WEBVTT - Round Thirteen!

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<v Speaker 1>Hi, Christy, Hello, Will.

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<v Speaker 2>How is Nashville?

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<v Speaker 3>Nashville was amazing. We had a wonderful time. Everybody was

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<v Speaker 3>very cool. It was a great convention. And uh, I

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<v Speaker 3>look up at my line and one of our final

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<v Speaker 3>four contestants is there, and I'm like, oh, I can't

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<v Speaker 3>really see you.

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<v Speaker 1>We can't hang out. I can't Hi, how are you all?

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<v Speaker 1>So she's like, I know, I know, I know. I'm sorry.

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<v Speaker 1>And she's on today. She's like, I'm sorry. I was like,

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<v Speaker 1>that's okay. You just be prepared, but I'm not giving

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<v Speaker 1>you and I'm not letting you know anything that's going on.

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<v Speaker 1>She's like, I know, I know.

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<v Speaker 4>Honestly, I love doing this contact with you because you

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<v Speaker 4>are one of the most like you're very you are

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<v Speaker 4>so ruled by like this sense of fairness, and it

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<v Speaker 4>is it was a side of you that I.

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<v Speaker 2>Did not know existed, but in matches.

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<v Speaker 4>I well, yeah, because it's not like you're you're not

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<v Speaker 4>a like super micromanagy person. Like you're a very like chill,

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<v Speaker 4>laid back guy. And we talked about, you know, anxiety stuff,

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<v Speaker 4>but we're not. But you don't lead with that kind

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<v Speaker 4>of chaotic energy, and so it's just it's just I

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<v Speaker 4>think I'm probably more chaotic on a consistent basis than

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<v Speaker 4>you are. So it's really great, though, to see that

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<v Speaker 4>our contestants are being sort of really navigating. They're navigating this,

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<v Speaker 4>trusting us that we're going to give them the fairest

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<v Speaker 4>shot possible.

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<v Speaker 1>I think so too, And I think we've done really well.

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<v Speaker 3>Frankly, we've talked about how we listen to all the entries,

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<v Speaker 3>and it was like we weren't like, no, we're not

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<v Speaker 3>going to listen to this fifty, No, we got too many.

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<v Speaker 1>We're not gonna listen to these hundred. Well, let's just

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<v Speaker 1>get through a thousand and we'll pick who we are.

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<v Speaker 1>We really are trying to keep this as fair as possible.

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<v Speaker 3>And we went from what forty five hundred to where

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<v Speaker 3>we are lie the exactly four.

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<v Speaker 4>And we have we have the most amazing adjudicator today

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<v Speaker 4>because it's not even an adjudicator as much as it's

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<v Speaker 4>an experience that we're about to have absolutely all of us,

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<v Speaker 4>all three of us, all of us.

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<v Speaker 3>Yeah, so what we're you know, we are now moving

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<v Speaker 3>on to a you know, we say we every time

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<v Speaker 3>we hit another milestone in the in the contest, we

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<v Speaker 3>switch up the game, so we started everybody who's been

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<v Speaker 3>there with us, We started with by the Numbers and

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<v Speaker 3>then we went to X you actually read all about it.

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<v Speaker 3>Our game today is called Getting the Booth, and the

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<v Speaker 3>reason it's called Getting the Booth is because we are

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<v Speaker 3>just straight up going to be recording a scene from

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<v Speaker 3>a cartoon with an incredible director who has been directing

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<v Speaker 3>voiceover for years and years and years and years, multiple

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<v Speaker 3>award where you name it, she's done it. She is

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<v Speaker 3>here to help us out today. Our contestants are going

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<v Speaker 3>to be getting in the booth.

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<v Speaker 1>We are going to be and acting with Christy and

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<v Speaker 1>I we're going to be in it too.

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<v Speaker 4>And I want to say to guys, I want to

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<v Speaker 4>just give you a what is it? A not a warning,

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<v Speaker 4>but like heads up, heads up that I have not

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<v Speaker 4>been in the booth since you and I were in

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<v Speaker 4>the booth for something that we won't talk.

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<v Speaker 2>About, but pray for it.

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<v Speaker 4>But anyway, it's one of those things where I have

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<v Speaker 4>not dusted off this skill set and I'm so happy

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<v Speaker 4>that you guys get to listen in on this and

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<v Speaker 4>hear me to try to approach this character.

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<v Speaker 2>Sure that we've got for our contestants today.

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<v Speaker 1>It's going to be so much fun.

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<v Speaker 3>So before we jump into it very very quickly, because

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<v Speaker 3>we are now hitting the final four.

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<v Speaker 1>I can't believe I'm even saying that.

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<v Speaker 4>And also it's like the final two of this season

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<v Speaker 4>of I Hear Places or however you want to see it.

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<v Speaker 2>So yeah, how many episodes again, how many.

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<v Speaker 1>More we've got?

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<v Speaker 3>We're going to do this one and then one more

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<v Speaker 3>to get down to the final two, and then we

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<v Speaker 3>do one more for the final two and we crown

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<v Speaker 3>our winner.

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<v Speaker 1>That's it, that's it.

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<v Speaker 2>We have three more.

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<v Speaker 1>There's three. So it's amazing.

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<v Speaker 3>And of course none of this would have been possible

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<v Speaker 3>without everybody that's been helping us out, so first and

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<v Speaker 3>foremost of course to Prime Video and everybody over there

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<v Speaker 3>at Critical Role, all of our friends. Go check out

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<v Speaker 3>season two of Vox Machina, which is available for stream now.

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<v Speaker 3>Great show, and I always say it's not because I'm

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<v Speaker 3>on it, but it is an awesome, awesome show. Of course,

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<v Speaker 3>everyone over there at CESD who have given us our

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<v Speaker 3>incredible grand prize, which is signing with that amazing agency

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<v Speaker 3>for a year.

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<v Speaker 4>Will I told Anna Lisa Vanderpohl about this. She was

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<v Speaker 4>just here in Austin for the TV Festival and we

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<v Speaker 4>were hanging out. We made a very big announcement which

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<v Speaker 4>I won't mention, but we're excited we can have a

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<v Speaker 4>podcast spoiler Okay, So basically an Alsa.

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<v Speaker 2>Vonderpoul from Raven. She's super talented. I go, hey, guess what,

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<v Speaker 2>I have a podcast that I do. Uh it's I

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<v Speaker 2>Hear Voices. It's with iHeartRadio. I love them so much.

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<v Speaker 2>And guess what.

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<v Speaker 4>CESD is going to have our contestants, like you know,

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<v Speaker 4>the winner is going to get a year long.

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<v Speaker 2>And she just freaked out. She's like, it's amazing. Can

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<v Speaker 2>I join? Can I please?

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<v Speaker 5>Yeah?

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<v Speaker 3>Actor, no, everybody, it is every actor that you tell everybody,

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<v Speaker 3>it's like if you know, you know, and every single

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<v Speaker 3>one of them that you say, their jaw drops, like

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<v Speaker 3>are you kidding?

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<v Speaker 1>They get to sign with CESD. So it's huge.

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<v Speaker 4>It's really it's really someone's first big opportunity, you know,

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<v Speaker 4>not a break, but it's an opportunity.

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<v Speaker 1>To It's amazing.

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<v Speaker 3>Yeah, And of course all of it is thanks to

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<v Speaker 3>iHeart who let us put this contest together and helped

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<v Speaker 3>us every step of the way and made this possible.

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<v Speaker 3>So thank you, iHeart. But we are now, as we

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<v Speaker 3>said to the final four, we're going to get in

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<v Speaker 3>the booth. But to do that you need the best

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<v Speaker 3>director in town or what the directors in town.

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<v Speaker 2>Arguably, let's call her and beep her.

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<v Speaker 1>Huh we should So why would you call and beat

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<v Speaker 1>this person? Christy? Who is our guest director adjudicator today?

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<v Speaker 2>It is director extortedor Lisa Schaeffer.

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<v Speaker 3>Everybody, yes, from Kim Possible and everything else. Please let

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<v Speaker 3>us welcome Lisa Shaeffer.

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<v Speaker 1>Heye, we're fine, Lisa.

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<v Speaker 2>How are you?

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<v Speaker 1>Thank you? Thank you so much for joining us today.

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<v Speaker 5>Thank you for having me Mary Kidding for the final.

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<v Speaker 3>Four of the Super Awesome Contest to become the next

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<v Speaker 3>Big Voice Actor.

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<v Speaker 1>We are so excited to have you here.

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<v Speaker 6>Uh.

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<v Speaker 1>We were just talking about how you directed us.

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<v Speaker 3>Of course I'm Kim Possible forever, but you're also I mean,

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<v Speaker 3>Monster High, Loudhouse, teen Titans, Go Boss Baby, back in

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<v Speaker 3>the Crib, One thing after another, Guardians of the Galaxy,

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<v Speaker 3>Secret Saturdays known long time.

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<v Speaker 1>Yeah, it's you name it, You've done it.

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<v Speaker 5>Yeah, it's been a career.

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<v Speaker 1>Do you want to toot your horn or are do

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<v Speaker 1>you mind that we just toot your horn?

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<v Speaker 6>No?

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<v Speaker 5>I mean feel free.

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<v Speaker 6>It's it's you know, every day is just as I

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<v Speaker 6>wake up and I'm like, wow, it's been twenty years

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<v Speaker 6>and I never thought I'd work another day and another day,

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<v Speaker 6>another day, another day.

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<v Speaker 5>So I'm excited. I love what I do. I'm happy

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<v Speaker 5>to join every day. Now I get to do it

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<v Speaker 5>for my house. I don't care.

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<v Speaker 1>It's so great, isn't it.

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<v Speaker 4>Yeah, we have some very very talented folks that you're

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<v Speaker 4>about to seet, Lisa. And also I'm a little nervous,

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<v Speaker 4>so you may have to walk me through this too

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<v Speaker 4>a little bit because we have an original script written

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<v Speaker 4>by Wilfred Dell.

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<v Speaker 5>Hell yeah, we're gonna last night.

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<v Speaker 1>Well, so that's what's fun. We are so to bring

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<v Speaker 1>you a little up to speed.

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<v Speaker 3>We started the super Awesome Contest Become the Next Big

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<v Speaker 3>Voice Actor, which you know, and we got forty five

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<v Speaker 3>hundred contestants. We have been whittling them down and we

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<v Speaker 3>are to the final four. So we figured what we've

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<v Speaker 3>said is we want somebody. We want contestants from the

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<v Speaker 3>jump the winner that if you win on a Tuesday

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<v Speaker 3>you can be in the booth on the Wednesday.

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<v Speaker 1>We want you to be that good.

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<v Speaker 3>So the first game we played was called by the Numbers,

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<v Speaker 3>where the guest judge actually by picking random numbers, created

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<v Speaker 3>the character on the spot.

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<v Speaker 1>That the contestants had to do. So it was a

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<v Speaker 1>lot of fun to do that.

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<v Speaker 3>The second one was to see because, as every voiceover

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<v Speaker 3>actor knows, the only part of the job is doing

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<v Speaker 3>funny voices. So the next one was extra actually read

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<v Speaker 3>all about it, and it was all about ad reads.

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<v Speaker 3>And now we are jumping in the booth to actually

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<v Speaker 3>have our contestants record a scene from A and I'm

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<v Speaker 3>putting air quotes on their animated series. Uh so, we'd

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<v Speaker 3>love to see how they take direction and the kind

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<v Speaker 3>of direction that you would give, and how we you know,

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<v Speaker 3>how you would treat any of us in the booth.

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<v Speaker 5>Frankly, yeah, excited to be here. I do wonder are

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<v Speaker 5>you going to have them read together?

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<v Speaker 3>No, so I'm gonna be the teller and the old man.

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<v Speaker 3>Contestant A to start with will be Red Rocket and

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<v Speaker 3>Christy will be slam Girl, and then once again Christy

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<v Speaker 3>will be slam Girl and Contestant B will come in

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<v Speaker 3>and be Red Rocket. So they're both going to play

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<v Speaker 3>the same role, both the contestants today, and they'll read

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<v Speaker 3>it once through and then you can give them some direction.

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<v Speaker 3>We'll do the scene again, and we're only gonna because

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<v Speaker 3>it's a it's a four page scene, it's an actual scene.

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<v Speaker 3>We're going to see how much time we have, but

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<v Speaker 3>we're not gonna be bopping back and forth, so they'll

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<v Speaker 3>probably read it once. We'll give them a good direct

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<v Speaker 3>you know, you will give them a good direction, you know. Session,

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<v Speaker 3>we'll read it through again, and then we will move

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<v Speaker 3>on to our second contestant. They'll do that as well,

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<v Speaker 3>and then we will, you know, see how much time

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<v Speaker 3>is left. Maybe we'll have a chance to run through

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<v Speaker 3>it once more, but I don't know if we will,

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<v Speaker 3>and then we will have to pick who moves on

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<v Speaker 3>to the next the finals where we be to the

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<v Speaker 3>finals already.

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<v Speaker 1>And and I think, did we tell you what the

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<v Speaker 1>what the prizes are?

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<v Speaker 5>I heard I listened to the one the ad one

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<v Speaker 5>yesterday with Gary. Yeah you know CSD and crazy right,

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<v Speaker 5>I mean crazy I mean, and we.

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<v Speaker 4>Didn't mention was a thousand dollars spending cash and some

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<v Speaker 4>iHeart opportunities as well.

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<v Speaker 1>Yeah, they're going to write some iHeart stuff and yeah

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<v Speaker 1>it's amazing and meet us.

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<v Speaker 2>I mean, come on, that's like, you know, so cool

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<v Speaker 2>and Sam Regal do you mention Sam?

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<v Speaker 3>And yeah, they get a they get a direction session

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<v Speaker 3>with Sam Regal and Mary McGlynn over our friends, our

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<v Speaker 3>critical role who have been helping us out.

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<v Speaker 1>So there's uh, there's some fun stuff to be had.

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<v Speaker 3>Yes, Okay, so we know that we are down to

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<v Speaker 3>our final four contestants. We have Hannah from Alabama, Mia

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<v Speaker 3>from Florida, Danielle from Tennessee, and of course Haley from Texas.

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<v Speaker 3>So I think today we have it's Hannah from Alabama

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<v Speaker 3>and Danielle from Tennessee.

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<v Speaker 1>I believe are with us today. So we are, We're

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<v Speaker 1>getting down to it. It's unbelievable.

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<v Speaker 3>And since this is gonna be kind of different, and

0:10:39.040 --> 0:10:41.680
<v Speaker 3>whoever's reading first is I don't think there's an advantage

0:10:41.720 --> 0:10:43.920
<v Speaker 3>of reading first or reading second because the other person's

0:10:43.920 --> 0:10:45.600
<v Speaker 3>obviously not going to hear. But we want to make

0:10:45.640 --> 0:10:49.160
<v Speaker 3>sure that we are keeping it completely fair. So if

0:10:49.240 --> 0:10:51.720
<v Speaker 3>our guest judge for today, can you do me a favorite?

0:10:51.760 --> 0:10:57.960
<v Speaker 3>Say heads or tails please? Lisa eh, it is heads,

0:10:58.480 --> 0:11:02.720
<v Speaker 3>So Heads is going to be It looks like Hannah

0:11:03.320 --> 0:11:05.559
<v Speaker 3>from Alabama is going to be first, and we will

0:11:05.600 --> 0:11:07.200
<v Speaker 3>set the scene Canabama.

0:11:07.520 --> 0:11:13.679
<v Speaker 1>Hey, Cannabama, how are you welcome back? Congratulations again on

0:11:13.800 --> 0:11:16.000
<v Speaker 1>making the final four. Thank you.

0:11:16.520 --> 0:11:19.240
<v Speaker 3>And this is Misus Shaeffer, who has directed just about

0:11:19.240 --> 0:11:22.280
<v Speaker 3>everything you've heard in the cartoon world.

0:11:22.440 --> 0:11:25.160
<v Speaker 1>And so we'll be our guest director for the day.

0:11:25.240 --> 0:11:28.319
<v Speaker 3>And you got your script, I do, okay, So we

0:11:28.520 --> 0:11:30.720
<v Speaker 3>are straight up putting you in the booth today.

0:11:30.760 --> 0:11:34.120
<v Speaker 1>There's no games, there's no uh the game that is

0:11:34.160 --> 0:11:34.560
<v Speaker 1>the game.

0:11:35.120 --> 0:11:35.760
<v Speaker 7>That is the game.

0:11:35.760 --> 0:11:37.240
<v Speaker 2>It's called Get in the Booth.

0:11:37.320 --> 0:11:40.480
<v Speaker 3>It's called get any Booth. So it is literally we

0:11:40.640 --> 0:11:43.600
<v Speaker 3>are just doing a straight up recording session. And again,

0:11:43.720 --> 0:11:46.560
<v Speaker 3>because ninety nine percent of all recordings are now done

0:11:46.600 --> 0:11:49.600
<v Speaker 3>on Zoom, we are really just doing a recording session today.

0:11:50.840 --> 0:11:53.800
<v Speaker 1>We're going to have you read through it. We're not

0:11:53.840 --> 0:11:55.120
<v Speaker 1>gonna do too many stage directions.

0:11:55.160 --> 0:11:57.880
<v Speaker 3>I'm going to set the scene and then I will

0:11:58.040 --> 0:12:00.199
<v Speaker 3>let people occasionally know what's going on. But we don't

0:12:00.200 --> 0:12:02.960
<v Speaker 3>want to break up your performance or anybody else's performance.

0:12:03.000 --> 0:12:04.920
<v Speaker 3>So we are going to be acting with you. I

0:12:05.040 --> 0:12:07.559
<v Speaker 3>will be playing the teller and the old man and

0:12:07.760 --> 0:12:11.400
<v Speaker 3>Christy will be playing slam girl. Yeah, you will of

0:12:11.440 --> 0:12:13.760
<v Speaker 3>course be playing red Rocket. And we are going to

0:12:13.840 --> 0:12:16.520
<v Speaker 3>get right into it. So everybody out there in I

0:12:16.640 --> 0:12:18.679
<v Speaker 3>hear voices Land, so you know what's going on. We

0:12:18.760 --> 0:12:20.360
<v Speaker 3>are going to be reading a script. We're going to

0:12:20.400 --> 0:12:22.000
<v Speaker 3>be reading it straight through the way that we would

0:12:22.040 --> 0:12:24.200
<v Speaker 3>be recording any kind of script we do in the booth.

0:12:24.559 --> 0:12:25.880
<v Speaker 3>So I'm going to set the scene for you.

0:12:26.040 --> 0:12:27.959
<v Speaker 1>We are starting in a bank in the morning, and

0:12:27.960 --> 0:12:29.720
<v Speaker 1>it's a very slow day at the North South Bank.

0:12:30.040 --> 0:12:32.240
<v Speaker 3>The teller looks bored as an elderly man stands at

0:12:32.280 --> 0:12:33.760
<v Speaker 3>the counter and finishing their transaction.

0:12:35.840 --> 0:12:38.760
<v Speaker 1>Mister Johnson, I'd be happy to count it again, but

0:12:38.880 --> 0:12:39.400
<v Speaker 1>it was eight.

0:12:39.320 --> 0:12:41.400
<v Speaker 3>Dollars and thirty seven cents the first three times I

0:12:41.520 --> 0:12:43.599
<v Speaker 3>counted it, and I'm guessing it'll be eight dollars and

0:12:43.679 --> 0:12:48.920
<v Speaker 3>thirty seven cents if I counted it again. Okay, ah, well,

0:12:49.040 --> 0:12:52.640
<v Speaker 3>thanks for your business, mister Johnson. Look forward to seeing

0:12:52.679 --> 0:12:53.200
<v Speaker 3>you tomorrow.

0:12:55.280 --> 0:12:56.839
<v Speaker 1>I'm not sure how much longer I can do this.

0:12:57.000 --> 0:12:59.679
<v Speaker 1>Nothing ever happens here and just on que the doors

0:12:59.679 --> 0:13:02.000
<v Speaker 1>of the bank are blasted off their hinges as this

0:13:02.520 --> 0:13:05.360
<v Speaker 1>woman in a red suit and a jet pack flies

0:13:05.400 --> 0:13:05.920
<v Speaker 1>into frame.

0:13:06.320 --> 0:13:10.640
<v Speaker 7>Whoa hm, Lance?

0:13:11.559 --> 0:13:14.720
<v Speaker 1>Oh actually it's Gary. I just lost my name tag.

0:13:15.800 --> 0:13:18.640
<v Speaker 7>Okay, Lance, here it is. You have thirty seconds to

0:13:18.720 --> 0:13:19.839
<v Speaker 7>show me to the safe.

0:13:20.679 --> 0:13:23.200
<v Speaker 1>Right over there, but I don't have the key.

0:13:24.280 --> 0:13:34.360
<v Speaker 7>Oh that's okay, Lance, Gary, I brought my own baby.

0:13:34.760 --> 0:13:38.280
<v Speaker 8>Now that's a key. I hope you don't mind, sweetheart,

0:13:38.400 --> 0:13:40.440
<v Speaker 8>but I'm gonna have to take all the bank's money.

0:13:40.640 --> 0:13:40.760
<v Speaker 6>Now.

0:13:40.920 --> 0:13:42.439
<v Speaker 7>You don't have a problem with that, do you?

0:13:43.120 --> 0:13:43.520
<v Speaker 1>No, ma'am?

0:13:44.679 --> 0:13:46.480
<v Speaker 9>Put the tailer down?

0:13:49.720 --> 0:13:54.560
<v Speaker 8>Well well, well, if it isn't slam, girl, I hope

0:13:54.559 --> 0:13:55.800
<v Speaker 8>you didn't pay for that trademark.

0:13:55.840 --> 0:13:58.240
<v Speaker 7>Anyway, I figured you might show up missus.

0:13:58.240 --> 0:14:04.600
<v Speaker 10>Goody two shoes, I said, put the tailor down, Red Rocket?

0:14:06.160 --> 0:14:09.880
<v Speaker 7>What Lance is my buddy? Are you Lance?

0:14:10.120 --> 0:14:10.679
<v Speaker 1>It's Gary?

0:14:17.400 --> 0:14:19.520
<v Speaker 7>Nice catch? Can you grab these two.

0:14:24.320 --> 0:14:24.640
<v Speaker 6>Fast?

0:14:30.480 --> 0:14:38.960
<v Speaker 7>You're but not fast enough? Who slam?

0:14:39.200 --> 0:14:47.520
<v Speaker 10>This looks like you're heading back to jail, Red Rocket,

0:14:48.080 --> 0:14:53.240
<v Speaker 10>and a good thing too, because this bank is closed.

0:14:55.800 --> 0:14:59.200
<v Speaker 7>Seriously, is that it not even a good line?

0:14:59.680 --> 0:14:59.840
<v Speaker 11>Well?

0:15:00.480 --> 0:15:01.720
<v Speaker 9>What should I say?

0:15:05.120 --> 0:15:05.600
<v Speaker 1>I don't know.

0:15:05.880 --> 0:15:09.080
<v Speaker 7>Maybe it looks like you're gonna have to do your

0:15:09.120 --> 0:15:10.440
<v Speaker 7>banking online from now.

0:15:11.280 --> 0:15:13.200
<v Speaker 2>Okay, Well, how does that even make sense.

0:15:14.960 --> 0:15:18.440
<v Speaker 7>You're right, just take me to the slammer. Hey, there

0:15:18.480 --> 0:15:18.640
<v Speaker 7>you go.

0:15:21.040 --> 0:15:21.440
<v Speaker 11>Nice.

0:15:22.600 --> 0:15:25.400
<v Speaker 2>She actually wrote it entirely great.

0:15:26.360 --> 0:15:30.760
<v Speaker 1>That's awesome. Don't change my words, Tanabama, I'm kidding. I'm kidding.

0:15:31.080 --> 0:15:31.440
<v Speaker 1>We're good.

0:15:31.480 --> 0:15:33.440
<v Speaker 2>It's right there and I had to go for just

0:15:34.080 --> 0:15:35.720
<v Speaker 2>over to the choices.

0:15:36.560 --> 0:15:41.400
<v Speaker 5>Do you think I think it's amazing. I think so

0:15:41.560 --> 0:15:44.440
<v Speaker 5>much fun and you really felt like you were You

0:15:44.560 --> 0:15:48.680
<v Speaker 5>got all the action notes. It was a very super

0:15:48.760 --> 0:15:52.120
<v Speaker 5>action you read. I would say, I guess my overall

0:15:52.200 --> 0:15:55.720
<v Speaker 5>note would be way more energy and more sass to her.

0:15:56.120 --> 0:15:59.800
<v Speaker 6>I think you played her sultry, which is fantastic. But

0:15:59.880 --> 0:16:03.160
<v Speaker 6>I think for this action sequence, especially like kicking the

0:16:03.280 --> 0:16:06.560
<v Speaker 6>door in coming and big and confident and really just

0:16:06.680 --> 0:16:07.560
<v Speaker 6>like scaring.

0:16:07.240 --> 0:16:09.960
<v Speaker 5>The daylights out of Lance or Gary or whoever.

0:16:11.160 --> 0:16:13.600
<v Speaker 6>I think, especially when when you get to that, I

0:16:13.760 --> 0:16:17.320
<v Speaker 6>brought my own like she's just you know, a badass.

0:16:17.920 --> 0:16:20.120
<v Speaker 5>So I would generally pick up the energy. This is

0:16:20.160 --> 0:16:21.680
<v Speaker 5>a very energetic place.

0:16:21.760 --> 0:16:23.920
<v Speaker 6>I'm not saying you have to bounce off the walls,

0:16:24.000 --> 0:16:25.560
<v Speaker 6>but definitely pick up the pace.

0:16:25.840 --> 0:16:28.040
<v Speaker 5>That would also be my note generally to Will and

0:16:28.120 --> 0:16:31.400
<v Speaker 5>Christie as well. It just needed to feel big and faster.

0:16:31.720 --> 0:16:34.960
<v Speaker 6>As an overall general note, I think at the end,

0:16:35.080 --> 0:16:39.600
<v Speaker 6>really have fun with that, sort of judging her lame tagline.

0:16:39.760 --> 0:16:41.560
<v Speaker 5>I think you could have more fun with that and

0:16:41.640 --> 0:16:42.280
<v Speaker 5>pick it apart.

0:16:42.360 --> 0:16:44.200
<v Speaker 6>I love that you added your own thing and it

0:16:44.360 --> 0:16:47.640
<v Speaker 6>was definitely I would definitely keep that in there, Okay.

0:16:49.840 --> 0:16:51.000
<v Speaker 5>I think for your.

0:16:50.880 --> 0:16:55.960
<v Speaker 6>Guys as Walla, I think because you're recording it together individual.

0:16:55.640 --> 0:16:59.160
<v Speaker 5>Traps tracks, it's all okay to do it simultaneously. There

0:16:59.160 --> 0:17:01.040
<v Speaker 5>should be a little more back and forth. But there's

0:17:01.080 --> 0:17:01.920
<v Speaker 5>not a lot of line.

0:17:01.840 --> 0:17:04.359
<v Speaker 6>Numbers, and there's not a lot of you know, places,

0:17:04.640 --> 0:17:07.200
<v Speaker 6>no line numbers to sort of feel where that is.

0:17:07.280 --> 0:17:09.560
<v Speaker 5>But it all worked out very naturally, and I thought

0:17:09.600 --> 0:17:10.400
<v Speaker 5>it sounded great.

0:17:10.560 --> 0:17:13.760
<v Speaker 6>But again, my overall note is just a little more energy,

0:17:13.920 --> 0:17:16.320
<v Speaker 6>a lot more confidence, and really just come in and

0:17:16.400 --> 0:17:16.840
<v Speaker 6>kick butt.

0:17:16.880 --> 0:17:19.320
<v Speaker 5>I mean, you are the villain, but have fun with it.

0:17:20.359 --> 0:17:22.879
<v Speaker 4>I actually think I could probably lean more into the

0:17:23.000 --> 0:17:26.199
<v Speaker 4>slam girl personality that I thought you.

0:17:26.400 --> 0:17:29.720
<v Speaker 5>Made her southern. I thought that was super specific and great.

0:17:29.880 --> 0:17:32.200
<v Speaker 5>I would just you know, you know, me and my

0:17:32.320 --> 0:17:33.320
<v Speaker 5>note just go faster.

0:17:34.000 --> 0:17:37.359
<v Speaker 6>Yes, I would be run out of time on a

0:17:37.440 --> 0:17:41.760
<v Speaker 6>daily basis, you know, And and animation just commercial too.

0:17:41.840 --> 0:17:44.280
<v Speaker 6>You are under a little bit of a time done,

0:17:44.320 --> 0:17:47.320
<v Speaker 6>and what you think feels fast isn't necessarily.

0:17:46.880 --> 0:17:50.320
<v Speaker 2>What turns out super fast amazing. Let's do it, you

0:17:50.480 --> 0:17:51.359
<v Speaker 2>ritty handle, let's go.

0:17:51.760 --> 0:17:54.119
<v Speaker 3>I have a question, Lisa, would it be easier for

0:17:54.359 --> 0:17:58.639
<v Speaker 3>this second take if to get them clean? If you

0:17:58.760 --> 0:18:03.640
<v Speaker 3>wanted to do say three, three and three, so three

0:18:03.760 --> 0:18:06.440
<v Speaker 3>grunts of you know, three fighting sounds from Christy and

0:18:06.520 --> 0:18:08.520
<v Speaker 3>then three fighting sounds from Hannah to keep them separate?

0:18:08.640 --> 0:18:09.760
<v Speaker 1>Or do you mind them overlapping?

0:18:10.000 --> 0:18:12.680
<v Speaker 6>I don't mind them overlapping at all. I mean I

0:18:12.800 --> 0:18:17.080
<v Speaker 6>think it's it's it's what that script asked you to do.

0:18:17.680 --> 0:18:21.040
<v Speaker 1>All right, cool, so that those you got all those Notesanna, Yes, sir?

0:18:21.560 --> 0:18:25.440
<v Speaker 1>All right, So here we go. Let us try Take two.

0:18:27.600 --> 0:18:29.680
<v Speaker 1>Teller looks bored. Elerly Man is standing at the counter,

0:18:31.320 --> 0:18:32.000
<v Speaker 1>mister Johnson.

0:18:32.040 --> 0:18:33.879
<v Speaker 3>I'd be happy to count it again, but it was

0:18:33.960 --> 0:18:36.440
<v Speaker 3>eight dollars and thirty seven cents the first three times

0:18:36.440 --> 0:18:38.680
<v Speaker 3>I counted it, and I'm guessing it will be eight

0:18:38.720 --> 0:18:39.600
<v Speaker 3>dollars and thirty.

0:18:39.400 --> 0:18:45.200
<v Speaker 1>Seven cents if I counted it again. You well, thank

0:18:45.280 --> 0:18:47.760
<v Speaker 1>you for your business, mister Johnson, and I look forward

0:18:47.800 --> 0:18:51.800
<v Speaker 1>to seeing you tomorrow. I am not sure how much

0:18:51.880 --> 0:18:55.920
<v Speaker 1>longer I can do this. Nothing ever happens here boom,

0:18:56.119 --> 0:18:58.720
<v Speaker 1>the doors are blasted off their hinges, and incomes the

0:18:58.800 --> 0:19:05.520
<v Speaker 1>jet pack. Oh Lance, actually it's Gary. I just lost

0:19:05.560 --> 0:19:05.880
<v Speaker 1>my name.

0:19:05.960 --> 0:19:08.679
<v Speaker 7>Take okay, Lance, here it is. You have thirty seconds

0:19:08.680 --> 0:19:09.560
<v Speaker 7>to show me to the safe.

0:19:09.720 --> 0:19:11.800
<v Speaker 1>It's right over there. But I don't have the key.

0:19:12.880 --> 0:19:19.119
<v Speaker 7>That's okay, Lance, Gary, I brought my own. Ha Oh baby,

0:19:19.240 --> 0:19:20.200
<v Speaker 7>Now that's a key.

0:19:20.520 --> 0:19:22.840
<v Speaker 8>I hope you don't mind, sweetheart, but you're but I'm

0:19:22.880 --> 0:19:24.720
<v Speaker 8>going to have to take all the banks money.

0:19:24.920 --> 0:19:26.200
<v Speaker 7>You don't have a problem with that, do you?

0:19:26.560 --> 0:19:27.000
<v Speaker 1>No, ma'am?

0:19:28.880 --> 0:19:30.840
<v Speaker 9>Put the tailor down?

0:19:33.359 --> 0:19:37.560
<v Speaker 7>Well, well, well, if it isn't slam Girl trademarked. Of course,

0:19:37.800 --> 0:19:41.080
<v Speaker 7>I figured you might show up, miss Goody two shoes.

0:19:41.160 --> 0:19:45.160
<v Speaker 9>I said, put the tailor down, Red Rocket.

0:19:46.040 --> 0:19:48.159
<v Speaker 7>What Lance is my body? Aren't you?

0:19:48.400 --> 0:19:49.720
<v Speaker 1>Lance said? Several times?

0:19:49.760 --> 0:19:56.200
<v Speaker 7>It's Gary, nice catch, But can you grab these two?

0:19:56.720 --> 0:19:56.760
<v Speaker 11>Ha?

0:19:57.400 --> 0:19:59.679
<v Speaker 9>He slam Salami.

0:20:00.800 --> 0:20:07.120
<v Speaker 7>You're pretty fast. Hey, you're not fast enough.

0:20:13.359 --> 0:20:14.280
<v Speaker 1>To make some change?

0:20:16.880 --> 0:20:18.040
<v Speaker 7>Oh no you don't.

0:20:21.040 --> 0:20:22.720
<v Speaker 9>It looks like you're heading back to jail.

0:20:22.760 --> 0:20:26.439
<v Speaker 10>Red Rocket, and a good thing too, because this bank

0:20:26.800 --> 0:20:27.639
<v Speaker 10>is closed.

0:20:30.080 --> 0:20:32.600
<v Speaker 7>Seriously, is that it. That's not even a good line.

0:20:33.080 --> 0:20:34.600
<v Speaker 2>Okay, Well what should I say then?

0:20:36.200 --> 0:20:36.800
<v Speaker 7>I don't know.

0:20:38.040 --> 0:20:40.760
<v Speaker 9>Maybe since you know, everything.

0:20:43.040 --> 0:20:44.800
<v Speaker 7>Looks like you're going to have to do your own

0:20:44.920 --> 0:20:46.359
<v Speaker 7>banking online from now on.

0:20:48.880 --> 0:20:50.320
<v Speaker 2>Now, how does that make sense?

0:20:52.280 --> 0:20:54.480
<v Speaker 7>I don't know. Just take me to the slammer.

0:20:57.080 --> 0:20:57.520
<v Speaker 2>There you go.

0:20:57.720 --> 0:21:01.119
<v Speaker 1>That was great, all right, thank you. We will be

0:21:01.240 --> 0:21:05.399
<v Speaker 1>right back with you. Hannahbama, good job, Hannah, right, she

0:21:05.560 --> 0:21:07.600
<v Speaker 1>was great. I'm so in my head, guys.

0:21:07.720 --> 0:21:10.080
<v Speaker 2>Sorry, I'm like trying to divorce myself. I'm like, oh

0:21:10.119 --> 0:21:16.199
<v Speaker 2>my god, my performance, her performance. Okay, I wonder you.

0:21:16.280 --> 0:21:19.720
<v Speaker 6>Know, normally in a session, we do these runs with

0:21:20.080 --> 0:21:22.200
<v Speaker 6>you know, the group, and then we break out and

0:21:22.359 --> 0:21:24.840
<v Speaker 6>do like various pickup lines. I don't know if you

0:21:25.560 --> 0:21:28.639
<v Speaker 6>for something like that, so that you can hear the

0:21:28.760 --> 0:21:30.440
<v Speaker 6>little corrections as they go.

0:21:32.359 --> 0:21:32.960
<v Speaker 1>I think we should.

0:21:33.359 --> 0:21:34.840
<v Speaker 3>Why don't we do the runs with each of them,

0:21:34.840 --> 0:21:36.320
<v Speaker 3>and then we'll come back and we'll do some pickups

0:21:36.359 --> 0:21:37.760
<v Speaker 3>for each of them, and then we'll make our decisions.

0:21:37.880 --> 0:21:41.119
<v Speaker 5>You'll get a better idea because you'll be less in

0:21:41.240 --> 0:21:43.399
<v Speaker 5>the in the scene, because you had much more to.

0:21:43.480 --> 0:21:44.679
<v Speaker 2>Do than I think.

0:21:45.200 --> 0:21:45.480
<v Speaker 6>You know what.

0:21:45.760 --> 0:21:47.520
<v Speaker 4>Bill did a great job though, because that is a

0:21:47.600 --> 0:21:50.920
<v Speaker 4>great script for for us to test the animation and also.

0:21:52.600 --> 0:21:53.840
<v Speaker 2>Saying those impacts yes.

0:21:53.840 --> 0:21:56.800
<v Speaker 5>Yes, so back and forth. You didn't get to be

0:21:56.880 --> 0:21:57.399
<v Speaker 5>away from it.

0:21:57.920 --> 0:21:59.879
<v Speaker 1>And by the way, for everybody out there who's list,

0:22:00.240 --> 0:22:02.560
<v Speaker 1>you're probably wondering, well, what's going on. You're not explaining

0:22:02.560 --> 0:22:03.359
<v Speaker 1>everything that's happening.

0:22:03.400 --> 0:22:06.000
<v Speaker 3>What are they dodging? And that's exactly what a recording

0:22:06.080 --> 0:22:09.720
<v Speaker 3>session is like. You don't have somebody there reading what's

0:22:09.800 --> 0:22:11.440
<v Speaker 3>going on. So what we may do is we'll put

0:22:11.480 --> 0:22:14.720
<v Speaker 3>the script up on our Instagram page so you can

0:22:14.800 --> 0:22:16.120
<v Speaker 3>kind of read the script and you can.

0:22:16.040 --> 0:22:19.320
<v Speaker 1>See what the actual action is. But as you're recording,

0:22:19.520 --> 0:22:21.879
<v Speaker 1>there's nobody in there reading the direction, reading what's going on.

0:22:21.960 --> 0:22:23.520
<v Speaker 1>You've got to read it straight through like a like

0:22:23.600 --> 0:22:26.000
<v Speaker 1>a radio play, which is why we're doing it that way.

0:22:26.080 --> 0:22:28.200
<v Speaker 1>So we're recording it the way we would be recording it.

0:22:28.320 --> 0:22:30.920
<v Speaker 1>So we apologize for everybody out there wondering what they're.

0:22:30.760 --> 0:22:32.680
<v Speaker 3>Dodging, But you'll be able to read that on the

0:22:32.800 --> 0:22:35.080
<v Speaker 3>Instagram when you get there, because we just want.

0:22:34.960 --> 0:22:37.040
<v Speaker 1>To record it the way we record it. And so

0:22:37.520 --> 0:22:42.680
<v Speaker 1>that being said, we now have Danielle from Tennessee coming

0:22:42.760 --> 0:22:46.320
<v Speaker 1>to take her shot as Red Rocket. Let's see what

0:22:46.480 --> 0:22:49.919
<v Speaker 1>we can do. Hi, Danielle, do you have your script?

0:22:50.480 --> 0:22:52.680
<v Speaker 1>I do, all right, and are you ready to go?

0:22:53.480 --> 0:22:54.000
<v Speaker 2>I think so?

0:22:54.560 --> 0:22:56.800
<v Speaker 3>All right, So this is Lisa Shaeffer, who is the

0:22:57.560 --> 0:23:01.439
<v Speaker 3>director of Everything you heard growing Up and has been

0:23:01.520 --> 0:23:03.480
<v Speaker 3>for a very long time. And so we're gonna read

0:23:03.520 --> 0:23:06.720
<v Speaker 3>it just straight through. I'm gonna play the teller and

0:23:06.800 --> 0:23:09.040
<v Speaker 3>the old man. Christy is going to be slam girl.

0:23:09.760 --> 0:23:11.760
<v Speaker 3>You are Red Rocket, and we are going to read

0:23:11.800 --> 0:23:12.560
<v Speaker 3>it just like we.

0:23:12.600 --> 0:23:16.320
<v Speaker 1>Would in a booth. All right, all right, So here

0:23:16.440 --> 0:23:17.200
<v Speaker 1>we go again.

0:23:17.240 --> 0:23:20.600
<v Speaker 3>For everybody out there setting the stage, we are at

0:23:20.640 --> 0:23:23.280
<v Speaker 3>North South Bank with a teller and an elderly man

0:23:23.480 --> 0:23:28.359
<v Speaker 3>looking bored. Here we go. Oh, mister Johnson, I would

0:23:28.400 --> 0:23:30.439
<v Speaker 3>be happy to count it again, but it was eight

0:23:30.520 --> 0:23:32.400
<v Speaker 3>dollars and thirty seven cents the first three times.

0:23:32.240 --> 0:23:34.560
<v Speaker 1>I counted it. Then I'm guessing it will be eight

0:23:34.600 --> 0:23:36.679
<v Speaker 1>dollars and thirty seven cents if I counted it again.

0:23:38.160 --> 0:23:39.280
<v Speaker 3>Give me your attitude.

0:23:39.440 --> 0:23:42.480
<v Speaker 1>Well, thank you for your business, mister Johnson, and I

0:23:42.560 --> 0:23:43.800
<v Speaker 1>look forward to seeing you tomorrow.

0:23:44.520 --> 0:23:44.720
<v Speaker 4>Oh.

0:23:45.040 --> 0:23:46.720
<v Speaker 1>I am not sure how much longer I can do this.

0:23:46.840 --> 0:23:49.600
<v Speaker 1>Nothing ever happens here and on cue. The doors of

0:23:49.640 --> 0:23:52.760
<v Speaker 1>the bank are blasted off their hinges, and incomes a

0:23:53.520 --> 0:24:00.440
<v Speaker 1>streaking jet in a red outfit. Ah Lands, Actually it's scary.

0:24:00.560 --> 0:24:01.640
<v Speaker 1>I just lost my name tag.

0:24:02.160 --> 0:24:05.600
<v Speaker 12>Okay, Lance, here it is. You have thirty seconds to

0:24:05.680 --> 0:24:06.600
<v Speaker 12>show me to the safe.

0:24:07.240 --> 0:24:09.320
<v Speaker 1>It's right over there. But I don't have the key.

0:24:09.880 --> 0:24:11.960
<v Speaker 1>Oh that's okay, Lance, scary.

0:24:12.720 --> 0:24:13.760
<v Speaker 5>I brought my own.

0:24:17.600 --> 0:24:18.720
<v Speaker 7>Now that's a key.

0:24:19.520 --> 0:24:19.680
<v Speaker 6>Oh.

0:24:19.880 --> 0:24:21.399
<v Speaker 2>I hope you don't mind, sweetheart, but.

0:24:21.440 --> 0:24:23.879
<v Speaker 12>I'm going to have to take all of the bank's money.

0:24:24.640 --> 0:24:27.040
<v Speaker 12>You don't have a problem with that, now, do you?

0:24:27.800 --> 0:24:30.719
<v Speaker 9>No, ma'am put the tailor down.

0:24:32.080 --> 0:24:36.840
<v Speaker 12>Well well, well, if it isn't slam girl, I figured

0:24:36.880 --> 0:24:37.760
<v Speaker 12>you might show up me.

0:24:38.080 --> 0:24:44.520
<v Speaker 10>Goodie too, shoes, I said, put the tailor down, Red Rocket,

0:24:45.280 --> 0:24:46.959
<v Speaker 10>What Lance is my buddy?

0:24:47.560 --> 0:24:48.560
<v Speaker 12>Aren't you Lance?

0:24:48.840 --> 0:24:49.359
<v Speaker 2>It's scary?

0:24:52.920 --> 0:24:55.040
<v Speaker 12>Ooh nice catch?

0:24:55.840 --> 0:24:57.040
<v Speaker 7>Can you grab these two?

0:24:58.560 --> 0:24:58.600
<v Speaker 5>No?

0:25:00.680 --> 0:25:02.760
<v Speaker 2>Ha the salama bamma.

0:25:04.800 --> 0:25:04.840
<v Speaker 6>No.

0:25:06.880 --> 0:25:11.280
<v Speaker 7>You pretty fast, but not fast enough.

0:25:12.760 --> 0:25:21.879
<v Speaker 10>Hey, yeah, well it looks like you're heading back to jail,

0:25:22.160 --> 0:25:26.080
<v Speaker 10>Red Rocket. And a good thing too, because this bank

0:25:26.359 --> 0:25:27.280
<v Speaker 10>is closed.

0:25:28.880 --> 0:25:30.600
<v Speaker 7>Curiously is that it?

0:25:31.640 --> 0:25:32.879
<v Speaker 12>It's not even a good line?

0:25:33.840 --> 0:25:34.800
<v Speaker 2>Will What should I say?

0:25:35.600 --> 0:25:35.760
<v Speaker 6>Oh?

0:25:35.920 --> 0:25:36.359
<v Speaker 10>I don't know.

0:25:36.560 --> 0:25:37.600
<v Speaker 2>Maybe looks like.

0:25:37.680 --> 0:25:39.879
<v Speaker 12>You're going to have to do your own banking online

0:25:39.920 --> 0:25:40.399
<v Speaker 12>from now on.

0:25:41.320 --> 0:25:42.720
<v Speaker 2>Well, now, how does that make sense?

0:25:43.800 --> 0:25:44.840
<v Speaker 12>Just take me to jail.

0:25:47.200 --> 0:25:51.800
<v Speaker 1>Very nice, Lisa, it was excellent.

0:25:51.920 --> 0:25:55.760
<v Speaker 5>I really like your choice for the voice coming in.

0:25:56.359 --> 0:25:58.720
<v Speaker 6>I would have her even as she kicks in the

0:25:58.920 --> 0:26:01.760
<v Speaker 6>door and for word through that bottom of that first

0:26:01.880 --> 0:26:05.879
<v Speaker 6>page or the top of the second page, give her

0:26:06.000 --> 0:26:09.960
<v Speaker 6>a little bit more confidence and more energy, and take control.

0:26:09.760 --> 0:26:12.080
<v Speaker 5>Of the situation. You know, she's coming in to rob

0:26:12.200 --> 0:26:15.639
<v Speaker 5>this thing. She should be bigger and more badass.

0:26:15.200 --> 0:26:18.840
<v Speaker 6>As she you know, takes Gary and you know, flings

0:26:18.920 --> 0:26:23.240
<v Speaker 6>him around pretty easily. I love der that's a key.

0:26:24.280 --> 0:26:27.600
<v Speaker 6>I would paste that up a lot. I think, you know,

0:26:27.840 --> 0:26:32.280
<v Speaker 6>being in that situation, it's it's a lot.

0:26:32.640 --> 0:26:32.760
<v Speaker 4>Uh.

0:26:33.640 --> 0:26:35.159
<v Speaker 5>The states are pretty high. You have to get in

0:26:35.280 --> 0:26:37.440
<v Speaker 5>and get out right as a bank robber. I think

0:26:37.480 --> 0:26:37.920
<v Speaker 5>we all have that.

0:26:38.040 --> 0:26:42.280
<v Speaker 6>It's day to day, so it's not that you sit

0:26:42.359 --> 0:26:45.800
<v Speaker 6>and linger over. I thought your fight and your wallet

0:26:45.920 --> 0:26:49.040
<v Speaker 6>was all perfect, great energy. I wouldn't change any of that.

0:26:50.080 --> 0:26:52.359
<v Speaker 6>And you've got you hit every note in the in

0:26:52.480 --> 0:26:56.520
<v Speaker 6>the stage direction. I think coming out of it, you're pretty.

0:26:56.320 --> 0:26:57.600
<v Speaker 5>Fast, not fast enough.

0:26:57.600 --> 0:27:00.960
<v Speaker 6>I would pick up the energy more impressed that slam

0:27:01.080 --> 0:27:03.920
<v Speaker 6>Girl kicked your assi the first time, you know, and

0:27:04.080 --> 0:27:07.040
<v Speaker 6>then take control, but not fast enough. You have something

0:27:07.080 --> 0:27:09.760
<v Speaker 6>more hidden up your sleeve. But I'm not sure I

0:27:09.880 --> 0:27:12.639
<v Speaker 6>would change your voice all that much for that very

0:27:12.720 --> 0:27:15.000
<v Speaker 6>last line when you went up into that high voice. Okay,

0:27:15.480 --> 0:27:17.439
<v Speaker 6>I think it kind of took away from the character.

0:27:17.760 --> 0:27:19.760
<v Speaker 6>I think you can make more fun of slam Girl

0:27:19.960 --> 0:27:25.040
<v Speaker 6>versus making it a whole third character. That was just

0:27:25.080 --> 0:27:29.280
<v Speaker 6>a specific note, but I love the whole character. You

0:27:29.400 --> 0:27:30.119
<v Speaker 6>got her pretty.

0:27:30.880 --> 0:27:32.680
<v Speaker 5>I loved all your sass in it. It was great.

0:27:33.560 --> 0:27:36.560
<v Speaker 3>All right, Okay, do you want to take a second

0:27:36.640 --> 0:27:37.800
<v Speaker 3>or do you want to just jump right into to

0:27:37.880 --> 0:27:38.360
<v Speaker 3>another read?

0:27:41.320 --> 0:27:42.760
<v Speaker 12>Sure, let's just jump right into it.

0:27:42.800 --> 0:27:44.520
<v Speaker 1>Well, all right, you got it.

0:27:44.600 --> 0:27:45.000
<v Speaker 4>Here we go.

0:27:45.320 --> 0:27:50.160
<v Speaker 3>Love that starting again, North South Bank, mister Johnson. I'd

0:27:50.240 --> 0:27:52.040
<v Speaker 3>be happy to count it again, But it was eight

0:27:52.119 --> 0:27:54.359
<v Speaker 3>dollars and thirty seven cents the first three times I

0:27:54.440 --> 0:27:56.560
<v Speaker 3>counted it, and I'm guessing it'll be eight dollars and

0:27:56.600 --> 0:28:00.840
<v Speaker 3>thirty seven cents if I counted it again. Well, thank

0:28:00.880 --> 0:28:04.080
<v Speaker 3>you for your business, mister Johnson, and I look forward.

0:28:03.800 --> 0:28:06.679
<v Speaker 1>To seeing you again tomorrow. Ugh, I'm not sure how

0:28:06.720 --> 0:28:09.919
<v Speaker 1>much longer I can do this nothing ever happens here boom,

0:28:10.040 --> 0:28:15.359
<v Speaker 1>blast it off the hinges, in comes the flight. Oh, Lance,

0:28:16.119 --> 0:28:17.920
<v Speaker 1>actually it's Gary. I just lost my name.

0:28:18.000 --> 0:28:18.200
<v Speaker 3>Deag.

0:28:18.440 --> 0:28:21.080
<v Speaker 12>Okay, Lance, here it is. You have thirty seconds to

0:28:21.200 --> 0:28:22.040
<v Speaker 12>show me to the safe.

0:28:22.480 --> 0:28:24.760
<v Speaker 1>Okay, it's right over there. But I don't have the key.

0:28:25.320 --> 0:28:28.720
<v Speaker 12>Oh that's okay, Lance, Gary, I brought my own.

0:28:32.600 --> 0:28:33.440
<v Speaker 7>Now that's a key.

0:28:33.840 --> 0:28:35.600
<v Speaker 12>I hope you don't mind, sweetheart, but I'm going to

0:28:35.680 --> 0:28:37.920
<v Speaker 12>have to take all the banks money. You don't have

0:28:38.000 --> 0:28:39.440
<v Speaker 12>a problem with that, now, do you?

0:28:40.080 --> 0:28:40.480
<v Speaker 1>No, ma'am?

0:28:42.080 --> 0:28:44.040
<v Speaker 9>Put the tailor down?

0:28:45.600 --> 0:28:48.960
<v Speaker 12>Well well, well if it doesn't slam, girl, I figured

0:28:49.000 --> 0:28:51.440
<v Speaker 12>you might show up me goodyat two shoes.

0:28:51.720 --> 0:28:55.560
<v Speaker 9>Oh said put the tailor down.

0:28:56.120 --> 0:29:00.520
<v Speaker 12>Red Rocket, Lance is my buddy, aren't you? Lance?

0:29:01.000 --> 0:29:01.400
<v Speaker 9>Scary?

0:29:04.160 --> 0:29:04.400
<v Speaker 10>Ooh?

0:29:04.960 --> 0:29:05.720
<v Speaker 2>Nice catch?

0:29:06.440 --> 0:29:07.520
<v Speaker 7>Can you grab these two?

0:29:09.720 --> 0:29:09.880
<v Speaker 6>Hey?

0:29:12.560 --> 0:29:18.240
<v Speaker 7>Solamb You're pretty fast, but.

0:29:28.800 --> 0:29:31.920
<v Speaker 9>Looks like you're heading back to jail, Red Rocket.

0:29:32.480 --> 0:29:37.560
<v Speaker 10>And a good thing too, because this bank is closed.

0:29:39.000 --> 0:29:42.720
<v Speaker 7>Seriously is that it? That's not even a good line?

0:29:43.640 --> 0:29:44.960
<v Speaker 9>Will What should I say?

0:29:46.040 --> 0:29:48.120
<v Speaker 12>I don't know. Maybe looks like you're going to have

0:29:48.200 --> 0:29:50.240
<v Speaker 12>to do your own banking online from now on.

0:29:50.960 --> 0:29:54.160
<v Speaker 2>Well, now how does that make sense? Just take me

0:29:54.240 --> 0:29:54.680
<v Speaker 2>to jail.

0:29:56.760 --> 0:29:59.480
<v Speaker 1>Thank you so much. We will be right back with you. Danielle,

0:30:00.080 --> 0:30:00.400
<v Speaker 1>thank you.

0:30:00.400 --> 0:30:04.840
<v Speaker 4>You're right, You're right, Lisa, because honestly, it was very

0:30:04.880 --> 0:30:07.200
<v Speaker 4>difficult for me to try to not be in the

0:30:07.280 --> 0:30:09.280
<v Speaker 4>scene with her as well as trying.

0:30:09.360 --> 0:30:10.800
<v Speaker 7>So yes, okay, what are we going to do.

0:30:12.640 --> 0:30:16.480
<v Speaker 5>Well, let's go through, Let's bring Hannah back, and let's

0:30:16.520 --> 0:30:20.120
<v Speaker 5>do a couple of I have some like three lines

0:30:20.120 --> 0:30:23.520
<v Speaker 5>I'd like her to redo. Great, and let's the same

0:30:23.600 --> 0:30:24.800
<v Speaker 5>thing with Danielle.

0:30:25.240 --> 0:30:28.280
<v Speaker 1>Perfect and then and then we'll make our decision. Yeah,

0:30:28.560 --> 0:30:31.040
<v Speaker 1>I love it. That works for you, guys, That works

0:30:31.080 --> 0:30:43.880
<v Speaker 1>great for me. It's again just like being in a booth. Hey, Hannah, Bama,

0:30:43.880 --> 0:30:47.360
<v Speaker 1>how are you? I'm well okay. So what we're going

0:30:47.440 --> 0:30:49.200
<v Speaker 1>to do is we're going to do exactly what we

0:30:49.280 --> 0:30:50.440
<v Speaker 1>do when we're recording something.

0:30:50.520 --> 0:30:54.360
<v Speaker 3>So we recorded, we did two takes, and now Lisa

0:30:54.520 --> 0:30:56.880
<v Speaker 3>is going to kind of walk you through some very

0:30:56.920 --> 0:30:59.400
<v Speaker 3>specific lines that she would like you to redo, and

0:30:59.440 --> 0:31:01.240
<v Speaker 3>we may do them two or three times, and we're

0:31:01.320 --> 0:31:02.920
<v Speaker 3>just gonna do it as we would a session.

0:31:03.360 --> 0:31:08.360
<v Speaker 1>Sure thing, all right? Uh, director extraordinaire, take it away please.

0:31:08.760 --> 0:31:11.720
<v Speaker 5>Yeah. So what I normally do in a session is

0:31:11.800 --> 0:31:13.960
<v Speaker 5>just what we did. Let you guys go through it once,

0:31:14.080 --> 0:31:15.280
<v Speaker 5>let me give you some notes.

0:31:15.360 --> 0:31:17.160
<v Speaker 6>Let's go through it again, and then we just go

0:31:17.400 --> 0:31:21.600
<v Speaker 6>and pick up specific lines and I'll give you the notes.

0:31:21.640 --> 0:31:22.960
<v Speaker 6>So maybe you do an A, B and a C

0:31:23.160 --> 0:31:26.480
<v Speaker 6>take on each and then we'll move on from there.

0:31:26.680 --> 0:31:30.840
<v Speaker 6>And that way, you know, it's it's we're not consistently

0:31:30.920 --> 0:31:33.520
<v Speaker 6>redoing things that were perfect the first time.

0:31:33.600 --> 0:31:36.480
<v Speaker 5>So the thing I want to pick up for you.

0:31:38.280 --> 0:31:38.960
<v Speaker 1>Is the.

0:31:43.960 --> 0:31:48.640
<v Speaker 6>Now that's a key line sort of midway through page two, Yes,

0:31:52.360 --> 0:31:54.720
<v Speaker 6>and I want to hear just a little bit more

0:31:54.840 --> 0:31:57.400
<v Speaker 6>of a turn. So I think coming in super confident

0:31:57.600 --> 0:32:00.680
<v Speaker 6>and proud of yourself on that's a key fall through

0:32:00.720 --> 0:32:05.240
<v Speaker 6>the second part, and then that last part is a veil,

0:32:05.480 --> 0:32:07.080
<v Speaker 6>is a very thinly veiled threat.

0:32:07.240 --> 0:32:10.400
<v Speaker 5>And so it's kind of a three part turn. So

0:32:11.280 --> 0:32:13.960
<v Speaker 5>I'll just do it like two or three times, whatever

0:32:14.040 --> 0:32:18.840
<v Speaker 5>you feel comfortable with, and we'll move on from there.

0:32:19.240 --> 0:32:24.960
<v Speaker 8>Okay, oh baby, Now that's the key. I hope you

0:32:25.040 --> 0:32:28.000
<v Speaker 8>don't mind, sweetheart, but I'm going to have to take

0:32:28.080 --> 0:32:29.080
<v Speaker 8>all of the bank's money.

0:32:29.720 --> 0:32:31.280
<v Speaker 7>You don't have a problem with that, now.

0:32:31.200 --> 0:32:31.440
<v Speaker 5>Do you.

0:32:33.240 --> 0:32:37.360
<v Speaker 8>Oh, Now that's the key. I hope you don't mind, sweetheart,

0:32:37.440 --> 0:32:39.080
<v Speaker 8>but I'm going to have to take all of the

0:32:39.160 --> 0:32:39.920
<v Speaker 8>bank's money.

0:32:40.560 --> 0:32:42.320
<v Speaker 7>You don't have a problem with that, now, do you.

0:32:45.360 --> 0:32:45.560
<v Speaker 6>Oh?

0:32:46.280 --> 0:32:49.680
<v Speaker 7>Now that's the key. I hope you don't mind, sweetheart,

0:32:49.800 --> 0:32:52.560
<v Speaker 7>but I'm going to have to take all of the

0:32:52.600 --> 0:32:55.360
<v Speaker 7>bank's money. You don't have a problem with that, now,

0:32:55.440 --> 0:32:55.640
<v Speaker 7>do you?

0:32:57.880 --> 0:32:58.360
<v Speaker 5>Excellent?

0:32:58.600 --> 0:33:01.520
<v Speaker 6>That was great, And so then the other one I

0:33:01.600 --> 0:33:06.840
<v Speaker 6>wanted to pick up was the the Lance is my buddy,

0:33:06.920 --> 0:33:10.600
<v Speaker 6>aren't you Lance? And again it's sort of that sharp

0:33:10.720 --> 0:33:14.479
<v Speaker 6>to slam girl confident and she my butty and then

0:33:14.600 --> 0:33:16.920
<v Speaker 6>that veiled like Lance, you better go along with this

0:33:17.080 --> 0:33:17.640
<v Speaker 6>or I'll kill you.

0:33:17.800 --> 0:33:18.160
<v Speaker 7>You know that?

0:33:18.480 --> 0:33:21.560
<v Speaker 5>So that there can be variations within a line.

0:33:21.960 --> 0:33:28.640
<v Speaker 7>Okay, what, oh, Lance is my body? Aren't you Lance?

0:33:30.040 --> 0:33:30.400
<v Speaker 4>Lance?

0:33:30.840 --> 0:33:32.000
<v Speaker 1>Lance? Is my body?

0:33:32.440 --> 0:33:33.240
<v Speaker 7>Are you Lance?

0:33:35.280 --> 0:33:35.480
<v Speaker 6>Ah?

0:33:35.680 --> 0:33:37.400
<v Speaker 1>What Lance? Is my body?

0:33:37.960 --> 0:33:38.840
<v Speaker 2>Aren't you Lance?

0:33:40.440 --> 0:33:42.920
<v Speaker 5>Awesome? Those are exactly what I was thinking. Thank you

0:33:43.040 --> 0:33:43.440
<v Speaker 5>so much?

0:33:44.440 --> 0:33:44.880
<v Speaker 1>And was it?

0:33:44.960 --> 0:33:48.160
<v Speaker 6>And the other thing I always am interested in and

0:33:48.920 --> 0:33:50.200
<v Speaker 6>I think we have a little bit of time.

0:33:50.360 --> 0:33:52.840
<v Speaker 5>Was there anything you felt you wanted to redo if

0:33:52.920 --> 0:33:54.800
<v Speaker 5>you had the chance, Because.

0:33:54.560 --> 0:33:56.920
<v Speaker 6>I always get actors like I want to do line

0:33:56.960 --> 0:33:58.840
<v Speaker 6>one O four and can I do twenty six? And

0:33:58.920 --> 0:34:02.160
<v Speaker 6>I'm like, yeah, if into like, you know, thirty lines,

0:34:02.200 --> 0:34:03.400
<v Speaker 6>we're not gonna visit that.

0:34:03.520 --> 0:34:06.000
<v Speaker 1>But I always that's me. Every time. I'd be like,

0:34:06.080 --> 0:34:08.160
<v Speaker 1>can I redo the first three scenes we did? Would

0:34:08.160 --> 0:34:08.760
<v Speaker 1>that be a problem?

0:34:09.760 --> 0:34:13.680
<v Speaker 6>But there's always that, you know, I'm always if time permits,

0:34:14.080 --> 0:34:16.960
<v Speaker 6>you know, it's always I'm always willing if somebody wants

0:34:17.000 --> 0:34:17.359
<v Speaker 6>to go back.

0:34:17.400 --> 0:34:20.640
<v Speaker 5>So I would open it. If you wanted to redo anything.

0:34:20.880 --> 0:34:24.040
<v Speaker 13>I would say. The one line that I immediately like

0:34:24.480 --> 0:34:26.319
<v Speaker 13>closed my camera. I got put to the waiting room.

0:34:26.320 --> 0:34:27.600
<v Speaker 7>I was like, why didn't I do that?

0:34:28.080 --> 0:34:30.360
<v Speaker 13>Would be the second to last line that I don't know.

0:34:30.480 --> 0:34:31.960
<v Speaker 13>Maybe it looks like you're gonna have to do all

0:34:31.960 --> 0:34:35.520
<v Speaker 13>your online banking. Let's do it, Christy, don't hate me.

0:34:36.360 --> 0:34:37.400
<v Speaker 2>Oh, I know what you're gonna do.

0:34:37.560 --> 0:34:37.719
<v Speaker 5>Do it.

0:34:37.840 --> 0:34:39.239
<v Speaker 2>You're from Bama, you better do it.

0:34:42.920 --> 0:34:43.440
<v Speaker 7>I don't know.

0:34:43.680 --> 0:34:46.120
<v Speaker 8>Maybe looks like you're gonna have to do all your

0:34:46.160 --> 0:34:51.239
<v Speaker 8>banking online from now honors something, Yes, very good.

0:34:53.840 --> 0:34:56.799
<v Speaker 5>I wouldn't even do add or something like don't throw

0:34:56.840 --> 0:34:59.680
<v Speaker 5>it away after you did it, you know, like ownly

0:35:00.239 --> 0:35:05.200
<v Speaker 5>own the machi. I would say, you know what I mean?

0:35:06.719 --> 0:35:07.200
<v Speaker 1>I don't know.

0:35:07.520 --> 0:35:09.799
<v Speaker 7>Maybe looks like you're gonna have to do all your

0:35:09.840 --> 0:35:11.200
<v Speaker 7>banking online from now on.

0:35:12.320 --> 0:35:15.000
<v Speaker 5>Yeah, I mean I think that character would. If she's

0:35:15.080 --> 0:35:17.239
<v Speaker 5>gonna mock, she's gonna own it, right. You don't have

0:35:17.320 --> 0:35:18.880
<v Speaker 5>to come back down for the or something.

0:35:19.840 --> 0:35:22.359
<v Speaker 7>Okay, let me do one one and then I will

0:35:22.360 --> 0:35:23.200
<v Speaker 7>stop being will.

0:35:26.280 --> 0:35:26.440
<v Speaker 1>Oh.

0:35:26.600 --> 0:35:27.120
<v Speaker 7>I don't know.

0:35:27.320 --> 0:35:29.319
<v Speaker 8>Maybe it looks like you're gonna have to do all

0:35:29.360 --> 0:35:31.000
<v Speaker 8>your banking online from now on.

0:35:32.960 --> 0:35:33.320
<v Speaker 5>Awesome?

0:35:33.440 --> 0:35:37.480
<v Speaker 6>Irolling, yeah, exactly, more ironing, which is my favorite direction.

0:35:39.760 --> 0:35:42.120
<v Speaker 2>It is it is that was like we said that

0:35:42.200 --> 0:35:42.560
<v Speaker 2>a lot.

0:35:44.840 --> 0:35:47.280
<v Speaker 6>Well because Christy, you were always so sincere and sweet,

0:35:47.320 --> 0:35:49.719
<v Speaker 6>and I was always like, okay, you're gonna have to

0:35:49.760 --> 0:35:50.960
<v Speaker 6>be less sweet because.

0:35:52.480 --> 0:35:53.800
<v Speaker 5>Was just such a sweetheart.

0:35:53.880 --> 0:35:55.440
<v Speaker 9>I was just happy to be there.

0:35:57.080 --> 0:35:58.880
<v Speaker 5>I had to turn her into the ironing mania.

0:36:00.840 --> 0:36:03.040
<v Speaker 3>She has not gotten the you have to be less

0:36:03.080 --> 0:36:04.919
<v Speaker 3>sweet note since two thousand and three.

0:36:05.520 --> 0:36:10.040
<v Speaker 1>Oh, I'm just happy to be here. Thanks guys, I

0:36:10.120 --> 0:36:12.640
<v Speaker 1>love you all all right, thank you, and Obama appreciate it.

0:36:12.840 --> 0:36:13.600
<v Speaker 7>Thank you so much.

0:36:14.840 --> 0:36:16.000
<v Speaker 1>I have I have a I do.

0:36:16.200 --> 0:36:17.719
<v Speaker 4>I love that you just did that because I was

0:36:17.719 --> 0:36:19.880
<v Speaker 4>allowed to actually chat to even like we have a

0:36:20.000 --> 0:36:20.440
<v Speaker 4>chat on.

0:36:20.520 --> 0:36:23.200
<v Speaker 2>Our on our on our recording booth here and I

0:36:23.360 --> 0:36:23.840
<v Speaker 2>was thinking.

0:36:23.920 --> 0:36:26.759
<v Speaker 4>I was very tempted to say, hey, guys, what if

0:36:26.760 --> 0:36:30.160
<v Speaker 4>he gave them the opportunity to approach this differently in

0:36:30.239 --> 0:36:32.680
<v Speaker 4>one pass, like like to throw them at it and

0:36:32.719 --> 0:36:34.000
<v Speaker 4>be like, what if you did it with a British

0:36:34.040 --> 0:36:35.920
<v Speaker 4>accent or what if you just did it? Totally a

0:36:36.040 --> 0:36:40.440
<v Speaker 4>bold choice pass because I know with the way that

0:36:40.520 --> 0:36:43.320
<v Speaker 4>Lisa encouraged me to do different things at times that like,

0:36:43.480 --> 0:36:46.800
<v Speaker 4>you know, you feel constrained and locked into something, and

0:36:46.920 --> 0:36:48.600
<v Speaker 4>like this is kind of us looking at their talent

0:36:48.680 --> 0:36:50.719
<v Speaker 4>from a macro lens. So I don't know how you

0:36:50.760 --> 0:36:52.880
<v Speaker 4>guys feel about it, but I'm glad at least that

0:36:53.160 --> 0:36:57.080
<v Speaker 4>Bama did a little take where we could see her playfulness.

0:36:57.280 --> 0:36:57.600
<v Speaker 1>Yeah.

0:36:58.000 --> 0:37:00.400
<v Speaker 3>Well, like what I mean, I'm I away came from

0:37:00.600 --> 0:37:03.040
<v Speaker 3>to a point where it's like you've now gotten the role,

0:37:03.400 --> 0:37:05.000
<v Speaker 3>so this is the voice you picked to get the

0:37:05.120 --> 0:37:07.080
<v Speaker 3>role and now you're in the booth all right.

0:37:07.320 --> 0:37:09.640
<v Speaker 1>Yeah so it was, And but I love that the

0:37:10.440 --> 0:37:11.000
<v Speaker 1>going back and.

0:37:11.080 --> 0:37:13.560
<v Speaker 3>Doing it just like a session and Lisa you saying

0:37:13.560 --> 0:37:15.920
<v Speaker 3>we've got to pick up different.

0:37:15.120 --> 0:37:16.920
<v Speaker 1>Pickups and what do you want to do?

0:37:17.040 --> 0:37:19.040
<v Speaker 3>That's I love this so much because it's exactly what

0:37:19.080 --> 0:37:21.200
<v Speaker 3>we do I mean, this is exactly what we do.

0:37:21.480 --> 0:37:24.720
<v Speaker 3>So I'm so happy with that, and let's bring Danielle

0:37:24.719 --> 0:37:26.759
<v Speaker 3>from Tennessee and do the same with her.

0:37:28.040 --> 0:37:29.640
<v Speaker 1>Hey, Danielle, how are you?

0:37:30.440 --> 0:37:30.959
<v Speaker 2>I'm good?

0:37:31.440 --> 0:37:33.360
<v Speaker 1>Okay. So what we're going to do now is.

0:37:34.200 --> 0:37:36.880
<v Speaker 3>What we always do when we are recording anything like

0:37:36.920 --> 0:37:38.520
<v Speaker 3>this is we'll go through it once or twice like

0:37:38.600 --> 0:37:40.680
<v Speaker 3>we did, and then we turn it over to our

0:37:40.760 --> 0:37:43.120
<v Speaker 3>director who is going to give you some specific notes

0:37:43.280 --> 0:37:46.240
<v Speaker 3>and then going to have you do some specific lines

0:37:46.239 --> 0:37:48.320
<v Speaker 3>a couple times to make sure that you know, sometimes

0:37:48.360 --> 0:37:49.799
<v Speaker 3>we didn't get it the way we wanted, we didn't

0:37:49.800 --> 0:37:51.000
<v Speaker 3>get it clean whatever.

0:37:50.760 --> 0:37:52.399
<v Speaker 1>It is, so we kind of go through and it's

0:37:52.400 --> 0:37:54.839
<v Speaker 1>a bit more of a cleanup process. So we turn

0:37:54.920 --> 0:37:56.480
<v Speaker 1>it over to Lisa from there.

0:37:57.120 --> 0:38:00.080
<v Speaker 6>All right, all right, yeah, so it's totally natural we

0:38:00.520 --> 0:38:02.520
<v Speaker 6>do these big scenes and then we go back with

0:38:02.640 --> 0:38:06.360
<v Speaker 6>everybody and sort of pick up these individual lines. But

0:38:06.480 --> 0:38:10.000
<v Speaker 6>I would say, as an overall note for for you, Danielle,

0:38:10.080 --> 0:38:13.840
<v Speaker 6>for that physical stuff, the walla in the in the

0:38:13.880 --> 0:38:17.440
<v Speaker 6>fight scenes, be very mindful of not moving your body.

0:38:17.560 --> 0:38:20.640
<v Speaker 6>It's supernatural to want to punch and fight and punch

0:38:20.680 --> 0:38:22.239
<v Speaker 6>and fight, but you're going to get it on.

0:38:22.320 --> 0:38:24.839
<v Speaker 5>The mic, and you're gonna hit the sin and you're

0:38:24.880 --> 0:38:25.680
<v Speaker 5>gonna knock things.

0:38:25.719 --> 0:38:27.719
<v Speaker 6>We're not going to redo all that because your your

0:38:27.880 --> 0:38:29.799
<v Speaker 6>efforts were great and they sounded great.

0:38:30.120 --> 0:38:33.000
<v Speaker 5>I would just just as just a note would just

0:38:33.160 --> 0:38:36.440
<v Speaker 5>be be mindful of being very still with your body.

0:38:37.200 --> 0:38:39.600
<v Speaker 6>Sure, and that's a that's just something you have to

0:38:39.719 --> 0:38:42.279
<v Speaker 6>learn because everybody, you know I talk with my hands,

0:38:42.320 --> 0:38:44.680
<v Speaker 6>everybody does it. And then you ask for fight walla

0:38:44.840 --> 0:38:49.359
<v Speaker 6>and and everything moves physically through your body, so it's

0:38:49.360 --> 0:38:55.480
<v Speaker 6>super supernatural, all right. So what I want to come

0:38:55.560 --> 0:38:58.520
<v Speaker 6>in on is the top of page two that Okay, Lands,

0:38:58.520 --> 0:39:01.399
<v Speaker 6>here it is, you have thirty seven and I really

0:39:01.480 --> 0:39:03.600
<v Speaker 6>want to see how badass she could be.

0:39:04.239 --> 0:39:06.440
<v Speaker 5>Just take control of that room. And so let's do

0:39:06.600 --> 0:39:08.480
<v Speaker 5>like an A, B and a C take just do

0:39:08.640 --> 0:39:13.120
<v Speaker 5>three in a row and just really feel it, all right.

0:39:16.280 --> 0:39:19.560
<v Speaker 12>Okay, Lance, here it is, you have thirty seconds to

0:39:19.640 --> 0:39:22.320
<v Speaker 12>show me to the safe. Okay, Lance, Here it is,

0:39:22.760 --> 0:39:26.800
<v Speaker 12>you have thirty seconds to show me to the safe. Okay, Lance,

0:39:27.120 --> 0:39:30.160
<v Speaker 12>here it is, you have thirty seconds to show me

0:39:30.440 --> 0:39:31.120
<v Speaker 12>to the safe.

0:39:32.440 --> 0:39:35.640
<v Speaker 6>Excellent, And now what if Lance, was it like you're

0:39:35.920 --> 0:39:38.600
<v Speaker 6>not holding him yet? Like he's still like he just

0:39:38.719 --> 0:39:41.360
<v Speaker 6>blew the door off, and it's like, hey dude, you know,

0:39:41.520 --> 0:39:42.720
<v Speaker 6>so get his attention from.

0:39:42.600 --> 0:39:43.359
<v Speaker 5>Across the room.

0:39:43.800 --> 0:39:45.480
<v Speaker 12>Okay, same thing three takes.

0:39:45.719 --> 0:39:47.600
<v Speaker 5>Yeah, Okay, just be a couple of times.

0:39:48.080 --> 0:39:52.840
<v Speaker 12>Okay, Okay, Lance, here it is, you have thirty seconds

0:39:52.920 --> 0:39:56.120
<v Speaker 12>to show me to the safe. Okay, Lance, here it is,

0:39:56.320 --> 0:39:58.880
<v Speaker 12>you have thirty seconds to show me to the safe.

0:39:59.600 --> 0:40:03.160
<v Speaker 5>That was an excellent adjustment, Thank you so much. The

0:40:05.160 --> 0:40:06.640
<v Speaker 5>other one I want to pick up is actually at

0:40:06.640 --> 0:40:09.080
<v Speaker 5>the bottom of that PAGs the well, well, well m

0:40:10.239 --> 0:40:12.360
<v Speaker 5>and I would just paste it up and again just.

0:40:12.840 --> 0:40:18.600
<v Speaker 12>Push her sass alrighty, same thing three takes yep, all right,

0:40:20.320 --> 0:40:24.800
<v Speaker 12>Well well well, if it isn't slam girl, I figured

0:40:24.840 --> 0:40:28.799
<v Speaker 12>you might show up meets Goody two Shoes. Well well, well,

0:40:29.200 --> 0:40:32.520
<v Speaker 12>if it doesn't slam girl, I figured you might show

0:40:32.600 --> 0:40:34.320
<v Speaker 12>up miss Goody two Shoes.

0:40:35.640 --> 0:40:39.400
<v Speaker 2>Well, well, wow, if it isn't slam girl, oh, I.

0:40:39.560 --> 0:40:42.160
<v Speaker 12>Figured you might show up meets Goody two shoes.

0:40:44.120 --> 0:40:44.640
<v Speaker 5>Excellent.

0:40:45.280 --> 0:40:48.160
<v Speaker 6>And then was there anything you would like to redo

0:40:48.200 --> 0:40:51.040
<v Speaker 6>if you had your choice to do any line over again?

0:40:51.160 --> 0:40:54.040
<v Speaker 5>Was there anything that you felt you wanted to do? Hm,

0:40:54.800 --> 0:40:57.640
<v Speaker 5>let me see and the answer can easily. You don't

0:40:57.719 --> 0:40:59.680
<v Speaker 5>have to. I always ask somebody.

0:41:00.040 --> 0:41:02.080
<v Speaker 6>I always ask the room if there's anything you know,

0:41:02.800 --> 0:41:04.080
<v Speaker 6>anybody wants to pick up.

0:41:04.640 --> 0:41:08.399
<v Speaker 12>Actually, that final line that I don't know maybe looks

0:41:08.440 --> 0:41:10.360
<v Speaker 12>like you're going to have to do your banking online

0:41:10.400 --> 0:41:10.840
<v Speaker 12>from now on.

0:41:11.440 --> 0:41:14.360
<v Speaker 2>I know that you had mentioned the not changing.

0:41:14.040 --> 0:41:16.160
<v Speaker 12>The voice would probably add a little more to it.

0:41:17.800 --> 0:41:22.040
<v Speaker 12>What what would you think, because I I if you're

0:41:22.080 --> 0:41:24.160
<v Speaker 12>wanting me to like maybe tame it down somewhere, it's

0:41:24.200 --> 0:41:27.759
<v Speaker 12>not so crazy of a vocal change in terms of

0:41:27.840 --> 0:41:29.759
<v Speaker 12>making fun of her, because my thought is I want

0:41:29.760 --> 0:41:32.400
<v Speaker 12>to make fun of the bubblegum heroin, so I'm.

0:41:32.320 --> 0:41:34.680
<v Speaker 2>Kind of like and well, it would be a good adjustment.

0:41:35.080 --> 0:41:37.320
<v Speaker 5>So what an idea would be?

0:41:37.680 --> 0:41:40.200
<v Speaker 6>First, you could just straight up lock her in any

0:41:40.239 --> 0:41:43.680
<v Speaker 6>way you mock her without changing your voice, and just

0:41:43.760 --> 0:41:45.560
<v Speaker 6>be like, oh, you're just such a you know that

0:41:45.800 --> 0:41:48.279
<v Speaker 6>type of feel. The other thing is Christy made a

0:41:48.360 --> 0:41:52.319
<v Speaker 6>very specific choice to make her southern, so all over

0:41:52.400 --> 0:41:58.279
<v Speaker 6>that versus you know, that was a specific choice to

0:41:58.760 --> 0:42:01.560
<v Speaker 6>go off of. But I would whatever it is, do

0:42:01.719 --> 0:42:06.879
<v Speaker 6>it with with intent in that the Red Rocket, It's

0:42:06.920 --> 0:42:08.080
<v Speaker 6>gonna mock this girl.

0:42:07.920 --> 0:42:09.040
<v Speaker 5>And not be apologetic.

0:42:09.120 --> 0:42:09.360
<v Speaker 8>For it.

0:42:09.800 --> 0:42:13.600
<v Speaker 5>Oh yeah, so that's where I would land with that.

0:42:14.160 --> 0:42:15.600
<v Speaker 2>Yeah, sure, do you mind if I do an A

0:42:15.719 --> 0:42:17.200
<v Speaker 2>and B take on that? Do we have times?

0:42:17.760 --> 0:42:18.160
<v Speaker 1>Go for it?

0:42:18.680 --> 0:42:19.000
<v Speaker 12>All right?

0:42:19.320 --> 0:42:19.719
<v Speaker 2>Let's see.

0:42:21.080 --> 0:42:23.840
<v Speaker 12>Oh I don't know, maybe looks like you're going to

0:42:23.920 --> 0:42:25.600
<v Speaker 12>have to do your banking online from now on.

0:42:26.120 --> 0:42:26.520
<v Speaker 5>I don't know.

0:42:26.719 --> 0:42:29.000
<v Speaker 12>Maybe looks like you're going to have to do your

0:42:29.000 --> 0:42:30.440
<v Speaker 12>banking online from now on.

0:42:31.600 --> 0:42:31.960
<v Speaker 5>Awesome?

0:42:32.800 --> 0:42:33.279
<v Speaker 9>That was great.

0:42:33.719 --> 0:42:35.960
<v Speaker 1>Yeah, all right, thank you very much. We'll be right

0:42:36.000 --> 0:42:39.200
<v Speaker 1>back with you. All righty, So, I mean, what do

0:42:39.239 --> 0:42:41.839
<v Speaker 1>you think is there anything else to throw at them?

0:42:43.360 --> 0:42:47.680
<v Speaker 5>I think the only other thing you could do, I

0:42:47.800 --> 0:42:50.880
<v Speaker 5>mean it happens very rarely. I mean you could have.

0:42:51.000 --> 0:42:53.920
<v Speaker 1>Them do slam girl, I was thinking the same thing

0:42:54.080 --> 0:42:59.520
<v Speaker 1>is switching it up every would you love to do

0:42:59.600 --> 0:43:03.440
<v Speaker 1>the villain? Because what we're going to do now, I

0:43:03.520 --> 0:43:04.719
<v Speaker 1>love Christie's like, it's about me.

0:43:04.880 --> 0:43:05.439
<v Speaker 7>I get to play.

0:43:05.920 --> 0:43:08.160
<v Speaker 9>Sorry, Sorry, I just don't work enough.

0:43:08.280 --> 0:43:09.080
<v Speaker 1>I'm just so excited.

0:43:09.560 --> 0:43:12.000
<v Speaker 3>I think it's a great idea because what we always

0:43:12.040 --> 0:43:13.160
<v Speaker 3>did is we threw something at them.

0:43:13.200 --> 0:43:15.040
<v Speaker 1>In the other we always gave them cold reads. So

0:43:15.160 --> 0:43:17.040
<v Speaker 1>this is a perfect way to do it. Let's read

0:43:17.080 --> 0:43:19.120
<v Speaker 1>it through once. The way we just did. We'll just

0:43:19.200 --> 0:43:20.399
<v Speaker 1>do one time with each of them.

0:43:20.440 --> 0:43:23.080
<v Speaker 3>That's it, no notes, just one through each of them

0:43:23.520 --> 0:43:26.320
<v Speaker 3>as Slam Girl as a final just throwing.

0:43:26.160 --> 0:43:26.560
<v Speaker 1>It at them.

0:43:27.000 --> 0:43:29.160
<v Speaker 4>Hey, you know what, this is actually the way that

0:43:29.280 --> 0:43:31.560
<v Speaker 4>it goes. If you go in for an audition at

0:43:31.600 --> 0:43:33.759
<v Speaker 4>a at a you know, like a callback level, you

0:43:33.800 --> 0:43:36.319
<v Speaker 4>guys could like the voice right and you're like, hey,

0:43:36.400 --> 0:43:37.840
<v Speaker 4>you know what we actually want to hear you do

0:43:37.960 --> 0:43:40.120
<v Speaker 4>this character now, So right, we'll explain it to me.

0:43:40.840 --> 0:43:42.239
<v Speaker 5>I've done that a lot of times.

0:43:42.480 --> 0:43:49.040
<v Speaker 3>All right, Lisa, one more time? Heads or tails chaos? Nope,

0:43:49.080 --> 0:43:51.960
<v Speaker 3>it's heads again, so we we is it now?

0:43:52.000 --> 0:43:52.800
<v Speaker 1>I forget who it was?

0:43:52.920 --> 0:43:53.399
<v Speaker 7>Who was here?

0:43:54.560 --> 0:43:58.600
<v Speaker 1>All right, let's bring in Danielle. Hey, Danielle, how are you? Yeah?

0:43:58.800 --> 0:44:00.279
<v Speaker 5>Sorry, I keep stepping away from that day.

0:44:00.640 --> 0:44:01.800
<v Speaker 1>No, no worries. Okay.

0:44:02.000 --> 0:44:06.000
<v Speaker 3>So every you know, every week we throw in a twist,

0:44:06.080 --> 0:44:07.840
<v Speaker 3>and this week is no different. Even though we just

0:44:07.880 --> 0:44:09.319
<v Speaker 3>came up with the twists list, it really just came

0:44:09.360 --> 0:44:10.600
<v Speaker 3>up with a twist. But it's what we're going to do.

0:44:11.239 --> 0:44:13.919
<v Speaker 3>So we are going to read it once more, one

0:44:14.040 --> 0:44:17.200
<v Speaker 3>time through no notes, know anything else, just the way

0:44:17.239 --> 0:44:21.120
<v Speaker 3>we did, except now you are slam girl. All right,

0:44:21.280 --> 0:44:26.480
<v Speaker 3>let's do it all right, so cold read again, here

0:44:26.640 --> 0:44:26.880
<v Speaker 3>we go.

0:44:28.560 --> 0:44:29.480
<v Speaker 1>We're going to pick it up.

0:44:29.520 --> 0:44:35.640
<v Speaker 2>Wait, they don't have to do the accent right, make.

0:44:36.840 --> 0:44:37.399
<v Speaker 1>How you want.

0:44:37.480 --> 0:44:39.239
<v Speaker 3>But what we are going to do, since the whole

0:44:39.320 --> 0:44:41.880
<v Speaker 3>first part of the scene is really just Christy and I,

0:44:42.000 --> 0:44:44.160
<v Speaker 3>which is very, very strange, we are going to.

0:44:44.239 --> 0:44:51.520
<v Speaker 1>Start from your line. Put the teller down already, let

0:44:51.560 --> 0:44:57.960
<v Speaker 1>me pull that on here this slam girls entrance.

0:44:58.719 --> 0:45:01.320
<v Speaker 3>This is called a here yeah, and we're gonna be

0:45:01.320 --> 0:45:03.720
<v Speaker 3>picking it up from the middle at slam Girl's entrance,

0:45:04.840 --> 0:45:06.439
<v Speaker 3>at your pleasure, all.

0:45:06.400 --> 0:45:10.320
<v Speaker 2>Right, put the tailor down.

0:45:11.600 --> 0:45:16.840
<v Speaker 10>Well, well, well, if it is in slam Girl, I

0:45:17.000 --> 0:45:20.520
<v Speaker 10>figured you might show up, miss Goody two shoes, I said,

0:45:21.040 --> 0:45:23.719
<v Speaker 10>put the tailor down, Red Rocket.

0:45:24.360 --> 0:45:25.920
<v Speaker 2>What Lance was my Boddy?

0:45:26.239 --> 0:45:27.040
<v Speaker 9>Aren't you Lance?

0:45:27.400 --> 0:45:27.880
<v Speaker 1>It's scary?

0:45:29.560 --> 0:45:30.280
<v Speaker 2>Nice catch?

0:45:30.560 --> 0:45:39.719
<v Speaker 9>Hey, can you grab these two? Oh?

0:45:39.880 --> 0:45:44.919
<v Speaker 2>You're pretty fast? Not fast enough.

0:45:55.000 --> 0:45:57.920
<v Speaker 12>Looks like you're heading back to jail, Red Rocket, and

0:45:58.040 --> 0:46:00.880
<v Speaker 12>a good thing too, because this bank is closed.

0:46:01.680 --> 0:46:04.200
<v Speaker 2>Well, seriously, is that that's not even a good line?

0:46:06.000 --> 0:46:06.799
<v Speaker 2>What should I say?

0:46:07.600 --> 0:46:07.960
<v Speaker 10>I don't know.

0:46:08.160 --> 0:46:10.160
<v Speaker 2>Maybe it looks like you're gonna have to do your

0:46:10.440 --> 0:46:12.080
<v Speaker 2>banking online from my one or something.

0:46:13.280 --> 0:46:14.319
<v Speaker 12>How does that make sense?

0:46:15.280 --> 0:46:16.280
<v Speaker 9>Should take me to jail?

0:46:18.280 --> 0:46:19.240
<v Speaker 1>Thank you, Danielle.

0:46:20.200 --> 0:46:21.319
<v Speaker 5>All right, thank you guys.

0:46:23.920 --> 0:46:26.080
<v Speaker 1>Okay, well, there a huge smile on my face.

0:46:26.120 --> 0:46:26.480
<v Speaker 6>Guys, it.

0:46:29.840 --> 0:46:31.799
<v Speaker 1>Was great. It's great to see another side of her.

0:46:31.920 --> 0:46:34.880
<v Speaker 3>Let's then let's bring in Let's bring in Hannah and

0:46:35.040 --> 0:46:36.920
<v Speaker 3>we'll see, uh, we'll see what Hannah does with it,

0:46:37.000 --> 0:46:37.440
<v Speaker 3>and then we.

0:46:37.520 --> 0:46:39.520
<v Speaker 1>Will talk it out.

0:46:39.800 --> 0:46:42.120
<v Speaker 2>Yikes, I know, really hard.

0:46:42.920 --> 0:46:46.319
<v Speaker 1>Hey Hannah. Hello, Okay, So, like every week, we are

0:46:46.360 --> 0:46:48.480
<v Speaker 1>throwing a twist at you. It is a twist that way.

0:46:48.520 --> 0:46:53.000
<v Speaker 3>It is the twist that we just invented. Yes, uh,

0:46:53.200 --> 0:46:55.440
<v Speaker 3>you're gonna do exactly the same thing, but your.

0:46:55.360 --> 0:46:58.920
<v Speaker 1>Booth is going to be on fire. No, So what

0:46:59.040 --> 0:46:59.480
<v Speaker 1>we're doing.

0:47:00.360 --> 0:47:02.080
<v Speaker 7>What we're gonna do is I had to turn off

0:47:02.120 --> 0:47:03.720
<v Speaker 7>the air conditioner. It's like ninety degrees.

0:47:03.840 --> 0:47:05.960
<v Speaker 1>I know. It's the worst, isn't it. I've got the

0:47:06.000 --> 0:47:06.879
<v Speaker 1>same thing in my booth.

0:47:08.320 --> 0:47:10.600
<v Speaker 3>So what we're gonna do is we're gonna do what's

0:47:10.640 --> 0:47:13.480
<v Speaker 3>called the pickup and we are gonna start mid page two,

0:47:14.560 --> 0:47:17.360
<v Speaker 3>mid page two with the line put the tailor down.

0:47:18.120 --> 0:47:19.440
<v Speaker 7>Put the tailor down.

0:47:19.960 --> 0:47:25.480
<v Speaker 1>But you are now slam girl. Okay, so we're switching

0:47:25.480 --> 0:47:28.160
<v Speaker 1>it up your slam girl, Christia's red rocket. We are

0:47:28.200 --> 0:47:31.320
<v Speaker 1>doing a cold read. Sure anytime?

0:47:31.840 --> 0:47:35.440
<v Speaker 7>All right, put the tailor down.

0:47:38.760 --> 0:47:40.720
<v Speaker 2>Oh my god, I'm so sorry.

0:47:40.880 --> 0:47:43.399
<v Speaker 9>Guys, I didn't stole back off.

0:47:43.520 --> 0:47:44.320
<v Speaker 1>I am sorry.

0:47:44.760 --> 0:47:45.480
<v Speaker 9>I'm sorry.

0:47:45.640 --> 0:47:48.759
<v Speaker 2>There's this pivoting is a lot. I'm sorry. Lisa knows.

0:47:49.080 --> 0:47:49.640
<v Speaker 9>Lisa knows.

0:47:49.680 --> 0:47:51.480
<v Speaker 2>By the way, Oh my god, I'm so exposed. Okay,

0:47:51.520 --> 0:47:54.239
<v Speaker 2>go go go. You're home presional than me starting in.

0:47:54.800 --> 0:47:56.320
<v Speaker 2>I want you to start right now.

0:47:57.280 --> 0:47:58.759
<v Speaker 3>And maybe for that, maybe for that, this is a

0:47:58.800 --> 0:48:00.560
<v Speaker 3>good good place, maybe for that first line. Just back

0:48:00.560 --> 0:48:02.720
<v Speaker 3>off your mic the littlest bit because you you spiked

0:48:02.719 --> 0:48:08.279
<v Speaker 3>a little bit. So anytime, sure, hut the tailor down?

0:48:09.280 --> 0:48:13.440
<v Speaker 10>Well, well, well if it isn't slam girl, I figured

0:48:13.480 --> 0:48:17.160
<v Speaker 10>you might show up ms goody two shoes, I.

0:48:17.480 --> 0:48:20.560
<v Speaker 7>Said, put the tailor down, red rockets.

0:48:21.239 --> 0:48:23.840
<v Speaker 2>What Lance is my buddy? Aren't you Lance?

0:48:24.640 --> 0:48:28.360
<v Speaker 1>It's Gary? Nice catch?

0:48:28.960 --> 0:48:42.960
<v Speaker 9>Can you grab these two? You are pretty fast but

0:48:43.160 --> 0:48:44.160
<v Speaker 9>not fast enough?

0:48:52.360 --> 0:49:02.399
<v Speaker 1>Who No, you don't that's you, slam girl.

0:49:02.880 --> 0:49:04.160
<v Speaker 9>No, yeah, you're slamer.

0:49:04.239 --> 0:49:04.479
<v Speaker 2>Sorry.

0:49:06.960 --> 0:49:10.319
<v Speaker 7>Oh okay, I didn't hear the.

0:49:10.800 --> 0:49:12.840
<v Speaker 9>Huge You didn't hear a huge impact from me, So

0:49:12.920 --> 0:49:15.160
<v Speaker 9>I got that might do it?

0:49:15.320 --> 0:49:16.799
<v Speaker 2>I will do it right now, guys.

0:49:16.840 --> 0:49:19.440
<v Speaker 9>It says huge impacts on the script, and she is

0:49:19.600 --> 0:49:19.839
<v Speaker 9>a pro.

0:49:20.040 --> 0:49:28.200
<v Speaker 8>Okay, looks like you're heading back to jail, Red Rocket,

0:49:28.600 --> 0:49:31.240
<v Speaker 8>and good thing too, because this bank is closed.

0:49:32.400 --> 0:49:35.439
<v Speaker 2>Seriously, is that it? That's not even a good line?

0:49:36.280 --> 0:49:38.799
<v Speaker 7>Well what should I say?

0:49:39.320 --> 0:49:39.560
<v Speaker 2>Hmm?

0:49:39.719 --> 0:49:40.080
<v Speaker 4>I don't know.

0:49:40.360 --> 0:49:42.360
<v Speaker 10>Maybe it looks like you're gonna have to do your

0:49:42.440 --> 0:49:44.920
<v Speaker 10>banking online from now on or something.

0:49:46.360 --> 0:49:47.600
<v Speaker 7>How does that make any sense?

0:49:48.000 --> 0:49:49.719
<v Speaker 10>I don't just take me to jail.

0:49:50.920 --> 0:49:52.400
<v Speaker 7>You mean to the slammer.

0:49:54.360 --> 0:50:00.279
<v Speaker 1>Ah, thank you, Hannah, we write that, my god. Guys. Yeah,

0:50:03.200 --> 0:50:05.320
<v Speaker 1>I mean, I know what I think, but I'm not.

0:50:05.440 --> 0:50:07.080
<v Speaker 1>I mean, again, they're both very good.

0:50:09.200 --> 0:50:11.759
<v Speaker 2>I personally do this now.

0:50:12.280 --> 0:50:14.200
<v Speaker 3>Now you just talk it out. Now, you just talk

0:50:14.280 --> 0:50:17.719
<v Speaker 3>it out and here and I usually start. I think

0:50:18.120 --> 0:50:21.840
<v Speaker 3>Hannah came in a little I think she ad lipped.

0:50:22.000 --> 0:50:24.880
<v Speaker 3>I think she came in a little more natural. I

0:50:25.000 --> 0:50:28.719
<v Speaker 3>think she switched over to slam girl in a very

0:50:28.800 --> 0:50:31.600
<v Speaker 3>interesting way. And frankly, I just thought, at least today,

0:50:31.640 --> 0:50:34.880
<v Speaker 3>because again Danielle is phenomenal, I thought her acting was

0:50:34.920 --> 0:50:36.280
<v Speaker 3>a little more on point today.

0:50:37.239 --> 0:50:39.600
<v Speaker 1>Oh boy, Danielle's that's just really.

0:50:39.560 --> 0:50:40.520
<v Speaker 2>I feel the opposite.

0:50:40.560 --> 0:50:45.120
<v Speaker 4>I feel daniel Yeah, I think Danielle's acting is more nuanced.

0:50:45.280 --> 0:50:48.680
<v Speaker 4>I think that she's definitely it almost felt like when

0:50:48.760 --> 0:50:54.399
<v Speaker 4>Danielle was playing the villain, I think she showed more range.

0:50:54.480 --> 0:50:56.319
<v Speaker 4>And I also think that her villain felt a little

0:50:56.360 --> 0:50:58.239
<v Speaker 4>bit more like there was a backstory.

0:50:58.480 --> 0:51:01.080
<v Speaker 2>So I think Lisa's got a at least it's got

0:51:01.200 --> 0:51:02.440
<v Speaker 2>to throw the tie here.

0:51:04.880 --> 0:51:10.400
<v Speaker 5>I the worst and I and I don't want to

0:51:10.440 --> 0:51:14.399
<v Speaker 5>break anybody's spirit. They were both really good, like they said,

0:51:14.440 --> 0:51:16.920
<v Speaker 5>and clearly you could see how they got to be

0:51:17.200 --> 0:51:19.319
<v Speaker 5>in the final four. But I agree with you will.

0:51:19.680 --> 0:51:23.359
<v Speaker 6>Hannah's acting was so strong and her ability to take

0:51:23.440 --> 0:51:27.600
<v Speaker 6>direction on and turn on in a minute, and.

0:51:27.840 --> 0:51:30.080
<v Speaker 5>And Danielle's acting was was really good too.

0:51:30.239 --> 0:51:32.520
<v Speaker 6>I felt like she got stuck in a place and

0:51:32.640 --> 0:51:35.840
<v Speaker 6>it wasn't moving around very much.

0:51:36.160 --> 0:51:41.239
<v Speaker 5>Okay, okay, and her approach to like being physically in

0:51:41.320 --> 0:51:41.800
<v Speaker 5>a scene.

0:51:43.120 --> 0:51:45.320
<v Speaker 6>Everything felt very intimate, and even when I tried to

0:51:45.400 --> 0:51:49.320
<v Speaker 6>get a force perspective on it, it didn't go.

0:51:50.239 --> 0:51:52.640
<v Speaker 5>It didn't feel like it moved the room that much.

0:51:54.840 --> 0:51:57.040
<v Speaker 5>But her choices were great. I think when she did

0:51:57.160 --> 0:52:00.160
<v Speaker 5>slam Girl was actually a more natural fit for her.

0:52:00.440 --> 0:52:02.879
<v Speaker 4>That's what that's what made me was that's what made

0:52:02.920 --> 0:52:04.800
<v Speaker 4>me be like, oh my gosh, she has all this range,

0:52:05.000 --> 0:52:05.680
<v Speaker 4>and I think.

0:52:05.680 --> 0:52:09.680
<v Speaker 6>That's that is, you know, maybe her sweet spot, whereas

0:52:09.840 --> 0:52:11.480
<v Speaker 6>I think Hannah did.

0:52:11.640 --> 0:52:14.560
<v Speaker 5>Both equally well, a great and good.

0:52:15.200 --> 0:52:19.680
<v Speaker 6>You could sort of put her anywhere and change her

0:52:19.840 --> 0:52:21.360
<v Speaker 6>up and she'll move with it.

0:52:21.880 --> 0:52:22.200
<v Speaker 5>I agree.

0:52:22.920 --> 0:52:25.319
<v Speaker 1>I agree with everything you said. And again we've said

0:52:25.320 --> 0:52:28.839
<v Speaker 1>this from the beginning. Now it's all nitpicking, now sure

0:52:28.960 --> 0:52:29.200
<v Speaker 1>it is.

0:52:29.400 --> 0:52:31.560
<v Speaker 3>It's it's top chef where you both you give two

0:52:31.600 --> 0:52:33.040
<v Speaker 3>great meals in front of you, and this.

0:52:33.120 --> 0:52:35.239
<v Speaker 1>One did the tiniest little bit of salt and this

0:52:35.360 --> 0:52:37.319
<v Speaker 1>one did that. I mean, it's they're both good.

0:52:37.480 --> 0:52:39.800
<v Speaker 3>And we've said from the beginning, really from the top sixteen,

0:52:40.040 --> 0:52:41.080
<v Speaker 3>all of them could be signed.

0:52:41.239 --> 0:52:42.040
<v Speaker 1>I mean really all.

0:52:42.360 --> 0:52:46.000
<v Speaker 6>Absolutely, And it's not to say one won't get signed.

0:52:46.120 --> 0:52:50.680
<v Speaker 6>It's if this is moving somebody forward. I think Hannah

0:52:50.719 --> 0:52:53.160
<v Speaker 6>did the work today that moved her forward.

0:52:53.360 --> 0:52:55.680
<v Speaker 1>I agree one hundred percent. Are you with that? Christy?

0:52:55.760 --> 0:52:56.520
<v Speaker 1>Do you want we can fight?

0:52:56.719 --> 0:52:58.279
<v Speaker 6>No fight? I know.

0:52:58.640 --> 0:53:01.840
<v Speaker 4>I think I think that you guys are right, and

0:53:02.000 --> 0:53:05.040
<v Speaker 4>I think you guys are much more frequently working in

0:53:05.080 --> 0:53:07.040
<v Speaker 4>the booth and know what we need to get these

0:53:07.280 --> 0:53:09.920
<v Speaker 4>whoever wins this contest in the booth with one of

0:53:10.000 --> 0:53:12.640
<v Speaker 4>y'all working and enjoying that.

0:53:12.840 --> 0:53:15.719
<v Speaker 2>And I also think that Danielle is.

0:53:15.760 --> 0:53:19.200
<v Speaker 4>Also very talented, and we'll probably work And we've always

0:53:19.239 --> 0:53:21.960
<v Speaker 4>said that. You know, if Danielle uses that hashtag, she

0:53:22.040 --> 0:53:24.000
<v Speaker 4>listens back to this episode and doesn't hate us.

0:53:24.640 --> 0:53:27.080
<v Speaker 2>She listens to that and she puts the hashtag. You know,

0:53:27.200 --> 0:53:27.960
<v Speaker 2>I hear voices.

0:53:28.280 --> 0:53:30.719
<v Speaker 4>Hopefully someone will find her and they'll either wrapper or

0:53:30.800 --> 0:53:32.880
<v Speaker 4>they'll or they'll hire her, and we hope for the

0:53:32.920 --> 0:53:33.399
<v Speaker 4>best for her.

0:53:33.680 --> 0:53:35.359
<v Speaker 1>No, I think they will. She's definitely, I mean, she's

0:53:35.360 --> 0:53:36.040
<v Speaker 1>definitely talented.

0:53:36.080 --> 0:53:38.960
<v Speaker 3>She is again we're talking about taking weird and we're

0:53:39.000 --> 0:53:40.520
<v Speaker 3>now all very talented people.

0:53:40.560 --> 0:53:43.480
<v Speaker 1>We are down to just people that are good. So

0:53:43.640 --> 0:53:47.040
<v Speaker 1>it's just and again sometimes it's just the day. So

0:53:47.200 --> 0:53:49.840
<v Speaker 1>I mean, there's there's times where I'm terrible in the

0:53:49.840 --> 0:53:51.839
<v Speaker 1>booth and it's like I just had a bad day.

0:53:51.960 --> 0:53:55.160
<v Speaker 2>It just happened, and she wasn't bad.

0:53:55.200 --> 0:53:58.040
<v Speaker 5>I don't think it was. It was a bad day.

0:53:58.239 --> 0:54:01.279
<v Speaker 1>It was somebody came in and had a great day.

0:54:01.480 --> 0:54:03.200
<v Speaker 5>It had a great day and had a home run.

0:54:03.360 --> 0:54:07.600
<v Speaker 5>And that's not that is just how the day goes right.

0:54:07.760 --> 0:54:09.000
<v Speaker 1>That is also the business.

0:54:09.440 --> 0:54:10.560
<v Speaker 5>That's the business.

0:54:10.600 --> 0:54:13.560
<v Speaker 6>I mean, that's auditioning, and I think that's the grind,

0:54:13.640 --> 0:54:16.560
<v Speaker 6>and that's the thing I don't have experience. I mean,

0:54:16.680 --> 0:54:19.480
<v Speaker 6>I interview, you know, to get jobs. But you guys

0:54:19.640 --> 0:54:25.319
<v Speaker 6>do that every day. You send out thirty auditions, twenty ten,

0:54:25.560 --> 0:54:28.520
<v Speaker 6>you know, And it is a numbers game, and it's

0:54:28.800 --> 0:54:30.359
<v Speaker 6>you know, that's what we're doing.

0:54:30.400 --> 0:54:32.640
<v Speaker 5>This got a final callback. If you get in the

0:54:32.760 --> 0:54:35.960
<v Speaker 5>room with these people, we'll remember Danielle and I'll go

0:54:36.160 --> 0:54:38.360
<v Speaker 5>cast something tomorrow and bring her back in.

0:54:38.520 --> 0:54:39.120
<v Speaker 10>You know what I mean.

0:54:39.239 --> 0:54:43.120
<v Speaker 5>Like it, it's a numbers game. It's your bad flipping

0:54:43.200 --> 0:54:44.280
<v Speaker 5>of fake coins.

0:54:46.160 --> 0:54:46.680
<v Speaker 1>But it's true.

0:54:46.760 --> 0:54:50.560
<v Speaker 3>I mean, you have done what one hundred cartoons, one

0:54:50.600 --> 0:54:51.720
<v Speaker 3>hundred and fifty cartoons.

0:54:51.960 --> 0:54:54.719
<v Speaker 1>I auditioned for every one of them, and you've put

0:54:54.800 --> 0:54:57.040
<v Speaker 1>me in six or seven. And that's awesome.

0:54:57.200 --> 0:55:02.040
<v Speaker 6>It doesn't mean I was almost every directed every series

0:55:02.080 --> 0:55:03.120
<v Speaker 6>I've ever directed.

0:55:03.920 --> 0:55:04.799
<v Speaker 2>But you know what I mean.

0:55:05.480 --> 0:55:06.600
<v Speaker 1>Yeah, Yeah, but you don't.

0:55:06.800 --> 0:55:07.040
<v Speaker 4>You're not.

0:55:07.200 --> 0:55:09.400
<v Speaker 1>You're not going to cast me as the lead in everything.

0:55:09.160 --> 0:55:11.480
<v Speaker 2>That you do, because I know Lisa's put me in

0:55:11.640 --> 0:55:12.560
<v Speaker 2>two different things too.

0:55:13.000 --> 0:55:18.960
<v Speaker 6>Yeah, it's what you're right for exactly, and you know,

0:55:19.880 --> 0:55:22.359
<v Speaker 6>like you you know people, you get to know people, right,

0:55:22.480 --> 0:55:24.480
<v Speaker 6>so I would remember Danielle and.

0:55:24.560 --> 0:55:28.239
<v Speaker 5>Go, oh, yep, I have and that girl who I

0:55:28.360 --> 0:55:30.520
<v Speaker 5>think you know. I keep notes I have.

0:55:30.880 --> 0:55:33.520
<v Speaker 6>I have just tons of notes that I keep on

0:55:33.640 --> 0:55:36.800
<v Speaker 6>people I meet because I can't remember everybody's name because

0:55:36.840 --> 0:55:40.279
<v Speaker 6>I'm terrible, but I write everything down so that when

0:55:40.400 --> 0:55:42.799
<v Speaker 6>I cast for something else, I have these little notes

0:55:42.840 --> 0:55:43.480
<v Speaker 6>that jog.

0:55:43.360 --> 0:55:45.320
<v Speaker 5>My memory of Oh my god, that guy from that

0:55:45.440 --> 0:55:48.280
<v Speaker 5>thing that I did, that one off, he was fantastic.

0:55:48.400 --> 0:55:49.680
<v Speaker 5>Let's bring him in an audition.

0:55:50.000 --> 0:55:53.080
<v Speaker 1>Ye look at Trevor. Look at Trevor Deaval, who's a

0:55:53.120 --> 0:55:55.239
<v Speaker 1>friend of the podcast, is a perfect example. I mean,

0:55:55.719 --> 0:55:58.480
<v Speaker 1>he came in, you cast him his rocket in Guardians

0:55:58.560 --> 0:56:00.880
<v Speaker 1>with with me, and everyone's like, oh, this guy might

0:56:00.920 --> 0:56:05.440
<v Speaker 1>be good, and he's is a genius. So yeah, I mean,

0:56:05.520 --> 0:56:08.759
<v Speaker 1>you never know. And it's again, it was wedding, but

0:56:10.080 --> 0:56:14.560
<v Speaker 1>it was fun. I was in San Antone anyway, Okay,

0:56:14.640 --> 0:56:19.400
<v Speaker 1>So that so we I got they had great appetizers

0:56:19.440 --> 0:56:20.719
<v Speaker 1>and then I got the stomach flu, but it wasn't

0:56:20.760 --> 0:56:25.400
<v Speaker 1>because of his wedding, So okay, so then we're we're agreed.

0:56:25.400 --> 0:56:26.719
<v Speaker 1>It's gonna be Handabama moving on.

0:56:27.320 --> 0:56:29.680
<v Speaker 2>Okay, Okay, all right, so here I'm not saying it.

0:56:30.080 --> 0:56:33.320
<v Speaker 1>I will do it. I will do it again. Christy. Sorry,

0:56:33.560 --> 0:56:35.200
<v Speaker 1>can I can we bring Danielle back?

0:56:35.239 --> 0:56:35.520
<v Speaker 3>Please?

0:56:36.120 --> 0:56:38.320
<v Speaker 2>Danielle is the person you saw it in Nashville.

0:56:38.640 --> 0:56:44.000
<v Speaker 1>Yeah, that's the big reveal. Hey Danielle, how are you? Okay?

0:56:44.120 --> 0:56:44.600
<v Speaker 1>We can't hear it?

0:56:45.160 --> 0:56:48.080
<v Speaker 12>There we go, there we My mic has given me

0:56:48.200 --> 0:56:49.120
<v Speaker 12>fits today, I know.

0:56:49.320 --> 0:56:51.239
<v Speaker 3>Well, we just I wanted to thank you so much

0:56:51.280 --> 0:56:54.279
<v Speaker 3>for coming. As we've said, it's the competition is getting

0:56:54.440 --> 0:56:55.160
<v Speaker 3>very very stiff.

0:56:55.480 --> 0:57:01.840
<v Speaker 1>Everybody is great. I mean really, everybody's really really good today. Unfortunately,

0:57:01.880 --> 0:57:03.520
<v Speaker 1>your your fellow contestant.

0:57:03.400 --> 0:57:05.279
<v Speaker 3>Just nailed it, just really hit one out of the park.

0:57:05.400 --> 0:57:06.879
<v Speaker 3>So this is going to be as far as you're

0:57:06.920 --> 0:57:10.040
<v Speaker 3>going in the contest. But you should be so proud

0:57:10.120 --> 0:57:14.120
<v Speaker 3>of yourself. And we were literally just talking because we're

0:57:14.680 --> 0:57:17.560
<v Speaker 3>it's all nitpicking now, It literally is all nitpicking.

0:57:17.640 --> 0:57:17.920
<v Speaker 4>It is not.

0:57:18.080 --> 0:57:20.600
<v Speaker 3>It is not Wow, somebody came and just was so

0:57:20.920 --> 0:57:24.160
<v Speaker 3>much better than the other person. It's literally this little

0:57:24.240 --> 0:57:27.200
<v Speaker 3>nuance and this little nuance and this little thing. But

0:57:27.360 --> 0:57:29.800
<v Speaker 3>you are really good at what you do. You are

0:57:29.920 --> 0:57:33.400
<v Speaker 3>going to work. We we were, you know, Lisa, we

0:57:33.480 --> 0:57:35.680
<v Speaker 3>were just talking about this. How well can you tell her, Lisa,

0:57:35.720 --> 0:57:37.400
<v Speaker 3>what you're saying as from a directing standpoint.

0:57:38.000 --> 0:57:40.720
<v Speaker 5>Absolutely, First of all, it was such a pleasure to

0:57:40.800 --> 0:57:42.040
<v Speaker 5>meet you, and you're true.

0:57:41.880 --> 0:57:45.160
<v Speaker 6>Absolutely, But what I was saying is it becomes at

0:57:45.200 --> 0:57:47.760
<v Speaker 6>your level, it's a numbers game, right, So you audition

0:57:47.880 --> 0:57:49.680
<v Speaker 6>for a lot of things, you get called back to

0:57:49.800 --> 0:57:52.560
<v Speaker 6>even you'll get called back to a lot of things,

0:57:53.000 --> 0:57:56.840
<v Speaker 6>and then people like me will remember and and and

0:57:57.280 --> 0:58:00.800
<v Speaker 6>so what you're not right for today? And I'm you

0:58:00.920 --> 0:58:03.440
<v Speaker 6>know your slam girl was so good when we flipped

0:58:03.440 --> 0:58:06.080
<v Speaker 6>that switch on you. I'll remember that for the next

0:58:06.120 --> 0:58:08.720
<v Speaker 6>time we go, oh let's get that girl Danielle. Remember

0:58:08.800 --> 0:58:12.800
<v Speaker 6>she auditioned for that one thing. There's always another day

0:58:13.320 --> 0:58:16.320
<v Speaker 6>for it. And their role and and what you're not

0:58:16.480 --> 0:58:17.160
<v Speaker 6>right for here?

0:58:18.080 --> 0:58:21.800
<v Speaker 5>People remember they they I showed them.

0:58:21.840 --> 0:58:26.840
<v Speaker 6>I keep long, horrible looking lists of people because because

0:58:26.840 --> 0:58:29.680
<v Speaker 6>there's just the volume that I work with and I'm

0:58:29.720 --> 0:58:31.680
<v Speaker 6>lucky enough to work But.

0:58:33.240 --> 0:58:35.800
<v Speaker 5>You'll you'll definitely it.

0:58:35.920 --> 0:58:37.640
<v Speaker 6>Was great and it was so great meaning you, but

0:58:37.760 --> 0:58:41.680
<v Speaker 6>always know that we are always thinking of the people.

0:58:41.440 --> 0:58:42.400
<v Speaker 5>We've met along the way.

0:58:42.960 --> 0:58:47.240
<v Speaker 12>Oh yeah, and and I'm I'm honestly totally okay. Like

0:58:47.360 --> 0:58:50.640
<v Speaker 12>I'm I got to do my first professional project with

0:58:50.880 --> 0:58:53.280
<v Speaker 12>a certain company that Will and Christy are very familiar

0:58:53.400 --> 0:58:56.439
<v Speaker 12>familiar with that shall not be named as of yet. Yeah,

0:58:57.040 --> 0:59:00.600
<v Speaker 12>I got to do my first professional role and I.

0:59:00.680 --> 0:59:01.280
<v Speaker 5>Still have that.

0:59:01.560 --> 0:59:05.160
<v Speaker 12>Like the contest was just this is fun. That's awesome,

0:59:05.280 --> 0:59:09.600
<v Speaker 12>so funking See, this is amazing.

0:59:11.200 --> 0:59:14.360
<v Speaker 5>That's the best way to look at it. It just

0:59:14.520 --> 0:59:17.560
<v Speaker 5>is another addition to what you're I mean.

0:59:17.640 --> 0:59:19.240
<v Speaker 12>Yeah, if you told five year old me I would

0:59:19.280 --> 0:59:20.960
<v Speaker 12>get to read a script with Kim and Ron, I

0:59:21.000 --> 0:59:22.360
<v Speaker 12>would have been lying.

0:59:24.240 --> 0:59:28.480
<v Speaker 1>That is well, Danielle, thank you for everything. Congratulations again

0:59:28.480 --> 0:59:30.320
<v Speaker 1>on making it to the final four. Again, we had

0:59:30.440 --> 0:59:36.480
<v Speaker 1>forty five hundred entries and you made it to number four. Sure, yeah,

0:59:36.520 --> 0:59:39.080
<v Speaker 1>I mean, come on, that's amazing, very grateful.

0:59:39.240 --> 0:59:41.560
<v Speaker 3>It's amazing, and we're sure you're going to be signed

0:59:41.600 --> 0:59:43.120
<v Speaker 3>and all that good stuff and we will see you

0:59:43.200 --> 0:59:44.040
<v Speaker 3>in the booth, I promise.

0:59:44.600 --> 0:59:47.120
<v Speaker 12>Alrighty, Well, Will, it was very nice to meet you

0:59:47.240 --> 0:59:47.760
<v Speaker 12>over the weekend.

0:59:48.440 --> 0:59:51.720
<v Speaker 1>Well, thank you so much for coming out, and yes,

0:59:51.840 --> 0:59:53.880
<v Speaker 1>we will see you again in the future. All right,

0:59:54.040 --> 0:59:57.560
<v Speaker 1>thanks Danielle so much. All right, bye, bye bye, Danielle.

0:59:57.920 --> 1:00:01.800
<v Speaker 4>I remember Danielle's. I remember Danielle his name from our

1:00:02.280 --> 1:00:05.440
<v Speaker 4>pool because Daniel's. Yeah, I remember her phone, which I'm

1:00:05.480 --> 1:00:06.240
<v Speaker 4>not allowed to say.

1:00:06.800 --> 1:00:08.040
<v Speaker 2>So Danielle, you're listening.

1:00:08.120 --> 1:00:10.240
<v Speaker 1>We love you and yeah that was great.

1:00:10.280 --> 1:00:11.880
<v Speaker 3>Well, this this is now the fun part, but I

1:00:12.040 --> 1:00:13.240
<v Speaker 3>like to do it a certain way. Can we bring

1:00:13.280 --> 1:00:14.040
<v Speaker 3>Hannabhama back?

1:00:14.480 --> 1:00:22.160
<v Speaker 2>He does the things he did? Oh Bama, Hey, Hello.

1:00:22.680 --> 1:00:23.160
<v Speaker 1>How are you?

1:00:23.680 --> 1:00:24.120
<v Speaker 7>I'm good?

1:00:24.800 --> 1:00:27.160
<v Speaker 3>So you know, every week I do the fake kind

1:00:27.200 --> 1:00:29.200
<v Speaker 3>of oh you're not. Yeah, I don't want to do

1:00:29.280 --> 1:00:31.080
<v Speaker 3>that to you this week because it makes me feel bad.

1:00:31.160 --> 1:00:32.720
<v Speaker 3>So I just want to thank you so much for

1:00:32.800 --> 1:00:36.240
<v Speaker 3>coming on. You've been absolutely amazing and you made it.

1:00:36.320 --> 1:00:41.200
<v Speaker 1>I mean, you made it to the finals. I did

1:00:41.280 --> 1:00:48.960
<v Speaker 1>it again, Hannah. I didn't again to people.

1:00:53.120 --> 1:00:56.160
<v Speaker 13>Because why I was like, I was like, okay, like

1:00:56.320 --> 1:00:58.240
<v Speaker 13>I went out on a good note, Like it was

1:00:58.400 --> 1:01:00.320
<v Speaker 13>so fun to do a table read with you guys.

1:01:00.360 --> 1:01:02.480
<v Speaker 7>I was like, if this is the crowning part of

1:01:02.560 --> 1:01:05.320
<v Speaker 7>the thing, I'm totally happy. Lisa, it was so nice

1:01:05.360 --> 1:01:06.640
<v Speaker 7>to meet you too, and then you.

1:01:06.760 --> 1:01:07.320
<v Speaker 6>Go and do that.

1:01:08.720 --> 1:01:10.000
<v Speaker 1>It's fun. Okay, it's fun for me.

1:01:10.120 --> 1:01:12.760
<v Speaker 7>Pay for the lib you know you gotta rid me.

1:01:12.960 --> 1:01:17.480
<v Speaker 1>I know it was great. No, you did wonderful today. Congratulations,

1:01:17.560 --> 1:01:22.439
<v Speaker 1>thank you. The next the next episode that your next round.

1:01:22.560 --> 1:01:24.160
<v Speaker 1>You know, we still are, we still are going to

1:01:24.200 --> 1:01:27.440
<v Speaker 1>be picking you know, your your fellow contestant. But your

1:01:27.560 --> 1:01:29.920
<v Speaker 1>next round is going to be the by far, the

1:01:30.000 --> 1:01:32.880
<v Speaker 1>most difficult of all the ones we've ever done. By

1:01:33.360 --> 1:01:36.520
<v Speaker 1>prepare yourself. It's gonna be a ton of fun. But congratulations,

1:01:36.560 --> 1:01:39.480
<v Speaker 1>you did great today. Ye, you really did.

1:01:39.680 --> 1:01:42.680
<v Speaker 3>Your contestant that you were up against was also phenomenal.

1:01:42.760 --> 1:01:45.400
<v Speaker 3>We are we are to the nit picking stage, Hannah,

1:01:45.440 --> 1:01:46.120
<v Speaker 3>We really are.

1:01:46.520 --> 1:01:49.400
<v Speaker 13>I saw the final four and I was like, bumb fourth,

1:01:49.680 --> 1:01:53.480
<v Speaker 13>I'm okay, yeah, no, it's this is They're so incredible.

1:01:53.720 --> 1:01:55.680
<v Speaker 1>Yeah, you're all great, amazing.

1:01:56.080 --> 1:01:58.400
<v Speaker 7>Yeah, the people you picked, it's just been incredible.

1:01:58.560 --> 1:01:59.360
<v Speaker 1>You're all great.

1:01:59.480 --> 1:02:01.760
<v Speaker 3>So it's only going to get tougher, but you're one

1:02:01.840 --> 1:02:06.360
<v Speaker 3>step closer. Congratulations, you are first finalist and.

1:02:06.440 --> 1:02:08.640
<v Speaker 5>It was so nice to meet you and work with you.

1:02:08.760 --> 1:02:10.080
<v Speaker 5>You take direction beautifully.

1:02:10.480 --> 1:02:13.120
<v Speaker 7>Thank you so much, Lisa, I appreciate it so so much.

1:02:14.760 --> 1:02:17.840
<v Speaker 1>So congratulations Hannabama and we'll see you next time.

1:02:18.360 --> 1:02:20.640
<v Speaker 7>Alrighty, thank you guys so much. Have a lovely rest

1:02:20.680 --> 1:02:21.120
<v Speaker 7>of your day.

1:02:21.360 --> 1:02:25.680
<v Speaker 1>You too, by too soon. She wasn't excited at all.

1:02:25.840 --> 1:02:29.760
<v Speaker 1>That's the problem the broker spirit. Oh, it's the only

1:02:29.880 --> 1:02:33.360
<v Speaker 1>fun I get is breaking the good news makes me

1:02:33.480 --> 1:02:35.280
<v Speaker 1>do all the bad news, so I gotta get a

1:02:35.320 --> 1:02:35.960
<v Speaker 1>little joy.

1:02:35.880 --> 1:02:36.160
<v Speaker 4>Out of it.

1:02:36.560 --> 1:02:38.480
<v Speaker 9>But that's sick joy. What's wrong with you?

1:02:38.880 --> 1:02:39.439
<v Speaker 1>Fun joy?

1:02:39.520 --> 1:02:39.680
<v Speaker 2>Though?

1:02:39.720 --> 1:02:43.200
<v Speaker 1>Because it gets low and then you're like, you're so excited.

1:02:43.240 --> 1:02:43.640
<v Speaker 8>I love it.

1:02:43.720 --> 1:02:45.360
<v Speaker 1>You think it's like, oh, I didn't win the lottery,

1:02:45.400 --> 1:02:46.800
<v Speaker 1>And then but you.

1:02:46.800 --> 1:02:48.840
<v Speaker 4>Know what's funny is that I feel like, okay, so

1:02:48.960 --> 1:02:51.080
<v Speaker 4>I think we probably have done it critic consistently every

1:02:51.080 --> 1:02:53.120
<v Speaker 4>single time. But Hannah is the one that has the

1:02:53.160 --> 1:02:57.280
<v Speaker 4>most unique reaction. She literally falls for it every single time.

1:02:58.240 --> 1:02:59.960
<v Speaker 6>I saw you doing it, and I'm like, I can't,

1:03:00.040 --> 1:03:02.280
<v Speaker 6>can't watch this girl be tortured, and so right before

1:03:02.320 --> 1:03:03.880
<v Speaker 6>I was just like enough you want.

1:03:03.800 --> 1:03:07.200
<v Speaker 5>Like I love you so so much.

1:03:07.640 --> 1:03:08.360
<v Speaker 9>I will miss you.

1:03:08.600 --> 1:03:11.480
<v Speaker 4>I miss our our very long periods of time where

1:03:11.480 --> 1:03:12.760
<v Speaker 4>we don't get to see you and I don't get

1:03:12.760 --> 1:03:13.040
<v Speaker 4>to see it.

1:03:13.040 --> 1:03:14.560
<v Speaker 2>Well, you get to see him maybe more often.

1:03:14.600 --> 1:03:20.000
<v Speaker 9>But I love you, Lisa, I like adore you, and I.

1:03:21.480 --> 1:03:25.280
<v Speaker 5>Adore you. I miss all of us together there now,

1:03:25.440 --> 1:03:26.680
<v Speaker 5>I know, well.

1:03:26.600 --> 1:03:29.000
<v Speaker 3>I adore you and you you tolerate me, but I

1:03:29.080 --> 1:03:31.520
<v Speaker 3>adore you, which is I think is one of the Yeah,

1:03:31.840 --> 1:03:33.400
<v Speaker 3>thank you much.

1:03:33.760 --> 1:03:35.640
<v Speaker 5>Are you kidding me? This has been so much fun

1:03:35.720 --> 1:03:39.360
<v Speaker 5>for me. I mean, I don't get out very much.

1:03:39.400 --> 1:03:41.560
<v Speaker 6>I don't put myself out there. So you guys dragging

1:03:41.640 --> 1:03:45.880
<v Speaker 6>me out the world. It's a very unique experience for me,

1:03:46.160 --> 1:03:47.040
<v Speaker 6>and it's really great.

1:03:47.160 --> 1:03:49.880
<v Speaker 1>So this is so much fun. Before you go, just

1:03:50.000 --> 1:03:52.360
<v Speaker 1>very quickly, what what projects are you working on now

1:03:52.400 --> 1:03:53.280
<v Speaker 1>that you can tell us about.

1:03:56.000 --> 1:03:58.360
<v Speaker 5>I'm terrible with the NBA's. I have a new dreamwork

1:03:58.400 --> 1:04:02.200
<v Speaker 5>show that I'm working that I feel like I can't name,

1:04:03.280 --> 1:04:05.480
<v Speaker 5>Monster High. As you mentioned, we're movies.

1:04:05.960 --> 1:04:10.440
<v Speaker 6>We're well into season two, lob House in eighteen Titan

1:04:10.560 --> 1:04:11.919
<v Speaker 6>season nine, uh.

1:04:12.880 --> 1:04:15.160
<v Speaker 2>My girls booked and busy eighteen Titans go.

1:04:16.320 --> 1:04:18.680
<v Speaker 5>Our four hundredth episode of Titans.

1:04:19.280 --> 1:04:19.600
<v Speaker 1>Wow.

1:04:20.720 --> 1:04:23.480
<v Speaker 2>Hey, and I didn't realize that it was been around forever.

1:04:23.560 --> 1:04:28.439
<v Speaker 5>That's crazy, and so they we just got picked up. Yeah,

1:04:28.600 --> 1:04:32.120
<v Speaker 5>it's it's a it's a lovely time and I am

1:04:32.240 --> 1:04:33.400
<v Speaker 5>very fortunate and.

1:04:33.480 --> 1:04:36.160
<v Speaker 3>I know, well that's one. Thank you again so much

1:04:36.200 --> 1:04:38.160
<v Speaker 3>for taking your time. You're obviously one of the busiest

1:04:38.160 --> 1:04:40.080
<v Speaker 3>people in town. So it's so sweet that you came

1:04:40.120 --> 1:04:40.360
<v Speaker 3>off and.

1:04:40.360 --> 1:04:40.960
<v Speaker 1>Did this for us.

1:04:41.280 --> 1:04:43.000
<v Speaker 5>Anytime, anytime for you, guys.

1:04:43.280 --> 1:04:45.439
<v Speaker 1>Thank you very much, Love you, Lisa. We'll see you soon.

1:04:45.920 --> 1:04:46.680
<v Speaker 10>Bye bye.

1:04:48.600 --> 1:04:51.760
<v Speaker 1>Well, there we go. Our first finalyst is Hanabama and

1:04:51.920 --> 1:04:52.480
<v Speaker 1>well earned.

1:04:52.800 --> 1:04:57.120
<v Speaker 4>Only two more episodes left, Guys, I stay tuned and share,

1:04:57.360 --> 1:05:00.000
<v Speaker 4>and I'm just so happy to know that there's thousand

1:05:00.080 --> 1:05:02.400
<v Speaker 4>the people who have been listening to us and really

1:05:02.480 --> 1:05:07.480
<v Speaker 4>invested in and the story of this person. And you know,

1:05:07.760 --> 1:05:12.880
<v Speaker 4>we'll definitely do something really special to commemorate the winner.

1:05:13.040 --> 1:05:16.080
<v Speaker 4>And obviously we'll you know, be meeting them in person.

1:05:16.360 --> 1:05:18.720
<v Speaker 4>And I think we'll have to do more video stuff

1:05:18.760 --> 1:05:19.760
<v Speaker 4>like social when we're.

1:05:19.680 --> 1:05:22.280
<v Speaker 3>Together and yeah, yeah, yeah, definitely we'll we'll figure all

1:05:22.360 --> 1:05:24.600
<v Speaker 3>that out because yeah, we're getting down to it. I

1:05:24.640 --> 1:05:26.040
<v Speaker 3>mean we are getting down to it. We have one

1:05:26.120 --> 1:05:28.520
<v Speaker 3>more episode to have the finals, and then the finals

1:05:28.560 --> 1:05:31.320
<v Speaker 3>and we crown our winner. It's that crazy that we're

1:05:31.320 --> 1:05:33.560
<v Speaker 3>here after everything, and again, none of this would have

1:05:33.560 --> 1:05:36.400
<v Speaker 3>been possible without Prime Video and our friends over there

1:05:36.400 --> 1:05:38.280
<v Speaker 3>at Critical Roles. So don't forget to check out season

1:05:38.320 --> 1:05:42.040
<v Speaker 3>two of Vox Machine for download. Now everybody at CESD

1:05:42.240 --> 1:05:44.560
<v Speaker 3>who has been so amazing and helpful and will be

1:05:44.600 --> 1:05:46.880
<v Speaker 3>signing our winner, and they're going to be getting somebody great.

1:05:47.440 --> 1:05:50.720
<v Speaker 3>And of course iHeart who has been our parent company

1:05:50.720 --> 1:05:53.600
<v Speaker 3>and has made all of this possible, and most importantly

1:05:53.720 --> 1:05:57.320
<v Speaker 3>all of our fans. Christy said this in the last podcast,

1:05:57.320 --> 1:05:59.600
<v Speaker 3>but I'm going to say it again, there's one person

1:05:59.680 --> 1:06:01.880
<v Speaker 3>out there on our Instagram that keeps wanting us to

1:06:01.920 --> 1:06:07.320
<v Speaker 3>tag the contestants and we can't so legally because they're

1:06:07.400 --> 1:06:09.959
<v Speaker 3>still in the contest. They if they are no longer

1:06:10.000 --> 1:06:11.640
<v Speaker 3>in the contest, they can are more than welcome to

1:06:11.680 --> 1:06:14.280
<v Speaker 3>tag themselves, which we would love to have that, but

1:06:14.440 --> 1:06:17.080
<v Speaker 3>we are not allowed to give out last names, or

1:06:17.160 --> 1:06:18.720
<v Speaker 3>tag their socials or do any of that kind of

1:06:18.720 --> 1:06:20.000
<v Speaker 3>stuff until we have crowned a winner.

1:06:20.120 --> 1:06:22.120
<v Speaker 1>So that's the reason we don't do that. Just letting

1:06:22.160 --> 1:06:22.320
<v Speaker 1>you know.

1:06:22.560 --> 1:06:24.200
<v Speaker 3>And we will also make sure that we put up

1:06:24.240 --> 1:06:27.320
<v Speaker 3>the script that we recorded today so that you can

1:06:27.400 --> 1:06:30.600
<v Speaker 3>read along and see some of the actual direction that

1:06:30.720 --> 1:06:32.520
<v Speaker 3>was there. But again, we wanted to record it exactly

1:06:32.560 --> 1:06:35.040
<v Speaker 3>the way we record it when we're doing a show.

1:06:35.360 --> 1:06:37.560
<v Speaker 1>So thank you everybody for joining us. I say it

1:06:37.600 --> 1:06:38.720
<v Speaker 1>all the time, but Christy, I love you.

1:06:38.800 --> 1:06:41.920
<v Speaker 3>This is so much fun and wrapping it up is

1:06:42.000 --> 1:06:43.880
<v Speaker 3>tough because we've been through so much together.

1:06:43.920 --> 1:06:45.120
<v Speaker 1>So this is going to be cool. We'll get in

1:06:45.200 --> 1:06:47.160
<v Speaker 1>all that later. We'll get into all that later, but

1:06:48.440 --> 1:06:49.479
<v Speaker 1>this has been super cool.

1:06:49.560 --> 1:06:52.480
<v Speaker 3>And of course to everybody listening, thank you for everything

1:06:52.640 --> 1:06:54.240
<v Speaker 3>and for following us for as long as you have.

1:06:55.160 --> 1:06:56.760
<v Speaker 3>We're coming down to the end of it, so we're

1:06:56.800 --> 1:06:57.960
<v Speaker 3>excited to see who's going to win.

1:06:58.440 --> 1:07:00.680
<v Speaker 2>I'm in denial, but okay, we'll figure it.

1:07:00.760 --> 1:07:02.440
<v Speaker 1>We'll figure it out. We'll figure it out when we

1:07:02.520 --> 1:07:04.440
<v Speaker 1>get there. But thank you everybody.

1:07:04.640 --> 1:07:06.120
<v Speaker 3>We love you, and don't forget if you think you

1:07:06.200 --> 1:07:08.120
<v Speaker 3>have what it takes to step up to the microphone

1:07:08.440 --> 1:07:09.760
<v Speaker 3>put your voices where your mouth is.

1:07:09.880 --> 1:07:12.960
<v Speaker 1>Thanks everybody, Thanks everybody. I Hear Voices is hosted by

1:07:12.960 --> 1:07:16.080
<v Speaker 1>Will Fredell and Christy Carlson Romano. Executive produced by Will Fredell,

1:07:16.120 --> 1:07:19.200
<v Speaker 1>Brendan Rooney, Amy Sugarman, and Vicky Ernst Chang. Our executive

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<v Speaker 1>in charge of production is Danielle Romo, our producer is

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<v Speaker 1>Lorraine Viriuez, and our editor slash engineer is Brian Burton.

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<v Speaker 1>And that was my announcer voice.

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<v Speaker 10>Some side effects of listening to I Hear Voices are

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<v Speaker 10>sore abs from hilarity, falling down the cocoa melon rabbit hole,

1:07:32.720 --> 1:07:34.840
<v Speaker 10>sneezing due to mass nostalgia, and hugs.

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<v Speaker 1>Follow I Hear Voices wherever you listen to podcasts so

1:07:37.080 --> 1:07:38.840
<v Speaker 1>you don't miss any of the amazing voices.

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<v Speaker 10>Be sure to follow us on Instagram and TikTok at

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<v Speaker 10>I Hear Voices podcast.

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<v Speaker 1>You can also check us out on MySpace, omegle Vine, LimeWire.

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<v Speaker 1>Hey I'm a napster.

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<v Speaker 2>Okay, well, let's teach you about the internet the.

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<v Speaker 11>Who Hey there, I Hear Voices listeners. This is Nia,

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<v Speaker 11>the winner of the super Awsome contest to become the

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<v Speaker 11>next big Voice actor. I am so glad I found

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<v Speaker 11>this podcast, and I'm glad you found it too.

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<v Speaker 6>Well.

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<v Speaker 11>Then, Christy, also known as Kim Possible and Runstoppable, interview

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<v Speaker 11>the best known voices in Hollywood, from your favorite.

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<v Speaker 7>Cartoon characters to video game voices.

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<v Speaker 11>You never know who they'll talk to next. Make sure

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<v Speaker 11>to follow, like, and download the I Hear Voices podcast

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<v Speaker 11>on iHeart Apple and anywhere you get your podcasts.

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<v Speaker 7>And remember, if you think

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<v Speaker 11>You had what it takes Put your voices where your

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<v Speaker 11>mouth is