1 00:00:00,440 --> 00:00:02,520 Speaker 1: Wake that ass up in the morning. 2 00:00:02,640 --> 00:00:03,680 Speaker 2: The Breakfast Club. 3 00:00:04,960 --> 00:00:08,280 Speaker 3: Morning, everybody, It's d J n V jes Cela Rischelam 4 00:00:08,320 --> 00:00:09,960 Speaker 3: and the guy. We are the Breakfast Club. We got 5 00:00:10,000 --> 00:00:10,800 Speaker 3: a special guest. 6 00:00:10,640 --> 00:00:13,040 Speaker 2: In the building. It's not a guest, man, this is 7 00:00:13,039 --> 00:00:16,080 Speaker 2: our guy. Family, Okay, this is our guy. This is 8 00:00:16,120 --> 00:00:17,160 Speaker 2: the first guest. 9 00:00:17,320 --> 00:00:20,959 Speaker 4: You see yourself when whatever in the studio here at 10 00:00:21,000 --> 00:00:22,880 Speaker 4: the Breakfast Club, and first guest. 11 00:00:22,960 --> 00:00:24,920 Speaker 2: And it was our first big viral moment. 12 00:00:25,000 --> 00:00:28,160 Speaker 4: Also that I'm talking aboutations. 13 00:00:28,720 --> 00:00:29,360 Speaker 1: Can you hear me? 14 00:00:29,880 --> 00:00:31,440 Speaker 2: It was very important to preface with that. 15 00:00:31,960 --> 00:00:34,640 Speaker 3: You hear me, ladies and gentlemen. Right, J is in 16 00:00:34,680 --> 00:00:35,120 Speaker 3: the building. 17 00:00:35,800 --> 00:00:39,200 Speaker 1: Hey, I love man. I'm so happy to see y'all. 18 00:00:39,200 --> 00:00:42,480 Speaker 1: I'm just holding it in. Happy to see you. 19 00:00:42,640 --> 00:00:45,400 Speaker 5: Thank you, may to You know what I like? 20 00:00:45,479 --> 00:00:48,159 Speaker 1: I like the after the after one you do, it's 21 00:00:48,240 --> 00:00:50,800 Speaker 1: after the after. I love here. What did you do? 22 00:00:50,840 --> 00:00:50,920 Speaker 6: One? 23 00:00:51,000 --> 00:00:51,519 Speaker 1: That's oh yeah? 24 00:00:51,640 --> 00:00:52,040 Speaker 5: Uncut? 25 00:00:52,120 --> 00:00:53,639 Speaker 1: Oh my goodness. Cut. 26 00:00:54,800 --> 00:00:56,160 Speaker 2: What's happening? Willie up? 27 00:00:56,200 --> 00:00:56,320 Speaker 7: Man? 28 00:00:56,360 --> 00:00:59,800 Speaker 1: We gotta do network? 29 00:00:59,800 --> 00:01:02,640 Speaker 2: What happened with raycon Nothing? 30 00:01:02,680 --> 00:01:05,480 Speaker 1: It's just you know, we we we've reached like a 31 00:01:05,480 --> 00:01:09,160 Speaker 1: certain height, right and I think that they can definitely 32 00:01:09,720 --> 00:01:12,319 Speaker 1: continue to move mountains with the company going into like 33 00:01:12,400 --> 00:01:15,840 Speaker 1: you know, home products and stuff like that, and I 34 00:01:16,040 --> 00:01:18,319 Speaker 1: always just like to have fun. Like if it's not 35 00:01:18,480 --> 00:01:20,880 Speaker 1: fun and it's a little too critical or a little 36 00:01:20,880 --> 00:01:24,399 Speaker 1: too exhausting, which it wasn't, but just to be in 37 00:01:24,440 --> 00:01:27,880 Speaker 1: an arena like starting our own network, you know, twenty 38 00:01:27,920 --> 00:01:31,680 Speaker 1: years in that space, and our expertise and knowledge and 39 00:01:31,720 --> 00:01:34,280 Speaker 1: the way we shoot stuff and our story arts everything 40 00:01:34,720 --> 00:01:37,679 Speaker 1: is probably to me better than everything that's out there now. 41 00:01:37,760 --> 00:01:40,440 Speaker 2: So so you still have equity in Raycon. No, no, no, 42 00:01:43,720 --> 00:01:44,200 Speaker 2: like that. 43 00:01:44,200 --> 00:01:46,880 Speaker 4: That brand is that brand because of you. But he 44 00:01:46,920 --> 00:01:48,400 Speaker 4: built it, so you sold it. 45 00:01:49,080 --> 00:01:51,600 Speaker 1: Yeah, well I sold I sold it back to Raycon. 46 00:01:52,360 --> 00:01:54,400 Speaker 1: I sold it back to Raycon. You know, it wasn't 47 00:01:54,440 --> 00:01:58,920 Speaker 1: for sale for another investor to come in. I know, 48 00:01:59,000 --> 00:02:01,200 Speaker 1: That's what I was saying. And then I needed the 49 00:02:01,240 --> 00:02:02,400 Speaker 1: lotion and the brush. 50 00:02:02,720 --> 00:02:05,040 Speaker 5: You don't need the brush, and I was in my bag. 51 00:02:05,120 --> 00:02:09,280 Speaker 1: Now I'm just like you know what, I'm good. I'm like, 52 00:02:10,080 --> 00:02:11,800 Speaker 1: no you no, no, no, no, I just I just 53 00:02:12,240 --> 00:02:14,000 Speaker 1: when I go to the bathroom, I wash my hand. 54 00:02:14,360 --> 00:02:16,280 Speaker 2: Go. You got you got you got, you got, you got, 55 00:02:16,320 --> 00:02:17,880 Speaker 2: you got, you got, you got you. 56 00:02:17,919 --> 00:02:19,920 Speaker 1: So what's the name of this network that you the 57 00:02:20,000 --> 00:02:22,679 Speaker 1: network is called the Tronics Network. 58 00:02:23,080 --> 00:02:24,880 Speaker 2: How'd you come up to that name. It's not that 59 00:02:25,120 --> 00:02:30,200 Speaker 2: you do it up your skin down. You got to 60 00:02:30,240 --> 00:02:35,760 Speaker 2: do it when what so call. 61 00:02:35,760 --> 00:02:39,040 Speaker 1: The Tronics network the Tronics network because it's we look 62 00:02:39,040 --> 00:02:40,880 Speaker 1: at the tron as like a matrix, you know what 63 00:02:40,880 --> 00:02:44,360 Speaker 1: I'm saying, like a manifestation tool. That's the only reason 64 00:02:44,360 --> 00:02:47,040 Speaker 1: why we're still here is just because of prayer and 65 00:02:47,760 --> 00:02:52,400 Speaker 1: manifestation and making adjustments when you make mistakes and for growth. 66 00:02:53,040 --> 00:02:55,399 Speaker 1: I'm so Tronics. You know, I had the Rate Tronics 67 00:02:55,800 --> 00:02:58,400 Speaker 1: company before we sold Scootie Bike, and we just we 68 00:02:58,800 --> 00:03:02,280 Speaker 1: felt like the tron was speaking to us from the eloheen. 69 00:03:03,040 --> 00:03:08,440 Speaker 1: And so you know, Tronic's network is that digital ratchet 70 00:03:08,520 --> 00:03:13,120 Speaker 1: reality network. That's that's at the cutting edge of the change. 71 00:03:13,520 --> 00:03:15,519 Speaker 2: Competing with Zeus, Well, if I'm. 72 00:03:15,360 --> 00:03:20,440 Speaker 1: Competing with Zeus, I'll be competing with myself. That I'm 73 00:03:20,480 --> 00:03:25,160 Speaker 1: just saying. I mean, I remember Bow Wow and I 74 00:03:25,280 --> 00:03:28,240 Speaker 1: was we pulled up and I was talking about working 75 00:03:28,240 --> 00:03:30,520 Speaker 1: with Zeus and then how I was going big, I'm like, 76 00:03:30,560 --> 00:03:32,800 Speaker 1: that's my people, We're partner, you know what I'm saying. 77 00:03:32,800 --> 00:03:35,640 Speaker 1: That's that was the beginning. That was the beginning of 78 00:03:35,840 --> 00:03:40,600 Speaker 1: their kind of people started to recognize Zeus when we 79 00:03:40,640 --> 00:03:43,840 Speaker 1: did the conversation. We started with the conversation. We gave 80 00:03:43,920 --> 00:03:48,320 Speaker 1: Zeus their first fight, which sounds a little but we 81 00:03:48,400 --> 00:03:51,000 Speaker 1: gave Zeus their first fight, which was Rolely and Mangina 82 00:03:51,120 --> 00:03:55,560 Speaker 1: Managina's on our new network, and then their other biggest fight. 83 00:03:55,600 --> 00:03:57,440 Speaker 1: These are the things that kind of ignited them to 84 00:03:57,520 --> 00:04:02,040 Speaker 1: kind of drive the narrative. Narrative that a Hazel Lee 85 00:04:02,400 --> 00:04:05,000 Speaker 1: and Masika. Right, so those two things, you saw this 86 00:04:05,080 --> 00:04:07,680 Speaker 1: big flux go up and then and then it all, 87 00:04:07,920 --> 00:04:12,560 Speaker 1: it all, you know, Nope, nope, And you know we 88 00:04:12,560 --> 00:04:15,520 Speaker 1: want shows, Yeah, we have the best shows, like even baddies, 89 00:04:15,800 --> 00:04:17,960 Speaker 1: like I mean, a lot of a lot of people 90 00:04:18,000 --> 00:04:19,280 Speaker 1: get amnesia. 91 00:04:19,880 --> 00:04:20,800 Speaker 3: You said competing with yourself. 92 00:04:20,880 --> 00:04:25,359 Speaker 1: It seem like, yeah, we're not competing against myself as ownership, 93 00:04:25,360 --> 00:04:29,719 Speaker 1: but we did this network not solely to compete against Zeus, 94 00:04:30,640 --> 00:04:32,720 Speaker 1: but to just give you a balance of what it 95 00:04:32,760 --> 00:04:35,520 Speaker 1: looks like. Right, So you got all of this, but 96 00:04:35,600 --> 00:04:38,080 Speaker 1: if we give you that same kind of intensity with 97 00:04:38,160 --> 00:04:41,239 Speaker 1: a with a story arc that leads you somewhere, whether 98 00:04:41,279 --> 00:04:45,400 Speaker 1: it's emotional or crying, or or happy or whatever it is, educational. 99 00:04:46,000 --> 00:04:48,200 Speaker 1: Something has to be there to create the story so 100 00:04:48,279 --> 00:04:52,080 Speaker 1: people can follow something. If not, then for me, I don't, 101 00:04:52,120 --> 00:04:54,720 Speaker 1: I just don't. I don't. I don't do that kind 102 00:04:54,760 --> 00:04:56,919 Speaker 1: of show. And I want to show people like what 103 00:04:57,000 --> 00:04:59,680 Speaker 1: a ratchet show and a balanced show looks like at 104 00:04:59,680 --> 00:05:00,240 Speaker 1: the same. 105 00:05:01,760 --> 00:05:01,920 Speaker 2: Yeah. 106 00:05:02,000 --> 00:05:03,680 Speaker 4: Well, lastly R and B if you think about it, 107 00:05:04,080 --> 00:05:06,160 Speaker 4: R and B ratchet and balanced. 108 00:05:06,480 --> 00:05:14,800 Speaker 1: Wow mm hmmm, we're brainstorm it, you know. Yo. We 109 00:05:14,920 --> 00:05:18,280 Speaker 1: have one show. I haven't called you guys, uh to 110 00:05:18,320 --> 00:05:20,600 Speaker 1: tell you about it, but you guys start the show off. 111 00:05:20,600 --> 00:05:23,840 Speaker 1: It's it's the Breakfast Club Kicks. It's like, you guys 112 00:05:23,920 --> 00:05:25,000 Speaker 1: are in. It's like, how do. 113 00:05:24,960 --> 00:05:25,280 Speaker 2: We start it? 114 00:05:25,279 --> 00:05:26,240 Speaker 3: If you didn't tell us about it? 115 00:05:26,560 --> 00:05:27,720 Speaker 2: We don't know anything about this, right. 116 00:05:28,600 --> 00:05:32,719 Speaker 1: So it's a really good show, right, So it's called 117 00:05:32,760 --> 00:05:34,640 Speaker 1: The Fight Club. I'm gonna show you guys, it's a 118 00:05:34,720 --> 00:05:36,320 Speaker 1: really good show and then you will see what it's like. 119 00:05:36,440 --> 00:05:40,080 Speaker 1: I mean, it's like fighting. Yeah, yeah, it's people fighting. 120 00:05:40,120 --> 00:05:42,000 Speaker 1: But that show is catered for that. So there's a 121 00:05:42,080 --> 00:05:44,200 Speaker 1: lot of other shows, like we have Insight the Network, 122 00:05:44,240 --> 00:05:47,120 Speaker 1: we have going on in Safari, we have uh, the 123 00:05:47,160 --> 00:05:50,240 Speaker 1: Girls Club, the Cookoff, Like we have shows like that 124 00:05:50,279 --> 00:05:53,559 Speaker 1: but then just like the conversation, I felt like people 125 00:05:53,600 --> 00:05:56,279 Speaker 1: were like teasing you and then they started to get 126 00:05:56,279 --> 00:05:58,960 Speaker 1: to this deep conversation when we did it, just let's 127 00:05:59,000 --> 00:05:59,640 Speaker 1: go right into it. 128 00:06:00,120 --> 00:06:03,240 Speaker 2: The balance in Fight Club, though, the balance in. 129 00:06:03,279 --> 00:06:07,560 Speaker 1: Fight Club is the comedic, like Edit with the Fighter 130 00:06:07,640 --> 00:06:15,720 Speaker 1: right balance, I wouldst because I think there there isn't 131 00:06:15,720 --> 00:06:20,440 Speaker 1: a balance in trying to create another story only to 132 00:06:20,640 --> 00:06:23,680 Speaker 1: end at the fight right. It's straight about what it is, 133 00:06:23,720 --> 00:06:26,640 Speaker 1: but it's it's comedic, it's refreshing. The jokes are going, 134 00:06:26,680 --> 00:06:30,320 Speaker 1: so when you're watching it, you're not like disgusted if 135 00:06:30,360 --> 00:06:32,320 Speaker 1: you were just to watch it and play, which we 136 00:06:32,400 --> 00:06:35,880 Speaker 1: do have all the bonus footages on Uh, we have 137 00:06:35,960 --> 00:06:38,520 Speaker 1: the bonus footage on all the shows. You get like 138 00:06:38,560 --> 00:06:40,080 Speaker 1: five or six clips and you can just watch it 139 00:06:40,120 --> 00:06:43,640 Speaker 1: on edit. I watch a subscription, but it's premium. This 140 00:06:43,720 --> 00:06:48,400 Speaker 1: is the premium stuff. Say ship, I can't premium ship. 141 00:06:48,960 --> 00:06:53,799 Speaker 8: Any scripted drama any like any you know, comedy shows 142 00:06:53,839 --> 00:06:55,080 Speaker 8: like any because. 143 00:06:54,800 --> 00:06:56,200 Speaker 5: You you do a lot of things. 144 00:06:56,600 --> 00:07:00,520 Speaker 1: Yeah, well, we we're we're creating as we go. I 145 00:07:00,560 --> 00:07:02,480 Speaker 1: have like eight shows, so the eight shows that come 146 00:07:02,520 --> 00:07:05,719 Speaker 1: out are dating. It's inso like the network it's it's 147 00:07:06,320 --> 00:07:09,640 Speaker 1: a big transgender show, The Girls Club. We also have 148 00:07:09,720 --> 00:07:12,880 Speaker 1: the gags the Girls Club, and then there's another. 149 00:07:12,760 --> 00:07:15,200 Speaker 2: Do they want to be called that? Have you branded 150 00:07:15,200 --> 00:07:15,640 Speaker 2: that by them? 151 00:07:15,640 --> 00:07:18,400 Speaker 1: Absolutely? I mean I run it by everybody. And one 152 00:07:18,400 --> 00:07:21,120 Speaker 1: thing that I don't do is my mission isn't to 153 00:07:21,120 --> 00:07:24,240 Speaker 1: make the reality start look bad because I'm in the 154 00:07:24,280 --> 00:07:26,880 Speaker 1: same position and what I'm here to do is to 155 00:07:27,000 --> 00:07:30,120 Speaker 1: ignite the numbers so our points could be on the 156 00:07:30,120 --> 00:07:31,880 Speaker 1: board like basketball players. 157 00:07:32,240 --> 00:07:33,880 Speaker 3: So what's the Girls Club? Break that down? 158 00:07:34,000 --> 00:07:39,119 Speaker 1: It's thirteen transgenders. Transgender women are super cool, they're super lit, 159 00:07:39,160 --> 00:07:43,280 Speaker 1: and they're in there to tell their story and to survive, 160 00:07:43,960 --> 00:07:46,920 Speaker 1: you know, this big moment and you know, make a 161 00:07:47,000 --> 00:07:50,400 Speaker 1: name for themselves. And it's one of the loudest shows 162 00:07:50,440 --> 00:07:53,640 Speaker 1: we have. Sydney Stars the star as she helped put 163 00:07:53,640 --> 00:07:56,600 Speaker 1: that together with me and it started off with her 164 00:07:56,640 --> 00:07:59,400 Speaker 1: trying to do an audition show a love show in 165 00:07:59,480 --> 00:08:05,480 Speaker 1: Atlanta and dude attempted murder like seventeen shots like popped 166 00:08:05,480 --> 00:08:08,400 Speaker 1: off and it's like, yeah, it was great, it's it's in, 167 00:08:08,520 --> 00:08:11,840 Speaker 1: It's in there on camera. Yeah. Shout out to the 168 00:08:11,960 --> 00:08:15,000 Speaker 1: Rod from the Gagency, Shout out to the Gagency as well. 169 00:08:15,040 --> 00:08:18,440 Speaker 2: What the hell eagency a gay agency? Yeah? Yeah, so 170 00:08:18,520 --> 00:08:19,600 Speaker 2: listen what this show is there? 171 00:08:19,640 --> 00:08:21,960 Speaker 4: Like it's like a survival show or is it like 172 00:08:22,000 --> 00:08:23,800 Speaker 4: a theme like what is it? 173 00:08:23,800 --> 00:08:27,600 Speaker 1: It's it's similar to like we did Bad Girls Club 174 00:08:27,680 --> 00:08:30,000 Speaker 1: with with Oxygen, we did Bad Girls All Star Battle, 175 00:08:30,040 --> 00:08:33,440 Speaker 1: but it was it's just similar to the Bad Girls 176 00:08:33,480 --> 00:08:36,360 Speaker 1: you know. So that that proves to you that Natalie 177 00:08:36,400 --> 00:08:38,880 Speaker 1: and I worked together a long time ago, so I 178 00:08:38,920 --> 00:08:40,640 Speaker 1: was able to hit her, tell her love and hip 179 00:08:40,679 --> 00:08:43,640 Speaker 1: hop Hollywood wasn't really coming back. I think you should 180 00:08:43,640 --> 00:08:46,040 Speaker 1: work with Zeus. It's a good play for you. You'll 181 00:08:46,080 --> 00:08:49,640 Speaker 1: have power control ep all of that and boom, you 182 00:08:49,640 --> 00:08:50,040 Speaker 1: know what I mean. 183 00:08:50,520 --> 00:08:53,640 Speaker 4: You're about to steal all Lee's all Lee's thunder. You're 184 00:08:53,640 --> 00:08:56,040 Speaker 4: about to take all of those people you would have said, Hey, 185 00:08:56,040 --> 00:08:56,640 Speaker 4: go over there to Lee. 186 00:08:56,720 --> 00:09:05,200 Speaker 2: You're taking for yourself now exactly. Yes, that's the name right. 187 00:09:06,880 --> 00:09:07,080 Speaker 7: Yeah. 188 00:09:07,080 --> 00:09:09,440 Speaker 1: Because my other co founded from Raycon is released, I 189 00:09:09,480 --> 00:09:10,679 Speaker 1: was like, you know. 190 00:09:11,720 --> 00:09:14,839 Speaker 3: Got you so now recently on some on some other news, 191 00:09:14,880 --> 00:09:17,640 Speaker 3: I was looking at TMC. They robbed your cars, they 192 00:09:17,679 --> 00:09:19,640 Speaker 3: stole your calls, missing. 193 00:09:19,920 --> 00:09:21,240 Speaker 5: Like what out of nowhere? 194 00:09:23,880 --> 00:09:25,280 Speaker 2: From where? 195 00:09:25,360 --> 00:09:29,520 Speaker 1: Right on our moment they it's in they're in Reno 196 00:09:29,679 --> 00:09:33,880 Speaker 1: right now. The car and we landed. When did we 197 00:09:33,960 --> 00:09:36,679 Speaker 1: land We landed sometime in the middle of the night somewhere. 198 00:09:37,160 --> 00:09:39,600 Speaker 1: But the cars were supposed to pull up, pick us up. 199 00:09:39,760 --> 00:09:41,520 Speaker 1: You know, we had we had the suits, and we 200 00:09:41,520 --> 00:09:44,080 Speaker 1: was gonna go corporate. And then it's just kind of like, 201 00:09:44,200 --> 00:09:46,120 Speaker 1: you know what I'm saying, somebody transported them and then 202 00:09:46,120 --> 00:09:47,840 Speaker 1: they stopped answering the phone and we tracked the cars 203 00:09:47,840 --> 00:09:50,240 Speaker 1: and they was in Reno. I like this casino and 204 00:09:50,320 --> 00:09:50,800 Speaker 1: chop shop. 205 00:09:50,920 --> 00:09:51,559 Speaker 2: They were yours. 206 00:09:51,920 --> 00:09:55,720 Speaker 1: They were mine. So I bought one and uh truth, 207 00:09:55,760 --> 00:09:58,400 Speaker 1: who is my business partner. He's the one that helped 208 00:09:58,440 --> 00:10:01,160 Speaker 1: me close the deal with Raycon. He bought him one, 209 00:10:01,960 --> 00:10:03,520 Speaker 1: and we were just like, you know what I'm saying, 210 00:10:03,640 --> 00:10:05,079 Speaker 1: just feeling good to come to New York. You know 211 00:10:05,120 --> 00:10:05,560 Speaker 1: what I'm saying. 212 00:10:06,120 --> 00:10:09,760 Speaker 4: Now your contract was, man, come on, because I'm looking 213 00:10:09,800 --> 00:10:11,360 Speaker 4: at like I've known you for a while. I could 214 00:10:11,400 --> 00:10:13,160 Speaker 4: tell when the things get a little bit different, you 215 00:10:13,160 --> 00:10:14,800 Speaker 4: know what I'm saying. Look like you got a new headline, 216 00:10:15,160 --> 00:10:17,600 Speaker 4: look like you've been doing Olympic You an Olympic gold medalist. 217 00:10:17,640 --> 00:10:24,720 Speaker 4: Now I'm telling you. 218 00:10:24,840 --> 00:10:32,400 Speaker 1: Zam bing that's not what I won't do Oxampic. I'm cool. 219 00:10:32,840 --> 00:10:35,000 Speaker 1: I don't do Osempic, but I know some people that do. 220 00:10:36,960 --> 00:10:37,679 Speaker 2: This is nice. 221 00:10:37,720 --> 00:10:39,400 Speaker 3: He lost celebrate right because remember the last time you 222 00:10:39,400 --> 00:10:40,240 Speaker 3: said you took up your shirt. 223 00:10:40,920 --> 00:10:43,640 Speaker 2: Yeah, I've seen it, dude, that's what that's what motivated you. 224 00:10:43,720 --> 00:10:46,120 Speaker 2: Yeah side boops, you. 225 00:10:46,000 --> 00:10:48,080 Speaker 1: Saw I was trying to us to be trying to 226 00:10:48,120 --> 00:10:51,400 Speaker 1: hide him, and they were just like still there cut 227 00:10:51,440 --> 00:11:09,520 Speaker 1: to that clip. Wow, look at me. I love this point. 228 00:11:09,559 --> 00:11:12,280 Speaker 1: But the check was nice though, you know it was 229 00:11:13,200 --> 00:11:16,960 Speaker 1: it was in another like world because I feel like 230 00:11:17,000 --> 00:11:20,400 Speaker 1: we did so much like it was so hard to 231 00:11:20,720 --> 00:11:26,280 Speaker 1: just break the code and understand you know, technology and hardware, 232 00:11:26,440 --> 00:11:28,520 Speaker 1: you know, the three PO services you need or the 233 00:11:28,520 --> 00:11:33,440 Speaker 1: warehouse is customer service. Uh, the CMO has to be right, 234 00:11:33,520 --> 00:11:35,199 Speaker 1: the CFO has to be right. 235 00:11:35,320 --> 00:11:35,520 Speaker 5: Right. 236 00:11:35,760 --> 00:11:37,920 Speaker 1: So even with this new company, like I'm starting it 237 00:11:37,920 --> 00:11:41,920 Speaker 1: out one hundred percent bootstrap, full control with my team, 238 00:11:41,960 --> 00:11:44,040 Speaker 1: but eventually as it grows, I'm gonna have to do 239 00:11:44,080 --> 00:11:47,559 Speaker 1: the right hires so the company can start being on autopilot. 240 00:11:47,679 --> 00:11:49,880 Speaker 1: You know, I just I just want to this time, 241 00:11:49,880 --> 00:11:52,920 Speaker 1: when we get to a certain point, let us continue 242 00:11:52,960 --> 00:11:55,280 Speaker 1: to you know, let us continue to steer the ship. 243 00:11:55,920 --> 00:11:58,000 Speaker 2: See what happens. So you got to a certain point 244 00:11:58,559 --> 00:11:59,880 Speaker 2: and Raycon kind of put a cap on. 245 00:12:01,200 --> 00:12:05,440 Speaker 1: No, No, I love Raycon. It just we we we 246 00:12:05,440 --> 00:12:09,560 Speaker 1: we've just grown into another space. And I know so 247 00:12:09,760 --> 00:12:13,400 Speaker 1: much from strategic marketing and what we've done there, to 248 00:12:13,559 --> 00:12:18,240 Speaker 1: conversion marketing, to all these other like shortcuts that we have. 249 00:12:18,440 --> 00:12:22,240 Speaker 1: So it's only right to implement that into the reality shows. 250 00:12:22,240 --> 00:12:25,240 Speaker 1: Because I never lost in reality, and I would say 251 00:12:25,280 --> 00:12:25,680 Speaker 1: that I'm the. 252 00:12:29,720 --> 00:12:32,120 Speaker 2: I'm the reality I do that. 253 00:12:32,200 --> 00:12:34,839 Speaker 1: I was gonna basically like, you know, Tiger Woods of it. 254 00:12:34,920 --> 00:12:40,640 Speaker 1: But but I didn't know Tiger wasn't Tiger wasn't just 255 00:12:40,720 --> 00:12:45,640 Speaker 1: the reality show just says, now there's nobody, there's nobody 256 00:12:45,679 --> 00:12:46,200 Speaker 1: bigger than me. 257 00:12:48,400 --> 00:12:51,560 Speaker 8: I'm well, at first, at first, I ain't gonna lie 258 00:12:51,760 --> 00:12:57,920 Speaker 8: at first. At first, it was Stevie J. For a 259 00:12:57,960 --> 00:13:05,120 Speaker 8: long time he had in that era era, it was Stevie. 260 00:13:03,679 --> 00:13:08,200 Speaker 1: No, no, no, no, no, no, it's there. This is 261 00:13:08,240 --> 00:13:12,120 Speaker 1: after ray This is this era. This is after love 262 00:13:12,160 --> 00:13:14,160 Speaker 1: and hip hop is after for the love of ray J. 263 00:13:14,480 --> 00:13:27,320 Speaker 1: And that's what I'm saying. So in reality, that's where 264 00:13:27,320 --> 00:13:31,640 Speaker 1: I dominate. So why wouldn't I. 265 00:13:31,640 --> 00:13:33,839 Speaker 8: I feel like also in front of the camera, but 266 00:13:34,200 --> 00:13:35,760 Speaker 8: you got a lot to do it behind the camera 267 00:13:35,880 --> 00:13:37,760 Speaker 8: to exactly. So I would call you the king of 268 00:13:37,920 --> 00:13:39,040 Speaker 8: behind the camera. 269 00:13:38,920 --> 00:13:39,960 Speaker 1: Because he produces. 270 00:13:40,400 --> 00:13:42,400 Speaker 8: He you know, it's all types of stuff. I'm trying 271 00:13:42,400 --> 00:13:44,040 Speaker 8: to let you know. I'm giving you your perhaps in 272 00:13:44,080 --> 00:13:46,920 Speaker 8: another way I was. 273 00:13:47,200 --> 00:13:51,160 Speaker 5: I was, yes, Oh. 274 00:13:51,120 --> 00:13:53,280 Speaker 4: Damn you, I didn't know you produced One more Chance 275 00:13:53,280 --> 00:13:54,120 Speaker 4: and all that stuff like that. 276 00:13:54,360 --> 00:13:57,240 Speaker 1: Yeah, Like he has a lot like Lemmy and I 277 00:13:57,320 --> 00:14:00,240 Speaker 1: we produced, like you know, when Baby came here said 278 00:14:00,280 --> 00:14:02,720 Speaker 1: put some respect on it. That's our campaign show. That's 279 00:14:02,840 --> 00:14:03,559 Speaker 1: music mobives. 280 00:14:03,600 --> 00:14:03,880 Speaker 3: We did. 281 00:14:04,000 --> 00:14:06,200 Speaker 1: We created that, you know what I'm saying. So I've 282 00:14:06,240 --> 00:14:10,480 Speaker 1: been doing a bunch of stuff. It's just the product 283 00:14:10,600 --> 00:14:14,360 Speaker 1: and the people loving the show. It's always been for 284 00:14:14,480 --> 00:14:18,120 Speaker 1: me the most important, the prop of it and the attention. 285 00:14:18,480 --> 00:14:20,760 Speaker 1: Like I think now when you watch this new network, 286 00:14:20,800 --> 00:14:26,080 Speaker 1: you'll see that everybody on TV has our sauce. The 287 00:14:26,120 --> 00:14:28,680 Speaker 1: only thing is that the shit I put on it 288 00:14:28,760 --> 00:14:33,400 Speaker 1: now they can't do. It's impossible. Even the editors, Like 289 00:14:33,520 --> 00:14:36,640 Speaker 1: we're editing everything hands on. My team is outside and 290 00:14:36,640 --> 00:14:39,560 Speaker 1: they're ready to edit right now, you know what I'm saying, 291 00:14:39,560 --> 00:14:42,000 Speaker 1: And they're ready to edit at the highest quality and 292 00:14:42,800 --> 00:14:45,600 Speaker 1: really caring about. Okay, it's the most turned up shit 293 00:14:45,640 --> 00:14:49,360 Speaker 1: you've ever seen, but that's not all right. My intention 294 00:14:49,480 --> 00:14:52,400 Speaker 1: isn't to make the money for that. It's to create 295 00:14:52,720 --> 00:14:55,560 Speaker 1: every reality start to have their own network, because it's 296 00:14:55,640 --> 00:14:58,400 Speaker 1: really not that hard if you find a way to 297 00:14:58,480 --> 00:15:01,520 Speaker 1: build the content. Cause I'm seeing just so much stuff 298 00:15:01,560 --> 00:15:03,920 Speaker 1: out there, and everybody's just giving this shit up for 299 00:15:03,960 --> 00:15:06,080 Speaker 1: free and free and free, and they're waiting for these 300 00:15:06,120 --> 00:15:10,720 Speaker 1: advertising dollars that come in just randomly that you can't 301 00:15:11,200 --> 00:15:13,560 Speaker 1: scale because you don't know the times and what it did. 302 00:15:13,600 --> 00:15:16,400 Speaker 1: And same with like publishing, Like how do you scale publishing? 303 00:15:16,600 --> 00:15:17,720 Speaker 1: It's just everywhere. 304 00:15:17,760 --> 00:15:20,000 Speaker 3: Would you put your family back on reality show? Because 305 00:15:20,520 --> 00:15:23,200 Speaker 3: people scrutinize your relationship and no matter what you do 306 00:15:23,240 --> 00:15:24,920 Speaker 3: that all the eyes are always there. 307 00:15:25,040 --> 00:15:27,880 Speaker 1: Yeah that, but that's the And I mentioned that all 308 00:15:28,160 --> 00:15:30,200 Speaker 1: sacrifice really yeah, I mentioned that even through the first 309 00:15:30,200 --> 00:15:33,600 Speaker 1: episode of Inside the Network, I break down how reality 310 00:15:33,640 --> 00:15:36,000 Speaker 1: starts get the end of the stick, and I mean. 311 00:15:35,920 --> 00:15:37,479 Speaker 2: It's it's hard to eat. 312 00:15:37,880 --> 00:15:40,160 Speaker 1: Yeah, I mean your church is even tripping, like it's 313 00:15:40,160 --> 00:15:42,560 Speaker 1: like you know what I mean, because but they don't 314 00:15:42,640 --> 00:15:46,080 Speaker 1: understand the arc behind the reality show. So it's one 315 00:15:46,080 --> 00:15:49,040 Speaker 1: thing they're doing a good job because it's believable, But 316 00:15:49,160 --> 00:15:51,920 Speaker 1: at the same time, we need more pay. That's all 317 00:15:51,960 --> 00:15:54,680 Speaker 1: it is. Like if everybody was getting like ten million 318 00:15:54,800 --> 00:15:59,040 Speaker 1: fifteen million a season. Now we reality ball players. That's 319 00:15:59,080 --> 00:15:59,880 Speaker 1: what we deserve. 320 00:16:00,040 --> 00:16:02,000 Speaker 4: But don't defeat the purpose though, Like if you are 321 00:16:02,080 --> 00:16:05,080 Speaker 4: a producer or a production company, the reason you do 322 00:16:05,160 --> 00:16:06,840 Speaker 4: reality TV is because it's cheap. 323 00:16:07,560 --> 00:16:10,720 Speaker 1: No, that's what it was done before. But now you 324 00:16:10,720 --> 00:16:13,600 Speaker 1: look at everybody out there. I mean you you almost 325 00:16:13,640 --> 00:16:15,880 Speaker 1: need a reality show to get a record deal, is 326 00:16:15,920 --> 00:16:23,800 Speaker 1: what I'm here. I'm never and so reality the ratchet 327 00:16:23,880 --> 00:16:27,080 Speaker 1: scene is about to do a takeover and it's going 328 00:16:27,120 --> 00:16:29,520 Speaker 1: to be unstoppable for like a few years where it's 329 00:16:29,560 --> 00:16:30,920 Speaker 1: going to be on everybody's nerves. 330 00:16:30,920 --> 00:16:31,680 Speaker 2: When did it go away? 331 00:16:31,680 --> 00:16:31,880 Speaker 1: Though? 332 00:16:33,200 --> 00:16:34,560 Speaker 2: Has been ratchet since it's been. 333 00:16:35,200 --> 00:16:37,520 Speaker 1: But you've never seen nothing that you never seen nothing 334 00:16:37,560 --> 00:16:41,280 Speaker 1: like the Tronics Network. You've never seen nothing like the 335 00:16:41,320 --> 00:16:44,280 Speaker 1: Tronics Network. I promise you if I hit play right now, 336 00:16:44,760 --> 00:16:50,240 Speaker 1: you guys would be I guarantee you at the end, 337 00:16:50,920 --> 00:16:51,800 Speaker 1: you're gonna subscribe. 338 00:16:51,840 --> 00:16:53,520 Speaker 2: I don't know if that's what we need right now. 339 00:16:53,440 --> 00:16:56,000 Speaker 1: Though, But what but what am I talking about. 340 00:16:55,920 --> 00:16:57,760 Speaker 2: If we do we need that level of wratchet? 341 00:16:58,520 --> 00:17:02,280 Speaker 1: Yeah, because watch the story arc with it, like, yeah, 342 00:17:02,280 --> 00:17:03,760 Speaker 1: this is rated with a message. 343 00:17:03,960 --> 00:17:05,240 Speaker 3: Yeah does a message. 344 00:17:05,320 --> 00:17:08,639 Speaker 1: Absolutely. Ratchet has a lot of messages because when you 345 00:17:08,680 --> 00:17:11,680 Speaker 1: watch yourself in a ratchet environment and you do either 346 00:17:11,760 --> 00:17:14,120 Speaker 1: ratchet things or you do the right thing, that's how 347 00:17:14,160 --> 00:17:16,120 Speaker 1: you know how to make adjustments with yourself. 348 00:17:16,600 --> 00:17:18,200 Speaker 8: But what I don't want to see, and I'm pretty 349 00:17:18,200 --> 00:17:21,439 Speaker 8: sure nobody is everybody is tired of seeing people just 350 00:17:22,080 --> 00:17:24,600 Speaker 8: fighting all over the place all the time. So that's 351 00:17:24,640 --> 00:17:27,239 Speaker 8: what he's saying about, like a storyline, it's actually going 352 00:17:27,320 --> 00:17:29,160 Speaker 8: to be story line. 353 00:17:29,000 --> 00:17:32,200 Speaker 1: Like inside the network is like my creative directors were 354 00:17:32,280 --> 00:17:34,480 Speaker 1: fighting because they were tripping off someone. I just caught 355 00:17:34,520 --> 00:17:37,320 Speaker 1: it on table or the gaugency. The gaugency, I mean 356 00:17:37,680 --> 00:17:41,680 Speaker 1: nigga got cameras set up back when they was fighting 357 00:17:42,200 --> 00:17:43,920 Speaker 1: and I was just grabbed the phone. But after that, yeah, 358 00:17:43,920 --> 00:17:45,800 Speaker 1: I started to like I got four or five shooters 359 00:17:45,800 --> 00:17:47,240 Speaker 1: just ready for anything to happen. Now. 360 00:17:47,359 --> 00:17:48,160 Speaker 3: But is that a good thing? 361 00:17:48,160 --> 00:17:48,320 Speaker 1: Though? 362 00:17:48,359 --> 00:17:50,760 Speaker 3: Absolutely, that we're fighting if we have non agreement, Like, 363 00:17:50,920 --> 00:17:53,720 Speaker 3: isn't that a bad way of doing things? Like we 364 00:17:53,760 --> 00:17:57,040 Speaker 3: can't have a disagreement without me punching you. Now, absolutely, 365 00:17:57,119 --> 00:17:58,919 Speaker 3: we let the we let the stories flow. 366 00:17:59,080 --> 00:18:01,480 Speaker 1: It's not like come on to our show and if 367 00:18:01,480 --> 00:18:05,600 Speaker 1: you don't fight your fired, right that that's not producing. 368 00:18:05,680 --> 00:18:09,000 Speaker 1: That's what that's like. That is it's almost like that 369 00:18:09,400 --> 00:18:12,240 Speaker 1: client you know how you got client privilege and producing. 370 00:18:12,320 --> 00:18:15,080 Speaker 1: You can't do that because that's not what we real 371 00:18:15,119 --> 00:18:15,880 Speaker 1: producers don't. 372 00:18:15,960 --> 00:18:17,400 Speaker 3: You ain't got to say that. But if you give 373 00:18:17,480 --> 00:18:21,719 Speaker 3: somebody a full bottle of liquor and then you give 374 00:18:21,760 --> 00:18:24,439 Speaker 3: them some smoke or some medabalst, you throw them in 375 00:18:24,440 --> 00:18:27,200 Speaker 3: a room, nine times out of ten, you ain't say 376 00:18:27,480 --> 00:18:29,920 Speaker 3: fighting good fire, but you know what's gonna happen after. 377 00:18:30,040 --> 00:18:33,920 Speaker 1: Exactly shot exactly So they both have this like morality 378 00:18:34,119 --> 00:18:40,919 Speaker 1: like imbalance if you really care. But it's I've really 379 00:18:41,240 --> 00:18:44,159 Speaker 1: been like in the room for like four months building 380 00:18:44,160 --> 00:18:47,199 Speaker 1: out some dope content. I'm so excited. I'm like the 381 00:18:47,280 --> 00:18:50,200 Speaker 1: ratchet I tell people I am the rochet Shakespeare. 382 00:18:50,480 --> 00:18:52,040 Speaker 5: Oh oh, I like that it is. 383 00:18:52,560 --> 00:18:57,840 Speaker 4: And what I don't like that that sounds ridiculous ratchet Shakespeare. 384 00:18:57,920 --> 00:18:58,879 Speaker 2: Ratchet Shakespeare. 385 00:18:59,359 --> 00:18:59,800 Speaker 5: I like it. 386 00:19:00,440 --> 00:19:01,879 Speaker 1: What is the ratchet Shakespeare? 387 00:19:02,280 --> 00:19:04,040 Speaker 2: Maybe I need to see it first, Maybe I'm judging, 388 00:19:04,320 --> 00:19:04,920 Speaker 2: you know what I mean? 389 00:19:05,560 --> 00:19:09,400 Speaker 1: Do you guys have time today to watch the sizzle sizzles? 390 00:19:09,480 --> 00:19:13,080 Speaker 1: Like like two minutes? Of course, two minutes, and then 391 00:19:13,080 --> 00:19:16,000 Speaker 1: I have an emotional sizzle that's like a minute where. 392 00:19:15,680 --> 00:19:18,360 Speaker 5: I see that right here, right now, emotional sizzle. 393 00:19:18,520 --> 00:19:20,119 Speaker 1: Yes, the emotional sizzle. 394 00:19:20,200 --> 00:19:21,600 Speaker 2: Why are you turning to a screen like we. 395 00:19:21,680 --> 00:19:23,479 Speaker 3: Have no there's nobody behind me. 396 00:19:24,400 --> 00:19:26,399 Speaker 5: He is really selling it. I really want to see it, 397 00:19:26,440 --> 00:19:27,280 Speaker 5: like no. 398 00:19:27,000 --> 00:19:29,800 Speaker 1: No, no, no no, But guys, what's crazy, y'all? 399 00:19:30,119 --> 00:19:32,600 Speaker 8: I don't have to sell this right, This is not 400 00:19:33,040 --> 00:19:36,040 Speaker 8: I'm chilling. It's just your excitement for making for me 401 00:19:36,400 --> 00:19:37,479 Speaker 8: want to see it. 402 00:19:37,760 --> 00:19:39,400 Speaker 1: There's nothing better. 403 00:19:39,560 --> 00:19:43,960 Speaker 8: Oh my god, and walk off like yo words you said. 404 00:19:43,800 --> 00:19:46,159 Speaker 1: There's nothing better in this space. This is like a 405 00:19:46,400 --> 00:19:51,160 Speaker 1: ten to fifteen million people space. This doesn't I don't 406 00:19:51,200 --> 00:19:54,000 Speaker 1: think it expands. The threshold has to be a ten 407 00:19:54,040 --> 00:19:56,679 Speaker 1: to fifteen million. Yeah, but ten to fifteen million people 408 00:19:56,760 --> 00:19:59,679 Speaker 1: subscribing is beyond a blessing. 409 00:20:00,040 --> 00:20:02,200 Speaker 4: Tell me extra ratchet and I already think about zoos 410 00:20:02,240 --> 00:20:07,119 Speaker 4: could just be making me watch sometimes. And now you're 411 00:20:07,119 --> 00:20:08,720 Speaker 4: telling me that there the show where somebody get shot 412 00:20:08,720 --> 00:20:09,320 Speaker 4: seventeen times. 413 00:20:09,359 --> 00:20:13,880 Speaker 1: Well, it's almost like, well, no, no, you're gonna show it. 414 00:20:17,200 --> 00:20:21,680 Speaker 2: Damn some people legal. 415 00:20:21,760 --> 00:20:24,679 Speaker 1: I had to go to a lot of legal and 416 00:20:24,720 --> 00:20:25,399 Speaker 1: I'm still going to. 417 00:20:25,600 --> 00:20:27,800 Speaker 2: You need a Curby enthusi Adam style show. That's the 418 00:20:27,840 --> 00:20:33,399 Speaker 2: shot you need. You are. You are the black Larry David. 419 00:20:33,760 --> 00:20:36,440 Speaker 1: You are okay when you hear that's what I say. 420 00:20:36,480 --> 00:20:38,440 Speaker 1: I say, this show is like Larry Daves. I said, 421 00:20:38,480 --> 00:20:41,480 Speaker 1: I fucking love Larry and this is my Curby. Like 422 00:20:41,600 --> 00:20:42,880 Speaker 1: I said that, you really did. 423 00:20:43,440 --> 00:20:44,399 Speaker 2: That's who you are. 424 00:20:44,480 --> 00:20:46,919 Speaker 1: That's what this show is. Everything that's happening. 425 00:20:46,960 --> 00:20:52,200 Speaker 4: Oops, you can curse you got this. 426 00:20:52,200 --> 00:20:54,760 Speaker 1: This is ridicus my top lip just we keep giving chapped. 427 00:20:55,240 --> 00:20:57,399 Speaker 2: You are kind of man. That's how I know you're 428 00:20:57,400 --> 00:21:01,280 Speaker 2: getting Monday morning Like, uh. 429 00:21:04,000 --> 00:21:08,160 Speaker 3: Oh, Raye just walked off the mic to put chapter 430 00:21:08,320 --> 00:21:09,840 Speaker 3: on this. 431 00:21:11,240 --> 00:21:13,879 Speaker 2: There's nobody more entertaining. Let me ask you question. 432 00:21:16,160 --> 00:21:19,120 Speaker 3: Yeah, but let me ask you last time you were searing. 433 00:21:20,800 --> 00:21:23,200 Speaker 1: Back in the day, they had to nail Yeah, yeah, yeah, 434 00:21:24,119 --> 00:21:26,080 Speaker 1: I don't play around with that kind of stuff back 435 00:21:26,080 --> 00:21:26,440 Speaker 1: in the day. 436 00:21:26,560 --> 00:21:28,040 Speaker 3: Well not even back in a couple of months ago. 437 00:21:28,080 --> 00:21:30,960 Speaker 3: You said you had some new medicine ADHD medicine or 438 00:21:30,960 --> 00:21:32,240 Speaker 3: a d D do you still used to take the 439 00:21:32,280 --> 00:21:32,639 Speaker 3: member on. 440 00:21:32,800 --> 00:21:35,520 Speaker 1: Yeah. I had to go back to the prescriptions though, 441 00:21:35,560 --> 00:21:39,639 Speaker 1: because if I don't, if I'm not focused, like I 442 00:21:39,640 --> 00:21:42,439 Speaker 1: don't know things, things go viral and stuff. So I'm like, 443 00:21:42,960 --> 00:21:45,720 Speaker 1: I'm happy you not what more I take her. I 444 00:21:45,760 --> 00:21:47,200 Speaker 1: take it when I just want to just chill. But 445 00:21:47,240 --> 00:21:49,640 Speaker 1: when I need to focus, then I got to go 446 00:21:49,720 --> 00:21:52,520 Speaker 1: back to, uh the stuff the doctor prescribed. 447 00:21:52,560 --> 00:21:55,040 Speaker 4: Merely pushing from Brandy and Monica to go on to 448 00:21:55,080 --> 00:21:55,320 Speaker 4: it again. 449 00:21:55,400 --> 00:21:59,560 Speaker 1: That's all I want, really, that's all I want. 450 00:21:58,720 --> 00:22:00,159 Speaker 2: Like what what made you wake up the one day? 451 00:22:00,480 --> 00:22:00,920 Speaker 2: What I need? 452 00:22:01,119 --> 00:22:03,120 Speaker 1: Well, I've been saying it since the since they did 453 00:22:03,160 --> 00:22:05,960 Speaker 1: the versus Yeah, like I got the jet for me, 454 00:22:06,200 --> 00:22:08,159 Speaker 1: we got We flew out there. It was just vibe. 455 00:22:08,359 --> 00:22:11,159 Speaker 1: They were going back and forth. It wasn't like a competition, 456 00:22:11,240 --> 00:22:14,359 Speaker 1: but it was. And Brandy like her side, we was, 457 00:22:14,600 --> 00:22:17,879 Speaker 1: I was. It was like a mosh pit for in 458 00:22:17,960 --> 00:22:20,360 Speaker 1: a ballot. It was a ballot plan and you look 459 00:22:20,440 --> 00:22:22,840 Speaker 1: to the side and we're giving her all that support. 460 00:22:23,040 --> 00:22:25,680 Speaker 1: And I just think Brandy and Monica is an undeniable tour, right, 461 00:22:26,040 --> 00:22:31,359 Speaker 1: It's like you both win last run, Like no matter 462 00:22:31,400 --> 00:22:33,960 Speaker 1: what you feel or whatever, like, how can you not 463 00:22:35,440 --> 00:22:38,880 Speaker 1: take that opportunity? Why if you know it's there, why 464 00:22:38,960 --> 00:22:40,000 Speaker 1: do anything else first? 465 00:22:40,000 --> 00:22:44,080 Speaker 3: And the last song? Boys mind god bless crazy. 466 00:22:44,520 --> 00:22:46,240 Speaker 1: So I told him, like, I think that's a that's 467 00:22:46,240 --> 00:22:49,680 Speaker 1: a one hundred million dollars, both of them. I think 468 00:22:49,720 --> 00:22:51,359 Speaker 1: that can bring in a. 469 00:22:52,560 --> 00:22:52,800 Speaker 2: Show. 470 00:22:53,760 --> 00:22:57,200 Speaker 1: I mean, of course Monica, right, yeah. 471 00:22:56,880 --> 00:22:57,840 Speaker 2: I have to open it. 472 00:22:57,960 --> 00:23:00,199 Speaker 5: See, I would think so. I mean, because they be 473 00:23:00,200 --> 00:23:01,320 Speaker 5: co headline something different. 474 00:23:01,320 --> 00:23:04,400 Speaker 1: Maybe you could do like a song and song body 475 00:23:05,440 --> 00:23:10,440 Speaker 1: verses come out first. Yeah, but that's yeah, well yeah, 476 00:23:10,440 --> 00:23:10,760 Speaker 1: I was. 477 00:23:10,880 --> 00:23:16,480 Speaker 8: No, no, no, no, no, no, no, Brandy, Brandy ain't Brandy 478 00:23:16,480 --> 00:23:17,200 Speaker 8: ain't having that either. 479 00:23:17,240 --> 00:23:21,960 Speaker 1: She but the Brandy Monica Tour or the Monica Brandy Tour, 480 00:23:22,000 --> 00:23:24,880 Speaker 1: whichever one. My title is Brandy Monica Tour. 481 00:23:26,160 --> 00:23:28,560 Speaker 8: But I think that, yeah, well she she would have 482 00:23:28,600 --> 00:23:31,760 Speaker 8: to open, I mean, the whole headlining. Tell them what 483 00:23:31,880 --> 00:23:33,879 Speaker 8: they can't do song for song for song because that 484 00:23:33,920 --> 00:23:36,000 Speaker 8: will be a replica of the verses again. 485 00:23:36,000 --> 00:23:38,960 Speaker 5: But no, yeah, yeah, she will open. 486 00:23:39,160 --> 00:23:42,080 Speaker 8: She gets the crowd pumped like this is great, and 487 00:23:42,119 --> 00:23:43,520 Speaker 8: then Brandy. 488 00:23:43,160 --> 00:23:45,679 Speaker 1: Boom like, who did you think won the verses? 489 00:23:46,200 --> 00:23:47,760 Speaker 5: I think Brandy, I'm brand I'm Brandy. 490 00:23:47,800 --> 00:23:50,000 Speaker 1: All that don't not just because you hear no, no, 491 00:23:50,000 --> 00:23:50,400 Speaker 1: no no. 492 00:23:50,480 --> 00:23:54,600 Speaker 8: Brandy is one of my that's fact, top three singers 493 00:23:55,119 --> 00:23:55,480 Speaker 8: R and B. 494 00:23:56,359 --> 00:23:57,560 Speaker 5: I sold you since I was little. 495 00:23:57,680 --> 00:24:00,920 Speaker 8: They're not who did I this? Women in the International 496 00:24:00,960 --> 00:24:03,639 Speaker 8: month and Woman's is three months the first lady Brandy, 497 00:24:03,840 --> 00:24:06,159 Speaker 8: That was the first. Brandy was the first woman that 498 00:24:06,280 --> 00:24:08,680 Speaker 8: I honored. Your mom didn't It was my mom didn't 499 00:24:08,680 --> 00:24:11,480 Speaker 8: brand you know, yeah, but Brandy, you know what I'm saying. 500 00:24:11,520 --> 00:24:12,560 Speaker 5: She was on the second day. 501 00:24:12,880 --> 00:24:15,120 Speaker 8: I grew up on this woman, so I'm like, all right, cool, 502 00:24:15,200 --> 00:24:17,840 Speaker 8: and also grew up on Monica two. And when you 503 00:24:17,880 --> 00:24:19,639 Speaker 8: think of Brandy, you think of Monica and it's all right, 504 00:24:19,680 --> 00:24:22,399 Speaker 8: but yeah, but Monica will open Brandy would end it 505 00:24:22,400 --> 00:24:23,600 Speaker 8: absolutely make that money. 506 00:24:23,640 --> 00:24:25,840 Speaker 2: We've debated who got the best catalog. 507 00:24:26,280 --> 00:24:28,760 Speaker 1: It's not about the best catalog. It's just the best 508 00:24:29,600 --> 00:24:34,040 Speaker 1: the overall accolades, right, you know, not. 509 00:24:34,040 --> 00:24:35,560 Speaker 3: Not with music because then you go back to like 510 00:24:35,600 --> 00:24:38,920 Speaker 3: the whole tank. Tyrese in Genuine, right, Tyreese is the 511 00:24:38,960 --> 00:24:42,159 Speaker 3: biggest out of the three. But Genuine got the biggest records, is. 512 00:24:42,119 --> 00:24:44,000 Speaker 5: The biggest out of all three of them. 513 00:24:44,240 --> 00:24:46,919 Speaker 1: Yeah, it was a movie tyre As far as Tyree 514 00:24:47,200 --> 00:24:49,879 Speaker 1: is not the biggest of them about like singers, genuine, No, 515 00:24:49,960 --> 00:24:57,800 Speaker 1: I think genuine. I think person is the most irritating. Okay, yeah, right, definitely, 516 00:24:58,080 --> 00:25:02,600 Speaker 1: so he definitely isn't entertaining exactly. No, no, no, he's not 517 00:25:02,600 --> 00:25:06,000 Speaker 1: the most He's the most irritated. He irritated out of me. 518 00:25:06,680 --> 00:25:09,360 Speaker 1: Everything he's been doing lately has just been cringing. 519 00:25:09,760 --> 00:25:11,240 Speaker 2: You'll know each other, y'all know each other. Course, you'll 520 00:25:11,280 --> 00:25:11,600 Speaker 2: know each other. 521 00:25:11,800 --> 00:25:13,880 Speaker 1: And my sister cool friends, they always been cool. 522 00:25:14,040 --> 00:25:15,440 Speaker 2: You don't like them, I don't. 523 00:25:15,480 --> 00:25:17,280 Speaker 1: Don't you know what I'm saying. I don't. I don't 524 00:25:17,480 --> 00:25:20,960 Speaker 1: care about you know, Tyrese, But I don't like you know, 525 00:25:21,280 --> 00:25:23,399 Speaker 1: some of the stuff he'd be doing and saying, you 526 00:25:23,400 --> 00:25:25,320 Speaker 1: know what I'm saying, but and crying about a bunch 527 00:25:25,320 --> 00:25:27,280 Speaker 1: of stuff. And I'm not gonna diss Tyrese. 528 00:25:29,720 --> 00:25:31,000 Speaker 2: You've done enough for him to go on Instagram. 529 00:25:31,040 --> 00:25:33,000 Speaker 1: I remember last last time he was playing around with 530 00:25:33,080 --> 00:25:35,560 Speaker 1: Eddie Murphy. Remember last time I got mad at Tyrese? 531 00:25:35,680 --> 00:25:39,560 Speaker 1: Remember play with me? Yeah, don't play with me, tyres 532 00:25:40,040 --> 00:25:44,040 Speaker 1: I don't, I don't. We don't like that. But still, yeah, man, 533 00:25:45,400 --> 00:25:46,080 Speaker 1: don't play with me. 534 00:25:46,480 --> 00:25:48,480 Speaker 2: Yeah? Why you trying to rap all of a sudden 535 00:25:48,560 --> 00:25:52,200 Speaker 2: like drink. 536 00:25:52,480 --> 00:25:54,240 Speaker 5: What did Tyres just start getting shots? 537 00:25:56,600 --> 00:25:57,639 Speaker 1: Yeah, because you was talking. 538 00:25:57,640 --> 00:25:58,560 Speaker 5: We was talking about me. 539 00:25:58,920 --> 00:26:01,720 Speaker 1: You look at his interview. He just did and somebody 540 00:26:02,000 --> 00:26:03,720 Speaker 1: she said, oh no, me and ray J. He said 541 00:26:03,760 --> 00:26:06,800 Speaker 1: something real smart. So I'm just responding. I'm just responding 542 00:26:07,440 --> 00:26:10,800 Speaker 1: with him. Mm hmm. But my sister does that. It's cool. 543 00:26:11,080 --> 00:26:12,159 Speaker 2: That's one of her friends, you know. 544 00:26:12,200 --> 00:26:18,199 Speaker 1: So yeah, so it's like whatever, but stay away from Okay, but. 545 00:26:18,280 --> 00:26:19,280 Speaker 3: The way there, just to pull it up. 546 00:26:21,440 --> 00:26:23,840 Speaker 2: Let's go. It is that word. Let's go. 547 00:26:25,400 --> 00:26:28,960 Speaker 1: Let's come down next to my day. 548 00:26:27,840 --> 00:26:35,400 Speaker 7: Oh wait, wait, just wait, let's see. 549 00:26:36,560 --> 00:26:48,560 Speaker 9: No, wait, you gotta cut it out. 550 00:26:51,040 --> 00:26:57,800 Speaker 1: Yo. Now let's let the trailer. 551 00:26:58,160 --> 00:27:00,960 Speaker 2: That's so, that's the first block. So that is the show. 552 00:27:01,160 --> 00:27:01,600 Speaker 1: That's the show. 553 00:27:01,640 --> 00:27:02,120 Speaker 5: That's the show. 554 00:27:02,160 --> 00:27:07,960 Speaker 1: And my native directors. Okay, the agency, okay, okay. 555 00:27:07,640 --> 00:27:17,600 Speaker 10: Okay, guy on your screen shooting somebody that was none 556 00:27:17,600 --> 00:27:19,400 Speaker 10: of my did somebody really get. 557 00:27:19,200 --> 00:27:22,800 Speaker 1: Shuts almost in the head, blown off, you know, to 558 00:27:22,880 --> 00:27:26,320 Speaker 1: the grace of God. Shot you got to see your dog. 559 00:27:27,040 --> 00:27:28,720 Speaker 2: Let me do, let me test this trying to change 560 00:27:29,320 --> 00:27:33,840 Speaker 2: mm hmm mm hmm. 561 00:27:37,359 --> 00:27:38,760 Speaker 1: Wait, I got. 562 00:27:41,040 --> 00:27:44,359 Speaker 5: It's good talk. 563 00:27:44,440 --> 00:27:45,440 Speaker 1: That talk right there. 564 00:27:46,200 --> 00:27:48,440 Speaker 5: He playing with, Yeah, yeah. 565 00:27:49,440 --> 00:27:54,040 Speaker 1: Playing with the Only time I go big is when 566 00:27:54,040 --> 00:27:56,720 Speaker 1: I'm talking about reality show and how good I am 567 00:27:56,760 --> 00:27:59,160 Speaker 1: at making no show. When I start feeling like. 568 00:27:59,520 --> 00:28:03,439 Speaker 4: Talking to Ma, shure you good jewels be getting over. 569 00:28:05,119 --> 00:28:07,800 Speaker 2: Listen jewelus. 570 00:28:08,680 --> 00:28:11,680 Speaker 1: That's good money, real, dude, that's Alex. He got his 571 00:28:11,680 --> 00:28:14,239 Speaker 1: history in Miami exclusive with all the top dogs, right, 572 00:28:14,280 --> 00:28:16,080 Speaker 1: but that it's bigger than that. It's the craft and 573 00:28:16,080 --> 00:28:16,320 Speaker 1: the ship. 574 00:28:16,400 --> 00:28:19,879 Speaker 4: Let me take that earring though it ain't hearing, did 575 00:28:19,920 --> 00:28:20,320 Speaker 4: you No? 576 00:28:20,440 --> 00:28:21,320 Speaker 2: I just got these earrings. 577 00:28:22,200 --> 00:28:25,160 Speaker 1: I'm gonna show you what these are. Show me the 578 00:28:24,160 --> 00:28:26,399 Speaker 1: h L you do it? 579 00:28:27,320 --> 00:28:29,520 Speaker 5: Okay, thank you? 580 00:28:29,560 --> 00:28:33,080 Speaker 3: Why you smell it? Why did you smell it? 581 00:28:31,200 --> 00:28:34,040 Speaker 2: You crazy? 582 00:28:34,440 --> 00:28:39,959 Speaker 1: You smelled it? And by smelling my ear ain't real. 583 00:28:40,600 --> 00:28:47,840 Speaker 1: I told you these. I said, I got it from CVS. 584 00:28:50,240 --> 00:28:53,040 Speaker 1: I lose some earrings. I ain't buying more brills either. 585 00:28:54,120 --> 00:28:57,120 Speaker 4: All jokes that people joke about ray J. Ray J 586 00:28:57,320 --> 00:29:00,800 Speaker 4: really is a mogul man. Ray J has sold, has 587 00:29:00,880 --> 00:29:03,040 Speaker 4: bought and sold and flipped so many companies. 588 00:29:03,280 --> 00:29:04,520 Speaker 1: And you know how hard that is. 589 00:29:04,560 --> 00:29:05,280 Speaker 2: It's not a joke. 590 00:29:05,320 --> 00:29:08,520 Speaker 1: It's and even in this society where everybody is looking 591 00:29:08,560 --> 00:29:14,400 Speaker 1: down on the young lit African American entrepreneur, like, you know, 592 00:29:14,880 --> 00:29:17,800 Speaker 1: you can be lit, you can be focused at the 593 00:29:17,840 --> 00:29:19,600 Speaker 1: same time. I mean when I say I don't give 594 00:29:19,600 --> 00:29:22,040 Speaker 1: a fuck, that means that I'm on time. I'm over prepared. 595 00:29:22,040 --> 00:29:24,000 Speaker 1: I know what I'm talking about. I know everything about 596 00:29:24,000 --> 00:29:26,240 Speaker 1: what I'm selling because it's my soul, you know what 597 00:29:26,240 --> 00:29:28,120 Speaker 1: I'm saying. I wake up every day like every show, 598 00:29:28,600 --> 00:29:32,440 Speaker 1: like my creative directors, the agency, everybody that's a part 599 00:29:32,440 --> 00:29:35,520 Speaker 1: of the show, they're really they're really my producers, and 600 00:29:35,800 --> 00:29:38,080 Speaker 1: they've cut all of these shows, right. But you just 601 00:29:38,120 --> 00:29:40,760 Speaker 1: see the drama behind the scenes. You see it in 602 00:29:40,800 --> 00:29:43,400 Speaker 1: front of the scenes. And then I mean, wow, we 603 00:29:43,440 --> 00:29:45,920 Speaker 1: got stun a girl, young rich Mulai. 604 00:29:46,520 --> 00:29:48,360 Speaker 4: Are you ready for the backlass that's gonna come? Because 605 00:29:48,360 --> 00:29:49,760 Speaker 4: you know you're about to get all the backlass. 606 00:29:49,800 --> 00:29:54,480 Speaker 1: We got blue face. You got blue face already done. 607 00:29:55,000 --> 00:29:57,760 Speaker 1: So to come with you because see at the Sea 608 00:29:58,040 --> 00:30:01,520 Speaker 1: at the Tronics Network, we want you to work with everybody. 609 00:30:01,640 --> 00:30:02,600 Speaker 3: We watch different shows. 610 00:30:02,600 --> 00:30:05,360 Speaker 1: We want you to come with us, Come produce your shows, 611 00:30:05,560 --> 00:30:08,560 Speaker 1: come on set and have fun. Reality stars. I don't know, 612 00:30:08,840 --> 00:30:11,560 Speaker 1: I haven't never met one that said so excited to 613 00:30:11,600 --> 00:30:14,600 Speaker 1: go on set today. They always complaining and always are 614 00:30:14,760 --> 00:30:18,440 Speaker 1: kind of like, not ungrateful, but just mad right because 615 00:30:18,440 --> 00:30:21,400 Speaker 1: they're not having fun. Everybody that's worked with us said, damn, 616 00:30:21,400 --> 00:30:23,280 Speaker 1: this ship is just it's like we're just living and 617 00:30:23,320 --> 00:30:26,080 Speaker 1: we're creating, and the quality and the edits are coming 618 00:30:26,080 --> 00:30:28,240 Speaker 1: out better than everything that's on TV. 619 00:30:29,000 --> 00:30:29,680 Speaker 2: That's not fun though. 620 00:30:30,000 --> 00:30:32,280 Speaker 1: It's not a y'alla. 621 00:30:31,880 --> 00:30:35,360 Speaker 4: Backlash, nub A CP Urban League social media, they're all 622 00:30:35,360 --> 00:30:37,320 Speaker 4: gonna give you mad backlash for that. 623 00:30:37,440 --> 00:30:37,920 Speaker 2: You know that? 624 00:30:39,920 --> 00:30:42,360 Speaker 1: Did you guys see the super trailer? 625 00:30:42,880 --> 00:30:45,080 Speaker 2: No, we have to. 626 00:30:47,000 --> 00:30:48,080 Speaker 3: Watch, you'll see y'all know. 627 00:30:48,480 --> 00:30:50,000 Speaker 1: Well, y'all definitely got to see that at least the 628 00:30:50,000 --> 00:30:51,040 Speaker 1: beginning of the fight club too. 629 00:30:51,240 --> 00:30:58,720 Speaker 5: This is that's Oh I love that. 630 00:30:59,280 --> 00:31:04,120 Speaker 1: Let me talking divorce and all equally separated. 631 00:31:04,200 --> 00:31:05,240 Speaker 2: So it's a tough question. 632 00:31:05,560 --> 00:31:08,280 Speaker 1: I don't care about filling for divorce. But I'm not 633 00:31:08,320 --> 00:31:09,000 Speaker 1: a weak bitch. 634 00:31:09,320 --> 00:31:10,760 Speaker 2: Don I won't pull up to way. 635 00:31:11,680 --> 00:31:14,720 Speaker 1: I'm here, bitch, nobody's coming downstairs. 636 00:31:18,960 --> 00:31:21,080 Speaker 2: It's every five minutes. 637 00:31:22,640 --> 00:31:25,920 Speaker 5: Sorry, what the fut? 638 00:31:26,760 --> 00:31:27,320 Speaker 2: All the time? 639 00:31:27,400 --> 00:31:28,280 Speaker 5: Is that eleven o'clock? 640 00:31:28,320 --> 00:31:31,640 Speaker 1: It is not whenever you want to show up, don't. 641 00:31:43,800 --> 00:31:44,880 Speaker 2: Yeah, I'm here now. 642 00:31:58,720 --> 00:32:00,880 Speaker 1: That full minute I'm. 643 00:32:00,720 --> 00:32:09,720 Speaker 5: Gonna beat a beach chap. Yeah, we got Shawn on 644 00:32:09,760 --> 00:32:13,480 Speaker 5: his mother brood. 645 00:32:13,680 --> 00:32:16,240 Speaker 2: Okay, oh why. 646 00:32:18,120 --> 00:32:18,320 Speaker 10: Oh? 647 00:32:19,720 --> 00:32:20,080 Speaker 7: I was. 648 00:32:26,400 --> 00:32:28,440 Speaker 1: So then it goes like that, wait for it, wait 649 00:32:28,520 --> 00:32:29,760 Speaker 1: for it, wait for it. 650 00:32:30,360 --> 00:32:36,520 Speaker 2: Damn. Oh oh you gotta show me the balance. All right, 651 00:32:36,960 --> 00:32:41,480 Speaker 2: the balance, Ray, where's the balance? Show me the balance? Yeah, 652 00:32:41,760 --> 00:32:42,680 Speaker 2: this is Ray? 653 00:32:42,840 --> 00:32:43,360 Speaker 1: Be crazy? 654 00:32:43,400 --> 00:32:44,280 Speaker 5: Okay, where's the next? 655 00:32:44,320 --> 00:32:46,040 Speaker 2: I just want just the host and who Loves Man 656 00:32:46,520 --> 00:32:53,920 Speaker 2: reunion show? Break? Can just host who loves transgender? Really? 657 00:32:53,920 --> 00:32:59,360 Speaker 8: Because all right, I'm gonna do that for you everybody? 658 00:32:59,760 --> 00:33:02,080 Speaker 1: Whatever? Oh is this a positive? 659 00:33:02,880 --> 00:33:06,480 Speaker 2: Man? We're not letting just that? No, just is not 660 00:33:06,520 --> 00:33:10,480 Speaker 2: doing that? No views? 661 00:33:10,680 --> 00:33:11,400 Speaker 1: Is this the positive? 662 00:33:11,400 --> 00:33:11,800 Speaker 2: One said? 663 00:33:12,200 --> 00:33:13,360 Speaker 1: Oh my god, I love them? 664 00:33:13,600 --> 00:33:14,920 Speaker 2: Is this the one? Yes? 665 00:33:15,000 --> 00:33:18,880 Speaker 1: Yes, yes, let me that's it. With the bird, that's 666 00:33:18,920 --> 00:33:19,360 Speaker 1: a good bird. 667 00:33:19,400 --> 00:33:22,720 Speaker 2: Bird a bird makes no no. 668 00:33:22,600 --> 00:33:25,640 Speaker 1: But it's a good bird makes the positive? 669 00:33:25,640 --> 00:33:27,200 Speaker 3: He said, no, but it's a good bird. 670 00:33:28,640 --> 00:33:35,560 Speaker 1: Yeah, yeah, I believe. 671 00:33:35,240 --> 00:33:40,440 Speaker 2: It very minute. 672 00:33:44,360 --> 00:33:46,040 Speaker 9: I don't want to see y'all find the other because 673 00:33:46,040 --> 00:33:49,640 Speaker 9: that bed that fight me and get with that ship. 674 00:33:53,800 --> 00:34:15,040 Speaker 4: Want ship m crazy if you don't get the fun 675 00:34:15,160 --> 00:34:18,480 Speaker 4: out of him. 676 00:34:18,520 --> 00:34:21,600 Speaker 5: Oh that's my bitch, Oh ship Shanny. 677 00:34:25,520 --> 00:34:28,360 Speaker 1: That we're on your man form and drunk. 678 00:34:28,719 --> 00:34:29,520 Speaker 7: We don't want him. 679 00:34:29,920 --> 00:34:31,120 Speaker 4: You want to get changing that. 680 00:34:33,280 --> 00:34:40,800 Speaker 6: Oh I had my that me for for some reason. 681 00:34:40,920 --> 00:34:43,760 Speaker 2: Y'all see this flame, oh. 682 00:34:43,800 --> 00:34:57,440 Speaker 6: Ship ray like man, I'm gonna be making so much money. 683 00:34:57,520 --> 00:35:01,799 Speaker 1: Nobody's ever nobody's ever seen me cry. You can see 684 00:35:01,840 --> 00:35:02,760 Speaker 1: me cry on the trynage. 685 00:35:02,800 --> 00:35:05,600 Speaker 2: Now, that's not a question for you, that's not a 686 00:35:05,640 --> 00:35:08,080 Speaker 2: question for you. And me just asked the question. 687 00:35:08,360 --> 00:35:09,239 Speaker 5: I mean, I. 688 00:35:11,840 --> 00:35:15,600 Speaker 8: Seek Yeah, is that where those tis about? 689 00:35:15,920 --> 00:35:16,160 Speaker 5: You know? 690 00:35:16,640 --> 00:35:26,920 Speaker 8: The fourth time? Okay, damn, oh okay, what's going on? 691 00:35:27,400 --> 00:35:29,320 Speaker 8: What you want princess? 692 00:35:30,239 --> 00:35:31,360 Speaker 1: Yeah, take your coat. 693 00:35:31,239 --> 00:35:33,040 Speaker 2: Off, you take your coat off. Your probably it's kind 694 00:35:33,080 --> 00:35:33,839 Speaker 2: of a little bit. 695 00:35:34,280 --> 00:35:36,480 Speaker 5: I'm all right, what's what's really going on with that? 696 00:35:36,760 --> 00:35:41,120 Speaker 5: I mean for the fourth time. I mean it's been 697 00:35:41,160 --> 00:35:42,480 Speaker 5: a conversation for a while. 698 00:35:43,280 --> 00:35:47,000 Speaker 2: Hey, and we just taking right now. 699 00:35:47,960 --> 00:35:49,040 Speaker 5: We're trying to figure it out. 700 00:35:50,000 --> 00:35:50,520 Speaker 2: Unfold on. 701 00:35:51,040 --> 00:35:53,279 Speaker 8: Yeah, you know this from the beginning. Like, y'all been 702 00:35:53,320 --> 00:35:57,360 Speaker 8: through a lot together, a lot too, beautiful babies. 703 00:35:58,520 --> 00:36:00,120 Speaker 1: I want to do one more day with you guys here. 704 00:36:00,160 --> 00:36:02,080 Speaker 1: I know you guys are busy, but I'm having fun. 705 00:36:02,200 --> 00:36:04,759 Speaker 1: My son is here, Oh my god. I brought him 706 00:36:04,760 --> 00:36:07,279 Speaker 1: with me and it's just like it completed a lot 707 00:36:07,320 --> 00:36:09,520 Speaker 1: of stuff for me because I was, like, he a boy. 708 00:36:09,640 --> 00:36:13,120 Speaker 1: My daughter loved going to school, and she's in her zone. 709 00:36:13,200 --> 00:36:14,960 Speaker 1: You know what I'm saying. She five about to be six, 710 00:36:15,080 --> 00:36:17,720 Speaker 1: but he four, and he like he like be wanting 711 00:36:17,760 --> 00:36:20,839 Speaker 1: to be with me. And when I'm out of town 712 00:36:20,960 --> 00:36:23,799 Speaker 1: and I'm not there, that's when I get emotional because 713 00:36:23,800 --> 00:36:25,560 Speaker 1: it's like, you know what I'm saying, just the little 714 00:36:25,600 --> 00:36:28,279 Speaker 1: things of what they're trying to learn and who they 715 00:36:28,440 --> 00:36:30,640 Speaker 1: watch is who they are, like, you know what I'm saying. 716 00:36:30,760 --> 00:36:34,799 Speaker 1: So he hasn't wanted to leave me, you know how, 717 00:36:34,800 --> 00:36:35,680 Speaker 1: you like, all right, I want. 718 00:36:35,560 --> 00:36:35,960 Speaker 2: To go back. 719 00:36:36,640 --> 00:36:39,000 Speaker 1: He's like, I want to be with you forever and ever. 720 00:36:39,880 --> 00:36:41,279 Speaker 1: You know what I'm saying. And then if I even go, 721 00:36:41,480 --> 00:36:44,239 Speaker 1: like to the store, he'll just start crying. So I'm like, 722 00:36:45,000 --> 00:36:48,000 Speaker 1: you can come with me everywhere, because it's not like 723 00:36:48,120 --> 00:36:51,360 Speaker 1: you can't, you know what I'm saying, Like parents and 724 00:36:51,400 --> 00:36:53,640 Speaker 1: everybody or creators be like I need this time to 725 00:36:53,719 --> 00:36:57,919 Speaker 1: do Like that's that's the front, bro, It's just making 726 00:36:58,000 --> 00:37:00,440 Speaker 1: yourself more busy than you should be for the So 727 00:37:01,040 --> 00:37:02,840 Speaker 1: he here with me. He got on the plane with me, 728 00:37:03,000 --> 00:37:05,440 Speaker 1: he hopped on the plane, got on the couch, he 729 00:37:05,560 --> 00:37:08,400 Speaker 1: went to sleep. He woke up in New York, you know, 730 00:37:08,719 --> 00:37:09,560 Speaker 1: just having a good time. 731 00:37:09,760 --> 00:37:12,280 Speaker 2: Why is p after for a divorce for the fourth time, Regin? 732 00:37:13,080 --> 00:37:15,800 Speaker 1: I just think that sometimes you reached a peak and 733 00:37:16,800 --> 00:37:19,400 Speaker 1: you said this before. Yeah, And I'm saying everyone is 734 00:37:19,440 --> 00:37:22,440 Speaker 1: that next peak, because sometimes when you break up, that 735 00:37:22,640 --> 00:37:24,680 Speaker 1: one is where you're just like depressed about it and 736 00:37:24,800 --> 00:37:27,320 Speaker 1: you're like, I can't think about nothing else, you know 737 00:37:27,360 --> 00:37:30,640 Speaker 1: what I'm saying, And then the next one it gets easier, 738 00:37:30,719 --> 00:37:32,279 Speaker 1: and then it starts to make sense. You know what 739 00:37:32,320 --> 00:37:37,719 Speaker 1: I'm saying, Because I guess happiness is important, you know 740 00:37:37,760 --> 00:37:41,560 Speaker 1: what I'm saying. But for me, I didn't. I don't 741 00:37:41,640 --> 00:37:44,759 Speaker 1: care if my kids are happy, then I don't care 742 00:37:44,800 --> 00:37:47,960 Speaker 1: about happiness. And a lot of people put things that 743 00:37:48,080 --> 00:37:51,319 Speaker 1: you have to be happy for your kids. Yeah, for sure. 744 00:37:51,520 --> 00:37:55,080 Speaker 1: And I feel much more like I feel like I 745 00:37:55,200 --> 00:37:57,640 Speaker 1: have the power in my hands now. But at the 746 00:37:57,719 --> 00:38:00,400 Speaker 1: same time, I would I would the fact that we 747 00:38:00,560 --> 00:38:03,320 Speaker 1: make the vow and I'm one hundred I would I 748 00:38:03,400 --> 00:38:05,800 Speaker 1: could just I could not be happy and be happy 749 00:38:05,880 --> 00:38:07,800 Speaker 1: for the kids and just ride it out and figure 750 00:38:07,800 --> 00:38:09,719 Speaker 1: out which years we're gonna have that's gonna be great, 751 00:38:10,200 --> 00:38:12,279 Speaker 1: and which aren't you know what I'm saying. So I'm 752 00:38:12,400 --> 00:38:15,680 Speaker 1: willing to not be happy to be around my kids 753 00:38:15,760 --> 00:38:19,360 Speaker 1: every day. Like that's not good because you right, no, no, no, 754 00:38:19,560 --> 00:38:21,839 Speaker 1: I get that. But it's like if you say you're 755 00:38:21,840 --> 00:38:25,239 Speaker 1: gonna die for your kids, Like you're gonna die for 756 00:38:25,320 --> 00:38:31,960 Speaker 1: your kids, but but you won't sacrifice your happiness for no, no, no, 757 00:38:33,000 --> 00:38:35,799 Speaker 1: that's not Mathematically it doesn't, it doesn't add up. 758 00:38:35,920 --> 00:38:38,239 Speaker 4: Because if you're not happy, you know, the mother and 759 00:38:38,280 --> 00:38:40,880 Speaker 4: the children not happy kids are gonna feel all that energy. 760 00:38:41,120 --> 00:38:43,000 Speaker 4: So you know, energy's never lost to destroyer, just really 761 00:38:43,040 --> 00:38:44,279 Speaker 4: transfer from one party to the next. 762 00:38:44,640 --> 00:38:47,080 Speaker 2: So you have to have what you need to give. 763 00:38:47,600 --> 00:38:52,000 Speaker 1: Does do your therapist talk back to you? Oh yeah, 764 00:38:52,480 --> 00:38:56,839 Speaker 1: Mine doesn't pay a lot to shut up. I just don't. 765 00:38:57,360 --> 00:38:59,320 Speaker 1: I'm just like trying to figure out whatever I do. 766 00:38:59,520 --> 00:39:00,680 Speaker 3: I'm like, have conversations. 767 00:39:01,000 --> 00:39:04,719 Speaker 1: You're just talking and then she might ask me one 768 00:39:04,880 --> 00:39:07,120 Speaker 1: or two things and then I say everything, and I'm like, 769 00:39:07,520 --> 00:39:10,800 Speaker 1: so I got somebody for they give you advice, Okay, 770 00:39:11,360 --> 00:39:14,279 Speaker 1: don't Okay, So maybe let me read the paper that 771 00:39:14,400 --> 00:39:16,839 Speaker 1: this one that this this lady is because I don't 772 00:39:16,920 --> 00:39:19,879 Speaker 1: he's taking your b Is she black? 773 00:39:19,960 --> 00:39:20,080 Speaker 2: Is she? 774 00:39:20,239 --> 00:39:20,680 Speaker 3: Is she black? 775 00:39:21,080 --> 00:39:21,720 Speaker 2: She mised? 776 00:39:22,680 --> 00:39:23,239 Speaker 8: Is she bad? 777 00:39:23,560 --> 00:39:24,560 Speaker 2: Culturally competent? There? 778 00:39:24,680 --> 00:39:28,359 Speaker 1: No, I don't, ye know, I've been like I'm so old, 779 00:39:28,520 --> 00:39:31,719 Speaker 1: like I'm past like the the you know what I'm saying, 780 00:39:32,080 --> 00:39:35,640 Speaker 1: the slick you know what I'm saying, the slick player. 781 00:39:35,440 --> 00:39:38,799 Speaker 3: Ship because most of the time black people understand Black 782 00:39:38,800 --> 00:39:39,200 Speaker 3: people know. 783 00:39:39,320 --> 00:39:40,520 Speaker 5: I asked them, was she bad? 784 00:39:41,800 --> 00:39:46,480 Speaker 1: And I said to certain people that like that kind 785 00:39:46,520 --> 00:39:50,000 Speaker 1: of style. No, what I'm saying everybody's bad. 786 00:39:50,800 --> 00:39:51,600 Speaker 2: That's not true that. 787 00:39:51,719 --> 00:39:55,360 Speaker 1: I'm telling you you there's no there's no truth on 788 00:39:55,520 --> 00:39:57,080 Speaker 1: somebody saying that a song is whack. 789 00:39:57,800 --> 00:39:58,520 Speaker 2: Everything's subjective. 790 00:39:59,040 --> 00:40:00,279 Speaker 1: So that's what that kind of it is. 791 00:40:00,440 --> 00:40:00,480 Speaker 2: Like. 792 00:40:00,560 --> 00:40:02,600 Speaker 1: It's like, you know, if your earbud doesn't work, bro, 793 00:40:02,719 --> 00:40:06,440 Speaker 1: the right one just doesn't work. You can't get somebody's opinion. 794 00:40:06,440 --> 00:40:07,560 Speaker 2: You want to get a divorce, right. 795 00:40:08,160 --> 00:40:13,880 Speaker 1: Yeah, I'm I'm just I'm really happy. I'm happy that 796 00:40:13,920 --> 00:40:17,000 Speaker 1: I'm just able to like create something like like in 797 00:40:17,360 --> 00:40:19,719 Speaker 1: a sense of like give me this building and do 798 00:40:19,880 --> 00:40:22,960 Speaker 1: all of this ship right now and let me see 799 00:40:23,480 --> 00:40:26,839 Speaker 1: that ship is like it's it's crazy, y'all speak. 800 00:40:26,880 --> 00:40:27,840 Speaker 3: Do you have a good relationship. 801 00:40:27,960 --> 00:40:30,279 Speaker 1: Yeah, we talk every day. We super cool. Like it's 802 00:40:30,360 --> 00:40:36,400 Speaker 1: all I don't I just I don't know what that means, 803 00:40:36,480 --> 00:40:38,240 Speaker 1: you know what I'm saying, Like if we're not together, 804 00:40:38,600 --> 00:40:40,959 Speaker 1: then you know, I just want to I just wanted 805 00:40:41,040 --> 00:40:44,440 Speaker 1: to protect her as far as like whatever the industry 806 00:40:44,640 --> 00:40:47,160 Speaker 1: has or whatever it is doing, Like she's killing them 807 00:40:47,200 --> 00:40:51,120 Speaker 1: in poker right now. There's a lot of millions on 808 00:40:51,200 --> 00:40:53,400 Speaker 1: the table. Were playing with millions of dollars, you know 809 00:40:53,440 --> 00:40:56,480 Speaker 1: what I'm saying. So you just got to protect her 810 00:40:56,680 --> 00:41:01,560 Speaker 1: and protect the kids, like you cannot the kids. My 811 00:41:01,719 --> 00:41:04,800 Speaker 1: kids love their mom. They look at that. That's there everything, 812 00:41:04,920 --> 00:41:08,960 Speaker 1: So how can you not make sure that that figure 813 00:41:09,480 --> 00:41:12,120 Speaker 1: is Even if you say all this crazy ship and 814 00:41:12,400 --> 00:41:14,520 Speaker 1: just call me out my name or say I'm gonna 815 00:41:14,520 --> 00:41:17,400 Speaker 1: die early, whatever, it's still all. 816 00:41:18,600 --> 00:41:20,160 Speaker 4: Is it true that you're trying to get a pardon 817 00:41:20,640 --> 00:41:22,439 Speaker 4: for sugar Nate from Donald Trump? 818 00:41:26,320 --> 00:41:27,920 Speaker 2: Are you were trying to get one when he was 819 00:41:27,960 --> 00:41:31,040 Speaker 2: in office? Mm hmm. 820 00:41:32,000 --> 00:41:32,520 Speaker 1: Get different. 821 00:41:35,719 --> 00:41:37,160 Speaker 4: That was one of the reasons you was around him 822 00:41:37,160 --> 00:41:38,320 Speaker 4: when he was in office because you were trying to 823 00:41:38,320 --> 00:41:39,280 Speaker 4: get a pardon for Sugarnate. 824 00:41:39,400 --> 00:41:42,160 Speaker 1: No, no, no, And that's what you said when you 825 00:41:42,239 --> 00:41:45,240 Speaker 1: said it, I'm like, that is like a good idea. 826 00:41:45,040 --> 00:41:46,520 Speaker 2: When it can't happen because he's not president. 827 00:41:46,719 --> 00:41:47,840 Speaker 1: I was just about to see I was. I was 828 00:41:47,840 --> 00:41:49,600 Speaker 1: just about to say, when he wins again, That's what 829 00:41:49,719 --> 00:41:52,359 Speaker 1: I was just so, you're going for Trump? I don't 830 00:41:52,440 --> 00:41:55,000 Speaker 1: know who we vote for. It shouldn't be the topic 831 00:41:55,080 --> 00:41:57,239 Speaker 1: of conversation. What can we do to help this place? 832 00:41:58,080 --> 00:41:59,719 Speaker 1: Like you know what I'm saying, Like what or what 833 00:41:59,840 --> 00:42:01,759 Speaker 1: is the look like? Are we all? Is it all 834 00:42:01,840 --> 00:42:06,160 Speaker 1: messed up? It's all messed up to me? Man, Interest racers, Yeah, 835 00:42:07,160 --> 00:42:10,480 Speaker 1: interest race was chilling with with with with DT bro. 836 00:42:10,640 --> 00:42:20,520 Speaker 1: We're talking one for all all people, everybody ate, Like 837 00:42:21,280 --> 00:42:24,719 Speaker 1: you know what I'm saying for more, I don't know. 838 00:42:24,800 --> 00:42:30,560 Speaker 1: I mean, I guarantee you this. You can't get canceled. 839 00:42:30,560 --> 00:42:32,200 Speaker 1: If you say you're gonna vote Donald Trump like you 840 00:42:32,600 --> 00:42:34,080 Speaker 1: used to. You know what I'm saying, Like, if you 841 00:42:34,160 --> 00:42:38,319 Speaker 1: said that, you risking something right now. It's like I'm 842 00:42:38,400 --> 00:42:42,440 Speaker 1: voting for him too. But but but listen, if you 843 00:42:42,600 --> 00:42:45,560 Speaker 1: if you have your mama's and your grandma, if you 844 00:42:45,719 --> 00:42:48,680 Speaker 1: have your grandma's and your mama's putting your ballot in 845 00:42:48,800 --> 00:42:50,279 Speaker 1: for you, because they like, well, we worked hard for this, 846 00:42:50,360 --> 00:42:52,719 Speaker 1: so I'm gonna put yours in and you tell them 847 00:42:52,760 --> 00:42:55,680 Speaker 1: to go Trump, just know that they still gonna go biting. 848 00:42:55,760 --> 00:42:57,359 Speaker 1: So if you're gonna vote, you got to get out 849 00:42:57,360 --> 00:43:00,200 Speaker 1: there and do it yourself, because you know that's what 850 00:43:00,280 --> 00:43:00,839 Speaker 1: my mama did. 851 00:43:03,600 --> 00:43:04,200 Speaker 5: Go ahead, you got it. 852 00:43:05,360 --> 00:43:08,560 Speaker 1: Mom's moms just running the mom's just overseeing the whole company. 853 00:43:08,640 --> 00:43:10,680 Speaker 1: So I got moms as the CEO of the interim 854 00:43:11,080 --> 00:43:17,080 Speaker 1: CEO right now of Tronics Network, just to my mom 855 00:43:17,280 --> 00:43:20,719 Speaker 1: sees it different. And my mom is super positive, and 856 00:43:20,840 --> 00:43:22,600 Speaker 1: you know what I mean, what she did with Brandy 857 00:43:22,760 --> 00:43:26,320 Speaker 1: was just very very strategic and very clean. 858 00:43:26,480 --> 00:43:26,600 Speaker 2: Right. 859 00:43:27,360 --> 00:43:31,480 Speaker 1: And then there's me. You know, I take showers all 860 00:43:31,520 --> 00:43:33,880 Speaker 1: the time, but I don't know how, I don't know 861 00:43:33,960 --> 00:43:34,439 Speaker 1: how clean. 862 00:43:34,680 --> 00:43:35,920 Speaker 3: It's not as clean as it should be. 863 00:43:36,080 --> 00:43:39,920 Speaker 1: No, no, no, no, no, no, I'm spotless. Even if 864 00:43:39,920 --> 00:43:42,920 Speaker 1: I wore white draws. You told people to wear white 865 00:43:43,000 --> 00:43:45,560 Speaker 1: draws exactly, But I'm saying I'm still dirty inside. 866 00:43:45,760 --> 00:43:46,760 Speaker 5: It's a deeper message. 867 00:43:47,560 --> 00:43:49,680 Speaker 1: I take a lot of showers, but it doesn't take 868 00:43:49,680 --> 00:43:53,840 Speaker 1: away from the creative filth that that crosses through my 869 00:43:53,920 --> 00:43:56,399 Speaker 1: mind every day. But I want to take you guys 870 00:43:56,440 --> 00:43:58,960 Speaker 1: somewhere we're going to go. I want to take you 871 00:43:59,040 --> 00:44:03,600 Speaker 1: guys to the Bahamas. What just to hang on breakfast 872 00:44:03,640 --> 00:44:05,960 Speaker 1: club y J I mean we come along way together. 873 00:44:06,719 --> 00:44:07,120 Speaker 2: Mm hmm. 874 00:44:08,680 --> 00:44:09,760 Speaker 3: Nice families. 875 00:44:10,239 --> 00:44:11,279 Speaker 2: You bring your family. 876 00:44:14,080 --> 00:44:14,719 Speaker 5: Said, let's go to that. 877 00:44:14,800 --> 00:44:16,120 Speaker 2: Do it sounds like something I'm interested in. 878 00:44:16,640 --> 00:44:18,560 Speaker 5: Going to the Bahamas with j. 879 00:44:21,000 --> 00:44:23,080 Speaker 2: Cameras and the editors. 880 00:44:23,120 --> 00:44:25,600 Speaker 5: That's ready the version on me. 881 00:44:26,600 --> 00:44:31,440 Speaker 1: It's serious. The reason why we asked, yo, let me 882 00:44:31,480 --> 00:44:35,120 Speaker 1: tell you something. Let me tell you dude, I want 883 00:44:35,239 --> 00:44:36,719 Speaker 1: to do whatever you want to do. 884 00:44:38,200 --> 00:44:38,759 Speaker 2: That's what you said. 885 00:44:38,800 --> 00:44:41,720 Speaker 5: The god. 886 00:44:45,120 --> 00:44:45,279 Speaker 2: Right. 887 00:44:45,800 --> 00:44:47,600 Speaker 3: You can get the cameras going right now, Russell. 888 00:44:49,000 --> 00:44:51,400 Speaker 2: I'm just asking to play with you. 889 00:44:55,920 --> 00:44:57,560 Speaker 3: That's the second time Ray. 890 00:44:59,120 --> 00:45:04,439 Speaker 1: You got you got a you got a booty goon 891 00:45:04,480 --> 00:45:07,680 Speaker 1: show Angela ye made up booty goons. I said it 892 00:45:08,000 --> 00:45:11,640 Speaker 1: more cut, but I do got the gagency now I 893 00:45:11,760 --> 00:45:15,200 Speaker 1: do got you know what I'm saying. My transgender squad, 894 00:45:16,120 --> 00:45:20,920 Speaker 1: and and then Suki and I hangover sixty nine, the 895 00:45:21,040 --> 00:45:23,439 Speaker 1: first song called pipe You Down. The video is done. 896 00:45:23,719 --> 00:45:25,440 Speaker 1: I want to break it here. I want to I 897 00:45:25,520 --> 00:45:26,879 Speaker 1: want to be I want to be on. I wanted 898 00:45:26,920 --> 00:45:29,800 Speaker 1: to be on heavy rotation here first. You know what 899 00:45:29,840 --> 00:45:31,520 Speaker 1: I'm saying, this is where I see this is where 900 00:45:31,560 --> 00:45:33,680 Speaker 1: I see heavy road for this because it's like it 901 00:45:33,800 --> 00:45:37,120 Speaker 1: has this like drill this drill beat. But that was 902 00:45:37,200 --> 00:45:39,800 Speaker 1: what it was in the right. Yeah. Yeah, it's a 903 00:45:39,880 --> 00:45:41,799 Speaker 1: good tune. It's a really good tune. And I think 904 00:45:41,840 --> 00:45:44,520 Speaker 1: that here, I mean, here's where I know it should 905 00:45:44,520 --> 00:45:47,080 Speaker 1: be first, like but not just playing it, you know 906 00:45:47,080 --> 00:45:51,000 Speaker 1: what I'm saying. You know, but the but the world 907 00:45:51,160 --> 00:45:53,080 Speaker 1: gotta love it. And I want you guys to love it. 908 00:45:53,160 --> 00:45:56,040 Speaker 1: And if you don't, I'm your friend, my guy. 909 00:45:56,560 --> 00:45:58,160 Speaker 2: I've had my quota of j for today. 910 00:46:00,160 --> 00:46:02,400 Speaker 1: Listen, listen. I have a place down the street. You 911 00:46:02,440 --> 00:46:04,560 Speaker 1: guys should come see it. It's filled with TVs and 912 00:46:04,760 --> 00:46:08,840 Speaker 1: like all this editing thing. It's dope. It's dope. Okay, 913 00:46:10,200 --> 00:46:15,120 Speaker 1: I'm watching the h and we're doing titty tour. Okay, 914 00:46:15,520 --> 00:46:22,759 Speaker 1: that's what I want. I want you to do. Yeah, 915 00:46:23,280 --> 00:46:27,799 Speaker 1: will titty table talk like that? Yeah, titty table talk 916 00:46:27,920 --> 00:46:31,560 Speaker 1: is really about education, educating, like we're giving your experiences 917 00:46:31,719 --> 00:46:36,360 Speaker 1: on topless topless. Absolutely not. Okay, this is after the 918 00:46:36,440 --> 00:46:38,719 Speaker 1: titty tour. The titty Tour is me and I got 919 00:46:38,800 --> 00:46:45,239 Speaker 1: all no nobody's to do. It's a strip club touring. 920 00:46:45,280 --> 00:46:47,720 Speaker 1: On a strip club tour, titty tour is called tops 921 00:46:47,719 --> 00:46:52,160 Speaker 1: off for radio guys like that. Yeah, like me give 922 00:46:52,200 --> 00:46:56,279 Speaker 1: me because I'm thinking about it's us in the strip plus. Right, 923 00:46:56,360 --> 00:46:59,480 Speaker 1: we go there with the bus and it's invite only, 924 00:47:00,760 --> 00:47:02,239 Speaker 1: so we're not we don't want you to We're not 925 00:47:02,400 --> 00:47:05,200 Speaker 1: there to make money. It sounds like it sounds like 926 00:47:05,480 --> 00:47:10,640 Speaker 1: we are there to throw all the money on the 927 00:47:10,800 --> 00:47:15,640 Speaker 1: dancers and give you and give you an experience with 928 00:47:15,760 --> 00:47:19,320 Speaker 1: the songs behind it. Right, So you're watching, they're watching 929 00:47:19,360 --> 00:47:22,040 Speaker 1: this beautiful celebration, you're listening to the songs and when 930 00:47:22,040 --> 00:47:23,840 Speaker 1: you leave you can't get them out your head. And 931 00:47:23,960 --> 00:47:26,399 Speaker 1: so that's how we're kind of doing our radio radio run. 932 00:47:27,120 --> 00:47:29,640 Speaker 3: That's not like Jocelyn's cabaret she has that strip club. 933 00:47:31,719 --> 00:47:34,520 Speaker 1: Yeah yeah, but we're just we're we're just going in 934 00:47:34,600 --> 00:47:37,080 Speaker 1: and just having fun. This isn't a show. This is 935 00:47:37,239 --> 00:47:42,680 Speaker 1: just you know, no, no, no, it is a show. Yeah, 936 00:47:42,880 --> 00:47:43,800 Speaker 1: I think now it is. 937 00:47:45,560 --> 00:47:49,240 Speaker 2: No. I can't wait to see you as a billionaire. 938 00:47:49,719 --> 00:47:51,920 Speaker 5: I'm telling cold. 939 00:47:54,520 --> 00:47:59,920 Speaker 2: Somethings. I pray for God, bionaire, you got the office. 940 00:48:00,160 --> 00:48:00,879 Speaker 2: This m hm. 941 00:48:03,920 --> 00:48:10,399 Speaker 1: Oh wow, even more like a little electric bike wing 942 00:48:10,520 --> 00:48:14,080 Speaker 1: to do what they do. People respect. You know, you 943 00:48:14,160 --> 00:48:18,160 Speaker 1: started the electric bike stuff before with before before before. 944 00:48:18,640 --> 00:48:22,719 Speaker 1: Other creators saw and said, I got a better idea, right, 945 00:48:22,760 --> 00:48:24,919 Speaker 1: because that's what ideas do. And I had to stand 946 00:48:25,000 --> 00:48:27,399 Speaker 1: up because I you know, I'm sitting down a lot 947 00:48:27,480 --> 00:48:28,120 Speaker 1: when I'm editing. 948 00:48:29,760 --> 00:48:32,120 Speaker 4: So I'm like, it sounds if you just stand on business, right, 949 00:48:32,239 --> 00:48:33,680 Speaker 4: And what I mean by that is like, you need 950 00:48:33,760 --> 00:48:35,960 Speaker 4: to do more interviews where you're talking about your business 951 00:48:36,000 --> 00:48:37,440 Speaker 4: acumen and your business portfolio. 952 00:48:37,560 --> 00:48:39,279 Speaker 1: Yeah, it's time now. But you know I couldn't do 953 00:48:39,400 --> 00:48:42,560 Speaker 1: that there because it was so sealed tight and I 954 00:48:42,640 --> 00:48:45,239 Speaker 1: had to like, you know, just watch a couple of things. 955 00:48:45,280 --> 00:48:47,600 Speaker 1: But I'm in full control. I spent all my money. 956 00:48:48,080 --> 00:48:52,360 Speaker 1: I spent all my money on don't even tronics, t 957 00:48:52,719 --> 00:48:56,600 Speaker 1: R O n i X network dot com. 958 00:48:56,640 --> 00:48:58,440 Speaker 3: You should get people thirty days free where they can 959 00:48:58,480 --> 00:49:00,719 Speaker 3: see if they can enjoy it first, and then you'll 960 00:49:00,760 --> 00:49:01,360 Speaker 3: get them clicked. 961 00:49:02,320 --> 00:49:03,480 Speaker 5: He was already talking about you. 962 00:49:04,480 --> 00:49:06,680 Speaker 3: You gotta put your credit card in full anyway, I 963 00:49:06,800 --> 00:49:07,720 Speaker 3: get thirty days. 964 00:49:08,680 --> 00:49:12,239 Speaker 1: Like see, you got to understand DJ Envy. This is 965 00:49:12,760 --> 00:49:17,440 Speaker 1: the loudest, most premium content they're ever gonna get with 966 00:49:17,840 --> 00:49:21,080 Speaker 1: an art that you can't beat, that just makes you 967 00:49:21,160 --> 00:49:25,120 Speaker 1: feel good. For four ninety nine, I've never seen yeah, 968 00:49:25,200 --> 00:49:30,799 Speaker 1: because what's out now is a saturation of inconsistency where 969 00:49:31,000 --> 00:49:34,520 Speaker 1: you don't know what's going on, but they're fighting. It 970 00:49:34,640 --> 00:49:37,520 Speaker 1: works for a target audience, but doing my testing with 971 00:49:37,640 --> 00:49:41,320 Speaker 1: that audience, they love these story arcs as well. They love, like, 972 00:49:41,520 --> 00:49:44,120 Speaker 1: you know, a show to start and then it has 973 00:49:44,200 --> 00:49:46,440 Speaker 1: a climax and then it goes into the inspirational thing 974 00:49:46,560 --> 00:49:49,240 Speaker 1: or the cliffhanger for something else. It's not being produced 975 00:49:49,400 --> 00:49:52,480 Speaker 1: like that right now on the other shows. And if 976 00:49:52,560 --> 00:49:56,960 Speaker 1: Zeus is our competition, then we're our competition because there 977 00:49:57,239 --> 00:50:00,520 Speaker 1: there hasn't been another show after the show we did. 978 00:50:02,320 --> 00:50:06,520 Speaker 1: That are the shows we did. You can take us 979 00:50:06,600 --> 00:50:09,160 Speaker 1: off of Baddies executive producer for the second and third 980 00:50:09,239 --> 00:50:12,799 Speaker 1: season and on Fine you see where the first time 981 00:50:12,840 --> 00:50:17,200 Speaker 1: it starts with it say boom, no man. 982 00:50:17,640 --> 00:50:19,360 Speaker 8: What I love about what you showed us is that 983 00:50:19,440 --> 00:50:23,600 Speaker 8: we saw and then we saw the emotional parts behind it. 984 00:50:23,680 --> 00:50:26,040 Speaker 8: We saw fights, and then we seen in the same 985 00:50:26,160 --> 00:50:29,520 Speaker 8: niggas crying like I love you. Then we shoot you know, 986 00:50:29,600 --> 00:50:32,000 Speaker 8: we throw to a clip of you without agency. 987 00:50:33,040 --> 00:50:34,960 Speaker 5: Oh yeah, So that was the gauge. 988 00:50:35,160 --> 00:50:37,760 Speaker 1: That was it was a agency, the ride and Dumping 989 00:50:37,800 --> 00:50:41,560 Speaker 1: D Okay, Dumping D in the rod yep, what was it. 990 00:50:41,719 --> 00:50:45,040 Speaker 1: We appreciate you for joining Dumping and the Ride. The 991 00:50:46,000 --> 00:50:48,279 Speaker 1: Ride is the CEO of the gagency, and Dumping D 992 00:50:49,400 --> 00:50:54,640 Speaker 1: is his associate. Dumping agency. 993 00:50:54,760 --> 00:50:57,120 Speaker 2: Fantastic name for again, he's like, who's gonna. 994 00:50:57,080 --> 00:50:59,640 Speaker 1: Look next week when it comes out? And the reason 995 00:50:59,680 --> 00:51:02,200 Speaker 1: one that like broke thing out the Yeah, like in 996 00:51:02,280 --> 00:51:05,239 Speaker 1: the gas station he was shout out to Dumping D Yo. 997 00:51:05,360 --> 00:51:08,680 Speaker 1: I told y'all, y'alls gonna be popping now. I'm talking 998 00:51:08,719 --> 00:51:12,960 Speaker 1: to the Breakfast club about y'all. My word is all 999 00:51:13,160 --> 00:51:13,560 Speaker 1: I got. 1000 00:51:14,200 --> 00:51:15,480 Speaker 2: Hey, me and jeffs pregnant man. 1001 00:51:17,000 --> 00:51:17,719 Speaker 5: No, please, that's not. 1002 00:51:25,360 --> 00:51:26,960 Speaker 1: Talking at presenting a lot. 1003 00:51:27,239 --> 00:51:30,400 Speaker 2: No, I'm happy for you. J I can't wait to 1004 00:51:30,440 --> 00:51:31,799 Speaker 2: see what the Tronic Network does. 1005 00:51:32,160 --> 00:51:35,520 Speaker 1: Yeah, we are. We are working it. Now. You can 1006 00:51:35,600 --> 00:51:37,880 Speaker 1: go in and you can subscribe, pre subscribe now the 1007 00:51:37,960 --> 00:51:40,919 Speaker 1: trailer is coming. I'm dropping the super trailer with y'all 1008 00:51:40,960 --> 00:51:45,239 Speaker 1: said what y'all just saw right now? 1009 00:51:45,520 --> 00:51:47,800 Speaker 8: Okay, Oh, you're gonna drop it right now so we 1010 00:51:47,880 --> 00:51:49,279 Speaker 8: get a Breakfast club exclusive. 1011 00:51:51,239 --> 00:51:53,880 Speaker 4: Okay, then it does we're gonna put it in YouTube 1012 00:51:53,920 --> 00:51:55,640 Speaker 4: video to to where they can see when we're watching it, 1013 00:51:55,719 --> 00:51:57,120 Speaker 4: they can see it on y'all got on? 1014 00:51:57,400 --> 00:51:58,080 Speaker 1: That was you'all computer? 1015 00:51:58,200 --> 00:52:01,200 Speaker 3: Right, Yeah, we actually do have it, but look the 1016 00:52:01,239 --> 00:52:01,560 Speaker 3: first one. 1017 00:52:02,719 --> 00:52:05,399 Speaker 1: But look, man, you got that first episode that don't 1018 00:52:05,440 --> 00:52:06,720 Speaker 1: nobody got that's crazy. 1019 00:52:07,000 --> 00:52:08,080 Speaker 3: We're not gonna put that one up there. 1020 00:52:08,680 --> 00:52:10,839 Speaker 1: But when it comes out on twenty fifth, so that's 1021 00:52:10,880 --> 00:52:13,640 Speaker 1: next week. What you guys can do it? You guys 1022 00:52:13,760 --> 00:52:16,720 Speaker 1: have you guys are the only ones with that episode. 1023 00:52:18,000 --> 00:52:19,800 Speaker 1: It was an accident because remember I was trying to 1024 00:52:19,840 --> 00:52:20,680 Speaker 1: show you all the other stuff. 1025 00:52:20,719 --> 00:52:22,640 Speaker 5: But but we were supposed to get there. We're supposed 1026 00:52:22,640 --> 00:52:23,480 Speaker 5: to see that murder live. 1027 00:52:23,840 --> 00:52:25,440 Speaker 1: Yeah, I just I didn't want to. I didn't want to, 1028 00:52:25,880 --> 00:52:26,120 Speaker 1: you know what? 1029 00:52:26,760 --> 00:52:26,920 Speaker 5: Yeah? 1030 00:52:27,520 --> 00:52:28,120 Speaker 1: That was just na. 1031 00:52:28,520 --> 00:52:29,960 Speaker 3: Can we drop a ball for ray J man? 1032 00:52:30,440 --> 00:52:32,319 Speaker 1: Yes, Ray J ladies, gentlemen. 1033 00:52:33,280 --> 00:52:36,279 Speaker 5: Yes, yes, yes, yes, let's please play that. 1034 00:52:36,480 --> 00:52:39,000 Speaker 1: You're a part of the Elohan. You are a part 1035 00:52:39,040 --> 00:52:45,320 Speaker 1: of the Elohan, I know. Like all right, so this 1036 00:52:45,440 --> 00:52:47,080 Speaker 1: is the new song. This is the first song. Because 1037 00:52:47,080 --> 00:52:50,600 Speaker 1: you got Tronics Media Group, then you have Tronics Music Group. 1038 00:52:50,960 --> 00:52:53,560 Speaker 1: It coincide. There you go, there's a subsidi area off 1039 00:52:53,640 --> 00:52:57,040 Speaker 1: one and then the other. That's right, all tronics industry. 1040 00:52:57,120 --> 00:52:59,760 Speaker 1: There you go, right. This song is the first kicker 1041 00:52:59,840 --> 00:53:03,439 Speaker 1: off Sukiana and ray J is called Pipe You Down, 1042 00:53:03,600 --> 00:53:06,879 Speaker 1: Pipe You Down Right, and it's a really good tune. 1043 00:53:07,200 --> 00:53:09,520 Speaker 1: Suki has a show coming out on the Tronics Network 1044 00:53:09,520 --> 00:53:13,720 Speaker 1: where she's executive producing it. Here's the title, Little Coochies. 1045 00:53:13,320 --> 00:53:20,000 Speaker 2: Of Las Vegas, little nothing spoof. 1046 00:53:20,040 --> 00:53:23,839 Speaker 1: It's about all of the sexy little dancers people. Yeah, 1047 00:53:26,400 --> 00:53:29,600 Speaker 1: but then splits right, splits your first fighter on the bond. 1048 00:53:30,440 --> 00:53:32,560 Speaker 1: I let her produce the show called Big Hoochies of 1049 00:53:32,600 --> 00:53:35,400 Speaker 1: Atlanta and that's the big, big big ones. 1050 00:53:37,920 --> 00:53:42,799 Speaker 2: Big Back to at l show called Big Back to Yo. 1051 00:53:43,320 --> 00:53:48,399 Speaker 1: That's crazy and the agencies like series is like Broke 1052 00:53:48,480 --> 00:53:54,120 Speaker 1: Back Mountain but three iality version. Oh my god, yes, 1053 00:53:54,840 --> 00:53:55,239 Speaker 1: ray J. 1054 00:53:56,160 --> 00:53:56,399 Speaker 2: Yes. 1055 00:53:56,880 --> 00:54:05,160 Speaker 7: Chronics Network appreciate getting breakfast good morning, Wake that ass 1056 00:54:05,320 --> 00:54:07,600 Speaker 7: up in the morning at Breakfast club. 1057 00:54:11,600 --> 00:54:11,920 Speaker 1: MHM.