1 00:00:00,120 --> 00:00:03,800 Speaker 1: Hello the Internet, and welcome to season one, thirty three, 2 00:00:03,880 --> 00:00:08,440 Speaker 1: Episode two of Daly's Nice, the production of My Heart Radio. 3 00:00:08,720 --> 00:00:10,680 Speaker 1: This is a podcast where we take a deep dock 4 00:00:11,400 --> 00:00:15,640 Speaker 1: to America, share consciousness, and say, officially, off the top, 5 00:00:15,800 --> 00:00:21,240 Speaker 1: fuck the Koch Brothers and fuck Cox News. It's Tuesday, 6 00:00:21,560 --> 00:00:25,360 Speaker 1: my twelve. My name is Jack O'Brien a k A. 7 00:00:27,200 --> 00:00:32,239 Speaker 1: He's Jack, and he's always down to host a party 8 00:00:32,360 --> 00:00:36,199 Speaker 1: with his kids and clowns. They say, Jack, can you 9 00:00:36,240 --> 00:00:40,760 Speaker 1: watch goofy now? He says, I guess, but inside he dies. 10 00:00:41,320 --> 00:00:45,239 Speaker 1: The Zike Gang says Jack, A, you're a fine dad. 11 00:00:45,840 --> 00:00:50,919 Speaker 1: What a good uncle you could be, and your jokes 12 00:00:51,280 --> 00:00:56,560 Speaker 1: can steal attension from this disease. That is courtesy and 13 00:00:56,800 --> 00:01:00,280 Speaker 1: Banny and I'm thrilled to be joined as always, I'm 14 00:01:00,280 --> 00:01:09,720 Speaker 1: my co host, Mr Miles grags COVID nineteen Jadezy warrented 15 00:01:11,200 --> 00:01:18,400 Speaker 1: and where your photos hug There's no hugging thing sucks. 16 00:01:19,240 --> 00:01:23,760 Speaker 1: Billy Ocean Care Caribbean Queen. That is a way back. 17 00:01:24,319 --> 00:01:26,480 Speaker 1: If you want to know how I am. Thank you too, 18 00:01:26,680 --> 00:01:30,120 Speaker 1: Bondesleia Social Media in turn on sixteen five at Fresh 19 00:01:30,200 --> 00:01:33,399 Speaker 1: Frankie for that Billy Ocean inspired a kay, thank you 20 00:01:33,400 --> 00:01:38,240 Speaker 1: so much, love me some billy ocean. I'm thrilled to 21 00:01:38,240 --> 00:01:44,280 Speaker 1: be joined by my other co host, Jamie Lauper. I 22 00:01:44,400 --> 00:01:49,960 Speaker 1: think he's to work in the club Covie one now, 23 00:01:50,080 --> 00:02:01,440 Speaker 1: he said on his couch. She's sad, sad? Anywhere's the podcast? 24 00:02:01,480 --> 00:02:07,840 Speaker 1: All day? Doing little zen? She brings home, heart takes prison. 25 00:02:11,000 --> 00:02:18,919 Speaker 1: Oh busy, she says, Sonny, stay home or you'll get caught. 26 00:02:19,440 --> 00:02:22,640 Speaker 1: It doesn't make a difference if you're red killed or not. 27 00:02:23,320 --> 00:02:29,360 Speaker 1: You've got the virus. Now here's a masking gloves. I'll 28 00:02:29,400 --> 00:02:37,480 Speaker 1: give you your shots. What I no more, well made 29 00:02:37,480 --> 00:02:41,320 Speaker 1: it in the car, wash your heads. They won't make 30 00:02:41,400 --> 00:02:56,080 Speaker 1: any doors. Well made it in the car. That's I 31 00:02:56,120 --> 00:03:00,240 Speaker 1: think we all had to do that guitar want that 32 00:03:00,440 --> 00:03:04,120 Speaker 1: is the most powerful a song has ever been in 33 00:03:04,160 --> 00:03:07,560 Speaker 1: my head after one of these a K I don't 34 00:03:07,600 --> 00:03:10,240 Speaker 1: know if I want to compliment you or tell you 35 00:03:10,280 --> 00:03:13,640 Speaker 1: to go fund yourself. My heart rate is skyrocketing, according 36 00:03:13,720 --> 00:03:19,520 Speaker 1: to my biometric meat Peter. That's from at abstrustle or 37 00:03:20,000 --> 00:03:24,000 Speaker 1: user name official Dickhead. Really really powerful stuff from official 38 00:03:24,040 --> 00:03:30,280 Speaker 1: Dickhead brought the heat today. I've been watching official Dickhead 39 00:03:30,880 --> 00:03:33,920 Speaker 1: develop his a K voice on Twitter. It's good to 40 00:03:33,919 --> 00:03:38,960 Speaker 1: see him finally make the big league. We're thrilled to 41 00:03:39,040 --> 00:03:45,200 Speaker 1: be joined in our fourth seat by the talented Kate Hagan. Hey, guys, 42 00:03:45,240 --> 00:03:46,680 Speaker 1: thanks for having me. I didn't know I was gonna 43 00:03:46,680 --> 00:03:51,320 Speaker 1: get serenaded. First thing. Very exciting, always always, it's our 44 00:03:51,360 --> 00:03:53,440 Speaker 1: favorite thing you're doing. They say, Kate, now you sing. 45 00:03:54,200 --> 00:03:57,080 Speaker 1: I'm not gonna sing. If you've seen me do karaoke, 46 00:03:57,240 --> 00:03:59,160 Speaker 1: you don't want to see me sing. It's not a 47 00:03:59,200 --> 00:04:02,160 Speaker 1: pretty picture. Do you like karaoke though? I do, because 48 00:04:02,280 --> 00:04:06,800 Speaker 1: that's a karaoke is all about attitude not ability. Um yeah, 49 00:04:06,920 --> 00:04:09,200 Speaker 1: And it's a great time and it's very freeing to 50 00:04:09,240 --> 00:04:11,160 Speaker 1: be like, here's the thing I can't do, and I'm 51 00:04:11,160 --> 00:04:13,720 Speaker 1: doing it. I mean, I think you just saw between 52 00:04:13,800 --> 00:04:16,720 Speaker 1: Jack and I that was clearly about attitude and not ability. 53 00:04:16,800 --> 00:04:21,760 Speaker 1: Jamie has ability. We're at we're attitude singers. Able singer 54 00:04:21,800 --> 00:04:24,320 Speaker 1: has actually done in the national anthem out of sporting event. 55 00:04:24,360 --> 00:04:27,480 Speaker 1: That's the mark I use. But what do you sing 56 00:04:27,560 --> 00:04:29,279 Speaker 1: when you go to karaoke? I'm moisture. That's how you 57 00:04:29,320 --> 00:04:32,159 Speaker 1: learn about somebody. Yeah, it's um, I sing all sorts 58 00:04:32,200 --> 00:04:35,040 Speaker 1: of stuff. I would say my sort of uh staples 59 00:04:35,040 --> 00:04:38,800 Speaker 1: are I like doing Addicted to Love, I like doing Criminal, Um, 60 00:04:38,839 --> 00:04:41,359 Speaker 1: I like doing nine to five, which is a really 61 00:04:41,400 --> 00:04:47,440 Speaker 1: hard to sing. Yeah, I don't like Yeah it's a 62 00:04:47,440 --> 00:04:49,320 Speaker 1: good time. I can't do any of the like, you know, 63 00:04:49,440 --> 00:04:52,400 Speaker 1: songs that require actual chops Like I love Patsy Klin. 64 00:04:52,560 --> 00:04:55,279 Speaker 1: I cannot sing a Patsy Klin so karaoke that I 65 00:04:55,279 --> 00:04:59,080 Speaker 1: don't want to dislong her memory. Criminal is all attitude. 66 00:04:59,120 --> 00:05:02,760 Speaker 1: I got goose bump just here, and I'm like, whoa, 67 00:05:03,200 --> 00:05:08,600 Speaker 1: it's big scorpio energy. You gotta support there. What does 68 00:05:08,680 --> 00:05:12,840 Speaker 1: everyone what does everyone's go to karaoke? Montell, montell, this 69 00:05:12,880 --> 00:05:16,600 Speaker 1: is how we do it. That's the first song I 70 00:05:16,640 --> 00:05:19,120 Speaker 1: always warm up my voice to that. I let people know, Look, 71 00:05:19,160 --> 00:05:21,120 Speaker 1: this is what you can expect from me. Just some 72 00:05:21,160 --> 00:05:24,200 Speaker 1: good Torch songs r and from the nineties to the table. Yeah. 73 00:05:28,360 --> 00:05:31,919 Speaker 1: I've never gone karaoke singing in my entire life. What 74 00:05:32,880 --> 00:05:35,039 Speaker 1: I've never been karaoke singing? This is what I know 75 00:05:36,560 --> 00:05:41,520 Speaker 1: you guys do. Invisible by Clay Akin, Invisible by Clay An, 76 00:05:41,720 --> 00:05:46,560 Speaker 1: I don't even know insible. I feel like it's in 77 00:05:46,560 --> 00:05:50,920 Speaker 1: your range. You could do it. Oh my, I can't 78 00:05:50,920 --> 00:05:53,040 Speaker 1: believe I'm just learning this about you that you had 79 00:05:53,120 --> 00:05:58,680 Speaker 1: never been to like any kind of shame, but you're 80 00:05:58,760 --> 00:06:04,360 Speaker 1: so ready. You do every day. Yeah, I know. Huh, well, huh, 81 00:06:04,400 --> 00:06:06,360 Speaker 1: I guess Jamie, I guess we got I guess we 82 00:06:06,440 --> 00:06:09,920 Speaker 1: got a little project. I guess we gotta short film 83 00:06:10,000 --> 00:06:18,239 Speaker 1: script on our hands. Sounds like a thesis project to me, Kate. 84 00:06:18,720 --> 00:06:20,680 Speaker 1: We're gonna get to know you a little bit better 85 00:06:20,720 --> 00:06:23,320 Speaker 1: in a moment. First, we're gonna tell our listeners a 86 00:06:23,360 --> 00:06:26,680 Speaker 1: couple of the things that we're talking about today. Uh 87 00:06:26,880 --> 00:06:30,080 Speaker 1: we I think are in the dance portion of the 88 00:06:30,120 --> 00:06:33,919 Speaker 1: Hammer and the Dance, which is how somebody described the 89 00:06:33,960 --> 00:06:38,120 Speaker 1: process of dealing with COVID. You do the full countrywide band, 90 00:06:38,400 --> 00:06:41,320 Speaker 1: and then there's like the should we come out? Should 91 00:06:41,320 --> 00:06:46,200 Speaker 1: we not? Like groundhog coming out of his whole type thing. 92 00:06:46,360 --> 00:06:50,120 Speaker 1: That's gonna last for a lot longer than the hammer portion, 93 00:06:50,440 --> 00:06:54,200 Speaker 1: I think, unfortunately. Uh So we're trying to figure out 94 00:06:54,320 --> 00:06:59,120 Speaker 1: what we're doing. Uh and fortunately we have our dumbest 95 00:06:59,240 --> 00:07:02,880 Speaker 1: person in charge of making the ultimate decision. So we're 96 00:07:02,920 --> 00:07:06,360 Speaker 1: gonna talk about that. We're gonna talk about that Professor's 97 00:07:06,360 --> 00:07:08,680 Speaker 1: post on medium that was getting passed around a lot. 98 00:07:09,240 --> 00:07:13,640 Speaker 1: The risks and how to avoid them, I think is 99 00:07:13,680 --> 00:07:15,840 Speaker 1: what it was called, but it was basically just talking 100 00:07:15,840 --> 00:07:19,720 Speaker 1: about how the disease actually functions, how it passes from 101 00:07:19,720 --> 00:07:23,760 Speaker 1: one person to another. Uh, We're gonna talk about Moody's 102 00:07:23,760 --> 00:07:26,800 Speaker 1: how that what they think is gonna happen. We're gonna 103 00:07:26,800 --> 00:07:33,360 Speaker 1: talk about that plandemic video which classic Instinct Classic, We're 104 00:07:33,400 --> 00:07:36,480 Speaker 1: gonna talk about it, Last Dance, all of that and 105 00:07:36,600 --> 00:07:40,200 Speaker 1: plenty more. But first, Kate, we like to ask our guests, 106 00:07:40,280 --> 00:07:42,960 Speaker 1: what is something from your search history that is revealing 107 00:07:43,000 --> 00:07:46,360 Speaker 1: about who you are? So my current obsession during the 108 00:07:46,440 --> 00:07:52,160 Speaker 1: quarantine is defunct amusement park Rad's partially because yes, yeah, 109 00:07:53,200 --> 00:07:55,720 Speaker 1: are you a defunctal in Head? I am a defunct 110 00:07:55,760 --> 00:08:00,720 Speaker 1: land head. Oh my god, this is great something. It's yeah, 111 00:08:00,760 --> 00:08:03,640 Speaker 1: I I it's funny. I'm kind of a scaredy cat 112 00:08:03,640 --> 00:08:05,600 Speaker 1: when it comes to actual theme parks, like I can't 113 00:08:05,640 --> 00:08:08,720 Speaker 1: really do roller coasters and staff so I really enjoy 114 00:08:08,800 --> 00:08:11,680 Speaker 1: watching like ride throughs on YouTube of rides. I will 115 00:08:11,720 --> 00:08:14,680 Speaker 1: never be brave enough to ride. But I also love 116 00:08:14,800 --> 00:08:17,200 Speaker 1: looking up stuff that doesn't exist anymore. And the one 117 00:08:17,240 --> 00:08:20,480 Speaker 1: I found recently that I am fucking obsessed with is 118 00:08:20,600 --> 00:08:24,600 Speaker 1: the Great Gremlins Adventure, which was a ride in Australia 119 00:08:24,680 --> 00:08:27,080 Speaker 1: and Germany in the nineties where like it was a 120 00:08:27,200 --> 00:08:29,920 Speaker 1: dark ride why where you ride through on a cart 121 00:08:30,040 --> 00:08:33,960 Speaker 1: and like see the Gremlins like recreate scenes through movie 122 00:08:34,040 --> 00:08:37,800 Speaker 1: history with all these great animatronic gremlins. And it doesn't 123 00:08:37,840 --> 00:08:40,880 Speaker 1: exist anymore, and I'm pretty heartbroken about it, honestly, I 124 00:08:40,880 --> 00:08:45,560 Speaker 1: would give the first of all, I also yelped because 125 00:08:45,840 --> 00:08:48,280 Speaker 1: last week we're talking about a guy who had trespassed 126 00:08:48,280 --> 00:08:51,040 Speaker 1: in Orlando to camp on like Treasure Island or whatever 127 00:08:51,120 --> 00:08:54,640 Speaker 1: island that it was in, like a defunct Disney attraction. 128 00:08:55,040 --> 00:08:57,000 Speaker 1: And then I started going down a rabbit hole on 129 00:08:57,040 --> 00:09:00,400 Speaker 1: YouTube of just watching kids trespass all over or Lando 130 00:09:00,600 --> 00:09:03,920 Speaker 1: like closed parts about ship and I was getting the 131 00:09:03,920 --> 00:09:07,480 Speaker 1: biggest kick out of it. But now to here this see, 132 00:09:07,520 --> 00:09:08,959 Speaker 1: I was just more I think just watching I was 133 00:09:09,000 --> 00:09:11,160 Speaker 1: like loving watching kids get chased by security guards and 134 00:09:11,240 --> 00:09:15,720 Speaker 1: like getting invading them. But the Gremlins. Wait, it was 135 00:09:15,800 --> 00:09:19,960 Speaker 1: only in Australia and Germany, like place, How can we 136 00:09:20,040 --> 00:09:22,400 Speaker 1: didn't how how did we not know the magic of 137 00:09:22,440 --> 00:09:25,760 Speaker 1: this ride? Yeah? What is the logic behind those specifically, 138 00:09:25,800 --> 00:09:29,319 Speaker 1: are those like Gremlin? Like do people especially love gremlins 139 00:09:29,360 --> 00:09:33,040 Speaker 1: in Australia and Germany? Yeah? Right, You're like, why was 140 00:09:33,120 --> 00:09:35,520 Speaker 1: this not in Universal Studios here? I have to think 141 00:09:35,520 --> 00:09:37,960 Speaker 1: it's probably due to the licensing and where they could 142 00:09:37,960 --> 00:09:40,520 Speaker 1: get licensing for and it's like, oh, it'll be cheaper 143 00:09:40,559 --> 00:09:44,280 Speaker 1: to do it not in America. But I believe the 144 00:09:44,320 --> 00:09:47,320 Speaker 1: Australian park was like a sort of Warner Brothers park, 145 00:09:47,400 --> 00:09:50,600 Speaker 1: which is really intriguing to me. But I hope they 146 00:09:50,600 --> 00:09:52,640 Speaker 1: did something with those gremlins. I mean, you got you 147 00:09:52,640 --> 00:09:54,559 Speaker 1: can look up ride through, so it's incredible. It's like 148 00:09:54,559 --> 00:09:57,120 Speaker 1: Gremlin's doing singing in the rain, like Gremlin's doing a 149 00:09:57,160 --> 00:10:02,880 Speaker 1: Western shootout. It seems so unfair. We were cute gremlins 150 00:10:02,880 --> 00:10:07,160 Speaker 1: are prem are post water Grumlins, post water Gremlins. But 151 00:10:07,240 --> 00:10:09,439 Speaker 1: then Gizmo is in the ride. And then one of 152 00:10:09,480 --> 00:10:12,200 Speaker 1: the rides had alf and one of the rides had beetlejuice. 153 00:10:12,559 --> 00:10:17,319 Speaker 1: I can't remember which was just like dream, yeah, just 154 00:10:17,800 --> 00:10:21,920 Speaker 1: like a fever dream of a ride totally. I had 155 00:10:21,960 --> 00:10:24,959 Speaker 1: somebody when I posted about it on Twitter, and somebody 156 00:10:25,000 --> 00:10:27,160 Speaker 1: sent me a story that they were in Australia and 157 00:10:27,280 --> 00:10:29,880 Speaker 1: their little sister. They had to stop the ride to 158 00:10:29,920 --> 00:10:31,800 Speaker 1: pull the little sister off the ride because she was 159 00:10:31,840 --> 00:10:36,040 Speaker 1: just having a meltdown about these Gramlings. I feel like 160 00:10:36,240 --> 00:10:39,640 Speaker 1: I would maybe have a meltdown over those Grandlins. That's 161 00:10:40,000 --> 00:10:43,720 Speaker 1: like they freak you out. Yeah, Gremlins, aren't they cute? 162 00:10:44,520 --> 00:10:49,360 Speaker 1: I love that Good Day for Jack Facts. Yeah, Gremlins 163 00:10:49,440 --> 00:10:54,720 Speaker 1: too was one of my favorite films. The New Batch, 164 00:10:55,440 --> 00:10:57,719 Speaker 1: as we all know the key Impeel sketch on. That 165 00:10:57,920 --> 00:11:03,480 Speaker 1: is great. What is some thing that you think is underrated? Kate? Um, 166 00:11:03,559 --> 00:11:05,719 Speaker 1: I'm gonna talking about a director that I kind of 167 00:11:05,840 --> 00:11:08,760 Speaker 1: discovered this year and I'm still working through her filmography. 168 00:11:09,040 --> 00:11:12,040 Speaker 1: But it's funny to me during this quarantine time, everybody 169 00:11:12,160 --> 00:11:14,960 Speaker 1: is talking about like comfort food movies and especially Nancy 170 00:11:15,040 --> 00:11:18,199 Speaker 1: Myers movies. But one of my big discoveries this year 171 00:11:18,320 --> 00:11:21,040 Speaker 1: is a director named Joan Micklin Silver who made some 172 00:11:21,160 --> 00:11:25,199 Speaker 1: of the best romantic comedies I've ever seen. Um. I 173 00:11:25,240 --> 00:11:27,199 Speaker 1: would say the two best movies to start with her 174 00:11:27,440 --> 00:11:30,120 Speaker 1: are a movie called Crossing de Lancy, which is just 175 00:11:30,280 --> 00:11:33,079 Speaker 1: this really low key romantic comedy from the eighties with 176 00:11:33,200 --> 00:11:36,719 Speaker 1: Amy Irving and she somehow makes Peter Regert into like 177 00:11:37,080 --> 00:11:41,320 Speaker 1: the sexiest man alive in this movie. Don't ask me how. 178 00:11:41,400 --> 00:11:43,560 Speaker 1: He plays a character named the pickle Man, and by 179 00:11:43,559 --> 00:11:45,720 Speaker 1: the end of the movie you're like, where is my Pickleman? 180 00:11:47,520 --> 00:11:49,280 Speaker 1: And she but you know, the flip of that is 181 00:11:49,360 --> 00:11:52,199 Speaker 1: she has another film called Chili Scenes of Winter that 182 00:11:52,400 --> 00:11:56,520 Speaker 1: is about kind of you know, uh, a hapless twentysomething 183 00:11:56,600 --> 00:11:58,880 Speaker 1: who falls in love with a married woman and things 184 00:11:58,960 --> 00:12:01,520 Speaker 1: do not go well. Uh. And that's with John Hurd 185 00:12:01,600 --> 00:12:04,199 Speaker 1: and Mary Beth Hurt and it's from the seventies. But 186 00:12:04,559 --> 00:12:07,560 Speaker 1: she's really awesome. She made movies all throughout the eighties 187 00:12:07,600 --> 00:12:10,520 Speaker 1: and nineties. Uh, some stuff that you know, on its 188 00:12:10,600 --> 00:12:13,240 Speaker 1: face looks like horn dog comedies like Lover Boy with 189 00:12:13,360 --> 00:12:16,000 Speaker 1: Patrick Dempsey, and then you watch it and you're like, oh, 190 00:12:16,120 --> 00:12:19,080 Speaker 1: this is a movie about how women's sexual desires are 191 00:12:20,200 --> 00:12:24,120 Speaker 1: not prioritized and how their emotional lives are not shown 192 00:12:24,160 --> 00:12:27,440 Speaker 1: on screen. So she's really dope. She's still alive. If 193 00:12:27,480 --> 00:12:29,760 Speaker 1: you can seek out any of her movies, highly recommended 194 00:12:29,840 --> 00:12:34,920 Speaker 1: during Quarantine. Um, she's dope. Wow, Love Her Boy. I 195 00:12:35,040 --> 00:12:39,960 Speaker 1: didn't realize Lover Her Boy was that uh deep. I've 196 00:12:40,120 --> 00:12:44,079 Speaker 1: like seen various moments of Lover her Boy, but that 197 00:12:44,280 --> 00:12:48,080 Speaker 1: that's the pizza delivery one, right, where like, yeah, yeah, 198 00:12:48,480 --> 00:12:50,559 Speaker 1: I guess it's based on a true story of a 199 00:12:50,800 --> 00:12:53,160 Speaker 1: of a guy in Beverly Hills who was like delivering 200 00:12:53,200 --> 00:12:56,240 Speaker 1: pizzas to rich ladies and was sleeping with them. But 201 00:12:56,360 --> 00:12:59,480 Speaker 1: it starts off in that sort of like eighties raunchy mode, 202 00:12:59,679 --> 00:13:01,599 Speaker 1: and like by the middle of the movie, you have 203 00:13:01,840 --> 00:13:04,880 Speaker 1: all the women he's visiting giving these like tearful monologues 204 00:13:04,920 --> 00:13:07,920 Speaker 1: about how nobody like pays attention to them, and they're 205 00:13:07,960 --> 00:13:10,640 Speaker 1: just like trapped in these mansions and you're like, okay, 206 00:13:10,640 --> 00:13:14,599 Speaker 1: if one movie am I watching? Um, but she's I 207 00:13:14,640 --> 00:13:16,520 Speaker 1: don't know her movies all kind of do that. You 208 00:13:16,600 --> 00:13:18,320 Speaker 1: think you're getting one thing, and then by the end 209 00:13:18,360 --> 00:13:20,199 Speaker 1: you're like, this is very different than I thought it 210 00:13:20,240 --> 00:13:25,920 Speaker 1: was going to be, isn't it. Christie Ally, I think 211 00:13:25,960 --> 00:13:28,360 Speaker 1: the stud ever had notes are like after these women, 212 00:13:28,440 --> 00:13:30,440 Speaker 1: I don't know, like when they say these long winded things, 213 00:13:30,520 --> 00:13:33,120 Speaker 1: can Patrick Dempsey's be like, Hey, so we're gonna funk 214 00:13:33,200 --> 00:13:35,920 Speaker 1: or what or something kind of like it. After that, 215 00:13:36,040 --> 00:13:38,240 Speaker 1: I don't know what's going on here. It is funny 216 00:13:38,760 --> 00:13:40,920 Speaker 1: in the movie. You have those scenes and then it's 217 00:13:40,960 --> 00:13:48,360 Speaker 1: like back to the pizza parlor working. I realized that 218 00:13:48,720 --> 00:13:51,960 Speaker 1: he that Patrick Dempsey was in in eighties round com 219 00:13:52,080 --> 00:13:54,280 Speaker 1: makes me realize I have no idea how old Patrick 220 00:13:54,360 --> 00:13:57,760 Speaker 1: Dempsey is, right, I thought he must be very well 221 00:13:58,040 --> 00:14:03,040 Speaker 1: well preserved, because I wouldn't have guessed. Yeah, I think 222 00:14:03,120 --> 00:14:05,679 Speaker 1: he was like a teenager at that point, like the 223 00:14:05,840 --> 00:14:09,840 Speaker 1: point right, he was a lover boy, not a lover man. 224 00:14:13,840 --> 00:14:18,120 Speaker 1: The one thing I remember that from that is loverman. 225 00:14:18,480 --> 00:14:24,400 Speaker 1: It's just about a guy who has Uh, this is 226 00:14:24,400 --> 00:14:27,280 Speaker 1: about a guy who fox. The one thing I remember 227 00:14:27,400 --> 00:14:30,720 Speaker 1: is that extra anchovies was the order right that they 228 00:14:30,840 --> 00:14:33,480 Speaker 1: used to signal that he was because they knew it 229 00:14:33,560 --> 00:14:38,040 Speaker 1: was like so gross that nobody else would order that Anyways, 230 00:14:38,240 --> 00:14:42,200 Speaker 1: little lover boyfriend, What a time to be alive the eighties. 231 00:14:43,600 --> 00:14:47,480 Speaker 1: Fun fact Jack always orders extra anchovies. That is where 232 00:14:47,560 --> 00:14:51,600 Speaker 1: my order comes from. Ye just hoping that maybe this 233 00:14:51,680 --> 00:14:55,520 Speaker 1: will come back and fash him. Uh, what is something 234 00:14:55,560 --> 00:14:58,280 Speaker 1: you think is overrated? I'm going to drop a hot 235 00:14:58,360 --> 00:15:01,720 Speaker 1: one today, and honestly, it's just because it's the first 236 00:15:01,760 --> 00:15:04,600 Speaker 1: thing to that sprang to mine, and that is ranch dressing. 237 00:15:05,200 --> 00:15:08,640 Speaker 1: I don't understand. Ranch dressing is a concept. I find 238 00:15:08,720 --> 00:15:12,600 Speaker 1: it repulsive. Um, I don't understand why people eat it 239 00:15:12,880 --> 00:15:16,000 Speaker 1: on a variety of things that are not salad. I 240 00:15:16,080 --> 00:15:19,160 Speaker 1: can maybe understand French fries, but like ram dressing on 241 00:15:19,280 --> 00:15:24,600 Speaker 1: pizza or cheeseburger go to jail. Um? Absolutely. I you know, 242 00:15:24,960 --> 00:15:27,640 Speaker 1: as a boring white person who loves mayonnaise, I'm like, 243 00:15:27,760 --> 00:15:30,520 Speaker 1: why would you not just eat mayonnaise instead mayonnaise? You 244 00:15:30,600 --> 00:15:33,400 Speaker 1: get the tang and it's a better texture. I don't know. 245 00:15:33,560 --> 00:15:36,520 Speaker 1: That's my hottake for the day. Wow, because I hear 246 00:15:36,560 --> 00:15:40,280 Speaker 1: the argument that people go ranch goes a step beyond mayonnaise, man, 247 00:15:41,040 --> 00:15:44,040 Speaker 1: And I'm like, I for I love it as a 248 00:15:44,360 --> 00:15:49,320 Speaker 1: fried dipper. Uh, don't really put an onion rings. It's 249 00:15:49,360 --> 00:15:52,400 Speaker 1: mostly like a fried food dipper. Is how I get 250 00:15:52,440 --> 00:15:54,080 Speaker 1: down with the ranch. I'm definitely. I mean, we have 251 00:15:54,240 --> 00:15:58,000 Speaker 1: guests like Blair Sak famously will just drink I believe 252 00:15:58,640 --> 00:16:01,520 Speaker 1: ranch dressing no matter what. So that's what I'm talking about. 253 00:16:01,640 --> 00:16:04,440 Speaker 1: I'm just like, what, it's not that good? Guys? Like 254 00:16:04,720 --> 00:16:09,240 Speaker 1: what one thing that I'm surprised by is that your 255 00:16:09,280 --> 00:16:12,160 Speaker 1: connection is so good when you're clearly not calling us 256 00:16:12,200 --> 00:16:18,560 Speaker 1: from within America because American take there are better like 257 00:16:18,840 --> 00:16:22,080 Speaker 1: fick creamy dressings out. I don't mind ranch, but I 258 00:16:22,160 --> 00:16:24,200 Speaker 1: feel like, why have a ranch when you've got a 259 00:16:24,320 --> 00:16:26,840 Speaker 1: Caesar in the mix, If you've got a blue cheese 260 00:16:26,920 --> 00:16:36,520 Speaker 1: in the mix. Ranch almost everything you talk about extra anchovies, 261 00:16:38,120 --> 00:16:40,520 Speaker 1: but you can like, I feel like ranches also in 262 00:16:40,600 --> 00:16:44,360 Speaker 1: the like the lower echelon of the creamy dips. For me, 263 00:16:45,400 --> 00:16:48,120 Speaker 1: I've never dipped anything. What do you dip in caesar 264 00:16:48,200 --> 00:16:52,400 Speaker 1: dr I can only I love caesar salad. So I mean, 265 00:16:52,440 --> 00:16:54,400 Speaker 1: tell me something in your mind. What's the Jamie Loft 266 00:16:54,480 --> 00:17:01,040 Speaker 1: is caesar dipping? Collo cookies two nights ago, carrots and caesar? 267 00:17:01,280 --> 00:17:06,600 Speaker 1: It works. That's that's a vegetable. I thought. I'm expecting 268 00:17:06,600 --> 00:17:07,879 Speaker 1: to be like, no, man, what you do is you 269 00:17:07,920 --> 00:17:11,240 Speaker 1: take a filet o fish put it next. Well, here's 270 00:17:11,280 --> 00:17:15,919 Speaker 1: one thing that you know, those Tina's burritos. Yeah, okay, 271 00:17:16,160 --> 00:17:19,000 Speaker 1: that's my brunch a lot of days. And so I'll 272 00:17:19,040 --> 00:17:21,520 Speaker 1: have a Tina's burrito and a little puddle of caesar, 273 00:17:21,960 --> 00:17:25,720 Speaker 1: and you just slap around the tinas in the pile 274 00:17:25,760 --> 00:17:29,800 Speaker 1: of caesar. Not bad, slap around the cheese, pile of 275 00:17:29,920 --> 00:17:36,360 Speaker 1: Caesar authentic cuisine. Nothing is more disappointing to me than 276 00:17:36,560 --> 00:17:41,119 Speaker 1: when wings come with ranch and set of blue cheese. 277 00:17:41,200 --> 00:17:45,080 Speaker 1: Oh yeah, that's so far as violets. Yeah yeah, because 278 00:17:45,200 --> 00:17:48,160 Speaker 1: ranch does not actively cool the way the blue cheese 279 00:17:48,520 --> 00:17:51,200 Speaker 1: also have. The time though, I don't even I'm just 280 00:17:51,320 --> 00:17:54,439 Speaker 1: eating like lemon pepper wings and I don't even eat sauce. 281 00:17:54,760 --> 00:17:59,119 Speaker 1: I'm like, anyway, I really, I really miss. I'm just 282 00:17:59,200 --> 00:18:01,159 Speaker 1: all this to say, I'm realizing I'm doing the thing 283 00:18:01,240 --> 00:18:03,840 Speaker 1: in the cartoons where someone just walked by my window 284 00:18:03,960 --> 00:18:06,960 Speaker 1: and I envisioned a silver platter of wings all flat, 285 00:18:07,440 --> 00:18:16,320 Speaker 1: and that was their head the dog. I'm like, yeah, Kake, 286 00:18:16,400 --> 00:18:18,880 Speaker 1: good point. We were wondering why his tongue rolled out 287 00:18:18,920 --> 00:18:23,359 Speaker 1: of his mouth and across his keyboard. Uh. I haven't 288 00:18:23,560 --> 00:18:27,080 Speaker 1: had an appetite for wings since the Super Bowl producer 289 00:18:27,240 --> 00:18:30,719 Speaker 1: Hans saw him at Whole Foods he was buying wings. 290 00:18:31,200 --> 00:18:33,560 Speaker 1: I was like, hey, you know what, the wings can't 291 00:18:33,600 --> 00:18:36,159 Speaker 1: be that hard to make. I'll get some wings. And 292 00:18:36,280 --> 00:18:39,720 Speaker 1: I made such bad wings that I've lost my appetite 293 00:18:39,760 --> 00:18:46,000 Speaker 1: for No. I baked them in and like, I think 294 00:18:46,080 --> 00:18:50,159 Speaker 1: I did something weird with like putting them on a 295 00:18:50,320 --> 00:18:53,000 Speaker 1: rack as opposed to or like the wrong kind of rack, 296 00:18:53,200 --> 00:18:56,480 Speaker 1: because they were just like hard and not in like 297 00:18:56,680 --> 00:19:02,040 Speaker 1: a crispy way. On grill them on high, get the 298 00:19:02,119 --> 00:19:04,160 Speaker 1: nice color on both sides, then move them to one 299 00:19:04,200 --> 00:19:06,199 Speaker 1: side of your grill and then turn the heat off 300 00:19:06,280 --> 00:19:08,480 Speaker 1: on that side and then just cook them on indirect heat. 301 00:19:08,560 --> 00:19:11,000 Speaker 1: And they're really hard to overcook like that, just a 302 00:19:11,119 --> 00:19:13,080 Speaker 1: simple on the grill, you know what I mean? But 303 00:19:13,160 --> 00:19:16,479 Speaker 1: it sounds like if my mother were to review your 304 00:19:16,520 --> 00:19:18,920 Speaker 1: wings as you did the film Cats, her review would 305 00:19:18,920 --> 00:19:27,160 Speaker 1: be something just didn't go right, went wrong, very diplomatic. Yeah, 306 00:19:27,960 --> 00:19:29,760 Speaker 1: that's that would be my answer. I was the only 307 00:19:29,840 --> 00:19:34,200 Speaker 1: one who ate Themfortunately I was so disself. I just yeah, 308 00:19:34,280 --> 00:19:38,880 Speaker 1: I ate the bone and all, just off in the corner, well, 309 00:19:39,359 --> 00:19:42,280 Speaker 1: talking myself down. Oh that's why your lips were so 310 00:19:42,359 --> 00:19:49,040 Speaker 1: cut up that next month, idiot. Uh Kate. Finally, what 311 00:19:49,280 --> 00:19:51,520 Speaker 1: is uh? What's your myth? What's something people think it's 312 00:19:51,560 --> 00:19:54,399 Speaker 1: true you know to be false? Um, I'm going to 313 00:19:54,520 --> 00:19:57,240 Speaker 1: talk about one of my favorite topics, which is the 314 00:19:57,359 --> 00:19:59,880 Speaker 1: fact that there is this idea, since we have got 315 00:20:00,040 --> 00:20:04,000 Speaker 1: write of physical media and video stores, that every movie 316 00:20:04,080 --> 00:20:06,840 Speaker 1: you could possibly want to see is available on streaming 317 00:20:07,080 --> 00:20:10,280 Speaker 1: or for rental via streaming, and that's just not true. Uh. 318 00:20:10,480 --> 00:20:12,440 Speaker 1: Like last week, I was like, oh, I want to 319 00:20:12,480 --> 00:20:15,520 Speaker 1: have a chill Tuesday night and watch The Piano. Um, 320 00:20:16,000 --> 00:20:19,119 Speaker 1: you can rent The Piano on iTunes and that is 321 00:20:19,240 --> 00:20:22,119 Speaker 1: literally it a movie that has two oscars and was 322 00:20:22,200 --> 00:20:25,040 Speaker 1: a huge hit in the nineties. So I ordered some 323 00:20:25,359 --> 00:20:29,320 Speaker 1: ten year old like Jankee bootleg or not blueleg Blu 324 00:20:29,400 --> 00:20:31,560 Speaker 1: ray of it. That's like, you know, one of those 325 00:20:31,640 --> 00:20:34,000 Speaker 1: bad first edition Blu rays, because that's the best way 326 00:20:34,040 --> 00:20:37,320 Speaker 1: to see the movie now. But it's you know, I 327 00:20:37,440 --> 00:20:40,960 Speaker 1: hope people realize as their home and they're watching things 328 00:20:41,000 --> 00:20:43,960 Speaker 1: on streaming that like, yes, there's a lot of content 329 00:20:44,080 --> 00:20:46,920 Speaker 1: out there, but there's also a ton of content that's 330 00:20:47,000 --> 00:20:50,119 Speaker 1: just not available, and at this point is frankly in 331 00:20:50,200 --> 00:20:53,040 Speaker 1: danger of becoming obsolete forever. I mean, the fact that 332 00:20:53,119 --> 00:20:56,840 Speaker 1: we've sort of scaled back on physical media production when 333 00:20:56,880 --> 00:20:59,840 Speaker 1: there are still movies that never got transferred from vh 334 00:21:00,040 --> 00:21:03,919 Speaker 1: ass um or laser disk is insane to me. Uh, 335 00:21:04,280 --> 00:21:06,120 Speaker 1: And I think, you know, it's one of those problems 336 00:21:06,240 --> 00:21:09,679 Speaker 1: that seems uh, sort of far away from you until 337 00:21:10,280 --> 00:21:11,760 Speaker 1: you try to look for a movie that you want 338 00:21:11,760 --> 00:21:14,280 Speaker 1: to watch and you find that some you know, nineties 339 00:21:14,359 --> 00:21:17,280 Speaker 1: indie movie or eighties team movie that seems like it 340 00:21:17,320 --> 00:21:20,280 Speaker 1: should be super available is not available, And then you're like, 341 00:21:20,440 --> 00:21:22,680 Speaker 1: what the fuck? And you realize you should have bought 342 00:21:22,720 --> 00:21:25,400 Speaker 1: the DVD, or if there was a Blockbuster or other 343 00:21:25,480 --> 00:21:28,440 Speaker 1: video stories, you could just go rent the damn thing. UM, 344 00:21:28,680 --> 00:21:31,240 Speaker 1: But I don't know. It's interesting. I think, uh, streaming 345 00:21:31,320 --> 00:21:34,399 Speaker 1: has created this sort of false, false idea in people's 346 00:21:34,480 --> 00:21:36,800 Speaker 1: heads that we should have given up our physical media 347 00:21:36,880 --> 00:21:40,360 Speaker 1: libraries and things like video stories, when in fact, we've 348 00:21:40,400 --> 00:21:42,200 Speaker 1: given up a lot of content and a lot of 349 00:21:42,280 --> 00:21:44,840 Speaker 1: movies are now out of print forever because we just 350 00:21:44,920 --> 00:21:49,840 Speaker 1: sort of rushed to streaming. Um. For people who don't 351 00:21:49,920 --> 00:21:54,680 Speaker 1: know Kate, you co host the Blacklist podcast with Franklin Leonard, 352 00:21:54,680 --> 00:21:56,639 Speaker 1: who was on our show recently. So you know a 353 00:21:56,720 --> 00:21:59,720 Speaker 1: thing or two about this film thing. Uh. Do you 354 00:21:59,800 --> 00:22:02,840 Speaker 1: think there's a reason why the piano specifically, I have 355 00:22:02,960 --> 00:22:05,240 Speaker 1: a very immature theory, But do you do you have 356 00:22:05,280 --> 00:22:10,560 Speaker 1: an idea why you think that Harvey, it's not the 357 00:22:10,640 --> 00:22:16,679 Speaker 1: most j One more time it'll appear in the room. 358 00:22:16,800 --> 00:22:22,320 Speaker 1: I was gonna say huge, I've never seen I've never 359 00:22:22,400 --> 00:22:26,479 Speaker 1: seen the piano in that it is famously I think 360 00:22:26,560 --> 00:22:29,440 Speaker 1: most people's first thing they remember is like, I think 361 00:22:29,560 --> 00:22:33,040 Speaker 1: Anna Paquin may have won an Academy Award for that, 362 00:22:33,280 --> 00:22:35,560 Speaker 1: but I know for sure Harvey kit tells Dick is 363 00:22:35,600 --> 00:22:38,520 Speaker 1: in that along with Badly, but there's like it was 364 00:22:38,600 --> 00:22:43,240 Speaker 1: nominated but did not win. I think Jeffrey Rush and 365 00:22:43,359 --> 00:22:47,399 Speaker 1: Quills shows his dills and quills that film is behind. 366 00:22:47,520 --> 00:22:50,840 Speaker 1: You have to pay to see that, the same Jeffrey 367 00:22:50,880 --> 00:22:54,520 Speaker 1: ushs Penis is in a movie. Yes, you want to 368 00:22:54,560 --> 00:22:57,560 Speaker 1: see the Jeffrey Rush dills again, the rhymes, there's quill 369 00:22:58,119 --> 00:23:01,760 Speaker 1: and then shame the fast Bender one. Also you gotta pay, 370 00:23:01,800 --> 00:23:04,800 Speaker 1: so I wonder if you have to pay to see Peene. Yeah, 371 00:23:05,040 --> 00:23:07,880 Speaker 1: it's um. I did a deep dive about sex scenes 372 00:23:07,920 --> 00:23:10,639 Speaker 1: in movies last fall, and something I found is that 373 00:23:10,760 --> 00:23:13,320 Speaker 1: nudity has really decreased in movies, which is great for 374 00:23:13,560 --> 00:23:17,159 Speaker 1: female actors who have sort of been objectified. And you know, 375 00:23:17,440 --> 00:23:19,679 Speaker 1: we all sort of remember that, like, oh, and here's 376 00:23:19,720 --> 00:23:24,440 Speaker 1: the titty shot in every eighties movie, there's going to 377 00:23:24,560 --> 00:23:27,480 Speaker 1: be breasts. There's a titty shot in Uh. I think 378 00:23:27,600 --> 00:23:31,400 Speaker 1: that that my I think, I guess favorite agreedist titty 379 00:23:31,440 --> 00:23:34,080 Speaker 1: shot is in the beginning of die Hard, there's just 380 00:23:34,240 --> 00:23:40,120 Speaker 1: like just a you're just like, what was that? Sure? Yeah, 381 00:23:40,760 --> 00:23:42,920 Speaker 1: which one are you talking about? Because there's two within 382 00:23:43,040 --> 00:23:46,680 Speaker 1: like a couple of minutes. There's there's the terrorists show 383 00:23:46,840 --> 00:23:49,600 Speaker 1: up and a woman runs out of an office without 384 00:23:49,640 --> 00:23:53,720 Speaker 1: her and I'm talking about yeah, okay. And then immediately 385 00:23:53,840 --> 00:23:58,360 Speaker 1: after Bruce Willis is walking around like avoiding the terrorists, 386 00:23:58,960 --> 00:24:01,760 Speaker 1: and I think he there looks out the window and 387 00:24:02,000 --> 00:24:06,520 Speaker 1: sees a woman like changing across the street or something, 388 00:24:07,119 --> 00:24:10,200 Speaker 1: or he sees or he sees a clipping from like 389 00:24:10,280 --> 00:24:14,879 Speaker 1: a porno magazine and it's like Ladies or something like that, 390 00:24:15,119 --> 00:24:19,520 Speaker 1: like Galaxy Brain. Nudity of eighties movies is just like 391 00:24:20,080 --> 00:24:22,840 Speaker 1: why right, Yeah, it's just like just so you know, 392 00:24:23,000 --> 00:24:27,639 Speaker 1: this guy loves naked women. But you know he's just 393 00:24:27,920 --> 00:24:31,400 Speaker 1: because they hadn't established that, I guess because they've only 394 00:24:31,480 --> 00:24:37,720 Speaker 1: been like fighting with his wife. To the topic here 395 00:24:37,800 --> 00:24:44,639 Speaker 1: is guys, dicks in movies, and Kat I'm so sorry 396 00:24:44,760 --> 00:24:48,480 Speaker 1: from taking things away from your topic, which was dicks 397 00:24:48,520 --> 00:24:51,440 Speaker 1: and movies. Yeah, you know, guys, I have a letterbox 398 00:24:51,560 --> 00:24:54,680 Speaker 1: list of commons. Some cinema that's how I'm trying to 399 00:24:54,800 --> 00:25:01,520 Speaker 1: help the people. I'm sorry, this is our podcast. Okay, 400 00:25:01,600 --> 00:25:03,719 Speaker 1: here's a funny digression on that. A couple of years ago, 401 00:25:03,760 --> 00:25:05,880 Speaker 1: I had a friend who was working on I will 402 00:25:05,920 --> 00:25:07,800 Speaker 1: not name the franchise, but if you think about it, 403 00:25:07,840 --> 00:25:09,560 Speaker 1: I think you will figure it out. One of her 404 00:25:09,640 --> 00:25:12,680 Speaker 1: friends was working on the only sex movie franchise of 405 00:25:12,800 --> 00:25:16,119 Speaker 1: the last decade, and there was an argument about putting 406 00:25:16,359 --> 00:25:20,960 Speaker 1: some male nudity in that movie. Uh So my friend 407 00:25:21,040 --> 00:25:23,480 Speaker 1: text me and she's like, Hi, can you put together 408 00:25:23,640 --> 00:25:26,040 Speaker 1: of like great dick shots, a list together of great 409 00:25:26,080 --> 00:25:28,240 Speaker 1: dick shots and movies so we can like show this 410 00:25:28,480 --> 00:25:32,600 Speaker 1: to the team and maybe get some peene in this movie. Um, 411 00:25:32,680 --> 00:25:34,080 Speaker 1: Because like I don't know, when I was like a 412 00:25:34,119 --> 00:25:36,680 Speaker 1: teenager and stuff, I had like a running tally of like, 413 00:25:36,840 --> 00:25:39,639 Speaker 1: oh you see peene in this movie? Um. But I 414 00:25:39,760 --> 00:25:42,040 Speaker 1: do think that that could be one major reason for 415 00:25:42,720 --> 00:25:45,200 Speaker 1: why certain things are not making the jump. The other 416 00:25:45,320 --> 00:25:48,520 Speaker 1: big one is music rights. One of the few ways 417 00:25:48,640 --> 00:25:50,639 Speaker 1: that you can get a lot of money out of 418 00:25:50,720 --> 00:25:53,600 Speaker 1: licensing songs anymore is when they're in movies or TV. 419 00:25:54,359 --> 00:25:57,680 Speaker 1: So a lot of times you will have replacement music 420 00:25:58,040 --> 00:26:01,000 Speaker 1: or something that's stuck in limbo because in music, so 421 00:26:01,200 --> 00:26:03,120 Speaker 1: with the piano, it could be that they don't want 422 00:26:03,119 --> 00:26:07,879 Speaker 1: to pay to relicense the Michael Nyman score. Um, but 423 00:26:08,119 --> 00:26:11,080 Speaker 1: it's why when you see like Daria pop up or 424 00:26:11,160 --> 00:26:14,160 Speaker 1: The Wonder Years pop up and all the music is replaced, 425 00:26:14,320 --> 00:26:18,719 Speaker 1: that's why. Is because its my Joe Cocker. You want right? 426 00:26:18,920 --> 00:26:22,280 Speaker 1: It totally like the experience is different. You're like, this 427 00:26:22,520 --> 00:26:25,960 Speaker 1: is not the song that played. Yeah, my partner she's 428 00:26:26,000 --> 00:26:28,399 Speaker 1: she's a big Dawson's Creek head, and I saw her 429 00:26:28,400 --> 00:26:30,159 Speaker 1: watching that. I said, what the fund is this? And 430 00:26:30,200 --> 00:26:32,119 Speaker 1: she said Dawson's Creek. I'm like, no, this is not 431 00:26:32,280 --> 00:26:39,080 Speaker 1: Dawson's Creek because off brand ship. This is Dawson's Whatever 432 00:26:39,160 --> 00:26:42,600 Speaker 1: the funk? I wonder what a Dawson's Creek rewatch would 433 00:26:42,640 --> 00:26:45,600 Speaker 1: be like now, like, does a single second of it? 434 00:26:45,720 --> 00:26:49,440 Speaker 1: Hold up? Man? Let me tell you, as a person 435 00:26:49,520 --> 00:26:52,800 Speaker 1: of color, there's a moment where, uh, fun, what's your face? Joey. 436 00:26:53,160 --> 00:26:55,720 Speaker 1: Joey's sisters like dating a black guy and they like 437 00:26:55,880 --> 00:26:58,760 Speaker 1: referred it as like her black boyfriend. It's like so like, 438 00:26:59,119 --> 00:27:02,960 Speaker 1: ammer fist it in. I'm like, yeah, no, it was 439 00:27:02,960 --> 00:27:08,080 Speaker 1: the nineties, What are you gonna expect better than that? Yeah, 440 00:27:08,880 --> 00:27:11,120 Speaker 1: I mean, I'm just looking back at the entire course 441 00:27:11,160 --> 00:27:12,719 Speaker 1: of history, and I'm like, what are you gonna expect? 442 00:27:13,359 --> 00:27:15,200 Speaker 1: I was thinking the other day about how like a 443 00:27:15,320 --> 00:27:17,119 Speaker 1: major part of that show that was supposed to be 444 00:27:17,240 --> 00:27:20,840 Speaker 1: cute was that, like Joey and Dawson would often sleep 445 00:27:20,920 --> 00:27:24,160 Speaker 1: in the same bed, and that was supposed to be like, oh, 446 00:27:24,760 --> 00:27:27,640 Speaker 1: that's and then you're just but then like in reality, 447 00:27:27,920 --> 00:27:31,119 Speaker 1: James Vanderbyk's characters just has a boner all night, Like 448 00:27:31,240 --> 00:27:36,520 Speaker 1: you're just like, that's not romantic, that's weird. Then yeah, yeah, 449 00:27:36,600 --> 00:27:40,600 Speaker 1: it was like, yeah, you're like, I'm gonna I'm gonna 450 00:27:40,640 --> 00:27:43,880 Speaker 1: sleep with my back to you though, Okay, it's fine, 451 00:27:43,920 --> 00:27:45,800 Speaker 1: it's fine, it's fine. As I was looking up the 452 00:27:45,880 --> 00:27:51,800 Speaker 1: movie Shame, the cinematographer, his name is Sean Bobbitt. Okay, yes, okay, 453 00:27:52,680 --> 00:27:55,000 Speaker 1: all right, we're gonna take a quick break to look 454 00:27:55,080 --> 00:27:57,920 Speaker 1: up more Pean shots and we'll be back to report 455 00:27:58,000 --> 00:28:12,720 Speaker 1: on that. And we're back, and hey, what's happening in 456 00:28:12,840 --> 00:28:19,000 Speaker 1: the news. We're still quarantined, right, my right, guess, so 457 00:28:19,080 --> 00:28:22,560 Speaker 1: I guess looks like things still going on unless we're 458 00:28:22,600 --> 00:28:24,920 Speaker 1: in the matrix. And this is what the pods look 459 00:28:25,000 --> 00:28:27,680 Speaker 1: like when we're plugged into human batteries. Like every we 460 00:28:27,760 --> 00:28:30,440 Speaker 1: experienced life through a zoom call. One of my friends 461 00:28:30,520 --> 00:28:32,480 Speaker 1: had a great line. She was like, can somebody just 462 00:28:32,600 --> 00:28:34,960 Speaker 1: like knock my plug out in the matrix? Can you 463 00:28:35,119 --> 00:28:37,919 Speaker 1: just like, can somebody be like mopping and knock mopping 464 00:28:38,040 --> 00:28:45,800 Speaker 1: out just like this? No? Like this, it's so hard 465 00:28:45,880 --> 00:28:49,000 Speaker 1: to know where we're at anymore with anything we're safe, 466 00:28:49,040 --> 00:28:50,960 Speaker 1: We're not safe. We see things from the c d 467 00:28:51,080 --> 00:28:53,680 Speaker 1: C defining what's safe only here the White House be 468 00:28:53,760 --> 00:28:55,160 Speaker 1: like no, no, no, no, don't don't show people that 469 00:28:55,160 --> 00:28:56,920 Speaker 1: because I don't know what's safe is and they'll realize 470 00:28:56,920 --> 00:29:00,120 Speaker 1: it's not. Nothing is safe at the moment um. But 471 00:29:00,200 --> 00:29:02,320 Speaker 1: you know, right now, like there's the glimmer of hope 472 00:29:02,360 --> 00:29:04,360 Speaker 1: in that Governor Cuomo is saying that, you know what, 473 00:29:04,520 --> 00:29:07,560 Speaker 1: like May fifteen looks realistic as a timeline to be 474 00:29:07,840 --> 00:29:11,160 Speaker 1: be able to begin reopening New York. Um. You know, 475 00:29:11,280 --> 00:29:14,440 Speaker 1: twenty six thousand people and counting have passed away in 476 00:29:14,520 --> 00:29:18,480 Speaker 1: New York from coronavirus um. And but now, like I 477 00:29:18,560 --> 00:29:21,000 Speaker 1: think over the weekend, like it was like one one 478 00:29:21,080 --> 00:29:24,120 Speaker 1: and one night. So overall, Cuomo says, like the state 479 00:29:24,240 --> 00:29:27,720 Speaker 1: is over the mountain in terms of hospitalizations, intubations, I 480 00:29:27,840 --> 00:29:30,959 Speaker 1: see you, admissions and all that. It's all gone down. Um, 481 00:29:31,480 --> 00:29:33,840 Speaker 1: so that's been I think for a lot of people, 482 00:29:34,520 --> 00:29:35,920 Speaker 1: it's weird. I think a lot of people have been 483 00:29:35,960 --> 00:29:39,160 Speaker 1: experiencing this outbreak through the lens of New York without 484 00:29:39,200 --> 00:29:41,400 Speaker 1: looking at what is actually happening where they go. Because 485 00:29:41,400 --> 00:29:43,480 Speaker 1: so much of the immediate attention is on New York. 486 00:29:43,560 --> 00:29:45,160 Speaker 1: I think a lot of people are just mapping that 487 00:29:45,360 --> 00:29:47,320 Speaker 1: onto them. They go, well, New York is bad, but 488 00:29:47,440 --> 00:29:49,320 Speaker 1: here isn't bad. So I guess that's where we're at. 489 00:29:49,400 --> 00:29:52,360 Speaker 1: And I'm still okay. So things are fine. Um but 490 00:29:52,480 --> 00:29:55,440 Speaker 1: when you look at the states that are about to reopen, 491 00:29:55,560 --> 00:29:58,160 Speaker 1: Cuomo is I think the no. Cuomo is the only 492 00:29:58,240 --> 00:30:00,600 Speaker 1: governor who can point to a dec line in these 493 00:30:00,680 --> 00:30:05,120 Speaker 1: cases and hospitalizations, like while talking about reopening and like 494 00:30:05,280 --> 00:30:07,520 Speaker 1: that was one of the that was one of the 495 00:30:09,200 --> 00:30:11,480 Speaker 1: things that you needed, right, was for it to have 496 00:30:11,720 --> 00:30:14,880 Speaker 1: been declining for two weeks in a row, and like 497 00:30:15,040 --> 00:30:19,240 Speaker 1: New York. Yeah, that was like the CDC guidelines, Yeah, 498 00:30:19,280 --> 00:30:21,640 Speaker 1: which we don't we look at all these other states. 499 00:30:23,160 --> 00:30:25,160 Speaker 1: We look at all these other states and they're beginning 500 00:30:25,240 --> 00:30:28,160 Speaker 1: to really like act like it's all good, Like okay, 501 00:30:28,200 --> 00:30:31,600 Speaker 1: New York City opening. That means everywhere else is okay. 502 00:30:32,200 --> 00:30:34,680 Speaker 1: It's just hard because yeah, when they anyone looking at 503 00:30:34,720 --> 00:30:37,640 Speaker 1: the numbers would see that cases are going up. And 504 00:30:37,840 --> 00:30:40,840 Speaker 1: when I talk about sort of like everyone experiencing the 505 00:30:41,160 --> 00:30:43,560 Speaker 1: outbreak through the lens of New York, you have to 506 00:30:43,640 --> 00:30:46,600 Speaker 1: look at sort of like right now, we're starting to 507 00:30:46,800 --> 00:30:51,720 Speaker 1: now see these outbreaks hit rural counties and smaller areas 508 00:30:51,760 --> 00:30:54,120 Speaker 1: of the country that we were just weeks behind the 509 00:30:54,200 --> 00:30:57,920 Speaker 1: rest of these like massively populated urban centers. Um. And 510 00:30:58,000 --> 00:30:59,680 Speaker 1: they're saying a lot of the analysis says a lot 511 00:30:59,720 --> 00:31:02,920 Speaker 1: of the needs that voted for Trump in are likely 512 00:31:03,080 --> 00:31:06,560 Speaker 1: to begin seeing influxes of cases in this the last 513 00:31:06,640 --> 00:31:10,000 Speaker 1: week and this week, so that experience seems to be 514 00:31:10,080 --> 00:31:14,200 Speaker 1: catching up other places only now. Um. Yet we're still 515 00:31:14,280 --> 00:31:16,640 Speaker 1: kind of like, you know, spiking the football as if 516 00:31:16,760 --> 00:31:20,360 Speaker 1: everything's yeah it was. I mean, this is a strange 517 00:31:20,400 --> 00:31:23,760 Speaker 1: weekend this weekend because it's you you feel like the vibe, 518 00:31:23,840 --> 00:31:27,400 Speaker 1: like whether you're strictly talking to people online or if 519 00:31:27,400 --> 00:31:29,560 Speaker 1: you're like starting to see people around your neighborhood. The 520 00:31:29,680 --> 00:31:31,800 Speaker 1: vibe is kind of or at least where I live, 521 00:31:31,920 --> 00:31:35,440 Speaker 1: it's been kind of changing, and it makes me triple 522 00:31:35,560 --> 00:31:39,240 Speaker 1: anxious because it's like we all sort of know we're 523 00:31:39,280 --> 00:31:41,440 Speaker 1: not out of it, but people are just so anxious 524 00:31:41,480 --> 00:31:43,760 Speaker 1: to get out that it's it's like a self fulfilling 525 00:31:43,840 --> 00:31:47,120 Speaker 1: prophecy in a lot of ways. Yeah, the overall number, 526 00:31:47,400 --> 00:31:49,360 Speaker 1: like New York was such a huge part of the 527 00:31:50,240 --> 00:31:54,040 Speaker 1: national like you know, such an epicenter, and like I 528 00:31:54,120 --> 00:31:58,320 Speaker 1: think at one point was like cases were happening there, 529 00:31:58,600 --> 00:32:02,440 Speaker 1: and so as numbers have started to fall, like overall 530 00:32:02,600 --> 00:32:05,560 Speaker 1: numbers have started to fall. Um, But there was this 531 00:32:06,120 --> 00:32:13,080 Speaker 1: post on the medium site Aaron Bromage or Aaron Bromage 532 00:32:13,160 --> 00:32:17,000 Speaker 1: dot com. He's a professor at UMass Dartmouth, UH and 533 00:32:17,720 --> 00:32:22,720 Speaker 1: he like his area of focus is very specific, like 534 00:32:22,840 --> 00:32:26,240 Speaker 1: it's he's not, like, uh an expert or he's not 535 00:32:26,360 --> 00:32:32,280 Speaker 1: a doctor, but he does like specifically focus on epidemiological 536 00:32:32,480 --> 00:32:36,560 Speaker 1: research and was like from the start of the semester 537 00:32:36,760 --> 00:32:40,120 Speaker 1: tracking COVID nineteen as like a project for his class. 538 00:32:40,760 --> 00:32:44,520 Speaker 1: So he's been posting on Facebook because apparently he's older 539 00:32:45,000 --> 00:32:48,560 Speaker 1: and UH then started doing this blog where he was 540 00:32:48,680 --> 00:32:51,360 Speaker 1: like posting just sort of his insights into the numbers. 541 00:32:51,400 --> 00:32:53,880 Speaker 1: And one of the big things in this post that 542 00:32:53,960 --> 00:32:56,120 Speaker 1: went viral over the past couple of weeks was just 543 00:32:56,560 --> 00:33:00,800 Speaker 1: that even though the numbers are trending downwards nationally, like 544 00:33:00,920 --> 00:33:03,280 Speaker 1: if you pull New York out of that, our numbers 545 00:33:03,320 --> 00:33:06,800 Speaker 1: are still going up as a country, um, which is 546 00:33:06,880 --> 00:33:12,080 Speaker 1: really like this whole thing is completely locally oriented. And 547 00:33:12,200 --> 00:33:16,400 Speaker 1: that's just I think both from a just like every 548 00:33:16,520 --> 00:33:20,200 Speaker 1: day perspective, because we're used to watching like national media 549 00:33:20,280 --> 00:33:24,040 Speaker 1: and share like watching uh the same Netflix shows that 550 00:33:24,120 --> 00:33:26,640 Speaker 1: people on the East Coast are watching, and you know, 551 00:33:26,840 --> 00:33:30,480 Speaker 1: having shared experiences and being able to contact someone in 552 00:33:30,600 --> 00:33:34,959 Speaker 1: New York so quickly or like across the country so quickly, 553 00:33:35,520 --> 00:33:39,360 Speaker 1: our minds are in a global or at the very 554 00:33:39,440 --> 00:33:43,880 Speaker 1: least national like mode. But this is specifically something that 555 00:33:44,080 --> 00:33:49,520 Speaker 1: is explicitly taking place in physical space, and like your 556 00:33:49,640 --> 00:33:53,960 Speaker 1: reality on in one town slash even like one like 557 00:33:54,200 --> 00:33:57,680 Speaker 1: area of town is going to be completely different than 558 00:33:57,880 --> 00:34:02,040 Speaker 1: people like across the country, and so it's just it's 559 00:34:02,040 --> 00:34:05,200 Speaker 1: almost like a perfect trap to get us to let 560 00:34:05,240 --> 00:34:08,319 Speaker 1: our guard down. Um. And then there's also the fact 561 00:34:08,400 --> 00:34:14,160 Speaker 1: that the federal government is working with this short term uh, 562 00:34:14,400 --> 00:34:16,200 Speaker 1: you know, we got to get the economy back up 563 00:34:16,280 --> 00:34:20,040 Speaker 1: and running so Trump can get reelected. I think for me, 564 00:34:20,200 --> 00:34:22,759 Speaker 1: like maybe the hardest thing about all of this is 565 00:34:22,880 --> 00:34:27,000 Speaker 1: the fact that I've realized that, like many Americans either 566 00:34:27,280 --> 00:34:29,759 Speaker 1: can't read a chart or refuse to read a chart, 567 00:34:29,960 --> 00:34:33,239 Speaker 1: like just can't look at a growth chart and you know, 568 00:34:34,000 --> 00:34:39,000 Speaker 1: understand a concept like exponential growth of spreading, and you know, 569 00:34:39,239 --> 00:34:41,719 Speaker 1: I want to believe things like Fox News want to 570 00:34:41,760 --> 00:34:45,759 Speaker 1: believe things like planned emic um as opposed to just 571 00:34:46,000 --> 00:34:48,200 Speaker 1: you know, like an s a T question. Look at 572 00:34:48,239 --> 00:34:52,040 Speaker 1: the curve, Look where the curve is going, Like it's 573 00:34:52,120 --> 00:34:54,719 Speaker 1: just sort of horrifying. My parents live in Ohio. That's 574 00:34:54,760 --> 00:34:57,239 Speaker 1: where I grew up, and I've been very fortunate that 575 00:34:57,360 --> 00:34:59,759 Speaker 1: even as a Republican governor, Mike Dawine has done it 576 00:34:59,800 --> 00:35:02,520 Speaker 1: really good job as opposed to some other states in 577 00:35:02,600 --> 00:35:05,600 Speaker 1: that region. But yeah, I think the locality is going 578 00:35:05,640 --> 00:35:08,560 Speaker 1: to become one of the biggest takeaways from all of this, 579 00:35:08,840 --> 00:35:11,279 Speaker 1: Like even just having thoughts of like, well, if I 580 00:35:11,400 --> 00:35:13,640 Speaker 1: have to drive home for Christmas to hang out with 581 00:35:13,760 --> 00:35:16,040 Speaker 1: my parents instead of flying, I'm happy to do that, 582 00:35:16,560 --> 00:35:18,640 Speaker 1: but I do think you'll start to see people you know, 583 00:35:18,880 --> 00:35:23,040 Speaker 1: fewer international vacations, more road trips across the USA, stuff 584 00:35:23,120 --> 00:35:30,520 Speaker 1: like that. Yeah. Yeah, I've been trying to be better 585 00:35:30,640 --> 00:35:33,440 Speaker 1: about because Jack, You're totally right of just like it. 586 00:35:33,600 --> 00:35:36,320 Speaker 1: It is so easy to talk to anyone in any location, 587 00:35:36,560 --> 00:35:39,200 Speaker 1: and I've been trying to any time I'm talking to, 588 00:35:39,360 --> 00:35:41,200 Speaker 1: like whether it's like my family or friends that live 589 00:35:41,200 --> 00:35:44,799 Speaker 1: in different states and cities, just like listen to where 590 00:35:44,880 --> 00:35:48,040 Speaker 1: they're at first before I start, because it's so easy 591 00:35:48,120 --> 00:35:51,320 Speaker 1: to assume we're all on the same Uh, you know, 592 00:35:51,400 --> 00:35:52,960 Speaker 1: we're all in the same situation, we're all in the 593 00:35:53,000 --> 00:35:55,600 Speaker 1: same wavelength. But it's like, yes, street to street, it 594 00:35:55,640 --> 00:35:58,319 Speaker 1: can be an entirely different story depending on what your 595 00:35:58,360 --> 00:36:03,080 Speaker 1: circumstances are. And like, I mean, the things in my 596 00:36:03,320 --> 00:36:07,920 Speaker 1: area are are slowly improving, but in my hometown it's 597 00:36:07,960 --> 00:36:10,560 Speaker 1: like there's an eight o'clock curfew because things are spreading 598 00:36:10,600 --> 00:36:13,960 Speaker 1: so quickly. And so yeah, when you're having those conversations, 599 00:36:14,000 --> 00:36:17,399 Speaker 1: it's you know, asked the ask the other person where 600 00:36:17,400 --> 00:36:21,239 Speaker 1: there at first? Um yeah, yeah, But the thing too, 601 00:36:21,400 --> 00:36:24,280 Speaker 1: is this, like even with how you know, these cities 602 00:36:24,320 --> 00:36:27,279 Speaker 1: experience at first and the media ends up focusing on 603 00:36:27,360 --> 00:36:29,680 Speaker 1: these places again, and we start we tend to live 604 00:36:29,840 --> 00:36:33,359 Speaker 1: these experiences through unfortunately, these like media narratives that were 605 00:36:33,520 --> 00:36:37,440 Speaker 1: you know, consuming that. Especially a lot of these Trump voters, 606 00:36:37,480 --> 00:36:39,080 Speaker 1: who are people who were like, man, like, we just 607 00:36:39,160 --> 00:36:41,680 Speaker 1: got to open up, what's the deal? Because of where 608 00:36:41,719 --> 00:36:46,160 Speaker 1: they live there, the effects were just completely abstract to them. 609 00:36:46,400 --> 00:36:47,800 Speaker 1: It was like they're like, dude, I don't know a 610 00:36:47,920 --> 00:36:50,359 Speaker 1: single fucking person with this, what are you talking about? 611 00:36:50,400 --> 00:36:52,600 Speaker 1: If I do, I heard it's like upstate and people 612 00:36:52,640 --> 00:36:56,080 Speaker 1: don't come through here whatever. And now that it's that 613 00:36:56,400 --> 00:36:59,560 Speaker 1: because Trump was like being so casual about it, and 614 00:36:59,600 --> 00:37:01,959 Speaker 1: we're arting to see these little clusters in these small, 615 00:37:02,120 --> 00:37:04,960 Speaker 1: smaller rural communities and things like that. The experts are 616 00:37:05,040 --> 00:37:08,040 Speaker 1: just really wanting to again re emphasize to these people 617 00:37:08,160 --> 00:37:11,040 Speaker 1: just because New York is declining, that is a completely 618 00:37:11,080 --> 00:37:14,280 Speaker 1: different place than where you live. And also the threat 619 00:37:14,480 --> 00:37:18,839 Speaker 1: of your hospitals and medical systems and infrastructure being overwhelmed 620 00:37:18,920 --> 00:37:21,759 Speaker 1: by an outbreak are much higher because of where you 621 00:37:21,840 --> 00:37:24,759 Speaker 1: are in relation to a larger metropolitan area, and the 622 00:37:24,840 --> 00:37:28,840 Speaker 1: resources available are completely different. So it's again it's this 623 00:37:28,960 --> 00:37:31,440 Speaker 1: weird thing where people just have to like they're just 624 00:37:31,600 --> 00:37:34,520 Speaker 1: only concerned with their own comfort, because I think statistically 625 00:37:34,600 --> 00:37:37,600 Speaker 1: the data would be overwhelming, maybe emotionally to say like, 626 00:37:37,760 --> 00:37:40,839 Speaker 1: oh my god, I'm at, I'm at you know, I'm 627 00:37:40,880 --> 00:37:43,440 Speaker 1: operating at the will of this virus whatever happens to it. 628 00:37:43,520 --> 00:37:45,719 Speaker 1: That's what's in control. And I think that's really what 629 00:37:45,840 --> 00:37:49,759 Speaker 1: most people rejecting, is this idea that they aren't in control. 630 00:37:50,200 --> 00:37:52,200 Speaker 1: And it's like the same thing like back to talking 631 00:37:52,239 --> 00:37:54,359 Speaker 1: about watching Fox News or something like when I watch 632 00:37:54,719 --> 00:37:57,680 Speaker 1: you know, my team or somewhere in sports, your team 633 00:37:57,760 --> 00:38:00,759 Speaker 1: does terribly. All avoid the news because I don't want 634 00:38:00,800 --> 00:38:02,439 Speaker 1: to hear them. I don't want to hear the news 635 00:38:02,560 --> 00:38:05,879 Speaker 1: picking apart how terrible the performance was of my team. 636 00:38:06,160 --> 00:38:08,759 Speaker 1: If anything, I want to go find articles that are 637 00:38:08,840 --> 00:38:10,960 Speaker 1: some from pundit saying, you know, even though that was 638 00:38:11,000 --> 00:38:13,319 Speaker 1: a loss, here are the good things we actually saw 639 00:38:13,400 --> 00:38:15,080 Speaker 1: in this and why the other people, you know, it's 640 00:38:15,120 --> 00:38:17,600 Speaker 1: like we do whatever we can to sort of preserve 641 00:38:17,719 --> 00:38:20,680 Speaker 1: our you know, perception of having control and things like that. 642 00:38:20,760 --> 00:38:23,040 Speaker 1: And I think that's what's really interesting in all of 643 00:38:23,120 --> 00:38:26,080 Speaker 1: this is like it's all just about people unwilling to 644 00:38:26,160 --> 00:38:28,680 Speaker 1: feel like something bad could happen to them and it's 645 00:38:28,719 --> 00:38:31,680 Speaker 1: completely out of their control. Well, well we'll probably return 646 00:38:31,800 --> 00:38:35,040 Speaker 1: to uh that professor's kind of writing on the subject 647 00:38:35,080 --> 00:38:38,080 Speaker 1: because uh he also debunks like some of the things. 648 00:38:38,520 --> 00:38:41,680 Speaker 1: It's not really debunks, but like has some interesting insights 649 00:38:41,719 --> 00:38:44,719 Speaker 1: into like how the disease is actually transmitted and like 650 00:38:45,680 --> 00:38:50,879 Speaker 1: time spent with somebody as a big yeah, yeah, time 651 00:38:50,920 --> 00:38:54,600 Speaker 1: spent with somebody indoors, like that's how they do contact tracing. Yeah, 652 00:38:54,880 --> 00:38:56,879 Speaker 1: it's very it's a good article. It made me feel 653 00:38:56,960 --> 00:39:00,680 Speaker 1: both better and worse. Yes, I really read that article 654 00:39:00,719 --> 00:39:03,680 Speaker 1: and I said, we're never recording a podcast until there's 655 00:39:03,680 --> 00:39:06,400 Speaker 1: a vaccine, because the whole thing was saying like by 656 00:39:06,560 --> 00:39:10,160 Speaker 1: speaking in close proximity in a not well ventilated area 657 00:39:10,160 --> 00:39:12,840 Speaker 1: in a small room, like you're just putting more particles 658 00:39:12,920 --> 00:39:15,040 Speaker 1: in the air and you're in the same room for 659 00:39:15,160 --> 00:39:17,320 Speaker 1: one hour and it's not properly ventilated. I mean, like, 660 00:39:17,800 --> 00:39:19,400 Speaker 1: there are there are things that I'm like being like, 661 00:39:19,480 --> 00:39:22,239 Speaker 1: oh my god, Like that's the environment of recording a 662 00:39:22,280 --> 00:39:26,399 Speaker 1: podcast in a studio is just like germ fest. Will 663 00:39:26,520 --> 00:39:28,719 Speaker 1: I will not die of a hot take. I'll tell 664 00:39:28,760 --> 00:39:34,719 Speaker 1: you that right now. She hear lized, Jamie Loft is 665 00:39:34,840 --> 00:39:38,520 Speaker 1: she died for the hotake cause of death scorching hot 666 00:39:38,600 --> 00:39:46,320 Speaker 1: Take Gods of Death touched face after recording podcast. There's 667 00:39:46,320 --> 00:39:49,840 Speaker 1: also another piece of information that's going viral in the 668 00:39:49,880 --> 00:39:53,320 Speaker 1: past week when it comes to the pandemic is a 669 00:39:53,480 --> 00:39:57,400 Speaker 1: video called planned emmick uh. And you know it's true. 670 00:39:57,680 --> 00:39:59,640 Speaker 1: You know it's chuck full of truth because it has 671 00:39:59,719 --> 00:40:05,319 Speaker 1: a clever name to it. You can tell, okay, plan 672 00:40:05,600 --> 00:40:10,080 Speaker 1: mixed with pandemic boom uh. They can this idea first 673 00:40:10,719 --> 00:40:16,520 Speaker 1: done and done Now it's made by a fully disgraced 674 00:40:16,680 --> 00:40:21,640 Speaker 1: scientist who's like been who got fired sued for doing 675 00:40:21,719 --> 00:40:27,240 Speaker 1: the bad science. Dr Judy Micka bits. One important detail 676 00:40:27,400 --> 00:40:31,000 Speaker 1: about who she is is at one point, like after 677 00:40:31,160 --> 00:40:36,279 Speaker 1: she had like falsified data, gotten fired, and then like 678 00:40:36,640 --> 00:40:39,880 Speaker 1: had stolen data from the lab that had fired her, 679 00:40:40,440 --> 00:40:43,960 Speaker 1: she was a living quote out on a boat to 680 00:40:44,120 --> 00:40:48,040 Speaker 1: avoid being sued by the lab. Um. So that's the 681 00:40:48,239 --> 00:40:52,640 Speaker 1: level of like understanding of how the world works that 682 00:40:52,760 --> 00:40:56,920 Speaker 1: you're dealing with. She she thought, I'm on water, therefore 683 00:40:57,040 --> 00:41:01,120 Speaker 1: home base can't be sued. Done and done. Oh, she 684 00:41:01,360 --> 00:41:05,960 Speaker 1: like had like a maritime sovereign citizen idea in her mind. Yeah, 685 00:41:06,239 --> 00:41:09,040 Speaker 1: she was living on a boat to avoid being sued, 686 00:41:09,920 --> 00:41:12,759 Speaker 1: and she's like, I only answer to the laws of Poseidon. 687 00:41:14,200 --> 00:41:19,520 Speaker 1: That's right, that's right. Um. But she has started writing 688 00:41:19,600 --> 00:41:22,279 Speaker 1: books after she kind of got kicked out of the 689 00:41:22,800 --> 00:41:27,759 Speaker 1: scientific community. She wrote one with an anti vaccine advocate, 690 00:41:28,680 --> 00:41:32,959 Speaker 1: Plague of Corruption, is currently on the Amazon best seller list. 691 00:41:33,040 --> 00:41:37,680 Speaker 1: It was written even before the coronavirus outbreak, but her 692 00:41:38,160 --> 00:41:41,440 Speaker 1: claims are pretty easily debunked. She claims that the virus 693 00:41:41,640 --> 00:41:46,560 Speaker 1: was genetically manipulated, when the scientific consensus is it wasn't. 694 00:41:46,800 --> 00:41:49,799 Speaker 1: But the president is, you know, he's like, who knows. 695 00:41:49,920 --> 00:41:52,239 Speaker 1: We can't know. We can't know for sure. I mean, 696 00:41:52,280 --> 00:41:54,759 Speaker 1: we can't know for sure because science. But I don't 697 00:41:54,800 --> 00:41:56,440 Speaker 1: want to know for sure, So who knows? We won't 698 00:41:56,480 --> 00:41:59,960 Speaker 1: know for sure. Yeah. She also says that you should 699 00:42:00,200 --> 00:42:04,759 Speaker 1: wear a mask because then you're being exposed to your 700 00:42:04,800 --> 00:42:09,839 Speaker 1: own Yeah, there's that, And then it's also you're activating 701 00:42:09,920 --> 00:42:13,760 Speaker 1: your own virus, which is hard to fact check because 702 00:42:13,840 --> 00:42:16,080 Speaker 1: no one knows what the funk she's talking about. Like 703 00:42:16,200 --> 00:42:19,320 Speaker 1: that that sounds cool though, Yeah, that sound goes on 704 00:42:19,440 --> 00:42:22,960 Speaker 1: in the summer, like yo, activate your own virus. Activittion virus. 705 00:42:23,960 --> 00:42:26,000 Speaker 1: Wait by wearing a mask like you're like just some 706 00:42:26,200 --> 00:42:29,840 Speaker 1: weird viral feedback loop like that, like Tom's weird bachelor 707 00:42:29,920 --> 00:42:34,920 Speaker 1: party in succession. Yes, yeah, exactly. Um, as someone who 708 00:42:34,960 --> 00:42:37,799 Speaker 1: aspires to live on a boat and fall off the grid, 709 00:42:38,000 --> 00:42:43,040 Speaker 1: this is bad representation. This is a bad representation. Wait 710 00:42:43,080 --> 00:42:45,080 Speaker 1: what what would in your mind, Jamie? Why do you 711 00:42:45,200 --> 00:42:47,320 Speaker 1: take off to live on a boat to avoid the 712 00:42:47,440 --> 00:42:50,920 Speaker 1: laws of our land land loving people. It's not It's 713 00:42:50,960 --> 00:42:53,400 Speaker 1: not even to avoid the laws of the land labers. 714 00:42:53,520 --> 00:42:56,480 Speaker 1: For me, It's just I've always wanted to live on 715 00:42:56,800 --> 00:42:59,280 Speaker 1: a house boat and then not have an Internet connection 716 00:42:59,440 --> 00:43:03,719 Speaker 1: and never were here in opinion again except for that 717 00:43:03,840 --> 00:43:08,160 Speaker 1: of my seagull friends. What my quirky seagull friends who 718 00:43:08,239 --> 00:43:12,120 Speaker 1: bring me forks say, of course, but just one one 719 00:43:12,239 --> 00:43:16,279 Speaker 1: misplaced car from them can ruin my day and it 720 00:43:16,480 --> 00:43:20,360 Speaker 1: really hurts. It really hurts. I do feel like that 721 00:43:20,560 --> 00:43:23,560 Speaker 1: there's something in the zeitgeist with birds are coming coming 722 00:43:23,680 --> 00:43:27,440 Speaker 1: for us. That might be me just exposing that I 723 00:43:27,960 --> 00:43:30,960 Speaker 1: am have been alone for too long, But I just 724 00:43:31,080 --> 00:43:34,960 Speaker 1: keep hearing people like having battles with birds for some reason. 725 00:43:35,320 --> 00:43:37,279 Speaker 1: Is it because of the covid bat is covid bat 726 00:43:37,520 --> 00:43:40,320 Speaker 1: like patient zero. I don't know, Yeah, maybe there's like 727 00:43:40,440 --> 00:43:45,640 Speaker 1: something psychological. Soia was talking about training crows sorrow June 728 00:43:45,719 --> 00:43:48,320 Speaker 1: has chickens, and then we found out that those roosters 729 00:43:48,400 --> 00:43:51,040 Speaker 1: like can't be around hens, and so like them, you 730 00:43:51,120 --> 00:43:58,839 Speaker 1: have sex with the hens. It's like my little kind 731 00:43:58,920 --> 00:44:03,160 Speaker 1: of genius. Uh six year old nephew is like has 732 00:44:03,640 --> 00:44:06,280 Speaker 1: in the past couple of weeks become obsessed with birds 733 00:44:06,360 --> 00:44:09,920 Speaker 1: and like identifying them, and like a good friend of 734 00:44:10,000 --> 00:44:15,840 Speaker 1: mine is being uh menaced by a no, a mocking 735 00:44:15,920 --> 00:44:21,560 Speaker 1: bird in his friend's backyard. It's like very very weird. 736 00:44:22,160 --> 00:44:25,120 Speaker 1: I think birds are like, all right, now now we 737 00:44:25,239 --> 00:44:27,719 Speaker 1: have them where we want them, it's our time to 738 00:44:27,800 --> 00:44:33,160 Speaker 1: strike hilarious like where us not being out? Like clearly 739 00:44:33,239 --> 00:44:35,880 Speaker 1: a lot of animals and wildlife have gotten their swagger 740 00:44:36,040 --> 00:44:38,560 Speaker 1: back because people aren't like, you know, fucking in their 741 00:44:38,680 --> 00:44:41,799 Speaker 1: neighborhood as much that I wonder if like birds collectively 742 00:44:41,840 --> 00:44:45,040 Speaker 1: are like, okay, it's us now we run this ship, 743 00:44:45,400 --> 00:44:47,440 Speaker 1: and like when we all come back out, like birds 744 00:44:47,480 --> 00:44:49,600 Speaker 1: all have new attitudes, Like pigeons don't fly out of 745 00:44:49,600 --> 00:44:51,600 Speaker 1: the street like they're like, yeah, fucking run me over. 746 00:44:52,200 --> 00:44:56,000 Speaker 1: Um I'm curious. We'll see. Is I haven't read it 747 00:44:56,160 --> 00:44:59,440 Speaker 1: is to kill a mocking bird a advice man? Or 748 00:44:59,560 --> 00:45:04,040 Speaker 1: is that does that tell you how to Um, there's 749 00:45:04,040 --> 00:45:10,359 Speaker 1: a guy in the back. Yeah, here's that you trapped one. Yeah. 750 00:45:10,440 --> 00:45:13,319 Speaker 1: So anyways, like we're saying, don't listen to this non 751 00:45:13,440 --> 00:45:16,799 Speaker 1: scientific take by this person, listen to us the guy 752 00:45:16,880 --> 00:45:19,959 Speaker 1: who thinks that birds are coming to take over the world. 753 00:45:22,120 --> 00:45:24,560 Speaker 1: You can trust me. Yeah, you start going, hold on, 754 00:45:24,600 --> 00:45:27,279 Speaker 1: hold on, we gotta stop talking about this coronavirasing guys. 755 00:45:27,360 --> 00:45:29,320 Speaker 1: I'm sorry, we gotta talk. I'm you know, and I 756 00:45:29,440 --> 00:45:32,040 Speaker 1: get it climate changes on the horizon too, But these 757 00:45:32,120 --> 00:45:35,160 Speaker 1: fucking birds. Man really picked a good tangent to go 758 00:45:35,320 --> 00:45:40,680 Speaker 1: off on while debunking this anti science take. But the bird, 759 00:45:40,920 --> 00:45:48,000 Speaker 1: that's where the real it's the real enemy. Yeah, the skies. 760 00:45:51,120 --> 00:45:55,160 Speaker 1: But anyways, millions of people have seen her plandemic video. 761 00:45:56,000 --> 00:46:00,239 Speaker 1: Facebook and Twitter and all the regular platforms immediately took 762 00:46:00,280 --> 00:46:03,480 Speaker 1: it down because of the mask. Like the mask thing 763 00:46:03,640 --> 00:46:07,360 Speaker 1: is basically like shouting fire in a crowded theater. It's like, 764 00:46:07,640 --> 00:46:10,399 Speaker 1: obviously you can't do that because you're going to get 765 00:46:10,520 --> 00:46:14,320 Speaker 1: people very sick by claiming not that you shouldn't be 766 00:46:14,360 --> 00:46:17,680 Speaker 1: wearing a ma ask have you guys. I've been thinking 767 00:46:17,719 --> 00:46:20,239 Speaker 1: about it all Like I have been thinking about like 768 00:46:20,520 --> 00:46:23,560 Speaker 1: the two thousand five to like two thousand and eight 769 00:46:23,680 --> 00:46:27,959 Speaker 1: Internet and how differently the information we'd be getting about 770 00:46:28,000 --> 00:46:31,839 Speaker 1: COVID nineteen would be disseminated like in those days when 771 00:46:31,920 --> 00:46:35,120 Speaker 1: like you know, we had instant messaging, we had news websites, 772 00:46:35,160 --> 00:46:37,400 Speaker 1: but we did not have it was right before social 773 00:46:37,480 --> 00:46:40,120 Speaker 1: media hit, so you didn't have this sort of echo 774 00:46:40,280 --> 00:46:43,400 Speaker 1: chamber or these like thousands of voices all chiming in. 775 00:46:43,960 --> 00:46:46,239 Speaker 1: But I do think about, like had this happened in 776 00:46:46,360 --> 00:46:49,759 Speaker 1: like two thousand seven, how different things would be. I 777 00:46:49,800 --> 00:46:52,799 Speaker 1: mean obviously at the government level, but just in terms 778 00:46:52,880 --> 00:46:55,560 Speaker 1: of like how that kind of info would be shared online, 779 00:46:55,640 --> 00:47:01,680 Speaker 1: like just planned DEMI even exist in that environment, right right? Yeah, 780 00:47:01,800 --> 00:47:05,560 Speaker 1: I mean if it was a fringe site or on 781 00:47:05,680 --> 00:47:07,520 Speaker 1: the sides, like it would be like in the same 782 00:47:07,600 --> 00:47:09,640 Speaker 1: circles where like you know, like looking for your like 783 00:47:09,680 --> 00:47:12,960 Speaker 1: truth or bids or whatever like plandemic. All right, all right, 784 00:47:13,239 --> 00:47:17,200 Speaker 1: because I've had some trippy people try and share some 785 00:47:17,600 --> 00:47:20,960 Speaker 1: weird ship uh that was not real at all, And 786 00:47:21,080 --> 00:47:24,160 Speaker 1: I was like, oh no, no, no, but like and 787 00:47:24,320 --> 00:47:29,279 Speaker 1: from people whose intelligence I respect. But again, I think 788 00:47:29,840 --> 00:47:31,080 Speaker 1: it goes back to what I was saying, was like, 789 00:47:31,080 --> 00:47:33,200 Speaker 1: I think it's just an exercise in people's ability to 790 00:47:33,320 --> 00:47:37,160 Speaker 1: accept what's happening without having to assign some really absurd 791 00:47:37,480 --> 00:47:40,120 Speaker 1: like origin story to it, to then just be like, yeah, 792 00:47:40,160 --> 00:47:42,920 Speaker 1: science is a thing, you know, because of our interactions 793 00:47:42,960 --> 00:47:44,960 Speaker 1: with animals, ship like this can happen. We live in 794 00:47:45,000 --> 00:47:48,080 Speaker 1: a fucking global earth now where move people move around, 795 00:47:48,320 --> 00:47:49,920 Speaker 1: and yeah, it can lead to something like this. But 796 00:47:50,080 --> 00:47:52,880 Speaker 1: I guess it's easier to think some mad scientist is 797 00:47:52,880 --> 00:47:55,600 Speaker 1: in a lab like hell bent on like getting everybody 798 00:47:55,680 --> 00:47:58,959 Speaker 1: to like watch fucking reruns of Will and Grace or something, 799 00:47:59,040 --> 00:48:02,239 Speaker 1: because that's the liberal genda. It's more cinematic there. I 800 00:48:02,920 --> 00:48:05,760 Speaker 1: I I tried, like with with the conspiracy like fringe 801 00:48:05,800 --> 00:48:08,960 Speaker 1: theory stuff. It's like, if you it's so funny to 802 00:48:09,040 --> 00:48:13,080 Speaker 1: picture someone just saying that, like when they're like out 803 00:48:13,160 --> 00:48:15,719 Speaker 1: loud and they're like, okay, we're having like a barbecue 804 00:48:15,760 --> 00:48:18,279 Speaker 1: and someone's like, all right, so here's my thing with 805 00:48:18,360 --> 00:48:21,399 Speaker 1: the fucking birds, And just imagine how quickly you could 806 00:48:21,440 --> 00:48:23,719 Speaker 1: silence a table and you're like okay, so that's not 807 00:48:23,960 --> 00:48:27,160 Speaker 1: something that's worth pursuing online. If you would silence a 808 00:48:27,280 --> 00:48:30,880 Speaker 1: table full of your loved ones simply by bringing it up, 809 00:48:31,080 --> 00:48:33,759 Speaker 1: you know, think, think twice. Maybe I've done this. I've 810 00:48:33,840 --> 00:48:38,759 Speaker 1: done this as well talking about beanie babies. Recently, I've 811 00:48:38,880 --> 00:48:41,200 Speaker 1: silenced a zoom call being like, here's the thing about 812 00:48:41,280 --> 00:48:45,879 Speaker 1: beanie babies. Is the thing someone just shared a video 813 00:48:45,920 --> 00:48:49,360 Speaker 1: with me about the manufactured demand he created in the market. 814 00:48:49,480 --> 00:48:52,880 Speaker 1: It was all of it was a fix. There was 815 00:48:53,000 --> 00:48:56,040 Speaker 1: drugs in the beans. Jamie, do you like me, have 816 00:48:56,239 --> 00:48:59,360 Speaker 1: hundreds of beanie babies in your parents basement somewhere? My 817 00:48:59,520 --> 00:49:02,120 Speaker 1: mom will disclosed where the beanie babies are at. She's 818 00:49:02,120 --> 00:49:05,320 Speaker 1: still she still believes in the secondary market. I was 819 00:49:05,400 --> 00:49:08,160 Speaker 1: at because I was like getting deep into beanie baby 820 00:49:08,239 --> 00:49:11,640 Speaker 1: Lord this past as Jack and Miles No and I 821 00:49:11,960 --> 00:49:13,839 Speaker 1: was like texted my mom being like, where did all 822 00:49:13,920 --> 00:49:16,000 Speaker 1: your beanie babies go? She's like, I still have them. 823 00:49:16,200 --> 00:49:17,560 Speaker 1: I was like, yeah, but where are they? She's like, 824 00:49:18,000 --> 00:49:20,520 Speaker 1: I still have them. She's like, what do you like 825 00:49:20,680 --> 00:49:24,359 Speaker 1: to know? Yeah, yeah, she was. She still thinks she's 826 00:49:24,360 --> 00:49:26,520 Speaker 1: gonna send me to college. Ten years ago on this ship, 827 00:49:28,000 --> 00:49:29,960 Speaker 1: this Diana Beanie baby is going to be the only 828 00:49:30,040 --> 00:49:34,000 Speaker 1: currency that that goes in the waste lands five dollars. 829 00:49:34,160 --> 00:49:37,160 Speaker 1: It's so depressive. Actually, when Jack and I were doing 830 00:49:37,200 --> 00:49:39,840 Speaker 1: our live show, we were doing a retrospective on the 831 00:49:39,960 --> 00:49:43,120 Speaker 1: year two thousand and we were talking about beanie babies 832 00:49:43,280 --> 00:49:45,920 Speaker 1: and I had found an eBay listing at the time 833 00:49:45,960 --> 00:49:48,520 Speaker 1: where someone was demanding a quarter of a million dollars 834 00:49:48,640 --> 00:49:51,120 Speaker 1: for the for the Princess Diana beanie baby in the 835 00:49:51,200 --> 00:49:55,640 Speaker 1: year there worth Like, they're worth five dollars still there, 836 00:49:55,719 --> 00:49:58,120 Speaker 1: worth the price they were when they came out. Why 837 00:49:58,160 --> 00:49:59,919 Speaker 1: does I have a special rose embroidered on the chest? 838 00:50:00,000 --> 00:50:03,200 Speaker 1: It's like the Phantom Menace action figures. We all bought 839 00:50:03,239 --> 00:50:05,520 Speaker 1: the Phantom Menace Action figures, being like, do you know 840 00:50:05,680 --> 00:50:11,840 Speaker 1: what years Griffey Jr. Rookie card this Jake Lloyd's the 841 00:50:11,920 --> 00:50:17,560 Speaker 1: next Marlon Brando. I'm telling you, hey, he still could be. 842 00:50:17,840 --> 00:50:21,200 Speaker 1: We don't know. Um, all right, guys, let's take a 843 00:50:21,280 --> 00:50:24,280 Speaker 1: quick break. We'll be right back to talk pop culture 844 00:50:24,360 --> 00:50:37,520 Speaker 1: and other bullshit. And we're back. And the Last Dance 845 00:50:38,320 --> 00:50:46,200 Speaker 1: was back on ESPN last night. I watched it this morning. Um, 846 00:50:47,360 --> 00:50:50,120 Speaker 1: Episode seven and eight, What do you guys think Jamie, 847 00:50:50,160 --> 00:50:51,759 Speaker 1: did you watch it this time? I did watch it 848 00:50:51,840 --> 00:50:54,640 Speaker 1: this time. I've watched it every time. Yeah, you watch it? Okay, 849 00:50:54,719 --> 00:50:58,719 Speaker 1: my bad. Did you watch it again this time? Did 850 00:50:58,800 --> 00:51:02,400 Speaker 1: you continue the epic dure? Yes, I continue the epic journey. Uh. 851 00:51:02,640 --> 00:51:04,520 Speaker 1: This is like we're getting into the zone now where 852 00:51:04,520 --> 00:51:08,440 Speaker 1: I was. I was like actually learning things I didn't 853 00:51:08,520 --> 00:51:11,720 Speaker 1: know before. I didn't know too much about the details 854 00:51:11,760 --> 00:51:14,920 Speaker 1: of the baseball season. I didn't know like, yeah, so 855 00:51:15,160 --> 00:51:18,600 Speaker 1: I hear you say that, as if everything up until 856 00:51:18,680 --> 00:51:21,520 Speaker 1: this point. You're like, I already know all of this. 857 00:51:22,200 --> 00:51:26,000 Speaker 1: What is next? But I knew like the general like 858 00:51:26,400 --> 00:51:29,239 Speaker 1: I need a general overview, But like the ninety four 859 00:51:29,320 --> 00:51:31,880 Speaker 1: to nineties six, I wasn't as as clear on like 860 00:51:32,040 --> 00:51:34,719 Speaker 1: the interlude years or what those were like. I didn't 861 00:51:34,719 --> 00:51:37,800 Speaker 1: know a prompted by his father's passing like it was. 862 00:51:38,560 --> 00:51:40,880 Speaker 1: It was a really emotional couple of episodes, and then 863 00:51:40,920 --> 00:51:42,759 Speaker 1: you see him cry at the end and you're like, man, 864 00:51:42,840 --> 00:51:45,040 Speaker 1: he's a real he's a real one. When he's just 865 00:51:45,640 --> 00:51:49,399 Speaker 1: it's so drama, but it's so beautiful. I was crying. Yeah. 866 00:51:49,719 --> 00:51:52,520 Speaker 1: It's the shot that where he has a drink next 867 00:51:52,600 --> 00:51:56,640 Speaker 1: to him and seems like he's a little drunk. Uh 868 00:51:57,200 --> 00:51:59,799 Speaker 1: is when he starts crying and the thing he's crying about, 869 00:51:59,840 --> 00:52:03,120 Speaker 1: He's like, this is who I am. If you don't 870 00:52:03,239 --> 00:52:06,160 Speaker 1: want to play that way, don't play that way. I'm 871 00:52:06,239 --> 00:52:09,040 Speaker 1: just a real competitor. Break. It's like, of all the 872 00:52:09,160 --> 00:52:12,400 Speaker 1: things that would have made you cry this episode, just 873 00:52:12,520 --> 00:52:15,719 Speaker 1: talking about how competitive you are was not the thing 874 00:52:15,840 --> 00:52:22,399 Speaker 1: I have my money on. But yeah, the question you say, 875 00:52:22,520 --> 00:52:25,480 Speaker 1: break like he was in a huddle with himself, no 876 00:52:25,719 --> 00:52:29,520 Speaker 1: like break like stop shooting that. He was just like, 877 00:52:29,840 --> 00:52:31,279 Speaker 1: you know, because I get him around and saying this 878 00:52:31,400 --> 00:52:33,120 Speaker 1: is who I If you don't want to play that way, 879 00:52:33,160 --> 00:52:37,560 Speaker 1: they don't play break because I'm only reading the text. 880 00:52:37,600 --> 00:52:39,959 Speaker 1: I haven't seen it. I'm I'm adding my own version 881 00:52:40,040 --> 00:52:41,880 Speaker 1: of the show. I like that that would be a 882 00:52:41,920 --> 00:52:46,600 Speaker 1: fun edition. So the James Jordan's thing I hadn't realized 883 00:52:46,719 --> 00:52:51,480 Speaker 1: like turned into references to the gambling stuff, like right away, 884 00:52:51,920 --> 00:52:54,879 Speaker 1: I thought that was more of like a conspiracy theory 885 00:52:54,920 --> 00:52:58,879 Speaker 1: that emerged over time. But like the media immediately was like, well, 886 00:52:58,960 --> 00:53:01,440 Speaker 1: he has all these like ambling things happening, and then 887 00:53:01,520 --> 00:53:04,279 Speaker 1: all of a sudden, his dad gets mysteriously killed the 888 00:53:04,719 --> 00:53:07,640 Speaker 1: like and now he's retiring, Like that's all too much, 889 00:53:07,760 --> 00:53:11,560 Speaker 1: too so I think he I don't know, like that 890 00:53:12,000 --> 00:53:16,279 Speaker 1: that conspiracy theory, which I have at various times been 891 00:53:16,360 --> 00:53:20,880 Speaker 1: intrigued by and said was intriguing, I feel less like. 892 00:53:21,000 --> 00:53:25,399 Speaker 1: I feel like it's just kind of stupid outsider speculation. Um. 893 00:53:26,040 --> 00:53:29,399 Speaker 1: In particular, like one of the details that you learned 894 00:53:29,440 --> 00:53:32,320 Speaker 1: in this is that one of the reporters who was 895 00:53:32,400 --> 00:53:35,239 Speaker 1: with him during the summer of ninety two in Barcelona 896 00:53:35,640 --> 00:53:38,879 Speaker 1: with the Dream Team uh Jordan was like, yeah, I'm 897 00:53:38,880 --> 00:53:41,840 Speaker 1: probably gonna retire after next season and go play baseball. 898 00:53:42,000 --> 00:53:44,439 Speaker 1: And I was like what. He's like, yeah, I don't 899 00:53:44,480 --> 00:53:47,360 Speaker 1: tell anyone, but I'm gonna retire after next season and 900 00:53:47,640 --> 00:53:52,160 Speaker 1: U and go play baseball. And the guy was like yeah, okay. 901 00:53:52,320 --> 00:53:55,279 Speaker 1: Well and then it happened and people are like, this 902 00:53:55,480 --> 00:53:58,359 Speaker 1: must be a conspiracy theory. And the guy was like, now, 903 00:53:58,560 --> 00:54:01,239 Speaker 1: that's that's what he was planning to do all along, 904 00:54:01,320 --> 00:54:02,960 Speaker 1: And in fact, that was the last thing he was 905 00:54:03,040 --> 00:54:05,799 Speaker 1: talking to his dad about before his dad passed away, 906 00:54:05,960 --> 00:54:09,000 Speaker 1: was like him retiring and going to play baseball. So 907 00:54:09,160 --> 00:54:11,719 Speaker 1: he felt like he owed it to his dad, and 908 00:54:12,400 --> 00:54:16,399 Speaker 1: so he started the season off with a thirteen game 909 00:54:16,520 --> 00:54:20,319 Speaker 1: hitting streak which I didn't remember before they figured out 910 00:54:20,360 --> 00:54:23,440 Speaker 1: he couldn't hit a curveball or breaking ball, and then uh, 911 00:54:23,800 --> 00:54:27,440 Speaker 1: he started hitting like ship. But it is like they 912 00:54:29,280 --> 00:54:33,279 Speaker 1: constantly yeah, yeah, I think they just didn't know. I 913 00:54:33,400 --> 00:54:36,360 Speaker 1: think they generally like mix it up more with like 914 00:54:36,480 --> 00:54:40,240 Speaker 1: they would any other hitter. And then but when they realized, 915 00:54:41,040 --> 00:54:43,080 Speaker 1: as if you were basketball player has no left hand 916 00:54:43,120 --> 00:54:44,920 Speaker 1: and can drible left or like, no, you got no 917 00:54:45,080 --> 00:54:50,320 Speaker 1: left bro, Yeah, because he's like by the time you 918 00:54:50,400 --> 00:54:54,120 Speaker 1: get to double a baseball, which is like the second 919 00:54:54,239 --> 00:54:56,680 Speaker 1: highest of the minor leagues, like the second hardest of 920 00:54:56,719 --> 00:55:01,000 Speaker 1: the minor leagues, Like you're facing basically people who don't 921 00:55:01,120 --> 00:55:03,960 Speaker 1: have like giant gaping holes in their swing. But like 922 00:55:04,120 --> 00:55:06,480 Speaker 1: this is probably the first person that they have played 923 00:55:06,480 --> 00:55:09,640 Speaker 1: against who like hasn't played baseball since high school, so 924 00:55:09,840 --> 00:55:13,000 Speaker 1: like he's he still has like high school guy issues 925 00:55:13,160 --> 00:55:17,080 Speaker 1: with his game. But Terry Francona was his manager, which 926 00:55:17,160 --> 00:55:19,840 Speaker 1: is wild, Like Terry Francona, who would eventually win the 927 00:55:19,880 --> 00:55:23,000 Speaker 1: World Series with the Red Sox, and he was like 928 00:55:23,200 --> 00:55:26,120 Speaker 1: he's the hardest working guy I've ever seen, and like 929 00:55:26,280 --> 00:55:28,600 Speaker 1: he would have been a good baseball player. If he 930 00:55:28,680 --> 00:55:31,360 Speaker 1: had stuck with it, which is pretty uh like in 931 00:55:31,440 --> 00:55:34,160 Speaker 1: high school, if he had, I don't know, like, if 932 00:55:34,200 --> 00:55:37,160 Speaker 1: he had kept even then stuck at baseball, he would 933 00:55:37,160 --> 00:55:39,960 Speaker 1: have made it to the majors. Um and then, like 934 00:55:40,239 --> 00:55:44,080 Speaker 1: you're saying even in him in his like leaving basketball, 935 00:55:44,360 --> 00:55:47,640 Speaker 1: that he had actually knuckled down. Francona believed that he 936 00:55:47,719 --> 00:55:51,800 Speaker 1: could have, especially when I was watching the baseball portion. 937 00:55:51,920 --> 00:55:54,520 Speaker 1: And I'm not I'm not an expert in this, but 938 00:55:54,719 --> 00:55:57,560 Speaker 1: like as people were like, actually, he was pretty good 939 00:55:57,600 --> 00:56:00,480 Speaker 1: at baseball, he probably could have gotten he could have 940 00:56:00,560 --> 00:56:02,799 Speaker 1: been I'm just like, oh, you really cannot make an 941 00:56:02,840 --> 00:56:06,279 Speaker 1: honest documentary about someone until they're dead, like you can, 942 00:56:07,040 --> 00:56:09,520 Speaker 1: Like I feel like if Michael Jordan's if there was 943 00:56:09,600 --> 00:56:12,759 Speaker 1: no chance that Michael Jordan would ever find out, uh 944 00:56:13,000 --> 00:56:15,840 Speaker 1: that people were like he was a fine baseball player, Like, 945 00:56:16,719 --> 00:56:18,480 Speaker 1: but no one would say that while he's still alive. 946 00:56:18,520 --> 00:56:22,680 Speaker 1: When you're doing it for Michael Jordan documentary, Yeah, Terry 947 00:56:22,719 --> 00:56:25,000 Speaker 1: Francona goes, oh my, you should have seen this, dude. 948 00:56:25,080 --> 00:56:27,480 Speaker 1: He was called him the dead body because he was 949 00:56:27,600 --> 00:56:31,439 Speaker 1: stinking it up, and that is sort of the hot 950 00:56:31,560 --> 00:56:35,239 Speaker 1: take of the series. That like, he wasn't that bad 951 00:56:35,280 --> 00:56:37,240 Speaker 1: at baseball, because the way I went down in history 952 00:56:37,400 --> 00:56:40,239 Speaker 1: was that like he was a joke and should never 953 00:56:40,320 --> 00:56:43,080 Speaker 1: have been playing. One thing that I hadn't really thought 954 00:56:43,160 --> 00:56:46,880 Speaker 1: of was that he like he wasn't starting at the 955 00:56:46,960 --> 00:56:49,160 Speaker 1: lowest level he was. Actually they like put him in 956 00:56:49,200 --> 00:56:51,880 Speaker 1: a league where he like, by all rights, should not 957 00:56:52,080 --> 00:56:56,920 Speaker 1: have been playing double a baseball. Um. And the owner 958 00:56:57,080 --> 00:56:59,840 Speaker 1: of the Bulls is the also the owner of the 959 00:57:00,000 --> 00:57:03,239 Speaker 1: White Sox, and he's like, yeah, we only stuck him 960 00:57:03,280 --> 00:57:07,000 Speaker 1: in the big leagues because we couldn't accommodate him at 961 00:57:07,080 --> 00:57:10,600 Speaker 1: the other facilities. And it's like such a bullshit excuse. 962 00:57:10,680 --> 00:57:12,719 Speaker 1: They were clearly like trying to set him up for 963 00:57:12,840 --> 00:57:16,560 Speaker 1: failure so that he would come back to basketball. I 964 00:57:16,680 --> 00:57:19,840 Speaker 1: think did he just play for the Barons the Birmingham Barns. 965 00:57:19,920 --> 00:57:21,360 Speaker 1: Was that the only team he played for? Yeah? I 966 00:57:21,400 --> 00:57:23,280 Speaker 1: think so. And that was and that was like the 967 00:57:23,320 --> 00:57:25,720 Speaker 1: White Sox minor league. Yeah, because I remember I had that. 968 00:57:26,200 --> 00:57:30,120 Speaker 1: I had three Michael Jordan's baseball cards because I was 969 00:57:30,160 --> 00:57:35,200 Speaker 1: a huge baseball card collect I was like, get ready, dad, 970 00:57:36,000 --> 00:57:43,000 Speaker 1: college is on me. Um. Yeah, So that I thought 971 00:57:43,080 --> 00:57:45,720 Speaker 1: that was really like it is just such a strange 972 00:57:45,840 --> 00:57:48,600 Speaker 1: thing that happened that, like the best basketball player of 973 00:57:48,640 --> 00:57:51,480 Speaker 1: all time retired at the height of his powers, went 974 00:57:51,560 --> 00:57:55,760 Speaker 1: and played baseball like like it was just a very 975 00:57:56,240 --> 00:57:58,720 Speaker 1: very cool episode to see that. And then he comes 976 00:57:58,800 --> 00:58:03,120 Speaker 1: back and this is also the episode where the pair 977 00:58:03,200 --> 00:58:06,240 Speaker 1: of episodes where you get him like being mean to 978 00:58:06,400 --> 00:58:08,760 Speaker 1: his teammates like that kind of is a focus of 979 00:58:09,120 --> 00:58:11,880 Speaker 1: the two episodes. They show him like ship talking to 980 00:58:11,880 --> 00:58:15,280 Speaker 1: this guy Scott Burrell was like just like a guy who, 981 00:58:15,360 --> 00:58:17,800 Speaker 1: like most people forget was even on the team. He 982 00:58:17,920 --> 00:58:20,520 Speaker 1: keeps calling him, He's like make this free throw. Ho. 983 00:58:21,200 --> 00:58:27,080 Speaker 1: It was like what he calls him a home multiple times. 984 00:58:27,320 --> 00:58:30,240 Speaker 1: It's like just such a weird thing to hear coming 985 00:58:30,280 --> 00:58:35,160 Speaker 1: out of Michael Jordan's mouth. He's treating him like a pimp. Then, 986 00:58:35,240 --> 00:58:39,200 Speaker 1: huh as not a huge sports fan. My favorite part 987 00:58:39,240 --> 00:58:41,479 Speaker 1: of these two episodes was seeing the behind the scenes 988 00:58:41,560 --> 00:58:44,400 Speaker 1: of Space Jam. There this is the behind the scenes 989 00:58:44,440 --> 00:58:46,760 Speaker 1: of Space Jam episode. You get to see that one 990 00:58:46,920 --> 00:58:51,640 Speaker 1: incredible shot of just all green screen and people playing 991 00:58:51,840 --> 00:58:55,960 Speaker 1: the monstars in green defense on him, and then Michael 992 00:58:56,000 --> 00:58:58,720 Speaker 1: Jordan says in the middle like moving his arms and 993 00:58:58,840 --> 00:59:02,080 Speaker 1: you're like movie magic look at it. Look at it 994 00:59:03,120 --> 00:59:06,800 Speaker 1: was inspiring seeing how like because partially due to space Sham, 995 00:59:07,080 --> 00:59:09,840 Speaker 1: he got that like whole court on the Warner Brothers 996 00:59:09,960 --> 00:59:12,200 Speaker 1: lot and all this great stuff happened, and like space 997 00:59:12,280 --> 00:59:15,440 Speaker 1: Jam helped elevate him back to greatness. I loved it. 998 00:59:15,560 --> 00:59:17,520 Speaker 1: That was a really cool detail of the story that 999 00:59:17,600 --> 00:59:20,040 Speaker 1: I hadn't known. I like, I read the book version 1000 00:59:20,120 --> 00:59:23,120 Speaker 1: of this before like two weeks ago, just because I 1001 00:59:23,200 --> 00:59:25,439 Speaker 1: was so excited about this, and like that whole space 1002 00:59:25,520 --> 00:59:28,440 Speaker 1: Jam thing was not in there like that that they 1003 00:59:28,480 --> 00:59:31,720 Speaker 1: have footage miles of. Like he was like, I'll do 1004 00:59:31,880 --> 00:59:35,160 Speaker 1: space Jam if you build a facility where I can 1005 00:59:35,200 --> 00:59:38,280 Speaker 1: practice like around the clock when I'm not shooting, and 1006 00:59:38,360 --> 00:59:41,720 Speaker 1: they like build him this amazing uh like field house 1007 00:59:41,840 --> 00:59:44,280 Speaker 1: essentially on the Warner Brothers lot, and then all the 1008 00:59:44,360 --> 00:59:46,840 Speaker 1: best players in the league started coming out and like 1009 00:59:47,440 --> 00:59:50,520 Speaker 1: practicing with him. And this was after his first like 1010 00:59:50,680 --> 00:59:53,720 Speaker 1: half season back when he kind of sucked uh like 1011 00:59:53,960 --> 00:59:56,720 Speaker 1: for him, uh and like had fucked up, and so 1012 00:59:56,920 --> 00:59:59,080 Speaker 1: he like used it to like scout all the best 1013 00:59:59,120 --> 01:00:02,360 Speaker 1: players in the league. I'm like check out everyone's game, 1014 01:00:02,520 --> 01:00:07,520 Speaker 1: like like lure them into his Yeah. Yeah, it's so 1015 01:00:08,040 --> 01:00:11,520 Speaker 1: it's yeah, it's great. I do even feel like when 1016 01:00:11,560 --> 01:00:13,480 Speaker 1: I was a kid, I feel like it was that 1017 01:00:13,600 --> 01:00:16,080 Speaker 1: sort of comeback moment that it was like Space Jam 1018 01:00:16,240 --> 01:00:18,800 Speaker 1: was a huge deal and was really pushed to kids 1019 01:00:18,880 --> 01:00:21,680 Speaker 1: as being this like massive thing that was going to 1020 01:00:21,760 --> 01:00:24,400 Speaker 1: bring Jordan's back to the mainstream. Like I remember the 1021 01:00:24,480 --> 01:00:27,880 Speaker 1: McDonald's toys for it, the usual. They were the like 1022 01:00:28,160 --> 01:00:30,600 Speaker 1: big I remember had the Lola Bunny and I pierced 1023 01:00:30,640 --> 01:00:33,040 Speaker 1: her ears. But they were like, this is a big 1024 01:00:33,240 --> 01:00:37,080 Speaker 1: fucking deal, Like your seven, Jordan is coming back to basketball. 1025 01:00:37,160 --> 01:00:40,200 Speaker 1: You're getting a fancy McDonald's toy it. Yeah, you know, 1026 01:00:40,360 --> 01:00:42,680 Speaker 1: it's serious. That was the only reason I knew like 1027 01:00:42,800 --> 01:00:45,520 Speaker 1: the Jordan's the Michael Jordan's myth as a kid is 1028 01:00:45,560 --> 01:00:48,120 Speaker 1: they it's the first couple scenes of Space Jam where 1029 01:00:48,120 --> 01:00:50,040 Speaker 1: they're like, and he would go outside every night and 1030 01:00:50,080 --> 01:00:52,880 Speaker 1: he wouldn't stop shooting baskets. But like they give you, 1031 01:00:53,040 --> 01:00:56,240 Speaker 1: like the whole legend primer in Space Jam. It's great, 1032 01:00:56,280 --> 01:00:59,320 Speaker 1: and he wore his old college shorts as underwear there forever. 1033 01:01:00,040 --> 01:01:03,920 Speaker 1: M the Also, the other amazing thing they have is 1034 01:01:04,200 --> 01:01:07,880 Speaker 1: they take you through the practice where he punches Steve 1035 01:01:08,040 --> 01:01:11,000 Speaker 1: Kerr in the face and Steve like punches him in 1036 01:01:11,040 --> 01:01:15,120 Speaker 1: the chest, which I thought would be something that they avoided, 1037 01:01:15,400 --> 01:01:18,920 Speaker 1: but that like next to that part because they go 1038 01:01:19,120 --> 01:01:22,640 Speaker 1: from that, because that's like leading into the seventy two 1039 01:01:22,680 --> 01:01:26,800 Speaker 1: win season when he was like extra motivated and just 1040 01:01:26,920 --> 01:01:30,520 Speaker 1: super piste and Steve Kerrs like he came into camp 1041 01:01:30,640 --> 01:01:33,560 Speaker 1: frothing at the mouth that year, just like really fired up, 1042 01:01:33,600 --> 01:01:35,880 Speaker 1: and so they like get into a fist fight, they 1043 01:01:35,960 --> 01:01:38,120 Speaker 1: make up, and then they go into the beginning of 1044 01:01:38,240 --> 01:01:41,560 Speaker 1: the seventy two win season and they're playing that Rapture 1045 01:01:41,680 --> 01:01:45,560 Speaker 1: remix uh the caras one like bad Boy Rapture remix. 1046 01:01:46,160 --> 01:01:49,720 Speaker 1: So dope. It's like such a great I don't know, 1047 01:01:49,840 --> 01:01:52,959 Speaker 1: the end of episode seven when he's like talking about 1048 01:01:53,040 --> 01:01:56,280 Speaker 1: how driven he is and like crying and then that 1049 01:01:56,480 --> 01:01:59,320 Speaker 1: part of episode eight are like the high points of 1050 01:01:59,360 --> 01:02:02,720 Speaker 1: the documentary for me, and I already loved it, but 1051 01:02:03,040 --> 01:02:06,479 Speaker 1: these these episodes were great. Yeah, Jamie, you have any 1052 01:02:06,680 --> 01:02:10,480 Speaker 1: anything you want to No, I I just I like it. 1053 01:02:10,560 --> 01:02:13,360 Speaker 1: I was I'm really It's next weekend is the last 1054 01:02:13,400 --> 01:02:17,880 Speaker 1: weekend of Jordan episodes, the last last dance. You know, 1055 01:02:18,160 --> 01:02:21,640 Speaker 1: I gotta he gonna win that he's going to win 1056 01:02:21,680 --> 01:02:25,080 Speaker 1: the game. He's gonna win the game, feeling guys he 1057 01:02:25,280 --> 01:02:28,520 Speaker 1: did it. I know he's gonna he's gonna confess, he's 1058 01:02:28,560 --> 01:02:30,720 Speaker 1: gonna forget that his MIC's on when he goes to 1059 01:02:30,840 --> 01:02:35,439 Speaker 1: the bathroom. No spoilers, no spoilers, but I think he's 1060 01:02:35,440 --> 01:02:37,760 Speaker 1: gonna win the game, and then at the end he's 1061 01:02:37,760 --> 01:02:41,280 Speaker 1: going to confess to the murder of punch Steve Kerr 1062 01:02:41,320 --> 01:02:50,160 Speaker 1: in the face of the bathroom. One thing we talked 1063 01:02:50,160 --> 01:02:53,520 Speaker 1: about on last week's episode was Craig Hodges was saying 1064 01:02:53,560 --> 01:02:56,080 Speaker 1: that he thought Jordan like specifically cut him out of 1065 01:02:56,240 --> 01:03:00,880 Speaker 1: the of this documentary series, and I was, well, who cares. 1066 01:03:00,960 --> 01:03:03,080 Speaker 1: He was like kind of a he didn't play that much. 1067 01:03:03,120 --> 01:03:08,560 Speaker 1: He wasn't a starter, and apparently so Craig Hodges. First 1068 01:03:08,600 --> 01:03:11,560 Speaker 1: of all, like his game was way ahead of his time. 1069 01:03:11,600 --> 01:03:14,600 Speaker 1: He was like the best three point shooter. It was 1070 01:03:14,680 --> 01:03:18,600 Speaker 1: just like a decade before three point shooting was recognized 1071 01:03:18,680 --> 01:03:21,840 Speaker 1: as like the key to winning a bunch of games. Um. 1072 01:03:22,760 --> 01:03:26,080 Speaker 1: But he was also like the reason the story behind 1073 01:03:26,200 --> 01:03:30,320 Speaker 1: he and Jordan's relationship is really interesting because he was 1074 01:03:30,480 --> 01:03:34,520 Speaker 1: like politically active and during the when the Bulls first 1075 01:03:34,600 --> 01:03:39,040 Speaker 1: went to the Finals. It was against the Lakers and 1076 01:03:39,240 --> 01:03:43,160 Speaker 1: right after the lap d beating of Rodney King, and 1077 01:03:43,800 --> 01:03:47,840 Speaker 1: he tried to get Jordan and Magic Johnson to boycott 1078 01:03:48,240 --> 01:03:52,560 Speaker 1: game one of the finals to like send a message. Uh. 1079 01:03:53,000 --> 01:03:57,440 Speaker 1: And Jordan was like, you're crazy, and Magic Johnson was like, 1080 01:03:57,520 --> 01:04:02,080 Speaker 1: that's too extreme, Craig. And then Craig Hodges like after 1081 01:04:03,920 --> 01:04:08,560 Speaker 1: the next year when the riots happened because the police 1082 01:04:08,880 --> 01:04:14,160 Speaker 1: got off um. Like Craig Hodges basically was like critical 1083 01:04:14,240 --> 01:04:18,320 Speaker 1: of Michael Jordan's for not ever taking a stand and 1084 01:04:19,040 --> 01:04:22,080 Speaker 1: he was basically run out of the league. His agent 1085 01:04:22,400 --> 01:04:27,080 Speaker 1: dropped him. He and like they this article talks about 1086 01:04:27,200 --> 01:04:30,200 Speaker 1: how this article is from like three years ago. Uh. 1087 01:04:30,480 --> 01:04:34,960 Speaker 1: And the article talks about how this reporter would like 1088 01:04:35,240 --> 01:04:40,200 Speaker 1: ask NBA players in like two thousand three, like five 1089 01:04:40,280 --> 01:04:44,960 Speaker 1: years after this whole thing happened, like what like why 1090 01:04:45,200 --> 01:04:48,000 Speaker 1: they why the NBA players don't take a political stand? 1091 01:04:48,440 --> 01:04:50,120 Speaker 1: And they're like, well, you don't want to end up 1092 01:04:50,160 --> 01:04:52,840 Speaker 1: like Craig Hodges, who like get got run out of 1093 01:04:52,920 --> 01:04:56,760 Speaker 1: the league for taking a political stand. Wild too, because 1094 01:04:56,800 --> 01:04:59,560 Speaker 1: he I mean he went to meet George H. W. 1095 01:04:59,800 --> 01:05:03,040 Speaker 1: B in a daishiki at the White House and he 1096 01:05:03,160 --> 01:05:06,240 Speaker 1: had written an eight page letter talking about the plight 1097 01:05:06,360 --> 01:05:09,920 Speaker 1: of African Americans in this country and was like, apparently 1098 01:05:09,960 --> 01:05:12,560 Speaker 1: there's an also an anecdote that w was there because 1099 01:05:12,680 --> 01:05:14,440 Speaker 1: you know, he likes basketball too and wanted to meet 1100 01:05:14,440 --> 01:05:17,360 Speaker 1: the teams, and because Hodges was wearing a tshiki, he 1101 01:05:17,480 --> 01:05:20,520 Speaker 1: thought he was not American and very slowly was like hello, 1102 01:05:21,360 --> 01:05:25,600 Speaker 1: and where are you from, sir, And Craig Hodges says, 1103 01:05:25,600 --> 01:05:29,120 Speaker 1: I'm from Chicago. Heights like straight back at him. And 1104 01:05:30,200 --> 01:05:32,280 Speaker 1: what happened was like later on, you know, people found 1105 01:05:32,280 --> 01:05:33,920 Speaker 1: out about that letter and he was asked if he 1106 01:05:33,960 --> 01:05:36,240 Speaker 1: thought the president read and he's like, I don't. I'm 1107 01:05:36,240 --> 01:05:38,760 Speaker 1: pretty sure he didn't um. And then he was also 1108 01:05:38,840 --> 01:05:40,960 Speaker 1: like did another interview where he was like Jack was 1109 01:05:41,000 --> 01:05:43,040 Speaker 1: saying he was talking about seeing these like like Mike 1110 01:05:43,120 --> 01:05:47,720 Speaker 1: commercials and like realizing that this missed opportunity. And he 1111 01:05:47,880 --> 01:05:50,320 Speaker 1: was asked about like the lack of black owners in 1112 01:05:50,360 --> 01:05:53,440 Speaker 1: the NBA, and was just very clearly just articulated the 1113 01:05:53,480 --> 01:05:55,920 Speaker 1: problem with the lack of black ownership, racism in the 1114 01:05:56,080 --> 01:05:58,360 Speaker 1: n b A, and all this other stuff of of 1115 01:05:58,560 --> 01:06:03,120 Speaker 1: people failing to address judicial injustice. So that story ran 1116 01:06:03,640 --> 01:06:06,880 Speaker 1: then twenty five days after Chicago won the next championship, 1117 01:06:07,000 --> 01:06:09,280 Speaker 1: Hodges was told he would not be offered a deal 1118 01:06:09,360 --> 01:06:12,280 Speaker 1: and he was only thirty two just days after, and 1119 01:06:12,320 --> 01:06:17,320 Speaker 1: it's just like, yeah, it shows you how effectively activists 1120 01:06:17,400 --> 01:06:20,160 Speaker 1: can be erased out of a narrative when it just 1121 01:06:20,280 --> 01:06:22,640 Speaker 1: doesn't quite fit with whatever you're trying to say. Because 1122 01:06:22,640 --> 01:06:24,640 Speaker 1: I'm not I don't look at this and say, oh 1123 01:06:24,720 --> 01:06:27,760 Speaker 1: my god, Michael Jordan is evil because he did this whatever, 1124 01:06:28,040 --> 01:06:30,840 Speaker 1: it would have been a very powerful moment in this documentary. 1125 01:06:30,840 --> 01:06:33,680 Speaker 1: I think to actually confront this, this back and forth 1126 01:06:33,720 --> 01:06:36,680 Speaker 1: between him and Craig Hodges, and to talk about the 1127 01:06:36,880 --> 01:06:39,240 Speaker 1: fear he may have had, what he thought he had 1128 01:06:39,320 --> 01:06:42,160 Speaker 1: to lose by speaking up, what the experiences of him 1129 01:06:42,200 --> 01:06:45,800 Speaker 1: as a person of color suddenly having a lot of influence, 1130 01:06:45,880 --> 01:06:47,840 Speaker 1: what you're able to do, what you're scared to do 1131 01:06:47,960 --> 01:06:50,000 Speaker 1: with that voice, looking at the example of other people 1132 01:06:50,000 --> 01:06:52,360 Speaker 1: who have taken stance like I think that's a very 1133 01:06:52,560 --> 01:06:56,320 Speaker 1: very interesting topic to deconstruct because I think that would 1134 01:06:56,320 --> 01:07:00,320 Speaker 1: be very powerful for any person to hear about magic 1135 01:07:00,440 --> 01:07:04,120 Speaker 1: or Michael being presented with a moment to really do something, 1136 01:07:04,160 --> 01:07:06,479 Speaker 1: because I'm sure they probably have regrets on some level, 1137 01:07:06,720 --> 01:07:08,000 Speaker 1: but you don't want to talk about it because it's 1138 01:07:08,000 --> 01:07:10,960 Speaker 1: messy or whatever. But my god, like, after seeing you know, 1139 01:07:11,120 --> 01:07:13,800 Speaker 1: reading this, and thank you to the listeners who were 1140 01:07:13,840 --> 01:07:15,800 Speaker 1: pointing this out just our own blind spots on this, 1141 01:07:16,440 --> 01:07:21,320 Speaker 1: it really was. Yeah, yeah, it's funny. When I when 1142 01:07:21,360 --> 01:07:23,600 Speaker 1: I watched the o j Doc, the one episode that 1143 01:07:23,680 --> 01:07:25,600 Speaker 1: I thought they should have included that they did not 1144 01:07:25,800 --> 01:07:29,120 Speaker 1: include was the episode about how sports sort of turns 1145 01:07:29,160 --> 01:07:33,120 Speaker 1: a blind eye to domestic abusers generally, and like, wouldn't 1146 01:07:33,120 --> 01:07:35,400 Speaker 1: it be cool if the Jordan doc had an episode. 1147 01:07:35,560 --> 01:07:37,400 Speaker 1: I have not watched it yet. I'm excited to watch 1148 01:07:37,480 --> 01:07:39,920 Speaker 1: it where they sort of dug in on like here 1149 01:07:39,920 --> 01:07:42,440 Speaker 1: are the ways in which the league fucked with everybody 1150 01:07:42,480 --> 01:07:44,800 Speaker 1: in the nineties. And I've been hearing like snippets that 1151 01:07:44,880 --> 01:07:46,840 Speaker 1: that's kind of the three line with the Scottie Pippen 1152 01:07:46,920 --> 01:07:49,160 Speaker 1: stuff and things like that. But you do sort of 1153 01:07:49,200 --> 01:07:51,760 Speaker 1: wish these docks would sort of take one step back 1154 01:07:51,920 --> 01:07:54,640 Speaker 1: from the you know, the personal narrative and be like, Okay, 1155 01:07:54,640 --> 01:07:57,520 Speaker 1: I hear the structures that have failed these people as well, 1156 01:07:57,960 --> 01:07:59,439 Speaker 1: and just I don't know, I feel like it would 1157 01:07:59,520 --> 01:08:02,240 Speaker 1: give it additional residence beyond the sort of person to 1158 01:08:02,360 --> 01:08:06,040 Speaker 1: person stories that you hear. I think that's the ransom 1159 01:08:06,120 --> 01:08:08,680 Speaker 1: though for a producer of a doc series like this, 1160 01:08:08,840 --> 01:08:11,120 Speaker 1: because the league is going to hold all that footage 1161 01:08:11,120 --> 01:08:13,960 Speaker 1: at gunpoint and they're gonna say, you want game footage, 1162 01:08:14,080 --> 01:08:16,920 Speaker 1: you better shut the funk up about any short time 1163 01:08:16,920 --> 01:08:19,880 Speaker 1: about shortcomings of the league? Can this can be all 1164 01:08:19,920 --> 01:08:23,240 Speaker 1: a spoken word? It wouldn't be airing on ESPN if 1165 01:08:23,400 --> 01:08:26,080 Speaker 1: they had that kind of access if I feel like 1166 01:08:26,160 --> 01:08:28,280 Speaker 1: every once in a while it does happen, But it's 1167 01:08:28,320 --> 01:08:30,840 Speaker 1: like it just needs to be a documentary and that 1168 01:08:31,000 --> 01:08:34,920 Speaker 1: has like a really good source to stuff. Who is 1169 01:08:35,000 --> 01:08:37,880 Speaker 1: willing to who wants to funk with the league? But 1170 01:08:38,040 --> 01:08:41,240 Speaker 1: it's yeah, there's there are like moments in in in 1171 01:08:41,439 --> 01:08:45,559 Speaker 1: any documentaries about like huge organizations where you're just like, oh, 1172 01:08:45,640 --> 01:08:47,720 Speaker 1: I bet that the director would have wanted to get 1173 01:08:47,760 --> 01:08:50,360 Speaker 1: more critical there. But then miles like you're saying, like 1174 01:08:50,439 --> 01:08:52,760 Speaker 1: that would mean that they couldn't use the footage they 1175 01:08:52,800 --> 01:08:55,360 Speaker 1: need to make the fucking thing in the first place, right, 1176 01:08:56,120 --> 01:08:57,920 Speaker 1: But I think it's for what it is. I think 1177 01:08:58,040 --> 01:09:01,160 Speaker 1: as a snapshot, very superficial and like or and even 1178 01:09:01,479 --> 01:09:04,400 Speaker 1: beneath the surface of like this entire saga, I think 1179 01:09:04,479 --> 01:09:06,640 Speaker 1: is really interesting. But yeah, I think, I mean, I 1180 01:09:06,720 --> 01:09:09,519 Speaker 1: feel like perhaps there's an entire other documentary where you 1181 01:09:09,600 --> 01:09:13,840 Speaker 1: get very narrowly about the responsibilities athletes have felt to 1182 01:09:13,920 --> 01:09:17,360 Speaker 1: speak out, especially when they are you know, like they're 1183 01:09:17,400 --> 01:09:21,160 Speaker 1: seen as leaders and like outsized figures to vulnerable communities. 1184 01:09:21,640 --> 01:09:27,080 Speaker 1: Mhm h some very superficial uh. Last notes on the documentary. 1185 01:09:27,080 --> 01:09:29,439 Speaker 1: I just found out that it's still being made, and 1186 01:09:29,680 --> 01:09:32,600 Speaker 1: I think Michael Jordan's found out where saw some of 1187 01:09:32,680 --> 01:09:34,559 Speaker 1: it and saw that his eyes looked like ship because 1188 01:09:34,640 --> 01:09:36,720 Speaker 1: now there are shots where his eyes don't look like 1189 01:09:36,840 --> 01:09:41,360 Speaker 1: ship for the first time, so big development. And also 1190 01:09:41,439 --> 01:09:45,240 Speaker 1: at one point, he like his fashion is a real 1191 01:09:45,360 --> 01:09:50,760 Speaker 1: testament to like what, yeah, to what somebody who is 1192 01:09:50,920 --> 01:09:56,240 Speaker 1: just like has confidence in everything they do, like it 1193 01:09:56,280 --> 01:09:58,479 Speaker 1: and just goes with all their instacs. Like at one 1194 01:09:58,479 --> 01:10:02,120 Speaker 1: point he's wearing like a Marty grab bead necklace that's 1195 01:10:02,200 --> 01:10:04,680 Speaker 1: just like black Marty grab beads, and he's just like 1196 01:10:04,880 --> 01:10:09,160 Speaker 1: rocking it with the tea. Basically, he dresses like a 1197 01:10:09,280 --> 01:10:12,679 Speaker 1: four year old who dresses themselves. It's right funny. It's 1198 01:10:12,760 --> 01:10:16,320 Speaker 1: very clear to me watching this dog that the producers 1199 01:10:16,680 --> 01:10:19,320 Speaker 1: or whoever it was making the movie did not give 1200 01:10:19,479 --> 01:10:22,840 Speaker 1: any guidelines as to like recommended wear, because there's some 1201 01:10:22,960 --> 01:10:25,519 Speaker 1: people in it, like I think like a Scottie Pippins 1202 01:10:25,560 --> 01:10:28,040 Speaker 1: wearing a suit the whole time, but but then like 1203 01:10:28,479 --> 01:10:31,160 Speaker 1: Jordan's wearing whatever the funk he shows up in other 1204 01:10:31,320 --> 01:10:33,560 Speaker 1: it's like, just if, just if you're doing it, just 1205 01:10:33,640 --> 01:10:37,200 Speaker 1: show up business casual. You can't go wrong. But everyone, 1206 01:10:37,280 --> 01:10:39,760 Speaker 1: like some people overshoot it, other people it's it's funny 1207 01:10:39,840 --> 01:10:41,600 Speaker 1: to watch. I wonder if they had produced every to 1208 01:10:41,640 --> 01:10:44,040 Speaker 1: be like, okay, Mike, could you wear like a shirt 1209 01:10:44,240 --> 01:10:47,519 Speaker 1: that isn't mesh this time? It's just Marais on camera. 1210 01:10:47,720 --> 01:10:50,800 Speaker 1: Bit he's like wearing like a fucking rain slicker with 1211 01:10:50,840 --> 01:10:53,840 Speaker 1: a mesh Marina and like fucking teams like what is 1212 01:10:54,000 --> 01:10:59,040 Speaker 1: this outfit? Kate? It's been a pleasure having you on 1213 01:10:59,160 --> 01:11:01,960 Speaker 1: the daily. Zya is where can people find you and 1214 01:11:02,120 --> 01:11:05,920 Speaker 1: follow you? Yeah? Twitter and Instagram both the same at 1215 01:11:06,120 --> 01:11:10,240 Speaker 1: it's at that hagend girl but girls spelled like riot girl, 1216 01:11:10,400 --> 01:11:13,400 Speaker 1: so two ours instead of an eye. Yeah, and uh, 1217 01:11:13,479 --> 01:11:17,040 Speaker 1: I'm pretty active on Medium and Spotify as well. And 1218 01:11:17,320 --> 01:11:19,400 Speaker 1: is there a tweet or some other work of social 1219 01:11:19,479 --> 01:11:22,240 Speaker 1: media you've been enjoying. Yeah, I realized I picked a 1220 01:11:22,320 --> 01:11:26,800 Speaker 1: hard one to articulate because it needs not In order 1221 01:11:26,880 --> 01:11:30,160 Speaker 1: to understand it, you need uh knowledge of a prior meme. 1222 01:11:30,560 --> 01:11:33,760 Speaker 1: But that prior meme is uh the picture that many 1223 01:11:33,800 --> 01:11:35,920 Speaker 1: of us have seen of the white woman at the 1224 01:11:36,000 --> 01:11:40,080 Speaker 1: chalkboard with the insane baby names. Uh. Somebody photoshop that 1225 01:11:40,200 --> 01:11:43,519 Speaker 1: this week to be Grimes's tweet about her baby name 1226 01:11:43,560 --> 01:11:45,880 Speaker 1: with Elon musk Uh, and that brought me a lot 1227 01:11:45,920 --> 01:11:51,160 Speaker 1: of joy. Uh, Jamie, where can people find you? And 1228 01:11:51,160 --> 01:11:54,400 Speaker 1: what's tweet you've been enjoying? Uh? You can find me Twitter? 1229 01:11:54,880 --> 01:11:58,400 Speaker 1: Jamie loved his help Instagram Jamie Krir superstar. I'm I'm 1230 01:11:58,400 --> 01:12:01,560 Speaker 1: gonna recommend a video because we talked space Jam and 1231 01:12:01,640 --> 01:12:03,519 Speaker 1: every time space Jam comes up, I'll go back and 1232 01:12:03,600 --> 01:12:08,840 Speaker 1: I rewatched Josh Fadom's classic video space Uh so just 1233 01:12:09,040 --> 01:12:13,240 Speaker 1: a signal boost to space say space Jam two one 1234 01:12:13,240 --> 01:12:17,000 Speaker 1: of my all time favorite YouTube videos ever. I just 1235 01:12:17,160 --> 01:12:25,720 Speaker 1: eat the best Warmer Brothers a Warmer Company. It's the 1236 01:12:25,800 --> 01:12:28,880 Speaker 1: perfect video. So I'll recommend that. Wasn't didn't that come 1237 01:12:28,920 --> 01:12:31,120 Speaker 1: out as like a funnier die exclusive when it first 1238 01:12:31,160 --> 01:12:34,000 Speaker 1: came out? Maybe? Yeah, it came. It came out like 1239 01:12:34,360 --> 01:12:36,760 Speaker 1: a couple of years before the Space Jam two was 1240 01:12:36,800 --> 01:12:39,320 Speaker 1: actually a thing. It's like five years. I just remember. 1241 01:12:39,360 --> 01:12:41,560 Speaker 1: There's like an added layer of absurdity where it's like 1242 01:12:41,680 --> 01:12:48,679 Speaker 1: an fo D release. So good, Miles, where can people 1243 01:12:48,720 --> 01:12:53,679 Speaker 1: find you? What's tweet you've been enjoying? Twitter, Instagram, PlayStation Network, 1244 01:12:53,880 --> 01:12:56,439 Speaker 1: Miles of Grade g R A Y. Also my other 1245 01:12:56,479 --> 01:13:00,320 Speaker 1: podcast for twenty Day Fiance where we talk about ninety 1246 01:13:00,400 --> 01:13:04,880 Speaker 1: day fiance. Uh. Some tweets that I like? Um, a few, 1247 01:13:05,200 --> 01:13:08,000 Speaker 1: my goodness. First one is from Tany Newsome at Trondy 1248 01:13:08,120 --> 01:13:11,160 Speaker 1: Newman Pass guests and co host of Yo Is This racist? 1249 01:13:11,840 --> 01:13:14,559 Speaker 1: Her tweet is love to cook sick of dishes? Need 1250 01:13:14,640 --> 01:13:18,120 Speaker 1: recipe using only paper towels and maybe a hair dryer. 1251 01:13:19,280 --> 01:13:23,720 Speaker 1: Uh that that feels about right. Um. There's another one 1252 01:13:23,760 --> 01:13:27,160 Speaker 1: from Hannah Goldfield at Hannah Goldfield. I'd like to apologize 1253 01:13:27,200 --> 01:13:29,679 Speaker 1: for a mean spirited tweet I wrote about people's moms 1254 01:13:29,800 --> 01:13:32,400 Speaker 1: not being hot. It was a subtweet directed at someone 1255 01:13:32,439 --> 01:13:34,840 Speaker 1: I hate, who I now realized signed on to be 1256 01:13:34,880 --> 01:13:38,280 Speaker 1: the executive producer of my TV show. We regret the error. 1257 01:13:40,280 --> 01:13:43,240 Speaker 1: And finally, this was a tweet that my goodness, Zeke 1258 01:13:43,280 --> 01:13:46,360 Speaker 1: gang member at Rainbow Treasure just tagged us in and 1259 01:13:46,680 --> 01:13:51,559 Speaker 1: it is a helicopter footage of a protest in Clearwater, Florida, 1260 01:13:52,160 --> 01:13:55,040 Speaker 1: UM where people are protesting outside of a gym and 1261 01:13:55,160 --> 01:13:58,080 Speaker 1: to do that, they're doing squats and push ups in 1262 01:13:58,200 --> 01:14:03,599 Speaker 1: the street with signs outside. It's I don't know, God 1263 01:14:03,640 --> 01:14:09,400 Speaker 1: bless y'all, you know, honestly, man, I'm Chelsea Peretti retweeted 1264 01:14:09,479 --> 01:14:11,800 Speaker 1: that and was like, thus proving that you can work 1265 01:14:11,840 --> 01:14:16,840 Speaker 1: out anywhere and not just a very good point, So 1266 01:14:17,040 --> 01:14:21,280 Speaker 1: tweets I've been enjoying. David Rlick tweeted, someone tell Michael 1267 01:14:21,360 --> 01:14:24,320 Speaker 1: Jordan the coronavirus said it was better than him. Um. 1268 01:14:24,560 --> 01:14:28,360 Speaker 1: That's one thing that like is a subject of these 1269 01:14:28,400 --> 01:14:32,320 Speaker 1: episodes is like how he uses petty spites and like 1270 01:14:32,600 --> 01:14:36,679 Speaker 1: just absurd ship to motivate him in a way where 1271 01:14:36,760 --> 01:14:40,040 Speaker 1: it like becomes repetitive and you like get the sense 1272 01:14:40,120 --> 01:14:42,559 Speaker 1: of like how boring it must be to be inside 1273 01:14:42,680 --> 01:14:46,679 Speaker 1: his head, because like at one point, George George Carl 1274 01:14:46,800 --> 01:14:49,440 Speaker 1: doesn't come over and say hi to him in a restaurant, 1275 01:14:49,880 --> 01:14:53,000 Speaker 1: and he uses that as like motivation to destroy the 1276 01:14:53,080 --> 01:14:56,479 Speaker 1: SuperSonics in the finals is like, I mean we went 1277 01:14:56,520 --> 01:14:58,599 Speaker 1: to you on See Together. I've seen him out golfing. 1278 01:14:58,640 --> 01:15:01,080 Speaker 1: He's not gonna say hi to me. The guy was 1279 01:15:01,120 --> 01:15:04,320 Speaker 1: probably like, I don't want to disturb the most famous 1280 01:15:04,439 --> 01:15:07,120 Speaker 1: person in the world right now, I'll just let him 1281 01:15:07,160 --> 01:15:13,280 Speaker 1: be interesting. Uh. It's like deep, like yeah, he's just 1282 01:15:13,560 --> 01:15:16,839 Speaker 1: was motivated to greatness by sheer pettiness. You're like, okay, 1283 01:15:17,000 --> 01:15:22,559 Speaker 1: that's fun. Yeah, and you realize that, Yeah, his Hall 1284 01:15:22,600 --> 01:15:26,439 Speaker 1: of Fame acceptance speech, he just like goes through all 1285 01:15:26,520 --> 01:15:29,720 Speaker 1: of his like petty grievances against everybody who's ever thought 1286 01:15:29,800 --> 01:15:32,639 Speaker 1: they were better than him free even like a fleeting 1287 01:15:32,960 --> 01:15:36,360 Speaker 1: five second period of a game. He just it's it's wild. 1288 01:15:36,960 --> 01:15:38,600 Speaker 1: And he's like, now, if you'll follow me to the 1289 01:15:38,720 --> 01:15:42,439 Speaker 1: grave site of a former high school rival basketball player 1290 01:15:42,840 --> 01:15:47,560 Speaker 1: who I will literally dunk on their grave. Also, I 1291 01:15:47,760 --> 01:15:52,599 Speaker 1: just checked Twitter, and Theresa Lee, frequent guest on Daily's, 1292 01:15:52,640 --> 01:15:56,360 Speaker 1: like tweeted an hour ago. Has anyone else noticed that 1293 01:15:56,479 --> 01:16:00,120 Speaker 1: birds in California are bolder than usual? I hear them 1294 01:16:00,120 --> 01:16:05,040 Speaker 1: all night like they're having it has been they have 1295 01:16:05,240 --> 01:16:08,160 Speaker 1: been louder. I will say they have been louder. I'm 1296 01:16:08,160 --> 01:16:10,519 Speaker 1: gonna I'm actually gonna tweet you know who we need 1297 01:16:10,600 --> 01:16:13,920 Speaker 1: to tweet his birds rights activists because birds rights activists 1298 01:16:13,960 --> 01:16:18,840 Speaker 1: has their proverbial beak to the street. That's right. Uh. 1299 01:16:19,400 --> 01:16:21,880 Speaker 1: You can find me on Twitter at Jack Underscore O'Brien. 1300 01:16:21,920 --> 01:16:24,400 Speaker 1: You can find us on Twitter at Daily Zeitgeist. We're 1301 01:16:24,400 --> 01:16:27,400 Speaker 1: at the Daily Zeitgeist on Instagram. We have a Facebook 1302 01:16:27,439 --> 01:16:30,599 Speaker 1: fan page on a website, Daily zeitgeist dot com where 1303 01:16:30,600 --> 01:16:34,040 Speaker 1: we post our episodes and our footnotes where we link 1304 01:16:34,080 --> 01:16:36,879 Speaker 1: off to the information that we talked about in today's episode, 1305 01:16:37,439 --> 01:16:40,360 Speaker 1: as well as the song we ride out on. Excuse 1306 01:16:40,400 --> 01:16:45,760 Speaker 1: me getting choked up like my getting Clint. It's a 1307 01:16:45,840 --> 01:16:50,320 Speaker 1: topic Duran. Duran is neither a Duran nor Duran. Look 1308 01:16:50,320 --> 01:16:54,680 Speaker 1: amongst yourselves, Man, I missed talk with a sketch. What 1309 01:16:55,120 --> 01:16:58,160 Speaker 1: us sketch, Miles, What are we going to ride out 1310 01:16:58,240 --> 01:17:01,879 Speaker 1: on today? We're gonna go on a track old Jurassic 1311 01:17:01,960 --> 01:17:04,880 Speaker 1: five songs that I love from the album Quality Control. 1312 01:17:04,960 --> 01:17:06,600 Speaker 1: But this is the thing, if you're a big j 1313 01:17:06,760 --> 01:17:09,320 Speaker 1: five fin this is there was always a track where 1314 01:17:09,320 --> 01:17:11,400 Speaker 1: a Newmark and Cut chemists will get their own sort 1315 01:17:11,439 --> 01:17:15,519 Speaker 1: of like instrumental like DJ breaks sort of uh slap 1316 01:17:15,640 --> 01:17:18,640 Speaker 1: together mosaic track. And this is that track from the 1317 01:17:18,720 --> 01:17:21,400 Speaker 1: Quality Control album called swing Set, and it's just got 1318 01:17:21,439 --> 01:17:23,880 Speaker 1: a bunch of great scratch scratching. It's got a bunch 1319 01:17:23,960 --> 01:17:26,120 Speaker 1: of great little breakbeats in there. It's like if you 1320 01:17:26,200 --> 01:17:29,000 Speaker 1: ever DJ do, you probably listen to song three times 1321 01:17:29,040 --> 01:17:32,560 Speaker 1: and you could probably go oh yeah because you know 1322 01:17:32,600 --> 01:17:35,280 Speaker 1: all the scratches by Heart, so enjoy this. It's upbeat. 1323 01:17:35,360 --> 01:17:37,320 Speaker 1: Starts to week right, keep it going. We love you 1324 01:17:37,400 --> 01:17:39,240 Speaker 1: all all right. The Daily is like you guys are 1325 01:17:39,240 --> 01:17:41,439 Speaker 1: the production of by Heart Radio. For more podcasts for 1326 01:17:41,520 --> 01:17:44,759 Speaker 1: my heart Radio, visit the I Heart Radio app, Apple podcast, 1327 01:17:44,880 --> 01:17:47,479 Speaker 1: or wherever you listen to your favorite shows. That is 1328 01:17:47,520 --> 01:17:49,439 Speaker 1: going to do it for today. We will be back 1329 01:17:49,520 --> 01:17:51,559 Speaker 1: this afternoon to tell you what's trending and we'll talk 1330 01:17:51,600 --> 01:18:17,040 Speaker 1: to them by bye. Let me Dad and bad because 1331 01:18:17,040 --> 01:18:17,200 Speaker 1: of the