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Speaker 1: Hi, Christy, Hello, Will.

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Speaker 2: How is Nashville?

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Speaker 3: Nashville was amazing. We had a wonderful time. Everybody was

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Speaker 3: very cool. It was a great convention. And uh, I

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Speaker 3: look up at my line and one of our final

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Speaker 3: four contestants is there, and I'm like, oh, I can't

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Speaker 3: really see you.

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Speaker 1: We can't hang out. I can't Hi, how are you all?

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Speaker 1: So she's like, I know, I know, I know. I'm sorry.

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Speaker 1: And she's on today. She's like, I'm sorry. I was like,

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Speaker 1: that's okay. You just be prepared, but I'm not giving

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Speaker 1: you and I'm not letting you know anything that's going on.

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Speaker 1: She's like, I know, I know.

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Speaker 4: Honestly, I love doing this contact with you because you

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Speaker 4: are one of the most like you're very you are

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Speaker 4: so ruled by like this sense of fairness, and it

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Speaker 4: is it was a side of you that I.

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Speaker 2: Did not know existed, but in matches.

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Speaker 4: I well, yeah, because it's not like you're you're not

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Speaker 4: a like super micromanagy person. Like you're a very like chill,

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Speaker 4: laid back guy. And we talked about, you know, anxiety stuff,

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Speaker 4: but we're not. But you don't lead with that kind

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Speaker 4: of chaotic energy, and so it's just it's just I

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Speaker 4: think I'm probably more chaotic on a consistent basis than

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Speaker 4: you are. So it's really great, though, to see that

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Speaker 4: our contestants are being sort of really navigating. They're navigating this,

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Speaker 4: trusting us that we're going to give them the fairest

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Speaker 4: shot possible.

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Speaker 1: I think so too, And I think we've done really well.

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Speaker 3: Frankly, we've talked about how we listen to all the entries,

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Speaker 3: and it was like we weren't like, no, we're not

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Speaker 3: going to listen to this fifty, No, we got too many.

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Speaker 1: We're not gonna listen to these hundred. Well, let's just

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Speaker 1: get through a thousand and we'll pick who we are.

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Speaker 1: We really are trying to keep this as fair as possible.

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Speaker 3: And we went from what forty five hundred to where

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Speaker 3: we are lie the exactly four.

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Speaker 4: And we have we have the most amazing adjudicator today

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Speaker 4: because it's not even an adjudicator as much as it's

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Speaker 4: an experience that we're about to have absolutely all of us,

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Speaker 4: all three of us, all of us.

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Speaker 3: Yeah, so what we're you know, we are now moving

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Speaker 3: on to a you know, we say we every time

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Speaker 3: we hit another milestone in the in the contest, we

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Speaker 3: switch up the game, so we started everybody who's been

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Speaker 3: there with us, We started with by the Numbers and

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Speaker 3: then we went to X you actually read all about it.

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Speaker 3: Our game today is called Getting the Booth, and the

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Speaker 3: reason it's called Getting the Booth is because we are

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Speaker 3: just straight up going to be recording a scene from

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Speaker 3: a cartoon with an incredible director who has been directing

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Speaker 3: voiceover for years and years and years and years, multiple

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Speaker 3: award where you name it, she's done it. She is

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Speaker 3: here to help us out today. Our contestants are going

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Speaker 3: to be getting in the booth.

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Speaker 1: We are going to be and acting with Christy and

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Speaker 1: I we're going to be in it too.

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Speaker 4: And I want to say to guys, I want to

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Speaker 4: just give you a what is it? A not a warning,

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Speaker 4: but like heads up, heads up that I have not

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Speaker 4: been in the booth since you and I were in

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Speaker 4: the booth for something that we won't talk.

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Speaker 2: About, but pray for it.

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Speaker 4: But anyway, it's one of those things where I have

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Speaker 4: not dusted off this skill set and I'm so happy

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Speaker 4: that you guys get to listen in on this and

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Speaker 4: hear me to try to approach this character.

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Speaker 2: Sure that we've got for our contestants today.

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Speaker 1: It's going to be so much fun.

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Speaker 3: So before we jump into it very very quickly, because

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Speaker 3: we are now hitting the final four.

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Speaker 1: I can't believe I'm even saying that.

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Speaker 4: And also it's like the final two of this season

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Speaker 4: of I Hear Places or however you want to see it.

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Speaker 2: So yeah, how many episodes again, how many.

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Speaker 1: More we've got?

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Speaker 3: We're going to do this one and then one more

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Speaker 3: to get down to the final two, and then we

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Speaker 3: do one more for the final two and we crown

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Speaker 3: our winner.

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Speaker 1: That's it, that's it.

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Speaker 2: We have three more.

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Speaker 1: There's three. So it's amazing.

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Speaker 3: And of course none of this would have been possible

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Speaker 3: without everybody that's been helping us out, so first and

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Speaker 3: foremost of course to Prime Video and everybody over there

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Speaker 3: at Critical Role, all of our friends. Go check out

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Speaker 3: season two of Vox Machina, which is available for stream now.

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Speaker 3: Great show, and I always say it's not because I'm

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Speaker 3: on it, but it is an awesome, awesome show. Of course,

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Speaker 3: everyone over there at CESD who have given us our

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Speaker 3: incredible grand prize, which is signing with that amazing agency

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Speaker 3: for a year.

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Speaker 4: Will I told Anna Lisa Vanderpohl about this. She was

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Speaker 4: just here in Austin for the TV Festival and we

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Speaker 4: were hanging out. We made a very big announcement which

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Speaker 4: I won't mention, but we're excited we can have a

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Speaker 4: podcast spoiler Okay, So basically an Alsa.

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Speaker 2: Vonderpoul from Raven. She's super talented. I go, hey, guess what,

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Speaker 2: I have a podcast that I do. Uh it's I

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Speaker 2: Hear Voices. It's with iHeartRadio. I love them so much.

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Speaker 2: And guess what.

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Speaker 4: CESD is going to have our contestants, like you know,

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Speaker 4: the winner is going to get a year long.

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Speaker 2: And she just freaked out. She's like, it's amazing. Can

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Speaker 2: I join? Can I please?

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Speaker 5: Yeah?

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Speaker 3: Actor, no, everybody, it is every actor that you tell everybody,

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Speaker 3: it's like if you know, you know, and every single

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Speaker 3: one of them that you say, their jaw drops, like

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Speaker 3: are you kidding?

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Speaker 1: They get to sign with CESD. So it's huge.

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Speaker 4: It's really it's really someone's first big opportunity, you know,

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Speaker 4: not a break, but it's an opportunity.

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Speaker 1: To It's amazing.

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Speaker 3: Yeah, And of course all of it is thanks to

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Speaker 3: iHeart who let us put this contest together and helped

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Speaker 3: us every step of the way and made this possible.

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Speaker 3: So thank you, iHeart. But we are now, as we

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Speaker 3: said to the final four, we're going to get in

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Speaker 3: the booth. But to do that you need the best

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Speaker 3: director in town or what the directors in town.

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Speaker 2: Arguably, let's call her and beep her.

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Speaker 1: Huh we should So why would you call and beat

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Speaker 1: this person? Christy? Who is our guest director adjudicator today?

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Speaker 2: It is director extortedor Lisa Schaeffer.

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Speaker 3: Everybody, yes, from Kim Possible and everything else. Please let

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Speaker 3: us welcome Lisa Shaeffer.

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Speaker 1: Heye, we're fine, Lisa.

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Speaker 2: How are you?

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Speaker 1: Thank you? Thank you so much for joining us today.

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Speaker 5: Thank you for having me Mary Kidding for the final.

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Speaker 3: Four of the Super Awesome Contest to become the next

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Speaker 3: Big Voice Actor.

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Speaker 1: We are so excited to have you here.

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Speaker 6: Uh.

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Speaker 1: We were just talking about how you directed us.

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Speaker 3: Of course I'm Kim Possible forever, but you're also I mean,

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Speaker 3: Monster High, Loudhouse, teen Titans, Go Boss Baby, back in

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Speaker 3: the Crib, One thing after another, Guardians of the Galaxy,

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Speaker 3: Secret Saturdays known long time.

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Speaker 1: Yeah, it's you name it, You've done it.

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Speaker 5: Yeah, it's been a career.

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Speaker 1: Do you want to toot your horn or are do

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Speaker 1: you mind that we just toot your horn?

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Speaker 6: No?

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Speaker 5: I mean feel free.

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Speaker 6: It's it's you know, every day is just as I

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Speaker 6: wake up and I'm like, wow, it's been twenty years

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Speaker 6: and I never thought I'd work another day and another day,

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Speaker 6: another day, another day.

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Speaker 5: So I'm excited. I love what I do. I'm happy

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Speaker 5: to join every day. Now I get to do it

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Speaker 5: for my house. I don't care.

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Speaker 1: It's so great, isn't it.

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Speaker 4: Yeah, we have some very very talented folks that you're

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Speaker 4: about to seet, Lisa. And also I'm a little nervous,

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Speaker 4: so you may have to walk me through this too

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Speaker 4: a little bit because we have an original script written

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Speaker 4: by Wilfred Dell.

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Speaker 5: Hell yeah, we're gonna last night.

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Speaker 1: Well, so that's what's fun. We are so to bring

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Speaker 1: you a little up to speed.

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Speaker 3: We started the super Awesome Contest Become the Next Big

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Speaker 3: Voice Actor, which you know, and we got forty five

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Speaker 3: hundred contestants. We have been whittling them down and we

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Speaker 3: are to the final four. So we figured what we've

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Speaker 3: said is we want somebody. We want contestants from the

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Speaker 3: jump the winner that if you win on a Tuesday

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Speaker 3: you can be in the booth on the Wednesday.

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Speaker 1: We want you to be that good.

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Speaker 3: So the first game we played was called by the Numbers,

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Speaker 3: where the guest judge actually by picking random numbers, created

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Speaker 3: the character on the spot.

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Speaker 1: That the contestants had to do. So it was a

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Speaker 1: lot of fun to do that.

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Speaker 3: The second one was to see because, as every voiceover

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Speaker 3: actor knows, the only part of the job is doing

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Speaker 3: funny voices. So the next one was extra actually read

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Speaker 3: all about it, and it was all about ad reads.

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Speaker 3: And now we are jumping in the booth to actually

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Speaker 3: have our contestants record a scene from A and I'm

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Speaker 3: putting air quotes on their animated series. Uh so, we'd

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Speaker 3: love to see how they take direction and the kind

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Speaker 3: of direction that you would give, and how we you know,

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Speaker 3: how you would treat any of us in the booth.

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Speaker 5: Frankly, yeah, excited to be here. I do wonder are

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Speaker 5: you going to have them read together?

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Speaker 3: No, so I'm gonna be the teller and the old man.

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Speaker 3: Contestant A to start with will be Red Rocket and

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Speaker 3: Christy will be slam Girl, and then once again Christy

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Speaker 3: will be slam Girl and Contestant B will come in

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Speaker 3: and be Red Rocket. So they're both going to play

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Speaker 3: the same role, both the contestants today, and they'll read

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Speaker 3: it once through and then you can give them some direction.

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Speaker 3: We'll do the scene again, and we're only gonna because

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Speaker 3: it's a it's a four page scene, it's an actual scene.

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Speaker 3: We're going to see how much time we have, but

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Speaker 3: we're not gonna be bopping back and forth, so they'll

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Speaker 3: probably read it once. We'll give them a good direct

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Speaker 3: you know, you will give them a good direction, you know. Session,

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Speaker 3: we'll read it through again, and then we will move

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Speaker 3: on to our second contestant. They'll do that as well,

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Speaker 3: and then we will, you know, see how much time

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Speaker 3: is left. Maybe we'll have a chance to run through

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Speaker 3: it once more, but I don't know if we will,

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Speaker 3: and then we will have to pick who moves on

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Speaker 3: to the next the finals where we be to the

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Speaker 3: finals already.

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Speaker 1: And and I think, did we tell you what the

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Speaker 1: what the prizes are?

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Speaker 5: I heard I listened to the one the ad one

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Speaker 5: yesterday with Gary. Yeah you know CSD and crazy right,

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Speaker 5: I mean crazy I mean, and we.

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Speaker 4: Didn't mention was a thousand dollars spending cash and some

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Speaker 4: iHeart opportunities as well.

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Speaker 1: Yeah, they're going to write some iHeart stuff and yeah

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Speaker 1: it's amazing and meet us.

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Speaker 2: I mean, come on, that's like, you know, so cool

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Speaker 2: and Sam Regal do you mention Sam?

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Speaker 3: And yeah, they get a they get a direction session

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Speaker 3: with Sam Regal and Mary McGlynn over our friends, our

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Speaker 3: critical role who have been helping us out.

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Speaker 1: So there's uh, there's some fun stuff to be had.

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Speaker 3: Yes, Okay, so we know that we are down to

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Speaker 3: our final four contestants. We have Hannah from Alabama, Mia

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Speaker 3: from Florida, Danielle from Tennessee, and of course Haley from Texas.

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Speaker 3: So I think today we have it's Hannah from Alabama

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Speaker 3: and Danielle from Tennessee.

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Speaker 1: I believe are with us today. So we are, We're

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Speaker 1: getting down to it. It's unbelievable.

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Speaker 3: And since this is gonna be kind of different, and

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Speaker 3: whoever's reading first is I don't think there's an advantage

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Speaker 3: of reading first or reading second because the other person's

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Speaker 3: obviously not going to hear. But we want to make

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Speaker 3: sure that we are keeping it completely fair. So if

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Speaker 3: our guest judge for today, can you do me a favorite?

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Speaker 3: Say heads or tails please? Lisa eh, it is heads,

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Speaker 3: So Heads is going to be It looks like Hannah

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Speaker 3: from Alabama is going to be first, and we will

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Speaker 3: set the scene Canabama.

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Speaker 1: Hey, Cannabama, how are you welcome back? Congratulations again on

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Speaker 1: making the final four. Thank you.

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Speaker 3: And this is Misus Shaeffer, who has directed just about

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Speaker 3: everything you've heard in the cartoon world.

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Speaker 1: And so we'll be our guest director for the day.

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Speaker 3: And you got your script, I do, okay, So we

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Speaker 3: are straight up putting you in the booth today.

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Speaker 1: There's no games, there's no uh the game that is

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Speaker 1: the game.

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Speaker 7: That is the game.

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Speaker 2: It's called Get in the Booth.

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Speaker 3: It's called get any Booth. So it is literally we

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Speaker 3: are just doing a straight up recording session. And again,

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Speaker 3: because ninety nine percent of all recordings are now done

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Speaker 3: on Zoom, we are really just doing a recording session today.

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Speaker 1: We're going to have you read through it. We're not

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Speaker 1: gonna do too many stage directions.

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Speaker 3: I'm going to set the scene and then I will

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Speaker 3: let people occasionally know what's going on. But we don't

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Speaker 3: want to break up your performance or anybody else's performance.

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Speaker 3: So we are going to be acting with you. I

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Speaker 3: will be playing the teller and the old man and

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Speaker 3: Christy will be playing slam girl. Yeah, you will of

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Speaker 3: course be playing red Rocket. And we are going to

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Speaker 3: get right into it. So everybody out there in I

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Speaker 3: hear voices Land, so you know what's going on. We

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Speaker 3: are going to be reading a script. We're going to

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Speaker 3: be reading it straight through the way that we would

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Speaker 3: be recording any kind of script we do in the booth.

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Speaker 3: So I'm going to set the scene for you.

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Speaker 1: We are starting in a bank in the morning, and

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Speaker 1: it's a very slow day at the North South Bank.

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Speaker 3: The teller looks bored as an elderly man stands at

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Speaker 3: the counter and finishing their transaction.

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Speaker 1: Mister Johnson, I'd be happy to count it again, but

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Speaker 1: it was eight.

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Speaker 3: Dollars and thirty seven cents the first three times I

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Speaker 3: counted it, and I'm guessing it'll be eight dollars and

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Speaker 3: thirty seven cents if I counted it again. Okay, ah, well,

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Speaker 3: thanks for your business, mister Johnson. Look forward to seeing

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Speaker 3: you tomorrow.

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Speaker 1: I'm not sure how much longer I can do this.

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Speaker 1: Nothing ever happens here and just on que the doors

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Speaker 1: of the bank are blasted off their hinges as this

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Speaker 1: woman in a red suit and a jet pack flies

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Speaker 1: into frame.

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Speaker 7: Whoa hm, Lance?

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Speaker 1: Oh actually it's Gary. I just lost my name tag.

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Speaker 7: Okay, Lance, here it is. You have thirty seconds to

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Speaker 7: show me to the safe.

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Speaker 1: Right over there, but I don't have the key.

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Speaker 7: Oh that's okay, Lance, Gary, I brought my own baby.

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Speaker 8: Now that's a key. I hope you don't mind, sweetheart,

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Speaker 8: but I'm gonna have to take all the bank's money.

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Speaker 6: Now.

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Speaker 7: You don't have a problem with that, do you?

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Speaker 1: No, ma'am?

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Speaker 9: Put the tailer down?

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Speaker 8: Well well, well, if it isn't slam, girl, I hope

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Speaker 8: you didn't pay for that trademark.

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Speaker 7: Anyway, I figured you might show up missus.

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Speaker 10: Goody two shoes, I said, put the tailor down, Red Rocket?

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Speaker 7: What Lance is my buddy? Are you Lance?

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Speaker 1: It's Gary?

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00:14:17,400 --> 00:14:19,520
Speaker 7: Nice catch? Can you grab these two.

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Speaker 6: Fast?

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00:14:30,480 --> 00:14:38,960
Speaker 7: You're but not fast enough? Who slam?

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Speaker 10: This looks like you're heading back to jail, Red Rocket,

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Speaker 10: and a good thing too, because this bank is closed.

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Speaker 7: Seriously, is that it not even a good line?

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Speaker 11: Well?

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Speaker 9: What should I say?

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Speaker 1: I don't know.

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Speaker 7: Maybe it looks like you're gonna have to do your

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Speaker 7: banking online from now.

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Speaker 2: Okay, Well, how does that even make sense.

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Speaker 7: You're right, just take me to the slammer. Hey, there

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Speaker 7: you go.

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Speaker 11: Nice.

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Speaker 2: She actually wrote it entirely great.

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Speaker 1: That's awesome. Don't change my words, Tanabama, I'm kidding. I'm kidding.

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Speaker 1: We're good.

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Speaker 2: It's right there and I had to go for just

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Speaker 2: over to the choices.

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Speaker 5: Do you think I think it's amazing. I think so

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Speaker 5: much fun and you really felt like you were You

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Speaker 5: got all the action notes. It was a very super

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Speaker 5: action you read. I would say, I guess my overall

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Speaker 5: note would be way more energy and more sass to her.

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Speaker 6: I think you played her sultry, which is fantastic. But

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Speaker 6: I think for this action sequence, especially like kicking the

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Speaker 6: door in coming and big and confident and really just

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Speaker 6: like scaring.

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Speaker 5: The daylights out of Lance or Gary or whoever.

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Speaker 6: I think, especially when when you get to that, I

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Speaker 6: brought my own like she's just you know, a badass.

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Speaker 5: So I would generally pick up the energy. This is

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Speaker 5: a very energetic place.

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Speaker 6: I'm not saying you have to bounce off the walls,

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Speaker 6: but definitely pick up the pace.

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Speaker 5: That would also be my note generally to Will and

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Speaker 5: Christie as well. It just needed to feel big and faster.

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Speaker 6: As an overall general note, I think at the end,

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Speaker 6: really have fun with that, sort of judging her lame tagline.

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Speaker 5: I think you could have more fun with that and

347
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Speaker 5: pick it apart.

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Speaker 6: I love that you added your own thing and it

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Speaker 6: was definitely I would definitely keep that in there, Okay.

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Speaker 5: I think for your.

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Speaker 6: Guys as Walla, I think because you're recording it together individual.

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Speaker 5: Traps tracks, it's all okay to do it simultaneously. There

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Speaker 5: should be a little more back and forth. But there's

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Speaker 5: not a lot of line.

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00:17:01,840 --> 00:17:04,359
Speaker 6: Numbers, and there's not a lot of you know, places,

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Speaker 6: no line numbers to sort of feel where that is.

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Speaker 5: But it all worked out very naturally, and I thought

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Speaker 5: it sounded great.

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00:17:10,560 --> 00:17:13,760
Speaker 6: But again, my overall note is just a little more energy,

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Speaker 6: a lot more confidence, and really just come in and

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Speaker 6: kick butt.

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00:17:16,880 --> 00:17:19,320
Speaker 5: I mean, you are the villain, but have fun with it.

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Speaker 4: I actually think I could probably lean more into the

364
00:17:23,000 --> 00:17:26,199
Speaker 4: slam girl personality that I thought you.

365
00:17:26,400 --> 00:17:29,720
Speaker 5: Made her southern. I thought that was super specific and great.

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00:17:29,880 --> 00:17:32,200
Speaker 5: I would just you know, you know, me and my

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00:17:32,320 --> 00:17:33,320
Speaker 5: note just go faster.

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00:17:34,000 --> 00:17:37,359
Speaker 6: Yes, I would be run out of time on a

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Speaker 6: daily basis, you know, And and animation just commercial too.

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00:17:41,840 --> 00:17:44,280
Speaker 6: You are under a little bit of a time done,

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Speaker 6: and what you think feels fast isn't necessarily.

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Speaker 2: What turns out super fast amazing. Let's do it, you

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Speaker 2: ritty handle, let's go.

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Speaker 3: I have a question, Lisa, would it be easier for

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Speaker 3: this second take if to get them clean? If you

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00:17:58,760 --> 00:18:03,640
Speaker 3: wanted to do say three, three and three, so three

377
00:18:03,760 --> 00:18:06,440
Speaker 3: grunts of you know, three fighting sounds from Christy and

378
00:18:06,520 --> 00:18:08,520
Speaker 3: then three fighting sounds from Hannah to keep them separate?

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00:18:08,640 --> 00:18:09,760
Speaker 1: Or do you mind them overlapping?

380
00:18:10,000 --> 00:18:12,680
Speaker 6: I don't mind them overlapping at all. I mean I

381
00:18:12,800 --> 00:18:17,080
Speaker 6: think it's it's it's what that script asked you to do.

382
00:18:17,680 --> 00:18:21,040
Speaker 1: All right, cool, so that those you got all those Notesanna, Yes, sir?

383
00:18:21,560 --> 00:18:25,440
Speaker 1: All right, So here we go. Let us try Take two.

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00:18:27,600 --> 00:18:29,680
Speaker 1: Teller looks bored. Elerly Man is standing at the counter,

385
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Speaker 1: mister Johnson.

386
00:18:32,040 --> 00:18:33,879
Speaker 3: I'd be happy to count it again, but it was

387
00:18:33,960 --> 00:18:36,440
Speaker 3: eight dollars and thirty seven cents the first three times

388
00:18:36,440 --> 00:18:38,680
Speaker 3: I counted it, and I'm guessing it will be eight

389
00:18:38,720 --> 00:18:39,600
Speaker 3: dollars and thirty.

390
00:18:39,400 --> 00:18:45,200
Speaker 1: Seven cents if I counted it again. You well, thank

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00:18:45,280 --> 00:18:47,760
Speaker 1: you for your business, mister Johnson, and I look forward

392
00:18:47,800 --> 00:18:51,800
Speaker 1: to seeing you tomorrow. I am not sure how much

393
00:18:51,880 --> 00:18:55,920
Speaker 1: longer I can do this. Nothing ever happens here boom,

394
00:18:56,119 --> 00:18:58,720
Speaker 1: the doors are blasted off their hinges, and incomes the

395
00:18:58,800 --> 00:19:05,520
Speaker 1: jet pack. Oh Lance, actually it's Gary. I just lost

396
00:19:05,560 --> 00:19:05,880
Speaker 1: my name.

397
00:19:05,960 --> 00:19:08,679
Speaker 7: Take okay, Lance, here it is. You have thirty seconds

398
00:19:08,680 --> 00:19:09,560
Speaker 7: to show me to the safe.

399
00:19:09,720 --> 00:19:11,800
Speaker 1: It's right over there. But I don't have the key.

400
00:19:12,880 --> 00:19:19,119
Speaker 7: That's okay, Lance, Gary, I brought my own. Ha Oh baby,

401
00:19:19,240 --> 00:19:20,200
Speaker 7: Now that's a key.

402
00:19:20,520 --> 00:19:22,840
Speaker 8: I hope you don't mind, sweetheart, but you're but I'm

403
00:19:22,880 --> 00:19:24,720
Speaker 8: going to have to take all the banks money.

404
00:19:24,920 --> 00:19:26,200
Speaker 7: You don't have a problem with that, do you?

405
00:19:26,560 --> 00:19:27,000
Speaker 1: No, ma'am?

406
00:19:28,880 --> 00:19:30,840
Speaker 9: Put the tailor down?

407
00:19:33,359 --> 00:19:37,560
Speaker 7: Well, well, well, if it isn't slam Girl trademarked. Of course,

408
00:19:37,800 --> 00:19:41,080
Speaker 7: I figured you might show up, miss Goody two shoes.

409
00:19:41,160 --> 00:19:45,160
Speaker 9: I said, put the tailor down, Red Rocket.

410
00:19:46,040 --> 00:19:48,159
Speaker 7: What Lance is my body? Aren't you?

411
00:19:48,400 --> 00:19:49,720
Speaker 1: Lance said? Several times?

412
00:19:49,760 --> 00:19:56,200
Speaker 7: It's Gary, nice catch, But can you grab these two?

413
00:19:56,720 --> 00:19:56,760
Speaker 11: Ha?

414
00:19:57,400 --> 00:19:59,679
Speaker 9: He slam Salami.

415
00:20:00,800 --> 00:20:07,120
Speaker 7: You're pretty fast. Hey, you're not fast enough.

416
00:20:13,359 --> 00:20:14,280
Speaker 1: To make some change?

417
00:20:16,880 --> 00:20:18,040
Speaker 7: Oh no you don't.

418
00:20:21,040 --> 00:20:22,720
Speaker 9: It looks like you're heading back to jail.

419
00:20:22,760 --> 00:20:26,439
Speaker 10: Red Rocket, and a good thing too, because this bank

420
00:20:26,800 --> 00:20:27,639
Speaker 10: is closed.

421
00:20:30,080 --> 00:20:32,600
Speaker 7: Seriously, is that it. That's not even a good line.

422
00:20:33,080 --> 00:20:34,600
Speaker 2: Okay, Well what should I say then?

423
00:20:36,200 --> 00:20:36,800
Speaker 7: I don't know.

424
00:20:38,040 --> 00:20:40,760
Speaker 9: Maybe since you know, everything.

425
00:20:43,040 --> 00:20:44,800
Speaker 7: Looks like you're going to have to do your own

426
00:20:44,920 --> 00:20:46,359
Speaker 7: banking online from now on.

427
00:20:48,880 --> 00:20:50,320
Speaker 2: Now, how does that make sense?

428
00:20:52,280 --> 00:20:54,480
Speaker 7: I don't know. Just take me to the slammer.

429
00:20:57,080 --> 00:20:57,520
Speaker 2: There you go.

430
00:20:57,720 --> 00:21:01,119
Speaker 1: That was great, all right, thank you. We will be

431
00:21:01,240 --> 00:21:05,399
Speaker 1: right back with you. Hannahbama, good job, Hannah, right, she

432
00:21:05,560 --> 00:21:07,600
Speaker 1: was great. I'm so in my head, guys.

433
00:21:07,720 --> 00:21:10,080
Speaker 2: Sorry, I'm like trying to divorce myself. I'm like, oh

434
00:21:10,119 --> 00:21:16,199
Speaker 2: my god, my performance, her performance. Okay, I wonder you.

435
00:21:16,280 --> 00:21:19,720
Speaker 6: Know, normally in a session, we do these runs with

436
00:21:20,080 --> 00:21:22,200
Speaker 6: you know, the group, and then we break out and

437
00:21:22,359 --> 00:21:24,840
Speaker 6: do like various pickup lines. I don't know if you

438
00:21:25,560 --> 00:21:28,639
Speaker 6: for something like that, so that you can hear the

439
00:21:28,760 --> 00:21:30,440
Speaker 6: little corrections as they go.

440
00:21:32,359 --> 00:21:32,960
Speaker 1: I think we should.

441
00:21:33,359 --> 00:21:34,840
Speaker 3: Why don't we do the runs with each of them,

442
00:21:34,840 --> 00:21:36,320
Speaker 3: and then we'll come back and we'll do some pickups

443
00:21:36,359 --> 00:21:37,760
Speaker 3: for each of them, and then we'll make our decisions.

444
00:21:37,880 --> 00:21:41,119
Speaker 5: You'll get a better idea because you'll be less in

445
00:21:41,240 --> 00:21:43,399
Speaker 5: the in the scene, because you had much more to.

446
00:21:43,480 --> 00:21:44,679
Speaker 2: Do than I think.

447
00:21:45,200 --> 00:21:45,480
Speaker 6: You know what.

448
00:21:45,760 --> 00:21:47,520
Speaker 4: Bill did a great job though, because that is a

449
00:21:47,600 --> 00:21:50,920
Speaker 4: great script for for us to test the animation and also.

450
00:21:52,600 --> 00:21:53,840
Speaker 2: Saying those impacts yes.

451
00:21:53,840 --> 00:21:56,800
Speaker 5: Yes, so back and forth. You didn't get to be

452
00:21:56,880 --> 00:21:57,399
Speaker 5: away from it.

453
00:21:57,920 --> 00:21:59,879
Speaker 1: And by the way, for everybody out there who's list,

454
00:22:00,240 --> 00:22:02,560
Speaker 1: you're probably wondering, well, what's going on. You're not explaining

455
00:22:02,560 --> 00:22:03,359
Speaker 1: everything that's happening.

456
00:22:03,400 --> 00:22:06,000
Speaker 3: What are they dodging? And that's exactly what a recording

457
00:22:06,080 --> 00:22:09,720
Speaker 3: session is like. You don't have somebody there reading what's

458
00:22:09,800 --> 00:22:11,440
Speaker 3: going on. So what we may do is we'll put

459
00:22:11,480 --> 00:22:14,720
Speaker 3: the script up on our Instagram page so you can

460
00:22:14,800 --> 00:22:16,120
Speaker 3: kind of read the script and you can.

461
00:22:16,040 --> 00:22:19,320
Speaker 1: See what the actual action is. But as you're recording,

462
00:22:19,520 --> 00:22:21,879
Speaker 1: there's nobody in there reading the direction, reading what's going on.

463
00:22:21,960 --> 00:22:23,520
Speaker 1: You've got to read it straight through like a like

464
00:22:23,600 --> 00:22:26,000
Speaker 1: a radio play, which is why we're doing it that way.

465
00:22:26,080 --> 00:22:28,200
Speaker 1: So we're recording it the way we would be recording it.

466
00:22:28,320 --> 00:22:30,920
Speaker 1: So we apologize for everybody out there wondering what they're.

467
00:22:30,760 --> 00:22:32,680
Speaker 3: Dodging, But you'll be able to read that on the

468
00:22:32,800 --> 00:22:35,080
Speaker 3: Instagram when you get there, because we just want.

469
00:22:34,960 --> 00:22:37,040
Speaker 1: To record it the way we record it. And so

470
00:22:37,520 --> 00:22:42,680
Speaker 1: that being said, we now have Danielle from Tennessee coming

471
00:22:42,760 --> 00:22:46,320
Speaker 1: to take her shot as Red Rocket. Let's see what

472
00:22:46,480 --> 00:22:49,919
Speaker 1: we can do. Hi, Danielle, do you have your script?

473
00:22:50,480 --> 00:22:52,680
Speaker 1: I do, all right, and are you ready to go?

474
00:22:53,480 --> 00:22:54,000
Speaker 2: I think so?

475
00:22:54,560 --> 00:22:56,800
Speaker 3: All right, So this is Lisa Shaeffer, who is the

476
00:22:57,560 --> 00:23:01,439
Speaker 3: director of Everything you heard growing Up and has been

477
00:23:01,520 --> 00:23:03,480
Speaker 3: for a very long time. And so we're gonna read

478
00:23:03,520 --> 00:23:06,720
Speaker 3: it just straight through. I'm gonna play the teller and

479
00:23:06,800 --> 00:23:09,040
Speaker 3: the old man. Christy is going to be slam girl.

480
00:23:09,760 --> 00:23:11,760
Speaker 3: You are Red Rocket, and we are going to read

481
00:23:11,800 --> 00:23:12,560
Speaker 3: it just like we.

482
00:23:12,600 --> 00:23:16,320
Speaker 1: Would in a booth. All right, all right, So here

483
00:23:16,440 --> 00:23:17,200
Speaker 1: we go again.

484
00:23:17,240 --> 00:23:20,600
Speaker 3: For everybody out there setting the stage, we are at

485
00:23:20,640 --> 00:23:23,280
Speaker 3: North South Bank with a teller and an elderly man

486
00:23:23,480 --> 00:23:28,359
Speaker 3: looking bored. Here we go. Oh, mister Johnson, I would

487
00:23:28,400 --> 00:23:30,439
Speaker 3: be happy to count it again, but it was eight

488
00:23:30,520 --> 00:23:32,400
Speaker 3: dollars and thirty seven cents the first three times.

489
00:23:32,240 --> 00:23:34,560
Speaker 1: I counted it. Then I'm guessing it will be eight

490
00:23:34,600 --> 00:23:36,679
Speaker 1: dollars and thirty seven cents if I counted it again.

491
00:23:38,160 --> 00:23:39,280
Speaker 3: Give me your attitude.

492
00:23:39,440 --> 00:23:42,480
Speaker 1: Well, thank you for your business, mister Johnson, and I

493
00:23:42,560 --> 00:23:43,800
Speaker 1: look forward to seeing you tomorrow.

494
00:23:44,520 --> 00:23:44,720
Speaker 4: Oh.

495
00:23:45,040 --> 00:23:46,720
Speaker 1: I am not sure how much longer I can do this.

496
00:23:46,840 --> 00:23:49,600
Speaker 1: Nothing ever happens here and on cue. The doors of

497
00:23:49,640 --> 00:23:52,760
Speaker 1: the bank are blasted off their hinges, and incomes a

498
00:23:53,520 --> 00:24:00,440
Speaker 1: streaking jet in a red outfit. Ah Lands, Actually it's scary.

499
00:24:00,560 --> 00:24:01,640
Speaker 1: I just lost my name tag.

500
00:24:02,160 --> 00:24:05,600
Speaker 12: Okay, Lance, here it is. You have thirty seconds to

501
00:24:05,680 --> 00:24:06,600
Speaker 12: show me to the safe.

502
00:24:07,240 --> 00:24:09,320
Speaker 1: It's right over there. But I don't have the key.

503
00:24:09,880 --> 00:24:11,960
Speaker 1: Oh that's okay, Lance, scary.

504
00:24:12,720 --> 00:24:13,760
Speaker 5: I brought my own.

505
00:24:17,600 --> 00:24:18,720
Speaker 7: Now that's a key.

506
00:24:19,520 --> 00:24:19,680
Speaker 6: Oh.

507
00:24:19,880 --> 00:24:21,399
Speaker 2: I hope you don't mind, sweetheart, but.

508
00:24:21,440 --> 00:24:23,879
Speaker 12: I'm going to have to take all of the bank's money.

509
00:24:24,640 --> 00:24:27,040
Speaker 12: You don't have a problem with that, now, do you?

510
00:24:27,800 --> 00:24:30,719
Speaker 9: No, ma'am put the tailor down.

511
00:24:32,080 --> 00:24:36,840
Speaker 12: Well well, well, if it isn't slam girl, I figured

512
00:24:36,880 --> 00:24:37,760
Speaker 12: you might show up me.

513
00:24:38,080 --> 00:24:44,520
Speaker 10: Goodie too, shoes, I said, put the tailor down, Red Rocket,

514
00:24:45,280 --> 00:24:46,959
Speaker 10: What Lance is my buddy?

515
00:24:47,560 --> 00:24:48,560
Speaker 12: Aren't you Lance?

516
00:24:48,840 --> 00:24:49,359
Speaker 2: It's scary?

517
00:24:52,920 --> 00:24:55,040
Speaker 12: Ooh nice catch?

518
00:24:55,840 --> 00:24:57,040
Speaker 7: Can you grab these two?

519
00:24:58,560 --> 00:24:58,600
Speaker 5: No?

520
00:25:00,680 --> 00:25:02,760
Speaker 2: Ha the salama bamma.

521
00:25:04,800 --> 00:25:04,840
Speaker 6: No.

522
00:25:06,880 --> 00:25:11,280
Speaker 7: You pretty fast, but not fast enough.

523
00:25:12,760 --> 00:25:21,879
Speaker 10: Hey, yeah, well it looks like you're heading back to jail,

524
00:25:22,160 --> 00:25:26,080
Speaker 10: Red Rocket. And a good thing too, because this bank

525
00:25:26,359 --> 00:25:27,280
Speaker 10: is closed.

526
00:25:28,880 --> 00:25:30,600
Speaker 7: Curiously is that it?

527
00:25:31,640 --> 00:25:32,879
Speaker 12: It's not even a good line?

528
00:25:33,840 --> 00:25:34,800
Speaker 2: Will What should I say?

529
00:25:35,600 --> 00:25:35,760
Speaker 6: Oh?

530
00:25:35,920 --> 00:25:36,359
Speaker 10: I don't know.

531
00:25:36,560 --> 00:25:37,600
Speaker 2: Maybe looks like.

532
00:25:37,680 --> 00:25:39,879
Speaker 12: You're going to have to do your own banking online

533
00:25:39,920 --> 00:25:40,399
Speaker 12: from now on.

534
00:25:41,320 --> 00:25:42,720
Speaker 2: Well, now, how does that make sense?

535
00:25:43,800 --> 00:25:44,840
Speaker 12: Just take me to jail.

536
00:25:47,200 --> 00:25:51,800
Speaker 1: Very nice, Lisa, it was excellent.

537
00:25:51,920 --> 00:25:55,760
Speaker 5: I really like your choice for the voice coming in.

538
00:25:56,359 --> 00:25:58,720
Speaker 6: I would have her even as she kicks in the

539
00:25:58,920 --> 00:26:01,760
Speaker 6: door and for word through that bottom of that first

540
00:26:01,880 --> 00:26:05,879
Speaker 6: page or the top of the second page, give her

541
00:26:06,000 --> 00:26:09,960
Speaker 6: a little bit more confidence and more energy, and take control.

542
00:26:09,760 --> 00:26:12,080
Speaker 5: Of the situation. You know, she's coming in to rob

543
00:26:12,200 --> 00:26:15,639
Speaker 5: this thing. She should be bigger and more badass.

544
00:26:15,200 --> 00:26:18,840
Speaker 6: As she you know, takes Gary and you know, flings

545
00:26:18,920 --> 00:26:23,240
Speaker 6: him around pretty easily. I love der that's a key.

546
00:26:24,280 --> 00:26:27,600
Speaker 6: I would paste that up a lot. I think, you know,

547
00:26:27,840 --> 00:26:32,280
Speaker 6: being in that situation, it's it's a lot.

548
00:26:32,640 --> 00:26:32,760
Speaker 4: Uh.

549
00:26:33,640 --> 00:26:35,159
Speaker 5: The states are pretty high. You have to get in

550
00:26:35,280 --> 00:26:37,440
Speaker 5: and get out right as a bank robber. I think

551
00:26:37,480 --> 00:26:37,920
Speaker 5: we all have that.

552
00:26:38,040 --> 00:26:42,280
Speaker 6: It's day to day, so it's not that you sit

553
00:26:42,359 --> 00:26:45,800
Speaker 6: and linger over. I thought your fight and your wallet

554
00:26:45,920 --> 00:26:49,040
Speaker 6: was all perfect, great energy. I wouldn't change any of that.

555
00:26:50,080 --> 00:26:52,359
Speaker 6: And you've got you hit every note in the in

556
00:26:52,480 --> 00:26:56,520
Speaker 6: the stage direction. I think coming out of it, you're pretty.

557
00:26:56,320 --> 00:26:57,600
Speaker 5: Fast, not fast enough.

558
00:26:57,600 --> 00:27:00,960
Speaker 6: I would pick up the energy more impressed that slam

559
00:27:01,080 --> 00:27:03,920
Speaker 6: Girl kicked your assi the first time, you know, and

560
00:27:04,080 --> 00:27:07,040
Speaker 6: then take control, but not fast enough. You have something

561
00:27:07,080 --> 00:27:09,760
Speaker 6: more hidden up your sleeve. But I'm not sure I

562
00:27:09,880 --> 00:27:12,639
Speaker 6: would change your voice all that much for that very

563
00:27:12,720 --> 00:27:15,000
Speaker 6: last line when you went up into that high voice. Okay,

564
00:27:15,480 --> 00:27:17,439
Speaker 6: I think it kind of took away from the character.

565
00:27:17,760 --> 00:27:19,760
Speaker 6: I think you can make more fun of slam Girl

566
00:27:19,960 --> 00:27:25,040
Speaker 6: versus making it a whole third character. That was just

567
00:27:25,080 --> 00:27:29,280
Speaker 6: a specific note, but I love the whole character. You

568
00:27:29,400 --> 00:27:30,119
Speaker 6: got her pretty.

569
00:27:30,880 --> 00:27:32,680
Speaker 5: I loved all your sass in it. It was great.

570
00:27:33,560 --> 00:27:36,560
Speaker 3: All right, Okay, do you want to take a second

571
00:27:36,640 --> 00:27:37,800
Speaker 3: or do you want to just jump right into to

572
00:27:37,880 --> 00:27:38,360
Speaker 3: another read?

573
00:27:41,320 --> 00:27:42,760
Speaker 12: Sure, let's just jump right into it.

574
00:27:42,800 --> 00:27:44,520
Speaker 1: Well, all right, you got it.

575
00:27:44,600 --> 00:27:45,000
Speaker 4: Here we go.

576
00:27:45,320 --> 00:27:50,160
Speaker 3: Love that starting again, North South Bank, mister Johnson. I'd

577
00:27:50,240 --> 00:27:52,040
Speaker 3: be happy to count it again, But it was eight

578
00:27:52,119 --> 00:27:54,359
Speaker 3: dollars and thirty seven cents the first three times I

579
00:27:54,440 --> 00:27:56,560
Speaker 3: counted it, and I'm guessing it'll be eight dollars and

580
00:27:56,600 --> 00:28:00,840
Speaker 3: thirty seven cents if I counted it again. Well, thank

581
00:28:00,880 --> 00:28:04,080
Speaker 3: you for your business, mister Johnson, and I look forward.

582
00:28:03,800 --> 00:28:06,679
Speaker 1: To seeing you again tomorrow. Ugh, I'm not sure how

583
00:28:06,720 --> 00:28:09,919
Speaker 1: much longer I can do this nothing ever happens here boom,

584
00:28:10,040 --> 00:28:15,359
Speaker 1: blast it off the hinges, in comes the flight. Oh, Lance,

585
00:28:16,119 --> 00:28:17,920
Speaker 1: actually it's Gary. I just lost my name.

586
00:28:18,000 --> 00:28:18,200
Speaker 3: Deag.

587
00:28:18,440 --> 00:28:21,080
Speaker 12: Okay, Lance, here it is. You have thirty seconds to

588
00:28:21,200 --> 00:28:22,040
Speaker 12: show me to the safe.

589
00:28:22,480 --> 00:28:24,760
Speaker 1: Okay, it's right over there. But I don't have the key.

590
00:28:25,320 --> 00:28:28,720
Speaker 12: Oh that's okay, Lance, Gary, I brought my own.

591
00:28:32,600 --> 00:28:33,440
Speaker 7: Now that's a key.

592
00:28:33,840 --> 00:28:35,600
Speaker 12: I hope you don't mind, sweetheart, but I'm going to

593
00:28:35,680 --> 00:28:37,920
Speaker 12: have to take all the banks money. You don't have

594
00:28:38,000 --> 00:28:39,440
Speaker 12: a problem with that, now, do you?

595
00:28:40,080 --> 00:28:40,480
Speaker 1: No, ma'am?

596
00:28:42,080 --> 00:28:44,040
Speaker 9: Put the tailor down?

597
00:28:45,600 --> 00:28:48,960
Speaker 12: Well well, well if it doesn't slam, girl, I figured

598
00:28:49,000 --> 00:28:51,440
Speaker 12: you might show up me goodyat two shoes.

599
00:28:51,720 --> 00:28:55,560
Speaker 9: Oh said put the tailor down.

600
00:28:56,120 --> 00:29:00,520
Speaker 12: Red Rocket, Lance is my buddy, aren't you? Lance?

601
00:29:01,000 --> 00:29:01,400
Speaker 9: Scary?

602
00:29:04,160 --> 00:29:04,400
Speaker 10: Ooh?

603
00:29:04,960 --> 00:29:05,720
Speaker 2: Nice catch?

604
00:29:06,440 --> 00:29:07,520
Speaker 7: Can you grab these two?

605
00:29:09,720 --> 00:29:09,880
Speaker 6: Hey?

606
00:29:12,560 --> 00:29:18,240
Speaker 7: Solamb You're pretty fast, but.

607
00:29:28,800 --> 00:29:31,920
Speaker 9: Looks like you're heading back to jail, Red Rocket.

608
00:29:32,480 --> 00:29:37,560
Speaker 10: And a good thing too, because this bank is closed.

609
00:29:39,000 --> 00:29:42,720
Speaker 7: Seriously is that it? That's not even a good line?

610
00:29:43,640 --> 00:29:44,960
Speaker 9: Will What should I say?

611
00:29:46,040 --> 00:29:48,120
Speaker 12: I don't know. Maybe looks like you're going to have

612
00:29:48,200 --> 00:29:50,240
Speaker 12: to do your own banking online from now on.

613
00:29:50,960 --> 00:29:54,160
Speaker 2: Well, now how does that make sense? Just take me

614
00:29:54,240 --> 00:29:54,680
Speaker 2: to jail.

615
00:29:56,760 --> 00:29:59,480
Speaker 1: Thank you so much. We will be right back with you. Danielle,

616
00:30:00,080 --> 00:30:00,400
Speaker 1: thank you.

617
00:30:00,400 --> 00:30:04,840
Speaker 4: You're right, You're right, Lisa, because honestly, it was very

618
00:30:04,880 --> 00:30:07,200
Speaker 4: difficult for me to try to not be in the

619
00:30:07,280 --> 00:30:09,280
Speaker 4: scene with her as well as trying.

620
00:30:09,360 --> 00:30:10,800
Speaker 7: So yes, okay, what are we going to do.

621
00:30:12,640 --> 00:30:16,480
Speaker 5: Well, let's go through, Let's bring Hannah back, and let's

622
00:30:16,520 --> 00:30:20,120
Speaker 5: do a couple of I have some like three lines

623
00:30:20,120 --> 00:30:23,520
Speaker 5: I'd like her to redo. Great, and let's the same

624
00:30:23,600 --> 00:30:24,800
Speaker 5: thing with Danielle.

625
00:30:25,240 --> 00:30:28,280
Speaker 1: Perfect and then and then we'll make our decision. Yeah,

626
00:30:28,560 --> 00:30:31,040
Speaker 1: I love it. That works for you, guys, That works

627
00:30:31,080 --> 00:30:43,880
Speaker 1: great for me. It's again just like being in a booth. Hey, Hannah, Bama,

628
00:30:43,880 --> 00:30:47,360
Speaker 1: how are you? I'm well okay. So what we're going

629
00:30:47,440 --> 00:30:49,200
Speaker 1: to do is we're going to do exactly what we

630
00:30:49,280 --> 00:30:50,440
Speaker 1: do when we're recording something.

631
00:30:50,520 --> 00:30:54,360
Speaker 3: So we recorded, we did two takes, and now Lisa

632
00:30:54,520 --> 00:30:56,880
Speaker 3: is going to kind of walk you through some very

633
00:30:56,920 --> 00:30:59,400
Speaker 3: specific lines that she would like you to redo, and

634
00:30:59,440 --> 00:31:01,240
Speaker 3: we may do them two or three times, and we're

635
00:31:01,320 --> 00:31:02,920
Speaker 3: just gonna do it as we would a session.

636
00:31:03,360 --> 00:31:08,360
Speaker 1: Sure thing, all right? Uh, director extraordinaire, take it away please.

637
00:31:08,760 --> 00:31:11,720
Speaker 5: Yeah. So what I normally do in a session is

638
00:31:11,800 --> 00:31:13,960
Speaker 5: just what we did. Let you guys go through it once,

639
00:31:14,080 --> 00:31:15,280
Speaker 5: let me give you some notes.

640
00:31:15,360 --> 00:31:17,160
Speaker 6: Let's go through it again, and then we just go

641
00:31:17,400 --> 00:31:21,600
Speaker 6: and pick up specific lines and I'll give you the notes.

642
00:31:21,640 --> 00:31:22,960
Speaker 6: So maybe you do an A, B and a C

643
00:31:23,160 --> 00:31:26,480
Speaker 6: take on each and then we'll move on from there.

644
00:31:26,680 --> 00:31:30,840
Speaker 6: And that way, you know, it's it's we're not consistently

645
00:31:30,920 --> 00:31:33,520
Speaker 6: redoing things that were perfect the first time.

646
00:31:33,600 --> 00:31:36,480
Speaker 5: So the thing I want to pick up for you.

647
00:31:38,280 --> 00:31:38,960
Speaker 1: Is the.

648
00:31:43,960 --> 00:31:48,640
Speaker 6: Now that's a key line sort of midway through page two, Yes,

649
00:31:52,360 --> 00:31:54,720
Speaker 6: and I want to hear just a little bit more

650
00:31:54,840 --> 00:31:57,400
Speaker 6: of a turn. So I think coming in super confident

651
00:31:57,600 --> 00:32:00,680
Speaker 6: and proud of yourself on that's a key fall through

652
00:32:00,720 --> 00:32:05,240
Speaker 6: the second part, and then that last part is a veil,

653
00:32:05,480 --> 00:32:07,080
Speaker 6: is a very thinly veiled threat.

654
00:32:07,240 --> 00:32:10,400
Speaker 5: And so it's kind of a three part turn. So

655
00:32:11,280 --> 00:32:13,960
Speaker 5: I'll just do it like two or three times, whatever

656
00:32:14,040 --> 00:32:18,840
Speaker 5: you feel comfortable with, and we'll move on from there.

657
00:32:19,240 --> 00:32:24,960
Speaker 8: Okay, oh baby, Now that's the key. I hope you

658
00:32:25,040 --> 00:32:28,000
Speaker 8: don't mind, sweetheart, but I'm going to have to take

659
00:32:28,080 --> 00:32:29,080
Speaker 8: all of the bank's money.

660
00:32:29,720 --> 00:32:31,280
Speaker 7: You don't have a problem with that, now.

661
00:32:31,200 --> 00:32:31,440
Speaker 5: Do you.

662
00:32:33,240 --> 00:32:37,360
Speaker 8: Oh, Now that's the key. I hope you don't mind, sweetheart,

663
00:32:37,440 --> 00:32:39,080
Speaker 8: but I'm going to have to take all of the

664
00:32:39,160 --> 00:32:39,920
Speaker 8: bank's money.

665
00:32:40,560 --> 00:32:42,320
Speaker 7: You don't have a problem with that, now, do you.

666
00:32:45,360 --> 00:32:45,560
Speaker 6: Oh?

667
00:32:46,280 --> 00:32:49,680
Speaker 7: Now that's the key. I hope you don't mind, sweetheart,

668
00:32:49,800 --> 00:32:52,560
Speaker 7: but I'm going to have to take all of the

669
00:32:52,600 --> 00:32:55,360
Speaker 7: bank's money. You don't have a problem with that, now,

670
00:32:55,440 --> 00:32:55,640
Speaker 7: do you?

671
00:32:57,880 --> 00:32:58,360
Speaker 5: Excellent?

672
00:32:58,600 --> 00:33:01,520
Speaker 6: That was great, And so then the other one I

673
00:33:01,600 --> 00:33:06,840
Speaker 6: wanted to pick up was the the Lance is my buddy,

674
00:33:06,920 --> 00:33:10,600
Speaker 6: aren't you Lance? And again it's sort of that sharp

675
00:33:10,720 --> 00:33:14,479
Speaker 6: to slam girl confident and she my butty and then

676
00:33:14,600 --> 00:33:16,920
Speaker 6: that veiled like Lance, you better go along with this

677
00:33:17,080 --> 00:33:17,640
Speaker 6: or I'll kill you.

678
00:33:17,800 --> 00:33:18,160
Speaker 7: You know that?

679
00:33:18,480 --> 00:33:21,560
Speaker 5: So that there can be variations within a line.

680
00:33:21,960 --> 00:33:28,640
Speaker 7: Okay, what, oh, Lance is my body? Aren't you Lance?

681
00:33:30,040 --> 00:33:30,400
Speaker 4: Lance?

682
00:33:30,840 --> 00:33:32,000
Speaker 1: Lance? Is my body?

683
00:33:32,440 --> 00:33:33,240
Speaker 7: Are you Lance?

684
00:33:35,280 --> 00:33:35,480
Speaker 6: Ah?

685
00:33:35,680 --> 00:33:37,400
Speaker 1: What Lance? Is my body?

686
00:33:37,960 --> 00:33:38,840
Speaker 2: Aren't you Lance?

687
00:33:40,440 --> 00:33:42,920
Speaker 5: Awesome? Those are exactly what I was thinking. Thank you

688
00:33:43,040 --> 00:33:43,440
Speaker 5: so much?

689
00:33:44,440 --> 00:33:44,880
Speaker 1: And was it?

690
00:33:44,960 --> 00:33:48,160
Speaker 6: And the other thing I always am interested in and

691
00:33:48,920 --> 00:33:50,200
Speaker 6: I think we have a little bit of time.

692
00:33:50,360 --> 00:33:52,840
Speaker 5: Was there anything you felt you wanted to redo if

693
00:33:52,920 --> 00:33:54,800
Speaker 5: you had the chance, Because.

694
00:33:54,560 --> 00:33:56,920
Speaker 6: I always get actors like I want to do line

695
00:33:56,960 --> 00:33:58,840
Speaker 6: one O four and can I do twenty six? And

696
00:33:58,920 --> 00:34:02,160
Speaker 6: I'm like, yeah, if into like, you know, thirty lines,

697
00:34:02,200 --> 00:34:03,400
Speaker 6: we're not gonna visit that.

698
00:34:03,520 --> 00:34:06,000
Speaker 1: But I always that's me. Every time. I'd be like,

699
00:34:06,080 --> 00:34:08,160
Speaker 1: can I redo the first three scenes we did? Would

700
00:34:08,160 --> 00:34:08,760
Speaker 1: that be a problem?

701
00:34:09,760 --> 00:34:13,680
Speaker 6: But there's always that, you know, I'm always if time permits,

702
00:34:14,080 --> 00:34:16,960
Speaker 6: you know, it's always I'm always willing if somebody wants

703
00:34:17,000 --> 00:34:17,359
Speaker 6: to go back.

704
00:34:17,400 --> 00:34:20,640
Speaker 5: So I would open it. If you wanted to redo anything.

705
00:34:20,880 --> 00:34:24,040
Speaker 13: I would say. The one line that I immediately like

706
00:34:24,480 --> 00:34:26,319
Speaker 13: closed my camera. I got put to the waiting room.

707
00:34:26,320 --> 00:34:27,600
Speaker 7: I was like, why didn't I do that?

708
00:34:28,080 --> 00:34:30,360
Speaker 13: Would be the second to last line that I don't know.

709
00:34:30,480 --> 00:34:31,960
Speaker 13: Maybe it looks like you're gonna have to do all

710
00:34:31,960 --> 00:34:35,520
Speaker 13: your online banking. Let's do it, Christy, don't hate me.

711
00:34:36,360 --> 00:34:37,400
Speaker 2: Oh, I know what you're gonna do.

712
00:34:37,560 --> 00:34:37,719
Speaker 5: Do it.

713
00:34:37,840 --> 00:34:39,239
Speaker 2: You're from Bama, you better do it.

714
00:34:42,920 --> 00:34:43,440
Speaker 7: I don't know.

715
00:34:43,680 --> 00:34:46,120
Speaker 8: Maybe looks like you're gonna have to do all your

716
00:34:46,160 --> 00:34:51,239
Speaker 8: banking online from now honors something, Yes, very good.

717
00:34:53,840 --> 00:34:56,799
Speaker 5: I wouldn't even do add or something like don't throw

718
00:34:56,840 --> 00:34:59,680
Speaker 5: it away after you did it, you know, like ownly

719
00:35:00,239 --> 00:35:05,200
Speaker 5: own the machi. I would say, you know what I mean?

720
00:35:06,719 --> 00:35:07,200
Speaker 1: I don't know.

721
00:35:07,520 --> 00:35:09,799
Speaker 7: Maybe looks like you're gonna have to do all your

722
00:35:09,840 --> 00:35:11,200
Speaker 7: banking online from now on.

723
00:35:12,320 --> 00:35:15,000
Speaker 5: Yeah, I mean I think that character would. If she's

724
00:35:15,080 --> 00:35:17,239
Speaker 5: gonna mock, she's gonna own it, right. You don't have

725
00:35:17,320 --> 00:35:18,880
Speaker 5: to come back down for the or something.

726
00:35:19,840 --> 00:35:22,359
Speaker 7: Okay, let me do one one and then I will

727
00:35:22,360 --> 00:35:23,200
Speaker 7: stop being will.

728
00:35:26,280 --> 00:35:26,440
Speaker 1: Oh.

729
00:35:26,600 --> 00:35:27,120
Speaker 7: I don't know.

730
00:35:27,320 --> 00:35:29,319
Speaker 8: Maybe it looks like you're gonna have to do all

731
00:35:29,360 --> 00:35:31,000
Speaker 8: your banking online from now on.

732
00:35:32,960 --> 00:35:33,320
Speaker 5: Awesome?

733
00:35:33,440 --> 00:35:37,480
Speaker 6: Irolling, yeah, exactly, more ironing, which is my favorite direction.

734
00:35:39,760 --> 00:35:42,120
Speaker 2: It is it is that was like we said that

735
00:35:42,200 --> 00:35:42,560
Speaker 2: a lot.

736
00:35:44,840 --> 00:35:47,280
Speaker 6: Well because Christy, you were always so sincere and sweet,

737
00:35:47,320 --> 00:35:49,719
Speaker 6: and I was always like, okay, you're gonna have to

738
00:35:49,760 --> 00:35:50,960
Speaker 6: be less sweet because.

739
00:35:52,480 --> 00:35:53,800
Speaker 5: Was just such a sweetheart.

740
00:35:53,880 --> 00:35:55,440
Speaker 9: I was just happy to be there.

741
00:35:57,080 --> 00:35:58,880
Speaker 5: I had to turn her into the ironing mania.

742
00:36:00,840 --> 00:36:03,040
Speaker 3: She has not gotten the you have to be less

743
00:36:03,080 --> 00:36:04,919
Speaker 3: sweet note since two thousand and three.

744
00:36:05,520 --> 00:36:10,040
Speaker 1: Oh, I'm just happy to be here. Thanks guys, I

745
00:36:10,120 --> 00:36:12,640
Speaker 1: love you all all right, thank you, and Obama appreciate it.

746
00:36:12,840 --> 00:36:13,600
Speaker 7: Thank you so much.

747
00:36:14,840 --> 00:36:16,000
Speaker 1: I have I have a I do.

748
00:36:16,200 --> 00:36:17,719
Speaker 4: I love that you just did that because I was

749
00:36:17,719 --> 00:36:19,880
Speaker 4: allowed to actually chat to even like we have a

750
00:36:20,000 --> 00:36:20,440
Speaker 4: chat on.

751
00:36:20,520 --> 00:36:23,200
Speaker 2: Our on our on our recording booth here and I

752
00:36:23,360 --> 00:36:23,840
Speaker 2: was thinking.

753
00:36:23,920 --> 00:36:26,759
Speaker 4: I was very tempted to say, hey, guys, what if

754
00:36:26,760 --> 00:36:30,160
Speaker 4: he gave them the opportunity to approach this differently in

755
00:36:30,239 --> 00:36:32,680
Speaker 4: one pass, like like to throw them at it and

756
00:36:32,719 --> 00:36:34,000
Speaker 4: be like, what if you did it with a British

757
00:36:34,040 --> 00:36:35,920
Speaker 4: accent or what if you just did it? Totally a

758
00:36:36,040 --> 00:36:40,440
Speaker 4: bold choice pass because I know with the way that

759
00:36:40,520 --> 00:36:43,320
Speaker 4: Lisa encouraged me to do different things at times that like,

760
00:36:43,480 --> 00:36:46,800
Speaker 4: you know, you feel constrained and locked into something, and

761
00:36:46,920 --> 00:36:48,600
Speaker 4: like this is kind of us looking at their talent

762
00:36:48,680 --> 00:36:50,719
Speaker 4: from a macro lens. So I don't know how you

763
00:36:50,760 --> 00:36:52,880
Speaker 4: guys feel about it, but I'm glad at least that

764
00:36:53,160 --> 00:36:57,080
Speaker 4: Bama did a little take where we could see her playfulness.

765
00:36:57,280 --> 00:36:57,600
Speaker 1: Yeah.

766
00:36:58,000 --> 00:37:00,400
Speaker 3: Well, like what I mean, I'm I away came from

767
00:37:00,600 --> 00:37:03,040
Speaker 3: to a point where it's like you've now gotten the role,

768
00:37:03,400 --> 00:37:05,000
Speaker 3: so this is the voice you picked to get the

769
00:37:05,120 --> 00:37:07,080
Speaker 3: role and now you're in the booth all right.

770
00:37:07,320 --> 00:37:09,640
Speaker 1: Yeah so it was, And but I love that the

771
00:37:10,440 --> 00:37:11,000
Speaker 1: going back and.

772
00:37:11,080 --> 00:37:13,560
Speaker 3: Doing it just like a session and Lisa you saying

773
00:37:13,560 --> 00:37:15,920
Speaker 3: we've got to pick up different.

774
00:37:15,120 --> 00:37:16,920
Speaker 1: Pickups and what do you want to do?

775
00:37:17,040 --> 00:37:19,040
Speaker 3: That's I love this so much because it's exactly what

776
00:37:19,080 --> 00:37:21,200
Speaker 3: we do I mean, this is exactly what we do.

777
00:37:21,480 --> 00:37:24,720
Speaker 3: So I'm so happy with that, and let's bring Danielle

778
00:37:24,719 --> 00:37:26,759
Speaker 3: from Tennessee and do the same with her.

779
00:37:28,040 --> 00:37:29,640
Speaker 1: Hey, Danielle, how are you?

780
00:37:30,440 --> 00:37:30,959
Speaker 2: I'm good?

781
00:37:31,440 --> 00:37:33,360
Speaker 1: Okay. So what we're going to do now is.

782
00:37:34,200 --> 00:37:36,880
Speaker 3: What we always do when we are recording anything like

783
00:37:36,920 --> 00:37:38,520
Speaker 3: this is we'll go through it once or twice like

784
00:37:38,600 --> 00:37:40,680
Speaker 3: we did, and then we turn it over to our

785
00:37:40,760 --> 00:37:43,120
Speaker 3: director who is going to give you some specific notes

786
00:37:43,280 --> 00:37:46,240
Speaker 3: and then going to have you do some specific lines

787
00:37:46,239 --> 00:37:48,320
Speaker 3: a couple times to make sure that you know, sometimes

788
00:37:48,360 --> 00:37:49,799
Speaker 3: we didn't get it the way we wanted, we didn't

789
00:37:49,800 --> 00:37:51,000
Speaker 3: get it clean whatever.

790
00:37:50,760 --> 00:37:52,399
Speaker 1: It is, so we kind of go through and it's

791
00:37:52,400 --> 00:37:54,839
Speaker 1: a bit more of a cleanup process. So we turn

792
00:37:54,920 --> 00:37:56,480
Speaker 1: it over to Lisa from there.

793
00:37:57,120 --> 00:38:00,080
Speaker 6: All right, all right, yeah, so it's totally natural we

794
00:38:00,520 --> 00:38:02,520
Speaker 6: do these big scenes and then we go back with

795
00:38:02,640 --> 00:38:06,360
Speaker 6: everybody and sort of pick up these individual lines. But

796
00:38:06,480 --> 00:38:10,000
Speaker 6: I would say, as an overall note for for you, Danielle,

797
00:38:10,080 --> 00:38:13,840
Speaker 6: for that physical stuff, the walla in the in the

798
00:38:13,880 --> 00:38:17,440
Speaker 6: fight scenes, be very mindful of not moving your body.

799
00:38:17,560 --> 00:38:20,640
Speaker 6: It's supernatural to want to punch and fight and punch

800
00:38:20,680 --> 00:38:22,239
Speaker 6: and fight, but you're going to get it on.

801
00:38:22,320 --> 00:38:24,839
Speaker 5: The mic, and you're gonna hit the sin and you're

802
00:38:24,880 --> 00:38:25,680
Speaker 5: gonna knock things.

803
00:38:25,719 --> 00:38:27,719
Speaker 6: We're not going to redo all that because your your

804
00:38:27,880 --> 00:38:29,799
Speaker 6: efforts were great and they sounded great.

805
00:38:30,120 --> 00:38:33,000
Speaker 5: I would just just as just a note would just

806
00:38:33,160 --> 00:38:36,440
Speaker 5: be be mindful of being very still with your body.

807
00:38:37,200 --> 00:38:39,600
Speaker 6: Sure, and that's a that's just something you have to

808
00:38:39,719 --> 00:38:42,279
Speaker 6: learn because everybody, you know I talk with my hands,

809
00:38:42,320 --> 00:38:44,680
Speaker 6: everybody does it. And then you ask for fight walla

810
00:38:44,840 --> 00:38:49,359
Speaker 6: and and everything moves physically through your body, so it's

811
00:38:49,360 --> 00:38:55,480
Speaker 6: super supernatural, all right. So what I want to come

812
00:38:55,560 --> 00:38:58,520
Speaker 6: in on is the top of page two that Okay, Lands,

813
00:38:58,520 --> 00:39:01,399
Speaker 6: here it is, you have thirty seven and I really

814
00:39:01,480 --> 00:39:03,600
Speaker 6: want to see how badass she could be.

815
00:39:04,239 --> 00:39:06,440
Speaker 5: Just take control of that room. And so let's do

816
00:39:06,600 --> 00:39:08,480
Speaker 5: like an A, B and a C take just do

817
00:39:08,640 --> 00:39:13,120
Speaker 5: three in a row and just really feel it, all right.

818
00:39:16,280 --> 00:39:19,560
Speaker 12: Okay, Lance, here it is, you have thirty seconds to

819
00:39:19,640 --> 00:39:22,320
Speaker 12: show me to the safe. Okay, Lance, Here it is,

820
00:39:22,760 --> 00:39:26,800
Speaker 12: you have thirty seconds to show me to the safe. Okay, Lance,

821
00:39:27,120 --> 00:39:30,160
Speaker 12: here it is, you have thirty seconds to show me

822
00:39:30,440 --> 00:39:31,120
Speaker 12: to the safe.

823
00:39:32,440 --> 00:39:35,640
Speaker 6: Excellent, And now what if Lance, was it like you're

824
00:39:35,920 --> 00:39:38,600
Speaker 6: not holding him yet? Like he's still like he just

825
00:39:38,719 --> 00:39:41,360
Speaker 6: blew the door off, and it's like, hey dude, you know,

826
00:39:41,520 --> 00:39:42,720
Speaker 6: so get his attention from.

827
00:39:42,600 --> 00:39:43,359
Speaker 5: Across the room.

828
00:39:43,800 --> 00:39:45,480
Speaker 12: Okay, same thing three takes.

829
00:39:45,719 --> 00:39:47,600
Speaker 5: Yeah, Okay, just be a couple of times.

830
00:39:48,080 --> 00:39:52,840
Speaker 12: Okay, Okay, Lance, here it is, you have thirty seconds

831
00:39:52,920 --> 00:39:56,120
Speaker 12: to show me to the safe. Okay, Lance, here it is,

832
00:39:56,320 --> 00:39:58,880
Speaker 12: you have thirty seconds to show me to the safe.

833
00:39:59,600 --> 00:40:03,160
Speaker 5: That was an excellent adjustment, Thank you so much. The

834
00:40:05,160 --> 00:40:06,640
Speaker 5: other one I want to pick up is actually at

835
00:40:06,640 --> 00:40:09,080
Speaker 5: the bottom of that PAGs the well, well, well m

836
00:40:10,239 --> 00:40:12,360
Speaker 5: and I would just paste it up and again just.

837
00:40:12,840 --> 00:40:18,600
Speaker 12: Push her sass alrighty, same thing three takes yep, all right,

838
00:40:20,320 --> 00:40:24,800
Speaker 12: Well well well, if it isn't slam girl, I figured

839
00:40:24,840 --> 00:40:28,799
Speaker 12: you might show up meets Goody two Shoes. Well well, well,

840
00:40:29,200 --> 00:40:32,520
Speaker 12: if it doesn't slam girl, I figured you might show

841
00:40:32,600 --> 00:40:34,320
Speaker 12: up miss Goody two Shoes.

842
00:40:35,640 --> 00:40:39,400
Speaker 2: Well, well, wow, if it isn't slam girl, oh, I.

843
00:40:39,560 --> 00:40:42,160
Speaker 12: Figured you might show up meets Goody two shoes.

844
00:40:44,120 --> 00:40:44,640
Speaker 5: Excellent.

845
00:40:45,280 --> 00:40:48,160
Speaker 6: And then was there anything you would like to redo

846
00:40:48,200 --> 00:40:51,040
Speaker 6: if you had your choice to do any line over again?

847
00:40:51,160 --> 00:40:54,040
Speaker 5: Was there anything that you felt you wanted to do? Hm,

848
00:40:54,800 --> 00:40:57,640
Speaker 5: let me see and the answer can easily. You don't

849
00:40:57,719 --> 00:40:59,680
Speaker 5: have to. I always ask somebody.

850
00:41:00,040 --> 00:41:02,080
Speaker 6: I always ask the room if there's anything you know,

851
00:41:02,800 --> 00:41:04,080
Speaker 6: anybody wants to pick up.

852
00:41:04,640 --> 00:41:08,399
Speaker 12: Actually, that final line that I don't know maybe looks

853
00:41:08,440 --> 00:41:10,360
Speaker 12: like you're going to have to do your banking online

854
00:41:10,400 --> 00:41:10,840
Speaker 12: from now on.

855
00:41:11,440 --> 00:41:14,360
Speaker 2: I know that you had mentioned the not changing.

856
00:41:14,040 --> 00:41:16,160
Speaker 12: The voice would probably add a little more to it.

857
00:41:17,800 --> 00:41:22,040
Speaker 12: What what would you think, because I I if you're

858
00:41:22,080 --> 00:41:24,160
Speaker 12: wanting me to like maybe tame it down somewhere, it's

859
00:41:24,200 --> 00:41:27,759
Speaker 12: not so crazy of a vocal change in terms of

860
00:41:27,840 --> 00:41:29,759
Speaker 12: making fun of her, because my thought is I want

861
00:41:29,760 --> 00:41:32,400
Speaker 12: to make fun of the bubblegum heroin, so I'm.

862
00:41:32,320 --> 00:41:34,680
Speaker 2: Kind of like and well, it would be a good adjustment.

863
00:41:35,080 --> 00:41:37,320
Speaker 5: So what an idea would be?

864
00:41:37,680 --> 00:41:40,200
Speaker 6: First, you could just straight up lock her in any

865
00:41:40,239 --> 00:41:43,680
Speaker 6: way you mock her without changing your voice, and just

866
00:41:43,760 --> 00:41:45,560
Speaker 6: be like, oh, you're just such a you know that

867
00:41:45,800 --> 00:41:48,279
Speaker 6: type of feel. The other thing is Christy made a

868
00:41:48,360 --> 00:41:52,319
Speaker 6: very specific choice to make her southern, so all over

869
00:41:52,400 --> 00:41:58,279
Speaker 6: that versus you know, that was a specific choice to

870
00:41:58,760 --> 00:42:01,560
Speaker 6: go off of. But I would whatever it is, do

871
00:42:01,719 --> 00:42:06,879
Speaker 6: it with with intent in that the Red Rocket, It's

872
00:42:06,920 --> 00:42:08,080
Speaker 6: gonna mock this girl.

873
00:42:07,920 --> 00:42:09,040
Speaker 5: And not be apologetic.

874
00:42:09,120 --> 00:42:09,360
Speaker 8: For it.

875
00:42:09,800 --> 00:42:13,600
Speaker 5: Oh yeah, so that's where I would land with that.

876
00:42:14,160 --> 00:42:15,600
Speaker 2: Yeah, sure, do you mind if I do an A

877
00:42:15,719 --> 00:42:17,200
Speaker 2: and B take on that? Do we have times?

878
00:42:17,760 --> 00:42:18,160
Speaker 1: Go for it?

879
00:42:18,680 --> 00:42:19,000
Speaker 12: All right?

880
00:42:19,320 --> 00:42:19,719
Speaker 2: Let's see.

881
00:42:21,080 --> 00:42:23,840
Speaker 12: Oh I don't know, maybe looks like you're going to

882
00:42:23,920 --> 00:42:25,600
Speaker 12: have to do your banking online from now on.

883
00:42:26,120 --> 00:42:26,520
Speaker 5: I don't know.

884
00:42:26,719 --> 00:42:29,000
Speaker 12: Maybe looks like you're going to have to do your

885
00:42:29,000 --> 00:42:30,440
Speaker 12: banking online from now on.

886
00:42:31,600 --> 00:42:31,960
Speaker 5: Awesome?

887
00:42:32,800 --> 00:42:33,279
Speaker 9: That was great.

888
00:42:33,719 --> 00:42:35,960
Speaker 1: Yeah, all right, thank you very much. We'll be right

889
00:42:36,000 --> 00:42:39,200
Speaker 1: back with you. All righty, So, I mean, what do

890
00:42:39,239 --> 00:42:41,839
Speaker 1: you think is there anything else to throw at them?

891
00:42:43,360 --> 00:42:47,680
Speaker 5: I think the only other thing you could do, I

892
00:42:47,800 --> 00:42:50,880
Speaker 5: mean it happens very rarely. I mean you could have.

893
00:42:51,000 --> 00:42:53,920
Speaker 1: Them do slam girl, I was thinking the same thing

894
00:42:54,080 --> 00:42:59,520
Speaker 1: is switching it up every would you love to do

895
00:42:59,600 --> 00:43:03,440
Speaker 1: the villain? Because what we're going to do now, I

896
00:43:03,520 --> 00:43:04,719
Speaker 1: love Christie's like, it's about me.

897
00:43:04,880 --> 00:43:05,439
Speaker 7: I get to play.

898
00:43:05,920 --> 00:43:08,160
Speaker 9: Sorry, Sorry, I just don't work enough.

899
00:43:08,280 --> 00:43:09,080
Speaker 1: I'm just so excited.

900
00:43:09,560 --> 00:43:12,000
Speaker 3: I think it's a great idea because what we always

901
00:43:12,040 --> 00:43:13,160
Speaker 3: did is we threw something at them.

902
00:43:13,200 --> 00:43:15,040
Speaker 1: In the other we always gave them cold reads. So

903
00:43:15,160 --> 00:43:17,040
Speaker 1: this is a perfect way to do it. Let's read

904
00:43:17,080 --> 00:43:19,120
Speaker 1: it through once. The way we just did. We'll just

905
00:43:19,200 --> 00:43:20,399
Speaker 1: do one time with each of them.

906
00:43:20,440 --> 00:43:23,080
Speaker 3: That's it, no notes, just one through each of them

907
00:43:23,520 --> 00:43:26,320
Speaker 3: as Slam Girl as a final just throwing.

908
00:43:26,160 --> 00:43:26,560
Speaker 1: It at them.

909
00:43:27,000 --> 00:43:29,160
Speaker 4: Hey, you know what, this is actually the way that

910
00:43:29,280 --> 00:43:31,560
Speaker 4: it goes. If you go in for an audition at

911
00:43:31,600 --> 00:43:33,759
Speaker 4: a at a you know, like a callback level, you

912
00:43:33,800 --> 00:43:36,319
Speaker 4: guys could like the voice right and you're like, hey,

913
00:43:36,400 --> 00:43:37,840
Speaker 4: you know what we actually want to hear you do

914
00:43:37,960 --> 00:43:40,120
Speaker 4: this character now, So right, we'll explain it to me.

915
00:43:40,840 --> 00:43:42,239
Speaker 5: I've done that a lot of times.

916
00:43:42,480 --> 00:43:49,040
Speaker 3: All right, Lisa, one more time? Heads or tails chaos? Nope,

917
00:43:49,080 --> 00:43:51,960
Speaker 3: it's heads again, so we we is it now?

918
00:43:52,000 --> 00:43:52,800
Speaker 1: I forget who it was?

919
00:43:52,920 --> 00:43:53,399
Speaker 7: Who was here?

920
00:43:54,560 --> 00:43:58,600
Speaker 1: All right, let's bring in Danielle. Hey, Danielle, how are you? Yeah?

921
00:43:58,800 --> 00:44:00,279
Speaker 5: Sorry, I keep stepping away from that day.

922
00:44:00,640 --> 00:44:01,800
Speaker 1: No, no worries. Okay.

923
00:44:02,000 --> 00:44:06,000
Speaker 3: So every you know, every week we throw in a twist,

924
00:44:06,080 --> 00:44:07,840
Speaker 3: and this week is no different. Even though we just

925
00:44:07,880 --> 00:44:09,319
Speaker 3: came up with the twists list, it really just came

926
00:44:09,360 --> 00:44:10,600
Speaker 3: up with a twist. But it's what we're going to do.

927
00:44:11,239 --> 00:44:13,919
Speaker 3: So we are going to read it once more, one

928
00:44:14,040 --> 00:44:17,200
Speaker 3: time through no notes, know anything else, just the way

929
00:44:17,239 --> 00:44:21,120
Speaker 3: we did, except now you are slam girl. All right,

930
00:44:21,280 --> 00:44:26,480
Speaker 3: let's do it all right, so cold read again, here

931
00:44:26,640 --> 00:44:26,880
Speaker 3: we go.

932
00:44:28,560 --> 00:44:29,480
Speaker 1: We're going to pick it up.

933
00:44:29,520 --> 00:44:35,640
Speaker 2: Wait, they don't have to do the accent right, make.

934
00:44:36,840 --> 00:44:37,399
Speaker 1: How you want.

935
00:44:37,480 --> 00:44:39,239
Speaker 3: But what we are going to do, since the whole

936
00:44:39,320 --> 00:44:41,880
Speaker 3: first part of the scene is really just Christy and I,

937
00:44:42,000 --> 00:44:44,160
Speaker 3: which is very, very strange, we are going to.

938
00:44:44,239 --> 00:44:51,520
Speaker 1: Start from your line. Put the teller down already, let

939
00:44:51,560 --> 00:44:57,960
Speaker 1: me pull that on here this slam girls entrance.

940
00:44:58,719 --> 00:45:01,320
Speaker 3: This is called a here yeah, and we're gonna be

941
00:45:01,320 --> 00:45:03,720
Speaker 3: picking it up from the middle at slam Girl's entrance,

942
00:45:04,840 --> 00:45:06,439
Speaker 3: at your pleasure, all.

943
00:45:06,400 --> 00:45:10,320
Speaker 2: Right, put the tailor down.

944
00:45:11,600 --> 00:45:16,840
Speaker 10: Well, well, well, if it is in slam Girl, I

945
00:45:17,000 --> 00:45:20,520
Speaker 10: figured you might show up, miss Goody two shoes, I said,

946
00:45:21,040 --> 00:45:23,719
Speaker 10: put the tailor down, Red Rocket.

947
00:45:24,360 --> 00:45:25,920
Speaker 2: What Lance was my Boddy?

948
00:45:26,239 --> 00:45:27,040
Speaker 9: Aren't you Lance?

949
00:45:27,400 --> 00:45:27,880
Speaker 1: It's scary?

950
00:45:29,560 --> 00:45:30,280
Speaker 2: Nice catch?

951
00:45:30,560 --> 00:45:39,719
Speaker 9: Hey, can you grab these two? Oh?

952
00:45:39,880 --> 00:45:44,919
Speaker 2: You're pretty fast? Not fast enough.

953
00:45:55,000 --> 00:45:57,920
Speaker 12: Looks like you're heading back to jail, Red Rocket, and

954
00:45:58,040 --> 00:46:00,880
Speaker 12: a good thing too, because this bank is closed.

955
00:46:01,680 --> 00:46:04,200
Speaker 2: Well, seriously, is that that's not even a good line?

956
00:46:06,000 --> 00:46:06,799
Speaker 2: What should I say?

957
00:46:07,600 --> 00:46:07,960
Speaker 10: I don't know.

958
00:46:08,160 --> 00:46:10,160
Speaker 2: Maybe it looks like you're gonna have to do your

959
00:46:10,440 --> 00:46:12,080
Speaker 2: banking online from my one or something.

960
00:46:13,280 --> 00:46:14,319
Speaker 12: How does that make sense?

961
00:46:15,280 --> 00:46:16,280
Speaker 9: Should take me to jail?

962
00:46:18,280 --> 00:46:19,240
Speaker 1: Thank you, Danielle.

963
00:46:20,200 --> 00:46:21,319
Speaker 5: All right, thank you guys.

964
00:46:23,920 --> 00:46:26,080
Speaker 1: Okay, well, there a huge smile on my face.

965
00:46:26,120 --> 00:46:26,480
Speaker 6: Guys, it.

966
00:46:29,840 --> 00:46:31,799
Speaker 1: Was great. It's great to see another side of her.

967
00:46:31,920 --> 00:46:34,880
Speaker 3: Let's then let's bring in Let's bring in Hannah and

968
00:46:35,040 --> 00:46:36,920
Speaker 3: we'll see, uh, we'll see what Hannah does with it,

969
00:46:37,000 --> 00:46:37,440
Speaker 3: and then we.

970
00:46:37,520 --> 00:46:39,520
Speaker 1: Will talk it out.

971
00:46:39,800 --> 00:46:42,120
Speaker 2: Yikes, I know, really hard.

972
00:46:42,920 --> 00:46:46,319
Speaker 1: Hey Hannah. Hello, Okay, So, like every week, we are

973
00:46:46,360 --> 00:46:48,480
Speaker 1: throwing a twist at you. It is a twist that way.

974
00:46:48,520 --> 00:46:53,000
Speaker 3: It is the twist that we just invented. Yes, uh,

975
00:46:53,200 --> 00:46:55,440
Speaker 3: you're gonna do exactly the same thing, but your.

976
00:46:55,360 --> 00:46:58,920
Speaker 1: Booth is going to be on fire. No, So what

977
00:46:59,040 --> 00:46:59,480
Speaker 1: we're doing.

978
00:47:00,360 --> 00:47:02,080
Speaker 7: What we're gonna do is I had to turn off

979
00:47:02,120 --> 00:47:03,720
Speaker 7: the air conditioner. It's like ninety degrees.

980
00:47:03,840 --> 00:47:05,960
Speaker 1: I know. It's the worst, isn't it. I've got the

981
00:47:06,000 --> 00:47:06,879
Speaker 1: same thing in my booth.

982
00:47:08,320 --> 00:47:10,600
Speaker 3: So what we're gonna do is we're gonna do what's

983
00:47:10,640 --> 00:47:13,480
Speaker 3: called the pickup and we are gonna start mid page two,

984
00:47:14,560 --> 00:47:17,360
Speaker 3: mid page two with the line put the tailor down.

985
00:47:18,120 --> 00:47:19,440
Speaker 7: Put the tailor down.

986
00:47:19,960 --> 00:47:25,480
Speaker 1: But you are now slam girl. Okay, so we're switching

987
00:47:25,480 --> 00:47:28,160
Speaker 1: it up your slam girl, Christia's red rocket. We are

988
00:47:28,200 --> 00:47:31,320
Speaker 1: doing a cold read. Sure anytime?

989
00:47:31,840 --> 00:47:35,440
Speaker 7: All right, put the tailor down.

990
00:47:38,760 --> 00:47:40,720
Speaker 2: Oh my god, I'm so sorry.

991
00:47:40,880 --> 00:47:43,399
Speaker 9: Guys, I didn't stole back off.

992
00:47:43,520 --> 00:47:44,320
Speaker 1: I am sorry.

993
00:47:44,760 --> 00:47:45,480
Speaker 9: I'm sorry.

994
00:47:45,640 --> 00:47:48,759
Speaker 2: There's this pivoting is a lot. I'm sorry. Lisa knows.

995
00:47:49,080 --> 00:47:49,640
Speaker 9: Lisa knows.

996
00:47:49,680 --> 00:47:51,480
Speaker 2: By the way, Oh my god, I'm so exposed. Okay,

997
00:47:51,520 --> 00:47:54,239
Speaker 2: go go go. You're home presional than me starting in.

998
00:47:54,800 --> 00:47:56,320
Speaker 2: I want you to start right now.

999
00:47:57,280 --> 00:47:58,759
Speaker 3: And maybe for that, maybe for that, this is a

1000
00:47:58,800 --> 00:48:00,560
Speaker 3: good good place, maybe for that first line. Just back

1001
00:48:00,560 --> 00:48:02,720
Speaker 3: off your mic the littlest bit because you you spiked

1002
00:48:02,719 --> 00:48:08,279
Speaker 3: a little bit. So anytime, sure, hut the tailor down?

1003
00:48:09,280 --> 00:48:13,440
Speaker 10: Well, well, well if it isn't slam girl, I figured

1004
00:48:13,480 --> 00:48:17,160
Speaker 10: you might show up ms goody two shoes, I.

1005
00:48:17,480 --> 00:48:20,560
Speaker 7: Said, put the tailor down, red rockets.

1006
00:48:21,239 --> 00:48:23,840
Speaker 2: What Lance is my buddy? Aren't you Lance?

1007
00:48:24,640 --> 00:48:28,360
Speaker 1: It's Gary? Nice catch?

1008
00:48:28,960 --> 00:48:42,960
Speaker 9: Can you grab these two? You are pretty fast but

1009
00:48:43,160 --> 00:48:44,160
Speaker 9: not fast enough?

1010
00:48:52,360 --> 00:49:02,399
Speaker 1: Who No, you don't that's you, slam girl.

1011
00:49:02,880 --> 00:49:04,160
Speaker 9: No, yeah, you're slamer.

1012
00:49:04,239 --> 00:49:04,479
Speaker 2: Sorry.

1013
00:49:06,960 --> 00:49:10,319
Speaker 7: Oh okay, I didn't hear the.

1014
00:49:10,800 --> 00:49:12,840
Speaker 9: Huge You didn't hear a huge impact from me, So

1015
00:49:12,920 --> 00:49:15,160
Speaker 9: I got that might do it?

1016
00:49:15,320 --> 00:49:16,799
Speaker 2: I will do it right now, guys.

1017
00:49:16,840 --> 00:49:19,440
Speaker 9: It says huge impacts on the script, and she is

1018
00:49:19,600 --> 00:49:19,839
Speaker 9: a pro.

1019
00:49:20,040 --> 00:49:28,200
Speaker 8: Okay, looks like you're heading back to jail, Red Rocket,

1020
00:49:28,600 --> 00:49:31,240
Speaker 8: and good thing too, because this bank is closed.

1021
00:49:32,400 --> 00:49:35,439
Speaker 2: Seriously, is that it? That's not even a good line?

1022
00:49:36,280 --> 00:49:38,799
Speaker 7: Well what should I say?

1023
00:49:39,320 --> 00:49:39,560
Speaker 2: Hmm?

1024
00:49:39,719 --> 00:49:40,080
Speaker 4: I don't know.

1025
00:49:40,360 --> 00:49:42,360
Speaker 10: Maybe it looks like you're gonna have to do your

1026
00:49:42,440 --> 00:49:44,920
Speaker 10: banking online from now on or something.

1027
00:49:46,360 --> 00:49:47,600
Speaker 7: How does that make any sense?

1028
00:49:48,000 --> 00:49:49,719
Speaker 10: I don't just take me to jail.

1029
00:49:50,920 --> 00:49:52,400
Speaker 7: You mean to the slammer.

1030
00:49:54,360 --> 00:50:00,279
Speaker 1: Ah, thank you, Hannah, we write that, my god. Guys. Yeah,

1031
00:50:03,200 --> 00:50:05,320
Speaker 1: I mean, I know what I think, but I'm not.

1032
00:50:05,440 --> 00:50:07,080
Speaker 1: I mean, again, they're both very good.

1033
00:50:09,200 --> 00:50:11,759
Speaker 2: I personally do this now.

1034
00:50:12,280 --> 00:50:14,200
Speaker 3: Now you just talk it out. Now, you just talk

1035
00:50:14,280 --> 00:50:17,719
Speaker 3: it out and here and I usually start. I think

1036
00:50:18,120 --> 00:50:21,840
Speaker 3: Hannah came in a little I think she ad lipped.

1037
00:50:22,000 --> 00:50:24,880
Speaker 3: I think she came in a little more natural. I

1038
00:50:25,000 --> 00:50:28,719
Speaker 3: think she switched over to slam girl in a very

1039
00:50:28,800 --> 00:50:31,600
Speaker 3: interesting way. And frankly, I just thought, at least today,

1040
00:50:31,640 --> 00:50:34,880
Speaker 3: because again Danielle is phenomenal, I thought her acting was

1041
00:50:34,920 --> 00:50:36,280
Speaker 3: a little more on point today.

1042
00:50:37,239 --> 00:50:39,600
Speaker 1: Oh boy, Danielle's that's just really.

1043
00:50:39,560 --> 00:50:40,520
Speaker 2: I feel the opposite.

1044
00:50:40,560 --> 00:50:45,120
Speaker 4: I feel daniel Yeah, I think Danielle's acting is more nuanced.

1045
00:50:45,280 --> 00:50:48,680
Speaker 4: I think that she's definitely it almost felt like when

1046
00:50:48,760 --> 00:50:54,399
Speaker 4: Danielle was playing the villain, I think she showed more range.

1047
00:50:54,480 --> 00:50:56,319
Speaker 4: And I also think that her villain felt a little

1048
00:50:56,360 --> 00:50:58,239
Speaker 4: bit more like there was a backstory.

1049
00:50:58,480 --> 00:51:01,080
Speaker 2: So I think Lisa's got a at least it's got

1050
00:51:01,200 --> 00:51:02,440
Speaker 2: to throw the tie here.

1051
00:51:04,880 --> 00:51:10,400
Speaker 5: I the worst and I and I don't want to

1052
00:51:10,440 --> 00:51:14,399
Speaker 5: break anybody's spirit. They were both really good, like they said,

1053
00:51:14,440 --> 00:51:16,920
Speaker 5: and clearly you could see how they got to be

1054
00:51:17,200 --> 00:51:19,319
Speaker 5: in the final four. But I agree with you will.

1055
00:51:19,680 --> 00:51:23,359
Speaker 6: Hannah's acting was so strong and her ability to take

1056
00:51:23,440 --> 00:51:27,600
Speaker 6: direction on and turn on in a minute, and.

1057
00:51:27,840 --> 00:51:30,080
Speaker 5: And Danielle's acting was was really good too.

1058
00:51:30,239 --> 00:51:32,520
Speaker 6: I felt like she got stuck in a place and

1059
00:51:32,640 --> 00:51:35,840
Speaker 6: it wasn't moving around very much.

1060
00:51:36,160 --> 00:51:41,239
Speaker 5: Okay, okay, and her approach to like being physically in

1061
00:51:41,320 --> 00:51:41,800
Speaker 5: a scene.

1062
00:51:43,120 --> 00:51:45,320
Speaker 6: Everything felt very intimate, and even when I tried to

1063
00:51:45,400 --> 00:51:49,320
Speaker 6: get a force perspective on it, it didn't go.

1064
00:51:50,239 --> 00:51:52,640
Speaker 5: It didn't feel like it moved the room that much.

1065
00:51:54,840 --> 00:51:57,040
Speaker 5: But her choices were great. I think when she did

1066
00:51:57,160 --> 00:52:00,160
Speaker 5: slam Girl was actually a more natural fit for her.

1067
00:52:00,440 --> 00:52:02,879
Speaker 4: That's what that's what made me was that's what made

1068
00:52:02,920 --> 00:52:04,800
Speaker 4: me be like, oh my gosh, she has all this range,

1069
00:52:05,000 --> 00:52:05,680
Speaker 4: and I think.

1070
00:52:05,680 --> 00:52:09,680
Speaker 6: That's that is, you know, maybe her sweet spot, whereas

1071
00:52:09,840 --> 00:52:11,480
Speaker 6: I think Hannah did.

1072
00:52:11,640 --> 00:52:14,560
Speaker 5: Both equally well, a great and good.

1073
00:52:15,200 --> 00:52:19,680
Speaker 6: You could sort of put her anywhere and change her

1074
00:52:19,840 --> 00:52:21,360
Speaker 6: up and she'll move with it.

1075
00:52:21,880 --> 00:52:22,200
Speaker 5: I agree.

1076
00:52:22,920 --> 00:52:25,319
Speaker 1: I agree with everything you said. And again we've said

1077
00:52:25,320 --> 00:52:28,839
Speaker 1: this from the beginning. Now it's all nitpicking, now sure

1078
00:52:28,960 --> 00:52:29,200
Speaker 1: it is.

1079
00:52:29,400 --> 00:52:31,560
Speaker 3: It's it's top chef where you both you give two

1080
00:52:31,600 --> 00:52:33,040
Speaker 3: great meals in front of you, and this.

1081
00:52:33,120 --> 00:52:35,239
Speaker 1: One did the tiniest little bit of salt and this

1082
00:52:35,360 --> 00:52:37,319
Speaker 1: one did that. I mean, it's they're both good.

1083
00:52:37,480 --> 00:52:39,800
Speaker 3: And we've said from the beginning, really from the top sixteen,

1084
00:52:40,040 --> 00:52:41,080
Speaker 3: all of them could be signed.

1085
00:52:41,239 --> 00:52:42,040
Speaker 1: I mean really all.

1086
00:52:42,360 --> 00:52:46,000
Speaker 6: Absolutely, And it's not to say one won't get signed.

1087
00:52:46,120 --> 00:52:50,680
Speaker 6: It's if this is moving somebody forward. I think Hannah

1088
00:52:50,719 --> 00:52:53,160
Speaker 6: did the work today that moved her forward.

1089
00:52:53,360 --> 00:52:55,680
Speaker 1: I agree one hundred percent. Are you with that? Christy?

1090
00:52:55,760 --> 00:52:56,520
Speaker 1: Do you want we can fight?

1091
00:52:56,719 --> 00:52:58,279
Speaker 6: No fight? I know.

1092
00:52:58,640 --> 00:53:01,840
Speaker 4: I think I think that you guys are right, and

1093
00:53:02,000 --> 00:53:05,040
Speaker 4: I think you guys are much more frequently working in

1094
00:53:05,080 --> 00:53:07,040
Speaker 4: the booth and know what we need to get these

1095
00:53:07,280 --> 00:53:09,920
Speaker 4: whoever wins this contest in the booth with one of

1096
00:53:10,000 --> 00:53:12,640
Speaker 4: y'all working and enjoying that.

1097
00:53:12,840 --> 00:53:15,719
Speaker 2: And I also think that Danielle is.

1098
00:53:15,760 --> 00:53:19,200
Speaker 4: Also very talented, and we'll probably work And we've always

1099
00:53:19,239 --> 00:53:21,960
Speaker 4: said that. You know, if Danielle uses that hashtag, she

1100
00:53:22,040 --> 00:53:24,000
Speaker 4: listens back to this episode and doesn't hate us.

1101
00:53:24,640 --> 00:53:27,080
Speaker 2: She listens to that and she puts the hashtag. You know,

1102
00:53:27,200 --> 00:53:27,960
Speaker 2: I hear voices.

1103
00:53:28,280 --> 00:53:30,719
Speaker 4: Hopefully someone will find her and they'll either wrapper or

1104
00:53:30,800 --> 00:53:32,880
Speaker 4: they'll or they'll hire her, and we hope for the

1105
00:53:32,920 --> 00:53:33,399
Speaker 4: best for her.

1106
00:53:33,680 --> 00:53:35,359
Speaker 1: No, I think they will. She's definitely, I mean, she's

1107
00:53:35,360 --> 00:53:36,040
Speaker 1: definitely talented.

1108
00:53:36,080 --> 00:53:38,960
Speaker 3: She is again we're talking about taking weird and we're

1109
00:53:39,000 --> 00:53:40,520
Speaker 3: now all very talented people.

1110
00:53:40,560 --> 00:53:43,480
Speaker 1: We are down to just people that are good. So

1111
00:53:43,640 --> 00:53:47,040
Speaker 1: it's just and again sometimes it's just the day. So

1112
00:53:47,200 --> 00:53:49,840
Speaker 1: I mean, there's there's times where I'm terrible in the

1113
00:53:49,840 --> 00:53:51,839
Speaker 1: booth and it's like I just had a bad day.

1114
00:53:51,960 --> 00:53:55,160
Speaker 2: It just happened, and she wasn't bad.

1115
00:53:55,200 --> 00:53:58,040
Speaker 5: I don't think it was. It was a bad day.

1116
00:53:58,239 --> 00:54:01,279
Speaker 1: It was somebody came in and had a great day.

1117
00:54:01,480 --> 00:54:03,200
Speaker 5: It had a great day and had a home run.

1118
00:54:03,360 --> 00:54:07,600
Speaker 5: And that's not that is just how the day goes right.

1119
00:54:07,760 --> 00:54:09,000
Speaker 1: That is also the business.

1120
00:54:09,440 --> 00:54:10,560
Speaker 5: That's the business.

1121
00:54:10,600 --> 00:54:13,560
Speaker 6: I mean, that's auditioning, and I think that's the grind,

1122
00:54:13,640 --> 00:54:16,560
Speaker 6: and that's the thing I don't have experience. I mean,

1123
00:54:16,680 --> 00:54:19,480
Speaker 6: I interview, you know, to get jobs. But you guys

1124
00:54:19,640 --> 00:54:25,319
Speaker 6: do that every day. You send out thirty auditions, twenty ten,

1125
00:54:25,560 --> 00:54:28,520
Speaker 6: you know, And it is a numbers game, and it's

1126
00:54:28,800 --> 00:54:30,359
Speaker 6: you know, that's what we're doing.

1127
00:54:30,400 --> 00:54:32,640
Speaker 5: This got a final callback. If you get in the

1128
00:54:32,760 --> 00:54:35,960
Speaker 5: room with these people, we'll remember Danielle and I'll go

1129
00:54:36,160 --> 00:54:38,360
Speaker 5: cast something tomorrow and bring her back in.

1130
00:54:38,520 --> 00:54:39,120
Speaker 10: You know what I mean.

1131
00:54:39,239 --> 00:54:43,120
Speaker 5: Like it, it's a numbers game. It's your bad flipping

1132
00:54:43,200 --> 00:54:44,280
Speaker 5: of fake coins.

1133
00:54:46,160 --> 00:54:46,680
Speaker 1: But it's true.

1134
00:54:46,760 --> 00:54:50,560
Speaker 3: I mean, you have done what one hundred cartoons, one

1135
00:54:50,600 --> 00:54:51,720
Speaker 3: hundred and fifty cartoons.

1136
00:54:51,960 --> 00:54:54,719
Speaker 1: I auditioned for every one of them, and you've put

1137
00:54:54,800 --> 00:54:57,040
Speaker 1: me in six or seven. And that's awesome.

1138
00:54:57,200 --> 00:55:02,040
Speaker 6: It doesn't mean I was almost every directed every series

1139
00:55:02,080 --> 00:55:03,120
Speaker 6: I've ever directed.

1140
00:55:03,920 --> 00:55:04,799
Speaker 2: But you know what I mean.

1141
00:55:05,480 --> 00:55:06,600
Speaker 1: Yeah, Yeah, but you don't.

1142
00:55:06,800 --> 00:55:07,040
Speaker 4: You're not.

1143
00:55:07,200 --> 00:55:09,400
Speaker 1: You're not going to cast me as the lead in everything.

1144
00:55:09,160 --> 00:55:11,480
Speaker 2: That you do, because I know Lisa's put me in

1145
00:55:11,640 --> 00:55:12,560
Speaker 2: two different things too.

1146
00:55:13,000 --> 00:55:18,960
Speaker 6: Yeah, it's what you're right for exactly, and you know,

1147
00:55:19,880 --> 00:55:22,359
Speaker 6: like you you know people, you get to know people, right,

1148
00:55:22,480 --> 00:55:24,480
Speaker 6: so I would remember Danielle and.

1149
00:55:24,560 --> 00:55:28,239
Speaker 5: Go, oh, yep, I have and that girl who I

1150
00:55:28,360 --> 00:55:30,520
Speaker 5: think you know. I keep notes I have.

1151
00:55:30,880 --> 00:55:33,520
Speaker 6: I have just tons of notes that I keep on

1152
00:55:33,640 --> 00:55:36,800
Speaker 6: people I meet because I can't remember everybody's name because

1153
00:55:36,840 --> 00:55:40,279
Speaker 6: I'm terrible, but I write everything down so that when

1154
00:55:40,400 --> 00:55:42,799
Speaker 6: I cast for something else, I have these little notes

1155
00:55:42,840 --> 00:55:43,480
Speaker 6: that jog.

1156
00:55:43,360 --> 00:55:45,320
Speaker 5: My memory of Oh my god, that guy from that

1157
00:55:45,440 --> 00:55:48,280
Speaker 5: thing that I did, that one off, he was fantastic.

1158
00:55:48,400 --> 00:55:49,680
Speaker 5: Let's bring him in an audition.

1159
00:55:50,000 --> 00:55:53,080
Speaker 1: Ye look at Trevor. Look at Trevor Deaval, who's a

1160
00:55:53,120 --> 00:55:55,239
Speaker 1: friend of the podcast, is a perfect example. I mean,

1161
00:55:55,719 --> 00:55:58,480
Speaker 1: he came in, you cast him his rocket in Guardians

1162
00:55:58,560 --> 00:56:00,880
Speaker 1: with with me, and everyone's like, oh, this guy might

1163
00:56:00,920 --> 00:56:05,440
Speaker 1: be good, and he's is a genius. So yeah, I mean,

1164
00:56:05,520 --> 00:56:08,759
Speaker 1: you never know. And it's again, it was wedding, but

1165
00:56:10,080 --> 00:56:14,560
Speaker 1: it was fun. I was in San Antone anyway, Okay,

1166
00:56:14,640 --> 00:56:19,400
Speaker 1: So that so we I got they had great appetizers

1167
00:56:19,440 --> 00:56:20,719
Speaker 1: and then I got the stomach flu, but it wasn't

1168
00:56:20,760 --> 00:56:25,400
Speaker 1: because of his wedding, So okay, so then we're we're agreed.

1169
00:56:25,400 --> 00:56:26,719
Speaker 1: It's gonna be Handabama moving on.

1170
00:56:27,320 --> 00:56:29,680
Speaker 2: Okay, Okay, all right, so here I'm not saying it.

1171
00:56:30,080 --> 00:56:33,320
Speaker 1: I will do it. I will do it again. Christy. Sorry,

1172
00:56:33,560 --> 00:56:35,200
Speaker 1: can I can we bring Danielle back?

1173
00:56:35,239 --> 00:56:35,520
Speaker 3: Please?

1174
00:56:36,120 --> 00:56:38,320
Speaker 2: Danielle is the person you saw it in Nashville.

1175
00:56:38,640 --> 00:56:44,000
Speaker 1: Yeah, that's the big reveal. Hey Danielle, how are you? Okay?

1176
00:56:44,120 --> 00:56:44,600
Speaker 1: We can't hear it?

1177
00:56:45,160 --> 00:56:48,080
Speaker 12: There we go, there we My mic has given me

1178
00:56:48,200 --> 00:56:49,120
Speaker 12: fits today, I know.

1179
00:56:49,320 --> 00:56:51,239
Speaker 3: Well, we just I wanted to thank you so much

1180
00:56:51,280 --> 00:56:54,279
Speaker 3: for coming. As we've said, it's the competition is getting

1181
00:56:54,440 --> 00:56:55,160
Speaker 3: very very stiff.

1182
00:56:55,480 --> 00:57:01,840
Speaker 1: Everybody is great. I mean really, everybody's really really good today. Unfortunately,

1183
00:57:01,880 --> 00:57:03,520
Speaker 1: your your fellow contestant.

1184
00:57:03,400 --> 00:57:05,279
Speaker 3: Just nailed it, just really hit one out of the park.

1185
00:57:05,400 --> 00:57:06,879
Speaker 3: So this is going to be as far as you're

1186
00:57:06,920 --> 00:57:10,040
Speaker 3: going in the contest. But you should be so proud

1187
00:57:10,120 --> 00:57:14,120
Speaker 3: of yourself. And we were literally just talking because we're

1188
00:57:14,680 --> 00:57:17,560
Speaker 3: it's all nitpicking now, It literally is all nitpicking.

1189
00:57:17,640 --> 00:57:17,920
Speaker 4: It is not.

1190
00:57:18,080 --> 00:57:20,600
Speaker 3: It is not Wow, somebody came and just was so

1191
00:57:20,920 --> 00:57:24,160
Speaker 3: much better than the other person. It's literally this little

1192
00:57:24,240 --> 00:57:27,200
Speaker 3: nuance and this little nuance and this little thing. But

1193
00:57:27,360 --> 00:57:29,800
Speaker 3: you are really good at what you do. You are

1194
00:57:29,920 --> 00:57:33,400
Speaker 3: going to work. We we were, you know, Lisa, we

1195
00:57:33,480 --> 00:57:35,680
Speaker 3: were just talking about this. How well can you tell her, Lisa,

1196
00:57:35,720 --> 00:57:37,400
Speaker 3: what you're saying as from a directing standpoint.

1197
00:57:38,000 --> 00:57:40,720
Speaker 5: Absolutely, First of all, it was such a pleasure to

1198
00:57:40,800 --> 00:57:42,040
Speaker 5: meet you, and you're true.

1199
00:57:41,880 --> 00:57:45,160
Speaker 6: Absolutely, But what I was saying is it becomes at

1200
00:57:45,200 --> 00:57:47,760
Speaker 6: your level, it's a numbers game, right, So you audition

1201
00:57:47,880 --> 00:57:49,680
Speaker 6: for a lot of things, you get called back to

1202
00:57:49,800 --> 00:57:52,560
Speaker 6: even you'll get called back to a lot of things,

1203
00:57:53,000 --> 00:57:56,840
Speaker 6: and then people like me will remember and and and

1204
00:57:57,280 --> 00:58:00,800
Speaker 6: so what you're not right for today? And I'm you

1205
00:58:00,920 --> 00:58:03,440
Speaker 6: know your slam girl was so good when we flipped

1206
00:58:03,440 --> 00:58:06,080
Speaker 6: that switch on you. I'll remember that for the next

1207
00:58:06,120 --> 00:58:08,720
Speaker 6: time we go, oh let's get that girl Danielle. Remember

1208
00:58:08,800 --> 00:58:12,800
Speaker 6: she auditioned for that one thing. There's always another day

1209
00:58:13,320 --> 00:58:16,320
Speaker 6: for it. And their role and and what you're not

1210
00:58:16,480 --> 00:58:17,160
Speaker 6: right for here?

1211
00:58:18,080 --> 00:58:21,800
Speaker 5: People remember they they I showed them.

1212
00:58:21,840 --> 00:58:26,840
Speaker 6: I keep long, horrible looking lists of people because because

1213
00:58:26,840 --> 00:58:29,680
Speaker 6: there's just the volume that I work with and I'm

1214
00:58:29,720 --> 00:58:31,680
Speaker 6: lucky enough to work But.

1215
00:58:33,240 --> 00:58:35,800
Speaker 5: You'll you'll definitely it.

1216
00:58:35,920 --> 00:58:37,640
Speaker 6: Was great and it was so great meaning you, but

1217
00:58:37,760 --> 00:58:41,680
Speaker 6: always know that we are always thinking of the people.

1218
00:58:41,440 --> 00:58:42,400
Speaker 5: We've met along the way.

1219
00:58:42,960 --> 00:58:47,240
Speaker 12: Oh yeah, and and I'm I'm honestly totally okay. Like

1220
00:58:47,360 --> 00:58:50,640
Speaker 12: I'm I got to do my first professional project with

1221
00:58:50,880 --> 00:58:53,280
Speaker 12: a certain company that Will and Christy are very familiar

1222
00:58:53,400 --> 00:58:56,439
Speaker 12: familiar with that shall not be named as of yet. Yeah,

1223
00:58:57,040 --> 00:59:00,600
Speaker 12: I got to do my first professional role and I.

1224
00:59:00,680 --> 00:59:01,280
Speaker 5: Still have that.

1225
00:59:01,560 --> 00:59:05,160
Speaker 12: Like the contest was just this is fun. That's awesome,

1226
00:59:05,280 --> 00:59:09,600
Speaker 12: so funking See, this is amazing.

1227
00:59:11,200 --> 00:59:14,360
Speaker 5: That's the best way to look at it. It just

1228
00:59:14,520 --> 00:59:17,560
Speaker 5: is another addition to what you're I mean.

1229
00:59:17,640 --> 00:59:19,240
Speaker 12: Yeah, if you told five year old me I would

1230
00:59:19,280 --> 00:59:20,960
Speaker 12: get to read a script with Kim and Ron, I

1231
00:59:21,000 --> 00:59:22,360
Speaker 12: would have been lying.

1232
00:59:24,240 --> 00:59:28,480
Speaker 1: That is well, Danielle, thank you for everything. Congratulations again

1233
00:59:28,480 --> 00:59:30,320
Speaker 1: on making it to the final four. Again, we had

1234
00:59:30,440 --> 00:59:36,480
Speaker 1: forty five hundred entries and you made it to number four. Sure, yeah,

1235
00:59:36,520 --> 00:59:39,080
Speaker 1: I mean, come on, that's amazing, very grateful.

1236
00:59:39,240 --> 00:59:41,560
Speaker 3: It's amazing, and we're sure you're going to be signed

1237
00:59:41,600 --> 00:59:43,120
Speaker 3: and all that good stuff and we will see you

1238
00:59:43,200 --> 00:59:44,040
Speaker 3: in the booth, I promise.

1239
00:59:44,600 --> 00:59:47,120
Speaker 12: Alrighty, Well, Will, it was very nice to meet you

1240
00:59:47,240 --> 00:59:47,760
Speaker 12: over the weekend.

1241
00:59:48,440 --> 00:59:51,720
Speaker 1: Well, thank you so much for coming out, and yes,

1242
00:59:51,840 --> 00:59:53,880
Speaker 1: we will see you again in the future. All right,

1243
00:59:54,040 --> 00:59:57,560
Speaker 1: thanks Danielle so much. All right, bye, bye bye, Danielle.

1244
00:59:57,920 --> 01:00:01,800
Speaker 4: I remember Danielle's. I remember Danielle his name from our

1245
01:00:02,280 --> 01:00:05,440
Speaker 4: pool because Daniel's. Yeah, I remember her phone, which I'm

1246
01:00:05,480 --> 01:00:06,240
Speaker 4: not allowed to say.

1247
01:00:06,800 --> 01:00:08,040
Speaker 2: So Danielle, you're listening.

1248
01:00:08,120 --> 01:00:10,240
Speaker 1: We love you and yeah that was great.

1249
01:00:10,280 --> 01:00:11,880
Speaker 3: Well, this this is now the fun part, but I

1250
01:00:12,040 --> 01:00:13,240
Speaker 3: like to do it a certain way. Can we bring

1251
01:00:13,280 --> 01:00:14,040
Speaker 3: Hannabhama back?

1252
01:00:14,480 --> 01:00:22,160
Speaker 2: He does the things he did? Oh Bama, Hey, Hello.

1253
01:00:22,680 --> 01:00:23,160
Speaker 1: How are you?

1254
01:00:23,680 --> 01:00:24,120
Speaker 7: I'm good?

1255
01:00:24,800 --> 01:00:27,160
Speaker 3: So you know, every week I do the fake kind

1256
01:00:27,200 --> 01:00:29,200
Speaker 3: of oh you're not. Yeah, I don't want to do

1257
01:00:29,280 --> 01:00:31,080
Speaker 3: that to you this week because it makes me feel bad.

1258
01:00:31,160 --> 01:00:32,720
Speaker 3: So I just want to thank you so much for

1259
01:00:32,800 --> 01:00:36,240
Speaker 3: coming on. You've been absolutely amazing and you made it.

1260
01:00:36,320 --> 01:00:41,200
Speaker 1: I mean, you made it to the finals. I did

1261
01:00:41,280 --> 01:00:48,960
Speaker 1: it again, Hannah. I didn't again to people.

1262
01:00:53,120 --> 01:00:56,160
Speaker 13: Because why I was like, I was like, okay, like

1263
01:00:56,320 --> 01:00:58,240
Speaker 13: I went out on a good note, Like it was

1264
01:00:58,400 --> 01:01:00,320
Speaker 13: so fun to do a table read with you guys.

1265
01:01:00,360 --> 01:01:02,480
Speaker 7: I was like, if this is the crowning part of

1266
01:01:02,560 --> 01:01:05,320
Speaker 7: the thing, I'm totally happy. Lisa, it was so nice

1267
01:01:05,360 --> 01:01:06,640
Speaker 7: to meet you too, and then you.

1268
01:01:06,760 --> 01:01:07,320
Speaker 6: Go and do that.

1269
01:01:08,720 --> 01:01:10,000
Speaker 1: It's fun. Okay, it's fun for me.

1270
01:01:10,120 --> 01:01:12,760
Speaker 7: Pay for the lib you know you gotta rid me.

1271
01:01:12,960 --> 01:01:17,480
Speaker 1: I know it was great. No, you did wonderful today. Congratulations,

1272
01:01:17,560 --> 01:01:22,439
Speaker 1: thank you. The next the next episode that your next round.

1273
01:01:22,560 --> 01:01:24,160
Speaker 1: You know, we still are, we still are going to

1274
01:01:24,200 --> 01:01:27,440
Speaker 1: be picking you know, your your fellow contestant. But your

1275
01:01:27,560 --> 01:01:29,920
Speaker 1: next round is going to be the by far, the

1276
01:01:30,000 --> 01:01:32,880
Speaker 1: most difficult of all the ones we've ever done. By

1277
01:01:33,360 --> 01:01:36,520
Speaker 1: prepare yourself. It's gonna be a ton of fun. But congratulations,

1278
01:01:36,560 --> 01:01:39,480
Speaker 1: you did great today. Ye, you really did.

1279
01:01:39,680 --> 01:01:42,680
Speaker 3: Your contestant that you were up against was also phenomenal.

1280
01:01:42,760 --> 01:01:45,400
Speaker 3: We are we are to the nit picking stage, Hannah,

1281
01:01:45,440 --> 01:01:46,120
Speaker 3: We really are.

1282
01:01:46,520 --> 01:01:49,400
Speaker 13: I saw the final four and I was like, bumb fourth,

1283
01:01:49,680 --> 01:01:53,480
Speaker 13: I'm okay, yeah, no, it's this is They're so incredible.

1284
01:01:53,720 --> 01:01:55,680
Speaker 1: Yeah, you're all great, amazing.

1285
01:01:56,080 --> 01:01:58,400
Speaker 7: Yeah, the people you picked, it's just been incredible.

1286
01:01:58,560 --> 01:01:59,360
Speaker 1: You're all great.

1287
01:01:59,480 --> 01:02:01,760
Speaker 3: So it's only going to get tougher, but you're one

1288
01:02:01,840 --> 01:02:06,360
Speaker 3: step closer. Congratulations, you are first finalist and.

1289
01:02:06,440 --> 01:02:08,640
Speaker 5: It was so nice to meet you and work with you.

1290
01:02:08,760 --> 01:02:10,080
Speaker 5: You take direction beautifully.

1291
01:02:10,480 --> 01:02:13,120
Speaker 7: Thank you so much, Lisa, I appreciate it so so much.

1292
01:02:14,760 --> 01:02:17,840
Speaker 1: So congratulations Hannabama and we'll see you next time.

1293
01:02:18,360 --> 01:02:20,640
Speaker 7: Alrighty, thank you guys so much. Have a lovely rest

1294
01:02:20,680 --> 01:02:21,120
Speaker 7: of your day.

1295
01:02:21,360 --> 01:02:25,680
Speaker 1: You too, by too soon. She wasn't excited at all.

1296
01:02:25,840 --> 01:02:29,760
Speaker 1: That's the problem the broker spirit. Oh, it's the only

1297
01:02:29,880 --> 01:02:33,360
Speaker 1: fun I get is breaking the good news makes me

1298
01:02:33,480 --> 01:02:35,280
Speaker 1: do all the bad news, so I gotta get a

1299
01:02:35,320 --> 01:02:35,960
Speaker 1: little joy.

1300
01:02:35,880 --> 01:02:36,160
Speaker 4: Out of it.

1301
01:02:36,560 --> 01:02:38,480
Speaker 9: But that's sick joy. What's wrong with you?

1302
01:02:38,880 --> 01:02:39,439
Speaker 1: Fun joy?

1303
01:02:39,520 --> 01:02:39,680
Speaker 2: Though?

1304
01:02:39,720 --> 01:02:43,200
Speaker 1: Because it gets low and then you're like, you're so excited.

1305
01:02:43,240 --> 01:02:43,640
Speaker 8: I love it.

1306
01:02:43,720 --> 01:02:45,360
Speaker 1: You think it's like, oh, I didn't win the lottery,

1307
01:02:45,400 --> 01:02:46,800
Speaker 1: And then but you.

1308
01:02:46,800 --> 01:02:48,840
Speaker 4: Know what's funny is that I feel like, okay, so

1309
01:02:48,960 --> 01:02:51,080
Speaker 4: I think we probably have done it critic consistently every

1310
01:02:51,080 --> 01:02:53,120
Speaker 4: single time. But Hannah is the one that has the

1311
01:02:53,160 --> 01:02:57,280
Speaker 4: most unique reaction. She literally falls for it every single time.

1312
01:02:58,240 --> 01:02:59,960
Speaker 6: I saw you doing it, and I'm like, I can't,

1313
01:03:00,040 --> 01:03:02,280
Speaker 6: can't watch this girl be tortured, and so right before

1314
01:03:02,320 --> 01:03:03,880
Speaker 6: I was just like enough you want.

1315
01:03:03,800 --> 01:03:07,200
Speaker 5: Like I love you so so much.

1316
01:03:07,640 --> 01:03:08,360
Speaker 9: I will miss you.

1317
01:03:08,600 --> 01:03:11,480
Speaker 4: I miss our our very long periods of time where

1318
01:03:11,480 --> 01:03:12,760
Speaker 4: we don't get to see you and I don't get

1319
01:03:12,760 --> 01:03:13,040
Speaker 4: to see it.

1320
01:03:13,040 --> 01:03:14,560
Speaker 2: Well, you get to see him maybe more often.

1321
01:03:14,600 --> 01:03:20,000
Speaker 9: But I love you, Lisa, I like adore you, and I.

1322
01:03:21,480 --> 01:03:25,280
Speaker 5: Adore you. I miss all of us together there now,

1323
01:03:25,440 --> 01:03:26,680
Speaker 5: I know, well.

1324
01:03:26,600 --> 01:03:29,000
Speaker 3: I adore you and you you tolerate me, but I

1325
01:03:29,080 --> 01:03:31,520
Speaker 3: adore you, which is I think is one of the Yeah,

1326
01:03:31,840 --> 01:03:33,400
Speaker 3: thank you much.

1327
01:03:33,760 --> 01:03:35,640
Speaker 5: Are you kidding me? This has been so much fun

1328
01:03:35,720 --> 01:03:39,360
Speaker 5: for me. I mean, I don't get out very much.

1329
01:03:39,400 --> 01:03:41,560
Speaker 6: I don't put myself out there. So you guys dragging

1330
01:03:41,640 --> 01:03:45,880
Speaker 6: me out the world. It's a very unique experience for me,

1331
01:03:46,160 --> 01:03:47,040
Speaker 6: and it's really great.

1332
01:03:47,160 --> 01:03:49,880
Speaker 1: So this is so much fun. Before you go, just

1333
01:03:50,000 --> 01:03:52,360
Speaker 1: very quickly, what what projects are you working on now

1334
01:03:52,400 --> 01:03:53,280
Speaker 1: that you can tell us about.

1335
01:03:56,000 --> 01:03:58,360
Speaker 5: I'm terrible with the NBA's. I have a new dreamwork

1336
01:03:58,400 --> 01:04:02,200
Speaker 5: show that I'm working that I feel like I can't name,

1337
01:04:03,280 --> 01:04:05,480
Speaker 5: Monster High. As you mentioned, we're movies.

1338
01:04:05,960 --> 01:04:10,440
Speaker 6: We're well into season two, lob House in eighteen Titan

1339
01:04:10,560 --> 01:04:11,919
Speaker 6: season nine, uh.

1340
01:04:12,880 --> 01:04:15,160
Speaker 2: My girls booked and busy eighteen Titans go.

1341
01:04:16,320 --> 01:04:18,680
Speaker 5: Our four hundredth episode of Titans.

1342
01:04:19,280 --> 01:04:19,600
Speaker 1: Wow.

1343
01:04:20,720 --> 01:04:23,480
Speaker 2: Hey, and I didn't realize that it was been around forever.

1344
01:04:23,560 --> 01:04:28,439
Speaker 5: That's crazy, and so they we just got picked up. Yeah,

1345
01:04:28,600 --> 01:04:32,120
Speaker 5: it's it's a it's a lovely time and I am

1346
01:04:32,240 --> 01:04:33,400
Speaker 5: very fortunate and.

1347
01:04:33,480 --> 01:04:36,160
Speaker 3: I know, well that's one. Thank you again so much

1348
01:04:36,200 --> 01:04:38,160
Speaker 3: for taking your time. You're obviously one of the busiest

1349
01:04:38,160 --> 01:04:40,080
Speaker 3: people in town. So it's so sweet that you came

1350
01:04:40,120 --> 01:04:40,360
Speaker 3: off and.

1351
01:04:40,360 --> 01:04:40,960
Speaker 1: Did this for us.

1352
01:04:41,280 --> 01:04:43,000
Speaker 5: Anytime, anytime for you, guys.

1353
01:04:43,280 --> 01:04:45,439
Speaker 1: Thank you very much, Love you, Lisa. We'll see you soon.

1354
01:04:45,920 --> 01:04:46,680
Speaker 10: Bye bye.

1355
01:04:48,600 --> 01:04:51,760
Speaker 1: Well, there we go. Our first finalyst is Hanabama and

1356
01:04:51,920 --> 01:04:52,480
Speaker 1: well earned.

1357
01:04:52,800 --> 01:04:57,120
Speaker 4: Only two more episodes left, Guys, I stay tuned and share,

1358
01:04:57,360 --> 01:05:00,000
Speaker 4: and I'm just so happy to know that there's thousand

1359
01:05:00,080 --> 01:05:02,400
Speaker 4: the people who have been listening to us and really

1360
01:05:02,480 --> 01:05:07,480
Speaker 4: invested in and the story of this person. And you know,

1361
01:05:07,760 --> 01:05:12,880
Speaker 4: we'll definitely do something really special to commemorate the winner.

1362
01:05:13,040 --> 01:05:16,080
Speaker 4: And obviously we'll you know, be meeting them in person.

1363
01:05:16,360 --> 01:05:18,720
Speaker 4: And I think we'll have to do more video stuff

1364
01:05:18,760 --> 01:05:19,760
Speaker 4: like social when we're.

1365
01:05:19,680 --> 01:05:22,280
Speaker 3: Together and yeah, yeah, yeah, definitely we'll we'll figure all

1366
01:05:22,360 --> 01:05:24,600
Speaker 3: that out because yeah, we're getting down to it. I

1367
01:05:24,640 --> 01:05:26,040
Speaker 3: mean we are getting down to it. We have one

1368
01:05:26,120 --> 01:05:28,520
Speaker 3: more episode to have the finals, and then the finals

1369
01:05:28,560 --> 01:05:31,320
Speaker 3: and we crown our winner. It's that crazy that we're

1370
01:05:31,320 --> 01:05:33,560
Speaker 3: here after everything, and again, none of this would have

1371
01:05:33,560 --> 01:05:36,400
Speaker 3: been possible without Prime Video and our friends over there

1372
01:05:36,400 --> 01:05:38,280
Speaker 3: at Critical Roles. So don't forget to check out season

1373
01:05:38,320 --> 01:05:42,040
Speaker 3: two of Vox Machine for download. Now everybody at CESD

1374
01:05:42,240 --> 01:05:44,560
Speaker 3: who has been so amazing and helpful and will be

1375
01:05:44,600 --> 01:05:46,880
Speaker 3: signing our winner, and they're going to be getting somebody great.

1376
01:05:47,440 --> 01:05:50,720
Speaker 3: And of course iHeart who has been our parent company

1377
01:05:50,720 --> 01:05:53,600
Speaker 3: and has made all of this possible, and most importantly

1378
01:05:53,720 --> 01:05:57,320
Speaker 3: all of our fans. Christy said this in the last podcast,

1379
01:05:57,320 --> 01:05:59,600
Speaker 3: but I'm going to say it again, there's one person

1380
01:05:59,680 --> 01:06:01,880
Speaker 3: out there on our Instagram that keeps wanting us to

1381
01:06:01,920 --> 01:06:07,320
Speaker 3: tag the contestants and we can't so legally because they're

1382
01:06:07,400 --> 01:06:09,959
Speaker 3: still in the contest. They if they are no longer

1383
01:06:10,000 --> 01:06:11,640
Speaker 3: in the contest, they can are more than welcome to

1384
01:06:11,680 --> 01:06:14,280
Speaker 3: tag themselves, which we would love to have that, but

1385
01:06:14,440 --> 01:06:17,080
Speaker 3: we are not allowed to give out last names, or

1386
01:06:17,160 --> 01:06:18,720
Speaker 3: tag their socials or do any of that kind of

1387
01:06:18,720 --> 01:06:20,000
Speaker 3: stuff until we have crowned a winner.

1388
01:06:20,120 --> 01:06:22,120
Speaker 1: So that's the reason we don't do that. Just letting

1389
01:06:22,160 --> 01:06:22,320
Speaker 1: you know.

1390
01:06:22,560 --> 01:06:24,200
Speaker 3: And we will also make sure that we put up

1391
01:06:24,240 --> 01:06:27,320
Speaker 3: the script that we recorded today so that you can

1392
01:06:27,400 --> 01:06:30,600
Speaker 3: read along and see some of the actual direction that

1393
01:06:30,720 --> 01:06:32,520
Speaker 3: was there. But again, we wanted to record it exactly

1394
01:06:32,560 --> 01:06:35,040
Speaker 3: the way we record it when we're doing a show.

1395
01:06:35,360 --> 01:06:37,560
Speaker 1: So thank you everybody for joining us. I say it

1396
01:06:37,600 --> 01:06:38,720
Speaker 1: all the time, but Christy, I love you.

1397
01:06:38,800 --> 01:06:41,920
Speaker 3: This is so much fun and wrapping it up is

1398
01:06:42,000 --> 01:06:43,880
Speaker 3: tough because we've been through so much together.

1399
01:06:43,920 --> 01:06:45,120
Speaker 1: So this is going to be cool. We'll get in

1400
01:06:45,200 --> 01:06:47,160
Speaker 1: all that later. We'll get into all that later, but

1401
01:06:48,440 --> 01:06:49,479
Speaker 1: this has been super cool.

1402
01:06:49,560 --> 01:06:52,480
Speaker 3: And of course to everybody listening, thank you for everything

1403
01:06:52,640 --> 01:06:54,240
Speaker 3: and for following us for as long as you have.

1404
01:06:55,160 --> 01:06:56,760
Speaker 3: We're coming down to the end of it, so we're

1405
01:06:56,800 --> 01:06:57,960
Speaker 3: excited to see who's going to win.

1406
01:06:58,440 --> 01:07:00,680
Speaker 2: I'm in denial, but okay, we'll figure it.

1407
01:07:00,760 --> 01:07:02,440
Speaker 1: We'll figure it out. We'll figure it out when we

1408
01:07:02,520 --> 01:07:04,440
Speaker 1: get there. But thank you everybody.

1409
01:07:04,640 --> 01:07:06,120
Speaker 3: We love you, and don't forget if you think you

1410
01:07:06,200 --> 01:07:08,120
Speaker 3: have what it takes to step up to the microphone

1411
01:07:08,440 --> 01:07:09,760
Speaker 3: put your voices where your mouth is.

1412
01:07:09,880 --> 01:07:12,960
Speaker 1: Thanks everybody, Thanks everybody. I Hear Voices is hosted by

1413
01:07:12,960 --> 01:07:16,080
Speaker 1: Will Fredell and Christy Carlson Romano. Executive produced by Will Fredell,

1414
01:07:16,120 --> 01:07:19,200
Speaker 1: Brendan Rooney, Amy Sugarman, and Vicky Ernst Chang. Our executive

1415
01:07:19,200 --> 01:07:21,600
Speaker 1: in charge of production is Danielle Romo, our producer is

1416
01:07:21,680 --> 01:07:24,680
Speaker 1: Lorraine Viriuez, and our editor slash engineer is Brian Burton.

1417
01:07:24,960 --> 01:07:27,560
Speaker 1: And that was my announcer voice.

1418
01:07:27,600 --> 01:07:29,600
Speaker 10: Some side effects of listening to I Hear Voices are

1419
01:07:29,680 --> 01:07:32,600
Speaker 10: sore abs from hilarity, falling down the cocoa melon rabbit hole,

1420
01:07:32,720 --> 01:07:34,840
Speaker 10: sneezing due to mass nostalgia, and hugs.

1421
01:07:35,000 --> 01:07:37,040
Speaker 1: Follow I Hear Voices wherever you listen to podcasts so

1422
01:07:37,080 --> 01:07:38,840
Speaker 1: you don't miss any of the amazing voices.

1423
01:07:39,000 --> 01:07:41,120
Speaker 10: Be sure to follow us on Instagram and TikTok at

1424
01:07:41,200 --> 01:07:42,320
Speaker 10: I Hear Voices podcast.

1425
01:07:42,480 --> 01:07:45,600
Speaker 1: You can also check us out on MySpace, omegle Vine, LimeWire.

1426
01:07:45,680 --> 01:07:46,560
Speaker 1: Hey I'm a napster.

1427
01:07:46,720 --> 01:07:48,560
Speaker 2: Okay, well, let's teach you about the internet the.

1428
01:07:48,560 --> 01:07:51,400
Speaker 11: Who Hey there, I Hear Voices listeners. This is Nia,

1429
01:07:51,600 --> 01:07:53,680
Speaker 11: the winner of the super Awsome contest to become the

1430
01:07:53,760 --> 01:07:56,400
Speaker 11: next big Voice actor. I am so glad I found

1431
01:07:56,440 --> 01:07:58,240
Speaker 11: this podcast, and I'm glad you found it too.

1432
01:07:58,680 --> 01:07:58,840
Speaker 6: Well.

1433
01:07:58,880 --> 01:08:02,720
Speaker 11: Then, Christy, also known as Kim Possible and Runstoppable, interview

1434
01:08:02,800 --> 01:08:05,920
Speaker 11: the best known voices in Hollywood, from your favorite.

1435
01:08:05,640 --> 01:08:07,520
Speaker 7: Cartoon characters to video game voices.

1436
01:08:07,880 --> 01:08:10,560
Speaker 11: You never know who they'll talk to next. Make sure

1437
01:08:10,600 --> 01:08:13,360
Speaker 11: to follow, like, and download the I Hear Voices podcast

1438
01:08:13,440 --> 01:08:15,880
Speaker 11: on iHeart Apple and anywhere you get your podcasts.

1439
01:08:16,320 --> 01:08:17,680
Speaker 7: And remember, if you think

1440
01:08:17,720 --> 01:08:20,240
Speaker 11: You had what it takes Put your voices where your

1441
01:08:20,280 --> 01:08:20,680
Speaker 11: mouth is