1 00:00:00,280 --> 00:00:02,040 Speaker 1: The Nikki Gliser Podcast. 2 00:00:07,200 --> 00:00:12,360 Speaker 2: Nik Glaser, here's Nikki. Hello here, I am welcome to 3 00:00:12,400 --> 00:00:12,640 Speaker 2: the show. 4 00:00:12,640 --> 00:00:17,120 Speaker 3: It's Nicky Glazer Podcast. Exciting day on the show. Welcoming 5 00:00:17,440 --> 00:00:19,919 Speaker 3: back to the show. She used to be a regular 6 00:00:19,960 --> 00:00:21,280 Speaker 3: on it. She's been away for a bit. 7 00:00:21,320 --> 00:00:21,920 Speaker 2: She's back. 8 00:00:22,680 --> 00:00:24,560 Speaker 3: She has a new album out. You just heard her 9 00:00:24,640 --> 00:00:26,000 Speaker 3: voice before you even hear heard mine. 10 00:00:26,040 --> 00:00:26,920 Speaker 2: It's Onya Marina. 11 00:00:27,080 --> 00:00:29,640 Speaker 3: She's with us today via zoom. 12 00:00:30,320 --> 00:00:31,160 Speaker 2: What's up? Anya? 13 00:00:31,720 --> 00:00:34,640 Speaker 3: So happy you're here. Noah and Brian are also here. 14 00:00:34,720 --> 00:00:38,440 Speaker 3: I'm in Saint Louis in my studio. Noah's in Arizona. 15 00:00:38,760 --> 00:00:42,000 Speaker 3: Brian's in La Anyas in New York. We're holding down 16 00:00:42,120 --> 00:00:46,800 Speaker 3: all of the time. Waitter you mountain time zone, Noah, 17 00:00:46,800 --> 00:00:47,879 Speaker 3: I forgot what Arizona does. 18 00:00:48,000 --> 00:00:49,800 Speaker 2: I have no idea what times with Arizona? 19 00:00:50,520 --> 00:00:52,959 Speaker 1: I thought, I know, So what does that mean for them? 20 00:00:53,000 --> 00:00:54,959 Speaker 2: Right now? You know what I mean. I just go 21 00:00:55,040 --> 00:00:59,840 Speaker 2: by your time. So I'm in Central time. What is 22 00:00:59,840 --> 00:01:01,480 Speaker 2: it time? What time is it to you? Right now? 23 00:01:02,400 --> 00:01:05,240 Speaker 2: It's nine ten am. Okay, your Pacific. 24 00:01:04,959 --> 00:01:10,160 Speaker 3: Western So we don't have mountain times represented today, But 25 00:01:10,200 --> 00:01:12,759 Speaker 3: shout out to all those people on the slopes right now. 26 00:01:13,440 --> 00:01:15,160 Speaker 3: I don't even know if they're on the slopes right now. 27 00:01:15,160 --> 00:01:17,360 Speaker 3: It is like in eighty six degrees in Saint Louis. 28 00:01:17,360 --> 00:01:19,400 Speaker 3: It's October thirty. First. I think we're setting We set 29 00:01:19,400 --> 00:01:22,840 Speaker 3: a record yesterday for the highest temperature ever this late 30 00:01:23,000 --> 00:01:26,080 Speaker 3: in the game. How's the weather where you guys are? 31 00:01:26,400 --> 00:01:29,160 Speaker 3: Is that interesting? No, let's skip it. Wait unless it is. 32 00:01:29,160 --> 00:01:29,840 Speaker 3: Is it interesting? 33 00:01:31,040 --> 00:01:33,640 Speaker 1: The weather is not interesting over here. But I'm excited 34 00:01:33,640 --> 00:01:35,640 Speaker 1: that we keep breaking new records. I mean, we're an 35 00:01:35,640 --> 00:01:36,200 Speaker 1: amazing shit. 36 00:01:36,240 --> 00:01:41,480 Speaker 3: It's so fun us A yeah, you s yeah, that 37 00:01:41,560 --> 00:01:44,800 Speaker 3: is good. It does make climate change fun when you 38 00:01:44,880 --> 00:01:47,080 Speaker 3: are like breaking records. 39 00:01:47,280 --> 00:01:49,080 Speaker 2: It sounds like the Olympics. 40 00:01:49,320 --> 00:01:52,920 Speaker 1: Yeah, broke the record for fastest death of the world. 41 00:01:53,760 --> 00:01:59,800 Speaker 4: Yeah, ilieve people aren't though. Oh climate news, Yeah, I 42 00:02:00,040 --> 00:02:02,680 Speaker 4: can't do it right now what it is, but I 43 00:02:02,720 --> 00:02:05,120 Speaker 4: do remember seeing it on Instagram, which is where I 44 00:02:05,120 --> 00:02:05,720 Speaker 4: get my news. 45 00:02:05,840 --> 00:02:06,880 Speaker 2: There was something good. 46 00:02:06,920 --> 00:02:12,360 Speaker 4: There is something good. Yeah, this is the first time 47 00:02:12,480 --> 00:02:15,720 Speaker 4: in many years that the planet actually isn't getting hotter. 48 00:02:16,040 --> 00:02:20,320 Speaker 3: I don't know, can't be true, but that absolutely can't 49 00:02:20,320 --> 00:02:20,720 Speaker 3: be true. 50 00:02:20,800 --> 00:02:27,360 Speaker 4: It's it's science. Like science, I can look at the. 51 00:02:29,200 --> 00:02:31,600 Speaker 2: Thing that always kind of relaxes my body. 52 00:02:31,600 --> 00:02:34,280 Speaker 3: When I get tense about climate change is that when 53 00:02:34,280 --> 00:02:37,880 Speaker 3: people go, no, the planet's totally fine, don't worry, the 54 00:02:37,919 --> 00:02:40,040 Speaker 3: planet is good to go. 55 00:02:40,720 --> 00:02:44,680 Speaker 2: We are dying. We're going to die off. 56 00:02:45,320 --> 00:02:47,560 Speaker 3: It is going to it's heating up like a fever 57 00:02:47,800 --> 00:02:49,679 Speaker 3: does when your body gets a fever. It's trying to 58 00:02:49,720 --> 00:02:52,040 Speaker 3: fight an infection. We're an infection that it's trying to 59 00:02:52,240 --> 00:02:55,960 Speaker 3: fight off, and and it's just going through its naturals 60 00:02:55,960 --> 00:02:59,320 Speaker 3: and and all life will probably die off, but we 61 00:02:59,360 --> 00:03:04,119 Speaker 3: will actually no, not all, no, no. Even when the 62 00:03:04,200 --> 00:03:08,480 Speaker 3: asteroid hit back in what year. 63 00:03:08,400 --> 00:03:11,799 Speaker 2: Was that when that fucking thing hit that I read about. 64 00:03:11,600 --> 00:03:14,000 Speaker 1: The New York nobody knows the actual year. 65 00:03:14,120 --> 00:03:16,320 Speaker 3: Well, that's what I'm setting up for. On his album 66 00:03:16,440 --> 00:03:18,720 Speaker 3: is called Asteroid, So another asteroid just hit. 67 00:03:19,040 --> 00:03:19,679 Speaker 2: A great. 68 00:03:21,800 --> 00:03:23,440 Speaker 3: On his album is called Asteroid, which is like the 69 00:03:23,480 --> 00:03:28,000 Speaker 3: coolest name for an album ever. It's, uh, how did 70 00:03:28,000 --> 00:03:29,960 Speaker 3: you decide on that being the name? I think I 71 00:03:30,040 --> 00:03:31,560 Speaker 3: was like in the car with you maybe when you 72 00:03:31,600 --> 00:03:32,359 Speaker 3: were like should it be this? 73 00:03:33,960 --> 00:03:36,680 Speaker 4: Well, there's a song on there called Asteroid that's about 74 00:03:36,800 --> 00:03:39,960 Speaker 4: like just being depressed and walking out into nature and 75 00:03:40,040 --> 00:03:42,520 Speaker 4: just being like fuck everything. When you have a fight 76 00:03:42,560 --> 00:03:44,680 Speaker 4: with somebody and you're just like, how have I done 77 00:03:44,720 --> 00:03:44,960 Speaker 4: all this? 78 00:03:45,040 --> 00:03:46,160 Speaker 2: You have a fight with Matt Pond. 79 00:03:46,640 --> 00:03:52,960 Speaker 3: Yeah, it's a very specific a song too relate to. Yeah, Okay, 80 00:03:52,960 --> 00:03:54,240 Speaker 3: So when you have a fight with someone and you 81 00:03:54,240 --> 00:03:55,880 Speaker 3: walk out into nature and. 82 00:03:56,040 --> 00:03:57,760 Speaker 4: When you're just like, have you ever had this where 83 00:03:57,760 --> 00:03:59,440 Speaker 4: you're like, how am I in the midst of a 84 00:03:59,440 --> 00:04:01,520 Speaker 4: fight like a seven year old? And I've done so 85 00:04:01,720 --> 00:04:03,800 Speaker 4: much work on myself, how is that possible? 86 00:04:03,880 --> 00:04:05,040 Speaker 1: And then you go out in the woods and you 87 00:04:05,080 --> 00:04:07,720 Speaker 1: think about how all the dinosaurs are dead and what's 88 00:04:07,760 --> 00:04:08,240 Speaker 1: the point? 89 00:04:08,640 --> 00:04:11,360 Speaker 4: Totally I do. I go into nature a lot. I 90 00:04:11,400 --> 00:04:12,840 Speaker 4: need to go on walks a lot. And so I 91 00:04:12,880 --> 00:04:16,080 Speaker 4: went for a walk this particular day and was just like, oh, 92 00:04:16,120 --> 00:04:19,200 Speaker 4: I just want to fucking get hit by an asteroid 93 00:04:19,279 --> 00:04:22,480 Speaker 4: or something. And I and I was thinking about that, 94 00:04:22,560 --> 00:04:25,039 Speaker 4: like just picturing like laying down in a field and 95 00:04:25,080 --> 00:04:27,560 Speaker 4: staring up at the sky. And sometimes that puts me 96 00:04:27,600 --> 00:04:31,160 Speaker 4: in a good mood, and sometimes I like the eeriness 97 00:04:31,240 --> 00:04:32,800 Speaker 4: of it. There's a line in the song about like 98 00:04:32,920 --> 00:04:35,760 Speaker 4: the asteroid coming right for me, so I like that. 99 00:04:35,839 --> 00:04:37,400 Speaker 1: It's quickly positive. 100 00:04:38,279 --> 00:04:41,279 Speaker 3: Maybe that used to be my childhood fear. I wouldn't 101 00:04:41,360 --> 00:04:42,960 Speaker 3: like to go look at the stars in Michigan. We 102 00:04:42,960 --> 00:04:45,360 Speaker 3: would go to Michigan and it's so dark up there, 103 00:04:45,400 --> 00:04:47,400 Speaker 3: like there's not a lot of like you know, light 104 00:04:47,480 --> 00:04:50,920 Speaker 3: around you. So at night you can see all the stars. 105 00:04:51,080 --> 00:04:51,240 Speaker 4: You know. 106 00:04:51,279 --> 00:04:53,520 Speaker 3: It's like so cool to go out and sit on 107 00:04:53,560 --> 00:04:56,880 Speaker 3: the dock. It's so dark. And I used to be 108 00:04:57,000 --> 00:04:59,440 Speaker 3: terrified too, because if I I was scared of one 109 00:04:59,480 --> 00:05:01,760 Speaker 3: of the shootings, hers is gonna like fall on me. 110 00:05:01,960 --> 00:05:03,800 Speaker 3: Same with fireworks, but like what a. 111 00:05:05,160 --> 00:05:07,960 Speaker 1: That's crazy because they could all those things could fall 112 00:05:08,000 --> 00:05:09,640 Speaker 1: on you during the day too or anything. 113 00:05:09,720 --> 00:05:12,440 Speaker 3: Yeah, And also who do I think I am that's 114 00:05:12,440 --> 00:05:14,640 Speaker 3: gonna hit me? Like, I think that's why when when 115 00:05:14,640 --> 00:05:16,040 Speaker 3: people say I'm gonna die in a plane crash, I 116 00:05:16,040 --> 00:05:17,919 Speaker 3: always go, You're not special enough. And someone told me 117 00:05:17,960 --> 00:05:21,159 Speaker 3: that recently that I said that to them years ago, 118 00:05:21,160 --> 00:05:22,719 Speaker 3: and they were like, it helps me all the time 119 00:05:22,760 --> 00:05:26,000 Speaker 3: because you harshly were like, you're not that special that 120 00:05:26,040 --> 00:05:27,680 Speaker 3: you're gonna be the one that gets to die. And 121 00:05:27,720 --> 00:05:30,520 Speaker 3: like a passenger jet crashing like one of the only 122 00:05:30,600 --> 00:05:35,160 Speaker 3: ones that's happened in this you are, Kobe. 123 00:05:34,160 --> 00:05:35,760 Speaker 2: Well, that wasn't a passenger jet. 124 00:05:35,839 --> 00:05:39,640 Speaker 3: I mean, like people who fly Southwest Delta United, Like 125 00:05:39,800 --> 00:05:42,279 Speaker 3: those flights don't go down, you guys like in America, 126 00:05:42,320 --> 00:05:49,919 Speaker 3: like we maybe like Malaysian Air. I'm egypt Who well 127 00:05:50,360 --> 00:05:53,520 Speaker 3: those flights. I'm not trying. I'm not being racist when 128 00:05:53,520 --> 00:05:55,320 Speaker 3: I say this, but like I feel like most times 129 00:05:55,320 --> 00:05:57,720 Speaker 3: when I hear about a passenger jet going. 130 00:05:57,480 --> 00:06:01,800 Speaker 1: Down, it's it's no, it's not me. 131 00:06:02,520 --> 00:06:04,680 Speaker 3: I've researched it. I mean there have been ones. There 132 00:06:04,800 --> 00:06:07,480 Speaker 3: was one right after September eleventh that got no love 133 00:06:07,600 --> 00:06:09,720 Speaker 3: because we were still like about September eleventh, and then 134 00:06:09,720 --> 00:06:11,320 Speaker 3: as soon as we realized it wasn't a terrorist attack, 135 00:06:11,320 --> 00:06:13,360 Speaker 3: we were like moving on, but it crashed in Long Island. 136 00:06:13,800 --> 00:06:16,080 Speaker 1: There was one, but to be fair, that plane was 137 00:06:16,120 --> 00:06:17,800 Speaker 1: filled with people from Malaysia. 138 00:06:19,000 --> 00:06:21,400 Speaker 4: Pushing the Malaysia thing stop. 139 00:06:21,600 --> 00:06:22,360 Speaker 2: I just met. 140 00:06:22,400 --> 00:06:24,840 Speaker 3: Like, you know, if you're a scared traveler and you're 141 00:06:24,880 --> 00:06:28,160 Speaker 3: scared of flying, truly think about that, like you're you're 142 00:06:28,200 --> 00:06:30,800 Speaker 3: not that important. It's like that's gonna happen. That's you're 143 00:06:30,839 --> 00:06:31,839 Speaker 3: not gonna win the lottery. 144 00:06:31,960 --> 00:06:34,599 Speaker 1: You're not gonna a guy of cancer or heart attack, 145 00:06:34,720 --> 00:06:35,200 Speaker 1: just like. 146 00:06:36,480 --> 00:06:40,680 Speaker 4: A normal childhood thing. I remember when I skipped school 147 00:06:40,720 --> 00:06:45,400 Speaker 4: one day and I was like, oh, TV still happens 148 00:06:45,880 --> 00:06:46,920 Speaker 4: when I am at home. 149 00:06:47,080 --> 00:06:50,480 Speaker 3: Yes, yes, because you are still learning that like thing, 150 00:06:50,800 --> 00:06:53,360 Speaker 3: like you don't know that other people have experiences. 151 00:06:53,360 --> 00:06:54,880 Speaker 2: What is it called when you like learn that as 152 00:06:54,880 --> 00:06:55,160 Speaker 2: a child. 153 00:06:55,200 --> 00:06:56,840 Speaker 1: I think I asked us on this podcast. 154 00:06:56,839 --> 00:06:57,480 Speaker 2: A million times. 155 00:06:57,520 --> 00:06:58,480 Speaker 1: Yeah. Yeah. 156 00:06:59,000 --> 00:07:01,120 Speaker 3: My dog also doesn't have object permanence. That's why we 157 00:07:01,120 --> 00:07:03,520 Speaker 3: can all do those TikTok challenges where you like put 158 00:07:03,600 --> 00:07:05,160 Speaker 3: up a sheet and then your dog is looking at you, 159 00:07:05,200 --> 00:07:06,680 Speaker 3: and then you run another room and you drop the 160 00:07:06,720 --> 00:07:09,960 Speaker 3: sheet and the dog is like. One of my favorite 161 00:07:09,960 --> 00:07:11,400 Speaker 3: things is when I take my dog to the park 162 00:07:11,440 --> 00:07:13,280 Speaker 3: off leash and she's just kind of like. 163 00:07:13,200 --> 00:07:14,200 Speaker 2: Getting a little brazen. 164 00:07:14,240 --> 00:07:15,680 Speaker 3: I'm like, oh, she hasn't checked in on me in 165 00:07:15,680 --> 00:07:17,600 Speaker 3: a little bit. And then I run behind a tree 166 00:07:17,880 --> 00:07:21,080 Speaker 3: and I watch her like sniffing something, and then I 167 00:07:21,120 --> 00:07:23,240 Speaker 3: see her go to like, oh, where's my owner? 168 00:07:23,440 --> 00:07:24,400 Speaker 2: And then like go to look and. 169 00:07:24,400 --> 00:07:26,840 Speaker 3: Then she's like and then she freaks out and starts 170 00:07:26,840 --> 00:07:27,520 Speaker 3: like trotting around. 171 00:07:27,520 --> 00:07:28,160 Speaker 2: It's so cute. 172 00:07:28,240 --> 00:07:30,360 Speaker 3: It reminds me that I'm special and that I'm loved 173 00:07:30,640 --> 00:07:31,720 Speaker 3: and that she does care. 174 00:07:32,360 --> 00:07:33,120 Speaker 2: And do you ever do that? 175 00:07:33,120 --> 00:07:35,080 Speaker 1: How does that? You think? Like maybe one day, I 176 00:07:35,080 --> 00:07:36,360 Speaker 1: will die in a plane. Correct. 177 00:07:36,520 --> 00:07:39,559 Speaker 4: Yeah, yeah, yeah, it reminds them who's boss. 178 00:07:39,640 --> 00:07:39,840 Speaker 3: Due. 179 00:07:39,840 --> 00:07:42,240 Speaker 4: Matt and I always like play dead around the house, 180 00:07:42,240 --> 00:07:44,120 Speaker 4: which is fun. Or we'll hide and we'll see how 181 00:07:44,120 --> 00:07:46,040 Speaker 4: good her sense of smell is. We'll like hide in 182 00:07:46,080 --> 00:07:50,400 Speaker 4: the basement. Oh and pretend we're dead. It's probably mean. 183 00:07:51,240 --> 00:07:53,160 Speaker 3: You're dead, is the weird part of it. I think 184 00:07:53,440 --> 00:07:56,080 Speaker 3: hiding is one thing but that you have to put 185 00:07:56,120 --> 00:07:58,360 Speaker 3: in like your debt, like you need you want to 186 00:07:58,400 --> 00:08:00,440 Speaker 3: see if your dog would be sad if you die. Yeah. 187 00:08:00,480 --> 00:08:01,720 Speaker 4: My sister and I used to do it to my 188 00:08:01,800 --> 00:08:02,720 Speaker 4: dad all the time too, Like. 189 00:08:02,760 --> 00:08:06,280 Speaker 3: Yeah, I was gonna say, this is a childhood thing, like, Daddy, 190 00:08:07,480 --> 00:08:11,520 Speaker 3: let me know that you care, duddy. Yeah. When you're 191 00:08:11,560 --> 00:08:14,520 Speaker 3: a kid, you're just like so selfish you don't know 192 00:08:14,800 --> 00:08:17,400 Speaker 3: about That's why it's so amazing when they're like little 193 00:08:17,480 --> 00:08:22,920 Speaker 3: kids that you know, do like a a food drive 194 00:08:23,040 --> 00:08:26,200 Speaker 3: or like they like earn money for the local animal shelter. 195 00:08:26,320 --> 00:08:31,120 Speaker 3: When kids like have a heart, it's so beautiful and 196 00:08:31,160 --> 00:08:33,400 Speaker 3: because it's not really that natural for them to like, 197 00:08:34,000 --> 00:08:36,200 Speaker 3: I mean, I think it for them to be caring 198 00:08:36,240 --> 00:08:38,480 Speaker 3: and sweet, but like for them to like think about 199 00:08:38,480 --> 00:08:41,760 Speaker 3: the world a bigger world than themselves is. I mean, 200 00:08:41,800 --> 00:08:43,960 Speaker 3: for anyone to do that is fucking rare. I mean 201 00:08:44,280 --> 00:08:48,880 Speaker 3: anyone who like my assistant, I'll sometimes say like hey, uh, 202 00:08:48,920 --> 00:08:51,120 Speaker 3: can I get this information? She's like, oh yeah, I'll 203 00:08:51,120 --> 00:08:52,440 Speaker 3: do it when I get home. And then she's like, sorry, 204 00:08:52,480 --> 00:08:56,200 Speaker 3: I was volunteering. I'm like, what where? She volunteers at 205 00:08:56,200 --> 00:08:59,840 Speaker 3: a soup kitchen, like a local shelter and like sorts 206 00:09:00,240 --> 00:09:00,880 Speaker 3: and hands up food. 207 00:09:00,920 --> 00:09:02,040 Speaker 2: And she was like, it was a rough day to day, 208 00:09:02,040 --> 00:09:03,280 Speaker 2: I had to leave early. It was just like two 209 00:09:03,360 --> 00:09:04,560 Speaker 2: sad or like there'll. 210 00:09:04,320 --> 00:09:06,840 Speaker 3: Be moments where she says that, but like she she 211 00:09:07,520 --> 00:09:11,079 Speaker 3: and Noah, you worked at a community. 212 00:09:10,600 --> 00:09:14,719 Speaker 2: Grin yeah, where they grew good for unsheltered. 213 00:09:16,080 --> 00:09:18,600 Speaker 4: Yesterday, Matt and I decided we were going to volunteer 214 00:09:18,800 --> 00:09:21,120 Speaker 4: at the local voting center. But we did that out 215 00:09:21,120 --> 00:09:24,200 Speaker 4: of selfishness because we were like, these people are slow. 216 00:09:24,720 --> 00:09:27,360 Speaker 4: It was such a long line. So he's like, next year, 217 00:09:27,360 --> 00:09:29,160 Speaker 4: we're volunteering, and we're going to do this just to 218 00:09:29,240 --> 00:09:30,160 Speaker 4: keep this efficient. 219 00:09:31,160 --> 00:09:33,840 Speaker 3: Friends next year when the election doesn't feel is important, 220 00:09:34,720 --> 00:09:39,160 Speaker 3: when you kind of forget to even vote next year, Well, 221 00:09:39,120 --> 00:09:40,120 Speaker 3: I have two friends who. 222 00:09:40,080 --> 00:09:42,760 Speaker 1: Do that in on Long Island. They volunteer at the 223 00:09:42,800 --> 00:09:46,040 Speaker 1: election Steinman and all of who you know Steinmann? 224 00:09:46,240 --> 00:09:47,719 Speaker 2: Oh yeah, I remember him from there. 225 00:09:48,440 --> 00:09:50,720 Speaker 1: Yeah, and they yeah, they do it every year, and 226 00:09:50,760 --> 00:09:53,800 Speaker 1: it's just like it's just so poorly organized and run. 227 00:09:53,840 --> 00:09:56,840 Speaker 1: It's like very difficult when you're volunteering to even like 228 00:09:56,920 --> 00:10:01,439 Speaker 1: make make it better, because it's just they need you, 229 00:10:01,559 --> 00:10:05,120 Speaker 1: they desperately need volunteer, especially now that like you know, 230 00:10:05,240 --> 00:10:08,160 Speaker 1: all the election interference conspiracies that the people who do 231 00:10:08,240 --> 00:10:12,120 Speaker 1: this are like actually somewhat in danger. But yeah, it's 232 00:10:12,200 --> 00:10:15,720 Speaker 1: really like the system is uh not efficient. 233 00:10:16,200 --> 00:10:17,800 Speaker 2: Oh really, I'm just kidding. 234 00:10:19,360 --> 00:10:23,000 Speaker 3: It's a week from now is going to be a 235 00:10:23,040 --> 00:10:24,080 Speaker 3: different world. 236 00:10:24,280 --> 00:10:25,200 Speaker 2: Like I don't even know. 237 00:10:25,520 --> 00:10:28,480 Speaker 3: I'm like in I don't even I think I think 238 00:10:28,520 --> 00:10:32,600 Speaker 3: moing crazy. I think I'm starting to have like a. 239 00:10:34,640 --> 00:10:34,959 Speaker 4: Like a. 240 00:10:36,400 --> 00:10:41,120 Speaker 3: Uh pre pre PTSD or something kind attack. 241 00:10:41,480 --> 00:10:43,559 Speaker 4: Well, yeah, next week we'll have certainty. 242 00:10:44,400 --> 00:10:48,520 Speaker 2: No, no, I mean someone will. 243 00:10:49,559 --> 00:10:53,199 Speaker 3: So one side will and then I hopefully, and then 244 00:10:53,200 --> 00:10:55,920 Speaker 3: I think the other there will be if if things 245 00:10:55,960 --> 00:10:57,640 Speaker 3: go the way I would like them to, I think 246 00:10:57,679 --> 00:11:01,559 Speaker 3: there will be, it'll still be scared. But if I 247 00:11:01,559 --> 00:11:04,319 Speaker 3: if they go the other way, I just literally don't 248 00:11:04,360 --> 00:11:06,320 Speaker 3: know what my body will do. I mean, I don't 249 00:11:06,320 --> 00:11:07,679 Speaker 3: know what the world will do, but I don't know 250 00:11:07,720 --> 00:11:12,720 Speaker 3: what my physical body will do. After the first time 251 00:11:12,760 --> 00:11:14,480 Speaker 3: it happened, I remember my mom was so upset. I 252 00:11:14,520 --> 00:11:16,080 Speaker 3: like sent her flowers, but I was like, it's gonna 253 00:11:16,080 --> 00:11:18,520 Speaker 3: be okay. It's just this is it was a new 254 00:11:18,640 --> 00:11:21,400 Speaker 3: kind of fear. And now it feels like I'm going 255 00:11:21,840 --> 00:11:24,040 Speaker 3: I just I just don't I can't even I don't 256 00:11:24,040 --> 00:11:25,360 Speaker 3: even know what to say. I don't even know what 257 00:11:25,400 --> 00:11:28,360 Speaker 3: your mom flowers? Yeah, because she was crying all day 258 00:11:28,520 --> 00:11:32,960 Speaker 3: when Trump won. She couldn't stop crying. And I and 259 00:11:33,000 --> 00:11:37,720 Speaker 3: I also just like tears of poy. 260 00:11:37,760 --> 00:11:39,240 Speaker 2: I think my mom it might kill her. 261 00:11:39,400 --> 00:11:41,880 Speaker 3: I'm not even joking you, Like, if you care about 262 00:11:41,920 --> 00:11:44,800 Speaker 3: Julie Glazer living, will you please vote for Kamala because 263 00:11:45,360 --> 00:11:49,760 Speaker 3: I think I think it will kill her. I'm emotionally, 264 00:11:50,240 --> 00:11:54,400 Speaker 3: she is so upset about him that if he wins, 265 00:11:54,440 --> 00:11:56,960 Speaker 3: the way she reacted last time eight years ago, it 266 00:11:57,080 --> 00:12:00,320 Speaker 3: was I just don't know that it's gonna be okay 267 00:12:00,320 --> 00:12:02,760 Speaker 3: for her. Like I'm really worried about her body, like 268 00:12:02,840 --> 00:12:06,160 Speaker 3: breaking down because she was so upset. I didn't even 269 00:12:06,200 --> 00:12:08,480 Speaker 3: think about that till now. Maybe that's what I'm worried about. 270 00:12:08,679 --> 00:12:11,440 Speaker 3: It's like what my fragile mom will do. 271 00:12:11,920 --> 00:12:14,679 Speaker 1: You can't have Kamala in office. She wants to give 272 00:12:15,400 --> 00:12:19,679 Speaker 1: trans surgeries to rapists in jail. Haven't you heard? 273 00:12:20,440 --> 00:12:21,240 Speaker 2: Wait no, I thought. 274 00:12:22,000 --> 00:12:23,800 Speaker 3: I thought the trans rapists are going to come into 275 00:12:23,800 --> 00:12:27,840 Speaker 3: the schools and do the surgeries during recess to the kids. 276 00:12:28,360 --> 00:12:29,320 Speaker 2: Yeah, with their teeth. 277 00:12:35,679 --> 00:12:38,920 Speaker 3: They really He's really saying that they are going. He 278 00:12:39,040 --> 00:12:43,679 Speaker 3: said on multiple speeches that they are giving trans surgeries 279 00:12:43,679 --> 00:12:45,679 Speaker 3: to kids and kids in elementary school. That your kid 280 00:12:45,720 --> 00:12:49,640 Speaker 3: will leave Jimmy and come home Jane, which is there's 281 00:12:50,760 --> 00:12:53,280 Speaker 3: it's just there's. It's never happened, it will never happen. 282 00:12:53,800 --> 00:12:56,040 Speaker 3: Kimmel last night was great because he was like, please 283 00:12:56,160 --> 00:13:00,559 Speaker 3: just send this monologue. This is for your republic can friends. 284 00:13:00,600 --> 00:13:03,160 Speaker 3: No Republicans are gonna watch it. No fucking It's just no, 285 00:13:03,360 --> 00:13:04,240 Speaker 3: there's no chance of that. 286 00:13:04,679 --> 00:13:06,600 Speaker 1: Adam, not Jimmy Campbell. 287 00:13:06,640 --> 00:13:07,679 Speaker 2: But it was just interesting. 288 00:13:07,440 --> 00:13:09,040 Speaker 3: Because I don't watch his speeches and I don't really 289 00:13:09,080 --> 00:13:10,800 Speaker 3: pay attention to all the things he says, because how 290 00:13:10,800 --> 00:13:12,680 Speaker 3: can you that he goes on for four hours every 291 00:13:12,679 --> 00:13:15,000 Speaker 3: speech and people like half his audience even fucking leaves 292 00:13:15,000 --> 00:13:17,080 Speaker 3: people that like him, So how are people that don't 293 00:13:17,120 --> 00:13:18,320 Speaker 3: like him supposed to listen to all of it? 294 00:13:18,400 --> 00:13:19,199 Speaker 2: But they had to? 295 00:13:19,280 --> 00:13:19,600 Speaker 1: Really? 296 00:13:19,679 --> 00:13:21,120 Speaker 3: Like, if you just want to hear some of the 297 00:13:21,160 --> 00:13:23,160 Speaker 3: craziest shit that's being said right now that you might 298 00:13:23,160 --> 00:13:24,520 Speaker 3: not be aware of because it just is like a 299 00:13:24,559 --> 00:13:26,839 Speaker 3: bed of nails and it just all seems too much 300 00:13:26,840 --> 00:13:29,040 Speaker 3: and you're like, oh, there's no way that Like it's 301 00:13:29,240 --> 00:13:30,440 Speaker 3: crazier than you even think. 302 00:13:30,480 --> 00:13:32,280 Speaker 2: It's just it's so upsetting. 303 00:13:32,920 --> 00:13:34,840 Speaker 3: But in a week from now, it'll just be more 304 00:13:34,920 --> 00:13:36,200 Speaker 3: upsetting and that'll be great. 305 00:13:36,240 --> 00:13:38,280 Speaker 1: It'lla longer than a week. It's we're not gonna know 306 00:13:38,320 --> 00:13:41,199 Speaker 1: on Tuesday or Wednesday or Thursday. It's gonna be good. 307 00:13:41,200 --> 00:13:42,679 Speaker 1: It's going to go into the next week for the 308 00:13:42,720 --> 00:13:44,840 Speaker 1: swing states, I bet, just like last time. 309 00:13:45,600 --> 00:13:50,560 Speaker 4: Yeah, well, I think is that we'll be uncertain. I 310 00:13:50,640 --> 00:13:53,120 Speaker 4: just hope we're not. But because that's such an uncomfortable 311 00:13:53,120 --> 00:13:55,440 Speaker 4: place just in life in general. 312 00:13:55,200 --> 00:13:57,400 Speaker 2: You think it's gonna be so close, it's gonna be uncertain. 313 00:13:57,520 --> 00:13:59,880 Speaker 1: Yeah, they're gonna be counting those votes and can test 314 00:13:59,880 --> 00:14:00,440 Speaker 1: to those votes. 315 00:14:00,480 --> 00:14:01,800 Speaker 2: I don't think it's going to be close, do you think. 316 00:14:01,720 --> 00:14:04,640 Speaker 1: It's gonna be a blowout. You're you're on the bobcast method. 317 00:14:04,880 --> 00:14:07,800 Speaker 3: Yeah, one of our writers on the NFL thing we 318 00:14:07,800 --> 00:14:09,439 Speaker 3: did last week. We were all kind of like, what's 319 00:14:10,080 --> 00:14:12,000 Speaker 3: what do you guys think? Like, I'm always scared to 320 00:14:12,040 --> 00:14:14,520 Speaker 3: ask a group of people like what do you quit? Like, 321 00:14:14,559 --> 00:14:17,400 Speaker 3: because everyone's paying more attention than I am of the 322 00:14:17,400 --> 00:14:19,040 Speaker 3: people I hang out with, So when I asked them, 323 00:14:19,520 --> 00:14:22,760 Speaker 3: I'm always just like, brace for impact. And Bob Castrone, 324 00:14:23,560 --> 00:14:26,240 Speaker 3: good friend, head writer on Not Safe from the Key 325 00:14:26,240 --> 00:14:29,600 Speaker 3: Glazer is positive it's going to be I'm all's gonna 326 00:14:29,600 --> 00:14:31,480 Speaker 3: win to the landslide and I was really happy to 327 00:14:31,480 --> 00:14:33,920 Speaker 3: hear that. And then everyone's kind of like on board. 328 00:14:33,920 --> 00:14:36,160 Speaker 3: And then he said something and everyone's like, oh bulls. 329 00:14:36,680 --> 00:14:37,200 Speaker 2: It just like. 330 00:14:38,960 --> 00:14:43,600 Speaker 1: And she's gonna win Texas and you guys go fudo. 331 00:14:45,000 --> 00:14:46,960 Speaker 3: All. I know that if you live in Missouri, please 332 00:14:47,040 --> 00:14:48,200 Speaker 3: vote yes on UH. 333 00:14:48,280 --> 00:14:49,320 Speaker 2: Yes on Amendment three. 334 00:14:50,040 --> 00:14:54,320 Speaker 3: UH protect women's rights to have autonomy over their own bodies. 335 00:14:54,400 --> 00:14:55,480 Speaker 2: Vote yes on three. 336 00:14:55,560 --> 00:14:59,800 Speaker 3: That's very very important for everyone to keep everyone safe. 337 00:14:59,800 --> 00:15:02,600 Speaker 3: And I I think both sides really do agree. They've 338 00:15:02,640 --> 00:15:04,840 Speaker 3: done a lot of pulling and both sides kind of 339 00:15:04,840 --> 00:15:08,200 Speaker 3: agree on on the fact that women should have access 340 00:15:08,240 --> 00:15:12,080 Speaker 3: to safe abortions, you know, and I think we should. 341 00:15:12,200 --> 00:15:14,160 Speaker 1: We should have we should be able to vote for 342 00:15:14,640 --> 00:15:18,240 Speaker 1: any federal offices. Honestly, Like I was, I live in 343 00:15:18,280 --> 00:15:21,440 Speaker 1: Culver City, which is only eighteen to twenty thousand people. 344 00:15:21,440 --> 00:15:23,400 Speaker 1: It's like a small town. It's like smaller than the 345 00:15:23,440 --> 00:15:25,440 Speaker 1: town I grew up in, even though it's in the 346 00:15:25,440 --> 00:15:27,200 Speaker 1: middle of LA And we get to vote for Culver 347 00:15:27,280 --> 00:15:30,360 Speaker 1: City City Council. And like the stuff that you're like 348 00:15:30,520 --> 00:15:34,960 Speaker 1: debating about which council members to pick is like which 349 00:15:35,000 --> 00:15:38,440 Speaker 1: stop signs to put up, and like what we're gonna 350 00:15:38,440 --> 00:15:42,800 Speaker 1: do with like the homeless encament outside the sprouts. It's 351 00:15:42,840 --> 00:15:43,640 Speaker 1: like these little. 352 00:15:43,440 --> 00:15:45,880 Speaker 3: Small Why shouldn't you be voting on that stuff? 353 00:15:45,920 --> 00:15:48,960 Speaker 1: That's I think that's the best stuff to vote for. Yeah, 354 00:15:49,120 --> 00:15:51,680 Speaker 1: that's what I'm saying, instead of voting for who is 355 00:15:51,720 --> 00:15:53,960 Speaker 1: your senator. It's like that doesn't fucking matter. 356 00:15:54,800 --> 00:15:55,480 Speaker 2: Yes, it does. 357 00:15:55,760 --> 00:15:57,200 Speaker 1: It doesn't fucking matter. 358 00:15:57,000 --> 00:15:59,520 Speaker 3: Ryan, I think it does. Do not start this. It 359 00:15:59,560 --> 00:16:01,960 Speaker 3: doesn't matter, Pody. 360 00:16:02,200 --> 00:16:07,600 Speaker 4: Just go into the woods and look for an asteroid. 361 00:16:07,920 --> 00:16:11,920 Speaker 3: Yeah, we're talking about what we were saying. When things 362 00:16:11,960 --> 00:16:15,200 Speaker 3: are not certain uncertainty when things go either. 363 00:16:14,960 --> 00:16:16,960 Speaker 4: Way, you hate it, can't stand it. 364 00:16:17,840 --> 00:16:19,480 Speaker 2: Like do you have an example of like you're. 365 00:16:19,560 --> 00:16:22,840 Speaker 4: Waiting for an email reply hate, Like waiting on an 366 00:16:22,920 --> 00:16:27,000 Speaker 4: answer of any kind really difficult to tolerate the uncertainty 367 00:16:27,000 --> 00:16:28,920 Speaker 4: of life. I mean, go back to dating, Like I 368 00:16:28,960 --> 00:16:30,400 Speaker 4: know it's been a long time for you since you 369 00:16:30,440 --> 00:16:33,800 Speaker 4: were single. There is nothing worse than waiting for a 370 00:16:33,960 --> 00:16:40,520 Speaker 4: text back. It's just like hell, you're just like fuck thrilling. 371 00:16:40,600 --> 00:16:44,920 Speaker 3: It makes you feel alive, it makes you like, yeah, 372 00:16:44,920 --> 00:16:47,840 Speaker 3: it gets your heart racing. When it finally comes through, 373 00:16:48,000 --> 00:16:50,840 Speaker 3: there's like an exciting moment, Like I don't really get 374 00:16:51,000 --> 00:16:55,000 Speaker 3: much of that in life anymore. Like you know, news 375 00:16:55,040 --> 00:16:58,280 Speaker 3: comes in of like you're gonna host the Golden Globes 376 00:16:58,360 --> 00:17:00,120 Speaker 3: and it's fun for a second and then it's like, 377 00:17:00,160 --> 00:17:03,520 Speaker 3: oh boy, gotta work. But like when a guy texts 378 00:17:03,520 --> 00:17:06,720 Speaker 3: you back, it's never like oh no, I've got to work, 379 00:17:06,800 --> 00:17:08,520 Speaker 3: Like it's just like, oh, this will be fun. There's 380 00:17:08,560 --> 00:17:11,840 Speaker 3: no like getting jobs is always a great it's great 381 00:17:11,880 --> 00:17:17,040 Speaker 3: news or getting an assignment or something a payday coming up, 382 00:17:17,359 --> 00:17:19,080 Speaker 3: but then you're like, oh, there's work attached. 383 00:17:19,119 --> 00:17:21,600 Speaker 2: But not with crushes that stuff. 384 00:17:21,440 --> 00:17:24,520 Speaker 4: Is so fun, it can't be Yeah, that's true. But 385 00:17:24,840 --> 00:17:26,480 Speaker 4: I mean there's a reason they call it a crush too, 386 00:17:26,480 --> 00:17:28,960 Speaker 4: because it can also be so painful. 387 00:17:29,440 --> 00:17:30,480 Speaker 3: Is that why they call it a crush? 388 00:17:30,560 --> 00:17:31,880 Speaker 2: Yeah, probably it is, I. 389 00:17:31,800 --> 00:17:35,879 Speaker 4: Think because you're just like, ah, it is fun, but 390 00:17:35,960 --> 00:17:37,879 Speaker 4: it can hurt too when it I mean, it doesn't 391 00:17:37,880 --> 00:17:40,200 Speaker 4: always go your way either. It can be like, oh, 392 00:17:40,240 --> 00:17:42,680 Speaker 4: they're dating somebody else or they're not right way back. 393 00:17:42,880 --> 00:17:44,960 Speaker 3: It doesn't ever go your way until it does go 394 00:17:45,040 --> 00:17:47,600 Speaker 3: your way, and even when it does go your way, 395 00:17:48,440 --> 00:17:52,840 Speaker 3: like then it's a whole other slew of things that'll happen. 396 00:17:53,760 --> 00:17:56,159 Speaker 4: Or like like, I'm sure there are actors listening that 397 00:17:56,240 --> 00:17:59,040 Speaker 4: have auditioned for something and it's just hell waiting to 398 00:17:59,119 --> 00:17:59,840 Speaker 4: find out. 399 00:17:59,680 --> 00:18:03,080 Speaker 1: Did You can't even wait, Like, if you're an actor there, 400 00:18:03,160 --> 00:18:06,320 Speaker 1: you should just audition and forget about it because the 401 00:18:06,440 --> 00:18:08,720 Speaker 1: chances of it happening are the same chances you're dying 402 00:18:08,760 --> 00:18:09,240 Speaker 1: in a plane. 403 00:18:09,240 --> 00:18:14,560 Speaker 2: Career, Yes, totally. That's why I like football. You just 404 00:18:14,600 --> 00:18:14,919 Speaker 2: move on. 405 00:18:15,000 --> 00:18:17,120 Speaker 3: I'm always like, you know, I've talked about it before, 406 00:18:17,160 --> 00:18:19,040 Speaker 3: but I'm always like, is that guy is so embarrassed? 407 00:18:19,080 --> 00:18:21,359 Speaker 3: Is that kicker so embarrassed that it like hit the 408 00:18:21,480 --> 00:18:25,159 Speaker 3: pole like his what he has literally one job and 409 00:18:25,200 --> 00:18:28,119 Speaker 3: it like didn't go like it's never changed, like the 410 00:18:28,160 --> 00:18:29,360 Speaker 3: distance changes, but like. 411 00:18:30,000 --> 00:18:33,040 Speaker 2: Just kick it as far as you can that way. 412 00:18:33,080 --> 00:18:35,280 Speaker 3: And then like you are hired and you're paying millions 413 00:18:35,280 --> 00:18:37,360 Speaker 3: suits you and you don't do it? Is that guy 414 00:18:37,480 --> 00:18:40,280 Speaker 3: like like is his life ruin now? 415 00:18:40,359 --> 00:18:43,119 Speaker 2: And what I've heard is like no, in football, you 416 00:18:43,240 --> 00:18:44,000 Speaker 2: just kind of move on. 417 00:18:44,280 --> 00:18:46,480 Speaker 1: Well they get fired, like they'll get fired that week. 418 00:18:46,520 --> 00:18:48,280 Speaker 3: Oh yeah, you move on to another team or you 419 00:18:48,400 --> 00:18:51,640 Speaker 3: move on to your new career over the weekend. Did 420 00:18:51,640 --> 00:18:54,119 Speaker 3: you see I'm sure you watched the Bears game again 421 00:18:54,240 --> 00:18:56,400 Speaker 3: in the Chargers and saw that I've. 422 00:18:56,240 --> 00:18:58,240 Speaker 2: Heard it was the worst play. 423 00:18:58,440 --> 00:19:00,679 Speaker 3: I listened to the Ringer podcast because I was like 424 00:19:01,000 --> 00:19:03,480 Speaker 3: going down a deep dive on that play because it 425 00:19:03,560 --> 00:19:05,440 Speaker 3: just seemed so insane and I wanted to understand the 426 00:19:05,480 --> 00:19:07,320 Speaker 3: insanity and there's so much talk around it. I watched 427 00:19:07,359 --> 00:19:10,520 Speaker 3: like a Bill Belichick talking about it. Will you have 428 00:19:10,560 --> 00:19:14,080 Speaker 3: described that play and tell me why? These guys on 429 00:19:14,119 --> 00:19:16,080 Speaker 3: the Ringer podcast, which is I guess a very popular 430 00:19:16,080 --> 00:19:21,280 Speaker 3: sports podcast called it, without hyperbole, the literal worst play 431 00:19:21,320 --> 00:19:24,480 Speaker 3: they have ever seen in any sport. 432 00:19:24,840 --> 00:19:27,320 Speaker 4: Okay, so the thing is the one guy had the ball. 433 00:19:29,320 --> 00:19:34,359 Speaker 1: Yeah, I wouldn't agree with that hyperbole. I've seen worse. 434 00:19:34,720 --> 00:19:36,960 Speaker 1: I saw worse this weekend. I mean, I guess if 435 00:19:36,960 --> 00:19:39,199 Speaker 1: you're calling it a play, well, yeah, like the New 436 00:19:39,320 --> 00:19:43,560 Speaker 1: Orleans Pelicans. He was an NBA basketball team. They lost 437 00:19:43,600 --> 00:19:47,240 Speaker 1: to the Warriors in the most shack you know shack. 438 00:19:47,359 --> 00:19:50,639 Speaker 1: He was on TNT after No, it's Charles Barclay. Sorry, 439 00:19:50,720 --> 00:19:54,760 Speaker 1: there's both, they both do announcers. Yeah, Charles Barklay. Yeah, 440 00:19:54,760 --> 00:19:56,359 Speaker 1: I wasn't a racist thing. I mean, it was just 441 00:19:56,840 --> 00:19:59,040 Speaker 1: it was both black men, and I thought it doesn't. 442 00:19:58,800 --> 00:20:00,920 Speaker 3: Matter really famous black men from the nineties who played 443 00:20:00,920 --> 00:20:02,400 Speaker 3: professional yet. 444 00:20:03,200 --> 00:20:06,040 Speaker 1: So Charles Barkley said that that that that was the 445 00:20:06,040 --> 00:20:09,920 Speaker 1: most embarrassing loss he's ever seen, because the Pelicans were 446 00:20:10,000 --> 00:20:13,800 Speaker 1: up by twenty points, the Warriors had did not have 447 00:20:13,840 --> 00:20:16,720 Speaker 1: their best two players and they were just cruising. And 448 00:20:16,760 --> 00:20:20,760 Speaker 1: then the way the Warriors these bench players, these people 449 00:20:20,800 --> 00:20:22,639 Speaker 1: have never I've never even heard of them, and I 450 00:20:22,680 --> 00:20:25,640 Speaker 1: watched the college games. The way that these bench players 451 00:20:25,840 --> 00:20:29,919 Speaker 1: made the Pelicans their bitch was so embarrassing. It was 452 00:20:29,960 --> 00:20:32,879 Speaker 1: like it was like they just dominated them for three 453 00:20:32,960 --> 00:20:34,399 Speaker 1: full quarters. 454 00:20:33,880 --> 00:20:36,119 Speaker 3: All of them, Like they all got to share in 455 00:20:36,119 --> 00:20:39,840 Speaker 3: that embarrassment. But like, wasn't the play from the Charger. 456 00:20:39,720 --> 00:20:43,960 Speaker 1: The the well, the reason why that was so bad 457 00:20:44,320 --> 00:20:47,000 Speaker 1: was because it was so unlikely that they would lose 458 00:20:47,000 --> 00:20:47,639 Speaker 1: in that fashion. 459 00:20:47,800 --> 00:20:50,119 Speaker 3: Right, wasn't the Chargers, It was the Washington Guardians. It 460 00:20:50,320 --> 00:20:54,720 Speaker 3: was it was the Commanders, Commanders, Commanders versus Bears. 461 00:20:54,800 --> 00:20:58,159 Speaker 1: The good news is did you know that for the 462 00:20:58,240 --> 00:21:03,360 Speaker 1: last I think it was seventeen out of twenty elections, 463 00:21:03,800 --> 00:21:07,199 Speaker 1: when the guard when the Washington team, whether it was 464 00:21:07,200 --> 00:21:09,560 Speaker 1: the Redskins used to be the Redskins, now the Commanders. 465 00:21:09,720 --> 00:21:13,560 Speaker 1: When the Redskins win, the incumbent party because they're the 466 00:21:13,600 --> 00:21:16,840 Speaker 1: DC team, the incumbent party wins the presidency. When they 467 00:21:16,880 --> 00:21:19,840 Speaker 1: lose the week of the election, then the challenger wins 468 00:21:19,880 --> 00:21:25,000 Speaker 1: the presidency. So because the Commanders won this game, that 469 00:21:25,160 --> 00:21:31,760 Speaker 1: means that Kamala should win the presidency based on precedents. 470 00:21:30,960 --> 00:21:33,520 Speaker 3: Based on like our radio station doing like which Bowl 471 00:21:33,640 --> 00:21:36,480 Speaker 3: is the. 472 00:21:37,119 --> 00:21:37,879 Speaker 1: Twenty times? 473 00:21:38,200 --> 00:21:41,040 Speaker 3: Yeah, okay, all right, well that's interesting, but okay, this 474 00:21:41,080 --> 00:21:44,439 Speaker 3: guy threw a hail Mary pass. Yeah, and in the 475 00:21:44,520 --> 00:21:47,640 Speaker 3: last seconds of the game two and they were going 476 00:21:47,720 --> 00:21:48,520 Speaker 3: to lose. 477 00:21:48,560 --> 00:21:50,520 Speaker 1: Right, there were down by like four or five points. 478 00:21:50,560 --> 00:21:54,119 Speaker 2: The guy who is going to catch it or one. 479 00:21:53,960 --> 00:21:55,480 Speaker 1: Of the defenders. 480 00:21:55,600 --> 00:21:58,280 Speaker 3: Defenders was like talking shit to the crowd, not even 481 00:21:58,359 --> 00:22:00,600 Speaker 3: realizing that like a play was being made and. 482 00:22:00,560 --> 00:22:02,480 Speaker 2: That a ball was like hurling towards him. 483 00:22:02,640 --> 00:22:05,280 Speaker 3: The crowd had to be like, dude, a ball and 484 00:22:05,320 --> 00:22:08,840 Speaker 3: then they scrambled to stop it. They all just all 485 00:22:08,920 --> 00:22:12,520 Speaker 3: of the defenders like descend on what where the ball was. 486 00:22:12,720 --> 00:22:14,960 Speaker 2: They all go up and hit it. He hits it 487 00:22:15,000 --> 00:22:16,680 Speaker 2: like a volleyball. One of the players hits it like 488 00:22:16,720 --> 00:22:17,200 Speaker 2: a volleyball. 489 00:22:17,240 --> 00:22:21,399 Speaker 3: It just then perfectly falls into the hands of I 490 00:22:21,560 --> 00:22:24,160 Speaker 3: forget who a guy in the end zone and they 491 00:22:24,160 --> 00:22:25,040 Speaker 3: get a touchdown and they. 492 00:22:25,000 --> 00:22:25,440 Speaker 2: Win the game. 493 00:22:25,440 --> 00:22:27,960 Speaker 3: And it was like from the wasn't that from like 494 00:22:28,000 --> 00:22:30,520 Speaker 3: the thirty yard line? Like so far away? 495 00:22:30,760 --> 00:22:32,679 Speaker 1: It was so far away, it was like forty or 496 00:22:32,680 --> 00:22:35,199 Speaker 1: thirty yard line. It was a hail Mary. It was 497 00:22:35,280 --> 00:22:38,719 Speaker 1: a last ditch effort and the Commanders won. It was 498 00:22:39,119 --> 00:22:43,280 Speaker 1: it was extremely disappointing for any Bears fan, and I 499 00:22:43,280 --> 00:22:44,960 Speaker 1: also for. 500 00:22:45,200 --> 00:22:47,240 Speaker 3: Bears fans too, Like, okay, if you have money on 501 00:22:47,280 --> 00:22:48,320 Speaker 3: the game, find but like two. 502 00:22:48,320 --> 00:22:50,080 Speaker 1: Hundred dollars, the Bears will win. I was not I 503 00:22:50,200 --> 00:22:50,920 Speaker 1: was spending that. 504 00:22:50,880 --> 00:22:54,000 Speaker 3: Money, sportsman, Don't you want crazy shit like that to happen? 505 00:22:54,040 --> 00:22:56,800 Speaker 3: Like maybe not because it's such like a messy play 506 00:22:56,840 --> 00:22:58,600 Speaker 3: and you're so disappointed. 507 00:22:57,960 --> 00:22:59,439 Speaker 2: But like, isn't that stuff? 508 00:22:59,440 --> 00:23:02,159 Speaker 3: To me? As a I was like obsessed with this 509 00:23:02,240 --> 00:23:05,919 Speaker 3: because it was so rare and like fucked up and 510 00:23:06,000 --> 00:23:07,919 Speaker 3: that so many people were making fun of it. Like 511 00:23:07,960 --> 00:23:09,879 Speaker 3: that to me was like more exciting than if my 512 00:23:10,000 --> 00:23:12,200 Speaker 3: team won. But actually I don't have a team, so 513 00:23:12,280 --> 00:23:13,840 Speaker 3: I I maybe I don't know what that's like. 514 00:23:14,000 --> 00:23:16,240 Speaker 1: That one was a little less exciting because it was 515 00:23:16,320 --> 00:23:19,440 Speaker 1: so unbelievable and the person who caught the ball didn't 516 00:23:19,480 --> 00:23:21,080 Speaker 1: have to do anything right. 517 00:23:22,119 --> 00:23:24,080 Speaker 2: It was just it was like he was in the stands, 518 00:23:24,359 --> 00:23:25,840 Speaker 2: Like yeah, he was. 519 00:23:26,359 --> 00:23:28,159 Speaker 1: There by design, Like that's the way they do their 520 00:23:28,200 --> 00:23:29,840 Speaker 1: tail Mary's is they have a big clump and then 521 00:23:29,840 --> 00:23:31,840 Speaker 1: there's always one guy behind the clump to get the 522 00:23:31,880 --> 00:23:35,320 Speaker 1: tip backs. But like he really didn't have to do anything. 523 00:23:35,359 --> 00:23:37,639 Speaker 1: It was just pure stupidity by the guy who just 524 00:23:37,680 --> 00:23:40,119 Speaker 1: like swatted it up and luck and like it's it 525 00:23:40,160 --> 00:23:42,760 Speaker 1: would be one thing if the receiver leaped up in 526 00:23:42,800 --> 00:23:44,679 Speaker 1: the air and like just got a little higher than 527 00:23:44,720 --> 00:23:46,240 Speaker 1: everyone else. And grabbed it down. 528 00:23:46,600 --> 00:23:49,879 Speaker 3: That's the point that I think that I was saying, 529 00:23:49,960 --> 00:23:52,080 Speaker 3: Maybe is the reason that people don't care is because 530 00:23:52,080 --> 00:23:55,239 Speaker 3: it was just all like bad, like it didn't there 531 00:23:55,240 --> 00:23:58,000 Speaker 3: was something impressive about any of it except the throw. 532 00:23:58,240 --> 00:24:01,480 Speaker 1: It was like, well, the throw was pretty good. Jayden Daniels, 533 00:24:01,480 --> 00:24:04,600 Speaker 1: who is the quarterback, shouldn't get any credit for that happening. 534 00:24:04,640 --> 00:24:06,240 Speaker 1: It was pure luck. 535 00:24:06,760 --> 00:24:08,159 Speaker 2: But that's to me. 536 00:24:08,440 --> 00:24:12,160 Speaker 3: I couldn't stop like researching it and trying to find 537 00:24:12,240 --> 00:24:14,359 Speaker 3: other people's and then I was like talking to so 538 00:24:14,440 --> 00:24:16,879 Speaker 3: many sports fans and no one knew about it. I 539 00:24:16,920 --> 00:24:18,760 Speaker 3: was like, did you guys see that hail Mary pass that? 540 00:24:19,040 --> 00:24:20,400 Speaker 2: And everyone was just like no, I don't. 541 00:24:20,600 --> 00:24:23,359 Speaker 3: Like. I talked to so many people and men I 542 00:24:23,400 --> 00:24:25,480 Speaker 3: should say and I care about football, and they're like, no, 543 00:24:25,520 --> 00:24:27,680 Speaker 3: I didn't say, and I couldn't describe it because I 544 00:24:27,680 --> 00:24:31,399 Speaker 3: don't have the like verbiage for it, but that I 545 00:24:31,560 --> 00:24:32,960 Speaker 3: was excited, that I was excited about it. 546 00:24:32,960 --> 00:24:35,840 Speaker 2: But now I'm like, now I'm getting Now I'm mad. 547 00:24:35,720 --> 00:24:37,840 Speaker 3: At myself because I get excited about the wrong things, 548 00:24:37,920 --> 00:24:39,600 Speaker 3: Like no, I don't understand football. 549 00:24:39,640 --> 00:24:42,160 Speaker 2: It's not even the right thing to get excited about. 550 00:24:42,320 --> 00:24:44,879 Speaker 1: That's okay to be excited, but that was an exciting play. 551 00:24:44,920 --> 00:24:46,760 Speaker 1: It was like a holy shit, but not in a 552 00:24:46,920 --> 00:24:50,120 Speaker 1: like holy shit that was amazing. It was like, holy shit, 553 00:24:50,280 --> 00:24:52,840 Speaker 1: can you believe how stupid that guy is and how 554 00:24:53,080 --> 00:24:54,680 Speaker 1: lucky the commanders just got? 555 00:24:54,920 --> 00:24:57,159 Speaker 3: Okay, all right, Well maybe that's my thing. Is I 556 00:24:57,240 --> 00:25:01,760 Speaker 3: just like rare, crazy, like bad per performances. I like people, 557 00:25:01,960 --> 00:25:04,920 Speaker 3: but also at the same time, when it comes to comedy, 558 00:25:05,080 --> 00:25:06,919 Speaker 3: I do not like watching people bomb. I don't like 559 00:25:06,920 --> 00:25:10,560 Speaker 3: people like totally missing it and having a really bad showing. 560 00:25:11,560 --> 00:25:13,840 Speaker 3: I like people being and I like people be being 561 00:25:13,960 --> 00:25:15,679 Speaker 3: like impressive either. I like to leave the room for 562 00:25:15,720 --> 00:25:16,120 Speaker 3: that as well. 563 00:25:16,119 --> 00:25:17,920 Speaker 2: It threatens me both of them. Okay, we'll be back 564 00:25:17,920 --> 00:25:18,280 Speaker 2: after this. 565 00:25:20,480 --> 00:25:22,639 Speaker 3: All right, we're back on your Marina has a new 566 00:25:22,640 --> 00:25:26,479 Speaker 3: album out, Asteroid. You can find it on Spotify, Apple, 567 00:25:27,000 --> 00:25:30,400 Speaker 3: wherever you get your music. You can order the vinyl 568 00:25:31,080 --> 00:25:33,480 Speaker 3: and I'm sure other Is there other ways to order it. 569 00:25:33,440 --> 00:25:34,920 Speaker 2: On on your Marina dot com? 570 00:25:35,000 --> 00:25:37,000 Speaker 4: Yeah to people mind CDs. 571 00:25:37,080 --> 00:25:39,680 Speaker 3: I think CDs are the new vinyl, Like gen Z 572 00:25:39,960 --> 00:25:42,480 Speaker 3: is like into it, how okay. 573 00:25:42,800 --> 00:25:46,120 Speaker 4: Selling a lot of vinyl and uh, I'd say even 574 00:25:46,160 --> 00:25:48,600 Speaker 4: more vinyl than CDs, but not all that much more. 575 00:25:48,640 --> 00:25:51,119 Speaker 4: I'd say it's like seventy percent of the sales or 576 00:25:51,160 --> 00:25:52,240 Speaker 4: vinyl and thirty or. 577 00:25:52,119 --> 00:25:56,159 Speaker 3: CDs, Like I don't know where people don't have like 578 00:25:56,280 --> 00:25:59,160 Speaker 3: CD players, like, oh, like a lot of pro are 579 00:25:59,280 --> 00:26:00,199 Speaker 3: set up in there. 580 00:26:00,520 --> 00:26:02,359 Speaker 2: Oh yeah, cars mm hmmm. 581 00:26:02,680 --> 00:26:04,639 Speaker 4: Surprisingly, I'm like, where are you guys going to play this? 582 00:26:04,760 --> 00:26:06,560 Speaker 4: Like a lot of people, it shows by CDs because 583 00:26:06,600 --> 00:26:09,520 Speaker 4: it's easier to carry around, But don't you. 584 00:26:09,680 --> 00:26:13,000 Speaker 1: Plug your phone into the dashboard into the car. 585 00:26:13,680 --> 00:26:16,479 Speaker 4: I think some people just want something from old cars 586 00:26:16,520 --> 00:26:20,479 Speaker 4: to put on there, like Sean, Ohbrian just bought a 587 00:26:20,560 --> 00:26:22,159 Speaker 4: vinyl and he's like, I can't wait to put this 588 00:26:22,200 --> 00:26:22,960 Speaker 4: on my mantle. 589 00:26:23,400 --> 00:26:27,560 Speaker 3: Yeah, makes sense because it's not just about playing the record. 590 00:26:27,600 --> 00:26:30,480 Speaker 3: I think it's about having a big, like a portrait 591 00:26:30,640 --> 00:26:33,760 Speaker 3: kind of thing, like something to frame, but a CD. 592 00:26:33,840 --> 00:26:35,480 Speaker 3: No one's really framing CDs. 593 00:26:36,440 --> 00:26:39,240 Speaker 1: On the first time I saw Anya, Marina was on 594 00:26:39,359 --> 00:26:42,920 Speaker 1: a vinyl in your apartment before I ever met you. 595 00:26:43,040 --> 00:26:48,480 Speaker 1: Nikki had a prominently displayed on your Marina album and 596 00:26:48,520 --> 00:26:51,879 Speaker 1: I said, who's that and she goes, oh, don't ask. 597 00:26:54,920 --> 00:26:59,720 Speaker 4: Story first roommate, I ever, not true at all? Best 598 00:27:01,280 --> 00:27:03,600 Speaker 4: we first moved in together and I could not get 599 00:27:03,640 --> 00:27:06,639 Speaker 4: any fucking furniture together. I and you were like, I 600 00:27:06,680 --> 00:27:09,000 Speaker 4: hate to say this, but our house looks like American 601 00:27:09,080 --> 00:27:11,840 Speaker 4: Psycho because we lived in this weird apartment in New 602 00:27:11,920 --> 00:27:16,440 Speaker 4: York where all of the kitchen furniture was like industrial 603 00:27:16,480 --> 00:27:19,119 Speaker 4: like on the Bear, It's like all like stainless steel, 604 00:27:19,160 --> 00:27:21,640 Speaker 4: and it really did look like American Psycho in our apartment, 605 00:27:22,200 --> 00:27:23,680 Speaker 4: just stainless steel counters. 606 00:27:23,880 --> 00:27:25,720 Speaker 2: Your problem to get furniture. 607 00:27:25,680 --> 00:27:28,280 Speaker 4: Well, you were like traveling a lot, and I was like, 608 00:27:28,440 --> 00:27:31,000 Speaker 4: I'll get stuff and I just kept like cutting out 609 00:27:31,000 --> 00:27:33,760 Speaker 4: pictures and putting them on my visuboard or whatever, and 610 00:27:33,760 --> 00:27:35,639 Speaker 4: you were like, Babe, we need a couch. It was 611 00:27:35,680 --> 00:27:37,919 Speaker 4: three weeks in and you're like, I'm going to Ikia 612 00:27:38,000 --> 00:27:41,200 Speaker 4: with Sabrina and Julie's and we're getting a couch. And 613 00:27:41,359 --> 00:27:43,399 Speaker 4: then you remember, You're like, well you just trust me. 614 00:27:43,440 --> 00:27:44,440 Speaker 4: I'm like, okay. 615 00:27:44,600 --> 00:27:46,639 Speaker 3: It was more like, will you just trust Sabrina because 616 00:27:46,640 --> 00:27:48,240 Speaker 3: I just I wouldn't have gone on my own to 617 00:27:48,240 --> 00:27:50,199 Speaker 3: do it. I just knew that I like, she has 618 00:27:50,280 --> 00:27:52,719 Speaker 3: really good style, and so I just knew I just 619 00:27:52,800 --> 00:27:55,119 Speaker 3: will get the couch that Sabrina says to get and 620 00:27:55,200 --> 00:27:55,880 Speaker 3: you were so right. 621 00:27:55,920 --> 00:27:57,320 Speaker 4: I still have that couch. 622 00:27:57,440 --> 00:27:58,800 Speaker 2: It's no way. 623 00:27:58,960 --> 00:28:02,240 Speaker 4: Oh yeah, I bought an Ikea cover. You can buy 624 00:28:02,480 --> 00:28:05,920 Speaker 4: covers that perfectly fit this thing on Etsy, and now 625 00:28:05,920 --> 00:28:07,720 Speaker 4: we just have it. It's just blue. It used to 626 00:28:07,760 --> 00:28:10,320 Speaker 4: be this ugly tan color and now we have a 627 00:28:10,320 --> 00:28:14,320 Speaker 4: blue one. That's ugly. But my shape is the shape 628 00:28:14,400 --> 00:28:14,720 Speaker 4: is right. 629 00:28:15,240 --> 00:28:19,040 Speaker 3: That's so funny you still have that couch. Yeah, that 630 00:28:19,040 --> 00:28:20,440 Speaker 3: that was a good situation we had. 631 00:28:20,600 --> 00:28:22,920 Speaker 2: I loved I love being roommates. It was so fun. 632 00:28:22,960 --> 00:28:25,399 Speaker 4: It was so fun. I really miss having somebody to 633 00:28:25,440 --> 00:28:28,520 Speaker 4: bounce things off of every day, and I really miss 634 00:28:28,600 --> 00:28:31,480 Speaker 4: someone being gone a lot of the day. 635 00:28:31,960 --> 00:28:35,120 Speaker 2: That's what I was gonna say. I'm surprised you're still 636 00:28:35,240 --> 00:28:36,760 Speaker 2: friends after living together. 637 00:28:36,800 --> 00:28:39,160 Speaker 4: It's I think it's an unlikely story. We have that 638 00:28:39,480 --> 00:28:42,120 Speaker 4: together like for years, and then I like missed her 639 00:28:42,200 --> 00:28:44,320 Speaker 4: so much when she she went to la You went 640 00:28:44,360 --> 00:28:46,720 Speaker 4: to do not Safe, and that was the first time 641 00:28:46,760 --> 00:28:50,280 Speaker 4: I was like, oh this, that's right. Like I've always 642 00:28:50,320 --> 00:28:52,800 Speaker 4: been the friend that travels and all my friends are 643 00:28:52,800 --> 00:28:54,800 Speaker 4: always like, I haven't heard from you in months, And 644 00:28:54,880 --> 00:28:56,920 Speaker 4: then I remember, like you went and moved to l 645 00:28:56,960 --> 00:28:58,800 Speaker 4: A and was like, I haven't heard from Nikki and 646 00:28:58,880 --> 00:29:00,600 Speaker 4: like a month and a half. I remember I was 647 00:29:00,640 --> 00:29:03,720 Speaker 4: like this before FaceTime was like, would you want to skype? 648 00:29:03,840 --> 00:29:05,880 Speaker 4: And I remember skyping with you one day. We did 649 00:29:05,960 --> 00:29:08,280 Speaker 4: a skype and you were like in the middle of 650 00:29:08,320 --> 00:29:10,880 Speaker 4: a writer's meeting and it was so not the right time, 651 00:29:10,920 --> 00:29:12,440 Speaker 4: and I remember I was just like, I need I 652 00:29:12,480 --> 00:29:14,280 Speaker 4: need to give her space. She's working. 653 00:29:14,360 --> 00:29:18,280 Speaker 3: Harn't remember this at all, But I am a friend 654 00:29:18,400 --> 00:29:21,320 Speaker 3: that if it's if I'm not like, if we're not 655 00:29:21,400 --> 00:29:23,880 Speaker 3: doing the thing where we always see each other, Like 656 00:29:23,960 --> 00:29:27,560 Speaker 3: my friend's ships are always based on like we're working together, 657 00:29:28,320 --> 00:29:30,840 Speaker 3: or we live near each other, we have like a 658 00:29:30,920 --> 00:29:33,640 Speaker 3: ritual where we go to a class together or like, 659 00:29:34,000 --> 00:29:36,640 Speaker 3: and if we're not doing that, like I don't stay 660 00:29:36,720 --> 00:29:39,800 Speaker 3: in touch, like I it's almost like a I miss 661 00:29:39,880 --> 00:29:42,000 Speaker 3: them so much. I don't want to be reminded that 662 00:29:42,040 --> 00:29:43,920 Speaker 3: we don't have that thing anymore. So I just like 663 00:29:44,120 --> 00:29:47,360 Speaker 3: cut it off. Like and I've hurt some friends feelings, 664 00:29:47,440 --> 00:29:49,560 Speaker 3: I think when I'm like out of sight, out of mind. 665 00:29:49,600 --> 00:29:53,200 Speaker 3: But girls chet has kept me really hard, very much 666 00:29:53,800 --> 00:29:54,680 Speaker 3: plugged into. 667 00:29:54,640 --> 00:29:56,240 Speaker 1: Like girls Chat's important. 668 00:29:56,880 --> 00:29:57,720 Speaker 2: It's the most. 669 00:29:57,480 --> 00:29:59,600 Speaker 3: Important thing ever the other day, Holla was on being like, 670 00:29:59,640 --> 00:30:01,560 Speaker 3: I don't you know, it's hard to make friends wherever 671 00:30:01,640 --> 00:30:01,800 Speaker 3: I am. 672 00:30:01,880 --> 00:30:03,400 Speaker 2: I'm like, get on girls chat more. 673 00:30:03,480 --> 00:30:06,600 Speaker 3: It gives you the illusion that you have friends where 674 00:30:06,640 --> 00:30:11,760 Speaker 3: you are. I feel I don't like really crave friends 675 00:30:11,800 --> 00:30:14,600 Speaker 3: when I'm in Saint Louis because I have girls. 676 00:30:13,960 --> 00:30:15,200 Speaker 2: I'm I'm this is. 677 00:30:15,160 --> 00:30:18,360 Speaker 3: The only time where I'm like still enough. But I'm 678 00:30:18,360 --> 00:30:24,000 Speaker 3: not really like hanging with family that much. I'm kind 679 00:30:24,000 --> 00:30:27,200 Speaker 3: of doing my own thing when I'm in Saint Louis, 680 00:30:27,240 --> 00:30:30,920 Speaker 3: like alone most of the time, and but I have 681 00:30:31,240 --> 00:30:34,000 Speaker 3: I have girls. I'm never alone because I always have 682 00:30:34,400 --> 00:30:37,480 Speaker 3: the girls chat to go listen to something or put 683 00:30:37,520 --> 00:30:38,480 Speaker 3: something out there. 684 00:30:38,680 --> 00:30:39,719 Speaker 4: And do you get lonely? 685 00:30:39,760 --> 00:30:45,840 Speaker 3: Ever, yes, I cannot cannot be like if I get 686 00:30:45,880 --> 00:30:48,440 Speaker 3: home like last night I got home was. 687 00:30:48,360 --> 00:30:48,960 Speaker 2: That last night? 688 00:30:49,000 --> 00:30:52,760 Speaker 3: Jesus fucking Christ. I can't even talk to you about 689 00:30:52,760 --> 00:30:53,240 Speaker 3: my weekend. 690 00:30:53,360 --> 00:30:56,560 Speaker 4: It's just it's you want to talk to us about 691 00:30:56,560 --> 00:30:57,000 Speaker 4: your weekend. 692 00:30:57,080 --> 00:30:57,440 Speaker 2: I can't. 693 00:30:57,640 --> 00:31:01,000 Speaker 3: It doesn't even it doesn't make My life doesn't make 694 00:31:01,040 --> 00:31:03,719 Speaker 3: sense right now. It's so busy. It's I've asked for it. 695 00:31:03,760 --> 00:31:06,040 Speaker 3: This is it isn't interesting. It's just insane. 696 00:31:06,360 --> 00:31:07,600 Speaker 2: How much travel. I did this weekend. 697 00:31:07,600 --> 00:31:10,720 Speaker 3: But I got home last night at nine and I 698 00:31:10,720 --> 00:31:12,080 Speaker 3: asked my mom to pick me up in the morning, 699 00:31:12,160 --> 00:31:15,280 Speaker 3: and she said, I guess, Like I heard that it 700 00:31:15,360 --> 00:31:17,160 Speaker 3: literally I guess. 701 00:31:16,960 --> 00:31:18,360 Speaker 2: And I go, you don't have to, I'll just get 702 00:31:18,400 --> 00:31:21,920 Speaker 2: an uber. We're literally in like another country, like you've. 703 00:31:21,720 --> 00:31:24,880 Speaker 3: Been in Mexico yesterday morning and I was like, Mom, 704 00:31:25,280 --> 00:31:27,040 Speaker 3: I said to my bompman dad, Hey, is there any 705 00:31:27,040 --> 00:31:28,320 Speaker 3: way that you wasted to pick me up with the 706 00:31:28,360 --> 00:31:29,160 Speaker 3: dog at nine o'clock? 707 00:31:29,200 --> 00:31:30,160 Speaker 2: I know it's late. I land. 708 00:31:30,240 --> 00:31:33,960 Speaker 3: Then I guess I do never mind, Please do not 709 00:31:34,040 --> 00:31:35,920 Speaker 3: You're not doing it. And she was like, no, I'll 710 00:31:35,920 --> 00:31:37,120 Speaker 3: do it. I got nothing else going on. 711 00:31:37,240 --> 00:31:38,440 Speaker 2: I go, yeah, I know. That's why. 712 00:31:38,560 --> 00:31:40,920 Speaker 3: I asked, like, why would you Your dad is tennis? Okay, 713 00:31:40,920 --> 00:31:43,440 Speaker 3: does he at tests till nine? Why doesn't he come? Yeah, 714 00:31:43,480 --> 00:31:46,000 Speaker 3: well he has tennis at seven. It probably goes till night. Okay, Well, 715 00:31:46,200 --> 00:31:48,200 Speaker 3: I'll just get an uber. I'll get Goldie in the morning. 716 00:31:48,240 --> 00:31:51,040 Speaker 3: I just wanted my dog because I am having a 717 00:31:51,120 --> 00:31:54,480 Speaker 3: rough day and and I want to have a rough night. 718 00:31:54,560 --> 00:31:59,600 Speaker 3: Are uff And she was like, I'll get you. Well, 719 00:31:59,640 --> 00:32:00,320 Speaker 3: I can do it. 720 00:32:00,400 --> 00:32:02,360 Speaker 2: Nick. I'm just like this is not. 721 00:32:02,560 --> 00:32:06,120 Speaker 3: Like this, this doesn't feel good, like I'm thank you 722 00:32:06,200 --> 00:32:08,160 Speaker 3: so much, but no thank you. And then it was 723 00:32:08,200 --> 00:32:11,120 Speaker 3: just a fight of like I'm gonna get you, and 724 00:32:11,120 --> 00:32:13,920 Speaker 3: then she did and it was nice. But that's I 725 00:32:13,920 --> 00:32:16,040 Speaker 3: I when I get home from the road on a 726 00:32:16,160 --> 00:32:19,680 Speaker 3: night and then I get home and I have nothing 727 00:32:19,720 --> 00:32:22,800 Speaker 3: to do at night and there's no boyfriend here to 728 00:32:22,920 --> 00:32:26,000 Speaker 3: like talk to me and watch TV with I just 729 00:32:26,160 --> 00:32:28,520 Speaker 3: I don't know what I My whole kitchen will get eaten. 730 00:32:28,800 --> 00:32:31,320 Speaker 3: I will eat until I am ready to go to sleep, 731 00:32:31,360 --> 00:32:33,560 Speaker 3: and then I will go to like I sleep or eat, 732 00:32:33,760 --> 00:32:37,040 Speaker 3: and I cannot watch TV without eating or talking to someone. 733 00:32:37,080 --> 00:32:38,400 Speaker 3: So if no one's there to talk to, I will 734 00:32:38,440 --> 00:32:40,160 Speaker 3: be eating the whole time until I feel sick and 735 00:32:40,160 --> 00:32:40,920 Speaker 3: then I go to bed. 736 00:32:41,480 --> 00:32:43,720 Speaker 2: And last night I watched Only Murders and. 737 00:32:43,720 --> 00:32:46,160 Speaker 3: I had a lot to say about that too, Anya, 738 00:32:46,240 --> 00:32:49,840 Speaker 3: for this sixt week, No there is. I'm just trying 739 00:32:49,880 --> 00:32:51,480 Speaker 3: to watch things for the Golden Globes that are like 740 00:32:51,600 --> 00:32:53,200 Speaker 3: ubiquitous that everyone knows about. 741 00:32:53,240 --> 00:32:54,280 Speaker 2: That may or it may not be. 742 00:32:54,640 --> 00:32:56,440 Speaker 3: You know, Only Murders is just something that's been around. 743 00:32:56,800 --> 00:32:59,960 Speaker 3: You've never seen twenty twenty one never Oh, Okay, I know. 744 00:33:00,080 --> 00:33:03,560 Speaker 4: Really great to start with Satan one because it's the 745 00:33:03,600 --> 00:33:07,520 Speaker 4: beginning of a journey that really is fearing my God. 746 00:33:07,680 --> 00:33:10,400 Speaker 3: Like, I knew your impression was good, but until I 747 00:33:10,440 --> 00:33:13,600 Speaker 3: started watching last night, like I started talking like her 748 00:33:13,640 --> 00:33:16,640 Speaker 3: to my dog, and my dog was so alarmed and 749 00:33:16,680 --> 00:33:17,720 Speaker 3: like kind of got scared. 750 00:33:18,960 --> 00:33:21,640 Speaker 2: I can't do it. That was so honestly, Anya, that. 751 00:33:21,720 --> 00:33:26,360 Speaker 3: Was literal AI perfection. It's exactly how she sounds. 752 00:33:26,760 --> 00:33:30,080 Speaker 4: It so worse as the seasons continue, not worse, I 753 00:33:30,120 --> 00:33:32,880 Speaker 4: don't if you're listening. So no, it just gets more 754 00:33:33,560 --> 00:33:36,840 Speaker 4: froggy ish it. 755 00:33:36,840 --> 00:33:40,400 Speaker 3: It is an interesting show. I like the fact that 756 00:33:41,120 --> 00:33:43,360 Speaker 3: Steve Martin wrote it. I just think that's so cool 757 00:33:43,400 --> 00:33:47,440 Speaker 3: that someone in their seventies is still making like hit 758 00:33:47,520 --> 00:33:50,800 Speaker 3: a hit TV show and like being so creative. And 759 00:33:50,880 --> 00:33:52,880 Speaker 3: it really is a creative idea for a show. I mean, 760 00:33:53,000 --> 00:33:55,120 Speaker 3: this isn't new to any any most people have seen 761 00:33:55,120 --> 00:33:58,120 Speaker 3: the show Martin short isn't. 762 00:33:59,680 --> 00:34:02,560 Speaker 2: Is beautiful and. 763 00:34:04,560 --> 00:34:07,360 Speaker 3: Yeah, oh what Steve Morton's Steve Martin is amazing. And 764 00:34:07,400 --> 00:34:09,040 Speaker 3: I was talking to gen ZM about it because she 765 00:34:09,040 --> 00:34:10,719 Speaker 3: was like, please, girl, will you please watch Odie Murders 766 00:34:10,719 --> 00:34:14,000 Speaker 3: because she's on season four, and I desperately. Oh, okay, 767 00:34:14,000 --> 00:34:16,640 Speaker 3: here's why I pretend I'm watching it for the Golden Globes. 768 00:34:16,680 --> 00:34:17,839 Speaker 2: Nikki, shut the fuck up. 769 00:34:18,040 --> 00:34:20,759 Speaker 3: It's it's advantageous that it also is a you know, 770 00:34:20,800 --> 00:34:22,880 Speaker 3: probably a Golden Globe contender, and it's nice that I 771 00:34:22,880 --> 00:34:25,680 Speaker 3: would watch it. You know, I'm watching it because Martin 772 00:34:25,800 --> 00:34:29,560 Speaker 3: Short and Meryl Street were dating and they fucking got together. 773 00:34:29,320 --> 00:34:30,399 Speaker 2: Because of that show. 774 00:34:30,719 --> 00:34:33,120 Speaker 3: Okay, it's so damn cute and I can't wait to 775 00:34:33,160 --> 00:34:34,439 Speaker 3: see them fall in love on the screen. 776 00:34:34,480 --> 00:34:37,400 Speaker 2: It's one of my favorite things. You don't know they're dating. 777 00:34:37,520 --> 00:34:39,040 Speaker 4: I have so many goosebumps. 778 00:34:39,040 --> 00:34:41,120 Speaker 3: People are saying it's Taylor and Travis for people who 779 00:34:41,160 --> 00:34:41,920 Speaker 3: don't like sports. 780 00:34:42,000 --> 00:34:44,840 Speaker 4: That's so cute because they have such crazy chemistry, and 781 00:34:44,880 --> 00:34:48,000 Speaker 4: I'm like getting horned up watching them horned up. 782 00:34:48,120 --> 00:34:50,319 Speaker 3: They are so cute. They first spotted like holding hands 783 00:34:50,360 --> 00:34:52,520 Speaker 3: on the red carpet. I think it's season three premiere, 784 00:34:52,840 --> 00:34:54,279 Speaker 3: and that was just people were just like, oh, they're 785 00:34:54,280 --> 00:34:57,839 Speaker 3: just friends, and then a really interesting meme popped up 786 00:34:57,840 --> 00:34:59,320 Speaker 3: for me. And I don't know if it's true, and 787 00:34:59,360 --> 00:35:01,560 Speaker 3: I don't mean to speculate, and it's none of my business, 788 00:35:01,880 --> 00:35:05,800 Speaker 3: but at the Golden Globes last year. I believe Selena 789 00:35:05,840 --> 00:35:12,680 Speaker 3: Gomez was talking to Taylor Swift and someone else. I 790 00:35:12,680 --> 00:35:14,799 Speaker 3: forget who was at the table, and I think it 791 00:35:14,880 --> 00:35:18,319 Speaker 3: was maybe, oh God, what's her name? I really like her, 792 00:35:18,360 --> 00:35:19,920 Speaker 3: she's married to that guy that's in a lot of 793 00:35:19,920 --> 00:35:24,160 Speaker 3: things whatever. And you saw Taylor sth go no, what, 794 00:35:24,560 --> 00:35:27,160 Speaker 3: and you see Selena like being like yes, uh huh, 795 00:35:27,200 --> 00:35:29,880 Speaker 3: and she's like, no way, they are something like that. 796 00:35:30,440 --> 00:35:32,680 Speaker 3: It was a year ago, or you know, almost a 797 00:35:32,719 --> 00:35:34,320 Speaker 3: year ago, so I don't remember the context, but it 798 00:35:34,400 --> 00:35:37,279 Speaker 3: was like something shocking that Taylor was responding to, and 799 00:35:37,280 --> 00:35:39,040 Speaker 3: it was really like a cute thing and people trying 800 00:35:39,080 --> 00:35:41,600 Speaker 3: to lip read and figure out and Selena like put 801 00:35:41,640 --> 00:35:44,200 Speaker 3: out at tweet at the time that said, this isn't 802 00:35:44,200 --> 00:35:45,040 Speaker 3: what you think it's about. 803 00:35:45,120 --> 00:35:46,440 Speaker 2: Everyone saw assuming it was. 804 00:35:46,360 --> 00:35:50,480 Speaker 4: Something it was Timothy Shallow May and Kylie. 805 00:35:50,840 --> 00:35:53,720 Speaker 3: Yes she They thought they were gossiping about Timothy. Timothy, 806 00:35:54,239 --> 00:35:56,880 Speaker 3: by the way, timotha a lot of I did a 807 00:35:56,880 --> 00:35:59,080 Speaker 3: Golden Globes promo day and they made sure that I 808 00:35:59,120 --> 00:36:00,600 Speaker 3: got it as tim Hey Shallow. 809 00:36:00,800 --> 00:36:00,880 Speaker 5: Yes. 810 00:36:01,360 --> 00:36:02,760 Speaker 1: No one says that though. 811 00:36:03,000 --> 00:36:05,240 Speaker 3: Uh it's I did both. 812 00:36:05,320 --> 00:36:05,839 Speaker 2: I did both. 813 00:36:05,880 --> 00:36:07,640 Speaker 3: I was like can we just get some Timothy's in 814 00:36:07,680 --> 00:36:10,640 Speaker 3: case it's not, but I think it is timid Ay, 815 00:36:11,400 --> 00:36:14,040 Speaker 3: So Timoday, Shalla May and Kylie where I guess, like 816 00:36:14,160 --> 00:36:16,520 Speaker 3: you know, kissing and stuff. So everyone thought they were 817 00:36:16,520 --> 00:36:18,560 Speaker 3: gossiping about them, and Selene was like, I was not 818 00:36:18,600 --> 00:36:19,560 Speaker 3: gossiping about them. 819 00:36:19,960 --> 00:36:21,680 Speaker 2: I was talking about. 820 00:36:21,440 --> 00:36:23,360 Speaker 3: Two of my friends who are hooking up, not that 821 00:36:23,400 --> 00:36:26,759 Speaker 3: it's any of your business. And cut to now we 822 00:36:26,880 --> 00:36:30,160 Speaker 3: think it might have been she was telling Taylor and 823 00:36:30,600 --> 00:36:34,080 Speaker 3: this other girl about Martin and Merrill, which would have 824 00:36:34,120 --> 00:36:35,759 Speaker 3: definitely elicited. 825 00:36:35,280 --> 00:36:37,040 Speaker 2: A no way. 826 00:36:37,280 --> 00:36:40,719 Speaker 3: Oh my god, Like it's it's so cute. I can't 827 00:36:40,719 --> 00:36:42,839 Speaker 3: even stand it. After reading his book, you if you've 828 00:36:42,840 --> 00:36:44,200 Speaker 3: listened to the show for a while, you know how 829 00:36:44,239 --> 00:36:47,479 Speaker 3: obsessed I got with I became a shorty and I 830 00:36:47,520 --> 00:36:49,600 Speaker 3: like became obsessed with and short after reading his book 831 00:36:49,640 --> 00:36:52,280 Speaker 3: and reading about like how much he loved his wife 832 00:36:52,320 --> 00:36:55,960 Speaker 3: and after her death, like how devastating it was and 833 00:36:56,000 --> 00:36:58,399 Speaker 3: how like cute, he was like, oh my god, there's 834 00:36:58,400 --> 00:36:58,840 Speaker 3: this moment. 835 00:36:58,880 --> 00:36:59,680 Speaker 2: Okay, so his. 836 00:36:59,600 --> 00:37:04,319 Speaker 3: Wife and it's really really really fucking sad, Like the 837 00:37:04,400 --> 00:37:07,239 Speaker 3: book is like stained with my tears, like it's crumpled 838 00:37:07,320 --> 00:37:10,120 Speaker 3: where like I like couldn't even turn the page because 839 00:37:10,120 --> 00:37:12,520 Speaker 3: it was like I was crying so much. Then he 840 00:37:12,560 --> 00:37:16,040 Speaker 3: goes on the Today Show like, I don't know, I'm 841 00:37:16,080 --> 00:37:19,760 Speaker 3: gonna guess like six months to a year after her passing, 842 00:37:20,760 --> 00:37:25,279 Speaker 3: and Kathy Lee, I believe is that he's he's being 843 00:37:25,320 --> 00:37:28,160 Speaker 3: interviewed about some animated show he's on or whatever movie, 844 00:37:28,920 --> 00:37:31,160 Speaker 3: and Kathy Lee is like, let's talk about one of 845 00:37:31,200 --> 00:37:32,800 Speaker 3: the greatest love stories of Hollywood. 846 00:37:32,840 --> 00:37:35,480 Speaker 2: You and your wife. Are you still in love? Are 847 00:37:35,480 --> 00:37:36,160 Speaker 2: you still is it? 848 00:37:36,160 --> 00:37:38,040 Speaker 3: It's like it's she doesn't know about her death, so 849 00:37:38,080 --> 00:37:40,360 Speaker 3: I liked, either she forgot about it or she didn't know, 850 00:37:40,400 --> 00:37:45,279 Speaker 3: but she's asking him about his wife and how great 851 00:37:45,320 --> 00:37:47,640 Speaker 3: their relationship is and how enviable it is, and it's 852 00:37:47,640 --> 00:37:49,600 Speaker 3: one of the great Hollywood marriages, like they say, it 853 00:37:49,600 --> 00:37:52,520 Speaker 3: doesn't last in Hollywood. You and Nancy have and and 854 00:37:52,760 --> 00:37:55,360 Speaker 3: he's so cute because he doesn't go, actually she's passed. 855 00:37:55,360 --> 00:37:57,440 Speaker 3: He doesn't correct her. He's just like, yeah, we still 856 00:37:57,840 --> 00:37:59,560 Speaker 3: I still love her so much, we still are so 857 00:37:59,640 --> 00:38:01,680 Speaker 3: in love, and he like answers it like that, and 858 00:38:01,719 --> 00:38:04,560 Speaker 3: then in the book he explains that like when she said, like, 859 00:38:05,440 --> 00:38:06,680 Speaker 3: you know, is it about communication? 860 00:38:06,840 --> 00:38:08,000 Speaker 2: He's like something. 861 00:38:07,680 --> 00:38:10,440 Speaker 3: About where he's like, yeah, it's about we communicate like 862 00:38:10,560 --> 00:38:12,880 Speaker 3: so well, and he said I wasn't lying because I 863 00:38:12,920 --> 00:38:14,360 Speaker 3: still talk to her all the time. 864 00:38:14,640 --> 00:38:17,120 Speaker 2: It was so sweet, And that's that's my thing. 865 00:38:17,120 --> 00:38:19,759 Speaker 3: When people go what makes you cry, it's always when 866 00:38:19,800 --> 00:38:22,960 Speaker 3: people talk to dead people and say, like, you know, 867 00:38:23,000 --> 00:38:24,560 Speaker 3: it started with Forrest Gump where he's. 868 00:38:24,400 --> 00:38:27,080 Speaker 2: Like, Jenny, you'd be so proud of little. 869 00:38:26,840 --> 00:38:29,600 Speaker 3: Forests like that, Like, was the first time I think 870 00:38:29,640 --> 00:38:32,680 Speaker 3: I cried as a about an adult situation when I 871 00:38:32,719 --> 00:38:36,320 Speaker 3: was a child. And then when dead people leave notes 872 00:38:36,520 --> 00:38:39,120 Speaker 3: from and then people read them later on, those are 873 00:38:39,200 --> 00:38:42,279 Speaker 3: like my two biggest triggers for just instantly weeping is 874 00:38:42,360 --> 00:38:45,440 Speaker 3: like dead people being like I want you to go 875 00:38:45,480 --> 00:38:47,359 Speaker 3: on and have a full life, and like someone's reading 876 00:38:47,400 --> 00:38:50,120 Speaker 3: a letter knowing that they're gonna die can't handle it, 877 00:38:50,239 --> 00:38:52,600 Speaker 3: and and that was and that was so cute though, 878 00:38:52,840 --> 00:38:54,520 Speaker 3: And he said though that it was the first time 879 00:38:54,520 --> 00:38:56,640 Speaker 3: he realized the power of social media because it was 880 00:38:56,680 --> 00:39:00,279 Speaker 3: around the time when I guess like Twitter and was 881 00:39:00,440 --> 00:39:05,399 Speaker 3: taking off or really gaining like popularity. And he said, 882 00:39:05,600 --> 00:39:07,600 Speaker 3: you know what, that was embarrassing for Kathleen, But no 883 00:39:07,640 --> 00:39:09,560 Speaker 3: one said anything about it and it's not gonna be 884 00:39:09,600 --> 00:39:11,600 Speaker 3: a thing. And then he got in his car, like 885 00:39:11,680 --> 00:39:14,000 Speaker 3: his town car that they have for him waiting outside, 886 00:39:14,239 --> 00:39:17,120 Speaker 3: and Steve Martin called him right away like cackling, laughing 887 00:39:17,160 --> 00:39:20,000 Speaker 3: and was like, haa, how did she not know? That 888 00:39:20,120 --> 00:39:21,920 Speaker 3: was so funny and like had a good sense of 889 00:39:21,960 --> 00:39:23,400 Speaker 3: you were about it. But he was like, wait, how 890 00:39:23,440 --> 00:39:25,280 Speaker 3: did you know? And these goes it's all over Twitter 891 00:39:25,320 --> 00:39:27,160 Speaker 3: and he's like, what's Twitter? And it was the first 892 00:39:27,239 --> 00:39:32,560 Speaker 3: time in his long careers sees that something could be 893 00:39:32,800 --> 00:39:36,160 Speaker 3: like seen that quickly and like become a thing, and 894 00:39:36,200 --> 00:39:38,200 Speaker 3: it was it was interesting to even hear about that 895 00:39:38,239 --> 00:39:41,440 Speaker 3: about how like back in the day in Hollywood, like 896 00:39:41,640 --> 00:39:46,560 Speaker 3: rumors took months to start and like like things didn't 897 00:39:46,600 --> 00:39:48,960 Speaker 3: catch on unless you were watching it live, like you 898 00:39:49,000 --> 00:39:50,799 Speaker 3: wouldn't have known about it for a while. 899 00:39:51,000 --> 00:39:53,520 Speaker 1: That's one of the biggest problems with our society, yeah, 900 00:39:53,719 --> 00:39:56,520 Speaker 1: is that things just happened so fast and then they're gone. 901 00:39:56,760 --> 00:39:59,640 Speaker 1: There's no build up, there's no staying power. It's just 902 00:39:59,760 --> 00:40:01,760 Speaker 1: it's they're in an instant and it's gone an instant. 903 00:40:02,120 --> 00:40:04,920 Speaker 3: Absolutely, It's it's it's both a good thing and a 904 00:40:04,960 --> 00:40:08,759 Speaker 3: bad thing. I think because I we've talked about before, 905 00:40:08,800 --> 00:40:10,960 Speaker 3: but I whenever I worry about, like, oh what if 906 00:40:11,000 --> 00:40:14,400 Speaker 3: I have this really bad showing at something like it's 907 00:40:14,520 --> 00:40:15,840 Speaker 3: I can just always tell myself. 908 00:40:15,600 --> 00:40:17,160 Speaker 2: It's people forget about it right away. 909 00:40:17,400 --> 00:40:17,640 Speaker 5: Yeah. 910 00:40:17,640 --> 00:40:20,480 Speaker 3: And then also if it's good, they forget about it 911 00:40:20,520 --> 00:40:23,200 Speaker 3: right away, so none of it really matters. Like Anya, 912 00:40:23,200 --> 00:40:25,279 Speaker 3: you weren't even saying it's interesting we bring this up. 913 00:40:25,719 --> 00:40:28,080 Speaker 3: It was before your album even came out, and you 914 00:40:28,120 --> 00:40:31,120 Speaker 3: were saying, I'm having a depression. Maybe you didn't say 915 00:40:31,120 --> 00:40:34,560 Speaker 3: the word depression, but I'm grieving it being done, like 916 00:40:34,600 --> 00:40:37,359 Speaker 3: this big thing that it hadn't even come out yet. 917 00:40:37,360 --> 00:40:38,880 Speaker 3: I think it was like a week before, and you 918 00:40:38,880 --> 00:40:42,440 Speaker 3: were like, I'm already feeling a low grade depression about it, 919 00:40:42,520 --> 00:40:44,959 Speaker 3: being like the anticipasion it's over. 920 00:40:45,360 --> 00:40:48,120 Speaker 4: Yeah, because once an album is out, it's like people 921 00:40:48,120 --> 00:40:50,320 Speaker 4: consuming it really fast and then it's like, okay, next, 922 00:40:50,760 --> 00:40:53,640 Speaker 4: Like I just put out a new single I don't know, 923 00:40:53,680 --> 00:40:55,800 Speaker 4: like a week ago from the album, which is still 924 00:40:55,840 --> 00:40:57,200 Speaker 4: on the album. You can hear it. 925 00:40:57,320 --> 00:40:58,040 Speaker 2: You are good. 926 00:40:59,080 --> 00:41:02,120 Speaker 4: It's I put out a little visualizer for where the 927 00:41:02,200 --> 00:41:05,680 Speaker 4: Darkness is. Oh yeah, and now it's been a week 928 00:41:05,760 --> 00:41:07,000 Speaker 4: since I put it out and I'm like, I gotta 929 00:41:07,000 --> 00:41:08,960 Speaker 4: put out another thing, and it's like it's been a week. 930 00:41:09,200 --> 00:41:09,840 Speaker 4: It's fine. 931 00:41:10,000 --> 00:41:11,640 Speaker 2: No, it's not fine. Anya. 932 00:41:11,760 --> 00:41:16,160 Speaker 3: A week is like an eternity social media to. 933 00:41:16,560 --> 00:41:19,399 Speaker 4: Write that song, produce that song, mix it up song, 934 00:41:19,440 --> 00:41:20,160 Speaker 4: and master that. 935 00:41:20,880 --> 00:41:23,839 Speaker 3: It's it's insane. It's not fair. It's it's the way 936 00:41:23,880 --> 00:41:26,520 Speaker 3: we consume things. It isn't fair. But you're it's you're 937 00:41:26,880 --> 00:41:29,120 Speaker 3: You're not wrong to feel that way because it's it's 938 00:41:29,200 --> 00:41:31,719 Speaker 3: kind of accurate that that is how fast things are 939 00:41:31,920 --> 00:41:33,160 Speaker 3: are consumed now. 940 00:41:33,400 --> 00:41:33,879 Speaker 2: Like do you. 941 00:41:35,600 --> 00:41:38,160 Speaker 3: Are? You are? You're still in like the promo stage though, 942 00:41:38,160 --> 00:41:40,480 Speaker 3: and still like in like the exciting like releasing and 943 00:41:40,480 --> 00:41:42,759 Speaker 3: people are people like an album comes out, like a 944 00:41:42,760 --> 00:41:45,080 Speaker 3: movie comes out. People see it and they're instantly like 945 00:41:45,440 --> 00:41:48,560 Speaker 3: I love this movie, it's my favorite movie, or I 946 00:41:48,560 --> 00:41:49,200 Speaker 3: didn't like the movie. 947 00:41:49,200 --> 00:41:50,000 Speaker 2: I'll never see it again. 948 00:41:50,160 --> 00:41:53,840 Speaker 3: Albums like I can listen to an album and I 949 00:41:54,880 --> 00:41:57,160 Speaker 3: feel like anytime an album comes out, I go like, ah, 950 00:41:57,200 --> 00:42:00,200 Speaker 3: it's okay, Like it's never instantly my favorite, because a 951 00:42:00,280 --> 00:42:04,360 Speaker 3: song becomes your favorite upon the fifth to seventh. 952 00:42:04,000 --> 00:42:06,240 Speaker 4: Listen, and that takes repetition. 953 00:42:06,360 --> 00:42:08,480 Speaker 3: It takes repetition, and I think that's the only kind 954 00:42:08,480 --> 00:42:11,560 Speaker 3: of medium that actually does take that long. Or maybe 955 00:42:11,560 --> 00:42:14,120 Speaker 3: with a TV show, like it takes a couple episodes 956 00:42:14,200 --> 00:42:14,600 Speaker 3: or whatever. 957 00:42:14,920 --> 00:42:16,520 Speaker 2: But do you feel like that? 958 00:42:16,719 --> 00:42:19,560 Speaker 1: No, I mean I didn't. I didn't like Mad Max 959 00:42:19,600 --> 00:42:22,759 Speaker 1: Fury Road until I saw it the second But don't you. 960 00:42:22,880 --> 00:42:23,959 Speaker 2: Isn't it true with a song? 961 00:42:24,080 --> 00:42:25,879 Speaker 3: Like what do you guys think when you think about 962 00:42:25,880 --> 00:42:27,560 Speaker 3: your favorite song? When did you know it was your 963 00:42:27,560 --> 00:42:28,120 Speaker 3: favorite song? 964 00:42:28,960 --> 00:42:31,120 Speaker 4: Yeah? With radio, when I was a DJ on the radio, 965 00:42:31,160 --> 00:42:32,799 Speaker 4: I would be like, oh, I hate this song. I 966 00:42:32,840 --> 00:42:34,319 Speaker 4: have to play it thirty times a day, and then 967 00:42:34,400 --> 00:42:36,319 Speaker 4: within a week I'm like, this is my favorite song. 968 00:42:36,360 --> 00:42:38,200 Speaker 4: And it's just because you're training your brain. 969 00:42:39,120 --> 00:42:41,040 Speaker 3: It doesn't work that way with TV shows. If you 970 00:42:41,040 --> 00:42:42,680 Speaker 3: watch you can watch an episode of a TV show. 971 00:42:42,719 --> 00:42:44,200 Speaker 3: If I if you don't like it and I show 972 00:42:44,200 --> 00:42:45,960 Speaker 3: it to you seven more times, you're not gonna like 973 00:42:46,040 --> 00:42:48,000 Speaker 3: it more. Like I think that would be rare that 974 00:42:48,040 --> 00:42:49,640 Speaker 3: you would like it more. Why is it that way 975 00:42:49,680 --> 00:42:50,600 Speaker 3: with music? 976 00:42:51,960 --> 00:42:53,600 Speaker 4: I don't know. It's a great question. 977 00:42:53,760 --> 00:42:56,239 Speaker 1: Songs are only like a few minutes, so you can 978 00:42:56,400 --> 00:42:58,600 Speaker 1: listen to it again and again. That's one theory. 979 00:42:59,440 --> 00:43:02,600 Speaker 4: You start hearing more things upon many listens, you'll be like, oh, 980 00:43:02,640 --> 00:43:05,040 Speaker 4: I didn't catch that before. Actually, when I watched movies 981 00:43:05,080 --> 00:43:07,719 Speaker 4: a couple times, I'm like, oh, or Succession, Yeah, you 982 00:43:07,719 --> 00:43:08,879 Speaker 4: would watch Succession be. 983 00:43:08,800 --> 00:43:10,960 Speaker 3: Like, oh, I never caught that. He was alluding to 984 00:43:11,000 --> 00:43:12,400 Speaker 3: the other thing and the scene. 985 00:43:12,680 --> 00:43:13,560 Speaker 2: It's unconnected. 986 00:43:14,000 --> 00:43:16,680 Speaker 3: But I will say that there I have known right 987 00:43:16,719 --> 00:43:18,879 Speaker 3: away with the TV show, but it's my favorite. I'm 988 00:43:19,160 --> 00:43:21,040 Speaker 3: right away with a movie when it's my favorite, like 989 00:43:21,080 --> 00:43:24,839 Speaker 3: there's but with my favorite songs, it is very rare 990 00:43:24,920 --> 00:43:26,279 Speaker 3: that I know right away. 991 00:43:26,280 --> 00:43:27,280 Speaker 2: There's one song. 992 00:43:27,440 --> 00:43:29,000 Speaker 3: There's two songs that I can think of that I 993 00:43:29,040 --> 00:43:30,440 Speaker 3: was like, these are gonna be two of my favorite 994 00:43:30,480 --> 00:43:33,359 Speaker 3: songs forever upon first listen. One of them is Still 995 00:43:33,400 --> 00:43:36,600 Speaker 3: Summer by Matt Pond, which I heard in a cafe 996 00:43:36,760 --> 00:43:39,640 Speaker 3: and I shazamed right away before I knew it was 997 00:43:39,680 --> 00:43:42,520 Speaker 3: Matt Pond and was like, actually mad it was Matt 998 00:43:42,560 --> 00:43:44,239 Speaker 3: Pond because at the time, you guys were not like 999 00:43:44,280 --> 00:43:46,359 Speaker 3: talking and I really didn't like him. And I was like, 1000 00:43:46,440 --> 00:43:49,279 Speaker 3: I texted you, fuck Anya, he's really good that this 1001 00:43:49,400 --> 00:43:51,200 Speaker 3: song is like one of the best songs I've ever heard. 1002 00:43:51,480 --> 00:43:54,879 Speaker 2: And then the other song, no one will even believe me. 1003 00:43:55,200 --> 00:43:56,480 Speaker 4: Wait, but I'm like a hint. 1004 00:43:57,320 --> 00:43:59,520 Speaker 2: I mean, I don't even know that you would. 1005 00:44:01,120 --> 00:44:03,640 Speaker 3: It wasn't of your generation like I think it was 1006 00:44:03,719 --> 00:44:06,239 Speaker 3: just a little bit older than me to get this. 1007 00:44:06,400 --> 00:44:10,040 Speaker 3: But let me give you the let me give you 1008 00:44:10,080 --> 00:44:10,960 Speaker 3: the lyrics, not song. 1009 00:44:11,400 --> 00:44:12,400 Speaker 2: I can't understand. 1010 00:44:12,680 --> 00:44:16,480 Speaker 3: Wait, wait, hold on, because I like the way that 1011 00:44:16,560 --> 00:44:18,680 Speaker 3: you're making me move. I like the way you're making me. 1012 00:44:18,760 --> 00:44:20,600 Speaker 3: Wait at the end of the night, when you make 1013 00:44:20,680 --> 00:44:22,400 Speaker 3: up your mind, you'll be coming on home with me, 1014 00:44:24,520 --> 00:44:27,839 Speaker 3: right girl? You know you want it, girl, you know 1015 00:44:27,960 --> 00:44:31,440 Speaker 3: I've got it. I can't wait to take get home. 1016 00:44:31,640 --> 00:44:34,279 Speaker 3: You know you got it tonight. I don't want to 1017 00:44:34,320 --> 00:44:37,640 Speaker 3: be rooted all yeah, girl. 1018 00:44:37,880 --> 00:44:42,120 Speaker 2: Don't be could do alone? My favorite part of the song. 1019 00:44:42,360 --> 00:44:45,400 Speaker 3: Can we do what we did last night again? Maybe 1020 00:44:45,400 --> 00:44:48,839 Speaker 3: you would not be bedfferent. Don't you think it's time we 1021 00:44:48,880 --> 00:44:49,720 Speaker 3: went a bit further? 1022 00:44:50,000 --> 00:44:50,600 Speaker 2: Oh yeah? 1023 00:44:50,880 --> 00:44:54,040 Speaker 3: Every night and we say goodbye? Can I keep looking 1024 00:44:54,120 --> 00:44:57,520 Speaker 3: in your h wondering why you and I have and 1025 00:44:57,640 --> 00:44:58,000 Speaker 3: hit it? 1026 00:44:58,160 --> 00:44:59,120 Speaker 2: Can we get it on? 1027 00:44:59,400 --> 00:45:00,839 Speaker 3: And then this is the best? This is the course? 1028 00:45:01,120 --> 00:45:04,800 Speaker 3: Can uh something? And what did all right think about? 1029 00:45:04,880 --> 00:45:07,360 Speaker 3: Making mom moved? And that I can't understand when I 1030 00:45:07,480 --> 00:45:09,600 Speaker 3: hold in my hand and you're holding my body tight. 1031 00:45:09,840 --> 00:45:17,360 Speaker 3: That little thing that when I heard that, I can't like. 1032 00:45:17,400 --> 00:45:20,640 Speaker 3: It felt like a ball following downstairs. Can understand when 1033 00:45:20,640 --> 00:45:25,680 Speaker 3: I'm with I was obsessed. I heard it in a 1034 00:45:25,680 --> 00:45:27,319 Speaker 3: Best Buy and I was like, what is this. It 1035 00:45:27,360 --> 00:45:30,719 Speaker 3: was Soul Decision. They only had one hit song, and 1036 00:45:30,760 --> 00:45:33,160 Speaker 3: that was one of my favorite songs instantly because of 1037 00:45:33,200 --> 00:45:35,520 Speaker 3: that little thing, and I just knew. 1038 00:45:35,560 --> 00:45:39,799 Speaker 1: Maybe that's why. Maybe it's because in songs, you you 1039 00:45:39,920 --> 00:45:45,760 Speaker 1: need something familiar that's slightly changed so that your brain 1040 00:45:45,840 --> 00:45:50,840 Speaker 1: is surprised by the musicality of it without being so 1041 00:45:51,040 --> 00:45:54,320 Speaker 1: off put that it's not like a pattern you recognize. 1042 00:45:53,800 --> 00:45:55,160 Speaker 2: Oh that's interesting, And so it. 1043 00:45:55,239 --> 00:45:57,240 Speaker 1: Takes a while for you to get used to hearing 1044 00:45:57,280 --> 00:45:59,600 Speaker 1: that new thing, which you wouldn't. You won't like a 1045 00:45:59,600 --> 00:46:01,600 Speaker 1: song if it's just so familiar you've heard it a 1046 00:46:01,600 --> 00:46:02,480 Speaker 1: million times. 1047 00:46:03,040 --> 00:46:06,360 Speaker 5: I remember in the early aughts, Yeah, I heard this 1048 00:46:06,440 --> 00:46:11,200 Speaker 5: shit is bananas Bee Ana Na Yes, and I was 1049 00:46:11,280 --> 00:46:15,080 Speaker 5: just like, this is a new cool cadence and it's 1050 00:46:15,120 --> 00:46:19,160 Speaker 5: like bringing up you know, high school bands and. 1051 00:46:19,200 --> 00:46:21,320 Speaker 4: Orchestras and like it had orchestral roles in it, and 1052 00:46:21,400 --> 00:46:23,240 Speaker 4: I was just like, this is cool. And then everybody 1053 00:46:23,239 --> 00:46:25,759 Speaker 4: started doing stuff like that and same with like. 1054 00:46:27,120 --> 00:46:30,560 Speaker 1: Same thing right now. Oh yeah, yeah, history repeats itself. 1055 00:46:31,400 --> 00:46:34,120 Speaker 4: Yeah, it's fun when there are like new little trends 1056 00:46:34,160 --> 00:46:37,800 Speaker 4: that happen in music that are like probably old repeating. 1057 00:46:38,160 --> 00:46:38,399 Speaker 2: Well. 1058 00:46:38,480 --> 00:46:41,239 Speaker 3: I loved you did an interview with Kate Walsh on 1059 00:46:41,320 --> 00:46:44,360 Speaker 3: Instagram Live that I was watching, and you were talking 1060 00:46:44,400 --> 00:46:47,640 Speaker 3: about how you're like you're on the road with me, 1061 00:46:47,719 --> 00:46:49,440 Speaker 3: so you listen to a lot of Taylor Swift, and 1062 00:46:49,480 --> 00:46:52,560 Speaker 3: how you would never think that on your Marina would 1063 00:46:52,560 --> 00:46:54,520 Speaker 3: be like listening to this album, you wouldn't think, oh, 1064 00:46:54,640 --> 00:46:56,920 Speaker 3: she's gotten a lot of inspiration from Taylor Swift. But 1065 00:46:56,960 --> 00:46:59,719 Speaker 3: it was one of like it did change kind of 1066 00:46:59,760 --> 00:47:03,600 Speaker 3: the way you approach writing or lyrics. And I just 1067 00:47:03,640 --> 00:47:05,920 Speaker 3: want you to expound on that, because I was fascinated 1068 00:47:05,920 --> 00:47:08,000 Speaker 3: by that, and I didn't follow up with you, like 1069 00:47:08,880 --> 00:47:09,960 Speaker 3: exactly what you meant by that? 1070 00:47:10,360 --> 00:47:12,640 Speaker 4: Oh cool, Yeah, I think I was like, I like 1071 00:47:12,920 --> 00:47:16,640 Speaker 4: that Taylor can be really specific about stuff. And then 1072 00:47:16,640 --> 00:47:18,440 Speaker 4: I started looking at my lyrics and I was like, 1073 00:47:18,480 --> 00:47:21,440 Speaker 4: I've always tried to be a little oblique or like 1074 00:47:21,760 --> 00:47:24,359 Speaker 4: if you figure it out, you know, and I don't, 1075 00:47:24,480 --> 00:47:27,080 Speaker 4: And so I wanted to kind of like Mayor I 1076 00:47:27,120 --> 00:47:30,000 Speaker 4: don't know, like meet her halfway or like go a 1077 00:47:30,000 --> 00:47:32,200 Speaker 4: little bit closer to that, like why don't I tell 1078 00:47:32,239 --> 00:47:37,880 Speaker 4: more personal stories? And I did, like in Nothing. 1079 00:47:37,680 --> 00:47:39,880 Speaker 3: I think it was was it just not the trend 1080 00:47:39,960 --> 00:47:42,759 Speaker 3: when you started in music, or it wasn't like the 1081 00:47:42,840 --> 00:47:45,880 Speaker 3: music that you liked, like you were really inspired by, 1082 00:47:45,920 --> 00:47:49,600 Speaker 3: like Liz Fair, it was like do you think ye, 1083 00:47:49,840 --> 00:47:50,239 Speaker 3: that's it? 1084 00:47:50,280 --> 00:47:51,359 Speaker 2: Like it would just like I. 1085 00:47:51,400 --> 00:47:54,960 Speaker 4: Was flying into Chicago at night watching the lake turn 1086 00:47:55,040 --> 00:47:58,200 Speaker 4: this guy into blue green smoke that song she has 1087 00:47:58,239 --> 00:48:01,799 Speaker 4: Stratford on Guy that I love, like I would have 1088 00:48:01,840 --> 00:48:03,879 Speaker 4: to pick that apart and like, wait, what does she mean? Okay, 1089 00:48:03,920 --> 00:48:06,919 Speaker 4: she's on an airplane. She's descending, they're about to land 1090 00:48:07,040 --> 00:48:10,200 Speaker 4: in Chicago. Okay, cool, Like I like figuring out what 1091 00:48:10,239 --> 00:48:11,920 Speaker 4: a song is about. I don't like when something's like 1092 00:48:12,000 --> 00:48:13,560 Speaker 4: and then I went to the store and then I 1093 00:48:13,680 --> 00:48:15,800 Speaker 4: at this. I don't want it to be too black 1094 00:48:15,800 --> 00:48:19,040 Speaker 4: and white, but it's just boring to me, or it's 1095 00:48:19,080 --> 00:48:22,160 Speaker 4: not like as poetic or artistic. I love it doesn't 1096 00:48:22,760 --> 00:48:24,520 Speaker 4: it's not like I like one or the other. But 1097 00:48:24,560 --> 00:48:28,040 Speaker 4: I just thought like I could be more vulnerable and 1098 00:48:28,080 --> 00:48:30,719 Speaker 4: that this album definitely is. It's like I wanted to 1099 00:48:30,760 --> 00:48:32,319 Speaker 4: write I would think like, oh, I had a fight 1100 00:48:32,360 --> 00:48:34,160 Speaker 4: with Matt, But I don't want to write that I 1101 00:48:34,200 --> 00:48:35,640 Speaker 4: had to fight with Matt. And then I'd be like, no, 1102 00:48:35,760 --> 00:48:37,640 Speaker 4: you should write exactly how you feel right now. 1103 00:48:37,640 --> 00:48:39,680 Speaker 3: Why wouldn't you want to like I don't relate to that. 1104 00:48:39,719 --> 00:48:41,200 Speaker 3: Why wouldn't you want to write about that? 1105 00:48:42,040 --> 00:48:44,080 Speaker 4: Because like, I wouldn't want to be I wouldn't want 1106 00:48:44,080 --> 00:48:45,719 Speaker 4: to write a lyric that's like I got in a 1107 00:48:45,760 --> 00:48:48,239 Speaker 4: fight with my boyfriend tonight, which I did not do that, 1108 00:48:48,520 --> 00:48:49,080 Speaker 4: but I did. 1109 00:48:49,000 --> 00:48:51,960 Speaker 3: Talk the lyric that you are like kind of alluding 1110 00:48:51,960 --> 00:48:53,640 Speaker 3: to I have tried to fix it before. 1111 00:48:53,719 --> 00:48:56,800 Speaker 4: I have tried to fix myself, straighten out the bumps 1112 00:48:56,840 --> 00:48:59,400 Speaker 4: and flat and war and bent, heal the parts that 1113 00:48:59,440 --> 00:49:02,799 Speaker 4: needed help. I've tried to fix myself, spent my whole 1114 00:49:02,800 --> 00:49:05,000 Speaker 4: life growing up, and yet here I am. I'm just 1115 00:49:05,040 --> 00:49:08,480 Speaker 4: a kid with one hundred miles to go till I 1116 00:49:08,520 --> 00:49:10,799 Speaker 4: get to where I need to get. In moments just 1117 00:49:10,840 --> 00:49:14,680 Speaker 4: like these, it feels like I left everything that I've 1118 00:49:14,680 --> 00:49:18,440 Speaker 4: ever learned behind. So it's kind of like capturing that feeling, 1119 00:49:18,680 --> 00:49:22,360 Speaker 4: like feeling dejected and like God, I don't know anything. 1120 00:49:22,400 --> 00:49:23,440 Speaker 4: I hope that comes across. 1121 00:49:23,440 --> 00:49:28,000 Speaker 3: It feels like introspective rather than blaming and like aggressive towards. 1122 00:49:27,800 --> 00:49:31,200 Speaker 4: Yeah, the persons like super specific. I mean, I hope 1123 00:49:31,200 --> 00:49:32,399 Speaker 4: it's a little poetic and. 1124 00:49:32,480 --> 00:49:37,160 Speaker 1: Yeah, very poetic, absolutely, and you could you could have said, man, 1125 00:49:39,719 --> 00:49:41,560 Speaker 1: but what was better than that? 1126 00:49:41,920 --> 00:49:47,200 Speaker 3: I'm wondering though, like what why, what's the what's the 1127 00:49:47,239 --> 00:49:50,480 Speaker 3: fear of being less poetic? Not that I would want 1128 00:49:50,480 --> 00:49:53,000 Speaker 3: you to be, but like, what what is something like 1129 00:49:53,400 --> 00:49:57,040 Speaker 3: you just think it sounds like too immature? 1130 00:49:57,600 --> 00:50:01,600 Speaker 4: Maybe it doesn't interest me, interest you. I want to 1131 00:50:01,600 --> 00:50:02,840 Speaker 4: make something that interests me. 1132 00:50:03,640 --> 00:50:04,680 Speaker 2: Got it? Got it? 1133 00:50:05,440 --> 00:50:09,160 Speaker 1: That's the artist's answer. Yes, you're an artist. 1134 00:50:09,560 --> 00:50:12,520 Speaker 4: Like when I was making my first real major label 1135 00:50:12,600 --> 00:50:16,560 Speaker 4: record that was on Atlantic, I was really interested in rhythms. 1136 00:50:16,640 --> 00:50:19,320 Speaker 4: So there's a lot of like drum loops on that album. 1137 00:50:19,320 --> 00:50:23,840 Speaker 4: Like so I wasn't so interested in lyrics. I was 1138 00:50:23,880 --> 00:50:27,719 Speaker 4: making songs that are like then, like a little more 1139 00:50:27,760 --> 00:50:31,400 Speaker 4: like the ding Dings, you know, And that was interesting 1140 00:50:31,440 --> 00:50:33,880 Speaker 4: to me at the time. But as I've gotten older, 1141 00:50:33,920 --> 00:50:35,719 Speaker 4: you know, like I'm in a different phase of my 1142 00:50:35,760 --> 00:50:38,600 Speaker 4: life and I'm thinking a lot about like where am 1143 00:50:38,680 --> 00:50:41,160 Speaker 4: I in my life? Like so a lot of the 1144 00:50:41,200 --> 00:50:44,040 Speaker 4: record is just about existence and like we're in a 1145 00:50:44,080 --> 00:50:46,560 Speaker 4: different place now than I was in the early adds, 1146 00:50:46,560 --> 00:50:49,440 Speaker 4: Like I'm thinking about the planet and I'm thinking about 1147 00:50:49,440 --> 00:50:52,160 Speaker 4: like are we going to exist? And I'm thinking about 1148 00:50:52,200 --> 00:50:55,839 Speaker 4: that I didn't have children and I got married late 1149 00:50:55,880 --> 00:50:57,760 Speaker 4: in life, and like I want to make a record 1150 00:50:57,800 --> 00:51:01,120 Speaker 4: for someone else. That's like I have gotten married yet either, 1151 00:51:01,160 --> 00:51:02,600 Speaker 4: do I even need to? I don't know if I 1152 00:51:02,640 --> 00:51:04,640 Speaker 4: want to have kids, Like there are songs on here 1153 00:51:04,680 --> 00:51:05,839 Speaker 4: that talk about that too. 1154 00:51:06,239 --> 00:51:08,600 Speaker 3: You like made a record for yourself, like for yourself, 1155 00:51:08,640 --> 00:51:11,880 Speaker 3: which is always the place to write from as an artist. 1156 00:51:11,960 --> 00:51:14,719 Speaker 3: Probably is just you know, not giving people what they 1157 00:51:15,200 --> 00:51:18,040 Speaker 3: want and doing what you want and what interests you. 1158 00:51:18,560 --> 00:51:21,120 Speaker 3: But because it's hard though, because you listen to Taylor Swift, 1159 00:51:21,120 --> 00:51:23,239 Speaker 3: I'm sure and you're like, this is what's popular, this 1160 00:51:23,320 --> 00:51:24,080 Speaker 3: is what people want. 1161 00:51:24,160 --> 00:51:25,920 Speaker 2: I should like change to that. 1162 00:51:26,360 --> 00:51:30,360 Speaker 3: Whereas you probably found a way to like learn what 1163 00:51:30,600 --> 00:51:32,920 Speaker 3: instead of rejecting it and being like, oh god, this 1164 00:51:33,000 --> 00:51:34,640 Speaker 3: is what's in this is what I do. 1165 00:51:34,800 --> 00:51:36,000 Speaker 2: What's interesting about this? 1166 00:51:36,080 --> 00:51:36,279 Speaker 1: To me? 1167 00:51:36,520 --> 00:51:40,560 Speaker 3: Is there something interesting about this besciscifity of Olivia Rodber 1168 00:51:40,600 --> 00:51:44,000 Speaker 3: yougoa Taylor swift a chapel roone that like, did you 1169 00:51:44,040 --> 00:51:47,239 Speaker 3: were you able to find like what you liked about 1170 00:51:47,280 --> 00:51:49,359 Speaker 3: it as opposed to like, oh this is annoying and new. 1171 00:51:49,960 --> 00:51:54,279 Speaker 4: Oh yeah, I don't mind anything new almost. I mean, 1172 00:51:54,440 --> 00:51:56,840 Speaker 4: I mean maybe that's not true, but like you played me, 1173 00:52:00,160 --> 00:52:00,879 Speaker 4: what's the one about? 1174 00:52:00,960 --> 00:52:03,000 Speaker 2: Kid? You kid? 1175 00:52:03,040 --> 00:52:04,960 Speaker 4: You're on your own? Kid? You're on your own kid? 1176 00:52:05,000 --> 00:52:07,279 Speaker 4: Blew my mind because I was like, not only is 1177 00:52:07,320 --> 00:52:10,040 Speaker 4: this melodically really pretty? And that has a descending line? 1178 00:52:10,120 --> 00:52:15,799 Speaker 4: So you like you like that when you are yeah 1179 00:52:15,960 --> 00:52:16,359 Speaker 4: that part? 1180 00:52:16,760 --> 00:52:20,279 Speaker 3: Yeah, yeah, that's what it's called a descending line. 1181 00:52:20,520 --> 00:52:24,000 Speaker 4: I think it kind of goes down. So does the 1182 00:52:25,040 --> 00:52:27,640 Speaker 4: paper cuts a thousand cuts? 1183 00:52:30,080 --> 00:52:32,520 Speaker 2: No no no, no, no no? And Betty and yeah I 1184 00:52:32,520 --> 00:52:32,880 Speaker 2: love it. 1185 00:52:32,960 --> 00:52:37,040 Speaker 4: Yeah. So what you're on your own? Kid? Does that 1186 00:52:37,400 --> 00:52:40,479 Speaker 4: kills me? Like you you talk about like somebody being 1187 00:52:40,880 --> 00:52:44,120 Speaker 4: kind makes you cry or somebody like talking about like 1188 00:52:44,160 --> 00:52:46,160 Speaker 4: what killed me? In that song is where she says 1189 00:52:47,120 --> 00:52:50,239 Speaker 4: I went to the party. Do this lyric about the. 1190 00:52:50,160 --> 00:52:53,680 Speaker 3: Better body I hosted parties? 1191 00:52:53,960 --> 00:52:57,240 Speaker 2: Uh sorry, stop buying body? 1192 00:52:57,560 --> 00:53:00,880 Speaker 3: I start, Yeah, like I got I'm so bad at 1193 00:53:00,880 --> 00:53:02,880 Speaker 3: coming up with her lyrics when I don't have the 1194 00:53:02,920 --> 00:53:05,600 Speaker 3: song in front of me. I hosted parties and starve 1195 00:53:05,680 --> 00:53:08,200 Speaker 3: my body like I would be saved by a perfect kiss. 1196 00:53:08,280 --> 00:53:10,640 Speaker 3: The jokes weren't funny. I took the money. My friends 1197 00:53:11,080 --> 00:53:12,399 Speaker 3: from home don't know what to say. 1198 00:53:12,719 --> 00:53:15,799 Speaker 4: I looked around my favorite Taylor's swift lyric like that 1199 00:53:15,960 --> 00:53:20,160 Speaker 4: is so revelatory, like she's calling herself out, like I 1200 00:53:20,200 --> 00:53:23,160 Speaker 4: took the money. I like, that's I don't know. 1201 00:53:23,360 --> 00:53:25,359 Speaker 2: Like to me, that's just brave to say. 1202 00:53:25,360 --> 00:53:28,080 Speaker 3: That's why I love. And we'll go to break after this. 1203 00:53:28,160 --> 00:53:29,920 Speaker 3: I love, and I want to talk more about this 1204 00:53:29,960 --> 00:53:31,840 Speaker 3: when we get back. I'll tell you what I love 1205 00:53:31,880 --> 00:53:32,400 Speaker 3: when we get back. 1206 00:53:32,400 --> 00:53:33,680 Speaker 2: Agay with this because we get it at break. 1207 00:53:35,960 --> 00:53:37,120 Speaker 3: What I was going to say before we went to 1208 00:53:37,160 --> 00:53:39,919 Speaker 3: break is that I loved and I've probably talked about 1209 00:53:39,920 --> 00:53:42,040 Speaker 3: it before. Matt Healy from the nineteen seventy five not 1210 00:53:42,120 --> 00:53:46,920 Speaker 3: to talk about someone. It has nothing to do with Taylor, 1211 00:53:47,040 --> 00:53:49,279 Speaker 3: but I was listening to him talk about one of 1212 00:53:49,280 --> 00:53:51,239 Speaker 3: my favorite songs, the birthday song. 1213 00:53:51,640 --> 00:53:53,920 Speaker 2: I think it's called and there was. 1214 00:53:54,000 --> 00:53:55,719 Speaker 3: It became one of my favorite songs, and then I 1215 00:53:55,719 --> 00:53:57,759 Speaker 3: found it a whole podcast where he was talking like 1216 00:53:57,800 --> 00:54:00,600 Speaker 3: for an hour about writing this one of my favorit songs, 1217 00:54:00,719 --> 00:54:02,200 Speaker 3: and that was also a song. The first time I 1218 00:54:02,239 --> 00:54:07,200 Speaker 3: heard it, I was like, I love this and one 1219 00:54:07,239 --> 00:54:10,719 Speaker 3: of the lyrics and it was like, I want to 1220 00:54:10,760 --> 00:54:12,919 Speaker 3: go somewhere I'll be recognized. 1221 00:54:13,800 --> 00:54:14,239 Speaker 2: Can we go? 1222 00:54:14,960 --> 00:54:16,880 Speaker 3: I want to go to a party where? Can we 1223 00:54:16,920 --> 00:54:19,879 Speaker 3: go somewhere that people will recognize me? And he said 1224 00:54:19,880 --> 00:54:22,560 Speaker 3: it's something like that, And he said in the interview 1225 00:54:22,560 --> 00:54:25,200 Speaker 3: about it that he wrote that lyric as kind of 1226 00:54:25,200 --> 00:54:27,440 Speaker 3: like a maybe a placeholder. I'm kind of paraphrasing, but 1227 00:54:27,480 --> 00:54:29,880 Speaker 3: he wrote it, and then he instantly was like, I 1228 00:54:29,920 --> 00:54:32,440 Speaker 3: want to take that out. That's so embarrassing, Like I 1229 00:54:32,480 --> 00:54:34,400 Speaker 3: can't write that in a song that's going to go 1230 00:54:34,440 --> 00:54:37,280 Speaker 3: out that I am a celebrity that wants to be recognized. 1231 00:54:37,520 --> 00:54:39,400 Speaker 3: And he said that whenever he has that reaction, he 1232 00:54:39,400 --> 00:54:41,840 Speaker 3: has to leave it in. He is forced to, like 1233 00:54:41,920 --> 00:54:45,640 Speaker 3: he cannot pull something because it's embarrassing or because he 1234 00:54:45,719 --> 00:54:46,760 Speaker 3: wants to look cool. 1235 00:54:47,280 --> 00:54:52,040 Speaker 2: And I really respect that kind of art form. 1236 00:54:52,080 --> 00:54:54,799 Speaker 3: I'm obsessed when people do something. I mean, that's why 1237 00:54:54,800 --> 00:54:57,919 Speaker 3: I like love comedy. It is because people say things 1238 00:54:57,920 --> 00:55:00,120 Speaker 3: that I'm like, oh my god, you're not supposed to 1239 00:55:00,160 --> 00:55:02,839 Speaker 3: say that, And like now people like me more because 1240 00:55:02,880 --> 00:55:05,000 Speaker 3: I'm saying this thing that I never thought i'd told 1241 00:55:05,080 --> 00:55:09,040 Speaker 3: anyone and is something that's so humiliating about myself, and 1242 00:55:09,120 --> 00:55:11,640 Speaker 3: I get to have I get to say how it's said, 1243 00:55:11,760 --> 00:55:12,879 Speaker 3: I get ownership of it. 1244 00:55:12,880 --> 00:55:14,920 Speaker 2: It's you know, I think that's really interesting. 1245 00:55:14,960 --> 00:55:16,719 Speaker 3: What's what's a lyric that comes to mind for you 1246 00:55:16,760 --> 00:55:19,000 Speaker 3: in this song that you were like, well, that's also. 1247 00:55:19,280 --> 00:55:21,440 Speaker 4: Why I became friends with you as I heard you 1248 00:55:21,480 --> 00:55:24,960 Speaker 4: on a podcast talking so openly about an eating disorder. 1249 00:55:24,520 --> 00:55:26,680 Speaker 3: And I was like, what, I never had one of those. 1250 00:55:27,160 --> 00:55:29,120 Speaker 4: I was driving around like I need to hear this. 1251 00:55:29,200 --> 00:55:31,760 Speaker 4: I can't believe someone's talking about stuff I've thought about 1252 00:55:31,920 --> 00:55:34,799 Speaker 4: and she's not ashamed at all. And then to become 1253 00:55:34,840 --> 00:55:37,480 Speaker 4: friends with you was even like I can't even believe 1254 00:55:37,520 --> 00:55:40,120 Speaker 4: this is happening like that, you know, I get to 1255 00:55:40,160 --> 00:55:42,440 Speaker 4: be friends with somebody that's like, no, of course, I'm 1256 00:55:42,440 --> 00:55:44,239 Speaker 4: not ashamed to order a salad the way I want 1257 00:55:44,239 --> 00:55:46,319 Speaker 4: to order a salad. I remember, I was right, here's 1258 00:55:46,320 --> 00:55:49,879 Speaker 4: so anything that you could do? That a lyric that 1259 00:55:50,000 --> 00:55:52,879 Speaker 4: I remember, Like I wrote London Blues, which is the 1260 00:55:53,040 --> 00:55:53,920 Speaker 4: closing song on. 1261 00:55:54,520 --> 00:55:55,239 Speaker 2: When we were on tour. 1262 00:55:55,480 --> 00:55:57,960 Speaker 4: Yeah, we were in London together, you mean missus Matt. 1263 00:55:58,320 --> 00:56:00,600 Speaker 4: I was missing Matt, and I was just like I 1264 00:56:00,640 --> 00:56:04,560 Speaker 4: was experiencing like jealousy or feeling threatened, like he was 1265 00:56:04,600 --> 00:56:06,160 Speaker 4: on tour and I was on tour, and we were 1266 00:56:06,600 --> 00:56:10,160 Speaker 4: like hemispheres away from each other in totally different time zones. 1267 00:56:10,560 --> 00:56:14,239 Speaker 4: And it's basically just about all of my fears of 1268 00:56:14,280 --> 00:56:17,359 Speaker 4: being abandoned like came up. And you know, I had 1269 00:56:17,400 --> 00:56:20,960 Speaker 4: been in a relationship where I'd been totally been lied 1270 00:56:21,000 --> 00:56:22,840 Speaker 4: to for many, many years and didn't know about it 1271 00:56:22,920 --> 00:56:25,960 Speaker 4: until the end, and so and you know, all this 1272 00:56:26,040 --> 00:56:29,160 Speaker 4: trust stuff started coming up. And I can't remember exactly 1273 00:56:29,160 --> 00:56:32,080 Speaker 4: if there's like a lyric specifically about that, but it's 1274 00:56:32,120 --> 00:56:35,319 Speaker 4: just basically about, like the line I love is. Ever 1275 00:56:35,360 --> 00:56:38,200 Speaker 4: since I learned that love could be forsaken, I've been 1276 00:56:38,280 --> 00:56:41,640 Speaker 4: letting go of anything worth taking. I won't be mistaken. 1277 00:56:42,000 --> 00:56:44,080 Speaker 4: So I stare at the moon and fight these London 1278 00:56:44,080 --> 00:56:47,279 Speaker 4: blues tonight. And it's just basically about, like, you know, 1279 00:56:47,920 --> 00:56:50,359 Speaker 4: trying to keep people at arm's length because I don't 1280 00:56:50,400 --> 00:56:51,719 Speaker 4: ever want to get hurt if I just keep it. 1281 00:56:52,440 --> 00:56:55,800 Speaker 3: You have trust issues, yes, yeah, which is kind of 1282 00:56:55,840 --> 00:56:59,600 Speaker 3: embarrassing to admit. At you know, like as a fully 1283 00:56:59,640 --> 00:57:02,480 Speaker 3: grown woman, yes, to admit you're still dealing with these 1284 00:57:02,560 --> 00:57:07,000 Speaker 3: kind of immature things that you acknowledge are like not 1285 00:57:07,440 --> 00:57:09,560 Speaker 3: like not helping you in life. Like you're admitting that 1286 00:57:09,600 --> 00:57:13,520 Speaker 3: you are struggling with stuff which you like. You literally 1287 00:57:13,600 --> 00:57:16,800 Speaker 3: can't not do that as an artist unless you're a rapper. 1288 00:57:16,880 --> 00:57:20,400 Speaker 3: I guess, like, I think a lot of hip hop 1289 00:57:20,440 --> 00:57:24,240 Speaker 3: is about like being braggadocious, not all of it, but 1290 00:57:24,320 --> 00:57:28,920 Speaker 3: like there is that that sometimes cannot have a vulnerability 1291 00:57:28,960 --> 00:57:31,640 Speaker 3: to it. But I'm I'm talking out of line because 1292 00:57:31,640 --> 00:57:33,640 Speaker 3: I don't listen to it enough rap to really know 1293 00:57:33,760 --> 00:57:36,880 Speaker 3: like that, but there was there is a genre of it. 1294 00:57:36,920 --> 00:57:39,160 Speaker 3: I think that is just all like I'm doing so well. 1295 00:57:39,280 --> 00:57:42,120 Speaker 3: That's why I really liked Taylor Tomlinson was on Trash 1296 00:57:42,160 --> 00:57:45,760 Speaker 3: Tuesday talking about Sabrina Carpenter and she was like, I 1297 00:57:45,760 --> 00:57:47,920 Speaker 3: mean it's great, but I just don't relate to anyone 1298 00:57:47,920 --> 00:57:50,960 Speaker 3: that confident, like that's like you should be so grateful 1299 00:57:51,000 --> 00:57:52,920 Speaker 3: to fuck me. Like I thought that was such. It 1300 00:57:53,000 --> 00:57:58,120 Speaker 3: was so such a great take on on Sabrina Carpenter's 1301 00:57:58,200 --> 00:58:00,400 Speaker 3: music of like why it's maybe not so really to 1302 00:58:00,440 --> 00:58:02,760 Speaker 3: some people, it's because this girl's just too confident. 1303 00:58:03,080 --> 00:58:03,240 Speaker 1: Oh. 1304 00:58:03,280 --> 00:58:05,800 Speaker 4: I remember years ago Kanye West called out all the 1305 00:58:05,800 --> 00:58:07,760 Speaker 4: indie rockers and he's like, this is what's wrong with 1306 00:58:07,800 --> 00:58:10,480 Speaker 4: you guys, is you don't have this confidence that we have. 1307 00:58:11,080 --> 00:58:12,440 Speaker 2: Is this thing sometimes? 1308 00:58:12,520 --> 00:58:15,560 Speaker 4: Yeah, but it's really really hard to write, or at 1309 00:58:15,680 --> 00:58:18,200 Speaker 4: least it was, I would say in the nineties and 1310 00:58:18,520 --> 00:58:21,160 Speaker 4: early two thousands, it was really hard to write as 1311 00:58:21,320 --> 00:58:24,920 Speaker 4: a Uh. I don't mean to sound like, oh, it's 1312 00:58:24,960 --> 00:58:27,840 Speaker 4: so hard to be white and indie rock, but like 1313 00:58:28,280 --> 00:58:31,200 Speaker 4: it if you started writing in a confident way, then 1314 00:58:31,560 --> 00:58:33,120 Speaker 4: it just didn't land right. 1315 00:58:33,280 --> 00:58:36,520 Speaker 3: It just sounded like you were a kud yeah, because 1316 00:58:36,520 --> 00:58:38,320 Speaker 3: it is kind of could to be confident. Yeah, but 1317 00:58:38,400 --> 00:58:41,120 Speaker 3: when you're in the pop world like Sabrina, especially now 1318 00:58:41,160 --> 00:58:43,440 Speaker 3: in twenty twenty four, like go for It, it's like. 1319 00:58:43,400 --> 00:58:46,600 Speaker 4: All girl power, like do it. I was just doing 1320 00:58:46,640 --> 00:58:49,400 Speaker 4: everything with a wink. Anyway, I was on stage this 1321 00:58:49,480 --> 00:58:50,400 Speaker 4: weekend and. 1322 00:58:52,320 --> 00:58:56,680 Speaker 3: Was just talking about how I masur rate or something 1323 00:58:56,680 --> 00:58:59,280 Speaker 3: that was just like it's part of my act, like 1324 00:58:59,280 --> 00:59:01,960 Speaker 3: and when on all audience is like my audience like 1325 00:59:02,040 --> 00:59:06,560 Speaker 3: it doesn't feel Oversharry, it feels like I don't even 1326 00:59:06,600 --> 00:59:08,960 Speaker 3: like I don't have to like steel myself to get 1327 00:59:09,000 --> 00:59:12,920 Speaker 3: into this like very graphic description of how I have. 1328 00:59:13,000 --> 00:59:15,400 Speaker 2: My most intimate alone moments. 1329 00:59:15,840 --> 00:59:17,640 Speaker 3: But then I had this moment this weekend where like 1330 00:59:17,960 --> 00:59:21,520 Speaker 3: people weren't really feeling it, and like it was like 1331 00:59:21,560 --> 00:59:23,720 Speaker 3: a it's a show I'll talk about when I have 1332 00:59:23,800 --> 00:59:26,919 Speaker 3: more perspective on it in years to come, but it 1333 00:59:26,960 --> 00:59:29,680 Speaker 3: was it was a set that like was not my 1334 00:59:29,800 --> 00:59:32,840 Speaker 3: favorite thing that I've ever done, and I can't wait 1335 00:59:32,880 --> 00:59:35,440 Speaker 3: to talk about it someday because it's going to be 1336 00:59:35,560 --> 00:59:37,760 Speaker 3: like a part of my origin story of whatever I 1337 00:59:37,880 --> 00:59:42,240 Speaker 3: become because it was so not fun. But but I 1338 00:59:42,280 --> 00:59:44,360 Speaker 3: was on stage like doing my act because I have 1339 00:59:44,400 --> 00:59:46,320 Speaker 3: nothing else to do, you know, Like I gotta just 1340 00:59:46,360 --> 00:59:48,280 Speaker 3: do my jokes. And that's one of my favorite jokes 1341 00:59:48,280 --> 00:59:50,160 Speaker 3: to do when I'm on stage performing for people who 1342 00:59:50,160 --> 00:59:53,720 Speaker 3: actually like me, and these people did not final thought, 1343 00:59:54,080 --> 00:59:57,200 Speaker 3: and so I'm talking about these people don't like me, 1344 00:59:57,880 --> 01:00:01,240 Speaker 3: and now I'm talking about how I masturbate and it's 1345 01:00:01,360 --> 01:00:03,040 Speaker 3: kind of graphic and over the top, and I was like, 1346 01:00:03,560 --> 01:00:08,439 Speaker 3: I can't but I feel so embarrassed. I've never once 1347 01:00:08,480 --> 01:00:10,960 Speaker 3: felt embarrassed by that joke. I've never once had the 1348 01:00:11,000 --> 01:00:13,320 Speaker 3: reaction that I think some people have of my material, 1349 01:00:13,360 --> 01:00:15,160 Speaker 3: which is like, how do you get up there and 1350 01:00:15,240 --> 01:00:18,200 Speaker 3: say that to people? And I guess now I know why. 1351 01:00:18,280 --> 01:00:22,440 Speaker 3: It's because usually people like it. People are like, I 1352 01:00:22,520 --> 01:00:26,720 Speaker 3: feel not judged. I feel that people are refreshed by 1353 01:00:26,880 --> 01:00:28,640 Speaker 3: if it's something that they would never do and never 1354 01:00:28,680 --> 01:00:30,840 Speaker 3: say and can't even imagine someone would do. At least 1355 01:00:30,880 --> 01:00:33,320 Speaker 3: they're laughing at, like, oh wow, I have a weird 1356 01:00:33,320 --> 01:00:36,600 Speaker 3: thing I do alone too. These people were like, we 1357 01:00:36,720 --> 01:00:39,800 Speaker 3: don't like you, we don't. We haven't liked anything you've said, 1358 01:00:39,880 --> 01:00:43,040 Speaker 3: and now you're being way too graphic and why would 1359 01:00:43,080 --> 01:00:44,840 Speaker 3: we We don't care about you, Why would we care 1360 01:00:44,880 --> 01:00:47,480 Speaker 3: about this thing that you think you're so quirky and interesting? 1361 01:00:47,520 --> 01:00:49,880 Speaker 2: It just was so fucking humiliating, and. 1362 01:00:49,880 --> 01:00:56,280 Speaker 3: I honestly it was right on the heat after that, 1363 01:00:56,920 --> 01:01:01,280 Speaker 3: and everyone everyone was sending me like going, you know, 1364 01:01:01,360 --> 01:01:05,240 Speaker 3: like every comedian this weekend was having having massive text 1365 01:01:05,320 --> 01:01:09,120 Speaker 3: threads about obviously Tony Hinchcliffe set at the Trump rally, 1366 01:01:09,560 --> 01:01:14,080 Speaker 3: and and my response to all of them was I 1367 01:01:14,160 --> 01:01:19,320 Speaker 3: had a worse set. I had a worse experience because 1368 01:01:19,360 --> 01:01:24,320 Speaker 3: it was I felt I felt more compassion for him 1369 01:01:24,320 --> 01:01:27,880 Speaker 3: than I think most people did. After his set, because 1370 01:01:27,960 --> 01:01:29,840 Speaker 3: I if I wouldn't have had that set, I think 1371 01:01:29,840 --> 01:01:31,600 Speaker 3: I would have had more of a cattiness about it 1372 01:01:31,640 --> 01:01:33,120 Speaker 3: and a more of like what was he? You know, 1373 01:01:33,240 --> 01:01:36,920 Speaker 3: like just a snarky opinion, but as a comedian that 1374 01:01:37,040 --> 01:01:40,120 Speaker 3: did that just hit the wrong tone for the thing 1375 01:01:40,160 --> 01:01:41,800 Speaker 3: that I was asked to do. 1376 01:01:42,160 --> 01:01:43,480 Speaker 2: Like I really felt it. 1377 01:01:43,520 --> 01:01:47,080 Speaker 3: I was really happy mine wasn't like televised or tweeted about, 1378 01:01:47,280 --> 01:01:50,560 Speaker 3: thank god, but it was really this moment of like, 1379 01:01:51,600 --> 01:01:52,919 Speaker 3: this is who humiliating? 1380 01:01:53,000 --> 01:01:54,520 Speaker 2: Like I it would. 1381 01:01:54,280 --> 01:01:56,280 Speaker 3: Be like, you know, singing one of your most vulnerable 1382 01:01:56,360 --> 01:01:58,120 Speaker 3: songs to a crowd of people who aren't listening, And 1383 01:01:58,160 --> 01:01:59,840 Speaker 3: I think, Anya, you've you've dealt with that before. I 1384 01:01:59,840 --> 01:02:02,320 Speaker 3: think as musicians, people talk over you guys way more 1385 01:02:02,360 --> 01:02:04,680 Speaker 3: than they do comedians. It's not like a common thing 1386 01:02:04,760 --> 01:02:07,200 Speaker 3: where I am like performing for people who are not 1387 01:02:07,440 --> 01:02:09,960 Speaker 3: listening and don't want me to keep going and want 1388 01:02:09,960 --> 01:02:12,480 Speaker 3: me to be done. And I think just growing up 1389 01:02:12,480 --> 01:02:14,560 Speaker 3: with a dad who performs, like every show I go to, 1390 01:02:14,640 --> 01:02:16,640 Speaker 3: people are talking the entire time he plays the entire 1391 01:02:16,680 --> 01:02:20,040 Speaker 3: time like it's not even like there's no it's not 1392 01:02:20,080 --> 01:02:21,840 Speaker 3: like people are like, wow, this is offensive. 1393 01:02:21,880 --> 01:02:22,800 Speaker 2: Some people are like shush. 1394 01:02:22,920 --> 01:02:24,400 Speaker 3: It's like we all agree we're going to talk the 1395 01:02:24,440 --> 01:02:26,800 Speaker 3: whole time, including me, Like because. 1396 01:02:26,560 --> 01:02:29,640 Speaker 4: He's doing covers, that's it's not fair, but that's what is. 1397 01:02:29,720 --> 01:02:32,360 Speaker 3: Yeah, that's true, that's true. But even first, I think 1398 01:02:32,440 --> 01:02:35,920 Speaker 3: when I see singer songwriters at like bars or whatever, no, 1399 01:02:36,200 --> 01:02:39,919 Speaker 3: people are just talking. Yep, it's background music. It's that's 1400 01:02:39,960 --> 01:02:42,880 Speaker 3: the gig. But it was it was eye opening. But 1401 01:02:42,920 --> 01:02:45,560 Speaker 3: I had an epiphany after that set where I was like, 1402 01:02:46,280 --> 01:02:48,280 Speaker 3: I want to write a clean hour. 1403 01:02:48,520 --> 01:02:50,640 Speaker 2: I just need to for these gigs where I. 1404 01:02:50,640 --> 01:02:53,600 Speaker 3: Don't have to, like they don't get that, they don't 1405 01:02:53,600 --> 01:02:57,000 Speaker 3: get that intimate joke that I wrote that is like 1406 01:02:57,040 --> 01:02:59,120 Speaker 3: for people who actually like me, and if you don't 1407 01:02:59,160 --> 01:03:01,000 Speaker 3: like me, I'll just go in into my like safe 1408 01:03:01,040 --> 01:03:03,080 Speaker 3: set because that's all you deserve, and not that it 1409 01:03:03,080 --> 01:03:05,720 Speaker 3: would be like worse material, but it's like I don't 1410 01:03:05,760 --> 01:03:08,360 Speaker 3: want every joke I make to be this like really 1411 01:03:09,800 --> 01:03:12,040 Speaker 3: like like reading my diary, like you don't get a. 1412 01:03:12,000 --> 01:03:16,560 Speaker 1: Really good challenge though too, to do a yeah what happens, 1413 01:03:17,280 --> 01:03:17,800 Speaker 1: what happens? 1414 01:03:19,920 --> 01:03:21,280 Speaker 2: Yeah, well it's my next challenge. 1415 01:03:21,280 --> 01:03:24,240 Speaker 3: I decided, like I'm like, without question, I don't think 1416 01:03:24,240 --> 01:03:25,480 Speaker 3: it's I don't know if it's going to be my 1417 01:03:25,600 --> 01:03:28,240 Speaker 3: next special, but it's my when I start, because my 1418 01:03:28,280 --> 01:03:30,440 Speaker 3: next special is kind of like coming up sooner than 1419 01:03:31,000 --> 01:03:33,720 Speaker 3: I would need to prepare for Clean Special. But I'm 1420 01:03:33,760 --> 01:03:35,800 Speaker 3: also like, oh, that's that's what you got to do 1421 01:03:35,840 --> 01:03:37,800 Speaker 3: in this business. You can't just keep being the same 1422 01:03:37,800 --> 01:03:39,680 Speaker 3: thing over and over. You have to go, oh, here's 1423 01:03:39,720 --> 01:03:42,760 Speaker 3: a here's a way to market it. Nikki Glazer's putting 1424 01:03:42,760 --> 01:03:44,560 Speaker 3: out a whole clean special that you can watch with 1425 01:03:44,600 --> 01:03:45,160 Speaker 3: your family. 1426 01:03:45,520 --> 01:03:51,640 Speaker 4: Nick Blazer comes clean up with that. That's really good. 1427 01:03:51,680 --> 01:03:53,560 Speaker 3: I was gonna say, I've heard that before. That's really 1428 01:03:53,600 --> 01:03:56,480 Speaker 3: really good. Yeah, Chris has been asked me to do it. 1429 01:03:56,680 --> 01:03:58,760 Speaker 3: I think Matt even said something about it too. And 1430 01:03:58,800 --> 01:04:01,720 Speaker 3: it's like just as a but it's like I just. 1431 01:04:01,800 --> 01:04:03,800 Speaker 2: Don't want to. I don't want to feel that way anymore. 1432 01:04:03,840 --> 01:04:05,840 Speaker 3: Where I was like, I just gave of myself and 1433 01:04:05,880 --> 01:04:09,280 Speaker 3: these people were just like disgusted by, not even disgusted, 1434 01:04:09,320 --> 01:04:10,480 Speaker 3: like just disinterested. 1435 01:04:10,960 --> 01:04:13,240 Speaker 2: And it feels really bad. It's so bad. 1436 01:04:13,280 --> 01:04:15,120 Speaker 4: I had that on Friday night at a show and 1437 01:04:15,160 --> 01:04:18,200 Speaker 4: I was all confident going out. It's opening up for Nikki, 1438 01:04:18,320 --> 01:04:20,400 Speaker 4: and this theater filled with two thousand people and then 1439 01:04:20,440 --> 01:04:23,000 Speaker 4: I start my song girl Shit, which is so quiet 1440 01:04:23,040 --> 01:04:25,480 Speaker 4: and intimate, and I just hadn't set it up properly 1441 01:04:26,360 --> 01:04:29,040 Speaker 4: and I just lost them, like within ten seconds. You 1442 01:04:29,080 --> 01:04:32,960 Speaker 4: can just hear like no, no, no. And then it's 1443 01:04:32,960 --> 01:04:36,080 Speaker 4: like a thousand people are just like can you pass me? Remember? 1444 01:04:36,440 --> 01:04:38,200 Speaker 1: Why were they so easily lost? 1445 01:04:38,640 --> 01:04:41,120 Speaker 4: They were drunk. They were still entering the theater, which 1446 01:04:41,160 --> 01:04:43,240 Speaker 4: I kind of love that, Like I love a challenge. 1447 01:04:43,280 --> 01:04:46,520 Speaker 4: I've played thousands of gigs like put me in a 1448 01:04:46,560 --> 01:04:49,240 Speaker 4: bar and grill, I'll figure it out, Like I pride 1449 01:04:49,280 --> 01:04:51,760 Speaker 4: myself on like being able to play through anything. I 1450 01:04:51,840 --> 01:04:54,560 Speaker 4: just didn't set it up right, and I should have 1451 01:04:54,680 --> 01:04:57,120 Speaker 4: been like, let's bail on this song and do something else. 1452 01:04:57,160 --> 01:04:58,960 Speaker 4: But I didn't bail. I was just like just keep 1453 01:04:58,960 --> 01:05:00,320 Speaker 4: playing it, just through it. 1454 01:05:00,360 --> 01:05:01,440 Speaker 3: But it just sucked. 1455 01:05:01,800 --> 01:05:03,600 Speaker 4: And I was thinking in that moment, I need to 1456 01:05:03,640 --> 01:05:06,120 Speaker 4: have quicker outs. I need to have a couple yeah, 1457 01:05:06,160 --> 01:05:09,280 Speaker 4: like more like upbeat songs, or I need to have 1458 01:05:09,360 --> 01:05:10,040 Speaker 4: like more exits. 1459 01:05:10,160 --> 01:05:12,200 Speaker 3: Show I had the same thing, like I think that 1460 01:05:12,880 --> 01:05:15,480 Speaker 3: after that show, I just was like, this cannot ever 1461 01:05:15,520 --> 01:05:21,280 Speaker 3: happen again. That was so deeply uncomfortable and not an experience. 1462 01:05:21,320 --> 01:05:23,480 Speaker 3: I would ever even wish on my worst enemy that 1463 01:05:23,520 --> 01:05:26,520 Speaker 3: I went through and I can't do that again to myself. 1464 01:05:26,520 --> 01:05:29,880 Speaker 3: I'm glad it happened for the sake of like, you know, 1465 01:05:29,920 --> 01:05:31,800 Speaker 3: all the tiktoks that come up, all the reels that 1466 01:05:31,840 --> 01:05:34,280 Speaker 3: come up that are like you about failure. I've been 1467 01:05:34,280 --> 01:05:36,200 Speaker 3: getting a lot of them because I guess my phone face, 1468 01:05:36,360 --> 01:05:38,000 Speaker 3: I'm like I need them. 1469 01:05:38,440 --> 01:05:40,000 Speaker 2: But like I don't know if you guys get a 1470 01:05:40,040 --> 01:05:40,760 Speaker 2: lot of that stuff. 1471 01:05:40,760 --> 01:05:44,200 Speaker 3: But like how Kobe talking about like if he's not failing, 1472 01:05:45,080 --> 01:05:47,840 Speaker 3: he is not interested in like the that's not a 1473 01:05:47,880 --> 01:05:50,600 Speaker 3: process he's interested in, like you gotta fail in order 1474 01:05:50,720 --> 01:05:53,240 Speaker 3: to be better. And I was talking to my mom 1475 01:05:53,280 --> 01:05:55,200 Speaker 3: about this set last night when she drove me home, 1476 01:05:55,240 --> 01:05:56,960 Speaker 3: and I was kind of She was like, you need 1477 01:05:57,000 --> 01:05:58,800 Speaker 3: to just get over it, you know, like we got 1478 01:05:58,840 --> 01:05:59,440 Speaker 3: to get over it. 1479 01:05:59,520 --> 01:06:00,200 Speaker 2: You're moving on. 1480 01:06:00,280 --> 01:06:02,640 Speaker 3: And I'm like, I am, I'm you asked me how 1481 01:06:02,680 --> 01:06:05,760 Speaker 3: it went. I have to tell you, and I'm grateful 1482 01:06:05,760 --> 01:06:07,360 Speaker 3: that it won't ever happen again. 1483 01:06:07,560 --> 01:06:08,520 Speaker 2: I will never. 1484 01:06:10,280 --> 01:06:11,760 Speaker 1: Oh, it's really hard get over it. 1485 01:06:13,000 --> 01:06:15,680 Speaker 3: Well, she was so dismayed, like for her to hear 1486 01:06:15,760 --> 01:06:17,720 Speaker 3: her daughter who she was like, your dad and I 1487 01:06:17,760 --> 01:06:21,240 Speaker 3: when we when you told us about that, we all 1488 01:06:21,360 --> 01:06:23,800 Speaker 3: day yesterday. We just couldn't get over it. We were 1489 01:06:23,840 --> 01:06:25,800 Speaker 3: so upset for you. And it was really sweet because 1490 01:06:25,800 --> 01:06:27,880 Speaker 3: they just were like, you just don't want your daughter. 1491 01:06:27,960 --> 01:06:29,760 Speaker 3: I like felt for them, like I was like, oh, 1492 01:06:29,880 --> 01:06:32,720 Speaker 3: I told them, like how like you don't want your 1493 01:06:32,760 --> 01:06:35,840 Speaker 3: daughter to be embarrassed for an hour on stage? Like 1494 01:06:36,280 --> 01:06:39,919 Speaker 3: it's not just like ten minutes of like duh, that 1495 01:06:39,960 --> 01:06:42,880 Speaker 3: felt weird, Like think of being embarrassed for an hour, 1496 01:06:43,200 --> 01:06:46,640 Speaker 3: like straight like have it tripping over yourself in front 1497 01:06:46,680 --> 01:06:47,840 Speaker 3: of everyone for an hour. 1498 01:06:48,040 --> 01:06:50,160 Speaker 2: It's like tumbling downstairs. Think it's the last time you 1499 01:06:50,200 --> 01:06:51,000 Speaker 2: fell in the crowd. 1500 01:06:51,200 --> 01:06:54,120 Speaker 3: Now just keep picture of falling for an hour and 1501 01:06:54,720 --> 01:06:56,720 Speaker 3: not having to show that you're falling, Like it's like 1502 01:06:56,760 --> 01:06:58,920 Speaker 3: that's what it felt like, and it's and so I 1503 01:06:58,920 --> 01:07:02,360 Speaker 3: think my mom was just trying to like help herself 1504 01:07:02,400 --> 01:07:04,600 Speaker 3: get over it. She's like, we're just moving on from this, 1505 01:07:04,760 --> 01:07:06,479 Speaker 3: like it's not gonna happen. And I'm like, it won't 1506 01:07:06,520 --> 01:07:10,400 Speaker 3: happen again, Like I will never and I will always 1507 01:07:10,400 --> 01:07:12,280 Speaker 3: be prepared for something like that in the future, or 1508 01:07:12,320 --> 01:07:14,480 Speaker 3: I won't do a gig like that in the future. 1509 01:07:14,560 --> 01:07:17,440 Speaker 3: Like one or the other. But it just it did 1510 01:07:17,520 --> 01:07:19,760 Speaker 3: remind me though that you need you need to fail. 1511 01:07:20,000 --> 01:07:20,919 Speaker 2: You so true. 1512 01:07:21,040 --> 01:07:23,360 Speaker 4: You have to be grateful for these failures because they 1513 01:07:23,400 --> 01:07:25,919 Speaker 4: make you better. Like I I killed it the night 1514 01:07:25,960 --> 01:07:29,160 Speaker 4: after I bombed because I was so furious at myself 1515 01:07:29,520 --> 01:07:32,000 Speaker 4: and I was like, I will not bomb again. And 1516 01:07:32,080 --> 01:07:33,880 Speaker 4: I had two great shows. Even Matt was like, that 1517 01:07:33,920 --> 01:07:35,200 Speaker 4: was one of the best shows I've seen you do 1518 01:07:35,560 --> 01:07:37,280 Speaker 4: like the second night because I was so pissed. 1519 01:07:37,560 --> 01:07:40,640 Speaker 3: Yeah, it lights a fire, like I gotta get on 1520 01:07:40,680 --> 01:07:41,320 Speaker 3: stage again. 1521 01:07:41,920 --> 01:07:43,960 Speaker 2: Was the last show I did. I was like, damn 1522 01:07:44,000 --> 01:07:46,520 Speaker 2: it because everyone goes too, you know. 1523 01:07:46,640 --> 01:07:49,240 Speaker 3: I was with my friend and he's like, you're gonna 1524 01:07:49,240 --> 01:07:50,720 Speaker 3: be over this in twenty four hours, and I was like, 1525 01:07:50,760 --> 01:07:53,160 Speaker 3: I'm not until the next show I do. It's not 1526 01:07:53,280 --> 01:07:54,840 Speaker 3: I'm not gonna shake this off. 1527 01:07:56,080 --> 01:07:57,840 Speaker 4: And guys, there's the Funny Bone tonight. 1528 01:07:58,640 --> 01:08:00,960 Speaker 3: I should run out and get another set. I just 1529 01:08:01,280 --> 01:08:04,360 Speaker 3: I just want to. I want to rest for a 1530 01:08:04,360 --> 01:08:05,120 Speaker 3: couple of days. 1531 01:08:05,120 --> 01:08:07,120 Speaker 2: I thank you. I should You're not wrong. 1532 01:08:07,160 --> 01:08:09,320 Speaker 3: I should do an Oh my dad actually is performing 1533 01:08:09,320 --> 01:08:10,280 Speaker 3: tonight at the Pasta House. 1534 01:08:10,320 --> 01:08:12,200 Speaker 2: I might just like, you should buy a song with them? 1535 01:08:13,240 --> 01:08:14,960 Speaker 2: May you do a song. I gotta cut my nails 1536 01:08:15,000 --> 01:08:15,680 Speaker 2: though to do a song. 1537 01:08:15,800 --> 01:08:17,640 Speaker 3: Okay, we're gonna have one more episode with On Your 1538 01:08:17,640 --> 01:08:20,719 Speaker 3: Marina tomorrow you uh, you know we will. We're about 1539 01:08:20,720 --> 01:08:23,360 Speaker 3: to record it, so it'll be then extension of this conversation. 1540 01:08:23,439 --> 01:08:25,839 Speaker 3: I hope you are there for it tomorrow on the podcast. 1541 01:08:25,840 --> 01:08:27,920 Speaker 3: Thank you for listening today. Check out On your Marina. 1542 01:08:28,000 --> 01:08:29,960 Speaker 3: She has a new album Asteroid. You can get the 1543 01:08:30,040 --> 01:08:32,639 Speaker 3: girl Shit shirt that I have that I love so much, 1544 01:08:32,680 --> 01:08:34,519 Speaker 3: and you can order that at on your Marina dot com. 1545 01:08:34,520 --> 01:08:35,880 Speaker 3: It says on your Mana on the back, it's this 1546 01:08:35,920 --> 01:08:39,120 Speaker 3: girl Shit on the front. It's so fucking cute, so stylish. 1547 01:08:39,840 --> 01:08:41,479 Speaker 3: Really recommend if you want a new shirt in your 1548 01:08:41,520 --> 01:08:43,479 Speaker 3: life that people will love and comment on and you 1549 01:08:43,560 --> 01:08:46,840 Speaker 3: look super cute and girl shit on your Marina dot com. 1550 01:08:46,880 --> 01:08:49,479 Speaker 3: And we'll be back tomorrow with more episodes with with 1551 01:08:49,520 --> 01:08:51,120 Speaker 3: another episode with Anya, Don't. 1552 01:08:50,920 --> 01:08:52,080 Speaker 2: Bika, and Bye. 1553 01:08:52,760 --> 01:08:55,639 Speaker 3: The Nicki Glazer Podcast is a production by Will Ferrell's 1554 01:08:55,680 --> 01:08:59,080 Speaker 3: Big Money Players and iHeart Podcasts. Created and hosted by 1555 01:08:59,080 --> 01:09:02,679 Speaker 3: me Nicki Glazer, co hosted by Brian Frangie. Executive produced 1556 01:09:02,680 --> 01:09:05,960 Speaker 3: by Will Ferrell, Hans Sonny and Noah avior edited it 1557 01:09:06,080 --> 01:09:10,320 Speaker 3: engineered by Lean and Loaf, video production Mark Canton and 1558 01:09:10,479 --> 01:09:13,599 Speaker 3: music by Anya Marina. You can now watch full episodes 1559 01:09:13,600 --> 01:09:17,000 Speaker 3: of the Nicki Glazer podcast on YouTube, follow at Nicki 1560 01:09:17,000 --> 01:09:19,000 Speaker 3: Glazer pod and subscribe to our channel