1: like I could run the whole school of girls and

1469
01:12:08,680 --> 01:12:10,840
Speaker 1: like to run over the industry and everything the sports

1470
01:12:10,880 --> 01:12:14,240
Speaker 1: worlder like getting the bags and go me. I'm just

1471
01:12:14,280 --> 01:12:22,320
Speaker 1: saying so like I just was trying to understand, like

1472
01:12:22,520 --> 01:12:25,400
Speaker 1: because I come up from a family, like I'm like

1473
01:12:25,479 --> 01:12:27,599
Speaker 1: a little protected, Like my dad is like a boss.

1474
01:12:27,640 --> 01:12:29,519
Speaker 1: He's a dude in the streets getting the bag. So

1475
01:12:29,640 --> 01:12:31,600
Speaker 1: even the street dude that's getting money, they can't touch me.

1476
01:12:31,600 --> 01:12:33,920
Speaker 1: They're scared because they scared of my dad, my stepdad.

1477
01:12:34,400 --> 01:12:38,120
Speaker 1: So I'm untouchable. So now I'm already I'm in a

1478
01:12:38,200 --> 01:12:41,160
Speaker 1: household for the bosses. Now when I see street dudes,

1479
01:12:42,160 --> 01:12:44,200
Speaker 1: yeah yeah, can't tell me that. I'm running circles around

1480
01:12:44,800 --> 01:12:47,400
Speaker 1: in this already. So now what are you gonna come like?

1481
01:12:47,560 --> 01:12:49,519
Speaker 1: It gotta you feel me. So I'm already thinking like

1482
01:12:49,600 --> 01:12:51,680
Speaker 1: a dude, because I come from this. I'm around now

1483
01:12:51,800 --> 01:12:54,639
Speaker 1: these dudes. Trick is a loose cannon on the road.

1484
01:12:55,000 --> 01:12:56,840
Speaker 1: Ross is just a boss. He's a fat boy, but

1485
01:12:56,920 --> 01:12:58,960
Speaker 1: he's on it. He's so swaggy, and he got to

1486
01:12:59,040 --> 01:13:00,720
Speaker 1: talk so he could get the he could say whatever

1487
01:13:00,760 --> 01:13:03,080
Speaker 1: they're gonna Ceo and money Mark is a cute dude.

1488
01:13:03,120 --> 01:13:05,200
Speaker 1: So the girl's gonna just I'm looking at these girls

1489
01:13:05,280 --> 01:13:08,240
Speaker 1: like bro like on the whole pimp school and get

1490
01:13:08,280 --> 01:13:11,040
Speaker 1: you all to put them telling. Now, I was trying

1491
01:13:11,040 --> 01:13:13,960
Speaker 1: to see why was girls really like excited to like

1492
01:13:14,160 --> 01:13:17,080
Speaker 1: jump out of a concert and go back with Trick,

1493
01:13:17,200 --> 01:13:19,200
Speaker 1: Ross and the group of ship. Yeah, like I didn't

1494
01:13:19,200 --> 01:13:20,680
Speaker 1: get that because that's not not how me and my

1495
01:13:20,800 --> 01:13:23,560
Speaker 1: girls back from Miami. Role We're not on that. So

1496
01:13:23,640 --> 01:13:26,360
Speaker 1: I'm trying to figure like, like the stuff blow that

1497
01:13:26,479 --> 01:13:30,479
Speaker 1: part up. Let's let's let that continue to happen. But

1498
01:13:30,600 --> 01:13:36,880
Speaker 1: imagine call me and say, why stop drinking like that?

1499
01:13:37,760 --> 01:13:39,720
Speaker 1: So I'm a girl, I'm thinking like these dude, I'm

1500
01:13:39,720 --> 01:13:41,479
Speaker 1: looking at some of these girls like yore you pretty,

1501
01:13:41,520 --> 01:13:44,840
Speaker 1: you so like you should come to Miami, like wave

1502
01:13:44,960 --> 01:13:55,600
Speaker 1: you up, like come on. I was just trying to

1503
01:13:55,640 --> 01:13:58,120
Speaker 1: put game on from me again, and so that's why

1504
01:13:58,160 --> 01:13:59,800
Speaker 1: what I did my album. It was more like putting

1505
01:13:59,840 --> 01:14:01,320
Speaker 1: on up on games like how to get the bag?

1506
01:14:01,360 --> 01:14:03,439
Speaker 1: How does your money save up? Get your you don't

1507
01:14:03,439 --> 01:14:05,599
Speaker 1: get your weight up, like don't depend on nothing. That's

1508
01:14:05,600 --> 01:14:07,400
Speaker 1: how I because I piped it from my dude like

1509
01:14:07,479 --> 01:14:09,280
Speaker 1: these is my brothers. I'm watching you guys. You guys

1510
01:14:09,320 --> 01:14:11,200
Speaker 1: not even much fly, like y'all don't even have lotion

1511
01:14:11,320 --> 01:14:16,080
Speaker 1: on y'all y'all to chicks like come on, like you

1512
01:14:16,240 --> 01:14:18,760
Speaker 1: feel me. I'm chicks. I'm trying to like I'm trying

1513
01:14:18,800 --> 01:14:20,800
Speaker 1: to figure what's really good. So I'm just you know,

1514
01:14:20,880 --> 01:14:22,840
Speaker 1: I was in the middle of both, like you know,

1515
01:14:23,479 --> 01:14:25,479
Speaker 1: I was trying to almost met but I was protected

1516
01:14:25,520 --> 01:14:28,320
Speaker 1: from them. Dudes couldn't get next to me, and I'm

1517
01:14:28,400 --> 01:14:31,160
Speaker 1: just like, dude lame, like I don't even want you anyway,

1518
01:14:31,160 --> 01:14:32,960
Speaker 1: and these other dudes trying to get through y'all to me,

1519
01:14:33,120 --> 01:14:35,360
Speaker 1: they definitely ain't gonna get through. And I'm looking at

1520
01:14:35,360 --> 01:14:38,320
Speaker 1: all y'all these girls, y'all really like I need to

1521
01:14:38,360 --> 01:14:40,479
Speaker 1: teach a whole role of school of like how to

1522
01:14:40,880 --> 01:14:46,320
Speaker 1: get it. That's what I was thinking, you know, So

1523
01:14:47,920 --> 01:14:50,519
Speaker 1: now I have to No, it's not. It's train a

1524
01:14:50,640 --> 01:14:53,880
Speaker 1: single or training is happy and love and like just

1525
01:14:54,040 --> 01:14:57,040
Speaker 1: living her life to the fullest, like ya and on

1526
01:14:57,120 --> 01:14:59,519
Speaker 1: the islands, you know, like you know, just shooting you

1527
01:14:59,600 --> 01:15:02,000
Speaker 1: know that something I like to do. I'm a love lover.

1528
01:15:02,280 --> 01:15:04,599
Speaker 1: I love love. I believe in love. I believe people

1529
01:15:04,600 --> 01:15:06,800
Speaker 1: should be loved. I think there's a lot less love.

1530
01:15:07,160 --> 01:15:09,320
Speaker 1: And I think the reason my generation is so jacked

1531
01:15:09,360 --> 01:15:11,360
Speaker 1: up because it's so much game playing and not enough love.

1532
01:15:11,400 --> 01:15:13,000
Speaker 1: Everybody's just playing the game. You know, the game is

1533
01:15:13,400 --> 01:15:15,240
Speaker 1: you tell me something, I tell her, she tell him.

1534
01:15:15,280 --> 01:15:17,880
Speaker 1: Everybody pillow talking a bunch of bullshit, and everybody's living

1535
01:15:17,920 --> 01:15:19,920
Speaker 1: the game. That's not the wave I didn't grow up

1536
01:15:19,960 --> 01:15:22,320
Speaker 1: into that. Everybody started being real, then it'll be a

1537
01:15:22,400 --> 01:15:25,120
Speaker 1: lot less a bunch of that, you know, fun boys

1538
01:15:25,320 --> 01:15:35,360
Speaker 1: will disappear, you feel me, so now, goddamn it. Just

1539
01:15:35,479 --> 01:15:46,760
Speaker 1: keep making noise, you came here. You know, I'm so

1540
01:15:47,000 --> 01:15:50,000
Speaker 1: impressed because you know what's the real ship is? This

1541
01:15:50,240 --> 01:15:52,639
Speaker 1: is real, this is this is this is why I'm

1542
01:15:52,680 --> 01:15:55,040
Speaker 1: trying to We're trying to do that because we want

1543
01:15:55,040 --> 01:15:57,519
Speaker 1: to promote real ship and this is just it's just

1544
01:15:57,640 --> 01:16:00,960
Speaker 1: a real moment. And this is like ladies got a

1545
01:16:01,000 --> 01:16:06,799
Speaker 1: garment here and realize because well you know why because

1546
01:16:10,000 --> 01:16:12,680
Speaker 1: but you know why because most of these shows it's

1547
01:16:12,720 --> 01:16:17,200
Speaker 1: the blogs, but but but but it falls on that

1548
01:16:17,360 --> 01:16:21,360
Speaker 1: category of blogging of talking of talking ship and and

1549
01:16:21,560 --> 01:16:24,439
Speaker 1: gossiping about people. I'm not a gossiper. I'm not a

1550
01:16:24,560 --> 01:16:26,400
Speaker 1: he say. She's say. If you want to know something,

1551
01:16:26,400 --> 01:16:28,880
Speaker 1: train to say it. Guess what called Trina don't act

1552
01:16:29,000 --> 01:16:32,320
Speaker 1: train the Home World Training Assistant Training, Security Training is

1553
01:16:32,360 --> 01:16:34,720
Speaker 1: gonna tell you what Traina said because that's how I

1554
01:16:34,840 --> 01:16:37,240
Speaker 1: told Nori, and Nori told you, and you told man

1555
01:16:37,320 --> 01:16:39,720
Speaker 1: Ceo and he got back off twisted. I don't rock

1556
01:16:39,800 --> 01:16:41,800
Speaker 1: with that exactly. You feel me. So when you get

1557
01:16:41,880 --> 01:16:43,920
Speaker 1: the shows, it's one of the kind of things like

1558
01:16:44,040 --> 01:16:45,800
Speaker 1: it's the same thing like these people get up every

1559
01:16:45,840 --> 01:16:47,400
Speaker 1: single day to be negative and they try to tell

1560
01:16:47,400 --> 01:16:49,120
Speaker 1: you like down they talk a bunch of ship and

1561
01:16:49,200 --> 01:16:51,080
Speaker 1: they just do a bunch of word on stuff. It's

1562
01:16:51,080 --> 01:16:53,680
Speaker 1: not cool. So people just don't want to be embarrassed

1563
01:16:53,760 --> 01:16:55,720
Speaker 1: or just to be put on the forefront of some

1564
01:16:55,760 --> 01:16:57,439
Speaker 1: ship that they don't feel like talking about me. I'm

1565
01:16:57,479 --> 01:16:59,320
Speaker 1: just I'm loose like with it. I don't used to

1566
01:16:59,360 --> 01:17:01,600
Speaker 1: say whatever about our show. I don't know if you

1567
01:17:01,680 --> 01:17:04,479
Speaker 1: ever see it's something called Inside the NBA where it's

1568
01:17:04,520 --> 01:17:08,200
Speaker 1: actually Charles Barkley and Charles Barkley and uh, what's what's

1569
01:17:08,240 --> 01:17:10,240
Speaker 1: the what's my man? Kenney Smith is from Left Track

1570
01:17:10,640 --> 01:17:13,479
Speaker 1: and Shock and it is all ex basketball players and

1571
01:17:13,560 --> 01:17:16,559
Speaker 1: they like the show. They talked too much. They interview

1572
01:17:16,640 --> 01:17:18,760
Speaker 1: the other basketball players and what I mean is they're

1573
01:17:18,760 --> 01:17:20,560
Speaker 1: the inside of the NBA. And this is what this

1574
01:17:20,840 --> 01:17:23,320
Speaker 1: is is because I'm in hip hop, like, I ain't

1575
01:17:23,320 --> 01:17:25,040
Speaker 1: gonna go. I ain't gonna put no artist where they

1576
01:17:25,080 --> 01:17:27,840
Speaker 1: want to feel, you know, insecure, out of place, or

1577
01:17:27,880 --> 01:17:31,559
Speaker 1: ask them some crazy I asked crazy, like yeah, it's crazy,

1578
01:17:31,720 --> 01:17:38,760
Speaker 1: Like you know your case, I gotta ask how many

1579
01:17:38,920 --> 01:17:41,360
Speaker 1: rappers asked your ass? Let's just throw that out there. No,

1580
01:17:42,160 --> 01:17:45,680
Speaker 1: come on your case, Come on, you isn't counting. It's

1581
01:17:45,840 --> 01:17:50,200
Speaker 1: we in the thousands we'm but what's the purpose that,

1582
01:17:50,600 --> 01:17:52,599
Speaker 1: because after you have not calling him not a curve,

1583
01:17:52,680 --> 01:17:54,439
Speaker 1: you are that? So what's what you really trying to

1584
01:17:54,479 --> 01:17:58,960
Speaker 1: get out of there? The greatest ass eater that's really good.

1585
01:17:59,080 --> 01:18:12,400
Speaker 1: Let's be very quick as great as eaters, Oh my god,

1586
01:18:13,680 --> 01:18:15,600
Speaker 1: saying you gotta have some suffis and stuff that we do.

1587
01:18:16,000 --> 01:18:19,720
Speaker 1: Stuff all happens all the time everybody. Because let me

1588
01:18:19,760 --> 01:18:22,599
Speaker 1: just drob a moment right now, right now, I still

1589
01:18:22,600 --> 01:18:29,240
Speaker 1: don't know that right how that's now? How does the

1590
01:18:29,320 --> 01:18:34,320
Speaker 1: man approach treat that like weirdess? Ship is annoying? Let

1591
01:18:34,360 --> 01:18:36,400
Speaker 1: me tell you somebody for one, let's go let's be first.

1592
01:18:36,439 --> 01:18:38,320
Speaker 1: I don't go on dates. I'm not a dater. I

1593
01:18:38,320 --> 01:18:40,120
Speaker 1: don't want to go to know weird ass dinners. I

1594
01:18:40,120 --> 01:18:41,960
Speaker 1: don't want you sitting up staring under the lights all

1595
01:18:42,080 --> 01:18:45,920
Speaker 1: damn asking a thousand million questions. That's like weirdo. You're

1596
01:18:46,000 --> 01:18:50,040
Speaker 1: very intimidating. Let me up because I was back. I'm

1597
01:18:50,120 --> 01:18:52,599
Speaker 1: so cool people, But that's because you're like people get

1598
01:18:52,720 --> 01:18:55,160
Speaker 1: they're so stuck on like this whole baddest bitch persona

1599
01:18:55,400 --> 01:18:57,320
Speaker 1: so realistic. I'm like a person. My friends there here,

1600
01:18:57,320 --> 01:18:59,559
Speaker 1: they testify you come to my house, your friends, all

1601
01:18:59,600 --> 01:19:01,800
Speaker 1: my friends cooking the ship. You see the meals I cook,

1602
01:19:02,200 --> 01:19:05,080
Speaker 1: lobster like all kinds of good ship. Like I'm like

1603
01:19:05,160 --> 01:19:07,600
Speaker 1: a Caribbean ship. I treat my friends like royalty. I

1604
01:19:07,680 --> 01:19:09,880
Speaker 1: make sure they're good when you come as a man,

1605
01:19:10,000 --> 01:19:11,160
Speaker 1: if you're trying to talk to me, it's like the

1606
01:19:11,200 --> 01:19:13,320
Speaker 1: baddest bitch, like quickly like you don't want to You

1607
01:19:13,360 --> 01:19:15,400
Speaker 1: won't see me in the kitchen cooking. You're ready to

1608
01:19:15,400 --> 01:19:17,559
Speaker 1: think I'm on the balcony probably like with my linger

1609
01:19:17,920 --> 01:19:20,920
Speaker 1: on the champagne, and your visions be so fucked up

1610
01:19:20,960 --> 01:19:24,080
Speaker 1: to you doin the whole moment. Let me tell you

1611
01:19:24,120 --> 01:19:28,120
Speaker 1: what happened to other day. I'm not gonna sit. But

1612
01:19:28,280 --> 01:19:31,760
Speaker 1: one of my friends, he meets a girl and they

1613
01:19:31,840 --> 01:19:41,040
Speaker 1: go because the chick be quiet. The first thing he does,

1614
01:19:41,520 --> 01:19:44,400
Speaker 1: he goes to Instagram. He goes, I can't funk with

1615
01:19:44,479 --> 01:19:50,479
Speaker 1: this bitch, and I'm like, why she's on yachts just like,

1616
01:19:50,560 --> 01:19:54,960
Speaker 1: hold on, man, I can't show her nothing. Okay, So intimidation,

1617
01:19:55,840 --> 01:19:57,160
Speaker 1: So what you wanted me to be like in a

1618
01:19:57,240 --> 01:20:04,840
Speaker 1: grocery store the park. But I'm just saying, like the

1619
01:20:04,960 --> 01:20:06,600
Speaker 1: real listen because it don't get me wrong, not some

1620
01:20:06,640 --> 01:20:08,679
Speaker 1: of these people, these girls on y'all. I mean, don't

1621
01:20:08,680 --> 01:20:09,840
Speaker 1: get me wrong. I'm not a hate to do what

1622
01:20:09,920 --> 01:20:11,640
Speaker 1: you gotta do, y'all. I don't care what you did,

1623
01:20:11,680 --> 01:20:14,720
Speaker 1: how you got on there. That's your business, restaurants and ship.

1624
01:20:15,479 --> 01:20:18,040
Speaker 1: He gave up. But I think that's a weak man.

1625
01:20:18,160 --> 01:20:21,280
Speaker 1: That's being weak though, that's being weak. You weak because

1626
01:20:21,320 --> 01:20:22,760
Speaker 1: that man, you ain't stepping up to the plate. That

1627
01:20:22,840 --> 01:20:25,240
Speaker 1: mean your intimidation game is so low you can't even

1628
01:20:25,280 --> 01:20:28,720
Speaker 1: hand the shorty from the je do. So, let's just

1629
01:20:28,840 --> 01:20:41,640
Speaker 1: be very real, trying to figure out what she's settling you,

1630
01:20:41,680 --> 01:20:44,200
Speaker 1: trying to figure out what's really good. Don't get in Timidy,

1631
01:20:44,240 --> 01:20:46,160
Speaker 1: don't get weak by that. But I mean it is

1632
01:20:46,240 --> 01:20:48,320
Speaker 1: what it isn't like the perception of like just the

1633
01:20:48,400 --> 01:20:51,320
Speaker 1: perspective of what he may think. How are you on this, y'all?

1634
01:20:51,479 --> 01:20:52,920
Speaker 1: Who are you on this y'all? With? I don't see

1635
01:20:52,920 --> 01:20:54,960
Speaker 1: about in the background, you know, you're yalling and selling it,

1636
01:20:55,240 --> 01:20:59,320
Speaker 1: traveling around the world of things, you know. Yeah, I

1637
01:20:59,360 --> 01:21:01,360
Speaker 1: have to agree with him a little bit. I was like,

1638
01:21:01,479 --> 01:21:05,240
Speaker 1: where you can't why she's the thing? Maybe she's papering

1639
01:21:05,240 --> 01:21:07,719
Speaker 1: herself that's how I know I'm not a good friend.

1640
01:21:07,720 --> 01:21:20,560
Speaker 1: I was like, yeah, you can't do nothing for you? Why? Yeah, yeah,

1641
01:21:20,800 --> 01:21:23,400
Speaker 1: But it's just that she was going every day for

1642
01:21:23,520 --> 01:21:31,600
Speaker 1: like four months. I don't know what was working restaurants.

1643
01:21:31,920 --> 01:21:34,640
Speaker 1: It was I ain't gonna lie. I was intimidated. That intimidation,

1644
01:21:35,160 --> 01:21:37,760
Speaker 1: that word. But why I need to made chicken in

1645
01:21:37,840 --> 01:21:39,360
Speaker 1: the bus start waiting for the bus to pick her off.

1646
01:21:39,800 --> 01:21:42,960
Speaker 1: I think men always want to like feel needed a little.

1647
01:21:45,520 --> 01:21:49,120
Speaker 1: But just because I'm of the yard, like, yeah, you

1648
01:21:49,200 --> 01:21:51,680
Speaker 1: made you make brit of helicopter. I don't know you

1649
01:21:51,720 --> 01:21:57,320
Speaker 1: can buy something, but hey, I'm trying to figure out

1650
01:21:57,320 --> 01:22:08,080
Speaker 1: what we're going with it. She said, yall, that's like

1651
01:22:08,320 --> 01:22:11,960
Speaker 1: I mean you think women are because Ambrose sit here

1652
01:22:12,000 --> 01:22:15,080
Speaker 1: and say the same thing. She looked at us and say, listen,

1653
01:22:16,080 --> 01:22:18,040
Speaker 1: she hasn't been on a date for a whole year,

1654
01:22:18,120 --> 01:22:20,280
Speaker 1: and we're like, what, No, women are like dates because

1655
01:22:20,280 --> 01:22:24,320
Speaker 1: it's like a corny thing. Honestly, So if you got don't,

1656
01:22:24,400 --> 01:22:27,000
Speaker 1: if you're Miami, let's cut the problem one toil thing out.

1657
01:22:27,120 --> 01:22:28,800
Speaker 1: That's just like very thought ish. It's very like you're

1658
01:22:28,800 --> 01:22:31,280
Speaker 1: gonna go to date. It's very much like very sexual

1659
01:22:32,640 --> 01:22:34,479
Speaker 1: is the first time, And I gonna be honest, I

1660
01:22:34,520 --> 01:22:36,240
Speaker 1: don't really know because I'm not a data so I

1661
01:22:36,320 --> 01:22:38,040
Speaker 1: don't know. I don't want to give that advice because

1662
01:22:38,080 --> 01:22:40,880
Speaker 1: if you I haven't met a person like a new

1663
01:22:41,000 --> 01:22:44,879
Speaker 1: person and so long to where you start asking these questions,

1664
01:22:45,000 --> 01:22:47,720
Speaker 1: and the questions are the past and your life and

1665
01:22:47,800 --> 01:22:50,680
Speaker 1: did you date? This is just a whole phase and

1666
01:22:50,760 --> 01:22:53,920
Speaker 1: it's one of those things that's very it's and you're

1667
01:22:53,920 --> 01:22:55,800
Speaker 1: at dinner, though, don't be at dinner. You're eating, You're

1668
01:22:55,800 --> 01:22:57,479
Speaker 1: trying to make sure you're a girl even than nothing

1669
01:22:57,560 --> 01:22:59,320
Speaker 1: in your tea. You're just doing much of weirdo ship.

1670
01:22:59,439 --> 01:23:02,960
Speaker 1: It's not a thinking for me. The questions, like the

1671
01:23:03,080 --> 01:23:05,240
Speaker 1: staring in the eyes trying to get this you're looking

1672
01:23:05,280 --> 01:23:08,680
Speaker 1: at the baddest bitch first alb. I just not on that,

1673
01:23:08,960 --> 01:23:11,160
Speaker 1: Like I'm just I'm trying to figure it out, like

1674
01:23:11,720 --> 01:23:13,880
Speaker 1: I don't know. I've always kind of skipped it with

1675
01:23:14,040 --> 01:23:17,280
Speaker 1: just straight to the family. No, I'm straight to like

1676
01:23:18,320 --> 01:23:28,720
Speaker 1: I've shaped it like private, get to the next like no,

1677
01:23:29,960 --> 01:23:33,960
Speaker 1: I'm okay. So now I'm just saying I'm really just

1678
01:23:34,080 --> 01:23:36,160
Speaker 1: not like the beginning dating stage. You don't like the

1679
01:23:36,240 --> 01:23:39,200
Speaker 1: weird questions. I don't like all. I'm just me, but

1680
01:23:39,320 --> 01:23:42,320
Speaker 1: some of my friends. One of my friends, she is

1681
01:23:43,280 --> 01:23:46,439
Speaker 1: she my friends. She is the data of the central.

1682
01:23:46,479 --> 01:23:48,760
Speaker 1: She was going to dinner day every day, like she

1683
01:23:48,840 --> 01:23:50,360
Speaker 1: don't care who it is. Do you take her to dinner?

1684
01:23:50,400 --> 01:23:54,960
Speaker 1: She let me describe this moment. She's beautiful. I said,

1685
01:23:54,960 --> 01:23:58,519
Speaker 1: you're my friend because she's gonna talk. She knows she's

1686
01:23:58,640 --> 01:24:04,519
Speaker 1: very social. Yeah, the one I don't want to start saying.

1687
01:24:04,840 --> 01:24:07,040
Speaker 1: I don't want to start talking about man and start

1688
01:24:07,320 --> 01:24:09,640
Speaker 1: tracking back in the day and oh, yeah, did you

1689
01:24:09,680 --> 01:24:11,839
Speaker 1: really date? When I don't want to get into the questions.

1690
01:24:12,200 --> 01:24:14,760
Speaker 1: I just while you're on the plane, right, I don't

1691
01:24:14,800 --> 01:24:17,200
Speaker 1: care what Smith and Lynsky. I just don't want to

1692
01:24:17,280 --> 01:24:19,040
Speaker 1: deal with it. I just kind of so, I don't

1693
01:24:19,080 --> 01:24:21,120
Speaker 1: really date. I don't know how to even meet nobody

1694
01:24:21,240 --> 01:24:26,080
Speaker 1: because to do that work at Costcos, Pilots wanted me

1695
01:24:26,120 --> 01:24:28,720
Speaker 1: space about Costco Costo. I don't even dave pilots. They

1696
01:24:28,920 --> 01:24:31,160
Speaker 1: around too much. I'm real with the I'll just really

1697
01:24:31,240 --> 01:24:38,680
Speaker 1: too much. But Costcos, let's let's say that the thing

1698
01:24:38,720 --> 01:24:42,000
Speaker 1: about the person that was at Costcos. They don't get

1699
01:24:42,000 --> 01:24:45,560
Speaker 1: me wrong, it's nothing wrong with that. You're independent, you

1700
01:24:45,680 --> 01:24:47,640
Speaker 1: have a job, and I'm a person that loves some

1701
01:24:47,720 --> 01:24:51,920
Speaker 1: discount don't get it twisted. But a Costcos guy would

1702
01:24:51,960 --> 01:24:54,400
Speaker 1: not be able to deal with the pressure of my life.

1703
01:24:54,720 --> 01:24:56,880
Speaker 1: You can't deal with the woman that's traveling around the

1704
01:24:56,960 --> 01:25:00,880
Speaker 1: world four days out of a week, like it's too

1705
01:25:01,000 --> 01:25:03,160
Speaker 1: much of an intimidation. You can't deal with the pressure

1706
01:25:03,200 --> 01:25:06,759
Speaker 1: of where you're working at Costcos from six to twelve midnight,

1707
01:25:06,840 --> 01:25:10,200
Speaker 1: stocking and bagging the ship or whatever. And then I'm

1708
01:25:10,280 --> 01:25:13,160
Speaker 1: somewhere like in London and Europe, and then like Denmark

1709
01:25:13,200 --> 01:25:16,160
Speaker 1: at Christania and just winding out Christiania. That's where you

1710
01:25:16,160 --> 01:25:23,800
Speaker 1: can smoke weed through the park. But for you, you

1711
01:25:23,920 --> 01:25:26,840
Speaker 1: don't understand that life. That's a pressure of you because

1712
01:25:27,040 --> 01:25:33,519
Speaker 1: we're on different time zones, we're on different and I'm

1713
01:25:33,560 --> 01:25:36,680
Speaker 1: just saying no. But that's what a pressure would be

1714
01:25:36,720 --> 01:25:38,760
Speaker 1: from a regular guy. Because when you get up work,

1715
01:25:38,760 --> 01:25:40,040
Speaker 1: I want to talk to you, I want to see you.

1716
01:25:40,080 --> 01:25:42,639
Speaker 1: Maybe I don't have his FaceTime whatever I'm performing, you sleep,

1717
01:25:42,680 --> 01:25:45,000
Speaker 1: you at work, you at work, I'm traveling. It's just

1718
01:25:45,120 --> 01:25:46,960
Speaker 1: a it's just one of those things that really don't

1719
01:25:47,000 --> 01:25:49,680
Speaker 1: always connect. And then it could be pressure. You you

1720
01:25:49,800 --> 01:25:52,880
Speaker 1: intimidated because I'm around other celebrity people that you really

1721
01:25:52,920 --> 01:25:55,320
Speaker 1: think I'm paying attention to that Really I'm not even

1722
01:25:55,320 --> 01:25:59,040
Speaker 1: paying no attention paid paying attention to these people. Believe

1723
01:25:59,080 --> 01:26:00,720
Speaker 1: it or not. If you was in my shoes, you

1724
01:26:00,760 --> 01:26:03,400
Speaker 1: and pay noiction on med. They're not that special. Just

1725
01:26:03,520 --> 01:26:06,320
Speaker 1: don't understand, don't get it twisted. A lot of these celebrities,

1726
01:26:06,400 --> 01:26:09,880
Speaker 1: these guys, girls, whoever, they're not that special. It's some

1727
01:26:10,000 --> 01:26:12,040
Speaker 1: regular people that I know, I chilled on a regular basis,

1728
01:26:12,240 --> 01:26:14,160
Speaker 1: are way more special than these people that are very

1729
01:26:14,240 --> 01:26:19,080
Speaker 1: cocky with these egos and really just nasty, unhumanized people

1730
01:26:19,439 --> 01:26:21,960
Speaker 1: that really ain't or ship honestly, you know what I mean.

1731
01:26:22,000 --> 01:26:24,040
Speaker 1: And that's just that's why I stayed so ground, because

1732
01:26:24,040 --> 01:26:27,360
Speaker 1: I'm around regular people that that's real life, and it's

1733
01:26:27,400 --> 01:26:30,559
Speaker 1: a real life thing. It's loyalty is longevitise, years after

1734
01:26:30,640 --> 01:26:32,439
Speaker 1: years after years after years now. The person I met

1735
01:26:32,680 --> 01:26:34,479
Speaker 1: two weeks ago because I was hot on the chops

1736
01:26:34,520 --> 01:26:36,400
Speaker 1: for number one song and he was writing my dick,

1737
01:26:36,520 --> 01:26:39,120
Speaker 1: not you, you know what I mean, The one that's

1738
01:26:39,160 --> 01:26:40,880
Speaker 1: been there from day one when the song wasn't hot

1739
01:26:40,920 --> 01:26:42,160
Speaker 1: on the charts, and when you went to the club,

1740
01:26:42,240 --> 01:26:44,240
Speaker 1: they probably said, whoa, who is that? Yes to me,

1741
01:26:44,360 --> 01:26:46,960
Speaker 1: that them people, that's the kind of people I wrote with. Now,

1742
01:26:47,360 --> 01:26:49,679
Speaker 1: have you ever like let it get to you? Because

1743
01:26:49,680 --> 01:26:51,280
Speaker 1: I let it get to me at one point in

1744
01:26:51,400 --> 01:26:53,759
Speaker 1: your career? Yeah, at one point I was just bugged

1745
01:26:53,800 --> 01:26:56,200
Speaker 1: out some of these cars getting broken into. But it's

1746
01:26:56,200 --> 01:26:58,560
Speaker 1: not mine. Let's be very clear a little. But have

1747
01:26:58,720 --> 01:27:00,960
Speaker 1: you have you ever let it get to you? Like ever?

1748
01:27:01,360 --> 01:27:04,760
Speaker 1: Like once? Never? Not? You know what again? Because I

1749
01:27:04,880 --> 01:27:07,960
Speaker 1: came already from like this Miami thing where people already

1750
01:27:08,000 --> 01:27:10,160
Speaker 1: knew who I was. It was a little bit almost annoying,

1751
01:27:10,479 --> 01:27:12,760
Speaker 1: you know what I mean? I mean annoying who I was.

1752
01:27:13,040 --> 01:27:15,560
Speaker 1: I mean, I'm just I'm not even nobody. I'm just

1753
01:27:16,120 --> 01:27:19,320
Speaker 1: a daughter of a family that's already get paper. I

1754
01:27:19,400 --> 01:27:21,360
Speaker 1: am somebody, but I'm just a daughter of somebody. I

1755
01:27:21,439 --> 01:27:23,719
Speaker 1: haven't earned no stripes in the streets. I haven't done nothing.

1756
01:27:23,960 --> 01:27:25,960
Speaker 1: I'm not doing anything my family is doing. I'm just me.

1757
01:27:26,439 --> 01:27:28,839
Speaker 1: And just sometimes people know who you are just almost annoying,

1758
01:27:28,960 --> 01:27:30,840
Speaker 1: Like you just have this persona you don't even want

1759
01:27:30,880 --> 01:27:32,200
Speaker 1: people know who you are. You just want to be

1760
01:27:32,360 --> 01:27:34,080
Speaker 1: just a good person to your friends have a good time,

1761
01:27:34,400 --> 01:27:36,680
Speaker 1: and you just have this this this this thing that

1762
01:27:36,720 --> 01:27:39,040
Speaker 1: people hold you so high for and you don't even

1763
01:27:39,080 --> 01:27:42,080
Speaker 1: know what's really going on. That's kind of going on

1764
01:27:42,320 --> 01:27:48,880
Speaker 1: nobody somebody's Jesus. But yeah, so you know, I don't

1765
01:27:48,920 --> 01:27:54,360
Speaker 1: really get to me. I mean, it's one of those

1766
01:27:54,439 --> 01:27:56,640
Speaker 1: kind of things, you know. I always just try to

1767
01:27:58,160 --> 01:28:01,040
Speaker 1: just stay and what the people are, you know what

1768
01:28:01,120 --> 01:28:02,559
Speaker 1: I mean? Because as high as I get, I mean,

1769
01:28:02,600 --> 01:28:04,120
Speaker 1: as high as I am, as big as I get,

1770
01:28:04,280 --> 01:28:06,200
Speaker 1: there's some people that's beneath. That's the people that still

1771
01:28:06,520 --> 01:28:09,120
Speaker 1: love me from day one, that's never gonna make nowhere

1772
01:28:09,160 --> 01:28:10,439
Speaker 1: near the money I make or be able to do

1773
01:28:10,560 --> 01:28:13,160
Speaker 1: things that I do. So I'm still like there for

1774
01:28:13,360 --> 01:28:15,040
Speaker 1: like for them people I love that, you know what

1775
01:28:15,080 --> 01:28:17,519
Speaker 1: I mean. And so the other day I was with

1776
01:28:18,200 --> 01:28:23,479
Speaker 1: um Fat Joe and I believe I think Jay calls

1777
01:28:23,520 --> 01:28:26,280
Speaker 1: him and jays no no, no no no. Fat Joe

1778
01:28:26,360 --> 01:28:28,800
Speaker 1: told me that Jay called him when I seen him,

1779
01:28:28,840 --> 01:28:31,360
Speaker 1: and he said that, Um Jay asked me, what you

1780
01:28:31,560 --> 01:28:34,360
Speaker 1: what makes you keep going? Why the fun you keep

1781
01:28:34,400 --> 01:28:39,000
Speaker 1: going on this? Why why do you keep going? I

1782
01:28:39,120 --> 01:28:41,040
Speaker 1: think it's the energy from the fans of people you

1783
01:28:41,120 --> 01:28:44,479
Speaker 1: know what, because sometimes like when I'm I just came

1784
01:28:44,520 --> 01:28:48,559
Speaker 1: back to Miami last night, like midnight, I went straight

1785
01:28:48,600 --> 01:28:51,439
Speaker 1: to the studio. I was on the record with one

1786
01:28:51,479 --> 01:28:53,360
Speaker 1: of the biggest artists in the game, you know what

1787
01:28:53,360 --> 01:28:56,559
Speaker 1: I mean. And I'm thinking, like, well, I just flew

1788
01:28:56,680 --> 01:29:00,519
Speaker 1: like six hours. I'm tired. I'm old over it. When

1789
01:29:00,560 --> 01:29:03,040
Speaker 1: I got off that plane, that phone call came, the

1790
01:29:03,200 --> 01:29:05,040
Speaker 1: verse was in. It was like, go to the studio,

1791
01:29:05,840 --> 01:29:08,320
Speaker 1: And it's just one of the things that I just

1792
01:29:08,560 --> 01:29:11,599
Speaker 1: love what. I just love the fans, I love the people.

1793
01:29:11,720 --> 01:29:14,160
Speaker 1: I just love that excitement. I think. I'm I'm so

1794
01:29:14,640 --> 01:29:17,240
Speaker 1: in love with like being on the road for those

1795
01:29:17,320 --> 01:29:19,519
Speaker 1: four days in these cities that I've never been to

1796
01:29:19,720 --> 01:29:24,759
Speaker 1: and these people that are screaming every song in another language.

1797
01:29:25,320 --> 01:29:27,479
Speaker 1: Do y'all even know what I'm saying. I don't even

1798
01:29:27,520 --> 01:29:30,479
Speaker 1: know if y'all know, But y'all are so pumped up

1799
01:29:30,600 --> 01:29:35,040
Speaker 1: and crying and turking and losing it men and women.

1800
01:29:35,880 --> 01:29:38,639
Speaker 1: I don't have no choice but to be at a hundred,

1801
01:29:38,840 --> 01:29:43,280
Speaker 1: like you understand. So I'm I love that. So await

1802
01:29:43,360 --> 01:29:46,479
Speaker 1: now I get back now and when I'm just home

1803
01:29:46,640 --> 01:29:50,320
Speaker 1: and I'm just in my own beautiful world, and I'm

1804
01:29:50,320 --> 01:29:52,519
Speaker 1: not doing anything. I just get bored. I have so

1805
01:29:52,600 --> 01:29:55,559
Speaker 1: much stuff happening. Oh, I'm not working. I'm not entertaining

1806
01:29:55,600 --> 01:29:57,400
Speaker 1: the people. I'm not performing, I'm not exciting the fans.

1807
01:29:58,000 --> 01:29:59,960
Speaker 1: What am I doing? I'm not doing anything. I don't

1808
01:30:00,000 --> 01:30:02,040
Speaker 1: wanna get a side today. I don't want to go

1809
01:30:02,080 --> 01:30:04,320
Speaker 1: in the yard today. I don't want to chill today.

1810
01:30:04,320 --> 01:30:05,840
Speaker 1: I want to go get on the stage and make

1811
01:30:05,880 --> 01:30:07,840
Speaker 1: the people go crazy. I want to take all my

1812
01:30:07,960 --> 01:30:09,439
Speaker 1: jury off and jump in the crowd like I just

1813
01:30:09,520 --> 01:30:11,559
Speaker 1: want to go back like that's the thing that pumps

1814
01:30:11,600 --> 01:30:12,920
Speaker 1: me up. So I don't know. That's what I love

1815
01:30:12,920 --> 01:30:15,280
Speaker 1: about it more than any of it, Like records, no

1816
01:30:15,439 --> 01:30:17,600
Speaker 1: record selling, I don't care. It's the fans. Is that

1817
01:30:18,000 --> 01:30:19,840
Speaker 1: the people that I when I get in the county

1818
01:30:19,880 --> 01:30:21,559
Speaker 1: that when I'm taking a picture, you start crying. I'm

1819
01:30:21,600 --> 01:30:23,680
Speaker 1: looking like you're gonna last. I'm not messing on my

1820
01:30:23,760 --> 01:30:26,360
Speaker 1: last shies, so you don't stop crying looking like. I

1821
01:30:26,560 --> 01:30:28,800
Speaker 1: love that. That's the thing that makes I love that

1822
01:30:29,080 --> 01:30:31,960
Speaker 1: like more than anything that is so dope. Man just

1823
01:30:32,120 --> 01:30:38,360
Speaker 1: makes some noise, do you know what? Because I'll be

1824
01:30:38,439 --> 01:30:40,680
Speaker 1: around certain artists and I see them flip on their

1825
01:30:40,760 --> 01:30:43,479
Speaker 1: flanks for just you know, sneaking a picture and taking

1826
01:30:43,520 --> 01:30:46,800
Speaker 1: a picture and it's like how you just described that,

1827
01:30:46,920 --> 01:30:49,479
Speaker 1: how you just that's so beautiful because the thing about

1828
01:30:49,560 --> 01:30:52,800
Speaker 1: it is, um, I always look like this is this

1829
01:30:52,960 --> 01:30:57,320
Speaker 1: is advantage for me because meaning they told me I

1830
01:30:57,439 --> 01:31:00,519
Speaker 1: was supposed to be dad. They like why how how

1831
01:31:00,600 --> 01:31:04,160
Speaker 1: I was living and for me to be I'm thirty nine,

1832
01:31:04,240 --> 01:31:08,519
Speaker 1: now I'll be forty. September, don't rush my ship. September

1833
01:31:08,800 --> 01:31:18,240
Speaker 1: timbers tomorrow, It's next month, Stumber six. I'm virgo. I'm

1834
01:31:33,240 --> 01:31:42,280
Speaker 1: but listen man If Miami's mixtape King um Trina Miami's Queen.

1835
01:31:44,000 --> 01:31:46,920
Speaker 1: We are so proud to have this episode and we

1836
01:31:47,040 --> 01:31:50,000
Speaker 1: want to let you know. Anytime you want to promote anything,

1837
01:31:50,280 --> 01:31:52,559
Speaker 1: we write it to crib. If we ain't at this spot,

1838
01:31:52,600 --> 01:31:55,960
Speaker 1: we're gonna be another spot. Everything that's WoT, but it's

1839
01:31:56,000 --> 01:31:58,720
Speaker 1: gonna be a Miami. Miami is our home. I'm gonna

1840
01:31:58,720 --> 01:32:01,920
Speaker 1: be starting to wrap up. I'm a rapper from Queens,

1841
01:32:02,000 --> 01:32:05,280
Speaker 1: New York, left Fract City on seven Avenue, Apartment five,

1842
01:32:08,520 --> 01:32:12,960
Speaker 1: Apartment five E. This is where I'm from. But because

1843
01:32:13,240 --> 01:32:16,600
Speaker 1: you never forget your obridginal address, you know what I mean. So,

1844
01:32:16,760 --> 01:32:20,280
Speaker 1: but I moved to Miami. Miami accepted me, Miami embraced

1845
01:32:20,320 --> 01:32:22,760
Speaker 1: me as their home. And I've been out here for

1846
01:32:22,880 --> 01:32:30,080
Speaker 1: over ten years. And yeah, I might be Miami differ

1847
01:32:30,160 --> 01:32:33,880
Speaker 1: from New York. No, because you know, relax. I can't

1848
01:32:33,880 --> 01:32:38,599
Speaker 1: relax in New York. Relax Miami. So um me being

1849
01:32:38,680 --> 01:32:41,960
Speaker 1: here and they're accepted us and me just following your

1850
01:32:42,040 --> 01:32:45,160
Speaker 1: career and just following what you you guys did in

1851
01:32:45,880 --> 01:32:48,240
Speaker 1: the platform. If we want to salute you, if we

1852
01:32:48,280 --> 01:32:52,479
Speaker 1: want to let you know that not just Miami, but

1853
01:32:52,640 --> 01:32:54,960
Speaker 1: hip hop loves you, and hip hop respects you, and

1854
01:32:55,120 --> 01:32:58,680
Speaker 1: hip hop suld always on you. And if they on him,

1855
01:32:58,720 --> 01:33:00,680
Speaker 1: you know where else did drink Chances would be the

1856
01:33:00,720 --> 01:33:04,360
Speaker 1: place that we hired you every single fucking moment, correct,

1857
01:33:07,439 --> 01:33:09,519
Speaker 1: because that's what we gotta continue to do. We gotta

1858
01:33:09,520 --> 01:33:16,760
Speaker 1: continue to sport legends. I want to say, Yeah, I

1859
01:33:18,600 --> 01:33:19,960
Speaker 1: let me just say, you know what, even if I

1860
01:33:20,000 --> 01:33:22,120
Speaker 1: tell you I curb, I curbed a couple of times.

1861
01:33:22,160 --> 01:33:26,639
Speaker 1: I curb the curve yond Queen, master of all curves Yond,

1862
01:33:26,840 --> 01:33:29,920
Speaker 1: that's me, you know what I mean? So when I

1863
01:33:29,960 --> 01:33:31,599
Speaker 1: say that, because you know you don't understand this whole

1864
01:33:31,680 --> 01:33:33,519
Speaker 1: this goss you know, I'm not a gossiping. But the

1865
01:33:33,560 --> 01:33:35,280
Speaker 1: thing about it is the reason I came to this

1866
01:33:35,400 --> 01:33:37,439
Speaker 1: and is out of respect, because you are a legend

1867
01:33:37,680 --> 01:33:40,200
Speaker 1: if they respect you. And you know, you remember you

1868
01:33:40,320 --> 01:33:42,880
Speaker 1: came to I was recording at a studio Circle House

1869
01:33:43,000 --> 01:33:44,680
Speaker 1: a couple of years ago. You shoot the video. I

1870
01:33:44,720 --> 01:33:46,800
Speaker 1: came out to jump in the video. I don't jump

1871
01:33:46,840 --> 01:33:49,120
Speaker 1: in nobody video. That's out of respect. It's for somebody

1872
01:33:49,120 --> 01:33:51,559
Speaker 1: that always have been respected and always showed me respect.

1873
01:33:51,840 --> 01:33:53,679
Speaker 1: That's the thing in the game that people don't understand,

1874
01:33:53,720 --> 01:33:55,920
Speaker 1: like it's a respecting and respect goes a long way,

1875
01:33:56,200 --> 01:33:57,240
Speaker 1: you know what I mean. And that's just one of

1876
01:33:57,240 --> 01:33:59,080
Speaker 1: the things that I've just came today because I did

1877
01:33:59,120 --> 01:34:01,320
Speaker 1: this because of that. You know I would have done

1878
01:34:01,320 --> 01:34:03,280
Speaker 1: it and that and that's the thing about me. The

1879
01:34:03,360 --> 01:34:07,160
Speaker 1: thing about me is um, that's all I'm about. Well

1880
01:34:07,200 --> 01:34:09,639
Speaker 1: I'm about is just like you. I always have fun.

1881
01:34:09,680 --> 01:34:13,280
Speaker 1: And the thing about me is, um, you know, I'm dyslexic.

1882
01:34:13,600 --> 01:34:16,840
Speaker 1: I was in the resource foments, been special education. People

1883
01:34:16,960 --> 01:34:22,760
Speaker 1: told me I was literally stupid, and that's what I

1884
01:34:22,800 --> 01:34:29,280
Speaker 1: don't care who laughing at So I said oh, and

1885
01:34:29,320 --> 01:34:32,559
Speaker 1: for me to get money off words, the exact thing

1886
01:34:32,680 --> 01:34:35,519
Speaker 1: they said I'm not good at. I always looked at

1887
01:34:35,560 --> 01:34:37,479
Speaker 1: it like I was playing with house money. So I

1888
01:34:37,600 --> 01:34:40,320
Speaker 1: always looked at it like I was up, even if

1889
01:34:40,680 --> 01:34:45,800
Speaker 1: down that you paid two dollars for my record. I

1890
01:34:45,880 --> 01:34:51,240
Speaker 1: didn't even use words, so so you know, I always

1891
01:34:51,280 --> 01:34:53,200
Speaker 1: looked at it like that. And I always looked and

1892
01:34:53,360 --> 01:34:55,479
Speaker 1: then now there's certain people who is books smart, and

1893
01:34:55,520 --> 01:34:58,920
Speaker 1: there's certain people is great with literature and words like that.

1894
01:34:59,040 --> 01:35:02,200
Speaker 1: But I because when you dyslexic doesn't mean you're stupid.

1895
01:35:02,439 --> 01:35:05,920
Speaker 1: It just means you have to learn different. So I

1896
01:35:06,200 --> 01:35:10,280
Speaker 1: learned different. And what I wanted to do was I said, damn.

1897
01:35:10,439 --> 01:35:12,400
Speaker 1: When me and my partner I got together, I said,

1898
01:35:12,439 --> 01:35:14,599
Speaker 1: you know what, there ain't no hip hop show. Who

1899
01:35:14,680 --> 01:35:17,560
Speaker 1: big up hip hop? That's big up hip hop and

1900
01:35:17,640 --> 01:35:19,920
Speaker 1: he's let's bigger and let's pick up our legends. That's

1901
01:35:19,960 --> 01:35:22,040
Speaker 1: that's there's so many people that they would get down.

1902
01:35:22,280 --> 01:35:24,280
Speaker 1: People want to tear them down and do not funk

1903
01:35:24,320 --> 01:35:27,160
Speaker 1: all that. Let's let's big him up, Let's say that's

1904
01:35:27,200 --> 01:35:30,720
Speaker 1: not let's happen. Let's have fun with them, especially if

1905
01:35:30,760 --> 01:35:33,560
Speaker 1: they're drinking. Let's have fun with them. So that's the

1906
01:35:33,600 --> 01:35:36,439
Speaker 1: reason why we ain't name me like nineties hip Hop

1907
01:35:36,560 --> 01:35:39,560
Speaker 1: Show or you know, Legend and Hip Hop Show. We

1908
01:35:39,960 --> 01:35:42,920
Speaker 1: wanted to know. It's called a drink champ. So if

1909
01:35:42,960 --> 01:35:45,439
Speaker 1: those people all, but this is what we're gonna the

1910
01:35:45,479 --> 01:35:48,160
Speaker 1: people who paved the way, the people who who've earned

1911
01:35:48,200 --> 01:35:51,080
Speaker 1: they striped. So you know, we're gonna big up everybody

1912
01:35:51,160 --> 01:35:54,000
Speaker 1: and all the new artists. But for now, you know,

1913
01:35:54,160 --> 01:35:57,680
Speaker 1: the new artists have a platform. Let's let's one day.

1914
01:35:57,720 --> 01:35:59,920
Speaker 1: I heard Fat Joe talking about, like, yo, he wants

1915
01:36:00,040 --> 01:36:03,120
Speaker 1: to know where you know, all the older artists, he

1916
01:36:03,160 --> 01:36:05,360
Speaker 1: could hear their music at all, he could hear something

1917
01:36:05,400 --> 01:36:10,000
Speaker 1: that they doing that besides the tradicial radio stations. And

1918
01:36:10,120 --> 01:36:13,519
Speaker 1: fuck it, we don't have to do that. Oh maybe

1919
01:36:13,600 --> 01:36:16,320
Speaker 1: we do. But we're gonna pick up our artists. Why

1920
01:36:16,320 --> 01:36:18,920
Speaker 1: are they fucking alive? And we're gonna continue to do

1921
01:36:19,080 --> 01:36:21,479
Speaker 1: this and and and we thank you so much Trena

1922
01:36:22,320 --> 01:36:28,280
Speaker 1: coming in here. You know, shots were usually pressuring people

1923
01:36:28,320 --> 01:36:34,040
Speaker 1: to do shots. I respected you. He came through and Yo,

1924
01:36:34,439 --> 01:36:37,120
Speaker 1: listen on the behalf of hip Hop on behalf of

1925
01:36:37,640 --> 01:36:40,960
Speaker 1: you know Miami as uh, what is it? What am

1926
01:36:41,000 --> 01:36:52,160
Speaker 1: I called um honorary Mimi as a person that just

1927
01:36:52,439 --> 01:36:55,400
Speaker 1: loves hip hop. We want to honor you. We want

1928
01:36:55,439 --> 01:36:57,839
Speaker 1: to say thank you for your continued years and success,

1929
01:36:58,160 --> 01:37:01,240
Speaker 1: your continue years of grinding people in this game. You know,

1930
01:37:01,439 --> 01:37:05,160
Speaker 1: sometimes you could lose and people would just go go away,

1931
01:37:05,800 --> 01:37:07,880
Speaker 1: and then we would miss them so much. Because hip hop,

1932
01:37:08,320 --> 01:37:10,080
Speaker 1: we got to continue. These people are out there at

1933
01:37:10,080 --> 01:37:12,840
Speaker 1: sixties seventy eight years old and rock and roll and

1934
01:37:13,160 --> 01:37:15,880
Speaker 1: jazz and all that, and they and they respect them.

1935
01:37:15,920 --> 01:37:18,400
Speaker 1: Why we can't have that for him? Who cares if

1936
01:37:18,479 --> 01:37:21,200
Speaker 1: jay Z is four years old and he dropped the joint?

1937
01:37:21,520 --> 01:37:23,040
Speaker 1: You know that's my brother. I don't mean, I ain't

1938
01:37:23,040 --> 01:37:27,960
Speaker 1: mean it like that. Now I'm scared. This nigga got

1939
01:37:28,120 --> 01:37:35,200
Speaker 1: every number. Man, call me what you just said? That?

1940
01:37:36,600 --> 01:37:40,080
Speaker 1: Like Jack, because he got the FBI. He followed me someone.

1941
01:37:40,640 --> 01:37:43,400
Speaker 1: But it's money love him. But you know what I'm saying, like,

1942
01:37:43,520 --> 01:37:46,320
Speaker 1: why are we ageless in hip hop? Like in hip

1943
01:37:46,360 --> 01:37:48,920
Speaker 1: hop they'll say, like, yo, you know this guy hit

1944
01:37:48,960 --> 01:37:51,960
Speaker 1: their certain plateau, so he you know, why why does

1945
01:37:52,040 --> 01:37:56,280
Speaker 1: that possible? Like when in rock and roll and and

1946
01:37:56,439 --> 01:37:59,280
Speaker 1: all these other genmas of music, people continue to make

1947
01:37:59,400 --> 01:38:01,320
Speaker 1: music and they can to you to sell out shows.

1948
01:38:02,280 --> 01:38:04,200
Speaker 1: Why do we have to be limited? I don't know.

1949
01:38:04,240 --> 01:38:05,680
Speaker 1: I know it's a funny thing that always happens in

1950
01:38:05,760 --> 01:38:07,400
Speaker 1: hip hop. Once you get more like once you've done

1951
01:38:07,439 --> 01:38:09,760
Speaker 1: so many records in it, and it's always knew people

1952
01:38:09,800 --> 01:38:12,000
Speaker 1: they always think, oh, well, you should stop the music,

1953
01:38:12,040 --> 01:38:13,360
Speaker 1: or you shouldn't do some of it with somebody else.

1954
01:38:13,360 --> 01:38:16,320
Speaker 1: I don't even understand that, because that doesn't mean you

1955
01:38:16,360 --> 01:38:19,200
Speaker 1: don't love Janney Jackson. That doesn't mean you don't love

1956
01:38:19,280 --> 01:38:21,200
Speaker 1: all these people that's out before you, because I do.

1957
01:38:21,400 --> 01:38:23,000
Speaker 1: I mean Mary J. Blige on the road right now,

1958
01:38:23,200 --> 01:38:26,040
Speaker 1: killing it, dancing poplock and dropping it, and I can't

1959
01:38:26,040 --> 01:38:28,720
Speaker 1: wait till show come to Miami. I'm there, like ready, Like,

1960
01:38:28,800 --> 01:38:30,800
Speaker 1: who's gonna say, Mary J. Blige can't put ot an album,

1961
01:38:30,800 --> 01:38:34,240
Speaker 1: put out a record on tour, Let's let's talk about you.

1962
01:38:34,520 --> 01:38:37,240
Speaker 1: Let me say we're not to talk about Beyonce. Like Beyonce,

1963
01:38:37,920 --> 01:38:41,320
Speaker 1: it's all the way until Eternity BC, after BC, whatever

1964
01:38:41,400 --> 01:38:45,599
Speaker 1: it's going to come before that's whatever. I like, I'm

1965
01:38:45,640 --> 01:38:47,640
Speaker 1: just gonna say, I'm like the Beyonce stand up, all

1966
01:38:47,720 --> 01:38:49,479
Speaker 1: stands of stands of stands of stands. I make the

1967
01:38:49,520 --> 01:38:52,640
Speaker 1: show like like like no makeup on, like in my

1968
01:38:52,960 --> 01:38:56,439
Speaker 1: untrained gear, like like do all the routines. So we're

1969
01:38:56,520 --> 01:38:59,479
Speaker 1: on that kind of way when it's a timeless thing,

1970
01:38:59,600 --> 01:39:01,760
Speaker 1: like she East the person that has paved the way

1971
01:39:01,800 --> 01:39:03,800
Speaker 1: and set the standard so high for women to be

1972
01:39:04,040 --> 01:39:09,040
Speaker 1: like the determined force of dependent and like never giving

1973
01:39:09,160 --> 01:39:11,519
Speaker 1: up no matter people Like if you talk about Beyonce,

1974
01:39:12,080 --> 01:39:15,120
Speaker 1: like you're a pointless, lifeless waste of a social Security number.

1975
01:39:15,240 --> 01:39:18,200
Speaker 1: That's being period. That's how I feel like I'm I'm

1976
01:39:18,280 --> 01:39:20,760
Speaker 1: in control of the I'm just saying you're you're a

1977
01:39:20,840 --> 01:39:22,800
Speaker 1: waste of a social Security number. If you're talking about

1978
01:39:22,800 --> 01:39:26,919
Speaker 1: Beyonce paved the way for women to be so fearless

1979
01:39:27,000 --> 01:39:30,360
Speaker 1: and so like high and just so amazing, you know,

1980
01:39:30,560 --> 01:39:32,760
Speaker 1: and and with so much dignity and so much and

1981
01:39:32,840 --> 01:39:35,320
Speaker 1: just so effortless and just grace and I mean it's

1982
01:39:35,360 --> 01:39:36,800
Speaker 1: a beautiful thing, you know what I mean. That's why

1983
01:39:36,840 --> 01:39:39,040
Speaker 1: I would love to see women in hip hop be

1984
01:39:39,240 --> 01:39:41,200
Speaker 1: that way, you know, because people are in hip hop

1985
01:39:41,280 --> 01:39:43,320
Speaker 1: that we love that's before us. Like everybody loves screen

1986
01:39:43,360 --> 01:39:46,200
Speaker 1: our teeth, everybody loves them, see like everybody loves missy Elly.

1987
01:39:46,240 --> 01:39:49,479
Speaker 1: Everybody loves these people. So who would say if Missy

1988
01:39:49,520 --> 01:39:51,240
Speaker 1: put out an album record, I don't want to hear that.

1989
01:39:51,280 --> 01:39:53,120
Speaker 1: Who who's gonna say she shouldn't put it out? Like,

1990
01:39:53,200 --> 01:39:54,720
Speaker 1: what are you talking about? This is a person that's

1991
01:39:54,760 --> 01:39:58,000
Speaker 1: an innovator, like a creator, like a person that's changed

1992
01:39:58,040 --> 01:40:00,320
Speaker 1: the game of music hip hop. Everything is gonna be

1993
01:40:00,439 --> 01:40:02,800
Speaker 1: totally like something to be reckoned with you and you

1994
01:40:02,880 --> 01:40:04,880
Speaker 1: known stand I'm saying. So you want to see that always,

1995
01:40:05,120 --> 01:40:07,439
Speaker 1: no matter who comes out next after that, you still

1996
01:40:07,479 --> 01:40:09,760
Speaker 1: want to see that. It doesn't mean because somebody new here,

1997
01:40:09,960 --> 01:40:11,479
Speaker 1: I don't care. I don't want to see Missy that.

1998
01:40:11,520 --> 01:40:13,320
Speaker 1: This is the person that'sressed on the super Bowl? Like

1999
01:40:13,640 --> 01:40:15,479
Speaker 1: how do you not want to see that? You know

2000
01:40:15,520 --> 01:40:17,559
Speaker 1: what I mean? It's hip hop, It's just a culture.

2001
01:40:17,920 --> 01:40:20,759
Speaker 1: It's just music. It's evolutionary. You cannot change, you cannot

2002
01:40:20,800 --> 01:40:22,840
Speaker 1: take it away no matter how you try, you know,

2003
01:40:23,080 --> 01:40:33,439
Speaker 1: and beyonceade half the partner or whatever. It's just I'm

2004
01:40:33,479 --> 01:40:35,839
Speaker 1: gonna just tell you as a man, when she dropped Lemonade,

2005
01:40:36,000 --> 01:40:43,240
Speaker 1: it was a real nig reunion you. But it makes

2006
01:40:43,360 --> 01:40:46,280
Speaker 1: women also be like more secure and more like comforting

2007
01:40:46,320 --> 01:40:48,639
Speaker 1: and more and just be more like on your ship

2008
01:40:48,720 --> 01:40:50,680
Speaker 1: and like just want to have it together and it's

2009
01:40:50,720 --> 01:40:53,400
Speaker 1: not really about a minute about yourself. You gotta under

2010
01:40:53,439 --> 01:40:55,840
Speaker 1: saying it'sself first, because even with a man, you can't

2011
01:40:55,880 --> 01:40:58,160
Speaker 1: do nothing with that. If you're not right within yourself,

2012
01:40:58,520 --> 01:41:01,200
Speaker 1: you gotta mess that whole situation up. If you're not right,

2013
01:41:01,280 --> 01:41:04,320
Speaker 1: you gotta be you first. Everything else gotta follow, period,

2014
01:41:04,760 --> 01:41:13,280
Speaker 1: damn period else. She killed this. I ain't gonna lie.

2015
01:41:14,479 --> 01:41:20,120
Speaker 1: She's gonna make all girls gonna want to come. Yeah, yeah,

2016
01:41:20,120 --> 01:41:22,120
Speaker 1: because yeah, I ain't gonna You know, that's that's our

2017
01:41:22,240 --> 01:41:24,360
Speaker 1: that's our questions. We asked all the guys like you,

2018
01:41:24,520 --> 01:41:27,120
Speaker 1: you asked and so you know some girls probably looked

2019
01:41:27,120 --> 01:41:29,720
Speaker 1: at our Well, it's a very intimid thing where you

2020
01:41:29,760 --> 01:41:31,599
Speaker 1: got like a guy showing these guys and you want

2021
01:41:31,600 --> 01:41:33,160
Speaker 1: to you want to bring this one girl, and all

2022
01:41:33,240 --> 01:41:40,080
Speaker 1: you guys are like hovering around like because he said

2023
01:41:40,080 --> 01:41:46,840
Speaker 1: you'll ever your chair. So seeing when you have a

2024
01:41:46,920 --> 01:41:48,840
Speaker 1: woman that comes, you have to be a very strong woman,

2025
01:41:49,640 --> 01:41:52,800
Speaker 1: very secure, confident woman to come and being a way

2026
01:41:52,880 --> 01:41:55,240
Speaker 1: to stand in for all these guys and be thinking

2027
01:41:55,280 --> 01:41:57,479
Speaker 1: they're gonna attack. You want to get stand for that,

2028
01:41:57,600 --> 01:41:59,680
Speaker 1: you know what I mean. But that's the perspective and

2029
01:42:00,000 --> 01:42:02,200
Speaker 1: exception of it. So you have to understand that women

2030
01:42:02,200 --> 01:42:08,120
Speaker 1: are a little bit more shows. Yes, yes, and you have.

2031
01:42:19,960 --> 01:42:21,519
Speaker 1: Before we get out of here, we just want to

2032
01:42:21,560 --> 01:42:24,000
Speaker 1: remind you that you can buy drink Champs gear at

2033
01:42:24,040 --> 01:42:26,719
Speaker 1: your local dtil our store, so look up the store

2034
01:42:26,760 --> 01:42:29,280
Speaker 1: nearest to you. You can also buy drink Champs gear

2035
01:42:29,560 --> 01:42:32,439
Speaker 1: and other merch at drink Champs dot com or eight

2036
01:42:32,520 --> 01:42:35,360
Speaker 1: and nine dot com. Check us on Revolt TV every

2037
01:42:35,439 --> 01:42:38,920
Speaker 1: Thursday night at ten pm, then unedited audio drops Monday

2038
01:42:39,040 --> 01:42:42,200
Speaker 1: nights going into Tuesday at midnight. Then check for the

2039
01:42:42,280 --> 01:42:46,200
Speaker 1: unnaited video Wednesday's on Revolt dot Tv, drink Champs dot com,

2040
01:42:46,520 --> 01:42:48,840
Speaker 1: or you can go directly to YouTube. Look out for

2041
01:42:48,920 --> 01:42:52,200
Speaker 1: Nori's new food show coming soon as as new project

2042
01:42:52,280 --> 01:42:56,040
Speaker 1: featuring the upcoming single Uno mass produced and featuring Farrell.

2043
01:42:56,640 --> 01:42:59,799
Speaker 1: Check from my Coming Home documentaries Coming Home Vietnam documentary

2044
01:42:59,880 --> 01:43:03,280
Speaker 1: right now currently airing on Revolt TV and coming soon

2045
01:43:03,680 --> 01:43:07,160
Speaker 1: Coming Home Colombia. Follow us at Drink Champs on I G,

2046
01:43:07,640 --> 01:43:10,960
Speaker 1: Twitter and Facebook, and Nori at the Real Noriega on

2047
01:43:11,080 --> 01:43:15,080
Speaker 1: Instagram at Noriega on Twitter and me e fn at

2048
01:43:15,120 --> 01:43:17,360
Speaker 1: Who's Crazy on i g and at d J e

2049
01:43:17,479 --> 01:43:19,760
Speaker 1: F and on Twitter and until next week we had

2050
01:43:19,840 --> 01:43:23,240
Speaker 1: to hear peace. Yes, indeed, as we sign off the

2051
01:43:23,360 --> 01:43:27,120
Speaker 1: number one podcast in the motherfucking world, drink Champs and

2052
01:43:27,479 --> 01:43:30,559
Speaker 1: y E d j e FN signing off your board,

2053
01:43:30,640 --> 01:43:39,120
Speaker 1: DJ butch Rock listen, don't forget you. I don't know

2054
01:43:39,479 --> 01:43:45,160
Speaker 1: we can copy this right now on iTunes. Nor are

2055
01:43:45,200 --> 01:43:59,880
Speaker 1: you featuring for roll? Say to your eyes, I think

2056
01:44:00,040 --> 01:44:09,240
Speaker 1: you need don't want to, Ned said of me, nine, Yeah,

2057
01:44:10,080 --> 01:44:13,320
Speaker 1: it's my duty to healthy snap back talking were every

2058
01:44:13,479 --> 01:44:16,599
Speaker 1: long gone long year. Let go what you cannot take

2059
01:44:16,720 --> 01:44:20,360
Speaker 1: back and take this mom anymore. House one was like,

2060
01:44:20,520 --> 01:44:22,559
Speaker 1: you have any of my running shoes? Thought that nothing

2061
01:44:22,640 --> 01:44:24,599
Speaker 1: I can do? Man, I had it wrong and something

2062
01:44:24,760 --> 01:44:26,800
Speaker 1: up in my eyes make myself a seem morize. And

2063
01:44:26,880 --> 01:44:30,559
Speaker 1: they told me that a twenty year career. I hope

2064
01:44:30,560 --> 01:44:32,920
Speaker 1: you understand. I used to picture to block. I didn't

2065
01:44:32,920 --> 01:44:34,559
Speaker 1: it under hand. On the hand, they said, I never

2066
01:44:34,600 --> 01:44:37,160
Speaker 1: gonna make it, never beat butch and I agree with

2067
01:44:37,280 --> 01:44:41,960
Speaker 1: the micy such so I celebrate life, life, the shots,

2068
01:44:42,040 --> 01:44:45,760
Speaker 1: this one ice sight size baby. We're gonna drink more, Yeah,

2069
01:44:45,960 --> 01:44:52,200
Speaker 1: like swoop more coney down my baby. Just feel don't

2070
01:44:52,280 --> 01:44:56,720
Speaker 1: think for me, blab it just feel I'm being the

2071
01:44:56,880 --> 01:45:03,479
Speaker 1: shrinking late Ye. Just one more clink women, baby, yo,

2072
01:45:03,640 --> 01:45:07,160
Speaker 1: y'all tell y'all, yes, ad, let's go. I want to

2073
01:45:07,240 --> 01:45:09,560
Speaker 1: make money, money, want to make more. She want to

2074
01:45:09,600 --> 01:45:12,679
Speaker 1: fly away, she wanna take off. She won't eat lobsters.

2075
01:45:12,720 --> 01:45:16,320
Speaker 1: You wanna drink wine in the world is not so

2076
01:45:16,560 --> 01:45:18,360
Speaker 1: you know, it's weird. They're trying to fake you, to

2077
01:45:18,439 --> 01:45:20,560
Speaker 1: fake pay and take to love. Okays will hate you

2078
01:45:20,760 --> 01:45:25,120
Speaker 1: well when one way or the other. Less start now, girl,

2079
01:45:25,600 --> 01:45:28,920
Speaker 1: it's my duty and healthy snap back to get world's

2080
01:45:29,000 --> 01:45:32,280
Speaker 1: long long yard. Let go what you cannot take that

2081
01:45:32,520 --> 01:45:36,720
Speaker 1: and take them anymore? Ones like you have me and

2082
01:45:36,800 --> 01:45:38,960
Speaker 1: my running shoes starting. Nothing I can do. Man, I

2083
01:45:39,000 --> 01:45:41,200
Speaker 1: had it wrong because something up in my eyes. Make

2084
01:45:41,240 --> 01:45:48,080
Speaker 1: myself a seam rise and drinking make no one just

2085
01:45:48,280 --> 01:45:52,320
Speaker 1: kill don't think with me this thing like Bruno master

2086
01:45:52,439 --> 01:45:56,479
Speaker 1: week got be the shrinking needle And yes I did,

2087
01:45:57,439 --> 01:46:04,360
Speaker 1: just watch right clink women, baby, Yeah, she wanted one more.

2088
01:46:04,560 --> 01:46:07,200
Speaker 1: I'm wanted one more. One wanta ignored your last cold?

2089
01:46:07,280 --> 01:46:10,000
Speaker 1: I want more on the bottom. So we always celebrated

2090
01:46:10,600 --> 01:46:14,120
Speaker 1: for the bottom. We always celebrated. Can't help that. I

2091
01:46:14,200 --> 01:46:16,360
Speaker 1: want to help that, I want to say what life for?

2092
01:46:16,400 --> 01:46:18,840
Speaker 1: I don't He felt that she's a good one, and

2093
01:46:18,920 --> 01:46:21,160
Speaker 1: I agree with I just want to get drunk and

2094
01:46:21,240 --> 01:46:24,360
Speaker 1: go be with us, my Ludy, the healthy snap back

2095
01:46:24,439 --> 01:46:27,479
Speaker 1: and leave you with every long one. Let go what

2096
01:46:27,720 --> 01:46:32,040
Speaker 1: you cannot take back and take the mom anymore. II

2097
01:46:32,160 --> 01:46:34,160
Speaker 1: one's like you. How many of my running she was

2098
01:46:34,200 --> 01:46:36,160
Speaker 1: doting nothing I can do, man, I had it wrong

2099
01:46:36,360 --> 01:46:38,599
Speaker 1: and summing up in my eyes make myself a seeming

2100
01:46:38,680 --> 01:46:41,080
Speaker 1: rise and then told me that I can't have strength

2101
01:46:41,160 --> 01:46:44,479
Speaker 1: from me, babe. That's how we're feeling out. Mom one

2102
01:46:44,680 --> 01:46:49,120
Speaker 1: just still don't think for me blavor like Moscau. We

2103
01:46:49,360 --> 01:46:53,280
Speaker 1: got get the street lady, yeah yeah, yeah, yeah yeah.

2104
01:46:54,120 --> 01:46:59,719
Speaker 1: Just want more clink with me, baby, yeah yeah yeah.

2105
01:47:01,320 --> 01:47:07,160
Speaker 1: That's how we felt out one more every last we do.

2106
01:47:07,320 --> 01:47:10,479
Speaker 1: We get y'all available on our tunes right now. Who

2107
01:47:10,560 --> 01:47:18,960
Speaker 1: know my signing off butch Rod no one more? Who

2108
01:47:19,800 --> 01:47:23,360
Speaker 1: je whatever, whatever, whatever, whatever,