WEBVTT - Jamie Foxx

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<v Speaker 1>Ladies and gentlemen, Welcome to the Army Money Podcast. Yea,

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<v Speaker 1>you know what this is, Jamie fucking Hey. First of all,

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<v Speaker 1>I don't want to thank you for letting me come here,

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<v Speaker 1>but I think the champagne is great, but I think

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<v Speaker 1>we need to go further. I think this is this

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<v Speaker 1>is you know how to hit the bottle against the chip.

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<v Speaker 1>You got the bottle right there, an start right there?

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<v Speaker 1>You wanta Okay, you want to go, van Alden, you

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<v Speaker 1>want to go. You're ready to go, because that's that's

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<v Speaker 1>where it all started going back when it gets that

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<v Speaker 1>don't know, but oh my god, I thought I heard

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<v Speaker 1>the custom like of that side. Just now we said

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<v Speaker 1>like changing Ben all of his lifting. You know what

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<v Speaker 1>it was about that house banana yellow. Yeah, and that's

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<v Speaker 1>that's what I remember about that album. As soon as

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<v Speaker 1>you pull up, you see this yellow Bentley outside, and

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<v Speaker 1>it was terrible for l A, the worst card because

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<v Speaker 1>everybody knew everybody. Yeah, well here's the thing. You know.

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<v Speaker 1>When I first got to l A, I drove down

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<v Speaker 1>Bevil Hills and I saw Bejan and I bro that

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<v Speaker 1>Bentley used to be parked outside of Bejon and not

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<v Speaker 1>I had no money. I just man, when I get on,

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<v Speaker 1>I'm getting that motherfucker. I'm yea, how do you say?

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<v Speaker 1>I'm I'm gonna get that ship. And the next thing,

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<v Speaker 1>you know, I got on and it was came up

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<v Speaker 1>for sale. I said, I need that. So that's the

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<v Speaker 1>one I used to sit on. Ro everybody that and

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<v Speaker 1>then and then it moved. Then it was on Melrow.

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<v Speaker 1>He got something on Melrose that he's guys richest. Fuck No,

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<v Speaker 1>but but in I got the car when it had

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<v Speaker 1>definitely depreciated box it wasn't if it wasn't a bad time.

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<v Speaker 1>Um still yeah, yeah, and the money, thank you. Let's

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<v Speaker 1>go back to bad. I were walking into a club.

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<v Speaker 1>We're walking into a club. It might have been the gate. Wow,

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<v Speaker 1>walking into the gate, thank you going there right now.

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<v Speaker 1>And I'm walking in and walking in the gate. Yeah.

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<v Speaker 1>And when I'm walking in, I think brother windows with

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<v Speaker 1>me walking in the walking in the gate, and I

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<v Speaker 1>hear somebody say hey Dank. I'm like, who the fuck

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<v Speaker 1>is you on my name? And I turned around and

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<v Speaker 1>it's Jamie fun Oh. I don't know each other. You

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<v Speaker 1>don't know each other, don't know And I'm like, hey,

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<v Speaker 1>what's amazing. I've been looking for you. Here's here's name.

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<v Speaker 1>Let let's go back the way I was introduced to you.

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<v Speaker 1>That somebody says somebody in your lane. I guess it

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<v Speaker 1>was because I was trying to sing and I said

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<v Speaker 1>this this dude name Tank. Y'all sounds suck with me.

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<v Speaker 1>Fun that, but I'm getting ready to go do Ali

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<v Speaker 1>and the girl I'm dating at the time. We find

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<v Speaker 1>to Africa. So we stopped at the record store. For

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<v Speaker 1>all y'all don't understand this is when you go buy records.

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<v Speaker 1>I'll go on the record store. I said, hey, let's

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<v Speaker 1>get some record so I can listen as be on

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<v Speaker 1>this long ass fight. And I said, they told me

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<v Speaker 1>about some mo fucking name Tank supposed to be in

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<v Speaker 1>my lane. Let me go see. So I'm going to

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<v Speaker 1>get my CDs and then I get to your fucking CD.

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<v Speaker 1>And first of all, you got your shirt off and

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<v Speaker 1>five albums, so your shirt is off. And I looked,

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<v Speaker 1>and immediately I looked at my girl to see if

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<v Speaker 1>she saw because I'm off me high this, I said.

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<v Speaker 1>Then I pulled the ship out said we're not gonn

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<v Speaker 1>see that. So I got all my CDs and I

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<v Speaker 1>put him on the table to buy, but I put

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<v Speaker 1>you at the bottom, no disrespect. So we don't need

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<v Speaker 1>to see all that. And this is a warm man days, right.

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<v Speaker 1>So I didn't have no batteries, I said, town, I

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<v Speaker 1>gotta get batteries for my walkman. So I go to

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<v Speaker 1>get my walkman, and by the time I got back,

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<v Speaker 1>my girl has slept with you. She basically mentally fucked you.

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<v Speaker 1>Because when I get back, not only is your CD out,

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<v Speaker 1>but it's on top and open all the way cigarette

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<v Speaker 1>I said, I said this just like I just wanted

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<v Speaker 1>to just look I Scott, damn it. So so it

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<v Speaker 1>goes from that to being on the plane flying for

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<v Speaker 1>eighteen hours to get to Africa and listening to your

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<v Speaker 1>music and I said wow. I said, wow, absolutely amazing.

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<v Speaker 1>I never heard a voice the song You're freaking, I know,

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<v Speaker 1>show freaking. They told me, yea, when I heard that,

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<v Speaker 1>we dropped the ball. That should have been a single.

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<v Speaker 1>Listen when I heard that record, right, you know, I'm

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<v Speaker 1>just I's the one who didn't go in brother church.

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<v Speaker 1>I'm like, guys, but here's the thing. I heard your

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<v Speaker 1>music and said, man, why this dude, this this was

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<v Speaker 1>extremely talented and I let me and my girl. We

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<v Speaker 1>had to We had the twin. I had the money,

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<v Speaker 1>so we had the twin walk man, so we could both.

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<v Speaker 1>So we're holding hand like, go ahead, let's just motherfucker's

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<v Speaker 1>just get us in the move. You know, we ain't

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<v Speaker 1>gonna take you what we do on the plane any

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<v Speaker 1>so we can land. But when we landed, I felt

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<v Speaker 1>compelled because I see all my African brothers and I

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<v Speaker 1>didn't have a way to play your music out. I

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<v Speaker 1>literally I would say, you have to hear this kid

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<v Speaker 1>named Tank and I will put it. I said, Tink,

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<v Speaker 1>who is this thinking? Because we was in mosa Tink,

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<v Speaker 1>who is Tink? I said, you had to hear, and

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<v Speaker 1>I put it on the ears and you will see

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<v Speaker 1>there as oh it is good, it's just And they

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<v Speaker 1>passed it around the whole damn near the whole village.

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<v Speaker 1>And that's how much you impacted me and everybody know

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<v Speaker 1>me man. I think that we all as artists grow

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<v Speaker 1>when we see other artists there are that are exceptional.

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<v Speaker 1>Because when you're coming up, your dream is singular to you.

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<v Speaker 1>You are the most talented in the region of where

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<v Speaker 1>you are. But when you get here, you see that. Wow,

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<v Speaker 1>there's a lot of guys and girls that God has

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<v Speaker 1>touched and have exceptional ability. So when I saw you,

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<v Speaker 1>I freaked out because I was like, wow, that's the dude.

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<v Speaker 1>That pretty much was the soundtrack of me doing Ali,

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<v Speaker 1>Me and my girl. We were just like I couldn't

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<v Speaker 1>believe it. And then to go further, I was having

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<v Speaker 1>a house party advant all that, and somebody said gonna

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<v Speaker 1>take I said, tak where and then I'm over. I said,

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<v Speaker 1>it's not fair, that sounds like that, but but but

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<v Speaker 1>I but you know, I don't ever hate. It was

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<v Speaker 1>just like I could not believe that your voice sounded

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<v Speaker 1>like that, and that that you wrote like that, and

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<v Speaker 1>then we went on to write you know, you know, fantastic.

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<v Speaker 1>The the crazy parallel to that is as as you

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<v Speaker 1>were yelling at me, screaming like, man, I've been looking

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<v Speaker 1>for you. At that point, I was looking for a

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<v Speaker 1>way out. Yeah, and I didn't you know what I mean,

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<v Speaker 1>for us to come together at that time, it was

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<v Speaker 1>necessary because like I'm in your kitchen, you know what

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<v Speaker 1>I'm saying at at at at a few points after

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<v Speaker 1>that saying I'm done. And that's what blew my mind

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<v Speaker 1>because j you know, like this like our business. I'm

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<v Speaker 1>just an artist, So I didn't really understand music business.

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<v Speaker 1>Music business was treacherous. But when you said you was

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<v Speaker 1>gonna leave the music as, I said, what the fund

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<v Speaker 1>are you saying? There's no way we can survive without

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<v Speaker 1>having your voice in the music. But so you said,

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<v Speaker 1>and I didn't you know, I didn't. I don't know

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<v Speaker 1>what gangs. I don't know the gangster. I don't know that.

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<v Speaker 1>I didn't know this nigg was a gang. I didn't

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<v Speaker 1>know he's the light skining gangster. At first, I look

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<v Speaker 1>at the skin. This motherfucker has has sixteen year old skin.

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<v Speaker 1>Every time I see J Vallenime, I just wanna go

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<v Speaker 1>come here to make me feel this. He has the

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<v Speaker 1>greatest skin. But I didn't realize that music was at gangster.

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<v Speaker 1>And you were like, basically without saying anything, it's like,

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<v Speaker 1>you know, it was like other elements that was keeping

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<v Speaker 1>you away from your dream. And I said, bro, no

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<v Speaker 1>fucking way. I said, you stay in my house. I

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<v Speaker 1>had a studio on the back of the crib. I said,

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<v Speaker 1>you stay in my house and you do what you

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<v Speaker 1>need to do, uh, to make sure that that light

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<v Speaker 1>don't get put out, because if it did, what would

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<v Speaker 1>we be? Like what I mean, think about this, where

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<v Speaker 1>would we be as drink to that? Will we be without?

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<v Speaker 1>Take God? My girl, keep keep the CD over here?

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<v Speaker 1>You lost her? She keep the CD over here. I said.

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<v Speaker 1>The craziest thing about that, though, Fox, is that how

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<v Speaker 1>many artists actually have that story, right, that at some

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<v Speaker 1>point all roads lead to Jamie Fox, Which is very interesting. Man,

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<v Speaker 1>This is from a from female to male artists that

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<v Speaker 1>you have been just I don't even I don't even

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<v Speaker 1>know what to call it, man, Like, yes, a god

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<v Speaker 1>send for so many young and older artists right there

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<v Speaker 1>just at some point that couch, that studio, that party,

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<v Speaker 1>you know what I mean, And you're just having a

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<v Speaker 1>good time, right, But those parties, so many people have

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<v Speaker 1>met each other, so many people have connected with each other,

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<v Speaker 1>so many people have you know, I have linked up

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<v Speaker 1>through just you being like, you know what, I'm just

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<v Speaker 1>here to have a good time on some old like

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<v Speaker 1>southern Yeah, but you know what I mean, which it was.

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<v Speaker 1>It was a good time for a reason though, because

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<v Speaker 1>I felt like everybody want to come to a party.

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<v Speaker 1>But I would have the I would have the I

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<v Speaker 1>would have. I would have the weirdos, but I would

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<v Speaker 1>also have the talent. Like Tank. When you walked in,

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<v Speaker 1>the whole party went like this because we were like, damn,

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<v Speaker 1>this dude does something that we can't do. This dude

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<v Speaker 1>does Whenever you see someone who's talented that does something

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<v Speaker 1>that you can't do, you go like oh. When I

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<v Speaker 1>was studying so I would always say when it came

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<v Speaker 1>to the artists, it's a way for me to stay refreshed.

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<v Speaker 1>It's a way from it's a way for me to

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<v Speaker 1>stay inspired. But look at all of us, man at

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<v Speaker 1>those on those days. I remember John b was playing

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<v Speaker 1>the piano at a party while Mystical was rapping, while

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<v Speaker 1>John D played his songs lug I'm the in Sincs

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<v Speaker 1>and and singing Backstreet Boys songs. I remember Brian McKnight

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<v Speaker 1>playing the song Uh, you know, Brian is you know,

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<v Speaker 1>Brian is very you know, very to himself, very Okay.

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<v Speaker 1>I never wanted I said this motherfucker one time, Brian.

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<v Speaker 1>I was like, man, everybody here is saying I don't

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<v Speaker 1>do that. That I told everybody. I said. We was

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<v Speaker 1>at a club. We don't go back to the house.

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<v Speaker 1>Brian gonna be there, Brian gonna sing, and the motherfucker

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<v Speaker 1>shined on me. He was like one day, Brian calls

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<v Speaker 1>me to the studio to do it, to do a

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<v Speaker 1>verse on the record, and I'm like, oh, ship, Brian

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<v Speaker 1>McKnight called me to be on his ship night. I've

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<v Speaker 1>been singing all of the songs on my life. I

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<v Speaker 1>go there and do my verse and I'm like, he's

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<v Speaker 1>going crazy while I'm doing my first and we come

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<v Speaker 1>out the booth and we just talked and we just

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<v Speaker 1>started kind of walking and I'm like, man, I got this.

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<v Speaker 1>I got at a bunch of tracks. Man, I wanted

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<v Speaker 1>you here a couple of song ideas, like it would

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<v Speaker 1>be really dope. You know what I'm saying. He's like this, Man,

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<v Speaker 1>I'd love to do that. Man. He opened this door

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<v Speaker 1>and I'm thinking maybe we're about to go into a

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<v Speaker 1>lounge or something. He was walking me out. I would

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<v Speaker 1>love to good man, Hey, your car's parting. Good luck

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<v Speaker 1>with that. Nick hits you with your ubers waiting, man,

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<v Speaker 1>because you know what you found out about Brian is

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<v Speaker 1>that he's a competitive guy. Brian, you shoot the like

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<v Speaker 1>a motherfucker. Yes, that's any cold and call what he

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<v Speaker 1>did call him what he does like, Brian, come go

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<v Speaker 1>to his left? Are you gonna dosten? Honest? It's about hope. Yeah,

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<v Speaker 1>you know across back to the jump, y'all trying to

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<v Speaker 1>be friends my man. No, you're good, just do that.

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<v Speaker 1>No to the last. We're not cutting nothing, man, I

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<v Speaker 1>gotta by night. You'na now you But on the real though,

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<v Speaker 1>Brian Night, hero of hours. If you look, if you

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<v Speaker 1>if you're looking in the dictionary and you look for

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<v Speaker 1>Berkeley School of Music, it's Brian McKnight and he had

0:13:12.800 --> 0:13:14.880
<v Speaker 1>what that is. And he shined on me one time

0:13:14.920 --> 0:13:16.599
<v Speaker 1>that was so amazing. He showed him my house in

0:13:16.679 --> 0:13:19.360
<v Speaker 1>the Ferrari and I didn't I said, what kind of

0:13:19.440 --> 0:13:22.400
<v Speaker 1>car getting a passenger? See? You know how the mother

0:13:22.720 --> 0:13:25.199
<v Speaker 1>just he just makes you feel like you ain't seen nothing.

0:13:25.600 --> 0:13:32.400
<v Speaker 1>He was like, this is night. I took off my neck.

0:13:32.720 --> 0:13:50.320
<v Speaker 1>Bro Brian, Brian right and scary mother. He's the greatest, greatest.

0:13:51.440 --> 0:13:53.360
<v Speaker 1>So I come to your house to be a brother

0:13:53.400 --> 0:13:58.400
<v Speaker 1>window and we're in the pool room. And while we're

0:13:58.400 --> 0:14:01.120
<v Speaker 1>in the pool room, you're like, yeah, I'm getting ready

0:14:01.120 --> 0:14:05.160
<v Speaker 1>to work on this movie, and you you break into

0:14:05.960 --> 0:14:11.559
<v Speaker 1>Ray Charles. Yeah, right in front of us like on

0:14:11.720 --> 0:14:15.000
<v Speaker 1>some like talking crazy like yeah, come about to go

0:14:15.040 --> 0:14:16.200
<v Speaker 1>do this movie? You know what I'm saying, We're gonna

0:14:16.200 --> 0:14:20.360
<v Speaker 1>try that. We'll just ye and me and brother window

0:14:20.400 --> 0:14:25.680
<v Speaker 1>saying what is actually scary? No, it's just scary scary

0:14:25.880 --> 0:14:27.400
<v Speaker 1>And just like he was asking you before, I wanted

0:14:27.440 --> 0:14:30.040
<v Speaker 1>which what I wanted to have it, you know on

0:14:30.320 --> 0:14:35.160
<v Speaker 1>camera is how the fund do you do that? Well, Tank,

0:14:35.200 --> 0:14:37.160
<v Speaker 1>you could do it too. I can do it. You

0:14:37.360 --> 0:14:45.400
<v Speaker 1>do it like you did me? Pause if be crazy,

0:14:46.560 --> 0:14:50.520
<v Speaker 1>you know, take always confused. Bro, he's standing there like

0:14:50.920 --> 0:14:53.120
<v Speaker 1>he was standing he said, Tank, me doing that and

0:14:53.320 --> 0:14:56.240
<v Speaker 1>he went into a tank thing and I'm not gonna

0:14:56.320 --> 0:15:01.320
<v Speaker 1>let it right. Do that right, because you do nuances

0:15:01.480 --> 0:15:04.680
<v Speaker 1>like what it was. As a kid, my grandmother, God

0:15:04.720 --> 0:15:08.440
<v Speaker 1>bless her tally. She had a nursery school for thirty years, right,

0:15:08.600 --> 0:15:12.720
<v Speaker 1>so the government gave her money to have things like television's,

0:15:13.280 --> 0:15:15.880
<v Speaker 1>um record players and things like so I would always

0:15:15.880 --> 0:15:19.240
<v Speaker 1>listen to music five years old, six years old. She

0:15:19.320 --> 0:15:21.600
<v Speaker 1>would make me go into where she takes care of

0:15:21.600 --> 0:15:24.440
<v Speaker 1>the kids, and there was this big box cabinet television

0:15:24.880 --> 0:15:27.120
<v Speaker 1>and all the shows would come on Sammy Davis jr.

0:15:27.840 --> 0:15:31.760
<v Speaker 1>Uh Uh, it is not unusual world to be loved.

0:15:31.760 --> 0:15:41.320
<v Speaker 1>Who's that? Uh? Tom Jones, Flip Wilson. But I would

0:15:41.360 --> 0:15:43.640
<v Speaker 1>watch these shows, and I would watch people like Rich Little.

0:15:43.640 --> 0:15:45.840
<v Speaker 1>If you get a chance, whoever was watching google Rich Little.

0:15:46.000 --> 0:15:48.080
<v Speaker 1>He was this wide guy who mimicked everybody. He could

0:15:48.080 --> 0:15:50.920
<v Speaker 1>do all these different memics. And here's the thing. Later

0:15:51.040 --> 0:15:53.400
<v Speaker 1>that night, the only the only room that had a

0:15:53.440 --> 0:15:55.840
<v Speaker 1>television was my room where I would sleep. My grandma said,

0:15:55.840 --> 0:15:59.040
<v Speaker 1>stay sleep. But Johnny Carson, the original host of the

0:15:59.120 --> 0:16:01.280
<v Speaker 1>Tonight Show, which is what Jimmy Fallon does right now,

0:16:01.720 --> 0:16:04.040
<v Speaker 1>he would have these great artists come on. Franklin, the

0:16:04.160 --> 0:16:06.960
<v Speaker 1>Gi Steve Allen, who was a white comedian who would

0:16:07.000 --> 0:16:10.320
<v Speaker 1>do jokes from the piano. And so when I watched

0:16:10.400 --> 0:16:13.360
<v Speaker 1>Rich Little, I would watch him mimic these people. Rich

0:16:13.480 --> 0:16:16.880
<v Speaker 1>Little did a joke about Jimmy Carter. Jimmy Carter was

0:16:16.880 --> 0:16:18.800
<v Speaker 1>our president of nineteen seventy six, but he had a

0:16:19.000 --> 0:16:23.360
<v Speaker 1>brother who liked to drink a lot. So his joke was, Uh,

0:16:23.720 --> 0:16:28.520
<v Speaker 1>Jimmy Carter was singing, you light up my life, and Jimmy, Hi,

0:16:28.640 --> 0:16:31.960
<v Speaker 1>I'm Jimmy Carter. So many nights me and my brother

0:16:32.000 --> 0:16:34.160
<v Speaker 1>Billy would sit on the porch waiting for somebody bring

0:16:34.240 --> 0:16:36.800
<v Speaker 1>some peanuts and beer. That was the biggest joke at

0:16:36.840 --> 0:16:40.160
<v Speaker 1>that time in the seventies, because everybody knew that his

0:16:40.280 --> 0:16:43.280
<v Speaker 1>brother was a little bit of saucy. But to hear

0:16:43.400 --> 0:16:46.000
<v Speaker 1>him sing you a lot of mind, That's what I

0:16:46.080 --> 0:16:52.120
<v Speaker 1>wanted to be. So I started perfecting the impersonation, not

0:16:52.320 --> 0:16:54.680
<v Speaker 1>for it to be my main thing, but just if

0:16:54.760 --> 0:16:56.560
<v Speaker 1>I needed it, Like, and how old are you at

0:16:56.600 --> 0:16:59.800
<v Speaker 1>this point? I was bro I was v six, I

0:16:59.880 --> 0:17:01.960
<v Speaker 1>was ten years old. You guys weren't here I was.

0:17:02.200 --> 0:17:04.159
<v Speaker 1>I just got here, which hurts my feeling. I was, no,

0:17:04.200 --> 0:17:06.199
<v Speaker 1>I just got here. I was I was a new

0:17:06.240 --> 0:17:16.399
<v Speaker 1>born Valentine had I yesterday? I was here so so so.

0:17:16.760 --> 0:17:18.720
<v Speaker 1>So I would watch that and say, hey, I don't

0:17:18.800 --> 0:17:21.720
<v Speaker 1>know where I'm going, but wherever I get I want

0:17:21.760 --> 0:17:23.800
<v Speaker 1>to do that. So when I got to l A

0:17:26.119 --> 0:17:29.439
<v Speaker 1>doing jokes in the clubs, I would do the mimics.

0:17:29.480 --> 0:17:30.840
<v Speaker 1>Like when I first got to l A, I was

0:17:30.880 --> 0:17:33.840
<v Speaker 1>the only black guy doing an impersonation of Ronald Reagan

0:17:34.280 --> 0:17:40.680
<v Speaker 1>at that time, Ronald Reagan sounded like this, well, a

0:17:40.760 --> 0:17:45.240
<v Speaker 1>matter of fact, there you go again, and so and

0:17:45.359 --> 0:17:47.879
<v Speaker 1>it's it's a singers. You know, as singers we catch

0:17:48.640 --> 0:17:51.800
<v Speaker 1>oh yeah, and now we do the manner. And Ronald

0:17:51.840 --> 0:17:54.560
<v Speaker 1>Reagan was he would he had a little bit of this,

0:17:55.440 --> 0:17:59.920
<v Speaker 1>and then it was the tempt well well well, well

0:18:00.000 --> 0:18:01.919
<v Speaker 1>oh that's the tone. But then we just put them

0:18:01.960 --> 0:18:05.440
<v Speaker 1>in well as a matter of fact that there you

0:18:05.560 --> 0:18:09.720
<v Speaker 1>go again. So it was all that Mike Tyson, Mike

0:18:09.760 --> 0:18:15.600
<v Speaker 1>Tyson had. It was almost like without cheapening, what it

0:18:15.840 --> 0:18:19.320
<v Speaker 1>was when I would watch Daffy Duck or these animated characters.

0:18:21.480 --> 0:18:24.480
<v Speaker 1>Daffy Duck had a list. So Mike Tyson had that,

0:18:24.560 --> 0:18:28.200
<v Speaker 1>you know, Mike, if the Mike Typing were boxing champions,

0:18:28.760 --> 0:18:30.440
<v Speaker 1>so and then it was a matter of listening to that.

0:18:31.080 --> 0:18:33.040
<v Speaker 1>And so then then it was Mike Tyson this my

0:18:33.400 --> 0:18:36.960
<v Speaker 1>first of all, you know, that's when he's young. But

0:18:37.080 --> 0:18:40.520
<v Speaker 1>now when I called Mike now older, everything all the

0:18:40.760 --> 0:18:44.480
<v Speaker 1>life that he's lived, the ups and the downs, I called, Mike,

0:18:44.480 --> 0:18:46.119
<v Speaker 1>how are you doing? My all? Pray this twice. I

0:18:46.119 --> 0:18:49.000
<v Speaker 1>don't know about. I'm just happy. Why because I don't

0:18:49.040 --> 0:18:51.200
<v Speaker 1>have any money anymore. Time I get nobody get taken

0:18:51.200 --> 0:18:53.920
<v Speaker 1>anything from me, because I'll think, no more vulture, no

0:18:54.040 --> 0:18:55.840
<v Speaker 1>more creatures around me. I don't think. I'm just happy.

0:18:55.920 --> 0:18:59.240
<v Speaker 1>How are you, my good brother? So it's matching the

0:18:59.359 --> 0:19:02.440
<v Speaker 1>tone and then grabbing the mannerism. It's it's it's Donald

0:19:02.480 --> 0:19:07.720
<v Speaker 1>Trump the people you can shine like the Kuran vest

0:19:07.880 --> 0:19:10.280
<v Speaker 1>China China was when he did it. She's a very

0:19:10.320 --> 0:19:17.000
<v Speaker 1>good person, change change very good people. I don't know,

0:19:17.200 --> 0:19:21.280
<v Speaker 1>she's very you know. So that's a mannerism when you say,

0:19:21.760 --> 0:19:23.920
<v Speaker 1>you know, when they asked him about the lady that

0:19:24.160 --> 0:19:27.119
<v Speaker 1>was with with the thing, I don't know. She seems

0:19:27.119 --> 0:19:29.879
<v Speaker 1>to be good people. She's very good people. You know.

0:19:29.920 --> 0:19:32.359
<v Speaker 1>I don't know personally, but she seems to be good people.

0:19:35.040 --> 0:19:39.080
<v Speaker 1>I wish you the best. So it's a matter of

0:19:39.200 --> 0:19:44.920
<v Speaker 1>grabbing that tone and then you know, you know, jay Z,

0:19:45.240 --> 0:19:52.960
<v Speaker 1>jay Z jay Z just that it's crazy. I think

0:19:53.240 --> 0:19:57.439
<v Speaker 1>I think that. I think that, like you, you simplify

0:19:57.560 --> 0:20:01.560
<v Speaker 1>it because it's but it's way more intricate from the

0:20:01.640 --> 0:20:07.200
<v Speaker 1>outside looking in, because sitting next to Ray Charles is

0:20:07.440 --> 0:20:11.920
<v Speaker 1>family and them not knowing the difference between you and

0:20:12.160 --> 0:20:16.240
<v Speaker 1>him is different. Well, that's what you have to do.

0:20:16.359 --> 0:20:19.200
<v Speaker 1>It's like you have to go beyond the impersonation. Ray Charles,

0:20:19.640 --> 0:20:22.640
<v Speaker 1>hey tell everybody Ray Charles in town. That a dollar

0:20:22.680 --> 0:20:26.640
<v Speaker 1>a quartern or red a clown. That's more the impersonation.

0:20:26.720 --> 0:20:28.720
<v Speaker 1>But when we were doing Ray Charles, how does he

0:20:28.840 --> 0:20:31.200
<v Speaker 1>order his food? How does he talk to his kids?

0:20:31.280 --> 0:20:34.080
<v Speaker 1>What's the quiet moment? Because if you do the impersonation,

0:20:34.240 --> 0:20:37.639
<v Speaker 1>now you're now you're a sitcom. But to do the

0:20:37.760 --> 0:20:42.680
<v Speaker 1>real person, it's it's the quiet moment, you know. And

0:20:42.760 --> 0:20:45.680
<v Speaker 1>when I met Ray Charles, I met him as the

0:20:45.760 --> 0:20:48.640
<v Speaker 1>older Ray Charles. He comes in. I said, Mr Charles,

0:20:48.680 --> 0:20:50.600
<v Speaker 1>I'm just trying to do the best I can to

0:20:50.680 --> 0:20:53.040
<v Speaker 1>do your do your do your story. And he goes,

0:20:53.520 --> 0:20:55.240
<v Speaker 1>what if you can play the blues? Man? You could

0:20:55.240 --> 0:20:57.080
<v Speaker 1>do anything? Can you play the blues? And we sat

0:20:57.119 --> 0:20:59.680
<v Speaker 1>down and here his music first, So we're playing the

0:20:59.720 --> 0:21:02.560
<v Speaker 1>Blue you know, I'm hanging, trying to hang, and then

0:21:02.600 --> 0:21:08.040
<v Speaker 1>he moved into Thelonious Monk, but you know that's and

0:21:08.119 --> 0:21:10.000
<v Speaker 1>he hits a note and I hit a runo. He said, hey,

0:21:10.320 --> 0:21:12.960
<v Speaker 1>why why would you do that? Why do you And

0:21:13.040 --> 0:21:14.399
<v Speaker 1>I was like, I was just trying to kill it.

0:21:15.280 --> 0:21:17.320
<v Speaker 1>Don't hit the wrong notes, man, That's what life is, baby,

0:21:17.400 --> 0:21:21.600
<v Speaker 1>taking time to hit the right notes. So that's a

0:21:21.640 --> 0:21:27.880
<v Speaker 1>bar that's a bar Charles taking time to hit the right,

0:21:28.200 --> 0:21:39.360
<v Speaker 1>not hit they always get the right. Nigga didn't. I'm

0:21:39.400 --> 0:21:46.159
<v Speaker 1>talking about bottles up a tron, Magic City, King of Diamonds,

0:21:48.280 --> 0:21:52.040
<v Speaker 1>and then this nigga will sing I Can't Make You

0:21:52.160 --> 0:21:55.800
<v Speaker 1>Love Me? Recorded Still Dropped as the third song of

0:21:55.880 --> 0:21:59.360
<v Speaker 1>the day. Circle House studios shout out the Circle House

0:22:00.040 --> 0:22:10.560
<v Speaker 1>House the greatest. Can't talk about it, talk about your instruant,

0:22:11.440 --> 0:22:17.680
<v Speaker 1>talk about where that came from. Jesus came from. Yes, yeah,

0:22:17.760 --> 0:22:26.600
<v Speaker 1>hellel I remember. I remember National Baptist Convention, State Baptist

0:22:26.640 --> 0:22:33.239
<v Speaker 1>Convention with my grandmother um and I wanted to sing

0:22:33.320 --> 0:22:35.560
<v Speaker 1>in the choir so bad, going fast. He trying to

0:22:35.920 --> 0:22:40.280
<v Speaker 1>poke Jamie back up ship. I was like, do you

0:22:40.440 --> 0:22:43.480
<v Speaker 1>have let me get a shot of tequila cocaine ram

0:22:48.400 --> 0:23:01.040
<v Speaker 1>I'm from. They called guys. You know guys, guy, I

0:23:01.040 --> 0:23:11.040
<v Speaker 1>don't want to take I hate cocing, just like you

0:23:11.200 --> 0:23:17.080
<v Speaker 1>just see a rumor. But yo, why y'all bullshit? It's

0:23:17.119 --> 0:23:21.840
<v Speaker 1>the shots. We shouldn't be drinking another shot. No, Jay Valentine,

0:23:21.880 --> 0:23:23.880
<v Speaker 1>I want to see you get mad at whoop somebody else.

0:23:26.200 --> 0:23:29.240
<v Speaker 1>First time I met Ja Valentine, he went playing basketball

0:23:30.560 --> 0:23:34.600
<v Speaker 1>whoop somebody else the studio. No, I brought him to

0:23:34.680 --> 0:23:37.119
<v Speaker 1>your backyard first, bro bro Bro. But we went to

0:23:37.200 --> 0:23:38.800
<v Speaker 1>the studio and did a song, and we went to

0:23:38.880 --> 0:23:42.199
<v Speaker 1>go play in some little backyard court and a switch

0:23:42.359 --> 0:23:44.280
<v Speaker 1>was flipped and I said, oh my god, I don't

0:23:44.320 --> 0:23:46.440
<v Speaker 1>know who I'm with. It's like he's like he's like

0:23:46.560 --> 0:23:49.800
<v Speaker 1>the walking black version of the Incredible Hook. You know

0:23:49.920 --> 0:23:52.600
<v Speaker 1>what The funny part about that is that thing my

0:23:52.720 --> 0:23:56.240
<v Speaker 1>father called me. Yeah, it got to my father. Yeah,

0:23:56.400 --> 0:23:59.159
<v Speaker 1>we had to. I've never seen so that's what happened.

0:23:59.200 --> 0:24:04.040
<v Speaker 1>That you made this motherfucker flash on somebody that was

0:24:04.119 --> 0:24:06.800
<v Speaker 1>so crazy. I was like, I said, we can't do that.

0:24:07.920 --> 0:24:11.440
<v Speaker 1>Think about your life. He's a nick you know who

0:24:11.440 --> 0:24:13.080
<v Speaker 1>we I said, I know, I don't know who you are.

0:24:14.560 --> 0:24:19.040
<v Speaker 1>That motherfucker flash on somebody. I don't know who it was. Man,

0:24:20.720 --> 0:24:26.120
<v Speaker 1>you got somebody got dripped me home. Ship I drive

0:24:26.200 --> 0:24:29.440
<v Speaker 1>you home and keep the truck. Oh my god, to

0:24:29.640 --> 0:24:37.000
<v Speaker 1>Rose Royces. That's gonna take you out. So so that's

0:24:37.000 --> 0:24:41.760
<v Speaker 1>gonna take you out. That's gonna I want to sing

0:24:41.800 --> 0:24:44.479
<v Speaker 1>at this National Baptors Convention so bad because it's all

0:24:44.520 --> 0:24:48.360
<v Speaker 1>the churches, all the church. My grandmother's The dean acchoires

0:24:48.440 --> 0:24:51.760
<v Speaker 1>to the choir of all choirs in the state. I'm

0:24:51.800 --> 0:24:54.320
<v Speaker 1>practicing lead the whole week for Jesus you the center

0:24:54.400 --> 0:24:57.960
<v Speaker 1>my joy, and the choir directors like, yeah you could.

0:24:58.000 --> 0:25:01.199
<v Speaker 1>I got me all right. I rehearsing. I'm rehearsing all

0:25:01.240 --> 0:25:03.919
<v Speaker 1>my runs at home. I'm getting my runs together. I'm

0:25:03.960 --> 0:25:08.600
<v Speaker 1>in sixth grade, sixth grade six, I'm ready to know

0:25:08.760 --> 0:25:14.280
<v Speaker 1>how to record. Deal my name first of all, your story,

0:25:16.000 --> 0:25:17.920
<v Speaker 1>your story. I was already playing a taxi. I'm trying

0:25:17.920 --> 0:25:21.199
<v Speaker 1>to read from come by to come up, started from

0:25:21.200 --> 0:25:27.760
<v Speaker 1>the bottom, because from um and Friday King day to perform.

0:25:28.200 --> 0:25:30.040
<v Speaker 1>He says, you know what, We're gonna let these two,

0:25:30.119 --> 0:25:34.400
<v Speaker 1>the two older guys, sing the lead. You just throw

0:25:34.440 --> 0:25:36.680
<v Speaker 1>a fit. I'm like, y'all can't do that to me.

0:25:37.240 --> 0:25:41.760
<v Speaker 1>My grandmother's the dean married went straight. I went. I

0:25:41.840 --> 0:25:43.800
<v Speaker 1>went to just my grandmother, like, what's wrong? Grand song?

0:25:44.119 --> 0:25:46.000
<v Speaker 1>I said, they won't let me sing the lead. The

0:25:46.080 --> 0:25:48.160
<v Speaker 1>more they said to my singing lean no moment, practicing

0:25:48.200 --> 0:25:51.320
<v Speaker 1>all week. My grandmother walked through. My grandmother fiery. My

0:25:51.400 --> 0:25:54.360
<v Speaker 1>grandmother's play a whole much game. She walked in there,

0:25:54.720 --> 0:25:58.480
<v Speaker 1>I heard I saw her doing it. We're in church.

0:25:59.080 --> 0:26:02.480
<v Speaker 1>In the name of Jesus. Your yeah came back. He said,

0:26:02.480 --> 0:26:04.920
<v Speaker 1>all right, you're good. So I get up there and

0:26:04.920 --> 0:26:06.920
<v Speaker 1>it's time for me to sing my league. And I'm

0:26:06.960 --> 0:26:10.000
<v Speaker 1>singing my lead and I can look and look back

0:26:10.040 --> 0:26:13.160
<v Speaker 1>at it retrospect, and and it was really quiet while

0:26:13.200 --> 0:26:16.199
<v Speaker 1>I was singing my league. And one of the one

0:26:16.240 --> 0:26:18.399
<v Speaker 1>of the ladies from my church, she said, take your time, Drell.

0:26:19.119 --> 0:26:21.640
<v Speaker 1>Oh my god. It was to take your time, take

0:26:21.680 --> 0:26:25.720
<v Speaker 1>your time to explain it, to explain it me in church,

0:26:26.440 --> 0:26:30.119
<v Speaker 1>black church. When someone says that, secular people to me,

0:26:30.480 --> 0:26:32.359
<v Speaker 1>when they when they when they say take your time,

0:26:33.359 --> 0:26:39.639
<v Speaker 1>that means you're sucking up. Take your time shot let

0:26:39.760 --> 0:26:44.920
<v Speaker 1>the lord lord, because right now the Lord apparently is

0:26:45.000 --> 0:26:47.520
<v Speaker 1>not using it, and you need to get into his

0:26:47.640 --> 0:26:51.960
<v Speaker 1>youth exact So they say take your time. And so

0:26:53.000 --> 0:26:55.040
<v Speaker 1>by the time the song was at the vamp, I

0:26:55.160 --> 0:26:57.879
<v Speaker 1>noticed I had been boxed out from the microphone. Are

0:26:57.880 --> 0:26:59.800
<v Speaker 1>the two older guys and they were ad living and

0:26:59.840 --> 0:27:03.439
<v Speaker 1>I was added up into their shoulders. I just kept singing, Okay,

0:27:04.480 --> 0:27:06.960
<v Speaker 1>we're walking down going to the cars. Mounty Betty, who's

0:27:06.960 --> 0:27:09.520
<v Speaker 1>the choired director for our junior choir. She's she's big

0:27:09.560 --> 0:27:12.040
<v Speaker 1>in the city too. I said, Betty, how do I do?

0:27:12.400 --> 0:27:15.560
<v Speaker 1>She said he was off, Baby, he was real off.

0:27:16.840 --> 0:27:28.080
<v Speaker 1>She said he was off. And I was like, And

0:27:28.640 --> 0:27:32.200
<v Speaker 1>it didn't hit me like I was a failure. It

0:27:32.400 --> 0:27:36.119
<v Speaker 1>hit me like I got work to do because if

0:27:36.160 --> 0:27:39.879
<v Speaker 1>Auntie Betty was back, I got more work to do, right,

0:27:40.000 --> 0:27:43.800
<v Speaker 1>And so I started fine tuning, sharpening. It made me

0:27:43.960 --> 0:27:47.239
<v Speaker 1>want to be the best. Sitting in the John p Key,

0:27:47.359 --> 0:27:50.840
<v Speaker 1>you don't want to, you don't want to see. I discovered.

0:27:52.480 --> 0:27:56.200
<v Speaker 1>I discovered John p Key. I discovered Darryl Coley. I

0:27:56.320 --> 0:27:59.680
<v Speaker 1>discovered Commission. I discovered the one. Give me some other,

0:28:00.560 --> 0:28:03.920
<v Speaker 1>give me some much. Haven't need someone. I knew you

0:28:04.080 --> 0:28:09.160
<v Speaker 1>was gonna go there shot the cry on that's my guy,

0:28:09.320 --> 0:28:16.840
<v Speaker 1>keeping easy egg and me and fight quidity, oh man

0:28:17.680 --> 0:28:25.920
<v Speaker 1>sweet and speak soft word love than me so much.

0:28:26.960 --> 0:28:31.359
<v Speaker 1>The Mitchell Johnes keep woting marry just want to dude.

0:28:32.440 --> 0:28:38.280
<v Speaker 1>I need someone, my Lord, I need someone. They's someone

0:28:39.080 --> 0:28:56.600
<v Speaker 1>you that's someone. No first thing about set yes, John

0:28:56.640 --> 0:29:00.960
<v Speaker 1>Stockman and me and Mitchell Jones said little that's where

0:29:01.000 --> 0:29:04.600
<v Speaker 1>we come from. Absolutely drove me to be. I wanted

0:29:04.640 --> 0:29:07.040
<v Speaker 1>to since I messed up my runs. Then it drove

0:29:07.080 --> 0:29:09.440
<v Speaker 1>me to best be the best runner, told me to

0:29:09.520 --> 0:29:13.680
<v Speaker 1>be an Olympic star of all times. And and so

0:29:14.160 --> 0:29:16.120
<v Speaker 1>I'm gonna cut forward because at this point, I'm in

0:29:16.160 --> 0:29:18.600
<v Speaker 1>a group. I'm a runner. I'm there in the group.

0:29:18.680 --> 0:29:20.680
<v Speaker 1>I'm in a group called songs to a gospel group.

0:29:20.920 --> 0:29:23.520
<v Speaker 1>I'm the runner. If there was a run to as

0:29:23.640 --> 0:29:25.880
<v Speaker 1>nasty as you could do, You're in a group. Because

0:29:26.000 --> 0:29:28.240
<v Speaker 1>I was a church kid, I hadn't graduated to the

0:29:28.360 --> 0:29:44.080
<v Speaker 1>nastery that you know us at this point. Nastery came later. No, no, no, no, no,

0:29:44.440 --> 0:29:51.200
<v Speaker 1>you're blessed it. So I'm the runner. I'm the killer runner.

0:29:51.400 --> 0:29:52.959
<v Speaker 1>So I got this guy, got this girl, and I'm

0:29:53.000 --> 0:29:54.560
<v Speaker 1>trying to press and I sing a song to over

0:29:54.600 --> 0:29:56.640
<v Speaker 1>the phone that I wrote, and she's like, you know,

0:29:56.800 --> 0:29:59.120
<v Speaker 1>he sounds really good, but I just can't understand what

0:29:59.120 --> 0:30:03.840
<v Speaker 1>you're saying. What the run ends? Really like? These runs

0:30:03.880 --> 0:30:06.479
<v Speaker 1>are magnificent. What do you mean that's what you told her?

0:30:06.640 --> 0:30:08.480
<v Speaker 1>I was like, this is this is I'm killing this.

0:30:09.840 --> 0:30:13.320
<v Speaker 1>You gotta you gotta chill right. And for a year

0:30:13.360 --> 0:30:15.920
<v Speaker 1>I didn't do no runs. I studied Fred Hammond, and

0:30:15.960 --> 0:30:17.840
<v Speaker 1>I sank straight and I studied Keith stating, I s,

0:30:18.280 --> 0:30:21.640
<v Speaker 1>so women made you great? And so started when I'm

0:30:21.680 --> 0:30:25.080
<v Speaker 1>Betty started, and then it was and then it and

0:30:25.160 --> 0:30:27.600
<v Speaker 1>then it was whoever this girl is? And we eventually

0:30:27.640 --> 0:30:29.920
<v Speaker 1>got tickets foe to a concert. It was founded with

0:30:30.080 --> 0:30:34.480
<v Speaker 1>women with girls. It was founded with screaming the ninth grade. Wow,

0:30:34.840 --> 0:30:37.360
<v Speaker 1>that's where it was. Let let's ask this question, guys

0:30:37.920 --> 0:30:40.800
<v Speaker 1>for us, is it's just guys like, is that is

0:30:40.880 --> 0:30:44.800
<v Speaker 1>that the factor that yeah that when we're we are,

0:30:44.920 --> 0:30:49.000
<v Speaker 1>when we are peacocking, it's it's it's how it's the

0:30:49.120 --> 0:30:51.480
<v Speaker 1>admiration of a woman. Not that we want to sleep

0:30:51.520 --> 0:30:53.840
<v Speaker 1>at all the women. It's just it had to see

0:30:53.880 --> 0:31:00.480
<v Speaker 1>the smile unless they from Minnesota. So sixth one, two shot?

0:31:02.280 --> 0:31:06.640
<v Speaker 1>What does that shot? What was that a thing for you? Though?

0:31:06.680 --> 0:31:09.840
<v Speaker 1>Because when I hear your music and when I hear

0:31:09.920 --> 0:31:14.960
<v Speaker 1>Jay's music, it's so specifically two women. Is that Is

0:31:15.000 --> 0:31:17.240
<v Speaker 1>that a deciding factor for us? Is that a Is

0:31:17.280 --> 0:31:20.920
<v Speaker 1>that a motivating factor? It took me a minute to

0:31:21.120 --> 0:31:27.600
<v Speaker 1>dial into that being the only motivating factor because initially

0:31:28.200 --> 0:31:30.160
<v Speaker 1>I just wanted to be able to walk into a

0:31:30.360 --> 0:31:33.760
<v Speaker 1>room full of singers and musicians and they all look

0:31:33.800 --> 0:31:37.400
<v Speaker 1>at me and say you're the bad one him. And

0:31:37.560 --> 0:31:40.280
<v Speaker 1>so that's why, that's why a lot of my music

0:31:40.400 --> 0:31:43.840
<v Speaker 1>suffered in the beginning, because I was trying to outdo

0:31:44.320 --> 0:31:47.240
<v Speaker 1>singers and musicians who don't buy me, who don't buy

0:31:47.280 --> 0:31:51.120
<v Speaker 1>they don't He was trying to go up to the

0:31:51.200 --> 0:31:52.600
<v Speaker 1>label and figure out how to get the free c

0:31:52.760 --> 0:31:54.760
<v Speaker 1>D what I'm saying, and so I it took me

0:31:54.880 --> 0:31:59.400
<v Speaker 1>a minute to learn, and me and him trying to

0:31:59.640 --> 0:32:04.400
<v Speaker 1>learn a balance between being really creative but also being

0:32:04.480 --> 0:32:09.680
<v Speaker 1>able to take the consumer along for the ride. And

0:32:09.760 --> 0:32:13.200
<v Speaker 1>I think would end up working for us as a team.

0:32:13.840 --> 0:32:16.560
<v Speaker 1>What R and B money was. I come from the

0:32:16.600 --> 0:32:19.560
<v Speaker 1>Bay Area, of course, right, and the Bay Area was

0:32:19.720 --> 0:32:26.000
<v Speaker 1>based on independent rap and simplify music, right. It was

0:32:26.640 --> 0:32:29.200
<v Speaker 1>everything for us in the Bay is strictly a feeling.

0:32:29.760 --> 0:32:33.280
<v Speaker 1>It's nothing else. Like people be like something is off,

0:32:34.600 --> 0:32:37.040
<v Speaker 1>you know, I mean this is tweaked wrong, it ain't mixed,

0:32:37.040 --> 0:32:39.800
<v Speaker 1>it ain't mastered, like we live on this island. Right.

0:32:40.240 --> 0:32:43.360
<v Speaker 1>So me and this guy actually were the perfect storm

0:32:43.480 --> 0:32:46.440
<v Speaker 1>because he was everything right and set to set the

0:32:46.520 --> 0:32:49.920
<v Speaker 1>dynamic up. Though you are for him and you are together,

0:32:50.040 --> 0:32:52.880
<v Speaker 1>what is because you guys are doing incredible because your

0:32:53.000 --> 0:32:56.040
<v Speaker 1>artists as well. So it's like, it's an interesting thing

0:32:56.160 --> 0:32:58.240
<v Speaker 1>to see you guys work together because I listened to

0:32:58.320 --> 0:33:02.440
<v Speaker 1>your music as well. So, y'all you know him, so said,

0:33:02.640 --> 0:33:04.160
<v Speaker 1>I mean, I mean people. I don't know if people

0:33:04.200 --> 0:33:06.960
<v Speaker 1>all everybody knows that. You know, a lot of people don't.

0:33:07.120 --> 0:33:09.240
<v Speaker 1>A lot of people don't because I've done business for

0:33:09.360 --> 0:33:12.120
<v Speaker 1>so much. Too great looking motherfucker's like, who there is?

0:33:12.120 --> 0:33:15.880
<v Speaker 1>Too good looking motherfuckers? What they do? It's unfair and

0:33:15.960 --> 0:33:18.800
<v Speaker 1>I'll say it. So I'm gonna tell you what's an

0:33:18.880 --> 0:33:22.280
<v Speaker 1>interesting story, the fact you guys have hair. Go ahead, baby,

0:33:22.280 --> 0:33:24.080
<v Speaker 1>I'm trying. I'm trying to keep this my hair going,

0:33:24.880 --> 0:33:27.960
<v Speaker 1>keep his hair going back. I can't get in. I

0:33:28.120 --> 0:33:31.280
<v Speaker 1>was at a I was at an event, and I

0:33:31.400 --> 0:33:33.840
<v Speaker 1>was on the like I was always on the cusp of, like,

0:33:35.160 --> 0:33:38.640
<v Speaker 1>am I willing to do everything I need to do

0:33:38.840 --> 0:33:44.360
<v Speaker 1>to be a very successful artist? Um? And but I was,

0:33:44.720 --> 0:33:46.880
<v Speaker 1>you know, and we and we've talked about this before

0:33:47.000 --> 0:33:50.920
<v Speaker 1>where I was always on the fence of how much

0:33:51.120 --> 0:33:53.960
<v Speaker 1>business do I want to do and how much artistry

0:33:54.000 --> 0:33:56.080
<v Speaker 1>do I want to do? And that's a very fine

0:33:56.160 --> 0:33:58.680
<v Speaker 1>line because just like you said, when you start doing

0:33:58.720 --> 0:34:01.720
<v Speaker 1>the business side of music, it gets it gets grimy.

0:34:01.800 --> 0:34:06.280
<v Speaker 1>It's the trenches, right, So it's very hard to to

0:34:06.600 --> 0:34:09.640
<v Speaker 1>to be in the trenches on the business side and

0:34:09.760 --> 0:34:13.719
<v Speaker 1>still have the freedom of mind to do the creative

0:34:13.800 --> 0:34:16.360
<v Speaker 1>side and to really love it and to do it

0:34:16.960 --> 0:34:19.239
<v Speaker 1>for the women and to do it for you know

0:34:19.280 --> 0:34:20.960
<v Speaker 1>what I mean, because you ain't really doing it for

0:34:21.000 --> 0:34:23.400
<v Speaker 1>the money. You're really doing it for the women and

0:34:23.520 --> 0:34:26.440
<v Speaker 1>for the fame and for all the other you know,

0:34:27.040 --> 0:34:30.360
<v Speaker 1>ancillary things that come along with that side. Right. So

0:34:30.760 --> 0:34:34.919
<v Speaker 1>for me, it was more so of like like I said,

0:34:34.920 --> 0:34:36.600
<v Speaker 1>I was I was at I was at I was

0:34:36.600 --> 0:34:38.680
<v Speaker 1>at an event with with one of my best friends

0:34:38.719 --> 0:34:43.160
<v Speaker 1>with Ethiopia who's the head of Motown and my guy

0:34:43.280 --> 0:34:48.600
<v Speaker 1>who used to manage um Steve Harvey. Wow, what's his name,

0:34:50.600 --> 0:34:56.560
<v Speaker 1>Sean trum So I never met him. I didn't know

0:34:56.640 --> 0:35:00.080
<v Speaker 1>who he was. I'm sitting there and I'm sitting the

0:35:00.160 --> 0:35:04.719
<v Speaker 1>crowd and I'm watching him talk and he's like, yeah,

0:35:04.760 --> 0:35:06.360
<v Speaker 1>you know, Steve couldn't be here because you know, this

0:35:06.440 --> 0:35:09.759
<v Speaker 1>ain't for Steve. And he talked, big ship, this ain't

0:35:09.800 --> 0:35:11.200
<v Speaker 1>for Steve. And you know, I've seen what y'all got

0:35:11.239 --> 0:35:12.520
<v Speaker 1>for me over here. But I don't even know if

0:35:12.520 --> 0:35:18.200
<v Speaker 1>I could fit this on my plane your plane, right? No, no, no,

0:35:18.440 --> 0:35:21.560
<v Speaker 1>he talked, He talked cash ship right right, and I

0:35:21.640 --> 0:35:28.120
<v Speaker 1>don't know his ship. But he starts to tell a

0:35:28.200 --> 0:35:31.879
<v Speaker 1>story where he was very humble. He starts off very

0:35:32.000 --> 0:35:35.440
<v Speaker 1>like pompous and and arrogant in the plane and I

0:35:35.520 --> 0:35:39.040
<v Speaker 1>can't fit this on this and and and and he says,

0:35:40.480 --> 0:35:45.520
<v Speaker 1>what I realized when I've seen Steve is that he

0:35:45.680 --> 0:35:48.320
<v Speaker 1>needed me. He was like, because I was a comedian,

0:35:49.080 --> 0:35:52.120
<v Speaker 1>He was like, I was a comedian, but I realized

0:35:52.440 --> 0:35:55.920
<v Speaker 1>I wanted to do business. And when I saw Steve Harvey,

0:35:56.560 --> 0:35:59.560
<v Speaker 1>I looked at it as I can do everything I

0:35:59.719 --> 0:36:02.960
<v Speaker 1>want to do from a business side and get all

0:36:03.080 --> 0:36:06.200
<v Speaker 1>the all the success that I ever wanted from the

0:36:06.280 --> 0:36:09.840
<v Speaker 1>comedian side, helping him become the biggest comedian that I

0:36:09.960 --> 0:36:13.120
<v Speaker 1>possibly could. And the first thing that popped in my

0:36:13.239 --> 0:36:17.839
<v Speaker 1>head was my best friend. Wow. It was a very

0:36:18.000 --> 0:36:21.399
<v Speaker 1>selfless thing for me, where I was just like, that's

0:36:21.440 --> 0:36:24.880
<v Speaker 1>me in tank because I had been going. It was

0:36:24.960 --> 0:36:27.120
<v Speaker 1>like it was like a sign. And I don't even

0:36:27.160 --> 0:36:29.440
<v Speaker 1>know if I ever really taught you this story, but

0:36:29.520 --> 0:36:31.960
<v Speaker 1>I'm sitting there and the first time. First time. Yeah,

0:36:32.120 --> 0:36:43.960
<v Speaker 1>do you guys want to hug you a little saucy? Man?

0:36:47.320 --> 0:36:59.160
<v Speaker 1>Do you keep this from me? Stop this ship? Ships

0:36:59.600 --> 0:37:02.480
<v Speaker 1>a little, this some other fun. Don't kill everybody. Just

0:37:02.600 --> 0:37:13.080
<v Speaker 1>got emotional tonight. You got gonna do. Drive back, you guys,

0:37:13.120 --> 0:37:16.880
<v Speaker 1>just drive I just come back. He' nobody look at me.

0:37:17.840 --> 0:37:19.799
<v Speaker 1>Do not run up on this light skined good? Look

0:37:19.840 --> 0:37:25.120
<v Speaker 1>at he will lay you out. I would say this

0:37:25.200 --> 0:37:29.799
<v Speaker 1>song me looking at you guys. It's so beautiful man,

0:37:29.880 --> 0:37:34.719
<v Speaker 1>because you are keeping R and B alive and in

0:37:34.800 --> 0:37:37.520
<v Speaker 1>the sense of where we actually need it, because you know,

0:37:37.680 --> 0:37:40.719
<v Speaker 1>artists gonna go everywhere it goes. It goes everywhere it goes.

0:37:40.840 --> 0:37:43.319
<v Speaker 1>But when I hear your music, and there's just one

0:37:43.400 --> 0:37:50.680
<v Speaker 1>song Tank that I listened to and it brings tears

0:37:50.719 --> 0:37:55.920
<v Speaker 1>to my eyes every time I hear it, and I

0:37:56.120 --> 0:37:59.279
<v Speaker 1>can't get beyond that song. And what I mean is

0:37:59.480 --> 0:38:02.120
<v Speaker 1>every music I should understand this. You'll listen to a

0:38:02.239 --> 0:38:05.120
<v Speaker 1>song and you say I can't get the I can't

0:38:05.160 --> 0:38:07.160
<v Speaker 1>get enough of the feeling that I'm feeling when you

0:38:07.280 --> 0:38:12.080
<v Speaker 1>sing that song. I know we're going all over the place,

0:38:12.320 --> 0:38:14.400
<v Speaker 1>but just talk about this song, which I funked up.

0:38:14.520 --> 0:38:16.239
<v Speaker 1>I want to be on the song, but I'm kind

0:38:16.280 --> 0:38:18.960
<v Speaker 1>of scared too. But that's the whole thing, is like

0:38:19.280 --> 0:38:22.440
<v Speaker 1>I won't be able to match. Yeah, well you you

0:38:23.080 --> 0:38:25.000
<v Speaker 1>you you you, you'd be able to match. But but

0:38:25.080 --> 0:38:27.560
<v Speaker 1>but you know, and I know I'm reach it. But

0:38:28.000 --> 0:38:31.960
<v Speaker 1>you guys are so important for us as as content

0:38:32.400 --> 0:38:34.320
<v Speaker 1>in the sixties when we were going through a struggle,

0:38:35.680 --> 0:38:38.600
<v Speaker 1>like black people were going through a struggle in the sixties,

0:38:38.920 --> 0:38:41.680
<v Speaker 1>and the beautiful music that came out of that seventies,

0:38:42.080 --> 0:38:45.960
<v Speaker 1>the party in this it's a studio four eighties. It's

0:38:45.960 --> 0:38:50.000
<v Speaker 1>a whole different thing. But now at this moment, when

0:38:50.080 --> 0:38:53.279
<v Speaker 1>I listened to what you bring to the table artistically,

0:38:54.040 --> 0:38:57.759
<v Speaker 1>I go like, wow, Man, imagine if van Alden wouldn't happen.

0:38:58.520 --> 0:39:01.040
<v Speaker 1>Imagine if those days wouldn't happened. When I said, yo,

0:39:01.120 --> 0:39:04.319
<v Speaker 1>stay in my crib, and now you have this song

0:39:04.440 --> 0:39:08.279
<v Speaker 1>that I play, she looks, she knows, Look, she knows.

0:39:08.760 --> 0:39:11.400
<v Speaker 1>How long? How much do I play that song? I

0:39:11.520 --> 0:39:14.000
<v Speaker 1>played all the fucking time. Bro, Well, nigga, I'm out

0:39:14.000 --> 0:39:16.200
<v Speaker 1>the little what motherfucker's all take me away? Because I'm

0:39:16.239 --> 0:39:23.120
<v Speaker 1>drunk at this point. Who I need to go to publish.

0:39:23.160 --> 0:39:27.600
<v Speaker 1>You know it's it's the song take Me Away. It

0:39:27.680 --> 0:39:35.600
<v Speaker 1>takes me away, and I appreciate you. And on a

0:39:35.760 --> 0:39:38.440
<v Speaker 1>bigger level, it's bigger than these cameras. It's bigger than

0:39:38.480 --> 0:39:42.040
<v Speaker 1>what we talk about. It's something that in Hollywood we

0:39:42.080 --> 0:39:44.399
<v Speaker 1>live a different life. We live a life with where

0:39:45.560 --> 0:39:47.960
<v Speaker 1>things that it's just I don't know how to explain it.

0:39:48.040 --> 0:39:51.440
<v Speaker 1>It's different from where our homies are. But when you

0:39:51.640 --> 0:39:58.799
<v Speaker 1>did that song, man, Tank, I'll be riding on my boat.

0:40:02.239 --> 0:40:08.279
<v Speaker 1>You know what niggas to the boat tows the boat.

0:40:09.600 --> 0:40:11.440
<v Speaker 1>I'll be riding on that boat and we'll be playing

0:40:11.560 --> 0:40:16.200
<v Speaker 1>all the fucking many and that I mean it got

0:40:16.239 --> 0:40:20.520
<v Speaker 1>a lot many. I don't know all the words boat,

0:40:20.840 --> 0:40:22.680
<v Speaker 1>which I love that song, and I got some friends

0:40:22.719 --> 0:40:25.960
<v Speaker 1>who know all of the fucking choreography. But when I

0:40:26.040 --> 0:40:29.600
<v Speaker 1>play this song, man, my little one analyst, everybody we

0:40:29.680 --> 0:40:34.160
<v Speaker 1>stopped talk about how that song. I know, this is

0:40:34.200 --> 0:40:37.880
<v Speaker 1>crazy to talk about that song came. I really was

0:40:38.000 --> 0:40:42.840
<v Speaker 1>just in a zone and I wasn't even gonna do

0:40:43.880 --> 0:40:47.560
<v Speaker 1>um um a mixtape nothing. So Jay calls me. Jail

0:40:47.600 --> 0:40:50.480
<v Speaker 1>always called me in the morning with the idea I

0:40:50.560 --> 0:40:57.400
<v Speaker 1>call it. We've dubbed it idea overloading thinker when I

0:40:57.440 --> 0:41:00.200
<v Speaker 1>say thinker as a thinker, and he'll call me in

0:41:00.280 --> 0:41:08.360
<v Speaker 1>the morning with twenty seven ideas. Listen, let's He's like, Nigga,

0:41:08.400 --> 0:41:10.120
<v Speaker 1>you're doing a mixtape. And then I was like, I'm

0:41:10.160 --> 0:41:12.759
<v Speaker 1>not doing a mixtape. I'm not doing I'm back Jay,

0:41:12.840 --> 0:41:16.000
<v Speaker 1>I'll call you back. And when we get off that call,

0:41:16.080 --> 0:41:18.320
<v Speaker 1>I go and I started playing the piano and I

0:41:18.440 --> 0:41:21.840
<v Speaker 1>come up with like four different vine incredible and I'm like, shoot,

0:41:22.000 --> 0:41:23.920
<v Speaker 1>I think I might have a mixtape. I called him back.

0:41:23.960 --> 0:41:25.440
<v Speaker 1>I said, you know what, You're right, We're doing a

0:41:25.480 --> 0:41:30.319
<v Speaker 1>mix tape. And I do this and what about I'm

0:41:30.360 --> 0:41:34.279
<v Speaker 1>doing a mixtape and I put the first one out,

0:41:34.360 --> 0:41:37.960
<v Speaker 1>launch it beautiful. Fans asked for four more. I said, okay,

0:41:38.000 --> 0:41:40.040
<v Speaker 1>I can't do this one without my girl. I said,

0:41:40.080 --> 0:41:46.959
<v Speaker 1>I need something that feels like commission. I need something

0:41:47.040 --> 0:41:49.800
<v Speaker 1>that gives me the feeling, the same feeling that I

0:41:49.960 --> 0:41:54.400
<v Speaker 1>got when I heard or ever heard they have young

0:41:54.480 --> 0:41:58.160
<v Speaker 1>ladies on the record who commission about no features. Let

0:41:58.160 --> 0:42:02.200
<v Speaker 1>me ask you a question. You got me, what's the worst?

0:42:02.840 --> 0:42:08.600
<v Speaker 1>You know what I mean? Man? No, nobody trying to

0:42:09.600 --> 0:42:17.160
<v Speaker 1>doing nice layout before the Lion all of the crying.

0:42:17.640 --> 0:42:28.960
<v Speaker 1>I love to night. Please, thank you. Way you see

0:42:28.960 --> 0:42:38.919
<v Speaker 1>what I'm saying, Like it's free. We had a moment

0:42:38.960 --> 0:42:42.120
<v Speaker 1>when we went to and I don't know, we're just

0:42:42.239 --> 0:42:44.759
<v Speaker 1>jumping around, but we had a moment when we went

0:42:44.800 --> 0:42:48.080
<v Speaker 1>to the front lines of the Black Lives Matter. Yeah,

0:42:49.360 --> 0:42:51.359
<v Speaker 1>and there's a moment. I have this footage when I'm

0:42:51.400 --> 0:42:54.440
<v Speaker 1>filming you and we're on a plane. By the way, Irish,

0:42:54.480 --> 0:42:56.160
<v Speaker 1>thank you for giving a step plane so we could

0:42:56.200 --> 0:42:59.560
<v Speaker 1>get to it. Irish, thank you so much. But I

0:42:59.640 --> 0:43:02.520
<v Speaker 1>remember playing that song man, and I remember saying, like,

0:43:02.640 --> 0:43:05.920
<v Speaker 1>this is our moment. And I watched you. I know

0:43:06.040 --> 0:43:12.279
<v Speaker 1>you watched me, watch you, I said, I said, use awesome, incredible,

0:43:12.920 --> 0:43:19.080
<v Speaker 1>You're on an incredible trajectory. I know. I was scared

0:43:19.600 --> 0:43:21.640
<v Speaker 1>to sing on that song. I told Lonny too. I said,

0:43:21.719 --> 0:43:23.960
<v Speaker 1>my god, the song so great. I don't want to

0:43:24.000 --> 0:43:28.160
<v Speaker 1>mess it up. But how does it feel having this

0:43:28.480 --> 0:43:34.200
<v Speaker 1>career and that now doing the music that you do,

0:43:36.760 --> 0:43:41.920
<v Speaker 1>being on stage with you? Yeah, I want to know,

0:43:42.239 --> 0:43:45.759
<v Speaker 1>like when you sit down just for our for our musicians,

0:43:46.320 --> 0:43:48.279
<v Speaker 1>what is going through your mind every time you do

0:43:48.360 --> 0:43:50.640
<v Speaker 1>a record when you say you gotta do the mixtape

0:43:50.880 --> 0:43:54.320
<v Speaker 1>what does it mean the world to you? Cause I

0:43:54.360 --> 0:43:58.359
<v Speaker 1>think to me, you know, I call us, everything means

0:43:58.400 --> 0:44:00.279
<v Speaker 1>the world to It doesn't mean the world to Yeah,

0:44:01.320 --> 0:44:06.520
<v Speaker 1>and and and it's just a feeling, like I mean,

0:44:06.960 --> 0:44:09.160
<v Speaker 1>some from my from my church world would call it

0:44:09.280 --> 0:44:12.319
<v Speaker 1>the annointing. Some would call it, you know, some would

0:44:12.360 --> 0:44:16.520
<v Speaker 1>call it just some you know, good energy or you

0:44:16.520 --> 0:44:22.120
<v Speaker 1>know what I'm saying, some organic cosmic thing that you

0:44:22.200 --> 0:44:26.000
<v Speaker 1>know that you just feel, you know what I'm saying.

0:44:26.200 --> 0:44:29.960
<v Speaker 1>And and it's like some days, some days I feel

0:44:30.000 --> 0:44:33.280
<v Speaker 1>it and some days I don't. I watch your Instagram.

0:44:33.560 --> 0:44:40.200
<v Speaker 1>And when I watched you fun every nigga up. They

0:44:40.280 --> 0:44:50.600
<v Speaker 1>every thought that they could make it. Thought, so what happened?

0:44:50.840 --> 0:44:52.560
<v Speaker 1>And I said that to a girl in the DM.

0:44:54.000 --> 0:44:56.560
<v Speaker 1>I wat and you do some shing? I said, if

0:44:56.640 --> 0:44:59.080
<v Speaker 1>every I think it was was trying to make it,

0:44:59.280 --> 0:45:02.040
<v Speaker 1>he just turned ship, get all this equipment off. Because

0:45:03.560 --> 0:45:07.480
<v Speaker 1>I'm different. I'm just I'm different. So you know, So

0:45:07.719 --> 0:45:11.120
<v Speaker 1>so I'm different. I know what I am. Yeah, I

0:45:11.200 --> 0:45:17.120
<v Speaker 1>am inspiration. Mhmm. Yeah. So you're like a niggabying the

0:45:17.160 --> 0:45:20.520
<v Speaker 1>new Rose Royce and putting it on the ground. I'm

0:45:21.480 --> 0:45:26.919
<v Speaker 1>you know, I think of everything and everything and get down,

0:45:28.200 --> 0:45:30.399
<v Speaker 1>put the mother back on the ground and white people

0:45:30.480 --> 0:45:31.799
<v Speaker 1>right now, it was It's like, what does he mean,

0:45:33.640 --> 0:45:37.200
<v Speaker 1>I'm inspirational purpose? And I learned that. I learned that.

0:45:37.719 --> 0:45:41.080
<v Speaker 1>I learned that from being with you and from being

0:45:41.120 --> 0:45:44.920
<v Speaker 1>with Chris Brown and shout Chris Brown. I worked, I

0:45:45.000 --> 0:45:48.160
<v Speaker 1>worked with you. You know what. Shout for Chris Chris Brown.

0:45:52.360 --> 0:45:57.799
<v Speaker 1>Of all times, I think you can get many Mandy, Yes,

0:45:58.120 --> 0:46:03.040
<v Speaker 1>Chris Bright. So I was with you. You got me back.

0:46:04.040 --> 0:46:06.319
<v Speaker 1>You know how down I was? You were, you were

0:46:06.719 --> 0:46:11.360
<v Speaker 1>you were talking about Let's talk because that's the important

0:46:11.400 --> 0:46:13.640
<v Speaker 1>part of the R and B Money podcast, right because

0:46:13.760 --> 0:46:17.080
<v Speaker 1>everybody thinks this ship is just Rose Royces and Mansions

0:46:18.000 --> 0:46:20.600
<v Speaker 1>talking about was giving me money? Talk about that Will

0:46:20.719 --> 0:46:23.160
<v Speaker 1>Box's giving me money from his walkthrough it's just like

0:46:23.320 --> 0:46:26.520
<v Speaker 1>you need some and he would just break me off cash.

0:46:26.680 --> 0:46:29.720
<v Speaker 1>And what people don't understand is that we're talking about

0:46:29.800 --> 0:46:35.160
<v Speaker 1>an artist who had already platinum album absolutely but was

0:46:35.280 --> 0:46:39.239
<v Speaker 1>in a space where he didn't have the freedom to

0:46:39.360 --> 0:46:43.160
<v Speaker 1>continue to to feed himself and his family down like

0:46:43.280 --> 0:46:45.920
<v Speaker 1>where he was handcuffed. And this is the side of

0:46:45.960 --> 0:46:48.560
<v Speaker 1>the music business that we talked about, right, So I

0:46:48.640 --> 0:46:54.920
<v Speaker 1>get I'm I'm I'm building back up and Jamie calls

0:46:55.000 --> 0:46:57.440
<v Speaker 1>me out of the blue. It's like, I need you

0:46:57.440 --> 0:47:01.920
<v Speaker 1>to come to Miami. We're finishing this album. I said, what,

0:47:03.480 --> 0:47:05.880
<v Speaker 1>I'm on the way. We're talking about the unpredictable, predict

0:47:07.520 --> 0:47:10.640
<v Speaker 1>Miami Bad movie. But I still watch the movie to

0:47:10.680 --> 0:47:15.120
<v Speaker 1>this that I don't feel like. I don't do that

0:47:15.200 --> 0:47:16.840
<v Speaker 1>to you. I don't want you to anyone. I'm just

0:47:16.880 --> 0:47:18.120
<v Speaker 1>telling you. I watch it every time to come on.

0:47:18.200 --> 0:47:20.359
<v Speaker 1>I watched you, but don't do that and you give

0:47:20.400 --> 0:47:23.080
<v Speaker 1>you from anywhere. Um calls me, call me to Miami

0:47:23.280 --> 0:47:25.960
<v Speaker 1>and says we're finishing the album. And I go to

0:47:26.080 --> 0:47:30.000
<v Speaker 1>Miami and we do. I help him finish an unpredictable

0:47:30.040 --> 0:47:32.520
<v Speaker 1>album and we do. Damn this seven hundred thousand records

0:47:32.520 --> 0:47:36.080
<v Speaker 1>the first week. And I'm back and I'm like and

0:47:36.160 --> 0:47:39.880
<v Speaker 1>I'm like, I'm here, and they're like, that sounds like

0:47:39.920 --> 0:47:41.880
<v Speaker 1>you on that album. I said, Tank, it was you,

0:47:42.120 --> 0:47:48.480
<v Speaker 1>and Tank, here's the thing you wrote. I didn't write

0:47:48.480 --> 0:47:55.440
<v Speaker 1>a lot of rope. People. Oh, but that's the next

0:47:55.480 --> 0:48:00.600
<v Speaker 1>album bad. That wasn't We'll cut it and maybe you

0:48:00.760 --> 0:48:07.880
<v Speaker 1>make sense. Keep well, cut listen, you do something. And

0:48:07.920 --> 0:48:11.320
<v Speaker 1>I'm sitting and I'm like, damn, how do you do that?

0:48:12.160 --> 0:48:15.080
<v Speaker 1>And then I meet a kid named Chris Brown and

0:48:15.960 --> 0:48:18.080
<v Speaker 1>we're working and hooping together and I'm like, well you

0:48:18.120 --> 0:48:20.279
<v Speaker 1>can be cold call that man. I study everything you

0:48:20.360 --> 0:48:23.560
<v Speaker 1>do from credible and he goes millions and millions. And

0:48:23.600 --> 0:48:25.719
<v Speaker 1>then I meet a kid named Trey Songs weeping on

0:48:25.760 --> 0:48:27.600
<v Speaker 1>the road with chat and terror waiting for you know,

0:48:27.680 --> 0:48:29.520
<v Speaker 1>he's been waiting for this moment. He was like, bro,

0:48:29.600 --> 0:48:31.200
<v Speaker 1>I said, a whole summer, listen to the second nothing

0:48:31.200 --> 0:48:33.640
<v Speaker 1>pain every day. That's why I'm do you know who?

0:48:34.200 --> 0:48:35.840
<v Speaker 1>And I was like and I said, I got it,

0:48:36.880 --> 0:48:42.719
<v Speaker 1>and I stopped chasing. I stopped chasing the monetary validation,

0:48:43.400 --> 0:48:48.920
<v Speaker 1>and I started accepting my inspirational gift. I said, I'm here.

0:48:49.800 --> 0:48:53.359
<v Speaker 1>I'm here to Justine Timberlake bucks with you. I'm here

0:48:54.000 --> 0:48:56.440
<v Speaker 1>two kids exactly. But just did you hear what I

0:48:56.520 --> 0:48:59.600
<v Speaker 1>just said. I'm talking about a very popular white star.

0:49:01.200 --> 0:49:06.560
<v Speaker 1>The only one who take to me the toast is

0:49:07.520 --> 0:49:14.600
<v Speaker 1>to take wow and white stars that love you. The

0:49:14.760 --> 0:49:18.560
<v Speaker 1>white man loves you. So tell me this, though, Box,

0:49:20.239 --> 0:49:27.880
<v Speaker 1>Because I paid attention to your music career, right, I

0:49:28.040 --> 0:49:30.239
<v Speaker 1>fused with all the early ship you know what I'm saying, Like,

0:49:30.560 --> 0:49:33.520
<v Speaker 1>no bullshit, Like I really fused with the early ship.

0:49:33.680 --> 0:49:39.520
<v Speaker 1>So tell me how do you go from your first album? Um,

0:49:40.320 --> 0:49:43.479
<v Speaker 1>you break as a comedian right and then you say

0:49:43.960 --> 0:49:46.160
<v Speaker 1>I'm going to try it again. I'm gonna tell you

0:49:46.200 --> 0:49:49.480
<v Speaker 1>what happened this little black motherfucker that y'all know, the

0:49:51.200 --> 0:50:01.120
<v Speaker 1>little dark from the base right here, love bad motherfucker

0:50:01.360 --> 0:50:12.640
<v Speaker 1>that I've actually had a fight with. After Usher Concertscott,

0:50:13.320 --> 0:50:17.840
<v Speaker 1>Brian Prescott shout out. Me as an artist is different

0:50:17.880 --> 0:50:20.440
<v Speaker 1>because I always wanted to do music, but I started

0:50:20.480 --> 0:50:23.640
<v Speaker 1>out with stand up, ended up doing these sort of

0:50:23.719 --> 0:50:26.920
<v Speaker 1>like serious movies. But the thing that was just out

0:50:26.920 --> 0:50:29.080
<v Speaker 1>of reach was music. I would listen to you and Marvel.

0:50:29.800 --> 0:50:33.400
<v Speaker 1>So I run into Brian Prescott and we met playing basketball.

0:50:33.440 --> 0:50:35.920
<v Speaker 1>We had a forum for championship that we would do

0:50:36.000 --> 0:50:40.560
<v Speaker 1>with my house, um every every every holiday and him

0:50:40.640 --> 0:50:46.960
<v Speaker 1>and Jason the five nine. I keep it funky that nigga,

0:50:47.360 --> 0:50:50.520
<v Speaker 1>That nigga tough. He a tough guard and he's also

0:50:50.600 --> 0:50:56.400
<v Speaker 1>a tough he's also a tough music music partner. He's crazy.

0:50:58.400 --> 0:51:00.520
<v Speaker 1>Brian came to me and says, you should the music,

0:51:00.760 --> 0:51:03.799
<v Speaker 1>but stop being stop being funny. I said, what stop

0:51:03.920 --> 0:51:06.160
<v Speaker 1>being funny? He said, just sing the record. He said,

0:51:06.200 --> 0:51:08.600
<v Speaker 1>you're joking too much. So what happens is when you

0:51:08.719 --> 0:51:10.680
<v Speaker 1>joke too much, people to start to say like, oh,

0:51:11.239 --> 0:51:13.800
<v Speaker 1>he's not really serious about the music. So what he

0:51:13.920 --> 0:51:17.239
<v Speaker 1>did was he was able to find the songs. He says,

0:51:17.280 --> 0:51:19.520
<v Speaker 1>I want your song to be a hit before they

0:51:19.600 --> 0:51:21.800
<v Speaker 1>see who you are. He says, because I know that

0:51:21.880 --> 0:51:23.800
<v Speaker 1>there's something there. And he gave me his resume and

0:51:23.840 --> 0:51:27.200
<v Speaker 1>I was like, okay, that's that's that was fantastic, you know. Uh,

0:51:27.280 --> 0:51:30.920
<v Speaker 1>he worked with Maxwell and and and and and Stone

0:51:31.000 --> 0:51:33.120
<v Speaker 1>the people. He says, I want you to just just

0:51:33.239 --> 0:51:36.799
<v Speaker 1>sing the record, and so I did. And so by

0:51:36.920 --> 0:51:42.160
<v Speaker 1>doing that with um under Brion sort of Tutela is here.

0:51:42.239 --> 0:51:44.799
<v Speaker 1>We are at the band Alden house and people don't

0:51:44.880 --> 0:51:46.680
<v Speaker 1>understand that I did the parties for a reason. I

0:51:46.760 --> 0:51:48.560
<v Speaker 1>did the party so people could come to the house.

0:51:49.040 --> 0:51:51.440
<v Speaker 1>And Uh. At one party, it was a party for Puff.

0:51:51.800 --> 0:51:54.480
<v Speaker 1>Puff is there and there was a young guy by

0:51:54.520 --> 0:51:56.120
<v Speaker 1>the name of It was a young lady by the

0:51:56.160 --> 0:51:57.560
<v Speaker 1>name and m c l a. She had a room.

0:51:57.840 --> 0:51:59.360
<v Speaker 1>Puff had a room, and it was a guy standing

0:51:59.400 --> 0:52:01.680
<v Speaker 1>on the on the all nobody knew his name was

0:52:01.800 --> 0:52:04.760
<v Speaker 1>jay Z. I said, what's up. It's crazy. It's parties,

0:52:04.920 --> 0:52:07.600
<v Speaker 1>it's parties crazy, it's like a short of time. It's crazy.

0:52:07.640 --> 0:52:11.239
<v Speaker 1>I see it. It's crazy. Then it was a young

0:52:11.320 --> 0:52:14.080
<v Speaker 1>guy standing out in the garage. Smaller guy said, yo,

0:52:14.480 --> 0:52:16.200
<v Speaker 1>Yo bees parties like this all the time. I say,

0:52:16.239 --> 0:52:20.319
<v Speaker 1>who uses with the neptunes? My name is for I said.

0:52:21.560 --> 0:52:25.520
<v Speaker 1>During that time, Brion brought over this kid, Kanye West.

0:52:27.400 --> 0:52:29.879
<v Speaker 1>He said, this is a new guy. And Kanye comes

0:52:29.920 --> 0:52:32.000
<v Speaker 1>over and I challenge him. I said, well, when people

0:52:32.040 --> 0:52:34.200
<v Speaker 1>come over, you got you know, you got talent. Let's

0:52:34.200 --> 0:52:36.760
<v Speaker 1>hear what you do. He freestyle something that was amazing.

0:52:37.080 --> 0:52:40.040
<v Speaker 1>Brian says, funk all that. So what he said, does

0:52:40.080 --> 0:52:41.799
<v Speaker 1>that song? Tell him about the song? So we went

0:52:41.840 --> 0:52:44.120
<v Speaker 1>in the back where my studio was and we did

0:52:44.200 --> 0:52:46.839
<v Speaker 1>the song. Kanye said. The song goes like she says

0:52:46.880 --> 0:52:50.400
<v Speaker 1>she wants some mom and gang some new vanjos. So

0:52:50.760 --> 0:52:52.360
<v Speaker 1>I said, I got it. I got it. So I

0:52:52.400 --> 0:52:59.920
<v Speaker 1>started singing. She says she won't son. Yeah, He's like yo,

0:53:00.320 --> 0:53:03.600
<v Speaker 1>and call you was like, Yo, what you doing? He said,

0:53:04.160 --> 0:53:07.759
<v Speaker 1>I'm supposed to be. Brian says, yo, Yo sing the

0:53:07.840 --> 0:53:11.439
<v Speaker 1>song like he said, this is whack. It's never gonna work.

0:53:12.040 --> 0:53:15.239
<v Speaker 1>So I do sing it the way he said, I

0:53:15.360 --> 0:53:16.759
<v Speaker 1>go off and do a bad movie. I'll come back

0:53:17.080 --> 0:53:22.800
<v Speaker 1>and Brihannes like, how many? But I got friends, But

0:53:23.680 --> 0:53:29.120
<v Speaker 1>I got friends that would be like fine, friends, Fine,

0:53:29.719 --> 0:53:34.239
<v Speaker 1>I see what you're doing. You don't say yo, yeah,

0:53:34.840 --> 0:53:37.120
<v Speaker 1>but t Z will say when the movie is sucked up, Tank,

0:53:37.160 --> 0:53:39.439
<v Speaker 1>Tank will say, fines. I see what he was trying

0:53:39.480 --> 0:53:42.239
<v Speaker 1>to go with that. I see where you were trying

0:53:42.320 --> 0:53:45.960
<v Speaker 1>to go all the doing another fucking shot right now,

0:53:46.520 --> 0:53:49.640
<v Speaker 1>Do another fucking shot. If you're really about it, if

0:53:49.640 --> 0:53:52.840
<v Speaker 1>you really a man, if you really are if you

0:53:52.960 --> 0:53:55.080
<v Speaker 1>really out for do that fucking shot right now. It's

0:53:55.080 --> 0:53:57.360
<v Speaker 1>gonna be happy. Won't have enough looking for everybody? What

0:53:57.480 --> 0:54:00.759
<v Speaker 1>do you have whatever? Do that ship right the funk now.

0:54:02.320 --> 0:54:06.000
<v Speaker 1>And Jay Valentine, I'm gonna see you fighting. Bail money

0:54:06.040 --> 0:54:08.719
<v Speaker 1>in my pocket, Oh bro, I got bail money because

0:54:08.719 --> 0:54:12.160
<v Speaker 1>I know Dave Valentine gonna turn out this Lightian motherfuck

0:54:12.200 --> 0:54:17.040
<v Speaker 1>getting so dark year. No, listen, listen, let me tell

0:54:17.040 --> 0:54:20.680
<v Speaker 1>this story. We had we at all hold to light skin,

0:54:25.920 --> 0:54:33.880
<v Speaker 1>were Aday drop. We're in the bay a star super

0:54:38.880 --> 0:54:41.719
<v Speaker 1>We're listening. We're in the bay dooring super Bowl. Yeah,

0:54:41.960 --> 0:54:44.160
<v Speaker 1>every club he takes me to. Oh yeah, my cousin

0:54:44.200 --> 0:54:47.680
<v Speaker 1>he running every club. We're getting there. It's like fifteen

0:54:47.719 --> 0:54:53.400
<v Speaker 1>clubs is really deep in the deep in the streets.

0:54:53.600 --> 0:54:55.560
<v Speaker 1>So we get to one club, right, We settled in

0:54:55.760 --> 0:55:00.680
<v Speaker 1>and gainst us Chris browns Uliver, everybody rock Obama, Steph

0:55:00.719 --> 0:55:04.319
<v Speaker 1>Curry right there, Steph Curt, Steph Curry, all the life

0:55:04.400 --> 0:55:07.160
<v Speaker 1>and great guys. He by this time he got the

0:55:07.200 --> 0:55:10.680
<v Speaker 1>oil in them. He said, Tank, tell Steph come over

0:55:10.760 --> 0:55:12.759
<v Speaker 1>and take a picture with us if you want to

0:55:12.880 --> 0:55:16.080
<v Speaker 1>keep being safe in these streets. I said, what the fun?

0:55:16.320 --> 0:55:18.359
<v Speaker 1>I said, why are you gotta tell him too much?

0:55:18.800 --> 0:55:21.040
<v Speaker 1>I said, I gotta tell him the whole thing. Can

0:55:21.239 --> 0:55:24.920
<v Speaker 1>tell step bring on light, I gotta tell me. I said, hey,

0:55:25.000 --> 0:55:28.360
<v Speaker 1>step we'd like we'd love that's how you that's how

0:55:28.400 --> 0:55:33.439
<v Speaker 1>we love all get a photo with you? After he said,

0:55:33.520 --> 0:55:36.239
<v Speaker 1>After he said that, and did I say, see me,

0:55:36.640 --> 0:55:39.840
<v Speaker 1>don't through the motherfucker gang size need We got step

0:55:39.920 --> 0:55:43.960
<v Speaker 1>in the picture gang and there's a picture with all

0:55:44.040 --> 0:55:47.719
<v Speaker 1>of us and stuff like that. Why stuff looking like that?

0:55:48.400 --> 0:55:52.719
<v Speaker 1>Because they called me the next morning, like, man, why

0:55:52.800 --> 0:55:55.760
<v Speaker 1>did you he was out of control? Did he turned

0:55:55.760 --> 0:56:00.640
<v Speaker 1>me into the hite? But tell take this or if

0:56:00.680 --> 0:56:02.880
<v Speaker 1>you want to be safe out here, I said, I

0:56:03.800 --> 0:56:06.480
<v Speaker 1>can't tell him that. I don't want to save him

0:56:06.520 --> 0:56:09.000
<v Speaker 1>that anyway. So it's not a proud moment. That's not

0:56:09.320 --> 0:56:11.640
<v Speaker 1>you have Fox You have been at You have been

0:56:11.640 --> 0:56:14.120
<v Speaker 1>a depinnacle of everything as we close this out, you've

0:56:14.120 --> 0:56:18.840
<v Speaker 1>been a de pinnacle from Grammys to Oscars to imass too, everything.

0:56:20.760 --> 0:56:23.759
<v Speaker 1>What's next, t Z, I'm gonna be honest with you,

0:56:26.440 --> 0:56:29.960
<v Speaker 1>living living my life the way I live it. It's

0:56:30.040 --> 0:56:35.160
<v Speaker 1>like you and Jay, there's a certain there's a certain

0:56:35.239 --> 0:56:39.480
<v Speaker 1>thing whatever whatever whatever is next is do they like it?

0:56:40.280 --> 0:56:42.960
<v Speaker 1>M I constantly go like, and I've had a couple

0:56:43.239 --> 0:56:45.160
<v Speaker 1>Can I be honest with you, I've had a couple

0:56:45.200 --> 0:56:47.719
<v Speaker 1>of bumps when when I do some ship and y'all

0:56:47.760 --> 0:56:53.120
<v Speaker 1>go like, I remember, like not knowing this is gonna

0:56:53.160 --> 0:56:55.440
<v Speaker 1>sound so random to you, but you remember when we

0:56:55.520 --> 0:56:58.840
<v Speaker 1>was talking about these nuts. Yeah, and I didn't do

0:56:58.920 --> 0:57:05.400
<v Speaker 1>the joke right, Yeah? Remember that you said Foxes that

0:57:05.960 --> 0:57:10.360
<v Speaker 1>that has haunted me. Y'all was doing the joke so

0:57:10.560 --> 0:57:13.279
<v Speaker 1>great and I tried to do it and he was like,

0:57:13.560 --> 0:57:18.800
<v Speaker 1>are you fucking everything I love. Everything I love, or

0:57:18.880 --> 0:57:22.160
<v Speaker 1>everything I love, let's be honest, everything I love. I

0:57:22.240 --> 0:57:24.720
<v Speaker 1>didn't joke wrong and I didn't know that it was wrong.

0:57:24.800 --> 0:57:30.720
<v Speaker 1>And he said, that's not I said. I went like, no,

0:57:31.360 --> 0:57:33.600
<v Speaker 1>that's not. But you was so gracious with me, like

0:57:34.040 --> 0:57:37.000
<v Speaker 1>this old nigga, this older nigga just didn't know what

0:57:37.120 --> 0:57:42.480
<v Speaker 1>the fun was. I feel like I embarrassed myself a

0:57:42.600 --> 0:57:47.160
<v Speaker 1>lot in front of you. I'm a safe place work.

0:57:47.480 --> 0:57:50.680
<v Speaker 1>You want to safe place. I remember even at your wedding.

0:57:51.200 --> 0:57:56.000
<v Speaker 1>I think maybe I divorced two months. That's your wedding.

0:57:56.960 --> 0:57:59.400
<v Speaker 1>I told you about your wife like I wanted her

0:58:01.080 --> 0:58:02.760
<v Speaker 1>and the young ladies I was at the time. I

0:58:02.800 --> 0:58:12.160
<v Speaker 1>was like, come clean me what I say. I literally said,

0:58:12.680 --> 0:58:15.760
<v Speaker 1>I've never told you this. I sud up. He was

0:58:15.880 --> 0:58:18.560
<v Speaker 1>like he had a little sauce. I did. And I

0:58:18.680 --> 0:58:20.960
<v Speaker 1>was hoping that you didn't cause it because I was

0:58:21.000 --> 0:58:23.720
<v Speaker 1>so see and it's always your your your supporter. I

0:58:23.840 --> 0:58:27.280
<v Speaker 1>was like, I don't think I'm saying. You know, when

0:58:27.320 --> 0:58:30.000
<v Speaker 1>the nigger boys go up like that, you know, he lies.

0:58:33.000 --> 0:58:36.240
<v Speaker 1>I embarrassed myself. I didn't know, but I didn't say

0:58:36.280 --> 0:58:39.280
<v Speaker 1>it the right way. I wasn't saying that I want

0:58:39.320 --> 0:58:42.600
<v Speaker 1>to get tango game. He got the jump. That's what

0:58:42.680 --> 0:58:47.840
<v Speaker 1>I said. I'm like, okay, okay, pretty much, that's that's fine.

0:58:48.400 --> 0:58:51.160
<v Speaker 1>I was embarrassed. But listen, here's the thing. Before you've

0:58:51.160 --> 0:58:55.240
<v Speaker 1>been before, you've been right. I went far too. No,

0:58:56.200 --> 0:59:07.959
<v Speaker 1>you did because this girl, uh you know, I ain't

0:59:09.760 --> 0:59:14.440
<v Speaker 1>and me and Zeke we kind of get along. Bro, Bro, bro,

0:59:15.200 --> 0:59:17.000
<v Speaker 1>you know how much do you need pat? You know?

0:59:17.480 --> 0:59:21.320
<v Speaker 1>You know how much? Like like that, I said, some muscles.

0:59:22.560 --> 0:59:28.200
<v Speaker 1>That's just talking is mom and Grandmama was there. You

0:59:28.280 --> 0:59:31.480
<v Speaker 1>know what I'm saying. I'm not the only one sucking

0:59:31.560 --> 0:59:35.680
<v Speaker 1>up right now because the Balantie saved me. I did

0:59:36.800 --> 0:59:38.880
<v Speaker 1>for whatever means, and I think about this whole town.

0:59:40.480 --> 0:59:43.920
<v Speaker 1>For some reason, I do slip a little bit when

0:59:43.960 --> 0:59:47.960
<v Speaker 1>I'm around you. You have to stand with us. So

0:59:48.920 --> 0:59:51.240
<v Speaker 1>I didn't make that mistake. But I wasn't saying I

0:59:51.440 --> 0:59:54.800
<v Speaker 1>wanted your wife. But you understand what I'm saying. It

0:59:54.920 --> 0:59:58.160
<v Speaker 1>was like try, but I didn't say it the right way.

0:59:59.400 --> 1:00:03.840
<v Speaker 1>And listen me knowing you, I disagree because I know

1:00:04.160 --> 1:00:07.040
<v Speaker 1>you know what I'm saying is outside looking When I

1:00:07.200 --> 1:00:12.200
<v Speaker 1>got back to my day. Yeah, it was like turn

1:00:12.280 --> 1:00:16.600
<v Speaker 1>on playmate and like fine, I left, look like here's

1:00:16.600 --> 1:00:18.520
<v Speaker 1>the thing. But you were like, well, I got back

1:00:18.520 --> 1:00:24.000
<v Speaker 1>on the y. I said, but why would you know?

1:00:24.120 --> 1:00:26.720
<v Speaker 1>It wasn't that I wasn't trying to listen. And who

1:00:26.720 --> 1:00:28.960
<v Speaker 1>I remember was dancing on the dance floord and girls

1:00:29.040 --> 1:00:31.959
<v Speaker 1>being like, why won't she come out the corner? Oh

1:00:32.440 --> 1:00:39.160
<v Speaker 1>my god, they're doing this. Oh. It was so funck up.

1:00:39.680 --> 1:00:42.960
<v Speaker 1>But at the same time I was with family and

1:00:43.040 --> 1:00:46.360
<v Speaker 1>a taste of so we had a good time. So

1:00:46.480 --> 1:00:48.959
<v Speaker 1>what's next? I spilled some of this ship. You're gonna

1:00:49.400 --> 1:00:51.960
<v Speaker 1>you're gonna figure out're gonna always have something next. So

1:00:52.120 --> 1:00:55.480
<v Speaker 1>the part of the show is called I Ain't saying

1:00:55.560 --> 1:01:01.240
<v Speaker 1>no Names. Okay, let's go you you no no listen

1:01:01.280 --> 1:01:07.240
<v Speaker 1>to say everybody don't warn baby Denzel Washington he was there,

1:01:08.880 --> 1:01:17.000
<v Speaker 1>No no, Kanye, listen, I'm gonna say everybody's name. It

1:01:17.280 --> 1:01:26.680
<v Speaker 1>was brought Roger Bottom and if there's any in the case, um,

1:01:28.000 --> 1:01:32.000
<v Speaker 1>it's don't say no names. Bucks on the segments called.

1:01:32.600 --> 1:01:34.520
<v Speaker 1>The segment is called I'm Gonna say it all No,

1:01:34.680 --> 1:01:37.880
<v Speaker 1>No No. The segment is called Maga no Stallion Name

1:01:39.680 --> 1:01:44.360
<v Speaker 1>tell the story Names. So the segment is called Ain't

1:01:44.520 --> 1:01:53.200
<v Speaker 1>saying no name name Fox. Okay, well listen you mother Fox.

1:01:53.440 --> 1:01:55.640
<v Speaker 1>You can do what you want to do back not

1:01:55.800 --> 1:02:00.480
<v Speaker 1>giving two focks, but the name of the segment and

1:02:01.160 --> 1:02:04.800
<v Speaker 1>the story can be funny, fucked up. Okay, here we go.

1:02:05.000 --> 1:02:08.320
<v Speaker 1>Industry story, got it? You want me to start it?

1:02:08.840 --> 1:02:12.080
<v Speaker 1>Your story? It's your story. I Ain't saying no names

1:02:12.560 --> 1:02:17.560
<v Speaker 1>in the hotel room, hotel with a very prominent actress,

1:02:18.000 --> 1:02:21.280
<v Speaker 1>and she was doing cocaine. I was it. I watch it.

1:02:22.280 --> 1:02:28.120
<v Speaker 1>I was. I was not doing that because I don't

1:02:28.160 --> 1:02:31.120
<v Speaker 1>believe in it, because of my believe I don't do

1:02:31.200 --> 1:02:34.640
<v Speaker 1>that because of my religious believe But she does the cocaine.

1:02:35.120 --> 1:02:38.919
<v Speaker 1>She says, I'm a bad mother. She says a bad mother.

1:02:39.320 --> 1:02:42.160
<v Speaker 1>And then she goes, wow, I didn't think I would

1:02:42.200 --> 1:02:45.840
<v Speaker 1>be in this room doing cocaine with Rick Fox. She

1:02:46.000 --> 1:02:48.240
<v Speaker 1>thought it was Rick though the whole fucking night, Bro,

1:02:50.880 --> 1:02:53.000
<v Speaker 1>she thought I was Rick Fox. I was like, I'm

1:02:53.080 --> 1:02:57.520
<v Speaker 1>not light skinned with good hair, Like, hey, whatever the coat,

1:02:58.000 --> 1:03:01.160
<v Speaker 1>I don't want what this this young lady? All night

1:03:01.440 --> 1:03:04.480
<v Speaker 1>bro from seven thirty think about what I'm telling you

1:03:04.520 --> 1:03:08.200
<v Speaker 1>seven thirties where you get dressed tank, that's what I'm saying,

1:03:08.960 --> 1:03:11.080
<v Speaker 1>when you get dressed to hang out with somebody seven thirties,

1:03:11.600 --> 1:03:19.000
<v Speaker 1>seven thirty tank, take tank, seven thirties, a date in Hollywood,

1:03:19.080 --> 1:03:24.560
<v Speaker 1>seven thirties, very early. We'll meet at seventh thirties. She's

1:03:24.600 --> 1:03:28.200
<v Speaker 1>already high as we hang out. When she came high.

1:03:29.080 --> 1:03:33.120
<v Speaker 1>It's Hollywood. That's what we're supposed to do. That's what

1:03:33.200 --> 1:03:35.040
<v Speaker 1>we're supposed to. I don't know. I don't do it.

1:03:36.280 --> 1:03:40.959
<v Speaker 1>We're hanging out. She's fucking going nuts. She's going fucking nuts.

1:03:41.160 --> 1:03:43.880
<v Speaker 1>We're in a hotel room at this very prominent hotel.

1:03:44.240 --> 1:03:48.040
<v Speaker 1>She goes, you can shout out the hotel here. She's

1:03:48.080 --> 1:03:52.920
<v Speaker 1>just I'm a bad hotel. No bro, it was alrumatized,

1:03:54.040 --> 1:04:04.120
<v Speaker 1>amatize Peninsula, big time money, big star, put your name

1:04:04.160 --> 1:04:06.320
<v Speaker 1>on it. What happened is this. I'm pulling up in

1:04:06.400 --> 1:04:09.600
<v Speaker 1>my my limo. She jumps on my limo thinking of

1:04:09.680 --> 1:04:15.640
<v Speaker 1>somebody else's I'm like, fucking god, what am I doing?

1:04:16.000 --> 1:04:20.400
<v Speaker 1>I said, I don't know. I can't believe you fucking serious.

1:04:20.760 --> 1:04:22.919
<v Speaker 1>I don't know. Let's just hangs. So we just rolled

1:04:23.000 --> 1:04:26.520
<v Speaker 1>up and down sunset. She gets it, and then when

1:04:26.560 --> 1:04:30.400
<v Speaker 1>we get back to your place, I cannot fucking believe

1:04:30.480 --> 1:04:37.600
<v Speaker 1>I'm with Rick Fox. I was like, yeah, that's all

1:04:37.640 --> 1:04:40.880
<v Speaker 1>I'm telling you. She thought it was Rick Fox. Shout

1:04:40.880 --> 1:04:45.800
<v Speaker 1>out to Rick Fox, my life getting friends, you be

1:04:46.240 --> 1:04:49.480
<v Speaker 1>it on. This has been money. Don't you run from it.

1:04:49.720 --> 1:05:01.120
<v Speaker 1>I'm saying, is j right? Okay? Nick right? Bookcases don't

1:05:01.120 --> 1:05:04.120
<v Speaker 1>know I'm put kids on all you put kids are

1:05:04.120 --> 1:05:09.920
<v Speaker 1>all you nigga program. She literally said, I'm hanging with

1:05:10.040 --> 1:05:13.840
<v Speaker 1>Rick Fox. I said, why, It's amazing, it's amazing. The

1:05:14.000 --> 1:05:20.840
<v Speaker 1>aftermaths of Jamie Fox, everybody was that leg entertainer of

1:05:21.000 --> 1:05:26.840
<v Speaker 1>all funs, hands out, not even thought they go, not

1:05:26.960 --> 1:05:29.840
<v Speaker 1>even thought, Jamie, my fucking Fox, we don't be money