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Speaker 1: The volume. We are back.

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Speaker 2: End of the week. Yes, still freezing in New York.

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Speaker 1: I love it.

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Speaker 2: This is this is when I come alive. Weather drop fast.

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Speaker 1: Huh.

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Speaker 2: October I think is my favorite month of the entire year.

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Speaker 2: You missed October. I'm not misstroctor. Your October is very

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Speaker 2: own though. For sure that's a fact, but.

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Speaker 3: I don't ever say that's a fact. Yeah, now you

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Speaker 3: n r M moll Yeah, exactly. I'm a n r

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Speaker 3: M roy exactly you are are, Yes.

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Speaker 4: I know what it's like if it's our click, it's

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Speaker 4: like our a sap. Yeah, n r M pach blood

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Speaker 4: and blood out. No, I go, how come you not

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Speaker 4: have an n r M baby d chain?

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Speaker 5: You ain't bought one?

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Speaker 2: Oh yeah, I forgot. We would have to buy the Yeah,

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Speaker 2: she could buy it, know the fuck I won't. We

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Speaker 2: never had a chaining day for the Americans. Right here

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Speaker 2: she got widdows the.

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Speaker 3: Yeah walking around with hilarious baby right then? Yeah, now

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Speaker 3: you got I don't know. Our chaining day was with

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Speaker 3: going to w t F with Eddin.

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Speaker 2: Was that chining pretty much? Pretty much?

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Speaker 1: Yeah?

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Speaker 5: The video Did y'all pay for add tattoo? Or did

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Speaker 5: he pay for himself.

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Speaker 2: It was free because we did content with was that inked?

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Speaker 2: I forgot who got the name of this?

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Speaker 4: Yeah, I still got to get my basically tattooed touched

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Speaker 4: up a little bit.

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Speaker 2: Yeah, you got that day. Yeah, I'll go back with

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Speaker 2: Edden he can get his touched up.

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Speaker 1: Yeah.

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Speaker 2: But anyways, we are back. How's your week been? I've

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Speaker 2: been with the Week every day. We see each other

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Speaker 2: every day. You know exactly how my week's been.

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Speaker 1: Yeah.

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Speaker 4: Young Berg aka hit Maker episode is out right now

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Speaker 4: with a great hit maker, great conversation.

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Speaker 2: If you haven't checked it out, it's hilarious.

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Speaker 4: He tells some very funny stories about he's He's like

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Speaker 4: Maul said, off my yesterday. He's he's in that bow

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Speaker 4: wow like Forrest Gump of hip hop type type area.

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Speaker 2: Origin is crazy. It's absolutely insight. His origin story is

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Speaker 2: absolutely crazy, like going like being discovered by DMX and

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Speaker 2: then being signed to DMX, then.

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Speaker 4: Being signed in one of Scott Yeah not in Violator.

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Speaker 4: Yeah yeah, yeah, it's kind of nuts. But we've had

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Speaker 4: Berg on a few times and he's still somehow always tells.

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Speaker 3: Us new stories every time he comes on. So he's

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Speaker 3: great guest. Check that out how many songs he got

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Speaker 3: dropped me today?

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Speaker 1: Twenty one?

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Speaker 2: He says, I think more than that, and say like

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Speaker 2: thirty or forty or something. As you're listening to.

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Speaker 3: This, he's working. Man, got hit maker. I got to

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Speaker 3: know what his pub dey look like. Life is good

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Speaker 3: living in Miami. I might need to pay no mortgage.

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Speaker 3: I might need to borrow.

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Speaker 2: Yeah, chilling. He putting forty songs. Let me borrow to today? Yeah, man,

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Speaker 2: just borrow a song exactly many.

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Speaker 1: Yeah.

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Speaker 4: We are sponsored by Boost right now. We have merch

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Speaker 4: on sale at new roymul dot com. Also, if you

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Speaker 4: want to hear this episode ad free, five dollars for

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Speaker 4: the whole month. Every single episode is AD free. Where

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Speaker 4: do you want to start? I don't want to start

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Speaker 4: in a somber place, but I mean I feel like

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Speaker 4: we do need to start by saying rest in peace

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Speaker 4: to one of the greatest musicians, singers, artists of our time, di'angelo.

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Speaker 1: Yeah.

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Speaker 4: This this was one of those this like when artists

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Speaker 4: die or celebrities die sometimes like oh that sucks with this,

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Speaker 4: this one like hurt, like I felt like I know

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Speaker 4: him and I've never met him. Yeah, it's this. I

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Speaker 4: don't even know where to begin on this one. How

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Speaker 4: many times in the last ten years of podcasting I

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Speaker 4: have we just discussed our Dmslow was one of our

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Speaker 4: favorite artists ever. Anytime we have an R and B debate,

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Speaker 4: first name we bringing up like he was one of them. Absolutely,

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Speaker 4: Like you can't compare his voice or style to any

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Speaker 4: other artist period, whether.

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Speaker 2: Be pop, R and B and Neils or whatever. He

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Speaker 2: I mean, he was a goat with you.

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Speaker 4: Know, three albums that he spread out in each generation

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Speaker 4: an era that he put an album out.

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Speaker 2: He changed the face of music during it.

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Speaker 4: Absolutely so yeah, I mean, uh, you know, condolences to

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Speaker 4: his family, definitely, to his his son definitely, probably rough

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Speaker 4: rough year for him, losing both parents so so prise,

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Speaker 4: and condolences to his.

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Speaker 2: Son as well as his daughter too.

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Speaker 4: But did you ever have the privilege of meeting D'Angelo?

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Speaker 3: Uh, he was in the studio one night. I forgot

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Speaker 3: whose session it was. He was in the studio, but

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Speaker 3: we never I never had the the privilege of having

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Speaker 3: an actual one on one conversation and kicking with kicking

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Speaker 3: it with him and giving him his flowers. But you know,

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Speaker 3: when you say di'angelo, you know for somebody growing up

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Speaker 3: in the nineties, we call it the golden of music.

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Speaker 3: R and B especially D'Angelo was was the guy that

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Speaker 3: you know, absolutely changed the style. You know, you used

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Speaker 3: to seeing musicians look a certain way. You know, I

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Speaker 3: used to seeing musicians with the talent level of it.

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Speaker 3: The Angelo would have corn rolls and you know, leather

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Speaker 3: jackets and no shirt. Like it was like, you know,

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Speaker 3: he just changed the style of what musicians look like,

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Speaker 3: especially in the nineties, Like he just came in. It was,

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Speaker 3: you know, just completely completely just changed the sound and

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Speaker 3: the energy in R and B soul. So many people

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Speaker 3: that are an extension of his talent and his musical genius.

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Speaker 3: So receiving that news of his past and was definitely heavy,

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Speaker 3: like you know, because the Angelo was never somebody that

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Speaker 3: was ever really in the headlines. So it's easy to

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Speaker 3: kind of like not think about the Angelo unless you

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Speaker 3: like hearing his music or like you you know, he

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Speaker 3: happens to be working on a new project. So when

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Speaker 3: you know, I forgot who hit the chat and it

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Speaker 3: was like the Angelo passed. I was like I read that.

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Speaker 3: I was like, whoa you let me? Just reading that

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Speaker 3: was just like that's somebody he wasn't expecting to just

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Speaker 3: you know, reads passed away. But after privately, you know,

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Speaker 3: battling the illness and things like that, you know, the

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Speaker 3: family decided to keep that, you know, because he was again,

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Speaker 3: he was not Dangelo, wasn't somebody that was ever really

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Speaker 3: in the headlines. There wasn't nothing negative.

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Speaker 1: You know.

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Speaker 3: It was just like if it wasn't about music, if

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Speaker 3: he wasn't performing, you didn't know what D'Angelo was doing.

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Speaker 3: And I think that's the way he wanted it. That's

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Speaker 3: the way he you know, saw of his mystique and

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Speaker 3: his aura was was strictly about the music and his talent.

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Speaker 3: But so young, you know, to to to pass away

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Speaker 3: at fifty one, and his talent, man, you know, obviously

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Speaker 3: had to live on.

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Speaker 2: His music lives on. But yeah, di'angelo was was one

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Speaker 2: of the greats.

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Speaker 1: You know.

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Speaker 3: For him to no longer be with us, you know,

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Speaker 3: so soon, it's just like it's just kind of like,

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Speaker 3: you know, put you in a fag because you can't

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Speaker 3: really like damn like that fast so soon, like, but

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Speaker 3: you know, one of the greatest. Remember listening to you know,

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Speaker 3: Lady and Brown Sugar being in high school like he

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Speaker 3: was just a soundtrack. If you was like, had a

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Speaker 3: crush on a girl, you had to play D'Angelo. You

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Speaker 3: had to, like, you know, if it was a talent show,

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Speaker 3: it was like, who's gonna see D'Angelo? Like, now everybody came,

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Speaker 3: who's gonna try to do that? Everybody D'Angelo? Like he

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Speaker 3: was just the coolest of the cool man. So prais

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Speaker 3: and condolence is his family left an incredible legacy, you know,

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Speaker 3: just somebody just had so much musical integrity and so

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Speaker 3: much style and and and did it his way. So yeah, man,

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Speaker 3: it's it's a terrible loss for the coaching and for music.

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Speaker 3: But you know, his work is here, His his music

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Speaker 3: is here, the people that he influences here, the artists

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Speaker 3: that he worked would still here. So you know, his

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Speaker 3: music and his art lives onf for sure.

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Speaker 2: Yeah.

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Speaker 4: When I was working for Kevin Lyles, he was working

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Speaker 4: with Dangelo, I guess you could say manager Dangelo at

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Speaker 4: that time for the Black Messiah album and Dangel that

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Speaker 4: you know obviously never came to the office, never was like,

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Speaker 4: you know, part of any meetings or anything. But when

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Speaker 4: I say anytime keV would play like a song from

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Speaker 4: that album before it came out, Like we would all

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Speaker 4: just gather around like the media room door like children

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Speaker 4: and just put our fucking ear to the side to

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Speaker 4: try to hear that shit. So like seeing that project

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Speaker 4: from an office standpoint completely come together was like just

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Speaker 4: an honor to be next to somebody that was working

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Speaker 4: with Dangelo. Like I had nothing whatsoever to do. I

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Speaker 4: was just in the office, But that was like one

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Speaker 4: of the coolest times ever of like damn listening to

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Speaker 4: a D'Angelo project right now, like nobody's heard, but yeah,

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Speaker 4: sit with me and Dixon were in Electric Lady, which

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Speaker 4: is a very famous studio in New York City where

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Speaker 4: you know Dangel recorded most of his work, So aquariums

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Speaker 4: from Fuck Eric Badoo, everyone you know recorded out of there.

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Speaker 4: We like didn't work for like an hour and a

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Speaker 4: half because we were just sitting there talk like like

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Speaker 4: Dangelo sat right here. Yeah, Like we shouldn't be allowed it.

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Speaker 4: It's fu like why are we why are we working

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Speaker 4: in here? This is nuts, Like that's the same.

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Speaker 2: Mooth, incredible talent man.

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Speaker 4: So yeah, rest in peace again. I don't know if

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Speaker 4: you have any Dangel memories, not like personal will.

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Speaker 5: Just like you guys covered everything.

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Speaker 2: He's a good job.

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Speaker 4: Yeah, I did see, And I'm not sure if this

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Speaker 4: was a rumor confirmed that prior to his death he

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Speaker 4: was working on did it say like six different projects

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Speaker 4: or something he was working on that wouldn't surprise me,

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Speaker 4: So I mean hopefully that means, you know, we're still

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Speaker 4: going to get D'Angelo music that he would want out,

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Speaker 4: not just some ship that a label threw together with

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Speaker 4: fucking old dat tapes. But he was probably battling pancreatic cancer,

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Speaker 4: so it wouldn't surprise me if he was planning.

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Speaker 2: These projects for after his death.

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Speaker 4: So you know, I hope we get to at least

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Speaker 4: here though sometimes so absolutely, but yeah, I don't really

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Speaker 4: know how to turn turn them round Benzeno. This was

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Speaker 4: just a perfect example of sometimes.

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Speaker 3: The angeloa Benzinos, because I know, I know that's absolutely crazy.

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Speaker 4: It's a perfect example of of a like sometimes honoring

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Speaker 4: legends that have passed, like you should just sit out.

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Speaker 4: Sometimes we don't need to know what, like what influences

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Speaker 4: you had from him after his death, because I do

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Speaker 4: believe that Benzino was influenced by Dangelo, all of us were.

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Speaker 4: But I didn't need to see like exactly how Benzino

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Speaker 4: was influenced.

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Speaker 6: Okay, I cannot Okay, no.

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Speaker 2: I don't think.

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Speaker 3: I don't think Benzino was influenced by D'Angelo about Benzino's music,

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Speaker 3: nothing that I think. This is just what call it.

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Speaker 3: This is cloud chasing. I think that's exactly what this is.

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Speaker 4: But he was doing it, yeah, he was. Come on,

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Speaker 4: he was giving Dangelo his flowers before.

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Speaker 5: Yeah, that's yeah. He didn't just do that but Angelo died.

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Speaker 3: That would be fucking nuice. But oh he didn't just

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Speaker 3: do this. No, it's still nice. So he had this

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Speaker 3: in the vault. Matter of fact, I.

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Speaker 4: Think it's more disrespectful of doing this when D'Angelo is

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Speaker 4: alive so he can see it. Why why he's just

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Speaker 4: gonna have to put that ship somewhere on the screen.

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Speaker 4: It's it's the untitled video when Dangelo is is shirtless

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Speaker 4: with that shadow. But Benzino took that and put his

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Speaker 4: own spin on it. Oh, this with him being shirtless,

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Speaker 4: this is how does it feel?

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Speaker 1: Yes?

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Speaker 2: Okay, okay, listen, man, I mean I stayed correct.

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Speaker 3: This was before this video was out, before D'Angelo passed, Yes,

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Speaker 3: and I stayed correct and when maybe Benzino was influenced

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Speaker 3: by No.

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Speaker 4: He was suggesting, like, you know, he posted it when

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Speaker 4: Benzino passed, like, hey, I've been influenced in my career

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Speaker 4: by him.

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Speaker 2: Here's an example of how how it made him feel. Okay,

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Speaker 2: and I saw it.

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Speaker 4: I saw Dangelo's son post something of you know, it's

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Speaker 4: been a tough year. Thank you guys for having me

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Speaker 4: in your thoughts and prayers. I'll definitely need it, Like

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Speaker 4: keep keep telling me that. Do you think this made

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Speaker 4: him feel any better? Like so some things, some tributes

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Speaker 4: should just be like kept in the time. I'm sure

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Speaker 4: he read Beyonce's post and was like, oh man, that's

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Speaker 4: that's really cool to know that my pops, you know,

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Speaker 4: influenced one of the biggest pop stars ever. Like those

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Speaker 4: types of things I think help in grief and death.

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Speaker 4: If I saw this, like that's gonna that's gonna delay

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Speaker 4: like funeral.

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Speaker 2: Plans, I'm gonna be so angry.

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Speaker 6: I honestly, it probably gave him a laugh. It probably

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Speaker 6: gave him like like.

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Speaker 4: Or him and his dad may have laughed at that

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Speaker 4: together before. That could have been a good memory.

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Speaker 3: Yeah, yeah, Like if that was out before his passion

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Speaker 3: then Yeah, I'm pretty sure D'Angelo laughed at that.

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Speaker 2: Absolutely.

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Speaker 4: Yeah. I also thought it's also crazy to think that

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Speaker 4: James got the last recorded D'Angelo record that was put

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Speaker 4: out font James Samuel for the soundtrack for the Book

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Speaker 4: of Clarence.

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Speaker 2: It was the Jason Angelo record.

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Speaker 3: I Want You For Yeah, so that's that was the

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Speaker 3: last one that was put out while he was alive,

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Speaker 3: which is crazy to think. But now now that would

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Speaker 3: make sense though, James working with Dan, oh, absolutely that

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Speaker 3: makes it.

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Speaker 4: Yeah, I'm sure they had been talking about that for

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Speaker 4: quite some time, even before that, because I think James

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Speaker 4: even went in interviews and like, Hope didn't even know

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Speaker 4: about it, and he just was sending him snippets and

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Speaker 4: I think he said Hove was on the treadmill sending

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Speaker 4: him bars while he was running on the treadmill because

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Speaker 4: he had this d.

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Speaker 2: Angelo record, Like, yeah, I'll write for Dan. You got

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Speaker 2: a d Angelo record? Yeah, I'll get on that for sure.

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Speaker 4: That's such a that's such a cool way for hip

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Speaker 4: hop to age, like a guy in his fifties on

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Speaker 4: a treadmill writing raps to a d' angelo record.

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Speaker 2: Yea for a movie called Book of Clarence.

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Speaker 4: And then sending them his voice notes to like someone's iPhone.

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Speaker 4: That absolutely, But yeah, I wish you guys wanted to

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Speaker 4: shame me so much when I thought Dangelo was down

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Speaker 4: the hall for me those months ago.

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Speaker 3: Oh yeah, I remember that. Yeah, you kept when you

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Speaker 3: kept conveniently having to walk to the bathroom. Yeah, in

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Speaker 3: the Dungeon net flux. Yeah, but I talked to that.

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Speaker 3: But then when you told us that, I understood it, though,

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Speaker 3: like I got it. Yeah, I was like, no, listen,

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Speaker 3: that's that's Dangelo.

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Speaker 2: I get it.

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Speaker 3: But it's like, there's a way to go about that still,

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Speaker 3: But I understood it's D'Angelo. Bro as a musician, as anybody,

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Speaker 3: a producer, as an artist, if you have the opportunity

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Speaker 3: to be in the same rooms, especially a studio, and

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Speaker 3: just talk to DiAngelo and pick his brain about music,

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Speaker 3: I mean, you definitely have to take that opportunity whenever

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Speaker 3: you can, because you don't know when you'll have that opportunity.

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Speaker 4: Again, and because he had probably the most unique voice

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Speaker 4: in R and B history, and be outside of like

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Speaker 4: Marvin Gay, you know, when you're walking past a studio

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Speaker 4: and like, all right, that's d Angelo and I've never

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Speaker 4: heard that song, but what the fuck is going on

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Speaker 4: in there?

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Speaker 2: Yeah?

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Speaker 4: But yeah, Benzino, I guess we all we all grieve.

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Speaker 2: Different we do, that is very true. Or we do

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Speaker 2: grieve differently.

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Speaker 4: Absolutely, Big l and the Massil album we talked about

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Speaker 4: last episode, but they put out the first single with

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Speaker 4: Nads you Ain't Got a Chance with a visual too

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Speaker 4: that I.

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Speaker 2: Thought was really cool, just going through Old Harlem and

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Speaker 2: the Old Queens.

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Speaker 4: First record is Fire out the Gate Massive Field again, yeah,

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Speaker 4: Nads on the first single.

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Speaker 2: What is Massive Piel doing in twenty twenty five?

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Speaker 1: Man?

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Speaker 2: And we're getting the more nods and premotion?

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Speaker 1: Yeah?

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Speaker 3: Like nah, sat back and was like all right, because

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Speaker 3: because Berg did say, you know the question he asked

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Speaker 3: and I've been thinking about that since last night. Was

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Speaker 3: like under thirty five, no legacy, Yeah, acts? Who are

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Speaker 3: the rap? Who are the guys? Who are the top five?

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Speaker 3: And I'm that ship, like I cannot believe I cannot

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Speaker 3: name I could name one.

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Speaker 4: Well, I mean That's where I'm kind of mad. We

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Speaker 4: were rights however many years ago when we were like, yo,

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Speaker 4: do you think there's gonna be another Big three? Another

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Speaker 4: rap supers? Like I can't see it.

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Speaker 3: I can see when we have in big one, like

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Speaker 3: we was leaving fifty Hole Kanye Wayne, like we could see.

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00:16:00,360 --> 00:16:02,600
Speaker 4: Yeah, there was like six people that were candidates in

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Speaker 4: the beginning. Of course it switched and we got to

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Speaker 4: a three, but we were all looking at five to six.

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Speaker 4: Ship maybe even said like Wiz could have been that,

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Speaker 4: I can't really see one right now.

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Speaker 3: It's crazy, man, And you know, I think, but we're haters.

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Speaker 6: I was gonna say they're gonna kick y'all ass ball

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Speaker 6: and not talk about Playbo.

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Speaker 5: Cardi and Young Boy and White play Boy Cardi.

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Speaker 6: Listen, hey, I'm not talking about about what we I'm

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Speaker 6: talking about. You're talking about rap superstars and let people.

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Speaker 4: They were Cardi's not a rapper to me, No, he's

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Speaker 4: a He's like a noise okay, NBA.

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Speaker 2: Young Boy we brought we brought him up.

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Speaker 3: Yeah, we brought Kodak up as well with well, how

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Speaker 3: old is Playboy Cardi?

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Speaker 5: Thirty?

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Speaker 4: So even there, like I think what Berg was asking

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Speaker 4: was like even younger than Cardi, I know. But even

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Speaker 4: when we brought up like Travis, I agree with He's

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Speaker 4: like I already see Travis is already getting to the

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Speaker 4: legendary ship like.

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00:16:56,320 --> 00:16:59,000
Speaker 3: I don't not a rapper that too, So I put

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00:16:59,080 --> 00:17:01,680
Speaker 3: I put Playboy in that same Travis Aaric rock star.

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00:17:02,080 --> 00:17:03,160
Speaker 2: Yeah, like you know what I mean.

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Speaker 3: It's it's not when I say I'm talking nas Jay Wayne.

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Speaker 3: You know what I'm saying, like that type of those

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Speaker 3: guys that rap like where where is it?

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Speaker 6: But but that's but that's what that young boy because

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Speaker 6: you can't.

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00:17:16,920 --> 00:17:18,840
Speaker 3: Yeah, but he but he even said he was like

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Speaker 3: he feels like young boy is more already like in

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Speaker 3: his own legacy kind of thing already because he's been lit.

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Speaker 3: Like that's yes, it is not new for you, young

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Speaker 3: boy just catching on to it like been at his

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Speaker 3: own you know what I'm saying.

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Speaker 5: Looking for people after young like that's like rap.

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Speaker 3: Yeah, okay, look take young boy, take young Boy.

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Speaker 5: I can't.

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Speaker 3: I was like, but what I'm saying even if you

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Speaker 3: say yeah, young boy, okay, who else? Then what after that?

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00:17:49,960 --> 00:17:52,480
Speaker 2: I said, Yeat? But got laughed at.

379
00:17:53,040 --> 00:17:56,840
Speaker 4: Yeah, listen, I've seen footage of Yeat concerts.

380
00:17:56,880 --> 00:18:00,440
Speaker 2: Like he has a crazy fan base. I'm not saying

381
00:18:00,440 --> 00:18:01,919
Speaker 2: he don't have a fan base. I'm talking about it.

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00:18:01,920 --> 00:18:04,320
Speaker 4: Oh, he's an awful rapper, don't get me wrong, Like

383
00:18:04,359 --> 00:18:07,720
Speaker 4: he makes terrible music in my opinion, clearly that doesn't

384
00:18:07,760 --> 00:18:10,040
Speaker 4: matter because he's selling out more tickets than I could

385
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Speaker 4: ever dream of selling.

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00:18:11,600 --> 00:18:13,359
Speaker 2: I'm not trying to disrespect him in that way.

387
00:18:14,040 --> 00:18:16,040
Speaker 4: That's why I brought I didn't bring him up ironically

388
00:18:16,200 --> 00:18:18,359
Speaker 4: like that would be considered rap now and he is

389
00:18:18,600 --> 00:18:22,359
Speaker 4: dominating as far as streams and hard ticket sales like

390
00:18:22,440 --> 00:18:22,920
Speaker 4: he is.

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Speaker 1: Shit.

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00:18:24,680 --> 00:18:27,199
Speaker 4: I think the biggest record on the last Drake project

393
00:18:27,200 --> 00:18:29,800
Speaker 4: was the one with E outside of first person Shooter,

394
00:18:30,600 --> 00:18:31,440
Speaker 4: rod Wave.

395
00:18:32,320 --> 00:18:33,439
Speaker 2: Not a rapper, singer.

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00:18:33,760 --> 00:18:36,879
Speaker 4: I give him his credit, Like he's definitely dominating the

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Speaker 4: younger generation, but would you consider him a rapper?

398
00:18:40,280 --> 00:18:44,440
Speaker 2: I wouldn't consider Rod Wave rapper? Okay, yeah, rap.

399
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Speaker 4: He's almost like exclusively singing to me. Maybe he gets

400
00:18:49,000 --> 00:18:50,199
Speaker 4: a little twelve off every now and then.

401
00:18:50,240 --> 00:18:50,639
Speaker 1: I don't know.

402
00:18:50,680 --> 00:18:52,520
Speaker 5: But Dojah Cat is only twenty nine.

403
00:18:53,040 --> 00:18:55,400
Speaker 2: He brought up Doja No, Well he was talking about

404
00:18:55,440 --> 00:18:56,640
Speaker 2: like mail on the mail side.

405
00:18:56,680 --> 00:18:59,960
Speaker 5: Oh okay, yeah, no.

406
00:19:00,119 --> 00:19:03,040
Speaker 2: Who Roddy Rich. I like Roddy Rich a lot, and

407
00:19:03,080 --> 00:19:03,600
Speaker 2: he had.

408
00:19:03,480 --> 00:19:05,919
Speaker 3: Now we're just going see we just doing it now,

409
00:19:05,920 --> 00:19:06,560
Speaker 3: we just googled.

410
00:19:06,560 --> 00:19:08,320
Speaker 2: Now, we just google rappers and we just named a name.

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00:19:08,359 --> 00:19:12,359
Speaker 4: No, don't do that, because Roddy a few years ago

412
00:19:12,560 --> 00:19:15,080
Speaker 4: it did look like the same way. Maybe we were

413
00:19:15,080 --> 00:19:21,440
Speaker 4: looking at Sean wiz Wile a cole like Roddy had

414
00:19:21,480 --> 00:19:23,080
Speaker 4: that moment for a year was like, oh, he could

415
00:19:23,119 --> 00:19:25,879
Speaker 4: be if he keeps this pace up, he could be that.

416
00:19:25,920 --> 00:19:27,440
Speaker 4: But then he put out the album that he even

417
00:19:27,480 --> 00:19:33,640
Speaker 4: admitted fucking stunk, and it definitely like redirected his career

418
00:19:33,920 --> 00:19:36,639
Speaker 4: and any type of steam that he had, and he

419
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Speaker 4: just pushed his album back for like the seventeenth time.

420
00:19:40,119 --> 00:19:42,200
Speaker 3: I guess little Baby would probably be the one most

421
00:19:42,200 --> 00:19:46,200
Speaker 3: people would probably it would be like a little Baby.

422
00:19:46,040 --> 00:19:48,480
Speaker 4: Because all y'all said we were moving into the little

423
00:19:48,480 --> 00:19:50,719
Speaker 4: Baby era and I'm still waiting for the moving company.

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Speaker 3: I'm just saying, like he would be one of the

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Speaker 3: guys that people would name. It would be a little baby.

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Speaker 3: Maybe even throw Meek in it. Well, no, howl is

427
00:19:59,080 --> 00:19:59,440
Speaker 3: me me?

428
00:19:59,640 --> 00:20:00,719
Speaker 2: Is he's older than me?

429
00:20:00,880 --> 00:20:01,160
Speaker 5: Older?

430
00:20:01,240 --> 00:20:01,880
Speaker 2: Yeah?

431
00:20:01,760 --> 00:20:01,920
Speaker 1: Ok?

432
00:20:02,040 --> 00:20:03,600
Speaker 5: Yeah now old but yeah?

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00:20:03,600 --> 00:20:05,280
Speaker 2: But so it will be like the little Baby. It

434
00:20:05,320 --> 00:20:09,879
Speaker 2: would be guys like Gunna Gunn is definitely there, but

435
00:20:09,920 --> 00:20:12,240
Speaker 2: it's gonna might be older is he? But is he

436
00:20:12,320 --> 00:20:14,240
Speaker 2: wrapped the gun is older than thirty five.

437
00:20:14,240 --> 00:20:15,880
Speaker 5: I said, he might be. I'm not sure. I'll check.

438
00:20:17,040 --> 00:20:20,560
Speaker 2: Wait, he's thirty two, Okay.

439
00:20:20,600 --> 00:20:22,520
Speaker 4: I was gonna say, you can't be wearing like them

440
00:20:22,760 --> 00:20:26,640
Speaker 4: them leather rain boots after thirty five, Like that's that's

441
00:20:26,680 --> 00:20:27,800
Speaker 4: the that's a young man's sport.

442
00:20:28,200 --> 00:20:32,800
Speaker 2: Kanye do it Kanye like he's Peter Pan. I don't

443
00:20:32,840 --> 00:20:33,320
Speaker 2: even know that.

444
00:20:33,800 --> 00:20:38,119
Speaker 1: I don't even know what that means all.

445
00:20:38,160 --> 00:20:41,400
Speaker 2: He doesn't talk about his innery, creative child. Oh man.

446
00:20:41,880 --> 00:20:43,399
Speaker 3: Yeah, but that was a you know, that was a

447
00:20:44,160 --> 00:20:47,639
Speaker 3: great you know, like central Sir definitely stumped me with

448
00:20:47,680 --> 00:20:48,040
Speaker 3: that one.

449
00:20:48,760 --> 00:20:50,800
Speaker 2: I was like, damn, I never really saying that.

450
00:20:51,000 --> 00:20:51,679
Speaker 1: Yeah you.

451
00:20:55,000 --> 00:20:56,879
Speaker 2: Oh no, what we young boy we're saying is there

452
00:20:56,880 --> 00:20:59,119
Speaker 2: we're trying to anyone else we.

453
00:20:59,160 --> 00:21:03,320
Speaker 3: Named young boy, but he said name five. So I said, okay,

454
00:21:03,520 --> 00:21:07,080
Speaker 3: young boy, cool, forgive me four more. Like we're sitting here,

455
00:21:07,119 --> 00:21:10,000
Speaker 3: we don't even we just like, yeah, and that's crazy

456
00:21:10,040 --> 00:21:12,360
Speaker 3: to say that. We can't even do that in rap,

457
00:21:12,480 --> 00:21:15,680
Speaker 3: Like you can't name five of the guys under thirty

458
00:21:15,680 --> 00:21:16,400
Speaker 3: five that are like.

459
00:21:16,359 --> 00:21:20,879
Speaker 2: The next legends, Like that's scary. That is scary.

460
00:21:21,040 --> 00:21:24,280
Speaker 5: Jack Jack Carlow Jack Carlow is not gonna be a legend.

461
00:21:25,320 --> 00:21:28,840
Speaker 2: Well, we're saying the next guy. Wait, and that's just

462
00:21:28,840 --> 00:21:29,440
Speaker 2: say about somebody.

463
00:21:30,280 --> 00:21:30,760
Speaker 1: He ain't gonna be.

464
00:21:32,520 --> 00:21:34,960
Speaker 3: Had like you might have, but you might have an

465
00:21:34,960 --> 00:21:36,920
Speaker 3: incredible next three year round he might.

466
00:21:37,000 --> 00:21:41,200
Speaker 6: I'm sorry, I apologize, right, I'm just saying it doesn't

467
00:21:41,240 --> 00:21:43,400
Speaker 6: appear to be on that trajectory for him.

468
00:21:43,440 --> 00:21:43,679
Speaker 1: I do.

469
00:21:43,720 --> 00:21:45,520
Speaker 2: I want the best for you. Got diamond records though,

470
00:21:45,520 --> 00:21:46,880
Speaker 2: like he got it, he has successful.

471
00:21:47,040 --> 00:21:48,400
Speaker 5: A lot of people have divond.

472
00:21:48,400 --> 00:21:49,920
Speaker 6: We ain't gonna say a lot a lot of people

473
00:21:49,960 --> 00:21:53,240
Speaker 6: have diamond records that have not had a successful full career,

474
00:21:53,280 --> 00:21:54,439
Speaker 6: but they have a diamond record.

475
00:21:55,880 --> 00:21:58,439
Speaker 4: No hold on how much I think you're thinking that

476
00:21:58,520 --> 00:22:03,840
Speaker 4: because he had so much output for like three years

477
00:22:03,880 --> 00:22:05,800
Speaker 4: and took a break. Just because you're taking a break

478
00:22:05,840 --> 00:22:07,879
Speaker 4: doesn't mean he's not doesn't have the same steam. Like

479
00:22:07,920 --> 00:22:10,040
Speaker 4: if he comes out with another single, which he's clearly

480
00:22:10,080 --> 00:22:13,320
Speaker 4: capable of, even the I'm Vanilla Baby shit popped right

481
00:22:13,359 --> 00:22:16,520
Speaker 4: after all those other fucking diamond records, he's capable of

482
00:22:16,880 --> 00:22:18,600
Speaker 4: like continuing that trajectory.

483
00:22:18,760 --> 00:22:20,240
Speaker 3: Yeah, but I don't like, you know, I don't like that,

484
00:22:20,280 --> 00:22:22,399
Speaker 3: And I think Jack is talented, but I don't like

485
00:22:22,440 --> 00:22:25,359
Speaker 3: that because you're naming records that are like samples and

486
00:22:25,400 --> 00:22:28,640
Speaker 3: flips of big records. It's like that's a cheat code

487
00:22:28,640 --> 00:22:31,720
Speaker 3: to me, Like give me your original sound, your original

488
00:22:31,800 --> 00:22:34,640
Speaker 3: record that's a smash, that's a fucking hit, a classic

489
00:22:34,720 --> 00:22:38,080
Speaker 3: record with no sample, Like give me that, Like when

490
00:22:38,080 --> 00:22:39,800
Speaker 3: you say I'm vanilla like that, what was the name?

491
00:22:39,960 --> 00:22:44,840
Speaker 3: What's the name of that recorde? Loving on great record?

492
00:22:44,920 --> 00:22:46,840
Speaker 3: But we know that we know that song already, Like

493
00:22:46,840 --> 00:22:49,880
Speaker 3: that's already a hit record that we've heard years ago.

494
00:22:50,040 --> 00:22:54,919
Speaker 4: Don't do that though, cause okay uh Kanye and Loupe

495
00:22:55,000 --> 00:22:59,600
Speaker 4: Fiasco Touched the Sky coming into his second album, Like

496
00:23:00,160 --> 00:23:02,639
Speaker 4: that was not even a sample flip, It was just

497
00:23:02,680 --> 00:23:03,400
Speaker 4: the fucking song.

498
00:23:03,520 --> 00:23:06,840
Speaker 3: Yeah, But before that, Kanye had already had his own sounds,

499
00:23:07,200 --> 00:23:10,560
Speaker 3: his own songs that didn't have like it may be

500
00:23:10,720 --> 00:23:14,000
Speaker 3: samples in it, but not as heavy as the jack

501
00:23:14,000 --> 00:23:15,760
Speaker 3: hap that was just that wasn't was that even.

502
00:23:15,880 --> 00:23:18,359
Speaker 4: I think older like a cover I think to older people,

503
00:23:18,880 --> 00:23:21,480
Speaker 4: which I've talked about before, like when my my pots

504
00:23:21,600 --> 00:23:23,720
Speaker 4: was never like against rapper was like a rap hater,

505
00:23:24,160 --> 00:23:26,040
Speaker 4: but like a lot of the songs that I would

506
00:23:26,040 --> 00:23:27,959
Speaker 4: listen to he'd be like, I know this fucking the

507
00:23:28,000 --> 00:23:28,480
Speaker 4: real song.

508
00:23:28,640 --> 00:23:31,400
Speaker 2: Like hip hop is based off the sense of the break.

509
00:23:31,560 --> 00:23:32,040
Speaker 2: I don't think we.

510
00:23:32,000 --> 00:23:34,240
Speaker 4: Should just put the rules for Jack there when all

511
00:23:34,240 --> 00:23:36,680
Speaker 4: of our favorite rappers ever have gotten hit records with

512
00:23:37,280 --> 00:23:38,520
Speaker 4: very very noticeable sam.

513
00:23:38,680 --> 00:23:44,080
Speaker 2: But noteble, so name another jack record? Well, pause the

514
00:23:44,160 --> 00:23:46,800
Speaker 2: jack Man album First Class? Is that not another cover?

515
00:23:47,400 --> 00:23:47,480
Speaker 1: No?

516
00:23:47,600 --> 00:23:49,480
Speaker 2: His three biggest singles are for sure like big.

517
00:23:49,560 --> 00:23:51,480
Speaker 3: That's what I'm saying, Like I'm just I'm just saying

518
00:23:51,520 --> 00:23:53,639
Speaker 3: that about Jack. Like I get it, he's talented and

519
00:23:53,640 --> 00:23:56,920
Speaker 3: he has big records, but like Jack, got to give

520
00:23:56,960 --> 00:24:01,480
Speaker 3: me Jack though, like, not the flip of a song

521
00:24:01,560 --> 00:24:04,360
Speaker 3: that was already huge years ago, he bringing it back,

522
00:24:04,400 --> 00:24:05,439
Speaker 3: putting his own spin on it.

523
00:24:05,520 --> 00:24:06,280
Speaker 1: I get that.

524
00:24:06,280 --> 00:24:08,800
Speaker 3: That's part of hip hop, sampling and taking. You know,

525
00:24:09,040 --> 00:24:13,560
Speaker 3: the break beat is the sample. But it's like, we

526
00:24:13,640 --> 00:24:16,160
Speaker 3: need your sound, we need your song, we need your record,

527
00:24:16,160 --> 00:24:19,159
Speaker 3: original record, like give us yours, not a flip on

528
00:24:19,240 --> 00:24:19,720
Speaker 3: something else.

529
00:24:19,800 --> 00:24:23,600
Speaker 4: I mean, well, that's why I kind of appreciated jack Man,

530
00:24:23,720 --> 00:24:24,800
Speaker 4: which we you just have to part.

531
00:24:24,800 --> 00:24:26,000
Speaker 2: I just wish he would call something else.

532
00:24:27,040 --> 00:24:30,200
Speaker 4: Yeah, Like he went with the pop rap with come

533
00:24:30,240 --> 00:24:33,119
Speaker 4: Home the Kids, Miss You did well, a bunch of singles.

534
00:24:33,560 --> 00:24:35,960
Speaker 4: Churchill Downs was fucking one of the best records of

535
00:24:35,960 --> 00:24:38,280
Speaker 4: that year too, without a crazy sample. Of course, you

536
00:24:38,320 --> 00:24:40,600
Speaker 4: have one of the better Drake features in the last decade.

537
00:24:40,640 --> 00:24:42,040
Speaker 4: But that'll help sometimes.

538
00:24:42,680 --> 00:24:45,679
Speaker 3: But he went helps a little bit and just to

539
00:24:45,680 --> 00:24:48,880
Speaker 3: shoot the video with him at the Kentucky Dirt I mean.

540
00:24:49,440 --> 00:24:51,120
Speaker 4: Who directed that was one of the most fire videos

541
00:24:51,119 --> 00:24:54,800
Speaker 4: I've seen quite some time. That shit was incredible. Who

542
00:24:54,960 --> 00:24:56,040
Speaker 4: Jack got shooting on for that?

543
00:24:56,359 --> 00:24:56,399
Speaker 1: No?

544
00:25:01,040 --> 00:25:04,520
Speaker 2: Oh, yeah, that's one of those like, well.

545
00:25:04,359 --> 00:25:07,120
Speaker 3: That Drake versus that's what it's like, drag versus insane.

546
00:25:07,440 --> 00:25:10,480
Speaker 3: I would like, you're you're ecstatic when that verse comes

547
00:25:10,520 --> 00:25:13,240
Speaker 3: back as an artist, like Drake sent you that, but

548
00:25:13,359 --> 00:25:16,919
Speaker 3: it's like, god, damn my nigga, Like, you whooped my

549
00:25:17,080 --> 00:25:19,760
Speaker 3: ass on this record, Like yeah, but you're not mad

550
00:25:19,800 --> 00:25:22,040
Speaker 3: because you know what it's gonna do, and you're coming out.

551
00:25:21,920 --> 00:25:25,040
Speaker 2: To Kentucky to do the video with my mom. I'm

552
00:25:25,080 --> 00:25:27,520
Speaker 2: not gonna play. But if I'm standing next to each

553
00:25:27,520 --> 00:25:30,520
Speaker 2: other for the first time, like Jesus Christ, you whooped

554
00:25:30,560 --> 00:25:31,000
Speaker 2: my ass.

555
00:25:31,119 --> 00:25:34,199
Speaker 4: Yeah, we get to shoot in slow mo horses at

556
00:25:34,240 --> 00:25:37,080
Speaker 4: the Kentucky Derby on a red camera like and even that.

557
00:25:37,160 --> 00:25:38,840
Speaker 2: Like, I remember when jay Z was on.

558
00:25:38,800 --> 00:25:40,800
Speaker 4: Wan Epstein and they had brought up that NAS line

559
00:25:40,840 --> 00:25:42,720
Speaker 4: of uh and Eminem killed you on your own shit,

560
00:25:43,000 --> 00:25:45,879
Speaker 4: j was like, well, I don't believe that, but okay,

561
00:25:46,000 --> 00:25:48,000
Speaker 4: did I should? I want a bad m verse for

562
00:25:48,080 --> 00:25:50,800
Speaker 4: my album? Right, It's like, yeah, of course, I'd like

563
00:25:50,800 --> 00:25:53,200
Speaker 4: you to fucking give me your best feature verse ever.

564
00:25:53,520 --> 00:25:55,720
Speaker 4: But jack Man was not any of the Like he

565
00:25:55,800 --> 00:25:58,120
Speaker 4: was flipping soul samples and like Chipmunk and shit.

566
00:25:58,240 --> 00:25:59,720
Speaker 2: But again, it felt more like.

567
00:25:59,680 --> 00:26:02,720
Speaker 4: A mixed tape and it didn't have the same commercial success,

568
00:26:02,720 --> 00:26:05,360
Speaker 4: but it didn't feel like that was even his approach. Yeah,

569
00:26:05,359 --> 00:26:08,640
Speaker 4: but he did that on his own after Without Yeah,

570
00:26:08,880 --> 00:26:10,359
Speaker 4: that his album.

571
00:26:10,800 --> 00:26:14,199
Speaker 3: I thought that year with Churchill downs on Hurry Up,

572
00:26:14,320 --> 00:26:15,080
Speaker 3: Come Home with Kids.

573
00:26:14,920 --> 00:26:18,120
Speaker 2: Micheon on Kids, great project. I like that project.

574
00:26:18,520 --> 00:26:21,320
Speaker 3: But even again, it's like a guy that I would

575
00:26:21,720 --> 00:26:24,920
Speaker 3: at one point, and Rory knows how I feel about Kodak,

576
00:26:25,000 --> 00:26:26,400
Speaker 3: I would have had him in that conversation.

577
00:26:27,160 --> 00:26:29,680
Speaker 2: He's had his troubles, jail.

578
00:26:29,760 --> 00:26:32,399
Speaker 3: You know, drugs, things like that, you know, just the

579
00:26:32,440 --> 00:26:34,800
Speaker 3: real life issues that kind of got in the way

580
00:26:35,200 --> 00:26:39,159
Speaker 3: of some of his trajectory. But I think Kodak to me,

581
00:26:39,240 --> 00:26:41,720
Speaker 3: Kodak Black is better than all of these guys as

582
00:26:41,760 --> 00:26:45,359
Speaker 3: far as rapping that that we're talking about, so you know,

583
00:26:45,440 --> 00:26:46,880
Speaker 3: but you know, things get in the way that that.

584
00:26:47,119 --> 00:26:50,600
Speaker 3: And to be a successful artist, and you know, you

585
00:26:50,600 --> 00:26:52,639
Speaker 3: could have tested this world, it takes more than just talent.

586
00:26:53,119 --> 00:26:55,240
Speaker 2: So many things have to align, Like.

587
00:26:55,200 --> 00:26:59,280
Speaker 3: When you look at the greats, everything has to align,

588
00:26:59,400 --> 00:27:01,640
Speaker 3: like how are they in their personal life? Like how

589
00:27:01,680 --> 00:27:04,360
Speaker 3: serious are they about their crap? How focused are they?

590
00:27:04,440 --> 00:27:07,560
Speaker 3: How dedicated are they to their talent. A lot of

591
00:27:07,560 --> 00:27:09,080
Speaker 3: the times you see gods with a lot of talent,

592
00:27:09,119 --> 00:27:11,399
Speaker 3: but their personal lives the thing, you know, their vices

593
00:27:11,400 --> 00:27:13,760
Speaker 3: and things like that getting the way and you know

594
00:27:13,800 --> 00:27:17,679
Speaker 3: it kind of interferes with their success. But to me,

595
00:27:17,800 --> 00:27:23,119
Speaker 3: Kodak Black is you know, he's his talent level is insane. Yeah,

596
00:27:23,200 --> 00:27:24,399
Speaker 3: And you go back to listen to a lot of

597
00:27:24,440 --> 00:27:26,639
Speaker 3: his early shit, and I found out because you know,

598
00:27:26,680 --> 00:27:28,440
Speaker 3: I was kind of I wasn't late to Kodak, but

599
00:27:28,480 --> 00:27:30,920
Speaker 3: I was later than some people, like most people were,

600
00:27:31,520 --> 00:27:34,000
Speaker 3: and listening to a lot of his shit when I

601
00:27:34,000 --> 00:27:36,640
Speaker 3: started finding out he was eighteen nineteen doing those type

602
00:27:36,680 --> 00:27:43,879
Speaker 3: of records, no features versus and hooks and melodies eighteen

603
00:27:43,960 --> 00:27:44,640
Speaker 3: nineteen years old.

604
00:27:44,760 --> 00:27:47,360
Speaker 2: That's not you don't see that much in rap.

605
00:27:47,600 --> 00:27:50,320
Speaker 3: Yeah, where a dude is doing his entire project no

606
00:27:50,440 --> 00:27:53,320
Speaker 3: features or a lot of his biggest records, no features.

607
00:27:53,400 --> 00:27:56,200
Speaker 3: He's doing the verses and the hooks, coming up with

608
00:27:56,240 --> 00:27:59,240
Speaker 3: the melodies. He's writing all his own shit. The thing,

609
00:27:59,359 --> 00:28:01,560
Speaker 3: his content, the shit he was saying in his balls,

610
00:28:01,560 --> 00:28:05,440
Speaker 3: I'm like being eighteen nineteen talking about the shit Kodak

611
00:28:05,520 --> 00:28:08,560
Speaker 3: was talking about his talent levels insane.

612
00:28:08,720 --> 00:28:09,960
Speaker 2: Again. Vice is getting the.

613
00:28:09,960 --> 00:28:11,719
Speaker 3: Way of that a lot with a lot of these

614
00:28:11,760 --> 00:28:15,160
Speaker 3: young guys, and unfortunately that's what the story is for Kodak,

615
00:28:15,359 --> 00:28:17,520
Speaker 3: his vices that get in the way of his talent.

616
00:28:17,880 --> 00:28:20,880
Speaker 3: But Kodak Black's talent level is I think he's better

617
00:28:20,960 --> 00:28:23,600
Speaker 3: than ninety five percent of these guys we just named.

618
00:28:23,680 --> 00:28:24,880
Speaker 2: Yeah, answer your point too.

619
00:28:25,000 --> 00:28:27,720
Speaker 4: The superstar thing, Like, there's also the intangibles, like you

620
00:28:27,760 --> 00:28:30,680
Speaker 4: can check every single box, but it's gonna sound corny

621
00:28:30,760 --> 00:28:33,760
Speaker 4: sometimes the universe and timing just has to exist. Like

622
00:28:33,800 --> 00:28:37,600
Speaker 4: things that you can't control whatsoever need to fucking time up. Yeah,

623
00:28:37,680 --> 00:28:40,000
Speaker 4: because I've seen people check every box and I'm like,

624
00:28:40,000 --> 00:28:41,960
Speaker 4: how the fuck did this not Work's the timing of

625
00:28:41,960 --> 00:28:44,040
Speaker 4: where music was, what was going on. You just not

626
00:28:44,160 --> 00:28:48,400
Speaker 4: catch what happened one month of one year. It can

627
00:28:48,480 --> 00:28:50,080
Speaker 4: change literally everything as.

628
00:28:49,920 --> 00:28:51,320
Speaker 2: Far as what a rollout is.

629
00:28:51,360 --> 00:28:52,400
Speaker 1: But I don't know.

630
00:28:53,000 --> 00:28:55,360
Speaker 2: I still think baby Team's gonna come back and say

631
00:28:55,440 --> 00:29:01,080
Speaker 2: hip hop all right, do we have voicemails?

632
00:29:01,280 --> 00:29:04,920
Speaker 4: Yeah, your voicemails.

633
00:29:06,160 --> 00:29:10,520
Speaker 2: I'm just saying that's what you want to take you.

634
00:29:11,960 --> 00:29:15,320
Speaker 4: I mean, I thought Keem had a potential on the

635
00:29:15,320 --> 00:29:17,720
Speaker 4: first joint. I didn't think it was like a classic,

636
00:29:17,720 --> 00:29:19,600
Speaker 4: but I didn't think it was bad. It showed potential.

637
00:29:19,680 --> 00:29:22,600
Speaker 4: I just think you need to have like some more

638
00:29:22,640 --> 00:29:26,240
Speaker 4: output with just some potential. Like if you put out

639
00:29:26,280 --> 00:29:29,960
Speaker 4: like a classic out the gate, like a Channel Orange, yeah,

640
00:29:29,960 --> 00:29:32,520
Speaker 4: you're giving some grace for some years to kick it,

641
00:29:32,600 --> 00:29:36,280
Speaker 4: but not Team Keem mass the Whoomusico.

642
00:29:36,680 --> 00:29:36,880
Speaker 1: Yeah.

643
00:29:36,880 --> 00:29:38,720
Speaker 2: I mean, in order to be in the conversation, you

644
00:29:38,800 --> 00:29:39,680
Speaker 2: have to have music out.

645
00:29:39,880 --> 00:29:43,320
Speaker 4: But if you talk to the internet and had the

646
00:29:43,360 --> 00:29:45,880
Speaker 4: same conversation, King's name would be brought up as far as.

647
00:29:45,760 --> 00:29:47,840
Speaker 2: Like who people think the next guys would be?

648
00:29:48,520 --> 00:29:48,840
Speaker 1: He would.

649
00:29:49,520 --> 00:29:51,240
Speaker 4: I'm not saying you have to agree, but King's name

650
00:29:51,280 --> 00:29:53,120
Speaker 4: comes up often where I'm like one project.

651
00:29:53,360 --> 00:29:54,960
Speaker 3: I mean I love when people tell me like name

652
00:29:55,040 --> 00:29:56,400
Speaker 3: guys like yeah and not he because then the first

653
00:29:56,400 --> 00:29:58,080
Speaker 3: thing I do is like, all right, send me let

654
00:29:58,120 --> 00:29:59,680
Speaker 3: me hear it, like send me his ship, let me go.

655
00:29:59,760 --> 00:30:02,000
Speaker 3: You know, sometimes I'm not always in tune with a

656
00:30:02,040 --> 00:30:04,360
Speaker 3: lot of these dudes that people think it's dope, and

657
00:30:04,440 --> 00:30:07,000
Speaker 3: I listen and I'm just like, all right, let me

658
00:30:07,040 --> 00:30:09,800
Speaker 3: take off my illmatic ears. Oh for sure, let me

659
00:30:09,800 --> 00:30:11,920
Speaker 3: take off, let me take off my reasonable doubt is,

660
00:30:12,040 --> 00:30:14,600
Speaker 3: let me take off my ready to die do that

661
00:30:14,640 --> 00:30:16,360
Speaker 3: out the gate. Yeah, Like, let me let me take

662
00:30:16,360 --> 00:30:18,520
Speaker 3: these ears off. Let me just put some ear muffs

663
00:30:18,560 --> 00:30:21,000
Speaker 3: on it. Yeah, and just listen to this and see

664
00:30:21,000 --> 00:30:23,880
Speaker 3: what these guys are doing. But yeah, man, I don't know. Man,

665
00:30:23,920 --> 00:30:26,320
Speaker 3: It's I'm kind of I'm kind of nervous for the

666
00:30:26,320 --> 00:30:30,280
Speaker 3: future of rap and hip hop. I'm gonna be honest,

667
00:30:30,360 --> 00:30:33,280
Speaker 3: Like after Berg said that yesterday, I got to think

668
00:30:33,280 --> 00:30:34,800
Speaker 3: it last night, and I'm just like, damn, Like.

669
00:30:34,760 --> 00:30:38,280
Speaker 6: It's nobody knows what to do, Like, no one knows

670
00:30:38,440 --> 00:30:41,640
Speaker 6: where to take hip hop to evolve it.

671
00:30:41,640 --> 00:30:43,920
Speaker 5: It's not charting the way it once used to.

672
00:30:44,920 --> 00:30:47,720
Speaker 6: It's not as it's still obviously still the culture, but

673
00:30:47,760 --> 00:30:49,720
Speaker 6: it's not as commercial as it once was.

674
00:30:49,840 --> 00:30:51,600
Speaker 5: No one knows where to take it next.

675
00:30:51,800 --> 00:30:54,800
Speaker 3: Like look at for example, this year the albums in

676
00:30:54,800 --> 00:30:57,200
Speaker 3: the the artist were raving about is guys that's been

677
00:30:57,200 --> 00:31:04,000
Speaker 3: in it thirty plus years. The clips mob d fucking

678
00:31:04,200 --> 00:31:06,880
Speaker 3: nah waiting on nas joints. Like we talked about guys

679
00:31:06,920 --> 00:31:07,240
Speaker 3: that have.

680
00:31:08,040 --> 00:31:12,960
Speaker 4: I should Gibbs got twelve thirteen gigs, like these are

681
00:31:12,960 --> 00:31:14,440
Speaker 4: the guys that has over fifteen years.

682
00:31:14,440 --> 00:31:15,040
Speaker 2: Then these are.

683
00:31:14,960 --> 00:31:17,680
Speaker 3: Guys that have been almost twenty. Yeah, it's like these

684
00:31:17,680 --> 00:31:20,200
Speaker 3: are the elder the elder statesmen. These are guys that

685
00:31:20,200 --> 00:31:23,080
Speaker 3: have been doing it so when they're still currently putting

686
00:31:23,080 --> 00:31:25,960
Speaker 3: out the best music and the best albums and rapping

687
00:31:26,040 --> 00:31:28,800
Speaker 3: and hip hop, I mean that that says a lot.

688
00:31:28,960 --> 00:31:32,240
Speaker 2: Even Chances a veteran at this point, Chance is.

689
00:31:32,200 --> 00:31:33,840
Speaker 3: A veteran, So you can't even put him in that

690
00:31:33,920 --> 00:31:35,600
Speaker 3: under thirty because how old a Chance.

691
00:31:36,040 --> 00:31:38,640
Speaker 4: Uh, probably around probably thirty four. Maybe it's like a

692
00:31:38,720 --> 00:31:40,240
Speaker 4: year younger than thirty two.

693
00:31:40,240 --> 00:31:42,760
Speaker 3: Okay, Chances thirty two, Oh much of it than I thought.

694
00:31:42,800 --> 00:31:45,160
Speaker 3: So put Chance in that cad to put him in

695
00:31:45,160 --> 00:31:45,800
Speaker 3: that conversation.

696
00:31:45,960 --> 00:31:48,240
Speaker 2: Jied for sure. He had one of the best rap albums.

697
00:31:48,240 --> 00:31:48,560
Speaker 1: This year.

698
00:31:48,640 --> 00:31:49,200
Speaker 2: Same with Jed.

699
00:31:49,480 --> 00:31:54,160
Speaker 4: I put Jid there as well, but even Jim's been

700
00:31:54,200 --> 00:31:55,840
Speaker 4: around for a while at this point, and.

701
00:31:55,840 --> 00:31:57,920
Speaker 2: Jed is thirty four, so he's like right there on that.

702
00:31:58,080 --> 00:31:59,240
Speaker 1: Yeah.

703
00:31:59,600 --> 00:32:00,840
Speaker 2: Yeah, that's that's kinda wild.

704
00:32:00,880 --> 00:32:03,120
Speaker 6: I mean, well, if we're talking, he'll be thirty five

705
00:32:03,160 --> 00:32:06,240
Speaker 6: next week, So Jittery thirty five next week.

706
00:32:06,280 --> 00:32:07,040
Speaker 1: So now we can't.

707
00:32:06,840 --> 00:32:09,200
Speaker 2: Even really was a great younger.

708
00:32:09,480 --> 00:32:13,840
Speaker 3: Yeah, his birthday's at Halloween, so he'll be thirty five.

709
00:32:14,520 --> 00:32:16,240
Speaker 2: So it's like you can't even you know.

710
00:32:16,240 --> 00:32:19,680
Speaker 4: People that rap like this and make this type of music,

711
00:32:20,040 --> 00:32:20,920
Speaker 4: it takes longer.

712
00:32:21,400 --> 00:32:24,560
Speaker 2: Yeah, like it definitely. It's almost like like not a

713
00:32:24,600 --> 00:32:25,360
Speaker 2: thing anyheah too.

714
00:32:25,440 --> 00:32:28,400
Speaker 4: So this type of shit is like almost where like

715
00:32:28,680 --> 00:32:31,720
Speaker 4: stand up comedy has gotten where it's like guys don't

716
00:32:31,720 --> 00:32:35,880
Speaker 4: really break until they're forty. Yeah, because even like Gibbs

717
00:32:35,880 --> 00:32:37,880
Speaker 4: finally getting his just doing the last few years, but

718
00:32:37,920 --> 00:32:41,360
Speaker 4: like Gibbs is making elite music for fifteen years. Yeah,

719
00:32:41,480 --> 00:32:43,920
Speaker 4: but it's just it's that type of rap has now

720
00:32:44,000 --> 00:32:44,880
Speaker 4: gotten to that place.

721
00:32:45,240 --> 00:32:51,000
Speaker 2: Shit, how was Westside Gun? I will forty forty something?

722
00:32:51,000 --> 00:32:52,400
Speaker 5: I was thinking like thirty eight.

723
00:32:52,680 --> 00:32:57,160
Speaker 2: Done forty three years old? Jesus, Yeah, man.

724
00:32:57,320 --> 00:32:59,080
Speaker 4: And I don't think there's anything wrong with it. I

725
00:32:59,120 --> 00:33:02,160
Speaker 4: think that's great, but it just takes longer with.

726
00:33:02,160 --> 00:33:05,920
Speaker 3: That and it's fun. You're talking about guys from my era.

727
00:33:06,040 --> 00:33:09,360
Speaker 3: It was a different attention to detail, different respect for

728
00:33:09,480 --> 00:33:11,640
Speaker 3: the for the art of it all. It was so

729
00:33:11,760 --> 00:33:15,280
Speaker 3: these are guys that came up having to check certain

730
00:33:15,320 --> 00:33:17,680
Speaker 3: boxes in order to be considered dope, you know what

731
00:33:17,720 --> 00:33:19,440
Speaker 3: I mean. It wasn't like, oh, just get a record

732
00:33:19,440 --> 00:33:23,360
Speaker 3: out of your basement, posting on fucking you know, TikTok

733
00:33:23,400 --> 00:33:27,160
Speaker 3: and it goes viral and now you doing shows next month,

734
00:33:27,160 --> 00:33:29,840
Speaker 3: and it's like, No, these are guys that really put

735
00:33:29,880 --> 00:33:32,440
Speaker 3: in work and grind it for years and traveled and

736
00:33:32,520 --> 00:33:35,480
Speaker 3: had to do things like but it shows because they

737
00:33:35,480 --> 00:33:38,120
Speaker 3: paid attention to detail and have certain skill sets that

738
00:33:38,160 --> 00:33:38,720
Speaker 3: you had.

739
00:33:38,520 --> 00:33:42,400
Speaker 2: To have at one point. Yeah, man, Ice Spice, Bronx legend,

740
00:33:42,400 --> 00:33:43,400
Speaker 2: you know, we love a Shanelli.

741
00:33:43,960 --> 00:33:45,760
Speaker 6: Yeah, y'all was leaving women out of this conversation. I

742
00:33:45,760 --> 00:33:47,400
Speaker 6: guess you're like, no, but we're talking about men. But

743
00:33:47,480 --> 00:33:49,719
Speaker 6: like what we're talking about rap because the women been

744
00:33:49,760 --> 00:33:51,600
Speaker 6: putting out good talent albums.

745
00:33:51,600 --> 00:33:53,719
Speaker 2: But oh no, no, the point ain't running rap, know what?

746
00:33:53,760 --> 00:33:56,760
Speaker 4: Burg how we got into that conversation was because Berg

747
00:33:56,840 --> 00:33:59,600
Speaker 4: was saying, women, you can name the five women out

748
00:33:59,680 --> 00:34:03,440
Speaker 4: the gate without even thinking about it. So then that's

749
00:34:03,480 --> 00:34:04,840
Speaker 4: why he was like, well, what about the guys is

750
00:34:04,920 --> 00:34:05,560
Speaker 4: trash right now?

751
00:34:05,840 --> 00:34:06,040
Speaker 1: Oh?

752
00:34:06,400 --> 00:34:08,200
Speaker 3: But the women or recent even said the woman. That's

753
00:34:08,200 --> 00:34:10,360
Speaker 3: how we got into that. The women are clearly running

754
00:34:10,880 --> 00:34:12,160
Speaker 3: right yeah.

755
00:34:11,680 --> 00:34:14,400
Speaker 4: And I mean with Ice Pikes drop today like it

756
00:34:14,560 --> 00:34:15,960
Speaker 4: just furthers his point.

757
00:34:16,280 --> 00:34:17,040
Speaker 2: Bronx legend.

758
00:34:17,200 --> 00:34:20,240
Speaker 4: You ain't even get the Destiny's Child b Kelly flip.

759
00:34:21,080 --> 00:34:23,080
Speaker 4: You didn't even guess went way over your head.

760
00:34:23,160 --> 00:34:25,920
Speaker 2: That's what's up. You ain't even know the song was

761
00:34:25,920 --> 00:34:27,960
Speaker 2: gonna be called Baddy Baddie? Did you no?

762
00:34:28,000 --> 00:34:30,319
Speaker 4: I didn't you shocked this morning like that? She took

763
00:34:30,320 --> 00:34:35,280
Speaker 4: it there? All right, we have a guest coming on.

764
00:34:36,880 --> 00:34:37,120
Speaker 2: Ship.

765
00:34:37,200 --> 00:34:41,520
Speaker 4: We've we've been talking with with this guy for a while,

766
00:34:41,600 --> 00:34:43,160
Speaker 4: trying to figure out when to go on his show

767
00:34:43,239 --> 00:34:46,359
Speaker 4: or him to come on our show. Clearly having bag

768
00:34:46,400 --> 00:34:48,560
Speaker 4: Fuel on is what sparked the entire thing.

769
00:34:48,640 --> 00:34:50,200
Speaker 2: But Math is our guy.

770
00:34:51,000 --> 00:34:54,080
Speaker 4: So when to take a quick commercial break, as per Peage,

771
00:34:54,320 --> 00:34:56,480
Speaker 4: and when we come back, we will.

772
00:34:56,320 --> 00:35:00,799
Speaker 2: Have the Math of interview hit it.

773
00:35:00,840 --> 00:35:06,719
Speaker 4: Peach maul I know you are thinking about upgrading to

774
00:35:06,760 --> 00:35:11,120
Speaker 4: the all new iPhone seventeen Pro. You constantly are talking

775
00:35:11,160 --> 00:35:13,240
Speaker 4: about it because it's designed to be the most powerful

776
00:35:13,280 --> 00:35:16,200
Speaker 4: iPhone ever, which is again something you always tell us.

777
00:35:16,560 --> 00:35:19,000
Speaker 4: But are you also thinking about the traffic on your

778
00:35:19,040 --> 00:35:22,359
Speaker 4: way to the store or transferring all the money bag

779
00:35:22,480 --> 00:35:24,960
Speaker 4: data that you have in that phone with Good news

780
00:35:24,960 --> 00:35:26,960
Speaker 4: for you, Maul, when you order a new phone online

781
00:35:26,960 --> 00:35:28,959
Speaker 4: with boost Mobile, they'll send an expert to your home

782
00:35:29,120 --> 00:35:32,560
Speaker 4: or work to deliver your brand new iPhone seventeen pro.

783
00:35:32,600 --> 00:35:35,760
Speaker 2: And get you set up on boost Mobile within minutes.

784
00:35:36,520 --> 00:35:37,760
Speaker 2: No hassle, no hassle.

785
00:35:38,000 --> 00:35:40,719
Speaker 3: Visits boostsmobile dot com to get started. Delivery available for

786
00:35:40,760 --> 00:35:43,680
Speaker 3: select devices. Purchase at bootmobile dot com. Terms apply.

787
00:35:49,280 --> 00:35:51,760
Speaker 2: A man, we are in start.

788
00:35:51,880 --> 00:35:55,439
Speaker 3: We are joined by Well he said it, I didn't

789
00:35:55,440 --> 00:35:59,400
Speaker 3: say it. The best rapper podcasting in the world.

790
00:35:59,560 --> 00:36:01,280
Speaker 2: Matt from the field.

791
00:36:01,320 --> 00:36:05,880
Speaker 3: Then we had so first of all, we have been

792
00:36:05,920 --> 00:36:08,359
Speaker 3: talking about us coming on your platform, you coming on

793
00:36:08,400 --> 00:36:10,879
Speaker 3: our platform for a while, but in particular we had

794
00:36:11,400 --> 00:36:13,800
Speaker 3: we had bag feeling shout out to our guys back fuel.

795
00:36:15,320 --> 00:36:18,000
Speaker 1: Start like that. No, I'm just trying to tell as well.

796
00:36:18,000 --> 00:36:20,600
Speaker 2: He really want to because I'm trying.

797
00:36:20,680 --> 00:36:22,200
Speaker 3: I'm trying to I'm trying to lead up to how

798
00:36:22,560 --> 00:36:25,440
Speaker 3: the conversation of you calling me and then it's.

799
00:36:25,320 --> 00:36:27,200
Speaker 1: Like, no, no, no, please don't say that. I'm I

800
00:36:27,239 --> 00:36:29,360
Speaker 1: wouldn't say it to be a pleasant, pleasant surprise.

801
00:36:29,480 --> 00:36:32,200
Speaker 2: Okay, I wouldn't say what you said.

802
00:36:32,560 --> 00:36:35,040
Speaker 3: But but in that conversation you called me after, that's.

803
00:36:34,880 --> 00:36:38,520
Speaker 2: Okay, just be telling that.

804
00:36:40,400 --> 00:36:43,960
Speaker 1: You called somebody watching the door down.

805
00:36:45,360 --> 00:36:48,960
Speaker 3: We wanted to do this episode for peace, but I'm

806
00:36:48,960 --> 00:36:51,000
Speaker 3: happy that MAP is finally here so we could talk

807
00:36:51,000 --> 00:36:54,399
Speaker 3: our ship. But we were talking about you sending us music, yes,

808
00:36:54,440 --> 00:36:56,480
Speaker 3: some of your music to review and talk about, and

809
00:36:56,520 --> 00:36:59,759
Speaker 3: how you we were jokingly said, don't copyright us once

810
00:36:59,760 --> 00:37:01,799
Speaker 3: we it up on YouTube, and you were saying how

811
00:37:01,840 --> 00:37:05,200
Speaker 3: you don't understand how rappers don't allow people to react

812
00:37:05,560 --> 00:37:07,640
Speaker 3: to their music and post videos.

813
00:37:07,280 --> 00:37:09,920
Speaker 1: Right because okay, as a fan, right, you know, we

814
00:37:10,000 --> 00:37:12,839
Speaker 1: grew up listening to a lot of rappers that are

815
00:37:12,880 --> 00:37:17,440
Speaker 1: still dropping music. Yeah, and it just bewilders me that, like, yo,

816
00:37:17,680 --> 00:37:21,359
Speaker 1: it's twenty twenty five, there's not many platforms that will

817
00:37:21,400 --> 00:37:24,560
Speaker 1: promote your music anymore. Yeah, right, it's not being played

818
00:37:24,600 --> 00:37:27,440
Speaker 1: on radio, like I can't remember it the lot. I

819
00:37:27,440 --> 00:37:31,879
Speaker 1: don't think I've heard anything past King's disease too from

820
00:37:31,960 --> 00:37:34,760
Speaker 1: nas on the radio at.

821
00:37:34,560 --> 00:37:37,840
Speaker 2: All on radio? Okay, gotcha, gotcha? Okay, you know what

822
00:37:37,880 --> 00:37:38,160
Speaker 2: I mean.

823
00:37:38,239 --> 00:37:41,600
Speaker 1: So, and you know, they some of them don't do

824
00:37:41,640 --> 00:37:45,560
Speaker 1: that many interviews, so he ain't doing a lot of interviews, right,

825
00:37:46,440 --> 00:37:49,440
Speaker 1: And lyricism to me is something that needs to continue.

826
00:37:49,520 --> 00:37:52,120
Speaker 1: So if we have like a new audience or audience that

827
00:37:52,160 --> 00:37:58,239
Speaker 1: follows us that maybe like twenty four or eighteen to

828
00:37:59,320 --> 00:38:04,760
Speaker 1: thirty or what, they're not necessarily familiar with their music

829
00:38:04,840 --> 00:38:07,720
Speaker 1: as much as you know, the other people we made interview,

830
00:38:08,160 --> 00:38:10,800
Speaker 1: so to expose it to him, we don't get the

831
00:38:10,920 --> 00:38:14,840
Speaker 1: chance to because we're getting hit with copyrights. So yeah,

832
00:38:15,000 --> 00:38:17,520
Speaker 1: like go drop this project. I wanted to review app

833
00:38:18,040 --> 00:38:22,799
Speaker 1: so as soon as I uploaded the video, Yeah, copyrights,

834
00:38:22,840 --> 00:38:26,360
Speaker 1: And I'm like, damn, why haven't they figured out to

835
00:38:26,600 --> 00:38:30,560
Speaker 1: not you know, allowed to allow it Like when Kendrick

836
00:38:30,600 --> 00:38:33,440
Speaker 1: did that ship. That ship was genius during the battle,

837
00:38:33,520 --> 00:38:38,319
Speaker 1: Yeah for sure, and he allowed the reactors to share monetization.

838
00:38:38,719 --> 00:38:39,640
Speaker 1: It was genius.

839
00:38:39,840 --> 00:38:41,840
Speaker 4: I mean, well, there's two steps to that, because you

840
00:38:41,880 --> 00:38:45,680
Speaker 4: can just white label it where people won't get their

841
00:38:45,760 --> 00:38:48,279
Speaker 4: video taken down and then the second step, which is

842
00:38:48,280 --> 00:38:50,640
Speaker 4: the Montar ship. But as far as that first step,

843
00:38:50,760 --> 00:38:52,680
Speaker 4: if you're an independent artist, I have no idea why

844
00:38:52,680 --> 00:38:56,520
Speaker 4: you wouldn't white label all of your music. Yeah, the majors,

845
00:38:56,560 --> 00:38:59,239
Speaker 4: that's a way deeper conversation. Like during COVID, remember we

846
00:38:59,239 --> 00:39:01,760
Speaker 4: was just doing like G live jam sessions playing music

847
00:39:01,800 --> 00:39:03,719
Speaker 4: and then they shut all that ship down. I was like,

848
00:39:03,920 --> 00:39:06,520
Speaker 4: these majors are stepping over a dollar to get a penny,

849
00:39:06,840 --> 00:39:10,719
Speaker 4: Like we're promoting music, Like, you're not losing money by

850
00:39:10,840 --> 00:39:13,040
Speaker 4: us doing these jam sessions. It's a bunch of people

851
00:39:13,040 --> 00:39:14,399
Speaker 4: in here going, oh, I don't even know this song?

852
00:39:14,440 --> 00:39:14,879
Speaker 2: What is this?

853
00:39:16,120 --> 00:39:18,000
Speaker 4: Just so you could keep a fucking point zero zero

854
00:39:18,080 --> 00:39:19,120
Speaker 4: one penny from IG Live?

855
00:39:19,280 --> 00:39:22,320
Speaker 1: Like it makes no sense. I've never that this should

856
00:39:22,360 --> 00:39:26,399
Speaker 1: be somebody and that's on staff at these labels because

857
00:39:26,400 --> 00:39:29,160
Speaker 1: it's not. It's not just majors, like you know some

858
00:39:29,239 --> 00:39:32,120
Speaker 1: of just the distributors. They don't they don't even check

859
00:39:32,200 --> 00:39:34,959
Speaker 1: to see like who's doing this ship? Oh this could

860
00:39:34,960 --> 00:39:38,879
Speaker 1: be a million more streams, but what are you doing?

861
00:39:39,120 --> 00:39:39,200
Speaker 7: Right?

862
00:39:39,239 --> 00:39:39,960
Speaker 1: It's just crazy.

863
00:39:40,239 --> 00:39:43,600
Speaker 3: So you had because we we we haven't really kicked

864
00:39:43,640 --> 00:39:47,040
Speaker 3: it in years but you had to never really kicked it.

865
00:39:47,280 --> 00:39:49,359
Speaker 1: Well, I mean what, we don't really kicked We ain't

866
00:39:49,400 --> 00:39:51,439
Speaker 1: gonna be faked. No, no, no, no no, I'm not saying

867
00:39:52,840 --> 00:39:53,279
Speaker 1: not saying.

868
00:39:53,320 --> 00:39:58,160
Speaker 3: We've never met, never met uncomfortable.

869
00:39:58,239 --> 00:40:01,800
Speaker 4: I've never met at a I've tweeted about mass podcasts

870
00:40:01,800 --> 00:40:03,239
Speaker 4: since the inception of how much I liked it.

871
00:40:03,239 --> 00:40:04,879
Speaker 2: We never I think we DMed each other.

872
00:40:05,320 --> 00:40:07,040
Speaker 1: Like me for a second, I remember that.

873
00:40:07,560 --> 00:40:09,840
Speaker 2: Oh, please give me the history lesson on this one.

874
00:40:09,680 --> 00:40:10,840
Speaker 1: Both for y'all, both for y'all.

875
00:40:11,760 --> 00:40:14,120
Speaker 3: I can find that tweet none the whole now, Math

876
00:40:14,160 --> 00:40:15,759
Speaker 3: talking ship because me and Math go back to.

877
00:40:15,719 --> 00:40:17,160
Speaker 1: Where he was doing total slaughter.

878
00:40:17,360 --> 00:40:19,759
Speaker 3: And we was in that fucking brownstone in Brooklyn, and

879
00:40:19,800 --> 00:40:21,120
Speaker 3: you was battling all the niggas for.

880
00:40:21,080 --> 00:40:23,839
Speaker 1: A bed, me and you. I don't want nobody for

881
00:40:23,840 --> 00:40:25,640
Speaker 1: a bed. To judge, I was.

882
00:40:27,880 --> 00:40:30,120
Speaker 3: One of the few niggas that was really fucking with

883
00:40:30,160 --> 00:40:31,359
Speaker 3: you in the house, like yo. You was like yo,

884
00:40:31,360 --> 00:40:34,120
Speaker 3: these niggas in his corny. I was sitting there you

885
00:40:34,239 --> 00:40:34,759
Speaker 3: right or wrong?

886
00:40:35,040 --> 00:40:38,960
Speaker 1: First of all, which is legal, because you own bedroom,

887
00:40:39,280 --> 00:40:39,720
Speaker 1: and it.

888
00:40:39,600 --> 00:40:41,440
Speaker 2: Was why they give your bedroom, why they gave your

889
00:40:41,480 --> 00:40:41,960
Speaker 2: own bedroom.

890
00:40:42,440 --> 00:40:44,960
Speaker 3: You was in there trying to bully niggas. You was

891
00:40:45,000 --> 00:40:47,000
Speaker 3: in there trying to bully niggas you wasn't.

892
00:40:46,800 --> 00:40:49,759
Speaker 1: Fucking They gave me my own bedroom yea. It was

893
00:40:49,760 --> 00:40:51,719
Speaker 1: the only one in the house that had his own

894
00:40:51,760 --> 00:40:54,479
Speaker 1: bedroom from the rip, So I was good.

895
00:40:54,520 --> 00:40:56,279
Speaker 4: And then and then what they did with Rex was

896
00:40:56,320 --> 00:40:58,960
Speaker 4: fucked up. Like episode one that was foul.

897
00:40:58,760 --> 00:41:00,360
Speaker 2: On, total slaughter. He had the bad on. He was

898
00:41:00,360 --> 00:41:02,120
Speaker 2: in the basement. I think that was in the quartest.

899
00:41:02,200 --> 00:41:04,480
Speaker 4: Yeah, and Rex knew what Tom it was, so he

900
00:41:04,520 --> 00:41:06,880
Speaker 4: came with a verse that he had written and rehearse and.

901
00:41:09,000 --> 00:41:10,080
Speaker 2: He knew what he was doing.

902
00:41:10,160 --> 00:41:14,480
Speaker 1: Pick like that. That show totally depicted battle Rap in

903
00:41:14,560 --> 00:41:15,279
Speaker 1: the wrong way.

904
00:41:15,680 --> 00:41:17,520
Speaker 2: I feel like y'all all felt like that, like going

905
00:41:18,480 --> 00:41:18,960
Speaker 2: what we're doing.

906
00:41:19,000 --> 00:41:23,440
Speaker 1: Yeah, nobody knew it was even real until the week up. Okay,

907
00:41:23,480 --> 00:41:27,280
Speaker 1: we were phone calls like this ship real. Yeah, okay,

908
00:41:27,719 --> 00:41:29,480
Speaker 1: y'all they set the money. We got to be there

909
00:41:29,520 --> 00:41:30,439
Speaker 1: on Monday. Yeah.

910
00:41:31,719 --> 00:41:32,720
Speaker 2: It was a cool experience.

911
00:41:32,960 --> 00:41:34,839
Speaker 4: Yeah, the idea was cool. I just think they maybe

912
00:41:34,880 --> 00:41:36,080
Speaker 4: rushed that execution of it.

913
00:41:36,080 --> 00:41:38,560
Speaker 1: It wasn't a cool idea for battle Rap because it's

914
00:41:38,560 --> 00:41:40,399
Speaker 1: like you put a bunch of battle rappers in the house.

915
00:41:41,480 --> 00:41:42,600
Speaker 1: That's not what we do, bro.

916
00:41:42,719 --> 00:41:44,319
Speaker 3: Like you know, they was going on for the whole

917
00:41:44,360 --> 00:41:47,400
Speaker 3: make the making the band energy, trying to like reignite

918
00:41:47,400 --> 00:41:50,239
Speaker 3: that whole wave of reality TV and a wash out.

919
00:41:50,440 --> 00:41:53,879
Speaker 1: Yeah, so wash out. If there's gonna be any type

920
00:41:53,880 --> 00:41:57,360
Speaker 1: of drama and battle rap, that's reality. Let that ship

921
00:41:57,440 --> 00:41:59,320
Speaker 1: happen in the streets. That happened for real, you know

922
00:41:59,360 --> 00:42:04,840
Speaker 1: what I mean. We ain't arguing in the kitchen the pancakes.

923
00:42:05,280 --> 00:42:05,719
Speaker 2: You know what I mean.

924
00:42:06,120 --> 00:42:08,120
Speaker 4: We got a great battle because it was a Kashawan

925
00:42:08,200 --> 00:42:11,280
Speaker 4: and who's the battle of it was? It was like bts.

926
00:42:11,320 --> 00:42:12,719
Speaker 4: It wasn't even on the show. There was arguing the

927
00:42:12,760 --> 00:42:14,279
Speaker 4: kids for like thirty minutes, right, but.

928
00:42:14,239 --> 00:42:17,239
Speaker 1: They didn't battle. They popped ship and they battled later.

929
00:42:17,360 --> 00:42:18,759
Speaker 2: Yeah, that's what I'm saying. We got to battle later.

930
00:42:19,040 --> 00:42:22,960
Speaker 1: Mac made the money off for that. Yeah. I respected

931
00:42:24,040 --> 00:42:27,279
Speaker 1: the battles that y'all got. H Can I say his name?

932
00:42:27,320 --> 00:42:27,719
Speaker 1: Can I say?

933
00:42:28,080 --> 00:42:33,719
Speaker 2: Sure Joe versus Hollow Trash. I thought I thought it

934
00:42:33,719 --> 00:42:34,920
Speaker 2: was underwhelming from both of them.

935
00:42:35,560 --> 00:42:38,839
Speaker 1: First of all, you don't battle holding a mic like this, yo,

936
00:42:39,400 --> 00:42:46,320
Speaker 1: Mike check one too, yo, Yo. You guys to quiet

937
00:42:46,360 --> 00:42:50,640
Speaker 1: down or I'm not gonna rap. I'm gonna walk off this.

938
00:42:51,640 --> 00:42:54,680
Speaker 1: You don't do that. Don't tempt the battle crowd. Yeah,

939
00:42:54,719 --> 00:42:56,839
Speaker 1: I forgot how to do. Not tempt the battle crowd.

940
00:42:56,880 --> 00:42:59,200
Speaker 1: If you say, y'all, don't be quiet, I'm not spending

941
00:42:59,239 --> 00:43:00,280
Speaker 1: these wraps.

942
00:43:00,480 --> 00:43:05,200
Speaker 2: Be some crazy ship that was that Daylight that did

943
00:43:05,280 --> 00:43:06,279
Speaker 2: some crazy ship at that one.

944
00:43:06,360 --> 00:43:08,400
Speaker 1: Yeah, he came out in a costume. Oh there's a

945
00:43:08,400 --> 00:43:12,400
Speaker 1: whole story behind that. I actually saved you saved that

946
00:43:12,520 --> 00:43:16,080
Speaker 1: event from being shut down early for real. Yeah, because

947
00:43:17,239 --> 00:43:20,879
Speaker 1: I think I battled disaster the week before and all

948
00:43:20,960 --> 00:43:23,919
Speaker 1: that ship went down with you know, me out there

949
00:43:23,960 --> 00:43:29,040
Speaker 1: thumping with six niggas, and the week after they like

950
00:43:29,160 --> 00:43:34,160
Speaker 1: supposed to be in New York for total slaughter. So

951
00:43:34,960 --> 00:43:36,640
Speaker 1: a lot of people that was around me was not

952
00:43:37,280 --> 00:43:41,680
Speaker 1: happy with what happened, you know what I mean. So

953
00:43:41,920 --> 00:43:46,719
Speaker 1: despite me saying chill, chill, I ain't gonna say I said,

954
00:43:46,719 --> 00:43:48,520
Speaker 1: I ain't say chill. I just didn't say nothing. Right

955
00:43:49,800 --> 00:43:51,680
Speaker 1: when Daylight we went up there to battle, and the

956
00:43:51,719 --> 00:43:56,400
Speaker 1: spawn outfit that he was supposed to light hisself on fire,

957
00:44:00,200 --> 00:44:03,480
Speaker 1: his hand shot out their hands arm. He's recovering from state.

958
00:44:05,200 --> 00:44:08,040
Speaker 1: Shout out my man hands he's recovering from stage four cancer.

959
00:44:08,520 --> 00:44:14,480
Speaker 1: Hands saw Daylight's homeboy and said, yo, what happened in Cali?

960
00:44:15,080 --> 00:44:17,239
Speaker 1: And the nigga was like, yo, I had nothing to

961
00:44:17,280 --> 00:44:19,800
Speaker 1: do with that, and he ran through the back door.

962
00:44:20,600 --> 00:44:25,880
Speaker 1: He had the lighter fluid and the light. So Daylight

963
00:44:25,960 --> 00:44:29,320
Speaker 1: had to improvise and like rip some of his clothes

964
00:44:29,360 --> 00:44:31,239
Speaker 1: off and just fall on the floor. But he was

965
00:44:31,280 --> 00:44:36,880
Speaker 1: gonna light himself on fire. Bro, I should have let

966
00:44:36,920 --> 00:44:38,319
Speaker 1: him do it. We should have let him do it.

967
00:44:38,440 --> 00:44:41,600
Speaker 2: I don't know. If I think he saved a lot

968
00:44:41,640 --> 00:44:43,000
Speaker 2: of people's lives, I.

969
00:44:42,920 --> 00:44:47,200
Speaker 1: Shouldn't let him do it? Is crazy. Look at what

970
00:44:47,400 --> 00:44:51,480
Speaker 1: you look at him, yo, Yeah, we should have let

971
00:44:51,520 --> 00:44:55,000
Speaker 1: him do it. Look get back smoky the battle.

972
00:44:57,400 --> 00:44:59,480
Speaker 4: Did anyone like all right? He had the lighter fluid?

973
00:44:59,520 --> 00:45:01,839
Speaker 4: Was there a fire extinguisher in sight at all?

974
00:45:02,000 --> 00:45:02,200
Speaker 1: Yeah?

975
00:45:02,239 --> 00:45:03,480
Speaker 2: Like, I don't. I just don't understand.

976
00:45:03,640 --> 00:45:06,080
Speaker 1: Back in those days, I don't think he.

977
00:45:08,160 --> 00:45:10,200
Speaker 3: Ain't think that far Daylight didn't think. They talked to

978
00:45:10,200 --> 00:45:13,000
Speaker 3: the pyro expert about that. But what's your what to ask?

979
00:45:13,080 --> 00:45:15,200
Speaker 3: What his why he thinks we didn't like him? We

980
00:45:15,280 --> 00:45:16,280
Speaker 3: still never got to that.

981
00:45:16,400 --> 00:45:19,920
Speaker 2: Math talking ship. I'm not talking ship anything.

982
00:45:19,960 --> 00:45:22,319
Speaker 1: I don't fuck with you. Yeah, I don't like you, Joe.

983
00:45:22,360 --> 00:45:24,080
Speaker 1: I've been waiting on a date for y'all to come

984
00:45:24,120 --> 00:45:26,680
Speaker 1: on the part for seventeen seventeen years.

985
00:45:26,680 --> 00:45:28,839
Speaker 3: Bro, Nah, I know you seventeen Yeah, I know you

986
00:45:29,000 --> 00:45:32,760
Speaker 3: have not years, bro, No, you have died this nigga talking.

987
00:45:32,960 --> 00:45:35,399
Speaker 4: Every time I talked to Mecca, I said, we're ready

988
00:45:35,400 --> 00:45:38,040
Speaker 4: when y'all are, And I talked to Mecca pretty often,

989
00:45:38,120 --> 00:45:40,759
Speaker 4: and this was back back to Mecca for he was

990
00:45:40,800 --> 00:45:42,320
Speaker 4: on the shot, and that's my mass.

991
00:45:42,960 --> 00:45:47,040
Speaker 3: You're not a day like, yeah, okay, that's like a

992
00:45:47,040 --> 00:45:47,840
Speaker 3: personal friend of his.

993
00:45:48,239 --> 00:45:51,279
Speaker 1: Yeah, i'mder staying like talking to me would have made

994
00:45:51,280 --> 00:45:52,719
Speaker 1: that happen fair, you know.

995
00:45:52,840 --> 00:45:54,920
Speaker 4: But I mean when I would run into somebody from

996
00:45:55,040 --> 00:45:56,840
Speaker 4: the show more often, so I was always like, you

997
00:45:56,880 --> 00:45:59,880
Speaker 4: know me, mom, happy to We probably supported it on

998
00:46:00,000 --> 00:46:02,120
Speaker 4: social media on our pod. That's why I'm like, man,

999
00:46:02,320 --> 00:46:03,879
Speaker 4: we ain't funk with you as crazy.

1000
00:46:05,520 --> 00:46:08,120
Speaker 1: There's no way I blamed y'all for what happened with

1001
00:46:08,480 --> 00:46:09,880
Speaker 1: you know these guys.

1002
00:46:10,360 --> 00:46:11,279
Speaker 2: Why you blamed us?

1003
00:46:11,600 --> 00:46:16,000
Speaker 1: Because I felt like people saw what y'all did and

1004
00:46:16,080 --> 00:46:18,600
Speaker 1: felt like we could recreate that.

1005
00:46:19,920 --> 00:46:22,479
Speaker 3: Oh that's what they felt like on your platform, right, yeah,

1006
00:46:22,480 --> 00:46:25,880
Speaker 3: but it was different with us though, Yeah, totally business

1007
00:46:25,880 --> 00:46:28,440
Speaker 3: the business was he didn't see it, Okay, you did,

1008
00:46:28,480 --> 00:46:31,759
Speaker 3: know what I'm saying, totally different, like y'all situation is

1009
00:46:32,719 --> 00:46:35,600
Speaker 3: like y'all started this front, right, Like you know what

1010
00:46:35,640 --> 00:46:39,640
Speaker 3: I'm saying, y'all started together. And no, not only that,

1011
00:46:39,719 --> 00:46:42,240
Speaker 3: but just the business side of it was totally different

1012
00:46:42,280 --> 00:46:42,760
Speaker 3: as well.

1013
00:46:42,840 --> 00:46:45,120
Speaker 1: Right by the time these guys got on the platform,

1014
00:46:45,160 --> 00:46:48,000
Speaker 1: they was like the third cast. Okay, you know what

1015
00:46:48,000 --> 00:46:50,799
Speaker 1: I'm saying. It was only there for nine months and

1016
00:46:50,840 --> 00:46:54,640
Speaker 1: the show was already three years old, right, So, but.

1017
00:46:54,560 --> 00:46:56,839
Speaker 4: I mean, do you feel like they contributed in that

1018
00:46:56,880 --> 00:46:58,120
Speaker 4: time though in a positive way?

1019
00:46:59,120 --> 00:47:02,840
Speaker 1: Definitely. I feel like everybody was to to to the

1020
00:47:02,840 --> 00:47:05,319
Speaker 1: most part, everybody was doing what they were supposed to

1021
00:47:05,360 --> 00:47:11,160
Speaker 1: be doing until they wasn't. And you know that, sometimes

1022
00:47:11,160 --> 00:47:13,920
Speaker 1: shit works out, sometimes it don't work out. For me,

1023
00:47:14,040 --> 00:47:17,920
Speaker 1: I got I got trust issues, you know what I mean.

1024
00:47:18,000 --> 00:47:22,480
Speaker 1: You're talking to somebody that got jumped in high school.

1025
00:47:22,520 --> 00:47:25,240
Speaker 1: And when I went back to take the state tests,

1026
00:47:25,280 --> 00:47:27,920
Speaker 1: I saw my cousin hanging with the niggas that jumped me.

1027
00:47:28,640 --> 00:47:29,040
Speaker 2: Hm hmm.

1028
00:47:29,560 --> 00:47:31,920
Speaker 1: So like and this is still a cousin that I

1029
00:47:31,960 --> 00:47:35,560
Speaker 1: got locked up later on later on for because he

1030
00:47:35,680 --> 00:47:39,800
Speaker 1: got stabbed when we was fighting some some blood niggas

1031
00:47:40,200 --> 00:47:45,120
Speaker 1: over beating up a homeless nigger. I okay, so we

1032
00:47:45,160 --> 00:47:49,480
Speaker 1: saw some blood niggas beating up a homeless nigga. We intervened.

1033
00:47:50,680 --> 00:47:53,600
Speaker 1: My cousin wild on them. So it's on and popping

1034
00:47:53,719 --> 00:47:58,880
Speaker 1: you on Eastern Parkway and Utica. One of these guys

1035
00:47:58,960 --> 00:48:01,040
Speaker 1: tried to stab me. My cousin stepped in a way

1036
00:48:01,120 --> 00:48:04,480
Speaker 1: he took the jug I didn't know until we got

1037
00:48:04,480 --> 00:48:06,960
Speaker 1: back to the crib and he lifted his shirt and

1038
00:48:07,040 --> 00:48:09,719
Speaker 1: I seen the blood pouring out, and every time he

1039
00:48:09,920 --> 00:48:15,080
Speaker 1: took a breath it will bubble up. Now being in this,

1040
00:48:15,160 --> 00:48:18,520
Speaker 1: is this the same cousin that you know back in

1041
00:48:18,520 --> 00:48:21,840
Speaker 1: the days did whatever. I still took my eyes to

1042
00:48:21,840 --> 00:48:25,640
Speaker 1: where them niggas was at by myself with nothing but

1043
00:48:25,719 --> 00:48:28,560
Speaker 1: a bottle. Cops s thought I had a gun and

1044
00:48:28,600 --> 00:48:31,759
Speaker 1: I ran down on a on a whole set and

1045
00:48:32,000 --> 00:48:35,239
Speaker 1: cops popped up phrase dropped the gun. I have a gun.

1046
00:48:35,280 --> 00:48:38,000
Speaker 1: I had a bottle that I broke in a T shirt.

1047
00:48:40,080 --> 00:48:44,879
Speaker 1: So for me, loyalty is something it's different, sis, It's

1048
00:48:44,960 --> 00:48:48,040
Speaker 1: serious for me. And when you start to play with

1049
00:48:48,120 --> 00:48:51,759
Speaker 1: that or you start to do things that I don't understand.

1050
00:48:52,560 --> 00:48:55,680
Speaker 1: Like it takes me to some place where it's like, yo, okay,

1051
00:48:55,680 --> 00:48:57,600
Speaker 1: I'm not I'm not going through this with you because

1052
00:48:57,840 --> 00:48:59,759
Speaker 1: you're not blood, you're not family, you're not you know

1053
00:48:59,800 --> 00:49:03,440
Speaker 1: what I mean. I'm gonna just clip this man. If you

1054
00:49:03,440 --> 00:49:08,160
Speaker 1: ain't mad enough to explain yourself, That's what it is like.

1055
00:49:09,080 --> 00:49:12,400
Speaker 1: So in that situation, I just felt like niggas was

1056
00:49:12,480 --> 00:49:15,719
Speaker 1: doing some weird shit at the wrong time.

1057
00:49:16,320 --> 00:49:18,600
Speaker 2: But weird in regards to what what do you feel

1058
00:49:18,640 --> 00:49:19,160
Speaker 2: is disloyal?

1059
00:49:19,800 --> 00:49:27,239
Speaker 1: Okay, funk Masterflex issues me a challenge. I'm like, yes,

1060
00:49:27,360 --> 00:49:32,880
Speaker 1: I get to music. I'm surrounded by so called music guys.

1061
00:49:33,560 --> 00:49:38,239
Speaker 1: We go to the studio. Everybody's giving me like opposite

1062
00:49:38,320 --> 00:49:41,920
Speaker 1: advice from what I feel I believe in myself. So

1063
00:49:41,960 --> 00:49:44,359
Speaker 1: I said, you know what, I like this record. I'm

1064
00:49:44,360 --> 00:49:49,200
Speaker 1: gonna send this record. Sent the record New York City.

1065
00:49:51,120 --> 00:49:55,840
Speaker 1: This is what New York sounds like. I see you,

1066
00:49:56,000 --> 00:49:59,080
Speaker 1: my brother. One of the proudest moments in my life.

1067
00:49:59,160 --> 00:50:00,719
Speaker 1: Might not mean shit other people.

1068
00:50:00,520 --> 00:50:08,399
Speaker 2: Right, but yeah, yeah, it's monumental ship.

1069
00:50:08,440 --> 00:50:10,520
Speaker 1: And then after that, a nigga taps me and say, yo,

1070
00:50:11,360 --> 00:50:15,320
Speaker 1: give me five thousand. I could get Clue to play it.

1071
00:50:16,040 --> 00:50:16,680
Speaker 2: Well, who said that?

1072
00:50:19,239 --> 00:50:19,439
Speaker 1: Well?

1073
00:50:19,440 --> 00:50:21,280
Speaker 2: Also, that's illegal, so that's a leegend.

1074
00:50:22,280 --> 00:50:26,640
Speaker 1: Okay, then Clue in the club. He don't know nothing

1075
00:50:26,640 --> 00:50:32,399
Speaker 1: about it. I'm like strike one okay, okay, strike one

1076
00:50:32,760 --> 00:50:37,360
Speaker 1: got you. You know the show started like like the

1077
00:50:37,440 --> 00:50:42,120
Speaker 1: numbers started picking up crazy. We had a no, I'll

1078
00:50:42,160 --> 00:50:47,920
Speaker 1: say that, a strike three. So I'm like, yo, let's

1079
00:50:47,920 --> 00:50:51,680
Speaker 1: see if we get a situation. Yo, my many know

1080
00:50:51,760 --> 00:50:55,239
Speaker 1: we plugged in at Revolt. It's that the third let's

1081
00:50:55,280 --> 00:50:57,920
Speaker 1: go to lunch. Me sit down, Yo. This is my

1082
00:50:58,040 --> 00:51:02,239
Speaker 1: brother Math and you know this. I'm like, all right, cool,

1083
00:51:02,280 --> 00:51:08,120
Speaker 1: why ain't your brother right? My man Nigga introduced me

1084
00:51:08,160 --> 00:51:08,799
Speaker 1: to Jay Reid.

1085
00:51:11,239 --> 00:51:13,799
Speaker 2: If y'all don't know who Jay, that's fucking hilarious. Y'all

1086
00:51:13,800 --> 00:51:15,040
Speaker 2: know who j Red is.

1087
00:51:15,880 --> 00:51:19,719
Speaker 1: So Jay Reid sends me what's supposed to be a

1088
00:51:19,800 --> 00:51:24,080
Speaker 1: Revolt contract. Okay, I'm looking at the numbers. I'm like,

1089
00:51:24,160 --> 00:51:28,879
Speaker 1: this shit don't make no sense. Like we're doing better

1090
00:51:28,880 --> 00:51:29,600
Speaker 1: than this right.

1091
00:51:29,480 --> 00:51:32,040
Speaker 2: Now, Like why is what like twenty twenty one?

1092
00:51:32,680 --> 00:51:38,360
Speaker 1: Yeah, like twenty twenty, no, twenty twenty maybe whatever whatever

1093
00:51:38,440 --> 00:51:42,839
Speaker 1: year they left. It was like two three years ago. Yeah,

1094
00:51:42,840 --> 00:51:47,160
Speaker 1: they've been going like three years now. Crazy anyway, So

1095
00:51:47,200 --> 00:51:50,719
Speaker 1: I'm looking at the contract, I'm like, the fuck is this?

1096
00:51:50,719 --> 00:51:52,799
Speaker 1: This shit don't make no sense? Call them like yo.

1097
00:51:52,920 --> 00:51:55,359
Speaker 1: But first of all, they tried to manage me. I'm like, yeah,

1098
00:51:55,400 --> 00:51:59,120
Speaker 1: niggas ever manage a podcast before? Never, right, okay, so

1099
00:51:59,160 --> 00:52:03,120
Speaker 1: why y'all trying to man all right? Whatever? And I'm like, Yo, son,

1100
00:52:03,160 --> 00:52:06,480
Speaker 1: this ship, this ship seemed wacky. So shout out to

1101
00:52:06,520 --> 00:52:10,800
Speaker 1: my man, Smitty run the city, Uh Smitty CEO Smitty.

1102
00:52:11,640 --> 00:52:13,239
Speaker 1: I talked to him about it. He was like, Yo,

1103
00:52:13,320 --> 00:52:16,680
Speaker 1: you're trying to You're trying to get the puff hold on.

1104
00:52:18,560 --> 00:52:22,120
Speaker 1: Get me on the phone. We talked, send me the DM.

1105
00:52:22,200 --> 00:52:24,680
Speaker 1: I got his number. He's on the line. He's like, Yo, Dion,

1106
00:52:24,800 --> 00:52:27,600
Speaker 1: whatever they want, just figure it out to make it happen.

1107
00:52:28,239 --> 00:52:30,719
Speaker 1: So I'm like, il cool, just like yo, M and

1108
00:52:30,800 --> 00:52:33,920
Speaker 1: puff right okay, So Puff flugs me in with Dion.

1109
00:52:33,920 --> 00:52:36,960
Speaker 1: Shout out to Dion, great dude, he gave me some

1110
00:52:37,000 --> 00:52:39,399
Speaker 1: great advice. I didn't listen to it that yet. Don't worry,

1111
00:52:39,400 --> 00:52:42,920
Speaker 1: my nigga. We gonna make it right, right, So I said, Yo,

1112
00:52:43,520 --> 00:52:46,960
Speaker 1: I got a contract from y'all from before, from D

1113
00:52:47,080 --> 00:52:50,960
Speaker 1: D D D. He says, I don't know who the

1114
00:52:50,960 --> 00:52:53,800
Speaker 1: fuck that is. Stop talking to them immediately.

1115
00:52:54,160 --> 00:52:58,160
Speaker 3: Puff says this. So I'm like, and it was supposed

1116
00:52:58,160 --> 00:52:59,640
Speaker 3: to be a revote contract that you were looking at

1117
00:53:00,880 --> 00:53:07,480
Speaker 3: Strike two, Strike two, okay, third strike.

1118
00:53:08,440 --> 00:53:09,799
Speaker 4: Sorry to cut you off. Did you speak to them

1119
00:53:09,840 --> 00:53:12,040
Speaker 4: about that after though? Like after this you got that?

1120
00:53:12,120 --> 00:53:15,680
Speaker 1: And it's always, man, I don't know what they doing. Man,

1121
00:53:15,920 --> 00:53:19,360
Speaker 1: I don't know what they're doing, but we'll do the

1122
00:53:19,360 --> 00:53:24,560
Speaker 1: math on that later. So third strike bag Fuel was

1123
00:53:24,640 --> 00:53:27,839
Speaker 1: supposed to and I, yeah, I don't even like talk

1124
00:53:27,880 --> 00:53:29,840
Speaker 1: them about this, but you know, let me explain it.

1125
00:53:31,280 --> 00:53:35,000
Speaker 1: Bag Fuel was a show that they stopped, and I'm like, yo,

1126
00:53:35,080 --> 00:53:39,920
Speaker 1: let's focus on this shit. Me and Homie had a

1127
00:53:40,000 --> 00:53:45,439
Speaker 1: falling out and Heineken talk me into bringing them back.

1128
00:53:47,280 --> 00:53:52,640
Speaker 1: Energy was still kind of off. So one day trying

1129
00:53:52,640 --> 00:53:55,600
Speaker 1: to get in contact with them to shoot an episode,

1130
00:53:55,600 --> 00:53:57,360
Speaker 1: because you know how it be sometimes somebody come in

1131
00:53:57,440 --> 00:53:59,960
Speaker 1: town and they'd be like, yo, I got from this

1132
00:54:00,080 --> 00:54:02,600
Speaker 1: time that this time, and you're like, yo, the team,

1133
00:54:02,680 --> 00:54:04,760
Speaker 1: can we get to look can we make this happen?

1134
00:54:04,920 --> 00:54:05,720
Speaker 2: Last minute? Audible?

1135
00:54:05,760 --> 00:54:07,920
Speaker 1: Yeah? So I'm getting to the point where I'm calling

1136
00:54:08,960 --> 00:54:14,719
Speaker 1: three niggas ain't picking up. I'm like, yo, well we're

1137
00:54:14,719 --> 00:54:17,960
Speaker 1: trying to get that they're not picking up by saying nothing.

1138
00:54:19,280 --> 00:54:21,960
Speaker 1: Then I've seen a clip of Backfield, the show that

1139
00:54:22,040 --> 00:54:27,040
Speaker 1: was supposed to be stopped go up Okahinnick, and I'm like, Yo,

1140
00:54:28,040 --> 00:54:33,840
Speaker 1: this a brand new clip. Yeah it was thatso's idea, Like,

1141
00:54:35,360 --> 00:54:42,240
Speaker 1: all right, so I'm negotiating with Revolt Damn there begging

1142
00:54:44,360 --> 00:54:49,480
Speaker 1: Puff and Dion for more bread so everybody could be

1143
00:54:49,520 --> 00:54:58,640
Speaker 1: situated and y'all doing this. So for me, it's like,

1144
00:55:00,360 --> 00:55:04,400
Speaker 1: I don't understand it. Yeah, I didn't understand it, and

1145
00:55:04,440 --> 00:55:07,399
Speaker 1: maybe I didn't have the communication skills at the time

1146
00:55:07,480 --> 00:55:11,040
Speaker 1: to like sit down and say, like, I don't understand this,

1147
00:55:11,160 --> 00:55:15,320
Speaker 1: explain it to me, okay, But I never got a call.

1148
00:55:16,239 --> 00:55:18,120
Speaker 1: Nobody ever hit me up to say, yo, this is

1149
00:55:18,160 --> 00:55:21,800
Speaker 1: what happened. I just cut times. I cut times because

1150
00:55:22,160 --> 00:55:26,800
Speaker 1: I just felt like, yo, bro, I can't trust this situation.

1151
00:55:27,080 --> 00:55:29,560
Speaker 3: Yeah, so you based on the previous things that was happening,

1152
00:55:29,640 --> 00:55:31,839
Speaker 3: you finding out that that contract nobody from that side

1153
00:55:31,880 --> 00:55:34,160
Speaker 3: I ever even heard of that, and was like, so

1154
00:55:34,239 --> 00:55:36,520
Speaker 3: that was the final show for you right, okay, And.

1155
00:55:37,719 --> 00:55:40,560
Speaker 1: To be honest, like doing homework. We're talking about somebody,

1156
00:55:42,040 --> 00:55:46,160
Speaker 1: somebody almost lost their life doing shit like that. I

1157
00:55:46,160 --> 00:55:48,040
Speaker 1: don't got to say no names, they know who it is.

1158
00:55:48,280 --> 00:55:53,840
Speaker 1: But doing shit like that, you already almost died before

1159
00:55:53,840 --> 00:55:59,480
Speaker 1: he doing right? What he doing make it make sense?

1160
00:56:01,000 --> 00:56:04,040
Speaker 1: So for me, it just it just felt like before

1161
00:56:04,080 --> 00:56:08,439
Speaker 1: I lock in with these guys in a contract where

1162
00:56:08,640 --> 00:56:11,480
Speaker 1: I ain't have to deal with I'm gonna just cut okay.

1163
00:56:12,760 --> 00:56:14,319
Speaker 3: I mean well, I like the fact that you took

1164
00:56:14,320 --> 00:56:17,040
Speaker 3: some accountability and saying maybe your communication, you know, you

1165
00:56:17,040 --> 00:56:19,680
Speaker 3: could have done something different, but you were already kind

1166
00:56:19,719 --> 00:56:22,680
Speaker 3: of like feeling some way because things were happening, and

1167
00:56:22,719 --> 00:56:24,759
Speaker 3: then that this was another move that you kind of

1168
00:56:24,760 --> 00:56:27,480
Speaker 3: felt like, oh, y'all are doing funny shit while I'm

1169
00:56:27,520 --> 00:56:30,560
Speaker 3: over here trying to make sure we're all good. So

1170
00:56:30,640 --> 00:56:32,360
Speaker 3: let me just before we lock in the contract and

1171
00:56:32,360 --> 00:56:35,239
Speaker 3: then now we contractually have to be around each other,

1172
00:56:35,360 --> 00:56:38,480
Speaker 3: have to do the show together, let me just cut

1173
00:56:38,480 --> 00:56:41,680
Speaker 3: tas okay, gut tasu. But w is mech falling in

1174
00:56:41,800 --> 00:56:44,440
Speaker 3: all of that? He was here, he kind of felt

1175
00:56:44,480 --> 00:56:46,120
Speaker 3: like he was like yo, he showed it one day.

1176
00:56:46,560 --> 00:56:48,120
Speaker 3: The lights was off in the shop. He didn't know

1177
00:56:48,120 --> 00:56:50,239
Speaker 3: what was going on. He was like, yo, I'll just

1178
00:56:50,400 --> 00:56:52,440
Speaker 3: show up whenever they told me to show up. Like

1179
00:56:52,520 --> 00:56:54,719
Speaker 3: Mech's stance was really like, y'all was just there to work.

1180
00:56:55,120 --> 00:56:57,080
Speaker 3: I didn't really know nothing about the business side of it.

1181
00:56:57,280 --> 00:56:59,680
Speaker 3: Whenever Math would say, yo, pull up, pull up, I'll pull.

1182
00:56:59,600 --> 00:57:02,479
Speaker 2: Up, he said, what the public knows is what he knew.

1183
00:57:03,880 --> 00:57:04,360
Speaker 2: Mm hmmm.

1184
00:57:10,400 --> 00:57:16,280
Speaker 1: I kind of rather not speak on Mecca because we

1185
00:57:16,400 --> 00:57:21,080
Speaker 1: haven't spoken in life nine months.

1186
00:57:21,800 --> 00:57:23,440
Speaker 2: But why not why you just reach out and just

1187
00:57:23,480 --> 00:57:24,160
Speaker 2: have a conversation.

1188
00:57:24,200 --> 00:57:27,400
Speaker 1: It's not it's not by my doing. Okay, you did so,

1189
00:57:28,560 --> 00:57:33,400
Speaker 1: and again for me, just certain signs like I come

1190
00:57:33,440 --> 00:57:38,640
Speaker 1: from a lifestyle with hanging around, hanging around people that

1191
00:57:38,720 --> 00:57:43,400
Speaker 1: hang around. Other people come in your life absolutely so

1192
00:57:43,480 --> 00:57:46,400
Speaker 1: when I see certain things, like certain engagements, it just

1193
00:57:46,920 --> 00:57:50,000
Speaker 1: it takes me back to times where I'm like, I

1194
00:57:50,040 --> 00:57:52,280
Speaker 1: trusted this nigga and I walked in. Niggas set me

1195
00:57:52,400 --> 00:57:55,840
Speaker 1: up right, you know what I mean? And maybe that's

1196
00:57:55,880 --> 00:57:58,040
Speaker 1: something I need to work on, because like this ain't

1197
00:57:58,080 --> 00:58:00,280
Speaker 1: the streets. It's just seems yeah.

1198
00:58:00,320 --> 00:58:02,800
Speaker 2: But but but some of the same from where we're from.

1199
00:58:02,840 --> 00:58:06,040
Speaker 3: No Math, that's called trauma, is right, It's called trauma.

1200
00:58:06,280 --> 00:58:08,400
Speaker 3: And you still have a lot of trauma. You're still

1201
00:58:08,400 --> 00:58:11,080
Speaker 3: holding in a lot of trauma from you know, growing

1202
00:58:11,160 --> 00:58:13,520
Speaker 3: up in a certain environment, going through certain things, which

1203
00:58:13,560 --> 00:58:15,600
Speaker 3: is you know, unfortunately.

1204
00:58:15,120 --> 00:58:16,760
Speaker 2: A part of a lot of our lives.

1205
00:58:17,160 --> 00:58:20,520
Speaker 3: But like you said, this is something now, this is business,

1206
00:58:20,880 --> 00:58:22,960
Speaker 3: and this is you know, you have to communicate differently.

1207
00:58:23,000 --> 00:58:26,120
Speaker 3: You have to handle conflict or what seems to be

1208
00:58:26,240 --> 00:58:27,200
Speaker 3: conflict differently.

1209
00:58:27,680 --> 00:58:28,520
Speaker 2: But that not just you.

1210
00:58:28,840 --> 00:58:32,360
Speaker 3: Everybody everybody involved has to handle things differently and has

1211
00:58:32,400 --> 00:58:39,440
Speaker 3: to treat things like business. But certain things that you're saying,

1212
00:58:39,760 --> 00:58:42,960
Speaker 3: I totally understand now that are hearing this story. I

1213
00:58:43,080 --> 00:58:46,000
Speaker 3: understand where you're coming from now, Like, okay, you were

1214
00:58:46,080 --> 00:58:49,480
Speaker 3: looking at things and keeping certain moves and getting information

1215
00:58:49,560 --> 00:58:51,680
Speaker 3: from another side where it wasn't adding up to the

1216
00:58:51,680 --> 00:58:54,280
Speaker 3: information that people that are directly next to you are

1217
00:58:54,360 --> 00:58:56,960
Speaker 3: giving you, right, and now you're like, wait, hold up,

1218
00:58:56,960 --> 00:58:58,720
Speaker 3: that's not what y'all just told me. Like now it's

1219
00:58:58,760 --> 00:59:02,360
Speaker 3: like funny shit happening. They don't revolt, never even heard

1220
00:59:02,400 --> 00:59:02,880
Speaker 3: of this thing.

1221
00:59:03,280 --> 00:59:07,200
Speaker 1: But who's taking accountability for this? Right? Am I supposed

1222
00:59:07,200 --> 00:59:09,520
Speaker 1: to forget that this happened? Yeah? You know what I mean.

1223
00:59:10,160 --> 00:59:13,720
Speaker 4: I mean, if if Mex hits you tomorrow, would that

1224
00:59:13,720 --> 00:59:15,280
Speaker 4: be a conversation you would have at this point?

1225
00:59:15,360 --> 00:59:20,280
Speaker 1: Yeah, I mean I've been I've reached out, but you know,

1226
00:59:21,240 --> 00:59:25,040
Speaker 1: everybody has their own trauma. That's what I'm realizing. So

1227
00:59:25,880 --> 00:59:30,160
Speaker 1: whatever his reasons for not speaking to me are, okay,

1228
00:59:30,320 --> 00:59:34,920
Speaker 1: all right? Cool? If I reach out and you choose

1229
00:59:35,000 --> 00:59:38,080
Speaker 1: like it's not time for you yet, all right, it's

1230
00:59:38,080 --> 00:59:40,600
Speaker 1: not to respected. Yeah, you know what I mean. But

1231
00:59:41,760 --> 00:59:45,320
Speaker 1: for me, I just need people to understand how how

1232
00:59:45,320 --> 00:59:48,840
Speaker 1: my mind works and how I interpret certain moves, and

1233
00:59:48,880 --> 00:59:51,440
Speaker 1: it's like how it affects me. Like I feel like

1234
00:59:53,400 --> 00:59:57,200
Speaker 1: you look at somebody like fifty cents, loyalty for him

1235
00:59:57,240 --> 01:00:01,360
Speaker 1: must be a really serious thing, because at some point

1236
01:00:01,440 --> 01:00:04,080
Speaker 1: in met life to death, I kind of see things

1237
01:00:04,120 --> 01:00:06,240
Speaker 1: the same way, and I realized, like throughout the years,

1238
01:00:06,320 --> 01:00:09,280
Speaker 1: I've been moving like that, Like even in battle rap,

1239
01:00:09,280 --> 01:00:10,480
Speaker 1: you're doing what you hanging with?

1240
01:00:10,520 --> 01:00:10,720
Speaker 5: Who?

1241
01:00:10,840 --> 01:00:14,040
Speaker 1: Now? FU fuck with them niggas, you know what I mean.

1242
01:00:15,240 --> 01:00:19,840
Speaker 1: So you know, if niggas is watching this, I just

1243
01:00:19,840 --> 01:00:21,800
Speaker 1: hope they understand that side of me. Did know what

1244
01:00:21,800 --> 01:00:22,160
Speaker 1: I'm saying?

1245
01:00:22,240 --> 01:00:24,400
Speaker 3: Yeah, I mean I get it, and you know, you're

1246
01:00:24,400 --> 01:00:26,880
Speaker 3: breaking it down like that. It definitely gives me some

1247
01:00:27,400 --> 01:00:30,720
Speaker 3: clarity on the whole situation and talking to you know,

1248
01:00:31,000 --> 01:00:33,680
Speaker 3: bag Fuel, like hearing that side of it and then

1249
01:00:33,680 --> 01:00:34,080
Speaker 3: now here on.

1250
01:00:34,080 --> 01:00:35,480
Speaker 2: Your side, like I get it.

1251
01:00:35,480 --> 01:00:39,680
Speaker 3: It does seem like it literally was miscommunication based off

1252
01:00:39,760 --> 01:00:44,120
Speaker 3: of personal feelings and trauma that causes you to kind

1253
01:00:44,120 --> 01:00:46,680
Speaker 3: of like isolate and be like, I'm cutting that off.

1254
01:00:46,680 --> 01:00:47,440
Speaker 2: I'm not dealing with that.

1255
01:00:47,480 --> 01:00:50,000
Speaker 3: I'm not going down that road because I know where

1256
01:00:50,000 --> 01:00:52,280
Speaker 3: that could lead if it's funny shit happening, and I

1257
01:00:52,280 --> 01:00:54,120
Speaker 3: don't want it to go there, right, so you just

1258
01:00:54,240 --> 01:00:55,000
Speaker 3: rather just fuck it.

1259
01:00:55,040 --> 01:00:57,760
Speaker 1: I'm not fucking with nobody. This shit is weird. Yeah,

1260
01:00:57,800 --> 01:01:00,920
Speaker 1: you're doing weird shit. You're doing sneaky shit, and you

1261
01:01:00,960 --> 01:01:03,640
Speaker 1: can't get with you. No. I put it on the table, bro.

1262
01:01:03,760 --> 01:01:05,400
Speaker 1: If you feel this way, you know what I'm saying,

1263
01:01:05,520 --> 01:01:07,640
Speaker 1: Let's be men about it. Let's be men about it.

1264
01:01:07,720 --> 01:01:10,960
Speaker 1: If it's the money, asked me for a raise that

1265
01:01:11,080 --> 01:01:14,640
Speaker 1: never happened, right, that's never happened. How's it the money?

1266
01:01:14,680 --> 01:01:17,400
Speaker 1: It's not the money? Yeah? Yeah. I sat across from

1267
01:01:17,480 --> 01:01:22,240
Speaker 1: him at Angela Yeeze and I was like, yo, y'all

1268
01:01:22,240 --> 01:01:25,000
Speaker 1: said something about the money, And the first thing that

1269
01:01:25,040 --> 01:01:27,320
Speaker 1: came out was it was never about the money. I

1270
01:01:27,360 --> 01:01:29,960
Speaker 1: thought we was friends. If we friends, then what's up

1271
01:01:30,000 --> 01:01:34,880
Speaker 1: with this? Right? Right? Yeah, that's not friendly, you know

1272
01:01:34,920 --> 01:01:35,440
Speaker 1: what I'm saying.

1273
01:01:35,760 --> 01:01:38,760
Speaker 3: Yeah, now I'm not gonna lie. You was definitely you know,

1274
01:01:38,800 --> 01:01:41,280
Speaker 3: when you started your podcast, you know, based off of

1275
01:01:41,400 --> 01:01:44,760
Speaker 3: just your your history and battle Rap, for you to

1276
01:01:44,800 --> 01:01:47,640
Speaker 3: have the success that you had in podcasting, it was

1277
01:01:47,680 --> 01:01:49,840
Speaker 3: dope to see because I'm like, you know, Math, you

1278
01:01:49,920 --> 01:01:52,400
Speaker 3: had the you had the monica of he's the bully

1279
01:01:52,400 --> 01:01:54,040
Speaker 3: of battle Rap, he gonna come in, he might fuck

1280
01:01:54,080 --> 01:01:56,520
Speaker 3: the vent up, this, that and the third. But then

1281
01:01:56,600 --> 01:01:59,720
Speaker 3: seeing my expert opinion and the way you were on

1282
01:01:59,800 --> 01:02:01,480
Speaker 3: in the way you carry yourself, the way you were

1283
01:02:01,480 --> 01:02:05,320
Speaker 3: having conversations, the people that you had on it was

1284
01:02:05,360 --> 01:02:07,680
Speaker 3: a whole different side of you that I think that

1285
01:02:07,840 --> 01:02:09,000
Speaker 3: Battle Rap fans that.

1286
01:02:08,920 --> 01:02:10,520
Speaker 1: Found you got to see.

1287
01:02:10,640 --> 01:02:13,640
Speaker 3: They never knew that you had that side of you

1288
01:02:13,760 --> 01:02:16,080
Speaker 3: of like, Okay, Math can sit down and not fuck

1289
01:02:16,120 --> 01:02:18,720
Speaker 3: the room up and have a healthy conversation.

1290
01:02:19,000 --> 01:02:22,320
Speaker 1: Like I said, I think people misunderstood. You know, you

1291
01:02:22,600 --> 01:02:24,480
Speaker 1: see something from Afar, you don't know what it is.

1292
01:02:24,960 --> 01:02:27,600
Speaker 1: Close to it now now it's up close and personal.

1293
01:02:28,320 --> 01:02:31,400
Speaker 1: Now it's just not me versus your favorite battle rapper.

1294
01:02:31,440 --> 01:02:34,720
Speaker 1: You gotta share against me. Me sitting across from your

1295
01:02:34,720 --> 01:02:38,200
Speaker 1: favorite rapper. We're having a conversation, right, so you get

1296
01:02:38,240 --> 01:02:43,840
Speaker 1: to see a different side. It's not really a bully persona.

1297
01:02:44,000 --> 01:02:51,120
Speaker 1: I'm a protector. One of my earliest memories is it's

1298
01:02:51,240 --> 01:02:55,000
Speaker 1: me trying to fight a dude off my mom's because

1299
01:02:55,040 --> 01:02:57,520
Speaker 1: he was trying to rape her. You do you know

1300
01:02:57,520 --> 01:03:01,560
Speaker 1: what I'm saying, Like, up until the last time I

1301
01:03:01,640 --> 01:03:05,800
Speaker 1: even had to get active on anybody to a female

1302
01:03:05,880 --> 01:03:10,240
Speaker 1: out with my girl and some guys touching her inappropriately.

1303
01:03:10,800 --> 01:03:14,680
Speaker 1: M hm, that could go wrong. You know what I'm saying, Oh,

1304
01:03:14,720 --> 01:03:16,440
Speaker 1: you got the podcast that you shouldn't be out on

1305
01:03:16,440 --> 01:03:20,000
Speaker 1: the streets doing this. But I'm a protector, and I've

1306
01:03:20,240 --> 01:03:23,840
Speaker 1: always felt like I'm not gonna allow anybody to do nothing.

1307
01:03:24,040 --> 01:03:26,680
Speaker 1: I'm not gonna allow any give give niggas space or

1308
01:03:27,360 --> 01:03:28,320
Speaker 1: make niggas.

1309
01:03:28,000 --> 01:03:31,600
Speaker 2: Be do funny ship to harm anybody. I'm right, So.

1310
01:03:34,200 --> 01:03:36,080
Speaker 1: I don't know. I don't know if you understand it,

1311
01:03:36,080 --> 01:03:37,160
Speaker 1: you understand it, if you don't.

1312
01:03:37,240 --> 01:03:39,480
Speaker 3: I listen a lot of this that you do were

1313
01:03:39,480 --> 01:03:41,360
Speaker 3: talking about I had no idea, but it's given me

1314
01:03:41,400 --> 01:03:44,480
Speaker 3: a lot of clarity on a lot of things. But

1315
01:03:44,520 --> 01:03:47,439
Speaker 3: I do like the fact that you recognize because that's

1316
01:03:47,440 --> 01:03:48,439
Speaker 3: a big part of it.

1317
01:03:48,520 --> 01:03:50,440
Speaker 2: And when did you start to recognize that that it

1318
01:03:50,480 --> 01:03:51,000
Speaker 2: is trump?

1319
01:03:53,000 --> 01:03:56,400
Speaker 1: Just looking back because it's a recurrent thing that happened

1320
01:03:56,400 --> 01:04:00,840
Speaker 1: in my life m hm, reoccurring where it'll be me

1321
01:04:00,960 --> 01:04:03,880
Speaker 1: and a group of people, and then it be me

1322
01:04:04,000 --> 01:04:07,080
Speaker 1: by myself, be me and a group of people, then

1323
01:04:07,120 --> 01:04:12,560
Speaker 1: it be me by myself, and just looking back, like

1324
01:04:12,640 --> 01:04:17,640
Speaker 1: how did I judge this? How do other people judge this? Okay,

1325
01:04:17,680 --> 01:04:19,640
Speaker 1: they don't understand that I see it this way. The

1326
01:04:19,680 --> 01:04:24,080
Speaker 1: only people that understand that it's niggas that that have

1327
01:04:24,320 --> 01:04:27,560
Speaker 1: been through certain ship, Like now fuck with that? Like

1328
01:04:27,840 --> 01:04:30,200
Speaker 1: the street niggas around me is like, nah, fucking niggas

1329
01:04:31,800 --> 01:04:34,240
Speaker 1: And I'm like yo, but and this I guess this

1330
01:04:34,400 --> 01:04:38,280
Speaker 1: is this is something different, But in a way it's

1331
01:04:38,320 --> 01:04:41,160
Speaker 1: not mm hmm because the same way that I could

1332
01:04:41,160 --> 01:04:43,919
Speaker 1: be open about certain ship, I feel like other people

1333
01:04:43,960 --> 01:04:47,800
Speaker 1: should be too. Right. So if I'm reaching out to you,

1334
01:04:47,760 --> 01:04:52,080
Speaker 1: you've got a problem, let's talk about it, right, I

1335
01:04:52,080 --> 01:04:57,480
Speaker 1: shouldn't be sitting downstairs at Quad for hours, you not

1336
01:04:57,520 --> 01:05:00,840
Speaker 1: answering your phone, you know what I'm saying. Mm hmm.

1337
01:05:02,360 --> 01:05:05,400
Speaker 3: Yeah, because with somebody like you, now you you start

1338
01:05:05,440 --> 01:05:09,160
Speaker 3: to thinking, yeah, it starts going different places like yo'

1339
01:05:09,400 --> 01:05:10,120
Speaker 3: what's has up?

1340
01:05:10,200 --> 01:05:12,840
Speaker 2: Yeah, Like now you're going to yeah.

1341
01:05:12,520 --> 01:05:17,480
Speaker 1: Yeah, And you know, it's just this year and I

1342
01:05:17,560 --> 01:05:21,680
Speaker 1: gotta think. I gotta thank God. I gotta thank God

1343
01:05:21,800 --> 01:05:25,680
Speaker 1: because that's that's part of it. That's what gives you

1344
01:05:25,760 --> 01:05:30,560
Speaker 1: that that understanding, that that strength, because going through stuff

1345
01:05:30,640 --> 01:05:34,200
Speaker 1: like that, you feel alone, you feel you know what

1346
01:05:34,240 --> 01:05:39,080
Speaker 1: I mean, not not necessarily a victim, but you're like, damn,

1347
01:05:39,320 --> 01:05:41,680
Speaker 1: I gotta handle this ship or deal with the ship

1348
01:05:41,680 --> 01:05:46,160
Speaker 1: on my own. And this year has been a crazy

1349
01:05:46,280 --> 01:05:51,560
Speaker 1: year for me. Crazy yeah, both personal and business, both

1350
01:05:51,600 --> 01:05:56,760
Speaker 1: personal and business like health wise, I find out uh

1351
01:05:56,880 --> 01:06:07,480
Speaker 1: stuff about stuff about my health that requires urgent attention,

1352
01:06:07,720 --> 01:06:10,919
Speaker 1: you know what I'm saying. Yeah, the end of last year,

1353
01:06:11,840 --> 01:06:15,840
Speaker 1: me and my wife, she ain't got a ring on

1354
01:06:16,240 --> 01:06:19,240
Speaker 1: my wife, we lost a child. It was it was

1355
01:06:19,360 --> 01:06:24,720
Speaker 1: just a rough Sorry, the lights going out in the shop.

1356
01:06:24,720 --> 01:06:27,200
Speaker 1: It's just like nigga, stop, It's just like God telling

1357
01:06:27,240 --> 01:06:33,120
Speaker 1: me stop, stop, look around. She just falling apart. Stop.

1358
01:06:34,200 --> 01:06:36,800
Speaker 1: You think about this. You try to keep this going,

1359
01:06:37,800 --> 01:06:40,280
Speaker 1: go take care of that, you know what I mean?

1360
01:06:41,520 --> 01:06:48,520
Speaker 1: So for everybody else, because I haven't been as vocal

1361
01:06:49,480 --> 01:06:53,120
Speaker 1: because I'm not the type to go vent. So I

1362
01:06:53,120 --> 01:06:57,040
Speaker 1: don't trust people, you know what I mean. Even saying

1363
01:06:57,080 --> 01:07:00,680
Speaker 1: this ship right now, it's like I might actually all

1364
01:07:00,720 --> 01:07:01,880
Speaker 1: to delete something later.

1365
01:07:02,040 --> 01:07:03,800
Speaker 2: Well, I it's appreciated that you sharing it.

1366
01:07:03,840 --> 01:07:06,720
Speaker 1: You did what I'm saying, So I don't. I don't

1367
01:07:06,760 --> 01:07:08,920
Speaker 1: trust things on vents. So they look at it like,

1368
01:07:09,680 --> 01:07:14,920
Speaker 1: MA just heat just on his own ship. Everybody deals

1369
01:07:14,920 --> 01:07:17,320
Speaker 1: with their own ship. That's why I'm realizing, like whatever

1370
01:07:17,320 --> 01:07:19,080
Speaker 1: they was going through at the time, maybe.

1371
01:07:19,360 --> 01:07:24,280
Speaker 2: Yeah, yeah, it was that yeah, and that real way,

1372
01:07:24,320 --> 01:07:25,280
Speaker 2: that's what we're we're looking at.

1373
01:07:25,400 --> 01:07:27,560
Speaker 4: That's also what was kind of rough sometimes with this

1374
01:07:27,800 --> 01:07:31,520
Speaker 4: podcast and ship, where you are so open about your life,

1375
01:07:31,520 --> 01:07:33,840
Speaker 4: but there's certain ship you I got to keep to myself.

1376
01:07:34,000 --> 01:07:36,040
Speaker 4: Y'all may not understand in the comments what the fuck

1377
01:07:36,080 --> 01:07:38,640
Speaker 4: I'm going through at the time. Everyone judgmental of every

1378
01:07:38,680 --> 01:07:39,960
Speaker 4: move you make. It it's like you don't even know

1379
01:07:40,000 --> 01:07:42,160
Speaker 4: what I'm dealing with on the other side in my life.

1380
01:07:42,200 --> 01:07:44,480
Speaker 4: Here's another because you think I put everything out on

1381
01:07:44,520 --> 01:07:46,840
Speaker 4: a microphone, Nah, I don't the ship that I'm going

1382
01:07:46,840 --> 01:07:48,640
Speaker 4: through that I would never fucking tell you about.

1383
01:07:49,000 --> 01:07:51,080
Speaker 3: Here's another layer to it all. And I do appreciate you,

1384
01:07:51,080 --> 01:07:54,720
Speaker 3: Math for getting so vulnerable with us. But the very

1385
01:07:54,720 --> 01:07:59,760
Speaker 3: interesting thing about you, Math is you come from a

1386
01:07:59,800 --> 01:08:00,800
Speaker 3: world where.

1387
01:08:02,000 --> 01:08:03,880
Speaker 2: They'll weaponize your trauma against you.

1388
01:08:04,400 --> 01:08:07,200
Speaker 1: Definitely battle round Definitely they'll hear you say something to

1389
01:08:07,200 --> 01:08:12,040
Speaker 1: be like, what is this episode is two rounds?

1390
01:08:13,400 --> 01:08:16,200
Speaker 3: This episode is too real?

1391
01:08:16,280 --> 01:08:17,799
Speaker 2: Ship though? This is two.

1392
01:08:17,680 --> 01:08:20,240
Speaker 1: Rounds, right, this episode is two rounds.

1393
01:08:20,680 --> 01:08:22,920
Speaker 3: But the fact that you're at a place now in

1394
01:08:22,960 --> 01:08:26,040
Speaker 3: your life where you like, because.

1395
01:08:25,800 --> 01:08:28,360
Speaker 1: Like you just said, we all got our ship. Yeah,

1396
01:08:28,800 --> 01:08:31,679
Speaker 1: we're all going through ship. People watching right now all

1397
01:08:31,720 --> 01:08:32,559
Speaker 1: going somebody is.

1398
01:08:32,600 --> 01:08:38,200
Speaker 3: Like yeah, but they and somebody is hearing this and saying, damn,

1399
01:08:38,240 --> 01:08:40,479
Speaker 3: mathis this dude that always got this persona too?

1400
01:08:40,479 --> 01:08:42,479
Speaker 2: But he he dealing with real ship too.

1401
01:08:43,320 --> 01:08:45,599
Speaker 3: He going through real shit too. And you saying that

1402
01:08:45,600 --> 01:08:50,160
Speaker 3: that's God cutting the lights off. It's powerful, bro, because

1403
01:08:50,160 --> 01:08:54,120
Speaker 3: that's real, Like yo, bro, relaxed, sit down, go handle this.

1404
01:08:54,120 --> 01:08:58,160
Speaker 3: This is more important. So I just appreciate you understanding that,

1405
01:08:58,240 --> 01:09:00,640
Speaker 3: and and you know to know that you're looking at

1406
01:09:00,640 --> 01:09:03,840
Speaker 3: it like that and that perspective is very healthy. You're

1407
01:09:03,840 --> 01:09:06,439
Speaker 3: looking at it from a very very healthy point of view,

1408
01:09:06,439 --> 01:09:07,640
Speaker 3: a very healthy perspective.

1409
01:09:08,640 --> 01:09:11,599
Speaker 2: You have to you have to, man, because listen, this.

1410
01:09:11,520 --> 01:09:13,160
Speaker 1: Is otherwise what do you get? The fuck do you

1411
01:09:13,240 --> 01:09:13,880
Speaker 1: end up? Well?

1412
01:09:13,960 --> 01:09:14,360
Speaker 2: Outlets?

1413
01:09:14,360 --> 01:09:16,240
Speaker 4: Are you using to process that type of stuff? I'm

1414
01:09:16,240 --> 01:09:18,679
Speaker 4: not saying publicly anything like that, Like, how are you

1415
01:09:18,720 --> 01:09:19,920
Speaker 4: with everything that's going.

1416
01:09:21,400 --> 01:09:22,439
Speaker 2: You've gone through this year?

1417
01:09:23,040 --> 01:09:26,439
Speaker 1: I have, I have. I have some good mentorship. That's good,

1418
01:09:26,560 --> 01:09:29,200
Speaker 1: some good mentorship people that keep me level headed. And

1419
01:09:29,320 --> 01:09:33,320
Speaker 1: people don't understand like the episodes I've been doing what

1420
01:09:33,439 --> 01:09:36,880
Speaker 1: they call him bucket at man, uncle Seth. Okay, ye,

1421
01:09:38,160 --> 01:09:41,559
Speaker 1: like when I'm going through and he just listen, man,

1422
01:09:42,680 --> 01:09:47,000
Speaker 1: you're doing it to yourself. Man, right right, why are

1423
01:09:47,000 --> 01:09:49,479
Speaker 1: you even stressing about that? Man? Right? You don't don't

1424
01:09:49,479 --> 01:09:52,000
Speaker 1: forget you. You did this and you did that and

1425
01:09:52,320 --> 01:09:54,320
Speaker 1: sometimes I need to hear that. How long have you

1426
01:09:54,400 --> 01:10:01,320
Speaker 1: had a relationship me and Seth? About twelve years now? Oh?

1427
01:10:01,360 --> 01:10:03,080
Speaker 2: Goody somewhere you really know?

1428
01:10:03,240 --> 01:10:13,920
Speaker 1: Yeah? Okay, so you know my girl, my kids, you know,

1429
01:10:14,120 --> 01:10:19,200
Speaker 1: thank God for my daughters because your girl dad, Yeah,

1430
01:10:19,200 --> 01:10:22,400
Speaker 1: I'm a girl dad. You don't know that I thought

1431
01:10:22,680 --> 01:10:24,400
Speaker 1: you don't have no sons. Yeah, I got two sons.

1432
01:10:24,439 --> 01:10:26,559
Speaker 2: Okay, okay, okay, okay, okay.

1433
01:10:26,560 --> 01:10:29,160
Speaker 1: I thought you just had a old girl, right, Nah girl, Dad,

1434
01:10:30,120 --> 01:10:34,679
Speaker 1: I love my girls. Man Yeah again. Protective yeah, protector. Yeah,

1435
01:10:35,520 --> 01:10:38,840
Speaker 1: that's worried about that too, Like, yeah, how do they.

1436
01:10:38,680 --> 01:10:41,679
Speaker 2: Do everything just being on the internet at old fucking times.

1437
01:10:42,439 --> 01:10:47,360
Speaker 1: Uh, Pooty, Poody sees this ship all the daughter. She

1438
01:10:47,360 --> 01:10:48,400
Speaker 1: don't go looking at my ship.

1439
01:10:48,479 --> 01:10:48,759
Speaker 2: Okay.

1440
01:10:49,000 --> 01:10:52,960
Speaker 1: Pooty's like she's the researcher my dad. You know what

1441
01:10:52,960 --> 01:10:56,160
Speaker 1: I'm saying, Like, Pooty is a protector. Yes, Poody is

1442
01:10:56,200 --> 01:10:58,560
Speaker 1: the second me. He's the second me, you know what

1443
01:10:58,560 --> 01:11:11,360
Speaker 1: I mean. And I realized, like my purpose at this

1444
01:11:11,520 --> 01:11:17,280
Speaker 1: point is making sure they're good, absolutely, and that comes

1445
01:11:17,520 --> 01:11:21,880
Speaker 1: first and foremost, absolutely above everything. Well, first I got

1446
01:11:21,880 --> 01:11:25,160
Speaker 1: to make sure I'm good because if I ain't good, right,

1447
01:11:26,080 --> 01:11:33,080
Speaker 1: But once I put myself back in that perspective, it's

1448
01:11:33,160 --> 01:11:36,360
Speaker 1: helped me, Like, Okay, now I can I'm going to

1449
01:11:36,400 --> 01:11:39,960
Speaker 1: the shop and I'm doing episodes. This is the purpose,

1450
01:11:40,600 --> 01:11:44,679
Speaker 1: you know what I'm saying. Before It's like I kind

1451
01:11:44,680 --> 01:11:48,080
Speaker 1: of lost that, but I kind of lost that, but

1452
01:11:48,200 --> 01:11:48,840
Speaker 1: I got it back.

1453
01:11:49,600 --> 01:11:51,639
Speaker 4: At what point you felt like you lost it? You're

1454
01:11:51,640 --> 01:11:53,519
Speaker 4: saying more the passion of even wanting to do the ship.

1455
01:11:53,840 --> 01:11:57,240
Speaker 3: Yeah, yeah, you've had that talk of not wanting to

1456
01:11:57,240 --> 01:11:58,639
Speaker 3: do it, like with yourself.

1457
01:11:59,320 --> 01:12:03,680
Speaker 1: I honestly wanted to get to the point where other

1458
01:12:03,720 --> 01:12:07,760
Speaker 1: people go host the show and I just fade into

1459
01:12:07,840 --> 01:12:13,880
Speaker 1: the background because for me, it's years of stuff. But

1460
01:12:14,000 --> 01:12:20,320
Speaker 1: when when we lost the kid, I was telling people,

1461
01:12:20,320 --> 01:12:23,800
Speaker 1: I was like, Yo, I'm not mentally I'm out of here.

1462
01:12:24,960 --> 01:12:27,479
Speaker 1: I'm wearing a fucking mask right now, you know what

1463
01:12:27,479 --> 01:12:33,759
Speaker 1: I mean? And I don't think they understood the depth

1464
01:12:33,880 --> 01:12:35,680
Speaker 1: of it. I think you would have to be a

1465
01:12:35,800 --> 01:12:43,479
Speaker 1: parent understand what that feels like. So yeah, so there's

1466
01:12:43,520 --> 01:12:47,560
Speaker 1: a lot of misunderstandings between these situations. We commended to

1467
01:12:47,640 --> 01:12:52,559
Speaker 1: have a reunion episode. But you know, if it's at

1468
01:12:52,560 --> 01:12:54,479
Speaker 1: the point where you know, you go your way, I

1469
01:12:54,560 --> 01:12:58,720
Speaker 1: go mind. I know I still have my purpose and

1470
01:12:58,840 --> 01:13:01,840
Speaker 1: whatever your purpose is, I hope you're living in that,

1471
01:13:02,280 --> 01:13:05,360
Speaker 1: and I wish it was the best. Just don't use

1472
01:13:05,439 --> 01:13:06,920
Speaker 1: me anymore, right you know?

1473
01:13:07,600 --> 01:13:07,800
Speaker 8: Yeah?

1474
01:13:07,840 --> 01:13:10,320
Speaker 2: Yeah, that makes total sense. That makes understand that.

1475
01:13:10,439 --> 01:13:13,160
Speaker 4: I mean, ship with with with all that perspective in

1476
01:13:13,200 --> 01:13:17,799
Speaker 4: that hindsight, what's the direction of the show now, because

1477
01:13:17,880 --> 01:13:19,800
Speaker 4: you know you went through different casts, you went through

1478
01:13:19,840 --> 01:13:21,280
Speaker 4: everything that you were going through personally.

1479
01:13:21,000 --> 01:13:22,400
Speaker 2: I love you got a lot of the battle rap

1480
01:13:22,439 --> 01:13:23,960
Speaker 2: guys on. I love that.

1481
01:13:24,360 --> 01:13:27,719
Speaker 4: I think that a reoccurring character on everything.

1482
01:13:28,880 --> 01:13:36,000
Speaker 2: Zi is one of the greatest personality. It's hilarious. That's

1483
01:13:36,040 --> 01:13:37,599
Speaker 2: the part to me, is you and.

1484
01:13:37,640 --> 01:13:40,280
Speaker 3: Zip are the perf because y'all, y'all are like Ying

1485
01:13:40,360 --> 01:13:43,519
Speaker 3: and Yang, but like y'all are also so similar in

1486
01:13:43,520 --> 01:13:44,360
Speaker 3: a lot of ways.

1487
01:13:45,439 --> 01:13:47,320
Speaker 2: Is it is just a good dude to like. I

1488
01:13:47,360 --> 01:13:48,360
Speaker 2: think Zip is a star.

1489
01:13:48,600 --> 01:13:51,680
Speaker 3: I think star Zip is a star, And I think

1490
01:13:51,720 --> 01:13:53,600
Speaker 3: that y'all can both help each other in ways that

1491
01:13:53,680 --> 01:13:55,479
Speaker 3: y'all not even y'all don't even recognize yet.

1492
01:13:55,640 --> 01:13:58,160
Speaker 1: I mean I would, I would love to matter f.

1493
01:13:58,240 --> 01:14:00,840
Speaker 1: I don't have a problem with helping. Yeah, you know

1494
01:14:00,880 --> 01:14:02,280
Speaker 1: what I mean. He texts me he has to be

1495
01:14:02,360 --> 01:14:05,120
Speaker 1: about equipment and all that. Yeah, I'll tell him. Yeah,

1496
01:14:05,320 --> 01:14:07,200
Speaker 1: this is a nigga that said that I got pistol

1497
01:14:07,320 --> 01:14:10,640
Speaker 1: punching the face and took my gun and pistol. You

1498
01:14:10,680 --> 01:14:12,439
Speaker 1: know what I'm saying, the fact that y'all was able

1499
01:14:12,479 --> 01:14:14,200
Speaker 1: to sit down, Yeah, that wasn't about that.

1500
01:14:14,320 --> 01:14:15,840
Speaker 3: You see what I'm saying, Like I love that part

1501
01:14:15,840 --> 01:14:17,960
Speaker 3: of it. Like once I saw y'all sitting down, I

1502
01:14:18,040 --> 01:14:20,080
Speaker 3: was like, I love this ship, which I will give

1503
01:14:20,120 --> 01:14:23,160
Speaker 3: Math credit. People do do that bully mentality with him.

1504
01:14:23,680 --> 01:14:26,080
Speaker 4: He battled those again, like you've done a lot of

1505
01:14:26,080 --> 01:14:28,479
Speaker 4: redemption ship that I feel like people overlook.

1506
01:14:28,600 --> 01:14:32,360
Speaker 1: But it's not in that regards, you know, Yeah, what's

1507
01:14:32,360 --> 01:14:33,400
Speaker 1: the best big.

1508
01:14:33,280 --> 01:14:35,000
Speaker 2: Of an asshole? I feel like people make you out

1509
01:14:35,000 --> 01:14:36,639
Speaker 2: to be something definitely not like.

1510
01:14:36,560 --> 01:14:45,360
Speaker 3: When I it's still a different but like some qualities,

1511
01:14:45,760 --> 01:14:48,519
Speaker 3: but we forget that a lot of the time. The Internet,

1512
01:14:48,600 --> 01:14:51,280
Speaker 3: you know, and YouTube and things and social media comments,

1513
01:14:51,280 --> 01:14:54,720
Speaker 3: like a lot of these people really don't come from,

1514
01:14:55,000 --> 01:14:56,360
Speaker 3: you know, the place we come from.

1515
01:14:56,880 --> 01:14:59,400
Speaker 2: So somebody like me from where I'm.

1516
01:14:59,240 --> 01:15:02,120
Speaker 3: From and then where you from looking at you, I

1517
01:15:02,200 --> 01:15:02,800
Speaker 3: understand it.

1518
01:15:02,880 --> 01:15:03,320
Speaker 1: I get it.

1519
01:15:03,360 --> 01:15:05,040
Speaker 2: I'm like a nigga. I grew up with niggas like this.

1520
01:15:05,120 --> 01:15:08,479
Speaker 3: Like I know Math is not a bad guy. Like

1521
01:15:08,520 --> 01:15:10,439
Speaker 3: I tell you, I'm like, Math ain't a bad guy.

1522
01:15:10,760 --> 01:15:13,160
Speaker 3: Math ain't gonna let you just do anything and just

1523
01:15:13,200 --> 01:15:14,760
Speaker 3: you know, just just just fuck him over.

1524
01:15:14,880 --> 01:15:16,600
Speaker 2: And you know he ain't gonna let that happen.

1525
01:15:16,360 --> 01:15:18,719
Speaker 1: Either Adam and I was about to, Yo, you're gonna

1526
01:15:18,720 --> 01:15:22,680
Speaker 1: give me a date when y'all, I.

1527
01:15:22,680 --> 01:15:24,720
Speaker 4: Was wondering why we wasn't invited to the what they

1528
01:15:24,720 --> 01:15:29,880
Speaker 4: call it the slaughter House of podcasts, Potter House, like

1529
01:15:30,640 --> 01:15:33,360
Speaker 4: Potterhouse was like.

1530
01:15:32,640 --> 01:15:35,720
Speaker 1: I got cut out of it. I got cut out

1531
01:15:35,720 --> 01:15:36,320
Speaker 1: of it.

1532
01:15:35,920 --> 01:15:38,599
Speaker 3: But this is why Math is funny because Math has

1533
01:15:38,600 --> 01:15:41,040
Speaker 3: saying ship like, I'm like your Math, we're gonna do

1534
01:15:41,080 --> 01:15:42,600
Speaker 3: the show, like we definitely come to do it.

1535
01:15:42,640 --> 01:15:43,360
Speaker 2: And I'm thinking if.

1536
01:15:43,280 --> 01:15:45,000
Speaker 3: You know me, you know if I say that, because

1537
01:15:45,000 --> 01:15:47,040
Speaker 3: I don't do interviews nowhere, So if I tell you

1538
01:15:47,120 --> 01:15:48,360
Speaker 3: I'm coming to do an interview with you know, for.

1539
01:15:48,439 --> 01:15:50,280
Speaker 2: Last I said any time you're ready, I'm ready to

1540
01:15:50,479 --> 01:15:51,080
Speaker 2: that's my nigga.

1541
01:15:51,080 --> 01:15:52,240
Speaker 1: We're gonna do Math but Math.

1542
01:15:52,400 --> 01:15:54,559
Speaker 3: But because Math don't know and Math is still thinking

1543
01:15:54,680 --> 01:15:56,080
Speaker 3: again it's industry ship.

1544
01:15:56,320 --> 01:15:59,960
Speaker 1: He like what nigga win that is know what I'm saying.

1545
01:16:00,160 --> 01:16:03,080
Speaker 1: Your map queens flipping your button flash back?

1546
01:16:03,520 --> 01:16:06,360
Speaker 2: No, no, no, never, never that happened.

1547
01:16:06,520 --> 01:16:08,519
Speaker 3: We definitely were definitely coming on and do your ship

1548
01:16:08,560 --> 01:16:11,640
Speaker 3: because yeah, no, definitely we're definitely coming to do my

1549
01:16:11,920 --> 01:16:14,559
Speaker 3: extraitent opinion because again, we just we fuck with what

1550
01:16:14,600 --> 01:16:17,479
Speaker 3: you're doing. And I love the way you came back

1551
01:16:17,760 --> 01:16:19,960
Speaker 3: bringing the battle rap guys on having. I love the

1552
01:16:19,960 --> 01:16:21,280
Speaker 3: conversation you and Goods had.

1553
01:16:21,400 --> 01:16:24,200
Speaker 2: Yeah, it was great. I love seeing y'all talk and

1554
01:16:24,280 --> 01:16:25,559
Speaker 2: have the conversation y'all had.

1555
01:16:25,520 --> 01:16:26,360
Speaker 1: Part of the redemption.

1556
01:16:26,720 --> 01:16:29,640
Speaker 2: Absolutely, yes, having.

1557
01:16:29,400 --> 01:16:32,240
Speaker 1: The conversations explain let me explain.

1558
01:16:32,120 --> 01:16:34,759
Speaker 3: Right right right, And I think I think you doing

1559
01:16:34,800 --> 01:16:37,000
Speaker 3: that going that angle with, especially with the guys that

1560
01:16:37,040 --> 01:16:39,960
Speaker 3: you done went to wars with and have years of

1561
01:16:40,040 --> 01:16:42,800
Speaker 3: you know, just back and forth. Let's sit down and

1562
01:16:42,840 --> 01:16:46,280
Speaker 3: have a conversation and let's talk about it. Because we're

1563
01:16:46,320 --> 01:16:48,599
Speaker 3: all older, we all men there, we all have families,

1564
01:16:48,640 --> 01:16:50,840
Speaker 3: we're all trying to take care of our families, trying

1565
01:16:50,880 --> 01:16:53,479
Speaker 3: to protect our families and things like that. So seeing

1566
01:16:53,520 --> 01:16:56,280
Speaker 3: you have those conversations, I'm not gonna lie fuck with that.

1567
01:16:56,320 --> 01:16:59,080
Speaker 1: Man, that's like some super dope shit you're doing that.

1568
01:17:00,000 --> 01:17:04,120
Speaker 1: It's necessary, Absolutely, it's necessary. I might not be the

1569
01:17:04,120 --> 01:17:08,240
Speaker 1: most knowledgeable person about the music industry or you know,

1570
01:17:08,920 --> 01:17:11,880
Speaker 1: half of the topics that most podcasts talk about. Well,

1571
01:17:11,880 --> 01:17:15,760
Speaker 1: one thing I understand is that these conversations become an example.

1572
01:17:15,960 --> 01:17:19,000
Speaker 1: Yeah sure, yeah, And if you watch me, and you

1573
01:17:19,120 --> 01:17:22,599
Speaker 1: a math hoffa fan, and you've been following me for years,

1574
01:17:22,640 --> 01:17:25,920
Speaker 1: and you see me do that, maybe it might influence

1575
01:17:26,000 --> 01:17:27,840
Speaker 1: you to do that in your own exactly. You know

1576
01:17:27,880 --> 01:17:31,719
Speaker 1: what I mean exactly. So that's my contribution tomorrow, audience.

1577
01:17:35,400 --> 01:17:38,599
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Speaker 4: Before we Let you Go, I had a lot of

1600
01:18:50,240 --> 01:18:52,120
Speaker 4: people hit me on a battle rap take up.

1601
01:18:52,400 --> 01:18:53,320
Speaker 2: We recently had.

1602
01:18:54,840 --> 01:18:59,400
Speaker 4: I think your third round against Hollow is top five

1603
01:19:00,760 --> 01:19:01,800
Speaker 4: probably of all time.

1604
01:19:02,240 --> 01:19:03,360
Speaker 2: And this was coming off.

1605
01:19:03,240 --> 01:19:06,559
Speaker 3: The oh we spoke about that years ago.

1606
01:19:07,360 --> 01:19:07,840
Speaker 2: Let me land it.

1607
01:19:07,920 --> 01:19:11,680
Speaker 4: Yeah, we were talking about hit Man versus Mook and

1608
01:19:11,800 --> 01:19:14,280
Speaker 4: that third round from hit Man when he was bringing

1609
01:19:14,360 --> 01:19:17,120
Speaker 4: up the allegations, and I was saying, the difference between

1610
01:19:18,800 --> 01:19:22,840
Speaker 4: the response of how everyone looked at Hollow fucking crazy

1611
01:19:23,080 --> 01:19:26,639
Speaker 4: after that third round versus how nobody gave a fuck

1612
01:19:27,479 --> 01:19:31,799
Speaker 4: about the allegations about Mouk was one of the wildest

1613
01:19:31,840 --> 01:19:34,599
Speaker 4: things I've seen in battle rap. And I'm a battle

1614
01:19:34,640 --> 01:19:37,000
Speaker 4: rap casual fan because I know that the hardcore fans

1615
01:19:37,000 --> 01:19:38,479
Speaker 4: would kill me if they ever said, I'm a fan.

1616
01:19:38,600 --> 01:19:40,840
Speaker 4: I'm not like y'all. I'm a casual fan. I love

1617
01:19:40,880 --> 01:19:45,080
Speaker 4: battle rap, but I'm not that deep into it. But

1618
01:19:45,160 --> 01:19:48,200
Speaker 4: I have to give some pushback and criticism of that

1619
01:19:48,720 --> 01:19:52,240
Speaker 4: fan base, Like y'all didn't give a fuck about that

1620
01:19:52,280 --> 01:19:55,080
Speaker 4: third round unless everything Hollow did that you said with

1621
01:19:55,120 --> 01:19:57,160
Speaker 4: some foul as shit. You smoked that round from a

1622
01:19:57,160 --> 01:20:00,479
Speaker 4: creative but to a fact level was crazy. Everyone was like, yo,

1623
01:20:00,560 --> 01:20:03,240
Speaker 4: Hollow's fall as fuck. I didn't see one person.

1624
01:20:03,000 --> 01:20:09,680
Speaker 1: Say I'm gonna tell you why, all right, hollows. The

1625
01:20:09,720 --> 01:20:14,280
Speaker 1: difference between Hitman crafting around like that me crafting around

1626
01:20:14,320 --> 01:20:22,280
Speaker 1: like that is Hollow's whole image was loyalty over money,

1627
01:20:22,560 --> 01:20:26,880
Speaker 1: so bra So if you're gonna battle Hollow and you

1628
01:20:27,000 --> 01:20:31,960
Speaker 1: attack his loyalty, the fans are gonna give you that.

1629
01:20:31,960 --> 01:20:35,519
Speaker 1: That's the point, right murder Mook was never out here

1630
01:20:35,640 --> 01:20:36,920
Speaker 1: like I'm the best.

1631
01:20:36,720 --> 01:20:47,400
Speaker 7: Hunts been easy, phenomenal.

1632
01:20:47,560 --> 01:20:55,760
Speaker 9: Dad wasn't doing that. You shut up the move that's

1633
01:20:57,400 --> 01:20:58,320
Speaker 9: he wasn't doing that.

1634
01:20:58,479 --> 01:21:02,600
Speaker 1: So so one and we when we hear it, it's like,

1635
01:21:03,320 --> 01:21:08,320
Speaker 1: wonder is the people that's skeptical is it real and two,

1636
01:21:08,640 --> 01:21:13,000
Speaker 1: it's like, is this gonna win you this battle? Like

1637
01:21:13,479 --> 01:21:16,000
Speaker 1: I feel like what hip Man did was kind of

1638
01:21:16,040 --> 01:21:19,759
Speaker 1: like what I call it dem mock the death touch,

1639
01:21:20,920 --> 01:21:25,479
Speaker 1: Like he's gonna walk away, but maybe he's gonna battle

1640
01:21:25,479 --> 01:21:28,320
Speaker 1: somebody down the line that's gonna know how to take

1641
01:21:28,360 --> 01:21:31,519
Speaker 1: that information and use it against him the right way.

1642
01:21:32,320 --> 01:21:35,320
Speaker 1: The way hip Man did it, it was like, all right,

1643
01:21:35,360 --> 01:21:37,759
Speaker 1: you're not gonna win the battle like this, bro, Nobody

1644
01:21:37,800 --> 01:21:40,120
Speaker 1: believed that he was the greatest dad. We saw him

1645
01:21:40,160 --> 01:21:44,000
Speaker 1: getting arrested. You're just you're just kind of telling us

1646
01:21:44,200 --> 01:21:46,760
Speaker 1: what we already like, you know what I mean. We

1647
01:21:46,800 --> 01:21:50,479
Speaker 1: saw in the crib, like okay, all right, nobody thought

1648
01:21:50,960 --> 01:21:53,639
Speaker 1: was like the best dad in the world. So yeah,

1649
01:21:53,840 --> 01:21:56,120
Speaker 1: you got any got anything else for us? And it

1650
01:21:56,280 --> 01:21:59,120
Speaker 1: was like, yo, I get that.

1651
01:22:00,479 --> 01:22:00,800
Speaker 2: I guess.

1652
01:22:00,800 --> 01:22:03,000
Speaker 4: The last question I want to ask is what I've

1653
01:22:03,040 --> 01:22:09,200
Speaker 4: seen recently from just pod fans, is that your focus

1654
01:22:09,280 --> 01:22:12,719
Speaker 4: more on music than you are on podcasting, and people

1655
01:22:12,760 --> 01:22:15,960
Speaker 4: may want more potting from you than music, just of

1656
01:22:15,960 --> 01:22:19,120
Speaker 4: what internet comments is, but it's just internet comments.

1657
01:22:19,200 --> 01:22:22,400
Speaker 2: Is that more your focus or is potting more your focus?

1658
01:22:23,520 --> 01:22:29,000
Speaker 1: It's hard for me to accept that. Rap. It's like

1659
01:22:29,000 --> 01:22:29,559
Speaker 1: a hobby.

1660
01:22:30,360 --> 01:22:34,519
Speaker 2: Now it's hard to accept that, you know, I think

1661
01:22:34,560 --> 01:22:35,599
Speaker 2: that was the beautiful thing.

1662
01:22:35,640 --> 01:22:40,480
Speaker 1: Though it's not beautiful if you still be dreaming about

1663
01:22:41,120 --> 01:22:47,519
Speaker 1: this podcast, you know.

1664
01:22:51,520 --> 01:22:54,040
Speaker 2: Not to say we sit here and gossip.

1665
01:22:54,720 --> 01:22:57,000
Speaker 1: Shout out the platinum, shout out the S five. I

1666
01:22:57,080 --> 01:23:00,400
Speaker 1: pretty much paid the rent for two years because I

1667
01:23:00,520 --> 01:23:04,160
Speaker 1: love creating music. I don't think people really ain't never

1668
01:23:04,200 --> 01:23:06,559
Speaker 1: really seen me in that element, you know what I mean.

1669
01:23:07,120 --> 01:23:11,560
Speaker 1: I bring in multiple producers and have shit orchestrated in it.

1670
01:23:13,080 --> 01:23:15,439
Speaker 1: And you know, I got one hundred and eighty records

1671
01:23:15,479 --> 01:23:18,759
Speaker 1: sitting around a ton of features that I haven't released.

1672
01:23:19,160 --> 01:23:22,840
Speaker 1: I got to get over this fucking complex. But in

1673
01:23:22,880 --> 01:23:25,640
Speaker 1: a way, I ALWASO have to accept that this is

1674
01:23:25,680 --> 01:23:26,679
Speaker 1: the primary child.

1675
01:23:28,960 --> 01:23:30,679
Speaker 2: But to me, that's that's perspective.

1676
01:23:30,720 --> 01:23:32,559
Speaker 4: I think that's actually the blessing of the whole shit,

1677
01:23:32,680 --> 01:23:35,880
Speaker 4: where rap being a hobby should be looked at as

1678
01:23:35,960 --> 01:23:38,519
Speaker 4: a positive thing, where you could keep your overhead and

1679
01:23:38,560 --> 01:23:40,519
Speaker 4: your bills and make sure your kids are good based

1680
01:23:40,560 --> 01:23:43,320
Speaker 4: off doing the pod shit. Now you've got free range

1681
01:23:43,360 --> 01:23:45,080
Speaker 4: to do what the fuck you want with music. You

1682
01:23:45,120 --> 01:23:47,320
Speaker 4: don't got to chase shit. You don't have to fucking

1683
01:23:47,600 --> 01:23:49,320
Speaker 4: all right, I gotta make this type of song because

1684
01:23:49,320 --> 01:23:51,160
Speaker 4: this is what's going to be profitable. Like, I think

1685
01:23:51,360 --> 01:23:54,080
Speaker 4: that puts you in the best position ever to make

1686
01:23:54,160 --> 01:23:57,479
Speaker 4: music because it's not your livelihood. Like to me, that's

1687
01:23:57,520 --> 01:23:59,719
Speaker 4: the blessing. Like, thank god I could be a podcaster,

1688
01:23:59,880 --> 01:24:02,800
Speaker 4: so I could finally not look at music as it

1689
01:24:02,840 --> 01:24:04,280
Speaker 4: has to be a monetary value.

1690
01:24:04,320 --> 01:24:07,599
Speaker 2: There right in this process you could create. I can

1691
01:24:07,640 --> 01:24:09,880
Speaker 2: do what the fun I want to do, just creating.

1692
01:24:09,479 --> 01:24:12,560
Speaker 3: It, not from a place of like, you know, surviving,

1693
01:24:12,600 --> 01:24:14,040
Speaker 3: like I got to do this to make money and

1694
01:24:14,080 --> 01:24:16,519
Speaker 3: to survive and live. Like you can create from a

1695
01:24:16,560 --> 01:24:18,840
Speaker 3: space of you know, I just want to have fun

1696
01:24:18,840 --> 01:24:20,280
Speaker 3: with this ship and create dope music.

1697
01:24:21,000 --> 01:24:26,679
Speaker 1: But then for me, it's somebody connected to my music,

1698
01:24:26,840 --> 01:24:29,880
Speaker 1: and I want to shout out my bro Hands. I

1699
01:24:29,960 --> 01:24:34,719
Speaker 1: told Hands years ago, I'm talking about early NYB days,

1700
01:24:34,840 --> 01:24:37,680
Speaker 1: battling wrecks, all that shit. I said, Yo, if I

1701
01:24:37,720 --> 01:24:41,880
Speaker 1: ever got in a position where I can introduce you

1702
01:24:41,920 --> 01:24:45,880
Speaker 1: to the world, I'm gonna do it. So when the

1703
01:24:45,920 --> 01:24:49,280
Speaker 1: podcast started picking up, I started a label, DFG Records,

1704
01:24:49,600 --> 01:24:52,400
Speaker 1: and I signed my bro and we've been all over

1705
01:24:52,439 --> 01:24:56,120
Speaker 1: the place recording and all that. When he got stage four, cancer.

1706
01:24:56,120 --> 01:24:58,479
Speaker 1: When he found out that he had stage four cancer,

1707
01:25:00,160 --> 01:25:05,360
Speaker 1: it threw me. But he's fighting and he's beating the ship,

1708
01:25:05,880 --> 01:25:10,439
Speaker 1: so hopefully we'll get his music out soon. But you know,

1709
01:25:10,479 --> 01:25:14,599
Speaker 1: it's a different I'm connected to people that I feel

1710
01:25:14,680 --> 01:25:17,120
Speaker 1: like I have to do it for, so.

1711
01:25:17,000 --> 01:25:18,680
Speaker 2: It can't just be a hobby, right.

1712
01:25:18,760 --> 01:25:22,519
Speaker 1: Yeah, and Hands is like he's like the locks rolled

1713
01:25:22,560 --> 01:25:26,960
Speaker 1: up in one person. Brooklyn, Yeah, Brooklyn Hands.

1714
01:25:26,840 --> 01:25:28,479
Speaker 3: About to say, I feel like I heard of this

1715
01:25:29,160 --> 01:25:31,519
Speaker 3: Hands Yeah, yeah, yeah, okay, yeah.

1716
01:25:31,520 --> 01:25:35,840
Speaker 1: All J pain to me is like Hans Junior really

1717
01:25:36,280 --> 01:25:41,800
Speaker 1: really because that pain, No, the first thing that came

1718
01:25:41,920 --> 01:25:45,080
Speaker 1: was Hands, and they the vocal tune and all that.

1719
01:25:45,200 --> 01:25:47,240
Speaker 1: I'm telling you, like, you have to check them out,

1720
01:25:47,479 --> 01:25:49,240
Speaker 1: all J. You get mad at me if you want,

1721
01:25:49,600 --> 01:25:52,559
Speaker 1: you can't smoke me. The one of us. So what

1722
01:25:52,680 --> 01:25:54,439
Speaker 1: you going through? Pain is nice?

1723
01:25:54,439 --> 01:25:56,840
Speaker 2: Now that pain is one of them.

1724
01:25:56,920 --> 01:26:00,000
Speaker 1: Dude. Yeah, that's cool. Yeah, that's cool. Just me alone.

1725
01:26:00,200 --> 01:26:03,280
Speaker 1: Time ago, it was so corny. Oh my god, this

1726
01:26:03,439 --> 01:26:06,240
Speaker 1: nigga shot a video. He had on a three quarter

1727
01:26:06,360 --> 01:26:10,280
Speaker 1: leather vest with no shirt, looked like a like a

1728
01:26:10,360 --> 01:26:14,960
Speaker 1: lost Jodasy member. When in the part where he dissed me,

1729
01:26:15,080 --> 01:26:21,320
Speaker 1: he threw a center plot into a puddle. You lucky

1730
01:26:21,360 --> 01:26:23,519
Speaker 1: you took that ship down over the end of that nig.

1731
01:26:24,520 --> 01:26:26,040
Speaker 1: You are so lucky.

1732
01:26:27,800 --> 01:26:29,720
Speaker 3: That gotta be funny, though, like we living like the

1733
01:26:29,720 --> 01:26:31,720
Speaker 3: moments when you got this, like as you're old, and

1734
01:26:31,880 --> 01:26:34,479
Speaker 3: be like, yo, what what the because in my mind

1735
01:26:34,520 --> 01:26:37,120
Speaker 3: I'm still picturing this center block falling a puddle in

1736
01:26:37,200 --> 01:26:41,639
Speaker 3: slow motion and it just splashed, and I'm.

1737
01:26:41,479 --> 01:26:43,960
Speaker 1: Like, what the fuck this got to do with me? Dog?

1738
01:26:45,680 --> 01:26:47,200
Speaker 1: The fuck is this me?

1739
01:26:50,320 --> 01:26:50,519
Speaker 10: Yo?

1740
01:26:50,760 --> 01:26:51,519
Speaker 1: This is somebody?

1741
01:26:52,160 --> 01:26:54,680
Speaker 3: Like that art form of dissing each other is so

1742
01:26:54,880 --> 01:26:56,640
Speaker 3: crazy when you go back and just look at it

1743
01:26:56,640 --> 01:26:58,519
Speaker 3: and be like, yeah, was.

1744
01:26:58,520 --> 01:27:01,760
Speaker 1: That what was that? That rain man? But what was

1745
01:27:01,840 --> 01:27:04,400
Speaker 1: that rain Man?

1746
01:27:04,720 --> 01:27:04,960
Speaker 10: He was.

1747
01:27:06,479 --> 01:27:10,559
Speaker 1: Rain Man took a shot in the three quarter eleven

1748
01:27:10,680 --> 01:27:11,599
Speaker 1: vests and no ship.

1749
01:27:12,479 --> 01:27:14,920
Speaker 4: I got it to a math while he's here. I've

1750
01:27:14,920 --> 01:27:16,479
Speaker 4: had so I have a two year old daughter, right,

1751
01:27:16,560 --> 01:27:19,400
Speaker 4: and sometimes I, like, you know, sleep next to her

1752
01:27:19,400 --> 01:27:22,000
Speaker 4: crib with it open, just just so she could go

1753
01:27:22,040 --> 01:27:24,040
Speaker 4: to sleep with me there. But I put my AirPod in,

1754
01:27:24,720 --> 01:27:27,720
Speaker 4: so I put on like a podcast sometimes that.

1755
01:27:27,720 --> 01:27:29,000
Speaker 2: Should helped me go to sleep.

1756
01:27:29,520 --> 01:27:31,479
Speaker 4: So I put on some of y'all ship and then

1757
01:27:31,520 --> 01:27:33,519
Speaker 4: you know, you can't really do the algorithm ship.

1758
01:27:33,640 --> 01:27:36,000
Speaker 2: So sometimes I go back to an old Math.

1759
01:27:36,240 --> 01:27:48,439
Speaker 4: Episode so I'll be halfway already do and it's.

1760
01:27:48,320 --> 01:28:05,880
Speaker 1: Hard for complaints about that shot.

1761
01:28:01,160 --> 01:28:03,799
Speaker 4: And not be feeling bad for me because mech claims

1762
01:28:03,840 --> 01:28:06,439
Speaker 4: being that he is a backpack rapper, and I'm like

1763
01:28:06,520 --> 01:28:08,760
Speaker 4: Dan Matt is lying in his rhymes he hanged with

1764
01:28:08,800 --> 01:28:09,920
Speaker 4: the backpackers.

1765
01:28:12,920 --> 01:28:13,599
Speaker 3: No more.

1766
01:28:14,160 --> 01:28:16,439
Speaker 4: The amount of times I've jumped up next to my

1767
01:28:16,520 --> 01:28:18,840
Speaker 4: daughter's crib based off that first.

1768
01:28:18,600 --> 01:28:19,719
Speaker 2: Part when it goes from one.

1769
01:28:19,600 --> 01:28:24,960
Speaker 4: Interview good time she was asleep, I was trying to

1770
01:28:24,960 --> 01:28:28,439
Speaker 4: make sure I wasn't getting shot in the crib yo

1771
01:28:28,560 --> 01:28:28,920
Speaker 4: yo map.

1772
01:28:29,040 --> 01:28:32,120
Speaker 3: Let's talk about somebody like we were just finishing smack Man.

1773
01:28:32,160 --> 01:28:35,679
Speaker 3: The importance of Smack not just to batter rapp culture,

1774
01:28:35,720 --> 01:28:38,160
Speaker 3: but to our culture period. And when he's let it

1775
01:28:38,240 --> 01:28:42,679
Speaker 3: do for years, coming from the DVD era to now

1776
01:28:42,760 --> 01:28:45,200
Speaker 3: having the caffeine app and things like that, what he's

1777
01:28:45,240 --> 01:28:49,320
Speaker 3: doing with the how important is it that we continue

1778
01:28:49,320 --> 01:28:51,800
Speaker 3: to support people like Smack that have been doing it

1779
01:28:51,840 --> 01:28:54,640
Speaker 3: for so many years and have created so many opportunities

1780
01:28:54,640 --> 01:28:55,599
Speaker 3: for people in the culture.

1781
01:28:56,040 --> 01:28:59,160
Speaker 1: I think it's very important, But at the same time,

1782
01:29:00,200 --> 01:29:06,160
Speaker 1: I think it's important to support the culture period. Shout

1783
01:29:06,160 --> 01:29:08,840
Speaker 1: out to Smack. I was one of the battle rappers

1784
01:29:08,880 --> 01:29:13,360
Speaker 1: on the DVD absolutely battling Iron Solomon. I had the DVD,

1785
01:29:13,439 --> 01:29:17,080
Speaker 1: of course, the viral ship with Dose and.

1786
01:29:17,439 --> 01:29:19,479
Speaker 2: One time I actually feel like you were not wrong whatsoever.

1787
01:29:20,040 --> 01:29:20,519
Speaker 1: One time?

1788
01:29:20,920 --> 01:29:23,880
Speaker 4: Which time at the dose one? Okay, the serious thing

1789
01:29:23,920 --> 01:29:27,439
Speaker 4: I to have, like that's wrong if you ever met him. No,

1790
01:29:28,760 --> 01:29:39,320
Speaker 4: that's actually hilarious response, which I respect. Like ship, yes.

1791
01:29:39,200 --> 01:29:40,360
Speaker 1: Fair ship.

1792
01:29:40,360 --> 01:29:41,880
Speaker 4: When everyone's wilding out back in the day and I

1793
01:29:41,920 --> 01:29:44,120
Speaker 4: was like, you know, somebody put their whole fucking bring

1794
01:29:44,200 --> 01:29:44,960
Speaker 4: of their hat in your nose.

1795
01:29:44,960 --> 01:29:45,640
Speaker 2: You're not gonna hit them.

1796
01:29:45,680 --> 01:29:51,839
Speaker 1: Yeah, absolutely gave me the Scottie pit. Yeah. Yeah, yeah.

1797
01:29:51,880 --> 01:29:55,400
Speaker 1: But it's very important because I feel like battle rap

1798
01:29:55,479 --> 01:29:59,719
Speaker 1: in a way, Smack, you r L all other Battle

1799
01:29:59,760 --> 01:30:07,160
Speaker 1: League support lyricism, and we can't let this ship die, bro,

1800
01:30:08,360 --> 01:30:11,080
Speaker 1: We just can't. We grew up loving the bars and

1801
01:30:11,400 --> 01:30:15,680
Speaker 1: something something happened to you chemically, like your mind expanded

1802
01:30:16,439 --> 01:30:20,320
Speaker 1: when you heard a dope bar, or you figured out

1803
01:30:20,439 --> 01:30:25,040
Speaker 1: a complex metaphor, you know what I mean. And it

1804
01:30:25,080 --> 01:30:28,479
Speaker 1: takes a level of intelligence, and I feel like there's

1805
01:30:28,520 --> 01:30:31,000
Speaker 1: a there's a lot of motherfuckers depending on who you

1806
01:30:31,040 --> 01:30:33,640
Speaker 1: listen to as far as rap, like I kind of

1807
01:30:34,439 --> 01:30:35,920
Speaker 1: tell like where you're at mentally.

1808
01:30:36,040 --> 01:30:38,240
Speaker 4: Oh yeah, that's why I think a lot of great

1809
01:30:38,320 --> 01:30:42,240
Speaker 4: lyricists have become good podcasters. Not only it made sense

1810
01:30:42,240 --> 01:30:45,760
Speaker 4: why your ship popped, it's the same part of the

1811
01:30:45,800 --> 01:30:48,840
Speaker 4: brain why a lot of great lyricists have become great businessmen.

1812
01:30:49,240 --> 01:30:52,719
Speaker 1: Mm hmmm mmm. So I feel like it's an element

1813
01:30:53,400 --> 01:30:58,400
Speaker 1: that needs to stay now when I say support all

1814
01:30:58,880 --> 01:31:02,320
Speaker 1: all leagues, because there's only so much Smack can do

1815
01:31:02,600 --> 01:31:05,880
Speaker 1: and it's a lot of talent. So sometimes you need

1816
01:31:05,920 --> 01:31:10,320
Speaker 1: an RBE, you need a TBL, you need these other leagues.

1817
01:31:10,360 --> 01:31:13,160
Speaker 1: That's like, yeah, gonna keep shit going, you know what

1818
01:31:13,200 --> 01:31:16,080
Speaker 1: I mean? So yeah, Smack shout out to Smack. What

1819
01:31:16,120 --> 01:31:19,880
Speaker 1: he did. I was the first battle on U or

1820
01:31:20,040 --> 01:31:23,439
Speaker 1: L Me and Rex. So to see where it is now,

1821
01:31:23,479 --> 01:31:26,640
Speaker 1: it's like credible, incredible. They've been trying to get me

1822
01:31:26,680 --> 01:31:28,479
Speaker 1: to come back, but you ain't.

1823
01:31:28,800 --> 01:31:29,840
Speaker 2: You ain't gonna jump back in the ring.

1824
01:31:30,120 --> 01:31:32,439
Speaker 1: I've been thinking about it. Who would it be on Edge?

1825
01:31:32,520 --> 01:31:35,960
Speaker 1: But this episode, I don't know if I want to

1826
01:31:36,000 --> 01:31:37,000
Speaker 1: hear this ship back.

1827
01:31:37,040 --> 01:31:39,439
Speaker 3: You know, man said listen man, you because you got

1828
01:31:39,520 --> 01:31:41,519
Speaker 3: you got like you said, you you got a lot

1829
01:31:41,520 --> 01:31:43,280
Speaker 3: of shit on other niggas too that you can go

1830
01:31:43,360 --> 01:31:46,479
Speaker 3: home and start crafting too. Yeah, but who is the

1831
01:31:46,520 --> 01:31:50,120
Speaker 3: one battle that you would jump out there for, like, yeah,

1832
01:31:50,120 --> 01:31:53,200
Speaker 3: we gotta do this, Like, who's the one guy that

1833
01:31:53,280 --> 01:31:54,920
Speaker 3: you would be like all right for him?

1834
01:31:55,240 --> 01:31:57,120
Speaker 2: Because we know they'll be big. It'll be a moment

1835
01:31:57,920 --> 01:32:01,599
Speaker 2: Jada kiss, Oh so you're not even going to yeah, just.

1836
01:32:01,560 --> 01:32:06,720
Speaker 11: Through you right, Yeah, I'm wait hold of it, just

1837
01:32:07,960 --> 01:32:11,920
Speaker 11: like I wasn't Expectator. Yes, I was like a ten

1838
01:32:11,960 --> 01:32:15,360
Speaker 11: million yeah Jacob, I mean yeah.

1839
01:32:15,400 --> 01:32:18,160
Speaker 1: But all right seriously, because I don't think Jada would.

1840
01:32:18,320 --> 01:32:19,479
Speaker 2: Yeah, I don't think he's in that moment.

1841
01:32:19,479 --> 01:32:23,680
Speaker 1: I would love, however, the Legends only thing that I

1842
01:32:23,720 --> 01:32:27,439
Speaker 1: did with Method Man, yeah and Nikki Jam I would love,

1843
01:32:27,640 --> 01:32:30,479
Speaker 1: like because I know there's a like I interviewed ghost

1844
01:32:30,520 --> 01:32:34,800
Speaker 1: Face and Ray last night, and ghost Face wants to

1845
01:32:34,840 --> 01:32:36,639
Speaker 1: do that ship. He wanted to jump in the ring.

1846
01:32:36,840 --> 01:32:39,840
Speaker 1: He wants to do that ship. Ray was like kind

1847
01:32:39,840 --> 01:32:43,320
Speaker 1: of like, yah, man, I don't you know what I mean?

1848
01:32:44,040 --> 01:32:46,519
Speaker 1: Ten million, you know what I mean? But I feel

1849
01:32:46,520 --> 01:32:49,680
Speaker 1: like there's a lot of rappers just like Yo. I

1850
01:32:49,680 --> 01:32:52,040
Speaker 1: would love to put myself to that type of challenge.

1851
01:32:52,840 --> 01:32:55,880
Speaker 1: I feel like the Legends only ship. It's like it's

1852
01:32:55,920 --> 01:32:59,080
Speaker 1: more artistic than your career is over.

1853
01:32:58,920 --> 01:33:02,080
Speaker 2: After Yeah, you know, I almost like Big three rap

1854
01:33:02,200 --> 01:33:02,559
Speaker 2: thing with.

1855
01:33:03,720 --> 01:33:06,720
Speaker 1: And it's this like half of the guests that I've

1856
01:33:06,760 --> 01:33:09,360
Speaker 1: had on the show watch battle Rap and that's why

1857
01:33:09,360 --> 01:33:11,360
Speaker 1: I was able to get them, you know what I mean.

1858
01:33:12,000 --> 01:33:14,720
Speaker 1: So I would love to do something like that, Like.

1859
01:33:16,200 --> 01:33:19,479
Speaker 3: Ghost Face makes sense because battle rap, like you said

1860
01:33:19,520 --> 01:33:22,160
Speaker 3: when you when you battle recks on your the first

1861
01:33:22,800 --> 01:33:28,000
Speaker 3: where battle rap was there, you know you came up with,

1862
01:33:28,240 --> 01:33:30,320
Speaker 3: battling was different than it is now.

1863
01:33:30,360 --> 01:33:30,559
Speaker 1: Now.

1864
01:33:30,560 --> 01:33:33,719
Speaker 3: It's more like like spoken word poetry.

1865
01:33:33,760 --> 01:33:34,679
Speaker 2: It's a lot more.

1866
01:33:36,160 --> 01:33:38,559
Speaker 3: Theatrics and two it and things like that. You come

1867
01:33:38,560 --> 01:33:42,400
Speaker 3: from straight going to somebody block. Let me hear your boss, right,

1868
01:33:42,520 --> 01:33:45,920
Speaker 3: So somebody like ghost is very animated. He has a

1869
01:33:45,920 --> 01:33:47,800
Speaker 3: lot of character that has a lot of personality. He

1870
01:33:47,960 --> 01:33:50,840
Speaker 3: makes sense in that ring because what people like to

1871
01:33:50,840 --> 01:33:54,439
Speaker 3: see today in battle rap. Ghost Face has been that

1872
01:33:54,880 --> 01:33:56,160
Speaker 3: problem his entire career.

1873
01:33:56,240 --> 01:33:58,439
Speaker 4: He also was one of like the clearest voices ever,

1874
01:33:58,560 --> 01:34:01,519
Speaker 4: like where Ray has like a un orthodox flow and

1875
01:34:01,560 --> 01:34:04,400
Speaker 4: that would be that may be weird on on the stage.

1876
01:34:04,800 --> 01:34:08,200
Speaker 4: Ghosts like he's made for the U r L stage.

1877
01:34:08,280 --> 01:34:10,000
Speaker 2: Now he wants he want to cry you.

1878
01:34:12,040 --> 01:34:17,200
Speaker 1: Whatever y'all do. Don't battle ray On, he said on

1879
01:34:17,240 --> 01:34:20,800
Speaker 1: the show about what type of battle rap he would

1880
01:34:20,840 --> 01:34:26,040
Speaker 1: be battle. Do not battle ray On. That's all I'm saying.

1881
01:34:26,600 --> 01:34:27,960
Speaker 1: Are we gonna do voicemails with math?

1882
01:34:28,640 --> 01:34:28,920
Speaker 5: All right?

1883
01:34:28,960 --> 01:34:29,559
Speaker 2: Let's so so maw.

1884
01:34:29,640 --> 01:34:32,040
Speaker 3: We got callers that call only voicemails to ask for advice,

1885
01:34:32,080 --> 01:34:33,840
Speaker 3: asks crazy ship, So we're gonna do one with you.

1886
01:34:34,280 --> 01:34:37,679
Speaker 2: We could all give him some advice together. You've got mail.

1887
01:34:38,680 --> 01:34:42,599
Speaker 10: So I was born with a defect that pretty much

1888
01:34:42,600 --> 01:34:45,320
Speaker 10: makes it impossible for me to get erections because I

1889
01:34:45,400 --> 01:34:50,200
Speaker 10: have a leak in my veins and down there pumps

1890
01:34:50,240 --> 01:34:54,120
Speaker 10: in it just right back out. So you can't get

1891
01:34:54,120 --> 01:34:57,120
Speaker 10: directions obviously because bluff slow doesn't stay where it needs

1892
01:34:57,160 --> 01:35:01,040
Speaker 10: to stay, and so I trying to get surgery on

1893
01:35:01,080 --> 01:35:03,200
Speaker 10: it done to try to tie the vein up.

1894
01:35:04,360 --> 01:35:08,080
Speaker 1: This a man like, we're still why still playing this? Bro?

1895
01:35:08,680 --> 01:35:13,599
Speaker 1: I want to hear why the fuck is he acting? Y'all?

1896
01:35:13,640 --> 01:35:19,840
Speaker 1: He's like, you know, hegas like, yeah, these niggas look

1897
01:35:19,920 --> 01:35:22,120
Speaker 1: like they got erect out this folks. You know they

1898
01:35:22,160 --> 01:35:24,800
Speaker 1: went through something. Let me ask these niggas.

1899
01:35:26,280 --> 01:35:26,680
Speaker 2: I got to.

1900
01:35:29,000 --> 01:35:34,080
Speaker 10: Look, said, my real last option is trying to get

1901
01:35:34,080 --> 01:35:43,000
Speaker 10: a prosthetic. We's not this guytic penus because when you

1902
01:35:43,040 --> 01:35:45,800
Speaker 10: get the prosthetic, you don't get any more natural erections.

1903
01:35:46,320 --> 01:35:50,040
Speaker 10: You still come and everything, and you still feel everything

1904
01:35:50,040 --> 01:35:53,400
Speaker 10: that is the doctors, but you don't get natural erections.

1905
01:35:53,400 --> 01:35:55,519
Speaker 10: And I feel like that's such an important part of.

1906
01:35:55,400 --> 01:35:58,240
Speaker 8: Being a man, is just being able to get hard

1907
01:35:58,560 --> 01:36:02,559
Speaker 8: on you know, of it down and baby d would

1908
01:36:02,600 --> 01:36:06,599
Speaker 8: you like be with the guy that has a prosthetic penis?

1909
01:36:06,640 --> 01:36:09,439
Speaker 10: Like if you knew about it, would like to tear you.

1910
01:36:11,040 --> 01:36:12,720
Speaker 2: All right. I don't want to apologize for laughing. I like

1911
01:36:12,760 --> 01:36:16,960
Speaker 2: too the condition. It was a natural reaction. I apologize

1912
01:36:16,960 --> 01:36:17,400
Speaker 2: for laughing.

1913
01:36:17,560 --> 01:36:19,560
Speaker 5: Yes, it's not.

1914
01:36:20,200 --> 01:36:22,000
Speaker 2: You can start stopping first.

1915
01:36:23,120 --> 01:36:25,559
Speaker 1: He's not funny.

1916
01:36:28,080 --> 01:36:29,800
Speaker 6: Funny what if you did couldn't get hard Would you

1917
01:36:29,840 --> 01:36:31,280
Speaker 6: think that this guy's.

1918
01:36:33,400 --> 01:36:37,360
Speaker 1: Yes, that wouldn't be calling. Let's start there the best

1919
01:36:37,439 --> 01:36:41,360
Speaker 1: kept secret in the world, nigga, would I A.

1920
01:36:41,439 --> 01:36:44,520
Speaker 6: Wouldn't figure out the secret because he called anonymously.

1921
01:36:44,560 --> 01:36:45,479
Speaker 5: We don't have his name.

1922
01:36:46,040 --> 01:36:47,720
Speaker 12: Say his name with the doc in the d n V.

1923
01:36:48,760 --> 01:36:53,080
Speaker 12: He said, get this nigga, honey back, Bro, what is

1924
01:36:53,280 --> 01:36:59,439
Speaker 12: going on in fact exists?

1925
01:36:59,520 --> 01:37:00,120
Speaker 1: Niggah.

1926
01:37:00,240 --> 01:37:02,360
Speaker 3: Yeah, I would have kept that to myself and just

1927
01:37:02,360 --> 01:37:04,400
Speaker 3: got the prosthetic and nobody would have ever known.

1928
01:37:04,439 --> 01:37:06,080
Speaker 2: That would have just been my secret to the grade.

1929
01:37:06,400 --> 01:37:08,320
Speaker 6: Is it a prosthetic or is it a penis pump?

1930
01:37:08,400 --> 01:37:09,800
Speaker 6: Like do you have to squeeze.

1931
01:37:09,439 --> 01:37:09,960
Speaker 8: Your laws up?

1932
01:37:11,080 --> 01:37:14,000
Speaker 4: But I don't even know what that means? Name Frank,

1933
01:37:17,320 --> 01:37:22,360
Speaker 4: that was a battle triple on me personally.

1934
01:37:22,439 --> 01:37:23,960
Speaker 6: If you want to know if I would date somebody

1935
01:37:24,000 --> 01:37:27,000
Speaker 6: with a prosthetic, as long as it wasn't too weird

1936
01:37:27,160 --> 01:37:29,599
Speaker 6: looking inside and as long as I.

1937
01:37:29,520 --> 01:37:31,920
Speaker 4: Mean, you probably still prostheticic though I really don't even

1938
01:37:31,920 --> 01:37:32,680
Speaker 4: know what the funk that is.

1939
01:37:32,800 --> 01:37:34,439
Speaker 6: Like, that's what I'm saying. I don't think he's got

1940
01:37:34,520 --> 01:37:35,960
Speaker 6: a prosthetic, like I think he's.

1941
01:37:35,800 --> 01:37:38,479
Speaker 4: Getting like the way like when soldiers come home after

1942
01:37:38,520 --> 01:37:41,120
Speaker 4: they get their leg blown off, Like it's that version

1943
01:37:41,160 --> 01:37:41,519
Speaker 4: of a dick.

1944
01:37:42,600 --> 01:37:45,360
Speaker 2: It's Lieutenant Dan of dis Yeah, it's the same.

1945
01:37:45,880 --> 01:37:47,439
Speaker 1: What are we talking about, bro?

1946
01:37:47,680 --> 01:37:50,840
Speaker 2: Like, well, not if you can still feel it though

1947
01:37:50,840 --> 01:37:52,479
Speaker 2: he could do numbers though he.

1948
01:37:52,439 --> 01:37:58,080
Speaker 4: Could anyway you talk about that ship, that might be

1949
01:37:58,120 --> 01:38:00,160
Speaker 4: the best option if you could still feel it still

1950
01:38:00,160 --> 01:38:03,040
Speaker 4: come and you like you break all the time.

1951
01:38:03,880 --> 01:38:07,080
Speaker 3: Oh, it's in searching of a prosthetic balloon device. It

1952
01:38:07,120 --> 01:38:08,280
Speaker 3: was the order to obtain.

1953
01:38:08,560 --> 01:38:08,880
Speaker 2: Okay.

1954
01:38:08,920 --> 01:38:13,000
Speaker 3: So it's like a rebox, like a pumping up. It's

1955
01:38:13,040 --> 01:38:18,679
Speaker 3: like a rebox pump. Okay, first group.

1956
01:38:21,800 --> 01:38:22,360
Speaker 1: Yeah, I don't know.

1957
01:38:22,360 --> 01:38:24,160
Speaker 2: I would have just got that ship and not told nobody.

1958
01:38:24,200 --> 01:38:26,680
Speaker 6: Man, Yeah, I think you squeezed the balls when you

1959
01:38:26,680 --> 01:38:28,040
Speaker 6: want to get hard, like it's like a pump.

1960
01:38:28,920 --> 01:38:29,800
Speaker 1: This is where we're going.

1961
01:38:30,040 --> 01:38:33,760
Speaker 3: Okay, Yeah, sir, I would just say get it and

1962
01:38:33,760 --> 01:38:34,759
Speaker 3: then don't tell nobody.

1963
01:38:35,040 --> 01:38:37,679
Speaker 6: Don't no half flashed dick, like we've been there before.

1964
01:38:37,760 --> 01:38:40,479
Speaker 1: That ship is ass half flashed?

1965
01:38:40,560 --> 01:38:42,599
Speaker 3: What what that's when it's like not all the way

1966
01:38:42,640 --> 01:38:44,960
Speaker 3: a little medium, Yeah, like you ain't all the way up,

1967
01:38:45,000 --> 01:38:45,920
Speaker 3: but you are right.

1968
01:38:46,560 --> 01:38:47,559
Speaker 5: Slim through a keyhole.

1969
01:38:48,200 --> 01:38:48,840
Speaker 2: You get it done.

1970
01:38:50,920 --> 01:38:54,559
Speaker 1: Jello to the wall, a lesbian less lesbian.

1971
01:38:54,680 --> 01:38:58,080
Speaker 2: Let's being all right, man, listen, man, we appreciate you,

1972
01:38:58,960 --> 01:39:02,120
Speaker 2: no advice, no wed one.

1973
01:39:02,200 --> 01:39:04,640
Speaker 4: We apologize for laughing to Yeah, get the surgery and

1974
01:39:04,760 --> 01:39:08,479
Speaker 4: and and you know, just get to it. Go crazy

1975
01:39:08,920 --> 01:39:10,519
Speaker 4: because now you can just get hard whenever you want.

1976
01:39:10,560 --> 01:39:13,000
Speaker 4: Pause like you good nigga name is frank little.

1977
01:39:16,960 --> 01:39:18,280
Speaker 5: I'm so sorry that we have you.

1978
01:39:18,360 --> 01:39:21,400
Speaker 2: Can you your question when maybe a third round against

1979
01:39:21,479 --> 01:39:22,880
Speaker 2: against him with this information that.

1980
01:39:22,800 --> 01:39:26,640
Speaker 3: You old bat battle wrap about the prosthetic.

1981
01:39:26,880 --> 01:39:29,000
Speaker 2: You can't battle wrap. I have the prosthetic, and niggas

1982
01:39:29,000 --> 01:39:31,840
Speaker 2: find out. Yeah, because I heard Mooke give Iron Solomon.

1983
01:39:31,880 --> 01:39:35,639
Speaker 3: He was about to say something, whoa, whoa, whoa.

1984
01:39:36,360 --> 01:39:38,519
Speaker 4: I heard a whole round where Mooke talked about Iron

1985
01:39:38,520 --> 01:39:39,639
Speaker 4: Solomon having one ball.

1986
01:39:40,479 --> 01:39:42,240
Speaker 1: I wouldn't spend that. If I was Mook, I wouldn't.

1987
01:39:42,240 --> 01:39:43,880
Speaker 1: I would have been like, nah, I ain't. No, I'm

1988
01:39:43,920 --> 01:39:47,600
Speaker 1: not going that angle right doing my nigga Like you're

1989
01:39:47,720 --> 01:39:51,639
Speaker 1: inadvertently making the crowd think about this niggas j T. Yeah,

1990
01:39:52,760 --> 01:39:54,160
Speaker 1: why what, I'm just.

1991
01:39:54,160 --> 01:39:55,320
Speaker 2: Leading with how you got the balls?

1992
01:39:55,320 --> 01:39:55,479
Speaker 1: Sad?

1993
01:39:55,520 --> 01:39:56,560
Speaker 2: Next week's like, I don't even know if it was

1994
01:39:56,600 --> 01:39:57,160
Speaker 2: worth that line.

1995
01:39:57,240 --> 01:39:57,760
Speaker 1: Yeah it was.

1996
01:39:57,920 --> 01:39:59,680
Speaker 2: It wasn't really worth and I mean they should have

1997
01:39:59,680 --> 01:40:00,719
Speaker 2: done five rounds.

1998
01:40:00,760 --> 01:40:03,479
Speaker 1: Like you move on some terrible angles man, He's dope,

1999
01:40:03,520 --> 01:40:06,240
Speaker 1: but terrible.

2000
01:40:06,400 --> 01:40:09,400
Speaker 2: Before we leave, give me your mount rushmore a battle.

2001
01:40:09,160 --> 01:40:11,160
Speaker 1: Rat math HAF for math, half for MATHILF for math,

2002
01:40:11,200 --> 01:40:11,679
Speaker 1: half for math.

2003
01:40:11,880 --> 01:40:13,479
Speaker 2: All right, the next mountain over.

2004
01:40:13,760 --> 01:40:17,400
Speaker 3: Next the question of who I would battle. Yeah, you

2005
01:40:17,439 --> 01:40:19,840
Speaker 3: said Jadakiss and then and I.

2006
01:40:19,920 --> 01:40:21,920
Speaker 1: Was really serious about the Jada Kiss ship. I did

2007
01:40:21,920 --> 01:40:24,280
Speaker 1: that ship. I said that years ago, and he kind

2008
01:40:24,280 --> 01:40:26,840
Speaker 1: of sent me a d M like what is you talking?

2009
01:40:27,400 --> 01:40:29,560
Speaker 1: I did you know? Just that's just for kicks. I

2010
01:40:29,560 --> 01:40:35,000
Speaker 1: would definitely I think murder Mook would be the battle

2011
01:40:35,080 --> 01:40:36,479
Speaker 1: I say I'm going to do.

2012
01:40:37,560 --> 01:40:39,120
Speaker 4: I was hoping that would be the one that you did,

2013
01:40:39,160 --> 01:40:42,960
Speaker 4: so that's the one. I've yeah that from that Mook

2014
01:40:43,040 --> 01:40:45,439
Speaker 4: is more active. I felt like you and him makes

2015
01:40:45,439 --> 01:40:48,400
Speaker 4: the most sense at this point with the history, with

2016
01:40:48,880 --> 01:40:51,679
Speaker 4: y'all legacy, that that ship just makes just so many

2017
01:40:51,880 --> 01:40:54,600
Speaker 4: that's that's the one that that's so many years a

2018
01:40:54,640 --> 01:40:57,479
Speaker 4: battle rat history right there on like battling each other.

2019
01:40:57,680 --> 01:41:01,280
Speaker 4: Jesus like everyone's waiting again for part two of Move

2020
01:41:01,320 --> 01:41:03,800
Speaker 4: and Lux. To me is math and Move now in

2021
01:41:03,840 --> 01:41:07,720
Speaker 4: this era is the one that everybody would wait for.

2022
01:41:07,920 --> 01:41:14,080
Speaker 1: I think I think his pen is at now skipping

2023
01:41:14,080 --> 01:41:16,559
Speaker 1: over that iron Solomon and ship. Where his pen is at? Now,

2024
01:41:18,680 --> 01:41:21,879
Speaker 1: that's what I would need to like really push myself,

2025
01:41:22,600 --> 01:41:23,120
Speaker 1: you know what I mean.

2026
01:41:23,360 --> 01:41:26,559
Speaker 3: And he's not I think just man, he sounded drinking.

2027
01:41:26,600 --> 01:41:29,400
Speaker 3: He's not drinking his ship and I'm not drinking fire.

2028
01:41:29,560 --> 01:41:32,040
Speaker 1: You know what I'm saying, we'd be too sober assed

2029
01:41:32,760 --> 01:41:36,760
Speaker 1: fire so staged. Yeah, gotta be crazy people get me

2030
01:41:36,760 --> 01:41:39,200
Speaker 1: the Battle of tay Rock. But I'm like, tell you,

2031
01:41:39,840 --> 01:41:40,680
Speaker 1: I like, but.

2032
01:41:40,680 --> 01:41:41,040
Speaker 2: I just think.

2033
01:41:41,080 --> 01:41:41,320
Speaker 1: I think.

2034
01:41:41,360 --> 01:41:44,280
Speaker 2: I think with you and Mok is just more there.

2035
01:41:45,080 --> 01:41:48,200
Speaker 1: Yeah, because tay Rock doesn't even understand how bad of

2036
01:41:48,240 --> 01:41:52,919
Speaker 1: a matchup that is. Like you're the guy who almost

2037
01:41:52,960 --> 01:41:56,040
Speaker 1: fights niggas versus.

2038
01:41:57,720 --> 01:42:02,080
Speaker 2: The God, Like, what are you gonna say to me?

2039
01:42:02,160 --> 01:42:05,120
Speaker 1: Shut up? Shut up, get somebody to hold you back.

2040
01:42:05,680 --> 01:42:09,200
Speaker 4: But I mean, I also hear you on that because

2041
01:42:09,240 --> 01:42:11,080
Speaker 4: as much as I liked tay Rock, I hated when

2042
01:42:11,080 --> 01:42:14,160
Speaker 4: he was battling Daylight and like was appreciating his bars.

2043
01:42:14,600 --> 01:42:17,600
Speaker 4: I hate it when Iron Solomon a battled Disaster and

2044
01:42:17,680 --> 01:42:19,679
Speaker 4: kept complimenting him, Like, I just don't.

2045
01:42:21,120 --> 01:42:22,439
Speaker 2: I just don't like that type of ship.

2046
01:42:23,000 --> 01:42:25,640
Speaker 4: It's supposed to be, like y'all are supposed even if

2047
01:42:25,640 --> 01:42:29,559
Speaker 4: you're lying, if it's if it's wrestling each other, Like, yeah,

2048
01:42:29,600 --> 01:42:30,160
Speaker 4: I think it's.

2049
01:42:30,080 --> 01:42:33,520
Speaker 1: That's the problem. That's the problem. For me to be motivated,

2050
01:42:33,680 --> 01:42:35,880
Speaker 1: it's either got to be somebody who I feel like,

2051
01:42:35,960 --> 01:42:38,560
Speaker 1: yo all right, I got to push the pen or

2052
01:42:38,600 --> 01:42:41,080
Speaker 1: I really don't like you. If I really don't like you,

2053
01:42:41,080 --> 01:42:43,559
Speaker 1: you die. The battle is better. Yeah you're dead.

2054
01:42:43,680 --> 01:42:46,760
Speaker 3: Yeah, well man, if we appreciate you, man, this conversation

2055
01:42:46,920 --> 01:42:52,160
Speaker 3: was beautiful, man, A lot of clarity. Yeah, man, this

2056
01:42:52,200 --> 01:42:55,760
Speaker 3: was this was long overdue. So we definitely I appreciate y'all. Yeah, man,

2057
01:42:55,760 --> 01:42:57,960
Speaker 3: I appreciate you. We definitely gotta come. I don't know, Damn,

2058
01:42:57,960 --> 01:43:00,439
Speaker 3: we talked about so much real ship here the fucking

2059
01:43:00,479 --> 01:43:01,240
Speaker 3: we talk about math.

2060
01:43:01,360 --> 01:43:06,280
Speaker 4: No, it's gonna be the I come up with something

2061
01:43:06,560 --> 01:43:10,559
Speaker 4: that's the thumbnail should be the therapy session of Math.

2062
01:43:12,520 --> 01:43:15,680
Speaker 3: Definitely was the therapy session for Math. But seriously, Math, man,

2063
01:43:15,680 --> 01:43:18,840
Speaker 3: I appreciate you just being vulnerable and having this conversation

2064
01:43:18,920 --> 01:43:21,200
Speaker 3: with us. Man, it was beautiful. I think that a

2065
01:43:21,240 --> 01:43:22,840
Speaker 3: lot of people are going to learn a lot from you,

2066
01:43:22,920 --> 01:43:25,000
Speaker 3: a different perspective of math, a different side of math.

2067
01:43:26,400 --> 01:43:28,880
Speaker 3: Love everything you're doing. Love to love to revamp the

2068
01:43:28,920 --> 01:43:32,080
Speaker 3: way you came back. Definitely keep bringing the guys from

2069
01:43:32,080 --> 01:43:35,200
Speaker 3: the Battle culture on there and having those conversations, because that,

2070
01:43:35,320 --> 01:43:38,160
Speaker 3: to me is super fire. Seeing y'all sit down and

2071
01:43:38,200 --> 01:43:42,200
Speaker 3: have those conversations away from the battle arena and yeah,

2072
01:43:42,200 --> 01:43:43,720
Speaker 3: we come to do your ship, so we'll see you

2073
01:43:43,760 --> 01:43:44,120
Speaker 3: in a minute.

2074
01:43:45,360 --> 01:43:47,240
Speaker 1: Give me I'm that nigga.

2075
01:43:47,240 --> 01:43:47,960
Speaker 2: He's just ginger.

2076
01:43:48,000 --> 01:43:52,280
Speaker 1: That's math high, absolute