1 00:00:00,960 --> 00:00:03,640 Speaker 1: The weight is over. It is time to start the 2 00:00:03,680 --> 00:00:10,559 Speaker 1: countdown of the top ten phone taps of Christmas best 3 00:00:10,600 --> 00:00:13,119 Speaker 1: prank calls that we've done all year long, and today 4 00:00:13,160 --> 00:00:17,040 Speaker 1: we're starting it off with number ten featuring Brook Fox, 5 00:00:17,800 --> 00:00:20,000 Speaker 1: who calls a guy who just auditioned to be in 6 00:00:20,040 --> 00:00:23,240 Speaker 1: a very very popular play. He's been waiting to hear 7 00:00:23,280 --> 00:00:26,080 Speaker 1: if he got cast in it, and well we're about 8 00:00:26,079 --> 00:00:29,640 Speaker 1: to call and tell him, yes, yes, he got the rule. 9 00:00:30,240 --> 00:00:32,400 Speaker 1: But there is kind of a modern twist to it. 10 00:00:33,320 --> 00:00:36,680 Speaker 2: It's so suiting that this is uh Christmas leading off 11 00:00:36,720 --> 00:00:37,720 Speaker 2: the Christmas. 12 00:00:37,840 --> 00:00:40,479 Speaker 1: Perfect time the year. Your number ten phone tap of 13 00:00:40,479 --> 00:00:43,800 Speaker 1: the Year happening right now gets Brook and Jefferies ten 14 00:00:43,880 --> 00:00:46,200 Speaker 1: phone Taps of Christmas number ten. 15 00:00:48,400 --> 00:00:50,200 Speaker 3: Hello is this aiden? 16 00:00:51,960 --> 00:00:52,200 Speaker 1: Yeah? 17 00:00:52,200 --> 00:00:56,400 Speaker 2: This is great. I'm Peter's assistant at the Community Theater. 18 00:00:57,880 --> 00:01:02,160 Speaker 3: Oh hi, yeah, you auditioned. 19 00:01:01,640 --> 00:01:05,399 Speaker 2: For a pretty big play coming up. I sure did you, 20 00:01:06,319 --> 00:01:09,199 Speaker 2: and I sure have got good news for you because 21 00:01:09,800 --> 00:01:12,119 Speaker 2: congratulations you got the part. 22 00:01:12,720 --> 00:01:14,720 Speaker 3: Oh no way, all right. 23 00:01:15,440 --> 00:01:18,280 Speaker 2: I love that you're clapping for yourself. 24 00:01:18,280 --> 00:01:18,840 Speaker 3: That's great. 25 00:01:20,080 --> 00:01:21,880 Speaker 2: I didn't think it was gonna happen. There's a lot 26 00:01:21,920 --> 00:01:24,120 Speaker 2: of competition. There were so many good people there trying 27 00:01:24,200 --> 00:01:26,880 Speaker 2: out well. And I'll also have you note that our director, 28 00:01:26,959 --> 00:01:30,640 Speaker 2: Peter he thought you had an excellent read and is 29 00:01:30,720 --> 00:01:32,880 Speaker 2: just so looking forward to working with you on this 30 00:01:32,959 --> 00:01:34,479 Speaker 2: production of A Christmas Carol. 31 00:01:35,560 --> 00:01:39,240 Speaker 1: H I am so pumped. Thank you, Thank you so much. 32 00:01:39,440 --> 00:01:40,200 Speaker 3: You're welcome. 33 00:01:40,560 --> 00:01:43,120 Speaker 2: Now, I do need to let you know Peter he 34 00:01:43,200 --> 00:01:45,479 Speaker 2: does have a little bit of a different vision on 35 00:01:45,560 --> 00:01:46,759 Speaker 2: how to do the play. 36 00:01:47,720 --> 00:01:49,520 Speaker 3: Oh cool, Yeah, yeah. 37 00:01:49,360 --> 00:01:52,200 Speaker 2: There will be an adult love scene involving your character. 38 00:01:55,320 --> 00:01:57,840 Speaker 2: When you say love scene, what do you mean, you know, 39 00:01:58,200 --> 00:01:58,480 Speaker 2: like a. 40 00:01:58,440 --> 00:01:59,760 Speaker 3: Love scene like you'd see in a movie. 41 00:01:59,800 --> 00:02:03,040 Speaker 2: I mean, I will say it's more than kissing, but 42 00:02:03,400 --> 00:02:08,000 Speaker 2: less than going all the way. I'm confused. 43 00:02:08,120 --> 00:02:10,640 Speaker 1: I auditioned for the role of the Ghosts of Christmas Path, 44 00:02:10,960 --> 00:02:11,840 Speaker 1: so that well. 45 00:02:11,880 --> 00:02:15,040 Speaker 2: Okay, I haven't seen the entire script, but I can 46 00:02:15,280 --> 00:02:17,160 Speaker 2: tell you a little something about it. 47 00:02:17,480 --> 00:02:19,360 Speaker 1: Please do, because I'm really curious. 48 00:02:19,400 --> 00:02:19,960 Speaker 3: Now. 49 00:02:20,000 --> 00:02:24,960 Speaker 2: In this rendition, Ebenezer Scrooge is much hornier than in 50 00:02:25,000 --> 00:02:25,320 Speaker 2: the book. 51 00:02:26,720 --> 00:02:27,240 Speaker 1: Hornier. 52 00:02:27,960 --> 00:02:33,360 Speaker 2: Yeah, I mean, just picture it. You're visiting him in 53 00:02:33,440 --> 00:02:37,919 Speaker 2: the middle of the night. Oh man, I don't like 54 00:02:38,000 --> 00:02:42,840 Speaker 2: where this is going. You will, especially when you're about 55 00:02:42,880 --> 00:02:45,359 Speaker 2: to be manhandled every night for the next thirty eight 56 00:02:45,400 --> 00:02:50,360 Speaker 2: consecutive days. What that is the genius that Peter is 57 00:02:50,400 --> 00:02:52,600 Speaker 2: to this production? No, that doesn't. 58 00:02:53,120 --> 00:02:54,760 Speaker 3: Close my mind when you think about it. 59 00:02:54,880 --> 00:02:57,480 Speaker 2: I mean, everybody's going to be talking about this play. 60 00:02:58,040 --> 00:02:59,320 Speaker 3: Yeah, that's what I'm worried about. 61 00:02:59,320 --> 00:03:00,480 Speaker 2: I don't want people to talking about it. 62 00:03:00,480 --> 00:03:01,320 Speaker 1: I don't want people. 63 00:03:01,120 --> 00:03:04,440 Speaker 2: Talking about me being manhandled. You're treating this like it's 64 00:03:04,480 --> 00:03:06,680 Speaker 2: some sort of smut film that I'm gonna buy off 65 00:03:06,720 --> 00:03:09,360 Speaker 2: the black market in a back alley. This is gonna 66 00:03:09,360 --> 00:03:13,639 Speaker 2: be tastefully done. This is community theater. I mean, has 67 00:03:13,680 --> 00:03:15,799 Speaker 2: anyone said yes to this? Am I the first call? 68 00:03:15,840 --> 00:03:17,119 Speaker 2: What about the other ghosts? 69 00:03:17,360 --> 00:03:19,720 Speaker 3: Oh? The other ghosts are all in? 70 00:03:20,320 --> 00:03:23,720 Speaker 2: Oh my god, I mean they really want to change 71 00:03:23,720 --> 00:03:24,680 Speaker 2: Scrooge for the better. 72 00:03:24,680 --> 00:03:25,400 Speaker 3: I'll tell you that. 73 00:03:25,840 --> 00:03:27,640 Speaker 2: I don't like to sound of that either. You know. 74 00:03:28,080 --> 00:03:30,560 Speaker 2: Can I at least know who's been cast as Ebenezer 75 00:03:30,600 --> 00:03:31,320 Speaker 2: before I commit? 76 00:03:32,080 --> 00:03:36,280 Speaker 3: Absolutely? Okay, let me see here. I'm just looking through 77 00:03:36,280 --> 00:03:36,640 Speaker 3: my pain. 78 00:03:37,160 --> 00:03:41,560 Speaker 2: Oh look at that the director Peter cast himself as Scrooge. 79 00:03:42,640 --> 00:03:46,120 Speaker 3: What You're gonna be in great hands? If you know 80 00:03:46,200 --> 00:03:46,680 Speaker 3: what I mean. 81 00:03:47,120 --> 00:03:49,400 Speaker 1: He seems not what I thought I was signing up 82 00:03:49,440 --> 00:03:50,520 Speaker 1: for when I auditioned. 83 00:03:50,800 --> 00:03:54,480 Speaker 2: Oh, you'll get past the cold feet now. Peter has 84 00:03:54,520 --> 00:03:57,560 Speaker 2: requested that you two start rehearsing tonight around eleven pm. 85 00:03:58,320 --> 00:04:01,520 Speaker 3: He secured the theater and will meet you there. So no, Look, 86 00:04:01,560 --> 00:04:03,840 Speaker 3: I understand that you're his assistant, but doesn't this sound 87 00:04:03,920 --> 00:04:04,760 Speaker 3: weird to you? 88 00:04:05,440 --> 00:04:09,280 Speaker 2: Well, remember, directors have different visions for things, and he 89 00:04:09,360 --> 00:04:13,280 Speaker 2: is a loosely going to be titled fifty Shades of Scrooge. 90 00:04:14,000 --> 00:04:14,920 Speaker 2: You gotta be joking. 91 00:04:15,400 --> 00:04:15,640 Speaker 3: I don't. 92 00:04:15,680 --> 00:04:17,520 Speaker 2: I don't know if that's exactly what's going to be 93 00:04:17,560 --> 00:04:19,919 Speaker 2: on the Marquis. But why would nobody tell me this 94 00:04:19,960 --> 00:04:22,920 Speaker 2: when I was auditioning. Well, didn't want to give away 95 00:04:22,960 --> 00:04:25,320 Speaker 2: all his secrets right off the bat, and plus, how 96 00:04:25,360 --> 00:04:27,599 Speaker 2: else would he be able to tell if the chemistry was, 97 00:04:27,640 --> 00:04:31,840 Speaker 2: you know, natural, I'm not being manhandled by streets. You 98 00:04:31,880 --> 00:04:32,640 Speaker 2: can't do that. 99 00:04:33,640 --> 00:04:34,279 Speaker 1: You're sick. 100 00:04:34,400 --> 00:04:36,400 Speaker 2: If you're going along with this, you know I'm not 101 00:04:36,480 --> 00:04:39,840 Speaker 2: the only one that's sick. Your sister Aubrey real messed 102 00:04:39,920 --> 00:04:44,839 Speaker 2: up in the head. Aubrey, Aubrey what Aubrey's the one 103 00:04:44,839 --> 00:04:47,480 Speaker 2: that set you up for this prank phone call? Oh 104 00:04:47,520 --> 00:04:54,200 Speaker 2: my god, Oh my gosh, this is actually Brook for 105 00:04:54,320 --> 00:04:56,800 Speaker 2: Brooke and Jeffrey in the morning. She emailed us and 106 00:04:56,839 --> 00:04:59,599 Speaker 2: told us that you just auditioned for a community theater 107 00:04:59,720 --> 00:05:00,760 Speaker 2: play I did. 108 00:05:01,120 --> 00:05:02,480 Speaker 3: That's so messed up. 109 00:05:02,600 --> 00:05:03,800 Speaker 1: I can't hold who he's that. 110 00:05:04,680 --> 00:05:07,280 Speaker 2: You said the director cast himself as screws and what's 111 00:05:07,279 --> 00:05:08,960 Speaker 2: the meat meats and night? I was like, what is 112 00:05:09,320 --> 00:05:11,800 Speaker 2: wrong here? Well, don't forget it's you and the two 113 00:05:11,800 --> 00:05:12,760 Speaker 2: other ghosts. 114 00:05:12,880 --> 00:05:13,599 Speaker 3: Oh, I forgot. 115 00:05:13,600 --> 00:05:17,680 Speaker 2: It's a group thing. Yeah, the there's a real visionary 116 00:05:17,680 --> 00:05:18,840 Speaker 2: when it comes to directing. 117 00:05:19,080 --> 00:05:21,800 Speaker 3: Oh, you wouldn't believe what he did with a Nutcracker 118 00:05:21,920 --> 00:05:25,400 Speaker 3: two seasons ago. Yeah, that was your. 119 00:05:25,400 --> 00:05:28,800 Speaker 2: Number ten phone top of twenty twenty five. Brooke and 120 00:05:28,960 --> 00:05:30,000 Speaker 2: Jeffrey in the Morning.