WEBVTT - How long is this going to go on (S7 E9 “Knit, People, Knit!”)

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<v Speaker 1>I am all inlets you.

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<v Speaker 2>I am all in with Scott Patterson, an iHeartRadio podcast.

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<v Speaker 3>Hey everybody, Scott Patterson, I am all in podcast, one

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<v Speaker 3>of them productions. iHeartRadio, iHeart Media, I heart Podcast. I'm

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<v Speaker 3>joined by my intrepid crew, Tyre Suit, Danielle Romo. Jackie

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<v Speaker 3>Are has blacked herself out. We can't see her.

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<v Speaker 2>Our producer Jackie's here too.

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<v Speaker 3>Hey, Jackie and Amy Sugarman, you know where you love her.

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<v Speaker 3>This is season seven, Episode nine, Knit People Knit, and

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<v Speaker 3>I think before we kick things off, we want to

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<v Speaker 3>all acknowledge the life and the impact that one of

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<v Speaker 3>our our close, close colleagues and dear friends, Sam Rubin Uh,

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<v Speaker 3>had upon us. He passed away suddenly last week, and

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<v Speaker 3>it was just such a shock because I know Amy

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<v Speaker 3>Uh and Sam go back thirty years, and everybody on

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<v Speaker 3>this podcast knows Sam, knows and loves him, because to

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<v Speaker 3>know Sam, or even to be acquainted with him, is

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<v Speaker 3>to love him.

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<v Speaker 2>Uh.

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<v Speaker 3>He was a big supporter of mine for many.

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<v Speaker 2>Years, was Scott.

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<v Speaker 3>He really was really just such a great guy. I

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<v Speaker 3>just saw him on the Critics Choice Red carpet. We

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<v Speaker 3>did it.

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<v Speaker 2>Because you guys just got to have a so glad

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<v Speaker 2>because you guys got to have such a fun time

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<v Speaker 2>to get.

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<v Speaker 3>Twice I saw him on consecutive days, so h and

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<v Speaker 3>I hadn't seen him in a year or so, and

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<v Speaker 3>he's just such. He was just such a breath of

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<v Speaker 3>fresh air and such a positive, sweet guy, loving guy.

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<v Speaker 4>On the planet.

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<v Speaker 3>And so I personally just want to send my condolences

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<v Speaker 3>out to the family and friends. I saw his sixteen

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<v Speaker 3>year old son going KTL coldly went on he read

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<v Speaker 3>something he wrote for his dad, and I just cried, cried, cried.

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<v Speaker 3>I think, as we all did. Sam's passing has impacted

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<v Speaker 3>this town in a massive way, and people are still

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<v Speaker 3>trying to wrap their heads around it because it's just

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<v Speaker 3>left such a void in this town.

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<v Speaker 2>So Jackie, our producer, Jackie, Danielle and I worked directly

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<v Speaker 2>with him. So I've worked with him and he's been

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<v Speaker 2>my friend for thirty years, and Danielle and I have

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<v Speaker 2>worked directly for him for almost a decade. Every day,

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<v Speaker 2>and so I can't even the fact that I'm not

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<v Speaker 2>crying is only because I have literally been crying for

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<v Speaker 2>a week straight. But I want to honor this man.

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<v Speaker 2>You have no idea like he was the most special

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<v Speaker 2>person to me. He treated me, he included me in everything.

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<v Speaker 2>He fought to get me that job. He gave me

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<v Speaker 2>so many opportunities. Danielle and I were talking earlier in

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<v Speaker 2>thirty years. I never heard him raise his voice. He

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<v Speaker 2>never said an unkind word, He never got irritated. We

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<v Speaker 2>would text and say like, oh sorry, the guests that's

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<v Speaker 2>supposed to be there in three minutes just canceled, and

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<v Speaker 2>he would just be like, all good, and then he

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<v Speaker 2>just get on the air and nail it like he

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<v Speaker 2>was so talented. I've been so blessed to know him

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<v Speaker 2>and work with him and just to be his friend.

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<v Speaker 2>I mean, he just have me at the house. His

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<v Speaker 2>children are incredible. He has four of the most incredible children.

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<v Speaker 4>One of them who interned for us, Rory. She was,

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<v Speaker 4>you know, a part of our iHeart family too. Yeah,

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<v Speaker 4>and my heart goes out for.

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<v Speaker 2>All or just heartbroken truly, like Scott knows in our group.

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<v Speaker 2>Text and Scott, thank you because, like you know, you're

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<v Speaker 2>just such a great support for us. But this guy,

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<v Speaker 2>there's no there's nothing I can say because I could

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<v Speaker 2>never say enough. And Jackie, I know you feel the

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<v Speaker 2>same like the loyalty. This person showed me my whole

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<v Speaker 2>career from the minute I met him in the nineties,

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<v Speaker 2>like my entire career was my biggest like supporter. And

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<v Speaker 2>I actually was thinking about, I'm so happy to have

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<v Speaker 2>this podcast today because I'm trying not to cry. I

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<v Speaker 2>really don't want to cry because I I get such

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<v Speaker 2>a headache when I cry. So, watching Gilmore Girls last night,

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<v Speaker 2>and I know this sounds like cheesy, was a really

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<v Speaker 2>nice yes moment. It's like Gilmore Girls. You always talk

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<v Speaker 2>about it, it does I really was okay for a minute.

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<v Speaker 2>I got to just enjoy the show miracle. I liked

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<v Speaker 2>the episode. You know, there's something so special and I

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<v Speaker 2>think it's only fitting that Gilmore Girls aired on Sam's network. Yeah,

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<v Speaker 2>in so many years, and he you know, interviewed everybody

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<v Speaker 2>from Gilmore Girls. So I actually was really excited to

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<v Speaker 2>do this podcast with you guys today, just to be

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<v Speaker 2>together and like, oh, I don't want to cry.

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<v Speaker 3>I had the same reaction to this episode because the

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<v Speaker 3>other day, you know, I went into my doctor because

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<v Speaker 3>I had some irritation in my back and they said,

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<v Speaker 3>oh my god, you need to go get that taken

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<v Speaker 3>care of. And we're all, you know, because of COVID,

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<v Speaker 3>so many doctors and nurses just retired from the industry,

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<v Speaker 3>so we're short here, so well outsource. It's it's close

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<v Speaker 3>to your house to go over there. And the doctor

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<v Speaker 3>saw me on an emergency basis. She goes, Oh my god,

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<v Speaker 3>get on your stomach, and she just took a scalp,

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<v Speaker 3>well what and and cut into it and squeezed it

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<v Speaker 3>out and it's infected and it's yeah, yeah.

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<v Speaker 5>I know.

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<v Speaker 3>It was like an absessed like infected cyst or whatever

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<v Speaker 3>it was. Yeah, And I had more novacated me that

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<v Speaker 3>to kill a horse. And I could still whatever they

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<v Speaker 3>gave me. But it was like, I said, more, just

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<v Speaker 3>give me more. I can still feel it. She goes,

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<v Speaker 3>there's no way you can feel it. I said, I've

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<v Speaker 3>give me more anyway. So I'm like, I can barely

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<v Speaker 3>sit on the couch. I gotta lie down on a pillow,

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<v Speaker 3>like you know, I'm a Ruben's painting or something, and

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<v Speaker 3>and watch TV. I can't do anything. I can't go

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<v Speaker 3>to the gym, I can't move around that good. I

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<v Speaker 3>haven't got stitches yet, but I'm in pain. So I

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<v Speaker 3>got I got the nice tile and all, I got

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<v Speaker 3>the pain killers, I got the antibiotics, and then Gilmour

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<v Speaker 3>comes on and I'm like, yeah, yeah, this is nice.

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<v Speaker 4>Yeah yeah, it was nice.

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<v Speaker 3>Right, it was really nice, really is And forget the pain.

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<v Speaker 3>It made me forget everything.

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<v Speaker 2>Yeah, we criticize it, we do our thing. You criticize us,

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<v Speaker 2>but at the end of the day, like we're all

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<v Speaker 2>in this because we love this show. You know, we

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<v Speaker 2>really love the show, and that everyone that listens is

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<v Speaker 2>so passionate and it's just like, you know what, it

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<v Speaker 2>just it was I was excited to be with you

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<v Speaker 2>guys today.

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<v Speaker 3>I feel the same way. And I really love this episode.

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<v Speaker 3>I mean a great episode. I thought it was great

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<v Speaker 3>top to bottom. I thought it was a great episode.

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<v Speaker 3>I thought everybody hit it out of the park.

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<v Speaker 2>I put it out of the park. The ending scene

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<v Speaker 2>was really good, which.

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<v Speaker 3>I talk about, thought that was cool. Yeah, but it

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<v Speaker 3>was a great episode. And they really went to town

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<v Speaker 3>on the props with the giant spools of yarn and

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<v Speaker 3>it was just like great and it was so totally

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<v Speaker 3>and it kind of felt like, Okay, it looks like

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<v Speaker 3>maybe stars Hollow might be spitting Christopher out.

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<v Speaker 2>Oh boy, did I cringe when he donated that money.

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<v Speaker 2>I was like, no, no, no, no, dude, no no, not

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<v Speaker 2>the point, not the point.

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<v Speaker 3>You missed the point.

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<v Speaker 2>What's his heart?

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<v Speaker 5>Like?

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<v Speaker 2>Look, I know he's polarizing, but he's really trying and like, I.

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<v Speaker 3>Don't know who this episode he was like he was.

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<v Speaker 2>He was and Jackson, I mean this. We needed the

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<v Speaker 2>town back.

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<v Speaker 3>Everyone did, and we really did get Richard.

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<v Speaker 2>And Emily like, I think maybe the mistake of season

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<v Speaker 2>seven was not here, please do, please do. I have

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<v Speaker 2>so much anxiety that my mouth is dry. So everything

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<v Speaker 2>I say I told Danielle my essays sounds so weird,

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<v Speaker 2>but it's just because I'm so anxious. But anyway, I'll

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<v Speaker 2>just it out. We'll just have a good time today.

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<v Speaker 2>So we missed the town. I think the mistake that

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<v Speaker 2>the writers made in season seven was not using the

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<v Speaker 2>town in the episodes we've had as much, because now

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<v Speaker 2>that we had them, it did feel gilmoury to me,

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<v Speaker 2>not perfect, but it felt like we what we like.

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<v Speaker 6>With the nitiphon and how everything combined, it felt like

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<v Speaker 6>we're back to normal.

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<v Speaker 2>Yeah, I did.

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<v Speaker 3>I can't. They can't do that every week.

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<v Speaker 4>It's not budget friendly, you know, what Henny Ortega. So

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<v Speaker 4>there you go.

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<v Speaker 3>Of course, just drop your mic walkway.

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<v Speaker 2>And once you know that, of course.

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<v Speaker 3>Why would you say that and end the potty.

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<v Speaker 7>You don't need to say anything Kenny Ortega, period way.

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<v Speaker 3>There will be no critique today or breakdown at Kenny Ortega.

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<v Speaker 4>Kenny Ortega's bye, everybody.

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<v Speaker 3>All right, now we're going to get to it. Danielle.

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<v Speaker 3>It's time to synopsisizations with Danielle Romo. That's that could

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<v Speaker 3>be a new podcast.

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<v Speaker 4>I can't even say the wordizing.

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<v Speaker 3>It's synopsisization.

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<v Speaker 4>All right, guys, this is season seven, episode nine, Knit

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<v Speaker 4>People Knit Air date November twenty eight, two thousand and six.

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<v Speaker 4>Lorlai is concerned that stars Hollow may not accept Christopher,

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<v Speaker 4>Rory and Marty resolve their awkwardness but a drunk comment

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<v Speaker 4>sorry until lizten DJ welcome and you baby girl, and

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<v Speaker 4>Luke finally stands up to Anna about his relationship up

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<v Speaker 4>with April.

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<v Speaker 2>I also say I actually had some favorite lines in this.

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<v Speaker 3>There was some funny stuff. Emily had a good one.

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<v Speaker 3>You're like a dolphin at feeding time.

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<v Speaker 2>Yeah, okay, So we are at the Gilmore's. Richard and

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<v Speaker 2>Emily are back and immediately I noticed that very beautifully

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<v Speaker 2>wrapped silver gift. Emily right on point, playing that answering

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<v Speaker 2>machine message over and over and over again. I was

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<v Speaker 2>so happy with the whole scene. Emily and Richard were

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<v Speaker 2>awesome opening the gift, and it was that cave woman,

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<v Speaker 2>woolf girlool girl painting woman thing. It was so amazing.

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<v Speaker 2>The thing that I love, and this is the brilliance

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<v Speaker 2>of Gilmour, is that it pops up. It's prominently featured

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<v Speaker 2>during dinner, and that's Kenny Ortega is brilliance, I assume.

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<v Speaker 2>And then back at the Gilmour at lore Lies, it's

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<v Speaker 2>I mean, you see it again and again throughout the episode.

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<v Speaker 4>So any clown pillow, it's oh yeah, speaking of the

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<v Speaker 4>clown pillow really vanished. I really every time we're at

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<v Speaker 4>Laurelie's house, my eyes are wide open, just waiting for it,

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<v Speaker 4>and I have not seen seen it. Has it season four?

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<v Speaker 7>Maybe he's gonna say, did it go with Amy and Dan?

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<v Speaker 7>Or is it just no?

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<v Speaker 2>But it's been gone before that.

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<v Speaker 4>Yeah, it's been gone for a few seasons.

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<v Speaker 2>I want to say.

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<v Speaker 4>Its last appearance was season four.

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<v Speaker 2>Oh wow, so great opening, do we all agree?

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<v Speaker 3>Yeah? Pretty darn strong.

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<v Speaker 2>Yeah, like fun, Loralai was cool, Christopher was cool. I'm

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<v Speaker 2>sorry they were cool. Emily and Richard were so sarcastic.

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<v Speaker 2>I mean, they must be totally happy that their kid

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<v Speaker 2>married Christopher. They love him.

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<v Speaker 7>Yeah, but there's such a Laurels.

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<v Speaker 6>Yeah, it was such a lorel I thing, Like she

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<v Speaker 6>left a voicemail saying, hey, by the way, I got married.

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<v Speaker 2>Yeah. But there's a funny moment. I think Emily and

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<v Speaker 2>Richard are holding hands and they have mastered pretending to

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<v Speaker 2>be sweet and sincere while totally being sarcastic, and it

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<v Speaker 2>just was awesome. So then we have the credits and

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<v Speaker 2>we go to dinner and they're having lamb, which you know,

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<v Speaker 2>I am. I'm like some lamb. You can see Wolfgirl.

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<v Speaker 2>I kind of call her caveman girl, but Wolfgirl is

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<v Speaker 2>propped up, so they sort of shot in a way

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<v Speaker 2>so that you could see it. And we talk about

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<v Speaker 2>the wedding party. Lorli pitches it for year ten, which

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<v Speaker 2>is ten. Rory says, some of these things just stick

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<v Speaker 2>with me, and they want to have it at the

0:12:41.280 --> 0:12:43.520
<v Speaker 2>Harbor Club with four hundred people, and this is where

0:12:43.520 --> 0:12:47.640
<v Speaker 2>we get the moment she doesn't want to invite the town.

0:12:47.840 --> 0:12:51.960
<v Speaker 2>She only wanted to invite Suki Michelle Jackson, and that

0:12:52.120 --> 0:12:57.840
<v Speaker 2>was a big red flag to anti Christopher talking, Yeah.

0:12:58.440 --> 0:13:06.800
<v Speaker 3>Well, I mean, gosh, you know, if she's not going

0:13:06.880 --> 0:13:10.599
<v Speaker 3>to be proud of her man and.

0:13:10.480 --> 0:13:13.240
<v Speaker 4>I don't even think that it's she's not proud. I

0:13:13.480 --> 0:13:14.920
<v Speaker 4>think he knows it's not.

0:13:15.400 --> 0:13:19.280
<v Speaker 3>She knows it's not right, and including herself. But it

0:13:19.360 --> 0:13:22.640
<v Speaker 3>makes her look kind of dingy, right, or or.

0:13:24.880 --> 0:13:27.640
<v Speaker 4>Like everybody's gonna smell out that it's not the right thing.

0:13:28.000 --> 0:13:29.079
<v Speaker 4>You know, they all know that.

0:13:30.120 --> 0:13:32.160
<v Speaker 2>That's an interesting angle because she sort of addresses it

0:13:32.200 --> 0:13:34.920
<v Speaker 2>with Christopher in a bit, saying she doesn't want to

0:13:34.960 --> 0:13:38.240
<v Speaker 2>flaunt it to the town. But it's like, if I

0:13:38.280 --> 0:13:41.719
<v Speaker 2>were Christopher, I'd be like, are you kidding me right now?

0:13:41.880 --> 0:13:43.720
<v Speaker 3>Yeah?

0:13:43.840 --> 0:13:44.040
<v Speaker 2>Yeah?

0:13:44.040 --> 0:13:46.040
<v Speaker 6>And also like it was kind of more of not

0:13:46.120 --> 0:13:49.240
<v Speaker 6>really what they thought of I think I'm jumping ahead,

0:13:49.240 --> 0:13:53.360
<v Speaker 6>but I have a point, not what they thought of Christopher.

0:13:53.360 --> 0:13:57.240
<v Speaker 6>It's what they thought of laurl I marrying Christopher. It

0:13:57.320 --> 0:13:59.280
<v Speaker 6>was more of the act of it instead of because

0:13:59.280 --> 0:13:59.640
<v Speaker 6>of Luke.

0:14:00.480 --> 0:14:04.480
<v Speaker 3>So but but they know all about Christopher, you know,

0:14:04.520 --> 0:14:07.800
<v Speaker 3>they've heard chapter verse over the years about the heel.

0:14:08.440 --> 0:14:13.880
<v Speaker 3>Christopher has been negligent, neglecting Rory and not being there,

0:14:13.960 --> 0:14:17.720
<v Speaker 3>and the town has pulled together to get Rory, uh

0:14:18.160 --> 0:14:20.760
<v Speaker 3>and lift up Rory on the on their shoulders because

0:14:20.760 --> 0:14:23.400
<v Speaker 3>that she didn't have a dad, and you know, everybody,

0:14:23.440 --> 0:14:27.280
<v Speaker 3>the whole town's stepped up, you know, us on their shoulders,

0:14:27.320 --> 0:14:30.200
<v Speaker 3>and the whole town's miss Patty whatever. And and now

0:14:30.240 --> 0:14:34.240
<v Speaker 3>she's it's like it must feel like almost And I

0:14:34.280 --> 0:14:36.560
<v Speaker 3>don't want to be dramatic here, but Laurel, I stabbed

0:14:36.600 --> 0:14:41.440
<v Speaker 3>the entire town in the back. You know, this is

0:14:41.480 --> 0:14:44.240
<v Speaker 3>our this is our thanks.

0:14:44.200 --> 0:14:47.240
<v Speaker 7>You know, correct very here.

0:14:47.480 --> 0:14:48.520
<v Speaker 3>You know, it's.

0:14:48.400 --> 0:14:51.280
<v Speaker 4>Literally when your best friend says I'm getting back together

0:14:51.280 --> 0:14:53.200
<v Speaker 4>with my ex, who you all know sucks.

0:14:54.000 --> 0:14:59.120
<v Speaker 3>Yeah, you like, well, like all those nights we spent

0:14:59.240 --> 0:15:01.560
<v Speaker 3>with you trying to prop you up, you just went

0:15:01.680 --> 0:15:03.480
<v Speaker 3>right back in the class, you know.

0:15:03.720 --> 0:15:08.000
<v Speaker 2>And is this engagement with Luke and is married to

0:15:08.080 --> 0:15:11.760
<v Speaker 2>Christopher literally within weeks. I mean, it's very jarring to

0:15:11.800 --> 0:15:12.200
<v Speaker 2>the town.

0:15:12.520 --> 0:15:12.680
<v Speaker 3>Now.

0:15:12.680 --> 0:15:14.120
<v Speaker 2>The thing I wanted to ask you guys about is

0:15:14.120 --> 0:15:18.160
<v Speaker 2>like Max Medina, she was engaged to him, and the

0:15:18.200 --> 0:15:20.840
<v Speaker 2>town I guess sort of accepted him. We never really

0:15:20.880 --> 0:15:23.360
<v Speaker 2>address it, but I think that's because it was pre Luke.

0:15:24.280 --> 0:15:28.640
<v Speaker 4>I think part of the town. Well not really school

0:15:29.320 --> 0:15:30.320
<v Speaker 4>he taught at.

0:15:31.320 --> 0:15:33.680
<v Speaker 3>Yeah, but no, but there were two people that came

0:15:33.720 --> 0:15:37.000
<v Speaker 3>together after a long, long courtship.

0:15:37.640 --> 0:15:39.720
<v Speaker 7>Uh yeah, I think there's more history.

0:15:39.800 --> 0:15:43.640
<v Speaker 3>That made a commitment and that's a big deal, and.

0:15:43.600 --> 0:15:45.840
<v Speaker 2>She hadn't dated you yet, she hadn't dated.

0:15:45.920 --> 0:15:48.800
<v Speaker 3>I'm just saying. I'm saying once they made the commitment,

0:15:48.880 --> 0:15:51.440
<v Speaker 3>and once there was a proposal, and once there was

0:15:51.480 --> 0:15:55.000
<v Speaker 3>a date set and then a date postponent still was like,

0:15:56.000 --> 0:15:59.080
<v Speaker 3>you know, that's a commitment, and yeah, you know, and

0:15:59.120 --> 0:16:01.960
<v Speaker 3>then they were like, oh, okay, well this is serious now,

0:16:02.040 --> 0:16:03.240
<v Speaker 3>so we're going to do this now.

0:16:04.200 --> 0:16:07.800
<v Speaker 2>Just think yeah that she's Look, she was in a

0:16:07.840 --> 0:16:09.480
<v Speaker 2>world of hurt no matter who she was going to

0:16:09.560 --> 0:16:12.040
<v Speaker 2>date after dating Luke, and it was never going to work.

0:16:12.200 --> 0:16:14.040
<v Speaker 2>But the facts got I think you're right that she

0:16:14.200 --> 0:16:17.680
<v Speaker 2>dates this guy that the whole town has had to

0:16:17.720 --> 0:16:21.120
<v Speaker 2>sort of, I don't know, cope with. Essentially is maybe

0:16:21.120 --> 0:16:23.480
<v Speaker 2>the best way to say it. They don't dislike him,

0:16:23.480 --> 0:16:26.560
<v Speaker 2>but he just wasn't.

0:16:26.720 --> 0:16:32.480
<v Speaker 3>The town was giving both Gilmore girls therapy for you know,

0:16:32.560 --> 0:16:35.560
<v Speaker 3>the past eighteen twenty years and all this twenty one

0:16:35.640 --> 0:16:39.200
<v Speaker 3>years and all of a sudden, he's the guy. He

0:16:39.440 --> 0:16:40.680
<v Speaker 3>wins the lottery.

0:16:40.920 --> 0:16:43.120
<v Speaker 2>It's I like what you said there. The town was

0:16:43.120 --> 0:16:48.360
<v Speaker 2>giving therapy. The town is therapy, right, there's something about

0:16:48.360 --> 0:16:51.840
<v Speaker 2>this town that heals its members.

0:16:51.840 --> 0:16:57.320
<v Speaker 3>But anyway, protecting, protecting both of those girls, especially Rory,

0:16:57.440 --> 0:16:59.920
<v Speaker 3>to make sure that she went on to do great things,

0:17:00.040 --> 0:17:04.119
<v Speaker 3>and really rolling around those two because you know, Laurel

0:17:04.320 --> 0:17:06.280
<v Speaker 3>is unique in that town. She comes from a very

0:17:06.280 --> 0:17:09.919
<v Speaker 3>prominent family, and you know, she's chosen to be with

0:17:10.000 --> 0:17:11.960
<v Speaker 3>these people, and they've embraced her and they love her,

0:17:12.400 --> 0:17:16.080
<v Speaker 3>they love her, and she loves them exactly, and and

0:17:16.520 --> 0:17:17.360
<v Speaker 3>boy that you.

0:17:17.320 --> 0:17:20.080
<v Speaker 2>Know, yeah, yeah, you got it.

0:17:20.119 --> 0:17:23.040
<v Speaker 3>We're all, yes, he knew she you know.

0:17:24.000 --> 0:17:28.720
<v Speaker 2>So then we go to Paris and Doyle's, which I'm

0:17:28.760 --> 0:17:32.639
<v Speaker 2>sorry Paris and Doyle might have stolen the episode. I

0:17:32.640 --> 0:17:38.840
<v Speaker 2>know we're not there yet.

0:17:35.080 --> 0:17:38.240
<v Speaker 3>That do that, don't do that.

0:17:38.160 --> 0:17:41.240
<v Speaker 2>We're not there yet, but the dancing is iconic, so moving.

0:17:41.000 --> 0:17:43.000
<v Speaker 3>The boxes in so it's pretty good.

0:17:44.160 --> 0:17:46.800
<v Speaker 2>We realize immediately, all right, Rory's moving back in with

0:17:46.840 --> 0:17:51.560
<v Speaker 2>Paris and Doyle. Paris's cat sweater, I mean ten out

0:17:51.600 --> 0:17:54.960
<v Speaker 2>of ten for the cat. The blue cat sweater. She's

0:17:54.960 --> 0:17:58.040
<v Speaker 2>got her signing the least it mentions Logan or her

0:17:58.080 --> 0:18:01.040
<v Speaker 2>other paramour. She's gonna he's gonna charged a half a

0:18:01.119 --> 0:18:03.480
<v Speaker 2>day if he takes a shower. I mean the whole thing.

0:18:03.800 --> 0:18:07.119
<v Speaker 2>A great line that a boy Rockefeller, I mean the

0:18:07.160 --> 0:18:09.960
<v Speaker 2>whole thing. And we learned that Logan's got a party

0:18:10.000 --> 0:18:12.679
<v Speaker 2>at Nobu, so he can't go to Lucy's twenty first

0:18:13.160 --> 0:18:15.639
<v Speaker 2>who the theme of the twenty first is two thousand

0:18:15.680 --> 0:18:16.720
<v Speaker 2>and two, which is just.

0:18:16.840 --> 0:18:19.040
<v Speaker 7>Which is so funny because this was two thousand and six.

0:18:19.160 --> 0:18:20.240
<v Speaker 7>That's like saying, like.

0:18:20.119 --> 0:18:23.080
<v Speaker 2>That's why it was so funny. Yeah, it's even funnier now.

0:18:23.840 --> 0:18:25.680
<v Speaker 4>I didn't know Nobu was around back then.

0:18:26.240 --> 0:18:27.560
<v Speaker 3>Oh sure it's been around.

0:18:27.359 --> 0:18:30.560
<v Speaker 2>Forever, not from the Boo Nobu, but the other Nobu's

0:18:31.000 --> 0:18:33.920
<v Speaker 2>New York Nobu. So then the Giant Pencil, I mean

0:18:33.960 --> 0:18:38.320
<v Speaker 2>the whole thing. Great scene again, Paris was great, Like

0:18:38.320 --> 0:18:45.960
<v Speaker 2>it's just great. Any other thoughts on that scene.

0:18:45.200 --> 0:18:48.199
<v Speaker 3>Just that you know, Paris and Doyle are a beloved couple.

0:18:48.240 --> 0:18:52.800
<v Speaker 3>They're hysterically funny together and they do odd bizarre stuff

0:18:52.840 --> 0:18:57.119
<v Speaker 3>that is uh safe and feel good, and it's just

0:18:57.240 --> 0:19:00.600
<v Speaker 3>it's just pure comedy, right, I mean just having them

0:19:00.600 --> 0:19:04.120
<v Speaker 3>in the background shucking and jiving to that song Kenny.

0:19:04.000 --> 0:19:06.720
<v Speaker 2>Ortega's genius, and that they're not even in the main

0:19:06.800 --> 0:19:08.760
<v Speaker 2>part of the scene. But I know we're out there.

0:19:08.880 --> 0:19:10.760
<v Speaker 2>I'll wait till we get there. Okay. So now we

0:19:10.800 --> 0:19:14.160
<v Speaker 2>see Christopher and Laurlai, and it was kind of like banter, banter, banter,

0:19:14.200 --> 0:19:16.600
<v Speaker 2>witty banter. It was a little fast for me. I

0:19:16.600 --> 0:19:18.720
<v Speaker 2>actually watched it twice, couldn't quite catch it all. I

0:19:18.720 --> 0:19:20.680
<v Speaker 2>think it was about you're gonna make me breakfast in

0:19:20.720 --> 0:19:24.399
<v Speaker 2>a poached egg and a salts on it, Martha Stewart

0:19:24.440 --> 0:19:26.000
<v Speaker 2>dah da la la a lah. Right, Like, it was

0:19:26.080 --> 0:19:28.400
<v Speaker 2>just a lot of banter, especially for my brain that's

0:19:28.400 --> 0:19:31.879
<v Speaker 2>only like a quarter working. Then we learn there's the

0:19:32.000 --> 0:19:37.359
<v Speaker 2>nitathon for the bridge. Now this is the bridge, I believe,

0:19:37.520 --> 0:19:40.600
<v Speaker 2>and others too. I'm quite sure that you push Jess off.

0:19:40.480 --> 0:19:41.800
<v Speaker 7>Of That's what I was wondering.

0:19:43.080 --> 0:19:47.760
<v Speaker 2>I'm pretty sure that that's the bridge that we are rebuilding.

0:19:49.560 --> 0:19:52.920
<v Speaker 2>And then we kind of so, you know, good little

0:19:53.760 --> 0:19:57.400
<v Speaker 2>thing to think about, and then Laurlai kind of talks

0:19:57.400 --> 0:20:00.480
<v Speaker 2>about how she's gonna go do some errands, need to come,

0:20:00.480 --> 0:20:02.200
<v Speaker 2>and he's kind of like, no, I want to come. No, no, no.

0:20:02.560 --> 0:20:04.520
<v Speaker 2>So that's where we learn, Okay, I need to be

0:20:04.560 --> 0:20:08.639
<v Speaker 2>sensitive to the town folk. I don't want to be

0:20:08.640 --> 0:20:11.800
<v Speaker 2>shoving this marriage down their throat. He kind of realizes,

0:20:11.840 --> 0:20:13.680
<v Speaker 2>this is why you've only invited these couple of people

0:20:13.720 --> 0:20:17.000
<v Speaker 2>to the party. They don't have time to adjust. All right, Fine,

0:20:17.040 --> 0:20:19.840
<v Speaker 2>let's go to town. Let's stroll, not struck. And it

0:20:19.920 --> 0:20:22.400
<v Speaker 2>was a funny scene. It had a lot of dialogue

0:20:22.400 --> 0:20:24.520
<v Speaker 2>for me, which might like I said, it was a lot,

0:20:24.960 --> 0:20:28.280
<v Speaker 2>but I liked it. I'm not mad at them.

0:20:28.840 --> 0:20:29.159
<v Speaker 3>Fatly.

0:20:29.320 --> 0:20:31.160
<v Speaker 7>She was practicing for the nitathon.

0:20:31.880 --> 0:20:33.800
<v Speaker 2>Yeah, and she wasn't making it.

0:20:33.880 --> 0:20:36.720
<v Speaker 7>I wasn't making anything. It was just she just kept going.

0:20:36.800 --> 0:20:39.600
<v Speaker 4>But does anyone know how to knit? I do you do?

0:20:40.080 --> 0:20:40.280
<v Speaker 3>Yeah?

0:20:40.359 --> 0:20:43.080
<v Speaker 7>My mom taught me. Don My mom taught me.

0:20:43.119 --> 0:20:44.600
<v Speaker 6>And it's so funny because when she said that, I

0:20:44.600 --> 0:20:47.160
<v Speaker 6>remember i'd knit for no. I made like the longest

0:20:47.160 --> 0:20:49.520
<v Speaker 6>scarf in history, just because you want to keep going

0:20:50.119 --> 0:20:52.359
<v Speaker 6>like there's no point because you're not actually gonna wear it.

0:20:52.400 --> 0:20:53.520
<v Speaker 7>You're just doing it for fun.

0:20:54.320 --> 0:20:56.040
<v Speaker 2>It's part of the nitathon, and I know we'll get

0:20:56.040 --> 0:21:00.840
<v Speaker 2>to it. It's all the knit like Taylor's entire outfit knit.

0:21:01.480 --> 0:21:06.000
<v Speaker 2>There's so much nity. So we go into the diner

0:21:06.560 --> 0:21:08.760
<v Speaker 2>and again the diner is sort of a buzz with knitting,

0:21:09.800 --> 0:21:14.560
<v Speaker 2>you know, interesting angles. Great scene with Caesar. Uh there's

0:21:14.640 --> 0:21:18.399
<v Speaker 2>knitting everywhere. Uh. Caesar sort of acknowledges that Luke is

0:21:18.480 --> 0:21:23.000
<v Speaker 2>grouchy because April's with her mom. TJ comes running in.

0:21:23.560 --> 0:21:26.520
<v Speaker 2>He needs a drink, he has a carbonated beverage. It's

0:21:26.560 --> 0:21:30.160
<v Speaker 2>a great scene. We learned the baby, Yeah, we learned.

0:21:31.640 --> 0:21:36.160
<v Speaker 3>Performance just got a hand to tell. Man, he's just great.

0:21:36.480 --> 0:21:36.679
<v Speaker 5>You know.

0:21:36.680 --> 0:21:39.560
<v Speaker 4>Okay, this this might be an unpopular opinion, but whatever.

0:21:40.600 --> 0:21:44.480
<v Speaker 4>I kind of wish that TJ was Luke's brother and

0:21:44.640 --> 0:21:46.840
<v Speaker 4>Liz was his sister in law.

0:21:47.080 --> 0:21:50.000
<v Speaker 2>Oh that would have been cool because.

0:21:51.359 --> 0:21:53.720
<v Speaker 4>Luke and TJ is so freaking funny.

0:21:54.560 --> 0:21:55.880
<v Speaker 7>Yeah, that'd be a cool dynamic.

0:21:58.600 --> 0:22:02.920
<v Speaker 2>Yeah, it's that's not bad. So we learned that she's

0:22:02.920 --> 0:22:07.119
<v Speaker 2>gonna have the home birth and there's a doula, doula Sandy. Doula,

0:22:07.240 --> 0:22:12.600
<v Speaker 2>that's Doula Sandy, and they need Luke there. All good, great,

0:22:12.880 --> 0:22:15.680
<v Speaker 2>all great stuff. And then Luke goes to the door

0:22:15.880 --> 0:22:19.960
<v Speaker 2>and unfortunately sees Christopher and Lorelai hand in hand in

0:22:20.000 --> 0:22:22.720
<v Speaker 2>their cute coats, and he slams the door and wants

0:22:22.760 --> 0:22:28.000
<v Speaker 2>everybody out of the diner. Knitting painful, really painful.

0:22:30.840 --> 0:22:32.400
<v Speaker 3>Oh he's in pain, in pain.

0:22:32.640 --> 0:22:37.520
<v Speaker 2>It was painful to see you see them. I was like, oh, little.

0:22:37.400 --> 0:22:38.760
<v Speaker 7>Yeah, called cringey.

0:22:39.359 --> 0:22:42.640
<v Speaker 3>Yeah, that's what Luke's there for, is to absorb shocks

0:22:43.000 --> 0:22:43.680
<v Speaker 3>like that.

0:22:43.560 --> 0:22:47.040
<v Speaker 2>You know, yeah, yeah, yeah, he's.

0:22:48.480 --> 0:22:50.360
<v Speaker 3>Roll first in lorell I shocks.

0:22:51.800 --> 0:22:54.600
<v Speaker 2>So then we get to the town square and they're

0:22:54.640 --> 0:22:57.920
<v Speaker 2>preparing for the knitathon, and Christopher and loreli are and

0:22:57.960 --> 0:23:00.560
<v Speaker 2>they're very cute coats. I must say they were very

0:23:00.560 --> 0:23:02.960
<v Speaker 2>cute coats. She had a white coat. I think his

0:23:03.160 --> 0:23:06.920
<v Speaker 2>was more of a gray. They bump into bad bet.

0:23:07.240 --> 0:23:10.200
<v Speaker 2>I was in pain for Christopher holding those that dry

0:23:10.240 --> 0:23:11.639
<v Speaker 2>cleaning for so long.

0:23:12.080 --> 0:23:15.960
<v Speaker 3>I'm sorry. I didn't like them prancing around the town

0:23:16.119 --> 0:23:20.720
<v Speaker 3>like that. Well, when I started liking her, I mean,

0:23:20.840 --> 0:23:24.239
<v Speaker 3>she didn't really want him to come, that's but it's

0:23:24.280 --> 0:23:26.679
<v Speaker 3>the way they were kind of strutting along, you know.

0:23:26.840 --> 0:23:30.840
<v Speaker 3>I just I just thought, man, well so did the town.

0:23:30.880 --> 0:23:33.159
<v Speaker 2>That's why they were I.

0:23:34.040 --> 0:23:37.200
<v Speaker 3>Think it was brilliant directing. I think Kenny had got

0:23:37.240 --> 0:23:39.400
<v Speaker 3>the right angle and the right kind of struck where

0:23:39.400 --> 0:23:41.000
<v Speaker 3>you're just like, that's wrong.

0:23:41.920 --> 0:23:45.080
<v Speaker 4>I think the annoying thing is that LAURALI for this

0:23:45.119 --> 0:23:48.720
<v Speaker 4>whole series, has always had such a backbone and it

0:23:48.800 --> 0:23:53.439
<v Speaker 4>is such an independent person, and this season she's lost

0:23:53.840 --> 0:23:56.520
<v Speaker 4>all of that, all these things she doesn't want. She

0:23:56.560 --> 0:23:58.640
<v Speaker 4>didn't want to get married, she didn't want to walk

0:23:58.680 --> 0:24:02.640
<v Speaker 4>through the town like, and she's doing it against what

0:24:02.720 --> 0:24:05.760
<v Speaker 4>she truly feels and what she truly wants.

0:24:06.080 --> 0:24:08.879
<v Speaker 2>And so we'll get to it when we get to

0:24:08.880 --> 0:24:10.879
<v Speaker 2>the scene where they sort of say I love you,

0:24:10.960 --> 0:24:14.359
<v Speaker 2>I love you. But I mean interesting point. I don't know.

0:24:14.440 --> 0:24:15.719
<v Speaker 2>I think she's all jumbled up.

0:24:16.640 --> 0:24:20.640
<v Speaker 3>Mm hmm. I think Danielle makes a salient point. Absolutely.

0:24:29.720 --> 0:24:31.600
<v Speaker 6>I will say, I feel like seeing Baba and miss

0:24:31.680 --> 0:24:34.439
<v Speaker 6>Patty like just brought me so much comfort though, like

0:24:35.160 --> 0:24:37.000
<v Speaker 6>I didn't realize how much I missed them until I

0:24:37.080 --> 0:24:37.800
<v Speaker 6>saw this scene.

0:24:38.119 --> 0:24:39.720
<v Speaker 2>Yeah, we really missed the whole town.

0:24:40.080 --> 0:24:42.639
<v Speaker 3>But you know, I think, you know, to hop on

0:24:42.760 --> 0:24:46.960
<v Speaker 3>to Danielle's point, I think the way we we enjoy

0:24:47.320 --> 0:24:51.760
<v Speaker 3>or we consume Laurel I, right, is that she's the

0:24:51.760 --> 0:24:55.240
<v Speaker 3>one right, You're right, Danielle, She's the one with the backbone,

0:24:55.600 --> 0:24:59.199
<v Speaker 3>and all of this drama is happening before her and

0:24:59.280 --> 0:25:02.640
<v Speaker 3>she's running a around trying to help this that outbum Yeah,

0:25:02.960 --> 0:25:07.320
<v Speaker 3>she's she's very I don't know that that's her power position,

0:25:08.040 --> 0:25:13.080
<v Speaker 3>being subject to the you know, the the changing weather,

0:25:13.320 --> 0:25:16.240
<v Speaker 3>the changing tides, and the changing directions of life. She

0:25:16.359 --> 0:25:19.600
<v Speaker 3>was always like, you know, the backbone of the show, right,

0:25:19.680 --> 0:25:22.440
<v Speaker 3>and it's like Michelle and somebody's got a problem, She's

0:25:22.480 --> 0:25:24.800
<v Speaker 3>always there for them and she's the great friend. And

0:25:24.800 --> 0:25:26.600
<v Speaker 3>now it's like she's, yeah, you're right, she's.

0:25:26.440 --> 0:25:29.080
<v Speaker 4>Gone even on her own problems. Like she's the one

0:25:29.080 --> 0:25:31.239
<v Speaker 4>that left Max Medina, you know what I mean, Like

0:25:31.320 --> 0:25:33.639
<v Speaker 4>she went because she knew it wasn't right. You know,

0:25:33.760 --> 0:25:37.520
<v Speaker 4>she was doing things to better her, better herself, I

0:25:37.560 --> 0:25:40.359
<v Speaker 4>don't know, like her whole life. She didn't want to

0:25:40.400 --> 0:25:44.760
<v Speaker 4>be involved in this Gilmore world, you know. And then

0:25:44.800 --> 0:25:47.800
<v Speaker 4>she marries Christopher, who is exactly who her parents wanted

0:25:47.800 --> 0:25:49.560
<v Speaker 4>her to marry. You know, it's just like all this

0:25:49.760 --> 0:25:54.480
<v Speaker 4>stuff that is so not true to her that she

0:25:54.720 --> 0:25:56.000
<v Speaker 4>is letting happen.

0:25:56.760 --> 0:25:59.080
<v Speaker 2>Birl, I can't have that same argument again because I'm

0:25:59.160 --> 0:26:02.320
<v Speaker 2>too exhausted, and so was everyone listening. But It's why

0:26:02.359 --> 0:26:05.919
<v Speaker 2>I still say I don't understand why she ended it

0:26:05.960 --> 0:26:09.040
<v Speaker 2>with Luke because I know she was sort of I

0:26:09.040 --> 0:26:10.399
<v Speaker 2>know she was trying to be true to herself, like

0:26:10.480 --> 0:26:13.119
<v Speaker 2>I need to be married now, but I always go

0:26:13.200 --> 0:26:15.920
<v Speaker 2>back to it like love is love, right, and if

0:26:16.000 --> 0:26:19.840
<v Speaker 2>love is true, you can wait, so we don't need

0:26:19.880 --> 0:26:21.919
<v Speaker 2>to have it all again. Everybody will just yell at me.

0:26:21.960 --> 0:26:24.919
<v Speaker 2>But I don't know. I feel like now she's just

0:26:24.960 --> 0:26:29.719
<v Speaker 2>making sort of strange decisions, but maybe they had to happen. Okay,

0:26:30.400 --> 0:26:33.119
<v Speaker 2>So we see miss Patty with the wagon. She's the

0:26:33.160 --> 0:26:37.280
<v Speaker 2>town social chair with the wagon for the newlyweds, right,

0:26:37.520 --> 0:26:40.159
<v Speaker 2>and I was trying hard because I knew what was

0:26:40.200 --> 0:26:42.560
<v Speaker 2>coming where the wagon is like junk, but I tried

0:26:42.560 --> 0:26:44.119
<v Speaker 2>to look in there and be like is it? Is

0:26:44.119 --> 0:26:46.960
<v Speaker 2>it clean and supplies? It actually looked pretty cool. I'm

0:26:46.960 --> 0:26:49.400
<v Speaker 2>not gonna lie. But later we find out not so much.

0:26:50.680 --> 0:26:52.760
<v Speaker 2>Great to see the town again too. I feel like

0:26:52.840 --> 0:26:55.360
<v Speaker 2>I just feel like maybe they just should have had

0:26:55.440 --> 0:26:57.440
<v Speaker 2>Kenny direct every episode of this season and it would

0:26:57.440 --> 0:26:58.160
<v Speaker 2>have been a great season.

0:26:58.200 --> 0:27:03.040
<v Speaker 3>I don't know, Nah, I don't think so.

0:27:03.040 --> 0:27:05.280
<v Speaker 2>So now we go to we see Marty and Rory

0:27:05.280 --> 0:27:06.320
<v Speaker 2>and it's just so awkward.

0:27:06.680 --> 0:27:08.439
<v Speaker 3>Better but I don't know it would have been.

0:27:09.040 --> 0:27:11.119
<v Speaker 2>It couldn't say it. But it's not bad. This was

0:27:11.160 --> 0:27:13.520
<v Speaker 2>a good episode. So we see Marty and Rory. It's

0:27:13.520 --> 0:27:16.200
<v Speaker 2>so awkward. She's got her two thousand and two stuff.

0:27:16.240 --> 0:27:19.200
<v Speaker 2>She's so like, where's Lucy? And he's just weird.

0:27:19.240 --> 0:27:22.560
<v Speaker 6>Get why Rory's being so weird when she's like happily

0:27:22.600 --> 0:27:23.920
<v Speaker 6>in a relationship, Like.

0:27:25.760 --> 0:27:27.840
<v Speaker 4>It's weird.

0:27:28.040 --> 0:27:31.640
<v Speaker 2>And also he didn't tell you see he knows her.

0:27:31.720 --> 0:27:32.359
<v Speaker 2>It's just so.

0:27:34.560 --> 0:27:34.760
<v Speaker 3>Right.

0:27:34.920 --> 0:27:37.720
<v Speaker 4>It's like why she wasn't like it also wasn't like

0:27:37.800 --> 0:27:40.680
<v Speaker 4>they made out and were dating.

0:27:40.520 --> 0:27:43.480
<v Speaker 2>Friends, you guys, been really really close friends. And then

0:27:43.480 --> 0:27:45.800
<v Speaker 2>he just like dumped her as a friend because she

0:27:45.840 --> 0:27:48.040
<v Speaker 2>didn't love him like he loved her.

0:27:48.440 --> 0:27:51.639
<v Speaker 3>And then wait, the storyline doesn't have the weight to

0:27:51.760 --> 0:27:55.400
<v Speaker 3>carry its own Wait you know what I'm saying. It's

0:27:55.440 --> 0:27:57.880
<v Speaker 3>just not waiting and it's like, what's it doing in there?

0:27:57.960 --> 0:28:00.360
<v Speaker 3>I think she's just it's not a big narrative that

0:28:00.560 --> 0:28:02.639
<v Speaker 3>you know, we really want to expand on. It just

0:28:02.640 --> 0:28:04.280
<v Speaker 3>sort of happened for a couple episodes.

0:28:04.440 --> 0:28:07.159
<v Speaker 2>Kind of make it a big narrative, right, Yeah, I

0:28:07.200 --> 0:28:10.040
<v Speaker 2>think I think it's fair if it happened right after

0:28:10.160 --> 0:28:12.400
<v Speaker 2>maybe I think I've it's been so long.

0:28:12.440 --> 0:28:15.040
<v Speaker 7>I'm like, you're over a long time.

0:28:15.280 --> 0:28:17.320
<v Speaker 4>Yeah, you let go somewhere, like did that care?

0:28:17.880 --> 0:28:20.280
<v Speaker 2>He's not over it, which we learn at the end.

0:28:22.840 --> 0:28:24.639
<v Speaker 2>But I'm saying, it's so weird.

0:28:24.680 --> 0:28:28.359
<v Speaker 6>It's been so long since that episode. And I'm like, like,

0:28:28.359 --> 0:28:29.879
<v Speaker 6>like Scott was saying.

0:28:31.040 --> 0:28:33.080
<v Speaker 2>I mean, I had a crush on somebody's sophomore year,

0:28:33.080 --> 0:28:34.840
<v Speaker 2>I probably still had a crush on him senior year.

0:28:34.880 --> 0:28:38.160
<v Speaker 2>I don't know, you know, like.

0:28:37.160 --> 0:28:40.400
<v Speaker 4>Wayne Wilcox was doing between.

0:28:42.120 --> 0:28:44.320
<v Speaker 2>I think he just didn't have a storyline because Logan

0:28:44.400 --> 0:28:47.880
<v Speaker 2>became so prominent, and then they brought him back for this.

0:28:48.000 --> 0:28:51.400
<v Speaker 2>So anyway, she's got the ug boots, the JLO record,

0:28:51.720 --> 0:28:54.120
<v Speaker 2>the whole to do, and the whole thing was quite awkward,

0:28:54.160 --> 0:28:55.240
<v Speaker 2>which is very awkward.

0:28:55.440 --> 0:28:58.280
<v Speaker 6>Us are very back in style right now, Yeah, they

0:28:58.360 --> 0:28:58.719
<v Speaker 6>sure are.

0:28:58.840 --> 0:29:03.920
<v Speaker 2>Lucy and boyfriend are awkward. They're awkward to me, it's awkward.

0:29:03.960 --> 0:29:05.880
<v Speaker 2>The whole thing is just weird.

0:29:06.200 --> 0:29:12.240
<v Speaker 3>I got I've got a nice pair bugs.

0:29:12.760 --> 0:29:17.800
<v Speaker 2>Crocs are back to go crocs, Crocs I never wore?

0:29:17.880 --> 0:29:19.280
<v Speaker 3>What is what is the.

0:29:20.000 --> 0:29:24.840
<v Speaker 2>Love the Crocs? I don't know, my niece made me

0:29:24.960 --> 0:29:26.240
<v Speaker 2>order like fifty gibbits for.

0:29:29.960 --> 0:29:33.440
<v Speaker 4>You know who's the king of crocs Easton Allen sure is.

0:29:33.680 --> 0:29:36.560
<v Speaker 3>But what are they? Just like foamy and comfortable.

0:29:36.320 --> 0:29:39.200
<v Speaker 2>Just plastic. I know they're that comfortable. Are they comfortable?

0:29:39.280 --> 0:29:41.200
<v Speaker 7>I have to admit. I have one on the floor

0:29:41.280 --> 0:29:41.720
<v Speaker 7>next to me.

0:29:42.760 --> 0:29:44.280
<v Speaker 6>I wear it around the house because it has like

0:29:44.480 --> 0:29:46.640
<v Speaker 6>I have one that has like a fur lining, so

0:29:46.680 --> 0:29:47.840
<v Speaker 6>it's like my house slippers.

0:29:49.160 --> 0:29:52.800
<v Speaker 2>But it's very comfortable. I'm more into the hookahs. Danielle

0:29:52.840 --> 0:29:55.600
<v Speaker 2>got me into the hookahs. But anyway, okay, do you

0:29:55.640 --> 0:29:56.239
<v Speaker 2>guys want to know?

0:29:57.160 --> 0:29:58.280
<v Speaker 4>Don't know what hokahs are?

0:29:58.880 --> 0:30:01.120
<v Speaker 3>I saw, yes, had big giant tennis.

0:30:01.320 --> 0:30:03.640
<v Speaker 4>This guy so not they have, but they have ones

0:30:03.680 --> 0:30:07.000
<v Speaker 4>that aren't that big and got this guy sat.

0:30:06.760 --> 0:30:09.080
<v Speaker 3>Down next to me at karate, you know, because it's yeah,

0:30:09.840 --> 0:30:10.520
<v Speaker 3>oh that's nice.

0:30:11.560 --> 0:30:12.600
<v Speaker 7>I like the socks to.

0:30:12.920 --> 0:30:14.720
<v Speaker 2>Thank you, my leprechaun socks.

0:30:15.360 --> 0:30:20.240
<v Speaker 4>So great about the hokah there's steps.

0:30:20.400 --> 0:30:22.600
<v Speaker 2>Yeah, you could walk twenty thousand steps not feel a thing.

0:30:23.560 --> 0:30:26.040
<v Speaker 2>I had planter or fascy itis. No one cares. I

0:30:26.040 --> 0:30:26.920
<v Speaker 2>know an email.

0:30:27.040 --> 0:30:28.040
<v Speaker 4>They're very good on your.

0:30:27.960 --> 0:30:31.520
<v Speaker 3>Knees too, But can you work out in them or

0:30:31.520 --> 0:30:35.560
<v Speaker 3>are they just work every day. I've never found anything

0:30:35.600 --> 0:30:37.400
<v Speaker 3>better than Nike Lebron's.

0:30:37.600 --> 0:30:41.120
<v Speaker 4>Oh okay, okay, got you covered. This is better, really

0:30:41.400 --> 0:30:42.720
<v Speaker 4>really way better.

0:30:43.360 --> 0:30:44.920
<v Speaker 3>I'm not check it out anyway.

0:30:44.920 --> 0:30:47.480
<v Speaker 4>By the way, you guys, Wayne Wilcox was in rent.

0:30:48.080 --> 0:30:52.880
<v Speaker 3>Really between Wow, Wayne Wilcox.

0:30:52.600 --> 0:30:59.600
<v Speaker 4>Marty and he did that in between his arcs on girls.

0:31:00.040 --> 0:31:02.000
<v Speaker 7>It's a little busy, okay.

0:31:02.120 --> 0:31:08.160
<v Speaker 2>So in comes the beautiful Chrylyn Fenn. She is shockingly beautiful. Uh.

0:31:08.560 --> 0:31:10.800
<v Speaker 2>She wants to have a private talk with Luke. I

0:31:10.880 --> 0:31:14.320
<v Speaker 2>smelled trouble. She said that April has been showing everyone

0:31:14.360 --> 0:31:16.880
<v Speaker 2>her scar, her appendix scar, and they go up to

0:31:16.880 --> 0:31:20.120
<v Speaker 2>the apartment, we acknowledge the cerulean and.

0:31:21.320 --> 0:31:23.160
<v Speaker 4>Did she ever say thank you? By the way, like

0:31:23.240 --> 0:31:24.320
<v Speaker 4>I don't recall her.

0:31:24.240 --> 0:31:31.360
<v Speaker 2>Being No, she's annoying. She's annoying. Let me just say.

0:31:31.600 --> 0:31:34.000
<v Speaker 2>She says she's moving to Mexico. Luke is kind of

0:31:34.080 --> 0:31:38.920
<v Speaker 2>dumbfounded and doesn't at the time sort of is like okay,

0:31:39.400 --> 0:31:42.400
<v Speaker 2>but you know, we get to that later. So that

0:31:42.560 --> 0:31:45.600
<v Speaker 2>was just sort of like her bossiness and her My

0:31:45.720 --> 0:31:49.080
<v Speaker 2>problem with Anna, and again, sorry to preach, but is

0:31:49.120 --> 0:31:50.960
<v Speaker 2>the same problem I've had with her the whole time.

0:31:51.280 --> 0:31:55.280
<v Speaker 2>She literally kept this secret and then is the bossiest,

0:31:55.280 --> 0:31:59.320
<v Speaker 2>most controlling person when she did wrong, it's like girl,

0:31:59.760 --> 0:32:02.880
<v Speaker 2>no oh, And finally at the end, you do what

0:32:02.920 --> 0:32:04.320
<v Speaker 2>I've been wanting you to do the whole time.

0:32:04.440 --> 0:32:07.160
<v Speaker 4>So, you know, I was so pro Anna up until

0:32:07.360 --> 0:32:10.880
<v Speaker 4>this like this, you know, because I always didn't know

0:32:10.960 --> 0:32:13.200
<v Speaker 4>what was coming. But I kind of was like, Okay,

0:32:13.240 --> 0:32:17.400
<v Speaker 4>she's got her whatever reasons for not involving the dad.

0:32:18.000 --> 0:32:21.440
<v Speaker 4>But then now that he's in her life, she now

0:32:21.480 --> 0:32:24.640
<v Speaker 4>has a duty to let her daughter foster that relationship.

0:32:25.160 --> 0:32:27.680
<v Speaker 4>And so now that she's like, oh, I'm going to

0:32:27.720 --> 0:32:29.560
<v Speaker 4>New Mexico, No, you won't get her for summers. No,

0:32:29.640 --> 0:32:31.080
<v Speaker 4>you won't get her for this. You know, It's like

0:32:31.600 --> 0:32:32.760
<v Speaker 4>it was never a conversation.

0:32:32.880 --> 0:32:35.240
<v Speaker 7>It was just telling Luke, like this is how it's

0:32:35.280 --> 0:32:35.640
<v Speaker 7>going to be.

0:32:36.360 --> 0:32:40.160
<v Speaker 4>Yeah, now she's in Luke's life and she loves Luke.

0:32:40.400 --> 0:32:42.160
<v Speaker 2>April loves Luke.

0:32:42.560 --> 0:32:46.440
<v Speaker 4>So you're now, as a mom, you're doing a disservice

0:32:46.560 --> 0:32:51.280
<v Speaker 4>to her, to your daughter for not keeping her around

0:32:51.320 --> 0:32:54.680
<v Speaker 4>somebody who is so amazing to her, because Luke is

0:32:54.760 --> 0:32:59.000
<v Speaker 4>so amazing to her and she loves him. So I

0:32:59.240 --> 0:33:00.880
<v Speaker 4>can't know and I.

0:33:00.920 --> 0:33:05.600
<v Speaker 2>Call about Anna and it always has been. She made

0:33:05.600 --> 0:33:08.480
<v Speaker 2>that decision and it showed as she was all about herself.

0:33:09.800 --> 0:33:11.160
<v Speaker 2>I don't like it. Don't like it.

0:33:11.160 --> 0:33:13.520
<v Speaker 6>It's not just leaving Luke because I can't remember who

0:33:13.600 --> 0:33:14.280
<v Speaker 6>was it in the diner?

0:33:14.320 --> 0:33:15.640
<v Speaker 4>Who was like, oh, where's April?

0:33:15.800 --> 0:33:17.240
<v Speaker 3>Like was it?

0:33:17.480 --> 0:33:17.640
<v Speaker 2>Yeah?

0:33:19.000 --> 0:33:21.240
<v Speaker 6>Yeah, Caesar, Yeah it was Caesar. And he's like, oh,

0:33:21.240 --> 0:33:24.160
<v Speaker 6>she's all with her mom. Like it's now it's not

0:33:24.240 --> 0:33:26.920
<v Speaker 6>just Luke. She's involved in that town. Everyone will take it,

0:33:27.120 --> 0:33:30.320
<v Speaker 6>very accepted by the tests. Yeah, like how they how

0:33:30.320 --> 0:33:35.160
<v Speaker 6>they took in Rory. It's kind of yes, whoa Tara

0:33:36.360 --> 0:33:40.960
<v Speaker 6>correct Yea, they have a new kid, really embraces the

0:33:41.080 --> 0:33:42.560
<v Speaker 6>child of the people they love.

0:33:43.320 --> 0:33:48.360
<v Speaker 2>Wow, oh Tara. So we go to the inn and

0:33:48.440 --> 0:33:50.960
<v Speaker 2>at first I was like, w tf is she doing

0:33:51.000 --> 0:33:53.240
<v Speaker 2>with that freaking pasta? Like I was like, who is

0:33:53.280 --> 0:33:56.240
<v Speaker 2>holding Costa her hands like that? And then I realized, ah,

0:33:56.360 --> 0:33:58.520
<v Speaker 2>tip of the hat, she was trying to make a

0:33:58.600 --> 0:34:03.320
<v Speaker 2>yarn ball with the to Yeah, and that was.

0:34:03.280 --> 0:34:06.200
<v Speaker 4>Actually quite very creative. That was very cute.

0:34:06.200 --> 0:34:08.319
<v Speaker 2>I actually was like I'd be down with that if

0:34:08.360 --> 0:34:09.840
<v Speaker 2>I was at the nitathon and I had like a

0:34:09.880 --> 0:34:14.200
<v Speaker 2>little pasta ball Yeah, it was cute. Some sauce, yummy

0:34:14.280 --> 0:34:16.880
<v Speaker 2>sauce on it. I would eat that. I think I

0:34:16.920 --> 0:34:21.160
<v Speaker 2>was hungry. I'm hungry. Now here's where we learn she's

0:34:21.200 --> 0:34:23.520
<v Speaker 2>married an outsider, which I thought was very funny that

0:34:23.560 --> 0:34:26.279
<v Speaker 2>Suki sort of described it as that, or I think

0:34:26.480 --> 0:34:30.000
<v Speaker 2>Suki described it as that. She said they were cordial,

0:34:30.040 --> 0:34:32.520
<v Speaker 2>and Suki goes ooh, like it was just is it great?

0:34:34.200 --> 0:34:37.279
<v Speaker 2>The script is better, the acting is better, everything's better.

0:34:37.480 --> 0:34:39.240
<v Speaker 2>She really wants to get at the town on board.

0:34:39.239 --> 0:34:41.160
<v Speaker 2>So they talk about Paulinka, who we have not seen

0:34:41.200 --> 0:34:43.759
<v Speaker 2>in a bit. But and then she talks about how

0:34:43.920 --> 0:34:47.480
<v Speaker 2>Jackson has some clout. Had a really hard time spelling clout.

0:34:47.600 --> 0:34:48.879
<v Speaker 2>I have no idea how you spell that way.

0:34:48.880 --> 0:34:51.799
<v Speaker 4>I realized we used the word clout was like a

0:34:51.880 --> 0:34:54.759
<v Speaker 4>twenty twenty three four term. I had no idea this

0:34:54.920 --> 0:34:57.600
<v Speaker 4>existed back in two around.

0:34:57.360 --> 0:35:00.120
<v Speaker 2>Since the days of yore. But is it cl o

0:35:00.400 --> 0:35:04.680
<v Speaker 2>u t anyway? Because I felled it c l o

0:35:04.840 --> 0:35:06.600
<v Speaker 2>A T c l o t E.

0:35:06.719 --> 0:35:10.680
<v Speaker 6>And then I was like, oh god, that's oh yeah, Dane,

0:35:10.760 --> 0:35:12.160
<v Speaker 6>I thought the same thing. I'm like, wow, they used

0:35:12.200 --> 0:35:14.640
<v Speaker 6>this word has a lot.

0:35:14.520 --> 0:35:17.400
<v Speaker 2>Of are the kids saying clout these days.

0:35:17.520 --> 0:35:18.480
<v Speaker 4>Yeah, it's like a thing.

0:35:18.920 --> 0:35:22.560
<v Speaker 8>Yeah, no way, Scott, I don't know kids are doing.

0:35:22.960 --> 0:35:25.240
<v Speaker 4>Yeah, they'll be like, oh, they're just trying to get clout.

0:35:25.560 --> 0:35:27.600
<v Speaker 2>Yeah, like kids like teen kids.

0:35:27.600 --> 0:35:29.600
<v Speaker 4>Are you all like high schoolers?

0:35:29.800 --> 0:35:32.120
<v Speaker 2>High school? Yeah?

0:35:32.760 --> 0:35:33.160
<v Speaker 3>Not us?

0:35:35.200 --> 0:35:37.719
<v Speaker 4>Good God, I'm at that age now where I'm officially

0:35:37.760 --> 0:35:40.320
<v Speaker 4>just not cool and I I A'm accepting it.

0:35:40.320 --> 0:35:41.400
<v Speaker 2>It's okay.

0:35:41.640 --> 0:35:44.399
<v Speaker 7>And also it's sober, don't I start. I don't take

0:35:44.440 --> 0:35:45.520
<v Speaker 7>anything personally anymore.

0:35:45.680 --> 0:35:47.879
<v Speaker 4>Like whatever, You're so kind to.

0:35:48.160 --> 0:35:49.680
<v Speaker 2>Come up to where Scott and I are at wre

0:35:49.719 --> 0:35:51.359
<v Speaker 2>EPs and Saul is our middle name.

0:35:52.719 --> 0:35:55.200
<v Speaker 3>No, no, no. If you make it to sixty five,

0:35:56.360 --> 0:35:58.399
<v Speaker 3>make it to sixty five and you're still saying, then

0:35:58.400 --> 0:36:00.000
<v Speaker 3>you can qualify school.

0:35:59.719 --> 0:36:01.640
<v Speaker 2>Again, don't be mad at me for asking you this,

0:36:01.760 --> 0:36:03.000
<v Speaker 2>But are you a ARP?

0:36:06.200 --> 0:36:08.960
<v Speaker 3>I wanted to get no, but I control my pension

0:36:09.000 --> 0:36:10.080
<v Speaker 3>and I'm not going to want to do it.

0:36:10.120 --> 0:36:12.000
<v Speaker 2>For those of you that think I'm sad and lonely,

0:36:12.040 --> 0:36:14.000
<v Speaker 2>I actually have a boyfriend. I will reveal it, but

0:36:14.480 --> 0:36:20.000
<v Speaker 2>I wanted it. He's older, breaking news I have anybody,

0:36:20.040 --> 0:36:22.600
<v Speaker 2>and I'm like, I actually do, but I wanted.

0:36:22.400 --> 0:36:23.799
<v Speaker 3>To get him.

0:36:24.200 --> 0:36:26.279
<v Speaker 2>He's fifty five. And I wanted to get him an

0:36:26.280 --> 0:36:29.680
<v Speaker 2>aa ARP membership for his birthday because it comes with

0:36:29.760 --> 0:36:32.319
<v Speaker 2>like a lot of benefits, like you get to, like,

0:36:33.120 --> 0:36:35.359
<v Speaker 2>I don't know, eat for free at Red Lobster or something.

0:36:35.400 --> 0:36:36.880
<v Speaker 2>By the way, rip Red Lobster.

0:36:37.239 --> 0:36:39.720
<v Speaker 3>I think it's just gone the stores.

0:36:40.520 --> 0:36:41.760
<v Speaker 2>Yeah, like a bunch of stores.

0:36:41.880 --> 0:36:44.080
<v Speaker 3>No, just fifty, that's it.

0:36:44.280 --> 0:36:48.840
<v Speaker 4>They've got thousand fifty biscuits at Red Lobster are very

0:36:49.080 --> 0:36:50.520
<v Speaker 4>very underutilized.

0:36:50.800 --> 0:36:56.040
<v Speaker 3>Wait, fifty in the entire United States. They shuddered fifty stores.

0:36:56.080 --> 0:36:57.680
<v Speaker 3>It's not a big deal, is there?

0:36:58.080 --> 0:37:00.000
<v Speaker 2>Is there no more Red Lobster or.

0:37:00.080 --> 0:37:02.520
<v Speaker 3>Only there's thousands of them?

0:37:02.880 --> 0:37:05.040
<v Speaker 2>Okay, okay, so just rip.

0:37:07.160 --> 0:37:09.319
<v Speaker 3>Into a couple of Red Lobsters. You kid me. They are.

0:37:10.880 --> 0:37:13.239
<v Speaker 2>A huge Red Lobster fan. Are you you like the

0:37:13.280 --> 0:37:14.879
<v Speaker 2>what Danielle the biss.

0:37:14.520 --> 0:37:17.279
<v Speaker 4>Well, I don't go, but I been maybe twice in

0:37:17.360 --> 0:37:20.560
<v Speaker 4>my life. And those cheddar biscuits that they give you,

0:37:20.760 --> 0:37:22.799
<v Speaker 4>like instead of like the chips and sausa whatever, those

0:37:22.880 --> 0:37:23.719
<v Speaker 4>cheddar biscuit things.

0:37:25.040 --> 0:37:28.840
<v Speaker 2>I will pay one of you one hundred dollars. I

0:37:28.880 --> 0:37:31.759
<v Speaker 2>will venmo it immediately. If you can guess who I

0:37:31.840 --> 0:37:34.000
<v Speaker 2>went to Red Lobster with the one time I went

0:37:34.000 --> 0:37:35.960
<v Speaker 2>to Red Lobster. You each get one guess.

0:37:36.000 --> 0:37:36.440
<v Speaker 7>Do we get it?

0:37:37.120 --> 0:37:39.080
<v Speaker 4>You went with us one hit?

0:37:40.360 --> 0:37:44.279
<v Speaker 2>It's celebrity. Well that's all you get. It's I went

0:37:44.280 --> 0:37:45.280
<v Speaker 2>with celebrity.

0:37:44.880 --> 0:37:48.520
<v Speaker 3>Incorrect, baby lost corn baby.

0:37:48.239 --> 0:37:50.640
<v Speaker 2>Daniel and Tara one hundred dollars if you get it?

0:37:51.360 --> 0:37:52.319
<v Speaker 7>What year was it?

0:37:52.520 --> 0:37:54.919
<v Speaker 2>I'm not telling it. I've told enough. This is the game.

0:37:57.840 --> 0:37:59.400
<v Speaker 3>You went with pal.

0:38:00.880 --> 0:38:02.160
<v Speaker 2>No, I take a guess.

0:38:02.400 --> 0:38:04.160
<v Speaker 7>Yep, was it Sam Ruin?

0:38:04.680 --> 0:38:10.040
<v Speaker 2>No, but that would have been awesome. But no, but great, guess.

0:38:09.960 --> 0:38:12.080
<v Speaker 4>Danielle, I'm in between two and his boss.

0:38:12.480 --> 0:38:14.160
<v Speaker 2>Oh no, because what if you say the one and

0:38:14.160 --> 0:38:18.719
<v Speaker 2>it's the other one? Ryan Seacress.

0:38:20.239 --> 0:38:21.560
<v Speaker 3>It was just too obvious.

0:38:22.000 --> 0:38:23.480
<v Speaker 2>It was like, I don't know, a lot of years

0:38:23.480 --> 0:38:24.960
<v Speaker 2>ago and there we were just the two of us

0:38:25.040 --> 0:38:27.160
<v Speaker 2>in at the Red Lobster. I think it was just

0:38:27.200 --> 0:38:29.600
<v Speaker 2>the two of us, maybe our friend. We might have

0:38:29.640 --> 0:38:33.000
<v Speaker 2>had one other friend with us, our friend Natalie. But anyway,

0:38:33.280 --> 0:38:38.640
<v Speaker 2>I digress. Let's continue. So now we're back at the

0:38:38.680 --> 0:38:42.520
<v Speaker 2>diner with April. She is not happy. She is super bommed.

0:38:42.760 --> 0:38:47.439
<v Speaker 2>She's kind of you know, erupts in the diner. She says,

0:38:47.920 --> 0:38:50.359
<v Speaker 2>a totally she was so good. You were so good

0:38:50.360 --> 0:38:53.480
<v Speaker 2>in this episode. So was she. So was Sherylyn Fenn

0:38:53.480 --> 0:38:56.080
<v Speaker 2>for that matter. But she did a lot of eye acting.

0:38:56.239 --> 0:38:59.359
<v Speaker 2>So April's upset they go on the walk. She doesn't

0:38:59.360 --> 0:39:01.720
<v Speaker 2>want to be the weird, dorky loser girl all over again.

0:39:02.080 --> 0:39:05.000
<v Speaker 6>And I like, I felt that I was gonna say

0:39:05.040 --> 0:39:07.160
<v Speaker 6>I felt for her because I feel like she had

0:39:07.200 --> 0:39:10.360
<v Speaker 6>her friends and like, how old is she? She's probably

0:39:10.400 --> 0:39:13.920
<v Speaker 6>middle like thirteen, Yes, that's a heart seventh or eighth

0:39:13.960 --> 0:39:16.799
<v Speaker 6>grade to change schools, not even like you're not even

0:39:16.840 --> 0:39:18.440
<v Speaker 6>close to your friends, you're in a different state.

0:39:18.840 --> 0:39:22.680
<v Speaker 2>That's hard, terrible And she great. I mean, man, that

0:39:22.800 --> 0:39:26.120
<v Speaker 2>girl can act because I believe every single thing she

0:39:26.160 --> 0:39:26.719
<v Speaker 2>says and does.

0:39:26.760 --> 0:39:29.640
<v Speaker 3>She's brilliant. She's absolutely brilliant in every way.

0:39:29.719 --> 0:39:31.600
<v Speaker 2>Yeah, Vanessa and Laura are both.

0:39:31.520 --> 0:39:34.120
<v Speaker 3>Like working with her was so much fun. She was

0:39:34.160 --> 0:39:37.200
<v Speaker 3>just like she was hitting the ball over the net,

0:39:37.320 --> 0:39:39.880
<v Speaker 3>like with some real fur on it, you know what

0:39:39.880 --> 0:39:46.680
<v Speaker 3>I mean, Just like, yeah, just amazing actress.

0:39:47.680 --> 0:39:49.239
<v Speaker 2>I know we tell you guys this all the time,

0:39:49.280 --> 0:39:51.880
<v Speaker 2>but the Laura and Vanessa are the sweetest girls. Like

0:39:51.960 --> 0:39:54.120
<v Speaker 2>shout out to their parents, who must be amazing because

0:39:54.120 --> 0:39:56.440
<v Speaker 2>they are the sweet girls. Anyway, I found some email

0:39:56.440 --> 0:39:58.640
<v Speaker 2>that Laura had sent me years ago the other day

0:39:58.680 --> 0:40:00.440
<v Speaker 2>and it was just like, Oh my god, she's just

0:40:00.480 --> 0:40:02.160
<v Speaker 2>the coolest, coolest.

0:40:02.280 --> 0:40:02.799
<v Speaker 6>She really is.

0:40:11.800 --> 0:40:14.319
<v Speaker 2>Scott. Yes, I know you kind of talked about it

0:40:14.360 --> 0:40:16.560
<v Speaker 2>with the tennis ball with the fur on it. But

0:40:17.440 --> 0:40:21.600
<v Speaker 2>when you watch those scenes with Vanessa Slash April, you

0:40:21.680 --> 0:40:24.000
<v Speaker 2>must be so proud of her.

0:40:24.560 --> 0:40:27.320
<v Speaker 3>I always have been, and it doesn't surprise me how

0:40:27.360 --> 0:40:30.319
<v Speaker 3>great she comes off. And I don't remember filming any

0:40:30.360 --> 0:40:32.759
<v Speaker 3>of this stuff. I don't remember these scenes, but they're

0:40:32.760 --> 0:40:35.719
<v Speaker 3>a joy to watch because it's like she was so

0:40:35.800 --> 0:40:38.520
<v Speaker 3>easy to work with, and she was so prepared and

0:40:38.560 --> 0:40:42.360
<v Speaker 3>she's so good and she just gets it. You know,

0:40:42.480 --> 0:40:46.200
<v Speaker 3>she's young and super smart and at that time and

0:40:47.360 --> 0:40:50.400
<v Speaker 3>very talented, and she she just got it. You know,

0:40:50.480 --> 0:40:52.840
<v Speaker 3>she just understood it.

0:40:53.120 --> 0:40:58.080
<v Speaker 2>So we go from there to Harris and Rory's oh,

0:40:58.120 --> 0:41:00.479
<v Speaker 2>this is the scene. This is the scene. Oh God,

0:41:00.880 --> 0:41:04.120
<v Speaker 2>good everybody, it's so good. So so we're getting ready

0:41:04.160 --> 0:41:06.520
<v Speaker 2>for the two thousand and two party and Paris comes

0:41:06.520 --> 0:41:09.440
<v Speaker 2>in and she's like, is there gonna be dancing? And

0:41:09.560 --> 0:41:12.880
<v Speaker 2>I mean the direction on this and I am no director,

0:41:13.000 --> 0:41:19.440
<v Speaker 2>and I don't know. Diddley was unbelievable because it's so clever, like, Okay,

0:41:19.640 --> 0:41:21.560
<v Speaker 2>let's get Rory on the phone with Loralai and then

0:41:21.560 --> 0:41:24.200
<v Speaker 2>we're gonna have Paris and Doyle dancing in the background.

0:41:24.680 --> 0:41:30.799
<v Speaker 2>And they're dancing is just flawless, Like I mean, and

0:41:30.880 --> 0:41:34.919
<v Speaker 2>you see the genius of Kenny Ortega because he choreographed that. Obviously,

0:41:35.719 --> 0:41:37.600
<v Speaker 2>obviously the man's a legend.

0:41:37.800 --> 0:41:40.879
<v Speaker 7>Yeah, Like they're in you They're not even in the room.

0:41:40.920 --> 0:41:43.600
<v Speaker 6>They're in the bedroom and the door's open right on

0:41:43.680 --> 0:41:44.640
<v Speaker 6>the jammin.

0:41:45.360 --> 0:41:47.960
<v Speaker 2>The dancing was like Conic and told it, like to me,

0:41:48.160 --> 0:41:51.719
<v Speaker 2>you know, John Travolta and Uma Thurman, and I'm like

0:41:52.000 --> 0:41:54.480
<v Speaker 2>that is that? Like they weren't doing those moves, But

0:41:54.520 --> 0:41:56.520
<v Speaker 2>it was just so awesome. I could have watched that

0:41:56.600 --> 0:42:00.640
<v Speaker 2>scene all African day anyway. I mean, I kind of

0:42:00.719 --> 0:42:02.480
<v Speaker 2>was glad that we sort of had this dumb banter

0:42:02.640 --> 0:42:05.400
<v Speaker 2>between Rory and Lourai because I just only want to

0:42:05.440 --> 0:42:07.279
<v Speaker 2>be watching the dancing. But they're kind of bantering. They're

0:42:07.760 --> 0:42:10.920
<v Speaker 2>sort of having a this pay me thirty dollars, twelve dollars,

0:42:10.920 --> 0:42:13.400
<v Speaker 2>one cent, fifty dollars, twenty dollars, and it was just

0:42:13.400 --> 0:42:16.320
<v Speaker 2>this sort of nonsense, which I get because then we

0:42:16.360 --> 0:42:17.960
<v Speaker 2>could pay attention to the dancing.

0:42:19.120 --> 0:42:21.720
<v Speaker 4>This is a big year for Kenny Artega. He launched

0:42:21.760 --> 0:42:24.640
<v Speaker 4>high school musical this year too, Oh.

0:42:24.600 --> 0:42:27.960
<v Speaker 2>The Man, and we acknowledge Marty again. I think Scott

0:42:28.000 --> 0:42:30.320
<v Speaker 2>said it best. We're they're trying to make something a

0:42:30.360 --> 0:42:33.959
<v Speaker 2>storyline happen that doesn't have any weight, but they sure

0:42:34.040 --> 0:42:37.440
<v Speaker 2>still are trying, because she's like, he's cold and weird,

0:42:37.719 --> 0:42:39.640
<v Speaker 2>and it was years ago, and she sort of acknowledges

0:42:39.680 --> 0:42:42.600
<v Speaker 2>what Tara said, YadA YadA. So I'd love to hear

0:42:42.600 --> 0:42:44.360
<v Speaker 2>everybody on the dancing other than just me.

0:42:45.040 --> 0:42:49.240
<v Speaker 6>I completely forgot what Laura and Rory's conversation was because

0:42:49.280 --> 0:42:51.800
<v Speaker 6>I remember the dancing.

0:42:52.200 --> 0:42:54.160
<v Speaker 2>Scott, when you say that was intentional that it's just

0:42:54.200 --> 0:42:57.000
<v Speaker 2>sort of nonsense. What twenty dollars?

0:42:57.200 --> 0:42:57.279
<v Speaker 3>Like?

0:42:57.440 --> 0:43:02.680
<v Speaker 2>The phone call was? It had dialogue, but we're supposed

0:43:02.719 --> 0:43:04.000
<v Speaker 2>to be watching the dancing.

0:43:04.239 --> 0:43:08.840
<v Speaker 3>Yeah, you can't help, but notice, I mean, you know,

0:43:09.200 --> 0:43:11.799
<v Speaker 3>I think they thought that there's this potent combination of

0:43:11.880 --> 0:43:15.480
<v Speaker 3>silly dialogue that's supposed to really hit as funny, and

0:43:15.560 --> 0:43:17.960
<v Speaker 3>it was. It was humorous, you know, I don't know

0:43:18.000 --> 0:43:21.879
<v Speaker 3>how hysterically funny. It was, but I think you don't

0:43:21.920 --> 0:43:24.239
<v Speaker 3>want to steal the joke from the dancing, because that's

0:43:24.320 --> 0:43:24.960
<v Speaker 3>really the funny.

0:43:25.520 --> 0:43:27.200
<v Speaker 2>Yes, it was so good, and.

0:43:27.160 --> 0:43:28.960
<v Speaker 3>The fact that it's in the background makes it even

0:43:29.040 --> 0:43:29.640
<v Speaker 3>more brilliant.

0:43:29.960 --> 0:43:31.799
<v Speaker 2>And they kind of did there was a little meat,

0:43:31.840 --> 0:43:35.040
<v Speaker 2>so basically, Tara, since you missed it, they kind of

0:43:35.160 --> 0:43:38.239
<v Speaker 2>banter back and forth about what she's gonna fledge for

0:43:38.280 --> 0:43:41.640
<v Speaker 2>the nitathon, and then we learned that the town it

0:43:41.640 --> 0:43:44.120
<v Speaker 2>didn't go so great walking through town, and then they

0:43:44.200 --> 0:43:46.799
<v Speaker 2>kind of acknowledge Marty and that whole thing, and she

0:43:46.960 --> 0:43:50.799
<v Speaker 2>sort of says to Michelle Obama, you know when they

0:43:50.800 --> 0:43:52.799
<v Speaker 2>go low, you go high, like take the high road,

0:43:53.040 --> 0:43:54.399
<v Speaker 2>be the one, be.

0:43:54.440 --> 0:43:55.160
<v Speaker 4>The bigger person.

0:43:55.440 --> 0:43:58.520
<v Speaker 2>Great, it was all great. Now we're at the house

0:43:58.840 --> 0:44:02.360
<v Speaker 2>and Christopher's getting ready for his mandate with the farmer

0:44:02.960 --> 0:44:05.279
<v Speaker 2>and he's wearing a black button down that's just a

0:44:05.280 --> 0:44:07.600
<v Speaker 2>little bit too city and a little bit too tight,

0:44:07.719 --> 0:44:10.759
<v Speaker 2>and the jeans are a little too tight. I thought

0:44:10.800 --> 0:44:11.400
<v Speaker 2>it was funny.

0:44:11.480 --> 0:44:16.839
<v Speaker 3>I was hilarious. Yeah, I didn't. Oh no, why I

0:44:16.880 --> 0:44:19.839
<v Speaker 3>didn't think it was a funny situation. It didn't matter

0:44:19.880 --> 0:44:21.920
<v Speaker 3>who was playing the parts. To me, that's not a

0:44:21.960 --> 0:44:26.560
<v Speaker 3>funny situation that's not going to make me laugh. I

0:44:26.600 --> 0:44:29.839
<v Speaker 3>thought it was just me, that's just me personal right.

0:44:30.400 --> 0:44:33.480
<v Speaker 2>Well, also, you might be coming from a guye perspective,

0:44:33.800 --> 0:44:36.200
<v Speaker 2>whereas like we're coming from the girl perspective where she's

0:44:36.280 --> 0:44:39.160
<v Speaker 2>like and her acting I thought was so good, just

0:44:39.200 --> 0:44:44.240
<v Speaker 2>the kind of like the little nuances of the that

0:44:44.600 --> 0:44:47.080
<v Speaker 2>you know, and like I thought his outfit was good,

0:44:47.120 --> 0:44:50.080
<v Speaker 2>but it was very la outfit. It was like it

0:44:50.120 --> 0:44:52.240
<v Speaker 2>was not maybe what you go to the bar and starting.

0:44:52.239 --> 0:44:53.480
<v Speaker 3>I mean, if that was me, I would have just

0:44:53.520 --> 0:44:55.959
<v Speaker 3>walked out the door and smiled. So yeah, okay, sure,

0:44:56.040 --> 0:45:01.200
<v Speaker 3>see you later. So I mean, just where just to

0:45:01.239 --> 0:45:03.480
<v Speaker 3>own it, dude, where what you want? Walk out of

0:45:03.520 --> 0:45:04.560
<v Speaker 3>the house. You know.

0:45:04.640 --> 0:45:06.880
<v Speaker 2>I think he's trying, you know, I think he wants

0:45:07.000 --> 0:45:10.080
<v Speaker 2>to do right by her, do you know what I mean?

0:45:10.120 --> 0:45:11.920
<v Speaker 2>I think he gets it. He's trying to do what

0:45:12.000 --> 0:45:12.560
<v Speaker 2>I wants.

0:45:12.320 --> 0:45:15.400
<v Speaker 4>To immerse himself into her world, even though it's just

0:45:15.480 --> 0:45:15.919
<v Speaker 4>not it.

0:45:16.320 --> 0:45:18.600
<v Speaker 3>He he just needs to be himself.

0:45:18.960 --> 0:45:20.600
<v Speaker 2>I think this is where she says, they gave us

0:45:20.640 --> 0:45:22.920
<v Speaker 2>the tolerating that we're here wagon, and we kind of

0:45:23.000 --> 0:45:26.840
<v Speaker 2>learned that, like the other couples got better wagons the

0:45:26.960 --> 0:45:28.480
<v Speaker 2>hole to do. So, then we go to the bar.

0:45:28.760 --> 0:45:31.520
<v Speaker 2>Now have we seen this bar before? And please don't

0:45:31.600 --> 0:45:32.040
<v Speaker 2>yell at me.

0:45:32.520 --> 0:45:34.839
<v Speaker 7>Is it the bar the Dean went to or.

0:45:34.800 --> 0:45:40.200
<v Speaker 3>No, I've never seen that bar. I wanted to sit

0:45:40.239 --> 0:45:41.200
<v Speaker 3>in that bar me too.

0:45:41.680 --> 0:45:45.480
<v Speaker 2>Other than the very small television, I was like, the

0:45:45.760 --> 0:45:48.720
<v Speaker 2>television that had the game on really dated the episode.

0:45:48.760 --> 0:45:51.000
<v Speaker 2>But otherwise I was like, the bar was fun.

0:45:51.400 --> 0:45:53.200
<v Speaker 6>Yeah, I can't remember if it's the one that Dean

0:45:53.280 --> 0:45:55.760
<v Speaker 6>went too and he was about again divorced.

0:45:57.480 --> 0:46:03.640
<v Speaker 2>Oh maybe I don't remember. But anyway, it's awkward at first,

0:46:03.840 --> 0:46:06.880
<v Speaker 2>and then we got to it with Jackson and Christopher,

0:46:06.880 --> 0:46:10.960
<v Speaker 2>and I gotta say I liked the analogy. You know,

0:46:11.600 --> 0:46:14.920
<v Speaker 2>you gotta be one hundred percent committed. We love farming,

0:46:15.040 --> 0:46:17.279
<v Speaker 2>Suki and I, you know, and I really I liked

0:46:17.280 --> 0:46:20.480
<v Speaker 2>the I ended up really liking that scene, and obviously

0:46:20.520 --> 0:46:23.360
<v Speaker 2>it ultimately went well because Christopher is a bit more popular.

0:46:25.080 --> 0:46:27.799
<v Speaker 3>That's the scene we've seen a million times before. That's

0:46:27.840 --> 0:46:31.200
<v Speaker 3>a that's a classic scene, you know, where the guys

0:46:31.239 --> 0:46:33.080
<v Speaker 3>got a pass muster.

0:46:33.680 --> 0:46:38.080
<v Speaker 2>Yeah yeah, yeah, yes, well said yeah, and it seems

0:46:38.080 --> 0:46:40.799
<v Speaker 2>that he did so. Then a scene I did not

0:46:40.840 --> 0:46:44.359
<v Speaker 2>care for at all. Anna and Luke at the restaurant,

0:46:45.520 --> 0:46:48.080
<v Speaker 2>and I just thought, you know what, Anna, you suck?

0:46:49.600 --> 0:46:51.840
<v Speaker 3>Yeah, that was that was not a good look for Anna.

0:46:52.360 --> 0:46:54.640
<v Speaker 4>Oh and I kind of needed it though, because it

0:46:54.680 --> 0:46:56.200
<v Speaker 4>made me realize that she sucks.

0:46:56.600 --> 0:47:02.120
<v Speaker 2>Like I needed that, And you're being so reasonable and

0:47:02.239 --> 0:47:06.440
<v Speaker 2>so collaborative, and it's just like, you suck, Amma, You're

0:47:06.480 --> 0:47:10.160
<v Speaker 2>not you know what, you took this, you took twelve

0:47:10.239 --> 0:47:15.480
<v Speaker 2>years away from him, right. I was not pleased. Also,

0:47:15.520 --> 0:47:16.280
<v Speaker 2>where were they?

0:47:16.840 --> 0:47:17.239
<v Speaker 3>Do you think?

0:47:17.280 --> 0:47:20.720
<v Speaker 4>It's like a like, did she ever say why exactly?

0:47:20.760 --> 0:47:22.400
<v Speaker 4>She's moving over there? Remind me?

0:47:26.320 --> 0:47:28.480
<v Speaker 2>And she's from New Mexico. And then she needs to

0:47:28.520 --> 0:47:29.480
<v Speaker 2>go take care of her mother.

0:47:31.200 --> 0:47:33.359
<v Speaker 4>I wonder if for a second, I'm like, I wonder

0:47:33.400 --> 0:47:35.359
<v Speaker 4>if she was doing it for selfish reasons and she's

0:47:35.440 --> 0:47:38.120
<v Speaker 4>just like annoy that she's getting so close to lose.

0:47:38.239 --> 0:47:41.000
<v Speaker 2>I believe that the mother's sick, but she's the reason that.

0:47:41.560 --> 0:47:43.680
<v Speaker 6>Okay, So then this is what I got from it.

0:47:43.760 --> 0:47:46.960
<v Speaker 6>So the reason why April was with Luke when she

0:47:47.000 --> 0:47:50.360
<v Speaker 6>got her appendix out is because Anna went to go

0:47:50.400 --> 0:47:50.960
<v Speaker 6>see her mom.

0:47:51.160 --> 0:47:53.600
<v Speaker 7>She wasn't even frown, that's right.

0:47:53.440 --> 0:47:55.759
<v Speaker 2>Because she is with her mom and that's how we

0:47:55.840 --> 0:47:58.680
<v Speaker 2>get the beginning of the storyline that the mom needs help. Yes,

0:47:58.920 --> 0:48:00.799
<v Speaker 2>you know, but her reason for out wanting to move

0:48:00.800 --> 0:48:02.600
<v Speaker 2>her mom, Oh, she's been in that house forty years.

0:48:02.640 --> 0:48:05.560
<v Speaker 2>It's like, but you're gonna uproot your kid, nor even

0:48:05.600 --> 0:48:07.600
<v Speaker 2>a sick grandmother would be like, no, no, no, you're not

0:48:07.680 --> 0:48:09.440
<v Speaker 2>uprooting the kid. I'll come and live with you.

0:48:09.480 --> 0:48:09.800
<v Speaker 3>Guys.

0:48:11.560 --> 0:48:12.399
<v Speaker 2>That where were they?

0:48:13.239 --> 0:48:13.319
<v Speaker 3>Was?

0:48:13.320 --> 0:48:13.560
<v Speaker 8>That?

0:48:14.520 --> 0:48:16.319
<v Speaker 2>Was that in Stars Hollow? Where were they? Or were they?

0:48:16.400 --> 0:48:18.279
<v Speaker 2>I don't know where that restaurant was, but I kept

0:48:18.280 --> 0:48:19.359
<v Speaker 2>trying to zoom in on.

0:48:19.280 --> 0:48:22.160
<v Speaker 3>The No, that was the Stars Hall.

0:48:23.400 --> 0:48:27.759
<v Speaker 2>Wasn't It's not the bakery another bakery? It was all right, well.

0:48:27.680 --> 0:48:31.000
<v Speaker 3>Anyway, wasn't It wasn't Al's Pancake World.

0:48:31.000 --> 0:48:36.000
<v Speaker 2>It was no. And it wasn't what's the bakery with

0:48:36.040 --> 0:48:39.120
<v Speaker 2>the lady that passed away? Oh wasn't that.

0:48:39.640 --> 0:48:42.160
<v Speaker 6>I know where you're talking about, But that wasn't that anyway,

0:48:42.239 --> 0:48:45.840
<v Speaker 6>Weston's West It wasn't so okay.

0:48:45.840 --> 0:48:47.360
<v Speaker 3>But I've seen that restaurant before.

0:48:47.800 --> 0:48:50.160
<v Speaker 2>I feel like I had to. So then it's showtime.

0:48:50.320 --> 0:48:54.719
<v Speaker 2>Luke the baby and the baby just like appeared, you know.

0:48:55.160 --> 0:48:56.600
<v Speaker 2>First of all, he gets the phone call. He goes

0:48:56.680 --> 0:49:00.400
<v Speaker 2>rushing off, great, you know WHOA Okay, it's time, and

0:49:00.440 --> 0:49:02.640
<v Speaker 2>then they do get a scene. We get a scene

0:49:02.640 --> 0:49:04.759
<v Speaker 2>in a minute where suddenly the baby's born. We didn't

0:49:04.800 --> 0:49:06.879
<v Speaker 2>have to see the birth. It doesn't happen right there,

0:49:06.960 --> 0:49:09.879
<v Speaker 2>but I'll get to it. So he gets the phone call,

0:49:09.920 --> 0:49:15.680
<v Speaker 2>he rushes out the nitathon has begun. In the next scene,

0:49:16.840 --> 0:49:24.000
<v Speaker 2>Kirk's walking around free needles, Taylor's in head to toe knit.

0:49:25.640 --> 0:49:27.439
<v Speaker 2>I want to watch it again to just see every

0:49:27.480 --> 0:49:30.400
<v Speaker 2>detail of the scene. Twenty five Lemonade for the bridge.

0:49:30.719 --> 0:49:34.319
<v Speaker 2>It's a beautiful autumnal day, ten to ten. They talk

0:49:34.360 --> 0:49:37.879
<v Speaker 2>about the great bridges, the Golden Gate, the Brooklyn, and

0:49:37.920 --> 0:49:41.800
<v Speaker 2>then of course the old Muddy River Bridge.

0:49:42.800 --> 0:49:45.160
<v Speaker 4>And they like, you have three minutes.

0:49:47.560 --> 0:49:50.120
<v Speaker 2>They don't have their things synced up. Yeah, I just

0:49:50.160 --> 0:49:52.560
<v Speaker 2>knew we were in for a great scene so I

0:49:52.600 --> 0:49:54.680
<v Speaker 2>could watch. I wish I was there, Like, I just

0:49:54.680 --> 0:49:56.440
<v Speaker 2>wish I was there. I want to go to the nitathon.

0:49:57.360 --> 0:49:58.640
<v Speaker 2>I want to hang out. I want to pull in

0:49:58.719 --> 0:49:59.200
<v Speaker 2>the game arrow.

0:49:59.320 --> 0:50:03.080
<v Speaker 3>The whole that was a cozy stars hollow. I wanted

0:50:03.120 --> 0:50:06.440
<v Speaker 3>to be there too. That's that's a very cozy place

0:50:06.520 --> 0:50:08.160
<v Speaker 3>right there, you.

0:50:08.120 --> 0:50:12.200
<v Speaker 2>Know, it really is a town. If my town had that,

0:50:12.560 --> 0:50:17.960
<v Speaker 2>I'd be stoked. Okay, it's time for Lucy's a party,

0:50:19.160 --> 0:50:23.600
<v Speaker 2>and Lucy is so stoked that Paris is there. Uh,

0:50:23.680 --> 0:50:27.400
<v Speaker 2>Marty's at the bar. We kind of have the moment

0:50:27.560 --> 0:50:32.640
<v Speaker 2>of are we done being a jerk here? Yes, I'm done.

0:50:32.680 --> 0:50:33.719
<v Speaker 2>We're friends again.

0:50:33.600 --> 0:50:36.600
<v Speaker 3>And not allowed of red meat here. It just seemed

0:50:36.640 --> 0:50:45.000
<v Speaker 3>like it's like, you know, that's all I have to say.

0:50:46.000 --> 0:50:48.359
<v Speaker 2>And they must have paid a lot for that Pink song.

0:50:48.800 --> 0:50:54.560
<v Speaker 3>I think I think Doyle stole that storyline for sure.

0:50:54.920 --> 0:50:57.319
<v Speaker 3>Totally amazing watching.

0:50:57.960 --> 0:51:01.359
<v Speaker 2>And then in the I mean, uh, coming out Amy

0:51:01.440 --> 0:51:03.200
<v Speaker 2>it was better get this party.

0:51:03.800 --> 0:51:04.799
<v Speaker 7>And the Nelly song.

0:51:04.840 --> 0:51:07.880
<v Speaker 2>I was like, yeah, they made of money to clear

0:51:08.080 --> 0:51:10.880
<v Speaker 2>music for this episode because usually.

0:51:10.640 --> 0:51:13.200
<v Speaker 6>Scott, when there's a party and there's people dancing, aren't

0:51:13.200 --> 0:51:15.160
<v Speaker 6>you just dancing to nothing? Right?

0:51:15.239 --> 0:51:18.279
<v Speaker 2>The song later? But they still pay a lot of

0:51:18.320 --> 0:51:19.120
<v Speaker 2>money for that song.

0:51:19.360 --> 0:51:21.680
<v Speaker 6>But I feel like for this scene, especially the one

0:51:21.719 --> 0:51:23.839
<v Speaker 6>in the apartment, they kind of had to know what

0:51:23.920 --> 0:51:26.440
<v Speaker 6>was going to be played, right or no, they'll play.

0:51:26.280 --> 0:51:29.759
<v Speaker 3>They'll play it for the extras and they'll play so

0:51:29.800 --> 0:51:32.959
<v Speaker 3>they get the rhythm and I'm.

0:51:32.920 --> 0:51:39.880
<v Speaker 8>Dancing to playing dancing here, so you better get this

0:51:39.960 --> 0:51:42.600
<v Speaker 8>party started, which I was laughing because my six year

0:51:42.640 --> 0:51:45.200
<v Speaker 8>old and eight year old nieces were in a dance

0:51:45.239 --> 0:51:47.759
<v Speaker 8>recital this weekend and that was the finale song.

0:51:47.880 --> 0:51:51.279
<v Speaker 2>So I'm like, oh my god, I'm coming out. I

0:51:51.280 --> 0:51:54.080
<v Speaker 2>want to do all their moves. Okay, Suddenly the baby

0:51:54.120 --> 0:51:56.520
<v Speaker 2>Doula is born, which I was glad we didn't have

0:51:56.520 --> 0:51:58.040
<v Speaker 2>to go through the birth. It's like, we got there,

0:51:58.120 --> 0:52:01.320
<v Speaker 2>the baby's born. It looked like a seen beautiful zebra

0:52:01.440 --> 0:52:06.960
<v Speaker 2>rug funny little old there you go, little Doula, your

0:52:07.040 --> 0:52:11.440
<v Speaker 2>uncle Doula. And then they bring up, wah, cousin, April

0:52:11.560 --> 0:52:14.400
<v Speaker 2>is going to be the best babysitter ever. Oh so

0:52:14.480 --> 0:52:15.520
<v Speaker 2>you had that moment.

0:52:16.760 --> 0:52:21.360
<v Speaker 6>Right, which was a great setup before the end of

0:52:21.400 --> 0:52:24.200
<v Speaker 6>this episode, because I think even like as an audience,

0:52:24.280 --> 0:52:29.200
<v Speaker 6>you're like, you're right, like this, this Doula doesn't have

0:52:29.280 --> 0:52:30.200
<v Speaker 6>really any other family.

0:52:30.200 --> 0:52:32.360
<v Speaker 7>I mean, there's Jess, but it.

0:52:32.480 --> 0:52:33.279
<v Speaker 2>Realized, right.

0:52:34.080 --> 0:52:34.279
<v Speaker 6>I think.

0:52:34.320 --> 0:52:36.239
<v Speaker 3>I think it's a very nice moment for Luke at

0:52:36.280 --> 0:52:38.879
<v Speaker 3>the end of that because he's thinking about April. He's

0:52:38.920 --> 0:52:40.959
<v Speaker 3>thinking about is he ever going to have another kid again?

0:52:41.400 --> 0:52:43.520
<v Speaker 3>You think about how lonely he's going to be with

0:52:43.560 --> 0:52:48.640
<v Speaker 3>Anna going I'm sorry with with April leaving. It really

0:52:48.680 --> 0:52:52.799
<v Speaker 3>softened him. I thought the writers did an exemplary job

0:52:52.880 --> 0:52:55.680
<v Speaker 3>of showing another side of Luke, you know, and even

0:52:55.840 --> 0:52:58.480
<v Speaker 3>a more combative side of him standing up for himself.

0:52:59.400 --> 0:53:02.520
<v Speaker 3>Uh when he did, he didn't go over the top

0:53:02.560 --> 0:53:04.200
<v Speaker 3>with it with the anger. It was just you know,

0:53:04.560 --> 0:53:09.799
<v Speaker 3>more more firm but vulnerable, you know. Yes, yes, now

0:53:10.719 --> 0:53:11.720
<v Speaker 3>that's Kenny Ortego.

0:53:12.120 --> 0:53:23.000
<v Speaker 5>Yeah, hey, everybody right now, you can call eight eight

0:53:23.080 --> 0:53:25.960
<v Speaker 5>eight seven oh two seven eight seven.

0:53:25.840 --> 0:53:30.640
<v Speaker 3>Three for the Gilmour Girls coffees the three blends of

0:53:30.719 --> 0:53:33.400
<v Speaker 3>Luke's Diner Blend, the Stars Hollow Blend and the Dragonfly

0:53:33.480 --> 0:53:40.839
<v Speaker 3>in two X talk Fast double Caffeine Blend. That's eight

0:53:40.920 --> 0:53:45.200
<v Speaker 3>eight eight seven O two seven eight seven three and

0:53:45.239 --> 0:53:48.759
<v Speaker 3>a Warner Brothers Studio rep will assist you with your order,

0:53:49.040 --> 0:53:51.400
<v Speaker 3>So enjoy the coffee.

0:53:51.880 --> 0:53:54.319
<v Speaker 2>So now we're at the Nitathon, which looked like the

0:53:54.360 --> 0:53:59.000
<v Speaker 2>best time ever until Christopher ruined it. So, you know,

0:53:59.719 --> 0:54:02.560
<v Speaker 2>Taylor makes the announcements they've raised twenty two hundred dollars

0:54:02.640 --> 0:54:04.640
<v Speaker 2>and they're like, oh no, are we gonna be able

0:54:04.680 --> 0:54:06.880
<v Speaker 2>to do it? And then he goes and donates and

0:54:06.920 --> 0:54:10.960
<v Speaker 2>just everybody packs up and literally it was bummed. Everyone

0:54:11.120 --> 0:54:16.719
<v Speaker 2>was like, worth the thrill out of here, Gypsy's gonna

0:54:16.719 --> 0:54:19.240
<v Speaker 2>go to a movie. But I was bummed. I felt

0:54:19.320 --> 0:54:23.120
<v Speaker 2>I was like, no, I want eight more scenes of this.

0:54:24.080 --> 0:54:27.080
<v Speaker 2>So and I think that's intentionally you realize you're like, oh, Christopher,

0:54:27.880 --> 0:54:28.960
<v Speaker 2>you dumb, dumb.

0:54:28.960 --> 0:54:29.840
<v Speaker 3>And get it.

0:54:30.360 --> 0:54:32.880
<v Speaker 4>He doesn't get it, doesn't don't remember.

0:54:33.160 --> 0:54:35.040
<v Speaker 6>Like I was thinking about when I was a kid,

0:54:35.080 --> 0:54:37.879
<v Speaker 6>we used to do like the magazine drives where you'd

0:54:38.000 --> 0:54:40.600
<v Speaker 6>go to people, you know, be Zeene drives.

0:54:40.719 --> 0:54:46.000
<v Speaker 4>Yeah, everythign drives and cook Doo drives, every drive. They

0:54:46.040 --> 0:54:47.960
<v Speaker 4>still exist. I get them all the time from my

0:54:48.080 --> 0:54:49.160
<v Speaker 4>nieces and nephews.

0:54:49.160 --> 0:54:51.200
<v Speaker 6>But it's like thinking about it, it made me think

0:54:51.239 --> 0:54:53.920
<v Speaker 6>of like it like my parents always bought one thing

0:54:53.960 --> 0:54:56.640
<v Speaker 6>because they had to, but like they didn't buy everything

0:54:56.680 --> 0:54:57.880
<v Speaker 6>so I could win the prize.

0:54:57.880 --> 0:54:59.760
<v Speaker 7>It was like you gotta go work for it.

0:55:00.640 --> 0:55:00.840
<v Speaker 6>You know.

0:55:01.160 --> 0:55:02.800
<v Speaker 4>Yeah, And I mean you think about.

0:55:03.840 --> 0:55:09.040
<v Speaker 2>Yeah, cartwheel, how many cartwheels can she do? Like is

0:55:09.080 --> 0:55:10.840
<v Speaker 2>there a maximum? She's all two hundred and fifty And

0:55:10.840 --> 0:55:13.839
<v Speaker 2>I'm like great, okay, because it's like a cartwheel all

0:55:13.880 --> 0:55:17.799
<v Speaker 2>day long. Okay. So that was a long one.

0:55:18.680 --> 0:55:22.680
<v Speaker 4>He met well though, like, I get it, guy, but

0:55:22.719 --> 0:55:25.200
<v Speaker 4>it just shows like he's me. He's trying really hard,

0:55:25.280 --> 0:55:28.479
<v Speaker 4>but he's not the right thing.

0:55:31.040 --> 0:55:33.360
<v Speaker 2>Salla is not the place where you're flashy with your money.

0:55:33.440 --> 0:55:35.400
<v Speaker 2>They don't they don't jive with that, you know.

0:55:35.840 --> 0:55:37.320
<v Speaker 4>Yeah.

0:55:37.680 --> 0:55:41.320
<v Speaker 2>So then we go to the party and there's dancing

0:55:42.239 --> 0:55:45.600
<v Speaker 2>and Olivia goes after the buzz cut guy. So that

0:55:45.880 --> 0:55:50.000
<v Speaker 2>has Rory and Marty on the couch and chatting, and

0:55:50.040 --> 0:55:53.239
<v Speaker 2>then and you're more beautiful than ever.

0:55:56.760 --> 0:56:00.440
<v Speaker 3>Oh, I mean, it all just everything's coming out of

0:56:00.520 --> 0:56:06.319
<v Speaker 3>left field. Yeah, you know, didn't mind it, you know,

0:56:06.520 --> 0:56:08.399
<v Speaker 3>I mean, it's okay, it's fine.

0:56:08.160 --> 0:56:13.279
<v Speaker 2>Good scene. It just was like, yeah, so just.

0:56:13.200 --> 0:56:16.120
<v Speaker 3>What's happening in her life is not all that fascinating

0:56:16.200 --> 0:56:16.520
<v Speaker 3>right now?

0:56:16.600 --> 0:56:18.800
<v Speaker 2>No, that's correct, right. I think that's a fair statement.

0:56:18.880 --> 0:56:20.320
<v Speaker 2>So that's the best we can get.

0:56:20.200 --> 0:56:23.400
<v Speaker 3>With that, minus Logan. It's kind of trippy.

0:56:23.680 --> 0:56:23.799
<v Speaker 5>Then.

0:56:23.840 --> 0:56:28.000
<v Speaker 2>I thought this scene was kind of something I don't

0:56:28.040 --> 0:56:29.279
<v Speaker 2>know what the word is yet. I'll get to I'll

0:56:29.280 --> 0:56:31.000
<v Speaker 2>figure out what the word is. If of lower Li

0:56:31.120 --> 0:56:34.399
<v Speaker 2>and Christopher walking, you know, you don't have to try

0:56:34.480 --> 0:56:36.680
<v Speaker 2>so hard. I'm trying so hard because I sort of

0:56:36.680 --> 0:56:39.400
<v Speaker 2>feel like you want me to try so hard. And

0:56:39.440 --> 0:56:43.320
<v Speaker 2>then they say I love you a lot. She says,

0:56:43.640 --> 0:56:46.440
<v Speaker 2>I'm going to be here loving you. It's very lovey.

0:56:46.880 --> 0:56:50.720
<v Speaker 4>Yeah, yeah, and I bought it.

0:56:50.719 --> 0:56:51.920
<v Speaker 2>It didn't seem fake.

0:56:52.239 --> 0:56:54.319
<v Speaker 4>Because I do think she does love him. You know

0:56:54.640 --> 0:56:58.600
<v Speaker 4>she does. She does because of all their history. I

0:56:58.680 --> 0:57:02.040
<v Speaker 4>just don't know if she's in love with him as

0:57:02.120 --> 0:57:03.040
<v Speaker 4>her husband.

0:57:04.480 --> 0:57:09.160
<v Speaker 2>Really really well done. Seen the truck pulls up. Immediately,

0:57:09.200 --> 0:57:11.680
<v Speaker 2>I'm like, oh, I want to know what's happening here.

0:57:12.080 --> 0:57:16.360
<v Speaker 2>Anna opens the door. She says, April's it hoo'sy doozies,

0:57:16.720 --> 0:57:19.120
<v Speaker 2>and Luke immediately knows, yes, I know, and I know

0:57:19.160 --> 0:57:21.120
<v Speaker 2>she has a peanutalergy and I know I know, I know,

0:57:21.200 --> 0:57:25.920
<v Speaker 2>I know. And then he brings it. He's like, She's like,

0:57:25.960 --> 0:57:27.960
<v Speaker 2>what are you doing here, Luke? And he's like, you

0:57:28.040 --> 0:57:31.120
<v Speaker 2>know what, this is what I'm doing here. Finally, but

0:57:31.280 --> 0:57:33.640
<v Speaker 2>I have amy. I had been waiting for this for

0:57:33.680 --> 0:57:37.400
<v Speaker 2>so long to say I am her dad. I have rights.

0:57:37.440 --> 0:57:41.120
<v Speaker 2>I think you say that I have rights and great scene.

0:57:41.480 --> 0:57:48.400
<v Speaker 3>Mm hmm thoughts. Yeah, true. It was powerful good writing.

0:57:48.680 --> 0:57:52.560
<v Speaker 3>You know, when you get right good acting, when you

0:57:52.560 --> 0:57:55.520
<v Speaker 3>get writing that juicy, it's it's I'm not saying it's

0:57:55.560 --> 0:57:58.680
<v Speaker 3>easy to deliver it, but it's it makes my job

0:57:58.760 --> 0:58:01.720
<v Speaker 3>a lot easier, you know, because they understand all the

0:58:01.760 --> 0:58:04.280
<v Speaker 3>beats and it's just laid out there right for you.

0:58:04.360 --> 0:58:09.800
<v Speaker 3>And you know, kudos to the writers on that absolutely

0:58:10.000 --> 0:58:14.520
<v Speaker 3>and Sherylyn Fent, you know, knowing her job, you know,

0:58:14.560 --> 0:58:17.240
<v Speaker 3>because a lot of people would sort of engage in

0:58:17.240 --> 0:58:19.400
<v Speaker 3>that fight and try to steal that scene. She knew

0:58:19.400 --> 0:58:21.320
<v Speaker 3>her job, you know, she did.

0:58:21.400 --> 0:58:24.200
<v Speaker 2>And she was great too. I agree with you. She

0:58:24.360 --> 0:58:25.240
<v Speaker 2>acted it so.

0:58:25.320 --> 0:58:28.080
<v Speaker 3>Well, all beautifully.

0:58:27.720 --> 0:58:31.640
<v Speaker 2>The subtlety, the eyes, the face so good.

0:58:31.720 --> 0:58:34.560
<v Speaker 6>I think it was also just a relief that like

0:58:34.920 --> 0:58:37.600
<v Speaker 6>Luke finally just stood up for himself and April, like

0:58:37.640 --> 0:58:40.680
<v Speaker 6>I think we've been waiting and he's been so patient,

0:58:40.840 --> 0:58:42.760
<v Speaker 6>and like we've all been patient with him, but it

0:58:42.840 --> 0:58:46.960
<v Speaker 6>was like, no, this was the final straw. He's also

0:58:47.920 --> 0:58:51.400
<v Speaker 6>a parent, he's her parent, and he also I feel

0:58:51.400 --> 0:58:55.240
<v Speaker 6>like it wasn't fair that she told April before she

0:58:55.320 --> 0:58:57.280
<v Speaker 6>told Luke. I feel like it should have been a

0:58:57.280 --> 0:59:01.760
<v Speaker 6>conversation between the parents were telling April, and also like

0:59:02.120 --> 0:59:04.480
<v Speaker 6>there was no conversation, it was just when we talked

0:59:04.480 --> 0:59:04.800
<v Speaker 6>about it.

0:59:04.840 --> 0:59:07.320
<v Speaker 3>But it was just he was just you know, it

0:59:07.480 --> 0:59:13.800
<v Speaker 3>shows Luke as the polar opposite of Christopher and said,

0:59:13.920 --> 0:59:17.320
<v Speaker 3>this is how you fight for your family, This is

0:59:17.320 --> 0:59:21.360
<v Speaker 3>how you fight for your daughter, you know. And Christopher

0:59:21.440 --> 0:59:25.160
<v Speaker 3>was there for Rory when they weren't even related by blood,

0:59:25.200 --> 0:59:27.920
<v Speaker 3>but he was there for her all in, willing to

0:59:28.200 --> 0:59:30.880
<v Speaker 3>like take the bullet for you know, her whole life.

0:59:31.360 --> 0:59:34.320
<v Speaker 3>And now he's got his own daughter and fault him

0:59:34.400 --> 0:59:38.600
<v Speaker 3>for you know, delaying the marriage Laurel I and ultimately

0:59:38.680 --> 0:59:44.840
<v Speaker 3>you know, tanking his own future in regards to Laurel I.

0:59:44.920 --> 0:59:47.120
<v Speaker 3>But he's fighting for his daughter and you got to

0:59:47.160 --> 0:59:49.080
<v Speaker 3>admire him for that. And so I think it's a

0:59:49.400 --> 0:59:53.160
<v Speaker 3>it's a it's a very interesting contrast. He's he's everything

0:59:53.200 --> 0:59:57.640
<v Speaker 3>that Christopher wasn't or isn't and is trying to be

0:59:57.720 --> 0:59:59.600
<v Speaker 3>now and trying too hard to be now, but when

0:59:59.600 --> 1:00:02.760
<v Speaker 3>it's too late, but it's like Luke isn't going to

1:00:02.800 --> 1:00:07.560
<v Speaker 3>waste another moment sitting by the sidelines getting bullied by

1:00:07.560 --> 1:00:09.760
<v Speaker 3>In and he's going to fight for his right and

1:00:09.800 --> 1:00:13.120
<v Speaker 3>it was it was a really powerful scene. I don't

1:00:13.160 --> 1:00:15.240
<v Speaker 3>really I didn't remember the scene and I was blown

1:00:15.280 --> 1:00:15.720
<v Speaker 3>away by it.

1:00:15.800 --> 1:00:20.440
<v Speaker 2>Yeah, it's a great scene. Yeah, and there we have it.

1:00:20.760 --> 1:00:22.520
<v Speaker 3>There, we have it all right. What are we going

1:00:22.560 --> 1:00:24.800
<v Speaker 3>to give it, folks? And what's your measuring stick?

1:00:25.240 --> 1:00:30.760
<v Speaker 2>Wolfgirl paintings, Cave Girl Paintings ten, ten out.

1:00:30.640 --> 1:00:33.800
<v Speaker 3>Of ten, yeah, Wolfgirl paintings, tar, what do you give it?

1:00:33.960 --> 1:00:40.480
<v Speaker 6>I'm going to give it nine suky spaghetti knit balls whatever.

1:00:40.200 --> 1:00:44.760
<v Speaker 4>They are, Danielle, what are you gonna I'm going to

1:00:44.800 --> 1:00:47.640
<v Speaker 4>give it eight point five regular yarn balls.

1:00:49.680 --> 1:00:53.600
<v Speaker 3>Scott, I've got to take my hat off to it.

1:00:55.720 --> 1:00:57.280
<v Speaker 3>I think I'm going to give it a nine and

1:00:57.320 --> 1:01:02.640
<v Speaker 3>a half as well, because I'm to deduct five tenths

1:01:02.640 --> 1:01:12.200
<v Speaker 3>for the the Marty Rory snoozethon stuff. So but other

1:01:12.280 --> 1:01:13.720
<v Speaker 3>than that, I thought it was just kind of a

1:01:13.760 --> 1:01:17.600
<v Speaker 3>perfect episode. It was really everything that Girl Gilmore Girls

1:01:17.640 --> 1:01:21.960
<v Speaker 3>does really really well, everything that that show is about,

1:01:22.240 --> 1:01:27.000
<v Speaker 3>with the right amount of conflict, but with that great

1:01:27.280 --> 1:01:30.360
<v Speaker 3>that great spice, that great feeling of the town coming

1:01:30.360 --> 1:01:32.960
<v Speaker 3>together to do something and kind of in a silly

1:01:33.000 --> 1:01:35.720
<v Speaker 3>way and everybody gets to be eccentric and weird and

1:01:35.920 --> 1:01:40.440
<v Speaker 3>happy and together. So it gave me that good Gilmore

1:01:40.480 --> 1:01:44.000
<v Speaker 3>feeling again. So loved it and I'm gonna give it

1:01:44.040 --> 1:01:47.200
<v Speaker 3>a measuring stick. Is what's the measuring stick going to be.

1:01:49.760 --> 1:01:54.479
<v Speaker 3>I'm gonna say nine point five court orders from Luke's lawyer.

1:01:57.560 --> 1:02:00.280
<v Speaker 3>All right, everybody, that's going to wrap it up. Uh.

1:02:00.760 --> 1:02:04.920
<v Speaker 3>Next episode is season seven, episode ten, Mary Fisticoff. So

1:02:04.960 --> 1:02:08.760
<v Speaker 3>that sounds quite provocative. Thank you, ladies. Danielle Romo, Tara

1:02:08.840 --> 1:02:15.480
<v Speaker 3>sued Amy Sugarman. Suzanne French is on hiatus in Bora Borah.

1:02:15.960 --> 1:02:20.280
<v Speaker 3>She's currently I think she's in a canoe of some

1:02:20.320 --> 1:02:25.200
<v Speaker 3>sort and she's she's fishing with her hands as you John,

1:02:25.200 --> 1:02:30.240
<v Speaker 3>and they are living, they're spending their iHeart dollars.

1:02:30.320 --> 1:02:37.680
<v Speaker 2>Let me tell you they're signing.

1:02:36.120 --> 1:02:45.000
<v Speaker 3>Anyway. I'm going to close again by sending my condolences

1:02:45.000 --> 1:02:50.240
<v Speaker 3>out to the Ruben family. Sam Ruben, you were amazing man.

1:02:50.480 --> 1:02:54.680
<v Speaker 3>You will continue to inspire and influence people for decades

1:02:54.720 --> 1:02:59.080
<v Speaker 3>to come. And my condolences to the family. What what

1:02:59.120 --> 1:03:03.120
<v Speaker 3>a what a beautiful, beautiful guy. And we mourn the

1:03:03.200 --> 1:03:07.400
<v Speaker 3>loss of Sam Rubin. And that's not going away. That

1:03:07.560 --> 1:03:10.400
<v Speaker 3>is not going away. We lost a great one. And

1:03:11.560 --> 1:03:43.160
<v Speaker 3>God bless everybody, everybody, and don't forget follow us on

1:03:43.240 --> 1:03:47.640
<v Speaker 3>Instagram at I Am all In podcast and email us

1:03:47.680 --> 1:04:00.920
<v Speaker 3>at Gilmour at iHeartRadio dot com