WEBVTT - What exactly is ectoplasm?

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<v Speaker 1>Important announcement before we dive in. We would love to

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<v Speaker 1>Toss a coin to your witchers, as they say occasionally,

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<v Speaker 1>every time you give us some of those stars inter review,

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<v Speaker 2>Evening, And sometimes an angel gets its wings and on

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<v Speaker 2>with the show.

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<v Speaker 4>From UFOs to psychic powers and government conspiracies, history is

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<v Speaker 4>riddled with unexplained events. You can turn back now or

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<v Speaker 4>learn this stuff they don't want you to know. A

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<v Speaker 4>production of iHeartRadio.

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<v Speaker 5>Hello, welcome back to the show. My name is Matt,

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<v Speaker 5>my name is.

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<v Speaker 6>Don't they call me Ben?

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<v Speaker 1>We're joined as always with our super producer Paul, mission

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<v Speaker 1>control decands. Most importantly, you are you, You are here.

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<v Speaker 1>That makes this the stuff they don't want you to know.

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<v Speaker 1>We're so glad you came over, fellow conspiracy realist. Good evening, Humans,

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<v Speaker 1>AI Inspectors alike. We've got a special one for you tonight.

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<v Speaker 1>It's for the spirits, the skeptics, and the ghostbusters. It's

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<v Speaker 1>a little gooey, it's a little gross. It's a literal

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<v Speaker 1>sticky subject on me. Yeah, Yeah, We're finally doing something

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<v Speaker 1>we talked to about in a previous couple of previous episodes.

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<v Speaker 1>We talked about star Jelly, remember and angel hair phenomenon,

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<v Speaker 1>the weird stuff that falls from the sky series.

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<v Speaker 2>Oh, how could we forget? It was a golden time,

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<v Speaker 2>It was a golden age, and the history of stuff

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<v Speaker 2>they don't want you to know. A couple of weeks ago.

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<v Speaker 3>And we've talked about ghosts extensively on this show, and

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<v Speaker 3>photography and the history of attempting to capture whatever it

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<v Speaker 3>is that the spiritualism movement was so into all those

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<v Speaker 3>years ago.

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<v Speaker 2>Or does all of that stuff the idea of capturing

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<v Speaker 2>somebody's particular color that they emit. They can only be

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<v Speaker 2>captured with a certain photographic process crillion photography.

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<v Speaker 1>Yes, I love it, and the idea of EVP like

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<v Speaker 1>that famous Michael Keaton I think Michael Keaton film from

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<v Speaker 1>way back when we also, what we see here is

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<v Speaker 1>a common theme, the idea of chasing some tangible proof

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<v Speaker 1>of intangible spirits, and that leads us to tonight's exploration,

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<v Speaker 1>what on earth is ectoplasm? Exactly? Here are the facts.

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<v Speaker 1>I don't know about you guys, but I think we

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<v Speaker 1>should dive in straight to the cool part. Ectoplasm can

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<v Speaker 1>mean several things, but well that's a bit of foreshadowing.

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<v Speaker 1>But for now, maybe we start with ectoplasm and the

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<v Speaker 1>paranormal or supernatural sense, the slime that covers you know,

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<v Speaker 1>the breakout star of Ghostbusters slimer.

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<v Speaker 6>Yeah, and I have questions.

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<v Speaker 2>I said that at the top, but like, how come

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<v Speaker 2>the ectoplasm went from green to pink between Ghostbusters one

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<v Speaker 2>and two?

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<v Speaker 6>It's never really explained. I wouldn't know. I just learned

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<v Speaker 6>it when you said it. Now, Yeah, this lineman, you

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<v Speaker 6>don't know Ghostbusters to it? This lime that fly but

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<v Speaker 6>I don't know the colors. Yeah, Oh, I'm sorry. Ben

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<v Speaker 6>I forget. Yeah, well that's true.

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<v Speaker 2>The slime and Ghostbusters two is pink, and they don't

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<v Speaker 2>really differentiate it from the slime in Ghostbusters one.

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<v Speaker 6>So it's a little bit odd.

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<v Speaker 2>That just kind of an odd contribution to the lore

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<v Speaker 2>without really much justification.

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<v Speaker 1>Oh so not the slime on the character Slimer, but

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<v Speaker 1>the actual.

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<v Speaker 6>Slimer is still Slimer.

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<v Speaker 2>But he's barely in Ghostbusters two, if he's in it

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<v Speaker 2>at all, I want to say. But it's like slime

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<v Speaker 2>fills the sewers of the city and starts, you know,

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<v Speaker 2>oozing out of everything, and if you go the carpathi

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<v Speaker 2>and I guess it is responsible. But it's an entirely

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<v Speaker 2>different kind of ectoplasm.

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<v Speaker 3>Oh wow, I can't remember. I can't remember if it

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<v Speaker 3>has anything to do with actually conjuring any of the

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<v Speaker 3>ghosts or like, do the ghosts come out of it?

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<v Speaker 3>Or is Slimer being made out of slime somehow ectoplasm?

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<v Speaker 2>It's like a byproduct, right, like of a supernatural encounter.

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<v Speaker 1>Yeah, Ghostbusters one, We'll get this out of the way

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<v Speaker 1>quite Ghostbusters one. It's it's always bugged me. They don't

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<v Speaker 1>have a huge backst worry for slimer. But in Ghostbusters one,

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<v Speaker 1>I believe as gooser Spoiler is coming to end the world,

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<v Speaker 1>more spirits are gathering. And then in Ghostbusters two, when

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<v Speaker 1>Vigo the Carpathian the Scourge of Moldavia or the Sorrow

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<v Speaker 1>of Moldavia, the Scourge of Carpathia or whatever.

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<v Speaker 6>When he's come guy in the painting right, when he's.

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<v Speaker 1>Coming back, they discover this huge river of ghost goo

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<v Speaker 1>and that can be charged with positive or negative energy,

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<v Speaker 1>and then that also brings back a bunch of ghosts

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<v Speaker 1>we have spoiled Ghostbusters.

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<v Speaker 2>It is representative of what we're talking about today. And

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<v Speaker 2>I guess maybe they go more into detail with the

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<v Speaker 2>ectoplasm and Ghostbusters too, because you mentioned the positive negative

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<v Speaker 2>charge and they actually like experiment with it and stuff.

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<v Speaker 2>And Ghostbusters one it's much less of a plot point,

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<v Speaker 2>and then two it really is a big deal because

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<v Speaker 2>they find that river, it seems stuff seems to emerge

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<v Speaker 2>from it. In one, it's more of an afterthought and

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<v Speaker 2>something that you get stuck all over you when you.

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<v Speaker 6>When a ghost, you get slimed. That was sort of

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<v Speaker 6>the joke, right, I've been slimed.

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<v Speaker 5>Yeah, do you do?

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<v Speaker 6>You guys. Not Like.

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<v Speaker 3>My immediate thought when I hear ectoplasm now is of

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<v Speaker 3>South Park. Of course Crim Fresh?

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<v Speaker 2>Right, No, isn't it the episode No, but the one

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<v Speaker 2>where he's covered in ghost go like with Randy.

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<v Speaker 6>I thought it was the Crim Fresh I was a member.

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<v Speaker 5>Oh maybe it is, Maybe it is. I think of yeah, whatever,

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<v Speaker 5>whatever it is.

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<v Speaker 3>Back in the day, I think it's season twelve, like eight,

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<v Speaker 3>maybe oh nine, and it was. Yeah, that's what I

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<v Speaker 3>think of now every time I think of ectoplasms.

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<v Speaker 6>It was a spooky ghost. It was.

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<v Speaker 1>It's weird because the term dates back pretty far. It

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<v Speaker 1>was it was nineteen thirteen when a French physiologist named

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<v Speaker 1>Charles rashe R I see came up with or he

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<v Speaker 1>used this to describe something paranormal. It comes from the Greek.

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<v Speaker 1>For all our etymology nerds, it's a portmanteau of the

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<v Speaker 1>two words ectos, meaning just outside, and plasma, which means

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<v Speaker 1>anything molded or formed. So outside molded or formed. And

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<v Speaker 1>this was a huge deal. It reached its haiti and

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<v Speaker 1>popular culture.

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<v Speaker 6>It's hey evening.

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<v Speaker 1>During the movement of a pseudo religious thing called spiritualism

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<v Speaker 1>in the late nineteenth and early twentieth centuries, and we're

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<v Speaker 1>going to have an episode on the rise and fall

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<v Speaker 1>of that movement in a future evening. I think either

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<v Speaker 1>I don't know, it might be here. It might be

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<v Speaker 1>ridiculous history because it's one of those Venn diagram explorations.

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<v Speaker 2>Yeah, we did do something on that though recently, Ben

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<v Speaker 2>I swear where we talked about the methods of kind

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<v Speaker 2>of the hacky kind of methods that were used to

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<v Speaker 2>take people in with mentalism and some of the tricks

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<v Speaker 2>that were used, like in the Tables and the Peppers

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<v Speaker 2>go moist illusions and things like that. I cannot recall though,

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<v Speaker 2>which show we talked about this on or what the

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<v Speaker 2>nature of the episode was, but it's all kind of fresh.

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<v Speaker 2>But I'm glad that you mentioned the origin of the word,

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<v Speaker 2>because in my mind I was thinking of another term

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<v Speaker 2>that's been in the Newslet lady is like ectopic, the

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<v Speaker 2>idea of like an ectopic prectic pregnancy. And I'm glad

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<v Speaker 2>you have officially taken all doub out of my mind

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<v Speaker 2>that those words are related, that it is just about

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<v Speaker 2>something that happens outside.

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<v Speaker 1>Yeah, ecto as in something you're currying outside in this

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<v Speaker 1>paranormal context, Ectoplasm is what the three of us have

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<v Speaker 1>been talking about here, a mysterious substance that is manifested

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<v Speaker 1>by individuals with some sort of extrasensory ability, most notably mediums,

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<v Speaker 1>specifically physical mediums who commune with the dead or sometimes

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<v Speaker 1>completely non human incorporeal spirits. Which is an interesting thing

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<v Speaker 1>because these mediums were, you know, for the most part,

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<v Speaker 1>they were saying, we are in communication with a dead

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<v Speaker 1>human being, but they would also sometimes be talking to

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<v Speaker 1>a sentient thing that did not exist on the mortal plane,

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<v Speaker 1>which I thought was fascinating.

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<v Speaker 6>It's a weird trip.

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<v Speaker 1>I didn't know there were other categories of ectoplasm. There's

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<v Speaker 1>teleplasm that's when the medium is emitting ectoplasm at a distance,

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<v Speaker 1>like across the room or in some stories, in a

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<v Speaker 1>totally different locale. And then idioplasm that's that's when the

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<v Speaker 1>ghost goop molds itself into the likeness of a person,

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<v Speaker 1>you know what I.

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<v Speaker 3>Mean, yeah, or just some other you know, face, an

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<v Speaker 3>entire body in some cases. And it's weird stuff too,

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<v Speaker 3>because it's I like, this idea of teleplasm like just

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<v Speaker 3>shows up in different places because you can stories and

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<v Speaker 3>they are stories. Let us assure you of this stuff,

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<v Speaker 3>whatever it is, we're about to describe it showing up

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<v Speaker 3>on the medium, like you said, Ben, across the room,

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<v Speaker 3>on the table, underneath the table, in the belly button,

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<v Speaker 3>in the face, just weird in the butt.

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<v Speaker 6>Oh oh, if you must.

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<v Speaker 2>You guys, remember that line in True Detective Season one

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<v Speaker 2>where Cole where rust Cole says, I smell the psychosphere

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<v Speaker 2>and then his partner thinks he's saying he smells a

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<v Speaker 2>psycho's sphere. And for the longest time I thought that

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<v Speaker 2>was because the subtitles say that, But psychosphere is a

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<v Speaker 2>thing that refers to it's like the sphere surrounding psychic energy.

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<v Speaker 6>And reality around the Earth.

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<v Speaker 2>And I think that term psychoplasm ban that you mentioned

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<v Speaker 2>probably pertains to that. The idea of this being some

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<v Speaker 2>sort of byproduct of these this sort of clustered bubble

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<v Speaker 2>of like supernatural energy, I guess right.

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<v Speaker 1>Yeah, yeah, being the light fantastic, right, Going from from

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<v Speaker 1>everything that science tells humanity death is a one way street, right,

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<v Speaker 1>and two from a you know, the idea of scientifically

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<v Speaker 1>exploring allegations of the afterlife and the paranormal, you would

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<v Speaker 1>want as a scientist, physical reproducible, measurable proof, something tangible

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<v Speaker 1>of returning from beyond death, and so ectoplasm or ecto

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<v Speaker 1>as the cool kids called it, not to be confused

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<v Speaker 1>with ecto cooler.

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<v Speaker 6>It was.

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<v Speaker 1>It was for many people, many very intelligent people. It

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<v Speaker 1>was considered the smoking gun of the afterlife, of proof

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<v Speaker 1>of something beyond the physical plane. And if you you

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<v Speaker 1>can see pictures of this, and as as you were saying, Matt,

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<v Speaker 1>you can read all sorts of stories and anecdotes. Uh,

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<v Speaker 1>and when you see the photographs it, uh, maybe we're

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<v Speaker 1>spoiled in the world of special effects and CGI. But

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<v Speaker 1>it doesn't exactly take your breath away. It's kind of

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<v Speaker 1>a gauzy substance and usually it comes from some orifice

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<v Speaker 1>of the medium's body. And it's cool because it's like, yeah,

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<v Speaker 1>it's like symbiat suit in comic books, right, like the

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<v Speaker 1>venom symbia.

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<v Speaker 6>It coats the The.

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<v Speaker 1>Idea is it coats the spirit, right, like a like

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<v Speaker 1>a translucent mech.

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<v Speaker 3>Well, it's almost like it is the medium, the physical

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<v Speaker 3>medium through which the spirit plane can enter this realm.

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<v Speaker 5>Like that's kind of the idea. It's it's I was

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<v Speaker 5>trying to.

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<v Speaker 3>Come up with a metaphor, and ill I have one

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<v Speaker 3>dot if you guys have been thinking about it, but

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<v Speaker 3>likelub well almost but the idea of you need to

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<v Speaker 3>be covered in this stuff in order to get through

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<v Speaker 3>through a barrier of some sort.

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<v Speaker 2>I know, there's this stuff that people like stunt actors

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<v Speaker 2>when they set themselves on fire in movies, they coat

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<v Speaker 2>their skin with this particular type of material that keeps

0:13:11.440 --> 0:13:12.960
<v Speaker 2>the fire from actually touching them.

0:13:13.240 --> 0:13:15.120
<v Speaker 6>It's like the reverse of that kind of I guess

0:13:15.160 --> 0:13:17.480
<v Speaker 6>in a way. I mean, you know, I think that

0:13:17.760 --> 0:13:19.280
<v Speaker 6>I think that gibes that tracks.

0:13:19.320 --> 0:13:25.480
<v Speaker 1>There's also from the idea of tangible manifestation of otherwise

0:13:25.520 --> 0:13:29.400
<v Speaker 1>invisible energy. You could think of the way that you

0:13:29.400 --> 0:13:33.600
<v Speaker 1>can see sound waves by vibrations in sand, Like if

0:13:33.600 --> 0:13:37.080
<v Speaker 1>you've ever seen that experiment where there's a disk of

0:13:37.240 --> 0:13:41.199
<v Speaker 1>sand and then people start playing sounds and you can

0:13:42.400 --> 0:13:45.200
<v Speaker 1>sound Yeah, yeah, you can see the waves of sound

0:13:45.679 --> 0:13:46.600
<v Speaker 1>reflected there.

0:13:47.000 --> 0:13:49.800
<v Speaker 2>I think between those two we pretty much got it. Yeah,

0:13:49.800 --> 0:13:52.520
<v Speaker 2>because it is I see what you're getting at mad Itism.

0:13:52.600 --> 0:13:55.760
<v Speaker 2>That's a little hard to put into words because it's

0:13:55.840 --> 0:13:58.880
<v Speaker 2>like a it's something it's almost like a space suit

0:13:59.040 --> 0:14:02.280
<v Speaker 2>in a way. It allows you to traverse a particular

0:14:02.440 --> 0:14:05.480
<v Speaker 2>boundary that you should not be able to exist in.

0:14:06.000 --> 0:14:08.560
<v Speaker 2>Like it's almost like without this stuff, the ghosts either

0:14:08.559 --> 0:14:11.240
<v Speaker 2>couldn't make it. The spirits couldn't either make it into

0:14:11.280 --> 0:14:14.040
<v Speaker 2>this realm or this plane, or they would they would

0:14:14.040 --> 0:14:15.360
<v Speaker 2>perish in some.

0:14:15.240 --> 0:14:17.120
<v Speaker 6>Way, or they couldn't be perceived.

0:14:18.000 --> 0:14:19.560
<v Speaker 5>Yeah, that's the other thing.

0:14:19.640 --> 0:14:26.200
<v Speaker 3>The other thought is that when one of these beings, otherworldly, spiritual, ghost, whatever,

0:14:26.600 --> 0:14:29.040
<v Speaker 3>when they show up in our physical realm, this is

0:14:29.120 --> 0:14:31.480
<v Speaker 3>what they leave behind.

0:14:31.080 --> 0:14:33.960
<v Speaker 2>What they're wearing that allows them to be perceived at

0:14:33.960 --> 0:14:34.840
<v Speaker 2>all too, right.

0:14:34.800 --> 0:14:37.560
<v Speaker 1>Like their fingerprints or the way that you can see

0:14:38.880 --> 0:14:43.280
<v Speaker 1>you can see human oils after flesh touches glass. It's

0:14:43.360 --> 0:14:46.440
<v Speaker 1>kind of a residue. And then like to make a

0:14:47.280 --> 0:14:50.280
<v Speaker 1>I'll dumb it down because I think this is maybe

0:14:51.040 --> 0:14:54.000
<v Speaker 1>this is the dumbest example I can think of. It's

0:14:54.040 --> 0:14:59.120
<v Speaker 1>why people throw sheets over ghost the laziest ghost costume

0:14:59.320 --> 0:15:01.840
<v Speaker 1>in the history of Halloween. Now that you have the

0:15:01.880 --> 0:15:03.400
<v Speaker 1>sheet on, you can see the thing.

0:15:03.760 --> 0:15:06.440
<v Speaker 2>Yeah, Like there's a whole big sequence at the end

0:15:06.480 --> 0:15:09.880
<v Speaker 2>of it follows where they're in this school swimming pool

0:15:09.880 --> 0:15:11.040
<v Speaker 2>to the gym and they.

0:15:10.880 --> 0:15:12.360
<v Speaker 6>Have to follow the ghost around.

0:15:12.400 --> 0:15:14.480
<v Speaker 2>They keep throwing stuff over it so they can like

0:15:14.560 --> 0:15:16.720
<v Speaker 2>track it, and then they shoot it because I guess

0:15:16.720 --> 0:15:18.600
<v Speaker 2>you can shoot ghosts in modern movies.

0:15:18.920 --> 0:15:22.360
<v Speaker 3>It's interesting that we're describing it as gauzy because that

0:15:22.560 --> 0:15:25.760
<v Speaker 3>is where like that is how it has been described

0:15:25.880 --> 0:15:31.160
<v Speaker 3>a bunch, but there's almost another another version of it

0:15:31.200 --> 0:15:34.360
<v Speaker 3>that is more And you described it as lubeanole like

0:15:34.400 --> 0:15:39.760
<v Speaker 3>a but almost as a louby substance, almost translucent, slightly white.

0:15:40.720 --> 0:15:43.920
<v Speaker 3>Hesitating talking about other excretions of the human body here,

0:15:43.960 --> 0:15:47.040
<v Speaker 3>because that is kind of the way it's described in

0:15:47.120 --> 0:15:47.960
<v Speaker 3>other instances.

0:15:48.160 --> 0:15:52.280
<v Speaker 1>Milk going bad. Almost it's like an off AIRYA product.

0:15:52.400 --> 0:15:58.160
<v Speaker 2>Yeah, because what's that gross Japanese fermented soybean ben Nato Nato. Yeah,

0:15:58.360 --> 0:16:00.880
<v Speaker 2>it has kind of that tacky like it gets stuck

0:16:00.880 --> 0:16:03.560
<v Speaker 2>on your fingers, you know. And by the way, I

0:16:03.600 --> 0:16:05.720
<v Speaker 2>was saying lube not to be gross, but just the

0:16:05.760 --> 0:16:07.280
<v Speaker 2>idea of it helps you.

0:16:07.640 --> 0:16:08.680
<v Speaker 6>Get through something.

0:16:08.720 --> 0:16:11.920
<v Speaker 2>It's like it is a protector, a protection that kind

0:16:11.960 --> 0:16:15.520
<v Speaker 2>of helps you navigate a tight boundary.

0:16:15.600 --> 0:16:16.960
<v Speaker 6>Now that sounds like I'm being grosser.

0:16:17.160 --> 0:16:19.920
<v Speaker 1>Well no, no, you know, if somebody thinks it's gross,

0:16:19.960 --> 0:16:23.240
<v Speaker 1>then maybe it's time for you, fellow listener, and take

0:16:23.280 --> 0:16:25.680
<v Speaker 1>a self inventory, because they're all kinds of lubricants.

0:16:26.080 --> 0:16:28.960
<v Speaker 6>Now, I just made it weirder spiritual lubricut.

0:16:29.440 --> 0:16:33.840
<v Speaker 1>I'm bringing up milky patches there, because that is the

0:16:33.840 --> 0:16:36.960
<v Speaker 1>phrase that Charles Rushet, the guy who coined the term,

0:16:37.520 --> 0:16:42.400
<v Speaker 1>used when he first started describing ectoplasm in a paranormal sense.

0:16:42.840 --> 0:16:47.760
<v Speaker 1>He began by observing a physical medium named Usapia Palladino,

0:16:48.000 --> 0:16:52.400
<v Speaker 1>very cool name, and her ecdoplasmic projections were to him

0:16:52.920 --> 0:16:57.400
<v Speaker 1>white veils and milky patches, so he called them examples

0:16:57.440 --> 0:17:01.560
<v Speaker 1>of ectoplasm. And because every sidy is at heart a

0:17:01.640 --> 0:17:05.040
<v Speaker 1>doubting tabas, people wanted to touch this, they wanted to

0:17:05.080 --> 0:17:08.920
<v Speaker 1>engage with it, to take samples right, and to analyze

0:17:08.960 --> 0:17:12.639
<v Speaker 1>those samples, which gets tricky later. But we have accounts

0:17:12.640 --> 0:17:16.840
<v Speaker 1>of people that you would consider otherwise skeptical who totally

0:17:16.880 --> 0:17:19.440
<v Speaker 1>believe this, and you can read first hand accounts of

0:17:19.480 --> 0:17:24.720
<v Speaker 1>them saying, I visited a medium. They extruded ectoplasm. I

0:17:24.920 --> 0:17:28.320
<v Speaker 1>touched it. It's cool to the touch, it was viscous,

0:17:28.440 --> 0:17:30.920
<v Speaker 1>it was slimy, and everybody was on board.

0:17:31.160 --> 0:17:33.560
<v Speaker 3>Yeah, And well, we'll get into the reasons why it

0:17:33.640 --> 0:17:37.560
<v Speaker 3>might be so slimy but also somehow you know, look

0:17:37.720 --> 0:17:43.040
<v Speaker 3>like a a gauzy almost cloth of some sort, but

0:17:43.080 --> 0:17:46.160
<v Speaker 3>it is really sticky and wet because of maybe where

0:17:46.200 --> 0:17:46.640
<v Speaker 3>it's been.

0:17:48.040 --> 0:17:51.400
<v Speaker 2>And that's interesting too, because a lot of historical burials

0:17:51.520 --> 0:17:55.200
<v Speaker 2>involved like shrouds and kind of gauzy coverings that would

0:17:55.200 --> 0:17:58.720
<v Speaker 2>be placed over top of the of the body. I

0:17:58.760 --> 0:18:00.600
<v Speaker 2>don't know, it's just an interesting connect and I'm saying

0:18:00.640 --> 0:18:02.040
<v Speaker 2>it's like means anything.

0:18:02.119 --> 0:18:05.240
<v Speaker 1>Necessarily, people totally leaned into it because at least part

0:18:05.280 --> 0:18:06.240
<v Speaker 1>of this so it was branding.

0:18:06.520 --> 0:18:09.359
<v Speaker 2>Yeah, because again, we have a ton of proof of

0:18:09.400 --> 0:18:11.680
<v Speaker 2>the existence of this stuff. I don't want to spoil

0:18:11.720 --> 0:18:13.320
<v Speaker 2>it right now, but this is sort of a lot

0:18:13.320 --> 0:18:14.919
<v Speaker 2>of there's a lot of Laura wrapped up in this,

0:18:15.000 --> 0:18:18.560
<v Speaker 2>and a lot of like historical telephone. I think those

0:18:18.920 --> 0:18:22.159
<v Speaker 2>early burial traditions may well have played a part in

0:18:22.280 --> 0:18:24.720
<v Speaker 2>what people have described as as having seen.

0:18:24.960 --> 0:18:30.399
<v Speaker 1>There's another aspect here. Folks like Sir Arthur Conan Doyle,

0:18:31.040 --> 0:18:33.399
<v Speaker 1>who is famous for a couple of other things, he

0:18:33.480 --> 0:18:37.639
<v Speaker 1>was also big into the investigation of ecdoplasm and mediums

0:18:37.640 --> 0:18:42.200
<v Speaker 1>and spiritualism. He worked with a medium who was identified

0:18:42.280 --> 0:18:47.480
<v Speaker 1>as ev c her full name Eva Correri, but at

0:18:47.520 --> 0:18:52.480
<v Speaker 1>first he was just calling her ever c. He touched ecdoplasm,

0:18:52.640 --> 0:18:58.639
<v Speaker 1>this medium created and he said, holy smokes, jeepers, you guys,

0:18:58.880 --> 0:19:02.919
<v Speaker 1>that's what he said at jeepers. This feels like a

0:19:02.960 --> 0:19:06.439
<v Speaker 1>living material, right, I'm not just touching something cool to

0:19:06.480 --> 0:19:12.239
<v Speaker 1>the cool to my fingers. The tactile sensation alone is

0:19:12.280 --> 0:19:14.959
<v Speaker 1>not the end of the story. This is moving and

0:19:15.040 --> 0:19:18.679
<v Speaker 1>responding to my touch. This thing, whatever it is, is

0:19:18.760 --> 0:19:22.480
<v Speaker 1>kind of like a gunkier version of T one thousand

0:19:22.840 --> 0:19:26.480
<v Speaker 1>in Terminator two. It's changeable, it's mercurial.

0:19:27.119 --> 0:19:29.679
<v Speaker 2>Oh so reminds me of the black goo from the

0:19:29.760 --> 0:19:33.200
<v Speaker 2>Alien films that has sort of a sense shant quality

0:19:33.280 --> 0:19:34.119
<v Speaker 2>to it as well.

0:19:34.960 --> 0:19:40.720
<v Speaker 3>Yeah, or X files, the black oil goo stuff. That's

0:19:40.840 --> 0:19:43.920
<v Speaker 3>very interesting that Arthur, I was gonna say, Arthur C. Clark,

0:19:44.119 --> 0:19:47.720
<v Speaker 3>and that Arthur Conan Doyle like touched it and he

0:19:47.760 --> 0:19:50.840
<v Speaker 3>did like write about it. And it's a weirder thing

0:19:50.920 --> 0:19:54.560
<v Speaker 3>than even I'm imagining when I'm looking at these historical photos,

0:19:54.600 --> 0:19:57.520
<v Speaker 3>at least for this episode, where we'll get into those

0:19:57.560 --> 0:20:00.920
<v Speaker 3>and like what those look like specifically and why there's

0:20:00.920 --> 0:20:04.040
<v Speaker 3>some weirdness with the photography going on there and the

0:20:04.080 --> 0:20:07.280
<v Speaker 3>experiments and the quote controls and all that stuff. But

0:20:08.280 --> 0:20:12.159
<v Speaker 3>that is very that's very interesting to me because it

0:20:12.200 --> 0:20:14.480
<v Speaker 3>would be i don't know, as a writer like that,

0:20:14.720 --> 0:20:18.879
<v Speaker 3>if that were real and that we're true, or if

0:20:18.920 --> 0:20:21.399
<v Speaker 3>you wanted people to believe it was true, you could

0:20:21.400 --> 0:20:23.920
<v Speaker 3>come up with some very compelling stories.

0:20:24.400 --> 0:20:25.320
<v Speaker 6>Sure. Yeah.

0:20:25.440 --> 0:20:29.760
<v Speaker 1>I mean also, he's the creator of Sherlock Holmes, right,

0:20:30.000 --> 0:20:36.520
<v Speaker 1>And one of the mortal sins in writing fiction is

0:20:36.560 --> 0:20:39.919
<v Speaker 1>to write a character who is the smartest person in

0:20:39.960 --> 0:20:43.199
<v Speaker 1>the room, because it's so difficult to do. No, it's true.

0:20:43.880 --> 0:20:45.800
<v Speaker 1>I mean, think about it. Every time you see a

0:20:46.520 --> 0:20:50.719
<v Speaker 1>super smart character that isn't actually behaving as though they

0:20:50.720 --> 0:20:54.399
<v Speaker 1>are super intelligent, it's because the smartest character in the

0:20:54.480 --> 0:20:57.760
<v Speaker 1>room can only ever be as smart as the person

0:20:57.880 --> 0:21:03.240
<v Speaker 1>writing that character, which is it's just tricky. It's very

0:21:03.240 --> 0:21:07.800
<v Speaker 1>difficult to pull off. So shout out to sir Doyle himself.

0:21:07.840 --> 0:21:10.320
<v Speaker 1>He wrote Sherlock Holmes, and he was still, for a

0:21:10.359 --> 0:21:14.320
<v Speaker 1>time very convinced about this ecoplasm stuff.

0:21:14.760 --> 0:21:15.760
<v Speaker 6>For a time.

0:21:16.680 --> 0:21:20.639
<v Speaker 1>We also know that kind of like how star jelly decays,

0:21:21.359 --> 0:21:24.240
<v Speaker 1>this stuff seemed to decay at first. It was like

0:21:24.400 --> 0:21:27.080
<v Speaker 1>clear phlem or snot.

0:21:27.320 --> 0:21:28.560
<v Speaker 6>It was almost divisible.

0:21:29.040 --> 0:21:32.320
<v Speaker 1>And again under those conditions that we just teased the

0:21:32.359 --> 0:21:37.200
<v Speaker 1>second and go, it would become gradually more gradually translucent,

0:21:37.280 --> 0:21:41.240
<v Speaker 1>from transparent to translucent, and then it would start darkening

0:21:41.480 --> 0:21:45.000
<v Speaker 1>and becoming more visible as the medium's connection to the

0:21:45.040 --> 0:21:50.160
<v Speaker 1>spirit world intensifies. Some people said it would glow kind

0:21:50.160 --> 0:21:53.480
<v Speaker 1>of like bioluminescence from beyond the grave.

0:21:54.200 --> 0:21:54.360
<v Speaker 2>But.

0:21:56.320 --> 0:21:59.840
<v Speaker 1>It only happened in low light. The problem with taking

0:22:00.200 --> 0:22:04.600
<v Speaker 1>samples is it would dissipate very quickly under exposure to light.

0:22:05.280 --> 0:22:08.760
<v Speaker 1>Side note Also, we found a lot of people reporting

0:22:08.960 --> 0:22:15.080
<v Speaker 1>that ectoplasm had a peculiar strong odor, but no one

0:22:15.240 --> 0:22:20.440
<v Speaker 1>seemed to agree on what that odor is like. No,

0:22:20.520 --> 0:22:25.520
<v Speaker 1>there's not a single universally accepted description of the smell.

0:22:25.880 --> 0:22:28.720
<v Speaker 1>They're just a lot of people saying it kind of smells.

0:22:29.080 --> 0:22:33.359
<v Speaker 1>We're laying some really gross foreshadowing points here, folks. Now,

0:22:33.520 --> 0:22:36.760
<v Speaker 1>this like the brief history as we're diving in. This

0:22:37.000 --> 0:22:39.920
<v Speaker 1>can all sound somewhat ridiculous as we hear it laid

0:22:39.920 --> 0:22:42.840
<v Speaker 1>out in this manner. No, I mean, it's it's crucial

0:22:42.920 --> 0:22:46.320
<v Speaker 1>that we remember a lot of the proponents of ectoplasm

0:22:46.440 --> 0:22:50.240
<v Speaker 1>and spiritualism. They didn't think this was woo woo hippie stuff.

0:22:50.240 --> 0:22:52.600
<v Speaker 1>They didn't think it was a cult or in any

0:22:52.640 --> 0:22:58.160
<v Speaker 1>way necessarily infernal. In their mind, this was a marriage

0:22:58.280 --> 0:23:03.560
<v Speaker 1>of science and spiritual world. The guy we mentioned Rashe,

0:23:03.640 --> 0:23:07.199
<v Speaker 1>for example, he's a legit physiologist at this time. He

0:23:07.320 --> 0:23:10.720
<v Speaker 1>later goes on to win a Nobel Prize for his

0:23:10.840 --> 0:23:15.040
<v Speaker 1>work on anaphylaxis. So he's not just you know, he's

0:23:15.080 --> 0:23:16.400
<v Speaker 1>not just the ghost snut guy.

0:23:16.800 --> 0:23:17.240
<v Speaker 5>Yeah.

0:23:17.320 --> 0:23:19.679
<v Speaker 3>Well, imagine there are rumors of folks down at this

0:23:19.800 --> 0:23:24.359
<v Speaker 3>building somewhere downtown that are allegedly conjuring spirits with their

0:23:24.800 --> 0:23:29.879
<v Speaker 3>methods and their boxes and their curtains and their seances. Oh,

0:23:29.880 --> 0:23:32.199
<v Speaker 3>we need to get down there and investigate. Let's use

0:23:32.240 --> 0:23:34.880
<v Speaker 3>scientific rigor to prove that this stuff's real, because if

0:23:34.880 --> 0:23:37.280
<v Speaker 3>it is, my God, this is world changing.

0:23:38.000 --> 0:23:38.520
<v Speaker 6>Yeah.

0:23:38.760 --> 0:23:42.720
<v Speaker 1>Yeah, And they're these investigators, because that's what they were.

0:23:43.000 --> 0:23:47.680
<v Speaker 1>These investigators and enthusiasts are good faith actors. The height

0:23:47.800 --> 0:23:52.639
<v Speaker 1>of public interest in ectoplasm is inseparably intertwined with the

0:23:52.720 --> 0:23:55.960
<v Speaker 1>rise and fall of spiritualism. You don't hear too much

0:23:55.960 --> 0:23:59.480
<v Speaker 1>about in the modern day, but this has that people

0:23:59.520 --> 0:24:03.120
<v Speaker 1>felt like they were on the cusp the bleeding gooby

0:24:03.320 --> 0:24:09.240
<v Speaker 1>gooey edge of a breakthrough that would fundamentally change human civilization.

0:24:09.440 --> 0:24:12.399
<v Speaker 1>We're talking about the smartest people in the Western world.

0:24:12.720 --> 0:24:16.960
<v Speaker 1>They were convinced that if they took modern methodology right,

0:24:17.040 --> 0:24:22.280
<v Speaker 1>the scientific method, they could understand and finally answer the

0:24:22.320 --> 0:24:26.520
<v Speaker 1>fundamental questions of the human experience that haunt poor choice

0:24:26.560 --> 0:24:30.080
<v Speaker 1>of words, everybody listening tonight. What happens when we die?

0:24:30.880 --> 0:24:34.560
<v Speaker 1>Does some vestige of the consciousness persist when the body

0:24:34.600 --> 0:24:38.760
<v Speaker 1>itself becomes an empty house? It is a cool story,

0:24:39.440 --> 0:24:39.760
<v Speaker 1>But is.

0:24:39.760 --> 0:24:43.640
<v Speaker 6>There anything to it? Yeah, I mean sort of. We'll

0:24:43.640 --> 0:24:45.520
<v Speaker 6>get into that after a quick word from our sponsor.

0:24:52.040 --> 0:24:56.399
<v Speaker 1>Here's where it gets crazy, all right, fellow conspiracy realist,

0:24:56.520 --> 0:24:59.639
<v Speaker 1>that is a little bit of a fake out. Ectoplasm

0:24:59.840 --> 0:25:05.600
<v Speaker 1>is it turns out very very real, just not perhaps

0:25:05.640 --> 0:25:09.320
<v Speaker 1>in the way the spiritualist hoped or claimed it to be.

0:25:10.160 --> 0:25:11.120
<v Speaker 6>I think we could.

0:25:11.000 --> 0:25:16.280
<v Speaker 1>Look at two genuine examples of ectoplasm, and maybe do

0:25:16.280 --> 0:25:18.160
<v Speaker 1>you want to just start with the most boring one.

0:25:18.320 --> 0:25:19.840
<v Speaker 6>It's the one we can actually prove.

0:25:20.200 --> 0:25:23.880
<v Speaker 3>And for this one, let's go to biology. Oh, let's

0:25:23.920 --> 0:25:28.919
<v Speaker 3>talk more about ectoplasm also known as exoplasm. What is

0:25:29.000 --> 0:25:33.960
<v Speaker 3>that huh Ben, what's exoplasm, right?

0:25:34.600 --> 0:25:40.800
<v Speaker 1>Or ectoplasm, Matt. You know, it's positively telepathic that you

0:25:40.840 --> 0:25:46.960
<v Speaker 1>would ask that it is, as any person who's awesome

0:25:46.960 --> 0:25:51.560
<v Speaker 1>at biology mixers knows. The non granulated we're quoting here

0:25:52.000 --> 0:25:57.520
<v Speaker 1>the non granulated outer part of a cell's cytoplasm. The counterpart,

0:25:57.960 --> 0:26:04.200
<v Speaker 1>the granulated inner layer, known as the endoplasm. So it's

0:26:04.520 --> 0:26:08.359
<v Speaker 1>cell biology. It's kind of a bait and switch because

0:26:08.400 --> 0:26:11.359
<v Speaker 1>ectoplasm in the world of ghost means what we described

0:26:11.480 --> 0:26:14.920
<v Speaker 1>before the break, and ectoplasm in the world of biology

0:26:15.320 --> 0:26:19.320
<v Speaker 1>is a very real thing that is in so many cells,

0:26:20.480 --> 0:26:23.160
<v Speaker 1>an innumerable number of cells.

0:26:23.440 --> 0:26:25.000
<v Speaker 6>It's the outside goo.

0:26:25.520 --> 0:26:27.359
<v Speaker 5>Oh yeah, it's like the cellular wall.

0:26:27.920 --> 0:26:28.520
<v Speaker 6>Yeah.

0:26:29.040 --> 0:26:34.160
<v Speaker 1>And this was coined by a guy named Ernst Haeckel

0:26:34.600 --> 0:26:39.320
<v Speaker 1>in the late nineteenth century, so it actually is a

0:26:39.359 --> 0:26:42.480
<v Speaker 1>predecessor to the use of ectoplasm in the world of

0:26:42.480 --> 0:26:46.320
<v Speaker 1>the paranormal. And he, you know, he was super into

0:26:47.160 --> 0:26:52.960
<v Speaker 1>this phrase as a way of describing unicellular organisms like amoebas.

0:26:53.400 --> 0:26:57.120
<v Speaker 1>And just like you said that, the real ectoplasm it's

0:26:57.119 --> 0:27:00.159
<v Speaker 1>both a shield and sort of a transit platform for

0:27:00.880 --> 0:27:04.800
<v Speaker 1>all the stuff bouncing around inside a cell, which means

0:27:04.840 --> 0:27:07.359
<v Speaker 1>that if you are a human or another form of

0:27:07.480 --> 0:27:12.320
<v Speaker 1>organic life, you are absolutely riddled with ectoplasm. You are

0:27:12.520 --> 0:27:16.920
<v Speaker 1>inundated with it. You're dripping and drowning in ectoplasm right

0:27:16.960 --> 0:27:20.080
<v Speaker 1>now as you listen to tonight's program. I mean, don't

0:27:20.119 --> 0:27:22.680
<v Speaker 1>think about it too too much. If you're a jerpophobe

0:27:22.760 --> 0:27:25.639
<v Speaker 1>or you know, you get squigged out easily. But it

0:27:25.680 --> 0:27:30.080
<v Speaker 1>turns out we're all sort of slimers, yeah, dude.

0:27:30.040 --> 0:27:32.960
<v Speaker 6>In our own way. The slimer within.

0:27:33.480 --> 0:27:37.760
<v Speaker 1>Slimer within ghost is coming from inside the house. So

0:27:37.840 --> 0:27:39.800
<v Speaker 1>that's the boring one. But that is that is the

0:27:39.840 --> 0:27:42.840
<v Speaker 1>real ectoplasm we can prove. Do we want to talk

0:27:42.880 --> 0:27:48.159
<v Speaker 1>about the more interesting I don't know, is this interesting

0:27:48.280 --> 0:27:49.439
<v Speaker 1>or is this more of a downer?

0:27:49.920 --> 0:27:52.040
<v Speaker 5>It's a donor, but it's we got to talk about it.

0:27:52.359 --> 0:27:56.200
<v Speaker 3>So to talk about this other real ectoplasm, we have

0:27:56.320 --> 0:28:00.840
<v Speaker 3>to talk about some of the famous photographs. Just like

0:28:00.960 --> 0:28:05.080
<v Speaker 3>if you go back to nineteen oh six, there's this

0:28:05.200 --> 0:28:10.959
<v Speaker 3>thing called the instantograph Belows camera, and it is a

0:28:11.000 --> 0:28:13.640
<v Speaker 3>camera that was used in some of the most famous

0:28:13.680 --> 0:28:20.639
<v Speaker 3>photographs of alleged ectoplasm. And this is a pretty simple

0:28:21.119 --> 0:28:25.840
<v Speaker 3>machine that uses a plate, a photographic plate that gets

0:28:25.880 --> 0:28:29.760
<v Speaker 3>exposed when you expose the lens of the camera and

0:28:29.800 --> 0:28:32.160
<v Speaker 3>then you put it back. Then you close it right

0:28:32.240 --> 0:28:36.480
<v Speaker 3>after this plate has been exposed to light, and whatever

0:28:36.560 --> 0:28:39.400
<v Speaker 3>light goes through that lens and hits the plate, that's

0:28:39.440 --> 0:28:43.880
<v Speaker 3>what you get. Well, some of these plates saw stuff

0:28:44.280 --> 0:28:46.520
<v Speaker 3>that if you just looked at the photograph and you

0:28:46.560 --> 0:28:49.800
<v Speaker 3>weren't in the room, it looks I'm going to say it,

0:28:49.840 --> 0:28:55.120
<v Speaker 3>hella weird. It looks like this white, weird, gauzy, maybe

0:28:55.160 --> 0:28:59.840
<v Speaker 3>clothy substance emanating from a medium's nose or a medium's

0:29:00.080 --> 0:29:05.080
<v Speaker 3>mouth who's just sitting in a chair, sometimes directly in

0:29:05.120 --> 0:29:08.360
<v Speaker 3>front of a weird darkened box, sometimes directly in front

0:29:08.400 --> 0:29:12.479
<v Speaker 3>of weird darkened curtains. Sometimes their hands are being held

0:29:12.560 --> 0:29:16.280
<v Speaker 3>by other people off camera. Sometimes their hands are even

0:29:16.400 --> 0:29:20.320
<v Speaker 3>like clasped to a chair or something so that they

0:29:20.320 --> 0:29:24.560
<v Speaker 3>cannot interfere and create whatever this thing is. But man,

0:29:24.720 --> 0:29:30.440
<v Speaker 3>it looks like it's just material like cheesecloth or linen,

0:29:30.640 --> 0:29:36.840
<v Speaker 3>some kind of like really thin linen or it often

0:29:36.920 --> 0:29:39.080
<v Speaker 3>it looks like fabric to.

0:29:39.120 --> 0:29:40.520
<v Speaker 5>Me, at least to my eyes.

0:29:41.080 --> 0:29:41.520
<v Speaker 6>Yeah.

0:29:41.840 --> 0:29:46.960
<v Speaker 1>The second version of real ectoplasm, actual ectoplasm version two.

0:29:47.680 --> 0:29:51.680
<v Speaker 1>We're happy to say there were genuine physical substances present

0:29:52.200 --> 0:29:56.560
<v Speaker 1>during those trances, those seances, other exhibitions of physical mediums

0:29:56.880 --> 0:30:00.040
<v Speaker 1>at the height of spiritualism in particular, and we know

0:30:00.160 --> 0:30:03.680
<v Speaker 1>that from photographic evidence, like you're mentioning there, Matt. The

0:30:03.760 --> 0:30:07.320
<v Speaker 1>thing is, none of this stuff was ever proven, ever,

0:30:07.840 --> 0:30:12.360
<v Speaker 1>in any case, without exception, to be anything other than

0:30:12.520 --> 0:30:15.640
<v Speaker 1>mundane material with a heck of a lot of showmanship

0:30:15.960 --> 0:30:20.000
<v Speaker 1>and performance. Eat your heart out, Vents offer, Eat your

0:30:20.040 --> 0:30:22.720
<v Speaker 1>heart out, Billy Mays. Do you guys remember who Vent's

0:30:22.720 --> 0:30:23.160
<v Speaker 1>offer is.

0:30:23.960 --> 0:30:24.240
<v Speaker 6>I don't know.

0:30:25.400 --> 0:30:30.040
<v Speaker 2>Slapchop, guys, slap slap chop, Yeah, with the garlics or

0:30:30.080 --> 0:30:34.720
<v Speaker 2>the Billy Mays was the showtime the rotissary chicken guy, right?

0:30:35.200 --> 0:30:38.160
<v Speaker 1>I think that was another guy. Billy Mays is oxy cling.

0:30:38.680 --> 0:30:39.280
<v Speaker 6>Oxy clean.

0:30:39.320 --> 0:30:41.200
<v Speaker 2>But there was another guy that was like all about

0:30:41.240 --> 0:30:42.240
<v Speaker 2>the rotissary chicken.

0:30:42.360 --> 0:30:45.040
<v Speaker 6>Yeah, yeah, case but.

0:30:46.040 --> 0:30:56.840
<v Speaker 1>But oh I missed that halcyon era of made for

0:30:56.880 --> 0:31:01.280
<v Speaker 1>TV commercials. And the showmanship of these physical mediums was

0:31:01.400 --> 0:31:04.800
<v Speaker 1>not too different, because, like you were saying, I teased

0:31:04.800 --> 0:31:08.440
<v Speaker 1>it several times. In some cases, this ectoplasm, we know

0:31:08.600 --> 0:31:12.320
<v Speaker 1>for sure was straight up cheese cloth in other cases,

0:31:12.400 --> 0:31:16.040
<v Speaker 1>it might be a fabric or textile of some sort

0:31:16.480 --> 0:31:18.520
<v Speaker 1>smoothed up with potato starch.

0:31:19.120 --> 0:31:21.240
<v Speaker 6>Or it might be paper. It might be.

0:31:22.680 --> 0:31:26.240
<v Speaker 1>Still cloth but with egg white mashed into it instead

0:31:26.240 --> 0:31:28.680
<v Speaker 1>of potato starch. Or it might be something I was

0:31:28.720 --> 0:31:33.840
<v Speaker 1>not familiar with called butter muslin. Butter muslin part of

0:31:33.840 --> 0:31:38.040
<v Speaker 1>my accent. I'm still learning English, not Muslim Muslin.

0:31:38.640 --> 0:31:40.880
<v Speaker 6>M U s l I N. That's like a higher

0:31:41.000 --> 0:31:41.760
<v Speaker 6>end cheese cloth.

0:31:42.280 --> 0:31:45.360
<v Speaker 2>It's that shroud material I was talking about earlier, that

0:31:45.440 --> 0:31:49.800
<v Speaker 2>kind of transparent, translucent rather textury kind of material that

0:31:49.840 --> 0:31:52.560
<v Speaker 2>you'd see draped over you know, bodies and you know

0:31:52.840 --> 0:31:54.920
<v Speaker 2>historical kind of burial ceremonies.

0:31:55.240 --> 0:31:55.520
<v Speaker 6>Yep.

0:31:55.760 --> 0:31:58.720
<v Speaker 3>And we're going to get into why. Sometimes it even

0:31:58.760 --> 0:32:01.720
<v Speaker 3>looked like it was coded with egg whites or just

0:32:01.880 --> 0:32:06.800
<v Speaker 3>biological material because it was hanging out in somebody's stomach

0:32:07.000 --> 0:32:10.800
<v Speaker 3>and or throat and or you know sinuses.

0:32:11.560 --> 0:32:14.800
<v Speaker 6>Yeah, it was in their holes. Yep, it was in

0:32:14.800 --> 0:32:15.240
<v Speaker 6>their roles.

0:32:15.760 --> 0:32:21.200
<v Speaker 1>And the story of ghostly ectoplasm is inherently unfortunately, folks.

0:32:21.320 --> 0:32:24.160
<v Speaker 1>It is a story of cons and frauds. And that

0:32:24.360 --> 0:32:29.480
<v Speaker 1>was the stuff the vast majority of these mediums did

0:32:29.520 --> 0:32:32.360
<v Speaker 1>not want their audience to know. It turns out a

0:32:32.400 --> 0:32:35.360
<v Speaker 1>lot of these folks were quite adept at old school

0:32:35.440 --> 0:32:40.200
<v Speaker 1>close up magic, sleight of hand and to understand how

0:32:40.240 --> 0:32:44.640
<v Speaker 1>these conspiracies worked, because conspiracies they were. We have to

0:32:44.720 --> 0:32:47.360
<v Speaker 1>get our heads around two aspects of the con and

0:32:47.440 --> 0:32:50.640
<v Speaker 1>the first and I think for for all four of

0:32:50.720 --> 0:32:56.200
<v Speaker 1>us with a love of film and cinematography, the practical

0:32:56.240 --> 0:33:00.440
<v Speaker 1>effects are just amazing because we got to talk about

0:33:00.480 --> 0:33:04.280
<v Speaker 1>the case conditions. Just like a mentalist, right, just like

0:33:04.400 --> 0:33:09.040
<v Speaker 1>Darren Brown always has very specific conditions, or pen and

0:33:09.120 --> 0:33:12.600
<v Speaker 1>Teller always have very specific conditions, these folks were no different.

0:33:12.840 --> 0:33:14.600
<v Speaker 5>Well, yeah, it makes so much sense.

0:33:15.080 --> 0:33:19.400
<v Speaker 3>You're going in to attempt to scientifically study something that

0:33:19.440 --> 0:33:22.200
<v Speaker 3>has to occur under as you said, these conditions where

0:33:22.520 --> 0:33:27.320
<v Speaker 3>maybe for the medium to perform the act of connecting

0:33:27.360 --> 0:33:31.400
<v Speaker 3>with the spirit world, they have to let's say, get

0:33:31.440 --> 0:33:36.360
<v Speaker 3>inside a specific box, like a human sized box, or

0:33:36.480 --> 0:33:39.400
<v Speaker 3>let's say they have to have a table behind them

0:33:39.440 --> 0:33:44.040
<v Speaker 3>with specific instruments on it, specific things and items on it,

0:33:44.080 --> 0:33:47.400
<v Speaker 3>and there has to be a curtain that separates them

0:33:47.880 --> 0:33:51.680
<v Speaker 3>from that box, which could be maybe that's just how

0:33:51.720 --> 0:33:53.720
<v Speaker 3>it happens, that's how this person does it, but it

0:33:53.760 --> 0:33:58.640
<v Speaker 3>could also be a very a very calculated way to

0:33:58.960 --> 0:34:02.760
<v Speaker 3>insert manipula via either themselves or another person.

0:34:03.600 --> 0:34:06.880
<v Speaker 1>And all of these conditions, by the way, are non

0:34:06.880 --> 0:34:08.600
<v Speaker 1>negotiable circumstances.

0:34:09.280 --> 0:34:12.080
<v Speaker 5>Yes, so I can't do this without my stuff.

0:34:12.360 --> 0:34:15.680
<v Speaker 1>It doesn't work in the lights, you know what I mean.

0:34:16.000 --> 0:34:19.120
<v Speaker 1>And the fact that you're questioning this means that you're

0:34:19.280 --> 0:34:22.080
<v Speaker 1>non believer and you're kind of screwing up the vibe.

0:34:22.320 --> 0:34:25.680
<v Speaker 1>So if it doesn't work this time, it's your fault.

0:34:26.200 --> 0:34:27.960
<v Speaker 5>That's Harry exactly.

0:34:28.239 --> 0:34:30.840
<v Speaker 1>And that's kind of a conversation who Denie actually had

0:34:31.160 --> 0:34:35.879
<v Speaker 1>with people. Yeah, the manifestations often only occurred in very

0:34:35.960 --> 0:34:40.000
<v Speaker 1>low light, very specific seating arrangements, and some of these

0:34:40.040 --> 0:34:44.759
<v Speaker 1>conditions were placed on the audience as well, like you

0:34:44.800 --> 0:34:47.240
<v Speaker 1>would have to I don't want to call these people roubs,

0:34:47.480 --> 0:34:52.120
<v Speaker 1>but the participants were required to stay seated often and

0:34:52.200 --> 0:34:56.919
<v Speaker 1>they kind of had to kind of had a pure

0:34:57.120 --> 0:35:01.320
<v Speaker 1>monitoring system because you had to join around the table,

0:35:01.840 --> 0:35:04.520
<v Speaker 1>so you couldn't move your hands, you couldn't move your

0:35:04.560 --> 0:35:07.880
<v Speaker 1>physical location, you could not change your perspective, you couldn't

0:35:07.920 --> 0:35:10.320
<v Speaker 1>stand up and like walk behind the medium.

0:35:10.960 --> 0:35:13.880
<v Speaker 3>God, that's so important that the just the idea of perspective.

0:35:13.960 --> 0:35:17.600
<v Speaker 3>And we know this from modern close up magic, from

0:35:17.760 --> 0:35:22.680
<v Speaker 3>any modern magic television show. Right where we're watching illusions

0:35:22.760 --> 0:35:27.200
<v Speaker 3>Michael on the television, the audience is in a very

0:35:27.200 --> 0:35:31.440
<v Speaker 3>specific spot and with a specific as you said, perspective.

0:35:31.480 --> 0:35:34.600
<v Speaker 3>I think perspective is maybe one of the most important

0:35:34.719 --> 0:35:38.719
<v Speaker 3>even words to imagine and think about when we're considering

0:35:38.880 --> 0:35:40.000
<v Speaker 3>ectoplasm at all.

0:35:41.400 --> 0:35:47.000
<v Speaker 1>Yeah, and there's that's one of the big parts of

0:35:47.040 --> 0:35:50.520
<v Speaker 1>the next step in the con The practical effect of

0:35:50.560 --> 0:35:53.600
<v Speaker 1>the illusion is to make it seem as though the

0:35:53.640 --> 0:35:59.200
<v Speaker 1>manifestation is coming somehow from or through the medium, appearing

0:35:59.239 --> 0:36:02.799
<v Speaker 1>in the same sinity as though you know, it just

0:36:02.880 --> 0:36:06.200
<v Speaker 1>came in the room with you. That's fine, it's mids

0:36:06.440 --> 0:36:11.399
<v Speaker 1>you could say, you know what I mean, like, it's disappointment, right,

0:36:11.719 --> 0:36:14.200
<v Speaker 1>you're you're It's kind of like if you your parents

0:36:14.280 --> 0:36:17.399
<v Speaker 1>got you a car when you turn sixteen, like, hey,

0:36:17.440 --> 0:36:20.200
<v Speaker 1>we got you a car. Oh my gosh, thank you parents.

0:36:20.280 --> 0:36:23.239
<v Speaker 1>And then they say it's a Geo Metro and then

0:36:23.280 --> 0:36:24.840
<v Speaker 1>you go, oh, well, I mean.

0:36:26.440 --> 0:36:29.720
<v Speaker 6>It's a car. Yes.

0:36:29.840 --> 0:36:32.960
<v Speaker 3>Sometimes it's a Dodge Caravan, okay, and that's fine.

0:36:34.200 --> 0:36:40.759
<v Speaker 2>Sometimes it's a it's a gremlin. No, what's one of

0:36:40.800 --> 0:36:45.120
<v Speaker 2>those like notoriously dubious cars of yesterdyear.

0:36:46.280 --> 0:36:56.239
<v Speaker 1>Gril pentol. So this was not peak showmanship. Peak showmanship was,

0:36:56.320 --> 0:36:59.520
<v Speaker 1>as we were saying, to have that ghostly substance appear

0:36:59.680 --> 0:37:03.279
<v Speaker 1>to extrude from the body. You know, now you've got

0:37:03.320 --> 0:37:07.840
<v Speaker 1>your twitching. You know, you've got your maybe some glossal alia,

0:37:08.120 --> 0:37:13.120
<v Speaker 1>speaking in tongues, some eolulations, all that kind of stuff. Ones, Yeah,

0:37:13.239 --> 0:37:16.920
<v Speaker 1>eye rolling, and then like you're spasming and all of

0:37:16.960 --> 0:37:20.239
<v Speaker 1>a sudden, coming out of your mouth there appears.

0:37:21.480 --> 0:37:23.800
<v Speaker 5>Ghost Yeah.

0:37:23.880 --> 0:37:26.360
<v Speaker 3>Hardcore mode is if you can get the ectoplasm to

0:37:26.400 --> 0:37:29.200
<v Speaker 3>emanate from the scientist who's there to study you.

0:37:29.760 --> 0:37:32.120
<v Speaker 5>Which I don't think it's happened yet.

0:37:32.400 --> 0:37:34.840
<v Speaker 6>What why, I don't know.

0:37:34.960 --> 0:37:35.440
<v Speaker 5>That's weird.

0:37:35.640 --> 0:37:39.399
<v Speaker 1>Yeah, heck of a coincidence that. And here's the thing,

0:37:40.880 --> 0:37:43.200
<v Speaker 1>I don't know we teased it here. We should just

0:37:43.239 --> 0:37:47.120
<v Speaker 1>say it for anybody who is wondering why we keep

0:37:47.239 --> 0:37:53.560
<v Speaker 1>mentioning the shiny appearance. Why does this stuff look shiny?

0:37:53.600 --> 0:37:57.040
<v Speaker 1>Because if you look at regular cheese cloth, it doesn't

0:37:57.360 --> 0:38:00.879
<v Speaker 1>have a sine, So where did it get the viscosity?

0:38:01.560 --> 0:38:03.600
<v Speaker 5>Snochine until you put it in your mouth for a

0:38:03.640 --> 0:38:05.839
<v Speaker 5>while and roll it around and then spin it back out.

0:38:06.560 --> 0:38:06.799
<v Speaker 3>Eh.

0:38:08.360 --> 0:38:09.760
<v Speaker 5>Sorry, that's true.

0:38:10.040 --> 0:38:13.880
<v Speaker 1>Regurgitated just like a feed in a baby bird.

0:38:14.080 --> 0:38:15.760
<v Speaker 6>Baby bird, which.

0:38:15.520 --> 0:38:18.360
<v Speaker 1>Helps explain some of the spasms, right, because your flexing

0:38:18.400 --> 0:38:19.400
<v Speaker 1>your diaphragm.

0:38:19.880 --> 0:38:23.799
<v Speaker 2>Yeah, are these ecdospasms?

0:38:23.960 --> 0:38:24.399
<v Speaker 6>These are.

0:38:28.600 --> 0:38:31.920
<v Speaker 1>So this was a common practice and people were people

0:38:31.920 --> 0:38:34.120
<v Speaker 1>were doing this were quite talented at it.

0:38:34.239 --> 0:38:35.279
<v Speaker 6>Credit where it's a due.

0:38:35.719 --> 0:38:37.759
<v Speaker 1>If you did not know the mechanics behind this, and

0:38:37.800 --> 0:38:40.680
<v Speaker 1>the show was good enough, you might even if you're

0:38:40.719 --> 0:38:45.120
<v Speaker 1>not entirely convinced, you might think, well, there's something going on.

0:38:45.360 --> 0:38:46.239
<v Speaker 6>I don't know what it.

0:38:46.200 --> 0:38:50.960
<v Speaker 1>Is until you see people who get busted like a medium,

0:38:51.520 --> 0:38:55.640
<v Speaker 1>a Danish guy named Einer Nielsen who was exposed as

0:38:55.680 --> 0:39:01.719
<v Speaker 1>a fake when he was caught hiding at plasma in

0:39:01.760 --> 0:39:02.960
<v Speaker 1>his rectum.

0:39:03.600 --> 0:39:05.080
<v Speaker 5>Uh like cheese cloth.

0:39:05.480 --> 0:39:06.359
<v Speaker 6>Yeah, he boofed it.

0:39:07.440 --> 0:39:09.719
<v Speaker 5>Okay, Well that's one way to do it.

0:39:10.000 --> 0:39:11.920
<v Speaker 6>I feel more.

0:39:11.760 --> 0:39:15.799
<v Speaker 1>Difficult though, right, Yeah, Well you can make yourself regurgitate,

0:39:15.880 --> 0:39:16.719
<v Speaker 1>but how do you get it?

0:39:16.760 --> 0:39:19.800
<v Speaker 6>Like, what's your sleight of hand at that point?

0:39:19.920 --> 0:39:27.440
<v Speaker 3>You know, of I don't know, core muscles, just shoving

0:39:27.480 --> 0:39:31.440
<v Speaker 3>it out of there. And I it's interesting because now

0:39:31.440 --> 0:39:35.520
<v Speaker 3>I'm thinking about the interaction between stomach acid and cheesecloth,

0:39:35.560 --> 0:39:38.280
<v Speaker 3>And I wonder if it had the ability to break

0:39:38.360 --> 0:39:42.520
<v Speaker 3>down some of that a little bit, but probably not enough.

0:39:42.680 --> 0:39:44.920
<v Speaker 6>Depending on maybe how long you kept it in there.

0:39:45.880 --> 0:39:50.239
<v Speaker 1>Yeah, this is so weird, it kind of gross. So

0:39:50.360 --> 0:39:54.400
<v Speaker 1>we know that, we know we still haven't answered the

0:39:54.440 --> 0:39:56.480
<v Speaker 1>question that we're telling you some of the mechanics of

0:39:56.520 --> 0:40:03.080
<v Speaker 1>the purported substance. But what about the the idioplasm. What

0:40:03.160 --> 0:40:07.960
<v Speaker 1>about the stuff that wasn't just milky patches or gauzy veils?

0:40:08.160 --> 0:40:11.920
<v Speaker 1>What about the things that looked like people's faces or hands,

0:40:12.400 --> 0:40:14.240
<v Speaker 1>you know, suspended in the air.

0:40:14.920 --> 0:40:18.120
<v Speaker 6>Is this you're missing child? Things like that.

0:40:19.120 --> 0:40:19.560
<v Speaker 5>I don't know.

0:40:19.600 --> 0:40:23.520
<v Speaker 3>They didn't have projectors per se back then, the same

0:40:23.560 --> 0:40:28.000
<v Speaker 3>way we have them. Hmm, how could they have possibly

0:40:28.200 --> 0:40:34.640
<v Speaker 3>done that? Photography plates that have been double explosed what.

0:40:35.200 --> 0:40:39.040
<v Speaker 2>Yeah, what you might call trick photography, right, Yeah, Ghosts

0:40:39.080 --> 0:40:41.919
<v Speaker 2>were not proven to exist at this point, but magazines

0:40:42.200 --> 0:40:46.400
<v Speaker 2>were very much proven to exist, and scissors also existed,

0:40:47.239 --> 0:40:51.920
<v Speaker 2>so wasn't too difficult to cut out Like in the

0:40:51.960 --> 0:40:58.000
<v Speaker 2>case of Ava C that we mentioned earlier, she was found.

0:40:57.680 --> 0:41:01.880
<v Speaker 1>To use magazine cutouts suspended in the air in the

0:41:01.960 --> 0:41:08.400
<v Speaker 1>darkness with pins and carefully placed string, which.

0:41:08.200 --> 0:41:09.719
<v Speaker 6>Sounds dark in the dark.

0:41:09.840 --> 0:41:12.960
<v Speaker 1>Yes, that's the key part in the dark and it

0:41:13.440 --> 0:41:17.359
<v Speaker 1>might sound like, you know, low budget acts of chicanery,

0:41:17.480 --> 0:41:20.879
<v Speaker 1>but we have to remember these practical effects are only

0:41:20.960 --> 0:41:24.880
<v Speaker 1>one part of the operation. The second aspect is arguably

0:41:25.000 --> 0:41:28.720
<v Speaker 1>more important and more dangerous and can be weaponized. Today

0:41:29.040 --> 0:41:33.360
<v Speaker 1>we talked about the physical perspective, but the key to

0:41:33.520 --> 0:41:38.040
<v Speaker 1>really getting the grift to work was the psychological perspective.

0:41:38.719 --> 0:41:42.560
<v Speaker 1>In a very real way, these mediums were manipulating in

0:41:42.640 --> 0:41:46.480
<v Speaker 1>tangible forces, but they were manipulating the minds and the

0:41:46.520 --> 0:41:50.080
<v Speaker 1>spirits of the living rather than the spirits of the dead.

0:41:51.239 --> 0:41:55.360
<v Speaker 3>Yes, oh my god, do you guys mind really quickly

0:41:55.400 --> 0:41:57.759
<v Speaker 3>before we get into this the psychology, because that is

0:41:58.960 --> 0:42:02.040
<v Speaker 3>absolutely the most important thing here. Just when it gets

0:42:02.040 --> 0:42:04.799
<v Speaker 3>to the photography, when we're talking about those plates that

0:42:04.920 --> 0:42:08.880
<v Speaker 3>I keep kind of mentioning but not fully talking about

0:42:09.440 --> 0:42:12.440
<v Speaker 3>what you can do with those plates if you expose

0:42:12.520 --> 0:42:17.440
<v Speaker 3>them really briefly to something like imagine imagine someone in

0:42:17.520 --> 0:42:21.360
<v Speaker 3>complete darkness except for a small light that's illuminating someone

0:42:21.400 --> 0:42:24.520
<v Speaker 3>wearing all white or being painted white even or wearing

0:42:24.560 --> 0:42:28.319
<v Speaker 3>a white mask or having white gauze all around them

0:42:28.600 --> 0:42:35.160
<v Speaker 3>or lacey substances materials. Imagine someone standing in the darkness.

0:42:35.200 --> 0:42:37.680
<v Speaker 3>Then you use your camera and you barely expose it

0:42:37.760 --> 0:42:41.160
<v Speaker 3>to this light of this person in the darkness. Then

0:42:41.200 --> 0:42:43.520
<v Speaker 3>you close it really quickly again. Then you take that

0:42:43.600 --> 0:42:46.440
<v Speaker 3>plate and you transfer it into the place wherever you

0:42:46.520 --> 0:42:48.480
<v Speaker 3>are going to take the photograph of let's say the

0:42:48.520 --> 0:42:52.040
<v Speaker 3>medium or the person who was attempting to contact a spirit.

0:42:52.600 --> 0:42:55.759
<v Speaker 3>Then you expose that one fully. You are going to

0:42:55.840 --> 0:43:00.399
<v Speaker 3>have the literal light ghost of that previous exposure on

0:43:00.480 --> 0:43:04.239
<v Speaker 3>that plate. And no one may be the wiser if

0:43:04.280 --> 0:43:06.560
<v Speaker 3>they believe, at least if you did a little bit

0:43:06.560 --> 0:43:09.759
<v Speaker 3>of psychological work to make people think, oh, this is

0:43:09.800 --> 0:43:12.960
<v Speaker 3>a brand new photo plate that I'm now opening and

0:43:13.040 --> 0:43:14.800
<v Speaker 3>I'm placing into my camera.

0:43:15.200 --> 0:43:17.879
<v Speaker 2>Well, it's before people really were wise to a lot

0:43:17.920 --> 0:43:21.120
<v Speaker 2>of that stuff too. I mean right, yes, in terms

0:43:21.120 --> 0:43:23.879
<v Speaker 2>of like you know, now we know photoshop. Everybody knows

0:43:23.920 --> 0:43:26.480
<v Speaker 2>that images should all be just you know, viewed with

0:43:26.480 --> 0:43:28.040
<v Speaker 2>a grain of salt. But like back then, it was

0:43:28.080 --> 0:43:30.319
<v Speaker 2>a lot less you know, common knowledge.

0:43:30.800 --> 0:43:34.319
<v Speaker 3>Yeah, you need to study how photographs are made and

0:43:34.360 --> 0:43:36.520
<v Speaker 3>how they work. You need to be in that in

0:43:36.600 --> 0:43:39.840
<v Speaker 3>a business or connected to a business likely that uses

0:43:39.880 --> 0:43:44.000
<v Speaker 3>photographs for some purpose, to have a full understanding of

0:43:44.080 --> 0:43:48.359
<v Speaker 3>how the light actually, you know, changes that plate so

0:43:48.400 --> 0:43:49.680
<v Speaker 3>that it creates an image.

0:43:50.239 --> 0:43:54.439
<v Speaker 1>Yeah, that's a great point, because it's still it's still

0:43:54.520 --> 0:43:59.000
<v Speaker 1>rarefied air at this at this juncture in history, right

0:43:59.040 --> 0:44:00.279
<v Speaker 1>to the degree.

0:44:00.000 --> 0:44:02.520
<v Speaker 5>We're talking nineteen twenties. Still in nineteen.

0:44:03.320 --> 0:44:06.560
<v Speaker 1>There's still such a new car smell on the technology

0:44:07.000 --> 0:44:12.680
<v Speaker 1>that even people who are seasoned professional photographers could be fooled, right,

0:44:12.719 --> 0:44:18.000
<v Speaker 1>because very few people knew the panopoly of techniques available.

0:44:18.480 --> 0:44:22.560
<v Speaker 1>And you could say, hey, I am a I consider

0:44:22.640 --> 0:44:27.600
<v Speaker 1>myself a pretty crackerjack photographer, and I can't explain this.

0:44:28.320 --> 0:44:32.120
<v Speaker 1>It doesn't mean these people were in any way less

0:44:32.160 --> 0:44:36.480
<v Speaker 1>intelligent than anyone. They just didn't have the same familiarity

0:44:37.000 --> 0:44:40.160
<v Speaker 1>with a technology that's much more familiar to the average

0:44:40.160 --> 0:44:40.840
<v Speaker 1>person today.

0:44:41.320 --> 0:44:43.560
<v Speaker 2>Well, and it's all about intent too, I mean, these

0:44:43.600 --> 0:44:45.760
<v Speaker 2>are techniques that were employed in order to fool people.

0:44:46.280 --> 0:44:48.640
<v Speaker 2>I mean I took a dark room photography class when

0:44:48.680 --> 0:44:50.560
<v Speaker 2>I was in college, and I have a picture hanging

0:44:50.560 --> 0:44:52.719
<v Speaker 2>in my bedroom that I really like or took. I

0:44:52.760 --> 0:44:56.279
<v Speaker 2>was in a dark basement with no lights and had

0:44:56.280 --> 0:44:59.480
<v Speaker 2>a camera on a tripod and just opened the shutter

0:44:59.600 --> 0:45:02.160
<v Speaker 2>for a series of exposures and lit a cigarette lighter

0:45:02.320 --> 0:45:04.759
<v Speaker 2>and moved around the room. And in the image there's

0:45:04.800 --> 0:45:06.840
<v Speaker 2>like six of me and it's really cool looking. But

0:45:06.880 --> 0:45:08.640
<v Speaker 2>if you show that to somebody in these days, they

0:45:08.760 --> 0:45:11.439
<v Speaker 2>be like, what witchcraft is this?

0:45:11.680 --> 0:45:13.760
<v Speaker 6>You know? Yeah?

0:45:14.160 --> 0:45:17.840
<v Speaker 1>Quite possibly, Yeah, unless you unless you were there to

0:45:18.120 --> 0:45:22.120
<v Speaker 1>explain to people, to the observer what happened, and that

0:45:22.160 --> 0:45:25.080
<v Speaker 1>would defeat the purpose, as you said, that would defeat

0:45:25.120 --> 0:45:28.719
<v Speaker 1>the intention of these of these mediums. And with all

0:45:28.760 --> 0:45:31.600
<v Speaker 1>of this, and Noel, I love the point about the

0:45:31.680 --> 0:45:37.600
<v Speaker 1>intention of the of the mediums and their colleagues or

0:45:37.600 --> 0:45:41.480
<v Speaker 1>their co conspirators. We talked about the practical effects and the

0:45:41.520 --> 0:45:45.400
<v Speaker 1>importance of physical perspective. We're going to take a break

0:45:45.640 --> 0:45:49.399
<v Speaker 1>to hear some words from spirits of our own, our

0:45:49.480 --> 0:45:53.640
<v Speaker 1>sponsor spirits, and then we'll return with the other more

0:45:53.800 --> 0:46:08.839
<v Speaker 1>dangerous perspective, the psychology. And we're back psychology one oh

0:46:08.880 --> 0:46:11.040
<v Speaker 1>one colon Grifter.

0:46:10.840 --> 0:46:15.200
<v Speaker 2>Addition, so, while it's certainly possible that a handful of

0:46:15.239 --> 0:46:19.080
<v Speaker 2>these mediums truly believed in their abilities, again, there's something

0:46:19.080 --> 0:46:21.239
<v Speaker 2>that we've talked about anytime this topic comes up like

0:46:21.280 --> 0:46:24.360
<v Speaker 2>they're not all grifters. There are certainly ones that like

0:46:24.400 --> 0:46:26.839
<v Speaker 2>truly believe they have a gift and that they are

0:46:27.000 --> 0:46:29.399
<v Speaker 2>sharing that gift with others and helping people. But then

0:46:29.640 --> 0:46:31.920
<v Speaker 2>the vast majority of them are kind of hucksters and

0:46:31.920 --> 0:46:35.000
<v Speaker 2>people that are trying to make a buck off of folks.

0:46:35.000 --> 0:46:38.480
<v Speaker 6>Insecurities and or you know, grief, and that sucks.

0:46:38.880 --> 0:46:41.719
<v Speaker 5>But there may be real mediums. We just haven't been

0:46:41.719 --> 0:46:42.959
<v Speaker 5>able to prove it yet.

0:46:43.000 --> 0:46:44.759
<v Speaker 6>There a shadow beyond the shadow of dow.

0:46:44.840 --> 0:46:48.480
<v Speaker 1>There's no like done equivocal test for it, right right, Yeah,

0:46:48.520 --> 0:46:50.719
<v Speaker 1>And let's let's take a second there because we were

0:46:50.719 --> 0:46:53.000
<v Speaker 1>talking about this off air, so it could be a

0:46:53.000 --> 0:46:58.760
<v Speaker 1>little bit confusing. The folks that we're speaking of here

0:46:58.800 --> 0:47:04.120
<v Speaker 1>this evening are called physical mediums, and during the spiritualism

0:47:04.120 --> 0:47:08.239
<v Speaker 1>movement and even now today with some of the with

0:47:08.280 --> 0:47:11.320
<v Speaker 1>some of the instrument free faith healing kind of things

0:47:11.480 --> 0:47:14.840
<v Speaker 1>that you see, you know, that's where someone lays on

0:47:15.040 --> 0:47:20.440
<v Speaker 1>hands and they pull out some gunk purportedly from.

0:47:20.320 --> 0:47:22.000
<v Speaker 6>A human being.

0:47:22.520 --> 0:47:24.399
<v Speaker 5>That a whole episode we do.

0:47:24.600 --> 0:47:28.880
<v Speaker 1>That's a that's a kissing cousin of a physical medium.

0:47:28.960 --> 0:47:32.520
<v Speaker 1>So a physical medium here is defined as someone who

0:47:32.800 --> 0:47:38.200
<v Speaker 1>is a like door man in the Great Lakes Avengers.

0:47:38.520 --> 0:47:42.640
<v Speaker 1>They're a portal through which physical manifestations of the spiritual

0:47:42.680 --> 0:47:44.080
<v Speaker 1>can be seen well.

0:47:44.080 --> 0:47:46.200
<v Speaker 2>And therefore, you know, especially since all the things we've

0:47:46.239 --> 0:47:49.200
<v Speaker 2>said about what the idea of ectoplasm is, it makes

0:47:49.239 --> 0:47:51.279
<v Speaker 2>sense that they might have some that would come out

0:47:51.320 --> 0:47:56.040
<v Speaker 2>of their body because it's they are literally the ghosts

0:47:56.120 --> 0:47:58.319
<v Speaker 2>or the spirits are passing through them, and that's where

0:47:58.360 --> 0:48:02.240
<v Speaker 2>the remnant might the resident. I guess the spiritual residue

0:48:02.320 --> 0:48:03.000
<v Speaker 2>might end up.

0:48:03.440 --> 0:48:03.680
<v Speaker 5>Yeah.

0:48:03.760 --> 0:48:05.640
<v Speaker 3>In that episode, by the way, is called what is

0:48:05.800 --> 0:48:09.319
<v Speaker 3>quote laying on hands unquote If you want to look

0:48:09.360 --> 0:48:13.000
<v Speaker 3>that up, it's from September twenty twenty. But I know

0:48:13.239 --> 0:48:14.600
<v Speaker 3>I interrupted you well.

0:48:14.880 --> 0:48:15.640
<v Speaker 6>I think I got there.

0:48:15.760 --> 0:48:18.319
<v Speaker 2>Just the point being is that we certainly aren't trying

0:48:18.320 --> 0:48:21.560
<v Speaker 2>to say anyone who believes that they possess these types

0:48:21.600 --> 0:48:26.319
<v Speaker 2>of intuitions or skills are completely full of it. You know,

0:48:26.680 --> 0:48:29.280
<v Speaker 2>that's not what we're here to say or to prove

0:48:29.400 --> 0:48:34.080
<v Speaker 2>or disprove. But historically the fact remains that a vast

0:48:34.080 --> 0:48:37.120
<v Speaker 2>majority or a very large number of these folks purporting

0:48:37.120 --> 0:48:37.840
<v Speaker 2>to have these abilities.

0:48:37.840 --> 0:48:38.600
<v Speaker 6>We're doing just what I.

0:48:38.560 --> 0:48:43.440
<v Speaker 2>Said, trying to pray on people and they're you know, misfortune,

0:48:43.640 --> 0:48:47.120
<v Speaker 2>you know, So think about it this way. Your most

0:48:47.280 --> 0:48:50.600
<v Speaker 2>you know, ardent supporters are going to be people navigating

0:48:50.800 --> 0:48:55.120
<v Speaker 2>a significant loss, a dead child, a dead spouse, dead parent, whatever,

0:48:55.160 --> 0:48:57.719
<v Speaker 2>it might be, a needing some kind of closure, and

0:48:57.760 --> 0:49:01.680
<v Speaker 2>therefore there's that just absolute opportunit for that confirmation bias

0:49:01.920 --> 0:49:04.600
<v Speaker 2>and if you know how to play into that, you know,

0:49:04.600 --> 0:49:06.799
<v Speaker 2>the cold reading of it all. You know that we

0:49:06.920 --> 0:49:10.120
<v Speaker 2>see on these kind of Hollywood psychic type shows, which

0:49:10.160 --> 0:49:13.240
<v Speaker 2>I think are ninety percent of the time absolutely bogus

0:49:13.320 --> 0:49:16.239
<v Speaker 2>and manipulative. It's really easy to see how someone is

0:49:16.360 --> 0:49:19.719
<v Speaker 2>very open to being manipulated in that way when they're

0:49:19.760 --> 0:49:23.640
<v Speaker 2>already weakened, their defenses are already weakened because of going

0:49:23.680 --> 0:49:24.640
<v Speaker 2>through a trauma.

0:49:24.920 --> 0:49:27.400
<v Speaker 1>Yeah, that's absolutely it. As the old line from X

0:49:27.400 --> 0:49:31.239
<v Speaker 1>Files goes, they want to believe. And you know this

0:49:31.400 --> 0:49:34.839
<v Speaker 1>is very cold, but it's necessary to say. You can

0:49:35.080 --> 0:49:40.200
<v Speaker 1>see the attempts at grifting folks just by the content

0:49:40.400 --> 0:49:45.280
<v Speaker 1>of the purported messages. Very few returning spirits, for example,

0:49:45.680 --> 0:49:50.239
<v Speaker 1>say stuff like hey, I miss you and I was

0:49:50.320 --> 0:49:53.680
<v Speaker 1>bad and now I'm burning in hell. Right, very few

0:49:53.719 --> 0:49:57.480
<v Speaker 1>people give a terrible message about the afterlife. Very few

0:49:57.520 --> 0:50:01.919
<v Speaker 1>people give specifics that could not otherwise be derived from

0:50:01.960 --> 0:50:05.400
<v Speaker 1>the sith level arts of hot or cold reading. And

0:50:05.520 --> 0:50:08.080
<v Speaker 1>so long as you don't look just like the photographs,

0:50:08.360 --> 0:50:11.879
<v Speaker 1>so long as you don't look too closely at the

0:50:11.960 --> 0:50:15.680
<v Speaker 1>method and the message of the medium, these conversations and

0:50:15.760 --> 0:50:21.319
<v Speaker 1>experiences feel right, they feel reassuring. They're better than the

0:50:21.400 --> 0:50:22.520
<v Speaker 1>silence of the grave.

0:50:23.560 --> 0:50:28.760
<v Speaker 3>Dude, did you guys see that movie from twenty either

0:50:28.760 --> 0:50:31.480
<v Speaker 3>twenty twenty or twenty twenty one called Nightmare Alley?

0:50:31.760 --> 0:50:34.600
<v Speaker 2>The gear model are so good and the original is

0:50:34.640 --> 0:50:38.160
<v Speaker 2>good too. Guys like the actual fifties I believe version

0:50:38.360 --> 0:50:41.160
<v Speaker 2>it's it's incredible, But I like the Gaiamo version two.

0:50:41.160 --> 0:50:44.560
<v Speaker 2>But it's all about these kinds of things. Yes, it's fantastic.

0:50:44.840 --> 0:50:46.960
<v Speaker 3>It reminds me a lot of exactly what you're talking about, Ben,

0:50:46.960 --> 0:50:51.080
<v Speaker 3>where it's just it looks into the characters that are

0:50:51.120 --> 0:50:55.040
<v Speaker 3>figuring out these techniques and figuring out you know, very

0:50:55.040 --> 0:51:00.839
<v Speaker 3>complex versions to I mean, it is to fool someone.

0:51:00.600 --> 0:51:03.560
<v Speaker 5>In order to make money, right, that's the idea.

0:51:03.960 --> 0:51:06.239
<v Speaker 3>Fool and fool and audience people so that you can

0:51:06.239 --> 0:51:06.960
<v Speaker 3>make their money.

0:51:07.320 --> 0:51:08.320
<v Speaker 5>You put on a show.

0:51:09.040 --> 0:51:13.400
<v Speaker 3>But it does make me wonder about I don't know,

0:51:13.560 --> 0:51:17.600
<v Speaker 3>not necessarily a motivations, because ultimately it is like a

0:51:17.640 --> 0:51:22.319
<v Speaker 3>spectacle performance that you're going to watch the way you

0:51:22.320 --> 0:51:24.520
<v Speaker 3>would if you were going to see a play or something.

0:51:24.600 --> 0:51:26.640
<v Speaker 5>In my mind, at least in some ways.

0:51:27.000 --> 0:51:31.400
<v Speaker 1>Or for the more atheistic amidst us gives you the

0:51:31.400 --> 0:51:35.200
<v Speaker 1>same similar kind of reassurance as a religious ritual would.

0:51:35.600 --> 0:51:39.080
<v Speaker 1>I mean, yes, it doesn't have to be evil, right,

0:51:39.680 --> 0:51:43.879
<v Speaker 1>A panacea is not always given in bad faith, These

0:51:43.920 --> 0:51:46.759
<v Speaker 1>blue sky pills of the mind we could call them.

0:51:46.880 --> 0:51:50.080
<v Speaker 1>And also this might be kind of a hot take here,

0:51:50.440 --> 0:51:54.839
<v Speaker 1>but I'm still not okay. So the physical medium, ectoplasm,

0:51:54.960 --> 0:51:59.760
<v Speaker 1>spiritualism stuff, I'm confident that we can say, not easily

0:52:00.960 --> 0:52:04.480
<v Speaker 1>ninety plus percent of it is a bad faith drift.

0:52:04.920 --> 0:52:08.799
<v Speaker 1>But I'm still on the fence about spiritual mediums, like

0:52:08.880 --> 0:52:11.880
<v Speaker 1>I'm still on the fence about vibes or you know,

0:52:12.080 --> 0:52:16.800
<v Speaker 1>non tangible inexplicable messages and information and knowledge.

0:52:17.880 --> 0:52:19.560
<v Speaker 6>I like, I'm so.

0:52:19.640 --> 0:52:22.560
<v Speaker 1>On the fence about it that I am uncomfortable talking

0:52:22.600 --> 0:52:29.080
<v Speaker 1>about it on air. We know, I mean, we know

0:52:29.239 --> 0:52:35.040
<v Speaker 1>that there were grifters because the message was always reassuring

0:52:35.320 --> 0:52:39.600
<v Speaker 1>and always kind of hitting those dopamine triggers. Right, not

0:52:39.760 --> 0:52:43.160
<v Speaker 1>only can I help you talk to this person that

0:52:43.239 --> 0:52:47.960
<v Speaker 1>you miss so deeply and profoundly, but you can come

0:52:48.080 --> 0:52:51.160
<v Speaker 1>visit them any old time you like. You can talk

0:52:51.200 --> 0:52:54.680
<v Speaker 1>to them again and again and again, so long as

0:52:54.680 --> 0:52:59.760
<v Speaker 1>you bring some coin along with you, which is just brutal,

0:53:00.200 --> 0:53:00.879
<v Speaker 1>you know what I mean?

0:53:01.120 --> 0:53:01.640
<v Speaker 6>Do you guys?

0:53:01.680 --> 0:53:08.200
<v Speaker 1>Ever, one example of very controversial people like this in

0:53:08.239 --> 0:53:11.200
<v Speaker 1>the modern day would be that guy John Edwards.

0:53:11.520 --> 0:53:13.680
<v Speaker 2>Do you remember it was kind of describing I think

0:53:14.320 --> 0:53:15.600
<v Speaker 2>he's a TV guy, right.

0:53:15.719 --> 0:53:18.480
<v Speaker 1>He was, Yeah, he was on Oprah, Larry King, Candy's

0:53:18.520 --> 0:53:19.360
<v Speaker 1>own TV show.

0:53:20.080 --> 0:53:22.560
<v Speaker 2>Well, I'm not going to name names, but I worked

0:53:22.560 --> 0:53:25.560
<v Speaker 2>closely with a producer on some podcast stuff in the

0:53:25.560 --> 0:53:29.000
<v Speaker 2>past who had a background in TV I think, in

0:53:29.040 --> 0:53:31.560
<v Speaker 2>that exact kind of sphere that you're talking about, and

0:53:31.680 --> 0:53:35.600
<v Speaker 2>worked with someone very similar to this fellow, and was

0:53:35.640 --> 0:53:38.520
<v Speaker 2>absolutely disgusted by the whole thing and just described it.

0:53:38.600 --> 0:53:39.920
<v Speaker 2>And I'm not going to throw anybody in the bus

0:53:40.000 --> 0:53:41.279
<v Speaker 2>or anything, and I'm not trying to be like who

0:53:41.320 --> 0:53:43.319
<v Speaker 2>I have inside info, but this is a person who

0:53:43.400 --> 0:53:47.239
<v Speaker 2>worked closely and saw these tricks being plied and and

0:53:47.760 --> 0:53:49.920
<v Speaker 2>you know, and to be around a person like that

0:53:49.960 --> 0:53:52.560
<v Speaker 2>who probably pretty openly when people aren't listening and the

0:53:52.560 --> 0:53:56.719
<v Speaker 2>cameras aren't rolling, talks trash about the people that they're manipulating.

0:53:57.040 --> 0:54:02.319
<v Speaker 2>Oh like that you imagine, Yeah, that's to the imagine unfortunately.

0:54:02.560 --> 0:54:03.080
<v Speaker 6>Can Yeah.

0:54:03.440 --> 0:54:06.360
<v Speaker 1>It reminds me of like the televangelist or faith healers

0:54:06.560 --> 0:54:11.400
<v Speaker 1>who have the little hidden earbud where they get information

0:54:11.480 --> 0:54:15.400
<v Speaker 1>about people in the audience and then claimants divine inspiration.

0:54:15.960 --> 0:54:20.360
<v Speaker 1>I don't know, I mean, this shows us something strange

0:54:20.360 --> 0:54:23.960
<v Speaker 1>about this period of history. There are several reasons the

0:54:24.000 --> 0:54:28.080
<v Speaker 1>belief in ectoplasm is nowhere near as popular now as

0:54:28.120 --> 0:54:30.640
<v Speaker 1>it was back then, and a lot of it is

0:54:30.680 --> 0:54:36.000
<v Speaker 1>because the interested nerds who brought scientific principles to these

0:54:36.040 --> 0:54:42.239
<v Speaker 1>seances ultimately proved the falsity of these claims. Our boy

0:54:42.280 --> 0:54:46.120
<v Speaker 1>who coined the term ectoplasm in the paranormal sense rashe

0:54:46.160 --> 0:54:50.560
<v Speaker 1>was once the president of a outfit called the Society

0:54:50.600 --> 0:54:54.480
<v Speaker 1>for Psychical Research. They really wanted this stuff to be true.

0:54:54.800 --> 0:54:59.880
<v Speaker 1>They wanted it to be true so so bad. However,

0:55:00.360 --> 0:55:03.480
<v Speaker 1>because they were scientists and they were trying to be objective,

0:55:04.600 --> 0:55:08.720
<v Speaker 1>they were bummed out over and over again. They found

0:55:08.840 --> 0:55:14.080
<v Speaker 1>sleight of hand, psychological manipulation, good old fashioned grifting, and

0:55:14.160 --> 0:55:18.600
<v Speaker 1>basic material science. Those were the things that Wind combined

0:55:18.760 --> 0:55:22.839
<v Speaker 1>and a certain recipe created the appearance of ghost. And

0:55:22.880 --> 0:55:25.920
<v Speaker 1>then they published it. Oh, there was a book burning.

0:55:26.120 --> 0:55:28.880
<v Speaker 1>We need to get to that. This is this is

0:55:28.880 --> 0:55:32.440
<v Speaker 1>a huge milestone because these guys who sought to prove

0:55:32.520 --> 0:55:35.320
<v Speaker 1>this stuff or investigate it and wanted it to be true,

0:55:35.600 --> 0:55:39.240
<v Speaker 1>they just kept disproving it. And there was a book

0:55:39.560 --> 0:55:44.480
<v Speaker 1>that was originally published anonymously called Revelations of a Spirit Medium.

0:55:45.160 --> 0:55:49.200
<v Speaker 1>And it was like when a stage magician breaks the

0:55:49.239 --> 0:55:51.839
<v Speaker 1>big code. Is there like a magic code where you're

0:55:51.840 --> 0:55:53.680
<v Speaker 1>not supposed to explain the tricks?

0:55:54.320 --> 0:55:54.400
<v Speaker 5>Right?

0:55:55.880 --> 0:55:56.120
<v Speaker 6>Yeah?

0:55:56.840 --> 0:55:59.160
<v Speaker 2>And like you know, I'm at the Magic Castle in

0:55:59.200 --> 0:56:03.000
<v Speaker 2>Los Angeles, which like a private magicians club. No photographs

0:56:03.000 --> 0:56:05.480
<v Speaker 2>are allowed inside, and they have like a really it's

0:56:05.480 --> 0:56:08.000
<v Speaker 2>a very hush hush kind of world. And if you

0:56:08.080 --> 0:56:09.680
<v Speaker 2>there was like a TV show where there was a

0:56:09.760 --> 0:56:12.080
<v Speaker 2>magician that would debunked a lot of those kinds of

0:56:12.080 --> 0:56:14.160
<v Speaker 2>tricks and he wore like a hood over his.

0:56:14.280 --> 0:56:16.279
<v Speaker 6>Head and didn't Yeah that's right. He didn't want to

0:56:16.280 --> 0:56:18.200
<v Speaker 6>be exposed. Maybe that was just part of it.

0:56:18.239 --> 0:56:20.719
<v Speaker 2>But no, it's definitely frowned upon, and you certainly could

0:56:20.719 --> 0:56:24.320
<v Speaker 2>get blacklisted from what is already a pretty niche performing community.

0:56:24.560 --> 0:56:26.800
<v Speaker 3>I would say that's why Penna Teller are household names,

0:56:26.880 --> 0:56:31.160
<v Speaker 3>because they would show that you can be tricked by

0:56:31.440 --> 0:56:35.480
<v Speaker 3>us and by other illusionists. Michael, and because this is

0:56:35.520 --> 0:56:37.080
<v Speaker 3>how sorry, I'm gonna do that every time for the

0:56:37.120 --> 0:56:39.440
<v Speaker 3>rest of my life because that show is so important

0:56:39.480 --> 0:56:39.640
<v Speaker 3>to me.

0:56:39.719 --> 0:56:42.960
<v Speaker 2>How much could have banana cross im Sorry, this show

0:56:43.040 --> 0:56:43.959
<v Speaker 2>is just infinitely.

0:56:43.680 --> 0:56:44.719
<v Speaker 6>Quotable and applicable.

0:56:44.719 --> 0:56:47.800
<v Speaker 2>List is why you leave a note sorry too many?

0:56:48.960 --> 0:56:51.040
<v Speaker 3>But I mean so, that's why they're important, because the

0:56:51.040 --> 0:56:53.000
<v Speaker 3>would actually show you, like they do a trick with

0:56:53.800 --> 0:56:56.200
<v Speaker 3>opaque cups, and then they would do the same trick

0:56:56.280 --> 0:56:59.480
<v Speaker 3>with transparent cups so that you could see through and

0:56:59.480 --> 0:56:59.839
<v Speaker 3>see what.

0:56:59.760 --> 0:57:00.400
<v Speaker 5>They were doing.

0:57:00.560 --> 0:57:05.279
<v Speaker 3>But it's also why somebody like Randall James Zwinge, I

0:57:05.280 --> 0:57:10.120
<v Speaker 3>don't know how to say it, Yeah, James, Randy why

0:57:10.160 --> 0:57:13.240
<v Speaker 3>he was so important because he was attempting to show

0:57:14.520 --> 0:57:17.040
<v Speaker 3>there are no at least in his mind, there are

0:57:17.080 --> 0:57:20.880
<v Speaker 3>no psychic powers, there are no spiritualism powers, there are

0:57:20.880 --> 0:57:23.880
<v Speaker 3>no other powers. Because I am sitting here offering a

0:57:23.880 --> 0:57:27.320
<v Speaker 3>million dollars to anybody that can prove it scientifically, and

0:57:27.360 --> 0:57:28.920
<v Speaker 3>I'll give you a million dollars. You just got to

0:57:28.960 --> 0:57:31.640
<v Speaker 3>prove that you've got those powers, and it never happened.

0:57:33.480 --> 0:57:36.240
<v Speaker 3>But still, I don't know. I'm just going back to

0:57:36.280 --> 0:57:39.960
<v Speaker 3>that code, right. You don't want to show how trick's

0:57:40.000 --> 0:57:44.200
<v Speaker 3>work because it takes away from everybody's ability to pull

0:57:44.240 --> 0:57:48.000
<v Speaker 3>those illusions off to either make money and have a

0:57:48.040 --> 0:57:52.080
<v Speaker 3>career or just to keep a little magic in people's minds.

0:57:52.240 --> 0:57:56.320
<v Speaker 1>Yeah, you're blowing up the spot basically, right. And also,

0:57:56.880 --> 0:58:01.000
<v Speaker 1>just for a side note, I don't know about you, guys.

0:58:01.200 --> 0:58:08.440
<v Speaker 1>I completely agree with the Amazing Randy's mission objectively, but

0:58:08.840 --> 0:58:11.360
<v Speaker 1>I found a lot of his bedside manner to be

0:58:11.400 --> 0:58:13.760
<v Speaker 1>a little bit militant and unhelpful.

0:58:14.040 --> 0:58:16.280
<v Speaker 2>He's a guy with no I'm thinking of the amazing Jonathan,

0:58:16.320 --> 0:58:17.400
<v Speaker 2>the guy with the headband, And.

0:58:20.560 --> 0:58:24.320
<v Speaker 6>Who is the amazing Randy. It's the skeptic James Randy.

0:58:24.480 --> 0:58:25.200
<v Speaker 6>Oh of course.

0:58:25.320 --> 0:58:29.080
<v Speaker 2>Yeah, we all have assigned Simpson's five cartoon images of

0:58:29.160 --> 0:58:32.160
<v Speaker 2>him on our walls that some listener or a colleague

0:58:32.200 --> 0:58:33.120
<v Speaker 2>or somebody sent us.

0:58:33.320 --> 0:58:36.800
<v Speaker 6>That's pretty cool. Sorry, I should look more into thee Tyler. Yeah, okay,

0:58:36.840 --> 0:58:37.240
<v Speaker 6>there you go.

0:58:37.880 --> 0:58:40.840
<v Speaker 1>Yeah, so thank you, thank you, Tyler, and we also

0:58:41.800 --> 0:58:44.640
<v Speaker 1>you know again, I just want to say, like I know,

0:58:44.840 --> 0:58:48.960
<v Speaker 1>his bedside manner, Randy's wasn't for everybody, but the mission

0:58:49.320 --> 0:58:52.760
<v Speaker 1>is noble, that's the main takeaway. And what he's trying

0:58:52.800 --> 0:58:55.000
<v Speaker 1>to do and what he spent most of his life

0:58:55.040 --> 0:59:00.200
<v Speaker 1>doing was attempting to prevent people from being manipulated or

0:59:00.280 --> 0:59:02.960
<v Speaker 1>built into further heartbreaking tragedy.

0:59:03.120 --> 0:59:04.600
<v Speaker 6>So there is something noble to that.

0:59:05.440 --> 0:59:09.960
<v Speaker 1>And to this day, I think as a state continues

0:59:10.040 --> 0:59:13.240
<v Speaker 1>with the offer. Right to this day, no one has

0:59:13.240 --> 0:59:18.680
<v Speaker 1>successfully proven something to the standards set out in that

0:59:18.800 --> 0:59:22.880
<v Speaker 1>challenge or that proposition. Going back to the fall of

0:59:23.320 --> 0:59:28.080
<v Speaker 1>spiritualism and the fall of ectoplasm as a popular craze,

0:59:28.440 --> 0:59:32.040
<v Speaker 1>there was a book that broke the medium code. It

0:59:32.080 --> 0:59:35.600
<v Speaker 1>was published anonymously at first. It was called Revelations of

0:59:35.600 --> 0:59:38.880
<v Speaker 1>a Spirit Medium, and just like the books by you

0:59:38.920 --> 0:59:41.720
<v Speaker 1>know or the performances by the mass magician or pen

0:59:41.800 --> 0:59:47.120
<v Speaker 1>and teller, this revealed behind the scenes easily reproducible methods

0:59:47.160 --> 0:59:52.560
<v Speaker 1>for creating a ghost, and the psychic industry in that

0:59:52.760 --> 0:59:57.760
<v Speaker 1>rarefied spiritual air. They were super pissed about it. This

0:59:58.000 --> 1:00:02.040
<v Speaker 1>was not a would look for them, so much so

1:00:02.480 --> 1:00:05.760
<v Speaker 1>that they bought up almost all the original copies of

1:00:05.800 --> 1:00:10.040
<v Speaker 1>that book and they destroyed them on mass. The larger

1:00:10.080 --> 1:00:12.640
<v Speaker 1>public like they censored it. They tried to erase it

1:00:12.680 --> 1:00:16.440
<v Speaker 1>from history because this was their livelihood. The public only

1:00:16.520 --> 1:00:21.200
<v Speaker 1>learned about this when these two researchers, Eric Dingwall real

1:00:21.280 --> 1:00:25.040
<v Speaker 1>last name and Harry Price managed to save if they

1:00:25.080 --> 1:00:28.600
<v Speaker 1>found one copy, they saved it from destruction. They republished

1:00:28.640 --> 1:00:33.600
<v Speaker 1>it widely, and that's when the public learned, Hey, maybe

1:00:33.640 --> 1:00:38.080
<v Speaker 1>that's really not you know, my mother has passed away,

1:00:38.440 --> 1:00:41.680
<v Speaker 1>or my child that I lost, or my spouse or whatever.

1:00:41.920 --> 1:00:43.040
<v Speaker 1>And the tide turned.

1:00:43.440 --> 1:00:48.160
<v Speaker 3>Yeah, if you have time and you're interested in this stuff,

1:00:48.560 --> 1:00:53.360
<v Speaker 3>look more into Harry Price. There is an amazing article

1:00:53.440 --> 1:00:57.920
<v Speaker 3>that goes into his nineteen thirties research attempting to use

1:00:58.200 --> 1:01:03.840
<v Speaker 3>X rays specifically to investigate psychic mediumship in this kind

1:01:03.880 --> 1:01:08.520
<v Speaker 3>of thing where there's either ectoplasm created or a spirit

1:01:08.720 --> 1:01:13.080
<v Speaker 3>that manifests and using X rays to try and prove

1:01:13.160 --> 1:01:16.000
<v Speaker 3>that the medium may or may not actually have something

1:01:16.080 --> 1:01:20.200
<v Speaker 3>inside their person right that they are using to fool everybody.

1:01:21.520 --> 1:01:23.920
<v Speaker 3>Really great stuff. You can find an article on the

1:01:23.920 --> 1:01:27.000
<v Speaker 3>website for the Science and Media Museum. It's called spirit

1:01:27.000 --> 1:01:29.560
<v Speaker 3>Photography and the Occult Making the Invisible Visible.

1:01:29.880 --> 1:01:33.920
<v Speaker 1>And if you want to see some kind of gonzo

1:01:34.360 --> 1:01:37.400
<v Speaker 1>fiction in this regard, if you're a fan of graphic

1:01:37.480 --> 1:01:41.160
<v Speaker 1>novels at all, please check out BPRD and hell Boy,

1:01:41.280 --> 1:01:44.760
<v Speaker 1>which goes deep into the spiritualism movement or uses it

1:01:45.000 --> 1:01:50.240
<v Speaker 1>as inspiration for some crazy adventures. I say, crazy adventures, hijinks.

1:01:50.640 --> 1:01:53.240
<v Speaker 1>It's deep stuff. It's maybe not appropriate for kids all

1:01:53.280 --> 1:01:53.640
<v Speaker 1>the time.

1:01:54.240 --> 1:01:56.240
<v Speaker 2>I was also going to suggest a movie that came

1:01:56.280 --> 1:01:58.160
<v Speaker 2>out pretty recently that I thought it was pretty good call.

1:01:58.200 --> 1:02:00.600
<v Speaker 2>I think it's called Late Night with the Devil, where

1:02:00.600 --> 1:02:03.800
<v Speaker 2>it's like about like an exorcism that takes place on

1:02:03.840 --> 1:02:06.400
<v Speaker 2>a late night show, but there is a James Randy

1:02:06.600 --> 1:02:09.880
<v Speaker 2>esque character who is there like trying to talk and

1:02:09.960 --> 1:02:12.840
<v Speaker 2>crap about the whole thing all along the way, So

1:02:12.920 --> 1:02:15.480
<v Speaker 2>it's very seventies kind of vibes, and I think it's

1:02:15.480 --> 1:02:17.200
<v Speaker 2>good if interested.

1:02:18.480 --> 1:02:21.840
<v Speaker 6>I mean, I'm clearly I'm cartoonishly in the demographic for

1:02:21.880 --> 1:02:22.520
<v Speaker 6>the same thing.

1:02:22.560 --> 1:02:23.920
<v Speaker 2>Yeah, but I thought it was well done and it

1:02:23.960 --> 1:02:26.320
<v Speaker 2>was entertaining, and it's actually got some humor in it,

1:02:26.360 --> 1:02:28.880
<v Speaker 2>but it's it's definitely a bit of a dark uh

1:02:28.920 --> 1:02:30.560
<v Speaker 2>exploration of these types of things.

1:02:30.920 --> 1:02:34.320
<v Speaker 1>And so with the fall of spiritualism, which we'll explore

1:02:34.440 --> 1:02:38.720
<v Speaker 1>in a later evening, uh, the wave the tide turned,

1:02:38.760 --> 1:02:42.720
<v Speaker 1>and the wave of belief at ectoplasm never fully returned

1:02:42.920 --> 1:02:45.280
<v Speaker 1>to the shore of the public zeitgeist.

1:02:45.720 --> 1:02:46.680
<v Speaker 6>So with all this in.

1:02:46.600 --> 1:02:49.959
<v Speaker 1>Mind, we can say the following, Yes, ectoplasm is real,

1:02:50.440 --> 1:02:54.120
<v Speaker 1>But that answer depends entirely on what we mean by ectoplasm.

1:02:54.680 --> 1:02:58.880
<v Speaker 1>A basic part of cell structure, for sure, an agglomeration

1:02:59.120 --> 1:03:04.840
<v Speaker 1>of mundane materials exhibited under specific physical and psychological conditions.

1:03:05.280 --> 1:03:18.000
<v Speaker 1>Apps of frickin lutely the physical traces of ghost eh.

1:03:13.720 --> 1:03:14.160
<v Speaker 6>I don't know.

1:03:15.000 --> 1:03:15.880
<v Speaker 5>I haven't seen any.

1:03:16.560 --> 1:03:19.640
<v Speaker 3>I've seen lots and lots of weird photographs of cheese cloth.

1:03:20.240 --> 1:03:20.600
<v Speaker 6>Yeah.

1:03:21.560 --> 1:03:25.960
<v Speaker 1>Of course, that is unless you listening tonight, fellow conspiracy realist,

1:03:26.240 --> 1:03:30.000
<v Speaker 1>unless you happen to have inarguable physical proof of spirits

1:03:30.360 --> 1:03:34.440
<v Speaker 1>visiting this realm from beyond the grave and leaving tangible

1:03:34.480 --> 1:03:38.880
<v Speaker 1>evidence behind. If so, we would love to learn more,

1:03:39.520 --> 1:03:43.040
<v Speaker 1>reach out, tell us, show it to us. We can't

1:03:43.120 --> 1:03:46.320
<v Speaker 1>wait to share it with the world, or just let

1:03:46.400 --> 1:03:48.320
<v Speaker 1>us know what you think. We'd love to hear your

1:03:48.400 --> 1:03:53.600
<v Speaker 1>stories about encounters with mediums and psychics, and we'd love

1:03:53.640 --> 1:03:57.040
<v Speaker 1>to hear where you fall on the spectrum of spiritualism

1:03:57.240 --> 1:04:00.000
<v Speaker 1>and skepticism. We try to be easy to find online.

1:04:00.680 --> 1:04:01.040
<v Speaker 6>That's right.

1:04:01.080 --> 1:04:02.920
<v Speaker 2>You can find us to the handle Conspiracy Stuff where

1:04:02.920 --> 1:04:05.680
<v Speaker 2>we exist on Facebook with our Facebook group. Here's where

1:04:05.680 --> 1:04:09.240
<v Speaker 2>it gets crazy, on xfka, Twitter and on YouTube with

1:04:09.360 --> 1:04:12.560
<v Speaker 2>video content coming at you on the regular on Instagram

1:04:12.560 --> 1:04:14.680
<v Speaker 2>and TikTok. However, we are Conspiracy Stuff Show.

1:04:15.080 --> 1:04:17.480
<v Speaker 5>Do you want to call us? Tell us what you think?

1:04:17.960 --> 1:04:22.800
<v Speaker 3>Call one eight three three STDWYTK. It's a voicemail system.

1:04:22.840 --> 1:04:25.520
<v Speaker 3>When you choose to call, give yourself a cool nickname,

1:04:25.560 --> 1:04:27.480
<v Speaker 3>and let us note at some point in the message

1:04:27.520 --> 1:04:29.760
<v Speaker 3>if we can use your name and message on the air.

1:04:30.200 --> 1:04:31.800
<v Speaker 3>If you got more to say than can fit in

1:04:31.840 --> 1:04:34.280
<v Speaker 3>a three minute voicemail, why not instead send.

1:04:34.200 --> 1:04:35.520
<v Speaker 5>Us a good old fashioned email.

1:04:35.600 --> 1:04:38.720
<v Speaker 1>We are the entities that read every single piece of

1:04:38.760 --> 1:04:44.000
<v Speaker 1>correspondence we receive. When you send a message into the void,

1:04:44.600 --> 1:04:47.680
<v Speaker 1>we can all see it, and we all know that

1:04:47.800 --> 1:04:52.800
<v Speaker 1>sometimes the void writes back. Be aware yet unafraid. Tell

1:04:52.920 --> 1:04:57.840
<v Speaker 1>us what's on your mind. Conspiracy at iHeartRadio Dot call.

1:05:16.560 --> 1:05:18.600
<v Speaker 3>Stuff, They Don't Want You To Know is a production

1:05:18.720 --> 1:05:23.240
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1:05:23.320 --> 1:05:26.200
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