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Speaker 1: Hello all, especially to all the listeners who are living

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Speaker 1: in Chicago. This message is for you. I'm doing my

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Speaker 1: solo show Club Comic this week on December seventh at

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Speaker 1: the Color Club at eight pm. Parker Callahan is opening,

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Speaker 1: and I could not be more excited. As you all know,

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Speaker 1: I was supposed to do the show a month ago

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Speaker 1: but had health issues and am feeling stronger than ever.

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Speaker 1: I've actually gotten filler in every single crevice of my

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Speaker 1: beautiful body, and I'm so excited to bring this show

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Speaker 1: to Chicago now that I am stronger than ever. The

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Speaker 1: show is you know, it's a comedy concert with club tracks,

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Speaker 1: stand up VIDs and more. It's giving production value and

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Speaker 1: ooh baby, I cannot wait to see you all there.

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Speaker 1: So see you on Thursday, December seventh at the Color

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Speaker 1: Club for Club Comic. Okay, enjoy the episode XXO Sam

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Speaker 1: podcast starts now. Our guest is furious at us.

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Speaker 2: Oh, I actually didn't even realize. Yeah, I thought we

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Speaker 2: were just sort of doing a bit and playing around.

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Speaker 2: But I guess he's mad.

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Speaker 1: A lot of people would say that comedy is based

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Speaker 1: in truth, and you know, in pretending to sort of

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Speaker 1: be upset with us I think he's actually mad at us.

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Speaker 2: Okay, but here's my thing. Okay, are you mad at me?

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Speaker 2: Because I because I think that is what you are

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Speaker 2: trying to make, the narrative that our guest is mad

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Speaker 2: at us? But in fact, I sort of think you're

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Speaker 2: mad at me because I have a sat I had

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Speaker 2: and you don't. Are you accusing me of projection? George? Well,

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Speaker 2: I don't know if it's projection per se. I think

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Speaker 2: it is more being dishonest and lying intentionally. Huh.

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Speaker 3: Okay, you know what, Yeah, you are mad. Yeah, I'm upset.

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Speaker 2: I cannot believe this.

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Speaker 1: You know what, George, you came in with, you said

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Speaker 1: holiday themes, straight shooters. You are wearing a Santa hat,

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Speaker 1: and you know it was sort of the hey heads

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Speaker 1: up right right?

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Speaker 4: Right?

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Speaker 2: No? Now I guess who looks stupid? Well, But and

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Speaker 2: this is the thing with Like, I woke up and

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Speaker 2: I truly had a vision in my head. I was like,

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Speaker 2: oh my god, I have a Santa hat in my closet.

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Speaker 2: How funny would it be to be wearing a Santa

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Speaker 2: hat while our guest is promoting his classic comedic bit? Right?

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Speaker 2: So I do think I was sort of temporarily blinded

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Speaker 2: by my incredible ideation and by my amazing sort of

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Speaker 2: improv skills and actually costume design skills. Ye, so much

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Speaker 2: so that I forgot that I'm part of a duo

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Speaker 2: and a partnership, and I actually put myself first before

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Speaker 2: the group.

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Speaker 1: Yeah, I think I think you know, when you're sort

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Speaker 1: of blinded, and when you're in that creative space where

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Speaker 1: you're you know, writing and ideating and thinking Santa hat,

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Speaker 1: I just want you to think of me as well,

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Speaker 1: and maybe shoot a text over and.

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Speaker 2: Of course jump off of that. I do know that

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Speaker 2: you are very triggered by two people matching, and this

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Speaker 2: is something that we have talked about a lot in

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Speaker 2: our live shows, where we sometimes will both come in

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Speaker 2: wearing the same color or wearing the same silhouette, and

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Speaker 2: you will not like that. So I do think subconsciously

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Speaker 2: actually are so connected that I thought to myself, thank God,

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Speaker 2: I'm wearing a Santa hat and Sam is not, because

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Speaker 2: he will feel so comfortable that we're not matching. You know.

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Speaker 1: Now, I think it is you who is being dishonest.

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Speaker 1: Oh that's interesting in what sense I think you're trying

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Speaker 1: to take. You know, your selfish moment and turn it

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Speaker 1: into a selfless moment.

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Speaker 2: Well, that's sort of what the entertainment industry is all about. Period.

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Speaker 2: I don't know if you've ever heard anyone talking about

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Speaker 2: highlighting marginalized voices, and yet somehow they're coming out on top.

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Speaker 1: Okay, I don't even know how to respond to that.

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Speaker 1: While you're scared, Well, I guess I want to change

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Speaker 1: the subject and say, are you in the spirits?

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Speaker 2: Well, I will say you are wearing a sort of

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Speaker 2: holiday sweater. That's true. So if I hadn't actually brought

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Speaker 2: the hat, you would be more on holiday theme than me.

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Speaker 1: But my holiday sweater is subtle enough people would almost

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Speaker 1: forget you.

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Speaker 2: No, I'm wearing a costume, you're yeah, yeah, I'm actually

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Speaker 2: ready for a line of children to sit on my

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Speaker 2: lap and tell me that they want to fix your bike.

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Speaker 1: And also the Santa hat, just the Santa hat is

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Speaker 1: it's safe, it's your nineties dad in holiday movie.

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Speaker 3: Oh, it's like a little bit silly, a little bit fun.

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Speaker 2: That's interesting, that's your mind what my mind went to,

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Speaker 2: like beginning of porn. We're watching different things, you know.

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Speaker 1: This is why it's so important to talk about media

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Speaker 1: diets with your friends because everyone's consuming different stuff and

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Speaker 1: you think there's a monoculture, but there's really really not.

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Speaker 2: Absolutely And speaking of monoculture art, I would say monoculture

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Speaker 2: is actually back because of our today's guests Uber I think,

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Speaker 2: because I would say, this is someone who has united

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Speaker 2: the left and the right, the young and the old,

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Speaker 2: the LGBTQ plus and the proudly straight.

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Speaker 1: Yeah, he's been on the Billboard Hot one hundred.

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Speaker 2: That's right.

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Speaker 3: He's actually performing at the Grammy.

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Speaker 2: Multiple Grammy nominee he is. They are predicting he's going

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Speaker 2: to lose to her hr HR, but you know what,

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Speaker 2: it's just she deserves it and.

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Speaker 3: Working so hard.

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Speaker 2: And her comedic Christmas album is actually pretty good. It's

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Speaker 2: not bad. People have said that's not what we expect

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Speaker 2: from her. It's called I have heard of Christmas. Period. Well,

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Speaker 2: it's called I Have Her of Christmas.

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Speaker 3: Without further ado, please welcome to the podcast.

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Speaker 2: Matt Rogers.

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Speaker 3: Yes, I have a few things to say.

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Speaker 2: Please.

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Speaker 3: One, I think Christmas is my culture and my culture

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Speaker 3: is not your customs say it's billed. Two, I have

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Speaker 3: to say one of the things about Santa Hats is

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Speaker 3: that everyone always thinks, oh God, let me go to

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Speaker 3: my collection of Santa hats.

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Speaker 2: You only ever have one if you even let me

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Speaker 2: stop you right there? Who thinks let me go to

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Speaker 2: my collections? I feel like Santa hats are like sort

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Speaker 2: of like a white tank or.

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Speaker 3: Like or like a turtle mack.

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Speaker 2: They're basic.

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Speaker 3: You think that they're just like in your Yes, to

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Speaker 3: use a word ubra of clothes, a closet, Yes, it's

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Speaker 3: uber of a closet is.

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Speaker 2: An uber clothes number twenty three?

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Speaker 3: I get in this room and I sort.

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Speaker 2: Of yeah, he can't not. A closset is an of clothes?

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Speaker 2: Go on.

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Speaker 3: The third thing I want to say is that Bowen

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Speaker 3: and I love to match, and we often do match,

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Speaker 3: and we often don't just match, but like correspond, and

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Speaker 3: we often have like a like a sartorial story that

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Speaker 3: only we know. Yes, sure, if people don't ask, we

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Speaker 3: go home very disappointed.

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Speaker 2: I actually think, Sam, you have gotten more accept to it.

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Speaker 3: I'm learning to love match. Yeah, well you did it

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Speaker 3: today without even knowing. And can I ask, did you

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Speaker 3: show up today in this because you thought this is

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Speaker 3: a slight nod to the holiday and this is sort

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Speaker 3: of of the holiday episode of Stradio.

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Speaker 2: Okay, yeah, actually so it was like, I want I've

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Speaker 2: been wanting to wear I want to I've been wanting

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Speaker 2: to jump into the holiday spirit sartorially generally. And then

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Speaker 2: and then I was like, well, I was like, but

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Speaker 2: it's so early, and I was like, no, no, no,

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Speaker 2: because it's going to come out in a month. It's

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Speaker 2: essentially Christmas Day.

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Speaker 1: Yeah, wait when will this come out? I have no

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Speaker 1: idea neither to know. That is so messed up.

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Speaker 2: It's coming out at it will come out at a

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Speaker 2: time that is appropriate for promoting a Christmas themed pride.

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Speaker 3: And I thank you, And can we say we're all

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Speaker 3: sort of I know podcasts are now a visual medium

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Speaker 3: sort of cross money players.

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Speaker 2: So we're all wearing this sort of neck. So how

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Speaker 2: would you describe it? And again, it's sweater, it's it is,

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Speaker 2: for sure, crew neck, but it's also thick collar. Yeah,

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Speaker 2: a little bit like almost a mock. Almost a mock, yeah,

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Speaker 2: almost nearly hinting at a mock. And we are also

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Speaker 2: each of us is a different maybe maybe, and each

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Speaker 2: of us is a different neutral tone because it's beige, brown, gray. Wow. Okay,

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Speaker 2: thank you for confirming what this was because you know, well,

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Speaker 2: I know your color.

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Speaker 3: I thought this was green. Really gray and green are

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Speaker 3: like sisters to me, like twin sisters.

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Speaker 2: Wow?

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Speaker 3: Paternal?

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Speaker 2: Yeah, Mary Kay and Ashley very much? Are they fraternal?

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Speaker 2: Isn't that insane? I actually still they literally are looking

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Speaker 2: up And I still think people are lying to me

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Speaker 2: when they tell me that because I'm like, they're identical.

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Speaker 3: We find out that Ashley is like a foot taller

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Speaker 3: time and always has been.

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Speaker 2: Like she's wearing inserts. They got like a ton of

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Speaker 2: surgery every year. No, it actually makes me so upset

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Speaker 2: when people but it is unfortunately is biologically true. This

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Speaker 2: is so unfortunate. I mean, listen, here's the thing. They

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Speaker 2: might be fraternal, but they are identical and and justcpt

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Speaker 2: literally they are identical?

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Speaker 1: Is so yeah, what is fraternal if not like if

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Speaker 1: they look alike their sister's show?

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Speaker 2: What is fraternal if not identical? But a little fucked up?

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Speaker 2: And that was the bottle episode with Mary, Kate and Ashley.

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Speaker 2: So I think it's sort of a very nature versus

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Speaker 2: nurture where maybe nature wise they are fraternal, but because

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Speaker 2: they've always done the same exact thing, they became identical. Yeah,

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Speaker 2: they talk at the same time. You're invited, you're invited.

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Speaker 2: Who's saying? What? Who is the Mary Kate and Ashley

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Speaker 2: of your friend group? I pointed to the two of you. Okay,

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Speaker 2: so one of them is more troubled and one of

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Speaker 2: them is more chic. To be honest, I don't know.

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Speaker 2: I don't consider that actually more troubled. No, No, Mary Kate

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Speaker 2: is more troubled. See, this is what I mean. They

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Speaker 2: have become one totally. But I also think, and maybe

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Speaker 2: maybe this is wrong, maybe this is wrong, but I

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Speaker 2: almost feel like Mary Kate is both moth, both mouth troubled.

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Speaker 2: You're like Julian Moore and I'm Megan Malawy.

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Speaker 3: And this, by the way, you need to see that

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Speaker 3: I seen. You have to see May December. It is,

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Speaker 3: as far as I'm concerned, one of the most important films.

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Speaker 2: I was supposed to see it yesterday and then the

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Speaker 2: timing didn't work out and I saw Dream Scenario. Are

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Speaker 2: you aware of this? I'm aware of But someone texted

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Speaker 2: about that yesterday. So first of all, Caperlant is in it,

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Speaker 2: So shout out to the New York comedy community for that. Yeah,

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Speaker 2: she's congratulations, gratulation your book. She's out of your book,

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Speaker 2: not presenting big money plays. That's right everywhere, but this podcast.

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Speaker 2: So it is with Nicholas Cage. She's scared of how

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Speaker 2: good she'd be. Well please, yeah, I don't know, by

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Speaker 2: the way. I would die for her, of course. And

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Speaker 2: I am being and I'm being silly in a sort

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Speaker 2: of Mary Kate and Nashley.

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Speaker 3: Here, And that really goes with your hat because it's stilly.

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Speaker 3: Yet sincere, just like Christmas, you would love caper Land

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Speaker 3: on this podcast. She would be great on her She

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Speaker 3: hasn't has said no.

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Speaker 2: She has actually not said no, no, no. Even worse,

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Speaker 2: she said, Okay, I have a question.

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Speaker 1: Yeah, the idea of a visual podcast was brought up

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Speaker 1: and the you know, podcasts are getting increasingly more visual.

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Speaker 1: As someone in the industry, I have a podcasting question.

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Speaker 2: Okay, how visual does a podcast get before it becomes

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Speaker 2: a talk show? Oh? I actually think it immediately becomes

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Speaker 2: it's a talk show.

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Speaker 3: Really, really, that's what it is. Once you are watching

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Speaker 3: something and people are talking, that's a talk show. I'm sorry,

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Speaker 3: point blank.

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Speaker 1: That scares me because that makes me feel like the

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Speaker 1: podcast industry is actually crumbling without us talking about.

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Speaker 2: You know what you actually are.

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Speaker 3: And I'm looking at you guys in the eyes as

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Speaker 3: I say this, And if I were sitting over there,

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Speaker 3: I'd be looking at myself saying it.

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Speaker 2: YouTubers, No, sorry.

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Speaker 3: I don't make the rules. I just report the news.

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Speaker 3: That is the most fucked up thing you've ever said

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Speaker 3: to us. Well, then stop the cameras. Cut the cameras,

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Speaker 3: dead ass, stop the cameras.

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Speaker 2: If you don't want to be YouTubers, you need to

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Speaker 2: turn these off right now.

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Speaker 3: You know, everyone here.

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Speaker 2: Just because I'm an LGBTQ plus creator with an interest

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Speaker 2: in makeup and beauty does not make me a YouTuber.

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Speaker 3: It's very merrykay.

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Speaker 2: Just because we're constantly collabing with other creators in our

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Speaker 2: industry does not make us a YouTuber. It literally does.

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Speaker 2: Oh my god.

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Speaker 3: See and if because you're a YouTuber, people that are

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Speaker 3: watching that YouTube video can see what the podcast so

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Speaker 3: just cannot, which is that George just flipped his sad

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Speaker 3: hat like it was a fucking ariana grande ponytail.

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Speaker 2: Yeah, with attitude during the Sweetener World tour. You know,

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Speaker 2: it's interesting when you have sort of either an accessory

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Speaker 2: or a wig or something you can play with. You

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Speaker 2: realize how much other people lean on that, and I,

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Speaker 2: as someone with buzzed hair and sort of a neutral

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Speaker 2: colored sweater, don't have tricks like that. Well, that's why

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Speaker 2: you're so smart, because you have nothing to lean on. Well,

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Speaker 2: that is quite literally true. I have no talent or

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Speaker 2: point of view, but I do have a master's degree

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Speaker 2: from a program that is no longer credited. Yes, of course.

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Speaker 3: Well can I actually just say one of the things

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Speaker 3: that we share, which is why it's okay that we

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Speaker 3: sort of don't have a hat, is you have a

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Speaker 3: signature hair aesthetic.

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Speaker 2: Yeah, we do, we do. And and a mustache currently Actually,

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Speaker 2: oh wow, I forgot I had it. Yeah, well yeah,

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Speaker 2: is it working absolutely really well. Yeah.

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Speaker 3: But one said to me the other day that he

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Speaker 3: feels I should commit to the mustache and just do

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Speaker 3: the mustage.

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Speaker 1: I feel like you have committed. I don't think you

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Speaker 1: should commit. I think I think it's fun that you

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Speaker 1: go back and forth.

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Speaker 3: You know what they used to say to me in

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Speaker 3: restaurants what I worked in, that I look different every

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Speaker 3: day because I would come in with facial hair than

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Speaker 3: a shave, than anywhere a hat, and I was sort

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Speaker 3: of That's why I knew I was an actor. Yeah, chameleon.

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Speaker 2: Yeah, wow, that's amazing. Oh my god, he found the camera.

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Speaker 3: The camera guy just laughed at me like I was

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Speaker 3: making some kind of joke, like this is supposed to

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Speaker 3: be funny this podcast. No, that was heartfelt. I think

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Speaker 3: people are crying at home.

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Speaker 2: I know I am you know how I know you're

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Speaker 2: an actor because you're mucking the behind the scenes crew.

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Speaker 2: First thing I do when I got on second? What's

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Speaker 2: your name? Psych? I don't care, bitch, get me apar Okay,

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Speaker 2: Dakota Johnson's in the house.

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Speaker 3: Wait did you see the trailer from Madam Webb? Yeah,

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Speaker 3: she has a line in it that's more viral on Twitter.

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Speaker 2: Yeah. He was in the Amazon with my mother while

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Speaker 2: she was researching spiders right before. I don't you should watch?

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Speaker 2: Can I actually say something provocative and controversial? Oh no,

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Speaker 2: I would expect nothing less from you, George Severa. I

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Speaker 2: actually am in a place where I do not click

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Speaker 2: play on trailers because I have been burned too many

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Speaker 2: times where they give too much away, like in fact,

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Speaker 2: talk about May December. Recently, someone told me Juliane Moore

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Speaker 2: his a lisp in it. She does I should not

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Speaker 2: know that going in. That What a fun surprise.

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Speaker 3: I didn't see that coming and it took me. I

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Speaker 3: watched it with Gret out her house and it took

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Speaker 3: me approximately fifteen minutes to adjust. Yeah, and I think

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Speaker 3: that that was on purpose. Yeah, because she is supposed

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Speaker 3: to disorient you. Of course, yes, well, like she disoriented

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Speaker 3: the child she fucks and then marries.

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Speaker 2: Okay, stop, you're spoiling a.

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Speaker 3: That's one of the top things to know about the film.

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Speaker 2: Well, yes that I do know that, and I know

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Speaker 2: you did forget though, and I know there Charles Melton,

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Speaker 2: that's they're saying, that's the new guy.

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Speaker 3: Charles Milton. They're saying that's the new guy. I can

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Speaker 3: confirm his performance in the movie is stunning.

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Speaker 2: They're saying Charles Milton is the new guy. They're saying

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Speaker 2: Jacob Elordi is the new guy. And if you don't agree,

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Speaker 2: you actually are being arrested.

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Speaker 3: They're taking you away. They're taking two new guys or

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Speaker 3: are they gonna have to Well, I think that they

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Speaker 3: might have to duke it out.

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Speaker 2: Yeah, they have to duke it out. And of course

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Speaker 2: it is very Kyogan fit into all of this. I

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Speaker 2: think he already fit in.

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Speaker 1: Yeah, he's got his place. He's not the new guy,

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Speaker 1: but he is a new guy.

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Speaker 2: He's a new guy. Have you guys seen Saltburn? Yes? No,

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Speaker 2: And I will not be commenting on it.

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Speaker 3: And you want to know why.

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Speaker 2: That's because success is a prison.

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Speaker 3: I actually this podcast is successful and I and let

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Speaker 3: me tell you something.

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Speaker 2: It is. And I've been where you've been. I've been.

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Speaker 3: I've been a newly successful podcast. And now you're at

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Speaker 3: that place where you can't say you didn't like Emerald

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Speaker 3: Fanell's new movie.

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Speaker 2: I never said that and never killed you can't. I

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Speaker 2: think Emerald Fanell is a filmmaker. I think she is

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Speaker 2: a woman. I think she's British and therefore and I

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Speaker 2: think and I think she is also a writer, and

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Speaker 2: I think she has a background in acting, and I

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Speaker 2: think you're saying about her and I think she even

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Speaker 2: has made multiple films. I think her first name is

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Speaker 2: Emerald and her last name is Fanel.

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Speaker 1: His review of Seltburn, Okay, Matt, was there a moment

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Speaker 1: when you said, oh, I'm a newly successful podcast, And

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Speaker 1: I said something And I'm not No.

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Speaker 3: I'm not allowed to say that anymore. Actually, yeah, what

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Speaker 3: was it? I remember there was a time where Queer

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Speaker 3: Eye had just become really successful and Bowen sort of

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Speaker 3: popped off on. I can say this because I think

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Speaker 3: he stands by it, and.

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Speaker 2: He has well. Also, query is not falling apart. So yeah, right,

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Speaker 2: because Bobby has said, yes, well, it's the last season. Yeah,

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Speaker 2: it's at least Bobby's last season. One of them was

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Speaker 2: not it's the last, which means the last one of

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Speaker 2: them was not invited to one of the other's weddings.

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Speaker 3: Oh shit, I think that's the I.

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Speaker 2: Can't remember what there is other ones or something.

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Speaker 3: Well that's been since the beginning. Of course, that's like

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Speaker 3: a peek behind the curtain.

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Speaker 2: I don't know. Yeah, like I feel like I didn't know.

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Speaker 3: Again, a successful podcast scary to say things you think,

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Speaker 3: but I feel like they it's not all paradise.

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Speaker 2: Well I do think. Not only is it all not

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Speaker 2: all paradise, but there are alliances. Yeah, that's clear. But

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Speaker 2: what I will say is from the beginning, and I'm

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Speaker 2: sorry to cut you off, from the beginning, I felt

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Speaker 2: because my and I no, I mean, you have to stop. Yeah,

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Speaker 2: don't continue and please welcome Emerald Finet. From the beginning,

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Speaker 2: I thought, because I have a background as a viewer

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Speaker 2: of MTV, is the challenge where Karamo was in fact

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Speaker 2: in the Villains Versus Heroes as a villains sense, right,

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Speaker 2: So Karamo before he like my big thing when Kure

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Speaker 2: came out, as I was like, don't people know Karama,

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Speaker 2: who's now literally the psychiatry expert, used to actually be

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Speaker 2: like a villain, like he was a reality television villain.

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Speaker 2: And now he is taking people on walks around the

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Speaker 2: block and talking to them about their marriage. That doesn't

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Speaker 2: track for me. So I thought if anyone would be

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Speaker 2: the one to sort of like break off, it would

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Speaker 2: be him. But lo and behold, it's Bobby, the nice

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Speaker 2: one who actually loves Beige. Yeah.

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Speaker 3: I think that Bobby is in.

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Speaker 2: A glow up period. Yeah. I think that Bobby is

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Speaker 2: going to stand the test of time. And I think

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Speaker 2: that Bobby. I support Bobby, and can I say I

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Speaker 2: support them all?

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Speaker 3: I agree, beautiful, I support them all. You know who

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Speaker 3: didn't support them all at one time was had a

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Speaker 3: reaction to Anthony I can only describe as negative.

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Speaker 1: Oh sure, well, we all, I mean everyone, We just

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Speaker 1: didn't have successful podcasts at the time.

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Speaker 3: Right, So you were on an episode of Last Coach

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Speaker 3: one time when I came in. I came into the

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Speaker 3: podcast hot from watching Queer Eye in my quote unquote

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Speaker 3: Anthony drag and I believe it was like a white

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Speaker 3: T shirt and like a cool bandana yea. And it

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Speaker 3: was shortly after that that, like that Bone tweeted about

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Speaker 3: Anthony something negative and it went sort of crazy and

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Speaker 3: like there was like an article written like about Anthony

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Speaker 3: being polarizing, like the pros and cons Anthony or something,

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Speaker 3: which maybe we even wrote for Vulture.

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Speaker 2: Oh that's interesting, So you are you want to you

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Speaker 2: sort of want to be the victim of the media

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Speaker 2: narrative while also literally writing the article. There was an

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Speaker 2: articles that came out that we also wrote. Well, we

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Speaker 2: were featured an article that oh right, we also authored.

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Speaker 3: I say I was pro Anthony. I was arguing for Anthony.

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Speaker 2: I mean I still do. Is this such a classic

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Speaker 2: Matt and Bowen argument of like, like if you were

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Speaker 2: to be like, what did Matt and Bowen last argue about,

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Speaker 2: I'd be like, was it Antony and Matt was pro

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Speaker 2: and Bowen was anti?

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Speaker 3: Well, the answer is it was does a big Mac

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Speaker 3: have tomato? And the answer is no, it does not.

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Speaker 3: And I was wrong and was right, but to return

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Speaker 3: to the story. But when it said something negative about

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Speaker 3: Anthony on Twitter, now x now useless. Yeah, Whereas back

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Speaker 3: then it was really so fun, it did something, it

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Speaker 3: was a community.

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Speaker 2: But then like it like got back to him, I think,

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Speaker 2: well yeah.

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Speaker 3: And I think that's when I realized like, oh shit,

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Speaker 3: like we can't really be doing this anymore. And then

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Speaker 3: there was another time where I had to take an

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Speaker 3: I don't think so honey out of an episode because

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Speaker 3: I had a screen test to be in a movie

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Speaker 3: with someone I had done it.

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Speaker 2: I don't think so yes, and that is so actually

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Speaker 2: yes for who it might be.

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Speaker 3: If you guess correctly, we can leave it in.

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Speaker 2: Tina f No, fuck damn now, I would never. I

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Speaker 2: don't think Sony Tina fe. Someone did. I don't think so.

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Speaker 3: Someone has had a lost Culturista's live show, and it

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Speaker 3: does haunt me to think the the live show. I

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Speaker 3: don't think so out there where it truly gets like

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Speaker 3: really tough. I mean there are when you're in front

437
00:20:22,920 --> 00:20:24,919
Speaker 3: of three hundred people at the Bellhouse, you say some

438
00:20:25,040 --> 00:20:25,720
Speaker 3: cucka loo.

439
00:20:25,920 --> 00:20:28,280
Speaker 2: You know, I would say, at your most, at your

440
00:20:28,320 --> 00:20:29,959
Speaker 2: peak of I don't think so, Honey Lives, you were

441
00:20:30,000 --> 00:20:31,320
Speaker 2: a free speech podcast.

442
00:20:31,480 --> 00:20:34,760
Speaker 3: Oh oh, and now we're sort of you know.

443
00:20:35,600 --> 00:20:38,119
Speaker 2: Well yeah, we're sort of well now you're part of

444
00:20:38,160 --> 00:20:40,480
Speaker 2: your officially part of the d n C. Actually the

445
00:20:40,640 --> 00:20:42,280
Speaker 2: one always has been part of the DNC. And I'm

446
00:20:42,280 --> 00:20:45,280
Speaker 2: on record he's a centrist of course, yes, whereas you're

447
00:20:45,320 --> 00:20:47,240
Speaker 2: of course a radical leftist. Yeah.

448
00:20:47,400 --> 00:20:48,520
Speaker 3: And everyone knows that about me.

449
00:20:48,720 --> 00:20:52,280
Speaker 2: Everyone always have that little leftist was me? A little leftist?

450
00:20:52,440 --> 00:20:52,639
Speaker 2: Was me?

451
00:20:52,840 --> 00:20:54,440
Speaker 3: Do you remember when I do you? Guys remember when

452
00:20:54,440 --> 00:20:55,600
Speaker 3: I had a kamala Harris teeth?

453
00:20:55,640 --> 00:20:58,000
Speaker 2: Can I tell you something? Yes, No, I don't remember that.

454
00:20:58,840 --> 00:21:01,879
Speaker 2: I actually I know that you'll ever forget it. I

455
00:21:01,920 --> 00:21:03,760
Speaker 2: know that you. I know you, and I know that

456
00:21:03,840 --> 00:21:06,879
Speaker 2: you now almost feel embarrassed or think that I feel

457
00:21:07,000 --> 00:21:09,919
Speaker 2: a certain way. But to me, that is so like

458
00:21:09,960 --> 00:21:13,160
Speaker 2: I want to go back and tug and kiss you

459
00:21:13,280 --> 00:21:16,160
Speaker 2: wearing a kamala. I know you want to go. It's

460
00:21:16,440 --> 00:21:20,240
Speaker 2: so Iconicorny asked, do you still have it? No, it's

461
00:21:20,320 --> 00:21:22,399
Speaker 2: it's gone. So basically I got it. I wore it

462
00:21:22,440 --> 00:21:25,480
Speaker 2: once posted it on Instagram. This is so pathetic.

463
00:21:26,200 --> 00:21:28,800
Speaker 3: And I think it was because I was just like

464
00:21:28,960 --> 00:21:33,040
Speaker 3: looking at the field of like like contenders for the Democrats,

465
00:21:33,080 --> 00:21:35,399
Speaker 3: and I was just like, okay, I was of the

466
00:21:35,440 --> 00:21:37,720
Speaker 3: mind where we have to win, right, And so I

467
00:21:37,760 --> 00:21:40,680
Speaker 3: fell victim to a media narrative that was she is

468
00:21:40,720 --> 00:21:43,359
Speaker 3: the one that will win. And so I was like,

469
00:21:43,400 --> 00:21:45,159
Speaker 3: she had had a good debate performance, and so I

470
00:21:45,200 --> 00:21:48,600
Speaker 3: bought the shirt because I was, I guess affected by

471
00:21:48,640 --> 00:21:49,439
Speaker 3: that little girl was.

472
00:21:49,440 --> 00:21:52,959
Speaker 2: Me and I really hated Biden. Yeah, yeah, to this day,

473
00:21:53,000 --> 00:21:53,840
Speaker 2: I don't want Biden.

474
00:21:54,400 --> 00:21:57,040
Speaker 3: And because that was the two of them heads ahead

475
00:21:57,040 --> 00:21:58,879
Speaker 3: and she had sort of emerged victorious, I was like,

476
00:21:58,880 --> 00:22:01,600
Speaker 3: I'm buying her shirt. I did, and then like sort

477
00:22:01,600 --> 00:22:06,720
Speaker 3: of I felt people be like, you are this is

478
00:22:06,800 --> 00:22:09,880
Speaker 3: pre choogy. Of course they were saying they were saying

479
00:22:09,960 --> 00:22:13,560
Speaker 3: choogy with their eyes, and I immediately agreed, and she sort.

480
00:22:13,400 --> 00:22:17,800
Speaker 2: Of ended up being nothing vice president. I mean, she

481
00:22:17,840 --> 00:22:19,360
Speaker 2: remains nothing to this day.

482
00:22:19,880 --> 00:22:23,399
Speaker 1: So you know, Matt, I just it is you have

483
00:22:23,440 --> 00:22:26,760
Speaker 1: such a power of living out loud that you know

484
00:22:27,080 --> 00:22:29,840
Speaker 1: that is true. Actually really sometimes envy, you know.

485
00:22:31,800 --> 00:22:34,240
Speaker 2: And this is a drag like I've never no no, no, no, no,

486
00:22:36,480 --> 00:22:38,679
Speaker 2: whether if it's humiliating or no.

487
00:22:38,960 --> 00:22:40,760
Speaker 1: Every day I wish I could live out loud to

488
00:22:41,080 --> 00:22:43,840
Speaker 1: half of what you do, because I you know, I'll

489
00:22:43,880 --> 00:22:45,840
Speaker 1: be like, I'll watch that debate and I'll be like, okay,

490
00:22:45,920 --> 00:22:48,560
Speaker 1: who who's you know doing well? And it's like I'm

491
00:22:48,640 --> 00:22:50,920
Speaker 1: instantly already being like, Okay, well if I wear that shirt,

492
00:22:50,920 --> 00:22:52,639
Speaker 1: that's gonna look stupid in six months, if I do that,

493
00:22:52,640 --> 00:22:56,040
Speaker 1: it's gonna just be silent and wait till you know,

494
00:22:56,160 --> 00:22:57,600
Speaker 1: things are very crystal clear.

495
00:22:58,000 --> 00:23:00,600
Speaker 2: And by that point, Biden's and president for two years,

496
00:23:01,440 --> 00:23:03,800
Speaker 2: we are actually complete. Sam and I are both fully

497
00:23:03,840 --> 00:23:07,119
Speaker 2: silenced as violence. Like we have not spoken in years,

498
00:23:07,480 --> 00:23:09,120
Speaker 2: and we were just talking about this every time each

499
00:23:09,119 --> 00:23:11,400
Speaker 2: of us, every time we post on Instagram. You were

500
00:23:11,400 --> 00:23:13,600
Speaker 2: saying this. The vibe is like I'm breaking my silence.

501
00:23:13,920 --> 00:23:16,080
Speaker 2: There's never any momentum of like, well this is sort

502
00:23:16,080 --> 00:23:17,800
Speaker 2: of what I do here, like I'm posting like the

503
00:23:18,240 --> 00:23:21,720
Speaker 2: videos way more like that. Now.

504
00:23:22,320 --> 00:23:24,479
Speaker 3: Sure, I don't really live out loud as much. To

505
00:23:24,520 --> 00:23:26,920
Speaker 3: be honest, I live out loud. I mean I'm releasing

506
00:23:26,960 --> 00:23:28,720
Speaker 3: a album, sure, but.

507
00:23:28,880 --> 00:23:31,600
Speaker 2: Like and thank you for bringing it up on this

508
00:23:31,680 --> 00:23:33,720
Speaker 2: talk show. That was my forced transition.

509
00:23:35,119 --> 00:23:38,120
Speaker 3: But like, but no, I I now I'm a lot

510
00:23:38,160 --> 00:23:41,280
Speaker 3: more aware of the sort of things that can happen

511
00:23:41,320 --> 00:23:44,639
Speaker 3: where let's just say you bought that little Girl was

512
00:23:44,720 --> 00:23:47,359
Speaker 3: Met Kamala shirt and posted it on Instagram, you know

513
00:23:47,440 --> 00:23:49,159
Speaker 3: what I mean? Like, I'm way more aware of what

514
00:23:49,200 --> 00:23:52,159
Speaker 3: could happen. And I just want to say, ultimately, I

515
00:23:52,200 --> 00:23:55,199
Speaker 3: did vote for Bernie Sanders. I'm that primary who I

516
00:23:55,240 --> 00:23:56,720
Speaker 3: wanted all along.

517
00:23:56,640 --> 00:23:59,720
Speaker 2: Of and you're writing him in in twenty twenty four. Yes,

518
00:24:00,720 --> 00:24:03,000
Speaker 2: but you're actually voting in a swing state as well,

519
00:24:03,600 --> 00:24:07,520
Speaker 2: So that's interesting voter. You're a new voter in Ohio,

520
00:24:08,080 --> 00:24:10,520
Speaker 2: Bernie Sanders. I actually know people that have moved to

521
00:24:10,520 --> 00:24:14,960
Speaker 2: Atlanta for that reason to vote, to vote, not for

522
00:24:15,000 --> 00:24:18,840
Speaker 2: the tax bricks liars. I guess it was for the Texperts. Hey,

523
00:24:18,880 --> 00:24:20,960
Speaker 2: you always hit a reveal that dark truth, aren't you.

524
00:24:21,240 --> 00:24:23,840
Speaker 2: I mean, like Hollywood, isn't everything filmed in Atlanta because

525
00:24:23,840 --> 00:24:26,720
Speaker 2: of the tax bricks? I mean everything goes back to taxas. Yeah,

526
00:24:26,760 --> 00:24:28,760
Speaker 2: are you thinking of are you literally thinking of voting

527
00:24:28,800 --> 00:24:31,480
Speaker 2: for Donald J? Trump? Are you thinking of the queer

528
00:24:31,760 --> 00:24:35,320
Speaker 2: guys who moved to Atlanta to film the latest season? Well,

529
00:24:35,359 --> 00:24:37,320
Speaker 2: they didn't do that. You're like, I know he made that.

530
00:24:37,359 --> 00:24:38,760
Speaker 3: Netflix made them do that, and they want to talk

531
00:24:38,760 --> 00:24:42,240
Speaker 3: about a big corporation. Let's talk about that Netflix.

532
00:24:42,400 --> 00:24:49,280
Speaker 2: Much like Emerald Fanel is a wonderful woman easing place media, I.

533
00:24:49,359 --> 00:24:53,240
Speaker 3: Had like a not so I appreciated Promising Young Women

534
00:24:53,280 --> 00:24:55,920
Speaker 3: for what it tried to do, uh huh.

535
00:24:55,359 --> 00:24:58,280
Speaker 2: Which is what footage not found. Well, what I tried

536
00:24:58,280 --> 00:25:00,280
Speaker 2: to do is have a great trailer. No, what it

537
00:25:00,320 --> 00:25:02,200
Speaker 2: tried to do is have Emerald Fannel give an interview

538
00:25:02,200 --> 00:25:04,440
Speaker 2: and be like, it's like an apple where you buy

539
00:25:04,480 --> 00:25:07,000
Speaker 2: into it and it's not a candy apple. There are

540
00:25:07,040 --> 00:25:10,560
Speaker 2: there are raises in it. Yeah, she was like she

541
00:25:10,600 --> 00:25:13,600
Speaker 2: was like an apple full of what promis woman?

542
00:25:13,680 --> 00:25:15,800
Speaker 3: Yes, anyway, but I had that was one of the

543
00:25:15,840 --> 00:25:18,240
Speaker 3: times when I realized the podcast like could not be

544
00:25:18,280 --> 00:25:20,640
Speaker 3: a place for free speech, because I got on on

545
00:25:20,680 --> 00:25:23,280
Speaker 3: the podcast and said my honest review of Promising Young Woman,

546
00:25:23,359 --> 00:25:26,320
Speaker 3: which was that, you know, while I think, give me

547
00:25:26,359 --> 00:25:28,720
Speaker 3: one hundred movies like that before any of this other bullshit,

548
00:25:28,960 --> 00:25:31,760
Speaker 3: and and but there was things about the script that

549
00:25:32,280 --> 00:25:33,040
Speaker 3: just did not work.

550
00:25:33,480 --> 00:25:36,800
Speaker 2: And so then it was this thing of lots of

551
00:25:36,840 --> 00:25:39,239
Speaker 2: women who had really been moved by the movie, and

552
00:25:39,320 --> 00:25:43,720
Speaker 2: I appreciate that and understand that had a very negative

553
00:25:43,760 --> 00:25:46,920
Speaker 2: reaction to me personally because of what I had thought

554
00:25:46,960 --> 00:25:47,560
Speaker 2: about the movie.

555
00:25:47,600 --> 00:25:51,000
Speaker 3: And I also saw this phenomenon happen with Barbie, and

556
00:25:51,320 --> 00:25:53,639
Speaker 3: now I think I understand the value of like, look,

557
00:25:54,000 --> 00:25:57,440
Speaker 3: not everything has to exist as like a fucking Oscar contender.

558
00:25:57,840 --> 00:26:00,439
Speaker 3: But it's hard when it comes out and one's like,

559
00:26:00,720 --> 00:26:03,040
Speaker 3: this is an Oscar movie, this is the screenplay of

560
00:26:03,040 --> 00:26:05,840
Speaker 3: the year, and you as someone who's like, Okay, well

561
00:26:05,840 --> 00:26:08,480
Speaker 3: with that information, I'm now going to look at it

562
00:26:08,560 --> 00:26:11,240
Speaker 3: like that, and there are things to discuss about it.

563
00:26:11,280 --> 00:26:15,879
Speaker 3: Let's discuss this piece of art. And yet there's people

564
00:26:15,880 --> 00:26:18,520
Speaker 3: who are like, feel really spoken for by the movie.

565
00:26:18,760 --> 00:26:20,359
Speaker 3: And so that's the kind of thing where it's like

566
00:26:20,600 --> 00:26:22,239
Speaker 3: when you're on a piece of media that a lot

567
00:26:22,240 --> 00:26:23,880
Speaker 3: of people listen to and then a lot of people

568
00:26:23,960 --> 00:26:26,760
Speaker 3: consume you're gonna get that type of thing where it's

569
00:26:26,840 --> 00:26:29,159
Speaker 3: just like, yeah, no, not everyone is listening to this

570
00:26:29,240 --> 00:26:32,240
Speaker 3: in like quote unquote good faith. Yeah, for a critical lens.

571
00:26:32,280 --> 00:26:34,679
Speaker 3: It's like sometimes people just like what they like and

572
00:26:34,680 --> 00:26:37,119
Speaker 3: they're gonna get on social media and be militant about it.

573
00:26:37,119 --> 00:26:38,680
Speaker 3: So if you're gonna say the truth about it or

574
00:26:38,720 --> 00:26:39,760
Speaker 3: what you think about it, like.

575
00:26:40,200 --> 00:26:43,040
Speaker 2: Just know that. So in that spirit, what is your

576
00:26:43,119 --> 00:26:45,960
Speaker 2: review of soft furn. Well, here's what I'll say. First

577
00:26:45,960 --> 00:26:51,040
Speaker 2: of all, she's got my vote, that little reviewer. That

578
00:26:51,080 --> 00:26:54,399
Speaker 2: little reviewer with me. Where's your letterbox, mama? Okay, actually

579
00:26:54,400 --> 00:26:56,760
Speaker 2: don't have one, and I feel like you don't need

580
00:26:56,760 --> 00:26:59,120
Speaker 2: It's yeah, now's the perfect time to not happening. Yeah,

581
00:26:59,160 --> 00:27:01,159
Speaker 2: I think the moment's past. I think you're right. What

582
00:27:01,240 --> 00:27:04,240
Speaker 2: I will say is two things. A it's hard to

583
00:27:04,280 --> 00:27:08,000
Speaker 2: be like, it's not that deep. I just like, I'm

584
00:27:08,000 --> 00:27:11,040
Speaker 2: not I'm not on a round table with other critics

585
00:27:11,080 --> 00:27:13,640
Speaker 2: that Entertainment weekly arguing that something is good or bad.

586
00:27:13,680 --> 00:27:16,320
Speaker 3: I'm just like on a podcast podcast you're a clown.

587
00:27:16,440 --> 00:27:17,760
Speaker 2: And the other thing is I agree with what you're

588
00:27:17,760 --> 00:27:20,880
Speaker 2: saying about promising young women where it's like, I'm who

589
00:27:20,960 --> 00:27:24,479
Speaker 2: am I to start yelling about how it's not how

590
00:27:24,480 --> 00:27:26,400
Speaker 2: it's this or it's that when I'm sort of maybe

591
00:27:26,400 --> 00:27:29,639
Speaker 2: not the intended audience for it. What's amazing about stalburn audience.

592
00:27:29,920 --> 00:27:32,480
Speaker 2: But here's the thing. Selburn is about gay guys. So

593
00:27:32,760 --> 00:27:34,560
Speaker 2: that's where we come in. They should have put that

594
00:27:34,560 --> 00:27:39,359
Speaker 2: in the trailer. That's where we come in because I'm like,

595
00:27:39,560 --> 00:27:41,720
Speaker 2: because all the gay guys that were like I'm gonna

596
00:27:41,720 --> 00:27:43,960
Speaker 2: stay silent about promising young women, this is I'm gonna

597
00:27:43,960 --> 00:27:45,800
Speaker 2: I'm gonna sit this one out. Now they're coming back

598
00:27:45,800 --> 00:27:47,240
Speaker 2: with a vengeance, and I actually think there's gonna be

599
00:27:47,240 --> 00:27:49,119
Speaker 2: like an overreaction where all the gay guys are going

600
00:27:49,200 --> 00:27:51,119
Speaker 2: to be protesting outside Emerald Finell's house.

601
00:27:51,240 --> 00:27:53,240
Speaker 3: And you know who I think love sultburn You know

602
00:27:53,320 --> 00:27:56,720
Speaker 3: everyone that loves salpur right now, like straight I can

603
00:27:56,760 --> 00:27:58,359
Speaker 3: only describe as promising young women.

604
00:27:58,440 --> 00:28:00,639
Speaker 2: Well they're yes, they exactly.

605
00:28:00,640 --> 00:28:02,439
Speaker 3: Well it is a lot of promising young women are

606
00:28:02,560 --> 00:28:05,320
Speaker 3: a lot of wood work to say they fucking love Salburne.

607
00:28:05,320 --> 00:28:08,520
Speaker 3: And I'm like, I have to say something. Step beside, sweetie, Yeah,

608
00:28:08,560 --> 00:28:11,480
Speaker 3: because this is our moment and you're looking calm out

609
00:28:11,480 --> 00:28:14,960
Speaker 3: of a bathtub. That's actually my that's.

610
00:28:14,560 --> 00:28:16,720
Speaker 2: Like my thing, to be clear. Have you seen it?

611
00:28:17,040 --> 00:28:18,880
Speaker 3: No, but I know that come out of a bath

612
00:28:18,960 --> 00:28:19,359
Speaker 3: he does.

613
00:28:19,359 --> 00:28:23,520
Speaker 2: And I actually I did think so the movie is

614
00:28:23,520 --> 00:28:25,119
Speaker 2: sort of a series of things that are meant to

615
00:28:25,119 --> 00:28:30,320
Speaker 2: be memes. Yeah, but it's fine. People. This thing like

616
00:28:30,400 --> 00:28:34,000
Speaker 2: it's like which I do respect. She's like, she's seen

617
00:28:34,000 --> 00:28:35,680
Speaker 2: how the internet works, and she's like, well, I'm gonna

618
00:28:35,680 --> 00:28:37,119
Speaker 2: make a movie that is sort of a series of

619
00:28:37,160 --> 00:28:42,520
Speaker 2: moments that are like she did what, yeah, one next

620
00:28:42,560 --> 00:28:44,360
Speaker 2: to the other, and I do think that one was

621
00:28:44,400 --> 00:28:46,120
Speaker 2: the most shocking to me. Or I was like, oh,

622
00:28:46,280 --> 00:28:47,360
Speaker 2: I've never seen this before.

623
00:28:47,400 --> 00:28:50,040
Speaker 3: You know what, here's what I'll say. She's like, and

624
00:28:50,360 --> 00:28:53,200
Speaker 3: I don't say this in a in a pejorative way,

625
00:28:53,440 --> 00:28:59,440
Speaker 3: but her style tends towards the pulpy, right, why shouldn't, Like,

626
00:28:59,760 --> 00:29:01,680
Speaker 3: so we're all talking about her the way that you

627
00:29:01,760 --> 00:29:06,160
Speaker 3: talk about any popey male filmmaker. It's not negative, like,

628
00:29:06,520 --> 00:29:09,160
Speaker 3: you know, so she's not Greta Gerwig yet, you know

629
00:29:09,200 --> 00:29:11,240
Speaker 3: what I mean. So everything that she makes isn't like,

630
00:29:11,680 --> 00:29:15,240
Speaker 3: you know, necessarily like critically fool proof. Like it's just like,

631
00:29:15,680 --> 00:29:18,360
Speaker 3: but so we're allowed to talk about her and say like, yeah,

632
00:29:18,400 --> 00:29:20,880
Speaker 3: she's like a polpey filmmaker. It's not it's not like

633
00:29:21,000 --> 00:29:23,080
Speaker 3: fuck women that we say that. It's just, you know,

634
00:29:23,120 --> 00:29:25,560
Speaker 3: you're commenting on her style and tendencies.

635
00:29:26,040 --> 00:29:27,480
Speaker 2: Correct what.

636
00:29:27,880 --> 00:29:30,800
Speaker 3: I know, You're right. I was just letting.

637
00:29:33,560 --> 00:29:36,680
Speaker 2: Just like I gave, I will give Salpur when I

638
00:29:36,680 --> 00:29:37,959
Speaker 2: see it, and I will see it.

639
00:29:38,000 --> 00:29:39,480
Speaker 3: Oh, I will hold space for salt.

640
00:29:39,720 --> 00:29:42,480
Speaker 2: And to be clear, guys, by the way, I was

641
00:29:42,520 --> 00:29:44,600
Speaker 2: like I was having a good time, like I I'm

642
00:29:45,600 --> 00:29:48,800
Speaker 2: I was like Rosamund Pike was doing great, Kerry Mulligan

643
00:29:48,960 --> 00:29:54,040
Speaker 2: was doing great. All the actors were great. And you

644
00:29:54,080 --> 00:29:57,040
Speaker 2: love Jacob Elordie. You know, I will say I resisted

645
00:29:57,120 --> 00:29:59,000
Speaker 2: him for so long and it's you actually can't deny

646
00:29:59,040 --> 00:30:01,120
Speaker 2: that he's a good actor. I do stand Jacob Lordy.

647
00:30:01,240 --> 00:30:02,720
Speaker 2: Do you watch you? For you? I feel like I

648
00:30:02,760 --> 00:30:06,520
Speaker 2: love you for Yeah, I'm addicted. So can I say something? Yeah,

649
00:30:06,640 --> 00:30:10,360
Speaker 2: you sort of give Sydney Sweeney, Oh, I see it.

650
00:30:10,560 --> 00:30:12,640
Speaker 2: That's the nicest thing anyone's ever said to me. I know,

651
00:30:12,840 --> 00:30:15,400
Speaker 2: did you enjoy working with the Dakota on Madam Webb?

652
00:30:15,800 --> 00:30:18,920
Speaker 2: It was so amazing. He was with my mother and

653
00:30:19,760 --> 00:30:23,360
Speaker 2: spiders before she died. I'm sorry. So Sidney Sweeney is

654
00:30:23,400 --> 00:30:24,120
Speaker 2: a superhero.

655
00:30:24,440 --> 00:30:27,680
Speaker 3: She's gonna be and she's literally like she's like, we're

656
00:30:27,720 --> 00:30:29,800
Speaker 3: supposed to believe that. Sidney's It's like one of those things,

657
00:30:29,920 --> 00:30:30,160
Speaker 3: just like.

658
00:30:30,120 --> 00:30:34,000
Speaker 2: A nerds class. Guys, we have to get to class. Seriously,

659
00:30:34,040 --> 00:30:37,680
Speaker 2: I have huge tits. You guys, me you and are

660
00:30:37,720 --> 00:30:40,640
Speaker 2: my huge tits Sidney Sweeney being like we have to

661
00:30:40,720 --> 00:30:45,280
Speaker 2: say them. Yeah, I love. I'm addicted too, and I

662
00:30:45,320 --> 00:30:47,080
Speaker 2: wish I could do a better I mean, it really

663
00:30:47,120 --> 00:30:53,320
Speaker 2: is because I sort of okay, wait, should we do

664
00:30:53,360 --> 00:30:53,800
Speaker 2: her for a second?

665
00:30:53,840 --> 00:30:55,520
Speaker 3: Yeah, I think we should. Remember when this episode was

666
00:30:55,520 --> 00:30:58,000
Speaker 3: supposed to be about Sanna. Oh, it's still will be,

667
00:30:58,120 --> 00:31:01,200
Speaker 3: it still will be, it still will be. It's called Santa,

668
00:31:01,360 --> 00:31:03,480
Speaker 3: and you will promote your album.

669
00:31:03,120 --> 00:31:04,960
Speaker 2: Great, Okay.

670
00:31:05,320 --> 00:31:07,760
Speaker 1: Our first segment is called straight Shooters, and in this segment,

671
00:31:07,760 --> 00:31:09,960
Speaker 1: we're going to ask you a series of oppipire questions

672
00:31:10,080 --> 00:31:12,840
Speaker 1: to gauge your familiarity with and complicity in straight culture.

673
00:31:12,920 --> 00:31:15,600
Speaker 3: Can I say something, I'm like so excited, Oh, you know,

674
00:31:15,720 --> 00:31:17,280
Speaker 3: this is my favorite thing and I can't believe we're

675
00:31:17,280 --> 00:31:18,640
Speaker 3: here already.

676
00:31:18,680 --> 00:31:20,520
Speaker 2: Does that mean like the podcast is like almost over it?

677
00:31:20,800 --> 00:31:23,640
Speaker 3: This is the first sec because I feel like we're

678
00:31:23,680 --> 00:31:26,440
Speaker 3: just Maybe it's because when I've been on this podcast,

679
00:31:26,440 --> 00:31:28,440
Speaker 3: it's gone so off the rails. That's raight Shooters doesn't

680
00:31:28,440 --> 00:31:32,280
Speaker 3: happen so later. Sure just sort of like triggered me. No,

681
00:31:32,520 --> 00:31:33,680
Speaker 3: I was triggered.

682
00:31:33,440 --> 00:31:34,760
Speaker 2: And that is okay.

683
00:31:35,200 --> 00:31:37,920
Speaker 1: Yeah, we can hold space for that. Normally it's like

684
00:31:38,040 --> 00:31:41,440
Speaker 1: twenty minutes in, and I think there's no normal.

685
00:31:41,560 --> 00:31:43,360
Speaker 2: George was fifteen minutes late.

686
00:31:45,040 --> 00:31:46,800
Speaker 3: All right, he was trying on all this different.

687
00:31:47,120 --> 00:31:47,600
Speaker 2: He was looking.

688
00:31:47,920 --> 00:31:48,880
Speaker 3: Yeah, he had more than one.

689
00:31:48,960 --> 00:31:51,560
Speaker 2: Yeah, I'm kidding. All right, let's stay on message. Emerald

690
00:31:51,600 --> 00:31:53,400
Speaker 2: Fanel first question.

691
00:31:54,400 --> 00:31:58,320
Speaker 1: Okay, now, yeah, the Windy City or the Mindy Project.

692
00:31:59,040 --> 00:32:00,680
Speaker 3: I'm gonna say the Windy City.

693
00:32:02,880 --> 00:32:07,800
Speaker 2: I love to go there on tour, Okay, not Rogers

694
00:32:07,840 --> 00:32:12,800
Speaker 2: Official dot Com. I'm trying to decide which of the

695
00:32:12,840 --> 00:32:14,640
Speaker 2: ones I have written I'm gonna do. We'll cut this out,

696
00:32:14,640 --> 00:32:16,760
Speaker 2: Don't worry. I will seem so on it. I'll leave

697
00:32:16,800 --> 00:32:20,440
Speaker 2: it in kissing under the mistletoe or pissing into the

698
00:32:20,480 --> 00:32:21,160
Speaker 2: toilet bowl.

699
00:32:22,560 --> 00:32:25,800
Speaker 3: I would say pissing into the toilet bowl because I

700
00:32:25,800 --> 00:32:26,920
Speaker 3: would hate to eliminate that.

701
00:32:28,200 --> 00:32:29,080
Speaker 2: Yeah, yeah, of course.

702
00:32:29,640 --> 00:32:34,000
Speaker 1: Okay, pronounce kissing on I'm still very public, that's true. Okay,

703
00:32:34,120 --> 00:32:38,600
Speaker 1: pronouncing Chipotle Chipotle, or saying hey girl, hey to Kathy.

704
00:32:38,320 --> 00:32:41,320
Speaker 3: Hochele, Hey girl, hey to Kathy Hole.

705
00:32:41,440 --> 00:32:43,120
Speaker 2: Yeah, that would be an amazing feeling because I know

706
00:32:43,160 --> 00:32:46,640
Speaker 2: that she would know it was laced with arsenic deck

707
00:32:46,720 --> 00:32:49,320
Speaker 2: the halls with boughs of holly, or hold my calls,

708
00:32:49,320 --> 00:32:55,120
Speaker 2: I'm eating a BALI hold okay, a thought leader or

709
00:32:55,120 --> 00:33:01,920
Speaker 2: a bot follower, a thought leader, the Three Wise Men

710
00:33:02,520 --> 00:33:05,160
Speaker 2: or the Four Fabulous Ladies of the original sex Missites,

711
00:33:05,200 --> 00:33:06,600
Speaker 2: the Four Fabulous Ladies.

712
00:33:08,600 --> 00:33:11,320
Speaker 3: Okay, the Bill of Rights or pillow fights the.

713
00:33:11,400 --> 00:33:16,560
Speaker 2: Pillow fights, Oh Holy Night, or go I'll miss my flight.

714
00:33:17,800 --> 00:33:20,120
Speaker 2: Go I'll miss my flight. I like that so stressed.

715
00:33:20,200 --> 00:33:22,760
Speaker 1: That really tells the story there, Yeah, because it's not

716
00:33:22,880 --> 00:33:24,720
Speaker 1: I need to go, it's you go so that I

717
00:33:24,720 --> 00:33:24,920
Speaker 1: can go.

718
00:33:25,160 --> 00:33:26,840
Speaker 2: Well, it's Meryl Streep in the back of the car

719
00:33:26,880 --> 00:33:28,920
Speaker 2: and devils product at the end going go.

720
00:33:29,440 --> 00:33:31,880
Speaker 3: Yeah, which is which is what I always think of.

721
00:33:32,520 --> 00:33:34,280
Speaker 3: And now are you guys done? Because I have them

722
00:33:34,320 --> 00:33:34,760
Speaker 3: for you.

723
00:33:36,120 --> 00:33:41,560
Speaker 2: Go go go? Okay, Red and green Christmas or white Christmas.

724
00:33:42,040 --> 00:33:43,800
Speaker 2: I'm gonna go White Christmas, White Christmas.

725
00:33:44,160 --> 00:33:47,640
Speaker 3: Have yourself a merry little Christmas. Or have yourself another cocktail. Honey,

726
00:33:47,680 --> 00:33:49,520
Speaker 3: life is too short, quite frankly.

727
00:33:49,840 --> 00:33:53,080
Speaker 2: Have yourself another cocktail, honey, life is too short, quite frankly,

728
00:33:53,440 --> 00:33:55,800
Speaker 2: Oh Holy night, or girl. We've heard the song too

729
00:33:55,840 --> 00:33:58,520
Speaker 2: many times. It's a lot of screaming. I'm gonna go

730
00:33:58,640 --> 00:34:04,600
Speaker 2: Holy Night, gay sex on Christmas or gay sex on Thanksgiving,

731
00:34:04,960 --> 00:34:09,560
Speaker 2: gay sex on Thanksgiving? Three Wise Men or TLC the

732
00:34:09,640 --> 00:34:13,879
Speaker 2: band TLC the band, the band, Frankensnse or mur murr.

733
00:34:15,200 --> 00:34:18,839
Speaker 2: Do you know what that is? What is it? Problematic?

734
00:34:19,760 --> 00:34:23,040
Speaker 3: Elves are fine? Or union uprising? Now we need to

735
00:34:23,040 --> 00:34:24,040
Speaker 3: get fran on the case.

736
00:34:24,600 --> 00:34:27,319
Speaker 2: Union uprising? Now we have to pro labor. Oh, I

737
00:34:27,360 --> 00:34:29,040
Speaker 2: was like, what is the connection? But it's that elves

738
00:34:29,080 --> 00:34:32,120
Speaker 2: should unionize? Of course. Yeah, that was sort of joke.

739
00:34:32,920 --> 00:34:36,359
Speaker 3: Let us missus Claus or send a side chick who

740
00:34:36,360 --> 00:34:39,160
Speaker 3: lives somewhere down in the Greater DC area burn a debt.

741
00:34:39,480 --> 00:34:41,600
Speaker 2: Okay, see I actually I'm gonna say, missus Claus, me too.

742
00:34:42,120 --> 00:34:45,120
Speaker 2: I have to stand stream. Have you heard of Christmas?

743
00:34:45,239 --> 00:34:50,560
Speaker 2: Or soft for the consequences? Stream? Have you heard Christmas?

744
00:34:50,560 --> 00:34:51,719
Speaker 2: Do you know? I have a lot more?

745
00:34:52,200 --> 00:34:52,399
Speaker 3: Oh?

746
00:34:52,640 --> 00:34:54,600
Speaker 2: Please, I mean go and keep the.

747
00:34:54,600 --> 00:34:58,719
Speaker 3: Music going Park The Herald Angels sing or what the

748
00:34:58,760 --> 00:35:01,440
Speaker 3: Angel should be doing is taking singing lessons because these

749
00:35:01,440 --> 00:35:02,800
Speaker 3: women are tolling deaf period.

750
00:35:04,440 --> 00:35:07,520
Speaker 2: What the Angel should be doing is taking single lessons

751
00:35:07,560 --> 00:35:11,360
Speaker 2: because the angel period ex. Tina's x mus or the

752
00:35:11,480 --> 00:35:14,879
Speaker 2: legendary nut Can call the legendary next you see, I'm

753
00:35:14,880 --> 00:35:17,520
Speaker 2: gonna go with Stina's X meus for that one. Bing

754
00:35:17,600 --> 00:35:23,040
Speaker 2: Crosby or free Brittany Ooh, free Brittany. I think she's

755
00:35:23,080 --> 00:35:27,840
Speaker 2: been freed quite a bit. Frosty the Snowman or Rudolph

756
00:35:27,880 --> 00:35:32,879
Speaker 2: who's actually a big slut Frosty the Snowman. I'm I'm

757
00:35:32,920 --> 00:35:36,480
Speaker 2: always confused with Rudolph. Why are like is he an

758
00:35:36,480 --> 00:35:39,200
Speaker 2: adult or a child? Yeah? Why are all the other

759
00:35:39,280 --> 00:35:41,520
Speaker 2: Like I'm a little bit like all the other reindeer

760
00:35:41,520 --> 00:35:44,000
Speaker 2: are adults and they are actually at their job. And

761
00:35:44,040 --> 00:35:46,879
Speaker 2: then Rudolph is coming in sort of like he wants

762
00:35:46,920 --> 00:35:49,279
Speaker 2: to have it both ways. He's like, don't underestimate me

763
00:35:49,280 --> 00:35:51,279
Speaker 2: because I've ever read nose, but I'm underage.

764
00:35:51,440 --> 00:35:54,239
Speaker 1: It's also like he's that type where it's like, well,

765
00:35:54,239 --> 00:35:56,840
Speaker 1: you're not his experienced, like actually you need to calm

766
00:35:56,880 --> 00:36:00,279
Speaker 1: down exactly, put in the work, and yeah, maybe this

767
00:36:00,360 --> 00:36:02,000
Speaker 1: god given gift of this nose.

768
00:36:02,120 --> 00:36:03,640
Speaker 3: But it's like that's fucked up.

769
00:36:03,680 --> 00:36:07,000
Speaker 2: I don't like. Also the line like is he Like,

770
00:36:07,040 --> 00:36:09,080
Speaker 2: I'm like, is he gay? Is that what you said? Yeah?

771
00:36:09,200 --> 00:36:11,200
Speaker 2: Like is he gay? Like? What is They have not

772
00:36:11,360 --> 00:36:14,920
Speaker 2: actually decided for all the mythologizing about Rudolph. I'm like,

773
00:36:15,600 --> 00:36:16,920
Speaker 2: where is the docu series?

774
00:36:17,000 --> 00:36:19,760
Speaker 3: Can I stop you? It's called a metaphor. Obviously, Rudolph

775
00:36:19,840 --> 00:36:22,319
Speaker 3: is gay, he's queer, it's a queer error. Okay, but

776
00:36:22,360 --> 00:36:24,080
Speaker 3: he's also a child different.

777
00:36:24,440 --> 00:36:26,080
Speaker 2: He's gay, but he's also a child. Okay.

778
00:36:26,080 --> 00:36:33,160
Speaker 3: Pizza gates of gay kids out there, pizza gate. Yeah,

779
00:36:34,320 --> 00:36:36,359
Speaker 3: this must be stradio. You see what I'm doing.

780
00:36:36,800 --> 00:36:39,680
Speaker 2: Whatever, take that back to the DNC. I would like

781
00:36:39,719 --> 00:36:41,560
Speaker 2: to pitch a guest for you guys. Oh okay, so

782
00:36:42,000 --> 00:36:46,239
Speaker 2: you know, pizza gate or pitch a guest. Okay, So,

783
00:36:46,320 --> 00:36:48,320
Speaker 2: by the way, segment over, we can stop the music.

784
00:36:48,480 --> 00:36:52,200
Speaker 2: Oh yeah, by the way, I had one more which

785
00:36:52,239 --> 00:36:56,400
Speaker 2: I can just finish. I love that you keep like

786
00:36:58,000 --> 00:36:59,799
Speaker 2: not finishing them and then being like, I have more.

787
00:37:00,080 --> 00:37:02,239
Speaker 2: You guys are fighting, I have one more? What is it?

788
00:37:02,680 --> 00:37:04,200
Speaker 2: And it's a typo on my phone? And it made

789
00:37:04,239 --> 00:37:12,760
Speaker 2: me laugh. Oh okay, Glinda or elephant, that's Glinda Glinda.

790
00:37:13,120 --> 00:37:15,880
Speaker 1: I mean that's really good because you know, the segment

791
00:37:15,960 --> 00:37:18,680
Speaker 1: is constantly evolving and it's sort of a you know,

792
00:37:18,719 --> 00:37:21,520
Speaker 1: a metaphor for society, and I think that is such

793
00:37:21,560 --> 00:37:23,480
Speaker 1: a great direction for it to go in where it's

794
00:37:23,520 --> 00:37:25,080
Speaker 1: literally just two words.

795
00:37:25,400 --> 00:37:28,160
Speaker 2: Yeah, hmm, wait, I want to know. But the other

796
00:37:28,239 --> 00:37:30,000
Speaker 2: day we were doing our ninety second street Y with

797
00:37:30,040 --> 00:37:32,520
Speaker 2: the amazing Betty Gilpin, Yes, where we got a shout

798
00:37:32,520 --> 00:37:34,759
Speaker 2: at actually, and I would say approximately five percent of

799
00:37:34,760 --> 00:37:36,600
Speaker 2: the audience recognized the name of the part. They all did.

800
00:37:36,600 --> 00:37:40,520
Speaker 2: They were just being respectful. Okay. I think Lady Goga

801
00:37:40,560 --> 00:37:42,839
Speaker 2: would be an amazing Stradio Lab guest. I know, Yeah,

802
00:37:43,040 --> 00:37:44,680
Speaker 2: that's one of the nicest things you could say, and

803
00:37:44,760 --> 00:37:47,520
Speaker 2: it should be way better on this show than Lost Colch.

804
00:37:47,800 --> 00:37:50,360
Speaker 2: I don't know. I actually completely disagree. I think one

805
00:37:50,440 --> 00:37:53,919
Speaker 2: hundred disagree. Well, that's really rude. Now, would say, why

806
00:37:54,160 --> 00:37:57,040
Speaker 2: do you think? Well, I think take I think Joe

807
00:37:57,080 --> 00:37:59,640
Speaker 2: Calderon would absolutely crush on Stradio Lab. But I think

808
00:37:59,680 --> 00:38:00,799
Speaker 2: Lady Gaga.

809
00:38:00,640 --> 00:38:03,879
Speaker 3: She couldn't keep joke. Not again, I shouldn't doubt her.

810
00:38:04,560 --> 00:38:06,640
Speaker 1: I think I think if we were to Haply Gaga on,

811
00:38:06,800 --> 00:38:09,440
Speaker 1: Don't get me wrong, it would be insane viewing and

812
00:38:09,560 --> 00:38:11,840
Speaker 1: sort of I think the way that we wouldn't connect

813
00:38:11,840 --> 00:38:14,120
Speaker 1: would be incredible because we do this thing when we

814
00:38:14,160 --> 00:38:17,399
Speaker 1: have guests on that like don't come from our specific

815
00:38:17,560 --> 00:38:21,560
Speaker 1: New York comedy circle where we're sort of like, so, like,

816
00:38:22,080 --> 00:38:26,319
Speaker 1: what do you know about like so open mics like

817
00:38:26,560 --> 00:38:28,080
Speaker 1: we have that you've.

818
00:38:27,960 --> 00:38:29,399
Speaker 2: Been like oh my god, oh my god, oh my god.

819
00:38:29,400 --> 00:38:31,560
Speaker 1: There Mostly we just like don't know how to connect,

820
00:38:31,600 --> 00:38:33,160
Speaker 1: like we'll be like like we'll be.

821
00:38:33,120 --> 00:38:36,560
Speaker 3: Like, okay, well so singing tell us about that. That's

822
00:38:36,800 --> 00:38:40,759
Speaker 3: our I think our readers accused us of being sycophantic

823
00:38:41,000 --> 00:38:44,640
Speaker 3: when we have a that we're not having a conversation

824
00:38:44,800 --> 00:38:46,839
Speaker 3: like this where I can like see I would say

825
00:38:46,840 --> 00:38:49,160
Speaker 3: we're on the and it's like, you know, not a

826
00:38:49,160 --> 00:38:49,560
Speaker 3: big deal.

827
00:38:49,640 --> 00:38:54,160
Speaker 2: That's well, you can try. I did.

828
00:38:54,239 --> 00:38:55,480
Speaker 3: I did call her a top.

829
00:38:56,040 --> 00:39:01,399
Speaker 2: Well, I mean that's just a fact. I do think

830
00:39:01,400 --> 00:39:04,320
Speaker 2: we're on the opposite end of the spectrum where we

831
00:39:04,719 --> 00:39:07,200
Speaker 2: I mean, for so long we refuse to promote anything

832
00:39:07,239 --> 00:39:09,279
Speaker 2: that anyone was doing, and it's like, well, at that point,

833
00:39:09,280 --> 00:39:11,399
Speaker 2: you're just being rude actually right, right right, And also

834
00:39:11,520 --> 00:39:13,680
Speaker 2: you don't like to do that either though, and there's

835
00:39:13,719 --> 00:39:15,160
Speaker 2: also no subtle way to do it.

836
00:39:15,280 --> 00:39:17,920
Speaker 3: There comes a time when the podcast grows to a

837
00:39:17,920 --> 00:39:22,120
Speaker 3: certain age where suddenly you start getting I'm sure, Olivia,

838
00:39:22,200 --> 00:39:24,640
Speaker 3: you have to feel these requests and that that like,

839
00:39:24,920 --> 00:39:26,799
Speaker 3: people will be like, hey, so and so wants to

840
00:39:26,800 --> 00:39:29,319
Speaker 3: promote their thing, and the guest is so exciting who's

841
00:39:29,360 --> 00:39:31,160
Speaker 3: pitched that You're like, oh my god, of course. And

842
00:39:31,160 --> 00:39:34,640
Speaker 3: then all of a sudden, you're promoting x y Z's

843
00:39:35,040 --> 00:39:37,640
Speaker 3: book x y Z that you've had to actually read.

844
00:39:38,480 --> 00:39:41,120
Speaker 2: Oh you read the books. I read the book every

845
00:39:41,280 --> 00:39:43,760
Speaker 2: single time. Oh that's amazing. Huh.

846
00:39:43,840 --> 00:39:46,480
Speaker 3: Yeah, we can't relate to that, you.

847
00:39:46,560 --> 00:39:50,120
Speaker 2: Think, neither could I? But and yet yeah, yeah, you know,

848
00:39:50,280 --> 00:39:54,040
Speaker 2: just don't. Yeah, I mean, but to have on, I

849
00:39:54,080 --> 00:39:57,080
Speaker 2: mean I'm trying to think, like, to promote, to promote

850
00:39:57,360 --> 00:40:01,400
Speaker 2: justice for.

851
00:40:00,719 --> 00:40:05,719
Speaker 3: Yeah, yeah, I think again. Mistake not having her on,

852
00:40:05,880 --> 00:40:07,600
Speaker 3: because then the topic could be joker that.

853
00:40:07,600 --> 00:40:10,040
Speaker 2: Is, yes, well I do think actually her promoting that

854
00:40:10,080 --> 00:40:11,480
Speaker 2: would be a great opportunity for her.

855
00:40:11,560 --> 00:40:14,440
Speaker 1: Well when she's yeah her like fucked up mind era, Like,

856
00:40:14,480 --> 00:40:16,040
Speaker 1: I think that will be really amazing.

857
00:40:16,160 --> 00:40:20,680
Speaker 2: She's like smoking crack on the podcast. Yes, that was like, sorry,

858
00:40:20,719 --> 00:40:23,160
Speaker 2: I'm stelling character, and then she knipes us in the heart.

859
00:40:23,400 --> 00:40:25,920
Speaker 3: What I loved was her performance on the Oscars, which

860
00:40:25,960 --> 00:40:28,120
Speaker 3: she had canceled because she was too like, I guess

861
00:40:28,120 --> 00:40:30,839
Speaker 3: fucked up from Joker and then she decided to do

862
00:40:30,920 --> 00:40:33,600
Speaker 3: it and it was so clear that it was already

863
00:40:33,640 --> 00:40:34,760
Speaker 3: press for Joker folio.

864
00:40:35,920 --> 00:40:39,920
Speaker 2: I just wrote this one and it means a lot

865
00:40:39,960 --> 00:40:40,160
Speaker 2: to me.

866
00:40:41,120 --> 00:40:42,879
Speaker 3: And then she did that song from Top Guns.

867
00:40:42,920 --> 00:40:44,719
Speaker 2: She's also wearing a head to toe car heart and

868
00:40:44,760 --> 00:40:46,280
Speaker 2: literally like driving a tractor.

869
00:40:46,760 --> 00:40:50,000
Speaker 1: No, she was dressed in Jacqueline Novak drag.

870
00:40:50,080 --> 00:40:52,920
Speaker 2: Well, that's yeah. It was just like so aggressively casual

871
00:40:53,440 --> 00:40:54,960
Speaker 2: it was. She was dressed in Jaqueline.

872
00:40:55,239 --> 00:40:57,320
Speaker 1: It was so funny too, because it's like I'm being normal,

873
00:40:57,320 --> 00:40:59,400
Speaker 1: but it's like the shirt literally has like creases in it,

874
00:40:59,400 --> 00:41:01,680
Speaker 1: like it was just out of a package. It's just

875
00:41:01,719 --> 00:41:03,319
Speaker 1: like You've never worn these clothes.

876
00:41:03,040 --> 00:41:03,640
Speaker 2: In your life.

877
00:41:03,680 --> 00:41:05,920
Speaker 3: And then it was like clearly the best thing of

878
00:41:05,960 --> 00:41:06,600
Speaker 3: the whole night.

879
00:41:07,239 --> 00:41:08,000
Speaker 2: Say for Billy.

880
00:41:08,160 --> 00:41:12,920
Speaker 3: We love Billy Billie Eilish, Oh, yes, I know her. Yeah,

881
00:41:13,080 --> 00:41:15,600
Speaker 3: she makes music. She certainly does with her brother.

882
00:41:15,840 --> 00:41:17,799
Speaker 2: Now, this is an interesting question. Would she be better

883
00:41:17,840 --> 00:41:22,960
Speaker 2: on cult or or our podcast? Billie Eilish, Me, Billie Eilish,

884
00:41:23,000 --> 00:41:25,280
Speaker 2: what do you think? Oh, Billy Eilish. I love Billy Eilish.

885
00:41:25,360 --> 00:41:28,600
Speaker 2: Actually would she be better on last Culture? I think

886
00:41:28,640 --> 00:41:31,840
Speaker 2: she'd be better on our show. Actually, sorry, I agree,

887
00:41:31,920 --> 00:41:33,520
Speaker 2: Well what do you think?

888
00:41:33,800 --> 00:41:33,880
Speaker 1: No?

889
00:41:33,960 --> 00:41:36,720
Speaker 2: I agree because I actually don't think she would get

890
00:41:36,960 --> 00:41:40,000
Speaker 2: the joke of straight culture. Really yeah, I think she'd

891
00:41:40,000 --> 00:41:41,719
Speaker 2: be like, what do you mean? No, I think you

892
00:41:41,760 --> 00:41:42,000
Speaker 2: know what.

893
00:41:42,040 --> 00:41:45,520
Speaker 3: To be honest with you, I think gen z by

894
00:41:45,600 --> 00:41:49,279
Speaker 3: and Large would appreciate this show more. I think that

895
00:41:51,360 --> 00:41:54,399
Speaker 3: I think Ilish would like our show. I agree because yeah,

896
00:41:54,480 --> 00:41:56,759
Speaker 3: I don't know. I think the sense that Billie Eilish

897
00:41:57,120 --> 00:41:59,919
Speaker 3: might be a bow and Yang fan oh might.

898
00:41:59,840 --> 00:42:03,279
Speaker 2: Be signing for her. Sure, sure, sure, I do sort

899
00:42:03,280 --> 00:42:06,439
Speaker 2: of think Lord would get the straight culture joke.

900
00:42:06,719 --> 00:42:09,759
Speaker 3: Lord would actually put her number one guest. That's what

901
00:42:09,800 --> 00:42:12,160
Speaker 3: I want. Yeah, here's who do great on Stradio lab

902
00:42:12,280 --> 00:42:19,680
Speaker 3: Lord Gaga? Yeah, Solange, Well, I mean Solange would be

903
00:42:19,760 --> 00:42:21,879
Speaker 3: literally number one. Guess she would come over the list

904
00:42:21,920 --> 00:42:22,560
Speaker 3: of topics.

905
00:42:23,000 --> 00:42:24,719
Speaker 2: Yeah, she'd be like.

906
00:42:24,719 --> 00:42:25,719
Speaker 3: She would burn this down.

907
00:42:25,840 --> 00:42:29,400
Speaker 2: Yeah yeah, yeah, there'd be a whole PhD on it. Yeah.

908
00:42:29,520 --> 00:42:31,120
Speaker 2: I'm like, she used to live in New Orleans. I

909
00:42:31,120 --> 00:42:32,839
Speaker 2: feel like her topic would be Marti Grass and she'd

910
00:42:32,840 --> 00:42:35,040
Speaker 2: be like talking about all the tourists coming to town

911
00:42:35,040 --> 00:42:35,640
Speaker 2: from Mardi Gras.

912
00:42:35,719 --> 00:42:38,600
Speaker 3: I think Sissa would be amazing on this show. Yes,

913
00:42:39,160 --> 00:42:40,880
Speaker 3: here's what I think would be great on last Culture

914
00:42:42,080 --> 00:42:48,560
Speaker 3: Taylor Swift. Well, yeah, Cardi B Yeah, sure, I think

915
00:42:48,600 --> 00:42:51,759
Speaker 3: Beyonce would be amazing at saying thank you to what

916
00:42:51,800 --> 00:42:53,320
Speaker 3: we say to her the entire episode.

917
00:42:53,320 --> 00:42:55,520
Speaker 2: Well, she would also have a team of writers come

918
00:42:55,600 --> 00:42:58,520
Speaker 2: up with her perfect topic, her perfect like moment that

919
00:42:58,560 --> 00:43:01,600
Speaker 2: said culture is for meulture that said cultures, and it

920
00:43:01,640 --> 00:43:04,839
Speaker 2: would be like really sort of unexpected. I'm trying to think,

921
00:43:04,880 --> 00:43:07,239
Speaker 2: what do you think her culture that said cultures for

922
00:43:07,280 --> 00:43:09,799
Speaker 2: me would be? It would be like learning from women

923
00:43:09,840 --> 00:43:12,920
Speaker 2: in my life. Yeah, and that.

924
00:43:12,880 --> 00:43:15,839
Speaker 3: Would be something that went through like the whole team

925
00:43:15,880 --> 00:43:17,720
Speaker 3: and they were like, well, you know, like you should

926
00:43:17,719 --> 00:43:20,680
Speaker 3: say a it's true and be it would can It

927
00:43:20,680 --> 00:43:23,560
Speaker 3: would actually probably is something she could speak to.

928
00:43:23,960 --> 00:43:26,440
Speaker 2: She would also, I will say this about her, she

929
00:43:26,520 --> 00:43:30,280
Speaker 2: would say one self deprecating joke about House of Darion

930
00:43:30,800 --> 00:43:32,880
Speaker 2: that the team of writers wrote for her, and that

931
00:43:32,920 --> 00:43:35,320
Speaker 2: would be the viral moment. You know who would do

932
00:43:35,360 --> 00:43:41,560
Speaker 2: great on both podcasts Arianna? Yeah, Tea, and that's amazing.

933
00:43:41,680 --> 00:43:44,880
Speaker 3: She crushed both podcasts, and she'd I bet she would

934
00:43:46,320 --> 00:43:47,880
Speaker 3: cement her status.

935
00:43:48,000 --> 00:43:51,040
Speaker 2: As a legend. Yes, yes, absolutely.

936
00:43:51,000 --> 00:43:53,040
Speaker 1: You know it would be so good it's so cruel

937
00:43:53,520 --> 00:43:59,359
Speaker 1: our world that this this woman Aria Le Grande has

938
00:43:59,400 --> 00:44:02,359
Speaker 1: to constantly be cementing her status as a legend. At

939
00:44:02,400 --> 00:44:05,040
Speaker 1: what point is it just some When does that cement dry?

940
00:44:05,200 --> 00:44:07,560
Speaker 2: When do we just accept it? Because it's like, wait,

941
00:44:07,600 --> 00:44:10,480
Speaker 2: when does that cement dry? Is an incredible thing to say,

942
00:44:11,200 --> 00:44:14,480
Speaker 2: you are, you are being like fully you know Jonathan

943
00:44:14,520 --> 00:44:15,600
Speaker 2: friends and right now.

944
00:44:15,480 --> 00:44:18,160
Speaker 1: Well, it's just like she's done so much in such

945
00:44:18,160 --> 00:44:21,080
Speaker 1: a short amount of time and changed the conversation globally

946
00:44:21,320 --> 00:44:23,479
Speaker 1: over and over again. That's true, and yet we're still

947
00:44:23,480 --> 00:44:24,880
Speaker 1: like and when is she gonna cement?

948
00:44:25,000 --> 00:44:29,880
Speaker 3: It's I recently looked at like whatever, like because I

949
00:44:29,920 --> 00:44:31,759
Speaker 3: have like an artist page on Spotify now so you

950
00:44:31,760 --> 00:44:33,640
Speaker 3: can see like your monthly listeners, and I was like,

951
00:44:33,840 --> 00:44:36,680
Speaker 3: I wonder who of the girls has the most monthly listeners?

952
00:44:37,000 --> 00:44:38,600
Speaker 3: And obviously it's Taylor.

953
00:44:39,320 --> 00:44:39,799
Speaker 2: Did you know.

954
00:44:39,760 --> 00:44:44,759
Speaker 3: Ariana has more monthly listeners than Beyonce? And I was like,

955
00:44:44,800 --> 00:44:47,400
Speaker 3: I thought, I think it's weird because Ariana hasn't released

956
00:44:47,680 --> 00:44:49,879
Speaker 3: music or had like a musical moment in a long

957
00:44:49,920 --> 00:44:53,759
Speaker 3: time yet Beyonce's coming off the Renaissance World tour. But

958
00:44:53,800 --> 00:44:56,319
Speaker 3: then I think that sometimes we forget just how much

959
00:44:57,000 --> 00:45:00,200
Speaker 3: how many pop hits Arianna has.

960
00:44:59,719 --> 00:45:05,279
Speaker 2: Su Ariana is like Ariana actually can be fully Bachelorett

961
00:45:05,320 --> 00:45:15,520
Speaker 2: party like beautiful. Yeah, yes, that's yeah, yes, sorry, it

962
00:45:15,560 --> 00:45:19,160
Speaker 2: didn't mean no, no, gonna say something send the only point. No,

963
00:45:19,200 --> 00:45:21,279
Speaker 2: it was not incendire. I do think people have not

964
00:45:21,440 --> 00:45:23,080
Speaker 2: we haven't fully grappled with the fact that I'm a

965
00:45:23,160 --> 00:45:28,200
Speaker 2: huge I'm a declared renaissance stan Yeah, but renaissance is

966
00:45:28,239 --> 00:45:31,200
Speaker 2: like Beyonce is fully INDI era, Like what she's doing

967
00:45:31,239 --> 00:45:34,440
Speaker 2: in renaissance is like no longer top forty.

968
00:45:34,760 --> 00:45:37,799
Speaker 3: No, she doesn't try anymore at pop diva. Yeah, I

969
00:45:37,840 --> 00:45:40,279
Speaker 3: think that that actually stopped a very long time ago.

970
00:45:40,640 --> 00:45:42,480
Speaker 2: I guess that's true. Yeah, Like.

971
00:45:43,920 --> 00:45:46,000
Speaker 3: I kind of love the fact that she doesn't give up.

972
00:45:46,239 --> 00:45:48,640
Speaker 2: I do too, But I'm saying it sort of makes

973
00:45:48,680 --> 00:45:51,840
Speaker 2: sense that she has in terms of just purely numbers

974
00:45:51,840 --> 00:45:55,200
Speaker 2: fallen off because she's become more of a sophisticated.

975
00:45:54,760 --> 00:45:59,320
Speaker 3: Yeah, Solange's influence, you know what I is. Whenever anyone's

976
00:45:59,360 --> 00:46:01,960
Speaker 3: like what was better, Like let's let's compare, they ask

977
00:46:02,040 --> 00:46:04,680
Speaker 3: that annoying question of like what was better Aras Tour

978
00:46:04,920 --> 00:46:07,840
Speaker 3: or Renaissance and I'm like, it's so different because A,

979
00:46:08,080 --> 00:46:12,400
Speaker 3: it's like, Beyonce is a performer and an artist and

980
00:46:12,400 --> 00:46:14,560
Speaker 3: Taylor Swift is like a pop star and an artist,

981
00:46:14,640 --> 00:46:16,839
Speaker 3: and so she's doing her thing, and like, but what's

982
00:46:16,880 --> 00:46:19,879
Speaker 3: different really about the Era's Tour and the Renaissance World

983
00:46:19,880 --> 00:46:24,359
Speaker 3: Tour is Taylor is collectively performing her entire career and

984
00:46:24,360 --> 00:46:28,160
Speaker 3: Beyonce is doing her Renaissance album plus some other stuff.

985
00:46:28,440 --> 00:46:31,440
Speaker 3: Beyonce is not saying, here's my life's work here. It

986
00:46:31,480 --> 00:46:35,000
Speaker 3: is cumulatively, I'm not there yet, whereas Taylor is kind

987
00:46:35,040 --> 00:46:37,799
Speaker 3: of saying, here's everything I've ever done.

988
00:46:37,800 --> 00:46:39,839
Speaker 2: There's not gonna be an Era's Tour Part two.

989
00:46:42,520 --> 00:46:44,680
Speaker 3: I mean, but what I'm saying is like she is

990
00:46:44,719 --> 00:46:46,960
Speaker 3: not She's looking back in a way that Beyonce is

991
00:46:47,000 --> 00:46:50,680
Speaker 3: like not, And so in that regard, like it's totally different. Yes,

992
00:46:51,360 --> 00:46:53,799
Speaker 3: this is a this is like a collective thing for Taylor,

993
00:46:53,840 --> 00:46:57,759
Speaker 3: whereas like, this is a chapter for Beyonce. And I'm saying, I.

994
00:46:57,760 --> 00:47:00,239
Speaker 2: Do know what you're saying. It's almost like Taylor Shift

995
00:47:00,320 --> 00:47:02,680
Speaker 2: is looking back and Beyonce's looking forward. And you could

996
00:47:02,760 --> 00:47:07,480
Speaker 2: even translate that to Taylor's conservative, a conservative and Beyonce's

997
00:47:07,480 --> 00:47:13,480
Speaker 2: progressive right now, we were to say something that's that

998
00:47:13,600 --> 00:47:16,600
Speaker 2: is I guess what my point would be. But just

999
00:47:16,680 --> 00:47:21,000
Speaker 2: extrapolating what you were saying that said, I love what's

1000
00:47:21,040 --> 00:47:25,160
Speaker 2: the album? I like where she like wraps? Oh reputation, reputation,

1001
00:47:25,480 --> 00:47:30,680
Speaker 2: Oh yeah, of course that you describe reputation from a

1002
00:47:30,800 --> 00:47:33,640
Speaker 2: reputation is Taylor being like wearing one of those like

1003
00:47:34,000 --> 00:47:37,799
Speaker 2: ed Hardy sleep full sleeve tattoo shirts and being like,

1004
00:47:37,880 --> 00:47:38,680
Speaker 2: I'm punk rock.

1005
00:47:39,840 --> 00:47:42,000
Speaker 3: What you're saying, it's so funny. You're not gonna be

1006
00:47:42,000 --> 00:47:44,239
Speaker 3: able to make out with any Swifties anymore after this.

1007
00:47:44,480 --> 00:47:47,360
Speaker 1: And they love to kiss. No, they forget, they forgive

1008
00:47:47,480 --> 00:47:50,160
Speaker 1: so quickly. That's actually it's actually messed up. They need

1009
00:47:50,200 --> 00:47:51,480
Speaker 1: to have more of a backbone.

1010
00:47:51,640 --> 00:47:55,319
Speaker 3: Think about Beyonce potentially performing at the sphere, is that

1011
00:47:55,400 --> 00:47:55,719
Speaker 3: a thing?

1012
00:47:56,360 --> 00:47:58,160
Speaker 2: Tell you something you have to I mean, Beyonce has

1013
00:47:58,200 --> 00:48:03,400
Speaker 2: literally performed like in like Dubai for a collection of

1014
00:48:03,440 --> 00:48:05,960
Speaker 2: all War Criminals, Like you have to just accept that

1015
00:48:05,960 --> 00:48:06,799
Speaker 2: that's what's going on.

1016
00:48:07,120 --> 00:48:09,040
Speaker 3: Well, I have accepted it.

1017
00:48:09,120 --> 00:48:09,680
Speaker 2: I love it.

1018
00:48:09,719 --> 00:48:11,960
Speaker 1: I mean it makes me stand her more like I'm like, well,

1019
00:48:12,000 --> 00:48:15,279
Speaker 1: I don't know, there's something where I'm like, you know

1020
00:48:15,480 --> 00:48:20,280
Speaker 1: you are flawed two and yeah, it's so beautiful. Yeah,

1021
00:48:20,400 --> 00:48:22,680
Speaker 1: I mean the sphere. The promise of the sphere is

1022
00:48:23,040 --> 00:48:25,760
Speaker 1: I can't tell if it actually lives up to anything.

1023
00:48:25,440 --> 00:48:27,200
Speaker 2: Or if it's just a gimmick, But either way, I'm

1024
00:48:27,239 --> 00:48:27,640
Speaker 2: kind of in.

1025
00:48:27,880 --> 00:48:31,520
Speaker 3: I think we have to go, yeah, to understand what

1026
00:48:31,880 --> 00:48:34,680
Speaker 3: really is happening, and I think we'll like what we

1027
00:48:34,760 --> 00:48:38,400
Speaker 3: see because that's what's designed to be. To be enjoyable.

1028
00:48:38,440 --> 00:48:41,279
Speaker 2: Thing about things in Vegas, which I actually said before

1029
00:48:41,280 --> 00:48:42,600
Speaker 2: we even got on here, I'm like, should we do

1030
00:48:42,640 --> 00:48:45,799
Speaker 2: the topic that was one of your topic options? And

1031
00:48:45,840 --> 00:48:47,560
Speaker 2: you know, I'll tell you I've never been to Vegas.

1032
00:48:47,560 --> 00:48:51,200
Speaker 3: Oh Jesus, I actually the three of us will all fuck.

1033
00:48:51,320 --> 00:48:54,960
Speaker 3: I promise you. If you don't think you're gonna fuck

1034
00:48:55,000 --> 00:48:57,200
Speaker 3: your friends in Vegas, I have news for you.

1035
00:48:57,560 --> 00:49:00,200
Speaker 2: Oh. Well, to be clear, I would. I would be

1036
00:49:00,239 --> 00:49:02,279
Speaker 2: so scared of all the other humans around me that

1037
00:49:02,320 --> 00:49:03,719
Speaker 2: I would. I would be like it would be a

1038
00:49:03,719 --> 00:49:05,279
Speaker 2: trauma response that I'd be like, well, I have to

1039
00:49:05,320 --> 00:49:06,400
Speaker 2: fuck my friend.

1040
00:49:07,080 --> 00:49:10,239
Speaker 3: You'd be so frightened. The things that happen in like Piranha,

1041
00:49:10,320 --> 00:49:11,839
Speaker 3: which is the one gay bar there off.

1042
00:49:11,719 --> 00:49:13,279
Speaker 2: There you've been to Vegas. No, I've never been.

1043
00:49:13,440 --> 00:49:16,440
Speaker 3: Oh my god, you guy, fear we all have to.

1044
00:49:16,440 --> 00:49:18,560
Speaker 2: Go to me. Vegas is like you're walking down the

1045
00:49:18,560 --> 00:49:21,560
Speaker 2: street and you see a woman fully get run over

1046
00:49:21,600 --> 00:49:22,840
Speaker 2: by a car and you just have to be like,

1047
00:49:22,920 --> 00:49:23,839
Speaker 2: keep walking, keep walking.

1048
00:49:23,880 --> 00:49:26,880
Speaker 1: Yeah, if you go buy like a fifty dollars Hamburger, like,

1049
00:49:27,120 --> 00:49:28,000
Speaker 1: that's Vegas to me.

1050
00:49:29,360 --> 00:49:31,160
Speaker 3: Yeah, that's why I'm saying, let's go.

1051
00:49:32,640 --> 00:49:35,720
Speaker 1: Okay, wait, so the topic that you did up bring yeah,

1052
00:49:36,080 --> 00:49:37,040
Speaker 1: is actually Santa.

1053
00:49:37,160 --> 00:49:39,680
Speaker 3: Yeah, I'm looking at him. I'm looking at the young

1054
00:49:39,719 --> 00:49:42,120
Speaker 3: hot version. Oh my god, I bet Santa looked a

1055
00:49:42,120 --> 00:49:42,920
Speaker 3: lot like you right now.

1056
00:49:43,000 --> 00:49:44,600
Speaker 2: You know, I actually think that's true.

1057
00:49:45,320 --> 00:49:49,360
Speaker 3: So what's straight about Santa to you? The fixation on

1058
00:49:49,600 --> 00:49:54,040
Speaker 3: him just because we're told, like, first of all, can

1059
00:49:54,080 --> 00:49:58,240
Speaker 3: I say something? Yeah, he makes no effort to self improve.

1060
00:49:59,200 --> 00:50:01,520
Speaker 2: WHOA, what do you for that? I know? More?

1061
00:50:02,719 --> 00:50:05,799
Speaker 3: I just feel like this is a guy who here's

1062
00:50:05,840 --> 00:50:09,920
Speaker 3: my biggest problem with Santa. Okay, the erasure of missus

1063
00:50:09,920 --> 00:50:13,560
Speaker 3: Claus Well we yes, of course, I mean yeah, okay,

1064
00:50:13,560 --> 00:50:15,719
Speaker 3: so yes, and that way he's not good to his wife.

1065
00:50:15,760 --> 00:50:16,840
Speaker 3: You never see her.

1066
00:50:16,920 --> 00:50:18,839
Speaker 2: You don't and you know what this is actually I

1067
00:50:18,840 --> 00:50:20,960
Speaker 2: think this is something that's very straight about Santa. It

1068
00:50:21,080 --> 00:50:24,880
Speaker 2: is a classic male genius narrative. It's like there is

1069
00:50:25,000 --> 00:50:28,960
Speaker 2: one Santa He. I mean, he is the you know

1070
00:50:28,960 --> 00:50:32,160
Speaker 2: who's a famous male genius that we were romanticize. He's

1071
00:50:32,200 --> 00:50:33,080
Speaker 2: the Thomas Edison.

1072
00:50:33,200 --> 00:50:35,439
Speaker 3: So, by the way, tested on animals, and people don't

1073
00:50:35,440 --> 00:50:36,920
Speaker 3: talk about that. No one's talking about that.

1074
00:50:37,160 --> 00:50:40,880
Speaker 2: No, it was a psychopath. Yeah, okay, dig him up

1075
00:50:40,920 --> 00:50:43,760
Speaker 2: and shame him. Okay. I mean, I'm happy we have lights.

1076
00:50:43,960 --> 00:50:46,279
Speaker 2: This cancel culture it has gone too far.

1077
00:50:47,960 --> 00:50:50,480
Speaker 3: If we canceled Thomas, If we canceled Thomas Edison and

1078
00:50:50,520 --> 00:50:52,239
Speaker 3: people were like, I'm actually not turning on the lights

1079
00:50:52,239 --> 00:50:54,480
Speaker 3: in my house because Thomas Edison used to test on animals.

1080
00:50:54,520 --> 00:50:55,480
Speaker 2: No I'm doing I'm doing.

1081
00:50:55,920 --> 00:50:58,440
Speaker 1: I'm acknowledging whenever I turn the light the animals that

1082
00:50:58,440 --> 00:51:02,319
Speaker 1: suffered under his hand. I do want to say, I

1083
00:51:02,360 --> 00:51:06,920
Speaker 1: think missus Claus and mister Clause have you know, I

1084
00:51:06,920 --> 00:51:09,440
Speaker 1: think they're just not codependent. I think what they do

1085
00:51:09,960 --> 00:51:12,399
Speaker 1: is so tasteful where they have like private life most

1086
00:51:12,440 --> 00:51:15,759
Speaker 1: of the time and then come Christmas, you know, yes

1087
00:51:15,800 --> 00:51:18,200
Speaker 1: he does his job, and yes there's a performance to it.

1088
00:51:18,239 --> 00:51:21,120
Speaker 1: Of course, but you know it's selfless.

1089
00:51:21,160 --> 00:51:25,080
Speaker 3: Still, I want to reveal that, like missus Claus is

1090
00:51:25,080 --> 00:51:30,560
Speaker 3: like Erica Jane, like a young performer. Sure young snatch

1091
00:51:30,600 --> 00:51:33,040
Speaker 3: shows up at events when she has to and like

1092
00:51:33,160 --> 00:51:36,040
Speaker 3: has like a huge budget for her dance pop career.

1093
00:51:36,560 --> 00:51:37,520
Speaker 2: That would be amazing.

1094
00:51:37,800 --> 00:51:40,399
Speaker 3: Yeah, dude, I don't think that's true. I think that's

1095
00:51:40,400 --> 00:51:45,719
Speaker 3: probably an old and well hopefully an older woman. I

1096
00:51:45,760 --> 00:51:49,040
Speaker 3: feel like, you know, to hear that he was dating

1097
00:51:49,080 --> 00:51:52,560
Speaker 3: someone much younger, I would hate to hear that Santa

1098
00:51:52,640 --> 00:51:53,280
Speaker 3: was a groomer.

1099
00:51:54,200 --> 00:51:56,839
Speaker 2: I would to start that conversation. I sort of think

1100
00:51:56,840 --> 00:51:58,760
Speaker 2: it's even worse. I think there's a sort of Leonardo

1101
00:51:58,800 --> 00:52:02,200
Speaker 2: DiCaprio's situation happening where missus Clause in fact, is not

1102
00:52:02,280 --> 00:52:04,719
Speaker 2: one person, but she's being changed out every five years

1103
00:52:04,880 --> 00:52:07,080
Speaker 2: that she doesn't have a public enough profile for anyone

1104
00:52:07,080 --> 00:52:07,480
Speaker 2: to notice.

1105
00:52:08,640 --> 00:52:10,920
Speaker 3: It's like, what if there's like fifteen missus Clauses. Yes,

1106
00:52:11,760 --> 00:52:17,160
Speaker 3: oh my god, that's another horrifying thought. There's been Yeah,

1107
00:52:17,160 --> 00:52:24,320
Speaker 3: there's actually three missus Clauses. Holly matt is her name, Holly,

1108
00:52:24,800 --> 00:52:26,719
Speaker 3: Jolly Jolly.

1109
00:52:26,440 --> 00:52:30,600
Speaker 2: And Chloe Wait, what are their name? Bridget?

1110
00:52:31,040 --> 00:52:35,319
Speaker 3: Holly Bridget Kendra Kendra that I love that. I love

1111
00:52:35,360 --> 00:52:38,560
Speaker 3: thinking about three young missus clauses. Oh my god, and

1112
00:52:38,600 --> 00:52:39,759
Speaker 3: they actually have the Playboy.

1113
00:52:39,440 --> 00:52:43,279
Speaker 2: Play Oh I love Actually that is so is I love?

1114
00:52:43,400 --> 00:52:46,040
Speaker 2: I love love. Actually, Laurel Annie's a treasure. I do

1115
00:52:46,160 --> 00:52:48,880
Speaker 2: actually think that sort of ties it all together. Santa

1116
00:52:49,040 --> 00:52:51,880
Speaker 2: is a Hugh Hefner figure, and he has three Missus clauses,

1117
00:52:52,120 --> 00:52:54,359
Speaker 2: and in approximately two hundred and fifty years, they will

1118
00:52:54,400 --> 00:52:56,279
Speaker 2: finally be ready to tell their story, much like the

1119
00:52:56,320 --> 00:53:00,520
Speaker 2: three playmates did.

1120
00:53:06,920 --> 00:53:09,319
Speaker 3: One thing about Santa too, is like you describe miss

1121
00:53:09,440 --> 00:53:14,240
Speaker 3: Leonardo DiCaprio type. At least Santa is not polluting because.

1122
00:53:15,239 --> 00:53:21,240
Speaker 2: Well is len about the environment and is on yachts

1123
00:53:21,239 --> 00:53:23,759
Speaker 2: and you have to imagine private planes. Do you think

1124
00:53:23,760 --> 00:53:26,680
Speaker 2: he flies commercial? I don't think so, honey.

1125
00:53:26,880 --> 00:53:27,080
Speaker 3: Yeah.

1126
00:53:27,080 --> 00:53:29,960
Speaker 1: I would have seen a photo of him sleeping in

1127
00:53:30,000 --> 00:53:32,360
Speaker 1: the first class section exactly.

1128
00:53:32,719 --> 00:53:34,560
Speaker 2: We would have seen people be posting like, oh my god,

1129
00:53:34,640 --> 00:53:40,320
Speaker 2: Leo's on my flight. I'm sleeping next to Leoh okay,

1130
00:53:40,360 --> 00:53:42,080
Speaker 2: so hey fies private? What I mean?

1131
00:53:42,120 --> 00:53:44,120
Speaker 1: I would break my silence on Instagram. I was sleeping

1132
00:53:44,120 --> 00:53:45,440
Speaker 1: next to Leo on the plane.

1133
00:53:45,200 --> 00:53:48,279
Speaker 3: I recently took a flight and next to me was

1134
00:53:48,520 --> 00:53:50,520
Speaker 3: what I can only describe as an oscar winning a

1135
00:53:50,600 --> 00:53:55,240
Speaker 3: list celebrity, and I couldn't believe that that was happening.

1136
00:53:55,280 --> 00:53:56,680
Speaker 3: But then I was like, yeah, I mean, this person

1137
00:53:56,719 --> 00:53:59,000
Speaker 3: isn't famous enough to like do a private plane situation,

1138
00:53:59,120 --> 00:54:04,440
Speaker 3: but him or her and like iconically him like in

1139
00:54:04,480 --> 00:54:06,600
Speaker 3: a bad Was it like an exciting one or was

1140
00:54:06,640 --> 00:54:07,720
Speaker 3: it like a it.

1141
00:54:07,600 --> 00:54:09,279
Speaker 2: Was a notable one? And what?

1142
00:54:09,880 --> 00:54:14,239
Speaker 3: And I will say, no, I can't. I've hinted so much, okay,

1143
00:54:14,719 --> 00:54:15,839
Speaker 3: And I will tell you off air.

1144
00:54:15,880 --> 00:54:18,440
Speaker 2: And it's so funny what they were coming to the

1145
00:54:18,480 --> 00:54:20,920
Speaker 2: place we were coming to to do. Well, we had

1146
00:54:20,920 --> 00:54:22,880
Speaker 2: a story like that where we were Wait, were we

1147
00:54:22,920 --> 00:54:24,359
Speaker 2: on the same flight when this happened? When I saw

1148
00:54:24,360 --> 00:54:27,840
Speaker 2: Michael Imperioi, it was just my flight. So I was

1149
00:54:27,840 --> 00:54:30,720
Speaker 2: on a flight to Minneapolis and mikel Impioi and another

1150
00:54:30,760 --> 00:54:32,880
Speaker 2: guy from the Sopranos were on it, and I this

1151
00:54:32,960 --> 00:54:34,319
Speaker 2: is during the strike. And I looked up and I

1152
00:54:34,360 --> 00:54:35,960
Speaker 2: was like, well, surely if they're traveling together, they're doing

1153
00:54:36,000 --> 00:54:38,000
Speaker 2: some sort of Sopranos event. I looked up. They were

1154
00:54:38,000 --> 00:54:40,440
Speaker 2: doing like a Sopranos fan event at like a casino

1155
00:54:40,560 --> 00:54:44,479
Speaker 2: in Minneapolis, and I was like, that makes me feel

1156
00:54:44,520 --> 00:54:47,359
Speaker 2: better about everything, like or also worse. I don't know.

1157
00:54:47,480 --> 00:54:48,839
Speaker 1: I think it made me feel a little bit worse

1158
00:54:48,840 --> 00:54:52,920
Speaker 1: because this never ends. Yeah, it can be on one

1159
00:54:52,960 --> 00:54:54,480
Speaker 1: of the greatest shows of all time and be like

1160
00:54:54,520 --> 00:54:57,280
Speaker 1: and now I have to fly to Minneapolis to a casino.

1161
00:54:56,920 --> 00:54:59,000
Speaker 3: To get to say what it was. I was sitting

1162
00:54:59,000 --> 00:55:01,240
Speaker 3: next to Jared Lido on a plane. He was flying

1163
00:55:01,239 --> 00:55:02,920
Speaker 3: to New York to climb the Empire State Belt there.

1164
00:55:03,000 --> 00:55:06,279
Speaker 2: Oh, oh my god, there you go. That's what it is. There.

1165
00:55:06,400 --> 00:55:08,759
Speaker 2: Can I ask you a question? Why were you afraid

1166
00:55:08,800 --> 00:55:09,239
Speaker 2: of saying that?

1167
00:55:09,400 --> 00:55:12,839
Speaker 3: Yeah, someone who lives I felt like someone who like

1168
00:55:12,960 --> 00:55:15,680
Speaker 3: is just traveling on a plane, like shouldn't necessarily have

1169
00:55:15,719 --> 00:55:17,640
Speaker 3: their spot blown up about Like, oh.

1170
00:55:17,520 --> 00:55:19,440
Speaker 2: Sure, what I'm saying. At this point, we know he

1171
00:55:19,680 --> 00:55:20,919
Speaker 2: came to New York, but.

1172
00:55:20,880 --> 00:55:23,640
Speaker 3: It's just so funny that he he ultimately came to

1173
00:55:23,680 --> 00:55:25,600
Speaker 3: do that. I feel like I have to share. I

1174
00:55:25,600 --> 00:55:27,360
Speaker 3: sat next to Jared Leedo on a plane.

1175
00:55:27,600 --> 00:55:28,240
Speaker 2: I sneezed.

1176
00:55:28,280 --> 00:55:31,800
Speaker 3: He said gazunta, oh no, yeah, and I was like, okay,

1177
00:55:31,840 --> 00:55:34,080
Speaker 3: and his energy was very Jared Lito, you know what

1178
00:55:34,120 --> 00:55:36,520
Speaker 3: I mean, Like it was or Letto. It's just very

1179
00:55:36,600 --> 00:55:39,640
Speaker 3: like it was. He was really walking in his truth.

1180
00:55:39,880 --> 00:55:43,360
Speaker 3: His hair was eighteen feet long. Yes, he came on

1181
00:55:43,400 --> 00:55:47,200
Speaker 3: the plane last like he he had like an intense energy.

1182
00:55:47,880 --> 00:55:50,439
Speaker 3: And when I sneeze, he said, gazunta. I turned around

1183
00:55:50,480 --> 00:55:52,920
Speaker 3: looking in his eyes. It's Jared Letto. He sees me

1184
00:55:52,960 --> 00:55:56,160
Speaker 3: recognize him. He said, how you doing? And I was like, good,

1185
00:55:56,640 --> 00:55:57,160
Speaker 3: I'm a fan.

1186
00:55:57,360 --> 00:55:58,440
Speaker 2: And then I looked out the window.

1187
00:55:58,800 --> 00:56:00,360
Speaker 3: Next thing I know, he was on top of the

1188
00:56:00,360 --> 00:56:02,400
Speaker 3: Empire State Building because he climbed it.

1189
00:56:02,800 --> 00:56:05,800
Speaker 2: Yeah, that's because he climbed.

1190
00:56:06,239 --> 00:56:08,480
Speaker 1: That whole narrative was confusing to me because I was

1191
00:56:08,520 --> 00:56:10,879
Speaker 1: sort of like, why is this happening again?

1192
00:56:11,239 --> 00:56:13,920
Speaker 2: Because there was a reason, right, like didn't he do it?

1193
00:56:14,160 --> 00:56:16,840
Speaker 2: I don't know that there was Sam the way and

1194
00:56:16,880 --> 00:56:20,200
Speaker 2: where were we flying from? By the way? Vegas? Oh no,

1195
00:56:21,239 --> 00:56:26,440
Speaker 2: I mean again, these people like this this episode is

1196
00:56:26,520 --> 00:56:29,520
Speaker 2: about the black hole inside of all of us, where

1197
00:56:29,520 --> 00:56:33,240
Speaker 2: it's like, why can't anyone just be content.

1198
00:56:34,560 --> 00:56:35,040
Speaker 4: That this is.

1199
00:56:36,640 --> 00:56:37,239
Speaker 2: You're so right?

1200
00:56:37,520 --> 00:56:42,799
Speaker 1: Like because Jared Leto has had a successful career, to

1201
00:56:42,800 --> 00:56:47,520
Speaker 1: be sure, for decades, and even in acting and even

1202
00:56:47,640 --> 00:56:51,040
Speaker 1: somewhat in music, and here he is saying, certainly that's

1203
00:56:51,160 --> 00:56:53,640
Speaker 1: not enough I actually need to fly to New York

1204
00:56:53,920 --> 00:56:57,000
Speaker 1: to climb the Empire Seat building for not really a

1205
00:56:57,040 --> 00:57:00,200
Speaker 1: clear reason except that I need more attention, yeah, for him.

1206
00:57:00,280 --> 00:57:03,440
Speaker 3: Perform on the top of it. So it did loop back.

1207
00:57:03,280 --> 00:57:07,560
Speaker 2: To he did a monologue from Dallas Byers Club to

1208
00:57:07,640 --> 00:57:12,600
Speaker 2: remind everyone, to remind everyone. And oh and a spoken

1209
00:57:12,680 --> 00:57:14,920
Speaker 2: word granted because it was recorded someone recorded on I

1210
00:57:15,880 --> 00:57:17,800
Speaker 2: and it's being released on Big Money Players.

1211
00:57:17,520 --> 00:57:20,280
Speaker 3: Network, And because it was in New York, it's Tony eligible.

1212
00:57:20,360 --> 00:57:22,920
Speaker 3: Oh wow, yeah, that's amazing.

1213
00:57:22,960 --> 00:57:25,720
Speaker 2: Wow. Well, I really hope Jared leto egots for climbing

1214
00:57:25,760 --> 00:57:28,280
Speaker 2: the Empire State Building and doing a monologue. I mean,

1215
00:57:28,480 --> 00:57:31,160
Speaker 2: he would deserve it more than some other e GOOT winners. Yeah,

1216
00:57:31,280 --> 00:57:32,960
Speaker 2: well name one.

1217
00:57:33,400 --> 00:57:35,280
Speaker 3: See that's where it ends. And remember when we said

1218
00:57:35,280 --> 00:57:38,480
Speaker 3: in the beginning with the trap of having a podcast

1219
00:57:38,520 --> 00:57:40,720
Speaker 3: as you get scared to say things. Yeah, I'm sort

1220
00:57:40,720 --> 00:57:44,680
Speaker 3: of punching that idea in the absolute face by revealing

1221
00:57:44,760 --> 00:57:46,560
Speaker 3: I sat next to Jared Letto on the plane so

1222
00:57:46,560 --> 00:57:47,240
Speaker 3: that he could climb.

1223
00:57:47,320 --> 00:57:51,360
Speaker 2: It's so fascinating to me that, because you know, I've

1224
00:57:51,400 --> 00:57:53,520
Speaker 2: known you for many years, you really have you have

1225
00:57:53,600 --> 00:57:55,680
Speaker 2: said you have said so many Yesterday you have so

1226
00:57:55,720 --> 00:57:59,880
Speaker 2: many said so many things that are more like incendiary

1227
00:58:00,160 --> 00:58:02,800
Speaker 2: and revealing than that you sat next to Jared Letter

1228
00:58:02,840 --> 00:58:04,520
Speaker 2: on a plane, And yet I can so see you

1229
00:58:04,640 --> 00:58:06,920
Speaker 2: be nervous about this one specific thing, and I'm like,

1230
00:58:07,240 --> 00:58:09,200
Speaker 2: what is it about sitting nixt Dared let on a

1231
00:58:09,200 --> 00:58:11,480
Speaker 2: plane that is making nervous like you have on this

1232
00:58:11,560 --> 00:58:16,520
Speaker 2: episode said like more sort of controversial things. Really Yeah, yeah,

1233
00:58:16,600 --> 00:58:17,000
Speaker 2: I don't know.

1234
00:58:17,080 --> 00:58:19,160
Speaker 3: I guess it's like when when it comes to someone

1235
00:58:19,200 --> 00:58:23,360
Speaker 3: else's like, you know, autonomy and personal space, it's just

1236
00:58:23,400 --> 00:58:26,440
Speaker 3: like but also it's like it's been long enough now, yeah,

1237
00:58:26,480 --> 00:58:29,960
Speaker 3: okay a week and a half, and and just because

1238
00:58:30,000 --> 00:58:31,919
Speaker 3: he climbed the Empire State building, I do think it's

1239
00:58:31,920 --> 00:58:35,120
Speaker 3: so funny. And also people are people. I said on

1240
00:58:35,160 --> 00:58:37,200
Speaker 3: the last episode of Last Culture Recess that I had

1241
00:58:37,200 --> 00:58:39,600
Speaker 3: sat next to someone on a plane and so many

1242
00:58:39,600 --> 00:58:41,520
Speaker 3: people were asking like, who is it, Who is it?

1243
00:58:41,560 --> 00:58:43,880
Speaker 3: Who is it? Is it Jared Leto, Is it Jared Letto?

1244
00:58:43,960 --> 00:58:45,800
Speaker 3: Is it Jared Letto? That I feel like at this

1245
00:58:45,840 --> 00:58:48,320
Speaker 3: point it's like I've kind of already revealed it. Yeah, sure, sure,

1246
00:58:49,080 --> 00:58:50,720
Speaker 3: And I think by the way, he would play an

1247
00:58:50,760 --> 00:58:52,920
Speaker 3: amazing young Santa as well, well.

1248
00:58:52,800 --> 00:58:54,000
Speaker 2: Oh that would be an interesting I.

1249
00:58:53,960 --> 00:58:57,320
Speaker 1: Was gonna ask Fearless who craves more attention, Jared Letto

1250
00:58:57,440 --> 00:58:58,040
Speaker 1: or Santa?

1251
00:58:58,120 --> 00:59:02,880
Speaker 2: I think Santa, yeah, saying a lot. Yeah, I do

1252
00:59:02,960 --> 00:59:06,280
Speaker 2: want to go a little bit into more Santa being

1253
00:59:06,480 --> 00:59:11,959
Speaker 2: straight because I think there's a lot there. So where

1254
00:59:11,960 --> 00:59:12,560
Speaker 2: did he come from?

1255
00:59:12,760 --> 00:59:12,920
Speaker 4: Well?

1256
00:59:12,920 --> 00:59:14,440
Speaker 2: This is okay? So this is the other thing? Is

1257
00:59:14,480 --> 00:59:16,800
Speaker 2: you know, the famous thing is like he was invented

1258
00:59:16,800 --> 00:59:21,240
Speaker 2: by Coca Cola? What was that actually true? Is that true?

1259
00:59:22,920 --> 00:59:25,040
Speaker 2: This is even better than I ever could have invented

1260
00:59:25,040 --> 00:59:27,760
Speaker 2: by Coca Cola. I feel insane. This is like something

1261
00:59:27,800 --> 00:59:30,600
Speaker 2: that I feel like everyone talks about and everyone well,

1262
00:59:30,640 --> 00:59:31,919
Speaker 2: that's not why he dresses in red.

1263
00:59:32,280 --> 00:59:35,200
Speaker 1: Yes, I mean coc Cola definitely popularized him.

1264
00:59:35,360 --> 00:59:37,400
Speaker 2: Where do you think he came from? The Bible?

1265
00:59:37,480 --> 00:59:37,960
Speaker 3: George?

1266
00:59:39,880 --> 00:59:43,440
Speaker 2: I mean, this is so funny to be Corinthians.

1267
00:59:43,760 --> 00:59:49,680
Speaker 3: Corinthians ten two Santa walked to the planes bringing gifts.

1268
00:59:49,760 --> 00:59:54,200
Speaker 2: To the point is Santa is quite literally a corporate mascot.

1269
00:59:54,240 --> 00:59:58,160
Speaker 2: He is Flow the progressively. He is Flow the progressive lady,

1270
00:59:58,400 --> 01:00:01,520
Speaker 2: but the beard and the only reason he's more respected

1271
01:00:01,560 --> 01:00:02,680
Speaker 2: than Flow because he's a man.

1272
01:00:02,720 --> 01:00:04,760
Speaker 3: Wait wait, wait, wait, wait, Wait, so if you think

1273
01:00:04,800 --> 01:00:07,120
Speaker 3: that Santa was invented by co Cola, how do you

1274
01:00:07,160 --> 01:00:10,800
Speaker 3: explain like cintercluse or whatever, or like the many Like, No.

1275
01:00:10,800 --> 01:00:13,240
Speaker 2: I'm not saying the concept of Saint Nick was invented

1276
01:00:13,240 --> 01:00:16,720
Speaker 2: by Coca Cola. I'm saying what he looks like, how

1277
01:00:16,760 --> 01:00:19,120
Speaker 2: we imagine him in the American imagination was invented by

1278
01:00:19,160 --> 01:00:19,680
Speaker 2: Coca Cola.

1279
01:00:20,000 --> 01:00:22,680
Speaker 3: So they reinvented him for for the modern age.

1280
01:00:23,160 --> 01:00:26,440
Speaker 2: Well, it's sort of like how Disney reinvented When you're.

1281
01:00:26,240 --> 01:00:30,360
Speaker 3: People careful, they own everything, stop and they're watching seriously,

1282
01:00:30,720 --> 01:00:33,080
Speaker 3: I'm looking out for you. This podcast is huge.

1283
01:00:33,240 --> 01:00:37,000
Speaker 2: When you're thinking being carried away, being carried away by

1284
01:00:37,000 --> 01:00:38,400
Speaker 2: a cane, it's my biger.

1285
01:00:39,320 --> 01:00:41,240
Speaker 3: You literally just disappeared, I disappear.

1286
01:00:41,360 --> 01:00:45,200
Speaker 2: It's sort of like in Marvel when they disappear there reaping.

1287
01:00:46,200 --> 01:00:48,040
Speaker 2: Oh well, I don't know what you know. When they start,

1288
01:00:48,120 --> 01:00:54,280
Speaker 2: it's dissolving, dissolving, snap, the snap. My point is in

1289
01:00:54,320 --> 01:00:56,880
Speaker 2: the same way that like Disney did not invent Cinderella,

1290
01:00:56,880 --> 01:00:59,720
Speaker 2: but when you think Cindrella, you think blue dress. That

1291
01:00:59,880 --> 01:01:02,120
Speaker 2: is what I'm saying about Santa. Got it, I understand.

1292
01:01:02,200 --> 01:01:04,720
Speaker 1: Yeah, So this is what's confusing to me is first

1293
01:01:04,760 --> 01:01:07,040
Speaker 1: of all, I'm on this podcast live finding out the

1294
01:01:07,080 --> 01:01:08,480
Speaker 1: Coca Cola invented Santa.

1295
01:01:08,560 --> 01:01:09,240
Speaker 2: I'm also on the.

1296
01:01:09,160 --> 01:01:12,800
Speaker 1: Podcast live finding out that Disney didn't invent Cinderella.

1297
01:01:15,040 --> 01:01:16,120
Speaker 2: Did they not invent her?

1298
01:01:16,440 --> 01:01:17,560
Speaker 3: I thought they invented her.

1299
01:01:18,120 --> 01:01:20,600
Speaker 2: Is Cinderella not one of the various fairy tales?

1300
01:01:20,640 --> 01:01:22,440
Speaker 3: Yes, but that doesn't mean she was invented, just like

1301
01:01:22,600 --> 01:01:25,400
Speaker 3: Disney didn't invent Elsa. Hans Christian Andrews.

1302
01:01:25,480 --> 01:01:26,960
Speaker 2: That's what I'm saying it did. But that's what I'm saying.

1303
01:01:26,960 --> 01:01:29,200
Speaker 2: It did not invent Cinderella, but it made her what

1304
01:01:29,280 --> 01:01:30,400
Speaker 2: you picture.

1305
01:01:30,240 --> 01:01:33,400
Speaker 3: Right, So basically, like when we see like stunning, like

1306
01:01:33,400 --> 01:01:36,439
Speaker 3: like iconic beltris, like in top of a fortress, wearing

1307
01:01:36,480 --> 01:01:41,080
Speaker 3: that that long blonde iconic braid doing the storm ridge,

1308
01:01:41,960 --> 01:01:44,720
Speaker 3: we think of Disney, but like, actually that's just a

1309
01:01:44,720 --> 01:01:49,760
Speaker 3: popularization exactly exactly Elsa by Hans Christian Anderson, who's actually

1310
01:01:49,800 --> 01:01:55,960
Speaker 3: a frightening, villainous figure much like Thomas Edison. Correct, and

1311
01:01:56,200 --> 01:01:57,680
Speaker 3: I am upset that the lights are still on.

1312
01:01:58,280 --> 01:02:02,400
Speaker 2: Yeah, of course it's saying a lot without saying it's

1313
01:02:02,440 --> 01:02:05,160
Speaker 2: anti animal. Yeah, of course, what we're doing here by

1314
01:02:05,160 --> 01:02:10,280
Speaker 2: having lights on is anti animal of course, Okay, it's okay,

1315
01:02:10,800 --> 01:02:15,640
Speaker 2: all right. So my only point was he's inherently, you know, capitalist.

1316
01:02:15,640 --> 01:02:18,880
Speaker 2: He's a corporate mascot. Okay, so there's that. He's a

1317
01:02:18,880 --> 01:02:25,200
Speaker 2: corporate mascot, symbol of toxic masculinity, doesn't respect his three wives.

1318
01:02:25,520 --> 01:02:26,800
Speaker 2: Is a liar, is a liar.

1319
01:02:26,840 --> 01:02:28,560
Speaker 3: He can't make it to every house in the world,

1320
01:02:29,800 --> 01:02:30,280
Speaker 3: can't do it.

1321
01:02:30,320 --> 01:02:31,880
Speaker 2: That's true. He's a liar. I have a song about

1322
01:02:31,880 --> 01:02:35,400
Speaker 2: that on my album Have You Had a Christmas? It's

1323
01:02:35,400 --> 01:02:39,240
Speaker 2: an ex Jose. Actually. I also, you know, I know

1324
01:02:39,240 --> 01:02:43,360
Speaker 2: we talked about Rudolph already, but there is animal abuse happening. Well.

1325
01:02:43,400 --> 01:02:45,600
Speaker 1: The animal element to Santa, I think is one of

1326
01:02:45,600 --> 01:02:47,600
Speaker 1: the straighter things where it's sort of, you know, there's

1327
01:02:47,600 --> 01:02:51,439
Speaker 1: always a return to land. Yeah, I think it's sort

1328
01:02:51,440 --> 01:02:53,320
Speaker 1: of you know, farming culture.

1329
01:02:53,360 --> 01:02:56,360
Speaker 3: Talk about like wearing car heart, That's what it is

1330
01:02:56,400 --> 01:02:56,600
Speaker 3: to me.

1331
01:02:58,400 --> 01:03:01,480
Speaker 2: He also employs a lot of people bull who you know,

1332
01:03:01,600 --> 01:03:05,120
Speaker 2: employees is actually something that's assumed yes, no, but and

1333
01:03:05,160 --> 01:03:06,800
Speaker 2: that's that was gonna be my next place. And he

1334
01:03:06,920 --> 01:03:10,320
Speaker 2: runs he's like a CEO. He's like a Jeff Bezos figure.

1335
01:03:10,560 --> 01:03:12,040
Speaker 2: Oh that's scary. That's scary.

1336
01:03:12,120 --> 01:03:14,720
Speaker 1: Well, I think one of the biggest lies of Santa,

1337
01:03:14,760 --> 01:03:17,880
Speaker 1: also other than the houses, is that it's like he's

1338
01:03:17,880 --> 01:03:18,720
Speaker 1: making these things.

1339
01:03:19,000 --> 01:03:20,800
Speaker 3: Like the whole narrative. I think we need to update.

1340
01:03:20,800 --> 01:03:22,840
Speaker 2: The elves make the toys, and people forget that.

1341
01:03:22,920 --> 01:03:24,280
Speaker 1: But even the elves make the toys, I'm like, then,

1342
01:03:24,280 --> 01:03:27,360
Speaker 1: why is it a PlayStation? If you if you bonked

1343
01:03:27,360 --> 01:03:29,360
Speaker 1: a little wooden hammer on a piece of wood for

1344
01:03:29,440 --> 01:03:31,320
Speaker 1: eight hours, why am I getting a PlayStation for coo?

1345
01:03:31,360 --> 01:03:32,720
Speaker 2: Well, this is when we run into the whole thing

1346
01:03:32,720 --> 01:03:34,720
Speaker 2: where Santa is fake and everything that.

1347
01:03:36,120 --> 01:03:38,400
Speaker 1: No, but this, even as a child, I remember being like,

1348
01:03:38,480 --> 01:03:42,240
Speaker 1: this is a story that this disconnect is no, no, no,

1349
01:03:42,440 --> 01:03:44,680
Speaker 1: this disconnect I found. I think we need to update

1350
01:03:44,720 --> 01:03:46,960
Speaker 1: the narrative to make it more believable because I remember

1351
01:03:46,960 --> 01:03:49,600
Speaker 1: being a child and being like, well, if they're making it,

1352
01:03:49,640 --> 01:03:51,880
Speaker 1: why does it come into a little plastic I think, and

1353
01:03:51,960 --> 01:03:53,360
Speaker 1: also art kid.

1354
01:03:53,840 --> 01:03:57,640
Speaker 3: Which ultimately comes with, you know, both of the birth

1355
01:03:57,680 --> 01:03:59,880
Speaker 3: of imagination but also the death of imagination.

1356
01:04:00,040 --> 01:04:03,760
Speaker 2: Of course, Well, I wanted to believe the fantasy and

1357
01:04:03,800 --> 01:04:06,560
Speaker 2: I'm really skipping around saying something shitty about Disney, and

1358
01:04:06,560 --> 01:04:09,520
Speaker 2: I'm really proud of us I wouldn't, first of all,

1359
01:04:09,880 --> 01:04:13,360
Speaker 2: because we'll have a blowdog to the neck. I what

1360
01:04:13,400 --> 01:04:15,960
Speaker 2: you're saying about intelligence and imagination is so smart. It

1361
01:04:16,040 --> 01:04:20,720
Speaker 2: is so difficult to find the right balance of intelligence

1362
01:04:20,960 --> 01:04:22,960
Speaker 2: where you can have a sense of wonder but not

1363
01:04:23,040 --> 01:04:25,520
Speaker 2: ruin it for yourself. Correct. Yeah.

1364
01:04:25,800 --> 01:04:28,600
Speaker 1: I've sometimes I meet people who are like smarter than

1365
01:04:28,640 --> 01:04:31,640
Speaker 1: me and like in a way that they can't do anything,

1366
01:04:31,800 --> 01:04:34,360
Speaker 1: and I'm like, oh my god, I'm so lucky, like

1367
01:04:34,400 --> 01:04:40,720
Speaker 1: I Barelyoklyn, right, yeah.

1368
01:04:39,520 --> 01:04:43,280
Speaker 2: Yeah, so okay, but this is you're pointing to something interesting,

1369
01:04:43,320 --> 01:04:48,280
Speaker 2: which is like just how open the logical fallacies of

1370
01:04:48,320 --> 01:04:50,560
Speaker 2: Santa are, Like when you're a kid, You're like, okay,

1371
01:04:50,600 --> 01:04:54,520
Speaker 2: So there's a different one in each mall. He's making

1372
01:04:54,600 --> 01:04:58,520
Speaker 2: things in the north Pole that I see at Fao Schwartz,

1373
01:04:58,800 --> 01:05:02,520
Speaker 2: I know that that's where they are. Yeah. Each Santa

1374
01:05:02,560 --> 01:05:06,560
Speaker 2: I'm seeing looks different, has a slightly different outfit, is

1375
01:05:06,680 --> 01:05:09,280
Speaker 2: potentially a different race, Like I know this is not

1376
01:05:09,320 --> 01:05:10,040
Speaker 2: all the same man.

1377
01:05:10,360 --> 01:05:14,640
Speaker 3: Yeah, and then like practically yeah, eight, possibly nine if

1378
01:05:14,640 --> 01:05:17,240
Speaker 3: you count roodoff, which you're allowed to do or not do.

1379
01:05:17,360 --> 01:05:21,560
Speaker 2: Canonysyah's sort of like is Pluto a planet? Right? Eight?

1380
01:05:21,960 --> 01:05:24,800
Speaker 3: Potentially nine when you have to imagine our two hundred

1381
01:05:24,800 --> 01:05:28,680
Speaker 3: and fifty pound reindeer. Yeah, land on my roof with

1382
01:05:28,880 --> 01:05:32,760
Speaker 3: a sleigh that holds not just a sorry, but plus

1383
01:05:32,800 --> 01:05:37,680
Speaker 3: sized individual. Oh and also a bag with a gift

1384
01:05:37,840 --> 01:05:42,040
Speaker 3: for gifts for every child in the world, lands on

1385
01:05:42,080 --> 01:05:44,720
Speaker 3: my house, and my house is what unharmed.

1386
01:05:45,960 --> 01:05:47,960
Speaker 2: There's a lot of logical fallacies. There's a lot of

1387
01:05:48,000 --> 01:05:51,560
Speaker 2: logical fallacies. And I think Santa is a is a

1388
01:05:51,600 --> 01:05:54,840
Speaker 2: myth for people that don't have object permanence, like you

1389
01:05:54,920 --> 01:05:57,080
Speaker 2: have to be physics of it is insane. Yeah, so

1390
01:05:57,160 --> 01:05:57,680
Speaker 2: what like that?

1391
01:05:57,880 --> 01:06:00,960
Speaker 3: Are you saying that they that like, yeah, the reindeer

1392
01:06:01,240 --> 01:06:03,720
Speaker 3: PLoP out of the skyland right on the house and nothing.

1393
01:06:03,880 --> 01:06:06,919
Speaker 2: Yeah okay, but counterpoint Yeah, sorry, go ahead.

1394
01:06:07,040 --> 01:06:08,400
Speaker 1: Well, I was gonna say, what do you guys think

1395
01:06:08,400 --> 01:06:08,920
Speaker 1: of the culture?

1396
01:06:09,320 --> 01:06:09,960
Speaker 2: What are yours?

1397
01:06:10,000 --> 01:06:11,920
Speaker 3: Like moral rules around lying to children?

1398
01:06:12,640 --> 01:06:16,160
Speaker 2: Do it? Yeah? I sort of agree. I'm not gay.

1399
01:06:16,200 --> 01:06:17,760
Speaker 3: I'm different specially.

1400
01:06:19,440 --> 01:06:23,760
Speaker 2: About children, like this idea that everything affects them in adulthood.

1401
01:06:23,760 --> 01:06:27,400
Speaker 2: I'm not saying negative things obviously, like don't traumatize children,

1402
01:06:27,400 --> 01:06:30,560
Speaker 2: but like this idea that, for instance, let's say a

1403
01:06:30,560 --> 01:06:32,840
Speaker 2: little girl playing with a Barbie means that she's going

1404
01:06:32,920 --> 01:06:36,840
Speaker 2: to have like fucked up views on how women are

1405
01:06:36,840 --> 01:06:39,280
Speaker 2: supposed to be in society. Both my sisters played with

1406
01:06:39,320 --> 01:06:41,960
Speaker 2: Barbie's the one's an engineer, one's a doctor. So yah,

1407
01:06:42,000 --> 01:06:44,960
Speaker 2: riddle me that just like Barbie. Yeah, they're both snatched

1408
01:06:45,000 --> 01:06:47,000
Speaker 2: as hell. That's fashion.

1409
01:06:47,360 --> 01:06:49,800
Speaker 3: So to speak of the Barbie film, which I knew

1410
01:06:49,800 --> 01:06:52,040
Speaker 3: this was going back, Yeah, of course you are very

1411
01:06:52,080 --> 01:06:55,160
Speaker 3: pro pro Barbie film, you know.

1412
01:06:55,480 --> 01:06:59,280
Speaker 2: To me, Barbie is no, no, yes or no. Barbie

1413
01:06:59,360 --> 01:07:01,400
Speaker 2: is a film that I felt like had so much

1414
01:07:01,640 --> 01:07:06,480
Speaker 2: just like colors and joy and everyone and everyone's having

1415
01:07:06,480 --> 01:07:09,080
Speaker 2: fun that I was like, I'm not overthinking this. I'm

1416
01:07:09,120 --> 01:07:11,200
Speaker 2: gonna and I by the wayside in a theater full

1417
01:07:11,200 --> 01:07:13,800
Speaker 2: of young girls like I went opening weekend in a

1418
01:07:13,840 --> 01:07:15,680
Speaker 2: sort of not in New York and a sort of

1419
01:07:15,680 --> 01:07:18,840
Speaker 2: more suburban area, and I was like, I who am

1420
01:07:18,920 --> 01:07:22,160
Speaker 2: I to start like intellectualizing Barbie, Like everyone is having

1421
01:07:22,200 --> 01:07:26,160
Speaker 2: so much fun, everyone's in pink whatever that said, movie

1422
01:07:26,200 --> 01:07:29,200
Speaker 2: intellectualizes Barbie. That said we did enjoy Oppenheimer more and

1423
01:07:29,280 --> 01:07:32,560
Speaker 2: run record. Yeah, we actually goen this is the difference

1424
01:07:32,560 --> 01:07:34,640
Speaker 2: between y'all and us. Bowen and I walked out of

1425
01:07:34,680 --> 01:07:37,240
Speaker 2: Oppenheimer halfway. No, we were both did you even get

1426
01:07:37,240 --> 01:07:39,560
Speaker 2: to the bang? We were like, get out? No, we

1427
01:07:39,560 --> 01:07:41,920
Speaker 2: were both Boe and I are both so and this

1428
01:07:42,000 --> 01:07:44,160
Speaker 2: is one of the secrets about Bowen We're both so

1429
01:07:44,280 --> 01:07:47,760
Speaker 2: stupid that like, and we both get so tired and

1430
01:07:47,920 --> 01:07:50,040
Speaker 2: like and we're just like, I don't fucking care. Life

1431
01:07:50,080 --> 01:07:50,680
Speaker 2: is too short.

1432
01:07:50,840 --> 01:07:55,600
Speaker 3: We loved Oppenheimer, loved so much. It was so weird. Yeah,

1433
01:07:55,600 --> 01:07:56,720
Speaker 3: because also we you.

1434
01:07:56,680 --> 01:07:59,800
Speaker 2: Know, Allyes can't comment about straight straight he also can.

1435
01:08:00,080 --> 01:08:03,120
Speaker 2: You know, I think we're actually experts in it. And

1436
01:08:03,160 --> 01:08:05,680
Speaker 2: in fact I went in you know, of course I

1437
01:08:05,720 --> 01:08:08,439
Speaker 2: would love to walk into that theater and hate it,

1438
01:08:08,520 --> 01:08:10,200
Speaker 2: because then I could be sort of this gay guy

1439
01:08:10,200 --> 01:08:13,160
Speaker 2: who's above stuff. But instead I'm taken by it and

1440
01:08:13,200 --> 01:08:15,480
Speaker 2: I'm actually moved. Yeah. Well, I also think we have

1441
01:08:15,520 --> 01:08:19,400
Speaker 2: a real appreciation for like straight camp, like Oppenheimer. That's

1442
01:08:19,439 --> 01:08:21,960
Speaker 2: what that was. Appenheimer is a spectacle. I mean, it's

1443
01:08:21,960 --> 01:08:26,920
Speaker 2: like a It's like camp, isn't it though, explosions you

1444
01:08:26,920 --> 01:08:28,040
Speaker 2: think it's hats or camp?

1445
01:08:28,439 --> 01:08:31,439
Speaker 1: Emily Blunt, I mean when it was camp, when he

1446
01:08:31,520 --> 01:08:34,080
Speaker 1: literally looked at his like hat and tie and like

1447
01:08:34,120 --> 01:08:35,080
Speaker 1: put it on, like it was a bat.

1448
01:08:35,200 --> 01:08:37,240
Speaker 2: I'm sorry, did you see the person playing Einstein? It

1449
01:08:37,280 --> 01:08:40,840
Speaker 2: was someone literally doing like drag race Einstein the ruzical.

1450
01:08:40,520 --> 01:08:42,280
Speaker 3: He like was dropping his hat left and right.

1451
01:08:42,360 --> 01:08:46,240
Speaker 2: Yeah, call him on. Okay, fine, I guess it's great. So,

1452
01:08:46,520 --> 01:08:49,120
Speaker 2: but I want to say my counterpoint to your Santa

1453
01:08:49,360 --> 01:08:52,360
Speaker 2: thing of like, it doesn't make sense, it's illogical. Is

1454
01:08:52,560 --> 01:08:55,479
Speaker 2: I'm almost like, and I know we've all been doing

1455
01:08:55,479 --> 01:08:57,560
Speaker 2: this sort of finding the logical fallacies and being like,

1456
01:08:57,600 --> 01:08:59,760
Speaker 2: the physics don't make sense. But isn't that sort of

1457
01:08:59,800 --> 01:09:03,439
Speaker 2: like toxic rationale, Like isn't that sort of like Neil

1458
01:09:03,479 --> 01:09:06,320
Speaker 2: de Grass It's so Neil the Grass Tyson being like,

1459
01:09:07,000 --> 01:09:10,960
Speaker 2: actually the sleigh wouldn't float. So I'm sort of like, Okay,

1460
01:09:11,000 --> 01:09:14,400
Speaker 2: well then maybe what is almost queer about the Santa

1461
01:09:14,479 --> 01:09:19,400
Speaker 2: narrative is just the fully joyful embrace of something completely

1462
01:09:19,520 --> 01:09:24,040
Speaker 2: artificial and completely like, uh not real.

1463
01:09:24,200 --> 01:09:26,680
Speaker 1: You're so right, You're so right. I mean it's very

1464
01:09:26,760 --> 01:09:29,200
Speaker 1: LGBTQ plus when he squeezes into a little thing and

1465
01:09:29,200 --> 01:09:30,640
Speaker 1: slides down the chimney.

1466
01:09:30,280 --> 01:09:32,639
Speaker 2: Well, sliding down the chimney, I mean, talk about Katie

1467
01:09:32,640 --> 01:09:35,479
Speaker 2: Perry and Vegas like sliding down the Chimney is literally

1468
01:09:35,560 --> 01:09:38,679
Speaker 2: Katy Perry singing with a talking toilet or whatever Vegas.

1469
01:09:38,720 --> 01:09:41,160
Speaker 2: Of course. I mean, I do think the cookies thing

1470
01:09:41,200 --> 01:09:43,320
Speaker 2: is sort of fun because it's his signature.

1471
01:09:44,000 --> 01:09:46,760
Speaker 1: I mean, I do think the world building that happens, yeah,

1472
01:09:46,920 --> 01:09:48,200
Speaker 1: is very LGBTQ plus.

1473
01:09:48,479 --> 01:09:49,240
Speaker 2: Yes, I like that.

1474
01:09:49,280 --> 01:09:51,160
Speaker 1: There's the more that we were talking about it, the

1475
01:09:51,200 --> 01:09:53,320
Speaker 1: more I'm like, oh my god, I forgot there's that part,

1476
01:09:53,360 --> 01:09:54,960
Speaker 1: and there's that part. I'm sort of like, when did

1477
01:09:55,000 --> 01:09:58,840
Speaker 1: we come up with all of this stuff? It's what's

1478
01:09:58,880 --> 01:10:02,439
Speaker 1: the It's almost like a like a one word story.

1479
01:10:02,640 --> 01:10:04,760
Speaker 1: Is how we've like sort of invented the Santa myth

1480
01:10:04,880 --> 01:10:06,640
Speaker 1: is like everyone's just adding like a little bit here

1481
01:10:06,640 --> 01:10:09,360
Speaker 1: and there, and it's all true. It's like an open

1482
01:10:09,400 --> 01:10:09,960
Speaker 1: source myth.

1483
01:10:10,200 --> 01:10:13,120
Speaker 2: Wow, it's very The third grader's writing The Morning Show,

1484
01:10:13,560 --> 01:10:16,960
Speaker 2: which I'm midway through this latest season. I have to

1485
01:10:17,080 --> 01:10:17,840
Speaker 2: I really have to see.

1486
01:10:17,920 --> 01:10:20,320
Speaker 3: The writers of The Morning Show also wrote Santa.

1487
01:10:21,080 --> 01:10:24,280
Speaker 2: Oh that's true, actually really tru It was originally supposed

1488
01:10:24,320 --> 01:10:27,320
Speaker 2: to go to Juliana Marguley's Yeah, but then they made him.

1489
01:10:27,360 --> 01:10:29,240
Speaker 2: They made him a man because a woman. Santa didn't

1490
01:10:29,240 --> 01:10:30,160
Speaker 2: test well well.

1491
01:10:30,240 --> 01:10:32,760
Speaker 3: The fact the fact is that Alicia Floric played by

1492
01:10:32,840 --> 01:10:35,920
Speaker 3: Julianna Margulies and the Good Wife actually is missus Claus.

1493
01:10:35,960 --> 01:10:39,000
Speaker 3: This that that that story takes place before she's met Santa.

1494
01:10:39,040 --> 01:10:41,040
Speaker 2: Wait, that is tragedy.

1495
01:10:41,200 --> 01:10:45,280
Speaker 3: Is that missus Clause actually was a lawyer named Alicia Floriic. Yeah,

1496
01:10:45,360 --> 01:10:50,080
Speaker 3: I'm gonna start incorporating this into my place. And then

1497
01:10:50,680 --> 01:10:53,400
Speaker 3: now she's like, I guess what what do we call her?

1498
01:10:53,439 --> 01:10:55,960
Speaker 3: Like a figure had a homemaker, a first lady type.

1499
01:10:56,080 --> 01:11:00,719
Speaker 2: Yeah, here's a question. Do they have kids? No?

1500
01:11:01,600 --> 01:11:03,679
Speaker 3: And if not, if they don't, they're not having them now?

1501
01:11:04,240 --> 01:11:08,839
Speaker 3: Well certainly not well not naturally, George, but they could adopted.

1502
01:11:08,920 --> 01:11:12,040
Speaker 2: There's IVF in the North Pole. That's true. I guess

1503
01:11:12,160 --> 01:11:15,360
Speaker 2: that's not carte blanche. Though you can't just get IVF

1504
01:11:15,439 --> 01:11:16,840
Speaker 2: like if you're a woman of a certain I think

1505
01:11:16,840 --> 01:11:19,280
Speaker 2: if you're a missus Claus, you can. She has access.

1506
01:11:19,280 --> 01:11:23,200
Speaker 2: She's Alicia Florik. She could talk her way into it.

1507
01:11:25,680 --> 01:11:30,120
Speaker 1: I do I wonder how as new Christmas myths come out.

1508
01:11:30,600 --> 01:11:33,639
Speaker 1: I'm like, I do find myself being like no, that's

1509
01:11:33,680 --> 01:11:35,880
Speaker 1: not no, like elf on a shelf, like.

1510
01:11:35,840 --> 01:11:39,080
Speaker 2: No, no, I like I don't like that. Although you

1511
01:11:39,120 --> 01:11:41,840
Speaker 2: know what, like it makes people have fun, does it?

1512
01:11:41,920 --> 01:11:44,760
Speaker 2: The ELF is sometimes overhearing, sometimes over there. It's like,

1513
01:11:44,800 --> 01:11:45,960
Speaker 2: that's what I'm saying.

1514
01:11:46,000 --> 01:11:47,760
Speaker 3: It's like, I don't want to yuck anyone's yum. I

1515
01:11:47,760 --> 01:11:49,120
Speaker 3: would hate if someone did that to me.

1516
01:11:49,320 --> 01:11:50,760
Speaker 1: But I think that's what Elf on a shelf is

1517
01:11:50,800 --> 01:11:53,120
Speaker 1: all about, is yucking yum. He's being like, I'm watching you.

1518
01:11:53,200 --> 01:11:53,840
Speaker 3: It's literally a.

1519
01:11:53,840 --> 01:11:56,920
Speaker 2: Police Yeah, well but that okay, Wait, how do we

1520
01:11:57,000 --> 01:11:59,920
Speaker 2: not talk about naughty and nice, talk about police state

1521
01:12:00,040 --> 01:12:02,880
Speaker 2: and talk about surveiled mass surveillance and the Patriot Act?

1522
01:12:02,960 --> 01:12:05,920
Speaker 2: Because in some ways Santa is actually an instrument of

1523
01:12:05,920 --> 01:12:08,680
Speaker 2: the state. And so if you add that to the

1524
01:12:08,680 --> 01:12:10,760
Speaker 2: fact that he also, as we said, as corporate owned

1525
01:12:10,760 --> 01:12:14,400
Speaker 2: by the Coca Cola Corporation, I mean, it's sort of

1526
01:12:14,439 --> 01:12:15,320
Speaker 2: giving Uppenheimer.

1527
01:12:17,320 --> 01:12:19,920
Speaker 1: I mean, I think you're one hundred percent right. I

1528
01:12:19,960 --> 01:12:23,120
Speaker 1: do think the one thing that maybe is not police

1529
01:12:23,120 --> 01:12:25,200
Speaker 1: state about it is that he's I do think it's

1530
01:12:25,200 --> 01:12:28,840
Speaker 1: an empty threat. He's always like nice. It's like, you're

1531
01:12:28,920 --> 01:12:31,000
Speaker 1: always nice, even if you're bad as hell.

1532
01:12:31,200 --> 01:12:33,160
Speaker 3: Did you ever know a kid that was naughty and

1533
01:12:33,200 --> 01:12:36,320
Speaker 3: got nothing or got coal? No, That's what I'm saying,

1534
01:12:36,400 --> 01:12:37,920
Speaker 3: is it's like, it's such pathetic.

1535
01:12:40,960 --> 01:12:44,240
Speaker 2: Yeah, but okay, and that's what sucks up kids. That's

1536
01:12:44,280 --> 01:12:46,840
Speaker 2: what sucks up kids, not not the whole thing of like,

1537
01:12:46,960 --> 01:12:50,519
Speaker 2: is Santa real? Yeah, of course he is? Accountability kids?

1538
01:12:50,600 --> 01:12:55,760
Speaker 2: Is this like threat of poverty? So, and to jump

1539
01:12:55,800 --> 01:12:58,000
Speaker 2: off of that, let's zoom out a little bit and

1540
01:12:58,040 --> 01:13:03,719
Speaker 2: think about this structurally realistically, realistically. Kids who get better

1541
01:13:03,760 --> 01:13:06,960
Speaker 2: gifts have wealthier parents. Kids who do not get gifts

1542
01:13:06,960 --> 01:13:09,240
Speaker 2: have parents who cannot afford to buy them gifts. So

1543
01:13:09,360 --> 01:13:12,200
Speaker 2: we are talking about a world in which if you

1544
01:13:12,280 --> 01:13:15,920
Speaker 2: are poor, you are naughty, and if you are rich,

1545
01:13:16,200 --> 01:13:19,479
Speaker 2: you are nice. Fuck that This is why I wanted

1546
01:13:19,479 --> 01:13:20,160
Speaker 2: to bring this up.

1547
01:13:20,360 --> 01:13:25,439
Speaker 3: Is so true, damn, and it puts the blame on

1548
01:13:25,479 --> 01:13:26,000
Speaker 3: the children.

1549
01:13:26,400 --> 01:13:29,439
Speaker 2: You know, who would make an incredibly amazing satire about

1550
01:13:29,439 --> 01:13:34,320
Speaker 2: this and sort of the implications of class. Emerald, she

1551
01:13:34,360 --> 01:13:37,920
Speaker 2: should make the Santa movie. She should get a co writer,

1552
01:13:38,840 --> 01:13:41,360
Speaker 2: Gotta Goretta Girlwig. What do you think?

1553
01:13:41,360 --> 01:13:42,960
Speaker 3: I actually think they would do stunning work together.

1554
01:13:42,960 --> 01:13:45,000
Speaker 2: And they did. And Barbie I liked her performances. Oh

1555
01:13:45,000 --> 01:13:47,400
Speaker 2: that's right, she was. She was great as well. I

1556
01:13:47,400 --> 01:13:50,080
Speaker 2: actually think Emerald faranell is a great actor on screen.

1557
01:13:50,120 --> 01:13:52,240
Speaker 2: I thought she was great as Camilla Crown.

1558
01:13:52,560 --> 01:13:54,640
Speaker 3: Yeah, I mean, like I.

1559
01:13:54,680 --> 01:13:57,960
Speaker 2: Will say, like I I will likely see everything she

1560
01:13:58,000 --> 01:14:01,880
Speaker 2: ever doest great act by the way, great director of actors.

1561
01:14:02,160 --> 01:14:05,760
Speaker 3: Oh yeah, I think she You know that's like that's

1562
01:14:06,600 --> 01:14:10,280
Speaker 3: I'm not anti Fanel. I just I actually am pro Pulp.

1563
01:14:10,840 --> 01:14:13,120
Speaker 3: I just think we should understand her as pulp.

1564
01:14:13,400 --> 01:14:13,519
Speaker 2: Hm.

1565
01:14:14,160 --> 01:14:16,920
Speaker 1: Yes, I think you guys are being so nuanced and

1566
01:14:16,960 --> 01:14:19,360
Speaker 1: I think people will really celebrate that.

1567
01:14:20,000 --> 01:14:21,479
Speaker 2: Yeah. She know what I love about her?

1568
01:14:21,520 --> 01:14:26,120
Speaker 3: She makes fucking choices, choices, And it's like this fear

1569
01:14:26,160 --> 01:14:29,240
Speaker 3: of choices we have in culture right now, where things

1570
01:14:29,280 --> 01:14:31,760
Speaker 3: are only cool if people are like dispossessed or like,

1571
01:14:31,840 --> 01:14:33,639
Speaker 3: you know whatever. It's like that thing of like I'm

1572
01:14:33,640 --> 01:14:36,439
Speaker 3: not gonna try because that's some cool Like she makes

1573
01:14:36,560 --> 01:14:38,000
Speaker 3: big fucking choices, you.

1574
01:14:37,920 --> 01:14:40,160
Speaker 2: Know what I was thinking that about. I started the

1575
01:14:40,320 --> 01:14:43,680
Speaker 2: new Nathan Fielder and Emma Stone, how is it? Loving it?

1576
01:14:44,840 --> 01:14:47,280
Speaker 2: And I'm like, it has been so long since I

1577
01:14:47,320 --> 01:14:49,320
Speaker 2: have felt excited. I'm like, I don't know what's gonna

1578
01:14:49,320 --> 01:14:52,160
Speaker 2: happen in the next scene, Like anything could happen, And

1579
01:14:52,200 --> 01:14:54,680
Speaker 2: I'm like, yeah, literally, don't remember the last time I

1580
01:14:54,680 --> 01:14:56,519
Speaker 2: felt that way about. I mean, of course, other than

1581
01:14:56,560 --> 01:15:00,960
Speaker 2: not Appenheimer. I also heard that Poor Things is fun fantastic. Oh,

1582
01:15:01,200 --> 01:15:06,559
Speaker 2: that's unbelievable in it. You know she is actually, she

1583
01:15:06,720 --> 01:15:10,080
Speaker 2: is actually and she would be great on this show

1584
01:15:10,120 --> 01:15:14,200
Speaker 2: to wow because she well, she will do both that

1585
01:15:14,320 --> 01:15:18,040
Speaker 2: one day, I think so, yeah, before she'll definitely she'll

1586
01:15:18,080 --> 01:15:18,880
Speaker 2: definitely do yours.

1587
01:15:20,080 --> 01:15:21,240
Speaker 3: I think she would do this.

1588
01:15:22,040 --> 01:15:24,439
Speaker 2: We would have to get to her in some unofficial way.

1589
01:15:24,439 --> 01:15:26,040
Speaker 2: She's not going to do this, but just by us

1590
01:15:26,040 --> 01:15:29,479
Speaker 2: emailing her reps, we have mutual friends with her. Well, yes,

1591
01:15:29,479 --> 01:15:33,720
Speaker 2: because she's in the extended comedy universe. She certainly is. Yeah,

1592
01:15:33,760 --> 01:15:38,639
Speaker 2: it's extending. She's actually an incredible success story of like

1593
01:15:39,160 --> 01:15:42,720
Speaker 2: someone who was in broad comedies and then became an

1594
01:15:42,720 --> 01:15:46,479
Speaker 2: Academy of Work actor. Yeah, speak, I guess Julia Roberts

1595
01:15:46,560 --> 01:15:47,720
Speaker 2: sort of like that. Yeah. Do you know that some

1596
01:15:47,720 --> 01:15:49,320
Speaker 2: people will refer to this as the l c U

1597
01:15:51,160 --> 01:15:55,160
Speaker 2: universe because we were the first. I think I'm okay

1598
01:15:55,200 --> 01:15:57,240
Speaker 2: with that. Okay with that? I hate that. No, I

1599
01:15:57,320 --> 01:16:00,519
Speaker 2: think that makes complete sense. I actually completely love that,

1600
01:16:00,760 --> 01:16:03,680
Speaker 2: and I embrace it. Yeah, what am I gonna do

1601
01:16:03,840 --> 01:16:08,240
Speaker 2: change the narrative right now? No? I sell you yeah

1602
01:16:08,560 --> 01:16:10,280
Speaker 2: no no no no no no no no.

1603
01:16:10,439 --> 01:16:12,679
Speaker 1: Also the fact that there's the Lost Cultura's universe, lets

1604
01:16:12,760 --> 01:16:16,120
Speaker 1: us be sort of the alt girls, Like, well, it's

1605
01:16:16,200 --> 01:16:17,799
Speaker 1: you know, you guys are the alt girls.

1606
01:16:17,880 --> 01:16:20,080
Speaker 3: Yeah, I think we're talking about this on Lost Coach

1607
01:16:20,200 --> 01:16:24,639
Speaker 3: and Get Tailor is amazing. This makes you released another song.

1608
01:16:25,400 --> 01:16:28,360
Speaker 2: I thank god. It was so good and we streamed it.

1609
01:16:29,120 --> 01:16:34,920
Speaker 2: That's Lost Cultures damn different. When are you guys gonna

1610
01:16:34,920 --> 01:16:36,960
Speaker 2: When are you guys gonna bring back? I don't think so, honey,

1611
01:16:37,000 --> 01:16:41,240
Speaker 2: live at the Bellhouse because I'm ready to make my comeback. Okay,

1612
01:16:41,280 --> 01:16:47,200
Speaker 2: do you don't have answer? I saw you did in London?

1613
01:16:47,520 --> 01:16:48,000
Speaker 2: Was she good?

1614
01:16:48,400 --> 01:16:50,720
Speaker 3: It was one of the best performances I've ever seen

1615
01:16:50,760 --> 01:16:53,280
Speaker 3: in a staging of this musical. That should be seen

1616
01:16:53,320 --> 01:16:55,160
Speaker 3: and I think will because I think it's going to transfer.

1617
01:16:55,520 --> 01:17:00,599
Speaker 3: You guys have to go on. It is unbelievable. It

1618
01:17:00,680 --> 01:17:01,839
Speaker 3: was really exciting.

1619
01:17:02,840 --> 01:17:07,280
Speaker 2: I fully believe in her. I respected her since buttons.

1620
01:17:08,880 --> 01:17:10,759
Speaker 2: You know, it's funny you say that because this actually

1621
01:17:11,240 --> 01:17:13,799
Speaker 2: all right. Wow, I just had an incredible memory.

1622
01:17:15,320 --> 01:17:17,599
Speaker 3: But I've been like, this is a figure of great respect,

1623
01:17:17,640 --> 01:17:18,759
Speaker 3: and I bet she can act.

1624
01:17:18,960 --> 01:17:21,479
Speaker 2: I actually have a distinct memory of it watching this

1625
01:17:21,520 --> 01:17:23,400
Speaker 2: was when I still live in New Jersey, watching a

1626
01:17:23,520 --> 01:17:26,840
Speaker 2: Christmas special of some like sorry a New Year's Special.

1627
01:17:26,880 --> 01:17:28,680
Speaker 2: If I'm short, I probably did Clark or something, and

1628
01:17:28,680 --> 01:17:31,080
Speaker 2: the Pussycat Dolls came out and did buttons yep, And

1629
01:17:31,120 --> 01:17:34,960
Speaker 2: I was like, how bold at the New Year's Special

1630
01:17:35,240 --> 01:17:37,479
Speaker 2: to do buttons. And that's when I knew she was

1631
01:17:37,520 --> 01:17:39,720
Speaker 2: a star. Yeah, she's always pushing on and then the

1632
01:17:39,760 --> 01:17:40,160
Speaker 2: other thing.

1633
01:17:40,400 --> 01:17:44,240
Speaker 3: Always been a star. Yeah, And I'm telling you what

1634
01:17:44,439 --> 01:17:47,760
Speaker 3: her singing was, of course fantastic, her acting, yeah, but

1635
01:17:47,840 --> 01:17:50,720
Speaker 3: say the other thing, well, I just think so for me,

1636
01:17:50,760 --> 01:17:51,519
Speaker 3: a big Nicole.

1637
01:17:51,560 --> 01:17:53,160
Speaker 2: And I don't know if this is gonna translate, Well,

1638
01:17:53,200 --> 01:17:55,960
Speaker 2: we'll put in a clip. A big Nicoll Scherzlinger moment

1639
01:17:56,000 --> 01:17:58,120
Speaker 2: for me is that clip where she's talking about how

1640
01:17:58,160 --> 01:18:00,400
Speaker 2: she wrote and performed all the songs on thee At

1641
01:18:00,439 --> 01:18:03,360
Speaker 2: Dolls album and then they heard the album for the

1642
01:18:03,400 --> 01:18:06,400
Speaker 2: first the other dolls heard the music for the first

1643
01:18:06,439 --> 01:18:08,439
Speaker 2: time when they listened to the album that they were

1644
01:18:08,439 --> 01:18:11,640
Speaker 2: allegedly on. And so she's giving an interview and she's like,

1645
01:18:11,800 --> 01:18:14,880
Speaker 2: I'm gonna get in trouble for saying this, but the

1646
01:18:14,960 --> 01:18:17,640
Speaker 2: reason they heard it in studio is because I was

1647
01:18:17,680 --> 01:18:21,000
Speaker 2: the one singing. Do you understand what I'm saying? I

1648
01:18:21,120 --> 01:18:22,160
Speaker 2: was the one singing.

1649
01:18:25,040 --> 01:18:28,240
Speaker 4: The Dolls had been together for nearly five years, But

1650
01:18:28,360 --> 01:18:33,439
Speaker 4: now Nicole Scherzinger is sharing another well kept secret. She

1651
01:18:33,479 --> 01:18:36,600
Speaker 4: says that on the Dolls studio albums, almost all of

1652
01:18:36,640 --> 01:18:39,759
Speaker 4: the tracks, including the background vocals, were.

1653
01:18:39,600 --> 01:18:40,360
Speaker 2: All her own.

1654
01:18:40,760 --> 01:18:44,479
Speaker 5: I love those girls, my sisters, but people don't even

1655
01:18:44,520 --> 01:18:49,479
Speaker 5: know the story. They have no idea. I wasn't centered

1656
01:18:49,479 --> 01:18:56,639
Speaker 5: because I was singing. I was the one singing, Oh man,

1657
01:18:56,960 --> 01:18:57,479
Speaker 5: oh man.

1658
01:18:57,560 --> 01:19:00,320
Speaker 6: I hope I don't get in trouble for the stuff

1659
01:19:00,360 --> 01:19:03,640
Speaker 6: that I say because I never really talked about it,

1660
01:19:03,680 --> 01:19:09,280
Speaker 6: but I'll never forget. I finished the album PCD, and

1661
01:19:09,400 --> 01:19:12,439
Speaker 6: Ron and I brought the girls into the studio and

1662
01:19:12,479 --> 01:19:15,240
Speaker 6: we played it for them, and it.

1663
01:19:15,200 --> 01:19:16,799
Speaker 5: Was the first time they'd ever heard the music.

1664
01:19:19,600 --> 01:19:23,200
Speaker 6: Do you understand what I'm saying? We played the album

1665
01:19:23,200 --> 01:19:25,680
Speaker 6: for the Pussycat Dolls, so the first time they ever

1666
01:19:25,720 --> 01:19:26,519
Speaker 6: heard the songs.

1667
01:19:28,640 --> 01:19:32,719
Speaker 7: Melody sang a bit here and there, but the records

1668
01:19:32,720 --> 01:19:37,120
Speaker 7: were Nicole, you know, okay with with With the exception

1669
01:19:37,200 --> 01:19:40,280
Speaker 7: of an occasional ad lid, but they were Nicole, they

1670
01:19:40,320 --> 01:19:42,439
Speaker 7: were created with with her.

1671
01:19:43,880 --> 01:19:46,880
Speaker 3: You know what, if that's true, then good for her.

1672
01:19:46,960 --> 01:19:49,439
Speaker 3: Take the credit that you are owned. Yeah, because pussy

1673
01:19:49,479 --> 01:19:53,760
Speaker 3: Cat Dolls were a global sensation and she was she

1674
01:19:53,880 --> 01:19:58,479
Speaker 3: fucking ate down. And another thing is you have to

1675
01:19:58,479 --> 01:20:03,439
Speaker 3: watch her interviews about I actually have, so she's like

1676
01:20:03,720 --> 01:20:05,519
Speaker 3: sort of like in character she's doing it.

1677
01:20:05,600 --> 01:20:08,400
Speaker 2: She goes, I feel like I am normal Desmond.

1678
01:20:09,000 --> 01:20:13,600
Speaker 8: And the music it was my soul and she's like

1679
01:20:13,800 --> 01:20:17,400
Speaker 8: so like goofy, loofy, and then like I don't know

1680
01:20:17,439 --> 01:20:19,760
Speaker 8: if she still does it, but in the days.

1681
01:20:19,560 --> 01:20:22,600
Speaker 2: Where the musical was opening, yeah, she came to the

1682
01:20:22,680 --> 01:20:26,400
Speaker 2: stage door in character, really yes, and she greeted the

1683
01:20:26,439 --> 01:20:28,320
Speaker 2: audience that I've just seen her in character and it

1684
01:20:28,400 --> 01:20:31,559
Speaker 2: was like sort of gagash, which makes me feel like

1685
01:20:31,600 --> 01:20:34,800
Speaker 2: she'd be great on this podcast. Oh I agree. I

1686
01:20:34,800 --> 01:20:36,720
Speaker 2: mean I also so the interviews I've seen are very

1687
01:20:36,800 --> 01:20:39,000
Speaker 2: much her being like, first of all, to see any

1688
01:20:39,040 --> 01:20:42,839
Speaker 2: American celebrity on British talk shows is the greatest joy.

1689
01:20:43,120 --> 01:20:45,280
Speaker 2: I mean, to watch clips of Grand Norton, I am

1690
01:20:45,400 --> 01:20:48,200
Speaker 2: oh yeah, ok, yeah, but it's like her on morning

1691
01:20:48,240 --> 01:20:50,880
Speaker 2: shows and she just goes, let me tell you something, y'all,

1692
01:20:51,040 --> 01:20:53,679
Speaker 2: theater is no joke. Yeah, and then everyone like goes

1693
01:20:53,720 --> 01:20:54,479
Speaker 2: why They're like, you.

1694
01:20:54,640 --> 01:20:57,200
Speaker 3: Said it, Oh my gosh, say more about that. Eight

1695
01:20:57,240 --> 01:20:59,519
Speaker 3: shows a week they go, oh my god, say more

1696
01:20:59,520 --> 01:20:59,880
Speaker 3: about that.

1697
01:21:00,320 --> 01:21:02,679
Speaker 2: It is exhausting. Well, thank you so much for coming,

1698
01:21:03,840 --> 01:21:06,800
Speaker 2: But I do, I mean, how what a great sort

1699
01:21:06,800 --> 01:21:09,280
Speaker 2: of career chapter for her to be covered in blood

1700
01:21:09,360 --> 01:21:09,960
Speaker 2: doing h.

1701
01:21:10,520 --> 01:21:12,720
Speaker 3: Also the reason that she's covered in blood, like the

1702
01:21:12,760 --> 01:21:14,840
Speaker 3: twist at the end of Sunset Boulevard, I won't say

1703
01:21:14,920 --> 01:21:17,559
Speaker 3: because again I encourage everyone to see it when they can,

1704
01:21:17,640 --> 01:21:22,160
Speaker 3: if they can, is so fucking crazy and works so well.

1705
01:21:22,840 --> 01:21:25,519
Speaker 3: And this director, Jamie Lloyd, who also did A Doll's

1706
01:21:25,560 --> 01:21:26,519
Speaker 3: House with Jessica Chester.

1707
01:21:26,640 --> 01:21:27,479
Speaker 2: Oh, I didn't really.

1708
01:21:27,880 --> 01:21:30,920
Speaker 3: Everything he does is like this like really classic or

1709
01:21:31,040 --> 01:21:33,839
Speaker 3: you know, purporting to be like iconic, you know, stuff

1710
01:21:33,920 --> 01:21:37,360
Speaker 3: and done very minimalist, with like really weird choices and

1711
01:21:37,439 --> 01:21:40,640
Speaker 3: like very apt choices, and he's just really good. And

1712
01:21:40,640 --> 01:21:42,720
Speaker 3: then you see him and he's like covered in tattoos

1713
01:21:42,800 --> 01:21:43,240
Speaker 3: and like.

1714
01:21:43,160 --> 01:21:45,960
Speaker 2: Oh my god, yes, I remember, yes, I remember seeing

1715
01:21:46,040 --> 01:21:48,439
Speaker 2: him when he and Jessica Chessain were like doing pressed together.

1716
01:21:48,560 --> 01:21:48,720
Speaker 5: Yeah.

1717
01:21:48,760 --> 01:21:50,760
Speaker 3: Yeah, So now he's out like doing press press sunt

1718
01:21:50,760 --> 01:21:52,400
Speaker 3: at Bulevard and you're like, oh, this is him, and

1719
01:21:52,439 --> 01:21:54,720
Speaker 3: you're like, I don't know. It's just very cool, and

1720
01:21:55,040 --> 01:21:58,759
Speaker 3: it's like reinventing things for not necessarily a younger audience,

1721
01:21:58,800 --> 01:22:01,639
Speaker 3: but just like an audience that is going to be,

1722
01:22:01,880 --> 01:22:04,760
Speaker 3: you know, revitalized by something like this.

1723
01:22:04,880 --> 01:22:09,040
Speaker 2: It's it's it's worthy of worthy of eyes. Oh should

1724
01:22:09,040 --> 01:22:12,080
Speaker 2: we do our final segment? We have to, but I don't.

1725
01:22:12,120 --> 01:22:13,880
Speaker 2: I'm having so much fun. I know, and I'm looking

1726
01:22:13,920 --> 01:22:15,560
Speaker 2: up at the clock and it's eleven thirty. I know

1727
01:22:15,640 --> 01:22:17,000
Speaker 2: we have to have And so it's just.

1728
01:22:16,960 --> 01:22:19,479
Speaker 3: Like, unfortunately, like it's one of those things where like

1729
01:22:20,880 --> 01:22:23,320
Speaker 3: the decision is being made for us by time.

1730
01:22:23,560 --> 01:22:25,800
Speaker 1: It's so messed up. I hate that we are all

1731
01:22:25,880 --> 01:22:26,880
Speaker 1: products of our time.

1732
01:22:27,160 --> 01:22:28,679
Speaker 2: But what I would love is if you guys came

1733
01:22:28,720 --> 01:22:31,400
Speaker 2: back on the LC. Oh, that would be such a truth.

1734
01:22:31,800 --> 01:22:34,559
Speaker 3: I think that would maybe we can convince Bawn Yang

1735
01:22:35,479 --> 01:22:37,920
Speaker 3: heard of him to get here in this very room

1736
01:22:37,920 --> 01:22:40,200
Speaker 3: at some point, like within the next couple of weeks.

1737
01:22:40,280 --> 01:22:43,799
Speaker 2: That would be in incredit. Girls want that holiday app

1738
01:22:44,200 --> 01:22:47,320
Speaker 2: holiday app Also, Nicole Scherzinger would be a great missus clause.

1739
01:22:48,280 --> 01:22:51,280
Speaker 3: Oh, certainly of course, you know, so I will plug

1740
01:22:51,439 --> 01:22:54,240
Speaker 3: the album very quick, please. I have a song which

1741
01:22:54,240 --> 01:22:56,880
Speaker 3: I mentioned earlier called Every Christmas Eve, which is missus

1742
01:22:56,920 --> 01:22:59,559
Speaker 3: Claus's theme, and I think she would do a stunning

1743
01:22:59,600 --> 01:23:01,519
Speaker 3: performance of it. And what I want to have happened

1744
01:23:01,520 --> 01:23:05,200
Speaker 3: eventually with the album is Hamiltonize It. Hamil's a mixtape

1745
01:23:05,600 --> 01:23:08,280
Speaker 3: where all my songs are covered by other people. And

1746
01:23:08,320 --> 01:23:10,840
Speaker 3: I would say to her that I think she would.

1747
01:23:11,439 --> 01:23:13,120
Speaker 3: I've said it before, I'll say it again. Eat down

1748
01:23:13,160 --> 01:23:13,400
Speaker 3: on this.

1749
01:23:13,439 --> 01:23:15,720
Speaker 2: Scene, and I just want to say, I know we

1750
01:23:15,800 --> 01:23:17,519
Speaker 2: haven't had a lot of time to promote the album.

1751
01:23:18,000 --> 01:23:22,639
Speaker 2: To me, your Christmas Show is like as we said before,

1752
01:23:22,840 --> 01:23:25,040
Speaker 2: it's difficult to get on board with new lore to

1753
01:23:25,520 --> 01:23:27,479
Speaker 2: the Christmas lore. Yes, And I would say in my

1754
01:23:27,640 --> 01:23:30,080
Speaker 2: entire adult life, your show has been the one thing

1755
01:23:30,120 --> 01:23:32,920
Speaker 2: that I have accepted into my life as like new

1756
01:23:33,040 --> 01:23:38,639
Speaker 2: Cannon and the joy that show brings me every year.

1757
01:23:38,680 --> 01:23:42,360
Speaker 2: It's actually I have two traditions media wise. One is

1758
01:23:42,400 --> 01:23:44,080
Speaker 2: going to your show and the other is watching eyes

1759
01:23:44,120 --> 01:23:44,679
Speaker 2: wide shot.

1760
01:23:45,240 --> 01:23:45,599
Speaker 6: Really.

1761
01:23:46,240 --> 01:23:48,599
Speaker 2: Oh, I love that you're exactly who.

1762
01:23:49,000 --> 01:23:50,719
Speaker 3: Yeah, that cross section is amazing.

1763
01:23:50,840 --> 01:23:54,280
Speaker 2: Yeah, and there is a photo of like a group

1764
01:23:54,320 --> 01:23:56,320
Speaker 2: of us after your show and probably like twenty eighteen,

1765
01:23:56,360 --> 01:23:58,519
Speaker 2: and we're all sort of wearing like Christmas coded sweaters

1766
01:23:58,880 --> 01:24:01,680
Speaker 2: and it truly is like a warm bath to me,

1767
01:24:01,960 --> 01:24:04,240
Speaker 2: like it is. Are you gonna get to come this year? Well?

1768
01:24:04,360 --> 01:24:07,479
Speaker 2: Really late in the month is December twenty third at

1769
01:24:07,520 --> 01:24:12,200
Speaker 2: town Hall. I'll be here like many people.

1770
01:24:12,280 --> 01:24:14,720
Speaker 3: If you're here, come, I mean, like obviously just tell me, yeah,

1771
01:24:15,280 --> 01:24:17,760
Speaker 3: give you a ticket. But everyone else that's listening to

1772
01:24:17,840 --> 01:24:18,719
Speaker 3: us has to buy tickets.

1773
01:24:20,200 --> 01:24:21,400
Speaker 2: You know, everything is at town Hall.

1774
01:24:21,439 --> 01:24:21,559
Speaker 1: Now.

1775
01:24:21,800 --> 01:24:24,760
Speaker 2: I'm seeing keik A Herb there. Really. Oh that's a

1776
01:24:24,800 --> 01:24:26,599
Speaker 2: lot of fun. Yeah, town Hall's great.

1777
01:24:26,920 --> 01:24:30,120
Speaker 3: I would say this this year, I'm playing like bigger

1778
01:24:30,240 --> 01:24:32,760
Speaker 3: venues and it makes me nervous because, like, you know,

1779
01:24:33,120 --> 01:24:35,960
Speaker 3: you don't just like it's not like you know when

1780
01:24:35,960 --> 01:24:36,960
Speaker 3: you used to have a show at.

1781
01:24:36,880 --> 01:24:38,760
Speaker 2: Like a Union Hall. It's like I will I sell

1782
01:24:38,760 --> 01:24:40,240
Speaker 2: the tickets, and like, of course you will.

1783
01:24:40,520 --> 01:24:44,440
Speaker 3: It's like now it's like I get nervous. So www

1784
01:24:44,520 --> 01:24:45,920
Speaker 3: dot mat Rodgers Official dot com.

1785
01:24:45,760 --> 01:24:46,360
Speaker 2: To my tickets.

1786
01:24:46,400 --> 01:24:48,120
Speaker 3: Please come see it. It's a lot of fun, and

1787
01:24:48,120 --> 01:24:50,519
Speaker 3: we're doing it with a full band. I don't know,

1788
01:24:50,600 --> 01:24:53,600
Speaker 3: I feel like this is yeah, So Henry and a

1789
01:24:53,640 --> 01:24:57,719
Speaker 3: bassist and a drummer a fun yeah, and it'll be fun.

1790
01:24:57,800 --> 01:24:59,879
Speaker 2: It is so sad that we have no musical talents.

1791
01:25:00,080 --> 01:25:03,160
Speaker 3: That's not true. I don't think I can. I say

1792
01:25:03,160 --> 01:25:05,479
Speaker 3: something about singing. It's not about being able to sing.

1793
01:25:05,479 --> 01:25:07,240
Speaker 3: It's actually about how much do you want to sing?

1794
01:25:07,600 --> 01:25:11,240
Speaker 2: Well, you have an incredible voice. You've said this before,

1795
01:25:11,280 --> 01:25:13,439
Speaker 2: and actually it's like being like being skinny is just

1796
01:25:13,479 --> 01:25:18,640
Speaker 2: about loving life and walking to your appointments. Yeah. No,

1797
01:25:18,720 --> 01:25:20,439
Speaker 2: that's actually what I've heard you say that before. And

1798
01:25:20,439 --> 01:25:23,440
Speaker 2: that is a very celebrity thing to say, like like

1799
01:25:23,439 --> 01:25:27,080
Speaker 2: like the sort of word both humility, Like any anyone

1800
01:25:27,120 --> 01:25:28,519
Speaker 2: can do what I did. Anyone can do it if

1801
01:25:28,600 --> 01:25:29,280
Speaker 2: I just believe.

1802
01:25:29,920 --> 01:25:32,000
Speaker 3: No, I guess I get that. I'm just saying like,

1803
01:25:32,880 --> 01:25:35,400
Speaker 3: uh oh my god. I just looked down and there

1804
01:25:35,439 --> 01:25:36,240
Speaker 3: was a picture of us.

1805
01:25:38,320 --> 01:25:39,519
Speaker 2: That's so scary. I looked down.

1806
01:25:39,560 --> 01:25:41,000
Speaker 3: You ever look around and like all of a sudden,

1807
01:25:41,000 --> 01:25:43,280
Speaker 3: there's a picture of you, like in your own home. Anyway,

1808
01:25:43,400 --> 01:25:45,040
Speaker 3: we should do the last segment. Okay, let's be the

1809
01:25:45,120 --> 01:25:45,880
Speaker 3: last ligment SOT.

1810
01:25:46,000 --> 01:25:48,040
Speaker 1: The final segment is called shout Outs, and in this

1811
01:25:48,120 --> 01:25:50,640
Speaker 1: segment we pay homage to the grand straight tradition of

1812
01:25:50,680 --> 01:25:52,439
Speaker 1: the radio shout out? Will you give you shout out

1813
01:25:52,439 --> 01:25:54,519
Speaker 1: to anything that we enjoy as if you're shouting out

1814
01:25:54,560 --> 01:25:57,360
Speaker 1: to your squad back home, I.

1815
01:25:57,280 --> 01:26:02,879
Speaker 2: Can do you have one? Yeah? Okay, what's up foodies

1816
01:26:02,880 --> 01:26:05,160
Speaker 2: out there? I have a food related chant out today?

1817
01:26:05,479 --> 01:26:08,040
Speaker 2: And this is a big, big step for me. I

1818
01:26:08,080 --> 01:26:11,160
Speaker 2: am ready to give a shout out to the Italian

1819
01:26:11,920 --> 01:26:15,519
Speaker 2: way of having pasta first and then salad. WHOA. I

1820
01:26:15,680 --> 01:26:18,120
Speaker 2: have resisted this for my entire life. I have said,

1821
01:26:18,360 --> 01:26:21,639
Speaker 2: I am a red blooded American, blue blooded. I don't

1822
01:26:21,640 --> 01:26:24,760
Speaker 2: know I am an American red blooded. You don't want

1823
01:26:24,800 --> 01:26:27,240
Speaker 2: to be blue blood. I am red white and blue

1824
01:26:27,240 --> 01:26:32,920
Speaker 2: blooded American. And I know blue and I know that

1825
01:26:32,960 --> 01:26:35,680
Speaker 2: salad goes first. Salad is an appetizer, and it is

1826
01:26:35,680 --> 01:26:37,280
Speaker 2: something that when you go to a nice restaurant, they

1827
01:26:37,280 --> 01:26:39,240
Speaker 2: bring first, and you know what happens after that, They

1828
01:26:39,240 --> 01:26:42,400
Speaker 2: bring the entrees, of which pasta is one. So who

1829
01:26:42,439 --> 01:26:43,720
Speaker 2: are you to tell me? And by the way, that

1830
01:26:43,760 --> 01:26:45,880
Speaker 2: also happens in Italian restaurants in New York owned by

1831
01:26:45,920 --> 01:26:49,600
Speaker 2: Italian people, not just Italian American people like Joanne and so,

1832
01:26:49,600 --> 01:26:51,840
Speaker 2: so I know, I know how I'm supposed to eat

1833
01:26:51,880 --> 01:26:55,680
Speaker 2: my pasta but here's what I have now learned. You

1834
01:26:55,800 --> 01:26:58,880
Speaker 2: go to someone's house, the pasta is hot and warm,

1835
01:26:58,880 --> 01:27:00,920
Speaker 2: the sauce is warm. You want to eat that first,

1836
01:27:01,200 --> 01:27:03,160
Speaker 2: and then you need a little something to cleanse the

1837
01:27:03,240 --> 01:27:05,160
Speaker 2: palate before dessert. That's when you get your rugul with

1838
01:27:05,240 --> 01:27:08,559
Speaker 2: salad with yeah, some Finley slice fennel in it. It

1839
01:27:08,600 --> 01:27:11,040
Speaker 2: has been years of me attempting to get used to

1840
01:27:11,080 --> 01:27:14,960
Speaker 2: it and being so anti, and finally last night I said,

1841
01:27:15,080 --> 01:27:18,000
Speaker 2: I'm gonna let this happen and I'm gonna enjoy this

1842
01:27:18,080 --> 01:27:22,559
Speaker 2: crunchy salad after my delicious tomato sauce. And it worked.

1843
01:27:23,040 --> 01:27:26,880
Speaker 2: So shout out to Italy and shout out to Stephanie Germanada,

1844
01:27:27,080 --> 01:27:30,519
Speaker 2: who amazing. That's ude. Yeah.

1845
01:27:30,640 --> 01:27:32,400
Speaker 3: I recently went to n Oh.

1846
01:27:32,439 --> 01:27:34,200
Speaker 2: I haven't been. I was never.

1847
01:27:35,600 --> 01:27:36,000
Speaker 3: Insane.

1848
01:27:36,080 --> 01:27:38,240
Speaker 2: I know I'm bad. You must go.

1849
01:27:38,439 --> 01:27:39,880
Speaker 3: I want to go. Do they have merch?

1850
01:27:40,000 --> 01:27:42,599
Speaker 2: I went on Halloween. They do have merch.

1851
01:27:42,680 --> 01:27:44,240
Speaker 3: I gotta get some merch. Damn.

1852
01:27:45,200 --> 01:27:46,920
Speaker 2: That's like I feel sad.

1853
01:27:47,120 --> 01:27:48,920
Speaker 3: I know, I really I should go.

1854
01:27:49,000 --> 01:27:51,200
Speaker 2: We should go. We're going, wait, maybe we should record

1855
01:27:51,200 --> 01:27:54,400
Speaker 2: Our Less culturesis episode from Joanne.

1856
01:27:55,200 --> 01:27:57,240
Speaker 3: Live from Joann Tratoria, and then we get the best

1857
01:27:57,280 --> 01:27:58,960
Speaker 3: of all the worlds when Lady.

1858
01:27:58,760 --> 01:28:00,719
Speaker 2: Gaga, i'd be great.

1859
01:28:00,600 --> 01:28:04,840
Speaker 3: I mean, and we absolutely have a meltdown. I'm looking

1860
01:28:04,840 --> 01:28:06,639
Speaker 3: over at you because you can kind of make this happen.

1861
01:28:06,680 --> 01:28:10,760
Speaker 2: I mean, like for the holiday.

1862
01:28:11,920 --> 01:28:16,960
Speaker 1: Okay, I have one. Okay, what's up, freaks, losers and perverts.

1863
01:28:17,080 --> 01:28:20,040
Speaker 1: I want to give a huge shout out to the

1864
01:28:20,280 --> 01:28:25,080
Speaker 1: Entree three thousand flute album. I heard about this album

1865
01:28:25,120 --> 01:28:28,000
Speaker 1: and I said, this is not for me. I'm sorry,

1866
01:28:28,120 --> 01:28:32,720
Speaker 1: this sounds like something I don't enjoy. Last night, I

1867
01:28:32,720 --> 01:28:34,760
Speaker 1: I'm not a big stoner, but I'll say it, I

1868
01:28:34,800 --> 01:28:37,559
Speaker 1: had a little bit of weed and I said, okay,

1869
01:28:37,640 --> 01:28:40,280
Speaker 1: let's i's now, We're never babe. Put the album on

1870
01:28:40,680 --> 01:28:43,000
Speaker 1: and I put it on, and I was in heaven.

1871
01:28:43,479 --> 01:28:46,880
Speaker 1: I was feeling like I was underwater, maybe in a rainforest.

1872
01:28:47,280 --> 01:28:51,120
Speaker 1: I was feeling sort of transported out of New York City, which, honey,

1873
01:28:51,240 --> 01:28:54,040
Speaker 1: you can't do for that cheap.

1874
01:28:54,040 --> 01:28:56,679
Speaker 2: I'll tell you what I thought.

1875
01:28:56,920 --> 01:29:00,840
Speaker 1: You know what, I'm so glad this man is too swings.

1876
01:29:01,160 --> 01:29:04,120
Speaker 1: You know, so many people they're say, Okay, gotta get

1877
01:29:04,160 --> 01:29:06,320
Speaker 1: back to work, Gotta do what people expect.

1878
01:29:06,040 --> 01:29:07,760
Speaker 2: Me to do. And he said, what if I take

1879
01:29:07,840 --> 01:29:12,200
Speaker 2: fifteen years to do something that is literally only for me,

1880
01:29:12,680 --> 01:29:16,200
Speaker 2: and that is so impressive and so powerful and it's

1881
01:29:16,439 --> 01:29:19,280
Speaker 2: fun and it also be like damn, when you have taste,

1882
01:29:19,320 --> 01:29:22,160
Speaker 2: you just have taste, and that is sometimes upsetting to.

1883
01:29:22,200 --> 01:29:25,000
Speaker 1: Learn about, but also sometimes really amazing. So shout out

1884
01:29:25,000 --> 01:29:28,400
Speaker 1: to the Entree three thousand flu album. I love it xoxo, saying.

1885
01:29:28,200 --> 01:29:30,720
Speaker 2: Wow, people should get to show their too. Sometimes when

1886
01:29:30,720 --> 01:29:31,960
Speaker 2: you have taste, you have taste.

1887
01:29:32,040 --> 01:29:34,040
Speaker 1: When you have taste, you have taste, and it doesn't

1888
01:29:34,080 --> 01:29:36,200
Speaker 1: matter what medium. Yeah, it's upsetting.

1889
01:29:36,840 --> 01:29:38,439
Speaker 2: That actually kind of connects to my shutouts.

1890
01:29:38,479 --> 01:29:41,479
Speaker 3: Ooh okay ready, yeah everybody else.

1891
01:29:43,439 --> 01:29:46,439
Speaker 2: Wow, I've never seen anything like that on time.

1892
01:29:46,439 --> 01:29:48,600
Speaker 3: Everybody's your boy Matt runs here on the radio, and

1893
01:29:48,720 --> 01:29:50,559
Speaker 3: by radio I means radio led podcast. I just want

1894
01:29:50,560 --> 01:29:52,479
Speaker 3: to give a click shut out to a broom temperature water.

1895
01:29:52,960 --> 01:29:54,800
Speaker 3: There's nothing like you. And something that people have a

1896
01:29:54,800 --> 01:29:57,759
Speaker 3: misconception about is that cold water is better. No, actually, honey,

1897
01:29:58,200 --> 01:30:00,880
Speaker 3: cold water can actually freeze up local cord. So if

1898
01:30:00,880 --> 01:30:02,320
Speaker 3: you're a singer out there or trying to sing, it's

1899
01:30:02,320 --> 01:30:03,720
Speaker 3: not about how much you can sing, It's about how

1900
01:30:03,760 --> 01:30:05,280
Speaker 3: much you want to sing, no matter how much anyone

1901
01:30:05,320 --> 01:30:07,680
Speaker 3: says otherwise, you can just drink room temperature water.

1902
01:30:07,760 --> 01:30:09,559
Speaker 2: You hydrate quicker, baby. It's because it's closer to.

1903
01:30:09,560 --> 01:30:13,519
Speaker 3: Your actual temperature of your body and it lubricates. Yeah,

1904
01:30:13,600 --> 01:30:15,240
Speaker 3: I said it the Bogo cords.

1905
01:30:15,840 --> 01:30:16,479
Speaker 2: Oh my god.

1906
01:30:16,520 --> 01:30:19,240
Speaker 3: This ham like room temperature water. It tastes good because

1907
01:30:19,280 --> 01:30:22,000
Speaker 3: actually your body has to love it. It's the only

1908
01:30:22,000 --> 01:30:25,360
Speaker 3: thing no one can argue with. Every human needs water.

1909
01:30:25,520 --> 01:30:28,680
Speaker 3: That means every human loves water. It's like when you

1910
01:30:28,680 --> 01:30:31,200
Speaker 3: feel the warmth on your skin on me, it's good.

1911
01:30:32,200 --> 01:30:35,599
Speaker 3: One drink up this Christmas, this holiday season. I want

1912
01:30:35,600 --> 01:30:37,800
Speaker 3: to see your drinking room temperature water. Put the beers down,

1913
01:30:37,840 --> 01:30:39,760
Speaker 3: put the cocktails down. Just drink water.

1914
01:30:39,800 --> 01:30:41,639
Speaker 2: Baby. This is especially shout out to all my soap

1915
01:30:41,720 --> 01:30:44,400
Speaker 2: people out there. I know you love water too, and

1916
01:30:44,640 --> 01:30:48,720
Speaker 2: I love you. Hey, shout out woo. I think that's

1917
01:30:48,720 --> 01:30:50,880
Speaker 2: so amazing. I actually love room temperature water as well,

1918
01:30:50,960 --> 01:30:52,679
Speaker 2: and one so good.

1919
01:30:52,720 --> 01:30:53,559
Speaker 3: I get upset.

1920
01:30:53,680 --> 01:30:57,080
Speaker 2: Haven't you done a shout out to room temperature water before?

1921
01:30:57,800 --> 01:30:59,559
Speaker 2: That's what makes that. I've said it before that you're

1922
01:30:59,560 --> 01:31:01,960
Speaker 2: the bowe, you're the mask. Yeah, yeah, I mean I

1923
01:31:02,080 --> 01:31:04,040
Speaker 2: It was in our episode of the Parna and Charla

1924
01:31:04,240 --> 01:31:06,559
Speaker 2: really either you or a Parna did a shout out

1925
01:31:06,560 --> 01:31:09,200
Speaker 2: to room temperature water, and then it became a whole conversation.

1926
01:31:08,760 --> 01:31:10,160
Speaker 3: Because I talked about how ice cream is too cold

1927
01:31:10,200 --> 01:31:11,280
Speaker 3: and they need to make warm ice cream.

1928
01:31:11,560 --> 01:31:14,040
Speaker 2: Sam's Sam thinks they need to make warm ice cream.

1929
01:31:14,400 --> 01:31:18,040
Speaker 2: Well well, room temperature. God, I'm literally trying to think

1930
01:31:18,520 --> 01:31:22,600
Speaker 2: you want to crewle warm? No, I want a panacatta.

1931
01:31:22,720 --> 01:31:24,679
Speaker 3: I want room temperature ice cream.

1932
01:31:25,160 --> 01:31:27,920
Speaker 2: You want milk, No, I want to be the texture

1933
01:31:27,920 --> 01:31:30,519
Speaker 2: of ice cream and just not so damn cold. And

1934
01:31:30,560 --> 01:31:32,880
Speaker 2: once again you just make you are milk. You are

1935
01:31:32,920 --> 01:31:35,759
Speaker 2: baby right now? I literally baby girl. I want cream

1936
01:31:36,640 --> 01:31:37,280
Speaker 2: ice cream.

1937
01:31:37,720 --> 01:31:39,560
Speaker 3: Wait, I think the three of us are baby.

1938
01:31:39,600 --> 01:31:42,439
Speaker 2: I know, okay, what is baby girl? Oh you know

1939
01:31:42,520 --> 01:31:44,559
Speaker 2: baby girl. I know that it's the new thing now

1940
01:31:44,560 --> 01:31:47,000
Speaker 2: that everyone is baby girl and Jacob Elordi's baby girl.

1941
01:31:47,000 --> 01:31:48,120
Speaker 2: But I haven't done the reason.

1942
01:31:49,400 --> 01:31:51,479
Speaker 3: He's a little baby girl because he has a purse.

1943
01:31:51,800 --> 01:31:54,320
Speaker 3: Ask Patrick Rodgers, a baby girl is? Ask house a

1944
01:31:54,439 --> 01:31:57,160
Speaker 3: baby girl is? He'll tell you, well, but you're here now.

1945
01:31:59,720 --> 01:32:02,760
Speaker 3: Baby girl is like someone who like presents a little

1946
01:32:02,760 --> 01:32:06,000
Speaker 3: bit mask. Yeah, like Pedro Prescal's baby girl. Yeah, like,

1947
01:32:06,040 --> 01:32:08,599
Speaker 3: but he's low key a little bit like, oh yeah,

1948
01:32:08,880 --> 01:32:11,280
Speaker 3: you're probably you probably could put your dick inside him.

1949
01:32:11,400 --> 01:32:15,120
Speaker 3: There's an undercurrent. Oh I see, it's like baby girl

1950
01:32:15,200 --> 01:32:17,400
Speaker 3: is like, you know, like when a masked person has

1951
01:32:17,439 --> 01:32:18,960
Speaker 3: like a little bit of a firm voice, they're a

1952
01:32:18,960 --> 01:32:19,719
Speaker 3: little baby girl.

1953
01:32:19,920 --> 01:32:24,280
Speaker 2: Yeah totally. Yeah. And then it's a hint I'm trying.

1954
01:32:24,400 --> 01:32:27,519
Speaker 2: I'm trying to like think of a good celebrity baby girl.

1955
01:32:30,160 --> 01:32:32,679
Speaker 3: Let's say, well, I just cut Pedro is baby Pedro?

1956
01:32:33,320 --> 01:32:35,160
Speaker 3: I mean I think I think like in a way

1957
01:32:35,200 --> 01:32:40,479
Speaker 3: like bad by Baby. I think that in many ways

1958
01:32:41,479 --> 01:32:44,080
Speaker 3: who baby girl? Oh, Like Andrew Garfield is baby girl?

1959
01:32:44,479 --> 01:32:47,480
Speaker 2: Yeah, totally totally. Wow, great example.

1960
01:32:47,200 --> 01:32:48,880
Speaker 3: Because because you get the sense that he'd be like

1961
01:32:49,000 --> 01:32:50,559
Speaker 3: he would like cozy up to you if you said

1962
01:32:50,560 --> 01:32:52,120
Speaker 3: something nice to him and give you a soft kiss

1963
01:32:52,160 --> 01:32:55,000
Speaker 3: on the cheek. Remember that's remember that interview that Andrew

1964
01:32:55,040 --> 01:32:56,679
Speaker 3: Garfield did with Colbert where they kissed.

1965
01:32:57,160 --> 01:33:00,439
Speaker 2: Yeah, that was like peak baby girl behavior. Mmmm.

1966
01:33:02,240 --> 01:33:03,120
Speaker 3: Does that make sense to you know?

1967
01:33:03,240 --> 01:33:06,960
Speaker 2: Absolutely? You know who else is baby girl? The celebrity

1968
01:33:07,400 --> 01:33:10,680
Speaker 2: I was talking about before we started. Oh yeah, but

1969
01:33:10,880 --> 01:33:14,120
Speaker 2: unfortunately he is so baby girl. Yeah.

1970
01:33:14,160 --> 01:33:16,439
Speaker 3: Well, Matt, thank you so much for doing the podcast.

1971
01:33:16,479 --> 01:33:18,000
Speaker 3: Thank you so much for having me. How many times

1972
01:33:18,000 --> 01:33:22,439
Speaker 3: have I been on four seven? What's rational out?

1973
01:33:22,439 --> 01:33:24,320
Speaker 2: I've been? You know, we need to get you on

1974
01:33:24,520 --> 01:33:26,600
Speaker 2: what is a live show? Because when we booked your

1975
01:33:26,640 --> 01:33:30,200
Speaker 2: last I really and can I tell you something.

1976
01:33:30,200 --> 01:33:32,040
Speaker 3: It's one of those things where you guys will often

1977
01:33:32,080 --> 01:33:33,919
Speaker 3: and a lot of people do this, but it affects

1978
01:33:33,920 --> 01:33:35,400
Speaker 3: me most when you do it. It's like when you

1979
01:33:35,479 --> 01:33:37,880
Speaker 3: post pictures of the live show after the fact and

1980
01:33:37,920 --> 01:33:39,600
Speaker 3: I look at who you have on stage and I'm like,

1981
01:33:40,240 --> 01:33:41,000
Speaker 3: I should be there.

1982
01:33:41,280 --> 01:33:43,360
Speaker 2: And it's never that I'm looking at someone that shouldn't be.

1983
01:33:43,400 --> 01:33:44,880
Speaker 2: It's just that I should be. I would be.

1984
01:33:45,640 --> 01:33:48,120
Speaker 3: It hurts me that I can't also be there participating

1985
01:33:48,200 --> 01:33:49,880
Speaker 3: because it just hurts me.

1986
01:33:50,040 --> 01:33:53,400
Speaker 2: And to be clear, we have, yes, I have been.

1987
01:33:53,760 --> 01:33:56,559
Speaker 3: It's not that. No, Yeah, you have a mental block

1988
01:33:56,640 --> 01:33:57,200
Speaker 3: on being there.

1989
01:33:57,560 --> 01:33:59,320
Speaker 2: But it is a good reminder for us, you know,

1990
01:33:59,439 --> 01:34:02,360
Speaker 2: sometimes because we have invited you, we're like, oh, that

1991
01:34:02,400 --> 01:34:04,479
Speaker 2: has been crossed off the list. No, a good reminder.

1992
01:34:04,640 --> 01:34:07,000
Speaker 2: It's a good reminder. No, we actually have to literally

1993
01:34:07,040 --> 01:34:12,519
Speaker 2: always invite me and I live here now again, Oh right,

1994
01:34:12,600 --> 01:34:15,439
Speaker 2: I do always forget that. I forget that, Yeah, because

1995
01:34:15,439 --> 01:34:18,720
Speaker 2: I'm like always in La. Yeah, but I hate it.

1996
01:34:18,840 --> 01:34:19,960
Speaker 2: But that's a whole other podcast.

1997
01:34:20,360 --> 01:34:23,880
Speaker 1: Damn you again. It sounds so celebrity. I live in

1998
01:34:23,880 --> 01:34:26,280
Speaker 1: New York now, but I'm never here. Well, you know,

1999
01:34:27,760 --> 01:34:28,840
Speaker 1: anyone can say you.

2000
01:34:28,720 --> 01:34:31,320
Speaker 2: Were almost you know, we were. We haven't sent out invites, ta,

2001
01:34:31,400 --> 01:34:33,720
Speaker 2: we're braking our list for our Christmas party, and you

2002
01:34:33,720 --> 01:34:35,800
Speaker 2: were almost not on it because I was going off

2003
01:34:35,800 --> 01:34:38,120
Speaker 2: of last year's list, which you were not on because

2004
01:34:38,120 --> 01:34:39,800
Speaker 2: you don't live here and.

2005
01:34:39,760 --> 01:34:43,040
Speaker 3: I tour during Christmas. Oh right, that's really the reason

2006
01:34:43,040 --> 01:34:45,759
Speaker 3: why I can't do it Christmas. It's actually the great

2007
01:34:45,760 --> 01:34:50,120
Speaker 3: conundrum of being a Christmas staple. Of course, because that

2008
01:34:50,160 --> 01:34:52,479
Speaker 3: I can't participate in any Christmas things.

2009
01:34:52,560 --> 01:34:53,519
Speaker 2: Yeah, that is so sad.

2010
01:34:53,680 --> 01:34:55,800
Speaker 3: Soon I'll just be completely disconnected from the culture and

2011
01:34:55,840 --> 01:34:57,720
Speaker 3: I'll just be singing words I don't even recognize.

2012
01:34:57,960 --> 01:35:00,320
Speaker 2: I mean, people ask us, what are you doing for pride? Say,

2013
01:35:00,520 --> 01:35:03,720
Speaker 2: we're posting, we're working. We can't even get into the

2014
01:35:03,720 --> 01:35:04,559
Speaker 2: spirit of pride anymore.

2015
01:35:04,560 --> 01:35:06,720
Speaker 3: I forgot what pride is. I forgot I was gay.

2016
01:35:07,720 --> 01:35:12,880
Speaker 2: I mean, you're the only one. Well, we never yet

2017
01:35:12,960 --> 01:35:17,200
Speaker 2: to go out there. How do you guys? We go?

2018
01:35:17,360 --> 01:35:32,400
Speaker 9: Bye podcast and now want more.

2019
01:35:32,840 --> 01:35:35,920
Speaker 2: Subscribe to our Patreon for two extra episodes a month,

2020
01:35:36,200 --> 01:35:39,920
Speaker 2: discord access, and more by heading to patreon dot com.

2021
01:35:39,960 --> 01:35:41,439
Speaker 2: Slash Stradio Lab.

2022
01:35:41,479 --> 01:35:44,120
Speaker 1: And for all our visual learners, free full length video

2023
01:35:44,120 --> 01:35:45,960
Speaker 1: episodes are available on our YouTube.

2024
01:35:46,200 --> 01:35:47,200
Speaker 2: Now get back to work.