1 00:00:01,760 --> 00:00:04,439 Speaker 1: And That's what you Really missed with Jenna. 2 00:00:04,480 --> 00:00:07,119 Speaker 2: And Kevin and iHeartRadio podcast. 3 00:00:09,000 --> 00:00:12,160 Speaker 1: Welcome to and That's what you Really miss podcast. Today 4 00:00:12,560 --> 00:00:17,119 Speaker 1: is season four, episode twelve, Naked. Let's get naked. 5 00:00:17,960 --> 00:00:25,120 Speaker 2: Woo. There's a lot of nakedness in this episode. Does 6 00:00:25,160 --> 00:00:27,600 Speaker 2: it make you uncomfortable? You made no? 7 00:00:27,600 --> 00:00:31,160 Speaker 1: No, no. So what happened was here's what happened Kevin. 8 00:00:31,760 --> 00:00:35,640 Speaker 1: About a month ago. We've been recapping for obviously a 9 00:00:35,680 --> 00:00:38,120 Speaker 1: while now, and we had taken a break from the 10 00:00:38,159 --> 00:00:40,199 Speaker 1: recaps and we were just doing guest episodes, I think 11 00:00:40,240 --> 00:00:43,239 Speaker 1: at the time. And I popped back into my Hulu 12 00:00:43,560 --> 00:00:45,960 Speaker 1: and put on Glee and it must have skipped a 13 00:00:46,000 --> 00:00:49,000 Speaker 1: few episodes and it started on Naked. So I watched 14 00:00:49,080 --> 00:00:55,000 Speaker 1: Naked like a month or two ago, and about about 15 00:00:55,000 --> 00:00:57,840 Speaker 1: a third of the way through, I was like, hmmm, 16 00:00:58,880 --> 00:01:02,360 Speaker 1: I think I've missed the things. The continuit is very off. 17 00:01:03,120 --> 00:01:05,000 Speaker 1: And then I got to the end of the episode. Yes, 18 00:01:05,160 --> 00:01:06,920 Speaker 1: I did watch the whole episode. 19 00:01:07,240 --> 00:01:08,840 Speaker 2: You didn't even check before you got to the end 20 00:01:08,840 --> 00:01:09,360 Speaker 2: of the episode. 21 00:01:09,400 --> 00:01:11,440 Speaker 1: No, I just kept going. And then I got to 22 00:01:11,440 --> 00:01:13,080 Speaker 1: the episode and I was like, what episode is this? 23 00:01:13,200 --> 00:01:14,920 Speaker 1: Let me just keep seeing how many would have left 24 00:01:14,959 --> 00:01:19,960 Speaker 1: to recap for this season, and I was like, oh, 25 00:01:20,080 --> 00:01:24,200 Speaker 1: I skipped quite a few. Oh sweet, sweet, this is 26 00:01:24,240 --> 00:01:26,920 Speaker 1: my second time watching Naked this month. 27 00:01:27,680 --> 00:01:29,080 Speaker 2: Was it better the first second time? 28 00:01:30,080 --> 00:01:33,520 Speaker 1: Well, you know, I think it was better the first 29 00:01:35,120 --> 00:01:38,960 Speaker 1: just because I really enjoyed it. I didn't have to 30 00:01:39,040 --> 00:01:45,839 Speaker 1: watch it again, right, A lot happens. The musical numbers 31 00:01:45,840 --> 00:01:47,240 Speaker 1: are actually pretty great. 32 00:01:47,920 --> 00:01:49,280 Speaker 2: It's a pretty solid episode. 33 00:01:49,840 --> 00:01:53,240 Speaker 1: I did admittedly fast forward through all the musical members 34 00:01:53,280 --> 00:01:54,880 Speaker 1: just to make my time a little bit shorter on 35 00:01:54,920 --> 00:01:59,080 Speaker 1: this one. But I remember them all so vividly. That's 36 00:01:59,120 --> 00:02:01,400 Speaker 1: what like. I'm like, oh, I remember these, now, these 37 00:02:01,400 --> 00:02:03,720 Speaker 1: are great. These are all great. 38 00:02:03,640 --> 00:02:06,200 Speaker 2: And I mean something about this episode. I remember all 39 00:02:06,200 --> 00:02:07,520 Speaker 2: of these like filming. 40 00:02:07,160 --> 00:02:12,120 Speaker 1: Filming, well exactly, Yes, very vivid episode of us filming. 41 00:02:13,120 --> 00:02:16,720 Speaker 1: Let's get into it. So this episode aired on January 42 00:02:16,760 --> 00:02:19,079 Speaker 1: thirty first, twenty thirteen. 43 00:02:19,680 --> 00:02:22,000 Speaker 2: There's a new number one song in the country. It 44 00:02:22,040 --> 00:02:25,079 Speaker 2: was Thrift, shot by Maclamore and Ryan Lewis featuring Ones. 45 00:02:25,240 --> 00:02:28,080 Speaker 2: And there's a new number one movie Hanson and Gretzel 46 00:02:28,960 --> 00:02:31,760 Speaker 2: Witch Haunts. I do remember this. 47 00:02:31,880 --> 00:02:32,560 Speaker 1: I want to see it. 48 00:02:32,720 --> 00:02:35,720 Speaker 2: Didn't see it? Jenne. What happened to Glee News. 49 00:02:36,280 --> 00:02:40,160 Speaker 1: On January thirtieth, the cast celebrated the five hundredth How 50 00:02:40,160 --> 00:02:43,600 Speaker 1: were we have five hundred already? I don't know, it's stupid, okay, 51 00:02:43,639 --> 00:02:46,880 Speaker 1: So we celebrated the five hundred musical performance shout while 52 00:02:46,880 --> 00:02:54,679 Speaker 1: filming Season four, episode fifteen, Girls Parentheses and Boys on film. 53 00:02:55,680 --> 00:02:59,239 Speaker 1: There was jackets, there's t shirts, there's lollipops. I'm sure 54 00:02:59,240 --> 00:03:02,160 Speaker 1: there was celebrations. I don't remember which one this was, 55 00:03:03,120 --> 00:03:07,880 Speaker 1: but wow, five hundred, how are we already here? 56 00:03:08,200 --> 00:03:10,440 Speaker 2: I remember all these things. The jackets, a sweatshirts, a 57 00:03:10,480 --> 00:03:13,720 Speaker 2: lollipop stickers. That was a big deal because they started, 58 00:03:14,840 --> 00:03:16,480 Speaker 2: Like we said before, the camera crew was the one 59 00:03:16,520 --> 00:03:19,680 Speaker 2: keeping track, and so they started celebrating like three hundred, 60 00:03:19,960 --> 00:03:22,120 Speaker 2: four hundred became a bigger deal. And this became an 61 00:03:22,120 --> 00:03:23,280 Speaker 2: even bigger deal. 62 00:03:23,120 --> 00:03:25,359 Speaker 1: Okay, because it was Andrew Minchell who really kept track 63 00:03:25,400 --> 00:03:28,600 Speaker 1: while the musical numbers our study cam operator. And at 64 00:03:28,760 --> 00:03:32,919 Speaker 1: one of the hundreds, I think it was maybe four hundred, 65 00:03:33,480 --> 00:03:35,320 Speaker 1: we had the ping pong balls. Do you remember those? 66 00:03:35,480 --> 00:03:35,880 Speaker 2: Yes? 67 00:03:36,280 --> 00:03:39,000 Speaker 1: Were I don't know who wrote on them, but there 68 00:03:39,040 --> 00:03:42,920 Speaker 1: were musical numbers on four hundred or however many musical numbers, 69 00:03:43,040 --> 00:03:46,760 Speaker 1: And then we released them all. I'll never forget that 70 00:03:46,760 --> 00:03:49,080 Speaker 1: one because that's a lot of time and effort. Not 71 00:03:49,200 --> 00:03:53,200 Speaker 1: that other time, you know. But anyway, you know, shout 72 00:03:53,200 --> 00:03:55,120 Speaker 1: out to our crew for keeping track of all of 73 00:03:55,120 --> 00:03:56,840 Speaker 1: our musical numbers like that. How fun. 74 00:03:58,240 --> 00:04:01,080 Speaker 2: I was at trivia a couple of months ago, at 75 00:04:01,120 --> 00:04:04,440 Speaker 2: like a bar here, and the last bonus question was 76 00:04:04,480 --> 00:04:08,920 Speaker 2: how many musical numbers did Glee do? I had the 77 00:04:08,960 --> 00:04:13,880 Speaker 2: correct answer and the guy was wrong. Seven it's seven something, Okay. 78 00:04:13,880 --> 00:04:17,559 Speaker 2: I forgot what it was he was off? 79 00:04:18,240 --> 00:04:19,560 Speaker 1: What was he off by a lot? 80 00:04:20,040 --> 00:04:20,680 Speaker 2: Like fifteen? 81 00:04:21,320 --> 00:04:23,400 Speaker 1: Oh? Okay, I thought he was off one hundred. 82 00:04:23,400 --> 00:04:24,839 Speaker 2: It was still in the seven hundreds. But I was 83 00:04:24,880 --> 00:04:27,360 Speaker 2: just like, aren't you going to defer to me, sir? 84 00:04:30,240 --> 00:04:34,039 Speaker 1: No our memories. I don't know that I would have 85 00:04:34,080 --> 00:04:34,560 Speaker 1: had that one. 86 00:04:34,640 --> 00:04:37,719 Speaker 2: Yes, that's true. We had just talked about it, okay, 87 00:04:37,800 --> 00:04:39,159 Speaker 2: so it was fresh, got it? 88 00:04:39,279 --> 00:04:39,640 Speaker 1: Yeah. 89 00:04:39,720 --> 00:04:43,120 Speaker 2: So this episode was directed by our very own Ian Brennan. 90 00:04:43,480 --> 00:04:47,680 Speaker 1: On paper, it was written by Ryan Murphy. We've got 91 00:04:47,720 --> 00:04:51,599 Speaker 1: some really memorable songs in this episode. 92 00:04:51,680 --> 00:04:53,440 Speaker 2: A lot of songs too. We are just like every 93 00:04:53,480 --> 00:04:57,240 Speaker 2: episode just six songs. Seven songs. 94 00:04:58,120 --> 00:05:04,039 Speaker 1: Torn by in a swap the Natalie and Brouleia version Centerfold, 95 00:05:04,120 --> 00:05:10,120 Speaker 1: Hot in Her Okay a Thousand Years by Christina Perry. 96 00:05:10,920 --> 00:05:13,279 Speaker 2: Let Me Love You Until You Learn to Love Yourself. 97 00:05:13,520 --> 00:05:15,680 Speaker 2: Neo's second song he wrote called that Me love You. 98 00:05:16,480 --> 00:05:20,600 Speaker 1: Mm hmmm, oh I didn't know that love song by 99 00:05:20,640 --> 00:05:22,560 Speaker 1: the one and only Sarah Brillas. 100 00:05:23,520 --> 00:05:26,119 Speaker 2: And this is the New Year by a great big World. 101 00:05:27,440 --> 00:05:36,120 Speaker 1: Okay, that one is very remember. Uh. There's a lot 102 00:05:36,160 --> 00:05:43,159 Speaker 1: that happens. There's a calendar. There's some almost naked rachelness. 103 00:05:43,320 --> 00:05:47,719 Speaker 1: There's naked brodiness. Oh no, naked brudness. 104 00:05:47,320 --> 00:05:52,000 Speaker 2: Is the next episode. It's right, Yeah, it was naked. 105 00:05:52,240 --> 00:05:53,479 Speaker 1: Okay, that's right. 106 00:05:53,880 --> 00:05:54,960 Speaker 2: You just fast forward through it. 107 00:05:55,040 --> 00:05:59,800 Speaker 1: Jenna, Well, you know I've seen it before, so. 108 00:05:59,600 --> 00:06:03,960 Speaker 2: Some fun facts. Ryan stated on Twitter that the men 109 00:06:03,960 --> 00:06:06,080 Speaker 2: of a Kinley calendar storyline had been an idea since 110 00:06:06,080 --> 00:06:09,280 Speaker 2: season one. Wow, finally around to it. 111 00:06:10,640 --> 00:06:13,960 Speaker 1: Finally. The rumor about Sue posing for Penthouse and taking 112 00:06:14,000 --> 00:06:17,120 Speaker 1: horse estrogen was previously mentioned in a voiceover by Will 113 00:06:17,160 --> 00:06:21,760 Speaker 1: in the extended version of the pilot. Huh, it's brought up. 114 00:06:21,960 --> 00:06:24,880 Speaker 1: It's brought up again in season six and The Rise 115 00:06:24,920 --> 00:06:27,839 Speaker 1: and Fall of Sue Sylvester, when the superintendent finds a 116 00:06:27,839 --> 00:06:30,840 Speaker 1: copy of the magazine and sues hurt Locker sees hurt 117 00:06:30,880 --> 00:06:32,880 Speaker 1: lock I can't okay. 118 00:06:33,520 --> 00:06:36,160 Speaker 2: This marks the first appearance of Britney's bondou for two 119 00:06:36,240 --> 00:06:38,640 Speaker 2: since season two episode Rumors, which I loved. What are 120 00:06:38,640 --> 00:06:39,120 Speaker 2: you doing tonight? 121 00:06:39,160 --> 00:06:44,120 Speaker 1: I'm so happy, so happy he came back. When the 122 00:06:44,160 --> 00:06:47,520 Speaker 1: episode aired in Australia, the line where Sam was talking 123 00:06:47,520 --> 00:06:51,840 Speaker 1: about selling his semen was cut from They're just. 124 00:06:51,800 --> 00:06:56,000 Speaker 2: So pure There. Several names of websites are shown to 125 00:06:56,000 --> 00:06:58,960 Speaker 2: have been altered when Rachel looks at Santana's sex tape online. 126 00:06:58,960 --> 00:07:02,839 Speaker 2: For example, IMDb dot com is changed to icdb dot 127 00:07:02,880 --> 00:07:06,320 Speaker 2: com and tumbler dot com is changed shoot rambler dot com. 128 00:07:06,600 --> 00:07:11,480 Speaker 1: One of the descriptions underlink says sex is not dating. Yeah, 129 00:07:11,520 --> 00:07:13,760 Speaker 1: if it was, Santana and I would be dating. And 130 00:07:13,800 --> 00:07:17,520 Speaker 1: this is from season one, episode thirteen, sectionals the first 131 00:07:17,560 --> 00:07:20,120 Speaker 1: hinto of Brittany and Santana romance. 132 00:07:20,280 --> 00:07:21,920 Speaker 2: And at the start of the episode, a joke is 133 00:07:21,920 --> 00:07:25,200 Speaker 2: made describing the Twilight Books as poop on paper. Later, 134 00:07:25,360 --> 00:07:27,720 Speaker 2: Marlen and Jake sing a thousand Years, which is from 135 00:07:27,920 --> 00:07:30,200 Speaker 2: the Twilight Saga breaking Down Part one. 136 00:07:30,400 --> 00:07:31,880 Speaker 1: Ah, the irony. 137 00:07:31,720 --> 00:07:34,600 Speaker 2: Love that Jenna do you want to do the episode summary. 138 00:07:34,840 --> 00:07:38,720 Speaker 1: Oh my gosh, I'd be honored. The glee club puts 139 00:07:38,720 --> 00:07:44,320 Speaker 1: together a calendar photo shoot for a fundraiser. Meanwhile, Apart 140 00:07:44,360 --> 00:07:48,040 Speaker 1: in a student art film poses a moral dilemma for Rachel. Now, 141 00:07:48,040 --> 00:07:50,280 Speaker 1: I know that we get we laugh that they're so short, 142 00:07:50,320 --> 00:07:52,280 Speaker 1: but that's actually very succinct. 143 00:07:52,680 --> 00:07:53,360 Speaker 2: It's not wrong. 144 00:07:54,880 --> 00:07:57,840 Speaker 1: Yeah, okay, where do we start we're doing? Are we 145 00:07:57,880 --> 00:07:58,840 Speaker 1: talking about the calendar? 146 00:08:00,080 --> 00:08:01,480 Speaker 2: Let's get some of these things out of the way. 147 00:08:01,520 --> 00:08:05,160 Speaker 2: So the Warblers to carry on from last episode are 148 00:08:05,160 --> 00:08:10,679 Speaker 2: getting disqualified because Sam and Blaine Blam if you will, 149 00:08:12,040 --> 00:08:16,000 Speaker 2: figured it out, especially Sam and so now the new 150 00:08:16,000 --> 00:08:18,000 Speaker 2: directions are back in for regionals and they need to 151 00:08:18,080 --> 00:08:22,239 Speaker 2: raise four hundred dollars. I just it's so funny because 152 00:08:22,240 --> 00:08:25,280 Speaker 2: it's like your budget for these shows you're doing. Surely 153 00:08:25,360 --> 00:08:28,440 Speaker 2: there's four hundred dollars somewhere. 154 00:08:28,320 --> 00:08:31,520 Speaker 1: And also it's much more than that realistically. 155 00:08:31,880 --> 00:08:34,480 Speaker 2: Horny Tina comes up to the front of class and says, 156 00:08:34,760 --> 00:08:36,319 Speaker 2: I know how to do this. 157 00:08:37,040 --> 00:08:39,960 Speaker 1: You know who does to her for coming up an 158 00:08:40,040 --> 00:08:41,280 Speaker 1: idea better than a bake. 159 00:08:41,120 --> 00:08:43,240 Speaker 2: Sale entrepreneur, I have to say. 160 00:08:45,040 --> 00:08:48,080 Speaker 1: We're doing a man of McKinley calendar this year. 161 00:08:48,360 --> 00:08:48,840 Speaker 2: That's right. 162 00:08:49,840 --> 00:08:51,840 Speaker 1: I mean she's really just in it to see Blaine 163 00:08:51,880 --> 00:08:53,120 Speaker 1: without a shirt on too. 164 00:08:53,800 --> 00:08:58,200 Speaker 2: There's something about the way in which you stare at 165 00:08:58,280 --> 00:09:01,040 Speaker 2: Darren that is so creepreepy. 166 00:09:01,400 --> 00:09:03,160 Speaker 1: Yeah, I know, it is really creepy. 167 00:09:03,400 --> 00:09:04,160 Speaker 2: It's really good. 168 00:09:04,600 --> 00:09:05,640 Speaker 1: It's really creepy though. 169 00:09:05,679 --> 00:09:08,199 Speaker 2: I actually it's one of my favorite things where it's 170 00:09:08,200 --> 00:09:09,480 Speaker 2: like Jenna's not there. 171 00:09:11,320 --> 00:09:13,760 Speaker 1: Yeah yeah, yeah, yeah, yeah, yeah, for sure. 172 00:09:14,480 --> 00:09:17,120 Speaker 2: This I've never seen you do that look in real 173 00:09:17,160 --> 00:09:18,000 Speaker 2: life ever. 174 00:09:21,120 --> 00:09:22,760 Speaker 1: That is that is Tina. 175 00:09:22,800 --> 00:09:24,800 Speaker 2: This like we know each other, so we worked with 176 00:09:24,840 --> 00:09:28,600 Speaker 2: each other for so long, and the fact that like people, dude, 177 00:09:28,640 --> 00:09:30,240 Speaker 2: I'm like, I don't know what that look is. 178 00:09:30,400 --> 00:09:32,199 Speaker 1: I don't know where she is right now. 179 00:09:32,240 --> 00:09:35,160 Speaker 2: She's acting, she's an actress. 180 00:09:35,800 --> 00:09:39,920 Speaker 1: It's so beyond crazy that like delusional. She lives in 181 00:09:39,920 --> 00:09:42,640 Speaker 1: a delulu world at this point. So like it's just 182 00:09:43,200 --> 00:09:44,880 Speaker 1: it's not even like you can find any kind of 183 00:09:44,880 --> 00:09:47,760 Speaker 1: groundedness in it. I think that's why, like she's just gone, 184 00:09:47,920 --> 00:09:52,120 Speaker 1: She's gone. She's so far down the whole. Okay, So 185 00:09:52,679 --> 00:09:57,520 Speaker 1: Sam and Brittany end up in Fagin's office to find 186 00:09:57,559 --> 00:10:00,800 Speaker 1: out that Sam has received the lowest s at score 187 00:10:00,880 --> 00:10:04,880 Speaker 1: ever recorded at Making High and Brittany is a genius. 188 00:10:06,559 --> 00:10:10,040 Speaker 1: So Sam kind of spirals this whole episode, whereas Brittany 189 00:10:10,120 --> 00:10:13,800 Speaker 1: is brilliant and says she's the smartest personal art and 190 00:10:13,880 --> 00:10:18,920 Speaker 1: Sam is starting to really like through this episode spiral 191 00:10:19,320 --> 00:10:22,720 Speaker 1: and is using his body and his looks because he 192 00:10:22,760 --> 00:10:25,160 Speaker 1: thinks that's the only thing that is going to get 193 00:10:25,200 --> 00:10:27,160 Speaker 1: him for in this world, and that's going for him 194 00:10:27,200 --> 00:10:27,600 Speaker 1: right now. 195 00:10:27,679 --> 00:10:32,679 Speaker 2: I love that the storyline feels classically, Yes, totally like 196 00:10:32,720 --> 00:10:35,719 Speaker 2: the silliness of Brittany's now the smartest person in the world. 197 00:10:36,200 --> 00:10:39,160 Speaker 1: The calendar, the boys dressing up for a calendar. 198 00:10:39,520 --> 00:10:42,400 Speaker 2: Yeah, and then and then you know Sam having that 199 00:10:42,520 --> 00:10:47,439 Speaker 2: dilemma questioning his value as a human because of some 200 00:10:47,640 --> 00:10:51,400 Speaker 2: sat score like whatever, and then all the friends stepping 201 00:10:51,520 --> 00:10:54,320 Speaker 2: up and stepping in to be like, uh huh, we 202 00:10:54,400 --> 00:10:56,480 Speaker 2: love you, Gonna be okay. 203 00:10:56,559 --> 00:10:59,560 Speaker 1: I gotta say that video with him. It reminded me 204 00:10:59,600 --> 00:11:03,880 Speaker 1: of the Pie with Emma Pillsbury showing Will the video 205 00:11:03,920 --> 00:11:06,280 Speaker 1: of like why he is doing Glee Club and I 206 00:11:06,320 --> 00:11:09,040 Speaker 1: was like, this is so. I think it's sweet. 207 00:11:09,400 --> 00:11:12,080 Speaker 2: I think it's sweet. It was really sweet. 208 00:11:12,200 --> 00:11:16,040 Speaker 1: It was, and I think Chord get a great performance. 209 00:11:15,880 --> 00:11:20,480 Speaker 2: Chord phenomen no notes, no, no, I can just imagine 210 00:11:20,480 --> 00:11:23,440 Speaker 2: how hungry he was during this. He probably was a 211 00:11:23,480 --> 00:11:26,880 Speaker 2: maniac because like behind the scenes, whenever he had to 212 00:11:26,880 --> 00:11:30,440 Speaker 2: have a shirt off, he wasn't eating. I mean he 213 00:11:30,480 --> 00:11:31,800 Speaker 2: was not doing it in a healthy way. 214 00:11:32,160 --> 00:11:34,679 Speaker 1: Yeah, he just wasn't fueling his body. 215 00:11:35,080 --> 00:11:37,760 Speaker 2: No, and so he was usually like saving one hundred 216 00:11:37,800 --> 00:11:39,600 Speaker 2: percent of his energy for when the camera was on. 217 00:11:40,720 --> 00:11:44,079 Speaker 1: That's right, Like, oh, poor guy, he has to take 218 00:11:44,120 --> 00:11:45,160 Speaker 1: off his shirt a lot too. 219 00:11:45,280 --> 00:11:49,199 Speaker 2: Yes, all those I love all these like gem scenes, 220 00:11:49,280 --> 00:11:54,520 Speaker 2: this workout montage of Hot in Her was insane and hilarious. 221 00:11:55,200 --> 00:11:59,480 Speaker 1: That song, it was ridiculous, and I was like, what 222 00:11:59,640 --> 00:12:00,959 Speaker 1: is happening here? 223 00:12:01,320 --> 00:12:04,040 Speaker 2: But also what is happening when all the boys have 224 00:12:04,280 --> 00:12:05,240 Speaker 2: ridiculous bodies? 225 00:12:06,080 --> 00:12:08,120 Speaker 1: That's what Tina said. She said, this is the hottest 226 00:12:08,120 --> 00:12:09,600 Speaker 1: group of Glee boys that we've had. 227 00:12:09,760 --> 00:12:12,720 Speaker 2: Yet, because there's that one shot of Blake and you're like, 228 00:12:12,800 --> 00:12:14,240 Speaker 2: he's jacked. 229 00:12:13,920 --> 00:12:19,400 Speaker 1: Jacked, I mean between Jacob Blake, Cord, Darren, like, everybody 230 00:12:19,640 --> 00:12:20,600 Speaker 1: looked great. 231 00:12:21,320 --> 00:12:23,120 Speaker 2: I was so happy to take off my shirt because 232 00:12:23,200 --> 00:12:26,720 Speaker 2: let me tell you that Artie and Kevin Parallels were strong. 233 00:12:27,800 --> 00:12:30,160 Speaker 2: I was like, I cannot take it and I'm sitting down. 234 00:12:30,679 --> 00:12:33,040 Speaker 2: So you were thrilled with that storyline. Yeah, I was like, 235 00:12:33,800 --> 00:12:37,880 Speaker 2: let me keep this on few. I was like a 236 00:12:37,960 --> 00:12:39,280 Speaker 2: mushy baby. 237 00:12:39,000 --> 00:12:46,200 Speaker 1: Sweet little Artie tells Finn that he's he's insecure, he 238 00:12:46,240 --> 00:12:50,760 Speaker 1: doesn't want to pose and of shirtless, and it's like 239 00:12:50,800 --> 00:12:54,319 Speaker 1: something he wants to keep for himself. And Finn, being 240 00:12:54,520 --> 00:12:58,560 Speaker 1: the sweet muffin he is, not always reacts this way, 241 00:12:58,720 --> 00:13:00,560 Speaker 1: but he did the right thing and this one and 242 00:13:00,600 --> 00:13:03,000 Speaker 1: just said, then don't do it. I thought that was 243 00:13:03,080 --> 00:13:06,400 Speaker 1: very valiant on his part. She played the role of 244 00:13:06,480 --> 00:13:08,280 Speaker 1: teacher and not forced you to do it. 245 00:13:08,360 --> 00:13:09,320 Speaker 2: Yeah, that was that was good. 246 00:13:09,640 --> 00:13:12,800 Speaker 1: I'll never forget you and the leprechaun Alphathe when you 247 00:13:12,880 --> 00:13:15,520 Speaker 1: came out of your trailer and we were on the 248 00:13:15,559 --> 00:13:18,640 Speaker 1: golf cart going somewhere and I remember you chasing behind 249 00:13:18,720 --> 00:13:20,920 Speaker 1: us and you're like dancing. I have this photo of 250 00:13:20,960 --> 00:13:25,200 Speaker 1: you like in an Irish jig like pose, and I'm like, 251 00:13:25,559 --> 00:13:27,640 Speaker 1: I don't think I'll ever get that out of my head. 252 00:13:28,520 --> 00:13:31,839 Speaker 2: I loved it. I love getting to dress up those things. 253 00:13:32,040 --> 00:13:35,920 Speaker 2: Those things were ridiculous. You guys were insane, and like 254 00:13:36,000 --> 00:13:38,760 Speaker 2: all that. I was a little jealous of not being 255 00:13:38,800 --> 00:13:41,800 Speaker 2: in that full workout number as well, because the boys 256 00:13:41,880 --> 00:13:45,200 Speaker 2: are insane and like all those by the way, like 257 00:13:45,280 --> 00:13:50,240 Speaker 2: all those during the photo shoot when Sam has a spiral, 258 00:13:50,960 --> 00:13:53,120 Speaker 2: it has to be. I love that he and Blaine 259 00:13:53,160 --> 00:13:57,360 Speaker 2: have this very serious conversation that is so funny. Yes, 260 00:13:57,559 --> 00:14:00,200 Speaker 2: it was so funny, but it was so serious. But 261 00:14:00,679 --> 00:14:03,360 Speaker 2: how easily Cord is lifting that weight. Those weights are 262 00:14:03,440 --> 00:14:04,559 Speaker 2: like made out of foam. 263 00:14:04,440 --> 00:14:05,599 Speaker 1: No, no, there styrophone. 264 00:14:05,720 --> 00:14:09,920 Speaker 2: Literally they weigh nothing. But I thought it was so funny. 265 00:14:09,920 --> 00:14:12,320 Speaker 2: But I enjoyed all of those things because it's just 266 00:14:12,480 --> 00:14:14,040 Speaker 2: like the campiest of camp. 267 00:14:14,760 --> 00:14:18,559 Speaker 1: Yes, it is sweet, though, so sweet sweet. 268 00:14:19,000 --> 00:14:21,720 Speaker 2: I was also glad that, like, you know, carrying on 269 00:14:21,720 --> 00:14:24,360 Speaker 2: from last episode where we discover how you feel about 270 00:14:24,360 --> 00:14:27,920 Speaker 2: Blaine and how Blaine feels about Sam. But all those 271 00:14:27,920 --> 00:14:31,760 Speaker 2: times Sam sort of walking shirtless, Blaine is keeping it together. 272 00:14:31,800 --> 00:14:35,120 Speaker 2: He's not being like Tina. 273 00:14:35,600 --> 00:14:38,480 Speaker 1: I mean, that's scene when Sam comes in shirtless and 274 00:14:38,600 --> 00:14:41,680 Speaker 1: she's with Blaine, and that she sees Blaine. She asked 275 00:14:41,760 --> 00:14:43,840 Speaker 1: him to go to the mall, and then Blaine sees 276 00:14:43,880 --> 00:14:48,760 Speaker 1: Sam and like this whole like love laser that's happening. 277 00:14:49,280 --> 00:14:52,920 Speaker 1: He is keeping his cool. I think for character purposes 278 00:14:52,960 --> 00:14:57,640 Speaker 1: that had to stay that way. Tina's acting no chill, 279 00:14:58,560 --> 00:15:02,640 Speaker 1: she has no choll something said as buns and his 280 00:15:03,400 --> 00:15:06,400 Speaker 1: it's then he he said, I. 281 00:15:06,360 --> 00:15:09,040 Speaker 2: Don't know, it's because you didn't get that kiss. So 282 00:15:09,120 --> 00:15:12,600 Speaker 2: now she's just like, you know. 283 00:15:13,240 --> 00:15:16,640 Speaker 1: Just wait, just wait. She goes even farther, so just wait. 284 00:15:17,600 --> 00:15:21,440 Speaker 2: And he's clocking it like he's clocking all your stuff like. 285 00:15:21,400 --> 00:15:24,440 Speaker 1: He's he is, but I think he's a little blissfully. 286 00:15:25,280 --> 00:15:29,000 Speaker 1: He's like he's he's just choosing to ignore it. 287 00:15:29,160 --> 00:15:34,160 Speaker 2: Well, because if you don't ignore it, it's a real problem. 288 00:15:34,760 --> 00:15:37,520 Speaker 1: I actually don't remember why we were doing this though, 289 00:15:37,520 --> 00:15:42,800 Speaker 1: it being so far fetched, like for some reason it 290 00:15:42,840 --> 00:15:44,600 Speaker 1: felt real to me, and maybe that's because I was 291 00:15:44,640 --> 00:15:49,760 Speaker 1: just trying to make it make sense for Tina. But 292 00:15:49,800 --> 00:15:52,680 Speaker 1: I don't I don't remember it being like crazy, like 293 00:15:52,720 --> 00:15:56,040 Speaker 1: even in the next episode when the vapor rape comes, 294 00:15:56,120 --> 00:15:58,920 Speaker 1: like we'll talk about that when we get there, But 295 00:15:59,000 --> 00:16:01,480 Speaker 1: I don't even remember it being that crazy. Then. It 296 00:16:01,520 --> 00:16:05,440 Speaker 1: was only until after the aftermath at all that I 297 00:16:05,480 --> 00:16:08,160 Speaker 1: was like, oh, oh, is this all really crazy? 298 00:16:08,440 --> 00:16:11,440 Speaker 2: Well, I think it's because I mean, I know the 299 00:16:11,480 --> 00:16:15,520 Speaker 2: answer to that where we've at this point in filming. 300 00:16:15,680 --> 00:16:19,480 Speaker 2: We're so used to doing like crazy things, rocky horror 301 00:16:19,520 --> 00:16:22,360 Speaker 2: early on, you know, like we're doing heightened things all 302 00:16:22,400 --> 00:16:26,400 Speaker 2: the time, and so the crazyer the storyline sort of 303 00:16:26,440 --> 00:16:28,600 Speaker 2: the more we lean into it just because like, okay, 304 00:16:29,160 --> 00:16:31,920 Speaker 2: we have a question storylines because that is not our position, 305 00:16:32,200 --> 00:16:35,960 Speaker 2: Like you were not no, like you were not a writer. No, 306 00:16:36,080 --> 00:16:38,440 Speaker 2: it's sort of like a thing unless something is like 307 00:16:39,040 --> 00:16:43,000 Speaker 2: morally yeah, off face, like you don't question that you're 308 00:16:43,080 --> 00:16:45,000 Speaker 2: hired to do your job. They're hired to do their job. 309 00:16:45,240 --> 00:16:46,880 Speaker 2: Like yeah, So I. 310 00:16:46,920 --> 00:16:50,560 Speaker 1: Mean it's crazy, Gale, That's like, yeah, it's kind of crazy. 311 00:16:50,640 --> 00:16:54,400 Speaker 1: It's really crazy. In my memory, I don't remember being 312 00:16:54,440 --> 00:17:04,360 Speaker 1: like this is really crazy. Yeah. 313 00:17:04,880 --> 00:17:08,479 Speaker 2: With Sam's story here about in the middle of all 314 00:17:08,560 --> 00:17:10,919 Speaker 2: this craziness of him using this calendar to sort of 315 00:17:11,640 --> 00:17:16,919 Speaker 2: justify his self worth, Blaine also was like, we need 316 00:17:16,960 --> 00:17:18,480 Speaker 2: to have a little comp to Jesus and sets up 317 00:17:18,480 --> 00:17:21,480 Speaker 2: a meeting with Emma, which is really sweet and presents 318 00:17:21,960 --> 00:17:27,480 Speaker 2: some college options and he's still not necessarily sold. And 319 00:17:27,520 --> 00:17:29,280 Speaker 2: then we get that video together. 320 00:17:31,240 --> 00:17:38,000 Speaker 1: It's the it is that's quintidentially to It's very sweet. 321 00:17:39,080 --> 00:17:41,480 Speaker 1: It's very sweet on Blaine's part. We love seeing all 322 00:17:41,480 --> 00:17:44,959 Speaker 1: the characters speak so kindly of Sam. Sam needs to 323 00:17:45,000 --> 00:17:50,240 Speaker 1: hear it. His reaction is so sweet. It's all really sweet. 324 00:17:50,440 --> 00:17:53,800 Speaker 1: I love this storyline for him. 325 00:17:54,560 --> 00:17:58,960 Speaker 2: Did you not feel like there were real life? I mean, 326 00:17:59,480 --> 00:18:03,439 Speaker 2: is a very attractive person objectively, and so when you 327 00:18:03,520 --> 00:18:07,160 Speaker 2: have a pretty character talking about the challenges of being 328 00:18:07,200 --> 00:18:11,359 Speaker 2: pretty and it does not feel stupid or gratuitous. It 329 00:18:11,400 --> 00:18:13,800 Speaker 2: felt to me when he's talking about like, oh, people 330 00:18:14,040 --> 00:18:17,680 Speaker 2: are already more open to my impressions because they're already 331 00:18:17,720 --> 00:18:20,200 Speaker 2: they buy it because of how I look. They're willing 332 00:18:20,200 --> 00:18:22,919 Speaker 2: to give me a chance, like pretty privilege. Yeah, And 333 00:18:22,960 --> 00:18:24,320 Speaker 2: like some points like there was like this is you 334 00:18:24,320 --> 00:18:28,600 Speaker 2: know it's another thing that Glee is talking about that work. 335 00:18:30,160 --> 00:18:32,160 Speaker 1: Yeah, I think you know. The thing is that Court 336 00:18:32,240 --> 00:18:35,560 Speaker 1: is he's like a puppy dog, but he's so good 337 00:18:35,560 --> 00:18:38,760 Speaker 1: at what he does, and his song writing skills are 338 00:18:38,760 --> 00:18:42,160 Speaker 1: also like off the charts, and I think sometimes its 339 00:18:42,400 --> 00:18:44,880 Speaker 1: Chord doesn't feel like he's always taken seriously And maybe 340 00:18:44,920 --> 00:18:47,439 Speaker 1: I'm putting words in his mouth. I'm not speaking for him, 341 00:18:47,520 --> 00:18:52,520 Speaker 1: but I feel like to me sometimes even I could 342 00:18:52,560 --> 00:18:55,040 Speaker 1: be guilty of lik being like, oh, Cord, you're so cute, like, 343 00:18:55,080 --> 00:18:57,640 Speaker 1: don't worry about it, but he really is very deep 344 00:18:57,680 --> 00:18:59,959 Speaker 1: and like he once you get to know him, like 345 00:19:00,160 --> 00:19:05,360 Speaker 1: is very carrying, very deep, and so I I could 346 00:19:05,400 --> 00:19:09,200 Speaker 1: definitely see this mirroring in some ways, not quite like, yeah, 347 00:19:09,880 --> 00:19:13,720 Speaker 1: the weight loss thing, you know, all that, but maybe 348 00:19:13,800 --> 00:19:16,040 Speaker 1: during this journey where he has to be Charlotte, sometimes 349 00:19:16,040 --> 00:19:17,720 Speaker 1: they all act a little crazy, Like all the guys 350 00:19:17,760 --> 00:19:18,520 Speaker 1: act a little crazy. 351 00:19:18,600 --> 00:19:21,080 Speaker 2: Yeah, and that could have been the writers around him 352 00:19:21,119 --> 00:19:23,919 Speaker 2: seeing losing weight for you know, and working out and 353 00:19:23,960 --> 00:19:27,080 Speaker 2: eating sweet potatoes artlet guys. 354 00:19:27,640 --> 00:19:29,800 Speaker 1: For sure. No, that's that's totally right. 355 00:19:30,000 --> 00:19:32,639 Speaker 2: That's totally right, because I even't felt like watching the 356 00:19:32,760 --> 00:19:35,120 Speaker 2: Artie storyline. I was like, this feels a little similar 357 00:19:35,119 --> 00:19:36,800 Speaker 2: to how you would feel. 358 00:19:37,000 --> 00:19:40,439 Speaker 1: Yeah, of course they have to take they know us 359 00:19:40,480 --> 00:19:43,800 Speaker 1: well enough at this point. They're not taking things like 360 00:19:44,280 --> 00:19:48,200 Speaker 1: even the Tina storylines of it all. Like obviously the 361 00:19:48,320 --> 00:19:52,080 Speaker 1: Tina dating falling in love with a very out gay 362 00:19:52,160 --> 00:19:56,320 Speaker 1: man came from my high school experience of like notoriously 363 00:19:56,440 --> 00:19:59,320 Speaker 1: dating gay men, not that I knew they were gay, 364 00:19:59,680 --> 00:20:04,040 Speaker 1: just a record. There's some like they like to write 365 00:20:04,080 --> 00:20:08,040 Speaker 1: to what they know and the truth, and it makes sense. 366 00:20:08,640 --> 00:20:11,639 Speaker 1: I was never like, oh wait, I was never fully 367 00:20:12,600 --> 00:20:13,600 Speaker 1: offended by it. 368 00:20:14,080 --> 00:20:16,840 Speaker 2: No, all the time it was good. It was like, 369 00:20:16,880 --> 00:20:18,880 Speaker 2: oh these are things. 370 00:20:18,960 --> 00:20:21,040 Speaker 1: It works, and it happened about. 371 00:20:21,680 --> 00:20:24,879 Speaker 2: I mean, I don't don't already immediately when this calendar 372 00:20:24,920 --> 00:20:26,840 Speaker 2: idea gets brought up, it's like, can we objectify the 373 00:20:26,880 --> 00:20:27,360 Speaker 2: girls too? 374 00:20:29,200 --> 00:20:33,320 Speaker 1: Bro? Can you leave it to Artie? Leave it to Artie? 375 00:20:33,800 --> 00:20:34,960 Speaker 2: Like what this problem? 376 00:20:35,000 --> 00:20:37,680 Speaker 1: So glad we weren't in it. I had so much 377 00:20:37,680 --> 00:20:38,480 Speaker 1: fun shooting that though. 378 00:20:38,480 --> 00:20:39,880 Speaker 2: With the photo shooting, Yeah, how was that? 379 00:20:40,440 --> 00:20:42,640 Speaker 1: It was so much fun. They were so ridiculous. Everybody 380 00:20:42,680 --> 00:20:44,439 Speaker 1: was really just having a good time with it, like 381 00:20:47,359 --> 00:20:50,720 Speaker 1: it was. The costumes were insane, the people like the 382 00:20:50,760 --> 00:20:53,240 Speaker 1: poses they were making. Everybody's just it was a really 383 00:20:53,240 --> 00:20:56,040 Speaker 1: fun episode and maybe that's why it six sticks out 384 00:20:56,119 --> 00:20:59,040 Speaker 1: so vividly in our minds, like we had. I had 385 00:20:59,080 --> 00:21:00,199 Speaker 1: so much fun shooting this. 386 00:21:00,480 --> 00:21:03,120 Speaker 2: And Ian is such a fun director too. Yes, that's right, 387 00:21:03,160 --> 00:21:03,600 Speaker 2: and he's. 388 00:21:03,440 --> 00:21:05,120 Speaker 1: Someone I'm sure he was like throwing he can kind 389 00:21:05,119 --> 00:21:08,120 Speaker 1: of yeah, exactly. It's only Ian Brand and Ryan could 390 00:21:08,119 --> 00:21:09,840 Speaker 1: do that, where they could throw you a line or 391 00:21:09,960 --> 00:21:14,320 Speaker 1: change something on the spot. Very rarely happened otherwise, even 392 00:21:14,359 --> 00:21:17,320 Speaker 1: with Ryan. Mostly not even Ian her Brad as much. 393 00:21:17,400 --> 00:21:22,720 Speaker 1: But but yeah, I was so good and uh yeah 394 00:21:22,760 --> 00:21:25,520 Speaker 1: I loved I loved Tina being a director for once. 395 00:21:26,240 --> 00:21:27,720 Speaker 2: Yeah, it was nice to see her in a position 396 00:21:27,760 --> 00:21:28,200 Speaker 2: of power. 397 00:21:29,000 --> 00:21:33,479 Speaker 1: So funny, right, Yeah, Tina lately, I know she likes 398 00:21:33,880 --> 00:21:38,119 Speaker 1: she's taking on her her duty and responsibility as a senior. 399 00:21:38,080 --> 00:21:40,600 Speaker 2: And she like hops up to like suggest the idea 400 00:21:40,640 --> 00:21:44,960 Speaker 2: immediately in front of the class. It feels good, crazy. 401 00:21:44,720 --> 00:21:51,160 Speaker 1: Tina, there she goes. So also happening in the McKinley 402 00:21:51,200 --> 00:21:53,520 Speaker 1: halls are that Sue and Finn are going head to 403 00:21:53,560 --> 00:22:02,280 Speaker 1: head over the calendar Finn. Finn basically holds this Penthouse 404 00:22:02,480 --> 00:22:06,000 Speaker 1: photo shoot, the centerfold that Sue did in the past, over. 405 00:22:05,880 --> 00:22:08,360 Speaker 2: This rumored Penthouse photo shoot. 406 00:22:08,720 --> 00:22:10,480 Speaker 1: Rumored Penthouse photo shoot. 407 00:22:10,560 --> 00:22:13,080 Speaker 2: So Sue doesn't want the calendar to happen. 408 00:22:13,640 --> 00:22:15,680 Speaker 1: And we need the money obviously, you want to raise it. 409 00:22:15,720 --> 00:22:18,800 Speaker 1: And then Finn saying, well, you did it, and. 410 00:22:18,920 --> 00:22:21,680 Speaker 2: She denies it, and. 411 00:22:21,520 --> 00:22:32,479 Speaker 1: He finds it quote unquote, and she admits like she 412 00:22:32,520 --> 00:22:34,800 Speaker 1: hadn't seen it in a long time and goes to 413 00:22:34,800 --> 00:22:38,959 Speaker 1: pull it out and it is in fact not her centerfold. 414 00:22:39,000 --> 00:22:41,760 Speaker 1: But then Finn has on tape that she has admitted 415 00:22:41,800 --> 00:22:44,920 Speaker 1: that there is in fact a centerfold photos from house. 416 00:22:45,200 --> 00:22:49,920 Speaker 2: When she's confessing, first of all, I love Corey and 417 00:22:50,040 --> 00:22:51,520 Speaker 2: Jane going at it in this way. I think this 418 00:22:51,560 --> 00:22:55,600 Speaker 2: is so great, great. But when he comes back there 419 00:22:55,640 --> 00:22:57,359 Speaker 2: and it is like I found it here it is 420 00:22:58,320 --> 00:23:00,320 Speaker 2: and she's like, I feel like taking a game at 421 00:23:00,320 --> 00:23:04,480 Speaker 2: that glorious taco right now. And she says glorious taco 422 00:23:04,600 --> 00:23:08,840 Speaker 2: like twice during that scene. I was like, I need 423 00:23:08,920 --> 00:23:12,240 Speaker 2: to jump off this balcony. I don't know what's so funny. 424 00:23:12,800 --> 00:23:13,280 Speaker 2: I missed that. 425 00:23:13,720 --> 00:23:15,960 Speaker 1: We haven't seen that in a while, Like, no, it's great, 426 00:23:16,480 --> 00:23:19,720 Speaker 1: it is so good. And Sue just respecting Finn for 427 00:23:20,000 --> 00:23:24,639 Speaker 1: being you know, a good can kind of enemy or 428 00:23:24,760 --> 00:23:29,480 Speaker 1: whatever she called him, and no, like kind of having 429 00:23:29,520 --> 00:23:31,359 Speaker 1: a little bit more respect for him at that point, 430 00:23:31,840 --> 00:23:34,560 Speaker 1: you know, sing and say I get your emmo. 431 00:23:35,800 --> 00:23:39,359 Speaker 2: Finn is actually planning for regionals. Regionals does not happen 432 00:23:39,440 --> 00:23:42,800 Speaker 2: until the season finale. Normally, if she was in charge, 433 00:23:42,840 --> 00:23:43,640 Speaker 2: regions would be next. 434 00:23:43,560 --> 00:23:47,400 Speaker 1: To that assignment would be on the day. You guys 435 00:23:47,440 --> 00:23:48,040 Speaker 1: are get. 436 00:23:47,920 --> 00:23:50,000 Speaker 2: Shocked because I almost kept watching him like, oh, I 437 00:23:50,040 --> 00:23:53,160 Speaker 2: want to see what we do for regionals. Not close. 438 00:23:53,720 --> 00:23:55,800 Speaker 1: We just lost some times, so we're making it for 439 00:23:55,880 --> 00:24:04,480 Speaker 1: a long time. Yeah, Brittany also has Marlee, so this 440 00:24:04,600 --> 00:24:08,600 Speaker 1: Brittany Marley kind of duo is still happening. And Brittany 441 00:24:10,440 --> 00:24:10,880 Speaker 1: very cute. 442 00:24:11,040 --> 00:24:13,000 Speaker 2: I love them together, very different. 443 00:24:14,320 --> 00:24:18,400 Speaker 1: Marley comes on fondue for two. It's like the cheese 444 00:24:18,480 --> 00:24:23,200 Speaker 1: is really hot and uh, she realizes that she loves 445 00:24:23,800 --> 00:24:29,160 Speaker 1: she loves Jake. They could be cast as Bella Edward. Yeah, 446 00:24:29,640 --> 00:24:33,879 Speaker 1: just irresistible. But they do a number that they rehearse 447 00:24:33,960 --> 00:24:40,680 Speaker 1: for regionals which is actually a Yeah, it's actually a 448 00:24:43,080 --> 00:24:45,320 Speaker 1: Twilight Song theme song. 449 00:24:46,640 --> 00:24:50,399 Speaker 2: But I love this song who Christina Perry and they 450 00:24:50,440 --> 00:24:55,200 Speaker 2: smashed it of it beautiful love them together. It was 451 00:24:55,240 --> 00:24:57,159 Speaker 2: a really sweet number two. I like that it was 452 00:24:57,280 --> 00:24:59,600 Speaker 2: just the two of them. Yeah, stage like it was 453 00:24:59,600 --> 00:25:00,000 Speaker 2: really nice. 454 00:25:00,520 --> 00:25:02,040 Speaker 1: Yeah, I was really good. And we get to hear 455 00:25:02,359 --> 00:25:04,160 Speaker 1: Jacob sing twice this episode. 456 00:25:04,240 --> 00:25:07,480 Speaker 2: Mm hmm. Marley goes to say I love you, but 457 00:25:07,600 --> 00:25:08,400 Speaker 2: stops herself. 458 00:25:08,720 --> 00:25:10,560 Speaker 1: So this is where when I was watching it and 459 00:25:10,640 --> 00:25:13,679 Speaker 1: writer and Jake were still friends or like became friends, 460 00:25:14,600 --> 00:25:16,760 Speaker 1: and like he's helping him with Marley. I was like, 461 00:25:17,119 --> 00:25:18,040 Speaker 1: something's off here. 462 00:25:19,680 --> 00:25:20,440 Speaker 2: When did this happen? 463 00:25:20,480 --> 00:25:22,439 Speaker 1: Because they had just gotten in a fight about Marley. 464 00:25:22,520 --> 00:25:29,440 Speaker 1: I was like, this is not right anyway. He helps writer, 465 00:25:29,600 --> 00:25:32,680 Speaker 1: helps Jake and helps him in by telling him to 466 00:25:32,720 --> 00:25:35,200 Speaker 1: sing a song Inkley Club, and he sings, let Me 467 00:25:35,280 --> 00:25:38,359 Speaker 1: Love You? Are you kidding me with this? This is 468 00:25:38,440 --> 00:25:44,680 Speaker 1: one of the best numbers of the season. Jacob Artist 469 00:25:46,119 --> 00:25:51,240 Speaker 1: a triple, double, quadruple plus. And then do you remember 470 00:25:51,240 --> 00:25:53,080 Speaker 1: when we shot up with Kevin and they had the 471 00:25:53,240 --> 00:25:56,879 Speaker 1: orchestra come in and the strings play and they actually 472 00:25:57,040 --> 00:26:00,720 Speaker 1: so the band doesn't normally play, they pretend to. The 473 00:26:01,119 --> 00:26:04,600 Speaker 1: instruments don't normally make sounds, the strings when they play, 474 00:26:04,720 --> 00:26:06,879 Speaker 1: they actually just have to play in order for it 475 00:26:06,960 --> 00:26:10,440 Speaker 1: to look real. And we got a full serenade by 476 00:26:10,520 --> 00:26:13,480 Speaker 1: this orchestra on top of the pre record, and it 477 00:26:13,640 --> 00:26:15,520 Speaker 1: was so gorgeous. 478 00:26:15,320 --> 00:26:17,800 Speaker 2: And none of us had ever heard Jacob sing like this. 479 00:26:18,760 --> 00:26:21,320 Speaker 2: And if you could see all of our reactions the 480 00:26:21,600 --> 00:26:24,760 Speaker 2: entire time, there's everyone's just staring at him. In the beginning, 481 00:26:24,840 --> 00:26:27,200 Speaker 2: I look over to you, Jennet, because I'm like, oh 482 00:26:27,320 --> 00:26:30,960 Speaker 2: my god, I know, I know, we were all obsessed 483 00:26:31,400 --> 00:26:31,720 Speaker 2: with this. 484 00:26:32,359 --> 00:26:36,280 Speaker 1: I love this cover. I think he's delicious in this. 485 00:26:36,600 --> 00:26:38,640 Speaker 2: Like you should like go back and watch our reactions 486 00:26:38,640 --> 00:26:40,800 Speaker 2: because They're one of those times when we're not acting. 487 00:26:41,000 --> 00:26:44,520 Speaker 2: We were just like, support the boy. This is unbelievable, 488 00:26:45,200 --> 00:26:50,000 Speaker 2: so good. What a perfect number, truly sit there, and 489 00:26:50,119 --> 00:26:52,359 Speaker 2: what a perfect song for the storyline. I don't know 490 00:26:52,440 --> 00:26:54,440 Speaker 2: if what was first, the storyline or the song. It 491 00:26:54,520 --> 00:26:59,080 Speaker 2: doesn't matter. It doesn't matter because it worked so well 492 00:27:00,400 --> 00:27:07,280 Speaker 2: and I have goosebumps now. It was so sweet. Yeah, 493 00:27:07,840 --> 00:27:12,119 Speaker 2: oh I played that one to I think I had 494 00:27:12,200 --> 00:27:15,600 Speaker 2: him send that to me when he did, just play 495 00:27:15,640 --> 00:27:16,600 Speaker 2: it mm hmm. 496 00:27:17,000 --> 00:27:18,720 Speaker 1: And then he says I love you and she says, 497 00:27:18,760 --> 00:27:20,840 Speaker 1: I love you back. He writes it in the calendar. 498 00:27:22,200 --> 00:27:25,879 Speaker 1: He doesn't actually say it, but then he writes it 499 00:27:25,920 --> 00:27:27,840 Speaker 1: in the calendar, and she says I love you back, 500 00:27:29,320 --> 00:27:30,160 Speaker 1: and now they're in love. 501 00:27:31,760 --> 00:27:35,160 Speaker 2: And we've sold enough calendars almost to get to regionals. 502 00:27:35,440 --> 00:27:37,760 Speaker 2: We did everything we needed to do. 503 00:27:38,240 --> 00:27:38,560 Speaker 1: We did. 504 00:27:38,760 --> 00:27:42,840 Speaker 2: I did love the Once the calendars come out and 505 00:27:43,160 --> 00:27:50,399 Speaker 2: like Becky's there, wow wild stuff that sort of like 506 00:27:50,520 --> 00:27:54,280 Speaker 2: fanfair high school stuff. I love the kids waiting in 507 00:27:54,359 --> 00:27:57,280 Speaker 2: line and autographs and signing it and. 508 00:27:57,359 --> 00:28:01,520 Speaker 1: This music that plays throughout that like like throughout the episode, 509 00:28:01,720 --> 00:28:08,120 Speaker 1: so funny, very ian, Yes of him And then over 510 00:28:08,240 --> 00:28:09,679 Speaker 1: in New York, there's something else happening. 511 00:28:11,560 --> 00:28:18,840 Speaker 2: So Rachel gets offered a student film, but it requires 512 00:28:18,880 --> 00:28:21,879 Speaker 2: her and she's like all in, and but it requires 513 00:28:21,880 --> 00:28:26,600 Speaker 2: her to be topless. She agrees but clearly has some doubts, 514 00:28:27,680 --> 00:28:31,480 Speaker 2: and Brody's like, yeah, yeah, I go for it. It's 515 00:28:31,520 --> 00:28:34,440 Speaker 2: all good, and she's like, I'm the strong girl in 516 00:28:34,800 --> 00:28:38,120 Speaker 2: Brody like to move in, like I can do this, 517 00:28:39,120 --> 00:28:41,280 Speaker 2: and Kurt it's like, oh no, of course you're not 518 00:28:41,360 --> 00:28:47,480 Speaker 2: doing it. Meanwhile, at the kitchen table, which was hilarious 519 00:28:47,720 --> 00:28:50,680 Speaker 2: but also that's insane. 520 00:28:51,640 --> 00:28:55,800 Speaker 1: Yeah, who does that. Nobody eats breakfast like that with 521 00:28:56,040 --> 00:28:58,960 Speaker 1: people around that you don't know that well. But he's 522 00:28:59,000 --> 00:29:01,200 Speaker 1: just trying to make a point to Rachel that she 523 00:29:01,280 --> 00:29:03,760 Speaker 1: should be proud of her body and the whole thing 524 00:29:04,120 --> 00:29:08,560 Speaker 1: and I don't know, this whole storyline was like, I'm 525 00:29:08,560 --> 00:29:10,680 Speaker 1: glad she didn't end up doing it, and I'm glad 526 00:29:10,720 --> 00:29:13,320 Speaker 1: we got to see we got Santana and Quinn out 527 00:29:13,360 --> 00:29:17,320 Speaker 1: of it. I didn't hate the storyline at all, but 528 00:29:17,400 --> 00:29:19,600 Speaker 1: I was like, this whole like Brody thing and like 529 00:29:19,720 --> 00:29:21,960 Speaker 1: being proud of your body. I was like, I don't know, 530 00:29:22,240 --> 00:29:24,160 Speaker 1: I don't know. It's not my favorite. 531 00:29:24,440 --> 00:29:26,360 Speaker 2: Yeah, because I also think that it's not about You're 532 00:29:26,400 --> 00:29:27,760 Speaker 2: not being proud of your body. 533 00:29:27,800 --> 00:29:31,680 Speaker 1: No, exactly, it's being an actor and coming across something 534 00:29:31,760 --> 00:29:37,000 Speaker 1: like this because generally, if you get an audition, it'll 535 00:29:37,160 --> 00:29:42,560 Speaker 1: say nudity required, yeah, and you can accept or deny. 536 00:29:44,280 --> 00:29:48,600 Speaker 2: I mean it was pretty I mean she when you 537 00:29:48,680 --> 00:29:52,440 Speaker 2: actually get to her filming it, it's pretty great. She 538 00:29:52,560 --> 00:29:55,240 Speaker 2: keeps sailing cut. I remember watching this when they screened 539 00:29:55,280 --> 00:29:57,440 Speaker 2: it for us, and this scene had me losing it. 540 00:29:58,320 --> 00:30:04,320 Speaker 1: Cut. But other little crew getting naked, it's wild, and 541 00:30:04,400 --> 00:30:08,960 Speaker 1: then they're also the band. Yes, but also that we 542 00:30:09,120 --> 00:30:11,600 Speaker 1: getting we're getting Quinn and Santana coming and being an 543 00:30:11,880 --> 00:30:15,120 Speaker 1: actual voice of reason, which is so funny. Santana being 544 00:30:15,200 --> 00:30:20,440 Speaker 1: like it's probably a student film about Grandma having Alzheimer's study, and. 545 00:30:20,520 --> 00:30:22,720 Speaker 2: The two two too, which is also very true. 546 00:30:23,280 --> 00:30:24,960 Speaker 1: Two weeks are going to feel about the new thing. 547 00:30:25,760 --> 00:30:28,800 Speaker 1: It's smart, it's very smart. It's a student film. It's 548 00:30:28,840 --> 00:30:29,520 Speaker 1: not going to be good. 549 00:30:30,840 --> 00:30:34,080 Speaker 2: They're all so good together. I think it's curiating about 550 00:30:34,120 --> 00:30:37,280 Speaker 2: it is that there's not more of it, And obviously 551 00:30:37,320 --> 00:30:39,920 Speaker 2: at the end of the episode it's alluded to that 552 00:30:40,000 --> 00:30:42,720 Speaker 2: Santana's going to move to New York. But it's like, 553 00:30:42,800 --> 00:30:43,920 Speaker 2: I want the three of them together. 554 00:30:44,320 --> 00:30:46,080 Speaker 1: I know it's just a good one. 555 00:30:46,480 --> 00:30:50,720 Speaker 2: Their chemistry is insane. And then can we have to 556 00:30:50,760 --> 00:30:56,480 Speaker 2: talk about love song? Because I didn't realize I tweeted about. 557 00:30:56,280 --> 00:30:59,080 Speaker 1: This after I watched it, you did like today, this 558 00:30:59,200 --> 00:30:59,959 Speaker 1: time or last time? 559 00:31:00,240 --> 00:31:03,600 Speaker 2: No, last night? Oh, because I was like, I didn't 560 00:31:03,800 --> 00:31:07,120 Speaker 2: know it was this good because I probably watched it. 561 00:31:07,720 --> 00:31:09,120 Speaker 2: I mean I watched it in the screening and that 562 00:31:09,240 --> 00:31:14,240 Speaker 2: was probably it, to be honest. Yeah, And oh my god, 563 00:31:15,680 --> 00:31:19,400 Speaker 2: the joy and their performance all like their inside looks 564 00:31:19,480 --> 00:31:23,800 Speaker 2: to each other. H the three part harmony for most 565 00:31:23,880 --> 00:31:25,720 Speaker 2: of that TV edit, which is like in the chorus 566 00:31:26,480 --> 00:31:28,680 Speaker 2: and they all have like one line and a bridge. 567 00:31:28,800 --> 00:31:34,240 Speaker 2: It's so beautifully divided. Yes and yes who. 568 00:31:34,320 --> 00:31:37,440 Speaker 1: I just never would have thought that song that's exactly 569 00:31:37,520 --> 00:31:38,640 Speaker 1: it right. 570 00:31:38,760 --> 00:31:42,760 Speaker 2: Would have worked at that level. But it was like 571 00:31:42,840 --> 00:31:44,640 Speaker 2: the joy of seeing them all together. They're all just 572 00:31:44,720 --> 00:31:47,160 Speaker 2: like jamming on a stage and being friends and friendly 573 00:31:47,600 --> 00:31:53,280 Speaker 2: like RL. And it was also like we haven't worked 574 00:31:53,280 --> 00:31:55,880 Speaker 2: together in a long time, and these characters haven't seen 575 00:31:55,920 --> 00:31:57,680 Speaker 2: each other in a long time. It's all these layers 576 00:31:58,000 --> 00:32:02,000 Speaker 2: of look we still got it, Like we're still good, yeah, 577 00:32:02,000 --> 00:32:05,880 Speaker 2: and like we're still friends, and then the characters are 578 00:32:05,880 --> 00:32:07,800 Speaker 2: doing the exact same things as the real life people are. 579 00:32:08,400 --> 00:32:08,640 Speaker 1: Yeah. 580 00:32:08,720 --> 00:32:10,400 Speaker 2: And of course it was just seeing like all our 581 00:32:10,440 --> 00:32:16,320 Speaker 2: friends together and sounding great again, and I was happy. 582 00:32:16,560 --> 00:32:22,200 Speaker 2: I was emotional. Yeah, I was just sort of flabberg 583 00:32:22,240 --> 00:32:26,760 Speaker 2: acid because you don't normally get the three of them 584 00:32:26,880 --> 00:32:28,360 Speaker 2: singing together in harmony like that. 585 00:32:28,800 --> 00:32:31,160 Speaker 1: No you don't, long, I don't remember the last time 586 00:32:31,200 --> 00:32:35,240 Speaker 1: we got that, no, they I think. Also, the song 587 00:32:35,360 --> 00:32:38,240 Speaker 1: itself is like one of my lea favorite Sarah songs, 588 00:32:38,360 --> 00:32:42,560 Speaker 1: like Sarah's a bundle of other fantastic songs that I love, 589 00:32:42,920 --> 00:32:45,200 Speaker 1: And so I'm like, oh, okay, I love song, like 590 00:32:45,320 --> 00:32:46,840 Speaker 1: you know, probably the most well known, the one that 591 00:32:46,880 --> 00:32:48,960 Speaker 1: put her on the map, Like whatever, I get it. Yeah, 592 00:32:49,840 --> 00:32:52,640 Speaker 1: So that's probably like initially why I don't remember it 593 00:32:52,800 --> 00:32:57,040 Speaker 1: like that, you know, like cool, great, But to watch 594 00:32:57,080 --> 00:32:59,680 Speaker 1: it back now you're like, oh, that's so nostalgic. Fans 595 00:32:59,760 --> 00:33:03,040 Speaker 1: must have been crapping their pants at that point for 596 00:33:03,160 --> 00:33:04,920 Speaker 1: the three of them like that, and then also for 597 00:33:05,040 --> 00:33:07,400 Speaker 1: them to sound that good and to actually like elevate 598 00:33:07,440 --> 00:33:07,760 Speaker 1: the song. 599 00:33:08,960 --> 00:33:11,960 Speaker 2: There was a full fan contingent, who are love song 600 00:33:12,720 --> 00:33:13,640 Speaker 2: like got. 601 00:33:13,440 --> 00:33:17,000 Speaker 1: It, got it okay, and discovered that totally get it yeah. 602 00:33:16,840 --> 00:33:20,120 Speaker 2: And I totally understand it. And I it's nice to 603 00:33:20,200 --> 00:33:22,560 Speaker 2: almost rediscover something because I feel like I have my 604 00:33:22,640 --> 00:33:24,920 Speaker 2: go to songs that I listened to every now and then, 605 00:33:25,440 --> 00:33:27,640 Speaker 2: and I'm like, this is a new one. It's beautiful. 606 00:33:28,120 --> 00:33:30,960 Speaker 1: And then also Liah Sing's torn in the beginning with 607 00:33:32,000 --> 00:33:34,280 Speaker 1: when she's trying to decide whether to do the film 608 00:33:34,400 --> 00:33:37,680 Speaker 1: or not, and she does it and I love this song. 609 00:33:37,920 --> 00:33:41,680 Speaker 1: Obviously this is very nostalgic for best millennials. That song. Yeah, 610 00:33:42,000 --> 00:33:48,800 Speaker 1: it's like EATRL time. But also having like new Rachel 611 00:33:48,880 --> 00:33:50,800 Speaker 1: or Old Rachel was so great. 612 00:33:51,280 --> 00:33:53,480 Speaker 2: I love it was really great and also such a. 613 00:33:53,560 --> 00:33:55,920 Speaker 1: Well done musical performance. 614 00:33:56,360 --> 00:33:59,440 Speaker 2: Smashed it because you see how differently she does play 615 00:34:00,240 --> 00:34:03,240 Speaker 2: old Rachel and old Rachel, and also her old Rachel 616 00:34:03,280 --> 00:34:04,400 Speaker 2: makee fun of her hair and makeup. 617 00:34:04,600 --> 00:34:11,240 Speaker 1: It was so funny. She's like fair, great, great number. 618 00:34:11,440 --> 00:34:13,000 Speaker 1: And then we do this is the New Year with 619 00:34:13,080 --> 00:34:16,560 Speaker 1: all the McKinley people again. We're back together, everybody, people 620 00:34:16,600 --> 00:34:20,320 Speaker 1: are in love. We raised money, we're going this regionals. 621 00:34:20,360 --> 00:34:25,120 Speaker 1: We're going to regionals, and we did this number and 622 00:34:25,239 --> 00:34:27,400 Speaker 1: I like vividly remember shooting this number because it was 623 00:34:27,480 --> 00:34:29,719 Speaker 1: kind of freeform rock out and we just like they 624 00:34:29,760 --> 00:34:33,040 Speaker 1: had the camera really up close on stage and we're 625 00:34:33,080 --> 00:34:35,840 Speaker 1: singing and they're all these like odd pairings like Tina 626 00:34:35,880 --> 00:34:41,520 Speaker 1: and Ryder singing together. It's just like new Kid. Yeah, 627 00:34:41,600 --> 00:34:44,880 Speaker 1: and our group has kind of like melded at this 628 00:34:45,080 --> 00:34:49,920 Speaker 1: point as friends and I never forget this one. I 629 00:34:50,000 --> 00:34:50,680 Speaker 1: love this number. 630 00:34:50,760 --> 00:34:55,000 Speaker 2: It was like a fun number. Yeah, this free from rockout. 631 00:34:55,000 --> 00:34:57,960 Speaker 2: Ones were like if you show up to school and 632 00:34:59,160 --> 00:35:04,239 Speaker 2: it's like class canceled. Yeah, awesome, because like that's what 633 00:35:04,360 --> 00:35:06,120 Speaker 2: it always felt like when we got to do those things. 634 00:35:06,280 --> 00:35:09,280 Speaker 2: And yes, it's a great song. It's perfect for the storyline. 635 00:35:09,320 --> 00:35:11,640 Speaker 2: It's one of those things where all these songs are 636 00:35:11,680 --> 00:35:15,520 Speaker 2: really clicking for what's going on and they feel right. 637 00:35:15,719 --> 00:35:18,840 Speaker 1: Yes, and they're nice to listen to, nice to watch, 638 00:35:19,160 --> 00:35:21,600 Speaker 1: Like yeah, I don't know just. 639 00:35:21,760 --> 00:35:24,920 Speaker 2: Even how they divide it up that song at the end. 640 00:35:25,480 --> 00:35:28,960 Speaker 2: Each line applied to each storyline that these people were 641 00:35:29,000 --> 00:35:34,320 Speaker 2: going through, and like that thought and consideration between what 642 00:35:34,600 --> 00:35:36,920 Speaker 2: sounds good, what works for the story, what's going to 643 00:35:37,040 --> 00:35:40,239 Speaker 2: visually work was just all all there. 644 00:35:41,000 --> 00:35:44,080 Speaker 1: Mm hmm, Well, let's write some numbers then, because I 645 00:35:44,120 --> 00:35:46,520 Speaker 1: think we're going to get a good rating this time. 646 00:35:47,440 --> 00:35:52,200 Speaker 2: Torn I'll give it a minus. 647 00:35:52,520 --> 00:35:54,800 Speaker 1: Okay, fine, I'll give it a minus. Give us somewhere 648 00:35:54,800 --> 00:35:57,279 Speaker 1: to Gough Centerfold hunt in here, I give an A. 649 00:35:58,400 --> 00:35:59,480 Speaker 2: I'm giving it a B plus. 650 00:35:59,719 --> 00:36:00,399 Speaker 1: Okay, fine. 651 00:36:00,640 --> 00:36:02,600 Speaker 2: As fun as it was, I don't think it was 652 00:36:02,640 --> 00:36:05,680 Speaker 2: a great mashup. The mashup I do not think worked. 653 00:36:05,719 --> 00:36:07,880 Speaker 2: I don't think like the music itself. I see what 654 00:36:07,920 --> 00:36:10,560 Speaker 2: you're saying. Yeah, Chord was a much better rapper than 655 00:36:10,600 --> 00:36:13,920 Speaker 2: I thought he would have been. I will say that, 656 00:36:14,200 --> 00:36:15,560 Speaker 2: And I think the number was fun. 657 00:36:16,200 --> 00:36:17,279 Speaker 1: Yeah, it was fun to watch. 658 00:36:18,000 --> 00:36:22,680 Speaker 2: It was a thousand years beautiful A A. 659 00:36:22,880 --> 00:36:23,600 Speaker 1: Yeah, I give it an A. 660 00:36:24,840 --> 00:36:28,400 Speaker 2: Let Me Love You plus A plus plus plus plus. 661 00:36:30,200 --> 00:36:37,319 Speaker 1: Love Song A plus, A plus. This is New Year A. Yeah, 662 00:36:38,080 --> 00:36:41,759 Speaker 1: that's a solid A minus A plus average right there, Like, 663 00:36:41,960 --> 00:36:43,040 Speaker 1: that's really solid. 664 00:36:43,320 --> 00:36:45,400 Speaker 2: I really enjoyed. I enjoyed this Let Me Love You. 665 00:36:45,480 --> 00:36:48,279 Speaker 2: It was really special to us. We all as a 666 00:36:48,480 --> 00:36:51,200 Speaker 2: group have at that point hadn't flipped out about a 667 00:36:51,440 --> 00:36:53,520 Speaker 2: musical number in a really long long time. That's right. 668 00:36:53,960 --> 00:36:57,800 Speaker 2: I so distinctly remember the feeling in the room of 669 00:36:58,000 --> 00:37:00,920 Speaker 2: like Jacob, I know Darren. 670 00:37:01,239 --> 00:37:03,120 Speaker 1: About it when he came on the podcast. He was like, 671 00:37:03,200 --> 00:37:05,560 Speaker 1: are you kidding? Like so memorable? 672 00:37:06,719 --> 00:37:09,320 Speaker 2: I remember and rehearsal when he hits the second chorus 673 00:37:09,400 --> 00:37:13,120 Speaker 2: and he goes the octave up and Falsettoh, we all screamed. 674 00:37:14,640 --> 00:37:16,919 Speaker 2: We all screamed, Well, we hadn't heard it yet. It's 675 00:37:18,120 --> 00:37:22,680 Speaker 2: hid hiding. And a lot of times, I think when 676 00:37:22,719 --> 00:37:25,920 Speaker 2: we're filming these numbers, a lot of times it's about 677 00:37:25,960 --> 00:37:28,759 Speaker 2: remembering how you felt when you first heard it, and 678 00:37:28,880 --> 00:37:30,880 Speaker 2: so we'll rehearse it for the crew and camera and 679 00:37:30,920 --> 00:37:33,080 Speaker 2: all of that, and so when we do go to 680 00:37:33,160 --> 00:37:36,920 Speaker 2: film our reactions, a lot of it is just imitating 681 00:37:36,960 --> 00:37:38,920 Speaker 2: what we did maybe an hour or two before we 682 00:37:39,000 --> 00:37:41,680 Speaker 2: heard it for the first time, because those were our 683 00:37:41,760 --> 00:37:44,120 Speaker 2: real reactions, and of course the characters would react like that. 684 00:37:44,840 --> 00:37:48,600 Speaker 2: It's right minus. You know, Melissa had like some things 685 00:37:48,640 --> 00:37:53,120 Speaker 2: to do, right, she was acting boy oh boy. 686 00:38:00,080 --> 00:38:05,520 Speaker 1: Yeah, Chartie takes Chartie takes us. 687 00:38:08,320 --> 00:38:10,760 Speaker 2: I mean again, Brittany talking about the eating disorder. 688 00:38:11,320 --> 00:38:17,719 Speaker 1: Yeah, the financy storyline, like Sue Sue talking. There's this 689 00:38:17,840 --> 00:38:19,560 Speaker 1: one line that she says to him that I was like, 690 00:38:19,680 --> 00:38:21,560 Speaker 1: oh my god, And maybe it's not cringe but it 691 00:38:21,640 --> 00:38:25,960 Speaker 1: was just like, Wow, it isn't the underage smart pedaling 692 00:38:26,080 --> 00:38:30,040 Speaker 1: non teacher Finn Hudson not satisfied with making a mockery 693 00:38:30,040 --> 00:38:32,440 Speaker 1: of the American education system. By your new presence at 694 00:38:32,440 --> 00:38:35,359 Speaker 1: the school, you have besmirched the dignity of such every 695 00:38:35,440 --> 00:38:38,399 Speaker 1: day here, as is this woman with cross disease whose 696 00:38:38,480 --> 00:38:40,560 Speaker 1: name I do not know, by bringing dark spectr of 697 00:38:40,600 --> 00:38:43,200 Speaker 1: pornography to these hollowed hats. 698 00:38:43,600 --> 00:38:46,120 Speaker 2: Yeah, and that leads us to also the idea of 699 00:38:46,200 --> 00:38:49,719 Speaker 2: having an underage boys posture was yeah, I don't think 700 00:38:49,719 --> 00:38:52,080 Speaker 2: it will be allowed to do that in school. No, 701 00:38:52,840 --> 00:38:56,719 Speaker 2: And then Kitty's jokes about Joe's hair. I mean it's 702 00:38:56,760 --> 00:39:04,680 Speaker 2: just just not yeah, okay, dance move I think I 703 00:39:04,719 --> 00:39:06,960 Speaker 2: guess Kitty being lifted. 704 00:39:07,800 --> 00:39:13,319 Speaker 1: Yeah, totally from the bird's eye view from that, yeah, crazy, that. 705 00:39:13,520 --> 00:39:15,759 Speaker 2: Was insane, having those paths on the floor like it 706 00:39:15,840 --> 00:39:16,600 Speaker 2: was hilarious. 707 00:39:16,960 --> 00:39:21,960 Speaker 1: It's so strange, crazy best song let Me love You, 708 00:39:24,120 --> 00:39:24,640 Speaker 1: Let Me love you. 709 00:39:25,239 --> 00:39:26,719 Speaker 2: Let me love you. But I do need you to 710 00:39:26,800 --> 00:39:31,320 Speaker 2: know that love songs up there fair enough. Yeah, I 711 00:39:31,360 --> 00:39:33,040 Speaker 2: have a soft spot obviously for letting me love you, 712 00:39:35,040 --> 00:39:39,120 Speaker 2: but you do love love song. It's it's now, Yeah, 713 00:39:39,160 --> 00:39:39,520 Speaker 2: I get it. 714 00:39:40,600 --> 00:39:42,120 Speaker 1: This performance by your prop. 715 00:39:47,880 --> 00:39:50,880 Speaker 2: There was a lot. There were this tanning guns, there 716 00:39:51,000 --> 00:39:54,280 Speaker 2: was the fondue, there's Lord Tubbington. 717 00:39:54,280 --> 00:40:00,160 Speaker 1: The Sugar First coffee. Yes, the calendar, I I mean, 718 00:40:00,200 --> 00:40:02,040 Speaker 1: I think you have to go to the calendar, right. 719 00:40:02,120 --> 00:40:04,680 Speaker 1: And also the bar bell Sam's starphone barbels. 720 00:40:05,040 --> 00:40:05,839 Speaker 2: Those always work. 721 00:40:06,040 --> 00:40:07,920 Speaker 1: I know. It make me so laugh so much. Okay, 722 00:40:09,040 --> 00:40:10,120 Speaker 1: best line. 723 00:40:12,000 --> 00:40:15,880 Speaker 2: I am gonna be selfish here, okay, and choose an 724 00:40:16,000 --> 00:40:16,520 Speaker 2: artie line. 725 00:40:16,680 --> 00:40:17,440 Speaker 1: Oh, I love it. 726 00:40:18,680 --> 00:40:20,360 Speaker 2: You want me to spend the next few days carefully 727 00:40:20,440 --> 00:40:23,600 Speaker 2: paging through decades and decades of engage pornography. You've come 728 00:40:23,680 --> 00:40:29,680 Speaker 2: to the right place. He's such a creeper, such a creep. 729 00:40:31,840 --> 00:40:34,680 Speaker 2: I remember doing that. I remember, like Corey and I 730 00:40:34,840 --> 00:40:36,240 Speaker 2: just having a great time filming. 731 00:40:38,800 --> 00:40:40,600 Speaker 1: Old Rachel, You're not a porn star, even though your 732 00:40:40,600 --> 00:40:42,520 Speaker 1: hair and makeup like it makes you look like one. 733 00:40:42,640 --> 00:40:45,600 Speaker 1: New Rachel. That's mean, Old Rachel. I'm sorry, but your 734 00:40:45,600 --> 00:40:48,360 Speaker 1: hair has gotten a little out of hand. New Rachel pointing. 735 00:40:50,760 --> 00:40:56,120 Speaker 1: I'd love that she's talking to herself. Uh performance MVP 736 00:40:57,600 --> 00:41:00,640 Speaker 1: cord I had a CORDI yeah, yeah. 737 00:41:03,040 --> 00:41:10,920 Speaker 2: Wow, yes, absolutely, Okay, Jenna, Yeah, ship be found on 738 00:41:11,000 --> 00:41:19,080 Speaker 2: TikTok for it. So it is Joe Shaw on TikTok. 739 00:41:19,680 --> 00:41:21,719 Speaker 2: He's wearing a shirt that says, oh my god, sang 740 00:41:21,800 --> 00:41:26,239 Speaker 2: this on Glee and he's at a Keen concert. And 741 00:41:27,440 --> 00:41:30,279 Speaker 2: not even at a Keen concert, he's at Glastonbury, which 742 00:41:30,320 --> 00:41:33,200 Speaker 2: happened a couple weeks ago, and he's singing the song 743 00:41:33,280 --> 00:41:38,480 Speaker 2: Darren sang and it's phenomenal, and I just I was like, 744 00:41:38,520 --> 00:41:42,600 Speaker 2: I wonder if they hate that. It's also like he 745 00:41:42,719 --> 00:41:49,279 Speaker 2: showed up just for that. We love it. Oh my god. 746 00:41:49,360 --> 00:41:51,800 Speaker 2: Somebody said Coldplay sang the Scientist and I was like, 747 00:41:51,840 --> 00:41:53,440 Speaker 2: they also sing this song Glee and he said, I 748 00:41:53,520 --> 00:41:55,000 Speaker 2: did this last night cold Play too. 749 00:41:57,480 --> 00:42:00,480 Speaker 1: Wow. Wow. 750 00:42:00,560 --> 00:42:02,440 Speaker 2: Somebody saying I've never heard Keen sing the side, but 751 00:42:02,480 --> 00:42:08,279 Speaker 2: I've heard Darren sing it. It's great. I love so 752 00:42:08,440 --> 00:42:11,480 Speaker 2: much that lead singer's voice is just magic. 753 00:42:11,800 --> 00:42:12,439 Speaker 1: Oh it's better. 754 00:42:13,400 --> 00:42:15,000 Speaker 2: Yeah, Like I mean, we talked about with Darren. But 755 00:42:15,080 --> 00:42:18,200 Speaker 2: I was so excited when Keene it was just their 756 00:42:18,280 --> 00:42:19,280 Speaker 2: music was on the show. 757 00:42:19,160 --> 00:42:22,399 Speaker 1: Because I know that was also a very memorable one 758 00:42:22,480 --> 00:42:26,839 Speaker 1: for me. That in the Courtyard of course, yeah so good, 759 00:42:27,960 --> 00:42:29,640 Speaker 1: well that is naked. 760 00:42:30,160 --> 00:42:32,520 Speaker 2: I enjoyed that episode though I did too. 761 00:42:32,920 --> 00:42:35,080 Speaker 1: Even though I had to watch it twice, I did 762 00:42:35,239 --> 00:42:35,600 Speaker 1: enjoy it. 763 00:42:36,400 --> 00:42:42,000 Speaker 2: You know, I think once I reframed my head into viewership. 764 00:42:42,680 --> 00:42:47,480 Speaker 2: Just a classic teen show and you we're dealing with 765 00:42:47,640 --> 00:42:52,000 Speaker 2: teen things, and there's great performances from people and great music, 766 00:42:53,120 --> 00:42:56,480 Speaker 2: and it was funny. It was absurd. There were some 767 00:42:56,600 --> 00:43:03,280 Speaker 2: wrong things, some right things. Oh my god, wait before 768 00:43:03,320 --> 00:43:06,080 Speaker 2: we go, I just need to talk about the bumper 769 00:43:06,520 --> 00:43:13,200 Speaker 2: of this episode. Yeah, of Andrew and Rod. Oh my freaky. 770 00:43:13,360 --> 00:43:18,279 Speaker 2: So the press coverage of the Warblers getting kicked out 771 00:43:19,040 --> 00:43:23,240 Speaker 2: and found of roid, rage, of voids whatever, and Andrea 772 00:43:23,280 --> 00:43:25,120 Speaker 2: has her full freak outs. I can't believe it. This 773 00:43:25,239 --> 00:43:27,440 Speaker 2: is what they think this news now and they like 774 00:43:27,640 --> 00:43:29,960 Speaker 2: zoom out and she's like taking off her mic and 775 00:43:30,040 --> 00:43:31,759 Speaker 2: his screaming. He is like I went to school for this. 776 00:43:35,280 --> 00:43:36,200 Speaker 2: It was really good. 777 00:43:36,560 --> 00:43:37,719 Speaker 1: We haven't seen them in a while. 778 00:43:38,200 --> 00:43:41,239 Speaker 2: No, then Rod coming back with after the break before 779 00:43:41,320 --> 00:43:46,959 Speaker 2: wing Squirrel, who's also a doctor. I've missed them, Rod, 780 00:43:47,719 --> 00:43:49,320 Speaker 2: you forget Like there were so many people on this 781 00:43:49,400 --> 00:43:51,840 Speaker 2: damn show. I know so many bits that like. 782 00:43:52,120 --> 00:43:55,520 Speaker 1: We've used over the years, like there were with them, 783 00:43:55,600 --> 00:43:58,560 Speaker 1: really Ron a little bit, but not not Andrea. 784 00:43:58,440 --> 00:44:04,719 Speaker 2: M Wow, it's a full team effort. Everybody's pulling their weight. 785 00:44:05,200 --> 00:44:07,000 Speaker 1: Well so far, you're so good season four. 786 00:44:08,760 --> 00:44:13,080 Speaker 2: Yeah, I'm not mad at any of this, you know 787 00:44:13,120 --> 00:44:16,400 Speaker 2: who I need more, I need more unique. 788 00:44:17,880 --> 00:44:20,080 Speaker 1: We're getting there, don't worry, I know. 789 00:44:20,239 --> 00:44:23,120 Speaker 2: But like the past two episodes, not enough Alex nol. 790 00:44:24,680 --> 00:44:26,760 Speaker 1: We're getting traveling the next episode. 791 00:44:26,400 --> 00:44:29,840 Speaker 2: Two it's just like I don't even know if we 792 00:44:29,880 --> 00:44:33,759 Speaker 2: saw Alex last episode. So there's one quick shot during 793 00:44:33,840 --> 00:44:36,960 Speaker 2: like no scripts, and then the performance is obviously and 794 00:44:37,080 --> 00:44:39,040 Speaker 2: so this was sort of like a similar thing. We've 795 00:44:39,080 --> 00:44:42,040 Speaker 2: got to the group number at the end, like, okay, 796 00:44:42,160 --> 00:44:46,800 Speaker 2: finally yes, next episode definitely, Oh my god, next episode, Jenna, 797 00:44:47,520 --> 00:44:51,560 Speaker 2: I know, don't even it's Deva and we are getting 798 00:44:51,680 --> 00:44:56,040 Speaker 2: some numbers. Oh my god. I might have to go 799 00:44:56,120 --> 00:45:00,120 Speaker 2: watch it right now. I already did, did you mm 800 00:45:00,239 --> 00:45:04,640 Speaker 2: hmm wow? Ready, Okay, I'm very excited to watch it. 801 00:45:05,680 --> 00:45:08,040 Speaker 1: Okay, we'll come back next week and recap with us. 802 00:45:08,640 --> 00:45:12,080 Speaker 2: And that's what you really missed. Thanks for listening and 803 00:45:12,239 --> 00:45:14,879 Speaker 2: follow us on Instagram at and that's what you really 804 00:45:14,920 --> 00:45:17,000 Speaker 2: miss pod. Make sure to write us a review and 805 00:45:17,160 --> 00:45:19,080 Speaker 2: leave us five stars. See you next time.