Speaker 1: Still the Place with Laura Layton, Courtney Thorne Smith.
Speaker 2: And Daphne's Aniga an iHeartRadio podcast. So thanks for joining us. Everyone.
Speaker 2: We're just discussing all the ins and outs and tech
Speaker 2: of doing this podcast for the actors and how Lucy,
Speaker 2: Laura's daughter, came on our press day and was like
Speaker 2: whoo boom and like reels and stories and editinging and music.
Speaker 2: It was amazing on her.
Speaker 3: She can do all the things. And we're you know,
Speaker 3: we're just figuring out as we go.
Speaker 2: I get my pencil.
Speaker 4: I mean, I've been asking Jack since he was eight
Speaker 4: years old, how do I just handed my phone? Because
Speaker 4: you know, when we were growing up, if you hit
Speaker 4: the wrong button, everything went away. Yeah, right, like these
Speaker 4: kids asked you, do you want to get rid of it?
Speaker 4: Do you want to get rid of it? We didn't
Speaker 4: have that. Do you remember hitting the wrong button and
Speaker 4: everything you were writing was gone?
Speaker 2: It was scary here. It was scary still is in
Speaker 2: certain ways. I think we just it's just.
Speaker 3: Well, we've just figured out zoom.
Speaker 5: Although I'm realizing I need to keep my hands in
Speaker 5: my lap because I still haven't turned off that setting
Speaker 5: that makes me give you like fireworks and greens by accident.
Speaker 5: So I'm just going to be here with the hands
Speaker 5: of my lap today for this recap. Daphane's got our recap.
Speaker 5: She's given us a rundown us. Heather Locklear's first appearance
Speaker 5: in this episode we're recapping today.
Speaker 2: Yeah. This is episode twenty one, season one, twenty.
Speaker 3: One where Amanda Woodward appears.
Speaker 2: It aired on January thirteenth, nineteen ninety three, and I
Speaker 2: you know, we're having such a blast watching this. I
Speaker 2: just want to encourage our listeners watch every single episode
Speaker 2: on Paramount Plus and if you just want to watch
Speaker 2: that and then listen to these comments. It's really fun
Speaker 2: for us, isn't it.
Speaker 3: It's a blast to watch the episode though.
Speaker 4: It's fun, and this is a great time to join
Speaker 4: in because the episodes are starting to pick up and
Speaker 4: it's sort of becoming what Melro's Place became.
Speaker 3: Let's good, right, can't wait?
Speaker 2: You guys, thank you so picture imperfect. This is episodewe
Speaker 2: one I'm trying to look here, directed by Nancy Malone.
Speaker 2: So for those of you remember Nancy, she was a
Speaker 2: child actress and a great director for us that came
Speaker 2: on and did a few of.
Speaker 1: These, and she kept everybody moving.
Speaker 4: I know we'll get to usy go by ses, but
Speaker 4: did you notice that, like sometimes it's just two people
Speaker 4: sitting in a chair talking, there was movement in every scene.
Speaker 1: We had props doing things we didn't normally do.
Speaker 2: Oh so yeah, we were really encouraged to do that.
Speaker 2: A lot of shows this, you know, our dramas just
Speaker 2: kind of like really rely on the close up, the
Speaker 2: close ups and over the shoulders and so you're acting
Speaker 2: with kind of like your face. But she was very
Speaker 2: used to I think you're right. I noticed that, you know,
Speaker 2: encouraged like body movement and wider shots and things like that,
Speaker 2: which was.
Speaker 3: Yeah, use the room, cause the set.
Speaker 2: And on that note, we started D and D advertising
Speaker 2: and we are walking, Lucy and Allison are walking.
Speaker 4: Did you notice I'm sorry to interject so quickly, but
Speaker 4: I like there was a voice, a male voice over
Speaker 4: it as we're coming into D and D and it says,
Speaker 4: D and D may I help you?
Speaker 1: And I was like, NW, why Alison at the receptionist desk?
Speaker 1: And then we come into.
Speaker 2: This scene and we figure out why she's pulled her
Speaker 2: off the desk. So Lucy walks into office and Allison says,
Speaker 2: is something wrong and Lucy says, nope, take a seat,
Speaker 2: and she says that she had to let somebody go.
Speaker 2: Toby callup. Allison's getting kind of worried, like, am I next?
Speaker 2: And she says, I recommended you for the job assistant
Speaker 2: account executive, which is a bit of a promotion. I guess, well, yes,
Speaker 2: anything is from receptionist, right definitely. Lucy says, yeah, there's
Speaker 2: room for opportunity. You won't be getting much more than
Speaker 2: you're getting now, but it'll be really great. You're the
Speaker 2: liaison between the creative and the client. And she's so
Speaker 2: excited and she asks, oh boy, when do I start?
Speaker 2: She goes right now, and she says, we've lost our
Speaker 2: photographer for tomorrow's for the count of Maximum Advantage, which
Speaker 2: is a men's underwear, and we need a replacement for
Speaker 2: that photographer right now. So Lucy picks up the phone
Speaker 2: and asks for Amanda Woodward, the director on the account.
Speaker 1: You squeel when she said Amanda Woodward, I was.
Speaker 2: Like, huh. I wasn't shocked because this is the most
Speaker 2: casual entrance I think's.
Speaker 5: Apparently already been at the company, right. We just haven't
Speaker 5: met her yet, but she just in back office.
Speaker 2: We didn't notice her. So it's like the most low
Speaker 2: key entrance we've ever seen.
Speaker 5: But Alison's like, yeah, I know who she is. All right,
Speaker 5: yeah whatever here she comes.
Speaker 2: Whatever weird. So she goes, I'll you know, Amanda, will
Speaker 2: you come in, Amanda will fill you in on the
Speaker 2: rest of the details. And Alison looks at Lucy, telling
Speaker 2: Lucy that she's floored, and Allison says, I don't know
Speaker 2: what to say, and Lucy says, don't let me down,
Speaker 2: that's all.
Speaker 4: But did you notice Like when when when I came
Speaker 4: into the scene, I thought, God, that's kind of a
Speaker 4: weird out. For like, I had this big white sweater
Speaker 4: belted of her white skirt and it seemed kind of
Speaker 4: frumpy and virginal. But then when Heather came in and
Speaker 4: I was like, oh, she's got on a power suit, right,
Speaker 4: I couldn't look more Midwest vulnerable And she comes in
Speaker 4: in this like lavender power suit. I was like, oh,
Speaker 4: with these big buttons, remember that, Like.
Speaker 3: She they were setting that contrast.
Speaker 4: They were setting that contrast because I thought Denise Wingetter
Speaker 4: crossed and we didn't do anything without thinking about it,
Speaker 4: and I was like, oh that's why.
Speaker 3: Yeah, that was a great contrast.
Speaker 2: So Amanda has come into the office. They've left Lucy's office,
Speaker 2: and our next scene is they're walking in to the
Speaker 2: offices where the general employees are and Alison is so
Speaker 2: excited and she says, oh, I get my own office
Speaker 2: and Amanda replies, yeah, it's more like your own veal
Speaker 2: fattening pen. And she shows here her cube and she's like,
Speaker 2: feel free to redecorate. I think she said. Alison go goes,
Speaker 2: have you met this Rex Welden, this tennis star that
Speaker 2: they're going to shoot for this campaign? And I've noticed
Speaker 2: that there's pictures of him on the cubes there. I
Speaker 2: guess she puts up whoever they're working on and he's
Speaker 2: this cute guy and she goes, yeah, I've met him once.
Speaker 2: And then Amanda says, you know, try not to dwell
Speaker 2: on how adorable Rex is, because the last thing you
Speaker 2: want to do is get with a client, and that
Speaker 2: the account usually disappears when the relationship is over, which
Speaker 2: is what happened to Toby Callow.
Speaker 3: According to the R.
Speaker 4: And do you remember, because I remembered that day I
Speaker 4: was watching that scene and being really nervous about Heather
Speaker 4: locked they were coming on.
Speaker 1: She was a really big star.
Speaker 4: And then I was looking at the first scenes and
Speaker 4: just remembering how funny and humble and warm and lovely
Speaker 4: she is.
Speaker 1: Yes, how she immediately puts everybody at ease.
Speaker 4: I just had that memory of, Oh, I remember her
Speaker 4: coming and looking insanely gorgeous as always, but just so
Speaker 4: down to earth and so lovely. And I had that
Speaker 4: memory of, oh, how she put everybody at ease. Yeah,
Speaker 4: her character joke, she's lovely to the crew.
Speaker 1: I just had that memory of having her there the
Speaker 1: first day and how wonderful it was.
Speaker 5: Yeah, her character gets like more sort of powerful and
Speaker 5: bossy as as it grows.
Speaker 3: And as it goes on, but here her entrance, she's
Speaker 3: just she.
Speaker 5: Is so lovely and her smile just lights up her
Speaker 5: face and she just comes off with so kind and
Speaker 5: warm and appealing.
Speaker 1: Yeah, it was fun to remember that day.
Speaker 2: Yeah, nice, I totally agree. So before Amanda leaves, she
Speaker 2: says she well, she's going to go look at some
Speaker 2: more portfolios, but she says, you know, we got to
Speaker 2: get on this thing. So she really introduces that there's
Speaker 2: a time crunch that that Alison has her first gig.
Speaker 2: It's like all this stuff, you're you're working now, you're
Speaker 2: working on something that's happening tomorrow. And we have a
Speaker 2: time crunch and here's Amanda and go and Alice's just like, well,
Speaker 2: I'll be right here, you know, sitting at her desk.
Speaker 2: She's so excited. She has a cubicle.
Speaker 1: She loves it.
Speaker 2: She loves it. So the next scene is that shooters
Speaker 2: and we have a really cool high shot looking down
Speaker 2: on the group. Yeah, were you thinking, I'm thinking, you know,
Speaker 2: Nancy's you know, creativity. She's like, okay, how do you
Speaker 2: get the message across At everyone's cheerings, they were all
Speaker 2: cheerings of your promotion, toasting your promotion. So Billy says, well,
Speaker 2: cheers on your brilliant new career. Dreams do come true
Speaker 2: and he kisses you on the cheek and everyone else disappears,
Speaker 2: and Alison and Billy sit together at the bar and
Speaker 2: Billy's like, well, you won't need a roommate anymore now
Speaker 2: that you're making the big box and she's like, yeah,
Speaker 2: it's fifty dollars extra month. You want to calculate that.
Speaker 2: Courtney in today's buddy. Let's just get it's probably the same.
Speaker 1: It's just two hundred, right.
Speaker 3: In any case, Billy's not going anywhere.
Speaker 1: Yeah, Billy's not going anywhere.
Speaker 2: So he says, well, I'm really proud of you. And
Speaker 2: then Michael comes over and pulls Billy aside and to
Speaker 2: go play pool. And then Joe comes in and takes
Speaker 2: his seat and is prepared to chat with you. But
Speaker 2: over at the pool table Michael and Billy, Michael asked, Billy,
Speaker 2: are you seeing anyone? And Michael says, I think I
Speaker 2: have someone to set you up with as he's playing pool,
Speaker 2: and Billy's like, well, who is she? Well, her name
Speaker 2: is Lydia Perkins and she's a nurse at the hospital.
Speaker 2: Very sweet and he's like sweet, Well, which famous person
Speaker 2: does she look like?
Speaker 3: Yeah? He wants to know more. Sweet maybe not be
Speaker 3: enough of a description.
Speaker 4: I remember like blind, d you know you would always
Speaker 4: get a picture of somebody right, like then you were
Speaker 4: really blind, Like people didn't have a saywater, You couldn't
Speaker 4: say let me take a picture for your date.
Speaker 1: You just said to believe the person you were talking to, or.
Speaker 2: You couldn't just say what's her name again? And then
Speaker 2: look it up all ye, he's getting the name out
Speaker 2: of his mind. He so, you know, who does he
Speaker 2: look like? And he Michael says, oh, Cindy Crawford and
Speaker 2: he's like really and he's like, no, she looks like
Speaker 2: herself and she's great. And he goes, well, suspiciously, why
Speaker 2: can't you get a real date? And he sinks the
Speaker 2: ball and says, well why can't you? And he's like damn,
Speaker 2: and which is a good question. Why can't he?
Speaker 1: Because well, because he's in love with Alison. Are you
Speaker 1: guys not watching the show?
Speaker 3: He's trying everything to avoid the truth.
Speaker 1: Yeah, yes, he can't yeh yes.
Speaker 2: So we're back at the bar where Joe has come
Speaker 2: in and she's sitting there drinking her white wine and
Speaker 2: and moaning about unemployment. And Alison says, well, you know,
Speaker 2: I was hoping that the receptions job would lead to something,
Speaker 2: but you know, here it is, and you might want
Speaker 2: to show me some of your photography. I might want
Speaker 2: us because I could maybe help you. And she's like, really,
Speaker 2: that would be amazing. You know, people are afraid of
Speaker 2: trying something new. Everyone wants to do the same old thing.
Speaker 2: Alison tells Joe that she would like to help her
Speaker 2: if she can, and she goes, well, come on over,
Speaker 2: look at my photographs. We cut right to the apartment.
Speaker 2: So this is the one where the portfolio where we
Speaker 2: start close and we pull back on these guys playing
Speaker 2: volleyball on the beach, and then Alison's wow, your photography
Speaker 2: is so cool. These are great. Did you get anyone
Speaker 2: any of their numbers? And Joe's like, yeah, no, a few.
Speaker 2: But then she's like, no, I'm not looking for numbers.
Speaker 2: My hands are full with Jake and the last thing
Speaker 2: I need is to pick up guys at the beach.
Speaker 2: And Alison says, well, what's going on with you and Jake? Well,
Speaker 2: and it's slow, you know, it's hard, but I know
Speaker 2: it's best for me. And Allison's like, in this one take,
Speaker 2: Jake is a really great guide, Joe, and you're good
Speaker 2: for him. I can tell. And she's like really anyway,
Speaker 2: Then she keeps looking at the photos and she sees
Speaker 2: some very avant garde black and white ones. Wow, these
Speaker 2: are cool, and there were ones that she took in
Speaker 2: New York for some magazine and she's like, wow, I'm
Speaker 2: going to bring these into the office. Because they're great.
Speaker 2: Then we're in D and D advertising and now Amanda's
Speaker 2: looking through Joe's portfolio and she's like, Wow, did you
Speaker 2: guys think these photos were really great? Because like everyone
Speaker 2: is bowled over and I'm just asking you as audience members,
Speaker 2: were they really great? Like they didn't really stand out
Speaker 2: to me?
Speaker 5: I know, yeah, I think it's probably pretty hard to
Speaker 5: get to the punchline of this story, right. The punchline
Speaker 5: is that Joe's going to want to do something a
Speaker 5: little different, And how do you say that in this
Speaker 5: first part with just her photographs, Like this is how
Speaker 5: Joe is artistic and different, right, I mean I think.
Speaker 2: That's great, Like they're emphasizing how great these are.
Speaker 3: She's fantastic.
Speaker 5: Well, and also they're desperate they need to hire a
Speaker 5: photographer immediately, and Alison has presented.
Speaker 3: Them with their solution. Right, here's this woman.
Speaker 5: She's available tomorrow and her photographs aren't true right there.
Speaker 5: It's not that they're like greater than ten other people
Speaker 5: that are options for tomorrow. It's like Joe is available
Speaker 5: tomorrow and her photography is great.
Speaker 2: Yeah yeah, yeah yeah. And also it's an advertising D
Speaker 2: and D is for advertising so they're usually very basic,
Speaker 2: straightforward commercials that are showing a product period, good lighting,
Speaker 2: show the product, and you know, that's what they're used to,
Speaker 2: and these are kind of different, some of them more creative.
Speaker 2: So Amanda is going, wow, I love these. Who's her agent?
Speaker 2: And she's like, well, you know, she doesn't have one
Speaker 2: And Amanda's I thought that.
Speaker 4: Was a good cover, Alison, she doesn't have one out
Speaker 4: here yet.
Speaker 1: Ah, yeah, pretty good in the moment qualifying it, Yeah,
Speaker 1: uh huh.
Speaker 2: He's an ally, She's very good, okay, And Amanda says, wow,
Speaker 2: this might be the lucky break that we need. So
Speaker 2: I'm going to show this stuff to Lucy. And then
Speaker 2: Amanda asked her do you want to come along? And
Speaker 2: she's like yes, And then we cut to Lucy walking
Speaker 2: down the hallway and looking at Joe's photos and she's like, wow,
Speaker 2: these are great. They're so dynamic. What do you think, Alison?
Speaker 3: Did you see Alison is sort of like hurrying.
Speaker 2: To keep up.
Speaker 3: Did you notice the way you were walking?
Speaker 5: Is like Lucy's walking very confidently striding down the hall
Speaker 5: and here comes Amanda. She's very confidently striding, but like
Speaker 5: Alison had this like little.
Speaker 3: Scurry like she was hurrying to keep up.
Speaker 2: It was very mud so creat So she but she's
Speaker 2: a good mentor. She's asking you, you know, what do
Speaker 2: you think? And Alison says, well, I think that we
Speaker 2: should give her a shot. And Amanda reminds Lucy that
Speaker 2: the clock is ticking, so boom, take her in my
Speaker 2: office this afternoon.
Speaker 1: What could possibly go wrong?
Speaker 3: This is gonna be great.
Speaker 2: It's gonna be great. We are in the kitchen of
Speaker 2: a restaurant and Terrence and Ronda are there tasting pastries,
Speaker 2: and Ronda's like, oh, these are better than sex?
Speaker 1: Can you think? Oh? Tell you, at least it is
Speaker 1: better than sex with you.
Speaker 2: Well, then, Terrence, do you remember Terrence goes tastes it
Speaker 2: and goes almost like correcting her.
Speaker 1: Yeah.
Speaker 2: Well, but then Terrence says that Nancy is a gifted
Speaker 2: pastry chef and wants her to make the cake for
Speaker 2: the wedding. So I thought this right when I saw this.
Speaker 2: Do you remember the star celebrity chef of the nineties, Nancy.
Speaker 2: Nancy Silverton was huge. She gave us the restaurants of
Speaker 2: Campanilely and you know, most Son stuff. But she created
Speaker 2: Ray Bakery.
Speaker 5: Which they made this character Nancy the chef carrecs Nancy,
Speaker 5: and I looked at it was an extra.
Speaker 2: She didn't have a line or anything, but I looked
Speaker 2: and she looked like Nancy Silverton. And you know, Darren
Speaker 2: wrote this, and Darren's into all that stuff and food
Speaker 2: and stuff, so I thought that was almost a cameo.
Speaker 2: But it's a nod to yeah, yeah, yeah, to LA's
Speaker 2: like new celebrity chef, and and that Terrence can afford
Speaker 2: her and wants He's on the top of the pulse
Speaker 2: of everything, you know, making this a great wedding. So
Speaker 2: we're going to have her make the cake. And Ron
Speaker 2: is like, well, my mom wanted to make the cake.
Speaker 2: Is a part of her gift. And Terrence is like
Speaker 2: for two hundred people.
Speaker 3: He mocks her. He like laughs at that, like.
Speaker 2: Guffaw, like yeah, yeah, no ways, little tremors are kind
Speaker 2: of like and here's another one. Rond is like, two
Speaker 2: hundred people, I wanted to have an intimate wedding.
Speaker 4: Well, but last remember, I think episode before last, she's
Speaker 4: talking to Matt and saying that it was a hundred
Speaker 4: maybe we need one hundred and fifty. So then she
Speaker 4: was getting into the big wedding member.
Speaker 3: Yeah, now it's two hundred. It's even more than last week.
Speaker 5: And she's like, wait, we wait, and like, wait, my
Speaker 5: mom wanted to make the cake and yeah, yeah.
Speaker 4: Even if her mom was making it for one hundred
Speaker 4: and fifty, that's also a lot of people.
Speaker 1: So a lot.
Speaker 2: Yeah, that's a lot of we're seeing there. There's a
Speaker 2: lot of different ideas, you know, and uh yeah, so
Speaker 2: you know, she's like, and then he comes back with, well,
Speaker 2: this is I want the wedding to be about us, ironically,
Speaker 2: not what our parents think it should be. And that's
Speaker 2: kind of like said with irony, I thought, because he's
Speaker 2: controlling anyway, She's like, okay, you're right. It gives him
Speaker 2: a big kiss. I don't know, we'll see what's happening there. Okay,
Speaker 2: So now we're back in D and D and Lucy
Speaker 2: walks into the office with Alison and Amanda.
Speaker 4: Walking behind her like ducks, are you still in.
Speaker 1: The back waddling along?
Speaker 2: Well, Alison, keep up this new career. And he walks
Speaker 2: in and he introduces them to Rex Weldon, our hotty
Speaker 2: tennis star played by Mitchell Anderson, who did a lot
Speaker 2: of stuff and I recently saw him a year or
Speaker 2: two ago and one man played that he wrote and started.
Speaker 4: Really he's I had this visceral reaction to him because
Speaker 4: he was such a nice man. Yeah, he came like,
Speaker 4: oh I remember him. I remember having really nice, long
Speaker 4: conversations with him. What a nice man.
Speaker 2: Yeah, and very smart and a real artist, you know.
Speaker 2: And he was one of the people that Doug mentioned,
Speaker 2: do you remember that, Laura?
Speaker 5: And he went on to do another show in the
Speaker 5: nineties called Party of Five, and yeah, he's done a
Speaker 5: ton of stuff.
Speaker 2: So he's there. Lucy pulls Arnold, his boss basically aside
Speaker 2: and manager first clients. Yeah, we have a whole new
Speaker 2: we have a hot new photographer and we're you know,
Speaker 2: meeting them this afternoon and he's like, oh, what's the
Speaker 2: name Joe Reynolds, And Arnold's like, oh, I think I've
Speaker 2: heard of her.
Speaker 3: That great line, just wanting to want to be I
Speaker 3: know everything.
Speaker 1: I've heard of him for sure.
Speaker 2: Totally. He's the suit basically, and Rex in the meantime
Speaker 2: is in the background if you notice, like totally hitting
Speaker 2: hard on Alison, Like no moment there, he's on it.
Speaker 2: They're talking and he's like, so you're the one scheduled
Speaker 2: to babysit to shoot tomorrow. Huh. And he says, I'm
Speaker 2: staying in this hotel in Century City and I'm just
Speaker 2: going to die of boredom if you please don't show
Speaker 2: me take me somewhere tonight. And she's like, I don't know,
Speaker 2: and he's like, come on, name the place, Alison, I'm yours.
Speaker 2: I mean, he's really showing who he is and making
Speaker 2: her feel uncomfortable already. I mean, that was a little
Speaker 2: I don't barking up the wrong tree with Alison. So
Speaker 2: then we cut to Shooters and he's still hitting on Alison.
Speaker 2: They're sitting at the table, agreed.
Speaker 3: To take him out, and so Shooters, it is this is.
Speaker 2: Her La, her home.
Speaker 4: When you're making someone out a cool person out to
Speaker 4: a night spot Shooters which.
Speaker 1: Apparently the only bar in.
Speaker 3: La Shooters, because everyone's going to be there.
Speaker 2: You watched the only spot that Alison knows that this
Speaker 2: gang knows. It's so funny. He was thinking like clubs
Speaker 2: downtown and like this.
Speaker 1: And that, and do you remember when the studio we
Speaker 1: got Shooters glasses love those Shooters. So recently, wow, so recently.
Speaker 2: You gave them away.
Speaker 3: I think my sister in law has some somebody wanted him. Yeah,
Speaker 3: they're cute, little drinking glass tumbler.
Speaker 2: That was cute. So he's sitting there hitting on Alison
Speaker 2: and you know, ha, did someone so young and beautiful
Speaker 2: as her ended up end up as a high powered
Speaker 2: at EXAC? Oh I'm not high powered, she says. Rex
Speaker 2: tells Alison, well, you're the one who should be modeling
Speaker 2: the underwear. I mean this would not go today.
Speaker 1: Very flirty, very flirty with Alison.
Speaker 2: Yeah, and she's like oh. She keeps looking off and
Speaker 2: laughing at it off and he's like, well we could
Speaker 2: do it together, and very inappropriate, annoying stuff. And then
Speaker 2: she waves to the waitress and she puts the credit
Speaker 2: card down. Look how official she is.
Speaker 3: She knows that the calling it is supposed to pay.
Speaker 2: I'll get this. So and he's like, what are you doing.
Speaker 2: It's only seven thirty. Come on, let me take you
Speaker 2: out to dinner. The guy's relentless.
Speaker 4: And I got to say today, at this point in
Speaker 4: my life, I'd like to be in my pajamas by
Speaker 4: seven thirty. So I'm with Alison, I'm like, why am
Speaker 4: I still dressed?
Speaker 1: What is happening. Why am I in real pain?
Speaker 5: Well, she was time to call it a night with
Speaker 5: this guy, like, let's call this when at seven thirty.
Speaker 2: But Courtney's I feel you at court It's like, anybody,
Speaker 2: I'm glad I got that done when I was younger
Speaker 2: in the eighties exactly, nothing happening now. He's like, it's
Speaker 2: only seven thirty, and she's like, but you know, I
Speaker 2: want to keep this professional, which is what Amanda advised.
Speaker 2: He puts his hand on her and says, well, this
Speaker 2: doesn't look like the office. I mean, this guy is.
Speaker 2: It's so funny. It's always like the really nice actor
Speaker 2: you know who's playing these these really Yeah. Yeah, So
Speaker 2: we cut from there where you get out of that situation,
Speaker 2: I guess, and we are right back in Billy and
Speaker 2: Allison's apartment and you are laying in the same clothes
Speaker 2: on the couch going on.
Speaker 4: That's what I was talking about, like Nancy Malone, like
Speaker 4: we're not just sitting at a table, like I'm laying
Speaker 4: on the couch talking to the ceiling. He's moving around
Speaker 4: the apartment. It really is so well directed.
Speaker 3: Yeah, interesting staging and tells the story really well.
Speaker 2: I love kind of you sort of paralleled like you're
Speaker 2: at your therapist's office. I thought, like, you're all that's
Speaker 2: good daring off and and of course Billy is your
Speaker 2: your therapist. We've we've established the past. And you know,
Speaker 2: you're going on and on not about what a jerky was,
Speaker 2: but how you didn't go out. You're like complaining, like
Speaker 2: why did I go out with him? Any woman would
Speaker 2: go out with Rex Weldon? And he's getting ready and
Speaker 2: she doesn't notice she's going on and on, and he's like, oh,
Speaker 2: you're being over dramatic. Come on, no, women don't say
Speaker 2: men don't say no to men like that. And he's like, well,
Speaker 2: you showed no willpower and she's like, no, it was
Speaker 2: a coward back and forth. At one point here he
Speaker 2: chooses to pull the chair right up and puts his
Speaker 2: foot up on right next to her head and starts
Speaker 2: tying his shoe and uh, and he's saying, look, you know,
Speaker 2: this is your first big chance at your job and
Speaker 2: you just don't want to blow it, which I think
Speaker 2: is obviously great advice. And then he gets up to
Speaker 2: leave and she jumps up, where are you going? And
Speaker 2: he goes on a blind date and I think then
Speaker 2: she like moves in on him and she's all coquettish
Speaker 2: and she starts adjusting his hair and his collar and like.
Speaker 4: Oh, I didn't see coquettish. You didn't I saw, audience member,
Speaker 4: I was like, shut up and kiss him. But I
Speaker 4: think that as the character.
Speaker 2: She just she's so close.
Speaker 1: She's like, let me straighten your tie. How fun on
Speaker 1: your date?
Speaker 3: Plus, like he said to her in this scene that
Speaker 3: you know, she says, why am I so right?
Speaker 5: Just le principled, and Billy says, well, some of that
Speaker 5: some of us like that about you, which is so sweet,
Speaker 5: like oh sweet actually saying I like these qualities about you.
Speaker 5: And then she's also returning it. When he's going out
Speaker 5: on a date. She's like, go have fun, and she's
Speaker 5: like they're supporting each other and they're like you know, Safey, yeah,
Speaker 5: Like he's he's choosing to go on a date and
Speaker 5: instead of going you shouldn't be doing that. She's like, Okay,
Speaker 5: go have fun, you know, go for it, don't don't
Speaker 5: make the mistake I did, you know, just go for
Speaker 5: it or whatever.
Speaker 2: Exactly. They're just being so.
Speaker 3: Good to each other and the audience is going, just
Speaker 3: look at.
Speaker 1: Each other and see the love of God right there
Speaker 1: in front of you.
Speaker 2: But you know what I thought she heard last line.
Speaker 2: I thought was kind of minimized what he was doing
Speaker 2: because she's jealous, because she's also in love with him,
Speaker 2: but won't admit it.
Speaker 4: She'll tell me I play, I remember this exactly thirty
Speaker 4: years ago, and I remember, No, I don't.
Speaker 3: But I didn't.
Speaker 2: I don't.
Speaker 1: I had that complicated a thought at the well, the
Speaker 1: line I love that you're putting that in there. That's good,
Speaker 1: thank you.
Speaker 2: Well the line was that you say to Billy is
Speaker 2: look at you Billy's great adventure? Do you remember that?
Speaker 1: Yes?
Speaker 2: And he's like And to me, it just felt like
Speaker 2: kind of Billy's great adventure, like that kind of like
Speaker 2: minimize it, does it in a way that she can
Speaker 2: handle it. I don't know. I just felt like it
Speaker 2: was a little and minimizing.
Speaker 1: Oh that's funny. I didn't read it that way. And
Speaker 1: I thought she was saying, like, go for it, because
Speaker 1: I didn't.
Speaker 4: Yeah, right, I didn't go for it. With Rex Wolden's
Speaker 4: great name, by the way, I didn't go.
Speaker 1: For it, but you should go for it.
Speaker 2: Yeah she did. And then she said that other one.
Speaker 2: But at any rate, I'm very sensitive to these things.
Speaker 2: So cut to exterior of a big high rise apartment
Speaker 2: and then we cut into the apartment hallway and he's
Speaker 2: looking for a door and then he knocks. Then Lydia
Speaker 2: opens the door and waves him into her apartment.
Speaker 4: And we're supposed to think something, but you know, it's
Speaker 4: like this this moment they freeze on him, and I think,
Speaker 4: I don't know what the moment is.
Speaker 1: Well, I think he was like drammatically one way or another.
Speaker 3: I think it was like this blind the blind element
Speaker 3: right the door reveals what he's been waiting to seize.
Speaker 3: What does she look like? Does she look like.
Speaker 5: Cindy Crawford, whatever, And it's like what is he expecting?
Speaker 5: And he sort of takes this moment to assess her.
Speaker 5: She's cute and maybe just not what he was expecting
Speaker 5: or whatever. But I think that that seemed to be
Speaker 5: the look that I was noting. Is like he's seeing
Speaker 5: her for the first time on this blind date and
Speaker 5: decided that's maybe not what I was expecting or whatever,
Speaker 5: but like she's perfectly cute and whatever, and she invites
Speaker 5: him in and he's like, all right, we're doing this,
Speaker 5: and he, you know, steps in going Okay, let's see
Speaker 5: what this is going to be.
Speaker 2: Yeah, I think that, but I think they did make
Speaker 2: a definite decision because they put her on pearls. She
Speaker 2: has short, curly hair with pearls and a lace collar.
Speaker 2: And he was promised, even jokingly Cindy Crawford. So they
Speaker 2: went totally opposite on per like you're supposed to. Yeah,
Speaker 2: like you said, she's cute, but not Melrose plays high,
Speaker 2: you know what I mean.
Speaker 5: And it's his expectation, right, he doesn't know what it's
Speaker 5: like what We don't know what he was expecting either,
Speaker 5: because he's just entering something blind and so the door
Speaker 5: opening is the reveal.
Speaker 3: So like they just had this moment of like, this
Speaker 3: is who you're dating tonight, you know.
Speaker 2: Yeah, that whole blind date thing. Yeah, and the next
Speaker 2: scene is really cute. I thought it was one of
Speaker 2: those like a Nancy Malone it was. It was to me.
Speaker 2: It seemed like a real comedy, a lot of physical
Speaker 2: comedy in it. You see, we're in our Japanese restaurant.
Speaker 2: Billy and Lydia are sitting side by side, so they're
Speaker 2: facing the camera and they're eating dinner and he opens
Speaker 2: up by him saying soccer and writing, you know, writing
Speaker 2: in soccer, like the most unscintillating conversation into and she says, oh,
Speaker 2: postmodern dance or something.
Speaker 3: Watching it, yeah, yes, I don't do it.
Speaker 1: I watched it.
Speaker 4: And you notice she had chopsticks and she was you
Speaker 4: had one any chance she was stabbing her food. It
Speaker 4: was really cute, completely cool, really funny, really cute.
Speaker 2: Yeah. I thought it was really great, Like I could
Speaker 2: just the banter. It was just a really great scene.
Speaker 2: And they are they played it so well, do me
Speaker 2: not miserable, Like it didn't bring you down, like so uncomfortable.
Speaker 2: But it was uncomfortable but funny at the same time.
Speaker 5: Because they're not matching and he's you know, she's quirky,
Speaker 5: and she's you know, just sort of funny, and the
Speaker 5: funny physicality of the scene of the awkwardnesses, I.
Speaker 2: Mean, and then they try it, but they're trying, right
Speaker 2: then they're acknowledging that they're trying, like he's like, you know, well,
Speaker 2: what else do you like to do? And then suddenly
Speaker 2: and she's poking her food like you said, But then
Speaker 2: she like can't even lift the damn thing. But then
Speaker 2: two drinks come in, big fruity drinks right in front
Speaker 2: of their faces, and they're like, oh okay, and they
Speaker 2: toast that and say to blind dates, and Billy just
Speaker 2: looks off camera.
Speaker 3: He's like, okay, is this gonna be over? Yeah?
Speaker 2: So maybe in Malro's minute, we'll talk about if anyone
Speaker 2: had any bad blind days. Blind dates worked out.
Speaker 3: Well for me, since that's so much to cover, But
Speaker 3: we don't have time.
Speaker 1: If you're writing, we don't have time right now. We
Speaker 1: don't have to talk right now.
Speaker 2: The next day, in Allison and Billy's apartment, Allison is
Speaker 2: there and then Billy walks in and she's really nervous.
Speaker 2: She's like, oh my god, I keep having these nightmares.
Speaker 2: It's about this photo shoot. It's going wrong.
Speaker 1: Allison is completely worked up.
Speaker 4: I was just like, this is where you had a
Speaker 4: couple of scenes like this. I go, I wish I'd
Speaker 4: knew enough to find some layers. Like just from beginning
Speaker 4: to end of this scene, it was like everything he
Speaker 4: says upsets me, like one to ten, I'm at a
Speaker 4: ninth the entire scene.
Speaker 3: I stressed out about this new position, her promotion.
Speaker 1: Because you thought you could be fine played the one note.
Speaker 1: I'm like, here's my note in the scene stress you.
Speaker 2: Excity, and Billy's like hellowing you out, Like what.
Speaker 1: Was that movie about? Everybody played a different emotion. I
Speaker 1: was just anxiety, inside out, outside, inside out, inside out. Yes, yes,
Speaker 1: I was anxiety in this scene.
Speaker 2: Yeah, I was eleven. The entire city's common sense for you.
Speaker 2: You know, well, can I make you some No? No,
Speaker 2: I can't. I can't eat. I can't eat. Then she's
Speaker 2: like picking out his bagel and the coffee thing.
Speaker 4: And my only thought when I'm eating the bagel is, oh,
Speaker 4: I didn't know I couldn't eat gluten then, because it
Speaker 4: gives me migraines. I was saying, I wonder if I
Speaker 4: got a migraine after that scene, because I didn't know
Speaker 4: then that that was one of the things that gave
Speaker 4: me migraines.
Speaker 5: Billy's wise line here he goes he warns Allison that
Speaker 5: it's too early in her career to self destruct.
Speaker 3: Yeah, that's just ready to say, calm yourself down. This
Speaker 3: is really to do this.
Speaker 2: Then he picks up the paper and and she's like,
Speaker 2: I'm just afraid that Joe's gonna do something wrong and
Speaker 2: he stops. He's like, what, well, Joe's doing it, O Jesus,
Speaker 2: not helpful.
Speaker 3: I wonder you're stressed out. She's a mess.
Speaker 2: I just love how Billy is just held on to
Speaker 2: this resentment because she calls him Bill. She thinks he
Speaker 2: stinks when he goes on a date.
Speaker 1: What's that smell?
Speaker 2: And and she's always, you know, sending him away. And
Speaker 2: he's like, oh, she's terrible. She's gonna wreck everything, doesn't
Speaker 2: listen to the rules, she's difficult, she's going to cause
Speaker 2: all kinds of problems. He says, way to unstress her.
Speaker 1: Yeah, he's not helping at all.
Speaker 5: No, so is a little right, just saying maybe a
Speaker 5: little foreshadowing. Maybe he's an oracle.
Speaker 2: Annoying, but maybe he's an oracle and anyway anyway, So
Speaker 2: then she says, you know, how is the date? And
Speaker 2: he goes, well, it was okay, that's it fine, And
Speaker 2: I told her I would call her, but I won't,
Speaker 2: like all in one sentence, and she's.
Speaker 6: Like, what, oh, I hate that about it, because again
Speaker 6: we're at eleven. So I know, right, I'm gonna stress
Speaker 6: about you, about the jobs I am about Joe.
Speaker 2: And now you're being Yeah, it's really funny. So he
Speaker 2: she just gets upset. She's like, I hate it when
Speaker 2: the guys don't call. You don't even like the guy,
Speaker 2: but it's just the point that he doesn't call makes
Speaker 2: you upset, which is true.
Speaker 3: So you should call her. You should call it.
Speaker 2: Yeah, you should call you should call you guys.
Speaker 4: Remember like they did a thing on Mower's Place on
Speaker 4: on Saturday Night Live, and then the Billy Allison thing.
Speaker 4: Billy's saying Alison, Allison, I miss Allison, and I'm saying
Speaker 4: I can't talk.
Speaker 1: I've got a very important job at D and D.
Speaker 1: I'm very busy at D and D. And this scene,
Speaker 1: may you remember that very important job D and D?
Speaker 2: Like that now it's now it's even more important, superciou,
Speaker 2: It's like the most important. How about?
Speaker 5: I thought the way this scene ended was so funny
Speaker 5: and weird too, because we hear Joe yelling through the car, come.
Speaker 3: On, Allison, let's go. Like she's coming down the stairs shouting.
Speaker 5: Instead of like knocking on Alison's door or whatever on
Speaker 5: the way by, she just shouts it through the courtyard,
Speaker 5: come on, Allison, let's go.
Speaker 1: She doesn't know that Allison's nerves are afraid.
Speaker 2: Looking at her is not going to make things better.
Speaker 2: I mean, it would have been great if they had
Speaker 2: all known all of our thoughts going into this, if
Speaker 2: you had gone like and Billy could go, told you,
Speaker 2: but no, but no. Allison goes out into the courtyard
Speaker 2: and Joe's coming down the stairs with all of her equipment,
Speaker 2: and there's Jake going, oh, what's all this? And Joe says,
Speaker 2: that's the job. Would they pay me actual money? And
Speaker 2: Allison got it for me, starting to pay off to
Speaker 2: live in this building, like the only payds so for
Speaker 2: and Jake's like, oh, congratulation. Is there anything I can do?
Speaker 2: Alison comes up and says, okay, let's go, so they
Speaker 2: take off.
Speaker 1: There's nothing you can do, have a very important day
Speaker 1: of work.
Speaker 3: I thought that was a strange line, is there anything
Speaker 3: I can do?
Speaker 1: Like?
Speaker 3: What?
Speaker 2: Why? I thought it was a strange scene.
Speaker 3: Why didn't like why didn't he just sayengratinations?
Speaker 2: And then out they go, yeah, what are they setting up?
Speaker 2: Which it felt like such.
Speaker 3: An unnecessary Is there anything I can Maybe we were
Speaker 3: short on time.
Speaker 1: I don't know.
Speaker 3: I don't know what it was.
Speaker 2: I know lunch was happening whatever, but.
Speaker 5: The Cruxes, congratulations, you got a job that Elison helped
Speaker 5: you get by I have a good day bye, and
Speaker 5: they leave.
Speaker 2: So and then we cut right into the middle of
Speaker 2: this photo shoot and the music, some great nineties music
Speaker 2: is pounding, and there.
Speaker 1: Lamora Mitchell.
Speaker 4: Underwear like having to remember, like, if you're not watching
Speaker 4: the show, remember those scenes on like Charlie's Angels, but they're.
Speaker 1: Doing photo shoots and everything. He's having to dance around
Speaker 1: in his underwear. Oh, that's just guys milking it.
Speaker 3: Like he He's like, if I'm going to do this,
Speaker 3: I'm just gonna committed.
Speaker 5: Yeah, all these poses he's in a tiny little like
Speaker 5: colored like red or blue or whatever, but like super
Speaker 5: tiny bikini underwear and posing like what he was like,
Speaker 5: he just like hammed it up and committed.
Speaker 2: Like stuff is hard him, it's really hard. But he
Speaker 2: was really responding to his photographer if I might, because
Speaker 2: Joe was like on the floor, oh yes, baby, oh god,
Speaker 2: oh another one. And then she ends up by saying
Speaker 2: You've done this before and he's like, nope, virgin. I
Speaker 2: mean it was all a metaphor for sex. Obviously, She's like, Okay,
Speaker 2: I need a break. Let's powder Rex and get me
Speaker 2: a ladder. She's gonna set up some other yeah, and
Speaker 2: a fan.
Speaker 1: Yes.
Speaker 2: Yes, And Alison walks over and by the way, we
Speaker 2: might say that Lucy and the suits are really enjoying it.
Speaker 2: I think we've got it. This is great. They're all
Speaker 2: excited because they're all lined up in those rector chairs
Speaker 2: cast chairs.
Speaker 4: By the way, they never say I think we've got it.
Speaker 4: It's finally the actor's rep comes in and says we're done,
Speaker 4: because they always want more and more and more.
Speaker 2: Right.
Speaker 1: Have you ever had them say.
Speaker 5: Yeah, we're good, you can go Yeah, No, right, never,
Speaker 5: but they do say that it's wonderful and before they
Speaker 5: get up.
Speaker 3: Yeah, they have to get up to leave because like
Speaker 3: maybe lunch for them or whatever. Yeah, they still getting it.
Speaker 2: And Alison walks over to Joe and says, you know,
Speaker 2: that was really wonderful. This is great. And then Joe,
Speaker 2: who should, in my opinion, just go great, awesome, we
Speaker 2: got it. That client's happy. She should just wrap things up.
Speaker 5: But no.
Speaker 2: She pulls Alison aside and she says, hey, I want
Speaker 2: you to open your mind and I want to try
Speaker 2: something a little bizarre, something different, call it extra credit Allison.
Speaker 1: And then and Alison, I think she says I trust you,
Speaker 1: which you know famous lost words.
Speaker 2: Yeah, maybe she did say I go for it. And
Speaker 2: then she makes mistake of saying go for it, and
Speaker 2: then she leaves. And then we have Joe climbing the
Speaker 2: ladder and she says to Rex, lose the braves.
Speaker 1: Yeah, which you know.
Speaker 3: Me happening nowadays.
Speaker 2: Uh huh, yeah, I know how, but this was the
Speaker 2: early nineties.
Speaker 5: But he looked very pleased and like, oh yeah, right,
Speaker 5: he came on and he drops his drawers.
Speaker 2: Yeah, he's like, finally a girl who wants to play.
Speaker 3: Let's do this.
Speaker 2: So now we are in Shooters and it's nighttime, and
Speaker 2: Billy and Jake are at the bar drinking.
Speaker 5: Margarita's, and Billie's is a fruity strawberry margarita hysterical, which
Speaker 5: I don't know if you've noticed. All through the scene,
Speaker 5: he leaves it on the bar and if he needs
Speaker 5: to take a drink, he leans towards it and he's
Speaker 5: like looking for the straw and he's like drink like
Speaker 5: that where Grant knows enough pick up the drink and
Speaker 5: drink like a normal person.
Speaker 3: But Andrew's like mind the strawn as red fruit is margarita.
Speaker 2: Oh, acting is hard, like all these things. You got
Speaker 2: to know how to do things exactly right.
Speaker 1: Because funny.
Speaker 2: So they're sitting there at the bar and Billy is
Speaker 2: telling Jake that he called Lydia and she, you know,
Speaker 2: after the first date, and she invited him over for dinner.
Speaker 2: So now he's trapped, and Jake says to Billy, well,
Speaker 2: your first mistake was saying that you would call, and
Speaker 2: the second mistake was listening to Alison. So I guess
Speaker 2: because she's a woman, she's in that position and of
Speaker 2: course she's going to say that or something.
Speaker 3: I don't know.
Speaker 2: Anyway, Billy uh says, relationships are a mistake.
Speaker 5: They're just doubling down like you know. Well, yeah, guys,
Speaker 5: all relationships are a mistake. Yeah, yeah, Billy, I would.
Speaker 2: Road talk at the bar with the relations good. I'm
Speaker 2: never gonna a straw.
Speaker 3: I don't use straws anywhere to self, Okay, take the
Speaker 3: straw out.
Speaker 2: Just behind them. We see Joe walking in with Rex
Speaker 2: after that shoot.
Speaker 3: Because everybody comes to shooters.
Speaker 4: Because with a new guy, you want to go to
Speaker 4: your ex boyfriend's bar. You want to go to the
Speaker 4: current boyfriend's bar, because again, only bar in La.
Speaker 5: And also the same bar you went to with a
Speaker 5: different girl last night, and you're only in down for
Speaker 5: a couple of.
Speaker 2: Nights anyway, and what Rex is game? Man? I'm in La.
Speaker 2: I don't even live here, a floridnis camp. I've been here.
Speaker 1: She really should have said, why am I back at
Speaker 1: this bar?
Speaker 5: As Strawberry Margarita is a really good here.
Speaker 2: She's all excited. She's like, I'm gonna make your butt
Speaker 2: famous and he's like it already is, and he is
Speaker 2: flirting and but she's she's kind of flirting, but she's saying,
Speaker 2: no chance, it's not gonna happen, and he's like, oh yeah,
Speaker 2: And then she says something about, you know, you can
Speaker 2: play mozart with a mountpiece mouthpiece and it's still now.
Speaker 2: So she's having very strong boundaries. But Jake, who sees them,
Speaker 2: doesn't hear the boundaries being made and gets up from
Speaker 2: the bar and he's all huffy and putting on a
Speaker 2: jacket to leave, and Joe sees him and he's like, wait, Jake, Jake,
Speaker 2: where are you going? And he just said, it's tough
Speaker 2: to watch. You know, you're over there with this guy,
Speaker 2: and I'm gonna leave, and Billy's look. Billy looks back. Joe, Joe,
Speaker 2: She's trouble. She's causing trouble all the time. I love
Speaker 2: the line that I say to Jake, like, what's like
Speaker 2: you hang out with Rusty?
Speaker 3: Rusty sounds like he's from the work of the But
Speaker 3: it must be a.
Speaker 1: Woman, right, otherwise why would you to make that point?
Speaker 2: Yeah? Oh, like this tattered up with I don't know,
Speaker 2: but I thought it was so funny. Rusty's never been
Speaker 2: mentioned before. But anyway, so we leave this whole trouble
Speaker 2: place and we come back to the courtyard and Allison
Speaker 2: is looking up Joe's door and like, huh, she's not there.
Speaker 2: Walks to Jake's apartment and says, you know, Joe disappeared
Speaker 2: after the photo shoot and is Joe in there with you?
Speaker 2: And Jake says no, that she was at Shooters with Rex,
Speaker 2: and Allison is like, oh, no, she should be developing
Speaker 2: the film. I need it tomorrow. We have a deadline.
Speaker 2: And just then Joe and Rex walk in.
Speaker 5: Rex the wonderstud as Jake refers to him as Rex
Speaker 5: the wonderstud.
Speaker 2: Rex the Wonderstood. They walk in, laughing and this is
Speaker 2: not good for her boundaries and saying that it was
Speaker 2: just a just a work good optics here, not good optics.
Speaker 2: Rex to Alison, Wow, it's a small world. Are you
Speaker 2: following us? And she's like, no, I live here. And
Speaker 2: then she looks at Joe and she's like, you know,
Speaker 2: should be working on the proofs of the photos tonight.
Speaker 2: And then Joe's like, okay, get the message and says
Speaker 2: you got to go and gives Rex, gives her a
Speaker 2: kiss on the cheek and leaves. And then she says
Speaker 2: good night and turns to her friends and says all
Speaker 2: and she stomps upstairs, and Jake and Allison look after her.
Speaker 2: So she's already a troublemaker.
Speaker 5: Yeah, she seems annoyed that Alison and Jake are like
Speaker 5: kind of irritated about the whole thing too, like what
Speaker 5: totally and but Alison and Jake are you know, disappointed
Speaker 5: and it's clearly not good optics. And and Jake even
Speaker 5: tries to tell him, hey, buddy, you know, like beat it,
Speaker 5: sort of like because Rex sort of tries to say, well, hey,
Speaker 5: maybe we can.
Speaker 3: And before he can even finish.
Speaker 5: The sentence, Jake cut some off and he's like yeah
Speaker 5: some other time, like yeah, Hike, get out of here.
Speaker 5: And Joe's like, I'm mad about that, you know that,
Speaker 5: Like Jake is whatever inserting himself in this situation.
Speaker 2: And I'm imagining, because I Daphne am watching this going
Speaker 2: she is so irresponsible. She is causing trouble. She is
Speaker 2: putting her friend who gave her this first job, you know,
Speaker 2: her job in Jeopardy. And I'm thinking, well, maybe this
Speaker 2: is her New York. This is how they do it
Speaker 2: in New York. You know they all they shoot photographs
Speaker 2: and they you know, for magazines, and they go out
Speaker 2: and have drinks and party all night. Maybe that's just
Speaker 2: her a difference for her. It's not here. I don't know.
Speaker 2: It does seem like I'm pissed at Joe right now.
Speaker 2: I'm getting I love it.
Speaker 5: Like when we watch these show, like we watch these episodes,
Speaker 5: it's all such a different perspective to look at it
Speaker 5: as an audience member.
Speaker 3: And like you don't remember shooting it or like okay
Speaker 3: that you know obviously.
Speaker 5: It's in the script and so you have to play it,
Speaker 5: you know, whatever the way you choose to play it
Speaker 5: and whatever you're telling, the story that you've been has
Speaker 5: to tell and stuff. But like watching it later as
Speaker 5: an audience member, you're like, oh, what an annoying thing
Speaker 5: that that character's doing right now, And you just see
Speaker 5: it totally differently watching it back, like yes.
Speaker 2: Yeah, because you can't when you're playing it. You can't
Speaker 2: have these judgments or third eye about it or yeah,
Speaker 2: you totally messed up from yeah, you can't mess yourself up,
Speaker 2: that's true. Alison knocks on the door, says, we're the pictures.
Speaker 2: She's like, Jesus, you're up early. And she comes in
Speaker 2: and I need coffee and then she's like, look, I
Speaker 2: was up all night doing the pictures. Allison says, look,
Speaker 2: I hope it went well the rest of the shoot,
Speaker 2: and she's like, yeah, Rex and I had a good time.
Speaker 2: And then Allison's like, you know, he asked me out too,
Speaker 2: this little jealousy thing, oh, Patty and Jake didn't appreciate
Speaker 2: it and all this stuff, and she's like, what is
Speaker 2: your problem between me and Jake? And then she goes,
Speaker 2: you know, Amanda says that you don't socialize with the client.
Speaker 2: She's like, who else, who's the hell's Amanda because it's
Speaker 2: the first time Joe's heard of her post of advertising. Uh. Anyway,
Speaker 2: so they have this thing and she's like, don't worry
Speaker 2: about it. That's between me and Jake and you will.
Speaker 2: You'll get the photos this afternoon. Then we are in
Speaker 2: the suburbs at the very, very big house and Terrence
Speaker 2: is bringing Ronda to this house in this neighborhood and
Speaker 2: he she goes, oh, I'm not even dressed for this.
Speaker 2: It looks so fancy, and he's like, you might be
Speaker 2: dressed for this, and then he goes to unlock the
Speaker 2: door and she's like, why are you unlocking the door
Speaker 2: to this great, the strange, huge house. And Terrence tells
Speaker 2: Ronda that you know, step in, it's yours, madam. What
Speaker 2: she finds out that he wants to buy this house.
Speaker 2: There's no rush, but he does want to hope to
Speaker 2: sort of family here, but there's no rush.
Speaker 4: So do we think, like as if they'd never talked
Speaker 4: about it, like maybe we'll have a family with it,
Speaker 4: Like aren't these conversations you have before you marry someone,
Speaker 4: like do we want kids?
Speaker 1: That's a big resight.
Speaker 5: It really seemed to slam RNDA here like the reality
Speaker 5: of what a future with this skuy I is going
Speaker 5: to be and maybe look like and feel like, because
Speaker 5: like just being in that big house and hearing him
Speaker 5: talk about it, she was not liking that picture.
Speaker 2: She was set, Yeah, totally rushed and everything was too.
Speaker 3: Much, all that adding up to the uncomfortable for her.
Speaker 4: Yeah.
Speaker 2: So then we're in D and D and Amanda and
Speaker 2: Allison are eating lunch takeout at the desk and Alice's like, well,
Speaker 2: they should be here, they should be here the photos,
Speaker 2: the photos should be here, and She's like, yeah, you've
Speaker 2: been saying that for the last hour. And then this
Speaker 2: messenger kid comes in with earphones on, bopping away and
Speaker 2: I guess you can hear the music through his earphones
Speaker 2: guns n' roses, which I think is funny about because
Speaker 2: Heather takes it and it's kind of like Heather saying
Speaker 2: it to him, you know, guns and roses will make
Speaker 2: the impotent.
Speaker 3: Yea, Amanda says it to him. He can't hear any
Speaker 3: like nods Its fine cool packaged by.
Speaker 2: Anyway. She pulls open this package of these slides Joe
Speaker 2: has sent over and in every single one. Rex is
Speaker 2: naked in every single photo, and Alison freaks, oh my god,
Speaker 2: and then Amanda is looking at them and oh my god,
Speaker 2: I'm going to kill her, so slam cut too. We
Speaker 2: are now Alison as Joe's apartment and that's when we're
Speaker 2: in the developing room and she's developing more photos and
Speaker 2: she's like furious at her, at Joe, and Joe explains
Speaker 2: that she didn't do it to embarrass you, but I
Speaker 2: just made a professional judgment and we wanted something fresh
Speaker 2: and original. And besides, he is holding the underwear they
Speaker 2: read this hip, they're at his ankle, and she's like,
Speaker 2: this is not funny, and which she has every right
Speaker 2: to be furious. Obviously. Alison asked Joe, I want to
Speaker 2: see the slides with her him actually wearing the underwear,
Speaker 2: and she tries to convince her no.
Speaker 4: Why she goes, I want to say, no, really no,
Speaker 4: Why you're being so weird Ellison, so weird?
Speaker 2: Yeah, you're gonna ring, She says, doesn't want a part
Speaker 2: of you like the unexpected, and he's she says, this
Speaker 2: is business. I'm new, Like, screw the unexpected. I want
Speaker 2: the opposite of that. Do I have to point this
Speaker 2: out to you? And she's like okay, and she goes
Speaker 2: over and she gives him the slides and she goes,
Speaker 2: all right, it's your choice.
Speaker 3: Pretty passive aggressive for her to say, well, you admit it.
Speaker 3: These are great.
Speaker 5: Don't you think they would have grabbed you and maybe
Speaker 5: even made you laugh if you weren't so panic about
Speaker 5: breaking a rule? For instance, She's sort of like making
Speaker 5: it about Alison being too conservative or straight or born.
Speaker 1: It's very young, right, like what are you scared?
Speaker 5: Yeah, like Kamara, you know these are better and and
Speaker 5: and she just keeps trying to say, but it's not
Speaker 5: what the client wanted, and Joe just keeps pushing like.
Speaker 3: But they're better.
Speaker 5: Is this about you being so you know, straight laced
Speaker 5: and stuff, and just really challenging Alison to go, oh,
Speaker 5: you know, yeah, my friend's gonna judge me if I,
Speaker 5: you know, choose this route or whatever. You just kind
Speaker 5: of like surprisingly like judge towards Alison and stuff, like
Speaker 5: challenging her to choose the unexpected because it's cooler.
Speaker 3: Everybody's doing it.
Speaker 2: Yeah, yeah, which are real things. This is real things,
Speaker 2: real topics, you know, I mean, they're just trying to
Speaker 2: really show how edgy and out there Joe is and
Speaker 2: we'll risks whatever and look at her life. It's pretty
Speaker 2: like and not what Alison vibes. All right. So we
Speaker 2: are now back in Lydia's apartment, remember her and Billy's there.
Speaker 2: They're on their second date, another ill advised date.
Speaker 4: You know how as we calls her to say, I
Speaker 4: just it was great to meet you, but I'm not
Speaker 4: going to take it further, and then ends up at
Speaker 4: dinner talk about lack of boundaries.
Speaker 5: They somehow both agreed to have another date. Yeah, we're
Speaker 5: not sure a dinner.
Speaker 4: I do not.
Speaker 1: I don't know. That was horrible, all right, Yeah, yeah.
Speaker 2: So funny. And he's serving, she's serving dinner, and she's like,
Speaker 2: oh yeah, Gilson's is great, isn't it. So she's right
Speaker 2: up front about I don't cook. This is all prepared food.
Speaker 1: Yeah, yeah, I do want to come over for some
Speaker 1: prepared food.
Speaker 2: Gilson's does have great prepared and uh and but Lydia
Speaker 2: observes that Billy's been stuffing his face for the last
Speaker 2: half hour and talking about the food, so you don't
Speaker 2: have to talk to me, and he's like, no, no,
Speaker 2: restaurant right at all. And she's like, look, I know
Speaker 2: that you're not my type. I prefer someone more substantial,
Speaker 2: she says, and he says, you mean fat. She's like, no,
Speaker 2: I mean someone who's more established and you know, older,
Speaker 2: and he's like, yeah, well you're not my type either.
Speaker 2: So they're starting to get really honest, and Lydia says, well,
Speaker 2: why did you ask me out?
Speaker 5: And Billy's like well, they both sort of agree, yeah,
Speaker 5: like well why did you ask me out? And he says, yeah,
Speaker 5: well why did you say yes? And they both sort
Speaker 5: of acknowledge they could have saved themselves all this trouble
Speaker 5: if they've just been avoiding, you know, trying to not avoid,
Speaker 5: you know, don't hurt anybody's feelings, feeling just like safe.
Speaker 4: Yeah. Yeah.
Speaker 2: Then she's like, well you're here. Helson makes great A Claire.
Speaker 2: So you want some dessert and he's like, oh, yeah, sure,
Speaker 2: and then she walks to get the Claes and he's
Speaker 2: like chocolate and she's like, vanilla.
Speaker 1: Are there Vanilla Claires? I've only heard of chocolate A claires.
Speaker 2: Me too. I don't know. I guess Lydia found them.
Speaker 3: I mean, I don't know. Yeah, I'm surprised Billy didn't
Speaker 3: ask for strawberry all the air.
Speaker 1: I mean they red fruit, trying to eat it without
Speaker 1: his hands.
Speaker 2: Yeah, I didn't say I have a fruity drink for you,
Speaker 2: because I would have done them.
Speaker 5: But we're to conclude here that there is just nothing
Speaker 5: that they They just have nothing in common, ready to
Speaker 5: say it.
Speaker 3: Their tastes are just completely opposite. So she offers to
Speaker 3: just walk him to his car. Can I see you out?
Speaker 3: Here's your hat?
Speaker 2: What's your hir And So now we're in the basement
Speaker 2: in the laundry room, and Matt is doing his laundry.
Speaker 1: He is here, he has to appear on enough's my problem.
Speaker 2: I mean I think they're paying him per week, so
Speaker 2: they got to put him in something, right, So yeah,
Speaker 2: he needs more to do that, but he's he's kind
Speaker 2: of down on Rondo. Ronda comes down and starts unloading
Speaker 2: and confiding that she's worried about you know, Terrence, and
Speaker 2: it's too much and I'm not ready and you know,
Speaker 2: she does this with Matt and and he's not into it.
Speaker 2: He's like, well, just you know, what about your other life?
Speaker 2: What about this new life? And She's like, what other life,
Speaker 2: you know, and you know you're volunteer and all that. Oh,
Speaker 2: I don't know, you know, I'll do that and this,
Speaker 2: And he just doesn't want to hear. You just don't
Speaker 2: want to hear from her. I feel like he was
Speaker 2: his feelings were hurt. Did you guys feel that that
Speaker 2: his feelings were hurt this time? But he's the one
Speaker 2: that said to go for it.
Speaker 3: I got in this scene.
Speaker 5: I got more that, Like, she wants to tell him
Speaker 5: the truth, and she starts by saying, Matt, I'm in trouble,
Speaker 5: and he's like, wait what, And she starts to tell
Speaker 5: him about the house and that it seemed too big
Speaker 5: and it just didn't seem right, and he says, well,
Speaker 5: maybe you can just tell him the house isn't right
Speaker 5: for you, and she then says, well, that's not just it.
Speaker 5: It's I think that two people about to start a
Speaker 5: life together would want the same things, and that the
Speaker 5: house was just not just a house. But it just
Speaker 5: felt like she was being swallowed by all that. And
Speaker 5: then he realizes the depth that what she's really saying
Speaker 5: like her much more than the house. And yeah, that's
Speaker 5: when he asks her, Yeah, well, do you love him?
Speaker 2: And she's like, well, this and that, and he goes, yeah,
Speaker 2: but do you He says it twice.
Speaker 5: And yeah, and she realizes maybe she doesn't know, and
Speaker 5: but you know, Matt's the person she confides these feelings in.
Speaker 2: Yeah, yeah, and yeah, that's.
Speaker 5: That's what I got that she was just like really
Speaker 5: admitting she doesn't even know if this is the right
Speaker 5: thing to be doing and she doesn't know.
Speaker 3: If she loves him. It's weeks, yeah, weeks.
Speaker 2: So now we are in Alice and Billy's apartment and
Speaker 2: it's morning and Allison is looking at the photo negatives
Speaker 2: at her desk while Billy comes in drinking his orange juice,
Speaker 2: and Billy tells Allison that he and Lydia mutually agree
Speaker 2: to never see each other again. That was so bad.
Speaker 3: Let's never play eyes on each other again.
Speaker 2: Like they shook hands on it. It was the agreement
Speaker 2: that's so funny. And so Allison says, well, don't worry.
Speaker 2: Someone will come.
Speaker 1: Along, might be someone right under your nose.
Speaker 2: So Allison asked Billy his opinion about the naked photos
Speaker 2: of Rex and asked Billy if he thinks it's too risky,
Speaker 2: and then He's so helpful by saying, look, you're an executive,
Speaker 2: now you'll figure it out. And I think he walks
Speaker 2: away great, and.
Speaker 5: He's like, well, I warned you, but anyway, you'll have
Speaker 5: to figure this one out.
Speaker 2: Alison the Oracle figured it out. So now we're in
Speaker 2: D and D advertising and Allison is showing a Manda
Speaker 2: the options for the names, and Alison tells Amanda that
Speaker 2: the naked sharts are better, and Amanda's like yes, but
Speaker 2: Amanda says, uh, this is a campaign for sports briefs
Speaker 2: and that the client will hate these photos. And Alison
Speaker 2: asks Amanda, so I should play it safe, and she's like,
Speaker 2: play it smart, Demi and walks away. So obviously she
Speaker 2: is saying, show the ones with the underwear on. And
Speaker 2: now we're in the conference room and there's a slide
Speaker 2: projector and we're seeing these huge photos on the wall
Speaker 2: on a projector screen. Alison is presenting the photos with
Speaker 2: the underwear and everyone's loving it. Their clients are smiling
Speaker 2: and great, yeah, these are wonderful and it's the ones
Speaker 2: that we saw her taking in the beginning of the
Speaker 2: shoot and then very excellent. Everyone's like, wow, we do
Speaker 2: we got it again. They're so happy, and Lucy says
Speaker 2: Alison because the screen is now white, and Lucy says,
Speaker 2: are there any more photos to show? And Alison thinks
Speaker 2: about it, and this is the big decision. Do I
Speaker 2: show him or not? And she says, yes, there are
Speaker 2: a few more, so she takes that risk and she
Speaker 2: shows the naked photos of Rex and they start getting
Speaker 2: all upset. They're like, this is not what we talked about.
Speaker 3: What They're immediately horrified.
Speaker 2: He's fuck naked? What are you doing? And then Lucy's like, okay,
Speaker 2: turns on the light. That was just a stab of humor,
Speaker 2: and then she says Allison, please stick around afterwards. And
Speaker 2: Amanda looks at her.
Speaker 1: And she's like, she does a finger across the throat.
Speaker 1: You're dead.
Speaker 2: You're dead, dummy.
Speaker 1: Yeah, that was good, dummy.
Speaker 2: And then we are back at the Rodeo Collection on
Speaker 2: Rodeo Drive. Ronda and Terrence are looking at invitations for
Speaker 2: their invites and they're looking at fancy stuff with real
Speaker 2: lavender in there. It smells that they're imported from the
Speaker 2: south of France, and Ronda's overwhelmed again even more so
Speaker 2: it's and Terrence is like what's the matter. You don't
Speaker 2: like it, Well, we can go for another kind of
Speaker 2: more simple invite, and rondes, look, I'm not ready for this.
Speaker 2: She realizes this is it's either now or never. They're
Speaker 2: doing the invites for the wedding and I can't go
Speaker 2: forward with this. And he's what. Terrence says, well, you
Speaker 2: just have cold feet, that's normal, and she apologizes that
Speaker 2: he wants her to be Yeah. She takes the ring
Speaker 2: off and it's so sad. It's a close up on
Speaker 2: her beautiful fingernail, but the ring is in the hand
Speaker 2: and yeah, and she leaves, You're making a mistake and
Speaker 2: she just has them there so hard. And then here
Speaker 2: we are Alison and Billie's apartment and Joe is at
Speaker 2: Allison's apartment and Alison is recounting her experience uh with Lucy,
Speaker 2: and Joe's like, oh my god, Oh my god, she
Speaker 2: fired you. She fired you. And She's like, no, Alison
Speaker 2: said that Lucy thinks that I have, you know, courage
Speaker 2: and imagination, but just lack judgment in that situation. But
Speaker 2: I still have my job. Oh thank god.
Speaker 1: She goes.
Speaker 2: Joe's like so happy, Great, what's our next job? Which
Speaker 2: is a great uh joke. Alison goes, yeah, my next
Speaker 2: assignment is okay, I'm not gonna include you. My next
Speaker 2: assignment is Oakum's Sausage Links and you're not getting near it.
Speaker 2: Good joke there, And then we're at Jake's apartment and
Speaker 2: Joe knocks on the door with a bag of Chinese food.
Speaker 1: And Jake's Joe's on her apology tour.
Speaker 5: Totally right, Apartment one, Dary, I almost got you fired
Speaker 5: and oh yeah, I'm sorry.
Speaker 2: I hurt your feelings, was being a jerk.
Speaker 3: Here's Chinese food, Here's Chinese food.
Speaker 2: And he's like, how come you always? How come you
Speaker 2: make me mad? And we get in a fight and
Speaker 2: then you always show up with food and she's like,
Speaker 2: I don't know. And they go in and she starts
Speaker 2: setting it up and he says to her, you just
Speaker 2: can't come in and out of my life like this,
Speaker 2: and she's like, look, and then she tells her truth,
Speaker 2: which is interesting, right like Billy and Allison did, then
Speaker 2: Rohnda did, now Joe is and it's I like you
Speaker 2: so much, it just scares me. That's my truth and
Speaker 2: my first instinct is to run to which he takes
Speaker 2: her face and kisses her passionately.
Speaker 1: Yummy yep, and she's like, Okay, why do I run?
Speaker 3: They seem to be back on track.
Speaker 2: They're back on track for now. And then we're at
Speaker 2: Alison and Billy's apartment and it's still nighttime and Billy's
Speaker 2: heating up the microwave and there's a knock on the door.
Speaker 2: Billy opens the door. Who's this Amanda in a red
Speaker 2: suit with her big, beautiful smile, And he's like, I
Speaker 2: just thought it was a great setup, Like this is
Speaker 2: a great scene because like it's a blind date ish esque,
Speaker 2: Oh strange woman just go up and opens the door
Speaker 2: and he opens it and.
Speaker 1: Maybe this is really well.
Speaker 5: He opens the door and he likes sweaty seas and
Speaker 5: you can just see it on both of their faces.
Speaker 3: It's like, oh, what a nice surprise.
Speaker 1: Who were you? But did you? Like I thought, oh,
Speaker 1: they started with this. I knew that that Amanda and
Speaker 1: Billy dated at some point, I didn't remember this is
Speaker 1: where it started.
Speaker 3: The Yeah, they established it's too soon for me, I'm
Speaker 3: not ready right, think.
Speaker 5: In the very episode where Billy is looking for someone
Speaker 5: to date, right, and then at the end, the woman appears.
Speaker 2: But he's like, yeah, Amanda arrived, but I thought they
Speaker 2: dated after you guys, Billy Allison for a while. Maybe
Speaker 2: he went around for sloppy seconds.
Speaker 4: No, because afterwards, I remember remember that scene I talked
Speaker 4: about when were Lake Staic and we were water that
Speaker 4: that was the end of the first season because we
Speaker 4: were all crying.
Speaker 1: Because we're getting picked up.
Speaker 3: Oh that was that scene.
Speaker 4: So yeah, because we're at episode twenty one, yeah, that
Speaker 4: was what it was, probably thirty thirty two.
Speaker 3: But this is a super cute, like cute for them, like.
Speaker 1: They're that's enough, Laura, that's free.
Speaker 2: It is the is the kind of haggard I think
Speaker 2: it's by Laura means.
Speaker 3: The obstacle in between Amanda Woodward. Here she is, she's arrived,
Speaker 3: and she's like, oh, Amna, Allison never mentioned you, and
Speaker 3: he's like, yeah, she never mentioned you either.
Speaker 2: Well she want to come in from us.
Speaker 1: Yeah.
Speaker 4: In Alison's defense, she's never mentioned Amanda till anyone, no
Speaker 4: one until this episode of Friend Amanda.
Speaker 3: She's been in D and D all the time, just
Speaker 3: in the other room. I don't need to mention her.
Speaker 2: But this is a great ending to an episode and
Speaker 2: it's a great ending to Heather's first you know, uh, first.
Speaker 1: Show with us, first episode.
Speaker 4: Yeah, they really like she's sort of snuck in as
Speaker 4: like Allison's friend in this nice tour and D and
Speaker 4: D and then this happened.
Speaker 1: This is the new Melrose though that it happens quickly.
Speaker 1: We go from one side together very quickly, like it's
Speaker 1: still fast.
Speaker 5: Yeah, because he even like, as she's there clearly to
Speaker 5: just deliver something to Alison, he invites her, Hey, well,
Speaker 5: why don't you come in for a drink, And she
Speaker 5: looks like she's tempted, like she would love to say us,
Speaker 5: but she's like, oh, I can't.
Speaker 3: I have so much work to do. And he's like,
Speaker 3: well how about dinner.
Speaker 5: It's like he's really establishing right away that there's this
Speaker 5: you know, interest from both of them, and she looks
Speaker 5: tempted every time he sort of pushes and yeah, and
Speaker 5: she finally says, well, I really have to go, and
Speaker 5: as she's leaving instead, she turns back and she's like, well,
Speaker 5: how about a rain check?
Speaker 3: You know, like there's the door is still open.
Speaker 2: He's like, yeah, anytime, thrill.
Speaker 5: Yeah, but did you know like when Yeah, So he's like, great, yeah,
Speaker 5: anytime on that rain check. And then as she's turning
Speaker 5: to go, she's walking towards the cameron, she says, very quietly,
Speaker 5: did you catch this?
Speaker 3: She's walking away, smiling.
Speaker 5: We can see him in the background watching her walk away,
Speaker 5: and she says very quietly, yeah, real soon.
Speaker 1: No you didn't hear that?
Speaker 5: Yeah, And I go back and hear it again, and
Speaker 5: I think that's what she says, and she says it
Speaker 5: to herself super quiet, but like the frame is both
Speaker 5: of them facing the camera and he's in the background
Speaker 5: watching her, and she's walking out going yeah really, yeah,
Speaker 5: that's so razing.
Speaker 1: And I don't remember.
Speaker 4: I think that she was booked for a number of
Speaker 4: episodes and then obviously the show exploded with her on it,
Speaker 4: but I don't remember if this was the arc, if
Speaker 4: like she was there to create something between Alison and Billy.
Speaker 5: I feel like you mentioned that from the beginning they
Speaker 5: wanted that to be Amanda, to be a problem between
Speaker 5: Billy and Alison, and that even though knowing that the
Speaker 5: audience all wanted the Billy and Allison thing, like the
Speaker 5: longer you prolong it and likes.
Speaker 3: Like you just pulling the audience in of like I
Speaker 3: want this, I want this and make it hard.
Speaker 2: I mean, I don't remember the next episode, but I'm
Speaker 2: wonder if Alice is gonna be all over Billy, you
Speaker 2: know what I mean, and very protective. It's like the
Speaker 2: tables are turned, you know.
Speaker 5: Yeah, well, I can't wait to see the next one. Guys,
Speaker 5: we have a you know, we'll have another recap soon.
Speaker 5: We're gonna have Heather.
Speaker 3: On very very soon.
Speaker 2: Excited to see her.
Speaker 5: Everybody, Yeah, don't forget to subscribe and you'll get the
Speaker 5: Melrose minutes that we have at the end of the weeks,
Speaker 5: and you'll have every episode in your inbox, including our.
Speaker 3: Upcoming very exciting guests.
Speaker 2: Yeah, find out what happens.
Speaker 3: In the next episode with all show.
Speaker 4: Remember like sheow remember what she was signed for. I
Speaker 4: do remember that the second season when she was irregular,
Speaker 4: we all got better trailers. Like I remember she came,
Speaker 4: it got better for all of us because it was
Speaker 4: all favored nations.
Speaker 1: We all got the same and it's like that's a
Speaker 1: real upgrade.
Speaker 5: Thanks Heather Well, we can't wait to talk to her,
Speaker 5: and she'll be coming on very very soon, very soon.
Speaker 3: Thanks for listening again, and as always thanks for listening
Speaker 3: to Still the Place.
Speaker 1: Bye guys, see you guys soon.
Speaker 3: H