WEBVTT - Strike a Pose ("Naked" S4 EP 12)

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<v Speaker 1>And That's what you Really missed with Jenna.

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<v Speaker 2>And Kevin and iHeartRadio podcast.

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<v Speaker 1>Welcome to and That's what you Really miss podcast. Today

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<v Speaker 1>is season four, episode twelve, Naked. Let's get naked.

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<v Speaker 2>Woo. There's a lot of nakedness in this episode. Does

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<v Speaker 2>it make you uncomfortable? You made no?

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<v Speaker 1>No, no. So what happened was here's what happened Kevin.

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<v Speaker 1>About a month ago. We've been recapping for obviously a

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<v Speaker 1>while now, and we had taken a break from the

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<v Speaker 1>recaps and we were just doing guest episodes, I think

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<v Speaker 1>at the time. And I popped back into my Hulu

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<v Speaker 1>and put on Glee and it must have skipped a

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<v Speaker 1>few episodes and it started on Naked. So I watched

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<v Speaker 1>Naked like a month or two ago, and about about

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<v Speaker 1>a third of the way through, I was like, hmmm,

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<v Speaker 1>I think I've missed the things. The continuit is very off.

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<v Speaker 1>And then I got to the end of the episode. Yes,

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<v Speaker 1>I did watch the whole episode.

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<v Speaker 2>You didn't even check before you got to the end

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<v Speaker 2>of the episode.

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<v Speaker 1>No, I just kept going. And then I got to

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<v Speaker 1>the episode and I was like, what episode is this?

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<v Speaker 1>Let me just keep seeing how many would have left

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<v Speaker 1>to recap for this season, and I was like, oh,

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<v Speaker 1>I skipped quite a few. Oh sweet, sweet, this is

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<v Speaker 1>my second time watching Naked this month.

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<v Speaker 2>Was it better the first second time?

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<v Speaker 1>Well, you know, I think it was better the first

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<v Speaker 1>just because I really enjoyed it. I didn't have to

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<v Speaker 1>watch it again, right, A lot happens. The musical numbers

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<v Speaker 1>are actually pretty great.

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<v Speaker 2>It's a pretty solid episode.

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<v Speaker 1>I did admittedly fast forward through all the musical members

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<v Speaker 1>just to make my time a little bit shorter on

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<v Speaker 1>this one. But I remember them all so vividly. That's

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<v Speaker 1>what like. I'm like, oh, I remember these, now, these

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<v Speaker 1>are great. These are all great.

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<v Speaker 2>And I mean something about this episode. I remember all

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<v Speaker 2>of these like filming.

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<v Speaker 1>Filming, well exactly, Yes, very vivid episode of us filming.

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<v Speaker 1>Let's get into it. So this episode aired on January

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<v Speaker 1>thirty first, twenty thirteen.

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<v Speaker 2>There's a new number one song in the country. It

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<v Speaker 2>was Thrift, shot by Maclamore and Ryan Lewis featuring Ones.

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<v Speaker 2>And there's a new number one movie Hanson and Gretzel

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<v Speaker 2>Witch Haunts. I do remember this.

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<v Speaker 1>I want to see it.

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<v Speaker 2>Didn't see it? Jenne. What happened to Glee News.

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<v Speaker 1>On January thirtieth, the cast celebrated the five hundredth How

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<v Speaker 1>were we have five hundred already? I don't know, it's stupid, okay,

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<v Speaker 1>So we celebrated the five hundred musical performance shout while

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<v Speaker 1>filming Season four, episode fifteen, Girls Parentheses and Boys on film.

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<v Speaker 1>There was jackets, there's t shirts, there's lollipops. I'm sure

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<v Speaker 1>there was celebrations. I don't remember which one this was,

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<v Speaker 1>but wow, five hundred, how are we already here?

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<v Speaker 2>I remember all these things. The jackets, a sweatshirts, a

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<v Speaker 2>lollipop stickers. That was a big deal because they started,

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<v Speaker 2>Like we said before, the camera crew was the one

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<v Speaker 2>keeping track, and so they started celebrating like three hundred,

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<v Speaker 2>four hundred became a bigger deal. And this became an

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<v Speaker 2>even bigger deal.

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<v Speaker 1>Okay, because it was Andrew Minchell who really kept track

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<v Speaker 1>while the musical numbers our study cam operator. And at

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<v Speaker 1>one of the hundreds, I think it was maybe four hundred,

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<v Speaker 1>we had the ping pong balls. Do you remember those?

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<v Speaker 2>Yes?

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<v Speaker 1>Were I don't know who wrote on them, but there

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<v Speaker 1>were musical numbers on four hundred or however many musical numbers,

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<v Speaker 1>And then we released them all. I'll never forget that

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<v Speaker 1>one because that's a lot of time and effort. Not

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<v Speaker 1>that other time, you know. But anyway, you know, shout

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<v Speaker 1>out to our crew for keeping track of all of

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<v Speaker 1>our musical numbers like that. How fun.

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<v Speaker 2>I was at trivia a couple of months ago, at

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<v Speaker 2>like a bar here, and the last bonus question was

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<v Speaker 2>how many musical numbers did Glee do? I had the

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<v Speaker 2>correct answer and the guy was wrong. Seven it's seven something, Okay.

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<v Speaker 2>I forgot what it was he was off?

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<v Speaker 1>What was he off by a lot?

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<v Speaker 2>Like fifteen?

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<v Speaker 1>Oh? Okay, I thought he was off one hundred.

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<v Speaker 2>It was still in the seven hundreds. But I was

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<v Speaker 2>just like, aren't you going to defer to me, sir?

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<v Speaker 1>No our memories. I don't know that I would have

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<v Speaker 1>had that one.

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<v Speaker 2>Yes, that's true. We had just talked about it, okay,

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<v Speaker 2>so it was fresh, got it?

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<v Speaker 1>Yeah.

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<v Speaker 2>So this episode was directed by our very own Ian Brennan.

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<v Speaker 1>On paper, it was written by Ryan Murphy. We've got

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<v Speaker 1>some really memorable songs in this episode.

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<v Speaker 2>A lot of songs too. We are just like every

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<v Speaker 2>episode just six songs. Seven songs.

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<v Speaker 1>Torn by in a swap the Natalie and Brouleia version Centerfold,

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<v Speaker 1>Hot in Her Okay a Thousand Years by Christina Perry.

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<v Speaker 2>Let Me Love You Until You Learn to Love Yourself.

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<v Speaker 2>Neo's second song he wrote called that Me love You.

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<v Speaker 1>Mm hmmm, oh I didn't know that love song by

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<v Speaker 1>the one and only Sarah Brillas.

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<v Speaker 2>And this is the New Year by a great big World.

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<v Speaker 1>Okay, that one is very remember. Uh. There's a lot

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<v Speaker 1>that happens. There's a calendar. There's some almost naked rachelness.

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<v Speaker 1>There's naked brodiness. Oh no, naked brudness.

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<v Speaker 2>Is the next episode. It's right, Yeah, it was naked.

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<v Speaker 1>Okay, that's right.

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<v Speaker 2>You just fast forward through it.

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<v Speaker 1>Jenna, Well, you know I've seen it before, so.

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<v Speaker 2>Some fun facts. Ryan stated on Twitter that the men

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<v Speaker 2>of a Kinley calendar storyline had been an idea since

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<v Speaker 2>season one. Wow, finally around to it.

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<v Speaker 1>Finally. The rumor about Sue posing for Penthouse and taking

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<v Speaker 1>horse estrogen was previously mentioned in a voiceover by Will

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<v Speaker 1>in the extended version of the pilot. Huh, it's brought up.

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<v Speaker 1>It's brought up again in season six and The Rise

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<v Speaker 1>and Fall of Sue Sylvester, when the superintendent finds a

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<v Speaker 1>copy of the magazine and sues hurt Locker sees hurt

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<v Speaker 1>lock I can't okay.

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<v Speaker 2>This marks the first appearance of Britney's bondou for two

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<v Speaker 2>since season two episode Rumors, which I loved. What are

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<v Speaker 2>you doing tonight?

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<v Speaker 1>I'm so happy, so happy he came back. When the

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<v Speaker 1>episode aired in Australia, the line where Sam was talking

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<v Speaker 1>about selling his semen was cut from They're just.

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<v Speaker 2>So pure There. Several names of websites are shown to

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<v Speaker 2>have been altered when Rachel looks at Santana's sex tape online.

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<v Speaker 2>For example, IMDb dot com is changed to icdb dot

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<v Speaker 2>com and tumbler dot com is changed shoot rambler dot com.

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<v Speaker 1>One of the descriptions underlink says sex is not dating. Yeah,

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<v Speaker 1>if it was, Santana and I would be dating. And

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<v Speaker 1>this is from season one, episode thirteen, sectionals the first

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<v Speaker 1>hinto of Brittany and Santana romance.

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<v Speaker 2>And at the start of the episode, a joke is

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<v Speaker 2>made describing the Twilight Books as poop on paper. Later,

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<v Speaker 2>Marlen and Jake sing a thousand Years, which is from

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<v Speaker 2>the Twilight Saga breaking Down Part one.

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<v Speaker 1>Ah, the irony.

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<v Speaker 2>Love that Jenna do you want to do the episode summary.

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<v Speaker 1>Oh my gosh, I'd be honored. The glee club puts

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<v Speaker 1>together a calendar photo shoot for a fundraiser. Meanwhile, Apart

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<v Speaker 1>in a student art film poses a moral dilemma for Rachel. Now,

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<v Speaker 1>I know that we get we laugh that they're so short,

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<v Speaker 1>but that's actually very succinct.

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<v Speaker 2>It's not wrong.

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<v Speaker 1>Yeah, okay, where do we start we're doing? Are we

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<v Speaker 1>talking about the calendar?

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<v Speaker 2>Let's get some of these things out of the way.

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<v Speaker 2>So the Warblers to carry on from last episode are

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<v Speaker 2>getting disqualified because Sam and Blaine Blam if you will,

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<v Speaker 2>figured it out, especially Sam and so now the new

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<v Speaker 2>directions are back in for regionals and they need to

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<v Speaker 2>raise four hundred dollars. I just it's so funny because

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<v Speaker 2>it's like your budget for these shows you're doing. Surely

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<v Speaker 2>there's four hundred dollars somewhere.

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<v Speaker 1>And also it's much more than that realistically.

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<v Speaker 2>Horny Tina comes up to the front of class and says,

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<v Speaker 2>I know how to do this.

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<v Speaker 1>You know who does to her for coming up an

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<v Speaker 1>idea better than a bake.

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<v Speaker 2>Sale entrepreneur, I have to say.

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<v Speaker 1>We're doing a man of McKinley calendar this year.

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<v Speaker 2>That's right.

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<v Speaker 1>I mean she's really just in it to see Blaine

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<v Speaker 1>without a shirt on too.

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<v Speaker 2>There's something about the way in which you stare at

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<v Speaker 2>Darren that is so creepreepy.

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<v Speaker 1>Yeah, I know, it is really creepy.

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<v Speaker 2>It's really good.

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<v Speaker 1>It's really creepy though.

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<v Speaker 2>I actually it's one of my favorite things where it's

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<v Speaker 2>like Jenna's not there.

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<v Speaker 1>Yeah yeah, yeah, yeah, yeah, yeah, for sure.

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<v Speaker 2>This I've never seen you do that look in real

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<v Speaker 2>life ever.

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<v Speaker 1>That is that is Tina.

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<v Speaker 2>This like we know each other, so we worked with

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<v Speaker 2>each other for so long, and the fact that like people, dude,

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<v Speaker 2>I'm like, I don't know what that look is.

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<v Speaker 1>I don't know where she is right now.

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<v Speaker 2>She's acting, she's an actress.

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<v Speaker 1>It's so beyond crazy that like delusional. She lives in

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<v Speaker 1>a delulu world at this point. So like it's just

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<v Speaker 1>it's not even like you can find any kind of

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<v Speaker 1>groundedness in it. I think that's why, like she's just gone,

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<v Speaker 1>She's gone. She's so far down the whole. Okay, So

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<v Speaker 1>Sam and Brittany end up in Fagin's office to find

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<v Speaker 1>out that Sam has received the lowest s at score

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<v Speaker 1>ever recorded at Making High and Brittany is a genius.

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<v Speaker 1>So Sam kind of spirals this whole episode, whereas Brittany

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<v Speaker 1>is brilliant and says she's the smartest personal art and

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<v Speaker 1>Sam is starting to really like through this episode spiral

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<v Speaker 1>and is using his body and his looks because he

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<v Speaker 1>thinks that's the only thing that is going to get

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<v Speaker 1>him for in this world, and that's going for him

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<v Speaker 1>right now.

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<v Speaker 2>I love that the storyline feels classically, Yes, totally like

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<v Speaker 2>the silliness of Brittany's now the smartest person in the world.

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<v Speaker 1>The calendar, the boys dressing up for a calendar.

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<v Speaker 2>Yeah, and then and then you know Sam having that

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<v Speaker 2>dilemma questioning his value as a human because of some

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<v Speaker 2>sat score like whatever, and then all the friends stepping

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<v Speaker 2>up and stepping in to be like, uh huh, we

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<v Speaker 2>love you, Gonna be okay.

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<v Speaker 1>I gotta say that video with him. It reminded me

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<v Speaker 1>of the Pie with Emma Pillsbury showing Will the video

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<v Speaker 1>of like why he is doing Glee Club and I

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<v Speaker 1>was like, this is so. I think it's sweet.

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<v Speaker 2>I think it's sweet. It was really sweet.

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<v Speaker 1>It was, and I think Chord get a great performance.

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<v Speaker 2>Chord phenomen no notes, no, no, I can just imagine

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<v Speaker 2>how hungry he was during this. He probably was a

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<v Speaker 2>maniac because like behind the scenes, whenever he had to

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<v Speaker 2>have a shirt off, he wasn't eating. I mean he

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<v Speaker 2>was not doing it in a healthy way.

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<v Speaker 1>Yeah, he just wasn't fueling his body.

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<v Speaker 2>No, and so he was usually like saving one hundred

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<v Speaker 2>percent of his energy for when the camera was on.

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<v Speaker 1>That's right, Like, oh, poor guy, he has to take

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<v Speaker 1>off his shirt a lot too.

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<v Speaker 2>Yes, all those I love all these like gem scenes,

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<v Speaker 2>this workout montage of Hot in Her was insane and hilarious.

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<v Speaker 1>That song, it was ridiculous, and I was like, what

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<v Speaker 1>is happening here?

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<v Speaker 2>But also what is happening when all the boys have

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<v Speaker 2>ridiculous bodies?

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<v Speaker 1>That's what Tina said. She said, this is the hottest

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<v Speaker 1>group of Glee boys that we've had.

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<v Speaker 2>Yet, because there's that one shot of Blake and you're like,

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<v Speaker 2>he's jacked.

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<v Speaker 1>Jacked, I mean between Jacob Blake, Cord, Darren, like, everybody

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<v Speaker 1>looked great.

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<v Speaker 2>I was so happy to take off my shirt because

0:12:23.200 --> 0:12:26.720
<v Speaker 2>let me tell you that Artie and Kevin Parallels were strong.

0:12:27.800 --> 0:12:30.160
<v Speaker 2>I was like, I cannot take it and I'm sitting down.

0:12:30.679 --> 0:12:33.040
<v Speaker 2>So you were thrilled with that storyline. Yeah, I was like,

0:12:33.800 --> 0:12:37.880
<v Speaker 2>let me keep this on few. I was like a

0:12:37.960 --> 0:12:39.280
<v Speaker 2>mushy baby.

0:12:39.000 --> 0:12:46.200
<v Speaker 1>Sweet little Artie tells Finn that he's he's insecure, he

0:12:46.240 --> 0:12:50.760
<v Speaker 1>doesn't want to pose and of shirtless, and it's like

0:12:50.800 --> 0:12:54.319
<v Speaker 1>something he wants to keep for himself. And Finn, being

0:12:54.520 --> 0:12:58.560
<v Speaker 1>the sweet muffin he is, not always reacts this way,

0:12:58.720 --> 0:13:00.560
<v Speaker 1>but he did the right thing and this one and

0:13:00.600 --> 0:13:03.000
<v Speaker 1>just said, then don't do it. I thought that was

0:13:03.080 --> 0:13:06.400
<v Speaker 1>very valiant on his part. She played the role of

0:13:06.480 --> 0:13:08.280
<v Speaker 1>teacher and not forced you to do it.

0:13:08.360 --> 0:13:09.320
<v Speaker 2>Yeah, that was that was good.

0:13:09.640 --> 0:13:12.800
<v Speaker 1>I'll never forget you and the leprechaun Alphathe when you

0:13:12.880 --> 0:13:15.520
<v Speaker 1>came out of your trailer and we were on the

0:13:15.559 --> 0:13:18.640
<v Speaker 1>golf cart going somewhere and I remember you chasing behind

0:13:18.720 --> 0:13:20.920
<v Speaker 1>us and you're like dancing. I have this photo of

0:13:20.960 --> 0:13:25.200
<v Speaker 1>you like in an Irish jig like pose, and I'm like,

0:13:25.559 --> 0:13:27.640
<v Speaker 1>I don't think I'll ever get that out of my head.

0:13:28.520 --> 0:13:31.839
<v Speaker 2>I loved it. I love getting to dress up those things.

0:13:32.040 --> 0:13:35.920
<v Speaker 2>Those things were ridiculous. You guys were insane, and like

0:13:36.000 --> 0:13:38.760
<v Speaker 2>all that. I was a little jealous of not being

0:13:38.800 --> 0:13:41.800
<v Speaker 2>in that full workout number as well, because the boys

0:13:41.880 --> 0:13:45.200
<v Speaker 2>are insane and like all those by the way, like

0:13:45.280 --> 0:13:50.240
<v Speaker 2>all those during the photo shoot when Sam has a spiral,

0:13:50.960 --> 0:13:53.120
<v Speaker 2>it has to be. I love that he and Blaine

0:13:53.160 --> 0:13:57.360
<v Speaker 2>have this very serious conversation that is so funny. Yes,

0:13:57.559 --> 0:14:00.200
<v Speaker 2>it was so funny, but it was so serious. But

0:14:00.679 --> 0:14:03.360
<v Speaker 2>how easily Cord is lifting that weight. Those weights are

0:14:03.440 --> 0:14:04.559
<v Speaker 2>like made out of foam.

0:14:04.440 --> 0:14:05.599
<v Speaker 1>No, no, there styrophone.

0:14:05.720 --> 0:14:09.920
<v Speaker 2>Literally they weigh nothing. But I thought it was so funny.

0:14:09.920 --> 0:14:12.320
<v Speaker 2>But I enjoyed all of those things because it's just

0:14:12.480 --> 0:14:14.040
<v Speaker 2>like the campiest of camp.

0:14:14.760 --> 0:14:18.559
<v Speaker 1>Yes, it is sweet, though, so sweet sweet.

0:14:19.000 --> 0:14:21.720
<v Speaker 2>I was also glad that, like, you know, carrying on

0:14:21.720 --> 0:14:24.360
<v Speaker 2>from last episode where we discover how you feel about

0:14:24.360 --> 0:14:27.920
<v Speaker 2>Blaine and how Blaine feels about Sam. But all those

0:14:27.920 --> 0:14:31.760
<v Speaker 2>times Sam sort of walking shirtless, Blaine is keeping it together.

0:14:31.800 --> 0:14:35.120
<v Speaker 2>He's not being like Tina.

0:14:35.600 --> 0:14:38.480
<v Speaker 1>I mean, that's scene when Sam comes in shirtless and

0:14:38.600 --> 0:14:41.680
<v Speaker 1>she's with Blaine, and that she sees Blaine. She asked

0:14:41.760 --> 0:14:43.840
<v Speaker 1>him to go to the mall, and then Blaine sees

0:14:43.880 --> 0:14:48.760
<v Speaker 1>Sam and like this whole like love laser that's happening.

0:14:49.280 --> 0:14:52.920
<v Speaker 1>He is keeping his cool. I think for character purposes

0:14:52.960 --> 0:14:57.640
<v Speaker 1>that had to stay that way. Tina's acting no chill,

0:14:58.560 --> 0:15:02.640
<v Speaker 1>she has no choll something said as buns and his

0:15:03.400 --> 0:15:06.400
<v Speaker 1>it's then he he said, I.

0:15:06.360 --> 0:15:09.040
<v Speaker 2>Don't know, it's because you didn't get that kiss. So

0:15:09.120 --> 0:15:12.600
<v Speaker 2>now she's just like, you know.

0:15:13.240 --> 0:15:16.640
<v Speaker 1>Just wait, just wait. She goes even farther, so just wait.

0:15:17.600 --> 0:15:21.440
<v Speaker 2>And he's clocking it like he's clocking all your stuff like.

0:15:21.400 --> 0:15:24.440
<v Speaker 1>He's he is, but I think he's a little blissfully.

0:15:25.280 --> 0:15:29.000
<v Speaker 1>He's like he's he's just choosing to ignore it.

0:15:29.160 --> 0:15:34.160
<v Speaker 2>Well, because if you don't ignore it, it's a real problem.

0:15:34.760 --> 0:15:37.520
<v Speaker 1>I actually don't remember why we were doing this though,

0:15:37.520 --> 0:15:42.800
<v Speaker 1>it being so far fetched, like for some reason it

0:15:42.840 --> 0:15:44.600
<v Speaker 1>felt real to me, and maybe that's because I was

0:15:44.640 --> 0:15:49.760
<v Speaker 1>just trying to make it make sense for Tina. But

0:15:49.800 --> 0:15:52.680
<v Speaker 1>I don't I don't remember it being like crazy, like

0:15:52.720 --> 0:15:56.040
<v Speaker 1>even in the next episode when the vapor rape comes,

0:15:56.120 --> 0:15:58.920
<v Speaker 1>like we'll talk about that when we get there, But

0:15:59.000 --> 0:16:01.480
<v Speaker 1>I don't even remember it being that crazy. Then. It

0:16:01.520 --> 0:16:05.440
<v Speaker 1>was only until after the aftermath at all that I

0:16:05.480 --> 0:16:08.160
<v Speaker 1>was like, oh, oh, is this all really crazy?

0:16:08.440 --> 0:16:11.440
<v Speaker 2>Well, I think it's because I mean, I know the

0:16:11.480 --> 0:16:15.520
<v Speaker 2>answer to that where we've at this point in filming.

0:16:15.680 --> 0:16:19.480
<v Speaker 2>We're so used to doing like crazy things, rocky horror

0:16:19.520 --> 0:16:22.360
<v Speaker 2>early on, you know, like we're doing heightened things all

0:16:22.400 --> 0:16:26.400
<v Speaker 2>the time, and so the crazyer the storyline sort of

0:16:26.440 --> 0:16:28.600
<v Speaker 2>the more we lean into it just because like, okay,

0:16:29.160 --> 0:16:31.920
<v Speaker 2>we have a question storylines because that is not our position,

0:16:32.200 --> 0:16:35.960
<v Speaker 2>Like you were not no, like you were not a writer. No,

0:16:36.080 --> 0:16:38.440
<v Speaker 2>it's sort of like a thing unless something is like

0:16:39.040 --> 0:16:43.000
<v Speaker 2>morally yeah, off face, like you don't question that you're

0:16:43.080 --> 0:16:45.000
<v Speaker 2>hired to do your job. They're hired to do their job.

0:16:45.240 --> 0:16:46.880
<v Speaker 2>Like yeah, So I.

0:16:46.920 --> 0:16:50.560
<v Speaker 1>Mean it's crazy, Gale, That's like, yeah, it's kind of crazy.

0:16:50.640 --> 0:16:54.400
<v Speaker 1>It's really crazy. In my memory, I don't remember being

0:16:54.440 --> 0:17:04.360
<v Speaker 1>like this is really crazy. Yeah.

0:17:04.880 --> 0:17:08.479
<v Speaker 2>With Sam's story here about in the middle of all

0:17:08.560 --> 0:17:10.919
<v Speaker 2>this craziness of him using this calendar to sort of

0:17:11.640 --> 0:17:16.919
<v Speaker 2>justify his self worth, Blaine also was like, we need

0:17:16.960 --> 0:17:18.480
<v Speaker 2>to have a little comp to Jesus and sets up

0:17:18.480 --> 0:17:21.480
<v Speaker 2>a meeting with Emma, which is really sweet and presents

0:17:21.960 --> 0:17:27.480
<v Speaker 2>some college options and he's still not necessarily sold. And

0:17:27.520 --> 0:17:29.280
<v Speaker 2>then we get that video together.

0:17:31.240 --> 0:17:38.000
<v Speaker 1>It's the it is that's quintidentially to It's very sweet.

0:17:39.080 --> 0:17:41.480
<v Speaker 1>It's very sweet on Blaine's part. We love seeing all

0:17:41.480 --> 0:17:44.959
<v Speaker 1>the characters speak so kindly of Sam. Sam needs to

0:17:45.000 --> 0:17:50.240
<v Speaker 1>hear it. His reaction is so sweet. It's all really sweet.

0:17:50.440 --> 0:17:53.800
<v Speaker 1>I love this storyline for him.

0:17:54.560 --> 0:17:58.960
<v Speaker 2>Did you not feel like there were real life? I mean,

0:17:59.480 --> 0:18:03.439
<v Speaker 2>is a very attractive person objectively, and so when you

0:18:03.520 --> 0:18:07.160
<v Speaker 2>have a pretty character talking about the challenges of being

0:18:07.200 --> 0:18:11.359
<v Speaker 2>pretty and it does not feel stupid or gratuitous. It

0:18:11.400 --> 0:18:13.800
<v Speaker 2>felt to me when he's talking about like, oh, people

0:18:14.040 --> 0:18:17.680
<v Speaker 2>are already more open to my impressions because they're already

0:18:17.720 --> 0:18:20.200
<v Speaker 2>they buy it because of how I look. They're willing

0:18:20.200 --> 0:18:22.919
<v Speaker 2>to give me a chance, like pretty privilege. Yeah, And

0:18:22.960 --> 0:18:24.320
<v Speaker 2>like some points like there was like this is you

0:18:24.320 --> 0:18:28.600
<v Speaker 2>know it's another thing that Glee is talking about that work.

0:18:30.160 --> 0:18:32.160
<v Speaker 1>Yeah, I think you know. The thing is that Court

0:18:32.240 --> 0:18:35.560
<v Speaker 1>is he's like a puppy dog, but he's so good

0:18:35.560 --> 0:18:38.760
<v Speaker 1>at what he does, and his song writing skills are

0:18:38.760 --> 0:18:42.160
<v Speaker 1>also like off the charts, and I think sometimes its

0:18:42.400 --> 0:18:44.880
<v Speaker 1>Chord doesn't feel like he's always taken seriously And maybe

0:18:44.920 --> 0:18:47.439
<v Speaker 1>I'm putting words in his mouth. I'm not speaking for him,

0:18:47.520 --> 0:18:52.520
<v Speaker 1>but I feel like to me sometimes even I could

0:18:52.560 --> 0:18:55.040
<v Speaker 1>be guilty of lik being like, oh, Cord, you're so cute, like,

0:18:55.080 --> 0:18:57.640
<v Speaker 1>don't worry about it, but he really is very deep

0:18:57.680 --> 0:18:59.959
<v Speaker 1>and like he once you get to know him, like

0:19:00.160 --> 0:19:05.360
<v Speaker 1>is very carrying, very deep, and so I I could

0:19:05.400 --> 0:19:09.200
<v Speaker 1>definitely see this mirroring in some ways, not quite like, yeah,

0:19:09.880 --> 0:19:13.720
<v Speaker 1>the weight loss thing, you know, all that, but maybe

0:19:13.800 --> 0:19:16.040
<v Speaker 1>during this journey where he has to be Charlotte, sometimes

0:19:16.040 --> 0:19:17.720
<v Speaker 1>they all act a little crazy, Like all the guys

0:19:17.760 --> 0:19:18.520
<v Speaker 1>act a little crazy.

0:19:18.600 --> 0:19:21.080
<v Speaker 2>Yeah, and that could have been the writers around him

0:19:21.119 --> 0:19:23.919
<v Speaker 2>seeing losing weight for you know, and working out and

0:19:23.960 --> 0:19:27.080
<v Speaker 2>eating sweet potatoes artlet guys.

0:19:27.640 --> 0:19:29.800
<v Speaker 1>For sure. No, that's that's totally right.

0:19:30.000 --> 0:19:32.639
<v Speaker 2>That's totally right, because I even't felt like watching the

0:19:32.760 --> 0:19:35.120
<v Speaker 2>Artie storyline. I was like, this feels a little similar

0:19:35.119 --> 0:19:36.800
<v Speaker 2>to how you would feel.

0:19:37.000 --> 0:19:40.439
<v Speaker 1>Yeah, of course they have to take they know us

0:19:40.480 --> 0:19:43.800
<v Speaker 1>well enough at this point. They're not taking things like

0:19:44.280 --> 0:19:48.200
<v Speaker 1>even the Tina storylines of it all. Like obviously the

0:19:48.320 --> 0:19:52.080
<v Speaker 1>Tina dating falling in love with a very out gay

0:19:52.160 --> 0:19:56.320
<v Speaker 1>man came from my high school experience of like notoriously

0:19:56.440 --> 0:19:59.320
<v Speaker 1>dating gay men, not that I knew they were gay,

0:19:59.680 --> 0:20:04.040
<v Speaker 1>just a record. There's some like they like to write

0:20:04.080 --> 0:20:08.040
<v Speaker 1>to what they know and the truth, and it makes sense.

0:20:08.640 --> 0:20:11.639
<v Speaker 1>I was never like, oh wait, I was never fully

0:20:12.600 --> 0:20:13.600
<v Speaker 1>offended by it.

0:20:14.080 --> 0:20:16.840
<v Speaker 2>No, all the time it was good. It was like,

0:20:16.880 --> 0:20:18.880
<v Speaker 2>oh these are things.

0:20:18.960 --> 0:20:21.040
<v Speaker 1>It works, and it happened about.

0:20:21.680 --> 0:20:24.879
<v Speaker 2>I mean, I don't don't already immediately when this calendar

0:20:24.920 --> 0:20:26.840
<v Speaker 2>idea gets brought up, it's like, can we objectify the

0:20:26.880 --> 0:20:27.360
<v Speaker 2>girls too?

0:20:29.200 --> 0:20:33.320
<v Speaker 1>Bro? Can you leave it to Artie? Leave it to Artie?

0:20:33.800 --> 0:20:34.960
<v Speaker 2>Like what this problem?

0:20:35.000 --> 0:20:37.680
<v Speaker 1>So glad we weren't in it. I had so much

0:20:37.680 --> 0:20:38.480
<v Speaker 1>fun shooting that though.

0:20:38.480 --> 0:20:39.880
<v Speaker 2>With the photo shooting, Yeah, how was that?

0:20:40.440 --> 0:20:42.640
<v Speaker 1>It was so much fun. They were so ridiculous. Everybody

0:20:42.680 --> 0:20:44.439
<v Speaker 1>was really just having a good time with it, like

0:20:47.359 --> 0:20:50.720
<v Speaker 1>it was. The costumes were insane, the people like the

0:20:50.760 --> 0:20:53.240
<v Speaker 1>poses they were making. Everybody's just it was a really

0:20:53.240 --> 0:20:56.040
<v Speaker 1>fun episode and maybe that's why it six sticks out

0:20:56.119 --> 0:20:59.040
<v Speaker 1>so vividly in our minds, like we had. I had

0:20:59.080 --> 0:21:00.199
<v Speaker 1>so much fun shooting this.

0:21:00.480 --> 0:21:03.120
<v Speaker 2>And Ian is such a fun director too. Yes, that's right,

0:21:03.160 --> 0:21:03.600
<v Speaker 2>and he's.

0:21:03.440 --> 0:21:05.120
<v Speaker 1>Someone I'm sure he was like throwing he can kind

0:21:05.119 --> 0:21:08.120
<v Speaker 1>of yeah, exactly. It's only Ian Brand and Ryan could

0:21:08.119 --> 0:21:09.840
<v Speaker 1>do that, where they could throw you a line or

0:21:09.960 --> 0:21:14.320
<v Speaker 1>change something on the spot. Very rarely happened otherwise, even

0:21:14.359 --> 0:21:17.320
<v Speaker 1>with Ryan. Mostly not even Ian her Brad as much.

0:21:17.400 --> 0:21:22.720
<v Speaker 1>But but yeah, I was so good and uh yeah

0:21:22.760 --> 0:21:25.520
<v Speaker 1>I loved I loved Tina being a director for once.

0:21:26.240 --> 0:21:27.720
<v Speaker 2>Yeah, it was nice to see her in a position

0:21:27.760 --> 0:21:28.200
<v Speaker 2>of power.

0:21:29.000 --> 0:21:33.479
<v Speaker 1>So funny, right, Yeah, Tina lately, I know she likes

0:21:33.880 --> 0:21:38.119
<v Speaker 1>she's taking on her her duty and responsibility as a senior.

0:21:38.080 --> 0:21:40.600
<v Speaker 2>And she like hops up to like suggest the idea

0:21:40.640 --> 0:21:44.960
<v Speaker 2>immediately in front of the class. It feels good, crazy.

0:21:44.720 --> 0:21:51.160
<v Speaker 1>Tina, there she goes. So also happening in the McKinley

0:21:51.200 --> 0:21:53.520
<v Speaker 1>halls are that Sue and Finn are going head to

0:21:53.560 --> 0:22:02.280
<v Speaker 1>head over the calendar Finn. Finn basically holds this Penthouse

0:22:02.480 --> 0:22:06.000
<v Speaker 1>photo shoot, the centerfold that Sue did in the past, over.

0:22:05.880 --> 0:22:08.360
<v Speaker 2>This rumored Penthouse photo shoot.

0:22:08.720 --> 0:22:10.480
<v Speaker 1>Rumored Penthouse photo shoot.

0:22:10.560 --> 0:22:13.080
<v Speaker 2>So Sue doesn't want the calendar to happen.

0:22:13.640 --> 0:22:15.680
<v Speaker 1>And we need the money obviously, you want to raise it.

0:22:15.720 --> 0:22:18.800
<v Speaker 1>And then Finn saying, well, you did it, and.

0:22:18.920 --> 0:22:21.680
<v Speaker 2>She denies it, and.

0:22:21.520 --> 0:22:32.479
<v Speaker 1>He finds it quote unquote, and she admits like she

0:22:32.520 --> 0:22:34.800
<v Speaker 1>hadn't seen it in a long time and goes to

0:22:34.800 --> 0:22:38.959
<v Speaker 1>pull it out and it is in fact not her centerfold.

0:22:39.000 --> 0:22:41.760
<v Speaker 1>But then Finn has on tape that she has admitted

0:22:41.800 --> 0:22:44.920
<v Speaker 1>that there is in fact a centerfold photos from house.

0:22:45.200 --> 0:22:49.920
<v Speaker 2>When she's confessing, first of all, I love Corey and

0:22:50.040 --> 0:22:51.520
<v Speaker 2>Jane going at it in this way. I think this

0:22:51.560 --> 0:22:55.600
<v Speaker 2>is so great, great. But when he comes back there

0:22:55.640 --> 0:22:57.359
<v Speaker 2>and it is like I found it here it is

0:22:58.320 --> 0:23:00.320
<v Speaker 2>and she's like, I feel like taking a game at

0:23:00.320 --> 0:23:04.480
<v Speaker 2>that glorious taco right now. And she says glorious taco

0:23:04.600 --> 0:23:08.840
<v Speaker 2>like twice during that scene. I was like, I need

0:23:08.920 --> 0:23:12.240
<v Speaker 2>to jump off this balcony. I don't know what's so funny.

0:23:12.800 --> 0:23:13.280
<v Speaker 2>I missed that.

0:23:13.720 --> 0:23:15.960
<v Speaker 1>We haven't seen that in a while, Like, no, it's great,

0:23:16.480 --> 0:23:19.720
<v Speaker 1>it is so good. And Sue just respecting Finn for

0:23:20.000 --> 0:23:24.639
<v Speaker 1>being you know, a good can kind of enemy or

0:23:24.760 --> 0:23:29.480
<v Speaker 1>whatever she called him, and no, like kind of having

0:23:29.520 --> 0:23:31.359
<v Speaker 1>a little bit more respect for him at that point,

0:23:31.840 --> 0:23:34.560
<v Speaker 1>you know, sing and say I get your emmo.

0:23:35.800 --> 0:23:39.359
<v Speaker 2>Finn is actually planning for regionals. Regionals does not happen

0:23:39.440 --> 0:23:42.800
<v Speaker 2>until the season finale. Normally, if she was in charge,

0:23:42.840 --> 0:23:43.640
<v Speaker 2>regions would be next.

0:23:43.560 --> 0:23:47.400
<v Speaker 1>To that assignment would be on the day. You guys

0:23:47.440 --> 0:23:48.040
<v Speaker 1>are get.

0:23:47.920 --> 0:23:50.000
<v Speaker 2>Shocked because I almost kept watching him like, oh, I

0:23:50.040 --> 0:23:53.160
<v Speaker 2>want to see what we do for regionals. Not close.

0:23:53.720 --> 0:23:55.800
<v Speaker 1>We just lost some times, so we're making it for

0:23:55.880 --> 0:24:04.480
<v Speaker 1>a long time. Yeah, Brittany also has Marlee, so this

0:24:04.600 --> 0:24:08.600
<v Speaker 1>Brittany Marley kind of duo is still happening. And Brittany

0:24:10.440 --> 0:24:10.880
<v Speaker 1>very cute.

0:24:11.040 --> 0:24:13.000
<v Speaker 2>I love them together, very different.

0:24:14.320 --> 0:24:18.400
<v Speaker 1>Marley comes on fondue for two. It's like the cheese

0:24:18.480 --> 0:24:23.200
<v Speaker 1>is really hot and uh, she realizes that she loves

0:24:23.800 --> 0:24:29.160
<v Speaker 1>she loves Jake. They could be cast as Bella Edward. Yeah,

0:24:29.640 --> 0:24:33.879
<v Speaker 1>just irresistible. But they do a number that they rehearse

0:24:33.960 --> 0:24:40.680
<v Speaker 1>for regionals which is actually a Yeah, it's actually a

0:24:43.080 --> 0:24:45.320
<v Speaker 1>Twilight Song theme song.

0:24:46.640 --> 0:24:50.399
<v Speaker 2>But I love this song who Christina Perry and they

0:24:50.440 --> 0:24:55.200
<v Speaker 2>smashed it of it beautiful love them together. It was

0:24:55.240 --> 0:24:57.159
<v Speaker 2>a really sweet number two. I like that it was

0:24:57.280 --> 0:24:59.600
<v Speaker 2>just the two of them. Yeah, stage like it was

0:24:59.600 --> 0:25:00.000
<v Speaker 2>really nice.

0:25:00.520 --> 0:25:02.040
<v Speaker 1>Yeah, I was really good. And we get to hear

0:25:02.359 --> 0:25:04.160
<v Speaker 1>Jacob sing twice this episode.

0:25:04.240 --> 0:25:07.480
<v Speaker 2>Mm hmm. Marley goes to say I love you, but

0:25:07.600 --> 0:25:08.400
<v Speaker 2>stops herself.

0:25:08.720 --> 0:25:10.560
<v Speaker 1>So this is where when I was watching it and

0:25:10.640 --> 0:25:13.679
<v Speaker 1>writer and Jake were still friends or like became friends,

0:25:14.600 --> 0:25:16.760
<v Speaker 1>and like he's helping him with Marley. I was like,

0:25:17.119 --> 0:25:18.040
<v Speaker 1>something's off here.

0:25:19.680 --> 0:25:20.440
<v Speaker 2>When did this happen?

0:25:20.480 --> 0:25:22.439
<v Speaker 1>Because they had just gotten in a fight about Marley.

0:25:22.520 --> 0:25:29.440
<v Speaker 1>I was like, this is not right anyway. He helps writer,

0:25:29.600 --> 0:25:32.680
<v Speaker 1>helps Jake and helps him in by telling him to

0:25:32.720 --> 0:25:35.200
<v Speaker 1>sing a song Inkley Club, and he sings, let Me

0:25:35.280 --> 0:25:38.359
<v Speaker 1>Love You? Are you kidding me with this? This is

0:25:38.440 --> 0:25:44.680
<v Speaker 1>one of the best numbers of the season. Jacob Artist

0:25:46.119 --> 0:25:51.240
<v Speaker 1>a triple, double, quadruple plus. And then do you remember

0:25:51.240 --> 0:25:53.080
<v Speaker 1>when we shot up with Kevin and they had the

0:25:53.240 --> 0:25:56.879
<v Speaker 1>orchestra come in and the strings play and they actually

0:25:57.040 --> 0:26:00.720
<v Speaker 1>so the band doesn't normally play, they pretend to. The

0:26:01.119 --> 0:26:04.600
<v Speaker 1>instruments don't normally make sounds, the strings when they play,

0:26:04.720 --> 0:26:06.879
<v Speaker 1>they actually just have to play in order for it

0:26:06.960 --> 0:26:10.440
<v Speaker 1>to look real. And we got a full serenade by

0:26:10.520 --> 0:26:13.480
<v Speaker 1>this orchestra on top of the pre record, and it

0:26:13.640 --> 0:26:15.520
<v Speaker 1>was so gorgeous.

0:26:15.320 --> 0:26:17.800
<v Speaker 2>And none of us had ever heard Jacob sing like this.

0:26:18.760 --> 0:26:21.320
<v Speaker 2>And if you could see all of our reactions the

0:26:21.600 --> 0:26:24.760
<v Speaker 2>entire time, there's everyone's just staring at him. In the beginning,

0:26:24.840 --> 0:26:27.200
<v Speaker 2>I look over to you, Jennet, because I'm like, oh

0:26:27.320 --> 0:26:30.960
<v Speaker 2>my god, I know, I know, we were all obsessed

0:26:31.400 --> 0:26:31.720
<v Speaker 2>with this.

0:26:32.359 --> 0:26:36.280
<v Speaker 1>I love this cover. I think he's delicious in this.

0:26:36.600 --> 0:26:38.640
<v Speaker 2>Like you should like go back and watch our reactions

0:26:38.640 --> 0:26:40.800
<v Speaker 2>because They're one of those times when we're not acting.

0:26:41.000 --> 0:26:44.520
<v Speaker 2>We were just like, support the boy. This is unbelievable,

0:26:45.200 --> 0:26:50.000
<v Speaker 2>so good. What a perfect number, truly sit there, and

0:26:50.119 --> 0:26:52.359
<v Speaker 2>what a perfect song for the storyline. I don't know

0:26:52.440 --> 0:26:54.440
<v Speaker 2>if what was first, the storyline or the song. It

0:26:54.520 --> 0:26:59.080
<v Speaker 2>doesn't matter. It doesn't matter because it worked so well

0:27:00.400 --> 0:27:07.280
<v Speaker 2>and I have goosebumps now. It was so sweet. Yeah,

0:27:07.840 --> 0:27:12.119
<v Speaker 2>oh I played that one to I think I had

0:27:12.200 --> 0:27:15.600
<v Speaker 2>him send that to me when he did, just play

0:27:15.640 --> 0:27:16.600
<v Speaker 2>it mm hmm.

0:27:17.000 --> 0:27:18.720
<v Speaker 1>And then he says I love you and she says,

0:27:18.760 --> 0:27:20.840
<v Speaker 1>I love you back. He writes it in the calendar.

0:27:22.200 --> 0:27:25.879
<v Speaker 1>He doesn't actually say it, but then he writes it

0:27:25.920 --> 0:27:27.840
<v Speaker 1>in the calendar, and she says I love you back,

0:27:29.320 --> 0:27:30.160
<v Speaker 1>and now they're in love.

0:27:31.760 --> 0:27:35.160
<v Speaker 2>And we've sold enough calendars almost to get to regionals.

0:27:35.440 --> 0:27:37.760
<v Speaker 2>We did everything we needed to do.

0:27:38.240 --> 0:27:38.560
<v Speaker 1>We did.

0:27:38.760 --> 0:27:42.840
<v Speaker 2>I did love the Once the calendars come out and

0:27:43.160 --> 0:27:50.399
<v Speaker 2>like Becky's there, wow wild stuff that sort of like

0:27:50.520 --> 0:27:54.280
<v Speaker 2>fanfair high school stuff. I love the kids waiting in

0:27:54.359 --> 0:27:57.280
<v Speaker 2>line and autographs and signing it and.

0:27:57.359 --> 0:28:01.520
<v Speaker 1>This music that plays throughout that like like throughout the episode,

0:28:01.720 --> 0:28:08.120
<v Speaker 1>so funny, very ian, Yes of him And then over

0:28:08.240 --> 0:28:09.679
<v Speaker 1>in New York, there's something else happening.

0:28:11.560 --> 0:28:18.840
<v Speaker 2>So Rachel gets offered a student film, but it requires

0:28:18.880 --> 0:28:21.879
<v Speaker 2>her and she's like all in, and but it requires

0:28:21.880 --> 0:28:26.600
<v Speaker 2>her to be topless. She agrees but clearly has some doubts,

0:28:27.680 --> 0:28:31.480
<v Speaker 2>and Brody's like, yeah, yeah, I go for it. It's

0:28:31.520 --> 0:28:34.440
<v Speaker 2>all good, and she's like, I'm the strong girl in

0:28:34.800 --> 0:28:38.120
<v Speaker 2>Brody like to move in, like I can do this,

0:28:39.120 --> 0:28:41.280
<v Speaker 2>and Kurt it's like, oh no, of course you're not

0:28:41.360 --> 0:28:47.480
<v Speaker 2>doing it. Meanwhile, at the kitchen table, which was hilarious

0:28:47.720 --> 0:28:50.680
<v Speaker 2>but also that's insane.

0:28:51.640 --> 0:28:55.800
<v Speaker 1>Yeah, who does that. Nobody eats breakfast like that with

0:28:56.040 --> 0:28:58.960
<v Speaker 1>people around that you don't know that well. But he's

0:28:59.000 --> 0:29:01.200
<v Speaker 1>just trying to make a point to Rachel that she

0:29:01.280 --> 0:29:03.760
<v Speaker 1>should be proud of her body and the whole thing

0:29:04.120 --> 0:29:08.560
<v Speaker 1>and I don't know, this whole storyline was like, I'm

0:29:08.560 --> 0:29:10.680
<v Speaker 1>glad she didn't end up doing it, and I'm glad

0:29:10.720 --> 0:29:13.320
<v Speaker 1>we got to see we got Santana and Quinn out

0:29:13.360 --> 0:29:17.320
<v Speaker 1>of it. I didn't hate the storyline at all, but

0:29:17.400 --> 0:29:19.600
<v Speaker 1>I was like, this whole like Brody thing and like

0:29:19.720 --> 0:29:21.960
<v Speaker 1>being proud of your body. I was like, I don't know,

0:29:22.240 --> 0:29:24.160
<v Speaker 1>I don't know. It's not my favorite.

0:29:24.440 --> 0:29:26.360
<v Speaker 2>Yeah, because I also think that it's not about You're

0:29:26.400 --> 0:29:27.760
<v Speaker 2>not being proud of your body.

0:29:27.800 --> 0:29:31.680
<v Speaker 1>No, exactly, it's being an actor and coming across something

0:29:31.760 --> 0:29:37.000
<v Speaker 1>like this because generally, if you get an audition, it'll

0:29:37.160 --> 0:29:42.560
<v Speaker 1>say nudity required, yeah, and you can accept or deny.

0:29:44.280 --> 0:29:48.600
<v Speaker 2>I mean it was pretty I mean she when you

0:29:48.680 --> 0:29:52.440
<v Speaker 2>actually get to her filming it, it's pretty great. She

0:29:52.560 --> 0:29:55.240
<v Speaker 2>keeps sailing cut. I remember watching this when they screened

0:29:55.280 --> 0:29:57.440
<v Speaker 2>it for us, and this scene had me losing it.

0:29:58.320 --> 0:30:04.320
<v Speaker 1>Cut. But other little crew getting naked, it's wild, and

0:30:04.400 --> 0:30:08.960
<v Speaker 1>then they're also the band. Yes, but also that we

0:30:09.120 --> 0:30:11.600
<v Speaker 1>getting we're getting Quinn and Santana coming and being an

0:30:11.880 --> 0:30:15.120
<v Speaker 1>actual voice of reason, which is so funny. Santana being

0:30:15.200 --> 0:30:20.440
<v Speaker 1>like it's probably a student film about Grandma having Alzheimer's study, and.

0:30:20.520 --> 0:30:22.720
<v Speaker 2>The two two too, which is also very true.

0:30:23.280 --> 0:30:24.960
<v Speaker 1>Two weeks are going to feel about the new thing.

0:30:25.760 --> 0:30:28.800
<v Speaker 1>It's smart, it's very smart. It's a student film. It's

0:30:28.840 --> 0:30:29.520
<v Speaker 1>not going to be good.

0:30:30.840 --> 0:30:34.080
<v Speaker 2>They're all so good together. I think it's curiating about

0:30:34.120 --> 0:30:37.280
<v Speaker 2>it is that there's not more of it, And obviously

0:30:37.320 --> 0:30:39.920
<v Speaker 2>at the end of the episode it's alluded to that

0:30:40.000 --> 0:30:42.720
<v Speaker 2>Santana's going to move to New York. But it's like,

0:30:42.800 --> 0:30:43.920
<v Speaker 2>I want the three of them together.

0:30:44.320 --> 0:30:46.080
<v Speaker 1>I know it's just a good one.

0:30:46.480 --> 0:30:50.720
<v Speaker 2>Their chemistry is insane. And then can we have to

0:30:50.760 --> 0:30:56.480
<v Speaker 2>talk about love song? Because I didn't realize I tweeted about.

0:30:56.280 --> 0:30:59.080
<v Speaker 1>This after I watched it, you did like today, this

0:30:59.200 --> 0:30:59.959
<v Speaker 1>time or last time?

0:31:00.240 --> 0:31:03.600
<v Speaker 2>No, last night? Oh, because I was like, I didn't

0:31:03.800 --> 0:31:07.120
<v Speaker 2>know it was this good because I probably watched it.

0:31:07.720 --> 0:31:09.120
<v Speaker 2>I mean I watched it in the screening and that

0:31:09.240 --> 0:31:14.240
<v Speaker 2>was probably it, to be honest. Yeah, And oh my god,

0:31:15.680 --> 0:31:19.400
<v Speaker 2>the joy and their performance all like their inside looks

0:31:19.480 --> 0:31:23.800
<v Speaker 2>to each other. H the three part harmony for most

0:31:23.880 --> 0:31:25.720
<v Speaker 2>of that TV edit, which is like in the chorus

0:31:26.480 --> 0:31:28.680
<v Speaker 2>and they all have like one line and a bridge.

0:31:28.800 --> 0:31:34.240
<v Speaker 2>It's so beautifully divided. Yes and yes who.

0:31:34.320 --> 0:31:37.440
<v Speaker 1>I just never would have thought that song that's exactly

0:31:37.520 --> 0:31:38.640
<v Speaker 1>it right.

0:31:38.760 --> 0:31:42.760
<v Speaker 2>Would have worked at that level. But it was like

0:31:42.840 --> 0:31:44.640
<v Speaker 2>the joy of seeing them all together. They're all just

0:31:44.720 --> 0:31:47.160
<v Speaker 2>like jamming on a stage and being friends and friendly

0:31:47.600 --> 0:31:53.280
<v Speaker 2>like RL. And it was also like we haven't worked

0:31:53.280 --> 0:31:55.880
<v Speaker 2>together in a long time, and these characters haven't seen

0:31:55.920 --> 0:31:57.680
<v Speaker 2>each other in a long time. It's all these layers

0:31:58.000 --> 0:32:02.000
<v Speaker 2>of look we still got it, Like we're still good, yeah,

0:32:02.000 --> 0:32:05.880
<v Speaker 2>and like we're still friends, and then the characters are

0:32:05.880 --> 0:32:07.800
<v Speaker 2>doing the exact same things as the real life people are.

0:32:08.400 --> 0:32:08.640
<v Speaker 1>Yeah.

0:32:08.720 --> 0:32:10.400
<v Speaker 2>And of course it was just seeing like all our

0:32:10.440 --> 0:32:16.320
<v Speaker 2>friends together and sounding great again, and I was happy.

0:32:16.560 --> 0:32:22.200
<v Speaker 2>I was emotional. Yeah, I was just sort of flabberg

0:32:22.240 --> 0:32:26.760
<v Speaker 2>acid because you don't normally get the three of them

0:32:26.880 --> 0:32:28.360
<v Speaker 2>singing together in harmony like that.

0:32:28.800 --> 0:32:31.160
<v Speaker 1>No you don't, long, I don't remember the last time

0:32:31.200 --> 0:32:35.240
<v Speaker 1>we got that, no, they I think. Also, the song

0:32:35.360 --> 0:32:38.240
<v Speaker 1>itself is like one of my lea favorite Sarah songs,

0:32:38.360 --> 0:32:42.560
<v Speaker 1>like Sarah's a bundle of other fantastic songs that I love,

0:32:42.920 --> 0:32:45.200
<v Speaker 1>And so I'm like, oh, okay, I love song, like

0:32:45.320 --> 0:32:46.840
<v Speaker 1>you know, probably the most well known, the one that

0:32:46.880 --> 0:32:48.960
<v Speaker 1>put her on the map, Like whatever, I get it. Yeah,

0:32:49.840 --> 0:32:52.640
<v Speaker 1>So that's probably like initially why I don't remember it

0:32:52.800 --> 0:32:57.040
<v Speaker 1>like that, you know, like cool, great, But to watch

0:32:57.080 --> 0:32:59.680
<v Speaker 1>it back now you're like, oh, that's so nostalgic. Fans

0:32:59.760 --> 0:33:03.040
<v Speaker 1>must have been crapping their pants at that point for

0:33:03.160 --> 0:33:04.920
<v Speaker 1>the three of them like that, and then also for

0:33:05.040 --> 0:33:07.400
<v Speaker 1>them to sound that good and to actually like elevate

0:33:07.440 --> 0:33:07.760
<v Speaker 1>the song.

0:33:08.960 --> 0:33:11.960
<v Speaker 2>There was a full fan contingent, who are love song

0:33:12.720 --> 0:33:13.640
<v Speaker 2>like got.

0:33:13.440 --> 0:33:17.000
<v Speaker 1>It, got it okay, and discovered that totally get it yeah.

0:33:16.840 --> 0:33:20.120
<v Speaker 2>And I totally understand it. And I it's nice to

0:33:20.200 --> 0:33:22.560
<v Speaker 2>almost rediscover something because I feel like I have my

0:33:22.640 --> 0:33:24.920
<v Speaker 2>go to songs that I listened to every now and then,

0:33:25.440 --> 0:33:27.640
<v Speaker 2>and I'm like, this is a new one. It's beautiful.

0:33:28.120 --> 0:33:30.960
<v Speaker 1>And then also Liah Sing's torn in the beginning with

0:33:32.000 --> 0:33:34.280
<v Speaker 1>when she's trying to decide whether to do the film

0:33:34.400 --> 0:33:37.680
<v Speaker 1>or not, and she does it and I love this song.

0:33:37.920 --> 0:33:41.680
<v Speaker 1>Obviously this is very nostalgic for best millennials. That song. Yeah,

0:33:42.000 --> 0:33:48.800
<v Speaker 1>it's like EATRL time. But also having like new Rachel

0:33:48.880 --> 0:33:50.800
<v Speaker 1>or Old Rachel was so great.

0:33:51.280 --> 0:33:53.480
<v Speaker 2>I love it was really great and also such a.

0:33:53.560 --> 0:33:55.920
<v Speaker 1>Well done musical performance.

0:33:56.360 --> 0:33:59.440
<v Speaker 2>Smashed it because you see how differently she does play

0:34:00.240 --> 0:34:03.240
<v Speaker 2>old Rachel and old Rachel, and also her old Rachel

0:34:03.280 --> 0:34:04.400
<v Speaker 2>makee fun of her hair and makeup.

0:34:04.600 --> 0:34:11.240
<v Speaker 1>It was so funny. She's like fair, great, great number.

0:34:11.440 --> 0:34:13.000
<v Speaker 1>And then we do this is the New Year with

0:34:13.080 --> 0:34:16.560
<v Speaker 1>all the McKinley people again. We're back together, everybody, people

0:34:16.600 --> 0:34:20.320
<v Speaker 1>are in love. We raised money, we're going this regionals.

0:34:20.360 --> 0:34:25.120
<v Speaker 1>We're going to regionals, and we did this number and

0:34:25.239 --> 0:34:27.400
<v Speaker 1>I like vividly remember shooting this number because it was

0:34:27.480 --> 0:34:29.719
<v Speaker 1>kind of freeform rock out and we just like they

0:34:29.760 --> 0:34:33.040
<v Speaker 1>had the camera really up close on stage and we're

0:34:33.080 --> 0:34:35.840
<v Speaker 1>singing and they're all these like odd pairings like Tina

0:34:35.880 --> 0:34:41.520
<v Speaker 1>and Ryder singing together. It's just like new Kid. Yeah,

0:34:41.600 --> 0:34:44.880
<v Speaker 1>and our group has kind of like melded at this

0:34:45.080 --> 0:34:49.920
<v Speaker 1>point as friends and I never forget this one. I

0:34:50.000 --> 0:34:50.680
<v Speaker 1>love this number.

0:34:50.760 --> 0:34:55.000
<v Speaker 2>It was like a fun number. Yeah, this free from rockout.

0:34:55.000 --> 0:34:57.960
<v Speaker 2>Ones were like if you show up to school and

0:34:59.160 --> 0:35:04.239
<v Speaker 2>it's like class canceled. Yeah, awesome, because like that's what

0:35:04.360 --> 0:35:06.120
<v Speaker 2>it always felt like when we got to do those things.

0:35:06.280 --> 0:35:09.280
<v Speaker 2>And yes, it's a great song. It's perfect for the storyline.

0:35:09.320 --> 0:35:11.640
<v Speaker 2>It's one of those things where all these songs are

0:35:11.680 --> 0:35:15.520
<v Speaker 2>really clicking for what's going on and they feel right.

0:35:15.719 --> 0:35:18.840
<v Speaker 1>Yes, and they're nice to listen to, nice to watch,

0:35:19.160 --> 0:35:21.600
<v Speaker 1>Like yeah, I don't know just.

0:35:21.760 --> 0:35:24.920
<v Speaker 2>Even how they divide it up that song at the end.

0:35:25.480 --> 0:35:28.960
<v Speaker 2>Each line applied to each storyline that these people were

0:35:29.000 --> 0:35:34.320
<v Speaker 2>going through, and like that thought and consideration between what

0:35:34.600 --> 0:35:36.920
<v Speaker 2>sounds good, what works for the story, what's going to

0:35:37.040 --> 0:35:40.239
<v Speaker 2>visually work was just all all there.

0:35:41.000 --> 0:35:44.080
<v Speaker 1>Mm hmm, Well, let's write some numbers then, because I

0:35:44.120 --> 0:35:46.520
<v Speaker 1>think we're going to get a good rating this time.

0:35:47.440 --> 0:35:52.200
<v Speaker 2>Torn I'll give it a minus.

0:35:52.520 --> 0:35:54.800
<v Speaker 1>Okay, fine, I'll give it a minus. Give us somewhere

0:35:54.800 --> 0:35:57.279
<v Speaker 1>to Gough Centerfold hunt in here, I give an A.

0:35:58.400 --> 0:35:59.480
<v Speaker 2>I'm giving it a B plus.

0:35:59.719 --> 0:36:00.399
<v Speaker 1>Okay, fine.

0:36:00.640 --> 0:36:02.600
<v Speaker 2>As fun as it was, I don't think it was

0:36:02.640 --> 0:36:05.680
<v Speaker 2>a great mashup. The mashup I do not think worked.

0:36:05.719 --> 0:36:07.880
<v Speaker 2>I don't think like the music itself. I see what

0:36:07.920 --> 0:36:10.560
<v Speaker 2>you're saying. Yeah, Chord was a much better rapper than

0:36:10.600 --> 0:36:13.920
<v Speaker 2>I thought he would have been. I will say that,

0:36:14.200 --> 0:36:15.560
<v Speaker 2>And I think the number was fun.

0:36:16.200 --> 0:36:17.279
<v Speaker 1>Yeah, it was fun to watch.

0:36:18.000 --> 0:36:22.680
<v Speaker 2>It was a thousand years beautiful A A.

0:36:22.880 --> 0:36:23.600
<v Speaker 1>Yeah, I give it an A.

0:36:24.840 --> 0:36:28.400
<v Speaker 2>Let Me Love You plus A plus plus plus plus.

0:36:30.200 --> 0:36:37.319
<v Speaker 1>Love Song A plus, A plus. This is New Year A. Yeah,

0:36:38.080 --> 0:36:41.759
<v Speaker 1>that's a solid A minus A plus average right there, Like,

0:36:41.960 --> 0:36:43.040
<v Speaker 1>that's really solid.

0:36:43.320 --> 0:36:45.400
<v Speaker 2>I really enjoyed. I enjoyed this Let Me Love You.

0:36:45.480 --> 0:36:48.279
<v Speaker 2>It was really special to us. We all as a

0:36:48.480 --> 0:36:51.200
<v Speaker 2>group have at that point hadn't flipped out about a

0:36:51.440 --> 0:36:53.520
<v Speaker 2>musical number in a really long long time. That's right.

0:36:53.960 --> 0:36:57.800
<v Speaker 2>I so distinctly remember the feeling in the room of

0:36:58.000 --> 0:37:00.920
<v Speaker 2>like Jacob, I know Darren.

0:37:01.239 --> 0:37:03.120
<v Speaker 1>About it when he came on the podcast. He was like,

0:37:03.200 --> 0:37:05.560
<v Speaker 1>are you kidding? Like so memorable?

0:37:06.719 --> 0:37:09.320
<v Speaker 2>I remember and rehearsal when he hits the second chorus

0:37:09.400 --> 0:37:13.120
<v Speaker 2>and he goes the octave up and Falsettoh, we all screamed.

0:37:14.640 --> 0:37:16.919
<v Speaker 2>We all screamed, Well, we hadn't heard it yet. It's

0:37:18.120 --> 0:37:22.680
<v Speaker 2>hid hiding. And a lot of times, I think when

0:37:22.719 --> 0:37:25.920
<v Speaker 2>we're filming these numbers, a lot of times it's about

0:37:25.960 --> 0:37:28.759
<v Speaker 2>remembering how you felt when you first heard it, and

0:37:28.880 --> 0:37:30.880
<v Speaker 2>so we'll rehearse it for the crew and camera and

0:37:30.920 --> 0:37:33.080
<v Speaker 2>all of that, and so when we do go to

0:37:33.160 --> 0:37:36.920
<v Speaker 2>film our reactions, a lot of it is just imitating

0:37:36.960 --> 0:37:38.920
<v Speaker 2>what we did maybe an hour or two before we

0:37:39.000 --> 0:37:41.680
<v Speaker 2>heard it for the first time, because those were our

0:37:41.760 --> 0:37:44.120
<v Speaker 2>real reactions, and of course the characters would react like that.

0:37:44.840 --> 0:37:48.600
<v Speaker 2>It's right minus. You know, Melissa had like some things

0:37:48.640 --> 0:37:53.120
<v Speaker 2>to do, right, she was acting boy oh boy.

0:38:00.080 --> 0:38:05.520
<v Speaker 1>Yeah, Chartie takes Chartie takes us.

0:38:08.320 --> 0:38:10.760
<v Speaker 2>I mean again, Brittany talking about the eating disorder.

0:38:11.320 --> 0:38:17.719
<v Speaker 1>Yeah, the financy storyline, like Sue Sue talking. There's this

0:38:17.840 --> 0:38:19.560
<v Speaker 1>one line that she says to him that I was like,

0:38:19.680 --> 0:38:21.560
<v Speaker 1>oh my god, And maybe it's not cringe but it

0:38:21.640 --> 0:38:25.960
<v Speaker 1>was just like, Wow, it isn't the underage smart pedaling

0:38:26.080 --> 0:38:30.040
<v Speaker 1>non teacher Finn Hudson not satisfied with making a mockery

0:38:30.040 --> 0:38:32.440
<v Speaker 1>of the American education system. By your new presence at

0:38:32.440 --> 0:38:35.359
<v Speaker 1>the school, you have besmirched the dignity of such every

0:38:35.440 --> 0:38:38.399
<v Speaker 1>day here, as is this woman with cross disease whose

0:38:38.480 --> 0:38:40.560
<v Speaker 1>name I do not know, by bringing dark spectr of

0:38:40.600 --> 0:38:43.200
<v Speaker 1>pornography to these hollowed hats.

0:38:43.600 --> 0:38:46.120
<v Speaker 2>Yeah, and that leads us to also the idea of

0:38:46.200 --> 0:38:49.719
<v Speaker 2>having an underage boys posture was yeah, I don't think

0:38:49.719 --> 0:38:52.080
<v Speaker 2>it will be allowed to do that in school. No,

0:38:52.840 --> 0:38:56.719
<v Speaker 2>And then Kitty's jokes about Joe's hair. I mean it's

0:38:56.760 --> 0:39:04.680
<v Speaker 2>just just not yeah, okay, dance move I think I

0:39:04.719 --> 0:39:06.960
<v Speaker 2>guess Kitty being lifted.

0:39:07.800 --> 0:39:13.319
<v Speaker 1>Yeah, totally from the bird's eye view from that, yeah, crazy, that.

0:39:13.520 --> 0:39:15.759
<v Speaker 2>Was insane, having those paths on the floor like it

0:39:15.840 --> 0:39:16.600
<v Speaker 2>was hilarious.

0:39:16.960 --> 0:39:21.960
<v Speaker 1>It's so strange, crazy best song let Me love You,

0:39:24.120 --> 0:39:24.640
<v Speaker 1>Let Me love you.

0:39:25.239 --> 0:39:26.719
<v Speaker 2>Let me love you. But I do need you to

0:39:26.800 --> 0:39:31.320
<v Speaker 2>know that love songs up there fair enough. Yeah, I

0:39:31.360 --> 0:39:33.040
<v Speaker 2>have a soft spot obviously for letting me love you,

0:39:35.040 --> 0:39:39.120
<v Speaker 2>but you do love love song. It's it's now, Yeah,

0:39:39.160 --> 0:39:39.520
<v Speaker 2>I get it.

0:39:40.600 --> 0:39:42.120
<v Speaker 1>This performance by your prop.

0:39:47.880 --> 0:39:50.880
<v Speaker 2>There was a lot. There were this tanning guns, there

0:39:51.000 --> 0:39:54.280
<v Speaker 2>was the fondue, there's Lord Tubbington.

0:39:54.280 --> 0:40:00.160
<v Speaker 1>The Sugar First coffee. Yes, the calendar, I I mean,

0:40:00.200 --> 0:40:02.040
<v Speaker 1>I think you have to go to the calendar, right.

0:40:02.120 --> 0:40:04.680
<v Speaker 1>And also the bar bell Sam's starphone barbels.

0:40:05.040 --> 0:40:05.839
<v Speaker 2>Those always work.

0:40:06.040 --> 0:40:07.920
<v Speaker 1>I know. It make me so laugh so much. Okay,

0:40:09.040 --> 0:40:10.120
<v Speaker 1>best line.

0:40:12.000 --> 0:40:15.880
<v Speaker 2>I am gonna be selfish here, okay, and choose an

0:40:16.000 --> 0:40:16.520
<v Speaker 2>artie line.

0:40:16.680 --> 0:40:17.440
<v Speaker 1>Oh, I love it.

0:40:18.680 --> 0:40:20.360
<v Speaker 2>You want me to spend the next few days carefully

0:40:20.440 --> 0:40:23.600
<v Speaker 2>paging through decades and decades of engage pornography. You've come

0:40:23.680 --> 0:40:29.680
<v Speaker 2>to the right place. He's such a creeper, such a creep.

0:40:31.840 --> 0:40:34.680
<v Speaker 2>I remember doing that. I remember, like Corey and I

0:40:34.840 --> 0:40:36.240
<v Speaker 2>just having a great time filming.

0:40:38.800 --> 0:40:40.600
<v Speaker 1>Old Rachel, You're not a porn star, even though your

0:40:40.600 --> 0:40:42.520
<v Speaker 1>hair and makeup like it makes you look like one.

0:40:42.640 --> 0:40:45.600
<v Speaker 1>New Rachel. That's mean, Old Rachel. I'm sorry, but your

0:40:45.600 --> 0:40:48.360
<v Speaker 1>hair has gotten a little out of hand. New Rachel pointing.

0:40:50.760 --> 0:40:56.120
<v Speaker 1>I'd love that she's talking to herself. Uh performance MVP

0:40:57.600 --> 0:41:00.640
<v Speaker 1>cord I had a CORDI yeah, yeah.

0:41:03.040 --> 0:41:10.920
<v Speaker 2>Wow, yes, absolutely, Okay, Jenna, Yeah, ship be found on

0:41:11.000 --> 0:41:19.080
<v Speaker 2>TikTok for it. So it is Joe Shaw on TikTok.

0:41:19.680 --> 0:41:21.719
<v Speaker 2>He's wearing a shirt that says, oh my god, sang

0:41:21.800 --> 0:41:26.239
<v Speaker 2>this on Glee and he's at a Keen concert. And

0:41:27.440 --> 0:41:30.279
<v Speaker 2>not even at a Keen concert, he's at Glastonbury, which

0:41:30.320 --> 0:41:33.200
<v Speaker 2>happened a couple weeks ago, and he's singing the song

0:41:33.280 --> 0:41:38.480
<v Speaker 2>Darren sang and it's phenomenal, and I just I was like,

0:41:38.520 --> 0:41:42.600
<v Speaker 2>I wonder if they hate that. It's also like he

0:41:42.719 --> 0:41:49.279
<v Speaker 2>showed up just for that. We love it. Oh my god.

0:41:49.360 --> 0:41:51.800
<v Speaker 2>Somebody said Coldplay sang the Scientist and I was like,

0:41:51.840 --> 0:41:53.440
<v Speaker 2>they also sing this song Glee and he said, I

0:41:53.520 --> 0:41:55.000
<v Speaker 2>did this last night cold Play too.

0:41:57.480 --> 0:42:00.480
<v Speaker 1>Wow. Wow.

0:42:00.560 --> 0:42:02.440
<v Speaker 2>Somebody saying I've never heard Keen sing the side, but

0:42:02.480 --> 0:42:08.279
<v Speaker 2>I've heard Darren sing it. It's great. I love so

0:42:08.440 --> 0:42:11.480
<v Speaker 2>much that lead singer's voice is just magic.

0:42:11.800 --> 0:42:12.439
<v Speaker 1>Oh it's better.

0:42:13.400 --> 0:42:15.000
<v Speaker 2>Yeah, Like I mean, we talked about with Darren. But

0:42:15.080 --> 0:42:18.200
<v Speaker 2>I was so excited when Keene it was just their

0:42:18.280 --> 0:42:19.280
<v Speaker 2>music was on the show.

0:42:19.160 --> 0:42:22.399
<v Speaker 1>Because I know that was also a very memorable one

0:42:22.480 --> 0:42:26.839
<v Speaker 1>for me. That in the Courtyard of course, yeah so good,

0:42:27.960 --> 0:42:29.640
<v Speaker 1>well that is naked.

0:42:30.160 --> 0:42:32.520
<v Speaker 2>I enjoyed that episode though I did too.

0:42:32.920 --> 0:42:35.080
<v Speaker 1>Even though I had to watch it twice, I did

0:42:35.239 --> 0:42:35.600
<v Speaker 1>enjoy it.

0:42:36.400 --> 0:42:42.000
<v Speaker 2>You know, I think once I reframed my head into viewership.

0:42:42.680 --> 0:42:47.480
<v Speaker 2>Just a classic teen show and you we're dealing with

0:42:47.640 --> 0:42:52.000
<v Speaker 2>teen things, and there's great performances from people and great music,

0:42:53.120 --> 0:42:56.480
<v Speaker 2>and it was funny. It was absurd. There were some

0:42:56.600 --> 0:43:03.280
<v Speaker 2>wrong things, some right things. Oh my god, wait before

0:43:03.320 --> 0:43:06.080
<v Speaker 2>we go, I just need to talk about the bumper

0:43:06.520 --> 0:43:13.200
<v Speaker 2>of this episode. Yeah, of Andrew and Rod. Oh my freaky.

0:43:13.360 --> 0:43:18.279
<v Speaker 2>So the press coverage of the Warblers getting kicked out

0:43:19.040 --> 0:43:23.240
<v Speaker 2>and found of roid, rage, of voids whatever, and Andrea

0:43:23.280 --> 0:43:25.120
<v Speaker 2>has her full freak outs. I can't believe it. This

0:43:25.239 --> 0:43:27.440
<v Speaker 2>is what they think this news now and they like

0:43:27.640 --> 0:43:29.960
<v Speaker 2>zoom out and she's like taking off her mic and

0:43:30.040 --> 0:43:31.759
<v Speaker 2>his screaming. He is like I went to school for this.

0:43:35.280 --> 0:43:36.200
<v Speaker 2>It was really good.

0:43:36.560 --> 0:43:37.719
<v Speaker 1>We haven't seen them in a while.

0:43:38.200 --> 0:43:41.239
<v Speaker 2>No, then Rod coming back with after the break before

0:43:41.320 --> 0:43:46.959
<v Speaker 2>wing Squirrel, who's also a doctor. I've missed them, Rod,

0:43:47.719 --> 0:43:49.320
<v Speaker 2>you forget Like there were so many people on this

0:43:49.400 --> 0:43:51.840
<v Speaker 2>damn show. I know so many bits that like.

0:43:52.120 --> 0:43:55.520
<v Speaker 1>We've used over the years, like there were with them,

0:43:55.600 --> 0:43:58.560
<v Speaker 1>really Ron a little bit, but not not Andrea.

0:43:58.440 --> 0:44:04.719
<v Speaker 2>M Wow, it's a full team effort. Everybody's pulling their weight.

0:44:05.200 --> 0:44:07.000
<v Speaker 1>Well so far, you're so good season four.

0:44:08.760 --> 0:44:13.080
<v Speaker 2>Yeah, I'm not mad at any of this, you know

0:44:13.120 --> 0:44:16.400
<v Speaker 2>who I need more, I need more unique.

0:44:17.880 --> 0:44:20.080
<v Speaker 1>We're getting there, don't worry, I know.

0:44:20.239 --> 0:44:23.120
<v Speaker 2>But like the past two episodes, not enough Alex nol.

0:44:24.680 --> 0:44:26.760
<v Speaker 1>We're getting traveling the next episode.

0:44:26.400 --> 0:44:29.840
<v Speaker 2>Two it's just like I don't even know if we

0:44:29.880 --> 0:44:33.759
<v Speaker 2>saw Alex last episode. So there's one quick shot during

0:44:33.840 --> 0:44:36.960
<v Speaker 2>like no scripts, and then the performance is obviously and

0:44:37.080 --> 0:44:39.040
<v Speaker 2>so this was sort of like a similar thing. We've

0:44:39.080 --> 0:44:42.040
<v Speaker 2>got to the group number at the end, like, okay,

0:44:42.160 --> 0:44:46.800
<v Speaker 2>finally yes, next episode definitely, Oh my god, next episode, Jenna,

0:44:47.520 --> 0:44:51.560
<v Speaker 2>I know, don't even it's Deva and we are getting

0:44:51.680 --> 0:44:56.040
<v Speaker 2>some numbers. Oh my god. I might have to go

0:44:56.120 --> 0:45:00.120
<v Speaker 2>watch it right now. I already did, did you mm

0:45:00.239 --> 0:45:04.640
<v Speaker 2>hmm wow? Ready, Okay, I'm very excited to watch it.

0:45:05.680 --> 0:45:08.040
<v Speaker 1>Okay, we'll come back next week and recap with us.

0:45:08.640 --> 0:45:12.080
<v Speaker 2>And that's what you really missed. Thanks for listening and

0:45:12.239 --> 0:45:14.879
<v Speaker 2>follow us on Instagram at and that's what you really

0:45:14.920 --> 0:45:17.000
<v Speaker 2>miss pod. Make sure to write us a review and

0:45:17.160 --> 0:45:19.080
<v Speaker 2>leave us five stars. See you next time.