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Speaker 1: So we're out.

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Speaker 2: Foraging man Lawrence O'Donnell for whatever, grubs and roots and

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Speaker 2: uh yeah, and I spot this big mushrooms like red

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Speaker 2: and like red and white, kind of spotty mushroom, and I,

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Speaker 2: of course, you know, pull it out of the ground

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Speaker 2: and guess who it is and then guess it's Toad

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Speaker 2: from the print. And so I pull him out in

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Speaker 2: such a way that it sort of like rips all

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Speaker 2: his clothes off. No, his head is no, I didn't know.

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Speaker 2: I didn't they teach you how to do for forging

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Speaker 2: in case it is Toad. But now he's like he

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Speaker 2: is nude and he is like member of Pillsbury dough Boy.

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Speaker 2: Did he make that? Did he make that noise? That

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Speaker 2: would have been pretty cute. I don't think he is

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Speaker 2: aware that he kind of looks like that.

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Speaker 3: Oh yeah, Oh he's one of these guys who thinks

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Speaker 3: of himself as like a total stud. Yes, and you go,

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Speaker 3: you know how he pulls down all these chicks. Yeah,

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Speaker 3: it's just confidence, man, Like what he sees when he

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Speaker 3: looks in the mirror is not what I see and

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Speaker 3: it's working.

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Speaker 1: Yeah.

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Speaker 2: Well, I think if I even if I were to

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Speaker 2: do that, he'd be like, what are you doing right?

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Speaker 1: Right? And it wasn't the time that because he's nude.

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Speaker 3: Yeah, and you don't want to yeah, and so what

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Speaker 3: so did you start?

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Speaker 1: Well, He's like also like in gorged, I don't know

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Speaker 1: how to put this. Oh yeah yeah, hard as a rock.

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Speaker 3: He's blasted in his fucking little rocket ship downstairs, And

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Speaker 3: so did you become the launch pad and sort of

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Speaker 3: give him somewhere to land that thing?

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Speaker 2: He I had, like because as I'm playing him out

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Speaker 2: of the ground, it's like flinging a bunch of like

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Speaker 2: dirt up in the air.

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Speaker 1: Okay, you know, I got.

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Speaker 2: It, you know, like a doorstot, one of those doorstops,

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Speaker 2: and it's making that noise, you know, like when you're

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Speaker 2: a kid and you like take a.

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Speaker 1: Ruler on the edge of your desk and you push this. Yeah. Yes,

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Speaker 1: so like the noise is loud.

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Speaker 2: I have like all this dirt in my face and

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Speaker 2: so I'm like, sorry, you know, I know I did.

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Speaker 2: This is my fault, but I almost and like Lawrence

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Speaker 2: is going to get help. I don't know exactly like

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Speaker 2: what like he was thinking we needed, but he was

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Speaker 2: like I'll go get help, right, Yeah, Yeah, he's very helpful,

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Speaker 2: Like he's very brave that way to always volunteer to

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Speaker 2: get help.

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Speaker 3: But a lot of times you're not in danger. No,

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Speaker 3: there's no one nearby that he can get Yeah, there's

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Speaker 3: no one. Don't know what to tell them when, And

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Speaker 3: if he did find someone and tell them that, they'd

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Speaker 3: be like what do I do? You know, like what

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Speaker 3: is my involved? Right, and then dick out with them.

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Speaker 3: That's their whole day.

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Speaker 2: Yes, you know, but he's very like insistent about it,

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Speaker 2: like don't you want to help people?

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Speaker 1: And they're like I do, I just don't know what.

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Speaker 3: Yeah, he plays on people's desire to be charitable. So

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Speaker 3: I'm sorry, but I'm getting you sidetracked. So what are

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Speaker 3: you doing with this dude's waning toadstool? Because I know

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Speaker 3: you're not going to leave my man hanging.

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Speaker 1: Well, that's.

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Speaker 2: I would have maybe like considered being like a landing pad. Yeah,

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Speaker 2: because you said, but he is still asleep. Oh, so

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Speaker 2: I'm like, do I wake him up and then be

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Speaker 2: like do you having one of.

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Speaker 1: Those good dreams? Yeah? Right?

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Speaker 2: So I'm like, is it like rude to wake him

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Speaker 2: up and be like, hey, would you like a landing

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Speaker 2: I know one way to wake him up, that's the thing.

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Speaker 2: But I'm thinking, like, is that rude?

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Speaker 3: Sure, yeah, because it's he can't consent when he's in

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Speaker 3: his sleep.

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Speaker 2: Yes, thank you, that's exactly what I was thinking. So

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Speaker 2: I just kind of moves him back in there. Hey,

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Speaker 2: welcome to Hollywood Handbook, and it's I just got to

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Speaker 2: kicking button dropping names in the red corvert line back

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Speaker 2: hollage of this industry we call show thiss.

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Speaker 1: I'll let you do. You know, this is kind of

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Speaker 1: your what Oh you want me to talk about this stuff? Yeah,

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Speaker 1: just like you're the whole thing. Okay, So you're listening

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Speaker 1: to one podcast and you're going, is there any other podcasts? Yeah?

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Speaker 1: I did another one.

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Speaker 3: I did another one that's very very similar but technically different.

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Speaker 3: Mosley Hayes is not involved, but he is a little

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Speaker 3: bit and podcast called Hollywood Masterclass.

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Speaker 1: Oh oh, it's a.

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Speaker 3: Totally new podcast. He must be talking about something other

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Speaker 3: than Hollywood. No, there's still so much to do there.

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Speaker 3: So it is a class that we are offering to

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Speaker 3: guide some of these lost souls who want to create

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Speaker 3: art but don't have the tools and maybe don't even.

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Speaker 1: Have a store.

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Speaker 3: They could drive to to get the tools, or even

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Speaker 3: a school. We're the school now, and the school is me.

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Speaker 3: I'm going to teach classes and sessions sound a bell

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Speaker 3: schools in Sucker and Uh. And you get to hear

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Speaker 3: me work live with a student who's insanely talented, amazingly cool, funny,

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Speaker 3: really smart, really nice guy. One of these guys I'm

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Speaker 3: just like, oh, wow, Like is.

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Speaker 1: He fucking with me?

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Speaker 3: He's being so nice because you just have those conversations

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Speaker 3: with him where forty five minutes go by and you

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Speaker 3: realize I've been talking about myself the whole time and

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Speaker 3: I haven't asked about him, and then you ask about

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Speaker 3: him and he goes like, fuck you man. So it's

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Speaker 3: just like that kind of nice where there's an edge too,

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Speaker 3: there's a danger.

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Speaker 1: You know.

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Speaker 3: He's not the guy in the PG thirteen movie that

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Speaker 3: you're all really hoping's gonna make it. He's the guy

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Speaker 3: in the R rated movie. He's a bad man. He's

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Speaker 3: a bad bad man swingers, he's bang raj man. And

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Speaker 3: he's here on the show and Bank talk a little

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Speaker 3: bit about the class and some of what you learned

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Speaker 3: and some of your experience without spoiling anything that would

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Speaker 3: make it that people won't pay money for it. You

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Speaker 3: got to pay money for this podcast. Most podcasts are free.

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Speaker 3: This one is about the same quality, maybe worse, and

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Speaker 3: this one costs money, so please do get involved with that.

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Speaker 4: Hey, guys, thanks for having me on. Good to see

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Speaker 4: you again.

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Speaker 1: Yeah.

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Speaker 4: I took your class. It was a very interesting experience.

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Speaker 4: I think that's the best way I can put it.

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Speaker 4: I came out with a lot of new opinions, some

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Speaker 4: of them quite frankly negative.

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Speaker 3: Yeah, negative opinions of some of the old ways that

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Speaker 3: didn't work, you know.

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Speaker 4: Yeah, I mean not exactly. I mean, I think our

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Speaker 4: relationship kind of.

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Speaker 1: Suffered a little bit. Short.

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Speaker 3: Negative opinions of the teachering you gotta be a tough

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Speaker 3: teacher sometimes the disciplinarian. I hate to put on that

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Speaker 3: hat where I have to sort of bang your knuckles

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Speaker 3: with a ruler and say no bang rochmen don't do that.

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Speaker 1: And some of these teachers that are so nice they

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Speaker 1: end up going to jail.

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Speaker 3: Oh yeah, because a lot of them are perverts. And

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Speaker 3: there's no danger of that with me.

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Speaker 1: Yeah, that's a different thing.

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Speaker 4: The the I mean, and I appreciate the kind words

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Speaker 4: you said at the start of oh my podcast here. Yeah,

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Speaker 4: even that is a little misconstrued, you know, and I wish.

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Speaker 1: Do you not think you're like a sick cool guy

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Speaker 1: down with the coolness.

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Speaker 4: No, that's nice. But you know when like I say, like,

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Speaker 4: fuck you leave me alone, you have said that, Yeah, yeah,

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Speaker 4: it's not me kind of like.

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Speaker 3: Being nice because you are so generous. You know that

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Speaker 3: you don't necessarily want to go on and on about yourself.

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Speaker 2: It's not that but yeah whatever, And that's kind of

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Speaker 2: the thing that you'd say, like if you want people

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Speaker 2: to really think that you don't want to talk about yourself,

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Speaker 2: but like you can't just but you do. You can't

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Speaker 2: be like, well, I actually do I want to talk

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Speaker 2: about myself. You have to say like, no, I really don't.

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Speaker 2: That's why I'm saying fuck you.

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Speaker 3: Yeah, Well, if you don't want to talk about yourself,

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Speaker 3: what a lot of people will do is go like,

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Speaker 3: nothing much going on, mean, nothing interesting, and that's really

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Speaker 3: nothing that feels bad.

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Speaker 1: Yeah, but if they go like.

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Speaker 2: Then you feel like you have to tease it out

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Speaker 2: of them and stuff. Yes, it's a game. I'm so

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Speaker 2: sick of game. Yeah, I see nothing interesting you're like,

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Speaker 2: yeah it is.

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Speaker 1: I'm over these games.

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Speaker 4: I mean, I've just been running into you a lot

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Speaker 4: since we did the podcast.

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Speaker 1: Sure, yeah, and I'll be out.

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Speaker 3: Well, I'm in that next you know, I'm next door.

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Speaker 4: Yeah, and that's weird even you know, that's new. That's yeah,

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Speaker 4: that's new.

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Speaker 1: That's a new thing.

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Speaker 3: Well, so obviously everyone who listens knows I do generally

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Speaker 3: live in a sick ass condo in my dad's basement,

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Speaker 3: sick condo apartment in my dad's basement, and I do

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Speaker 3: still have that space.

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Speaker 1: But this would be good re establishing stuff.

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Speaker 2: That's good idea for the people who start listening to

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Speaker 2: your podcast and then are led to this show.

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Speaker 3: Yeah, I mean I think I talked about anything like that. Yeah, yeah,

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Speaker 3: And I don't know if you would come up, but like,

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Speaker 3: but what I'll say is it turns out there was

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Speaker 3: actually a really good opportunity to do some acting research

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Speaker 3: in Ben's building. Uh, the apartment next to him is

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Speaker 3: a super unit, so you can live there. You have

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Speaker 3: to you know, fix light bulbs, do you know, Casey

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Speaker 3: Affleck Manchester by the Sea kind of go and do

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Speaker 3: the odd jobs around the house, but you get to

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Speaker 3: live there for free.

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Speaker 1: It's very small and you.

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Speaker 3: Got to share space with a lot of mops, but

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Speaker 3: you could do anything you want with the mops and

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Speaker 3: you get some like a per diem, like a little

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Speaker 3: food money every day.

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Speaker 4: Yeah, you're getting paid as a maintenance man for the building.

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Speaker 4: And I know you keep saying you're researching a role.

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Speaker 3: Yes, because Manchester by big movie maybe movie like that

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Speaker 3: for me. And so I'm in there. I'm in this

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Speaker 3: uh mop room slash dope ass, you know, studio apartment.

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Speaker 4: And I've been noticing I'll bring it up now, I've

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Speaker 4: been noticing more things broken in the vicinity of my

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Speaker 4: apartment or in my apartment, which.

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Speaker 1: You have better call the super.

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Speaker 2: Yeah, And I've been even noticing that it's irresponsible not

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Speaker 2: to call yeah super.

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Speaker 4: So I'll notice that things are broken in my apartment

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Speaker 4: to the point where I think maybe you're coming in

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Speaker 4: and breaking these things.

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Speaker 1: Oh, come on, I'm the opposite. I'm the yeah.

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Speaker 2: No, Yeah, you don't understand his job, which is to

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Speaker 2: fix that at that it's along the same lines I

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Speaker 2: can I could see, yeah, the reverse of what his

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Speaker 2: job is.

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Speaker 4: Okay, I'm not confused about it. I I think he's

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Speaker 4: doing that. So I call you and then you come

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Speaker 4: over to fix it. But you don't even come when

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Speaker 4: I call you. You come at like one point thirty

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Speaker 4: in the morning in oops.

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Speaker 3: I brought chips because actually with the per diem, I'm

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Speaker 3: able to buy like three or four bags of chips,

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Speaker 3: the small ones.

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Speaker 1: That's that's right. Yes, you come over with chips.

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Speaker 3: And I always offer you half a one of the bags.

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Speaker 1: Yeah, And that's nice.

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Speaker 3: And we don't have to share. If you don't want

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Speaker 3: to put your hand in the same bag as me,

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Speaker 3: what I do is I bring a plate.

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Speaker 1: Yeah.

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Speaker 4: I've noticed you also tend to come over when I

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Speaker 4: have someone over.

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Speaker 1: If I have a girl over.

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Speaker 2: Well, you seem to have a lot of people over.

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Speaker 2: He's where you know, that's how stuff gets broken.

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Speaker 3: Yeah, And I'm just going so much is breaking over there?

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Speaker 3: Are you sometimes falling asleep in Some of these girls

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Speaker 3: who I do not trust and I don't think are

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Speaker 3: good for you bang are getting in there and breaking

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Speaker 3: stuff to try to make, you know, make me have

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Speaker 3: to come over, which I don't want to do so much.

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Speaker 3: And so I'm coming late at night in part to

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Speaker 3: catch them and maybe save you in part to fix

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Speaker 3: whatever has been broken and in part to have some chips, right,

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Speaker 3: And I'm sorry that I have told those girls that

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Speaker 3: they can't have any.

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Speaker 1: Yeah, it's very rude.

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Speaker 4: It's it costs me a lot of problems to be

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Speaker 4: quite frank with you.

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Speaker 3: Well, I don't get that much money for doing it.

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Speaker 3: And and so there's a limit to how many chips

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Speaker 3: I can share. And there's half a bag for you

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Speaker 3: that I've actually put on a plate which is pretty

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Speaker 3: kind of fancy.

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Speaker 2: And and who are these girls that are like, give

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Speaker 2: me these chips more chips?

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Speaker 1: It's like the kind of girls.

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Speaker 2: Yeah, Like, I'm sorry to see a pattern, which is

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Speaker 2: all these things are breaking and they seem to be

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Speaker 2: mostly there for to eat chips, huh.

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Speaker 3: And so they're using you for your chip's plate, where

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Speaker 3: I just want to hang out with you, just.

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Speaker 4: To hang right, And even that's kind of fucked up,

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Speaker 4: because like you should just be fixing stuff and leaving in.

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Speaker 3: One of my good friends and former students apartment.

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Speaker 1: Well, I'm glad we cleared it up. Yeah, I feel

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Speaker 1: good about it too.

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Speaker 3: So one of the things moving forward from having done

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Speaker 3: the class that we do want to kind of dig

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Speaker 3: into is Okay, so you've got all these new acting skills.

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Speaker 2: Which is this is like a sample class basically, so

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Speaker 2: people can have this a little tasty. Yeah, And we

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Speaker 2: brought Hayes in as a specialist to talk to you

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Speaker 2: about kind of marketing yourself, branding yourself because people will,

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Speaker 2: you know, they'll hear about this concept and they'll say like, well,

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Speaker 2: you know, why wasn't Hayes involved in this? It's the

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Speaker 2: same show, blah blah blah. And I would say, for me, obviously,

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Speaker 2: I was asked, Uh. The thing that doesn't make about

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Speaker 2: that is you'd be telling this information and I sort

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Speaker 2: of be saying, yes, I know, and then I tell

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Speaker 2: you something I.

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Speaker 1: Guess, and then I guess what I say, Yeah, I know.

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Speaker 4: Yeah, Well, you're also writing on a show, which I

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Speaker 4: know is a time commitment for doing while you're also

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Speaker 4: doing a podcast.

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Speaker 1: Yeah.

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Speaker 2: To do two podcasts and rate on a show, like

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Speaker 2: one podcast and a show is impossible.

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Speaker 1: Two podcasts in a show is literally a joke.

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Speaker 2: Yes, and I'm doing that, and I'm like, it's killing

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Speaker 2: me to do one podcast in a show.

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Speaker 3: The level of juggling that you have to do with

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Speaker 3: your schedule, Yeah.

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Speaker 1: Particularly like a streaming show. Yeah, oh, because you guys

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Speaker 1: look back.

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Speaker 2: Like a ten episode streaming show is actually more involved

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Speaker 2: than you know.

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Speaker 3: Oh yeah, because you have to do all ten.

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Speaker 1: Yeah, you guys do look like you need a vacation. Yeah, yeah, no,

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Speaker 1: I know. I'm ghostly pale.

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Speaker 3: Just to describe myself to listeners a little bit, I'm

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Speaker 3: ghostly pale. I'm covered in grease, chip grease.

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Speaker 1: Uh.

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Speaker 3: And I and I've got this third job going on

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Speaker 3: where I'm a super. So it's like I'm a super

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Speaker 3: who writes on a show, and then I'm doing this podcast,

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Speaker 3: and something's got to give, and it's certainly not going

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Speaker 3: to be writing on the show or the super gig,

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Speaker 3: which has provided me with a pretty sweet mop room.

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Speaker 2: And I also have a think which maybe I mentioned,

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Speaker 2: is that if I'm doing multiple podcasts, I have sort

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Speaker 2: of a medical mental condition where I'm on sort of

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Speaker 2: a data plan brain wise, yeah, where I'm I am

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Speaker 2: at sort of a monthly word count basically, which I

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Speaker 2: don't like try to keep like rigorous track of, but

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Speaker 2: I will need if I'm doing like a podcast, I

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Speaker 2: will need to take like three or four days to

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Speaker 2: like make up for that usage, right, yeah, and there's

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Speaker 2: no rollover of course, so and if i'm if I'm

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Speaker 2: going over, then like each additional word is like maybe

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Speaker 2: an hour or two off of my life.

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Speaker 1: At the end.

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Speaker 2: Yeah, yes, I'm told, which is fast approaching. Yes, and

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Speaker 2: I will what I mean, I'm not gonna not talk.

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Speaker 1: And that's the thing.

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Speaker 2: The two podcasts would be a lot, because it's like

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Speaker 2: like ninety thousand worth a month, yeah, and sounds like

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Speaker 2: a ton, but yeah, ninety yeah, yeah, so yeah, I

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Speaker 2: did a second podcast.

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Speaker 3: Of course, at the time, I wasn't writing on a show,

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Speaker 3: so you know, my salad days. But to take the

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Speaker 3: second one on was a big challenge. And I kept

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Speaker 3: telling Hat, you're so lucky you're not involved with this.

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Speaker 1: Yeah, it's so good for you.

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Speaker 3: He's yeah, because he would be running out of words

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Speaker 3: so quickly, and it wouldn't have really made sense because

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Speaker 3: it's very different from this show.

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Speaker 1: Right.

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Speaker 3: It was sort of teaching people about like Hollywood and movies.

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Speaker 2: Yeah, and it's like, so this is how you explained

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Speaker 2: it to me, which does make sense, which is Hollywood

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Speaker 2: Handbook is like a book, you know, even in like

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Speaker 2: the poster for the show, it is like a school book.

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Speaker 1: So people are like, oh, it's like, you know, it's

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Speaker 1: like a book that like teaches lessons and.

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Speaker 2: Stuff, right, But the Hollywood master Class is the class

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Speaker 2: where you use the book.

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Speaker 1: Yes, so they're obviously not.

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Speaker 2: Like the same. No, what's a book and the other

353
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Speaker 2: is a whole class. They happen to have the same teacher.

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Speaker 1: Are you guys mad at each other about this or no?

355
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Speaker 2: As I've been saying, I don't think it would have

356
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Speaker 2: made any sense for me to do it, and especially

357
00:17:39,440 --> 00:17:43,919
Speaker 2: to make money off it would be insane. So I yeah,

358
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Speaker 2: I remember something about like a guest fee, I know,

359
00:17:50,119 --> 00:17:50,560
Speaker 2: but that.

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Speaker 1: Has sort of fallen out of the conversation.

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Speaker 3: Yes, a stipend for guests. And I believe I mentioned

362
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Speaker 3: all my guests. And it's one of these things where

363
00:17:57,440 --> 00:18:03,040
Speaker 3: when Howell became Stitcher Premium, everybody's email address changed. Yeah,

364
00:18:03,080 --> 00:18:06,400
Speaker 3: and I'm going through hell with these emails trying to you.

365
00:18:06,320 --> 00:18:08,360
Speaker 2: Told me that mine did change. I had not heard

366
00:18:08,440 --> 00:18:11,400
Speaker 2: that happening from other people, but it does make sense.

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Speaker 1: That I got them.

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Speaker 3: I couldn't get it to you, yeah, because your email

369
00:18:15,720 --> 00:18:16,199
Speaker 3: was different.

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Speaker 1: So oh they changed.

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Speaker 2: Yeah, so a lot of people's emails did I'm told

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Speaker 2: change when how became Stitcher Premium and bang a check.

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Speaker 3: Actually, Bang, it feels like your even your phone number

374
00:18:29,320 --> 00:18:31,639
Speaker 3: got changed, which is part of why getting into this

375
00:18:32,480 --> 00:18:34,520
Speaker 3: super situation was so fortuitous.

376
00:18:34,840 --> 00:18:37,919
Speaker 1: Yeah, yeah, it must have been. Must have been the

377
00:18:38,000 --> 00:18:39,160
Speaker 1: Stitcher change.

378
00:18:39,720 --> 00:18:43,840
Speaker 3: Yeah, it happened a few weeks before the Stitcher announcement,

379
00:18:44,040 --> 00:18:45,800
Speaker 3: but they must have just in preparation. One of the

380
00:18:45,840 --> 00:18:48,520
Speaker 3: first things they did was apparently change Bang rod Man's

381
00:18:48,720 --> 00:18:49,359
Speaker 3: phone number.

382
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Speaker 1: Yeah. Yeah, I'm still working on getting a new one.

383
00:18:52,040 --> 00:18:54,000
Speaker 1: I'll send that over when I get the new number.

384
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Speaker 3: That's so crazy. I'm like addicted to my phone. I'm

385
00:18:57,560 --> 00:19:00,440
Speaker 3: on it all the time. And then hear Bang rod Man,

386
00:19:00,920 --> 00:19:03,080
Speaker 3: you know, upcoming actor wants to be able to get

387
00:19:03,119 --> 00:19:08,080
Speaker 3: called for auditions, you know, callbacks, And my understanding is

388
00:19:08,119 --> 00:19:11,480
Speaker 3: he's had no phone number basically since the class we

389
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Speaker 3: did ended.

390
00:19:12,720 --> 00:19:14,720
Speaker 1: Yeah, when I get a new one, i'll let you know. Yeah,

391
00:19:14,800 --> 00:19:17,639
Speaker 1: it's frustrating I don't have one, so don't worry about it.

392
00:19:18,000 --> 00:19:22,520
Speaker 3: And he's on these dates with the this trash, these tramps. Yeah,

393
00:19:22,560 --> 00:19:25,640
Speaker 3: and I'm going, how are you getting in touch with them?

394
00:19:26,160 --> 00:19:30,240
Speaker 1: Yeah, it's just running into them. We're just old fashioned

395
00:19:31,359 --> 00:19:34,000
Speaker 1: talking wow wow. Yeah.

396
00:19:34,080 --> 00:19:35,880
Speaker 2: So this will just be like a sample up, which

397
00:19:35,880 --> 00:19:38,000
Speaker 2: I appreciate, but I consider it a gift that this

398
00:19:38,080 --> 00:19:40,399
Speaker 2: gets to be on our our feed.

399
00:19:40,440 --> 00:19:41,680
Speaker 1: We can dedicate a whole.

400
00:19:43,040 --> 00:19:45,160
Speaker 3: Yeah, we can promote the show that you're not involved,

401
00:19:45,320 --> 00:19:46,000
Speaker 3: that you have no.

402
00:19:46,000 --> 00:19:49,280
Speaker 1: FA but I get to experience it's.

403
00:19:49,240 --> 00:19:52,240
Speaker 3: Drawing very much off of sort of the platform of

404
00:19:52,280 --> 00:19:55,359
Speaker 3: hard work you've put in already, and then we sort

405
00:19:55,359 --> 00:19:59,840
Speaker 3: of use that to spring into this new venture and

406
00:20:00,119 --> 00:20:04,000
Speaker 3: leave behind you. Yes, and now it sort of comes

407
00:20:04,040 --> 00:20:07,520
Speaker 3: full circle where we come back to you and let

408
00:20:07,560 --> 00:20:08,119
Speaker 3: you help us.

409
00:20:08,119 --> 00:20:11,080
Speaker 2: Permit please, you're not really involved, yes, And I say

410
00:20:11,119 --> 00:20:14,560
Speaker 2: thank you to that. Yes, I'm because that's the kind

411
00:20:14,600 --> 00:20:18,760
Speaker 2: of involvement I want is just to be saying people,

412
00:20:18,760 --> 00:20:22,439
Speaker 2: please listen to this thing that I didn't do, but

413
00:20:22,520 --> 00:20:24,879
Speaker 2: it's because of me, and I don't prop it off of.

414
00:20:25,520 --> 00:20:29,080
Speaker 1: The One difference I want to say is Cody. I

415
00:20:29,119 --> 00:20:30,320
Speaker 1: know Brett did all of yours.

416
00:20:31,000 --> 00:20:33,119
Speaker 2: Yeah, And so people will be like, oh, this is

417
00:20:33,200 --> 00:20:37,240
Speaker 2: like an episode of the show, but Cody is for

418
00:20:37,560 --> 00:20:40,679
Speaker 2: this one, and so is it like Cody doing like

419
00:20:40,760 --> 00:20:44,760
Speaker 2: do we help Cody do Brett stuff? Or like just

420
00:20:44,760 --> 00:20:47,720
Speaker 2: point out like if Cody does something would just be like, Okay,

421
00:20:47,760 --> 00:20:49,080
Speaker 2: this is like that's the Cody version.

422
00:20:49,080 --> 00:20:49,439
Speaker 1: But if like.

423
00:20:49,440 --> 00:20:51,720
Speaker 2: Brett we're here, it would be like more like this,

424
00:20:52,320 --> 00:20:53,960
Speaker 2: because I don't want people to be like, you can

425
00:20:54,000 --> 00:20:54,320
Speaker 2: do that.

426
00:20:54,480 --> 00:20:56,480
Speaker 1: Okay, that can sort of be my thing. That would

427
00:20:56,480 --> 00:20:58,440
Speaker 1: be a great thing for you. Okay, I can't even

428
00:20:58,520 --> 00:21:00,720
Speaker 1: I'm just looking for a way in here. So no,

429
00:21:00,880 --> 00:21:01,560
Speaker 1: that could be great.

430
00:21:01,560 --> 00:21:04,160
Speaker 3: Great, Yeah, that would be great for you to like.

431
00:21:04,119 --> 00:21:05,640
Speaker 2: I need a job, something to do with my hands

432
00:21:05,680 --> 00:21:09,200
Speaker 2: kind of on a thing like this, you know. Yeah, Okay,

433
00:21:09,880 --> 00:21:11,480
Speaker 2: go ahead. So do you guys have like a little

434
00:21:11,520 --> 00:21:15,879
Speaker 2: like intro We have all like our little things that

435
00:21:15,920 --> 00:21:17,600
Speaker 2: we say and stuff at the top of this show.

436
00:21:17,680 --> 00:21:19,520
Speaker 3: It was so long ago that we made it. I

437
00:21:19,560 --> 00:21:22,800
Speaker 3: actually don't even know. You don't know if you like bang,

438
00:21:22,880 --> 00:21:24,800
Speaker 3: did we do anything in the class?

439
00:21:26,680 --> 00:21:29,240
Speaker 4: That's a good question, if you want me to be honest,

440
00:21:29,359 --> 00:21:30,160
Speaker 4: I don't.

441
00:21:29,880 --> 00:21:34,320
Speaker 2: Know, okay, because just because it was so long for us, Well, no,

442
00:21:34,359 --> 00:21:36,200
Speaker 2: I remember, we've been doing this stuff forever.

443
00:21:36,359 --> 00:21:37,040
Speaker 1: I remember it.

444
00:21:38,760 --> 00:21:40,960
Speaker 4: Yeah, you keep bringing up, like the time when you

445
00:21:41,000 --> 00:21:43,040
Speaker 4: come over, you keep bringing up how long it's been.

446
00:21:43,160 --> 00:21:46,080
Speaker 4: But I mean it's it was a bit of a frustrating.

447
00:21:46,119 --> 00:21:48,680
Speaker 3: I've just been doing the podcasts for so long. Bang,

448
00:21:49,160 --> 00:21:49,879
Speaker 3: it's just fun.

449
00:21:49,920 --> 00:21:50,199
Speaker 1: For me.

450
00:21:50,880 --> 00:21:53,679
Speaker 3: I just kind of shut off, you know, right, I

451
00:21:53,720 --> 00:21:55,320
Speaker 3: mean I've been doing these things forever.

452
00:21:57,119 --> 00:21:58,320
Speaker 4: Yeah, I know that.

453
00:21:58,400 --> 00:22:01,080
Speaker 3: I'm you're kind of getting in do it like you're

454
00:22:01,119 --> 00:22:04,239
Speaker 3: able to do it sort of with me. But I

455
00:22:04,320 --> 00:22:07,480
Speaker 3: was already doing it and I've been doing it like forever.

456
00:22:09,160 --> 00:22:11,560
Speaker 3: Hayes has been doing it like Hayes and I've been

457
00:22:11,560 --> 00:22:11,960
Speaker 3: doing it.

458
00:22:12,440 --> 00:22:14,640
Speaker 4: Hey, you're saying, because you've been doing it so long,

459
00:22:14,800 --> 00:22:15,920
Speaker 4: you don't remember anything.

460
00:22:16,160 --> 00:22:17,960
Speaker 2: Yeah, And then for me is someone who is trying

461
00:22:18,000 --> 00:22:20,680
Speaker 2: to help promote the show, considering that to be like

462
00:22:20,720 --> 00:22:22,960
Speaker 2: part of my function here to be like, like, what's

463
00:22:23,040 --> 00:22:25,280
Speaker 2: something I do want it for you to say like

464
00:22:25,400 --> 00:22:27,440
Speaker 2: I don't remember, yeah.

465
00:22:27,280 --> 00:22:30,000
Speaker 3: Because I've been doing these podcast things for like.

466
00:22:30,240 --> 00:22:32,480
Speaker 2: I know, But just from a promotional perspective, I think

467
00:22:32,480 --> 00:22:34,680
Speaker 2: people will want to between the rating and the super

468
00:22:34,720 --> 00:22:37,080
Speaker 2: now I know, believe me, But if like they want

469
00:22:37,080 --> 00:22:39,960
Speaker 2: to go listen to it, I think when I prompt

470
00:22:40,000 --> 00:22:42,359
Speaker 2: you with something like so, what's an example of like

471
00:22:42,400 --> 00:22:44,040
Speaker 2: something to be like I don't know.

472
00:22:44,040 --> 00:22:46,639
Speaker 3: For you to say I don't know. I know, it's maddening.

473
00:22:46,720 --> 00:22:51,200
Speaker 3: But Bang maybe has something, so you say you remember it, yeah,

474
00:22:51,240 --> 00:22:53,240
Speaker 3: and so so give us a taste.

475
00:22:54,880 --> 00:22:55,080
Speaker 1: Yeah.

476
00:22:55,160 --> 00:22:57,240
Speaker 4: See, this was a part of the frustration of the

477
00:22:57,320 --> 00:23:01,000
Speaker 4: show is often you would look to me to teach

478
00:23:01,080 --> 00:23:05,320
Speaker 4: the lesson, and I signed up to learn on the show,

479
00:23:05,440 --> 00:23:08,760
Speaker 4: so you would you would frequently throw to me and

480
00:23:09,359 --> 00:23:13,560
Speaker 4: try to get me to make meaning out of what

481
00:23:13,920 --> 00:23:18,720
Speaker 4: the soccer addict method. You know these soccer addicts over.

482
00:23:18,640 --> 00:23:26,800
Speaker 3: In uh like uh Manchester United? Yes, yeah, these guys,

483
00:23:26,800 --> 00:23:28,120
Speaker 3: some of these soccer addicts.

484
00:23:28,160 --> 00:23:32,399
Speaker 1: What they do. I think you're pronouncing it wrong.

485
00:23:33,720 --> 00:23:37,679
Speaker 3: It with Manchester no, because Manchester by the Sea I

486
00:23:37,720 --> 00:23:42,320
Speaker 3: just talk about Okay. So, so there's this soccer addict

487
00:23:42,400 --> 00:23:48,240
Speaker 3: method where you don't necessarily teach people, you know, by

488
00:23:48,359 --> 00:23:51,600
Speaker 3: just like scoring a goal, is you pass them the ball.

489
00:23:51,680 --> 00:23:53,320
Speaker 3: You're not allowed to use your hands in this sport.

490
00:23:54,440 --> 00:23:57,000
Speaker 3: You pass them the ball and you sort of go

491
00:23:57,080 --> 00:24:01,120
Speaker 3: like you kick it, you know, and then they do

492
00:24:01,280 --> 00:24:04,119
Speaker 3: you can kick it back. So and so that's kind

493
00:24:04,160 --> 00:24:07,119
Speaker 3: of what we do, is the soccer addict method. So

494
00:24:07,119 --> 00:24:08,760
Speaker 3: I'm kicking it to you. What do you remember from

495
00:24:08,800 --> 00:24:10,359
Speaker 3: the show. I think now you could kick it back.

496
00:24:10,480 --> 00:24:13,480
Speaker 2: I think, well, yeah, sort of closer to the equivalent

497
00:24:13,520 --> 00:24:17,880
Speaker 2: I think is I pass it to you and you

498
00:24:17,920 --> 00:24:20,680
Speaker 2: stand still and you let it go. By pass makes

499
00:24:20,680 --> 00:24:24,399
Speaker 2: me think you're holding it right, Okay, What you can't

500
00:24:24,480 --> 00:24:26,440
Speaker 2: use your hands, okay, is that I'm not a big

501
00:24:26,760 --> 00:24:28,120
Speaker 2: you're you're the soccer guy.

502
00:24:28,400 --> 00:24:29,600
Speaker 1: It's not called passing.

503
00:24:30,600 --> 00:24:34,240
Speaker 3: No, it's just sort of a kicking, like a sidekick.

504
00:24:34,800 --> 00:24:37,920
Speaker 2: Okay, okay, so there's no I think of that as

505
00:24:37,960 --> 00:24:42,040
Speaker 2: being something else. But I just think of that word

506
00:24:42,040 --> 00:24:45,880
Speaker 2: as being like a batman's friend stuff. But you say

507
00:24:45,920 --> 00:24:50,320
Speaker 2: it means like to to when a sidekick.

508
00:24:49,880 --> 00:24:51,280
Speaker 1: Is like when you give the ball to side.

509
00:24:51,320 --> 00:24:55,199
Speaker 4: I was thinking more like karate mm hmm, like the

510
00:24:55,240 --> 00:24:55,920
Speaker 4: movie side.

511
00:24:55,920 --> 00:24:58,560
Speaker 3: And then yeah, Cody still was thinking of an outdated

512
00:24:58,840 --> 00:25:01,280
Speaker 3: smartphone of the first So.

513
00:25:03,160 --> 00:25:07,159
Speaker 2: I gotta say you were just turned his mic up,

514
00:25:07,200 --> 00:25:08,359
Speaker 2: but that turned up right?

515
00:25:08,800 --> 00:25:10,800
Speaker 1: Did you want to do something? And Jeri your coda?

516
00:25:10,800 --> 00:25:11,959
Speaker 1: Do you want to talk about that fight? I can

517
00:25:12,000 --> 00:25:12,560
Speaker 1: see the board.

518
00:25:13,640 --> 00:25:16,120
Speaker 5: I mean, I got a phone. That's that's kind of old.

519
00:25:16,119 --> 00:25:16,240
Speaker 1: I was.

520
00:25:16,280 --> 00:25:19,800
Speaker 5: I thought you wanted to do a theme song thing though, oh,

521
00:25:20,040 --> 00:25:21,080
Speaker 5: because I had something ready.

522
00:25:21,200 --> 00:25:23,440
Speaker 3: And then you say, what Brett's version of this would

523
00:25:23,440 --> 00:25:24,359
Speaker 3: be okay.

524
00:25:24,560 --> 00:25:26,480
Speaker 2: I think Brett would refer to the thing that was

525
00:25:27,119 --> 00:25:29,879
Speaker 2: asked of him mostly, you know, like the sidekick thing.

526
00:25:29,880 --> 00:25:31,600
Speaker 2: I think he would focus on that, and I'd say,

527
00:25:31,680 --> 00:25:32,960
Speaker 2: but I also have a song?

528
00:25:33,320 --> 00:25:34,160
Speaker 1: Does that's out right?

529
00:25:34,359 --> 00:25:34,560
Speaker 2: Right?

530
00:25:34,680 --> 00:25:37,080
Speaker 1: On a show where we're not allowed to play music anymore?

531
00:25:37,560 --> 00:25:39,520
Speaker 2: I am sure this is a can I guess that

532
00:25:39,600 --> 00:25:40,920
Speaker 2: this is a public domain song?

533
00:25:41,000 --> 00:25:41,160
Speaker 1: That?

534
00:25:41,320 --> 00:25:41,399
Speaker 5: Like?

535
00:25:42,040 --> 00:25:45,840
Speaker 1: Am I wrong about that? I can make it that way? Yeah? Okay? Good?

536
00:25:45,920 --> 00:25:48,720
Speaker 1: Is that that's an effect you could lay over it after? Yeah? Okay,

537
00:25:48,720 --> 00:25:49,879
Speaker 1: alter it like that? Okay?

538
00:25:50,040 --> 00:25:52,000
Speaker 3: And then is that going to be satisfying for people

539
00:25:52,040 --> 00:25:54,159
Speaker 3: to hear a public domain song? After we build up

540
00:25:54,160 --> 00:25:55,080
Speaker 3: the song for a while?

541
00:25:55,480 --> 00:25:56,960
Speaker 1: And so what is this going to be? In your mind?

542
00:25:56,960 --> 00:25:59,000
Speaker 1: This is going to be a theme song for this show.

543
00:25:59,520 --> 00:26:02,720
Speaker 5: For yeah, maybe a documentary of it.

544
00:26:02,720 --> 00:26:04,400
Speaker 1: Or a mockumentary of the show.

545
00:26:04,440 --> 00:26:07,640
Speaker 4: Okay, a documentary of the show, So it's a mockumentary

546
00:26:07,840 --> 00:26:09,120
Speaker 4: of Okay.

547
00:26:09,720 --> 00:26:11,600
Speaker 5: So I'll do the theme and then I'll duck it

548
00:26:11,600 --> 00:26:12,920
Speaker 5: and you can start the intro.

549
00:26:14,000 --> 00:26:44,119
Speaker 6: Yeah, great, right, okay, you ready, okay.

550
00:26:33,680 --> 00:26:36,240
Speaker 1: Okay, and then just let me know when you're ready.

551
00:26:39,080 --> 00:26:41,879
Speaker 1: I think I think that was him doing it okay.

552
00:26:41,920 --> 00:26:44,320
Speaker 3: So then so and as the guy seems to remember

553
00:26:44,320 --> 00:26:47,240
Speaker 3: the show better, maybe now this is a spot where.

554
00:26:47,160 --> 00:26:49,200
Speaker 1: That's something that yeah, that where I get in there.

555
00:26:49,280 --> 00:26:53,840
Speaker 4: Yeah, okay, again, you would normally maybe say what we

556
00:26:53,840 --> 00:26:57,000
Speaker 4: were doing or attempting to do in the class. I

557
00:26:57,040 --> 00:27:01,520
Speaker 4: feel ridiculous that you don't remember any of it, and

558
00:27:01,600 --> 00:27:04,640
Speaker 4: now I'm teaching this class.

559
00:27:04,680 --> 00:27:05,640
Speaker 1: Here's what I remember.

560
00:27:05,800 --> 00:27:09,040
Speaker 3: There was this great little chip store around the corner.

561
00:27:09,280 --> 00:27:13,520
Speaker 3: This place had everything, even from the podcast. Yeah, from

562
00:27:13,600 --> 00:27:16,200
Speaker 3: the podcast. I used to go around the corner right

563
00:27:16,200 --> 00:27:19,240
Speaker 3: before class and I would grab some of these chips

564
00:27:19,280 --> 00:27:24,639
Speaker 3: man flavors. You wouldn't believe Dill pickle, but it's actually good.

565
00:27:25,800 --> 00:27:29,600
Speaker 3: But you did us here. You did it here, you

566
00:27:29,680 --> 00:27:31,040
Speaker 3: know what I think it was?

567
00:27:33,440 --> 00:27:35,639
Speaker 1: So, yeah, we did it here. Are you thinking before

568
00:27:35,720 --> 00:27:39,440
Speaker 1: this show? Because the place is the same.

569
00:27:39,640 --> 00:27:44,760
Speaker 4: Can I say I didn't want to do this podcast today?

570
00:27:47,480 --> 00:27:49,320
Speaker 4: The only reason I came. You guys told me this

571
00:27:49,440 --> 00:27:50,960
Speaker 4: was going to be the last episode.

572
00:27:51,000 --> 00:27:54,080
Speaker 1: Can you say that you're asking me? Ask case?

573
00:27:54,960 --> 00:27:57,720
Speaker 3: Can he say that that it's the last episode? Feels

574
00:27:57,720 --> 00:27:59,080
Speaker 3: like kind of announcement we should make.

575
00:27:59,160 --> 00:28:01,440
Speaker 2: Yeah, we were gonna kind of build to that because

576
00:28:01,440 --> 00:28:03,600
Speaker 2: it didn't seem like even what we were talking about.

577
00:28:04,320 --> 00:28:06,560
Speaker 2: I mean, just you like thinking for yourself, Like is

578
00:28:06,560 --> 00:28:08,240
Speaker 2: that the way to deliver this if it was like

579
00:28:08,280 --> 00:28:10,680
Speaker 2: a big deal, this is our last I mean, and

580
00:28:10,760 --> 00:28:13,280
Speaker 2: it totally makes sense. You guys are doing a different show.

581
00:28:13,359 --> 00:28:16,600
Speaker 3: We're doing a different show, so like obviously totally different.

582
00:28:16,800 --> 00:28:19,200
Speaker 2: The very natural ending to say, like, Okay, we are

583
00:28:19,240 --> 00:28:21,080
Speaker 2: done with this one. I've moved on to this show.

584
00:28:21,359 --> 00:28:23,400
Speaker 2: This is now writing on a show. He's not gonna

585
00:28:23,400 --> 00:28:25,840
Speaker 2: be able to do both. He's got his like word limit. Yeah,

586
00:28:26,240 --> 00:28:29,200
Speaker 2: and I'm wondering do I have some kind of writing too,

587
00:28:29,240 --> 00:28:31,240
Speaker 2: By the way, that's it's not just for speaking, it's

588
00:28:31,240 --> 00:28:32,520
Speaker 2: for writing whords as well.

589
00:28:32,560 --> 00:28:34,480
Speaker 1: Yeah, and even like thinking them.

590
00:28:34,960 --> 00:28:36,920
Speaker 3: But I'm wondering if I have a brain limit, because

591
00:28:37,000 --> 00:28:39,520
Speaker 3: I am really reaching back in my memory to try

592
00:28:39,520 --> 00:28:41,160
Speaker 3: to pull up something about this.

593
00:28:41,160 --> 00:28:44,640
Speaker 1: Class, which was like kind of the concept of.

594
00:28:44,520 --> 00:28:47,520
Speaker 2: This show was it was it we would reach, we

595
00:28:47,560 --> 00:28:48,360
Speaker 2: would talk about.

596
00:28:48,640 --> 00:28:50,880
Speaker 3: Yeah, and I'm getting nothing.

597
00:28:51,280 --> 00:28:52,840
Speaker 4: I thought this was going I was going to be

598
00:28:52,880 --> 00:28:54,960
Speaker 4: a small part. Like I thought there were going to

599
00:28:55,000 --> 00:28:57,640
Speaker 4: be a lot you would be chiming, yeah, chiming in.

600
00:28:57,720 --> 00:28:59,280
Speaker 4: I thought this would be sort of like the greatest,

601
00:28:59,520 --> 00:29:00,560
Speaker 4: like a big farewell.

602
00:29:00,920 --> 00:29:02,600
Speaker 1: Probably a lot of people who'd been on the show

603
00:29:02,640 --> 00:29:03,960
Speaker 1: before would be kind of in and out.

604
00:29:04,160 --> 00:29:06,440
Speaker 3: Oh, we would have invited a lot of people, and

605
00:29:06,520 --> 00:29:07,920
Speaker 3: that they would have said, yes.

606
00:29:08,040 --> 00:29:14,960
Speaker 2: Rudnick and oh yeah, all the yea Lauren Greenberg, the yes, the.

607
00:29:14,800 --> 00:29:20,440
Speaker 3: Friggin the big guests that we've had who came in

608
00:29:21,680 --> 00:29:23,440
Speaker 3: and hit dingers.

609
00:29:24,400 --> 00:29:27,280
Speaker 1: No dinger is bang yeah, home run.

610
00:29:27,200 --> 00:29:31,320
Speaker 3: Home run baby, the guests who I would say, maybe

611
00:29:31,360 --> 00:29:35,400
Speaker 3: they corked their bat because every you did, every freaking sing.

612
00:29:35,520 --> 00:29:37,920
Speaker 2: I think the two episodes ago, you did every frigging

613
00:29:38,040 --> 00:29:39,120
Speaker 2: swing and that's a memory.

614
00:29:39,120 --> 00:29:41,440
Speaker 1: I think you did say that kind of that exactly

615
00:29:41,520 --> 00:29:44,240
Speaker 1: a little too much pine tar? Did I say that? No?

616
00:29:44,240 --> 00:29:46,800
Speaker 3: No, And maybe they got that George Brett pine tar

617
00:29:46,920 --> 00:29:50,960
Speaker 3: bet because they're hitting, because every swing is a freaking dinger.

618
00:29:51,800 --> 00:29:54,440
Speaker 1: I think pine tar is okay, a tater, Yeah, I

619
00:29:54,480 --> 00:29:56,720
Speaker 1: think that. I think that would hurt.

620
00:29:57,200 --> 00:29:58,880
Speaker 3: You think it's okay, Well, then why is there a

621
00:29:58,920 --> 00:30:02,240
Speaker 3: bat and fringing Hall of Fame, World Series Hall of

622
00:30:02,240 --> 00:30:05,440
Speaker 3: Fame for Baseball That George Brett got in trouble and

623
00:30:05,480 --> 00:30:06,880
Speaker 3: it because it got too much pine tar.

624
00:30:07,040 --> 00:30:08,640
Speaker 1: So they took it and put put it in the hall.

625
00:30:08,760 --> 00:30:11,880
Speaker 3: And now I am remembering, Now I remember something from

626
00:30:11,880 --> 00:30:17,640
Speaker 3: the class. You don't know shit, you're gonna fucking tell

627
00:30:17,680 --> 00:30:20,440
Speaker 3: me pine tar is Okay, I've seen the bat with

628
00:30:20,480 --> 00:30:21,160
Speaker 3: my own eyes.

629
00:30:23,320 --> 00:30:24,200
Speaker 1: It's not allowed.

630
00:30:24,360 --> 00:30:28,160
Speaker 2: Yeah, you gotta have a little bit, but there's a limit,

631
00:30:28,320 --> 00:30:31,560
Speaker 2: and you cross it, they're gonna get you, boy, and

632
00:30:31,560 --> 00:30:33,880
Speaker 2: they're gonna freaking take your bat too, and put it

633
00:30:33,920 --> 00:30:35,760
Speaker 2: and it'll be a monument.

634
00:30:36,760 --> 00:30:38,960
Speaker 1: In the friggin hall.

635
00:30:41,480 --> 00:30:44,040
Speaker 4: Yeah, this does sound kind of like the class. The

636
00:30:44,080 --> 00:30:48,000
Speaker 4: problem is trying to connect this back to acting in

637
00:30:48,000 --> 00:30:51,320
Speaker 4: some way is where we usually ran into trouble.

638
00:30:54,240 --> 00:30:54,960
Speaker 1: Because.

639
00:30:56,440 --> 00:30:59,440
Speaker 4: I think that's part of I mean, I'm sorry to

640
00:30:59,440 --> 00:31:04,320
Speaker 4: criticize your teaching method, but now I know things like that,

641
00:31:05,640 --> 00:31:10,000
Speaker 4: like that there's a limit on pine tar. But again,

642
00:31:10,280 --> 00:31:14,400
Speaker 4: I don't see how much how that will apply to.

643
00:31:15,200 --> 00:31:17,680
Speaker 1: Oh really yeah, oh really?

644
00:31:17,760 --> 00:31:20,840
Speaker 2: How about having an interesting conversation with the casting director.

645
00:31:22,600 --> 00:31:26,760
Speaker 3: Maybe that's part of the problem. Okay, you know what

646
00:31:26,840 --> 00:31:27,160
Speaker 3: I mean.

647
00:31:27,840 --> 00:31:32,280
Speaker 2: How about putting a how about putting a fun fact

648
00:31:32,320 --> 00:31:35,560
Speaker 2: tab on your personal website.

649
00:31:35,560 --> 00:31:36,360
Speaker 1: That you could click.

650
00:31:36,600 --> 00:31:40,160
Speaker 2: Okay, here's my headshot, here's my resume, here's my real

651
00:31:40,360 --> 00:31:43,000
Speaker 2: and here's some fun facts. Yeah, and now all of

652
00:31:43,040 --> 00:31:44,760
Speaker 2: a sudden, I'm addicted to the site. I got to

653
00:31:44,800 --> 00:31:46,959
Speaker 2: come back every day to learn a new fact. And

654
00:31:47,000 --> 00:31:49,240
Speaker 2: in the meantime, well, let me click this real tab

655
00:31:49,280 --> 00:31:51,240
Speaker 2: and see what's going on here. Yeah, like you're not

656
00:31:51,320 --> 00:31:53,160
Speaker 2: allowed to have too much pine tar as a fact

657
00:31:53,160 --> 00:31:54,720
Speaker 2: that could go on the thing. Does Kevin come in

658
00:31:54,760 --> 00:31:57,120
Speaker 2: for your thing too? Uh?

659
00:31:57,160 --> 00:31:58,440
Speaker 1: Do you remember? I tell him?

660
00:31:58,480 --> 00:32:02,880
Speaker 2: No, he did not know it was Kevin there. No, okay,

661
00:32:03,280 --> 00:32:05,000
Speaker 2: Kevin Evan, Vin Evan Evan.

662
00:32:05,160 --> 00:32:08,120
Speaker 4: I don't think people really have personal websites anymore. I

663
00:32:08,160 --> 00:32:10,040
Speaker 4: don't think now with social media.

664
00:32:09,800 --> 00:32:12,440
Speaker 3: That's well, how are we going to stand out? Here's

665
00:32:12,480 --> 00:32:15,800
Speaker 3: Bang's idea. Here's how we stand out. We do what

666
00:32:15,840 --> 00:32:16,680
Speaker 3: everyone else is.

667
00:32:16,640 --> 00:32:19,200
Speaker 1: Doing, or do nothing. Basically, it sounds.

668
00:32:18,920 --> 00:32:22,080
Speaker 3: Like we do nothing and we don't do something that

669
00:32:22,240 --> 00:32:23,080
Speaker 3: other people don't have.

670
00:32:23,200 --> 00:32:23,520
Speaker 1: Right now.

671
00:32:23,600 --> 00:32:26,640
Speaker 3: Yeah, that's Bang's idea. Here's oh that'll make me stand out.

672
00:32:27,920 --> 00:32:30,600
Speaker 4: A lot of people had personal websites, like I would say,

673
00:32:30,600 --> 00:32:33,560
Speaker 4: ten fifteen years ago, I think, oh yeah, and nobody

674
00:32:33,600 --> 00:32:37,400
Speaker 4: from ten fifteen years ago ever got successful doing acting.

675
00:32:37,600 --> 00:32:41,000
Speaker 3: Oh yeah, the famous actors we are watching right now,

676
00:32:41,480 --> 00:32:44,120
Speaker 3: and ten fifteen years ago, they weren't trying to do anything.

677
00:32:45,920 --> 00:32:47,480
Speaker 1: I just think they're doing different things now.

678
00:32:47,720 --> 00:32:49,760
Speaker 2: Yeah, now they're acting any movies because they had a

679
00:32:49,760 --> 00:32:50,640
Speaker 2: great website.

680
00:32:53,280 --> 00:32:56,000
Speaker 4: Okay, yeah, sure, so we do have a website, so

681
00:32:56,040 --> 00:32:57,440
Speaker 4: we do have to do the website.

682
00:32:57,480 --> 00:33:00,000
Speaker 2: And again, this is not like at all something WED.

683
00:33:00,080 --> 00:33:02,360
Speaker 2: I'm glad we're doing this because it's not something I

684
00:33:02,360 --> 00:33:04,479
Speaker 2: don't want to take people out. This is Hollywood Handbook

685
00:33:04,480 --> 00:33:06,240
Speaker 2: because they'll be hearing this and thinking like this is

686
00:33:06,280 --> 00:33:08,280
Speaker 2: so different from like a normal episode of the show.

687
00:33:08,680 --> 00:33:10,600
Speaker 1: They're like teaching someone how to do something that's gonna

688
00:33:10,600 --> 00:33:11,080
Speaker 1: shake them up.

689
00:33:11,360 --> 00:33:14,200
Speaker 2: But no, this is like an episode of Hollywood Masterclass

690
00:33:14,240 --> 00:33:17,280
Speaker 2: inside Hollywood Handbook. Come back to us next week and

691
00:33:17,320 --> 00:33:17,880
Speaker 2: you'll get.

692
00:33:17,840 --> 00:33:19,880
Speaker 1: A normal all of this stuff that you're a little

693
00:33:19,880 --> 00:33:20,720
Speaker 1: more you do.

694
00:33:20,680 --> 00:33:23,479
Speaker 2: Not adjust, And this one we're teaching someone how to

695
00:33:24,040 --> 00:33:25,160
Speaker 2: how to build a website.

696
00:33:25,240 --> 00:33:28,960
Speaker 1: So look, tabs you need like a landing pit, like

697
00:33:29,040 --> 00:33:30,120
Speaker 1: do not enter, like.

698
00:33:30,240 --> 00:33:33,640
Speaker 2: Caution, like a caution page, caution tape, like caution tape,

699
00:33:33,640 --> 00:33:34,320
Speaker 2: and like a skull.

700
00:33:34,480 --> 00:33:37,520
Speaker 3: It looks like there's like boards nailed up and there's

701
00:33:37,560 --> 00:33:40,320
Speaker 3: like monster claw marks in the boards, like somebody was

702
00:33:40,360 --> 00:33:41,800
Speaker 3: trying to scratch their way in.

703
00:33:41,960 --> 00:33:44,720
Speaker 2: Yeah, and it's a sign that says like keep out

704
00:33:44,880 --> 00:33:48,080
Speaker 2: or like, uh, don't worry, there's nobody crazy in here.

705
00:33:48,320 --> 00:33:51,320
Speaker 3: Maybe it says hashtag she is real from the Mummy,

706
00:33:51,360 --> 00:33:54,200
Speaker 3: you know, and so maybe there's like a hint of

707
00:33:54,240 --> 00:33:55,640
Speaker 3: the Mummy is behind there.

708
00:33:55,840 --> 00:33:59,160
Speaker 2: Right, Okay, that's so that's what I read that as

709
00:33:59,280 --> 00:34:00,160
Speaker 2: she is real.

710
00:34:00,920 --> 00:34:06,800
Speaker 3: Yeah, like the like oh right, yeah, and I was sorry.

711
00:34:06,880 --> 00:34:09,120
Speaker 2: I was expected that for that to be put together

712
00:34:09,200 --> 00:34:12,080
Speaker 2: in the you thought like she is real.

713
00:34:12,040 --> 00:34:12,919
Speaker 1: Yeah, she is real.

714
00:34:13,520 --> 00:34:15,920
Speaker 3: Well you're probably you would have more luck with wonder

715
00:34:15,960 --> 00:34:18,879
Speaker 3: Woman then for that because she is real.

716
00:34:18,960 --> 00:34:20,880
Speaker 2: I guess that's what I thought it was. That's what

717
00:34:20,960 --> 00:34:22,040
Speaker 2: I thought it was referred to.

718
00:34:22,400 --> 00:34:27,840
Speaker 4: Yeah, yeah, so I should put hashtags she is real

719
00:34:28,040 --> 00:34:30,480
Speaker 4: or she is real on my personal life.

720
00:34:30,400 --> 00:34:35,320
Speaker 3: She yeah, she is real or she is real and

721
00:34:35,440 --> 00:34:40,000
Speaker 3: girl goodo she is real. But as far as the Mummy,

722
00:34:40,040 --> 00:34:41,480
Speaker 3: girl she is real.

723
00:34:44,360 --> 00:34:46,799
Speaker 4: Okay, that should be on my personal life should be

724
00:34:46,800 --> 00:34:48,000
Speaker 4: one of the hashtags.

725
00:34:48,080 --> 00:34:53,399
Speaker 2: Yes, yes, okay, So now we're getting into you know,

726
00:34:53,480 --> 00:34:56,520
Speaker 2: people are some people normies are saying like no thanks,

727
00:34:56,560 --> 00:34:56,839
Speaker 2: you know.

728
00:34:57,040 --> 00:35:00,360
Speaker 3: But you want that you not want the norm in

729
00:35:00,480 --> 00:35:04,000
Speaker 3: this website because they will gum up the works.

730
00:35:04,239 --> 00:35:06,239
Speaker 2: Yes, So you go in and there's kind of the

731
00:35:06,320 --> 00:35:12,040
Speaker 2: ring master there who's like stop right ups, like welcome, yeah,

732
00:35:12,600 --> 00:35:14,239
Speaker 2: and then they sort of go through like the tent

733
00:35:14,320 --> 00:35:15,680
Speaker 2: flaps part.

734
00:35:15,920 --> 00:35:19,240
Speaker 3: Fast your ears on the most magnificent shown Earth.

735
00:35:20,080 --> 00:35:25,800
Speaker 7: Please buckle your seatbelts and get ready to not get

736
00:35:25,920 --> 00:35:28,400
Speaker 7: fallen over or do anything to get hurt.

737
00:35:28,640 --> 00:35:32,319
Speaker 3: But it's dangerous and you're gonna.

738
00:35:32,560 --> 00:35:33,759
Speaker 1: Really like it.

739
00:35:34,200 --> 00:35:39,960
Speaker 7: And the main event in the center ring is main

740
00:35:40,760 --> 00:35:46,359
Speaker 7: mudgmen performing feats of acting so death defying, so astounding,

741
00:35:47,400 --> 00:35:52,720
Speaker 7: you'll have to call your mama and say, hey, Mom,

742
00:35:53,280 --> 00:35:55,880
Speaker 7: I'm sorry it's been so long since I called, but

743
00:35:56,080 --> 00:36:00,440
Speaker 7: this really is gonna be neat. Listen to this, hold

744
00:36:00,480 --> 00:36:05,240
Speaker 7: the phone up to bang rudgman doing acting, and here

745
00:36:05,280 --> 00:36:07,680
Speaker 7: we go and he says that, and then what is

746
00:36:07,719 --> 00:36:08,040
Speaker 7: he saying?

747
00:36:08,080 --> 00:36:11,160
Speaker 2: The ten flaps will part, which will seems like a

748
00:36:11,200 --> 00:36:13,440
Speaker 2: lot it you wanted to be. You wanted to be

749
00:36:13,480 --> 00:36:16,680
Speaker 2: sort of like over rendered, you know, it's like and

750
00:36:16,719 --> 00:36:19,200
Speaker 2: so they'll kind of like grind like it'll be sort

751
00:36:19,200 --> 00:36:23,240
Speaker 2: of a halting thing because there's like so many little

752
00:36:23,320 --> 00:36:26,120
Speaker 2: like animations that oh yeah, they at once.

753
00:36:26,000 --> 00:36:29,600
Speaker 3: And the ten flaps are almost made of these different creatures. Yeah,

754
00:36:29,640 --> 00:36:34,040
Speaker 3: it's so trippy that you could get some real freaking

755
00:36:34,280 --> 00:36:38,080
Speaker 3: cheba hawks, et cetera to come to, uh see the page,

756
00:36:38,239 --> 00:36:40,200
Speaker 3: you know, just to kind of trip out. If you

757
00:36:40,239 --> 00:36:42,560
Speaker 3: remember Jim Carrey's old page and I was like, what

758
00:36:43,600 --> 00:36:47,040
Speaker 3: the freaking birds on his head? And then from fifteen

759
00:36:47,080 --> 00:36:49,680
Speaker 3: years ago, and the ring master goes, yeah, and I

760
00:36:49,680 --> 00:36:52,279
Speaker 3: think he's doing pretty well. Actually it seems like he's

761
00:36:52,360 --> 00:36:54,600
Speaker 3: actually got bucks.

762
00:36:54,600 --> 00:36:56,600
Speaker 2: And I do want to like just make it so

763
00:36:56,719 --> 00:36:59,319
Speaker 2: you don't remember the show that you recorded, I think

764
00:36:59,360 --> 00:37:03,320
Speaker 2: like earlier this year. But you remember Jim Carrey's web page,

765
00:37:03,360 --> 00:37:05,800
Speaker 2: it was like, pretty.

766
00:37:04,920 --> 00:37:05,480
Speaker 1: Well, there wasn't.

767
00:37:05,520 --> 00:37:07,800
Speaker 3: Unfortunately, Bang roger Man didn't come in with a bird

768
00:37:07,840 --> 00:37:09,879
Speaker 3: on his head on one of these shows because that.

769
00:37:10,680 --> 00:37:14,400
Speaker 2: Bird outside and his head is bang Rodgeman's head, which yeah.

770
00:37:14,160 --> 00:37:18,120
Speaker 3: Oh yeah, breaking yeah, that I'd remember. And then the

771
00:37:18,200 --> 00:37:20,480
Speaker 3: ring master would probably want to do his big introduction

772
00:37:20,560 --> 00:37:23,240
Speaker 3: at this point, and what might that sound.

773
00:37:23,120 --> 00:37:26,319
Speaker 2: Like because the ring master doesn't really long outside of

774
00:37:26,360 --> 00:37:26,759
Speaker 2: the tent.

775
00:37:26,880 --> 00:37:29,840
Speaker 4: Wait a second, so the ring master you just spoke

776
00:37:29,840 --> 00:37:31,000
Speaker 4: about is a different ring.

777
00:37:30,960 --> 00:37:34,080
Speaker 2: Master outside of the tent was fake. It was like

778
00:37:34,080 --> 00:37:37,160
Speaker 2: an impost basically because the ring master was supposed to

779
00:37:37,200 --> 00:37:37,879
Speaker 2: be in the ted.

780
00:37:38,239 --> 00:37:40,120
Speaker 1: He's not outside being like come in.

781
00:37:40,200 --> 00:37:42,320
Speaker 3: So no, that's like a barker or something.

782
00:37:42,400 --> 00:37:43,680
Speaker 1: Yeah, okay, so there's.

783
00:37:43,520 --> 00:37:46,240
Speaker 4: A barker and he says, all the stuff he's dressed

784
00:37:46,280 --> 00:37:49,600
Speaker 4: is the ring mask. Oh yeah, And so he's confusing people, pretending,

785
00:37:51,560 --> 00:37:52,720
Speaker 4: you know, and he's an actor.

786
00:37:52,840 --> 00:37:56,040
Speaker 1: Yes, he's keeping the normies out. It's an acting website.

787
00:37:56,120 --> 00:37:58,319
Speaker 1: Yeah right, yeah, people will pick up on that.

788
00:37:59,760 --> 00:38:03,040
Speaker 4: Then the curtains part, and that takes a long time

789
00:38:03,080 --> 00:38:05,640
Speaker 4: because it's too detail that it's animated.

790
00:38:06,000 --> 00:38:07,839
Speaker 1: And then we meet the real ring master.

791
00:38:08,120 --> 00:38:17,719
Speaker 3: Wadles and jellyspoons, boils and germs. Please do put on

792
00:38:17,920 --> 00:38:22,440
Speaker 3: shoulder pads or something, because you're going to be embroiled

793
00:38:22,560 --> 00:38:26,440
Speaker 3: in one of the most dangerous, the most stupefying, the

794
00:38:26,520 --> 00:38:34,400
Speaker 3: most dastardly, the most mind bending acting feats of acrobatic

795
00:38:34,600 --> 00:38:40,480
Speaker 3: mental gymnastica you've ever seen. Mister bang raj Man will

796
00:38:40,520 --> 00:38:44,799
Speaker 3: be entering the center ring in the main event, riding

797
00:38:44,880 --> 00:38:49,640
Speaker 3: on a mighty elephant and doing something that I don't

798
00:38:49,719 --> 00:38:50,360
Speaker 3: know what it is.

799
00:38:50,760 --> 00:38:53,680
Speaker 2: Let's see this is the yeah, and you sort of

800
00:38:53,680 --> 00:38:56,359
Speaker 2: see now why the Barkers pretended to be the ring

801
00:38:56,440 --> 00:38:58,959
Speaker 2: master because the ring master inside is not as good.

802
00:38:59,040 --> 00:39:02,000
Speaker 4: No no, no, not as good. He doesn't know what

803
00:39:02,080 --> 00:39:05,719
Speaker 4: he's talking about, so it seems like he's just you know,

804
00:39:06,320 --> 00:39:07,120
Speaker 4: yea space.

805
00:39:07,440 --> 00:39:09,920
Speaker 2: Well, the marker is saying, I should be I should

806
00:39:09,920 --> 00:39:12,799
Speaker 2: be doing this. I'm not great by its, but I'm

807
00:39:12,880 --> 00:39:14,000
Speaker 2: better than the guy who's.

808
00:39:14,040 --> 00:39:15,600
Speaker 1: But what you don't know is the ring master.

809
00:39:15,760 --> 00:39:17,799
Speaker 2: Actually, the real ring master used to be good, and

810
00:39:17,840 --> 00:39:19,880
Speaker 2: the Barker kind of ate up a lot of stuff

811
00:39:19,920 --> 00:39:22,760
Speaker 2: and mows the lawn on what the ring master's ideas

812
00:39:22,760 --> 00:39:23,200
Speaker 2: would have been.

813
00:39:23,239 --> 00:39:25,279
Speaker 1: But it still just seems like too complicated.

814
00:39:25,320 --> 00:39:29,480
Speaker 4: A mythology for my personal website that these two bark

815
00:39:29,719 --> 00:39:31,920
Speaker 4: the barker and the ring Master have a conflict with

816
00:39:31,960 --> 00:39:32,399
Speaker 4: each other.

817
00:39:32,600 --> 00:39:35,200
Speaker 3: But you come out on an elephant at this point,

818
00:39:35,320 --> 00:39:38,799
Speaker 3: and then you are dressed as a ring master. And

819
00:39:38,840 --> 00:39:43,720
Speaker 3: what's great is you do this amazing acting. You blow

820
00:39:43,719 --> 00:39:45,520
Speaker 3: the ring Master and the barker out of the water

821
00:39:45,560 --> 00:39:46,759
Speaker 3: and go ahead and give us a taste of it.

822
00:39:47,600 --> 00:39:50,600
Speaker 4: Okay, so at this point I will be playing the

823
00:39:50,640 --> 00:39:51,440
Speaker 4: third ring.

824
00:39:51,360 --> 00:39:55,879
Speaker 2: Master in a way, the true ring master, one ring

825
00:39:55,960 --> 00:39:57,160
Speaker 2: master to rule them all.

826
00:39:57,719 --> 00:39:58,520
Speaker 1: I'll give it a shot.

827
00:39:58,560 --> 00:40:02,960
Speaker 4: I feel like it's already, it's been well covered and

828
00:40:03,000 --> 00:40:05,840
Speaker 4: we've hit a lot of the main things, and and

829
00:40:05,960 --> 00:40:09,480
Speaker 4: a ringmaster sort of introduces things. And I assumed, since

830
00:40:09,520 --> 00:40:13,880
Speaker 4: it's my personal website, those guys would be introducing me

831
00:40:14,960 --> 00:40:18,040
Speaker 4: and yes, yeah.

832
00:40:17,400 --> 00:40:24,920
Speaker 1: And now I'm introducing myself. You're introducing your acting. Okay,

833
00:40:25,480 --> 00:40:25,839
Speaker 1: all right?

834
00:40:25,880 --> 00:40:27,480
Speaker 2: And the idea they're like, oh, like they did that

835
00:40:27,560 --> 00:40:30,040
Speaker 2: already is like, yeah, everyone is like doing acting all

836
00:40:30,080 --> 00:40:33,040
Speaker 2: the time. You can't just be like, oh, like those

837
00:40:33,040 --> 00:40:36,000
Speaker 2: other guys did all the acting, you know what I mean,

838
00:40:36,360 --> 00:40:41,520
Speaker 2: Like there's always more to do. This a very defeatist

839
00:40:41,560 --> 00:40:43,480
Speaker 2: attitude to like turn on the TV and be like, oh,

840
00:40:43,480 --> 00:40:45,600
Speaker 2: those guys already did it all right.

841
00:40:45,760 --> 00:40:49,240
Speaker 1: It seems like a lot to sit through for your person.

842
00:40:49,840 --> 00:40:54,239
Speaker 2: But yeah, okay, And you want people to watch you

843
00:40:54,280 --> 00:40:56,719
Speaker 2: in like a movie, you know, so you say like, oh,

844
00:40:56,760 --> 00:40:59,720
Speaker 2: like what three rig masters that are like five five minutes?

845
00:40:59,760 --> 00:41:01,719
Speaker 3: While I see this guy in a movie, but I

846
00:41:01,760 --> 00:41:04,120
Speaker 3: won't watch three five minute ring masters.

847
00:41:05,520 --> 00:41:08,840
Speaker 1: Movies are sometimes you know, twice not long, right, but

848
00:41:08,920 --> 00:41:13,879
Speaker 1: usually there's a story and there's a lot of moments.

849
00:41:15,560 --> 00:41:17,959
Speaker 3: This isn't a story so far. There's the beginning middle

850
00:41:18,000 --> 00:41:20,040
Speaker 3: and it yeah, beginning, we're outside the.

851
00:41:23,080 --> 00:41:26,520
Speaker 2: Ring masters and now yeah right and then now look

852
00:41:26,560 --> 00:41:28,520
Speaker 2: what happened there's a third one master.

853
00:41:30,120 --> 00:41:32,520
Speaker 1: Okay, And I'm getting structure. I don't know if you

854
00:41:32,800 --> 00:41:34,600
Speaker 1: if you covered this that sound like you did.

855
00:41:35,080 --> 00:41:37,960
Speaker 3: Uh no, that's for next next class. But and I'm

856
00:41:37,960 --> 00:41:39,920
Speaker 3: getting so we are doing more of these, Okay. I

857
00:41:39,960 --> 00:41:41,799
Speaker 3: was wondering if when that conversation was going to come,

858
00:41:42,120 --> 00:41:46,480
Speaker 3: trying to get a little more dough though. But and

859
00:41:46,480 --> 00:41:50,879
Speaker 3: and unfortunately we don't have room for you. Ay, I

860
00:41:50,960 --> 00:41:55,600
Speaker 3: know you're not involved, but yeah, but I would. First

861
00:41:55,600 --> 00:41:57,440
Speaker 3: of all, won't be doing this show, so it'll be

862
00:41:57,440 --> 00:42:02,160
Speaker 3: a little easier, yes, but all so I really went.

863
00:42:02,080 --> 00:42:03,560
Speaker 1: To would free up some time for me.

864
00:42:03,680 --> 00:42:06,439
Speaker 3: But I really went to bat with Jenny to try

865
00:42:06,440 --> 00:42:08,719
Speaker 3: to get you involved in this. Yeah, you know, in

866
00:42:08,760 --> 00:42:10,759
Speaker 3: this class because I think that we have an idea

867
00:42:10,800 --> 00:42:13,680
Speaker 3: for another one. We talked about three X structure and uh,

868
00:42:15,640 --> 00:42:17,560
Speaker 3: she couldn't make heads or tails what I was saying.

869
00:42:18,480 --> 00:42:21,040
Speaker 2: She just didn't understand it. No, it's not that she

870
00:42:21,080 --> 00:42:23,680
Speaker 2: said no, it just couldn't. Couldn't you just hear me?

871
00:42:25,680 --> 00:42:31,400
Speaker 3: Yeah, wow, couldn't didn't know what I was asking, couldn't understand.

872
00:42:30,880 --> 00:42:33,520
Speaker 1: It, couldn't understand you or hear you.

873
00:42:33,800 --> 00:42:37,200
Speaker 3: Yeah, and so that, you know, that was a challenge

874
00:42:37,200 --> 00:42:38,120
Speaker 3: because I was pissed.

875
00:42:38,640 --> 00:42:42,960
Speaker 2: I threatened to walk. Wow, okay, hey, hey he's one

876
00:42:42,960 --> 00:42:47,400
Speaker 2: of my best friends. Yeah, I'm gonna take something that

877
00:42:47,600 --> 00:42:51,359
Speaker 2: his sweat equity gets cashed in.

878
00:42:51,600 --> 00:42:54,719
Speaker 1: Yeah, and he's not a part of it four years ago.

879
00:42:55,200 --> 00:42:59,160
Speaker 2: Hold on, I said that, you know that's BS and

880
00:42:59,200 --> 00:43:00,680
Speaker 2: I forgive my language.

881
00:43:00,719 --> 00:43:03,000
Speaker 1: You know, is she picking up on this because this

882
00:43:03,080 --> 00:43:04,399
Speaker 1: is over email? Yeah?

883
00:43:04,560 --> 00:43:07,040
Speaker 3: Oh yeah, oh okay, yeah.

884
00:43:07,719 --> 00:43:12,080
Speaker 1: Fortunately was unfortunately the old email. Oh and she never

885
00:43:12,120 --> 00:43:15,480
Speaker 1: even got it. Yeah, so she couldn't understand she couldn't

886
00:43:15,520 --> 00:43:17,200
Speaker 1: understand it because her email had changed.

887
00:43:17,239 --> 00:43:19,359
Speaker 3: And hey, is I threatened to walk? And they said

888
00:43:19,360 --> 00:43:23,440
Speaker 3: they got me under contract. They could throw me in jail,

889
00:43:23,560 --> 00:43:24,200
Speaker 3: they said that.

890
00:43:24,600 --> 00:43:29,879
Speaker 2: Yeah, but in response to what, they're not receiving any

891
00:43:29,920 --> 00:43:31,240
Speaker 2: of these Oh well.

892
00:43:31,080 --> 00:43:32,040
Speaker 1: This is okay. Yeah.

893
00:43:32,080 --> 00:43:34,080
Speaker 3: The first part was an email, but then I sort

894
00:43:34,080 --> 00:43:37,719
Speaker 3: of reiterated some of it and a message in.

895
00:43:37,719 --> 00:43:42,239
Speaker 2: A bottle, and they did get that washed ashore. Then

896
00:43:42,280 --> 00:43:44,560
Speaker 2: I have a bottle comes back a couple of weeks later.

897
00:43:44,719 --> 00:43:51,400
Speaker 1: Yeah. Uh, it was like a funny bottle.

898
00:43:51,640 --> 00:43:57,000
Speaker 3: Yeah, Parrot Bay rum goodness, and uh so I finished

899
00:43:57,000 --> 00:43:59,279
Speaker 3: it and then I find a note inside and it said,

900
00:43:59,400 --> 00:44:01,200
Speaker 3: you know we got under contract. We'll put you in

901
00:44:01,280 --> 00:44:06,640
Speaker 3: jam and I'm not going back. So I'm in this position. Wow,

902
00:44:06,680 --> 00:44:08,240
Speaker 3: I want to walk to defend my friend.

903
00:44:08,360 --> 00:44:08,600
Speaker 1: Yeah.

904
00:44:08,600 --> 00:44:12,560
Speaker 3: Also I can't go back inside, so then I'm thinking

905
00:44:12,600 --> 00:44:18,640
Speaker 3: I'm gonna eat a eat a gun. Okay, click it

906
00:44:18,840 --> 00:44:22,000
Speaker 3: jammed and it's like that scene and Lost where the

907
00:44:22,080 --> 00:44:23,080
Speaker 3: dude from OZ.

908
00:44:22,840 --> 00:44:26,279
Speaker 1: Can't kill himself, which is another thing I do remember. Yeah,

909
00:44:26,280 --> 00:44:28,880
Speaker 1: you remember a lot of things from ten years ago.

910
00:44:31,000 --> 00:44:32,880
Speaker 3: You wanted to do the you were about to do

911
00:44:32,920 --> 00:44:36,080
Speaker 3: the ring Master yea, and in my mouth is watering

912
00:44:36,120 --> 00:44:36,719
Speaker 3: for this now.

913
00:44:38,960 --> 00:44:42,960
Speaker 4: Okay, I'll try to make it short because the other

914
00:44:43,160 --> 00:44:44,960
Speaker 4: ring masters, I feel like we're pretty long.

915
00:44:45,719 --> 00:44:49,359
Speaker 1: But you guys can tell me if I should make

916
00:44:49,400 --> 00:44:50,000
Speaker 1: some changes.

917
00:44:51,719 --> 00:44:54,840
Speaker 4: No, ladies and gentlemen, boys and girls of old ages,

918
00:44:55,040 --> 00:44:56,480
Speaker 4: fasten your seatbelts.

919
00:44:56,520 --> 00:44:57,160
Speaker 1: It's the load.

920
00:44:57,280 --> 00:45:00,719
Speaker 4: The only acting of Bang dodger.

921
00:45:00,520 --> 00:45:10,719
Speaker 2: Man that seems to have been pretty well yes to me, yeah.

922
00:45:08,200 --> 00:45:11,120
Speaker 3: Yeah, okay, so my notes would be okay, we already

923
00:45:11,160 --> 00:45:14,160
Speaker 3: have our seatbelts fastened. We did the first ring Master

924
00:45:14,600 --> 00:45:18,800
Speaker 3: we have shoulder pads on or whatever, shoulder pads. Yeah,

925
00:45:18,840 --> 00:45:21,759
Speaker 3: so like, what the fuck are we doing?

926
00:45:21,760 --> 00:45:22,560
Speaker 1: What are you telling me?

927
00:45:23,200 --> 00:45:25,839
Speaker 3: And you're going there's no story in this, Like it's

928
00:45:25,840 --> 00:45:26,560
Speaker 3: not like a movie.

929
00:45:26,560 --> 00:45:28,680
Speaker 1: It's like, well, yeah, they kind of like.

930
00:45:28,680 --> 00:45:30,440
Speaker 4: I felt like the other two ring masters went on

931
00:45:30,440 --> 00:45:31,440
Speaker 4: in a really long time.

932
00:45:32,239 --> 00:45:37,080
Speaker 2: What an opportunity, What an opportunity to innovate, to go

933
00:45:37,160 --> 00:45:40,200
Speaker 2: longer potent, to be longer even and maybe say something

934
00:45:40,200 --> 00:45:41,680
Speaker 2: that I wouldn't expect a ring master.

935
00:45:41,800 --> 00:45:44,080
Speaker 1: He's talking about it sounds less like a ring master.

936
00:45:44,320 --> 00:45:46,839
Speaker 1: I didn't say that. I didn't say that, but that

937
00:45:46,960 --> 00:45:50,719
Speaker 1: could happen. That could be something you do. But I

938
00:45:50,719 --> 00:45:53,719
Speaker 1: didn't say that, but I'll say this. And also, you're

939
00:45:53,840 --> 00:45:54,480
Speaker 1: bang rode Man.

940
00:45:54,520 --> 00:45:56,480
Speaker 2: I think a lot of people are gonna be watching me, Like, oh,

941
00:45:56,520 --> 00:46:01,520
Speaker 2: I thought the third ring master is generally the actor himself.

942
00:46:02,160 --> 00:46:04,680
Speaker 1: Mm hm, oh, I didn't realize this was a traditional rule.

943
00:46:04,920 --> 00:46:08,359
Speaker 2: Just if you're like, if you sort of know, sorry, yeah, three,

944
00:46:09,680 --> 00:46:12,680
Speaker 2: I thought this was like a character that I was playing.

945
00:46:12,960 --> 00:46:15,200
Speaker 3: Actor is bang Rudgman is the ring master?

946
00:46:15,360 --> 00:46:17,120
Speaker 1: And and what could he be saying?

947
00:46:17,160 --> 00:46:20,640
Speaker 2: Maybe that Maybe I'm a little surprised to hear a

948
00:46:20,719 --> 00:46:24,520
Speaker 2: ring master saying, and I don't want to give you anything,

949
00:46:24,560 --> 00:46:26,680
Speaker 2: but maybe he's lost control of the ring.

950
00:46:29,200 --> 00:46:36,200
Speaker 1: Okay, all right, and try it that way. Okay, he's

951
00:46:36,239 --> 00:46:37,520
Speaker 1: lost control of the ring.

952
00:46:37,880 --> 00:46:39,920
Speaker 3: Because he's the master'll ring and then.

953
00:46:39,920 --> 00:46:42,040
Speaker 1: Yeah, no, that will help me a lot.

954
00:46:44,920 --> 00:46:49,800
Speaker 4: Ladies and gentlemen, Oh no, why where are you going?

955
00:46:51,000 --> 00:46:56,360
Speaker 1: It's me big roage man stick. Oh no, everything's falling

956
00:46:56,400 --> 00:46:56,840
Speaker 1: to park.

957
00:46:58,280 --> 00:47:02,640
Speaker 4: They're clowns everywhere, spraying soots are all over each other.

958
00:47:03,080 --> 00:47:03,319
Speaker 1: Yeah.

959
00:47:03,600 --> 00:47:06,560
Speaker 2: Tigers, yeah, yeah, So here's what it what it actually

960
00:47:06,760 --> 00:47:10,760
Speaker 2: is is the tigers are loose. Uh. The tiger master

961
00:47:10,920 --> 00:47:14,239
Speaker 2: comes out and arranges them all at the top of

962
00:47:14,280 --> 00:47:19,440
Speaker 2: the page. It's like whip cracking, and they're lining up

963
00:47:19,440 --> 00:47:21,359
Speaker 2: at the top end. Then you say, oh, those were

964
00:47:21,400 --> 00:47:24,600
Speaker 2: the tabs and they turn around and each one of

965
00:47:24,640 --> 00:47:32,440
Speaker 2: them is a different tab Bio, gallery, reel, contact, fun facts. Yes,

966
00:47:32,600 --> 00:47:35,600
Speaker 2: and it's and so now the website is emerging, and

967
00:47:35,640 --> 00:47:36,560
Speaker 2: we'll give you a little more.

968
00:47:36,560 --> 00:47:39,080
Speaker 1: And this is the scrip. It's ladies and oh it's

969
00:47:39,160 --> 00:47:42,160
Speaker 1: only ladies. Okay, that's sort of not what I was.

970
00:47:42,320 --> 00:47:45,399
Speaker 1: There's been a murder, you know, and like that. Now

971
00:47:45,440 --> 00:47:46,560
Speaker 1: I'm like, holy shit.

972
00:47:46,800 --> 00:47:53,160
Speaker 2: Yeah right, yeah, it's fucking rules tigers everywhere, real gallery

973
00:47:53,920 --> 00:48:00,080
Speaker 2: fun facts, you know, bio resume, maybe it's bio and

974
00:48:00,120 --> 00:48:03,160
Speaker 2: then biodome and it's just a YouTube video of that movie.

975
00:48:03,239 --> 00:48:06,080
Speaker 1: Yes, yes, yes, you know. And so they go like

976
00:48:06,120 --> 00:48:10,960
Speaker 1: this guy tas must be farny. Yes, okay, So the

977
00:48:11,040 --> 00:48:13,120
Speaker 1: joke tabs. There's an opportunity.

978
00:48:13,239 --> 00:48:20,200
Speaker 2: Yeah, let's talk you want to talk about the real yeah?

979
00:48:20,280 --> 00:48:23,080
Speaker 3: Or wait, do you want to talk about it? I

980
00:48:23,080 --> 00:48:24,440
Speaker 3: don't want to do anything you don't want to do.

981
00:48:27,000 --> 00:48:32,280
Speaker 3: If anyone hears the squeaky Cody.

982
00:48:32,040 --> 00:48:38,680
Speaker 2: Is Cody has a squeaky toy. He's teething. We should

983
00:48:38,680 --> 00:48:41,520
Speaker 2: say first off that Cody is teething. A bunch of

984
00:48:41,520 --> 00:48:43,440
Speaker 2: them fell out last week. I said, he seems a

985
00:48:43,480 --> 00:48:45,880
Speaker 2: little old for this. He said, no, this is totally normal.

986
00:48:46,360 --> 00:48:48,799
Speaker 3: I guess every year or so he grows a new

987
00:48:48,880 --> 00:48:50,799
Speaker 3: row of teeth and they push out the ones in

988
00:48:50,880 --> 00:48:53,759
Speaker 3: front and it could be very uncomfortable for him. So

989
00:48:53,800 --> 00:48:57,160
Speaker 3: he has this sort of frozen squeaky toy that soothes him.

990
00:48:57,160 --> 00:48:58,520
Speaker 1: And Cody, do you want to talk a little bit

991
00:48:58,520 --> 00:49:00,359
Speaker 1: about well, like.

992
00:49:00,280 --> 00:49:04,560
Speaker 5: A ducky and it's uh, it's been in the family

993
00:49:04,560 --> 00:49:06,880
Speaker 5: for many years, and I'm fine.

994
00:49:06,680 --> 00:49:08,959
Speaker 3: With it, okay, And that's not what a duck looks

995
00:49:09,040 --> 00:49:11,920
Speaker 3: like to me. What you're saying is shaped like a ducky.

996
00:49:13,960 --> 00:49:16,680
Speaker 4: You know, losing teeth is a sign of drug abuse.

997
00:49:17,360 --> 00:49:19,920
Speaker 4: And I know you told these guys that you've just

998
00:49:20,000 --> 00:49:27,000
Speaker 4: grown new teeth. That doesn't sound biologically normal to me.

999
00:49:27,200 --> 00:49:29,080
Speaker 5: I mean, come on, dude, do I strike you as

1000
00:49:29,080 --> 00:49:30,960
Speaker 5: someone like who would be doing.

1001
00:49:30,760 --> 00:49:32,960
Speaker 1: That kind of stuff? Like none of my business.

1002
00:49:33,640 --> 00:49:37,480
Speaker 2: It is a little cool for what I know about Cody,

1003
00:49:38,360 --> 00:49:40,440
Speaker 2: you know, doing drugs and stuff.

1004
00:49:40,680 --> 00:49:43,279
Speaker 1: I don't think of Cody as like a cool guy, no,

1005
00:49:43,760 --> 00:49:43,960
Speaker 1: you know.

1006
00:49:45,160 --> 00:49:50,719
Speaker 3: Yeah, I put him firmly in the social category and

1007
00:49:50,960 --> 00:49:52,719
Speaker 3: comes to Greaser's verreus social.

1008
00:49:54,920 --> 00:49:57,640
Speaker 1: He's like, you know, one of the Sosias.

1009
00:49:58,360 --> 00:50:01,840
Speaker 2: Okay, Yeah, he's a mod, sort of a mod, the

1010
00:50:02,080 --> 00:50:03,760
Speaker 2: like in the Rockers versus Mods.

1011
00:50:05,760 --> 00:50:07,799
Speaker 3: Yeah, he's more of a mod. He's more of a mod.

1012
00:50:07,800 --> 00:50:08,880
Speaker 1: He's more of a sosh.

1013
00:50:09,200 --> 00:50:10,560
Speaker 3: He's one of the guys that would be mad that

1014
00:50:10,640 --> 00:50:13,920
Speaker 3: pony Boy's day and Cherry and I remember that.

1015
00:50:17,280 --> 00:50:18,200
Speaker 1: You want to let him out.

1016
00:50:26,520 --> 00:50:28,279
Speaker 2: Okay, we should get we should get a little bit

1017
00:50:28,320 --> 00:50:31,840
Speaker 2: of a reel just before Yeah, let's just slap a

1018
00:50:31,880 --> 00:50:35,239
Speaker 2: reel together something. We're gonna film you in front of

1019
00:50:35,280 --> 00:50:38,240
Speaker 2: a green screen later and sort of paint you into

1020
00:50:38,239 --> 00:50:40,640
Speaker 2: some of these shows that are hit shows. Yeah, you

1021
00:50:40,680 --> 00:50:43,160
Speaker 2: can't get in trouble because the link will break pretty quick.

1022
00:50:43,200 --> 00:50:44,760
Speaker 1: The link is not going to be working.

1023
00:50:44,800 --> 00:50:47,560
Speaker 2: It'll be it'll sort of look like you did give

1024
00:50:47,640 --> 00:50:50,920
Speaker 2: up on maintaining this thing because it wasn't giving you,

1025
00:50:50,960 --> 00:50:52,920
Speaker 2: like quite the results that you wanted to.

1026
00:50:54,480 --> 00:50:56,399
Speaker 1: And the rest of the time coming soon.

1027
00:50:56,520 --> 00:50:58,879
Speaker 2: Yes, yes, when you click that, it'll say copy soon,

1028
00:50:58,960 --> 00:51:00,840
Speaker 2: but you click real, it's going to like a broken

1029
00:51:00,880 --> 00:51:02,520
Speaker 2: puzzle piece inside.

1030
00:51:02,760 --> 00:51:04,960
Speaker 1: Because it seems like a waste of time.

1031
00:51:05,040 --> 00:51:08,520
Speaker 3: But then let's yeah, exactly, Yeah, it seems like it

1032
00:51:08,560 --> 00:51:10,240
Speaker 3: would be a waste of a time for a working

1033
00:51:10,280 --> 00:51:12,600
Speaker 3: actor like you to maintain this website, which is why

1034
00:51:12,640 --> 00:51:14,719
Speaker 3: the website makes you look so popular, which is why

1035
00:51:14,760 --> 00:51:16,239
Speaker 3: people want to work with you because.

1036
00:51:15,960 --> 00:51:19,040
Speaker 1: I know you're a working actor. So then, but we

1037
00:51:19,120 --> 00:51:21,879
Speaker 1: do need some wild audio for the real so.

1038
00:51:22,040 --> 00:51:25,600
Speaker 2: Just you can't just put up nothing and break it.

1039
00:51:25,600 --> 00:51:27,640
Speaker 3: It has to be so we're gonna have some hit

1040
00:51:27,680 --> 00:51:31,839
Speaker 3: shows and some big scenes that you're in. Uh so hey,

1041
00:51:31,880 --> 00:51:33,759
Speaker 3: as an engineer, Cody, You're just going to feed you

1042
00:51:33,800 --> 00:51:37,480
Speaker 3: some show scenarios and some lines that maybe you would say.

1043
00:51:37,320 --> 00:51:38,000
Speaker 1: In a show like that.

1044
00:51:38,280 --> 00:51:42,480
Speaker 3: Okay, and I would say maybe one of them is

1045
00:51:42,600 --> 00:51:43,879
Speaker 3: the circus episode of the show.

1046
00:51:45,560 --> 00:51:47,440
Speaker 4: Wait, so you want me to do them all as

1047
00:51:47,480 --> 00:51:48,160
Speaker 4: a ring master.

1048
00:51:49,360 --> 00:51:52,480
Speaker 2: Well, you've established the bang rog Makee character is a

1049
00:51:52,920 --> 00:51:54,320
Speaker 2: is a ring then your range.

1050
00:51:54,400 --> 00:51:55,560
Speaker 1: Yeah.

1051
00:51:56,040 --> 00:51:58,200
Speaker 2: So, and I saw Cody did turn up his mic,

1052
00:51:58,239 --> 00:51:59,600
Speaker 2: and so I want to let Cody.

1053
00:52:00,560 --> 00:52:01,480
Speaker 1: Maybe Cody should go.

1054
00:52:01,920 --> 00:52:03,719
Speaker 2: I obviously have stuff that I want to do, but

1055
00:52:04,480 --> 00:52:10,000
Speaker 2: let's Cody kind of go ahead with his scenario for

1056
00:52:10,719 --> 00:52:14,920
Speaker 2: bang rog Man's reel and Cody, I, oh no.

1057
00:52:15,480 --> 00:52:17,520
Speaker 3: And he's saying, this thing is shaped like a ducky

1058
00:52:17,560 --> 00:52:20,360
Speaker 3: and from where it's literally just a brown stick.

1059
00:52:24,239 --> 00:52:25,520
Speaker 1: All right, here's a scenario.

1060
00:52:27,040 --> 00:52:32,000
Speaker 5: Zipper stuck in the middle of a parking lot, in

1061
00:52:32,880 --> 00:52:34,400
Speaker 5: a cost Co parking lot.

1062
00:52:34,680 --> 00:52:36,319
Speaker 1: And this is a popular TV show.

1063
00:52:36,320 --> 00:52:38,520
Speaker 2: We're saying, okay, yeah, and I guess it's stuck in

1064
00:52:38,640 --> 00:52:40,840
Speaker 2: like the floor of a parking lot.

1065
00:52:41,320 --> 00:52:43,600
Speaker 4: My Zipper's stuck in the floor of a parking lot,

1066
00:52:43,760 --> 00:52:46,640
Speaker 4: and it's the ring master in the circus episode of

1067
00:52:46,760 --> 00:52:47,200
Speaker 4: this show.

1068
00:52:47,320 --> 00:52:50,960
Speaker 3: Yeah, you were in a full length jumpsuit, the zipper

1069
00:52:51,000 --> 00:52:52,680
Speaker 3: goes all the way down your feet, and you got

1070
00:52:52,680 --> 00:52:54,200
Speaker 3: stuck in the floor of the parking lot.

1071
00:52:54,239 --> 00:52:56,360
Speaker 2: And I guess you're yeah, you're I guess trying to

1072
00:52:56,400 --> 00:52:57,480
Speaker 2: get to the circus.

1073
00:52:58,400 --> 00:53:05,200
Speaker 1: I guess draft my zipper. I'm stuck here in the

1074
00:53:05,239 --> 00:53:08,840
Speaker 1: parking lot. I can't believe this parking lot has a floor.

1075
00:53:09,040 --> 00:53:13,080
Speaker 1: Keep going. I was sure it was just a paved

1076
00:53:13,200 --> 00:53:15,600
Speaker 1: parking lot. Keep going. This is good.

1077
00:53:16,920 --> 00:53:22,160
Speaker 4: Not a hardwood floor that I drive on that captures

1078
00:53:22,480 --> 00:53:26,040
Speaker 4: zippers so easily. Why did I take my jumpsuit off here?

1079
00:53:27,320 --> 00:53:31,880
Speaker 1: This is so good? Do you want me to keep going?

1080
00:53:31,920 --> 00:53:35,319
Speaker 2: I feel like please, I prefer and let's just say

1081
00:53:35,320 --> 00:53:37,920
Speaker 2: it's Hawaii five Oho or another big hits about that.

1082
00:53:40,080 --> 00:53:44,200
Speaker 4: I've got to get to the circus. Those detectives are coming.

1083
00:53:45,280 --> 00:53:51,800
Speaker 4: They're investigating some crime, tropical crime. They're investigating a tropical crime.

1084
00:53:51,920 --> 00:53:54,080
Speaker 4: Now I'm going to be a suspect because I'm not

1085
00:53:54,120 --> 00:53:54,719
Speaker 4: showing up.

1086
00:53:55,640 --> 00:53:58,120
Speaker 1: Mm hmm. That's really good.

1087
00:53:58,520 --> 00:54:00,960
Speaker 2: So you would want to do what you want to

1088
00:54:01,000 --> 00:54:04,560
Speaker 2: do your veep guest appearance as well.

1089
00:54:05,680 --> 00:54:09,480
Speaker 1: Where you were on Yes you're not, You're gonna leave

1090
00:54:09,520 --> 00:54:09,919
Speaker 1: that out.

1091
00:54:10,280 --> 00:54:14,200
Speaker 2: Yeah, where you were like Jonah's brother or something, and

1092
00:54:14,239 --> 00:54:18,040
Speaker 2: he was always like intimidated by his brother. Like he's

1093
00:54:18,080 --> 00:54:22,840
Speaker 2: so confident, right, but when his brother's around, he's like

1094
00:54:22,960 --> 00:54:25,120
Speaker 2: not the same guy. And this guy that they're always like,

1095
00:54:25,280 --> 00:54:26,800
Speaker 2: you know, kind of like screwing around with him a

1096
00:54:26,840 --> 00:54:28,960
Speaker 2: little bit when they see him around his brother, Like, Oh,

1097
00:54:29,000 --> 00:54:30,719
Speaker 2: I actually feel bad for Jonah.

1098
00:54:30,440 --> 00:54:32,240
Speaker 1: A little bit. Yeah, that's interesting.

1099
00:54:32,320 --> 00:54:35,880
Speaker 4: Yeah, right, that could be like my normal voice for

1100
00:54:35,920 --> 00:54:39,640
Speaker 4: this one instead of the.

1101
00:54:38,960 --> 00:54:40,360
Speaker 1: Well, why is he intimidated by you?

1102
00:54:40,480 --> 00:54:40,680
Speaker 2: Yeah?

1103
00:54:41,400 --> 00:54:48,640
Speaker 4: Yes, of course, Okay, and uh am I in any

1104
00:54:48,680 --> 00:54:49,640
Speaker 4: specific place?

1105
00:54:49,880 --> 00:54:53,040
Speaker 1: Yeah, the circus. Else he could be you.

1106
00:54:52,960 --> 00:54:54,720
Speaker 3: Could be in the parking lot outside the circus.

1107
00:54:54,719 --> 00:54:57,399
Speaker 2: But I feel either much your way to or from,

1108
00:54:58,280 --> 00:55:00,560
Speaker 2: and politics is kind of a big circus, so Veep,

1109
00:55:00,560 --> 00:55:02,680
Speaker 2: I feel I could draw some cool that'll come, but

1110
00:55:02,719 --> 00:55:05,920
Speaker 2: that's not your place to point that out. Really, your characters.

1111
00:55:07,360 --> 00:55:10,120
Speaker 2: Your job is to intaminate Jonah and to just sort

1112
00:55:10,120 --> 00:55:13,520
Speaker 2: of like keep everything operating smoothly at the circus.

1113
00:55:13,560 --> 00:55:16,640
Speaker 3: An engineer, Cody, you'll do, Jonah, Yeah, okay, I'm sure

1114
00:55:16,680 --> 00:55:16,960
Speaker 3: we'll go.

1115
00:55:17,000 --> 00:55:22,480
Speaker 8: Well, glad, I could hook you up with tickets to

1116
00:55:22,520 --> 00:55:26,879
Speaker 8: the circus. It's a pretty amazing show. Had to work

1117
00:55:27,440 --> 00:55:29,880
Speaker 8: pretty hard to get up this high in the circus.

1118
00:55:30,200 --> 00:55:33,399
Speaker 8: You wouldn't know anything about that, huh, working.

1119
00:55:33,120 --> 00:55:36,480
Speaker 1: Hard, Jonah.

1120
00:55:36,719 --> 00:55:40,400
Speaker 5: I'm Jonah, and I don't know about that working hard stuff.

1121
00:55:43,760 --> 00:55:46,759
Speaker 4: Oh sorry, I have to sign some autographs. I'm a

1122
00:55:46,760 --> 00:55:51,600
Speaker 4: big deal here at the circus. Everyone knows me, knows

1123
00:55:51,640 --> 00:55:54,759
Speaker 4: how handsome I am, how good I am at ring mastery.

1124
00:55:55,640 --> 00:55:57,359
Speaker 1: God, I almost feel bad for Joan.

1125
00:55:57,440 --> 00:55:59,640
Speaker 2: I'm I know, and like I'm still used to Jonah

1126
00:55:59,719 --> 00:56:02,040
Speaker 2: being It's like whipping buoyance. If it's funny, I like

1127
00:56:02,120 --> 00:56:03,719
Speaker 2: laughing at it. But now I'm like, oh, I see

1128
00:56:04,040 --> 00:56:07,240
Speaker 2: what Jonah's got this spring master Jonah.

1129
00:56:07,280 --> 00:56:10,520
Speaker 5: I'm just biffing it every time I'm giving a chance.

1130
00:56:10,640 --> 00:56:12,759
Speaker 5: That's the Jonah. That's what Jonah does.

1131
00:56:12,880 --> 00:56:18,400
Speaker 1: So yeah, Jonah, you are biffing it. You're a boso.

1132
00:56:19,960 --> 00:56:21,839
Speaker 1: You're not even good enough to be a clown here.

1133
00:56:26,000 --> 00:56:27,799
Speaker 3: And that went a little far from me, But I

1134
00:56:27,800 --> 00:56:30,520
Speaker 3: think we can cut it off before it because it

1135
00:56:30,560 --> 00:56:32,960
Speaker 3: was this stuff was really good when you told me

1136
00:56:33,000 --> 00:56:34,919
Speaker 3: didn't know about hard work, all.

1137
00:56:34,840 --> 00:56:37,200
Speaker 4: Right, because I thought it was pretty Yeah, I mean

1138
00:56:37,200 --> 00:56:38,719
Speaker 4: it was it was pretty pg.

1139
00:56:40,200 --> 00:56:43,480
Speaker 3: The end, not good enough to be a clown.

1140
00:56:43,560 --> 00:56:49,240
Speaker 1: I mean, that's kind of brutal. Maybe he's not wrong though, Okay,

1141
00:56:49,440 --> 00:56:53,799
Speaker 1: go you can stop being Jonah. Okay, so this is

1142
00:56:53,840 --> 00:56:57,759
Speaker 1: the show you guys do kind of I don't know.

1143
00:56:58,280 --> 00:57:02,840
Speaker 1: I honestly don't remember, do you. I am GENU really curious.

1144
00:57:02,880 --> 00:57:05,720
Speaker 2: Do you take your phone out at the end of

1145
00:57:05,320 --> 00:57:06,520
Speaker 2: all the all the.

1146
00:57:06,440 --> 00:57:08,520
Speaker 1: Special shows that you that you do?

1147
00:57:08,760 --> 00:57:10,880
Speaker 2: He does, Yeah, for the page shows he does, okay

1148
00:57:11,280 --> 00:57:12,840
Speaker 2: and so, and he is kind of supposed to be

1149
00:57:12,960 --> 00:57:16,160
Speaker 2: driving the bus in this one, like, yeah.

1150
00:57:16,000 --> 00:57:18,480
Speaker 1: It's not the end of the show. It's it's usually

1151
00:57:18,600 --> 00:57:19,320
Speaker 1: much earlier.

1152
00:57:19,680 --> 00:57:23,400
Speaker 2: Oh okay, So that, I guess is a different is

1153
00:57:23,440 --> 00:57:24,080
Speaker 2: it different things?

1154
00:57:24,080 --> 00:57:26,120
Speaker 1: People are like looking wasted? Distinguish it.

1155
00:57:26,560 --> 00:57:29,200
Speaker 4: This is really how you guys want to end this podcast?

1156
00:57:29,360 --> 00:57:29,880
Speaker 4: Mm hmm.

1157
00:57:31,440 --> 00:57:33,600
Speaker 1: Again just two best friends.

1158
00:57:33,720 --> 00:57:34,000
Speaker 4: Again.

1159
00:57:34,120 --> 00:57:37,400
Speaker 2: We want to lead up to that. That is not

1160
00:57:37,640 --> 00:57:40,680
Speaker 2: your thing to be like they're ending the podcast, Like obviously,

1161
00:57:40,800 --> 00:57:42,840
Speaker 2: the fans are not going to be satisfied by that.

1162
00:57:42,880 --> 00:57:44,640
Speaker 1: They want to hear it from us. Okay, yeah, they

1163
00:57:44,680 --> 00:57:46,680
Speaker 1: want us to say sorry, I'm stepping on it. It

1164
00:57:46,840 --> 00:57:48,760
Speaker 1: just seems very unusual to me.

1165
00:57:48,920 --> 00:57:50,960
Speaker 3: That this is the last episode and then we're kind

1166
00:57:50,960 --> 00:57:53,400
Speaker 3: of doing another show and that we're kind of not

1167
00:57:53,560 --> 00:57:54,320
Speaker 3: doing any show.

1168
00:57:55,640 --> 00:58:00,320
Speaker 1: Yeah. Yeah, that's why I think it's bizarre. Seems strange. Yeah, yeah,

1169
00:58:00,400 --> 00:58:01,919
Speaker 1: I think your fans are going to be very upset.

1170
00:58:01,960 --> 00:58:04,520
Speaker 1: Now we didn't get where we are playing a better rules.

1171
00:58:04,400 --> 00:58:06,920
Speaker 2: And so we did obviously, So yes, this is our

1172
00:58:06,920 --> 00:58:10,760
Speaker 2: final show. We did want to bring in some people

1173
00:58:10,800 --> 00:58:12,640
Speaker 2: that we have that have been with the show for

1174
00:58:12,680 --> 00:58:16,000
Speaker 2: a long time, uh, to sort of give like.

1175
00:58:16,200 --> 00:58:18,280
Speaker 3: Yeah, the bus just pulled up outside. They're all going

1176
00:58:18,320 --> 00:58:20,560
Speaker 3: to walk in one by one sort of say farewell

1177
00:58:20,600 --> 00:58:23,919
Speaker 3: to the show, and there some of their memories about Yes, but.

1178
00:58:23,880 --> 00:58:25,720
Speaker 1: We do want to start with Cody obviously.

1179
00:58:27,280 --> 00:58:30,280
Speaker 3: Hopefully we have time for the other eighty people outside.

1180
00:58:29,800 --> 00:58:31,640
Speaker 2: And maybe yeah, we'll get some So Cody, if you

1181
00:58:31,680 --> 00:58:33,640
Speaker 2: just want to start like what the show has meant

1182
00:58:33,640 --> 00:58:40,080
Speaker 2: to you, memories highlights for you and just what yeah

1183
00:58:40,560 --> 00:58:43,400
Speaker 2: the one we just did or the original the mocker

1184
00:58:43,640 --> 00:58:48,600
Speaker 2: the mock or the original the what.

1185
00:58:48,600 --> 00:58:52,920
Speaker 1: This mockumentory never using it right.

1186
00:58:57,120 --> 00:59:03,000
Speaker 2: Right, assuming the show we're just talking about for our

1187
00:59:03,080 --> 00:59:05,960
Speaker 2: last episode, we you know, like the like stuff that

1188
00:59:06,160 --> 00:59:08,320
Speaker 2: your memories of the show and just like what it

1189
00:59:08,360 --> 00:59:08,720
Speaker 2: means to you.

1190
00:59:10,160 --> 00:59:13,400
Speaker 1: Oh wow, Well, Cody was going to start.

1191
00:59:13,440 --> 00:59:22,520
Speaker 5: Cody Hollywood Handbook has been the kind of show.

1192
00:59:23,720 --> 00:59:31,120
Speaker 1: That means the world to its listeners, the people of

1193
00:59:31,920 --> 00:59:36,120
Speaker 1: the nation, and most notably Kevin.

1194
00:59:37,280 --> 00:59:39,520
Speaker 2: This is a new Cody thing, and thank god we

1195
00:59:39,560 --> 00:59:42,200
Speaker 2: would have to deal with this anymore. But that like

1196
00:59:42,600 --> 00:59:46,960
Speaker 2: introducing music will somehow cover up for the words instead

1197
00:59:46,960 --> 00:59:49,280
Speaker 2: of what the effect it actually has, which is somehow

1198
00:59:49,360 --> 00:59:52,640
Speaker 2: subtracting from them, just like making it like drawing attention

1199
00:59:52,800 --> 00:59:54,240
Speaker 2: to them in a bad way.

1200
00:59:54,400 --> 00:59:57,360
Speaker 3: Yeah, the music goes like makes you think, like wow,

1201
00:59:57,440 --> 01:00:01,400
Speaker 3: almost any words would have worked here, Yes, And the

1202
01:00:01,440 --> 01:00:03,520
Speaker 3: fact that these don't means that this must.

1203
01:00:03,280 --> 01:00:05,960
Speaker 1: Be so bad. Kevin, did you want to sort of

1204
01:00:05,960 --> 01:00:06,960
Speaker 1: say goodbye to the show?

1205
01:00:07,040 --> 01:00:08,960
Speaker 2: And I guess one of my memories is like the

1206
01:00:09,320 --> 01:00:12,440
Speaker 2: like five hundred other dimes Cody has done this exact

1207
01:00:12,480 --> 01:00:13,640
Speaker 2: thig mm hm.

1208
01:00:15,360 --> 01:00:17,360
Speaker 9: Goodbye show.

1209
01:00:17,880 --> 01:00:20,280
Speaker 1: You were fun. Thank you for having me on.

1210
01:00:22,320 --> 01:00:26,120
Speaker 9: Thank you for all the people out there who you know,

1211
01:00:26,240 --> 01:00:28,960
Speaker 9: called me a creep and a pervert on social media.

1212
01:00:29,520 --> 01:00:32,080
Speaker 9: That'll be up probably forever. I doubt any of you

1213
01:00:32,120 --> 01:00:34,320
Speaker 9: will take that off. It's going to be really great

1214
01:00:34,320 --> 01:00:36,440
Speaker 9: trying to find a job in the future. And if

1215
01:00:36,480 --> 01:00:41,680
Speaker 9: you google my name, pervert pedophile, weirdo asshole will come

1216
01:00:41,760 --> 01:00:43,480
Speaker 9: up goodbye show.

1217
01:00:45,880 --> 01:00:49,400
Speaker 1: Wow powerful, that's really nice, Keevid.

1218
01:00:49,640 --> 01:00:52,000
Speaker 3: Yeah, and then we had a bunch of other people

1219
01:00:52,000 --> 01:00:52,960
Speaker 3: to say goodbye to the show.

1220
01:00:53,000 --> 01:00:54,400
Speaker 1: I don't think we have time now.

1221
01:00:54,320 --> 01:00:56,680
Speaker 2: No, a little bit out of time. And Matt Damon

1222
01:00:56,840 --> 01:00:58,120
Speaker 2: was going to come in here and do it.

1223
01:00:58,320 --> 01:01:01,640
Speaker 3: Remember I'm shipping him.

1224
01:01:02,040 --> 01:01:05,080
Speaker 2: Oh yeah, and so yeah, please do listen to the

1225
01:01:05,160 --> 01:01:06,360
Speaker 2: other show?

1226
01:01:06,480 --> 01:01:09,040
Speaker 1: What what like? How do you know how they can

1227
01:01:09,120 --> 01:01:09,720
Speaker 1: listen to it?

1228
01:01:09,880 --> 01:01:15,160
Speaker 3: Yeah, it's online and it's gonna be in your phone.

1229
01:01:15,440 --> 01:01:17,960
Speaker 3: You gotta go and get in there and it's gonna

1230
01:01:17,960 --> 01:01:22,120
Speaker 3: be so good. So, Kevin, was there anything else did

1231
01:01:22,120 --> 01:01:24,240
Speaker 3: you do? You want to say something about the new show?

1232
01:01:25,280 --> 01:01:26,760
Speaker 1: I'm like twenty minutes in right now.

1233
01:01:26,840 --> 01:01:29,120
Speaker 5: Brush has sent it to me and I'm just laughing

1234
01:01:29,200 --> 01:01:29,800
Speaker 5: up a storm.

1235
01:01:29,920 --> 01:01:32,200
Speaker 1: It's and it's got a lot of good acting advice.

1236
01:01:32,280 --> 01:01:35,040
Speaker 1: So it's kind of like a win win. Okay, So

1237
01:01:35,120 --> 01:01:36,040
Speaker 1: you like that one.

1238
01:01:36,200 --> 01:01:38,800
Speaker 2: You had a lot of negative things to say about

1239
01:01:39,680 --> 01:01:43,600
Speaker 2: about the show that I have done with Sean for

1240
01:01:43,640 --> 01:01:45,400
Speaker 2: a very long time, but this one, you're like, this

1241
01:01:45,560 --> 01:01:45,960
Speaker 2: is cool.

1242
01:01:46,240 --> 01:01:49,040
Speaker 1: It's a makes me laugh, it's a home run. I

1243
01:01:49,080 --> 01:01:49,680
Speaker 1: really like that.

1244
01:01:50,000 --> 01:01:53,400
Speaker 2: Yeah, that's exactly what Sean said. Yeah, singer singers.

1245
01:01:53,560 --> 01:01:58,000
Speaker 1: Yeah, yeah, great. So that's good.

1246
01:01:58,040 --> 01:01:59,480
Speaker 3: So you got a lot out of it and it

1247
01:01:59,520 --> 01:02:03,080
Speaker 3: sounds like bang Raaj band did too. I'll probably see

1248
01:02:03,120 --> 01:02:07,440
Speaker 3: you tonight, slash tomorrow morning, bang Uh and Hayes. I

1249
01:02:07,480 --> 01:02:09,320
Speaker 3: don't know when I'm going to see you, just because

1250
01:02:09,320 --> 01:02:09,800
Speaker 3: of the nature.

1251
01:02:09,880 --> 01:02:12,720
Speaker 1: I know, it's the relationship. It was mostly around this show.

1252
01:02:14,960 --> 01:02:18,400
Speaker 3: But all the best with the writing you're doing and

1253
01:02:18,800 --> 01:02:22,760
Speaker 3: Uh and engineer Cody, it's been real.

1254
01:02:22,840 --> 01:02:25,360
Speaker 1: It's been fun, but it hasn't been real fun. Feel me, brother,

1255
01:02:26,920 --> 01:02:30,840
Speaker 1: I feel it. So yeah, this is a lat of show.

1256
01:02:30,840 --> 01:02:39,160
Speaker 10: Bye, I'm a horny girl.

1257
01:02:39,200 --> 01:02:39,520
Speaker 1: Wolf.

1258
01:02:39,880 --> 01:02:43,600
Speaker 10: This has been an Earwolf production executive produced by Scott Ackerman,

1259
01:02:43,760 --> 01:02:47,120
Speaker 10: Colin Anderson, and Chris Bannon. For more information and content,

1260
01:02:47,240 --> 01:02:48,800
Speaker 10: visit earwolf dot com.

1261
01:02:49,360 --> 01:02:52,520
Speaker 3: Oh