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Speaker 1: I am all inlets you.

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Speaker 2: I am all in with Scott Patterson, an iHeartRadio podcast.

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Speaker 3: Hey everybody, Scott Patterson, I am all in podcast, one

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Speaker 3: of them productions. iHeartRadio, iHeart Media, I heart Podcast. I'm

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Speaker 3: joined by my intrepid crew, Tyre Suit, Danielle Romo. Jackie

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Speaker 3: Are has blacked herself out. We can't see her.

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Speaker 2: Our producer Jackie's here too.

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Speaker 3: Hey, Jackie and Amy Sugarman, you know where you love her.

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Speaker 3: This is season seven, Episode nine, Knit People Knit, and

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Speaker 3: I think before we kick things off, we want to

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Speaker 3: all acknowledge the life and the impact that one of

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Speaker 3: our our close, close colleagues and dear friends, Sam Rubin Uh,

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Speaker 3: had upon us. He passed away suddenly last week, and

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Speaker 3: it was just such a shock because I know Amy

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Speaker 3: Uh and Sam go back thirty years, and everybody on

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Speaker 3: this podcast knows Sam, knows and loves him, because to

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Speaker 3: know Sam, or even to be acquainted with him, is

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Speaker 3: to love him.

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Speaker 2: Uh.

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Speaker 3: He was a big supporter of mine for many.

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Speaker 2: Years, was Scott.

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Speaker 3: He really was really just such a great guy. I

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Speaker 3: just saw him on the Critics Choice Red carpet. We

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Speaker 3: did it.

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Speaker 2: Because you guys just got to have a so glad

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Speaker 2: because you guys got to have such a fun time

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Speaker 2: to get.

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Speaker 3: Twice I saw him on consecutive days, so h and

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Speaker 3: I hadn't seen him in a year or so, and

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Speaker 3: he's just such. He was just such a breath of

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Speaker 3: fresh air and such a positive, sweet guy, loving guy.

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Speaker 4: On the planet.

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Speaker 3: And so I personally just want to send my condolences

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Speaker 3: out to the family and friends. I saw his sixteen

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Speaker 3: year old son going KTL coldly went on he read

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Speaker 3: something he wrote for his dad, and I just cried, cried, cried.

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Speaker 3: I think, as we all did. Sam's passing has impacted

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Speaker 3: this town in a massive way, and people are still

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Speaker 3: trying to wrap their heads around it because it's just

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Speaker 3: left such a void in this town.

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Speaker 2: So Jackie, our producer, Jackie, Danielle and I worked directly

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Speaker 2: with him. So I've worked with him and he's been

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Speaker 2: my friend for thirty years, and Danielle and I have

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Speaker 2: worked directly for him for almost a decade. Every day,

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Speaker 2: and so I can't even the fact that I'm not

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Speaker 2: crying is only because I have literally been crying for

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Speaker 2: a week straight. But I want to honor this man.

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Speaker 2: You have no idea like he was the most special

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Speaker 2: person to me. He treated me, he included me in everything.

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Speaker 2: He fought to get me that job. He gave me

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Speaker 2: so many opportunities. Danielle and I were talking earlier in

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Speaker 2: thirty years. I never heard him raise his voice. He

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Speaker 2: never said an unkind word, He never got irritated. We

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Speaker 2: would text and say like, oh sorry, the guests that's

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Speaker 2: supposed to be there in three minutes just canceled, and

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Speaker 2: he would just be like, all good, and then he

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Speaker 2: just get on the air and nail it like he

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Speaker 2: was so talented. I've been so blessed to know him

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Speaker 2: and work with him and just to be his friend.

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Speaker 2: I mean, he just have me at the house. His

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Speaker 2: children are incredible. He has four of the most incredible children.

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Speaker 4: One of them who interned for us, Rory. She was,

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Speaker 4: you know, a part of our iHeart family too. Yeah,

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Speaker 4: and my heart goes out for.

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Speaker 2: All or just heartbroken truly, like Scott knows in our group.

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Speaker 2: Text and Scott, thank you because, like you know, you're

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Speaker 2: just such a great support for us. But this guy,

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Speaker 2: there's no there's nothing I can say because I could

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Speaker 2: never say enough. And Jackie, I know you feel the

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Speaker 2: same like the loyalty. This person showed me my whole

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Speaker 2: career from the minute I met him in the nineties,

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Speaker 2: like my entire career was my biggest like supporter. And

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Speaker 2: I actually was thinking about, I'm so happy to have

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Speaker 2: this podcast today because I'm trying not to cry. I

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Speaker 2: really don't want to cry because I I get such

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Speaker 2: a headache when I cry. So, watching Gilmore Girls last night,

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Speaker 2: and I know this sounds like cheesy, was a really

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Speaker 2: nice yes moment. It's like Gilmore Girls. You always talk

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Speaker 2: about it, it does I really was okay for a minute.

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Speaker 2: I got to just enjoy the show miracle. I liked

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Speaker 2: the episode. You know, there's something so special and I

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Speaker 2: think it's only fitting that Gilmore Girls aired on Sam's network. Yeah,

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Speaker 2: in so many years, and he you know, interviewed everybody

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Speaker 2: from Gilmore Girls. So I actually was really excited to

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Speaker 2: do this podcast with you guys today, just to be

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Speaker 2: together and like, oh, I don't want to cry.

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Speaker 3: I had the same reaction to this episode because the

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Speaker 3: other day, you know, I went into my doctor because

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Speaker 3: I had some irritation in my back and they said,

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Speaker 3: oh my god, you need to go get that taken

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Speaker 3: care of. And we're all, you know, because of COVID,

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Speaker 3: so many doctors and nurses just retired from the industry,

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Speaker 3: so we're short here, so well outsource. It's it's close

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Speaker 3: to your house to go over there. And the doctor

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Speaker 3: saw me on an emergency basis. She goes, Oh my god,

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Speaker 3: get on your stomach, and she just took a scalp,

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Speaker 3: well what and and cut into it and squeezed it

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Speaker 3: out and it's infected and it's yeah, yeah.

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Speaker 5: I know.

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Speaker 3: It was like an absessed like infected cyst or whatever

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Speaker 3: it was. Yeah, And I had more novacated me that

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Speaker 3: to kill a horse. And I could still whatever they

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Speaker 3: gave me. But it was like, I said, more, just

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Speaker 3: give me more. I can still feel it. She goes,

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Speaker 3: there's no way you can feel it. I said, I've

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Speaker 3: give me more anyway. So I'm like, I can barely

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Speaker 3: sit on the couch. I gotta lie down on a pillow,

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Speaker 3: like you know, I'm a Ruben's painting or something, and

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Speaker 3: and watch TV. I can't do anything. I can't go

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Speaker 3: to the gym, I can't move around that good. I

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Speaker 3: haven't got stitches yet, but I'm in pain. So I

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Speaker 3: got I got the nice tile and all, I got

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Speaker 3: the pain killers, I got the antibiotics, and then Gilmour

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Speaker 3: comes on and I'm like, yeah, yeah, this is nice.

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Speaker 4: Yeah yeah, it was nice.

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Speaker 3: Right, it was really nice, really is And forget the pain.

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Speaker 3: It made me forget everything.

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Speaker 2: Yeah, we criticize it, we do our thing. You criticize us,

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Speaker 2: but at the end of the day, like we're all

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Speaker 2: in this because we love this show. You know, we

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Speaker 2: really love the show, and that everyone that listens is

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Speaker 2: so passionate and it's just like, you know what, it

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Speaker 2: just it was I was excited to be with you

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Speaker 2: guys today.

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Speaker 3: I feel the same way. And I really love this episode.

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Speaker 3: I mean a great episode. I thought it was great

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Speaker 3: top to bottom. I thought it was a great episode.

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Speaker 3: I thought everybody hit it out of the park.

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Speaker 2: I put it out of the park. The ending scene

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Speaker 2: was really good, which.

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Speaker 3: I talk about, thought that was cool. Yeah, but it

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Speaker 3: was a great episode. And they really went to town

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Speaker 3: on the props with the giant spools of yarn and

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Speaker 3: it was just like great and it was so totally

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Speaker 3: and it kind of felt like, Okay, it looks like

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Speaker 3: maybe stars Hollow might be spitting Christopher out.

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Speaker 2: Oh boy, did I cringe when he donated that money.

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Speaker 2: I was like, no, no, no, no, dude, no no, not

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Speaker 2: the point, not the point.

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Speaker 3: You missed the point.

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Speaker 2: What's his heart?

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Speaker 5: Like?

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Speaker 2: Look, I know he's polarizing, but he's really trying and like, I.

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Speaker 3: Don't know who this episode he was like he was.

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Speaker 2: He was and Jackson, I mean this. We needed the

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Speaker 2: town back.

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Speaker 3: Everyone did, and we really did get Richard.

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Speaker 2: And Emily like, I think maybe the mistake of season

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Speaker 2: seven was not here, please do, please do. I have

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Speaker 2: so much anxiety that my mouth is dry. So everything

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Speaker 2: I say I told Danielle my essays sounds so weird,

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Speaker 2: but it's just because I'm so anxious. But anyway, I'll

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Speaker 2: just it out. We'll just have a good time today.

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Speaker 2: So we missed the town. I think the mistake that

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Speaker 2: the writers made in season seven was not using the

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Speaker 2: town in the episodes we've had as much, because now

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Speaker 2: that we had them, it did feel gilmoury to me,

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Speaker 2: not perfect, but it felt like we what we like.

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Speaker 6: With the nitiphon and how everything combined, it felt like

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Speaker 6: we're back to normal.

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Speaker 2: Yeah, I did.

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Speaker 3: I can't. They can't do that every week.

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Speaker 4: It's not budget friendly, you know, what Henny Ortega. So

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Speaker 4: there you go.

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Speaker 3: Of course, just drop your mic walkway.

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Speaker 2: And once you know that, of course.

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Speaker 3: Why would you say that and end the potty.

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Speaker 7: You don't need to say anything Kenny Ortega, period way.

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Speaker 3: There will be no critique today or breakdown at Kenny Ortega.

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Speaker 4: Kenny Ortega's bye, everybody.

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Speaker 3: All right, now we're going to get to it. Danielle.

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Speaker 3: It's time to synopsisizations with Danielle Romo. That's that could

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Speaker 3: be a new podcast.

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Speaker 4: I can't even say the wordizing.

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Speaker 3: It's synopsisization.

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Speaker 4: All right, guys, this is season seven, episode nine, Knit

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Speaker 4: People Knit Air date November twenty eight, two thousand and six.

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Speaker 4: Lorlai is concerned that stars Hollow may not accept Christopher,

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Speaker 4: Rory and Marty resolve their awkwardness but a drunk comment

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Speaker 4: sorry until lizten DJ welcome and you baby girl, and

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Speaker 4: Luke finally stands up to Anna about his relationship up

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Speaker 4: with April.

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Speaker 2: I also say I actually had some favorite lines in this.

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Speaker 3: There was some funny stuff. Emily had a good one.

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Speaker 3: You're like a dolphin at feeding time.

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Speaker 2: Yeah, okay, So we are at the Gilmore's. Richard and

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Speaker 2: Emily are back and immediately I noticed that very beautifully

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Speaker 2: wrapped silver gift. Emily right on point, playing that answering

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Speaker 2: machine message over and over and over again. I was

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Speaker 2: so happy with the whole scene. Emily and Richard were

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Speaker 2: awesome opening the gift, and it was that cave woman,

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Speaker 2: woolf girlool girl painting woman thing. It was so amazing.

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Speaker 2: The thing that I love, and this is the brilliance

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Speaker 2: of Gilmour, is that it pops up. It's prominently featured

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Speaker 2: during dinner, and that's Kenny Ortega is brilliance, I assume.

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Speaker 2: And then back at the Gilmour at lore Lies, it's

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Speaker 2: I mean, you see it again and again throughout the episode.

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Speaker 4: So any clown pillow, it's oh yeah, speaking of the

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Speaker 4: clown pillow really vanished. I really every time we're at

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Speaker 4: Laurelie's house, my eyes are wide open, just waiting for it,

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Speaker 4: and I have not seen seen it. Has it season four?

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Speaker 7: Maybe he's gonna say, did it go with Amy and Dan?

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Speaker 7: Or is it just no?

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Speaker 2: But it's been gone before that.

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Speaker 4: Yeah, it's been gone for a few seasons.

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Speaker 2: I want to say.

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Speaker 4: Its last appearance was season four.

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Speaker 2: Oh wow, so great opening, do we all agree?

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Speaker 3: Yeah? Pretty darn strong.

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Speaker 2: Yeah, like fun, Loralai was cool, Christopher was cool. I'm

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Speaker 2: sorry they were cool. Emily and Richard were so sarcastic.

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Speaker 2: I mean, they must be totally happy that their kid

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Speaker 2: married Christopher. They love him.

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Speaker 7: Yeah, but there's such a Laurels.

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Speaker 6: Yeah, it was such a lorel I thing, Like she

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Speaker 6: left a voicemail saying, hey, by the way, I got married.

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Speaker 2: Yeah. But there's a funny moment. I think Emily and

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Speaker 2: Richard are holding hands and they have mastered pretending to

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Speaker 2: be sweet and sincere while totally being sarcastic, and it

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Speaker 2: just was awesome. So then we have the credits and

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Speaker 2: we go to dinner and they're having lamb, which you know,

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Speaker 2: I am. I'm like some lamb. You can see Wolfgirl.

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Speaker 2: I kind of call her caveman girl, but Wolfgirl is

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Speaker 2: propped up, so they sort of shot in a way

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Speaker 2: so that you could see it. And we talk about

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Speaker 2: the wedding party. Lorli pitches it for year ten, which

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Speaker 2: is ten. Rory says, some of these things just stick

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Speaker 2: with me, and they want to have it at the

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Speaker 2: Harbor Club with four hundred people, and this is where

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Speaker 2: we get the moment she doesn't want to invite the town.

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Speaker 2: She only wanted to invite Suki Michelle Jackson, and that

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Speaker 2: was a big red flag to anti Christopher talking, Yeah.

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Speaker 3: Well, I mean, gosh, you know, if she's not going

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Speaker 3: to be proud of her man and.

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Speaker 4: I don't even think that it's she's not proud. I

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Speaker 4: think he knows it's not.

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Speaker 3: She knows it's not right, and including herself. But it

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Speaker 3: makes her look kind of dingy, right, or or.

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Speaker 4: Like everybody's gonna smell out that it's not the right thing.

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Speaker 4: You know, they all know that.

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Speaker 2: That's an interesting angle because she sort of addresses it

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Speaker 2: with Christopher in a bit, saying she doesn't want to

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Speaker 2: flaunt it to the town. But it's like, if I

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Speaker 2: were Christopher, I'd be like, are you kidding me right now?

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Speaker 3: Yeah?

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Speaker 2: Yeah?

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Speaker 6: And also like it was kind of more of not

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Speaker 6: really what they thought of I think I'm jumping ahead,

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Speaker 6: but I have a point, not what they thought of Christopher.

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Speaker 6: It's what they thought of laurl I marrying Christopher. It

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Speaker 6: was more of the act of it instead of because

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Speaker 6: of Luke.

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Speaker 3: So but but they know all about Christopher, you know,

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Speaker 3: they've heard chapter verse over the years about the heel.

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Speaker 3: Christopher has been negligent, neglecting Rory and not being there,

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Speaker 3: and the town has pulled together to get Rory, uh

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Speaker 3: and lift up Rory on the on their shoulders because

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Speaker 3: that she didn't have a dad, and you know, everybody,

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Speaker 3: the whole town's stepped up, you know, us on their shoulders,

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Speaker 3: and the whole town's miss Patty whatever. And and now

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Speaker 3: she's it's like it must feel like almost And I

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Speaker 3: don't want to be dramatic here, but Laurel, I stabbed

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Speaker 3: the entire town in the back. You know, this is

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Speaker 3: our this is our thanks.

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Speaker 7: You know, correct very here.

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Speaker 3: You know, it's.

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Speaker 4: Literally when your best friend says I'm getting back together

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Speaker 4: with my ex, who you all know sucks.

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Speaker 3: Yeah, you like, well, like all those nights we spent

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Speaker 3: with you trying to prop you up, you just went

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Speaker 3: right back in the class, you know.

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Speaker 2: And is this engagement with Luke and is married to

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Speaker 2: Christopher literally within weeks. I mean, it's very jarring to

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Speaker 2: the town.

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Speaker 3: Now.

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Speaker 2: The thing I wanted to ask you guys about is

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Speaker 2: like Max Medina, she was engaged to him, and the

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Speaker 2: town I guess sort of accepted him. We never really

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Speaker 2: address it, but I think that's because it was pre Luke.

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Speaker 4: I think part of the town. Well not really school

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Speaker 4: he taught at.

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Speaker 3: Yeah, but no, but there were two people that came

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Speaker 3: together after a long, long courtship.

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Speaker 7: Uh yeah, I think there's more history.

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Speaker 3: That made a commitment and that's a big deal, and.

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Speaker 2: She hadn't dated you yet, she hadn't dated.

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Speaker 3: I'm just saying. I'm saying once they made the commitment,

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Speaker 3: and once there was a proposal, and once there was

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Speaker 3: a date set and then a date postponent still was like,

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Speaker 3: you know, that's a commitment, and yeah, you know, and

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Speaker 3: then they were like, oh, okay, well this is serious now,

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Speaker 3: so we're going to do this now.

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Speaker 2: Just think yeah that she's Look, she was in a

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Speaker 2: world of hurt no matter who she was going to

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Speaker 2: date after dating Luke, and it was never going to work.

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Speaker 2: But the facts got I think you're right that she

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Speaker 2: dates this guy that the whole town has had to

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Speaker 2: sort of, I don't know, cope with. Essentially is maybe

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Speaker 2: the best way to say it. They don't dislike him,

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Speaker 2: but he just wasn't.

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Speaker 3: The town was giving both Gilmore girls therapy for you know,

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Speaker 3: the past eighteen twenty years and all this twenty one

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Speaker 3: years and all of a sudden, he's the guy. He

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Speaker 3: wins the lottery.

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Speaker 2: It's I like what you said there. The town was

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Speaker 2: giving therapy. The town is therapy, right, there's something about

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Speaker 2: this town that heals its members.

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Speaker 3: But anyway, protecting, protecting both of those girls, especially Rory,

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Speaker 3: to make sure that she went on to do great things,

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Speaker 3: and really rolling around those two because you know, Laurel

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Speaker 3: is unique in that town. She comes from a very

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Speaker 3: prominent family, and you know, she's chosen to be with

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Speaker 3: these people, and they've embraced her and they love her,

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Speaker 3: they love her, and she loves them exactly, and and

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Speaker 3: boy that you.

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Speaker 2: Know, yeah, yeah, you got it.

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Speaker 3: We're all, yes, he knew she you know.

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Speaker 2: So then we go to Paris and Doyle's, which I'm

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Speaker 2: sorry Paris and Doyle might have stolen the episode. I

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Speaker 2: know we're not there yet.

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Speaker 3: That do that, don't do that.

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Speaker 2: We're not there yet, but the dancing is iconic, so moving.

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Speaker 3: The boxes in so it's pretty good.

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Speaker 2: We realize immediately, all right, Rory's moving back in with

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Speaker 2: Paris and Doyle. Paris's cat sweater, I mean ten out

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Speaker 2: of ten for the cat. The blue cat sweater. She's

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Speaker 2: got her signing the least it mentions Logan or her

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Speaker 2: other paramour. She's gonna he's gonna charged a half a

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Speaker 2: day if he takes a shower. I mean the whole thing.

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Speaker 2: A great line that a boy Rockefeller, I mean the

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Speaker 2: whole thing. And we learned that Logan's got a party

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Speaker 2: at Nobu, so he can't go to Lucy's twenty first

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Speaker 2: who the theme of the twenty first is two thousand

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Speaker 2: and two, which is just.

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Speaker 7: Which is so funny because this was two thousand and six.

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Speaker 7: That's like saying, like.

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Speaker 2: That's why it was so funny. Yeah, it's even funnier now.

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Speaker 4: I didn't know Nobu was around back then.

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Speaker 3: Oh sure it's been around.

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Speaker 2: Forever, not from the Boo Nobu, but the other Nobu's

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Speaker 2: New York Nobu. So then the Giant Pencil, I mean

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Speaker 2: the whole thing. Great scene again, Paris was great, Like

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Speaker 2: it's just great. Any other thoughts on that scene.

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Speaker 3: Just that you know, Paris and Doyle are a beloved couple.

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Speaker 3: They're hysterically funny together and they do odd bizarre stuff

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Speaker 3: that is uh safe and feel good, and it's just

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Speaker 3: it's just pure comedy, right, I mean just having them

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Speaker 3: in the background shucking and jiving to that song Kenny.

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Speaker 2: Ortega's genius, and that they're not even in the main

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Speaker 2: part of the scene. But I know we're out there.

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Speaker 2: I'll wait till we get there. Okay. So now we

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Speaker 2: see Christopher and Laurlai, and it was kind of like banter, banter, banter,

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Speaker 2: witty banter. It was a little fast for me. I

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Speaker 2: actually watched it twice, couldn't quite catch it all. I

355
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Speaker 2: think it was about you're gonna make me breakfast in

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Speaker 2: a poached egg and a salts on it, Martha Stewart

357
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Speaker 2: dah da la la a lah. Right, Like, it was

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Speaker 2: just a lot of banter, especially for my brain that's

359
00:19:28,400 --> 00:19:31,879
Speaker 2: only like a quarter working. Then we learn there's the

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Speaker 2: nitathon for the bridge. Now this is the bridge, I believe,

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Speaker 2: and others too. I'm quite sure that you push Jess off.

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Speaker 7: Of That's what I was wondering.

363
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Speaker 2: I'm pretty sure that that's the bridge that we are rebuilding.

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Speaker 2: And then we kind of so, you know, good little

365
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Speaker 2: thing to think about, and then Laurlai kind of talks

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Speaker 2: about how she's gonna go do some errands, need to come,

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Speaker 2: and he's kind of like, no, I want to come. No, no, no.

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Speaker 2: So that's where we learn, Okay, I need to be

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Speaker 2: sensitive to the town folk. I don't want to be

370
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Speaker 2: shoving this marriage down their throat. He kind of realizes,

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Speaker 2: this is why you've only invited these couple of people

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Speaker 2: to the party. They don't have time to adjust. All right, Fine,

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Speaker 2: let's go to town. Let's stroll, not struck. And it

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Speaker 2: was a funny scene. It had a lot of dialogue

375
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Speaker 2: for me, which might like I said, it was a lot,

376
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Speaker 2: but I liked it. I'm not mad at them.

377
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Speaker 3: Fatly.

378
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Speaker 7: She was practicing for the nitathon.

379
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Speaker 2: Yeah, and she wasn't making it.

380
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Speaker 7: I wasn't making anything. It was just she just kept going.

381
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Speaker 4: But does anyone know how to knit? I do you do?

382
00:20:40,080 --> 00:20:40,280
Speaker 3: Yeah?

383
00:20:40,359 --> 00:20:43,080
Speaker 7: My mom taught me. Don My mom taught me.

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Speaker 6: And it's so funny because when she said that, I

385
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Speaker 6: remember i'd knit for no. I made like the longest

386
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Speaker 6: scarf in history, just because you want to keep going

387
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Speaker 6: like there's no point because you're not actually gonna wear it.

388
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Speaker 7: You're just doing it for fun.

389
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Speaker 2: It's part of the nitathon, and I know we'll get

390
00:20:56,040 --> 00:21:00,840
Speaker 2: to it. It's all the knit like Taylor's entire outfit knit.

391
00:21:01,480 --> 00:21:06,000
Speaker 2: There's so much nity. So we go into the diner

392
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Speaker 2: and again the diner is sort of a buzz with knitting,

393
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Speaker 2: you know, interesting angles. Great scene with Caesar. Uh there's

394
00:21:14,640 --> 00:21:18,399
Speaker 2: knitting everywhere. Uh. Caesar sort of acknowledges that Luke is

395
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Speaker 2: grouchy because April's with her mom. TJ comes running in.

396
00:21:23,560 --> 00:21:26,520
Speaker 2: He needs a drink, he has a carbonated beverage. It's

397
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Speaker 2: a great scene. We learned the baby, Yeah, we learned.

398
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Speaker 3: Performance just got a hand to tell. Man, he's just great.

399
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Speaker 5: You know.

400
00:21:36,680 --> 00:21:39,560
Speaker 4: Okay, this this might be an unpopular opinion, but whatever.

401
00:21:40,600 --> 00:21:44,480
Speaker 4: I kind of wish that TJ was Luke's brother and

402
00:21:44,640 --> 00:21:46,840
Speaker 4: Liz was his sister in law.

403
00:21:47,080 --> 00:21:50,000
Speaker 2: Oh that would have been cool because.

404
00:21:51,359 --> 00:21:53,720
Speaker 4: Luke and TJ is so freaking funny.

405
00:21:54,560 --> 00:21:55,880
Speaker 7: Yeah, that'd be a cool dynamic.

406
00:21:58,600 --> 00:22:02,920
Speaker 2: Yeah, it's that's not bad. So we learned that she's

407
00:22:02,920 --> 00:22:07,119
Speaker 2: gonna have the home birth and there's a doula, doula Sandy. Doula,

408
00:22:07,240 --> 00:22:12,600
Speaker 2: that's Doula Sandy, and they need Luke there. All good, great,

409
00:22:12,880 --> 00:22:15,680
Speaker 2: all great stuff. And then Luke goes to the door

410
00:22:15,880 --> 00:22:19,960
Speaker 2: and unfortunately sees Christopher and Lorelai hand in hand in

411
00:22:20,000 --> 00:22:22,720
Speaker 2: their cute coats, and he slams the door and wants

412
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Speaker 2: everybody out of the diner. Knitting painful, really painful.

413
00:22:30,840 --> 00:22:32,400
Speaker 3: Oh he's in pain, in pain.

414
00:22:32,640 --> 00:22:37,520
Speaker 2: It was painful to see you see them. I was like, oh, little.

415
00:22:37,400 --> 00:22:38,760
Speaker 7: Yeah, called cringey.

416
00:22:39,359 --> 00:22:42,640
Speaker 3: Yeah, that's what Luke's there for, is to absorb shocks

417
00:22:43,000 --> 00:22:43,680
Speaker 3: like that.

418
00:22:43,560 --> 00:22:47,040
Speaker 2: You know, yeah, yeah, yeah, he's.

419
00:22:48,480 --> 00:22:50,360
Speaker 3: Roll first in lorell I shocks.

420
00:22:51,800 --> 00:22:54,600
Speaker 2: So then we get to the town square and they're

421
00:22:54,640 --> 00:22:57,920
Speaker 2: preparing for the knitathon, and Christopher and loreli are and

422
00:22:57,960 --> 00:23:00,560
Speaker 2: they're very cute coats. I must say they were very

423
00:23:00,560 --> 00:23:02,960
Speaker 2: cute coats. She had a white coat. I think his

424
00:23:03,160 --> 00:23:06,920
Speaker 2: was more of a gray. They bump into bad bet.

425
00:23:07,240 --> 00:23:10,200
Speaker 2: I was in pain for Christopher holding those that dry

426
00:23:10,240 --> 00:23:11,639
Speaker 2: cleaning for so long.

427
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Speaker 3: I'm sorry. I didn't like them prancing around the town

428
00:23:16,119 --> 00:23:20,720
Speaker 3: like that. Well, when I started liking her, I mean,

429
00:23:20,840 --> 00:23:24,239
Speaker 3: she didn't really want him to come, that's but it's

430
00:23:24,280 --> 00:23:26,679
Speaker 3: the way they were kind of strutting along, you know.

431
00:23:26,840 --> 00:23:30,840
Speaker 3: I just I just thought, man, well so did the town.

432
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Speaker 2: That's why they were I.

433
00:23:34,040 --> 00:23:37,200
Speaker 3: Think it was brilliant directing. I think Kenny had got

434
00:23:37,240 --> 00:23:39,400
Speaker 3: the right angle and the right kind of struck where

435
00:23:39,400 --> 00:23:41,000
Speaker 3: you're just like, that's wrong.

436
00:23:41,920 --> 00:23:45,080
Speaker 4: I think the annoying thing is that LAURALI for this

437
00:23:45,119 --> 00:23:48,720
Speaker 4: whole series, has always had such a backbone and it

438
00:23:48,800 --> 00:23:53,439
Speaker 4: is such an independent person, and this season she's lost

439
00:23:53,840 --> 00:23:56,520
Speaker 4: all of that, all these things she doesn't want. She

440
00:23:56,560 --> 00:23:58,640
Speaker 4: didn't want to get married, she didn't want to walk

441
00:23:58,680 --> 00:24:02,640
Speaker 4: through the town like, and she's doing it against what

442
00:24:02,720 --> 00:24:05,760
Speaker 4: she truly feels and what she truly wants.

443
00:24:06,080 --> 00:24:08,879
Speaker 2: And so we'll get to it when we get to

444
00:24:08,880 --> 00:24:10,879
Speaker 2: the scene where they sort of say I love you,

445
00:24:10,960 --> 00:24:14,359
Speaker 2: I love you. But I mean interesting point. I don't know.

446
00:24:14,440 --> 00:24:15,719
Speaker 2: I think she's all jumbled up.

447
00:24:16,640 --> 00:24:20,640
Speaker 3: Mm hmm. I think Danielle makes a salient point. Absolutely.

448
00:24:29,720 --> 00:24:31,600
Speaker 6: I will say, I feel like seeing Baba and miss

449
00:24:31,680 --> 00:24:34,439
Speaker 6: Patty like just brought me so much comfort though, like

450
00:24:35,160 --> 00:24:37,000
Speaker 6: I didn't realize how much I missed them until I

451
00:24:37,080 --> 00:24:37,800
Speaker 6: saw this scene.

452
00:24:38,119 --> 00:24:39,720
Speaker 2: Yeah, we really missed the whole town.

453
00:24:40,080 --> 00:24:42,639
Speaker 3: But you know, I think, you know, to hop on

454
00:24:42,760 --> 00:24:46,960
Speaker 3: to Danielle's point, I think the way we we enjoy

455
00:24:47,320 --> 00:24:51,760
Speaker 3: or we consume Laurel I, right, is that she's the

456
00:24:51,760 --> 00:24:55,240
Speaker 3: one right, You're right, Danielle, She's the one with the backbone,

457
00:24:55,600 --> 00:24:59,199
Speaker 3: and all of this drama is happening before her and

458
00:24:59,280 --> 00:25:02,640
Speaker 3: she's running a around trying to help this that outbum Yeah,

459
00:25:02,960 --> 00:25:07,320
Speaker 3: she's she's very I don't know that that's her power position,

460
00:25:08,040 --> 00:25:13,080
Speaker 3: being subject to the you know, the the changing weather,

461
00:25:13,320 --> 00:25:16,240
Speaker 3: the changing tides, and the changing directions of life. She

462
00:25:16,359 --> 00:25:19,600
Speaker 3: was always like, you know, the backbone of the show, right,

463
00:25:19,680 --> 00:25:22,440
Speaker 3: and it's like Michelle and somebody's got a problem, She's

464
00:25:22,480 --> 00:25:24,800
Speaker 3: always there for them and she's the great friend. And

465
00:25:24,800 --> 00:25:26,600
Speaker 3: now it's like she's, yeah, you're right, she's.

466
00:25:26,440 --> 00:25:29,080
Speaker 4: Gone even on her own problems. Like she's the one

467
00:25:29,080 --> 00:25:31,239
Speaker 4: that left Max Medina, you know what I mean, Like

468
00:25:31,320 --> 00:25:33,639
Speaker 4: she went because she knew it wasn't right. You know,

469
00:25:33,760 --> 00:25:37,520
Speaker 4: she was doing things to better her, better herself, I

470
00:25:37,560 --> 00:25:40,359
Speaker 4: don't know, like her whole life. She didn't want to

471
00:25:40,400 --> 00:25:44,760
Speaker 4: be involved in this Gilmore world, you know. And then

472
00:25:44,800 --> 00:25:47,800
Speaker 4: she marries Christopher, who is exactly who her parents wanted

473
00:25:47,800 --> 00:25:49,560
Speaker 4: her to marry. You know, it's just like all this

474
00:25:49,760 --> 00:25:54,480
Speaker 4: stuff that is so not true to her that she

475
00:25:54,720 --> 00:25:56,000
Speaker 4: is letting happen.

476
00:25:56,760 --> 00:25:59,080
Speaker 2: Birl, I can't have that same argument again because I'm

477
00:25:59,160 --> 00:26:02,320
Speaker 2: too exhausted, and so was everyone listening. But It's why

478
00:26:02,359 --> 00:26:05,919
Speaker 2: I still say I don't understand why she ended it

479
00:26:05,960 --> 00:26:09,040
Speaker 2: with Luke because I know she was sort of I

480
00:26:09,040 --> 00:26:10,399
Speaker 2: know she was trying to be true to herself, like

481
00:26:10,480 --> 00:26:13,119
Speaker 2: I need to be married now, but I always go

482
00:26:13,200 --> 00:26:15,920
Speaker 2: back to it like love is love, right, and if

483
00:26:16,000 --> 00:26:19,840
Speaker 2: love is true, you can wait, so we don't need

484
00:26:19,880 --> 00:26:21,919
Speaker 2: to have it all again. Everybody will just yell at me.

485
00:26:21,960 --> 00:26:24,919
Speaker 2: But I don't know. I feel like now she's just

486
00:26:24,960 --> 00:26:29,719
Speaker 2: making sort of strange decisions, but maybe they had to happen. Okay,

487
00:26:30,400 --> 00:26:33,119
Speaker 2: So we see miss Patty with the wagon. She's the

488
00:26:33,160 --> 00:26:37,280
Speaker 2: town social chair with the wagon for the newlyweds, right,

489
00:26:37,520 --> 00:26:40,159
Speaker 2: and I was trying hard because I knew what was

490
00:26:40,200 --> 00:26:42,560
Speaker 2: coming where the wagon is like junk, but I tried

491
00:26:42,560 --> 00:26:44,119
Speaker 2: to look in there and be like is it? Is

492
00:26:44,119 --> 00:26:46,960
Speaker 2: it clean and supplies? It actually looked pretty cool. I'm

493
00:26:46,960 --> 00:26:49,400
Speaker 2: not gonna lie. But later we find out not so much.

494
00:26:50,680 --> 00:26:52,760
Speaker 2: Great to see the town again too. I feel like

495
00:26:52,840 --> 00:26:55,360
Speaker 2: I just feel like maybe they just should have had

496
00:26:55,440 --> 00:26:57,440
Speaker 2: Kenny direct every episode of this season and it would

497
00:26:57,440 --> 00:26:58,160
Speaker 2: have been a great season.

498
00:26:58,200 --> 00:27:03,040
Speaker 3: I don't know, Nah, I don't think so.

499
00:27:03,040 --> 00:27:05,280
Speaker 2: So now we go to we see Marty and Rory

500
00:27:05,280 --> 00:27:06,320
Speaker 2: and it's just so awkward.

501
00:27:06,680 --> 00:27:08,439
Speaker 3: Better but I don't know it would have been.

502
00:27:09,040 --> 00:27:11,119
Speaker 2: It couldn't say it. But it's not bad. This was

503
00:27:11,160 --> 00:27:13,520
Speaker 2: a good episode. So we see Marty and Rory. It's

504
00:27:13,520 --> 00:27:16,200
Speaker 2: so awkward. She's got her two thousand and two stuff.

505
00:27:16,240 --> 00:27:19,200
Speaker 2: She's so like, where's Lucy? And he's just weird.

506
00:27:19,240 --> 00:27:22,560
Speaker 6: Get why Rory's being so weird when she's like happily

507
00:27:22,600 --> 00:27:23,920
Speaker 6: in a relationship, Like.

508
00:27:25,760 --> 00:27:27,840
Speaker 4: It's weird.

509
00:27:28,040 --> 00:27:31,640
Speaker 2: And also he didn't tell you see he knows her.

510
00:27:31,720 --> 00:27:32,359
Speaker 2: It's just so.

511
00:27:34,560 --> 00:27:34,760
Speaker 3: Right.

512
00:27:34,920 --> 00:27:37,720
Speaker 4: It's like why she wasn't like it also wasn't like

513
00:27:37,800 --> 00:27:40,680
Speaker 4: they made out and were dating.

514
00:27:40,520 --> 00:27:43,480
Speaker 2: Friends, you guys, been really really close friends. And then

515
00:27:43,480 --> 00:27:45,800
Speaker 2: he just like dumped her as a friend because she

516
00:27:45,840 --> 00:27:48,040
Speaker 2: didn't love him like he loved her.

517
00:27:48,440 --> 00:27:51,639
Speaker 3: And then wait, the storyline doesn't have the weight to

518
00:27:51,760 --> 00:27:55,400
Speaker 3: carry its own Wait you know what I'm saying. It's

519
00:27:55,440 --> 00:27:57,880
Speaker 3: just not waiting and it's like, what's it doing in there?

520
00:27:57,960 --> 00:28:00,360
Speaker 3: I think she's just it's not a big narrative that

521
00:28:00,560 --> 00:28:02,639
Speaker 3: you know, we really want to expand on. It just

522
00:28:02,640 --> 00:28:04,280
Speaker 3: sort of happened for a couple episodes.

523
00:28:04,440 --> 00:28:07,159
Speaker 2: Kind of make it a big narrative, right, Yeah, I

524
00:28:07,200 --> 00:28:10,040
Speaker 2: think I think it's fair if it happened right after

525
00:28:10,160 --> 00:28:12,400
Speaker 2: maybe I think I've it's been so long.

526
00:28:12,440 --> 00:28:15,040
Speaker 7: I'm like, you're over a long time.

527
00:28:15,280 --> 00:28:17,320
Speaker 4: Yeah, you let go somewhere, like did that care?

528
00:28:17,880 --> 00:28:20,280
Speaker 2: He's not over it, which we learn at the end.

529
00:28:22,840 --> 00:28:24,639
Speaker 2: But I'm saying, it's so weird.

530
00:28:24,680 --> 00:28:28,359
Speaker 6: It's been so long since that episode. And I'm like, like,

531
00:28:28,359 --> 00:28:29,879
Speaker 6: like Scott was saying.

532
00:28:31,040 --> 00:28:33,080
Speaker 2: I mean, I had a crush on somebody's sophomore year,

533
00:28:33,080 --> 00:28:34,840
Speaker 2: I probably still had a crush on him senior year.

534
00:28:34,880 --> 00:28:38,160
Speaker 2: I don't know, you know, like.

535
00:28:37,160 --> 00:28:40,400
Speaker 4: Wayne Wilcox was doing between.

536
00:28:42,120 --> 00:28:44,320
Speaker 2: I think he just didn't have a storyline because Logan

537
00:28:44,400 --> 00:28:47,880
Speaker 2: became so prominent, and then they brought him back for this.

538
00:28:48,000 --> 00:28:51,400
Speaker 2: So anyway, she's got the ug boots, the JLO record,

539
00:28:51,720 --> 00:28:54,120
Speaker 2: the whole to do, and the whole thing was quite awkward,

540
00:28:54,160 --> 00:28:55,240
Speaker 2: which is very awkward.

541
00:28:55,440 --> 00:28:58,280
Speaker 6: Us are very back in style right now, Yeah, they

542
00:28:58,360 --> 00:28:58,719
Speaker 6: sure are.

543
00:28:58,840 --> 00:29:03,920
Speaker 2: Lucy and boyfriend are awkward. They're awkward to me, it's awkward.

544
00:29:03,960 --> 00:29:05,880
Speaker 2: The whole thing is just weird.

545
00:29:06,200 --> 00:29:12,240
Speaker 3: I got I've got a nice pair bugs.

546
00:29:12,760 --> 00:29:17,800
Speaker 2: Crocs are back to go crocs, Crocs I never wore?

547
00:29:17,880 --> 00:29:19,280
Speaker 3: What is what is the.

548
00:29:20,000 --> 00:29:24,840
Speaker 2: Love the Crocs? I don't know, my niece made me

549
00:29:24,960 --> 00:29:26,240
Speaker 2: order like fifty gibbits for.

550
00:29:29,960 --> 00:29:33,440
Speaker 4: You know who's the king of crocs Easton Allen sure is.

551
00:29:33,680 --> 00:29:36,560
Speaker 3: But what are they? Just like foamy and comfortable.

552
00:29:36,320 --> 00:29:39,200
Speaker 2: Just plastic. I know they're that comfortable. Are they comfortable?

553
00:29:39,280 --> 00:29:41,200
Speaker 7: I have to admit. I have one on the floor

554
00:29:41,280 --> 00:29:41,720
Speaker 7: next to me.

555
00:29:42,760 --> 00:29:44,280
Speaker 6: I wear it around the house because it has like

556
00:29:44,480 --> 00:29:46,640
Speaker 6: I have one that has like a fur lining, so

557
00:29:46,680 --> 00:29:47,840
Speaker 6: it's like my house slippers.

558
00:29:49,160 --> 00:29:52,800
Speaker 2: But it's very comfortable. I'm more into the hookahs. Danielle

559
00:29:52,840 --> 00:29:55,600
Speaker 2: got me into the hookahs. But anyway, okay, do you

560
00:29:55,640 --> 00:29:56,239
Speaker 2: guys want to know?

561
00:29:57,160 --> 00:29:58,280
Speaker 4: Don't know what hokahs are?

562
00:29:58,880 --> 00:30:01,120
Speaker 3: I saw, yes, had big giant tennis.

563
00:30:01,320 --> 00:30:03,640
Speaker 4: This guy so not they have, but they have ones

564
00:30:03,680 --> 00:30:07,000
Speaker 4: that aren't that big and got this guy sat.

565
00:30:06,760 --> 00:30:09,080
Speaker 3: Down next to me at karate, you know, because it's yeah,

566
00:30:09,840 --> 00:30:10,520
Speaker 3: oh that's nice.

567
00:30:11,560 --> 00:30:12,600
Speaker 7: I like the socks to.

568
00:30:12,920 --> 00:30:14,720
Speaker 2: Thank you, my leprechaun socks.

569
00:30:15,360 --> 00:30:20,240
Speaker 4: So great about the hokah there's steps.

570
00:30:20,400 --> 00:30:22,600
Speaker 2: Yeah, you could walk twenty thousand steps not feel a thing.

571
00:30:23,560 --> 00:30:26,040
Speaker 2: I had planter or fascy itis. No one cares. I

572
00:30:26,040 --> 00:30:26,920
Speaker 2: know an email.

573
00:30:27,040 --> 00:30:28,040
Speaker 4: They're very good on your.

574
00:30:27,960 --> 00:30:31,520
Speaker 3: Knees too, But can you work out in them or

575
00:30:31,520 --> 00:30:35,560
Speaker 3: are they just work every day. I've never found anything

576
00:30:35,600 --> 00:30:37,400
Speaker 3: better than Nike Lebron's.

577
00:30:37,600 --> 00:30:41,120
Speaker 4: Oh okay, okay, got you covered. This is better, really

578
00:30:41,400 --> 00:30:42,720
Speaker 4: really way better.

579
00:30:43,360 --> 00:30:44,920
Speaker 3: I'm not check it out anyway.

580
00:30:44,920 --> 00:30:47,480
Speaker 4: By the way, you guys, Wayne Wilcox was in rent.

581
00:30:48,080 --> 00:30:52,880
Speaker 3: Really between Wow, Wayne Wilcox.

582
00:30:52,600 --> 00:30:59,600
Speaker 4: Marty and he did that in between his arcs on girls.

583
00:31:00,040 --> 00:31:02,000
Speaker 7: It's a little busy, okay.

584
00:31:02,120 --> 00:31:08,160
Speaker 2: So in comes the beautiful Chrylyn Fenn. She is shockingly beautiful. Uh.

585
00:31:08,560 --> 00:31:10,800
Speaker 2: She wants to have a private talk with Luke. I

586
00:31:10,880 --> 00:31:14,320
Speaker 2: smelled trouble. She said that April has been showing everyone

587
00:31:14,360 --> 00:31:16,880
Speaker 2: her scar, her appendix scar, and they go up to

588
00:31:16,880 --> 00:31:20,120
Speaker 2: the apartment, we acknowledge the cerulean and.

589
00:31:21,320 --> 00:31:23,160
Speaker 4: Did she ever say thank you? By the way, like

590
00:31:23,240 --> 00:31:24,320
Speaker 4: I don't recall her.

591
00:31:24,240 --> 00:31:31,360
Speaker 2: Being No, she's annoying. She's annoying. Let me just say.

592
00:31:31,600 --> 00:31:34,000
Speaker 2: She says she's moving to Mexico. Luke is kind of

593
00:31:34,080 --> 00:31:38,920
Speaker 2: dumbfounded and doesn't at the time sort of is like okay,

594
00:31:39,400 --> 00:31:42,400
Speaker 2: but you know, we get to that later. So that

595
00:31:42,560 --> 00:31:45,600
Speaker 2: was just sort of like her bossiness and her My

596
00:31:45,720 --> 00:31:49,080
Speaker 2: problem with Anna, and again, sorry to preach, but is

597
00:31:49,120 --> 00:31:50,960
Speaker 2: the same problem I've had with her the whole time.

598
00:31:51,280 --> 00:31:55,280
Speaker 2: She literally kept this secret and then is the bossiest,

599
00:31:55,280 --> 00:31:59,320
Speaker 2: most controlling person when she did wrong, it's like girl,

600
00:31:59,760 --> 00:32:02,880
Speaker 2: no oh, And finally at the end, you do what

601
00:32:02,920 --> 00:32:04,320
Speaker 2: I've been wanting you to do the whole time.

602
00:32:04,440 --> 00:32:07,160
Speaker 4: So, you know, I was so pro Anna up until

603
00:32:07,360 --> 00:32:10,880
Speaker 4: this like this, you know, because I always didn't know

604
00:32:10,960 --> 00:32:13,200
Speaker 4: what was coming. But I kind of was like, Okay,

605
00:32:13,240 --> 00:32:17,400
Speaker 4: she's got her whatever reasons for not involving the dad.

606
00:32:18,000 --> 00:32:21,440
Speaker 4: But then now that he's in her life, she now

607
00:32:21,480 --> 00:32:24,640
Speaker 4: has a duty to let her daughter foster that relationship.

608
00:32:25,160 --> 00:32:27,680
Speaker 4: And so now that she's like, oh, I'm going to

609
00:32:27,720 --> 00:32:29,560
Speaker 4: New Mexico, No, you won't get her for summers. No,

610
00:32:29,640 --> 00:32:31,080
Speaker 4: you won't get her for this. You know, It's like

611
00:32:31,600 --> 00:32:32,760
Speaker 4: it was never a conversation.

612
00:32:32,880 --> 00:32:35,240
Speaker 7: It was just telling Luke, like this is how it's

613
00:32:35,280 --> 00:32:35,640
Speaker 7: going to be.

614
00:32:36,360 --> 00:32:40,160
Speaker 4: Yeah, now she's in Luke's life and she loves Luke.

615
00:32:40,400 --> 00:32:42,160
Speaker 2: April loves Luke.

616
00:32:42,560 --> 00:32:46,440
Speaker 4: So you're now, as a mom, you're doing a disservice

617
00:32:46,560 --> 00:32:51,280
Speaker 4: to her, to your daughter for not keeping her around

618
00:32:51,320 --> 00:32:54,680
Speaker 4: somebody who is so amazing to her, because Luke is

619
00:32:54,760 --> 00:32:59,000
Speaker 4: so amazing to her and she loves him. So I

620
00:32:59,240 --> 00:33:00,880
Speaker 4: can't know and I.

621
00:33:00,920 --> 00:33:05,600
Speaker 2: Call about Anna and it always has been. She made

622
00:33:05,600 --> 00:33:08,480
Speaker 2: that decision and it showed as she was all about herself.

623
00:33:09,800 --> 00:33:11,160
Speaker 2: I don't like it. Don't like it.

624
00:33:11,160 --> 00:33:13,520
Speaker 6: It's not just leaving Luke because I can't remember who

625
00:33:13,600 --> 00:33:14,280
Speaker 6: was it in the diner?

626
00:33:14,320 --> 00:33:15,640
Speaker 4: Who was like, oh, where's April?

627
00:33:15,800 --> 00:33:17,240
Speaker 3: Like was it?

628
00:33:17,480 --> 00:33:17,640
Speaker 2: Yeah?

629
00:33:19,000 --> 00:33:21,240
Speaker 6: Yeah, Caesar, Yeah it was Caesar. And he's like, oh,

630
00:33:21,240 --> 00:33:24,160
Speaker 6: she's all with her mom. Like it's now it's not

631
00:33:24,240 --> 00:33:26,920
Speaker 6: just Luke. She's involved in that town. Everyone will take it,

632
00:33:27,120 --> 00:33:30,320
Speaker 6: very accepted by the tests. Yeah, like how they how

633
00:33:30,320 --> 00:33:35,160
Speaker 6: they took in Rory. It's kind of yes, whoa Tara

634
00:33:36,360 --> 00:33:40,960
Speaker 6: correct Yea, they have a new kid, really embraces the

635
00:33:41,080 --> 00:33:42,560
Speaker 6: child of the people they love.

636
00:33:43,320 --> 00:33:48,360
Speaker 2: Wow, oh Tara. So we go to the inn and

637
00:33:48,440 --> 00:33:50,960
Speaker 2: at first I was like, w tf is she doing

638
00:33:51,000 --> 00:33:53,240
Speaker 2: with that freaking pasta? Like I was like, who is

639
00:33:53,280 --> 00:33:56,240
Speaker 2: holding Costa her hands like that? And then I realized, ah,

640
00:33:56,360 --> 00:33:58,520
Speaker 2: tip of the hat, she was trying to make a

641
00:33:58,600 --> 00:34:03,320
Speaker 2: yarn ball with the to Yeah, and that was.

642
00:34:03,280 --> 00:34:06,200
Speaker 4: Actually quite very creative. That was very cute.

643
00:34:06,200 --> 00:34:08,319
Speaker 2: I actually was like I'd be down with that if

644
00:34:08,360 --> 00:34:09,840
Speaker 2: I was at the nitathon and I had like a

645
00:34:09,880 --> 00:34:14,200
Speaker 2: little pasta ball Yeah, it was cute. Some sauce, yummy

646
00:34:14,280 --> 00:34:16,880
Speaker 2: sauce on it. I would eat that. I think I

647
00:34:16,920 --> 00:34:21,160
Speaker 2: was hungry. I'm hungry. Now here's where we learn she's

648
00:34:21,200 --> 00:34:23,520
Speaker 2: married an outsider, which I thought was very funny that

649
00:34:23,560 --> 00:34:26,279
Speaker 2: Suki sort of described it as that, or I think

650
00:34:26,480 --> 00:34:30,000
Speaker 2: Suki described it as that. She said they were cordial,

651
00:34:30,040 --> 00:34:32,520
Speaker 2: and Suki goes ooh, like it was just is it great?

652
00:34:34,200 --> 00:34:37,279
Speaker 2: The script is better, the acting is better, everything's better.

653
00:34:37,480 --> 00:34:39,240
Speaker 2: She really wants to get at the town on board.

654
00:34:39,239 --> 00:34:41,160
Speaker 2: So they talk about Paulinka, who we have not seen

655
00:34:41,200 --> 00:34:43,759
Speaker 2: in a bit. But and then she talks about how

656
00:34:43,920 --> 00:34:47,480
Speaker 2: Jackson has some clout. Had a really hard time spelling clout.

657
00:34:47,600 --> 00:34:48,879
Speaker 2: I have no idea how you spell that way.

658
00:34:48,880 --> 00:34:51,799
Speaker 4: I realized we used the word clout was like a

659
00:34:51,880 --> 00:34:54,759
Speaker 4: twenty twenty three four term. I had no idea this

660
00:34:54,920 --> 00:34:57,600
Speaker 4: existed back in two around.

661
00:34:57,360 --> 00:35:00,120
Speaker 2: Since the days of yore. But is it cl o

662
00:35:00,400 --> 00:35:04,680
Speaker 2: u t anyway? Because I felled it c l o

663
00:35:04,840 --> 00:35:06,600
Speaker 2: A T c l o t E.

664
00:35:06,719 --> 00:35:10,680
Speaker 6: And then I was like, oh god, that's oh yeah, Dane,

665
00:35:10,760 --> 00:35:12,160
Speaker 6: I thought the same thing. I'm like, wow, they used

666
00:35:12,200 --> 00:35:14,640
Speaker 6: this word has a lot.

667
00:35:14,520 --> 00:35:17,400
Speaker 2: Of are the kids saying clout these days.

668
00:35:17,520 --> 00:35:18,480
Speaker 4: Yeah, it's like a thing.

669
00:35:18,920 --> 00:35:22,560
Speaker 8: Yeah, no way, Scott, I don't know kids are doing.

670
00:35:22,960 --> 00:35:25,240
Speaker 4: Yeah, they'll be like, oh, they're just trying to get clout.

671
00:35:25,560 --> 00:35:27,600
Speaker 2: Yeah, like kids like teen kids.

672
00:35:27,600 --> 00:35:29,600
Speaker 4: Are you all like high schoolers?

673
00:35:29,800 --> 00:35:32,120
Speaker 2: High school? Yeah?

674
00:35:32,760 --> 00:35:33,160
Speaker 3: Not us?

675
00:35:35,200 --> 00:35:37,719
Speaker 4: Good God, I'm at that age now where I'm officially

676
00:35:37,760 --> 00:35:40,320
Speaker 4: just not cool and I I A'm accepting it.

677
00:35:40,320 --> 00:35:41,400
Speaker 2: It's okay.

678
00:35:41,640 --> 00:35:44,399
Speaker 7: And also it's sober, don't I start. I don't take

679
00:35:44,440 --> 00:35:45,520
Speaker 7: anything personally anymore.

680
00:35:45,680 --> 00:35:47,879
Speaker 4: Like whatever, You're so kind to.

681
00:35:48,160 --> 00:35:49,680
Speaker 2: Come up to where Scott and I are at wre

682
00:35:49,719 --> 00:35:51,359
Speaker 2: EPs and Saul is our middle name.

683
00:35:52,719 --> 00:35:55,200
Speaker 3: No, no, no. If you make it to sixty five,

684
00:35:56,360 --> 00:35:58,399
Speaker 3: make it to sixty five and you're still saying, then

685
00:35:58,400 --> 00:36:00,000
Speaker 3: you can qualify school.

686
00:35:59,719 --> 00:36:01,640
Speaker 2: Again, don't be mad at me for asking you this,

687
00:36:01,760 --> 00:36:03,000
Speaker 2: But are you a ARP?

688
00:36:06,200 --> 00:36:08,960
Speaker 3: I wanted to get no, but I control my pension

689
00:36:09,000 --> 00:36:10,080
Speaker 3: and I'm not going to want to do it.

690
00:36:10,120 --> 00:36:12,000
Speaker 2: For those of you that think I'm sad and lonely,

691
00:36:12,040 --> 00:36:14,000
Speaker 2: I actually have a boyfriend. I will reveal it, but

692
00:36:14,480 --> 00:36:20,000
Speaker 2: I wanted it. He's older, breaking news I have anybody,

693
00:36:20,040 --> 00:36:22,600
Speaker 2: and I'm like, I actually do, but I wanted.

694
00:36:22,400 --> 00:36:23,799
Speaker 3: To get him.

695
00:36:24,200 --> 00:36:26,279
Speaker 2: He's fifty five. And I wanted to get him an

696
00:36:26,280 --> 00:36:29,680
Speaker 2: aa ARP membership for his birthday because it comes with

697
00:36:29,760 --> 00:36:32,319
Speaker 2: like a lot of benefits, like you get to, like,

698
00:36:33,120 --> 00:36:35,359
Speaker 2: I don't know, eat for free at Red Lobster or something.

699
00:36:35,400 --> 00:36:36,880
Speaker 2: By the way, rip Red Lobster.

700
00:36:37,239 --> 00:36:39,720
Speaker 3: I think it's just gone the stores.

701
00:36:40,520 --> 00:36:41,760
Speaker 2: Yeah, like a bunch of stores.

702
00:36:41,880 --> 00:36:44,080
Speaker 3: No, just fifty, that's it.

703
00:36:44,280 --> 00:36:48,840
Speaker 4: They've got thousand fifty biscuits at Red Lobster are very

704
00:36:49,080 --> 00:36:50,520
Speaker 4: very underutilized.

705
00:36:50,800 --> 00:36:56,040
Speaker 3: Wait, fifty in the entire United States. They shuddered fifty stores.

706
00:36:56,080 --> 00:36:57,680
Speaker 3: It's not a big deal, is there?

707
00:36:58,080 --> 00:37:00,000
Speaker 2: Is there no more Red Lobster or.

708
00:37:00,080 --> 00:37:02,520
Speaker 3: Only there's thousands of them?

709
00:37:02,880 --> 00:37:05,040
Speaker 2: Okay, okay, so just rip.

710
00:37:07,160 --> 00:37:09,319
Speaker 3: Into a couple of Red Lobsters. You kid me. They are.

711
00:37:10,880 --> 00:37:13,239
Speaker 2: A huge Red Lobster fan. Are you you like the

712
00:37:13,280 --> 00:37:14,879
Speaker 2: what Danielle the biss.

713
00:37:14,520 --> 00:37:17,279
Speaker 4: Well, I don't go, but I been maybe twice in

714
00:37:17,360 --> 00:37:20,560
Speaker 4: my life. And those cheddar biscuits that they give you,

715
00:37:20,760 --> 00:37:22,799
Speaker 4: like instead of like the chips and sausa whatever, those

716
00:37:22,880 --> 00:37:23,719
Speaker 4: cheddar biscuit things.

717
00:37:25,040 --> 00:37:28,840
Speaker 2: I will pay one of you one hundred dollars. I

718
00:37:28,880 --> 00:37:31,759
Speaker 2: will venmo it immediately. If you can guess who I

719
00:37:31,840 --> 00:37:34,000
Speaker 2: went to Red Lobster with the one time I went

720
00:37:34,000 --> 00:37:35,960
Speaker 2: to Red Lobster. You each get one guess.

721
00:37:36,000 --> 00:37:36,440
Speaker 7: Do we get it?

722
00:37:37,120 --> 00:37:39,080
Speaker 4: You went with us one hit?

723
00:37:40,360 --> 00:37:44,279
Speaker 2: It's celebrity. Well that's all you get. It's I went

724
00:37:44,280 --> 00:37:45,280
Speaker 2: with celebrity.

725
00:37:44,880 --> 00:37:48,520
Speaker 3: Incorrect, baby lost corn baby.

726
00:37:48,239 --> 00:37:50,640
Speaker 2: Daniel and Tara one hundred dollars if you get it?

727
00:37:51,360 --> 00:37:52,319
Speaker 7: What year was it?

728
00:37:52,520 --> 00:37:54,919
Speaker 2: I'm not telling it. I've told enough. This is the game.

729
00:37:57,840 --> 00:37:59,400
Speaker 3: You went with pal.

730
00:38:00,880 --> 00:38:02,160
Speaker 2: No, I take a guess.

731
00:38:02,400 --> 00:38:04,160
Speaker 7: Yep, was it Sam Ruin?

732
00:38:04,680 --> 00:38:10,040
Speaker 2: No, but that would have been awesome. But no, but great, guess.

733
00:38:09,960 --> 00:38:12,080
Speaker 4: Danielle, I'm in between two and his boss.

734
00:38:12,480 --> 00:38:14,160
Speaker 2: Oh no, because what if you say the one and

735
00:38:14,160 --> 00:38:18,719
Speaker 2: it's the other one? Ryan Seacress.

736
00:38:20,239 --> 00:38:21,560
Speaker 3: It was just too obvious.

737
00:38:22,000 --> 00:38:23,480
Speaker 2: It was like, I don't know, a lot of years

738
00:38:23,480 --> 00:38:24,960
Speaker 2: ago and there we were just the two of us

739
00:38:25,040 --> 00:38:27,160
Speaker 2: in at the Red Lobster. I think it was just

740
00:38:27,200 --> 00:38:29,600
Speaker 2: the two of us, maybe our friend. We might have

741
00:38:29,640 --> 00:38:33,000
Speaker 2: had one other friend with us, our friend Natalie. But anyway,

742
00:38:33,280 --> 00:38:38,640
Speaker 2: I digress. Let's continue. So now we're back at the

743
00:38:38,680 --> 00:38:42,520
Speaker 2: diner with April. She is not happy. She is super bommed.

744
00:38:42,760 --> 00:38:47,439
Speaker 2: She's kind of you know, erupts in the diner. She says,

745
00:38:47,920 --> 00:38:50,359
Speaker 2: a totally she was so good. You were so good

746
00:38:50,360 --> 00:38:53,480
Speaker 2: in this episode. So was she. So was Sherylyn Fenn

747
00:38:53,480 --> 00:38:56,080
Speaker 2: for that matter. But she did a lot of eye acting.

748
00:38:56,239 --> 00:38:59,359
Speaker 2: So April's upset they go on the walk. She doesn't

749
00:38:59,360 --> 00:39:01,720
Speaker 2: want to be the weird, dorky loser girl all over again.

750
00:39:02,080 --> 00:39:05,000
Speaker 6: And I like, I felt that I was gonna say

751
00:39:05,040 --> 00:39:07,160
Speaker 6: I felt for her because I feel like she had

752
00:39:07,200 --> 00:39:10,360
Speaker 6: her friends and like, how old is she? She's probably

753
00:39:10,400 --> 00:39:13,920
Speaker 6: middle like thirteen, Yes, that's a heart seventh or eighth

754
00:39:13,960 --> 00:39:16,799
Speaker 6: grade to change schools, not even like you're not even

755
00:39:16,840 --> 00:39:18,440
Speaker 6: close to your friends, you're in a different state.

756
00:39:18,840 --> 00:39:22,680
Speaker 2: That's hard, terrible And she great. I mean, man, that

757
00:39:22,800 --> 00:39:26,120
Speaker 2: girl can act because I believe every single thing she

758
00:39:26,160 --> 00:39:26,719
Speaker 2: says and does.

759
00:39:26,760 --> 00:39:29,640
Speaker 3: She's brilliant. She's absolutely brilliant in every way.

760
00:39:29,719 --> 00:39:31,600
Speaker 2: Yeah, Vanessa and Laura are both.

761
00:39:31,520 --> 00:39:34,120
Speaker 3: Like working with her was so much fun. She was

762
00:39:34,160 --> 00:39:37,200
Speaker 3: just like she was hitting the ball over the net,

763
00:39:37,320 --> 00:39:39,880
Speaker 3: like with some real fur on it, you know what

764
00:39:39,880 --> 00:39:46,680
Speaker 3: I mean, Just like, yeah, just amazing actress.

765
00:39:47,680 --> 00:39:49,239
Speaker 2: I know we tell you guys this all the time,

766
00:39:49,280 --> 00:39:51,880
Speaker 2: but the Laura and Vanessa are the sweetest girls. Like

767
00:39:51,960 --> 00:39:54,120
Speaker 2: shout out to their parents, who must be amazing because

768
00:39:54,120 --> 00:39:56,440
Speaker 2: they are the sweet girls. Anyway, I found some email

769
00:39:56,440 --> 00:39:58,640
Speaker 2: that Laura had sent me years ago the other day

770
00:39:58,680 --> 00:40:00,440
Speaker 2: and it was just like, Oh my god, she's just

771
00:40:00,480 --> 00:40:02,160
Speaker 2: the coolest, coolest.

772
00:40:02,280 --> 00:40:02,799
Speaker 6: She really is.

773
00:40:11,800 --> 00:40:14,319
Speaker 2: Scott. Yes, I know you kind of talked about it

774
00:40:14,360 --> 00:40:16,560
Speaker 2: with the tennis ball with the fur on it. But

775
00:40:17,440 --> 00:40:21,600
Speaker 2: when you watch those scenes with Vanessa Slash April, you

776
00:40:21,680 --> 00:40:24,000
Speaker 2: must be so proud of her.

777
00:40:24,560 --> 00:40:27,320
Speaker 3: I always have been, and it doesn't surprise me how

778
00:40:27,360 --> 00:40:30,319
Speaker 3: great she comes off. And I don't remember filming any

779
00:40:30,360 --> 00:40:32,759
Speaker 3: of this stuff. I don't remember these scenes, but they're

780
00:40:32,760 --> 00:40:35,719
Speaker 3: a joy to watch because it's like she was so

781
00:40:35,800 --> 00:40:38,520
Speaker 3: easy to work with, and she was so prepared and

782
00:40:38,560 --> 00:40:42,360
Speaker 3: she's so good and she just gets it. You know,

783
00:40:42,480 --> 00:40:46,200
Speaker 3: she's young and super smart and at that time and

784
00:40:47,360 --> 00:40:50,400
Speaker 3: very talented, and she she just got it. You know,

785
00:40:50,480 --> 00:40:52,840
Speaker 3: she just understood it.

786
00:40:53,120 --> 00:40:58,080
Speaker 2: So we go from there to Harris and Rory's oh,

787
00:40:58,120 --> 00:41:00,479
Speaker 2: this is the scene. This is the scene. Oh God,

788
00:41:00,880 --> 00:41:04,120
Speaker 2: good everybody, it's so good. So so we're getting ready

789
00:41:04,160 --> 00:41:06,520
Speaker 2: for the two thousand and two party and Paris comes

790
00:41:06,520 --> 00:41:09,440
Speaker 2: in and she's like, is there gonna be dancing? And

791
00:41:09,560 --> 00:41:12,880
Speaker 2: I mean the direction on this and I am no director,

792
00:41:13,000 --> 00:41:19,440
Speaker 2: and I don't know. Diddley was unbelievable because it's so clever, like, Okay,

793
00:41:19,640 --> 00:41:21,560
Speaker 2: let's get Rory on the phone with Loralai and then

794
00:41:21,560 --> 00:41:24,200
Speaker 2: we're gonna have Paris and Doyle dancing in the background.

795
00:41:24,680 --> 00:41:30,799
Speaker 2: And they're dancing is just flawless, Like I mean, and

796
00:41:30,880 --> 00:41:34,919
Speaker 2: you see the genius of Kenny Ortega because he choreographed that. Obviously,

797
00:41:35,719 --> 00:41:37,600
Speaker 2: obviously the man's a legend.

798
00:41:37,800 --> 00:41:40,879
Speaker 7: Yeah, Like they're in you They're not even in the room.

799
00:41:40,920 --> 00:41:43,600
Speaker 6: They're in the bedroom and the door's open right on

800
00:41:43,680 --> 00:41:44,640
Speaker 6: the jammin.

801
00:41:45,360 --> 00:41:47,960
Speaker 2: The dancing was like Conic and told it, like to me,

802
00:41:48,160 --> 00:41:51,719
Speaker 2: you know, John Travolta and Uma Thurman, and I'm like

803
00:41:52,000 --> 00:41:54,480
Speaker 2: that is that? Like they weren't doing those moves, But

804
00:41:54,520 --> 00:41:56,520
Speaker 2: it was just so awesome. I could have watched that

805
00:41:56,600 --> 00:42:00,640
Speaker 2: scene all African day anyway. I mean, I kind of

806
00:42:00,719 --> 00:42:02,480
Speaker 2: was glad that we sort of had this dumb banter

807
00:42:02,640 --> 00:42:05,400
Speaker 2: between Rory and Lourai because I just only want to

808
00:42:05,440 --> 00:42:07,279
Speaker 2: be watching the dancing. But they're kind of bantering. They're

809
00:42:07,760 --> 00:42:10,920
Speaker 2: sort of having a this pay me thirty dollars, twelve dollars,

810
00:42:10,920 --> 00:42:13,400
Speaker 2: one cent, fifty dollars, twenty dollars, and it was just

811
00:42:13,400 --> 00:42:16,320
Speaker 2: this sort of nonsense, which I get because then we

812
00:42:16,360 --> 00:42:17,960
Speaker 2: could pay attention to the dancing.

813
00:42:19,120 --> 00:42:21,720
Speaker 4: This is a big year for Kenny Artega. He launched

814
00:42:21,760 --> 00:42:24,640
Speaker 4: high school musical this year too, Oh.

815
00:42:24,600 --> 00:42:27,960
Speaker 2: The Man, and we acknowledge Marty again. I think Scott

816
00:42:28,000 --> 00:42:30,320
Speaker 2: said it best. We're they're trying to make something a

817
00:42:30,360 --> 00:42:33,959
Speaker 2: storyline happen that doesn't have any weight, but they sure

818
00:42:34,040 --> 00:42:37,440
Speaker 2: still are trying, because she's like, he's cold and weird,

819
00:42:37,719 --> 00:42:39,640
Speaker 2: and it was years ago, and she sort of acknowledges

820
00:42:39,680 --> 00:42:42,600
Speaker 2: what Tara said, YadA YadA. So I'd love to hear

821
00:42:42,600 --> 00:42:44,360
Speaker 2: everybody on the dancing other than just me.

822
00:42:45,040 --> 00:42:49,240
Speaker 6: I completely forgot what Laura and Rory's conversation was because

823
00:42:49,280 --> 00:42:51,800
Speaker 6: I remember the dancing.

824
00:42:52,200 --> 00:42:54,160
Speaker 2: Scott, when you say that was intentional that it's just

825
00:42:54,200 --> 00:42:57,000
Speaker 2: sort of nonsense. What twenty dollars?

826
00:42:57,200 --> 00:42:57,279
Speaker 3: Like?

827
00:42:57,440 --> 00:43:02,680
Speaker 2: The phone call was? It had dialogue, but we're supposed

828
00:43:02,719 --> 00:43:04,000
Speaker 2: to be watching the dancing.

829
00:43:04,239 --> 00:43:08,840
Speaker 3: Yeah, you can't help, but notice, I mean, you know,

830
00:43:09,200 --> 00:43:11,799
Speaker 3: I think they thought that there's this potent combination of

831
00:43:11,880 --> 00:43:15,480
Speaker 3: silly dialogue that's supposed to really hit as funny, and

832
00:43:15,560 --> 00:43:17,960
Speaker 3: it was. It was humorous, you know, I don't know

833
00:43:18,000 --> 00:43:21,879
Speaker 3: how hysterically funny. It was, but I think you don't

834
00:43:21,920 --> 00:43:24,239
Speaker 3: want to steal the joke from the dancing, because that's

835
00:43:24,320 --> 00:43:24,960
Speaker 3: really the funny.

836
00:43:25,520 --> 00:43:27,200
Speaker 2: Yes, it was so good, and.

837
00:43:27,160 --> 00:43:28,960
Speaker 3: The fact that it's in the background makes it even

838
00:43:29,040 --> 00:43:29,640
Speaker 3: more brilliant.

839
00:43:29,960 --> 00:43:31,799
Speaker 2: And they kind of did there was a little meat,

840
00:43:31,840 --> 00:43:35,040
Speaker 2: so basically, Tara, since you missed it, they kind of

841
00:43:35,160 --> 00:43:38,239
Speaker 2: banter back and forth about what she's gonna fledge for

842
00:43:38,280 --> 00:43:41,640
Speaker 2: the nitathon, and then we learned that the town it

843
00:43:41,640 --> 00:43:44,120
Speaker 2: didn't go so great walking through town, and then they

844
00:43:44,200 --> 00:43:46,799
Speaker 2: kind of acknowledge Marty and that whole thing, and she

845
00:43:46,960 --> 00:43:50,799
Speaker 2: sort of says to Michelle Obama, you know when they

846
00:43:50,800 --> 00:43:52,799
Speaker 2: go low, you go high, like take the high road,

847
00:43:53,040 --> 00:43:54,399
Speaker 2: be the one, be.

848
00:43:54,440 --> 00:43:55,160
Speaker 4: The bigger person.

849
00:43:55,440 --> 00:43:58,520
Speaker 2: Great, it was all great. Now we're at the house

850
00:43:58,840 --> 00:44:02,360
Speaker 2: and Christopher's getting ready for his mandate with the farmer

851
00:44:02,960 --> 00:44:05,279
Speaker 2: and he's wearing a black button down that's just a

852
00:44:05,280 --> 00:44:07,600
Speaker 2: little bit too city and a little bit too tight,

853
00:44:07,719 --> 00:44:10,759
Speaker 2: and the jeans are a little too tight. I thought

854
00:44:10,800 --> 00:44:11,400
Speaker 2: it was funny.

855
00:44:11,480 --> 00:44:16,839
Speaker 3: I was hilarious. Yeah, I didn't. Oh no, why I

856
00:44:16,880 --> 00:44:19,839
Speaker 3: didn't think it was a funny situation. It didn't matter

857
00:44:19,880 --> 00:44:21,920
Speaker 3: who was playing the parts. To me, that's not a

858
00:44:21,960 --> 00:44:26,560
Speaker 3: funny situation that's not going to make me laugh. I

859
00:44:26,600 --> 00:44:29,839
Speaker 3: thought it was just me, that's just me personal right.

860
00:44:30,400 --> 00:44:33,480
Speaker 2: Well, also, you might be coming from a guye perspective,

861
00:44:33,800 --> 00:44:36,200
Speaker 2: whereas like we're coming from the girl perspective where she's

862
00:44:36,280 --> 00:44:39,160
Speaker 2: like and her acting I thought was so good, just

863
00:44:39,200 --> 00:44:44,240
Speaker 2: the kind of like the little nuances of the that

864
00:44:44,600 --> 00:44:47,080
Speaker 2: you know, and like I thought his outfit was good,

865
00:44:47,120 --> 00:44:50,080
Speaker 2: but it was very la outfit. It was like it

866
00:44:50,120 --> 00:44:52,240
Speaker 2: was not maybe what you go to the bar and starting.

867
00:44:52,239 --> 00:44:53,480
Speaker 3: I mean, if that was me, I would have just

868
00:44:53,520 --> 00:44:55,959
Speaker 3: walked out the door and smiled. So yeah, okay, sure,

869
00:44:56,040 --> 00:45:01,200
Speaker 3: see you later. So I mean, just where just to

870
00:45:01,239 --> 00:45:03,480
Speaker 3: own it, dude, where what you want? Walk out of

871
00:45:03,520 --> 00:45:04,560
Speaker 3: the house. You know.

872
00:45:04,640 --> 00:45:06,880
Speaker 2: I think he's trying, you know, I think he wants

873
00:45:07,000 --> 00:45:10,080
Speaker 2: to do right by her, do you know what I mean?

874
00:45:10,120 --> 00:45:11,920
Speaker 2: I think he gets it. He's trying to do what

875
00:45:12,000 --> 00:45:12,560
Speaker 2: I wants.

876
00:45:12,320 --> 00:45:15,400
Speaker 4: To immerse himself into her world, even though it's just

877
00:45:15,480 --> 00:45:15,919
Speaker 4: not it.

878
00:45:16,320 --> 00:45:18,600
Speaker 3: He he just needs to be himself.

879
00:45:18,960 --> 00:45:20,600
Speaker 2: I think this is where she says, they gave us

880
00:45:20,640 --> 00:45:22,920
Speaker 2: the tolerating that we're here wagon, and we kind of

881
00:45:23,000 --> 00:45:26,840
Speaker 2: learned that, like the other couples got better wagons the

882
00:45:26,960 --> 00:45:28,480
Speaker 2: hole to do. So, then we go to the bar.

883
00:45:28,760 --> 00:45:31,520
Speaker 2: Now have we seen this bar before? And please don't

884
00:45:31,600 --> 00:45:32,040
Speaker 2: yell at me.

885
00:45:32,520 --> 00:45:34,839
Speaker 7: Is it the bar the Dean went to or.

886
00:45:34,800 --> 00:45:40,200
Speaker 3: No, I've never seen that bar. I wanted to sit

887
00:45:40,239 --> 00:45:41,200
Speaker 3: in that bar me too.

888
00:45:41,680 --> 00:45:45,480
Speaker 2: Other than the very small television, I was like, the

889
00:45:45,760 --> 00:45:48,720
Speaker 2: television that had the game on really dated the episode.

890
00:45:48,760 --> 00:45:51,000
Speaker 2: But otherwise I was like, the bar was fun.

891
00:45:51,400 --> 00:45:53,200
Speaker 6: Yeah, I can't remember if it's the one that Dean

892
00:45:53,280 --> 00:45:55,760
Speaker 6: went too and he was about again divorced.

893
00:45:57,480 --> 00:46:03,640
Speaker 2: Oh maybe I don't remember. But anyway, it's awkward at first,

894
00:46:03,840 --> 00:46:06,880
Speaker 2: and then we got to it with Jackson and Christopher,

895
00:46:06,880 --> 00:46:10,960
Speaker 2: and I gotta say I liked the analogy. You know,

896
00:46:11,600 --> 00:46:14,920
Speaker 2: you gotta be one hundred percent committed. We love farming,

897
00:46:15,040 --> 00:46:17,279
Speaker 2: Suki and I, you know, and I really I liked

898
00:46:17,280 --> 00:46:20,480
Speaker 2: the I ended up really liking that scene, and obviously

899
00:46:20,520 --> 00:46:23,360
Speaker 2: it ultimately went well because Christopher is a bit more popular.

900
00:46:25,080 --> 00:46:27,799
Speaker 3: That's the scene we've seen a million times before. That's

901
00:46:27,840 --> 00:46:31,200
Speaker 3: a that's a classic scene, you know, where the guys

902
00:46:31,239 --> 00:46:33,080
Speaker 3: got a pass muster.

903
00:46:33,680 --> 00:46:38,080
Speaker 2: Yeah yeah, yeah, yes, well said yeah, and it seems

904
00:46:38,080 --> 00:46:40,799
Speaker 2: that he did so. Then a scene I did not

905
00:46:40,840 --> 00:46:44,359
Speaker 2: care for at all. Anna and Luke at the restaurant,

906
00:46:45,520 --> 00:46:48,080
Speaker 2: and I just thought, you know what, Anna, you suck?

907
00:46:49,600 --> 00:46:51,840
Speaker 3: Yeah, that was that was not a good look for Anna.

908
00:46:52,360 --> 00:46:54,640
Speaker 4: Oh and I kind of needed it though, because it

909
00:46:54,680 --> 00:46:56,200
Speaker 4: made me realize that she sucks.

910
00:46:56,600 --> 00:47:02,120
Speaker 2: Like I needed that, And you're being so reasonable and

911
00:47:02,239 --> 00:47:06,440
Speaker 2: so collaborative, and it's just like, you suck, Amma, You're

912
00:47:06,480 --> 00:47:10,160
Speaker 2: not you know what, you took this, you took twelve

913
00:47:10,239 --> 00:47:15,480
Speaker 2: years away from him, right. I was not pleased. Also,

914
00:47:15,520 --> 00:47:16,280
Speaker 2: where were they?

915
00:47:16,840 --> 00:47:17,239
Speaker 3: Do you think?

916
00:47:17,280 --> 00:47:20,720
Speaker 4: It's like a like, did she ever say why exactly?

917
00:47:20,760 --> 00:47:22,400
Speaker 4: She's moving over there? Remind me?

918
00:47:26,320 --> 00:47:28,480
Speaker 2: And she's from New Mexico. And then she needs to

919
00:47:28,520 --> 00:47:29,480
Speaker 2: go take care of her mother.

920
00:47:31,200 --> 00:47:33,359
Speaker 4: I wonder if for a second, I'm like, I wonder

921
00:47:33,400 --> 00:47:35,359
Speaker 4: if she was doing it for selfish reasons and she's

922
00:47:35,440 --> 00:47:38,120
Speaker 4: just like annoy that she's getting so close to lose.

923
00:47:38,239 --> 00:47:41,000
Speaker 2: I believe that the mother's sick, but she's the reason that.

924
00:47:41,560 --> 00:47:43,680
Speaker 6: Okay, So then this is what I got from it.

925
00:47:43,760 --> 00:47:46,960
Speaker 6: So the reason why April was with Luke when she

926
00:47:47,000 --> 00:47:50,360
Speaker 6: got her appendix out is because Anna went to go

927
00:47:50,400 --> 00:47:50,960
Speaker 6: see her mom.

928
00:47:51,160 --> 00:47:53,600
Speaker 7: She wasn't even frown, that's right.

929
00:47:53,440 --> 00:47:55,759
Speaker 2: Because she is with her mom and that's how we

930
00:47:55,840 --> 00:47:58,680
Speaker 2: get the beginning of the storyline that the mom needs help. Yes,

931
00:47:58,920 --> 00:48:00,799
Speaker 2: you know, but her reason for out wanting to move

932
00:48:00,800 --> 00:48:02,600
Speaker 2: her mom, Oh, she's been in that house forty years.

933
00:48:02,640 --> 00:48:05,560
Speaker 2: It's like, but you're gonna uproot your kid, nor even

934
00:48:05,600 --> 00:48:07,600
Speaker 2: a sick grandmother would be like, no, no, no, you're not

935
00:48:07,680 --> 00:48:09,440
Speaker 2: uprooting the kid. I'll come and live with you.

936
00:48:09,480 --> 00:48:09,800
Speaker 3: Guys.

937
00:48:11,560 --> 00:48:12,399
Speaker 2: That where were they?

938
00:48:13,239 --> 00:48:13,319
Speaker 3: Was?

939
00:48:13,320 --> 00:48:13,560
Speaker 8: That?

940
00:48:14,520 --> 00:48:16,319
Speaker 2: Was that in Stars Hollow? Where were they? Or were they?

941
00:48:16,400 --> 00:48:18,279
Speaker 2: I don't know where that restaurant was, but I kept

942
00:48:18,280 --> 00:48:19,359
Speaker 2: trying to zoom in on.

943
00:48:19,280 --> 00:48:22,160
Speaker 3: The No, that was the Stars Hall.

944
00:48:23,400 --> 00:48:27,759
Speaker 2: Wasn't It's not the bakery another bakery? It was all right, well.

945
00:48:27,680 --> 00:48:31,000
Speaker 3: Anyway, wasn't It wasn't Al's Pancake World.

946
00:48:31,000 --> 00:48:36,000
Speaker 2: It was no. And it wasn't what's the bakery with

947
00:48:36,040 --> 00:48:39,120
Speaker 2: the lady that passed away? Oh wasn't that.

948
00:48:39,640 --> 00:48:42,160
Speaker 6: I know where you're talking about, But that wasn't that anyway,

949
00:48:42,239 --> 00:48:45,840
Speaker 6: Weston's West It wasn't so okay.

950
00:48:45,840 --> 00:48:47,360
Speaker 3: But I've seen that restaurant before.

951
00:48:47,800 --> 00:48:50,160
Speaker 2: I feel like I had to. So then it's showtime.

952
00:48:50,320 --> 00:48:54,719
Speaker 2: Luke the baby and the baby just like appeared, you know.

953
00:48:55,160 --> 00:48:56,600
Speaker 2: First of all, he gets the phone call. He goes

954
00:48:56,680 --> 00:49:00,400
Speaker 2: rushing off, great, you know WHOA Okay, it's time, and

955
00:49:00,440 --> 00:49:02,640
Speaker 2: then they do get a scene. We get a scene

956
00:49:02,640 --> 00:49:04,759
Speaker 2: in a minute where suddenly the baby's born. We didn't

957
00:49:04,800 --> 00:49:06,879
Speaker 2: have to see the birth. It doesn't happen right there,

958
00:49:06,960 --> 00:49:09,879
Speaker 2: but I'll get to it. So he gets the phone call,

959
00:49:09,920 --> 00:49:15,680
Speaker 2: he rushes out the nitathon has begun. In the next scene,

960
00:49:16,840 --> 00:49:24,000
Speaker 2: Kirk's walking around free needles, Taylor's in head to toe knit.

961
00:49:25,640 --> 00:49:27,439
Speaker 2: I want to watch it again to just see every

962
00:49:27,480 --> 00:49:30,400
Speaker 2: detail of the scene. Twenty five Lemonade for the bridge.

963
00:49:30,719 --> 00:49:34,319
Speaker 2: It's a beautiful autumnal day, ten to ten. They talk

964
00:49:34,360 --> 00:49:37,879
Speaker 2: about the great bridges, the Golden Gate, the Brooklyn, and

965
00:49:37,920 --> 00:49:41,800
Speaker 2: then of course the old Muddy River Bridge.

966
00:49:42,800 --> 00:49:45,160
Speaker 4: And they like, you have three minutes.

967
00:49:47,560 --> 00:49:50,120
Speaker 2: They don't have their things synced up. Yeah, I just

968
00:49:50,160 --> 00:49:52,560
Speaker 2: knew we were in for a great scene so I

969
00:49:52,600 --> 00:49:54,680
Speaker 2: could watch. I wish I was there, Like, I just

970
00:49:54,680 --> 00:49:56,440
Speaker 2: wish I was there. I want to go to the nitathon.

971
00:49:57,360 --> 00:49:58,640
Speaker 2: I want to hang out. I want to pull in

972
00:49:58,719 --> 00:49:59,200
Speaker 2: the game arrow.

973
00:49:59,320 --> 00:50:03,080
Speaker 3: The whole that was a cozy stars hollow. I wanted

974
00:50:03,120 --> 00:50:06,440
Speaker 3: to be there too. That's that's a very cozy place

975
00:50:06,520 --> 00:50:08,160
Speaker 3: right there, you.

976
00:50:08,120 --> 00:50:12,200
Speaker 2: Know, it really is a town. If my town had that,

977
00:50:12,560 --> 00:50:17,960
Speaker 2: I'd be stoked. Okay, it's time for Lucy's a party,

978
00:50:19,160 --> 00:50:23,600
Speaker 2: and Lucy is so stoked that Paris is there. Uh,

979
00:50:23,680 --> 00:50:27,400
Speaker 2: Marty's at the bar. We kind of have the moment

980
00:50:27,560 --> 00:50:32,640
Speaker 2: of are we done being a jerk here? Yes, I'm done.

981
00:50:32,680 --> 00:50:33,719
Speaker 2: We're friends again.

982
00:50:33,600 --> 00:50:36,600
Speaker 3: And not allowed of red meat here. It just seemed

983
00:50:36,640 --> 00:50:45,000
Speaker 3: like it's like, you know, that's all I have to say.

984
00:50:46,000 --> 00:50:48,359
Speaker 2: And they must have paid a lot for that Pink song.

985
00:50:48,800 --> 00:50:54,560
Speaker 3: I think I think Doyle stole that storyline for sure.

986
00:50:54,920 --> 00:50:57,319
Speaker 3: Totally amazing watching.

987
00:50:57,960 --> 00:51:01,359
Speaker 2: And then in the I mean, uh, coming out Amy

988
00:51:01,440 --> 00:51:03,200
Speaker 2: it was better get this party.

989
00:51:03,800 --> 00:51:04,799
Speaker 7: And the Nelly song.

990
00:51:04,840 --> 00:51:07,880
Speaker 2: I was like, yeah, they made of money to clear

991
00:51:08,080 --> 00:51:10,880
Speaker 2: music for this episode because usually.

992
00:51:10,640 --> 00:51:13,200
Speaker 6: Scott, when there's a party and there's people dancing, aren't

993
00:51:13,200 --> 00:51:15,160
Speaker 6: you just dancing to nothing? Right?

994
00:51:15,239 --> 00:51:18,279
Speaker 2: The song later? But they still pay a lot of

995
00:51:18,320 --> 00:51:19,120
Speaker 2: money for that song.

996
00:51:19,360 --> 00:51:21,680
Speaker 6: But I feel like for this scene, especially the one

997
00:51:21,719 --> 00:51:23,839
Speaker 6: in the apartment, they kind of had to know what

998
00:51:23,920 --> 00:51:26,440
Speaker 6: was going to be played, right or no, they'll play.

999
00:51:26,280 --> 00:51:29,759
Speaker 3: They'll play it for the extras and they'll play so

1000
00:51:29,800 --> 00:51:32,959
Speaker 3: they get the rhythm and I'm.

1001
00:51:32,920 --> 00:51:39,880
Speaker 8: Dancing to playing dancing here, so you better get this

1002
00:51:39,960 --> 00:51:42,600
Speaker 8: party started, which I was laughing because my six year

1003
00:51:42,640 --> 00:51:45,200
Speaker 8: old and eight year old nieces were in a dance

1004
00:51:45,239 --> 00:51:47,759
Speaker 8: recital this weekend and that was the finale song.

1005
00:51:47,880 --> 00:51:51,279
Speaker 2: So I'm like, oh my god, I'm coming out. I

1006
00:51:51,280 --> 00:51:54,080
Speaker 2: want to do all their moves. Okay, Suddenly the baby

1007
00:51:54,120 --> 00:51:56,520
Speaker 2: Doula is born, which I was glad we didn't have

1008
00:51:56,520 --> 00:51:58,040
Speaker 2: to go through the birth. It's like, we got there,

1009
00:51:58,120 --> 00:52:01,320
Speaker 2: the baby's born. It looked like a seen beautiful zebra

1010
00:52:01,440 --> 00:52:06,960
Speaker 2: rug funny little old there you go, little Doula, your

1011
00:52:07,040 --> 00:52:11,440
Speaker 2: uncle Doula. And then they bring up, wah, cousin, April

1012
00:52:11,560 --> 00:52:14,400
Speaker 2: is going to be the best babysitter ever. Oh so

1013
00:52:14,480 --> 00:52:15,520
Speaker 2: you had that moment.

1014
00:52:16,760 --> 00:52:21,360
Speaker 6: Right, which was a great setup before the end of

1015
00:52:21,400 --> 00:52:24,200
Speaker 6: this episode, because I think even like as an audience,

1016
00:52:24,280 --> 00:52:29,200
Speaker 6: you're like, you're right, like this, this Doula doesn't have

1017
00:52:29,280 --> 00:52:30,200
Speaker 6: really any other family.

1018
00:52:30,200 --> 00:52:32,360
Speaker 7: I mean, there's Jess, but it.

1019
00:52:32,480 --> 00:52:33,279
Speaker 2: Realized, right.

1020
00:52:34,080 --> 00:52:34,279
Speaker 6: I think.

1021
00:52:34,320 --> 00:52:36,239
Speaker 3: I think it's a very nice moment for Luke at

1022
00:52:36,280 --> 00:52:38,879
Speaker 3: the end of that because he's thinking about April. He's

1023
00:52:38,920 --> 00:52:40,959
Speaker 3: thinking about is he ever going to have another kid again?

1024
00:52:41,400 --> 00:52:43,520
Speaker 3: You think about how lonely he's going to be with

1025
00:52:43,560 --> 00:52:48,640
Speaker 3: Anna going I'm sorry with with April leaving. It really

1026
00:52:48,680 --> 00:52:52,799
Speaker 3: softened him. I thought the writers did an exemplary job

1027
00:52:52,880 --> 00:52:55,680
Speaker 3: of showing another side of Luke, you know, and even

1028
00:52:55,840 --> 00:52:58,480
Speaker 3: a more combative side of him standing up for himself.

1029
00:52:59,400 --> 00:53:02,520
Speaker 3: Uh when he did, he didn't go over the top

1030
00:53:02,560 --> 00:53:04,200
Speaker 3: with it with the anger. It was just you know,

1031
00:53:04,560 --> 00:53:09,799
Speaker 3: more more firm but vulnerable, you know. Yes, yes, now

1032
00:53:10,719 --> 00:53:11,720
Speaker 3: that's Kenny Ortego.

1033
00:53:12,120 --> 00:53:23,000
Speaker 5: Yeah, hey, everybody right now, you can call eight eight

1034
00:53:23,080 --> 00:53:25,960
Speaker 5: eight seven oh two seven eight seven.

1035
00:53:25,840 --> 00:53:30,640
Speaker 3: Three for the Gilmour Girls coffees the three blends of

1036
00:53:30,719 --> 00:53:33,400
Speaker 3: Luke's Diner Blend, the Stars Hollow Blend and the Dragonfly

1037
00:53:33,480 --> 00:53:40,839
Speaker 3: in two X talk Fast double Caffeine Blend. That's eight

1038
00:53:40,920 --> 00:53:45,200
Speaker 3: eight eight seven O two seven eight seven three and

1039
00:53:45,239 --> 00:53:48,759
Speaker 3: a Warner Brothers Studio rep will assist you with your order,

1040
00:53:49,040 --> 00:53:51,400
Speaker 3: So enjoy the coffee.

1041
00:53:51,880 --> 00:53:54,319
Speaker 2: So now we're at the Nitathon, which looked like the

1042
00:53:54,360 --> 00:53:59,000
Speaker 2: best time ever until Christopher ruined it. So, you know,

1043
00:53:59,719 --> 00:54:02,560
Speaker 2: Taylor makes the announcements they've raised twenty two hundred dollars

1044
00:54:02,640 --> 00:54:04,640
Speaker 2: and they're like, oh no, are we gonna be able

1045
00:54:04,680 --> 00:54:06,880
Speaker 2: to do it? And then he goes and donates and

1046
00:54:06,920 --> 00:54:10,960
Speaker 2: just everybody packs up and literally it was bummed. Everyone

1047
00:54:11,120 --> 00:54:16,719
Speaker 2: was like, worth the thrill out of here, Gypsy's gonna

1048
00:54:16,719 --> 00:54:19,240
Speaker 2: go to a movie. But I was bummed. I felt

1049
00:54:19,320 --> 00:54:23,120
Speaker 2: I was like, no, I want eight more scenes of this.

1050
00:54:24,080 --> 00:54:27,080
Speaker 2: So and I think that's intentionally you realize you're like, oh, Christopher,

1051
00:54:27,880 --> 00:54:28,960
Speaker 2: you dumb, dumb.

1052
00:54:28,960 --> 00:54:29,840
Speaker 3: And get it.

1053
00:54:30,360 --> 00:54:32,880
Speaker 4: He doesn't get it, doesn't don't remember.

1054
00:54:33,160 --> 00:54:35,040
Speaker 6: Like I was thinking about when I was a kid,

1055
00:54:35,080 --> 00:54:37,879
Speaker 6: we used to do like the magazine drives where you'd

1056
00:54:38,000 --> 00:54:40,600
Speaker 6: go to people, you know, be Zeene drives.

1057
00:54:40,719 --> 00:54:46,000
Speaker 4: Yeah, everythign drives and cook Doo drives, every drive. They

1058
00:54:46,040 --> 00:54:47,960
Speaker 4: still exist. I get them all the time from my

1059
00:54:48,080 --> 00:54:49,160
Speaker 4: nieces and nephews.

1060
00:54:49,160 --> 00:54:51,200
Speaker 6: But it's like thinking about it, it made me think

1061
00:54:51,239 --> 00:54:53,920
Speaker 6: of like it like my parents always bought one thing

1062
00:54:53,960 --> 00:54:56,640
Speaker 6: because they had to, but like they didn't buy everything

1063
00:54:56,680 --> 00:54:57,880
Speaker 6: so I could win the prize.

1064
00:54:57,880 --> 00:54:59,760
Speaker 7: It was like you gotta go work for it.

1065
00:55:00,640 --> 00:55:00,840
Speaker 6: You know.

1066
00:55:01,160 --> 00:55:02,800
Speaker 4: Yeah, And I mean you think about.

1067
00:55:03,840 --> 00:55:09,040
Speaker 2: Yeah, cartwheel, how many cartwheels can she do? Like is

1068
00:55:09,080 --> 00:55:10,840
Speaker 2: there a maximum? She's all two hundred and fifty And

1069
00:55:10,840 --> 00:55:13,839
Speaker 2: I'm like great, okay, because it's like a cartwheel all

1070
00:55:13,880 --> 00:55:17,799
Speaker 2: day long. Okay. So that was a long one.

1071
00:55:18,680 --> 00:55:22,680
Speaker 4: He met well though, like, I get it, guy, but

1072
00:55:22,719 --> 00:55:25,200
Speaker 4: it just shows like he's me. He's trying really hard,

1073
00:55:25,280 --> 00:55:28,479
Speaker 4: but he's not the right thing.

1074
00:55:31,040 --> 00:55:33,360
Speaker 2: Salla is not the place where you're flashy with your money.

1075
00:55:33,440 --> 00:55:35,400
Speaker 2: They don't they don't jive with that, you know.

1076
00:55:35,840 --> 00:55:37,320
Speaker 4: Yeah.

1077
00:55:37,680 --> 00:55:41,320
Speaker 2: So then we go to the party and there's dancing

1078
00:55:42,239 --> 00:55:45,600
Speaker 2: and Olivia goes after the buzz cut guy. So that

1079
00:55:45,880 --> 00:55:50,000
Speaker 2: has Rory and Marty on the couch and chatting, and

1080
00:55:50,040 --> 00:55:53,239
Speaker 2: then and you're more beautiful than ever.

1081
00:55:56,760 --> 00:56:00,440
Speaker 3: Oh, I mean, it all just everything's coming out of

1082
00:56:00,520 --> 00:56:06,319
Speaker 3: left field. Yeah, you know, didn't mind it, you know,

1083
00:56:06,520 --> 00:56:08,399
Speaker 3: I mean, it's okay, it's fine.

1084
00:56:08,160 --> 00:56:13,279
Speaker 2: Good scene. It just was like, yeah, so just.

1085
00:56:13,200 --> 00:56:16,120
Speaker 3: What's happening in her life is not all that fascinating

1086
00:56:16,200 --> 00:56:16,520
Speaker 3: right now?

1087
00:56:16,600 --> 00:56:18,800
Speaker 2: No, that's correct, right. I think that's a fair statement.

1088
00:56:18,880 --> 00:56:20,320
Speaker 2: So that's the best we can get.

1089
00:56:20,200 --> 00:56:23,400
Speaker 3: With that, minus Logan. It's kind of trippy.

1090
00:56:23,680 --> 00:56:23,799
Speaker 5: Then.

1091
00:56:23,840 --> 00:56:28,000
Speaker 2: I thought this scene was kind of something I don't

1092
00:56:28,040 --> 00:56:29,279
Speaker 2: know what the word is yet. I'll get to I'll

1093
00:56:29,280 --> 00:56:31,000
Speaker 2: figure out what the word is. If of lower Li

1094
00:56:31,120 --> 00:56:34,399
Speaker 2: and Christopher walking, you know, you don't have to try

1095
00:56:34,480 --> 00:56:36,680
Speaker 2: so hard. I'm trying so hard because I sort of

1096
00:56:36,680 --> 00:56:39,400
Speaker 2: feel like you want me to try so hard. And

1097
00:56:39,440 --> 00:56:43,320
Speaker 2: then they say I love you a lot. She says,

1098
00:56:43,640 --> 00:56:46,440
Speaker 2: I'm going to be here loving you. It's very lovey.

1099
00:56:46,880 --> 00:56:50,720
Speaker 4: Yeah, yeah, and I bought it.

1100
00:56:50,719 --> 00:56:51,920
Speaker 2: It didn't seem fake.

1101
00:56:52,239 --> 00:56:54,319
Speaker 4: Because I do think she does love him. You know

1102
00:56:54,640 --> 00:56:58,600
Speaker 4: she does. She does because of all their history. I

1103
00:56:58,680 --> 00:57:02,040
Speaker 4: just don't know if she's in love with him as

1104
00:57:02,120 --> 00:57:03,040
Speaker 4: her husband.

1105
00:57:04,480 --> 00:57:09,160
Speaker 2: Really really well done. Seen the truck pulls up. Immediately,

1106
00:57:09,200 --> 00:57:11,680
Speaker 2: I'm like, oh, I want to know what's happening here.

1107
00:57:12,080 --> 00:57:16,360
Speaker 2: Anna opens the door. She says, April's it hoo'sy doozies,

1108
00:57:16,720 --> 00:57:19,120
Speaker 2: and Luke immediately knows, yes, I know, and I know

1109
00:57:19,160 --> 00:57:21,120
Speaker 2: she has a peanutalergy and I know I know, I know,

1110
00:57:21,200 --> 00:57:25,920
Speaker 2: I know. And then he brings it. He's like, She's like,

1111
00:57:25,960 --> 00:57:27,960
Speaker 2: what are you doing here, Luke? And he's like, you

1112
00:57:28,040 --> 00:57:31,120
Speaker 2: know what, this is what I'm doing here. Finally, but

1113
00:57:31,280 --> 00:57:33,640
Speaker 2: I have amy. I had been waiting for this for

1114
00:57:33,680 --> 00:57:37,400
Speaker 2: so long to say I am her dad. I have rights.

1115
00:57:37,440 --> 00:57:41,120
Speaker 2: I think you say that I have rights and great scene.

1116
00:57:41,480 --> 00:57:48,400
Speaker 3: Mm hmm thoughts. Yeah, true. It was powerful good writing.

1117
00:57:48,680 --> 00:57:52,560
Speaker 3: You know, when you get right good acting, when you

1118
00:57:52,560 --> 00:57:55,520
Speaker 3: get writing that juicy, it's it's I'm not saying it's

1119
00:57:55,560 --> 00:57:58,680
Speaker 3: easy to deliver it, but it's it makes my job

1120
00:57:58,760 --> 00:58:01,720
Speaker 3: a lot easier, you know, because they understand all the

1121
00:58:01,760 --> 00:58:04,280
Speaker 3: beats and it's just laid out there right for you.

1122
00:58:04,360 --> 00:58:09,800
Speaker 3: And you know, kudos to the writers on that absolutely

1123
00:58:10,000 --> 00:58:14,520
Speaker 3: and Sherylyn Fent, you know, knowing her job, you know,

1124
00:58:14,560 --> 00:58:17,240
Speaker 3: because a lot of people would sort of engage in

1125
00:58:17,240 --> 00:58:19,400
Speaker 3: that fight and try to steal that scene. She knew

1126
00:58:19,400 --> 00:58:21,320
Speaker 3: her job, you know, she did.

1127
00:58:21,400 --> 00:58:24,200
Speaker 2: And she was great too. I agree with you. She

1128
00:58:24,360 --> 00:58:25,240
Speaker 2: acted it so.

1129
00:58:25,320 --> 00:58:28,080
Speaker 3: Well, all beautifully.

1130
00:58:27,720 --> 00:58:31,640
Speaker 2: The subtlety, the eyes, the face so good.

1131
00:58:31,720 --> 00:58:34,560
Speaker 6: I think it was also just a relief that like

1132
00:58:34,920 --> 00:58:37,600
Speaker 6: Luke finally just stood up for himself and April, like

1133
00:58:37,640 --> 00:58:40,680
Speaker 6: I think we've been waiting and he's been so patient,

1134
00:58:40,840 --> 00:58:42,760
Speaker 6: and like we've all been patient with him, but it

1135
00:58:42,840 --> 00:58:46,960
Speaker 6: was like, no, this was the final straw. He's also

1136
00:58:47,920 --> 00:58:51,400
Speaker 6: a parent, he's her parent, and he also I feel

1137
00:58:51,400 --> 00:58:55,240
Speaker 6: like it wasn't fair that she told April before she

1138
00:58:55,320 --> 00:58:57,280
Speaker 6: told Luke. I feel like it should have been a

1139
00:58:57,280 --> 00:59:01,760
Speaker 6: conversation between the parents were telling April, and also like

1140
00:59:02,120 --> 00:59:04,480
Speaker 6: there was no conversation, it was just when we talked

1141
00:59:04,480 --> 00:59:04,800
Speaker 6: about it.

1142
00:59:04,840 --> 00:59:07,320
Speaker 3: But it was just he was just you know, it

1143
00:59:07,480 --> 00:59:13,800
Speaker 3: shows Luke as the polar opposite of Christopher and said,

1144
00:59:13,920 --> 00:59:17,320
Speaker 3: this is how you fight for your family, This is

1145
00:59:17,320 --> 00:59:21,360
Speaker 3: how you fight for your daughter, you know. And Christopher

1146
00:59:21,440 --> 00:59:25,160
Speaker 3: was there for Rory when they weren't even related by blood,

1147
00:59:25,200 --> 00:59:27,920
Speaker 3: but he was there for her all in, willing to

1148
00:59:28,200 --> 00:59:30,880
Speaker 3: like take the bullet for you know, her whole life.

1149
00:59:31,360 --> 00:59:34,320
Speaker 3: And now he's got his own daughter and fault him

1150
00:59:34,400 --> 00:59:38,600
Speaker 3: for you know, delaying the marriage Laurel I and ultimately

1151
00:59:38,680 --> 00:59:44,840
Speaker 3: you know, tanking his own future in regards to Laurel I.

1152
00:59:44,920 --> 00:59:47,120
Speaker 3: But he's fighting for his daughter and you got to

1153
00:59:47,160 --> 00:59:49,080
Speaker 3: admire him for that. And so I think it's a

1154
00:59:49,400 --> 00:59:53,160
Speaker 3: it's a it's a very interesting contrast. He's he's everything

1155
00:59:53,200 --> 00:59:57,640
Speaker 3: that Christopher wasn't or isn't and is trying to be

1156
00:59:57,720 --> 00:59:59,600
Speaker 3: now and trying too hard to be now, but when

1157
00:59:59,600 --> 01:00:02,760
Speaker 3: it's too late, but it's like Luke isn't going to

1158
01:00:02,800 --> 01:00:07,560
Speaker 3: waste another moment sitting by the sidelines getting bullied by

1159
01:00:07,560 --> 01:00:09,760
Speaker 3: In and he's going to fight for his right and

1160
01:00:09,800 --> 01:00:13,120
Speaker 3: it was it was a really powerful scene. I don't

1161
01:00:13,160 --> 01:00:15,240
Speaker 3: really I didn't remember the scene and I was blown

1162
01:00:15,280 --> 01:00:15,720
Speaker 3: away by it.

1163
01:00:15,800 --> 01:00:20,440
Speaker 2: Yeah, it's a great scene. Yeah, and there we have it.

1164
01:00:20,760 --> 01:00:22,520
Speaker 3: There, we have it all right. What are we going

1165
01:00:22,560 --> 01:00:24,800
Speaker 3: to give it, folks? And what's your measuring stick?

1166
01:00:25,240 --> 01:00:30,760
Speaker 2: Wolfgirl paintings, Cave Girl Paintings ten, ten out.

1167
01:00:30,640 --> 01:00:33,800
Speaker 3: Of ten, yeah, Wolfgirl paintings, tar, what do you give it?

1168
01:00:33,960 --> 01:00:40,480
Speaker 6: I'm going to give it nine suky spaghetti knit balls whatever.

1169
01:00:40,200 --> 01:00:44,760
Speaker 4: They are, Danielle, what are you gonna I'm going to

1170
01:00:44,800 --> 01:00:47,640
Speaker 4: give it eight point five regular yarn balls.

1171
01:00:49,680 --> 01:00:53,600
Speaker 3: Scott, I've got to take my hat off to it.

1172
01:00:55,720 --> 01:00:57,280
Speaker 3: I think I'm going to give it a nine and

1173
01:00:57,320 --> 01:01:02,640
Speaker 3: a half as well, because I'm to deduct five tenths

1174
01:01:02,640 --> 01:01:12,200
Speaker 3: for the the Marty Rory snoozethon stuff. So but other

1175
01:01:12,280 --> 01:01:13,720
Speaker 3: than that, I thought it was just kind of a

1176
01:01:13,760 --> 01:01:17,600
Speaker 3: perfect episode. It was really everything that Girl Gilmore Girls

1177
01:01:17,640 --> 01:01:21,960
Speaker 3: does really really well, everything that that show is about,

1178
01:01:22,240 --> 01:01:27,000
Speaker 3: with the right amount of conflict, but with that great

1179
01:01:27,280 --> 01:01:30,360
Speaker 3: that great spice, that great feeling of the town coming

1180
01:01:30,360 --> 01:01:32,960
Speaker 3: together to do something and kind of in a silly

1181
01:01:33,000 --> 01:01:35,720
Speaker 3: way and everybody gets to be eccentric and weird and

1182
01:01:35,920 --> 01:01:40,440
Speaker 3: happy and together. So it gave me that good Gilmore

1183
01:01:40,480 --> 01:01:44,000
Speaker 3: feeling again. So loved it and I'm gonna give it

1184
01:01:44,040 --> 01:01:47,200
Speaker 3: a measuring stick. Is what's the measuring stick going to be.

1185
01:01:49,760 --> 01:01:54,479
Speaker 3: I'm gonna say nine point five court orders from Luke's lawyer.

1186
01:01:57,560 --> 01:02:00,280
Speaker 3: All right, everybody, that's going to wrap it up. Uh.

1187
01:02:00,760 --> 01:02:04,920
Speaker 3: Next episode is season seven, episode ten, Mary Fisticoff. So

1188
01:02:04,960 --> 01:02:08,760
Speaker 3: that sounds quite provocative. Thank you, ladies. Danielle Romo, Tara

1189
01:02:08,840 --> 01:02:15,480
Speaker 3: sued Amy Sugarman. Suzanne French is on hiatus in Bora Borah.

1190
01:02:15,960 --> 01:02:20,280
Speaker 3: She's currently I think she's in a canoe of some

1191
01:02:20,320 --> 01:02:25,200
Speaker 3: sort and she's she's fishing with her hands as you John,

1192
01:02:25,200 --> 01:02:30,240
Speaker 3: and they are living, they're spending their iHeart dollars.

1193
01:02:30,320 --> 01:02:37,680
Speaker 2: Let me tell you they're signing.

1194
01:02:36,120 --> 01:02:45,000
Speaker 3: Anyway. I'm going to close again by sending my condolences

1195
01:02:45,000 --> 01:02:50,240
Speaker 3: out to the Ruben family. Sam Ruben, you were amazing man.

1196
01:02:50,480 --> 01:02:54,680
Speaker 3: You will continue to inspire and influence people for decades

1197
01:02:54,720 --> 01:02:59,080
Speaker 3: to come. And my condolences to the family. What what

1198
01:02:59,120 --> 01:03:03,120
Speaker 3: a what a beautiful, beautiful guy. And we mourn the

1199
01:03:03,200 --> 01:03:07,400
Speaker 3: loss of Sam Rubin. And that's not going away. That

1200
01:03:07,560 --> 01:03:10,400
Speaker 3: is not going away. We lost a great one. And

1201
01:03:11,560 --> 01:03:43,160
Speaker 3: God bless everybody, everybody, and don't forget follow us on

1202
01:03:43,240 --> 01:03:47,640
Speaker 3: Instagram at I Am all In podcast and email us

1203
01:03:47,680 --> 01:04:00,920
Speaker 3: at Gilmour at iHeartRadio dot com