1 00:00:05,280 --> 00:00:07,640 Speaker 1: This is Emily, and this is budget and you're listening 2 00:00:07,680 --> 00:00:21,320 Speaker 1: to stuff Mom never told you. And today I'm so 3 00:00:21,400 --> 00:00:23,599 Speaker 1: excited to talk through a topic that comes up quite 4 00:00:23,600 --> 00:00:25,960 Speaker 1: a bit in my life, and that is the topic 5 00:00:26,040 --> 00:00:30,880 Speaker 1: of problematic faves. What is a problematic fave? Bridget? Well, 6 00:00:30,920 --> 00:00:34,680 Speaker 1: I'm glad you asked. A problematic fave according to Urban Dictionary, 7 00:00:35,040 --> 00:00:37,960 Speaker 1: which is sort of a I mean, it's like, how 8 00:00:38,000 --> 00:00:40,320 Speaker 1: would you describe it? It's like v go to source 9 00:00:40,440 --> 00:00:43,360 Speaker 1: for the youngsters. Yeah, and for those like me who 10 00:00:43,360 --> 00:00:45,559 Speaker 1: want to keep up with the youngsters. And I also 11 00:00:45,680 --> 00:00:49,240 Speaker 1: highly recommend searching your own name in Yeah, sometimes it 12 00:00:49,280 --> 00:00:52,240 Speaker 1: gets a real specific. It'll be like, a bridget is 13 00:00:52,280 --> 00:00:56,160 Speaker 1: a person who never pays you back when she borrows money. 14 00:00:55,720 --> 00:00:58,920 Speaker 1: Do you have a bad experience with a bridget? Yeah, 15 00:00:58,960 --> 00:01:01,560 Speaker 1: you can go rant about and Emily, but check out 16 00:01:01,600 --> 00:01:03,800 Speaker 1: the difference between Emily with an I E and Emily 17 00:01:03,840 --> 00:01:06,720 Speaker 1: with a why and Urban Dictionary sometime I found it 18 00:01:06,760 --> 00:01:09,760 Speaker 1: pretty fascinating. Fascinating anyway, what is it actual thing about? So, 19 00:01:09,800 --> 00:01:14,200 Speaker 1: a problematic fave, according to Urban Dictionary is a favorite person, 20 00:01:14,400 --> 00:01:17,680 Speaker 1: usually a character who has problematic views and opinions. And 21 00:01:17,720 --> 00:01:20,800 Speaker 1: so I got thinking about this. Um. I am someone 22 00:01:20,840 --> 00:01:25,160 Speaker 1: who enjoys a wide spectrum of popular culture, including popular 23 00:01:25,200 --> 00:01:27,840 Speaker 1: culture made by people who maybe do not share my 24 00:01:27,920 --> 00:01:31,200 Speaker 1: personal values or political ideologies. And I got to thinking, 25 00:01:32,240 --> 00:01:34,119 Speaker 1: what is this concept? Why do we have them? Why 26 00:01:34,120 --> 00:01:36,280 Speaker 1: do you feel squeamish about them? Who are some common 27 00:01:36,360 --> 00:01:38,679 Speaker 1: problematic saves? So I put out a call to my 28 00:01:38,760 --> 00:01:41,959 Speaker 1: networks asking folks for their problematic saves. UM. Some of 29 00:01:41,959 --> 00:01:44,920 Speaker 1: the common ones folks said were Kim Kardashians or any 30 00:01:44,959 --> 00:01:49,680 Speaker 1: of the Kardashians really, um, Amy Schumer, Lena Dunham. Surprisingly, 31 00:01:49,720 --> 00:01:53,279 Speaker 1: a lot of people had an anxiety about being huge 32 00:01:53,320 --> 00:01:56,279 Speaker 1: fans of Lena Dunham's writing and her her working girls, 33 00:01:56,440 --> 00:02:00,280 Speaker 1: but feeling conflicted about it. UM Tina Fey, another big one, 34 00:02:00,400 --> 00:02:06,000 Speaker 1: Woody Allen, which I totally totally understand. Um. And then 35 00:02:06,040 --> 00:02:08,040 Speaker 1: some folks had other ones that are sort of more 36 00:02:08,120 --> 00:02:11,440 Speaker 1: nebulous or they're not people, UM, the Democratic Party or 37 00:02:11,520 --> 00:02:15,360 Speaker 1: Amazon Prime or Uber, these things that you use a 38 00:02:15,360 --> 00:02:16,840 Speaker 1: lot and that are kind of staples in our in 39 00:02:16,840 --> 00:02:21,120 Speaker 1: our culture, but maybe aren't always so great, right. I 40 00:02:21,160 --> 00:02:25,280 Speaker 1: think it's that contention between I intrinsically like what they're 41 00:02:25,280 --> 00:02:27,400 Speaker 1: doing or I like the service I'm getting where I 42 00:02:27,400 --> 00:02:29,880 Speaker 1: like the art that they're producing, but when I learn 43 00:02:29,960 --> 00:02:33,000 Speaker 1: more about the person behind that art or behind that 44 00:02:33,080 --> 00:02:36,000 Speaker 1: service or product, or when I learn more about how 45 00:02:36,000 --> 00:02:38,359 Speaker 1: that company operates, which is something I think we cover 46 00:02:38,440 --> 00:02:44,040 Speaker 1: a lot here around really values driven consumerism. Uh, I 47 00:02:44,080 --> 00:02:47,760 Speaker 1: feel conflicted. And the more you learn about a celebrity 48 00:02:47,800 --> 00:02:50,880 Speaker 1: you admire, and maybe she or he says something a 49 00:02:50,880 --> 00:02:53,520 Speaker 1: little off hand or off color, or does something terrible 50 00:02:53,919 --> 00:02:58,239 Speaker 1: in a very public way, there's this new, relatively new 51 00:02:58,680 --> 00:03:01,239 Speaker 1: way in which we, as can sumers, I think, are 52 00:03:01,960 --> 00:03:06,480 Speaker 1: holding celebrities and companies to a high moral standard, not 53 00:03:06,600 --> 00:03:10,000 Speaker 1: just based off of their artistic expression or based off 54 00:03:10,000 --> 00:03:12,480 Speaker 1: of the product or service, but how they do what 55 00:03:12,560 --> 00:03:14,960 Speaker 1: they do well. There's actually data that shows that a 56 00:03:14,960 --> 00:03:17,520 Speaker 1: lot of this is being driven by younger folks. Millennials 57 00:03:17,520 --> 00:03:20,079 Speaker 1: are actually much more likely to spend money with brands 58 00:03:20,120 --> 00:03:23,480 Speaker 1: if those brands are showing signs of being socially invested 59 00:03:23,600 --> 00:03:27,320 Speaker 1: or or socially conscious. In twenty fifteen, Nielsen published its 60 00:03:27,400 --> 00:03:31,760 Speaker 1: annual Global Corporate Sustainability Report and indicated that globally, sixties 61 00:03:32,280 --> 00:03:34,600 Speaker 1: of consumers are willing to spend more on a product 62 00:03:34,800 --> 00:03:37,200 Speaker 1: if it comes from a sustainable brand. Millennials are even 63 00:03:37,200 --> 00:03:39,920 Speaker 1: more likely to spend if these brands were sustainable, with 64 00:03:40,040 --> 00:03:44,920 Speaker 1: surveyed indicating a similar preference. So basically, younger folks really 65 00:03:44,960 --> 00:03:48,000 Speaker 1: expect brands that they spend money on, and I guess 66 00:03:48,560 --> 00:03:51,880 Speaker 1: by that logic celebrities and media and culture that they 67 00:03:51,920 --> 00:03:55,960 Speaker 1: consume to have some sort of social responsibility or or 68 00:03:56,000 --> 00:03:59,760 Speaker 1: social or civic investment. Yeah, which feels to me relatively new, 69 00:03:59,760 --> 00:04:01,640 Speaker 1: but I guess this is something that's come in and 70 00:04:01,720 --> 00:04:04,920 Speaker 1: out of over the years. Right. We think back in 71 00:04:05,280 --> 00:04:09,320 Speaker 1: the eighties and nineties, celebrities like Jane Fonda, Paul Newman, 72 00:04:09,960 --> 00:04:13,400 Speaker 1: they've been walking the walk and getting politically involved or 73 00:04:13,480 --> 00:04:17,400 Speaker 1: advocating for causes in addition to promoting their products or 74 00:04:17,480 --> 00:04:21,440 Speaker 1: movies or celebrity. So I know you have done a 75 00:04:21,440 --> 00:04:23,920 Speaker 1: lot of speaking. I think it's south By Southwest about 76 00:04:24,080 --> 00:04:29,119 Speaker 1: celebrity activist culture. Yeah. Well, I my um my theory 77 00:04:29,200 --> 00:04:31,880 Speaker 1: is that for celebrities in this day and age, everything 78 00:04:31,920 --> 00:04:34,679 Speaker 1: is sort of political right now, and for a celebrity 79 00:04:34,800 --> 00:04:38,799 Speaker 1: to not genuinely engage with politics or activism or social 80 00:04:38,839 --> 00:04:42,040 Speaker 1: causes or something other than just their own celebrity, those 81 00:04:42,040 --> 00:04:44,240 Speaker 1: are the celebrities that don't really have staying power. And 82 00:04:44,240 --> 00:04:46,799 Speaker 1: so when you think of people who were really huge 83 00:04:47,000 --> 00:04:49,200 Speaker 1: that didn't really meaningfully do that, I think of people 84 00:04:49,240 --> 00:04:51,760 Speaker 1: like Adeasalia. Those are the people that I see who 85 00:04:51,839 --> 00:04:54,680 Speaker 1: sort of were beg for a while then flamed out. 86 00:04:54,720 --> 00:04:58,400 Speaker 1: Because in order to really have a lasting presence, you 87 00:04:58,440 --> 00:05:00,640 Speaker 1: need people need to feel like you're meaning invested in 88 00:05:00,640 --> 00:05:03,640 Speaker 1: the world, not just being your product. That's interesting my theory. 89 00:05:03,800 --> 00:05:06,359 Speaker 1: I think that's a great theory because it feels authentic 90 00:05:06,680 --> 00:05:10,640 Speaker 1: to see a fully rounded array of interest from some celebrities, 91 00:05:10,720 --> 00:05:12,800 Speaker 1: right like you see their full person. And when I 92 00:05:12,800 --> 00:05:15,760 Speaker 1: think about when the term problematic faith really got into 93 00:05:15,800 --> 00:05:18,880 Speaker 1: the cultural zekaist, I'm reminded of this Tumbler blog that 94 00:05:18,960 --> 00:05:21,320 Speaker 1: was really really really well known back in the early 95 00:05:21,360 --> 00:05:25,279 Speaker 1: days of Tumbler called your Faith It's Problematic, And basically 96 00:05:25,320 --> 00:05:29,320 Speaker 1: this blog was dedicated to highlighting the ways in which 97 00:05:29,400 --> 00:05:33,080 Speaker 1: people that were kind of catapulted into faith status, people 98 00:05:33,080 --> 00:05:35,320 Speaker 1: that people that we all probably know and love, your 99 00:05:35,360 --> 00:05:37,960 Speaker 1: Amy Schumer's of the World, your Tina Face of the World, 100 00:05:38,360 --> 00:05:42,080 Speaker 1: cataloging the things they did that were quote problematic. So 101 00:05:42,240 --> 00:05:46,840 Speaker 1: justin Biebers at the top of um and so they 102 00:05:47,360 --> 00:05:50,440 Speaker 1: really saw this, whether or not this is true or not, 103 00:05:50,480 --> 00:05:53,800 Speaker 1: they really presented this as we are just, you know, 104 00:05:54,279 --> 00:05:58,560 Speaker 1: historical database of celebrities. You know, we're not saying they're 105 00:05:58,560 --> 00:06:00,839 Speaker 1: bad people, We're not saying don't like them, or just 106 00:06:00,920 --> 00:06:04,760 Speaker 1: giving you the facts. Right. They would always claim, according 107 00:06:04,800 --> 00:06:07,480 Speaker 1: to the Vice article that quote, their site is merely 108 00:06:07,520 --> 00:06:11,520 Speaker 1: an archive, saying we just document problematic things that celebrities 109 00:06:11,560 --> 00:06:14,680 Speaker 1: have done. We are record keepers and nothing more. Yeah, 110 00:06:14,680 --> 00:06:17,359 Speaker 1: this idea falls flat on its face after just a 111 00:06:17,440 --> 00:06:21,240 Speaker 1: small peruse of the archive, where opinion rules it's not 112 00:06:21,320 --> 00:06:24,640 Speaker 1: record keeping to call someone a quote piece of something 113 00:06:24,680 --> 00:06:27,839 Speaker 1: I can't say on the radio, or trash, and that 114 00:06:27,920 --> 00:06:31,040 Speaker 1: the idea of that fairly objective things like whether it's 115 00:06:31,080 --> 00:06:34,200 Speaker 1: acceptable for a Bijan woman to wear a kimono can 116 00:06:34,320 --> 00:06:37,560 Speaker 1: even be subject to quote record is tenuous at best. 117 00:06:37,920 --> 00:06:41,239 Speaker 1: So I just love how this Vice article kind of 118 00:06:41,320 --> 00:06:44,599 Speaker 1: brings a little bit of that problematic Fave methodology to 119 00:06:44,920 --> 00:06:48,240 Speaker 1: their blog and saying even though we like this and 120 00:06:48,279 --> 00:06:52,120 Speaker 1: this sort of call out call in culture around celebrities 121 00:06:52,160 --> 00:06:56,560 Speaker 1: can be intriguing and interesting and helpful, don't pretend like 122 00:06:56,600 --> 00:07:00,240 Speaker 1: you're just record keepers, because you are certainly not being 123 00:07:00,480 --> 00:07:03,800 Speaker 1: fully objective journalism here totally. So I kind of like 124 00:07:03,880 --> 00:07:07,480 Speaker 1: how he highlights the problematic nature of of your your 125 00:07:07,520 --> 00:07:10,840 Speaker 1: favorite problematic dot com dot com um. But I think 126 00:07:10,880 --> 00:07:14,120 Speaker 1: what that article really also nails for me is the 127 00:07:14,160 --> 00:07:17,440 Speaker 1: way in which these terms that we are If you're 128 00:07:17,440 --> 00:07:19,200 Speaker 1: someone who spends a lot of time in progressive or 129 00:07:19,240 --> 00:07:22,000 Speaker 1: social social justice spaces that we think of, it's pretty common. 130 00:07:22,120 --> 00:07:25,360 Speaker 1: Terms like microaggressions or fat shaming or body shaming. These 131 00:07:25,400 --> 00:07:27,240 Speaker 1: were things that you know, back in the day, people 132 00:07:27,320 --> 00:07:30,200 Speaker 1: weren't talking about, and I think he is right that 133 00:07:30,280 --> 00:07:34,239 Speaker 1: this blog really made them more mainstream. He writes, before 134 00:07:34,240 --> 00:07:38,280 Speaker 1: I came across this website, the concepts of cultural appropriation, microaggressions, 135 00:07:38,280 --> 00:07:41,360 Speaker 1: fat shaming as a body politic and not just an insult, 136 00:07:41,800 --> 00:07:44,160 Speaker 1: trans misogyny, the words cyst and a slew of others 137 00:07:44,200 --> 00:07:45,960 Speaker 1: were essentially new to me, and I imagined to a 138 00:07:45,960 --> 00:07:48,800 Speaker 1: lot of people. These terms were presented via the criticism 139 00:07:48,800 --> 00:07:51,880 Speaker 1: of celebrities. Something is something we all consciously are not 140 00:07:52,120 --> 00:07:57,040 Speaker 1: partaken regularly, and so really taking these terms out of 141 00:07:57,080 --> 00:07:59,640 Speaker 1: like the gender studies textbook and applying them to you know, 142 00:08:00,040 --> 00:08:02,160 Speaker 1: Kina Fey was a kind of new thing, and I 143 00:08:02,200 --> 00:08:04,880 Speaker 1: don't think people were really doing it in that way 144 00:08:05,440 --> 00:08:08,480 Speaker 1: before a certain time in our in our culture. Yeah, 145 00:08:08,520 --> 00:08:14,320 Speaker 1: and I think there's a level of discomfort around critiquing 146 00:08:14,560 --> 00:08:18,560 Speaker 1: something that everybody likes. Right when you are listening to 147 00:08:18,640 --> 00:08:22,880 Speaker 1: your favorite recording artists and just jamming along to I 148 00:08:22,920 --> 00:08:26,560 Speaker 1: don't know, hip hop lyrics that might be drenched in misogyny, 149 00:08:26,600 --> 00:08:30,000 Speaker 1: as we've discussed before, and fully enjoying every moment of 150 00:08:30,080 --> 00:08:34,400 Speaker 1: low Wayne blaring into your earbuds. And then you've got 151 00:08:34,400 --> 00:08:39,640 Speaker 1: a blog like this tumbler calling out celebrities for their 152 00:08:39,720 --> 00:08:45,600 Speaker 1: misogyny or for being blind to his gender privilege. Right, 153 00:08:46,080 --> 00:08:49,439 Speaker 1: there's this defensiveness that I think is inherent to the 154 00:08:49,520 --> 00:08:52,839 Speaker 1: human experience. You want to cheerlead someone, but you want 155 00:08:52,880 --> 00:08:55,440 Speaker 1: to also have the space and be able to psychologically 156 00:08:55,520 --> 00:08:58,680 Speaker 1: hold them accountable and know that it's nuanced. And I 157 00:08:58,720 --> 00:09:00,960 Speaker 1: think a lot of folks still find it really troubling, 158 00:09:01,640 --> 00:09:07,600 Speaker 1: even on our podcast, because we do talk about individual women, um, 159 00:09:07,640 --> 00:09:11,600 Speaker 1: whether it's Avanka Trump and her feminism, or if it's 160 00:09:11,840 --> 00:09:15,520 Speaker 1: other business owners or celebrity women or women in the 161 00:09:15,640 --> 00:09:20,320 Speaker 1: labor movement and leaders, and we definitely bring our opinions 162 00:09:20,360 --> 00:09:22,280 Speaker 1: to the table and talking about what we love about 163 00:09:22,320 --> 00:09:25,400 Speaker 1: these women and what we find problematic. I think there's 164 00:09:25,400 --> 00:09:28,160 Speaker 1: this inherent defensiveness that comes up for folks of saying, 165 00:09:28,480 --> 00:09:31,560 Speaker 1: you can't say anything bad about someone I really admire, 166 00:09:31,679 --> 00:09:34,480 Speaker 1: someone that I really like. Yeah, and I think I 167 00:09:34,520 --> 00:09:37,040 Speaker 1: completely agreed, And I've definitely been on the receiving end 168 00:09:37,120 --> 00:09:40,480 Speaker 1: of how dare you have an opinion about such and 169 00:09:40,520 --> 00:09:44,440 Speaker 1: such celebrity that I really enjoy? Not saying any names, Um, 170 00:09:44,480 --> 00:09:46,480 Speaker 1: but I get it. I get it, and I definitely 171 00:09:46,480 --> 00:09:48,760 Speaker 1: have felt that as a as a feminist, as a 172 00:09:48,800 --> 00:09:51,679 Speaker 1: progressive person, that it's canna be hard to just enjoy 173 00:09:51,760 --> 00:09:54,240 Speaker 1: something that's Like one of my favorite headlines from The 174 00:09:54,240 --> 00:09:57,080 Speaker 1: Onion woman takes short half hour break from being a 175 00:09:57,120 --> 00:10:01,760 Speaker 1: feminist to enjoy TV show so that I get it. 176 00:10:01,880 --> 00:10:04,800 Speaker 1: Just feels like, can you just enjoy a song, or 177 00:10:04,920 --> 00:10:07,599 Speaker 1: enjoy a show, or enjoy a celebrity, or enjoy a 178 00:10:07,679 --> 00:10:10,880 Speaker 1: media thing or culture thing without having to unpack the 179 00:10:10,880 --> 00:10:16,199 Speaker 1: ways in which it's problematic and feminist and socially sensitive 180 00:10:16,320 --> 00:10:19,040 Speaker 1: lens that you have on all the time. I often 181 00:10:19,120 --> 00:10:22,439 Speaker 1: find myself calling things out or just pointing out some 182 00:10:22,480 --> 00:10:25,440 Speaker 1: problematic things in culture or in whatever it is that 183 00:10:25,480 --> 00:10:29,160 Speaker 1: we're consuming and bradle Goo, is this a feminist thing? 184 00:10:30,600 --> 00:10:33,120 Speaker 1: And I'm like, yes, dear, yes it is. Yeah, here 185 00:10:33,120 --> 00:10:36,079 Speaker 1: we go again. He's like, oh, I was, I was 186 00:10:36,440 --> 00:10:39,600 Speaker 1: hoping to just enjoy this movie. I just want you 187 00:10:39,640 --> 00:10:43,240 Speaker 1: to notice who who the protagonists are over and over again, 188 00:10:43,400 --> 00:10:45,960 Speaker 1: and the racial disparity in our TV proper does not 189 00:10:46,000 --> 00:10:51,160 Speaker 1: pass the best shelt'. He's like, is that a feminist thing? 190 00:10:52,000 --> 00:10:54,680 Speaker 1: I love it, but the most satisfying thing I have 191 00:10:54,800 --> 00:10:59,520 Speaker 1: then witnessed Brad the Boo say similar things in front 192 00:10:59,600 --> 00:11:02,640 Speaker 1: of all of his dude friends while they're trying to 193 00:11:02,760 --> 00:11:05,520 Speaker 1: enjoy something, and I'm just like, I'm just sitting back 194 00:11:05,559 --> 00:11:08,680 Speaker 1: so proud. Yeah, like feminist call out to the gift 195 00:11:08,720 --> 00:11:10,400 Speaker 1: that keep on giving. Like you give it to Brad, 196 00:11:10,440 --> 00:11:12,680 Speaker 1: he gives it to his friends like I've infected you, 197 00:11:13,080 --> 00:11:15,840 Speaker 1: Like you can't take the lens off now either. Congrats. 198 00:11:16,679 --> 00:11:18,360 Speaker 1: I love it. I mean I think really what this 199 00:11:18,400 --> 00:11:21,000 Speaker 1: comes down to is that, really, everybody, if you want 200 00:11:21,000 --> 00:11:23,280 Speaker 1: to live our values, but sometimes it can be hard 201 00:11:23,360 --> 00:11:26,760 Speaker 1: when we enjoy something that doesn't also reflect those values. 202 00:11:26,800 --> 00:11:29,480 Speaker 1: And I think it's interesting how you really only see 203 00:11:29,520 --> 00:11:33,320 Speaker 1: that kind of recently. Over at Vox, Jamie Wyman argues 204 00:11:33,400 --> 00:11:36,840 Speaker 1: that sometime in the past decade, socially conscious criticism became 205 00:11:36,880 --> 00:11:39,559 Speaker 1: the norm. And so when you think about shows like 206 00:11:39,640 --> 00:11:42,160 Speaker 1: How I Met Your Mother, shows like Friends, they were 207 00:11:42,200 --> 00:11:45,679 Speaker 1: often kind of criticized for not being racially diverse or 208 00:11:45,720 --> 00:11:49,400 Speaker 1: not being inclusive, but the shows didn't necessarily feel like 209 00:11:49,400 --> 00:11:51,559 Speaker 1: they needed to respond to that in an oversized way. 210 00:11:51,720 --> 00:11:54,040 Speaker 1: And I don't think there was mainstream criticism. No, So 211 00:11:54,080 --> 00:11:55,719 Speaker 1: I know on Friends they added I think it was 212 00:11:55,760 --> 00:11:58,040 Speaker 1: a Shia Tyler kind of like late late in the show, 213 00:11:58,520 --> 00:12:00,520 Speaker 1: um as a response to that. I know on Signfeld 214 00:12:00,559 --> 00:12:02,320 Speaker 1: they kind of poke fun at it, but they didn't 215 00:12:02,360 --> 00:12:05,280 Speaker 1: really have any kind of It wasn't a mainstream argument, 216 00:12:05,280 --> 00:12:08,080 Speaker 1: and we didn't really feel the need to, um, you know, 217 00:12:08,480 --> 00:12:11,520 Speaker 1: divers off either cast in a city like New York 218 00:12:11,840 --> 00:12:14,760 Speaker 1: because a bunch of white people living in a huge 219 00:12:14,760 --> 00:12:17,360 Speaker 1: apartment in New York to while they work at coffee shops. 220 00:12:17,400 --> 00:12:20,480 Speaker 1: Totally realistic. Yeah, everything else about it was totally true, 221 00:12:20,840 --> 00:12:23,199 Speaker 1: as true as the diversity on that show, totally, but 222 00:12:23,240 --> 00:12:26,240 Speaker 1: they weren't held to that higher standard. Unlike years later, 223 00:12:26,880 --> 00:12:31,200 Speaker 1: Lena Dunham's Girls. Yeah, so inveum the controversy around Girls 224 00:12:31,200 --> 00:12:33,760 Speaker 1: and the lack of racial racial inclusion on the show, 225 00:12:34,200 --> 00:12:36,640 Speaker 1: she had to comment on that. She had to add 226 00:12:36,640 --> 00:12:39,079 Speaker 1: black characters. She had to say like, oh, this is 227 00:12:39,120 --> 00:12:42,400 Speaker 1: not a political choice to not add you know, diverse characters. 228 00:12:42,400 --> 00:12:45,080 Speaker 1: We want to do that. She was had to. She 229 00:12:45,160 --> 00:12:47,400 Speaker 1: was made to comment on it quite a bit in 230 00:12:47,400 --> 00:12:49,640 Speaker 1: a way that other shows, even not even that long ago, 231 00:12:49,720 --> 00:12:51,920 Speaker 1: shows like How I Met Your Mother, um, just were 232 00:12:51,960 --> 00:12:57,040 Speaker 1: not right. And I actually found most of Lena's responses 233 00:12:57,160 --> 00:13:00,360 Speaker 1: to be quite good, right, Like, I found that she 234 00:13:00,480 --> 00:13:04,319 Speaker 1: was humble, she was appreciative of the call in, and 235 00:13:04,480 --> 00:13:07,839 Speaker 1: she really said I learned a lot through the process 236 00:13:07,960 --> 00:13:11,160 Speaker 1: of getting culturally critiqued. And this is a very young 237 00:13:11,240 --> 00:13:16,320 Speaker 1: woman with a very successful HBO series thrown into the 238 00:13:16,360 --> 00:13:19,160 Speaker 1: deep end, right, It's like, as a creator, putting your 239 00:13:19,160 --> 00:13:22,839 Speaker 1: work out there is a vulnerable experience. She got called 240 00:13:22,880 --> 00:13:27,400 Speaker 1: out rightfully so for being whitewashed completely in terms of 241 00:13:27,440 --> 00:13:31,760 Speaker 1: every main character on that show. But then her response 242 00:13:31,800 --> 00:13:34,480 Speaker 1: to it, whether you know, adding in Donald Glover was 243 00:13:34,520 --> 00:13:37,720 Speaker 1: sufficient or not as a love interest, I don't think 244 00:13:38,120 --> 00:13:40,280 Speaker 1: is the point here, because I don't think that her 245 00:13:40,800 --> 00:13:43,720 Speaker 1: adaptations were ever going to be sufficient because the main 246 00:13:43,800 --> 00:13:46,960 Speaker 1: characters had already been set. But the way that she 247 00:13:47,040 --> 00:13:49,679 Speaker 1: responded to those critiques I thought was pretty good. I 248 00:13:49,720 --> 00:13:51,480 Speaker 1: thought was effective. Would you say that she's one of 249 00:13:51,520 --> 00:13:54,559 Speaker 1: your problematic faces? Definitely? I was gonna say that that 250 00:13:54,679 --> 00:13:58,880 Speaker 1: was a little like, um, defensive, not defensive, but again, yeah, 251 00:13:59,520 --> 00:14:02,760 Speaker 1: like when we like someone it is I'm the same 252 00:14:02,840 --> 00:14:06,599 Speaker 1: way with my problematically. If Miley Cyrus could have responded 253 00:14:07,040 --> 00:14:10,640 Speaker 1: half as effectively as Lena Dunham had responded to her critiques, 254 00:14:11,000 --> 00:14:13,800 Speaker 1: you know she would be way less problematic. H. I agree, 255 00:14:13,840 --> 00:14:15,600 Speaker 1: you know what I saying, Like Lena Dunham said, you're right, 256 00:14:16,320 --> 00:14:19,320 Speaker 1: I need to make adjustments. I totally didn't check my 257 00:14:19,360 --> 00:14:23,840 Speaker 1: privilege here, but you've helped me acknowledge my blindness to race, 258 00:14:24,240 --> 00:14:26,560 Speaker 1: and you know she's going to do the best. She 259 00:14:26,600 --> 00:14:30,760 Speaker 1: can't tell her story from her life's experiences, which I 260 00:14:30,800 --> 00:14:34,720 Speaker 1: have a feeling pretty white, h and pretty privileged, and 261 00:14:35,280 --> 00:14:38,040 Speaker 1: yet she's gonna stretch, she's gonna make changes, she's going 262 00:14:38,080 --> 00:14:41,720 Speaker 1: to include folks of color in her operation, not just 263 00:14:41,840 --> 00:14:45,600 Speaker 1: on the screen, but behind the scenes too, right, Um, yeah, 264 00:14:46,160 --> 00:14:47,560 Speaker 1: I mean that's why I get it. I mean it's 265 00:14:47,920 --> 00:14:51,360 Speaker 1: when you really admire someone, particularly someone who is a 266 00:14:51,400 --> 00:14:54,280 Speaker 1: creative or makes a product that you really appreciate, it 267 00:14:54,320 --> 00:14:58,120 Speaker 1: can be hard to I see myself giving my problematic 268 00:14:58,160 --> 00:15:00,360 Speaker 1: Dave the benefit of the doubt time and time and 269 00:15:00,360 --> 00:15:03,280 Speaker 1: time and time and time again. I'm going to reveal 270 00:15:03,320 --> 00:15:15,600 Speaker 1: who my problematic save is after the short break and 271 00:15:15,760 --> 00:15:19,000 Speaker 1: we're back, and I was just about to reveal my 272 00:15:19,160 --> 00:15:21,680 Speaker 1: number one problematic save. I should say I have a 273 00:15:21,720 --> 00:15:27,080 Speaker 1: lot of problematic faves. This one is my most not 274 00:15:27,120 --> 00:15:30,280 Speaker 1: for the most problematic, but my favious face. Um and 275 00:15:30,360 --> 00:15:35,080 Speaker 1: it is. That was a drum roll. I f headphone 276 00:15:36,520 --> 00:15:41,520 Speaker 1: Judge Judith Shinelon a k A. Judge Judy. Yes, y'all, 277 00:15:42,120 --> 00:15:45,480 Speaker 1: I'm obsessed with Judge Judy. I have a framed picture 278 00:15:45,480 --> 00:15:49,400 Speaker 1: of her in my home. I've tried to get into 279 00:15:49,440 --> 00:15:51,920 Speaker 1: the audience of Judge Duty many many, many times, but 280 00:15:51,960 --> 00:15:54,520 Speaker 1: you have to be an actual actor to be in 281 00:15:54,560 --> 00:15:57,360 Speaker 1: the audience. If you ever actually watched such duty, the 282 00:15:57,400 --> 00:16:00,320 Speaker 1: people who are watching the show like watching it during 283 00:16:00,320 --> 00:16:03,920 Speaker 1: the taping. They have the most expressive faces, are always 284 00:16:03,920 --> 00:16:08,040 Speaker 1: making the most intense shock face or gas face. It's 285 00:16:08,080 --> 00:16:11,560 Speaker 1: because they're all after good. They're like, this is my moment. 286 00:16:11,640 --> 00:16:17,400 Speaker 1: Mom watched me two pm on Thursday. Um, I watched it. 287 00:16:17,480 --> 00:16:19,560 Speaker 1: I DVR is the only thing I DVR. It's my 288 00:16:19,640 --> 00:16:22,480 Speaker 1: favorite thing. So I have to admit I hadn't even 289 00:16:22,800 --> 00:16:26,320 Speaker 1: thought of Judge Judy for I don't know a decade 290 00:16:26,760 --> 00:16:28,880 Speaker 1: until you admitted this to me the other week when 291 00:16:28,960 --> 00:16:31,640 Speaker 1: we were talking about this episode. So what is it 292 00:16:31,680 --> 00:16:34,240 Speaker 1: that you love about Judge Judy. First of all, her 293 00:16:34,280 --> 00:16:38,040 Speaker 1: show is entertaining as hell. I'm not kidding. If you 294 00:16:38,080 --> 00:16:40,280 Speaker 1: have a hard day at work, go watch Judge Judy. 295 00:16:40,360 --> 00:16:43,400 Speaker 1: It's like the perfect half hour of television. You get 296 00:16:43,440 --> 00:16:49,080 Speaker 1: four like dramatic, juicy, other other people's problems, other people's stories. 297 00:16:49,080 --> 00:16:51,760 Speaker 1: You get to like dive in. She basically is the 298 00:16:51,800 --> 00:16:54,000 Speaker 1: Greek chorus of the show because like what you're thinking 299 00:16:54,080 --> 00:16:56,840 Speaker 1: she says, and you're like, that's true. Um. She has 300 00:16:56,880 --> 00:17:00,200 Speaker 1: this amazing relationship with her bailiff bird where is lots 301 00:17:00,240 --> 00:17:03,400 Speaker 1: of eye rolls and like shared glances. And I also 302 00:17:03,520 --> 00:17:05,960 Speaker 1: just love that she I love her story. I love 303 00:17:06,000 --> 00:17:10,600 Speaker 1: that she got ahead while having this attitude being no nonsense. 304 00:17:10,920 --> 00:17:15,440 Speaker 1: You know. I I am always struck by women who 305 00:17:16,240 --> 00:17:19,320 Speaker 1: become very famous or very popular or beloved who aren't 306 00:17:19,359 --> 00:17:22,240 Speaker 1: sweet and demure and night And she's done that and 307 00:17:22,280 --> 00:17:25,840 Speaker 1: that's not easy to do. I mean a see Hillary 308 00:17:25,880 --> 00:17:31,479 Speaker 1: Clinton right, seeing any other assertive woman, joy beharor so 309 00:17:31,480 --> 00:17:34,840 Speaker 1: so many When I see a woman who is takes 310 00:17:34,840 --> 00:17:39,040 Speaker 1: no bs and is blunt and she's beloved, I'm I'm 311 00:17:39,200 --> 00:17:41,840 Speaker 1: I'm automatically on board. Yeah, I mean, people see her 312 00:17:41,840 --> 00:17:44,480 Speaker 1: as fair and just. So how does she get to 313 00:17:44,560 --> 00:17:47,200 Speaker 1: this TV fame? Like how did how does she get 314 00:17:47,240 --> 00:17:49,600 Speaker 1: to this level of celebrity? So fun fact about Judge 315 00:17:49,640 --> 00:17:52,879 Speaker 1: Judy She is an actual real judge. Not every judge 316 00:17:52,880 --> 00:17:54,520 Speaker 1: on TV is a real judge, but she is a 317 00:17:54,560 --> 00:17:57,120 Speaker 1: real judge and so she actually didn't start doing TV 318 00:17:57,400 --> 00:18:00,119 Speaker 1: until pretty late in life. She got her start in 319 00:18:00,200 --> 00:18:03,560 Speaker 1: nine two, when she was appointed by Mayor Ed Koch 320 00:18:04,040 --> 00:18:06,560 Speaker 1: as a criminal court judge. Four years later, she was 321 00:18:06,600 --> 00:18:09,800 Speaker 1: promoted to supervising judge in the Family Courts Manhattan Division. 322 00:18:09,960 --> 00:18:12,560 Speaker 1: Here she owned a reputation as being tough, even though 323 00:18:12,560 --> 00:18:14,680 Speaker 1: she didn't like thinking of herself as tough. But she 324 00:18:14,760 --> 00:18:16,959 Speaker 1: us would have known for her wit, for her bluntness, 325 00:18:17,320 --> 00:18:20,200 Speaker 1: and I mean New York in the eighties was not 326 00:18:20,400 --> 00:18:23,320 Speaker 1: the safest or most. You know, it's not what it 327 00:18:23,359 --> 00:18:24,960 Speaker 1: is now. It was kind of a depressing place and 328 00:18:25,040 --> 00:18:29,480 Speaker 1: working at a family is not easy. I mean, there's 329 00:18:29,600 --> 00:18:31,600 Speaker 1: and it totally reminds me of the kinds of issues 330 00:18:31,640 --> 00:18:33,960 Speaker 1: that she deals with. I think it was on Facebook 331 00:18:34,440 --> 00:18:36,960 Speaker 1: recently that a little clip from her show went viral 332 00:18:37,080 --> 00:18:41,400 Speaker 1: about a dog custody, my favorite. Also, they talked about 333 00:18:41,400 --> 00:18:45,800 Speaker 1: it on broad City about that episode of this little 334 00:18:45,840 --> 00:18:48,159 Speaker 1: dog comes into the quare room and she says, just 335 00:18:48,200 --> 00:18:50,639 Speaker 1: put the dog down, and these two people are arguing 336 00:18:50,680 --> 00:18:53,000 Speaker 1: over who owns the dog, and of course the dog 337 00:18:53,080 --> 00:18:55,359 Speaker 1: runs up. If you haven't seen the episode, the dog 338 00:18:55,480 --> 00:18:59,000 Speaker 1: runs up to this person, one of the people I 339 00:18:59,000 --> 00:19:03,000 Speaker 1: think the plainted, and jumps all over him, kisses him, 340 00:19:03,000 --> 00:19:07,480 Speaker 1: and he picks him up, and and she's like, case hammer, 341 00:19:07,600 --> 00:19:10,119 Speaker 1: you know what is that? What is that? Hammer? Gavel? 342 00:19:10,240 --> 00:19:14,520 Speaker 1: That's it? Gavel away and case close. I just I mean, 343 00:19:14,640 --> 00:19:19,879 Speaker 1: she is decisive and she's unapologetic, and that definitely was 344 00:19:20,040 --> 00:19:23,439 Speaker 1: noticed as a young attorney in New York City. That 345 00:19:23,560 --> 00:19:28,600 Speaker 1: appointment to becoming a judge is pretty incredible. Um, and 346 00:19:29,160 --> 00:19:33,680 Speaker 1: her reputation got the attention of the l A Times. Right. Yeah, 347 00:19:33,720 --> 00:19:36,320 Speaker 1: so in this really great l A Times article. She's 348 00:19:36,359 --> 00:19:39,639 Speaker 1: sort of framed as being a no nonsense judge that 349 00:19:39,760 --> 00:19:43,560 Speaker 1: is taking is making sure that our institutions are representing 350 00:19:43,600 --> 00:19:46,679 Speaker 1: the quote common good, and so I loved this idea 351 00:19:46,720 --> 00:19:50,680 Speaker 1: of her sort of using family court to make sure 352 00:19:50,720 --> 00:19:53,360 Speaker 1: that these institutions are actually representing people in a way 353 00:19:53,359 --> 00:19:56,800 Speaker 1: that is fair, which I think is great. It's amazing 354 00:19:56,960 --> 00:20:00,680 Speaker 1: to see how years of hard work, years of hard 355 00:20:00,720 --> 00:20:03,840 Speaker 1: work in the law end up getting her noticed in 356 00:20:03,880 --> 00:20:08,000 Speaker 1: the l A Times, which then spins into a piece 357 00:20:08,240 --> 00:20:12,520 Speaker 1: on sixty Minutes. So that's really her TV debut, and 358 00:20:13,320 --> 00:20:17,080 Speaker 1: sixty Minutes that spot I'm sure had something to do 359 00:20:17,280 --> 00:20:20,119 Speaker 1: with her getting on TV as an in the next 360 00:20:20,200 --> 00:20:23,000 Speaker 1: phase of her career. So it's insane to think you're 361 00:20:23,000 --> 00:20:25,480 Speaker 1: going through law school, right, You're busting your butt as 362 00:20:25,520 --> 00:20:30,080 Speaker 1: a male dominated field in which you are not always 363 00:20:30,359 --> 00:20:34,920 Speaker 1: deemed worthy or felt welcome in that environment. You are 364 00:20:35,000 --> 00:20:39,520 Speaker 1: this a cerbic, hard hitting, takes no prisoners kind of judge. 365 00:20:39,560 --> 00:20:41,640 Speaker 1: You get promoted, you get noticed, you get written about, 366 00:20:41,640 --> 00:20:44,679 Speaker 1: you get on sixty Minutes, and back in that time 367 00:20:44,720 --> 00:20:47,120 Speaker 1: in her life, like as a young attorney, she never 368 00:20:47,119 --> 00:20:49,800 Speaker 1: would have imagined herself being the queen of daytime TV 369 00:20:50,040 --> 00:20:53,440 Speaker 1: right and being being being a actual like media mogul, 370 00:20:53,560 --> 00:20:56,840 Speaker 1: just based on her personality, her wit and her hard work. 371 00:20:56,880 --> 00:20:59,480 Speaker 1: I mean, that's like a fairy tale. Someone sees you 372 00:20:59,560 --> 00:21:02,800 Speaker 1: crazy in your job so well and so interestingly and 373 00:21:02,840 --> 00:21:07,520 Speaker 1: so competently that they're like the universe plucks you out 374 00:21:07,520 --> 00:21:11,719 Speaker 1: of obscurity to be hugely, hugely famous and successful. I 375 00:21:11,760 --> 00:21:13,840 Speaker 1: love it. Often does that happen. I feel like that's 376 00:21:13,920 --> 00:21:16,040 Speaker 1: the beauty of her story. I get it. I love it. 377 00:21:16,080 --> 00:21:18,639 Speaker 1: I read her book, it's so good. Like her books titles, 378 00:21:18,680 --> 00:21:20,800 Speaker 1: please tell us the title, don't pee on my leg 379 00:21:20,840 --> 00:21:24,320 Speaker 1: and tell me it's raining. What Another thing I love 380 00:21:24,359 --> 00:21:27,080 Speaker 1: about her is that her bailiff on the show Bird, 381 00:21:27,600 --> 00:21:29,879 Speaker 1: he isn't just an actor, He's an actual bailiff and 382 00:21:29,920 --> 00:21:31,919 Speaker 1: he was her bailiff back in the days when she 383 00:21:31,960 --> 00:21:34,840 Speaker 1: was in family court um. And basically they always had 384 00:21:34,880 --> 00:21:37,320 Speaker 1: this chemistry with each other. They've always if you watched 385 00:21:37,359 --> 00:21:40,640 Speaker 1: the show, they're known for their shared glances, and she'll 386 00:21:40,640 --> 00:21:42,480 Speaker 1: often throw to Bird and he'll be like, oh, I 387 00:21:42,480 --> 00:21:45,040 Speaker 1: don't even know Judge, Like they had this great banter 388 00:21:45,520 --> 00:21:48,119 Speaker 1: and I just love I remember reading a story where 389 00:21:48,359 --> 00:21:50,919 Speaker 1: when she was being picked to go on TV. She 390 00:21:51,040 --> 00:21:53,080 Speaker 1: called Bird to tell him, and Bird was like, well, 391 00:21:53,119 --> 00:21:55,040 Speaker 1: you know, I still look good in my unicorn and 392 00:21:55,080 --> 00:21:56,679 Speaker 1: she was like, yeah, you should be my bailiff. And 393 00:21:56,680 --> 00:21:59,359 Speaker 1: now he's a millionaire. She made him a millionaire, a 394 00:21:59,400 --> 00:22:02,199 Speaker 1: millionaire with I love. It was amazing and I just 395 00:22:02,240 --> 00:22:04,600 Speaker 1: love that this chemistry they have has really kind of 396 00:22:04,640 --> 00:22:07,720 Speaker 1: made her the undisputed champ of syndication on TV. Yeah, 397 00:22:07,800 --> 00:22:10,879 Speaker 1: I mean according to varieties list of highest paid TV 398 00:22:11,000 --> 00:22:14,960 Speaker 1: stars of two thousand and sixteen, Judge Judy is the 399 00:22:15,400 --> 00:22:20,520 Speaker 1: highest paid TV star, earning an estimated forty seven million 400 00:22:20,600 --> 00:22:23,240 Speaker 1: dollars a year for her show, which by the way, 401 00:22:23,240 --> 00:22:27,600 Speaker 1: is in its twenty feet season. That is so insane. 402 00:22:27,720 --> 00:22:30,800 Speaker 1: That number forty seven million seems completely insane to me 403 00:22:30,920 --> 00:22:33,159 Speaker 1: until you look at how much money her show brings 404 00:22:33,480 --> 00:22:37,040 Speaker 1: in Okay. Variety says that the show brings in between 405 00:22:37,080 --> 00:22:39,479 Speaker 1: a hundred and sixty and a hundred and seventy million 406 00:22:39,560 --> 00:22:43,080 Speaker 1: dollars a year in revenue, and it's the most watched 407 00:22:43,240 --> 00:22:46,720 Speaker 1: national program in daytime TV, with an average of ten 408 00:22:46,800 --> 00:22:49,679 Speaker 1: point three million viewers a week. I I thought for 409 00:22:49,720 --> 00:22:51,720 Speaker 1: sure it would have been Ellen. By the way, Oh no, 410 00:22:51,840 --> 00:22:55,159 Speaker 1: she's richer than Ellen's, isn't it nuts? Like that's that 411 00:22:55,240 --> 00:22:58,280 Speaker 1: blows my mind. And again she's like a sleeper logal 412 00:22:58,320 --> 00:23:00,800 Speaker 1: because you don't really hear about her in a in 413 00:23:00,840 --> 00:23:02,800 Speaker 1: a business way the way that you hear about folks 414 00:23:02,800 --> 00:23:06,280 Speaker 1: like Oprah or Ellen or you know. Yeah, And she's 415 00:23:06,359 --> 00:23:09,560 Speaker 1: an executive producer of another show, So Judge Judy is 416 00:23:09,600 --> 00:23:12,280 Speaker 1: the number one court daytime court show on TV and 417 00:23:12,320 --> 00:23:15,879 Speaker 1: the number two is Hot Bench that she also produces. Right, 418 00:23:16,200 --> 00:23:19,199 Speaker 1: So she's a straight up mogul in case y'all didn't know. 419 00:23:19,840 --> 00:23:23,719 Speaker 1: And as a straight up mogul, she also negotiates like 420 00:23:23,800 --> 00:23:27,280 Speaker 1: a boss. So as it happens when she was negotiating 421 00:23:27,480 --> 00:23:33,520 Speaker 1: with CBS, she this is like straight out of Mafia playbook, okay, 422 00:23:33,600 --> 00:23:36,880 Speaker 1: or the Gangster Playbook, because she would have a regular 423 00:23:36,960 --> 00:23:41,439 Speaker 1: steakhouse dinner with the network president, during which time she 424 00:23:41,520 --> 00:23:46,440 Speaker 1: would casually hand him an envelope containing the number that 425 00:23:46,640 --> 00:23:50,240 Speaker 1: will be her new salary that would be will be, 426 00:23:51,800 --> 00:23:54,800 Speaker 1: and it also will list any other demands or request 427 00:23:54,920 --> 00:23:57,760 Speaker 1: that she has. Quote. I hand him the envelope and 428 00:23:57,800 --> 00:24:00,959 Speaker 1: I say, don't read it now, let's have a nice dinner. 429 00:24:03,600 --> 00:24:07,080 Speaker 1: She would then say call me tomorrow if you want it, fine, 430 00:24:07,480 --> 00:24:11,480 Speaker 1: otherwise I'll produce it myself. And that is Judge Judy's 431 00:24:11,520 --> 00:24:15,080 Speaker 1: form of negotiation. How can you not love? That means 432 00:24:15,280 --> 00:24:17,680 Speaker 1: something out of my fantasies, and she can. She can 433 00:24:17,720 --> 00:24:20,600 Speaker 1: do it like she's so powerful and so successful and 434 00:24:20,680 --> 00:24:22,960 Speaker 1: so good. She's got it, like she's one of a kind. 435 00:24:23,280 --> 00:24:25,520 Speaker 1: I don't know why we missed that tactic in the negotiation, 436 00:24:26,640 --> 00:24:30,760 Speaker 1: take your to take your boss to a steak let 437 00:24:30,760 --> 00:24:35,160 Speaker 1: me know, don't open it now, Let's enjoy a nice 438 00:24:35,240 --> 00:24:38,320 Speaker 1: meal first. I think that is like the real death 439 00:24:38,359 --> 00:24:42,560 Speaker 1: knell of that. So she's a boss, there's no doubt 440 00:24:42,560 --> 00:24:47,119 Speaker 1: about it. Judge Judy is getting paid, she's taken no prisoners. 441 00:24:47,320 --> 00:24:52,119 Speaker 1: She has risen up from relative obscurity to being the 442 00:24:52,200 --> 00:24:58,359 Speaker 1: highest paid daytime TV mogul and talent. So what's not 443 00:24:58,400 --> 00:25:01,080 Speaker 1: to love, bridget Well, I'll tell you what's not to 444 00:25:01,160 --> 00:25:12,520 Speaker 1: love after this quick break and we're back. And I 445 00:25:12,600 --> 00:25:16,080 Speaker 1: was just talking about my number one faith, Judge Judy, 446 00:25:16,119 --> 00:25:18,800 Speaker 1: who's rapidly becoming my number one faith. The best should 447 00:25:18,800 --> 00:25:23,040 Speaker 1: be everyone's faith. But here's why she's a problematic faith 448 00:25:23,200 --> 00:25:26,800 Speaker 1: and not just a faith faive judge Judy commits my 449 00:25:26,960 --> 00:25:30,479 Speaker 1: number one feminist. Sin uh, well, maybe not number one, 450 00:25:30,480 --> 00:25:33,639 Speaker 1: but one of many. When you ask someone are you 451 00:25:33,680 --> 00:25:37,200 Speaker 1: a feminist? And they waffle, I hate that so much. 452 00:25:37,359 --> 00:25:40,400 Speaker 1: She didn't even really waffle. She said no, she does 453 00:25:40,440 --> 00:25:43,320 Speaker 1: not embody the term at all. She does not. Did 454 00:25:43,359 --> 00:25:46,240 Speaker 1: she not get the memo from Adici in this sample 455 00:25:46,359 --> 00:25:48,960 Speaker 1: track in the middle of Fiance's album, come on, we 456 00:25:49,000 --> 00:25:52,520 Speaker 1: should all be feminists? Yeah, I think that everybody should 457 00:25:52,520 --> 00:25:55,640 Speaker 1: be a feminist, but I think especially I'm particularly bothered 458 00:25:55,920 --> 00:25:58,440 Speaker 1: when someone says I'm not a feminist. I just think 459 00:25:58,440 --> 00:26:00,520 Speaker 1: that men and women should have the same I just 460 00:26:00,520 --> 00:26:02,320 Speaker 1: think that men and women should have to be paid 461 00:26:02,359 --> 00:26:04,480 Speaker 1: the same. I just think that men and women should 462 00:26:04,520 --> 00:26:09,880 Speaker 1: be equal society. And I'm saying that's saying I mean, 463 00:26:10,640 --> 00:26:13,119 Speaker 1: it frustrates me to no when right, Well, it's just 464 00:26:13,160 --> 00:26:15,320 Speaker 1: a good reminder that people hear the word feminist and 465 00:26:15,359 --> 00:26:19,320 Speaker 1: still don't immediately think gender equality, which is what feminism 466 00:26:19,359 --> 00:26:22,600 Speaker 1: is all about. It's not about women above men. It's 467 00:26:22,600 --> 00:26:27,320 Speaker 1: really about the equal social, political, economic, whatever justice between 468 00:26:27,880 --> 00:26:30,919 Speaker 1: women and men. And it's just a bummer that even 469 00:26:31,160 --> 00:26:33,919 Speaker 1: you know, as smart and savvy and witty as the 470 00:26:34,000 --> 00:26:36,160 Speaker 1: sixties seven year old TV judge, who by the way, 471 00:26:36,280 --> 00:26:39,960 Speaker 1: is a mother of five and grandmother of eleven, is 472 00:26:39,960 --> 00:26:44,280 Speaker 1: not setting the role model of not only being a mogul, 473 00:26:44,400 --> 00:26:48,159 Speaker 1: not only being an unapologetically assertive women, but also saying 474 00:26:48,440 --> 00:26:50,800 Speaker 1: that makes me a feminist. It's just it's just a bummer. 475 00:26:51,480 --> 00:26:54,119 Speaker 1: It is a bummer. I'm really taken by this article 476 00:26:54,119 --> 00:26:56,320 Speaker 1: in jezz Bell a few years ago about Judge Judy 477 00:26:56,359 --> 00:26:59,760 Speaker 1: and her feminism or lack thereof, where she basically kind 478 00:26:59,800 --> 00:27:03,800 Speaker 1: of denies sexism and doesn't see the sexism inherent in 479 00:27:03,800 --> 00:27:06,720 Speaker 1: her own come up story. She says, I never felt 480 00:27:06,760 --> 00:27:09,480 Speaker 1: I didn't have an equal opportunity as a woman, despite 481 00:27:09,520 --> 00:27:11,280 Speaker 1: the fact that she earlier mentioned that she was one 482 00:27:11,320 --> 00:27:13,760 Speaker 1: of only six women enrolled in her law school, where 483 00:27:13,840 --> 00:27:17,200 Speaker 1: she also admits professors didn't have much regard for female students, 484 00:27:17,800 --> 00:27:20,040 Speaker 1: and she goes on to say, some of the professors 485 00:27:20,040 --> 00:27:21,520 Speaker 1: treated you as if you were a skunk at a 486 00:27:21,600 --> 00:27:24,080 Speaker 1: lawn party, and as if you were there as a hobby. 487 00:27:24,440 --> 00:27:26,680 Speaker 1: Sometimes that takes away your spirit, and sometimes it makes 488 00:27:26,680 --> 00:27:29,000 Speaker 1: you tougher. It made me mad and tough. There were 489 00:27:29,000 --> 00:27:30,760 Speaker 1: a lot of schmucky guys in my class who were 490 00:27:30,800 --> 00:27:33,920 Speaker 1: all going to be mediocre lawyers at best. And to me, 491 00:27:34,840 --> 00:27:37,880 Speaker 1: I mean, how can you not read that anecdote and say, 492 00:27:37,960 --> 00:27:40,960 Speaker 1: look at that. That is that is gender inequality, that 493 00:27:41,080 --> 00:27:45,760 Speaker 1: is sexism. But she, for some reason, to her, it's like, oh, 494 00:27:45,840 --> 00:27:48,000 Speaker 1: it made me tough, and that's why I don't need 495 00:27:48,080 --> 00:27:50,760 Speaker 1: feminists and not a feminist because I saw this as 496 00:27:50,840 --> 00:27:55,680 Speaker 1: the setback. And I isn't this like classic second generation 497 00:27:55,840 --> 00:27:59,240 Speaker 1: shoulder pad wearing eight nineteen eighties there can only be 498 00:27:59,320 --> 00:28:02,280 Speaker 1: one woman at the top type feminism, because all I 499 00:28:02,320 --> 00:28:07,520 Speaker 1: can think of is this is like a feminist version 500 00:28:07,560 --> 00:28:10,720 Speaker 1: of the Horatio alger myth, which is classic to the 501 00:28:10,760 --> 00:28:13,240 Speaker 1: American come up story, which is this idea pull yourself 502 00:28:13,320 --> 00:28:15,720 Speaker 1: up by your bootstraps, just like I did. Why can't you? 503 00:28:16,119 --> 00:28:20,160 Speaker 1: She killed it. Clearly her career worked out, but that 504 00:28:20,200 --> 00:28:24,760 Speaker 1: doesn't mean gender discrimination doesn't prevent a hundred million other 505 00:28:25,480 --> 00:28:29,439 Speaker 1: equally talented judge judy's out there who aren't given that 506 00:28:29,600 --> 00:28:32,919 Speaker 1: same shot. So she's saying, yeah, it was tough. Sexism 507 00:28:33,040 --> 00:28:35,280 Speaker 1: chipped up my ego on occasion and made things a 508 00:28:35,320 --> 00:28:37,879 Speaker 1: little tougher for me. But I never felt like I 509 00:28:37,880 --> 00:28:42,600 Speaker 1: didn't have equal opportunity. It's this very libertarian way of saying, 510 00:28:43,400 --> 00:28:46,400 Speaker 1: I made my own opportunities, so why can't you? And 511 00:28:47,040 --> 00:28:50,480 Speaker 1: you've always said on this podcast, feminism is not about 512 00:28:50,480 --> 00:28:54,760 Speaker 1: one woman's rise, right, Yeah, Feminism is not one is 513 00:28:54,800 --> 00:28:58,840 Speaker 1: not cheering one woman doing awesome, although that's great. Feminism 514 00:28:58,880 --> 00:29:02,360 Speaker 1: is about lifting up there's Feminism is about acknowledging that 515 00:29:02,440 --> 00:29:06,360 Speaker 1: even if another female identified person has different problems, different struggles, 516 00:29:06,360 --> 00:29:09,160 Speaker 1: different chains, different oppression, our oppression is a linked and 517 00:29:09,200 --> 00:29:11,760 Speaker 1: I can't get free unless she is also free, exactly, 518 00:29:11,800 --> 00:29:15,320 Speaker 1: And I think that's where Judge Judy sees that very differently. 519 00:29:15,360 --> 00:29:17,240 Speaker 1: She sees the world very differently. I would venture to 520 00:29:17,240 --> 00:29:20,400 Speaker 1: guess she's a Republican. I mean, she really clearly believes 521 00:29:20,440 --> 00:29:23,239 Speaker 1: in in individualism and that pull yourself up by your 522 00:29:23,240 --> 00:29:27,040 Speaker 1: own bootstraps type and mentality. In that same article, she says, quote, 523 00:29:27,080 --> 00:29:30,320 Speaker 1: I believe in the individual spirit. It was hard for 524 00:29:30,360 --> 00:29:33,440 Speaker 1: me to put my heart into organizations that were trying 525 00:29:33,440 --> 00:29:36,240 Speaker 1: to tell me something that I never felt. In that quote, 526 00:29:36,240 --> 00:29:42,280 Speaker 1: she's referencing feminist uprising organizations, and I understand where she's 527 00:29:42,320 --> 00:29:45,400 Speaker 1: coming from. She's saying, I never really felt discriminated against. 528 00:29:46,040 --> 00:29:49,200 Speaker 1: So all that discrimination that you're talking about other women, 529 00:29:49,400 --> 00:29:53,640 Speaker 1: I don't know, maybe women across the spectrum of intersectional feminism, 530 00:29:53,680 --> 00:29:57,000 Speaker 1: maybe women who don't have the same skin tone as 531 00:29:57,040 --> 00:29:59,880 Speaker 1: I do, or don't have the same uh sexual or 532 00:30:00,000 --> 00:30:03,480 Speaker 1: intation than I do, or ability that I do, etcetera, etcetera, 533 00:30:03,480 --> 00:30:07,800 Speaker 1: and onward that discrimination and describing I never felt that, 534 00:30:08,000 --> 00:30:10,520 Speaker 1: so therefore it's not valid and there's no need to 535 00:30:10,520 --> 00:30:13,440 Speaker 1: work against it in any kind of organized way. Um. 536 00:30:13,680 --> 00:30:15,880 Speaker 1: I have to stick up for Judge Juty in the 537 00:30:16,000 --> 00:30:20,800 Speaker 1: typical problematic fame defensiveness. She claims to have voted for 538 00:30:20,840 --> 00:30:23,920 Speaker 1: Barack Obama. She is pro choice and pro gay marriage. 539 00:30:24,160 --> 00:30:27,040 Speaker 1: She does definitely have some She's sort of like Angie Harmon. 540 00:30:27,360 --> 00:30:28,680 Speaker 1: I don't know if you watch Law and Order, but 541 00:30:28,720 --> 00:30:30,480 Speaker 1: she's I could talk all day about how much I 542 00:30:30,520 --> 00:30:33,560 Speaker 1: love Angie Harmon, but is a huge Republican. Um. Yeah, 543 00:30:33,560 --> 00:30:37,440 Speaker 1: but who do you think she voted for? Kills me 544 00:30:37,720 --> 00:30:40,360 Speaker 1: if I use Sweet Jesus, she cannot. If I find 545 00:30:40,360 --> 00:30:42,760 Speaker 1: out that Judge Dudy voted for Trump, my life will 546 00:30:42,800 --> 00:30:50,480 Speaker 1: be over. Sorry and Jen, Sorry, Oh my gosh, Judge Duty, 547 00:30:50,680 --> 00:30:53,960 Speaker 1: if you're listening, please get get in touch with me. 548 00:30:54,200 --> 00:30:55,920 Speaker 1: We can work it out. If you voted for Trump, 549 00:30:55,960 --> 00:30:58,800 Speaker 1: we can get you out of this. Thank you. I 550 00:30:58,840 --> 00:31:01,000 Speaker 1: don't know, can we. I think we need her to 551 00:31:01,040 --> 00:31:06,280 Speaker 1: save us. She's a strong woman. Clinic. I would she 552 00:31:06,360 --> 00:31:10,720 Speaker 1: identified with Clintic. She has to. They're so similar in 553 00:31:10,840 --> 00:31:13,880 Speaker 1: some ways. I don't know it is It would make 554 00:31:13,920 --> 00:31:16,840 Speaker 1: her much more problematic, wouldn't it if she voted. But 555 00:31:16,880 --> 00:31:19,480 Speaker 1: here's the thing I get. I really do have a 556 00:31:19,560 --> 00:31:21,680 Speaker 1: ton of respect for a lot of Republicans, and I 557 00:31:21,800 --> 00:31:24,720 Speaker 1: get the free market, capitalist approach. I'm a business owner. 558 00:31:24,840 --> 00:31:29,320 Speaker 1: I believe in capitalism as a vehicle for positive change 559 00:31:29,400 --> 00:31:32,719 Speaker 1: to not just oppression, which we've had some really interesting 560 00:31:32,840 --> 00:31:35,840 Speaker 1: conversations with our fans on social media about recently. Yeah, 561 00:31:35,840 --> 00:31:37,760 Speaker 1: I mean, I I feel bit differently. I would not 562 00:31:37,840 --> 00:31:42,680 Speaker 1: call myself a capitalist, but so I sort of see though. 563 00:31:43,280 --> 00:31:47,160 Speaker 1: I mean, I see, I have respect for what she's accomplished, 564 00:31:47,480 --> 00:31:52,000 Speaker 1: and I understand this blindness to other people's oppression. I 565 00:31:52,160 --> 00:31:56,440 Speaker 1: just don't think I think she can do better. I 566 00:31:56,520 --> 00:32:01,000 Speaker 1: think she's got incredible intellect and wit and empathy clearly 567 00:32:01,160 --> 00:32:03,880 Speaker 1: is involved in being a good judge. So I'd be 568 00:32:03,960 --> 00:32:08,320 Speaker 1: surprised for her to not have her awoken NG. You know, 569 00:32:08,480 --> 00:32:12,280 Speaker 1: from an intersectional feminist perspective, maybe that's Sara. Maybe we 570 00:32:12,360 --> 00:32:15,080 Speaker 1: can have lunch with her. Yeah, maybe we can. I would. 571 00:32:15,960 --> 00:32:18,600 Speaker 1: Maybe we can send our intersectional feminism law. If anyone 572 00:32:18,640 --> 00:32:20,760 Speaker 1: has a connection to Judge Juty, please get in touch 573 00:32:20,800 --> 00:32:22,160 Speaker 1: with me. I would. I would die happy. And I'm 574 00:32:22,200 --> 00:32:25,880 Speaker 1: sure we could all learn from each other at that. Definitely, definitely. 575 00:32:26,120 --> 00:32:27,840 Speaker 1: But I think you know, when I bring it back 576 00:32:27,880 --> 00:32:30,160 Speaker 1: to this, this concept of being a problematic faith, I 577 00:32:30,280 --> 00:32:32,880 Speaker 1: think the tumbler your favorite problematic if you go to 578 00:32:32,920 --> 00:32:36,160 Speaker 1: there frequently ask questions, I think they really kind of 579 00:32:36,320 --> 00:32:38,400 Speaker 1: capture how I feel. So you were to write in 580 00:32:38,480 --> 00:32:41,400 Speaker 1: and say, okay, my favorite problematic. Now what they write, 581 00:32:41,880 --> 00:32:44,280 Speaker 1: I'm sorry it upsets you, but it's important to remember 582 00:32:44,360 --> 00:32:46,840 Speaker 1: that our favorites are human and they will make mistakes 583 00:32:46,960 --> 00:32:49,600 Speaker 1: and do or say bad things. This does not necessarily 584 00:32:49,640 --> 00:32:51,520 Speaker 1: mean they are bad people, nor does it mean that 585 00:32:51,560 --> 00:32:53,640 Speaker 1: you cannot like them all. It means that you should 586 00:32:53,640 --> 00:32:56,320 Speaker 1: acknowledge their flaws and that they should be held accountable 587 00:32:56,320 --> 00:32:59,280 Speaker 1: for them. And I think that is hard, but I 588 00:32:59,320 --> 00:33:02,440 Speaker 1: think that is so so right. And so you know, 589 00:33:02,480 --> 00:33:05,040 Speaker 1: if you have a problematic faith, whether it's Judge Duty 590 00:33:05,280 --> 00:33:08,920 Speaker 1: or Kim Kardashian or Justin Bieber or Woody Allen. Maybe 591 00:33:08,960 --> 00:33:13,560 Speaker 1: not him, but um I mean his art. Yeah, yeah, 592 00:33:13,560 --> 00:33:18,080 Speaker 1: I get it, you know, acknowledging. It's okay that I 593 00:33:18,800 --> 00:33:21,440 Speaker 1: still like this person. It's okay that I can't separate 594 00:33:21,560 --> 00:33:27,840 Speaker 1: Bill Cusby. Oh that's is it? Okay? I have to 595 00:33:27,880 --> 00:33:30,880 Speaker 1: say I've mentioned on the show how much I love 596 00:33:30,960 --> 00:33:34,040 Speaker 1: the show A Different World, which he's not in to produced. 597 00:33:34,480 --> 00:33:38,960 Speaker 1: So I will always like that show, but he's quickly 598 00:33:39,040 --> 00:33:42,080 Speaker 1: becoming someone to me that like. It's also R Kelly. 599 00:33:42,800 --> 00:33:47,000 Speaker 1: If you still like Kelly, I'm giving you major side eyes. 600 00:33:47,000 --> 00:33:49,160 Speaker 1: It's the other rapper that always we always waffle on. 601 00:33:49,400 --> 00:33:52,920 Speaker 1: It's not Chris Brent, it's Drake. Okay, yeah, I mean 602 00:33:53,000 --> 00:33:58,880 Speaker 1: comparatively all right, But what you were saying is that 603 00:33:58,960 --> 00:34:02,000 Speaker 1: it's okay, it's okay. And I think what they're saying is, 604 00:34:02,240 --> 00:34:04,240 Speaker 1: you know, to be honest about it, and it's okay 605 00:34:04,240 --> 00:34:07,000 Speaker 1: to recognize people's flaws. I also think it's really interesting 606 00:34:07,120 --> 00:34:09,040 Speaker 1: that one of the questions they have on their fa 607 00:34:09,160 --> 00:34:12,120 Speaker 1: queues are okay, well, your your blog is problematic. Are 608 00:34:12,120 --> 00:34:14,680 Speaker 1: you going to post on that, and they say, we 609 00:34:14,760 --> 00:34:17,160 Speaker 1: do not think we are exempt from doing problematic things. 610 00:34:17,520 --> 00:34:19,400 Speaker 1: We we want to be called out when we do. 611 00:34:19,960 --> 00:34:21,719 Speaker 1: We do not think this blog is perfect. We have 612 00:34:21,800 --> 00:34:23,880 Speaker 1: made mistakes in the past. We are not witty or 613 00:34:23,880 --> 00:34:25,879 Speaker 1: original by sending this sort of message. And I think, 614 00:34:26,480 --> 00:34:28,560 Speaker 1: as as sort of meta as that is, that's what 615 00:34:28,640 --> 00:34:31,120 Speaker 1: it all comes down to, Like our faiths are problematic. 616 00:34:31,320 --> 00:34:34,600 Speaker 1: We are problematic. I am problematic. You are problematic. Everything 617 00:34:34,760 --> 00:34:37,840 Speaker 1: is problematic, and that's okay. We're here and that just 618 00:34:37,960 --> 00:34:41,760 Speaker 1: makes us analytical and interesting and open to learning and growth. 619 00:34:41,840 --> 00:34:43,840 Speaker 1: I really think it's about having a growth mindset on 620 00:34:43,920 --> 00:34:47,480 Speaker 1: this stuff, and that I think is hopefully we've made 621 00:34:47,480 --> 00:34:49,160 Speaker 1: it clear that we're really walking the walk on this 622 00:34:49,440 --> 00:34:56,120 Speaker 1: because this podcast is an exercise in hopefully where somebody's faiths, 623 00:34:56,360 --> 00:34:58,319 Speaker 1: you know what I mean. If I'm your faith, I'm 624 00:34:58,360 --> 00:35:01,520 Speaker 1: hella problematic exactly. I mean, we're all imperfect, and we've 625 00:35:01,520 --> 00:35:05,120 Speaker 1: been very transparent about that, and I think we learn 626 00:35:05,840 --> 00:35:10,319 Speaker 1: as much as I hope you listeners learn from us. 627 00:35:10,719 --> 00:35:13,000 Speaker 1: So I think the exchange of ideas is what this 628 00:35:13,160 --> 00:35:15,920 Speaker 1: is really all about, and that we welcome your call 629 00:35:16,040 --> 00:35:19,320 Speaker 1: ins and call out as as a part of that, 630 00:35:19,920 --> 00:35:24,520 Speaker 1: of that path for growth. I really also thoroughly enjoy 631 00:35:24,680 --> 00:35:28,319 Speaker 1: how the authors of that Jezebel piece kind of reconcile 632 00:35:28,560 --> 00:35:31,840 Speaker 1: their feelings about Judge. Shety, Oh, they're doing exactly what 633 00:35:31,960 --> 00:35:34,759 Speaker 1: I do. So they write, so like Mormon people who 634 00:35:34,800 --> 00:35:37,200 Speaker 1: baptize the dead, I will anoint Judge duty as a 635 00:35:37,239 --> 00:35:39,360 Speaker 1: feminist and get on with my life. That's basically what 636 00:35:39,440 --> 00:35:41,520 Speaker 1: I've done in my mind. She's a feminist. She doesn't 637 00:35:41,520 --> 00:35:43,960 Speaker 1: have to say it. I see it enough for me. 638 00:35:44,600 --> 00:35:47,520 Speaker 1: I love it, and I think that's a perfectly reasonable 639 00:35:47,880 --> 00:35:53,040 Speaker 1: way to psychologically compartmentalize your sort of phase status for 640 00:35:53,360 --> 00:35:57,640 Speaker 1: someone like Judge. Judy and listeners, I hope you enjoyed 641 00:35:57,680 --> 00:36:01,800 Speaker 1: today's conversation because there's a lot of problematic phase that 642 00:36:01,920 --> 00:36:05,640 Speaker 1: we would like to break down and discuss. In fact, 643 00:36:06,120 --> 00:36:10,560 Speaker 1: somebody that has been on the headlines a lot lately, 644 00:36:11,000 --> 00:36:13,840 Speaker 1: and you have already been writing into our inbox often 645 00:36:13,920 --> 00:36:17,080 Speaker 1: about who is probably this is what I posted on 646 00:36:17,160 --> 00:36:19,640 Speaker 1: your social media page on Facebook when you asked about 647 00:36:19,680 --> 00:36:23,000 Speaker 1: this is my number one problematic faith. And that's who 648 00:36:23,000 --> 00:36:25,960 Speaker 1: we're going to discuss on our next problematic fave episode, 649 00:36:26,600 --> 00:36:30,680 Speaker 1: and that is the one and only Taylor Swift. Taylor Swift. 650 00:36:31,200 --> 00:36:33,240 Speaker 1: We I have a lot of opinions about Taylor Swift. 651 00:36:33,320 --> 00:36:35,040 Speaker 1: I know she's your faith. I know she's probably the 652 00:36:35,120 --> 00:36:37,400 Speaker 1: faith of of lots of people, and she's great and 653 00:36:37,440 --> 00:36:39,279 Speaker 1: a lot don't tell me how problematic she is yet. 654 00:36:41,640 --> 00:36:44,960 Speaker 1: When you're ready, you're ready. We're here. You're here to 655 00:36:45,000 --> 00:36:49,040 Speaker 1: help me anytime, help me part here? Okay? Good? Anything 656 00:36:49,080 --> 00:36:54,320 Speaker 1: else before we sign off? I loved re falling in 657 00:36:54,400 --> 00:36:58,040 Speaker 1: love with Judge Judy. Thank you. One last thing, Google 658 00:36:58,280 --> 00:37:01,879 Speaker 1: Judge Judy vacation photo. There's an amazing photo of herod 659 00:37:02,000 --> 00:37:04,560 Speaker 1: vacation on a yacht wearing a kimono and a bikini. 660 00:37:05,200 --> 00:37:08,080 Speaker 1: You're glad to see this picture. It's an emblematic of 661 00:37:08,520 --> 00:37:11,239 Speaker 1: everything that is amazing about Judge Cheaty. Well, thank you 662 00:37:11,360 --> 00:37:14,080 Speaker 1: so much for taking your time to join us today. 663 00:37:14,200 --> 00:37:16,960 Speaker 1: I can't wait to hear more from you. Listeners and 664 00:37:17,080 --> 00:37:20,239 Speaker 1: Bridget and I are dying to know what your number 665 00:37:20,280 --> 00:37:23,600 Speaker 1: one problematic faves are. Send us a tweet at mom 666 00:37:23,680 --> 00:37:27,120 Speaker 1: Stuff podcast, tag us on Insta at Stuff Mom Never 667 00:37:27,239 --> 00:37:31,120 Speaker 1: told you, and as always, we love getting your emails. 668 00:37:31,200 --> 00:37:34,080 Speaker 1: Tell us all about your problematic faves and tell us 669 00:37:34,120 --> 00:37:36,080 Speaker 1: who you think we should break down next in an 670 00:37:36,120 --> 00:37:38,719 Speaker 1: episode just like this one by emailing us at mom 671 00:37:38,800 --> 00:37:40,640 Speaker 1: stuff at how stuff works dot com